WEBVTT - Nobody Saw Who Pulled the Trigger

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<v Speaker 1>Welcome to Haunted Road, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Minky. Listener, discretion is advised.

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<v Speaker 2>I've always known I was not into the idea of

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<v Speaker 2>provoking spirits. For one, I find it disrespectful, and secondly,

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<v Speaker 2>if I can't see who I'm talking to, if I

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<v Speaker 2>can barely even prove they exist, why on earth would

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<v Speaker 2>I try to get their attention by berating them. This

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<v Speaker 2>episode's location really drove that home for me. I first

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<v Speaker 2>investigated it years ago on the show ghost Hunters. It

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<v Speaker 2>was one of my first cases on the show and

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<v Speaker 2>on national television, to be frank so, even though I'd

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<v Speaker 2>been on many teams and had investigated for years, I

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<v Speaker 2>was the new beat here, Which was why when my

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<v Speaker 2>partner on the show, who was definitely just trying to

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<v Speaker 2>have some fun with me, told the ghosts we were

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<v Speaker 2>looking for that I wanted to burn the whole place down,

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<v Speaker 2>I got a wee bit offensive. This was my reputation

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<v Speaker 2>on the line here. It was also in that moment

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<v Speaker 2>we heard slamming noises in the room with us. Whoever

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<v Speaker 2>was there did not like the idea of this preciously

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<v Speaker 2>historic building burning down. Nor did I, of course, so

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<v Speaker 2>we'd gotten a response, which I suppose is what anyone

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<v Speaker 2>could want on an investigation, especially one on reality television.

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<v Speaker 2>But truthfully, even though I don't think there was any

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<v Speaker 2>real ill intention, I didn't feel great about the way

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<v Speaker 2>we'd composed ourselves. And that's why the Cuban Club in

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<v Speaker 2>Ebor City, Florida cemented my decision to never antagonize a

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<v Speaker 2>spirit without reason Again. I'm Amy Bruney, and this is

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<v Speaker 2>Haunted Road. From the outside, the Cuban Club in Ebors City,

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<v Speaker 2>Florida looks like a stately old library or museum nestled

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<v Speaker 2>in a historic Hispanic neighborhood in northeastern Tampa. The structure

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<v Speaker 2>is made of bright yellow brick with white trim. Two

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<v Speaker 2>twin staircases, one on the right and one on the left,

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<v Speaker 2>meet in front of its raised front door. The columns

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<v Speaker 2>to either side of the entrance each stand two stories tall.

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<v Speaker 2>They frame the door, as well as a stained glass

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<v Speaker 2>window depicting the Cuban coat of arms. The inside is

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<v Speaker 2>equally elegant, think tiled floors, stairways with wrought iron balustrades,

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<v Speaker 2>a cantina that dates back to the late thirties or

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<v Speaker 2>early forties, and a theater that can seat four hundred

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<v Speaker 2>and seventy five people and fills two stories of the building.

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<v Speaker 2>It has an elaborately carved priscinnium surrounding the plush red curtain.

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<v Speaker 2>Just outside the theater. There are white ticket booths by

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<v Speaker 2>both the main and balcony entrances. The top floor holds

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<v Speaker 2>a ballroom with a fantastic view of the Tampa skyline,

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<v Speaker 2>plus a terrace. All this in a four story, thirty

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<v Speaker 2>seven thousand square foot Neo Classical Revival style building. If

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<v Speaker 2>you visit one of its many bars or gathering spaces,

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<v Speaker 2>it's not hard to picture people meeting here seventy or

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<v Speaker 2>eighty years ago, smoking, drinking, eating, and having a wonderful time.

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<v Speaker 2>Built in eighteen ninety nine, the Cuban Club was supposed

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<v Speaker 2>to provide both fun and financial stability to the residents

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<v Speaker 2>of Ebor City. At that time, the community was considered

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<v Speaker 2>the cigar capital of the world. According to the National

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<v Speaker 2>Park Service, Many of the six thousand residents worked in

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<v Speaker 2>factories where they made cigars. Thanks to restrictions on Cuban imports,

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<v Speaker 2>there was a high demand for American made ones Clubs

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<v Speaker 2>like the Cuban Club, which was renamed a couple of

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<v Speaker 2>times through its existence, popped up to offer locals a

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<v Speaker 2>place to gather and socialize, but also it provided benefits

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<v Speaker 2>and support that people might not otherwise get at their

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<v Speaker 2>working class jobs. As reported by Lucy B Wayne and

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<v Speaker 2>Lauren Krebs in a report for the US Department of

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<v Speaker 2>the Interior, who joined the Cuban Club didn't just have

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<v Speaker 2>a place to enjoy a drink and watch a show.

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<v Speaker 2>They could also attend English lessons, access the library, and

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<v Speaker 2>set up death benefits. The Cuban Club even offered its

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<v Speaker 2>members healthcare. The organization occasionally hired doctors and operated an

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<v Speaker 2>on site clinic. They helped their clients pay for surgeries

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<v Speaker 2>and other care, and if someone couldn't work because they

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<v Speaker 2>were too sick, the club would give them financial assistance.

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<v Speaker 2>Authors Mark Munsey and Carrie Schultz described the organization as

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<v Speaker 2>one of the first HMOs in the country. In light

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<v Speaker 2>of all this, it's fairly unsurprising that the club was

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<v Speaker 2>incredibly popular. In nineteen oh two, just three years after

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<v Speaker 2>it opens its doors, it had three hundred members. A

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<v Speaker 2>little over a decade later, in nineteen fourteen, that roster

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<v Speaker 2>had swelled to about one thousand people. Local law at

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<v Speaker 2>the time dictated that light skinned and dark skinned people

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<v Speaker 2>could not congregate together, so even though skin tones within

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<v Speaker 2>families would cover a range of human colorations, the Cuban

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<v Speaker 2>Club was for light skinned Cubans. Another local club was

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<v Speaker 2>for dark skinned Cubans. Despite this, residence flocked to the

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<v Speaker 2>Cuban Club. Even a fire in nineteen sixteen couldn't dissuade people,

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<v Speaker 2>and the rebuilt building reopened its doors the following year.

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<v Speaker 2>The decade after that, the club's treasurer, Enrique Santa Cruz,

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<v Speaker 2>embezzled a little over seven thousand dollars or the equivalent

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<v Speaker 2>of one hundred and twenty five thousand dollars today. The

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<v Speaker 2>club was still a smashing success. They hosted boxing matches

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<v Speaker 2>and musical performances and boasted roughly forty five hundred members

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<v Speaker 2>by the nineteen thirties. During the Cuban Revolution in the

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<v Speaker 2>nineteen fifties, a large number of its members supported Fidel Castro.

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<v Speaker 2>This led to some tension as Cuban refugees fleeing to

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<v Speaker 2>the United States didn't see eye to eye with high

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<v Speaker 2>ranking members of the club. In July nineteen sixty two,

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<v Speaker 2>a vandal painted hammers and sickles on the building an

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<v Speaker 2>unfurled a revolutionary banner. A month later, several leaders resigned

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<v Speaker 2>because the organization was, according to them, communists dominated, as

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<v Speaker 2>reported in the Tampa Tribune. Interestingly, after that summer, the

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<v Speaker 2>club's politics seemed to mellow. They did more outreach to

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<v Speaker 2>Cuban refugees who'd fled Castro's rule. This all happened in

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<v Speaker 2>the midst of an anti communist wave that swept through

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<v Speaker 2>the whole United States, not just Ebor City. The same

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<v Speaker 2>year as the vandalism and the resignations, an embargo made

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<v Speaker 2>it impossible for American factories to import Cuban tobacco. The

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<v Speaker 2>cigar plants near the Cuban Club subsequently shut down. It

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<v Speaker 2>was terrible timing, as a recent highway construction project had

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<v Speaker 2>destroyed parts of the neighborhood, and a subsequent urban development

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<v Speaker 2>program displaced nearly one thousand families. While people left Ebor City,

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<v Speaker 2>fewer locals bought memberships at the club, and it began

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<v Speaker 2>to suffer a thirty year decline. In nineteen ninety two,

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<v Speaker 2>a non profit group bought the building and set about

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<v Speaker 2>renovating and restoring it while educating people on Ebor City's history.

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<v Speaker 2>According to Paul Guzo of the Tampa Bay Times, today

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<v Speaker 2>you can rent the club as an event space. While

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<v Speaker 2>its ultimate decline was related to finances and the US

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<v Speaker 2>Cuban relationship, the club suffered its fair share of scandals too.

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<v Speaker 2>It stands to reason, of course, a paston popular social

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<v Speaker 2>club would be a pressure cooker for interpersonal conflict that

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<v Speaker 2>erupted into violence. In nineteen twenty seven, the club's treasurer,

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<v Speaker 2>Enrique Santa Cruz, took his own life. He was behind

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<v Speaker 2>the embezzlement scandal I mentioned before, and when he died,

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<v Speaker 2>he left a note confessing to the crime. Seven years later,

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<v Speaker 2>in April nineteen thirty four, the president, Edward Valdez, made

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<v Speaker 2>the unpopular decision to fire one of the organization's doctors.

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<v Speaker 2>He and the other leaders held a meeting to discuss

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<v Speaker 2>the firing. Over five hundred disgruntled members piled into the

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<v Speaker 2>packed theater to des gust the situation. Over the course

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<v Speaker 2>of two hours, the discussions grew more contentious. Accounts vary,

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<v Speaker 2>but it seems that at one point one or more

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<v Speaker 2>attendees rushed the stage, or they flocked toward President Valdez

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<v Speaker 2>when he tried to leave. In one account published in

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<v Speaker 2>the Tampa Bay Times, a cigar maker and member named

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<v Speaker 2>Bellarmino Vallejo led the mob. There's some debate over how

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<v Speaker 2>things escalated from there, but after a massive brawl broke

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<v Speaker 2>out among more than a dozen of the attendees, a

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<v Speaker 2>gunshot rang through the theater. Bell Armino had been shot,

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<v Speaker 2>but nobody saw who pulled the trigger, in part because

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<v Speaker 2>Bellarmino had somehow made his way toward the dressing rooms,

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<v Speaker 2>which had no clear line of sight from the rest

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<v Speaker 2>of the theater. He was rushed into surgery at a

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<v Speaker 2>clinic across the street, but his physicians couldn't save his life.

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<v Speaker 2>In his final hours, Bellarmino explained how he'd been murdered.

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<v Speaker 2>According to him, two club directors removed his glasses and

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<v Speaker 2>held him down while President Edward Valdez shot him. Just

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<v Speaker 2>before midnight on Friday the thirteenth, bell Armino breathes his

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<v Speaker 2>last breath, but his testimony apparently wasn't strong enough to

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<v Speaker 2>convict anyone of his murder. The police never charged anyone

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<v Speaker 2>with the crime. There are allegations of another homicide that

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<v Speaker 2>happened in the club, presumably around nineteen seventeen, but I

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<v Speaker 2>haven't been able to find any sources verifying that it happened.

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<v Speaker 2>The accounts say a club president named Albert J. Colby

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<v Speaker 2>was shot in the face, and his specter is said

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<v Speaker 2>to still haunt the building. These rumors also imply that

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<v Speaker 2>his murder may have been related to his involvement in

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<v Speaker 2>another embezzlement scheme. The problem the club has never had

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<v Speaker 2>a president with that name. One leader had a similar moniker,

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<v Speaker 2>Alfredo J. Coley, but he wasn't murdered, and he lived

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<v Speaker 2>and served the club for years after the supposed homicide.

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<v Speaker 2>So it's hard to say whose ghost with a visible

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<v Speaker 2>wound on his face haunts the club. It's not bel

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<v Speaker 2>Armino Vallejo. His fatal injury was in his abdomen. That said,

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<v Speaker 2>Bellarmino's ghost has been spotted frequently in the theater where

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<v Speaker 2>he was shot. According to Lloyd Carrera Santos, writing for

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<v Speaker 2>El Cerulo Cubano in one oh one, he died just

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<v Speaker 2>before twelve am, and his ghosts trudged back to the

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<v Speaker 2>club and stepped over the threshold right as midnight bells chimed.

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<v Speaker 2>Some witnesses have also seen President Edward Valdez, who Bellarmino

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<v Speaker 2>named as his killer. The Cuban Club hauntings are interesting

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<v Speaker 2>in that there are a lot of ghosts with names

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<v Speaker 2>and backstories that can't be verified. Like the spirit with

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<v Speaker 2>the facial gunshot wound, their histories and the causes of

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<v Speaker 2>their debts are mixed with rumor and allegation in a

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<v Speaker 2>way that makes it hard to say what's true and

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<v Speaker 2>what isn't. For example, accounts say that in nineteen nineteen,

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<v Speaker 2>a playwright an actor named Vincent Or Victorio was supposed

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<v Speaker 2>to star in his debut play. According to a story

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<v Speaker 2>on Fox thirteen, he forgot his lines during the performance,

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<v Speaker 2>w h umiliated, he took his own life, and some

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<v Speaker 2>telling he waited until late that night when the theater

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<v Speaker 2>was empty. In others, he died by suicide on stage

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<v Speaker 2>during the show, right in front of the horrified audience members. However,

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<v Speaker 2>there aren't any contemporary records to validate any part of

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<v Speaker 2>this story. Likewise, many visitors have claimed to see a

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<v Speaker 2>woman in a white dress and red heels in the ballroom.

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<v Speaker 2>Local lore suggests Her name is Carlita or Rosalita, and

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<v Speaker 2>she attended an event at the club in the twenties.

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<v Speaker 2>A man asked her to dance, and when she declined,

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<v Speaker 2>he flew into a rage and pushed her off a

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<v Speaker 2>third story balcony, killing her. However, there's no record of

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<v Speaker 2>such a murder happening, nor is there any evidence to

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<v Speaker 2>support the rumors that her vengeful brother killed the man

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<v Speaker 2>the next day. Additionally, there are no records of anyone

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<v Speaker 2>ever drowning in the club's pool, which is in the basement,

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<v Speaker 2>but many visitors claim they've seen an eight or nine

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<v Speaker 2>year old boy named Jimmy playing with the ball where

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<v Speaker 2>the pool used to be. Guests looking at the club

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<v Speaker 2>from the outside have also seen Jimmy peering out the

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<v Speaker 2>upstairs windows at them. Beyond that, there are many supposed

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<v Speaker 2>spirits whose identities aren't known. Sometimes they sound like a

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<v Speaker 2>woman screaming for help or an unseen person singing. When

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<v Speaker 2>guests walk by paintings, they get the sense that the

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<v Speaker 2>subject's eyes are following them. The piano in the theater

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<v Speaker 2>often plays by itself. The elevator tends to malfunction between

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<v Speaker 2>four and five am, and these technical problems have been

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<v Speaker 2>blamed on different ghosts, depending on who you ask. Occasionally,

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<v Speaker 2>visitors catch a whiff of smoke on the air, like

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<v Speaker 2>a spectral memory of the fire that burnt the club down.

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<v Speaker 2>Other times, a man who smells of pipe tobacco, dressed

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<v Speaker 2>in a suit in Fedora has been sighted rushing past

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<v Speaker 2>visitors then disappearing. All to say, the building seems positively

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<v Speaker 2>crowded with spirits. In fact, a local ghost tour guide

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<v Speaker 2>is speculated that there was something like three hundred specters

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<v Speaker 2>in the building, and the Travel Channel has dubbed the

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<v Speaker 2>Cuban Club one of the top ten most haunted locations

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<v Speaker 2>in the United States. Perhaps the area is just as

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<v Speaker 2>brimming with people after their deaths as it was during

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<v Speaker 2>their lives.

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<v Speaker 1>Up next, we will be.

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<v Speaker 2>Talking to local ghost tour guide Steve Stamberger. He has

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<v Speaker 2>spent countless hours in the Cuban Club and given that

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<v Speaker 2>he's one of the most well known ghost tour guides

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<v Speaker 2>in Ebor City, he has some very colorful stories to tell.

0:13:26.400 --> 0:13:39.439
<v Speaker 2>That is coming up after the break. So I am

0:13:39.480 --> 0:13:43.040
<v Speaker 2>now joined by Steve Stamberger, who is a ghost and

0:13:43.200 --> 0:13:44.679
<v Speaker 2>historic tour guide.

0:13:44.400 --> 0:13:45.280
<v Speaker 1>In Ebar City.

0:13:45.960 --> 0:13:48.680
<v Speaker 2>Very familiar with the Cuban Club and so we're so

0:13:48.760 --> 0:13:50.960
<v Speaker 2>happy to have him. Thanks for joining us today, Steve.

0:13:51.720 --> 0:13:53.679
<v Speaker 3>It is my pleasure to be here with you.

0:13:54.080 --> 0:13:58.520
<v Speaker 2>So fun fact, I actually investigated the Cuban Club a

0:13:58.640 --> 0:14:01.200
<v Speaker 2>number of years ago with Guns. I want to say

0:14:01.200 --> 0:14:04.440
<v Speaker 2>this was like two thousand and eight, two thousand and seven.

0:14:04.920 --> 0:14:07.800
<v Speaker 2>I was still fresh on the scene with the show,

0:14:08.600 --> 0:14:11.800
<v Speaker 2>and I just remember a having a little bit too

0:14:11.920 --> 0:14:16.240
<v Speaker 2>much fun in Ebors City, which I feel like is

0:14:16.320 --> 0:14:17.240
<v Speaker 2>par for the course.

0:14:17.520 --> 0:14:20.600
<v Speaker 1>And then I also remember having.

0:14:20.360 --> 0:14:23.800
<v Speaker 2>Some really great activity in the club itself, and it

0:14:23.880 --> 0:14:26.320
<v Speaker 2>was one of my first kind of moments where I

0:14:26.400 --> 0:14:29.920
<v Speaker 2>was investigating I believe with Chris on the show, and

0:14:29.960 --> 0:14:32.880
<v Speaker 2>we had a lot of things happen in that ballroom upstairs.

0:14:32.920 --> 0:14:35.960
<v Speaker 2>We had a lot of footsteps, we had bangs, and

0:14:35.520 --> 0:14:37.760
<v Speaker 2>it was a really fun time. So I'm kind of

0:14:37.800 --> 0:14:39.440
<v Speaker 2>jealous you get to go in there so often.

0:14:40.640 --> 0:14:44.880
<v Speaker 4>It's quite a joy to be in that building and

0:14:45.480 --> 0:14:47.720
<v Speaker 4>touch base with the history and the heritage.

0:14:47.880 --> 0:14:52.240
<v Speaker 5>Yeah, but as a believer in the other side, it's

0:14:52.320 --> 0:14:55.160
<v Speaker 5>wonderful to be able to interact with that and to

0:14:55.240 --> 0:15:00.000
<v Speaker 5>bring our guests into that atmosphere where they can actually

0:15:00.240 --> 0:15:02.800
<v Speaker 5>touch the other side capture.

0:15:02.400 --> 0:15:07.600
<v Speaker 4>Images and in Iraq, it's quite an experience on our ghostores.

0:15:07.720 --> 0:15:10.840
<v Speaker 2>Okay, Now, if someone going into the Cuban Club rother

0:15:11.240 --> 0:15:14.000
<v Speaker 2>on a tour otherwise, like, what do you say, are

0:15:14.120 --> 0:15:17.080
<v Speaker 2>like the kind of the most common types of activity

0:15:17.080 --> 0:15:18.360
<v Speaker 2>people experience there.

0:15:19.160 --> 0:15:22.920
<v Speaker 3>Well, before we enter the building, we give an overrun

0:15:23.160 --> 0:15:25.720
<v Speaker 3>on the history of the building as well as what

0:15:25.920 --> 0:15:30.040
<v Speaker 3>goes on on each of the four floors. It is

0:15:30.200 --> 0:15:33.680
<v Speaker 3>estimated that there are three hundred spirits that call that

0:15:33.760 --> 0:15:39.400
<v Speaker 3>building home. But there are certain superstars in that building

0:15:39.600 --> 0:15:44.120
<v Speaker 3>who are very interested in showing themselves to people in

0:15:44.120 --> 0:15:47.640
<v Speaker 3>that building, whether you work in that building or whether

0:15:47.680 --> 0:15:53.120
<v Speaker 3>you're a guest in that building. So every floor has

0:15:53.160 --> 0:15:58.120
<v Speaker 3>something special, some superstar spirit who really likes to take

0:15:58.160 --> 0:16:00.000
<v Speaker 3>the stage on that particular floor.

0:16:00.720 --> 0:16:02.800
<v Speaker 2>So we cover the history of the Cuban Club in

0:16:02.840 --> 0:16:06.080
<v Speaker 2>the first half of the pod. So we're pretty familiar

0:16:06.120 --> 0:16:09.680
<v Speaker 2>with the backstory, which is it's very interesting. But what

0:16:09.720 --> 0:16:13.360
<v Speaker 2>I find kind of unusual, not even really unusual because

0:16:13.360 --> 0:16:16.520
<v Speaker 2>this happens quite often, but the fact that so many

0:16:16.560 --> 0:16:21.760
<v Speaker 2>of the spirits there there isn't like actual historic record

0:16:21.880 --> 0:16:26.560
<v Speaker 2>to link the spirits to like something that has happened

0:16:26.560 --> 0:16:29.720
<v Speaker 2>like they're not identified in some way through research. So

0:16:29.800 --> 0:16:32.040
<v Speaker 2>what do you think brings so many spirits to the

0:16:32.120 --> 0:16:32.760
<v Speaker 2>Cuban Club.

0:16:33.480 --> 0:16:37.480
<v Speaker 3>I have a personal opinion on that, and what I

0:16:37.560 --> 0:16:41.400
<v Speaker 3>tell my guests on the tour is that I remind

0:16:41.480 --> 0:16:44.920
<v Speaker 3>them about vinyl records, and I remind them how vinyl

0:16:44.960 --> 0:16:51.480
<v Speaker 3>records absorb the sound, the melody, the voices, and I

0:16:51.600 --> 0:16:56.520
<v Speaker 3>share that buildings such as the Cuban Club, those walls,

0:16:57.440 --> 0:17:01.880
<v Speaker 3>those floors, and ceilings act just like a vinyl record,

0:17:02.480 --> 0:17:06.720
<v Speaker 3>and over the decades that the Cuban people have called

0:17:06.720 --> 0:17:11.120
<v Speaker 3>that place home, the music, the voices all are built

0:17:11.160 --> 0:17:15.160
<v Speaker 3>and absorbed into those walls. The social clubs of mister

0:17:15.200 --> 0:17:19.520
<v Speaker 3>Ebors City were the center of each immigrant peoples. They

0:17:19.560 --> 0:17:23.760
<v Speaker 3>provided everything right, not just social life, but medical care

0:17:23.840 --> 0:17:27.040
<v Speaker 3>and hospitalization. They were the heart and soul of each

0:17:27.080 --> 0:17:31.000
<v Speaker 3>of those people, and those hearts and souls still resound

0:17:31.000 --> 0:17:31.639
<v Speaker 3>in that building.

0:17:32.359 --> 0:17:35.400
<v Speaker 2>That makes great sense, actually, because that's kind of kind

0:17:35.400 --> 0:17:38.680
<v Speaker 2>of a path we go down often on Hunted Road

0:17:38.760 --> 0:17:41.960
<v Speaker 2>and other areas where I investigate is that you know,

0:17:42.000 --> 0:17:45.680
<v Speaker 2>it's not always a place where someone passed or where

0:17:45.680 --> 0:17:48.600
<v Speaker 2>a tragedy happened. It can always be you know, a

0:17:48.640 --> 0:17:52.760
<v Speaker 2>location where someone just felt particularly drawn to it, like

0:17:52.840 --> 0:17:55.800
<v Speaker 2>it was the place of you know, happiness in their life,

0:17:55.920 --> 0:17:57.960
<v Speaker 2>great memories, and like why wouldn't you want to take

0:17:58.000 --> 0:17:59.600
<v Speaker 2>a moment and kind of relive that if you have

0:17:59.640 --> 0:18:02.480
<v Speaker 2>that a So that does make sense, So kind of

0:18:02.520 --> 0:18:04.680
<v Speaker 2>along those same lines. So we were kind of getting

0:18:04.680 --> 0:18:07.359
<v Speaker 2>into it briefly. You said, there's like different spirits that

0:18:07.480 --> 0:18:10.280
<v Speaker 2>kind of on each floor seem to make themselves known

0:18:10.320 --> 0:18:13.240
<v Speaker 2>the most. Can you kind of go into a couple

0:18:13.240 --> 0:18:17.280
<v Speaker 2>of maybe your favorite ghost stories or interactions that you've

0:18:17.320 --> 0:18:19.720
<v Speaker 2>had there over the years, or other people have kind

0:18:19.760 --> 0:18:20.760
<v Speaker 2>of parleyed to you.

0:18:21.280 --> 0:18:25.399
<v Speaker 3>Oh. Absolutely, Because we are the only ghost tour in

0:18:25.480 --> 0:18:29.240
<v Speaker 3>mister Eboards City with access to that building. We have

0:18:29.320 --> 0:18:31.800
<v Speaker 3>a lot of people come on our tours and a

0:18:31.840 --> 0:18:35.919
<v Speaker 3>lot of them are repeat customers. They want access to

0:18:35.960 --> 0:18:38.919
<v Speaker 3>that building and it's only through our ghost tour they

0:18:38.960 --> 0:18:43.760
<v Speaker 3>can do that. And so they bring that magic with them,

0:18:43.920 --> 0:18:48.560
<v Speaker 3>that ability to interact with the other side, to sense it,

0:18:47.800 --> 0:18:51.000
<v Speaker 3>to relate to it. And when a person like that

0:18:51.640 --> 0:18:54.480
<v Speaker 3>is in the building, they are like a candle in

0:18:54.520 --> 0:18:58.719
<v Speaker 3>a dark room and the spirits are drawn to them.

0:18:59.040 --> 0:19:02.040
<v Speaker 3>They are drawn to the life, and so we have

0:19:02.160 --> 0:19:07.840
<v Speaker 3>people on our tours who actually will freeze as they

0:19:07.840 --> 0:19:12.119
<v Speaker 3>are actually expressing an interaction with a spirit. In that building,

0:19:12.640 --> 0:19:16.240
<v Speaker 3>he started with the ballroom, and of course, the young

0:19:16.280 --> 0:19:20.160
<v Speaker 3>girl's name is Rosalita. She's known as the woman in White.

0:19:20.600 --> 0:19:25.000
<v Speaker 3>She was tragically murdered. She was thrown out of the

0:19:25.000 --> 0:19:29.080
<v Speaker 3>fourth floor ballroom window because she refused to dance with

0:19:29.080 --> 0:19:32.359
<v Speaker 3>a particular gentleman. As the story has evolved, it's quite

0:19:32.400 --> 0:19:38.160
<v Speaker 3>possible that she was with child, unmarried, supposedly a stunning

0:19:38.200 --> 0:19:42.639
<v Speaker 3>beauty and a great dancer, and while she's at that

0:19:42.800 --> 0:19:47.320
<v Speaker 3>fourteen foot long French door, perhaps catching a breath of

0:19:47.400 --> 0:19:50.119
<v Speaker 3>fresh air or a sip of cool water on a

0:19:50.160 --> 0:19:55.520
<v Speaker 3>hot Sunday evening, she declines a gentleman's advances for a dance,

0:19:56.080 --> 0:19:59.160
<v Speaker 3>and she's thrown out of the window, and she dies

0:19:59.200 --> 0:20:00.880
<v Speaker 3>at the foot of the steps on the north side

0:20:00.920 --> 0:20:04.280
<v Speaker 3>of the building on Palm Avenue. She's known in that

0:20:04.320 --> 0:20:06.880
<v Speaker 3>building as a woman in White and has often been

0:20:06.920 --> 0:20:12.600
<v Speaker 3>seen and captured on film and digital photography in a

0:20:12.720 --> 0:20:18.560
<v Speaker 3>flowing address. It's the ballroom, It's where she was the happiest.

0:20:20.000 --> 0:20:23.879
<v Speaker 3>She's often been seen from across the street the people

0:20:23.920 --> 0:20:27.720
<v Speaker 3>look up to the ballroom, and once you understand the

0:20:27.800 --> 0:20:30.080
<v Speaker 3>layout of the ballroom, the only way she could be

0:20:30.119 --> 0:20:32.879
<v Speaker 3>seen as if she was on a twenty foot ladder,

0:20:33.280 --> 0:20:35.439
<v Speaker 3>and when you go in there, there's no twenty foot ladder.

0:20:35.680 --> 0:20:38.159
<v Speaker 3>And yet people have seen her at the top of

0:20:38.200 --> 0:20:43.040
<v Speaker 3>those magnificent windows, and so people will have interactions with her.

0:20:43.960 --> 0:20:46.560
<v Speaker 3>A few months ago, I had a young girl on

0:20:46.600 --> 0:20:51.879
<v Speaker 3>the tour. She was actually Haitian and Dominican. She has

0:20:52.359 --> 0:20:55.439
<v Speaker 3>both parents from both sides of that island, and she

0:20:55.640 --> 0:21:01.600
<v Speaker 3>had beautiful, beautiful, dark hair. While everyone's up there and

0:21:01.800 --> 0:21:04.800
<v Speaker 3>taking pictures and videos, and of course they're using our

0:21:04.840 --> 0:21:09.040
<v Speaker 3>emf meters, she screams at the top of her lungs

0:21:09.359 --> 0:21:13.320
<v Speaker 3>and faints on the floor. And when we brought her back,

0:21:14.040 --> 0:21:18.000
<v Speaker 3>she said that ROSALIEA actually approached her and she could

0:21:18.000 --> 0:21:21.560
<v Speaker 3>see her face and Rosalie reached out and stroked her

0:21:21.560 --> 0:21:24.840
<v Speaker 3>beautiful hair, and of course at that point she screamed

0:21:24.880 --> 0:21:27.960
<v Speaker 3>and passed out, and that is what she told us

0:21:28.000 --> 0:21:31.600
<v Speaker 3>when we revived her. And so we have different levels

0:21:31.840 --> 0:21:35.720
<v Speaker 3>of interaction with people, and a lot of times the

0:21:35.800 --> 0:21:40.560
<v Speaker 3>more open and better able to interact those types of

0:21:40.640 --> 0:21:43.680
<v Speaker 3>things happen right in that building and on the tours,

0:21:44.480 --> 0:21:46.960
<v Speaker 3>and those things also happened with the people that work

0:21:47.000 --> 0:21:50.960
<v Speaker 3>in that building. They're constantly having interaction with the spirits

0:21:51.040 --> 0:21:51.760
<v Speaker 3>in that building.

0:21:52.520 --> 0:21:54.679
<v Speaker 2>That's what was my next question was I wanted to

0:21:54.720 --> 0:21:57.399
<v Speaker 2>know kind of how that affects employees. They're like what

0:21:57.480 --> 0:21:59.879
<v Speaker 2>it's like for them working in the building on the

0:22:00.080 --> 0:22:04.960
<v Speaker 2>day today, like what I'm sure quite unexpected fashions. These

0:22:05.000 --> 0:22:07.919
<v Speaker 2>spirits kind of make themselves known to them. Have you

0:22:07.960 --> 0:22:10.040
<v Speaker 2>heard any stories from folks who work there.

0:22:10.960 --> 0:22:14.720
<v Speaker 3>Sure. The woman who is the office manager of the building,

0:22:15.320 --> 0:22:17.920
<v Speaker 3>she's in there early in the morning, and she will

0:22:18.080 --> 0:22:24.600
<v Speaker 3>often have interaction with the young boy himI, who drowns

0:22:24.800 --> 0:22:28.360
<v Speaker 3>in the swimming pool in nineteen thirty in the gymnasium

0:22:28.440 --> 0:22:33.920
<v Speaker 3>of that building. And the boy is always friendly. He's

0:22:33.960 --> 0:22:38.200
<v Speaker 3>an eight year old boy. She's had interactions as she's

0:22:38.440 --> 0:22:41.000
<v Speaker 3>going through the different floors of the buildings to where

0:22:42.280 --> 0:22:47.719
<v Speaker 3>she hears voices, she'll hear noises, and she'll talk to

0:22:47.760 --> 0:22:52.520
<v Speaker 3>the people and wish them a good day. It quiets down.

0:22:53.320 --> 0:22:56.240
<v Speaker 3>I think we both understand that spirits don't try to hide.

0:22:56.800 --> 0:22:58.760
<v Speaker 3>They want us to know they're they're and as a

0:22:58.760 --> 0:23:03.000
<v Speaker 3>result of that, if we ignore them, they make a

0:23:03.040 --> 0:23:06.720
<v Speaker 3>lot of noise. If we speak to them and give

0:23:06.720 --> 0:23:10.600
<v Speaker 3>them what they want recognition, they quiet down right. Actually,

0:23:10.760 --> 0:23:16.160
<v Speaker 3>the gentleman is the maintenance engineer of that building, will

0:23:16.160 --> 0:23:19.159
<v Speaker 3>often have to work in the evenings and getting the

0:23:19.160 --> 0:23:23.639
<v Speaker 3>building ready for some type of event or visitation, and

0:23:23.680 --> 0:23:28.000
<v Speaker 3>so he works during the night hours, and he will

0:23:28.040 --> 0:23:33.920
<v Speaker 3>often find himself dealing with footsteps on the stairs, he's

0:23:33.960 --> 0:23:37.880
<v Speaker 3>had furniture move while he's working in a particular room,

0:23:39.640 --> 0:23:44.920
<v Speaker 3>the sound of voices and different things. And so none

0:23:44.920 --> 0:23:49.560
<v Speaker 3>of us fear the spirituality of the building, but we

0:23:49.680 --> 0:23:53.280
<v Speaker 3>have a great deal of respect for that spirituality. We

0:23:53.400 --> 0:23:56.120
<v Speaker 3>know those spirits are there, and if you spend any

0:23:56.119 --> 0:23:59.840
<v Speaker 3>time in that building, you will never question whether or

0:23:59.840 --> 0:24:02.439
<v Speaker 3>not that building is the fourth most haunted building in

0:24:02.440 --> 0:24:03.000
<v Speaker 3>the country.

0:24:03.320 --> 0:24:05.960
<v Speaker 2>Now do you think that? Do you think the spirits

0:24:06.000 --> 0:24:10.080
<v Speaker 2>then become pretty familiar with people they see on a

0:24:10.160 --> 0:24:14.080
<v Speaker 2>daily basis. I'm sure they kind of start to kind

0:24:14.080 --> 0:24:16.920
<v Speaker 2>of grow an affection toward employees or maybe even tour

0:24:16.960 --> 0:24:19.320
<v Speaker 2>guides like yourself, Like, do you find that you have

0:24:19.440 --> 0:24:21.800
<v Speaker 2>maybe the same kind of interactions over and over again,

0:24:21.880 --> 0:24:24.280
<v Speaker 2>or they might make themselves known to you or others

0:24:24.560 --> 0:24:26.840
<v Speaker 2>in a special way just out of familiarity.

0:24:27.680 --> 0:24:30.520
<v Speaker 3>I believe that that's the case that over the years

0:24:31.960 --> 0:24:36.200
<v Speaker 3>there has been a welcoming to the living beings that

0:24:36.359 --> 0:24:42.000
<v Speaker 3>visit work in that building. On more than one occasion

0:24:43.240 --> 0:24:46.520
<v Speaker 3>when those people are on our tours that have that ability,

0:24:47.720 --> 0:24:51.560
<v Speaker 3>I have been told that there is an older Cuban

0:24:51.640 --> 0:24:55.160
<v Speaker 3>gentleman that follows me around the building and watches out

0:24:55.200 --> 0:24:58.879
<v Speaker 3>for my safety while I'm giving tours. And trust me,

0:24:59.160 --> 0:24:59.840
<v Speaker 3>I don't doubt that.

0:25:00.160 --> 0:25:03.520
<v Speaker 2>Thet Yeah, that's really interesting. So now just on the

0:25:03.600 --> 0:25:06.879
<v Speaker 2>day today, Like obviously, these are very profound, very spiritual

0:25:06.960 --> 0:25:10.040
<v Speaker 2>kind of types of experiences. And you know, like I said,

0:25:10.040 --> 0:25:13.240
<v Speaker 2>when I investigated there many moons ago, you know, I

0:25:13.280 --> 0:25:15.720
<v Speaker 2>remember just kind of being there late at night and

0:25:15.760 --> 0:25:16.200
<v Speaker 2>it can.

0:25:16.119 --> 0:25:17.720
<v Speaker 1>You know, thankfully we're there late enough.

0:25:17.720 --> 0:25:21.080
<v Speaker 2>I do remember, like it's busy downtown, but we were

0:25:21.080 --> 0:25:22.879
<v Speaker 2>there late at night that things kind of started to

0:25:22.880 --> 0:25:26.040
<v Speaker 2>get quiet and we were able to really experience the

0:25:26.080 --> 0:25:28.640
<v Speaker 2>building itself, and it does have kind of a special

0:25:28.680 --> 0:25:31.880
<v Speaker 2>feeling to it. But I do remember too just there

0:25:31.880 --> 0:25:36.119
<v Speaker 2>being a lot of noise, like a lot of a

0:25:36.160 --> 0:25:40.000
<v Speaker 2>lot of footsteps. I remember hearing footsteps a lot. I

0:25:40.040 --> 0:25:43.840
<v Speaker 2>remember hearing knocking. There was one point where the person

0:25:43.880 --> 0:25:47.640
<v Speaker 2>I was investigating with she she kind of made this

0:25:48.119 --> 0:25:51.480
<v Speaker 2>She said that I was going to burn the club down,

0:25:51.520 --> 0:25:53.560
<v Speaker 2>which clearly I was not, and I remember just being like,

0:25:53.680 --> 0:25:57.920
<v Speaker 2>very defensive, because I don't like provoking when I'm investigating

0:25:57.960 --> 0:25:59.600
<v Speaker 2>at all to try to get a rise out of

0:25:59.800 --> 0:26:02.760
<v Speaker 2>us spirits. So I just remember being like, no, I

0:26:02.840 --> 0:26:04.959
<v Speaker 2>am definitely not doing that, And right at that moment,

0:26:05.400 --> 0:26:08.160
<v Speaker 2>there was this massive bang that happened in the building.

0:26:08.640 --> 0:26:11.280
<v Speaker 2>And so do you see things like that very often?

0:26:11.600 --> 0:26:13.720
<v Speaker 2>Maybe not even on tours, but when you're in there

0:26:13.720 --> 0:26:17.560
<v Speaker 2>on your own or with other business.

0:26:17.880 --> 0:26:20.879
<v Speaker 3>Let me share this with you, and I rarely share

0:26:20.920 --> 0:26:24.960
<v Speaker 3>this information. I wear hearing aids. I will not wear

0:26:24.960 --> 0:26:28.320
<v Speaker 3>them in the building. I do not speak a word

0:26:28.359 --> 0:26:32.800
<v Speaker 3>of Spanish. When I have my hearing aids on, and

0:26:32.880 --> 0:26:36.600
<v Speaker 3>I've worn them in the past, I can hear that

0:26:36.720 --> 0:26:40.600
<v Speaker 3>I'm being spoken to in Spanish, and I do not

0:26:40.760 --> 0:26:43.919
<v Speaker 3>speak Spanish. But when I have my hearing aids on,

0:26:44.320 --> 0:26:48.639
<v Speaker 3>I can actually hear the Spanish language being spoken, and

0:26:48.720 --> 0:26:52.399
<v Speaker 3>I know it's being directed at me personally, and so

0:26:52.760 --> 0:26:57.760
<v Speaker 3>it doesn't scare me. But it is distracting when you're

0:26:57.800 --> 0:27:01.560
<v Speaker 3>trying to give a tour someone is speaking Spanish in

0:27:01.600 --> 0:27:04.800
<v Speaker 3>your ear and you know that it's not a living person.

0:27:05.640 --> 0:27:08.480
<v Speaker 2>So that is fascinating because, like, I have never even

0:27:08.520 --> 0:27:09.320
<v Speaker 2>thought about that.

0:27:09.320 --> 0:27:10.960
<v Speaker 1>That's the first time I've heard that.

0:27:11.040 --> 0:27:15.159
<v Speaker 2>Where hearing aids, because you know, we so often when

0:27:15.160 --> 0:27:18.760
<v Speaker 2>we investigate, we're using you know, electronics, we're using recorders,

0:27:18.800 --> 0:27:24.119
<v Speaker 2>we're using cameras, and I honestly never even occurred to

0:27:24.160 --> 0:27:27.159
<v Speaker 2>me that hearing aids could amplify something like that. And

0:27:27.200 --> 0:27:30.840
<v Speaker 2>I'll be curious if anyone's listening who's had this experience,

0:27:30.840 --> 0:27:32.560
<v Speaker 2>because this is something I'm going to follow up on.

0:27:32.640 --> 0:27:32.920
<v Speaker 1>I am.

0:27:33.000 --> 0:27:35.959
<v Speaker 2>So my interest is like hugely piqued by this, to

0:27:36.000 --> 0:27:38.800
<v Speaker 2>be honest. And so that's so you can't even wear

0:27:38.800 --> 0:27:41.080
<v Speaker 2>them in there because it's it's so difficult for you

0:27:41.160 --> 0:27:43.160
<v Speaker 2>to kind of concentrate on what you're doing because you're

0:27:43.200 --> 0:27:44.320
<v Speaker 2>hearing other things.

0:27:45.040 --> 0:27:48.960
<v Speaker 3>Yes, it's very distracting because you know you're trying to

0:27:48.960 --> 0:27:49.720
<v Speaker 3>communicate with.

0:27:49.680 --> 0:27:53.000
<v Speaker 2>You That's very interesting. I mean I I honestly, like

0:27:53.040 --> 0:27:55.919
<v Speaker 2>I said, I had never even thought of that. It

0:27:55.920 --> 0:27:58.600
<v Speaker 2>makes me wonder how many times, like people wearing hearing aids,

0:27:58.600 --> 0:28:00.880
<v Speaker 2>like turn them down because they're here something they don't

0:28:00.880 --> 0:28:03.560
<v Speaker 2>realize they might be hearing something kind of otherworldly.

0:28:04.200 --> 0:28:05.080
<v Speaker 3>Sure it could be.

0:28:05.800 --> 0:28:09.000
<v Speaker 2>Yeah, okay, so now I thought you told me about

0:28:09.040 --> 0:28:13.359
<v Speaker 2>the girl who actually fainted on a tour. Now have

0:28:13.480 --> 0:28:15.440
<v Speaker 2>you ever had anybody just kind of go in there

0:28:15.440 --> 0:28:17.359
<v Speaker 2>and just say, nope, I'm getting out.

0:28:17.400 --> 0:28:19.400
<v Speaker 1>This is not for me this building.

0:28:19.520 --> 0:28:19.800
<v Speaker 3>Okay?

0:28:19.840 --> 0:28:21.119
<v Speaker 1>How often does that happen?

0:28:21.800 --> 0:28:26.520
<v Speaker 3>It's a fairly common occurrence. When we get to the

0:28:26.680 --> 0:28:31.159
<v Speaker 3>Cuban Club, it's generally our final destination. So we have

0:28:31.240 --> 0:28:35.960
<v Speaker 3>been on the streets, visiting other locations, sharing the stories

0:28:36.000 --> 0:28:39.200
<v Speaker 3>and the hauntings of those locations in the streets. And

0:28:39.320 --> 0:28:41.760
<v Speaker 3>so by the time we get to that door, and

0:28:41.800 --> 0:28:44.920
<v Speaker 3>we have explained to the people what we are going

0:28:44.960 --> 0:28:48.600
<v Speaker 3>to experiencing, what door we are going in, what happened here,

0:28:48.760 --> 0:28:52.160
<v Speaker 3>what happened there. On more than one occasion, and again

0:28:52.280 --> 0:28:57.200
<v Speaker 3>rather frequently, there are people of all ages, from children

0:28:57.600 --> 0:29:01.480
<v Speaker 3>to grown adults who have had to go in the building.

0:29:01.520 --> 0:29:05.360
<v Speaker 3>And I've had people wait for their friends outside it

0:29:05.400 --> 0:29:06.440
<v Speaker 3>would not go in the building.

0:29:07.440 --> 0:29:09.600
<v Speaker 2>That actually makes sense, because you know, you've had this

0:29:09.680 --> 0:29:12.520
<v Speaker 2>incredible build up where all you've talked about is ghosts

0:29:12.520 --> 0:29:15.080
<v Speaker 2>and hauntings, and then they're actually faced to the idea

0:29:15.080 --> 0:29:18.520
<v Speaker 2>of kind of entering a building with known activity, And

0:29:18.640 --> 0:29:20.520
<v Speaker 2>I could see how some people would just say, you know,

0:29:20.520 --> 0:29:21.720
<v Speaker 2>I'm miss sit this one out.

0:29:22.240 --> 0:29:23.400
<v Speaker 3>Yeah, and it happens.

0:29:23.720 --> 0:29:26.200
<v Speaker 2>Yeah, that makes sense. Has anyone ever made it in

0:29:26.280 --> 0:29:28.280
<v Speaker 2>and had something happen to them that was enough for

0:29:28.320 --> 0:29:30.000
<v Speaker 2>them to just like cut out?

0:29:30.280 --> 0:29:32.600
<v Speaker 3>Oh, we've had people, We've had people leave the building.

0:29:32.680 --> 0:29:33.440
<v Speaker 1>Oh yeah, yeah.

0:29:33.480 --> 0:29:36.080
<v Speaker 2>I mean most of the activities seems fairly I don't

0:29:36.080 --> 0:29:37.959
<v Speaker 2>want to say benign, it's not benign, but it seems

0:29:38.240 --> 0:29:41.400
<v Speaker 2>pretty friendly and welcoming in a way. Has there ever

0:29:41.440 --> 0:29:44.320
<v Speaker 2>been anything there that truly frightened you?

0:29:44.440 --> 0:29:48.800
<v Speaker 3>Nothing has really frightened me, because when you understand that

0:29:49.520 --> 0:29:51.400
<v Speaker 3>they just want us to know that they and if

0:29:51.440 --> 0:29:54.880
<v Speaker 3>you're open to that, there's nothing to fear. It may

0:29:54.880 --> 0:29:58.920
<v Speaker 3>be a little strange and freaky, but there's really nothing

0:29:58.920 --> 0:29:59.400
<v Speaker 3>to fear.

0:30:00.200 --> 0:30:04.320
<v Speaker 2>No. I echo that sentiment for sure. But there definitely

0:30:04.320 --> 0:30:07.479
<v Speaker 2>have been some times in my paranormal career where I

0:30:07.560 --> 0:30:09.640
<v Speaker 2>was like, I need to take a breather. That was

0:30:09.680 --> 0:30:11.120
<v Speaker 2>a little intense, even for me.

0:30:11.880 --> 0:30:17.280
<v Speaker 3>I had one it was probably two years ago, and

0:30:18.680 --> 0:30:22.040
<v Speaker 3>there was a group of friends. One couple were married.

0:30:22.320 --> 0:30:26.360
<v Speaker 3>He was returning that from the war in the Mid East,

0:30:26.720 --> 0:30:31.440
<v Speaker 3>and apparently he had been well. He had died twice

0:30:31.640 --> 0:30:35.080
<v Speaker 3>in battle, he had been severely wounded twice, and he

0:30:35.200 --> 0:30:39.640
<v Speaker 3>was written off. But he came back. And we're in

0:30:39.720 --> 0:30:42.880
<v Speaker 3>one of the early floors when this tour first begins,

0:30:43.360 --> 0:30:46.120
<v Speaker 3>and I looked around, and his wife went, my husband's missing.

0:30:46.760 --> 0:30:49.360
<v Speaker 3>And I said, okay, because no one's allowed to take

0:30:49.400 --> 0:30:51.800
<v Speaker 3>a rogue tour through the rle And we traveled for

0:30:52.000 --> 0:30:55.600
<v Speaker 3>the war together, and I make that point very clear.

0:30:56.520 --> 0:31:01.960
<v Speaker 3>And so we found him up in the ballroom, hiding

0:31:02.080 --> 0:31:05.920
<v Speaker 3>under one of the bars, under the sinks of the bars,

0:31:06.880 --> 0:31:09.600
<v Speaker 3>and he didn't know how he got there. He said

0:31:09.680 --> 0:31:14.400
<v Speaker 3>he felt that spirits came for him and led him

0:31:14.480 --> 0:31:18.520
<v Speaker 3>up there. And when you think about it, if a

0:31:18.560 --> 0:31:22.600
<v Speaker 3>person has crossed over and then came back, as we

0:31:22.720 --> 0:31:25.760
<v Speaker 3>know people will the spirits know that you've been on

0:31:25.840 --> 0:31:29.520
<v Speaker 3>their side, You've been in their realm, if only for

0:31:29.600 --> 0:31:32.120
<v Speaker 3>a minute. And I think people that have had that

0:31:32.240 --> 0:31:35.840
<v Speaker 3>near death experience or have crossed over for short periods

0:31:35.840 --> 0:31:39.480
<v Speaker 3>of time when you're in an atmosphere like that the

0:31:39.520 --> 0:31:43.880
<v Speaker 3>spirits are aware of that right and the connection, and

0:31:43.920 --> 0:31:49.240
<v Speaker 3>so that was one of the strangest events that had

0:31:49.320 --> 0:31:54.440
<v Speaker 3>me very concerned because this veteran was visibly shaken.

0:31:54.680 --> 0:31:57.440
<v Speaker 2>Well, that makes sense. I love that building. I need

0:31:57.480 --> 0:31:59.640
<v Speaker 2>to get back there. When I kind of looked back

0:31:59.640 --> 0:32:01.280
<v Speaker 2>and I was like, oh my gosh, It's been how

0:32:01.280 --> 0:32:03.800
<v Speaker 2>many years since I've been in Eboors City. So it's

0:32:03.840 --> 0:32:05.160
<v Speaker 2>definitely a visit I need to make.

0:32:05.160 --> 0:32:05.320
<v Speaker 1>Now.

0:32:05.320 --> 0:32:07.840
<v Speaker 2>If other people want to go and check out the

0:32:07.880 --> 0:32:10.080
<v Speaker 2>Cuban Club and your tour, what do they need to do?

0:32:10.960 --> 0:32:15.000
<v Speaker 3>The website is Tampa tours dot com and we do

0:32:15.560 --> 0:32:20.080
<v Speaker 3>historic tours in the daytime and Downtown Tampa and of

0:32:20.120 --> 0:32:23.440
<v Speaker 3>course mister Eboors City, and then we also do in

0:32:23.480 --> 0:32:28.760
<v Speaker 3>the evenings those tours in Downtown Tampa and Mister Eboors City.

0:32:29.440 --> 0:32:32.560
<v Speaker 3>And so they can go on to Tampa tours dot

0:32:32.600 --> 0:32:37.000
<v Speaker 3>com and find out which tour they would like to enjoy,

0:32:37.280 --> 0:32:39.880
<v Speaker 3>and it's easy to book and you will have the

0:32:39.960 --> 0:32:40.680
<v Speaker 3>right of your life.

0:32:41.320 --> 0:32:41.840
<v Speaker 1>I love that.

0:32:42.000 --> 0:32:45.680
<v Speaker 2>Well, they should clearly request mister Steve Stamberger as their

0:32:45.720 --> 0:32:50.200
<v Speaker 2>tour guide because you definitely have a fun flare about

0:32:50.200 --> 0:32:52.120
<v Speaker 2>you and I love that you're like smoking a cigar

0:32:52.200 --> 0:32:56.200
<v Speaker 2>while we're talking. It's lovely, But I do want to

0:32:56.560 --> 0:32:59.000
<v Speaker 2>thank you so much for joining us. It's been a pleasure,

0:32:59.160 --> 0:33:01.880
<v Speaker 2>and hopefully I will meet you in person someday soon.

0:33:02.280 --> 0:33:04.200
<v Speaker 3>I look forward to it, and it has been a

0:33:04.240 --> 0:33:06.400
<v Speaker 3>pleasure to share the stories with you.

0:33:10.680 --> 0:33:13.160
<v Speaker 2>When it was at its peak, the Cuban Club was

0:33:13.280 --> 0:33:17.280
<v Speaker 2>vivacious and joyful, and these days it seems the spirits

0:33:17.320 --> 0:33:22.160
<v Speaker 2>have maintained that vibrant party atmosphere. Like Steve suggested, spirits

0:33:22.200 --> 0:33:24.720
<v Speaker 2>return to the site because they remember the good times

0:33:24.760 --> 0:33:27.880
<v Speaker 2>they had there. Maybe we could all take a lesson

0:33:27.920 --> 0:33:30.840
<v Speaker 2>from them that our time on earth is short. That's

0:33:30.840 --> 0:33:33.960
<v Speaker 2>no reason not to be happy and have fun, even

0:33:34.200 --> 0:33:38.400
<v Speaker 2>or maybe especially, after our lives have come to their end.

0:33:39.360 --> 0:33:50.520
<v Speaker 2>I'm Amy Brunei and this was Haunted Road. Are you

0:33:50.680 --> 0:33:55.560
<v Speaker 2>tired of the same old vacation destinations and cookie cutter experiences?

0:33:55.960 --> 0:33:59.840
<v Speaker 2>Do you crave a sense of mystery, wonder and adventure

0:34:00.080 --> 0:34:03.440
<v Speaker 2>that can't be found in ordinary travel brochures. Do you

0:34:03.520 --> 0:34:06.600
<v Speaker 2>listen to this podcast and think I'd like to visit

0:34:06.680 --> 0:34:10.440
<v Speaker 2>that spooky place? Well that's why I started Strange Escapes,

0:34:10.560 --> 0:34:13.239
<v Speaker 2>a paranormal based travel company that takes you to some

0:34:13.320 --> 0:34:16.680
<v Speaker 2>of the most haunted locations in the world. Frankly, it's

0:34:16.719 --> 0:34:19.200
<v Speaker 2>my excuse to combine all of my favorite things, which

0:34:19.239 --> 0:34:24.680
<v Speaker 2>is ghosts, beautiful hotels, food and wine, and other weirdos

0:34:24.719 --> 0:34:24.960
<v Speaker 2>like me.

0:34:25.120 --> 0:34:25.760
<v Speaker 1>To be honest.

0:34:26.239 --> 0:34:28.399
<v Speaker 2>If that sounds right up your alley and you want

0:34:28.440 --> 0:34:32.000
<v Speaker 2>to learn more, then visit Strange Escapes dot travel and

0:34:32.040 --> 0:34:33.680
<v Speaker 2>hopefully you can join us sometime.

0:34:34.160 --> 0:34:34.480
<v Speaker 1>Also.

0:34:34.560 --> 0:34:37.440
<v Speaker 2>To keep up on all of my upcoming projects and appearances,

0:34:37.760 --> 0:34:41.359
<v Speaker 2>head to Amybrune dot com. I have some really great

0:34:41.400 --> 0:34:43.200
<v Speaker 2>things in the works and I don't want you to

0:34:43.239 --> 0:34:43.600
<v Speaker 2>miss it.

0:34:44.040 --> 0:34:44.320
<v Speaker 1>Thanks.

0:34:44.360 --> 0:34:54.440
<v Speaker 2>Haunted Roadies. Haunted Road is hosted and written by me

0:34:54.800 --> 0:34:59.200
<v Speaker 2>Amy Brunne, with additional research by Cassandra de Alba. This

0:34:59.280 --> 0:35:02.560
<v Speaker 2>show is edited and produced by Rima el Kali, with

0:35:02.680 --> 0:35:08.160
<v Speaker 2>supervising producer Josh Thain and executive producers Aaron Menke, Alex Williams,

0:35:08.160 --> 0:35:12.440
<v Speaker 2>and Matt Frederick. Haunted Road is a production of iHeartRadio

0:35:12.640 --> 0:35:15.960
<v Speaker 2>and Grim and Mild from Aaronmanke. Learn more about this

0:35:16.080 --> 0:35:20.640
<v Speaker 2>show over at Grimanmild dot com, and for more podcasts

0:35:20.640 --> 0:35:25.400
<v Speaker 2>from iHeartRadio, visit the iHeartRadio app, Apple Podcasts or wherever

0:35:25.440 --> 0:35:27.959
<v Speaker 2>you listen to your favorite shows