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Speaker 1: Jacksonville, Florida. You already sometime du Ball County Town already

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Speaker 1: all the time. It is, man, it's the eight Back

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Speaker 1: South Show. September leven. We get any laugh, So get

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Speaker 1: your tickets. You already know what it is. Man. I

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Speaker 1: was just in and Dragon was later and all y'all

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Speaker 1: see it. Y'all was coming, man, So make sure you

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Speaker 1: get your tickets. Zeptember Level Jacksonville, Ball County. We don't

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Speaker 1: know when we're going down to due Ball South to

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Speaker 1: Coaches Podcast. September left Jacksonville by d Ball. We come

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Speaker 1: in Vite Timber jaxon Ville. We come in Byte five

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Speaker 1: style Vetters ran to get your tickets. We see y'all

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Speaker 1: on September left. Everybody you work good, mother fuckers. Everybody

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Speaker 1: is good in them Pink Man, Pink good than the

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Speaker 1: motherfucker nigga. You didn't work with so many people this ship.

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Speaker 1: Just say various artists, just like everybody came through. And

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Speaker 1: then you're gonna ask me why why we want you

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Speaker 1: on here. We could just ask you about one song

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Speaker 1: and there'll be an old episode big Boy about Wow.

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Speaker 1: This ain't gonna work with Big Boy and Outcast. That

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Speaker 1: was two different times. The Dudgeon families. That's like seventy

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Speaker 1: five people. If you really know in Atlanta, that's outcast

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Speaker 1: future tilc Usha, Rico Wade. Basically, if you ever recorded

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Speaker 1: a hit song in Atlanta, you had to be around

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Speaker 1: somebody in the Dudgeon family. You know how they had

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Speaker 1: that thing where it's like everybody in the last fifteen

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Speaker 1: NBA Finals and been shocked. Teammate Nigga average, he's a

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Speaker 1: good ship that they ever came out of Atlanta. Somebody

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Speaker 1: from the Dungeon family was over there. Yeah, that's real ship. Actually,

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Speaker 1: that's real ship. That's yeah. I mean I think we're

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Speaker 1: ground this ship. Man were from it, So it's it

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Speaker 1: feels different. Man, I'm just looking at the list. This

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Speaker 1: ain't even the list cut off. It's still ten years

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Speaker 1: and ship that you've done that I don't even know

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Speaker 1: even the internet was like, Man asked him, so catching

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Speaker 1: from after two thousand and eleven, Man, tell me the

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Speaker 1: most ship man Um ship went to Atlantic? Um, tell

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Speaker 1: normal this ship is It's like like you switched jobs,

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Speaker 1: went to Atlantic. We do in Atlantic. We sold a

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Speaker 1: lot of records over there. Yeah, that's one of the

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Speaker 1: biggest record companies in the world and and reconnected with

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Speaker 1: for real over there like that me and him? Did

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Speaker 1: you connect with them? You're just gonna start the story

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Speaker 1: when y'all reconnected. Wait a minute, come back to the

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Speaker 1: eighty five. You see the shorts on the table, You

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Speaker 1: see the hood is be great. This is one of

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Speaker 1: the greatest. I'm looking at a list of all your

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Speaker 1: favorite songs and you didn't even know that KP had

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Speaker 1: something to do with it. Welcome to the trap, KP.

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Speaker 1: Come on, man, Look we're not even worthy someone. We

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Speaker 1: didn't have a lot of Atlanta legends come through here,

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Speaker 1: and don't act like you ain't one of them. You'd

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Speaker 1: be downplaying all this ship. But you gotta come over

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Speaker 1: here and give us your version of the pieces of

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Speaker 1: Atlanta history that you would have been a part of.

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Speaker 1: Look at this list. Do you remember this ship? Yeah?

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Speaker 1: All right, bet and then yeah, tell me back the

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Speaker 1: ship that ain't on here? Like um, So you said

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Speaker 1: you reconnected with for rel How did you connect with

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Speaker 1: How did you start all of this? Clinta was around

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Speaker 1: nineteen noting this ship hid in ninety s You had

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Speaker 1: to be doing it about ninety ninety. Happen to go

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Speaker 1: to school when the Troy cities where like outcasts. And

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Speaker 1: see what I'm saying. You even went to a historical

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Speaker 1: Atlanta High school. Okay from BC went over there for

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Speaker 1: a minute. That's the one he got throughout of things,

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Speaker 1: so his things. So I did a bunch of that.

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Speaker 1: Like I went to maze that. They asked me the league.

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Speaker 1: I don't know for in fact, he want to maze

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Speaker 1: this strip. They don't. They don't want anybody there. Um

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Speaker 1: so um. I went to the Lake Shore. I did

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Speaker 1: a tour. I went to all the high schools, and

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Speaker 1: in doing that, I met a bunch of people. I

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Speaker 1: graduated from Try City, which is where outcasts. Both of

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Speaker 1: them went. Candy Keenan from Saturnite Live. It's like a

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Speaker 1: bunch of people went in this time period exactly where

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Speaker 1: and all of us were working. We all knew we

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Speaker 1: wanted to do ship. It was like talent show kids

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Speaker 1: and yeah, and we started working. And at that time

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Speaker 1: l A and Baby Facing Pebbles moved to atlant Know

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Speaker 1: like they met te Bos who was a friend of

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Speaker 1: mine who she was a tel c I was like

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Speaker 1: t boss telse Um. She was my homeboy who was

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Speaker 1: in the group with me his brother's girlfriend. So it

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Speaker 1: was like all these weird everybody was just randomly connected

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Speaker 1: and then you know, and and they got a deal.

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Speaker 1: And on one of the video shoots, um they were

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Speaker 1: doing an audition for the video Baby Baby Baby, and

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Speaker 1: um Tian was like, yo, y'all should come down, bring

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Speaker 1: the group, y'all see if y'all gek we got we're

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Speaker 1: getting slid I'm gonn figure out how to get you

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Speaker 1: all if I can slide you all in and get

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Speaker 1: Pebble to see all. And I brought about the turntable

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Speaker 1: we set up and Pebbles like, well, if I'm a

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Speaker 1: if I'm an, watch you what you're gonna do for me?

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Speaker 1: And I was like yeah, like that's how I felt.

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Speaker 1: And she was like, you know, like I'm here auditioning.

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Speaker 1: I need people for a video. Like if you'll be

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Speaker 1: in the video, then y'all watch you. And I was like, oh, yeah, yeah,

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Speaker 1: I'll take one for the team. I ain't known, admit,

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Speaker 1: so it wasn't like a thing yet. And so anyway,

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Speaker 1: she was like, you're gonna be a chilly boyfriend in

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Speaker 1: the video, and yeah, and that's how it's and that's

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Speaker 1: and so from them, yeah, right there. I was like cool,

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Speaker 1: so that and that's how I started, Like we got

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Speaker 1: pulled in. Pebbles brought me in and it kind of

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Speaker 1: opened up the back door so I could see like

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Speaker 1: how she worked, like the first time I ever met

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Speaker 1: whether she had me come now to a video set

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Speaker 1: like an editing bait where she was editing like a

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Speaker 1: TELC video and like explaining to me why certain ship

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Speaker 1: was happening. So I was like, you know, I was

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Speaker 1: always intrigued by that party. And eventually she was like,

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Speaker 1: you know what, you really do have an interest and

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Speaker 1: a knack for the understanding because you speak both both sides,

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Speaker 1: like you ain't really tripping like like on on people

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Speaker 1: who work at the record company, like thinking you gotta

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Speaker 1: be a different kind of way, but you also delivered

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Speaker 1: the message, you know, in a way that it's understood.

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Speaker 1: So yeah, she was like you should you should be

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Speaker 1: with l A, Like you should work with l A.

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Speaker 1: So she's a person who put me on with with

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Speaker 1: l A. Read who brought me in a start doing

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Speaker 1: an R. So that's how I got in as an

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Speaker 1: executive man. And you've just been turning that ship up

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Speaker 1: everything thinking A ship. Somebody to find the other years.

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Speaker 1: I can't find the other years. Man, Tony Braxton, Bro,

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Speaker 1: that's you worked on one of the biggest songs yea

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Speaker 1: our generation. Well that was I mean, like the hard

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Speaker 1: part about taking credit for ship like that. It's like

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Speaker 1: she was already Tony Brixton exactly, but you came when

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Speaker 1: that happens. Yeah, okay, yeah, so yeah, yeah, bet that's

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Speaker 1: one of the biggest. But I was able to like

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Speaker 1: just connect some ship, Like my homeboy Bryce, who was

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Speaker 1: in this group brew Theory, was like as so he

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Speaker 1: producing and baby Face like, I'm at the face, I'm

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Speaker 1: connected to baby Face. So I'm like, man, it'd be

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Speaker 1: hard if baby Face wrote over one of your tracks

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Speaker 1: like when I'm Hard Ass Records and he wrote, you're

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Speaker 1: making me hot for that ships so normal? Man, this

140
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Speaker 1: is fucking crazy. You are. How good you have to

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Speaker 1: be in music for baby Face to even talk to you? Well, now, actually,

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Speaker 1: you know, you just got to not be scared of

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Speaker 1: baby Face. But I'm saying like, then when you're not

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Speaker 1: scared of you have really delivering some good ship. Yeah,

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Speaker 1: baby baby Face, he writes songs like yeah it's over,

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Speaker 1: can't we talk you can't even name all the ship

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Speaker 1: that baby Face. Yeah, so that's why I sho like, well,

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Speaker 1: I can't trip because I know baby Face. I've seen him.

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Speaker 1: Like the niggas I know are like really like, bro,

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Speaker 1: if he comes to the trap, we're shutting this bitch down.

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Speaker 1: We're not even gonna record knowing nothing else in here.

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Speaker 1: They gotta move. We were new location. Bro. Yeah, y'all

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Speaker 1: actually might want to just go to his house and

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Speaker 1: some ship like bro now, because then we're not gonna

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Speaker 1: want to go back to our house. His ship way

156
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Speaker 1: nice too nice. I wouldn't even feel nice enough to

157
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Speaker 1: go with baby Face. Houts what you ain't coming his

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Speaker 1: baby Face, man, I'm not coming man, baby Face cool.

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Speaker 1: I believe that man, like you know from like Ohio, Okay,

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Speaker 1: like they just they just they t dudes man, like

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Speaker 1: they're really cool as Hell's baby Face and some like. Okay,

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Speaker 1: I thought I thought when you met baby Face, you

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Speaker 1: meet like like, hey, we are babies, Like it's a

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Speaker 1: grouping cool like Bruno mars Yeah, like it's a group

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Speaker 1: you with Bruno Mars Man that him Anderson Peg they

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Speaker 1: got some yeah, like I like here like I love

167
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Speaker 1: Anderson Anderson. Ship is dope, don'pe do? Yeah, I rock

168
00:10:00,400 --> 00:10:03,960
Speaker 1: with He's a great he's great entertainer and I feel

169
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Speaker 1: like he is the perfect mix of everybody. Yeah, man,

170
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Speaker 1: and that's what it is. It's like he's a he's

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Speaker 1: a he's like a little every He could be anybody.

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Speaker 1: And he said like he just he fit everywhere. Bro.

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Speaker 1: He could be at the floor a Mayweather fight, he

174
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Speaker 1: could be at the Man and Paqui, Alboy, Playboy Mansion,

175
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Speaker 1: the Soul Train Award, Bruno Mars gets you up, a

176
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Speaker 1: Gucci Man spot can Gui Man and Bruno Mars. That's

177
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Speaker 1: a hit. But they got one exactly exact and Bruno

178
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Speaker 1: Mars wife, but they need a whole album. Actual. I

179
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Speaker 1: just want Bruno to dude, he should do like an

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Speaker 1: album everybody he liked. He should. I think he should

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Speaker 1: do one song with everybody in the industry. He's multi

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Speaker 1: cultural like that. Yeah, get don't worry about that. Just

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Speaker 1: made the chicken ring what we got. I don't know

184
00:11:02,200 --> 00:11:07,079
Speaker 1: what the funk that man whatever like that or some

185
00:11:07,200 --> 00:11:10,240
Speaker 1: ship whatever. It's a sad though that we're on the

186
00:11:10,360 --> 00:11:14,599
Speaker 1: right path. Bruno Mars can do music with anybody like

187
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Speaker 1: Boll idea. I get it. And man, what type of

188
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Speaker 1: advice do you give people when they ask you about

189
00:11:21,360 --> 00:11:24,920
Speaker 1: the music industry? It's clearly you've seen it go through

190
00:11:25,640 --> 00:11:29,040
Speaker 1: actual physical hard copies to a digital age, and you

191
00:11:29,120 --> 00:11:31,480
Speaker 1: know it's only a few people that have really broke

192
00:11:31,559 --> 00:11:35,839
Speaker 1: through on the digital age, like man, and this and

193
00:11:35,920 --> 00:11:37,680
Speaker 1: this ain't because of the shirt, but it's like, really,

194
00:11:37,720 --> 00:11:40,079
Speaker 1: it's like being like I would normally used to say,

195
00:11:40,160 --> 00:11:43,600
Speaker 1: be dope, Just be dope, like that ship will cut

196
00:11:43,679 --> 00:11:46,480
Speaker 1: through and get you to have an opportunity to learn

197
00:11:46,520 --> 00:11:49,040
Speaker 1: all the other ship, but have something that nobody else

198
00:11:49,080 --> 00:11:52,240
Speaker 1: can do, Like if you can do something that some

199
00:11:52,360 --> 00:11:55,080
Speaker 1: intangible ship intangible ship, And I'm like, and nobody can

200
00:11:55,120 --> 00:11:57,240
Speaker 1: tell you if I can tell you what that is.

201
00:11:58,000 --> 00:11:59,640
Speaker 1: So it's like, but you got to be the best

202
00:11:59,760 --> 00:12:01,880
Speaker 1: version yourself, Like you gotta be cool enough with yourself

203
00:12:02,320 --> 00:12:05,720
Speaker 1: to like receive that ship. Like that's why people, that's

204
00:12:05,760 --> 00:12:08,800
Speaker 1: why Tip is Tip, because he really is. That's just

205
00:12:08,840 --> 00:12:11,880
Speaker 1: who he is. So every message or everything that comes

206
00:12:11,880 --> 00:12:14,600
Speaker 1: to its unadulterated because it's like he ain't putting ship

207
00:12:14,679 --> 00:12:19,160
Speaker 1: on it. Keep that ship real. That's the first step

208
00:12:19,240 --> 00:12:22,320
Speaker 1: to being great. Yeah, yeah, man, you gotta be able

209
00:12:22,360 --> 00:12:26,800
Speaker 1: to tune out criticism. Yeah, that that ship. Man. Listen,

210
00:12:26,880 --> 00:12:29,199
Speaker 1: if you ask for some advice, to listen to it

211
00:12:29,320 --> 00:12:31,040
Speaker 1: filtered out and see what works for what you're trying

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Speaker 1: to do. Some of it might, someoney ain't. Some people

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Speaker 1: don't know how to listen to advice. You gotta like you,

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Speaker 1: sometimes the whole advice might not work. Now, sometimes the

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Speaker 1: whole advice be too big for your situation. You just

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Speaker 1: gotta take the part like this part work. I ain't

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Speaker 1: working with that yet, but later on you got to

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Speaker 1: remember the whole ship. But you can only apply to

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Speaker 1: ship that worked for you. But that's the part like okay,

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Speaker 1: and be aware of like self awareness, bro in the moment.

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Speaker 1: You gotta be aware all the time, Like if you

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Speaker 1: want to do this, it's it's you're in the world

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Speaker 1: of creative people. It's people making up ship all the time,

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Speaker 1: and you gotta figure out how to ride this wave

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Speaker 1: of create creativity but remain real in it. Right, And

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Speaker 1: that ship there was a whole another level of awareness,

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Speaker 1: like I just assume like if you're surfing, like then

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Speaker 1: where that you have with the water, you gotta have

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Speaker 1: that kind of that level of concentration and awareness riding

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Speaker 1: this ship. Don't you hate this ship? When you had

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Speaker 1: in the Caprica and strong won't come out? Yeah, because

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Speaker 1: they know you can do. To make this thing cool.

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Speaker 1: You gotta get some sensors like somebody there you go

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Speaker 1: ship hate that. That's the most uncool ship you can do.

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Speaker 1: But I always drink some drink, some kind of you know, juice. Winning.

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Speaker 1: They starts saying, real ship, you didn't give up? I

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Speaker 1: never will. That's part of my perseverance. Put that on

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Speaker 1: my on the wall by my name, perseverance, never give up.

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Speaker 1: I never gave up. You got it? That mud? Where's

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Speaker 1: the mud? By the way, I'm from Mississippi? The mud

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Speaker 1: everywhere everywhere? Ship my driveway? And then where Marvin Gay?

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Speaker 1: Check this out? We got the same birthday. No ship's

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Speaker 1: hit here is my official unofficial co host. That's what's up.

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Speaker 1: We take Marvin get everywhere? Bro? Ship? You know? Hell yeah?

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Speaker 1: What kind of ship do you think you and Marvin

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Speaker 1: Gay would have got into in the studio? Musically? Argument? Definitely?

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Speaker 1: Only this arguments. I mean, because I don't know, man,

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Speaker 1: I don't know the areas do well together in that

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Speaker 1: kind of space. Who you argue with the most in

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Speaker 1: the studio, all these greats, I argue with the most,

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Speaker 1: and but I don't all are you. But debates are

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Speaker 1: like they're like intense, like that's just about and them

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Speaker 1: ship anything anything like just because like just because that's

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Speaker 1: just how that's part of the creative it is. But

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Speaker 1: but you know it's the reason why he can write

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Speaker 1: a T versus P because he really is he's arguing

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Speaker 1: with you to hear the whole part, like what's your

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Speaker 1: whole point to have an understanding? Like I've never seen

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Speaker 1: nobody argue as much as much as him, But he

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Speaker 1: does it with with he actually listens to the other part.

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Speaker 1: Like I think most people be arguments to hit themselves,

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Speaker 1: be loud. He really trying to get like a real

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Speaker 1: like like a convicted He's argumentative though absolutely who's second then?

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Speaker 1: Because I figured it would be him? Really we list

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Speaker 1: of ship out. That's all we got for now. I mean,

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Speaker 1: we mean no disrespect. We know you did a lot

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Speaker 1: of ship the um. That's all the Internet allowed us

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Speaker 1: to happen. You know, times as hard they're coming back

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Speaker 1: on any thing, even information, they get brought back down

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Speaker 1: to three g um. I'm telling you when we got

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Speaker 1: to the second page, everything like ask him, that's what

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Speaker 1: he said on the bottom. I'm sorry, so listen, um,

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Speaker 1: oh you know what, because we've known each other along,

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Speaker 1: it's probably outcast and outcast, the both of them with

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Speaker 1: me a big boy for real, So you've been all

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Speaker 1: like in the creative process with them broke. They probably

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Speaker 1: got some great ship that the world never heard. Absolutely

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Speaker 1: like there's a ViRGE less like uh Celo singing happy.

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Speaker 1: It's crazy CeeLo Green singing happy. If that don't never

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Speaker 1: come out, we should just invite CeeLo to karaoke just

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Speaker 1: the world. Do you understand how much the world need

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Speaker 1: to hear that? Yeah, it's fun as it's great too

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Speaker 1: that that song already and sold like twelve billion copies.

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Speaker 1: They should at least lead that all right. No, we

285
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Speaker 1: can't redo it and say I'm in a good mood

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Speaker 1: or nothing pleasant. I'm feeling decent. Decent is hell, that's

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Speaker 1: the best they're gonna let a nigger feel because we decent.

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Speaker 1: That's about right. Don't want to beat happy because they'll

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Speaker 1: shut the whole ship down. For real, he goes be

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Speaker 1: decent ships. What we should do it decent decent. He ain't.

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Speaker 1: May nobody got that one. Come on you to, you know,

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Speaker 1: make that the call I called, see local, I know

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Speaker 1: he'll be what the ship, he'll do it. I'm gonna

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Speaker 1: come do it first, and then that the sun tell him.

295
00:17:54,960 --> 00:17:56,280
Speaker 1: And what you should do is have him do it

296
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Speaker 1: at yourself, decent. Let'm do alive like everybody did Tyrow.

297
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Speaker 1: But if we record the ship and its own hard

298
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Speaker 1: than the motherfucker, then he's sent the bill and that

299
00:18:08,040 --> 00:18:15,960
Speaker 1: one want to bear to come out either. Damn that

300
00:18:16,560 --> 00:18:21,360
Speaker 1: was delete that delete? Oh that Now. I think you're good.

301
00:18:21,520 --> 00:18:25,040
Speaker 1: I think you're good. Like you understand y'all, like y'all

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Speaker 1: are like a big part of the culture. We didn't

303
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Speaker 1: even know it yet. Yeah, I see we're still playing cachsule.

304
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Speaker 1: See we're still putting the whole history of the culture together.

305
00:18:33,720 --> 00:18:36,520
Speaker 1: Because that's why we had to bring you. Because there's

306
00:18:36,560 --> 00:18:39,360
Speaker 1: so much ship you've been a part of in Atlanta,

307
00:18:40,000 --> 00:18:42,760
Speaker 1: in the world that had an impact on the culture.

308
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Speaker 1: So once we catch up with all, right, this is

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00:18:45,320 --> 00:18:47,919
Speaker 1: these are the people who was like this the culture

310
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Speaker 1: that we were seeing before we was a part of it.

311
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Speaker 1: Look at how much of my favorite ship you didn't

312
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Speaker 1: put on this list, so I got this platform. I

313
00:18:57,400 --> 00:19:01,760
Speaker 1: gotta invite you and ask you how you how how man?

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00:19:01,840 --> 00:19:05,560
Speaker 1: You know what? Just being open to it like that's it, man,

315
00:19:05,720 --> 00:19:09,600
Speaker 1: Like the real of it is. I've never put that

316
00:19:09,760 --> 00:19:13,240
Speaker 1: much on it because I recognize how much gold into it,

317
00:19:13,800 --> 00:19:16,119
Speaker 1: like how many people like it takes to make some

318
00:19:16,200 --> 00:19:19,720
Speaker 1: ship like work for real. Yeah, that's why. That's exactly

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00:19:19,800 --> 00:19:22,119
Speaker 1: what I'm saying. So it's like my awareness for that

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00:19:22,720 --> 00:19:25,840
Speaker 1: makes it, like, not that it makes it so I

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Speaker 1: just want to keep doing it. If I see somebody

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Speaker 1: doing something dope and I can help or assist, if

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00:19:29,720 --> 00:19:31,760
Speaker 1: I can put somebody together, if I can whatever I

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00:19:31,880 --> 00:19:35,280
Speaker 1: can do to kind of amplify or put an amp

325
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Speaker 1: on that, Like that's what I feel like I'm supposed

326
00:19:38,119 --> 00:19:40,199
Speaker 1: to do. Like, but that's on some DJ shipped too,

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00:19:40,200 --> 00:19:43,720
Speaker 1: because it's like that muscle of being able to like

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Speaker 1: play music, see a crowd, trying to find a way

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00:19:47,240 --> 00:19:51,159
Speaker 1: to make everybody feel involved. It's like when when you

330
00:19:51,240 --> 00:19:52,760
Speaker 1: can figure that out, if you can do that in

331
00:19:52,880 --> 00:19:56,359
Speaker 1: other places, it's it's you know, same feeling. How long

332
00:19:56,400 --> 00:19:59,600
Speaker 1: have you been DJ ship since I was thirteen? What

333
00:19:59,760 --> 00:20:07,000
Speaker 1: is that? Yeah? Like I always wanted. I always wondered

334
00:20:07,080 --> 00:20:10,960
Speaker 1: how how people no J could be a dj M.

335
00:20:11,960 --> 00:20:14,800
Speaker 1: So this is weird, right, So this is probably like

336
00:20:14,880 --> 00:20:19,320
Speaker 1: the most hip hop a story like ever. So when

337
00:20:19,359 --> 00:20:22,119
Speaker 1: I was like eleven and ten eleven, I used to

338
00:20:22,200 --> 00:20:25,119
Speaker 1: go to the airport in Atlanta at hearts Field. They

339
00:20:25,200 --> 00:20:26,520
Speaker 1: used to have the ship where you can take those

340
00:20:26,560 --> 00:20:29,359
Speaker 1: little cards and when you return them from like people

341
00:20:29,440 --> 00:20:32,600
Speaker 1: leaving them, it would give you. So I used to go.

342
00:20:32,840 --> 00:20:34,919
Speaker 1: We would go find all the cards to take them

343
00:20:35,280 --> 00:20:37,280
Speaker 1: get the money. They had a game room in the

344
00:20:37,320 --> 00:20:40,760
Speaker 1: airport like arcade, so me and my cousin would go

345
00:20:40,840 --> 00:20:42,639
Speaker 1: in and do the ship and play video games for

346
00:20:42,720 --> 00:20:45,600
Speaker 1: like an hour. I'm playing video games one day and

347
00:20:45,840 --> 00:20:48,080
Speaker 1: this dude walks up. I'm playing this kome Fu game.

348
00:20:48,119 --> 00:20:49,920
Speaker 1: You know, it's like a two player job. And dude

349
00:20:50,000 --> 00:20:51,480
Speaker 1: was like, yeah, sure he can. I can I play

350
00:20:51,520 --> 00:20:53,320
Speaker 1: this game between And I'm like, you know, some weird

351
00:20:53,359 --> 00:20:56,160
Speaker 1: old ship, like you know, not like why and um

352
00:20:56,400 --> 00:20:59,359
Speaker 1: so he's like, I mean, you know, I just my games,

353
00:20:59,440 --> 00:21:01,119
Speaker 1: my game. And I looked up and he had a

354
00:21:01,240 --> 00:21:04,159
Speaker 1: necklace on and they had like Chinese lettering. So I

355
00:21:04,240 --> 00:21:07,720
Speaker 1: was like, oh, that's interesting. So we're playing and I

356
00:21:07,800 --> 00:21:09,240
Speaker 1: was like, what does that say? And then he was

357
00:21:09,280 --> 00:21:13,040
Speaker 1: like as LLL cool J. And I'm like, what's that mean?

358
00:21:13,560 --> 00:21:15,920
Speaker 1: And he was like, ladies love cool J. I was like,

359
00:21:17,280 --> 00:21:20,480
Speaker 1: but this is like getting Tenny Levin. This ain't like

360
00:21:20,520 --> 00:21:22,760
Speaker 1: I don't know yet, so but like this is like

361
00:21:22,880 --> 00:21:25,600
Speaker 1: hip hop is starting like to to branch out. So

362
00:21:25,760 --> 00:21:27,840
Speaker 1: I'm in the airport and he's talking to me, and

363
00:21:27,880 --> 00:21:31,600
Speaker 1: I'm like, he starts breaking down and he travels the world.

364
00:21:31,960 --> 00:21:34,280
Speaker 1: He's in Atlanta doing the show and he has his

365
00:21:34,359 --> 00:21:37,239
Speaker 1: song radio no I need a beat and I was like, oh,

366
00:21:37,240 --> 00:21:40,399
Speaker 1: I know that. And then I'm like, so, women, so

367
00:21:40,480 --> 00:21:42,399
Speaker 1: what you're doing here? And he's telling me all this

368
00:21:42,440 --> 00:21:44,520
Speaker 1: ship like I traveled the world, you know, I'm you know,

369
00:21:44,600 --> 00:21:47,680
Speaker 1: and he's ll COOJ talking, So I'm like a kid,

370
00:21:47,800 --> 00:21:51,240
Speaker 1: like it's like some mean Joe Breen ship. He's like, yo,

371
00:21:51,359 --> 00:21:53,399
Speaker 1: once you come back, and I don't, and then the

372
00:21:53,400 --> 00:21:55,600
Speaker 1: ship sounds weird saying the story now, but he's like,

373
00:21:55,640 --> 00:21:58,520
Speaker 1: won't you come back and submitt my people? And I'm like,

374
00:21:58,560 --> 00:22:01,200
Speaker 1: I tell my cousin, let's go we in this before

375
00:22:01,240 --> 00:22:03,320
Speaker 1: t s A so you can go wherever in the airport,

376
00:22:03,760 --> 00:22:06,080
Speaker 1: so we go back to their gate and it's him.

377
00:22:06,720 --> 00:22:09,800
Speaker 1: It's like the Beastie Boys. It's like it's like deaf

378
00:22:09,920 --> 00:22:13,440
Speaker 1: Jam and he's telling me ship and he introduced me

379
00:22:13,520 --> 00:22:16,920
Speaker 1: to Cut Creative and he's like he's the DJ. And

380
00:22:17,040 --> 00:22:19,000
Speaker 1: he's like, I'm like, so what you do? Because he

381
00:22:19,080 --> 00:22:22,440
Speaker 1: seemed like the most chill person there, Like he was like, like,

382
00:22:22,760 --> 00:22:25,000
Speaker 1: you know, like the BCT boys are like sprawled down

383
00:22:25,040 --> 00:22:28,280
Speaker 1: in the airport. It was like some rap ship. But

384
00:22:28,440 --> 00:22:30,680
Speaker 1: he seemed like cool and aware of ship, and he

385
00:22:30,800 --> 00:22:32,560
Speaker 1: was like, well, you know, I keep the ship going

386
00:22:33,200 --> 00:22:36,720
Speaker 1: and that go fast forward. I go home. I tell

387
00:22:36,800 --> 00:22:38,600
Speaker 1: my mom for Christmas, I want turning tables and she

388
00:22:38,680 --> 00:22:42,840
Speaker 1: gets me turning tables and that's how I started. Man,

389
00:22:42,960 --> 00:22:46,680
Speaker 1: that's the craziest ship I had ever heard. Bro. A

390
00:22:46,760 --> 00:22:48,680
Speaker 1: lot of people that came through here and told a

391
00:22:48,720 --> 00:22:52,119
Speaker 1: lot of stories they ain't Nobody told Noll cool J story.

392
00:22:52,560 --> 00:22:55,200
Speaker 1: So you're just a kid minding your business with a

393
00:22:55,320 --> 00:23:02,800
Speaker 1: pocket full of quarters, relocating airport. LLL cool J Like, yo,

394
00:23:03,080 --> 00:23:07,920
Speaker 1: little man, what's the fucking Coca color commercial? Ship is this?

395
00:23:09,040 --> 00:23:12,800
Speaker 1: He didn't told an eleven year old kid. You don't

396
00:23:12,840 --> 00:23:15,840
Speaker 1: shut him a wrapper traveling, you don't come meet my people.

397
00:23:16,600 --> 00:23:18,760
Speaker 1: It was the Beast boys. Excuse me, they drunk. You

398
00:23:19,359 --> 00:23:22,159
Speaker 1: make better decisions in your life. Don't be drunk at

399
00:23:22,160 --> 00:23:25,600
Speaker 1: the airpoy. My man cut created right here, like he's

400
00:23:25,640 --> 00:23:27,359
Speaker 1: the father figure of the good. You see how I

401
00:23:27,440 --> 00:23:36,439
Speaker 1: used to wed what the fun man? And then as

402
00:23:36,480 --> 00:23:38,680
Speaker 1: he was leaving, he took off his canego and was

403
00:23:38,720 --> 00:23:48,440
Speaker 1: like a little man. Keep in mind the eighties. So

404
00:23:48,520 --> 00:23:51,159
Speaker 1: he went home. He was like, your mom's in the airport,

405
00:23:51,240 --> 00:23:55,120
Speaker 1: and then chilling j pulls up on me, where's my mother?

406
00:23:55,320 --> 00:23:59,280
Speaker 1: I'm sorry, you're my mother? Listen. He wants me to

407
00:23:59,400 --> 00:24:02,920
Speaker 1: your totally wants me to go fine with I was like,

408
00:24:03,200 --> 00:24:05,840
Speaker 1: ll just respecting my man on my left. He's like,

409
00:24:05,960 --> 00:24:08,520
Speaker 1: you show him. We got tutors on the pus. You

410
00:24:08,680 --> 00:24:15,560
Speaker 1: heard these kids, Yo, Look it's dope. Cheney came. I'm

411
00:24:15,600 --> 00:24:20,399
Speaker 1: really part of the crew. So I ran away to

412
00:24:20,520 --> 00:24:26,640
Speaker 1: live and went on to I didn't Jamin did see

413
00:24:27,320 --> 00:24:30,080
Speaker 1: it could have been you and Jamain? Yeah, straight up,

414
00:24:30,480 --> 00:24:32,960
Speaker 1: damn it, man, that is some of the dopest ship

415
00:24:33,040 --> 00:24:35,200
Speaker 1: I've ever heard. That. The best part of it for

416
00:24:35,280 --> 00:24:37,359
Speaker 1: me is like, so I had this radio shack walk man,

417
00:24:37,760 --> 00:24:39,720
Speaker 1: and then they asked me could he buy it? And

418
00:24:39,800 --> 00:24:41,560
Speaker 1: I had bought it. I had paid like ten dollars.

419
00:24:42,040 --> 00:24:44,639
Speaker 1: Look listen, I paid my tens. Well, I was for it,

420
00:24:45,200 --> 00:24:47,480
Speaker 1: my mama did. I saw it to him for forty

421
00:24:49,880 --> 00:24:52,640
Speaker 1: bro one time. LLL cool J. You remember this ship,

422
00:24:53,520 --> 00:24:55,720
Speaker 1: come up in and tell us what it was really

423
00:24:55,960 --> 00:24:58,639
Speaker 1: LLL cool Jack. And then they bought your walk Man

424
00:24:58,760 --> 00:25:03,439
Speaker 1: and the Atlanta that boy for the four eleven dollars,

425
00:25:03,480 --> 00:25:09,160
Speaker 1: about four dollars plus b selven dollars a quarters, like nigga,

426
00:25:09,200 --> 00:25:11,920
Speaker 1: I was so good. I bet you came home like mom,

427
00:25:12,040 --> 00:25:20,800
Speaker 1: you can quit your job. We made it this airport ship. Watch. Yeah, yeah,

428
00:25:21,560 --> 00:25:23,480
Speaker 1: you can't be a black kid and come home with

429
00:25:23,600 --> 00:25:30,760
Speaker 1: four the dollars your grand grand in the street. Yeah,

430
00:25:31,560 --> 00:25:38,159
Speaker 1: you ain't all quarters, no less man. And that's the

431
00:25:38,240 --> 00:25:42,080
Speaker 1: wildest ship though. Shut out the LLL cool Without that

432
00:25:42,240 --> 00:25:45,520
Speaker 1: in action, none of this ship would have happened. Yeah,

433
00:25:47,680 --> 00:25:49,720
Speaker 1: all they take is that it just be that a

434
00:25:49,760 --> 00:25:52,520
Speaker 1: little piece of Yeah, they didn't want to go play

435
00:25:52,560 --> 00:25:55,359
Speaker 1: some video. Just how good of a DJ cut creator was.

436
00:25:56,480 --> 00:25:59,639
Speaker 1: You didn't even see him DJ You're not wanting you

437
00:25:59,720 --> 00:26:02,439
Speaker 1: didn't even seeing him around them. But let me tell

438
00:26:02,480 --> 00:26:04,280
Speaker 1: you what happened, But let me tell you what I did.

439
00:26:04,560 --> 00:26:08,040
Speaker 1: Like about three months after that that what's my DJ's name?

440
00:26:08,400 --> 00:26:10,399
Speaker 1: God creat I heard they got damn song Like I

441
00:26:10,600 --> 00:26:19,600
Speaker 1: know this nigga, Like like like, I bet every time

442
00:26:19,720 --> 00:26:23,280
Speaker 1: you have told that story, it was unbelievable until this point.

443
00:26:24,240 --> 00:26:27,480
Speaker 1: Now people on the end of they're gonna be like, Yo,

444
00:26:27,880 --> 00:26:31,119
Speaker 1: I worked at the Atlanta Airport back then. He is

445
00:26:31,280 --> 00:26:35,520
Speaker 1: not lying. Somebody know. I'm saying I was up the

446
00:26:35,640 --> 00:26:38,800
Speaker 1: bitch every weekend, bro, like just taking them fucking buggies back.

447
00:26:39,280 --> 00:26:45,919
Speaker 1: Damn you probably made first hundred thousand and quarters. Definitely,

448
00:26:45,920 --> 00:26:48,200
Speaker 1: That's one of the business airports in the world. I'm

449
00:26:48,320 --> 00:26:52,240
Speaker 1: sure it was cards everywhere. Listen, I feel like they

450
00:26:52,359 --> 00:26:54,720
Speaker 1: stopped letting you get the quarters because of us, Like

451
00:26:54,920 --> 00:26:56,480
Speaker 1: they don't do that ship no more, Like you can't

452
00:26:56,520 --> 00:27:00,879
Speaker 1: go get no refund now, like like we kicked we

453
00:27:01,000 --> 00:27:05,600
Speaker 1: kicked up. That's crazy though, Damn you ever run into L.

454
00:27:05,760 --> 00:27:08,280
Speaker 1: L cool J again? Did you tell him that story?

455
00:27:08,440 --> 00:27:13,240
Speaker 1: Did he remember? No? He was like he did. You

456
00:27:13,280 --> 00:27:19,520
Speaker 1: know what I'm saying, he did it Atlanta? Okay, okay,

457
00:27:19,960 --> 00:27:26,040
Speaker 1: because he probably was doing like anyway, like like like

458
00:27:26,440 --> 00:27:32,320
Speaker 1: radio shack. Yeah, young niggers don't know I'm doing never favor.

459
00:27:32,400 --> 00:27:34,119
Speaker 1: They will meet the ship and me, and you know

460
00:27:34,200 --> 00:27:36,920
Speaker 1: it's crazy. Should they ll playing the seat today? I

461
00:27:37,000 --> 00:27:39,720
Speaker 1: bought this little hat from the dude, that water boy. Dude.

462
00:27:39,720 --> 00:27:42,680
Speaker 1: They got these hats water boys in the hood. I

463
00:27:42,760 --> 00:27:45,680
Speaker 1: got in the car now, like you gotta support, you

464
00:27:45,720 --> 00:27:49,679
Speaker 1: gotta pay a fort Okay, wait till that one day

465
00:27:49,720 --> 00:27:51,840
Speaker 1: they catch you with no money and they stunt on you.

466
00:27:52,119 --> 00:27:54,639
Speaker 1: You think the water boys out there struggle? No, no, no,

467
00:27:54,720 --> 00:28:07,480
Speaker 1: no no, I didn't say no water what choke on heart? Yeah, man,

468
00:28:08,160 --> 00:28:14,040
Speaker 1: I respect hustle. That's fine. They'll keep it real with

469
00:28:14,200 --> 00:28:16,240
Speaker 1: you do because they caught me. I ain't having no

470
00:28:16,440 --> 00:28:18,760
Speaker 1: care that I wish right on money. Go ahead, brod,

471
00:28:19,040 --> 00:28:21,840
Speaker 1: what's it for with you on the show. They're real

472
00:28:22,200 --> 00:28:25,159
Speaker 1: some of them. Some of them, I'm saying some of

473
00:28:25,200 --> 00:28:27,840
Speaker 1: them niggas has grown men because nigga had been shaving

474
00:28:27,960 --> 00:28:32,639
Speaker 1: under this. Hey man, they definitely had the shade bumps

475
00:28:32,680 --> 00:28:35,920
Speaker 1: and ship like, well, I keep shut up. We're going

476
00:28:36,040 --> 00:28:43,400
Speaker 1: here like dreen like green, Yeah, way too much. And

477
00:28:43,520 --> 00:28:48,840
Speaker 1: they gave me grown man eye contact like oh no, cool,

478
00:28:50,240 --> 00:28:52,280
Speaker 1: all right? I can get what I'm man, then they

479
00:28:52,280 --> 00:28:54,240
Speaker 1: can take that ship serious too. They need you to

480
00:28:54,440 --> 00:28:56,440
Speaker 1: let him post up because I had to throw the

481
00:28:56,520 --> 00:28:58,560
Speaker 1: nigga fat out the one time here out like where

482
00:28:58,600 --> 00:29:00,360
Speaker 1: you keep the water like bad drink it there on

483
00:29:00,440 --> 00:29:04,600
Speaker 1: water bro just dropping them on the sleet like I

484
00:29:04,720 --> 00:29:10,280
Speaker 1: get brother, they care. They That's how they got a name.

485
00:29:11,640 --> 00:29:14,840
Speaker 1: They build a brand, like like that ship that made

486
00:29:14,880 --> 00:29:18,800
Speaker 1: it out atlanted like like the tent the myth of

487
00:29:18,960 --> 00:29:21,200
Speaker 1: like like its mythology in l a like just like

488
00:29:21,360 --> 00:29:24,920
Speaker 1: Dallas Austin, like everything in the world that doesn't happened,

489
00:29:25,000 --> 00:29:28,240
Speaker 1: he was right there. Yeah, you work with Dallas aust

490
00:29:28,960 --> 00:29:33,880
Speaker 1: You how you running into dallasus um work? Well, Dallas

491
00:29:33,960 --> 00:29:37,800
Speaker 1: used to live in College Park, so it's like skating rink,

492
00:29:38,160 --> 00:29:41,280
Speaker 1: Like everywhere that niggas was at, Dallas was there, like

493
00:29:41,440 --> 00:29:44,120
Speaker 1: but he was just sick. And that's what I was saying,

494
00:29:44,240 --> 00:29:47,400
Speaker 1: Like he'd be everywhere that niggas be at. Yeah yeah,

495
00:29:47,720 --> 00:29:50,080
Speaker 1: I mean because he's from me. It took Like I

496
00:29:50,160 --> 00:29:53,320
Speaker 1: think that might be the Atlantic superpower, like the ability

497
00:29:53,320 --> 00:29:56,880
Speaker 1: to be comfortable wherever you at, like you get there,

498
00:29:56,880 --> 00:29:59,240
Speaker 1: you're like all right, I even to distpect nobody I'm

499
00:29:59,280 --> 00:30:01,640
Speaker 1: not gonna allowed him about it, disrespect me. It's gonna

500
00:30:01,680 --> 00:30:05,400
Speaker 1: be fine, and you just enjoy it. Like we don't

501
00:30:05,440 --> 00:30:07,560
Speaker 1: really go out of town and called problem. You don't

502
00:30:07,600 --> 00:30:10,880
Speaker 1: hear about Atlanta niggas going somewhere and causing an uproar.

503
00:30:14,200 --> 00:30:16,400
Speaker 1: Just don't happen. Man, that might be the code that

504
00:30:16,440 --> 00:30:18,880
Speaker 1: ship you said, though, Man, there's I hope all the

505
00:30:18,960 --> 00:30:22,640
Speaker 1: niggas and all the other cities just peep the message. Man,

506
00:30:22,760 --> 00:30:26,160
Speaker 1: learn how to fucking act so much great ship can

507
00:30:26,240 --> 00:30:31,280
Speaker 1: happen when Niver started acting right, that's it, at right,

508
00:30:31,600 --> 00:30:34,400
Speaker 1: A little at right, man, I guess that's just the

509
00:30:34,480 --> 00:30:36,920
Speaker 1: down south ship too. Man. We're a little I mean,

510
00:30:37,000 --> 00:30:39,000
Speaker 1: we're crazy in our own right, but at least we

511
00:30:39,160 --> 00:30:41,520
Speaker 1: you know, it's a certain level of respect that's given

512
00:30:41,560 --> 00:30:45,640
Speaker 1: before it's just disrespect and it's actually used. It's whatever

513
00:30:45,760 --> 00:30:48,480
Speaker 1: energy you bring it is gonna get met. Yeah more

514
00:30:48,560 --> 00:30:51,640
Speaker 1: than um. Yeah, it ain't even disrespect at that point.

515
00:30:51,680 --> 00:30:54,240
Speaker 1: It's usually like ship self defense what I'm but like

516
00:30:54,520 --> 00:30:57,000
Speaker 1: in the element of surprised too, because do it every time.

517
00:30:57,120 --> 00:30:59,280
Speaker 1: You know, sometimes you might be arguing with one mother

518
00:30:59,600 --> 00:31:03,120
Speaker 1: and then I hundred Monck turned around and you're like, oh, y'all,

519
00:31:03,120 --> 00:31:09,240
Speaker 1: well him, yeah, Now, I was just saying like that man, listen,

520
00:31:09,280 --> 00:31:11,560
Speaker 1: I say it like it's a It was just just

521
00:31:11,640 --> 00:31:16,400
Speaker 1: clarified five nine legendary comedy. Okay, So this is okay,

522
00:31:16,440 --> 00:31:20,520
Speaker 1: Amateur Night, five five nine commedny ship a little it's

523
00:31:20,640 --> 00:31:24,760
Speaker 1: it's an apartment for projects next to Harris Home. Come on, okay.

524
00:31:24,800 --> 00:31:28,440
Speaker 1: So nicks Hairs Home would come to five five nine

525
00:31:28,480 --> 00:31:33,520
Speaker 1: to dude Night and like they just come like at

526
00:31:33,560 --> 00:31:36,000
Speaker 1: the ball Soldier regular hood niggas and they would come

527
00:31:36,080 --> 00:31:38,360
Speaker 1: sing like you know how, like boy, you should do that.

528
00:31:38,400 --> 00:31:41,560
Speaker 1: Ship them niggas like like a gang. Yeah, and they

529
00:31:41,560 --> 00:31:43,880
Speaker 1: would just come do it and so like the there

530
00:31:43,880 --> 00:31:46,160
Speaker 1: and they're not necessarily funny except for the to the

531
00:31:46,240 --> 00:31:48,280
Speaker 1: Nimes came with him because they know the joke, right,

532
00:31:48,400 --> 00:31:50,800
Speaker 1: you know the big heading, you know, and they're talking

533
00:31:50,800 --> 00:31:55,200
Speaker 1: about somebody specific. So it's killing these and them three

534
00:31:55,760 --> 00:31:58,880
Speaker 1: and we wrote but so it's this particularly it's to

535
00:31:59,040 --> 00:32:02,080
Speaker 1: do from New York and it's nineties. It's like early

536
00:32:02,240 --> 00:32:07,479
Speaker 1: nineties now ninety foolish ninety five. Vasashi might have been

537
00:32:07,560 --> 00:32:11,320
Speaker 1: just kicking off so like short sets and Cardier. So

538
00:32:11,440 --> 00:32:15,080
Speaker 1: they did some some New York dudes. They're there. They're

539
00:32:15,120 --> 00:32:18,200
Speaker 1: frustrated by not understanding the jokes. So one of them

540
00:32:18,200 --> 00:32:20,000
Speaker 1: sands up. I'm like, yo, man, cut men, I'll get

541
00:32:20,080 --> 00:32:23,000
Speaker 1: the funk off the stage and like goals. You know,

542
00:32:23,040 --> 00:32:27,640
Speaker 1: he's going hand Hey. Dude on the stage said hey,

543
00:32:27,680 --> 00:32:29,920
Speaker 1: but then hold on, hold on, hey, where are you

544
00:32:29,960 --> 00:32:34,400
Speaker 1: from shoulder? He said, the bookie down? He said, oh okay,

545
00:32:35,560 --> 00:32:38,920
Speaker 1: so geographically, you're not really thinking this through. He he

546
00:32:39,040 --> 00:32:42,160
Speaker 1: was like humh and he said see, because the way

547
00:32:42,200 --> 00:32:44,920
Speaker 1: I see it is, if some ship go down in

548
00:32:45,000 --> 00:32:48,080
Speaker 1: the next five minutes, you gotta call New York. I

549
00:32:48,160 --> 00:32:52,560
Speaker 1: gotta call the ball. And at this moment he was

550
00:32:52,680 --> 00:32:55,320
Speaker 1: like what he was about to wolf back? His partner

551
00:32:55,440 --> 00:32:59,160
Speaker 1: jumped up and knocked him clean out, saved the both

552
00:32:59,240 --> 00:33:05,400
Speaker 1: of them his own homeboard, not not funk out, clean

553
00:33:05,680 --> 00:33:08,040
Speaker 1: cold bro, This story was going like this in their

554
00:33:08,080 --> 00:33:13,440
Speaker 1: big win. That's that's how so. So the reason why

555
00:33:13,520 --> 00:33:15,520
Speaker 1: he stood up is because when he said my folks

556
00:33:15,560 --> 00:33:18,360
Speaker 1: at the bar, laterally the whole club stood up like yeah,

557
00:33:19,800 --> 00:33:22,280
Speaker 1: it was safe. It was He wasn't't defense mode. Yeah,

558
00:33:22,320 --> 00:33:26,120
Speaker 1: He like, bro, oh, y'all think going with him? Yeah,

559
00:33:26,920 --> 00:33:32,200
Speaker 1: keep the show going who from as Yeah, yeah, standing

560
00:33:32,320 --> 00:33:35,520
Speaker 1: sneaky be he's always fucking saying the wrong ship man,

561
00:33:35,560 --> 00:33:39,400
Speaker 1: No disrespects, no disrespects. Shut. I don't know. I don't

562
00:33:39,440 --> 00:33:42,840
Speaker 1: know shot by no shot. I was supposed to buy

563
00:33:42,880 --> 00:33:45,600
Speaker 1: something from me, but you understand, so on no shing.

564
00:33:46,040 --> 00:33:47,960
Speaker 1: So when you wake up, I'm a knocking back out

565
00:33:48,080 --> 00:33:52,280
Speaker 1: if the show ain't over, no disrespect, not finishing. He

566
00:33:52,440 --> 00:33:56,560
Speaker 1: from he said the book, I'm from all them. Yeah, no,

567
00:33:57,080 --> 00:34:00,800
Speaker 1: it never took the time for him. Man, damn, that's

568
00:34:00,800 --> 00:34:04,240
Speaker 1: some crazy ship. Comedy club always got some bullshit going though.

569
00:34:04,920 --> 00:34:06,760
Speaker 1: If it's gonna be hard, like if they got a

570
00:34:06,840 --> 00:34:10,160
Speaker 1: good headlining, somebody getting knocked the funk out. Yeah, I

571
00:34:10,200 --> 00:34:12,760
Speaker 1: didn't know that. The last show I had in Florida,

572
00:34:13,000 --> 00:34:15,160
Speaker 1: I knew she was about to get crazy. They were

573
00:34:15,239 --> 00:34:18,399
Speaker 1: laughing so hard. Lady leaned back her hole got damn weird.

574
00:34:19,600 --> 00:34:22,120
Speaker 1: I'm thinking she find you know, trying to scram and

575
00:34:22,200 --> 00:34:24,000
Speaker 1: put it on. She just took the motherfuck off the

576
00:34:24,120 --> 00:34:28,239
Speaker 1: ladys on the check, put it back over there and

577
00:34:28,400 --> 00:34:33,160
Speaker 1: made it this ship. She laughing hard in the month.

578
00:34:33,600 --> 00:34:36,520
Speaker 1: Man something lady she drunk, she met, she get up

579
00:34:36,680 --> 00:34:39,240
Speaker 1: talking ship. She then came and set all on the stage.

580
00:34:39,280 --> 00:34:42,840
Speaker 1: I'm thinking security about to come. So she get up

581
00:34:42,880 --> 00:34:45,960
Speaker 1: and get back walking around. This black ladder just came

582
00:34:46,080 --> 00:34:50,720
Speaker 1: up and was like that ass out they was about

583
00:34:50,719 --> 00:34:52,319
Speaker 1: to throw out. I was like, no, I don't throw out.

584
00:34:52,440 --> 00:34:54,880
Speaker 1: They threw the lady who got knocked out out. So

585
00:34:55,040 --> 00:34:57,240
Speaker 1: as she get up, she's still in the club working

586
00:34:57,239 --> 00:35:00,239
Speaker 1: with people. How about this ship crazy the white to

587
00:35:00,280 --> 00:35:04,040
Speaker 1: get up, slap the ship out of everybody in the

588
00:35:04,120 --> 00:35:06,400
Speaker 1: club chair like a mom like I like, I get

589
00:35:06,440 --> 00:35:08,239
Speaker 1: the funk out of here, man, because if this ship

590
00:35:08,360 --> 00:35:12,480
Speaker 1: makes the news, yeah you did it. It wasn't me.

591
00:35:12,680 --> 00:35:15,680
Speaker 1: It was the crowd. That's not Florida. Get down whatever

592
00:35:16,000 --> 00:35:19,080
Speaker 1: whatever brand of comedy you brought. Oh yeah, that's when

593
00:35:19,080 --> 00:35:25,919
Speaker 1: that ship happened. Just as kicking the good I'm about

594
00:35:25,960 --> 00:35:27,759
Speaker 1: to switch it up, do some dolphin jokes or so

595
00:35:29,280 --> 00:35:33,120
Speaker 1: there's other ship. Too bad about it? Y'all on the road, y'all,

596
00:35:33,360 --> 00:35:36,799
Speaker 1: y'all out now right, come on, man said we're out here,

597
00:35:37,120 --> 00:35:45,640
Speaker 1: get a legends to him. Right. Man has been at that, man,

598
00:35:45,680 --> 00:35:48,000
Speaker 1: We're taking it one step at a time like we've

599
00:35:48,280 --> 00:35:52,200
Speaker 1: been over the snow wine. Yeah, just man, it's been

600
00:35:52,560 --> 00:35:54,799
Speaker 1: all little when people missed the hell at us, Man,

601
00:35:55,360 --> 00:35:57,279
Speaker 1: we went to a luxe and sold them the eight

602
00:35:57,320 --> 00:36:01,160
Speaker 1: thousand tickets. Man, just out of showing man love to

603
00:36:01,280 --> 00:36:04,200
Speaker 1: the people who need it one time. Yeah, exactly, And

604
00:36:05,360 --> 00:36:08,960
Speaker 1: I'm making came out of showers love making us up. Hell, yeah,

605
00:36:09,080 --> 00:36:12,239
Speaker 1: we got we got some cool ship coming over here. Man,

606
00:36:12,400 --> 00:36:16,239
Speaker 1: we're just working. Yeah, we got motherfucker's like you coming

607
00:36:16,320 --> 00:36:18,680
Speaker 1: through here, just dropping game owners. Let us know the

608
00:36:18,840 --> 00:36:22,200
Speaker 1: LLL cool J is out here buying walking in little kids.

609
00:36:22,360 --> 00:36:25,920
Speaker 1: But what else strange you done happened in this motherfucker man?

610
00:36:26,880 --> 00:36:28,720
Speaker 1: That came to me the while that ship didn't happen

611
00:36:28,760 --> 00:36:32,239
Speaker 1: in the music industry. No, it's probably not. But that's

612
00:36:32,400 --> 00:36:34,719
Speaker 1: that's a cold window. Yeah, that one applies to me.

613
00:36:34,840 --> 00:36:36,840
Speaker 1: So I can you know, I don't mind happy to

614
00:36:36,880 --> 00:36:42,200
Speaker 1: tell that story. That's the hell of them come up, man, listen.

615
00:36:42,239 --> 00:36:44,080
Speaker 1: That might have just been destiny for you to funk

616
00:36:44,120 --> 00:36:47,440
Speaker 1: with that music there. No, that'solutely I feel like. Look,

617
00:36:47,440 --> 00:36:50,480
Speaker 1: I'm not fighting it, like I think that's the other ones.

618
00:36:50,560 --> 00:36:52,400
Speaker 1: Like I ain't fighting them feeling like if I if

619
00:36:52,440 --> 00:36:54,360
Speaker 1: I felt it, it's honest, and that's when I'm roll with.

620
00:36:55,800 --> 00:36:59,280
Speaker 1: So I feel like my discernment isn't good good standing

621
00:36:59,320 --> 00:37:05,080
Speaker 1: because I don't really like my intent is good. You

622
00:37:05,200 --> 00:37:08,080
Speaker 1: do good good to come to you. Yeah, you're from

623
00:37:08,120 --> 00:37:13,520
Speaker 1: the South. Talk, what do you mean? Like I'm really

624
00:37:13,600 --> 00:37:17,279
Speaker 1: from the South. I'm talking about like like with the

625
00:37:17,400 --> 00:37:20,640
Speaker 1: water pump in the front yard, that's that's the type

626
00:37:20,640 --> 00:37:23,919
Speaker 1: of South with the good cold and water in there. Yeah,

627
00:37:24,320 --> 00:37:27,440
Speaker 1: that type of ship. Okay, I'm talking about I'm so

628
00:37:27,680 --> 00:37:30,120
Speaker 1: from the South. Like our dog ain't never came in

629
00:37:30,160 --> 00:37:34,880
Speaker 1: the house. Yeah, that's outside that I'm talking about. So

630
00:37:35,040 --> 00:37:36,840
Speaker 1: from the South. When you can spend the whole weekend

631
00:37:36,880 --> 00:37:39,919
Speaker 1: at your grandma house, I don't have no clothes. Yeah,

632
00:37:40,080 --> 00:37:45,640
Speaker 1: it's fine, exactly, I'm real South. But I'm talking about

633
00:37:46,280 --> 00:37:48,239
Speaker 1: when your grandma and your mom and they opened up

634
00:37:48,239 --> 00:37:50,479
Speaker 1: all the doors when they're fried chicken. You just smell

635
00:37:50,560 --> 00:37:53,279
Speaker 1: that in the whole neighborhood. But it don't know the

636
00:37:53,320 --> 00:37:57,040
Speaker 1: house up right? You know about that one time I

637
00:37:57,200 --> 00:38:00,520
Speaker 1: lay your school close out. Yeah, and not because you're

638
00:38:00,560 --> 00:38:09,839
Speaker 1: choosing because right right, Yeah, real ship, it's real South ship,

639
00:38:10,120 --> 00:38:13,759
Speaker 1: like we go to bed for real, for real. I'm

640
00:38:13,800 --> 00:38:16,080
Speaker 1: talking about real South where you'd be like, I'm hot

641
00:38:16,200 --> 00:38:24,239
Speaker 1: and they just like be still something. Yeah, yeah, that's right.

642
00:38:25,880 --> 00:38:29,680
Speaker 1: It's the real seuth ship I'm talking about with the

643
00:38:29,760 --> 00:38:32,080
Speaker 1: ice cream man. Just pull up and turn the van off.

644
00:38:33,040 --> 00:38:36,480
Speaker 1: It's one stop. First of all, it's gonna because the

645
00:38:36,520 --> 00:38:38,239
Speaker 1: President of Money gonna take by Timmy to come to

646
00:38:38,320 --> 00:38:42,759
Speaker 1: the house. One stop and he playing no ice cream

647
00:38:42,800 --> 00:38:48,360
Speaker 1: Man music straight Well he played Gucci Lemonade. That's the

648
00:38:48,480 --> 00:38:54,600
Speaker 1: official ice cream the freak up. Yeah, it's real ship.

649
00:38:55,520 --> 00:38:59,800
Speaker 1: Heard that. Yeah, yeah, like I've heard that like recent Okay,

650
00:39:00,719 --> 00:39:03,359
Speaker 1: damn did they change it? I wonder what I want

651
00:39:03,400 --> 00:39:11,320
Speaker 1: to get ice cream truck from ice cream? Yeah, we

652
00:39:11,400 --> 00:39:13,759
Speaker 1: ain't never real nowhere. They had a bunch of ice

653
00:39:13,840 --> 00:39:16,400
Speaker 1: cream trunks after for sale. I mean when you get

654
00:39:16,440 --> 00:39:18,360
Speaker 1: a male trunk and they don't say male trucks do that.

655
00:39:18,560 --> 00:39:20,279
Speaker 1: I mean they're not about to let you have a

656
00:39:20,360 --> 00:39:23,600
Speaker 1: male truck unless you work for them. You gotta work

657
00:39:23,680 --> 00:39:28,200
Speaker 1: at the post office about like, I don't know. I

658
00:39:28,280 --> 00:39:31,640
Speaker 1: think thems be making their own decal, but who put

659
00:39:31,680 --> 00:39:34,920
Speaker 1: the federat there? Some of them don't have it and

660
00:39:35,120 --> 00:39:37,239
Speaker 1: just be a chain de freeze in their bit, but

661
00:39:38,200 --> 00:39:44,000
Speaker 1: power converted there's electrician to there. You do what you

662
00:39:44,080 --> 00:39:47,359
Speaker 1: gotta do, you gotta do, That's what it is. That's

663
00:39:47,400 --> 00:39:49,719
Speaker 1: a hustle, though, because we ain't never even find out

664
00:39:50,160 --> 00:39:52,959
Speaker 1: who ice cream and work for, where the ice cream

665
00:39:53,040 --> 00:39:56,320
Speaker 1: came from exactly these motherfuckers might be working for the

666
00:39:56,440 --> 00:39:59,160
Speaker 1: federal government poisoning, and y'all talking about Corona and then

667
00:39:59,200 --> 00:40:01,160
Speaker 1: they always talked abou all the ship that they put

668
00:40:01,239 --> 00:40:04,400
Speaker 1: into projects and together, won't nobody to investigate where the

669
00:40:04,440 --> 00:40:09,799
Speaker 1: funk all that ice cream came from. You're thinking about

670
00:40:09,840 --> 00:40:14,600
Speaker 1: it like I don't know, urban areas in places that

671
00:40:14,680 --> 00:40:17,640
Speaker 1: you couldn't get pieces to live, and they would show

672
00:40:17,719 --> 00:40:21,440
Speaker 1: up right at the most valent time football games like

673
00:40:21,520 --> 00:40:24,600
Speaker 1: ship like six o'clock when it's almost dark. Didn't pull

674
00:40:24,680 --> 00:40:29,120
Speaker 1: up teen lingle ling you can hear that music, He's like,

675
00:40:29,960 --> 00:40:32,279
Speaker 1: everybody knows what the funk that music is. They get

676
00:40:32,320 --> 00:40:36,960
Speaker 1: the dope boy like little man, he little hey, bring

677
00:40:37,120 --> 00:40:40,560
Speaker 1: me a baseball gloove? What the what do you want

678
00:40:40,600 --> 00:40:44,759
Speaker 1: to move? Move? What do you want? And then you

679
00:40:44,800 --> 00:40:48,120
Speaker 1: remember all those uh like propaganda don't do drugs movies

680
00:40:48,200 --> 00:40:51,080
Speaker 1: from the eighties. They had kids like getting shot because

681
00:40:51,080 --> 00:40:53,520
Speaker 1: they didn't bring the dope boy his change back. Your

682
00:40:53,560 --> 00:41:00,279
Speaker 1: little man where's my fat out? See? Kids? Why was

683
00:41:00,360 --> 00:41:03,480
Speaker 1: he shot because he was smoking crack? That's like what No,

684
00:41:03,680 --> 00:41:06,360
Speaker 1: he tried to take that Nick Bunday. If we go

685
00:41:06,480 --> 00:41:08,920
Speaker 1: back and watch that ship now, they probably destroy it

686
00:41:08,960 --> 00:41:12,120
Speaker 1: on them. Then look Friday Afternoon special ships they used

687
00:41:12,120 --> 00:41:16,920
Speaker 1: to show us in at school. Man, listen like I'm

688
00:41:16,960 --> 00:41:20,440
Speaker 1: watching um like they do these like commercial from the eighties,

689
00:41:20,760 --> 00:41:23,920
Speaker 1: and you see how like weird ship looks now like

690
00:41:24,080 --> 00:41:27,280
Speaker 1: the people that you bought ship from, like kids mind

691
00:41:27,520 --> 00:41:30,000
Speaker 1: from little pineapple cut white boys, like their hair was

692
00:41:30,080 --> 00:41:32,480
Speaker 1: like in their bangs like Justin Bieber, I'm gonna suck

693
00:41:32,560 --> 00:41:37,239
Speaker 1: you up. Remember that show. Mr Wizard yep creepyr old

694
00:41:37,280 --> 00:41:39,520
Speaker 1: white man just pick up some random kids, take him

695
00:41:39,560 --> 00:41:44,680
Speaker 1: to his house and do science experiments. This makes his

696
00:41:44,880 --> 00:41:47,160
Speaker 1: LLL cool. They stored way weird and the way that

697
00:41:47,239 --> 00:41:49,279
Speaker 1: you talk like when you think think about it, man

698
00:41:49,760 --> 00:41:53,359
Speaker 1: LLL cool J in the airport, all these people trying

699
00:41:53,400 --> 00:41:56,920
Speaker 1: to yo LLL. Can we get a picture? No, by

700
00:41:56,960 --> 00:41:59,480
Speaker 1: the way, No, it wouldn't even he wasn't famous. This

701
00:41:59,600 --> 00:42:02,600
Speaker 1: was I need beat. It wasn't videos like, it wasn't

702
00:42:03,640 --> 00:42:07,160
Speaker 1: like this is I was it like eighty This was

703
00:42:07,360 --> 00:42:10,120
Speaker 1: real underground hip hop ship. It's like I need to

704
00:42:10,160 --> 00:42:19,359
Speaker 1: beat like this is this is yeah early like six yeah,

705
00:42:19,480 --> 00:42:25,080
Speaker 1: that's it, Tenny let me yes yeah yeah man. So

706
00:42:25,320 --> 00:42:27,239
Speaker 1: it's like he was really just he was on to

707
00:42:27,320 --> 00:42:29,759
Speaker 1: come up. It's just a good hearted dude, I guess

708
00:42:29,800 --> 00:42:33,120
Speaker 1: you know. Yeah, he's seeing the guy hustling. Let anybody

709
00:42:33,280 --> 00:42:36,960
Speaker 1: walk man for over shot? How much fort here go shorty?

710
00:42:37,840 --> 00:42:39,680
Speaker 1: Because he had to notice it was radio Shack. It

711
00:42:39,800 --> 00:42:43,920
Speaker 1: was like realistic. They probably said radio realistic, like that's

712
00:42:43,960 --> 00:42:47,799
Speaker 1: the radio Shack brand. Whatever. He just probably just really

713
00:42:47,880 --> 00:42:52,160
Speaker 1: needed one. He does he listen to the demo of

714
00:42:52,320 --> 00:42:54,920
Speaker 1: like the rest of the radio album. He was probably

715
00:42:55,000 --> 00:42:57,840
Speaker 1: listening to the instrumentals and writing the rhyme. That's what

716
00:42:57,840 --> 00:43:02,359
Speaker 1: I'm talking about on your ship now, that's new face

717
00:43:02,440 --> 00:43:07,200
Speaker 1: type is like that guy face type ship man like

718
00:43:10,480 --> 00:43:15,520
Speaker 1: yeah eight four yeah, damn, you've really been out here

719
00:43:15,560 --> 00:43:19,520
Speaker 1: in these streets. So you said you're so deep in

720
00:43:19,600 --> 00:43:21,680
Speaker 1: the hip hop? How you get through in the studio

721
00:43:21,760 --> 00:43:25,400
Speaker 1: with pink and ship like that? Um so I started

722
00:43:25,400 --> 00:43:28,239
Speaker 1: doing you got a broad range of ship. I like music, man,

723
00:43:28,320 --> 00:43:31,640
Speaker 1: I grew up like it wasn't an algorithm. Let's put

724
00:43:31,719 --> 00:43:34,239
Speaker 1: us up on some ship that niggas might not know about. Nice,

725
00:43:34,239 --> 00:43:37,640
Speaker 1: some outside of the normal ship. What should throw some

726
00:43:37,719 --> 00:43:40,239
Speaker 1: ship we can go funk with? You mean, like just

727
00:43:42,280 --> 00:43:44,800
Speaker 1: basically some white people ship that some ship you know

728
00:43:44,920 --> 00:43:47,279
Speaker 1: about that you wish mold niggas knew about. You know what,

729
00:43:47,360 --> 00:43:49,160
Speaker 1: ain't even I don't know if it's not a white ship,

730
00:43:49,200 --> 00:43:52,040
Speaker 1: but nothing like that. But it's Shugi Oldest, like it's

731
00:43:52,320 --> 00:43:56,680
Speaker 1: Sugar Oldest. You sunk with it. I know you're seeing

732
00:43:56,719 --> 00:43:59,759
Speaker 1: down the old coupt. Yeah, he differently? Yeah, yeah, I

733
00:43:59,800 --> 00:44:01,640
Speaker 1: mean like the thing, it's like a bunch of it's

734
00:44:01,680 --> 00:44:04,960
Speaker 1: like so much music, bro Like at this point, I

735
00:44:05,040 --> 00:44:08,040
Speaker 1: don't even like my brain just like shut down when

736
00:44:08,080 --> 00:44:11,120
Speaker 1: you asked that question. Damn, Like you stand there you go,

737
00:44:11,760 --> 00:44:15,239
Speaker 1: New Faith, you have talked them up. That's crazy. New

738
00:44:15,320 --> 00:44:19,879
Speaker 1: Faith is actually here, sugar otis. I'm gonna look it up. Yeah,

739
00:44:19,920 --> 00:44:22,400
Speaker 1: I'm just saying, who see, I'm just in a different

740
00:44:22,600 --> 00:44:25,640
Speaker 1: I'm I'm also I'm really heavy money bag yo right now?

741
00:44:27,440 --> 00:44:29,920
Speaker 1: Did that yet? I mean? Yeah? I mean, well he

742
00:44:30,040 --> 00:44:31,960
Speaker 1: worked with us a um when he worked with for

743
00:44:32,040 --> 00:44:34,839
Speaker 1: Real in that fence. To tell you about this ship, man,

744
00:44:35,000 --> 00:44:36,759
Speaker 1: tell me about what you and for real over there

745
00:44:36,800 --> 00:44:40,319
Speaker 1: doing um. Honestly, man, we're just trying to keep contributing it, bro,

746
00:44:40,440 --> 00:44:42,200
Speaker 1: Like that's that's honestly all it is. It's like the

747
00:44:42,280 --> 00:44:45,200
Speaker 1: goal is to be able to contribute and and learn

748
00:44:45,320 --> 00:44:49,160
Speaker 1: from like everybody, like the newer, the newer artists, the

749
00:44:49,600 --> 00:44:52,160
Speaker 1: catalog artists, the classic you know, the people came up with,

750
00:44:52,840 --> 00:44:55,680
Speaker 1: but like making sure that you know, there's a bridge

751
00:44:55,800 --> 00:44:59,879
Speaker 1: of information and and just just the fundamentals get get

752
00:45:00,400 --> 00:45:03,000
Speaker 1: passed on. If a real came on this, bitch, I

753
00:45:03,120 --> 00:45:09,360
Speaker 1: know this should have blew up in japan Jah, you

754
00:45:09,440 --> 00:45:11,920
Speaker 1: know what I mean? The people that is a lot, billy,

755
00:45:13,400 --> 00:45:17,320
Speaker 1: I just don't know. He popular. He popular everywhere like

756
00:45:17,440 --> 00:45:19,279
Speaker 1: happ It was like a big song. I was just

757
00:45:19,360 --> 00:45:21,000
Speaker 1: about to ask you, is he gonna do another one?

758
00:45:21,480 --> 00:45:23,200
Speaker 1: Ain't doing another happen? How do you? You should do

759
00:45:23,320 --> 00:45:33,080
Speaker 1: every emotion sad? I'm down the gag because D's name,

760
00:45:33,160 --> 00:45:38,440
Speaker 1: because don't know that ship is real and they got

761
00:45:38,520 --> 00:45:41,960
Speaker 1: to be hard. Yeah, put money back your on it,

762
00:45:42,360 --> 00:45:49,480
Speaker 1: nig what huh pull shit? B Yeah yeah, I mean

763
00:45:49,560 --> 00:45:53,920
Speaker 1: listen as possible, bro, you'll be playing that ship. We're

764
00:45:53,920 --> 00:45:56,279
Speaker 1: putting them up on ship like the new ship. Yeah,

765
00:45:56,360 --> 00:45:59,239
Speaker 1: but like like like I think we all put each

766
00:45:59,239 --> 00:46:01,520
Speaker 1: other upon ship. Like he hit me with like he

767
00:46:01,760 --> 00:46:05,440
Speaker 1: might have hit me with money Bag yo on one morning, like, Yo,

768
00:46:05,600 --> 00:46:07,200
Speaker 1: you listen to this. I was already up on it.

769
00:46:07,280 --> 00:46:09,759
Speaker 1: But the fact that he woke up at six in

770
00:46:09,840 --> 00:46:13,120
Speaker 1: the morning, like you heard this ship like and then

771
00:46:13,200 --> 00:46:15,279
Speaker 1: that's what happened. He actually went on his podcast said

772
00:46:15,320 --> 00:46:18,040
Speaker 1: how much he likes money Bag Yo. Money bags people

773
00:46:18,160 --> 00:46:20,319
Speaker 1: reached out to me and then we're like, well, yeah,

774
00:46:20,360 --> 00:46:23,359
Speaker 1: let's get them together and yeah, and then we got

775
00:46:23,400 --> 00:46:29,839
Speaker 1: two records on the on this new album. Funk took

776
00:46:29,880 --> 00:46:34,120
Speaker 1: you so long and say that you just saw me

777
00:46:34,239 --> 00:46:36,120
Speaker 1: pull up in the money called you know, I'll be

778
00:46:36,200 --> 00:46:38,520
Speaker 1: listening to money Bag you on that bit. I just

779
00:46:38,680 --> 00:46:41,400
Speaker 1: look to get time to day. I would use that

780
00:46:41,520 --> 00:46:44,320
Speaker 1: voice when I rapped. It's a good voice. That's a

781
00:46:44,400 --> 00:46:52,120
Speaker 1: great voice around. Don't nobody, I don't backtrack on miss nobody. Everybody.

782
00:46:53,760 --> 00:46:57,640
Speaker 1: Yeah that cold man. Yeah man, this is a many

783
00:46:57,719 --> 00:47:00,479
Speaker 1: cold niggas out here. But every rapper that's rapping at

784
00:47:00,600 --> 00:47:03,800
Speaker 1: the ship, it's get in life. I mean listen, bro, like,

785
00:47:04,120 --> 00:47:06,879
Speaker 1: especially when they're rapping about and it feel real shit.

786
00:47:07,000 --> 00:47:09,600
Speaker 1: It is that's the point to be on video. Them

787
00:47:09,680 --> 00:47:11,840
Speaker 1: niggers are going to club, get the fight and shoot

788
00:47:11,880 --> 00:47:14,839
Speaker 1: that bit up dropped the coldest song. The next day,

789
00:47:15,239 --> 00:47:19,239
Speaker 1: put the surveillance camera video in the video. They put

790
00:47:19,360 --> 00:47:22,640
Speaker 1: the news clips. Sixteen people were shut having a look

791
00:47:22,800 --> 00:47:25,960
Speaker 1: Atlanta nightclub landing night. Y'all need to know what it is.

792
00:47:26,400 --> 00:47:35,160
Speaker 1: Nigga got shot to do with it? Shot, I got

793
00:47:35,600 --> 00:47:39,600
Speaker 1: something to do with it, and I had something to

794
00:47:39,760 --> 00:47:43,839
Speaker 1: do with it. Order the drink about twill. He didn't come,

795
00:47:44,360 --> 00:47:53,880
Speaker 1: went to the callame my shirt and got my n

796
00:47:54,160 --> 00:47:59,680
Speaker 1: is be too detail, bro, So make the disc record

797
00:48:00,239 --> 00:48:03,000
Speaker 1: not only talk about the shooting, but talk about the

798
00:48:03,200 --> 00:48:06,959
Speaker 1: injuries and where the bullets hit. That nigger, bro, Yeah,

799
00:48:07,239 --> 00:48:10,120
Speaker 1: your home was talking sheep, but that twelve game hit

800
00:48:10,200 --> 00:48:13,560
Speaker 1: the meeting. Chick came down in bridge cavity and hit

801
00:48:13,640 --> 00:48:16,000
Speaker 1: on me, and the bridge came out the nipple. He

802
00:48:16,080 --> 00:48:19,400
Speaker 1: died back. I ain't parent laugh here the met he

803
00:48:19,560 --> 00:48:21,960
Speaker 1: could see I had on this guy. I'm like, oh

804
00:48:22,040 --> 00:48:30,400
Speaker 1: my cause I don't know who that is. What they

805
00:48:30,480 --> 00:48:32,480
Speaker 1: tell you, the kind of brothers that you two two

806
00:48:32,640 --> 00:48:36,720
Speaker 1: three hit their car? Egent cut off? What the fuck

807
00:48:39,280 --> 00:48:40,919
Speaker 1: tell you a little part of my bad a minute

808
00:48:40,920 --> 00:48:50,120
Speaker 1: step on her jas what no man like to They're

809
00:48:50,160 --> 00:48:53,160
Speaker 1: good at what they do. I'm just saying if they

810
00:48:53,320 --> 00:48:56,360
Speaker 1: just changed the subject matter and made it positive, it

811
00:48:56,480 --> 00:49:02,080
Speaker 1: might even hit harder. Brotellian, what do you think you

812
00:49:02,200 --> 00:49:05,200
Speaker 1: just started rapping about ship that you never expecting to

813
00:49:05,239 --> 00:49:09,440
Speaker 1: wrap about. They started rapping about fucking solar systems and

814
00:49:09,560 --> 00:49:12,440
Speaker 1: hidting planets and ship, and they started rapping about the

815
00:49:12,600 --> 00:49:15,080
Speaker 1: hidden color ship. Actually more people who know about that

816
00:49:15,160 --> 00:49:17,759
Speaker 1: than who actually know how to sell crack exactly. But

817
00:49:17,800 --> 00:49:21,239
Speaker 1: I don't really know how to sell really being out

818
00:49:21,280 --> 00:49:24,400
Speaker 1: of style. Yeah, I'm saying like it ain't really like

819
00:49:25,040 --> 00:49:28,160
Speaker 1: the biggest population of people don't do criminals. Do you understand,

820
00:49:28,239 --> 00:49:30,759
Speaker 1: like craick ain't even like a selling crack, ain't even

821
00:49:30,800 --> 00:49:33,120
Speaker 1: a top professional. More. You can make more money as

822
00:49:33,160 --> 00:49:36,480
Speaker 1: a YouTube and then you can't selling crack. You can

823
00:49:36,560 --> 00:49:39,480
Speaker 1: make more money doing live streams for two hours than

824
00:49:39,560 --> 00:49:43,080
Speaker 1: you could selling crack for a whole weekend. Yeah, it's

825
00:49:43,120 --> 00:49:45,600
Speaker 1: not fly if you're doing it. You just ain't. You

826
00:49:45,719 --> 00:49:48,320
Speaker 1: just didn't develop like no new skills. Do you understand

827
00:49:48,400 --> 00:49:50,719
Speaker 1: you could trade four rex right now and make more

828
00:49:50,800 --> 00:49:55,680
Speaker 1: money selling crack? Do you understand that people who sell

829
00:49:55,800 --> 00:50:00,400
Speaker 1: crack make less than people who work for Amazon minus

830
00:50:00,600 --> 00:50:03,960
Speaker 1: that's not even including the benefits, not that I know benefits.

831
00:50:04,320 --> 00:50:06,800
Speaker 1: That's what I'm telling me. I think about when the

832
00:50:06,960 --> 00:50:12,120
Speaker 1: drug dealer day. You don't. I'm just saying when they

833
00:50:12,239 --> 00:50:14,160
Speaker 1: were You ever have seen like one the street nigga

834
00:50:14,239 --> 00:50:17,280
Speaker 1: that and the niggas they net worth be sixteen thousand

835
00:50:17,400 --> 00:50:24,040
Speaker 1: like you did thousand. They still don't go fund me,

836
00:50:25,120 --> 00:50:32,440
Speaker 1: fuck nigga. You old twelve thousand on the escalad. So basically,

837
00:50:32,560 --> 00:50:34,800
Speaker 1: all right, you did. You took all these chances for

838
00:50:35,000 --> 00:50:39,160
Speaker 1: four thousand dollars money and some outfits. Hey man, but

839
00:50:39,280 --> 00:50:42,080
Speaker 1: throw back Thursday though for the rest of your life.

840
00:50:42,680 --> 00:50:46,920
Speaker 1: That's what you did it for. Remember that. I mean,

841
00:50:46,960 --> 00:50:50,879
Speaker 1: I remember I was that boy. No, man, I don't

842
00:50:51,040 --> 00:50:55,640
Speaker 1: ship because I remember real drug dealers. I'm not saying

843
00:50:55,680 --> 00:51:00,359
Speaker 1: that the drug dealers. No, I'm just saying, like drug

844
00:51:00,440 --> 00:51:03,359
Speaker 1: dealers from the nineties and ship when I was growing up,

845
00:51:03,560 --> 00:51:06,560
Speaker 1: that ship looked like the life. It's like pre internet,

846
00:51:06,680 --> 00:51:08,759
Speaker 1: right man, before the end of the game. Man, the

847
00:51:08,840 --> 00:51:11,879
Speaker 1: drug dealers just looked like they was having fun all

848
00:51:12,000 --> 00:51:15,880
Speaker 1: the time. They had nice cars, they had fun women,

849
00:51:16,320 --> 00:51:19,120
Speaker 1: they had the nicest animals, They had the best dogs.

850
00:51:20,440 --> 00:51:22,279
Speaker 1: They were just what they were doing. They might have.

851
00:51:23,200 --> 00:51:27,320
Speaker 1: Everybody was outside, all the crackheads was outside washing cars

852
00:51:27,480 --> 00:51:30,719
Speaker 1: and ship. It was just a better environment when the

853
00:51:30,800 --> 00:51:33,960
Speaker 1: drug dealers when they was just put outside being drug

854
00:51:34,080 --> 00:51:37,160
Speaker 1: dealers with the music playing and your uncle black, get

855
00:51:37,200 --> 00:51:40,399
Speaker 1: yours from over there. What the d They're not even

856
00:51:40,440 --> 00:51:44,879
Speaker 1: selling drugs right now. I like this in the neighborhoods

857
00:51:44,880 --> 00:51:47,960
Speaker 1: I grew get your hands sitting out. You know that

858
00:51:48,120 --> 00:51:52,840
Speaker 1: sound drugs. They're going to the CHAML, They're going to

859
00:51:52,920 --> 00:51:56,600
Speaker 1: independent all up everybody look at It was always that

860
00:51:56,760 --> 00:51:59,319
Speaker 1: one old nigga who didn't approve y'all just gonna sit here.

861
00:51:59,360 --> 00:52:03,120
Speaker 1: Anything about you that he with this drug money? Do

862
00:52:03,280 --> 00:52:05,279
Speaker 1: you want to rip? Hey, y'all want to rip? I'm

863
00:52:05,320 --> 00:52:11,000
Speaker 1: just saying I thought you wouldn't give me. Yeah, it's

864
00:52:11,040 --> 00:52:13,080
Speaker 1: back when the drug dealers gave a funk about the

865
00:52:13,120 --> 00:52:17,239
Speaker 1: community there. Yeah they had to just saying, but they

866
00:52:17,239 --> 00:52:19,560
Speaker 1: didn't have a side hustle getting like doing Instagram a

867
00:52:19,600 --> 00:52:22,800
Speaker 1: live they need to, but they can't be on Instagram

868
00:52:22,960 --> 00:52:25,040
Speaker 1: laugh talking about the ship they did when they were

869
00:52:25,040 --> 00:52:32,800
Speaker 1: selling drugs. They do, but you can't do their drugs.

870
00:52:32,920 --> 00:52:35,480
Speaker 1: They're like that all this stuff is on their lives.

871
00:52:36,760 --> 00:52:39,640
Speaker 1: Stop doing that. Stop doing that. That's that's sunning at right.

872
00:52:41,000 --> 00:52:43,040
Speaker 1: I tell my fucker's all the time. I'm never you

873
00:52:43,080 --> 00:52:46,600
Speaker 1: don't don't record me doing ship they're llegal. Well just

874
00:52:46,680 --> 00:52:48,360
Speaker 1: to see my thing is, I just don't do it

875
00:52:48,400 --> 00:52:52,040
Speaker 1: like me either. I just know. Yeah, but I'm just

876
00:52:52,160 --> 00:52:54,200
Speaker 1: saying there's not working. I need to be in a

877
00:52:54,280 --> 00:52:57,719
Speaker 1: safe environment. By the way, the trap is a very

878
00:52:57,880 --> 00:53:00,200
Speaker 1: like I feel so safe here, but it's in it

879
00:53:00,360 --> 00:53:03,640
Speaker 1: is safe. I feel like, Yeah, it's because nothing we're doing.

880
00:53:03,719 --> 00:53:06,719
Speaker 1: We're just trapping media out of here. That's all it is.

881
00:53:07,719 --> 00:53:11,319
Speaker 1: South show. This is the number one rated black show

882
00:53:11,840 --> 00:53:14,759
Speaker 1: amongst people who brother who used to see a drug man.

883
00:53:14,920 --> 00:53:19,960
Speaker 1: Like when they do the polls, they get real specific analytics.

884
00:53:20,440 --> 00:53:22,960
Speaker 1: You asked any black woman named Kiki what her favorite

885
00:53:22,960 --> 00:53:29,239
Speaker 1: show is. Define Yeah, that ass. But I mean this

886
00:53:29,360 --> 00:53:31,279
Speaker 1: is a dope show man like y'all actually like y'all

887
00:53:31,320 --> 00:53:35,480
Speaker 1: put like because I'm again like I'm I don't know,

888
00:53:36,560 --> 00:53:40,400
Speaker 1: I'm not famous. Look at this. Look all the shitty there,

889
00:53:40,520 --> 00:53:43,560
Speaker 1: y'all know it's was in the studio with paint your

890
00:53:43,600 --> 00:53:47,080
Speaker 1: famous white people like you and this music industry good

891
00:53:48,080 --> 00:53:50,640
Speaker 1: because if somebody was like, you know who, we need KP,

892
00:53:51,680 --> 00:53:57,480
Speaker 1: somebody get KP on the goddamn phone. Okay, actually, by

893
00:53:57,520 --> 00:53:59,200
Speaker 1: the way, that was l A. A black person did that,

894
00:54:00,160 --> 00:54:01,719
Speaker 1: but he told the white dude because you know, he

895
00:54:01,800 --> 00:54:04,759
Speaker 1: had a white dude probably named Zack. Zack. Do you

896
00:54:04,880 --> 00:54:11,480
Speaker 1: mean a favor KP on this? Okay? I like that story. Yeah,

897
00:54:11,800 --> 00:54:16,040
Speaker 1: I made it up. I like it. Zach. What was that? Oh? Yeah,

898
00:54:18,560 --> 00:54:20,720
Speaker 1: read man. He put a lot of black people in position,

899
00:54:20,920 --> 00:54:23,399
Speaker 1: like yeah, bro like him and him and his crew

900
00:54:23,520 --> 00:54:27,440
Speaker 1: came to Atlanta and brought like some infrastructure, like to

901
00:54:27,520 --> 00:54:30,800
Speaker 1: a bunch of talented people and and gave like real outlets.

902
00:54:31,000 --> 00:54:33,399
Speaker 1: Which one you met first? La read the baby Face?

903
00:54:33,560 --> 00:54:36,440
Speaker 1: I met Pebbles first, Pebbles and she introduced me to

904
00:54:36,719 --> 00:54:39,000
Speaker 1: l A, and then I met baby Face last. So

905
00:54:39,120 --> 00:54:41,080
Speaker 1: when you was meeting them, did you understand you was

906
00:54:41,200 --> 00:54:45,600
Speaker 1: meeting some of the titans of the music industry right then? No,

907
00:54:46,880 --> 00:54:49,160
Speaker 1: I knew that these people had some cards I had

908
00:54:49,200 --> 00:54:52,239
Speaker 1: never seen. They had these funny trucks, like they had

909
00:54:52,400 --> 00:54:54,480
Speaker 1: rain drovers back when I didn't know the rang drover

910
00:54:54,719 --> 00:54:57,360
Speaker 1: was so I was like, man, they got the spaceship trucks.

911
00:54:58,040 --> 00:55:00,200
Speaker 1: So I was just listening because I was that they

912
00:55:00,280 --> 00:55:02,680
Speaker 1: had ship right, And I was like, I've seen that

913
00:55:02,760 --> 00:55:07,640
Speaker 1: in the movie. That's a good reason drop that. Look,

914
00:55:07,800 --> 00:55:10,000
Speaker 1: listen to people who have ship that you don't have.

915
00:55:11,000 --> 00:55:13,560
Speaker 1: They know some ship that you don't know. Look at that,

916
00:55:13,800 --> 00:55:16,759
Speaker 1: especially if you want the ship, but clearly you need.

917
00:55:16,920 --> 00:55:19,200
Speaker 1: That's why they dude start making them in their videos

918
00:55:19,200 --> 00:55:20,600
Speaker 1: where you go up to people like, hey, man, what

919
00:55:20,719 --> 00:55:24,319
Speaker 1: you do? And then people they know about the ship

920
00:55:24,440 --> 00:55:28,800
Speaker 1: now now don't want nobody to tell them. For real aquariums.

921
00:55:30,280 --> 00:55:32,600
Speaker 1: White people be laughing at their job. They're like, you're

922
00:55:32,600 --> 00:55:36,799
Speaker 1: gonna show up and take that motherfucker maybe making up ship? Huh,

923
00:55:37,440 --> 00:55:42,040
Speaker 1: I hang up home the court. Don't tell black people

924
00:55:42,120 --> 00:55:46,680
Speaker 1: you can make money doing this secret job having Man,

925
00:55:48,000 --> 00:55:49,759
Speaker 1: it's a cold as ring. Man he played for the

926
00:55:49,840 --> 00:55:52,880
Speaker 1: Lakers or something. My granddad, your granddad to put you

927
00:55:53,000 --> 00:55:56,680
Speaker 1: up on that. He love me. This that's a family heirloom.

928
00:55:57,360 --> 00:56:00,040
Speaker 1: You went to the trap. You see that's special. That

929
00:56:00,160 --> 00:56:04,879
Speaker 1: a little your granddad, that's his ring. It was he's real.

930
00:56:05,920 --> 00:56:07,680
Speaker 1: What was he doing to have a ring like that?

931
00:56:08,000 --> 00:56:11,319
Speaker 1: I just gotta race ship, just just a the car game,

932
00:56:11,480 --> 00:56:16,120
Speaker 1: talking ship. I don't need your little money. My grandson

933
00:56:17,719 --> 00:56:24,279
Speaker 1: my rock carry Yeah, goddamn cars again, Nick ring this

934
00:56:24,440 --> 00:56:28,000
Speaker 1: motherfucking me. You can think I give a ship brand

935
00:56:28,080 --> 00:56:34,640
Speaker 1: new truck out side. Motherfucking man speak rack. That's dead

936
00:56:34,680 --> 00:56:38,839
Speaker 1: all granddad of talking big ship. That's a hard as

937
00:56:39,040 --> 00:56:44,120
Speaker 1: ring though. Man, he's good, dude, You miss your granddad. Yeah,

938
00:56:44,280 --> 00:56:46,200
Speaker 1: I was telling him about my granddad. Don't hit the

939
00:56:46,280 --> 00:56:49,319
Speaker 1: other day man. That was like my was my real

940
00:56:49,480 --> 00:56:52,480
Speaker 1: dad for real. I don't tell me how my granddad

941
00:56:52,520 --> 00:56:55,960
Speaker 1: of draws ain't never fit whole life. That's draws were

942
00:56:56,040 --> 00:56:59,000
Speaker 1: too big. I don't know what he could have did

943
00:56:59,080 --> 00:57:01,920
Speaker 1: if he would add the right said draw. You just

944
00:57:02,000 --> 00:57:03,719
Speaker 1: know he chafed up like and I'm just saying I

945
00:57:03,800 --> 00:57:07,880
Speaker 1: didn't know. He wasn't comfortable. Man, box of breeze. What

946
00:57:07,920 --> 00:57:09,400
Speaker 1: do they have a box of breeze? Now? You know

947
00:57:09,520 --> 00:57:12,640
Speaker 1: he just wore straight old man draws, tidy white is

948
00:57:12,800 --> 00:57:17,640
Speaker 1: the old old loom with just the blue stripe, the

949
00:57:17,720 --> 00:57:23,800
Speaker 1: blue stripe and the gold stripe old is bro made

950
00:57:23,840 --> 00:57:29,840
Speaker 1: out a T shirt and tear. Yeah. Yeah, like my

951
00:57:30,280 --> 00:57:35,040
Speaker 1: granddad like he was that his his draw fit. I

952
00:57:35,280 --> 00:57:39,480
Speaker 1: had the ring granddad dad left me a pocket knife

953
00:57:41,520 --> 00:57:54,280
Speaker 1: and getting them ring, taking all my shop and try

954
00:57:54,320 --> 00:57:58,919
Speaker 1: to get it off. The head reinforced the mother. Yeah

955
00:57:59,040 --> 00:58:05,120
Speaker 1: no man, So so okay, Well I'm just like this.

956
00:58:05,280 --> 00:58:07,400
Speaker 1: I'm just I don't want to be I don't want

957
00:58:07,400 --> 00:58:09,959
Speaker 1: to be there. Like, who is this nigga on the couch?

958
00:58:11,400 --> 00:58:15,400
Speaker 1: This nigga, this is who he is. It's responsible for all.

959
00:58:15,480 --> 00:58:19,120
Speaker 1: This ship is the more ship. No, man, you ain't

960
00:58:19,160 --> 00:58:21,200
Speaker 1: gonna be that nigg It's just dope to know that.

961
00:58:21,280 --> 00:58:23,760
Speaker 1: It's dope as people around him and you all the

962
00:58:23,800 --> 00:58:26,640
Speaker 1: ship that you did. Oh, your accomplishments made this ship

963
00:58:26,880 --> 00:58:29,640
Speaker 1: right here possible. Man, all that work y'all put in

964
00:58:29,800 --> 00:58:34,240
Speaker 1: and made the city hot, and it's like the light

965
00:58:34,360 --> 00:58:37,760
Speaker 1: that y'all brought to the city. It's still here. You

966
00:58:37,800 --> 00:58:39,760
Speaker 1: know what I'm saying, This ship is still going on

967
00:58:40,320 --> 00:58:43,000
Speaker 1: somebody because I'm like, you know why all these studios

968
00:58:43,080 --> 00:58:46,560
Speaker 1: at around here in this three mile radius just that

969
00:58:46,760 --> 00:58:49,760
Speaker 1: is studios. You don't know what the fun going on tonight? Yeah,

970
00:58:49,760 --> 00:58:52,480
Speaker 1: I grew up on a deal, but the free like this,

971
00:58:52,720 --> 00:58:55,760
Speaker 1: like this is like like just the seeing seeing all

972
00:58:55,800 --> 00:58:58,600
Speaker 1: this ship grow. It's like amazing exactly, ain't I don't

973
00:58:58,600 --> 00:59:03,919
Speaker 1: want to appeal rap down? Did right there? Come on? Yeah?

974
00:59:04,120 --> 00:59:07,320
Speaker 1: I mean it's a testament to how many talented people

975
00:59:07,320 --> 00:59:11,400
Speaker 1: in Atlanta. Man, everybody talented. Yeah, you might suck around

976
00:59:11,440 --> 00:59:13,400
Speaker 1: and be against some waf how Nick come right back,

977
00:59:13,560 --> 00:59:17,040
Speaker 1: But no, spare y'all get through eat nicko raphly and

978
00:59:17,800 --> 00:59:20,680
Speaker 1: be finding mother and be from somewhere you never heard of.

979
00:59:21,240 --> 00:59:23,800
Speaker 1: She don't from God them book to Sir George. We

980
00:59:23,960 --> 00:59:27,520
Speaker 1: just came o. D you know she champion and Sheeta

981
00:59:27,520 --> 00:59:32,600
Speaker 1: take my mom manr phone you gottagram. I don't really

982
00:59:32,640 --> 00:59:34,360
Speaker 1: funk with it like that, come my phone for a dog.

983
00:59:34,480 --> 00:59:39,240
Speaker 1: But I'm on there, I got I hit you, she'd

984
00:59:39,240 --> 00:59:41,840
Speaker 1: be locked. I hit I ran into a thing in

985
00:59:41,880 --> 00:59:43,880
Speaker 1: the gas station like that a couple of months ago

986
00:59:44,040 --> 00:59:48,680
Speaker 1: and hit him and they played so love. I was like, damn, okay, damn.

987
00:59:48,760 --> 00:59:51,200
Speaker 1: He didn't even know. I don't know if he do not.

988
00:59:51,320 --> 00:59:54,040
Speaker 1: I just know that he really was not interested like

989
00:59:54,480 --> 00:59:57,560
Speaker 1: I think. But it made me laugh in a way

990
00:59:57,640 --> 01:00:00,400
Speaker 1: that made me kind of proud to It's like I

991
01:00:00,560 --> 01:00:02,800
Speaker 1: like that people now know that they have the power

992
01:00:02,840 --> 01:00:06,000
Speaker 1: to do their own ship. Put being great. Yeah, It's like, man, dude,

993
01:00:06,040 --> 01:00:09,200
Speaker 1: like bro I got and and he and what he

994
01:00:09,320 --> 01:00:12,640
Speaker 1: said made me um. It was like it was almost

995
01:00:12,640 --> 01:00:14,360
Speaker 1: made feel hopeful, like on some end of a movie.

996
01:00:14,400 --> 01:00:16,040
Speaker 1: Ship and he was like, you know what, shot, I'm

997
01:00:16,040 --> 01:00:18,080
Speaker 1: gonna take my time and do it, do my thing.

998
01:00:18,400 --> 01:00:19,880
Speaker 1: Get you know, the folks are gonna mess with me.

999
01:00:20,520 --> 01:00:23,520
Speaker 1: They mess with me. I was like, all right, but

1000
01:00:24,680 --> 01:00:31,320
Speaker 1: ever do that ship or whatever? No how you make it,

1001
01:00:31,520 --> 01:00:33,760
Speaker 1: hey man. But but you know, hey man, that's what

1002
01:00:33,760 --> 01:00:35,600
Speaker 1: I'm saying. It's enough information I had that for people

1003
01:00:35,600 --> 01:00:37,320
Speaker 1: to be right every wrong. That's what I've been trying

1004
01:00:37,360 --> 01:00:40,080
Speaker 1: to tell him. It's like, it's enough information here for

1005
01:00:40,160 --> 01:00:42,560
Speaker 1: people to be right there wrong, and you are wrong.

1006
01:00:43,000 --> 01:00:44,960
Speaker 1: You have to know that you're wrong. You're sucking up.

1007
01:00:47,320 --> 01:00:49,200
Speaker 1: I don't nobody want to hear about that part you

1008
01:00:49,400 --> 01:00:52,560
Speaker 1: you're sucking up. You're gonna make some good decisions and

1009
01:00:52,640 --> 01:00:54,880
Speaker 1: you're gonna make some bad ones. That's part of the game.

1010
01:00:55,160 --> 01:00:57,080
Speaker 1: But that one right there, you that was a bad one.

1011
01:00:57,160 --> 01:01:01,480
Speaker 1: You fucked up all this goddamn Google out here and

1012
01:01:01,560 --> 01:01:04,240
Speaker 1: you still don't know nothing. Man, It's a smart phone

1013
01:01:04,320 --> 01:01:06,560
Speaker 1: that makes more people. I'm just saying, at least get

1014
01:01:06,600 --> 01:01:10,880
Speaker 1: a second opinion. Hey buddy, what's you're thinking? But it?

1015
01:01:11,000 --> 01:01:14,280
Speaker 1: But it hit me what her name is? Man? Who look?

1016
01:01:14,600 --> 01:01:22,400
Speaker 1: Oh Ship, brother, that didn't need it from up nigga

1017
01:01:24,080 --> 01:01:34,280
Speaker 1: you know right now? Hell yeah, nigga's gonna be no.

1018
01:01:35,120 --> 01:01:37,880
Speaker 1: I'm like, I think, I think that's nobody should know

1019
01:01:37,960 --> 01:01:40,560
Speaker 1: unless they care. I feel like you should care enough.

1020
01:01:40,680 --> 01:01:44,640
Speaker 1: If you don't care enough to know, then it ain't

1021
01:01:44,680 --> 01:01:47,680
Speaker 1: for you. Like I might, man, learn something about what

1022
01:01:47,760 --> 01:01:50,720
Speaker 1: you're trying to do. I know that's why I'll be

1023
01:01:50,800 --> 01:01:54,480
Speaker 1: watching Walter Crunk, Kak and Ship one day they give

1024
01:01:54,600 --> 01:01:56,880
Speaker 1: me a late night talk show because I know how

1025
01:01:56,920 --> 01:01:59,720
Speaker 1: to talk to niggas and they're gonna have to come

1026
01:01:59,800 --> 01:02:02,560
Speaker 1: through me because I'm the only one over here prepared. Like,

1027
01:02:02,960 --> 01:02:08,320
Speaker 1: welcome back to daily Nightly Black News. Bro, have a

1028
01:02:10,920 --> 01:02:19,120
Speaker 1: look more believable. We have KP music, you make producers

1029
01:02:19,200 --> 01:02:23,360
Speaker 1: and just don't you that type of ship. It'd be

1030
01:02:23,360 --> 01:02:25,880
Speaker 1: like the Nickel who whisper right. They're like whenever they

1031
01:02:25,920 --> 01:02:29,200
Speaker 1: need me, Bro, Like they're gonna at some point. I

1032
01:02:29,360 --> 01:02:31,840
Speaker 1: know that they're gonna need an older black man. And

1033
01:02:31,960 --> 01:02:34,800
Speaker 1: I'm from Mississippi too, so they might just be like

1034
01:02:35,160 --> 01:02:41,160
Speaker 1: Reverend Carlos New Yeah, but you can't see like they

1035
01:02:41,280 --> 01:02:43,600
Speaker 1: like older black men who don't want to be popular.

1036
01:02:43,680 --> 01:02:45,680
Speaker 1: So you can't really look up at the camera. You

1037
01:02:45,760 --> 01:02:51,280
Speaker 1: gotta act like you're shoveling something. The Black People News.

1038
01:02:54,720 --> 01:02:59,920
Speaker 1: It looks like we're gonna be black fever. Don't change,

1039
01:03:00,240 --> 01:03:05,000
Speaker 1: don't track, but don't tell no last for some ship,

1040
01:03:05,280 --> 01:03:07,840
Speaker 1: I know, it's my purpose is deeper. I got you.

1041
01:03:08,240 --> 01:03:11,120
Speaker 1: So you gotta research, right, that's another one. You gotta reasearch.

1042
01:03:11,400 --> 01:03:16,680
Speaker 1: Who did you research? Um, Clarence Avant, Gerald Busby, Um,

1043
01:03:18,760 --> 01:03:22,840
Speaker 1: the Russell Simmons, Andre Horrelle, you know. And when I

1044
01:03:22,880 --> 01:03:24,840
Speaker 1: got to know l a Read and baby Face, like

1045
01:03:25,600 --> 01:03:28,080
Speaker 1: then I started digging into like there in history, like

1046
01:03:28,240 --> 01:03:31,120
Speaker 1: with people like did Griffy and people they that's a

1047
01:03:31,200 --> 01:03:36,040
Speaker 1: cold name. Did Griffy. It was a gangster They sound

1048
01:03:36,160 --> 01:03:38,160
Speaker 1: like it there. But but it's like you saw, you

1049
01:03:38,200 --> 01:03:40,160
Speaker 1: started figuring out these stories and started figuring out that

1050
01:03:40,280 --> 01:03:45,240
Speaker 1: the similarities of like the work, you know, and and

1051
01:03:45,600 --> 01:03:48,360
Speaker 1: the people and the character and the and the character

1052
01:03:48,480 --> 01:03:51,920
Speaker 1: you had had to carry if you want to maintain.

1053
01:03:52,480 --> 01:03:53,840
Speaker 1: So it's like the people I looked at, the people

1054
01:03:53,880 --> 01:03:56,439
Speaker 1: whose music I like like and looked at the people

1055
01:03:56,480 --> 01:03:59,400
Speaker 1: who are behind that, like I would like I just read, like,

1056
01:03:59,480 --> 01:04:02,480
Speaker 1: I read credits, then I read biographies on those people

1057
01:04:02,520 --> 01:04:04,400
Speaker 1: if they come up. So it's just like get as

1058
01:04:04,480 --> 01:04:06,520
Speaker 1: much information, and that way you kind of find out

1059
01:04:06,600 --> 01:04:10,040
Speaker 1: that as different, as special as you are, you're not

1060
01:04:10,240 --> 01:04:13,400
Speaker 1: that different. You're not that special, you know what I mean.

1061
01:04:13,520 --> 01:04:16,160
Speaker 1: So it's like, but all these special people did this

1062
01:04:16,280 --> 01:04:19,600
Speaker 1: much work. I read Miles David's biography and when you

1063
01:04:19,680 --> 01:04:26,120
Speaker 1: think of that mother was yeah, but he practiced everything.

1064
01:04:26,240 --> 01:04:27,920
Speaker 1: But he was just he was just he had so

1065
01:04:28,040 --> 01:04:30,560
Speaker 1: much fun and he could literally do everything and everything

1066
01:04:30,640 --> 01:04:32,840
Speaker 1: he was he was one. He was a superstar like

1067
01:04:32,920 --> 01:04:35,560
Speaker 1: and that's something. He was a superstar and that like everybody,

1068
01:04:35,680 --> 01:04:37,800
Speaker 1: if you figure out your thing, you can be a superstar.

1069
01:04:38,560 --> 01:04:44,439
Speaker 1: Welcome back to the past something and this is yeah, yeah,

1070
01:04:44,920 --> 01:04:49,680
Speaker 1: I'm hanging in there like they're rocking me, hit me.

1071
01:04:50,760 --> 01:04:52,440
Speaker 1: Don't let this be the last time you funk with

1072
01:04:52,560 --> 01:05:00,200
Speaker 1: us at the trap man cat out of question. Yeah wow,

1073
01:05:01,600 --> 01:05:09,640
Speaker 1: Um what was it two years ago? Two thousand eighteen. Um,

1074
01:05:10,680 --> 01:05:18,000
Speaker 1: I'm so I became for reals, um music supervisor, music director. Okay,

1075
01:05:18,360 --> 01:05:21,560
Speaker 1: and That's what I'm talking about. It's too regularly. You

1076
01:05:22,080 --> 01:05:23,600
Speaker 1: know this is this is not regular by the way

1077
01:05:23,640 --> 01:05:25,040
Speaker 1: to me, Like this is like one of the moments

1078
01:05:25,120 --> 01:05:29,200
Speaker 1: like okay, so I'm I've never done music music um

1079
01:05:30,640 --> 01:05:34,360
Speaker 1: um supervising for like in the in the music director.

1080
01:05:34,400 --> 01:05:36,520
Speaker 1: That's what music director for his band. Now I'm not

1081
01:05:36,600 --> 01:05:39,520
Speaker 1: a musician but DJ. But I'm like, i know how

1082
01:05:39,680 --> 01:05:41,520
Speaker 1: I like to hear his music. I'm like, if you

1083
01:05:41,640 --> 01:05:43,640
Speaker 1: drop it like this like the crowd to do this

1084
01:05:43,800 --> 01:05:45,160
Speaker 1: and you know, so he was like, what won't you

1085
01:05:45,200 --> 01:05:47,560
Speaker 1: put my show together? So ended up doing that and

1086
01:05:47,600 --> 01:05:49,480
Speaker 1: then he had asked in turn, asked me to come

1087
01:05:49,560 --> 01:05:53,120
Speaker 1: DJ for on the road. Okay, so that's like cool.

1088
01:05:54,000 --> 01:05:56,960
Speaker 1: Then fast forward, we end up doing this um festival

1089
01:05:57,080 --> 01:05:59,360
Speaker 1: called Something in the Water, and it was the idea

1090
01:05:59,440 --> 01:06:01,360
Speaker 1: he had. He wanted to just bring you know, like

1091
01:06:02,440 --> 01:06:06,200
Speaker 1: like tourism into Virginia Beach where he's from. And um

1092
01:06:06,400 --> 01:06:08,800
Speaker 1: it was around the time that they usually do Black

1093
01:06:08,880 --> 01:06:12,520
Speaker 1: College Week, like Beach Week in Virginia and they you know,

1094
01:06:12,960 --> 01:06:14,600
Speaker 1: just we wanted to figure out a way to program

1095
01:06:14,680 --> 01:06:16,080
Speaker 1: and give them something to do when they were there

1096
01:06:16,080 --> 01:06:19,320
Speaker 1: because every other time they come something happened, like you know,

1097
01:06:19,480 --> 01:06:24,160
Speaker 1: kids restless silician happen, so we like, let us program

1098
01:06:24,240 --> 01:06:27,400
Speaker 1: at cool Ship went over. Well, we did the show

1099
01:06:27,800 --> 01:06:30,680
Speaker 1: and we did a for Rell and Friends set in

1100
01:06:30,760 --> 01:06:34,400
Speaker 1: the show, and I'm the DJ so for real Friends

1101
01:06:34,520 --> 01:06:37,080
Speaker 1: or jay Z and you know, so at one point,

1102
01:06:37,200 --> 01:06:39,640
Speaker 1: so that night, we're doing the show and we're bringing

1103
01:06:39,680 --> 01:06:44,560
Speaker 1: people on and jay Z, I'm looking I'm sitting on stage,

1104
01:06:44,560 --> 01:06:46,720
Speaker 1: I'm DJ and and I looked up and I realized him,

1105
01:06:46,760 --> 01:06:49,560
Speaker 1: I'm DJ and for jay Z and for Rell, like

1106
01:06:50,320 --> 01:06:52,640
Speaker 1: and Jays like my favorite rapper. But but I kept

1107
01:06:52,680 --> 01:06:54,840
Speaker 1: thinking back at that moment, I was thinking back to

1108
01:06:55,280 --> 01:06:59,800
Speaker 1: getting turntables and like how this ship, these turntables got

1109
01:06:59,880 --> 01:07:05,760
Speaker 1: me so, you know, rocking for forty people, but being

1110
01:07:05,800 --> 01:07:12,160
Speaker 1: the DJ for like icons, cultural Icons and l you

1111
01:07:12,200 --> 01:07:16,520
Speaker 1: know what, that's the name l P me on kept

1112
01:07:16,600 --> 01:07:21,280
Speaker 1: the full circle of debt because like if you if

1113
01:07:21,320 --> 01:07:24,840
Speaker 1: you go back and you look Ship and Little cool

1114
01:07:24,920 --> 01:07:28,440
Speaker 1: J went on to become of the same status, you

1115
01:07:28,520 --> 01:07:31,440
Speaker 1: know what I mean. God him, he's one of the

1116
01:07:31,520 --> 01:07:35,880
Speaker 1: greatest like and and most accomplished, like didn't fall off,

1117
01:07:36,640 --> 01:07:39,240
Speaker 1: like didn't go like he actually one of the first

1118
01:07:39,280 --> 01:07:42,680
Speaker 1: successful hip hop artists like for real life successes, got

1119
01:07:42,720 --> 01:07:45,600
Speaker 1: a radio station, you know, rock the bells and like, yeah,

1120
01:07:45,640 --> 01:07:50,480
Speaker 1: it's like like hip hop is dog it really is. Yeah,

1121
01:07:50,680 --> 01:07:53,680
Speaker 1: I feel like that's my Like, I'm so when you

1122
01:07:53,760 --> 01:07:56,360
Speaker 1: realize you you DJ and for jay Z and for real,

1123
01:07:56,440 --> 01:07:58,400
Speaker 1: did you funk up a little bit? Like oh, let

1124
01:07:58,440 --> 01:08:02,880
Speaker 1: me get back nance that that would have made that

1125
01:08:03,960 --> 01:08:09,160
Speaker 1: the worst, the worst. Oh you're ready? No? No, no, no,

1126
01:08:09,840 --> 01:08:15,040
Speaker 1: which one ship? No? You know, I'm looking at you

1127
01:08:15,280 --> 01:08:31,240
Speaker 1: doing this ship and I'm like, okay, okay, nigger that

1128
01:08:31,479 --> 01:08:34,640
Speaker 1: they at some point when I'm not working up the

1129
01:08:34,760 --> 01:08:39,320
Speaker 1: light on't like that. Never, No, I practiced like I practiced.

1130
01:08:39,400 --> 01:08:43,439
Speaker 1: I'm not gonna know. I'm too hard of myself that

1131
01:08:43,800 --> 01:08:47,680
Speaker 1: there you go, stay focused. That ship would have been

1132
01:08:47,760 --> 01:08:49,880
Speaker 1: hard to contain that. Yeah, it's been horrible, bro like

1133
01:08:50,160 --> 01:08:52,559
Speaker 1: like to go all this time with a good name

1134
01:08:52,600 --> 01:08:55,840
Speaker 1: and ship and be the nigga up for really j

1135
01:08:55,960 --> 01:09:00,120
Speaker 1: Z shof a man, because that could have happen at

1136
01:09:00,120 --> 01:09:02,120
Speaker 1: any moment. You could be doing too good and they

1137
01:09:02,280 --> 01:09:05,280
Speaker 1: wanted in the middle of one of those breaks like yo,

1138
01:09:05,360 --> 01:09:09,320
Speaker 1: who's your man? He's brow I like them, and then

1139
01:09:09,360 --> 01:09:20,200
Speaker 1: he like the went back on this ship. Man, listen,

1140
01:09:20,320 --> 01:09:26,080
Speaker 1: he goes crazy. No man, but yeah, I don't know

1141
01:09:26,520 --> 01:09:28,760
Speaker 1: seeing ship like that. Man, where else you're gonna hear

1142
01:09:28,800 --> 01:09:33,519
Speaker 1: that from somebody like somebody got like somebody got this

1143
01:09:34,200 --> 01:09:37,000
Speaker 1: similar story, like they like know the funk. They don't

1144
01:09:37,080 --> 01:09:41,920
Speaker 1: broj man about one walk. Man, it ain't no niggas.

1145
01:09:41,920 --> 01:09:43,680
Speaker 1: It ain't no bunch of niggas out here with a

1146
01:09:43,800 --> 01:09:46,040
Speaker 1: story about the time they was DJ and for for

1147
01:09:46,160 --> 01:09:49,559
Speaker 1: real and jay Z I think it's don'ta be knowing.

1148
01:09:50,000 --> 01:09:51,760
Speaker 1: Niggas don't know what to do when Pink in the

1149
01:09:51,840 --> 01:09:54,240
Speaker 1: studio her shoes all they don't know what she want

1150
01:09:54,280 --> 01:09:59,680
Speaker 1: to hear shoes for one of the coldest niggas to

1151
01:09:59,800 --> 01:10:01,519
Speaker 1: have and make some music, and he was like, yo,

1152
01:10:01,640 --> 01:10:04,360
Speaker 1: put my show together, Like Nigga, I don't know what

1153
01:10:04,560 --> 01:10:09,439
Speaker 1: the that's what you feel like doing today? I mean

1154
01:10:09,479 --> 01:10:11,640
Speaker 1: you got on snow booths in the fur coat. What

1155
01:10:11,840 --> 01:10:16,000
Speaker 1: you what you want me to do? For real? Just

1156
01:10:16,160 --> 01:10:18,160
Speaker 1: do happy a bunch of times and let's get the

1157
01:10:18,240 --> 01:10:22,320
Speaker 1: funk out of here man, and these things like everything

1158
01:10:22,520 --> 01:10:26,240
Speaker 1: you like, they trust you. It ain't no work to

1159
01:10:26,360 --> 01:10:30,519
Speaker 1: this ship. We went to a for real concert and nothing.

1160
01:10:30,560 --> 01:10:33,800
Speaker 1: Nigga just did sixteen songs you ain't never heard you'd

1161
01:10:33,800 --> 01:10:37,960
Speaker 1: be like Nigga, that new ship, that real gup ship.

1162
01:10:38,880 --> 01:10:41,080
Speaker 1: They're like all that from the whole album? What when

1163
01:10:41,200 --> 01:10:48,639
Speaker 1: that ship come out? My ship? From what he has

1164
01:10:48,840 --> 01:10:52,559
Speaker 1: music like that? Yeah, he got a song with everybody

1165
01:10:52,720 --> 01:10:59,599
Speaker 1: is good at music. Yeah, I mean he's good at music. Yeah. Yeah,

1166
01:11:00,120 --> 01:11:06,120
Speaker 1: they're super good at that ship. Like that's it. When

1167
01:11:06,120 --> 01:11:08,439
Speaker 1: you got a nigger who got this many hits, how

1168
01:11:08,680 --> 01:11:11,800
Speaker 1: are you gonna super arranged this ship and make a show.

1169
01:11:13,680 --> 01:11:16,519
Speaker 1: He literally got fifty songs that are turning the fucking

1170
01:11:16,600 --> 01:11:24,920
Speaker 1: arena upside down, but he wasn't really playing them because

1171
01:11:24,960 --> 01:11:26,840
Speaker 1: I think that's like, you know, you get tired. You know,

1172
01:11:27,080 --> 01:11:28,560
Speaker 1: I don't know, you're just like you're getting done to

1173
01:11:28,600 --> 01:11:31,160
Speaker 1: your ship, like I wouldn't have about you know, I

1174
01:11:31,240 --> 01:11:35,600
Speaker 1: don't know, but I guess. Yeah, so he don't know.

1175
01:11:35,680 --> 01:11:37,479
Speaker 1: He's like, man, what ship? What's so you think they like?

1176
01:11:37,680 --> 01:11:41,080
Speaker 1: But his songs be too big, bron you play happier

1177
01:11:41,120 --> 01:11:49,680
Speaker 1: around him, And he was like, yo, turn that ship, bir,

1178
01:11:49,760 --> 01:11:51,960
Speaker 1: I don't know to respect to play small ship, but

1179
01:11:52,040 --> 01:12:03,120
Speaker 1: don't play that. Yeah no, no you're gonna be it. No,

1180
01:12:03,200 --> 01:12:07,240
Speaker 1: you gotta appreciate happy. So I'm telling you he'd probably

1181
01:12:07,280 --> 01:12:09,360
Speaker 1: get a real tip check this by us mentioned it.

1182
01:12:10,720 --> 01:12:15,880
Speaker 1: I mean he's saying I'm not going to then my

1183
01:12:15,960 --> 01:12:18,200
Speaker 1: ship around and be too dope and they won't let

1184
01:12:18,240 --> 01:12:21,519
Speaker 1: it come out like seel ship, New Face? Did you know?

1185
01:12:21,640 --> 01:12:27,960
Speaker 1: It's a see lo green version of Happy You heard It? Bag?

1186
01:12:28,560 --> 01:12:31,519
Speaker 1: Is it out? Can't you find it on the internet?

1187
01:12:31,560 --> 01:12:36,280
Speaker 1: You gotta let me shut the fact. Hey, by the way,

1188
01:12:36,560 --> 01:12:38,240
Speaker 1: New Face is gonna put set up one of them

1189
01:12:38,240 --> 01:12:42,760
Speaker 1: old tape that line this tape up. We got the

1190
01:12:42,840 --> 01:12:45,559
Speaker 1: dad pl like I got a dad of it. Once

1191
01:12:45,600 --> 01:12:48,040
Speaker 1: you bring New Face? Come on, bro, what you got over?

1192
01:12:50,240 --> 01:12:54,920
Speaker 1: Oh Ship? You know I just laid here's talk about it?

1193
01:12:56,000 --> 01:12:59,320
Speaker 1: Oh ship? I was talking about it briefly. I don't know.

1194
01:12:59,400 --> 01:13:02,840
Speaker 1: What's can you know? So this is a group I

1195
01:13:02,920 --> 01:13:05,560
Speaker 1: was there parental about it. May everybody know about p

1196
01:13:05,720 --> 01:13:13,360
Speaker 1: A let I don't know. Let's yeah, okay, So first

1197
01:13:13,360 --> 01:13:15,559
Speaker 1: of all, it's the twenty year anniversary and I'm serious.

1198
01:13:15,720 --> 01:13:19,360
Speaker 1: So that's crazy. I think I was gonna be holding

1199
01:13:19,439 --> 01:13:24,479
Speaker 1: the wall shout out of tip. What's up? Yeah? Yeah,

1200
01:13:24,520 --> 01:13:26,960
Speaker 1: that's crazy. This is the first time we worked before

1201
01:13:27,080 --> 01:13:30,040
Speaker 1: actually on this, Like no, no, it was you don't

1202
01:13:30,040 --> 01:13:32,559
Speaker 1: have to call. This was after that. I'm sorry, um,

1203
01:13:32,880 --> 01:13:35,519
Speaker 1: but like the first rap ship like like this I

1204
01:13:35,640 --> 01:13:37,840
Speaker 1: felt different about because he was signing my label and

1205
01:13:37,840 --> 01:13:39,760
Speaker 1: I'm like, yo, like yo, you'll work on this thing.

1206
01:13:40,280 --> 01:13:42,360
Speaker 1: This this new dude I got and he heard it

1207
01:13:42,479 --> 01:13:46,000
Speaker 1: was like yo, he's crazy and yeah so tip yeah,

1208
01:13:46,200 --> 01:13:47,800
Speaker 1: and he's just been this thing this whole time. That's

1209
01:13:47,960 --> 01:13:55,760
Speaker 1: this ship. I love that song. Went Crazy makes about

1210
01:13:55,800 --> 01:14:01,160
Speaker 1: du Row. I forgot about that credit. Yeah, it's crazy

1211
01:14:01,800 --> 01:14:07,880
Speaker 1: this badman you get shot anyway? Okay, oh yep, get over?

1212
01:14:08,200 --> 01:14:13,360
Speaker 1: Uh yeah for his first shake them off, I feel

1213
01:14:13,400 --> 01:14:14,880
Speaker 1: I shake him off his first thing. It's the first thing,

1214
01:14:15,160 --> 01:14:18,800
Speaker 1: you know. But yeah, first group signed to get a

1215
01:14:18,920 --> 01:14:24,559
Speaker 1: vision get OVERSI it ain't real no more that um

1216
01:14:25,280 --> 01:14:31,760
Speaker 1: a t L. Wait minute, listen to kt T and KP. Yeah.

1217
01:14:32,000 --> 01:14:36,320
Speaker 1: Oh ship. That was the bad Boy remixing a TS. Yeah,

1218
01:14:36,400 --> 01:14:40,160
Speaker 1: I mean what, it's all your work, man, come on,

1219
01:14:40,479 --> 01:14:44,160
Speaker 1: it's yeah. Yellow It was just talking about yellow Wolf

1220
01:14:45,800 --> 01:14:47,680
Speaker 1: now face. You know, yellow Wolf used to pull up

1221
01:14:47,720 --> 01:14:55,080
Speaker 1: at the Camerato contest and byself, by myself, bro I'm

1222
01:14:55,160 --> 01:14:56,920
Speaker 1: telling you broth for real. I used to host the

1223
01:14:56,960 --> 01:15:01,800
Speaker 1: Camerato contest. That's funny. Ship yellow Wolf used to pull up.

1224
01:15:02,080 --> 01:15:04,680
Speaker 1: That's about right, yeah, with the crazy as hair cut

1225
01:15:04,800 --> 01:15:07,200
Speaker 1: with a little red tail ship in the back mohawk

1226
01:15:07,280 --> 01:15:10,200
Speaker 1: on the same ship. Oh yeah, I didn't even talk

1227
01:15:10,200 --> 01:15:15,400
Speaker 1: about the Kendrick ship. Man listen. That's like that's that's

1228
01:15:15,439 --> 01:15:17,320
Speaker 1: the thing that I felt like. It is like I'm

1229
01:15:17,360 --> 01:15:19,599
Speaker 1: probably like just grateful to be a part of because

1230
01:15:19,600 --> 01:15:24,720
Speaker 1: it's like at the moment it hit and what it

1231
01:15:24,800 --> 01:15:28,160
Speaker 1: stood for, what what it means now for it like

1232
01:15:28,240 --> 01:15:31,160
Speaker 1: it's a black song. Like I feel like it's like

1233
01:15:31,960 --> 01:15:34,599
Speaker 1: that's like a good tell them what song you're talking about.

1234
01:15:35,160 --> 01:15:39,479
Speaker 1: I'm sorry, all right, dumn bout kendrickm Um. Yeah, it's

1235
01:15:39,520 --> 01:15:43,240
Speaker 1: like being a part of that is like that that actually,

1236
01:15:43,320 --> 01:15:46,240
Speaker 1: I think it's one of the most where you know,

1237
01:15:46,360 --> 01:15:48,400
Speaker 1: how some ship happening. It's like oh this change of ship,

1238
01:15:49,040 --> 01:15:56,920
Speaker 1: change mark protest the change basically on that moment, my

1239
01:15:57,040 --> 01:16:00,439
Speaker 1: president is black. Yeah, change like it said, change culture

1240
01:16:01,160 --> 01:16:03,320
Speaker 1: this way. Yeah. So I mean you know that is

1241
01:16:03,360 --> 01:16:06,840
Speaker 1: one of the things. Like again, it's like I guess

1242
01:16:06,880 --> 01:16:09,760
Speaker 1: the other part is just like stay stay like stay

1243
01:16:09,800 --> 01:16:12,720
Speaker 1: true to you and your people, like because like, for real,

1244
01:16:12,920 --> 01:16:15,560
Speaker 1: this relationship starts. It's I'm serious to this, you know

1245
01:16:15,600 --> 01:16:19,120
Speaker 1: what I mean. So it's it's you know, I think

1246
01:16:19,200 --> 01:16:24,360
Speaker 1: you at least that's twenty Yeah. So it's like, you know,

1247
01:16:24,720 --> 01:16:26,840
Speaker 1: like I feel like, you know, we all have been

1248
01:16:26,880 --> 01:16:29,960
Speaker 1: through ups and downs and would have been hot not hot,

1249
01:16:30,400 --> 01:16:32,439
Speaker 1: you know, and realize that it's no real Like the

1250
01:16:32,520 --> 01:16:34,840
Speaker 1: hot shit is like some somebody made up to make

1251
01:16:34,880 --> 01:16:36,599
Speaker 1: you feel like if you're sure about if you dope,

1252
01:16:37,520 --> 01:16:40,559
Speaker 1: and once you realize, it's like, man, just be creative,

1253
01:16:40,640 --> 01:16:43,519
Speaker 1: Like just do the ship that you love doing, like

1254
01:16:43,640 --> 01:16:46,200
Speaker 1: don't put don't don't you won't you won't even give

1255
01:16:46,240 --> 01:16:49,439
Speaker 1: a funk about the time the time goes by. Yeah,

1256
01:16:51,120 --> 01:16:57,840
Speaker 1: oh yeah, that's funny. No, man that had their love

1257
01:16:58,920 --> 01:17:04,160
Speaker 1: always go to the person you don't know appreciate it. Yeah, man,

1258
01:17:04,240 --> 01:17:07,920
Speaker 1: you're a real one, bro. Appreciate Your contributions to the

1259
01:17:08,000 --> 01:17:11,000
Speaker 1: game shall not be overlooked. I don't know how many

1260
01:17:11,120 --> 01:17:13,479
Speaker 1: other platforms you've not been on them, but it's it's

1261
01:17:13,640 --> 01:17:15,680
Speaker 1: on in the privilege to have you over here in

1262
01:17:15,720 --> 01:17:19,720
Speaker 1: the Trap on to Self show. I appreciate that I

1263
01:17:20,000 --> 01:17:23,360
Speaker 1: one thousands until but um, I'm like, this is one

1264
01:17:23,400 --> 01:17:25,280
Speaker 1: of the ones that I'm like, like, I like I

1265
01:17:25,360 --> 01:17:27,120
Speaker 1: told my kids, I'm like being on a bus out

1266
01:17:27,280 --> 01:17:31,360
Speaker 1: like like it's like this is in cool ship. Yeah,

1267
01:17:31,760 --> 01:17:34,000
Speaker 1: it's studing on me like when I used to come,

1268
01:17:34,360 --> 01:17:40,240
Speaker 1: I used to do a ship but no, but no,

1269
01:17:40,600 --> 01:17:42,040
Speaker 1: this is it's like, this is this dope to me. Like,

1270
01:17:42,120 --> 01:17:44,920
Speaker 1: so I appreciate you have me up in, you know,

1271
01:17:45,040 --> 01:17:47,040
Speaker 1: kicking it with y'all in the trap. Oh man, wait

1272
01:17:47,120 --> 01:17:49,360
Speaker 1: till this ship come out and then your people gonna

1273
01:17:49,400 --> 01:17:50,840
Speaker 1: hit you, Like Nick, I don't even know you're on

1274
01:17:50,960 --> 01:17:52,800
Speaker 1: that being why you don't tell them about that time

1275
01:17:53,240 --> 01:17:56,200
Speaker 1: you forgot to get Monica Sandwich and she wouldn't. Yeah,

1276
01:17:56,479 --> 01:17:59,760
Speaker 1: I ain't got no story, Like I mean, I just

1277
01:18:01,040 --> 01:18:04,160
Speaker 1: I would. I mean, if we gotta get I've been

1278
01:18:04,200 --> 01:18:06,000
Speaker 1: trying to get her up, she said. She was coming.

1279
01:18:06,320 --> 01:18:11,480
Speaker 1: I'm so bright seating up, she said. She she she's

1280
01:18:11,880 --> 01:18:14,599
Speaker 1: very home in the trap film. I know she loves

1281
01:18:14,720 --> 01:18:18,320
Speaker 1: ghetto ships. I was hosting the ship show one night

1282
01:18:18,439 --> 01:18:21,800
Speaker 1: she pulled up. She had her own microphone. I don't

1283
01:18:21,800 --> 01:18:23,679
Speaker 1: know how the motherfucker was hooked up to the club

1284
01:18:23,760 --> 01:18:27,439
Speaker 1: ship already. She had her own gold microphone. She pulled

1285
01:18:27,520 --> 01:18:31,360
Speaker 1: that motherfuck out. She walked in the club with a

1286
01:18:31,439 --> 01:18:35,720
Speaker 1: fur coat on every trap nigga. Damn I'm talking about

1287
01:18:35,960 --> 01:18:38,519
Speaker 1: was about to crow. She's song three songs a float

1288
01:18:38,600 --> 01:18:41,599
Speaker 1: two or three songs, didn't you three songs I'm talking

1289
01:18:41,640 --> 01:18:45,439
Speaker 1: about sound like the c D. No. I mean she

1290
01:18:45,760 --> 01:18:48,000
Speaker 1: she you know she that she that she that one

1291
01:18:48,040 --> 01:18:50,720
Speaker 1: for us man exactly, like yeah, she She's real like

1292
01:18:50,840 --> 01:18:54,640
Speaker 1: she She's always come through, like she came through like

1293
01:18:54,800 --> 01:18:57,599
Speaker 1: for the Neptune, different records on her new project coming out,

1294
01:18:58,200 --> 01:19:00,599
Speaker 1: like they just dropped one way her a little baby,

1295
01:19:01,200 --> 01:19:06,320
Speaker 1: this huge Okay what I was about to say, It's

1296
01:19:06,360 --> 01:19:08,400
Speaker 1: like and she has always come through, like when I DJ,

1297
01:19:08,640 --> 01:19:11,400
Speaker 1: like I do these and for insics and like they

1298
01:19:11,439 --> 01:19:13,800
Speaker 1: want me to the idea that Monica came out on

1299
01:19:13,880 --> 01:19:17,360
Speaker 1: it and it's just like the way that people love Monica.

1300
01:19:18,160 --> 01:19:21,240
Speaker 1: It's like it's like Tupac level ship. I'm telling you, man,

1301
01:19:21,400 --> 01:19:23,640
Speaker 1: she wanted to I don't even know what how they

1302
01:19:23,720 --> 01:19:25,760
Speaker 1: explain it, but that is like that's all I got.

1303
01:19:25,840 --> 01:19:27,720
Speaker 1: It's like I'm talking about when she walked in the room.

1304
01:19:27,760 --> 01:19:33,200
Speaker 1: Everybody loves smile and like, man, the whole ship called

1305
01:19:33,280 --> 01:19:36,439
Speaker 1: them and ship. But I'm like, oh, man, like people

1306
01:19:36,439 --> 01:19:39,519
Speaker 1: love Monica real and you can see her, she'd be

1307
01:19:39,600 --> 01:19:42,519
Speaker 1: everywhere like that's that's what like, that's what it is.

1308
01:19:42,560 --> 01:19:45,000
Speaker 1: It's like the fact that she genuinely gives love, that's

1309
01:19:45,040 --> 01:19:47,800
Speaker 1: what that's what comes back from that. That's why she

1310
01:19:47,880 --> 01:19:52,400
Speaker 1: gotta come up. She got to Well, look, man, don't

1311
01:19:52,439 --> 01:19:54,479
Speaker 1: let this be the last time you come. Bro. That's

1312
01:19:54,520 --> 01:19:57,640
Speaker 1: the first time. Wait a minute, Paul, don't let this

1313
01:19:57,800 --> 01:20:01,000
Speaker 1: be the last time you come to the track. Ship.

1314
01:20:01,479 --> 01:20:15,120
Speaker 1: I can't say ship no more. Yeah, I don't who

1315
01:20:15,200 --> 01:20:16,720
Speaker 1: got the craziest problem. I don't know who has the

1316
01:20:16,760 --> 01:20:21,040
Speaker 1: craziest process that I worked with because everybody has like

1317
01:20:21,520 --> 01:20:25,200
Speaker 1: everybody's like has their own special ship, like like Tip

1318
01:20:25,360 --> 01:20:28,120
Speaker 1: doesn't right, you know, but people do that. But it's

1319
01:20:28,160 --> 01:20:30,840
Speaker 1: like to to think about when he's doing them other

1320
01:20:31,000 --> 01:20:33,519
Speaker 1: voices and like this was, you know, when he first

1321
01:20:33,560 --> 01:20:36,040
Speaker 1: saw doing it. This wasn't like the everyday conversation that

1322
01:20:36,320 --> 01:20:40,200
Speaker 1: you don't write ship there. But I don't know, man,

1323
01:20:40,240 --> 01:20:48,639
Speaker 1: I think everybody is oh what what huh oh oh,

1324
01:20:48,800 --> 01:20:52,479
Speaker 1: that's funny, Like so okay, one time of Courtney Seals

1325
01:20:52,520 --> 01:20:55,439
Speaker 1: in the house, Um, what why you want to say that?

1326
01:20:57,760 --> 01:21:01,600
Speaker 1: You might looking? Don't over right now? Coming over there, bro,

1327
01:21:02,080 --> 01:21:05,800
Speaker 1: he's just chilling. Yeah, sure, okay. So Bear managed, yellow

1328
01:21:05,840 --> 01:21:10,759
Speaker 1: Wolf was managing together, and and when we were towards

1329
01:21:10,800 --> 01:21:13,840
Speaker 1: the what was this radio actor? Oh there is so

1330
01:21:14,600 --> 01:21:16,240
Speaker 1: so when we were working on radio active, we ended

1331
01:21:16,320 --> 01:21:18,720
Speaker 1: up working with Eminem. So I gotta call you and

1332
01:21:18,880 --> 01:21:23,720
Speaker 1: him to get yellow Wolf her. Yeah, hit him. You

1333
01:21:23,840 --> 01:21:25,519
Speaker 1: don't tell me to hit him because you know I

1334
01:21:25,560 --> 01:21:28,639
Speaker 1: don't got his number. I got you all right, you're

1335
01:21:28,680 --> 01:21:32,479
Speaker 1: gonna need You're gonna from the strip club before they

1336
01:21:32,600 --> 01:21:35,680
Speaker 1: told definitely leave down to come up here and fun

1337
01:21:35,800 --> 01:21:38,320
Speaker 1: with me. He gonna know who you're talking about because

1338
01:21:38,360 --> 01:21:41,439
Speaker 1: he used to be in there. He don't at the

1339
01:21:41,520 --> 01:21:44,040
Speaker 1: count told contest and ship when he was on his

1340
01:21:44,160 --> 01:21:46,200
Speaker 1: Atlanta ship and he used to pull up. Remember it

1341
01:21:46,280 --> 01:21:47,800
Speaker 1: was me, him and Jack the chain and ship and

1342
01:21:47,880 --> 01:21:50,240
Speaker 1: we were smoked one night and then yellow Wolf had

1343
01:21:50,240 --> 01:21:51,960
Speaker 1: a lot of weed and he kept rolling up and

1344
01:21:52,000 --> 01:21:54,759
Speaker 1: I was like, bro, while we're smoking these big gass

1345
01:21:54,880 --> 01:21:57,640
Speaker 1: joints and ship and it was crazy. Whatever that was.

1346
01:21:58,240 --> 01:22:01,960
Speaker 1: Go he knows though, Just tell him. Oh, watching this

1347
01:22:02,080 --> 01:22:04,479
Speaker 1: due Eminem like we were laughing about not laughing, but

1348
01:22:04,560 --> 01:22:06,200
Speaker 1: just talking about the fact that he just sits on

1349
01:22:06,280 --> 01:22:09,640
Speaker 1: the treadmill and runs and writes wraps listening to a

1350
01:22:09,720 --> 01:22:16,360
Speaker 1: walkman might be the l walkman? What what what? What else?

1351
01:22:22,200 --> 01:22:26,240
Speaker 1: Wait a minute, bro, how the fuck do you run

1352
01:22:26,360 --> 01:22:29,040
Speaker 1: on the treadmill and the right reps at the same

1353
01:22:29,120 --> 01:22:32,439
Speaker 1: time but like running though, like not wonder now you're

1354
01:22:32,600 --> 01:22:36,720
Speaker 1: running right at the same time. No, you just see

1355
01:22:36,760 --> 01:22:38,600
Speaker 1: it like he's just saying he's just like listening to

1356
01:22:38,680 --> 01:22:40,880
Speaker 1: the beats, and that's what he is. I guess that

1357
01:22:41,040 --> 01:22:43,479
Speaker 1: was like, that's some white dude and ship because it's

1358
01:22:43,520 --> 01:22:47,280
Speaker 1: just of a white high school. He's the one crazy

1359
01:22:47,320 --> 01:22:52,880
Speaker 1: that white boy used to run down the hall rim Man. Yeah, damn, eminem.

1360
01:22:53,439 --> 01:22:55,200
Speaker 1: Maybe he'd be trying to like make sure he gonna

1361
01:22:55,200 --> 01:23:01,320
Speaker 1: have enough saying to say the ship there you go. Damn,

1362
01:23:01,479 --> 01:23:04,679
Speaker 1: that's why I canna. I'm none of that ship. Cardio

1363
01:23:05,560 --> 01:23:08,200
Speaker 1: that that might yall can really just tell him he's

1364
01:23:08,479 --> 01:23:11,240
Speaker 1: he's better than most of the people. He don't really

1365
01:23:11,320 --> 01:23:20,479
Speaker 1: have to do all that's right, Like he's perfectionist. He's

1366
01:23:20,479 --> 01:23:22,720
Speaker 1: a perfectionist dude. Like and and this ship you won't

1367
01:23:22,760 --> 01:23:27,160
Speaker 1: hear I won't hear it, but here so yeah, I mean, hey, bro,

1368
01:23:27,600 --> 01:23:34,080
Speaker 1: so that's some genius type ship. Brot, stop recording your

1369
01:23:34,200 --> 01:23:41,400
Speaker 1: versus so fast and do some cardio and do some cardio. Yeah,

1370
01:23:41,640 --> 01:23:47,600
Speaker 1: learning rappers don't know their lyrics here, don't be that

1371
01:23:49,840 --> 01:23:53,360
Speaker 1: here's the thing to the concert, you know the part

1372
01:23:53,880 --> 01:23:59,920
Speaker 1: like yeah, no, I mean they're doing so many gutten

1373
01:24:00,000 --> 01:24:01,880
Speaker 1: them songs though, bro, they don't like, how do you

1374
01:24:02,040 --> 01:24:09,360
Speaker 1: remember all them songs? Or did you they yours? You

1375
01:24:09,439 --> 01:24:11,600
Speaker 1: should you should know that you should at least have

1376
01:24:11,720 --> 01:24:15,360
Speaker 1: a general idea at least averse when you could be

1377
01:24:15,439 --> 01:24:19,200
Speaker 1: like a cut that off do the part you like

1378
01:24:19,400 --> 01:24:25,519
Speaker 1: you can't do your part? Yeah, yeah, no, it's different,

1379
01:24:25,720 --> 01:24:27,280
Speaker 1: like I mean, but they don't have to like listen,

1380
01:24:29,280 --> 01:24:31,200
Speaker 1: they don't have to like that the amount of that

1381
01:24:31,400 --> 01:24:34,280
Speaker 1: you don't have to learn to come out with a record,

1382
01:24:36,680 --> 01:24:38,600
Speaker 1: Like I think that might be the only thing I

1383
01:24:38,720 --> 01:24:43,639
Speaker 1: wish that Um, there was just more interest in learning

1384
01:24:44,800 --> 01:24:47,400
Speaker 1: the craft, like just a little bit more like because

1385
01:24:47,479 --> 01:24:49,360
Speaker 1: the longevity is just in it. Like you said, like

1386
01:24:50,040 --> 01:24:52,960
Speaker 1: you can get hot by just doing some violence ship,

1387
01:24:53,680 --> 01:24:56,679
Speaker 1: but usually that ship short. It happened just as quick

1388
01:24:56,720 --> 01:25:00,200
Speaker 1: as it blew, the ship gone, unless you at gonna

1389
01:25:00,200 --> 01:25:02,519
Speaker 1: put some time in and learn something like learn the

1390
01:25:02,640 --> 01:25:06,280
Speaker 1: skill and it like have some fundamentals. But you know

1391
01:25:07,080 --> 01:25:09,880
Speaker 1: that's my old man river ship for the day. They will.

1392
01:25:10,280 --> 01:25:12,320
Speaker 1: I dropped plenty of old man ship in here. This

1393
01:25:12,439 --> 01:25:19,599
Speaker 1: is the Data Fab Step Show and we have spat baby. Yeah. Okay,

1394
01:25:20,439 --> 01:25:24,720
Speaker 1: oh man, nothing but the dope. You ready held up?

1395
01:25:24,920 --> 01:25:31,160
Speaker 1: Get a shot? Let you get a photo? Yeah, get

1396
01:25:31,200 --> 01:25:47,840
Speaker 1: a shot. Well you are we gonna do some ship

1397
01:25:47,920 --> 01:26:24,640
Speaker 1: over here? Oh yeah yeah, mo, Yes, breaking news, we

1398
01:26:24,760 --> 01:26:28,439
Speaker 1: got breaking news here. Hi. I'm Carlos Miller, live here

1399
01:26:28,479 --> 01:26:31,040
Speaker 1: on the scene at the Trap, and we have some

1400
01:26:31,240 --> 01:26:34,559
Speaker 1: breaking news. We just have a tour date that's been

1401
01:26:34,640 --> 01:26:38,640
Speaker 1: added to the Ghetto Legends tour. Yes, hold on, I'm

1402
01:26:38,680 --> 01:26:44,080
Speaker 1: getting more information. That's right, Saturday, December eighteen at the

1403
01:26:44,240 --> 01:26:49,920
Speaker 1: Fox Theater in Atlanta. South Show. Yeah, that's right. The

1404
01:26:50,000 --> 01:26:53,680
Speaker 1: Return of the Ghetto Legends Saturday, December eighteen at the

1405
01:26:53,760 --> 01:26:56,679
Speaker 1: Fox Theater. Go to eighty five South Show dot com

1406
01:26:56,800 --> 01:26:59,040
Speaker 1: for all your ticket other days. Back to you, Cat