1 00:00:15,560 --> 00:00:18,360 Speaker 1: Welcome to Daily Variety, your daily dose of news and 2 00:00:18,440 --> 00:00:23,680 Speaker 1: analysis for entertainment industry insiders. It's Thursday, September eighteenth, twenty 3 00:00:23,720 --> 00:00:27,320 Speaker 1: twenty five. I'm your host, Cynthia Lyttleton. I am co 4 00:00:27,480 --> 00:00:31,440 Speaker 1: editor in chief of Variety alongside Ramin Setuda. I'm in 5 00:00:31,640 --> 00:00:34,880 Speaker 1: LA He's in New York, and Variety has reporters around 6 00:00:34,880 --> 00:00:39,040 Speaker 1: the world covering the business of entertainment. In today's episode, 7 00:00:39,240 --> 00:00:41,920 Speaker 1: we'll hear from Ramin Setuda on his sit down with 8 00:00:42,080 --> 00:00:46,400 Speaker 1: Julia Roberts and the cast of writer director Luca Guardino's 9 00:00:46,760 --> 00:00:50,440 Speaker 1: provocative new film After the Hunt. And Chief music critic 10 00:00:50,520 --> 00:00:54,040 Speaker 1: Chris Willman revisits a moment in time that defines an 11 00:00:54,080 --> 00:00:58,240 Speaker 1: era Lilith Fair. There's a new documentary out on Sarah 12 00:00:58,320 --> 00:01:03,880 Speaker 1: McLoughlin's nineteen ninety's all female touring Summer Music Festival. But 13 00:01:04,000 --> 00:01:06,480 Speaker 1: before we get to that, here are some headlines just 14 00:01:06,560 --> 00:01:09,800 Speaker 1: in this morning that you need to know. Truthfully, there's 15 00:01:09,880 --> 00:01:13,200 Speaker 1: nothing people are talking about more right now than Jimmy Kimmel. 16 00:01:14,040 --> 00:01:17,640 Speaker 1: The situation with his show getting yanked from ABC happened 17 00:01:17,640 --> 00:01:21,720 Speaker 1: with shocking speed on Wednesday afternoon. The news is still 18 00:01:21,760 --> 00:01:25,639 Speaker 1: flying as we record this morning, Variety's team is doing 19 00:01:25,760 --> 00:01:29,440 Speaker 1: a ton of reporting to understand what's going on and 20 00:01:29,520 --> 00:01:33,360 Speaker 1: why it's all happening. We will have an update, perspective 21 00:01:33,440 --> 00:01:37,920 Speaker 1: and analysis in Monday's episode of Daily Variety. I suspect 22 00:01:37,920 --> 00:01:41,120 Speaker 1: the story will evolve quite a bit between now and then. 23 00:01:41,480 --> 00:01:44,600 Speaker 1: Until then, keep your eyes on Variety dot com, where 24 00:01:44,640 --> 00:01:48,720 Speaker 1: we are watching this very live story with great intensity 25 00:01:49,000 --> 00:01:53,080 Speaker 1: about what it signals for media, for television, and for 26 00:01:53,160 --> 00:02:00,800 Speaker 1: our culture. Now we turn to conversations with Friday journalists 27 00:02:00,800 --> 00:02:04,640 Speaker 1: about news and trends in show business. Ramin Setuda joins 28 00:02:04,720 --> 00:02:07,720 Speaker 1: us to give us the backstory on his starry sit 29 00:02:07,840 --> 00:02:14,000 Speaker 1: down with Julia Roberts, Io Adebris, Andrew Garfield, Chloe Savigni, 30 00:02:14,320 --> 00:02:19,560 Speaker 1: Michael Stolberg, and director Luca Guardaninho for his for Ramine's 31 00:02:19,600 --> 00:02:24,200 Speaker 1: cover story for the Variety cover story on their new 32 00:02:24,240 --> 00:02:27,720 Speaker 1: movie After the Hunt. The subject matter of the movie 33 00:02:27,760 --> 00:02:31,519 Speaker 1: is very serious, but as Ramin explains, this troop had 34 00:02:31,560 --> 00:02:35,040 Speaker 1: a lot of fun making the movie. Ramin Setuda, co 35 00:02:35,200 --> 00:02:37,400 Speaker 1: editor in chief of Variety. I hear that's a pretty 36 00:02:37,400 --> 00:02:37,880 Speaker 1: good gig. 37 00:02:38,320 --> 00:02:39,120 Speaker 2: It is a good gig. 38 00:02:39,240 --> 00:02:41,359 Speaker 3: I think we share it for a reason because it's 39 00:02:41,360 --> 00:02:42,960 Speaker 3: such a good gig remin. 40 00:02:43,400 --> 00:02:46,799 Speaker 1: I was so excited when you landed Julia Roberts for 41 00:02:46,919 --> 00:02:49,960 Speaker 1: our cover. She's part of this very provocative new movie 42 00:02:49,960 --> 00:02:54,240 Speaker 1: from director Luca Guaraninho called After the Hunt, and it 43 00:02:54,360 --> 00:02:57,440 Speaker 1: made waves in Venice, and Julia is an object of 44 00:02:57,520 --> 00:03:01,640 Speaker 1: fascination everywhere she goes. She I certainly grabbed attention in 45 00:03:01,720 --> 00:03:03,960 Speaker 1: Venice and you got the chance to sit down with 46 00:03:04,000 --> 00:03:05,120 Speaker 1: her tell us everything. 47 00:03:05,120 --> 00:03:06,600 Speaker 2: For me, we're very lucky. 48 00:03:06,680 --> 00:03:09,560 Speaker 3: We did the first cover story for this movie with 49 00:03:09,680 --> 00:03:14,000 Speaker 3: Julia Roberts, Andrew Garfield and Io ed Abiri and they 50 00:03:14,000 --> 00:03:17,680 Speaker 3: were joined by Chloe Sevani and Michael stoolbarg and Luca 51 00:03:17,720 --> 00:03:20,639 Speaker 3: also joined. When I talked to journalism students where I 52 00:03:20,680 --> 00:03:24,400 Speaker 3: talk about the craft of interviewing, people often want to know, 53 00:03:24,440 --> 00:03:26,520 Speaker 3: what is it like talking to actors? Was it like 54 00:03:27,080 --> 00:03:29,160 Speaker 3: sitting down with an actor? And you and I have 55 00:03:29,200 --> 00:03:30,120 Speaker 3: talked about this before. 56 00:03:30,160 --> 00:03:32,200 Speaker 2: We often will keep our cool. It's a job. We 57 00:03:32,240 --> 00:03:33,520 Speaker 2: go in there with our questions. 58 00:03:34,000 --> 00:03:38,000 Speaker 3: But there are situations and instances where you grow up 59 00:03:38,040 --> 00:03:41,440 Speaker 3: loving someone so much that it's like your heart grows 60 00:03:41,480 --> 00:03:42,720 Speaker 3: because you love them so much. 61 00:03:42,760 --> 00:03:45,720 Speaker 2: And for me, growing up and watching. 62 00:03:45,400 --> 00:03:49,320 Speaker 3: Movies and loving movies Julia Roberts was my favorite actor. 63 00:03:49,520 --> 00:03:51,080 Speaker 2: She was the best movie star. 64 00:03:51,760 --> 00:03:54,320 Speaker 3: I saw all her movies in the nineties, even the 65 00:03:54,320 --> 00:03:57,120 Speaker 3: ones that weren't well reviewed. It was just to go 66 00:03:57,160 --> 00:04:00,000 Speaker 3: into a movie theater and to watch a Julia Roberts 67 00:04:00,320 --> 00:04:03,200 Speaker 3: was a real part of my upbringing and my love 68 00:04:03,280 --> 00:04:06,240 Speaker 3: for movies and my love for romantic comedies. So to 69 00:04:06,280 --> 00:04:08,320 Speaker 3: be in the same space as Julia Roberts was a 70 00:04:08,320 --> 00:04:09,600 Speaker 3: little bit of a. 71 00:04:09,520 --> 00:04:11,280 Speaker 2: My heart's racing experience. 72 00:04:11,600 --> 00:04:13,440 Speaker 3: It was a little bit of an out of body experience, 73 00:04:13,800 --> 00:04:16,240 Speaker 3: but we had a great conversation. I'm really really proud 74 00:04:16,279 --> 00:04:19,320 Speaker 3: of this cover story. I hope everyone reads that Julia 75 00:04:19,400 --> 00:04:22,320 Speaker 3: Roberts is very fun and very funny in person, and 76 00:04:22,360 --> 00:04:25,880 Speaker 3: she still is a true movie star. She radiates a 77 00:04:25,880 --> 00:04:27,680 Speaker 3: movie star glow when you're in her presence. 78 00:04:27,880 --> 00:04:31,760 Speaker 1: She's playing a flinty college professor, very ambitious, who gets 79 00:04:31,800 --> 00:04:35,440 Speaker 1: involved in a big scandal that involves Andrew Garfield and 80 00:04:35,520 --> 00:04:38,800 Speaker 1: her star student played by io Ed Barry. It sounds 81 00:04:38,839 --> 00:04:42,640 Speaker 1: like a very needy discussion of very contemporary themes about 82 00:04:43,080 --> 00:04:47,480 Speaker 1: accusation and the lines of consent and just all kinds 83 00:04:47,520 --> 00:04:50,200 Speaker 1: of very difficult issues, the kind of things that you 84 00:04:50,360 --> 00:04:53,440 Speaker 1: don't see so much on big screen movies the kind 85 00:04:53,480 --> 00:04:55,760 Speaker 1: of things that have been like the province of limited 86 00:04:55,839 --> 00:04:59,159 Speaker 1: series tell us about the movie after the Hunt, and 87 00:04:59,200 --> 00:05:01,000 Speaker 1: how you think that going to be received. 88 00:05:01,400 --> 00:05:03,200 Speaker 3: So this movie will be opening the New York Film 89 00:05:03,240 --> 00:05:06,440 Speaker 3: Festival next week. It is being distributed by Amazon MGM. 90 00:05:06,520 --> 00:05:09,680 Speaker 3: It opens in theaters on October tenth. And you described 91 00:05:09,680 --> 00:05:13,000 Speaker 3: it very accurately, Cynthia. It is a movie that is 92 00:05:13,160 --> 00:05:16,440 Speaker 3: very contemporary. It has a rip from the headlines feeling 93 00:05:16,480 --> 00:05:20,200 Speaker 3: to it, given everything that we've gone through. Luca specifically 94 00:05:20,240 --> 00:05:22,279 Speaker 3: said he doesn't like that this is described as a 95 00:05:22,320 --> 00:05:24,839 Speaker 3: movie about the Me Too movement because it's about these characters. 96 00:05:24,839 --> 00:05:26,279 Speaker 2: But it certainly is set. 97 00:05:26,160 --> 00:05:29,520 Speaker 3: Against the background of me too, and it is about 98 00:05:29,720 --> 00:05:33,960 Speaker 3: what happens after there is this assault allegation on campus. 99 00:05:34,080 --> 00:05:37,040 Speaker 3: It's certainly it's not a lighthearted film. And one of 100 00:05:37,080 --> 00:05:39,640 Speaker 3: the things that was hard for Julia was getting into 101 00:05:39,680 --> 00:05:42,039 Speaker 3: the headspace of the character that she plays, Alma and 102 00:05:42,120 --> 00:05:44,719 Speaker 3: playing this professor. But it reminded her very much of 103 00:05:44,760 --> 00:05:47,520 Speaker 3: working with Mike Nichols, and she misses Mike. 104 00:05:47,440 --> 00:05:48,480 Speaker 2: Nichols very very much. 105 00:05:48,520 --> 00:05:51,400 Speaker 3: They work together on Closer at Charlie Wilson's War, and 106 00:05:51,440 --> 00:05:54,080 Speaker 3: there is a period in Julia's career after winning the 107 00:05:54,120 --> 00:05:57,720 Speaker 3: Oscar where she and Mike collaborated on these two projects, 108 00:05:57,880 --> 00:06:00,279 Speaker 3: and I do think this is a return to form 109 00:06:00,360 --> 00:06:03,200 Speaker 3: for her of that period of her career. And she 110 00:06:03,279 --> 00:06:04,880 Speaker 3: and Luca just love each other. It was a total 111 00:06:04,960 --> 00:06:07,719 Speaker 3: love fest. They admire each other so much. Brian Lord 112 00:06:07,800 --> 00:06:11,240 Speaker 3: introduced them. He represents both of them, and they it 113 00:06:11,279 --> 00:06:13,280 Speaker 3: was like there were cinematic soulmates, and even in our 114 00:06:13,279 --> 00:06:15,320 Speaker 3: conversation they were finishing each other's sentences. 115 00:06:15,360 --> 00:06:16,400 Speaker 2: They were having a lot of fun. 116 00:06:16,760 --> 00:06:19,480 Speaker 3: And Luca actually volunteered to direct Julia in My Best 117 00:06:19,520 --> 00:06:21,840 Speaker 3: Friend's Wedding Too if that happens, which I'm not really 118 00:06:21,880 --> 00:06:24,440 Speaker 3: sure if that movie's up her grabs because Sealine Song 119 00:06:24,480 --> 00:06:26,080 Speaker 3: is writing the screenplay. But it was a lot of 120 00:06:26,120 --> 00:06:28,640 Speaker 3: fun and they clearly clearly really love each other. 121 00:06:29,160 --> 00:06:32,800 Speaker 1: The Guadanino take on My Best Friend's Wedding Too, that 122 00:06:33,120 --> 00:06:36,000 Speaker 1: is just worth the price of admission right there. It's 123 00:06:36,000 --> 00:06:38,360 Speaker 1: a very interesting choice for her. This is the first 124 00:06:38,400 --> 00:06:41,479 Speaker 1: time in a while that we've heard the words Oscar 125 00:06:41,520 --> 00:06:42,320 Speaker 1: buzz around. 126 00:06:42,400 --> 00:06:44,760 Speaker 2: Julia asked her why she chose this role. It was interesting, 127 00:06:44,839 --> 00:06:45,560 Speaker 2: is she read the script. 128 00:06:45,640 --> 00:06:47,440 Speaker 3: She liked the script, but for her, it really is 129 00:06:47,440 --> 00:06:50,320 Speaker 3: about working with the right director that she feels comfortable with, 130 00:06:50,360 --> 00:06:53,560 Speaker 3: and she feels that she's going to be connected with 131 00:06:53,640 --> 00:06:56,160 Speaker 3: on set, and so she said she was interested in 132 00:06:56,240 --> 00:06:58,320 Speaker 3: the role, but she didn't make the decision to take 133 00:06:58,360 --> 00:07:00,480 Speaker 3: on this project until she and Lucas had together. 134 00:07:00,760 --> 00:07:01,760 Speaker 2: They were at a friend's house. 135 00:07:01,800 --> 00:07:04,440 Speaker 3: They were sitting together, and then they just started talking 136 00:07:04,480 --> 00:07:06,719 Speaker 3: and they couldn't stop talking. They talked for hours together, 137 00:07:06,760 --> 00:07:09,520 Speaker 3: and they really really were connected, and that's what inspired 138 00:07:09,560 --> 00:07:11,080 Speaker 3: her to make the role, which I thought was very 139 00:07:11,080 --> 00:07:14,120 Speaker 3: interesting because a lot of actors will choose a director 140 00:07:14,200 --> 00:07:16,800 Speaker 3: based on what they see on screen, but for Juliet 141 00:07:16,840 --> 00:07:18,200 Speaker 3: really is about the personal connection. 142 00:07:19,080 --> 00:07:21,920 Speaker 1: Your story does a great job of weaving in many voices, 143 00:07:22,160 --> 00:07:24,000 Speaker 1: and you feel like you really have a sense of 144 00:07:24,040 --> 00:07:26,240 Speaker 1: the making of this movie. And although as you said, 145 00:07:26,280 --> 00:07:28,560 Speaker 1: it is not a comedy, these are not light subjects, 146 00:07:29,560 --> 00:07:32,720 Speaker 1: the whole troop seemed like they just had a blast together. 147 00:07:32,800 --> 00:07:36,800 Speaker 1: They describe a lot of fun things, and a certain 148 00:07:36,840 --> 00:07:40,520 Speaker 1: star's banana bread gets a lot of discussion in your story. 149 00:07:40,960 --> 00:07:43,960 Speaker 3: So Julia invited everyone to her beach house and they 150 00:07:44,000 --> 00:07:46,760 Speaker 3: rehearsed as if they were rehearsing a play, and she 151 00:07:46,920 --> 00:07:50,239 Speaker 3: made them banana bread. She's a very good cook, according 152 00:07:50,280 --> 00:07:53,280 Speaker 3: to Luca, and Luca took a loaf of the banana 153 00:07:53,280 --> 00:07:55,080 Speaker 3: bread on a trip he was taking and he was 154 00:07:55,120 --> 00:07:58,160 Speaker 3: at the airport and the staff at the airport tasted 155 00:07:58,200 --> 00:07:59,840 Speaker 3: the banana bread and they fell in love with the bread. 156 00:08:00,160 --> 00:08:03,480 Speaker 3: You and so, yeah, this cast is very close together. 157 00:08:03,520 --> 00:08:06,080 Speaker 3: Even though this is a very difficult subject matter that 158 00:08:06,120 --> 00:08:07,160 Speaker 3: they're playing on screen. 159 00:08:08,120 --> 00:08:11,040 Speaker 2: In person, they really love each other. They were cracking jokes. 160 00:08:11,240 --> 00:08:13,520 Speaker 3: And what was also interesting is that Luca he moved 161 00:08:13,600 --> 00:08:15,440 Speaker 3: very quickly. They shot this movie in twenty eight days. 162 00:08:15,440 --> 00:08:17,280 Speaker 3: This surprised me because I've seen a lot of his films, 163 00:08:17,280 --> 00:08:19,280 Speaker 3: but he doesn't ask for a lot of takes. So 164 00:08:19,320 --> 00:08:21,800 Speaker 3: he said, he comes from the Clint Eastwood school of filmmaking, 165 00:08:21,800 --> 00:08:24,400 Speaker 3: where he only asks for one or two takes, and 166 00:08:24,440 --> 00:08:27,680 Speaker 3: he makes movies very quickly, very economically, and he wants 167 00:08:27,680 --> 00:08:29,360 Speaker 3: to stay under budget, which was also. 168 00:08:29,200 --> 00:08:31,080 Speaker 2: A very interesting thing that I learned while talking to 169 00:08:31,120 --> 00:08:31,920 Speaker 2: them for this story. 170 00:08:32,760 --> 00:08:34,720 Speaker 1: And I'm sure those words are going to warm the 171 00:08:34,720 --> 00:08:38,400 Speaker 1: hearts of studio executives everywhere. On time and under budget. 172 00:08:38,520 --> 00:08:40,880 Speaker 1: Thank you for bringing Julia Roberts to us. We have 173 00:08:41,000 --> 00:08:44,800 Speaker 1: that incredible smile and that Julia Roberts gaze on our cover. 174 00:08:45,320 --> 00:08:49,760 Speaker 1: Dear listeners, run to get your print copy of Variety. 175 00:08:50,240 --> 00:08:52,920 Speaker 1: Go to wriety dot com and look through all the photos. 176 00:08:52,960 --> 00:08:55,760 Speaker 1: They are fantastic. It's so much more to come on 177 00:08:55,880 --> 00:08:59,280 Speaker 1: after the hunt and Julia here this award season. Thank 178 00:08:59,360 --> 00:09:02,960 Speaker 1: you for taking time to chat. We'll end here with 179 00:09:03,080 --> 00:09:06,960 Speaker 1: a clip that captures the camaraderie among this cast. It's 180 00:09:07,000 --> 00:09:10,920 Speaker 1: from the cover story video that accompanies Remins great reporting. 181 00:09:11,679 --> 00:09:15,040 Speaker 1: This clip starts as Michael Stolberg is talking about working 182 00:09:15,080 --> 00:09:19,600 Speaker 1: with Guadaninho, Timothy Charlomay, and Armie Hammer on the twenty 183 00:09:19,640 --> 00:09:23,800 Speaker 1: seventeen drama Call Me by Your Name, and then Chloe Savigny, 184 00:09:24,160 --> 00:09:26,440 Speaker 1: Julia Roberts and Andrew Garfield chime in. 185 00:09:26,679 --> 00:09:29,240 Speaker 2: I got to live with it for about two months 186 00:09:29,280 --> 00:09:32,840 Speaker 2: before we threw it in to be shot. 187 00:09:33,160 --> 00:09:35,480 Speaker 3: I got to know Timmy, and I got to know Army, 188 00:09:35,559 --> 00:09:36,520 Speaker 3: and I got to know. 189 00:09:37,280 --> 00:09:38,000 Speaker 2: I like to get. 190 00:09:41,240 --> 00:09:47,400 Speaker 1: Sorry you had if us out thoughts thoughts it out 191 00:09:47,440 --> 00:09:48,520 Speaker 1: loud with Chloe. 192 00:09:48,840 --> 00:09:52,760 Speaker 2: The wow, the magic, because a walking magic. They don't 193 00:09:52,800 --> 00:09:57,480 Speaker 2: even smell like for another time. It was a nazy wow. 194 00:09:58,760 --> 00:10:05,720 Speaker 1: It's all right, will you ask? And now Chris Willman 195 00:10:05,800 --> 00:10:09,319 Speaker 1: joins us to talk about the new Hulu documentary Lilith 196 00:10:09,360 --> 00:10:14,080 Speaker 1: Fair Building a Mystery, which premieres September twenty First, Chris 197 00:10:14,120 --> 00:10:16,560 Speaker 1: gives us his first hand account of what was so 198 00:10:16,679 --> 00:10:20,920 Speaker 1: groundbreaking about the all female tour that Sarah McLaughlin led 199 00:10:21,000 --> 00:10:23,920 Speaker 1: in the late nineteen nineties. But first, here's a clip 200 00:10:23,960 --> 00:10:24,640 Speaker 1: from the trailer. 201 00:10:28,480 --> 00:10:31,520 Speaker 3: Singer Sarah McLaughlin has launched an all female tour. 202 00:10:31,880 --> 00:10:37,800 Speaker 1: This was the first time you'd seen anything like its 203 00:10:39,320 --> 00:10:42,160 Speaker 1: finding out that all of my favorite artists had played 204 00:10:42,600 --> 00:10:43,120 Speaker 1: at this event. 205 00:10:43,520 --> 00:10:46,760 Speaker 2: Alila fair Bill is incredible. Paula Cole, Who's Agad, Erica. 206 00:10:46,600 --> 00:10:49,160 Speaker 4: Podus, she Naede O'Connor, and this is Elliott, Sara McLoughlin, 207 00:10:49,320 --> 00:10:50,240 Speaker 4: Joe Crowth, Jewel. 208 00:10:50,440 --> 00:10:52,559 Speaker 3: I was in disbelieved that I'd never heard of it before. 209 00:10:54,240 --> 00:10:56,360 Speaker 1: Promoter said, you can't have put two women on the 210 00:10:56,360 --> 00:11:01,240 Speaker 1: same bill. People will come. That's complete bullshit, and it 211 00:11:01,280 --> 00:11:03,679 Speaker 1: put a huge fire under my bout to prove them all. 212 00:11:04,960 --> 00:11:09,640 Speaker 1: Chris Willman, thank you for doing me a pleasure. Chris, 213 00:11:09,679 --> 00:11:11,920 Speaker 1: you are our chief music critic, and you are also 214 00:11:12,080 --> 00:11:16,080 Speaker 1: our chief reviewer of music documentaries. There's a new documentary 215 00:11:16,080 --> 00:11:19,679 Speaker 1: coming out, Lilith Fair, Building a Mystery, and it's a 216 00:11:19,760 --> 00:11:24,520 Speaker 1: deep dive back into the nineteen nineties festival that in 217 00:11:24,600 --> 00:11:27,760 Speaker 1: my memory ran longer than it actually did. It was 218 00:11:27,840 --> 00:11:30,880 Speaker 1: led by Sarah McLachlin, who was an incredible artist and 219 00:11:31,000 --> 00:11:35,000 Speaker 1: really was at the peak of her popularity and success. 220 00:11:35,240 --> 00:11:38,640 Speaker 1: Her sound really defines that late nineties era very well, 221 00:11:39,000 --> 00:11:42,559 Speaker 1: and she used her clout to put together a touring 222 00:11:42,600 --> 00:11:47,120 Speaker 1: lineup of female musicians. And although the nineteen nineties wasn't 223 00:11:47,120 --> 00:11:49,480 Speaker 1: that long ago, it is true that that felt like 224 00:11:49,520 --> 00:11:53,120 Speaker 1: a very radical move at the time. Let's start with 225 00:11:53,400 --> 00:11:56,800 Speaker 1: Chris having covered it in the moment back then? What 226 00:11:57,240 --> 00:12:00,920 Speaker 1: was so different? So what stood out so much about 227 00:12:01,000 --> 00:12:03,840 Speaker 1: the Lilith Fair and what Sarah McLaughlin was trying to 228 00:12:03,840 --> 00:12:04,600 Speaker 1: do with this tour. 229 00:12:05,760 --> 00:12:10,400 Speaker 4: Even today there will be occasional all women bills and 230 00:12:10,720 --> 00:12:13,120 Speaker 4: it still seems as novel as it did then. I mean, 231 00:12:13,679 --> 00:12:16,120 Speaker 4: this past year I went to Brandy Carlile's Girls just 232 00:12:16,160 --> 00:12:19,559 Speaker 4: on a weekend festival in Mexico, which is her annual 233 00:12:19,559 --> 00:12:23,840 Speaker 4: attempt to basically revive Lilith fair for one weekend as 234 00:12:23,840 --> 00:12:27,319 Speaker 4: opposed to a whole summer. What Sarah McLaughlin did back 235 00:12:27,360 --> 00:12:29,760 Speaker 4: in the nineties, the spirit of it lives on, but 236 00:12:29,840 --> 00:12:34,320 Speaker 4: it's still a radical idea to package women together. What 237 00:12:34,360 --> 00:12:38,040 Speaker 4: Sarah McLaughlin was dealing with was she went out on 238 00:12:38,120 --> 00:12:42,160 Speaker 4: tour I think ninety four ninety five, as she took 239 00:12:42,200 --> 00:12:45,320 Speaker 4: Paula coll Out as her opening act, and she became 240 00:12:45,400 --> 00:12:48,360 Speaker 4: aware that this was like stunning to people, that you 241 00:12:48,360 --> 00:12:51,040 Speaker 4: would think that people would come see a woman opening 242 00:12:51,040 --> 00:12:53,440 Speaker 4: for a woman, and that you didn't need the so 243 00:12:53,520 --> 00:12:56,280 Speaker 4: called variety of throwing a man in there. 244 00:12:56,840 --> 00:12:58,200 Speaker 2: And why that idea. 245 00:12:57,920 --> 00:13:02,720 Speaker 4: Has persisted is is kind of a mystery, speaking of 246 00:13:02,720 --> 00:13:06,280 Speaker 4: building a mystery. But so Sarah said, you know, I 247 00:13:06,280 --> 00:13:07,920 Speaker 4: don't want to do just too. I want to do 248 00:13:08,040 --> 00:13:11,280 Speaker 4: a bunch. So the following year she did a few 249 00:13:11,320 --> 00:13:14,480 Speaker 4: test dates. Not all of them were even called Liltz Fair. 250 00:13:14,480 --> 00:13:17,040 Speaker 4: It was still coming together. But then by the summer 251 00:13:17,160 --> 00:13:19,400 Speaker 4: of ninety seven, it was like, Okay, we're going to 252 00:13:19,440 --> 00:13:21,520 Speaker 4: do this full scale. We're going to go out to 253 00:13:21,600 --> 00:13:25,280 Speaker 4: like every big amphitheater in the country with a somewhat 254 00:13:25,360 --> 00:13:27,760 Speaker 4: rotating cast of characters. 255 00:13:28,320 --> 00:13:31,000 Speaker 2: But ninety seven ninety eight ninety nine. 256 00:13:31,040 --> 00:13:33,800 Speaker 4: Those were the three main years for Liltz Fair where 257 00:13:34,160 --> 00:13:37,079 Speaker 4: they really went out. I was covering it for Entertainment 258 00:13:37,120 --> 00:13:39,800 Speaker 4: Weekly at the time, and we did cover stories back 259 00:13:39,840 --> 00:13:41,079 Speaker 4: to back a couple of years. 260 00:13:41,400 --> 00:13:45,040 Speaker 1: Obviously it made a big impact if they're making documentaries 261 00:13:45,080 --> 00:13:46,680 Speaker 1: about it in twenty five years later. 262 00:13:47,280 --> 00:13:50,240 Speaker 4: And in the documentary they had within the first few minutes, 263 00:13:50,600 --> 00:13:55,239 Speaker 4: Olivia Rodrigo On was the young expert witness who testifies 264 00:13:55,760 --> 00:13:58,000 Speaker 4: that she had no idea there was such a thing 265 00:13:58,040 --> 00:14:02,040 Speaker 4: as lilth Fair until fairly Rea, even though these are 266 00:14:02,080 --> 00:14:05,440 Speaker 4: all her favorite artists. This will be an education for 267 00:14:05,600 --> 00:14:08,640 Speaker 4: some younger people as well as the salgic trip for 268 00:14:09,400 --> 00:14:10,440 Speaker 4: the elders who were there. 269 00:14:11,040 --> 00:14:12,840 Speaker 1: How do you think the music holds up? 270 00:14:13,000 --> 00:14:15,000 Speaker 2: Well, it was very well curated. 271 00:14:15,360 --> 00:14:19,160 Speaker 4: When you've got people like Bonnie Raitt, you're on the 272 00:14:19,240 --> 00:14:23,040 Speaker 4: right track. The second year they knew they had a 273 00:14:23,080 --> 00:14:27,600 Speaker 4: diversity problem, and so they brought in artists like Erica Badou, 274 00:14:27,920 --> 00:14:30,200 Speaker 4: who is about to play the Hollywood Bowl. 275 00:14:30,320 --> 00:14:32,600 Speaker 2: She's still around. All these people are still around. 276 00:14:33,000 --> 00:14:36,520 Speaker 4: Fiona Apple is not that active, but she is remains 277 00:14:36,520 --> 00:14:39,680 Speaker 4: one of the most respected artists in music. Cheryl Crowe 278 00:14:39,960 --> 00:14:43,240 Speaker 4: is still a superstar. We don't hear as much about 279 00:14:43,360 --> 00:14:45,760 Speaker 4: some of the others, like Natalie Merchant or Paula Cole, 280 00:14:46,560 --> 00:14:50,400 Speaker 4: but bind and large Liz Fair, people like that. The 281 00:14:50,440 --> 00:14:53,400 Speaker 4: Dixie Chicks were on it the third year. After they 282 00:14:53,760 --> 00:14:57,040 Speaker 4: started thinking they should have black people and brown people, 283 00:14:57,120 --> 00:15:00,440 Speaker 4: they thought, hey, why not some country artists too, So 284 00:15:01,200 --> 00:15:03,120 Speaker 4: in a way it was also pioneering. I think the 285 00:15:03,200 --> 00:15:07,200 Speaker 4: multi genre festival. Now it's common to see I think 286 00:15:07,280 --> 00:15:11,920 Speaker 4: multi genre bills, and with Coachella you see literally everything represented, 287 00:15:12,480 --> 00:15:16,120 Speaker 4: but Lilith Fair. It's like, Okay, the common denominator is 288 00:15:16,160 --> 00:15:18,960 Speaker 4: not the music. It's not even the attitude so much. 289 00:15:19,040 --> 00:15:22,240 Speaker 4: It's the common denominator is the gender, and so there's 290 00:15:22,240 --> 00:15:24,240 Speaker 4: so much you can put under that umbrella. As they 291 00:15:24,360 --> 00:15:27,080 Speaker 4: eventually figured it out, it was exciting, especially that second 292 00:15:27,120 --> 00:15:29,720 Speaker 4: year when you could hear some great R and B 293 00:15:29,840 --> 00:15:35,600 Speaker 4: singers as well as pop singer songwriters and rockers, and 294 00:15:36,080 --> 00:15:38,320 Speaker 4: they really mixed it up. So I think it was 295 00:15:38,320 --> 00:15:40,720 Speaker 4: influential in that way, which might not get as much 296 00:15:40,760 --> 00:15:41,400 Speaker 4: credit for it. 297 00:15:41,560 --> 00:15:44,400 Speaker 1: Chris, what would you say about the documentary itself? Does 298 00:15:44,440 --> 00:15:47,600 Speaker 1: it work in terms of putting it into historical context 299 00:15:47,680 --> 00:15:50,600 Speaker 1: and leaving you with appetite to learn more. 300 00:15:50,800 --> 00:15:51,520 Speaker 2: I think it does. 301 00:15:51,720 --> 00:15:54,520 Speaker 4: You know, I was so immersed in Lilith's Fair and 302 00:15:54,560 --> 00:15:56,920 Speaker 4: It's Lore that I wanted it to be three hours long. 303 00:15:57,240 --> 00:15:59,960 Speaker 4: But I think the documentary does a really good job 304 00:16:00,200 --> 00:16:03,200 Speaker 4: covering a lot of basis. It's very celebratory, as you 305 00:16:03,240 --> 00:16:07,320 Speaker 4: would expect, but it doesn't completely gloss over some of 306 00:16:07,320 --> 00:16:09,800 Speaker 4: the thorny issues. And then when it comes to the 307 00:16:09,800 --> 00:16:12,800 Speaker 4: issue of should there be a Little Fair revival today? 308 00:16:13,040 --> 00:16:15,240 Speaker 4: I think everybody who starts to watch this stock better 309 00:16:15,360 --> 00:16:18,000 Speaker 4: will go, hell, yeah. 310 00:16:17,240 --> 00:16:19,680 Speaker 1: Do you think there's a need for a little Affair today? 311 00:16:19,800 --> 00:16:22,160 Speaker 4: I mean it's a good question, and one that the 312 00:16:22,520 --> 00:16:24,720 Speaker 4: movie raises at the end because they do make the 313 00:16:24,760 --> 00:16:28,400 Speaker 4: point that Taylor Swift goes out and has almost exclusively 314 00:16:28,920 --> 00:16:32,200 Speaker 4: female opening acts, so there are sisters who are doing 315 00:16:32,240 --> 00:16:35,160 Speaker 4: it for themselves, so to speak, and elevating other women 316 00:16:35,160 --> 00:16:38,680 Speaker 4: in those support slots. On the other hand, there is 317 00:16:38,840 --> 00:16:42,480 Speaker 4: a Instagram account I forget the name of it, but 318 00:16:42,640 --> 00:16:45,200 Speaker 4: they track all the festivals that are happening in the nation, 319 00:16:45,960 --> 00:16:48,760 Speaker 4: and they do two versions of the poster, one with 320 00:16:48,840 --> 00:16:51,640 Speaker 4: all the names and then one that only has the 321 00:16:51,680 --> 00:16:55,400 Speaker 4: female names, and then in most of those festivals, the 322 00:16:55,560 --> 00:16:58,560 Speaker 4: entire poster art is blank except for a couple names, 323 00:16:58,640 --> 00:17:02,120 Speaker 4: especially if its genres like a country or hip hop 324 00:17:02,240 --> 00:17:02,640 Speaker 4: or something. 325 00:17:03,400 --> 00:17:05,800 Speaker 2: You know, singer songwriter festival might be a different deal. 326 00:17:06,040 --> 00:17:09,159 Speaker 4: So when you see that altered image where all the 327 00:17:09,160 --> 00:17:11,200 Speaker 4: male artists have been taken out and you just see 328 00:17:11,359 --> 00:17:14,720 Speaker 4: one or two lone female artists, you start to feel, man, 329 00:17:14,720 --> 00:17:18,320 Speaker 4: we have not come a single inch in the twenty 330 00:17:18,359 --> 00:17:21,240 Speaker 4: eight years since L's Fair started, so there is a 331 00:17:21,240 --> 00:17:21,919 Speaker 4: place for it. 332 00:17:22,240 --> 00:17:25,119 Speaker 1: You can only imagine the lineup, but the incredible artists 333 00:17:25,200 --> 00:17:27,480 Speaker 1: that are out there now and again, so many of 334 00:17:27,520 --> 00:17:30,560 Speaker 1: the top hit makers are women. Well, Chris, thank you 335 00:17:30,640 --> 00:17:33,960 Speaker 1: for helping us put music and pop culture and the 336 00:17:34,040 --> 00:17:36,879 Speaker 1: role of it all into context. I'm really eager to 337 00:17:36,920 --> 00:17:39,560 Speaker 1: see this documentary, so thank you for previewing it. 338 00:17:40,200 --> 00:17:41,160 Speaker 4: I think you'll enjoy it. 339 00:17:46,320 --> 00:17:48,760 Speaker 1: As we close out today's episode, here's a few things 340 00:17:48,800 --> 00:17:51,880 Speaker 1: we're watching for. Variety is getting ready to host its 341 00:17:51,880 --> 00:17:56,119 Speaker 1: annual Entertainment and Technology Summits September twenty fifth in Los Angeles. 342 00:17:56,320 --> 00:17:59,000 Speaker 1: We have great speakers lined up. More to come on 343 00:17:59,040 --> 00:18:02,680 Speaker 1: that next week. Next week, Variety will be globe trotting again, 344 00:18:03,040 --> 00:18:06,480 Speaker 1: we'll produce digital dailies out of the Busson International Film 345 00:18:06,520 --> 00:18:10,200 Speaker 1: Festival in Korea, the San Sebastian Film Festival in Spain, 346 00:18:10,680 --> 00:18:14,760 Speaker 1: the Finished Film Affair in Helsinki, and the Zurich Film Festival. 347 00:18:14,960 --> 00:18:17,840 Speaker 1: Two TV premieres on our radar next week are season 348 00:18:17,880 --> 00:18:21,040 Speaker 1: two of Doc on Fox and The Low Down on FX. 349 00:18:21,480 --> 00:18:25,040 Speaker 1: That's the new series from Reservation Dogs creator Stirlin Harjoe. 350 00:18:25,440 --> 00:18:29,280 Speaker 1: Both shows land on September twenty third. Before we go, 351 00:18:29,600 --> 00:18:33,560 Speaker 1: congrats to Julie McNamara. She's partnered with Matt Lockshare winner 352 00:18:33,680 --> 00:18:37,200 Speaker 1: Jenny Snyder Erman to ramp up development and Urban Sutton 353 00:18:37,240 --> 00:18:41,679 Speaker 1: Street productions. McNamara spent many years in programming at CBS, 354 00:18:41,800 --> 00:18:45,240 Speaker 1: and she most recently headed podcast content for Spotify. Thanks 355 00:18:45,280 --> 00:18:48,240 Speaker 1: for listening. This episode was written and reported by me 356 00:18:48,480 --> 00:18:52,320 Speaker 1: Cynthia Littleton, with contributions from Ramin Setuta and Chris Wilman 357 00:18:53,080 --> 00:18:56,080 Speaker 1: sticks Nick's hick Picks. Please leave us a review at 358 00:18:56,119 --> 00:18:58,960 Speaker 1: the podcast platform of your choice, and please tune in 359 00:18:59,040 --> 00:19:01,560 Speaker 1: Monday for an other episode of Daily Variety