WEBVTT - #186 - Roddy Ricch

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<v Speaker 1>Who let keV Show special guest the Big Three Just drop,

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<v Speaker 1>Ladies and gentlemen. I got Roddy rich Compton is in

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<v Speaker 1>the building. Man, what's going on? Champion? It's been a

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<v Speaker 1>minute since I've seen you. I haven't seen you. I

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<v Speaker 1>mean I think I saw you a couple of like

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<v Speaker 1>little parties or something, but I really locked in with you.

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<v Speaker 1>I feel like since before the pandemic. Man, it's been

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<v Speaker 1>a minute, bro. How are you though? I'm chilling, Bro,

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<v Speaker 1>Everything's good. You're feeling good always. You're dropping these three records?

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<v Speaker 1>Kind of give me the thought process behind because I

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<v Speaker 1>know you've been teasing Feed the Streets volume three, So

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<v Speaker 1>what is the purpose of, you know, giving us a

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<v Speaker 1>little sampler, a little a little taste before you you

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<v Speaker 1>give us the next project show. I really just ready

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<v Speaker 1>to drop music, bro, I'm just ready to drop, ready

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<v Speaker 1>to get a fans what they want to hear. Just

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<v Speaker 1>give them some more music and stand to him with them,

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<v Speaker 1>feed them, you know what I mean? Yeah? Do you

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<v Speaker 1>feel like do you feel like the feedback to the

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<v Speaker 1>second album lit a fire under you to like get

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<v Speaker 1>back to kind of just putting the foot on the

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<v Speaker 1>neck in terms of just dropping because you know, we

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<v Speaker 1>had the pandemic. Obviously you drop a number one album,

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<v Speaker 1>the pandemic happens. Was it two and a half years since?

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<v Speaker 1>I think just two about two years since, you know,

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<v Speaker 1>in between albums. But I feel like, you know, sometimes

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<v Speaker 1>you take a situation like you know, some of the

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<v Speaker 1>feedback you were getting some people that are kind of shaken.

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<v Speaker 1>But I feel like you're like super locked in right now.

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<v Speaker 1>I heard all three records. They're crazy, you know what

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<v Speaker 1>I mean? I ain't really like, I feel like shit,

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<v Speaker 1>I'm about to go go feel me sell five hundred

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<v Speaker 1>thousand copies. I know a lot of niggas that don't

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<v Speaker 1>even do that, So most people don't do that, you

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<v Speaker 1>feel me? So I just feel like shit, it's a

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<v Speaker 1>body of work. I feel like maybe if they didn't

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<v Speaker 1>enjoy it, it wasn't for them. That's fair, that's fair.

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<v Speaker 1>How far along are you with Feed the Streets three Shah?

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<v Speaker 1>I mean, it's just a it's more of a movement

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<v Speaker 1>lifestyle more so right now, it's just, you know, just

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<v Speaker 1>a state of being where I'm at. Okay, it ain't

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<v Speaker 1>really a project. I wouldn't say. I feel like I

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<v Speaker 1>just want to do more when it comes to you know,

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<v Speaker 1>when it comes to the feet of my fast outside

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<v Speaker 1>the music is just more so, you know, just activations

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<v Speaker 1>of traveling and being able to touch different people and

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<v Speaker 1>you know, help those who need to be helped. And

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<v Speaker 1>it's more of a movement than anything that's fair. So

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<v Speaker 1>you spent one hundred thousand dollars at Tutsies in Miami.

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<v Speaker 1>This is the thing that actually happened. Yeah, it's a

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<v Speaker 1>serious amount of money and tootsies. Did you how many

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<v Speaker 1>fried lobster tails with seafood rice did you order there?

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<v Speaker 1>Every time? It's the best, right? Yeah? Are you getting

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<v Speaker 1>the shoulder rubber? You having the massage? The lady rub

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<v Speaker 1>you down every People don't even realize it's not even

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<v Speaker 1>like a dancer who rubbed you shoulder because a lot

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<v Speaker 1>of people haven't been to Tutsies because they hear Drake

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<v Speaker 1>rapping about it. It's just like there's like legit Masseuse's

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<v Speaker 1>walking to the vibe. You feel me. It's like, you know,

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<v Speaker 1>it's just more so a vibe like that's when you

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<v Speaker 1>go to Miami just trying to vibe. And that's like

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<v Speaker 1>one of them, like one of my favorites. You go

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<v Speaker 1>to Too Tea's, you get the fire, the opster telling,

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<v Speaker 1>and you get a massage, you get rubbed down, kicking it.

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<v Speaker 1>It's a vibe for sure. Is that the most you've

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<v Speaker 1>spent at a strip club? I wouldn't even consider the

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<v Speaker 1>strip club like that. It's more and so just a

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<v Speaker 1>place to just vibe. Like we listen to our own

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<v Speaker 1>music in there. We'll be in our own world. I'll

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<v Speaker 1>be after the studio. It's just more so it's just

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<v Speaker 1>a chill time for me. What is your outside of

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<v Speaker 1>La Is? Is Miami up there as far as your

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<v Speaker 1>favorite city outside of la to visit. I mean that's

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<v Speaker 1>like I live there too, So you got a crib there.

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<v Speaker 1>That's that's what's going on. Type shit. Nice and no

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<v Speaker 1>state tax if you live in Miami. Yeah, it's more

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<v Speaker 1>of a back and forth situation, like but your primary

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<v Speaker 1>residence should be in Florida save a lot of money. No,

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<v Speaker 1>I feel that too. I feel that too. It just

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<v Speaker 1>you know, I get the money thing. It's just more

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<v Speaker 1>and so just a peace of mind is over all

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<v Speaker 1>that shit. You know what I'm saying. Just betting able

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<v Speaker 1>to be just kicking it and just be cool, like

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<v Speaker 1>That's what I'll be fucking with out there. You obviously

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<v Speaker 1>reuniting with Mustard on the first track on this one.

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<v Speaker 1>What is it about you and Mustard's chemistry? You think

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<v Speaker 1>that just makes everything so special? Every time y'all link

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<v Speaker 1>on a on a joint, I just feel like you

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<v Speaker 1>guys are bat in one thousand percent man always Yeah, No,

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<v Speaker 1>it ain't. I just feel like we it's more so big,

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<v Speaker 1>Like everything is big. It's deeper than rap. More so

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<v Speaker 1>with me and him is just more so. We got

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<v Speaker 1>so many songs, it's just time to just give them out.

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<v Speaker 1>At this point. We gotta just go ahead and just

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<v Speaker 1>do what we need to do because I just feel

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<v Speaker 1>like the West is like, we gotta just give them

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<v Speaker 1>what they want. We gotta we gotta be the ones

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<v Speaker 1>that they spin in it. We gotta stay on their

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<v Speaker 1>neck more. Would you and Mustard ever do a full

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<v Speaker 1>collab project? Is I know? I'm Is that something you

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<v Speaker 1>guys like seriously consider doing? On a thousand percent? How

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<v Speaker 1>many records that we haven't heard are just just a

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<v Speaker 1>lot a lot. It's more to count, It's more than

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<v Speaker 1>you can count. More So, we got ideas songs with

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<v Speaker 1>other niggas. We got our own shit, Like we just

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<v Speaker 1>we just vibe like as far as past, like we're

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<v Speaker 1>gonna do a project. Bro, We're gonna you know. It's

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<v Speaker 1>just like we just more and so homiees brothers like

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<v Speaker 1>more on that type of time. So it's like whenever

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<v Speaker 1>we in whatever city were gonna heap load and be

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<v Speaker 1>some rapping on them ships. It ain't no like expectation

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<v Speaker 1>from it. And I feel like that's why we get

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<v Speaker 1>the best results because it's not no pressure with it

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<v Speaker 1>of us post alone somebody who embraced you really early.

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<v Speaker 1>Like I said, I'm looking forward to the tour that's

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<v Speaker 1>coming out obviously cooped up. It's crazy. Uh talk about

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<v Speaker 1>your friendship because he's a great guy, somebody you can

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<v Speaker 1>hang out with, get drunk with. You know what I'm saying.

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<v Speaker 1>I've lost the beer pong a bunch of times. Yeah yeah,

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<v Speaker 1>talk about that friendship man. Uh, Like I said, he

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<v Speaker 1>a real nigga. More so than anything, I feel like

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<v Speaker 1>this is just a full circle moment us doing this

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<v Speaker 1>tour together. There's more and so just speaks volumes to

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<v Speaker 1>him and our relationship on our friendship. He took me

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<v Speaker 1>out on the road, and he had already sold out

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<v Speaker 1>the Europe tour. So just getting back on the road

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<v Speaker 1>with him, Man, doing it the right way is feel

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<v Speaker 1>like perfect time and feel like a good time to

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<v Speaker 1>do that. Shit. Have you ever participated in a game

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<v Speaker 1>of beer pong against Posty? Yeah? Did you hang in there? Yeah?

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<v Speaker 1>I'll be cool. Bro, that shit don't really bother me. Like,

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<v Speaker 1>I don't really get drunk like that to be what's

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<v Speaker 1>to go to? Like if you're drinking though, are you?

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<v Speaker 1>Everyone's been on tequila really since the pandemic started? Yeah,

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<v Speaker 1>the tequila? What are we doing? The tequila? Cool? You know?

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<v Speaker 1>I feel like I need to really just make my

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<v Speaker 1>own tequila. That's like that would be the that would

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<v Speaker 1>be the play. Yeah, everyone's got old enough your though,

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<v Speaker 1>How do you got to be to make your own tequila? Think?

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<v Speaker 1>Twenty five? Really like to sponsor it? In ship? I

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<v Speaker 1>think so? Damn saying with cars, you can't sponsor a

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<v Speaker 1>car company, Well, you know you can't rent a car

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<v Speaker 1>by yourself unless you're twenty five. Rent But I'm saying

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<v Speaker 1>like you can't even if you're twenty five, Like I couldn't, Like, like,

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<v Speaker 1>I'm glad I'm in the position I'm in. Shit, No,

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<v Speaker 1>you're you're obviously fighters mean in general, like guys ge't

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<v Speaker 1>even rent cars unless you're twenty five. No, I know

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<v Speaker 1>what you say. Why, I'm just I'm grateful being in

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<v Speaker 1>a position I ain't got a rent. How many cars

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<v Speaker 1>you got like eight eight? So give me your favorite

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<v Speaker 1>car and your most expensive cars that you're want. Uh.

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<v Speaker 1>My favorite car my first car, my hell Cat when

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<v Speaker 1>I'm bought in twenty eighteen, nineteen twenty twenty. It's a

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<v Speaker 1>Daytona Edition Yo Cat. I think they made like five

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<v Speaker 1>hundred of those. Inside the first car I got with

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<v Speaker 1>blue stitching, blue detail, and ship and then I put

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<v Speaker 1>it on four ges. That's like my favorite car. But

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<v Speaker 1>my most expensive cars is the rolls in the and

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<v Speaker 1>Rory the Ferrari. Yeah. Yeah, the Ferrari's is a serious

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<v Speaker 1>boy man. Both of them have cool Yeah. I feel

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<v Speaker 1>like any car that I could go that fast and

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<v Speaker 1>I'm probably I'm just freaked out about Yeah, I got

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<v Speaker 1>something else for their ass though. I'm about to do

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<v Speaker 1>some shit I ain't nobody ever did well, probably niggas

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<v Speaker 1>don't diet it, but not in the last ten years.

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<v Speaker 1>But get a new car fire ship like an old

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<v Speaker 1>school some new ship. What what is it that you

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<v Speaker 1>haven't done that the people haven't done in ten years?

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<v Speaker 1>They gotta see it. If I said air, you feel

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<v Speaker 1>me is gonna air and niggas gonna see it, and

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<v Speaker 1>nigga's gonna try to do it, I'm gonna just pop

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<v Speaker 1>up with that motherfucker. Though you're getting the old school hummer. Nah,

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<v Speaker 1>I don't know. I'm just trying to figure out. I'm

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<v Speaker 1>thinking ten years ago. I'm thinking ten years ago. No,

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<v Speaker 1>I'm saying that a nigga ain't dead, like I ain't

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<v Speaker 1>seen nobody really bust it. So it's time for me

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<v Speaker 1>to just go ahead make that my lane. Even. Would

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<v Speaker 1>you consider yourself a car enthusiast, Nah, I just like

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<v Speaker 1>I just like cars, like just a thing. I like ours,

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<v Speaker 1>I like diamonds, and I like certain Obviously there's a

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<v Speaker 1>lot of uh that on your neck, man, that's ah,

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<v Speaker 1>it's a serious amount of ropes. Yeah, shout out to

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<v Speaker 1>your jeweler. Whoever did those is definitely uh appreciating your

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<v Speaker 1>your your your customer ship for sure, the best jewel

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<v Speaker 1>in the game. Who's your Who's your who's your jeweler? Elliott.

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<v Speaker 1>Shout out to Elliott. Yeah he got Wayne though he

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<v Speaker 1>got Future. He got some niggas that spend the more money.

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<v Speaker 1>To me. Hey, you're very I feel like in the

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<v Speaker 1>last couple of years you've been very selective about who

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<v Speaker 1>you do records with. Like I feel like a lot

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<v Speaker 1>of people would be in your position and we'd hear

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<v Speaker 1>them on a lot more other artist project. But I

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<v Speaker 1>feel like with you, like when you hop on a track,

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<v Speaker 1>it's very like few and far between forty two Dug record,

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<v Speaker 1>the Nli Chopper record. What is it like that has

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<v Speaker 1>to click for you to like actually get on some shit,

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<v Speaker 1>because I'm sure if you wanted to, you could be

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<v Speaker 1>on everyone's fucking album. You know what I'm saying is there.

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<v Speaker 1>I just felt like, just my personality, I'm selected with

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<v Speaker 1>my women, I'm selected with even music, selected with the

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<v Speaker 1>clothes I put on them, selected with the people I

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<v Speaker 1>hang around. It's just more so a lifestyle, so you know,

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<v Speaker 1>when they come to business. Sometimes people may think it's

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<v Speaker 1>a little crazy for me to turn down a lot

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<v Speaker 1>of shit, but I just gotta fuck with it too.

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<v Speaker 1>And you got do you have to like really fuck

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<v Speaker 1>with the person or be at least be a fan

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<v Speaker 1>of what they're doing exactly more so, you know, because

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<v Speaker 1>a lot of times, you know, I just don't. I

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<v Speaker 1>don't want nobody singing along to a song that I'm

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<v Speaker 1>on and I don't really like the song. That's just

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<v Speaker 1>the simplesty of it. Do you ever look back at

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<v Speaker 1>some of the old shit you did before? Maybe like

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<v Speaker 1>you're in the position you're in now and like be

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<v Speaker 1>like damn, because you know, I feel like most artists

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<v Speaker 1>when you're on that independent grind. You might pull up

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<v Speaker 1>in the city. You might get a bag for a feature,

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<v Speaker 1>you might get a bag for a hook. You know

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<v Speaker 1>what I'm saying. Like, I feel like we all haven't

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<v Speaker 1>been there before, but everybody has for sure. Just me

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<v Speaker 1>being who I am at this point, I feel like

0:11:03.880 --> 0:11:06.480
<v Speaker 1>I just stand more from on what I believe and

0:11:06.520 --> 0:11:08.880
<v Speaker 1>I'll just do what I want to do at this point,

0:11:08.920 --> 0:11:13.199
<v Speaker 1>whatever happened to the Drake song? I know there was

0:11:13.200 --> 0:11:16.800
<v Speaker 1>at least one, Yeah, like why did we never? I

0:11:16.840 --> 0:11:18.839
<v Speaker 1>remember you were telling me in head about them. I

0:11:18.840 --> 0:11:21.160
<v Speaker 1>think we're at real street Fest and we're talking about it,

0:11:21.200 --> 0:11:23.640
<v Speaker 1>But like, whatever happened to the Drake shit dropping? Like

0:11:23.800 --> 0:11:27.000
<v Speaker 1>why did that never come out. I don't really know, honestly,

0:11:28.600 --> 0:11:30.360
<v Speaker 1>fair enough, I'm not sure you have a lot of

0:11:30.360 --> 0:11:32.840
<v Speaker 1>songs that don't come out, but obviously you know that's yeah.

0:11:32.920 --> 0:11:35.679
<v Speaker 1>I mean, like, bro, me, I'm bank on doing those

0:11:35.720 --> 0:11:37.520
<v Speaker 1>song with nobody. Bro, you talking to a nigga. I

0:11:37.559 --> 0:11:41.880
<v Speaker 1>went diamond by myself, I don't. Yeah, when you think

0:11:41.880 --> 0:11:44.520
<v Speaker 1>of a record like the Box, that's a song that

0:11:46.840 --> 0:11:49.120
<v Speaker 1>I think of, Like how you know there's a lot

0:11:49.120 --> 0:11:52.400
<v Speaker 1>of records like jay Z and Kanye's in Paris, Roddy

0:11:52.480 --> 0:11:54.120
<v Speaker 1>Rich is the box like where you would be in

0:11:54.160 --> 0:11:57.720
<v Speaker 1>the club to play that bitch for fifteen minutes straight

0:11:58.440 --> 0:12:01.160
<v Speaker 1>back to back to the pool. Cool? There's probably like

0:12:01.240 --> 0:12:04.280
<v Speaker 1>three or four of those in the last like fifteen years. Yeah,

0:12:04.320 --> 0:12:07.640
<v Speaker 1>and that's one of them. That's hard, Like it's crazy

0:12:07.679 --> 0:12:10.319
<v Speaker 1>that like they appreciate that. That's crazy. That's hard, bro.

0:12:10.480 --> 0:12:12.360
<v Speaker 1>I mean shit, I'm sure you've been in the club

0:12:12.360 --> 0:12:14.079
<v Speaker 1>where they brought that bitch, but I mean doubt that. No,

0:12:14.240 --> 0:12:17.240
<v Speaker 1>I mean yeah, but when you yeah, I mean shit, Yeah,

0:12:17.600 --> 0:12:22.480
<v Speaker 1>that's that's that's hard though, shit diamond record, man, Yeah, yeah,

0:12:22.640 --> 0:12:25.679
<v Speaker 1>have you thought of because I think like you also

0:12:25.720 --> 0:12:31.040
<v Speaker 1>are getting these get in this bag where you kind

0:12:31.040 --> 0:12:33.240
<v Speaker 1>of get on your r and b. Shit, I'm thinking

0:12:33.280 --> 0:12:35.439
<v Speaker 1>of the high fashions, the late at nights, you know

0:12:35.480 --> 0:12:38.000
<v Speaker 1>what I'm saying, Like we're ship for the ladies. Have

0:12:38.040 --> 0:12:41.600
<v Speaker 1>you ever thought about putting out like a little pack

0:12:41.640 --> 0:12:44.800
<v Speaker 1>of a bunch of those? It could come for me.

0:12:44.840 --> 0:12:47.160
<v Speaker 1>It's just all of how I feel. I feel like

0:12:47.160 --> 0:12:49.319
<v Speaker 1>that's just a portion of who I am when it

0:12:49.400 --> 0:12:51.680
<v Speaker 1>comes to that type of music. You know, I'm you know,

0:12:51.679 --> 0:12:53.320
<v Speaker 1>I'm cool with a lot of I have a lot

0:12:53.360 --> 0:12:56.680
<v Speaker 1>of female friends, cool with and you know, that's just

0:12:56.679 --> 0:12:59.040
<v Speaker 1>a part of my life. Like got a kidd to them,

0:12:59.080 --> 0:13:02.600
<v Speaker 1>and a lot of the times the niggas is gonna

0:13:02.600 --> 0:13:04.880
<v Speaker 1>listen to what the females is listening to for sure,

0:13:05.120 --> 0:13:08.120
<v Speaker 1>So it's like, shit, I just sometimes I like to

0:13:08.160 --> 0:13:12.080
<v Speaker 1>cater to them and I like to make songs for them. Yeah.

0:13:12.120 --> 0:13:16.160
<v Speaker 1>Any videos shot off of these three that we just dropped, Yeah,

0:13:16.400 --> 0:13:19.760
<v Speaker 1>real talk, real talks crazy. Yeah, we did the video

0:13:19.840 --> 0:13:22.920
<v Speaker 1>for that already shot. Yeah, I directed it. Yea, Your

0:13:22.960 --> 0:13:25.079
<v Speaker 1>videos are fucking getting to the point where they're like

0:13:25.120 --> 0:13:28.600
<v Speaker 1>little movies. Bro, Like, appreciate that for real, Like I've

0:13:28.640 --> 0:13:30.520
<v Speaker 1>been I remember, like back in the day, with JD

0:13:30.600 --> 0:13:32.440
<v Speaker 1>film shooting and Ship, it was very like on the

0:13:32.480 --> 0:13:34.800
<v Speaker 1>spot like but even then, you feel me, we had

0:13:34.800 --> 0:13:36.880
<v Speaker 1>the vision and even then there was there was like

0:13:37.000 --> 0:13:39.200
<v Speaker 1>light concepts going on, you know what I'm saying. Yeah, well, no,

0:13:39.280 --> 0:13:40.760
<v Speaker 1>we had the vision. Like That's why I said, I've

0:13:40.760 --> 0:13:43.240
<v Speaker 1>been directed my videos since I came out. That's just

0:13:43.280 --> 0:13:45.880
<v Speaker 1>part of my artistry. So now I just get I'm

0:13:45.880 --> 0:13:49.040
<v Speaker 1>blessed to be able to work with you know, you know,

0:13:49.120 --> 0:13:51.320
<v Speaker 1>great creators in their space. You feel me. It's just

0:13:51.360 --> 0:13:53.800
<v Speaker 1>like the ex'es and the Niggas. I looked at their

0:13:53.880 --> 0:13:57.160
<v Speaker 1>videos when I was young, you know so, And it's

0:13:57.160 --> 0:13:58.640
<v Speaker 1>blessed to be able to execute a lot of your

0:13:58.720 --> 0:14:00.840
<v Speaker 1>visions to the fullest, right yea, So, because sometimes when

0:14:00.880 --> 0:14:03.440
<v Speaker 1>you're coming up and you're hungry, and you might have

0:14:03.480 --> 0:14:06.720
<v Speaker 1>a great, great idea, but ideas take money sometimes to execute,

0:14:06.760 --> 0:14:08.920
<v Speaker 1>you know what I meantimes, But I feel like shit

0:14:09.000 --> 0:14:11.320
<v Speaker 1>with every season or Die Young or a lot of

0:14:11.320 --> 0:14:13.360
<v Speaker 1>that Ship, it was still our idea and it just

0:14:13.760 --> 0:14:16.480
<v Speaker 1>we was We was limited to just our circumstances. So

0:14:16.840 --> 0:14:19.200
<v Speaker 1>that's just where we showed and I feel like that's

0:14:19.200 --> 0:14:20.800
<v Speaker 1>what made it so pure, and that's what made people

0:14:20.800 --> 0:14:22.760
<v Speaker 1>fuck with it. But now at this point, it's just

0:14:22.800 --> 0:14:26.960
<v Speaker 1>like we we accessible to, we have access to a

0:14:27.000 --> 0:14:29.120
<v Speaker 1>lot more, and I feel like that's just where we're at,

0:14:29.160 --> 0:14:31.360
<v Speaker 1>and I want to feed my fans that as well.

0:14:31.880 --> 0:14:34.520
<v Speaker 1>I don't want to limit them to what we will,

0:14:34.720 --> 0:14:37.920
<v Speaker 1>you know, cancel them out of what we accessible to.

0:14:38.320 --> 0:14:42.040
<v Speaker 1>That's fair, That's fair. Yea. Yeah. I heard someone say

0:14:42.080 --> 0:14:45.720
<v Speaker 1>recently that per Capita Continent has produced the best rappers ever,

0:14:46.440 --> 0:14:49.480
<v Speaker 1>guys like yourself, the game, Kendrick Cube. I mean, I

0:14:49.480 --> 0:14:51.640
<v Speaker 1>mean cubes, you know, obviously been a bunch of men

0:14:51.480 --> 0:14:54.280
<v Speaker 1>in South Central. Yeah, but I think if n W

0:14:54.320 --> 0:14:57.400
<v Speaker 1>a straight out of confident, you don't feel easy. But

0:14:57.880 --> 0:15:01.520
<v Speaker 1>I'm curious, you know, Can dropped the body of work that,

0:15:02.720 --> 0:15:04.640
<v Speaker 1>to me, you really had to sit with to really

0:15:04.800 --> 0:15:07.040
<v Speaker 1>fully appreciate it. I'm just curious your thoughts on the

0:15:07.120 --> 0:15:09.640
<v Speaker 1>Kendrick album if you got to sit with it. Yeah,

0:15:09.680 --> 0:15:11.960
<v Speaker 1>I mean, I've been a lot, a lot. I've been

0:15:12.000 --> 0:15:14.760
<v Speaker 1>working on my own shit, but I've been listening to

0:15:14.840 --> 0:15:17.000
<v Speaker 1>tip bits and pieces of it, and you know, I

0:15:17.040 --> 0:15:19.840
<v Speaker 1>feel like I understand that he's in a place where

0:15:19.880 --> 0:15:24.080
<v Speaker 1>he's putting music out to push the culture forward and

0:15:24.160 --> 0:15:26.960
<v Speaker 1>you feel me, just get us to make different shit

0:15:27.080 --> 0:15:30.200
<v Speaker 1>and it's still sticking at the same time. So it's

0:15:30.240 --> 0:15:32.360
<v Speaker 1>just like that's what it's about at the end of

0:15:32.400 --> 0:15:35.040
<v Speaker 1>the day, just doing what you want to do and

0:15:35.120 --> 0:15:37.000
<v Speaker 1>creating the art that you could be proud of and

0:15:37.560 --> 0:15:39.240
<v Speaker 1>you feel me. I felt like he does an amazing

0:15:39.320 --> 0:15:42.600
<v Speaker 1>job at that and putting art work together and releasing

0:15:42.640 --> 0:15:45.120
<v Speaker 1>it to the people, and I should be. I'm curious

0:15:45.840 --> 0:15:49.280
<v Speaker 1>LA has. I feel like right now we're in a

0:15:49.320 --> 0:15:51.440
<v Speaker 1>great space is a city in terms of just the

0:15:51.480 --> 0:15:56.640
<v Speaker 1>talent that's bubbling in Los Angeles. I feel like a

0:15:56.640 --> 0:15:58.480
<v Speaker 1>lot of people are working together as to where maybe

0:15:58.520 --> 0:16:00.800
<v Speaker 1>like four or five years ago fell a little segregated.

0:16:01.320 --> 0:16:03.280
<v Speaker 1>Who or some of the young LA artists that got

0:16:03.280 --> 0:16:05.520
<v Speaker 1>your attention, maent that you're that you're just a fan

0:16:05.840 --> 0:16:07.440
<v Speaker 1>of from you know, and I know you got your

0:16:07.440 --> 0:16:09.440
<v Speaker 1>guys that that that are in your circle that are dope,

0:16:09.480 --> 0:16:12.640
<v Speaker 1>but like, who are you fucking with? Ship? I feel

0:16:12.760 --> 0:16:15.680
<v Speaker 1>like shit Beino and Blast is doing it. They thug,

0:16:16.320 --> 0:16:20.320
<v Speaker 1>Blast is crazy, Beno's crazy. They thug and another young

0:16:20.360 --> 0:16:25.520
<v Speaker 1>homie from content name is uh they They're hard. Yeah,

0:16:25.560 --> 0:16:28.320
<v Speaker 1>he's doing this Thug and he and he changing the game.

0:16:28.680 --> 0:16:31.480
<v Speaker 1>You feel me as we should. I feel like all

0:16:31.520 --> 0:16:34.680
<v Speaker 1>the guys I'm naming, you know, they they they doing

0:16:34.680 --> 0:16:36.520
<v Speaker 1>it and they laying and they and they stick it

0:16:36.560 --> 0:16:39.000
<v Speaker 1>to they things, so I can always fuck with that.

0:16:39.080 --> 0:16:41.760
<v Speaker 1>You feel me like definitely a nigga just being itself

0:16:41.800 --> 0:16:44.760
<v Speaker 1>and doing this stuff. Yo, You've gotten to the point

0:16:44.800 --> 0:16:47.560
<v Speaker 1>of famous where you can't even go to a basketball

0:16:47.600 --> 0:16:50.760
<v Speaker 1>game without people assuming that you're dating that person. Like,

0:16:51.360 --> 0:16:54.440
<v Speaker 1>at what point was there a specific moment where you

0:16:54.520 --> 0:16:58.400
<v Speaker 1>realize shit was just different? Like like shit really is

0:16:58.440 --> 0:17:00.480
<v Speaker 1>different now, like you can't move the where you maybe

0:17:00.600 --> 0:17:02.480
<v Speaker 1>used to move it. Was there like a specific moment

0:17:02.480 --> 0:17:04.840
<v Speaker 1>where you just kind of realize, like fuck, like I

0:17:04.920 --> 0:17:07.720
<v Speaker 1>don't be tripping, Like at the end of the day,

0:17:08.359 --> 0:17:11.840
<v Speaker 1>I just move how I want to. Yeah, I felt

0:17:11.840 --> 0:17:14.240
<v Speaker 1>like in that you feel me. I'm I'm able to

0:17:15.440 --> 0:17:20.840
<v Speaker 1>still be discreete and do my own thug like you know,

0:17:21.119 --> 0:17:23.200
<v Speaker 1>I just felt like, shit, the world is gonna think

0:17:23.200 --> 0:17:25.600
<v Speaker 1>whatever they want to, but at the end of the day,

0:17:25.640 --> 0:17:29.120
<v Speaker 1>I just I'm move cool. I don't bother nobody. Don't

0:17:29.119 --> 0:17:31.040
<v Speaker 1>nobody bother me. You fear me, and I fuck with

0:17:31.080 --> 0:17:33.399
<v Speaker 1>who I fuck with? It. It's just that that's how

0:17:33.359 --> 0:17:36.480
<v Speaker 1>I'd be Really, that's fair, man. I know you're sitting

0:17:36.480 --> 0:17:40.080
<v Speaker 1>on a bunch of music. I'm curious how many different

0:17:40.160 --> 0:17:43.320
<v Speaker 1>times because over a two year period we went. Obviously,

0:17:44.000 --> 0:17:48.480
<v Speaker 1>you had your first tour, which was crazy because you

0:17:48.520 --> 0:17:53.320
<v Speaker 1>were you were performing in venues that we're big. But

0:17:53.320 --> 0:17:56.280
<v Speaker 1>but for as big as the album was, you know,

0:17:56.720 --> 0:17:59.080
<v Speaker 1>the tour was already booked, so you were selling out

0:17:59.119 --> 0:18:02.199
<v Speaker 1>like two thousand cedars, you know what I'm saying. But

0:18:02.320 --> 0:18:04.639
<v Speaker 1>I don't feel like you really had the moment that

0:18:05.640 --> 0:18:08.720
<v Speaker 1>you deserve to have touring wise, because the pandemic hit.

0:18:10.800 --> 0:18:13.480
<v Speaker 1>How did you deal with like kind of having to

0:18:13.480 --> 0:18:16.080
<v Speaker 1>sit down. I know you lost out on a lot

0:18:16.080 --> 0:18:18.080
<v Speaker 1>of festival money because that summer was going to be

0:18:18.119 --> 0:18:21.480
<v Speaker 1>crazy for you. Like did you just like how did

0:18:21.480 --> 0:18:23.639
<v Speaker 1>you redirect all that energy like in the middle of

0:18:23.680 --> 0:18:25.520
<v Speaker 1>the pandemic. That shit was kind of crazy the first

0:18:25.560 --> 0:18:27.720
<v Speaker 1>like six or seven months. Man. Yeah, I felt like

0:18:27.760 --> 0:18:31.119
<v Speaker 1>it's all in God's time, And you know, I feel like,

0:18:32.000 --> 0:18:35.359
<v Speaker 1>just who I am, I just always accept that, you

0:18:35.400 --> 0:18:37.399
<v Speaker 1>feel me, what God has with me is for me,

0:18:37.440 --> 0:18:40.320
<v Speaker 1>and what is not is not And you know a

0:18:40.400 --> 0:18:43.199
<v Speaker 1>lot of people will be flushed, frustrated, or flustered by that.

0:18:43.280 --> 0:18:46.720
<v Speaker 1>But I honestly didn't miss out on any sleep. I

0:18:46.760 --> 0:18:50.080
<v Speaker 1>actually got a good chance to be around my family

0:18:50.119 --> 0:18:54.240
<v Speaker 1>and you know, be able to get stronger relationships with

0:18:54.320 --> 0:18:58.639
<v Speaker 1>people that you know actually care about a nigga. So

0:18:59.240 --> 0:19:02.919
<v Speaker 1>that's more important than you feel me being on the

0:19:02.960 --> 0:19:05.240
<v Speaker 1>stage or doing anything. And I love my fans, and

0:19:05.560 --> 0:19:08.399
<v Speaker 1>I've had the luxury of being able to in the

0:19:08.480 --> 0:19:11.639
<v Speaker 1>pandemic and I'm still doing what I love and I

0:19:11.720 --> 0:19:14.240
<v Speaker 1>still I'm still doing what I do. So that's just

0:19:15.160 --> 0:19:18.439
<v Speaker 1>in itself, that's like a blessing fore me. I always

0:19:18.440 --> 0:19:20.080
<v Speaker 1>look at the positives. I don't try to look at

0:19:20.080 --> 0:19:22.440
<v Speaker 1>it like it was a bad thing necessarily because I

0:19:22.520 --> 0:19:24.919
<v Speaker 1>might not have been ready for it. And you feel me,

0:19:25.400 --> 0:19:27.520
<v Speaker 1>you know, that's that's what that could have been. So

0:19:28.119 --> 0:19:29.719
<v Speaker 1>I could have been ready for it. I couldn't. But

0:19:30.480 --> 0:19:33.000
<v Speaker 1>God knew, so he just made my path how he

0:19:33.119 --> 0:19:35.040
<v Speaker 1>make it. Yeah, I feel like a lot of people

0:19:35.640 --> 0:19:38.040
<v Speaker 1>instead of focusing on the positive of any situation, now

0:19:38.040 --> 0:19:40.359
<v Speaker 1>it's let the negative take him out, bro, Like you

0:19:40.400 --> 0:19:42.960
<v Speaker 1>gotta look at the positive in every situation, yeah, bro,

0:19:43.040 --> 0:19:45.040
<v Speaker 1>Because at the end of the day, if you got

0:19:45.040 --> 0:19:47.520
<v Speaker 1>a negative mindset, You're going to track that energy to

0:19:47.640 --> 0:19:51.560
<v Speaker 1>you and that's never good for nobody. Like I always

0:19:51.600 --> 0:19:54.320
<v Speaker 1>tell my young armies, it's just like shit, it's just

0:19:54.359 --> 0:19:56.680
<v Speaker 1>about what you can give to the world. It ain't

0:19:56.680 --> 0:19:58.240
<v Speaker 1>about what the world could give to you. And that's

0:19:58.280 --> 0:20:01.879
<v Speaker 1>game from Nipsey. You feel it's like more so you

0:20:01.960 --> 0:20:04.440
<v Speaker 1>gotta give yo all to this ship. The game don't

0:20:04.480 --> 0:20:07.560
<v Speaker 1>really owe you nothing. Nobody owes you anything. You feel me,

0:20:07.920 --> 0:20:10.439
<v Speaker 1>just just as much as I could be doing it,

0:20:10.480 --> 0:20:12.080
<v Speaker 1>I could not be doing it. So I just take

0:20:12.119 --> 0:20:14.359
<v Speaker 1>my blessings with with with a smile. You feel me?

0:20:14.600 --> 0:20:17.000
<v Speaker 1>Where do you keep the Grammy for racks in the

0:20:17.040 --> 0:20:20.400
<v Speaker 1>middle at the crib words of that my office. That's

0:20:20.400 --> 0:20:24.880
<v Speaker 1>a that's a man. It's a big, big award, and

0:20:24.880 --> 0:20:26.920
<v Speaker 1>that specific award has met so much. I feel like

0:20:26.920 --> 0:20:29.520
<v Speaker 1>the so many people, you know what I'm saying, like

0:20:29.600 --> 0:20:31.840
<v Speaker 1>a shout out to hip Boy. You getting with hip

0:20:31.880 --> 0:20:33.920
<v Speaker 1>Boy at all? And in terms of like just recently,

0:20:33.960 --> 0:20:36.480
<v Speaker 1>like I feel like that record is so iconic. I

0:20:36.480 --> 0:20:39.040
<v Speaker 1>feel like it only be right whatever project that's coming

0:20:39.280 --> 0:20:41.280
<v Speaker 1>you guys gets get one on. I feel like we

0:20:41.320 --> 0:20:43.480
<v Speaker 1>gotta we got a lot of joints, but you feel me.

0:20:43.560 --> 0:20:46.480
<v Speaker 1>It's just about timing and just figuring out what fits

0:20:46.640 --> 0:20:48.800
<v Speaker 1>you feel me. Like honestly, the Racks in the middle

0:20:48.800 --> 0:20:52.080
<v Speaker 1>Ship I did that after I did like six songs

0:20:52.080 --> 0:20:55.600
<v Speaker 1>with Pluto. I did that song and my voice was

0:20:55.600 --> 0:20:59.000
<v Speaker 1>wasn't it wasn't I could I was horse you did

0:20:59.040 --> 0:21:02.760
<v Speaker 1>take songs for the future. Yeah, that night and then

0:21:02.760 --> 0:21:04.680
<v Speaker 1>when I end up doing that one last one because

0:21:05.040 --> 0:21:07.159
<v Speaker 1>I had to get in with hit and could we

0:21:07.280 --> 0:21:10.320
<v Speaker 1>be just going? And after that initial first song, that

0:21:10.359 --> 0:21:11.679
<v Speaker 1>was the first song I deal with him boy, and

0:21:11.720 --> 0:21:14.280
<v Speaker 1>then we kept doing music. And so that's why I

0:21:14.280 --> 0:21:17.399
<v Speaker 1>say it's like timing because with that song, if Nipsey

0:21:17.400 --> 0:21:19.359
<v Speaker 1>wouldn't have picked it, you know, I probably would have

0:21:19.400 --> 0:21:21.440
<v Speaker 1>just been like, all right, that's another one we gotten. Yeah,

0:21:21.600 --> 0:21:24.439
<v Speaker 1>we'll figure it out later. And I mean, honestly, you know,

0:21:24.520 --> 0:21:26.680
<v Speaker 1>it's just about timing with this shit like it ain't.

0:21:27.119 --> 0:21:30.200
<v Speaker 1>It ain't no like with me and Mustard, it ain't

0:21:30.240 --> 0:21:33.239
<v Speaker 1>really no pressure, Like we don't be like, oh, we're

0:21:33.240 --> 0:21:35.080
<v Speaker 1>gonna drop on these niggas and we gonna sell this

0:21:35.200 --> 0:21:37.919
<v Speaker 1>many records, like we've sold down there twenty million records

0:21:37.920 --> 0:21:40.840
<v Speaker 1>together and never been like nigga, we have to sell

0:21:40.840 --> 0:21:43.600
<v Speaker 1>these records. It just happen, just happens organically. Yeah, yell,

0:21:43.600 --> 0:21:46.679
<v Speaker 1>ain't like over overthinking it. That's what happens before overthink shit. Yo,

0:21:47.200 --> 0:21:48.800
<v Speaker 1>we just can't pass over here. Six songs with the

0:21:48.880 --> 0:21:52.720
<v Speaker 1>future in one night. Yeah, this kind of shit happens

0:21:52.760 --> 0:21:54.560
<v Speaker 1>a lot. Or you hear like artists like yo, I

0:21:54.600 --> 0:21:57.159
<v Speaker 1>got twenty five songs with Kanye or some shit. It's like, Yo,

0:21:57.200 --> 0:21:58.760
<v Speaker 1>where are these songs and like where are they at?

0:21:58.840 --> 0:22:02.000
<v Speaker 1>Like like are we ever gonna hear? I mean, I'm

0:22:02.080 --> 0:22:04.200
<v Speaker 1>just I'm the type of guy, bro, I just work

0:22:04.240 --> 0:22:06.920
<v Speaker 1>a lot. Like I work a lot on my way

0:22:06.960 --> 0:22:10.240
<v Speaker 1>to my radio station, interviews and stuff. I'm on the

0:22:10.280 --> 0:22:12.960
<v Speaker 1>cars with you, give me the touring people, and I

0:22:13.160 --> 0:22:16.200
<v Speaker 1>just I'll just be working a lot. Worcoholic. I'm sure.

0:22:16.320 --> 0:22:17.760
<v Speaker 1>I'm sure the live show is going to be crazy

0:22:17.800 --> 0:22:21.440
<v Speaker 1>on this definitely. I remember what's the venue in Hollywood.

0:22:21.440 --> 0:22:23.600
<v Speaker 1>I can't think of the name, but it's the stadium. Yeah, yeah,

0:22:23.600 --> 0:22:26.040
<v Speaker 1>the pladium that Nipsey sold out. I remember going to

0:22:26.080 --> 0:22:27.720
<v Speaker 1>that first show you did and when you put out

0:22:27.720 --> 0:22:32.240
<v Speaker 1>that piano exactly, that was a moment, bro. Yeah, appreciate

0:22:32.320 --> 0:22:35.480
<v Speaker 1>that that was like, I felt like, damn, I remember

0:22:35.480 --> 0:22:37.600
<v Speaker 1>this ship in like twenty five. I remember when Roddy

0:22:37.600 --> 0:22:39.520
<v Speaker 1>sold out the Palladium after Nipsey did it. You know

0:22:39.520 --> 0:22:41.560
<v Speaker 1>what I'm saying. He put out that I remember when

0:22:41.600 --> 0:22:44.320
<v Speaker 1>I did it with nip I actually ran into head

0:22:44.359 --> 0:22:46.359
<v Speaker 1>and he was like, Bro, if I don't hear you

0:22:46.400 --> 0:22:49.159
<v Speaker 1>in the streets, you suck like some ship like that.

0:22:50.040 --> 0:22:54.560
<v Speaker 1>I was ready to loot that shout out to head Man.

0:22:55.600 --> 0:22:57.520
<v Speaker 1>I was ready to live that bigger feet bro. That's

0:22:58.240 --> 0:23:01.159
<v Speaker 1>but he was telling the truth. Like at the end

0:23:01.200 --> 0:23:03.000
<v Speaker 1>of the day. That's how I treat it to now, Like,

0:23:03.440 --> 0:23:04.879
<v Speaker 1>if I don't hear a nigg in the streets, if

0:23:04.920 --> 0:23:07.680
<v Speaker 1>it ain't really buzzing like that, then it ain't making

0:23:07.680 --> 0:23:10.040
<v Speaker 1>no noise. A nigga can believe in some shit as well,

0:23:10.280 --> 0:23:12.560
<v Speaker 1>that's another route. But when you're in that position where

0:23:12.760 --> 0:23:15.040
<v Speaker 1>you could really change a nigga life with the situations

0:23:15.040 --> 0:23:17.000
<v Speaker 1>and the plugs you have, you gotta see if a

0:23:17.040 --> 0:23:20.560
<v Speaker 1>nigga want it or not. You know, that's real. How

0:23:20.600 --> 0:23:22.520
<v Speaker 1>many songs do you think you recorded in the last

0:23:22.520 --> 0:23:25.560
<v Speaker 1>two and a half years? Countless, bro, I can't count, Like,

0:23:25.560 --> 0:23:27.560
<v Speaker 1>if you is it more than five hundred? Is it

0:23:27.640 --> 0:23:30.240
<v Speaker 1>less than two? Of course it's more than five hundred.

0:23:31.320 --> 0:23:32.800
<v Speaker 1>Is it close to it? Is it close to like

0:23:32.880 --> 0:23:37.800
<v Speaker 1>seven point fifty? Over that countless? I'm telling you it's countless.

0:23:37.800 --> 0:23:39.960
<v Speaker 1>I don't want to give a number. And he recorded

0:23:40.520 --> 0:23:43.399
<v Speaker 1>countless because I heard it. Like you know that you

0:23:43.960 --> 0:23:46.160
<v Speaker 1>were just recording a lot, like recording yourself at home,

0:23:46.200 --> 0:23:48.480
<v Speaker 1>and shit, it's a lot, bro. At the end of

0:23:48.520 --> 0:23:50.760
<v Speaker 1>the day, it's like shooting in the gym. I don't

0:23:50.800 --> 0:23:52.760
<v Speaker 1>look at it like how people look at it, like oh,

0:23:52.760 --> 0:23:54.920
<v Speaker 1>it's some money thing, or you gotta put music out

0:23:54.920 --> 0:23:56.680
<v Speaker 1>and all this shit. Bro, This is my lifestyle is

0:23:56.720 --> 0:23:58.840
<v Speaker 1>what I do. My music, bet my therapy. A lot

0:23:58.920 --> 0:24:00.840
<v Speaker 1>of times, you know, to give me a to stop

0:24:00.920 --> 0:24:02.800
<v Speaker 1>thinking about ship, I just lay it on the wax

0:24:02.880 --> 0:24:05.640
<v Speaker 1>and it's cool, Like it's over. I got to think

0:24:05.640 --> 0:24:07.600
<v Speaker 1>about it no more. Somewhere I could listen to how

0:24:07.640 --> 0:24:11.400
<v Speaker 1>I feel. Music is like therapy. Time slots too, where

0:24:11.440 --> 0:24:13.880
<v Speaker 1>you can go back two years and listen to yourself,

0:24:13.880 --> 0:24:15.959
<v Speaker 1>listen to your pitch and where you was at and

0:24:16.119 --> 0:24:18.000
<v Speaker 1>how you was thinking and all that type of sh it.

0:24:18.000 --> 0:24:20.920
<v Speaker 1>It's real. Sometimes when you're recording you feel like you're

0:24:20.920 --> 0:24:23.240
<v Speaker 1>like it's more like a diary for you, Like like, yo,

0:24:23.359 --> 0:24:24.920
<v Speaker 1>this is just like you can say that, Yeah, you

0:24:24.960 --> 0:24:26.879
<v Speaker 1>can say that, Like I like like I might not

0:24:26.880 --> 0:24:28.360
<v Speaker 1>ever put the ship out, but I know it's here,

0:24:28.480 --> 0:24:30.320
<v Speaker 1>Like I can always say that. It's just that. That's

0:24:30.359 --> 0:24:33.040
<v Speaker 1>what I said. It's a lifestyle, bro. It ain't like

0:24:33.119 --> 0:24:35.119
<v Speaker 1>I don't make music to be like I gotta make

0:24:35.160 --> 0:24:37.720
<v Speaker 1>a hit. I gotta bro this ship is a lifestyle

0:24:37.760 --> 0:24:40.200
<v Speaker 1>for me. I just do this ship. Bro. It's like Picasso.

0:24:40.640 --> 0:24:42.600
<v Speaker 1>You ain't paint like all my seal this ship for

0:24:42.960 --> 0:24:44.800
<v Speaker 1>I know he's just painting because he loves it. It's

0:24:44.800 --> 0:24:47.080
<v Speaker 1>a lifestyle. Do you engineer yourself at the Crip? I

0:24:47.119 --> 0:24:50.560
<v Speaker 1>can can what's the home setup? Is it just like

0:24:50.600 --> 0:24:55.320
<v Speaker 1>a uh m box or the what's the what's the

0:24:55.320 --> 0:24:57.360
<v Speaker 1>what's the fucking thing with the wheel? The Apollo with Chris.

0:24:57.440 --> 0:25:00.760
<v Speaker 1>I have to tell you engineer. Shout out to Chrissy. Yeah, yeah,

0:25:00.760 --> 0:25:02.200
<v Speaker 1>I have to tell you because it done got so

0:25:02.440 --> 0:25:05.360
<v Speaker 1>tedious at this point, Like it ain't like we down

0:25:05.440 --> 0:25:08.280
<v Speaker 1>there fly with a box of you just have the

0:25:08.320 --> 0:25:10.680
<v Speaker 1>studio in the box. Yeah, we have a box. And

0:25:10.760 --> 0:25:13.160
<v Speaker 1>then so you could do the hotel. You can do whatever. Yeah,

0:25:13.200 --> 0:25:16.159
<v Speaker 1>we got the whole set up, and then we record

0:25:16.240 --> 0:25:19.719
<v Speaker 1>on the mic and it's cool. I record outside, Bro,

0:25:19.760 --> 0:25:22.119
<v Speaker 1>I telling all the time, but I recorded a dumpster. Bro,

0:25:22.400 --> 0:25:24.600
<v Speaker 1>it's the C eight hundred, like your go to vocal mic.

0:25:25.720 --> 0:25:30.000
<v Speaker 1>I go through, you know, I be here and there

0:25:30.240 --> 0:25:32.199
<v Speaker 1>whenever I want to hear my voice a little different.

0:25:32.280 --> 0:25:35.919
<v Speaker 1>I just trying to figure out different different different vibes

0:25:35.920 --> 0:25:39.880
<v Speaker 1>and see how certain white mics is warmer, certain shit sharper.

0:25:39.920 --> 0:25:42.000
<v Speaker 1>So I just be playing with shit, Bro, I just

0:25:42.040 --> 0:25:43.920
<v Speaker 1>be trying to figure it out myself. It's just it's

0:25:43.960 --> 0:25:46.639
<v Speaker 1>all the art. It ain't no specific way to do

0:25:46.720 --> 0:25:51.480
<v Speaker 1>this ship, you know, I do we know, like, do

0:25:51.480 --> 0:25:57.760
<v Speaker 1>we have any idea, any plans in terms of an album,

0:25:57.800 --> 0:26:01.479
<v Speaker 1>another album? All these albums at this point, Bro, Like

0:26:02.359 --> 0:26:06.840
<v Speaker 1>it's all albums. It's all music. Stream it's just all albums.

0:26:07.359 --> 0:26:10.960
<v Speaker 1>I'm not a like it's mixtapes here or whatever. It's mixtapes,

0:26:11.000 --> 0:26:14.120
<v Speaker 1>albums is streams, it's whatever. We just put it out

0:26:14.160 --> 0:26:16.520
<v Speaker 1>and I hope the fans love it more than anything.

0:26:16.600 --> 0:26:19.840
<v Speaker 1>That's really my focus in make sure the project is cohesive.

0:26:20.000 --> 0:26:22.639
<v Speaker 1>You feel me, just whatever it is, I just because

0:26:22.680 --> 0:26:24.639
<v Speaker 1>even from Feed the Streets the first one, it is

0:26:24.720 --> 0:26:27.879
<v Speaker 1>like just making sure it's it's a body and it

0:26:27.880 --> 0:26:30.440
<v Speaker 1>ain't just the head over here, of the leg over there,

0:26:30.520 --> 0:26:33.960
<v Speaker 1>the motherfucking foot over there, at the elbow over there,

0:26:34.040 --> 0:26:36.200
<v Speaker 1>is like they gotta make sure that shit is cohesive

0:26:36.240 --> 0:26:40.359
<v Speaker 1>and together. Of course, man, and I feel like you

0:26:40.440 --> 0:26:42.400
<v Speaker 1>got plaques off each of the tapes, right, the first

0:26:42.440 --> 0:26:46.160
<v Speaker 1>two tapes. I don't Feed the Streets too. Yeah, that's

0:26:46.200 --> 0:26:49.240
<v Speaker 1>the one I got. I started getting on that one

0:26:50.160 --> 0:26:53.399
<v Speaker 1>album and we gotta late that night on the last one.

0:26:53.440 --> 0:26:56.159
<v Speaker 1>Lot of I mean, every every project, I do my

0:26:56.240 --> 0:26:59.119
<v Speaker 1>best to give them some good music. Are you fully

0:26:59.359 --> 0:27:02.439
<v Speaker 1>aware of how much of a classic album? Please excuse

0:27:02.480 --> 0:27:04.840
<v Speaker 1>me for being antisocialist, Like, are you aware of like

0:27:04.920 --> 0:27:07.760
<v Speaker 1>how almost like goddamn perfect that project was? Like or

0:27:08.440 --> 0:27:10.280
<v Speaker 1>is it just for you? It's like, hey, dude, what

0:27:10.280 --> 0:27:14.720
<v Speaker 1>it was supposed to do onto the next Yeah, that's

0:27:14.760 --> 0:27:16.720
<v Speaker 1>how I look at it. I feel like, shit, it's

0:27:16.800 --> 0:27:20.040
<v Speaker 1>just what it is. It ain't know, you know, it's

0:27:20.080 --> 0:27:22.440
<v Speaker 1>glory in it. I love it. It's a great album.

0:27:22.720 --> 0:27:25.159
<v Speaker 1>I can still listen to it to this day, and

0:27:25.200 --> 0:27:27.119
<v Speaker 1>that's what the music is really about. I feel like

0:27:27.160 --> 0:27:29.080
<v Speaker 1>that's what all your projects. You should strive for all

0:27:29.080 --> 0:27:31.600
<v Speaker 1>your projects to be that, Like, can I still listen

0:27:31.640 --> 0:27:34.640
<v Speaker 1>to this album year after year and time at the time.

0:27:34.880 --> 0:27:38.040
<v Speaker 1>That's what we shoot for. Yeah, I feel like I

0:27:38.080 --> 0:27:42.959
<v Speaker 1>haven't seen a project Carrie for as long as that

0:27:43.000 --> 0:27:44.679
<v Speaker 1>album did. I feel like it felt like it was

0:27:44.720 --> 0:27:46.639
<v Speaker 1>like a two year run. Like we was man here

0:27:46.680 --> 0:27:49.600
<v Speaker 1>at the radio station. We was playing God, Damn the

0:27:49.640 --> 0:27:52.640
<v Speaker 1>Box and high Fashion and power Rotation Damn near two

0:27:52.720 --> 0:27:55.040
<v Speaker 1>years after the fucking Balland I know Balan is on

0:27:55.080 --> 0:27:57.840
<v Speaker 1>that album, but Ballin still is in Power Rotation like

0:27:57.880 --> 0:27:59.840
<v Speaker 1>every three weeks here at Real ninety two three. It's

0:27:59.840 --> 0:28:02.600
<v Speaker 1>like it's crazy, bro, Like like your record's research in

0:28:02.600 --> 0:28:04.920
<v Speaker 1>a way that is like not normal to like a

0:28:05.040 --> 0:28:08.760
<v Speaker 1>radio audience. It's fu far, It's it's it's special, man,

0:28:08.920 --> 0:28:12.679
<v Speaker 1>that's far. I appreciate all the people listening, and you know,

0:28:12.760 --> 0:28:14.800
<v Speaker 1>y'all hold me down with this ship, you know, I'm sure.

0:28:14.840 --> 0:28:18.359
<v Speaker 1>So I appreciate everybody that's involved with that. And like

0:28:18.440 --> 0:28:20.520
<v Speaker 1>I said, bro, I just make the music that I

0:28:20.600 --> 0:28:22.440
<v Speaker 1>want to hear a lot of the time. So that's

0:28:22.440 --> 0:28:25.399
<v Speaker 1>why sometimes it changed and we go through our different

0:28:25.400 --> 0:28:28.600
<v Speaker 1>phases in life and shit and it's cool, Like you know,

0:28:28.840 --> 0:28:31.560
<v Speaker 1>that's it's a lifestyle. That's why I pushing like more

0:28:31.600 --> 0:28:34.040
<v Speaker 1>of a lifestyle for me. It's not I'm trying to

0:28:34.040 --> 0:28:36.440
<v Speaker 1>make this song be this like. That's why I feel

0:28:36.520 --> 0:28:39.440
<v Speaker 1>like my music is separated from a lot of other

0:28:39.440 --> 0:28:44.400
<v Speaker 1>people because I just make it based on where I'm at. Uh.

0:28:44.440 --> 0:28:48.040
<v Speaker 1>You kicked off the second album sampling the Kanye shit,

0:28:48.200 --> 0:28:51.440
<v Speaker 1>which was cinematic as fuck. Yeah, great way to kick

0:28:51.480 --> 0:28:54.200
<v Speaker 1>that projector that shit was yes you gave me. I

0:28:54.240 --> 0:28:57.080
<v Speaker 1>was like, oh man, that shit had me fucking I

0:28:57.080 --> 0:28:58.760
<v Speaker 1>remember I went and watched the new Spider Man movie

0:28:58.800 --> 0:29:01.480
<v Speaker 1>because it came out. You remember the news your album

0:29:01.960 --> 0:29:03.840
<v Speaker 1>I got out from Spider Man. I threw that bitch on.

0:29:03.920 --> 0:29:07.719
<v Speaker 1>I was like, whoa, yeah, did you like get your

0:29:07.920 --> 0:29:10.040
<v Speaker 1>I mean, obviously you and Kanye have had a very

0:29:10.080 --> 0:29:13.320
<v Speaker 1>well documented friendship over the last couple of years, like

0:29:13.400 --> 0:29:17.640
<v Speaker 1>you being on Donda, But was that something that you

0:29:17.760 --> 0:29:20.400
<v Speaker 1>like played for him let him know, Like, hey, you know,

0:29:20.480 --> 0:29:22.880
<v Speaker 1>I kind of brought this joint back. I had told

0:29:22.960 --> 0:29:25.640
<v Speaker 1>him the idea, but I feel like in that time

0:29:25.640 --> 0:29:27.840
<v Speaker 1>and space, I didn't get the when I got it

0:29:27.880 --> 0:29:29.520
<v Speaker 1>fully done, I didn't get the chance to play it

0:29:29.560 --> 0:29:33.080
<v Speaker 1>for him fully done. Rick Ross somehow he's in my

0:29:33.120 --> 0:29:35.520
<v Speaker 1>top ten, but he's some somehow underrated still. I don't

0:29:35.560 --> 0:29:36.720
<v Speaker 1>know how it is when we think of like all

0:29:36.760 --> 0:29:38.800
<v Speaker 1>time greats. I feel like not enough people say his

0:29:38.840 --> 0:29:43.720
<v Speaker 1>fucking name. Yeah, like Ross. If it wasn't for Ross,

0:29:43.720 --> 0:29:46.000
<v Speaker 1>you know it just I felt like he held the

0:29:46.040 --> 0:29:49.120
<v Speaker 1>streets down for a good minute, and you feel me,

0:29:49.200 --> 0:29:51.880
<v Speaker 1>It's just like that was his vibe and he was

0:29:52.000 --> 0:29:55.000
<v Speaker 1>just different and Maybak music shit like That's why I

0:29:55.040 --> 0:29:58.680
<v Speaker 1>bought my mayback seeing Nip half his Mayback and Rick

0:29:58.760 --> 0:30:01.680
<v Speaker 1>Ross making the Maybag music. When I was young, before

0:30:01.880 --> 0:30:04.560
<v Speaker 1>Nip had the Maybag it was like when he did

0:30:04.560 --> 0:30:07.240
<v Speaker 1>in maybag music, it was more so like what is

0:30:07.280 --> 0:30:10.880
<v Speaker 1>a maybag? What is that? Yo? That run? When he

0:30:10.920 --> 0:30:14.760
<v Speaker 1>had obviously there's like deeper than rap. But then Teflon

0:30:14.920 --> 0:30:17.840
<v Speaker 1>Dawn and the MMG project self made one and two

0:30:18.440 --> 0:30:21.160
<v Speaker 1>fuck and shout out to Gunplay, who's also underrated. Gunplays

0:30:21.160 --> 0:30:23.880
<v Speaker 1>a fucking beast man, Roddy. I want to say, Bro,

0:30:25.120 --> 0:30:30.080
<v Speaker 1>you could ask anybody your close circle, bird whoever Dallas,

0:30:30.200 --> 0:30:33.760
<v Speaker 1>I talked to everybody about you, and I want to

0:30:33.800 --> 0:30:37.320
<v Speaker 1>say to you, Bro, that you are a special human being. Bro,

0:30:37.400 --> 0:30:40.640
<v Speaker 1>your artistry is crazy, and I always tell people it's

0:30:40.760 --> 0:30:43.280
<v Speaker 1>very I feel like it's almost impossible for you to

0:30:43.280 --> 0:30:45.800
<v Speaker 1>make a bad record, and there's not a lot of

0:30:45.800 --> 0:30:49.200
<v Speaker 1>people who are who I feel that way about. I

0:30:49.200 --> 0:30:50.800
<v Speaker 1>feel like post Malone is one of those guys. I

0:30:50.800 --> 0:30:53.560
<v Speaker 1>just feel like your tone, your melodies, and like I

0:30:53.600 --> 0:30:55.880
<v Speaker 1>want you to know, Bro, fuck with people think because

0:30:55.920 --> 0:30:57.040
<v Speaker 1>I know there was a point in time where you

0:30:57.080 --> 0:30:59.160
<v Speaker 1>like de leaded the Gram and you kind of off

0:30:59.160 --> 0:31:02.520
<v Speaker 1>social media, and you know, I don't know whatever reasoning

0:31:02.560 --> 0:31:05.640
<v Speaker 1>you had, but like, man, listen, Bro, keep doing you. Bro,

0:31:05.920 --> 0:31:08.160
<v Speaker 1>I appreciate that. You know what I'm saying. Yeah, yes, Sir,

0:31:08.240 --> 0:31:10.440
<v Speaker 1>Roddy Rich Bootleg keV. There it is.