WEBVTT - Glee Co-creator Ian Brennan Part 2

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<v Speaker 1>And That's what you Really missed with Jenna and Kevin

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<v Speaker 1>an iHeartRadio podcast.

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<v Speaker 2>Welcome to and That's what You Really miss podcasts. Ian's

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<v Speaker 2>back Part two.

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<v Speaker 1>Baby, we got.

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<v Speaker 3>A part two. Ian is here again. We have more.

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<v Speaker 2>Last week if you didn't listen, we talked all about

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<v Speaker 2>season five, season going into season six, and now we're

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<v Speaker 2>here about to dive into the heart Locker. So let's

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<v Speaker 2>talk about the hert Locker. The heart Locker is completely unhinged, Dan,

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<v Speaker 2>it is beyond unhinged, especially part one, Part one is insanity.

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<v Speaker 2>But then you have Sue on the saw Sue what

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<v Speaker 2>do they call her? Jason Jason on like a flywheeler

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<v Speaker 2>tricycle coming into an elevator.

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<v Speaker 1>It's it's it's on.

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<v Speaker 4>The premise of that she really wants she really ships

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<v Speaker 4>them hard.

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<v Speaker 3>And she wants them to get back together.

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<v Speaker 4>Yeah, yeah, no sense, there's no, it's not there's not

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<v Speaker 4>even it's not even in the water of what she

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<v Speaker 4>cares about. Yes, or like, it's very it's very, very unhinged.

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<v Speaker 1>Do you remember where this came from?

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<v Speaker 4>Like, I think the idea of a jig Sue, the

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<v Speaker 4>film The hurt Locker had come out, although that's only

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<v Speaker 4>even like tangentially related.

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<v Speaker 1>To it totally.

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<v Speaker 4>You know, my buddy Lee created Saw, so I've always

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<v Speaker 4>been like severe, like I always Saw. I didn't know

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<v Speaker 4>that and Ellen James wand they like made it. It's

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<v Speaker 4>like how they like it the most successful, most successful

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<v Speaker 4>film franchise of all time based on what they spent

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<v Speaker 4>early on and then like how eleven movies. It invented

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<v Speaker 4>a whole like genre. It's wild but so so uh

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<v Speaker 4>he was like fun fact, Yeah, I just like I don't.

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<v Speaker 4>I think it was one of those hair brain like

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<v Speaker 4>ideas that Ryan had. Was just like I think she

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<v Speaker 4>did really want I want uh, Kurt and Blaine to

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<v Speaker 4>be together, and she's gonna try to force them to

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<v Speaker 4>like that. That was as much of a premise as

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<v Speaker 4>like I would need, and with like a character as

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<v Speaker 4>like funny as that, and an and an actor who

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<v Speaker 4>could just sell anything.

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<v Speaker 1>Yes, that's all.

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<v Speaker 4>I remember. What else happens? What's is there? B story?

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<v Speaker 1>Oh there's Sam's getting hypnotized by two.

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<v Speaker 4>Hilarious right, like a mentorian candidate type thing.

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<v Speaker 1>Yes, to mess up clan and to mess with Rachel

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<v Speaker 1>so she can get all the Glee club broken up. Again. Yeah, yeah, yeah,

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<v Speaker 1>it's like club.

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<v Speaker 4>Yeah, and to return to form, it's just like pinking

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<v Speaker 4>the brain again. It's sort of like I take the club.

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<v Speaker 4>That's just like what she's that's so funny that that

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<v Speaker 4>was like. But yeah, then I just remember basically like

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<v Speaker 4>the production value of it was just very It was

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<v Speaker 4>just fun. Everybody just laughed the whole time, maybe because

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<v Speaker 4>like it was almost like we were doing like you

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<v Speaker 4>know how the Simpsons do those Halloween episodes where you

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<v Speaker 4>bracket off the world and you're like, this is just

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<v Speaker 4>fun and they're short and they don't really exist. I

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<v Speaker 4>think that was like that's the sort of fun we

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<v Speaker 4>were sort of having with that whole season. But I

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<v Speaker 4>think it's really the only episode I remember. Remember those

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<v Speaker 4>two from like from season six, the weird like kiss It.

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<v Speaker 4>She has a whole she's a false wall and a

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<v Speaker 4>storage unit.

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<v Speaker 2>Yes, yeah, so she opens up the storage unit. She

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<v Speaker 2>takes Becky in la car and then there's.

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<v Speaker 1>All of us on like a murder board like.

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<v Speaker 2>Jarn, and then behind that wall is like a kissing

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<v Speaker 2>booth like shrine to Clan.

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<v Speaker 3>And then later in part two, like.

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<v Speaker 2>She she videos them secretly and like spies them, and

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<v Speaker 2>like Becky's like, how did you get this?

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<v Speaker 3>She's like, shut up, Becky, you're ruining this moment for me.

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<v Speaker 1>Because it's a full like come what may the dream sequence?

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<v Speaker 1>And Becky's like, this looks like a dream sequence. How

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<v Speaker 1>did you shut up?

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<v Speaker 2>Becky? It's crazy, it's really over the time. It's campy

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<v Speaker 2>and like in a way that's like the boys see

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<v Speaker 2>the elevator and the new elevator to the auditorium and

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<v Speaker 2>they just like willingly get.

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<v Speaker 1>In it as come.

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<v Speaker 3>From when in the elevator and like it's.

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<v Speaker 1>Just there's a bathroom in the elevator.

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<v Speaker 4>But they like then she's trapped in there.

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<v Speaker 1>Yeah, yes, and they're trapped in there with Jigsaw too.

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<v Speaker 1>I do wonder, I wonder if you remember. I also

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<v Speaker 1>think there's something about when like you, Brad or Ryan

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<v Speaker 1>were directing, there's like a certain freedom for like us,

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<v Speaker 1>yes do this, Yes you could like just play a

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<v Speaker 1>bit more with all of us and change things and

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<v Speaker 1>seeing like Jane and Chord together like during those hypnotizing scenes.

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<v Speaker 1>And also I think Coord is so underrated as a

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<v Speaker 1>comedic actor. I think he's brilliant. Yeah, and and the

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<v Speaker 1>he and Jane were doing with the hypnotizer. I'm like,

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<v Speaker 1>not everybody can sell that, Yeah, and they were selling

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<v Speaker 1>it over and over and over again. And you have

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<v Speaker 1>like the board like you know, like the spiraling hypnotizing

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<v Speaker 1>thing going out behind them, Like do you remember actually

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<v Speaker 1>like working with them like during that process, and we

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<v Speaker 1>were both.

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<v Speaker 4>Good enough that they yeah, you would. I think we

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<v Speaker 4>were just like yeah, I think we were playing so

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<v Speaker 4>fast and loose at that point. It was just like

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<v Speaker 4>any sort of best idea. One if somebody could come

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<v Speaker 4>up with a line or a funnier bid or just

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<v Speaker 4>said thing or just as some as you just keep

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<v Speaker 4>rolling you just don't call cut right, just I just

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<v Speaker 4>will you guys would all do something.

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<v Speaker 1>You could do that, though not every director had that power.

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<v Speaker 4>No, ye, totally, totally. No. It was nice to be

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<v Speaker 4>like this line doesn't work like it was. It was

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<v Speaker 4>really fun and to be like nobody's gonna fire me

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<v Speaker 4>so like it was. You did have that like extra freedom. Yeah,

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<v Speaker 4>it was like almost like that what we're describing is

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<v Speaker 4>like what I if I And again I don't think

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<v Speaker 4>it would have been a better show, But that was

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<v Speaker 4>always like what my conception of the show was. I

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<v Speaker 4>always wanted to be more that and less soap because

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<v Speaker 4>I didn't care about that. I didn't care about like

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<v Speaker 4>are they to get which is which is bad because

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<v Speaker 4>you want things that are funny to have heart, so

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<v Speaker 4>you eat something like that. But I was like, I

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<v Speaker 4>think I would have left my own devices. The show

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<v Speaker 4>would have feared much quicker into that kind of a

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<v Speaker 4>world where it was just sort of overtly funny. And

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<v Speaker 4>I think I was always pushing that even from the beginning.

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<v Speaker 4>There's even lines that I wrote in like the there's

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<v Speaker 4>a line in the pilot for the second episode when

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<v Speaker 4>like Terry's having a hysterical pregnancy and and then it

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<v Speaker 4>turns out but we wanted to be the joke like, no,

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<v Speaker 4>you're not pregnant. You've just been like eating a lot,

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<v Speaker 4>that's why, and you have hysterical pregnancy. He's like, yeah, yeah,

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<v Speaker 4>look at your sonogram, like like in your stomach there's

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<v Speaker 4>a chicken wing. You must have swallowed a hole, which

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<v Speaker 4>is a great joke, but it's like that's what, that's

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<v Speaker 4>not real, right in the fact that you I was like, Oh,

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<v Speaker 4>that's the but that's always the thing I would and

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<v Speaker 4>then like yeah, oh, that's like the line I would cut.

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<v Speaker 4>That's like a not work. That's a different show. And so, like,

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<v Speaker 4>I think what was so fun about six for me

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<v Speaker 4>was it was sort of at that point it was like, oh,

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<v Speaker 4>this is the show I wanted to do the whole time. Wow,

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<v Speaker 4>its like kind of dumb because like show choir is

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<v Speaker 4>kind of dumb, and it's and there weren't any You're

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<v Speaker 4>not really shipping anybody seriously at that point, everybody everybody,

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<v Speaker 4>So even the relationships could be could be like, uh

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<v Speaker 4>like grounds for jokes, right, like you're constantly undercutting. So again,

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<v Speaker 4>this would be like not as successful as show. It

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<v Speaker 4>would have gone for like one season and then would

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<v Speaker 4>have been like, well that's it was like a that

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<v Speaker 4>show got really weird. That's what's so funny is that

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<v Speaker 4>it find that we were finally able to just like

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<v Speaker 4>get weird and somehow clearly like also I think True

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<v Speaker 4>Detective was happening. Then that had to have been what

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<v Speaker 4>the what the the Yes, all your photos on a boat,

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<v Speaker 4>like there's all these weird inputs at the time. Yeah,

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<v Speaker 4>we're just really anyway, that's very funny. So yeah, and

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<v Speaker 4>then right, and then a weird bathroom in.

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<v Speaker 1>The yes, there was a bathroom in the elevator. And

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<v Speaker 1>also there's something about how everybody's I don't know what

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<v Speaker 1>how everybody's performing in the episodes, Like I'm just thinking

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<v Speaker 1>about like Chris noticing the bathroom where there's like a

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<v Speaker 1>because I think maybe what you're saying is like you're

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<v Speaker 1>like throwing everything at the wall, like you're just having fun,

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<v Speaker 1>and everybody is like playing it more grounded. Yes, and

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<v Speaker 1>so everything works because there's some episodes before where I think,

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<v Speaker 1>depending on who's directing it, the acting sort of is

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<v Speaker 1>encouraged to go too far into what that that may

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<v Speaker 1>be crazy.

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<v Speaker 4>Yeah, the more absurd a situation, the better ground. I

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<v Speaker 4>remember asking you guys a lot to be like I

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<v Speaker 4>would ask you guys to smell the fart a lot. Yes,

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<v Speaker 4>just clocking like that's weird, that doesn't seem right, and

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<v Speaker 4>that's all. That's as much as you want. Like then

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<v Speaker 4>it to me that I like, the situation is weird,

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<v Speaker 4>but we're watching the characters have to live in the

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<v Speaker 4>situation rather than everything just going off to even though

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<v Speaker 4>off to Mars it certainly goes, but there's sure for me,

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<v Speaker 4>there's some difference. One is one version of that is

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<v Speaker 4>really funny and the other is like unbearably bad.

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<v Speaker 1>Yes, absolutely, and that's a fine fine line to walk.

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<v Speaker 1>You did you directed her Lucker Part one? Babs did

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<v Speaker 1>part two, which I thought was funny, but also somebody

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<v Speaker 1>who knows the show so incredibly well, Yes, and to

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<v Speaker 1>pull those storylines off, I think you need that.

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<v Speaker 4>Yeah, it's so funny. What happens in the second part.

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<v Speaker 2>The second part is the elevator Elevator Okay, okay, the

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<v Speaker 2>first part is the Discovery. Yes, but is the first

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<v Speaker 2>one where she does a thousand miles yes on the

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<v Speaker 2>piano you have to know, like, but it's just like.

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<v Speaker 4>That was really good. Those are things about the show

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<v Speaker 4>is you're app times are just recreating music videos, which

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<v Speaker 4>is uh fun and not as hard as you would

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<v Speaker 4>think because, uh, these goods don't always have like an

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<v Speaker 4>enormous budget. They're doing things that are usually practical and

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<v Speaker 4>you can mimic them.

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<v Speaker 2>Oh and bitch, which was so weird. And when she

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<v Speaker 2>comes out in the file cabinet and she's her comes

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<v Speaker 2>out of the like when that bitch started happening, I

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<v Speaker 2>was like, oh, okay, I know where we are now.

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<v Speaker 1>It it clicked in for me.

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<v Speaker 2>The second part was also when they go and they

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<v Speaker 2>find suits emotionally what do they call it, like the emotionally.

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<v Speaker 1>Emotional triggering playst.

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<v Speaker 2>Triggering playliss and it must have been love father figure

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<v Speaker 2>and all out of love and they perform all of them,

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<v Speaker 2>and she grew.

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<v Speaker 1>An invitational and so then Warbler's new directions with like

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<v Speaker 1>three members and vocal Ajorenaline all have to perform, and

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<v Speaker 1>she changes the rules after one of them has already gone. Yeah,

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<v Speaker 1>because hert locker part one ends after vocal Adorenalins performed,

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<v Speaker 1>and then we go to yes and then the top

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<v Speaker 1>of to the rules change, it's Warblers the new Drag.

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<v Speaker 4>It sounds like you're describing a dream that you had,

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<v Speaker 4>which is what's so fun about it. I mean, even

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<v Speaker 4>though I hate nobody, nothing's worse than hearing somebody talk

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<v Speaker 4>about their dream. Like, it's so funny that that that's

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<v Speaker 4>exactly like what it just it's like all kind of

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<v Speaker 4>logic is out the window.

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<v Speaker 1>And then Sam and Rachel like a form of budding romance. Yeah,

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<v Speaker 1>that happens as well during that, which is crazy is.

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<v Speaker 4>That the first time that happened. I'm surprised that it

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<v Speaker 4>took us that long.

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<v Speaker 2>Yeah, yeah, it is the first time it is and

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<v Speaker 2>it works.

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<v Speaker 1>That's some things like you were saying, like if you

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<v Speaker 1>were left to your own devices, it would have just

0:12:53.880 --> 0:12:56.520
<v Speaker 1>been let's say, like hurt Locker Part one all the time.

0:12:57.600 --> 0:13:01.120
<v Speaker 4>Yeah kind of, but that would be my it would

0:13:01.120 --> 0:13:02.800
<v Speaker 4>be my my reflex. Yeah.

0:13:02.880 --> 0:13:06.520
<v Speaker 1>But in amidst all that, there still is always like

0:13:06.559 --> 0:13:08.559
<v Speaker 1>there's this nice even though it starts out as a

0:13:08.640 --> 0:13:11.000
<v Speaker 1>joke between Rachel and Sam, they have like a really

0:13:11.080 --> 0:13:14.680
<v Speaker 1>sweet budding romance. And then like right after this we

0:13:14.720 --> 0:13:17.920
<v Speaker 1>go into the transitioning episode, you have like one of

0:13:17.960 --> 0:13:23.440
<v Speaker 1>the best things ever with three people on stage singing.

0:13:24.400 --> 0:13:26.840
<v Speaker 1>So it's like you still managed to and also that

0:13:26.840 --> 0:13:30.160
<v Speaker 1>episode has craziness in it as well, but like you are.

0:13:31.960 --> 0:13:36.120
<v Speaker 4>Guit artist. No, it was like that. It was we

0:13:36.160 --> 0:13:37.720
<v Speaker 4>did it. I mean it was so interesting. It was

0:13:37.720 --> 0:13:40.280
<v Speaker 4>so prescient and not prescient, but like a bit ahead

0:13:40.320 --> 0:13:43.960
<v Speaker 4>of the cultural moment where we did like a bathroom episode.

0:13:44.840 --> 0:13:48.360
<v Speaker 1>I think that's yes, we did that already, Yes, already,

0:13:48.520 --> 0:13:51.079
<v Speaker 1>yeah we did with Alex Knowle with.

0:13:52.720 --> 0:13:52.960
<v Speaker 4>Yes.

0:13:53.360 --> 0:13:56.000
<v Speaker 1>Yes, it has felt.

0:13:55.920 --> 0:14:01.240
<v Speaker 4>Question marks on it, and then it.

0:13:59.360 --> 0:14:03.280
<v Speaker 1>Has felt very strange watching this now I'll.

0:14:03.120 --> 0:14:05.720
<v Speaker 4>Bet well it was like this is for that moment.

0:14:05.760 --> 0:14:07.760
<v Speaker 4>I mean it was at the sort of like beginning

0:14:07.760 --> 0:14:11.679
<v Speaker 4>of that moment. I remember doing for the trans choir

0:14:11.800 --> 0:14:14.959
<v Speaker 4>stuff like a lot of research. It was like just

0:14:15.000 --> 0:14:18.520
<v Speaker 4>like oh, what is what is this movement? And even

0:14:18.559 --> 0:14:21.000
<v Speaker 4>what is it to be transgendered? It was really interesting

0:14:21.000 --> 0:14:24.440
<v Speaker 4>and that for that been not like we were ahead

0:14:24.480 --> 0:14:27.560
<v Speaker 4>of any time. We were ahead of I think generally like.

0:14:27.200 --> 0:14:30.200
<v Speaker 1>We're not culturally, we were ahead of the movement.

0:14:30.000 --> 0:14:33.440
<v Speaker 4>Sort of like like really being culturally front and center

0:14:33.520 --> 0:14:34.040
<v Speaker 4>for about.

0:14:33.920 --> 0:14:37.280
<v Speaker 1>Hours for sure. But I when has a three hundred

0:14:37.520 --> 0:14:40.040
<v Speaker 1>transperson choir been on TV?

0:14:41.160 --> 0:14:41.360
<v Speaker 3>Yeah?

0:14:42.080 --> 0:14:42.800
<v Speaker 4>Before since?

0:14:43.400 --> 0:14:44.360
<v Speaker 1>Yeah?

0:14:44.440 --> 0:14:45.880
<v Speaker 4>Yeah, that's so funny.

0:14:46.120 --> 0:14:47.920
<v Speaker 2>No, I know, it's crazy. And Rachel moves out of

0:14:47.960 --> 0:14:52.600
<v Speaker 2>her family home like the Dutch house and you guys

0:14:52.600 --> 0:14:54.920
<v Speaker 2>do the party in the basement where you all sing

0:14:54.960 --> 0:14:55.720
<v Speaker 2>your songs.

0:14:56.040 --> 0:14:58.920
<v Speaker 1>Yeah, but she just comes back. She during the first

0:14:58.960 --> 0:15:01.160
<v Speaker 1>episode back from s at six. That's another thing. It's

0:15:01.200 --> 0:15:03.360
<v Speaker 1>just like throw it in there, like, oh yeah, gay

0:15:03.440 --> 0:15:10.440
<v Speaker 1>dads are getting divorced or selling the house. What so funny.

0:15:10.920 --> 0:15:17.480
<v Speaker 3>It's a really interesting season and you just put like

0:15:17.960 --> 0:15:24.960
<v Speaker 3>a real finger on it. For me, what was it like.

0:15:23.280 --> 0:15:26.240
<v Speaker 2>Like wrapping it up and doing like two thousand and

0:15:26.320 --> 0:15:31.000
<v Speaker 2>nine and the final episode, like writing those.

0:15:33.280 --> 0:15:38.200
<v Speaker 4>I don't remember the final episode. I have to be

0:15:38.200 --> 0:15:39.080
<v Speaker 4>reminded of what it is.

0:15:39.160 --> 0:15:41.920
<v Speaker 2>It's that's not what I Dreams do come true, dreams

0:15:41.920 --> 0:15:44.000
<v Speaker 2>come true, dreams come true.

0:15:44.360 --> 0:15:46.640
<v Speaker 4>I remember the I remember the production of it. I

0:15:46.680 --> 0:15:49.760
<v Speaker 4>remember the shooting days. I remember the sets being torn down.

0:15:50.080 --> 0:15:55.440
<v Speaker 4>Oh god, I remember that that auditorium set being torn down.

0:15:55.600 --> 0:15:58.760
<v Speaker 4>It was all much more like you guys and yes

0:15:59.120 --> 0:16:02.040
<v Speaker 4>and the production rather than like writing I have no idea.

0:16:02.160 --> 0:16:03.760
<v Speaker 4>I was going to ask you guys, like how did

0:16:03.800 --> 0:16:04.360
<v Speaker 4>we end up?

0:16:04.640 --> 0:16:06.960
<v Speaker 2>Well two thousand and nine, we flashed back to the pilot, right,

0:16:07.000 --> 0:16:10.240
<v Speaker 2>we do all the like scenes we didn't see the

0:16:10.240 --> 0:16:12.120
<v Speaker 2>pilot right, which I loved.

0:16:12.360 --> 0:16:13.280
<v Speaker 4>Oh that's a good idea.

0:16:13.560 --> 0:16:13.840
<v Speaker 1>Yeah.

0:16:14.520 --> 0:16:16.320
<v Speaker 2>I think it was like which one was going to

0:16:16.400 --> 0:16:18.480
<v Speaker 2>go first or second, like two thousand and nine, and

0:16:18.520 --> 0:16:23.040
<v Speaker 2>then dreams come true, and then dreams come true. We

0:16:23.040 --> 0:16:25.480
<v Speaker 2>fast forward to where everybody is so like Rachel wins

0:16:25.480 --> 0:16:29.000
<v Speaker 2>to Tony, she's pregnant already in TEENA end up together.

0:16:30.040 --> 0:16:32.360
<v Speaker 1>Every reason New York, like a lot of people are

0:16:32.360 --> 0:16:32.800
<v Speaker 1>in New York.

0:16:33.600 --> 0:16:34.600
<v Speaker 3>I love those two.

0:16:34.680 --> 0:16:36.440
<v Speaker 4>By the way, again, this is like, this is not

0:16:37.560 --> 0:16:40.560
<v Speaker 4>This is the whole point of show choirs that like,

0:16:40.680 --> 0:16:43.800
<v Speaker 4>it doesn't. Why it's always been funny to me is

0:16:43.800 --> 0:16:47.600
<v Speaker 4>that it doesn't end up in like you don't like.

0:16:47.640 --> 0:16:51.320
<v Speaker 4>That's what's interesting about That's why it's that's that's the

0:16:51.360 --> 0:16:54.880
<v Speaker 4>thing I'm talking about, is that like it's it's about

0:16:55.040 --> 0:16:59.320
<v Speaker 4>small town dreams, right, you know, so you want it

0:16:59.400 --> 0:17:02.080
<v Speaker 4>to be like the You almost wanted to be like

0:17:03.960 --> 0:17:07.680
<v Speaker 4>you know, you guys never leave time. I mean, we

0:17:07.720 --> 0:17:10.600
<v Speaker 4>would be so past that it wouldn't work. It would

0:17:10.600 --> 0:17:12.359
<v Speaker 4>be a bummer, but it would be like I would

0:17:12.400 --> 0:17:14.600
<v Speaker 4>want to do like, oh no, if you're gonna do

0:17:14.600 --> 0:17:16.960
<v Speaker 4>a heartfelt moment to be like no, you guys are

0:17:17.000 --> 0:17:21.200
<v Speaker 4>like flashboard. You guys have a kid and here she

0:17:21.359 --> 0:17:23.880
<v Speaker 4>is doing show Cara and you guys wish you were

0:17:23.960 --> 0:17:27.080
<v Speaker 4>up there, you know, like at a checkout counter and

0:17:27.119 --> 0:17:33.760
<v Speaker 4>then like, uh, you know, a stupid job and don't

0:17:33.760 --> 0:17:37.320
<v Speaker 4>stop believing comes on or whatever. It's almost that there's

0:17:37.320 --> 0:17:42.240
<v Speaker 4>a melancholy to what was so weird about show choirs

0:17:42.280 --> 0:17:44.520
<v Speaker 4>that it doesn't it stops after high school?

0:17:44.720 --> 0:17:47.040
<v Speaker 1>Right, it would be like if the new kids come in,

0:17:47.200 --> 0:17:50.640
<v Speaker 1>like oh yeah, it wasn't there that like Rachel Barry girl,

0:17:50.680 --> 0:17:53.160
<v Speaker 1>whatever happened to her? Right, and like that's it.

0:17:53.440 --> 0:17:55.480
<v Speaker 4>Yeah, it's a little bit more like that, but for

0:17:55.560 --> 0:17:57.919
<v Speaker 4>our purposes, it's better to see you want to like

0:17:58.000 --> 0:17:59.680
<v Speaker 4>give these churches a good center.

0:17:59.760 --> 0:18:03.240
<v Speaker 2>Dream. Well, given that, now that you say that, what

0:18:03.359 --> 0:18:06.160
<v Speaker 2>do you think about the whole Rachel Berry storyline getting

0:18:06.160 --> 0:18:08.159
<v Speaker 2>to Broadway? Obviously we kind of had to do that,

0:18:08.280 --> 0:18:11.040
<v Speaker 2>but then so quickly she goes off and does a

0:18:11.080 --> 0:18:15.960
<v Speaker 2>pilot and leaves her Broadway dream, and then the pilot fan.

0:18:16.000 --> 0:18:19.400
<v Speaker 1>We're talking about it for five seasons, so I know, well.

0:18:19.240 --> 0:18:22.159
<v Speaker 4>It's because we clearly didn't. You don't want her to

0:18:22.200 --> 0:18:24.960
<v Speaker 4>get her dream, which why she probably should have done it.

0:18:24.960 --> 0:18:27.120
<v Speaker 4>It's that same thing the second we have her dream,

0:18:27.119 --> 0:18:29.639
<v Speaker 4>we have to ruin her dream totally.

0:18:29.280 --> 0:18:32.639
<v Speaker 1>Because like that's what you guys it very really fast.

0:18:32.760 --> 0:18:37.160
<v Speaker 4>Yeah, it's about like aspiring to things and not achieving them.

0:18:37.440 --> 0:18:38.960
<v Speaker 1>Not not so interesting.

0:18:39.080 --> 0:18:40.359
<v Speaker 4>That's what to me is.

0:18:40.560 --> 0:18:42.639
<v Speaker 1>It's interesting to watching.

0:18:42.080 --> 0:18:46.000
<v Speaker 4>About watching a show choir, You're like, if there's something

0:18:46.400 --> 0:18:50.000
<v Speaker 4>inherently tragic like baked into to it, you're like, oh,

0:18:50.080 --> 0:18:53.120
<v Speaker 4>this is done, like after your senior year, like you're

0:18:53.160 --> 0:18:56.400
<v Speaker 4>going to become a finance major. Like at back, your

0:18:56.400 --> 0:18:58.480
<v Speaker 4>performing dreams are over unless you want to take it

0:18:58.520 --> 0:19:02.240
<v Speaker 4>to a cruise ship or like performing arts college or

0:19:02.359 --> 0:19:04.000
<v Speaker 4>you know, go to a concert, which we kind of

0:19:04.040 --> 0:19:06.000
<v Speaker 4>tried to do, but it was like there, it doesn't

0:19:06.040 --> 0:19:10.840
<v Speaker 4>it like ends there. So I think that's why you

0:19:10.880 --> 0:19:12.919
<v Speaker 4>want to get again. It's a good episode to be

0:19:12.960 --> 0:19:16.760
<v Speaker 4>like she's on Broadway, but then you're on Broadway. She's

0:19:16.880 --> 0:19:19.199
<v Speaker 4>she won, so we have to buy it back that

0:19:19.240 --> 0:19:21.520
<v Speaker 4>then like no, she fails again and then has to

0:19:21.560 --> 0:19:23.760
<v Speaker 4>come back back to square one. You're like, well, that's

0:19:23.760 --> 0:19:25.800
<v Speaker 4>what it's all about, like getting them back to square one.

0:19:25.880 --> 0:19:28.320
<v Speaker 4>It's these like if not being able to get out

0:19:28.440 --> 0:19:31.119
<v Speaker 4>of your you know, there's the reason why the first

0:19:31.119 --> 0:19:34.040
<v Speaker 4>season is so good because they lose. You want to

0:19:34.040 --> 0:19:36.760
<v Speaker 4>lose at the end. And it was like, so it's

0:19:36.840 --> 0:19:40.119
<v Speaker 4>like it's a hard it's a hard show to like

0:19:40.960 --> 0:19:44.280
<v Speaker 4>end for that way because you don't want to end

0:19:44.280 --> 0:19:45.879
<v Speaker 4>it a down note, but you do want to end

0:19:46.000 --> 0:19:46.920
<v Speaker 4>a down note kind of.

0:19:47.000 --> 0:19:49.040
<v Speaker 1>Well, it's also true. Jenna and I. At first we're

0:19:49.080 --> 0:19:51.119
<v Speaker 1>like why is this happening? Then I was like, well, Jenna,

0:19:51.800 --> 0:19:56.120
<v Speaker 1>half this cast was from Broadway you included, so you

0:19:56.160 --> 0:20:01.280
<v Speaker 1>all did this, Like this Storytine is very Real's you

0:20:01.320 --> 0:20:04.400
<v Speaker 1>all abandoned what you had spent your lives cultivating. That's

0:20:04.440 --> 0:20:07.679
<v Speaker 1>my Broadway career at the first sniff of TV, like

0:20:08.040 --> 0:20:24.800
<v Speaker 1>see Yu lates, How did it.

0:20:24.760 --> 0:20:27.399
<v Speaker 4>Feel for you guys watching the end of it because

0:20:28.080 --> 0:20:34.720
<v Speaker 4>you're has it changed how your experience of the show? Yes, feel.

0:20:37.440 --> 0:20:42.879
<v Speaker 1>Definitely, because I think, especially for seasons five and six,

0:20:43.800 --> 0:20:47.320
<v Speaker 1>I am very much like you were. I would apologize,

0:20:47.320 --> 0:20:49.439
<v Speaker 1>I would over explain you, like, oh, you know it

0:20:49.520 --> 0:20:52.320
<v Speaker 1>was it wasn't our best, but you know it was

0:20:52.359 --> 0:20:55.320
<v Speaker 1>like Joe probably should have ended after four, but like whatever,

0:20:57.600 --> 0:20:59.560
<v Speaker 1>and then it started with and I don't say this

0:20:59.720 --> 0:21:03.919
<v Speaker 1>just becase because this is what we're doing. But at

0:21:03.960 --> 0:21:06.000
<v Speaker 1>the end of all of these seasons, we like have

0:21:06.160 --> 0:21:08.200
<v Speaker 1>like Q and A's with fans right in and things

0:21:08.240 --> 0:21:12.359
<v Speaker 1>like that, and it's been so heartening and encouraging to

0:21:12.440 --> 0:21:15.359
<v Speaker 1>hear that we're like, Okay, what should we exeason after season?

0:21:16.200 --> 0:21:20.720
<v Speaker 1>And they've they're the people that you're talking about, where

0:21:20.760 --> 0:21:24.560
<v Speaker 1>like they still care that world is intact, and they

0:21:24.560 --> 0:21:27.240
<v Speaker 1>do understand the show, and they do understand these characters,

0:21:27.840 --> 0:21:30.960
<v Speaker 1>and they love season six for all the reasons why

0:21:31.000 --> 0:21:34.960
<v Speaker 1>you love season six, and so in our in season five,

0:21:35.119 --> 0:21:38.200
<v Speaker 1>like they could find like, sure, some of the story

0:21:38.240 --> 0:21:40.040
<v Speaker 1>was all over the place, but the performances were better

0:21:40.040 --> 0:21:43.639
<v Speaker 1>than ever, Like the musical numbers were incredible, and then

0:21:43.640 --> 0:21:47.159
<v Speaker 1>the New York part was a different show, but it

0:21:47.200 --> 0:21:50.199
<v Speaker 1>was also really good. It just wasn't Glee, but for

0:21:50.240 --> 0:21:53.840
<v Speaker 1>whatever whatever it was, it was excellent. Yeah, And so

0:21:54.119 --> 0:21:56.800
<v Speaker 1>like being able to for my own peace of mind,

0:21:56.840 --> 0:22:01.560
<v Speaker 1>I guess or whatever, being able to to experience that

0:22:02.119 --> 0:22:04.800
<v Speaker 1>and feel all the things that you had already talked

0:22:04.800 --> 0:22:08.679
<v Speaker 1>about of like, oh no, they you guys really did that.

0:22:09.480 --> 0:22:12.320
<v Speaker 1>Like you guys somehow wrote these seasons during this like

0:22:12.320 --> 0:22:16.760
<v Speaker 1>tumultuous time and like made some really great TV. And

0:22:16.800 --> 0:22:18.480
<v Speaker 1>so it's been nice to see that. And it's also

0:22:18.520 --> 0:22:21.200
<v Speaker 1>been nice to hear from people who feel so positively

0:22:21.200 --> 0:22:23.440
<v Speaker 1>about them. Yeah.

0:22:23.560 --> 0:22:27.480
<v Speaker 2>Yeah, I feel like oftentimes, like when you talk to people,

0:22:28.320 --> 0:22:30.640
<v Speaker 2>not our fans on this podcast, but like outside, people

0:22:30.680 --> 0:22:32.680
<v Speaker 2>are like, oh, yeah, well the show after season three

0:22:32.720 --> 0:22:34.280
<v Speaker 2>and you're like, yeah, well, like you know it kind

0:22:34.320 --> 0:22:36.920
<v Speaker 2>of you know a lot, there's a new cast and

0:22:37.280 --> 0:22:38.560
<v Speaker 2>they're like, and that guy.

0:22:38.440 --> 0:22:38.959
<v Speaker 1>Died, you know what?

0:22:38.960 --> 0:22:41.080
<v Speaker 2>I mean like it's just that and you're like you're

0:22:41.080 --> 0:22:47.160
<v Speaker 2>making excuses for all of it, and they didn't watch it. Yeah,

0:22:47.240 --> 0:22:49.600
<v Speaker 2>And so when we watch it, I'm like, it's like

0:22:49.640 --> 0:22:52.959
<v Speaker 2>a corrective experience for me in a lot of ways,

0:22:53.040 --> 0:22:55.919
<v Speaker 2>because I'm watching the show in a new from a

0:22:55.960 --> 0:23:00.000
<v Speaker 2>new lens with these fans who lived in that world

0:23:00.080 --> 0:23:03.040
<v Speaker 2>all and lived with us for so long, and like committmently,

0:23:03.080 --> 0:23:05.399
<v Speaker 2>we're like, like I made it to the end of

0:23:05.440 --> 0:23:06.840
<v Speaker 2>season six, like I was there.

0:23:08.960 --> 0:23:09.479
<v Speaker 1>It was.

0:23:10.840 --> 0:23:14.000
<v Speaker 2>It's just it was corrective for me because we were

0:23:14.040 --> 0:23:20.199
<v Speaker 2>so deeply intertwined with the emotion of filming it that

0:23:20.320 --> 0:23:22.720
<v Speaker 2>like I didn't watch half those episodes and I didn't

0:23:22.800 --> 0:23:25.480
<v Speaker 2>and I watched didn't watch them for reasons that were

0:23:25.520 --> 0:23:28.520
<v Speaker 2>like I don't this person this thing right now, Like

0:23:28.560 --> 0:23:30.919
<v Speaker 2>I'm not connected to this like it was. It was,

0:23:30.960 --> 0:23:33.280
<v Speaker 2>so there were so many things that were such a

0:23:33.320 --> 0:23:39.560
<v Speaker 2>disconnect for me that rewatching it with the fans in

0:23:39.640 --> 0:23:43.439
<v Speaker 2>mind and with like ten years behind us, it's like

0:23:43.840 --> 0:23:47.080
<v Speaker 2>I am having it, am blast, I'm loving.

0:23:46.800 --> 0:23:50.320
<v Speaker 1>It, I'm appreciating it. We were scared to watch five

0:23:50.320 --> 0:23:53.119
<v Speaker 1>and six and we yeah, having so much fun watching it.

0:23:53.720 --> 0:23:56.440
<v Speaker 3>I just appreciate it, you know, yeah.

0:23:56.640 --> 0:23:59.760
<v Speaker 4>Are you guys glad you got cast?

0:24:00.880 --> 0:24:07.120
<v Speaker 1>Oh yeah, yes, yes, yeah, that was still the best thing.

0:24:07.440 --> 0:24:13.960
<v Speaker 1>I Like, it's just I think we are such a

0:24:13.960 --> 0:24:16.240
<v Speaker 1>good group, even we do other things like running into

0:24:16.359 --> 0:24:21.960
<v Speaker 1>different departments on different shows, and there's still that sort

0:24:22.000 --> 0:24:27.919
<v Speaker 1>of acknowledgment of like that deep bond of like ah,

0:24:28.000 --> 0:24:30.560
<v Speaker 1>like we see each other a different way like family

0:24:30.600 --> 0:24:34.080
<v Speaker 1>sees each other. And for that and also like you know,

0:24:34.640 --> 0:24:36.919
<v Speaker 1>Oprah and the White House and tour, like you know,

0:24:37.840 --> 0:24:40.439
<v Speaker 1>pretty happy about this, I think.

0:24:40.280 --> 0:24:43.399
<v Speaker 2>As we watch it too, like there was a lot

0:24:43.720 --> 0:24:46.919
<v Speaker 2>of obviously there's a lot of misconceptions, which is like

0:24:46.920 --> 0:24:49.520
<v Speaker 2>partially why we did this podcast was like to debunk

0:24:49.600 --> 0:24:53.480
<v Speaker 2>all the things and all the negativity surrounding the show

0:24:53.720 --> 0:24:56.639
<v Speaker 2>because it's so minimal compared to the joy and the

0:24:56.720 --> 0:24:59.680
<v Speaker 2>pride and like the like the work.

0:24:59.480 --> 0:25:01.520
<v Speaker 3>That we did and the family we have.

0:25:03.480 --> 0:25:07.199
<v Speaker 2>That like we wanted to kind of demystify that for

0:25:07.240 --> 0:25:10.760
<v Speaker 2>everybody and like really dive in. And I just like

0:25:11.040 --> 0:25:14.320
<v Speaker 2>I have so many good memories. Every time we get

0:25:14.320 --> 0:25:16.760
<v Speaker 2>to another episode, You're like, oh, that that was really

0:25:16.800 --> 0:25:19.480
<v Speaker 2>crazy and that story was really and that musical number

0:25:19.520 --> 0:25:20.119
<v Speaker 2>is really hard.

0:25:20.119 --> 0:25:23.640
<v Speaker 1>To shoot, but then you're just like laughing through the memories.

0:25:23.200 --> 0:25:24.879
<v Speaker 3>Like that was we did that?

0:25:25.480 --> 0:25:29.720
<v Speaker 1>We did that? Yeah, of course I was happy to

0:25:29.760 --> 0:25:32.680
<v Speaker 1>be cast. I also think to be on a show

0:25:32.720 --> 0:25:37.080
<v Speaker 1>that I loved how sort of like dark and satirical

0:25:37.119 --> 0:25:39.439
<v Speaker 1>it was from the beginning, like my sense of humor,

0:25:40.160 --> 0:25:42.360
<v Speaker 1>but also the fact that you know, in season six

0:25:42.440 --> 0:25:47.120
<v Speaker 1>you can have a transchuir and like a show that

0:25:47.760 --> 0:25:51.439
<v Speaker 1>meant a lot and means a lot to people that

0:25:51.680 --> 0:25:56.119
<v Speaker 1>had never seen themselves represented and not just like you

0:25:56.240 --> 0:26:00.440
<v Speaker 1>have like a token character and some you you guys

0:26:00.440 --> 0:26:04.840
<v Speaker 1>had fully fledged like different types of people who had

0:26:04.840 --> 0:26:07.560
<v Speaker 1>never seen themselves on broadcast television and they had fully

0:26:07.600 --> 0:26:12.480
<v Speaker 1>rounded characters. Yes, yes, and you know, you get cast

0:26:12.520 --> 0:26:15.439
<v Speaker 1>in something like I'm happy to get a paycheck, happy

0:26:15.480 --> 0:26:18.760
<v Speaker 1>to be employed. I hope it's good, but I can't

0:26:19.000 --> 0:26:22.080
<v Speaker 1>I you know, no promises, and not only like was

0:26:22.119 --> 0:26:25.600
<v Speaker 1>this good and successful? I could also like be and

0:26:25.680 --> 0:26:28.400
<v Speaker 1>still be very proud of it for all of those

0:26:28.440 --> 0:26:32.680
<v Speaker 1>things it did culturally, which is like beyond anybody's expectations.

0:26:32.920 --> 0:26:37.040
<v Speaker 4>Yeah, yeah, yeah, it was extraordinarily famous, which is weird.

0:26:37.320 --> 0:26:40.320
<v Speaker 4>It's still I think that's the weird thing to contextualize,

0:26:40.320 --> 0:26:44.080
<v Speaker 4>you're like, oh, yeah, that thing I did was a

0:26:44.119 --> 0:26:49.280
<v Speaker 4>part of is like very very famous in a way

0:26:51.720 --> 0:26:54.880
<v Speaker 4>per an individual person kind of can't be or isn't anymore.

0:26:54.920 --> 0:26:57.040
<v Speaker 4>And those shows aren't shows aren't famous in that same

0:26:57.040 --> 0:26:59.640
<v Speaker 4>way anymore, Right, So it sort of gets out into

0:26:59.680 --> 0:27:03.960
<v Speaker 4>the ether and then it gets sort of like named

0:27:04.040 --> 0:27:09.240
<v Speaker 4>and defined way and like and then it's another another

0:27:09.280 --> 0:27:11.680
<v Speaker 4>thing that like really it would open my eyes now,

0:27:11.760 --> 0:27:16.679
<v Speaker 4>is like like critics, criticism, Yeah, is so like like

0:27:17.560 --> 0:27:21.520
<v Speaker 4>the show just got savaged week week. It's just by

0:27:21.560 --> 0:27:26.119
<v Speaker 4>like because but I was like by like two writers,

0:27:26.800 --> 0:27:29.760
<v Speaker 4>two TV recaps. I'm even sure that's a job anymore

0:27:31.040 --> 0:27:32.800
<v Speaker 4>five years from now. Like it's just this weird. It's

0:27:32.840 --> 0:27:35.760
<v Speaker 4>a weird moment of time. I wish I could have

0:27:35.800 --> 0:27:42.879
<v Speaker 4>been less encumbered by this, by the echo chamber that

0:27:43.240 --> 0:27:48.960
<v Speaker 4>was commentary about the fame of the show, the all

0:27:49.040 --> 0:27:52.199
<v Speaker 4>of that stuff, because like, the show really really worked

0:27:52.280 --> 0:27:54.320
<v Speaker 4>for me in the times where we like ignored that

0:27:54.520 --> 0:27:57.639
<v Speaker 4>which is a name right at the very end, whereas

0:27:58.640 --> 0:28:05.159
<v Speaker 4>I fully don't care whether and that the journalism writer

0:28:05.600 --> 0:28:09.280
<v Speaker 4>thinks this isn't the most sophisticated show on the planet

0:28:09.359 --> 0:28:15.399
<v Speaker 4>or whatever. Wishes the show were more like yes or whatever,

0:28:15.520 --> 0:28:17.640
<v Speaker 4>you know, like it's just like very strange. I wish

0:28:17.720 --> 0:28:22.000
<v Speaker 4>I hadn't. I wish I had more of a muscle

0:28:22.080 --> 0:28:25.880
<v Speaker 4>to be like or like your opinion, but like nobody cares,

0:28:25.880 --> 0:28:28.439
<v Speaker 4>and it's certainly not driving like viewership, like people are

0:28:28.560 --> 0:28:30.720
<v Speaker 4>like tuning into that website before, like I'm going to

0:28:30.760 --> 0:28:33.520
<v Speaker 4>spend my entertainment dollars this way, Like it's just it's

0:28:33.600 --> 0:28:36.040
<v Speaker 4>just commentary. And I wish now I just don't even

0:28:36.240 --> 0:28:40.520
<v Speaker 4>I don't out it's like a more healthy way to

0:28:40.560 --> 0:28:43.040
<v Speaker 4>do it. But I wish I'd developed that muscle earlier on,

0:28:43.080 --> 0:28:44.480
<v Speaker 4>and I think I would have had a much more

0:28:44.480 --> 0:28:48.280
<v Speaker 4>holistic view of what the show was at the end,

0:28:48.360 --> 0:28:52.160
<v Speaker 4>which was like very fun and very entertaining and quite

0:28:52.200 --> 0:28:53.400
<v Speaker 4>funny a lot of the.

0:28:53.360 --> 0:28:57.320
<v Speaker 1>Time, totally most of the time, totally yes, you.

0:28:57.240 --> 0:28:59.440
<v Speaker 4>Could still I'll bet there's you know, I was always

0:29:00.040 --> 0:29:02.800
<v Speaker 4>probably mentioned this before, but it would be like there

0:29:02.800 --> 0:29:06.560
<v Speaker 4>would be a moment in not every episode where you'd

0:29:06.560 --> 0:29:07.880
<v Speaker 4>be watching it in the hair on the back of

0:29:07.880 --> 0:29:11.080
<v Speaker 4>your neck would stand up. You're like, that's not that's

0:29:11.120 --> 0:29:17.240
<v Speaker 4>what a musical can really do. And we were able

0:29:17.280 --> 0:29:20.920
<v Speaker 4>to do that all the time each other show really

0:29:21.600 --> 0:29:24.719
<v Speaker 4>does know, and that in itself is sort of an

0:29:24.760 --> 0:29:28.520
<v Speaker 4>achievement to sort of invent a sensation that a TV

0:29:28.640 --> 0:29:31.120
<v Speaker 4>show can give you. Is cool.

0:29:31.680 --> 0:29:38.680
<v Speaker 1>Yes, yes, well, I mean we were there in the

0:29:38.720 --> 0:29:42.720
<v Speaker 1>trenches with you and that echo chamber. Obviously different capacities

0:29:43.240 --> 0:29:46.960
<v Speaker 1>for sure, But I think for any of us to

0:29:47.000 --> 0:29:50.840
<v Speaker 1>have any sort of real context of what was happening,

0:29:51.680 --> 0:29:54.880
<v Speaker 1>or any sort of wherewithal to know how we should

0:29:54.880 --> 0:29:58.040
<v Speaker 1>handle what was going on there, it was impossible. There

0:29:58.080 --> 0:30:01.680
<v Speaker 1>was no way. You know, Ryan had had success before,

0:30:01.720 --> 0:30:05.680
<v Speaker 1>but not at that level, and so nobody, nobody, even

0:30:05.720 --> 0:30:08.160
<v Speaker 1>at the network, nobody had had that sort of success before,

0:30:08.280 --> 0:30:16.040
<v Speaker 1>and so no one was prepared. And like, I don't think,

0:30:17.000 --> 0:30:19.440
<v Speaker 1>and that's because it's so rare that it ever happens,

0:30:19.800 --> 0:30:21.800
<v Speaker 1>and so like in one breath, it's such a gift

0:30:21.840 --> 0:30:25.320
<v Speaker 1>that we all got to experience that. Yeah, but then

0:30:25.320 --> 0:30:27.080
<v Speaker 1>now you look back, you're like, yeah, I should have

0:30:27.400 --> 0:30:27.840
<v Speaker 1>been done.

0:30:27.880 --> 0:30:29.520
<v Speaker 4>No, I think you guys in particular, but I think

0:30:29.560 --> 0:30:30.480
<v Speaker 4>everybody gets a.

0:30:30.520 --> 0:30:32.080
<v Speaker 1>Pass for like, yeah, I do too.

0:30:32.400 --> 0:30:36.680
<v Speaker 4>Yeah, remarkably normal. Yeah, it was pretty good for being

0:30:36.720 --> 0:30:38.000
<v Speaker 4>sort of shot out of Canada.

0:30:38.320 --> 0:30:40.920
<v Speaker 1>And we all really liked each other. Yeah, yeah, I

0:30:41.040 --> 0:30:44.640
<v Speaker 1>still do, like yeah, despite what you know publicly what

0:30:44.680 --> 0:30:46.400
<v Speaker 1>people may think.

0:30:46.840 --> 0:30:48.040
<v Speaker 3>Still like talking about the show.

0:30:48.360 --> 0:30:51.240
<v Speaker 1>Yeah, and we like all are obsessed with each other

0:30:51.320 --> 0:30:53.680
<v Speaker 1>and I'll get along, like we can text you to

0:30:53.680 --> 0:30:55.880
<v Speaker 1>come on here and you do, which is very nice.

0:30:56.000 --> 0:31:02.200
<v Speaker 1>Exactly exactly do you? How do you feel because you're

0:31:02.280 --> 0:31:07.080
<v Speaker 1>you started this whole thing? Mm hmm, how does it

0:31:07.160 --> 0:31:09.800
<v Speaker 1>feel for you? I guess yeah, a decade after our

0:31:09.880 --> 0:31:16.920
<v Speaker 1>last episode and thinking about none of us would have

0:31:16.920 --> 0:31:22.320
<v Speaker 1>had these jobs. Ryan's career would be very different, Your

0:31:22.360 --> 0:31:24.600
<v Speaker 1>career would be very different. Everybody's.

0:31:25.200 --> 0:31:26.640
<v Speaker 4>Yeah, a lot of people, a lot of people are

0:31:26.640 --> 0:31:31.520
<v Speaker 4>really my own yeah, every yeah, yeah, how do you?

0:31:31.640 --> 0:31:32.960
<v Speaker 1>I don't know if you ever think about that, You're

0:31:32.960 --> 0:31:34.560
<v Speaker 1>not somebody that would be like, you know, I did this.

0:31:35.120 --> 0:31:38.240
<v Speaker 4>Oh no, it feels like an elaborate prank. It feels

0:31:38.240 --> 0:31:40.280
<v Speaker 4>like an elaborate, long.

0:31:40.520 --> 0:31:41.720
<v Speaker 1>Long term prank.

0:31:42.200 --> 0:31:45.840
<v Speaker 4>It would make more sense if just now there was

0:31:45.880 --> 0:31:49.280
<v Speaker 4>a camera crew that was like hah see and that

0:31:49.440 --> 0:31:52.200
<v Speaker 4>was the show than any of these than for this

0:31:52.280 --> 0:31:54.240
<v Speaker 4>to have been real. I really mean that. It's like

0:31:54.400 --> 0:31:57.239
<v Speaker 4>very very weird and very disorienting to think about it,

0:31:57.520 --> 0:32:00.800
<v Speaker 4>because they were very tiny, you know, seconds and inches

0:32:00.840 --> 0:32:03.800
<v Speaker 4>away from this not happening, and I would have I'm

0:32:03.800 --> 0:32:06.120
<v Speaker 4>sure have been I'm a reasonable I was thinking myself

0:32:06.120 --> 0:32:09.080
<v Speaker 4>as like a B plus happiness person anyway, and it's

0:32:09.120 --> 0:32:11.479
<v Speaker 4>like you're just as happy or not as happy as

0:32:11.520 --> 0:32:15.920
<v Speaker 4>you are. But I'm like fairly optimistic, yeah, relatively adaptable

0:32:15.920 --> 0:32:19.760
<v Speaker 4>to situations, and I'm usually about B plus happy all

0:32:19.800 --> 0:32:22.400
<v Speaker 4>the time. So like I would have had a career,

0:32:22.520 --> 0:32:26.480
<v Speaker 4>but it would not have resembled this at all. So

0:32:26.560 --> 0:32:28.560
<v Speaker 4>it's really hard. I think for a long time I

0:32:28.560 --> 0:32:35.440
<v Speaker 4>felt like I was didn't deserve It was a bit

0:32:35.480 --> 0:32:37.280
<v Speaker 4>of survivor's guilt in a way, or sort of like,

0:32:37.320 --> 0:32:39.560
<v Speaker 4>oh I didn't deserve this. I like lucked into this.

0:32:40.520 --> 0:32:42.840
<v Speaker 4>Then after a while I was like no, no, no.

0:32:42.920 --> 0:32:45.960
<v Speaker 4>Rather than being encumbered by that, I was like, I'm

0:32:46.040 --> 0:32:50.680
<v Speaker 4>playing with house money. This is like I should. This

0:32:50.800 --> 0:32:54.000
<v Speaker 4>is actually great because I'm not as encumbered by like

0:32:54.160 --> 0:32:57.760
<v Speaker 4>this was a big gift, but it's still sort of

0:32:57.800 --> 0:33:01.840
<v Speaker 4>like in a way, I'm still feel like I'm still

0:33:01.960 --> 0:33:07.080
<v Speaker 4>riding the same. The best Hollywood advice ever got was like,

0:33:07.240 --> 0:33:11.440
<v Speaker 4>you can't pick your wave. You're surfing, You're waiting for waves.

0:33:11.840 --> 0:33:14.160
<v Speaker 4>You just get on the one you can get up on,

0:33:14.280 --> 0:33:16.240
<v Speaker 4>and that's when you're riding and you can look over

0:33:16.280 --> 0:33:18.520
<v Speaker 4>and see like, oh, they're on that one, but whatever, Yeah,

0:33:19.240 --> 0:33:22.280
<v Speaker 4>I'm still riding that first wave in a cool way

0:33:22.320 --> 0:33:24.400
<v Speaker 4>that you're like, oh, I'm still standing up, like I

0:33:24.440 --> 0:33:29.640
<v Speaker 4>haven't wiped out yet. That's fun. Yeah, that is cool

0:33:29.800 --> 0:33:34.240
<v Speaker 4>to think of, But it is like it's hard to

0:33:35.120 --> 0:33:39.840
<v Speaker 4>it's other than that, it's really hard to like, uh, contextualize.

0:33:39.920 --> 0:33:43.440
<v Speaker 4>It's such a so strange and so wonderful and actually

0:33:43.480 --> 0:33:46.320
<v Speaker 4>hard to think of. Like, wow, there you you almost

0:33:46.360 --> 0:33:50.120
<v Speaker 4>feel like there's some hand that's reaching down and guiding

0:33:50.360 --> 0:33:53.880
<v Speaker 4>or something. It's just like it's too it's so peculiar

0:33:55.760 --> 0:34:01.640
<v Speaker 4>a result to have just been random. It's really really weird.

0:34:01.880 --> 0:34:04.960
<v Speaker 4>And even that throughout throughout the whole time I do.

0:34:05.240 --> 0:34:08.360
<v Speaker 4>I the one thing I would give my credit myself

0:34:08.360 --> 0:34:11.880
<v Speaker 4>credit for was I think I remember always clocking that

0:34:12.320 --> 0:34:15.360
<v Speaker 4>at least routinely to be like this is weird. I

0:34:15.400 --> 0:34:18.000
<v Speaker 4>can't believe this is like and boy, am I like

0:34:18.280 --> 0:34:23.520
<v Speaker 4>lucky to be here. It's a fine line between feeling

0:34:23.600 --> 0:34:29.480
<v Speaker 4>like you didn't deserve it right and being thankful for

0:34:30.320 --> 0:34:33.560
<v Speaker 4>doesn't isn't even all out of the equation. There's no

0:34:33.600 --> 0:34:36.520
<v Speaker 4>sure nobody deserves anything we get or don't. You just

0:34:36.600 --> 0:34:40.640
<v Speaker 4>get or don't. But no, it's like it's amazing, it's

0:34:40.719 --> 0:34:43.480
<v Speaker 4>it's amazing to to to think about that, like.

0:34:43.480 --> 0:34:45.839
<v Speaker 3>The yeah, well I think that.

0:34:46.000 --> 0:34:46.520
<v Speaker 1>I mean.

0:34:48.160 --> 0:34:50.480
<v Speaker 3>When I look back on like the success that you

0:34:50.800 --> 0:34:55.359
<v Speaker 3>we've had, all of us have had since then, how

0:34:55.400 --> 0:35:00.279
<v Speaker 3>hard we have all collectively worked leading up to that

0:35:00.760 --> 0:35:05.920
<v Speaker 3>and now since then, Like you're still the same person

0:35:06.280 --> 0:35:11.640
<v Speaker 3>that we met twenty years not twenty years ago, fifteen

0:35:11.760 --> 0:35:15.080
<v Speaker 3>years ago.

0:35:14.000 --> 0:35:18.640
<v Speaker 2>Okay, same person still doesn't wear jeans like I you know,

0:35:18.640 --> 0:35:19.720
<v Speaker 2>you're still that same person.

0:35:19.840 --> 0:35:21.759
<v Speaker 3>Like we show up to your birthday.

0:35:21.440 --> 0:35:24.080
<v Speaker 2>Party and you're like it's it's like it's just not

0:35:24.920 --> 0:35:28.640
<v Speaker 2>And I think there's humility and you're a good person

0:35:28.800 --> 0:35:30.560
<v Speaker 2>and you work hard and you put your head down,

0:35:30.960 --> 0:35:33.680
<v Speaker 2>and like, good things happen to good people, and I

0:35:33.760 --> 0:35:36.319
<v Speaker 2>like to continue to believe that even though good things

0:35:36.320 --> 0:35:38.200
<v Speaker 2>happened to bad people do but like, you know, I

0:35:39.640 --> 0:35:40.359
<v Speaker 2>do believe that.

0:35:40.520 --> 0:35:41.479
<v Speaker 1>So, yeah, you can.

0:35:41.400 --> 0:35:43.200
<v Speaker 4>Win a lottery. You can win the lottery, but you

0:35:43.200 --> 0:35:43.759
<v Speaker 4>always have to.

0:35:43.719 --> 0:35:46.799
<v Speaker 1>Keep buying a ticket. Yeah yeah, no, Yeah.

0:35:47.200 --> 0:35:49.240
<v Speaker 4>The other thing that I always say about you guys,

0:35:49.520 --> 0:35:53.680
<v Speaker 4>is that like how hard you guys were just like

0:35:54.960 --> 0:35:58.279
<v Speaker 4>asked to work and forced to work. Like I'm sure

0:35:58.280 --> 0:36:00.640
<v Speaker 4>that those tours were fun, but I think the first one,

0:36:00.719 --> 0:36:02.200
<v Speaker 4>like you didn't get paid.

0:36:03.480 --> 0:36:07.239
<v Speaker 1>Yeah, like there were some turd burgers.

0:36:07.680 --> 0:36:09.320
<v Speaker 4>Yeah, like swallow.

0:36:09.560 --> 0:36:13.600
<v Speaker 1>We sort of got paid for both, but it was

0:36:13.640 --> 0:36:14.200
<v Speaker 1>a little better.

0:36:14.400 --> 0:36:16.920
<v Speaker 4>Well, there's some moment which remember when they were like,

0:36:16.960 --> 0:36:20.000
<v Speaker 4>we'll pay you in a car. Yes, it was that

0:36:20.160 --> 0:36:20.880
<v Speaker 4>Chevy commercial.

0:36:22.560 --> 0:36:25.320
<v Speaker 1>You don't want a car, you want money.

0:36:26.280 --> 0:36:28.920
<v Speaker 4>There's like you don't want to get like a Chevy.

0:36:28.960 --> 0:36:32.600
<v Speaker 1>Tracks were like no super commercial, we should be getting

0:36:32.680 --> 0:36:37.920
<v Speaker 1>three times that I was like money, we never got

0:36:37.960 --> 0:36:40.040
<v Speaker 1>the car like that.

0:36:40.080 --> 0:36:44.520
<v Speaker 4>Like you guys always very graceful about which I.

0:36:43.920 --> 0:36:46.160
<v Speaker 3>Always well, we tried.

0:36:46.920 --> 0:36:49.000
<v Speaker 1>We could have been a little tall sometimes, but we

0:36:49.080 --> 0:36:50.440
<v Speaker 1>all you know, it's okay.

0:36:50.680 --> 0:36:52.600
<v Speaker 4>Not you too, And I don't that's not that is

0:36:52.640 --> 0:36:56.319
<v Speaker 4>not My memory of the show was like really, but

0:36:56.560 --> 0:37:01.600
<v Speaker 4>that that any behavior or whatever is such a was

0:37:01.680 --> 0:37:07.879
<v Speaker 4>such a such a tiny little portion of it.

0:37:08.400 --> 0:37:09.480
<v Speaker 3>Yeah, I agree.

0:37:09.520 --> 0:37:12.959
<v Speaker 4>I feel like I almost don't even remember any individual. Yeah.

0:37:13.400 --> 0:37:16.319
<v Speaker 2>Yeah, well it's like bigger picture, like I think at

0:37:16.320 --> 0:37:18.720
<v Speaker 2>the end of the day, when we're on that stage

0:37:19.239 --> 0:37:22.319
<v Speaker 2>doing a musical number as a group, and like there's

0:37:22.400 --> 0:37:25.880
<v Speaker 2>just like everybody's there, the crew is there, families have

0:37:25.960 --> 0:37:28.480
<v Speaker 2>to like to go home to, and you're like, this

0:37:28.520 --> 0:37:31.520
<v Speaker 2>isn't about us, this is about something so much bigger

0:37:31.560 --> 0:37:34.320
<v Speaker 2>than me wanting to go home and like have a

0:37:34.400 --> 0:37:36.640
<v Speaker 2>roodom to sleep, like you know, like it was just bigger,

0:37:36.719 --> 0:37:40.319
<v Speaker 2>Like we were part of something really special and like

0:37:40.760 --> 0:37:43.720
<v Speaker 2>that got us through a lot of those times where

0:37:44.080 --> 0:37:48.239
<v Speaker 2>it was really hard. But I think everybody really did

0:37:48.280 --> 0:37:50.680
<v Speaker 2>have that in mind, and still I think when we

0:37:51.000 --> 0:37:54.760
<v Speaker 2>reflect on it, people still feel that way. So everybody

0:37:54.760 --> 0:37:59.560
<v Speaker 2>we talked to, grew cast, everybody is just like so

0:37:59.600 --> 0:38:01.520
<v Speaker 2>happy to talk about the show, so happy to talk

0:38:01.560 --> 0:38:05.440
<v Speaker 2>about the experience, such a good time, trauma bonding a

0:38:05.480 --> 0:38:06.400
<v Speaker 2>little bit, for sure.

0:38:07.040 --> 0:38:09.600
<v Speaker 3>You know, we had highs and we had hig highs

0:38:09.600 --> 0:38:10.319
<v Speaker 3>and lolos.

0:38:10.520 --> 0:38:13.600
<v Speaker 2>So we're so grateful for you, thanks for coming back

0:38:13.640 --> 0:38:16.120
<v Speaker 2>on the show one last time before were.

0:38:16.000 --> 0:38:19.840
<v Speaker 1>Rapping so much time with us again and so generous.

0:38:19.840 --> 0:38:21.879
<v Speaker 4>So it's really fun to talk about because I don't

0:38:21.880 --> 0:38:25.080
<v Speaker 4>otherwise I don't talk about Is.

0:38:25.080 --> 0:38:26.680
<v Speaker 1>There anything else you want to say about it?

0:38:27.840 --> 0:38:29.840
<v Speaker 4>No? No, Just as you were talking there. I was like,

0:38:29.880 --> 0:38:32.680
<v Speaker 4>it is wow, because like I know, because now you know,

0:38:32.719 --> 0:38:36.040
<v Speaker 4>I know children, so occasionally now meet people, you're meeting

0:38:36.080 --> 0:38:39.560
<v Speaker 4>new adults. Yeah, we're all like lovely and interesting. But

0:38:39.600 --> 0:38:44.440
<v Speaker 4>like sometimes sometimes show choir will come up as like

0:38:44.560 --> 0:38:47.319
<v Speaker 4>a thing I did in high school but independent of

0:38:47.360 --> 0:38:48.879
<v Speaker 4>the show, and no one would know that I would

0:38:48.920 --> 0:38:51.560
<v Speaker 4>have any involvement with the show. Yeah, I did catch

0:38:51.560 --> 0:38:55.879
<v Speaker 4>my I sometimes will occasionally catch myself of like begrudging

0:38:55.920 --> 0:38:58.200
<v Speaker 4>the fact that I did it, feeling a little bit

0:38:58.239 --> 0:39:00.960
<v Speaker 4>embarrassed that I was in chow choir. But then I

0:39:00.960 --> 0:39:04.640
<v Speaker 4>always no, I know, I always catch myself because it's

0:39:04.640 --> 0:39:08.200
<v Speaker 4>a little bit embarrassing and I but then I sometimes

0:39:08.239 --> 0:39:09.239
<v Speaker 4>I mean it was a couple of weeks ago I

0:39:09.280 --> 0:39:12.399
<v Speaker 4>sort of caught myself thinking and I was like, no,

0:39:12.440 --> 0:39:18.000
<v Speaker 4>but it all it all worked out. Even though like

0:39:18.040 --> 0:39:21.040
<v Speaker 4>I got, I could have done another I probably could

0:39:21.080 --> 0:39:26.080
<v Speaker 4>have gotten a couple more a's than these those two,

0:39:26.320 --> 0:39:28.719
<v Speaker 4>you know, like those years in school, and I didn't.

0:39:28.760 --> 0:39:31.040
<v Speaker 4>I still have anxiety dreams about it, like my my

0:39:31.160 --> 0:39:35.120
<v Speaker 4>actors night marriage, learning choreography and having a always high

0:39:35.160 --> 0:39:38.000
<v Speaker 4>school it's super super weird, So I like, don't my

0:39:38.080 --> 0:39:41.640
<v Speaker 4>memories of doing it in high school were not not fun?

0:39:42.400 --> 0:39:46.280
<v Speaker 4>What a what a magical turn of events that saying

0:39:46.320 --> 0:39:48.880
<v Speaker 4>this activity that I could never quite that's stuck in

0:39:48.960 --> 0:39:53.240
<v Speaker 4>my crop forever became this thing that is so joyful

0:39:53.320 --> 0:39:57.040
<v Speaker 4>and so at the center of like who of really

0:39:57.080 --> 0:39:59.080
<v Speaker 4>like at the end of my life, just this big,

0:39:59.120 --> 0:40:01.759
<v Speaker 4>big ball experience that will have been at the center

0:40:01.840 --> 0:40:03.640
<v Speaker 4>of it all was based on the thing that I

0:40:03.680 --> 0:40:05.080
<v Speaker 4>was sort of ashamed of at the time. And we

0:40:05.080 --> 0:40:07.080
<v Speaker 4>were terrible and we never want anything. And I was like,

0:40:08.719 --> 0:40:12.200
<v Speaker 4>there's one videotape and it's just like it was like rough, do.

0:40:12.200 --> 0:40:14.240
<v Speaker 1>Your parents have it?

0:40:14.320 --> 0:40:16.360
<v Speaker 4>They did? It's on VHS, so I don't even know

0:40:16.360 --> 0:40:19.120
<v Speaker 4>how you'd watch it, but yeah, me like with a

0:40:19.200 --> 0:40:22.160
<v Speaker 4>crew cut and acne doing down you're rocking the boat

0:40:23.040 --> 0:40:25.439
<v Speaker 4>and we go. It goes into this like steam heat

0:40:25.520 --> 0:40:29.200
<v Speaker 4>or something, and it's fake. It was too hard to

0:40:29.239 --> 0:40:31.440
<v Speaker 4>learn how to actually tap dance, so we're all they

0:40:31.480 --> 0:40:35.799
<v Speaker 4>talk about was just pretending to. Yeah, so it's nice

0:40:35.800 --> 0:40:38.000
<v Speaker 4>that that all ended up. Like it would be cool

0:40:38.040 --> 0:40:40.680
<v Speaker 4>to go back in time to that like kid and

0:40:40.719 --> 0:40:45.600
<v Speaker 4>be like, yes, yeah, guess what, like right before you

0:40:45.640 --> 0:40:48.080
<v Speaker 4>go on, like guess what this is? Gonna be later on.

0:40:48.000 --> 0:40:51.200
<v Speaker 2>Like yeah, yeah, yeah, Wow.

0:40:51.440 --> 0:40:54.880
<v Speaker 1>It's also good to know that you can even still

0:40:54.920 --> 0:40:59.480
<v Speaker 1>have nightmares about your childhood trauma even after having success.

0:40:59.800 --> 0:41:02.200
<v Speaker 1>The biggest success based off of wasn't.

0:41:02.960 --> 0:41:04.360
<v Speaker 4>It was just it just wasn't. I would like to.

0:41:04.880 --> 0:41:07.440
<v Speaker 1>Quote unquote trump like, it wasn't like like.

0:41:08.120 --> 0:41:09.640
<v Speaker 3>I have the dream of like I didn't go to

0:41:09.680 --> 0:41:11.399
<v Speaker 3>class and I have the exam like.

0:41:11.440 --> 0:41:15.480
<v Speaker 2>All the time I had go to lecture hall school,

0:41:15.560 --> 0:41:16.799
<v Speaker 2>like I don't know what's you.

0:41:16.760 --> 0:41:19.080
<v Speaker 4>Know, it's always choreography.

0:41:18.480 --> 0:41:22.360
<v Speaker 1>Based mine on stage with not knowing your lines. I

0:41:22.400 --> 0:41:25.160
<v Speaker 1>got it. And then I've actually been there so.

0:41:27.160 --> 0:41:29.320
<v Speaker 4>Improvise you can't.

0:41:29.640 --> 0:41:30.719
<v Speaker 1>Yeah, but you're good at that.

0:41:30.920 --> 0:41:34.960
<v Speaker 2>I just I just left the stage. I just left

0:41:35.000 --> 0:41:39.799
<v Speaker 2>the stage. I would actually just exit in real life. Okay, Well,

0:41:40.000 --> 0:41:43.040
<v Speaker 2>thank you so much and so good to see you guys.

0:41:43.440 --> 0:41:45.200
<v Speaker 2>Love to see you so good to see you're out

0:41:45.239 --> 0:41:45.920
<v Speaker 2>at some point.

0:41:46.239 --> 0:41:47.960
<v Speaker 4>Thank you guys so much. I love you both so much.

0:41:47.960 --> 0:41:50.160
<v Speaker 1>I love you, say hi to the fam.

0:41:50.280 --> 0:41:51.240
<v Speaker 4>I will bye.

0:41:51.960 --> 0:41:54.919
<v Speaker 3>Oh my god, that felt sad again, No, it didn't

0:41:54.960 --> 0:41:55.720
<v Speaker 3>feel sad.

0:41:56.400 --> 0:41:58.440
<v Speaker 1>No, it reminded me of people have been asking me.

0:41:58.440 --> 0:41:59.680
<v Speaker 1>You're like, oh, you're getting close to the end, do

0:41:59.719 --> 0:42:02.440
<v Speaker 1>you feel sad? It's like we're just watching it, like

0:42:02.480 --> 0:42:05.120
<v Speaker 1>you can go watch it anytime you want. I'm definitely

0:42:05.080 --> 0:42:10.040
<v Speaker 1>amazing tarrying him reflect upon his experiences because yeah, we

0:42:10.040 --> 0:42:11.640
<v Speaker 1>don't get to talk to him about this. That often

0:42:12.360 --> 0:42:13.359
<v Speaker 1>made me a little sad. Again.

0:42:14.360 --> 0:42:17.359
<v Speaker 3>Oh not like no, I get it.

0:42:17.320 --> 0:42:17.680
<v Speaker 1>I get it.

0:42:17.719 --> 0:42:20.439
<v Speaker 3>I feel like I get nostalgic when he talks about

0:42:20.440 --> 0:42:20.719
<v Speaker 3>the show.

0:42:21.040 --> 0:42:24.520
<v Speaker 2>Yeah, in a way, it's such an honor to have Ian,

0:42:24.560 --> 0:42:29.239
<v Speaker 2>who's our friend obviously and close, like just such a

0:42:29.280 --> 0:42:32.319
<v Speaker 2>wonderful human in our lives, but also like he is

0:42:32.360 --> 0:42:34.800
<v Speaker 2>the reason that this show exists.

0:42:35.080 --> 0:42:38.799
<v Speaker 1>Yeah, it is. He is the reason he had the

0:42:38.800 --> 0:42:41.480
<v Speaker 1>initial idea. Ryan took it and made it into and

0:42:41.880 --> 0:42:42.480
<v Speaker 1>I wrote.

0:42:42.360 --> 0:42:45.560
<v Speaker 2>Yeah, he wrote the screen screenplay about Glee Club show

0:42:45.640 --> 0:42:49.799
<v Speaker 2>Choir that got adapted for with Ryan for.

0:42:50.200 --> 0:42:51.280
<v Speaker 1>Fox and for TV.

0:42:52.200 --> 0:42:55.160
<v Speaker 2>And none of that would have happened without Ian Rennan.

0:42:55.320 --> 0:42:59.239
<v Speaker 2>So thanks for coming on always so willingly to talk

0:42:59.280 --> 0:43:02.360
<v Speaker 2>about Glee.

0:43:02.600 --> 0:43:07.000
<v Speaker 3>We love you, We're nostalgic, we're excited to finish the

0:43:07.160 --> 0:43:10.719
<v Speaker 3>end and sad, but also thank you again. Hope you

0:43:10.760 --> 0:43:11.440
<v Speaker 3>guys enjoyed that.

0:43:11.640 --> 0:43:14.720
<v Speaker 1>Thanks for sharing. That was illuminating. That's what you really missed.

0:43:15.200 --> 0:43:18.319
<v Speaker 1>Thanks for listening, and follow us on Instagram at and

0:43:18.400 --> 0:43:20.640
<v Speaker 1>That's what you really miss pod. Make sure to write

0:43:20.680 --> 0:43:23.000
<v Speaker 1>us a review and leave us five stars. See you

0:43:23.000 --> 0:43:23.399
<v Speaker 1>next time.