1 00:00:00,280 --> 00:00:03,040 Speaker 1: Hey, Christie, Hi, Will, how are you? I'm good? This 2 00:00:03,160 --> 00:00:05,120 Speaker 1: is I hear voices? Who do we have today, Christie 3 00:00:05,200 --> 00:00:07,880 Speaker 1: Shelby Young. Shelby Young does a lot of different voices. 4 00:00:08,080 --> 00:00:10,320 Speaker 1: I stuck her on TikTok. I had her come today. 5 00:00:10,360 --> 00:00:12,080 Speaker 1: I'm very excited to share with you all of the 6 00:00:12,119 --> 00:00:15,240 Speaker 1: information that she has to jump start you on TikTok's 7 00:00:15,360 --> 00:00:17,639 Speaker 1: you can jump start me away and never gonna happen. However, 8 00:00:18,120 --> 00:00:19,599 Speaker 1: it's gonna be great to meet her because she is 9 00:00:19,720 --> 00:00:21,880 Speaker 1: uber talented, and she's doing a whole bunch of different 10 00:00:21,960 --> 00:00:23,920 Speaker 1: voices and and kind of telling us all about how 11 00:00:23,960 --> 00:00:26,080 Speaker 1: she got into the world. Let's do it, Let's do it. 12 00:00:26,360 --> 00:00:39,120 Speaker 1: I here, Oh my gosh, I'm so excited. Shelby's here. Will, 13 00:00:39,320 --> 00:00:42,800 Speaker 1: Shelby's here, She's here, Are Here's here? Look at her. 14 00:00:43,440 --> 00:00:46,239 Speaker 1: She's not in the TikTok algorithm anymore. She's sitting there 15 00:00:46,320 --> 00:00:49,120 Speaker 1: with me. I crawled out through the screen like the 16 00:00:49,200 --> 00:00:52,559 Speaker 1: ring style, and now I'm here. That is crazy, but 17 00:00:52,640 --> 00:00:58,000 Speaker 1: in a family friendly way. Yes, absolutely, Aith You know what, 18 00:00:58,240 --> 00:00:59,640 Speaker 1: it is kind of tricky to get out of that 19 00:00:59,680 --> 00:01:03,200 Speaker 1: ALGORI it is indeed, you're in an algorithm again. I 20 00:01:03,240 --> 00:01:06,200 Speaker 1: know nothing of social media. Sometimes you can't get in 21 00:01:06,319 --> 00:01:08,360 Speaker 1: and that's the problem too, where it's like, well, why 22 00:01:08,360 --> 00:01:10,480 Speaker 1: did this video not make it in the algorithm? I 23 00:01:10,520 --> 00:01:12,960 Speaker 1: tried so hard, got so far, but in the end 24 00:01:13,000 --> 00:01:15,920 Speaker 1: it didn't really matter, right, So some people that use 25 00:01:16,000 --> 00:01:18,720 Speaker 1: social media, Will is kind of off of it right now. 26 00:01:19,000 --> 00:01:20,760 Speaker 1: I'm trying to lure him back in, but only in 27 00:01:20,760 --> 00:01:25,679 Speaker 1: a responsible no. Never never, And I've always been like 28 00:01:25,880 --> 00:01:28,600 Speaker 1: I've always been pushing him and I probably should stop, 29 00:01:28,640 --> 00:01:30,880 Speaker 1: but I'm happy to have him here with us because 30 00:01:30,880 --> 00:01:33,280 Speaker 1: it's really special to have him and and to chat 31 00:01:33,319 --> 00:01:35,280 Speaker 1: with you, and we'll talk about it. So like I 32 00:01:35,319 --> 00:01:38,480 Speaker 1: met you on TikTok and I honestly fan girl to 33 00:01:38,480 --> 00:01:41,400 Speaker 1: her because if she's so talented, thank you, which is insane, 34 00:01:41,480 --> 00:01:43,320 Speaker 1: because I mean I have fan girl both of you 35 00:01:43,400 --> 00:01:47,279 Speaker 1: basically my entire life, um, which is so cool. Thank you. 36 00:01:47,640 --> 00:01:49,480 Speaker 1: We were watching your TikTok videos earlier and a lot 37 00:01:49,520 --> 00:01:51,320 Speaker 1: of the stuff you do is pretty amazing. Going from 38 00:01:51,360 --> 00:01:55,160 Speaker 1: Disney character to Disney character to Disney character was pretty awesome. Thanks. Yeah, 39 00:01:55,200 --> 00:01:57,160 Speaker 1: it's been it's been a fun journey because I I 40 00:01:57,240 --> 00:01:59,720 Speaker 1: honestly with TikTok, specifically, I just started it during the 41 00:01:59,760 --> 00:02:01,760 Speaker 1: pan Emmick because I was bored and I didn't think 42 00:02:01,760 --> 00:02:03,720 Speaker 1: anything was going to come of it. And then what 43 00:02:03,880 --> 00:02:06,880 Speaker 1: happened has kind of changed my life in a way 44 00:02:06,920 --> 00:02:10,760 Speaker 1: which is really wild. Has changed your life, how well, 45 00:02:10,880 --> 00:02:13,280 Speaker 1: just it's a whole other business now, which I never 46 00:02:13,480 --> 00:02:15,760 Speaker 1: knew it would be. I never thought I would be 47 00:02:15,800 --> 00:02:18,400 Speaker 1: doing brand deals. That wasn't ever something that was on 48 00:02:18,440 --> 00:02:20,880 Speaker 1: my trajectory or radar. And then as far as with 49 00:02:21,000 --> 00:02:23,840 Speaker 1: voiceover work, I thought some opportunities come up because of it, 50 00:02:23,960 --> 00:02:26,520 Speaker 1: or maybe sometimes it's been like a director that already 51 00:02:26,600 --> 00:02:28,080 Speaker 1: knew my work but didn't know I could do so 52 00:02:28,080 --> 00:02:30,639 Speaker 1: many different characters and then reach out and they'd offer 53 00:02:30,720 --> 00:02:32,600 Speaker 1: me something. Well, it's a good platform to kind of 54 00:02:32,600 --> 00:02:34,440 Speaker 1: show people what you can do, because when you audition 55 00:02:34,520 --> 00:02:36,560 Speaker 1: for a voice over roll, or you do any kind 56 00:02:36,600 --> 00:02:38,560 Speaker 1: of voice over roll, normally you go in to do 57 00:02:38,600 --> 00:02:40,519 Speaker 1: one specific thing. You don't get to sit there and 58 00:02:40,520 --> 00:02:43,040 Speaker 1: showcase that you can do forty different voices exactly, which 59 00:02:43,040 --> 00:02:44,840 Speaker 1: not every voice overactor can do. Some of the best 60 00:02:45,080 --> 00:02:47,960 Speaker 1: voice over act in the world can only do one 61 00:02:48,040 --> 00:02:49,520 Speaker 1: or two voice I'm one of those guys. I'm not 62 00:02:49,560 --> 00:02:51,160 Speaker 1: one of the best World. But that's not true. You 63 00:02:51,200 --> 00:02:53,960 Speaker 1: could do it. I can do I can do a few, 64 00:02:54,040 --> 00:02:55,600 Speaker 1: but I'm not one of these people that can do 65 00:02:55,800 --> 00:02:58,200 Speaker 1: forty voices. I've never been one of those will your 66 00:02:58,320 --> 00:03:01,280 Speaker 1: range is insane, He's ron stoppable and Batman, Yeah, I 67 00:03:01,320 --> 00:03:04,200 Speaker 1: can go higher. Yes, I can go higher or you know, 68 00:03:04,400 --> 00:03:05,960 Speaker 1: but it's not one of those things where it's like 69 00:03:06,000 --> 00:03:07,720 Speaker 1: you work with some of these men and women or 70 00:03:07,760 --> 00:03:09,880 Speaker 1: even Shelby, where it's like, oh, you just did fifteen 71 00:03:09,960 --> 00:03:11,960 Speaker 1: voices in a row, you know, So how do you 72 00:03:11,960 --> 00:03:14,000 Speaker 1: approach that? I'm just curious, like, how do you like 73 00:03:14,080 --> 00:03:18,359 Speaker 1: decide what ye like when you Yes, I'm very curious. Yeah, definitely. 74 00:03:18,440 --> 00:03:20,840 Speaker 1: I mean it's probably the same breakdown you guys would do, 75 00:03:20,919 --> 00:03:23,560 Speaker 1: where it's I. I will hopefully get character art with 76 00:03:23,560 --> 00:03:26,040 Speaker 1: my auditions, especially for animation characters, or at least they'll 77 00:03:26,040 --> 00:03:28,720 Speaker 1: send sometimes like a reference for video game characters. Right, 78 00:03:29,120 --> 00:03:30,840 Speaker 1: I look at the face, I look at the eyes 79 00:03:30,840 --> 00:03:34,200 Speaker 1: of the character I read. I usually start reading the 80 00:03:34,240 --> 00:03:37,000 Speaker 1: script before I actually read the breakdown, because usually you'll 81 00:03:37,000 --> 00:03:39,080 Speaker 1: get a lot of context clues of who the character 82 00:03:39,240 --> 00:03:42,240 Speaker 1: is through their interactions, unless it's you know, sometimes the 83 00:03:42,280 --> 00:03:45,560 Speaker 1: copy is just line, line line, nothing in between, excited, 84 00:03:45,680 --> 00:03:48,240 Speaker 1: confident this then I'll go back and read the character description. 85 00:03:48,560 --> 00:03:51,640 Speaker 1: But I just kind of, yeah, I focus on the age, 86 00:03:51,720 --> 00:03:55,040 Speaker 1: what they look like, what they again their character prototype, 87 00:03:55,040 --> 00:03:56,840 Speaker 1: seems like can go from there, like if they're shy, 88 00:03:56,880 --> 00:03:59,200 Speaker 1: I'll just offen my voice a little bit. Or if 89 00:03:59,200 --> 00:04:01,520 Speaker 1: they're like really rag and loud, like I'll add that 90 00:04:01,600 --> 00:04:04,680 Speaker 1: sort of depth into it. So, yeah, I feel like 91 00:04:04,680 --> 00:04:07,440 Speaker 1: you probably do a similar thing. Yeah, we've talked about it, 92 00:04:07,440 --> 00:04:10,480 Speaker 1: because there might be you know, several people that come 93 00:04:10,480 --> 00:04:12,240 Speaker 1: onto I hear voices and be like, well, yeah, I 94 00:04:12,240 --> 00:04:14,040 Speaker 1: see the art and I approach it and it tells 95 00:04:14,080 --> 00:04:16,039 Speaker 1: me what to do. But I think you're selling yourself short, 96 00:04:16,560 --> 00:04:19,560 Speaker 1: because honestly, I do think there's there's a magic to 97 00:04:19,839 --> 00:04:26,280 Speaker 1: your approach to things that is evident. You're you're kind 98 00:04:26,279 --> 00:04:29,880 Speaker 1: of amazing, and honestly, she she Okay. So there's this 99 00:04:30,000 --> 00:04:32,919 Speaker 1: term called voice matching. It's a whole different part of 100 00:04:32,960 --> 00:04:35,599 Speaker 1: the voiceover industry. Back in the day, it was probably 101 00:04:35,640 --> 00:04:39,239 Speaker 1: called impersonations, like, oh, you can do a good impersonation, nowaday, 102 00:04:39,320 --> 00:04:42,880 Speaker 1: that's not really you know, well they have because it's 103 00:04:42,920 --> 00:04:45,800 Speaker 1: it's so much more than just impersonating somebody because you're 104 00:04:45,839 --> 00:04:47,960 Speaker 1: not just usually matching their voice, but you also have 105 00:04:48,040 --> 00:04:50,040 Speaker 1: to match whatever acting style they do. I mean that's 106 00:04:50,080 --> 00:04:52,840 Speaker 1: a difficult thing to do because anybody, not anybody but 107 00:04:53,160 --> 00:04:55,520 Speaker 1: voiceover actors can go in there and maybe match tonally 108 00:04:56,200 --> 00:04:58,719 Speaker 1: or get the same cadence, but to actually then get 109 00:04:58,880 --> 00:05:01,880 Speaker 1: have the acting chops to match who ever did it 110 00:05:01,920 --> 00:05:04,160 Speaker 1: is a difficult thing. So that's why we were looking 111 00:05:04,160 --> 00:05:05,919 Speaker 1: at your you know, kind of some of the stuff 112 00:05:05,960 --> 00:05:07,800 Speaker 1: you were doing on it is called TikTok am I 113 00:05:07,800 --> 00:05:12,320 Speaker 1: getting this. Um TikTok not a TikTok different thing. Um. 114 00:05:12,360 --> 00:05:14,080 Speaker 1: The color ones are better than the other ones anyway, 115 00:05:14,279 --> 00:05:18,880 Speaker 1: Um really yeah, I love the color one. What are 116 00:05:18,880 --> 00:05:20,280 Speaker 1: we going to get off in a whole tangent here? 117 00:05:21,080 --> 00:05:23,599 Speaker 1: Orange tik tak's are the best? Oh? I do like 118 00:05:23,640 --> 00:05:26,080 Speaker 1: those this funky aftertaste. I thought you meant the ones 119 00:05:26,120 --> 00:05:30,000 Speaker 1: that are the many colors in the bottink. There's all 120 00:05:30,080 --> 00:05:32,280 Speaker 1: just taste weird. It's a medley. It's like a medley 121 00:05:32,320 --> 00:05:35,400 Speaker 1: in a little box and it just tastes. Yeah, TikTok sponsor. 122 00:05:37,720 --> 00:05:41,680 Speaker 1: Everyone was going the wait a second, I downloaded TikTok so, 123 00:05:41,920 --> 00:05:43,840 Speaker 1: but one of the things we were watching was that 124 00:05:43,920 --> 00:05:47,520 Speaker 1: again you can you're matching tonally or you're matching the 125 00:05:47,600 --> 00:05:49,279 Speaker 1: cadence of the character. I mean, for instance, we were 126 00:05:49,279 --> 00:05:50,840 Speaker 1: talking about Harley Quinn. We're looking at a bunch of 127 00:05:50,960 --> 00:05:53,119 Speaker 1: different Harley's and I know a lot of these women 128 00:05:53,480 --> 00:05:55,600 Speaker 1: you know very well, from Hayden to Tear It to All. 129 00:05:55,680 --> 00:05:57,920 Speaker 1: You know kind of some people that will take the 130 00:05:58,040 --> 00:06:00,160 Speaker 1: same character and maybe do something a little bit different them. 131 00:06:00,320 --> 00:06:03,520 Speaker 1: So to be able to match all of them and 132 00:06:03,880 --> 00:06:06,440 Speaker 1: kind of hit their acting style, I think is is 133 00:06:06,600 --> 00:06:09,279 Speaker 1: the thing that's most amazing. Thank you. I really appreciate that. Yeah, 134 00:06:09,320 --> 00:06:12,000 Speaker 1: I always feel like when because it's happened in my 135 00:06:12,120 --> 00:06:14,240 Speaker 1: career where not only I've voice matched, but I've I've 136 00:06:14,320 --> 00:06:16,520 Speaker 1: voiced characters like you're saying with Harley Quinn, where other 137 00:06:16,680 --> 00:06:19,640 Speaker 1: actresses have voiced this character before. So I do find 138 00:06:19,680 --> 00:06:23,640 Speaker 1: it's really important to honor previous performances while also figuring 139 00:06:23,680 --> 00:06:26,360 Speaker 1: out your own iteration of that character as well. But yeah, 140 00:06:26,400 --> 00:06:28,040 Speaker 1: when I'm doing it for TikTok or when I'm doing 141 00:06:28,080 --> 00:06:29,680 Speaker 1: a straight up voice match, yeah, I am fully just 142 00:06:29,760 --> 00:06:32,480 Speaker 1: focused on I need to be this person for the 143 00:06:32,560 --> 00:06:34,920 Speaker 1: few minutes that I'm doing their efforts or their dialogue 144 00:06:35,000 --> 00:06:36,880 Speaker 1: or whatever it is. Yeah, you've done quite a bit 145 00:06:36,920 --> 00:06:39,880 Speaker 1: of voice matching. I have what other actual voice matching 146 00:06:39,920 --> 00:06:42,479 Speaker 1: have you done in the industry? Um, I have done 147 00:06:42,680 --> 00:06:44,720 Speaker 1: a lot of Marvel voice matching. I just worked on 148 00:06:44,760 --> 00:06:46,800 Speaker 1: the Latest Spider Man. I was an ant man in 149 00:06:46,839 --> 00:06:49,080 Speaker 1: the Wasp. Who are you? Who are you doing? I 150 00:06:49,120 --> 00:06:50,960 Speaker 1: wonder if I'm allowed to say, are you allowed? I 151 00:06:51,000 --> 00:06:53,440 Speaker 1: don't know how that works this way. Maybe don't say, 152 00:06:54,320 --> 00:06:58,520 Speaker 1: but in in the in the matching voice, you could 153 00:06:58,600 --> 00:07:02,400 Speaker 1: say you're not allowed to say. Let's see, Yes, that's amazing. 154 00:07:02,520 --> 00:07:05,720 Speaker 1: Oh shoot, okay, let's let's see. Let's see who I'll 155 00:07:05,760 --> 00:07:09,200 Speaker 1: do man on the Wasp. So the actress I voice 156 00:07:09,240 --> 00:07:12,360 Speaker 1: matches from Saskatchewan, Canada. She wears a helmet a lot 157 00:07:12,400 --> 00:07:16,080 Speaker 1: of the times, and sometimes it's my voice. Okay, perfect Thor, Yeah, 158 00:07:16,880 --> 00:07:19,440 Speaker 1: absolutely perfect, Thor. I got that. Okay, So we don't 159 00:07:19,440 --> 00:07:21,239 Speaker 1: have to We didn't have to say the comment section, 160 00:07:21,360 --> 00:07:24,760 Speaker 1: you guys can I thought we were shutting off comments. 161 00:07:24,800 --> 00:07:29,080 Speaker 1: We'll talk about that later. No, I'm kidding, okay, So 162 00:07:29,240 --> 00:07:31,680 Speaker 1: that that was very cool. Oh thanks, Yeah, No, i 163 00:07:31,800 --> 00:07:34,720 Speaker 1: I've done I'm like I'm blanking now on everything I've 164 00:07:34,720 --> 00:07:40,240 Speaker 1: ever worked on in my life, Young dot com and 165 00:07:40,320 --> 00:07:44,280 Speaker 1: look at my resume. Shelby was just everybody. It turns 166 00:07:44,280 --> 00:07:47,760 Speaker 1: out things voice actors really pop up everywhere, and always 167 00:07:47,880 --> 00:07:50,400 Speaker 1: in so many different like you don't even know because 168 00:07:50,440 --> 00:07:53,560 Speaker 1: there's no that's IMTB has done a better job of 169 00:07:53,680 --> 00:07:55,840 Speaker 1: trying to collect, but it doesn't have all of them 170 00:07:55,960 --> 00:07:57,880 Speaker 1: right now, and it's uns still. I was also going 171 00:07:57,960 --> 00:07:59,440 Speaker 1: to say, on top of it, two people can update 172 00:07:59,480 --> 00:08:01,800 Speaker 1: your am dB with credits that aren't yours, which is 173 00:08:01,840 --> 00:08:05,480 Speaker 1: happening before. Well, it just makes me look like I've 174 00:08:05,520 --> 00:08:09,880 Speaker 1: done more things. That's awesome. I was in the rock Yeah, 175 00:08:10,040 --> 00:08:13,400 Speaker 1: very very happy, incredible. Yeah yeah. But that's the thing 176 00:08:13,480 --> 00:08:17,160 Speaker 1: with voiceover that people don't realize is we're everywhere. If 177 00:08:17,200 --> 00:08:19,840 Speaker 1: you walk into a store, there's a voice actor speaking 178 00:08:19,920 --> 00:08:22,360 Speaker 1: over the speaker. You go on a train, there's someone 179 00:08:22,440 --> 00:08:26,360 Speaker 1: who prerecorded something. You watch TV the background actors that 180 00:08:26,440 --> 00:08:28,160 Speaker 1: you're watching in film and television, which I do a 181 00:08:28,200 --> 00:08:30,440 Speaker 1: lot of, This is called looping. The actors on set 182 00:08:30,520 --> 00:08:32,839 Speaker 1: aren't actually speaking right. The main character is what the 183 00:08:32,880 --> 00:08:35,400 Speaker 1: focus is on, and then we go in and improvise 184 00:08:35,520 --> 00:08:37,599 Speaker 1: what those people in the background, we're saying, they're just 185 00:08:37,720 --> 00:08:39,800 Speaker 1: moving their lips. Yeah, and well because they can't make 186 00:08:39,800 --> 00:08:41,560 Speaker 1: any noise. So the other thing that's cool is if 187 00:08:41,600 --> 00:08:45,360 Speaker 1: you watch every time there's a clapping scene, nobody actually 188 00:08:45,480 --> 00:08:47,960 Speaker 1: hits their hands together, so you see a hundred people 189 00:08:48,000 --> 00:08:50,360 Speaker 1: behind just going like this and nobody's making any noise, 190 00:08:50,400 --> 00:08:54,520 Speaker 1: so that that's always fun. Yeah, oh yeah, that's the 191 00:08:54,559 --> 00:08:56,920 Speaker 1: only like fully esque thing that we do that we're 192 00:08:56,920 --> 00:08:59,000 Speaker 1: allowed to use our hands. I'm also convinced I've never 193 00:08:59,120 --> 00:09:01,319 Speaker 1: actually had a pie flying the plane. It's just two 194 00:09:01,400 --> 00:09:05,360 Speaker 1: voice actors in the front going and it's like a monkey, 195 00:09:05,440 --> 00:09:08,920 Speaker 1: and they just what they're they're just as voiceover actors. 196 00:09:09,000 --> 00:09:11,959 Speaker 1: I convince there. So now I have a question for 197 00:09:12,080 --> 00:09:15,840 Speaker 1: you from an acting standpoint, so you can match. Let's 198 00:09:15,920 --> 00:09:18,120 Speaker 1: let's stick with Harley, because because you've seen this, you 199 00:09:18,200 --> 00:09:19,840 Speaker 1: can match say four or five of the different Harley 200 00:09:19,920 --> 00:09:22,400 Speaker 1: characters out there. So your cast is Harley Quinn tomorrow. 201 00:09:22,960 --> 00:09:25,800 Speaker 1: Do you go in with your own take entirely or 202 00:09:25,960 --> 00:09:28,720 Speaker 1: do you maybe try to play on something that somebody's 203 00:09:28,720 --> 00:09:31,240 Speaker 1: already done. So I would base it off of my audition. 204 00:09:31,400 --> 00:09:33,400 Speaker 1: So for let's say I'm auditioning for Harley Quinn, right, 205 00:09:33,400 --> 00:09:35,160 Speaker 1: I would do two takes. I would do a take 206 00:09:35,240 --> 00:09:37,640 Speaker 1: that is totally my own iteration of her, unless the 207 00:09:37,800 --> 00:09:41,160 Speaker 1: state specifically say like we want a version of Tara 208 00:09:41,200 --> 00:09:43,319 Speaker 1: Strong's Harley, or we want this, we want that, and 209 00:09:43,360 --> 00:09:45,319 Speaker 1: then my second take would be more can to the 210 00:09:45,400 --> 00:09:48,920 Speaker 1: classic Harley Quinn, which is Arlene Sorkin is usually who 211 00:09:49,000 --> 00:09:50,959 Speaker 1: my go to is based off of, just because she 212 00:09:51,360 --> 00:09:54,120 Speaker 1: was who the character was written for. But yeah, I 213 00:09:54,640 --> 00:09:56,720 Speaker 1: think I'd like keep that sort of like the peaks 214 00:09:56,720 --> 00:09:58,199 Speaker 1: and the valleys that she has in there, but you 215 00:09:58,240 --> 00:10:00,280 Speaker 1: always got to do the class of like have it's 216 00:10:00,360 --> 00:10:04,240 Speaker 1: Colly Quinn. That is Paul Deny and Bruce tam who 217 00:10:04,280 --> 00:10:06,240 Speaker 1: wrote that character. By the way, big shout out to Batman, 218 00:10:06,280 --> 00:10:08,320 Speaker 1: the animated series that change the entire ball game anyway. 219 00:10:08,360 --> 00:10:10,040 Speaker 1: So here's the other thing Christy and I talked about 220 00:10:10,400 --> 00:10:13,439 Speaker 1: is because Christie Is has been doing voiceover for years 221 00:10:13,480 --> 00:10:18,720 Speaker 1: and years and years. So no, not I've voice matched. 222 00:10:18,800 --> 00:10:22,320 Speaker 1: My voice matched for Angelina Jolie wants say yes, when 223 00:10:22,320 --> 00:10:26,280 Speaker 1: I was at the height of my my voiceover career, Yes, 224 00:10:26,400 --> 00:10:29,400 Speaker 1: because at one point was really invested and wanting to 225 00:10:29,480 --> 00:10:33,760 Speaker 1: be as awesome as Will and um I even say 226 00:10:34,000 --> 00:10:36,120 Speaker 1: I even was with his same agent and everything, and 227 00:10:36,160 --> 00:10:38,800 Speaker 1: they were really awesome about sending me on really diverse 228 00:10:38,920 --> 00:10:41,520 Speaker 1: types of things, and it was like, it's just the 229 00:10:41,679 --> 00:10:44,320 Speaker 1: more you do it and the more you can understand 230 00:10:44,360 --> 00:10:46,440 Speaker 1: your like voice and like the things that you can 231 00:10:46,480 --> 00:10:48,439 Speaker 1: do with it and stuff like that. There's you have 232 00:10:48,520 --> 00:10:51,280 Speaker 1: to have an incredible passion for for the art of 233 00:10:51,480 --> 00:10:53,719 Speaker 1: like voice work, you know, but you're also you're a 234 00:10:53,800 --> 00:10:56,599 Speaker 1: really good singer, so you already have the idea that 235 00:10:56,800 --> 00:10:59,760 Speaker 1: your voice is an instrument. Yes, so that's already ingrained 236 00:10:59,800 --> 00:11:02,000 Speaker 1: in you. So that's why you were you could jump 237 00:11:02,080 --> 00:11:04,160 Speaker 1: right into the voice over world. But the funny thing was, 238 00:11:04,240 --> 00:11:05,920 Speaker 1: as we were talking about this and talking about doing 239 00:11:05,960 --> 00:11:09,280 Speaker 1: this show, you were like, I love voiceover, I don't 240 00:11:09,280 --> 00:11:11,360 Speaker 1: really know anything about it, and so we were like, 241 00:11:12,040 --> 00:11:13,960 Speaker 1: what are you talking and you're like, just the world 242 00:11:14,000 --> 00:11:16,000 Speaker 1: of animation and then the things we want to talk 243 00:11:16,040 --> 00:11:18,040 Speaker 1: to Shelby about, because there's a big difference between like 244 00:11:18,400 --> 00:11:20,440 Speaker 1: the world of animation and the world of video games, 245 00:11:20,840 --> 00:11:23,360 Speaker 1: whole different kind of acting. And then that you know, 246 00:11:23,600 --> 00:11:25,800 Speaker 1: doing like you say, you walk in somebody records something 247 00:11:25,840 --> 00:11:27,520 Speaker 1: for a train that's a whole different type, I mean, 248 00:11:28,360 --> 00:11:30,600 Speaker 1: any other nerdom, Which is what I love about NERD 249 00:11:30,640 --> 00:11:33,000 Speaker 1: dooms is you scratch the surface and there's you uncover 250 00:11:33,080 --> 00:11:35,480 Speaker 1: a world. And so that's the thing that's so cool 251 00:11:35,559 --> 00:11:37,360 Speaker 1: about the voiceover world, as they call it the voice 252 00:11:37,400 --> 00:11:39,480 Speaker 1: over world, because it's a world and people who just 253 00:11:39,679 --> 00:11:42,320 Speaker 1: do commercials may not be with people who just do animation, 254 00:11:42,400 --> 00:11:45,360 Speaker 1: may be with people who just do video games. Because 255 00:11:45,600 --> 00:11:47,439 Speaker 1: even a lot of my friends who have been working 256 00:11:47,480 --> 00:11:49,160 Speaker 1: in the industry for so long, like you're saying, they 257 00:11:49,200 --> 00:11:51,079 Speaker 1: had never heard of looping or voice matching or a 258 00:11:51,160 --> 00:11:54,360 Speaker 1: d R. But it's a whole separate ball game, is 259 00:11:54,679 --> 00:11:56,160 Speaker 1: especially with the voice matching and why I was like, 260 00:11:56,160 --> 00:11:58,040 Speaker 1: I don't know what characters I can say. It is 261 00:11:58,160 --> 00:12:00,559 Speaker 1: something that it preserves the magic of the film when 262 00:12:00,600 --> 00:12:04,480 Speaker 1: you don't say who you voice, because then no one's 263 00:12:04,480 --> 00:12:06,319 Speaker 1: going to be listening for Oh wait, that might have 264 00:12:06,360 --> 00:12:15,400 Speaker 1: been a different person speaking. Oh wait, no I do that. Yeah. 265 00:12:16,520 --> 00:12:18,000 Speaker 1: By the way, a d R for everybody out there, 266 00:12:18,040 --> 00:12:19,720 Speaker 1: can you explain what a d R ing is? What's 267 00:12:19,720 --> 00:12:21,920 Speaker 1: funny is I have no idea what the acronym stands for. Hi, 268 00:12:21,960 --> 00:12:25,280 Speaker 1: I'm a professional. I think it's a dialogue recording, that's it. 269 00:12:25,400 --> 00:12:28,760 Speaker 1: It's a studio dialogue replacement. It could be that as well. 270 00:12:28,760 --> 00:12:30,960 Speaker 1: I think it's additional dialogue record. It's one of those things. 271 00:12:31,160 --> 00:12:34,760 Speaker 1: The D I think definitely stands for dialogue, could be anything. 272 00:12:34,840 --> 00:12:38,880 Speaker 1: It's recording it is. It's a cleanup process essentially where 273 00:12:38,920 --> 00:12:41,040 Speaker 1: you record a whole bunch of stuff and then you said, 274 00:12:41,080 --> 00:12:43,040 Speaker 1: you know, if it's animated, at least for a show. 275 00:12:43,559 --> 00:12:45,280 Speaker 1: People A lot of people don't realize that you record 276 00:12:45,360 --> 00:12:48,840 Speaker 1: the show first, you send it away, it's gone for eight, nine, 277 00:12:48,960 --> 00:12:52,040 Speaker 1: ten months, and then it comes back for the animation. 278 00:12:52,200 --> 00:12:54,000 Speaker 1: And the thing is maybe you recorded in a room 279 00:12:54,080 --> 00:12:55,560 Speaker 1: and you read it a certain way where two character 280 00:12:55,800 --> 00:12:57,920 Speaker 1: characters are whispering to each other and they animated and 281 00:12:57,920 --> 00:12:59,520 Speaker 1: you're standing across the cavern. So you've got to go 282 00:12:59,600 --> 00:13:02,160 Speaker 1: back and re record everything you've done. And that's just 283 00:13:02,520 --> 00:13:04,599 Speaker 1: this time you have to match the pacing and the 284 00:13:04,720 --> 00:13:07,679 Speaker 1: lips of this animated character or with the voice matching, 285 00:13:07,720 --> 00:13:09,160 Speaker 1: like when I will say I did was for Red 286 00:13:09,240 --> 00:13:11,559 Speaker 1: notice I did Galgadots voice matching for it. So it 287 00:13:11,640 --> 00:13:14,160 Speaker 1: was like having to match, Uh, let's see, I don't 288 00:13:14,160 --> 00:13:16,640 Speaker 1: remember what my life I can do one of her 289 00:13:16,679 --> 00:13:19,360 Speaker 1: lines from wonder Woman. I cannot stand by what innocent 290 00:13:19,440 --> 00:13:23,240 Speaker 1: lives are lost? That was good. That was good, That 291 00:13:23,280 --> 00:13:25,079 Speaker 1: was very you know, it was not good was the 292 00:13:25,120 --> 00:13:28,160 Speaker 1: second wonder Woman. But that's a whole different conversation we 293 00:13:28,280 --> 00:13:31,800 Speaker 1: can get in. Were turning off the comments section. I 294 00:13:31,880 --> 00:13:34,079 Speaker 1: don't think many people are going to disagree with the 295 00:13:34,120 --> 00:13:37,600 Speaker 1: first one was so good. But anyways, again that's my nerd. 296 00:13:38,320 --> 00:13:40,280 Speaker 1: That was more popular. It seems like I saw they 297 00:13:40,360 --> 00:13:43,440 Speaker 1: promote who does a wonder Woman movie that takes place 298 00:13:43,480 --> 00:13:46,760 Speaker 1: in the eighties and uses no eighties music? Oh, that's odd. 299 00:13:47,840 --> 00:13:50,040 Speaker 1: It's like who it's the it's the eight the eighties 300 00:13:50,120 --> 00:13:52,199 Speaker 1: is known for their music, and there's like no eighties 301 00:13:52,440 --> 00:13:55,320 Speaker 1: And I thought the eighties for parachute pants. That too, 302 00:13:55,920 --> 00:13:58,600 Speaker 1: um and break dancing, which I was pretty good at. 303 00:13:59,280 --> 00:14:02,720 Speaker 1: I was, oh, this is why you deleted social media, 304 00:14:02,760 --> 00:14:05,280 Speaker 1: because you'd be posting breakdancing videos on TikTok if you 305 00:14:05,400 --> 00:14:09,120 Speaker 1: have exactly this is the way into the algorithm. Really 306 00:14:09,200 --> 00:14:11,040 Speaker 1: that you think I'm just going to start doing breakdance, 307 00:14:14,160 --> 00:14:17,080 Speaker 1: you and I are on the same page. She's also 308 00:14:17,120 --> 00:14:19,640 Speaker 1: done mo Cap Shelby. Well, that's funny. Because that's exactly 309 00:14:19,680 --> 00:14:21,160 Speaker 1: what I think we should talk about now, because that's 310 00:14:21,160 --> 00:14:23,000 Speaker 1: a whole we're talking about the different worlds of animation. 311 00:14:23,400 --> 00:14:25,200 Speaker 1: Explain to us what mo cap is for people that 312 00:14:25,720 --> 00:14:27,400 Speaker 1: mo cap which I actually know what that stands for, 313 00:14:27,600 --> 00:14:31,920 Speaker 1: is motion capture or pecap performance capture. But basically along 314 00:14:32,000 --> 00:14:34,520 Speaker 1: with your voice acting, it's kind of a perfect marriage 315 00:14:34,640 --> 00:14:38,840 Speaker 1: of film acting, stage acting and voiceover because you're on 316 00:14:39,000 --> 00:14:42,840 Speaker 1: a sound stage. You have nothing there. You're just in 317 00:14:42,920 --> 00:14:46,240 Speaker 1: a blank room with cameras surrounding you. They'll build props 318 00:14:46,280 --> 00:14:48,600 Speaker 1: out of sometimes like like a wooden table or a 319 00:14:48,640 --> 00:14:50,920 Speaker 1: little little sort of proppy things. But you're in a 320 00:14:51,280 --> 00:14:54,760 Speaker 1: wetsuit like deal with these little trackers people call them 321 00:14:54,800 --> 00:14:56,680 Speaker 1: ping pong balls all over you. You have I call 322 00:14:56,760 --> 00:14:58,680 Speaker 1: it headgear, but you got this helmet and this camera 323 00:14:58,880 --> 00:15:00,920 Speaker 1: right in front of your face and you gotta pretend 324 00:15:00,960 --> 00:15:03,800 Speaker 1: it's not there, and you just act to act. And 325 00:15:03,840 --> 00:15:05,600 Speaker 1: you're with other actors, which is great because a lot 326 00:15:05,640 --> 00:15:07,320 Speaker 1: of the times, I know, with the animation in the 327 00:15:07,400 --> 00:15:09,960 Speaker 1: before times, uh, you were able to be in the 328 00:15:10,040 --> 00:15:13,640 Speaker 1: same room working together. Uh. Now you know, everybody's kind 329 00:15:13,680 --> 00:15:16,320 Speaker 1: of recording from home or going in separately into the studios. 330 00:15:16,360 --> 00:15:18,920 Speaker 1: But with mo cap we're still we get tested every day, 331 00:15:19,280 --> 00:15:21,240 Speaker 1: but we still are in with the other actors. There's 332 00:15:21,280 --> 00:15:23,200 Speaker 1: just no way to film that without well, yeah, you're 333 00:15:23,560 --> 00:15:25,120 Speaker 1: get to play off of everybody and do it. Well, 334 00:15:25,200 --> 00:15:27,200 Speaker 1: let's call it BCT from now on, which is before 335 00:15:27,240 --> 00:15:31,360 Speaker 1: COVID time. So now my question is is because I 336 00:15:31,840 --> 00:15:33,480 Speaker 1: was a gamer for a while and then they just 337 00:15:33,640 --> 00:15:38,600 Speaker 1: now too many buttons. So the thing I alway found 338 00:15:38,600 --> 00:15:41,440 Speaker 1: interesting about video games a a lot of people don't know, 339 00:15:41,560 --> 00:15:43,120 Speaker 1: especially when you go into record, is that you can 340 00:15:43,200 --> 00:15:45,320 Speaker 1: shred your voice. When you're just doing a video, you 341 00:15:45,440 --> 00:15:48,800 Speaker 1: get a script like this thick. It's an effort session 342 00:15:49,040 --> 00:15:51,560 Speaker 1: and you are it's you get and when by efforts, 343 00:15:51,640 --> 00:15:55,040 Speaker 1: every time a character gets hit or get shot exactly 344 00:15:55,600 --> 00:15:58,160 Speaker 1: and it's big and small and medium and that kind 345 00:15:58,200 --> 00:16:01,440 Speaker 1: of stuff. So when you're doing mo cap, do they 346 00:16:01,520 --> 00:16:03,680 Speaker 1: I mean, back in the day, when you played a 347 00:16:03,720 --> 00:16:06,160 Speaker 1: video game, the character went one way, it did one thing, 348 00:16:06,320 --> 00:16:07,960 Speaker 1: it jumped, did whatever you had to do, and that 349 00:16:08,120 --> 00:16:10,520 Speaker 1: was the game. Now you turn left down a hallway, 350 00:16:10,520 --> 00:16:12,240 Speaker 1: it's a whole different scene. You turned right down the hallway, 351 00:16:12,240 --> 00:16:14,040 Speaker 1: it's a whole different scene. You have to record for 352 00:16:14,120 --> 00:16:16,760 Speaker 1: every eventuality that the player can make, so any cut 353 00:16:16,880 --> 00:16:19,960 Speaker 1: scene that if a game is utilizing motion capture, they 354 00:16:20,040 --> 00:16:23,040 Speaker 1: will film that scene and use motion capture film every 355 00:16:23,080 --> 00:16:25,280 Speaker 1: actor that way, and then the in game dialogue we 356 00:16:25,360 --> 00:16:27,720 Speaker 1: record separately, just in the booth like a regular video game. 357 00:16:28,040 --> 00:16:30,440 Speaker 1: So I'm not mo capping my actual, you know, fight 358 00:16:30,560 --> 00:16:33,320 Speaker 1: movements unless it's in the cut scene where the player 359 00:16:33,400 --> 00:16:35,280 Speaker 1: isn't playing as the character at that moment, and then 360 00:16:35,360 --> 00:16:37,920 Speaker 1: even then it's usually stunt doubles for the actual fight stuff, 361 00:16:38,000 --> 00:16:39,640 Speaker 1: and then I just take the credit and look cool. No, 362 00:16:39,680 --> 00:16:43,120 Speaker 1: I know, I love stunt doubles. Um uh, but what 363 00:16:43,200 --> 00:16:45,640 Speaker 1: I mean that is kind of fair though, right, because 364 00:16:45,720 --> 00:16:48,560 Speaker 1: like if there are stunts that people are it's all 365 00:16:48,640 --> 00:16:50,560 Speaker 1: like you said, it's part of the magic, Like nobody's 366 00:16:50,680 --> 00:16:54,120 Speaker 1: really it is a collaboration. I've become really good friends 367 00:16:54,160 --> 00:16:56,000 Speaker 1: though I've I've been lucky enough to work on a 368 00:16:56,080 --> 00:16:58,680 Speaker 1: couple of projects in Sweden, which is insane, so I've 369 00:16:58,720 --> 00:17:00,440 Speaker 1: become really close with the team they're because it's a 370 00:17:00,480 --> 00:17:03,000 Speaker 1: smaller market, so it's a lot of the same stunt actors. 371 00:17:03,440 --> 00:17:05,280 Speaker 1: And one of the games that I can talk about 372 00:17:05,320 --> 00:17:09,800 Speaker 1: that's out was Wolfenstein Young Blood, which was I played 373 00:17:09,800 --> 00:17:13,679 Speaker 1: the original Wolfenstein and I don't mean to jump. Weren't 374 00:17:13,720 --> 00:17:16,720 Speaker 1: you one of, if not the first female characters that 375 00:17:16,800 --> 00:17:20,760 Speaker 1: was playable. So it was me and my great friend, 376 00:17:20,960 --> 00:17:23,840 Speaker 1: another voice actor, Valerie, Valerie rose Loman, and you could 377 00:17:23,920 --> 00:17:25,760 Speaker 1: choose to play as either Soaf which was me, or 378 00:17:25,880 --> 00:17:27,919 Speaker 1: Jess which was her, and we were the twin daughters 379 00:17:27,960 --> 00:17:31,119 Speaker 1: of the protagonist b J. But yeah, first female playable 380 00:17:31,200 --> 00:17:34,080 Speaker 1: characters in the franchise, which was so cool. But with 381 00:17:34,320 --> 00:17:36,399 Speaker 1: with the stunts and that I remember filming him, it 382 00:17:36,480 --> 00:17:39,160 Speaker 1: was so funny. So we have these crazy fight scenes 383 00:17:39,240 --> 00:17:40,800 Speaker 1: going on, but they still need us to act with 384 00:17:40,840 --> 00:17:43,399 Speaker 1: our faces as if we're getting hit and thrown, So 385 00:17:43,520 --> 00:17:47,640 Speaker 1: we're standing off to the side just like as they're 386 00:17:47,680 --> 00:17:50,359 Speaker 1: actually doing these stunts right in front of us. The 387 00:17:50,440 --> 00:17:52,800 Speaker 1: best Now, which one do you prefer? Do you prefer 388 00:17:52,880 --> 00:17:56,600 Speaker 1: mo cap or straight up animation or TikTok? And by 389 00:17:56,640 --> 00:17:58,760 Speaker 1: the way, she's also on camera, she's she was an 390 00:17:58,760 --> 00:18:06,639 Speaker 1: American horror story. It's true different. Yeah, well, I mean, 391 00:18:06,760 --> 00:18:08,760 Speaker 1: but if we go back for just a second, like, 392 00:18:08,880 --> 00:18:12,960 Speaker 1: what was your approach into voice acting? Yeah, I it's 393 00:18:13,000 --> 00:18:15,399 Speaker 1: so crazy. I sort of fell into it when I 394 00:18:15,600 --> 00:18:17,880 Speaker 1: was a kid. So I'm from Florida. Originally I lived 395 00:18:17,920 --> 00:18:19,679 Speaker 1: in New York for a bit though, uh, and then 396 00:18:19,720 --> 00:18:22,000 Speaker 1: came out here eventually. But when I was in New York, 397 00:18:22,040 --> 00:18:24,320 Speaker 1: I had done a few video jobs. It was a 398 00:18:24,400 --> 00:18:26,840 Speaker 1: lot of those like silly Rabbit checks there for kids commercials, 399 00:18:26,880 --> 00:18:29,040 Speaker 1: which was really cool. But when I was a kid, 400 00:18:29,119 --> 00:18:32,760 Speaker 1: I didn't understand that that was also a career. I thought, like, 401 00:18:32,880 --> 00:18:35,119 Speaker 1: actors are on camera and then they do these on 402 00:18:35,200 --> 00:18:38,800 Speaker 1: the side, which is so wrong. Now it is so wrong. 403 00:18:39,359 --> 00:18:41,119 Speaker 1: But then when I was a bit older, I went 404 00:18:41,200 --> 00:18:43,680 Speaker 1: in just for a mo cap audition through my theatrical 405 00:18:43,760 --> 00:18:46,560 Speaker 1: rep so it was just like a regular film or 406 00:18:46,600 --> 00:18:48,800 Speaker 1: TV audition. They just wanted a little bit more movement 407 00:18:48,840 --> 00:18:51,000 Speaker 1: than normally, and I ended up booking it, which is 408 00:18:51,040 --> 00:18:53,679 Speaker 1: this game called Dead Rising three and I was one 409 00:18:53,720 --> 00:18:59,919 Speaker 1: of the leads, which was insane and especially it was crazy. 410 00:19:00,000 --> 00:19:02,240 Speaker 1: It was so cool. I played Annie and she was 411 00:19:02,320 --> 00:19:05,120 Speaker 1: just like really cool punk chick and we were killing 412 00:19:05,240 --> 00:19:07,359 Speaker 1: zombies and it was great. So this is stuff that 413 00:19:07,480 --> 00:19:10,240 Speaker 1: like you were mentioning on g m A, which, by 414 00:19:10,240 --> 00:19:13,680 Speaker 1: the way, that's amazing that Blue. I don't understand what 415 00:19:13,760 --> 00:19:17,080 Speaker 1: happened in this last year. I'm just along for the 416 00:19:17,200 --> 00:19:19,320 Speaker 1: ride and and so, and you were saying you like 417 00:19:19,440 --> 00:19:22,119 Speaker 1: to do parts that you can't you wouldn't physically be 418 00:19:22,200 --> 00:19:25,480 Speaker 1: able to do. Yeah, so that's like a perfect example. Yeah. Yeah, 419 00:19:25,520 --> 00:19:27,480 Speaker 1: I mean I could not kill a zombie to save 420 00:19:27,560 --> 00:19:34,280 Speaker 1: my life. And if they were attacking, you have somebody 421 00:19:34,320 --> 00:19:35,560 Speaker 1: else to do it, and you make the faces and 422 00:19:36,359 --> 00:19:39,960 Speaker 1: every but no, it was it was just I had 423 00:19:40,160 --> 00:19:42,399 Speaker 1: so much fun on that set and it felt just 424 00:19:42,600 --> 00:19:45,639 Speaker 1: like the truest form of acting I'd ever done. And 425 00:19:45,920 --> 00:19:48,240 Speaker 1: in the way that because even more than on camera. Yeah, 426 00:19:48,400 --> 00:19:50,520 Speaker 1: also only because I didn't have to worry about my lighting. 427 00:19:50,560 --> 00:19:52,359 Speaker 1: I didn't have to worry about where the camera was. 428 00:19:52,480 --> 00:19:54,600 Speaker 1: You know, when you're an actor, you're obviously your main 429 00:19:54,680 --> 00:19:56,960 Speaker 1: focus is your performance, but you are having to worry 430 00:19:57,000 --> 00:20:00,080 Speaker 1: am I blocking their light? Am I in the right frame? Like, 431 00:20:02,000 --> 00:20:04,400 Speaker 1: it doesn't matter with mo cap, it does not matter. 432 00:20:04,480 --> 00:20:06,960 Speaker 1: Everybody looks ridiculous. There are no egos in mo cap. 433 00:20:08,400 --> 00:20:10,480 Speaker 1: The camera is on your face, but it's from this 434 00:20:10,600 --> 00:20:13,040 Speaker 1: really bad angle anyway, so it doesn't matter. They're seeing 435 00:20:13,119 --> 00:20:16,040 Speaker 1: up your nose. But then what's interesting about it is 436 00:20:16,119 --> 00:20:19,240 Speaker 1: it's like theater in the aspect of they do long takes. 437 00:20:19,359 --> 00:20:22,120 Speaker 1: So if it's a scene that six pages, we'll try 438 00:20:22,160 --> 00:20:24,440 Speaker 1: to get through all six pages. And if there is 439 00:20:24,840 --> 00:20:27,920 Speaker 1: a mishap or someone flubs a line, usually they'll stop 440 00:20:28,000 --> 00:20:30,040 Speaker 1: and you start again from the beginning. So I know, 441 00:20:30,119 --> 00:20:32,240 Speaker 1: a theater you don't get to reset like that, but 442 00:20:32,359 --> 00:20:35,320 Speaker 1: you have to be prepared to go through an entire scene, 443 00:20:36,080 --> 00:20:38,200 Speaker 1: which I really it's it's flexing a lot of muscles, 444 00:20:38,240 --> 00:20:40,560 Speaker 1: which I really enjoyed, and I mean I can't. I've 445 00:20:40,640 --> 00:20:43,760 Speaker 1: seen since when we were kids, like we were playing 446 00:20:43,800 --> 00:20:46,639 Speaker 1: on our little game boys, such a growth in character 447 00:20:46,720 --> 00:20:51,080 Speaker 1: development and it's crazy. Yeah, it's games are so cinematic 448 00:20:51,160 --> 00:20:53,879 Speaker 1: now they're up there with films like It's wild. I 449 00:20:53,960 --> 00:20:56,080 Speaker 1: think the Kimpossible game, which we did at one point 450 00:20:56,160 --> 00:20:58,159 Speaker 1: it was re recorded like three things for it. It 451 00:20:58,280 --> 00:21:01,440 Speaker 1: was like you said, you say, what you know, what's 452 00:21:01,480 --> 00:21:05,199 Speaker 1: the sitch? And that was like it, now did they 453 00:21:05,240 --> 00:21:07,320 Speaker 1: make us well? It was also one that I've seen 454 00:21:07,359 --> 00:21:10,199 Speaker 1: people post on tech talk about nostalgia stuff and how 455 00:21:10,320 --> 00:21:12,479 Speaker 1: they're like, well, you know you're elite. It's a it's 456 00:21:12,520 --> 00:21:14,920 Speaker 1: a term people say about being very cool. You know, 457 00:21:15,040 --> 00:21:17,960 Speaker 1: you're Elite is that fire? Aren't I fire? That's also 458 00:21:18,040 --> 00:21:26,359 Speaker 1: part of its kind of kind really you know, you 459 00:21:27,200 --> 00:21:32,639 Speaker 1: know you played this this this game on your desktop, 460 00:21:32,720 --> 00:21:35,960 Speaker 1: which was the KP like, right, I guess we did 461 00:21:36,040 --> 00:21:39,520 Speaker 1: something the CT Center thing. No, that's a different one. Yeah, 462 00:21:39,640 --> 00:21:43,399 Speaker 1: we so, I do remember though with KP, like, have 463 00:21:43,520 --> 00:21:45,320 Speaker 1: you ever done anything for any of like a theme 464 00:21:45,400 --> 00:21:50,320 Speaker 1: parks studio yet? Work for them? I've done. I did 465 00:21:50,359 --> 00:21:52,320 Speaker 1: a few for the when they opened up a Galaxy's 466 00:21:52,359 --> 00:21:54,680 Speaker 1: Edge at Disney. I did some just atmosphere voices, which 467 00:21:55,600 --> 00:21:57,320 Speaker 1: we're going to get into Star Wars in a second 468 00:21:57,520 --> 00:21:59,080 Speaker 1: because then the nerd in me is going to get 469 00:21:59,080 --> 00:22:00,760 Speaker 1: there in a second. But we to finish this first 470 00:22:00,800 --> 00:22:02,840 Speaker 1: and then and then I'm going to geek out. First 471 00:22:02,880 --> 00:22:05,960 Speaker 1: we did We did an Epcot ride that I never 472 00:22:06,080 --> 00:22:09,879 Speaker 1: actually went to. Did you impossible? How to save? We 473 00:22:09,920 --> 00:22:11,399 Speaker 1: had to save it? And what it was was they 474 00:22:11,480 --> 00:22:14,440 Speaker 1: never sent us on the plane. If I had a 475 00:22:14,560 --> 00:22:16,760 Speaker 1: ride at Epcot, it was hitting me. I Mean the 476 00:22:16,760 --> 00:22:19,080 Speaker 1: thing about Epcot, especially back in the day, was like, hey, 477 00:22:19,160 --> 00:22:21,840 Speaker 1: kids were going to Disney World. Yes, we're going to Epcot, 478 00:22:22,680 --> 00:22:25,359 Speaker 1: all right, Like it was it was great, but but 479 00:22:25,480 --> 00:22:27,280 Speaker 1: it was so they at one point to make it 480 00:22:27,280 --> 00:22:30,680 Speaker 1: a little better. They did. It was like a treasure hunt. Dude. 481 00:22:30,880 --> 00:22:33,040 Speaker 1: They had still coming in and out of the walls 482 00:22:33,359 --> 00:22:35,760 Speaker 1: in different parts of every country, and you had your 483 00:22:35,800 --> 00:22:39,879 Speaker 1: own communicator and we're helping you get through. Yeah. They 484 00:22:39,920 --> 00:22:45,200 Speaker 1: actually fabricated or maybe manufactured communicators that would have remote 485 00:22:45,240 --> 00:22:47,639 Speaker 1: sensors to like ping things in the wall to come 486 00:22:47,640 --> 00:22:49,359 Speaker 1: out as long as you put in a right code 487 00:22:49,440 --> 00:22:52,560 Speaker 1: or something and recorded. It was amazing and yeah, you're close. 488 00:22:52,600 --> 00:22:54,119 Speaker 1: Come on, you're so close. It was like all that 489 00:22:54,200 --> 00:22:55,800 Speaker 1: kind of stuff was not dude. It was so cool. 490 00:22:55,840 --> 00:22:57,320 Speaker 1: And I didn't even think that was the wrong voice. 491 00:22:57,359 --> 00:22:58,439 Speaker 1: By the way, I haven't done it in so long 492 00:22:58,520 --> 00:23:00,159 Speaker 1: that I think that was a whole different character us 493 00:23:00,240 --> 00:23:03,760 Speaker 1: tod all you a dust off, the geeking out like, 494 00:23:03,760 --> 00:23:09,160 Speaker 1: oh my god, I'm talking. Yes, I wish I could 495 00:23:09,160 --> 00:23:12,600 Speaker 1: still do it. It was cool. Yeah, so nerd dumb, Like, 496 00:23:12,680 --> 00:23:19,760 Speaker 1: what's your favorite nerdum? Let's get it's nerdy? Is that 497 00:23:19,840 --> 00:23:24,320 Speaker 1: a thing? A pointed right at the camera to as 498 00:23:24,359 --> 00:23:27,400 Speaker 1: they say, kids, I'm gonna come up with a better 499 00:23:27,480 --> 00:23:30,200 Speaker 1: catch on poetically, that is not a good a good 500 00:23:30,280 --> 00:23:35,159 Speaker 1: word better no for me, it's Disney, Harry Potter, Star Wars. 501 00:23:35,640 --> 00:23:40,600 Speaker 1: That's my main, my main big Slytherin. Yeah, are you surprises? 502 00:23:40,920 --> 00:23:44,919 Speaker 1: I'm not because your eyes are so beautiful and raven hair. 503 00:23:45,119 --> 00:23:48,399 Speaker 1: It's all about the eyes. Interesting. I could see it. 504 00:23:48,560 --> 00:23:50,119 Speaker 1: I can see it. That's why I got cast as 505 00:23:50,160 --> 00:23:53,800 Speaker 1: a bully a lot on TV. UM. Oh yeah, oh yeah, no, 506 00:23:54,119 --> 00:23:57,560 Speaker 1: I Slytherin gets a bad rep. Okay, they really do. 507 00:23:57,680 --> 00:23:59,440 Speaker 1: I've had this argument so many I would agree. I 508 00:23:59,480 --> 00:24:02,200 Speaker 1: would agree for they do, and I'm here for going 509 00:24:02,240 --> 00:24:04,840 Speaker 1: off of the books. Yeah, everybody in Slytherin is awful. 510 00:24:04,880 --> 00:24:06,760 Speaker 1: But then there was so much more world building after 511 00:24:06,840 --> 00:24:09,720 Speaker 1: that where it's like Merlin was a Slytherin. That's pretty dope. 512 00:24:10,320 --> 00:24:13,080 Speaker 1: Slytherins are just cunning. Like we're good at figuring out 513 00:24:13,160 --> 00:24:15,000 Speaker 1: what we want and we'll go and we will get 514 00:24:15,040 --> 00:24:17,080 Speaker 1: what we want. But we're also very loyal to our friends. 515 00:24:17,280 --> 00:24:18,840 Speaker 1: Not as loyal as uffle puffs, I'll give you that. 516 00:24:18,920 --> 00:24:21,760 Speaker 1: But you know, also you're wearing your Slytherin house color 517 00:24:21,800 --> 00:24:25,360 Speaker 1: on your nails. Indeed, where you know, this is where 518 00:24:25,440 --> 00:24:27,080 Speaker 1: you know us fellow nerds, This is where we know 519 00:24:27,160 --> 00:24:28,399 Speaker 1: each other like we might as well have like it's 520 00:24:28,440 --> 00:24:30,800 Speaker 1: like a like, we know, like some kind of a 521 00:24:30,840 --> 00:24:34,280 Speaker 1: handshake exactly because when you mentioned some people that aren't 522 00:24:34,320 --> 00:24:36,600 Speaker 1: nerds are like, I'm I'm a Griffin do or it's 523 00:24:36,600 --> 00:24:39,600 Speaker 1: like what do you like about him? You know, Harry Potter, 524 00:24:39,920 --> 00:24:41,560 Speaker 1: and it's like that kind of stuff. Whereas then you 525 00:24:41,600 --> 00:24:43,240 Speaker 1: get people that are like, let me defend Slytherin for 526 00:24:43,240 --> 00:24:45,159 Speaker 1: a second. Now, if you go back six generations, it's 527 00:24:45,200 --> 00:24:47,240 Speaker 1: like that's how you know. It all starts with the 528 00:24:47,280 --> 00:24:51,919 Speaker 1: House of Black. So there's actually a really big TikTok account. 529 00:24:51,960 --> 00:24:54,600 Speaker 1: Do you watch that one that Black? Oh? Yeah, these 530 00:24:54,640 --> 00:24:57,800 Speaker 1: women are very attractive and they've created all of the 531 00:24:58,720 --> 00:25:01,960 Speaker 1: whole back story of every female character that you see 532 00:25:02,000 --> 00:25:03,920 Speaker 1: in the Harry Potter franchise. But now they're like young 533 00:25:04,040 --> 00:25:08,000 Speaker 1: and interacting with like it's so cool, Bellatrics strange and 534 00:25:08,600 --> 00:25:11,359 Speaker 1: she was not the nicest know and that they have 535 00:25:11,560 --> 00:25:15,080 Speaker 1: her what do you mean? Yeah? Can you do it? Wait? 536 00:25:15,119 --> 00:25:18,159 Speaker 1: You have a Militrick's voice. Oh gosh, let's see, I 537 00:25:18,200 --> 00:25:26,399 Speaker 1: can do her laugh, Let's see. Anytime you want to 538 00:25:26,440 --> 00:25:28,680 Speaker 1: do a Harry Potter or anything, I'm game for. Okay, 539 00:25:28,680 --> 00:25:31,600 Speaker 1: So is that you don't do that? But I did not. 540 00:25:31,880 --> 00:25:34,000 Speaker 1: I'm a big, big Harry Potter fan, So I love that. 541 00:25:34,080 --> 00:25:37,160 Speaker 1: Are that we can we can we will find share 542 00:25:37,200 --> 00:25:40,600 Speaker 1: that will find that. So you also, now we're going 543 00:25:40,640 --> 00:25:42,080 Speaker 1: to jump in a little bit more of my my 544 00:25:42,200 --> 00:25:44,399 Speaker 1: nerd demand. It's not it's not my ultimate nerd m 545 00:25:44,920 --> 00:25:46,639 Speaker 1: but it is. But I'm a very big fan. You 546 00:25:46,840 --> 00:25:48,359 Speaker 1: have done a lot of stuff for Star Wars. I 547 00:25:48,520 --> 00:25:52,359 Speaker 1: have you mean Dune, the prequel to do what? Wow? 548 00:25:53,240 --> 00:25:59,600 Speaker 1: Now the comments really have to be shut off. I 549 00:25:59,720 --> 00:26:02,600 Speaker 1: did to Star Wars Land yesterday. I went to Dizzeyland. 550 00:26:02,720 --> 00:26:10,119 Speaker 1: It was cute. It was cute. Oh well thanks everybody. Sorry. 551 00:26:10,320 --> 00:26:13,760 Speaker 1: Did you fly the falcon and call it cute? Fly it? 552 00:26:13,840 --> 00:26:16,960 Speaker 1: I didn't even fly it. See this is where again? 553 00:26:17,880 --> 00:26:21,720 Speaker 1: Not a nerd for Star Wars anyway? The Ultimate Heroes Journey? Wait, 554 00:26:21,800 --> 00:26:24,720 Speaker 1: what is so amazing about Star Wars guys? The Ultimate Heroes? 555 00:26:24,760 --> 00:26:28,040 Speaker 1: It's the Ultimate Heroes Journey. It's the farm boy who 556 00:26:28,400 --> 00:26:31,440 Speaker 1: found out that he's essentially a magical sorcerer and then 557 00:26:31,560 --> 00:26:33,760 Speaker 1: has to go and make out with his sister. Everybody. 558 00:26:34,440 --> 00:26:36,920 Speaker 1: I did actually study this. It's called the mono myths. 559 00:26:37,400 --> 00:26:40,879 Speaker 1: It's a mono myth. I studied it in college standing 560 00:26:40,880 --> 00:26:43,440 Speaker 1: school kids because you get to learn cool things, like 561 00:26:43,520 --> 00:26:48,399 Speaker 1: it's called the mono myth. There's like odyssey and you know, journey. 562 00:26:48,600 --> 00:26:50,879 Speaker 1: It's like they start in a cave. Technically they should 563 00:26:50,880 --> 00:26:52,840 Speaker 1: start in a cave, and then they come out and 564 00:26:52,880 --> 00:26:54,800 Speaker 1: then there's always a mentor, and the mentor it has 565 00:26:54,840 --> 00:26:58,639 Speaker 1: to be taken from them, and then they cross the threshold, 566 00:26:58,760 --> 00:27:01,400 Speaker 1: you know, and then they become you know he First 567 00:27:01,400 --> 00:27:04,560 Speaker 1: of all, for everyone who hasn't seen Star Wars, spoiler alert, 568 00:27:04,800 --> 00:27:07,360 Speaker 1: your mentor taken from I mean, just drawing it out 569 00:27:07,400 --> 00:27:10,639 Speaker 1: there that time frame. I know, you've got your you've got, 570 00:27:10,720 --> 00:27:12,840 Speaker 1: you've got. But that's one thing about Star Wars is 571 00:27:12,960 --> 00:27:17,000 Speaker 1: that it last generation generation generation. So the thing, the 572 00:27:17,040 --> 00:27:18,800 Speaker 1: big thing that was on the internet I think they 573 00:27:18,840 --> 00:27:21,240 Speaker 1: call it for a while was parents filming their kids 574 00:27:21,280 --> 00:27:23,760 Speaker 1: finding out spoiler alert that Darth Vader was Luke's father, 575 00:27:24,520 --> 00:27:26,520 Speaker 1: and it's like seeing these little kids going like what 576 00:27:27,000 --> 00:27:29,399 Speaker 1: like you know, getting and it's like crazy, Guys, you 577 00:27:29,520 --> 00:27:31,760 Speaker 1: experience it again, you know, when you when you have kids, 578 00:27:31,880 --> 00:27:34,480 Speaker 1: or so I'm told, because I honestly, we'll do it. 579 00:27:34,560 --> 00:27:36,000 Speaker 1: We'll do it with my kids. If my kids are 580 00:27:36,000 --> 00:27:37,879 Speaker 1: gonna watch Star Wars. I'm gonna call Uncle Will and 581 00:27:37,920 --> 00:27:40,399 Speaker 1: they're gonna watch it with you. I think. I think 582 00:27:40,440 --> 00:27:42,360 Speaker 1: my oldest Izzy is going to be a total Star 583 00:27:42,400 --> 00:27:44,960 Speaker 1: Wars I hope. So Star Wars is a wonderful world 584 00:27:45,040 --> 00:27:47,680 Speaker 1: all the way around. But Shelby, you got to play 585 00:27:47,760 --> 00:27:49,840 Speaker 1: one of the most iconic characters in the history of 586 00:27:49,880 --> 00:27:52,000 Speaker 1: the franchise. Can you tell us a little about that? Yes, 587 00:27:52,080 --> 00:27:54,800 Speaker 1: So I have voiced Princess Leah, which is still crazy 588 00:27:54,880 --> 00:27:56,800 Speaker 1: to say, and it's been so many years of saying it, 589 00:27:56,880 --> 00:27:58,879 Speaker 1: but it's still like pinch me. I worked on a 590 00:27:58,880 --> 00:28:00,840 Speaker 1: show called Star Wars Forces of Destiny that was on 591 00:28:00,920 --> 00:28:03,920 Speaker 1: Disney and then I just reprised my role in Lego 592 00:28:04,000 --> 00:28:08,080 Speaker 1: Star Wars Terrifying Tales on Disney Plus. And yeah, I 593 00:28:09,000 --> 00:28:11,119 Speaker 1: it blew my mind when I booked that role, like 594 00:28:11,359 --> 00:28:13,200 Speaker 1: I did not. It was first of all, my first 595 00:28:13,240 --> 00:28:17,520 Speaker 1: animation role, your first ance. Yeah again, I've done like 596 00:28:17,560 --> 00:28:20,359 Speaker 1: animated commercials, but this was my first like in a 597 00:28:20,480 --> 00:28:23,480 Speaker 1: series playing a character, and it was Princess Leo, which 598 00:28:23,560 --> 00:28:27,760 Speaker 1: is crazy. That's pretty good. Like I I called my mom. 599 00:28:27,840 --> 00:28:29,280 Speaker 1: I remember when I found out I booked the role, 600 00:28:29,320 --> 00:28:31,000 Speaker 1: which is I know you're not supposed to do because 601 00:28:31,000 --> 00:28:33,280 Speaker 1: of NBA S, but you know it was my mom. 602 00:28:33,680 --> 00:28:41,960 Speaker 1: I think I think your voice said major larynx. So 603 00:28:42,080 --> 00:28:43,960 Speaker 1: she was just kind of like, oh, I'm happy for you, honey, 604 00:28:44,000 --> 00:28:49,840 Speaker 1: and I'm like, no, I don't get it. Okay, that's awesome. 605 00:28:50,800 --> 00:28:52,720 Speaker 1: So this brings us then too. I think since you 606 00:28:52,760 --> 00:28:54,440 Speaker 1: talked about your mom, let's talk a little bit about 607 00:28:54,600 --> 00:28:57,800 Speaker 1: growing up. So I know that when I was growing up, 608 00:28:57,840 --> 00:28:59,800 Speaker 1: I was a huge fan of animation. Yeah, we didn't 609 00:28:59,800 --> 00:29:02,480 Speaker 1: call animation or animated series and it's just cartoons. So 610 00:29:02,720 --> 00:29:04,920 Speaker 1: what was your jam growing up? What were your favorite cartoons? 611 00:29:04,960 --> 00:29:06,520 Speaker 1: What did you have to see when you were when 612 00:29:06,520 --> 00:29:10,320 Speaker 1: you were a kid. SpongeBob was like my number one SpongeBob. Absolutely, 613 00:29:11,000 --> 00:29:14,200 Speaker 1: Avatar The Last Airbender was one that was such a 614 00:29:14,240 --> 00:29:17,120 Speaker 1: good show. Yeah, genuinely out of all like the movie though, 615 00:29:17,320 --> 00:29:19,720 Speaker 1: and nobody likes the movie, but the comments are off 616 00:29:19,800 --> 00:29:24,520 Speaker 1: for sure of this. You liked the live action where 617 00:29:24,560 --> 00:29:27,200 Speaker 1: they called him on and they and they just decided 618 00:29:27,240 --> 00:29:36,240 Speaker 1: to change the pronunciation. What are you doing avocados? Uh no, no, okay, okay, 619 00:29:36,640 --> 00:29:43,920 Speaker 1: comments are off people. That was but genuinely that show 620 00:29:44,160 --> 00:29:47,080 Speaker 1: was one that I mean, I was already in the industry. 621 00:29:47,160 --> 00:29:48,880 Speaker 1: I started acting when I was five, so it's something 622 00:29:48,960 --> 00:29:52,040 Speaker 1: that I've always known I wanted to do. But cartoons, again, 623 00:29:52,120 --> 00:29:56,160 Speaker 1: just seemed like something so separate and different. And I remember, honestly, 624 00:29:56,280 --> 00:29:58,480 Speaker 1: I don't think you'll remember this you were with or 625 00:29:58,520 --> 00:30:02,320 Speaker 1: are you with c D or cs. So when I 626 00:30:02,560 --> 00:30:05,360 Speaker 1: was first out here, when I was twelve thirteen ish, 627 00:30:05,720 --> 00:30:07,720 Speaker 1: I went in for an audition and you were there, 628 00:30:08,200 --> 00:30:09,880 Speaker 1: and you were in the waiting room and I was like, 629 00:30:09,920 --> 00:30:13,440 Speaker 1: oh my god, mom, he's really stoppable and he's Eric 630 00:30:13,840 --> 00:30:15,160 Speaker 1: and my mom was like, just say hi, and like 631 00:30:15,160 --> 00:30:16,959 Speaker 1: I can't say and she said hi, and you were 632 00:30:17,000 --> 00:30:19,000 Speaker 1: so sweet and well, oh thank god. I thought the 633 00:30:19,040 --> 00:30:23,400 Speaker 1: story was going in dangerous place and then I was 634 00:30:23,480 --> 00:30:25,920 Speaker 1: going for uh no. But it was one of those 635 00:30:25,960 --> 00:30:29,200 Speaker 1: things where like, as excited as I was about other actors, 636 00:30:29,360 --> 00:30:30,800 Speaker 1: it was a world that I knew, So I never 637 00:30:30,880 --> 00:30:34,360 Speaker 1: really geeked out about meeting other actors, but meeting voice actors, 638 00:30:34,480 --> 00:30:37,280 Speaker 1: I was like, they're in cartoons. That's really cool, that's 639 00:30:37,280 --> 00:30:39,280 Speaker 1: so cool. Yeah, So that was one of those moments. 640 00:30:39,360 --> 00:30:41,360 Speaker 1: But No Avatar was one of those shows that I 641 00:30:41,520 --> 00:30:44,760 Speaker 1: was like whoa cartoons aimed for children can still have 642 00:30:44,920 --> 00:30:47,280 Speaker 1: plot lines like this, like this is still something and 643 00:30:47,320 --> 00:30:48,880 Speaker 1: it was a whole arc. It was it was like 644 00:30:48,960 --> 00:30:50,720 Speaker 1: it was an entire arc. So you were watching a 645 00:30:50,800 --> 00:30:52,400 Speaker 1: series where it was like you needed to see the 646 00:30:52,480 --> 00:30:55,560 Speaker 1: next one. Yeah. Really, honestly, it was pretty much. I'm 647 00:30:55,600 --> 00:30:59,040 Speaker 1: just thinking like every Nickelodeon cartoon like Cat Dog, Angry Beavers, 648 00:30:59,200 --> 00:31:02,160 Speaker 1: that was my jam kid. Yeah they did. They did 649 00:31:02,280 --> 00:31:05,480 Speaker 1: have better animation for a lot until KP. You know, 650 00:31:05,560 --> 00:31:07,680 Speaker 1: I didn't even look at you the same after hearing 651 00:31:07,760 --> 00:31:10,840 Speaker 1: you liked the Avatar the last in my defense people 652 00:31:11,760 --> 00:31:16,160 Speaker 1: in my defense Avatars movie. I was not aware of 653 00:31:16,280 --> 00:31:18,720 Speaker 1: the I didn't even know about the cartoon. Okay, this 654 00:31:18,840 --> 00:31:20,360 Speaker 1: is why we're doing this show, okay, okay. And so 655 00:31:20,480 --> 00:31:22,280 Speaker 1: when my entry point into it was that it was 656 00:31:22,320 --> 00:31:26,760 Speaker 1: a cute kids movie, okay, okay, okay. And so yeah, 657 00:31:26,800 --> 00:31:29,280 Speaker 1: we're reaching across the aisle and then the guys like 658 00:31:29,360 --> 00:31:31,560 Speaker 1: watching like a spy kids kind of thing. Yeah, it 659 00:31:31,640 --> 00:31:33,800 Speaker 1: was cute. I thought it was almost like Percy Jackson, which, 660 00:31:33,800 --> 00:31:36,360 Speaker 1: by the way, I'm super into that show. I'm actually 661 00:31:36,400 --> 00:31:39,520 Speaker 1: a fandom for. That's what I don't know much about 662 00:31:39,920 --> 00:31:43,240 Speaker 1: it's really cute movie. It's it's Harry Potter but worse 663 00:31:43,760 --> 00:31:46,400 Speaker 1: but Greek, and now that's what it is. But they 664 00:31:46,520 --> 00:31:48,920 Speaker 1: just got Greenland to do a whole series. Now see 665 00:31:48,920 --> 00:31:50,360 Speaker 1: the series, whole thing is going to be better because 666 00:31:50,400 --> 00:31:53,720 Speaker 1: what happened was again my nerd. Um, I'm a fantasy nerd. 667 00:31:53,800 --> 00:31:55,600 Speaker 1: That's my major nerd in his fantasy. You read the 668 00:31:55,640 --> 00:31:59,320 Speaker 1: Aragon books. Don't even stay he reads a lot. It's 669 00:32:00,160 --> 00:32:01,880 Speaker 1: just my total. I didn't even read this paper, but 670 00:32:03,800 --> 00:32:06,720 Speaker 1: you knew much of it. I see the yellow parts 671 00:32:06,840 --> 00:32:10,120 Speaker 1: that were well, she highlights things because they pop out. Um. 672 00:32:10,760 --> 00:32:14,760 Speaker 1: But so with Percy, the author of Percy Jackson didn't 673 00:32:14,840 --> 00:32:16,840 Speaker 1: have like didn't like the movies either and had nothing 674 00:32:16,880 --> 00:32:18,840 Speaker 1: to do with it. And so now he is going 675 00:32:18,920 --> 00:32:21,600 Speaker 1: to be involved in the show. So everybody's looking forward 676 00:32:21,600 --> 00:32:23,760 Speaker 1: to where it's like, oh, they're actually gonna do, which 677 00:32:23,800 --> 00:32:26,320 Speaker 1: is what I'm nervous with the new Avatar. The last 678 00:32:26,360 --> 00:32:29,360 Speaker 1: Airbender live action show was because originally the creators were 679 00:32:29,440 --> 00:32:31,680 Speaker 1: involved in it, but they walked away, right, So now 680 00:32:31,760 --> 00:32:34,200 Speaker 1: I'm like, oh no, not again. Although the casting looks 681 00:32:34,240 --> 00:32:36,960 Speaker 1: great so far, so I'm keeping it. We're honest. You 682 00:32:37,160 --> 00:32:41,040 Speaker 1: can't get much worse. I mean unless they're doing it 683 00:32:41,160 --> 00:32:42,880 Speaker 1: just they go to everybody's house knocking the door and 684 00:32:42,920 --> 00:32:44,440 Speaker 1: costume and go, we're just gonna act out a scene 685 00:32:44,440 --> 00:32:46,640 Speaker 1: for you. Like, it can't get much actually be entertaining, 686 00:32:46,680 --> 00:32:48,120 Speaker 1: and I would watch that. That would be better than 687 00:32:48,440 --> 00:32:51,680 Speaker 1: when the last one was anyway, because yikes, but I 688 00:32:51,760 --> 00:32:55,160 Speaker 1: will never watch it again. Here's the thing. We always 689 00:32:55,240 --> 00:32:56,840 Speaker 1: joked my friends to do a show called Critical Role 690 00:32:56,880 --> 00:33:00,040 Speaker 1: where they played Dungeon and Dragon friends his friends. You 691 00:33:00,040 --> 00:33:02,760 Speaker 1: should say, who was cool as friends? My friends? They're 692 00:33:02,800 --> 00:33:05,640 Speaker 1: my friend. But what we we They always joked that 693 00:33:05,720 --> 00:33:07,760 Speaker 1: one of the things they say is when people criticize them, 694 00:33:07,800 --> 00:33:09,280 Speaker 1: it's like they say, you know, you know what your 695 00:33:09,320 --> 00:33:11,920 Speaker 1: fun is wrong? Yeah, and it's like your fun is 696 00:33:11,960 --> 00:33:13,440 Speaker 1: not wrong. So if you were a big fan of 697 00:33:13,520 --> 00:33:17,080 Speaker 1: that awful, awful movie, you should own that there's no 698 00:33:17,280 --> 00:33:24,239 Speaker 1: problem with that one. That's true because you're and if 699 00:33:24,240 --> 00:33:28,680 Speaker 1: anybody you guys would be qualified. Okay, so we talked 700 00:33:28,680 --> 00:33:31,200 Speaker 1: about your cartoons growing up. I've got another interesting question, 701 00:33:31,520 --> 00:33:33,680 Speaker 1: something that Christine and I were actually talking about because 702 00:33:34,400 --> 00:33:38,280 Speaker 1: I love this question. I'm sorry, how do you remain childlike? 703 00:33:38,440 --> 00:33:41,200 Speaker 1: I like that well, I have an annual past to Disneyland. 704 00:33:41,400 --> 00:33:44,120 Speaker 1: Used to grow up. I don't do the chores that 705 00:33:44,160 --> 00:33:46,960 Speaker 1: I should be doing, and I put off my taxes 706 00:33:47,000 --> 00:33:51,320 Speaker 1: as long as I can. There you go interesting. Well, 707 00:33:51,600 --> 00:33:53,960 Speaker 1: first of all, it's like you had those answers like 708 00:33:54,120 --> 00:33:56,160 Speaker 1: a holster and you're like, ma'am, here's how I do 709 00:33:56,320 --> 00:33:59,000 Speaker 1: that instantly again, Yes, and that's how I've been training. 710 00:33:59,080 --> 00:34:02,840 Speaker 1: That is, yes, very impressive. So but here's the question. 711 00:34:02,920 --> 00:34:06,880 Speaker 1: Growing up, Yes, did you do voices for yourself? I 712 00:34:06,960 --> 00:34:10,280 Speaker 1: mean yeah, yeah, Well because you do, I mean probably 713 00:34:10,320 --> 00:34:13,279 Speaker 1: like hundreds of voices, Like yeah, there's no they're all 714 00:34:13,320 --> 00:34:15,560 Speaker 1: speaking in my head. This is called I hear voices. Right, 715 00:34:15,640 --> 00:34:17,480 Speaker 1: let's break down all the voices I hear in my 716 00:34:17,560 --> 00:34:20,399 Speaker 1: head every day. Um, there's one that tells me I'm 717 00:34:20,920 --> 00:34:24,560 Speaker 1: doing good. That's a good one. That's a good voice. 718 00:34:24,719 --> 00:34:25,920 Speaker 1: I was like, this is kid friendly. I can't go 719 00:34:26,000 --> 00:34:28,200 Speaker 1: to the only voice you should listen to when he 720 00:34:28,280 --> 00:34:31,160 Speaker 1: tells you you're doing well. Yeah. No, I I grew 721 00:34:31,280 --> 00:34:33,800 Speaker 1: up with my mom doing a terrible impression of Sebastian 722 00:34:33,840 --> 00:34:36,520 Speaker 1: from the Little Mermaid. What was it like, you do 723 00:34:36,640 --> 00:34:42,520 Speaker 1: a bad like Bubba? I'm like okayf and then my 724 00:34:42,680 --> 00:34:45,080 Speaker 1: dad did Yogi Bear and I would do Boo boo. 725 00:34:45,160 --> 00:34:47,640 Speaker 1: So we'd be like like yeah, yelgi and be like, 726 00:34:47,800 --> 00:34:50,440 Speaker 1: we're going to go to the movies today. That's great. Yea. 727 00:34:51,719 --> 00:34:53,600 Speaker 1: So they were doing voices to you and you were 728 00:34:53,680 --> 00:34:57,279 Speaker 1: kind of jumping in with voices back absolutely pretend. Was 729 00:34:57,360 --> 00:34:58,880 Speaker 1: that gives me hope I do that right now with 730 00:34:58,960 --> 00:35:01,479 Speaker 1: my kids, Well, it's gonna work. My childhood was playing 731 00:35:01,520 --> 00:35:04,120 Speaker 1: pretend because we didn't have you know, cell phones and 732 00:35:04,160 --> 00:35:06,000 Speaker 1: computers and all of that until I was a little 733 00:35:06,040 --> 00:35:08,360 Speaker 1: I was like ten eleven. I think when my friends 734 00:35:08,360 --> 00:35:10,760 Speaker 1: started getting phones and we had like one family computer 735 00:35:10,880 --> 00:35:13,080 Speaker 1: growing up. I think I'm like the last generation where 736 00:35:13,120 --> 00:35:16,320 Speaker 1: it's like we got it during childhood, but not fully 737 00:35:17,000 --> 00:35:20,760 Speaker 1: you never had you know, Yeah, no, I didn't generate. 738 00:35:21,120 --> 00:35:24,000 Speaker 1: That was my older brother's generation. So you couldn't call 739 00:35:24,120 --> 00:35:27,080 Speaker 1: us in beet puffs if you wanted. I did not 740 00:35:27,200 --> 00:35:35,480 Speaker 1: know what this was the whole song text us. Yeah, yeah, 741 00:35:39,160 --> 00:35:42,200 Speaker 1: but I know what I did though that It's so 742 00:35:42,360 --> 00:35:44,560 Speaker 1: funny because now I'm like, wow, I was preparing for 743 00:35:44,640 --> 00:35:47,160 Speaker 1: my future job without realizing it is. I would film 744 00:35:47,200 --> 00:35:50,239 Speaker 1: on my little digital camera off of YouTube. I would 745 00:35:50,280 --> 00:35:52,719 Speaker 1: film scenes from or even off my TV scenes from 746 00:35:52,760 --> 00:35:55,080 Speaker 1: Disney movies because what we were saying. Also, growing up, 747 00:35:55,080 --> 00:35:57,440 Speaker 1: I watched a lot of nickelading cartoons, but I loved 748 00:35:57,440 --> 00:36:00,640 Speaker 1: watching Disney movies, like the animated Disney Class six. Oh 749 00:36:00,719 --> 00:36:03,279 Speaker 1: that's my bread and butter. But I would film these 750 00:36:03,800 --> 00:36:06,879 Speaker 1: and then I would take out the sound and then 751 00:36:07,000 --> 00:36:13,040 Speaker 1: I would try to do impressions and yourself, that was 752 00:36:13,680 --> 00:36:15,480 Speaker 1: no idea, And I'd make my friends do they get 753 00:36:15,560 --> 00:36:17,680 Speaker 1: so annoyed, like, guys, come on and no, no, let's 754 00:36:17,719 --> 00:36:21,040 Speaker 1: do it your stitch. I'm leelo, let's go wow. Okay, 755 00:36:21,239 --> 00:36:23,000 Speaker 1: So you really were then like you might not have 756 00:36:23,120 --> 00:36:24,600 Speaker 1: known you wanted to do this, but you were training 757 00:36:24,600 --> 00:36:27,840 Speaker 1: for it for most of your life. It just also 758 00:36:28,000 --> 00:36:31,000 Speaker 1: like once I got into the voiceover space, it just 759 00:36:31,200 --> 00:36:33,360 Speaker 1: felt right. It was one of those things where you 760 00:36:33,400 --> 00:36:34,960 Speaker 1: know when you get deja vu and it's almost like 761 00:36:35,000 --> 00:36:36,680 Speaker 1: that feeling of I was supposed to be here at 762 00:36:36,760 --> 00:36:38,560 Speaker 1: this time. It was like it was like that like 763 00:36:38,680 --> 00:36:41,279 Speaker 1: something just clicked where I've always loved acting and I've 764 00:36:41,280 --> 00:36:44,040 Speaker 1: always loved performing, but it was finally like, oh, this 765 00:36:44,280 --> 00:36:47,240 Speaker 1: is the medium it was supposed to be always Oh cool, 766 00:36:47,680 --> 00:36:49,400 Speaker 1: how do you feel? Well? Did you feel similar to 767 00:36:49,480 --> 00:36:51,759 Speaker 1: that I did? It was a little daunting for me 768 00:36:51,840 --> 00:36:53,880 Speaker 1: because the first role I ever did was Batman and 769 00:36:53,920 --> 00:36:56,440 Speaker 1: I'm sitting next to Kevin Conroy as I'm doing it. Yeah, 770 00:36:56,480 --> 00:36:58,360 Speaker 1: it was nuts. So it was it was you know, 771 00:36:58,440 --> 00:37:02,400 Speaker 1: Andrea Romanos directing, and Bruce tim and Paul Deanie are producing, 772 00:37:02,440 --> 00:37:04,120 Speaker 1: and it was just it was not Mark Hamill's still 773 00:37:04,160 --> 00:37:06,480 Speaker 1: the joker. I mean, it was nuts. So I was 774 00:37:06,600 --> 00:37:09,160 Speaker 1: more just don't mess up. They're gonna fire you. Yeah, 775 00:37:09,280 --> 00:37:11,920 Speaker 1: I'm to this day convinced they're going to replace me 776 00:37:12,000 --> 00:37:16,600 Speaker 1: as Batman. We finished in two thousand. I'm going to 777 00:37:16,680 --> 00:37:18,759 Speaker 1: go back and I'm gonna pop in the tape and like, oh, 778 00:37:18,760 --> 00:37:22,520 Speaker 1: it's Jason Marsden, Like I'm just so, I'm curious if 779 00:37:22,520 --> 00:37:23,960 Speaker 1: you guys are the same way it sounds like you are. 780 00:37:23,960 --> 00:37:26,640 Speaker 1: Because I'm like this, I will not tell. I will tell, 781 00:37:26,719 --> 00:37:28,359 Speaker 1: like I said, like my mom are close friend when 782 00:37:28,360 --> 00:37:30,960 Speaker 1: I booked something, but I am too afraid to tell 783 00:37:31,000 --> 00:37:33,120 Speaker 1: anybody else, not because of an NBA, but because I'm 784 00:37:33,160 --> 00:37:36,000 Speaker 1: convinced that it won't be merely have you been replaced? 785 00:37:36,040 --> 00:37:39,719 Speaker 1: I have I've been replaced yes, every voice actor. Yeah, 786 00:37:40,000 --> 00:37:43,359 Speaker 1: but you've been replaced. I don't think so wow maybe 787 00:37:43,480 --> 00:37:45,600 Speaker 1: once maybe once, and I you don't need to make 788 00:37:45,640 --> 00:37:48,680 Speaker 1: it up to make us. I know, I think maybe 789 00:37:48,719 --> 00:37:51,840 Speaker 1: I was. I don't know. Again, I they cast me 790 00:37:51,920 --> 00:37:54,480 Speaker 1: because I do like two things. So it's not you know, 791 00:37:54,560 --> 00:37:56,360 Speaker 1: it's not like, oh my god, we thought you were 792 00:37:56,400 --> 00:37:59,879 Speaker 1: going to do nineteen voices and you didn't need young here. 793 00:38:00,239 --> 00:38:02,440 Speaker 1: So there's like four of us that dave young heroes 794 00:38:02,480 --> 00:38:05,360 Speaker 1: like myself, Jason Marsden, Yury Loewen Fall. There was like, 795 00:38:05,440 --> 00:38:06,640 Speaker 1: you know, it's like four of us that do it. 796 00:38:07,080 --> 00:38:09,680 Speaker 1: So now do you know did you work with Matt Lantern? 797 00:38:09,920 --> 00:38:12,279 Speaker 1: Was he on that Star Wars thing? No different show? 798 00:38:12,560 --> 00:38:13,959 Speaker 1: But or no, he was on it, but we weren't 799 00:38:13,960 --> 00:38:16,200 Speaker 1: in the same episodes. It was all in the section 800 00:38:17,040 --> 00:38:19,080 Speaker 1: what's the word I'm looking for? I'm failing in my 801 00:38:19,120 --> 00:38:22,320 Speaker 1: fandom right now? It's uh, cannon everything can and so 802 00:38:22,520 --> 00:38:25,000 Speaker 1: we never interacted because our characters were different types. It's 803 00:38:25,160 --> 00:38:27,600 Speaker 1: still cannon or did Disney come in and change everything 804 00:38:27,800 --> 00:38:31,239 Speaker 1: for Forces of Destiny? They were all cannon shorts. Okay, yes, 805 00:38:31,480 --> 00:38:33,520 Speaker 1: so everything that happened and that even though they were 806 00:38:33,560 --> 00:38:36,480 Speaker 1: also it was all they were all shorts for the show. Uh, 807 00:38:36,560 --> 00:38:37,959 Speaker 1: And they came out and said that it was all cannon, 808 00:38:38,000 --> 00:38:40,719 Speaker 1: which you were to princesses in that one, because I 809 00:38:40,800 --> 00:38:43,200 Speaker 1: was also Princess Nissa the e Walk, which that was 810 00:38:43,400 --> 00:38:49,200 Speaker 1: very fun about. Is that speak? I was gonna say, 811 00:38:49,239 --> 00:38:52,320 Speaker 1: is that like a like a regular Avatar thing, not 812 00:38:52,560 --> 00:38:55,279 Speaker 1: Last Airbender? But were they created the whole language? Is that? 813 00:38:55,520 --> 00:38:57,600 Speaker 1: Is there any walk language? Um? What I did was 814 00:38:57,680 --> 00:39:00,239 Speaker 1: I followed deep Bradley Baker and just copied him to 815 00:39:00,280 --> 00:39:03,440 Speaker 1: the best of my abilities. That man isn't slightly talented. 816 00:39:05,280 --> 00:39:09,160 Speaker 1: So can I hear? There are certain words that are 817 00:39:09,239 --> 00:39:11,480 Speaker 1: definitely something like he walks up and say like yep, 818 00:39:14,880 --> 00:39:18,719 Speaker 1: he So it's just a lot of is from It's 819 00:39:18,800 --> 00:39:22,960 Speaker 1: like from the movie. Yeah, okay, So I just want 820 00:39:23,000 --> 00:39:25,120 Speaker 1: to hear you keep making noises and we are going 821 00:39:25,160 --> 00:39:28,360 Speaker 1: to do something super fun on I Hear Voices. So 822 00:39:28,520 --> 00:39:31,040 Speaker 1: for our first round of I Hear Voices, because we 823 00:39:31,120 --> 00:39:33,480 Speaker 1: have not yet been out there, um, we are not 824 00:39:33,600 --> 00:39:35,960 Speaker 1: fully interactive yet, but we will be fully interactive. And 825 00:39:36,000 --> 00:39:37,759 Speaker 1: one of the things about this show that we love 826 00:39:37,840 --> 00:39:39,239 Speaker 1: and we think is the greatest thing in the world 827 00:39:39,320 --> 00:39:42,080 Speaker 1: is that there's so many, especially kids out there, that 828 00:39:42,200 --> 00:39:45,239 Speaker 1: love to draw, that love to create characters. So they're 829 00:39:45,280 --> 00:39:48,080 Speaker 1: gonna come on with their characters and we're gonna they're 830 00:39:48,080 --> 00:39:50,040 Speaker 1: gonna have the best voice over actors in the world 831 00:39:51,040 --> 00:39:54,319 Speaker 1: voicing their character. That's so cool. So until that day. 832 00:39:54,400 --> 00:39:56,400 Speaker 1: Christie Carlson Romano, who I don't know if you've met, 833 00:39:56,440 --> 00:39:58,840 Speaker 1: she's here in my right. It's me. I'm that person. 834 00:39:59,280 --> 00:40:02,880 Speaker 1: That's her. That's me who is big on the tic 835 00:40:03,000 --> 00:40:09,759 Speaker 1: tac machine, big, huge on whatever. Definitely not on that one, 836 00:40:10,280 --> 00:40:13,440 Speaker 1: but on all of the internets. Um has asked her 837 00:40:13,480 --> 00:40:16,440 Speaker 1: follower to send see how I see what I did? 838 00:40:16,480 --> 00:40:21,840 Speaker 1: I made it singular a follower anyway, I know it's like, 839 00:40:21,880 --> 00:40:26,080 Speaker 1: oh no again, Christie understands how the world has asked 840 00:40:26,200 --> 00:40:28,520 Speaker 1: some people to send in some pictures. We still have 841 00:40:28,640 --> 00:40:30,719 Speaker 1: figured out exactly how we're going to do this. It's blind, 842 00:40:30,800 --> 00:40:32,239 Speaker 1: so we don't know what's coming up. But how many? 843 00:40:32,320 --> 00:40:35,279 Speaker 1: Should we do? Just one? One? We must do just one? 844 00:40:35,360 --> 00:40:37,960 Speaker 1: But we should get really in depth with okay, okay, 845 00:40:38,000 --> 00:40:41,720 Speaker 1: so should maybe we could do like different versions? Should 846 00:40:41,719 --> 00:40:44,200 Speaker 1: we let Shelby pick? Should it be like a card 847 00:40:44,239 --> 00:40:46,080 Speaker 1: trick where it's like we fan it out and she 848 00:40:46,160 --> 00:40:48,400 Speaker 1: grabs one, and then that's what she's stuck with. Should 849 00:40:48,400 --> 00:40:51,439 Speaker 1: we go that way? I think I'm cool with that. Yeah, yeah, yeah, 850 00:40:51,520 --> 00:40:53,320 Speaker 1: we're gonna go upside down to just think of the 851 00:40:53,440 --> 00:40:55,800 Speaker 1: number one to six because we got a lot of 852 00:40:55,840 --> 00:41:03,760 Speaker 1: I'm kidding. Okay. There's also storylines in them, are they really? Yeah? Yeah, yeah, right, Elizabeth, Okay, 853 00:41:03,920 --> 00:41:08,840 Speaker 1: very very few. I am then going to change the 854 00:41:08,880 --> 00:41:13,120 Speaker 1: storyline to make it evil. So here you go. There 855 00:41:13,160 --> 00:41:16,239 Speaker 1: isn't a storyline. We'll give them one. Okay, pick what's 856 00:41:16,280 --> 00:41:21,440 Speaker 1: calling me? Any character you want there, I've got a 857 00:41:21,480 --> 00:41:26,960 Speaker 1: good father. Is this one? Is there a storyline? Is 858 00:41:26,960 --> 00:41:31,040 Speaker 1: there a name in an age? Ten years? Ten years old? 859 00:41:31,960 --> 00:41:33,799 Speaker 1: Let's get a shot at least of this, and now 860 00:41:33,880 --> 00:41:36,560 Speaker 1: to describe it. Now, we're gonna let Shelby. Shelby, could 861 00:41:36,600 --> 00:41:40,200 Speaker 1: you describe to our podcasting listening audience what you're looking 862 00:41:40,239 --> 00:41:43,360 Speaker 1: at there? I'm looking at a beautiful drawing of Remy, 863 00:41:43,440 --> 00:41:46,800 Speaker 1: who's ten years old. Okay, unless is it Remy? I 864 00:41:46,840 --> 00:41:50,520 Speaker 1: think created the character of Remy's creation and Remy is 865 00:41:50,520 --> 00:41:52,680 Speaker 1: ten years old. And also though I think I'm gonna 866 00:41:52,680 --> 00:41:54,719 Speaker 1: base this character off of Remy, this is this is 867 00:41:54,800 --> 00:41:57,320 Speaker 1: Remy too? Okay? Does it look like for everybody who's 868 00:41:57,320 --> 00:42:01,320 Speaker 1: not watching on the YouTube's almost like a Picasso ask portrait. 869 00:42:01,480 --> 00:42:05,400 Speaker 1: You're good, it's pretty good. Ready, good job. I couldn't 870 00:42:05,400 --> 00:42:07,279 Speaker 1: do this now. Yeah, it's pretty cool. There's lots of 871 00:42:07,360 --> 00:42:10,480 Speaker 1: different colors. Yeah, it's blue greens, a little bit of 872 00:42:10,560 --> 00:42:13,440 Speaker 1: pinks in there. Uh's got a set of a of 873 00:42:13,480 --> 00:42:15,680 Speaker 1: a cool haircut. How old? So we're going to call 874 00:42:15,719 --> 00:42:18,880 Speaker 1: this character Remy? Is that we're okay? He looks a 875 00:42:18,880 --> 00:42:21,000 Speaker 1: little moody, he does. He looks moody. My guess is 876 00:42:21,080 --> 00:42:24,239 Speaker 1: he's a preteen. I'd say about twelve. Um. I think 877 00:42:24,280 --> 00:42:27,680 Speaker 1: he's like a skater boy. He looks like a sad 878 00:42:27,719 --> 00:42:35,040 Speaker 1: see a later boy. No, yeah, Avril Levine, I've got 879 00:42:35,120 --> 00:42:39,320 Speaker 1: a nerd domb for her. Do you have a Tony 880 00:42:39,360 --> 00:42:42,120 Speaker 1: Hawk TikTok? Her and Tony Hawk made a TikTok together. 881 00:42:42,880 --> 00:42:46,680 Speaker 1: Oh yeah, I think I'm made but so so looking 882 00:42:46,719 --> 00:42:49,320 Speaker 1: at this, I would obviously start to go into like 883 00:42:49,400 --> 00:42:51,920 Speaker 1: more of a little boy voice here. But he's he's 884 00:42:52,000 --> 00:42:55,600 Speaker 1: not too little. He's just he's just cool dude, right, 885 00:42:55,800 --> 00:42:59,120 Speaker 1: Like he's just he's just skating. He Uh. It was 886 00:42:59,200 --> 00:43:01,399 Speaker 1: kind of embarrassing the day because he has this little 887 00:43:01,440 --> 00:43:03,640 Speaker 1: crush on this girl at his school, right, and he 888 00:43:04,000 --> 00:43:07,160 Speaker 1: totally bifted on a skateboard in front of her. Yeah, 889 00:43:07,320 --> 00:43:09,839 Speaker 1: and then he got up. I was like, oh, did 890 00:43:09,920 --> 00:43:12,360 Speaker 1: you see that? Yeah, no, I meant to do that. 891 00:43:12,760 --> 00:43:18,960 Speaker 1: That's that's the new cool trick called the biffameter. Yeah. Anyways, 892 00:43:18,960 --> 00:43:24,359 Speaker 1: see you never buy and he ran away. Wow. Yes, 893 00:43:25,320 --> 00:43:28,000 Speaker 1: can you old Remy, you just got your Your character 894 00:43:28,080 --> 00:43:31,280 Speaker 1: is now voiced by Shelby Young, one of the best 895 00:43:31,400 --> 00:43:35,359 Speaker 1: in the biz that was doing that's the problem. Can 896 00:43:35,400 --> 00:43:39,799 Speaker 1: we do one and then I'm going to pick one 897 00:43:39,840 --> 00:43:41,680 Speaker 1: this time? You want me to pick and then we're 898 00:43:41,719 --> 00:43:46,000 Speaker 1: both going to need to talk to Siri. Absolutely, but 899 00:43:46,160 --> 00:43:50,480 Speaker 1: for a picking one? All right, here we go this one? 900 00:43:51,760 --> 00:43:57,520 Speaker 1: Oh okay, Oh I love that one. I do it 901 00:43:57,680 --> 00:44:01,080 Speaker 1: is on the paper. Oh, there we go. Okay, So 902 00:44:01,239 --> 00:44:05,239 Speaker 1: this is from Kira, age seven, and it is a 903 00:44:05,360 --> 00:44:10,760 Speaker 1: draft that's so good. All these those kids are pretty 904 00:44:10,800 --> 00:44:16,560 Speaker 1: need a shame artistically, get that. I know. Way to go, Kira, 905 00:44:17,360 --> 00:44:20,520 Speaker 1: thank you for sending it in. Shelby Young. You see, Kira, 906 00:44:20,760 --> 00:44:23,680 Speaker 1: what is how we just naming the characters after the 907 00:44:23,719 --> 00:44:25,840 Speaker 1: people they wrote it. I kind of like that. So 908 00:44:25,920 --> 00:44:27,520 Speaker 1: when you look at Cira the draft, would you see 909 00:44:28,239 --> 00:44:31,680 Speaker 1: the draffe is very sophisticated. I think, Um, she's the 910 00:44:31,760 --> 00:44:33,719 Speaker 1: tallest of the zoo, so she always knows what's going 911 00:44:33,760 --> 00:44:36,200 Speaker 1: on in all the other enclosures. She's gossiping all the time. 912 00:44:36,280 --> 00:44:39,560 Speaker 1: She's like, to do you hear what the hippopotamus was saying? Hippopotami? 913 00:44:40,000 --> 00:44:42,640 Speaker 1: I don't know correct ground, I just know the gossip. Um. 914 00:44:42,800 --> 00:44:45,120 Speaker 1: But yes, she's just sticking her nose and her network 915 00:44:45,120 --> 00:44:49,319 Speaker 1: shouldn't belong all the time, and she she helps. Yeah, 916 00:44:49,560 --> 00:44:52,840 Speaker 1: great drama at the zoo. Wow, that's awesome. It's like 917 00:44:52,960 --> 00:44:57,680 Speaker 1: Kira's from Doubton Abbey. I love that instantly. I'm like 918 00:44:57,719 --> 00:45:01,759 Speaker 1: Kira Natalie all right, she's reddish done one? Now? Is 919 00:45:01,800 --> 00:45:04,359 Speaker 1: that normally? How when you get a character in front 920 00:45:04,400 --> 00:45:05,800 Speaker 1: of you, when you get a piece of artwork and 921 00:45:05,800 --> 00:45:07,279 Speaker 1: a break down for a new role, does it come 922 00:45:07,280 --> 00:45:09,920 Speaker 1: to you that quick most of the time. Yeah, it's 923 00:45:09,960 --> 00:45:11,640 Speaker 1: something that you hear it in your head. Do you 924 00:45:11,760 --> 00:45:18,120 Speaker 1: hear voice? I hear voice, I hear voices? Yeah, no 925 00:45:18,320 --> 00:45:20,240 Speaker 1: I do. It's it's one of those things. And sometimes 926 00:45:20,280 --> 00:45:22,040 Speaker 1: again I'll refine it and I'll figure out it wasn't 927 00:45:22,040 --> 00:45:23,800 Speaker 1: the right voice, but usually it just kind of pops 928 00:45:23,840 --> 00:45:26,920 Speaker 1: into my head right away. Yeah, because I'm crazy. Now, 929 00:45:27,200 --> 00:45:30,600 Speaker 1: what about the series? So how did Siri come about? Series? 930 00:45:30,640 --> 00:45:32,839 Speaker 1: One of I would say, Sirie is one of your 931 00:45:32,880 --> 00:45:37,600 Speaker 1: most um viral viral. Yeah, and it was my first 932 00:45:37,680 --> 00:45:40,040 Speaker 1: real viral video. Was that I did this serie impression. 933 00:45:40,080 --> 00:45:42,200 Speaker 1: There was a trend which we were talking about earlier, 934 00:45:42,239 --> 00:45:45,719 Speaker 1: what trends are. There was a trend called my Way 935 00:45:45,800 --> 00:45:47,959 Speaker 1: or the Highway where people I still live and hopped 936 00:45:48,000 --> 00:45:49,640 Speaker 1: on it either because I don't really get it. I 937 00:45:49,680 --> 00:45:52,600 Speaker 1: don't fully understand it, to be completely honest, things that 938 00:45:52,640 --> 00:45:55,120 Speaker 1: I just did it. But it was like if you 939 00:45:55,239 --> 00:45:58,080 Speaker 1: call me crazy, better put or know what was it? 940 00:45:58,120 --> 00:45:59,640 Speaker 1: If you call me I don't remember what the original 941 00:45:59,680 --> 00:46:00,920 Speaker 1: one was, but I was like, if you call me this, 942 00:46:01,120 --> 00:46:03,359 Speaker 1: you better put this in front of it. My way, 943 00:46:03,560 --> 00:46:06,359 Speaker 1: my way or the Highway. Couldn't tell you where it's from, 944 00:46:06,760 --> 00:46:09,400 Speaker 1: but I was line TikTok's like vine where it's like 945 00:46:09,480 --> 00:46:12,080 Speaker 1: very short bits of humor that are kind of like quirky, okay, 946 00:46:12,120 --> 00:46:14,040 Speaker 1: but it's not from like the Olympiscuits song my Way 947 00:46:14,239 --> 00:46:16,960 Speaker 1: or from the original my Way that's not a song 948 00:46:17,640 --> 00:46:20,560 Speaker 1: my Way or the highway part might be reminiscent of 949 00:46:20,640 --> 00:46:26,799 Speaker 1: that song. Okay, they won't. They won't be open um. 950 00:46:27,560 --> 00:46:30,600 Speaker 1: But so I just had the idea because I had 951 00:46:30,719 --> 00:46:33,960 Speaker 1: just done a job where I they asked me to 952 00:46:34,040 --> 00:46:36,399 Speaker 1: try to voice a smart assistant. It was a looping job. 953 00:46:36,520 --> 00:46:40,279 Speaker 1: So long story short, Uh, they don't cast specific roles 954 00:46:40,320 --> 00:46:42,920 Speaker 1: for background voice acting, right, so it's like all of 955 00:46:43,000 --> 00:46:45,160 Speaker 1: us are in a group and then sometimes there will 956 00:46:45,160 --> 00:46:47,000 Speaker 1: be something called a specific So for this one, it 957 00:46:47,080 --> 00:46:49,120 Speaker 1: was they needed a phone to say something, so they 958 00:46:49,160 --> 00:46:50,840 Speaker 1: had all of the women in the room try to 959 00:46:50,920 --> 00:46:53,520 Speaker 1: do this Syrian pression. Beat all of them. I beat 960 00:46:53,560 --> 00:46:55,359 Speaker 1: them all, but they're all my friends. We all did great. 961 00:46:56,040 --> 00:46:59,160 Speaker 1: But I didn't know I could do it until I 962 00:46:59,400 --> 00:47:02,200 Speaker 1: tried it and then it happened, and so then I 963 00:47:02,400 --> 00:47:05,080 Speaker 1: was like, oh, I'm serie. Now I gotta make more 964 00:47:05,160 --> 00:47:08,440 Speaker 1: TikTok content and do this. So I'm speaking to an alexa, 965 00:47:09,160 --> 00:47:14,399 Speaker 1: actual alexa. Yes, and there is a slightly bad word 966 00:47:14,440 --> 00:47:16,520 Speaker 1: in this, but I'm just like, and if you call 967 00:47:16,600 --> 00:47:18,799 Speaker 1: me an ass make sure to put smart in front 968 00:47:18,840 --> 00:47:21,200 Speaker 1: of it. And is stint after it, which is smart 969 00:47:21,200 --> 00:47:24,440 Speaker 1: assistant my way, my way, or the turn left to 970 00:47:24,560 --> 00:47:27,640 Speaker 1: merge onto the highway. And doesn't she start speaking back 971 00:47:27,680 --> 00:47:29,600 Speaker 1: to you. Not in this one. I'm sure we talk 972 00:47:29,680 --> 00:47:33,160 Speaker 1: to each other. Yeah, it's hilarious. But yeah, that one 973 00:47:33,320 --> 00:47:35,720 Speaker 1: like full on blew up, which I wasn't expecting because 974 00:47:35,840 --> 00:47:39,640 Speaker 1: you're so good. That's amazing. It's really amazing. It really is. 975 00:47:39,880 --> 00:47:41,960 Speaker 1: But I've noticed now about the way that you go 976 00:47:42,120 --> 00:47:44,759 Speaker 1: into this is that you actually started sliding into it 977 00:47:44,920 --> 00:47:46,839 Speaker 1: the more you're doing it, and like it only takes 978 00:47:46,880 --> 00:47:50,040 Speaker 1: you maybe like two seconds to really lock into it. Yeah, 979 00:47:50,480 --> 00:47:52,840 Speaker 1: it's interesting because like when you approach it, you you 980 00:47:52,960 --> 00:47:55,120 Speaker 1: make a bold choice, right like every time you're like, 981 00:47:55,160 --> 00:47:56,719 Speaker 1: oh my gosh, this is a draft, this is this 982 00:47:56,840 --> 00:47:59,279 Speaker 1: is my you start to do it, and then for 983 00:47:59,400 --> 00:48:02,080 Speaker 1: some reason, comfortable the magic of it starts, and then 984 00:48:02,120 --> 00:48:05,359 Speaker 1: it almost like it lubricates phone records because you're like, Okay, 985 00:48:05,360 --> 00:48:08,880 Speaker 1: I'm making this choice. It's working. It's working. I like it. Yeah, definitely, 986 00:48:08,960 --> 00:48:10,880 Speaker 1: that's an exciting thing. And also what I love that 987 00:48:10,960 --> 00:48:13,759 Speaker 1: you just said is that the competitiveness does not really 988 00:48:13,840 --> 00:48:16,239 Speaker 1: exist in the voice of a road, not at all, 989 00:48:16,440 --> 00:48:18,480 Speaker 1: and That's what I love so much about him, because 990 00:48:18,520 --> 00:48:20,719 Speaker 1: coming from on camera, I was also really lucky and 991 00:48:20,800 --> 00:48:22,800 Speaker 1: had great friends there, but there was always that twinge 992 00:48:22,880 --> 00:48:24,960 Speaker 1: of like, oh, I want to get this and they 993 00:48:25,040 --> 00:48:27,200 Speaker 1: got it, and oh man, but with this one, with 994 00:48:27,360 --> 00:48:29,879 Speaker 1: with the VO world, obviously, yes I want to book 995 00:48:29,920 --> 00:48:32,080 Speaker 1: the rolls should I want, But when I find out 996 00:48:32,080 --> 00:48:34,440 Speaker 1: one of my friends got it, I'm just as happy, 997 00:48:34,600 --> 00:48:37,120 Speaker 1: like it's also your voice works, or it doesn't work, 998 00:48:37,680 --> 00:48:39,840 Speaker 1: work for something else in the future, or or but 999 00:48:40,040 --> 00:48:41,640 Speaker 1: it wasn't that same as sitting in a room with 1000 00:48:41,760 --> 00:48:45,319 Speaker 1: eight other people dressed exactly like you, as everybody's waiting 1001 00:48:45,320 --> 00:48:48,719 Speaker 1: in this stressful and you're hope they're they're hoping, you're hoping, 1002 00:48:48,800 --> 00:48:50,320 Speaker 1: and you you want to not feel this way, but 1003 00:48:50,400 --> 00:48:52,000 Speaker 1: you're like, I have to be better than them, and 1004 00:48:52,080 --> 00:48:53,680 Speaker 1: I hope they trip on their face when they get 1005 00:48:53,680 --> 00:48:55,839 Speaker 1: in there. And VO just doesn't like that at all, 1006 00:48:56,080 --> 00:48:59,040 Speaker 1: not at all wonderful. No, I've had projects before where 1007 00:48:59,040 --> 00:49:00,880 Speaker 1: I've auditioned for some thing and I've been like, you 1008 00:49:00,960 --> 00:49:02,760 Speaker 1: know what, I don't think I'm right for this character, 1009 00:49:02,880 --> 00:49:05,000 Speaker 1: but who is my friend's steph. She would be great 1010 00:49:05,040 --> 00:49:06,560 Speaker 1: for this, and I'll be like, hey, stuff, you should 1011 00:49:06,560 --> 00:49:10,359 Speaker 1: ask your agents about this role. Like, yeah, that's very awesome. Yea, 1012 00:49:11,080 --> 00:49:13,360 Speaker 1: what do you think the future of like animation, Do 1013 00:49:13,400 --> 00:49:16,719 Speaker 1: you think there'll be more mochs in animation? Yeah, Like, 1014 00:49:16,840 --> 00:49:18,719 Speaker 1: what's the future of animation? Do you think they'll be 1015 00:49:18,880 --> 00:49:21,920 Speaker 1: less on on camera acting? Like I've I've heard that 1016 00:49:22,040 --> 00:49:24,759 Speaker 1: that maybe the pandemic kind of changed the ball game. 1017 00:49:24,880 --> 00:49:28,319 Speaker 1: I mean, it's people are just binging animated series now, 1018 00:49:28,560 --> 00:49:30,320 Speaker 1: and you know, we do a lot of conventions and 1019 00:49:30,360 --> 00:49:33,720 Speaker 1: we'll be doing a lot more conventions, and it's so strange, 1020 00:49:34,360 --> 00:49:37,960 Speaker 1: especially lately, the vo actors have much longer lines than 1021 00:49:37,960 --> 00:49:40,680 Speaker 1: the on camera actors. I mean, unless you're you know, 1022 00:49:40,800 --> 00:49:42,640 Speaker 1: Tom Holland or somebody like that that comes from one 1023 00:49:42,640 --> 00:49:44,960 Speaker 1: of these conventions that has a nine hour line all 1024 00:49:45,040 --> 00:49:46,879 Speaker 1: of the video actors. And the thing that's actually huge, 1025 00:49:46,880 --> 00:49:48,040 Speaker 1: which I wanted to talk to about as well. So 1026 00:49:48,080 --> 00:49:50,520 Speaker 1: I'm not sure you've done any is anime anime has 1027 00:49:50,560 --> 00:49:52,879 Speaker 1: gotten craziest anime which was a Star Wars anime which 1028 00:49:52,920 --> 00:49:54,719 Speaker 1: was so cool, and that one I got kind of 1029 00:49:54,800 --> 00:49:56,600 Speaker 1: lucky in the aspect that I've awoiced to droid who 1030 00:49:56,600 --> 00:49:59,879 Speaker 1: didn't have a mouth to match for that so difficult. Yeah, 1031 00:50:00,560 --> 00:50:05,640 Speaker 1: that's the difference is you know again, animation exactly. Animation, 1032 00:50:05,680 --> 00:50:07,800 Speaker 1: you record, they send it away, they animated around it. 1033 00:50:07,880 --> 00:50:11,920 Speaker 1: Anime usually get it back from Japan, North Korea, North Korea, Korea, 1034 00:50:12,120 --> 00:50:13,960 Speaker 1: somewhere like that. North Korea is probably not the best 1035 00:50:14,280 --> 00:50:17,960 Speaker 1: um but they and then you have to they take 1036 00:50:18,000 --> 00:50:19,360 Speaker 1: out the voice that was in there because it was 1037 00:50:19,360 --> 00:50:21,399 Speaker 1: in a different language, and then you have to match 1038 00:50:21,520 --> 00:50:24,000 Speaker 1: this voice. This is my question. Are those voice lips 1039 00:50:24,320 --> 00:50:27,000 Speaker 1: geared towards a different language? Yeah? Yeah, yeah, it's called 1040 00:50:27,560 --> 00:50:30,680 Speaker 1: its mouth flaps and it's very and I'll I remember 1041 00:50:30,719 --> 00:50:32,200 Speaker 1: the word. I was doing a video game at the time. 1042 00:50:32,200 --> 00:50:33,360 Speaker 1: I don't do a whole lot of video games. It 1043 00:50:33,440 --> 00:50:34,799 Speaker 1: is years and years and years ago. I was doing 1044 00:50:34,880 --> 00:50:36,879 Speaker 1: one called like a choice that you don't do video 1045 00:50:36,920 --> 00:50:39,680 Speaker 1: games it really nowadays, I'd love to try a mo 1046 00:50:39,800 --> 00:50:42,400 Speaker 1: cap thing. But I got to a point where the 1047 00:50:43,320 --> 00:50:45,560 Speaker 1: call of duties and stuff like that, it shreds you. 1048 00:50:46,440 --> 00:50:51,200 Speaker 1: So you get you're getting you're doing so much uh grunting, yelling, 1049 00:50:51,320 --> 00:50:53,640 Speaker 1: screaming over the battle sounds, and you're doing it for 1050 00:50:53,719 --> 00:50:55,480 Speaker 1: five hours at a time, for four sessions that you 1051 00:50:55,560 --> 00:50:57,239 Speaker 1: walk out an octave lower than you walked in. I mean, 1052 00:50:57,280 --> 00:50:59,600 Speaker 1: you're just you're shredded, which I will say nowadays they 1053 00:50:59,680 --> 00:51:02,239 Speaker 1: have made its two hours, that's max for one of 1054 00:51:02,320 --> 00:51:04,400 Speaker 1: those efforts sessions, they'll break it up, especially for the 1055 00:51:04,440 --> 00:51:06,839 Speaker 1: in game chatter. They will warn you ahead of time. 1056 00:51:06,880 --> 00:51:10,000 Speaker 1: They're like, we're going in today, we're doing screams, battle barks, grunts, 1057 00:51:10,360 --> 00:51:12,680 Speaker 1: and they're also obviously everybody doesn't want you to hurt 1058 00:51:12,719 --> 00:51:14,640 Speaker 1: your voice, so you need to take breaks. Because that 1059 00:51:14,719 --> 00:51:17,120 Speaker 1: was something that for me was really difficult, was learning 1060 00:51:17,160 --> 00:51:22,200 Speaker 1: to advocate for myself. Not that I'm like, I'm a 1061 00:51:22,239 --> 00:51:24,880 Speaker 1: team player, I want to keep going. But I finally 1062 00:51:24,920 --> 00:51:26,520 Speaker 1: had a director whome friends with kind of yell at 1063 00:51:26,560 --> 00:51:28,960 Speaker 1: me once, being like Shelby, you need to stop when 1064 00:51:28,960 --> 00:51:30,840 Speaker 1: you're not feeling well, Like we can hear in your 1065 00:51:30,920 --> 00:51:33,000 Speaker 1: voice when it changes, and it shouldn't get to that point, 1066 00:51:33,040 --> 00:51:34,640 Speaker 1: like let us know when you're starting to feel fatigued. 1067 00:51:34,680 --> 00:51:37,279 Speaker 1: It doesn't just okay. I mean your vocal course, people, 1068 00:51:37,920 --> 00:51:41,720 Speaker 1: your vocal course are just rubbing together. So as a singer, 1069 00:51:41,840 --> 00:51:43,360 Speaker 1: you have I mean no, no, did you know I 1070 00:51:43,440 --> 00:51:47,320 Speaker 1: had open throat surgery? Did you yes? Did you have notes? 1071 00:51:47,640 --> 00:51:51,440 Speaker 1: So the second season and even third season. I think 1072 00:51:51,480 --> 00:51:54,080 Speaker 1: fourth season it was a bit improved. But I had 1073 00:51:54,120 --> 00:51:56,640 Speaker 1: gone to college, I was not being very healthy with 1074 00:51:56,760 --> 00:51:59,360 Speaker 1: my throat and voice and stuff like that, and so 1075 00:51:59,840 --> 00:52:02,759 Speaker 1: I started to sound very different with Kim Possible, and 1076 00:52:02,920 --> 00:52:06,200 Speaker 1: so they were remarking upon it, and you know, it's 1077 00:52:06,520 --> 00:52:08,879 Speaker 1: it is what it is now, but it's definitely something 1078 00:52:09,040 --> 00:52:11,279 Speaker 1: that I had to go and get looked at. And 1079 00:52:11,360 --> 00:52:15,040 Speaker 1: it turns out that I had really bad notes and 1080 00:52:15,120 --> 00:52:19,200 Speaker 1: so I had open throat surgery. This was right before 1081 00:52:19,239 --> 00:52:21,840 Speaker 1: I did the Broadway to do Bell, Yeah, and I 1082 00:52:22,000 --> 00:52:24,120 Speaker 1: was for filming at the time with you guys. So 1083 00:52:24,440 --> 00:52:26,640 Speaker 1: I think that's why I got better in the fourth season. 1084 00:52:27,200 --> 00:52:30,120 Speaker 1: But those notes were really bad, So I I did. 1085 00:52:30,200 --> 00:52:33,640 Speaker 1: I did. I'm curious does doing ron Stoppable, like, does 1086 00:52:33,719 --> 00:52:36,120 Speaker 1: that hurt your voice at all? Because you have so 1087 00:52:36,320 --> 00:52:39,040 Speaker 1: much energy behind that, you know the things that that 1088 00:52:39,560 --> 00:52:42,799 Speaker 1: is when you're doing a d R sessions. A lot 1089 00:52:42,880 --> 00:52:45,160 Speaker 1: of times when it's something big, like I remember when 1090 00:52:45,200 --> 00:52:47,840 Speaker 1: we were a d R Return of the Joker for Batman. 1091 00:52:48,360 --> 00:52:51,520 Speaker 1: The opening scene, like before you even got to the credits, 1092 00:52:51,719 --> 00:52:54,520 Speaker 1: we had something like a hundred and fifteen cues of 1093 00:52:54,760 --> 00:52:58,359 Speaker 1: just battle sounds, fight sounds, punching, kicking, and so by 1094 00:52:58,400 --> 00:53:02,000 Speaker 1: the time we're not you're into the film, you're already like, yeah, 1095 00:53:02,239 --> 00:53:05,200 Speaker 1: but Ron was tough. Ron kind of waste here. Yeah, 1096 00:53:05,360 --> 00:53:07,120 Speaker 1: he's like in the voice a little bit but more just. 1097 00:53:07,239 --> 00:53:09,680 Speaker 1: But he also changed, I mean Ron started his voice 1098 00:53:09,719 --> 00:53:11,080 Speaker 1: was a lot different at the beginning of the show 1099 00:53:11,120 --> 00:53:14,520 Speaker 1: than it was at the end. Interesting pushing it, yes 1100 00:53:14,600 --> 00:53:16,000 Speaker 1: and no. I go back and I listened now and 1101 00:53:16,000 --> 00:53:17,400 Speaker 1: I'm like, oh, I wish they pulled me back. But 1102 00:53:17,440 --> 00:53:19,479 Speaker 1: then I go, that's not that's on me. You also 1103 00:53:19,600 --> 00:53:22,600 Speaker 1: feel like in on camera too, with with shows that 1104 00:53:22,719 --> 00:53:25,719 Speaker 1: have the like sillier character, I feel like, as there 1105 00:53:25,760 --> 00:53:28,440 Speaker 1: are more seasons, that character will get sillier and sillier 1106 00:53:28,560 --> 00:53:33,680 Speaker 1: and sillier. Eric Matthews, Yeah, who started as a normal 1107 00:53:33,760 --> 00:53:35,879 Speaker 1: guy who like, you know, would you end with something 1108 00:53:35,920 --> 00:53:39,920 Speaker 1: with squirrels? Right with squirrel exactly. There's two theories to that, 1109 00:53:40,000 --> 00:53:44,160 Speaker 1: are you know, I mean actually a little bit really 1110 00:53:44,520 --> 00:53:46,200 Speaker 1: you would love what he's about to share with you. That. 1111 00:53:46,360 --> 00:53:48,719 Speaker 1: So there are two actual theories as to why Eric changed. 1112 00:53:49,160 --> 00:53:51,439 Speaker 1: One of them is my favorite. So the first theory 1113 00:53:51,560 --> 00:53:54,120 Speaker 1: is that it's more psychological and that the show takes 1114 00:53:54,160 --> 00:53:57,359 Speaker 1: place through Corey Matthew's eyes, So when he was really young, 1115 00:53:57,520 --> 00:54:00,120 Speaker 1: he saw Eric as the cool older brother who is 1116 00:54:00,160 --> 00:54:02,279 Speaker 1: going out with girls, and the older he got he 1117 00:54:02,320 --> 00:54:04,280 Speaker 1: saw him is more of a buffoon, so he changed 1118 00:54:04,360 --> 00:54:06,279 Speaker 1: in his eyes. Kind of love that I kind of do. 1119 00:54:06,480 --> 00:54:08,560 Speaker 1: The second one is even cooler though. There's an episode 1120 00:54:08,560 --> 00:54:10,319 Speaker 1: where Eric is trapped in a car with a girl 1121 00:54:10,480 --> 00:54:13,640 Speaker 1: in a snowstorm and he slams his head against the 1122 00:54:13,680 --> 00:54:16,880 Speaker 1: mirror against the side to get out and knocks himself unconscious. 1123 00:54:17,000 --> 00:54:20,000 Speaker 1: So the theory is he got brain damage and that's 1124 00:54:20,080 --> 00:54:22,120 Speaker 1: and that's why he changed throughout the entire thing. Yes, 1125 00:54:22,160 --> 00:54:23,759 Speaker 1: there's nothing to do with I hear voices, except I 1126 00:54:23,880 --> 00:54:26,520 Speaker 1: can still hear it in my head. Um, So I 1127 00:54:26,640 --> 00:54:28,560 Speaker 1: prefer the brain damage one myself, but I think that 1128 00:54:28,680 --> 00:54:30,799 Speaker 1: the other Corey. It sounds like a rationalization, but it's 1129 00:54:30,800 --> 00:54:35,719 Speaker 1: an interesting one. I like that one. But it is 1130 00:54:35,760 --> 00:54:37,840 Speaker 1: so true with shows like that. I I haven't a 1131 00:54:38,280 --> 00:54:40,560 Speaker 1: character yet, and I hope to in the future where 1132 00:54:40,640 --> 00:54:42,920 Speaker 1: it's like we have multiple, multiple seasons going on, but 1133 00:54:43,160 --> 00:54:45,279 Speaker 1: it is interesting to see how a character changes from 1134 00:54:45,320 --> 00:54:47,720 Speaker 1: even just the pilot episode too. Then the first episode 1135 00:54:47,760 --> 00:54:50,120 Speaker 1: once it's picked up. So here's now here's a question. 1136 00:54:50,200 --> 00:54:54,279 Speaker 1: Then for Shelby Young, here you get you run the world. 1137 00:54:54,360 --> 00:54:59,000 Speaker 1: Now you are president of voice Over. Exactly. That sound 1138 00:54:59,080 --> 00:55:03,279 Speaker 1: like you get to play any character you want, Yes, 1139 00:55:03,440 --> 00:55:06,759 Speaker 1: anything existing, not existing, somebody writes something for you, or 1140 00:55:06,800 --> 00:55:09,920 Speaker 1: it's your ultimate character. Who do you play? Oh gosh, 1141 00:55:10,560 --> 00:55:12,759 Speaker 1: so my I feel like my answer is such a 1142 00:55:13,360 --> 00:55:16,520 Speaker 1: basic girl answer that grew up watching Disney. But like 1143 00:55:16,640 --> 00:55:18,719 Speaker 1: I would love to voice a Disney princess one day, 1144 00:55:18,760 --> 00:55:21,040 Speaker 1: but an original one they've never had. I don't know 1145 00:55:21,080 --> 00:55:22,880 Speaker 1: if they would ever delve into religion, but they've never 1146 00:55:22,920 --> 00:55:25,080 Speaker 1: had a Jewish princess, and I'm Jewish, so that could 1147 00:55:25,120 --> 00:55:28,000 Speaker 1: be really that would be ethnicity as well. But like 1148 00:55:28,239 --> 00:55:32,160 Speaker 1: I I yeah, something like that or a Disney villain 1149 00:55:32,400 --> 00:55:36,440 Speaker 1: would be boring, just something in that realm. It's it's 1150 00:55:36,480 --> 00:55:39,040 Speaker 1: a miss American answer, but like genuinely every character that 1151 00:55:39,080 --> 00:55:42,200 Speaker 1: I get to play is my dream character. I mean, 1152 00:55:42,280 --> 00:55:44,879 Speaker 1: it's one of those things, right, Like I never would 1153 00:55:44,880 --> 00:55:46,640 Speaker 1: have thought that I'd be voicing an Ewok or a 1154 00:55:46,760 --> 00:55:50,480 Speaker 1: Droid or Little Boys or a French poodle I have 1155 00:55:50,560 --> 00:55:53,360 Speaker 1: in a project coming up, Like just fun, fun characters 1156 00:55:53,400 --> 00:55:57,160 Speaker 1: that are just it's just so exciting and scary not 1157 00:55:57,320 --> 00:55:59,600 Speaker 1: knowing like what your next job is. But unless you 1158 00:55:59,640 --> 00:56:01,120 Speaker 1: get that job, it's like, oh, this is what I 1159 00:56:01,120 --> 00:56:04,360 Speaker 1: get to do now. Cool? It really is. I'm agreeing 1160 00:56:04,400 --> 00:56:07,080 Speaker 1: with you. It is a cheesy answer, but it's absolutely 1161 00:56:07,120 --> 00:56:09,359 Speaker 1: true when you're in voiceover that every job you get 1162 00:56:09,480 --> 00:56:10,960 Speaker 1: is the best job you've ever had. I mean, it's 1163 00:56:11,000 --> 00:56:13,840 Speaker 1: just it's so much fun. I mean, like, you know, 1164 00:56:13,920 --> 00:56:16,239 Speaker 1: Kim Possible was huge, but big here of six you 1165 00:56:16,280 --> 00:56:18,359 Speaker 1: get that, and then you're like, this is amazing. You're 1166 00:56:18,400 --> 00:56:20,399 Speaker 1: back in the booth and you get that vibrant kind 1167 00:56:20,440 --> 00:56:22,719 Speaker 1: of energy again. And that is what I missed so 1168 00:56:23,000 --> 00:56:25,399 Speaker 1: much about what did we say? It was BCT before 1169 00:56:25,480 --> 00:56:28,719 Speaker 1: COVID time is getting to play in the booth with 1170 00:56:28,960 --> 00:56:32,360 Speaker 1: other actors makes a difference. Oh, just that that energy 1171 00:56:32,480 --> 00:56:34,480 Speaker 1: that's there because we do it over zoom. I'm sure 1172 00:56:34,600 --> 00:56:36,960 Speaker 1: you guys have to, but it's like there's a lag, 1173 00:56:37,480 --> 00:56:41,080 Speaker 1: so these jokes don't land exactly the same. I love 1174 00:56:41,160 --> 00:56:43,680 Speaker 1: the collaboration feeling once you're in that room with everybody. 1175 00:56:43,840 --> 00:56:46,560 Speaker 1: We didn't get that, sadly we did. You weren't here, 1176 00:56:46,600 --> 00:56:48,400 Speaker 1: you were at school, so that was one of the 1177 00:56:48,440 --> 00:56:50,080 Speaker 1: things I but I didn't know what I was missing. 1178 00:56:50,840 --> 00:56:53,200 Speaker 1: If I if I had known what I was missing, 1179 00:56:53,520 --> 00:56:57,120 Speaker 1: I think I would have had to change. In New York, 1180 00:56:57,280 --> 00:56:59,560 Speaker 1: I go to college. That's why we're not trying to 1181 00:56:59,600 --> 00:57:03,120 Speaker 1: tease it anything for any future episodes, but to tease 1182 00:57:03,200 --> 00:57:06,000 Speaker 1: something for a future episode. The entire cast of Kim 1183 00:57:06,040 --> 00:57:15,320 Speaker 1: Possible has never actually been together, and it's and the 1184 00:57:15,440 --> 00:57:17,200 Speaker 1: whole cast has never been in the same room together 1185 00:57:17,240 --> 00:57:19,120 Speaker 1: at the same time. And this is I mean, that's 1186 00:57:19,280 --> 00:57:23,800 Speaker 1: a room. It's a big table, such a nice room. Also, 1187 00:57:24,320 --> 00:57:26,760 Speaker 1: I'm just saying, and this is again coming from a fan, 1188 00:57:27,120 --> 00:57:30,480 Speaker 1: why aren't they rebooting it? Doesn't animated series. I don't know, 1189 00:57:31,000 --> 00:57:35,040 Speaker 1: you said, I didn't say anything about they they did, 1190 00:57:35,120 --> 00:57:38,439 Speaker 1: and they didn't. They didn't reboot our action. Yeah yeah, 1191 00:57:38,520 --> 00:57:40,560 Speaker 1: but our version of it is its own thing. And 1192 00:57:40,640 --> 00:57:43,520 Speaker 1: like they just did Proud Family, it's amazing. Now we 1193 00:57:43,520 --> 00:57:47,280 Speaker 1: should turn the comment section on. The first thing you're 1194 00:57:47,280 --> 00:57:50,000 Speaker 1: gonna see is how could you like Avatar? The last 1195 00:57:52,120 --> 00:57:54,160 Speaker 1: you need to make a hotline, I'll record it for you. 1196 00:57:54,240 --> 00:57:56,320 Speaker 1: Press one if you'd like them to reboot Kim Possible 1197 00:57:56,360 --> 00:57:59,240 Speaker 1: the animated series, Press too, if you think that he's 1198 00:57:59,280 --> 00:58:07,000 Speaker 1: crazy for in Avatar. So okay, so then your Disney 1199 00:58:07,040 --> 00:58:10,040 Speaker 1: princess is absolutely what you'd pick. Yeah, it which be 1200 00:58:10,360 --> 00:58:12,919 Speaker 1: Jewish Disney, which is really honestly, we don't think would 1201 00:58:12,920 --> 00:58:16,040 Speaker 1: be amazing. I will, I believe, I believe in Manifestation, 1202 00:58:16,360 --> 00:58:19,360 Speaker 1: it's been crazy. But a real honest dream is I 1203 00:58:19,440 --> 00:58:22,400 Speaker 1: do sing as well. But my younger sister has the 1204 00:58:22,520 --> 00:58:24,400 Speaker 1: voice of an angel, and so we've always said, how 1205 00:58:24,440 --> 00:58:25,840 Speaker 1: cool would it be because you know, in the old, 1206 00:58:26,160 --> 00:58:32,200 Speaker 1: older Disney films they would have one actress exactly. We're like, wait, 1207 00:58:32,240 --> 00:58:34,720 Speaker 1: I Dida mansel An act too. She killed you with 1208 00:58:34,760 --> 00:58:37,000 Speaker 1: one stone. But no. A dream we always talked about 1209 00:58:37,040 --> 00:58:38,919 Speaker 1: was if I voiced a Disney princess and she could 1210 00:58:38,920 --> 00:58:41,120 Speaker 1: be the singing voice for the character came out to 1211 00:58:41,160 --> 00:58:43,800 Speaker 1: put you on the spot. But what's the what's the story? Then? Oh? 1212 00:58:44,120 --> 00:58:45,640 Speaker 1: I have we have not gotten that far? Are you 1213 00:58:45,760 --> 00:58:53,600 Speaker 1: kidding me? It's a not go for it what? It's 1214 00:58:53,880 --> 00:59:01,080 Speaker 1: an adventure tale and there's a talking animal and maybe 1215 00:59:01,160 --> 00:59:06,720 Speaker 1: a prince maybe not, maybe another princess who knows. Um. Yeah, 1216 00:59:06,760 --> 00:59:09,960 Speaker 1: I really haven't thought that. I just want to be 1217 00:59:10,040 --> 00:59:13,680 Speaker 1: on Disney. She's the reason why. I think we initially talked. 1218 00:59:14,320 --> 00:59:20,680 Speaker 1: This is like a like a flashback talked. Yes, had 1219 00:59:20,720 --> 00:59:24,920 Speaker 1: that comment is that she voice matched me. I did, really, 1220 00:59:25,080 --> 00:59:29,560 Speaker 1: I did. Indeed, Well, I was freaked out, freaked out 1221 00:59:29,640 --> 00:59:33,240 Speaker 1: when she just get out of this this interview. I know, 1222 00:59:33,400 --> 00:59:35,400 Speaker 1: I know that's true. And you know what, I was 1223 00:59:35,600 --> 00:59:37,800 Speaker 1: very nervous. You were nervous. I was like, oh my god, 1224 00:59:37,920 --> 00:59:41,760 Speaker 1: they're gonna replace me with no. No, what did you get? 1225 00:59:42,640 --> 00:59:44,800 Speaker 1: Oh no, it was just for TikTok. I did. I 1226 00:59:45,080 --> 00:59:47,439 Speaker 1: did an impression of Kim possible thing. So what's the sitch? 1227 00:59:47,560 --> 00:59:49,520 Speaker 1: But you do? You do it? I want to hear you. 1228 00:59:49,600 --> 00:59:51,919 Speaker 1: I want to hear you, and then I'm gonna mimic you. Yeah. 1229 00:59:53,000 --> 00:59:56,360 Speaker 1: Oh wait, I wish I had the equivalent of popcorn. Okay, 1230 00:59:56,440 --> 01:00:00,240 Speaker 1: oh my god, Okay, hey Wade, so what's this itch? 1231 01:00:00,680 --> 01:00:03,840 Speaker 1: Hey Wade? So what's the sitch? Wow? That's pretty good. 1232 01:00:03,960 --> 01:00:14,040 Speaker 1: That's pretty good. That's pretty good. Wow, I'll um Okay. 1233 01:00:14,120 --> 01:00:16,160 Speaker 1: I don't know which wanted you to look at anything 1234 01:00:17,240 --> 01:00:25,080 Speaker 1: that was not h This is so cool. Content is 1235 01:00:25,160 --> 01:00:28,320 Speaker 1: an interesting thing, you know, because it's not quite artistic. 1236 01:00:28,440 --> 01:00:32,000 Speaker 1: But I think what what Shelby's doing is a really 1237 01:00:32,160 --> 01:00:36,640 Speaker 1: great intersection of creating art through her voice and showing 1238 01:00:36,760 --> 01:00:40,880 Speaker 1: and displaying like what she's able to do. It takes talent, yes, 1239 01:00:41,000 --> 01:00:43,560 Speaker 1: six point that's the differences. It takes a ton of talent. Yeah, 1240 01:00:43,600 --> 01:00:46,080 Speaker 1: she's on the side of TikTok that is actually like 1241 01:00:46,320 --> 01:00:49,000 Speaker 1: talented and like it's great, don't get me wrong. It's 1242 01:00:49,000 --> 01:00:51,560 Speaker 1: great to have a platform where everybody can kind of 1243 01:00:51,640 --> 01:00:53,840 Speaker 1: go out there and experiment with being artistic. That's a 1244 01:00:53,840 --> 01:00:57,160 Speaker 1: wonderful thing. Definitely, that's true. But not everyone is talented, 1245 01:00:57,200 --> 01:01:00,280 Speaker 1: and that I can't sing. Everybody wants an I can't 1246 01:01:00,320 --> 01:01:02,720 Speaker 1: dance to go viral, and I think then they're like, 1247 01:01:02,840 --> 01:01:05,000 Speaker 1: wait a minute, aren't I And they're entitled. They feel 1248 01:01:05,120 --> 01:01:07,720 Speaker 1: entitled to go viral because that's like the video game 1249 01:01:07,800 --> 01:01:10,080 Speaker 1: Unlock it. And then you'll well, it is this thing 1250 01:01:10,120 --> 01:01:12,000 Speaker 1: because I've even felt it. I don't know if you've had, 1251 01:01:12,120 --> 01:01:14,960 Speaker 1: but it's you get that serotonin boost when something does 1252 01:01:15,040 --> 01:01:16,840 Speaker 1: do well, when it's like I took the time, I 1253 01:01:16,960 --> 01:01:19,080 Speaker 1: worked really hard on this, and now yes, it's getting 1254 01:01:19,080 --> 01:01:21,360 Speaker 1: the recognition. And then the next video you do, you 1255 01:01:21,480 --> 01:01:24,480 Speaker 1: take the time, you make the thing, and nothing happens right, 1256 01:01:24,480 --> 01:01:26,760 Speaker 1: and then you do feel like well, but last time 1257 01:01:26,840 --> 01:01:29,920 Speaker 1: this happened, So getting over that has made me a 1258 01:01:30,000 --> 01:01:33,560 Speaker 1: lot more mentally. You have to be comfortable in yourself 1259 01:01:34,440 --> 01:01:36,480 Speaker 1: does It shouldn't matter what anybody thinks about you, not 1260 01:01:36,600 --> 01:01:39,760 Speaker 1: alone people you're never gonna meet never ever ever, Which 1261 01:01:39,800 --> 01:01:43,400 Speaker 1: is hilarious because in most of the time I get, 1262 01:01:43,480 --> 01:01:44,960 Speaker 1: I get you only focus on the bad one of 1263 01:01:45,040 --> 01:01:47,800 Speaker 1: course always it's hard, but it's funny because in real life, 1264 01:01:47,960 --> 01:01:50,040 Speaker 1: like my sister and I we we went on a 1265 01:01:50,080 --> 01:01:52,320 Speaker 1: trip recently and we were going to do something that 1266 01:01:52,360 --> 01:01:53,640 Speaker 1: she was embarrassed to do. I don't know why. I 1267 01:01:53,680 --> 01:01:55,400 Speaker 1: was like, why would you be embarrassed? Look around you. 1268 01:01:55,560 --> 01:01:57,120 Speaker 1: You're never going to see a single one of these 1269 01:01:57,160 --> 01:01:59,280 Speaker 1: people ever again in your life. But for some reason, 1270 01:01:59,360 --> 01:02:00,800 Speaker 1: when it's on the in it and it's something so 1271 01:02:00,920 --> 01:02:03,600 Speaker 1: personal where it's like I filmed something in my personal 1272 01:02:03,680 --> 01:02:06,480 Speaker 1: space to put out there. Yeah, that one negative comment, 1273 01:02:06,600 --> 01:02:09,680 Speaker 1: of course, because you let people into your home and 1274 01:02:09,920 --> 01:02:12,240 Speaker 1: somebody essentially said I hate what you've done with the place, 1275 01:02:12,400 --> 01:02:16,080 Speaker 1: right right. So it's that's what's very dangerous about TikTok 1276 01:02:16,120 --> 01:02:18,280 Speaker 1: and internet and all that kind of stuff is people 1277 01:02:18,320 --> 01:02:20,680 Speaker 1: are no longer happy with themselves. They're only happy if 1278 01:02:20,760 --> 01:02:23,000 Speaker 1: other people will never meet are happy with them. And 1279 01:02:23,080 --> 01:02:25,560 Speaker 1: it's really it's a really dangerous, weird kind of thing, 1280 01:02:25,600 --> 01:02:27,800 Speaker 1: which is why we talk about TikTok and all stuff. 1281 01:02:27,840 --> 01:02:29,600 Speaker 1: But it's just not for me, not for you know. 1282 01:02:29,960 --> 01:02:32,400 Speaker 1: It's good, it's good to have the balance. Absolutely, we 1283 01:02:32,560 --> 01:02:37,840 Speaker 1: have to wrap it up now, unfortunately. Thank you for coming. 1284 01:02:37,960 --> 01:02:40,440 Speaker 1: So did you talk to Sri Did you talk to Sirius? 1285 01:02:40,440 --> 01:02:42,640 Speaker 1: We talked to Sirius. Looks a little bit I can 1286 01:02:42,720 --> 01:02:45,200 Speaker 1: close out. Explain to me what a trend is. A 1287 01:02:45,320 --> 01:02:52,400 Speaker 1: trend is something that you will never understand. Sorry, that's 1288 01:02:52,440 --> 01:02:54,240 Speaker 1: why I change it. It's a British voice when I've 1289 01:02:54,280 --> 01:02:56,360 Speaker 1: got mine, Thank you very much. Trend is something you 1290 01:02:56,440 --> 01:03:04,040 Speaker 1: will never understand. Wow, where can we find you? Yes? 1291 01:03:04,200 --> 01:03:07,880 Speaker 1: Social media on TikTok and Instagram. I'm at Shelby H. 1292 01:03:08,040 --> 01:03:10,760 Speaker 1: Young Twitter and shall be Underscore Young and then my 1293 01:03:10,840 --> 01:03:13,160 Speaker 1: website it shall be dash Young all you know the things. 1294 01:03:13,600 --> 01:03:16,600 Speaker 1: Hire her and make her big and give her it's 1295 01:03:16,600 --> 01:03:19,680 Speaker 1: already happening. It's already happening. You're so excited taking the 1296 01:03:19,760 --> 01:03:21,880 Speaker 1: reins and you can just be everybody you want to be. 1297 01:03:22,040 --> 01:03:25,480 Speaker 1: So that's that's incredible. Thanks guys, so genuinely, I'm so 1298 01:03:25,600 --> 01:03:30,400 Speaker 1: happy to be here. This was so cool. Thanks for 1299 01:03:30,480 --> 01:03:37,280 Speaker 1: joining us, everybody. Thank you. I Hear Voices assosted by 1300 01:03:37,320 --> 01:03:39,880 Speaker 1: Wilfred L and Risti Garls and Romano, produced by Elizabeth 1301 01:03:39,920 --> 01:03:42,840 Speaker 1: Joy Windom and executive produced by Brendan Rooney and Wilfred L. 1302 01:03:43,080 --> 01:03:45,640 Speaker 1: Our sound engineer and editor is Elizabe Joy Windham and 1303 01:03:45,640 --> 01:03:48,800 Speaker 1: our video editor is at Guardo Gamba and that was 1304 01:03:48,880 --> 01:03:51,720 Speaker 1: my announcer voice. Some side effects of listening to I 1305 01:03:51,880 --> 01:03:55,120 Speaker 1: Hear Voices are sore abs from larity falling down the 1306 01:03:55,160 --> 01:03:57,919 Speaker 1: Coco melon rabbit hole, sneezing due to mass miss Doll, Jeff, 1307 01:03:58,000 --> 01:04:00,480 Speaker 1: and hugs. Follow I Hear Voices where ever you listen 1308 01:04:00,520 --> 01:04:02,960 Speaker 1: to podcasts you don't miss any of the amazing voices. 1309 01:04:03,320 --> 01:04:05,760 Speaker 1: Be sure to follow us on Instagram and TikTok at 1310 01:04:05,840 --> 01:04:08,800 Speaker 1: I Hear Voices podcast. To see the video stream, subscribe 1311 01:04:08,840 --> 01:04:10,720 Speaker 1: to my YouTube channel. You can also check us out 1312 01:04:10,760 --> 01:04:14,880 Speaker 1: on my Space. O'meigal Vine, Lime Wire, a m and Napster. Okay, 1313 01:04:14,920 --> 01:04:16,680 Speaker 1: well let's teach you about the Internet. What