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Speaker 1: Since it was your birthday, Rory, we're recording on a Wednesday.

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Speaker 1: I appreciate you guys are called on Thursdays, but now

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Speaker 1: the Thursdays made the fourth be with you their birthday,

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Speaker 1: so we decided as a as a team to give

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Speaker 1: you that day to yourself.

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Speaker 2: I felt like I was in record on Wednesday. I

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Speaker 2: should record on my birthday.

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Speaker 1: I like working through the birthday. Why not? I think

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Speaker 1: that's mean we need to work with our birthday. We

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Speaker 1: get to avoid a bunch of unnecessary phone calls. We

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Speaker 1: don't have to pay for ship.

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Speaker 2: Or I could tell everyone in my life that we

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Speaker 2: have to record, so they leave me alone. They think

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Speaker 2: it's Wednesday that we're recording right now, but I could

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Speaker 2: tell everyone that now I'm recording tomorrow.

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Speaker 1: Yeah, you should do that.

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Speaker 3: No.

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Speaker 1: Welcome to a new episode of the new Rory and

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Speaker 1: Mall Podcast. I am Mal, I'm Rory, and we're back.

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Speaker 1: My brother. How you feeling? I feel fucking great? Listen

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Speaker 1: to met Galla was this week in New York? Traffic

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Speaker 1: was gridlock.

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Speaker 2: It was I went nowhere near the Meds and I

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Speaker 2: went nowhere near Celeberty, Halloween.

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Speaker 1: Anywhere in the city. It was it was fucking crazy

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Speaker 1: this week and what this week. But I'm glad that

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Speaker 1: is over. I hate when it's like events like that

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Speaker 1: in New York because we have enough traffic as it

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Speaker 1: is true. I guess I didn't even notice, like when

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Speaker 1: the meds here, Well, you know, you don't travel to

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Speaker 1: the city around that time. You're home in comfortable Jersey

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Speaker 1: just to and I stay far away from you. What's

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Speaker 1: like the Met gallon Jersey? Like, what do y'all get

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Speaker 1: in Jersey? Considered like the Met Newark got it? A

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Speaker 1: lot of costumes, a lot of different fashion sens costumes

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Speaker 1: in Newers So, yeah, the Met Galla happened. I wanted

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Speaker 1: to call y'all and pick a bone with y'all once

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Speaker 1: again because y'all sat in there and told me that

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Speaker 1: little does not dress flamboyantly.

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Speaker 2: He dressed hip hops hip hop today, right, Oh yeah, yeah, yeah, laughing.

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Speaker 1: We never not flamboyant.

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Speaker 4: He never said, I said, he didn't talk flamboyant. I agree,

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Speaker 4: That's what I said.

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Speaker 2: What's flamboyant about this?

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Speaker 1: Bigga had character He had a thong on. No, Kanye

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Speaker 1: had like a mask. He had a thong on at

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Speaker 1: the Met gala, he was dipped in. I don't know

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Speaker 1: if he was a silver surfer or I don't know

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Speaker 1: what he was. If he was a parchment paper, he

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Speaker 1: was Reynolds rap, if he was a baked potato, I

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Speaker 1: don't know what look he was going for. But uh,

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Speaker 1: this is what little nas X decided to wear.

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Speaker 2: How did you feel about the cuff Excuse me, I'm

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Speaker 2: not even the cuff cufflings.

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Speaker 1: I don't even know if he had cuflings on he

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Speaker 1: had and the thong and pearls all over him. But yeah,

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Speaker 1: the met gala, I don't know if that you know,

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Speaker 1: everybody was happy. Some people did a great. Tianna Taylor

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Speaker 1: looked amazing.

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Speaker 2: I'm not the fashion person, so please like correct me

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Speaker 2: or don't or don't.

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Speaker 1: I just feel like fashion with you.

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Speaker 2: Was this the first time people are just running out

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Speaker 2: of dresses in tuxedos?

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Speaker 1: Right? We didn't have a tuxedo or addressed to wear?

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Speaker 2: Was this not Halloween this year? No Jo was really

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Speaker 2: a cat.

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Speaker 4: It was a dressed well.

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Speaker 1: Feld's cat was a tribute to.

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Speaker 3: Carla felt So, which is weird that we address that?

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Speaker 2: You think that's what that's what's weird about it right.

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Speaker 3: No, it's weird because he was like a big person

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Speaker 3: that got caught up in the me Too scandal and

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Speaker 3: he somehow came out on scthed so much and by

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Speaker 3: this is fashion, don't like, I don't know, like it's

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Speaker 3: it's great, like good Chanel baby, but they got so

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Speaker 3: many of those fashion guys out of here.

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Speaker 1: Don't care about that and there if you know the

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Speaker 1: history of Chanel, you think they're gonna stop at that.

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Speaker 1: The chicks are still lined up to pay for those persons.

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Speaker 1: They don't give a about what Carlagol said about them.

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Speaker 2: And Jewish people will wear it.

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Speaker 1: Are you kidding me? What are you talking about?

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Speaker 3: I'm saying for that month or two when they cared

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Speaker 3: about when nobody I don't know when they can and

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Speaker 3: then now now they're honoring him.

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Speaker 1: Can we know by now, Julian, it's okay to say,

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Speaker 1: we know that the Cancel culture ship is not real.

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Speaker 1: We know that people get up the baby. Yeah what

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Speaker 1: a baby? The baby's asses can't Anna didn't invite the baby. No, no,

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Speaker 1: she didn't invite the baby. But that cancel culture shit

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Speaker 1: lasts for ten seconds, and you know there's forty eight

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Speaker 1: hours and everybody just about what's going on.

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Speaker 2: Well, we've been podcasting for god knows how many years.

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Speaker 1: Too many years.

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Speaker 2: I've asked every single year, what the funck happens inside

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Speaker 2: of that place? And I will never stop asking that question.

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Speaker 2: I don't mind repeating myself. What happens inside this Illuminati

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Speaker 2: Halloween plage.

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Speaker 1: It's it's a party. They have a party, They dance,

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Speaker 1: there some performances, there's food, there's drinks. Uh, you know,

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Speaker 1: it's just it's just a party. Everybody gets dressed up

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Speaker 1: in the theme and just you know, strut their their

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Speaker 1: their their net worths. It's Illuminati junior problem. Yea while

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Speaker 1: right across the street from a bunch of homeless people

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Speaker 1: like gotta love New York City in the met Gallo

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Speaker 1: represents so much. Are your favorite artists those Your cat

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Speaker 1: actually showed up as a cat? I mean, as Rockefell's cat.

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Speaker 2: Jermaine could never.

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Speaker 1: Yeah, no, Jermaine would never. I don't know. See we

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Speaker 1: gotta say it's not but he could never. He wouldn't

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Speaker 1: ever you would dress up as a cat. Well, he's

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Speaker 1: not a cat though, He's definitely not a cat. He's

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Speaker 1: not ja cat. No, he's j Cole, big difference in

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Speaker 1: that cat. But I'm not I mean, listen, those are

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Speaker 1: again we speak about all the time. She's an artist.

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Speaker 1: She's gonna jump into. This is not the first time

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Speaker 1: she's you know, jumped into like a whole theme and

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Speaker 1: a and a whole character. This is what she does.

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Speaker 1: Killed that, yeah by saying a weird kind of crazy way.

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Speaker 1: She still looks great, though, fam what are you trying

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Speaker 1: to say?

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Speaker 2: Like the dress was turned on by the cat.

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Speaker 1: See, she still looks good. Turned on is what you

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Speaker 1: get with her, And that would like from behind, I

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Speaker 1: see from behind you see how you turned the weird

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Speaker 1: missionary face to She looked good the dress meaning the dress,

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Speaker 1: the outfit. That's what you mean fashion.

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Speaker 3: She looked good, you think all night?

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Speaker 1: Probably not knowing, probably probably if I'm if, I'm willing

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Speaker 1: to bet on it. She she me out the entire night.

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Speaker 1: When somebody came up to her. She stayed in character

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Speaker 1: the entire night. I'm gonna I'm willing to be She

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Speaker 1: was very much like who moovill? Yeah, did you get

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Speaker 1: a winter or winter?

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Speaker 3: Chris?

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Speaker 1: I just hold little he's stealing. I hope he didn't

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Speaker 1: put his cheeks on the chair like that. I hope

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Speaker 1: he put some pants on. Why. I hope they found

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Speaker 1: him a good Sergio Tuccini's windbreaker suit. Something cover your

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Speaker 1: ass up, or just some champions sweats. Jared Leto, he

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Speaker 1: he he actually went as a full cat, full cat.

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Speaker 1: You don't think that's weird?

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Speaker 4: He ate because that looks just like Carl's cat.

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Speaker 1: Put on a cat suit. Didn't walked around, No, he didn't.

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Speaker 1: He can't eat, he would wait wait to eat at

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Speaker 1: I don't know. Listen, man, this is just you gotta

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Speaker 1: have fun, right, This is I guess Hollywood and celebrities

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Speaker 1: having fun. It's just it's a party, it's a theme.

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Speaker 1: Let's just have fun, be obnoxious, be as pretty crazy

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Speaker 1: as we can for a night, and have the entire

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Speaker 1: internet post nothing but pictures of us.

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Speaker 2: I want to see the five on one three C

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Speaker 2: tax returns for this event. Where does where does this

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Speaker 2: charitable money go?

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Speaker 3: Oh? You know, who is.

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Speaker 4: Any charitable money go?

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Speaker 2: Is there is there any mal nurse kid that's like,

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Speaker 2: thank you Jared Leto for dressing as a cat. I

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Speaker 2: finally got a meal?

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Speaker 1: Absolutely absolutely, Where does the money go? I don't know, man,

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Speaker 1: that's not my business private jet fuel. Oh yeah, gotta

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Speaker 1: have the fifty k jet fueled up. Gotta do that.

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Speaker 4: People trust you, guys, is no nation sense. Yes, they

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Speaker 4: do well at least malls shots. Dude, who did you

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Speaker 4: guys think was the best stressed? Like, did you see

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Speaker 4: anybody that really or any designers that really took over

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Speaker 4: the night Like I think took over. I think did

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Speaker 4: an amazing job. He dressed a couple of people there.

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Speaker 2: It wasn't so much the outfits, just how certain people

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Speaker 2: were moving. Puff just had a kid still still walk

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Speaker 2: the carpet with his girl.

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Speaker 3: They said.

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Speaker 2: He I thought that was ill.

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Speaker 3: He had that big ass no no, no like because

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Speaker 3: not for the fit, they said. The reporter, one of

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Speaker 3: the reporters asked him, are they official? It was considering

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Speaker 3: the reporter, Yes.

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Speaker 2: So where have you been the last twenty years? Started

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Speaker 2: out on MTV was Terry's girl.

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Speaker 4: And bens don't don't do that in the game for

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Speaker 4: years she is.

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Speaker 3: She asked if they were official, and did he give

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Speaker 3: her really funny like.

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Speaker 4: He said, ask her?

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Speaker 1: He said, ask her, and she said, I love the

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Speaker 1: fact that I love the fact that Carisha said she

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Speaker 1: ain't sharing. Then she showed up with Puff you share it,

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Speaker 1: Puff got him? Let a little baby ruin? Yeah, I

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Speaker 1: think I think all women should take a page out

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Speaker 1: of Karsh's book. Don't let a baby stop our romance.

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Speaker 1: You know what I mean. Don't let a baby put

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Speaker 1: out our fire. Don't let a baby stop you from

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Speaker 1: walking this red car. But at the met you know

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Speaker 1: what I'm saying, don't let a baby do that. She

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Speaker 1: ain't let the baby stop that though she got them

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Speaker 1: looks off. He looks like Morpheus and Zorro.

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Speaker 4: Somebody called him Sean John snow and.

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Speaker 3: A great tweet.

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Speaker 2: How is this after party?

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Speaker 1: I'm sure you were invited? I was.

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Speaker 2: I saw the videos.

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Speaker 1: I was looking for you and you were looking for me. Yeah,

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Speaker 1: like in the background of someone club. Yeah. I wasn't

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Speaker 1: in Club Love. I thought you.

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Speaker 2: I thought you cut it down.

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Speaker 1: Nought I shipp the night down. Yeah, I stayed in

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Speaker 1: the crib.

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Speaker 3: I didn't.

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Speaker 1: I didn't. I didn't go to Club Love. It looked

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Speaker 1: like it was a great part. I seen Janello Nay

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Speaker 1: performing on top of the bar looking good. Listen, man,

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Speaker 1: I'm so happy, beautiful.

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Speaker 2: She doesn't dress like a blues brother anymore. She was

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Speaker 2: hiding some body under that that Elwood suit.

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Speaker 1: She looked good. Though she looked good.

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Speaker 3: Bad Bunny and Kendall Jenner were out running around.

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Speaker 4: Bad Bunny was dressed like a slore, and I loved it.

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Speaker 3: They're still going together, right into her tits. I'm just

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Speaker 3: that's exactly right their outfits.

221
00:09:30,280 --> 00:09:32,599
Speaker 1: You wanted to do a so so bad because and

222
00:09:32,640 --> 00:09:35,000
Speaker 1: then let me ask you this so bad Bunny. Is

223
00:09:35,120 --> 00:09:38,840
Speaker 1: he bisexual? Is he? He doesn't say. I'm just asking

224
00:09:38,920 --> 00:09:41,920
Speaker 1: because if he's bisexual. Going back to our conversation about

225
00:09:42,400 --> 00:09:47,040
Speaker 1: women being comfortable dating a bisexual man, this is kend

226
00:09:47,160 --> 00:09:49,199
Speaker 1: was dating a guy that is like, I don't know

227
00:09:49,280 --> 00:09:52,640
Speaker 1: if he's openly bisexual. He kissed a guy on stage.

228
00:09:53,120 --> 00:09:56,960
Speaker 2: Yes, judging by Kendall's mother, she's probably pretty tolerant.

229
00:09:57,080 --> 00:09:59,079
Speaker 1: Yeah, she probably don't even fuck you know what?

230
00:09:59,840 --> 00:10:01,600
Speaker 4: You know what what what.

231
00:10:03,800 --> 00:10:08,079
Speaker 2: I said mother, I didn't say father, former father. I

232
00:10:08,240 --> 00:10:09,640
Speaker 2: think she's probably pretty progressive.

233
00:10:09,720 --> 00:10:12,160
Speaker 3: No, yeah, no she's not. She's on a record being

234
00:10:12,400 --> 00:10:14,559
Speaker 3: She was like, no, I'm not fucking with that. That

235
00:10:14,600 --> 00:10:15,280
Speaker 3: ship all right.

236
00:10:15,480 --> 00:10:18,439
Speaker 2: Anyways, speaking of La La, I saw there was tension

237
00:10:18,520 --> 00:10:21,800
Speaker 2: with Cardi and Lala. That's not it I'm just trying

238
00:10:21,800 --> 00:10:24,480
Speaker 2: to find ship from Shade Room that that I didn't

239
00:10:24,520 --> 00:10:26,800
Speaker 2: actually that. You know, you were in hot water with

240
00:10:27,240 --> 00:10:30,120
Speaker 2: the Cardi stands. You ended up on a few Cardi

241
00:10:30,320 --> 00:10:32,840
Speaker 2: stamp pages, like look at this, Look.

242
00:10:32,720 --> 00:10:34,520
Speaker 1: At this straight male hater.

243
00:10:34,840 --> 00:10:35,680
Speaker 4: They were eating him up.

244
00:10:37,480 --> 00:10:40,520
Speaker 1: He's just mad that Cardi won't him. I'm mad Cardi

245
00:10:41,040 --> 00:10:42,240
Speaker 1: what he was saying. I mean, you know the stand

246
00:10:42,280 --> 00:10:44,120
Speaker 1: Oh my god, I don't. I just don't understand.

247
00:10:44,160 --> 00:10:44,400
Speaker 3: People.

248
00:10:44,559 --> 00:10:45,960
Speaker 1: We got to get out of that thing of people

249
00:10:46,040 --> 00:10:48,280
Speaker 1: thinking it's hate when you don't have the opinion that

250
00:10:48,360 --> 00:10:48,599
Speaker 1: they have.

251
00:10:48,960 --> 00:10:51,679
Speaker 2: I saw one comment, this is the face of hatred.

252
00:10:52,559 --> 00:10:55,240
Speaker 1: Me no way, I swear to god. You know what

253
00:10:55,480 --> 00:10:58,439
Speaker 1: I was like, you know, putin exists, it's footing in

254
00:10:58,520 --> 00:11:00,400
Speaker 1: me or me then boot I don't know. But the

255
00:11:00,480 --> 00:11:03,640
Speaker 1: funny shit is it's you know again, man, people, people

256
00:11:03,679 --> 00:11:05,400
Speaker 1: got to get out of this thing of its hate

257
00:11:05,480 --> 00:11:08,679
Speaker 1: if we don't have the same opinion or same you know,

258
00:11:08,880 --> 00:11:11,559
Speaker 1: stance on music again. I'm just a fan of music,

259
00:11:11,679 --> 00:11:15,280
Speaker 1: a fan of hip hop, a fan of rap. You know,

260
00:11:15,320 --> 00:11:17,880
Speaker 1: I love Cardi. She's from the Bronx. I'm from the Bronx.

261
00:11:17,920 --> 00:11:19,839
Speaker 1: One of my best friends was her teaching in high school.

262
00:11:19,960 --> 00:11:22,719
Speaker 1: There's a lot of like I love no, no, I

263
00:11:22,760 --> 00:11:24,520
Speaker 1: love Cardi. I'm going to be very clear in that.

264
00:11:24,679 --> 00:11:27,440
Speaker 1: But as a fan of music first, as a fan

265
00:11:27,520 --> 00:11:30,000
Speaker 1: of hip hop, as a fan of rap, like if

266
00:11:30,040 --> 00:11:33,040
Speaker 1: you win Best Rap Album, you gotta give me another one,

267
00:11:33,320 --> 00:11:35,520
Speaker 1: Like all right, cool, that's dope, but like, where's the

268
00:11:35,600 --> 00:11:37,400
Speaker 1: next one? That that's all I'm saying. It's no hate,

269
00:11:37,400 --> 00:11:37,920
Speaker 1: I love Cardis.

270
00:11:38,720 --> 00:11:40,560
Speaker 4: I have a question. They say they and they bought

271
00:11:40,640 --> 00:11:44,160
Speaker 4: us up to school. They just they they said that

272
00:11:44,320 --> 00:11:46,120
Speaker 4: the people you'd be saying, I love, I love, I

273
00:11:46,240 --> 00:11:50,120
Speaker 4: love you really be shipping on them like Cardi, the Lakers, you.

274
00:11:50,120 --> 00:11:53,319
Speaker 1: Don't love people Wayne I should, but again I should?

275
00:11:53,440 --> 00:11:57,640
Speaker 1: They say, listen, listen, listen, they say they say I

276
00:11:57,640 --> 00:12:00,319
Speaker 1: should on Lebron because he's not my goat raised a

277
00:12:00,320 --> 00:12:02,040
Speaker 1: whole time to me, how is that shipping on somebody? No,

278
00:12:02,080 --> 00:12:04,000
Speaker 1: it's because you put him seventh. That's you know, how

279
00:12:04,040 --> 00:12:05,760
Speaker 1: many people? Do you know how many people have played

280
00:12:05,760 --> 00:12:07,959
Speaker 1: in the NBA? Yes, to be top seven is not

281
00:12:08,040 --> 00:12:09,800
Speaker 1: getting shipped on. Okay, where's Cardi then?

282
00:12:10,200 --> 00:12:11,080
Speaker 3: And what in the NBA?

283
00:12:11,200 --> 00:12:14,160
Speaker 1: And okay, let's talk about this in the same look

284
00:12:14,240 --> 00:12:16,360
Speaker 1: So Cardi in the NBA, right, So say, like, we're

285
00:12:16,400 --> 00:12:18,760
Speaker 1: gonna compare it to the NBA. If Cardi won the

286
00:12:18,880 --> 00:12:21,920
Speaker 1: championship her first year as a rookie, got MVP, all

287
00:12:21,960 --> 00:12:24,520
Speaker 1: of that, and then never made the play and then

288
00:12:24,600 --> 00:12:26,040
Speaker 1: never made the playoffs.

289
00:12:25,600 --> 00:12:28,520
Speaker 3: And that's not what's happened. But that's not it's a

290
00:12:28,559 --> 00:12:29,280
Speaker 3: false equivalent.

291
00:12:30,840 --> 00:12:32,839
Speaker 1: It's not it's not the same. It's not the same arena,

292
00:12:32,880 --> 00:12:34,280
Speaker 1: it's not the same field.

293
00:12:34,120 --> 00:12:38,280
Speaker 3: Because you're playing towards the singular goal of winning a championship.

294
00:12:38,360 --> 00:12:40,280
Speaker 3: Cardi doesn't owe anyone in the albums.

295
00:12:40,320 --> 00:12:42,760
Speaker 1: You can do her fans and albums I'm talking about

296
00:12:43,000 --> 00:12:45,280
Speaker 1: all right, she has owe her fans and album No,

297
00:12:46,080 --> 00:12:49,880
Speaker 1: you're stupid anyway, Like the easy things to getting cleared,

298
00:12:50,160 --> 00:12:53,360
Speaker 1: like how you win Best Best Rap Album and then say,

299
00:12:53,520 --> 00:12:54,439
Speaker 1: you know, oh your fans are.

300
00:12:55,160 --> 00:12:57,560
Speaker 4: Talking you saying Cardi is Carmela.

301
00:12:57,800 --> 00:13:01,000
Speaker 1: No, I'm not Carmela never won a championship. I'm aware. Yeah,

302
00:13:01,080 --> 00:13:03,160
Speaker 1: he heard a lot as a fan. I'm just saying,

303
00:13:03,200 --> 00:13:06,360
Speaker 1: when you win best and then don't give your fans

304
00:13:06,400 --> 00:13:10,000
Speaker 1: another bro, that's like you're that's like a kind that's

305
00:13:10,040 --> 00:13:12,280
Speaker 1: that's whack to your fans. So that's why I didn't

306
00:13:12,320 --> 00:13:14,920
Speaker 1: understand how they're saying I'm a hater, Like I'm speaking

307
00:13:15,000 --> 00:13:16,960
Speaker 1: for her fan base. I'm sure her fan base wants

308
00:13:16,960 --> 00:13:19,240
Speaker 1: another album. Like, what are we talking about. I'm not

309
00:13:19,280 --> 00:13:21,120
Speaker 1: shipping on Cardia. I love card I'm just saying, like

310
00:13:21,440 --> 00:13:24,679
Speaker 1: five years after winning Best Rap Album, that's a long

311
00:13:24,760 --> 00:13:26,400
Speaker 1: time to keep your fan base waiting. It's all I'm saying.

312
00:13:26,480 --> 00:13:28,319
Speaker 1: Now she has put out verses and things like that

313
00:13:28,480 --> 00:13:31,520
Speaker 1: in between. Yes, she's she's fed them, you know, appetizers,

314
00:13:31,600 --> 00:13:34,800
Speaker 1: but like where's the main where's the full the full course?

315
00:13:34,840 --> 00:13:35,920
Speaker 2: At she had to go to the galla.

316
00:13:36,880 --> 00:13:38,280
Speaker 1: That's what I'm saying. It's a lot of things that

317
00:13:38,400 --> 00:13:40,320
Speaker 1: you know, I get it. And I mean, listen Cardi's car,

318
00:13:40,480 --> 00:13:42,280
Speaker 1: she list she getting that bag all over the place.

319
00:13:42,320 --> 00:13:45,080
Speaker 1: She's doing a fucking thing. But just don't forget about

320
00:13:45,120 --> 00:13:47,920
Speaker 1: the music, the album. Give us another album. That's all

321
00:13:47,920 --> 00:13:49,679
Speaker 1: I'm saying. Love cardis, shout out to Cardi and I'm

322
00:13:49,720 --> 00:13:51,559
Speaker 1: not a hater. Stop making see this pooting in me.

323
00:13:51,720 --> 00:13:53,240
Speaker 1: I don't don't why they why are they doing that.

324
00:13:53,360 --> 00:13:55,480
Speaker 1: I was just tagged on the Cardi standpages.

325
00:13:55,520 --> 00:13:56,240
Speaker 3: I was just observing.

326
00:13:56,320 --> 00:13:57,920
Speaker 1: That's all I was Cardi man, But people just try

327
00:13:57,920 --> 00:13:59,839
Speaker 1: to hop in the comments my bad. No, no, no,

328
00:14:00,240 --> 00:14:01,120
Speaker 1: we don't need we don't need it.

329
00:14:01,160 --> 00:14:03,280
Speaker 4: We don't need that corney to defend your friends in

330
00:14:03,320 --> 00:14:04,480
Speaker 4: the comments when they hate.

331
00:14:05,520 --> 00:14:09,040
Speaker 1: You know, I don't usually going back. You can't defend

332
00:14:09,080 --> 00:14:11,640
Speaker 1: your man in the comment Cardi stampage.

333
00:14:11,679 --> 00:14:12,360
Speaker 3: You never do that.

334
00:14:12,600 --> 00:14:14,240
Speaker 4: No, I just mean period, let's take carry out of

335
00:14:14,720 --> 00:14:16,640
Speaker 4: because it's Jamill is a.

336
00:14:16,640 --> 00:14:18,040
Speaker 1: Lover, not a hater, I promise you.

337
00:14:18,240 --> 00:14:22,280
Speaker 3: Is it worse or when all your favorite h entertainers

338
00:14:22,280 --> 00:14:25,160
Speaker 3: and athletes create multiple accounts and start defending themselves in there.

339
00:14:25,360 --> 00:14:26,520
Speaker 1: That's corny too. That's corny.

340
00:14:26,640 --> 00:14:27,240
Speaker 3: That happens a lot.

341
00:14:27,400 --> 00:14:28,280
Speaker 1: That's corny as fuck.

342
00:14:29,160 --> 00:14:31,200
Speaker 2: I loved how Katie kind of got got out of

343
00:14:31,240 --> 00:14:34,040
Speaker 2: that pretty swiftly, like that was nuts.

344
00:14:34,160 --> 00:14:35,680
Speaker 1: And then we just forgot Katie Burner.

345
00:14:35,920 --> 00:14:38,400
Speaker 3: Yeah, multiple burner that was crazy, you know, that's how

346
00:14:38,480 --> 00:14:39,320
Speaker 3: him and Eddie Matt.

347
00:14:39,560 --> 00:14:40,880
Speaker 1: Yeah, Eddie was running the burners.

348
00:14:41,080 --> 00:14:43,120
Speaker 3: No, like he k d DM him from one of

349
00:14:43,120 --> 00:14:44,680
Speaker 3: the burners and yo, it's really me. He was like,

350
00:14:44,840 --> 00:14:47,440
Speaker 3: that's not and they linked and now and.

351
00:14:47,480 --> 00:14:50,680
Speaker 1: Then Eddie revealed his burner accounts. That's fire. That's a

352
00:14:50,720 --> 00:14:52,480
Speaker 1: great way. That's a great way to start a relationship.

353
00:14:52,520 --> 00:14:56,560
Speaker 3: Real you got burner accounts? Hell no, they don't have

354
00:14:56,680 --> 00:14:58,920
Speaker 3: time for all have a big fence.

355
00:14:59,520 --> 00:15:02,240
Speaker 1: You think that created a fake social media account.

356
00:15:02,320 --> 00:15:03,640
Speaker 2: Well, offence, there's not a fake one.

357
00:15:03,720 --> 00:15:05,960
Speaker 1: It's just like not on the f in fence that

358
00:15:06,040 --> 00:15:07,720
Speaker 1: stands for fake. What are you talking about? But it's

359
00:15:07,720 --> 00:15:11,440
Speaker 1: like you're one. You can be yourself. You can bring

360
00:15:11,520 --> 00:15:13,920
Speaker 1: that f back. We know you have, but I don't like.

361
00:15:14,040 --> 00:15:15,160
Speaker 4: But my fence is still me.

362
00:15:15,280 --> 00:15:19,720
Speaker 1: It's not like the Damaris stop random yours.

363
00:15:19,360 --> 00:15:21,880
Speaker 2: Fence that would be the Proud Boys. Wow, your fencer

364
00:15:21,920 --> 00:15:22,480
Speaker 2: would go crazy.

365
00:15:22,520 --> 00:15:24,200
Speaker 1: Why would my fist be the problem because you could

366
00:15:24,200 --> 00:15:25,280
Speaker 1: get your real opinions off.

367
00:15:25,440 --> 00:15:25,640
Speaker 3: Yeah.

368
00:15:26,320 --> 00:15:28,280
Speaker 1: In fact, when I get my real opinions off, you'll

369
00:15:28,280 --> 00:15:28,800
Speaker 1: called me a hater.

370
00:15:29,280 --> 00:15:30,000
Speaker 2: Cardi's fans did.

371
00:15:30,040 --> 00:15:33,640
Speaker 1: We didn't call you who everybody thinks something hater because

372
00:15:33,640 --> 00:15:35,320
Speaker 1: I don't have who they have at number one act.

373
00:15:35,520 --> 00:15:38,320
Speaker 2: But you're talking about stands like bronze sexuals is who

374
00:15:38,320 --> 00:15:38,920
Speaker 2: you're talking about?

375
00:15:39,200 --> 00:15:40,240
Speaker 4: Bronze sexuals.

376
00:15:40,640 --> 00:15:42,040
Speaker 3: That's a real thing. By the way, what would your

377
00:15:42,080 --> 00:15:42,960
Speaker 3: fence to emoji be?

378
00:15:43,600 --> 00:15:44,480
Speaker 1: My finished emoji?

379
00:15:44,600 --> 00:15:46,920
Speaker 3: Money bag? Is your calling card? On your main page.

380
00:15:47,200 --> 00:15:47,680
Speaker 3: The fensive.

381
00:15:48,520 --> 00:15:49,200
Speaker 1: Probably a penny.

382
00:15:50,280 --> 00:15:52,760
Speaker 3: I don't think they know if that's an emoji, because.

383
00:15:52,480 --> 00:15:54,240
Speaker 1: You don't make you have a penny emoji, don't they

384
00:15:54,560 --> 00:15:56,280
Speaker 1: I don't. I haven't looked through emojis in a minute.

385
00:15:56,400 --> 00:15:58,120
Speaker 2: You would never send a chick of penny emoji, just

386
00:15:58,160 --> 00:15:58,480
Speaker 2: a just.

387
00:15:58,520 --> 00:15:59,160
Speaker 3: A full back of it.

388
00:15:59,320 --> 00:16:01,800
Speaker 1: A coin is a coin, so probably you got to start.

389
00:16:01,680 --> 00:16:04,640
Speaker 2: Giving some chicks coins instead, you beat. I think you've

390
00:16:04,680 --> 00:16:07,040
Speaker 2: diluted some of the money bag.

391
00:16:07,160 --> 00:16:08,880
Speaker 1: The respect of the money bag is out there plating

392
00:16:08,920 --> 00:16:09,320
Speaker 1: the market.

393
00:16:09,600 --> 00:16:13,360
Speaker 2: You definitely if the money bag is just the stock

394
00:16:13,480 --> 00:16:16,080
Speaker 2: is plummeting on the dow right now. No, there's a

395
00:16:16,160 --> 00:16:18,200
Speaker 2: couple of there's a couple that I was like, yeah,

396
00:16:18,240 --> 00:16:20,720
Speaker 2: I get it, But she didn't deserve twenty seven of these, No,

397
00:16:21,040 --> 00:16:23,880
Speaker 2: twenty seven like the US dollar at this point, huh,

398
00:16:23,920 --> 00:16:24,640
Speaker 2: you think about how.

399
00:16:24,560 --> 00:16:27,400
Speaker 1: Many are you your thumb. It's just like life, it's

400
00:16:27,480 --> 00:16:29,200
Speaker 1: just what happens in the moment. Like, I don't. It

401
00:16:29,320 --> 00:16:31,520
Speaker 1: was a feeling. It's a feeling, a feeling you feel

402
00:16:31,560 --> 00:16:31,880
Speaker 1: that you have.

403
00:16:31,960 --> 00:16:34,240
Speaker 3: Do you have any idea like the most, Like what's

404
00:16:34,280 --> 00:16:36,240
Speaker 3: the most you've unloaded under a p It.

405
00:16:36,360 --> 00:16:38,440
Speaker 1: Was one I won't say who it was. It was

406
00:16:38,520 --> 00:16:40,880
Speaker 1: one that I was trying to find back the brink

407
00:16:40,920 --> 00:16:43,560
Speaker 1: Ups truck brings struck up for and uh. He said,

408
00:16:43,640 --> 00:16:46,160
Speaker 1: our community has restrictions in guideline so that we don't

409
00:16:46,240 --> 00:16:47,840
Speaker 1: I was like, fuck, they won't let me get it off.

410
00:16:48,840 --> 00:16:51,680
Speaker 1: They wouldn't let me put so many. But she wouldn't

411
00:16:51,720 --> 00:16:54,680
Speaker 1: let you wouldn't mesh it off il GB hating.

412
00:16:54,720 --> 00:16:55,520
Speaker 3: Sometimes it's fine.

413
00:16:55,720 --> 00:16:58,280
Speaker 1: Carli Hustles was big over the Apple music. Shout out

414
00:16:58,280 --> 00:17:00,400
Speaker 1: to Carly, love Carly to death and.

415
00:17:00,520 --> 00:17:03,520
Speaker 2: Look at me name dropping my industry connects. Okay, just

416
00:17:03,600 --> 00:17:05,680
Speaker 2: texting me out of nowhere with a screenshot of a

417
00:17:05,760 --> 00:17:09,520
Speaker 2: lotto photo and mall, this is an aggressive amount of bags.

418
00:17:11,200 --> 00:17:12,240
Speaker 1: You see, we see the picture.

419
00:17:12,359 --> 00:17:13,960
Speaker 2: I would do It's a way too many bags.

420
00:17:14,040 --> 00:17:16,000
Speaker 1: You know I would do it too.

421
00:17:16,840 --> 00:17:17,119
Speaker 3: It's ok.

422
00:17:17,720 --> 00:17:23,680
Speaker 1: They were sitting God, that's sick. They talked about me

423
00:17:23,720 --> 00:17:25,440
Speaker 1: a text messages with it. He says, they were sitting.

424
00:17:25,960 --> 00:17:27,359
Speaker 1: You didn't say they were sitting in the Carlie though,

425
00:17:27,400 --> 00:17:31,400
Speaker 1: of course I didn't exactly. And she listens to the ship.

426
00:17:31,480 --> 00:17:33,480
Speaker 2: But you have to think it is kind of funny

427
00:17:33,480 --> 00:17:35,160
Speaker 2: in the middle of the day, just getting a text

428
00:17:35,240 --> 00:17:38,040
Speaker 2: from someone that is clearly busy with running Apple Music ship.

429
00:17:38,160 --> 00:17:40,080
Speaker 1: Yea, this is clear. This is way too many bags

430
00:17:40,119 --> 00:17:42,239
Speaker 1: focusing on focusing on the money bags. I'm like, oh

431
00:17:42,359 --> 00:17:43,440
Speaker 1: my god, that's sick.

432
00:17:43,640 --> 00:17:45,840
Speaker 2: She's trying to she's trying to upload the new Future album.

433
00:17:45,880 --> 00:17:47,720
Speaker 1: It looks over at Mall's account.

434
00:17:47,359 --> 00:17:50,600
Speaker 3: Like that's too many bags. Roney finds he she looks

435
00:17:50,720 --> 00:17:52,760
Speaker 3: very pretty, and that's three on the desktop. You know,

436
00:17:52,840 --> 00:17:53,680
Speaker 3: it's worse on the phone.

437
00:17:53,920 --> 00:17:56,520
Speaker 1: The nuts. Does she not look great in that picture

438
00:17:56,600 --> 00:17:56,840
Speaker 1: she does?

439
00:17:57,080 --> 00:17:58,320
Speaker 3: That's worth three months, you know what I'm saying.

440
00:17:58,560 --> 00:17:59,960
Speaker 1: Look, she's trying to make me sound like this is

441
00:18:00,040 --> 00:18:01,680
Speaker 1: Lotto not look great right now. We're not saying that

442
00:18:01,760 --> 00:18:03,760
Speaker 1: that'll that'll keep the value of the dollar up.

443
00:18:03,760 --> 00:18:05,760
Speaker 2: But it's it's other ones I've seen on the explorer page.

444
00:18:05,960 --> 00:18:07,680
Speaker 2: Oh you say that he got like she shouldn't get

445
00:18:07,680 --> 00:18:08,400
Speaker 2: the same as lotto.

446
00:18:08,480 --> 00:18:11,400
Speaker 1: He did it on some others. I mean, it's other things,

447
00:18:11,400 --> 00:18:13,560
Speaker 1: though it might be a better you're dropping.

448
00:18:13,320 --> 00:18:14,160
Speaker 3: Him on some POGs.

449
00:18:14,600 --> 00:18:16,800
Speaker 1: I seen him dropping on a car thing before. I'll

450
00:18:16,840 --> 00:18:18,800
Speaker 1: drop him on everything. That's why people just people only

451
00:18:18,880 --> 00:18:21,440
Speaker 1: see balance, People only see the people only see the women.

452
00:18:22,680 --> 00:18:26,120
Speaker 4: But he gave Rory three for Rory's debut music video

453
00:18:27,320 --> 00:18:28,520
Speaker 4: with Electronica.

454
00:18:29,400 --> 00:18:31,960
Speaker 1: All men get three bags. Oh that's it. That's it.

455
00:18:32,160 --> 00:18:33,800
Speaker 3: That's the most drive under a man's face.

456
00:18:34,320 --> 00:18:36,080
Speaker 1: Okay, that's cool.

457
00:18:36,600 --> 00:18:39,160
Speaker 4: Cars even Jordan, I think Moggan me four one time

458
00:18:40,160 --> 00:18:40,800
Speaker 4: logging me four?

459
00:18:41,040 --> 00:18:42,440
Speaker 1: Yeah, probably ain't like the background.

460
00:18:43,560 --> 00:18:45,480
Speaker 4: I think I was literally like in Malleable in front

461
00:18:45,480 --> 00:18:46,240
Speaker 4: of the entire ocean.

462
00:18:46,320 --> 00:18:49,840
Speaker 3: Yeah, we know you can't swell.

463
00:18:49,880 --> 00:18:50,520
Speaker 1: You were with logic.

464
00:18:50,920 --> 00:18:52,920
Speaker 3: Yeah, we're gonna throw you a life or aft.

465
00:18:53,080 --> 00:18:56,080
Speaker 1: Yeah wow. But I'm glad the met Gala is going

466
00:18:56,160 --> 00:18:58,239
Speaker 1: and over with so they can get everybody can get

467
00:18:58,240 --> 00:18:59,040
Speaker 1: the hell out of New York.

468
00:18:59,320 --> 00:19:02,000
Speaker 2: Because if you were invited, would you go to the mat?

469
00:19:02,119 --> 00:19:05,479
Speaker 1: Yeah? Yeah, we'll go. Who would y'all wear with the cat?

470
00:19:05,600 --> 00:19:07,040
Speaker 1: I mean it depends what the theme was.

471
00:19:07,640 --> 00:19:08,920
Speaker 3: Let's say if it was the cat do the cat?

472
00:19:08,960 --> 00:19:10,040
Speaker 3: What kind of hat would you the cat?

473
00:19:10,119 --> 00:19:11,040
Speaker 4: The theme was not cat?

474
00:19:11,760 --> 00:19:13,239
Speaker 3: Would you flip the cadders upside down?

475
00:19:13,280 --> 00:19:15,080
Speaker 1: Or like a Charlotte Bobcats little.

476
00:19:15,560 --> 00:19:16,479
Speaker 3: You can flip the cats?

477
00:19:16,480 --> 00:19:18,840
Speaker 2: You could wear the Jordan jersey for the Charlotte Bobcats.

478
00:19:20,800 --> 00:19:22,399
Speaker 1: No, I would do something different. I would probably go

479
00:19:22,480 --> 00:19:28,000
Speaker 1: as like black Panther, not the thunder cat black Panther.

480
00:19:29,359 --> 00:19:30,359
Speaker 1: I go, it's Bobby Newton.

481
00:19:34,000 --> 00:19:35,399
Speaker 3: That fine would be awesome.

482
00:19:35,680 --> 00:19:37,520
Speaker 1: That'd be crazy. They were like you excuse me, sir,

483
00:19:37,560 --> 00:19:39,320
Speaker 1: you only have one invide like, no, the panthers are

484
00:19:39,320 --> 00:19:43,600
Speaker 1: with me, all ten thousand of them are with me. Meanwhile,

485
00:19:43,640 --> 00:19:46,480
Speaker 1: I'm your plus one. Put you in the coofie and

486
00:19:46,520 --> 00:19:49,120
Speaker 1: all that. Skip the ship off I dress.

487
00:19:49,119 --> 00:19:49,919
Speaker 2: I don't know it's Baisley.

488
00:19:50,000 --> 00:19:54,159
Speaker 1: I go against the grain. Wow, Cathy letting me.

489
00:19:56,240 --> 00:19:56,480
Speaker 4: Cat?

490
00:19:56,600 --> 00:20:00,360
Speaker 1: So you white man, we could dress this ca dog

491
00:20:01,600 --> 00:20:02,280
Speaker 1: cat I would love.

492
00:20:02,359 --> 00:20:03,600
Speaker 2: He might be too old for cat dogs.

493
00:20:03,680 --> 00:20:04,080
Speaker 3: He doesn't know what.

494
00:20:04,160 --> 00:20:05,800
Speaker 1: He's definitely to old for. Think. I don't know what

495
00:20:05,920 --> 00:20:06,360
Speaker 1: cat dog.

496
00:20:11,480 --> 00:20:14,240
Speaker 2: You know what I grew up during cat I'm surprised

497
00:20:14,640 --> 00:20:16,040
Speaker 2: you were selling crack when cat dog was that.

498
00:20:16,119 --> 00:20:18,439
Speaker 1: I expect your two things can be true. Were bagging

499
00:20:18,840 --> 00:20:24,600
Speaker 1: dragging out to cat. I know how to out of scale.

500
00:20:24,600 --> 00:20:26,840
Speaker 1: I knew what that was. That's seven grands right there.

501
00:20:26,880 --> 00:20:28,919
Speaker 1: We ain't tripping. Turn the cat dog back on, man

502
00:20:29,400 --> 00:20:32,520
Speaker 1: fire holding the mason jar watching cat. Absolutely get the

503
00:20:32,600 --> 00:20:34,920
Speaker 1: prorects and turn the cat dog on. Yeah, I know

504
00:20:35,000 --> 00:20:37,240
Speaker 1: what cat dog? Yeah, y'all gonna stop coming at me

505
00:20:37,320 --> 00:20:38,840
Speaker 1: like I'm ninety years old. Man, I don't like that

506
00:20:39,040 --> 00:20:41,440
Speaker 1: ninety one. No, I just feel like you don't know

507
00:20:41,480 --> 00:20:43,320
Speaker 1: about cat dog? Why would not know about cat dogs?

508
00:20:43,359 --> 00:20:44,720
Speaker 3: But it is kind of weird that you know about

509
00:20:44,760 --> 00:20:45,160
Speaker 3: cat dog?

510
00:20:45,280 --> 00:20:47,719
Speaker 1: Why kids know about kids know about cartoons that came

511
00:20:47,760 --> 00:20:50,440
Speaker 1: out when I was a kid. You watched all that, right, Yeah,

512
00:20:50,440 --> 00:20:52,639
Speaker 1: I watched all that, But that makes more sense. Cat

513
00:20:52,720 --> 00:20:53,919
Speaker 1: dog was more like when I was that.

514
00:20:54,040 --> 00:20:55,600
Speaker 3: Dog came out in ninety eight, that came out of

515
00:20:55,600 --> 00:20:56,280
Speaker 3: the same old were you.

516
00:20:56,320 --> 00:20:59,960
Speaker 1: And I'm saying in ninety eight, sixteen seventeen, that's a.

517
00:21:00,200 --> 00:21:00,800
Speaker 3: For cat dogs.

518
00:21:00,880 --> 00:21:03,679
Speaker 1: Don't say not for cat dog. I might have been

519
00:21:03,720 --> 00:21:06,040
Speaker 1: watching cat Dog a sixty Oh. I mean yeah, I

520
00:21:06,119 --> 00:21:09,520
Speaker 1: mean I wasn't like running home to watch dog was

521
00:21:09,720 --> 00:21:11,520
Speaker 1: you're running home from I know what cat dog was?

522
00:21:12,160 --> 00:21:13,800
Speaker 1: Who wouldn't know what cat dog? That's like saying I

523
00:21:13,800 --> 00:21:15,720
Speaker 1: don't know what Mario is? Like, what are you talking about?

524
00:21:15,880 --> 00:21:17,480
Speaker 2: I mean now, I think you're putting a little too

525
00:21:17,560 --> 00:21:19,359
Speaker 2: much on cat Dog to put him next to Mario.

526
00:21:19,800 --> 00:21:23,680
Speaker 1: I'm just saying, like the singer the game, I'm gonna

527
00:21:23,720 --> 00:21:25,679
Speaker 1: I'm gon shoot him one day. I promise you I'm

528
00:21:25,680 --> 00:21:27,040
Speaker 1: gon shoot him one day right in his list.

529
00:21:27,080 --> 00:21:28,639
Speaker 2: I mean, you know what guns do this stuff?

530
00:21:28,720 --> 00:21:33,320
Speaker 1: Yeah, all right, you don't need to right, just the

531
00:21:33,400 --> 00:21:37,400
Speaker 1: sight of it flash dancing like all right.

532
00:21:38,040 --> 00:21:39,920
Speaker 3: The Patreon comments were killing me.

533
00:21:40,880 --> 00:21:45,040
Speaker 1: I couldn't believe like I knew it was, but god,

534
00:21:45,680 --> 00:21:48,480
Speaker 1: just liberal WEENI I saw something pop up when they

535
00:21:48,520 --> 00:21:50,440
Speaker 1: said Julian and his home. He's playing Call of Duty.

536
00:21:50,480 --> 00:21:53,440
Speaker 1: Already knew what. I didn't even click on it, already know,

537
00:21:53,520 --> 00:21:55,600
Speaker 1: I'm saying, I already know what that's about. I'm not

538
00:21:55,640 --> 00:21:58,400
Speaker 1: even clicking Call of Duty, though, Julian, you do love

539
00:21:58,440 --> 00:21:58,920
Speaker 1: Call of dude.

540
00:21:59,040 --> 00:22:01,359
Speaker 2: Julian plays called and goes, hey is your safety on it?

541
00:22:04,680 --> 00:22:06,560
Speaker 2: Don't run around the map like that, Hey, I'm calling

542
00:22:06,600 --> 00:22:08,840
Speaker 2: the police. It's that registered.

543
00:22:10,760 --> 00:22:11,480
Speaker 1: Oh my god.

544
00:22:11,920 --> 00:22:14,680
Speaker 2: Roccos Modern Life, Yeah, he was just backing a weed

545
00:22:14,720 --> 00:22:14,879
Speaker 2: at that.

546
00:22:15,040 --> 00:22:17,480
Speaker 1: I know about Rocos Modern Life. Yeah, all of that ship.

547
00:22:17,480 --> 00:22:18,840
Speaker 1: I used to watch all of that ship. I don't

548
00:22:18,840 --> 00:22:19,879
Speaker 1: watch it. So what's your what.

549
00:22:19,920 --> 00:22:21,600
Speaker 4: Would your favorite cartoon of all time?

550
00:22:22,080 --> 00:22:23,640
Speaker 1: My favorite cartoon of all time?

551
00:22:26,359 --> 00:22:28,400
Speaker 3: The original original Popeyes.

552
00:22:29,760 --> 00:22:29,920
Speaker 2: Man.

553
00:22:30,359 --> 00:22:33,399
Speaker 1: Popeyes is legend though, Yeah, y'all laughing, y'all laughing at

554
00:22:33,440 --> 00:22:35,720
Speaker 1: pop Ey. Y'all don't know Pop. I like I know Pop.

555
00:22:35,760 --> 00:22:40,639
Speaker 1: I see what I'm saying. My spinas my favorite. That's

556
00:22:40,680 --> 00:22:44,800
Speaker 1: why I'm vegan at my favorite. My favorite was The Influence, yea.

557
00:22:45,680 --> 00:22:50,920
Speaker 1: My favorite cartoon probably was ThunderCats. Thundercat okay, yeah, favorite

558
00:22:50,920 --> 00:22:54,040
Speaker 1: cartoon Undercats. There was he Man, there was ultron Yeah.

559
00:22:55,000 --> 00:22:56,560
Speaker 1: I like voltron Ry.

560
00:22:57,520 --> 00:22:58,760
Speaker 2: I mean I was that Rugrats era.

561
00:22:58,920 --> 00:23:04,000
Speaker 1: Man, that's that's around the same. Is your favorite cartoon?

562
00:23:04,280 --> 00:23:05,240
Speaker 2: Chucky made me feel singing.

563
00:23:06,800 --> 00:23:07,439
Speaker 4: I thought I was a.

564
00:23:08,920 --> 00:23:13,120
Speaker 1: Favorite. I thought she was another fat saying that friend

565
00:23:13,280 --> 00:23:14,119
Speaker 1: a big figure.

566
00:23:14,600 --> 00:23:17,720
Speaker 4: Don't do that. Rock Rats was a very important cartoon.

567
00:23:18,000 --> 00:23:19,160
Speaker 1: Yeah, you can't hate on that, Babies.

568
00:23:19,680 --> 00:23:20,440
Speaker 2: I loved Arnold.

569
00:23:21,160 --> 00:23:23,080
Speaker 4: Good you look like you liked Arnold?

570
00:23:23,240 --> 00:23:23,879
Speaker 1: What is that I mean?

571
00:23:23,960 --> 00:23:24,000
Speaker 4: For?

572
00:23:24,200 --> 00:23:26,119
Speaker 2: Finally, the City Kids got a cartoon.

573
00:23:25,800 --> 00:23:29,760
Speaker 3: Scored by a jazz composer. Great soundtrack, Gulian shut.

574
00:23:29,600 --> 00:23:33,640
Speaker 1: The beautifully composed by jazz. What what did you just say?

575
00:23:34,080 --> 00:23:35,240
Speaker 1: Just watch the cartoon, Julian.

576
00:23:36,640 --> 00:23:38,400
Speaker 3: If you went back to and list watched the show,

577
00:23:38,480 --> 00:23:41,280
Speaker 3: you would actually really like the music. Jazz is great.

578
00:23:41,760 --> 00:23:44,440
Speaker 2: Rocos modern life was high up there for me in

579
00:23:44,560 --> 00:23:48,040
Speaker 2: my later adolescence, Rocket Power when I was trying to skateboard.

580
00:23:48,200 --> 00:23:48,520
Speaker 1: Love that.

581
00:23:50,200 --> 00:23:52,760
Speaker 2: Don't say to me I like rocket power, you know,

582
00:23:52,920 --> 00:23:53,119
Speaker 2: like you.

583
00:23:53,080 --> 00:23:54,080
Speaker 4: Would like Doug Rory.

584
00:23:54,359 --> 00:24:00,760
Speaker 1: Of course, dude, dude, dude, dude, they made him blue.

585
00:24:01,000 --> 00:24:03,960
Speaker 2: Matter of fact, how I treat Baisley is all influenced

586
00:24:04,000 --> 00:24:04,800
Speaker 2: by Doug and pork Chop.

587
00:24:06,440 --> 00:24:09,560
Speaker 1: Like you, you have not named like a violent cartoon

588
00:24:09,640 --> 00:24:14,359
Speaker 1: yet what was like Tom and Jerry, like thunder Catch

589
00:24:14,400 --> 00:24:17,320
Speaker 1: it Tom? Tommy asked little why she didn't have a

590
00:24:17,400 --> 00:24:20,240
Speaker 1: dick in Rugrats. I was it was, that's true, yeah,

591
00:24:20,280 --> 00:24:22,400
Speaker 1: but that more speech. It was racy that most more

592
00:24:22,440 --> 00:24:25,160
Speaker 1: so speech to your social awkwardness, Like you would turn

593
00:24:25,240 --> 00:24:27,600
Speaker 1: the cartoons to have those conversations for you, and then

594
00:24:27,600 --> 00:24:28,720
Speaker 1: you would go to your friends like, hey, you know

595
00:24:28,760 --> 00:24:30,480
Speaker 1: it's okay for us to have these conversations like.

596
00:24:32,680 --> 00:24:32,920
Speaker 4: Okay.

597
00:24:33,000 --> 00:24:35,720
Speaker 2: So I watched rug Rats as in kindergarten and then

598
00:24:35,800 --> 00:24:38,320
Speaker 2: went into kindergarten and just started asking women why they

599
00:24:38,320 --> 00:24:38,840
Speaker 2: didn't have dicks.

600
00:24:38,960 --> 00:24:42,800
Speaker 1: Yeah, that's how it happened. You take it to the

601
00:24:42,840 --> 00:24:43,600
Speaker 1: school for sure.

602
00:24:43,880 --> 00:24:46,280
Speaker 2: See And first of all, Roger beat up Doug all

603
00:24:46,320 --> 00:24:46,520
Speaker 2: the time.

604
00:24:46,560 --> 00:24:49,000
Speaker 1: It was violent. Oh, Doug, Doug didn't have it all.

605
00:24:49,200 --> 00:24:50,720
Speaker 1: Look at that look at what Roger's wearing.

606
00:24:51,560 --> 00:24:52,760
Speaker 3: Roger gave off school shooter.

607
00:24:53,000 --> 00:24:54,600
Speaker 4: Did you guys like Churge the Cowardly Dog?

608
00:24:56,000 --> 00:24:58,040
Speaker 1: I liked it? I think Patty's that might be too

609
00:24:58,040 --> 00:24:59,920
Speaker 1: old for y'all. What cured the colary Dog?

610
00:25:02,040 --> 00:25:03,280
Speaker 4: What's fucking hilarious?

611
00:25:03,720 --> 00:25:03,920
Speaker 1: Great?

612
00:25:04,080 --> 00:25:06,280
Speaker 2: Now I think about it. Pepper and two Redheads used

613
00:25:06,280 --> 00:25:07,800
Speaker 2: to be seen like we used to have.

614
00:25:08,880 --> 00:25:12,440
Speaker 1: You have raggedy Ann right, wasn't Yeah? I mean technically

615
00:25:12,560 --> 00:25:16,400
Speaker 1: and yeah, now we have spe y'all well seen. I've

616
00:25:16,440 --> 00:25:18,920
Speaker 1: been represented well throughout the years, Jimmy, I think so

617
00:25:19,040 --> 00:25:20,080
Speaker 1: at least you know.

618
00:25:20,200 --> 00:25:22,280
Speaker 4: I don't know. I feel like our like our cartoons

619
00:25:22,320 --> 00:25:24,200
Speaker 4: are better than you guys, because that was our.

620
00:25:25,720 --> 00:25:28,280
Speaker 1: Probably we have the same cartoons, No, we don't.

621
00:25:28,359 --> 00:25:30,159
Speaker 4: You need to watch a fairly odd Parents.

622
00:25:31,400 --> 00:25:36,240
Speaker 1: That was odd Parentstron, Jimmy Newtron is basically Mario Brothers.

623
00:25:36,640 --> 00:25:41,080
Speaker 1: That's not how y'all didn't have Captain Planet. I definitely

624
00:25:41,119 --> 00:25:43,960
Speaker 1: watched Captain I don't even know Captain Planet, Powderpuff Girls,

625
00:25:44,200 --> 00:25:48,200
Speaker 1: Powerpuff If you ever walked in the crib and saw

626
00:25:48,240 --> 00:25:50,600
Speaker 1: me watching Powerpuff Girls, O, butther's a good the.

627
00:25:50,600 --> 00:25:52,240
Speaker 2: Fun you wouldn't bag it up to the Powerpuff Did

628
00:25:52,280 --> 00:25:53,520
Speaker 2: they get like butter ass naked when.

629
00:25:53,440 --> 00:25:55,800
Speaker 1: They How do you know that? Why do you know that?

630
00:25:55,880 --> 00:25:57,200
Speaker 1: I don't know that episode? That's no.

631
00:25:57,320 --> 00:25:58,960
Speaker 2: I think it's like in every episode when they switched

632
00:25:59,680 --> 00:26:02,280
Speaker 2: hum in my anime, Cate.

633
00:26:02,680 --> 00:26:05,760
Speaker 1: Different and you like you used to watch the care Bears,

634
00:26:06,600 --> 00:26:08,639
Speaker 1: he looks like one do I look like a camera's

635
00:26:08,640 --> 00:26:14,040
Speaker 1: watched Tilly Tubby's like, oh my god, sorry, what's wrong

636
00:26:14,040 --> 00:26:14,760
Speaker 1: with Telly Tubby's?

637
00:26:15,720 --> 00:26:17,280
Speaker 4: Hey, I didn't watch Telly Tubby.

638
00:26:17,560 --> 00:26:20,120
Speaker 3: Of course show is creepy. What did you just say?

639
00:26:21,040 --> 00:26:22,120
Speaker 3: Remember the Baby in the sun.

640
00:26:23,400 --> 00:26:26,320
Speaker 1: The people that write these shows are sick.

641
00:26:26,640 --> 00:26:26,840
Speaker 3: Why.

642
00:26:27,280 --> 00:26:30,000
Speaker 2: I just feel like anyone that writes for children are weird.

643
00:26:29,920 --> 00:26:32,080
Speaker 1: Or maybe they have a childlike wonder.

644
00:26:32,080 --> 00:26:33,960
Speaker 2: Again, I think that's a problem, Like I think we

645
00:26:33,960 --> 00:26:38,200
Speaker 2: should that's exactly the problem. It's just like whoever wrote

646
00:26:38,200 --> 00:26:40,960
Speaker 2: that rug Rats episode and Tommy asking little why she

647
00:26:41,040 --> 00:26:41,640
Speaker 2: didn't have a dick?

648
00:26:41,840 --> 00:26:42,720
Speaker 1: Like who did that?

649
00:26:42,960 --> 00:26:45,400
Speaker 3: And can we like they'd sneak in these drug Rats

650
00:26:45,480 --> 00:26:47,440
Speaker 3: was always good about sneaking in like one liners for

651
00:26:47,520 --> 00:26:50,439
Speaker 3: the adults. Sure, yeah, they always do, like some subtle

652
00:26:50,480 --> 00:26:52,720
Speaker 3: ship in there that we wouldn't catch when we were younger.

653
00:26:52,880 --> 00:26:54,880
Speaker 1: Phil and Little's mom was gay.

654
00:26:55,320 --> 00:26:57,640
Speaker 4: Remember that she was not gay?

655
00:26:58,040 --> 00:26:58,159
Speaker 1: Was she?

656
00:26:58,560 --> 00:27:02,200
Speaker 3: She was just like she was butch Yeah she was.

657
00:27:02,840 --> 00:27:05,600
Speaker 1: She wasn't gay though, that's what they say.

658
00:27:05,680 --> 00:27:08,200
Speaker 2: Now, Well, wait, didn't Chuck his father start sucking the

659
00:27:08,800 --> 00:27:09,440
Speaker 2: Lizzie's mom?

660
00:27:10,080 --> 00:27:10,560
Speaker 1: Excuse me?

661
00:27:10,800 --> 00:27:13,600
Speaker 2: First interactional couple. Maybe that was in the later season.

662
00:27:14,800 --> 00:27:16,200
Speaker 1: Maybe that was a whole different program.

663
00:27:17,480 --> 00:27:20,840
Speaker 2: They did Rugrats as teenagers for like one season. I

664
00:27:20,960 --> 00:27:21,840
Speaker 2: was too old, but I went.

665
00:27:22,080 --> 00:27:23,359
Speaker 1: I took a peak. You were in the streets, but

666
00:27:23,440 --> 00:27:26,280
Speaker 1: I peaked it too. Yeah, you had to figure.

667
00:27:26,320 --> 00:27:29,040
Speaker 2: I want to see how Angela turned out.

668
00:27:29,840 --> 00:27:30,040
Speaker 3: Yeah.

669
00:27:30,119 --> 00:27:32,919
Speaker 1: Used to watch Save Jelica? Oh yeah, I watched Angelica.

670
00:27:33,440 --> 00:27:35,960
Speaker 1: Angelica definitely is the only fans now saved by with

671
00:27:36,040 --> 00:27:38,040
Speaker 1: her mom saved by the belly the bells Fire. That

672
00:27:38,200 --> 00:27:40,359
Speaker 1: was ship. I don't remember that cartoon. I watched it

673
00:27:40,400 --> 00:27:42,480
Speaker 1: as obviously it's not a cartoon.

674
00:27:42,840 --> 00:27:45,960
Speaker 4: Stevens even Stevens even Stephens classic.

675
00:27:45,720 --> 00:27:48,280
Speaker 3: Cousin Skeeter, that was fire.

676
00:27:48,480 --> 00:27:51,160
Speaker 1: I was remember cousin Skater cousin John What cousin Skeeter

677
00:27:51,240 --> 00:27:53,560
Speaker 1: looked like? You think I don't know cousins? Oh yeah,

678
00:27:53,720 --> 00:27:55,720
Speaker 1: why do you think I'm ninety seven? Years old. I

679
00:27:55,760 --> 00:27:57,840
Speaker 1: don't think you're that old. Just tell me why. I

680
00:27:57,840 --> 00:27:59,080
Speaker 1: don't know where the blur line is.

681
00:27:59,280 --> 00:28:04,440
Speaker 2: Yes, good and cousin Skeeter, don't make that noise again.

682
00:28:04,520 --> 00:28:07,080
Speaker 1: Sorry, this was kind of weird too.

683
00:28:07,119 --> 00:28:11,320
Speaker 3: It was a puppet, a muppet, So this is this

684
00:28:11,480 --> 00:28:12,240
Speaker 3: is basically alf.

685
00:28:12,640 --> 00:28:14,880
Speaker 1: Yeah see I'm sure this was alf. Yeah.

686
00:28:15,040 --> 00:28:16,480
Speaker 4: Alf. Oh wow, that's wow.

687
00:28:16,520 --> 00:28:17,000
Speaker 1: That's smart.

688
00:28:17,040 --> 00:28:17,200
Speaker 3: Guy.

689
00:28:17,320 --> 00:28:18,040
Speaker 1: Boy meets world.

690
00:28:18,400 --> 00:28:22,200
Speaker 4: Yeah, boy means war was everything to pink on my

691
00:28:22,840 --> 00:28:24,520
Speaker 4: my first white woman crush.

692
00:28:24,600 --> 00:28:27,000
Speaker 3: That's probably why I love white women, because it's a back.

693
00:28:27,400 --> 00:28:28,720
Speaker 1: I mean, not a bad start.

694
00:28:29,520 --> 00:28:30,480
Speaker 3: What was the what was the girl?

695
00:28:30,560 --> 00:28:33,040
Speaker 1: The cute girl on a blossom? Not blossom her friend.

696
00:28:34,040 --> 00:28:36,680
Speaker 2: I was born in nineteen ninety Yeah, I was born

697
00:28:36,680 --> 00:28:37,159
Speaker 2: in ninety four.

698
00:28:37,280 --> 00:28:39,480
Speaker 1: So you don't know blossom. No, I don't know that.

699
00:28:39,560 --> 00:28:46,680
Speaker 1: Come on, after touched by an angel, y'all don't remember blossom?

700
00:28:46,960 --> 00:28:47,000
Speaker 3: No?

701
00:28:47,760 --> 00:28:50,920
Speaker 1: Oh man, no, I don't remember. I don't recognize one

702
00:28:51,000 --> 00:28:52,480
Speaker 1: person in this image.

703
00:28:52,280 --> 00:28:55,200
Speaker 4: At all, any other blossom of course, not stop saying it.

704
00:28:55,640 --> 00:28:58,080
Speaker 1: That's crazy. This is nineteen eighty four. You gotta you

705
00:28:58,120 --> 00:29:00,600
Speaker 1: gotta binge, you gotta binge, you gotta binge, bloss, you gotta.

706
00:29:00,360 --> 00:29:06,080
Speaker 3: Binge debuted in July fifth, nineteen ninety Genevan.

707
00:29:06,400 --> 00:29:08,280
Speaker 4: Remember she was on None of Us Were Born?

708
00:29:08,800 --> 00:29:09,960
Speaker 1: She was on What's the Show with?

709
00:29:10,160 --> 00:29:10,280
Speaker 4: Uh?

710
00:29:11,080 --> 00:29:13,200
Speaker 1: The Parkers? She was on The Parkers.

711
00:29:13,240 --> 00:29:15,360
Speaker 2: Well, the earliest I did was Growing Pains when Leo

712
00:29:15,520 --> 00:29:17,320
Speaker 2: was on it. That's just like the first memory I

713
00:29:17,360 --> 00:29:17,800
Speaker 2: really happened.

714
00:29:17,880 --> 00:29:21,080
Speaker 1: So you remember Blossom, should remember Blossom. Joey Lawrence was

715
00:29:21,080 --> 00:29:26,560
Speaker 1: only that's still five years. Look, I was watching Full House,

716
00:29:27,280 --> 00:29:28,840
Speaker 1: Fresh Friends, Good Times.

717
00:29:29,000 --> 00:29:31,880
Speaker 2: Do you remember when Nickelodeon added different Good Times?

718
00:29:31,920 --> 00:29:34,600
Speaker 1: You don't know what blossom is because Good Times ran

719
00:29:34,640 --> 00:29:37,719
Speaker 1: a lot of reruns. Yeah, but to watch that at

720
00:29:37,720 --> 00:29:38,760
Speaker 1: that point they weren't making.

721
00:29:40,840 --> 00:29:41,360
Speaker 3: I was born.

722
00:29:41,440 --> 00:29:45,840
Speaker 1: Yeah, you was watching Good Time? Who Blossom is? That's sick?

723
00:29:46,000 --> 00:29:48,320
Speaker 4: Listeners, Please tell us if you know what the fuck blossom?

724
00:29:48,920 --> 00:29:49,200
Speaker 3: Please?

725
00:29:50,320 --> 00:29:52,320
Speaker 2: Do you guys remember when they added different Strokes to

726
00:29:52,800 --> 00:29:53,320
Speaker 2: nickod Knight?

727
00:29:53,400 --> 00:29:53,560
Speaker 3: Yeah?

728
00:29:53,680 --> 00:29:57,080
Speaker 1: Yeah, boy was that a time Cosby show?

729
00:29:58,040 --> 00:29:59,920
Speaker 2: Remember when Arnold and his friend almost got molested?

730
00:30:01,560 --> 00:30:06,720
Speaker 1: Maybe maybe for show Different Strokes, Different Strokes. I can't

731
00:30:06,720 --> 00:30:09,800
Speaker 1: remember that episode. You remember the most interesting episode time? Well,

732
00:30:09,840 --> 00:30:13,000
Speaker 1: that's the one that spoke most to him in his

733
00:30:13,440 --> 00:30:15,800
Speaker 1: in his childhood, he related the most to that episode

734
00:30:15,880 --> 00:30:17,520
Speaker 1: that was a very, very trying.

735
00:30:17,400 --> 00:30:19,720
Speaker 2: At least, like Arnold had the idea of like, hey,

736
00:30:19,760 --> 00:30:21,720
Speaker 2: maybe this is a weird scenario, but the whole time like, yeah,

737
00:30:21,720 --> 00:30:22,480
Speaker 2: he's a fucking adult.

738
00:30:22,920 --> 00:30:27,520
Speaker 1: Yeah. I remember watching Good Times when when it was Penny,

739
00:30:27,600 --> 00:30:30,280
Speaker 1: that was Janet Jackson right when she died. When she died,

740
00:30:30,680 --> 00:30:31,600
Speaker 1: Oh man, I cried.

741
00:30:32,640 --> 00:30:35,560
Speaker 3: Keenan Cal was a legendary era for us.

742
00:30:36,520 --> 00:30:40,280
Speaker 4: Yeah, all that Keenan and Cal Gildburger used to play consistently.

743
00:30:40,680 --> 00:30:42,960
Speaker 1: So are you are you excited about part two of

744
00:30:42,960 --> 00:30:45,360
Speaker 1: the Never excited about that.

745
00:30:45,440 --> 00:30:46,440
Speaker 2: I didn't even say that was happening.

746
00:30:48,200 --> 00:30:49,600
Speaker 1: They said welcome to Gooldberger, Home.

747
00:30:49,520 --> 00:30:50,880
Speaker 3: Of the Good Burger. But you know they did it

748
00:30:50,960 --> 00:30:53,600
Speaker 3: on like fallon. I think they announced it. We got

749
00:30:53,720 --> 00:30:55,840
Speaker 3: to milk together, I guess.

750
00:30:56,080 --> 00:30:57,800
Speaker 2: I mean, I do think we need to give Keenan

751
00:30:57,880 --> 00:31:00,440
Speaker 2: Thompson his his flowers. Yeah, he's one of those that

752
00:31:00,520 --> 00:31:02,120
Speaker 2: I don't think it's the credit for the career.

753
00:31:02,160 --> 00:31:05,160
Speaker 1: What do you mean by one of those black people?

754
00:31:05,440 --> 00:31:08,520
Speaker 2: Okay, good, just want to make sure actually he's a

755
00:31:08,560 --> 00:31:11,320
Speaker 2: comedian that I feel like just never people don't bring

756
00:31:11,440 --> 00:31:13,840
Speaker 2: him up the way. It took so long for Jamie

757
00:31:13,880 --> 00:31:16,280
Speaker 2: Fox for people to realize how talented he was. I

758
00:31:16,360 --> 00:31:17,560
Speaker 2: think it is happening with Keenan.

759
00:31:18,160 --> 00:31:19,880
Speaker 1: And I know Keenan doesn't make music or anything like that,

760
00:31:20,040 --> 00:31:21,720
Speaker 1: but it took a while for us to realize how

761
00:31:21,760 --> 00:31:22,840
Speaker 1: talented Jamie Fox was.

762
00:31:23,000 --> 00:31:24,200
Speaker 2: Keenan Thompson, I think the same thing.

763
00:31:24,280 --> 00:31:27,520
Speaker 3: When Lauren steps down, there's always a speculation out who's

764
00:31:27,560 --> 00:31:30,440
Speaker 3: going to step up, and Keenan's name gets put out there.

765
00:31:30,480 --> 00:31:32,520
Speaker 3: I just don't see them giving that thrown to anyone

766
00:31:32,560 --> 00:31:33,040
Speaker 3: that's black.

767
00:31:33,960 --> 00:31:37,240
Speaker 2: Yeah, I mean if you converse to Judaism, maybe, but

768
00:31:37,520 --> 00:31:39,960
Speaker 2: true if any Kravitz takes him nder.

769
00:31:40,120 --> 00:31:42,480
Speaker 1: I don't see that right, not not anybody not I

770
00:31:42,520 --> 00:31:45,160
Speaker 1: don't agree with the not anybody black, but just him

771
00:31:45,520 --> 00:31:46,000
Speaker 1: maybe Cha.

772
00:31:47,400 --> 00:31:48,120
Speaker 2: I can't see Chay.

773
00:31:48,160 --> 00:31:49,680
Speaker 1: I would see John Milaney.

774
00:31:49,680 --> 00:31:51,600
Speaker 2: I would see a Seth Myers taking over that role.

775
00:31:51,920 --> 00:31:57,040
Speaker 2: Like that's where it's somebody that's in the NBC threshold

776
00:31:57,400 --> 00:32:00,880
Speaker 2: that will never like maxed out lifelong con Seth Myers

777
00:32:00,960 --> 00:32:01,800
Speaker 2: is never leaving NBC.

778
00:32:02,800 --> 00:32:05,520
Speaker 1: You know who would actually do very well on SNL

779
00:32:06,640 --> 00:32:08,720
Speaker 1: as like a continuous person on there.

780
00:32:11,160 --> 00:32:12,640
Speaker 4: Yeah, but will build her own ship.

781
00:32:13,040 --> 00:32:16,080
Speaker 3: She's already leap frog that like part of her career.

782
00:32:16,640 --> 00:32:19,160
Speaker 1: No, but I agree with you. I agree with you.

783
00:32:19,240 --> 00:32:24,400
Speaker 1: But I think that Ray being on SNL like continuously

784
00:32:24,520 --> 00:32:27,160
Speaker 1: for make say two or three years, I think that

785
00:32:28,160 --> 00:32:33,560
Speaker 1: because she's already solidified in Hollywood and TV. But I

786
00:32:33,640 --> 00:32:37,479
Speaker 1: think that that's kind of like a a badge of like, yo,

787
00:32:37,600 --> 00:32:40,320
Speaker 1: I did SNL for three years after I did all

788
00:32:40,360 --> 00:32:42,360
Speaker 1: of this at HBO and had success with my own

789
00:32:42,400 --> 00:32:45,280
Speaker 1: show that I wrote and produced, and they would enough.

790
00:32:45,840 --> 00:32:46,400
Speaker 3: Yeah, it's not.

791
00:32:47,920 --> 00:32:52,800
Speaker 2: And does that badge matter anymore? It's not for dumb

792
00:32:52,840 --> 00:32:53,640
Speaker 2: saying in general.

793
00:32:54,520 --> 00:32:55,320
Speaker 1: SLA it used to.

794
00:32:55,480 --> 00:32:56,760
Speaker 4: I think it meant more before.

795
00:32:56,800 --> 00:32:59,600
Speaker 1: I think. I think that it could mean a lot

796
00:33:00,400 --> 00:33:03,400
Speaker 1: with Lisa's talent because I think that she brings SNL

797
00:33:03,600 --> 00:33:05,080
Speaker 1: back to a certain level.

798
00:33:05,160 --> 00:33:07,000
Speaker 2: I think she would give SNL more validity.

799
00:33:07,400 --> 00:33:09,840
Speaker 1: But this is what I'm saying, which is crazy, I think. Right, So,

800
00:33:09,920 --> 00:33:11,680
Speaker 1: I think that that's why it would that would be

801
00:33:11,760 --> 00:33:14,480
Speaker 1: big because I think if she goes to SNL, she

802
00:33:14,680 --> 00:33:20,320
Speaker 1: brings a certain level of entertainment, funny humor back to

803
00:33:20,600 --> 00:33:23,040
Speaker 1: SNL people. It brings a different It brings her audience

804
00:33:23,080 --> 00:33:25,000
Speaker 1: people that love her. They now go to SNL to

805
00:33:25,080 --> 00:33:28,000
Speaker 1: watch her. I think that that's like a good because

806
00:33:28,080 --> 00:33:30,080
Speaker 1: now she gets to say yo, when SNL kinda was

807
00:33:30,160 --> 00:33:33,720
Speaker 1: like really not on everybody's like, y'all gotta watch. Yeah,

808
00:33:34,000 --> 00:33:35,760
Speaker 1: when I went there and I was writing and I

809
00:33:35,840 --> 00:33:40,680
Speaker 1: was a part of that, you know, the the ratings

810
00:33:40,720 --> 00:33:43,960
Speaker 1: went up. It brought in an entirely different new audience.

811
00:33:44,480 --> 00:33:46,920
Speaker 1: Now you get people that normally probably wouldn't do SNL

812
00:33:47,000 --> 00:33:49,200
Speaker 1: wanting to do it because Lisa is there now for sure,

813
00:33:49,240 --> 00:33:51,680
Speaker 1: I just think that it brings a whole different dynamic

814
00:33:52,280 --> 00:33:56,920
Speaker 1: and a whole different feeling too. Already legendary classical improv

815
00:33:57,120 --> 00:33:59,560
Speaker 1: stand up show like SNL, Yeah.

816
00:34:00,800 --> 00:34:02,240
Speaker 4: I don't see them giving her the bag or the

817
00:34:02,320 --> 00:34:04,040
Speaker 4: freedom to do it the way she needs to do it.

818
00:34:04,160 --> 00:34:07,560
Speaker 3: And it's grueling. They the hours in the schedule, she

819
00:34:07,560 --> 00:34:09,279
Speaker 3: wouldn't be able to work on a lot of.

820
00:34:09,760 --> 00:34:12,399
Speaker 2: Yes, I'm saying the audience too, the audience is very

821
00:34:14,160 --> 00:34:18,120
Speaker 2: Upper West Side Jewy across the whole country. Like I'm

822
00:34:18,120 --> 00:34:21,799
Speaker 2: not just saying that's in Manhattan, but like the type

823
00:34:21,840 --> 00:34:24,000
Speaker 2: of the type of person that watched I put my

824
00:34:24,080 --> 00:34:26,120
Speaker 2: mother's not Jewish. I put my mother in that category too,

825
00:34:26,360 --> 00:34:29,440
Speaker 2: Like that's their audience, and I don't know if Lisa's

826
00:34:29,520 --> 00:34:34,280
Speaker 2: genius would come across over the way it properly should

827
00:34:34,520 --> 00:34:36,680
Speaker 2: with that audience, And I don't even know if it's

828
00:34:37,560 --> 00:34:40,520
Speaker 2: that whole SNL writing for like that being the Harvard

829
00:34:40,640 --> 00:34:44,000
Speaker 2: of Comedy to move on isn't needed anymore, and that's

830
00:34:44,040 --> 00:34:48,000
Speaker 2: why they've suffered, because the geniuses of writers don't need

831
00:34:48,040 --> 00:34:50,640
Speaker 2: to go there anymore to solidify or even get a

832
00:34:50,719 --> 00:34:51,879
Speaker 2: new show. They can start their own shit.

833
00:34:52,160 --> 00:34:53,759
Speaker 1: Yeah, no, I agree with that, but I just I

834
00:34:53,880 --> 00:34:57,600
Speaker 1: just think that again, somebody like Lisa, with her audience

835
00:34:57,719 --> 00:35:01,640
Speaker 1: that she brings SNL is it's not what it was,

836
00:35:01,760 --> 00:35:05,480
Speaker 1: but it's still a legendary platform and something that all

837
00:35:05,600 --> 00:35:09,160
Speaker 1: comedic actors and writers aspire to say. Hey, I worked

838
00:35:09,719 --> 00:35:11,840
Speaker 1: on SNL at one point. I just think that, you know,

839
00:35:11,960 --> 00:35:14,800
Speaker 1: somebody like Lisa can bring a certain level of entertainment

840
00:35:14,880 --> 00:35:17,040
Speaker 1: back to SNL. Well, either way, they're all fucked because

841
00:35:17,040 --> 00:35:19,600
Speaker 1: the writers are on strike. Yeah, the writers are on strike,

842
00:35:19,719 --> 00:35:21,800
Speaker 1: and I think for good reason though. I think that

843
00:35:22,360 --> 00:35:25,439
Speaker 1: you know, a lot of the times we overlook people

844
00:35:25,520 --> 00:35:26,799
Speaker 1: that are just not in front of the camera all

845
00:35:26,840 --> 00:35:28,840
Speaker 1: the time. Yeah, you overlook them. It's easy to overlook

846
00:35:28,880 --> 00:35:30,399
Speaker 1: them because they're not the face. They're not the star.

847
00:35:32,440 --> 00:35:35,040
Speaker 1: But you know, the writers are very important. Writers are

848
00:35:35,080 --> 00:35:39,239
Speaker 1: very important and they should be compensated the way they

849
00:35:39,280 --> 00:35:43,320
Speaker 1: should be. They should have, you know, the rights and

850
00:35:43,400 --> 00:35:45,000
Speaker 1: things just like the people in front the screen, the

851
00:35:45,040 --> 00:35:47,600
Speaker 1: actors and the faces of these shows have, and the

852
00:35:47,880 --> 00:35:50,240
Speaker 1: way you protect them. You got to protect the writers

853
00:35:50,280 --> 00:35:52,120
Speaker 1: a lot of the time. The writers are the brains.

854
00:35:52,440 --> 00:35:52,600
Speaker 2: You know.

855
00:35:52,840 --> 00:35:56,000
Speaker 1: It takes a great actor and a person to execute

856
00:35:56,120 --> 00:36:00,520
Speaker 1: ideas and execute scripts and things like that. But a

857
00:36:00,640 --> 00:36:03,879
Speaker 1: great writer is somebody that can walk in any room

858
00:36:04,560 --> 00:36:07,959
Speaker 1: bring value, is able to tap in with the talent

859
00:36:08,040 --> 00:36:11,360
Speaker 1: that you have. Know their streams, play to their strems.

860
00:36:12,880 --> 00:36:14,919
Speaker 1: And it's fucked up when the writers get overlooked because

861
00:36:14,920 --> 00:36:18,000
Speaker 1: they are a very intricate and important part to any entertainment.

862
00:36:18,600 --> 00:36:20,759
Speaker 2: Yeah, and for those that don't know, I think it's

863
00:36:20,800 --> 00:36:24,840
Speaker 2: the first writers strike since two thousand and seven. Yes, Writers'

864
00:36:24,920 --> 00:36:29,520
Speaker 2: Union Writers Guild is going on strike. The head of

865
00:36:29,600 --> 00:36:32,440
Speaker 2: the union suggested that each TV show should have a

866
00:36:32,520 --> 00:36:34,720
Speaker 2: certain amount of writers, no matter what, for a certain

867
00:36:34,760 --> 00:36:37,120
Speaker 2: amount of time, no matter what, even if they're not needed,

868
00:36:37,200 --> 00:36:40,480
Speaker 2: so they are guaranteed money to not waste these people's

869
00:36:40,520 --> 00:36:42,520
Speaker 2: time because they have a bunch of offers, a bunch

870
00:36:42,520 --> 00:36:44,640
Speaker 2: of different gigs, and you're just you're playing with people's

871
00:36:44,640 --> 00:36:46,279
Speaker 2: time at this point, and you're playing with their money

872
00:36:46,680 --> 00:36:47,840
Speaker 2: and you're just treating them.

873
00:36:47,800 --> 00:36:50,080
Speaker 1: As this disposable thing.

874
00:36:50,560 --> 00:36:52,840
Speaker 2: Right, So they said, fuck that, We're going back on

875
00:36:52,880 --> 00:36:55,080
Speaker 2: strike until you meet. And this this is the beauty

876
00:36:55,120 --> 00:36:57,480
Speaker 2: of unions. This feels like the sixties again. Someone dig

877
00:36:57,560 --> 00:37:03,640
Speaker 2: up Hot or not your brother waning name. Yeah, this

878
00:37:03,800 --> 00:37:06,520
Speaker 2: is why unions are important though, because you're able to

879
00:37:06,719 --> 00:37:10,040
Speaker 2: unionize and stop bullshit from happening. And I think we

880
00:37:10,160 --> 00:37:13,440
Speaker 2: see the tonight show Jimmy Fallon going dark immediately, Late

881
00:37:13,520 --> 00:37:17,040
Speaker 2: Show with Stephen Colbert is going dark immediately. We're gonna

882
00:37:17,040 --> 00:37:18,359
Speaker 2: see the effects the same way we did in two

883
00:37:18,360 --> 00:37:20,359
Speaker 2: thousand and seven. Good and with the amount of TV

884
00:37:20,520 --> 00:37:22,960
Speaker 2: that comes out TV being at its highest speak in

885
00:37:23,040 --> 00:37:26,840
Speaker 2: my opinion ever, the writer's going on strike is stopping

886
00:37:27,000 --> 00:37:28,440
Speaker 2: an entire fucking industry.

887
00:37:29,080 --> 00:37:31,120
Speaker 1: The volume game that Netflix.

888
00:37:30,800 --> 00:37:33,360
Speaker 2: Hulu, all these fucking streaming services have to do. You

889
00:37:33,480 --> 00:37:35,560
Speaker 2: can't miss a week. It fucks up your whole year

890
00:37:35,560 --> 00:37:36,839
Speaker 2: if certain TV shows miss a week.

891
00:37:37,440 --> 00:37:40,960
Speaker 1: I don't want to feed into conspiracies, but are we

892
00:37:41,080 --> 00:37:44,360
Speaker 1: starting to see the effects of AI with shit like this,

893
00:37:45,040 --> 00:37:46,560
Speaker 1: are people disposable A writers?

894
00:37:46,600 --> 00:37:48,840
Speaker 3: This union in terms? I don't know if AI is

895
00:37:49,320 --> 00:37:51,680
Speaker 3: affecting this yet. Yeah, I don't think AI is being

896
00:37:51,760 --> 00:37:53,880
Speaker 3: used for any of these shows yet. But maybe to

897
00:37:53,960 --> 00:37:57,600
Speaker 3: your point, maybe because they're lacking staff, they'll just start

898
00:37:57,680 --> 00:38:00,920
Speaker 3: subsidizing these roles with AI technology to be like, okay, fine,

899
00:38:00,960 --> 00:38:02,880
Speaker 3: if we won't have people do it, let's plug it

900
00:38:02,920 --> 00:38:05,560
Speaker 3: into a program and we'll be able to create from

901
00:38:05,640 --> 00:38:06,319
Speaker 3: there and.

902
00:38:06,400 --> 00:38:08,879
Speaker 1: That to see and that's the problem because maybe that's

903
00:38:08,960 --> 00:38:13,239
Speaker 1: not confirmed. You know, we're just talking, you know, but see,

904
00:38:13,719 --> 00:38:15,919
Speaker 1: that's a dangerous thing to play with because you still

905
00:38:16,040 --> 00:38:19,280
Speaker 1: need to have people in these rooms that live life,

906
00:38:19,760 --> 00:38:22,400
Speaker 1: that are actually outside moving around day to day things

907
00:38:22,800 --> 00:38:25,279
Speaker 1: to be able to put pen to paper and to

908
00:38:25,320 --> 00:38:29,360
Speaker 1: come up with ideas, uh, for actors and actresses to

909
00:38:29,680 --> 00:38:33,080
Speaker 1: execute on on on camera, Like you want to remove

910
00:38:33,239 --> 00:38:35,239
Speaker 1: You don't want to treat writers fairly. You don't want

911
00:38:35,239 --> 00:38:38,440
Speaker 1: to pay them what they deserve to be paid with technology.

912
00:38:38,560 --> 00:38:40,200
Speaker 1: Know how that it is chat, GBT and all this

913
00:38:40,239 --> 00:38:43,239
Speaker 1: other shit AI. You know, you can type in these

914
00:38:43,360 --> 00:38:45,360
Speaker 1: things and they print out an entire script for you.

915
00:38:46,400 --> 00:38:49,080
Speaker 1: But it's still no, it's no real soul in that,

916
00:38:49,200 --> 00:38:52,720
Speaker 1: it's no real experience in that, it's no real energy

917
00:38:52,800 --> 00:38:54,640
Speaker 1: in that. And I think that that is going to

918
00:38:54,760 --> 00:38:59,800
Speaker 1: cause a major shift in entertainment, if you know, shows

919
00:38:59,840 --> 00:39:01,799
Speaker 1: the leaning towards that to say, oh, we don't need

920
00:39:01,840 --> 00:39:05,560
Speaker 1: this many writers. We can have some artificial intelligence just

921
00:39:06,120 --> 00:39:08,880
Speaker 1: spit out a whole script for us. I don't know

922
00:39:08,920 --> 00:39:10,040
Speaker 1: if you want to go down that road.

923
00:39:10,680 --> 00:39:11,960
Speaker 2: Well, I mean, I think they're just going to see

924
00:39:11,960 --> 00:39:13,600
Speaker 2: it as far as the volume game that they always

925
00:39:13,600 --> 00:39:17,000
Speaker 2: wanted to play, and how important having a fully staffed

926
00:39:17,480 --> 00:39:20,239
Speaker 2: writing room really is. It's hard to put something out

927
00:39:20,320 --> 00:39:22,200
Speaker 2: every single night. I don't care how talented you are,

928
00:39:22,239 --> 00:39:24,800
Speaker 2: how funny you are, if you don't have the manpower

929
00:39:26,080 --> 00:39:28,359
Speaker 2: to your point of people just having to live life.

930
00:39:28,880 --> 00:39:31,400
Speaker 2: Sometimes people aren't funny that day. You need a staff

931
00:39:31,560 --> 00:39:35,080
Speaker 2: of people that can fill in when other people are

932
00:39:35,160 --> 00:39:37,239
Speaker 2: not as funny that day. You can't just have two

933
00:39:37,320 --> 00:39:40,440
Speaker 2: writers that our geniuses and expect us to put out

934
00:39:40,480 --> 00:39:43,200
Speaker 2: a full season or a nightly show and it hit

935
00:39:43,320 --> 00:39:45,680
Speaker 2: every single time, like, yeah, you have to pay people

936
00:39:45,719 --> 00:39:46,879
Speaker 2: maybe not to work some days.

937
00:39:47,520 --> 00:39:49,080
Speaker 3: There was a clip going around of one of the

938
00:39:49,120 --> 00:39:52,120
Speaker 3: writers that was striking not sure who he worked for

939
00:39:52,200 --> 00:39:54,680
Speaker 3: a wrote for, but pretty much he had a really

940
00:39:54,719 --> 00:39:59,320
Speaker 3: good comparison. Just to provide more clarity, he was pretty

941
00:39:59,360 --> 00:40:02,480
Speaker 3: much saying, they're trying to commodify writers, to reduce them

942
00:40:02,520 --> 00:40:04,719
Speaker 3: to the role of an uber driver, where they bring

943
00:40:04,800 --> 00:40:06,919
Speaker 3: them in for a very short, limited window of time,

944
00:40:07,280 --> 00:40:10,279
Speaker 3: get all they can, like squeeze them like creatively until

945
00:40:10,280 --> 00:40:12,520
Speaker 3: they're done, and then just dispose of them. So to

946
00:40:12,680 --> 00:40:15,120
Speaker 3: Rory's point, like where it used to be you book

947
00:40:15,200 --> 00:40:17,399
Speaker 3: me for eight hours, I'm getting paid for those eight hours,

948
00:40:17,440 --> 00:40:19,440
Speaker 3: no matter how much time we're in this room. Now

949
00:40:19,520 --> 00:40:22,160
Speaker 3: they're trying to like pay them by like the minute

950
00:40:22,440 --> 00:40:24,359
Speaker 3: and just kind of use them and then just get

951
00:40:24,440 --> 00:40:25,880
Speaker 3: rid of them as quickly as they can.

952
00:40:26,000 --> 00:40:28,319
Speaker 2: Which is which is so fucked up because so much

953
00:40:28,360 --> 00:40:30,600
Speaker 2: of writing sometimes is not writing, like you just kind

954
00:40:30,640 --> 00:40:32,600
Speaker 2: of need to be there for the week to fully.

955
00:40:32,480 --> 00:40:34,680
Speaker 1: Understand the vibe of what is going on.

956
00:40:34,840 --> 00:40:37,720
Speaker 2: And you know, I've talked with writers that get booked

957
00:40:37,880 --> 00:40:39,960
Speaker 2: to do like the punch up, Like they'll write a

958
00:40:39,960 --> 00:40:42,399
Speaker 2: full script and then they'll hire someone for a day

959
00:40:43,080 --> 00:40:45,799
Speaker 2: to punch up the entire script, which means like add

960
00:40:45,880 --> 00:40:48,400
Speaker 2: in tags or like rewrite stuff or adding jokes here

961
00:40:48,440 --> 00:40:49,400
Speaker 2: and there, and.

962
00:40:49,440 --> 00:40:51,520
Speaker 1: It ends up being damn near the whole script.

963
00:40:51,960 --> 00:40:54,840
Speaker 2: And it's like, I just got paid three thousand dollars

964
00:40:55,600 --> 00:40:57,360
Speaker 2: for changing your entire vision.

965
00:40:57,719 --> 00:40:59,440
Speaker 1: Yeah, and then you just throw me out.

966
00:40:59,480 --> 00:41:01,520
Speaker 2: I don't even I'm not even really in the credits

967
00:41:01,800 --> 00:41:04,480
Speaker 2: because the punch up shit is not written by it's

968
00:41:04,520 --> 00:41:08,080
Speaker 2: I'm just some ghost that literally madeor shit better.

969
00:41:07,920 --> 00:41:08,560
Speaker 1: Than what it was.

970
00:41:08,719 --> 00:41:11,560
Speaker 2: And now you're giving me three grand, which with taxes

971
00:41:11,560 --> 00:41:13,560
Speaker 2: at that point, what am I really going to get?

972
00:41:13,760 --> 00:41:15,080
Speaker 2: I think fifteen hundred bucks.

973
00:41:15,040 --> 00:41:19,120
Speaker 4: Writers all around, not even just in Hollywood and TV

974
00:41:19,239 --> 00:41:23,280
Speaker 4: and stuff. I think in music as well, because I've

975
00:41:23,320 --> 00:41:26,600
Speaker 4: seen a lot of writers complaining about the amount of

976
00:41:26,680 --> 00:41:29,000
Speaker 4: points that they're able to get on a record and

977
00:41:29,040 --> 00:41:31,239
Speaker 4: how much they're being paid publishing wise and all of

978
00:41:31,239 --> 00:41:35,000
Speaker 4: this stuff and royalties. Writers are just not getting enough credit,

979
00:41:35,400 --> 00:41:38,600
Speaker 4: period across the board, for how much they contribute. That

980
00:41:38,920 --> 00:41:41,920
Speaker 4: is the song, that is the show, that is the art.

981
00:41:42,480 --> 00:41:45,640
Speaker 4: The writers, not the performers, not the actors, not the

982
00:41:45,800 --> 00:41:47,280
Speaker 4: obviously producers are important.

983
00:41:47,360 --> 00:41:48,920
Speaker 1: Well, it goes hand in hand because you need You

984
00:41:48,960 --> 00:41:50,279
Speaker 1: can have a great writer, but if you don't have

985
00:41:50,320 --> 00:41:53,360
Speaker 1: a good actor, to execute those words and that emotion

986
00:41:53,520 --> 00:41:57,480
Speaker 1: in the script, it falls flat. So they're equally is important.

987
00:41:57,520 --> 00:42:01,520
Speaker 1: I just think that writers are not being treated equally.

988
00:42:01,600 --> 00:42:03,840
Speaker 1: They're not being treated equal to the talent.

989
00:42:03,680 --> 00:42:06,279
Speaker 4: Equal to writing is equally as important as a talent.

990
00:42:06,719 --> 00:42:09,160
Speaker 1: Absolutely. I think you can write the best ship in

991
00:42:09,200 --> 00:42:10,560
Speaker 1: the world. If you bring a nigga in here that

992
00:42:10,640 --> 00:42:12,399
Speaker 1: don't know how to read and can't act and can't

993
00:42:12,719 --> 00:42:14,560
Speaker 1: and just sound like a robot reading on camera, that

994
00:42:14,560 --> 00:42:16,200
Speaker 1: shit is gonna fall flat, of course.

995
00:42:16,120 --> 00:42:17,840
Speaker 2: But a lot of those runners are writing with that

996
00:42:17,960 --> 00:42:19,440
Speaker 2: person in mind, knowing how they're going to go.

997
00:42:19,440 --> 00:42:21,800
Speaker 4: Oh yeah, for sure, for sure, you definitely right about that.

998
00:42:21,960 --> 00:42:23,719
Speaker 1: So I think the thing is they're fighting for is

999
00:42:23,800 --> 00:42:27,400
Speaker 1: equality to the talent on on on camera. Right now

1000
00:42:27,440 --> 00:42:28,279
Speaker 1: they're being treated I.

1001
00:42:28,280 --> 00:42:30,480
Speaker 4: Think they paid. I just think they just want to

1002
00:42:30,480 --> 00:42:32,440
Speaker 4: be paid well. I don't even think they have over equality.

1003
00:42:32,640 --> 00:42:35,160
Speaker 1: They don't want to be being paid well. Basically, they

1004
00:42:35,200 --> 00:42:38,279
Speaker 1: want to be paid, if not living talent wage. I

1005
00:42:38,280 --> 00:42:39,960
Speaker 1: don't think that they don't want to be that. Right now,

1006
00:42:39,960 --> 00:42:42,759
Speaker 1: they're being treated as less than as they're they're they're

1007
00:42:42,800 --> 00:42:45,120
Speaker 1: disposable and they're not you know what I mean, Like

1008
00:42:45,280 --> 00:42:47,879
Speaker 1: like you said, back to the Uber thing. I find

1009
00:42:47,920 --> 00:42:52,000
Speaker 1: it funny when people complain about the uber drivers talking

1010
00:42:52,040 --> 00:42:54,520
Speaker 1: to them, because if you grew up in New York

1011
00:42:54,560 --> 00:42:56,640
Speaker 1: City taking cabs, that was like part of the culture.

1012
00:42:57,200 --> 00:42:58,840
Speaker 1: A cab driver can tell you about the city you

1013
00:42:58,960 --> 00:43:02,200
Speaker 1: have no idea about ever, like what a cab driver

1014
00:43:02,360 --> 00:43:04,960
Speaker 1: is literally, like, Yo, it's this going on on this side.

1015
00:43:04,960 --> 00:43:07,160
Speaker 1: They're building this on this side. It's crazy over head,

1016
00:43:07,280 --> 00:43:09,480
Speaker 1: our head, they're moving out of this part of the neighborhood.

1017
00:43:09,520 --> 00:43:12,600
Speaker 1: This is crazy, like somebody that's in the streets as

1018
00:43:12,640 --> 00:43:14,840
Speaker 1: much as cab drivers navigating through the city that you

1019
00:43:15,000 --> 00:43:16,719
Speaker 1: live in. You want to get in the car and

1020
00:43:16,719 --> 00:43:18,160
Speaker 1: you like, ya, don't talk to me, Like I think

1021
00:43:18,160 --> 00:43:19,960
Speaker 1: it's weird getting the car with a stranger number one

1022
00:43:20,000 --> 00:43:21,239
Speaker 1: and then don't talk to me.

1023
00:43:21,520 --> 00:43:23,160
Speaker 2: Well, now you have to get cab drivers directions.

1024
00:43:23,239 --> 00:43:25,600
Speaker 1: So that's why my business most of the time you do,

1025
00:43:25,800 --> 00:43:27,920
Speaker 1: like they just follow that GPS and it's like, but

1026
00:43:28,120 --> 00:43:31,439
Speaker 1: even that before GPS, if you got a good cab driver,

1027
00:43:32,160 --> 00:43:35,280
Speaker 1: he would get you to where you was going around traffic,

1028
00:43:35,320 --> 00:43:37,600
Speaker 1: you wouldn't have to sit in there. Now people want

1029
00:43:37,640 --> 00:43:38,839
Speaker 1: to get in the car and it's just like we've

1030
00:43:38,960 --> 00:43:42,760
Speaker 1: lost the sense of just being like interacting with one another,

1031
00:43:42,840 --> 00:43:46,800
Speaker 1: Like we want to replace humans with just machines and

1032
00:43:47,520 --> 00:43:51,359
Speaker 1: gps like navigation, Like don't like what about just knowing

1033
00:43:51,440 --> 00:43:54,359
Speaker 1: different routes and because you live here and you're from here,

1034
00:43:54,480 --> 00:43:57,319
Speaker 1: Like I enjoy getting into a cab and a cab

1035
00:43:57,400 --> 00:43:59,319
Speaker 1: driver telling me things about the city that I had

1036
00:43:59,360 --> 00:44:01,640
Speaker 1: no idea was going on. I think that's dope unless

1037
00:44:01,640 --> 00:44:04,400
Speaker 1: it's a woman. I just don't think that women should

1038
00:44:04,400 --> 00:44:09,399
Speaker 1: be dripping. No, because not saying that women can't drive.

1039
00:44:09,520 --> 00:44:11,320
Speaker 1: I just feel weird sitting in the back seat and

1040
00:44:11,360 --> 00:44:13,319
Speaker 1: a woman driving me that you also hate how they

1041
00:44:13,440 --> 00:44:16,000
Speaker 1: drive and you hate women. No, I love women, but

1042
00:44:16,120 --> 00:44:18,920
Speaker 1: I just don't. I just I just I'm uncomfortable with

1043
00:44:18,960 --> 00:44:21,080
Speaker 1: a woman just driving me around. I'm uncomfortable. But if

1044
00:44:21,120 --> 00:44:23,919
Speaker 1: she knows the city and like knows about that's great. Listen.

1045
00:44:23,960 --> 00:44:26,960
Speaker 1: I've had some great cab drivers, like one Cari like

1046
00:44:27,000 --> 00:44:28,600
Speaker 1: I had to ask, I'm like, how many brothers do

1047
00:44:28,680 --> 00:44:30,919
Speaker 1: you have? And she just laughed. She was like, wow,

1048
00:44:30,920 --> 00:44:32,799
Speaker 1: because I drive, I'm talking about she was whipping.

1049
00:44:32,560 --> 00:44:34,800
Speaker 3: That ship like you had Queen Latifa and what's that

1050
00:44:34,920 --> 00:44:36,080
Speaker 3: movie Taxi?

1051
00:44:36,440 --> 00:44:36,600
Speaker 4: Yo?

1052
00:44:36,840 --> 00:44:39,879
Speaker 1: She was whipping that fucking car like I was mad,

1053
00:44:39,960 --> 00:44:42,000
Speaker 1: Like I was almost nervous in the back seat. I'm like, yo,

1054
00:44:42,560 --> 00:44:45,040
Speaker 1: she can drive clearly, but slow to fuck d like.

1055
00:44:45,120 --> 00:44:47,280
Speaker 1: She was getting in and out of lanes in near trucks.

1056
00:44:47,880 --> 00:44:49,279
Speaker 1: And I asked, I said, how many brothers do you have?

1057
00:44:49,400 --> 00:44:51,080
Speaker 1: She told me to have seven brothers. I'm the only girl,

1058
00:44:51,080 --> 00:44:53,279
Speaker 1: I said. I knew it. There's no way you didn't

1059
00:44:53,280 --> 00:44:56,000
Speaker 1: grow up around a bunch of boys because you drive

1060
00:44:56,200 --> 00:44:59,000
Speaker 1: like a fucking crazy man. That just shot the wrong nigga, Like,

1061
00:45:00,440 --> 00:45:02,759
Speaker 1: why are you driving like this? Got me to where

1062
00:45:02,760 --> 00:45:04,320
Speaker 1: I wanted to go. It was a great driver, but

1063
00:45:04,400 --> 00:45:06,239
Speaker 1: it was I've never seen a woman drive like that.

1064
00:45:06,400 --> 00:45:08,480
Speaker 1: That was that was crazy. She was Kim and Junior Mafia.

1065
00:45:08,520 --> 00:45:10,400
Speaker 1: Oh my god, she was driving the fuck out of

1066
00:45:10,440 --> 00:45:12,879
Speaker 1: that car. But I love women drivers, I just don't

1067
00:45:12,960 --> 00:45:14,520
Speaker 1: like being Let me sit in front with you. Let's

1068
00:45:14,560 --> 00:45:14,719
Speaker 1: do that.

1069
00:45:14,960 --> 00:45:15,120
Speaker 3: Yeah.

1070
00:45:15,239 --> 00:45:18,000
Speaker 4: But back back to the writers and just us talking

1071
00:45:18,000 --> 00:45:20,400
Speaker 4: about them. Give give the writers, they're just too because

1072
00:45:20,440 --> 00:45:24,120
Speaker 4: we've all heard fucking we've all.

1073
00:45:24,080 --> 00:45:27,280
Speaker 1: Seen Hey, Quentin Miller, goddamn it, I agree.

1074
00:45:27,360 --> 00:45:28,800
Speaker 4: That's what I was gonna say, though, Like I literally

1075
00:45:28,840 --> 00:45:32,040
Speaker 4: we've all heard reference tracks and yeah, if one person

1076
00:45:32,320 --> 00:45:33,839
Speaker 4: you could give it to Drake, But if Drake doesn't

1077
00:45:33,840 --> 00:45:35,600
Speaker 4: get on it and you give it to somebody else,

1078
00:45:35,640 --> 00:45:38,040
Speaker 4: it could still be a good song. Like the writing

1079
00:45:38,239 --> 00:45:40,080
Speaker 4: is what's important. That's why I said that. I personally

1080
00:45:40,120 --> 00:45:42,200
Speaker 4: think that the writers are more important because you can

1081
00:45:42,239 --> 00:45:44,160
Speaker 4: give one good actress a script and if she can't

1082
00:45:44,200 --> 00:45:46,560
Speaker 4: do it, you go and get another good act That episode.

1083
00:45:46,239 --> 00:45:49,160
Speaker 1: With Quentin was important to me for the episode for

1084
00:45:49,440 --> 00:45:53,440
Speaker 1: number of reasons. I just think that you know writers,

1085
00:45:53,960 --> 00:45:57,640
Speaker 1: especially in hip hop, when you say you know this,

1086
00:45:58,000 --> 00:46:01,160
Speaker 1: this rapper had a writer on this, right, or you

1087
00:46:01,200 --> 00:46:05,360
Speaker 1: know a rapper had somebody write that, it's it's always

1088
00:46:05,520 --> 00:46:08,359
Speaker 1: it's always a negative. It's a knock because we feel

1089
00:46:08,400 --> 00:46:10,279
Speaker 1: like the art of hip hop is the art of storytelling.

1090
00:46:10,680 --> 00:46:13,920
Speaker 1: Tell your story. We know that rappers lie. A lot

1091
00:46:13,920 --> 00:46:16,040
Speaker 1: of these rappers are not living there around. They never

1092
00:46:16,120 --> 00:46:18,200
Speaker 1: did none of the half the shit they talking about, damn.

1093
00:46:18,719 --> 00:46:21,160
Speaker 1: So just the fact that they wrote it themselves means, like,

1094
00:46:21,800 --> 00:46:24,600
Speaker 1: you know more than if somebody has somebody write it

1095
00:46:24,680 --> 00:46:26,960
Speaker 1: for them. Because they wrote it themselves but never lived it,

1096
00:46:27,280 --> 00:46:30,440
Speaker 1: it's all false, it's all lies. We'll accept that of

1097
00:46:30,480 --> 00:46:32,040
Speaker 1: course you better not have nobody else in the room

1098
00:46:32,080 --> 00:46:36,000
Speaker 1: helping you. We can't accept that. It's just it's it's stupid, man.

1099
00:46:36,040 --> 00:46:38,400
Speaker 1: It's like, why not have somebody in the room that

1100
00:46:39,400 --> 00:46:43,280
Speaker 1: can hear something that you can't hear, can speak about

1101
00:46:43,320 --> 00:46:45,400
Speaker 1: things that you may not know about, can tell you

1102
00:46:45,480 --> 00:46:47,800
Speaker 1: the new slang of what's going on, you know, the

1103
00:46:47,960 --> 00:46:50,080
Speaker 1: terms that they're using in the streets now, Like, I

1104
00:46:50,200 --> 00:46:53,479
Speaker 1: just don't see the knock in having a writer that's

1105
00:46:53,600 --> 00:46:56,160
Speaker 1: great at what they do and that's able to help

1106
00:46:56,239 --> 00:46:59,000
Speaker 1: you enhance what you already do, Like but only in

1107
00:46:59,120 --> 00:47:00,879
Speaker 1: hip hop and R and we don't care who writes

1108
00:47:00,920 --> 00:47:02,120
Speaker 1: the record. We don't have the time, We don't even

1109
00:47:02,120 --> 00:47:04,480
Speaker 1: know who wrote the record. But that okay, that's fine.

1110
00:47:04,520 --> 00:47:05,880
Speaker 1: But I'm still of.

1111
00:47:07,400 --> 00:47:11,200
Speaker 2: The thought that they can't be in the MC rapper

1112
00:47:11,320 --> 00:47:14,360
Speaker 2: combo then, Like that would be like saying Leo is

1113
00:47:14,400 --> 00:47:16,920
Speaker 2: an amazing writer because he delivered Wolf of Wall Street.

1114
00:47:16,960 --> 00:47:19,239
Speaker 2: So well, no, like he can't he can't be in

1115
00:47:19,280 --> 00:47:19,960
Speaker 2: the writer combo.

1116
00:47:20,120 --> 00:47:22,080
Speaker 1: No, but not now. If you don't write any of

1117
00:47:22,160 --> 00:47:25,239
Speaker 1: your raps, I agree, But if you have help on

1118
00:47:25,640 --> 00:47:28,360
Speaker 1: a few records, I don't think that that takes you

1119
00:47:28,480 --> 00:47:32,120
Speaker 1: out of the MC category. If you wrote some of

1120
00:47:32,280 --> 00:47:35,239
Speaker 1: all of your your biggest records, you actually wrote and

1121
00:47:35,440 --> 00:47:37,960
Speaker 1: you write for other artists as well. I don't think

1122
00:47:38,000 --> 00:47:40,319
Speaker 1: that just because you had people help you on certain

1123
00:47:40,360 --> 00:47:43,160
Speaker 1: records that that automatically takes your MC badge off your

1124
00:47:43,239 --> 00:47:44,160
Speaker 1: your your jacket.

1125
00:47:44,360 --> 00:47:46,560
Speaker 4: But the biggest are the biggest records are usually the

1126
00:47:46,640 --> 00:47:47,200
Speaker 4: ones that they.

1127
00:47:47,120 --> 00:47:47,560
Speaker 3: Had help on.

1128
00:47:48,360 --> 00:47:49,400
Speaker 1: I don't know. I don't know about that.

1129
00:47:49,760 --> 00:47:50,600
Speaker 3: That's case by case.

1130
00:47:50,680 --> 00:47:52,600
Speaker 1: Yeah, I don't know about that. That's that's case by case.

1131
00:47:52,640 --> 00:47:56,000
Speaker 1: That's not all the time. But only in rap do

1132
00:47:56,160 --> 00:48:01,160
Speaker 1: we frown at hearing another rapper had help on a record.

1133
00:48:01,600 --> 00:48:03,400
Speaker 1: Some of our favorite artists, we know that they're not

1134
00:48:03,480 --> 00:48:07,279
Speaker 1: writing these records. Love the record, great song, you still

1135
00:48:07,400 --> 00:48:09,359
Speaker 1: jam to us to listen to it, still streaming still,

1136
00:48:09,760 --> 00:48:11,480
Speaker 1: So it's like we need to get away from that

1137
00:48:11,600 --> 00:48:13,359
Speaker 1: and just be like, yo, listen. I love the fact,

1138
00:48:13,400 --> 00:48:15,000
Speaker 1: like we heard stories of Kanye, if you in the

1139
00:48:15,080 --> 00:48:18,240
Speaker 1: room and you have leather pants on and Kanye writes

1140
00:48:18,239 --> 00:48:20,759
Speaker 1: a ball about leather pants, he gives you, you know,

1141
00:48:20,920 --> 00:48:22,920
Speaker 1: some some some rights on the record just because you

1142
00:48:23,000 --> 00:48:25,680
Speaker 1: had on leather pants and inspired a thought like that.

1143
00:48:26,200 --> 00:48:27,640
Speaker 3: Unless you're designer very rare.

1144
00:48:27,960 --> 00:48:30,000
Speaker 1: That is rare. But I'm just saying things like that

1145
00:48:30,239 --> 00:48:32,640
Speaker 1: to me, Why not that's dope.

1146
00:48:32,920 --> 00:48:35,160
Speaker 2: I of course I'm on the side of music being

1147
00:48:35,239 --> 00:48:38,640
Speaker 2: a collaborative thing and everyone should get writers and help,

1148
00:48:38,760 --> 00:48:41,520
Speaker 2: and it should not just be one person rapping in

1149
00:48:41,600 --> 00:48:42,080
Speaker 2: one producer.

1150
00:48:42,080 --> 00:48:44,759
Speaker 1: It should be a team effort. I'm still maybe it's

1151
00:48:44,840 --> 00:48:46,799
Speaker 1: the weird white boy rap love shit.

1152
00:48:47,160 --> 00:48:51,040
Speaker 2: I still put that stat differently with rappers, though you

1153
00:48:51,080 --> 00:48:52,680
Speaker 2: shouldn't you should write your own rhymes.

1154
00:48:52,920 --> 00:48:56,239
Speaker 1: I'm not saying you shouldn't. But again, if you write

1155
00:48:56,320 --> 00:48:58,280
Speaker 1: a lot of your own rhymes and on certain records

1156
00:48:58,280 --> 00:48:59,200
Speaker 1: you had help, does.

1157
00:48:59,120 --> 00:49:01,880
Speaker 2: That mean that I'm never taking away Drake's card if

1158
00:49:01,880 --> 00:49:04,680
Speaker 2: he didn't write just come on, We're going home. I

1159
00:49:04,719 --> 00:49:07,040
Speaker 2: don't care if I find out he didn't write six

1160
00:49:07,160 --> 00:49:07,839
Speaker 2: PM in New York.

1161
00:49:08,040 --> 00:49:10,399
Speaker 3: Yeah, but I feel, you know, he he didn't write

1162
00:49:10,400 --> 00:49:11,920
Speaker 3: a lot of those kind of rap records.

1163
00:49:11,680 --> 00:49:12,480
Speaker 2: Which is fine with me.

1164
00:49:12,560 --> 00:49:14,560
Speaker 1: I didn't even care Quent Miller and the Energy, we

1165
00:49:14,600 --> 00:49:15,040
Speaker 1: talked about it.

1166
00:49:15,120 --> 00:49:18,520
Speaker 2: I thought the reference, I can't believe Drake even heard

1167
00:49:18,760 --> 00:49:21,560
Speaker 2: that and did that with energy and running through the

1168
00:49:21,600 --> 00:49:24,320
Speaker 2: six like he heard those references and made them hit records.

1169
00:49:24,400 --> 00:49:26,200
Speaker 1: That's that's an art. I don't give a fuck about that.

1170
00:49:26,719 --> 00:49:29,719
Speaker 2: If I start finding out you didn't write like the

1171
00:49:29,880 --> 00:49:32,160
Speaker 2: rap joints, then I'm gonna feel away.

1172
00:49:32,360 --> 00:49:35,200
Speaker 1: If you if you didn't write certain shit about like

1173
00:49:35,320 --> 00:49:35,719
Speaker 1: your mom.

1174
00:49:38,120 --> 00:49:39,600
Speaker 2: Now we all got we all have moms.

1175
00:49:39,760 --> 00:49:41,319
Speaker 1: Yeah, but no, but then I'm gonna be like, all right,

1176
00:49:41,400 --> 00:49:43,600
Speaker 1: how how so new about your moms that? Well?

1177
00:49:43,680 --> 00:49:45,680
Speaker 2: Like how was your AI? Some like you had it,

1178
00:49:45,840 --> 00:49:49,879
Speaker 2: like moms existed, maybe AI you would never actually birth.

1179
00:49:49,960 --> 00:49:52,239
Speaker 1: I just think it's I just I don't know, man. Again,

1180
00:49:52,440 --> 00:49:56,000
Speaker 1: just I just I just respect writers and I think

1181
00:49:56,040 --> 00:49:57,840
Speaker 1: that again they just they just need to just do

1182
00:49:57,920 --> 00:50:01,520
Speaker 1: they need their respect, that the national there's nothing wrong

1183
00:50:01,600 --> 00:50:04,560
Speaker 1: with treating them equally, treating them with what they want,

1184
00:50:04,600 --> 00:50:08,040
Speaker 1: what they're asking for. They deserve it. Hollywood pay the

1185
00:50:08,120 --> 00:50:10,040
Speaker 1: fucking writers, bottom.

1186
00:50:09,719 --> 00:50:11,920
Speaker 2: Line, I want you, especially the amount of money in

1187
00:50:11,960 --> 00:50:14,319
Speaker 2: Hollywood now, like streaming, the way streaming.

1188
00:50:14,080 --> 00:50:16,760
Speaker 1: Say so many businesses pay the writers.

1189
00:50:16,800 --> 00:50:19,600
Speaker 2: No matter what your opinion on streaming is, it's saved music,

1190
00:50:19,680 --> 00:50:22,959
Speaker 2: it's saved TV. You have the money paid.

1191
00:50:23,239 --> 00:50:25,600
Speaker 4: Well, can we adding in Julian and go on strike?

1192
00:50:26,080 --> 00:50:26,680
Speaker 3: Why do we do that?

1193
00:50:26,800 --> 00:50:27,360
Speaker 1: Are we writers?

1194
00:50:27,840 --> 00:50:31,200
Speaker 3: Are you guys? At union. I have noticed that she's

1195
00:50:31,320 --> 00:50:32,000
Speaker 3: looking me into this.

1196
00:50:32,200 --> 00:50:34,200
Speaker 2: We're not just say you want to go on strike

1197
00:50:34,920 --> 00:50:35,480
Speaker 2: and strike for what?

1198
00:50:35,760 --> 00:50:35,960
Speaker 1: For what?

1199
00:50:36,840 --> 00:50:37,520
Speaker 4: The writers?

1200
00:50:37,719 --> 00:50:39,160
Speaker 3: You just want to l a right?

1201
00:50:39,600 --> 00:50:42,200
Speaker 1: What are you right? What are you talking about? We

1202
00:50:42,320 --> 00:50:45,960
Speaker 1: don't write you right for the pod? What did you

1203
00:50:46,000 --> 00:50:47,959
Speaker 1: write on this pod? We're not in the writer's guild.

1204
00:50:47,960 --> 00:50:48,440
Speaker 1: You know that, right?

1205
00:50:49,000 --> 00:50:50,040
Speaker 4: Oh we're not.

1206
00:50:50,160 --> 00:50:54,000
Speaker 2: You pay your union dues?

1207
00:50:54,840 --> 00:50:55,040
Speaker 3: Yeah?

1208
00:50:56,000 --> 00:50:57,560
Speaker 4: Wow, that was too much?

1209
00:50:58,640 --> 00:50:59,000
Speaker 3: So much?

1210
00:50:59,120 --> 00:51:01,279
Speaker 1: Do you have to pay your union too much?

1211
00:51:01,360 --> 00:51:02,000
Speaker 3: The company card?

1212
00:51:02,320 --> 00:51:04,920
Speaker 1: Oh yeah, that's too much health insurance?

1213
00:51:05,400 --> 00:51:14,320
Speaker 2: See how that's how that goes. But speaking of comedy writers,

1214
00:51:14,760 --> 00:51:16,719
Speaker 2: Roy watch Junior did the uh.

1215
00:51:17,480 --> 00:51:19,040
Speaker 1: The White House Correspondent Dinner.

1216
00:51:19,239 --> 00:51:24,080
Speaker 2: Yes, I'm getting sick of these why you know? The

1217
00:51:24,239 --> 00:51:27,439
Speaker 2: jokes are amazing, the self awareness is hilarious, but nothing

1218
00:51:27,480 --> 00:51:28,040
Speaker 2: ever changes.

1219
00:51:28,840 --> 00:51:31,120
Speaker 1: Oh they are you thought changes coming from this?

1220
00:51:31,920 --> 00:51:33,400
Speaker 2: I guess I'm just getting to a point that the

1221
00:51:33,920 --> 00:51:36,560
Speaker 2: comedians they have every year like end up smoking it

1222
00:51:36,640 --> 00:51:39,440
Speaker 2: from such an intelligent point of view and a comedic one.

1223
00:51:40,160 --> 00:51:43,080
Speaker 1: At great job, let's let's not like health. Shout out

1224
00:51:43,120 --> 00:51:44,960
Speaker 1: to Roy wid Junior. He did an amazing job at

1225
00:51:45,000 --> 00:51:48,400
Speaker 1: the White House Correspondence Dinner. I thought the way he

1226
00:51:48,719 --> 00:51:51,560
Speaker 1: executed his jokes added real thing, and I like the

1227
00:51:51,640 --> 00:51:54,000
Speaker 1: fact that he didn't. He didn't come across like he

1228
00:51:54,120 --> 00:51:56,000
Speaker 1: was trying to pick a side. No, he wasn't trying

1229
00:51:56,040 --> 00:51:58,279
Speaker 1: to sound like he was a Democrat or Republican. He

1230
00:51:58,840 --> 00:52:02,080
Speaker 1: threw ship at both. I thought it was very well,

1231
00:52:02,520 --> 00:52:05,000
Speaker 1: very well executed, very well written. I love the fact

1232
00:52:05,040 --> 00:52:07,960
Speaker 1: that he paid tribute to his mother. I thought it

1233
00:52:08,040 --> 00:52:09,719
Speaker 1: was a great job. I do too.

1234
00:52:09,920 --> 00:52:11,680
Speaker 2: And maybe this is just the grumpy side of me

1235
00:52:12,600 --> 00:52:15,239
Speaker 2: that watches this because I love when they do this

1236
00:52:15,320 --> 00:52:17,880
Speaker 2: every year. But it's almost like offensive that all these

1237
00:52:17,880 --> 00:52:20,440
Speaker 2: people are laughing at these jokes. Yeah, because he's actually

1238
00:52:20,480 --> 00:52:23,000
Speaker 2: saying something of like the hypocrisy of every truth, how

1239
00:52:23,040 --> 00:52:25,320
Speaker 2: fucked up. It is like Roywood's saying some shit, and

1240
00:52:25,360 --> 00:52:27,040
Speaker 2: I know it's funny, but he's really saying some shit.

1241
00:52:27,120 --> 00:52:30,200
Speaker 2: And everyone that's done these dinners before h and it's

1242
00:52:30,280 --> 00:52:32,160
Speaker 2: like we're talking to the people that should change it,

1243
00:52:32,200 --> 00:52:34,799
Speaker 2: and they're just like hahaa, never changing.

1244
00:52:35,200 --> 00:52:38,120
Speaker 1: Another crooked I'm not a crumpet, please. It's funny.

1245
00:52:38,120 --> 00:52:39,920
Speaker 2: You notice that that's not going to change.

1246
00:52:39,800 --> 00:52:43,759
Speaker 3: He openly said, which is incredible. How billionaires can buy

1247
00:52:43,800 --> 00:52:46,040
Speaker 3: anything yet this whole bit set up and how Clarence

1248
00:52:46,120 --> 00:52:48,919
Speaker 3: Thomas was bought by Harlan Crowe. He was like, there's

1249
00:52:48,960 --> 00:52:52,479
Speaker 3: only two black Supreme Court justices. He goes he owns

1250
00:52:52,640 --> 00:52:55,960
Speaker 3: half of the available, like the black does. It was

1251
00:52:56,000 --> 00:52:59,640
Speaker 3: just he just laid into that, like the hypocrisy of

1252
00:52:59,680 --> 00:53:03,400
Speaker 3: all this and then still obviously there's colorful, laughing, punching moments,

1253
00:53:03,440 --> 00:53:05,440
Speaker 3: but he did get really poignant, especially at the end

1254
00:53:05,760 --> 00:53:08,320
Speaker 3: because his dad was a journalist. He was saying, journalisms

1255
00:53:08,320 --> 00:53:11,160
Speaker 3: heading towards a path where everything now that's worthwhile, it's

1256
00:53:11,160 --> 00:53:14,279
Speaker 3: getting put behind a paywall, and he's saying most people

1257
00:53:14,360 --> 00:53:16,239
Speaker 3: aren't willing to pay for it or be like can't

1258
00:53:16,239 --> 00:53:19,040
Speaker 3: afford it. So now when you look at he's addressing

1259
00:53:19,080 --> 00:53:20,960
Speaker 3: all these networks that are in the room with him,

1260
00:53:21,480 --> 00:53:25,040
Speaker 3: he was like, the civil rights movement started with local news.

1261
00:53:25,440 --> 00:53:27,359
Speaker 3: All of these major stories that we he was giving

1262
00:53:27,440 --> 00:53:27,879
Speaker 3: shout out.

1263
00:53:27,800 --> 00:53:30,279
Speaker 1: To local journalists and yeah, the importance that they play

1264
00:53:30,400 --> 00:53:33,160
Speaker 1: in a lot of these historical times in our country.

1265
00:53:32,920 --> 00:53:35,080
Speaker 3: Before anything's national news is local news, was like his

1266
00:53:35,160 --> 00:53:39,160
Speaker 3: big point, And we're eliminating that process of including local

1267
00:53:39,239 --> 00:53:42,120
Speaker 3: news by like eradicating it and pushing everything towards the

1268
00:53:42,840 --> 00:53:46,120
Speaker 3: entertainment side of news. So it was really really good.

1269
00:53:46,000 --> 00:53:49,040
Speaker 2: Past that, and he's definitely correct. And again, I guess

1270
00:53:49,080 --> 00:53:52,239
Speaker 2: that's what's so heartbreaking about these entire things. The people

1271
00:53:52,360 --> 00:53:54,839
Speaker 2: that he's talking to, he's talking to directly in front

1272
00:53:54,840 --> 00:53:56,799
Speaker 2: of him, and they're laughing and going, no, we.

1273
00:53:56,920 --> 00:54:00,160
Speaker 1: Know it's not changing. Yeah, like I remember, you know

1274
00:54:00,239 --> 00:54:01,080
Speaker 1: what the biggest change that.

1275
00:54:01,040 --> 00:54:03,919
Speaker 2: Happened from one of these dinners is they pissed Donald

1276
00:54:03,920 --> 00:54:07,920
Speaker 2: Trump off enough to run for president and he did anyone, anyone,

1277
00:54:08,440 --> 00:54:08,799
Speaker 2: and then.

1278
00:54:08,719 --> 00:54:10,680
Speaker 3: He refused to come back to one because he didn't

1279
00:54:10,680 --> 00:54:11,360
Speaker 3: want to get made fun of.

1280
00:54:12,760 --> 00:54:14,239
Speaker 2: He was he was the butt of a joke at

1281
00:54:14,280 --> 00:54:15,960
Speaker 2: one of them that he would never be president, and

1282
00:54:16,040 --> 00:54:16,800
Speaker 2: he said, I'll show you.

1283
00:54:17,000 --> 00:54:18,840
Speaker 1: I want to see Donald Trump at like a roasting

1284
00:54:18,920 --> 00:54:20,600
Speaker 1: like this, though they did.

1285
00:54:21,040 --> 00:54:23,200
Speaker 2: Tobdy Central did was it the roast Donald Trump?

1286
00:54:23,239 --> 00:54:25,359
Speaker 1: Or was he just on? Yeah, there was the roast.

1287
00:54:25,600 --> 00:54:27,359
Speaker 3: It did one of him. But he'll never he's made

1288
00:54:27,400 --> 00:54:29,560
Speaker 3: it a point he'll never go to a White House correspondence.

1289
00:54:29,640 --> 00:54:32,040
Speaker 3: He didn't go when he was president. He hasn't gone

1290
00:54:32,280 --> 00:54:35,040
Speaker 3: to that, Like he's not going. Don't handle it.

1291
00:54:36,440 --> 00:54:38,000
Speaker 1: I don't think I don't. I don't think that is

1292
00:54:38,200 --> 00:54:40,279
Speaker 1: because he can't handle it. I think he can't handle it.

1293
00:54:40,440 --> 00:54:40,799
Speaker 4: He can't.

1294
00:54:41,000 --> 00:54:42,800
Speaker 2: He's the most sensitive human being on earth. I know

1295
00:54:42,880 --> 00:54:43,680
Speaker 2: that's your man's but you have.

1296
00:54:43,680 --> 00:54:45,920
Speaker 1: To know I'm no, it's not that I think that

1297
00:54:46,000 --> 00:54:47,759
Speaker 1: he I don't think that he's sensitive. I just I

1298
00:54:47,840 --> 00:54:49,600
Speaker 1: think that it may be other reasons why he's not

1299
00:54:49,719 --> 00:54:50,399
Speaker 1: going to that dinner.

1300
00:54:50,480 --> 00:54:52,040
Speaker 2: There could be those two. I'm not saying you.

1301
00:54:52,040 --> 00:54:54,560
Speaker 1: Can't do as you can't do a roast on Comedy

1302
00:54:54,640 --> 00:54:57,000
Speaker 1: Central and say, yo, he's sensitive.

1303
00:54:57,080 --> 00:54:59,360
Speaker 2: Like, but this was before this was when Trump was

1304
00:54:59,480 --> 00:55:01,920
Speaker 2: like the cool who we thought billionaire.

1305
00:55:01,960 --> 00:55:03,759
Speaker 1: This is way before politics. He was just I just

1306
00:55:03,800 --> 00:55:04,239
Speaker 1: think he don't.

1307
00:55:04,320 --> 00:55:05,200
Speaker 2: He was the apprentice guy.

1308
00:55:05,280 --> 00:55:07,280
Speaker 1: I just think he don't. I think that he feels

1309
00:55:07,360 --> 00:55:08,560
Speaker 1: like a lot of these people that will be in

1310
00:55:08,640 --> 00:55:11,960
Speaker 1: this room don't like him, number one sure, And I

1311
00:55:12,000 --> 00:55:13,880
Speaker 1: feel like he's not gonna be faking sitting in and

1312
00:55:14,160 --> 00:55:16,120
Speaker 1: and and chump chump and laugh with him like y'all

1313
00:55:16,120 --> 00:55:18,080
Speaker 1: don't like me, y'all don't even want me as the president.

1314
00:55:17,880 --> 00:55:21,040
Speaker 2: That can That's one hundred percent true. He also is

1315
00:55:21,120 --> 00:55:23,360
Speaker 2: the most sensitive human being ever and would lose his

1316
00:55:23,440 --> 00:55:24,759
Speaker 2: shit sitting there.

1317
00:55:24,760 --> 00:55:27,239
Speaker 1: I want to see it. He would never do it.

1318
00:55:27,239 --> 00:55:27,600
Speaker 1: That's great.

1319
00:55:27,640 --> 00:55:30,239
Speaker 3: Tell's he said he didn't find the jokes at his

1320
00:55:30,360 --> 00:55:32,840
Speaker 3: expense any funny. That's pussy.

1321
00:55:33,320 --> 00:55:37,000
Speaker 1: That's type pussy. Well, I mean, who's the comedian? Come on,

1322
00:55:37,200 --> 00:55:40,160
Speaker 1: I'm just who's the comedian? Sometimes jokes ay funny, That's

1323
00:55:40,200 --> 00:55:40,680
Speaker 1: all I'm saying.

1324
00:55:41,080 --> 00:55:42,399
Speaker 2: Or you think it should have been Larry the Cable

1325
00:55:42,440 --> 00:55:44,720
Speaker 2: guy that would have been a better for Trump's audience.

1326
00:55:45,080 --> 00:55:47,000
Speaker 1: No, I don't think Cable God.

1327
00:55:48,280 --> 00:55:50,279
Speaker 2: But yeah, I love these dinners And this is me

1328
00:55:50,440 --> 00:55:54,080
Speaker 2: just being grumpy as fuck that it's getting almost offensive

1329
00:55:54,280 --> 00:55:57,320
Speaker 2: to the American people that these comedians are saying the

1330
00:55:57,360 --> 00:55:59,359
Speaker 2: truth in a funny way to the people that are

1331
00:55:59,400 --> 00:56:01,879
Speaker 2: doing it, and all they have to say is haha.

1332
00:56:02,280 --> 00:56:05,480
Speaker 1: We know. I think it's gonna change. So one of

1333
00:56:05,520 --> 00:56:08,239
Speaker 1: your redhead brethren of Rory, we spoke about him on

1334
00:56:08,280 --> 00:56:13,120
Speaker 1: the last episode about being taking a chord in hot

1335
00:56:13,200 --> 00:56:16,200
Speaker 1: water with hot water with the gay with the gaze

1336
00:56:16,239 --> 00:56:19,560
Speaker 1: awfully hot coffee pot. Yeah, he's in hot water with

1337
00:56:19,640 --> 00:56:23,239
Speaker 1: the gaze over a song that he is alleged to

1338
00:56:23,320 --> 00:56:26,440
Speaker 1: be stealing chords and melodies from. Let's Get It On

1339
00:56:26,560 --> 00:56:30,080
Speaker 1: by Marvin gay the gazer upsite. You said, well, I

1340
00:56:30,160 --> 00:56:31,279
Speaker 1: really and.

1341
00:56:34,760 --> 00:56:37,560
Speaker 4: We were wrong about that. It's not Marvin Gaye's a

1342
00:56:37,680 --> 00:56:40,600
Speaker 4: state that's suing him. It's a state of the co

1343
00:56:40,760 --> 00:56:43,279
Speaker 4: writer on the song that are suing him.

1344
00:56:43,800 --> 00:56:45,759
Speaker 2: Also good for him, man, if you co wrote that song.

1345
00:56:46,239 --> 00:56:51,080
Speaker 1: Yeah, we were talking about that in the last episode,

1346
00:56:51,160 --> 00:56:53,520
Speaker 1: and as soon as we finished, I totally remember seeing

1347
00:56:53,560 --> 00:56:59,239
Speaker 1: a video of Ed Sheeran performing his record and then

1348
00:57:00,200 --> 00:57:01,000
Speaker 1: going into.

1349
00:57:01,080 --> 00:57:02,600
Speaker 2: Yeah, it's weird how it blended so well.

1350
00:57:02,760 --> 00:57:04,280
Speaker 1: Yeah, I totally forgot about.

1351
00:57:04,080 --> 00:57:05,920
Speaker 3: That, which is what sparked the lawsuit. By the way,

1352
00:57:05,920 --> 00:57:06,960
Speaker 3: I believe that videos.

1353
00:57:07,160 --> 00:57:08,840
Speaker 1: As soon as we record, I was like, wait a minute,

1354
00:57:08,880 --> 00:57:11,960
Speaker 1: I think I remember seeing Ed shearing get playing that

1355
00:57:12,120 --> 00:57:15,319
Speaker 1: record Eddie, no more mashups man, and its your record,

1356
00:57:15,520 --> 00:57:17,440
Speaker 1: like he was playing thinking out loud and then he

1357
00:57:17,560 --> 00:57:19,760
Speaker 1: goes into let's get it on and of course the

1358
00:57:19,800 --> 00:57:23,200
Speaker 1: crowd without a single chord change. Yeah, so I was like, yeah,

1359
00:57:23,280 --> 00:57:25,480
Speaker 1: he might lose this one himself up, like like you

1360
00:57:25,680 --> 00:57:28,200
Speaker 1: you shocked, Ed, you shot yourself in the foot with that.

1361
00:57:28,240 --> 00:57:31,000
Speaker 1: It's Ed Sharon and g Depp, Right, yeah, Ed, you

1362
00:57:31,040 --> 00:57:32,040
Speaker 1: shot yourself in the foot.

1363
00:57:32,160 --> 00:57:34,720
Speaker 4: But he said he's quitting music if he loses his case.

1364
00:57:34,960 --> 00:57:37,520
Speaker 2: Fifty said the same thing when he lost to Kanyet.

1365
00:57:37,560 --> 00:57:41,040
Speaker 1: We got a first two years later. No one really

1366
00:57:41,120 --> 00:57:43,880
Speaker 1: quits music. Nobody quits. You quit when you've realized that

1367
00:57:43,920 --> 00:57:45,880
Speaker 1: they're no longer showing up to see you and they're

1368
00:57:45,960 --> 00:57:48,240
Speaker 1: no longer buying your fucking product. That's when you quit.

1369
00:57:48,320 --> 00:57:50,160
Speaker 2: Well, but this is a this is a weird quote too.

1370
00:57:51,280 --> 00:57:53,680
Speaker 2: If that happens, I'm done. I'm stopping. I find it

1371
00:57:53,760 --> 00:57:56,120
Speaker 2: really insulting to devote my whole life to being a

1372
00:57:56,200 --> 00:57:59,160
Speaker 2: performer and a songwriter and have someone diminish it. No

1373
00:57:59,240 --> 00:58:02,160
Speaker 2: one's diminished what you're doing. They're suggesting that you borrowed

1374
00:58:02,200 --> 00:58:05,640
Speaker 2: from them and they need to be paid and compensated.

1375
00:58:05,120 --> 00:58:06,800
Speaker 1: For it like that.

1376
00:58:07,640 --> 00:58:09,200
Speaker 2: That's a really fucking quote.

1377
00:58:09,200 --> 00:58:11,320
Speaker 4: You were aware that you borrow this, You know you

1378
00:58:11,440 --> 00:58:11,680
Speaker 4: did it.

1379
00:58:12,200 --> 00:58:13,400
Speaker 1: You don't think it's insulting.

1380
00:58:13,880 --> 00:58:15,920
Speaker 2: I'd imagine if Ed Sheeran let's say, Let's get it

1381
00:58:15,960 --> 00:58:18,480
Speaker 2: on never existed and Thinking out Loud was a completely

1382
00:58:18,520 --> 00:58:21,880
Speaker 2: original piece, and twenty years down the line someone took

1383
00:58:21,920 --> 00:58:24,360
Speaker 2: those exact same chords and made a hit. You don't

1384
00:58:24,400 --> 00:58:26,040
Speaker 2: think Ed would feel insulted?

1385
00:58:26,680 --> 00:58:26,880
Speaker 4: Yeah?

1386
00:58:28,280 --> 00:58:30,360
Speaker 2: Again, you even feel like that would diminish his artistry

1387
00:58:30,360 --> 00:58:32,440
Speaker 2: if someone just took from him and didn't credit him.

1388
00:58:32,440 --> 00:58:35,120
Speaker 1: No, I understand. I understand both sides. I understand as

1389
00:58:35,200 --> 00:58:37,439
Speaker 1: a writer. You know, you're hearing this Thinking out Loud

1390
00:58:37,480 --> 00:58:39,520
Speaker 1: record and you're like, hmm, sounds very familiar to something

1391
00:58:39,560 --> 00:58:42,400
Speaker 1: that I wrote called Let's Get It On. So there's

1392
00:58:42,400 --> 00:58:44,480
Speaker 1: a little number, little tune I came up with, you know,

1393
00:58:44,560 --> 00:58:46,760
Speaker 1: one night. You may or may not know it. You

1394
00:58:46,880 --> 00:58:49,400
Speaker 1: may or may not know it. But I do understand

1395
00:58:50,080 --> 00:58:52,000
Speaker 1: the other side of that as well, of Ed, you know,

1396
00:58:52,200 --> 00:58:57,200
Speaker 1: saying I don't want to the diminished word, right. I

1397
00:58:57,240 --> 00:59:00,760
Speaker 1: don't want people to feel like I stole something or

1398
00:59:01,080 --> 00:59:04,160
Speaker 1: because that's not what I would happen. Again, we understand

1399
00:59:04,200 --> 00:59:08,520
Speaker 1: how subconsciously we'll hear melodies when you're creating something and

1400
00:59:08,840 --> 00:59:12,360
Speaker 1: not even realize like, oh shit, that's let's get it on. Now.

1401
00:59:12,480 --> 00:59:15,480
Speaker 1: It's hard to in the court of law if I

1402
00:59:15,520 --> 00:59:17,880
Speaker 1: play that same YouTube video with Ed playing Thinking out

1403
00:59:17,920 --> 00:59:19,560
Speaker 1: Loud and then going into let's get it On, and

1404
00:59:19,640 --> 00:59:24,280
Speaker 1: I'm like, really tough, right, this DJ brain right, But

1405
00:59:24,600 --> 00:59:28,560
Speaker 1: but it's like, you know, I can understand if edisons

1406
00:59:29,720 --> 00:59:32,440
Speaker 1: it's saying like, yo, I didn't steal that. That's not

1407
00:59:32,560 --> 00:59:34,160
Speaker 1: what I want. It does sound like it. I can

1408
00:59:34,200 --> 00:59:36,480
Speaker 1: see how you know it matches and blends well, but

1409
00:59:37,120 --> 00:59:39,800
Speaker 1: I didn't take from that. Edward scissors Hand wouldn't be

1410
00:59:39,800 --> 00:59:42,400
Speaker 1: a good DJ name. I'm sure that exists somehow.

1411
00:59:42,480 --> 00:59:45,240
Speaker 3: We know that. We speculated that it would be a

1412
00:59:45,320 --> 00:59:48,480
Speaker 3: similar lawsuit to the Blurred Lines ones, but this one

1413
00:59:48,560 --> 00:59:52,320
Speaker 3: is allegedly worth a hundred million dollars, so this would

1414
00:59:52,360 --> 00:59:54,280
Speaker 3: be a much larger hit towards us.

1415
00:59:54,360 --> 00:59:54,520
Speaker 4: Well.

1416
00:59:54,680 --> 00:59:55,080
Speaker 3: Ed is right.

1417
00:59:55,160 --> 00:59:56,880
Speaker 1: Then if he does lose, he ain't got no choice

1418
00:59:56,880 --> 00:59:59,960
Speaker 1: but the quick you know, he's got a fucking new song.

1419
01:00:00,040 --> 01:00:01,840
Speaker 4: I was gonna say, pump some ship out, man.

1420
01:00:01,960 --> 01:00:06,160
Speaker 1: It's it's it's tough, man, I understand it on both sides.

1421
01:00:06,600 --> 01:00:08,919
Speaker 1: It's tough. But Ed, I'm not gonna lie that video

1422
01:00:08,920 --> 01:00:11,040
Speaker 1: of you going into that matchup, So let's get in

1423
01:00:11,080 --> 01:00:14,400
Speaker 1: on that great it was amazing, expensive video, amazing cost

1424
01:00:14,440 --> 01:00:15,440
Speaker 1: one hundred million dollars.

1425
01:00:15,600 --> 01:00:17,720
Speaker 3: Yeah, that's gonna colas you can expensive videos.

1426
01:00:17,880 --> 01:00:21,760
Speaker 4: How do you feel about Frank Ocean and his team

1427
01:00:21,920 --> 01:00:23,720
Speaker 4: suing the pants off a fan.

1428
01:00:24,160 --> 01:00:26,840
Speaker 2: They're not suing, they're issuing cnds which C and D

1429
01:00:27,040 --> 01:00:29,439
Speaker 2: take down that fucking video or will sue the pants

1430
01:00:29,440 --> 01:00:33,320
Speaker 2: off you? Yes, I mean, I don't know what the stipulations.

1431
01:00:33,360 --> 01:00:35,959
Speaker 2: I felt like Coachella would own that footage before Frank

1432
01:00:36,040 --> 01:00:37,520
Speaker 2: oceanwood mm hmm.

1433
01:00:37,920 --> 01:00:41,600
Speaker 3: Just for clarity, a fan took a compilation of videos

1434
01:00:41,640 --> 01:00:45,000
Speaker 3: from frank set during Coachella, mashed them all together put

1435
01:00:45,080 --> 01:00:47,840
Speaker 3: on YouTube. Frank's pissed about it because now his set

1436
01:00:47,920 --> 01:00:49,280
Speaker 3: is available for everyone to watch.

1437
01:00:50,440 --> 01:00:51,920
Speaker 1: Yeah, Frank, I don't know if you know how these

1438
01:00:51,960 --> 01:00:55,280
Speaker 1: festivals work with people coming here with cameras in their

1439
01:00:55,320 --> 01:00:59,320
Speaker 1: phone phone and if they decide to record you while

1440
01:00:59,320 --> 01:01:03,760
Speaker 1: you're performing and make a video for their own social

1441
01:01:03,800 --> 01:01:04,680
Speaker 1: media platforms.

1442
01:01:05,440 --> 01:01:08,320
Speaker 2: I think it's funny because Frank has sung on Novacane

1443
01:01:08,360 --> 01:01:09,920
Speaker 2: about going to Coachella as a fan.

1444
01:01:10,880 --> 01:01:13,040
Speaker 1: Like Frank, he probably he probably took a camera. I

1445
01:01:13,400 --> 01:01:16,640
Speaker 1: credit Frank for even making Coachella popular because a lot

1446
01:01:16,680 --> 01:01:18,560
Speaker 1: of people did not know what Coachella was before Frank

1447
01:01:18,640 --> 01:01:24,000
Speaker 1: Ocean said that. I'm I know that's I'm standing on that.

1448
01:01:24,080 --> 01:01:26,800
Speaker 1: A lot of people, a lot a lot of people

1449
01:01:26,920 --> 01:01:30,320
Speaker 1: did not know and definitely did have did not go

1450
01:01:30,480 --> 01:01:32,400
Speaker 1: to Coachella before Frank Ocean.

1451
01:01:32,320 --> 01:01:34,400
Speaker 2: And I found that line where did jay Z perform

1452
01:01:34,440 --> 01:01:36,320
Speaker 2: at Coachella? Like years and years.

1453
01:01:36,200 --> 01:01:41,880
Speaker 3: Ago to sez trip, he went to go see j

1454
01:01:42,360 --> 01:01:43,520
Speaker 3: I want to see if that's accurate.

1455
01:01:44,880 --> 01:01:49,280
Speaker 2: And that's when nostalgia came out. Yeah, oh wow, living

1456
01:01:49,480 --> 01:01:50,160
Speaker 2: living in his rhymes.

1457
01:01:50,360 --> 01:01:52,440
Speaker 1: Like I said, a lot of people did not know

1458
01:01:52,480 --> 01:01:54,920
Speaker 1: what Coachella was, and a lot of people definitely did

1459
01:01:55,000 --> 01:01:57,439
Speaker 1: not have not attended Coachella before Frank Ocean.

1460
01:01:58,600 --> 01:02:03,120
Speaker 4: Coachella started advertising more to a more urban audience around

1461
01:02:03,160 --> 01:02:04,080
Speaker 4: the show Frank Ocean.

1462
01:02:04,520 --> 01:02:07,000
Speaker 2: But also, I mean jay Z did perform, but I'm

1463
01:02:07,440 --> 01:02:08,280
Speaker 2: I get what you're saying.

1464
01:02:08,400 --> 01:02:11,360
Speaker 1: No, Frank Ocean made it. He made it popular, he

1465
01:02:11,480 --> 01:02:14,080
Speaker 1: made it more. Not saying that Coachella wasn't popular, but

1466
01:02:14,240 --> 01:02:18,680
Speaker 1: Frank Oceana, Frank Ocean definitely put Coachella in the is

1467
01:02:19,160 --> 01:02:20,640
Speaker 1: on the minds of a lot of people that had

1468
01:02:20,760 --> 01:02:22,120
Speaker 1: no idea what that shit. That's true.

1469
01:02:22,480 --> 01:02:24,880
Speaker 3: Whoever, whoever this kid is should get hired. Though. He

1470
01:02:24,960 --> 01:02:28,200
Speaker 3: downloaded four hundred and fifty videos from over three hundred people,

1471
01:02:28,680 --> 01:02:32,720
Speaker 3: condensed it over eighty hours of footage to create this video.

1472
01:02:32,920 --> 01:02:34,240
Speaker 3: So I hope he gets a job from this.

1473
01:02:34,560 --> 01:02:36,240
Speaker 2: He also needs a girlfriend, But other than that, I

1474
01:02:36,320 --> 01:02:38,800
Speaker 2: think that is I think that's great and talented and

1475
01:02:39,720 --> 01:02:41,040
Speaker 2: respect he's he's that's a.

1476
01:02:41,120 --> 01:02:43,560
Speaker 4: Good that's good what he did like it wasn't like

1477
01:02:43,640 --> 01:02:45,000
Speaker 4: he was just doing some board ship.

1478
01:02:45,120 --> 01:02:46,840
Speaker 2: I'm not shitting on hard work, even though I'm a

1479
01:02:46,840 --> 01:02:49,160
Speaker 2: bare minimum boy. I'm just saying, it's like the amount

1480
01:02:49,200 --> 01:02:51,320
Speaker 2: of that's that's a lot.

1481
01:02:52,240 --> 01:02:54,400
Speaker 1: It's a lot of footage. That's a lot of footage

1482
01:02:54,600 --> 01:02:56,440
Speaker 1: right editing right around yo me, Yes, a lot of footage,

1483
01:02:56,640 --> 01:03:00,480
Speaker 1: a lot of footage. Go go to cheesecake factory with

1484
01:03:00,600 --> 01:03:01,560
Speaker 1: your significant other. First.

1485
01:03:01,760 --> 01:03:03,919
Speaker 4: I feel like it's a good investment because I'm sure

1486
01:03:03,960 --> 01:03:06,080
Speaker 4: that that YouTube video was gonna hit before that C

1487
01:03:06,240 --> 01:03:06,400
Speaker 4: and D.

1488
01:03:07,200 --> 01:03:10,040
Speaker 1: Not only that, it's a good investment because somebody's gonna

1489
01:03:10,080 --> 01:03:10,560
Speaker 1: hire this dude.

1490
01:03:10,600 --> 01:03:14,200
Speaker 3: But should he said he's not, he's not planning to monetizing.

1491
01:03:14,240 --> 01:03:15,640
Speaker 3: I really fun with his dude. He's like, I'm not

1492
01:03:15,840 --> 01:03:18,680
Speaker 3: making a penny off this. I'll continue to upload for

1493
01:03:18,800 --> 01:03:21,880
Speaker 3: the art. Yeah, and he said also ripped our public domain.

1494
01:03:22,040 --> 01:03:24,160
Speaker 3: He's not doing anything like he didn't tess anyone.

1495
01:03:24,240 --> 01:03:26,680
Speaker 4: Oh, if he's not monetizing off of it, they definitely

1496
01:03:26,960 --> 01:03:27,320
Speaker 4: you can't.

1497
01:03:28,000 --> 01:03:32,880
Speaker 1: You can't I I like it. Yeah, listen, this is

1498
01:03:32,920 --> 01:03:35,000
Speaker 1: that old school type of ship man. Go to an event,

1499
01:03:35,160 --> 01:03:37,919
Speaker 1: get footage, put out your own ship, make it dope,

1500
01:03:37,960 --> 01:03:39,720
Speaker 1: cut it up, you know what I mean, make dope

1501
01:03:39,840 --> 01:03:42,360
Speaker 1: edits to it, put it out. Somebody gonna see that

1502
01:03:42,400 --> 01:03:44,439
Speaker 1: and be like, yo, I like this dude's work. Let's

1503
01:03:44,520 --> 01:03:44,880
Speaker 1: hire them.

1504
01:03:45,280 --> 01:03:48,280
Speaker 2: And I mean, we watched the Firefest doc were so

1505
01:03:48,400 --> 01:03:51,640
Speaker 2: much of that footage ended up being the phone footage

1506
01:03:51,680 --> 01:03:55,040
Speaker 2: for people. If this guy, whether he owns the footage

1507
01:03:55,080 --> 01:03:58,280
Speaker 2: or not, obviously at least sourced it all, hire him

1508
01:03:58,400 --> 01:04:00,840
Speaker 2: just to catalze it. Yeah, because I feel like there

1509
01:04:00,960 --> 01:04:03,400
Speaker 2: is going to be a Frank Coachella doc within the

1510
01:04:03,480 --> 01:04:04,040
Speaker 2: next five years.

1511
01:04:04,360 --> 01:04:04,560
Speaker 3: Yeah.

1512
01:04:04,640 --> 01:04:07,840
Speaker 1: Like, And just I just like ship like. I like

1513
01:04:07,880 --> 01:04:10,800
Speaker 1: ship like. Instead of Frank Ocean sending the ceasing desist,

1514
01:04:11,160 --> 01:04:12,400
Speaker 1: why not reach out to that dude and.

1515
01:04:12,440 --> 01:04:15,240
Speaker 3: Hire them for what though Frank's not working on anything, No.

1516
01:04:15,360 --> 01:04:18,560
Speaker 1: He's Frank. Frank Ocean needs a camera following him even

1517
01:04:18,560 --> 01:04:19,480
Speaker 1: if he's not working.

1518
01:04:19,720 --> 01:04:21,360
Speaker 3: Doctor, he's a jewelry line.

1519
01:04:21,440 --> 01:04:23,720
Speaker 1: I'm sure Frank Ocean has a lot of things. I'm

1520
01:04:23,720 --> 01:04:25,320
Speaker 1: sure he's doing, But what I'm saying is a guy

1521
01:04:25,480 --> 01:04:28,520
Speaker 1: like that instead of sending the ceasing desist, It's like, Yo,

1522
01:04:28,640 --> 01:04:30,880
Speaker 1: get in touch with that kid, Like, let's see if

1523
01:04:30,880 --> 01:04:32,680
Speaker 1: we could put him somewhere, you know, bring him around,

1524
01:04:32,760 --> 01:04:35,040
Speaker 1: have them just film ship day to day, put some

1525
01:04:35,160 --> 01:04:39,360
Speaker 1: dope ship together, my suck it film. We don't know

1526
01:04:39,440 --> 01:04:40,000
Speaker 1: that editing.

1527
01:04:40,280 --> 01:04:41,960
Speaker 3: He's a great editor, do we know that though?

1528
01:04:42,040 --> 01:04:43,760
Speaker 2: Or is he a good organizer? Like maybe he should

1529
01:04:43,760 --> 01:04:44,200
Speaker 2: do an admin.

1530
01:04:44,360 --> 01:04:46,760
Speaker 1: What I'm saying is I didn't watch the edit, like.

1531
01:04:47,000 --> 01:04:49,600
Speaker 3: Could edit me. It's enough to get a lawsuit hit

1532
01:04:49,680 --> 01:04:50,760
Speaker 3: download for him times.

1533
01:04:50,880 --> 01:04:54,240
Speaker 1: That's this is what it's saying. You diminishing, You diminishing

1534
01:04:54,280 --> 01:04:56,400
Speaker 1: Brian's work. You don't even see his work. And look

1535
01:04:56,400 --> 01:04:57,000
Speaker 1: at you, Kenny edit.

1536
01:04:57,120 --> 01:04:58,640
Speaker 2: I'm a I'm the face of hatred.

1537
01:04:58,680 --> 01:05:02,880
Speaker 1: You're diminishing. You're a diminish his work, all right?

1538
01:05:02,920 --> 01:05:05,320
Speaker 2: You know downloading foreign fifty videos it doesn't mean he's

1539
01:05:05,320 --> 01:05:06,720
Speaker 2: good at putting them.

1540
01:05:06,640 --> 01:05:11,360
Speaker 1: Together, obviously, Frank said the cease and desist after downloading

1541
01:05:11,400 --> 01:05:13,360
Speaker 1: for fifty. I wuld hope so like you're a fan not,

1542
01:05:13,520 --> 01:05:15,440
Speaker 1: But that's what I'm saying. Give the kid a job.

1543
01:05:15,560 --> 01:05:18,600
Speaker 1: How are the transitions? Congrats to Brent Faiaz.

1544
01:05:19,960 --> 01:05:21,640
Speaker 2: We already knew he was going to turn down every

1545
01:05:22,480 --> 01:05:25,600
Speaker 2: major deal opportunity, has been pitch those for god knows

1546
01:05:25,600 --> 01:05:28,600
Speaker 2: how many years, but did a deal with United Masters

1547
01:05:28,760 --> 01:05:33,720
Speaker 2: that's rumored to be worth over fifty million dollars. Stays independent.

1548
01:05:33,800 --> 01:05:36,600
Speaker 2: Shout out to Tie. Shout out to Brent. As much

1549
01:05:36,600 --> 01:05:39,480
Speaker 2: as this is news, if you followed Brent in his career.

1550
01:05:39,320 --> 01:05:40,000
Speaker 1: He's not news.

1551
01:05:40,400 --> 01:05:43,040
Speaker 2: He's he stood on this that he is never going

1552
01:05:43,080 --> 01:05:45,920
Speaker 2: to play that game. He was fucking with STEM for

1553
01:05:46,000 --> 01:05:46,240
Speaker 2: a while.

1554
01:05:46,280 --> 01:05:47,000
Speaker 1: Shout out to Stem.

1555
01:05:47,320 --> 01:05:51,200
Speaker 2: He was printing money at STEM. Brent has always said

1556
01:05:51,520 --> 01:05:53,680
Speaker 2: Tye has always said they're gonna stay independent.

1557
01:05:53,920 --> 01:05:56,040
Speaker 1: That's dope. Shout out at Brent Man, Shout out to

1558
01:05:56,080 --> 01:05:59,120
Speaker 1: the whole team. Uh. I've always been vocal about Brent

1559
01:05:59,200 --> 01:06:01,080
Speaker 1: being one of my favorite artists. Love the way he

1560
01:06:01,200 --> 01:06:04,520
Speaker 1: moves on his own you know, he doesn't follow trends

1561
01:06:04,640 --> 01:06:06,960
Speaker 1: and fads and shit like that. He does his own

1562
01:06:07,000 --> 01:06:08,560
Speaker 1: ships in his own lane. You don't really hear him

1563
01:06:08,600 --> 01:06:12,760
Speaker 1: about him in headlines too much, and no bullshit. You

1564
01:06:12,960 --> 01:06:15,840
Speaker 1: very rarely see him anywhere. I just I just like

1565
01:06:15,880 --> 01:06:18,000
Speaker 1: the way he moves very low and just you know,

1566
01:06:18,080 --> 01:06:20,000
Speaker 1: in his own little zone. So shout out to Brent.

1567
01:06:20,440 --> 01:06:24,440
Speaker 1: Major deal. Love the independent wave, create your own narratives,

1568
01:06:25,680 --> 01:06:28,720
Speaker 1: do shit your way, build your own team. Shout out

1569
01:06:28,720 --> 01:06:32,360
Speaker 1: to United Masters Partner for partnering with Brent and his team.

1570
01:06:32,480 --> 01:06:34,960
Speaker 2: And again, I mean the Independent thing obviously is not

1571
01:06:35,120 --> 01:06:38,600
Speaker 2: a new narrative by any means, but a deal to

1572
01:06:38,720 --> 01:06:41,440
Speaker 2: the magnitude of fifty million dollars and you still own

1573
01:06:41,480 --> 01:06:43,920
Speaker 2: your masters and your master's p the value of what

1574
01:06:44,160 --> 01:06:44,640
Speaker 2: Brents are.

1575
01:06:45,440 --> 01:06:47,160
Speaker 1: This is a really really big deal.

1576
01:06:48,000 --> 01:06:50,960
Speaker 2: I know majors will pretend they don't give a fuck

1577
01:06:51,000 --> 01:06:52,360
Speaker 2: because no matter what, they will exist.

1578
01:06:52,520 --> 01:06:53,920
Speaker 1: But if you're.

1579
01:06:54,160 --> 01:06:56,720
Speaker 2: Winn't Brent, if you're a young artist watching this now

1580
01:06:57,480 --> 01:07:01,960
Speaker 2: to watch Brent's blueprint, Yeah, this is is a really, really,

1581
01:07:02,000 --> 01:07:02,600
Speaker 2: really big deal.

1582
01:07:02,760 --> 01:07:05,400
Speaker 1: I think this is just what happens when number one,

1583
01:07:05,560 --> 01:07:09,120
Speaker 1: you put out great product, as Brent has always done,

1584
01:07:10,840 --> 01:07:11,880
Speaker 1: and just build the right.

1585
01:07:11,800 --> 01:07:13,560
Speaker 2: Team, have the right people around you, all on the

1586
01:07:13,600 --> 01:07:16,120
Speaker 2: same page, all the same goal, all the same understanding.

1587
01:07:17,600 --> 01:07:17,800
Speaker 3: Yeah.

1588
01:07:17,880 --> 01:07:20,480
Speaker 2: I can't say enough good things about this. I wish

1589
01:07:20,520 --> 01:07:22,600
Speaker 2: we could do a crazy deep dive on it. But

1590
01:07:23,480 --> 01:07:25,840
Speaker 2: we've been following Brent's crib for quite some time and

1591
01:07:25,920 --> 01:07:28,400
Speaker 2: this was always the plan, and he's been vocal about it.

1592
01:07:28,640 --> 01:07:33,120
Speaker 1: Yeah, rash that to an entire team, and that's big. Also,

1593
01:07:33,800 --> 01:07:36,080
Speaker 1: Dirk and Cole put out, I don't know this is

1594
01:07:36,120 --> 01:07:36,680
Speaker 1: this TikTok?

1595
01:07:36,840 --> 01:07:37,160
Speaker 3: Marius?

1596
01:07:37,480 --> 01:07:40,240
Speaker 2: Would this be considered a TikTok? If you hold your

1597
01:07:40,240 --> 01:07:41,200
Speaker 2: phone up now, is that a TikTok?

1598
01:07:41,280 --> 01:07:42,160
Speaker 1: J Cole's on TikTok.

1599
01:07:42,400 --> 01:07:45,360
Speaker 2: He's gotta be no way, he's a fence to.

1600
01:07:45,640 --> 01:07:47,480
Speaker 1: No way. J Cole is on TikTok. You don't think

1601
01:07:47,520 --> 01:07:49,160
Speaker 1: Cole is a fence to on TikTok?

1602
01:07:49,560 --> 01:07:51,120
Speaker 2: No, cold, definitely, he has kids.

1603
01:07:51,200 --> 01:07:52,920
Speaker 1: You can't have a fence to. You can't have a

1604
01:07:53,040 --> 01:07:55,400
Speaker 1: fence to and then still rode your bike through Manhattan

1605
01:07:55,560 --> 01:07:59,560
Speaker 1: like I actually think that's the that's that's I.

1606
01:07:59,720 --> 01:08:01,400
Speaker 2: I think his bike is defence to the car.

1607
01:08:01,680 --> 01:08:05,920
Speaker 1: True, Yeah, Cole Cole is and No, I would be

1608
01:08:05,960 --> 01:08:08,520
Speaker 1: surprised if J. Cole had a TikTok. I would be

1609
01:08:08,640 --> 01:08:12,440
Speaker 1: very surprised. Cole has You know every one of these jay.

1610
01:08:12,320 --> 01:08:13,040
Speaker 3: Z has a TikTok.

1611
01:08:13,720 --> 01:08:15,480
Speaker 4: I'm sure Jaz has a TikTok.

1612
01:08:15,640 --> 01:08:17,840
Speaker 1: No, he doesn't see you see how quickly that changed.

1613
01:08:18,080 --> 01:08:21,120
Speaker 1: Jay Z has one one? I'm sure no you does

1614
01:08:21,200 --> 01:08:22,880
Speaker 1: jay Z have a TikTok. You think jay Z has

1615
01:08:22,880 --> 01:08:25,000
Speaker 1: a TikTok? Why do you even if he does, he doesn't,

1616
01:08:26,000 --> 01:08:27,280
Speaker 1: Why do you TikTok?

1617
01:08:27,439 --> 01:08:27,479
Speaker 2: No?

1618
01:08:27,880 --> 01:08:30,559
Speaker 3: You actually Cole's posting on this, someone's doing it for him.

1619
01:08:30,680 --> 01:08:33,160
Speaker 4: But we're talking about fake TikTok's like a fence.

1620
01:08:33,000 --> 01:08:35,840
Speaker 2: That like when you just every last one of these artists,

1621
01:08:35,880 --> 01:08:39,040
Speaker 2: including jay Z and Beyonce, have fake Instagram, fake Twitter,

1622
01:08:39,240 --> 01:08:40,920
Speaker 2: fake tiktoks. They see all your ship.

1623
01:08:41,280 --> 01:08:42,880
Speaker 1: No, I'm not saying they don't see it, but I don't.

1624
01:08:43,000 --> 01:08:44,400
Speaker 1: I don't know if they have a faked I don't

1625
01:08:44,400 --> 01:08:46,080
Speaker 1: know if jay Z has a fake TikTok. I can't

1626
01:08:46,120 --> 01:08:46,560
Speaker 1: buy into that.

1627
01:08:47,400 --> 01:08:50,280
Speaker 2: Elliott text me one time and said, oh, James didn't

1628
01:08:50,280 --> 01:08:52,040
Speaker 2: say fence though, but he said Jay's fake page likes

1629
01:08:52,080 --> 01:08:54,160
Speaker 2: your ship. I went through my entire likes to find it.

1630
01:08:54,320 --> 01:08:56,479
Speaker 4: You because you know Jay has a fake Twitter, Like that's.

1631
01:08:56,439 --> 01:09:00,439
Speaker 1: Not well, he hasn't. He knows the guy to create

1632
01:09:00,439 --> 01:09:02,640
Speaker 1: a Twitter. They just had lunch like that.

1633
01:09:03,080 --> 01:09:06,040
Speaker 4: They're in business again, so you know he has you know,

1634
01:09:06,120 --> 01:09:07,040
Speaker 4: he has a fake Twitter.

1635
01:09:07,240 --> 01:09:08,240
Speaker 3: I just can't.

1636
01:09:08,720 --> 01:09:10,679
Speaker 1: I just can't see. I just can't see him having

1637
01:09:10,680 --> 01:09:14,080
Speaker 1: a fake TikTok. I just can't see it Twitter. I understand.

1638
01:09:14,760 --> 01:09:18,360
Speaker 2: I'm gonna get on my Julian vibes. I've been in

1639
01:09:18,479 --> 01:09:21,479
Speaker 2: the studio with j Cole. He is so Internet fucking

1640
01:09:21,520 --> 01:09:25,240
Speaker 2: savvy and pays attention to fucking everything. There's no way

1641
01:09:25,320 --> 01:09:26,639
Speaker 2: in hell he does not have a TikTok.

1642
01:09:27,320 --> 01:09:29,080
Speaker 1: He is like not even a little bit. He is

1643
01:09:29,200 --> 01:09:31,040
Speaker 1: on the Internet more than any of us.

1644
01:09:31,160 --> 01:09:33,760
Speaker 3: He's like mal the way we know Drake is Drake,

1645
01:09:33,800 --> 01:09:36,800
Speaker 3: Cole is on the same level of involved and tapped in.

1646
01:09:37,000 --> 01:09:39,439
Speaker 3: He just doesn't that culture. He just doesn't comment on it.

1647
01:09:40,200 --> 01:09:42,320
Speaker 1: That's racist. No, he has rids.

1648
01:09:43,000 --> 01:09:43,800
Speaker 2: I'm looking at the video.

1649
01:09:43,920 --> 01:09:44,479
Speaker 3: We call them.

1650
01:09:46,240 --> 01:09:46,719
Speaker 1: With dreads.

1651
01:09:47,360 --> 01:09:49,680
Speaker 2: Well, yeah, they have the same thing, just one has

1652
01:09:49,760 --> 01:09:50,320
Speaker 2: braids and one.

1653
01:09:50,400 --> 01:09:52,400
Speaker 1: What does the hair have to do with it? That's

1654
01:09:52,479 --> 01:09:55,080
Speaker 1: just the difference just because he's black, Because he's black

1655
01:09:56,000 --> 01:09:56,760
Speaker 1: from Forest.

1656
01:09:56,560 --> 01:09:59,280
Speaker 2: Hills neighborhoods, and there's a lot of similarity.

1657
01:09:59,320 --> 01:10:04,760
Speaker 1: They're both bor Yeah, the power and being biracial, what's

1658
01:10:04,800 --> 01:10:05,120
Speaker 1: the power?

1659
01:10:06,479 --> 01:10:07,840
Speaker 2: I'll give it to me, Come on, tell me more.

1660
01:10:07,880 --> 01:10:08,360
Speaker 3: It just helps.

1661
01:10:09,240 --> 01:10:12,000
Speaker 4: You say the industry pushes them because they're biracial. That's

1662
01:10:12,000 --> 01:10:12,400
Speaker 4: what you're saying.

1663
01:10:12,439 --> 01:10:14,280
Speaker 1: I'm just saying you get a demographic from both, you

1664
01:10:14,360 --> 01:10:16,160
Speaker 1: get the black demographic and the white thing.

1665
01:10:16,200 --> 01:10:18,160
Speaker 3: They were saying that about so pretty much Logic's career.

1666
01:10:18,479 --> 01:10:21,479
Speaker 4: Yeah, there were a lot of colorism, colorism comments about

1667
01:10:21,520 --> 01:10:23,439
Speaker 4: ice Pies going to the Mexican the Mecallas.

1668
01:10:23,760 --> 01:10:26,240
Speaker 3: Why they were like, only someone that looks like this

1669
01:10:26,439 --> 01:10:29,240
Speaker 3: would get approval from Ana Wintour, like pushed through this

1670
01:10:29,320 --> 01:10:31,280
Speaker 3: whole thing and put on the carpet.

1671
01:10:31,280 --> 01:10:33,880
Speaker 1: Or only somebody has a relationship with Kim Kardashian is

1672
01:10:33,920 --> 01:10:36,040
Speaker 1: now the face of the new schems line will get

1673
01:10:36,080 --> 01:10:37,400
Speaker 1: invited to it when.

1674
01:10:37,320 --> 01:10:39,479
Speaker 2: You're doing tiktoks with North and North is at the

1675
01:10:39,520 --> 01:10:42,280
Speaker 2: gala and North wants her favorite artist there.

1676
01:10:42,680 --> 01:10:44,320
Speaker 3: Now you're looking too deep, mall. We're just looking at

1677
01:10:44,320 --> 01:10:44,759
Speaker 3: the racism.

1678
01:10:45,360 --> 01:10:46,559
Speaker 1: Oh so just stay right there.

1679
01:10:46,880 --> 01:10:48,080
Speaker 2: I think moles looking at the facts.

1680
01:10:48,960 --> 01:10:52,679
Speaker 1: The facts, mateople. But I'm not saying that there's not colors.

1681
01:10:52,760 --> 01:10:55,719
Speaker 4: I was gonna say, if we're saying that that color fashion,

1682
01:10:55,800 --> 01:10:58,040
Speaker 4: that the dark skinned girl could never soar the way

1683
01:10:58,120 --> 01:11:00,439
Speaker 4: that fucking Ice Spice did off having deal zero to.

1684
01:11:00,479 --> 01:11:02,320
Speaker 3: No talent, that's not going to happen.

1685
01:11:03,479 --> 01:11:04,679
Speaker 1: Now Ice Spice has no talent.

1686
01:11:05,920 --> 01:11:10,200
Speaker 4: That's now I've been saying, all right, how.

1687
01:11:10,160 --> 01:11:12,160
Speaker 2: Do we fall into Ice Spice is no talent?

1688
01:11:12,800 --> 01:11:14,439
Speaker 4: You think I Spice is a talented rapper.

1689
01:11:15,479 --> 01:11:18,799
Speaker 2: I think she's a talented person. I would rap wouldn't

1690
01:11:18,800 --> 01:11:19,800
Speaker 2: be it, but there's a talent there.

1691
01:11:19,920 --> 01:11:23,479
Speaker 4: Okay with this? No, wait, so you can say, you

1692
01:11:23,479 --> 01:11:25,679
Speaker 4: can say that Cardi was pushed, but I'm crazy saying

1693
01:11:25,680 --> 01:11:26,639
Speaker 4: Ice Spice is being pushed.

1694
01:11:26,720 --> 01:11:29,920
Speaker 2: You don't think I don't think master class in marketing.

1695
01:11:29,960 --> 01:11:31,479
Speaker 2: You don't think that girl knows exactly how a marketer

1696
01:11:31,520 --> 01:11:32,240
Speaker 2: who definitely.

1697
01:11:32,200 --> 01:11:33,840
Speaker 4: She knows how to market herself for the people behind

1698
01:11:33,880 --> 01:11:34,599
Speaker 4: her know how to mark her.

1699
01:11:34,640 --> 01:11:35,599
Speaker 3: You give her no credit?

1700
01:11:37,120 --> 01:11:39,960
Speaker 1: Can I ask you what's the difference between obviously, looking

1701
01:11:40,000 --> 01:11:41,720
Speaker 1: the years down the line, Cardi is who she is.

1702
01:11:41,760 --> 01:11:44,320
Speaker 1: But what's the difference in the way Ice Spice is

1703
01:11:44,360 --> 01:11:45,799
Speaker 1: starting and the way Cardi.

1704
01:11:45,640 --> 01:11:47,960
Speaker 4: Started, Because that's a huge difference.

1705
01:11:49,280 --> 01:11:50,280
Speaker 1: Isn't on a reality show?

1706
01:11:50,280 --> 01:11:50,519
Speaker 3: Okay?

1707
01:11:50,800 --> 01:11:55,639
Speaker 4: I understand that Cardi has been entertaining to watch perform

1708
01:11:55,800 --> 01:11:59,080
Speaker 4: and rap since the very beginning. She's always been entertaining

1709
01:11:59,160 --> 01:12:00,559
Speaker 4: Ice Spices, not entertaining.

1710
01:12:02,479 --> 01:12:06,280
Speaker 1: You know about Cardi before she was on Love Yes, yes,

1711
01:12:06,720 --> 01:12:07,759
Speaker 1: he was going to the strip clubs.

1712
01:12:08,640 --> 01:12:10,000
Speaker 4: I've seen her in strip club I used to be

1713
01:12:10,040 --> 01:12:10,639
Speaker 4: in the strip clubs.

1714
01:12:10,680 --> 01:12:11,519
Speaker 2: I saw her early work.

1715
01:12:11,720 --> 01:12:13,400
Speaker 4: Yes, Cardi used to be in lust.

1716
01:12:14,000 --> 01:12:16,480
Speaker 2: We saw her demo tape at suits.

1717
01:12:16,280 --> 01:12:19,479
Speaker 1: Yo Ja Marriage Captain. Though I'm cappin, well she's I

1718
01:12:19,520 --> 01:12:21,680
Speaker 1: don't know, she's a strip club girer. I just want

1719
01:12:21,760 --> 01:12:24,240
Speaker 1: to know what's the difference in them pushing Ice Spice

1720
01:12:24,880 --> 01:12:26,439
Speaker 1: and the way they pushed Cardi.

1721
01:12:26,280 --> 01:12:29,040
Speaker 4: B This is I'm not I'm the one that pointed

1722
01:12:29,080 --> 01:12:32,840
Speaker 4: out that similarity to you because I said she's not talented.

1723
01:12:32,920 --> 01:12:36,360
Speaker 4: When I said I don't find her talented, she's not talented.

1724
01:12:36,640 --> 01:12:38,160
Speaker 4: And I'm like, so you don't believe that they can

1725
01:12:38,200 --> 01:12:40,120
Speaker 4: push Ice Spice, but you believe they can push Cardi.

1726
01:12:40,560 --> 01:12:44,439
Speaker 1: No, I believe that they pushing Ice Spice. Okay, exactly,

1727
01:12:44,520 --> 01:12:46,439
Speaker 1: I'm saying, why do you say that she has no talent?

1728
01:12:47,680 --> 01:12:48,360
Speaker 4: What's her talent?

1729
01:12:49,120 --> 01:12:51,880
Speaker 1: Her personal making songs, her personality?

1730
01:12:52,360 --> 01:12:54,519
Speaker 2: You don't think she makes good songs?

1731
01:12:54,960 --> 01:12:58,160
Speaker 4: Like yes, yes, okay, they will agree to disagree.

1732
01:12:58,160 --> 01:13:00,280
Speaker 1: You don't fuck with her music? No, what's the name

1733
01:13:00,280 --> 01:13:03,519
Speaker 1: of her EP? Like like you don't think that took

1734
01:13:04,320 --> 01:13:06,640
Speaker 1: like this though, like til your head, like.

1735
01:13:07,760 --> 01:13:09,719
Speaker 2: You don't think that took talent to make those songs,

1736
01:13:10,479 --> 01:13:13,519
Speaker 2: just because from my understanding, she she does write all

1737
01:13:13,520 --> 01:13:14,320
Speaker 2: her ship by herself.

1738
01:13:15,520 --> 01:13:16,759
Speaker 3: That's more than Cardian.

1739
01:13:16,840 --> 01:13:20,120
Speaker 2: I'm not saying that fucking uh my Baddy Friend is

1740
01:13:20,200 --> 01:13:22,600
Speaker 2: a cannabis lyric, but it clearly works and there is

1741
01:13:23,000 --> 01:13:25,439
Speaker 2: some talent to know how to make those records.

1742
01:13:25,600 --> 01:13:29,040
Speaker 3: She does, in fact write all her own ship, I mean.

1743
01:13:30,600 --> 01:13:34,719
Speaker 1: Talent. And the way she's saying that, you know, because

1744
01:13:34,760 --> 01:13:38,360
Speaker 1: she's ginger because Nikki snatched up Ice Spice and supported her,

1745
01:13:38,840 --> 01:13:48,400
Speaker 1: and then DeMar Is the card seem like I'm a salad,

1746
01:13:48,560 --> 01:13:51,759
Speaker 1: He's a CARDI hater your I love everybody.

1747
01:13:52,080 --> 01:13:55,120
Speaker 4: Wait a minute, because I've been been on record supporting

1748
01:13:55,160 --> 01:13:56,720
Speaker 4: ice bikes. When y'all were sitting up there saying that

1749
01:13:57,160 --> 01:13:58,920
Speaker 4: North shouldn't be around her, and I said, y'all.

1750
01:13:58,720 --> 01:14:00,400
Speaker 1: Are that's a pair thing.

1751
01:14:00,520 --> 01:14:03,200
Speaker 4: That's not a music anyway that I want her to

1752
01:14:03,200 --> 01:14:04,559
Speaker 4: go as far as she popped, you can't.

1753
01:14:04,640 --> 01:14:05,720
Speaker 1: I didn't want her to go to the me you

1754
01:14:05,720 --> 01:14:06,120
Speaker 1: didn't want to.

1755
01:14:09,439 --> 01:14:12,000
Speaker 4: Y'all tried to. When he brought up colorism, y'all tried

1756
01:14:12,040 --> 01:14:15,040
Speaker 4: to overlook the colorism. And what I said was dark

1757
01:14:15,120 --> 01:14:17,560
Speaker 4: skin if she was dark skin, she would not be

1758
01:14:17,600 --> 01:14:20,040
Speaker 4: as big as she is. That's what I said. That's

1759
01:14:20,080 --> 01:14:22,000
Speaker 4: not taking anything away from her. I think that.

1760
01:14:22,120 --> 01:14:24,280
Speaker 2: I think that the fact that stop making points I

1761
01:14:24,400 --> 01:14:25,000
Speaker 2: can't refute.

1762
01:14:25,120 --> 01:14:27,840
Speaker 1: No, I think I think the fact that would really

1763
01:14:27,880 --> 01:14:31,200
Speaker 1: help Ice Spice is the fact that Kim Kardashian basically

1764
01:14:31,360 --> 01:14:32,760
Speaker 1: you know, took She wouldn't.

1765
01:14:32,439 --> 01:14:34,760
Speaker 4: Have gotten into Kim Kardashian's house if she was a

1766
01:14:34,880 --> 01:14:36,080
Speaker 4: dark skinned girl because.

1767
01:14:36,840 --> 01:14:37,559
Speaker 3: Being the only.

1768
01:14:39,840 --> 01:14:43,559
Speaker 4: Big, big, dark skin, joky joky kitty kitty.

1769
01:14:44,280 --> 01:14:45,240
Speaker 3: You could be right.

1770
01:14:45,280 --> 01:14:46,960
Speaker 2: I'm not going to say there's not colorism and in

1771
01:14:47,080 --> 01:14:48,200
Speaker 2: hip hop especially.

1772
01:14:48,479 --> 01:14:49,960
Speaker 1: But I'm not gonna agree with that though, because I

1773
01:14:50,040 --> 01:14:52,040
Speaker 1: think that the whole, the whole point, the whole thing.

1774
01:14:52,479 --> 01:14:56,200
Speaker 1: What I can remember is that North loves Ice Spice

1775
01:14:56,760 --> 01:14:57,519
Speaker 1: and and and.

1776
01:14:57,800 --> 01:15:00,360
Speaker 4: North wouldn't have known who Ice Spice was because Ice Ices,

1777
01:15:00,520 --> 01:15:02,599
Speaker 4: with her talent that she has, would not be as

1778
01:15:02,680 --> 01:15:05,320
Speaker 4: big as she got for enough to even see her

1779
01:15:05,600 --> 01:15:07,599
Speaker 4: and become a fan of her if she was dark skins.

1780
01:15:08,600 --> 01:15:11,320
Speaker 3: This is all hypothetical, is it.

1781
01:15:11,560 --> 01:15:15,360
Speaker 1: I'm not saying probably right. I'm not saying colorism doesn't exist.

1782
01:15:15,400 --> 01:15:17,360
Speaker 1: We all know colorism exists. But I'm just saying that

1783
01:15:18,120 --> 01:15:20,200
Speaker 1: Ice Spice is obviously the one that the industry is

1784
01:15:20,240 --> 01:15:22,120
Speaker 1: pushing right now that they getting behind, but a lot

1785
01:15:22,200 --> 01:15:24,680
Speaker 1: of it had a lot of her being invited to

1786
01:15:24,760 --> 01:15:27,400
Speaker 1: the met is the fact that Kim kind of took

1787
01:15:27,439 --> 01:15:28,880
Speaker 1: it in and she is like the face of the

1788
01:15:28,920 --> 01:15:31,639
Speaker 1: new Skims line and all of that. So can two

1789
01:15:31,680 --> 01:15:32,240
Speaker 1: things be true?

1790
01:15:32,479 --> 01:15:35,519
Speaker 2: Colorism one thousand percent exists in every single industry, but

1791
01:15:35,680 --> 01:15:38,720
Speaker 2: Ice Spice also has some type of talent and is

1792
01:15:38,760 --> 01:15:39,960
Speaker 2: here because she's talented.

1793
01:15:40,120 --> 01:15:43,720
Speaker 4: And if she was dark and okay, she wouldn't be

1794
01:15:44,120 --> 01:15:44,720
Speaker 4: she wouldn't get.

1795
01:15:44,840 --> 01:15:45,439
Speaker 1: She wouldn't get.

1796
01:15:45,520 --> 01:15:47,120
Speaker 4: You can't be media. I mean, you can't be mediocre

1797
01:15:47,160 --> 01:15:48,479
Speaker 4: if you're dark, and if you're a brown, skinn woman

1798
01:15:48,520 --> 01:15:52,120
Speaker 4: and industry, you can't be mediocre. I agree, that's my point.

1799
01:15:52,320 --> 01:15:54,000
Speaker 4: I didn't say Ice Spice didn't deserve to be there.

1800
01:15:54,040 --> 01:15:56,720
Speaker 4: I'm saying when he brought up colorism and colorism has

1801
01:15:56,760 --> 01:15:57,480
Speaker 4: an effect.

1802
01:15:57,960 --> 01:15:58,759
Speaker 1: That's what I was arguing.

1803
01:15:58,840 --> 01:16:00,799
Speaker 2: I didn't disagree that because.

1804
01:16:00,600 --> 01:16:02,960
Speaker 4: She's, like you said, she was a talented Compared to

1805
01:16:03,000 --> 01:16:04,800
Speaker 4: the rest of the female rappers that are rapping right now, No,

1806
01:16:04,880 --> 01:16:06,160
Speaker 4: I don't think that she can sit with them, but

1807
01:16:06,240 --> 01:16:07,920
Speaker 4: she's the one that they're pushing right now, and I

1808
01:16:08,000 --> 01:16:09,439
Speaker 4: love that for her because I want her to be

1809
01:16:09,479 --> 01:16:11,639
Speaker 4: as talent to make it as far as she can.

1810
01:16:12,120 --> 01:16:12,360
Speaker 1: I do.

1811
01:16:13,320 --> 01:16:14,880
Speaker 4: I push for a woman of color, but let's just

1812
01:16:15,000 --> 01:16:17,320
Speaker 4: be you don't like any of just not that color. No,

1813
01:16:17,800 --> 01:16:19,920
Speaker 4: I've heard some of them and they're cool, but they're

1814
01:16:20,000 --> 01:16:20,799
Speaker 4: not like them.

1815
01:16:21,040 --> 01:16:23,439
Speaker 2: It's a ginger thing, or is it a what is it?

1816
01:16:23,479 --> 01:16:23,720
Speaker 4: All right?

1817
01:16:24,520 --> 01:16:26,960
Speaker 1: You'll know you're feeling like you're feeling something like.

1818
01:16:29,600 --> 01:16:31,679
Speaker 4: Great, pretty girl, nice gowns, beautiful gowns.

1819
01:16:31,720 --> 01:16:32,639
Speaker 1: She looked great, beautiful.

1820
01:16:35,800 --> 01:16:37,120
Speaker 2: Did you your red hair from her?

1821
01:16:37,280 --> 01:16:39,840
Speaker 1: Yeah? Like and you got the red bun. Come on,

1822
01:16:39,920 --> 01:16:41,880
Speaker 1: you're supposed to be riding with her a little you.

1823
01:16:42,120 --> 01:16:46,920
Speaker 5: Spice trying to make me seem like you're in a

1824
01:16:46,960 --> 01:16:50,640
Speaker 5: Spice cabine right now, you reponding to him right now,

1825
01:16:50,720 --> 01:16:53,240
Speaker 5: you chop shout.

1826
01:16:53,040 --> 01:16:53,320
Speaker 4: Out to.

1827
01:16:55,400 --> 01:16:57,280
Speaker 1: And she didn't look good at thet. I didn't like

1828
01:16:57,360 --> 01:16:59,120
Speaker 1: that dress. It was it was no.

1829
01:16:59,120 --> 01:17:00,320
Speaker 4: I didn't want to say that because not have been

1830
01:17:00,320 --> 01:17:00,720
Speaker 4: a hater, but.

1831
01:17:02,439 --> 01:17:04,360
Speaker 1: It just doesn't fit the alms, too much room in

1832
01:17:04,400 --> 01:17:04,960
Speaker 1: the arms like that.

1833
01:17:05,320 --> 01:17:07,160
Speaker 4: It wasn't what she did say. It was last minute.

1834
01:17:07,280 --> 01:17:10,759
Speaker 1: You know, you can see. It's just not it's fitted

1835
01:17:10,760 --> 01:17:11,080
Speaker 1: all the way.

1836
01:17:11,200 --> 01:17:12,920
Speaker 3: I wish she wore her signature hair. I don't like

1837
01:17:13,000 --> 01:17:15,000
Speaker 3: that they keep doing this for specific events where they

1838
01:17:15,040 --> 01:17:16,559
Speaker 3: put like the lay down, just.

1839
01:17:16,640 --> 01:17:19,920
Speaker 1: Let her rock the Annie the look that's the you

1840
01:17:19,960 --> 01:17:20,680
Speaker 1: got a straighten your hair.

1841
01:17:20,720 --> 01:17:24,080
Speaker 4: You can't come in with your ethnic here straight speak.

1842
01:17:23,840 --> 01:17:25,639
Speaker 1: To it, baby d speak.

1843
01:17:26,000 --> 01:17:27,160
Speaker 3: I could have done whatever she wanted.

1844
01:17:27,640 --> 01:17:29,800
Speaker 4: I'm just saying I do recommend she could not have

1845
01:17:29,880 --> 01:17:30,760
Speaker 4: done whatever she wanted.

1846
01:17:31,360 --> 01:17:33,519
Speaker 3: Let's be talking about with her hair, with her hair.

1847
01:17:33,600 --> 01:17:34,559
Speaker 3: She could have worn her hair off.

1848
01:17:34,640 --> 01:17:37,160
Speaker 1: I just listen. Jared Letto walked in with a cat costume.

1849
01:17:37,640 --> 01:17:39,880
Speaker 1: Jared that she from the Bronx. Man, I'm rude for

1850
01:17:39,920 --> 01:17:42,680
Speaker 1: Ice Spice, don't give a fuck, just not Cardy. I'm

1851
01:17:42,760 --> 01:17:45,240
Speaker 1: root for Cardi too crazy, anybody from the Bronx and Room.

1852
01:17:45,280 --> 01:17:45,880
Speaker 1: I always say that.

1853
01:17:46,360 --> 01:17:48,320
Speaker 2: All right, we got off track. This Jaco and Dirk

1854
01:17:48,400 --> 01:17:51,400
Speaker 2: song appears that it's coming out soon. They shot a

1855
01:17:51,479 --> 01:17:52,880
Speaker 2: video with a bunch of kids. It sounds like kids

1856
01:17:52,920 --> 01:17:55,519
Speaker 2: on the hook. It sounds like an uplifting children.

1857
01:17:55,600 --> 01:17:56,080
Speaker 3: We are the world.

1858
01:17:56,200 --> 01:17:58,560
Speaker 1: I saw ice cream truck in the background, so you

1859
01:17:58,640 --> 01:18:00,960
Speaker 1: know what that means. Free coming big pedal bots.

1860
01:18:02,479 --> 01:18:03,679
Speaker 4: I'm putting that onbody jacket.

1861
01:18:06,400 --> 01:18:08,040
Speaker 1: That's how he used to get you. Go out there

1862
01:18:08,040 --> 01:18:08,360
Speaker 1: and get you.

1863
01:18:09,200 --> 01:18:10,080
Speaker 2: My mother's a diabetic.

1864
01:18:10,920 --> 01:18:14,559
Speaker 3: Sweet that there's nothing to your mom has with him

1865
01:18:14,600 --> 01:18:15,320
Speaker 3: offering your ice cream.

1866
01:18:16,439 --> 01:18:17,960
Speaker 1: Damn you thought I gave it up that easy for

1867
01:18:18,040 --> 01:18:22,320
Speaker 1: ice for vanilla, you have sprinkles. You had to get

1868
01:18:22,320 --> 01:18:25,760
Speaker 1: to sprinkles all though, Malley to put sprinkles on it.

1869
01:18:26,640 --> 01:18:27,519
Speaker 2: The rainbow ones too.

1870
01:18:28,560 --> 01:18:32,679
Speaker 1: Oh, look at he's very progressive. Oh man, be three,

1871
01:18:33,479 --> 01:18:36,360
Speaker 1: Uh it's coming. Friday was out now. If you're listening

1872
01:18:36,400 --> 01:18:40,080
Speaker 1: to this, Sometoven and Future are back in the studio.

1873
01:18:40,160 --> 01:18:43,960
Speaker 1: Well they're out of the studio now. They were. They

1874
01:18:44,000 --> 01:18:45,280
Speaker 1: were in the studio, Besmo three.

1875
01:18:45,479 --> 01:18:46,400
Speaker 2: Were you in the student too.

1876
01:18:46,600 --> 01:18:46,920
Speaker 3: No, I was.

1877
01:18:48,360 --> 01:18:50,880
Speaker 1: I haven't heard it yet, obviously because we recorded before

1878
01:18:50,880 --> 01:18:52,840
Speaker 1: it came out, But I am interested to hear what

1879
01:18:53,200 --> 01:18:54,080
Speaker 1: they came up with. Though.

1880
01:18:54,280 --> 01:18:56,439
Speaker 4: All right, how many money brings you you expected to

1881
01:18:56,520 --> 01:18:58,280
Speaker 4: give what you expected to serve?

1882
01:18:58,479 --> 01:19:02,240
Speaker 1: Gross? Well? Men, men only get three money backs get

1883
01:19:02,760 --> 01:19:05,799
Speaker 1: I'm hoping I could give it three mm hmm. Anytimes

1884
01:19:05,840 --> 01:19:08,040
Speaker 1: they tove in Future, you know, they put some joints together.

1885
01:19:08,080 --> 01:19:10,759
Speaker 1: We get some classic music out of it, so hopefully

1886
01:19:10,800 --> 01:19:13,880
Speaker 1: they gave us another another. I don't I doubt the

1887
01:19:14,080 --> 01:19:16,000
Speaker 1: entire project is a classic. I don't know when the

1888
01:19:16,040 --> 01:19:17,360
Speaker 1: last time I heard a full project that I thought

1889
01:19:17,439 --> 01:19:19,760
Speaker 1: was a classic. He gets some classic records, but not

1890
01:19:19,840 --> 01:19:20,800
Speaker 1: a full classic.

1891
01:19:20,520 --> 01:19:23,679
Speaker 4: Project, classic project, a project that you thought was a classic.

1892
01:19:24,280 --> 01:19:29,479
Speaker 1: The last classic project, Yeah, Invasion of Prophecy for sure.

1893
01:19:30,720 --> 01:19:34,599
Speaker 1: For me, just for damn. We get so much music now, man,

1894
01:19:34,640 --> 01:19:37,479
Speaker 1: I can't really, It's like every week ship is coming out,

1895
01:19:37,880 --> 01:19:40,799
Speaker 1: like just I can't even remember the last full project.

1896
01:19:41,760 --> 01:19:43,400
Speaker 1: I'll come back to that. I got to think about that.

1897
01:19:43,920 --> 01:19:44,880
Speaker 4: Okay, Yeah, I'll ask you.

1898
01:19:45,240 --> 01:19:49,880
Speaker 1: Maybe God is not a class I didn't do I

1899
01:19:49,960 --> 01:19:50,920
Speaker 1: believe it while they talked.

1900
01:19:50,800 --> 01:19:53,559
Speaker 2: It on God's jacket. Put that on God's jacket.

1901
01:19:53,720 --> 01:19:56,000
Speaker 4: Do you guys believe in the term instant classic. I

1902
01:19:56,040 --> 01:19:59,200
Speaker 4: had an argument with our friend low over here, and

1903
01:19:59,439 --> 01:20:04,160
Speaker 4: he said that instant instant classics do not exist because

1904
01:20:04,160 --> 01:20:06,400
Speaker 4: I was arguing that Take Care was an instant classic,

1905
01:20:06,439 --> 01:20:07,800
Speaker 4: and he said, I don't think instant.

1906
01:20:07,560 --> 01:20:10,280
Speaker 1: Classic qualifies as an instant classic, like as soon as you.

1907
01:20:10,280 --> 01:20:13,160
Speaker 3: Hear your kid Mad City was an instant classic. I

1908
01:20:13,240 --> 01:20:15,599
Speaker 3: said that one too, an instant classic For me, there's

1909
01:20:15,680 --> 01:20:18,960
Speaker 3: one thing that you album can grow and become a clasic.

1910
01:20:19,280 --> 01:20:22,160
Speaker 3: Instant classic is an album that has a strong narrative

1911
01:20:22,240 --> 01:20:25,320
Speaker 3: line that carries throughout and there's a theme that starts

1912
01:20:25,760 --> 01:20:27,640
Speaker 3: when you hear that tape record play and then it

1913
01:20:27,720 --> 01:20:30,320
Speaker 3: closes at the end on Good Kid, Mad City. That

1914
01:20:30,600 --> 01:20:34,240
Speaker 3: is a beautifully rapped story. You can digest it in

1915
01:20:34,479 --> 01:20:37,639
Speaker 3: the story that it's meant to be heard and deduced

1916
01:20:37,680 --> 01:20:39,879
Speaker 3: that this is a classic. Same thing with My Beautiful

1917
01:20:39,920 --> 01:20:41,240
Speaker 3: Darkness Fantasy Class.

1918
01:20:41,600 --> 01:20:44,920
Speaker 4: Damn, I think that also was an instant classic. People

1919
01:20:45,000 --> 01:20:46,360
Speaker 4: knew when they heard it.

1920
01:20:47,000 --> 01:20:50,000
Speaker 1: Dam was an instant classic. Yes, the Recording Academy didn't

1921
01:20:50,040 --> 01:20:50,280
Speaker 1: I know.

1922
01:20:51,920 --> 01:20:55,960
Speaker 2: Privacy, Damn. I'm not mad at calling a classic. To me,

1923
01:20:56,040 --> 01:20:58,400
Speaker 2: it wasn't an instant classic. It took me a while.

1924
01:20:59,040 --> 01:21:00,519
Speaker 2: I love Dan when it first came out, but it

1925
01:21:00,600 --> 01:21:03,719
Speaker 2: did take me a while to even think about the classic.

1926
01:21:03,800 --> 01:21:05,920
Speaker 2: Shiit my bias. I know I'm a dick Rider.

1927
01:21:06,120 --> 01:21:07,760
Speaker 1: Four forty four to me was an instant class. It

1928
01:21:07,800 --> 01:21:08,759
Speaker 1: doesn't make you a direction.

1929
01:21:09,000 --> 01:21:11,280
Speaker 3: Anytime I listened to it a couple of days ago,

1930
01:21:11,320 --> 01:21:13,320
Speaker 3: I was just at my apartment, and to me, it's

1931
01:21:13,320 --> 01:21:16,200
Speaker 3: an instant class it's so quick and it's really good.

1932
01:21:16,240 --> 01:21:20,640
Speaker 1: Perfect, it gets it gets better, like you heah, Like

1933
01:21:20,720 --> 01:21:23,120
Speaker 1: I had listened to it maybe like half y after

1934
01:21:23,160 --> 01:21:25,719
Speaker 1: it came out, and I think I called my homeway

1935
01:21:25,720 --> 01:21:28,439
Speaker 1: and was like, y'all was wrong about this album popular

1936
01:21:28,920 --> 01:21:31,040
Speaker 1: This is a really good album. But that was a

1937
01:21:31,280 --> 01:21:32,120
Speaker 1: perfect Yeah.

1938
01:21:32,560 --> 01:21:34,720
Speaker 4: So you guys believe in instant classics. You believe that

1939
01:21:34,800 --> 01:21:36,640
Speaker 4: you can hear an album and know that this music is.

1940
01:21:36,760 --> 01:21:40,439
Speaker 1: It's just it's no See, it's tough for music because again,

1941
01:21:40,560 --> 01:21:43,560
Speaker 1: a lot of the times with music, it depends on

1942
01:21:44,160 --> 01:21:46,479
Speaker 1: where you're at in your life when you hear it,

1943
01:21:47,240 --> 01:21:49,559
Speaker 1: because music should serve as a time stamp in your life.

1944
01:21:49,600 --> 01:21:51,719
Speaker 1: Like there's certain albums that I hear and I remember

1945
01:21:51,800 --> 01:21:54,400
Speaker 1: exactly it came out, what I was doing, what was happening,

1946
01:21:54,600 --> 01:21:58,200
Speaker 1: who I was fucking with it like that. So it's

1947
01:21:58,520 --> 01:22:01,280
Speaker 1: it all depends, like you know, certain music just speaks

1948
01:22:01,320 --> 01:22:03,439
Speaker 1: to you differently at a certain times. So again, music

1949
01:22:03,520 --> 01:22:05,200
Speaker 1: is always going to be subjective to the person that's

1950
01:22:05,200 --> 01:22:09,040
Speaker 1: listening to it. But there are certain albums where I

1951
01:22:09,080 --> 01:22:10,240
Speaker 1: think you can say, as soon as you hear it,

1952
01:22:10,320 --> 01:22:12,840
Speaker 1: like this sounds really good, Like this is a really

1953
01:22:12,920 --> 01:22:15,640
Speaker 1: dope project. I think it becomes class I think I

1954
01:22:15,680 --> 01:22:17,719
Speaker 1: understand with Lowe was saying, because I think the classic

1955
01:22:17,880 --> 01:22:21,000
Speaker 1: terms comes when time has passed and you listen to

1956
01:22:21,040 --> 01:22:23,120
Speaker 1: it again and you like, this shit still sounds good,

1957
01:22:23,720 --> 01:22:26,720
Speaker 1: Like it doesn't sound dated, it doesn't sound old, it

1958
01:22:26,800 --> 01:22:30,759
Speaker 1: doesn't sound like, you know, like it's so far removed

1959
01:22:30,760 --> 01:22:33,479
Speaker 1: from what's happening right now, which is why albums like

1960
01:22:33,560 --> 01:22:35,360
Speaker 1: four point forty four. When I listened to it after

1961
01:22:35,479 --> 01:22:38,080
Speaker 1: a few months after it came out, I had to

1962
01:22:38,160 --> 01:22:43,880
Speaker 1: really stop because even even the songs like going from

1963
01:22:43,960 --> 01:22:46,280
Speaker 1: one kil JZ Story of OJ, like when you just

1964
01:22:46,360 --> 01:22:49,040
Speaker 1: let it play, it was almost like turning up.

1965
01:22:49,160 --> 01:22:51,000
Speaker 3: Page the only way listening to this album because it's

1966
01:22:51,040 --> 01:22:52,679
Speaker 3: so Short's thirty six minutes exactly.

1967
01:22:52,760 --> 01:22:54,720
Speaker 1: It's short, and it's just like damn, as soon as

1968
01:22:54,760 --> 01:22:57,559
Speaker 1: one song goes off, it goes right back into the next.

1969
01:22:57,600 --> 01:23:01,880
Speaker 1: One dope record, dope record, bars like hook is crazy.

1970
01:23:02,560 --> 01:23:04,000
Speaker 1: So it's just like, but when it came out, I

1971
01:23:04,080 --> 01:23:05,720
Speaker 1: just think at the time it was just such a

1972
01:23:05,880 --> 01:23:08,720
Speaker 1: different jay Z that Connor was like, it just took

1973
01:23:08,760 --> 01:23:11,679
Speaker 1: a little couple of months to really sit on the palate, like, Okay,

1974
01:23:11,720 --> 01:23:12,240
Speaker 1: this is dope.

1975
01:23:12,360 --> 01:23:15,360
Speaker 2: I'm trying to think of albums though that I thought

1976
01:23:15,400 --> 01:23:17,840
Speaker 2: were instant classics that weren't later on though, because I

1977
01:23:17,880 --> 01:23:19,839
Speaker 2: feel what Lo was saying, it can't be a classific

1978
01:23:20,000 --> 01:23:22,040
Speaker 2: if it takes some time. That that's what makes something

1979
01:23:22,120 --> 01:23:22,599
Speaker 2: a classic.

1980
01:23:22,680 --> 01:23:23,160
Speaker 4: I know, I can.

1981
01:23:23,200 --> 01:23:24,880
Speaker 1: I can think of a song that I could. I

1982
01:23:24,920 --> 01:23:26,280
Speaker 1: could name movies all day, and I thought it was

1983
01:23:26,320 --> 01:23:28,599
Speaker 1: an instat classic. Like I thought Belly was an instant classic.

1984
01:23:28,880 --> 01:23:31,280
Speaker 1: It is. No, it's not terrible.

1985
01:23:31,320 --> 01:23:32,640
Speaker 2: It's one of the best shot movies ever. It just

1986
01:23:32,680 --> 01:23:34,519
Speaker 2: has no storyline, so it's terrible.

1987
01:23:35,080 --> 01:23:36,240
Speaker 1: Don't tell me about the cinematagic.

1988
01:23:36,280 --> 01:23:37,840
Speaker 4: It could be great. It could be a great film

1989
01:23:37,880 --> 01:23:41,080
Speaker 4: and a bad movie. What does it mean the way

1990
01:23:41,160 --> 01:23:42,880
Speaker 4: that like he said, the way that it was shot

1991
01:23:43,320 --> 01:23:45,920
Speaker 4: was shot is very important.

1992
01:23:46,040 --> 01:23:52,080
Speaker 1: But this plot just sucks. It's a bad movie. Every

1993
01:23:52,120 --> 01:23:55,680
Speaker 1: yea classic. I thought Belly was a classic when that

1994
01:23:55,760 --> 01:23:57,760
Speaker 1: She came out. I looked at that ship a few

1995
01:23:57,800 --> 01:23:59,920
Speaker 1: years ago, I said, this is a bad fucking movie.

1996
01:24:00,320 --> 01:24:02,840
Speaker 1: I'm run into our classic scarface. I thought it was

1997
01:24:02,840 --> 01:24:06,080
Speaker 1: a classic horrible when I was a kid, I get

1998
01:24:06,439 --> 01:24:09,600
Speaker 1: but it was that. That's true. It was good for

1999
01:24:09,640 --> 01:24:10,519
Speaker 1: that time, Like Get Rich.

2000
01:24:10,560 --> 01:24:12,200
Speaker 2: I knew it was an instant classic as a fourteen

2001
01:24:12,280 --> 01:24:14,479
Speaker 2: year old, but it's never changed. Yeah, yeah, Get Rich

2002
01:24:14,640 --> 01:24:17,519
Speaker 2: Game Documentary. I still think it's a classic. I thought

2003
01:24:17,560 --> 01:24:20,680
Speaker 2: that was an instant blueprint. I thought, hold on, it

2004
01:24:20,760 --> 01:24:25,160
Speaker 2: was a weird day Give Rich trying classic. But even

2005
01:24:25,240 --> 01:24:27,080
Speaker 2: now to this day and when it first came out,

2006
01:24:27,120 --> 01:24:30,400
Speaker 2: I never liked that P I m P record. I

2007
01:24:30,439 --> 01:24:32,320
Speaker 2: think I wish they would have deleted that off that album.

2008
01:24:34,439 --> 01:24:36,400
Speaker 1: It was it was single chasing, but it worked.

2009
01:24:36,840 --> 01:24:39,640
Speaker 3: It was it breaks. It breaks the mold enough on

2010
01:24:39,760 --> 01:24:41,519
Speaker 3: that scope of that album that it's fun.

2011
01:24:41,680 --> 01:24:44,080
Speaker 1: If you were to show me too much, if you

2012
01:24:44,200 --> 01:24:47,400
Speaker 1: was to play that record and then not and then

2013
01:24:47,479 --> 01:24:49,840
Speaker 1: and then play the album and be like, you know

2014
01:24:49,920 --> 01:24:52,120
Speaker 1: the songs on that album, I'll be like, no fucking way.

2015
01:24:52,160 --> 01:24:54,600
Speaker 1: I agree with it. But where they placed it it

2016
01:24:54,760 --> 01:24:57,439
Speaker 1: somehow worked. I did not like that record.

2017
01:24:57,520 --> 01:25:01,439
Speaker 2: The video helped with the skin like they made P

2018
01:25:01,560 --> 01:25:03,320
Speaker 2: I m P work. I agree with you, it's a

2019
01:25:03,400 --> 01:25:04,800
Speaker 2: weird song, especially in the school.

2020
01:25:05,080 --> 01:25:06,160
Speaker 3: Also, since we're still back.

2021
01:25:06,080 --> 01:25:07,879
Speaker 4: Well, if that's the case, I feel that way about Wings.

2022
01:25:08,160 --> 01:25:10,960
Speaker 3: Wait since we're back on this album was like it

2023
01:25:11,120 --> 01:25:11,519
Speaker 3: was bonus.

2024
01:25:11,560 --> 01:25:13,840
Speaker 2: I don't even think it was on the album. It

2025
01:25:13,920 --> 01:25:15,160
Speaker 2: was so it was years before.

2026
01:25:15,640 --> 01:25:16,479
Speaker 1: Came out, years before that.

2027
01:25:16,760 --> 01:25:18,639
Speaker 3: Yeah, it was a bonus track while we're on this album.

2028
01:25:18,800 --> 01:25:21,960
Speaker 3: This lost to speaker Box Love below in the Grammys

2029
01:25:22,080 --> 01:25:25,800
Speaker 3: for the Best Album not College Dropout. College Dropper was

2030
01:25:25,840 --> 01:25:26,479
Speaker 3: the following year.

2031
01:25:26,840 --> 01:25:31,040
Speaker 1: Okay, quick, I mean well, speaker Box Love below was classic.

2032
01:25:31,400 --> 01:25:33,759
Speaker 2: Well, why while we're recording this? Fifty has a countdown

2033
01:25:33,800 --> 01:25:36,960
Speaker 2: right now on his Instagram for the twentieth anniversary of

2034
01:25:36,960 --> 01:25:38,840
Speaker 2: Get Richard. I try, and we have no idea what

2035
01:25:38,920 --> 01:25:42,200
Speaker 2: it is about the time you're hearing this, ghost.

2036
01:25:42,000 --> 01:25:42,559
Speaker 4: Doesn't come back?

2037
01:25:43,720 --> 01:25:45,639
Speaker 1: Go what which I mean? Ghost? What power?

2038
01:25:46,040 --> 01:25:46,880
Speaker 4: Don't come back and live?

2039
01:25:47,080 --> 01:25:49,440
Speaker 2: Wait, that's what's what he's doing for the twentieth anniversary.

2040
01:25:50,040 --> 01:25:52,280
Speaker 1: It goes back. Let me tell you his name is ghosts.

2041
01:25:52,560 --> 01:25:53,280
Speaker 2: His name is ghosts.

2042
01:25:53,400 --> 01:25:55,400
Speaker 1: No reason. Let me tell all something right now.

2043
01:25:55,840 --> 01:25:57,400
Speaker 2: Shakespeare, he's been ghost the whole time.

2044
01:25:57,600 --> 01:25:59,360
Speaker 1: He's gonna want to kill sixty does that? Because wh

2045
01:25:59,360 --> 01:26:01,280
Speaker 1: I'm gonna come over here to say about that? He

2046
01:26:01,439 --> 01:26:03,320
Speaker 1: bet not nigga, that.

2047
01:26:03,560 --> 01:26:05,840
Speaker 4: His ghost for a reason. You're not even putting the no.

2048
01:26:05,840 --> 01:26:07,479
Speaker 1: No, no, I don't got to do the thinking. There's

2049
01:26:07,800 --> 01:26:10,479
Speaker 1: that ship with nobody. Ain't trying to see that. Bro.

2050
01:26:10,680 --> 01:26:11,519
Speaker 1: His name is ghosts.

2051
01:26:11,600 --> 01:26:14,040
Speaker 2: That has nothing, that has nothing the sixth sense when

2052
01:26:14,080 --> 01:26:16,280
Speaker 2: they Bruce Willis was dead the whole time.

2053
01:26:16,640 --> 01:26:18,080
Speaker 1: That has nothing to do with get rich of dot

2054
01:26:18,120 --> 01:26:20,040
Speaker 1: trying is know what I'm saying, Yes, don't try to

2055
01:26:20,120 --> 01:26:21,560
Speaker 1: tie that. And we don't want to see that.

2056
01:26:21,760 --> 01:26:24,200
Speaker 2: He's wrapping from the perspective of Ghosts on this album.

2057
01:26:24,600 --> 01:26:25,800
Speaker 2: Way before Power even came.

2058
01:26:26,120 --> 01:26:26,360
Speaker 3: Damn.

2059
01:26:27,360 --> 01:26:30,720
Speaker 2: His first album was called Power of a Dollar. You

2060
01:26:30,720 --> 01:26:32,280
Speaker 2: didn't even know it didn't come out. He had he

2061
01:26:32,320 --> 01:26:32,960
Speaker 2: had to make change.

2062
01:26:33,000 --> 01:26:37,000
Speaker 1: You didn't even know you had to make change. He

2063
01:26:37,080 --> 01:26:39,120
Speaker 1: had to change in order for I'll get it all

2064
01:26:39,840 --> 01:26:41,360
Speaker 1: to cut that dollar and half. I get it, I

2065
01:26:41,439 --> 01:26:43,280
Speaker 1: get it, I get it.

2066
01:26:44,040 --> 01:26:46,840
Speaker 2: He had to make change. He went back to power.

2067
01:26:46,880 --> 01:26:48,400
Speaker 4: They should put Rory in the writer's room.

2068
01:26:51,439 --> 01:26:53,639
Speaker 3: Whatever they want, y'all gonna respect they want to pay.

2069
01:26:55,280 --> 01:26:57,720
Speaker 1: You sound like a discronal rapper, Yo, y'all gonna just

2070
01:26:57,880 --> 01:26:59,640
Speaker 1: y'all gotta respect my pen. One of these days, one

2071
01:26:59,640 --> 01:27:02,760
Speaker 1: of these, Billy mcfallan, do we say that Billy fallen

2072
01:27:03,000 --> 01:27:04,960
Speaker 1: and wants to fight Jo. I think you were behind this.

2073
01:27:05,120 --> 01:27:07,760
Speaker 1: I think you are the reason that Billy wants to

2074
01:27:07,800 --> 01:27:09,400
Speaker 1: fight Jo Roll. He says he wants to fight y

2075
01:27:09,560 --> 01:27:11,320
Speaker 1: Roll for three hundred and fifty thousand dollars to pay

2076
01:27:11,360 --> 01:27:14,479
Speaker 1: back the people of the Bahamas from the fire festival.

2077
01:27:14,560 --> 01:27:15,400
Speaker 1: I think they should do it.

2078
01:27:16,160 --> 01:27:18,200
Speaker 2: I mean, is this honorable Billy, even though he skated

2079
01:27:18,240 --> 01:27:20,120
Speaker 2: on all that money for so long. I mean, he's

2080
01:27:20,160 --> 01:27:21,760
Speaker 2: trying to come back as like the moral guy.

2081
01:27:22,840 --> 01:27:25,120
Speaker 1: I mean, you got to respect it. Listen, we always

2082
01:27:25,160 --> 01:27:27,360
Speaker 1: told about Billy just he had a great idea. Is

2083
01:27:27,439 --> 01:27:30,000
Speaker 1: just that the execution and the planet just fell on

2084
01:27:30,080 --> 01:27:31,880
Speaker 1: his face. I don't think that he meant to scan

2085
01:27:31,960 --> 01:27:33,880
Speaker 1: people out of money. I think that he came up

2086
01:27:33,920 --> 01:27:36,040
Speaker 1: with an idea to do something and just didn't cross

2087
01:27:36,080 --> 01:27:38,240
Speaker 1: all of his t's and all of his eyes. And

2088
01:27:38,320 --> 01:27:39,960
Speaker 1: I like the fact that now he's leaning into it,

2089
01:27:40,080 --> 01:27:42,639
Speaker 1: like yo, you know what to pay the people back

2090
01:27:42,880 --> 01:27:46,440
Speaker 1: to make things right. Me and Joshua Box.

2091
01:27:46,479 --> 01:27:48,320
Speaker 2: All right, Billy, I don't know what you were doing

2092
01:27:48,360 --> 01:27:48,800
Speaker 2: on the yard.

2093
01:27:49,840 --> 01:27:52,639
Speaker 1: I mean, I respect it. You did your time job,

2094
01:27:52,960 --> 01:27:58,720
Speaker 1: punched that face, and Billy will fucking destroy you. J'all

2095
01:27:58,760 --> 01:27:59,800
Speaker 1: gonna beat the shit out of Billy.

2096
01:28:00,000 --> 01:28:01,519
Speaker 2: I can say what you want about Jo ru I

2097
01:28:01,600 --> 01:28:03,680
Speaker 2: know he did the melodies. He was singing all that

2098
01:28:03,800 --> 01:28:04,280
Speaker 2: he saw.

2099
01:28:04,120 --> 01:28:07,760
Speaker 1: Off the Wolas classics Ja Rul which camera w in

2100
01:28:07,880 --> 01:28:09,320
Speaker 1: first one. Ja Rule can fight.

2101
01:28:09,640 --> 01:28:12,320
Speaker 2: I'm just letting y'all know that now Jah can fight

2102
01:28:12,479 --> 01:28:12,800
Speaker 2: for real.

2103
01:28:12,920 --> 01:28:15,280
Speaker 1: And if they don't think he can, let's let's find out.

2104
01:28:15,640 --> 01:28:17,439
Speaker 3: I'd love to find I don't think people know that

2105
01:28:17,560 --> 01:28:18,559
Speaker 3: Ja Ru can really fight.

2106
01:28:18,800 --> 01:28:20,840
Speaker 1: No, I mean well people don't. People are just not

2107
01:28:21,479 --> 01:28:23,640
Speaker 1: educating on certain things, which is fine. But take the

2108
01:28:23,640 --> 01:28:25,960
Speaker 1: three hundred and fifty thousand bill and showed them.

2109
01:28:25,880 --> 01:28:26,200
Speaker 3: That you can.

2110
01:28:26,320 --> 01:28:27,960
Speaker 2: It's gonna take more than three and fifty thousand.

2111
01:28:28,200 --> 01:28:30,360
Speaker 3: The funny thing about this is, no matter what say

2112
01:28:30,479 --> 01:28:32,759
Speaker 3: Billy went or whatever the money, there's no way Billy's

2113
01:28:32,800 --> 01:28:34,559
Speaker 3: giving that money back to the staff and the Bahamas.

2114
01:28:34,680 --> 01:28:37,479
Speaker 3: Of course, he'd put that into another scheme. That's not

2115
01:28:37,640 --> 01:28:38,000
Speaker 3: a dime.

2116
01:28:38,040 --> 01:28:40,920
Speaker 1: It's fun. That's gonna five festival too. Yeah, yeah, yeah,

2117
01:28:41,160 --> 01:28:43,280
Speaker 1: that's gonna cover the catering. Like, hey, look, we're not

2118
01:28:43,360 --> 01:28:46,000
Speaker 1: gonna give you this money. We're gonna hire you again,

2119
01:28:46,160 --> 01:28:48,559
Speaker 1: Hire you again. We're gonna hire you again to work

2120
01:28:48,640 --> 01:28:51,840
Speaker 1: the five festival two and this time we're gonna pay you.

2121
01:28:52,160 --> 01:28:54,080
Speaker 1: Oh my god, I love it though, listen, man, make

2122
01:28:54,120 --> 01:28:55,760
Speaker 1: it happen. Why not. It's all entertaining. At the end

2123
01:28:55,800 --> 01:28:57,400
Speaker 1: of the day, it's supposed to be a party of festival.

2124
01:28:58,120 --> 01:29:00,760
Speaker 1: Let them to fight in box at the festival and

2125
01:29:00,880 --> 01:29:01,839
Speaker 1: call it even Stevens.

2126
01:29:02,720 --> 01:29:04,800
Speaker 2: But I don't know if that's like, I don't feel

2127
01:29:04,800 --> 01:29:07,640
Speaker 2: like Joe went on some type of smear campaign to

2128
01:29:07,720 --> 01:29:10,600
Speaker 2: Billy when he was in jail, Like John took his

2129
01:29:10,880 --> 01:29:12,200
Speaker 2: his shit and kept quiet.

2130
01:29:12,360 --> 01:29:14,479
Speaker 1: Yeah, nah that I don't think like I said that.

2131
01:29:14,640 --> 01:29:16,639
Speaker 1: I think this is all entertainment. I don't think Billy

2132
01:29:16,720 --> 01:29:17,840
Speaker 1: mcfallan wants to fight.

2133
01:29:18,360 --> 01:29:20,599
Speaker 2: But we saw that one that one headline of him

2134
01:29:20,640 --> 01:29:23,320
Speaker 2: saying John would never be involved in Firefest, like why

2135
01:29:23,439 --> 01:29:26,559
Speaker 2: you were the problem in Firefest not Joy rule again.

2136
01:29:26,600 --> 01:29:28,519
Speaker 1: I think that that's just them talking shit. I told

2137
01:29:28,520 --> 01:29:30,120
Speaker 1: you I think Jo was going to be involved in

2138
01:29:30,320 --> 01:29:32,360
Speaker 1: the fire Festival too. I think that that's just them

2139
01:29:32,920 --> 01:29:35,000
Speaker 1: knowing that the Internet is going to eat up any

2140
01:29:35,040 --> 01:29:37,400
Speaker 1: type of alleged b for friction that they have. But

2141
01:29:37,479 --> 01:29:39,000
Speaker 1: I think that Joe rule. I think he'll beat there.

2142
01:29:39,040 --> 01:29:41,200
Speaker 1: I think he'll perform. I think that he'll be a

2143
01:29:41,240 --> 01:29:43,200
Speaker 1: part of it. Why not, it's just a festival. Everybody

2144
01:29:43,240 --> 01:29:44,200
Speaker 1: have a good time. Well.

2145
01:29:44,240 --> 01:29:47,759
Speaker 2: In other news of every thug needing a lady, Smokey

2146
01:29:47,840 --> 01:29:50,760
Speaker 2: Robinson revealed he had a year long affair with Dana Ross.

2147
01:29:50,920 --> 01:29:53,840
Speaker 1: Smokey, listen, we love you, man, and you're a legend.

2148
01:29:53,880 --> 01:29:55,680
Speaker 1: You're one of the greatest songwriters ever, one of the

2149
01:29:55,720 --> 01:29:59,599
Speaker 1: greatest producers ever in our culture. We didn't need this information.

2150
01:30:00,320 --> 01:30:03,920
Speaker 1: But you're eighty three years old, you know, Queen Diana Ross.

2151
01:30:04,200 --> 01:30:06,240
Speaker 1: I mean, you know, she probably didn't want people knowing that.

2152
01:30:06,520 --> 01:30:08,360
Speaker 1: I'm sure people around y'all knew that for years. It

2153
01:30:08,439 --> 01:30:10,320
Speaker 1: wasn't a secret to them, and it should have stayed

2154
01:30:10,320 --> 01:30:12,160
Speaker 1: that way. I don't think I should ever have ever

2155
01:30:12,280 --> 01:30:16,680
Speaker 1: known that our legends, Smokey Robinson and Diana Ross had

2156
01:30:16,720 --> 01:30:18,000
Speaker 1: an affair. I don't know, man, the.

2157
01:30:18,000 --> 01:30:22,160
Speaker 2: Way the way Quincy was giving it up, I feel

2158
01:30:22,200 --> 01:30:25,400
Speaker 2: like everyone in Motown was just all fucking each other. Men. Women, Oh,

2159
01:30:25,439 --> 01:30:28,479
Speaker 2: for sure different. Like this wasn't shocking to me that

2160
01:30:28,640 --> 01:30:30,080
Speaker 2: Smoking Robinson fu Dross.

2161
01:30:30,120 --> 01:30:32,439
Speaker 1: It's not shocking. I'm just saying we didn't. We just

2162
01:30:32,479 --> 01:30:34,519
Speaker 1: didn't need that. We didn't We didn't need Smoky to

2163
01:30:34,560 --> 01:30:36,320
Speaker 1: say that, Like, you're eighty three smoke. We don't need

2164
01:30:36,360 --> 01:30:37,960
Speaker 1: that information. What were we gonna do with that information?

2165
01:30:38,520 --> 01:30:40,080
Speaker 2: Big Q opened the gates?

2166
01:30:40,400 --> 01:30:42,360
Speaker 4: How long after you beat? Can you stop telling people

2167
01:30:42,400 --> 01:30:42,840
Speaker 4: that you beat?

2168
01:30:42,920 --> 01:30:44,360
Speaker 1: If you eighty three, don't tell me about who you

2169
01:30:44,400 --> 01:30:46,439
Speaker 1: were smashing when he was twenty two? What if he's like,

2170
01:30:47,240 --> 01:30:48,679
Speaker 1: what if you recently?

2171
01:30:48,800 --> 01:30:48,960
Speaker 3: Nah?

2172
01:30:49,560 --> 01:30:52,360
Speaker 1: Wait, definitely don't tell me about what if he was

2173
01:30:52,360 --> 01:30:54,360
Speaker 1: talking about a current affair. Yeah, no, I'm cool. I

2174
01:30:54,360 --> 01:30:55,639
Speaker 1: don't want to How long?

2175
01:30:56,760 --> 01:30:57,080
Speaker 4: How long?

2176
01:30:57,640 --> 01:30:59,559
Speaker 1: I mean, I think that if you're both in your

2177
01:30:59,640 --> 01:31:03,240
Speaker 1: eighty I think you want you part of my collection.

2178
01:31:03,360 --> 01:31:07,439
Speaker 1: I think the people that really like loved first of all, look.

2179
01:31:07,320 --> 01:31:08,000
Speaker 2: At Julian point.

2180
01:31:08,080 --> 01:31:10,439
Speaker 1: Yeah, he has a point. I think if you're eighty,

2181
01:31:10,560 --> 01:31:12,800
Speaker 1: if you're eighty three, first of all, most of the

2182
01:31:12,840 --> 01:31:15,640
Speaker 1: people that were like around job acted no longer with us, no.

2183
01:31:15,720 --> 01:31:16,280
Speaker 3: Longer with us.

2184
01:31:17,439 --> 01:31:21,599
Speaker 1: But granted, I know about smoking smoky, but I don't

2185
01:31:21,640 --> 01:31:23,920
Speaker 1: think we care about this. We just didn't need that information. Smoke.

2186
01:31:23,920 --> 01:31:25,640
Speaker 1: You gotta you gotta come sometimes you just got to

2187
01:31:25,680 --> 01:31:27,880
Speaker 1: keep certain ship. Just keep that in motown.

2188
01:31:28,560 --> 01:31:31,880
Speaker 2: I mean, you can't hear what you never reveal, Like,

2189
01:31:31,960 --> 01:31:34,439
Speaker 2: what if he's trying to just get that off?

2190
01:31:34,600 --> 01:31:36,479
Speaker 1: If Smoky's eighty three. It's other things that he needs

2191
01:31:36,520 --> 01:31:37,360
Speaker 1: to worry about healing, right.

2192
01:31:37,400 --> 01:31:39,360
Speaker 2: Yeah, but what if that Dianashan has just been eating

2193
01:31:39,360 --> 01:31:41,439
Speaker 2: away at it at eighty three?

2194
01:31:41,720 --> 01:31:44,519
Speaker 1: Yeah, let it continue to eat man, we don't need it.

2195
01:31:44,600 --> 01:31:46,800
Speaker 1: It's just Smokey was just trying to tell us that

2196
01:31:46,840 --> 01:31:49,320
Speaker 1: he think niggas that drink wine was doing crime. What

2197
01:31:50,160 --> 01:31:54,920
Speaker 1: you remember that you're smoking weed drinking wine doing crime, Smoky,

2198
01:31:55,000 --> 01:31:58,720
Speaker 1: Niggas that's drinking wine ain't committing no crimes. First of all,

2199
01:31:58,760 --> 01:32:01,679
Speaker 1: bos Farm is considered one. Nah, how do you even

2200
01:32:01,720 --> 01:32:04,080
Speaker 1: know what you drink that? When I was a kid.

2201
01:32:04,160 --> 01:32:05,519
Speaker 3: Yeah, oh did you.

2202
01:32:05,600 --> 01:32:08,559
Speaker 1: Drink Boones No, you're better than me, but you drink.

2203
01:32:09,880 --> 01:32:14,599
Speaker 4: Drink them arms black and mouth smoking like Rory was, oh.

2204
01:32:14,520 --> 01:32:17,240
Speaker 2: Yo, like trailer trash for real, that's not trailer trash,

2205
01:32:17,280 --> 01:32:18,360
Speaker 2: that's not that's corner store.

2206
01:32:18,720 --> 01:32:20,360
Speaker 4: Yeah yeah, that's like the dirty hood.

2207
01:32:20,640 --> 01:32:23,200
Speaker 2: Trailer park was like there was no trailer parking site.

2208
01:32:23,320 --> 01:32:27,600
Speaker 1: Corner stores like the delicates for trailer. Yeah, that's like

2209
01:32:27,840 --> 01:32:31,320
Speaker 1: the area. Yeah is like the is like the trailer park.

2210
01:32:31,560 --> 01:32:33,880
Speaker 2: Y'all didn't drink boons Farm when you were no baby,

2211
01:32:33,960 --> 01:32:35,240
Speaker 2: I was a four local kid.

2212
01:32:35,360 --> 01:32:38,120
Speaker 1: Sam I was twenty one one. It was a full

2213
01:32:38,200 --> 01:32:38,639
Speaker 1: local kid.

2214
01:32:38,680 --> 01:32:40,240
Speaker 4: Yeah. I used to drink four local back before they

2215
01:32:40,280 --> 01:32:40,960
Speaker 4: took the crack out.

2216
01:32:41,840 --> 01:32:45,000
Speaker 1: What I'm saying we all explained so much the marriage.

2217
01:32:45,040 --> 01:32:46,040
Speaker 4: What the fuck was you drink?

2218
01:32:46,080 --> 01:32:48,400
Speaker 2: We used to shock on those I was drinking wild

2219
01:32:48,439 --> 01:32:50,559
Speaker 2: Irish Road was shot twenty twenty.

2220
01:32:50,840 --> 01:32:56,560
Speaker 4: Yeah, this is what we did, shotgum for locals that

2221
01:32:56,640 --> 01:32:57,160
Speaker 4: when happened.

2222
01:32:57,240 --> 01:32:59,640
Speaker 1: I was drinking Burnett's Burnett's grape with grapes so.

2223
01:33:00,040 --> 01:33:01,880
Speaker 3: And that's just disgusting.

2224
01:33:02,080 --> 01:33:05,120
Speaker 4: I snuck my grandmother's ian j into a high school for.

2225
01:33:05,560 --> 01:33:10,719
Speaker 2: Evil Jesus, Evil Jesus, it's my guy, Evil Jesus.

2226
01:33:12,400 --> 01:33:14,040
Speaker 1: I can't believe y'all think y'all better than me. Not

2227
01:33:14,120 --> 01:33:14,760
Speaker 1: drinking booms for.

2228
01:33:16,000 --> 01:33:17,960
Speaker 4: I do, And I think I'm better than people who

2229
01:33:18,080 --> 01:33:21,479
Speaker 4: drink tailor port too. If you drink tailor port, this

2230
01:33:21,640 --> 01:33:24,160
Speaker 4: goes to you. Yes, How do we get on that topic?

2231
01:33:24,880 --> 01:33:27,280
Speaker 1: Smokey Robinson what he does?

2232
01:33:27,960 --> 01:33:29,880
Speaker 3: Doesn't he just want to add his legacy, Like at

2233
01:33:29,920 --> 01:33:32,040
Speaker 3: this point, he's just like getting some ship off, Like yeah,

2234
01:33:32,080 --> 01:33:32,280
Speaker 3: by the.

2235
01:33:32,280 --> 01:33:33,920
Speaker 1: Way, but you don't need to get off women that

2236
01:33:34,000 --> 01:33:37,479
Speaker 1: you slept with that. I mean, I'm not, especially when

2237
01:33:37,520 --> 01:33:41,760
Speaker 1: it's the legendary Diana Ross, Like, come on, we didn't

2238
01:33:41,800 --> 01:33:42,040
Speaker 1: need that.

2239
01:33:42,720 --> 01:33:44,200
Speaker 2: What if Smokey feels like he's the prize?

2240
01:33:45,120 --> 01:33:47,719
Speaker 1: I mean smoking Listen, Smokey was a major, major figure

2241
01:33:47,720 --> 01:33:50,320
Speaker 1: in Motown. Like, I'm not she should feel like a prize.

2242
01:33:50,400 --> 01:33:53,200
Speaker 1: But I just think that is just at eighty three,

2243
01:33:53,360 --> 01:33:54,680
Speaker 1: so many years of past, we didn't need that.

2244
01:33:55,040 --> 01:33:57,080
Speaker 2: What was the context, of course, I only read the headline.

2245
01:33:57,080 --> 01:33:59,479
Speaker 2: I'm sorry I didn't do my due diligence on this article.

2246
01:33:59,600 --> 01:34:01,000
Speaker 2: Did he just fly out in an interview like.

2247
01:34:01,040 --> 01:34:02,680
Speaker 1: Yo, yeah, I beat, I beat. That's it.

2248
01:34:03,280 --> 01:34:05,200
Speaker 4: I mean, you just nobody asked him.

2249
01:34:05,040 --> 01:34:05,599
Speaker 1: At eighty three.

2250
01:34:05,640 --> 01:34:08,200
Speaker 2: I still feel sexual. He's talk about currently fucking yeah yeah.

2251
01:34:08,280 --> 01:34:10,560
Speaker 1: Se if you don't remember the album to drop, no,

2252
01:34:10,640 --> 01:34:13,040
Speaker 1: I just remember. I just remember him trying to tell

2253
01:34:13,120 --> 01:34:15,679
Speaker 1: us that that drinking wine was going to make people

2254
01:34:15,720 --> 01:34:16,800
Speaker 1: do crime. Oh.

2255
01:34:16,880 --> 01:34:19,639
Speaker 4: He responded to rumors that he and fellow Motown icon

2256
01:34:19,720 --> 01:34:22,960
Speaker 4: Diana Ross are the real parents of Michael Jackson.

2257
01:34:23,160 --> 01:34:26,600
Speaker 2: Oh, I heard I heard that too, Not Blanket the

2258
01:34:26,640 --> 01:34:26,960
Speaker 2: other one.

2259
01:34:27,479 --> 01:34:28,120
Speaker 1: Not Blanket.

2260
01:34:29,200 --> 01:34:30,599
Speaker 2: But listen, I mean he was saying I was married

2261
01:34:30,640 --> 01:34:32,439
Speaker 2: at the time we were working together. It just happened,

2262
01:34:32,479 --> 01:34:33,200
Speaker 2: but it was beautiful.

2263
01:34:33,320 --> 01:34:36,120
Speaker 4: No, they're saying that they're the parents of Michael Jackson.

2264
01:34:36,560 --> 01:34:38,960
Speaker 4: Oh not his kids of actual Michael.

2265
01:34:39,000 --> 01:34:41,200
Speaker 2: Well, there's some other rumor of one of Michael's kids

2266
01:34:41,240 --> 01:34:43,320
Speaker 2: is real parents is people?

2267
01:34:43,600 --> 01:34:45,920
Speaker 1: Smoky Smokey was speaking to the fact that people that

2268
01:34:46,040 --> 01:34:48,000
Speaker 1: was a rumor back in the day that people were

2269
01:34:48,000 --> 01:34:49,800
Speaker 1: trying to say that he was Michael stupid.

2270
01:34:50,160 --> 01:34:52,240
Speaker 3: But knowing his album is called Gasms, does it not

2271
01:34:52,320 --> 01:34:54,520
Speaker 3: make sense for him to share sexual export.

2272
01:34:54,400 --> 01:34:58,320
Speaker 1: Marny, you can't, Julian, Yes, you can share sexual exploits.

2273
01:34:58,360 --> 01:35:00,920
Speaker 1: I'm just saying when it's somebody like Diana Ross.

2274
01:35:01,040 --> 01:35:04,360
Speaker 3: So it's just about the women that he That's.

2275
01:35:03,920 --> 01:35:05,720
Speaker 1: Why we're even talking about this. We're not talking about

2276
01:35:05,720 --> 01:35:07,680
Speaker 1: a random woman that he met in fucking Detroit on

2277
01:35:07,720 --> 01:35:10,879
Speaker 1: the cold night in the winter of sixty nine. Very specific.

2278
01:35:10,920 --> 01:35:13,080
Speaker 2: That's actually exactly what he's saying here. I'm talking about

2279
01:35:13,320 --> 01:35:15,600
Speaker 2: she was trying to get her career together. I was

2280
01:35:15,640 --> 01:35:17,439
Speaker 2: trying to help her. I brought her to Motown. In fact,

2281
01:35:17,880 --> 01:35:19,479
Speaker 2: I wasn't going after her, she wasn't going after me.

2282
01:35:19,600 --> 01:35:20,120
Speaker 3: It just happened.

2283
01:35:21,240 --> 01:35:23,120
Speaker 2: You know. Sometimes, you know, sometimes.

2284
01:35:23,160 --> 01:35:25,559
Speaker 4: If you beat more than two years ago. Don't bring

2285
01:35:25,720 --> 01:35:29,600
Speaker 4: my fucking name. Two years don't bring my I'm not

2286
01:35:29,680 --> 01:35:30,479
Speaker 4: even the same person.

2287
01:35:31,960 --> 01:35:34,120
Speaker 1: But that's why I though, because y'all, girl, women do

2288
01:35:34,200 --> 01:35:36,120
Speaker 1: that ship all the time. Big facts. Y'all fuck the

2289
01:35:36,200 --> 01:35:38,800
Speaker 1: dude back then, and I didn't bro. I didn't say

2290
01:35:38,880 --> 01:35:41,639
Speaker 1: this is women or said when you don't talk? He said,

2291
01:35:41,880 --> 01:35:42,240
Speaker 1: how do you.

2292
01:35:43,720 --> 01:35:45,600
Speaker 4: But women do that though, Okay, I'm sure they do.

2293
01:35:45,720 --> 01:35:50,439
Speaker 4: It's corny when they do it too, Okays two years ago.

2294
01:35:50,600 --> 01:35:52,640
Speaker 4: Don't go around telling people you don't even know me

2295
01:35:52,680 --> 01:35:55,360
Speaker 4: any I don't even own them pennies anymore.

2296
01:35:55,720 --> 01:35:57,560
Speaker 1: But he sucked you, you had them off. Isn't that

2297
01:35:57,640 --> 01:35:58,800
Speaker 1: the point you left him at his.

2298
01:36:00,320 --> 01:36:01,200
Speaker 2: He owns the panties.

2299
01:36:02,000 --> 01:36:05,600
Speaker 4: Just don't do it, y'all bring up, Just shut the up.

2300
01:36:05,920 --> 01:36:08,439
Speaker 1: I think it's going And and I'm on the side

2301
01:36:08,479 --> 01:36:12,599
Speaker 1: of don't ask me if I smashed to either. Yeah, yeah,

2302
01:36:12,640 --> 01:36:13,000
Speaker 1: that's weird.

2303
01:36:13,160 --> 01:36:14,880
Speaker 4: Don't make me lie, yeah.

2304
01:36:14,720 --> 01:36:17,439
Speaker 1: Because dudes do that hot like you hit that. I'm like, okay,

2305
01:36:17,600 --> 01:36:19,800
Speaker 1: but then I even ask you, I'm gonna lie.

2306
01:36:20,160 --> 01:36:22,320
Speaker 3: Do you owe your friend? Say your friend wants to

2307
01:36:22,360 --> 01:36:25,360
Speaker 3: pursue someone and you hooked up with her years ago?

2308
01:36:25,520 --> 01:36:28,920
Speaker 1: That's No, that's different. Somebody the homies is just asking.

2309
01:36:28,760 --> 01:36:30,680
Speaker 3: Like, Yo, you ever hit that I won't ask me

2310
01:36:30,760 --> 01:36:32,640
Speaker 3: that you would lie and just say no.

2311
01:36:32,920 --> 01:36:34,920
Speaker 1: I wouldn't. I just say, don't ask me that. That's

2312
01:36:34,960 --> 01:36:38,640
Speaker 1: a yes, that's a yes. No you would say if

2313
01:36:38,680 --> 01:36:41,720
Speaker 1: you didn't know, I wouldn't. It's no, it's girls. It's

2314
01:36:41,760 --> 01:36:43,840
Speaker 1: people thinks that I've had sexual certain girls and I've

2315
01:36:43,840 --> 01:36:46,960
Speaker 1: never answered it and I haven't. Why are you asking

2316
01:36:46,960 --> 01:36:48,560
Speaker 1: me that? No, It's like why you ask me that.

2317
01:36:48,800 --> 01:36:50,519
Speaker 1: I don't ask nobody who they have six but you.

2318
01:36:50,600 --> 01:36:52,560
Speaker 3: Pushing back on the question, it makes us believe that

2319
01:36:52,600 --> 01:36:52,880
Speaker 3: you did.

2320
01:36:53,320 --> 01:36:55,280
Speaker 1: That's that's that speaks to your brain.

2321
01:36:55,520 --> 01:36:57,639
Speaker 3: That's literally everyone in the room just said yes when

2322
01:36:57,680 --> 01:36:58,040
Speaker 3: you said that.

2323
01:36:58,320 --> 01:37:00,120
Speaker 1: Yeah. But that speaks to the brain of today, like

2324
01:37:00,400 --> 01:37:02,240
Speaker 1: like we know that if you're trying to be private

2325
01:37:02,280 --> 01:37:05,640
Speaker 1: in today's world, that's look at it's being weird, Like

2326
01:37:05,680 --> 01:37:07,760
Speaker 1: why are you being weird? No, nigga, serch. Some shit

2327
01:37:07,880 --> 01:37:08,320
Speaker 1: is just private.

2328
01:37:08,360 --> 01:37:09,920
Speaker 2: But it's not privacy to say if I did not

2329
01:37:10,040 --> 01:37:11,400
Speaker 2: have sex with someone who asked me if I had

2330
01:37:11,439 --> 01:37:12,720
Speaker 2: sex with him, and I say no, that's not a

2331
01:37:12,760 --> 01:37:13,320
Speaker 2: privacy thing.

2332
01:37:13,360 --> 01:37:15,760
Speaker 1: I just didn't know. But why you ask me that

2333
01:37:16,880 --> 01:37:19,160
Speaker 1: you you could follow? You can say no, why did

2334
01:37:19,200 --> 01:37:20,720
Speaker 1: you ask me that? No, I'm just saying why you

2335
01:37:20,800 --> 01:37:21,719
Speaker 1: asked me that period?

2336
01:37:21,840 --> 01:37:23,640
Speaker 2: Because I want to pursue and I want to make

2337
01:37:23,640 --> 01:37:24,840
Speaker 2: sure mal didn't find Oh no.

2338
01:37:24,880 --> 01:37:27,120
Speaker 1: That's that's different. Like I said, one of my friends

2339
01:37:27,240 --> 01:37:28,519
Speaker 1: is asking about the girl, like, yo, you know this

2340
01:37:28,640 --> 01:37:30,920
Speaker 1: good and and we had something. Of course I would

2341
01:37:31,240 --> 01:37:33,320
Speaker 1: expose anything. That's what we're getting, just to let you know. No,

2342
01:37:33,360 --> 01:37:35,840
Speaker 1: I'm talking about sometimes people will act shit and they

2343
01:37:35,880 --> 01:37:37,680
Speaker 1: don't even know the girl. They don't even have no

2344
01:37:37,880 --> 01:37:40,880
Speaker 1: contact with her, no way, Like they just want to know, like, yo,

2345
01:37:41,040 --> 01:37:43,200
Speaker 1: you ever smack, Like why you ask me that?

2346
01:37:43,680 --> 01:37:45,120
Speaker 4: I used to do that and then I learned that.

2347
01:37:45,160 --> 01:37:46,920
Speaker 4: I wouldn't want nobody asking that about me.

2348
01:37:47,479 --> 01:37:49,160
Speaker 1: I just think it's weird to just want to know

2349
01:37:49,360 --> 01:37:52,719
Speaker 1: what people are doing with and who they're doing with sexually.

2350
01:37:53,280 --> 01:37:56,640
Speaker 1: That's all. I think. That's weird, fair enough, Smoky specifically,

2351
01:37:57,520 --> 01:38:00,720
Speaker 1: that's very eighty three years old. Bosing that type of

2352
01:38:00,720 --> 01:38:03,040
Speaker 1: ship is very weird. But I guess you got an

2353
01:38:03,240 --> 01:38:04,280
Speaker 1: album to push well.

2354
01:38:04,320 --> 01:38:07,040
Speaker 2: Speaking of Eskimo Brothers, Kevin durant Ink's a lifetime deal

2355
01:38:07,120 --> 01:38:07,559
Speaker 2: with Nike.

2356
01:38:07,600 --> 01:38:14,800
Speaker 1: I'm smoking these transitions everything I think. So you think

2357
01:38:14,880 --> 01:38:17,720
Speaker 1: so you know, you know, you sound like you know

2358
01:38:17,920 --> 01:38:21,120
Speaker 1: that's why you don't wear Nikes. Kt signed a lifetime

2359
01:38:21,200 --> 01:38:24,720
Speaker 1: deal with Nike. Katie, No, but you don't wear Nikes though. No,

2360
01:38:24,800 --> 01:38:27,720
Speaker 1: I don't wear that girl, No, no, no. All you

2361
01:38:27,840 --> 01:38:29,559
Speaker 1: have in your closet is the Didas and New Balance.

2362
01:38:29,640 --> 01:38:29,880
Speaker 2: That's it.

2363
01:38:30,439 --> 01:38:32,080
Speaker 1: That's been my wave though. But I love them ever

2364
01:38:32,160 --> 01:38:34,479
Speaker 1: since Katie got the Nike. That's that's your wait. No,

2365
01:38:34,560 --> 01:38:37,320
Speaker 1: I beat second. Shout out to KD Man signing a

2366
01:38:37,400 --> 01:38:42,200
Speaker 1: lifetime deal with Nike. I think that's amazing. Continue as

2367
01:38:42,240 --> 01:38:43,800
Speaker 1: partnership with them. They've been doing some great ship in

2368
01:38:43,800 --> 01:38:46,479
Speaker 1: the community, refurbished a lot of basketball courts, a lot

2369
01:38:46,520 --> 01:38:50,360
Speaker 1: of community centers and things like that. Yeah. Yeah, shout

2370
01:38:50,400 --> 01:38:52,120
Speaker 1: out to KD Man. This is this is big. Anytime

2371
01:38:52,120 --> 01:38:53,920
Speaker 1: you from, you know, the inner city, like most of

2372
01:38:54,000 --> 01:38:57,120
Speaker 1: these athletes are, you grow you grow up just hoping

2373
01:38:57,200 --> 01:38:59,680
Speaker 1: to have your own shoe at some point. And uh,

2374
01:38:59,800 --> 01:39:02,240
Speaker 1: you know the fact that he has now now has

2375
01:39:02,320 --> 01:39:07,200
Speaker 1: a lifetime, lifetime deal with the giant company as Nike,

2376
01:39:07,520 --> 01:39:11,360
Speaker 1: is an amazing accomplishment for an amazing athlete. One of

2377
01:39:11,360 --> 01:39:13,280
Speaker 1: the best athletes, one of the best basketball players we've

2378
01:39:13,280 --> 01:39:13,720
Speaker 1: ever seen.

2379
01:39:13,840 --> 01:39:15,679
Speaker 2: You made me take him out of my top five

2380
01:39:15,880 --> 01:39:16,519
Speaker 2: last episode.

2381
01:39:16,520 --> 01:39:20,160
Speaker 1: But it's cool. Did I You made me replace.

2382
01:39:21,479 --> 01:39:22,960
Speaker 2: Kevin Durant with Tim Duncan.

2383
01:39:23,720 --> 01:39:28,439
Speaker 1: Tyn, What is wrong with you? I mean, yeah, that's right.

2384
01:39:29,080 --> 01:39:29,680
Speaker 1: I think that's right.

2385
01:39:29,880 --> 01:39:32,080
Speaker 2: One of the best basketball players I've ever seen. How

2386
01:39:32,120 --> 01:39:34,760
Speaker 2: can I not have Kevin Durant that top five to watch?

2387
01:39:35,160 --> 01:39:37,719
Speaker 1: But to have Kevin Durant and not Tim Duncan is crazy.

2388
01:39:38,840 --> 01:39:41,240
Speaker 1: I think I think Katie. I think Katie would agree

2389
01:39:41,280 --> 01:39:45,960
Speaker 1: with that. Like Tim Duncan, Tim Duncan do, y'all know

2390
01:39:46,000 --> 01:39:48,720
Speaker 1: what Tim. Y'all could just pull up Tim Duncan's rookie yet,

2391
01:39:48,880 --> 01:39:50,639
Speaker 1: just pull up his accolades his first year in the NBA.

2392
01:39:51,160 --> 01:39:52,080
Speaker 1: It looks like CARDI it.

2393
01:39:52,120 --> 01:39:54,760
Speaker 2: Wasn't lights out from three though, so you know lights out.

2394
01:39:55,600 --> 01:39:59,240
Speaker 1: Don't haven't tell me somebody's lights lights out. I don't

2395
01:39:59,240 --> 01:40:01,479
Speaker 1: know about lights the lights are still on. Well, yeah.

2396
01:40:01,479 --> 01:40:04,679
Speaker 2: Shout out to Rich Kevin. I think that's an incredible deal.

2397
01:40:05,080 --> 01:40:07,280
Speaker 1: Super dope deal. Shout out to the entire team over there,

2398
01:40:07,360 --> 01:40:11,840
Speaker 1: man Knicks. Best team in the NBA, clearly, the Knicks

2399
01:40:11,920 --> 01:40:14,519
Speaker 1: tied up the series one one. Yeah, you Nick just

2400
01:40:14,560 --> 01:40:18,559
Speaker 1: clapping down, But you gotta go to South Beach. It's

2401
01:40:18,600 --> 01:40:21,040
Speaker 1: gonna get real different down there once. Once Jimmy Butler

2402
01:40:21,120 --> 01:40:23,320
Speaker 1: gets back, he used to the cold Weather, we'll be

2403
01:40:23,360 --> 01:40:25,280
Speaker 1: foind out there. Listen, man, I'm happy for the Knicks.

2404
01:40:25,360 --> 01:40:25,479
Speaker 3: Uh.

2405
01:40:26,520 --> 01:40:28,479
Speaker 1: I'm happy for the Knicks just being in the second round.

2406
01:40:28,600 --> 01:40:31,000
Speaker 1: I gotta win. Last night at the Garden, shaky win,

2407
01:40:31,280 --> 01:40:33,880
Speaker 1: tied shaky. Three more shaky wins, and then in the

2408
01:40:33,880 --> 01:40:36,960
Speaker 1: Eastern Conference Finals. Fuck it. So shout out to the Knicks.

2409
01:40:37,120 --> 01:40:39,120
Speaker 1: Shout out to Julius coming back from the injury looking

2410
01:40:39,160 --> 01:40:41,760
Speaker 1: real good last night. Shout out to Jaylen Brunch and

2411
01:40:41,800 --> 01:40:43,320
Speaker 1: I just said he had to just be mores in

2412
01:40:43,360 --> 01:40:43,960
Speaker 1: the fourth quarter.

2413
01:40:44,200 --> 01:40:47,519
Speaker 2: I would just love like a rebound, a rebound, just

2414
01:40:47,720 --> 01:40:50,559
Speaker 2: just like a rebound from who the team from the Knicks.

2415
01:40:50,960 --> 01:40:53,479
Speaker 1: I mean they had it, no, no, no, no, yeah

2416
01:40:53,640 --> 01:40:55,799
Speaker 1: yeah last night I mean key rebound.

2417
01:40:56,560 --> 01:40:59,559
Speaker 2: Yeah, catching four Knicks in the paint won Miami heat.

2418
01:41:00,840 --> 01:41:04,120
Speaker 1: An offensive was slapping them. Yes, I get it, but

2419
01:41:04,200 --> 01:41:05,960
Speaker 1: I mean, fuck it. They got the win. Shout out

2420
01:41:06,000 --> 01:41:06,599
Speaker 1: to the Nick It's.

2421
01:41:06,520 --> 01:41:08,439
Speaker 3: Crazy as we rebounded them fifty to thirty.

2422
01:41:08,479 --> 01:41:09,760
Speaker 2: Four didn't didn't appear that.

2423
01:41:09,880 --> 01:41:11,880
Speaker 3: I feel like that a little bit.

2424
01:41:11,880 --> 01:41:13,360
Speaker 1: That's because you know, you know what it is. Nick

2425
01:41:13,439 --> 01:41:17,240
Speaker 1: fans know that we need every possession because this ship

2426
01:41:17,280 --> 01:41:17,760
Speaker 1: to get ugly.

2427
01:41:17,800 --> 01:41:19,520
Speaker 2: If they missed a shot, please.

2428
01:41:19,280 --> 01:41:21,760
Speaker 1: We got to capitalize. Yeah, So shout out to the Knicks.

2429
01:41:21,800 --> 01:41:24,519
Speaker 2: Tied it up, Josh hard best. I mean, to me,

2430
01:41:25,120 --> 01:41:27,120
Speaker 2: top five player. I might take Tim Duncan and kd

2431
01:41:27,280 --> 01:41:28,160
Speaker 2: out at this heart.

2432
01:41:28,960 --> 01:41:31,200
Speaker 1: I feel you, I feel you. I like the fact

2433
01:41:31,200 --> 01:41:33,120
Speaker 1: that Mellow was at the game supporting the Knicks last year.

2434
01:41:33,680 --> 01:41:35,559
Speaker 2: Shout out and saw Wade trying to give the heat

2435
01:41:35,560 --> 01:41:36,400
Speaker 2: love and couldn't.

2436
01:41:36,120 --> 01:41:36,479
Speaker 1: Let that happen.

2437
01:41:36,600 --> 01:41:38,559
Speaker 3: Can Yeah, yeah he did that. Yeah at the garden.

2438
01:41:38,640 --> 01:41:40,840
Speaker 1: You couldn't let that happen. Shout out the Mellow. Shout

2439
01:41:40,880 --> 01:41:44,320
Speaker 1: out to the Lakers. They won Game one of their

2440
01:41:44,360 --> 01:41:47,960
Speaker 1: series against the Warriors last night. That was a great game.

2441
01:41:48,400 --> 01:41:50,320
Speaker 1: I thought the Warriors gonna get blown out down in

2442
01:41:50,400 --> 01:41:51,639
Speaker 1: the fourth quarter. They came back.

2443
01:41:51,760 --> 01:41:53,559
Speaker 2: I think a d will ever play like that again.

2444
01:41:54,080 --> 01:41:56,320
Speaker 1: Jordan pull Listen to everybody, keep asking me, if you're

2445
01:41:56,320 --> 01:41:57,600
Speaker 1: a Laker fan, how can we not talking about them.

2446
01:41:57,600 --> 01:41:59,760
Speaker 1: I'm gonna keep it real with you. I'm scared. Uh,

2447
01:42:00,400 --> 01:42:03,080
Speaker 1: I don't believe in Anthony Davis. I'm just trying to

2448
01:42:03,120 --> 01:42:04,920
Speaker 1: just shut the fuck up and enjoy every game and

2449
01:42:05,000 --> 01:42:07,640
Speaker 1: every win because I don't think Ad can continue to

2450
01:42:07,640 --> 01:42:09,840
Speaker 1: play like this, because he hasn't continued to play like

2451
01:42:09,920 --> 01:42:11,840
Speaker 1: this in some years now. So the fact that he

2452
01:42:12,040 --> 01:42:14,479
Speaker 1: is and we're winning, I'm happy, but I don't want

2453
01:42:14,520 --> 01:42:16,360
Speaker 1: to speak on it because I don't want to fucking

2454
01:42:16,400 --> 01:42:18,120
Speaker 1: talk too soon and get happy and get my hopes

2455
01:42:18,160 --> 01:42:21,160
Speaker 1: up and then he tas his pinky tomorrow and then

2456
01:42:21,200 --> 01:42:25,200
Speaker 1: can't go until twenty twenty five. So, but shout out

2457
01:42:25,200 --> 01:42:26,840
Speaker 1: to the Lakers. They got their first game, first win.

2458
01:42:27,040 --> 01:42:30,120
Speaker 1: I was shocked, that's big. I wasn't really shocked, though.

2459
01:42:30,120 --> 01:42:32,280
Speaker 1: I felt like because the turnaround was Sunday to Tuesday,

2460
01:42:32,400 --> 01:42:34,560
Speaker 1: Warriors just played Sunday, right, Yeah, yeah, I felt like

2461
01:42:34,600 --> 01:42:36,479
Speaker 1: that wasn't they didn't have enough time off. They probably

2462
01:42:36,520 --> 01:42:38,000
Speaker 1: were still. That was a seven game series they just

2463
01:42:38,080 --> 01:42:40,760
Speaker 1: came out of, and you can kind of tell down

2464
01:42:40,800 --> 01:42:44,120
Speaker 1: the stretch. Steph didn't look to be that aggressive. The

2465
01:42:44,200 --> 01:42:47,280
Speaker 1: team wasn't as quick to the rebounds and the loose balls,

2466
01:42:47,439 --> 01:42:49,160
Speaker 1: so I think they were just tied a little fatigue.

2467
01:42:49,160 --> 01:42:50,920
Speaker 1: But either way, the Lakers capitalized got their win.

2468
01:42:51,160 --> 01:42:53,400
Speaker 2: Can I get an apology that you don't mean what

2469
01:42:53,920 --> 01:42:56,840
Speaker 2: I suggested that the Sixers Celtics series may be just

2470
01:42:56,920 --> 01:42:59,560
Speaker 2: as good as what the Kings and Warriors was.

2471
01:43:00,360 --> 01:43:02,160
Speaker 1: No, I don't think so. James had a great game, though.

2472
01:43:02,800 --> 01:43:05,200
Speaker 2: Did you think that Sixers were gonna win that game?

2473
01:43:06,040 --> 01:43:07,720
Speaker 1: Of course, nobody thought the Sixers were going that.

2474
01:43:07,880 --> 01:43:09,679
Speaker 2: I'm saying, I think this is gonna be a real series.

2475
01:43:10,640 --> 01:43:12,760
Speaker 1: I mean, listen, first of all, before we even get

2476
01:43:12,760 --> 01:43:14,880
Speaker 1: to that, shout out to Joel Embiid on winning the MVP.

2477
01:43:16,320 --> 01:43:18,720
Speaker 1: Very well deserved. It's been you know, his career has

2478
01:43:19,000 --> 01:43:21,960
Speaker 1: started off shaky. He was he was hurt. People would

2479
01:43:22,160 --> 01:43:24,080
Speaker 1: beginning his career were saying that Philly should have traded him.

2480
01:43:24,080 --> 01:43:26,679
Speaker 1: Then they started the whole trust the process thing sat

2481
01:43:26,720 --> 01:43:29,880
Speaker 1: the first two years, long process, long process. But listen, man,

2482
01:43:30,160 --> 01:43:32,479
Speaker 1: number three seed. They're up one to oher in the

2483
01:43:32,520 --> 01:43:36,040
Speaker 1: second round of the playoffs. Joel Embiid is now the MVP.

2484
01:43:37,200 --> 01:43:39,639
Speaker 1: James Harden looking like old Houston James Harden in Game

2485
01:43:39,680 --> 01:43:43,120
Speaker 1: one had forty five points. That was a great game. Though,

2486
01:43:43,240 --> 01:43:44,720
Speaker 1: great game. I think the series is gonna be really

2487
01:43:44,760 --> 01:43:46,800
Speaker 1: good until Joel comes back, and then I think it's

2488
01:43:46,800 --> 01:43:50,519
Speaker 1: gonna get really ugly for Boston, but we'll see. I

2489
01:43:50,560 --> 01:43:53,240
Speaker 1: don't know if James plays like this though, Philly is

2490
01:43:53,280 --> 01:43:56,439
Speaker 1: in good shape. Yeah, and then the other series that's

2491
01:43:56,479 --> 01:43:59,720
Speaker 1: going on, Denver and Phoenix. Speaking of KD, Denver's up

2492
01:43:59,760 --> 01:44:03,880
Speaker 1: to listen man, Chris Paul, listen man. I love Chris Paul,

2493
01:44:03,920 --> 01:44:05,280
Speaker 1: one of my favorite players of all time, one of

2494
01:44:05,320 --> 01:44:06,599
Speaker 1: my favorite point guards of all time.

2495
01:44:08,479 --> 01:44:09,080
Speaker 2: He's not in the car.

2496
01:44:09,680 --> 01:44:12,160
Speaker 1: He has the worst It's just like injured in the

2497
01:44:12,200 --> 01:44:16,840
Speaker 1: playoffs again again, and now it's saying he's out for

2498
01:44:16,880 --> 01:44:17,719
Speaker 1: at least two weeks.

2499
01:44:18,080 --> 01:44:19,600
Speaker 2: I thought there was gonna be a rebuilding year for

2500
01:44:19,680 --> 01:44:23,880
Speaker 2: the Suns anyways, with acquiring Katie and fucking getting rid

2501
01:44:23,920 --> 01:44:27,640
Speaker 2: of your entire bench, like no rebuilding. Yes, no, I

2502
01:44:27,720 --> 01:44:28,640
Speaker 2: did not think this was gonna be.

2503
01:44:28,640 --> 01:44:29,320
Speaker 1: The year for the Suns.

2504
01:44:30,320 --> 01:44:32,320
Speaker 2: Season is when they're gonna make a fucking team around.

2505
01:44:32,200 --> 01:44:36,040
Speaker 1: Kame, not not not maybe not winning championship. But you're

2506
01:44:36,160 --> 01:44:38,559
Speaker 1: not rebuilding when you make a traf for Kevin Durant,

2507
01:44:38,760 --> 01:44:40,960
Speaker 1: I mean a trade for Kevin Durant. You're trying to

2508
01:44:41,000 --> 01:44:43,439
Speaker 1: net You're trying to go after it right now, like

2509
01:44:43,560 --> 01:44:46,800
Speaker 1: you're trying to know when you have Booker and Chris

2510
01:44:46,840 --> 01:44:49,000
Speaker 1: Paul fall and you're bringing to Kevin Durant, that's not

2511
01:44:49,080 --> 01:44:50,880
Speaker 1: a rebuilding. That's so yo, go get it right now.

2512
01:44:50,960 --> 01:44:53,080
Speaker 2: We've seen that the Big three doesn't work that way

2513
01:44:53,120 --> 01:44:54,200
Speaker 2: anymore in the league.

2514
01:44:54,280 --> 01:44:54,680
Speaker 1: It used to.

2515
01:44:54,720 --> 01:44:57,759
Speaker 2: It doesn't work that way. You need a fucking team now.

2516
01:44:58,040 --> 01:45:00,880
Speaker 1: No, the Big three doesn't work when you fucking draft player,

2517
01:45:01,160 --> 01:45:03,000
Speaker 1: trade players and try to bring them in and put

2518
01:45:03,000 --> 01:45:05,360
Speaker 1: them together. It usually works when you let them grow

2519
01:45:05,439 --> 01:45:08,120
Speaker 1: together and build together, which is what the Warriors have done,

2520
01:45:08,160 --> 01:45:11,719
Speaker 1: which is why they're dynasty. You gotta let players develop together,

2521
01:45:11,840 --> 01:45:14,400
Speaker 1: let them build the chemistry. You can put three very

2522
01:45:14,479 --> 01:45:15,559
Speaker 1: talented players together.

2523
01:45:15,760 --> 01:45:17,800
Speaker 2: So chemistry kind of to my point that I didn't

2524
01:45:17,800 --> 01:45:19,400
Speaker 2: think the Suns were really gonna do shit this year.

2525
01:45:19,439 --> 01:45:22,719
Speaker 2: I think next year, yeah, I think they'll have a squad.

2526
01:45:22,920 --> 01:45:24,439
Speaker 1: Well, I mean, Denver is the number one team, so

2527
01:45:24,640 --> 01:45:26,439
Speaker 1: I mean it's not no surprise that they're up to Oh,

2528
01:45:26,560 --> 01:45:28,519
Speaker 1: that's not a surprise. I think that Chris Paul getting

2529
01:45:28,600 --> 01:45:32,519
Speaker 1: hurt definitely ruins their chances of beating Denver. I don't

2530
01:45:32,520 --> 01:45:35,240
Speaker 1: think they can get past Denver without Chris Paul's leadership,

2531
01:45:35,280 --> 01:45:39,400
Speaker 1: without his his IQ, without his just professionalism on the court.

2532
01:45:39,840 --> 01:45:41,559
Speaker 1: But I don't think that. Yeah, I don't. I don't

2533
01:45:41,600 --> 01:45:45,160
Speaker 1: think that they can. They might get swept. I really

2534
01:45:45,160 --> 01:45:47,559
Speaker 1: see it. I really see a sweep coming without without

2535
01:45:47,600 --> 01:45:50,320
Speaker 1: Chris Paul. I see a sweep and that's fucked up

2536
01:45:50,320 --> 01:45:52,400
Speaker 1: because Katie and Devin Books should be able to be Denver.

2537
01:45:52,760 --> 01:45:53,759
Speaker 1: But I don't see it happening.

2538
01:45:54,160 --> 01:45:57,680
Speaker 2: That's back to back sweeps for Katie, right, is it?

2539
01:45:58,000 --> 01:45:59,800
Speaker 1: The Nets got swept last year? Yeah?

2540
01:46:00,080 --> 01:46:05,360
Speaker 2: Yeah, big sweep Celtics, Celtic Celtic in the Eastern Conference.

2541
01:46:05,600 --> 01:46:07,360
Speaker 1: That was that the Eastern Conference finals. That was the

2542
01:46:07,400 --> 01:46:09,639
Speaker 1: first round, in the first round. That was the first round. Yeah,

2543
01:46:09,760 --> 01:46:10,960
Speaker 1: you damn they dig get swept.

2544
01:46:11,040 --> 01:46:15,280
Speaker 2: Wow, I'm gonna get swept. But back to back sweeps

2545
01:46:15,400 --> 01:46:17,080
Speaker 2: is That's tough one, Kittie.

2546
01:46:17,200 --> 01:46:19,960
Speaker 1: That's tough. But either way, I got the Warriors still

2547
01:46:20,000 --> 01:46:25,120
Speaker 1: winning it all. Jordan Poole, Jordan Jordan Pool, what man, right,

2548
01:46:25,200 --> 01:46:27,960
Speaker 1: Jordan Poole? I just I just want to listen, man.

2549
01:46:28,000 --> 01:46:29,479
Speaker 1: Let me just kick itt to Jordan real quick. We

2550
01:46:29,520 --> 01:46:31,840
Speaker 1: can get out of here. Jordan. When Jordan when you

2551
01:46:31,960 --> 01:46:35,360
Speaker 1: have the greatest shooter ever wearing the same jersey that

2552
01:46:35,439 --> 01:46:40,560
Speaker 1: you you wear and you're down by three. I'm not

2553
01:46:40,640 --> 01:46:43,639
Speaker 1: the smartest man in the world. Never played college ball,

2554
01:46:43,760 --> 01:46:45,559
Speaker 1: never played no never got a check for basketball.

2555
01:46:45,600 --> 01:46:46,880
Speaker 2: So you guarded Ray Rice.

2556
01:46:46,960 --> 01:46:48,519
Speaker 1: I guard it Ray Rice. He killed me, but I

2557
01:46:48,560 --> 01:46:51,759
Speaker 1: got him. My guess is that you want to find

2558
01:46:51,800 --> 01:46:53,840
Speaker 1: the greatest shooter ever and get the ball in his hands.

2559
01:46:54,120 --> 01:46:58,280
Speaker 1: That's just my guess. I understand. I understand your wide open.

2560
01:46:58,400 --> 01:47:00,639
Speaker 1: But Jordan Poole, sometimes you're wide and for a reason.

2561
01:47:00,880 --> 01:47:04,200
Speaker 1: Sometimes they play the odds, no seriously sometimes and not

2562
01:47:04,280 --> 01:47:06,040
Speaker 1: saying and not saying Jordan Poole can't shoot because he

2563
01:47:06,040 --> 01:47:09,439
Speaker 1: probably hit two right before that. But when you want

2564
01:47:09,439 --> 01:47:11,240
Speaker 1: to play the odds, they're gonna get the ball out

2565
01:47:11,240 --> 01:47:13,160
Speaker 1: of the double team is on Steph. Get the ball

2566
01:47:13,200 --> 01:47:15,560
Speaker 1: out of his hands. You gotta get to Steph. You

2567
01:47:15,640 --> 01:47:17,479
Speaker 1: gotta drew. It was ten seconds when you shot that ball.

2568
01:47:17,960 --> 01:47:20,000
Speaker 1: You gotta take some time get that ball back to

2569
01:47:20,040 --> 01:47:24,800
Speaker 1: Steph Curry right there. You have to stephil Clay at

2570
01:47:24,880 --> 01:47:27,200
Speaker 1: at at at at at minimum Steph Clay.

2571
01:47:27,720 --> 01:47:30,679
Speaker 2: Yeah, I think Pete Carroll called that play.

2572
01:47:30,880 --> 01:47:34,240
Speaker 1: Yeah, yeah, But Jordan, you just can't. And I get it.

2573
01:47:34,320 --> 01:47:37,080
Speaker 1: You was wide open. It felt good. The ladies is

2574
01:47:37,120 --> 01:47:42,280
Speaker 1: watching you light Skin, I get it, I get it. Closed.

2575
01:47:42,320 --> 01:47:44,519
Speaker 1: He probably of the NBA, he know, he's probably he

2576
01:47:44,560 --> 01:47:46,640
Speaker 1: wants to be the third Splash brother. Both of them

2577
01:47:46,680 --> 01:47:49,360
Speaker 1: are like Skin. You know. He trying to fit right in.

2578
01:47:49,600 --> 01:47:53,040
Speaker 1: I get it. Get that ball in number thirty next time. Jordan,

2579
01:47:53,840 --> 01:47:55,200
Speaker 1: just just listen to me. If you don't listen to

2580
01:47:55,240 --> 01:47:55,920
Speaker 1: nothing else, I'll tell you.

2581
01:47:56,160 --> 01:47:58,120
Speaker 2: Get the ball to st you're saying Draymond could never

2582
01:47:58,160 --> 01:47:59,920
Speaker 2: shoot that because if you fast.

2583
01:47:59,760 --> 01:48:01,960
Speaker 3: Dream made the pass. Raymond passed it to Jordan. He

2584
01:48:02,040 --> 01:48:03,120
Speaker 3: didn't even want to touch the ball.

2585
01:48:03,400 --> 01:48:05,679
Speaker 2: But my thing is so it was to give Steph

2586
01:48:05,800 --> 01:48:09,240
Speaker 2: some time to get away from the double T, Steph

2587
01:48:09,360 --> 01:48:10,240
Speaker 2: to move without the ball.

2588
01:48:10,680 --> 01:48:14,320
Speaker 1: Get the ball back to Steph like it's just I

2589
01:48:14,479 --> 01:48:16,960
Speaker 1: just that's just a bad shot. That's a bad shot,

2590
01:48:17,479 --> 01:48:21,560
Speaker 1: all right. The devil doesn't need an advocate. But he

2591
01:48:21,720 --> 01:48:23,920
Speaker 1: was wide open for a reason.

2592
01:48:24,680 --> 01:48:27,800
Speaker 2: But Jordan Poole can shoot, he can, but they would

2593
01:48:27,880 --> 01:48:30,800
Speaker 2: rather live with him shot. I also agreed with Pete

2594
01:48:30,840 --> 01:48:33,840
Speaker 2: Carroll not giving it to fucking beast Mode in the

2595
01:48:33,880 --> 01:48:34,320
Speaker 2: Super Bowl.

2596
01:48:34,800 --> 01:48:35,320
Speaker 1: No, you didn't.

2597
01:48:35,439 --> 01:48:36,000
Speaker 2: Yes, I didn't.

2598
01:48:36,120 --> 01:48:38,639
Speaker 1: You're the only person that agreed with that. That was terrible.

2599
01:48:38,760 --> 01:48:40,160
Speaker 1: They was supposed to run it right there.

2600
01:48:40,040 --> 01:48:41,559
Speaker 2: If you put it in context, No, it wasn't.

2601
01:48:41,840 --> 01:48:44,840
Speaker 1: It left the open.

2602
01:48:44,920 --> 01:48:46,559
Speaker 2: Everyone thought it was gonna go to Marshawn Lynch.

2603
01:48:46,800 --> 01:48:50,400
Speaker 1: No, right, and some you know what, and sometimes you

2604
01:48:50,520 --> 01:48:53,760
Speaker 1: have to get with the Marshall Lynch because at least

2605
01:48:53,920 --> 01:48:55,720
Speaker 1: if we lose, we ran the right place.

2606
01:48:55,760 --> 01:48:59,559
Speaker 2: Okay, if if Butler doesn't intercept that and jump that slant,

2607
01:49:00,280 --> 01:49:02,920
Speaker 2: I think Pete Carroll is deemed the best coach ever

2608
01:49:03,040 --> 01:49:04,960
Speaker 2: for making that call because it was wid It was

2609
01:49:05,040 --> 01:49:08,280
Speaker 2: wide open, the same way Jordan Poole was.

2610
01:49:08,320 --> 01:49:10,400
Speaker 1: It just didn't go in. You thought it was wide open.

2611
01:49:11,160 --> 01:49:13,760
Speaker 1: Malcolm Butler was sitting right there. He was sitting right there,

2612
01:49:13,880 --> 01:49:15,479
Speaker 1: and that's a good defensive player. And that's my that's

2613
01:49:15,520 --> 01:49:15,880
Speaker 1: my point.

2614
01:49:15,920 --> 01:49:16,559
Speaker 2: It wasn't a bad call.

2615
01:49:16,560 --> 01:49:18,280
Speaker 1: It was a great defensive player, great defensive play. But

2616
01:49:18,320 --> 01:49:20,120
Speaker 1: that's my point with this Jordan Poole shot. You wa

2617
01:49:20,439 --> 01:49:22,360
Speaker 1: for a reason, You wa for a reason.

2618
01:49:24,200 --> 01:49:27,680
Speaker 2: Shout out to Malcolm Butler. I mean I don't know

2619
01:49:27,760 --> 01:49:30,360
Speaker 2: that x X no, shout out to Malcolm X. Okay, Oh,

2620
01:49:31,000 --> 01:49:33,160
Speaker 2: do just make it about Malcolm Butler in particularly.

2621
01:49:33,640 --> 01:49:36,040
Speaker 1: Either way, I got the Warriors winning it again this year,

2622
01:49:36,960 --> 01:49:39,080
Speaker 1: so we'll see hopefully this this I wouldn't mind that

2623
01:49:39,120 --> 01:49:41,400
Speaker 1: this Lake Warriors series going seven. I just don't think

2624
01:49:41,479 --> 01:49:44,880
Speaker 1: that Anthony Davis is going to continue to put up

2625
01:49:44,920 --> 01:49:47,479
Speaker 1: thirty and twenty each night. I just don't think that

2626
01:49:47,560 --> 01:49:50,080
Speaker 1: he's gonna do that. Same. So I got the Warriors

2627
01:49:50,120 --> 01:49:52,160
Speaker 1: winning this series. I got them winning at all. But

2628
01:49:52,479 --> 01:49:55,960
Speaker 1: either way, making seven games just keep an interesting cool.

2629
01:49:55,880 --> 01:49:57,840
Speaker 3: Was six for eleven from three though, so in his defense,

2630
01:49:57,880 --> 01:49:59,800
Speaker 3: he was having a I mean no, he was having

2631
01:49:59,840 --> 01:50:02,559
Speaker 3: a I'm not saying it's a good shot, but I'm

2632
01:50:02,600 --> 01:50:03,719
Speaker 3: saying you had a hot hands.

2633
01:50:03,800 --> 01:50:06,400
Speaker 1: I'm not shot though fans it's a bad shot.

2634
01:50:06,600 --> 01:50:07,439
Speaker 3: He has a hot hand.

2635
01:50:07,680 --> 01:50:09,679
Speaker 1: He was far from gott to go to Steph. Gotta

2636
01:50:09,720 --> 01:50:10,479
Speaker 1: go to number thirty.

2637
01:50:11,000 --> 01:50:11,240
Speaker 3: That's it.

2638
01:50:11,320 --> 01:50:13,120
Speaker 1: We don't got to make this complicated, fellas. Sometimes you

2639
01:50:13,200 --> 01:50:14,639
Speaker 1: just got to run the play that they know is coming,

2640
01:50:14,720 --> 01:50:16,200
Speaker 1: because it ain't what you do is how you do it.

2641
01:50:17,120 --> 01:50:18,680
Speaker 3: I never thought we had one more thing before we

2642
01:50:19,120 --> 01:50:22,360
Speaker 3: before you do the close. But Ed Shearon has an

2643
01:50:22,360 --> 01:50:24,320
Speaker 3: album coming out on Friday.

2644
01:50:25,640 --> 01:50:27,800
Speaker 2: No way like when people are listening to this and

2645
01:50:27,920 --> 01:50:29,080
Speaker 2: sharing album exists.

2646
01:50:29,160 --> 01:50:32,599
Speaker 3: No way, It's called subtract, which is hilarious. He's about

2647
01:50:32,600 --> 01:50:35,719
Speaker 3: to subtract his financial his net worth.

2648
01:50:36,400 --> 01:50:38,960
Speaker 1: Wait, ed, Shearon has an album coming call Subtract.

2649
01:50:39,080 --> 01:50:40,360
Speaker 2: I thought I thought it was called What's going On.

2650
01:50:41,360 --> 01:50:43,439
Speaker 1: What's going On would have been great, Like I didn't.

2651
01:50:43,439 --> 01:50:44,760
Speaker 1: I didn't even hear what's going on? That's what I

2652
01:50:44,800 --> 01:50:45,360
Speaker 1: would have named it.

2653
01:50:46,720 --> 01:50:47,479
Speaker 4: That's what's happening?

2654
01:50:47,640 --> 01:50:52,320
Speaker 1: Wow, yep, okay, ed, well, I mean like ends and music,

2655
01:50:52,400 --> 01:50:53,880
Speaker 1: so you don't gotta let's get it on. He got

2656
01:50:53,960 --> 01:50:55,160
Speaker 1: a life, goes on on it all right?

2657
01:50:55,280 --> 01:50:56,680
Speaker 2: Any feats any, any feats on?

2658
01:50:56,720 --> 01:50:58,320
Speaker 3: There just a gay state.

2659
01:50:59,800 --> 01:51:04,680
Speaker 1: Who is the gay state? Come on, you can't say,

2660
01:51:04,720 --> 01:51:08,800
Speaker 1: come on, Marvin, the gayest state. I thought you're talk

2661
01:51:08,800 --> 01:51:10,360
Speaker 1: about like literally the bad.

2662
01:51:12,439 --> 01:51:13,719
Speaker 3: I said the gay estates.

2663
01:51:14,280 --> 01:51:16,120
Speaker 1: I thought you said gay state, like the gayest.

2664
01:51:16,920 --> 01:51:19,240
Speaker 3: I thought you said the gays can stay, the gays

2665
01:51:19,280 --> 01:51:21,040
Speaker 3: can stay. He can.

2666
01:51:22,640 --> 01:51:23,759
Speaker 1: I just didn't see he was trying.

2667
01:51:23,560 --> 01:51:26,439
Speaker 2: To tie this with Stay with Me by Sam Smith.

2668
01:51:26,960 --> 01:51:28,760
Speaker 1: Okay, another red head.

2669
01:51:29,720 --> 01:51:33,040
Speaker 2: He's not no, thank you though.

2670
01:51:33,360 --> 01:51:34,240
Speaker 4: Here's jet black.

2671
01:51:34,680 --> 01:51:35,320
Speaker 3: Oh but is it?

2672
01:51:35,560 --> 01:51:35,680
Speaker 2: Oh?

2673
01:51:35,720 --> 01:51:37,280
Speaker 1: He had on like a he has on a red

2674
01:51:37,640 --> 01:51:40,160
Speaker 1: dress right there. That's what it was. He looks like

2675
01:51:40,160 --> 01:51:40,840
Speaker 1: a red head right there.

2676
01:51:41,080 --> 01:51:43,240
Speaker 4: Before and after one day, I want, I really want

2677
01:51:43,280 --> 01:51:44,880
Speaker 4: to talk about the fall of Sam Smith. Not right

2678
01:51:44,920 --> 01:51:46,479
Speaker 4: now because that's giving us to wrap it up, but

2679
01:51:46,560 --> 01:51:48,560
Speaker 4: one day we'll talk about it. I've touched upon it,

2680
01:51:50,000 --> 01:51:52,360
Speaker 4: you know, that was coming is so wacked.

2681
01:51:52,360 --> 01:51:54,840
Speaker 1: What he did? You want to I have not touched

2682
01:51:54,920 --> 01:51:55,479
Speaker 1: Sam Smith?

2683
01:51:56,080 --> 01:51:57,120
Speaker 3: Would you he touched you?

2684
01:51:57,840 --> 01:52:05,880
Speaker 1: No, he is not the gentleman father Smith. That's not German, Irish.

2685
01:52:06,040 --> 01:52:09,559
Speaker 1: Not to be mistaken with the song birds to us, guys,

2686
01:52:09,680 --> 01:52:10,240
Speaker 1: yes so much.

2687
01:52:10,280 --> 01:52:10,920
Speaker 4: We appreciate it.

2688
01:52:11,000 --> 01:52:11,639
Speaker 2: The Book of Sam.

2689
01:52:12,680 --> 01:52:15,280
Speaker 1: Oh, that's a nasty one too. All right, Well, listen, man,

2690
01:52:15,320 --> 01:52:20,360
Speaker 1: you've been another audio journey, another visual expedition of a

2691
01:52:20,439 --> 01:52:22,519
Speaker 1: cluster fuck up ship that's just on our minds. Yeah,

2692
01:52:23,680 --> 01:52:25,160
Speaker 1: but either way, we'll be back in a couple days

2693
01:52:25,160 --> 01:52:27,080
Speaker 1: to speak with y'all, to kick it with y'all. Go next,

2694
01:52:27,439 --> 01:52:29,960
Speaker 1: Go next. Hopefully they go all the way to the

2695
01:52:30,000 --> 01:52:31,600
Speaker 1: Eastern Conference finals. I would love to see that, just

2696
01:52:31,640 --> 01:52:33,840
Speaker 1: for the city. But if not, it's been a great

2697
01:52:33,920 --> 01:52:34,639
Speaker 1: year for them. Damn.

2698
01:52:34,640 --> 01:52:37,760
Speaker 2: I should have went Birthday weekend f one weekend in

2699
01:52:37,880 --> 01:52:39,120
Speaker 2: Miami and the Knicks.

2700
01:52:38,920 --> 01:52:40,320
Speaker 1: Are going to be Damn.

2701
01:52:40,360 --> 01:52:41,599
Speaker 2: I should have went to Miami this weekend.

2702
01:52:42,240 --> 01:52:42,840
Speaker 3: On what time is it?

2703
01:52:43,560 --> 01:52:45,400
Speaker 1: You catch your flight? Still catch your flight?

2704
01:52:45,680 --> 01:52:47,200
Speaker 2: I got the drugs for base.

2705
01:52:47,280 --> 01:52:47,760
Speaker 3: Yeah, there you go.

2706
01:52:47,840 --> 01:52:50,960
Speaker 1: You catch your flight either way. Be safe this weekend,

2707
01:52:51,080 --> 01:52:53,599
Speaker 1: have fun. We'll be back in a couple of days

2708
01:52:53,600 --> 01:52:55,240
Speaker 1: to kick it with y'all. I'm that nigga. He's just

2709
01:52:55,360 --> 01:52:57,759
Speaker 1: Ginger peace, no worry,