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Speaker 1: Hello the Internet, and welcome to season two oh four,

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Speaker 1: Episode two Ofter Daily Like Guys, production of I Heart Radio.

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Speaker 1: This is a podcast where we take a deep dive

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Speaker 1: into America's share consciousness. It is Tuesday, October five, Spooky Season.

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Speaker 1: My name is Jack O'Brien a K soak me in

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Speaker 1: a b y you dorm nightly while my friend shakes

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Speaker 1: the bet don't move, don't move a single inch, you

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Speaker 1: stay completely still out do a plank. Oh, soak me.

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Speaker 1: That is courtesy of get baxt On Twitter, they said

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Speaker 1: it was courtesy the Cranberries, but that that song is

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Speaker 1: actually by Sixpence on the Richer. But your brain blocked

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Speaker 1: that band name out because it is the most annoying

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Speaker 1: band name of all time. Maybe, And I'm thrilled to

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Speaker 1: be joined as always by my co host Mr Miles

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Speaker 1: Ground Don't come around you. Oh the commedist gave thumbs

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Speaker 1: down no. And for those people who don't remember that,

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Speaker 1: we were talking about how commedists from Gladiator may have

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Speaker 1: been the origins of thumbs up and thumbs down. There

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Speaker 1: our culture into oblivion. Shout out to Andrew bub on

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Speaker 1: the dis board because I really missed that song Dirk commissar. Also,

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Speaker 1: it is October five, and we got to forgot to

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Speaker 1: tell you it is National Get Funky Day, National Get

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Speaker 1: Funky Day. So however, you gotta get funky, you go

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Speaker 1: off and do that. I almost felt like I didn't

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Speaker 1: need to tell people. It's like Christmas, Halloween and National

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Speaker 1: Get Funky Day are like the days that we all

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Speaker 1: have marked on our calendar, right b Yeah, Happy National

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Speaker 1: and Get Funky Day. They say, hey, get funky and

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Speaker 1: get out of your punk from the people who trying

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Speaker 1: to promote it, So get out. Who are these We

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Speaker 1: really need to look into the international a industrial Complex

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Speaker 1: because they're doing good work out there. Miles. We're thrilled

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Speaker 1: to be joined in our third seat by one of

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Speaker 1: the funniest stand up comedians doing it. She's the co

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Speaker 1: host of The scroll Down on head Gum and you

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Speaker 1: could and should go get her stand up album, The

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Speaker 1: Wolf Bully. Please welcome the hilarious that talented Marcel. Marcel

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Speaker 1: got the best of you. But I just keep coming

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Speaker 1: back incessantly. Oh what do they keep bringing me back

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Speaker 1: on the show? Because I'm funny as fuck even when

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Speaker 1: I make you bitch just mad. I just improvised that.

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Speaker 1: Thank you. I was trying to get funny with you guys,

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Speaker 1: very funny. I was like, is I don't have syllables? Yes?

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Speaker 1: I got there. No, you got it. I used to.

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Speaker 1: And then I embarrassed myself at a Tell you you

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Speaker 1: are just playing the qualities of someone who does freestyle

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Speaker 1: because you're like, let me fift these syllables. And I

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Speaker 1: got it. I got this and I landed the plane.

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Speaker 1: I'm like, okay, I was here in a cipher with

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Speaker 1: a backpack on. I was nervous. Halfway through. I was like,

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Speaker 1: I think I'm not gonna get it. You embarrassed yourself

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Speaker 1: at a T quality show. Yeah, they tell it was late.

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Speaker 1: Also fun tell him quality. He's like really piece of

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Speaker 1: ship online to women. But anyways, he was hella late

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Speaker 1: at a show in Medesta. This was the years ago,

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Speaker 1: probably like fifteen years ago maybe, and he was hell

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Speaker 1: of late. So they were just like letting people freestyle

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Speaker 1: on stage. Shout out to the bat. But it was

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Speaker 1: hell of funny because I this used to be back

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Speaker 1: I don't even know. I might have already been doing comedy.

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Speaker 1: I don't remember, but this was back when, like if

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Speaker 1: I was ever out anywhere at like a show or something,

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Speaker 1: and there was no women performing, I would fucking insertain myself.

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Speaker 1: I didn't give a funk what my skill level was.

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Speaker 1: I was like, I didn't give a funk. And that

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Speaker 1: was one of those situations like just guys freestyling and

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Speaker 1: they're not even good and they're kind of looking six.

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Speaker 1: So I went on stage and people were just got

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Speaker 1: hiped because I was a woman on stage. It was ridiculous,

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Speaker 1: but it was not good. Do you remember the beat

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Speaker 1: that was playing? I don't. I have a really cool

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Speaker 1: picture though I looked like a badass, Like would you

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Speaker 1: like rocking the mic? Yeah, like my hand is up

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Speaker 1: like it was on Facebook. I don't know where it's anymore.

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Speaker 1: But it was a cool big oh yes, fucking cool.

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Speaker 1: That is the best retirement from freestyle. But I could POSI,

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Speaker 1: you know what. I also freestyle at a but you

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Speaker 1: know one of those white kids that have like UCB

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Speaker 1: rap shows. It was one of those type things, yeah,

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Speaker 1: like skinner and maybe maybe it was that and they

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Speaker 1: had me on and I kind of like pretty write

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Speaker 1: a really good rap obviously, but like, uh, free style.

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Speaker 1: But what's funny is I wasn't even that good. But

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Speaker 1: I embarrassed over my eagle that I made him look

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Speaker 1: bad and I was better than him, and that uh

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Speaker 1: fun with people a little bit, and I said I

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Speaker 1: insulted him or something. I forget what I said. I

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Speaker 1: don't know. I just made fun of him and have

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Speaker 1: the healing session. All right, Marcela, we're gonna get to

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Speaker 1: know you a little bit better in a moment. First,

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Speaker 1: a couple of things we're talking about. We're gonna check

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Speaker 1: back in with Christie Nome and her stance on nepotism.

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Speaker 1: It's just just a good old fashioned story of local nepotism.

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Speaker 1: We'll talk about We'll do a piece of good news.

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Speaker 1: The world's oldest rainforest was just handed back to its

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Speaker 1: indigenous owners, so we'll talk about that. We'll talk about

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Speaker 1: the Pandora papers. Of course, we will ask whether Facebook

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Speaker 1: is in trouble and what that means for the rest

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Speaker 1: of us. All of that, we might even get to

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Speaker 1: Diana the Musical. You have to I off the strength

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Speaker 1: of it. I caught the first act and I'm like,

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Speaker 1: oh my goodness, we taught. We're definitely we might just

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Speaker 1: talk about Diana the Musical then of that plenty more.

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Speaker 1: But first, Marcella, we do like to ask our guest,

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Speaker 1: what is something from your search history. I had to

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Speaker 1: google San Francisco Fleet Week because I didn't know what

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Speaker 1: the funk that was. And um, I'm in Modesto, California

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Speaker 1: right now, and we've been having these I've just been

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Speaker 1: me and my brother had been noticing these little like

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Speaker 1: cute little planes and like multiple planes at once for

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Speaker 1: just criss crossing. And I was like, what the fund

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Speaker 1: is going on? And then my friend who lives in

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Speaker 1: San Francisco was like, it's fleet Week and I was like,

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Speaker 1: what the fund is Fleet Week? And then I put

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Speaker 1: the thoughts together once I hit the Google. I didn't

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Speaker 1: read about it because I don't give a ship. It

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Speaker 1: just feels like a waste of money. Oh yeah, but yeah,

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Speaker 1: I guess that's happening this week and they are practicing

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Speaker 1: in Medesto, California, So what what is it? It's when

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Speaker 1: all the air shows or some stupid but it's like

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Speaker 1: a thing where like a lot of the like Navy people,

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Speaker 1: coast guard, like ship based military like come to town. Hm.

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Speaker 1: It's it's been a thing for like a minute. But

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Speaker 1: and then they'll have air shows and ship It's just

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Speaker 1: kind of yo, we're here, we're in the city, holes

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Speaker 1: all over the city, but they're using the money for

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Speaker 1: a fucking fleet week, right. I associated with like old timey,

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Speaker 1: like a bunch of sailors in their in their whites,

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Speaker 1: just like walking around and exactly causing trouble, getting into

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Speaker 1: fights and bars on the Lower East Side or whatever. Yeah,

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Speaker 1: that happens, and then they have a little Blue Angels,

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Speaker 1: you know, the party going on there too. It's one

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Speaker 1: of those traditions that feels really childish. Yeah, yeah, I

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Speaker 1: think they need to pick one. Why Why why are

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Speaker 1: the planes isn't that aren't they supposed to be on

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Speaker 1: the water. What's happening because they're launched from the aircraft

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Speaker 1: carrict Yeah whatever, no military expert, but I mean that's

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Speaker 1: a good thing, right, I'm sure gonna I'm gonna get

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Speaker 1: hate mail for mentioning that, right something to be like, Oh,

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Speaker 1: I served and it's a very important tradition. I feel

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Speaker 1: like a lot of the people that served and listened

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Speaker 1: to the show, like they come through with very enlightening

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Speaker 1: opinions on They're like, yeah, this is what's sucked up

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Speaker 1: about them? The here and like, thank you for that,

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Speaker 1: and they're gonna be like it adds millions of dollars

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Speaker 1: to the local economy. I feel like that's the Ted Cruise.

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Speaker 1: Ted Cruise is a big fan. Yeah, yeah, yeah, he does,

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Speaker 1: like the Daily Psychist. Weird. What is something you think

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Speaker 1: is overrated? Okay? I actually thought about this one because

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Speaker 1: I know I'm not always you know, very good at this.

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Speaker 1: I think you're one of the greats. Thank you. I

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Speaker 1: think that nineties movies are overrated in terms of content.

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Speaker 1: You know, you're like, oh, that used me my favorite movie,

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Speaker 1: and you watch and you're like, they're being transphoabic, they're

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Speaker 1: being homophobic. This is like all this movie is sexism,

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Speaker 1: I mean, and and racism and all the isms and

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Speaker 1: then and so like the nostalgialized and like you enjoyed

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Speaker 1: it as a little kid. You know. I would argue

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Speaker 1: that the only movie that stands a test of time

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Speaker 1: which is an eighties movie is Labyrinth, but that has

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Speaker 1: more to do with David's balls. So, but yeah, I

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Speaker 1: always think like nineties like a Spin Tour a great

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Speaker 1: example of something that like back You're likely tranic, Oh

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Speaker 1: my god, and we were kids enjoying it, like oh yeah,

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Speaker 1: that's gross and it's the worst case of hemorrhoids anyone

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Speaker 1: has ever seen. And then you're like then you get old,

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Speaker 1: You're like, whoa, whoa, whoa, whoa, whoa, whoa? What is this?

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Speaker 1: And for a while I didn't even connect the two

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Speaker 1: until I I'm much older. I was just like, I

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Speaker 1: don't know, maybe the the character was the iron horns,

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Speaker 1: shit or pants, and I was just like, no concept

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Speaker 1: of anything else. And then you get only like, oh, whoa,

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Speaker 1: but see that's how they fucking infiltrate your brain, and

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Speaker 1: like you don't even realize why you're transphobic when you like,

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Speaker 1: when you're a teenager, you know, just like why my

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Speaker 1: suit and it's like, dude, the images are therapins you

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Speaker 1: were a kid, So that's overrated. What I think it's

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Speaker 1: underrated about nineties movies is the length. When can we

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Speaker 1: go back to hour and a half movies in theaters?

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Speaker 1: Because these stories are too long. They just they don't

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Speaker 1: know how to edit down anymore. And that I don't

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Speaker 1: even know. I couldn't even tell you. It's just everything.

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Speaker 1: It feels like they're just too long because you know,

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Speaker 1: especially especially as someone in the industry. I'm just like,

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Speaker 1: how did does not get cut out? It's pointless. Even

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Speaker 1: even going down to shows like I've been watching The

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Speaker 1: Morning Show and I'm like, this should not be an hour.

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Speaker 1: These scenes could be so much shorter. They just focused

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Speaker 1: on the editing. So I think the length of ship

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Speaker 1: is too long. Yeah, that's kind of because like I

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Speaker 1: remember over the weekend, I was talking to Anna about

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Speaker 1: the Sopranos movie and she's like, oh, it's three hours,

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Speaker 1: and I said, what the fuck? Yeah, exactly hours. And

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Speaker 1: I immediately was like having to have this like crossroads,

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Speaker 1: and like, I don't, I'll never don't. It's very hard

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Speaker 1: for me to say I'm gonna give you three hours

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Speaker 1: just like that, even though I will casually sit down

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Speaker 1: and watch like nine episodes of a reality show. Next thing,

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Speaker 1: I know, it's, you know, three in the morning, but

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Speaker 1: so real quick. I was just about to bring that

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Speaker 1: same thing up, but it looks like it's a it's

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Speaker 1: just two hours. So God just shows you how I'm

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Speaker 1: want a hair trigger when it comes to long movies.

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Speaker 1: Hours is still long for a movie? Yeah, two hours

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Speaker 1: is the most is the most absolute peak. I feel

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Speaker 1: like really. I think that's still too but I don't know.

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Speaker 1: I feel like everything can be shortened down a little bit. Sure,

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Speaker 1: I doesn't feel like if it's if it is over

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Speaker 1: two hours, just like just make a series, right, Yeah,

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Speaker 1: like The Irishman? How long was that? That was over

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Speaker 1: three hours after and you felt like an eternity. It

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Speaker 1: felt like a fucking lifetime. I mean. The other thing

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Speaker 1: is like part of the reason I don't even watch

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Speaker 1: some of these things is because they're too long, and like,

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Speaker 1: I'm not going to sit down and watch this this

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Speaker 1: is they're not going to get it from me and

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Speaker 1: my attention to man, maybe that shout out to a

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Speaker 1: d h D. I mean, maybe it's that, but um,

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Speaker 1: I just it's a movie. The Irishman is three and

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Speaker 1: a half hours long, which one The Irishman for what for?

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Speaker 1: What to watch an Irishman? No, thank you? Yeah, I

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Speaker 1: see plenty of those. Yeah. The nineties thing is really

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Speaker 1: funny too, because like, even like when I watched The Office, right,

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Speaker 1: there's times I love The Office, Like I've watched it

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Speaker 1: so many times, I can fucking I can say every

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Speaker 1: line from that show. But then there's a lot of

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Speaker 1: nuance in it. Where like you just see a lot

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Speaker 1: of casual ignorance just to be kind of like skirted

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Speaker 1: when like when I'm like, now, like I didn't know

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Speaker 1: you all should did that right there, Please do that

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Speaker 1: for the good of society, or even like in a

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Speaker 1: lot of nineties films too, when I go back and

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Speaker 1: watch it really does have you have a kind of

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Speaker 1: a moment where like I'm not actually enjoying watching this

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Speaker 1: because I'm I've just gained more experience and empathy over

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Speaker 1: the years, but I also just love the memory though

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Speaker 1: of like that time just me eating an ice cream

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Speaker 1: watching it, but not just that because I think about

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Speaker 1: how like I can still watch Seinfeld and like you know,

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Speaker 1: Elaine pushes their asses on sexism, and like even like

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Speaker 1: the whole like the gay episode, un if there's anything

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Speaker 1: wrong with that. I mean that was the nineties, so

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Speaker 1: it's like it's proof that that that those ideologies were

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Speaker 1: already existing on both ends, but it was like who

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Speaker 1: was making what, So especially when I watched Seinfeld, I'm like,

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Speaker 1: so it is possible so that some of the people

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Speaker 1: didn't know they just didn't give a ship, like they

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Speaker 1: really just leading into their their is ms, and it

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Speaker 1: and it shows when you watch anything especially from the nineties. Yes,

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Speaker 1: Seinfeld is going to be When when does that? Like Netflix?

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Speaker 1: Right now? Yeah? I think it was yesterday, two days ago. Okay, yeah,

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Speaker 1: that's back, baby, I'm ready. Is that? Do you think

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Speaker 1: that that's going to have like the resurgence to like

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Speaker 1: Friends or The Office had, like where people because I

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Speaker 1: do feel like it was so huge at that time

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Speaker 1: and now younger people like don't really funk with it.

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Speaker 1: I don't know, I don't know, I don't know. It's

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Speaker 1: a good question. I mean it's been on Who this

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Speaker 1: whole time, so it's not like people didn't have access

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Speaker 1: to it, and uh, I don't know. I think I

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Speaker 1: think a lot of young people who just see four

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Speaker 1: white faces and they're like I'm not going to watch this,

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Speaker 1: which is understandable, But you're right, Friends had a little resurgence.

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Speaker 1: I just I don't think it would be possible because

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Speaker 1: of the whole Michael Richards incident that has really followed them.

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Speaker 1: And I just don't think like Julia Louie Dreyfus would

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Speaker 1: be down anyway. It's just like for what. Yeah, and

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Speaker 1: also like Seinfeld isn't the best, Like I feel like

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Speaker 1: like his politics are his stand up has gotten like

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Speaker 1: so fucking bad. I mean his stand up wasn't great

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Speaker 1: to begin with. I mean it was funny to me

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Speaker 1: because I was twelve. I watched it, you know, but

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Speaker 1: like now it's like, this isn't even funny. But you

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Speaker 1: can see why working as a team can make a

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Speaker 1: bit funnier, you know, like because some of his bits

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Speaker 1: were like the premises were, You're like, okay, this is interesting.

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Speaker 1: Oh my god, Podcat, Goldweight, fucking I guess they hate

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Speaker 1: each other. I did a show where he was talking ship.

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Speaker 1: It was so funny. I guess he spent at night

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Speaker 1: He's calling Seinfeld's comedy pedestri. Oh my god, he was

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Speaker 1: talking ship at the one show we were all together

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Speaker 1: and I loved everything. It was right. I remember how

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Speaker 1: comedians and cars getting coffee, the whole Bridget thing, and

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Speaker 1: they edited out and it was Bobcat. I mean, I'm

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Speaker 1: sure you guys heard it was. I don't know that.

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Speaker 1: One of the episodes Bridget, Everett and Seinfeld are talking

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Speaker 1: about a comic but it gets edited and and Jerry

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Speaker 1: expresses how much he doesn't like this person, which is

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Speaker 1: not like him. He never probably ships on anybody, and

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Speaker 1: so uh like people I don't know. The Internet did

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Speaker 1: its thing and they figured out that it was Bobcat.

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Speaker 1: And then Bob Kat was talking about it on stage

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Speaker 1: like I performed with him, like a few months after

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Speaker 1: that ship went down. I don't know what season it was.

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Speaker 1: He was the second or third season of Comedians and

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Speaker 1: Cars that Bridgetts on, and um, yeah, he was just

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Speaker 1: talking about him and it was so funny. And I

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Speaker 1: love Seinfeld, I love the TV show, and I loved

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Speaker 1: the stand up back in the day. I don't love

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Speaker 1: it anymore. Um. I was actually got into a debate

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Speaker 1: with an older comic about it because I'm like, he's

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Speaker 1: not that funny anymore, and she was like, but he is,

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Speaker 1: and I'm like, no, no, no no, he's doing it the

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Speaker 1: same thing, exact same thing he did in the nineties,

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Speaker 1: and it's not funny anymore. And it really wasn't funny

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Speaker 1: to begin with, but at the time it was like,

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Speaker 1: quote unquote innovative. You know what's the deal with even

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Speaker 1: Bobcat move fast from like thank you exactly like yo

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Speaker 1: that she was killing though, but it was he had

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Speaker 1: a vision and I'm like and I've I've yeah, I've

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Speaker 1: been such a huge fanish yeah and so, And you're right,

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Speaker 1: though he has evolved. He's a different comic than he

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Speaker 1: was back then, but he's still very funny. But you're right,

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Speaker 1: if you're not involve as a comic, you're you're not

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Speaker 1: because I mean, imagine him doing that ship now. I

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Speaker 1: mean I would love it for the nostalgia, like if

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Speaker 1: you brought it back for like one show, like, oh,

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Speaker 1: that's interesting. But if he can if he was like

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Speaker 1: he never got past that, I think people be like,

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Speaker 1: I don't know. And he has a good sense of

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Speaker 1: humor about it too, because I like, I mentioned to

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Speaker 1: my mom because I've done multiple shows with him, and

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Speaker 1: I mentioned it to my mom and she like did

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Speaker 1: the voice and it was so funny, and I did

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Speaker 1: it in front of him on stage and he fucking

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Speaker 1: busted up laughing. It was just that thing of like,

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Speaker 1: I mean, that's how we associate him with and I'm

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Speaker 1: glad he doesn't like look down on it, you know,

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Speaker 1: right right right. I feel like Seinfeld's sense of humor

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Speaker 1: has like is kind of locked in where it was

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Speaker 1: like at the there's that like theory that like famous

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Speaker 1: people like stop evolving at the peak of their fame,

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Speaker 1: because that's just like the most adulation they've ever gotten.

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Speaker 1: And also they kind of get surrounded by people who

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Speaker 1: are are just telling them whatever they want to hear.

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Speaker 1: And I feel like, first Seinfeld, that's it's like Michael

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Speaker 1: Jordan's sense of fashion. It's just like, that's it's going

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Speaker 1: to be forever. He's not like on a program where

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Speaker 1: he's like, oh, like access is bad. He's like, why

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Speaker 1: don't you have a Mercedes. That's the only episode I

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Speaker 1: saw that show is with Zak Alfadakis and who was like,

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Speaker 1: your house sucks. I was like, yeah, I just thought

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Speaker 1: you would have lived in a nicer house. It's like, okay,

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Speaker 1: oh yeah, he's the one that evolved the least for sure.

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Speaker 1: All right, let's take a quick break and we'll be

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Speaker 1: right back to talk about some news. And we're back,

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Speaker 1: and Christie Nome is defending herself from nepotism accusations by

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Speaker 1: just like admitting she did nepotism kind of like, yeah, okay,

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Speaker 1: maybe I did that ship, but not what you think, right. So,

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Speaker 1: ye know, she's been in the news for last week.

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Speaker 1: That story came out the rumor that she was sleeping

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Speaker 1: with Korey Lewandowski from Trump World, like they were having

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Speaker 1: an affair, and then she's like, I love my husband whatever.

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Speaker 1: She's like, We've raised god fearing children together. I'm off

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Speaker 1: this like this is a bad rumor. And people were like, wow,

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Speaker 1: okay that by addressing it it seems a little bit

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Speaker 1: more guilty. But you, Christie, you gotta do you. And

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Speaker 1: now she's like, over the last you know, two weeks

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00:19:12,359 --> 00:19:14,800
Speaker 1: or so, this nepotism thing has been getting louder and

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Speaker 1: louder and louder. And because here's the deal. You know,

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Speaker 1: her daughter just like about two years ago, she wanted

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Speaker 1: to be a real estate appraiser, but you know, like

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Speaker 1: the tests and certifications were just like so unfair that

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Speaker 1: the board denied her application and certification. And the state

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Speaker 1: says that they will, like in order to have your

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Speaker 1: certification denied, it's denied when quote an applicants work samples

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Speaker 1: don't meet minimum compliance with national standards. I mean, try

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Speaker 1: to imagine how bad her application must have been for

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Speaker 1: her to not get the affortable in the first place,

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Speaker 1: when her mom is Christie. First of all, the application

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Speaker 1: was in kraon. I don't know if you guys, it

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00:19:58,080 --> 00:20:00,920
Speaker 1: must have been. It must have literally been in Graham.

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Speaker 1: He's like you someone else's application on top of this

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Speaker 1: with crayon, like it's not even your name. Miss oh okay.

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Speaker 1: So that's all these biases and things I got to

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Speaker 1: overcome now, uh And I mean, look, no shade too.

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Speaker 1: You know, real estate applications, it seems fairly straightforward to

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Speaker 1: get licensed. I know an appraise like this specific certification

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Speaker 1: might be a little more specific. I'm sure, however, it's

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Speaker 1: for a lot of people, but not the not her.

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Speaker 1: You wouldn't like this because the moment that they denied this,

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00:20:34,520 --> 00:20:37,960
Speaker 1: the meeting that you're about to describe, was like said

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00:20:37,960 --> 00:20:40,119
Speaker 1: in motion, and they had to have known that like

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Speaker 1: they had. There was only one option, So the certification denied.

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00:20:45,520 --> 00:20:50,680
Speaker 1: Governor Mommy coming through and demand demanded a fucking Sopranos styles.

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Speaker 1: Sit down with Sherry Brand, who is the manager of

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Speaker 1: the appraiser certification program, her direct supervisor, and the state

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Speaker 1: Secretary of Labor and talk to your daughter. And my

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00:21:03,200 --> 00:21:06,960
Speaker 1: daughter was there. I do like that she did. Let

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00:21:06,960 --> 00:21:12,640
Speaker 1: me talk to your manager with and your direct supervisor.

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00:21:13,320 --> 00:21:16,080
Speaker 1: I need to speak to everyone's manager, So who's your manager? Okay,

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00:21:16,119 --> 00:21:18,679
Speaker 1: their manager as well, and who's yours too. I just

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00:21:18,720 --> 00:21:21,040
Speaker 1: thought that she she did all that when she could

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Speaker 1: have just hired somebody to fill out the application. And

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00:21:23,640 --> 00:21:25,440
Speaker 1: you know, like you know what you mean, like there's

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00:21:25,480 --> 00:21:27,879
Speaker 1: so many ways you could have really played the system

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Speaker 1: if you wanted to, you know, just trying to do

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Speaker 1: it the right way more so, yeah, failing spectacularly and

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00:21:33,600 --> 00:21:36,040
Speaker 1: then having her mother abused the office, the power of

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00:21:36,080 --> 00:21:39,520
Speaker 1: her office to get this done. So oddly enough, a

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00:21:39,560 --> 00:21:43,600
Speaker 1: couple of months after that meeting, boom, she's certified, baby

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Speaker 1: certified and is ready to start a praising a praise

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Speaker 1: the Lord. But it is not nepotism. And Christie Nome

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00:21:51,160 --> 00:21:55,639
Speaker 1: did a vertical video apology, so you know she's fucking

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Speaker 1: serious about this. So this is Governor Nomes self tape.

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00:22:00,240 --> 00:22:03,520
Speaker 1: It wasn't nepotism, but very listening, very closely, how she

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Speaker 1: just even lets this unfold, and I wanted to take

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Speaker 1: a second to set the record straight. I never once

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Speaker 1: asked for special treatment for Cassidy. She is my daughter

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Speaker 1: and I'm proud of her. I raised her to accomplish

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Speaker 1: things on her own. Just like my parents raised me.

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Speaker 1: Other appraisers went through the exact same process that Cassidy

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Speaker 1: did right here, And I'll be honest, my administration started

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Speaker 1: fixing that process and it was way too difficult. Appraisers

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00:22:30,200 --> 00:22:32,920
Speaker 1: weren't getting certified, and celt Dakota is having to wait

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00:22:33,000 --> 00:22:36,359
Speaker 1: much longer to buy a home than another stage. Okay,

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Speaker 1: that's it. I don't even care about the state goes. Yeah,

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00:22:39,600 --> 00:22:43,960
Speaker 1: I didn't do nothing. However, we have the problem. Yeah,

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00:22:44,000 --> 00:22:48,560
Speaker 1: which it was way too hard, way too difficult. I'm sorry,

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00:22:48,600 --> 00:22:50,440
Speaker 1: did you is that a direct quoe from your daughter?

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00:22:51,680 --> 00:22:58,760
Speaker 1: It's way too difficult. I don't diffucus application runs an

422
00:22:58,880 --> 00:23:08,119
Speaker 1: enfel out all. There is nothing, Harry, I need to

423
00:23:08,160 --> 00:23:11,520
Speaker 1: see you tomorrow. And your manager and her manager to

424
00:23:11,800 --> 00:23:15,240
Speaker 1: this is thank you think Yeah, I got a baby.

425
00:23:15,280 --> 00:23:18,480
Speaker 1: I know, honey, but I can't believe they made you read.

426
00:23:19,560 --> 00:23:22,040
Speaker 1: I wonder if they don't know the difference between nepotism

427
00:23:22,040 --> 00:23:28,719
Speaker 1: and insects. That's why she's like, it's not nepotism. That's like, lady,

428
00:23:28,920 --> 00:23:30,760
Speaker 1: do you even know? Because you know, it sounds like

429
00:23:30,800 --> 00:23:35,000
Speaker 1: she doesn't know what nepotism is. It's really what I mean,

430
00:23:35,240 --> 00:23:38,360
Speaker 1: especially when you then go on to say, however, we

431
00:23:38,440 --> 00:23:40,800
Speaker 1: did have to fix some problems over in that place

432
00:23:40,800 --> 00:23:46,560
Speaker 1: that made my daughter upset. Okay, she's like, y'all, nepotism

433
00:23:46,600 --> 00:23:51,280
Speaker 1: is disgusting, and that's why obviously I support abortions in

434
00:23:51,320 --> 00:23:56,480
Speaker 1: the case of rape and nepotism, right, And I also

435
00:23:56,520 --> 00:23:58,360
Speaker 1: love that you can see the ring light in her

436
00:23:58,400 --> 00:24:01,520
Speaker 1: eyes and the video that's my favorite, when you're just

437
00:24:01,600 --> 00:24:05,320
Speaker 1: like and the glasses, did you? Glasses? That's what I

438
00:24:05,400 --> 00:24:08,000
Speaker 1: call them, you know, it's an apology when someone who's

439
00:24:08,040 --> 00:24:11,480
Speaker 1: not normally wearing glasses puts the glasses on or around

440
00:24:11,480 --> 00:24:13,280
Speaker 1: their head to kind of I think it evokes that

441
00:24:13,320 --> 00:24:15,600
Speaker 1: old things like Batman when the jokers like you wouldn't

442
00:24:15,600 --> 00:24:19,840
Speaker 1: punch a guy with glasses, which funny. What a mess.

443
00:24:20,200 --> 00:24:22,679
Speaker 1: Let me just take a break from all this work

444
00:24:22,720 --> 00:24:25,359
Speaker 1: I'm doing with my glasses to put them up on

445
00:24:25,400 --> 00:24:28,680
Speaker 1: the top of my apologize. You guys are a distraction

446
00:24:29,119 --> 00:24:32,080
Speaker 1: from the She definitely took more time on hair and

447
00:24:32,119 --> 00:24:37,880
Speaker 1: makeup than she did on the apology. Yeah, isn't there,

448
00:24:37,960 --> 00:24:42,280
Speaker 1: But it's just this is why it's so bad. You

449
00:24:42,320 --> 00:24:44,879
Speaker 1: won't believe how long it takes to buy somebody to

450
00:24:45,160 --> 00:24:48,280
Speaker 1: buy a house in South Dakota because there's no appraisers.

451
00:24:48,320 --> 00:24:50,199
Speaker 1: I mean, really, what I'm trying to do? She goes

452
00:24:50,240 --> 00:24:51,720
Speaker 1: on to be like, I need to get more young

453
00:24:51,760 --> 00:24:55,040
Speaker 1: people involved in this to give them opportunities, because there

454
00:24:55,040 --> 00:24:58,520
Speaker 1: shouldn't be so many obstacles to opportunity. Please don't look

455
00:24:58,560 --> 00:25:01,520
Speaker 1: at my policies on education funding or things as it

456
00:25:01,560 --> 00:25:05,080
Speaker 1: relates to reservations. But anyway, that's what I believe us.

457
00:25:05,240 --> 00:25:08,640
Speaker 1: It's like the classic white feminism story, right, Like they

458
00:25:08,720 --> 00:25:11,120
Speaker 1: fucking want to adjust it for them and they think

459
00:25:11,160 --> 00:25:14,600
Speaker 1: that that's helping everybody. Well yeah, or use that very

460
00:25:14,720 --> 00:25:17,679
Speaker 1: narrow like lens to say, like the version of what

461
00:25:17,880 --> 00:25:20,760
Speaker 1: is being experienced now is actually an oppressive force that

462
00:25:20,840 --> 00:25:24,360
Speaker 1: we're trying to counteract. Versus my daughter is ill prepared.

463
00:25:24,560 --> 00:25:26,959
Speaker 1: I probably raised her as such where whenever she had

464
00:25:26,960 --> 00:25:29,040
Speaker 1: a problem, Mom would solve it without her having to

465
00:25:29,119 --> 00:25:32,000
Speaker 1: learn a lesson, which has created runaway momentum for this

466
00:25:32,600 --> 00:25:36,040
Speaker 1: baby adult who I've raised now, who now screams when

467
00:25:36,080 --> 00:25:38,439
Speaker 1: they don't get their appraisers. Oh my god, I just

468
00:25:38,480 --> 00:25:40,880
Speaker 1: thought of I've had My mom helped me on one

469
00:25:40,960 --> 00:25:43,160
Speaker 1: thing once when I was in high school. I think

470
00:25:43,240 --> 00:25:46,119
Speaker 1: we had to. We had to carve out the fucking

471
00:25:46,800 --> 00:25:53,320
Speaker 1: should the sphinx, like one of those from soap and yes,

472
00:25:53,640 --> 00:25:55,720
Speaker 1: I was trying to do it right and I was like, Mom,

473
00:25:55,760 --> 00:25:57,040
Speaker 1: can you help me? And she was like yeah, and

474
00:25:57,040 --> 00:25:58,600
Speaker 1: then she started doing it and I was like, okay,

475
00:25:58,680 --> 00:26:00,080
Speaker 1: let me and she was like, no, let me, and

476
00:26:00,119 --> 00:26:03,280
Speaker 1: she finished it. I didn't want her to. She just like,

477
00:26:03,440 --> 00:26:04,840
Speaker 1: you know what, you're gonna mess this up. And I

478
00:26:04,840 --> 00:26:06,639
Speaker 1: worked really hard on the back, so now I'm just

479
00:26:06,680 --> 00:26:10,320
Speaker 1: gonna do the whole face and I was like and

480
00:26:10,359 --> 00:26:13,879
Speaker 1: then yeah. I mean we saved it. And to this

481
00:26:13,960 --> 00:26:15,840
Speaker 1: day when I look at him, just like mmmm, I

482
00:26:15,880 --> 00:26:18,239
Speaker 1: will never ask that woman for help again. She just

483
00:26:18,280 --> 00:26:21,160
Speaker 1: looking snatched it out of my hands. I mean, it's

484
00:26:21,200 --> 00:26:23,600
Speaker 1: so weird when your parents are just like, let me

485
00:26:23,680 --> 00:26:25,199
Speaker 1: do this thing for you, and you're like, but this

486
00:26:25,359 --> 00:26:29,920
Speaker 1: just has to do with my school, like the opportunity, Yeah,

487
00:26:30,480 --> 00:26:32,440
Speaker 1: let me fail on my own. No, because I gotta

488
00:26:32,480 --> 00:26:34,639
Speaker 1: show you. Mom still kinta with an exact knife in

489
00:26:34,640 --> 00:26:38,639
Speaker 1: a bar of dial So funny, but we still have it.

490
00:26:38,800 --> 00:26:40,879
Speaker 1: Sometimes I'll see it and I'm just like, this doesn't

491
00:26:40,880 --> 00:26:42,880
Speaker 1: even mine. But she was like, you remember that when

492
00:26:42,880 --> 00:26:44,239
Speaker 1: you made that. I was like, I didn't make that.

493
00:26:44,320 --> 00:26:49,960
Speaker 1: You made that. Yeah, it's funny, funny, the same the

494
00:26:50,000 --> 00:26:51,680
Speaker 1: one it's so funny you said that. The one time

495
00:26:51,720 --> 00:26:54,159
Speaker 1: my mom ever helped me with the school project was

496
00:26:54,200 --> 00:26:57,280
Speaker 1: with it like an ancient Egypt diorama had to build

497
00:26:57,680 --> 00:27:00,320
Speaker 1: and I was trying to make my own pyramids out

498
00:27:00,320 --> 00:27:03,640
Speaker 1: of paper and on. My dumbass just didn't know how

499
00:27:03,680 --> 00:27:05,919
Speaker 1: to funk with geometry property to get it. And my

500
00:27:05,920 --> 00:27:10,679
Speaker 1: mom watched me struggle for hours and then until she

501
00:27:10,760 --> 00:27:13,080
Speaker 1: was just like, yo, like you can't embarrass me like this.

502
00:27:13,119 --> 00:27:15,040
Speaker 1: We bring this ship in here like here, like just

503
00:27:15,080 --> 00:27:17,479
Speaker 1: cut this paper like this and then just fold it

504
00:27:17,560 --> 00:27:19,720
Speaker 1: and then it'll be it'll look like a little pyramid.

505
00:27:19,760 --> 00:27:23,359
Speaker 1: And I'm like and I remember like being so self

506
00:27:23,400 --> 00:27:24,800
Speaker 1: conscious when I brought it like that. I was like,

507
00:27:24,880 --> 00:27:27,040
Speaker 1: the teacher's gonna know my mom did this. You know,

508
00:27:27,280 --> 00:27:29,800
Speaker 1: my mom did the fucking paper pyramid. And no it

509
00:27:29,880 --> 00:27:32,320
Speaker 1: wasn't like that, but I'll never shake that feeling either. Yeah,

510
00:27:32,359 --> 00:27:34,520
Speaker 1: it's so funny, right because I got an a on

511
00:27:34,560 --> 00:27:39,560
Speaker 1: it and I was like so upset for me to

512
00:27:39,720 --> 00:27:43,320
Speaker 1: like with you know, Asian household. It's very much like

513
00:27:43,320 --> 00:27:46,040
Speaker 1: sink or swim, motherfucker like and if you fail, I

514
00:27:46,080 --> 00:27:48,040
Speaker 1: hope you ready for the shame train because it's about

515
00:27:48,040 --> 00:27:49,560
Speaker 1: to make a stop at this house. You'd be better

516
00:27:49,600 --> 00:27:53,359
Speaker 1: hop on. But like, at the same time, also became

517
00:27:53,560 --> 00:27:56,159
Speaker 1: very much like able to rely on myself because I

518
00:27:56,240 --> 00:27:58,880
Speaker 1: was like, you know what, because I feel like every kid,

519
00:27:59,520 --> 00:28:02,159
Speaker 1: like when report time will come around, there was always

520
00:28:02,160 --> 00:28:05,400
Speaker 1: that one kid you learned like your mom fucking made that.

521
00:28:06,000 --> 00:28:08,320
Speaker 1: I've seen you. You can't even color in the fucking lines,

522
00:28:08,880 --> 00:28:11,399
Speaker 1: and now you did a whole ass diorama out of

523
00:28:11,400 --> 00:28:15,720
Speaker 1: a moving box that's like the scale. No. No, my

524
00:28:15,840 --> 00:28:19,520
Speaker 1: dad helped me with math homework in sixth grade once

525
00:28:19,600 --> 00:28:22,440
Speaker 1: and I still remember it because it ultimately ended with

526
00:28:22,520 --> 00:28:26,240
Speaker 1: him being like, your teacher is wrong about this. This

527
00:28:26,760 --> 00:28:30,520
Speaker 1: doesn't move, This doesn't make sense to me. And my

528
00:28:30,560 --> 00:28:33,040
Speaker 1: poor teacher, who was like such a hardass she didn't

529
00:28:33,040 --> 00:28:35,879
Speaker 1: give a funk ficture, was just like uh huh uh

530
00:28:35,960 --> 00:28:41,520
Speaker 1: huh yeah, okay, yeah, and you're a basketball coach, right, okay, yeah,

531
00:28:41,960 --> 00:28:45,120
Speaker 1: so why don't you just add up the score because

532
00:28:45,120 --> 00:28:47,040
Speaker 1: what you can only counted five right and do it

533
00:28:47,080 --> 00:28:49,760
Speaker 1: in ones, twos and threes, because see, isn't that funny

534
00:28:49,800 --> 00:28:51,440
Speaker 1: that we all have a story and we all are

535
00:28:51,480 --> 00:28:54,080
Speaker 1: like we very vividly remember and how it made us feel,

536
00:28:54,120 --> 00:28:56,080
Speaker 1: how we still feel about it, And like Christie Nehme's

537
00:28:56,160 --> 00:28:58,360
Speaker 1: daughter is probably like, well, so that one is sometimes

538
00:28:58,360 --> 00:29:01,440
Speaker 1: for somebody. Well, that's like because you know, I grew

539
00:29:01,520 --> 00:29:03,440
Speaker 1: up around a lot of kids who were the children

540
00:29:03,440 --> 00:29:06,880
Speaker 1: of celebrities, and they all have that similar thing, which

541
00:29:06,960 --> 00:29:10,120
Speaker 1: is money has solved all of their problems since they

542
00:29:10,120 --> 00:29:13,200
Speaker 1: can remember. And I mean there's some kids who you know,

543
00:29:13,280 --> 00:29:15,160
Speaker 1: were raised that'd be a little more self relife, but

544
00:29:15,280 --> 00:29:18,440
Speaker 1: many are like to the point where it's like you

545
00:29:18,520 --> 00:29:20,160
Speaker 1: move in, You're like, yo, can you set up the

546
00:29:20,200 --> 00:29:22,200
Speaker 1: WiFi or something like they don't even know how to

547
00:29:22,200 --> 00:29:24,920
Speaker 1: set up a WiFi account like that, even like you know,

548
00:29:25,000 --> 00:29:27,560
Speaker 1: you call the phone company and they're like huh, And

549
00:29:27,600 --> 00:29:29,360
Speaker 1: I'm like, funck, bro, did your mom always do this?

550
00:29:29,400 --> 00:29:31,520
Speaker 1: She's like they'll be like, yeah, my mom got it covered.

551
00:29:32,520 --> 00:29:37,040
Speaker 1: We're still on the parent plane now. Yeah. Yeah, alright.

552
00:29:37,200 --> 00:29:41,600
Speaker 1: Let's talk about the Pandora papers because it is slightly

553
00:29:41,640 --> 00:29:45,120
Speaker 1: related in the sense that the the US is one

554
00:29:45,200 --> 00:29:48,280
Speaker 1: of the key tax havens for a lot of this activity,

555
00:29:48,400 --> 00:29:52,320
Speaker 1: in particular the state of South Dakota. So she's working

556
00:29:52,360 --> 00:29:55,000
Speaker 1: over time making sure that uh, you know, they can

557
00:29:55,040 --> 00:29:59,160
Speaker 1: get some business from South Dakota, in particular sheltering sheltering

558
00:29:59,600 --> 00:30:02,680
Speaker 1: billi of dollars in wealth linked to people who have

559
00:30:02,800 --> 00:30:06,640
Speaker 1: been accused of serious financial crimes is a quote from

560
00:30:07,040 --> 00:30:11,920
Speaker 1: the reporting on the Pandora papers. But it's basically a

561
00:30:11,920 --> 00:30:15,400
Speaker 1: another leak like the Panama papers, except even bigger. There's

562
00:30:15,440 --> 00:30:18,240
Speaker 1: like more data in this leak than the Panama papers.

563
00:30:18,640 --> 00:30:21,960
Speaker 1: The journalists of the world are still kind of sifting

564
00:30:21,960 --> 00:30:27,160
Speaker 1: through it because it's massive. But basically, hundreds of world leaders, politicians, celebrities,

565
00:30:27,240 --> 00:30:31,680
Speaker 1: religious leaders have been using offshore accounts to shield assets

566
00:30:31,680 --> 00:30:35,880
Speaker 1: collectively worth trillions of dollars. The I really like ox

567
00:30:35,920 --> 00:30:39,040
Speaker 1: Fam statement on this because it's just like, I feel

568
00:30:39,080 --> 00:30:41,640
Speaker 1: like rat The way it's being reported, for the most

569
00:30:41,640 --> 00:30:45,200
Speaker 1: part is just like lifestyles of the rich and famous,

570
00:30:45,200 --> 00:30:48,280
Speaker 1: where like they got caught doing a bad a bad thing,

571
00:30:48,680 --> 00:30:53,360
Speaker 1: and it's like, yeah, yeah, naughty billionaires. But ox Fam

572
00:30:53,400 --> 00:30:56,280
Speaker 1: statement was, this is where I'm missing hospitals are, this

573
00:30:56,320 --> 00:30:58,880
Speaker 1: is where the pay packets it of all the extra

574
00:30:58,920 --> 00:31:01,880
Speaker 1: teachers and firefight is in public servants we need. Whenever

575
00:31:01,880 --> 00:31:04,840
Speaker 1: a politician or business leader claims there is quote no

576
00:31:04,920 --> 00:31:08,720
Speaker 1: money to pay for climate change and innovation, for more

577
00:31:08,720 --> 00:31:11,520
Speaker 1: and better jobs, for a fair post COVID recovery, for

578
00:31:11,640 --> 00:31:15,040
Speaker 1: more overseas aid they know where to look. Yeah, yeah,

579
00:31:15,040 --> 00:31:17,760
Speaker 1: they're just hiding all this money and all sorts of

580
00:31:17,760 --> 00:31:20,480
Speaker 1: illegal ways that I don't fully understand. I'm not the

581
00:31:20,480 --> 00:31:23,400
Speaker 1: person to explain it to you, but it's fucked. The

582
00:31:23,440 --> 00:31:28,880
Speaker 1: whole system is fucked, and it's so complex and legalistic

583
00:31:29,240 --> 00:31:34,120
Speaker 1: that it it gives people that response of like funk,

584
00:31:34,120 --> 00:31:36,560
Speaker 1: I don't even know where to start to try and

585
00:31:36,680 --> 00:31:39,080
Speaker 1: understand this ship and nothink. It makes you feel more

586
00:31:39,120 --> 00:31:42,120
Speaker 1: powerless and how the system is set up than when

587
00:31:42,160 --> 00:31:46,000
Speaker 1: you when these types of stories are exposed, right, and

588
00:31:46,080 --> 00:31:48,360
Speaker 1: then it's like, oh, what happened with the Panama papers?

589
00:31:48,360 --> 00:31:51,440
Speaker 1: Oh one of the journalists was like assassinated, That's what

590
00:31:51,560 --> 00:31:53,520
Speaker 1: came of it. And then you're like, so, what's what

591
00:31:53,560 --> 00:31:55,560
Speaker 1: the what? What I mean? That's what that'll put It

592
00:31:55,560 --> 00:31:58,640
Speaker 1: puts Biden in in an interesting place because this shows

593
00:31:58,680 --> 00:32:02,200
Speaker 1: that the US is the worst of the offenders, which

594
00:32:02,240 --> 00:32:05,120
Speaker 1: is why. And it's like so you can clean the

595
00:32:05,160 --> 00:32:07,840
Speaker 1: ship up because you're you had all this energy for

596
00:32:07,920 --> 00:32:10,520
Speaker 1: you know, people not paying their fair share. This looks

597
00:32:10,560 --> 00:32:13,480
Speaker 1: like a real good example of some ship you could

598
00:32:13,520 --> 00:32:16,960
Speaker 1: clean up. But will that happen? Oh God, I mean

599
00:32:17,000 --> 00:32:19,680
Speaker 1: it's it's it's hard to stay optimistic when you look

600
00:32:19,680 --> 00:32:22,600
Speaker 1: at how many people have just even in Congress or like, yeah, yeah,

601
00:32:22,640 --> 00:32:25,640
Speaker 1: the earth can burn because my corporate benefactors told me

602
00:32:25,680 --> 00:32:29,080
Speaker 1: that's my take today. Yeah. Do you think Biden is

603
00:32:29,080 --> 00:32:33,280
Speaker 1: looking forward to dying? I think you guys think he did.

604
00:32:34,400 --> 00:32:37,600
Speaker 1: I think we contain multitudes, and you know, there's probably

605
00:32:37,680 --> 00:32:39,960
Speaker 1: not a conscious part of his brain that like wakes

606
00:32:40,040 --> 00:32:42,320
Speaker 1: up and it's like, Dad, I wish I was dead.

607
00:32:42,440 --> 00:32:45,400
Speaker 1: But I bet they're like a whole bunch of parts

608
00:32:45,480 --> 00:32:47,400
Speaker 1: of his brain that are like, God, damn it, we

609
00:32:47,520 --> 00:32:51,120
Speaker 1: just get this over with. Come on, take me away. Lord.

610
00:32:51,400 --> 00:32:54,760
Speaker 1: What did you say, Joe, nothing, Jill. This is just

611
00:32:54,800 --> 00:32:57,120
Speaker 1: one of those stories that I think we talked about

612
00:32:57,120 --> 00:32:59,880
Speaker 1: this before, where it's like, this is why it's important

613
00:32:59,880 --> 00:33:03,840
Speaker 1: to just focus on community, your community and improving your community,

614
00:33:03,960 --> 00:33:07,920
Speaker 1: because the fucking the sense of like helping as an

615
00:33:07,920 --> 00:33:13,240
Speaker 1: individual in the global spectrum of things, it's like you're not.

616
00:33:13,320 --> 00:33:15,600
Speaker 1: These people are so corrupt and it's so much bigger

617
00:33:15,600 --> 00:33:18,560
Speaker 1: than we can even wrap our heads around. It's like

618
00:33:18,680 --> 00:33:21,480
Speaker 1: just fucking focus on your family and your community and

619
00:33:21,520 --> 00:33:25,600
Speaker 1: you fucking get through this life. You know. Yeah, I

620
00:33:25,640 --> 00:33:28,880
Speaker 1: do have the idea that like American exceptionalism, we're like, yeah,

621
00:33:28,920 --> 00:33:31,560
Speaker 1: they must be hiding their money and like offshore accounts,

622
00:33:31,560 --> 00:33:35,880
Speaker 1: and it's like, yeah, South Dakota, if that's so, consider

623
00:33:36,160 --> 00:33:42,600
Speaker 1: super falls. South Dakota is bro One of the politicians,

624
00:33:42,680 --> 00:33:45,959
Speaker 1: the head of state for the Czech Republic, who is

625
00:33:46,880 --> 00:33:50,920
Speaker 1: has an election coming up, made the statement that he

626
00:33:51,000 --> 00:33:53,760
Speaker 1: knew this was going to happen just to swing his election,

627
00:33:54,120 --> 00:33:58,040
Speaker 1: which is like amazingly self centered that he thinks that

628
00:33:58,480 --> 00:34:01,920
Speaker 1: this thing with like global aplication and was was all

629
00:34:01,960 --> 00:34:06,960
Speaker 1: designed to swing the check election. But his statement on

630
00:34:07,000 --> 00:34:09,760
Speaker 1: it was I never did anything illegal or wrong, which

631
00:34:09,920 --> 00:34:13,680
Speaker 1: half of that is true. The illegality is completely independent

632
00:34:13,680 --> 00:34:16,200
Speaker 1: of the wrongdoing, and that's sort of the problem. The

633
00:34:16,280 --> 00:34:20,600
Speaker 1: legal system is set up in a horribly corrupt way.

634
00:34:20,920 --> 00:34:22,560
Speaker 1: I do want to like kind of talk about the

635
00:34:22,600 --> 00:34:26,719
Speaker 1: other side of that coin, though, because like so that

636
00:34:26,840 --> 00:34:29,799
Speaker 1: story is about like really boring ship that's like hard

637
00:34:29,800 --> 00:34:32,240
Speaker 1: to wrap your mind around where that people are using

638
00:34:32,320 --> 00:34:36,920
Speaker 1: to do illegal ship and hoard money and deprive people

639
00:34:37,280 --> 00:34:41,480
Speaker 1: of of money. But there's a great news story about

640
00:34:41,560 --> 00:34:45,520
Speaker 1: the world's oldest rainforest being handed back to its indigenous owners.

641
00:34:46,080 --> 00:34:52,440
Speaker 1: It's in Queensland, Australia, at a ceremony last Wednesday, the

642
00:34:52,480 --> 00:34:56,919
Speaker 1: Eastern Cuckoo eulogy. People on fucking that up. I'm sure

643
00:34:57,440 --> 00:35:03,400
Speaker 1: took formal ownership of of the land, and it's like

644
00:35:03,440 --> 00:35:05,239
Speaker 1: I just digging into it a little bit. It was

645
00:35:05,280 --> 00:35:08,640
Speaker 1: like a decade's lung process with the federal government, like

646
00:35:09,280 --> 00:35:12,120
Speaker 1: you know, they did something to protect the land back

647
00:35:12,120 --> 00:35:16,399
Speaker 1: in nine but then like to actually give it back

648
00:35:16,400 --> 00:35:20,279
Speaker 1: to the people took like thirty three years of negotiations

649
00:35:20,480 --> 00:35:25,560
Speaker 1: and like bureaucratic just sort of legwork, And I just

650
00:35:25,600 --> 00:35:28,759
Speaker 1: feel like it's the sort of thing that it's hard

651
00:35:28,800 --> 00:35:32,440
Speaker 1: to imagine like someone reporting on this or like this

652
00:35:32,480 --> 00:35:35,200
Speaker 1: story going viral in America since it's like a victory

653
00:35:35,280 --> 00:35:41,480
Speaker 1: for people who were not immediately familiar with and that's

654
00:35:41,560 --> 00:35:47,800
Speaker 1: like done by bureaucrats basically. But our world, our culture

655
00:35:47,880 --> 00:35:54,160
Speaker 1: is just so like anti bureaucrat, like from like books

656
00:35:54,200 --> 00:35:56,719
Speaker 1: that we read in high school. They were like Night

657
00:35:56,880 --> 00:35:59,480
Speaker 1: four and you know, Brave New World and like those

658
00:35:59,520 --> 00:36:03,239
Speaker 1: sort of post apocalyptic books that are like yeah, that

659
00:36:03,280 --> 00:36:06,799
Speaker 1: are just like or cough cut, Like everything is just

660
00:36:06,840 --> 00:36:10,640
Speaker 1: like being a nameless bureaucrat is like hell, but it's like,

661
00:36:10,680 --> 00:36:14,279
Speaker 1: well you can also like just work and grind on

662
00:36:14,360 --> 00:36:17,759
Speaker 1: behalf of like really good cause. And I don't know that.

663
00:36:18,239 --> 00:36:20,600
Speaker 1: I feel like there's not a single place in our

664
00:36:20,640 --> 00:36:24,319
Speaker 1: culture where like that is glorified other than like the

665
00:36:24,360 --> 00:36:26,799
Speaker 1: occasional good news story. You don't want to get too

666
00:36:26,840 --> 00:36:31,000
Speaker 1: much momentum of you know, colonizers giving ship back, right,

667
00:36:31,440 --> 00:36:34,160
Speaker 1: that's uh, that's a dangerous game for a lot of governments.

668
00:36:34,840 --> 00:36:37,239
Speaker 1: They're like, oh, whoa, whoa what they do? No, no, no,

669
00:36:37,360 --> 00:36:38,919
Speaker 1: that's a one off. I know. I was gonna ask

670
00:36:38,960 --> 00:36:41,360
Speaker 1: you guys think that this is gonna happen more frequently

671
00:36:41,480 --> 00:36:44,080
Speaker 1: or just every whatever twenty fifty years or some sh

672
00:36:44,120 --> 00:36:46,360
Speaker 1: it like, I don't know. I mean, I think the

673
00:36:46,400 --> 00:36:50,279
Speaker 1: difference is the one benefit is people are so interested

674
00:36:50,360 --> 00:36:53,520
Speaker 1: in like these kinds of power dynamics. I don't know

675
00:36:53,560 --> 00:36:56,080
Speaker 1: if it's it's definitely not like a tipping point, but

676
00:36:56,120 --> 00:36:59,200
Speaker 1: more and more people understand like what is right and wrong,

677
00:36:59,840 --> 00:37:02,640
Speaker 1: or or you know how oppression works, or how like,

678
00:37:03,000 --> 00:37:07,200
Speaker 1: you know, even being very underhanded with like bureaucratic paperwork

679
00:37:07,239 --> 00:37:10,480
Speaker 1: to not you know, give land back. I don't know.

680
00:37:10,600 --> 00:37:15,200
Speaker 1: I just see just increased awareness and a deep down.

681
00:37:15,239 --> 00:37:18,880
Speaker 1: I hope with increased awareness comes some kind of tangible change,

682
00:37:18,880 --> 00:37:23,080
Speaker 1: but it definitely takes time. And I think to your point,

683
00:37:23,120 --> 00:37:25,400
Speaker 1: that's why it's good to focus on things like locally,

684
00:37:25,520 --> 00:37:28,239
Speaker 1: because you have a lot more when you know your

685
00:37:28,280 --> 00:37:30,239
Speaker 1: communities and stuff like that, you know the people there,

686
00:37:30,239 --> 00:37:32,000
Speaker 1: you kind of understand how power moves a little bit

687
00:37:32,000 --> 00:37:35,000
Speaker 1: differently than trying to scream outside of Capitol Hill and

688
00:37:35,040 --> 00:37:39,400
Speaker 1: being like, did you to do something? Yeah, well you

689
00:37:39,400 --> 00:37:43,200
Speaker 1: don't want to do another insurrection. The person's kind of whack.

690
00:37:43,280 --> 00:37:47,120
Speaker 1: I'm not I'm not gonna lie there. Nobody's smoking weed.

691
00:37:47,400 --> 00:37:50,400
Speaker 1: I was like, what the fuck? Listen, Nope, it's not

692
00:37:50,480 --> 00:37:53,759
Speaker 1: a party. All right, let's take a quick break and

693
00:37:53,920 --> 00:38:07,359
Speaker 1: we'll be right back, and we're back. And a New

694
00:38:07,440 --> 00:38:11,120
Speaker 1: York Times columnists was pointing out that a lot of

695
00:38:11,200 --> 00:38:14,160
Speaker 1: the sort of news leaks, a lot of the Wall

696
00:38:14,160 --> 00:38:17,520
Speaker 1: Street journals reporting with these like Facebook leaks from behind

697
00:38:17,560 --> 00:38:20,880
Speaker 1: the scenes of Facebook is being interpreted as like Facebook

698
00:38:20,960 --> 00:38:24,560
Speaker 1: is this like massive, powerful company that's unstoppable, and like

699
00:38:24,680 --> 00:38:27,320
Speaker 1: the thing we need to do is break it apart,

700
00:38:27,840 --> 00:38:31,160
Speaker 1: and the the columnists like, yeah, that's we definitely need

701
00:38:31,200 --> 00:38:33,520
Speaker 1: to like break it apart. But also like what we're

702
00:38:33,560 --> 00:38:37,640
Speaker 1: seeing is kind of more dangerous than them being this massive,

703
00:38:37,760 --> 00:38:42,360
Speaker 1: like unstoppable juggernaut. It's actually like a company that is

704
00:38:42,400 --> 00:38:45,600
Speaker 1: in trouble and that like recognizes its weakness and like

705
00:38:46,280 --> 00:38:49,239
Speaker 1: is acting from a place of desperation. Like a lot

706
00:38:49,320 --> 00:38:53,040
Speaker 1: a lot of the leak reports are about them being

707
00:38:53,120 --> 00:38:55,480
Speaker 1: like yeah, no, like just the ship that we know,

708
00:38:55,840 --> 00:38:59,319
Speaker 1: like about Facebook that like it's for old people and

709
00:38:59,360 --> 00:39:02,800
Speaker 1: like young people aren't really fucking with it and becoming

710
00:39:02,840 --> 00:39:06,880
Speaker 1: toxic for like younger people, yeah, like teen girls and

711
00:39:06,920 --> 00:39:08,600
Speaker 1: things like that, and they don't give a funk. They're

712
00:39:08,600 --> 00:39:10,440
Speaker 1: looking at like yeah, yeah, that's happening. But before you

713
00:39:10,440 --> 00:39:12,279
Speaker 1: want me to do them in this engagement though, but

714
00:39:12,360 --> 00:39:16,200
Speaker 1: they like do recognize it. Like that that's being brought

715
00:39:16,280 --> 00:39:18,319
Speaker 1: up in meetings is like Okay, there's all this ship

716
00:39:18,400 --> 00:39:21,360
Speaker 1: that like kids hate about this were toxic. We have

717
00:39:21,440 --> 00:39:23,400
Speaker 1: like these things that go viral that are like really

718
00:39:23,520 --> 00:39:27,680
Speaker 1: bad for people. You know, we've helped spread genocides in

719
00:39:27,719 --> 00:39:31,160
Speaker 1: other countries, like these are these are bad stories that

720
00:39:31,200 --> 00:39:34,560
Speaker 1: are like hurting our ability to like draw young people.

721
00:39:35,120 --> 00:39:39,680
Speaker 1: But then everything like to a cellular level, like everything

722
00:39:39,840 --> 00:39:44,359
Speaker 1: that they do is all about generating engagement, and it's

723
00:39:44,480 --> 00:39:49,800
Speaker 1: just they can't change how people think of their platform

724
00:39:49,880 --> 00:39:53,319
Speaker 1: because they it was it's been fucked up for so long.

725
00:39:53,560 --> 00:39:57,120
Speaker 1: So they did this algorithm that was covered at the

726
00:39:57,160 --> 00:40:00,680
Speaker 1: time of the mainstream media because the main instream media

727
00:40:01,120 --> 00:40:05,200
Speaker 1: will just repeat anything that a massive tech company or

728
00:40:05,239 --> 00:40:08,799
Speaker 1: the police tell them. But it was like they're doing

729
00:40:08,840 --> 00:40:13,680
Speaker 1: this push to change the state of the algorithm to

730
00:40:13,800 --> 00:40:17,759
Speaker 1: be like more positive. What they actually did was like

731
00:40:17,960 --> 00:40:22,200
Speaker 1: changed it to increase engagement, and that ended up just

732
00:40:22,719 --> 00:40:28,880
Speaker 1: meaning that they increased the like posts that made people angry. Yeah,

733
00:40:29,000 --> 00:40:34,040
Speaker 1: the the this whistleblower, Francis Hogan, who is the person

734
00:40:34,080 --> 00:40:36,360
Speaker 1: who shared all those documents with the Wall Street Journal.

735
00:40:36,400 --> 00:40:39,640
Speaker 1: They were on sixty minutes and I'll just play this

736
00:40:39,680 --> 00:40:44,000
Speaker 1: clip of her describing just very bluntantly how like how

737
00:40:44,160 --> 00:40:47,319
Speaker 1: ship was working on Facebook. And then you really understand like, oh,

738
00:40:47,400 --> 00:40:50,359
Speaker 1: this is they don't give a fuck and even no

739
00:40:50,400 --> 00:40:53,719
Speaker 1: matter what the cost Halgan told us the route of

740
00:40:53,840 --> 00:40:58,680
Speaker 1: Facebook's problem is in a change that it made in

741
00:40:58,760 --> 00:41:02,760
Speaker 1: to its algorithms, the programming that decides what you see

742
00:41:02,880 --> 00:41:06,560
Speaker 1: on your Facebook news feed. So you know, you have

743
00:41:06,640 --> 00:41:09,600
Speaker 1: your phone, you might see only a hundred pieces of

744
00:41:09,640 --> 00:41:11,880
Speaker 1: content if you sit and scroll off for you know,

745
00:41:11,920 --> 00:41:15,759
Speaker 1: five minutes. But Facebook has thousands of options that could

746
00:41:15,760 --> 00:41:19,799
Speaker 1: show you. The algorithm picks from those options based on

747
00:41:19,920 --> 00:41:23,520
Speaker 1: the kind of content you've engaged with the most in

748
00:41:23,560 --> 00:41:26,759
Speaker 1: the past. And one of the consequences of how Facebook

749
00:41:26,840 --> 00:41:30,319
Speaker 1: is picking out that content today is it is optimizing

750
00:41:30,360 --> 00:41:34,160
Speaker 1: for content that gets engagement a reaction, but its own

751
00:41:34,239 --> 00:41:38,360
Speaker 1: research is showing the content that is hateful, that is divisive,

752
00:41:38,480 --> 00:41:42,840
Speaker 1: that is polarizing. It's easier to inspire people to anger

753
00:41:43,040 --> 00:41:47,839
Speaker 1: than it is to other emotions. Misinformation, angry content is

754
00:41:48,320 --> 00:41:52,840
Speaker 1: enticing to people and keeps them on the platform. Yes,

755
00:41:53,160 --> 00:41:57,320
Speaker 1: Facebook has realized that if they change the algorithm to

756
00:41:57,400 --> 00:41:59,959
Speaker 1: be safer, people will spend less time on the site,

757
00:42:00,400 --> 00:42:05,560
Speaker 1: they'll click on less ads, they'll make less money. M Yeah,

758
00:42:07,120 --> 00:42:10,080
Speaker 1: and it's just like this woman is just so fucking

759
00:42:10,160 --> 00:42:12,319
Speaker 1: steely with her delivery on it, and you're like, and

760
00:42:12,400 --> 00:42:14,480
Speaker 1: you just look at all of the things that we're

761
00:42:14,480 --> 00:42:18,080
Speaker 1: seeing being compounded by the way Facebook gives people information

762
00:42:18,160 --> 00:42:22,640
Speaker 1: and you're like, yeah, you heard, you saw that. The

763
00:42:22,719 --> 00:42:26,000
Speaker 1: reason she decided to whistle blow the funk out of

764
00:42:26,040 --> 00:42:28,879
Speaker 1: this ship is because she lost her friend to conspiracy

765
00:42:28,920 --> 00:42:33,600
Speaker 1: theories online. I mean, that's so fucking sad. And it's

766
00:42:33,680 --> 00:42:35,800
Speaker 1: also that thing of like I also hate that people

767
00:42:36,160 --> 00:42:38,799
Speaker 1: need to have like lose something in order to feel

768
00:42:38,800 --> 00:42:40,600
Speaker 1: like they need to do something good, you know, like

769
00:42:40,680 --> 00:42:43,160
Speaker 1: that you know, double edged sword there. But I am

770
00:42:43,200 --> 00:42:46,279
Speaker 1: glad she's doing it, uh and did it. But it's

771
00:42:46,280 --> 00:42:48,520
Speaker 1: one of those things where it's like, fucking oh man

772
00:42:48,520 --> 00:42:50,759
Speaker 1: is shi It is like so deep and dark and

773
00:42:50,840 --> 00:42:52,799
Speaker 1: worse than I think we all can even rip her

774
00:42:52,840 --> 00:42:55,839
Speaker 1: hands around some and I think I think everybody knows

775
00:42:55,920 --> 00:43:00,319
Speaker 1: someone that's just gone down the rabbit hole and it's like, hey,

776
00:43:00,360 --> 00:43:03,319
Speaker 1: see you later, and you're like, you can't believe what

777
00:43:03,480 --> 00:43:07,239
Speaker 1: has occurred, but then you realize. But you also there

778
00:43:07,320 --> 00:43:09,600
Speaker 1: was like you can there are people you can watch, like, oh, yeah,

779
00:43:09,600 --> 00:43:12,440
Speaker 1: the posts were getting like they were sort of gaining

780
00:43:12,840 --> 00:43:14,719
Speaker 1: speed the last couple of years in the way they

781
00:43:14,719 --> 00:43:18,719
Speaker 1: would post on Instagram or Facebook, and yeah, it's it's

782
00:43:18,760 --> 00:43:21,560
Speaker 1: it's like it's such a pervasive issue that again, like

783
00:43:21,600 --> 00:43:23,920
Speaker 1: what are they going to legislate finally or what do

784
00:43:24,000 --> 00:43:27,760
Speaker 1: they do? Just let this thing thrash its way into

785
00:43:27,800 --> 00:43:30,200
Speaker 1: total chaos as on the way now and YouTube is

786
00:43:30,239 --> 00:43:33,799
Speaker 1: also getting rid of the supposed vaccine misinformation to write

787
00:43:33,840 --> 00:43:38,640
Speaker 1: there taking it down and yeah they are, but yeah, yeah,

788
00:43:38,880 --> 00:43:41,960
Speaker 1: they said like of like the twelve biggest offenders, I know,

789
00:43:42,040 --> 00:43:44,120
Speaker 1: like a few days after that announcement, like two of

790
00:43:44,160 --> 00:43:47,279
Speaker 1: them were still up. But I think it seems like

791
00:43:47,600 --> 00:43:50,160
Speaker 1: on some level they want to do something about it.

792
00:43:50,160 --> 00:43:52,640
Speaker 1: But it's hard for me to have to think that

793
00:43:52,680 --> 00:43:54,560
Speaker 1: they're having a reckoning with like, well, I guess it

794
00:43:54,680 --> 00:43:56,759
Speaker 1: just means we're gonna have to make less money folks. Right,

795
00:43:57,560 --> 00:44:00,880
Speaker 1: that's like that actually being brought up in since seriousness.

796
00:44:00,920 --> 00:44:04,880
Speaker 1: I doubted. No, No, that's never you know, could you

797
00:44:04,920 --> 00:44:06,759
Speaker 1: imagine like a clip of that in a board like

798
00:44:06,880 --> 00:44:09,239
Speaker 1: table board, I mean, like, I mean the alternative is

799
00:44:09,280 --> 00:44:11,239
Speaker 1: we have to do the right thing and just you know,

800
00:44:11,480 --> 00:44:13,279
Speaker 1: just look at more engagement and begin to tell our

801
00:44:13,280 --> 00:44:17,400
Speaker 1: ad partners that. Like. But it's sad too because sometimes

802
00:44:17,400 --> 00:44:19,600
Speaker 1: when I talk to my friends about things that they

803
00:44:19,800 --> 00:44:21,759
Speaker 1: say yes to or things that they're wanting to say

804
00:44:21,840 --> 00:44:24,200
Speaker 1: yes to. In the industry, I will straight up be

805
00:44:24,280 --> 00:44:26,960
Speaker 1: like how much money do you need? Like what what

806
00:44:26,960 --> 00:44:29,640
Speaker 1: are you really getting out of this project or this

807
00:44:29,719 --> 00:44:32,640
Speaker 1: thing that you're doing. And sometimes people like just hearing

808
00:44:32,680 --> 00:44:35,440
Speaker 1: that fox with their head and it's really interesting that

809
00:44:35,480 --> 00:44:38,000
Speaker 1: it's like it's no wonder it's gotten to this point

810
00:44:38,040 --> 00:44:42,239
Speaker 1: because if you can't even like your individual like your

811
00:44:42,280 --> 00:44:46,080
Speaker 1: friends people in your life have a problem with that concept,

812
00:44:46,160 --> 00:44:48,640
Speaker 1: it's like, yeah, no fucking wonder. Everybody so fucking corrupt

813
00:44:48,680 --> 00:44:52,600
Speaker 1: because like money is truly fucking with people's heads and

814
00:44:52,600 --> 00:44:55,560
Speaker 1: and uh yeah, fucking I don't know people, and it's

815
00:44:55,600 --> 00:44:58,279
Speaker 1: like it's like the same thing with you know, what

816
00:44:58,360 --> 00:45:01,520
Speaker 1: you're being what's being reflected to you from society is

817
00:45:01,680 --> 00:45:04,239
Speaker 1: get yours because there's not a lot out there, so

818
00:45:04,280 --> 00:45:06,200
Speaker 1: you better get yours because you don't want to be

819
00:45:06,239 --> 00:45:08,719
Speaker 1: one of these other motherfucker's that don't got it. And

820
00:45:08,920 --> 00:45:12,719
Speaker 1: until I think we're there's some kind of redistribution of

821
00:45:12,840 --> 00:45:15,440
Speaker 1: values where people are like now like it's not we

822
00:45:15,520 --> 00:45:18,080
Speaker 1: have to get off to get yours mindset, and it's

823
00:45:18,320 --> 00:45:22,360
Speaker 1: like get ours type ship, like for everybody to be

824
00:45:22,440 --> 00:45:24,400
Speaker 1: able to say that there is enough that we're not

825
00:45:24,480 --> 00:45:27,439
Speaker 1: dealing with such finite things, that there is a way

826
00:45:27,480 --> 00:45:30,719
Speaker 1: to support people. And I think many people have a

827
00:45:30,800 --> 00:45:32,799
Speaker 1: rigid idea of like, well, if that happens, that means

828
00:45:32,800 --> 00:45:35,640
Speaker 1: I'll never go on vacations, or like well, yeah, that's fine,

829
00:45:35,719 --> 00:45:38,520
Speaker 1: you know you you're you're a normal working person, like

830
00:45:38,600 --> 00:45:40,840
Speaker 1: and everyone should have the flexibility to do that. But

831
00:45:41,160 --> 00:45:43,640
Speaker 1: I think there's just a really good messaging machine on

832
00:45:43,680 --> 00:45:46,080
Speaker 1: the other side, which is having people fear for what

833
00:45:46,120 --> 00:45:48,440
Speaker 1: it means to create more equity for people, which is

834
00:45:48,480 --> 00:45:50,920
Speaker 1: like that means they're gonna take your ship, when really

835
00:45:51,120 --> 00:45:53,239
Speaker 1: we're trying to come for the people from the Pandora

836
00:45:53,280 --> 00:45:57,440
Speaker 1: paper ship, right exactly exactly. It's also interesting when I

837
00:45:57,440 --> 00:46:00,800
Speaker 1: think about how like, like all these news stories are connected,

838
00:46:00,840 --> 00:46:02,759
Speaker 1: not connected, right, because it's like I think about how

839
00:46:03,120 --> 00:46:05,600
Speaker 1: like thank god those indigenous people got their land back,

840
00:46:06,080 --> 00:46:09,719
Speaker 1: and then you think about like influencers online now they're

841
00:46:09,760 --> 00:46:13,759
Speaker 1: kind of exploiting they like their original traditions, like holistic

842
00:46:13,760 --> 00:46:18,120
Speaker 1: traditions that indigenous people created and you know, like their

843
00:46:18,200 --> 00:46:24,080
Speaker 1: ancestors took their land and now these influencers are exploiting

844
00:46:24,400 --> 00:46:27,920
Speaker 1: these indigenous traditions as like they're fucking cool last thing

845
00:46:28,000 --> 00:46:30,440
Speaker 1: that they're selling online and they're making money off of

846
00:46:30,560 --> 00:46:33,279
Speaker 1: their profiting and I don't know, it's just like this

847
00:46:33,400 --> 00:46:35,480
Speaker 1: weird cycle that like as we went through these stories,

848
00:46:35,480 --> 00:46:37,360
Speaker 1: I'm like I saw the cycle in my head and

849
00:46:37,360 --> 00:46:39,440
Speaker 1: I'm like, this is so weird how it's all connected

850
00:46:39,440 --> 00:46:42,239
Speaker 1: and it's not connected, and how everything just comes back

851
00:46:42,280 --> 00:46:45,600
Speaker 1: to money and it's just like the phases of like

852
00:46:46,000 --> 00:46:48,920
Speaker 1: being colonized. The land will go first, and then the

853
00:46:49,040 --> 00:46:51,440
Speaker 1: people and then the culture, and it's like, yeah, we'll

854
00:46:51,440 --> 00:46:54,400
Speaker 1: just get as much as we can out of this thing. Yeah.

855
00:46:54,600 --> 00:46:58,160
Speaker 1: This column points out that you shouldn't be any less

856
00:46:58,200 --> 00:47:02,120
Speaker 1: worried about Facebook because they're kind of in a desperate place,

857
00:47:02,239 --> 00:47:06,120
Speaker 1: because you know, history has shown that companies that like

858
00:47:06,360 --> 00:47:10,480
Speaker 1: MySpace they specifically mentioned like on the way down, they

859
00:47:10,480 --> 00:47:13,399
Speaker 1: do a lot of damage. They you know, sell user

860
00:47:13,520 --> 00:47:18,719
Speaker 1: data to advertising firms. They funk with your online information

861
00:47:19,120 --> 00:47:23,400
Speaker 1: security and a good another good example of like how Facebook,

862
00:47:24,160 --> 00:47:27,040
Speaker 1: you know, the sort of bind that they put themselves

863
00:47:27,040 --> 00:47:31,240
Speaker 1: in is like they so there are there's a problem

864
00:47:31,280 --> 00:47:37,920
Speaker 1: on Instagram with people being sold products that are unhealthy

865
00:47:37,960 --> 00:47:42,440
Speaker 1: that like promote eating disorders. And the way that they

866
00:47:42,440 --> 00:47:46,239
Speaker 1: tried to tried it in quotes to combat that is

867
00:47:46,320 --> 00:47:52,200
Speaker 1: just by banning like a couple obvious hashtags, like they're like,

868
00:47:52,239 --> 00:47:56,359
Speaker 1: well that no more. And then obviously the companies just

869
00:47:57,160 --> 00:48:03,120
Speaker 1: create new hashtags and like those bow has gone Okay, okay,

870
00:48:03,120 --> 00:48:07,080
Speaker 1: how about hashtag snatched up? You know, let's start using

871
00:48:07,120 --> 00:48:10,040
Speaker 1: like yeah, yeah, And I think that's what that that's

872
00:48:10,080 --> 00:48:12,960
Speaker 1: always their problem is they it's they're just plugging these

873
00:48:13,000 --> 00:48:15,000
Speaker 1: holes for another leak to just pop up on the

874
00:48:15,000 --> 00:48:17,719
Speaker 1: other place, because they're not just removing the boat from

875
00:48:17,800 --> 00:48:20,400
Speaker 1: the body of water to fix it. It's like, no, no,

876
00:48:20,400 --> 00:48:21,839
Speaker 1: I think we can. We can keep just going if

877
00:48:21,960 --> 00:48:24,160
Speaker 1: we're just doing it like in this ad hoc way.

878
00:48:24,200 --> 00:48:27,439
Speaker 1: And it's yeah yeah, because I just think, like you said,

879
00:48:27,440 --> 00:48:30,120
Speaker 1: with my Space going down, remember what Tom Tom sold

880
00:48:30,120 --> 00:48:34,160
Speaker 1: it to Fox right, Yeah, Tom sold just sold it

881
00:48:34,239 --> 00:48:38,360
Speaker 1: to whatever company first. Yeah, yeah, Intermix, which sold it

882
00:48:38,400 --> 00:48:42,480
Speaker 1: to Fox right. So then what happens if Mark Suckerberg

883
00:48:42,760 --> 00:48:45,439
Speaker 1: decides the cash out on Facebook. That's when I think

884
00:48:45,440 --> 00:48:49,040
Speaker 1: it would go truly in another direction, because someone goes, yo,

885
00:48:49,160 --> 00:48:51,759
Speaker 1: if I can just get my fucking hands on Facebook,

886
00:48:52,120 --> 00:48:54,360
Speaker 1: like I'll turn this ship all the way up. Yeah,

887
00:48:54,400 --> 00:48:56,080
Speaker 1: and he'll be like, well, I already have my islands,

888
00:48:56,280 --> 00:48:59,719
Speaker 1: so yeah, all right, we do have to get to

889
00:48:59,760 --> 00:49:03,600
Speaker 1: the Anna musical. That's very important. Yeah, what a horrible

890
00:49:03,800 --> 00:49:13,040
Speaker 1: newsday La came on for this one. Guys, Um, you're

891
00:49:13,080 --> 00:49:15,160
Speaker 1: gonna like this one though, because this is so bad

892
00:49:15,200 --> 00:49:18,239
Speaker 1: it's good. So there's a lot of Diana content, a

893
00:49:18,239 --> 00:49:21,520
Speaker 1: lot of Diana tent coming out these days. There's The Crown,

894
00:49:22,000 --> 00:49:27,040
Speaker 1: the upcoming movie Spencer, where Diana is played by Christen Stewart,

895
00:49:27,719 --> 00:49:32,480
Speaker 1: and there's yet another fictionalized telling of the life of

896
00:49:32,520 --> 00:49:36,560
Speaker 1: Princess Diana that just hit Netflix. It is a lavish

897
00:49:36,600 --> 00:49:42,600
Speaker 1: Broadway musical recounting like her life through cringe e pop

898
00:49:42,680 --> 00:49:45,920
Speaker 1: rock songs and elaborate dance numbers. Yeah. I remember we

899
00:49:45,960 --> 00:49:48,200
Speaker 1: first talked about it, like when this came on the radar,

900
00:49:48,600 --> 00:49:50,960
Speaker 1: and we're like, oh boy, this sounds like a mistake,

901
00:49:51,200 --> 00:49:55,840
Speaker 1: but we're blessed because these people actually recorded themselves performing

902
00:49:55,880 --> 00:50:00,600
Speaker 1: this last summer and it's on Netflix now, and what

903
00:50:00,719 --> 00:50:05,200
Speaker 1: a what a sight for sore eyes. I wasn't aware

904
00:50:05,239 --> 00:50:07,880
Speaker 1: of this whole thing, and until I think yesterday is

905
00:50:07,920 --> 00:50:10,800
Speaker 1: that there's a clip going around of two friends watching

906
00:50:10,840 --> 00:50:13,720
Speaker 1: it and they're trying to figure out how the woman,

907
00:50:13,760 --> 00:50:17,439
Speaker 1: the woman playing Diana, she's singing to whoever the fuck

908
00:50:17,560 --> 00:50:20,959
Speaker 1: and then steps into a stand up dress, a dress

909
00:50:21,000 --> 00:50:23,800
Speaker 1: at standing and so there's an extra in the dress

910
00:50:23,920 --> 00:50:27,240
Speaker 1: and that person steps out and she like walks around

911
00:50:27,239 --> 00:50:29,759
Speaker 1: steps in. It's like shot perfectly so you can't tell.

912
00:50:30,280 --> 00:50:32,680
Speaker 1: But they're dissecting it because they're like, this makes no sense.

913
00:50:32,680 --> 00:50:34,440
Speaker 1: She's like not moving, she's just sitting there trying to

914
00:50:34,480 --> 00:50:37,200
Speaker 1: sing because she stepped into the dress. That's the only

915
00:50:37,200 --> 00:50:40,200
Speaker 1: thing I know about this at all, kind of like

916
00:50:40,239 --> 00:50:42,719
Speaker 1: a paper doll. Yeah, it's very weird and people it's

917
00:50:42,760 --> 00:50:45,279
Speaker 1: like going viral and that was the only thing I

918
00:50:45,360 --> 00:50:47,880
Speaker 1: know about this. And it looks cookie. I mean, that

919
00:50:47,960 --> 00:50:50,080
Speaker 1: might be the best thing, because what you're sounding saying

920
00:50:50,120 --> 00:50:52,640
Speaker 1: sounds like a good bit of like stage direction that

921
00:50:52,760 --> 00:50:54,880
Speaker 1: you're like, how they fucking pull that off? Because the

922
00:50:54,960 --> 00:51:00,560
Speaker 1: musical itself, Yeah, it's getting like just kill and and

923
00:51:00,719 --> 00:51:04,520
Speaker 1: reviews based on like some of the lyrics. At one point,

924
00:51:04,800 --> 00:51:08,719
Speaker 1: Prince Charles sings, how about for us start don't act

925
00:51:08,800 --> 00:51:13,919
Speaker 1: like a tart? Diana, what ya, which she probably said

926
00:51:13,960 --> 00:51:18,239
Speaker 1: to her right that's not might not have rhymed. But

927
00:51:18,880 --> 00:51:22,560
Speaker 1: when Prince William is born, he sings, darling, I'm holding

928
00:51:22,600 --> 00:51:26,479
Speaker 1: our son, so let me say jolly well done. It's

929
00:51:26,560 --> 00:51:31,120
Speaker 1: just really like, think these writers to creative prison. What

930
00:51:31,160 --> 00:51:35,839
Speaker 1: are you doing it. There's a scene right early on

931
00:51:35,880 --> 00:51:38,760
Speaker 1: where she's just like entering like the phase of courting

932
00:51:38,840 --> 00:51:41,480
Speaker 1: Prince Charles, and like there's like this paparazzi scene, this

933
00:51:41,600 --> 00:51:44,640
Speaker 1: paparazzi dance number, like they're all dressed like newsies and stuff,

934
00:51:45,200 --> 00:51:47,279
Speaker 1: and it's just like, oh my god, Like you know,

935
00:51:47,320 --> 00:51:50,160
Speaker 1: the whole sort of undertone, like you know, the thrust

936
00:51:50,239 --> 00:51:52,360
Speaker 1: of it is sort of like these people are bad,

937
00:51:52,400 --> 00:51:54,960
Speaker 1: but also like y'all are ingesting it, so who's really bad?

938
00:51:55,080 --> 00:51:58,200
Speaker 1: Kind of a vibe. And there's one lyric where this

939
00:51:58,400 --> 00:52:01,799
Speaker 1: they're saying, and of course they say better than againness,

940
00:52:01,960 --> 00:52:05,200
Speaker 1: better than a whank, We take the pictures and this

941
00:52:05,360 --> 00:52:09,879
Speaker 1: money in the bank, Oh my god, really better than

942
00:52:10,000 --> 00:52:13,279
Speaker 1: beer or jerking off. That's part of the And then

943
00:52:13,400 --> 00:52:16,080
Speaker 1: you're like, this is this has gone completely off the rails.

944
00:52:16,239 --> 00:52:18,320
Speaker 1: I mean, it is showing that they're sick, because I

945
00:52:18,680 --> 00:52:21,000
Speaker 1: so when they when she dies, they are they like

946
00:52:21,040 --> 00:52:24,120
Speaker 1: tap dancing on her, Like how does that work? They're

947
00:52:24,160 --> 00:52:26,920
Speaker 1: just like taking her lifeless body and like posing it

948
00:52:26,960 --> 00:52:29,120
Speaker 1: to do it. You know, I didn't even get that

949
00:52:29,160 --> 00:52:31,000
Speaker 1: far because like, once I was seeing this, I was like,

950
00:52:31,040 --> 00:52:33,319
Speaker 1: this is so bad. You know, it's just like I

951
00:52:33,320 --> 00:52:36,760
Speaker 1: don't know how you do a musical treatment of something

952
00:52:37,000 --> 00:52:39,400
Speaker 1: that's like everyone else is like, this is actually like

953
00:52:39,440 --> 00:52:41,640
Speaker 1: pretty tragic if you really look at it closely, And

954
00:52:41,680 --> 00:52:44,160
Speaker 1: a lot of people only saw like the glitzy parts

955
00:52:44,160 --> 00:52:48,239
Speaker 1: without understanding how tortured these be poor. Do you ever

956
00:52:48,400 --> 00:52:50,640
Speaker 1: you ever like turned something off in the middle of

957
00:52:50,680 --> 00:52:52,680
Speaker 1: it or at the beginning of it just to make

958
00:52:52,719 --> 00:52:55,000
Speaker 1: a point, because they're like, I should finish this for work,

959
00:52:55,280 --> 00:52:57,200
Speaker 1: but I'm going to turn this off to send a

960
00:52:57,239 --> 00:53:03,000
Speaker 1: message to these streaming. Yeah, sometimes I'll rage quit, like

961
00:53:03,400 --> 00:53:07,839
Speaker 1: performative rage quit, you know, but sometimes I just ran

962
00:53:07,840 --> 00:53:10,800
Speaker 1: anot of time. So you're saying you were going to

963
00:53:10,840 --> 00:53:15,240
Speaker 1: finish it. Honestly, it's so bad. The dancing. It looks

964
00:53:15,280 --> 00:53:17,319
Speaker 1: like the kind of ship like it looks like if

965
00:53:17,360 --> 00:53:19,880
Speaker 1: a flash mob broke out on a cruise ship and

966
00:53:19,920 --> 00:53:22,319
Speaker 1: you're like, these motherfucker's got down. That's like a cruise

967
00:53:23,120 --> 00:53:26,279
Speaker 1: ship during during a storm and they're ye during like

968
00:53:26,320 --> 00:53:29,279
Speaker 1: a COVID, Like you're on a COVID boat and they decided, hey,

969
00:53:29,320 --> 00:53:31,239
Speaker 1: let's do it. Let's do a flash mob musical real

970
00:53:31,320 --> 00:53:36,640
Speaker 1: quick for the stranded passengers, Like, yeah, you know someone

971
00:53:36,640 --> 00:53:39,000
Speaker 1: who just survived COVID. I don't find that comment funny

972
00:53:39,080 --> 00:53:42,640
Speaker 1: at all. Apologies, I don't need to say to get

973
00:53:42,680 --> 00:53:45,040
Speaker 1: it make it that vivid, But I hope that really

974
00:53:45,040 --> 00:53:50,720
Speaker 1: took me there, you know. Yeah, it's uh, it's getting

975
00:53:50,800 --> 00:53:54,280
Speaker 1: Some of the reviews are pretty like they said. Chicago

976
00:53:54,320 --> 00:53:58,840
Speaker 1: Tribune said that the r and streaming is optional the

977
00:53:58,880 --> 00:54:02,120
Speaker 1: Evening Standard. It said, it's like being bludgeoned over the

978
00:54:02,120 --> 00:54:07,640
Speaker 1: head by a commemorative crockery set. That's funny. That's pretty good.

979
00:54:07,960 --> 00:54:10,120
Speaker 1: I like that. And at one point there where I'm

980
00:54:10,200 --> 00:54:14,560
Speaker 1: Camilla with the Thrilla in Manila, So anytime you feel

981
00:54:14,560 --> 00:54:17,400
Speaker 1: bad about your own freestyling, you know, you can always

982
00:54:18,120 --> 00:54:23,400
Speaker 1: remember that somebody actually wrote that ship down. Like yeah,

983
00:54:23,440 --> 00:54:29,319
Speaker 1: when it comes to sex, someone in Camilla and he's

984
00:54:29,360 --> 00:54:32,800
Speaker 1: called me by the condo piller. Okay, I'm just thinking

985
00:54:32,960 --> 00:54:40,359
Speaker 1: that re jackass Dana and Dana r ip. But yeah,

986
00:54:40,400 --> 00:54:44,000
Speaker 1: I don't know if you could ever do something that

987
00:54:44,160 --> 00:54:47,640
Speaker 1: is serious and add the level of camp that a

988
00:54:47,760 --> 00:54:52,040
Speaker 1: musical brings, and then it completely not have any meaning anymore. Yeah,

989
00:54:52,320 --> 00:54:54,479
Speaker 1: there's a musical number sung by the Queen in which

990
00:54:54,520 --> 00:54:58,400
Speaker 1: she's sandwiched by two beds, one in which Diana is

991
00:54:58,440 --> 00:55:00,680
Speaker 1: having an affair with James hugh It and the other

992
00:55:00,760 --> 00:55:05,520
Speaker 1: where Charles is fucking Camilla. Oh my god, it's just

993
00:55:06,000 --> 00:55:08,239
Speaker 1: I'm just leaking at screen cups. I have not watched this,

994
00:55:08,320 --> 00:55:13,200
Speaker 1: but their strategy is apparently to like let people see

995
00:55:13,239 --> 00:55:16,520
Speaker 1: this and then they will be like, I've got to

996
00:55:16,520 --> 00:55:22,120
Speaker 1: see it in person because it doesn't make sense, Like, yeah,

997
00:55:22,239 --> 00:55:26,279
Speaker 1: the only Broadway musicals that they have like released on

998
00:55:26,560 --> 00:55:28,880
Speaker 1: like a streaming network are like ones that are like

999
00:55:28,920 --> 00:55:31,040
Speaker 1: a lot of people have seen and they've already succeeded.

1000
00:55:31,080 --> 00:55:33,279
Speaker 1: This is the first time that they were like, let's

1001
00:55:33,800 --> 00:55:37,880
Speaker 1: put this out. Usually you secure your streaming bag after

1002
00:55:38,040 --> 00:55:41,680
Speaker 1: your Broadway bag. If you're a Broadway production, you you'd

1003
00:55:41,680 --> 00:55:44,960
Speaker 1: imagine you'd want to do it in that sequence. But

1004
00:55:45,320 --> 00:55:47,399
Speaker 1: shout out to Netflix. I don't. I don't know how.

1005
00:55:47,880 --> 00:55:50,600
Speaker 1: I was just thinking like how this whole thing the

1006
00:55:50,640 --> 00:55:52,640
Speaker 1: whole time I kept watching, like I want to feel

1007
00:55:52,640 --> 00:55:54,520
Speaker 1: like you can make a musical about anything and then

1008
00:55:54,520 --> 00:55:57,120
Speaker 1: it works. But it's like the way they just focus

1009
00:55:57,200 --> 00:56:00,839
Speaker 1: on all these very like just super moments, and if

1010
00:56:00,840 --> 00:56:04,040
Speaker 1: there is something serious, it's like a throwaway line, like

1011
00:56:04,280 --> 00:56:06,879
Speaker 1: you know in a lyric. You're like, that's not honoring them.

1012
00:56:07,200 --> 00:56:10,640
Speaker 1: It's like doing like a Harriet Tubman musical. But it's

1013
00:56:10,680 --> 00:56:13,200
Speaker 1: like you map it over like Starlight Express, because you

1014
00:56:13,239 --> 00:56:16,799
Speaker 1: just focus on the railroad part, you know what I mean.

1015
00:56:16,840 --> 00:56:18,439
Speaker 1: Like he's like, come on, don't do that. Just don't

1016
00:56:18,480 --> 00:56:20,400
Speaker 1: even bother, Like you don't have to go there. You

1017
00:56:20,400 --> 00:56:21,799
Speaker 1: don't have to go there. You can tell you do

1018
00:56:21,960 --> 00:56:27,560
Speaker 1: maybe with theatrically, but not working on the right I

1019
00:56:27,600 --> 00:56:32,160
Speaker 1: mean honestly, yeah, you're like, I don't know about this one,

1020
00:56:32,360 --> 00:56:34,279
Speaker 1: but that's what it's at times. That's what I kind

1021
00:56:34,280 --> 00:56:36,720
Speaker 1: of felt with this when I'm like, I just feels

1022
00:56:36,760 --> 00:56:40,799
Speaker 1: like I do feel like I kind of have to

1023
00:56:40,840 --> 00:56:43,839
Speaker 1: watch this in person. Now. I think I'm gonna plan Jack,

1024
00:56:43,960 --> 00:56:47,040
Speaker 1: you are a better dancer than the guy playing Charles.

1025
00:56:48,480 --> 00:56:50,840
Speaker 1: You said I'm not a great dance I know, but

1026
00:56:50,880 --> 00:56:53,239
Speaker 1: I'm saying, you know, because this guy they say he's good,

1027
00:56:53,280 --> 00:56:56,080
Speaker 1: and I've seen you. I've seen you popping lock and

1028
00:56:57,920 --> 00:57:03,919
Speaker 1: oh you should see him. You look we call Boogaloo do. Yeah,

1029
00:57:04,040 --> 00:57:06,359
Speaker 1: yeah that's his that's his street, that's his buskin name.

1030
00:57:07,880 --> 00:57:10,680
Speaker 1: But yeah, the there's a scene where he's like trying

1031
00:57:10,719 --> 00:57:14,040
Speaker 1: to like like send like a wave through his arms

1032
00:57:14,040 --> 00:57:16,600
Speaker 1: and ship and it looks like he broke both his

1033
00:57:16,720 --> 00:57:20,040
Speaker 1: arms because they're so rigid, and he's just like damn.

1034
00:57:20,560 --> 00:57:24,680
Speaker 1: So it's like offensive to people who dance. I need

1035
00:57:24,720 --> 00:57:29,160
Speaker 1: to watch squid Game. I like, I'm enjoying watching squid Game,

1036
00:57:29,240 --> 00:57:30,800
Speaker 1: and yet I think I'm gonna have to watch this

1037
00:57:30,920 --> 00:57:35,360
Speaker 1: before I watch it more squid Game. Just doost you know, yeah,

1038
00:57:35,560 --> 00:57:38,840
Speaker 1: watch it with your children, just to feel good to him. Yeah.

1039
00:57:38,920 --> 00:57:41,280
Speaker 1: When they're saying stuff like better than a guinness, better

1040
00:57:41,320 --> 00:57:43,959
Speaker 1: than a wank, and your kids are like what are those?

1041
00:57:44,000 --> 00:57:46,080
Speaker 1: You're like, I don't know why, you know, I'm gonna

1042
00:57:46,120 --> 00:57:48,600
Speaker 1: ask any questions. We were like, oh, this is mesmerizing.

1043
00:57:48,640 --> 00:57:51,960
Speaker 1: I'm just a dumb kid like that. They do find

1044
00:57:52,120 --> 00:57:54,600
Speaker 1: the one like word that I don't want them to

1045
00:57:54,720 --> 00:57:57,120
Speaker 1: listen to and be like, what does that mean? Did

1046
00:57:57,160 --> 00:58:02,040
Speaker 1: you say gun? No? He said dumb gum there blow

1047
00:58:02,080 --> 00:58:05,200
Speaker 1: your head off with this. Gum. It's really good. Gum.

1048
00:58:05,640 --> 00:58:09,080
Speaker 1: You think there's um fucking Megan Merkels ship like got

1049
00:58:09,080 --> 00:58:12,200
Speaker 1: everybody all excited to exploit the royal family again, Is

1050
00:58:12,200 --> 00:58:15,640
Speaker 1: that what's going on here? I think the Crown did it,

1051
00:58:16,280 --> 00:58:19,080
Speaker 1: The Mega Markels ship did it. But yeah, the Crown

1052
00:58:19,160 --> 00:58:23,920
Speaker 1: I think is largely show right, just want to m

1053
00:58:24,160 --> 00:58:28,479
Speaker 1: and stuff. Yeah, And I feel like they left like

1054
00:58:29,440 --> 00:58:33,160
Speaker 1: the Diana part of the Crown is not like as

1055
00:58:33,200 --> 00:58:35,360
Speaker 1: the strongest part of the show, I feel like, and

1056
00:58:35,480 --> 00:58:40,479
Speaker 1: so people are like hungry for some for the Grana stuff. Yeah.

1057
00:58:40,720 --> 00:58:43,120
Speaker 1: It also feels like so long ago that people can

1058
00:58:43,160 --> 00:58:47,640
Speaker 1: exploit it again. Yeah. Yeah, which is funny because I

1059
00:58:47,720 --> 00:58:50,800
Speaker 1: think the director of this also he like won an

1060
00:58:50,840 --> 00:58:54,120
Speaker 1: award for directing a nine eleven Broadway. Oh my god,

1061
00:58:54,160 --> 00:58:59,960
Speaker 1: are you serious? Yeah? Wait really yeah, the wonder no One.

1062
00:59:00,040 --> 00:59:03,840
Speaker 1: I was reading the Roger Ebert dot com review because

1063
00:59:03,840 --> 00:59:06,280
Speaker 1: I'm like, what is Roger Ebert dot com gotta say?

1064
00:59:06,480 --> 00:59:08,560
Speaker 1: If they gave that ship one and a half stars

1065
00:59:09,160 --> 00:59:11,520
Speaker 1: and then they said blah blah blah blah blah, it's

1066
00:59:11,640 --> 00:59:14,320
Speaker 1: the creative hands being the creative hands of Christopher Ashley,

1067
00:59:14,360 --> 00:59:17,120
Speaker 1: director of the Stage production and this film performance actually

1068
00:59:17,200 --> 00:59:19,400
Speaker 1: is also a Tony Award winner for his staging of

1069
00:59:19,440 --> 00:59:24,560
Speaker 1: the September eleventh musical Come from Away. Mm hmm, So

1070
00:59:24,600 --> 00:59:27,240
Speaker 1: they didn't know that. Yeah, they wanted Tony for the

1071
00:59:27,880 --> 00:59:32,360
Speaker 1: people who wrote the lyrics. I want a Tony for Memphis,

1072
00:59:32,440 --> 00:59:35,320
Speaker 1: which I was not familiar with. But oh, the nine

1073
00:59:35,360 --> 00:59:39,280
Speaker 1: eleven thing is about people who are stranded in Newfoundland

1074
00:59:40,320 --> 00:59:44,320
Speaker 1: because of all the flights being canceled. Because so it

1075
00:59:44,400 --> 00:59:48,120
Speaker 1: wasn't like so nine eleven, I'm dying on the building.

1076
00:59:48,160 --> 00:59:52,040
Speaker 1: I'm going to jumpall you, honey if I never speak

1077
00:59:52,080 --> 00:59:54,680
Speaker 1: to you again, hold on, I must insert my credit

1078
00:59:54,720 --> 01:00:00,600
Speaker 1: card for two more minutes, and you're like this. That

1079
01:00:00,680 --> 01:00:05,400
Speaker 1: was actually really pretty Uh, where can people find you?

1080
01:00:05,440 --> 01:00:07,680
Speaker 1: And you can find me at the North Bar in

1081
01:00:07,760 --> 01:00:10,720
Speaker 1: Chicago this Saturday, October nine. If you guys are Chicago

1082
01:00:10,840 --> 01:00:12,560
Speaker 1: or the areas, please come out and see me as

1083
01:00:12,600 --> 01:00:15,440
Speaker 1: some fun shows. Um, I'll probably be sitting because I'm

1084
01:00:15,440 --> 01:00:19,000
Speaker 1: still recovering from fucking COVID. Doing anything exhausted me. So

1085
01:00:19,560 --> 01:00:21,480
Speaker 1: that's where my lack of energy came today. But you

1086
01:00:21,560 --> 01:00:23,960
Speaker 1: know what it is, what it is, y'all. Otherwise, on

1087
01:00:24,080 --> 01:00:27,080
Speaker 1: that Marcela comedy on all social media platforms. Um, I

1088
01:00:27,120 --> 01:00:29,600
Speaker 1: have my album The Woke Willie that it's still so

1089
01:00:29,720 --> 01:00:33,520
Speaker 1: fucking funny. And The scroll Down with Nicole Thurman is

1090
01:00:33,560 --> 01:00:36,880
Speaker 1: a podcast where we we do do breakdowns of the week,

1091
01:00:37,160 --> 01:00:39,440
Speaker 1: not like this. We don't do any boring news stories.

1092
01:00:39,480 --> 01:00:41,720
Speaker 1: So if you love the news, don't listen to it.

1093
01:00:41,760 --> 01:00:44,120
Speaker 1: If you love to hear us shooting on pop culture,

1094
01:00:44,240 --> 01:00:47,320
Speaker 1: we do that so and do it very well. Thank you.

1095
01:00:47,880 --> 01:00:50,120
Speaker 1: And is there a tweet or some other work of

1096
01:00:50,280 --> 01:00:54,320
Speaker 1: social media? Oh my god, oh some other social media works.

1097
01:00:54,360 --> 01:00:57,160
Speaker 1: That's an interesting one. There is a young woman, she

1098
01:00:57,360 --> 01:01:00,960
Speaker 1: Fhon Taylor. She says, you make one valid point to

1099
01:01:01,000 --> 01:01:02,960
Speaker 1: your home girl, and it's just a screenshot of her

1100
01:01:03,000 --> 01:01:06,960
Speaker 1: friend going, who side you on? And I found that

1101
01:01:07,120 --> 01:01:09,120
Speaker 1: so funny because it's so true when you do that

1102
01:01:09,160 --> 01:01:11,040
Speaker 1: with your home girls, or just like make a point

1103
01:01:11,040 --> 01:01:12,600
Speaker 1: that has nothing to do with are we not nothing

1104
01:01:12,640 --> 01:01:14,120
Speaker 1: to do with anything? But it's not. You're just trying

1105
01:01:14,160 --> 01:01:18,360
Speaker 1: to like speak logically, you know, diplomatically, and they're just like, bitch,

1106
01:01:18,720 --> 01:01:24,800
Speaker 1: oh now you his friend? Now? Okay, yeah, okay, okay.

1107
01:01:25,160 --> 01:01:28,000
Speaker 1: I'm like, I don't know, I'm reasonable, Yeah, I don't know.

1108
01:01:28,080 --> 01:01:29,800
Speaker 1: You're kind of being a bit right now, do you

1109
01:01:29,880 --> 01:01:33,360
Speaker 1: were thinking about I needed you to do my homegirl?

1110
01:01:33,360 --> 01:01:36,600
Speaker 1: Who would be unreasonable with me? No question? Asked? Oh yeah,

1111
01:01:36,640 --> 01:01:39,640
Speaker 1: my bad Jack. Where can people find you? Oh my god,

1112
01:01:39,720 --> 01:01:44,760
Speaker 1: thank you so much for asking. We usually do myles first. Yeah, yeah,

1113
01:01:45,640 --> 01:01:49,280
Speaker 1: I'm Jack underscorel Brian on Twitter some tweets that I've

1114
01:01:49,320 --> 01:01:54,040
Speaker 1: been enjoying. Let's see Village of the Damned tweeted, girlfriend,

1115
01:01:54,120 --> 01:01:57,040
Speaker 1: I'm seeing someone behind your back me believes in ghosts?

1116
01:01:57,120 --> 01:02:04,080
Speaker 1: Is it my grandpa? Dylan? Dylan tweeted Francis guy who

1117
01:02:04,120 --> 01:02:10,720
Speaker 1: caused it? Hey, I'm staying out of this. And then

1118
01:02:10,760 --> 01:02:12,800
Speaker 1: we have multiple I don't even know you could do multiple.

1119
01:02:13,160 --> 01:02:19,760
Speaker 1: I know. I'm just good for you and Vida who

1120
01:02:19,760 --> 01:02:22,440
Speaker 1: know tweeted If she's your girl, then why does her

1121
01:02:22,520 --> 01:02:25,920
Speaker 1: late motif appear? And part of my battle team which

1122
01:02:26,040 --> 01:02:30,560
Speaker 1: I enjoyed? You're a dork, Jack, I just remembered a

1123
01:02:30,560 --> 01:02:35,880
Speaker 1: couple more days. I'm in Fort Collins, Colorado, Colorado. I

1124
01:02:35,920 --> 01:02:37,800
Speaker 1: know that you have a lot of listeners in Colorado,

1125
01:02:37,840 --> 01:02:41,760
Speaker 1: so complete comedy on four or four like that. If

1126
01:02:41,800 --> 01:02:43,840
Speaker 1: we owe them a visit to well, y'all visit out

1127
01:02:43,880 --> 01:02:46,360
Speaker 1: there Colorado is like Yank, we do Miles, when do

1128
01:02:46,480 --> 01:02:49,000
Speaker 1: people find you? Thank you so much, Marcella, thank you

1129
01:02:49,080 --> 01:02:50,760
Speaker 1: for having me. You can find me at Miles and

1130
01:02:50,840 --> 01:02:52,959
Speaker 1: Gray on Twitter and Instagram. And also my other show

1131
01:02:53,000 --> 01:02:55,600
Speaker 1: for twenty day Fiance was Sophia Alexander. We're just getting

1132
01:02:55,680 --> 01:02:58,400
Speaker 1: high talking about ninety day Fiance. The Lord's work a

1133
01:02:58,440 --> 01:03:01,440
Speaker 1: tweet I like it from at all Holly, who tweeted

1134
01:03:01,840 --> 01:03:04,520
Speaker 1: library patron of the week. The fellow who came in

1135
01:03:04,640 --> 01:03:08,000
Speaker 1: wandered around for a good while, then asked pleasantly, what

1136
01:03:08,200 --> 01:03:14,520
Speaker 1: is this place? Oh gosh. We talked about it last week,

1137
01:03:14,560 --> 01:03:19,480
Speaker 1: like how just unthinkable libraries would be like if if

1138
01:03:19,520 --> 01:03:22,960
Speaker 1: they hadn't already existed, like in our modern world, if

1139
01:03:22,960 --> 01:03:24,640
Speaker 1: someone was like, all right, I'm gonna make a like

1140
01:03:24,720 --> 01:03:27,320
Speaker 1: place that has all the books and like for free,

1141
01:03:27,560 --> 01:03:30,760
Speaker 1: people would be like, dude, they'd say it's critical race

1142
01:03:30,840 --> 01:03:33,800
Speaker 1: theory or something, you know what I mean. We like,

1143
01:03:33,800 --> 01:03:35,360
Speaker 1: like four of us in the family used to work

1144
01:03:35,400 --> 01:03:37,960
Speaker 1: at a library. But my mom was reminding me of

1145
01:03:38,000 --> 01:03:40,880
Speaker 1: this story where um, there there are people steal books

1146
01:03:40,880 --> 01:03:43,480
Speaker 1: from the library, and I guess one of the ladies

1147
01:03:43,600 --> 01:03:45,840
Speaker 1: that worked there was like we should be happy that

1148
01:03:45,920 --> 01:03:49,000
Speaker 1: they want to steal books and the cutest thing I've

1149
01:03:49,000 --> 01:03:54,440
Speaker 1: ever they want to read, though, I guess that's true.

1150
01:03:55,440 --> 01:03:57,520
Speaker 1: They're like, no, they're they're just roman joints out of

1151
01:03:57,520 --> 01:04:00,919
Speaker 1: the blanket notes in the back of those bibles. There's like, well, guys,

1152
01:04:00,920 --> 01:04:03,760
Speaker 1: thanks for joining me here on the Daily Guys, where

1153
01:04:03,760 --> 01:04:06,000
Speaker 1: can people find the Dailies? Like guys myself? I don't

1154
01:04:06,000 --> 01:04:10,520
Speaker 1: fucking know you can find the dais Like guys on

1155
01:04:11,560 --> 01:04:13,919
Speaker 1: where is it now? You don't know either, Miles, where

1156
01:04:13,920 --> 01:04:16,400
Speaker 1: can people find the Day Night? Guys? You normally does

1157
01:04:16,440 --> 01:04:19,400
Speaker 1: this ship at Daily's Like guys on Twitter, at the Daily,

1158
01:04:19,480 --> 01:04:22,520
Speaker 1: like guys on Instagram, Facebook fan page, at website, Daily's

1159
01:04:22,520 --> 01:04:25,120
Speaker 1: like guys dot com. We're posting episodes on our f

1160
01:04:26,880 --> 01:04:29,960
Speaker 1: And then Jack asked me what we're riding out, Hey, Miles,

1161
01:04:30,000 --> 01:04:32,400
Speaker 1: what song are we riding out on today? Hey, We're

1162
01:04:32,400 --> 01:04:35,760
Speaker 1: gonna ride out on this track south by West from

1163
01:04:36,000 --> 01:04:39,600
Speaker 1: unglued It's a bit of drumming bass, you know, because

1164
01:04:39,720 --> 01:04:42,240
Speaker 1: I've got Diana got me in that UK massive mood

1165
01:04:42,640 --> 01:04:45,440
Speaker 1: and this is the track I've been blasting just on

1166
01:04:45,560 --> 01:04:49,080
Speaker 1: my bicycle from the drumming bass bike board and it's

1167
01:04:49,120 --> 01:04:51,680
Speaker 1: just got a great like sort of jazz sample but

1168
01:04:51,760 --> 01:04:53,760
Speaker 1: flips into a nice drumming bass track. I feel like

1169
01:04:53,760 --> 01:04:57,000
Speaker 1: I'm looking watching an old like Infinity car commercial from

1170
01:04:57,040 --> 01:04:58,800
Speaker 1: the nineties, when like that used to be the theme

1171
01:04:58,840 --> 01:05:01,360
Speaker 1: of all commercials. So check this out. It's easy listening

1172
01:05:01,360 --> 01:05:04,800
Speaker 1: and it goes south by West on glued all right. Well,

1173
01:05:04,800 --> 01:05:06,960
Speaker 1: The Daily Zia is a production by Heart Radio. For

1174
01:05:07,080 --> 01:05:09,439
Speaker 1: more podcasts for my heart Radio, visit the I Heart

1175
01:05:09,480 --> 01:05:11,640
Speaker 1: Radio app, Apple podcast, or wherever you listen to your

1176
01:05:11,640 --> 01:05:14,200
Speaker 1: favorite shows. That's gonna do it for us this morning,

1177
01:05:14,200 --> 01:05:16,840
Speaker 1: but we're back this afternoon to tell you what's trending

1178
01:05:16,960 --> 01:05:19,720
Speaker 1: and we will talk to y'all that by bye.