1 00:00:04,200 --> 00:00:06,400 Speaker 1: Hey, and welcome to the Short Stuff. I'm Josh and 2 00:00:06,440 --> 00:00:09,280 Speaker 1: there's Chuck and this is short stuff. So let's talk 3 00:00:10,880 --> 00:00:15,000 Speaker 1: the mystery that annoys Chuck. Yeah, it annoys me too, 4 00:00:15,840 --> 00:00:18,680 Speaker 1: all right, good. I just found myself getting mad when 5 00:00:18,680 --> 00:00:20,880 Speaker 1: I read this. No, but it's it's interesting though at 6 00:00:20,920 --> 00:00:24,320 Speaker 1: the very least you got to give it that sure creative, 7 00:00:24,880 --> 00:00:27,160 Speaker 1: because Chuck we're talking about today has it all. It's 8 00:00:27,160 --> 00:00:30,440 Speaker 1: got poultry geist, activity, has time travel, it's got early 9 00:00:30,880 --> 00:00:34,720 Speaker 1: UM computers from the mid eighties, it's got the UK, 10 00:00:35,400 --> 00:00:38,720 Speaker 1: it's got a fraud. Yeah, it has a lot of 11 00:00:38,720 --> 00:00:40,920 Speaker 1: stuff in it. And um, what we're talking about. He 12 00:00:41,120 --> 00:00:45,479 Speaker 1: is known as the Dondalston Messages and it's a I 13 00:00:45,520 --> 00:00:49,880 Speaker 1: guess a fairly well known occult event that took place 14 00:00:50,320 --> 00:00:56,680 Speaker 1: in Doddleston, um, which is I think in Chess here, yeah, um, 15 00:00:56,720 --> 00:00:59,080 Speaker 1: in England in the mid eighties. I believe it was 16 00:01:00,000 --> 00:01:03,319 Speaker 1: eighty six over span of eighteen months. And it was 17 00:01:03,480 --> 00:01:07,080 Speaker 1: so strange that the people involved wrote a book about 18 00:01:07,120 --> 00:01:11,199 Speaker 1: it and we're still talking about it today, that's right. Uh. 19 00:01:11,240 --> 00:01:15,520 Speaker 1: There's a gentleman named Ken Webster and his wife Debbie 20 00:01:15,560 --> 00:01:19,920 Speaker 1: who bought an old cottage Meadow Cottage because they named 21 00:01:19,920 --> 00:01:24,480 Speaker 1: their cottages over there, and sure, and this thing was old. 22 00:01:24,520 --> 00:01:26,600 Speaker 1: It was eighteen century brick cottage and they were fixing 23 00:01:26,600 --> 00:01:29,520 Speaker 1: it up and um, and this is just sort of 24 00:01:29,520 --> 00:01:32,959 Speaker 1: a precursor to the messages. But apparently there was some 25 00:01:33,319 --> 00:01:36,640 Speaker 1: other weird goings on before the messages. Uh, and that 26 00:01:36,720 --> 00:01:39,360 Speaker 1: when they were fixing it up one night, Uh they 27 00:01:39,560 --> 00:01:43,760 Speaker 1: are one day they noticed some six toed footprints in 28 00:01:43,840 --> 00:01:47,200 Speaker 1: the dust that walked up the wall between the bathroom 29 00:01:47,240 --> 00:01:50,640 Speaker 1: in the kitchen. Uh ken that they reckoned it was 30 00:01:50,680 --> 00:01:54,640 Speaker 1: a prank and uh they had a guest staying with him, Nick, 31 00:01:54,680 --> 00:01:56,320 Speaker 1: and they all kind of decided it was a prank 32 00:01:56,520 --> 00:01:59,080 Speaker 1: by whom I don't know, But they decided to paint 33 00:01:59,160 --> 00:02:01,640 Speaker 1: over all that stuff off. And the next day they 34 00:02:01,640 --> 00:02:04,920 Speaker 1: found footprints in the paint as well. Yeah. And then 35 00:02:05,000 --> 00:02:08,959 Speaker 1: cat food packages or little cans were stacked up in pyramids, 36 00:02:09,080 --> 00:02:12,680 Speaker 1: real Poulter guy stuff. Yeah, Poulter Guests the movie by 37 00:02:12,680 --> 00:02:18,280 Speaker 1: Toby Hupairr. So Um, this this that was Yeah, like 38 00:02:18,320 --> 00:02:19,840 Speaker 1: you said, it was kind of a precursion to the 39 00:02:19,880 --> 00:02:23,240 Speaker 1: whole thing. Um, and it really took off and got 40 00:02:23,280 --> 00:02:26,720 Speaker 1: strange when um, what was the guy's first name Webster. 41 00:02:28,200 --> 00:02:30,360 Speaker 1: When Ken Webster, who was a teacher at a school, 42 00:02:30,800 --> 00:02:33,960 Speaker 1: brought home a BBC micro computer and it had a 43 00:02:33,960 --> 00:02:37,840 Speaker 1: word processor UM program on it called Edward w r 44 00:02:37,919 --> 00:02:42,160 Speaker 1: D pretty cute and um. He would write on it, 45 00:02:42,200 --> 00:02:44,280 Speaker 1: he would use it, and every once in a while 46 00:02:44,400 --> 00:02:48,000 Speaker 1: a weird message would pop up. And it got even 47 00:02:48,040 --> 00:02:50,800 Speaker 1: weirder when it turned out that the author of these messages, 48 00:02:50,840 --> 00:02:55,120 Speaker 1: who Ken Webster, his girlfriend Debbie, and their their house 49 00:02:55,160 --> 00:02:58,440 Speaker 1: guest Nick All said, we don't know who's doing this. Uh. 50 00:02:58,480 --> 00:03:01,320 Speaker 1: The author of those messages claimed to be living in 51 00:03:01,360 --> 00:03:04,200 Speaker 1: the year fifteen forty six, and it actually lived in 52 00:03:04,200 --> 00:03:06,840 Speaker 1: that same cottage, or was living in that same cottage 53 00:03:06,840 --> 00:03:09,840 Speaker 1: in fifty six when he's writing these messages to them 54 00:03:09,919 --> 00:03:13,919 Speaker 1: in which is immediately weird because it was an eighteenth 55 00:03:13,919 --> 00:03:20,000 Speaker 1: century cottage. Yeah. But the one thing we do want 56 00:03:20,000 --> 00:03:21,840 Speaker 1: to point out that wasn't quite clear to me at 57 00:03:21,840 --> 00:03:25,480 Speaker 1: first is that this computer was not hooked up to 58 00:03:25,600 --> 00:03:28,959 Speaker 1: some early kind of modem in some early weird version 59 00:03:29,120 --> 00:03:31,800 Speaker 1: of the Internet in the sticks of England. It was 60 00:03:32,360 --> 00:03:36,720 Speaker 1: just a computer sitting there alone, and ostensibly these messages 61 00:03:37,040 --> 00:03:40,840 Speaker 1: would just appear on that word program, right, Yes, and 62 00:03:40,920 --> 00:03:43,680 Speaker 1: all right, very very big, also really important. Anytime you 63 00:03:43,720 --> 00:03:47,320 Speaker 1: turn that computer off, like you couldn't save anything. You 64 00:03:47,360 --> 00:03:49,160 Speaker 1: could save it on like a floppy disc. But if 65 00:03:49,200 --> 00:03:51,160 Speaker 1: you turn the computer on it whatever was on their 66 00:03:51,200 --> 00:03:55,640 Speaker 1: last wouldn't just be there again. Okay, that's great. I 67 00:03:55,640 --> 00:03:58,320 Speaker 1: think before we take a break, we should read uh 68 00:03:58,400 --> 00:04:02,080 Speaker 1: some of the early posts. Um. The messages began by 69 00:04:02,120 --> 00:04:06,680 Speaker 1: saying basically, who are you people? Um, you've stolen my house. 70 00:04:07,440 --> 00:04:09,920 Speaker 1: The first message ever on the computer said the following, 71 00:04:10,600 --> 00:04:14,240 Speaker 1: true are the nightmares of a person that fears safe? 72 00:04:14,320 --> 00:04:17,840 Speaker 1: Or the bodies of the silent world? Turn pretty flower 73 00:04:18,279 --> 00:04:21,520 Speaker 1: turned towards the sun, for you shall grow and so, 74 00:04:22,720 --> 00:04:25,320 Speaker 1: but the flowers reaches too high and withers in the 75 00:04:25,320 --> 00:04:30,080 Speaker 1: burning light. Get out your bricks. Pussycat. Pussycat went to 76 00:04:30,160 --> 00:04:34,360 Speaker 1: London to seek fame and fortune. Faith must not be lost, 77 00:04:34,760 --> 00:04:39,000 Speaker 1: for this shall be your redeemer. It's pretty yeah, I 78 00:04:39,040 --> 00:04:43,440 Speaker 1: mean it's pretty creepy. Admittedly, if if I were to 79 00:04:43,440 --> 00:04:46,080 Speaker 1: get a message like that on a computer not plugged 80 00:04:46,120 --> 00:04:48,000 Speaker 1: into the Internet, it would be great. Yeah, it takes 81 00:04:48,000 --> 00:04:50,560 Speaker 1: a real turn with Pussycat. Pussycat went to London to 82 00:04:50,560 --> 00:04:54,920 Speaker 1: seek fame and fortune. It seems like a cusatory, you know. Yeah. 83 00:04:55,120 --> 00:04:57,480 Speaker 1: So this was I think that was the first message 84 00:04:57,560 --> 00:04:59,960 Speaker 1: that ken Webster got, and he went on to write 85 00:05:00,040 --> 00:05:02,640 Speaker 1: book I think in eight nine called The Vertical Plane 86 00:05:02,680 --> 00:05:06,000 Speaker 1: that chronicles all this and more. UM And like you said, 87 00:05:06,000 --> 00:05:07,600 Speaker 1: we're going to take a short break and we'll come 88 00:05:07,640 --> 00:05:09,480 Speaker 1: back and talk about this some more, because it gets 89 00:05:09,520 --> 00:05:44,520 Speaker 1: even weirder shortly after stuff you should know, stuf, stuff 90 00:05:44,560 --> 00:05:48,200 Speaker 1: you should you should know. Okay, So ken Webster's intrigued, 91 00:05:48,440 --> 00:05:52,719 Speaker 1: and he starts asking questions of this author who signs UM. 92 00:05:52,760 --> 00:05:55,880 Speaker 1: The early post is l W and then finally later 93 00:05:55,960 --> 00:05:58,800 Speaker 1: on L the L turns out to Standford Lucas with 94 00:05:58,839 --> 00:06:02,719 Speaker 1: a K, and Lucas is writing in what's called early 95 00:06:02,839 --> 00:06:07,919 Speaker 1: modern English UM, which is not really easy to recreate 96 00:06:08,000 --> 00:06:10,800 Speaker 1: in any kind of fast manner, which is one of 97 00:06:10,839 --> 00:06:16,400 Speaker 1: the defenses that Ken Webster UM brought whenever he's accused 98 00:06:16,400 --> 00:06:18,480 Speaker 1: of this being a hoax. He's like, first of all, 99 00:06:18,520 --> 00:06:20,279 Speaker 1: I don't know how to do that, and secondly, I 100 00:06:20,360 --> 00:06:22,040 Speaker 1: certainly don't know how to do it in any kind 101 00:06:22,080 --> 00:06:25,320 Speaker 1: of quick manner. And some of these supposedly came back 102 00:06:25,480 --> 00:06:28,120 Speaker 1: like answers came back rather quickly when he would ask 103 00:06:28,160 --> 00:06:31,479 Speaker 1: them a question. Yeah, he said, I doth have no 104 00:06:31,640 --> 00:06:36,720 Speaker 1: talent forthwith Uh, here's the second just it's fun reading these. 105 00:06:36,880 --> 00:06:40,039 Speaker 1: Here's the second message. I ride on behalf of many 106 00:06:40,160 --> 00:06:43,200 Speaker 1: What strange words you speak. You are a worthy good 107 00:06:43,240 --> 00:06:46,200 Speaker 1: man who has a fanciful woman, and you live in 108 00:06:46,279 --> 00:06:50,159 Speaker 1: my house, who dwell in my home with lights which 109 00:06:50,200 --> 00:06:52,840 Speaker 1: the devil makes It was a great crime to have 110 00:06:52,880 --> 00:06:56,240 Speaker 1: stolen bribed my house. Yeah, so this is the point 111 00:06:56,320 --> 00:06:58,039 Speaker 1: where Lucas is like, what are you guys doing in 112 00:06:58,120 --> 00:07:02,960 Speaker 1: my house? Um? And apparently in fairly short order they 113 00:07:03,000 --> 00:07:05,720 Speaker 1: developed kind of a fondness for one another. So like 114 00:07:05,720 --> 00:07:08,920 Speaker 1: the the accusations and the problems with them living in 115 00:07:08,920 --> 00:07:12,040 Speaker 1: that cottage, um get dropped pretty quickly and they start 116 00:07:12,120 --> 00:07:15,280 Speaker 1: going back and forth. And um, I just saw it 117 00:07:15,280 --> 00:07:18,680 Speaker 1: described as a mutual a deep mutual affection for one 118 00:07:18,680 --> 00:07:23,240 Speaker 1: another that developed. Yeah, from the other side, just a 119 00:07:23,320 --> 00:07:27,800 Speaker 1: pinbell from another dimension. But here's the thing, m h, 120 00:07:28,520 --> 00:07:31,000 Speaker 1: there's some there's some holes in the story. There's some 121 00:07:31,080 --> 00:07:33,200 Speaker 1: problems with the logic to all this. If you haven't 122 00:07:33,240 --> 00:07:36,680 Speaker 1: picked up on that by now at computer, one of 123 00:07:36,720 --> 00:07:38,600 Speaker 1: the ones that pops up and I didn't catch the 124 00:07:38,640 --> 00:07:41,120 Speaker 1: eighteenth century cottage thing, and apparently no one else in 125 00:07:41,120 --> 00:07:44,040 Speaker 1: the world did either except for you, Chuck, So congratulations 126 00:07:44,040 --> 00:07:47,680 Speaker 1: on that. But Um, one of the things that that 127 00:07:48,000 --> 00:07:50,760 Speaker 1: um Lucas does to kind of set a trap for 128 00:07:50,920 --> 00:07:54,040 Speaker 1: Ken to see if they're actually if he actually is 129 00:07:54,080 --> 00:07:57,280 Speaker 1: from the future like he reported, was that Lucas told 130 00:07:57,320 --> 00:08:01,640 Speaker 1: them that he was educated at Jesus College, Oxford Jesus 131 00:08:01,760 --> 00:08:04,280 Speaker 1: or hay Suits, one of the two um, and that 132 00:08:05,240 --> 00:08:08,480 Speaker 1: the problem with that is that that Jesus College wasn't 133 00:08:08,520 --> 00:08:12,600 Speaker 1: founded until fifteen seventy one. Remember he's writing from fifty six, 134 00:08:13,240 --> 00:08:16,560 Speaker 1: so he is saying, like, if you're from the future, 135 00:08:16,560 --> 00:08:19,040 Speaker 1: you would know that Jesus College wasn't founded yet from 136 00:08:19,040 --> 00:08:22,240 Speaker 1: the time that I'm writing from. But the problem with 137 00:08:22,320 --> 00:08:26,480 Speaker 1: that is, how would Lucas know that this Jesus College 138 00:08:26,520 --> 00:08:28,960 Speaker 1: was coming years and years after the time that he 139 00:08:29,120 --> 00:08:35,320 Speaker 1: is ostensibly writing from. It's a problem. There's a real 140 00:08:35,440 --> 00:08:38,440 Speaker 1: another name that came out later. Apparently Lucas wasn't the 141 00:08:38,440 --> 00:08:42,600 Speaker 1: real name, but it was Thomas either Harden or Hawarden, 142 00:08:43,760 --> 00:08:48,079 Speaker 1: and they say that someone that had that name existed 143 00:08:48,120 --> 00:08:52,160 Speaker 1: in the fifteen fifteenth nearby. No, not nearby, a hundred 144 00:08:52,160 --> 00:08:54,280 Speaker 1: and fifty miles away, which might as well be in 145 00:08:54,320 --> 00:08:58,200 Speaker 1: another dimension at that time. You know, well that's nearby 146 00:08:58,200 --> 00:09:00,280 Speaker 1: to me, but sure, I guess at the time it yeah, 147 00:09:00,280 --> 00:09:04,280 Speaker 1: in the fifteen fifties with a donkey pulling you around. Okay, 148 00:09:04,320 --> 00:09:06,640 Speaker 1: good point. Another cool thing that I think we should 149 00:09:06,640 --> 00:09:10,760 Speaker 1: mention is that there were times where it appeared that 150 00:09:10,760 --> 00:09:13,720 Speaker 1: Thomas a k A. Lucas could see what they were doing, 151 00:09:14,520 --> 00:09:17,080 Speaker 1: because the guy Ken had a picture of his car 152 00:09:17,160 --> 00:09:20,920 Speaker 1: a Jaguar near the computer, and like the the Thomas 153 00:09:21,000 --> 00:09:25,360 Speaker 1: person referenced that picture in the message and said, I 154 00:09:25,440 --> 00:09:28,040 Speaker 1: found a picture of your cart, but it is a 155 00:09:28,080 --> 00:09:30,560 Speaker 1: crude thing, for without the horse it won't go far. 156 00:09:31,400 --> 00:09:33,880 Speaker 1: So apparently this thing can see them, which is a 157 00:09:33,880 --> 00:09:36,280 Speaker 1: pretty key thing. But also I literally wrote ha ha 158 00:09:36,520 --> 00:09:41,000 Speaker 1: next to that, because it's so dumb. You see a 159 00:09:41,000 --> 00:09:43,680 Speaker 1: picture of a Jaguar automobile, do you think you'd be like, 160 00:09:43,720 --> 00:09:45,960 Speaker 1: that's a cart without a horse. I know exactly what 161 00:09:46,080 --> 00:09:49,079 Speaker 1: that is. Well, I mean I had wheels and it's squaring. 162 00:09:49,320 --> 00:09:51,280 Speaker 1: It's just I mean I could see that was the 163 00:09:51,320 --> 00:09:54,240 Speaker 1: one that was like, well, there's there's the basically the 164 00:09:54,280 --> 00:09:57,880 Speaker 1: admission of guilt by Ken Webster right there. Uh, this 165 00:09:57,880 --> 00:09:59,920 Speaker 1: thing gets a little weirder though even right does take 166 00:10:00,200 --> 00:10:05,320 Speaker 1: Chuck Well, a third player, a second ghost, and a 167 00:10:05,400 --> 00:10:10,160 Speaker 1: third player comes into this when uh, someone named one 168 00:10:10,240 --> 00:10:13,920 Speaker 1: O nine pops onto the scene. Yeah, and twenty one 169 00:10:14,160 --> 00:10:18,440 Speaker 1: nine popped onto the scene inadvertently because Lucas reference twenty 170 00:10:18,480 --> 00:10:21,360 Speaker 1: one O nine and a post because when Ken Webster 171 00:10:21,400 --> 00:10:24,880 Speaker 1: said he's from the year, Lucas says, I thought you 172 00:10:24,880 --> 00:10:27,440 Speaker 1: were also from twenty one o nine, like your friend 173 00:10:27,440 --> 00:10:31,160 Speaker 1: who brought the box of lights pray, And he didn't 174 00:10:31,160 --> 00:10:33,520 Speaker 1: say box of lights. He said Leam's boist, which is 175 00:10:33,559 --> 00:10:38,680 Speaker 1: early modern English four box of lights, which everyone has taken. Two. 176 00:10:38,800 --> 00:10:41,720 Speaker 1: They taken all that to mean that the traveler, the 177 00:10:41,760 --> 00:10:48,480 Speaker 1: time traveler from nine brought Thomas or Lucas a computer. Okay, 178 00:10:48,679 --> 00:10:51,640 Speaker 1: how would you operate a computer though in fifty six 179 00:10:51,720 --> 00:10:55,280 Speaker 1: is a big question that I have as well. Yeah. 180 00:10:55,520 --> 00:10:59,880 Speaker 1: The other question I have is, uh, did these messages 181 00:11:00,040 --> 00:11:02,360 Speaker 1: here before his eyes? Or I did see where he 182 00:11:02,400 --> 00:11:04,160 Speaker 1: would take like a car drive and come back, and 183 00:11:04,880 --> 00:11:06,920 Speaker 1: that they would they would be there? Is that how 184 00:11:06,960 --> 00:11:09,880 Speaker 1: it generally worked? That's what I saw. Yeah, Like he 185 00:11:09,960 --> 00:11:12,480 Speaker 1: never thought to just round the clock, sit there and 186 00:11:12,520 --> 00:11:15,000 Speaker 1: watch the computer. I guess not, or maybe he tried 187 00:11:15,120 --> 00:11:16,800 Speaker 1: and it didn't work, so that's when he would go 188 00:11:16,880 --> 00:11:19,439 Speaker 1: for a drive. Who knows, or maybe he made all 189 00:11:19,480 --> 00:11:23,320 Speaker 1: this up. So what was possible? So Ken Webster says, well, 190 00:11:23,360 --> 00:11:25,560 Speaker 1: there's a there's a third party involved in there from 191 00:11:25,559 --> 00:11:28,520 Speaker 1: twenty one o nine, I'm gonna start trying to message them, 192 00:11:28,600 --> 00:11:30,840 Speaker 1: and in very short order, twenty one o nine, who 193 00:11:30,840 --> 00:11:34,600 Speaker 1: only referred to themselves as they or them um, they 194 00:11:34,679 --> 00:11:38,840 Speaker 1: responded and they said, hey, man, we're not really happy 195 00:11:38,880 --> 00:11:41,559 Speaker 1: that you stumbled upon our presence. Like we're we've been 196 00:11:41,559 --> 00:11:45,800 Speaker 1: basically running an experiment here that you and Lucas and 197 00:11:45,800 --> 00:11:48,240 Speaker 1: Debbie are all involved in and it's going to change 198 00:11:48,360 --> 00:11:51,679 Speaker 1: the world. So just pretend like we don't exist. We're 199 00:11:51,679 --> 00:11:53,760 Speaker 1: gonna go back into the woodwork now and just keep 200 00:11:53,760 --> 00:11:59,560 Speaker 1: watching and manipulating. Right. Eventually they bring in a paranormal 201 00:11:59,559 --> 00:12:04,920 Speaker 1: investig Asian team, the Society for Psychical Physical Psychical. Yeah, 202 00:12:04,960 --> 00:12:08,079 Speaker 1: the s SPR. We've talked about them plenty of times. Yeah, 203 00:12:08,240 --> 00:12:12,280 Speaker 1: am I saying that psychical research? Uh, And they brought 204 00:12:12,320 --> 00:12:14,440 Speaker 1: them to investigate. They came out three times said we 205 00:12:14,480 --> 00:12:20,559 Speaker 1: got nothing, No, activity at all. Um Thomas eventually said that, uh, 206 00:12:20,600 --> 00:12:23,120 Speaker 1: he was forced out of the land, so maybe that 207 00:12:23,160 --> 00:12:25,240 Speaker 1: was the deal. He lived at a place that was there, 208 00:12:25,880 --> 00:12:29,680 Speaker 1: and it wasn't necessarily the same cottage, but at any rate, 209 00:12:29,760 --> 00:12:32,920 Speaker 1: he said he was never heard from again, and but 210 00:12:33,000 --> 00:12:35,680 Speaker 1: did say he would leave something for them to discover 211 00:12:35,720 --> 00:12:37,360 Speaker 1: in the future, right, Yeah, He said that he would 212 00:12:37,400 --> 00:12:40,200 Speaker 1: write from his perspective this series of events in a 213 00:12:40,240 --> 00:12:41,960 Speaker 1: book and would leave it in a place that it 214 00:12:42,000 --> 00:12:45,520 Speaker 1: could be discovered. So kenn and Debbie and everyone who 215 00:12:45,520 --> 00:12:48,000 Speaker 1: believes in the Dottalston messages are waiting for that book 216 00:12:48,000 --> 00:12:52,360 Speaker 1: to be found to prove this once and for all again. 217 00:12:52,400 --> 00:12:55,040 Speaker 1: It's possible that book doesn't exist. It's possible this was 218 00:12:55,080 --> 00:12:57,560 Speaker 1: a hoax. Um. There's a really good post on it 219 00:12:57,600 --> 00:13:01,040 Speaker 1: called um on um on a site called The Joy 220 00:13:01,080 --> 00:13:04,160 Speaker 1: of Mirror Words by Tom Ruffles. It's called The Vertical 221 00:13:04,200 --> 00:13:06,240 Speaker 1: Plane by Ken Webster. I guess it's a book review. 222 00:13:06,760 --> 00:13:10,520 Speaker 1: And Tom Ruffles, PhD is very generous by considering that 223 00:13:10,640 --> 00:13:14,840 Speaker 1: maybe Kennon Debbie we're doing this but weren't aware of it, 224 00:13:14,880 --> 00:13:17,960 Speaker 1: That maybe they were using telekinesis and weren't aware of it, 225 00:13:18,000 --> 00:13:21,600 Speaker 1: and that's how these messages were being generated. Before he 226 00:13:21,640 --> 00:13:24,679 Speaker 1: finally settles on it's likeliest that this was just all 227 00:13:24,720 --> 00:13:28,400 Speaker 1: a hoax. As for what Chuck believes, if you couldn't 228 00:13:28,440 --> 00:13:33,840 Speaker 1: tell fraud, Occam's razor tells me it is fraud. There 229 00:13:33,840 --> 00:13:37,600 Speaker 1: are no haunted computers the end. Yeah, which is kind 230 00:13:37,600 --> 00:13:40,120 Speaker 1: of a bummer because I I was anticipating us to 231 00:13:40,120 --> 00:13:41,760 Speaker 1: at least kind of entertain this for a second. But 232 00:13:41,840 --> 00:13:46,440 Speaker 1: it's impossible. It's impossible. Well, fun story, It is a 233 00:13:46,440 --> 00:13:49,560 Speaker 1: fun story. How about that? So Chuck said it's impossible. 234 00:13:49,559 --> 00:13:52,440 Speaker 1: I said, it's impossible. We've given our final judgments. That 235 00:13:52,520 --> 00:13:58,719 Speaker 1: means short stuff is out. Stuff you Should Know is 236 00:13:58,720 --> 00:14:01,600 Speaker 1: a production of I Heart Radio. For more podcasts my 237 00:14:01,640 --> 00:14:04,920 Speaker 1: heart Radio, visit the I heart Radio app, Apple Podcasts, 238 00:14:05,040 --> 00:14:09,559 Speaker 1: or wherever you listen to your favorite shows. M h 239 00:14:12,840 --> 00:14:13,240 Speaker 1: m hm