1 00:00:00,120 --> 00:00:03,680 Speaker 1: Hello the Internet, and welcome to season seventeen, episode three, 2 00:00:03,680 --> 00:00:07,840 Speaker 1: after Daily's Like guys for February seven, two ten. My 3 00:00:07,880 --> 00:00:10,400 Speaker 1: name is Jack O'Brien. A kay, Yeah, I helped my 4 00:00:10,480 --> 00:00:15,120 Speaker 1: uncle Jack off a horse that is courtesy of at 5 00:00:15,280 --> 00:00:18,400 Speaker 1: nine point November, and I'm joined by my co host, 6 00:00:18,560 --> 00:00:21,640 Speaker 1: Mr Miles Gray. Yes, that was an interesting a K, 7 00:00:21,920 --> 00:00:24,040 Speaker 1: but I'm gonna redeem you with mine because we got 8 00:00:24,120 --> 00:00:25,880 Speaker 1: a duo a two hand or a K and it 9 00:00:25,880 --> 00:00:28,720 Speaker 1: goes into something like this, if you want to go 10 00:00:28,760 --> 00:00:31,040 Speaker 1: and get O'Brien with me, the hell in the back 11 00:00:31,080 --> 00:00:38,959 Speaker 1: of the benzy? Oh Miles, must that be this great 12 00:00:37,360 --> 00:00:41,879 Speaker 1: ray YouTube? Chapman, Rice, you have been hitting us with 13 00:00:41,920 --> 00:00:44,199 Speaker 1: some fire a K so fire that we like they 14 00:00:44,280 --> 00:00:47,159 Speaker 1: take time to prepare, so we have some more from you. 15 00:00:47,200 --> 00:00:51,240 Speaker 1: But thank you Chapman for that one. It's fire fire AKA, 16 00:00:51,479 --> 00:00:55,040 Speaker 1: and thank you for to nine point November because I 17 00:00:55,440 --> 00:00:57,960 Speaker 1: regardless of what Miles said, I love that AK. I 18 00:00:58,000 --> 00:01:00,880 Speaker 1: mean I brings you back to elementary cool when that 19 00:01:01,000 --> 00:01:05,920 Speaker 1: joke was made nonstopped. Oh really yeah, a lot of 20 00:01:06,000 --> 00:01:09,800 Speaker 1: Jack jokes, uh, And we are thrilled to be joined 21 00:01:09,840 --> 00:01:14,800 Speaker 1: by a Jack of a different sort, Mr Jack very 22 00:01:14,920 --> 00:01:18,560 Speaker 1: funny co host of The Culture King What up? What up? Man? 23 00:01:18,880 --> 00:01:22,200 Speaker 1: How you doing? I'm good man, thrilled to have you. 24 00:01:22,360 --> 00:01:28,640 Speaker 1: I've seen you guys three times this week. Yeahday a lot. Yeah, 25 00:01:28,720 --> 00:01:33,760 Speaker 1: practically dated. We're all in love now, guys. What what 26 00:01:33,880 --> 00:01:37,520 Speaker 1: is something from your search history? Uh? That's revealing about 27 00:01:37,520 --> 00:01:40,200 Speaker 1: who you are? Somebody? Oh, TJ. I just looked up 28 00:01:40,240 --> 00:01:44,400 Speaker 1: t J Henderson. T J Henderson was a character on 29 00:01:44,640 --> 00:01:50,800 Speaker 1: Smart Guy. And somebody posted on my Twitter, which I'm 30 00:01:50,840 --> 00:01:53,960 Speaker 1: trying to get my Twitter following up, guys, so follow me. 31 00:01:54,640 --> 00:01:57,440 Speaker 1: Somebody said that I looked like t J Henderson from 32 00:01:57,480 --> 00:02:02,240 Speaker 1: Smart Guy, which is Mari ten Tamara's brother, and I 33 00:02:02,280 --> 00:02:04,760 Speaker 1: forgot how he looked and I looked it up, and 34 00:02:04,760 --> 00:02:08,239 Speaker 1: I want to say bless you to that person because 35 00:02:08,240 --> 00:02:10,919 Speaker 1: he's an attractive dude and I love it. Man. So 36 00:02:11,000 --> 00:02:13,359 Speaker 1: if that's how I looked at you, man. He used 37 00:02:13,360 --> 00:02:17,120 Speaker 1: to play UH at a rival high school. When I 38 00:02:17,160 --> 00:02:19,120 Speaker 1: was playing UH, I wasn't I was. I was in 39 00:02:19,120 --> 00:02:21,960 Speaker 1: the band. I wasn't out there playing football because I 40 00:02:22,000 --> 00:02:25,000 Speaker 1: liked my summer vacation. But whenever we would play them, 41 00:02:25,000 --> 00:02:28,119 Speaker 1: everyone going Smart Guy and he was like a tailback. 42 00:02:28,200 --> 00:02:30,800 Speaker 1: He got fucking destroyed one player I remember, and we 43 00:02:30,800 --> 00:02:35,560 Speaker 1: were like, meanwhile, I was holding a trumpet, but that 44 00:02:35,720 --> 00:02:39,480 Speaker 1: was so yeah, that's right, taj Maori got you notre 45 00:02:39,560 --> 00:02:44,120 Speaker 1: Dame Knights up in here, and you look like me exactly. 46 00:02:44,320 --> 00:02:47,680 Speaker 1: So what's up now? So what's up now? Jackies? What's 47 00:02:47,720 --> 00:02:53,200 Speaker 1: something you think is underrated? Underrated? Wrestling? Professional wrestling? You 48 00:02:53,240 --> 00:02:55,640 Speaker 1: think it's underrated. I think it's underrated because people always 49 00:02:55,639 --> 00:03:00,160 Speaker 1: say it's bullshit. Yeah, okay, it's not bullshit. Stories are 50 00:03:01,520 --> 00:03:05,560 Speaker 1: it's soap operus for man, it's scripted. Guys, you've heard this. 51 00:03:05,639 --> 00:03:09,600 Speaker 1: It's not fake. You can't fake a fall. You can't 52 00:03:09,600 --> 00:03:11,679 Speaker 1: fake well, they do fake the blood, but they fake 53 00:03:11,720 --> 00:03:16,400 Speaker 1: it by cutting. They blade, but that's so blood. Yeah, 54 00:03:16,520 --> 00:03:19,360 Speaker 1: and sometimes they fall off ladders. You can't fake that. 55 00:03:19,480 --> 00:03:21,440 Speaker 1: Tell me that Steve that Stone Coast, Steve Ox and 56 00:03:21,440 --> 00:03:24,519 Speaker 1: blood face at Royal Rumble was fake. That wasn't fake that. 57 00:03:24,520 --> 00:03:26,960 Speaker 1: That was real blood. And you know what else, I'm 58 00:03:26,960 --> 00:03:30,919 Speaker 1: an actor. It really bothers me when actors say wrestling 59 00:03:30,919 --> 00:03:35,240 Speaker 1: it's bullshit. Man, tell me you wouldn't want to come out, 60 00:03:36,240 --> 00:03:40,080 Speaker 1: step through a curtain and have fifteen thousand people screaming 61 00:03:40,120 --> 00:03:43,600 Speaker 1: your name three days a week. Man, that's a dream. 62 00:03:43,640 --> 00:03:46,120 Speaker 1: For every actor. Man, that's a dream, especially if you're 63 00:03:46,120 --> 00:03:50,840 Speaker 1: in theater, because wrestling is theater, stage, combat, and improv 64 00:03:51,320 --> 00:03:54,920 Speaker 1: all in one, and they're strong. That's why the Rocket 65 00:03:54,920 --> 00:03:57,440 Speaker 1: is one the best exactly. I mean for the millions 66 00:03:58,400 --> 00:04:03,840 Speaker 1: if you're s oh Man were. I loved wrestling. I 67 00:04:03,840 --> 00:04:06,240 Speaker 1: still I still can't. I stopped watching when The Rock 68 00:04:06,320 --> 00:04:09,320 Speaker 1: left because he was like, uh he was he was 69 00:04:09,360 --> 00:04:12,120 Speaker 1: an icon for the Blazian people out there, and I 70 00:04:12,160 --> 00:04:19,080 Speaker 1: was like, oh, ship, yeah, Rocky, he's some moment. Yeah yeah, yeah, 71 00:04:19,120 --> 00:04:22,600 Speaker 1: I P I. You know, here is he blazing? Yeah? 72 00:04:22,760 --> 00:04:27,800 Speaker 1: What's what's the take from me? And I'm black? Uh 73 00:04:27,960 --> 00:04:32,960 Speaker 1: so yeah that's black. He's a slap that sounds We'll 74 00:04:33,040 --> 00:04:38,000 Speaker 1: just keep it m P I P I oh um. Yeah. 75 00:04:38,080 --> 00:04:40,760 Speaker 1: I haven't watched pro wrestling since I was a kid, 76 00:04:40,800 --> 00:04:43,520 Speaker 1: but we had a big wrestling fan at Cracked who 77 00:04:43,760 --> 00:04:46,279 Speaker 1: wrote about it a lot, and there's some crazy stories 78 00:04:46,320 --> 00:04:49,480 Speaker 1: about like dudes getting into car accidents and then like 79 00:04:49,640 --> 00:04:52,560 Speaker 1: having to stay in character because Vince McMahon was like, 80 00:04:52,760 --> 00:04:55,640 Speaker 1: if I see you getting out of character around like 81 00:04:55,960 --> 00:05:00,360 Speaker 1: actual you know, news cameras and news cameras, you'll be fired. 82 00:05:00,440 --> 00:05:03,440 Speaker 1: So they like would stay in character no matter what. 83 00:05:03,520 --> 00:05:09,680 Speaker 1: The ultimate wars like yeah he grabs, but they were 84 00:05:09,760 --> 00:05:12,080 Speaker 1: on they were like roll. They were driving around together 85 00:05:12,360 --> 00:05:15,080 Speaker 1: and they were supposed to be enemies, and so when 86 00:05:15,120 --> 00:05:17,400 Speaker 1: they got in the accident, like yeah, they had to 87 00:05:17,480 --> 00:05:23,360 Speaker 1: act at each other like settled down and I gave 88 00:05:23,440 --> 00:05:29,159 Speaker 1: this relationship with one day. Right. Oh no, who's your 89 00:05:29,160 --> 00:05:35,960 Speaker 1: favorite wrestled all time? The rock Stone call very close second. Uh. Currently, 90 00:05:36,320 --> 00:05:38,320 Speaker 1: I don't know if I have a favorite wrestler. I 91 00:05:38,320 --> 00:05:41,599 Speaker 1: would say probably Sasha Banks is up there female wrestler. 92 00:05:41,720 --> 00:05:47,400 Speaker 1: She's dope as hell. Uh And I don't know, man 93 00:05:47,720 --> 00:05:51,599 Speaker 1: like all the men wrestlers are just borring sometimes in whack. 94 00:05:51,720 --> 00:05:55,239 Speaker 1: But that's why I really like Mike Foli man kind 95 00:05:55,680 --> 00:05:59,360 Speaker 1: because also like brand was crazy. Yeah, he's like I 96 00:05:59,440 --> 00:06:02,520 Speaker 1: have socked and I will just gag you with this 97 00:06:02,560 --> 00:06:05,160 Speaker 1: sock in your mouth. Yeah, what is what is Saco? 98 00:06:05,320 --> 00:06:07,400 Speaker 1: Sacho was his sock that he would put on his hand. 99 00:06:07,480 --> 00:06:11,240 Speaker 1: He woul hit with that claw like his finishing moves disgusting, 100 00:06:11,560 --> 00:06:17,280 Speaker 1: but he's amazing, and that was his finishing move. I love. 101 00:06:17,400 --> 00:06:19,520 Speaker 1: This is something else I love about wrestling, how you 102 00:06:19,560 --> 00:06:23,160 Speaker 1: can like do a suplex off the top rope and 103 00:06:23,520 --> 00:06:25,800 Speaker 1: like go to pen your opponent and they kick out, 104 00:06:26,080 --> 00:06:29,800 Speaker 1: but mankind puts a sock in your mouth like you 105 00:06:32,480 --> 00:06:38,640 Speaker 1: or Rikishi would just make you eat his ass. Yeahsn't 106 00:06:38,680 --> 00:06:40,760 Speaker 1: even talked about that. You're like, wow, some of the 107 00:06:40,800 --> 00:06:43,279 Speaker 1: moves were not really moving. What do you think the 108 00:06:43,320 --> 00:06:46,279 Speaker 1: idea that they should be cast like superheroes and that 109 00:06:46,480 --> 00:06:49,480 Speaker 1: they should just be able to recast Hulk Hogan into 110 00:06:49,720 --> 00:06:53,520 Speaker 1: like as a new dude like that, like doctor Who. Yeah, yeah, 111 00:06:53,600 --> 00:06:56,960 Speaker 1: like Doctor Who. No man because especially now in wrestling today, 112 00:06:57,000 --> 00:06:58,839 Speaker 1: like you were talking about that story earlier, and a 113 00:06:58,839 --> 00:07:01,480 Speaker 1: lot of that has gone away, like wrestling is very 114 00:07:01,560 --> 00:07:03,600 Speaker 1: much or w W is very much pulled back the 115 00:07:04,360 --> 00:07:09,040 Speaker 1: curtain on cavet uh So a lot of these people 116 00:07:09,080 --> 00:07:11,040 Speaker 1: now are larger than life. Like if they would do 117 00:07:11,120 --> 00:07:13,480 Speaker 1: something like that, there would be no Rock or there 118 00:07:13,480 --> 00:07:15,800 Speaker 1: would be you know, no John c Know who's kind 119 00:07:15,800 --> 00:07:18,480 Speaker 1: of blowing up in the outside world now, so in 120 00:07:18,640 --> 00:07:21,360 Speaker 1: a really nice guy. Yeah, I did video him, like 121 00:07:21,840 --> 00:07:25,000 Speaker 1: uh back in my old job where I didn't realize 122 00:07:25,040 --> 00:07:27,880 Speaker 1: how much of a prolific make a wish is the 123 00:07:27,920 --> 00:07:33,200 Speaker 1: most most the most prolific wish and he loves it. Man. 124 00:07:33,440 --> 00:07:37,680 Speaker 1: It's not even like on some pr ship I think, 125 00:07:37,720 --> 00:07:39,080 Speaker 1: I hope, I don't know. I don't know how picture 126 00:07:39,440 --> 00:07:40,840 Speaker 1: ship comes out. And people like, you know what, John 127 00:07:41,120 --> 00:07:43,600 Speaker 1: is really problematic. You know he's counterbalancing something that he 128 00:07:43,680 --> 00:07:48,720 Speaker 1: does that. It's not a zero sum game. Okay, people 129 00:07:48,760 --> 00:07:51,520 Speaker 1: can be really nice before people come at me on right, 130 00:07:51,600 --> 00:07:57,760 Speaker 1: all right? What is something uh that you think is overrated? Soshi? 131 00:07:57,360 --> 00:08:02,160 Speaker 1: So so sorry, sorry, miles, I have to keepe for 132 00:08:02,240 --> 00:08:03,680 Speaker 1: my country. Let me tell Let me tell you why. 133 00:08:03,760 --> 00:08:06,520 Speaker 1: First of all, I will put this this out there. 134 00:08:06,600 --> 00:08:09,480 Speaker 1: I'm not a seafood fan in so I will say 135 00:08:09,480 --> 00:08:14,040 Speaker 1: that so from an outside perspective, looking in is the 136 00:08:14,080 --> 00:08:19,320 Speaker 1: epitome of presentation means everything because it's just raw fish. 137 00:08:19,800 --> 00:08:21,960 Speaker 1: I don't like. You could go in the ocean, pull 138 00:08:22,000 --> 00:08:23,800 Speaker 1: out of fish and eat it and it's the same thing. 139 00:08:24,640 --> 00:08:34,360 Speaker 1: It's the same thing on the boat go bare hand. Well, 140 00:08:34,400 --> 00:08:36,400 Speaker 1: I mean all right, so they opened it up and 141 00:08:36,400 --> 00:08:38,600 Speaker 1: they cut it, but then they then you just eat 142 00:08:38,640 --> 00:08:42,120 Speaker 1: the inside. I don't get it. It's presentation. I understand. Yes, 143 00:08:42,120 --> 00:08:44,320 Speaker 1: if you don't like seafood, then you don't get the 144 00:08:44,360 --> 00:08:47,760 Speaker 1: magic of how good like their high quality fish seems 145 00:08:48,000 --> 00:08:50,040 Speaker 1: and presentation. You know, that is it's part of the 146 00:08:50,120 --> 00:08:52,960 Speaker 1: art form of sea. Because I also saw somebody on 147 00:08:53,280 --> 00:08:55,440 Speaker 1: someone went to high school with on Instagram. They're like, oh, 148 00:08:55,520 --> 00:08:57,920 Speaker 1: sushi nite and they had like some weird like d 149 00:08:58,040 --> 00:09:00,480 Speaker 1: I y plastic tube to make susual most offensive thing 150 00:09:00,480 --> 00:09:03,719 Speaker 1: I've ever seen. And I was like, this is just 151 00:09:03,760 --> 00:09:08,720 Speaker 1: expecting the ingredients anything. My sushi made by a sushi 152 00:09:08,800 --> 00:09:13,840 Speaker 1: chef with the right temperature hands a man. That's the 153 00:09:13,880 --> 00:09:16,640 Speaker 1: weirdest thing about sushi shots. They're like, no, women, their 154 00:09:16,679 --> 00:09:19,200 Speaker 1: hands are the wrong tempora. Sushi is also a problemat 155 00:09:19,240 --> 00:09:23,400 Speaker 1: problematic exactly. I'm so sorry. Look I'm just getting I'm 156 00:09:23,400 --> 00:09:27,199 Speaker 1: getting I'm getting sick. But yeah, you know that is 157 00:09:27,240 --> 00:09:29,240 Speaker 1: a problem with with the culture over there in Japan. 158 00:09:29,280 --> 00:09:32,199 Speaker 1: I can't defend that. But yes, I feel like women, 159 00:09:32,600 --> 00:09:34,480 Speaker 1: you know, they can make sushi just the same because 160 00:09:34,480 --> 00:09:36,240 Speaker 1: my mom fucking makes it, and a lot of people's 161 00:09:36,240 --> 00:09:39,480 Speaker 1: mom's Japanese moms make that and they throw it down. 162 00:09:39,520 --> 00:09:41,280 Speaker 1: So but you were saying that, like you don't you 163 00:09:41,320 --> 00:09:44,520 Speaker 1: don't want people doing homemade sushi, right, I don't care. Look, 164 00:09:44,520 --> 00:09:47,480 Speaker 1: I'm not here to fucking rain on anybody's parade. You 165 00:09:47,520 --> 00:09:50,480 Speaker 1: want to make sushi, go ahead, but don't like flex 166 00:09:50,520 --> 00:09:53,000 Speaker 1: on Instagram when you mutilate the ingredients and act like 167 00:09:53,040 --> 00:09:58,560 Speaker 1: you're fucking jero. Um, have you had sugar fish? I 168 00:09:58,559 --> 00:10:01,280 Speaker 1: feel like sugarfish is sushi for people who don't don't 169 00:10:01,320 --> 00:10:04,040 Speaker 1: like sushi. Yeah, no, you have it. I've been the 170 00:10:04,040 --> 00:10:07,040 Speaker 1: sugar fish, but then I got a burger instead. They don't. 171 00:10:07,120 --> 00:10:17,520 Speaker 1: They don't have burgers. Then, you know, but I can't 172 00:10:17,520 --> 00:10:19,000 Speaker 1: fall you if you don't. If you're not a fan 173 00:10:19,040 --> 00:10:21,200 Speaker 1: of fish in general, then yeah, you're not gonna like 174 00:10:21,320 --> 00:10:24,240 Speaker 1: raw fish. I'm not gonna ask a vegetarian steak tartar 175 00:10:24,360 --> 00:10:27,079 Speaker 1: and like, how do you mean you don't like this? Horse? Right? Exactly? 176 00:10:27,240 --> 00:10:29,880 Speaker 1: Don't get it? All right. We're trying to take a 177 00:10:29,880 --> 00:10:32,880 Speaker 1: sample of what people are thinking talking about right now, 178 00:10:32,920 --> 00:10:35,120 Speaker 1: and the way we like to open that conversation up 179 00:10:35,480 --> 00:10:37,440 Speaker 1: is by asking our guest what is a myth? What 180 00:10:37,600 --> 00:10:42,679 Speaker 1: is something that the people believe that is not actually true? 181 00:10:42,720 --> 00:10:46,480 Speaker 1: All right? So I was just watching last night a 182 00:10:46,520 --> 00:10:48,839 Speaker 1: thirty for thirty called Jordan Rides the Bus. Have you 183 00:10:48,840 --> 00:10:52,199 Speaker 1: guys seen this wait, which is about Jordan rides the bus. No, 184 00:10:52,480 --> 00:10:55,320 Speaker 1: it's about his It's about him when he went to 185 00:10:55,400 --> 00:10:58,120 Speaker 1: the minors in the play base for the Birmingham Barons. Yeah, yeah, yeah, 186 00:10:58,120 --> 00:11:00,080 Speaker 1: Oh I always see that image when I do it, 187 00:11:00,120 --> 00:11:02,559 Speaker 1: and I'm like, man, I lived that or obviously as 188 00:11:02,559 --> 00:11:04,120 Speaker 1: if I knew what the fun is in there, But 189 00:11:04,400 --> 00:11:06,559 Speaker 1: for whatever reason, I never actually watched that one. It's 190 00:11:06,679 --> 00:11:10,360 Speaker 1: it's pretty good actually, uh. And like there's this myth 191 00:11:10,600 --> 00:11:16,840 Speaker 1: that Jordan's was just a god awful baseball player. Yeah, 192 00:11:17,720 --> 00:11:21,240 Speaker 1: he wasn't. Like he started getting good, to start getting 193 00:11:21,280 --> 00:11:24,120 Speaker 1: good at it and hitting stolen he started hitting home runs, 194 00:11:24,160 --> 00:11:28,080 Speaker 1: he stole thirty basis, he drove in fifty RBIs. When 195 00:11:28,080 --> 00:11:30,000 Speaker 1: he went to like the Winter League, he raised his 196 00:11:30,080 --> 00:11:32,560 Speaker 1: bad and average of fifty points. And that's just in 197 00:11:32,679 --> 00:11:35,520 Speaker 1: one season. And then the strike happened and then he 198 00:11:35,559 --> 00:11:38,000 Speaker 1: went back to basketball. But if he would have probably 199 00:11:38,040 --> 00:11:40,280 Speaker 1: had two more years, yeah he would have gone. He 200 00:11:40,280 --> 00:11:42,400 Speaker 1: would have probably made the majors. He would have been 201 00:11:42,440 --> 00:11:46,400 Speaker 1: a bad Major league BA. But still, that's fucking incredible 202 00:11:46,440 --> 00:11:49,120 Speaker 1: that something he was just like, oh that's wild, and 203 00:11:49,160 --> 00:11:51,600 Speaker 1: you know, I never played. I haven't played since Little 204 00:11:51,679 --> 00:11:55,760 Speaker 1: league and paying thirty one and like fresh off of 205 00:11:55,840 --> 00:11:58,240 Speaker 1: It's not like he went to go train. I mean 206 00:11:58,360 --> 00:12:01,480 Speaker 1: like he retired from basketball and then the next week 207 00:12:01,600 --> 00:12:06,080 Speaker 1: went to baseball. Uh So, like this myth that he 208 00:12:06,160 --> 00:12:09,720 Speaker 1: was just the worst baseball player. Uh made a mockery 209 00:12:09,760 --> 00:12:12,920 Speaker 1: of the sport. It's kind of insane, It wasn't. This 210 00:12:13,000 --> 00:12:16,520 Speaker 1: is the best example of the myth being something I thought, 211 00:12:16,640 --> 00:12:18,240 Speaker 1: because I think one of the reasons when I saw 212 00:12:18,280 --> 00:12:19,480 Speaker 1: I was like, man, I already know what they're going 213 00:12:19,520 --> 00:12:22,000 Speaker 1: to say, how looking bad he was, and then now 214 00:12:22,000 --> 00:12:24,600 Speaker 1: to know that within that documentary is oh, he was 215 00:12:24,600 --> 00:12:27,880 Speaker 1: actually a great he was improving. I wanted to avoid 216 00:12:27,880 --> 00:12:30,200 Speaker 1: it because it was such a painful memory for me 217 00:12:30,280 --> 00:12:32,840 Speaker 1: because I was like such a Jordan's stand at the time, 218 00:12:32,840 --> 00:12:36,480 Speaker 1: and when he retired, I was like, why would he 219 00:12:36,520 --> 00:12:40,160 Speaker 1: do this to me? I was so upset. Can you 220 00:12:40,160 --> 00:12:43,960 Speaker 1: imagine living in Chicago? Man? What was that like for you? 221 00:12:44,520 --> 00:12:47,120 Speaker 1: It was rough? Man, I remember because that was right. 222 00:12:47,200 --> 00:12:50,600 Speaker 1: The first memory I have of basketball was the Bulls 223 00:12:50,640 --> 00:12:54,680 Speaker 1: winning against the Lakers championship That literally that game, because 224 00:12:54,720 --> 00:12:56,520 Speaker 1: I was just like what is I'm like five or six, 225 00:12:56,559 --> 00:12:59,760 Speaker 1: I'm like, this is this is exciting? So like that's 226 00:12:59,760 --> 00:13:02,720 Speaker 1: when I started watching basketball. So Jordan was my world 227 00:13:03,160 --> 00:13:06,520 Speaker 1: in everybody's world in Chicago, especially, so when he went 228 00:13:06,559 --> 00:13:09,640 Speaker 1: to go play baseball, I didn't quite understand it because 229 00:13:09,640 --> 00:13:11,560 Speaker 1: I was still kind of young. I was like, I 230 00:13:11,559 --> 00:13:14,959 Speaker 1: didn't understand that to us, Yeah, but I didn't understand 231 00:13:14,960 --> 00:13:18,240 Speaker 1: that that just wasn't something people did right there. Because 232 00:13:18,280 --> 00:13:20,920 Speaker 1: also at this time, there's Dion Sanders, There's Bow Jackson, 233 00:13:20,960 --> 00:13:24,320 Speaker 1: so you got these multi sport athletes. I'm like, all right, 234 00:13:24,480 --> 00:13:27,160 Speaker 1: but people are calling Bo Jackson and Dean Sanders like 235 00:13:27,200 --> 00:13:30,040 Speaker 1: the greatest athletes or Bo Jackson the greatest athlete ever 236 00:13:30,080 --> 00:13:34,520 Speaker 1: because he played two sports. So Jordan was probably like, yeah, there, 237 00:13:35,240 --> 00:13:38,800 Speaker 1: I can do it. Yeah, I'm more hurt when he 238 00:13:38,840 --> 00:13:42,079 Speaker 1: went to the Wizards. That hurt me more that it 239 00:13:42,160 --> 00:13:46,040 Speaker 1: was disgusting. Yeah, you know, he used to like drink 240 00:13:46,200 --> 00:13:51,000 Speaker 1: kognac and uh smoke a cigar before Wizards games before 241 00:13:51,040 --> 00:13:58,839 Speaker 1: he played. Most of the time he didn't pay. I 242 00:13:58,920 --> 00:14:01,120 Speaker 1: remember getting mad at a kid if we're buying a 243 00:14:01,160 --> 00:14:05,360 Speaker 1: Wizard's Jordan's jersey, I'm like, that's not a Jorgan propagand 244 00:14:05,679 --> 00:14:09,000 Speaker 1: you believe do you believe the conspiracy theory that he 245 00:14:09,400 --> 00:14:13,679 Speaker 1: got banned by David Stern. There's some convincing stuff for it, 246 00:14:13,760 --> 00:14:19,480 Speaker 1: like I think that Jordan's was like gambling so much 247 00:14:19,960 --> 00:14:25,760 Speaker 1: on that, uh what was gambling so much and had 248 00:14:26,000 --> 00:14:28,120 Speaker 1: possibly gambled on the n b A. And so rather 249 00:14:28,160 --> 00:14:30,800 Speaker 1: than Pete rosing him and like, you know, losing the 250 00:14:30,800 --> 00:14:32,760 Speaker 1: most marketable thing that it ever happened to the n 251 00:14:32,760 --> 00:14:35,040 Speaker 1: b A, David Stern was like, I'm going to suspend 252 00:14:35,080 --> 00:14:36,400 Speaker 1: you for a year and a half. You're going to 253 00:14:36,480 --> 00:14:40,040 Speaker 1: call it a temporary retirement. Because during his initial press 254 00:14:40,080 --> 00:14:43,760 Speaker 1: conference when he announced his retirement, he at one point 255 00:14:44,240 --> 00:14:46,520 Speaker 1: somebody was like, do you think there's a chance he'll 256 00:14:46,560 --> 00:14:48,480 Speaker 1: ever come back? And he said, I don't know. Maybe 257 00:14:48,480 --> 00:14:52,480 Speaker 1: if David Stern lets me like such a weird statement, 258 00:14:52,640 --> 00:14:56,320 Speaker 1: like maybe he just like misspoke or something. I mean, 259 00:14:56,320 --> 00:14:58,880 Speaker 1: the Devil's advocates, I would be like, you know, David 260 00:14:58,880 --> 00:15:01,200 Speaker 1: Stern being mad that his ash Kal is leaving the league, 261 00:15:01,200 --> 00:15:02,920 Speaker 1: and he'd be so pissed that that's happening. But yeah, 262 00:15:02,920 --> 00:15:04,480 Speaker 1: I guess if you look at it like that, and 263 00:15:04,720 --> 00:15:07,360 Speaker 1: if you know, it's gonna be like like two seasons 264 00:15:07,400 --> 00:15:10,000 Speaker 1: and then it's over. But also it's not even that. 265 00:15:10,120 --> 00:15:11,720 Speaker 1: I mean, yeah, as they hit from the NBA, but 266 00:15:11,920 --> 00:15:13,960 Speaker 1: so many people tuned in and be like, oh, what 267 00:15:14,040 --> 00:15:17,280 Speaker 1: the bull is gonna be like without Jordan's and he 268 00:15:17,320 --> 00:15:20,720 Speaker 1: went to go play for his owner of the Bulls 269 00:15:21,480 --> 00:15:26,120 Speaker 1: baseball team. Uh so, like it's not like he just 270 00:15:26,160 --> 00:15:29,200 Speaker 1: went to baseball, like he did a lateral move to. 271 00:15:30,000 --> 00:15:33,320 Speaker 1: I have spent so much time googling, uh like doing 272 00:15:33,800 --> 00:15:37,000 Speaker 1: you know, internet research on the murder of Jordan's father 273 00:15:37,160 --> 00:15:39,400 Speaker 1: because like I because that happened at the same time, 274 00:15:39,440 --> 00:15:41,360 Speaker 1: and I was like if that was connected to his 275 00:15:41,440 --> 00:15:43,800 Speaker 1: gambling and stern knew that and there was like some 276 00:15:43,920 --> 00:15:46,760 Speaker 1: cover up, but it doesn't seem like that there was 277 00:15:46,760 --> 00:15:50,960 Speaker 1: any relationship. Case closed the Internet says, case closed on 278 00:15:50,960 --> 00:15:55,200 Speaker 1: the Internet is never wrong. All right, let's get into 279 00:15:55,800 --> 00:16:00,320 Speaker 1: what's going on in the world at large today. So 280 00:16:00,440 --> 00:16:06,160 Speaker 1: we've got the Winter Olympics coming up. Uh Jackies is 281 00:16:06,280 --> 00:16:10,640 Speaker 1: a huge stand. He's wearing his curling T shirt right now. 282 00:16:11,200 --> 00:16:13,400 Speaker 1: Uh no, So we're just gonna do a quick kind 283 00:16:13,400 --> 00:16:17,680 Speaker 1: of preview of you know, the very very basics of 284 00:16:17,720 --> 00:16:24,000 Speaker 1: the Winter Games back in Greece and uh yeah, actually 285 00:16:24,040 --> 00:16:28,960 Speaker 1: I'm Danny Zuko. Uh So, I mean the thing people 286 00:16:28,960 --> 00:16:32,920 Speaker 1: are talking about North Korea is coming. Uh, they're participating. 287 00:16:33,400 --> 00:16:36,400 Speaker 1: This has opened up talks between North and South Korea. 288 00:16:36,720 --> 00:16:38,760 Speaker 1: The US is being left out in the cold a 289 00:16:38,800 --> 00:16:42,360 Speaker 1: little bit. They're like, but but we said not to 290 00:16:42,400 --> 00:16:44,520 Speaker 1: be friends with that one. They're like the mean girl 291 00:16:44,560 --> 00:16:46,760 Speaker 1: who's like, what are you doing? But we need this 292 00:16:46,880 --> 00:16:52,200 Speaker 1: conflict to distract people from Trump's right. Um. So one 293 00:16:52,240 --> 00:16:55,280 Speaker 1: thing that always kind of works with the Olympics is 294 00:16:55,840 --> 00:16:59,240 Speaker 1: the time difference, right if it's you know, so they 295 00:16:59,280 --> 00:17:03,800 Speaker 1: are fourteen hours ahead of Eastern time East, So what's 296 00:17:03,840 --> 00:17:08,920 Speaker 1: seventeen hours ahead for US here? Eleven hours ahead? I think? No, 297 00:17:09,080 --> 00:17:13,600 Speaker 1: seventeen hours ahead. Yeah. For instance, the men's hockey final 298 00:17:13,720 --> 00:17:17,800 Speaker 1: on February will finish at four pm. UH. That will 299 00:17:17,840 --> 00:17:21,280 Speaker 1: be two am in New York. Actually not bad here 300 00:17:21,359 --> 00:17:25,400 Speaker 1: that it'll finish at eleven pm in uh California. Does 301 00:17:25,400 --> 00:17:27,600 Speaker 1: that mean everything's gonna be on a delay. Yeah. So 302 00:17:27,680 --> 00:17:29,760 Speaker 1: that's the thing that that's what I'm trying to figure out. 303 00:17:29,760 --> 00:17:33,520 Speaker 1: I just had an experience with this, UH on New 304 00:17:33,600 --> 00:17:36,200 Speaker 1: Year's when I just wanted to watch the like live 305 00:17:36,320 --> 00:17:39,679 Speaker 1: feed of the ball drop in New York because I 306 00:17:39,720 --> 00:17:43,320 Speaker 1: wanted to like go to bed at nine and uh, 307 00:17:43,440 --> 00:17:46,000 Speaker 1: they like I couldn't find it. Everything was on a delay. 308 00:17:46,040 --> 00:17:48,280 Speaker 1: And I think that that's kind of how they tend 309 00:17:48,440 --> 00:17:50,800 Speaker 1: to do the Olympics is they don't give you a 310 00:17:50,880 --> 00:17:54,600 Speaker 1: live feed. They just have a whole block of programming 311 00:17:54,640 --> 00:17:57,280 Speaker 1: saved up of like the highlights. But if you were 312 00:17:57,440 --> 00:18:00,919 Speaker 1: at all, like you know, on social media, that totally 313 00:18:00,920 --> 00:18:03,919 Speaker 1: fucks everything up. That's why I think when it was 314 00:18:03,960 --> 00:18:06,760 Speaker 1: in Rio, the way I did is I watched the 315 00:18:06,840 --> 00:18:10,200 Speaker 1: NBC Sports app because they had lives that was only 316 00:18:10,280 --> 00:18:13,240 Speaker 1: like a few hours off, right, No, it was a 317 00:18:13,320 --> 00:18:16,280 Speaker 1: little bit more. Yeah. Yeah, and I've done in the 318 00:18:16,280 --> 00:18:19,600 Speaker 1: past because I like, you know, like I just love 319 00:18:19,640 --> 00:18:22,359 Speaker 1: the Olympics personally because for me, it's like there's nothing 320 00:18:22,440 --> 00:18:24,480 Speaker 1: higher for some of these athletes, like this is the 321 00:18:24,520 --> 00:18:26,920 Speaker 1: be all end all of their life is defined by 322 00:18:27,000 --> 00:18:29,320 Speaker 1: going to the Olympics and trying to win gold, which 323 00:18:29,320 --> 00:18:31,920 Speaker 1: is why I like the Olympics generally. Uh. But yeah, 324 00:18:32,000 --> 00:18:34,560 Speaker 1: the the live feed is great because it's it's just 325 00:18:34,680 --> 00:18:37,760 Speaker 1: nice to like not get the sort of sanitized, edited 326 00:18:37,760 --> 00:18:40,800 Speaker 1: down version that they'll run like during prime Time with 327 00:18:40,840 --> 00:18:46,520 Speaker 1: Bob Costas is like monologues written out and like or 328 00:18:46,560 --> 00:18:48,560 Speaker 1: like wearing sunglasses because you had that weird eye infection 329 00:18:48,640 --> 00:18:50,080 Speaker 1: that was so weird, and I was like, what is 330 00:18:50,119 --> 00:18:54,240 Speaker 1: he doing? Somebody came in me during the Rio Olympics. 331 00:18:54,240 --> 00:18:56,840 Speaker 1: I was at a bar and I was watching uh 332 00:18:57,119 --> 00:19:00,440 Speaker 1: Bolt like run his race and it was nighttime I'm here, 333 00:19:00,840 --> 00:19:03,360 Speaker 1: and it was daytime there, and I was like, oh 334 00:19:03,440 --> 00:19:05,480 Speaker 1: is this live? This is about to happen with the 335 00:19:05,560 --> 00:19:08,480 Speaker 1: friend and some dude sitting at the bar turned around. 336 00:19:08,520 --> 00:19:11,560 Speaker 1: It was like, is daytime? Does it look like his live? 337 00:19:12,440 --> 00:19:15,520 Speaker 1: You're like, do you not know? How? Do you? Like? Motherfucker? 338 00:19:16,119 --> 00:19:19,480 Speaker 1: It could be? I was so mad, is that your 339 00:19:19,640 --> 00:19:22,600 Speaker 1: truck with all the flat earth stickers on it? Out 340 00:19:22,600 --> 00:19:25,439 Speaker 1: of here? Do not know how to earth rotate? I 341 00:19:25,480 --> 00:19:28,280 Speaker 1: have seen a truck with like all sorts of flat 342 00:19:28,280 --> 00:19:31,960 Speaker 1: earth stickers like multiple times in my neighborhood. It's crazy 343 00:19:31,560 --> 00:19:34,560 Speaker 1: live near a flat earth. There's a video where I 344 00:19:34,600 --> 00:19:36,359 Speaker 1: saw on read it or something this flat earth. He 345 00:19:36,440 --> 00:19:40,119 Speaker 1: just gets destroyed, like like on a skype call like 346 00:19:40,119 --> 00:19:41,680 Speaker 1: they're doing it. They're like, well, let's just take this 347 00:19:41,880 --> 00:19:45,760 Speaker 1: and I will dismantle your brain. Right. Um. So just 348 00:19:45,840 --> 00:19:49,480 Speaker 1: some stories that you might hear about. We have the 349 00:19:49,560 --> 00:19:53,240 Speaker 1: first African American speed skater. Yeah, these Olympics, that will 350 00:19:53,280 --> 00:19:58,840 Speaker 1: be interesting taking over everything baby from Black Stars and 351 00:19:59,440 --> 00:20:01,800 Speaker 1: the Black Star is what they call the Canadian national team. Okay, 352 00:20:03,000 --> 00:20:06,960 Speaker 1: so Time magazine actually had an interesting feature where that 353 00:20:07,119 --> 00:20:10,640 Speaker 1: is surprising, I know where they did a map of 354 00:20:11,119 --> 00:20:15,800 Speaker 1: the most watched winter sports in every country. So they 355 00:20:15,840 --> 00:20:17,959 Speaker 1: did like a map of the globe and showed like 356 00:20:18,000 --> 00:20:20,919 Speaker 1: a color coded map. And speed skating is actually the 357 00:20:20,920 --> 00:20:24,439 Speaker 1: biggest sport in China and all of Mongolia. It's like 358 00:20:24,720 --> 00:20:29,560 Speaker 1: huge there. So that's interesting. Um, hockey in the US 359 00:20:29,640 --> 00:20:34,600 Speaker 1: and basically all of Russia, curling in most of North 360 00:20:34,640 --> 00:20:42,600 Speaker 1: Africa and the Middle East, which curling is like soothing 361 00:20:42,640 --> 00:20:46,320 Speaker 1: to watch. There's something about curling like, yeah, it's a 362 00:20:46,359 --> 00:20:49,760 Speaker 1: little like baseball, but like the way they glide on 363 00:20:49,800 --> 00:20:53,080 Speaker 1: the ice is just interesting. It's like watching humans as 364 00:20:53,119 --> 00:20:56,479 Speaker 1: bowling balls almost but like slow. Yeah, it's like bowling 365 00:20:56,520 --> 00:21:00,680 Speaker 1: with like a janitorial crew in front of it's actually 366 00:21:00,800 --> 00:21:02,800 Speaker 1: it's it's a lot of fun to watch. I highly 367 00:21:02,880 --> 00:21:07,240 Speaker 1: recommend people give curling a shot. Um, do you think that, uh, 368 00:21:08,040 --> 00:21:10,879 Speaker 1: it's surprising that ice skating isn't like the number one anywhere? 369 00:21:10,920 --> 00:21:13,040 Speaker 1: Do you think it was like in the nineties. Figure 370 00:21:13,040 --> 00:21:17,680 Speaker 1: skating is number one in Japan, okay, yeah, and they 371 00:21:18,080 --> 00:21:21,080 Speaker 1: Korea too. I feel like I think in North Korea 372 00:21:21,119 --> 00:21:23,960 Speaker 1: it's number one, but South Korea it's also speed skating. 373 00:21:23,960 --> 00:21:27,120 Speaker 1: Oh yeah, they have some beast speed skaters in South 374 00:21:27,200 --> 00:21:31,040 Speaker 1: Korea too, so yeah, um, but yeah, I think figure 375 00:21:31,040 --> 00:21:33,320 Speaker 1: skating is probably second in all the countries where it's 376 00:21:33,320 --> 00:21:38,000 Speaker 1: the most popular one in Jimmy, come on, Jamaica, it 377 00:21:38,000 --> 00:21:42,880 Speaker 1: looks like it's loge. I'm surprised how much they love 378 00:21:42,880 --> 00:21:45,080 Speaker 1: Bob's letting. In Brazil and Mexico, it looks like he 379 00:21:45,160 --> 00:21:47,200 Speaker 1: is losing not the same as Bob's letting because it's 380 00:21:47,200 --> 00:21:51,439 Speaker 1: just like one man suicide slate skeleton or whatever. Is 381 00:21:51,440 --> 00:21:54,960 Speaker 1: that not cool runnings? That this running? Does everybody get 382 00:21:55,000 --> 00:22:00,840 Speaker 1: the four men hop in? Okay? Um Bob's lake so 383 00:22:01,040 --> 00:22:03,840 Speaker 1: uh something to look forward to if you're an athlete 384 00:22:04,000 --> 00:22:06,879 Speaker 1: at the Games. Uh, you're gonna be fucking one point 385 00:22:06,920 --> 00:22:09,520 Speaker 1: seven times a day apparently if you're staying in the 386 00:22:09,560 --> 00:22:13,000 Speaker 1: Olympic village, that's something you hear every year. But apparently 387 00:22:13,080 --> 00:22:16,359 Speaker 1: it is not a myth. That ship just it goes down. 388 00:22:16,400 --> 00:22:20,280 Speaker 1: If you're really. Yeah, everybody every like athletes just all 389 00:22:20,280 --> 00:22:22,360 Speaker 1: funk each other. It doesn't matter if you're like married 390 00:22:22,480 --> 00:22:26,440 Speaker 1: or whatever. It's just it goes down at the Olympic 391 00:22:26,520 --> 00:22:29,960 Speaker 1: village because they're all just like peak the peak of there. 392 00:22:30,119 --> 00:22:32,119 Speaker 1: And especially if if your events are done like on 393 00:22:32,200 --> 00:22:35,520 Speaker 1: day three, right, what else you gonna do? Yeah, and 394 00:22:35,600 --> 00:22:39,080 Speaker 1: think about the tension that they have to release. You know, 395 00:22:39,119 --> 00:22:41,320 Speaker 1: they've got, like their whole life has been building up 396 00:22:41,359 --> 00:22:44,359 Speaker 1: to this. So can you imagine being like like the 397 00:22:44,440 --> 00:22:48,440 Speaker 1: wife or a husband of somebody going to, Oh maybe 398 00:22:48,480 --> 00:22:56,560 Speaker 1: I want to go to the Olympic. You can't, right right? Uh? Yeah, 399 00:22:56,760 --> 00:23:00,280 Speaker 1: just like some lovey dude. He's like, honey, so uh 400 00:23:01,440 --> 00:23:05,159 Speaker 1: staying with the whole curling team. Well we're just in 401 00:23:05,200 --> 00:23:08,160 Speaker 1: the same building. Don't worry, you, don't worry. I love you, 402 00:23:10,040 --> 00:23:11,800 Speaker 1: but don't call me. Why do you have a suitcase 403 00:23:11,840 --> 00:23:18,399 Speaker 1: just with condoms? They are too openly gay athletes, which 404 00:23:18,600 --> 00:23:22,920 Speaker 1: surprisingly are the first openly gay athletes that America is 405 00:23:23,000 --> 00:23:26,600 Speaker 1: sent to an Olympics. Is or maybe it's the first 406 00:23:26,600 --> 00:23:31,240 Speaker 1: openly gay figure skaters, but yeah, um there's one figure skater, 407 00:23:31,480 --> 00:23:35,720 Speaker 1: one speed skater, um, and apparently the White House called 408 00:23:35,760 --> 00:23:39,679 Speaker 1: them up and the White House Press Office wanted to 409 00:23:39,720 --> 00:23:42,399 Speaker 1: talk to them and like sort of advise them about 410 00:23:42,520 --> 00:23:46,960 Speaker 1: not being so out and proud because it's Adam rippon 411 00:23:47,119 --> 00:23:49,720 Speaker 1: or ripping part of my pronunciation to that. But yeah, 412 00:23:49,720 --> 00:23:53,640 Speaker 1: I think because they they were asking him about Mike 413 00:23:53,680 --> 00:23:57,159 Speaker 1: Pence leading the delegation, like going into the opening ceremony 414 00:23:57,200 --> 00:23:59,280 Speaker 1: and his responses. You mean Mike Pennce, the same Mike 415 00:23:59,280 --> 00:24:01,679 Speaker 1: Pence that funded a conversion therapy. I'm not buying it. 416 00:24:02,320 --> 00:24:05,560 Speaker 1: And you know, because clearly this guy has openly, uh 417 00:24:06,040 --> 00:24:10,040 Speaker 1: been a aggressive opponent of LGBT rights and just looks 418 00:24:10,080 --> 00:24:12,560 Speaker 1: at gay people in a very fucked up way. And 419 00:24:12,600 --> 00:24:15,240 Speaker 1: so yeah, yeah, he's like he's not trying to funk 420 00:24:15,280 --> 00:24:17,680 Speaker 1: with that, but nice, try though to trying to maybe 421 00:24:17,680 --> 00:24:21,560 Speaker 1: get him to say something nice, but I'm not gonna happen. Uh. 422 00:24:21,600 --> 00:24:26,119 Speaker 1: And finally, Chloe Kim, who is like apparently already the 423 00:24:26,160 --> 00:24:30,320 Speaker 1: goat and snowboarding. She's seventeen. She is a Korean American 424 00:24:31,280 --> 00:24:33,800 Speaker 1: young woman who is apparently going to be People are 425 00:24:34,000 --> 00:24:37,199 Speaker 1: banging on her being sort of the star of the Olympics. 426 00:24:37,600 --> 00:24:43,440 Speaker 1: So shout out to the Korean American community. Yeah, it's insane, 427 00:24:43,680 --> 00:24:48,000 Speaker 1: like the N sixty four game Snowboarding Come to life. 428 00:24:48,200 --> 00:24:51,240 Speaker 1: That's how many That's three that's three rotations, Yes it is. Yeah, 429 00:24:51,680 --> 00:24:53,679 Speaker 1: it's so many that I can't do that math in 430 00:24:53,720 --> 00:24:58,800 Speaker 1: my head. Man, I played so much Tony Hawking snowboarding. 431 00:24:58,840 --> 00:25:03,199 Speaker 1: Good at those in three sixty multiplayers or whatever. You right? Anyway, 432 00:25:03,520 --> 00:25:06,480 Speaker 1: all right, we're gonna take a quick break and we'll 433 00:25:06,480 --> 00:25:19,160 Speaker 1: be right back. And we're back. Um, so we're running along, 434 00:25:19,240 --> 00:25:23,399 Speaker 1: but we have to get into uh this Quincy Jones interview. 435 00:25:24,200 --> 00:25:28,160 Speaker 1: Uh he went as the headline on our doc here 436 00:25:28,200 --> 00:25:33,320 Speaker 1: says he went in. He goes on many topics. Yeah, 437 00:25:33,480 --> 00:25:35,880 Speaker 1: so Miles, you're gonna just take us. I'm just gonna 438 00:25:35,760 --> 00:25:38,680 Speaker 1: read the best moment. So, yeah, he's got a he's 439 00:25:38,680 --> 00:25:41,440 Speaker 1: about turn eighty five, a Netflix document blah blah blah, 440 00:25:41,440 --> 00:25:46,680 Speaker 1: it doesn't matter, documentary coming. Yes, he's in this article 441 00:25:46,720 --> 00:25:48,119 Speaker 1: says he's in the midst of victory lap ahead of 442 00:25:48,160 --> 00:25:50,240 Speaker 1: his turning eighty five in March, and Netflix documentary to 443 00:25:50,280 --> 00:25:52,720 Speaker 1: CBS special hosted by Oprah that are all on the 444 00:25:52,720 --> 00:25:55,399 Speaker 1: horizon and we all know. Quincy Jones, a prolific music producer, 445 00:25:55,440 --> 00:25:58,280 Speaker 1: has worked with the best and he has a right 446 00:25:58,480 --> 00:26:00,720 Speaker 1: to have an opinion on many things because he has 447 00:26:00,800 --> 00:26:03,840 Speaker 1: he has seen it all. He even played uh, you know, 448 00:26:04,000 --> 00:26:07,600 Speaker 1: jazz with a fucking Benito Mussolini's son. Okay, so that's 449 00:26:07,640 --> 00:26:09,720 Speaker 1: even in this article. But let me just go through 450 00:26:09,800 --> 00:26:13,280 Speaker 1: some of the hotter takes in here. So, uh, they 451 00:26:13,320 --> 00:26:15,320 Speaker 1: go through the usual stuff, they get to Michael Jackson 452 00:26:16,320 --> 00:26:18,679 Speaker 1: and they so this is him on Michael Jackson produced 453 00:26:18,760 --> 00:26:22,400 Speaker 1: Thriller right, yes, a little little out album. Yes, uh, 454 00:26:22,520 --> 00:26:25,560 Speaker 1: some people may have heard of it. Uh. So he 455 00:26:25,640 --> 00:26:28,679 Speaker 1: says about Michael Jackson. I hate to get into this publicly, 456 00:26:28,680 --> 00:26:30,199 Speaker 1: but Michael stole a lot of stuff. He stole a 457 00:26:30,200 --> 00:26:32,879 Speaker 1: lot of songs like Donna, Summer, State of Independence, Ambila, 458 00:26:32,960 --> 00:26:35,240 Speaker 1: Jean the Nose, Don't lie man. He was as Macavillian 459 00:26:35,280 --> 00:26:37,520 Speaker 1: as they come. And he says, they go on. He 460 00:26:37,600 --> 00:26:39,439 Speaker 1: sort of explains a little more about how he's like 461 00:26:39,480 --> 00:26:41,840 Speaker 1: always kind of taking sections of song and making his own, 462 00:26:41,840 --> 00:26:47,560 Speaker 1: which is fine because everything is Yeah. They yeah, it 463 00:26:47,680 --> 00:26:49,919 Speaker 1: sounds like it's the same notes, like he said, but 464 00:26:50,000 --> 00:26:53,280 Speaker 1: it's definitely sped up. And I still think Michael Jackson 465 00:26:53,320 --> 00:26:56,879 Speaker 1: is a genius for remembering that bassline and being like Oh, 466 00:26:56,920 --> 00:26:59,479 Speaker 1: I'll take that, slow it down, put it here and 467 00:26:59,520 --> 00:27:02,639 Speaker 1: make the greatest pop. And then he said what about 468 00:27:02,760 --> 00:27:05,040 Speaker 1: The interview asked, what about outside of music? What's misunderstood 469 00:27:05,080 --> 00:27:07,119 Speaker 1: about Michael? I used to kill him about the plastic 470 00:27:07,119 --> 00:27:09,560 Speaker 1: surgery man. He'd always justified and say it was because 471 00:27:09,560 --> 00:27:14,399 Speaker 1: of some disease he had. That was bullshit. And then 472 00:27:14,400 --> 00:27:16,320 Speaker 1: they're like, well, how much were his problems wrapped up 473 00:27:16,359 --> 00:27:18,399 Speaker 1: with fame? You mean the way he looked? He had 474 00:27:18,400 --> 00:27:20,000 Speaker 1: a problem with his looks because his father told him 475 00:27:20,040 --> 00:27:21,760 Speaker 1: he was ugly and abused him. What do you expect? 476 00:27:22,000 --> 00:27:24,280 Speaker 1: And there's like, yeah, you know, a strange juxtaposition. How 477 00:27:24,320 --> 00:27:27,560 Speaker 1: Michael's music was joyous but his life seems sadder and 478 00:27:27,640 --> 00:27:31,160 Speaker 1: more odd as time goes by, and quin he says, yes, 479 00:27:31,200 --> 00:27:33,159 Speaker 1: but at the end, Michael's problem was proper fall and 480 00:27:33,160 --> 00:27:35,400 Speaker 1: that problem affects everyone. Doesn't matter if you're famous. Big 481 00:27:35,440 --> 00:27:37,919 Speaker 1: Farmer making Oxycon and all that ship is a serious thing. 482 00:27:38,160 --> 00:27:39,600 Speaker 1: I was around the White House for eight years with 483 00:27:39,640 --> 00:27:42,160 Speaker 1: the Clintons, and I learned about how much influence Big 484 00:27:42,160 --> 00:27:46,600 Speaker 1: Farmer has. It's no joke. What's your sign? Man? And 485 00:27:46,640 --> 00:27:51,520 Speaker 1: the interviews like, uh, pisces me too. It's a great sign. Uh. 486 00:27:51,600 --> 00:27:54,359 Speaker 1: And then he goes on, you just mentioned the Clintons, 487 00:27:54,680 --> 00:27:57,000 Speaker 1: who are your friends, friends of yours? Why is there 488 00:27:57,000 --> 00:27:59,560 Speaker 1: still such visceral dislike of them? What are other people 489 00:27:59,640 --> 00:28:01,800 Speaker 1: not see being in Hillary for example, that you see 490 00:28:02,160 --> 00:28:04,240 Speaker 1: And he goes it's because there's a side of her 491 00:28:04,400 --> 00:28:07,560 Speaker 1: when you keep secrets. Day backfired. Interview goes on, like 492 00:28:07,600 --> 00:28:10,040 Speaker 1: what secrets? Man? This is something else I shouldn't be 493 00:28:10,080 --> 00:28:13,880 Speaker 1: talking about. Interview goes, well, you seem to know a lot. 494 00:28:13,960 --> 00:28:19,159 Speaker 1: I know too much, man, what's something you wish you 495 00:28:19,200 --> 00:28:24,640 Speaker 1: didn't know? Who killed Kennedy? And then interview goes on, 496 00:28:24,800 --> 00:28:28,200 Speaker 1: who did it? Man? Chicago mobster Sam Joan Connor? Man, 497 00:28:28,240 --> 00:28:30,520 Speaker 1: the connection was there between Sinatra and the mafia and Kennedy. 498 00:28:30,600 --> 00:28:32,600 Speaker 1: Joe Kennedy. Man, he was a bad man. He came 499 00:28:32,640 --> 00:28:34,560 Speaker 1: to Frank to have him talk to Gian Connor about 500 00:28:34,560 --> 00:28:37,040 Speaker 1: getting votes in Illinois and they're like, yes, we've heard 501 00:28:37,040 --> 00:28:40,960 Speaker 1: this theory before that the mom helped win Illinois for Kennedy. 502 00:28:41,160 --> 00:28:43,200 Speaker 1: And he goes on, man, we shouldn't be talking about 503 00:28:43,200 --> 00:28:47,600 Speaker 1: this publicly. Where are you from? And he's like Toronto. 504 00:28:48,320 --> 00:28:50,960 Speaker 1: So that's that's how they sort of interviews going like 505 00:28:51,000 --> 00:28:53,200 Speaker 1: he's got a lot of interesting things. Then just like 506 00:28:53,320 --> 00:29:03,440 Speaker 1: drop an earth shadow, what's uh so? Then they go 507 00:29:03,560 --> 00:29:05,640 Speaker 1: on a little bit later, then they kind of get 508 00:29:05,640 --> 00:29:08,600 Speaker 1: to more current events, like sort of the me too movement. 509 00:29:08,640 --> 00:29:11,320 Speaker 1: He says, Well, we've obviously been learning more lately about 510 00:29:11,320 --> 00:29:14,120 Speaker 1: how just how corrosive the entertainment industry can be for women. 511 00:29:14,360 --> 00:29:16,280 Speaker 1: As someone who's worked in the business at the highest 512 00:29:16,360 --> 00:29:18,920 Speaker 1: levels for so many years, do all the recent revelations 513 00:29:18,960 --> 00:29:21,760 Speaker 1: come as a surprise. No, man, women had to put 514 00:29:21,840 --> 00:29:24,000 Speaker 1: up with that fucked up ship. Women and brothers, we're 515 00:29:24,040 --> 00:29:26,240 Speaker 1: both dealing with the glass ceiling. But what about the 516 00:29:26,280 --> 00:29:28,760 Speaker 1: alleged behavior of a friend of yours like Bill Cosby? 517 00:29:28,840 --> 00:29:30,640 Speaker 1: Is it hard to square what he's been accused of 518 00:29:30,680 --> 00:29:32,480 Speaker 1: with the person you know, it was all of them, 519 00:29:32,480 --> 00:29:37,200 Speaker 1: Brett Ratner, Weinstein, Weinstein, Man, he's a job motherfucker, would 520 00:29:37,600 --> 00:29:42,000 Speaker 1: wouldn't return my five, calls a bully return my five, 521 00:29:43,160 --> 00:29:45,680 Speaker 1: and he's a bully. He called him a jive motherfucker, 522 00:29:45,760 --> 00:29:49,040 Speaker 1: Like this is dolomite or something. What about Cosby? Though? 523 00:29:49,040 --> 00:29:52,480 Speaker 1: What about it? Where the allegations and surprised to you? Man, 524 00:29:52,520 --> 00:29:54,680 Speaker 1: we can't talk about this in public. Man, I'm surprised 525 00:29:54,720 --> 00:29:57,360 Speaker 1: he didn't pivot that was to be like, hey, man, 526 00:29:57,360 --> 00:29:59,959 Speaker 1: who does your hair? That what happens? So then they 527 00:30:00,040 --> 00:30:03,360 Speaker 1: go into then they start talking about racism, like you know, 528 00:30:03,880 --> 00:30:06,440 Speaker 1: this modern age and like white nationalism that's popping up. 529 00:30:06,720 --> 00:30:09,480 Speaker 1: And the interview asked what stirred everything up? Is it 530 00:30:09,520 --> 00:30:12,680 Speaker 1: all about Trump? Is um uh? And Quincy replies, it's Trump, 531 00:30:12,680 --> 00:30:15,160 Speaker 1: an uneducated rednecks man. Trump is just telling them what 532 00:30:15,200 --> 00:30:16,719 Speaker 1: they want to hear. I used to hang out with him. 533 00:30:16,760 --> 00:30:20,960 Speaker 1: He's a crazy motherfucker, limited mentally, a megalomaniac, narcissistic. I 534 00:30:21,000 --> 00:30:22,720 Speaker 1: can't stand him. I used to dat av Anka, you 535 00:30:22,800 --> 00:30:29,440 Speaker 1: know what, he's dating vodka? So obviously his daughter yes? 536 00:30:29,720 --> 00:30:33,760 Speaker 1: His daughter says, wait, really yes, sir. Twelve years ago, 537 00:30:34,040 --> 00:30:37,560 Speaker 1: Tommy Hill figure who was working with my daughter Cadata, said, quote, 538 00:30:37,640 --> 00:30:39,880 Speaker 1: Ivanka wants to have dinner with you. I said, no problem. 539 00:30:39,960 --> 00:30:44,680 Speaker 1: She's a fine motherfucker. She had the most beautiful legs 540 00:30:44,720 --> 00:30:49,880 Speaker 1: I ever saw in my life. Wrong, father, though, Quincy 541 00:30:50,120 --> 00:30:57,360 Speaker 1: is a fucking fool man. What do you think that 542 00:30:57,480 --> 00:31:00,640 Speaker 1: date was? Like? Oh my god, I I just have 543 00:31:00,720 --> 00:31:02,840 Speaker 1: to take a sing for that when I still have 544 00:31:03,000 --> 00:31:05,120 Speaker 1: the process would be like just how he has like, 545 00:31:05,160 --> 00:31:10,600 Speaker 1: you know, I should dati Vanka twelve years ago at 546 00:31:10,600 --> 00:31:13,160 Speaker 1: the time, like in her early twenties at that time. One, No, 547 00:31:13,360 --> 00:31:16,360 Speaker 1: she's I think like or something like right, So twelve 548 00:31:16,400 --> 00:31:18,280 Speaker 1: years ago she would have been twenty five. Twelve years 549 00:31:18,280 --> 00:31:22,160 Speaker 1: ago for eighty five year old would have been seventy three. Yeah, 550 00:31:22,160 --> 00:31:25,360 Speaker 1: she would have been. And he's see at the time 551 00:31:25,560 --> 00:31:28,400 Speaker 1: if they dated, I don't know. Look, I don't know 552 00:31:28,400 --> 00:31:30,560 Speaker 1: what happened with that, but that's just so weird that 553 00:31:30,600 --> 00:31:34,200 Speaker 1: she was even like, we need more old people to 554 00:31:34,240 --> 00:31:37,720 Speaker 1: dining with you. So also entirely possible that she was 555 00:31:37,800 --> 00:31:40,320 Speaker 1: just like I had a business proposal for him maybe 556 00:31:40,600 --> 00:31:44,720 Speaker 1: and he was like she didn't get trying to get it. 557 00:31:46,360 --> 00:31:49,520 Speaker 1: Has He's like kind of a prolific father, you know 558 00:31:49,560 --> 00:31:53,880 Speaker 1: what I mean, because data anything, he has women like 559 00:31:53,920 --> 00:31:56,600 Speaker 1: your children, like four other women, so you know, he 560 00:31:56,600 --> 00:31:59,000 Speaker 1: gets out there. And so anyway, they move on to 561 00:31:59,120 --> 00:32:03,760 Speaker 1: the Beatles ship ready for the Fuego take. So he 562 00:32:03,880 --> 00:32:06,040 Speaker 1: says he talks about Paul that he said, how was 563 00:32:06,080 --> 00:32:07,440 Speaker 1: it like when you first heard rock? And he said 564 00:32:07,440 --> 00:32:09,080 Speaker 1: something like, man, just sounds like white boys trying to 565 00:32:09,160 --> 00:32:11,200 Speaker 1: rhythm and blues. He's like, you know, I knew Paul 566 00:32:11,240 --> 00:32:13,520 Speaker 1: McCartney was twenty one. And then the guy says, what 567 00:32:13,640 --> 00:32:15,680 Speaker 1: were your first impressions of the Beatles? That they were 568 00:32:15,680 --> 00:32:18,400 Speaker 1: the worst musicians in the world. They were no playing, 569 00:32:18,480 --> 00:32:21,040 Speaker 1: motherfucker's Paul was the worst bass player I ever heard, 570 00:32:21,080 --> 00:32:23,479 Speaker 1: and Ringo don't even talk about it. I remember once 571 00:32:23,520 --> 00:32:25,520 Speaker 1: we were in the studio with George Martin and Ringo 572 00:32:25,640 --> 00:32:28,160 Speaker 1: had taken three hours for a four bar thing. He 573 00:32:28,240 --> 00:32:30,200 Speaker 1: was trying to fix on the song. He couldn't get it. 574 00:32:30,560 --> 00:32:34,480 Speaker 1: We said, mate, why don't you get some logger in line, 575 00:32:34,520 --> 00:32:36,600 Speaker 1: some shepherd's pie and take an hour and a half 576 00:32:36,640 --> 00:32:38,760 Speaker 1: and relax a little bit. So he did, and we 577 00:32:38,880 --> 00:32:41,720 Speaker 1: called Ronnie Varrell, a jazz drummer. Ronnie came in for 578 00:32:41,800 --> 00:32:44,720 Speaker 1: fifteen minutes and toward a Ringo comes back and says, George, 579 00:32:44,760 --> 00:32:46,760 Speaker 1: can you play it back for me one more time? 580 00:32:46,840 --> 00:32:49,800 Speaker 1: So George did. Ringo says that didn't sound so bad, 581 00:32:50,200 --> 00:32:53,880 Speaker 1: and I said, yeah, motherfucker, because it ain't you great 582 00:32:53,920 --> 00:33:03,520 Speaker 1: guy though, Yo. Pivots, the pivots in this are like 583 00:33:03,760 --> 00:33:07,920 Speaker 1: a la jahwan ye. His footwork on these pivots, so 584 00:33:08,480 --> 00:33:10,720 Speaker 1: they're unbelow the way he can just sort of diffuse 585 00:33:10,840 --> 00:33:16,239 Speaker 1: something so crazy, great question. Jenales just became my favorite person. Man. 586 00:33:16,360 --> 00:33:18,600 Speaker 1: Then there's one where he talks about Marlon Brando. This 587 00:33:18,720 --> 00:33:20,880 Speaker 1: is just a funny thing where he says, you know, 588 00:33:20,960 --> 00:33:23,400 Speaker 1: Marlon Brando and I we should go chat dancing. And 589 00:33:23,560 --> 00:33:25,440 Speaker 1: he could dance his ass off. He was the most 590 00:33:25,520 --> 00:33:28,400 Speaker 1: charming motherfucker you ever met. He fucked anything anything. He 591 00:33:28,480 --> 00:33:32,240 Speaker 1: fuck a mailbox, James Baldwin, Richard pryor, Marvin Gay. He 592 00:33:32,440 --> 00:33:35,680 Speaker 1: slept with him. How do you know that? Come on, man, 593 00:33:35,800 --> 00:33:37,800 Speaker 1: he did not give a fuck you like Brazilian music. 594 00:33:43,480 --> 00:33:47,320 Speaker 1: He said he fucked Marvin. Yeah, I don't know. I 595 00:33:47,360 --> 00:33:50,520 Speaker 1: don't know if he was James Baldwin. I don't know 596 00:33:50,520 --> 00:33:52,719 Speaker 1: if he's saying that James Baldwin. Fuck, Like, are they 597 00:33:52,760 --> 00:33:54,920 Speaker 1: are James Baldwin, Richard prior, Marvin Gay, roll in that 598 00:33:55,200 --> 00:33:58,280 Speaker 1: in that camp anything like that, they would suck anything 599 00:33:58,520 --> 00:34:00,280 Speaker 1: or that. It's hard to know when you're not, are you. 600 00:34:00,440 --> 00:34:02,440 Speaker 1: But it's just so funny that he's like, wait, the 601 00:34:02,520 --> 00:34:04,600 Speaker 1: guy even like he slept with them, and he's like, 602 00:34:04,680 --> 00:34:09,719 Speaker 1: come on, man, you even give music. Those pivots are 603 00:34:09,800 --> 00:34:12,120 Speaker 1: just yet the next level. So I mean, that's that's 604 00:34:12,160 --> 00:34:14,200 Speaker 1: just a portion of it. He's still he talks about 605 00:34:14,239 --> 00:34:17,359 Speaker 1: playing with like I said, Muslini's son. He the one 606 00:34:17,400 --> 00:34:19,399 Speaker 1: good thing, which I'm not I can't fully like read 607 00:34:19,400 --> 00:34:21,640 Speaker 1: the quote back, but like he talks about like creatively 608 00:34:21,719 --> 00:34:24,040 Speaker 1: what was like sort of his X factor, and he's like, 609 00:34:24,120 --> 00:34:26,279 Speaker 1: you know, do you hear any innovation and music? He's like, no, man, 610 00:34:26,320 --> 00:34:28,160 Speaker 1: because a lot of these people are chasing like rock 611 00:34:28,280 --> 00:34:30,600 Speaker 1: vodka and fat farm okay, clearly taking shots of P 612 00:34:30,719 --> 00:34:34,600 Speaker 1: Diddy and uh and also about ten years late, yeah, 613 00:34:34,840 --> 00:34:39,560 Speaker 1: fat farm, fat Farm and sponsor I love baby fat 614 00:34:39,640 --> 00:34:43,080 Speaker 1: and apple bottom jeans. But he he was saying, like, 615 00:34:43,160 --> 00:34:44,960 Speaker 1: you know, the second you chase money, God leaves the 616 00:34:45,040 --> 00:34:47,399 Speaker 1: room and you're not gonna make that fire music, which 617 00:34:47,440 --> 00:34:49,160 Speaker 1: is I mean, which I think is a really good 618 00:34:49,480 --> 00:34:51,879 Speaker 1: piece of advice for anyone never thinking about money when 619 00:34:51,920 --> 00:34:54,280 Speaker 1: he was making Yeah, the second you consider an outside 620 00:34:54,280 --> 00:34:56,319 Speaker 1: audience and you were just not making art that's true 621 00:34:56,320 --> 00:34:58,320 Speaker 1: to you, Yeah, you've lost, which was to me the 622 00:34:58,360 --> 00:35:02,839 Speaker 1: most useful thing that I saw. He also talked about 623 00:35:02,920 --> 00:35:05,279 Speaker 1: like the person's like would you ever date someone your 624 00:35:05,440 --> 00:35:10,399 Speaker 1: your age? And he was like Pah, Yeah, I read 625 00:35:10,480 --> 00:35:14,640 Speaker 1: something like maybe a few days ago, so this is 626 00:35:14,719 --> 00:35:16,880 Speaker 1: before this interview, or maybe it was something from this 627 00:35:17,000 --> 00:35:19,759 Speaker 1: interview that he has twenty two girlfriends and they all 628 00:35:19,840 --> 00:35:22,919 Speaker 1: know about each other. Is that right? Is that true? Yeah, 629 00:35:23,040 --> 00:35:25,120 Speaker 1: that that's something that happened. Maybe that was like a 630 00:35:25,200 --> 00:35:28,640 Speaker 1: Playboy interview. He's getting interviewed a lot, but uh, yeah, 631 00:35:28,680 --> 00:35:31,479 Speaker 1: there was. He he talked about how he had twenty 632 00:35:31,560 --> 00:35:34,520 Speaker 1: two girlfriends all over the world, like one in each 633 00:35:34,840 --> 00:35:37,399 Speaker 1: country that he visits. There's a he kind of makes 634 00:35:37,440 --> 00:35:42,839 Speaker 1: references that because the guy just says, uh, the interview asked, okay, 635 00:35:42,920 --> 00:35:45,160 Speaker 1: let me ask you a left field question in your memoir. 636 00:35:45,320 --> 00:35:47,919 Speaker 1: There's a section where you talk about being a dog. 637 00:35:49,560 --> 00:35:51,840 Speaker 1: And he says, that's not what I was thinking of, 638 00:35:52,040 --> 00:35:53,920 Speaker 1: but yeah, that's in there. I was thinking, it just 639 00:35:54,040 --> 00:35:55,960 Speaker 1: goes on to this other thing like he I think 640 00:35:56,040 --> 00:35:58,560 Speaker 1: thought he was alluding to that. Yeah, you want to 641 00:35:58,600 --> 00:36:02,840 Speaker 1: hear about the fucking right about it? No, No, I 642 00:36:02,960 --> 00:36:05,919 Speaker 1: read your Playboy interview. We we got that. But yeah, 643 00:36:06,040 --> 00:36:08,560 Speaker 1: and he talks about how like he's he's never dated 644 00:36:08,840 --> 00:36:11,600 Speaker 1: a woman. I think they asked like what his expiration 645 00:36:11,719 --> 00:36:15,080 Speaker 1: date is and he says like thirties or forty or 646 00:36:15,160 --> 00:36:18,520 Speaker 1: something just stuck in the time warp. Yes, said Cindy 647 00:36:18,560 --> 00:36:20,959 Speaker 1: Lapper almost ruined We Are the World with her loud 648 00:36:21,000 --> 00:36:25,560 Speaker 1: ass Jewelry had a blowout with her just to show 649 00:36:25,600 --> 00:36:27,520 Speaker 1: you hit this man's ego. Though. One of the questions was, 650 00:36:27,600 --> 00:36:29,680 Speaker 1: what's something you've worked on that should have been bigger? 651 00:36:30,320 --> 00:36:32,279 Speaker 1: And he answers, what the funk are you talking about? 652 00:36:32,320 --> 00:36:36,000 Speaker 1: I never had that problem. They were all big. So 653 00:36:36,200 --> 00:36:39,279 Speaker 1: he's like LaVar Ball mixed with you. I mean, this dude, 654 00:36:39,360 --> 00:36:42,960 Speaker 1: he's I mean, but he he earned it. Yea and 655 00:36:43,040 --> 00:36:45,200 Speaker 1: Trump were super talented. Yeah, I mean, he didn't earn 656 00:36:45,280 --> 00:36:47,320 Speaker 1: to be problematic, but he definitely earns the right to 657 00:36:47,360 --> 00:36:50,360 Speaker 1: talk ship because you know, nobody's on Quincy level. I 658 00:36:50,440 --> 00:36:53,279 Speaker 1: guess like he waited for a long time to be 659 00:36:53,440 --> 00:36:57,839 Speaker 1: this unfiltered. I mean, when you're when you're an octogenarian, 660 00:36:57,960 --> 00:37:00,480 Speaker 1: you know, as we've seen it, you know, you begin 661 00:37:00,560 --> 00:37:03,520 Speaker 1: to let loose a little bit, stop giving any fox 662 00:37:03,840 --> 00:37:06,719 Speaker 1: at all. So, guys, yes, please check out that it's 663 00:37:06,800 --> 00:37:10,000 Speaker 1: it's a wonderful read. And the interview was from what magazine? 664 00:37:10,400 --> 00:37:15,360 Speaker 1: It was in Vulture Ulture? Damn great interview. Uh So, 665 00:37:16,160 --> 00:37:20,200 Speaker 1: we just wanted to talk about speaking of online outlets 666 00:37:21,000 --> 00:37:26,400 Speaker 1: content providers. There was a story yesterday on split Cider 667 00:37:26,520 --> 00:37:30,520 Speaker 1: are good friends at Split Cider about how, you know, 668 00:37:30,719 --> 00:37:36,279 Speaker 1: Funny or Die recently fired basically their entire editorial staff. Uh, 669 00:37:36,760 --> 00:37:41,319 Speaker 1: and that's something that happened at Cracked not too long ago. Uh. 670 00:37:41,440 --> 00:37:44,080 Speaker 1: They fired about I think twenty five people, a lot 671 00:37:44,160 --> 00:37:47,200 Speaker 1: of the most talented creative people I've ever worked with. 672 00:37:47,960 --> 00:37:53,719 Speaker 1: Uh and yeah, definitely, Uh, the most talented people. Uh, 673 00:37:54,200 --> 00:37:59,040 Speaker 1: the only talented people. UH don't know. I mean, I 674 00:37:59,160 --> 00:38:01,759 Speaker 1: know I was aspired to be at the level of 675 00:38:01,800 --> 00:38:05,439 Speaker 1: some of the writers over there. That is now my shoe. 676 00:38:07,080 --> 00:38:10,800 Speaker 1: You're all my favorites. Uh. Yeah. So they interviewed this 677 00:38:10,960 --> 00:38:13,960 Speaker 1: dude who's still employed it Funnier Die because Funnier Dies 678 00:38:14,000 --> 00:38:17,759 Speaker 1: pivoting just to like TV and movies and like long 679 00:38:17,840 --> 00:38:22,880 Speaker 1: form stuff. But um, he was talking about how basically 680 00:38:23,000 --> 00:38:28,279 Speaker 1: Facebook killed their website, and hearing him kind of just 681 00:38:28,800 --> 00:38:32,640 Speaker 1: speak specifically about Facebook, it really resonated with sort of 682 00:38:32,719 --> 00:38:37,080 Speaker 1: what I experienced in my last handful of years at Cracked. Uh. 683 00:38:37,360 --> 00:38:40,760 Speaker 1: You know, I ran Cracked through a bunch of different 684 00:38:41,080 --> 00:38:45,160 Speaker 1: sort of models of traffic acquisition, like we blew up 685 00:38:45,200 --> 00:38:47,359 Speaker 1: a lot, like when dig was a thing. You guys 686 00:38:47,400 --> 00:38:50,279 Speaker 1: probably don't even remember dig, but dig used to be 687 00:38:50,400 --> 00:38:52,160 Speaker 1: like read it. It was like the front page of 688 00:38:52,200 --> 00:38:55,000 Speaker 1: the Internet type thing where people would just go there 689 00:38:55,080 --> 00:38:58,040 Speaker 1: and see what was popping on, like the Internet. And 690 00:38:58,120 --> 00:39:00,560 Speaker 1: we were always like on the front page. And that's 691 00:39:00,560 --> 00:39:03,400 Speaker 1: where we got a bunch of like new users who 692 00:39:03,480 --> 00:39:08,440 Speaker 1: then you know, started visiting us regularly. But then, you know, Facebook, 693 00:39:09,040 --> 00:39:11,680 Speaker 1: Facebook blew us up even more than we were blown 694 00:39:11,760 --> 00:39:15,000 Speaker 1: up before, Like it you know, made us extremely big. 695 00:39:15,239 --> 00:39:18,160 Speaker 1: At a certain point, they were like, uh an interview 696 00:39:18,320 --> 00:39:21,239 Speaker 1: there was an interview with the Facebook engineer who said 697 00:39:21,280 --> 00:39:24,279 Speaker 1: that they send more traffic to cracked than to any 698 00:39:24,480 --> 00:39:28,520 Speaker 1: other outlet, uh, like anywhere. So we're doing really well 699 00:39:28,600 --> 00:39:32,240 Speaker 1: at that point. But then over the last five years, 700 00:39:32,320 --> 00:39:38,040 Speaker 1: as Facebook sort of slowly started to uh the destination 701 00:39:38,160 --> 00:39:40,520 Speaker 1: of the Internet, well and you know, create a business 702 00:39:40,560 --> 00:39:44,320 Speaker 1: model where they were the only advertiser and they wanted 703 00:39:44,440 --> 00:39:48,719 Speaker 1: all the advertising revenue and so uh, they weren't interested 704 00:39:48,800 --> 00:39:52,560 Speaker 1: in promoting anything that would take people off of Facebook, 705 00:39:52,920 --> 00:39:57,239 Speaker 1: which is what all internet content uh would do, and 706 00:39:57,400 --> 00:40:01,759 Speaker 1: so uh they started you know, at first it was 707 00:40:01,840 --> 00:40:07,879 Speaker 1: their algorithm, uh started promoting just videos because videos kept 708 00:40:07,920 --> 00:40:11,120 Speaker 1: you on Facebook. And then they started promoting this thing 709 00:40:11,239 --> 00:40:14,800 Speaker 1: called instant articles, which just was articles that you published 710 00:40:14,880 --> 00:40:17,520 Speaker 1: on Facebook. And the idea was that they were going 711 00:40:17,560 --> 00:40:21,040 Speaker 1: to share revenue with publishers, but then they never really 712 00:40:21,120 --> 00:40:23,440 Speaker 1: got around to doing that or creating a model for 713 00:40:23,560 --> 00:40:29,480 Speaker 1: sharing revenue. So they just basically have slowly, you know, uh, 714 00:40:29,640 --> 00:40:33,640 Speaker 1: suffocated all content creators. And if this is happening to 715 00:40:34,080 --> 00:40:37,960 Speaker 1: basically every newspaper that isn't the New York Times or 716 00:40:38,280 --> 00:40:40,799 Speaker 1: you know, one of one of the major newspapers that's 717 00:40:40,840 --> 00:40:44,040 Speaker 1: big enough to kind of weather this thing. Um, so 718 00:40:44,760 --> 00:40:46,720 Speaker 1: it's a it's a thing that's sort of happening behind 719 00:40:46,800 --> 00:40:49,520 Speaker 1: the scenes of you know, the zeitgeist, but it it, 720 00:40:50,040 --> 00:40:53,359 Speaker 1: it really is having an effect. You know, local news 721 00:40:53,520 --> 00:40:58,000 Speaker 1: is incredibly important and uh, you know, local newspapers and 722 00:40:58,400 --> 00:41:02,320 Speaker 1: you know even newspapers of big cities are are dying 723 00:41:02,480 --> 00:41:07,160 Speaker 1: because of this exact thing like Facebook Berry stuff. Yeah, 724 00:41:07,200 --> 00:41:11,600 Speaker 1: Facebook Berries stuff that, and they promote stuff that is 725 00:41:12,360 --> 00:41:16,040 Speaker 1: you know, low quality clickbit ship like you know, BuzzFeed. 726 00:41:16,640 --> 00:41:19,200 Speaker 1: It's just shitty because yeah, like you know, the Funnier 727 00:41:19,320 --> 00:41:22,160 Speaker 1: Die model. Like when I was lobbying, and I always 728 00:41:22,200 --> 00:41:24,399 Speaker 1: had my eyes on doing comedy and making my own 729 00:41:24,440 --> 00:41:26,640 Speaker 1: funny videos and stuff. Funnier Die was the thing I 730 00:41:26,760 --> 00:41:28,920 Speaker 1: looked at as like, oh, look, you can make your 731 00:41:28,960 --> 00:41:31,960 Speaker 1: own ship, get some attention on it, and begin to 732 00:41:32,080 --> 00:41:34,200 Speaker 1: make some kind of a career for yourself and possibly 733 00:41:34,760 --> 00:41:38,600 Speaker 1: sustain your life off of being creative. And you know, 734 00:41:38,719 --> 00:41:41,480 Speaker 1: like to now see it completely changed now where you 735 00:41:41,640 --> 00:41:45,440 Speaker 1: get squeezed out because they want to keep you on Facebook. 736 00:41:45,840 --> 00:41:48,480 Speaker 1: It's really disheartening because that's sort of what a lot 737 00:41:48,520 --> 00:41:50,279 Speaker 1: of especially the people who come on this show like 738 00:41:50,320 --> 00:41:53,120 Speaker 1: as guests. We all are striving to be able to 739 00:41:53,560 --> 00:41:57,920 Speaker 1: live off of offering our talents, our abilities, and our creativity. 740 00:41:58,440 --> 00:42:00,120 Speaker 1: And I mean I saw this even when I to 741 00:42:00,200 --> 00:42:03,560 Speaker 1: Conde Nast, everything was about Facebook or thinking about like 742 00:42:03,680 --> 00:42:07,279 Speaker 1: we were like create creativity was becoming like we were 743 00:42:07,320 --> 00:42:09,239 Speaker 1: having to self edit in the name of what was 744 00:42:09,280 --> 00:42:12,080 Speaker 1: going to work for face right, Facebook is your editor 745 00:42:12,440 --> 00:42:15,880 Speaker 1: has every content creators editor and boss and you have 746 00:42:16,080 --> 00:42:19,279 Speaker 1: to And it's the worst kind of boss because they 747 00:42:19,360 --> 00:42:23,239 Speaker 1: will never tell you what they value, they like. Their 748 00:42:23,440 --> 00:42:27,360 Speaker 1: their algorithm is completely opaque and they change it constantly, 749 00:42:27,480 --> 00:42:30,680 Speaker 1: so like all of a sudden, your content will stop 750 00:42:30,880 --> 00:42:34,279 Speaker 1: performing on Facebook and stop getting visitors and you will 751 00:42:34,320 --> 00:42:36,920 Speaker 1: have no reason why, which is, you know, that's the 752 00:42:37,080 --> 00:42:39,520 Speaker 1: worst type of boss to have. A boss who, like 753 00:42:40,200 --> 00:42:43,400 Speaker 1: you know, is just changes with you know, has different 754 00:42:43,440 --> 00:42:46,440 Speaker 1: whims that change and you don't know there's no logic 755 00:42:46,600 --> 00:42:49,400 Speaker 1: to it. Um. And then they're also I mean, this 756 00:42:49,480 --> 00:42:52,760 Speaker 1: guy makes a really good point that, uh, they're essentially 757 00:42:52,840 --> 00:42:56,200 Speaker 1: running a Payolas scam where you have to basically pay 758 00:42:56,520 --> 00:43:01,120 Speaker 1: to have your content placed within their algorithm. And uh, 759 00:43:01,719 --> 00:43:06,880 Speaker 1: you know, their algorithm just is completely impossible to deal with, 760 00:43:07,160 --> 00:43:10,000 Speaker 1: so you have to pay them to confuse, let them 761 00:43:10,800 --> 00:43:14,200 Speaker 1: to get your people who have subscribed to get your 762 00:43:14,239 --> 00:43:18,600 Speaker 1: content to actually see your content. So it's it's a 763 00:43:18,640 --> 00:43:22,080 Speaker 1: really shitty situation. Uh it sounds like Funnier Die is 764 00:43:22,120 --> 00:43:25,920 Speaker 1: actually being really cool about it. And you know, obviously 765 00:43:26,000 --> 00:43:28,040 Speaker 1: they just laid a bunch of people off and that's shitty. 766 00:43:28,120 --> 00:43:32,040 Speaker 1: But this guy's talks about how management and the companies 767 00:43:32,280 --> 00:43:34,080 Speaker 1: get a lot of the blame. But in this case, 768 00:43:34,200 --> 00:43:37,960 Speaker 1: it sounds like Funnier Dies being cool. Uh. The people 769 00:43:38,400 --> 00:43:42,880 Speaker 1: who made that decision at Cracked were absolutely not and uh, 770 00:43:43,360 --> 00:43:46,360 Speaker 1: the company that made that decision and the management that 771 00:43:46,400 --> 00:43:50,640 Speaker 1: made that decision at cracked or awful. Uh, but yeah, 772 00:43:51,239 --> 00:43:54,000 Speaker 1: I won't get into too much detail there, but would Jack, 773 00:43:54,080 --> 00:43:56,719 Speaker 1: let me speak on script what you wrote down, and 774 00:43:56,800 --> 00:44:03,640 Speaker 1: I will say it, will say quincidents. They don't know 775 00:44:03,719 --> 00:44:08,719 Speaker 1: what they're fucking doing. But it is a like when 776 00:44:08,840 --> 00:44:12,040 Speaker 1: you have like Facebook just like at a whim, changing 777 00:44:12,680 --> 00:44:16,480 Speaker 1: like their entire logic for how your content performs, and 778 00:44:16,600 --> 00:44:21,120 Speaker 1: you have a terrible, terrible parent company who like they 779 00:44:21,320 --> 00:44:23,720 Speaker 1: are gonna blame you. They're gonna be like, your content 780 00:44:23,880 --> 00:44:26,880 Speaker 1: isn't good and like, why why don't you try harder? 781 00:44:27,000 --> 00:44:28,880 Speaker 1: Why don't you do a better job? Why can't you 782 00:44:28,920 --> 00:44:31,880 Speaker 1: do more with less money? Right? Exactly? That's yeah. It's 783 00:44:31,880 --> 00:44:34,720 Speaker 1: funny too because all the heads of these huge media companies, 784 00:44:34,719 --> 00:44:37,160 Speaker 1: as I've worked for one of the most gigantor ones, 785 00:44:37,520 --> 00:44:39,640 Speaker 1: they don't give a funk about the content. They just 786 00:44:39,840 --> 00:44:42,680 Speaker 1: care about impressions and how they can sell ads. And 787 00:44:42,800 --> 00:44:45,759 Speaker 1: that's completely stifles of creativity and they don't realize that 788 00:44:46,160 --> 00:44:49,400 Speaker 1: ship was performing because of the creativity. And when you 789 00:44:49,719 --> 00:44:52,120 Speaker 1: when you sacrifice that for like, well, what's gonna do well, 790 00:44:52,520 --> 00:44:55,160 Speaker 1: you're completely fucking up the recipe and then they wonder 791 00:44:55,239 --> 00:44:57,279 Speaker 1: what happens when you abandon the thing that made you 792 00:44:57,320 --> 00:44:59,440 Speaker 1: successful in the first place, right, I mean, like I 793 00:45:00,120 --> 00:45:03,680 Speaker 1: so doing comedy like promotion is a big part of that, 794 00:45:04,200 --> 00:45:07,200 Speaker 1: especially now because everybody is on their phone on social media, 795 00:45:07,280 --> 00:45:09,440 Speaker 1: so that's the only way you really can promote. You 796 00:45:09,480 --> 00:45:12,040 Speaker 1: can promote other ways, but now they have it where 797 00:45:12,080 --> 00:45:14,799 Speaker 1: if you promote like an event that you're doing, they 798 00:45:14,920 --> 00:45:16,920 Speaker 1: bury it. So you have to do a picture and 799 00:45:17,040 --> 00:45:18,959 Speaker 1: put the event in the comments, and you gotta figure 800 00:45:19,000 --> 00:45:21,960 Speaker 1: out all this ship just to get your friends to 801 00:45:22,160 --> 00:45:26,839 Speaker 1: come to your stuff is insane. Why are people still 802 00:45:26,960 --> 00:45:31,279 Speaker 1: using Facebook? I don't know. Man Mark Zuckelberg is he 803 00:45:31,400 --> 00:45:34,440 Speaker 1: must be like an overlord over our minds when he is, 804 00:45:34,680 --> 00:45:36,960 Speaker 1: I think for some people that's like a lot of 805 00:45:37,000 --> 00:45:41,000 Speaker 1: smart people with strong personalities. I think that he can 806 00:45:41,080 --> 00:45:45,520 Speaker 1: convince himself he's right in any situation just by like creating, 807 00:45:45,640 --> 00:45:50,040 Speaker 1: you know, constructing an argument that is convenient for whatever 808 00:45:50,520 --> 00:45:52,520 Speaker 1: his thing is. And then he probably surrounds himself with 809 00:45:52,600 --> 00:45:55,560 Speaker 1: yes man, which is something I also saw at the 810 00:45:55,600 --> 00:45:59,600 Speaker 1: parent company. Correct, get Jesse Eisenberg to play you, you 811 00:45:59,680 --> 00:46:03,080 Speaker 1: can do whatever. Yeah, I guess all right, we're gonna 812 00:46:03,160 --> 00:46:14,040 Speaker 1: take a quick break and we'll be right back. And 813 00:46:14,200 --> 00:46:17,000 Speaker 1: we're back. Uh So yeah, like I said, we're running 814 00:46:17,000 --> 00:46:18,880 Speaker 1: a little long, but we we do have one more 815 00:46:18,920 --> 00:46:23,399 Speaker 1: story that we have to hit. Um. Because Donald Trump 816 00:46:23,560 --> 00:46:28,040 Speaker 1: is creating a new, a new tradition here in America, 817 00:46:28,920 --> 00:46:34,359 Speaker 1: a giant annual Well will it be military parade? I guess. 818 00:46:34,440 --> 00:46:35,719 Speaker 1: I mean I know right now that I think there 819 00:46:35,760 --> 00:46:38,440 Speaker 1: gonna start with one. Um. I know, but he wants it, 820 00:46:38,520 --> 00:46:42,320 Speaker 1: and he wants a big display of our mighty military 821 00:46:42,400 --> 00:46:45,320 Speaker 1: penis all the world to see, where they bring like 822 00:46:45,600 --> 00:46:50,080 Speaker 1: giant phallic shaped missiles down the middle of the streets 823 00:46:50,080 --> 00:46:52,480 Speaker 1: of death coming down the street. They actually did this 824 00:46:52,880 --> 00:46:58,239 Speaker 1: once after the first Iraq War, where America went in 825 00:46:58,360 --> 00:47:02,439 Speaker 1: and like lost forty people total and you know, one 826 00:47:02,520 --> 00:47:05,120 Speaker 1: in a couple of weeks. Uh. That that war, by 827 00:47:05,160 --> 00:47:08,800 Speaker 1: the way, it was a lot because the media was 828 00:47:08,920 --> 00:47:12,439 Speaker 1: calling George H. W. Bush a whimp like that. That's 829 00:47:12,480 --> 00:47:15,800 Speaker 1: like an underrated aspect of history is the media was like, 830 00:47:15,920 --> 00:47:18,640 Speaker 1: he seems like a whimped away he talks and trolled 831 00:47:18,680 --> 00:47:22,080 Speaker 1: him into starting a war essentially. Uh. And then yeah, 832 00:47:22,120 --> 00:47:24,799 Speaker 1: he had one of these as So it's the last 833 00:47:24,840 --> 00:47:28,200 Speaker 1: time that we had a president this insecure Essentially, they 834 00:47:28,280 --> 00:47:32,120 Speaker 1: tried this and uh it was successful. There there were 835 00:47:32,560 --> 00:47:34,960 Speaker 1: I remember when I was growing up, they had like 836 00:47:35,120 --> 00:47:38,239 Speaker 1: fruit snacks that were different fighter plans. Uh oh yeah, 837 00:47:38,360 --> 00:47:41,400 Speaker 1: I had Ninja turtle action figures that were like desert storm. 838 00:47:41,719 --> 00:47:45,920 Speaker 1: Yeah yeah, yeah yeah. Yeah. Also, aren't there already military 839 00:47:46,000 --> 00:47:50,279 Speaker 1: parades called Memorial Day parades? And I think what he 840 00:47:50,360 --> 00:47:53,960 Speaker 1: wants is an aggressive, overt display of our military technology, 841 00:47:54,080 --> 00:47:56,759 Speaker 1: which I think happens with all the fucking movies we 842 00:47:56,880 --> 00:47:59,880 Speaker 1: make about the army, right, yeah, yeah, I've seen in 843 00:48:00,000 --> 00:48:02,040 Speaker 1: Dependence Day a lot, but I know what we got. 844 00:48:03,040 --> 00:48:07,360 Speaker 1: Independence Day actually didn't have full military support because they 845 00:48:07,400 --> 00:48:11,000 Speaker 1: didn't want Will Smith to date a scripper. Scripper, Yeah, 846 00:48:11,320 --> 00:48:15,400 Speaker 1: and they wanted uh yeah who kamakazes himself into the 847 00:48:15,760 --> 00:48:18,440 Speaker 1: Aliens to save the world. They wanted him not to 848 00:48:18,520 --> 00:48:21,239 Speaker 1: be drunk. They wanted him to be just like a 849 00:48:21,400 --> 00:48:25,719 Speaker 1: heroic military pilot. But anyways, yeah, that for people who 850 00:48:26,040 --> 00:48:29,120 Speaker 1: don't listen to every episode the on you Yeah, first 851 00:48:29,160 --> 00:48:31,759 Speaker 1: of all, work on yourself, but second of all, the 852 00:48:31,840 --> 00:48:36,360 Speaker 1: Pentagon spends a lot of money, uh on Hollywood movies 853 00:48:36,440 --> 00:48:39,719 Speaker 1: and getting military hardware and Hollywood movies, but miles. So 854 00:48:39,840 --> 00:48:43,279 Speaker 1: you wanted to see what actual military people because I 855 00:48:43,400 --> 00:48:45,640 Speaker 1: was seeing people talk about stuff like on Reddit, like 856 00:48:45,680 --> 00:48:48,879 Speaker 1: there's subreddits like for the army. There's like our army 857 00:48:49,080 --> 00:48:52,399 Speaker 1: or our military, and you can hear typically unless people 858 00:48:52,400 --> 00:48:55,000 Speaker 1: are lying, uh, you're like, these are people who are 859 00:48:55,160 --> 00:48:58,200 Speaker 1: in on the armed forces or the military that are 860 00:48:58,440 --> 00:49:01,160 Speaker 1: like just talking about whatever afects the community. And so 861 00:49:01,280 --> 00:49:03,200 Speaker 1: with this, like a lot of the comments were like 862 00:49:03,719 --> 00:49:06,600 Speaker 1: this is dumb. Like we do flyovers at halftime shows, 863 00:49:07,000 --> 00:49:10,000 Speaker 1: we have like movies and TV where we regularly display 864 00:49:10,120 --> 00:49:13,879 Speaker 1: like like crazy military technology. A lot of people thinks 865 00:49:14,160 --> 00:49:16,560 Speaker 1: it makes us look weak because this is typically the 866 00:49:16,680 --> 00:49:19,560 Speaker 1: hallmark of countries that don't have America's military might to 867 00:49:19,560 --> 00:49:21,960 Speaker 1: be like we go right here. There's the reason France 868 00:49:22,000 --> 00:49:27,400 Speaker 1: has to do this. They didn't do so well in 869 00:49:27,480 --> 00:49:31,040 Speaker 1: World War two. Ye, And I think the other thing 870 00:49:31,120 --> 00:49:33,200 Speaker 1: is too like the time involved. So one of the 871 00:49:33,360 --> 00:49:35,960 Speaker 1: takes that you read what was in the army sub reddit, 872 00:49:36,320 --> 00:49:37,879 Speaker 1: one of the guys saying, imagine the amount of time 873 00:49:37,920 --> 00:49:40,640 Speaker 1: spent cleaning, painting, transporting and maintaining all the equipment for 874 00:49:40,680 --> 00:49:42,960 Speaker 1: the prey. The hours and hours of pass and review practice. 875 00:49:43,000 --> 00:49:45,000 Speaker 1: The time spent polishing and shining all the bits, the 876 00:49:45,080 --> 00:49:48,239 Speaker 1: inspections and reinspections. Everyone putting equipment on trains to get 877 00:49:48,280 --> 00:49:50,080 Speaker 1: to d C is like then you unload, clean the 878 00:49:50,080 --> 00:49:53,959 Speaker 1: equipment again, repolish everything, get inspected, practice even more. Finally, 879 00:49:54,080 --> 00:49:56,480 Speaker 1: time for the preade. It's hot. Everything is a total clusterfuck. 880 00:49:56,520 --> 00:49:58,160 Speaker 1: At the initial point of the parade route, you march, 881 00:49:58,239 --> 00:49:59,520 Speaker 1: you get to the rally point, and now you have 882 00:49:59,600 --> 00:50:01,480 Speaker 1: to move all this ship back to base, back to 883 00:50:01,560 --> 00:50:04,320 Speaker 1: the railhead back on the bus. Is like all you know, 884 00:50:04,520 --> 00:50:05,840 Speaker 1: and they're saying, and this will all happen on a 885 00:50:05,840 --> 00:50:08,279 Speaker 1: holiday weekend we normally have off and one day after 886 00:50:08,360 --> 00:50:10,480 Speaker 1: the parade, uh, the news cycle will move on and 887 00:50:10,520 --> 00:50:12,120 Speaker 1: no one will remember it. So a lot of people 888 00:50:12,160 --> 00:50:14,239 Speaker 1: just feel like it's unnecessary, Like if you really want 889 00:50:14,280 --> 00:50:15,800 Speaker 1: to honor us, like give us some time off, you know, 890 00:50:16,400 --> 00:50:19,040 Speaker 1: or give us a coherent strategy in Afghanistan, give us 891 00:50:19,040 --> 00:50:21,840 Speaker 1: a coherent military strategy elsewhere, maybe you don't funk up 892 00:50:21,880 --> 00:50:25,120 Speaker 1: the State Department. And when you talk to the military people, 893 00:50:25,239 --> 00:50:27,680 Speaker 1: like one of the things they say is like an insane, 894 00:50:27,880 --> 00:50:31,360 Speaker 1: astounding amount of time is spent cleaning ship. Yeah, so 895 00:50:31,520 --> 00:50:34,759 Speaker 1: like having to do this all for a parade, so 896 00:50:34,800 --> 00:50:36,480 Speaker 1: that sounds like it would be And also like I 897 00:50:36,560 --> 00:50:38,480 Speaker 1: don't think another guy was mentioning like he's like, I 898 00:50:38,520 --> 00:50:40,440 Speaker 1: don't think the DC streets can handle a bunch of 899 00:50:40,480 --> 00:50:42,520 Speaker 1: M one tanks is rolling through like that either, like 900 00:50:43,120 --> 00:50:45,319 Speaker 1: that you're gonna have to work on that infrastructure. Man. 901 00:50:45,600 --> 00:50:47,680 Speaker 1: Well that's where the DC City Council was like, and 902 00:50:48,080 --> 00:50:50,800 Speaker 1: now they're like, we do want want anything to do 903 00:50:50,880 --> 00:50:52,880 Speaker 1: with it, but they haven't even put a budget together. 904 00:50:52,960 --> 00:50:57,359 Speaker 1: But I know John Kelly, that old fucking guy. He's 905 00:50:57,360 --> 00:50:58,960 Speaker 1: working with the Pentagon to try and see how this 906 00:50:59,040 --> 00:51:01,719 Speaker 1: thing all work out. But right, um, I think I 907 00:51:01,760 --> 00:51:05,200 Speaker 1: think Americans already know how strong we have. We have 908 00:51:05,280 --> 00:51:08,480 Speaker 1: a little section down here titled Lindsay Graham on Parade, 909 00:51:09,000 --> 00:51:12,240 Speaker 1: which I thought was like a shitty, weird al spoof 910 00:51:12,320 --> 00:51:20,520 Speaker 1: of that Rage against the Machine song. But he said, uh, 911 00:51:20,800 --> 00:51:24,160 Speaker 1: it's kind of cheesy and a sign of weakness, That's 912 00:51:24,160 --> 00:51:26,160 Speaker 1: what he said. To report it. I love how Lindsay 913 00:51:26,160 --> 00:51:27,920 Speaker 1: Graham just gets to talk out of both sides of 914 00:51:27,960 --> 00:51:29,920 Speaker 1: his mouth like he knows and then he will be like, 915 00:51:29,960 --> 00:51:32,800 Speaker 1: we need to investigate Christopher Steele right, like, shut the 916 00:51:32,840 --> 00:51:37,280 Speaker 1: funk up, pick a side. Uh, all right, Oh Doritos 917 00:51:37,320 --> 00:51:39,960 Speaker 1: walked back there, Lady Dorito's thing. Apparently they were like, ha, ha, 918 00:51:40,120 --> 00:51:42,000 Speaker 1: that was that was just a joke. We weren't. We 919 00:51:42,120 --> 00:51:45,440 Speaker 1: didn't really mean that that shitty idea. But then, uh, 920 00:51:45,680 --> 00:51:49,839 Speaker 1: you know, our writer Sam Raubman pulled the quote from 921 00:51:50,000 --> 00:51:54,600 Speaker 1: the initial interview and there's absolutely no way to interpret 922 00:51:54,680 --> 00:51:58,000 Speaker 1: it as anything other than she said that they're going 923 00:51:58,160 --> 00:52:01,680 Speaker 1: to design and package snacks differently for women. Uh and 924 00:52:01,800 --> 00:52:04,839 Speaker 1: specifically they tried to really but when Pepsi Coo came 925 00:52:04,880 --> 00:52:06,719 Speaker 1: out that statement, they really tried to pivot their like 926 00:52:06,800 --> 00:52:09,640 Speaker 1: other reporting was inaccurate, and we already have de ritos 927 00:52:09,640 --> 00:52:17,440 Speaker 1: for women. They're called Doritos Pepsi. All right, Jackies, what's up? 928 00:52:17,640 --> 00:52:20,279 Speaker 1: It has been a pleasure having you has always some 929 00:52:20,520 --> 00:52:23,760 Speaker 1: time guests of the world. Yes, sir, Where can people 930 00:52:23,880 --> 00:52:26,040 Speaker 1: find you? Oh? You know what? You can find me 931 00:52:26,600 --> 00:52:31,160 Speaker 1: on this network Culture Kings podcast every week we dropped. 932 00:52:31,360 --> 00:52:34,400 Speaker 1: You can also find me at Jackies Neil on Twitter, Instagram, 933 00:52:34,960 --> 00:52:38,480 Speaker 1: on everything at Jackies Neil. Culture Kings is so good, 934 00:52:38,840 --> 00:52:42,080 Speaker 1: ain't It's so everyone needs to learn themselves? Yes, and 935 00:52:42,280 --> 00:52:45,719 Speaker 1: listen to it. Listen, subscribe miles. Where can people find you? 936 00:52:46,080 --> 00:52:48,360 Speaker 1: You can find me on Twitter and Instagram at Miles of. 937 00:52:49,440 --> 00:52:51,720 Speaker 1: You can find me at jack Undersquirrel Brian on Twitter. 938 00:52:51,920 --> 00:52:54,560 Speaker 1: You can find us at dailys Face on Twitter, at 939 00:52:54,640 --> 00:52:57,479 Speaker 1: the Daily Zis on Instagram. We have a Facebook fan page. 940 00:52:58,160 --> 00:53:01,480 Speaker 1: We have a website Daily's i guys dot com where 941 00:53:01,760 --> 00:53:05,680 Speaker 1: we post our episodes and our foot where we link 942 00:53:05,680 --> 00:53:07,920 Speaker 1: off to all of the stuff that we used as 943 00:53:08,040 --> 00:53:12,240 Speaker 1: sources for this episode. Uh, that's gonna do it. For today, 944 00:53:12,360 --> 00:53:14,760 Speaker 1: we are going to ride out on that Donna summer 945 00:53:14,840 --> 00:53:19,240 Speaker 1: song that Quincy Jones accused Michael Jackson of having stolen 946 00:53:20,200 --> 00:53:24,960 Speaker 1: baseline formul the baseline, the baseline is similar in dispat Yeah, 947 00:53:25,080 --> 00:53:27,680 Speaker 1: I still don't think it takes anything away. I guess 948 00:53:27,719 --> 00:53:30,680 Speaker 1: a court disagreed with me because they did find in 949 00:53:30,800 --> 00:53:33,520 Speaker 1: her favor. Uh, just in general though, it's a it's 950 00:53:33,560 --> 00:53:35,880 Speaker 1: a dope song. So we're gonna write out on that. 951 00:53:36,320 --> 00:53:41,440 Speaker 1: Rest in peace, Michael, Rest in peace, and uh, yes, 952 00:53:41,640 --> 00:53:43,759 Speaker 1: we're gonna write out on that. And we will be 953 00:53:43,880 --> 00:53:46,480 Speaker 1: back tomorrow because it is a daily podcast. Okay, guys, 954 00:53:47,120 --> 00:54:16,320 Speaker 1: how any man coming out to sea an don't coming 955 00:54:16,360 --> 00:54:19,680 Speaker 1: out till but what is it is the very feature 956 00:54:19,719 --> 00:54:31,760 Speaker 1: of the same game. Don't money my money, my money, 957 00:54:35,520 --> 00:54:54,640 Speaker 1: I won't no money money money, the one the stead 958 00:54:54,680 --> 00:55:24,480 Speaker 1: of don't we b b sid like the signal from 959 00:55:27,719 --> 00:55:35,480 Speaker 1: bring me to read yourself, and I will bring you 960 00:55:36,360 --> 00:55:51,760 Speaker 1: to my heart like you say, take my body soul 961 00:55:53,280 --> 00:56:07,640 Speaker 1: to bring to me you to meet me. Be the 962 00:56:07,760 --> 00:56:14,959 Speaker 1: TM love your heart, be the body of your love. 963 00:56:16,400 --> 00:56:30,719 Speaker 1: Just SI only want to do my yes. I do 964 00:56:31,040 --> 00:56:36,879 Speaker 1: know how to find yes. I do know why I'm 965 00:56:37,000 --> 00:56:43,759 Speaker 1: alive to love be with you. Say by day by day, 966 00:56:43,880 --> 00:56:55,160 Speaker 1: by day time to get to said it will here 967 00:56:55,280 --> 00:57:08,480 Speaker 1: we will see see is don here do this and 968 00:57:08,719 --> 00:57:40,840 Speaker 1: shall be this mist shall be say again said it 969 00:57:40,960 --> 00:57:55,080 Speaker 1: will see see here the stay and shall be the 970 00:57:55,320 --> 00:58:01,960 Speaker 1: stay and shall be the same spe