WEBVTT - Laura van den Berg: 3D

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<v Speaker 1>Pushkin. Joe Biden has made up his mind about this decision,

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<v Speaker 1>and there's actually an email that has gone out to

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<v Speaker 1>supporters that said that Joe Biden has selected Kamala Harris

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<v Speaker 1>as his running mate. There's actually an entire Biden low.

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<v Speaker 1>I'm Ashley Ford and this is the Chronicles of naw

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<v Speaker 1>where we ask writers to dream up short stories inspired

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<v Speaker 1>by the news. If elected, she would be the first

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<v Speaker 1>woman vice president, the first lack vice president. She would

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<v Speaker 1>be the highest ranking Asian American in US history. Now

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<v Speaker 1>that Joe Biden has officially picked a woman as his

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<v Speaker 1>running mate, can we talk about his weird, uncomfortable history

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<v Speaker 1>with women. He was talking to me while he was

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<v Speaker 1>rubbing my nose with his mister Biden himself said, it

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<v Speaker 1>was never his intention to make anyone uncomfortable. And our

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<v Speaker 1>social wars began to change or shoot it and the

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<v Speaker 1>bomb is a protected personal space have been reset. I

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<v Speaker 1>get it. I get it. Oh, yes, we're going to

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<v Speaker 1>go there. With the election looming. It is an uncomfortable subject,

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<v Speaker 1>but it's there. Joe Biden has been a handsy guy

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<v Speaker 1>throughout his career and it's had a chilling effect on

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<v Speaker 1>some of the women he touched. What just happened? Did

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<v Speaker 1>that just happen? Did I think what just happened is

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<v Speaker 1>actually what happened? Laura Van Denberg's new book is a

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<v Speaker 1>collection of surreal stories about women making their way through

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<v Speaker 1>dark worlds. It's called I Hold a Wolf by the Ears.

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<v Speaker 1>She says, Biden's transgressions are emblematic of our time. Me

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<v Speaker 1>too has changed things a lot, but really has it.

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<v Speaker 1>I have been there, you know. I have absolutely had

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<v Speaker 1>those sorts of encounters with men and then sort of

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<v Speaker 1>been through that process of second guest saying and sort

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<v Speaker 1>of talking myself out of my own understandings and my

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<v Speaker 1>own perception. So I was interested in writing into that

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<v Speaker 1>psychological territory. In a world gone haywire, sometimes art is

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<v Speaker 1>the only thing that can make sense of it all.

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<v Speaker 1>For a long time, only one person on earth, her

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<v Speaker 1>closest friend, knew about the incident. They used to work

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<v Speaker 1>on the hill, and what the Vice president had done

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<v Speaker 1>was insidious and hard to name if you weren't familiar

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<v Speaker 1>with the way some men in politics like to handle

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<v Speaker 1>women as though they were overgrown babies. No harm in

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<v Speaker 1>a little tickle, a pinch on the thigh, the incident

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<v Speaker 1>had occurred as a fundraiser, and when she whispered the

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<v Speaker 1>details at some desolate after party bar her friend had

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<v Speaker 1>asked if she planned to tell anyone, and she said,

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<v Speaker 1>of course. Now he's the vice president. I'm a nobody, nothing.

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<v Speaker 1>So she could not believe it when the former assemblywoman

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<v Speaker 1>from Nevada came forward many years later and described news

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<v Speaker 1>cameras how the vice president had touched heart, smell my hair.

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<v Speaker 1>He had recently announced that he was running for president again,

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<v Speaker 1>and the assemblywoman believed that people needed to know. In

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<v Speaker 1>the middle of the press conference, her closest friend called

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<v Speaker 1>and said, you're still a nobody, a nothing. That woman

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<v Speaker 1>you see on TV right now. They will ruin her life. Later,

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<v Speaker 1>as she packed for a three day conference in San Francisco,

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<v Speaker 1>she reminded herself that the vice president hadn't raped, hadn't

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<v Speaker 1>pressed her to a bed and waved his dick in

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<v Speaker 1>her face. She told herself that he wasn't a dangerous person,

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<v Speaker 1>just oblivious to realities in which he did not sit

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<v Speaker 1>at the center. She tried not to think about how

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<v Speaker 1>such obliviousness was one of the most dangerous ways for

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<v Speaker 1>a person to be. She fell asleep to the news

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<v Speaker 1>where the assemblywoman was still talking, asking to be taken seriously,

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<v Speaker 1>to be believed in San Francisco. She had no idea

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<v Speaker 1>that her fate would be altered by airline miles, for

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<v Speaker 1>had she ended up on a different flight, or even

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<v Speaker 1>in a different row, she would have likely heeded her

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<v Speaker 1>friend's advice, run her business, gone on with her life.

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<v Speaker 1>But then at SFO, a gate agent called her up,

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<v Speaker 1>said she'd landed a complimentary upgrade, and printed a new

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<v Speaker 1>boarding pass for seat three D. She heard her seat

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<v Speaker 1>mate before she saw him, his voice like thunder sounding

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<v Speaker 1>in the wings of a stage. When he appeared in

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<v Speaker 1>the aisle, he was flushed and booming into a cell phone. White,

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<v Speaker 1>broad shouldered, thick waves of sandy hair. He wore a

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<v Speaker 1>yellow polo and khaki pants and brown leather loafers without socks.

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<v Speaker 1>He flopped down next to her, knocking her complimentary bottled

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<v Speaker 1>water to the floor, and kept on booming. She opened

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<v Speaker 1>a travel magazine and shrank down into her seat. In

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<v Speaker 1>the air, her seat MAT's attention turned to the flight attendants. Apparently,

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<v Speaker 1>he took at least forty six first class flights a year,

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<v Speaker 1>and in his opinion, everything about this one was wrong.

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<v Speaker 1>The hot towel was too cold, a replacement towel too hot.

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<v Speaker 1>The drink cart lacked some obscure brand of whiskey. Both

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<v Speaker 1>flight attendants in first class happened to be women. When

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<v Speaker 1>one of them, a tall brunette and a red neckscarf

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<v Speaker 1>apologized about the whiskey for the hundredth time, the man

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<v Speaker 1>asked for her full name. He said he planned to

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<v Speaker 1>file a report. He demanded to know if she liked

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<v Speaker 1>her job, if she thought she'd deserved to keep it,

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<v Speaker 1>And then he laughed, a seat shaking, thigh slapping laugh,

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<v Speaker 1>like the whole thing had been in an extended, practical joke.

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<v Speaker 1>Only then was the flight attendant permitted to walk away.

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<v Speaker 1>It was the laugh that made her stomach clench. Right

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<v Speaker 1>when things were getting bad enough that another passenger might

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<v Speaker 1>feel compelled to intervene, or the flight attendant might feel

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<v Speaker 1>justified in using words like verbal abuse, He'd wielded his

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<v Speaker 1>laugh like a shield. Don't be so sensitive, take a

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<v Speaker 1>joke already. Everything is normal here. That was the worst

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<v Speaker 1>thing about these incidents, she thought, as she watched the

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<v Speaker 1>flight attendant and flee the way They destroyed your confidence

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<v Speaker 1>in your own perceptions. She glanced around at the other

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<v Speaker 1>passengers and realized she and the flight attendants were the

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<v Speaker 1>only women in first class. She wondered if these other

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<v Speaker 1>men had noticed what she had just now, what it

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<v Speaker 1>would take for one of them to call out their

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<v Speaker 1>own kind. She finished her magazine, she drank a glass

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<v Speaker 1>of wine. Her seat mate watched ESPN and drank copious

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<v Speaker 1>amounts of a less obscure whiskey. She found herself thinking

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<v Speaker 1>about the warm grip of the Vice President's hand on

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<v Speaker 1>her neck, the way he pulled her in sudden and close,

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<v Speaker 1>his nose brushing her face. She had been terrified that

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<v Speaker 1>he was going to kiss her Somewhere over Nebraska. Her

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<v Speaker 1>seat mate resurrected the whisky situation. Why don't you have

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<v Speaker 1>what I want? He roared at the second flight attendant,

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<v Speaker 1>an older blonde and a black cart again, who stood

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<v Speaker 1>rigid by the drink cart. She stretched up in her seat.

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<v Speaker 1>The other passengers were all reading newspapers or sleeping or

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<v Speaker 1>otherwise useless. She thought of the assemblywoman speaking on TV.

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<v Speaker 1>She tapped the man's shoulder, and he paused in his tirade,

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<v Speaker 1>giving the flight attendant enough cover to hurry the cart

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<v Speaker 1>down the aisle. You should be ashamed of yourself. She

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<v Speaker 1>felt light headed, her chest was tight, but she pushed on,

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<v Speaker 1>you've been acting like a bully this whole flight. He

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<v Speaker 1>lurched back into his seat and stared at her, panting

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<v Speaker 1>a little. She felt the heat rad heat from his body.

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<v Speaker 1>His cheeks were swollen red, his eyes slid around like

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<v Speaker 1>wet marbles. She imagined he'd probably already sized her up

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<v Speaker 1>during boarding and determined her to be a nothing. Hey

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<v Speaker 1>do you think you are? He slurred. She told him

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<v Speaker 1>that was three D by Laura Van Denburg, the narrator

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<v Speaker 1>with Cindy Cats. How are you doing today, Laura, I'm good, Ashley.

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<v Speaker 1>How are you doing? I'm pretty good. I've got to

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<v Speaker 1>know you leave us hanging there at the end. What

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<v Speaker 1>do you think she told him there at the end. Yeah, Well,

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<v Speaker 1>this story was inspired a bit by interaction that I

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<v Speaker 1>had with a man on a flight who is like

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<v Speaker 1>maybe the most appalling human being that I've ever encountered

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<v Speaker 1>in public or up there. So in my imagination she

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<v Speaker 1>said something maybe that was kind of close to what

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<v Speaker 1>I said in life, which is, you are being verbally abusive.

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<v Speaker 1>Your behavior is completely inappropriate, and I see what you're

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<v Speaker 1>doing and you have to stop. So what did he

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<v Speaker 1>say back to you? So he said something very close

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<v Speaker 1>to with a man on the plane set in the story,

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<v Speaker 1>which is, who do you think you are talking to

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<v Speaker 1>me like that? And then I repeated what I had

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<v Speaker 1>said the first time, and then he was really angry

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<v Speaker 1>for a minute and then just kind of passed out

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<v Speaker 1>and seemed to go to sleep, which everyone was happy about. Yes,

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<v Speaker 1>I like that. I like that you wore him down.

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<v Speaker 1>This story really gets into the situations where women feel uncomfortable.

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<v Speaker 1>They are insidious situations, and the men in these situations

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<v Speaker 1>are often oblivious. What do you think women lose because

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<v Speaker 1>of what men won't allow themselves to see or hear? Yeah,

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<v Speaker 1>it's like how much how much time do we have?

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<v Speaker 1>I understand this is, you know, really painful line of

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<v Speaker 1>conversation that's come up in the me too dialogues. This

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<v Speaker 1>idea that because something happened to a woman early in

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<v Speaker 1>her career, she didn't pursue a particular path or she

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<v Speaker 1>didn't reach in a particular direction. And I think like,

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<v Speaker 1>in some ways, you know, the greatest cruelty of the

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<v Speaker 1>kind of violation that I write about in this particular

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<v Speaker 1>story is again just the way that they can undermine

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<v Speaker 1>our own perceptions and our own grasp on reality, and

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<v Speaker 1>the way that you know, maybe our body is telling

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<v Speaker 1>us this is what happened and it was wrong, but

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<v Speaker 1>our brain, for all kinds of reasons, because we don't

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<v Speaker 1>want to lose opportunity, because we're scared of consequence and repercussion,

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<v Speaker 1>is trying to talk our body into a different story.

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<v Speaker 1>And so I think that estrangement from the bodied reality

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<v Speaker 1>and the intellectual reality, that feeling that maybe we've lost

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<v Speaker 1>trust in ourselves, I mean trust in oneself ability to

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<v Speaker 1>sort of see a situation to say, yes, this is

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<v Speaker 1>what happened. I believe what my body is telling me.

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<v Speaker 1>I think that that's a really profound loss that so

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<v Speaker 1>many women experience. I mean, I would count myself among them,

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<v Speaker 1>and I know quite a few women who would stand

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<v Speaker 1>right alongside me same. This story was inspired by this

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<v Speaker 1>narrative in the media of Joe Biden and his history

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<v Speaker 1>of being handsy with women. How do you think the

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<v Speaker 1>vice president handled those allegations where you paying attention to

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<v Speaker 1>that story as it continued, Yeah, I mean, I think

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<v Speaker 1>his handling of it has been poor in my opinion.

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<v Speaker 1>I also want to pause and say I intend to

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<v Speaker 1>vote for him, despite the many things I could say

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<v Speaker 1>in response to this question. But yeah, I think his

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<v Speaker 1>handling of it has been poor. I'm not sure that

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<v Speaker 1>he really understands or has really absorbed the pain that

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<v Speaker 1>he's caused. When there is sort of more of a

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<v Speaker 1>gesture in the direction of accountability, chalking it up to

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<v Speaker 1>how norms have changed and times have changed, and he

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<v Speaker 1>understands he needs to change with those times. It's sort

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<v Speaker 1>of really taking himself out of the equation, like at

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<v Speaker 1>a different time, this would have been fine, but now

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<v Speaker 1>we're in this new world and it's not fine anymore,

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<v Speaker 1>and it's like, no, you don't get it. It was

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<v Speaker 1>never fine. But the differences is that you have women

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<v Speaker 1>coming forward and saying this was not fine then, and

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<v Speaker 1>is not fine now and will not be fine in

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<v Speaker 1>the future the end. Can you think of your ideal

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<v Speaker 1>way you would have wanted him to respond. I think

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<v Speaker 1>a step in the right direction would have been accountability

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<v Speaker 1>in the sense that he was wrong to have done

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<v Speaker 1>these things and that he was wrong to have violated

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<v Speaker 1>these women in these ways without sort of pinning it

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<v Speaker 1>on changing social norms, but to say something like it

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<v Speaker 1>was wrong, then it was wrong. Now this is why

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<v Speaker 1>it was wrong, even if it wasn't particularly sexual. This

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<v Speaker 1>was an abuse of power. I was in a position

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<v Speaker 1>of power, and I abuse that power. As a starting point,

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<v Speaker 1>I would say, a greater degree of self honesty on

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<v Speaker 1>Biden's part, I think would have been a step in

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<v Speaker 1>the right direction. Early on in the story, the narrator

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<v Speaker 1>doesn't want to call out the vice president, like he's

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<v Speaker 1>the vice president and she's a nobody. According to her friend,

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<v Speaker 1>she's on the wrong end of a power dynamic. But

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<v Speaker 1>at the end of the story she finds her voice

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<v Speaker 1>to speak out what changed her. So, in my understanding,

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<v Speaker 1>I think that the confrontation on the plane and why

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<v Speaker 1>that felt to me like an apt container for this story.

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<v Speaker 1>But because it comes from a headline, we sort of

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<v Speaker 1>have a sense of what happens next that right, she

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<v Speaker 1>does come forward with her allegations, I think coming into

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<v Speaker 1>contact with a man who's like toxic masculinity on steroids,

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<v Speaker 1>you know. And it's so explicit and it's so not ambiguous,

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<v Speaker 1>and it's so clear that someone has got to intervene

0:15:54.210 --> 0:15:57.890
<v Speaker 1>and say something to this person and take a stand

0:15:58.010 --> 0:16:03.930
<v Speaker 1>for decency that it clarifies her thinking ultimately about whether

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<v Speaker 1>to come forward or not to confront the vice president

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<v Speaker 1>in this way. Laura Vandenberg, thank you so much for

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<v Speaker 1>your story and thank you so much for coming on

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<v Speaker 1>the Chronicles of Now podcast. Thank you so much, Ashley.

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<v Speaker 1>I loved your questions. You can read my full interview

0:16:22.610 --> 0:16:26.850
<v Speaker 1>with Laura Vandenberg on our website Chronicles dot fm, where

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<v Speaker 1>you can also read the story you just heard and

0:16:29.810 --> 0:16:34.450
<v Speaker 1>other short fiction torn from today's headlines. Our sound designer

0:16:34.490 --> 0:16:38.410
<v Speaker 1>and composer is Bart Warshaw, our producer is Curtis Fox,

0:16:38.610 --> 0:16:42.490
<v Speaker 1>and our associate producer is Emily Rosten. Tyler Cabot is

0:16:42.530 --> 0:16:46.210
<v Speaker 1>the executive producer and founder of Chronicles of Now for

0:16:46.290 --> 0:16:51.690
<v Speaker 1>Pushkin Industries. Our executive producer is Leetlmlat. Special thanks to

0:16:51.810 --> 0:16:57.650
<v Speaker 1>Jacob Weisberg, Carly Migliori, Heather Fame, and Eric Sandler for

0:16:57.730 --> 0:17:01.050
<v Speaker 1>the Chronicles of Now podcast. I'm Ashley Ford. Thank you

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<v Speaker 1>so much for listening.