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Speaker 1: Yes, Rapperate our podcast, Ellie Wilson, just beat man beat

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Speaker 1: out Man. Happy New y your brother, Happy New Your

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Speaker 1: greetings from New York City, Mann Gret, greetings from California,

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Speaker 1: my friend. When we have to, you know, colleagues, while

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Speaker 1: because nine o'clock, they'll start celebrating like because the real

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Speaker 1: time of twelve, and then they'll still do the twelve

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Speaker 1: midnight things. So I feel like I had two New

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Speaker 1: Years celebrations, like it is that fireworks or it's that gunshots.

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Speaker 1: You know, that's how California doesn't man, you know, go

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Speaker 1: to that roof from one of pops up more for

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Speaker 1: real quick man se duality, that duality, man. But yeah,

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Speaker 1: we're gonna have exciting here. I think our resolution, I

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Speaker 1: think I can speak for you, is that we're gonna

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Speaker 1: find a way to bring the Rapperator Podcast audience some

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Speaker 1: damn videos, man, videos, right videos that our resolution is

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Speaker 1: that we're gonna get you some damn videos. How we're

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Speaker 1: gonna do it. Well, we're gonna do it. Yes, get

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Speaker 1: off my back, but everyone's on your back, man. Everyone

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Speaker 1: wants your name, everybody wants to you. Did it again? Man? Real? Welliott,

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Speaker 1: We're still reeling off your two list explosion that you do.

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Speaker 1: You ruin everybody's Christmas. You're like the Grinch this st Christmas,

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Speaker 1: You rap journalist that takes over the winner. Yo. Just

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Speaker 1: my thoughts, man, it's just my thoughts over. What's thet

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Speaker 1: You keep it smooth man, like you come in here first,

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Speaker 1: you do like, these are my favorite albums. You know,

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Speaker 1: these are great guest appearances, you know, these songs are

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Speaker 1: like and then and then it's all headliners until we

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Speaker 1: get to that main event, which is your top ten

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Speaker 1: best rappers of Should I go over to list because

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Speaker 1: I have question? We can talk about it. Let's talk

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Speaker 1: about it. We haven't even spoke about this yet, but

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Speaker 1: we have alright, So I'm gonna make sure people are clear.

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Speaker 1: I'll run the list down and ask you start a

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Speaker 1: number ten. Let's start a number ten. You want me

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Speaker 1: to read it, You're gonna break it down ahead. Okay,

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Speaker 1: So this is Brian bid Miller. How many years was this?

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Speaker 1: It's like a four fifth year and rold I think

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Speaker 1: maybe two with the who's keeping catt at this point? Right? So?

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Speaker 1: The top ten best Rappers two? It's from Brian bd

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Speaker 1: Miller's The Personal list as we used again, do not

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Speaker 1: reflective using Ellie Wilson Northern Rapperator podcast. Correct. His criteria

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Speaker 1: is based on skill performance on the track and present

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Speaker 1: and the president like relatancy throughout the year. Okay, skill

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Speaker 1: performance in present? Yes? So now at number ten, be

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Speaker 1: that has little Wayne. Yep? Now do I comment on? Way,

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Speaker 1: let's get all the numbers out there? I guess yea.

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Speaker 1: Let's get them all out first? All right, so number

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Speaker 1: ten is a little Wayne the Great Little Okay. Number nine, Ransom, Ransom,

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Speaker 1: noise man. Listen, man, you try to take doggy diamond spot.

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Speaker 1: That's underground man. Let himans and all those guys man ransom. Okay, alright,

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Speaker 1: Number eight you got Drake the six god and number eight,

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Speaker 1: number seven, the god number that goes to Kodak Black,

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Speaker 1: Kodak Black. Number six, you got twenty one Savage. Number five,

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Speaker 1: we have Jit j I d Yeah, number four, Kendrick

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Speaker 1: Lamar number three. You give them little bronze medal. I

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Speaker 1: see here the bronze medal. The bronze medal goals to

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Speaker 1: Jamaine Colt number three. J He was he number one,

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Speaker 1: he had he was my number one last year. You

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Speaker 1: had he was he was my number two, I believe

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Speaker 1: last year two last year, Yes, number two you have here,

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Speaker 1: which seems to be the most controversial pick so far.

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Speaker 1: He has been Gucci Main gua number two on your

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Speaker 1: list and the number one top best rapper of two

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Speaker 1: according to be That Brian b That Miller based on skill,

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Speaker 1: performance and presents. Yes, push your t push your team. Yes.

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Speaker 1: Round of applause for push your Team man. Yes, had

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Speaker 1: a hell of year. So we're never going to Toronto again.

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Speaker 1: That's really great. Appreciate you for that. So what's been

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Speaker 1: a feedback Gucci Main? Mostly like, what's been the feedback said?

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Speaker 1: You shook up the rap world with this man. I

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Speaker 1: feel like, you know a lot of people. You're never

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Speaker 1: gonna satisfy everybody, right, But it seems to me like

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Speaker 1: the most glaring pick has to be Gucci Man. But

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Speaker 1: I'm like looking around, like, did anyone else listen to

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Speaker 1: the music this year? I said back in July, the

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Speaker 1: Gucci Man is rapping better and everybody you know, and

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Speaker 1: I listened to the music since January all the way

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Speaker 1: up to December, and you know, I make notes and

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Speaker 1: what the funny thing is like Spotify had me listening

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Speaker 1: to new music every day every week excuse me for

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Speaker 1: sixty weeks for my show joint slide. So every every

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Speaker 1: week I was listening to the new songs that were

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Speaker 1: being playlisted, and Gucci Man was almost in the top

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Speaker 1: ten every week. So I was taking notes about Gucci

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Speaker 1: what was doing. And some of the songs that stood

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Speaker 1: out to me was like Rumors featuring him a little

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Speaker 1: Dirk all this went go right, Rumors is the biggest success, right,

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Speaker 1: Rumors that I believe, So Rumors go and he killed

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Speaker 1: that joint right. And then he had like publicity stunt

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Speaker 1: where he tapped NBA Young Boy, all these chains featuring

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Speaker 1: little baby Mrs Davis. I think that might be that

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Speaker 1: might be certified to that one a little baby Mrs

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Speaker 1: David that he dedicated to his wife letter to take

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Speaker 1: off this and the dead. I'm like, guys, did you

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Speaker 1: guys forget that this guy? Wait, you know what, don't

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Speaker 1: don't be my friend now, Elliott. No, no, I definitely,

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Speaker 1: I definitely don't think he's number two. I definitely don't

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Speaker 1: think he's number two. But when you make the argument,

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Speaker 1: maybe maybe he does belong in the bottom of the

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Speaker 1: list somewhere like I don't, I mean, I don't look

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Speaker 1: at it that way, Like I feel like some of

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Speaker 1: the stuff with it, guess has been I guess the

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Speaker 1: question becomes like if there's not a full album, right,

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Speaker 1: like what do you call the impact of individual singles?

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Speaker 1: And also you have a factor of like you know,

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Speaker 1: guest features, right, Like you're saying Jake Cole Ja Coles

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Speaker 1: kept his spot even though he hasn't even given us

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Speaker 1: nothing but guest versus like in the dream Ville Compence

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Speaker 1: Dreamville mixtape. But you're still saying he is still top three.

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Speaker 1: So that's controversial to when somebody didn't even put out

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Speaker 1: a studio album. Meanwhile, Drake put out Drake put out

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Speaker 1: two studio albums and he's at number eight. It's but

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Speaker 1: let's be honest, like Jake six, Jay Cole's versus right

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Speaker 1: have probably been been some of the most impactful throughout

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Speaker 1: the year. Right, People still talking about his appearance or

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Speaker 1: Benny the Butcher's album, and also he was talking about

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Speaker 1: you know the things that he did on Stick Earth

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Speaker 1: Gang water Boys, like j Cole was like the feature

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Speaker 1: king this year, right, and I'm talking about throughout the year, right,

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Speaker 1: So a lot of people Alsten said, like where was Naas?

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Speaker 1: But I'm like, where was Nas from January all the

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Speaker 1: way to November. If we're talking about a year of

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Speaker 1: two thousand and twenty two, NAS really wasn't present. I

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Speaker 1: think his highlight he did make an appearance on a

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Speaker 1: DJ Premier album, but I feel like the highlight for

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Speaker 1: that was little Wayne out shining Slick Rick on that project.

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Speaker 1: And you know, so NAS was kind of kind of

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Speaker 1: quiet until he dropped Kings of These Three, which made

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Speaker 1: my best album list, But I feel like there were

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Speaker 1: better albums that dropped last year. You know, yeah, I

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Speaker 1: think you also praised Freddi Gives, but Freddy gives right,

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Speaker 1: pretty gives, you know exactly pretty gives that I'm a

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Speaker 1: big fan of. But he only put out one album

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Speaker 1: this year, and for the most part he was pretty inactive,

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Speaker 1: like as far as features go, and you know, the

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Speaker 1: activity that he usually has, he kind of took it

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Speaker 1: back seat. We talked about that on the podcast. So

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Speaker 1: I'm trying to do a good survey of throughout the year,

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Speaker 1: and I feel like Gucci Man dominated. When we had

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Speaker 1: the interview with him to revote summit, I told him

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Speaker 1: he stepped his game up and I love the constituency

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Speaker 1: that he did throughout the year. And also he's putting

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Speaker 1: on his own guys, so I had to give Gucci

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Speaker 1: man his props. All right, well, you know, yes, features

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Speaker 1: though you could consider Cardi bat Cardi B with that tomorrow.

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Speaker 1: That's one of the ones too. And I feel like

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Speaker 1: she also was with the key Flock record or something

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Speaker 1: like her guest versus kind of took over two and

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Speaker 1: and you know, you get it all the time being

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Speaker 1: I think you need to address it, man. I know

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Speaker 1: you make jokes about it. You know they try to

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Speaker 1: call you, you know, you're like a young hold the

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Speaker 1: times they try to call you the misogynist, you know,

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Speaker 1: ladies and stuff, pre Beyonce catching and catching shots. You're

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Speaker 1: like the Mona day Drake Man. We have like a

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Speaker 1: lottle out here putting out smashes. We got Glorilla pimp

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Speaker 1: like I don't even Glorrilla might get on female rapping

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Speaker 1: all the fellas you don't like. I like Thella. I

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Speaker 1: love it's not impact little Rilla. I think we're gonna

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Speaker 1: have on the podcast probably eventually. And I love her songs.

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Speaker 1: I love F and F, I love tomorrow too. Um,

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Speaker 1: she had the EP out, but I don't feel like

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Speaker 1: that was enough to say maybe she could have made

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Speaker 1: like an eleven spot, but to say she was the

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Speaker 1: best rapper this year, I don't. I don't I think

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Speaker 1: she was in that running. Respectfully, I was surprised to

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Speaker 1: see I was surprised to see Jit. I felt like

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Speaker 1: that's more like credited all. I don't know if that

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Speaker 1: said you are you bumping in? You know? Yeah? I

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Speaker 1: like the Jet Project and I also like his um

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Speaker 1: guest appearances to Dreamsville record. Yeah, he stands, he stands out,

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Speaker 1: so um yeah, I like j I like him a lot,

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Speaker 1: so I had to. I had to give him something.

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Speaker 1: So it's been tough for you. I know. I get

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Speaker 1: our guest today has probably been one of the most

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Speaker 1: volt critics against your list, but overall, out side of

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Speaker 1: outside of the Gentleman were about to discuss, has there

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Speaker 1: been any crazy feedback, like what's been really much? How

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Speaker 1: people have been here? You approach, you have you with

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Speaker 1: some relationships. It's gonna affect me and wrap it up

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Speaker 1: podcast probably that's all I care. Probably, but we will survive.

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Speaker 1: So you get it. You said you get into your

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Speaker 1: raising rement a certain point, you just have to not care,

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Speaker 1: right like, you just have to take it like you like,

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Speaker 1: do you feel like is it a villain turn? Like

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Speaker 1: is it like wrestling? It's just like the bad guy now.

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Speaker 1: So it's like we've been in this business a long time.

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Speaker 1: You don't get to where we are without having thick skin. Man.

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Speaker 1: So you know I've heard, I've heard worse by better,

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Speaker 1: So it's all good, all right, man. And I just

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Speaker 1: want to say I still you know, somebody saying yan

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Speaker 1: don't do no list and that's gonna be a t shirt.

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Speaker 1: Men do the list. But uh but let me ask

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Speaker 1: you though I still think I still think that Drake

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Speaker 1: and eight looks ridiculous to me, Like I just feel

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Speaker 1: like Drake is still the top guy in the game.

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Speaker 1: He put out the he put out the damn Ship.

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Speaker 1: It didn't work, but to circle back, which one he won?

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Speaker 1: And he's barring you up and like he's told the

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Speaker 1: most units, so that the biggest first week. It was like,

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Speaker 1: I don't know, man, and I think a little baby

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Speaker 1: like even though you know, I think his albums disappointing

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Speaker 1: and stuff, like, I think he hasn't really lost his

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Speaker 1: like status in the game, you know what I mean, Like,

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Speaker 1: I think he's the same Dirk. Like guys like that

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Speaker 1: are still like to me in the top ten, you know,

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Speaker 1: even though I didn't like Baby's album at all, But

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Speaker 1: I feel like, you know, there was a time when

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Speaker 1: they thought a baby was gonna take Drake spot, and

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Speaker 1: I feel like Drake is still you know, Drake and

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Speaker 1: Cole and Kendrick Guard Kings, and I feel like Drake

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Speaker 1: runs around still like he's the champ, and it's hard

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Speaker 1: to prove him wrong because the twenty one thing I

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Speaker 1: think got him back up on this steel. I think

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Speaker 1: he needed that because honestly, never Mind, honestly, you know,

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Speaker 1: I didn't enjoy it at all, and I did like

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Speaker 1: his Yeah, I think it's it's my least favorite Drake album.

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Speaker 1: I think even I think I like, I think David

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Speaker 1: Later is probably better than Yeah. Yeah, I would agree.

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Speaker 1: I think honestly never Mind is definite at the bottom

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Speaker 1: of his catalog, and to me, it was a black guy.

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Speaker 1: I think he set a year off right with his

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Speaker 1: feature on Jack Carlow's project, and then you know, the

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Speaker 1: future wait for you and this project comes its like uh,

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Speaker 1: but then I think he bounces back with her loss.

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Speaker 1: So that's why I felt like I had to put

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Speaker 1: him at that bottom because of honestly, never mind that

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Speaker 1: that to me was like that was the sour spot.

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Speaker 1: So well, let's let's get to today's episode. Man, we hadn't.

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Speaker 1: Thankfully we were smart enough to record this before you

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Speaker 1: last came out. We're speaking with the gentleman, the Leada Griselda,

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Speaker 1: Mr west Side Gun and like, yet, for the record,

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Speaker 1: why is they no Westside Gunna? You listen Ship Watson, Conway, Benny?

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Speaker 1: If they falling out of favor? Man, they used to

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Speaker 1: be on the Beat that list? Man, what where's the

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Speaker 1: Brazilda representation on the beat that list? Still? Griselda, I

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Speaker 1: put their songs on the best song list that I

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Speaker 1: that I featured. But I also, just to be frank

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Speaker 1: with you, I felt that Benny's album and Conway's album

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Speaker 1: we're a little bit disappointing for me. I think I

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Speaker 1: enjoyed Burden of Proof and From King to a God more,

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Speaker 1: and of course they could rhyme at a high level still,

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Speaker 1: but I just felt like those albums were lacking some

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Speaker 1: of the things that I enjoyed from the previous efforts.

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Speaker 1: So I couldn't, you know, with being fair, I couldn't

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Speaker 1: include them on the list. Look at that honesty, guys,

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Speaker 1: Look at that honesty. Man. You gotta love it. Man,

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Speaker 1: Look at journalism. I have to be objectively. I have

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Speaker 1: to be objective. No, you also face the five man. Look,

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Speaker 1: you know you'll get that you said an interview. You

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Speaker 1: know you'll get that Westside Gun call it two in

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Speaker 1: the morning, and you'll take it like you know, you're

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Speaker 1: accountable to what you say. But you just got to

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Speaker 1: be standing up about it. People may not agree, but

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Speaker 1: you know, you critique things, but you'd be respectful about it.

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Speaker 1: And it's just the way it is. Man. But I'm

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Speaker 1: glad at least Gun was reasonable enough to sit with us. Man,

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Speaker 1: this isn't like he said, it's an amazing interview. He's

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Speaker 1: already out here promoting a dispromoting like what happens when

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Speaker 1: it's like a negative rollout. He's like he's retiring. You know,

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Speaker 1: Raps never retired, but he says he's retiring. So I

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Speaker 1: guess we got to the foe of the final interviews

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Speaker 1: before he HIGs it up. Because I don't know, they said,

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Speaker 1: ain't gonna come back on the Rapper Up, so you

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Speaker 1: better enjoy this. I think we could we could try

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Speaker 1: another Griselda New Year. Maybe Money might get the money

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Speaker 1: about it. Man, it's it's it's now. I'm just saying

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Speaker 1: it's that I love Gun. You know, I have no

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Speaker 1: problems with him. I don't think he has any problems

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Speaker 1: with me. You know, he last year we talked about

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Speaker 1: this on the episode. He he dissed me from his deathbed.

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Speaker 1: And you know I've gotten those I've gotten those colds

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Speaker 1: in the past from him. So you know, this is

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Speaker 1: nothing new. We've been here before. We've been there before, Madison,

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Speaker 1: Griselda New Year, Mansters this ye, Man, we got Westside Gun.

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Speaker 1: It's one of our longest interviews, I believe. And also

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Speaker 1: you know, special surprise guests at the end. We hadn't

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Speaker 1: We actually didn't even play to have these other mcs

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Speaker 1: get on the micro. Yeah, we were. You know that's

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Speaker 1: the beauty of the rap Raido podcast. You never know

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Speaker 1: what you're gonna get, you know, So stay tu man.

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Speaker 1: We had We had a lot of fun recording this one. Yeah.

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Speaker 1: Both special guest appearances Bodie James, Ron Streets, Stove God.

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Speaker 1: I finally met Stove god Man. Come on, that was

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Speaker 1: my first time to sell the New Year, first time

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Speaker 1: meetings Stove Griselda. Man, it says Griselda two point oh. Man,

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Speaker 1: you know they're gonna flood the market. Man, I'm excited

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Speaker 1: that we got this definitive piece on them, this new regime.

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Speaker 1: And like he said, he made it clear. You know, Conway,

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Speaker 1: Benny on Money, everybody else is still down there just

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Speaker 1: wasn't there at the time. You know, this was down

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Speaker 1: in Miami. We went down there for the gun Basil

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Speaker 1: celebration and you know, got the whole crew together. Man.

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Speaker 1: Its historic, man, So you Grizelda fans, I think we

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Speaker 1: did it again. You know, we have a lot of

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Speaker 1: classic interviews with that click and uh carrying on tradition. Man, absolutely,

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Speaker 1: get a snack there, back, get ready for resulta hey yo, hey,

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Speaker 1: yr feet out here yea, well, not on the list.

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Speaker 1: He called me a Trump Elliott. You know he this.

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Speaker 1: He did his artwork on you too. Man. He wiped

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Speaker 1: your face off. Man. It's crazy. Man. I feel like man,

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Speaker 1: I feel like that dude in the War Report when

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Speaker 1: he was called uh, don't say me, don't say guys. Man,

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Speaker 1: put your ball out here. Man, let's get into it man,

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Speaker 1: west Side Gun Man especially up. So first episode of

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Speaker 1: twenty three. Man, We're back Man the wrapper It up. Boy,

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Speaker 1: It's gonna be a good year for us. Man watching sport,

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Speaker 1: Yeah rapp right up podcast Elliot Wilson's feeling good in Miami. Man, Yo,

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Speaker 1: because it's Gunn Basil time. Man Basil. I feel like

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Speaker 1: at this point Westside Gun is like the third member

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Speaker 1: of the rapper. We were trying to figure out like

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Speaker 1: he might have most appearsons. Man, he might have I think,

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Speaker 1: so yeah, yeah, that's a man. We're gonna drop this

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Speaker 1: top of January year listening Man, Happy Griselda, New Year. Man,

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Speaker 1: it's always a pleasure for real. Two albums this year. Yeah, Man,

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Speaker 1: I was gonna do three, but it took it light

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Speaker 1: too easy, you know what I'm saying. I focused on

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Speaker 1: other things, But you know what I'm saying, that's the

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Speaker 1: thing like this year I focused on a lot of

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Speaker 1: other things, but still was able to still drop two.

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Speaker 1: You feel me? So you know peace fly guy. Though

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Speaker 1: that was more like I curated that different, you know

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Speaker 1: what I'm saying. I kind of wanted I wanted Esternact

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Speaker 1: to shine. You know what I'm saying is, you know

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Speaker 1: how I always do certain projects. You know what I'm saying.

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Speaker 1: It was just like an externact my men, and you know,

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Speaker 1: we got a future project coming up soon. You know,

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Speaker 1: by the time this dropped, people probably know about it.

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Speaker 1: You know what I'm saying. I kind of was waiting

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Speaker 1: to after gun Boys with the announce things that's coming up,

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Speaker 1: just to keep people tuned in. You know, that project

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Speaker 1: was kind of me just having fun and you know,

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Speaker 1: just just just giving people something. But then it was

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Speaker 1: just like because I was working on Michelle Records, know

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Speaker 1: what I'm saying. So it's just like, Yo, while I'm

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Speaker 1: waiting on this, you know, I still gotta I still

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Speaker 1: gotta drop something, you feel me like, even though that

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Speaker 1: wasn't ready, because that's the thing. You know, I make

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Speaker 1: projects in a couple of days. So you know, Peace

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Speaker 1: Fly Guard was made in two days, you know what

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Speaker 1: I'm saying, Like, it wasn't like a long time, you

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Speaker 1: feel me. Um, you know, I got up with Stove,

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Speaker 1: I got up with Esther that and it was done.

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Speaker 1: You know what I'm saying that what it didn't take

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Speaker 1: a lot but you know, so I just wanted to,

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Speaker 1: you know, keep the oven on, man and give people

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Speaker 1: something because you know, I'm a firm of believer. Just

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Speaker 1: you always gotta give the people something, Like you know

349
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Speaker 1: what I'm saying. It's just like if you're a crack dealer,

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Speaker 1: you gotta add crack, you know what I'm saying. It's

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Speaker 1: just like, yeah, you know what I'm saying. So you

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Speaker 1: know a few people had jumped in the ring earlier

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Speaker 1: in the year, and I was just like, yo, let me,

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Speaker 1: let me, let me hop in real quick. The hot back.

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Speaker 1: I'll key working on Michelle. But then you know at

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Speaker 1: the inter September, I always get that energy, you know

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Speaker 1: what I'm saying, Like how it's a Grisetta New Year,

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Speaker 1: you know every year, you know what I'm saying. You know,

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Speaker 1: you know it's the Hitler Ware Airmen's time and I

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Speaker 1: just get that energy. And I've been doing it since

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Speaker 1: day one, you know what I'm saying. So you know

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Speaker 1: this year was the last one and I just wanted

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Speaker 1: to do ten with a bang. It was just like, yo,

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Speaker 1: me personally, I don't think nothing could funk with it,

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Speaker 1: you know what I'm saying. Just from top to bottom.

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Speaker 1: If you really just listen to every last rhyme from me,

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Speaker 1: from every feature, every production, are the producers that's so

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Speaker 1: on it. The way it's just the way it flows

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Speaker 1: from top to bottom is nothing that sounds like it.

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Speaker 1: I mean even if other albums, there's plenty of albums

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Speaker 1: that's fired, but just the way I know, the way

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Speaker 1: I made it, and I just it's different for me,

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Speaker 1: you know what I'm saying. And I think it's just

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Speaker 1: a master But gonna think about telling me is that

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Speaker 1: you could live out like a fan of the cultures fantasy,

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Speaker 1: right like the somebody incredible like collaborations get Ready Gold

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Speaker 1: some there to get, you know, but still on the Swiss. Yeah,

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Speaker 1: that's what I'm saying. Like nobody doing that getting you

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Speaker 1: know what I'm saying, Getting Black Star, you know, run

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Speaker 1: the Jewels. You know what I'm saying. Like it's just crazy, bro,

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Speaker 1: It's it's nothing like it, you know what I'm saying.

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Speaker 1: And that's just my job. Like I said, you know,

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Speaker 1: certain people, you know, they make they purposely make those

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Speaker 1: hit records like you gotta make a hit. That's they

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Speaker 1: feel they gotta live and survive off that hit. So

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Speaker 1: that's what. That's all the only thing they focus on.

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Speaker 1: I just like making good music. Man, that's all that

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Speaker 1: mattered to me. Man, the money gonna come. I'm already blessed.

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Speaker 1: We're just having fun and I just make music now

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Speaker 1: just to show people. Every year, people can't funk with me.

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Speaker 1: You know what I mean That people don't Some people

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Speaker 1: don't get it because I might not be the most

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Speaker 1: popular guy, I still get the you know, people put

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Speaker 1: you know what's that gunning? Well, you know you're gonna

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Speaker 1: get a thousand who know what I'm saying. That's all fine.

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Speaker 1: You know what I'm should. I love that. I'll be

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Speaker 1: reading that ship from my lake. I say it all

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Speaker 1: the time for sure. But you make your name known

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Speaker 1: this weekend you call it gun Bossle. Can you explain

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Speaker 1: what gun Bossle is for the people that can make

401
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Speaker 1: it to Miami? Yeah, I mean it's just you know,

402
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Speaker 1: everybody that knows me, you know, no artists first, you

403
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Speaker 1: know what I'm saying, and just curation and fashion and

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Speaker 1: this weekend every year, you know, it's during our baso

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Speaker 1: and it's just like, you know, I wanted to do

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Speaker 1: something for the people. I felt that was like us

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Speaker 1: you know what I'm saying, because our Bobs isn't for everybody,

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Speaker 1: but this is also for me, you know, to to

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Speaker 1: get people that's not familiar with our Boso to come

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Speaker 1: to Miami for our bos. It was like I'm I'm

411
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Speaker 1: introducing you that are at the same time you see

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Speaker 1: what I'm saying in this energy, but then also you

413
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Speaker 1: could come here to raw ship that you could possibly

414
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Speaker 1: here on top of getting some of the Fly's fashion

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Speaker 1: one or one pieces I'm making, you know, just the

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Speaker 1: Fly merchant only can get here, and just you know,

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Speaker 1: I'm just introducing people to uh another side of the

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Speaker 1: culture that they're not familiar with, and just bringing people

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Speaker 1: more into my world because for the longest, you know,

420
00:20:07,080 --> 00:20:09,199
Speaker 1: I've always been this way. It's not it's not like

421
00:20:09,880 --> 00:20:12,159
Speaker 1: I became this way all of a sudden, you know

422
00:20:12,200 --> 00:20:14,200
Speaker 1: what I'm saying, Like I've been this way my whole life.

423
00:20:14,240 --> 00:20:16,400
Speaker 1: Like you know, people know the story, been doing this ship.

424
00:20:16,760 --> 00:20:20,399
Speaker 1: You know, the arts is nine fascist. It's well I

425
00:20:20,520 --> 00:20:24,040
Speaker 1: just said that a million times, but it's like when

426
00:20:24,119 --> 00:20:26,560
Speaker 1: people see it through the album covers, people see through

427
00:20:26,600 --> 00:20:29,200
Speaker 1: the merge, people see what I really do. But it's

428
00:20:29,240 --> 00:20:31,800
Speaker 1: just like this is an opportunity for people not only

429
00:20:31,840 --> 00:20:34,399
Speaker 1: to see it, but to meet me, meet the team,

430
00:20:34,920 --> 00:20:37,080
Speaker 1: and we just have fun. Man. It's it's it's all

431
00:20:37,200 --> 00:20:40,159
Speaker 1: just good energy. Everybody coming out to you call the

432
00:20:40,200 --> 00:20:43,879
Speaker 1: wolves out right for sure. You know what I'm saying. Everybody,

433
00:20:44,000 --> 00:20:45,720
Speaker 1: you know what I'm saying. Because the thing about it,

434
00:20:45,600 --> 00:20:47,840
Speaker 1: it is just like a family reunion too, you know

435
00:20:47,840 --> 00:20:49,679
Speaker 1: what I'm saying. What what better place to have it?

436
00:20:49,720 --> 00:20:53,560
Speaker 1: In Miami? Good? You know, listen at home. I know

437
00:20:53,680 --> 00:20:56,280
Speaker 1: morefucker's right now. Probably got the snorkel on with this

438
00:20:56,440 --> 00:20:58,280
Speaker 1: with the scarf, you know what I'm saying. So it's

439
00:20:58,320 --> 00:21:01,960
Speaker 1: like to come down here, vibe about good weather, good food,

440
00:21:02,200 --> 00:21:05,160
Speaker 1: beautiful people. You know. In the year off right, man,

441
00:21:05,160 --> 00:21:09,080
Speaker 1: we had a Griselta had a great year. Yeah, talk

442
00:21:09,160 --> 00:21:12,000
Speaker 1: about that. Yeah, you guys released six projects. Hopefully I'm

443
00:21:12,040 --> 00:21:14,360
Speaker 1: not missing anything out. We have God don't make mistakes

444
00:21:14,880 --> 00:21:17,560
Speaker 1: trying to talk for Kiss the Ring, the List to

445
00:21:17,960 --> 00:21:21,760
Speaker 1: Beast Fly God ten and Bodie James killing nothings that

446
00:21:21,760 --> 00:21:27,320
Speaker 1: that counts. It don't count, but it count. I don't

447
00:21:27,359 --> 00:21:30,359
Speaker 1: take credit for nothing that's not Grisela records though, like

448
00:21:30,480 --> 00:21:34,520
Speaker 1: Bodie is Griselda. But that project isn't Grisela Records, so

449
00:21:34,680 --> 00:21:38,560
Speaker 1: I can't take credit for that. Feel me. Everything else though,

450
00:21:39,040 --> 00:21:42,040
Speaker 1: was Grisela Records, you know what I'm saying. So we

451
00:21:42,160 --> 00:21:44,199
Speaker 1: had a great year, you know what I'm saying. You know,

452
00:21:44,240 --> 00:21:47,879
Speaker 1: every year, Matt, you get competitive, guns, you get competitive

453
00:21:48,160 --> 00:21:51,200
Speaker 1: because that's the thing, you know, that's what we in

454
00:21:51,280 --> 00:21:54,120
Speaker 1: this ship for, you know what I'm saying. And um,

455
00:21:55,520 --> 00:21:57,640
Speaker 1: you know I always be making jokes like alright, let's

456
00:21:57,640 --> 00:22:00,960
Speaker 1: wait another two years for your favorite rappers to drip album,

457
00:22:01,080 --> 00:22:02,359
Speaker 1: you know what I mean? Like I said Ship like

458
00:22:02,400 --> 00:22:04,199
Speaker 1: that all the time. You know, I always get in

459
00:22:04,200 --> 00:22:06,040
Speaker 1: trouble too when I come up here because I always

460
00:22:06,040 --> 00:22:10,119
Speaker 1: say Ship said that the TV dream or whatever, Griselda,

461
00:22:10,200 --> 00:22:12,119
Speaker 1: like you compt yourself and you know I did that

462
00:22:12,160 --> 00:22:14,160
Speaker 1: back then, but yeah, they didn't see that. But that's

463
00:22:14,160 --> 00:22:17,240
Speaker 1: what I'm saying, Like I've already seen it. I've already

464
00:22:17,280 --> 00:22:20,440
Speaker 1: been new. It's there's nothing nobody can tell me that, Griselda,

465
00:22:20,440 --> 00:22:24,400
Speaker 1: and not the greatest, nothing nobody. Like if you can

466
00:22:24,440 --> 00:22:27,960
Speaker 1: sit up here and say that you fucking with Conway

467
00:22:27,960 --> 00:22:32,480
Speaker 1: and Benny, what's I gun? A stove of Rome, Armandi

468
00:22:32,600 --> 00:22:35,000
Speaker 1: of body? You know, what I'm saying that Jay Worthy

469
00:22:35,000 --> 00:22:39,359
Speaker 1: of Wife and Billy, you're lying. I'm saying, you're lying.

470
00:22:39,960 --> 00:22:41,880
Speaker 1: So it's it's you know what I mean, Like I said,

471
00:22:41,920 --> 00:22:45,240
Speaker 1: other people might got one of two, but Dan what

472
00:22:45,440 --> 00:22:46,720
Speaker 1: you know what I'm saying, and they don't want to

473
00:22:46,920 --> 00:22:49,760
Speaker 1: don't drop. But every two or three years, y'all, y'all

474
00:22:49,800 --> 00:22:52,440
Speaker 1: in the way, we're taking this wholesale approach kind of

475
00:22:52,440 --> 00:22:54,160
Speaker 1: like how Masterp used to do back in the day.

476
00:22:54,280 --> 00:22:56,840
Speaker 1: Or was it like premeditated with these projects? Do you

477
00:22:56,880 --> 00:22:59,000
Speaker 1: have like on the board like six projects this year

478
00:22:59,320 --> 00:23:03,320
Speaker 1: come out? I really don't. It's just the energy, you

479
00:23:03,320 --> 00:23:05,440
Speaker 1: know what I'm saying. It's not even like Okay, I

480
00:23:05,560 --> 00:23:08,359
Speaker 1: have to do something right now. It's just really about

481
00:23:08,480 --> 00:23:11,880
Speaker 1: you know, energy because like you know, we we're doing

482
00:23:11,920 --> 00:23:13,879
Speaker 1: what we're doing right now. But and we did what

483
00:23:13,960 --> 00:23:16,760
Speaker 1: we did this year, but and you know, Bodie was

484
00:23:16,800 --> 00:23:20,000
Speaker 1: still doing it on the side, you know what I'm saying. Yeah, yeah, yeah,

485
00:23:20,080 --> 00:23:21,760
Speaker 1: you know what I'm saying. So now, of course top

486
00:23:21,760 --> 00:23:25,080
Speaker 1: of twenty three, now we're gonna strike. You know, Um,

487
00:23:25,160 --> 00:23:28,040
Speaker 1: I always wanted the executive producer West Coast album, So

488
00:23:28,160 --> 00:23:30,640
Speaker 1: you know, Jayworthy, like those are the type of things

489
00:23:30,640 --> 00:23:33,600
Speaker 1: that I'm ready to do, like new challenges to you

490
00:23:33,600 --> 00:23:35,879
Speaker 1: know what I'm saying. Why you and Billy a self artist?

491
00:23:36,440 --> 00:23:40,040
Speaker 1: You know what I'm saying. And I'm just ready for

492
00:23:40,080 --> 00:23:42,640
Speaker 1: new challenges. Man. You know what I'm saying. I'm having fun.

493
00:23:42,760 --> 00:23:45,399
Speaker 1: That's the thing too. It's like right now, you know,

494
00:23:45,480 --> 00:23:48,720
Speaker 1: even though people starting to get you know, used to

495
00:23:48,840 --> 00:23:51,000
Speaker 1: the name, or they're starting to find out about me,

496
00:23:51,040 --> 00:23:53,240
Speaker 1: I've been doing this though for ten years, you know

497
00:23:53,280 --> 00:23:56,159
Speaker 1: what I'm saying. And in them ten years, I mean

498
00:23:56,200 --> 00:24:00,000
Speaker 1: I know, currency dropped a lot, you know, a certain

499
00:24:00,040 --> 00:24:02,160
Speaker 1: and people drop a lot, but it's not a lot

500
00:24:02,200 --> 00:24:05,520
Speaker 1: of currencies. It's not a lot of Westside you see

501
00:24:05,520 --> 00:24:07,199
Speaker 1: what I'm saying. So it's just like for me to

502
00:24:07,320 --> 00:24:09,880
Speaker 1: drop I would have never thought I was gonna drop

503
00:24:09,960 --> 00:24:12,560
Speaker 1: this much music. You know what I'm saying, you'd be retiring,

504
00:24:13,040 --> 00:24:16,399
Speaker 1: retiring and come back. I'm thinking about to retire again,

505
00:24:18,000 --> 00:24:20,600
Speaker 1: and you know for a couple of weeks ago to

506
00:24:20,640 --> 00:24:25,320
Speaker 1: Jamaica and then be like I'm back saying you know

507
00:24:25,359 --> 00:24:27,679
Speaker 1: I got that passport now you can't tell me ship.

508
00:24:27,800 --> 00:24:32,359
Speaker 1: So you know it's just like I just like I said,

509
00:24:32,400 --> 00:24:36,080
Speaker 1: Mane is gonna be even a bigger year because I

510
00:24:36,160 --> 00:24:39,560
Speaker 1: already know you see what I'm saying, Like I already

511
00:24:39,600 --> 00:24:42,080
Speaker 1: know that what's about to happen in twenty three. So

512
00:24:42,119 --> 00:24:44,600
Speaker 1: it's just like if you thought twenty two or something,

513
00:24:44,600 --> 00:24:47,840
Speaker 1: it's about to be even crazier. And like even though

514
00:24:47,880 --> 00:24:51,919
Speaker 1: I have all them, you know, other projects I'm curating,

515
00:24:51,960 --> 00:24:54,560
Speaker 1: Like I said, I just you know, dropped Staco on it,

516
00:24:54,640 --> 00:24:57,000
Speaker 1: Like nobody knew about that, But that's gonna be one

517
00:24:57,040 --> 00:25:00,400
Speaker 1: of the projects that's so stellar. That's gonna be like, Yo,

518
00:25:00,600 --> 00:25:04,000
Speaker 1: we never knew about s Neck like that, because that's

519
00:25:04,119 --> 00:25:06,480
Speaker 1: I feel like that's my job. It's just the brain

520
00:25:06,920 --> 00:25:09,399
Speaker 1: because everything is the same. You play the radio, you're

521
00:25:09,400 --> 00:25:13,359
Speaker 1: gonna hear the same songs all day every day, go

522
00:25:13,480 --> 00:25:17,120
Speaker 1: to the club all day every day. So I'm privileged

523
00:25:17,280 --> 00:25:19,919
Speaker 1: enough to at least be in that middle. Whereas like

524
00:25:20,800 --> 00:25:23,200
Speaker 1: I can talk to all the underground heads and get

525
00:25:23,200 --> 00:25:24,960
Speaker 1: that love and respect, but then I could go to

526
00:25:25,040 --> 00:25:28,320
Speaker 1: any mainstream artistly get the same amount of love and respect.

527
00:25:28,359 --> 00:25:30,280
Speaker 1: Like I'm literally in the middle, and I don't think

528
00:25:30,280 --> 00:25:32,400
Speaker 1: nobody else. A lot of people can't really do that either,

529
00:25:32,760 --> 00:25:36,480
Speaker 1: Like that connected, Like I've literally made songs with these

530
00:25:36,520 --> 00:25:40,520
Speaker 1: guys or been produced by these guys already, and they're friends.

531
00:25:41,080 --> 00:25:43,240
Speaker 1: So it's just like my job is the bridge they

532
00:25:43,320 --> 00:25:46,439
Speaker 1: gat like. I feel like that's just what I do that.

533
00:25:46,520 --> 00:25:54,680
Speaker 1: You know, with Robbie Uhakpen, we recorded I record that

534
00:25:54,760 --> 00:25:57,280
Speaker 1: their studio in Buffalo, like when I record in Buffalo,

535
00:25:57,440 --> 00:26:01,720
Speaker 1: record at Google down Studio. My engineers they engineer. Yeah,

536
00:26:01,880 --> 00:26:05,160
Speaker 1: so you know the same guy who mixed and master

537
00:26:05,320 --> 00:26:08,359
Speaker 1: all my albums engineered them, you know what I'm saying.

538
00:26:08,440 --> 00:26:11,320
Speaker 1: So it's just like it's Buffalo kids, man, we are

539
00:26:11,440 --> 00:26:15,200
Speaker 1: family like we you know, of course being from Buffalo,

540
00:26:15,320 --> 00:26:17,200
Speaker 1: you know what I'm saying. Fans Google do with they

541
00:26:17,200 --> 00:26:19,520
Speaker 1: you know, he represented the city. But then now they

542
00:26:19,600 --> 00:26:23,200
Speaker 1: also had somebody to be like, okay, somebody else from

543
00:26:23,200 --> 00:26:25,600
Speaker 1: our city doing they want to, So they supported just

544
00:26:25,640 --> 00:26:28,280
Speaker 1: as much as we support them. So it was just

545
00:26:28,359 --> 00:26:30,840
Speaker 1: a matter of time. And you know, I had that

546
00:26:30,920 --> 00:26:34,639
Speaker 1: crazy Alchemist beat and at first I was just like,

547
00:26:34,680 --> 00:26:39,000
Speaker 1: you know, it's just gonna be me, Benny and Conway,

548
00:26:39,280 --> 00:26:41,320
Speaker 1: and then it was just I just started hearing and

549
00:26:41,400 --> 00:26:43,760
Speaker 1: it was just like, no, I wanna I want to

550
00:26:43,760 --> 00:26:46,080
Speaker 1: just put everybody on it because I wanted it to

551
00:26:46,359 --> 00:26:49,680
Speaker 1: make it, you know, be like a two thousand two triumph,

552
00:26:49,880 --> 00:26:52,679
Speaker 1: you know what I'm saying. Just like you know, everybody

553
00:26:52,800 --> 00:26:55,679
Speaker 1: was on it but Body. And because I made the

554
00:26:55,760 --> 00:26:59,840
Speaker 1: album so quick, Body didn't have access to a studio.

555
00:27:00,240 --> 00:27:03,200
Speaker 1: He was out of town, traveling and moving around every day.

556
00:27:03,640 --> 00:27:06,119
Speaker 1: He really didn't have access. So that's the only reason,

557
00:27:06,200 --> 00:27:08,960
Speaker 1: Like it's not because of you know what I'm saying.

558
00:27:09,080 --> 00:27:13,000
Speaker 1: And then like you know, because you know, the Internet

559
00:27:13,080 --> 00:27:16,919
Speaker 1: is not real, you know what I mean. So you

560
00:27:16,920 --> 00:27:19,000
Speaker 1: know a lot of people say ship they try to

561
00:27:19,040 --> 00:27:21,040
Speaker 1: come up what they own, like why boating out on

562
00:27:21,080 --> 00:27:24,000
Speaker 1: that song? Why Darringer didn't produce on and he didn't

563
00:27:24,000 --> 00:27:26,320
Speaker 1: did all the other you know what I mean? Like, No,

564
00:27:26,440 --> 00:27:28,320
Speaker 1: Darringer is my brother. You know what I'm saying, Like

565
00:27:28,359 --> 00:27:30,600
Speaker 1: he's DJAM for me tonight, you know what I'm saying,

566
00:27:30,680 --> 00:27:34,919
Speaker 1: Like that's my you know, the only thing that's not

567
00:27:35,080 --> 00:27:38,040
Speaker 1: just that don't make his brother's blood, But that's my brother,

568
00:27:38,080 --> 00:27:40,840
Speaker 1: you know what I'm saying. So it's just like, you know,

569
00:27:41,040 --> 00:27:45,480
Speaker 1: at again, I was working so quick. By the time

570
00:27:45,520 --> 00:27:48,200
Speaker 1: he even really starts sending, I was already done. It's

571
00:27:48,200 --> 00:27:50,359
Speaker 1: not like because that's the thing I'm not. I don't

572
00:27:50,440 --> 00:27:52,399
Speaker 1: be like, oh I have to you know what I mean.

573
00:27:52,440 --> 00:27:55,040
Speaker 1: It's just I just curate a project. When it's done's done.

574
00:27:55,320 --> 00:27:58,160
Speaker 1: I don't do nothing more, nothing less. I don't save songs.

575
00:27:58,920 --> 00:28:02,040
Speaker 1: There's not any project I ever made is no songs

576
00:28:02,119 --> 00:28:08,320
Speaker 1: left over. Every song got made goes on that project. Soever.

577
00:28:08,440 --> 00:28:11,000
Speaker 1: That doesn't take it personal though, No, of course not,

578
00:28:11,240 --> 00:28:13,720
Speaker 1: of course not, of course not. That's the thing that's

579
00:28:13,760 --> 00:28:16,200
Speaker 1: my brother. A lot of people would, you know what

580
00:28:16,240 --> 00:28:18,040
Speaker 1: I'm saying. I know a lot of people would. But

581
00:28:18,080 --> 00:28:21,600
Speaker 1: that's the thing. Is like when you have communication, you know,

582
00:28:21,920 --> 00:28:25,160
Speaker 1: and my team trust me, they don't. They know. It's

583
00:28:25,200 --> 00:28:28,359
Speaker 1: not personal. It's just what I'm feeling at that moment.

584
00:28:28,400 --> 00:28:29,800
Speaker 1: You know what I'm saying that I could sit up

585
00:28:29,800 --> 00:28:33,080
Speaker 1: here and you know, if I do a project right

586
00:28:33,119 --> 00:28:35,560
Speaker 1: now with with Matt Live, we do gun Lit. It's

587
00:28:35,600 --> 00:28:38,840
Speaker 1: not like, oh funk, everybody Else's just I'm doing a

588
00:28:38,880 --> 00:28:40,920
Speaker 1: project with gun Lit. This is gonna keep us hot,

589
00:28:40,920 --> 00:28:43,320
Speaker 1: this is keeping us lit, this is what the fans want.

590
00:28:43,360 --> 00:28:46,160
Speaker 1: It's bigger than me. It's bigger than Grisel. This culture.

591
00:28:46,360 --> 00:28:48,240
Speaker 1: It's interesting to me because you talk about it more

592
00:28:48,240 --> 00:28:49,920
Speaker 1: and more about putting up these all the song obviously

593
00:28:50,000 --> 00:28:52,760
Speaker 1: the foundation as you been in Conway, but you continue

594
00:28:52,800 --> 00:28:55,959
Speaker 1: to bring you grow grizzled and bring artists in and

595
00:28:55,960 --> 00:28:58,040
Speaker 1: like your creation and your hands on with everything. It

596
00:28:58,040 --> 00:29:00,280
Speaker 1: seems like like there was a time even Tank with

597
00:29:00,360 --> 00:29:02,760
Speaker 1: Riz the assort of that leadership and could control everything.

598
00:29:02,960 --> 00:29:04,920
Speaker 1: It seems like you're still able to maintain that. Like

599
00:29:04,960 --> 00:29:06,040
Speaker 1: what do you think about that? Like why are you

600
00:29:06,120 --> 00:29:08,360
Speaker 1: being able to maintain that? What are the keys to

601
00:29:08,440 --> 00:29:14,800
Speaker 1: leadership in that sense? Um? Well, first of all, people

602
00:29:14,880 --> 00:29:18,400
Speaker 1: see like I'm fifty and oh I don't know what

603
00:29:18,480 --> 00:29:26,360
Speaker 1: may Weather may rather fifty one and check the record Google.

604
00:29:27,280 --> 00:29:30,560
Speaker 1: But um so when you see somebody you know what

605
00:29:30,600 --> 00:29:32,440
Speaker 1: I'm saying, Like when of your locker rooms see you

606
00:29:32,480 --> 00:29:36,720
Speaker 1: go out there and score fifty every game, they believe

607
00:29:36,800 --> 00:29:40,240
Speaker 1: in you. When there's two seconds left one the clock,

608
00:29:40,400 --> 00:29:43,080
Speaker 1: they believe in you. So they believe in me. And

609
00:29:43,200 --> 00:29:46,040
Speaker 1: on top of that, every since day one, bro I

610
00:29:46,200 --> 00:29:49,440
Speaker 1: always put everybody before me. I always made sure my

611
00:29:49,520 --> 00:29:54,000
Speaker 1: crew shine. Since day one. Benny used to smoke ship

612
00:29:54,240 --> 00:29:56,400
Speaker 1: on purpose. Yo, I need you to smoke this ship,

613
00:29:56,560 --> 00:30:01,800
Speaker 1: smoke me my own ships. Yeah. I always tell everybody

614
00:30:01,840 --> 00:30:04,480
Speaker 1: that because that's gonna make the best songs. And that's

615
00:30:04,480 --> 00:30:07,320
Speaker 1: what I'm saying, just me not being selfish, Like you know,

616
00:30:07,440 --> 00:30:09,440
Speaker 1: a lot of people sit to a lot of people

617
00:30:09,480 --> 00:30:13,600
Speaker 1: that's selfish. Motherfucker's man, that's gonna drop five six times,

618
00:30:13,640 --> 00:30:16,000
Speaker 1: and they are still they're like, Okay, am I gonna drop?

619
00:30:16,160 --> 00:30:18,120
Speaker 1: My gonna drop? Am I gonna drop to the point

620
00:30:18,160 --> 00:30:20,440
Speaker 1: where you forget even the artists even on that label,

621
00:30:20,800 --> 00:30:23,000
Speaker 1: and then they fall out and then they never dropped

622
00:30:23,040 --> 00:30:26,440
Speaker 1: for real, you know what I'm saying. So it's just like, nah,

623
00:30:26,520 --> 00:30:29,719
Speaker 1: I don't, I don't, I don't. I want them to shine,

624
00:30:29,960 --> 00:30:32,719
Speaker 1: you know what I'm saying. And like I said, you know,

625
00:30:33,080 --> 00:30:35,200
Speaker 1: it's nothing more that I want, you know what I'm

626
00:30:35,200 --> 00:30:37,680
Speaker 1: so I feel like I already have everything that I need,

627
00:30:38,040 --> 00:30:39,520
Speaker 1: you know what I'm saying. So everything now is just

628
00:30:39,560 --> 00:30:42,240
Speaker 1: a blessing. So it's just like, yeah, I'm gonna stick

629
00:30:42,320 --> 00:30:45,600
Speaker 1: my feet in the water, but now let them let

630
00:30:45,760 --> 00:30:48,360
Speaker 1: let my team shine, like they need. People need to

631
00:30:48,400 --> 00:30:50,600
Speaker 1: know that these is the best m season the world.

632
00:30:50,880 --> 00:30:52,640
Speaker 1: People need to know that. Do you think there's a

633
00:30:52,640 --> 00:30:54,520
Speaker 1: lot of pressure when it comes when it comes to that,

634
00:30:54,600 --> 00:30:57,120
Speaker 1: because it's like, you know, you obviously a boastful and

635
00:30:57,120 --> 00:30:59,800
Speaker 1: prideful person, especially with your artists, and you make these

636
00:31:00,040 --> 00:31:03,680
Speaker 1: they just claims like, yo, it's classic. This is right.

637
00:31:04,120 --> 00:31:06,760
Speaker 1: So if the project doesn't isn't well received by the public,

638
00:31:06,840 --> 00:31:09,320
Speaker 1: do you feel like responsible for that for that claim?

639
00:31:10,240 --> 00:31:12,360
Speaker 1: I'm fifty and oh, it ain't happen yet. I don't know.

640
00:31:14,200 --> 00:31:17,880
Speaker 1: I can't. You can't see, I can't. I never seen

641
00:31:17,920 --> 00:31:21,160
Speaker 1: a red flamingo, Like you can't actually high red flamingo.

642
00:31:21,280 --> 00:31:24,080
Speaker 1: Look if I never seen one, you know what I'm saying.

643
00:31:24,120 --> 00:31:26,959
Speaker 1: It's like I don't know. But see, that's the This

644
00:31:27,040 --> 00:31:29,880
Speaker 1: is the point I'm trying to make. If I've been

645
00:31:29,960 --> 00:31:35,080
Speaker 1: doing this shift for ten years straight and still only

646
00:31:35,120 --> 00:31:38,360
Speaker 1: making better projects still like I didn't drop Supreme Blind

647
00:31:38,440 --> 00:31:41,720
Speaker 1: tell I didn't my god, you know what I'm saying.

648
00:31:41,720 --> 00:31:44,480
Speaker 1: I didn't drop Prey for Parents. I didn't drop seven.

649
00:31:44,480 --> 00:31:47,720
Speaker 1: I didn't drop A side A, Side B. I didn't

650
00:31:47,760 --> 00:31:50,520
Speaker 1: drop Awesome. God, I didn't drop ten. I didn't drop

651
00:31:50,560 --> 00:31:53,880
Speaker 1: all these ships in the last few years four years.

652
00:31:54,200 --> 00:31:56,560
Speaker 1: It isn't it's haven't been done. We can sit up

653
00:31:56,560 --> 00:31:58,160
Speaker 1: here and talk about who the best rapper and all

654
00:31:58,200 --> 00:32:01,840
Speaker 1: that that how it don't even matter because I wasn't

655
00:32:01,880 --> 00:32:05,000
Speaker 1: even coming in this game to be a rapper. So

656
00:32:05,160 --> 00:32:07,800
Speaker 1: that lets you like that that ship really don't bother me.

657
00:32:07,840 --> 00:32:10,600
Speaker 1: I like, I like having fun on internet, you know

658
00:32:10,640 --> 00:32:13,000
Speaker 1: what I'm saying. Sometimes I get bored and I smoked,

659
00:32:13,560 --> 00:32:16,160
Speaker 1: and I'd be just like I said, I'd be, you know,

660
00:32:16,240 --> 00:32:19,520
Speaker 1: calling it bump fights me and thing. It was like

661
00:32:19,520 --> 00:32:21,240
Speaker 1: it was fun birthday. He was like, he was like,

662
00:32:21,280 --> 00:32:32,800
Speaker 1: fuck your birthday still firth change that sho ain't changed. Sorry, man,

663
00:32:33,040 --> 00:32:34,560
Speaker 1: you know what I'm saying. But talking about the curation

664
00:32:34,560 --> 00:32:36,480
Speaker 1: because like I end viewed the money recently for the

665
00:32:36,480 --> 00:32:38,680
Speaker 1: title and stuff, like I think LISZT two is way

666
00:32:38,720 --> 00:32:40,479
Speaker 1: better than Liz. Like do you see the growth right

667
00:32:41,280 --> 00:32:43,560
Speaker 1: as an artist? Like you talk about that process of

668
00:32:43,640 --> 00:32:45,600
Speaker 1: like what what what role do you playing like an

669
00:32:45,680 --> 00:32:48,800
Speaker 1: artist like that project, Like what's the process like for you? Well,

670
00:32:48,920 --> 00:32:52,200
Speaker 1: let me just say, you know, Liz one, both of

671
00:32:52,240 --> 00:32:56,520
Speaker 1: them was designed that way. Let's just say that the

672
00:32:56,640 --> 00:33:00,640
Speaker 1: first one I had to introduce her on some raw

673
00:33:01,120 --> 00:33:06,400
Speaker 1: grimy ship because again it's Griselda. Griselda fans is very

674
00:33:06,440 --> 00:33:10,200
Speaker 1: critical and at first it was already skeptical, like oh,

675
00:33:10,280 --> 00:33:13,160
Speaker 1: she just looks or she gonna come out of some clubs. Ship.

676
00:33:13,400 --> 00:33:16,120
Speaker 1: Oh but while you sign her so off the gator.

677
00:33:16,200 --> 00:33:19,480
Speaker 1: First single was primo. I made sure that her and

678
00:33:19,560 --> 00:33:23,160
Speaker 1: Benny promo off the Gate. Then when they heard the project,

679
00:33:23,160 --> 00:33:25,040
Speaker 1: it was just raw, like I could play that ship

680
00:33:25,160 --> 00:33:28,240
Speaker 1: right now, liz One is fired, you know what I'm saying.

681
00:33:28,560 --> 00:33:32,080
Speaker 1: But LISZT two and like you know, it was eight

682
00:33:33,280 --> 00:33:35,760
Speaker 1: five percent like hired ship. And then we sprinkled it

683
00:33:35,880 --> 00:33:38,840
Speaker 1: like two songs that was kind of like you know,

684
00:33:38,880 --> 00:33:41,160
Speaker 1: some turn up ship, just because I wanted people to

685
00:33:41,280 --> 00:33:44,760
Speaker 1: still understand, like, no, she can do this too, like

686
00:33:44,840 --> 00:33:46,560
Speaker 1: and I want you to get familiar with it. But

687
00:33:46,600 --> 00:33:51,160
Speaker 1: I got a spoon feed jall. This one was more like, no,

688
00:33:51,400 --> 00:33:53,360
Speaker 1: let me show a little bit more range on her.

689
00:33:53,720 --> 00:33:55,480
Speaker 1: So I entered, you know what I mean, introduced it

690
00:33:55,560 --> 00:33:58,200
Speaker 1: to a couple more style of beats that wasn't on

691
00:33:58,280 --> 00:34:00,440
Speaker 1: the first one, Like, yo, get busy on this, get

692
00:34:00,440 --> 00:34:04,440
Speaker 1: busy on this, and I want you to get a

693
00:34:04,480 --> 00:34:09,320
Speaker 1: little more commercial, because you know you can get busy

694
00:34:09,320 --> 00:34:11,759
Speaker 1: in that lane too. I always I always felt our

695
00:34:11,840 --> 00:34:15,799
Speaker 1: money was a star. But she don't have to do

696
00:34:15,960 --> 00:34:18,600
Speaker 1: what the other females do, you know, what I'm saying,

697
00:34:18,680 --> 00:34:21,480
Speaker 1: and and females be feeling like they have to do

698
00:34:21,520 --> 00:34:24,279
Speaker 1: that other ship and I'm just like, yo, you I

699
00:34:24,280 --> 00:34:26,680
Speaker 1: mean it's cool to have fun to do that too,

700
00:34:26,800 --> 00:34:28,759
Speaker 1: but you get busy with us too. Like she could

701
00:34:28,760 --> 00:34:31,160
Speaker 1: get in a cipher. You know that's what she do.

702
00:34:31,400 --> 00:34:32,960
Speaker 1: You know what I'm saying. She hold her own and

703
00:34:32,960 --> 00:34:36,319
Speaker 1: I always say like, nobody never wrote one buyer for

704
00:34:36,400 --> 00:34:39,360
Speaker 1: our money. That's all a million percent her, you know

705
00:34:39,360 --> 00:34:42,640
Speaker 1: what I'm saying. And I just love her just growing

706
00:34:42,680 --> 00:34:45,239
Speaker 1: as a boss. Like she hit me, you know what

707
00:34:45,280 --> 00:34:47,520
Speaker 1: I'm saying, Like, yo, I feel we should do this.

708
00:34:47,920 --> 00:34:49,600
Speaker 1: I feel we should do that, you know what I'm saying,

709
00:34:49,600 --> 00:34:53,000
Speaker 1: Because like or list too, I picked every beat, Like

710
00:34:53,080 --> 00:34:55,080
Speaker 1: that's the thing when I curate, I picked every beat.

711
00:34:55,080 --> 00:34:57,239
Speaker 1: It's not like you know what I'm saying. So it's

712
00:34:57,280 --> 00:35:00,560
Speaker 1: just like yo, wrong, listen, you mean this or you

713
00:35:00,560 --> 00:35:03,000
Speaker 1: you know stole Pete this or your body Pete this.

714
00:35:03,280 --> 00:35:06,520
Speaker 1: You feel me? And they just cooked because I'm already

715
00:35:07,360 --> 00:35:09,680
Speaker 1: I'm I'm painting why they why they doing what they're doing.

716
00:35:09,719 --> 00:35:11,520
Speaker 1: I'm doing what I'm doing up here, so it's like

717
00:35:11,560 --> 00:35:14,160
Speaker 1: I'm already putting it together. But they don't see it.

718
00:35:14,400 --> 00:35:17,080
Speaker 1: They just hear this beating a rhyming. But I'm already

719
00:35:17,120 --> 00:35:20,040
Speaker 1: seeing it, you know what I'm saying. Um, And like

720
00:35:20,080 --> 00:35:22,160
Speaker 1: I said, man with with Liz too, it was just

721
00:35:22,239 --> 00:35:25,680
Speaker 1: like leveling up. And she she actually did the Kodak

722
00:35:25,760 --> 00:35:30,799
Speaker 1: record like the record was already done. And ship she

723
00:35:30,960 --> 00:35:34,040
Speaker 1: sent me that ship one night and I'm like, I

724
00:35:34,120 --> 00:35:36,920
Speaker 1: put that shot her Kodak. I said, holy ship, she

725
00:35:37,000 --> 00:35:42,440
Speaker 1: did that on it own me and she connected that.

726
00:35:42,560 --> 00:35:45,040
Speaker 1: So I was that that just made me proud because

727
00:35:45,080 --> 00:35:48,320
Speaker 1: it's like she want to take it to another level.

728
00:35:48,920 --> 00:35:51,880
Speaker 1: She hungry, She hungry. She she got that little taste.

729
00:35:52,160 --> 00:35:54,480
Speaker 1: Now she like, no, I gotta take off. And so

730
00:35:54,640 --> 00:35:56,640
Speaker 1: that's what I mean, Like we are we're not even waiting,

731
00:35:56,680 --> 00:35:58,799
Speaker 1: like we're already about to start cooking again, like she

732
00:35:58,880 --> 00:36:01,520
Speaker 1: hit me last week, like time to work, like she

733
00:36:01,640 --> 00:36:03,760
Speaker 1: hitting me like she's hungry, you know what I'm saying.

734
00:36:03,760 --> 00:36:05,759
Speaker 1: And we still got like two more videos we're gonna

735
00:36:05,840 --> 00:36:07,839
Speaker 1: drop from the We're not even done with this too yet,

736
00:36:07,920 --> 00:36:10,399
Speaker 1: you know what I mean, Man, look out for her,

737
00:36:10,440 --> 00:36:13,520
Speaker 1: because I'm telling the energy she had right now, she's

738
00:36:13,520 --> 00:36:16,000
Speaker 1: gonna be a star for Shure three is gonna be

739
00:36:16,000 --> 00:36:19,799
Speaker 1: our mindy year for sure. But we gotta credit you,

740
00:36:19,840 --> 00:36:22,319
Speaker 1: like you got the Rick Ross here right, Like you

741
00:36:22,400 --> 00:36:25,080
Speaker 1: picked great beats, right, So what's that process life for you?

742
00:36:25,120 --> 00:36:27,759
Speaker 1: Like you're saying, like you just constantly get producers and

743
00:36:27,880 --> 00:36:29,399
Speaker 1: track you just sit in the room and just listen

744
00:36:29,440 --> 00:36:31,480
Speaker 1: to beats and pick things out, Like what's your process? Like,

745
00:36:31,760 --> 00:36:34,160
Speaker 1: I mean, of course you already have my in house producers,

746
00:36:34,560 --> 00:36:36,320
Speaker 1: you know what I'm saying. I always I got Darren j.

747
00:36:36,480 --> 00:36:39,799
Speaker 1: I got Camouflage Monk, I got Denny look Flair, I

748
00:36:39,840 --> 00:36:44,239
Speaker 1: got Conductor Williams conduct what I'm saying, so you know

749
00:36:44,320 --> 00:36:49,560
Speaker 1: that's already home team. I got Fly Guy Junior my son. Yeah,

750
00:36:49,600 --> 00:36:52,160
Speaker 1: he made the album. You know what I'm saying. He's

751
00:36:52,160 --> 00:36:55,600
Speaker 1: smoking ship right now to people want Fly Guy Junior beats,

752
00:36:56,120 --> 00:36:58,040
Speaker 1: and like that's what I'm saying, Like I'm already putting

753
00:36:58,080 --> 00:37:01,000
Speaker 1: my son on. It's like I'm just having fun and

754
00:37:01,040 --> 00:37:03,760
Speaker 1: I'm I'm I'm just bringing dope ship to the game.

755
00:37:04,280 --> 00:37:08,080
Speaker 1: But my earman, I always say top three, you know

756
00:37:08,080 --> 00:37:10,040
Speaker 1: what I'm saying, period of hip hop? You know what

757
00:37:10,080 --> 00:37:20,200
Speaker 1: I mean, Like ship me, me and me. I was

758
00:37:20,280 --> 00:37:23,799
Speaker 1: really just trying to be nice, but you do have

759
00:37:23,920 --> 00:37:26,000
Speaker 1: this production crew. I think you're taking the page out

760
00:37:26,000 --> 00:37:27,239
Speaker 1: of Puffer his book with the hit Man. You have

761
00:37:27,280 --> 00:37:30,520
Speaker 1: the Heartbreaking productions. What is that? So that's like your

762
00:37:30,600 --> 00:37:33,760
Speaker 1: I guess your avengance, That's what I'm saying, Conductor Danny

763
00:37:33,800 --> 00:37:36,640
Speaker 1: and Cammel Camoul Flage Monk. So that's the Heartbreakers. That's

764
00:37:36,640 --> 00:37:40,680
Speaker 1: who I considered the Heartbreakers. That sound can't be matched

765
00:37:40,760 --> 00:37:42,359
Speaker 1: right now, you know what I mean. It's like it's

766
00:37:42,360 --> 00:37:45,560
Speaker 1: Fly Junior and the Heartbreakers to make it light now,

767
00:37:45,600 --> 00:37:48,880
Speaker 1: flag got Junior? Just flag gout Junior? How flat that

768
00:37:49,000 --> 00:37:50,920
Speaker 1: Junior got Daddy making the traps on them? Man, you

769
00:37:51,000 --> 00:37:52,440
Speaker 1: just come out of the gate. That's the project with

770
00:37:52,480 --> 00:37:55,360
Speaker 1: that two. It's dope You're and dope boy. Yeah. I

771
00:37:55,400 --> 00:37:59,640
Speaker 1: mean the thing about it is like I just told him,

772
00:37:59,680 --> 00:38:01,600
Speaker 1: I'm like, man, see me something, because I'd be one.

773
00:38:01,680 --> 00:38:03,960
Speaker 1: You know, that's my son and I remember when he

774
00:38:04,080 --> 00:38:07,399
Speaker 1: hit me because like as a father, I'm looking at

775
00:38:07,400 --> 00:38:10,080
Speaker 1: this tall motherfucker. To shit, they're playing video games and

776
00:38:10,160 --> 00:38:12,560
Speaker 1: ship in the house like you're gonna do with your life.

777
00:38:12,560 --> 00:38:17,319
Speaker 1: Shign I just I've just been working for three weeks straight.

778
00:38:17,400 --> 00:38:20,719
Speaker 1: Y'all has been playing fucking Call of Duty. She's gonna

779
00:38:20,760 --> 00:38:26,240
Speaker 1: donna motto is you're gonna design, He's gonna make beas

780
00:38:26,280 --> 00:38:28,600
Speaker 1: as you're gonna rap. Is what the is you gonna do?

781
00:38:28,640 --> 00:38:30,840
Speaker 1: Because whatever it is, we're gonna start activating because you

782
00:38:30,840 --> 00:38:33,360
Speaker 1: know he's still yea. So it's just like, you know,

783
00:38:33,400 --> 00:38:35,040
Speaker 1: this was a couple of years ago. He had just

784
00:38:35,080 --> 00:38:38,040
Speaker 1: graduated from high school, so that's when you had that speech,

785
00:38:38,120 --> 00:38:46,080
Speaker 1: Like alright, ship college started two weeks ago. Um, so

786
00:38:46,719 --> 00:38:50,440
Speaker 1: I see we didn't go that route. You know what

787
00:38:50,480 --> 00:38:53,320
Speaker 1: I'm saying that they like you about to sell drugs.

788
00:38:53,360 --> 00:38:55,879
Speaker 1: So what you're gonna do? You know what I'm saying.

789
00:38:56,040 --> 00:38:58,920
Speaker 1: Dad's house is nice, but it's my house. But but

790
00:38:59,040 --> 00:39:01,120
Speaker 1: like he just was like for real, for real, Like

791
00:39:01,680 --> 00:39:03,640
Speaker 1: he just hit me out of nowhere and was like, Yo,

792
00:39:03,719 --> 00:39:06,960
Speaker 1: this was like two Black Fridays ago, two years ago.

793
00:39:07,080 --> 00:39:10,560
Speaker 1: He was just like, Yo, such and such guy, laptops

794
00:39:10,560 --> 00:39:12,759
Speaker 1: on sale, could you buy me this? And I want

795
00:39:12,760 --> 00:39:15,080
Speaker 1: to get all the you know, the software. I want

796
00:39:15,080 --> 00:39:16,719
Speaker 1: to start making beats. I was like, Yo, if I

797
00:39:16,760 --> 00:39:18,600
Speaker 1: buy this for you, I need to hear fifty beats.

798
00:39:19,880 --> 00:39:22,120
Speaker 1: That's what I told you. Gotta just na I need,

799
00:39:22,239 --> 00:39:26,160
Speaker 1: I need to hear fifty beats. NA stopped, gave it

800
00:39:26,200 --> 00:39:29,120
Speaker 1: to him and the first beat he ever played me

801
00:39:29,320 --> 00:39:32,839
Speaker 1: was fly Guy Junior. So I wrapped on the first

802
00:39:32,840 --> 00:39:37,120
Speaker 1: beat I even heard for real and ship it's just

803
00:39:37,200 --> 00:39:39,120
Speaker 1: now he now And that was a couple of years

804
00:39:39,160 --> 00:39:41,440
Speaker 1: I had to beat. I had to beat for the

805
00:39:41,520 --> 00:39:43,600
Speaker 1: two years, you know what I'm saying. But it was

806
00:39:43,640 --> 00:39:46,480
Speaker 1: just about perfect timing, and it was It was perfect

807
00:39:46,480 --> 00:39:48,839
Speaker 1: because it's like, you know what, I'm about to start

808
00:39:48,920 --> 00:39:52,359
Speaker 1: having fun in tree and the same way I was saying,

809
00:39:52,360 --> 00:39:55,000
Speaker 1: like I had to introduce that a little speed spoon

810
00:39:55,080 --> 00:39:59,120
Speaker 1: feed our money. Now I'm sp spoon feet and y'all

811
00:39:59,160 --> 00:40:01,440
Speaker 1: this oh you're gonna hear me on all type of

812
00:40:01,440 --> 00:40:04,680
Speaker 1: trap ship coming up, like because now I'm just having

813
00:40:04,760 --> 00:40:07,360
Speaker 1: fun and I do that good too, what I'm saying,

814
00:40:07,480 --> 00:40:09,440
Speaker 1: And you take them off a mentorship roll with other

815
00:40:09,520 --> 00:40:13,520
Speaker 1: artists as well, like talk about room streets, King of

816
00:40:13,600 --> 00:40:16,560
Speaker 1: New York room Streets. He wants to add that in

817
00:40:16,600 --> 00:40:18,839
Speaker 1: the beginning, what makes him so attractive to you want

818
00:40:18,840 --> 00:40:24,319
Speaker 1: to work with him? Man, I can't even explain his lyrics, bro,

819
00:40:24,600 --> 00:40:27,239
Speaker 1: like he you know he you know, people always say

820
00:40:27,320 --> 00:40:29,640
Speaker 1: give you the big el vibe. You know what I'm saying.

821
00:40:30,200 --> 00:40:33,880
Speaker 1: What I heard is, you know how you always compare

822
00:40:33,960 --> 00:40:37,800
Speaker 1: somebody in the beginning of somebody, Like in the beginning,

823
00:40:38,360 --> 00:40:41,439
Speaker 1: there would be like, you know, west Side sounds like

824
00:40:42,400 --> 00:40:45,719
Speaker 1: ghost Face or who you know what I'm saying, some

825
00:40:45,800 --> 00:40:48,399
Speaker 1: ship like that, and that's cool. Then when you really

826
00:40:48,440 --> 00:40:51,000
Speaker 1: start hearing the music and hearing what I'm really saying

827
00:40:51,000 --> 00:40:53,920
Speaker 1: and doing what I'm doing, is like, Okay, he sounds similar,

828
00:40:53,960 --> 00:40:56,719
Speaker 1: but he got his own his own style. In the

829
00:40:56,880 --> 00:40:59,480
Speaker 1: same with Room, it's like, yeah, okay, the beginning, you

830
00:40:59,560 --> 00:41:03,080
Speaker 1: might you're gonna always compare to somebody, to somebody, and

831
00:41:03,200 --> 00:41:05,880
Speaker 1: ship I would love to be compared to bigger, you

832
00:41:05,920 --> 00:41:08,160
Speaker 1: know what I'm saying. So it's like coming out the

833
00:41:08,200 --> 00:41:12,960
Speaker 1: gate with that alone is dope. But to hold his

834
00:41:13,040 --> 00:41:18,719
Speaker 1: own like Roman, it's like mainstream you know might not

835
00:41:18,920 --> 00:41:21,720
Speaker 1: nor him like that, but underground Room is that guy.

836
00:41:22,560 --> 00:41:25,239
Speaker 1: Rome is that guy. So now it's my job to

837
00:41:25,280 --> 00:41:27,920
Speaker 1: just make them bigger. That's how I feel. It's like

838
00:41:28,000 --> 00:41:30,600
Speaker 1: that's the challenge again, like you know, how far can

839
00:41:30,680 --> 00:41:33,200
Speaker 1: we make? How far can we take this ship? You

840
00:41:33,200 --> 00:41:36,120
Speaker 1: know what I'm saying, because you know everything I always

841
00:41:36,120 --> 00:41:39,400
Speaker 1: tell everybody everything is a blessing. Everything ain't meant for everybody,

842
00:41:39,560 --> 00:41:42,960
Speaker 1: you know what I'm saying, Like I can be you know,

843
00:41:43,120 --> 00:41:46,080
Speaker 1: look that people might be like, Okay, well he got this,

844
00:41:46,239 --> 00:41:47,960
Speaker 1: he got that, and you know what I mean to

845
00:41:48,040 --> 00:41:51,880
Speaker 1: think I'm on top, and then I'm like, I'm nothing

846
00:41:52,200 --> 00:41:54,759
Speaker 1: compared to what they got. But the thing is, like me,

847
00:41:55,680 --> 00:41:58,800
Speaker 1: I think nobody can funck with me. It's not about money,

848
00:41:58,960 --> 00:42:01,360
Speaker 1: That's what I'm saying. So that's that's the way I moved.

849
00:42:01,400 --> 00:42:04,600
Speaker 1: That's the way I think. So it's it's nothing nobody has.

850
00:42:04,640 --> 00:42:07,759
Speaker 1: That's like, you know what I'm saying. I just feel like,

851
00:42:07,840 --> 00:42:10,000
Speaker 1: you know, nobody can't funk with me, you know so,

852
00:42:10,400 --> 00:42:15,440
Speaker 1: But like Rome incredible artists, incredible, Like this is just

853
00:42:15,600 --> 00:42:19,080
Speaker 1: the beginning with with you know, Griselda Beckerson, Wrong Streets

854
00:42:19,120 --> 00:42:21,879
Speaker 1: and a year or two from now, people are gonna

855
00:42:21,880 --> 00:42:25,319
Speaker 1: be like yo, They're gonna be having them at every conversation,

856
00:42:25,480 --> 00:42:26,960
Speaker 1: you know what I mean. Because the thing is, this

857
00:42:27,080 --> 00:42:29,839
Speaker 1: was just like just to just jump in the ring.

858
00:42:30,600 --> 00:42:33,799
Speaker 1: But Rome can make song after song after If we

859
00:42:33,840 --> 00:42:36,600
Speaker 1: wanted to really drop an EP or album every month,

860
00:42:36,680 --> 00:42:39,719
Speaker 1: we could because Rome raps like that like he just

861
00:42:39,800 --> 00:42:42,279
Speaker 1: get in his zone. He one of them guys just

862
00:42:42,280 --> 00:42:44,759
Speaker 1: give me the beat. So if if I'm already just

863
00:42:44,880 --> 00:42:47,360
Speaker 1: feeding them the illest beats, he just gonna body in.

864
00:42:47,400 --> 00:42:49,239
Speaker 1: And that's how we got kissed the ring, and that's

865
00:42:49,280 --> 00:42:52,160
Speaker 1: how we he got a whole project done with Conductor already.

866
00:42:52,680 --> 00:42:55,839
Speaker 1: You know what I'm saying, Just Roman Conductor. So it's

867
00:42:55,880 --> 00:42:58,480
Speaker 1: like we're just working. I like a verse, no non factor.

868
00:42:59,040 --> 00:43:05,480
Speaker 1: Oh yeah, yeah, pretty hard. Yeah yeah, you know, I try,

869
00:43:06,200 --> 00:43:09,160
Speaker 1: you know, for real, I promise you all. Man, I'm

870
00:43:09,200 --> 00:43:11,080
Speaker 1: in a good space. Man. You know what I'm saying.

871
00:43:11,040 --> 00:43:15,400
Speaker 1: I'm having fun. You know what I'm saying, I'm just

872
00:43:15,440 --> 00:43:17,360
Speaker 1: having fun because you know, the ship that used to

873
00:43:17,360 --> 00:43:19,840
Speaker 1: stress me, I won't let's stress me no more, you

874
00:43:19,880 --> 00:43:24,280
Speaker 1: know what I mean. And like until you like, nobody

875
00:43:24,360 --> 00:43:27,640
Speaker 1: taught me how to do this ship. So I'm self taught.

876
00:43:27,760 --> 00:43:30,319
Speaker 1: So of course I'm gonna still take the bruises and

877
00:43:30,360 --> 00:43:32,839
Speaker 1: all of that. Like I'm learning, like I might do

878
00:43:32,880 --> 00:43:35,279
Speaker 1: a bad deal because it didn't learn from it and

879
00:43:35,320 --> 00:43:37,399
Speaker 1: never do it again. You know what I'm saying. It's

880
00:43:37,400 --> 00:43:39,759
Speaker 1: like everybody had them bumps and bruises, and I was

881
00:43:39,800 --> 00:43:42,000
Speaker 1: going through that ship for a couple of years, trying

882
00:43:42,000 --> 00:43:44,960
Speaker 1: to figure it out, looking being looked at it like,

883
00:43:45,000 --> 00:43:48,640
Speaker 1: oh that's just ain't the buffalo guy in a couple

884
00:43:48,640 --> 00:43:51,120
Speaker 1: of times and following he ain't. But in my mind,

885
00:43:51,160 --> 00:43:53,719
Speaker 1: I'm like, I'm the illisent of fucking world, you know.

886
00:43:55,200 --> 00:43:57,840
Speaker 1: But it's like I still had to prove so many points,

887
00:43:58,520 --> 00:44:00,239
Speaker 1: you know what I'm saying. But it's like, now, don't

888
00:44:00,400 --> 00:44:03,080
Speaker 1: I raced all that. I don't prove nothing. I just

889
00:44:03,120 --> 00:44:05,040
Speaker 1: do what the funk I want to do, and you

890
00:44:05,120 --> 00:44:08,600
Speaker 1: just get it presented on a platter like that ship.

891
00:44:08,719 --> 00:44:12,120
Speaker 1: I just wake up and be like I'm gonna do this,

892
00:44:12,320 --> 00:44:14,440
Speaker 1: and I might take a picture and post it and

893
00:44:14,480 --> 00:44:16,560
Speaker 1: you might funk with you might not, I might not.

894
00:44:16,880 --> 00:44:19,880
Speaker 1: I do more things off camera that's lit than I

895
00:44:19,960 --> 00:44:22,880
Speaker 1: do put on camera, Like my life lit, you know what.

896
00:44:23,880 --> 00:44:25,960
Speaker 1: A year ago though, you know, around this time, we

897
00:44:25,960 --> 00:44:27,759
Speaker 1: were all kind of stressed out because we didn't know

898
00:44:27,960 --> 00:44:29,880
Speaker 1: you were in the hospital and we didn't know what

899
00:44:29,960 --> 00:44:31,960
Speaker 1: was going on, Like can you explain what happened? A

900
00:44:32,040 --> 00:44:37,160
Speaker 1: little little little covid what I'm saying, you know, rest

901
00:44:37,200 --> 00:44:39,480
Speaker 1: in peace, dj Sha. You know we lost shade of

902
00:44:39,560 --> 00:44:42,479
Speaker 1: covid you know what I'm saying. And also I wanted

903
00:44:42,440 --> 00:44:44,920
Speaker 1: to say rest in peace the whole vein let me like,

904
00:44:44,960 --> 00:44:48,080
Speaker 1: I wanted to start off the show saying this whole episode.

905
00:44:49,080 --> 00:44:51,960
Speaker 1: Yeah you know that we we just started getting a conversation,

906
00:44:52,760 --> 00:44:54,759
Speaker 1: but I wanted to start the whole show saying that

907
00:44:54,840 --> 00:44:57,640
Speaker 1: because you know, a few times I've been up here,

908
00:44:57,640 --> 00:44:59,520
Speaker 1: a whole van was here. You know what I'm saying.

909
00:44:59,560 --> 00:45:02,640
Speaker 1: So you know, I just wanna wanna, you know, shout

910
00:45:02,719 --> 00:45:06,239
Speaker 1: him out for sure. In fact, did um being in

911
00:45:06,280 --> 00:45:07,919
Speaker 1: the hospital kind of change you. I'll look a little

912
00:45:07,920 --> 00:45:10,600
Speaker 1: bit of life and the way you approach things now

913
00:45:10,680 --> 00:45:16,200
Speaker 1: just this carefully attitude. Okay, No, Um, I think probably

914
00:45:16,320 --> 00:45:20,960
Speaker 1: like I can't really say it's not COVID though, but

915
00:45:21,040 --> 00:45:22,799
Speaker 1: it was just it just came to a point where

916
00:45:22,800 --> 00:45:26,160
Speaker 1: it's like, you know, not to sound crazy, man, God

917
00:45:26,239 --> 00:45:29,080
Speaker 1: is the greatest, that's a fact, you know what I'm saying.

918
00:45:29,160 --> 00:45:31,520
Speaker 1: And when you just know that you know what I'm saying,

919
00:45:31,560 --> 00:45:34,560
Speaker 1: like I don't. I'm not no guy that ship up

920
00:45:34,560 --> 00:45:36,920
Speaker 1: here and taught religious and no ship like that, Like

921
00:45:37,000 --> 00:45:38,759
Speaker 1: that's not me. So you're not you know, you're not

922
00:45:38,760 --> 00:45:41,200
Speaker 1: gonna really get that from me. But I can't say that.

923
00:45:41,680 --> 00:45:45,479
Speaker 1: You know what I'm saying, And it's like, I don't know, man,

924
00:45:45,920 --> 00:45:49,040
Speaker 1: I'm just I don't know. It's just a different energy

925
00:45:49,040 --> 00:45:50,719
Speaker 1: in life right now for me. You know what I'm saying.

926
00:45:50,760 --> 00:45:54,160
Speaker 1: I can't even explain it. It's like I wish everybody

927
00:45:54,200 --> 00:45:59,360
Speaker 1: can feel like this. Man. I think it's addressing because others,

928
00:45:59,360 --> 00:46:01,479
Speaker 1: like you guys have success, like you said, look, wait,

929
00:46:01,920 --> 00:46:03,759
Speaker 1: more Richard than you did the first time you sat

930
00:46:03,800 --> 00:46:07,719
Speaker 1: with us. But seems like with the success though, from

931
00:46:07,760 --> 00:46:11,120
Speaker 1: Benny to everybody down, y'all still seem hungry, right, You

932
00:46:11,160 --> 00:46:13,880
Speaker 1: still have that drive nowhere, no one's comfortable. Why do

933
00:46:13,920 --> 00:46:17,160
Speaker 1: you think that she that's the thing? Well, maybe because

934
00:46:17,160 --> 00:46:21,040
Speaker 1: we're from east side Buffalo, and I guess because you

935
00:46:21,120 --> 00:46:24,560
Speaker 1: know I'm hungry. It's fun, bro, I'm gonna be honest

936
00:46:24,600 --> 00:46:27,319
Speaker 1: with you, Like the thing is, like I said, I

937
00:46:27,400 --> 00:46:31,160
Speaker 1: have everything I need. I think I'm maybe hanger to

938
00:46:31,360 --> 00:46:33,360
Speaker 1: just like it's not even for money, you know what

939
00:46:33,400 --> 00:46:36,279
Speaker 1: I'm saying, Like, I don't do it for money. I

940
00:46:36,320 --> 00:46:40,320
Speaker 1: think the hanger is just to, like I want everybody

941
00:46:40,360 --> 00:46:42,760
Speaker 1: to know that the Griselda is the best in the world.

942
00:46:43,160 --> 00:46:45,920
Speaker 1: I think that's the ship that just makes me work

943
00:46:45,960 --> 00:46:50,319
Speaker 1: harder to be like you here wrong ship. You hear

944
00:46:50,360 --> 00:46:53,359
Speaker 1: I'm money ship, You hear you hear this, You hear

945
00:46:53,440 --> 00:46:55,600
Speaker 1: stover here this, you hear that? Like you know what

946
00:46:55,640 --> 00:46:57,799
Speaker 1: I'm saying. I think like that's the hanger of just

947
00:46:57,880 --> 00:47:01,160
Speaker 1: like maybe trying to prove, Like even though I always

948
00:47:01,200 --> 00:47:03,440
Speaker 1: talked like you don't have to prove, but you know,

949
00:47:03,560 --> 00:47:06,440
Speaker 1: I still be just I feel like we still don't

950
00:47:06,480 --> 00:47:09,479
Speaker 1: get the respect we deserve. I still feel like that.

951
00:47:09,760 --> 00:47:12,319
Speaker 1: I still feel like right now, after we just named

952
00:47:12,360 --> 00:47:15,239
Speaker 1: everything I fucking did, and we could talk about who

953
00:47:15,320 --> 00:47:17,279
Speaker 1: the best fru, they still donna name all the mother

954
00:47:17,400 --> 00:47:20,920
Speaker 1: motherucker's that ain't even had no album out. How you

955
00:47:20,960 --> 00:47:24,720
Speaker 1: know what I'm saying, Like how you know what I'm saying?

956
00:47:25,000 --> 00:47:29,040
Speaker 1: And you know it's just like I'll just be wanting

957
00:47:29,040 --> 00:47:31,080
Speaker 1: that the roses why I could smell him? You know

958
00:47:31,080 --> 00:47:33,799
Speaker 1: what I mean? It's crazy because you know rest of piece,

959
00:47:33,960 --> 00:47:36,520
Speaker 1: you know, take Off he said the same ship. You

960
00:47:36,560 --> 00:47:39,640
Speaker 1: know what I'm saying. It's just like how he was feeling,

961
00:47:39,680 --> 00:47:42,239
Speaker 1: is how I feel like, because you when you when

962
00:47:42,360 --> 00:47:46,040
Speaker 1: you gotta think Takeoff came from the megos, which and

963
00:47:46,120 --> 00:47:48,440
Speaker 1: you know who the eras because we you know, I'm

964
00:47:48,560 --> 00:47:51,200
Speaker 1: a little older too, so we came through the real

965
00:47:52,120 --> 00:47:54,560
Speaker 1: and every era of hip hop. Like I'm at that

966
00:47:54,800 --> 00:47:59,560
Speaker 1: age where I was there for fucking Salt Peppers MC

967
00:48:00,000 --> 00:48:03,160
Speaker 1: all the way up to fucking Little Woozy right now

968
00:48:03,280 --> 00:48:09,960
Speaker 1: or whoever, motherfucking what's her name, Ice Spice from from

969
00:48:10,000 --> 00:48:12,239
Speaker 1: all of that, from that to that, I've just seen it.

970
00:48:12,440 --> 00:48:17,360
Speaker 1: Everything in way too short, motherfucking Big Daddy came Coumo

971
00:48:17,560 --> 00:48:26,239
Speaker 1: d motherfucking self destructions to motherfucking to NAS coming out

972
00:48:26,280 --> 00:48:29,680
Speaker 1: with the brim on the scully to motherfucking you know

973
00:48:29,719 --> 00:48:31,719
Speaker 1: what I'm saying everything I was there for all of

974
00:48:31,760 --> 00:48:35,760
Speaker 1: That's what I've seen, you know, every you know era

975
00:48:35,920 --> 00:48:38,080
Speaker 1: that you could possibly think of, and this ship and

976
00:48:38,080 --> 00:48:42,759
Speaker 1: then like what Griselda has done, it ain't been done, man.

977
00:48:42,880 --> 00:48:46,799
Speaker 1: And we still like making elite music because a lot

978
00:48:46,840 --> 00:48:49,799
Speaker 1: of people, like I said, no disrespecting nobody, they fall

979
00:48:49,840 --> 00:48:52,640
Speaker 1: off after like two or three four joints. They do,

980
00:48:53,239 --> 00:48:56,120
Speaker 1: they really do, man, Like, Yeah, we still praise people

981
00:48:56,160 --> 00:48:59,080
Speaker 1: for them first two and three, but let's talk about

982
00:48:59,080 --> 00:49:01,520
Speaker 1: that four or five, In six or seven, you know

983
00:49:01,560 --> 00:49:04,319
Speaker 1: how it was certain and now a certain NBA, you know,

984
00:49:04,320 --> 00:49:07,080
Speaker 1: a certain NBA motherfucker's. You know what I'm saying, You're

985
00:49:07,080 --> 00:49:09,279
Speaker 1: gonna give them the creo. They're gonna be people get

986
00:49:09,320 --> 00:49:12,239
Speaker 1: a five hundred thousand just to put the jersey on

987
00:49:12,320 --> 00:49:15,560
Speaker 1: the be the motherfucking the locker room to still. I

988
00:49:15,560 --> 00:49:19,480
Speaker 1: mean it was a good game. Yeah, yeah, it's like

989
00:49:19,760 --> 00:49:21,359
Speaker 1: you know what I'm saying, Like, you're still gonna give

990
00:49:21,400 --> 00:49:24,760
Speaker 1: a lot of people those you know though, that credit.

991
00:49:25,360 --> 00:49:27,920
Speaker 1: And I love everybody. I'm a I'm a student of

992
00:49:27,920 --> 00:49:30,000
Speaker 1: this ship, you know what I'm saying, Like, that's what

993
00:49:30,040 --> 00:49:33,719
Speaker 1: I'm saying, Like I'm so different, Like, don't compare me

994
00:49:33,800 --> 00:49:36,920
Speaker 1: to these other motherfucker's that haven't been through every fucking

995
00:49:36,920 --> 00:49:39,160
Speaker 1: phase of this ship. Don't compare me to the niggas

996
00:49:39,239 --> 00:49:41,839
Speaker 1: that don't drop two or three times a year. Don't

997
00:49:41,880 --> 00:49:44,879
Speaker 1: compare me to the niggas because we ain't the same.

998
00:49:45,320 --> 00:49:47,359
Speaker 1: You know what I'm saying. I come from I come

999
00:49:47,400 --> 00:49:49,360
Speaker 1: from a whole different point of view from you know

1000
00:49:49,400 --> 00:49:52,239
Speaker 1: what I'm saying with this ship. So the way I think,

1001
00:49:52,239 --> 00:49:54,719
Speaker 1: in the way I move isn't gonna be compared to

1002
00:49:54,800 --> 00:49:58,000
Speaker 1: somebody else that just came into this ship or they

1003
00:49:58,040 --> 00:50:01,400
Speaker 1: don't even understand what I'm saying. So some of the

1004
00:50:01,480 --> 00:50:04,040
Speaker 1: rappers that's new, like the young heads, Like I love

1005
00:50:04,080 --> 00:50:06,160
Speaker 1: a ship because that's the thing I like evolving. That's

1006
00:50:06,160 --> 00:50:08,880
Speaker 1: why I'm doing trapped ship now after ten years of

1007
00:50:08,960 --> 00:50:11,280
Speaker 1: just hard row grimy ship, Now all of a sudden,

1008
00:50:11,280 --> 00:50:13,279
Speaker 1: I'm doing ship. You know what I mean? Because like

1009
00:50:13,320 --> 00:50:15,560
Speaker 1: I said, it's like Lebron playing with Brownie. It's like,

1010
00:50:15,600 --> 00:50:19,080
Speaker 1: now I'm just having from my son. I'm getting him better.

1011
00:50:19,120 --> 00:50:22,239
Speaker 1: I'm giving him looks and hopefully, you know, he could

1012
00:50:22,239 --> 00:50:24,279
Speaker 1: take off and do what he'd do, and I did

1013
00:50:24,360 --> 00:50:27,200
Speaker 1: my part. You know what I'm saying, not only you know,

1014
00:50:27,400 --> 00:50:30,120
Speaker 1: as a businessman, but as a father. Like that's like,

1015
00:50:30,560 --> 00:50:33,600
Speaker 1: you know, another goal of mine, another challenge, you know

1016
00:50:33,600 --> 00:50:36,000
Speaker 1: what I'm saying, Like I have to keep challenging myself

1017
00:50:36,040 --> 00:50:39,440
Speaker 1: for what do I have? If I don't keep challenging

1018
00:50:39,520 --> 00:50:42,840
Speaker 1: my own self? Like what am I again? Like safe

1019
00:50:42,840 --> 00:50:44,840
Speaker 1: for instance? Let me because I don't like name dropping.

1020
00:50:44,880 --> 00:50:48,000
Speaker 1: It always give me in trouble. But just safe for instance,

1021
00:50:48,080 --> 00:50:55,400
Speaker 1: like a Drake or Kendrick or whoever, because these are

1022
00:50:55,480 --> 00:50:58,360
Speaker 1: guys I respect. I'm only naming these guys because I

1023
00:50:58,440 --> 00:51:01,200
Speaker 1: respect you know, I mean every back Drake, I respect Kid.

1024
00:51:01,320 --> 00:51:04,080
Speaker 1: I actually just met Kidren for the first time. Fashion

1025
00:51:04,120 --> 00:51:07,000
Speaker 1: we can parish what I'm saying. I never met him

1026
00:51:07,040 --> 00:51:08,560
Speaker 1: and ship, you know what I'm saying, and that it

1027
00:51:08,640 --> 00:51:12,319
Speaker 1: was it was all love, like you know what I mean,

1028
00:51:12,440 --> 00:51:14,600
Speaker 1: not even sound crazy. He came up to me, you

1029
00:51:14,640 --> 00:51:16,279
Speaker 1: know what I'm saying, like that ship, you know what

1030
00:51:16,280 --> 00:51:19,320
Speaker 1: I mean. Because the thing is, it's like certain people,

1031
00:51:19,520 --> 00:51:21,920
Speaker 1: you know what I mean, you still you had that

1032
00:51:22,040 --> 00:51:24,640
Speaker 1: certain respect for for what he did, you know, for

1033
00:51:24,680 --> 00:51:26,880
Speaker 1: the game and what he's doing for the game. You

1034
00:51:26,960 --> 00:51:28,680
Speaker 1: know what I'm saying. So like when I looked over

1035
00:51:28,719 --> 00:51:30,440
Speaker 1: and I've seen it, we've seen it. He came like,

1036
00:51:30,960 --> 00:51:32,680
Speaker 1: I mean, we kind of greeting each other and it

1037
00:51:32,719 --> 00:51:35,560
Speaker 1: was all love and you know, um, you know he

1038
00:51:35,880 --> 00:51:38,760
Speaker 1: told me, he he fucking with what I'm doing tough

1039
00:51:38,840 --> 00:51:41,080
Speaker 1: and you know, vice versa, and it was just like

1040
00:51:41,200 --> 00:51:44,799
Speaker 1: that was it. We gotta do a song together, hang out,

1041
00:51:45,239 --> 00:51:48,960
Speaker 1: it's your phone number, Like it was none of that.

1042
00:51:49,040 --> 00:51:51,880
Speaker 1: It was just like a mutual respect. No picture, you

1043
00:51:51,920 --> 00:51:54,399
Speaker 1: know what I'm saying, none of that. Nobody don't even

1044
00:51:54,480 --> 00:51:57,040
Speaker 1: know that this even happened, Like what's that gonna kid

1045
00:51:57,080 --> 00:52:00,520
Speaker 1: you with talking like nobody know that but now and

1046
00:52:00,680 --> 00:52:03,719
Speaker 1: in Paris though too, so beautiful that it's even yeah, yeah,

1047
00:52:03,719 --> 00:52:05,279
Speaker 1: because I think he you know, he's performed for the

1048
00:52:05,320 --> 00:52:08,600
Speaker 1: Louis the Time Show recipes Virgil too. You know, that's

1049
00:52:08,600 --> 00:52:13,239
Speaker 1: why Ward is you know, because yeah, man, that Louis

1050
00:52:13,320 --> 00:52:15,760
Speaker 1: Vati version, that Nego Louis. You know what I'm saying.

1051
00:52:17,960 --> 00:52:20,080
Speaker 1: You know, you know, Virgil is my guy. Like you know,

1052
00:52:20,120 --> 00:52:22,920
Speaker 1: we're losing a lot of people. Man, We're losing a

1053
00:52:22,920 --> 00:52:25,960
Speaker 1: lot of people. So I'm just doing my part while

1054
00:52:26,000 --> 00:52:29,040
Speaker 1: I can, you know. Yeah, but with it the way

1055
00:52:29,080 --> 00:52:32,200
Speaker 1: you just champion Griselda, what's the purpose in the need

1056
00:52:32,280 --> 00:52:36,200
Speaker 1: for Michelle Records? That's something that you launching soon, right, Yeah,

1057
00:52:36,280 --> 00:52:41,640
Speaker 1: but you know, Michelle Records isn't a label. Griselta Records

1058
00:52:41,680 --> 00:52:46,720
Speaker 1: is a label. Michelle Records is on Griselda Records. Okay,

1059
00:52:47,080 --> 00:52:49,800
Speaker 1: you just gotta see what you know what Michelle Records is.

1060
00:52:50,680 --> 00:52:55,640
Speaker 1: People still don't know. I don't know. People still don't know.

1061
00:52:55,719 --> 00:52:58,799
Speaker 1: People don't know who producing it, people don't know who

1062
00:52:58,960 --> 00:53:03,520
Speaker 1: on it. Yeah, people don't know nothing. But I'm telling you,

1063
00:53:03,600 --> 00:53:08,600
Speaker 1: like this, like just a sprinkle, I'm just telling you

1064
00:53:08,600 --> 00:53:13,680
Speaker 1: it's already like mad lead Riza, that type of ship,

1065
00:53:13,760 --> 00:53:16,799
Speaker 1: you know what I'm saying, Like it's Alchemists, It's still that,

1066
00:53:17,000 --> 00:53:19,839
Speaker 1: you know what I'm saying, But again it's it's so

1067
00:53:19,920 --> 00:53:23,200
Speaker 1: much more. It's producers that you never heard of, you

1068
00:53:23,200 --> 00:53:24,360
Speaker 1: know what I mean. You're I was doing like the

1069
00:53:24,520 --> 00:53:27,920
Speaker 1: Little Woman is snippets on my page and people here

1070
00:53:27,960 --> 00:53:29,719
Speaker 1: to production and be like, what the fund is this?

1071
00:53:29,880 --> 00:53:32,080
Speaker 1: What's this? What's that? And I just keep teasing Michelle Record,

1072
00:53:32,120 --> 00:53:35,960
Speaker 1: Michelle Record, but nobody still don't know what Michelle Records is,

1073
00:53:36,040 --> 00:53:37,879
Speaker 1: you know what I'm saying. And I'm gonna be I'm

1074
00:53:37,880 --> 00:53:41,040
Speaker 1: gonna be honest, Like at first, rest in Peace mym

1075
00:53:41,120 --> 00:53:44,319
Speaker 1: Michelle too. I lost her, and you know that's when

1076
00:53:44,360 --> 00:53:48,120
Speaker 1: it just became everything was Michelle, Michelle Michelle. Because I

1077
00:53:48,160 --> 00:53:50,920
Speaker 1: was using that to just help, you know, it was

1078
00:53:50,960 --> 00:53:54,799
Speaker 1: like therapeutic, Like when I started seeing it, I'm gonna

1079
00:53:54,840 --> 00:53:57,400
Speaker 1: be honest, I didn't even know what Michelle Records was.

1080
00:53:57,960 --> 00:54:02,600
Speaker 1: I'm saying. I had to make that ship up myself afterwards,

1081
00:54:02,600 --> 00:54:04,440
Speaker 1: like Okay, well maybe I could do it like this

1082
00:54:04,560 --> 00:54:06,680
Speaker 1: and this could be that we should I sign somebody

1083
00:54:06,719 --> 00:54:10,520
Speaker 1: to Michelle records one is it? The album is it?

1084
00:54:10,680 --> 00:54:12,480
Speaker 1: And then once I figured out what I was gonna

1085
00:54:12,480 --> 00:54:15,520
Speaker 1: make it, then I start, you know what I'm saying.

1086
00:54:15,719 --> 00:54:18,840
Speaker 1: So yeah, at first I didn't even know. Man, you

1087
00:54:18,840 --> 00:54:20,440
Speaker 1: know what I'm saying, Like these shorts I got on

1088
00:54:20,560 --> 00:54:22,200
Speaker 1: right now, say, Michelle, you know what I mean? The

1089
00:54:22,320 --> 00:54:26,960
Speaker 1: same saying. You know, homies that make ready made, you

1090
00:54:26,960 --> 00:54:29,320
Speaker 1: know what I'm saying. Yeah, you know what I'm saying.

1091
00:54:29,400 --> 00:54:32,920
Speaker 1: So you know, Saint Michael's ready made, you know what

1092
00:54:32,920 --> 00:54:35,319
Speaker 1: I mean, Like Callie and James, the same people that

1093
00:54:35,320 --> 00:54:38,759
Speaker 1: did the Saint Pablo for all that. That's why the

1094
00:54:38,880 --> 00:54:42,040
Speaker 1: same people that did that, we collapsed on these you

1095
00:54:42,080 --> 00:54:47,960
Speaker 1: know what I'm saying. So it's like I'm just yeah, yeah,

1096
00:54:48,160 --> 00:54:53,640
Speaker 1: Michelle by fashion Reel. You know, I'm just I'm leveling

1097
00:54:53,760 --> 00:54:55,839
Speaker 1: up because that's the thing. Like even with the merch,

1098
00:54:55,920 --> 00:54:58,160
Speaker 1: you know, people was calling me merching, God merged this

1099
00:54:58,440 --> 00:55:01,440
Speaker 1: merch that, But I and take that to another level now,

1100
00:55:01,480 --> 00:55:03,279
Speaker 1: so you know, I got the factory, I got the

1101
00:55:03,600 --> 00:55:07,840
Speaker 1: highest quality ship. But then I also working on some

1102
00:55:08,000 --> 00:55:10,000
Speaker 1: Michelle ship. You know what I'm saying. And it's like

1103
00:55:10,320 --> 00:55:13,319
Speaker 1: I'm I'm making it a standard of just having the

1104
00:55:13,440 --> 00:55:16,000
Speaker 1: best ship. You know what I'm saying, Like, and that's

1105
00:55:16,000 --> 00:55:18,920
Speaker 1: why I keep putting them a little pieces of my album.

1106
00:55:19,000 --> 00:55:21,440
Speaker 1: I like, Yo, Flying Guy got the best ship. It's

1107
00:55:21,520 --> 00:55:24,239
Speaker 1: like everything I do now, I wanted to be the

1108
00:55:24,239 --> 00:55:27,120
Speaker 1: best it could be, so like even you know with

1109
00:55:27,480 --> 00:55:29,920
Speaker 1: Griselda Body Fast Rubber, Now I kind of took her

1110
00:55:29,920 --> 00:55:33,919
Speaker 1: from Mercht to a brand, but I'm still making that affordable.

1111
00:55:34,840 --> 00:55:38,720
Speaker 1: I can't fucking shoot myself in the foot. I'm still

1112
00:55:39,360 --> 00:55:42,759
Speaker 1: have to make something, but I'm not trying to bang

1113
00:55:42,800 --> 00:55:45,040
Speaker 1: people in the head because so many people supported me

1114
00:55:45,120 --> 00:55:47,960
Speaker 1: for so long. I can't go from a sixty five

1115
00:55:48,000 --> 00:55:51,960
Speaker 1: dollar hoodie to six hunting now you feel me. I

1116
00:55:52,000 --> 00:55:55,960
Speaker 1: can't do that, But you know I could go from

1117
00:55:56,000 --> 00:55:58,520
Speaker 1: sixty five to a hundred and give you a way

1118
00:55:58,600 --> 00:56:02,239
Speaker 1: better quality shift. And I'd rather do that then, you know,

1119
00:56:02,920 --> 00:56:06,759
Speaker 1: print on Champion or print on this guilding or some

1120
00:56:06,840 --> 00:56:09,680
Speaker 1: ship you know rustle from ship, Like no, we were

1121
00:56:09,680 --> 00:56:12,920
Speaker 1: building these hoodies from scratch. We're dipping them to with

1122
00:56:12,960 --> 00:56:16,440
Speaker 1: the color you getting like everything like fitting perfect, And

1123
00:56:16,480 --> 00:56:20,279
Speaker 1: I'm still making that affordable. But then like I can

1124
00:56:20,360 --> 00:56:22,719
Speaker 1: work on Michelle and this would be in sacks like

1125
00:56:22,760 --> 00:56:24,520
Speaker 1: the partners. I'm you know what I mean, talking to

1126
00:56:24,680 --> 00:56:28,759
Speaker 1: and fucking with with Michelle was more like sacks nemons,

1127
00:56:29,440 --> 00:56:32,040
Speaker 1: you know what I'm saying, because like again, I'm linking

1128
00:56:32,080 --> 00:56:35,120
Speaker 1: with you know a lot of power players. I don't

1129
00:56:35,160 --> 00:56:36,959
Speaker 1: really want to speak on yet. But like I said,

1130
00:56:37,000 --> 00:56:39,960
Speaker 1: even this was you know designed, you know, collad with

1131
00:56:40,000 --> 00:56:42,560
Speaker 1: me and you know the homies from Saint Michael isn't

1132
00:56:42,560 --> 00:56:45,280
Speaker 1: ready made. So the hoodie that I wear, the Supreme

1133
00:56:45,280 --> 00:56:47,360
Speaker 1: Blind Tell when I wear that, I get stopped a

1134
00:56:47,360 --> 00:56:49,960
Speaker 1: lot people because I think it's maybe or something like that.

1135
00:56:50,000 --> 00:56:52,120
Speaker 1: And you have to ski masks and the logos on it,

1136
00:56:52,200 --> 00:56:54,120
Speaker 1: so I can attest to that that you know, it

1137
00:56:54,120 --> 00:56:56,120
Speaker 1: gets a lot of looks. I also saw you working

1138
00:56:56,120 --> 00:57:00,759
Speaker 1: with partner with a fossil y'all did a collaboration Jeff Staple. Okay,

1139
00:57:00,880 --> 00:57:02,960
Speaker 1: and Jeff Staple, you know, he he blessed me, you

1140
00:57:03,000 --> 00:57:04,920
Speaker 1: know what I'm saying. I came a part of the campaign,

1141
00:57:05,040 --> 00:57:07,080
Speaker 1: you know what I mean here he dropped the fire Watch,

1142
00:57:07,320 --> 00:57:09,840
Speaker 1: not just you know, supported them, and you know we

1143
00:57:09,840 --> 00:57:12,960
Speaker 1: we had a pen on on it, and he blessed

1144
00:57:12,960 --> 00:57:15,160
Speaker 1: me with some new you know as bees and I

1145
00:57:15,200 --> 00:57:18,120
Speaker 1: got the Watcher Lee and you know that's my guy.

1146
00:57:18,360 --> 00:57:20,360
Speaker 1: He got some ship going on out here right now too,

1147
00:57:20,360 --> 00:57:22,200
Speaker 1: so I'm I probably check him out, you know, I mean,

1148
00:57:22,240 --> 00:57:24,439
Speaker 1: I got the you know, the show tonight. I'm tell

1149
00:57:24,520 --> 00:57:26,680
Speaker 1: him to come through. You know what I'm saying, catches

1150
00:57:26,880 --> 00:57:31,160
Speaker 1: vibe because you never know who you're gonna see. Hey, Yo,

1151
00:57:31,520 --> 00:57:34,160
Speaker 1: it's Bet and we're not finished. Look, the Fly God

1152
00:57:34,240 --> 00:57:36,919
Speaker 1: is too big for one episode, so next week we'll

1153
00:57:36,960 --> 00:57:40,640
Speaker 1: pick things up with Griselda's new front line, room, Streets,

1154
00:57:40,640 --> 00:57:43,919
Speaker 1: Bowlie James, and stove God cooks. All right, I'll see

1155
00:57:43,960 --> 00:57:47,280
Speaker 1: y'all there. Rap Rate of podcast Rap Right or is

1156
00:57:47,320 --> 00:57:50,360
Speaker 1: The Interval presents original production from hyper House, produced by

1157
00:57:50,440 --> 00:57:53,560
Speaker 1: Laura Wasser, hosts and producers Elliott Wilson and Brian B.

1158
00:57:53,680 --> 00:57:57,120
Speaker 1: Dot Miller. From Me to Full presents executive producers Alan

1159
00:57:57,160 --> 00:58:01,760
Speaker 1: Coy and Jay Kleinberg, Executive producer Paul Rosenberg, editing his

1160
00:58:01,840 --> 00:58:06,000
Speaker 1: sound design by Dylan Alexander Freeman, recording engineer Raoul Cardinas,

1161
00:58:06,200 --> 00:58:09,880
Speaker 1: and Chris Nicholas. Special thanks to Busy Crook, Chris Marino,

1162
00:58:10,160 --> 00:58:14,120
Speaker 1: Hank Fortner, Chase iffinit and Formula seven Studios. Operations Lead

1163
00:58:14,160 --> 00:58:18,000
Speaker 1: Sarah You Business development lead Cheffie ellens Wegg and marketing

1164
00:58:18,080 --> 00:58:20,960
Speaker 1: lead Samara Still. Make sure to follow Rapperator or listen

1165
00:58:21,000 --> 00:58:24,480
Speaker 1: on Apple Podcasts, Spotify, Amazon Music, Stitcher, or wherever you

1166
00:58:24,480 --> 00:58:25,360
Speaker 1: get your podcasts