1
00:00:08,080 --> 00:00:14,880
Speaker 1: He welcome to Tuesday's show Martin Studio Morning. Everybody's good.

2
00:00:14,960 --> 00:00:17,599
Speaker 1: I do want to get an updated on lunchbox and

3
00:00:17,640 --> 00:00:19,560
Speaker 1: a beef he has with a country artist. So you

4
00:00:19,600 --> 00:00:22,080
Speaker 1: and Chris Jansen have been feuding. Yeah, we have been feuding.

5
00:00:22,280 --> 00:00:26,440
Speaker 1: Just remind our audience why this ridiculous feuds. It's very

6
00:00:26,440 --> 00:00:29,200
Speaker 1: one sided. It's taken place because he was having an

7
00:00:29,240 --> 00:00:31,800
Speaker 1: album released party where you got to hear his new music.

8
00:00:31,920 --> 00:00:35,000
Speaker 1: There was gonna be food and drinks and it said RSVP.

9
00:00:35,600 --> 00:00:39,199
Speaker 1: So I RSVP for me plus four, which was my

10
00:00:39,280 --> 00:00:42,240
Speaker 1: wife and my three kids, and they said, we can't

11
00:00:42,240 --> 00:00:45,400
Speaker 1: accommodate that. Well, the title of his album is all In,

12
00:00:45,760 --> 00:00:49,440
Speaker 1: and so obviously not everyone is all in. It's only

13
00:00:49,640 --> 00:00:51,800
Speaker 1: some people get in, is what it should be called.

14
00:00:51,800 --> 00:00:54,080
Speaker 1: Should they have named his album that? Yes, because if

15
00:00:54,120 --> 00:00:56,560
Speaker 1: you're gonna say all in, then that means everybody gets

16
00:00:56,600 --> 00:00:58,480
Speaker 1: to come in. But I don't think that means everything

17
00:00:58,480 --> 00:01:00,400
Speaker 1: that happens in his life. I think for his music,

18
00:01:00,520 --> 00:01:02,720
Speaker 1: it said the invite said we are going to get

19
00:01:02,760 --> 00:01:06,040
Speaker 1: all in with Chris Jansen or something, and so I'm like, well,

20
00:01:06,080 --> 00:01:08,680
Speaker 1: that means we're all getting in. So Chris Jansen maybe

21
00:01:08,680 --> 00:01:15,560
Speaker 1: you know him from this song right here, and he

22
00:01:15,680 --> 00:01:20,240
Speaker 1: has I'm digging him good vibes and I dig so

23
00:01:20,600 --> 00:01:23,920
Speaker 1: big artist. And so you heard back from him. I did.

24
00:01:24,160 --> 00:01:27,720
Speaker 1: He's trying to buy me off, he replied, and he said, listen,

25
00:01:27,840 --> 00:01:30,920
Speaker 1: sorry about that. Had no idea. Family is always welcome.

26
00:01:31,240 --> 00:01:33,080
Speaker 1: Let me know what restaurant you want to go to

27
00:01:33,480 --> 00:01:35,280
Speaker 1: and you can take the whole family. I'll bring you

28
00:01:35,319 --> 00:01:38,759
Speaker 1: a gift card. Wow, that's nice. That's what I'm talking about.

29
00:01:38,880 --> 00:01:43,920
Speaker 1: You're not really going to accept this you created yet

30
00:01:44,160 --> 00:01:48,040
Speaker 1: nowhere you asked for five people at an industry event, Well,

31
00:01:48,040 --> 00:01:50,800
Speaker 1: there will be no kids, And now you're get in

32
00:01:50,880 --> 00:01:53,400
Speaker 1: saying no kids on it. Have you ever been to

33
00:01:53,440 --> 00:01:55,720
Speaker 1: an industry event like this? Yeah, there have been kids there.

34
00:01:55,840 --> 00:01:57,520
Speaker 1: I've been there, and the artist kids are there. You are,

35
00:02:00,880 --> 00:02:03,640
Speaker 1: Oh so, dude, I am getting dinner on the family.

36
00:02:03,960 --> 00:02:06,480
Speaker 1: So you're gonna let Chris Jansen buy you your wife

37
00:02:06,520 --> 00:02:08,400
Speaker 1: and your three kids dinner and you're gonna feel good

38
00:02:08,400 --> 00:02:10,200
Speaker 1: about that. Yeah. And I was thinking I'd just take

39
00:02:10,280 --> 00:02:13,000
Speaker 1: the wife, like, leave the kids with a babysitter, and

40
00:02:13,000 --> 00:02:15,640
Speaker 1: take the one all in. All in, that's right, not

41
00:02:15,880 --> 00:02:18,960
Speaker 1: all in, take them all Okay, you know what, I'll

42
00:02:18,960 --> 00:02:20,880
Speaker 1: take them all. But now I just got to look

43
00:02:20,960 --> 00:02:23,280
Speaker 1: up and find the most expensive restaurant in Nashville that's

44
00:02:23,320 --> 00:02:26,000
Speaker 1: also not No. Boy, do you think lunch Box should

45
00:02:26,000 --> 00:02:28,360
Speaker 1: take the gift card? Now? Yes? I don't think so.

46
00:02:28,600 --> 00:02:30,680
Speaker 1: What do you mean because he created this few Jansen

47
00:02:30,760 --> 00:02:35,240
Speaker 1: feels pressure, he doesn't wow, wow wow Scooba, what do

48
00:02:35,240 --> 00:02:37,320
Speaker 1: you think about he? You know, he obviously feels bad

49
00:02:37,360 --> 00:02:39,480
Speaker 1: about it feels gross, right, this is kind of gross

50
00:02:39,480 --> 00:02:41,840
Speaker 1: and weird. And it's because she even emailed me too,

51
00:02:41,840 --> 00:02:43,240
Speaker 1: and I was like, please don't. I was like, this,

52
00:02:43,320 --> 00:02:46,720
Speaker 1: don't do that. His manager his manager, yes, wife, yes, yeah.

53
00:02:46,720 --> 00:02:48,519
Speaker 1: And I was like, he can afford his own freaking lunch.

54
00:02:48,520 --> 00:02:51,000
Speaker 1: You don't need a boy Scuba is taking the card back. Yeah,

55
00:02:51,080 --> 00:02:53,160
Speaker 1: it's kind of weird. I wouldn't take Even if me,

56
00:02:53,200 --> 00:02:55,400
Speaker 1: I wouldn't take it personally, I would feel weird. Well,

57
00:02:55,400 --> 00:02:58,120
Speaker 1: because he created this whole controversy instantly. Hey, guys, you

58
00:02:58,120 --> 00:02:59,840
Speaker 1: know what's gonna not taste gross is the food that

59
00:02:59,840 --> 00:03:01,800
Speaker 1: we go get with this gift card. It's gonna be

60
00:03:01,960 --> 00:03:04,560
Speaker 1: amazing five star. How are you gonna get in touch

61
00:03:04,600 --> 00:03:06,080
Speaker 1: with him to do this I'll just reply on Twitter

62
00:03:06,080 --> 00:03:07,799
Speaker 1: and be like, hey man, there's a restaurant, want bring

63
00:03:07,840 --> 00:03:12,520
Speaker 1: it to me? Oh my gosh, I'm embarrassed. Why are

64
00:03:12,560 --> 00:03:14,560
Speaker 1: you embarrassed? And now he's gonna start doing this to

65
00:03:14,680 --> 00:03:17,639
Speaker 1: every artist. I mean, if you're gonna tie it all in,

66
00:03:17,960 --> 00:03:21,799
Speaker 1: yeah I am, that means everyone's included. That's the name

67
00:03:21,800 --> 00:03:24,400
Speaker 1: of the mused to Okay, all right, we're gonna play

68
00:03:24,400 --> 00:03:26,239
Speaker 1: a song here. You guys want me to bring you

69
00:03:26,280 --> 00:03:32,720
Speaker 1: a dessert from the restaurant. I think let's open up

70
00:03:32,760 --> 00:03:43,720
Speaker 1: the mail bag get something. Hello, Bobby Bones. I'm flying

71
00:03:43,760 --> 00:03:46,720
Speaker 1: to a work event next week. The company's paying from

72
00:03:46,720 --> 00:03:49,280
Speaker 1: a flight and hotel. The event is from one to

73
00:03:49,320 --> 00:03:51,920
Speaker 1: four pm. My coworker just called and invited me to

74
00:03:52,000 --> 00:03:54,480
Speaker 1: a dinner that she is organizing with several of our bosses.

75
00:03:54,880 --> 00:03:57,880
Speaker 1: She said if I didn't have anything to do to come,

76
00:03:58,160 --> 00:03:59,640
Speaker 1: she just wanted to make sure I had something to

77
00:03:59,640 --> 00:04:01,960
Speaker 1: do that night before I fly out the next day.

78
00:04:02,160 --> 00:04:04,640
Speaker 1: Since several important people will be there that I rarely

79
00:04:04,640 --> 00:04:06,880
Speaker 1: get to see in person, I feel like I should go.

80
00:04:07,960 --> 00:04:10,160
Speaker 1: But I will be at the work event with all

81
00:04:10,200 --> 00:04:13,240
Speaker 1: these same people that I was with that whole day.

82
00:04:14,560 --> 00:04:16,640
Speaker 1: What should I do. My best friend just moved there.

83
00:04:16,640 --> 00:04:18,120
Speaker 1: I was planning to have dinner with her. I may

84
00:04:18,160 --> 00:04:20,159
Speaker 1: see here only once a year. Do I go to

85
00:04:20,200 --> 00:04:23,640
Speaker 1: dinner with workpeople or see my friends. I will not

86
00:04:23,680 --> 00:04:27,159
Speaker 1: be there long enough to do both. I'd appreciate your advice. Thanks,

87
00:04:27,680 --> 00:04:33,480
Speaker 1: working hard anonymously interesting question. I think me one year

88
00:04:33,480 --> 00:04:36,440
Speaker 1: ago what I said, go to the work event and

89
00:04:36,560 --> 00:04:40,120
Speaker 1: meet up with your friend later. But that later situation

90
00:04:40,279 --> 00:04:43,679
Speaker 1: is probably going to be too late for the friend

91
00:04:43,680 --> 00:04:45,640
Speaker 1: if she has a real job. Let's wake up in

92
00:04:45,640 --> 00:04:49,080
Speaker 1: the morning. Yeah, they probably will not even remember that

93
00:04:49,120 --> 00:04:51,279
Speaker 1: you weren't there at the work event two weeks from

94
00:04:51,320 --> 00:04:53,960
Speaker 1: that day. I don't think there're gonna be any bonuses given.

95
00:04:54,120 --> 00:04:57,080
Speaker 1: I don't think there's gonna be any inside information. If

96
00:04:57,120 --> 00:05:00,520
Speaker 1: it were me today, I would meet the friend. Those

97
00:05:00,560 --> 00:05:03,880
Speaker 1: relationships are super important. You need to invest in those

98
00:05:03,920 --> 00:05:07,120
Speaker 1: because that job may not always be there. Those bosses

99
00:05:07,400 --> 00:05:09,559
Speaker 1: may not always be there if you have that same job,

100
00:05:10,240 --> 00:05:15,359
Speaker 1: but that friend will be. My advice to you is

101
00:05:15,400 --> 00:05:18,680
Speaker 1: to go and see the friend. I don't know what

102
00:05:18,720 --> 00:05:20,920
Speaker 1: person's inside of my body at this point, but that's

103
00:05:20,960 --> 00:05:22,840
Speaker 1: what I say today. Moby's like, I don't know who

104
00:05:22,880 --> 00:05:25,039
Speaker 1: I am right now because I really should be telling

105
00:05:25,080 --> 00:05:28,720
Speaker 1: you to go to the work, but I do think

106
00:05:29,279 --> 00:05:33,599
Speaker 1: I just where we work. It's so fleeting. Who knows

107
00:05:33,640 --> 00:05:38,240
Speaker 1: tomorrow we could all out work here, Laura. That would

108
00:05:38,360 --> 00:05:42,000
Speaker 1: be good. Well, it wouldn't be right, I think, especially

109
00:05:42,000 --> 00:05:45,279
Speaker 1: since they say you don't have to come, don't go. Yeah,

110
00:05:45,320 --> 00:05:47,479
Speaker 1: she's just it's like a casual thing, like, hey, just

111
00:05:47,520 --> 00:05:49,479
Speaker 1: making sure you have something to do. And guess what

112
00:05:49,520 --> 00:05:51,120
Speaker 1: you do have something? You have a friend there that

113
00:05:51,160 --> 00:05:52,880
Speaker 1: you only see once a year or some nurture that

114
00:05:52,960 --> 00:05:54,960
Speaker 1: relationship and if there's a way you can swing it

115
00:05:54,960 --> 00:05:57,359
Speaker 1: and do both, great, But this was pick one. We

116
00:05:57,440 --> 00:06:00,440
Speaker 1: picked the friend, yeah, because that will be there forever, right,

117
00:06:00,480 --> 00:06:03,040
Speaker 1: and there all be other opportunities where you can hopefully

118
00:06:03,400 --> 00:06:05,680
Speaker 1: you know, get invited to something it works, And this

119
00:06:05,720 --> 00:06:08,560
Speaker 1: isn't even an opportunity for like a job, right, it's

120
00:06:09,080 --> 00:06:12,120
Speaker 1: so go to the friend. Thank you. Welk on my

121
00:06:12,160 --> 00:06:17,960
Speaker 1: gaggery flake. Hey, it's hard, growth, it's hard. Okay, that's

122
00:06:17,960 --> 00:06:24,200
Speaker 1: the mailback. Thank you, We've got your that was clothed.

123
00:06:27,680 --> 00:06:30,839
Speaker 1: Tractor Supply knows life out here is better with pets.

124
00:06:30,880 --> 00:06:32,960
Speaker 1: They carry the name brand food treats and toys that

125
00:06:33,000 --> 00:06:36,719
Speaker 1: you trust, plus offer unbeatable pet services like the ability

126
00:06:36,760 --> 00:06:38,760
Speaker 1: to talk to a vet twenty four seven in the

127
00:06:38,800 --> 00:06:43,839
Speaker 1: app visit Tractor Supply with your pet today on the

128
00:06:43,920 --> 00:06:47,599
Speaker 1: Bobby Bones Show, Now, Jillian, Jacqueline and t Jail's born.

129
00:06:47,839 --> 00:06:49,320
Speaker 1: You know, for me, this is like the first time

130
00:06:49,360 --> 00:06:51,120
Speaker 1: that I saw the Avengers and I saw Iron Man

131
00:06:51,160 --> 00:06:53,040
Speaker 1: and Spider Man together and I loved them both separately,

132
00:06:53,080 --> 00:06:55,960
Speaker 1: and I didn't realize if I was like, wow, they're together,

133
00:06:56,360 --> 00:06:58,559
Speaker 1: but then once they were together, You're like, dang, it's cool.

134
00:06:58,640 --> 00:07:02,200
Speaker 1: So Jilly and Jack and I mean two people I love.

135
00:07:02,279 --> 00:07:04,599
Speaker 1: Here TJ. Get to see you. It's good to see you,

136
00:07:04,640 --> 00:07:06,920
Speaker 1: two bombs. So here we are. How in the world

137
00:07:06,960 --> 00:07:09,520
Speaker 1: did you two get together for this song? I'm more curious, like,

138
00:07:09,680 --> 00:07:13,760
Speaker 1: who's iron Man who? Yeah, you're Jelly and you're iron

139
00:07:13,760 --> 00:07:23,240
Speaker 1: Man show. Um. Well, I wrote this song about a

140
00:07:23,320 --> 00:07:25,560
Speaker 1: year and a half ago, and write when I was

141
00:07:25,600 --> 00:07:27,960
Speaker 1: writing it, um, I was writing it over zoom and

142
00:07:28,000 --> 00:07:30,560
Speaker 1: right as I was writing it, I heard TJ's voice

143
00:07:30,720 --> 00:07:32,440
Speaker 1: singing with me on the chorus. He's one of my

144
00:07:32,440 --> 00:07:36,040
Speaker 1: favorite voices of all time. So I just kind of

145
00:07:36,880 --> 00:07:38,720
Speaker 1: thought about it for a while I was really nervous.

146
00:07:38,760 --> 00:07:41,680
Speaker 1: But I eventually sent you the song and I texted you.

147
00:07:41,720 --> 00:07:43,080
Speaker 1: I was like, hey, and I think I had the

148
00:07:43,120 --> 00:07:45,440
Speaker 1: wrong number because I didn't hear back from you for

149
00:07:45,560 --> 00:07:48,560
Speaker 1: like weeks. I was like, the song that's him too.

150
00:07:48,600 --> 00:07:51,400
Speaker 1: He doesn't respond to either for weeks. Okay, Well, eventually

151
00:07:51,920 --> 00:07:54,239
Speaker 1: somehow I got a hold of you and you listen

152
00:07:54,320 --> 00:07:56,720
Speaker 1: to it enough and and then he you know, shot

153
00:07:56,720 --> 00:07:58,960
Speaker 1: me a text back and you were like, yeah, I

154
00:07:59,040 --> 00:08:00,920
Speaker 1: want to do it. But I love that you were

155
00:08:01,000 --> 00:08:04,960
Speaker 1: so intentional with it. You really took your time listening

156
00:08:05,000 --> 00:08:07,080
Speaker 1: to it and figuring out if it like felt right

157
00:08:07,160 --> 00:08:09,240
Speaker 1: for you. And then when you came into the studio

158
00:08:09,320 --> 00:08:11,680
Speaker 1: to record it and started singing, I was like, this

159
00:08:11,760 --> 00:08:14,400
Speaker 1: is there's just these moments in life where it's just

160
00:08:14,480 --> 00:08:16,560
Speaker 1: like serendipitous and you're like, this was meant to be

161
00:08:17,080 --> 00:08:19,280
Speaker 1: your voice on this song just makes it what it is.

162
00:08:19,360 --> 00:08:22,080
Speaker 1: So oh yeah, thank you. And obviously I've always been

163
00:08:22,120 --> 00:08:24,880
Speaker 1: a huge fan of Jillian's and I've always admired her

164
00:08:24,920 --> 00:08:26,640
Speaker 1: for so long, and her voice it's one of those

165
00:08:26,640 --> 00:08:28,480
Speaker 1: things you hear it recorded and you're like, it's it's

166
00:08:28,520 --> 00:08:31,240
Speaker 1: so amazing. But these days you know, obviously it's you

167
00:08:31,280 --> 00:08:33,079
Speaker 1: can really you can make a lot of people sound

168
00:08:33,080 --> 00:08:34,920
Speaker 1: really good. And then you hear her live and it

169
00:08:34,920 --> 00:08:37,120
Speaker 1: sounds exactly like it does on the recording. It's one

170
00:08:37,120 --> 00:08:39,839
Speaker 1: of the most beautiful, most like fragile voices I've ever heard.

171
00:08:39,880 --> 00:08:42,720
Speaker 1: It's it's truly like one of my faiths. And so

172
00:08:43,040 --> 00:08:45,120
Speaker 1: I thought it would be amazing to collaborate with her,

173
00:08:45,120 --> 00:08:46,960
Speaker 1: and then she sent the song and I really really

174
00:08:47,000 --> 00:08:50,200
Speaker 1: loved the song. And as Jillian said, I mean, sometimes,

175
00:08:51,040 --> 00:08:52,600
Speaker 1: you know, you get asked to collaborate with some people

176
00:08:52,600 --> 00:08:55,880
Speaker 1: and it works out or doesn't. But I just I did,

177
00:08:55,960 --> 00:08:58,080
Speaker 1: I really kind of. I did hear myself on it

178
00:08:58,120 --> 00:09:00,720
Speaker 1: with her, and I think, yeah, And I'm glad that

179
00:09:00,760 --> 00:09:03,680
Speaker 1: the text got through. Julian. I'm glad your intentional what

180
00:09:03,720 --> 00:09:11,319
Speaker 1: that text message response to So, Jillian Jacquelin's here with

181
00:09:11,480 --> 00:09:14,120
Speaker 1: TJ from Brothers Osborne. I would actually like to hear it.

182
00:09:14,160 --> 00:09:16,439
Speaker 1: I want to talk more. But um, since we're talking

183
00:09:16,480 --> 00:09:18,840
Speaker 1: about the song, would you mind playing it for us?

184
00:09:18,840 --> 00:09:20,800
Speaker 1: This is called Better with a Broken Heart. Yeah you

185
00:09:20,920 --> 00:09:32,320
Speaker 1: read guys, ready, Yeah, let's do it. A sunset goes

186
00:09:32,400 --> 00:09:36,559
Speaker 1: good with a blanket on the Some want to with

187
00:09:37,040 --> 00:09:42,800
Speaker 1: wine kids, A morning was made for pulling down the

188
00:09:42,880 --> 00:09:48,960
Speaker 1: shades and let's spend all things. It's like this, Saying

189
00:09:49,160 --> 00:09:54,200
Speaker 1: goodbyes always best in the dark, but nothing goes together

190
00:09:54,600 --> 00:09:58,720
Speaker 1: when it all falls apart, like me burned out with

191
00:09:59,200 --> 00:10:03,640
Speaker 1: few skips down in a sad song and small keep

192
00:10:03,679 --> 00:10:09,199
Speaker 1: by a long drive along with found anywhere to go

193
00:10:09,679 --> 00:10:15,040
Speaker 1: and rain on the roof fish car. Somethings just good

194
00:10:16,640 --> 00:10:28,520
Speaker 1: with the bullking, somethings just scoping with the bullking hard.

195
00:10:39,320 --> 00:10:45,480
Speaker 1: That's so good. Thank you all the writing of the song,

196
00:10:46,720 --> 00:10:49,200
Speaker 1: how you arranged the song, getting TJ on it, that's

197
00:10:49,280 --> 00:10:52,160
Speaker 1: just just a plus stuff. Jilling, Oh, thank you very much.

198
00:10:52,280 --> 00:10:55,080
Speaker 1: Thank you, Bobby. Um. It's a dream, honestly having this

199
00:10:55,160 --> 00:10:57,120
Speaker 1: guy on the song. So I mean, this is this

200
00:10:57,160 --> 00:10:59,400
Speaker 1: is your mom with a shot girl, ain't about me. No,

201
00:11:00,240 --> 00:11:02,120
Speaker 1: this song would not be what it is without him.

202
00:11:02,160 --> 00:11:05,120
Speaker 1: But m yeah, I think it's interesting too, because duets

203
00:11:05,120 --> 00:11:08,280
Speaker 1: are tough. I mean, you know, especially when it's a song.

204
00:11:08,360 --> 00:11:10,440
Speaker 1: I wanted it to feel like we could both sing

205
00:11:10,440 --> 00:11:13,560
Speaker 1: it and really own it and and tell our own story.

206
00:11:13,640 --> 00:11:15,640
Speaker 1: And I think it's just the way we wrote it

207
00:11:15,640 --> 00:11:17,920
Speaker 1: just feels like one of those classic country songs that

208
00:11:17,960 --> 00:11:20,560
Speaker 1: I grew up loving. So I'm really really proud of

209
00:11:20,559 --> 00:11:22,880
Speaker 1: how it turned out. Well, yeah, thank you, I'm a

210
00:11:22,920 --> 00:11:25,000
Speaker 1: big fan. I think our audience should know you had

211
00:11:25,000 --> 00:11:28,760
Speaker 1: a baby with your guitar player this guy. Yeah, I

212
00:11:28,880 --> 00:11:35,280
Speaker 1: had a baby also our husband by the way, I yes,

213
00:11:35,600 --> 00:11:37,680
Speaker 1: I know, and we still like walk around places and

214
00:11:37,679 --> 00:11:39,720
Speaker 1: we're like, whose baby is this? Is this ours? Like

215
00:11:39,800 --> 00:11:42,320
Speaker 1: it's still so weird, but yes, we have a baby. Yeah,

216
00:11:42,360 --> 00:11:46,640
Speaker 1: what's that? I mean, I really haven't pandemic and baby

217
00:11:46,720 --> 00:11:49,199
Speaker 1: and marriage. We haven't, i know, spent a lot of

218
00:11:49,240 --> 00:11:51,800
Speaker 1: time together us, So like, what's what's life been like

219
00:11:51,880 --> 00:11:57,280
Speaker 1: with a baby? I'm tired, We're bill tried him. He's

220
00:11:57,320 --> 00:12:00,280
Speaker 1: only five months old, so you know, it makes everything

221
00:12:00,320 --> 00:12:03,320
Speaker 1: a little bit more challenging but also so much more joyful.

222
00:12:03,480 --> 00:12:05,360
Speaker 1: And he's just the cutest. I think he's the cutest

223
00:12:05,400 --> 00:12:09,760
Speaker 1: baby in the world. His name's Rockwell. And you know, it's, um,

224
00:12:09,760 --> 00:12:11,959
Speaker 1: it's amazing to get to be able to do this

225
00:12:12,040 --> 00:12:15,079
Speaker 1: kind of stuff and also pursue being a mom. I mean,

226
00:12:15,720 --> 00:12:17,640
Speaker 1: as a you know, as an artist, you kind of

227
00:12:17,679 --> 00:12:19,800
Speaker 1: try to figure out the right time to do these things,

228
00:12:19,840 --> 00:12:21,600
Speaker 1: and it never is the right time, and so I'm

229
00:12:21,600 --> 00:12:23,880
Speaker 1: glad we just jumped in and and now we get

230
00:12:23,920 --> 00:12:26,400
Speaker 1: to bring him on the road. We'll pack him up

231
00:12:26,400 --> 00:12:28,600
Speaker 1: in the van and he'll just hang out. I'm just kidding,

232
00:12:28,600 --> 00:12:31,360
Speaker 1: not in a van. But um, yeah, what's what's the

233
00:12:31,480 --> 00:12:34,199
Speaker 1: reason for Rockwell? How did that name come about? Um?

234
00:12:34,559 --> 00:12:38,280
Speaker 1: I love uh, I love Norman Rockwell the artist, and

235
00:12:38,440 --> 00:12:42,120
Speaker 1: we also loved the nickname Rocky. I'm from Pennsylvania, from Philly,

236
00:12:42,240 --> 00:12:44,280
Speaker 1: so we kind of like like the ode to Rocky.

237
00:12:44,400 --> 00:12:47,120
Speaker 1: And I don't know, Yeah, there's a few reasons. But

238
00:12:47,360 --> 00:12:49,000
Speaker 1: she keeps looking at her husband, Brian, who doesn't have

239
00:12:49,000 --> 00:12:54,360
Speaker 1: a MIC. I can't say it. I'm sorry, is that

240
00:12:54,679 --> 00:12:57,280
Speaker 1: did you agree? Yes? Yes, he just looks for a

241
00:12:57,320 --> 00:13:01,880
Speaker 1: head nod yes, TJ. What by the way, let me say,

242
00:13:01,920 --> 00:13:04,520
Speaker 1: I love you. But your hair's blonde? Yeah, what's it?

243
00:13:04,559 --> 00:13:08,240
Speaker 1: What's up? I was telling everyone I walked to the

244
00:13:08,240 --> 00:13:10,920
Speaker 1: studio earlier that yeah, I died my hair blonde. I

245
00:13:10,960 --> 00:13:12,760
Speaker 1: was like, I'm gonna change it up, but it is.

246
00:13:12,840 --> 00:13:14,920
Speaker 1: My mom really really really hates it, and she tells

247
00:13:14,960 --> 00:13:16,800
Speaker 1: me every time I go to our house. I'm like,

248
00:13:16,840 --> 00:13:18,559
Speaker 1: I remember from the last time I was here that

249
00:13:18,640 --> 00:13:21,360
Speaker 1: you didn't like it. I didn't suddenly think something changed,

250
00:13:21,720 --> 00:13:23,880
Speaker 1: but yeah, just so changed it up a little. I

251
00:13:23,920 --> 00:13:28,520
Speaker 1: love it, thank you. Yeah, just done it before the video. Yeah.

252
00:13:28,559 --> 00:13:31,959
Speaker 1: In fact, right before the video I had it died

253
00:13:32,000 --> 00:13:34,760
Speaker 1: and it turned into a really really really crazy color.

254
00:13:35,200 --> 00:13:36,400
Speaker 1: Like I was supposed to be there in like an

255
00:13:36,440 --> 00:13:38,400
Speaker 1: hour and a half and I was like I cannot

256
00:13:38,600 --> 00:13:41,559
Speaker 1: be on camera, Like this was really bad. And then

257
00:13:41,640 --> 00:13:44,320
Speaker 1: the poor girl, she was like sweating and she went back.

258
00:13:44,400 --> 00:13:46,760
Speaker 1: She applied something else on my head. Then it got

259
00:13:46,800 --> 00:13:49,640
Speaker 1: worse and then she like I was like, oh my god,

260
00:13:49,679 --> 00:13:51,200
Speaker 1: I have to be there like now, and she's like

261
00:13:51,240 --> 00:13:53,200
Speaker 1: one more thing and then like put this stuff back

262
00:13:53,200 --> 00:13:55,320
Speaker 1: in my hair and it just kind of you know,

263
00:13:55,320 --> 00:13:57,880
Speaker 1: it's there's a picture of it here that it turned

264
00:13:57,880 --> 00:14:01,160
Speaker 1: out pretty good. More felt terrible for her because I

265
00:14:01,160 --> 00:14:02,920
Speaker 1: felt like the girl was that was doing my hair thoughts.

266
00:14:03,040 --> 00:14:04,520
Speaker 1: I mean I was she was like, I'm just want

267
00:14:04,520 --> 00:14:06,760
Speaker 1: to end it now. I can't. She could not take

268
00:14:06,800 --> 00:14:09,720
Speaker 1: it anymore. Son. I felt actually really horrible for her.

269
00:14:09,760 --> 00:14:12,040
Speaker 1: But it turned out really good. The music video was

270
00:14:12,080 --> 00:14:14,320
Speaker 1: really fun as well. They was shot in this this

271
00:14:14,640 --> 00:14:17,720
Speaker 1: actually this family's home and go Littsville and I showed

272
00:14:17,760 --> 00:14:20,520
Speaker 1: up there, like you didn't just well, honestly, I walked

273
00:14:20,520 --> 00:14:23,680
Speaker 1: through the front door. They were just chilling. Yeah, that

274
00:14:24,000 --> 00:14:25,600
Speaker 1: was like probably had a heart attack when you walked

275
00:14:25,600 --> 00:14:27,520
Speaker 1: in the door. It was really fun. I don't think

276
00:14:27,520 --> 00:14:29,080
Speaker 1: they knew who I was, but they were like, this

277
00:14:29,160 --> 00:14:32,920
Speaker 1: is the best day of our lives. We're we're very sweet,

278
00:14:33,080 --> 00:14:35,480
Speaker 1: very sweet. Yeah, wait, how do you find her? You

279
00:14:35,560 --> 00:14:38,840
Speaker 1: just knock on a random fan. Our directors are very scrappy. Yeah,

280
00:14:38,920 --> 00:14:41,280
Speaker 1: they just went. They found houses they liked the look

281
00:14:41,320 --> 00:14:43,000
Speaker 1: of and they started asking people like, hey, will you

282
00:14:43,080 --> 00:14:45,440
Speaker 1: let us shoot at your house? And these people lottery?

283
00:14:45,480 --> 00:14:47,840
Speaker 1: They said yes, and they're like, t J Oswords coming

284
00:14:47,920 --> 00:14:51,000
Speaker 1: over here we go, Oh, TJ. Do you remember TJ

285
00:14:51,080 --> 00:14:53,080
Speaker 1: and I used to be neighbors. I remember our street

286
00:14:53,200 --> 00:14:55,920
Speaker 1: got shut down and they filmed like a movie or

287
00:14:55,960 --> 00:14:57,960
Speaker 1: a TV show or something on our street. And we

288
00:14:58,000 --> 00:15:01,240
Speaker 1: got paid, remember too, you sur arts he just loves

289
00:15:03,520 --> 00:15:07,240
Speaker 1: Oh my god, I get paid. Maybe you did, but

290
00:15:07,320 --> 00:15:09,680
Speaker 1: they did not. They're like, I can't remember the full story,

291
00:15:09,680 --> 00:15:12,280
Speaker 1: but I know there's something. You have the nicest house

292
00:15:12,280 --> 00:15:15,520
Speaker 1: on the streets. We're going to take care of this. Okay,

293
00:15:15,560 --> 00:15:18,760
Speaker 1: So I'm many encourage you guys. Uh. Stream Better with

294
00:15:18,840 --> 00:15:22,480
Speaker 1: a Broken Heart from Jillian, Jacqueline and t J. And

295
00:15:23,520 --> 00:15:25,920
Speaker 1: I know there's an album coming January from March April,

296
00:15:25,960 --> 00:15:29,200
Speaker 1: mate six of June, June right, June tenth, June tenth. Yes,

297
00:15:29,400 --> 00:15:31,320
Speaker 1: Jillian's album will be out. We'll be sure to talk

298
00:15:31,360 --> 00:15:33,400
Speaker 1: about it then when it comes out. As far as

299
00:15:33,440 --> 00:15:35,400
Speaker 1: an artist, Jillian, you know you are like one of

300
00:15:35,480 --> 00:15:39,080
Speaker 1: my favorite. Anything you do, I'm just rat marms in

301
00:15:39,120 --> 00:15:40,720
Speaker 1: it and try to support it and love it so

302
00:15:41,320 --> 00:15:44,240
Speaker 1: like this is. I'm glad I love it because I

303
00:15:44,240 --> 00:15:46,400
Speaker 1: would support it anyway, but I'd be like, no, no,

304
00:15:46,440 --> 00:15:48,000
Speaker 1: only love that one, but I love this one. This

305
00:15:48,160 --> 00:15:49,720
Speaker 1: is the great thing about it. It's really good to

306
00:15:50,120 --> 00:15:51,920
Speaker 1: It's a better one. I love it. Oh, thank you,

307
00:15:52,280 --> 00:15:55,000
Speaker 1: Thank you so much, Bobby Um. You've always been such

308
00:15:55,000 --> 00:15:57,800
Speaker 1: an amazing champion, and it's just an honor to be

309
00:15:57,920 --> 00:16:00,360
Speaker 1: here again to share this song and to have this

310
00:16:00,440 --> 00:16:02,640
Speaker 1: guy here with me. It's this amazing. And thank you

311
00:16:02,680 --> 00:16:05,160
Speaker 1: Brian for playing guitar. Yeah you can't hear him because

312
00:16:05,160 --> 00:16:08,400
Speaker 1: he said thank you. I had to be here because

313
00:16:08,400 --> 00:16:11,120
Speaker 1: you are my wife. Yes. When I walked into the

314
00:16:11,200 --> 00:16:13,680
Speaker 1: studio because they were doing a little sound check. Jillian's like, hey,

315
00:16:13,680 --> 00:16:15,600
Speaker 1: did you get my wedding gift? I don't know. I

316
00:16:15,640 --> 00:16:16,920
Speaker 1: mean that was a long time ago, and I don't

317
00:16:16,920 --> 00:16:19,000
Speaker 1: we've opened him. I think we've opened him. On I said,

318
00:16:19,000 --> 00:16:20,680
Speaker 1: what did you get my card? Hoping she would go

319
00:16:20,800 --> 00:16:23,040
Speaker 1: yes and if you go no, I was like, did

320
00:16:23,120 --> 00:16:25,760
Speaker 1: you ask her did you get my voice memo? Because

321
00:16:25,920 --> 00:16:28,440
Speaker 1: that's that my thank you card? Whether you're different, you know,

322
00:16:28,480 --> 00:16:30,080
Speaker 1: I don't need to write you a note you every day.

323
00:16:30,400 --> 00:16:33,360
Speaker 1: I'm positive we wrote Jillian, do you want to tell

324
00:16:33,400 --> 00:16:36,760
Speaker 1: everyone how I was the last person to RSV? Actually

325
00:16:36,760 --> 00:16:40,200
Speaker 1: I didn't remember wedding. You had to call me like

326
00:16:40,480 --> 00:16:42,600
Speaker 1: two days before your wedding. You're like, hey, just you're

327
00:16:42,640 --> 00:16:44,880
Speaker 1: the only person that hasn't told us. I'm like, oh

328
00:16:45,040 --> 00:16:47,200
Speaker 1: my god, I'm so sorry. I'm totally coming to your wedding,

329
00:16:47,320 --> 00:16:50,720
Speaker 1: but literally the only person who did not RSVP. Yeah,

330
00:16:50,840 --> 00:16:54,240
Speaker 1: we're Jillian and Brian really really busy, and that's an

331
00:16:54,280 --> 00:16:56,680
Speaker 1: embarrassing call to have to make because you're almost calling

332
00:16:56,960 --> 00:17:00,320
Speaker 1: with the possibility of getting rejected. It felt like, we know,

333
00:17:00,440 --> 00:17:03,040
Speaker 1: like I'm sixteen, do you want to go out with

334
00:17:03,200 --> 00:17:06,240
Speaker 1: me to go to the dinner. I'm sorry. I'm starting

335
00:17:06,240 --> 00:17:08,880
Speaker 1: to see why Jelliy didn't get that card back though. Yeah,

336
00:17:11,480 --> 00:17:12,800
Speaker 1: so what did you? What did you get me? Do

337
00:17:12,840 --> 00:17:14,680
Speaker 1: you want to say? Sure, Yeah, I got you a

338
00:17:14,800 --> 00:17:17,560
Speaker 1: really cool cutting board with your names and your wedding

339
00:17:17,640 --> 00:17:20,920
Speaker 1: date on it. You don't seem impressed. It's really cute.

340
00:17:21,200 --> 00:17:25,639
Speaker 1: I'm listening. I'm listening. I'm like, oh my god, that's amazing.

341
00:17:25,960 --> 00:17:28,200
Speaker 1: I will go today and I will check and see

342
00:17:28,520 --> 00:17:30,000
Speaker 1: some of the stuff that we have is still in

343
00:17:30,119 --> 00:17:31,960
Speaker 1: a room because we have written thank you cards, I

344
00:17:32,000 --> 00:17:34,800
Speaker 1: haven't invested emotionally in it yet, and I need to

345
00:17:34,880 --> 00:17:36,760
Speaker 1: be there and invest I'm sure you have quite a

346
00:17:36,800 --> 00:17:38,720
Speaker 1: few gifts that you still have to open. But your wedding,

347
00:17:38,760 --> 00:17:40,240
Speaker 1: by the way, I just have to say, your wedding

348
00:17:40,359 --> 00:17:43,040
Speaker 1: was one of the most beautiful, heartfelt weddings I've ever been,

349
00:17:43,080 --> 00:17:48,240
Speaker 1: to be the most besides my own. Um your speech.

350
00:17:48,280 --> 00:17:50,040
Speaker 1: I'm sure you've talked about this enough, but your speech

351
00:17:50,200 --> 00:17:52,399
Speaker 1: was just I was sobbing, like because it was so

352
00:17:52,920 --> 00:17:55,320
Speaker 1: real and so I love when people write their own vows,

353
00:17:55,320 --> 00:17:57,280
Speaker 1: and your vows were just top notch. Was so good.

354
00:17:57,640 --> 00:18:01,080
Speaker 1: We watched it back and I was embarrassed. Really, that

355
00:18:01,240 --> 00:18:06,000
Speaker 1: means you did something right. Um, I cried, I was clunky.

356
00:18:06,520 --> 00:18:10,119
Speaker 1: I'm supposed to be able to communicate. That's why I

357
00:18:11,440 --> 00:18:14,840
Speaker 1: was all over the place. And it was, UM, yes,

358
00:18:15,960 --> 00:18:19,439
Speaker 1: thank you. I mean, honestly, if you didn't though, I mean,

359
00:18:19,520 --> 00:18:21,000
Speaker 1: I think you went up there and you just nailed it.

360
00:18:21,040 --> 00:18:27,840
Speaker 1: I think everyone be like, what a psychopath? TJ Brothers

361
00:18:27,840 --> 00:18:30,639
Speaker 1: Osbourne's here a couple of questions. So, by the way,

362
00:18:30,680 --> 00:18:33,240
Speaker 1: congrats on the Grammys. Thank you, aw you when you

363
00:18:33,280 --> 00:18:36,760
Speaker 1: went to the ACMs. You didn't do it on purpose,

364
00:18:36,920 --> 00:18:39,280
Speaker 1: but I kind of got in trouble because of you guys,

365
00:18:39,760 --> 00:18:43,640
Speaker 1: And you know I will defend you know, I will

366
00:18:43,680 --> 00:18:46,560
Speaker 1: defend your honor to the death. Um, and you guys go,

367
00:18:47,200 --> 00:18:49,920
Speaker 1: all right, radio sucks. I hey, radio, whatever you said,

368
00:18:50,000 --> 00:18:56,400
Speaker 1: and I said whatever whatever, and I said, I said,

369
00:18:56,440 --> 00:18:59,520
Speaker 1: I agree with them, and I laid out exactly, You're like,

370
00:18:59,600 --> 00:19:01,719
Speaker 1: we are single gout dropped from country. I don't can

371
00:19:01,760 --> 00:19:03,680
Speaker 1: you say what you get? That's what I said, thank you,

372
00:19:03,920 --> 00:19:07,440
Speaker 1: thank you. So here's the thing. I like this. This

373
00:19:07,560 --> 00:19:10,960
Speaker 1: is a great platform for clarity here. So we wanted

374
00:19:10,960 --> 00:19:15,840
Speaker 1: the award again unexpectedly, and we got up and I thought, wow,

375
00:19:15,960 --> 00:19:17,680
Speaker 1: you know, it was like just last week I had

376
00:19:17,880 --> 00:19:20,560
Speaker 1: really bad news that our single got pulled, and which

377
00:19:20,640 --> 00:19:22,879
Speaker 1: was a true statement. I did not even give my

378
00:19:22,960 --> 00:19:25,639
Speaker 1: opinion of that, it was a fact. And then the

379
00:19:25,760 --> 00:19:27,080
Speaker 1: very next thing I said, it was a nice this

380
00:19:27,160 --> 00:19:29,960
Speaker 1: week to then win an award. And so some people

381
00:19:30,560 --> 00:19:34,240
Speaker 1: took it as me saying that maybe throwing shade, but

382
00:19:34,359 --> 00:19:36,560
Speaker 1: I was like, I actually wasn't. If anything, I was

383
00:19:36,600 --> 00:19:38,840
Speaker 1: actually trying to be a little bit more like self deprecating,

384
00:19:38,920 --> 00:19:41,800
Speaker 1: like last week I sucked and this week I just

385
00:19:41,840 --> 00:19:44,680
Speaker 1: want a sword, like crazy, how life works out that way?

386
00:19:44,800 --> 00:19:47,080
Speaker 1: In my mind, that's how I wanted it to sound.

387
00:19:47,600 --> 00:19:49,600
Speaker 1: I think some people sound in that way, you know,

388
00:19:49,920 --> 00:19:53,000
Speaker 1: speaking of giving speeches you have in your mind when

389
00:19:53,040 --> 00:19:55,280
Speaker 1: you're gonna say it was Mike Tyson say everyone's got

390
00:19:55,320 --> 00:19:57,879
Speaker 1: a plan to get punched into face, and so it

391
00:19:57,960 --> 00:19:59,840
Speaker 1: feels a little bit that way. So I did not

392
00:20:00,320 --> 00:20:03,239
Speaker 1: say anything of that variety. However, some people I think

393
00:20:03,320 --> 00:20:05,240
Speaker 1: just filled in the blanks there. For whatever reason, it

394
00:20:05,280 --> 00:20:08,719
Speaker 1: took it that way. And you know, and the thing

395
00:20:08,800 --> 00:20:12,159
Speaker 1: that was really kind of um that I was really

396
00:20:12,280 --> 00:20:15,320
Speaker 1: upset about that whole thing was is that contrary to

397
00:20:15,400 --> 00:20:18,119
Speaker 1: maybe sometimes what our songs do sometimes at radio, we

398
00:20:18,160 --> 00:20:20,960
Speaker 1: actually have a very good relationship with most with most

399
00:20:21,000 --> 00:20:24,000
Speaker 1: of not all people at radio. So in fact, I

400
00:20:24,119 --> 00:20:26,200
Speaker 1: think a lot of reasons why we even when those

401
00:20:26,359 --> 00:20:30,280
Speaker 1: rewards or from the votes from country radio. So I, um,

402
00:20:30,560 --> 00:20:32,920
Speaker 1: there wasn't really any animosity there. It was just kind

403
00:20:32,960 --> 00:20:36,399
Speaker 1: of ash facts. As someone said, it doesn't feel good

404
00:20:36,440 --> 00:20:38,840
Speaker 1: when someone tells you your baby's ugly. It was just like,

405
00:20:39,280 --> 00:20:41,240
Speaker 1: our songs are our babies, you know. So I was like,

406
00:20:41,680 --> 00:20:44,000
Speaker 1: it was facts, thank you, Well, this is what happened.

407
00:20:44,560 --> 00:20:47,159
Speaker 1: You say that, And I'm like, you know what if

408
00:20:47,160 --> 00:20:49,240
Speaker 1: people start saying, hey, why dropping their song? I said,

409
00:20:49,240 --> 00:20:51,000
Speaker 1: I don't think radio gives them a fair chance. I said,

410
00:20:51,000 --> 00:20:55,000
Speaker 1: I don't think other artists in their category have such

411
00:20:55,040 --> 00:20:58,119
Speaker 1: a quick release as Brothers Osmore doesn't. I don't know why,

412
00:20:58,480 --> 00:21:00,040
Speaker 1: but you guys will get to a certain place a

413
00:21:00,080 --> 00:21:02,440
Speaker 1: certain amount of time, but because it's not quicker, ready

414
00:21:02,520 --> 00:21:04,359
Speaker 1: just gives up on you. And so I start presenting

415
00:21:04,440 --> 00:21:06,240
Speaker 1: data on the air. I had program doctors coming to

416
00:21:06,280 --> 00:21:08,320
Speaker 1: me from all over the place, just punching me in

417
00:21:08,359 --> 00:21:11,720
Speaker 1: the face online and so here I am fighting for

418
00:21:11,760 --> 00:21:15,240
Speaker 1: the honor the pride. Well, thank you for that, and

419
00:21:15,760 --> 00:21:17,600
Speaker 1: I was up. I was really just trying to give

420
00:21:17,640 --> 00:21:19,879
Speaker 1: them all and representing Jay the best form. Well, no,

421
00:21:19,920 --> 00:21:22,200
Speaker 1: I appreciate. I mean it doesn't coming up without you know,

422
00:21:22,440 --> 00:21:25,520
Speaker 1: it doesn't lack any frustration there. But I mean, it's

423
00:21:25,520 --> 00:21:27,680
Speaker 1: business that takes a really, really, really long time. I

424
00:21:27,760 --> 00:21:29,560
Speaker 1: think now that my brother and I have gotten to

425
00:21:29,560 --> 00:21:31,720
Speaker 1: a place to where we feel very happy with where

426
00:21:31,720 --> 00:21:33,840
Speaker 1: we are and we have had some success, it doesn't

427
00:21:33,880 --> 00:21:36,200
Speaker 1: sting as bad. But when you're a new artist and

428
00:21:36,240 --> 00:21:39,479
Speaker 1: that stuff happens, it's it's crippling. So I stand by

429
00:21:39,560 --> 00:21:42,120
Speaker 1: that you guys get screwed over more than anybody else.

430
00:21:42,600 --> 00:21:45,240
Speaker 1: I mean, I stand by you say nothing, you say nothing,

431
00:21:45,320 --> 00:21:52,280
Speaker 1: I stand by it. We need to stop screwing you over. Amen. Yeah,

432
00:21:52,640 --> 00:21:54,280
Speaker 1: but see you have said, that's not what you meant

433
00:21:54,359 --> 00:21:57,080
Speaker 1: by that. It wasn't no, it wasn't a thought that

434
00:21:57,600 --> 00:21:59,680
Speaker 1: the Yeah, I'm not gonna say nothing. I'm just gonna

435
00:21:59,720 --> 00:22:02,280
Speaker 1: let you Yes, these are Bobby's I'm telling you, And

436
00:22:02,359 --> 00:22:05,679
Speaker 1: I said it that day. I said they get screwed

437
00:22:05,680 --> 00:22:07,760
Speaker 1: over more than anybody I know in that at the

438
00:22:07,920 --> 00:22:10,320
Speaker 1: level they are, And I'll leave it there. You say nothing,

439
00:22:11,440 --> 00:22:14,200
Speaker 1: that's it, and you've got the Grammy. So I just

440
00:22:14,440 --> 00:22:17,560
Speaker 1: remember this, you know. But yeah, no, we were nominated twice.

441
00:22:17,640 --> 00:22:21,719
Speaker 1: We we I take it back. You know what if

442
00:22:21,760 --> 00:22:25,280
Speaker 1: you're if you're nominated against Chris Stapleton's, it's a poor

443
00:22:25,359 --> 00:22:27,080
Speaker 1: chance you're gonna win it. That's the funny thing is

444
00:22:27,160 --> 00:22:28,480
Speaker 1: that we did see him backstage, and I was like,

445
00:22:28,560 --> 00:22:30,360
Speaker 1: oh my gosh, the first time I've seen Chris and forever.

446
00:22:30,400 --> 00:22:31,560
Speaker 1: I'm like, you have to win a Grammy just to

447
00:22:31,600 --> 00:22:36,320
Speaker 1: see Chris Stapleton these days backstage. Yeah, new single soon

448
00:22:36,960 --> 00:22:39,000
Speaker 1: or yeah we're yeah, and the and the throws of

449
00:22:39,080 --> 00:22:41,560
Speaker 1: that right now, if if, if we haven't got completely

450
00:22:41,640 --> 00:22:43,439
Speaker 1: dropped from radio, everyone's like, God, I'm sick of these

451
00:22:43,640 --> 00:22:46,159
Speaker 1: these guys. But yeah, we have some stuff that that

452
00:22:46,240 --> 00:22:48,359
Speaker 1: we're working on. Okay, I just have my vote for

453
00:22:48,520 --> 00:22:50,080
Speaker 1: High Note. Can I just say High Note? If you

454
00:22:50,119 --> 00:22:53,600
Speaker 1: guys haven't listened to High Note on Brothers Osbourne's last album,

455
00:22:53,680 --> 00:22:56,439
Speaker 1: it is one of the best written songs, and your

456
00:22:56,480 --> 00:22:59,359
Speaker 1: vocal performance is so good every time. I can't help like,

457
00:22:59,640 --> 00:23:02,440
Speaker 1: it's just so good. It's just like classic great music.

458
00:23:02,720 --> 00:23:05,359
Speaker 1: Please go listen to that song. Yes, so let me

459
00:23:05,520 --> 00:23:09,000
Speaker 1: let me restate this skeletons from Brother's Osborne, but we're

460
00:23:09,040 --> 00:23:12,399
Speaker 1: here today to celebrate Jillian Jacqueline. It's almost sounds like

461
00:23:12,480 --> 00:23:20,560
Speaker 1: she died. It's so good. It's so good that after

462
00:23:20,720 --> 00:23:23,040
Speaker 1: this I will go because I don't do a lot

463
00:23:23,119 --> 00:23:26,680
Speaker 1: of at this point. I'm so wrapped up in producing

464
00:23:26,760 --> 00:23:29,639
Speaker 1: content and doing the show, and I don't sit in

465
00:23:29,920 --> 00:23:32,119
Speaker 1: any sort of music meetings anymore. I am going to

466
00:23:32,320 --> 00:23:35,800
Speaker 1: hand deliver this song to these folks and go like,

467
00:23:35,920 --> 00:23:38,119
Speaker 1: you guys are idiots. If you don't like this is

468
00:23:38,160 --> 00:23:40,040
Speaker 1: exactly what you want, what you're looking for. If you

469
00:23:40,080 --> 00:23:42,720
Speaker 1: don't play this, I don't care if a record label's

470
00:23:42,760 --> 00:23:45,639
Speaker 1: calling you or not, Like you are just doing a

471
00:23:45,760 --> 00:23:49,080
Speaker 1: disservice to our audience that we are trying to service

472
00:23:49,240 --> 00:23:51,960
Speaker 1: and make their lives better. So everything I felt about

473
00:23:52,000 --> 00:23:53,679
Speaker 1: Brothers Osborne moving that to you, and I don't care

474
00:23:53,680 --> 00:23:57,160
Speaker 1: about them as much anymore. So it's just great. Jillian's great.

475
00:23:57,240 --> 00:23:59,159
Speaker 1: I feel the same. Bobby are awesome. Thank you. I

476
00:23:59,280 --> 00:24:02,320
Speaker 1: really appreciate love you, love Brian, love you, TJ. You're fine.

477
00:24:02,359 --> 00:24:05,560
Speaker 1: But we will see you, guys. We'll see you soon. Jillian,

478
00:24:05,600 --> 00:24:07,280
Speaker 1: I see you're doing some show You're overseas. It's just

479
00:24:07,320 --> 00:24:10,359
Speaker 1: pretty cool. Yeah. We're working on a lot of stuff

480
00:24:10,440 --> 00:24:12,879
Speaker 1: right now. Yeah, around the album. Um, I don't know,

481
00:24:12,960 --> 00:24:15,280
Speaker 1: maybe it'll all be like on my website Jillian Jaqueline

482
00:24:15,280 --> 00:24:17,520
Speaker 1: dot com. But um yes, thank you guys so much

483
00:24:17,560 --> 00:24:19,879
Speaker 1: for playing this song. It means so much to me.

484
00:24:20,880 --> 00:24:22,680
Speaker 1: And also shout out to the songwriters. I wrote this

485
00:24:22,720 --> 00:24:26,280
Speaker 1: with Topher Brown and Adam James. Incredible songwriters, Nashville songwriters,

486
00:24:27,680 --> 00:24:29,680
Speaker 1: two of the best. I'm just kidding, I haven't heard

487
00:24:29,680 --> 00:24:34,360
Speaker 1: of I know. Okay, yeah, that's all. By the way,

488
00:24:34,359 --> 00:24:37,840
Speaker 1: I rep from the wrong paper, Brothers Osbourne's Overseas. Yeah, yeah,

489
00:24:38,000 --> 00:24:43,440
Speaker 1: good luck with that guys. It's been reschiedable. Yes, okay,

490
00:24:43,600 --> 00:24:46,600
Speaker 1: we have to go. Jillian Jacqueline and TJ from Brothers Osborne.

491
00:24:46,720 --> 00:24:48,760
Speaker 1: The song is called Better with a Broken Heart and

492
00:24:48,920 --> 00:24:50,880
Speaker 1: we will see you guys soon. All right, bye, guys, bye,

493
00:24:51,720 --> 00:24:56,159
Speaker 1: Thank you for inspiration to reach your goals. Join Ben

494
00:24:56,320 --> 00:25:00,440
Speaker 1: Nimpton to get on track to make this seemingly impossible possible.

495
00:25:00,720 --> 00:25:03,920
Speaker 1: Register for the May fifth event at expresspros dot com

496
00:25:04,400 --> 00:25:07,359
Speaker 1: Slash Express Talks at ten for a chance to win

497
00:25:07,400 --> 00:25:11,200
Speaker 1: a career coaching session with me. It's time for the

498
00:25:11,320 --> 00:25:19,560
Speaker 1: good news. Eight months ago, Brandon Pucket of Indianapolis was

499
00:25:19,640 --> 00:25:22,640
Speaker 1: in Fort Wayne watching a tin Caps baseball game. He's

500
00:25:22,720 --> 00:25:26,439
Speaker 1: enjoying the game. He goes the concessions and he realizes, Man,

501
00:25:26,480 --> 00:25:29,320
Speaker 1: I don't have my wallet. I can't find it anywhere.

502
00:25:29,440 --> 00:25:33,560
Speaker 1: He looked all over the park ass lost and found nothing. So, oh,

503
00:25:33,640 --> 00:25:36,240
Speaker 1: well it was a loss. Well, just last week, an

504
00:25:36,320 --> 00:25:39,199
Speaker 1: usher was cleaning around the stands. He goes, looks at

505
00:25:39,200 --> 00:25:41,160
Speaker 1: the seasons, like, that seat's kind of stuck. What's in there?

506
00:25:41,400 --> 00:25:45,080
Speaker 1: It's a wallet. He found Brandon's wallet from eight months ago,

507
00:25:45,359 --> 00:25:46,879
Speaker 1: and it was the season opener, so there was a

508
00:25:46,920 --> 00:25:48,680
Speaker 1: TV crew down on the field. He goes, hey, guys,

509
00:25:48,800 --> 00:25:50,680
Speaker 1: I got a new story for you. I found this wallet.

510
00:25:50,720 --> 00:25:52,600
Speaker 1: See if you can find the owner. And they tracked

511
00:25:52,640 --> 00:25:54,560
Speaker 1: him down on Twitter, see if you can find the owner.

512
00:25:54,600 --> 00:25:56,159
Speaker 1: I like that because I thought it was gonna like lunchbox,

513
00:25:56,240 --> 00:25:59,919
Speaker 1: like I found something, I'm turning it in. That's your

514
00:26:02,040 --> 00:26:04,960
Speaker 1: the usher on TV who knows. I don't know. You

515
00:26:05,040 --> 00:26:08,640
Speaker 1: gotta be on TV and you gotta check itither cash, yes,

516
00:26:08,800 --> 00:26:12,960
Speaker 1: because you gotta get a reward. No, oh my gosh,

517
00:26:13,000 --> 00:26:14,960
Speaker 1: this is tell me something good. Eddie lost his walle

518
00:26:14,960 --> 00:26:17,200
Speaker 1: at once. I'm a bachelor party, huh, left it on

519
00:26:17,240 --> 00:26:18,600
Speaker 1: a bench in the middle of fat of l Arkansas.

520
00:26:18,640 --> 00:26:20,399
Speaker 1: I like that one in the morning. And then he

521
00:26:20,440 --> 00:26:22,000
Speaker 1: went back the next morning after we had called the

522
00:26:22,080 --> 00:26:25,640
Speaker 1: uber driver tore apart the airbnb and it was still

523
00:26:25,680 --> 00:26:29,639
Speaker 1: sitting on the bench, untouched, untouched, unbelievable, miraculous. All right,

524
00:26:29,760 --> 00:26:32,639
Speaker 1: that is what it's all about. That was tell me

525
00:26:32,760 --> 00:26:36,639
Speaker 1: something good. So the game is who can name the

526
00:26:36,760 --> 00:26:41,399
Speaker 1: original artist based on the very famous cover. For example,

527
00:26:41,840 --> 00:26:48,440
Speaker 1: here is take it easy from Travis trit tickets ticket.

528
00:26:49,640 --> 00:26:52,600
Speaker 1: Let me know who that is? Who sings the original version? Well,

529
00:26:52,840 --> 00:26:56,080
Speaker 1: no idea, Lunchbox, no idea, he had the gas lunchbox.

530
00:26:56,400 --> 00:27:00,520
Speaker 1: I would say, William Nelson the Eagles. Okay, the the

531
00:27:00,560 --> 00:27:05,040
Speaker 1: answer is the Eagles. Yeah, okay, So you two are

532
00:27:05,080 --> 00:27:08,160
Speaker 1: gonna battle it out here, Amy versus Lunchbox in this Eddie,

533
00:27:08,160 --> 00:27:09,960
Speaker 1: who would ten bucks? You can pick which every one

534
00:27:10,000 --> 00:27:13,760
Speaker 1: you want? Amy, I always want Lunchbox. I'm always gonna

535
00:27:13,760 --> 00:27:15,560
Speaker 1: surprise you guys in these games. And I knew you

536
00:27:15,640 --> 00:27:17,320
Speaker 1: were gonna do that. Give me Amy, I mean, I

537
00:27:17,320 --> 00:27:20,320
Speaker 1: didn't even know that was a cover. Good Luck Bones,

538
00:27:20,400 --> 00:27:22,600
Speaker 1: that's okay. I faith in him. I got there with

539
00:27:22,680 --> 00:27:25,399
Speaker 1: the eagles, Eddie. Do he reaches up there, deef and

540
00:27:25,440 --> 00:27:27,720
Speaker 1: pull stuff out? You know what he reaches up You

541
00:27:27,800 --> 00:27:29,600
Speaker 1: know that's what he reaches out, You pull stuff out

542
00:27:29,600 --> 00:27:32,359
Speaker 1: of there sometimes. Okay, here we go. We have five

543
00:27:32,480 --> 00:27:35,600
Speaker 1: of these and a tiebreaker if we need it. Here

544
00:27:35,840 --> 00:27:39,160
Speaker 1: is the version that we all know Garth Brooks shameless.

545
00:27:45,000 --> 00:27:47,840
Speaker 1: So that's from nineteen ninety one. It's actually a cover.

546
00:27:49,200 --> 00:27:51,399
Speaker 1: Garth didn't write. It wasn't the first one to perform it.

547
00:27:53,680 --> 00:28:03,240
Speaker 1: The original was by who Boy, let me know where

548
00:28:03,240 --> 00:28:08,199
Speaker 1: you're at. I'm in okay, Amy good Yeah, the original

549
00:28:08,280 --> 00:28:14,040
Speaker 1: came out two years prior. Oh okay, Sleetwood Mac not

550
00:28:14,160 --> 00:28:18,719
Speaker 1: a bad guess, Lunchbox George Jones, I don't. I mean

551
00:28:18,840 --> 00:28:21,080
Speaker 1: they're about the same kind of guess. So fine, the

552
00:28:21,160 --> 00:28:23,760
Speaker 1: answer is, and we'll play the clip in a second.

553
00:28:23,840 --> 00:28:34,720
Speaker 1: Billy Joel from nineteen eighty nine. Okay, everybody, good, let's

554
00:28:34,760 --> 00:28:39,480
Speaker 1: get loose. We're real. Let's go just being nice, alright,

555
00:28:39,520 --> 00:28:41,720
Speaker 1: focus on lunchbox. There we go, eddiething you want to

556
00:28:41,760 --> 00:28:43,080
Speaker 1: say to your person? I mean this may be a

557
00:28:43,160 --> 00:28:45,680
Speaker 1: low scoring game, but Amy just just beat him one

558
00:28:45,720 --> 00:28:50,320
Speaker 1: to zero one soccer match. That was a tough one, right,

559
00:28:50,360 --> 00:28:52,560
Speaker 1: that was the hardest one. Okay. This is from two

560
00:28:52,640 --> 00:28:58,320
Speaker 1: thousand and two. Johnny Cash hurt, but he soon won

561
00:28:58,360 --> 00:29:07,880
Speaker 1: a Grammy My Sweetest Trip. Every one he's covering it,

562
00:29:08,080 --> 00:29:11,120
Speaker 1: or he's the cover art he's covering it. All these

563
00:29:11,280 --> 00:29:15,720
Speaker 1: versions are the cover version. So you're trying to find

564
00:29:15,720 --> 00:29:19,200
Speaker 1: the original artist. Man, I got this. I like it.

565
00:29:19,320 --> 00:29:21,520
Speaker 1: I like I got that one. Amy. I don't believe him,

566
00:29:21,520 --> 00:29:28,920
Speaker 1: but I like it exactly. Amy. Um. Okay, Kurt Cobain lunchbox.

567
00:29:29,160 --> 00:29:33,520
Speaker 1: That is Bob Dylan. It's actually nine inch now. Oh

568
00:29:33,640 --> 00:29:40,000
Speaker 1: that's right. That's a lot different. But that he does,

569
00:29:40,160 --> 00:29:42,960
Speaker 1: that's note do it? Yeah? Alright, that's good. An easier

570
00:29:43,000 --> 00:29:47,680
Speaker 1: one here from twenty thirteen, here's Darius Rucker Wagon Wheel

571
00:29:59,040 --> 00:30:05,720
Speaker 1: was covered. Who's the original artist? Amy's accept two different

572
00:30:05,800 --> 00:30:08,400
Speaker 1: artists here? I love it. Yeah, I'll accept two different

573
00:30:08,440 --> 00:30:10,680
Speaker 1: artists here. I don't know it, you don't, you don't

574
00:30:10,760 --> 00:30:17,320
Speaker 1: know it? I Amy, this is what do you have? Shannandoah? Amy?

575
00:30:17,640 --> 00:30:19,960
Speaker 1: Pretty sure one of my neighbors was in this band

576
00:30:20,040 --> 00:30:23,280
Speaker 1: at one time. O Crow Medicine show. He's in this band.

577
00:30:23,360 --> 00:30:24,960
Speaker 1: He's in this band, is what I mean. He's an

578
00:30:25,000 --> 00:30:27,720
Speaker 1: old neighbor of mine. I mean from two thousand and four,

579
00:30:28,480 --> 00:30:36,080
Speaker 1: Old Crow Medicine. They actually finished the song. Bob Dylan

580
00:30:36,160 --> 00:30:38,240
Speaker 1: had this on a random recording and didn't finish it,

581
00:30:38,320 --> 00:30:40,840
Speaker 1: and they finished it, and it was that song. Should

582
00:30:40,840 --> 00:30:42,719
Speaker 1: have guess Bob Dylan again shout it. Yeah. I think

583
00:30:42,720 --> 00:30:45,280
Speaker 1: I'm gonna stick with him in the Rue zero. I mean,

584
00:30:45,960 --> 00:30:47,720
Speaker 1: here's the thing. I have no idea that any of

585
00:30:47,760 --> 00:30:51,640
Speaker 1: these are covers really excepver. I knew that one was Lunchbox.

586
00:30:51,640 --> 00:30:53,280
Speaker 1: You gotta come through. I got this one. Just give

587
00:30:53,320 --> 00:30:56,560
Speaker 1: it to me. From two thousand and fifteen Chris Stapleton,

588
00:30:56,640 --> 00:31:12,920
Speaker 1: Tennessee Whiskey. I just feel like it's gonna be a

589
00:31:12,960 --> 00:31:16,080
Speaker 1: one to nothing game. I agree, And we've already got

590
00:31:16,120 --> 00:31:18,080
Speaker 1: the one. I know. That's what stinks for me. And

591
00:31:18,120 --> 00:31:23,040
Speaker 1: I'm gonna Eddie ten Bucks. I don't guess Bob Dylan.

592
00:31:23,120 --> 00:31:25,960
Speaker 1: I didn't. Okay, No, wran Hey, you don't tell him that.

593
00:31:26,040 --> 00:31:32,120
Speaker 1: I'd already Amy George Jones, George Jones, lunch Box, Johnny

594
00:31:32,200 --> 00:31:35,720
Speaker 1: cash Well. The original was by David Allan Co in

595
00:31:35,840 --> 00:31:41,520
Speaker 1: nineteen eighty one. Now George Jones covered it. Hurry you

596
00:31:41,640 --> 00:31:46,360
Speaker 1: can't give it you no, No. The difference is those

597
00:31:46,440 --> 00:31:49,080
Speaker 1: first two wrote it. It was their original song. This

598
00:31:50,160 --> 00:31:54,600
Speaker 1: George Jones covered David allen Co's. So there's multiple covers

599
00:31:54,640 --> 00:31:57,680
Speaker 1: of the originals. Okay, Amy, good job though, that was good.

600
00:31:57,800 --> 00:32:02,480
Speaker 1: Thank you. Okay, I mean you're not You're for sure

601
00:32:02,600 --> 00:32:05,320
Speaker 1: not gonna get this on either box. No chance, No,

602
00:32:06,200 --> 00:32:08,240
Speaker 1: there's not give me a chance, buns. Well give me

603
00:32:08,400 --> 00:32:10,000
Speaker 1: one that I know. You don't know any of them? No,

604
00:32:10,120 --> 00:32:12,120
Speaker 1: I do I know one? Which one do you know?

605
00:32:12,560 --> 00:32:15,959
Speaker 1: Thinks you chicks? Which one that's liet know the name

606
00:32:15,960 --> 00:32:17,560
Speaker 1: of the song? He's like, I know if you played

607
00:32:17,640 --> 00:32:21,400
Speaker 1: I know it? And then who's Fleetwood Mac with Stevie Nicks?

608
00:32:21,600 --> 00:32:23,520
Speaker 1: Was that on their bones? No? Okay, that's all I

609
00:32:23,560 --> 00:32:26,000
Speaker 1: want to know. Not even in a tie breaker. Okay,

610
00:32:26,160 --> 00:32:28,400
Speaker 1: here's a number five. When you say nothing at all

611
00:32:28,440 --> 00:32:32,520
Speaker 1: from Alison Cross and Union Station, your face lets me

612
00:32:32,880 --> 00:32:39,560
Speaker 1: know that you need there's a truth saying you never

613
00:32:43,480 --> 00:32:48,800
Speaker 1: says when is this nineteen ninety four? This was from

614
00:32:48,880 --> 00:32:51,720
Speaker 1: ninety four. Dang, and I was gonna go someone not

615
00:32:51,840 --> 00:32:56,640
Speaker 1: even a Carly Pierce. Well, no, she should have been like,

616
00:32:56,920 --> 00:33:01,320
Speaker 1: who are you thinking? Nineteen ninety four? This cover was

617
00:33:01,320 --> 00:33:03,440
Speaker 1: in nineteen ninety four. The original, though, was before that.

618
00:33:06,120 --> 00:33:11,720
Speaker 1: All right, Amy, you got it? Amy? Yeah? Prince what Amy?

619
00:33:12,360 --> 00:33:16,600
Speaker 1: Lunch bucks? Pat's decline? Okay is that a person? Yeah? Yeah,

620
00:33:16,920 --> 00:33:28,480
Speaker 1: Keith Whitley, that's it? One zero? What would have been

621
00:33:28,520 --> 00:33:30,640
Speaker 1: the time breaker? Maybe I can come back, okay, Morgan

622
00:33:30,760 --> 00:33:38,600
Speaker 1: wall and cover me up from twenty nineteen, nor to

623
00:33:38,920 --> 00:33:42,400
Speaker 1: use me for good? I don't know this one. The

624
00:33:42,440 --> 00:33:47,440
Speaker 1: original done a twenty thirteen say to We're not too

625
00:33:48,480 --> 00:33:55,120
Speaker 1: twenty thirteen. Okay, Hinder, Hinder looks have an angel, Amy,

626
00:33:55,640 --> 00:34:04,880
Speaker 1: I'll sit Jason Isbell No, no, not at all, No,

627
00:34:06,240 --> 00:34:10,319
Speaker 1: no no, They sing into a microphone. That's the only

628
00:34:10,400 --> 00:34:13,080
Speaker 1: similarity to the vibe there. Amy, you wouldn't wanted nothing.

629
00:34:19,320 --> 00:34:23,680
Speaker 1: I mean that was impossible. Zero, Eddie, come on, payoff bones.

630
00:34:24,400 --> 00:34:27,719
Speaker 1: I'll just ben. What do you mean just the twenty

631
00:34:27,760 --> 00:34:31,080
Speaker 1: I see it? Twenty there? I apologize, Bobby, that was sorry.

632
00:34:31,880 --> 00:34:35,640
Speaker 1: That's all right? All right, Spring is officially here, and

633
00:34:35,640 --> 00:34:38,000
Speaker 1: if you've been putting off getting the lawn ready, it's

634
00:34:38,040 --> 00:34:40,160
Speaker 1: time to jump on it and see my friends at

635
00:34:40,200 --> 00:34:43,319
Speaker 1: Tractor Supply. They are here to help you out. Whether

636
00:34:43,360 --> 00:34:46,320
Speaker 1: you're looking to fully redo your yard or upgrade a

637
00:34:46,320 --> 00:34:48,760
Speaker 1: few items, or you just need some new tools, Tractor

638
00:34:48,800 --> 00:34:51,200
Speaker 1: Supply has you covered. Hey guys, it's Bobby Bones. I

639
00:34:51,320 --> 00:34:54,680
Speaker 1: love Tractor Supply. They have great values for your lawn

640
00:34:54,880 --> 00:34:58,560
Speaker 1: and backyard to help you with spring. With a great

641
00:34:58,600 --> 00:35:04,280
Speaker 1: selection on things lie Mower's zero turns, mulch, plants, garden tools,

642
00:35:04,560 --> 00:35:08,919
Speaker 1: also grills, furniture for your outdoor spaces. Tractor Supply has

643
00:35:09,000 --> 00:35:12,600
Speaker 1: it all. Trusted brands too, like cup Cadet, Scott's Miracle Grow,

644
00:35:12,960 --> 00:35:16,120
Speaker 1: black Stone grills and more. If you're looking to go green,

645
00:35:16,400 --> 00:35:18,960
Speaker 1: I recommend you check out their exclusive green Works Pro

646
00:35:19,239 --> 00:35:21,719
Speaker 1: battery powered lawn tools that will help you save on

647
00:35:21,840 --> 00:35:25,200
Speaker 1: your gas bill. Okay, any questions or you need some

648
00:35:25,360 --> 00:35:28,040
Speaker 1: help while your Attractors Supply, You're gonna love the staff.

649
00:35:28,200 --> 00:35:32,600
Speaker 1: They're friendly, helpful, and extremely knowledgeable. Shop now online, in

650
00:35:32,760 --> 00:35:35,839
Speaker 1: store and on the Tractor Supply app. Here's the riddle

651
00:35:35,920 --> 00:35:39,560
Speaker 1: for you. Ready. Shelby and this is a true story.

652
00:35:40,719 --> 00:35:44,399
Speaker 1: Is one of a set of triplets. Okay, triplets are three. Yep,

653
00:35:45,360 --> 00:35:49,080
Speaker 1: she's twenty eight, but her two sisters are both thirty two,

654
00:35:49,960 --> 00:35:54,160
Speaker 1: So she's a triplet. She's twenty eight her sisters or

655
00:35:54,239 --> 00:35:57,560
Speaker 1: thirty two. How because the other set of the the

656
00:35:57,680 --> 00:36:02,160
Speaker 1: rest of her triplets are brothers. Why would that matter?

657
00:36:02,840 --> 00:36:05,640
Speaker 1: I don't know if you figured they weren't mentioned, like, no,

658
00:36:06,440 --> 00:36:07,920
Speaker 1: they're all they're all there. There's all three of them.

659
00:36:08,040 --> 00:36:11,560
Speaker 1: Dang it. Okay, she's twenty eight, but her two sisters

660
00:36:11,640 --> 00:36:14,000
Speaker 1: that are also as part of the triplets are thirty two.

661
00:36:18,040 --> 00:36:25,280
Speaker 1: She's twenty eight and they're thirty two. How does that happen? Hmm?

662
00:36:26,640 --> 00:36:29,040
Speaker 1: Is it too long to say? One more time? Okay,

663
00:36:29,080 --> 00:36:31,480
Speaker 1: say it again for you two one more time? Thank you? Now,

664
00:36:31,560 --> 00:36:35,640
Speaker 1: these three, all these sisters, they're triplets. There's no these three. Yeah,

665
00:36:35,800 --> 00:36:38,880
Speaker 1: there's no joke with the words. There's semantics. Not the

666
00:36:39,040 --> 00:36:43,320
Speaker 1: riddle here. Okay, three of them they're triplets. Two of

667
00:36:43,400 --> 00:36:49,879
Speaker 1: them are thirty two. She's twenty eight. How talking about

668
00:36:49,880 --> 00:36:52,600
Speaker 1: Amy Eddie? No, man, my head hurts right now. What

669
00:36:52,680 --> 00:36:55,080
Speaker 1: do you think it is that there are more triplets?

670
00:36:55,160 --> 00:36:56,960
Speaker 1: That's a triplets? How is she part of this set?

671
00:36:57,360 --> 00:37:00,040
Speaker 1: He said? Semantics not part of the deal. Parents she

672
00:37:00,120 --> 00:37:04,200
Speaker 1: used in Vitro fertilization to give birth to the sisters,

673
00:37:04,280 --> 00:37:07,799
Speaker 1: and so the same you know, because you can save eggs. Yeah,

674
00:37:09,360 --> 00:37:13,279
Speaker 1: got it. Ye, So they went and had hers four

675
00:37:13,400 --> 00:37:16,680
Speaker 1: years later. That's cool. So Shelby against one of the

676
00:37:16,719 --> 00:37:19,080
Speaker 1: set of triplets. She's twenty eight, her sisters with thirty two.

677
00:37:19,320 --> 00:37:21,839
Speaker 1: Shelby says her parents used in vitro to give birth

678
00:37:21,880 --> 00:37:24,319
Speaker 1: to her sisters and then decided to try again four

679
00:37:24,400 --> 00:37:27,200
Speaker 1: years later, and they only use half the embryos for

680
00:37:27,280 --> 00:37:29,240
Speaker 1: her sisters. So four years later they gave it another

681
00:37:29,280 --> 00:37:34,040
Speaker 1: run and baboom, badem. There you go. She same batch born.

682
00:37:34,239 --> 00:37:36,239
Speaker 1: Do you just tell everyone you're still a triplet? Or

683
00:37:36,280 --> 00:37:38,279
Speaker 1: do you just say those are my sisters? Those are

684
00:37:38,760 --> 00:37:41,280
Speaker 1: I think if you have the time, you tell the story,

685
00:37:41,400 --> 00:37:43,960
Speaker 1: whole story, if it's quick, they're just my sisters. Yeah,

686
00:37:44,000 --> 00:37:47,040
Speaker 1: but they may look at you very much the same. Wow.

687
00:37:47,640 --> 00:37:50,080
Speaker 1: So yes, Shelby and her sisters were conceived at the

688
00:37:50,120 --> 00:37:53,279
Speaker 1: same time but born four years apart. So that's an

689
00:37:53,280 --> 00:37:56,360
Speaker 1: interesting little story there a little and they look not

690
00:37:57,200 --> 00:37:59,919
Speaker 1: they don't look identical, any of them, so she could

691
00:38:00,040 --> 00:38:01,759
Speaker 1: just say sisters and nobody would know. So I thought

692
00:38:01,800 --> 00:38:04,640
Speaker 1: that one was pretty crazy. Yeah, I'm not impressed by

693
00:38:04,680 --> 00:38:07,680
Speaker 1: you guys. Riddle skills still hurts a little bit. I

694
00:38:07,760 --> 00:38:09,600
Speaker 1: here's one of bride and a groom flipped a coin

695
00:38:09,680 --> 00:38:11,840
Speaker 1: to see who would take whose last name, which I

696
00:38:11,920 --> 00:38:14,080
Speaker 1: think is pretty funny. But it is funny non traditional

697
00:38:14,160 --> 00:38:16,920
Speaker 1: way of deciding whose last name they're gonna take. A

698
00:38:17,040 --> 00:38:19,840
Speaker 1: friend of the newlyweds, Elyssa Danielle, shared that the couple

699
00:38:20,000 --> 00:38:22,040
Speaker 1: used a coin toss and I'd have to like best

700
00:38:22,080 --> 00:38:23,399
Speaker 1: out of seven. I couldn't do it on a wall.

701
00:38:23,600 --> 00:38:25,080
Speaker 1: We were gonna do this, No way we do it

702
00:38:25,120 --> 00:38:27,160
Speaker 1: at one flip. It'd be over too quick. So they

703
00:38:27,239 --> 00:38:30,279
Speaker 1: flipped a coin at the altar one coin flip and

704
00:38:30,360 --> 00:38:32,799
Speaker 1: decided right there whose last name they We're gonna talk? Wow,

705
00:38:33,320 --> 00:38:36,560
Speaker 1: and you don't have to be agree with whatever. The

706
00:38:36,600 --> 00:38:39,319
Speaker 1: sisters still not acknowledge it is a pretty funny story. Yeah,

707
00:38:39,440 --> 00:38:41,600
Speaker 1: But do you think it's similar to the Baby Reveals,

708
00:38:41,719 --> 00:38:44,719
Speaker 1: where you know the guy wants the boy and then

709
00:38:44,760 --> 00:38:47,640
Speaker 1: he has to act all oided but he's disappointed. Well,

710
00:38:47,640 --> 00:38:49,160
Speaker 1: I would say it's a little different in that he

711
00:38:49,200 --> 00:38:51,359
Speaker 1: can actually act disappointed here and people don't go that's

712
00:38:51,360 --> 00:38:53,520
Speaker 1: insensitive because you can be like, oh, man, I'm losing

713
00:38:53,560 --> 00:38:55,440
Speaker 1: my last name and you still take it like a

714
00:38:55,520 --> 00:38:58,320
Speaker 1: baby's another lives and I feel like, dang it, I

715
00:38:58,400 --> 00:39:00,879
Speaker 1: didn't want a girl like dude, you can't do that. Yeah,

716
00:39:01,000 --> 00:39:03,239
Speaker 1: your daughter's going to see that. Yes, it's I think

717
00:39:03,280 --> 00:39:07,920
Speaker 1: it's more widely accepted if he's upset about that. Here's

718
00:39:07,920 --> 00:39:11,840
Speaker 1: a voicemail from Rachel in Wisconsin. Me and my fiance

719
00:39:11,960 --> 00:39:15,880
Speaker 1: are having a debate how long should you wear underwear for?

720
00:39:16,520 --> 00:39:19,279
Speaker 1: He has warned the same pair this is his first

721
00:39:19,320 --> 00:39:22,279
Speaker 1: time changing his underwear this whole weekend and I am

722
00:39:22,440 --> 00:39:26,600
Speaker 1: real Paul, So just wondering what the teams feedback is.

723
00:39:27,440 --> 00:39:30,040
Speaker 1: Thanks everyone. Let's take out working out. If you work out,

724
00:39:30,080 --> 00:39:31,239
Speaker 1: you got to change. Like any of the things that

725
00:39:31,280 --> 00:39:33,680
Speaker 1: can happen today, you really have from wake up to

726
00:39:33,760 --> 00:39:37,239
Speaker 1: go to bed, that's it. After you shower at night,

727
00:39:37,320 --> 00:39:39,440
Speaker 1: you gotta put on fresh underwear and then you can

728
00:39:39,520 --> 00:39:41,800
Speaker 1: wear those until it's time to change again. So usually

729
00:39:41,800 --> 00:39:44,640
Speaker 1: the cycle is about twenty four hours for one pair.

730
00:39:45,040 --> 00:39:46,799
Speaker 1: If you do anything like hang out in the sun,

731
00:39:47,760 --> 00:39:51,520
Speaker 1: swing athletic, we don't swim an underwear if you do change,

732
00:39:51,600 --> 00:39:54,040
Speaker 1: so anything physical you have to change early. But it's

733
00:39:54,120 --> 00:39:56,560
Speaker 1: one pair per one day is what I would say.

734
00:39:56,840 --> 00:39:58,759
Speaker 1: Some people like lunchboxs will just turn his around and

735
00:39:58,840 --> 00:40:00,760
Speaker 1: get double the use. Yeah, you can turn them inside

736
00:40:00,880 --> 00:40:03,480
Speaker 1: out because that part is not dirty. So you get

737
00:40:03,560 --> 00:40:05,960
Speaker 1: forty eight hours, maybe seventy two if you really need it.

738
00:40:06,080 --> 00:40:08,120
Speaker 1: And Eddie, if you go swimming in it, it's getting clean.

739
00:40:08,160 --> 00:40:10,520
Speaker 1: It's going through the washing machine. And also turning it

740
00:40:10,560 --> 00:40:12,840
Speaker 1: around doesn't pull off the germs and it's actually the

741
00:40:12,920 --> 00:40:15,800
Speaker 1: same fat. Okay, but twenty four hours is what I

742
00:40:15,840 --> 00:40:18,160
Speaker 1: would say. All right, Here is another voicemail from last night.

743
00:40:18,520 --> 00:40:23,200
Speaker 1: I Harvard joke for Amy, what do you fillow wiches

744
00:40:23,880 --> 00:40:31,479
Speaker 1: A boom the sandwich? Introducing the first ever Hyunday Ionic five.

745
00:40:31,880 --> 00:40:33,560
Speaker 1: This thing has all the tech you would ever want.

746
00:40:33,760 --> 00:40:37,000
Speaker 1: It's fully electric inside and out. Your journey at its

747
00:40:37,080 --> 00:40:41,920
Speaker 1: most evolved. The Hyunday Ionic five extremely limited availability available

748
00:40:41,960 --> 00:40:44,719
Speaker 1: in select states. Only contact your Hunday dealer for availability

749
00:40:44,760 --> 00:40:50,920
Speaker 1: to tells your Amy's pile of stories. A new study

750
00:40:51,040 --> 00:40:53,480
Speaker 1: just came out saying that half of us engage in

751
00:40:53,560 --> 00:40:57,479
Speaker 1: at least one form of road rage, but one group

752
00:40:57,520 --> 00:40:59,880
Speaker 1: of people in particular is more likely to do it,

753
00:41:00,200 --> 00:41:02,640
Speaker 1: and it's people with kids. Oh, well that would be

754
00:41:02,719 --> 00:41:05,760
Speaker 1: the people. Do you want to do it the least

755
00:41:06,360 --> 00:41:09,440
Speaker 1: because they're endangering their kids? Right exactly. But my thought

756
00:41:09,480 --> 00:41:11,440
Speaker 1: on this is that you're more passionate because you have

757
00:41:11,600 --> 00:41:14,080
Speaker 1: precious cargo, so you get angry at people that are

758
00:41:14,160 --> 00:41:16,560
Speaker 1: threatening their safety. So you have road rage or your

759
00:41:16,600 --> 00:41:18,959
Speaker 1: kids are driving you crazy, and you're already on edge, yes,

760
00:41:19,480 --> 00:41:22,160
Speaker 1: and you are closer to road rage than other folks,

761
00:41:22,280 --> 00:41:24,680
Speaker 1: and then you go right to it. Let's check in

762
00:41:24,719 --> 00:41:27,640
Speaker 1: with our resident road rage expert Eddie. Guys, I think

763
00:41:27,680 --> 00:41:29,720
Speaker 1: you're half right, Like it's a little bit of everything.

764
00:41:29,840 --> 00:41:31,600
Speaker 1: I think we have precious cargo in the back. So

765
00:41:31,680 --> 00:41:35,200
Speaker 1: you're like, hey, don't drive dangerously relax like I need.

766
00:41:35,280 --> 00:41:36,520
Speaker 1: I'm going to be the one to tell you that.

767
00:41:36,800 --> 00:41:41,640
Speaker 1: And also yes, like I'm sticking up for them. So yeah,

768
00:41:41,760 --> 00:41:44,520
Speaker 1: now you're just at a control race. Okay, Well, since

769
00:41:44,560 --> 00:41:46,320
Speaker 1: we do have a resident road ranger, I was just

770
00:41:46,400 --> 00:41:48,000
Speaker 1: going to run through the top things people do, and

771
00:41:48,160 --> 00:41:50,520
Speaker 1: Eddie can say yay nay if he knows them. Shouting

772
00:41:50,600 --> 00:41:54,520
Speaker 1: or laying on your horn, m yeah, criticizing or threatening

773
00:41:54,600 --> 00:41:56,960
Speaker 1: gesture like giving someone the finger, no, no, no no,

774
00:41:57,560 --> 00:42:00,759
Speaker 1: but any gesture that's a jest, chams up in the yeah, okay,

775
00:42:01,200 --> 00:42:06,320
Speaker 1: tailgating someone on purpose sometimes yeah, cutting someone off or

776
00:42:06,360 --> 00:42:11,000
Speaker 1: blocking them from merging, absolutely, Oh my gosh, chasing another driver,

777
00:42:11,400 --> 00:42:14,799
Speaker 1: no way, done it before. Oh okay, I'm getting out

778
00:42:14,800 --> 00:42:18,440
Speaker 1: of your car to confront. No, even if you're mad,

779
00:42:18,640 --> 00:42:20,880
Speaker 1: you'll get done. It. Don't matter who it is. Long nails.

780
00:42:20,920 --> 00:42:24,959
Speaker 1: They might be trendy right now, but they're also very unhygienic.

781
00:42:25,239 --> 00:42:28,879
Speaker 1: A biology professor shared that super long finger nails, whether

782
00:42:28,960 --> 00:42:32,480
Speaker 1: they are real or fake, attract a lot of bacteria

783
00:42:32,680 --> 00:42:36,239
Speaker 1: and they're difficult to decontaminate with hand washing. So heads

784
00:42:36,320 --> 00:42:38,160
Speaker 1: up if you've taken a part of this trend. I

785
00:42:38,200 --> 00:42:40,759
Speaker 1: have not, so my heads down, but I appreciate that.

786
00:42:41,040 --> 00:42:42,200
Speaker 1: I know a lot of girls that have. And you

787
00:42:42,320 --> 00:42:44,319
Speaker 1: just have to like scrub really really good because you're

788
00:42:44,360 --> 00:42:46,080
Speaker 1: carrying a lot of things in there. I'm personally trying

789
00:42:46,120 --> 00:42:47,560
Speaker 1: to grow mine out to be a part of this

790
00:42:47,680 --> 00:42:51,200
Speaker 1: trend and the three years ago, after looking at your hands. Yes,

791
00:42:51,800 --> 00:42:55,520
Speaker 1: Casey Musgraves once asked Willie Nelson if her grandfather could

792
00:42:55,560 --> 00:42:58,480
Speaker 1: play at one of his poker nights, And here she

793
00:42:58,760 --> 00:43:01,440
Speaker 1: is telling the story. I said, Hey, would you mind

794
00:43:01,480 --> 00:43:03,560
Speaker 1: if I brought my grandpa to complay in poker. So

795
00:43:03,640 --> 00:43:05,399
Speaker 1: he said, sure, sure, bring him down, but the buy

796
00:43:05,480 --> 00:43:08,120
Speaker 1: in is going to be three hundred dollars cash. We went.

797
00:43:08,480 --> 00:43:12,000
Speaker 1: It was Woody Harrelson, Willie my grandpa. They get going

798
00:43:12,040 --> 00:43:13,960
Speaker 1: in the game or whatever. He loses all of his

799
00:43:14,080 --> 00:43:17,320
Speaker 1: money and then he eventually wins it all back, and

800
00:43:17,440 --> 00:43:19,160
Speaker 1: then he stood up and said, well, I gotta go,

801
00:43:19,280 --> 00:43:21,520
Speaker 1: and he like ended on a high note. And then

802
00:43:21,560 --> 00:43:23,200
Speaker 1: he went back to his little town in Texas, and

803
00:43:23,280 --> 00:43:24,799
Speaker 1: apparently he was the talk of the town and all

804
00:43:24,880 --> 00:43:27,680
Speaker 1: his friends were super jealous. All right, I mean that's

805
00:43:27,760 --> 00:43:33,120
Speaker 1: my file. That was Amy's pile of stories. Are you

806
00:43:33,200 --> 00:43:35,880
Speaker 1: looking to cut costs for your small business With stamps

807
00:43:35,920 --> 00:43:38,520
Speaker 1: dot com. You'll pay less to mail and ship thanks

808
00:43:38,560 --> 00:43:42,200
Speaker 1: to exclusive discounts with ups and usps. Sign up at

809
00:43:42,280 --> 00:43:45,360
Speaker 1: stamps dot com today using the promo code Bones. You

810
00:43:45,400 --> 00:43:47,480
Speaker 1: get a four week trial, plus free postage and a

811
00:43:47,600 --> 00:43:56,320
Speaker 1: digital scale. Kid's time for the Good News Lunchbox. Brian

812
00:43:56,480 --> 00:43:59,320
Speaker 1: Davis of and Over, Minnesota had always wanted to have

813
00:43:59,400 --> 00:44:01,480
Speaker 1: a paypall in his yard, a pay phones or a

814
00:44:01,560 --> 00:44:03,800
Speaker 1: thing in the past. He's like, how funny would it be?

815
00:44:03,880 --> 00:44:06,160
Speaker 1: To put one up. So last September he's like, you

816
00:44:06,239 --> 00:44:08,960
Speaker 1: know what built it? Put the payphone up cost him

817
00:44:09,000 --> 00:44:11,440
Speaker 1: twenty bucks a month for the phone bill. And then

818
00:44:11,520 --> 00:44:14,000
Speaker 1: there's a little boy a couple of weeks ago, wanders

819
00:44:14,040 --> 00:44:18,279
Speaker 1: away from grandpa, gets lost, sees the payphone, walks up,

820
00:44:18,320 --> 00:44:21,040
Speaker 1: calls nine one one, says, oh, yeah, I wondered from

821
00:44:21,080 --> 00:44:22,799
Speaker 1: my grandpa's and I don't know how to get home.

822
00:44:23,080 --> 00:44:26,360
Speaker 1: So the payphone reunited him with his grandpa. Love it?

823
00:44:26,600 --> 00:44:29,719
Speaker 1: Surprise he knew it that alien was yeah, I mean

824
00:44:29,760 --> 00:44:32,160
Speaker 1: I guess, but because even the handle, it's a kid.

825
00:44:32,520 --> 00:44:35,960
Speaker 1: The handle doesn't look like a phone. Now that keep

826
00:44:36,040 --> 00:44:40,680
Speaker 1: the dial pad, well, there's yeah, the pad. That's good

827
00:44:40,719 --> 00:44:42,520
Speaker 1: for him. Maybe there's one of his house or something.

828
00:44:43,040 --> 00:44:44,560
Speaker 1: I have no idea how he knew how to use it,

829
00:44:44,640 --> 00:44:46,600
Speaker 1: but it literally was a payphone in this guy's front

830
00:44:46,640 --> 00:44:48,400
Speaker 1: yard and people from all overcome to see it. And

831
00:44:48,480 --> 00:44:50,799
Speaker 1: this kid walked up dial nine one one. So what's

832
00:44:50,840 --> 00:44:53,279
Speaker 1: up guy's payphone? At satuation? I don't know. One of

833
00:44:53,320 --> 00:44:55,160
Speaker 1: my neighbors has a pay phone in their front yard

834
00:44:55,239 --> 00:44:56,719
Speaker 1: and I wonder if it works. What do you mean

835
00:44:56,719 --> 00:44:58,759
Speaker 1: they have it? It's like an old booth one like

836
00:44:58,840 --> 00:45:01,799
Speaker 1: a red booth and London style. Yeah like that. I'm

837
00:45:01,800 --> 00:45:03,840
Speaker 1: gonna go see if it works. That's a good story, lunchbox,

838
00:45:04,000 --> 00:45:07,040
Speaker 1: that's what it's all about. That was telling me something good.