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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you from one full

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Speaker 1: episode of Disgraceland to the other, the backyard to dig

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Speaker 1: into the dirt. On this episode, we are talking about

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Speaker 1: Willie Nelson, Moore on the New bad Land season, Nick Caves,

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Speaker 1: Bunny Monroe, William Hurts, body heat, and of course your voicemails, texts,

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Speaker 1: dms and more, and as always, a whole lot of Rosie.

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Speaker 1: All Right, Discos, let's get into it. Greetings and salutations

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Speaker 1: Disgraceland listeners. Willie Nelson he once said that the early

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Speaker 1: bird gets the worm, but the second mouse gets the cheese.

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Speaker 1: I have no idea what that means, but if you

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Speaker 1: listen to our latest episodes on Willie Nelson, you'll hear

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Speaker 1: me make mention in our intro of quote sat on

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Speaker 1: the inside cheese unquote in reference to Smokey Robinson in

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Speaker 1: the Miracles number one song Tears of a Clown from

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Speaker 1: December twenty third, nineteen seventy. Smokey Robinson is an interesting

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Speaker 1: artist to compare to Willie Nelson. They're both assassin level

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Speaker 1: songwriters who became performers. They're both of the same generation.

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Speaker 1: Willie's a little bit older. He was born in nineteen

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Speaker 1: thirty three and Smokey was born in nineteen forty. Willie

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Speaker 1: turns ninety this week. By the way, Happy birthday, Willie Nelson.

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Speaker 1: They're both still kicking it and they both still look great.

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Speaker 1: In doing about four seconds of research prior to jumping

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Speaker 1: on the mic here, I learned that Smokey Robinson has

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Speaker 1: written more than four thousand songs, dozens of which landed

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Speaker 1: in the top forty. Willie, on the other hand, has

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Speaker 1: written more than twenty five hundred songs himself, twenty five hundred.

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Speaker 1: Not quite four thousand, but twenty five hundred. That's a

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Speaker 1: good clip. One hundred and twelve of those hit Billboard's

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Speaker 1: Top Country chart, which is not the same as the

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Speaker 1: Top forty chart. Willie, though, is iconic, and you know

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Speaker 1: what I mean, it's you know, Smokey really isn't it

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Speaker 1: Willie Nelson. You show us picture to most anyone, they're

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Speaker 1: going to know, I mean, even they don't know anything

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Speaker 1: about music, they're going to know who Willie Nelson is.

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Speaker 1: It's not really the same with Smokey Robinson. But of

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Speaker 1: course the most important difference between Smokey Robinson and Willie Nelson. Willie,

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Speaker 1: as I said earlier, has recently been featured in two

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Speaker 1: episodes of Disgraceland, and Smokey Robinson, as of this date,

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Speaker 1: has not been featured in Disgraceland, though he does make

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Speaker 1: appearances in the Marvin Gay and in the Motown episodes,

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Speaker 1: and I think he may most likely I can't remember,

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Speaker 1: but he probably shows up in the Temptations episode as well.

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Speaker 1: I'm guessing I can't remember, but there's a reason for this.

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Speaker 1: It's most likely because we have a podcast about music

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Speaker 1: and true crime. Outlaws get preference, and Willie Nelson was

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Speaker 1: famously that in Outlaw in image and in action, the

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Speaker 1: shootouts and the fires and nearly becoming a member of

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Speaker 1: the twenty seven Club, all this outlaw behavior, it's depicted

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Speaker 1: in our recent episodes on Willie. It's fun to recount,

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Speaker 1: it's a blast to write about and to talk about

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Speaker 1: and to create music around. But it should also be

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Speaker 1: said that when it comes to songwriting, Willie Nelson was

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Speaker 1: also an outlaw. He was bad ass. These songs, you know,

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Speaker 1: I can't tell. I can't tell if they're as weird

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Speaker 1: as I think they are, or if we've just accepted

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Speaker 1: the weirdness because he's Willie Nelson and we've heard these

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Speaker 1: songs all our lives, those of us who are fans

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Speaker 1: of music. But Willy didn't as most of you know

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Speaker 1: or don't. I don't know. I don't know what your

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Speaker 1: history level is on Willie Nelson, but will he didn't

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Speaker 1: truck with convention, not when it came to his songs,

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Speaker 1: not in sound, not in structure. Willie's songs they're cannon now,

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Speaker 1: like I said, but back when he hit the scene,

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Speaker 1: his phrasing, his production, his presentation, all of it was

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Speaker 1: totally unique. And that type of originality it doesn't always

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Speaker 1: break through, but thank God for Willie Nelson that it did.

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Speaker 1: We get into this and these two episodes on Willie,

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Speaker 1: which I highly encourage you to check out if you

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Speaker 1: haven't already, and later in this bonus episode, I'm gonna

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Speaker 1: get a bit more into Willie's music, specifically into one

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Speaker 1: group of songs in particular, when I do the recommendations

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Speaker 1: in the meantime, though, Shotgun Willie awaits you in your

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Speaker 1: disgrace Land feed go check that out. As of yet,

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Speaker 1: no Smokey Robinson episode, but who knows, maybe sometime soon.

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Speaker 1: But like I said, we got Marvin Gaye, we got

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Speaker 1: the Motown, we got the Temptations. You can check that out.

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Speaker 1: We've also we have previously released episodes on Jazz Great

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Speaker 1: Chet Baker, one of my favorite bands of all time,

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Speaker 1: The Misfits, and The Grateful Dead's Ron pig Pen McKernin.

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Speaker 1: Those are in your feed now. Pig Pen, like Willie Nelson,

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Speaker 1: also a bit of an outlaw Grateful Dead fans and

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Speaker 1: non Dead fans. If you're looking for a tribute to

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Speaker 1: the rough and the rowdy ways of Americana music of

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Speaker 1: a peek into those Alan Lomax and Harry Smith Bad

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Speaker 1: bad Man days, the brawlers who wrote and sang both

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Speaker 1: the ballads and the breakdowns that led to the best

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Speaker 1: blues and the best country music of the twentieth century,

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Speaker 1: then check out My Ballad to pig Pen in Disgraceland,

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Speaker 1: you will not be disappointed. So our onslaught of content

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Speaker 1: continues for the next week with episodes on Selena and

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Speaker 1: we got an episode on Chuck Berry and then no

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Speaker 1: new Disgraceland episode next week. And that's because we're releasing

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Speaker 1: our new season of bad Lands on May third, and

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Speaker 1: I want to give that series a week to kind

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Speaker 1: of be its own thing, to breathe. To get you

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Speaker 1: guys into the bad Lands Feed. Get you listening to

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Speaker 1: the premiere, the season premiere episode on Richard Pryor, which

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Speaker 1: we're all very excited about over here at Double Elvis.

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Speaker 1: So please, if you have not already, please go to

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Speaker 1: the Badlands Feed and subscribe. Get ready for that new

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Speaker 1: episode on Richard Pryor. We also got episodes on James Dean,

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Speaker 1: Carrie Fisher, Will Smith, many more coming in this season.

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Speaker 1: It's gonna be awesome. We've also got a new bad

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Speaker 1: Lands bonus episode called The Rap Party, not the after Party,

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Speaker 1: the Rap Party. See what I did there. Yeah, I'm

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Speaker 1: not that smart. I pretend to be, but I'm really not.

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Speaker 1: The Rap Party it will be different than this after party.

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Speaker 1: It'll be I don't know, I haven't quite got it

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Speaker 1: figure it out yet, but I promise you within the

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Speaker 1: next two weeks I will, And we're gonna have the

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Speaker 1: movie content that we're doing here in the recommendation side

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Speaker 1: of the after Party, We're gonna have that over on

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Speaker 1: Rap Party exclusively, but we're also gonna have some other

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Speaker 1: stuff over there. It's gonna be a totally different show

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Speaker 1: than this. Point is. Go subscribe to Badlands if you

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Speaker 1: have not already. That's where you're gonna get all that

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Speaker 1: bad Lands content. More on all this later, but first

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Speaker 1: a quick break. All right, all right, all right, Willie

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Speaker 1: Nelson did not call six one seven nine zero six

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Speaker 1: sixty six three eight this week and leave me a voicemail,

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Speaker 1: but this very polite listener from the seven to seven did,

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Speaker 1: and this is what he had to say.

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Speaker 2: Hey, I just wanted to say thanks for uploading the

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Speaker 2: old episodes. I really loved him when they came out

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Speaker 2: and I was on board. I wasn't able to find

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Speaker 2: them again. So I've been enjoying really going back through those.

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Speaker 1: Yeah. I have to make a.

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Speaker 2: Lot of long drive work and this show. It keeps

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Speaker 2: me entertained and I learned and stuff without smartest that

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Speaker 2: I love so yeah, thank you. You're doing you're doing

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Speaker 2: good work. Bye.

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Speaker 1: Why thank you seven two seven. For those of you

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Speaker 1: who don't know, like my mom, I saw my mom

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Speaker 1: at my niece's birthday party yesterday and over the weekend,

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Speaker 1: I should say. And guys, my mom she's a little

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Speaker 1: worried about me, she mentioned. So, she mentioned that she

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Speaker 1: can't believe how much content I'm pumping out. And though

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Speaker 1: I've explained this numerous times before, I didn't have the

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Speaker 1: heart to do it again, so I just nodded along.

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Speaker 1: But you guys know, like the seven twenty seven here,

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Speaker 1: that we are not releasing five new Disgraceland episodes a week.

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Speaker 1: We are re releasing previously exclusive episodes along with one

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Speaker 1: full episode per week, plus this bonus episode. You hear me.

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Speaker 1: You guys know I say this every week, And like

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Speaker 1: I said, you hear me. Wom's gams said, we hear

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Speaker 1: for you, but I say, you hear me. Disgraceland is

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Speaker 1: one full episode on Tuesday, one bonus episode on Thursday,

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Speaker 1: Previously exclusive episodes released on off days until we get

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Speaker 1: the entire one hundred plus archive out into your feeds.

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Speaker 1: All right, thank you to the seven two seven and

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Speaker 1: to my mom for prompting this clarification. Let's check in

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Speaker 1: with Phaedra from the seven to seven eighth. Hey, Jake,

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Speaker 1: it's the girl Phaedra from Vancouver, Canada.

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Speaker 2: I just want to call saying I love hearing all

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Speaker 2: the old episodes and the new. Also wanted to say

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Speaker 2: I did vote for you to get a Webby Award

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Speaker 2: because I do truly believe you deserve one. I love

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Speaker 2: all the shows you do, including bad Lands as well.

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Speaker 2: I guess the only thing I have to like talking

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Speaker 2: about meat TV shows and stuff is that show Beat

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Speaker 2: that's on Netflix with Ali Wong and that dude Glenn

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Speaker 2: from The Walking Dead. I accidentally started watching it because

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Speaker 2: I thought it was like a like a docu theory

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Speaker 2: cut or like a series kind of.

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Speaker 1: Thing, and I got really into it, and by the

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Speaker 1: time I got to the end, I got like super

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Speaker 1: get the pointed.

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Speaker 2: So I'm just getting your heads. If you do watch it,

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Speaker 2: do not have expectations. It's totally not worth it, but

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Speaker 2: either way, keep it up.

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Speaker 1: Rocke Roller can't wait to hear some more. He's out.

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Speaker 1: Yeah there you go, Phaedra, Just like the seven two seven,

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Speaker 1: she gets it. Thanks for voting. For us to Faedra

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Speaker 1: and thanks to everyone else who voted for us for

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Speaker 1: a Webby, we're nominated for Best Music Podcast. I have

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Speaker 1: no idea as of the taping of this whether or

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Speaker 1: not we won that Webby would be our second win

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Speaker 1: for Webby Award, which is kind of a big deal.

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Speaker 1: We were right there at the end, neck and neck

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Speaker 1: with mister John Legend, so we shall see, hopefully all

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Speaker 1: know soon. To your point about Beef, I'm not going

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Speaker 1: to watch Beef. I've received a bunch of recommendations to

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Speaker 1: do so, and Netflix is, like, you know, reminding me

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Speaker 1: every five seconds that I need to watch it. But

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Speaker 1: based on you saying the end was disappointing, I'm just

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Speaker 1: I'm just not going to do it. I'm also also

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Speaker 1: because I'm kind of pissed at Ali Wong. And that's

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Speaker 1: all i have to say. All Right, one more voicemail.

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Speaker 1: Let's go with Andrew from The three one.

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Speaker 2: Four, Hey, Jake, Andrew Laposcher from Saint willis here. I

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Speaker 2: was listening to the Disgrace Laning Spotify playlist, which is great.

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Speaker 2: He has a lot of great stuff on it, but

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Speaker 2: I do live bone to take with you about it.

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Speaker 2: How come, of all the songs to represent Chuck Berry,

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Speaker 2: you pick My Dingling. I mean you could have done

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Speaker 2: Johnny Be Good or No Particular Place to Go, or

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Speaker 2: even run around Rudolph Well a lot of the novelty

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Speaker 2: songs about is Dick Anyway, Love what you do. Keep

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Speaker 2: up the great work.

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Speaker 1: Bye, great question, Andrew. For those of you who don't

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Speaker 1: know what Andrew is talking about, Spotify asked me to

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Speaker 1: put together an official Disgrace Slam playlist for them. So

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Speaker 1: we did that, or I should say I did that,

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Speaker 1: and I included, as Andrew says, Chuck Berry's version of

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Speaker 1: My Dingling. And the reason, I guess is that I've heard, dude,

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Speaker 1: the Chuck Berry hits so many freaking time. I'm just

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Speaker 1: to be honest. I know he's a god. I'm just

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Speaker 1: bored for them. Also, I couldn't find an easy way

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Speaker 1: to get that fifties vibe into the sequencing of the

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Speaker 1: playlist like I could the later Live seventies version that

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Speaker 1: I have of My Dingling. Also, because you know, I'm

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Speaker 1: an immature prick sometimes and that song just cracks me up.

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Speaker 1: But Andrew, you'll be happy to know, dude, I get

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Speaker 1: into the greatness of Chuck Berry's music, specifically his lyrics

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Speaker 1: in both the Disgraceland episode on Chuck Berry and more

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Speaker 1: fully in the chapter on Chuck Berry in my book.

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Speaker 1: You can check that out whenever you want. All right, guys,

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Speaker 1: six one seven nine zero six six six three eight.

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Speaker 1: If you want to leave me a voicemail or you

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Speaker 1: want to send me a text, let's respond to some texts,

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Speaker 1: shall we? All right? This is a long one from

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Speaker 1: the four one two. I'm going to read it wicked fast. Jake.

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Speaker 1: I keep meaning to tell you my own Quentin Tarantino

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Speaker 1: want to play story, So excuse me while I word

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Speaker 1: vomit all over your text messages. I'm from LA, but

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Speaker 1: I've lived in Pittsburgh for several years now. I visit

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Speaker 1: my family in LA a few times a year. In

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Speaker 1: two thousand and five, I was on a red eye

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Speaker 1: from LA to pick to PGH and see Quinton on

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Speaker 1: my plane, but I kept thinking, that's not him. Why

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Speaker 1: would he be going to Pittsburgh. I get to my

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Speaker 1: seat and dude next to me says, did you sit

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Speaker 1: to see Quentin Tarantino in first class? Okay, so it

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Speaker 1: was Quentin Tarantino. I get to Pittsburgh and go to

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Speaker 1: get my luggage and I see him standing outside waiting

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Speaker 1: for transportation. I run out there and I say, I

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Speaker 1: never do this because I'm from LA and really just

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Speaker 1: try to leave people alone. But can I get your autograph?

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Speaker 1: He was cool, and he signed one for me. About

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Speaker 1: five years later and I'm at my parents' house in

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Speaker 1: LA and a movie maker we know is staying with him.

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Speaker 1: He starts telling me about the time he went to

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Speaker 1: Pittsburgh for the George or Marrow and a Living Dead anniversary.

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Speaker 1: Thinking he ran into Quentin Tarantino and Robert Rodriguez there

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Speaker 1: and they weren't letting them in because they weren't on

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Speaker 1: the list. He tells the door person, do you know

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Speaker 1: who these guys are? And the door person says no,

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Speaker 1: and they're not on the list. Our movie maker friend

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Speaker 1: was on the list, so he runs in and gets

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Speaker 1: somebody get Quentin and Robert Rodriguez inside. It didn't hit

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Speaker 1: me until later that that was why Quentin Tarantino was

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Speaker 1: on the same plane as me, not me as the

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Speaker 1: four one two cool story four one two. I appreciate it.

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Speaker 1: I've never seen Quentin Tarantino on a plane, but Uh,

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Speaker 1: I don't know. I don't don't know if I I

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Speaker 1: don't know if i'd approach Quentin Tarantino on a plane.

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Speaker 1: Planes are weird. You see famous person on a plane

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Speaker 1: and it's like, yeah, it's just awkward. You know, you

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Speaker 1: go up to him, you bother him, then you got

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Speaker 1: a fucking walk by him to the bathroom. It's just weird.

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Speaker 1: I don't know that I do it. Maybe i'd wait

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Speaker 1: till I was off, but then they're going somewhere, then

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Speaker 1: they're moving, then their emotion that's always hard too. What

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Speaker 1: are you gonna do it chase someone down? I don't know,

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Speaker 1: but uh, I applaud you for uh for going up

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Speaker 1: and getting an autograph, and I like to hear that

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Speaker 1: he was cool. He seems like a cool guy. Have

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Speaker 1: you checked out the podcast and my recommendations. I haven't

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Speaker 1: shouted this out yet, but Quentin Tarantino has a podcast

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Speaker 1: with Homeboy who did rules of Our Rules of Attraction?

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Speaker 1: Why am I blanking? Why am I blanking?

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Speaker 2: Uh?

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Speaker 1: Roger Avery, that's it, yes, Roger Avery. He re posted

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Speaker 1: a story I did about Rules of Attraction about a

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Speaker 1: week ago, and I sent him a message and he

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Speaker 1: left me on Red and never got back to me.

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Speaker 1: That pissed me off. Roger Avery just kidding. I didn't

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Speaker 1: actually get upset about that, but uh yeah, Roder Avery

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Speaker 1: and Quentin Taranty they have a podcast. Check that out,

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Speaker 1: all right. Going to the eight to oh one, Jake,

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Speaker 1: thank you for putting your podcast back on all platforms.

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Speaker 1: It was a pain to try to catch your content

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Speaker 1: when it was exclusive. I have some catching up to do, man,

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Speaker 1: and I am looking forward to it. Best regards, Curtis. Curtis,

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Speaker 1: we're doing our best, man, get in here, check it out.

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Speaker 1: Lots of lots of content, all right. From the two

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Speaker 1: oh five, Hey, Jake, this is Luck's musician from Birmingham,

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Speaker 1: Alabama living in Atlanta. I just want to let you

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Speaker 1: know how much I love this podcast, how much it

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Speaker 1: inspires me to keep going despite the regular life shit

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Speaker 1: that everyone, including musicians, go through. We may not be

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Speaker 1: all murderers or victims, but we all got shit, you

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Speaker 1: know what I mean? Anyways, thanks for humanizing much love

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Speaker 1: you know what? You know what two o five I

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Speaker 1: hear you. This is in all seriousness. We all got

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Speaker 1: the shit. We all have shit to deal with, every

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Speaker 1: single one of us, and I remember I was once

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Speaker 1: a full time musician, and it was the hardest fucking

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Speaker 1: thing I ever tried to do in my life. I

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Speaker 1: did not succeed at it to the level that I

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Speaker 1: wanted to. I couldn't raise my family while I was

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Speaker 1: doing it. It was a huge letdown. It fucking gutted me.

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Speaker 1: It gutted my confidence. And at the end of the day,

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Speaker 1: I would wake up or I'd go to bed, and

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Speaker 1: I'd be like, what am I even doing this for?

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Speaker 1: Do I even want to do this? Do I love this?

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Speaker 1: And thankfully I kept doing something and I found this

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Speaker 1: little niche for myself. So two o five, you sound

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Speaker 1: like you sound like you got a good optimistic head

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Speaker 1: on your shoulders. Keep going, keep digging, keep digging. Disgraceland

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Speaker 1: as well, thank you for writing. One thing I tell

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Speaker 1: my kids all the time, and I'll say this to

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Speaker 1: whoever will listen, because someone said it to me about

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Speaker 1: twenty years ago and it really resonated. Just show up,

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Speaker 1: Just keep showing up, and good shit happens. All right,

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Speaker 1: that's enough of the life affirmation section of this podcast.

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Speaker 1: Let's go on. Let's do another text here at eight

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Speaker 1: five six, Jake all caps four exclamation points. Kristen from

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Speaker 1: the eight five six here long Time Listen twenty nineteen parentheses,

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Speaker 1: First time Texter twenty twenty three parentheses listen. I need

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Speaker 1: all caps and after party theme song ring tone, like

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Speaker 1: I need air to breathe, like I need music to

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Speaker 1: live in, like I need Disgraceland on my rides to

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Speaker 1: and from work to transport me out of the Monday

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Speaker 1: daily grinds. Please please, please make that happen. Keep up

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Speaker 1: the greatness, Jake. I love what you're doing. Thanks well, Frankie. Uh,

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Speaker 1: what is the name of the theme song here for

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Speaker 1: after Party? It's the one we did for the Sinatra episode.

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Speaker 1: I can't think of the name, but you know I

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Speaker 1: love that song too, and I long have designs on

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Speaker 1: doing a double Disgraceland album, double vinyl, where we do

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Speaker 1: a bunch of songs, the themes, a bunch of cues,

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Speaker 1: a whole bunch of stuff. So maybe, Kristen, maybe sometime soon,

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Speaker 1: we'll get that out there. God, so many texts. I

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Speaker 1: feel bad. Oh four roh two. I asked this question

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Speaker 1: last week and the last after Party about the what

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Speaker 1: are your favorite eighties horror movies? Four roh two chimes

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Speaker 1: in favorite eighties horror movies. Number one Fright Night Never

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Speaker 1: saw it. Number two Lost Boys saw It. I think

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Speaker 1: it's really damn good. Number three Nightmare on Elm Street.

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Speaker 1: Don't love it. Number four Polter Guys. You heard me

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Speaker 1: talk about that last week. Number five Beetlejuice, Beetlejuice Solid.

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Speaker 1: I like the ranking of beele Juice is a horror

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Speaker 1: movie because check this out. You wouldn't think. I wouldn't

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Speaker 1: think beal Juice is a horror movie. But you wouldn't

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Speaker 1: necessarily show it to your nine year old son either,

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Speaker 1: would you, because it'll freaking the fuck out because it's scary.

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Speaker 1: Michael Keaton's scary to little kids. Scary. So I like

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Speaker 1: that list. Thank you. Four two, all right, A couple more.

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Speaker 1: Four to one, Oh says hey, J husband and I

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Speaker 1: are on vacation in Barcelona and found your store and

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Speaker 1: they send a picture here it says rock n ROLLA.

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Speaker 2: I like that.

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Speaker 1: Thank you for thinking to me it's rock a Rolla.

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Speaker 1: You know that, though, but I like I get it.

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Speaker 1: I get it, rock and rolla, rock a Rola. I

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Speaker 1: hear you appreciate that you're on vacation, You're thinking to

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Speaker 1: Disgraced Land. That's awesome. Five one, eight, Hey Jake, not

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Speaker 1: sure if you've ever done anything on the band. I

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Speaker 1: think there might be enough crazy bauchery there for an

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Speaker 1: episode or two. Thanks love the show, Chuck. I think

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Speaker 1: you're right, Chuck. I'm saving that one. I have a

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Speaker 1: lot of love and a lot of affection for all

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Speaker 1: the members of the band, and I'm looking forward to

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Speaker 1: covering that at some point. No plans right now, though,

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Speaker 1: I'm not gonna lie to you. Hey Jake, it's Nicole

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Speaker 1: in Buffalo. This is from the seven one six. These

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Speaker 1: are her top five horror movies. Hey Jake, it's the

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Speaker 1: Cole in Buffalo. My top five eighties horror films. One

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Speaker 1: video Doome. I've never seen that. Two Psycho two. Didn't

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Speaker 1: even know there was a Psycho two. Three, The Lost

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Speaker 1: Boys Another Lost Boys for the Shining five Nightmare on

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Speaker 1: Elm Street. I think I have to I think I

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Speaker 1: got to reconsider. I think I need to rewatch a

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Speaker 1: nightmare on Elm Street. The Shining Though, right up there,

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Speaker 1: right up there, fantastic. You know what I didn't mention

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Speaker 1: when we were talking horror horror movies, and it's not

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Speaker 1: from the eighties. But it's one of the scariest movies

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Speaker 1: I've ever seen. Have you guys ever seen The Strangers

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Speaker 1: or it might be just called Strangers. It's like two ten, twelve, thirteen,

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Speaker 1: something like that in that in that timeframe, I think,

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Speaker 1: and they they made it for about ten bucks. Live

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Speaker 1: Tyler's in it. Actually really good movie. You know, people

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Speaker 1: go away to a house, people in the house get

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Speaker 1: terrorized by other people outside of the house. That's basically

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Speaker 1: the plot. But it's fucking horrifying. Check that out. All right,

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Speaker 1: let's see here where we going. That's a lot of texts,

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Speaker 1: and I apologize to all the people who texted and

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Speaker 1: who I did not yet get back to. I will

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Speaker 1: find some time this week and I'll hit you back.

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Speaker 1: Keep them coming six one seven nine zero six six

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Speaker 1: six three eight. If you want to text me or

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Speaker 1: leave me a voicemail, let's see, you can also email

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Speaker 1: me at disgraceland No sorry, email me disgrace lampod at

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Speaker 1: gmail dot com. I've been shitty with returning emails, guys.

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Speaker 1: I apologize for this. Try to be better. I wanted

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Speaker 1: to respond to this one here from RC Jackson.

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Speaker 2: RC.

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Speaker 1: I didn't know that was a name, RC Jackson. I

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Speaker 1: googled ARC Jackson anyways. RC Jackson email address. RC Jackson

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Speaker 1: not gonna tell you. Her email subject line is do

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Speaker 1: a Little Kim episode. Message from her drug mule days

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Speaker 1: to the feud with Foxy Brown that led to a

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Speaker 1: shooting at Hot ninety seven, to her dating the drug

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Speaker 1: pin who killed Mike Tyson's brother, she'd be a great episode. Yeah, well,

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Speaker 1: I hear you. I hear you. ARC six twenty June twentieth,

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Speaker 1: Little Kim episode coming your way. You will be happy,

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Speaker 1: I hope.

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Speaker 2: Uh.

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Speaker 1: That's because we have a whole new season of Disgraceland coming,

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Speaker 1: season twelve coming on May sixteenth. Gonna get this bad

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Speaker 1: Land season launch. Then we're gonna go into another season

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Speaker 1: of Disgracelands straight away. We'll have both going at the

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Speaker 1: same time. In that new Disgraceland season, you're gonna get

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Speaker 1: a little Kim. Like I said, you're gonna get Springsteen

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Speaker 1: justin Bieber so many I can't even remember off the

423
00:21:46,359 --> 00:21:47,800
Speaker 1: top of my head right now, but there's a lot

424
00:21:47,880 --> 00:21:50,720
Speaker 1: coming your way, Little Kim included. All right, guys, be

425
00:21:50,840 --> 00:21:54,760
Speaker 1: like RCI and hit me up. Disgracelampodat gmail dot com

426
00:21:55,080 --> 00:21:58,120
Speaker 1: or six one seven nine zero six six six three

427
00:21:58,240 --> 00:22:03,080
Speaker 1: eight are at disgrace lampod on TikTok, Instagram, Facebook, even Twitter.

428
00:22:04,200 --> 00:22:07,520
Speaker 1: Meety Tim on TikTok, Rights hooked on your podcast one

429
00:22:07,520 --> 00:22:09,879
Speaker 1: of my favorite music history ones. For sure. We thank you,

430
00:22:10,000 --> 00:22:14,400
Speaker 1: Meety Tim. Ashley Vaughn on Facebook Rights, Hey, Jake, love

431
00:22:14,480 --> 00:22:16,480
Speaker 1: the podcast. Been listening for years. Love the way you

432
00:22:16,520 --> 00:22:19,520
Speaker 1: tell the stories and make the listener completely involved. It's great.

433
00:22:19,640 --> 00:22:21,920
Speaker 1: I think a great story would be about Ginger Baker.

434
00:22:22,000 --> 00:22:25,360
Speaker 1: Ever thought of doing an episode on him? Peace Ashley,

435
00:22:25,520 --> 00:22:29,480
Speaker 1: thank you appreciate that. I love getting you guys involved. Honestly,

436
00:22:29,640 --> 00:22:31,359
Speaker 1: I want to find new ways to get you guys involved.

437
00:22:31,359 --> 00:22:33,879
Speaker 1: So if you got any ideas, let me know. Ginger

438
00:22:33,960 --> 00:22:37,800
Speaker 1: Baker cool suggestion. I'm gonna admit I don't know a

439
00:22:37,880 --> 00:22:41,840
Speaker 1: lot about Ginger Baker or Cream other than the Clapton connection,

440
00:22:42,119 --> 00:22:45,280
Speaker 1: but maybe I'll check that out. Chet Baker though in

441
00:22:45,400 --> 00:22:47,480
Speaker 1: your feeds, if you're just looking for a Baker episode,

442
00:22:47,560 --> 00:22:50,600
Speaker 1: I don't know. All right, what am I? What's see?

443
00:22:50,600 --> 00:22:52,520
Speaker 1: What are we doing here? I gave you some top

444
00:22:52,600 --> 00:22:55,920
Speaker 1: five horror rankings. I want to do this Facebook from

445
00:22:56,000 --> 00:23:00,680
Speaker 1: Courtney Ford on Facebook. This message she sent let me

446
00:23:00,800 --> 00:23:05,720
Speaker 1: pull this up straight away, one, two three, Getting in

447
00:23:05,920 --> 00:23:08,960
Speaker 1: here with the Courtney Ford. What is she saying? Okay,

448
00:23:09,000 --> 00:23:10,520
Speaker 1: there's a lot here, all right, Yeah, this is why

449
00:23:10,520 --> 00:23:13,639
Speaker 1: I wanted to read this. Okay, So Top eighties horror

450
00:23:13,680 --> 00:23:16,240
Speaker 1: from Courtney fordy Evil Dead? Have you seen Ash versus

451
00:23:16,320 --> 00:23:16,879
Speaker 1: Evil Dead? No?

452
00:23:17,000 --> 00:23:17,359
Speaker 2: I have not.

453
00:23:17,760 --> 00:23:21,440
Speaker 1: I have seen the Evil Dead, though it's awesome, the shining, great, maximum, overdrive,

454
00:23:21,640 --> 00:23:27,240
Speaker 1: great suggestion, way to go, Courtney Donna, the Dead and Reanimator.

455
00:23:27,720 --> 00:23:30,360
Speaker 1: She says, I refuse to rank Hitchcock. It seems blasphemous.

456
00:23:30,440 --> 00:23:32,399
Speaker 1: I disagree. I think there's a lot of Hitchcock that

457
00:23:32,520 --> 00:23:34,800
Speaker 1: you can rank, because there's a lot of Hitchcock that, frankly,

458
00:23:34,880 --> 00:23:38,359
Speaker 1: I don't love. But of course I love. I love

459
00:23:38,840 --> 00:23:41,400
Speaker 1: so much Hitchcock. Don't get pissed at me, Hitchcock fans.

460
00:23:42,800 --> 00:23:45,520
Speaker 1: And she says, and are you forgetting clerks for nineties movies?

461
00:23:46,400 --> 00:23:48,320
Speaker 1: I'm not all right. I guess I just didn't love it.

462
00:23:48,480 --> 00:23:50,920
Speaker 1: I mean, it's great, it's good, not great, it's good.

463
00:23:51,320 --> 00:23:54,119
Speaker 1: I don't I don't love it. Though she's still pulling

464
00:23:54,160 --> 00:23:55,840
Speaker 1: for Pat and she says that's she wants a Mike

465
00:23:55,880 --> 00:23:58,919
Speaker 1: Patten from Faith no more episode of Disgrace and maybe someday, Courtney,

466
00:23:59,320 --> 00:24:03,720
Speaker 1: maybe some day. Alrighty, let's move on. Let's do some

467
00:24:04,000 --> 00:24:10,200
Speaker 1: Instagram responses real quick. Celia Jones Cracko says, Hey, Jake,

468
00:24:10,359 --> 00:24:13,119
Speaker 1: I know you're always asking that we are listening, what

469
00:24:13,200 --> 00:24:14,879
Speaker 1: we are listening to, what are we watching, what are

470
00:24:14,880 --> 00:24:17,160
Speaker 1: we reading, et cetera, for suggestions for you to try out.

471
00:24:17,200 --> 00:24:19,600
Speaker 1: So I was wondering if you heard about the new

472
00:24:19,680 --> 00:24:22,719
Speaker 1: series on FX and Hulu about Tupac called Dear Mama.

473
00:24:23,280 --> 00:24:27,119
Speaker 1: You know I have not, and this is an issue.

474
00:24:27,160 --> 00:24:28,600
Speaker 1: How the hell do I not hear about this? Do

475
00:24:28,640 --> 00:24:30,680
Speaker 1: you guys know about this? I feel like there's a

476
00:24:30,720 --> 00:24:34,240
Speaker 1: new series on Tupac Secure coming out about his mom

477
00:24:34,720 --> 00:24:37,480
Speaker 1: and him that we should know, and it sounds like

478
00:24:37,560 --> 00:24:41,920
Speaker 1: it's actually out, but I'm looking forward to that. Celia

479
00:24:42,000 --> 00:24:44,639
Speaker 1: goes on to mention that you know, we talk about

480
00:24:45,000 --> 00:24:47,520
Speaker 1: Tupac's mom and the Black Panthers not only in the

481
00:24:47,600 --> 00:24:50,119
Speaker 1: Tupac episodes, but also the jay Z episode, which we do.

482
00:24:50,960 --> 00:24:55,320
Speaker 1: So thank you for that suggestion, Celia appreciate it. Over

483
00:24:55,480 --> 00:24:58,280
Speaker 1: on Twitter, Mark Schumacher writes listening to the after Party

484
00:24:58,280 --> 00:25:00,200
Speaker 1: and wanted to share my top five horror film from

485
00:25:00,200 --> 00:25:03,359
Speaker 1: the nineteen eighties Hell Raiser number one, number two, American

486
00:25:03,400 --> 00:25:05,439
Speaker 1: Werewolf in London, number three, the re Animated number four,

487
00:25:05,440 --> 00:25:09,040
Speaker 1: The Creep Show, number five, the hitcher Man. I've only

488
00:25:09,080 --> 00:25:11,440
Speaker 1: seen one on that list, American Werewolf in London, which

489
00:25:11,480 --> 00:25:13,080
Speaker 1: might be in my top five. I didn't put it

490
00:25:13,119 --> 00:25:15,360
Speaker 1: there last time we talked. I should have. I love

491
00:25:16,040 --> 00:25:19,840
Speaker 1: love that movie. Great movie. All right, my people, I

492
00:25:19,920 --> 00:25:22,240
Speaker 1: really appreciate all the messages. I love the connection. Thank you,

493
00:25:22,400 --> 00:25:24,960
Speaker 1: Keep it coming, Keep it coming this week at Disgrace

494
00:25:25,080 --> 00:25:28,280
Speaker 1: Lampod on Twitter, Instagram, TikTok, and Facebook. Disgrace Lampod at

495
00:25:28,359 --> 00:25:30,920
Speaker 1: gmail dot com six one seven nine zero six six

496
00:25:30,960 --> 00:25:34,520
Speaker 1: sixty three eight voicemail and text. Bad Lands launches next week,

497
00:25:34,560 --> 00:25:37,280
Speaker 1: and I want feedback on the Richard Pryor episode. So

498
00:25:37,400 --> 00:25:39,160
Speaker 1: hit me up, hit me up, hit me up. I'll

499
00:25:39,200 --> 00:25:57,000
Speaker 1: be back after this. So the recommendations part. This is

500
00:25:57,080 --> 00:25:59,399
Speaker 1: the recommendation's part, the part where we recommend the things

501
00:25:59,440 --> 00:26:02,680
Speaker 1: that need record ending. The recommendations part. All right, I

502
00:26:02,760 --> 00:26:04,439
Speaker 1: did some traveling over the last couple weeks. I got

503
00:26:04,440 --> 00:26:05,639
Speaker 1: a little R and R. I was down in the

504
00:26:05,680 --> 00:26:07,399
Speaker 1: Great State of Florida for almost a week. I got

505
00:26:07,440 --> 00:26:10,520
Speaker 1: some time to take in some content, and woe Nelly,

506
00:26:10,840 --> 00:26:14,600
Speaker 1: did I consume some stuff. I watched a lot of television.

507
00:26:15,080 --> 00:26:18,440
Speaker 1: I watched a lot of movies. I even read for pleasure.

508
00:26:18,880 --> 00:26:22,600
Speaker 1: Just a little quick heads up though, before we get

509
00:26:22,640 --> 00:26:24,440
Speaker 1: into all these recommendations, I just want to mention that

510
00:26:24,520 --> 00:26:27,320
Speaker 1: the movies and TV part of the recommendations, part of

511
00:26:27,400 --> 00:26:32,240
Speaker 1: the after Party bit, will now exclusively be featured in

512
00:26:32,320 --> 00:26:34,600
Speaker 1: the Rap Party, which is the bad Lands bonus episode

513
00:26:34,640 --> 00:26:36,880
Speaker 1: that you'll be getting on Fridays in the bad Lands Feed.

514
00:26:37,040 --> 00:26:40,760
Speaker 1: So this is the last time the movie content will

515
00:26:40,760 --> 00:26:42,639
Speaker 1: be here in the after Party again. You're gonna have

516
00:26:42,640 --> 00:26:44,920
Speaker 1: to go to the bad Lands Feed and subscribe over there.

517
00:26:45,040 --> 00:26:49,159
Speaker 1: So onto the recommendations without further ado, Let's start with

518
00:26:49,280 --> 00:26:52,879
Speaker 1: what I'm reading. I'm reading The Death of Bunny Monroe

519
00:26:53,240 --> 00:26:58,560
Speaker 1: by Nick Cave. My god, man, this book is so

520
00:26:58,760 --> 00:27:01,920
Speaker 1: fucking good. It's one of those books you read that

521
00:27:02,080 --> 00:27:06,680
Speaker 1: has an immediate impact on you, like in the moment,

522
00:27:07,320 --> 00:27:10,760
Speaker 1: like you're just you're just like, oh god, this is

523
00:27:10,840 --> 00:27:14,280
Speaker 1: how oh okay, I get it. Yeah, I see, I

524
00:27:14,400 --> 00:27:20,720
Speaker 1: see now. It is hysterical, it's dark, it's deeply cool

525
00:27:21,560 --> 00:27:23,639
Speaker 1: in a way that I'm not even going to try

526
00:27:24,440 --> 00:27:28,399
Speaker 1: to describe because I can't. The closest thing I can

527
00:27:28,520 --> 00:27:34,600
Speaker 1: say to describing this book is that it's if Charles

528
00:27:34,640 --> 00:27:40,160
Speaker 1: Bukowski and Raymond Chandler got drunk together, then got arrested

529
00:27:40,680 --> 00:27:44,360
Speaker 1: and ended up spending a week in the drunk tank

530
00:27:45,040 --> 00:27:49,000
Speaker 1: with one another. You might come close to getting a

531
00:27:49,119 --> 00:27:52,320
Speaker 1: feel for what this book is. The Death of Bunny

532
00:27:52,359 --> 00:27:57,159
Speaker 1: Monroe by Nick Cave. That's the musician, Nick Cave. I

533
00:27:57,280 --> 00:28:00,440
Speaker 1: want to run and read everything the guy's written after this.

534
00:28:00,640 --> 00:28:03,280
Speaker 1: A lot of you have recommended Nick Cave as an

535
00:28:03,320 --> 00:28:07,000
Speaker 1: episode of Disgraceland that will happen at some point once

536
00:28:07,040 --> 00:28:10,120
Speaker 1: I get a complete picture of the artist, and that's

537
00:28:10,200 --> 00:28:13,480
Speaker 1: going to take a while. I love this man and

538
00:28:13,560 --> 00:28:16,840
Speaker 1: I love this book. Go check it out. Excuse me

539
00:28:18,440 --> 00:28:19,959
Speaker 1: for those of you who didn't hear that. My stomach

540
00:28:20,000 --> 00:28:23,520
Speaker 1: just growled. If you did hear it, I apologize. Maybe Leah,

541
00:28:23,600 --> 00:28:25,640
Speaker 1: our producer here, will be able to cut it out.

542
00:28:25,680 --> 00:28:28,960
Speaker 1: Maybe not. Who knows we're going rough here, Okay. I

543
00:28:29,080 --> 00:28:34,080
Speaker 1: also watched on Netflix with my wife a show called Obsession.

544
00:28:35,080 --> 00:28:41,040
Speaker 1: Which is basically softcore pornography. It was number one or

545
00:28:41,240 --> 00:28:46,200
Speaker 1: two on the Netflix chart when like trending shows, and

546
00:28:46,320 --> 00:28:48,280
Speaker 1: it was English and had this guy in it who

547
00:28:48,400 --> 00:28:50,760
Speaker 1: was in this like Harlan Coben series that we liked

548
00:28:50,800 --> 00:28:52,720
Speaker 1: that was also English, that we're like, oh, we'll try this,

549
00:28:53,640 --> 00:28:57,600
Speaker 1: and a lot of sex, lot of sex immediately like

550
00:28:57,720 --> 00:29:00,440
Speaker 1: from the jump, and we're like, this is cool. It's

551
00:29:00,480 --> 00:29:05,120
Speaker 1: done tastefully, you know, it's English, and just waiting for

552
00:29:05,200 --> 00:29:11,480
Speaker 1: something else to happen, as one does, and nothing really happened.

553
00:29:12,080 --> 00:29:14,320
Speaker 1: It's a bad show man, But I watched all of it.

554
00:29:14,360 --> 00:29:18,320
Speaker 1: It's only four episodes mini series. If you want to

555
00:29:18,400 --> 00:29:20,560
Speaker 1: laugh or you know, if you want something to do

556
00:29:20,640 --> 00:29:23,360
Speaker 1: with your wife or your husband or whomever, check it

557
00:29:23,400 --> 00:29:27,200
Speaker 1: out Netflix and chill with obsession, all right. I also

558
00:29:27,360 --> 00:29:29,960
Speaker 1: watched I'm gonna get into these movies, man, these movies.

559
00:29:30,240 --> 00:29:33,120
Speaker 1: I watched some great fucking movies. I watched Side Effects.

560
00:29:33,200 --> 00:29:40,720
Speaker 1: It's the Steven Sodenberg director. Guy Soderbergh did this movie

561
00:29:40,960 --> 00:29:44,720
Speaker 1: with Jude Law and Ruoney Mara. I believe it's Rooney

562
00:29:44,760 --> 00:29:49,560
Speaker 1: Mara and Katherine Zada Jones. It's from twenty thirteen. I

563
00:29:49,640 --> 00:29:55,200
Speaker 1: believe and it's about it's very hitchcocky and it's like,

564
00:29:57,000 --> 00:29:59,400
Speaker 1: it's kind of I don't want to go into it.

565
00:29:59,400 --> 00:30:00,800
Speaker 1: I don't want to give you a plot. It's just

566
00:30:01,000 --> 00:30:05,440
Speaker 1: takes place with this therapist a patient, uh and big pharma,

567
00:30:05,960 --> 00:30:09,600
Speaker 1: and the twist is fantastic. The movie's just great. I

568
00:30:09,760 --> 00:30:12,840
Speaker 1: was thinking about it for days afterwards. I also bit

569
00:30:12,880 --> 00:30:16,640
Speaker 1: the bullet. I subscribe to Criterion Channel and they have

570
00:30:16,800 --> 00:30:20,320
Speaker 1: this whole like what do they call it, Erotic Thriller

571
00:30:20,480 --> 00:30:25,640
Speaker 1: collection on there, So I watched Body Heat with with

572
00:30:25,880 --> 00:30:30,920
Speaker 1: William Hurt and Kathleen Turner. I've been I've known about

573
00:30:30,920 --> 00:30:33,400
Speaker 1: this movie forever. I thought it was just cheesy, like

574
00:30:33,480 --> 00:30:38,000
Speaker 1: a soft corn, soft softcore kind of porn thing. But

575
00:30:38,080 --> 00:30:41,000
Speaker 1: it's filmed in Florida, and I'm interested in stuff from Florida,

576
00:30:41,080 --> 00:30:43,560
Speaker 1: Florida content, Florida history these days for whatever reason. So

577
00:30:44,040 --> 00:30:45,520
Speaker 1: I thought i'd give it a shot, and it blew

578
00:30:45,560 --> 00:30:48,000
Speaker 1: me away. It's so much better than I thought it

579
00:30:48,120 --> 00:30:49,480
Speaker 1: was gonna be. I thought it was gonna be like

580
00:30:49,520 --> 00:30:52,640
Speaker 1: this cheesy, like kind of like well erotic thriller, which

581
00:30:52,680 --> 00:30:55,600
Speaker 1: it definitely is, but it is not cheesy. It's fucking great.

582
00:30:56,280 --> 00:30:58,960
Speaker 1: The cast is great. It's got a young early Ted

583
00:30:59,080 --> 00:31:03,080
Speaker 1: Danson it along with William Hurt. It's got oh man,

584
00:31:03,120 --> 00:31:05,160
Speaker 1: I can't remember the guy's name. It's it's just really

585
00:31:05,480 --> 00:31:08,440
Speaker 1: a tremendous, tremendous movie. And I didn't realize it was

586
00:31:09,080 --> 00:31:15,040
Speaker 1: a sort of reup on Double Indemnity, which was an

587
00:31:15,080 --> 00:31:19,880
Speaker 1: old movie from nineteen thirty nine or nineteen forty, which

588
00:31:19,960 --> 00:31:21,880
Speaker 1: is a famous movie which I saw many, many, many

589
00:31:21,960 --> 00:31:23,520
Speaker 1: years ago. I didn't put two and two together. But

590
00:31:23,520 --> 00:31:26,520
Speaker 1: now I'm gonna go watch and watch Double Indemnity as well. Anyways,

591
00:31:26,640 --> 00:31:30,080
Speaker 1: body heat check that out. Also, you know what I'm

592
00:31:30,120 --> 00:31:32,560
Speaker 1: watching here? This is new, This is new, This is like,

593
00:31:32,800 --> 00:31:35,840
Speaker 1: this has been This treasure trove of content has been

594
00:31:36,360 --> 00:31:40,120
Speaker 1: sitting right here in front of me for well over

595
00:31:40,600 --> 00:31:43,480
Speaker 1: a year now, and I have not discovered this. Okay,

596
00:31:43,680 --> 00:31:46,280
Speaker 1: So cord cutters out there right, how are you feeling?

597
00:31:46,560 --> 00:31:48,520
Speaker 1: How are you feeling about your decision? Well, everyone was

598
00:31:48,560 --> 00:31:52,040
Speaker 1: cutting the chords right. I'm done with Cable. I'm not

599
00:31:52,200 --> 00:31:55,160
Speaker 1: doing it. It's too much money. Well, yeah, we all

600
00:31:55,240 --> 00:31:57,400
Speaker 1: know what happened. Then you get Netflix, you gotta pay

601
00:31:57,480 --> 00:32:00,960
Speaker 1: for Disney, HBO, Max who the whole thing by the

602
00:32:01,080 --> 00:32:02,440
Speaker 1: end of the day comes you still spend in the

603
00:32:02,480 --> 00:32:05,560
Speaker 1: same night you're sending to Effinity every month. Right. The

604
00:32:05,760 --> 00:32:09,800
Speaker 1: problem for me is I like the ritual of I'm

605
00:32:09,840 --> 00:32:11,400
Speaker 1: an old guy, I guess I like. I like the

606
00:32:11,520 --> 00:32:14,840
Speaker 1: ritual of flicking through the channels, not to mention all

607
00:32:14,840 --> 00:32:16,280
Speaker 1: the live sports, and I know you can get that

608
00:32:16,360 --> 00:32:19,160
Speaker 1: elsewhere blah blah blah, but the experience is not the same.

609
00:32:20,520 --> 00:32:23,240
Speaker 1: But I don't like that experience that much. In fact,

610
00:32:23,400 --> 00:32:26,680
Speaker 1: I find the selections on cable, on the cable channels

611
00:32:26,720 --> 00:32:29,040
Speaker 1: to suck, and I pay for all of it. We have,

612
00:32:29,160 --> 00:32:31,240
Speaker 1: like the whatever the max thing is, I don't even know.

613
00:32:31,480 --> 00:32:35,600
Speaker 1: I can't even imagine it's whatever. It's gross, but it sucks.

614
00:32:36,240 --> 00:32:38,600
Speaker 1: I mean, you know, I don't care about like, you know,

615
00:32:39,680 --> 00:32:42,240
Speaker 1: like the home shows and all that crap. They build

616
00:32:42,280 --> 00:32:44,239
Speaker 1: you into these packages because you want one channel out

617
00:32:44,240 --> 00:32:45,600
Speaker 1: of the thirty, you gotta get it to the whole

618
00:32:45,720 --> 00:32:48,280
Speaker 1: fuck pain in the ass. And I'm trying to figure

619
00:32:48,280 --> 00:32:49,440
Speaker 1: out a way where do I go, What do I do?

620
00:32:49,520 --> 00:32:50,560
Speaker 1: How do I get the stuff I want?

621
00:32:50,600 --> 00:32:50,760
Speaker 2: You know?

622
00:32:51,080 --> 00:32:53,880
Speaker 1: Right, so on Samsung on aw Samsung TV, and I

623
00:32:53,960 --> 00:32:56,320
Speaker 1: swear to god, this is not paid for Samsung AD.

624
00:32:56,640 --> 00:32:59,200
Speaker 1: I just discovered there's all these channels. As you guys

625
00:32:59,240 --> 00:33:01,520
Speaker 1: probably know because you're smart. I'm like me, all these

626
00:33:01,600 --> 00:33:05,840
Speaker 1: Samsung channels, and they're just like, there's like a thousand channels.

627
00:33:05,960 --> 00:33:10,160
Speaker 1: I'm not even joking, like a thousand channels of insanely

628
00:33:10,240 --> 00:33:13,360
Speaker 1: cool stuff and none of it is on demand, and

629
00:33:13,560 --> 00:33:16,520
Speaker 1: it just runs. There's a whole There's two channels. One

630
00:33:16,560 --> 00:33:20,000
Speaker 1: plays all eighties music videos just constantly, just constantly, all

631
00:33:20,080 --> 00:33:23,600
Speaker 1: nineties music video channels. Videos on the other channel, all

632
00:33:23,880 --> 00:33:27,280
Speaker 1: nineties and eighties all day long. It's like I'm fourteen

633
00:33:27,360 --> 00:33:31,040
Speaker 1: again and I'm trapped watching MTV, which was an experience

634
00:33:31,080 --> 00:33:33,360
Speaker 1: that I complained about then because of the commercials in

635
00:33:33,440 --> 00:33:35,320
Speaker 1: eighty percent of the videos I thought sucked and I

636
00:33:35,360 --> 00:33:37,680
Speaker 1: would just suffer through them. Well now I have all

637
00:33:37,720 --> 00:33:40,480
Speaker 1: this nostalgia for them, and I will gladly watch them.

638
00:33:41,000 --> 00:33:44,360
Speaker 1: Just fed to me. Just drop the IV into my veins.

639
00:33:44,480 --> 00:33:47,440
Speaker 1: Send me the fucking nostalgia content because I don't want

640
00:33:47,440 --> 00:33:49,800
Speaker 1: to go on YouTube. I'm never gonna go on YouTube

641
00:33:49,880 --> 00:33:54,040
Speaker 1: and search. You know an obscure Madonna video that was

642
00:33:54,080 --> 00:33:56,360
Speaker 1: a hit that I've forgotten about. But if you put

643
00:33:56,440 --> 00:33:58,840
Speaker 1: this on. It's just gonna play and it's gonna get

644
00:33:58,960 --> 00:34:02,280
Speaker 1: all the stuff. Not to mention, there's a Carol Burnett channel.

645
00:34:02,320 --> 00:34:05,160
Speaker 1: There's there's this great you know, the Sheut Factory. Who

646
00:34:05,160 --> 00:34:07,719
Speaker 1: I know they make these documentaries, these music documentaries. That's

647
00:34:07,760 --> 00:34:10,840
Speaker 1: how I know. The Shout Factory network played Living in Oblivion,

648
00:34:11,400 --> 00:34:13,799
Speaker 1: and they played that after they played Losing It, which

649
00:34:13,920 --> 00:34:17,839
Speaker 1: was Tom Cruise's first movie. Just great fucking content. Man,

650
00:34:18,840 --> 00:34:21,520
Speaker 1: you guys probably know this already. This costs nothing. If

651
00:34:21,560 --> 00:34:23,719
Speaker 1: you have a Samsung TV. And again, this is not

652
00:34:23,840 --> 00:34:26,880
Speaker 1: an ad. You can have access to all this stuff.

653
00:34:27,360 --> 00:34:30,680
Speaker 1: Go get it. I got it. I'm stoked, I'm watching it.

654
00:34:31,120 --> 00:34:33,400
Speaker 1: Who knows, I might get sick of it. I might

655
00:34:33,520 --> 00:34:35,920
Speaker 1: give up in the next couple days. I'm gonna dig

656
00:34:35,960 --> 00:34:37,480
Speaker 1: in more though. By the next after party, or I

657
00:34:37,520 --> 00:34:40,279
Speaker 1: should say the next rap party. When we're talking TV

658
00:34:40,880 --> 00:34:45,040
Speaker 1: and film, I'll chime in on my latest Samsung TV

659
00:34:45,719 --> 00:34:48,560
Speaker 1: network whatever the hell. It's called Discoveries, and I know

660
00:34:48,640 --> 00:34:50,680
Speaker 1: I'm gonna find some cool shit for you. So moving on.

661
00:34:50,840 --> 00:34:54,880
Speaker 1: What I'm listening to this is simple. It's it's Willie Nelson.

662
00:34:55,400 --> 00:34:59,000
Speaker 1: It's the demo sessions by Willie Nelson. These are his early, early,

663
00:34:59,120 --> 00:35:02,719
Speaker 1: early recordings. This is him and a guitar. These songs. Man,

664
00:35:03,560 --> 00:35:08,280
Speaker 1: God damn, they're good. They're incredible. This is the early stuff.

665
00:35:08,960 --> 00:35:11,640
Speaker 1: It's him, it's his voice, it's just him and a guitar.

666
00:35:12,120 --> 00:35:15,960
Speaker 1: It's so rich. This record I've listened to. It's not

667
00:35:16,040 --> 00:35:18,160
Speaker 1: a record, it's a collection, right, It wasn't an album.

668
00:35:18,239 --> 00:35:20,880
Speaker 1: They're just demos that these were released maybe I don't know,

669
00:35:20,960 --> 00:35:23,160
Speaker 1: two thousand and two or two thousand and three on CD,

670
00:35:23,840 --> 00:35:27,000
Speaker 1: and I've listened to these. This is the type of

671
00:35:27,000 --> 00:35:28,640
Speaker 1: thing you just put on. You listen to it all night,

672
00:35:28,920 --> 00:35:32,120
Speaker 1: over and over and over and over, and you get

673
00:35:32,239 --> 00:35:35,800
Speaker 1: drunk with it, and your whole mood changes with it,

674
00:35:36,120 --> 00:35:38,239
Speaker 1: and you see things you hadn't seen before, and you

675
00:35:38,360 --> 00:35:40,239
Speaker 1: hear things you hadn't heard before, and you think things

676
00:35:40,280 --> 00:35:44,319
Speaker 1: you hadn't thought before. It's tremendous. The demo sessions by

677
00:35:44,360 --> 00:35:47,640
Speaker 1: Willie Nelson, Go get it. I'll be back after this,

678
00:36:08,200 --> 00:36:11,960
Speaker 1: all right. Let's recap, shall we? Number one Willi Nelson

679
00:36:12,040 --> 00:36:14,240
Speaker 1: is out now. It's a two parter. Go get yourself

680
00:36:14,280 --> 00:36:17,480
Speaker 1: some Shotgun. Willie. Number two bad Lands launches next week

681
00:36:17,719 --> 00:36:20,440
Speaker 1: May third, an episode on Richard Pryor in a new

682
00:36:20,520 --> 00:36:23,360
Speaker 1: bonus episode called Rap Party. That's coming to you in

683
00:36:23,440 --> 00:36:25,520
Speaker 1: the bad Lands Feed every week, so make sure you

684
00:36:25,680 --> 00:36:28,440
Speaker 1: are subscribed in the bad Lands Feed number three. Hit

685
00:36:28,560 --> 00:36:30,759
Speaker 1: me up at six one seven nine zero six six

686
00:36:30,840 --> 00:36:32,399
Speaker 1: six three eight to let me know what you thought

687
00:36:32,440 --> 00:36:35,360
Speaker 1: of our new bad Lands episode on Richard Pryor, Call me,

688
00:36:35,560 --> 00:36:37,520
Speaker 1: leave me a voicemail, send me a text, or hit

689
00:36:37,600 --> 00:36:40,759
Speaker 1: me at Disgrace Slam pod on All the Socials number four,

690
00:36:41,280 --> 00:36:44,960
Speaker 1: Season twelve of Disgrace Slam Right around the corner, May sixteenth,

691
00:36:45,040 --> 00:36:48,680
Speaker 1: Bruce Springsteen, Let's go discos, All right, my moment of

692
00:36:48,760 --> 00:36:53,319
Speaker 1: bliss me reading you the phone Book from nineteen fifty five,

693
00:36:53,480 --> 00:36:56,400
Speaker 1: San Angelo, Texas, in honor of Willie Nelson in a

694
00:36:56,520 --> 00:37:04,880
Speaker 1: Way Weegos Club Saint Angeles Hotel two two six zero seven,

695
00:37:05,440 --> 00:37:11,200
Speaker 1: Liptman Donald twenty twelve, Walnut twenty one, Dash zero eight

696
00:37:11,560 --> 00:37:16,200
Speaker 1: two four, Lippard Shorty Gulf Service Station seven oh three,

697
00:37:16,360 --> 00:37:21,919
Speaker 1: North Chad seven seven two eight, Lipton Thomas j six

698
00:37:22,120 --> 00:37:26,759
Speaker 1: zero two two, Lister Item Ay five two four West

699
00:37:26,840 --> 00:37:32,600
Speaker 1: sixteenth three Dash nine two nine two Little Kerrie seven

700
00:37:32,719 --> 00:37:37,880
Speaker 1: twenty Austin two two five four two Little Mexico Restaurant

701
00:37:38,160 --> 00:37:43,200
Speaker 1: four twenty three. South Chad seven five seven seven Little

702
00:37:43,239 --> 00:37:47,759
Speaker 1: Watch Shop Well nineteen fourteen, North Chad two Dash four

703
00:37:47,920 --> 00:37:53,120
Speaker 1: four two eight Littlefield Bob two seven one two West

704
00:37:53,200 --> 00:37:57,680
Speaker 1: Harris two one two five three Dash two Little John

705
00:37:58,120 --> 00:38:03,120
Speaker 1: James four oh one two three Dash eight two three

706
00:38:03,360 --> 00:38:08,080
Speaker 1: two six, Little John Great two six zero nine Colorado

707
00:38:08,440 --> 00:38:12,959
Speaker 1: four Dash, Quit talking and start mixing good