WEBVTT - Raekwon Interview

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<v Speaker 1>Real people, real celebrity join the Breakfast Morning. Everybody is

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<v Speaker 1>DJ en vi Agela, Ye, Charlomagne, the guy. We are

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<v Speaker 1>the Breakfast Club special guests in the building right the

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<v Speaker 1>God what peace? Lord? How y'all? How y'all. First of all, congratulations.

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<v Speaker 1>This year is a twenty year anniversary of only Built

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<v Speaker 1>for Cuban Links, which is a huge deal. So as

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<v Speaker 1>we get in the concert, a purple tape concert. Oh

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<v Speaker 1>you already know, you know, we got a whole whole

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<v Speaker 1>forty five day to layout getting way come up in July,

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<v Speaker 1>so we're gonna pay homage and do that album. Are

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<v Speaker 1>being hand about the documentary? Yeah, documentary is officials coming out.

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<v Speaker 1>Though you have original for this from back when you

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<v Speaker 1>were actually doing that album. Yeah, we got some stuff though,

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<v Speaker 1>but the way we're doing this one is like it's

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<v Speaker 1>it's different and it's more like us building to y'all.

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<v Speaker 1>It ain't like accolades and all of that. It's more

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<v Speaker 1>like y'all talking to us now the beginning. When you

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<v Speaker 1>crafted that album twenty years ago, did you think it

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<v Speaker 1>would not only staying the test of time that it had,

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<v Speaker 1>but it was it was a hip hop classic. When

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<v Speaker 1>you was doing it. I felt like that I was

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<v Speaker 1>in my prime. Um you know, when you're making your

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<v Speaker 1>first album, you know that shit that should number one

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<v Speaker 1>right there. So I was just giving y'all a reflection

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<v Speaker 1>of what I was seeing coming up, and um, I

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<v Speaker 1>felt good about it. After I made it, I was,

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<v Speaker 1>you know, I was. I didn't even want videos. I

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<v Speaker 1>wanted a whole flick, you know, when they was like

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<v Speaker 1>they was thinking a brother was going too far dreaming,

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<v Speaker 1>you know, But I was just feeling like that because

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<v Speaker 1>it was different. You know, I made it different. I

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<v Speaker 1>wanted it to be different because I felt like, you know,

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<v Speaker 1>everybody had their own style out there, and I just

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<v Speaker 1>wanted to come with something new. There is a dude

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<v Speaker 1>Beach specifically for that album, or didn't he just have

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<v Speaker 1>stuff like that in the stash already? Um nah, he

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<v Speaker 1>you know, he definitely, you know, it was doing a

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<v Speaker 1>lot of things to it, you know, changing up Beach.

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<v Speaker 1>One thing about Raw when he was making Beach, it

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<v Speaker 1>was like you might have run to this and it

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<v Speaker 1>came out to be something like that. So you know,

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<v Speaker 1>some of the beasts, like Glaciers of Ice, they was different.

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<v Speaker 1>It was different. Now let's talk about the new album

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<v Speaker 1>Flight International Luxurious all right, in particular the sound that

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<v Speaker 1>you did with Asap Rocky I Got Money. You really

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<v Speaker 1>brought him into your chamber. It's not like you tried

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<v Speaker 1>to be, you know, do something that's not you. It

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<v Speaker 1>really was like an updated flavor for Ray Kuan from

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<v Speaker 1>back in the day. But it's modern. But it's not like, oh,

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<v Speaker 1>this isn't no. It sounds like you really put a

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<v Speaker 1>step Rocky on something that sounds like a ray Kuon beat. Yeah.

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<v Speaker 1>I mean, you know, you know, I'll just get up

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<v Speaker 1>in there and just do what I feeling. I felt

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<v Speaker 1>like that b cater to the young audience. Um, you know,

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<v Speaker 1>I just felt like he could rock it. You know.

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<v Speaker 1>Of course we had a relationship already in the past

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<v Speaker 1>on working on stuff, and I just felt like, you know,

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<v Speaker 1>let me connect with the young you know, and somebody

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<v Speaker 1>from my town. You know. I like what he's doing.

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<v Speaker 1>He a thoroughbreak good person, you know, like yo, I

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<v Speaker 1>think he can rocket now. He stayed in the You

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<v Speaker 1>stayed independent on this one. Now, you were probably one

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<v Speaker 1>of the first artists that went independent and that was

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<v Speaker 1>successful going independent when you dropped album, So you're not

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<v Speaker 1>you're not going back to me. It's not gonna happen. Huh.

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<v Speaker 1>Right now, you know the control fact, I can't even

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<v Speaker 1>I can't even let nobody be my boss right now.

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<v Speaker 1>You gotta you gotta be cutting a big, big, big,

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<v Speaker 1>horrific check, a scary one where I gotta make that decision.

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<v Speaker 1>One of the first, one of the first one to

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<v Speaker 1>be successful as a rapper to do it because he

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<v Speaker 1>was because you know, most of these rappers, the South

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<v Speaker 1>Houston me, I mean from Midside to really do independent

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<v Speaker 1>on his own and be very successful doing it. But

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<v Speaker 1>you had a lot of guest appearances on this album

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<v Speaker 1>as well. So how does that work? Do they just

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<v Speaker 1>say favorite for favor or you know, I know you

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<v Speaker 1>got the budget that you opened them up. It's it's

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<v Speaker 1>probably different when you got to spend your own money now,

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<v Speaker 1>I mean, you know, definitely relationships is important on you

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<v Speaker 1>know a lot of dudes, they wouldn't even take my money,

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<v Speaker 1>right you know, you know a lot of dudes they

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<v Speaker 1>called me. You know, I don't ask for money. You know,

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<v Speaker 1>if your label called me, then yeah, I want some money.

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<v Speaker 1>That's the pleasure of being independent of your label calling me.

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<v Speaker 1>What you call me and me and you you know,

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<v Speaker 1>we were cool like that. I might ask for a dollar,

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<v Speaker 1>you know, she'll give me a dollar. Do you feel

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<v Speaker 1>the need that you said, you said you have to

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<v Speaker 1>be that cater to the young folks. Do you feel

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<v Speaker 1>the cat to the young crowd? You have to, you

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<v Speaker 1>know when you when you're doing business, and you know

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<v Speaker 1>that you know, because we we we we nineties dudes.

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<v Speaker 1>So you know a lot of these dudes they just

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<v Speaker 1>heard of us. You know, they heard from Nate brothers

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<v Speaker 1>or mothers or fathers or whatever. But yeah, you have

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<v Speaker 1>to transition yourself a little bit to really adapt to

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<v Speaker 1>what's going on, you know, in order to stay relevant.

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<v Speaker 1>Rather is it hard. Do you have to dumb down

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<v Speaker 1>a little bit or not? I ain't dumbing and I'm

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<v Speaker 1>just being me man, just giving them what they know.

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<v Speaker 1>You know, a lot of times dudes are want to

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<v Speaker 1>do something with us based on the fact of the

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<v Speaker 1>reputation that we were carrying a business. So if you're

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<v Speaker 1>winning across an artist that you know it's very successful

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<v Speaker 1>and you want to come up and you know he's

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<v Speaker 1>still out there. You know, dudes want to work with you.

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<v Speaker 1>They you know, they feel like it's an honor to

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<v Speaker 1>do that. Who are some other people that you like?

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<v Speaker 1>Now that's young? I know you guys like Drake because

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<v Speaker 1>obviously Drake paid homage to Booting as well. But who

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<v Speaker 1>are some other terrible record though by the way, he

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<v Speaker 1>sloated yours down way too much. Can't turn it Twitter

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<v Speaker 1>love song like love songs though, sole music, all of that.

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<v Speaker 1>Oh yeah, you know I'm heavy on that, you know, Yeah, yeah,

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<v Speaker 1>I definitely said I definitely want to heard the beat.

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<v Speaker 1>I was like, yo, it could be a little iller though,

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<v Speaker 1>you know, I felt like that. But who else do

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<v Speaker 1>you like? Now? Like what new artists were you like?

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<v Speaker 1>Okay about to that? Like Chinks? You know, I think

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<v Speaker 1>Chinks is a dope young g coming up doing this thing.

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<v Speaker 1>Um a couple of cats, you know, few cats from

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<v Speaker 1>all over Dave East Okay, yeah, I think he liked

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<v Speaker 1>one of the new top dudes coming out. You still

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<v Speaker 1>a Toronto from from Um, I still got something. I

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<v Speaker 1>had to let a couple go though, you know, you

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<v Speaker 1>know they was lacking in certain departments and I ain't

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<v Speaker 1>in the force and nobody to you know, to win

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<v Speaker 1>if you don't lazy, you know how that be you know,

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<v Speaker 1>just just you, you know, you want to you try

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<v Speaker 1>to coach dudes and tell them they gotta work real

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<v Speaker 1>hard because you know, hit records don't just come overnight,

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<v Speaker 1>you know. And my thing is, if you don't get

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<v Speaker 1>it and you're not really ready to think like that

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<v Speaker 1>or network, when I'm when I'm setting you up with

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<v Speaker 1>these plays for you to get on it, and you're not,

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<v Speaker 1>You're showing me right there you don't want it. You

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<v Speaker 1>think it was harder when you were coming up because

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<v Speaker 1>it required a lot more legwork to blow up a

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<v Speaker 1>lot more talent, Yeah, a lot more talent at more

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<v Speaker 1>leg work, and it feels like it's a lot more oversaturated.

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<v Speaker 1>And I also feel like sometimes people think things come

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<v Speaker 1>a lot quicker and easier because they just go online

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<v Speaker 1>put out stuff. They just all they gotta do is

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<v Speaker 1>flood the internet, go on Twitter, you know, go on

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<v Speaker 1>Instagram and all of that. You think it was a

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<v Speaker 1>lot harder. Um, I think it was harder for us,

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<v Speaker 1>right for you. It's easier right now for everybody. It's

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<v Speaker 1>just all about you know, having content and just trying

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<v Speaker 1>to be a net you know network, you know, everything

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<v Speaker 1>is about networking. You know, a lot of times all

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<v Speaker 1>this come in and they think, oh, I just gotta

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<v Speaker 1>rhyme and that's it. You know that ain't know all

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<v Speaker 1>you gotta do. You know, you gotta build relationships. You gotta,

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<v Speaker 1>you know, show me that. You know. It's like, I

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<v Speaker 1>guess I feel like that now because now I understand

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<v Speaker 1>how the labels was looking at us back then, like

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<v Speaker 1>you know, and we just was doing whatever we wanted

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<v Speaker 1>to do. But it's important though, when you when you

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<v Speaker 1>want to win. I think from the from the whole,

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<v Speaker 1>from the whole woll clan. I think you're probably the

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<v Speaker 1>one that got it early because you You're probably the

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<v Speaker 1>one that's recognizable, that goes out every night that I

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<v Speaker 1>see all the time, that mingles the other other dude

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<v Speaker 1>don't really like now and let's be clear, definitely been

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<v Speaker 1>getting his body. Ray is out. Ray is out in

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<v Speaker 1>the young clubs. He's out in the old Ray is

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<v Speaker 1>out all the time, young chicks. That's why that Ray

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<v Speaker 1>propable on you rag moving appreciate this lifestyle. You know,

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<v Speaker 1>we said him talking about you on divorce court, you know,

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<v Speaker 1>breaking up Happy Home, the old clan, the whole, everybody. Now,

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<v Speaker 1>to be clear, I did say this when I saw

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<v Speaker 1>that divorce court and she said she stayed out all

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<v Speaker 1>night with the wool taint. Nothing happened. I said, that's possible,

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<v Speaker 1>I said, because they couldn't. I could have been playing chess,

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<v Speaker 1>you know, Ray Kuan could have been cooking up some steaks.

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<v Speaker 1>I mean, let me tell you something, man. Every time,

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<v Speaker 1>you know, you know, it's so crazy because you know,

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<v Speaker 1>we got all kind of fans and that, you know,

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<v Speaker 1>it ain't it ain't always that, you know what I mean,

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<v Speaker 1>Like we sit up and just have great conversation just

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<v Speaker 1>because they're cool like that. You know. It's been times

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<v Speaker 1>where you know, dudes came with their girls and you know,

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<v Speaker 1>we're like, yo, you want to hear you know, and

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<v Speaker 1>you just sometimes just chill with them, you know, just

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<v Speaker 1>to see the reaction on their face, you know, and

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<v Speaker 1>let them know, like, yo, we're real people. You know.

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<v Speaker 1>I like to see fans like you know, just be like, oh,

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<v Speaker 1>I'm in I'm in the chef right now, what's going on?

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<v Speaker 1>And yeah, I'll get you like ten fifteen minutes, you know,

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<v Speaker 1>and we have her ghost face saying you god damn rights,

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<v Speaker 1>but you were till seven am. We have you got

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<v Speaker 1>called like that before as a girl's man called y'all

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<v Speaker 1>before we got the ya before. Oh it was happening

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<v Speaker 1>for I remember it was stories. I remember y'all. This kid.

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<v Speaker 1>It was this little young white kid. You know. They

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<v Speaker 1>had this girl on the bus rock boy, and you know,

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<v Speaker 1>it was so funny because it was like she was

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<v Speaker 1>in the back nervous, like he's like he's head, Like, oh,

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<v Speaker 1>he's head. So you know, we like, all right, he's here,

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<v Speaker 1>so yo, while homeboy came on the bus looking for

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<v Speaker 1>his girl. He didn't even get an invite. He just

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<v Speaker 1>walked on. So you know, respected him after that. I

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<v Speaker 1>you usually do to be like what, but automatically, you know,

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<v Speaker 1>we just sat back and see how he was moving.

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<v Speaker 1>And he came on a bus and you know he

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<v Speaker 1>was like you know your hold you know the meaning yo.

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<v Speaker 1>He was really you know, he was really like telling

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<v Speaker 1>like the security dudes like yo, nah nah. So they

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<v Speaker 1>like had to throw him off the bus, but yo,

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<v Speaker 1>he fought his way off the bus. The girl. Yeah nah,

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<v Speaker 1>you know, we no get your man, no, you know

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<v Speaker 1>what I mean. But it was funny though. Man, I

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<v Speaker 1>respected dude going after. You know, I remember girls used

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<v Speaker 1>to drive behind the tour bus, go from city to city,

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<v Speaker 1>just following woutang. But that's all part of that road life,

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<v Speaker 1>you know at that time, at that time, does it

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<v Speaker 1>bother you that is he trying to get it? You know,

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<v Speaker 1>you're trying to have news on the streets still to

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<v Speaker 1>a out door Yeah, I mean you know, um yeah,

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<v Speaker 1>dudes is always moving. Man. You just did Coachella, which

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<v Speaker 1>was huge. Yeah, chef just did that, Me and Goest

0:11:31.960 --> 0:11:36.800
<v Speaker 1>eighty five thousand. He Why do you think hip hop

0:11:36.920 --> 0:11:38.800
<v Speaker 1>can't have the same thing that like rock and roll

0:11:38.880 --> 0:11:41.560
<v Speaker 1>has with a rolling stones, can still go out there

0:11:41.600 --> 0:11:44.319
<v Speaker 1>and tour. I mean we could. I mean it's just

0:11:44.440 --> 0:11:48.640
<v Speaker 1>all about, you know, making sure everything is organized, you

0:11:48.760 --> 0:11:50.439
<v Speaker 1>know that to be dope to see that, you know,

0:11:50.559 --> 0:11:53.640
<v Speaker 1>I always believe that it's possible. You know. It's just

0:11:53.760 --> 0:11:56.480
<v Speaker 1>all about connecting with the artist. It's like when y'all

0:11:56.520 --> 0:11:59.240
<v Speaker 1>do big shows, you know, y'all y'all tally them up.

0:11:59.320 --> 0:12:01.920
<v Speaker 1>It's like you need to see more of that, while

0:12:02.000 --> 0:12:04.280
<v Speaker 1>wait will only do it once a year, right. I

0:12:04.280 --> 0:12:06.079
<v Speaker 1>think hip hop is younger than rock and roll too,

0:12:06.240 --> 0:12:09.440
<v Speaker 1>so we'll get to that point where, you know, twenty

0:12:09.559 --> 0:12:11.760
<v Speaker 1>years since the only built for Cuban links and it's

0:12:11.760 --> 0:12:13.360
<v Speaker 1>still something that you could go out and do and

0:12:13.440 --> 0:12:16.160
<v Speaker 1>do forty five shows off. This much difficult because somebody

0:12:16.160 --> 0:12:19.000
<v Speaker 1>originators can't go out there and tours. It's very difficult

0:12:19.000 --> 0:12:21.400
<v Speaker 1>for them, very difficult for them. I just like, we

0:12:21.440 --> 0:12:24.400
<v Speaker 1>don't think we support ourselves. And I think in our genre,

0:12:24.520 --> 0:12:26.800
<v Speaker 1>if we get older, it's like, oh they whacked. Yo.

0:12:26.920 --> 0:12:28.320
<v Speaker 1>I feel like if it ain't this air that does,

0:12:28.360 --> 0:12:30.280
<v Speaker 1>it ain't gonna happen. If it ain't wut they can

0:12:30.360 --> 0:12:32.679
<v Speaker 1>do it now as they can do it. Yep. You

0:12:32.720 --> 0:12:34.520
<v Speaker 1>know Hole still does it. But it's like if this

0:12:34.720 --> 0:12:36.240
<v Speaker 1>er can't do it, I don't see it. I don't

0:12:36.280 --> 0:12:39.079
<v Speaker 1>see it happening. Yo. The music, it's all about the

0:12:39.240 --> 0:12:41.679
<v Speaker 1>music though. If the music is timeless the people, you know,

0:12:42.360 --> 0:12:44.400
<v Speaker 1>I guess for us, you know, we could still tour

0:12:44.559 --> 0:12:47.199
<v Speaker 1>file first albums. You know, I made a lot of

0:12:47.280 --> 0:12:50.199
<v Speaker 1>money just singing the joints that everybody want to hear,

0:12:50.720 --> 0:12:52.679
<v Speaker 1>you know, and not. And sometimes I'll be I'll be like,

0:12:52.800 --> 0:12:54.480
<v Speaker 1>you know, I'm tired of doing them. I want to

0:12:54.520 --> 0:12:58.040
<v Speaker 1>do new stuff, but this is what they request. You know,

0:12:58.160 --> 0:13:00.640
<v Speaker 1>you can't go to a key sweat join and don't

0:13:00.679 --> 0:13:02.559
<v Speaker 1>think that you ain't gonna hear I want all you know,

0:13:02.679 --> 0:13:07.240
<v Speaker 1>you trust you know you want those. So we just

0:13:07.480 --> 0:13:09.320
<v Speaker 1>we just have to get the fans what they want.

0:13:09.440 --> 0:13:11.480
<v Speaker 1>You know, you said you feel well. I read somewhere

0:13:11.480 --> 0:13:13.760
<v Speaker 1>where you said you feel better now than you did

0:13:13.840 --> 0:13:18.840
<v Speaker 1>twenty years ago. Yeah, just you know, just mentally physically.

0:13:19.040 --> 0:13:22.600
<v Speaker 1>You know, it's just all about knowing your cloth. Now

0:13:22.760 --> 0:13:25.839
<v Speaker 1>I get it. I understand my brand. You know, you

0:13:26.120 --> 0:13:27.960
<v Speaker 1>couldn't feel a certain kind of way if you ain't

0:13:27.960 --> 0:13:31.319
<v Speaker 1>have a brand. Me knowing how internationally this brand is,

0:13:31.400 --> 0:13:33.439
<v Speaker 1>It's like, I'm just trying to go out there and

0:13:33.520 --> 0:13:35.160
<v Speaker 1>do what I was supposed to do. You don't. I

0:13:35.200 --> 0:13:36.880
<v Speaker 1>don't just do this for me. I do this for

0:13:37.480 --> 0:13:40.199
<v Speaker 1>you know, the flagship or the crew, you know, because

0:13:40.200 --> 0:13:42.520
<v Speaker 1>I know that it can help all of us, you know,

0:13:42.559 --> 0:13:44.920
<v Speaker 1>as long as they just know somebody moving. It's like

0:13:45.080 --> 0:13:47.400
<v Speaker 1>Wou Chang is always gonna be in the air. Right.

0:13:47.840 --> 0:13:51.599
<v Speaker 1>But made you realize you had to be an entrepreneur um, Like,

0:13:51.840 --> 0:13:53.040
<v Speaker 1>was there a point when you were like, Okay, this

0:13:53.160 --> 0:13:56.000
<v Speaker 1>is ridiculous. I'm not getting this and I'm supposed to

0:13:56.040 --> 0:13:57.880
<v Speaker 1>get this should be happening. I need to know what's

0:13:57.880 --> 0:14:00.280
<v Speaker 1>going on with my business. Was there a point time

0:14:00.280 --> 0:14:02.640
<v Speaker 1>when you just realized, didn't say, Okay, I need to

0:14:02.720 --> 0:14:05.080
<v Speaker 1>get this in orders, in order, this in order? Yeah,

0:14:05.160 --> 0:14:07.439
<v Speaker 1>I mean, you know, just just feeling like at some

0:14:07.559 --> 0:14:10.440
<v Speaker 1>point you be getting jerked in the business. You wake up,

0:14:10.640 --> 0:14:12.560
<v Speaker 1>you know, you're like, yo, hold on, let me focus

0:14:12.679 --> 0:14:15.480
<v Speaker 1>and really pay attention to what's going on. You know

0:14:15.640 --> 0:14:17.360
<v Speaker 1>that that might have been for me back in like

0:14:17.600 --> 0:14:21.680
<v Speaker 1>ninety eight ninety nine, my second album, you know, because

0:14:21.760 --> 0:14:26.200
<v Speaker 1>once Loud, once Loud did whatever, it didn't diminished. It

0:14:26.440 --> 0:14:29.520
<v Speaker 1>was like I went to UM, I went to another

0:14:29.600 --> 0:14:32.360
<v Speaker 1>set over there by Universal, and you know they was

0:14:32.440 --> 0:14:34.160
<v Speaker 1>kind of scared of me because they didn't know what

0:14:34.280 --> 0:14:37.360
<v Speaker 1>I was thinking, you know, so but me trying to

0:14:37.480 --> 0:14:41.120
<v Speaker 1>still be humbling, you know, let them dictate what they

0:14:41.240 --> 0:14:43.840
<v Speaker 1>may think is right. It's like I failed, you know,

0:14:43.960 --> 0:14:46.080
<v Speaker 1>so announced like I can't even really I gotta go

0:14:46.200 --> 0:14:48.200
<v Speaker 1>with what I feel right now. Is that the reason

0:14:48.200 --> 0:14:51.400
<v Speaker 1>the Mobilarity was so different from I wanted it to

0:14:51.440 --> 0:14:53.880
<v Speaker 1>be different. I want every album to be different. I

0:14:53.920 --> 0:14:57.120
<v Speaker 1>don't never want it to be like, you know, you're

0:14:57.120 --> 0:14:59.360
<v Speaker 1>gonna keep getting the same style for me, you know,

0:15:00.080 --> 0:15:02.200
<v Speaker 1>I guess that's I always want every album to be

0:15:02.320 --> 0:15:04.480
<v Speaker 1>even from this one. This one is like, this one

0:15:04.520 --> 0:15:07.480
<v Speaker 1>ain't built on a concept. This one is just lifestyle

0:15:07.640 --> 0:15:11.040
<v Speaker 1>right here. Just you seeing me twenty years later, still

0:15:11.200 --> 0:15:14.600
<v Speaker 1>giving y'all great music, you know, still keeping it where

0:15:14.680 --> 0:15:18.440
<v Speaker 1>y'all would expect me to keep it, and you know,

0:15:18.640 --> 0:15:24.480
<v Speaker 1>still still intertwining with the new Nah. This ain't got

0:15:24.520 --> 0:15:25.840
<v Speaker 1>nothing to do with them. They ain't coming with the

0:15:25.960 --> 0:15:29.760
<v Speaker 1>right back. I'm keeping a hunting. I ain't gone against them.

0:15:29.800 --> 0:15:31.440
<v Speaker 1>You know, I thought it would have been a dope move.

0:15:31.560 --> 0:15:35.280
<v Speaker 1>But you know, my thing is if you want you want,

0:15:35.640 --> 0:15:39.000
<v Speaker 1>you want support, you go out and ask for you

0:15:39.080 --> 0:15:41.960
<v Speaker 1>gotta less support, show you how it works. You know,

0:15:42.120 --> 0:15:43.960
<v Speaker 1>you can't try to act like you want support, but

0:15:44.040 --> 0:15:46.360
<v Speaker 1>then you know everything. It's like then what you want

0:15:46.400 --> 0:15:49.720
<v Speaker 1>support for? You know. And we talked about we talked

0:15:49.760 --> 0:15:52.280
<v Speaker 1>about some of the different stuff, you know, doing some

0:15:52.440 --> 0:15:54.760
<v Speaker 1>lines and all. I guess they just ain't really get it. Yeah,

0:15:54.800 --> 0:15:57.600
<v Speaker 1>they ain't understand. Now. What about that last Wooting album

0:15:57.640 --> 0:16:03.400
<v Speaker 1>that lest an event? Yeah, but I didn't host it.

0:16:03.480 --> 0:16:05.240
<v Speaker 1>You know, it's so funny. I bought a better Tomorrow

0:16:05.280 --> 0:16:07.640
<v Speaker 1>when it came out, and I literally just started listening

0:16:07.680 --> 0:16:10.280
<v Speaker 1>to it like two weeks ago. I don't know why.

0:16:10.320 --> 0:16:12.360
<v Speaker 1>I was like, what, I never listened to Better Tomorrow,

0:16:12.600 --> 0:16:15.600
<v Speaker 1>And I was surprised. It was really dope, like really

0:16:15.640 --> 0:16:21.360
<v Speaker 1>dope people talking to talking about it. It was different though,

0:16:21.440 --> 0:16:23.800
<v Speaker 1>I mean, you know it was it had a lot

0:16:23.880 --> 0:16:26.440
<v Speaker 1>of positive messages in it, you know, which that's what

0:16:26.600 --> 0:16:30.400
<v Speaker 1>Rizal wanted to do. But um, you know, it was

0:16:30.480 --> 0:16:32.560
<v Speaker 1>just something that he wanted to do. All were you

0:16:32.720 --> 0:16:35.120
<v Speaker 1>with that project a little bit? You know, we was

0:16:35.160 --> 0:16:37.200
<v Speaker 1>still going through our little thing, me and me and

0:16:37.400 --> 0:16:41.960
<v Speaker 1>Woo Chang management. You know, everything cool now, I mean,

0:16:42.080 --> 0:16:49.160
<v Speaker 1>you know, not really I was still ain't right, you know,

0:16:50.200 --> 0:16:53.720
<v Speaker 1>but we talking, conversation is open. I mean, these are

0:16:53.800 --> 0:16:56.000
<v Speaker 1>my brothers, man. At ends of the day, you know,

0:16:56.280 --> 0:16:59.800
<v Speaker 1>I don't. I don't never look at them like the enemy,

0:17:00.280 --> 0:17:03.440
<v Speaker 1>you know, regards to what we go through. I think

0:17:03.480 --> 0:17:07.600
<v Speaker 1>it's just more like we don't understand each other fully yet.

0:17:07.880 --> 0:17:10.800
<v Speaker 1>Business wise, maybe you don't connect. Yeah, business wise, we

0:17:10.880 --> 0:17:13.080
<v Speaker 1>don't you ever think that. Maybe y'all have grown apart,

0:17:13.160 --> 0:17:15.000
<v Speaker 1>but y'all still trying to keep it together just because

0:17:15.000 --> 0:17:17.280
<v Speaker 1>it's the woll it be like that, I mean, you

0:17:17.400 --> 0:17:19.959
<v Speaker 1>can't walk. It's hard for me to walk away from

0:17:20.040 --> 0:17:24.240
<v Speaker 1>something that that that that made me. You know, I

0:17:24.400 --> 0:17:27.560
<v Speaker 1>wasn't cut from that cloth to just not acknowledge that.

0:17:27.720 --> 0:17:30.639
<v Speaker 1>You know. One thing about us is like, well, argue

0:17:30.760 --> 0:17:32.920
<v Speaker 1>with you know, go all the way there, but we

0:17:33.000 --> 0:17:36.359
<v Speaker 1>won't physically take it there because you know, when if

0:17:36.440 --> 0:17:39.680
<v Speaker 1>it becomes that, then it's like it won't never come back,

0:17:40.600 --> 0:17:42.440
<v Speaker 1>you know, because we need those type of dudes. It's

0:17:42.440 --> 0:17:44.440
<v Speaker 1>like it's always going to haunt us. Like, yo, you

0:17:44.840 --> 0:17:47.280
<v Speaker 1>you got we got it in so I would never

0:17:47.480 --> 0:17:49.879
<v Speaker 1>I would never respect you know more. But you know,

0:17:50.000 --> 0:17:52.680
<v Speaker 1>at the end of the day, it's brotherhood. Man. It's like,

0:17:53.640 --> 0:17:55.960
<v Speaker 1>you know, for somebody who got a big family, brothers

0:17:56.000 --> 0:17:59.240
<v Speaker 1>and sisters, and you know sometimes you love your family

0:17:59.359 --> 0:18:02.840
<v Speaker 1>from distance. You're like, yo, stay over there. I'm gonna

0:18:02.840 --> 0:18:05.680
<v Speaker 1>stay over here, you know. But we don't wish each other.

0:18:05.920 --> 0:18:07.720
<v Speaker 1>You know, I don't wish you know, I ain't down

0:18:07.800 --> 0:18:09.679
<v Speaker 1>for that. I don't, you know, because I know when

0:18:09.720 --> 0:18:11.240
<v Speaker 1>you go get a bag, you go home to you

0:18:11.480 --> 0:18:15.680
<v Speaker 1>you know, my nephews, you know, catching the crew got

0:18:15.840 --> 0:18:18.440
<v Speaker 1>names after you know, they you name make seeds after.

0:18:18.560 --> 0:18:20.760
<v Speaker 1>Everybody's family is really tight. With each other. So it's

0:18:20.760 --> 0:18:24.280
<v Speaker 1>like you can't just yeah, you can't just walk away

0:18:24.320 --> 0:18:26.840
<v Speaker 1>from that. You know. That's one thing about us. We

0:18:26.840 --> 0:18:29.680
<v Speaker 1>ain't gonna never let money. You know. I'm gonna type

0:18:29.720 --> 0:18:32.359
<v Speaker 1>of dude like this if you if you take something

0:18:32.440 --> 0:18:35.320
<v Speaker 1>from me and it's swing some money and I love you,

0:18:36.320 --> 0:18:37.960
<v Speaker 1>it's like, I look at that was a way for

0:18:38.080 --> 0:18:40.000
<v Speaker 1>me to you know, see who you are. So it's

0:18:40.000 --> 0:18:43.239
<v Speaker 1>like if the money was the issue, I know who

0:18:43.320 --> 0:18:46.240
<v Speaker 1>you are now. You know, some people just get addicted to,

0:18:47.000 --> 0:18:49.320
<v Speaker 1>you know, feeling like that's how they gotta handle each

0:18:49.320 --> 0:18:52.240
<v Speaker 1>other's by robbing your friends, you know what I mean. Like,

0:18:52.840 --> 0:18:55.600
<v Speaker 1>if that's what you gotta do, bro, then yo, I

0:18:55.680 --> 0:18:57.639
<v Speaker 1>guess the money. You know, I ain't letting money. I

0:18:57.640 --> 0:19:00.760
<v Speaker 1>ain't letting money over overcome who I am right as

0:19:00.800 --> 0:19:02.680
<v Speaker 1>a person. You know that I ain't gonna do business

0:19:02.720 --> 0:19:04.840
<v Speaker 1>with you if the money, Yeah, you know, shame on

0:19:04.960 --> 0:19:07.159
<v Speaker 1>shame on you the first time. You know, I go

0:19:07.359 --> 0:19:09.480
<v Speaker 1>shame on me the next. It's better, Like, Yo, let's

0:19:09.480 --> 0:19:12.240
<v Speaker 1>just stop doing business. We can remain friends. I prefer

0:19:12.400 --> 0:19:14.879
<v Speaker 1>that sometimes even doing business today it's like, you know,

0:19:14.960 --> 0:19:17.240
<v Speaker 1>I let it, dude. No, Like if you feel like

0:19:17.680 --> 0:19:21.479
<v Speaker 1>the business is going to mess up the friendship, then yo,

0:19:21.680 --> 0:19:24.560
<v Speaker 1>just keep it moving. But I can't work with somebody

0:19:24.640 --> 0:19:26.800
<v Speaker 1>you know, I don't like you, and we get money,

0:19:27.240 --> 0:19:29.320
<v Speaker 1>but it's hard because people want to hear the music.

0:19:29.359 --> 0:19:30.960
<v Speaker 1>They want to hear, they want to hear, they want

0:19:31.000 --> 0:19:33.200
<v Speaker 1>to see the clan together like they want to see it.

0:19:33.240 --> 0:19:34.479
<v Speaker 1>So it was hard, you know, because I know you've

0:19:34.520 --> 0:19:36.439
<v Speaker 1>got people fans coming to you every day, like when

0:19:36.440 --> 0:19:38.400
<v Speaker 1>you're doing another album, when you're going on the road again.

0:19:38.520 --> 0:19:40.160
<v Speaker 1>And not to mention that other guys in the group,

0:19:40.240 --> 0:19:43.080
<v Speaker 1>I'm sure for some people they are dependent on the

0:19:43.160 --> 0:19:46.040
<v Speaker 1>whole entire group coming together because you know, definitely certain

0:19:46.080 --> 0:19:48.520
<v Speaker 1>members sold more records and have more recognition than others,

0:19:48.920 --> 0:19:51.280
<v Speaker 1>so it kind of helps other people out in the group.

0:19:51.359 --> 0:19:53.119
<v Speaker 1>If you're like, Okay, let's go do this together, it

0:19:53.200 --> 0:19:56.479
<v Speaker 1>hurts when certain members aren't gonna do it. Yeah, I mean,

0:19:56.560 --> 0:19:59.200
<v Speaker 1>but you know, it's it's all about organizing. You know.

0:19:59.359 --> 0:20:02.440
<v Speaker 1>You can't you can't put somebody in a situation that

0:20:02.560 --> 0:20:04.920
<v Speaker 1>we don't know what's going on. That's like, you know,

0:20:05.760 --> 0:20:09.200
<v Speaker 1>it's like you over there, envy, you got something going on.

0:20:09.880 --> 0:20:12.639
<v Speaker 1>But collectively, y'all, you know, y'all used to rolling with

0:20:12.720 --> 0:20:15.119
<v Speaker 1>each other, but it ain't them days no more. So

0:20:15.240 --> 0:20:18.240
<v Speaker 1>now when you're over there doing what you're doing, you know, yeah,

0:20:19.040 --> 0:20:20.800
<v Speaker 1>something kind of the table where they know that it

0:20:20.880 --> 0:20:22.560
<v Speaker 1>can happen, but at the end of the day, you

0:20:22.640 --> 0:20:25.199
<v Speaker 1>don't even know what's going on, you know. And then

0:20:25.280 --> 0:20:28.720
<v Speaker 1>you gotta make sure that if it's your criteria where

0:20:28.720 --> 0:20:31.120
<v Speaker 1>you at it, you can't just be forcing it because y'all,

0:20:33.080 --> 0:20:35.000
<v Speaker 1>I'm not gonna I'm not gonna do that. It's like,

0:20:35.000 --> 0:20:36.879
<v Speaker 1>at least give me the benefit of the doubt of

0:20:37.040 --> 0:20:39.600
<v Speaker 1>knowing what you're doing, you know, and then come back

0:20:39.640 --> 0:20:41.520
<v Speaker 1>to me. You know, we've been plenty of times where

0:20:41.560 --> 0:20:44.159
<v Speaker 1>we all sacrifice, you know, just to make sure we

0:20:44.280 --> 0:20:47.399
<v Speaker 1>all eat. But you know that could only go but

0:20:47.560 --> 0:20:50.080
<v Speaker 1>so farsome. It's hard with a team, man, because it's like,

0:20:50.160 --> 0:20:53.719
<v Speaker 1>you know, bigger than the teams. That's the best way.

0:20:53.800 --> 0:20:56.360
<v Speaker 1>But like you said, it's difficult because charlemagn't go one way,

0:20:56.440 --> 0:20:58.240
<v Speaker 1>Ego one way. I go one way. And you know,

0:20:58.320 --> 0:21:03.200
<v Speaker 1>we all have families that we gotta supports. What about

0:21:03.240 --> 0:21:05.320
<v Speaker 1>this album that's not supposed to be released for another

0:21:05.400 --> 0:21:08.920
<v Speaker 1>seventy five years or something like that I can't even really,

0:21:09.119 --> 0:21:14.879
<v Speaker 1>I can't elaborate on that. Have you heard it? Um? Nah, yeah, no,

0:21:14.960 --> 0:21:16.840
<v Speaker 1>I'm want I want you know, these are these are

0:21:16.880 --> 0:21:19.600
<v Speaker 1>records that was dusted off from me back in a day.

0:21:20.160 --> 0:21:22.840
<v Speaker 1>But um, you know, no, I ain't really hear it

0:21:22.920 --> 0:21:25.600
<v Speaker 1>like that. You and the originally y'all, y'all seem to

0:21:25.640 --> 0:21:29.280
<v Speaker 1>class musically. Was it always like this? Nah? I wasn't,

0:21:29.520 --> 0:21:32.200
<v Speaker 1>you know, But then again it was though, you know,

0:21:32.359 --> 0:21:36.200
<v Speaker 1>it was we always was collectively down with the production side,

0:21:36.240 --> 0:21:38.280
<v Speaker 1>you know, because we could we could feel a great

0:21:38.359 --> 0:21:40.760
<v Speaker 1>record when we hear it. You know, that's my thing.

0:21:40.960 --> 0:21:43.320
<v Speaker 1>I would I would sit in a classroom and look

0:21:43.359 --> 0:21:46.600
<v Speaker 1>at Rizzard like the teacher. But you know, you still

0:21:46.720 --> 0:21:48.840
<v Speaker 1>got to say something to the teacher sometimes if you

0:21:48.880 --> 0:21:51.200
<v Speaker 1>ain't feeling it right, you know. And I think that

0:21:52.600 --> 0:21:55.000
<v Speaker 1>he was just you know, at the level where he

0:21:55.119 --> 0:21:58.840
<v Speaker 1>felt like he was making everything that was knowing improven.

0:21:58.920 --> 0:22:02.000
<v Speaker 1>We was like, nah, mean that ain't it, you know?

0:22:02.280 --> 0:22:04.720
<v Speaker 1>And I just was the one that outspoken one, because

0:22:05.240 --> 0:22:08.760
<v Speaker 1>you know, I believe that you know, when any MC

0:22:08.960 --> 0:22:11.320
<v Speaker 1>that's nice, he gonna always be nice, you know. But

0:22:11.400 --> 0:22:14.480
<v Speaker 1>if he gets the proper production, he could be he

0:22:14.560 --> 0:22:17.479
<v Speaker 1>could be around you know more, And that's of my thing.

0:22:17.600 --> 0:22:19.440
<v Speaker 1>You know, when everybody look at the Woo they know

0:22:19.600 --> 0:22:22.160
<v Speaker 1>we capable of. I just wanted to have the brankets

0:22:22.200 --> 0:22:24.800
<v Speaker 1>that had the energy, you know that, you know that

0:22:25.280 --> 0:22:28.159
<v Speaker 1>the fight music that everybody wants. Not saying that he

0:22:28.280 --> 0:22:31.240
<v Speaker 1>can't be rounded. I mean, of course, but let's let's

0:22:31.280 --> 0:22:34.000
<v Speaker 1>still give them something that we all feel good about,

0:22:34.040 --> 0:22:36.000
<v Speaker 1>not just one dude, because I always think about that,

0:22:36.040 --> 0:22:38.880
<v Speaker 1>because he like there is always said that he had

0:22:38.960 --> 0:22:41.440
<v Speaker 1>full control. But none of the Woo Tank projects sounded

0:22:41.480 --> 0:22:43.359
<v Speaker 1>the same like Dirty Y album didn't sound like Yaws,

0:22:43.440 --> 0:22:46.760
<v Speaker 1>y'alls didn't sound like meth, Meth didn't sound like Yeah.

0:22:47.440 --> 0:22:50.200
<v Speaker 1>I mean, you know at that time, everybody was really

0:22:50.280 --> 0:22:53.760
<v Speaker 1>hands on and and being hands on with the project.

0:22:54.280 --> 0:22:57.159
<v Speaker 1>You know nowadays, with that particular project, it was just

0:22:58.680 --> 0:23:01.200
<v Speaker 1>racing foot, you know, race to get something out there,

0:23:01.280 --> 0:23:04.080
<v Speaker 1>when really that ain't how we normally do things. It's

0:23:04.080 --> 0:23:06.879
<v Speaker 1>probably different if you're in the studio together working something

0:23:07.920 --> 0:23:10.399
<v Speaker 1>than it is when you're sending stuff through email and

0:23:11.040 --> 0:23:13.320
<v Speaker 1>when you when you're making when when you were group

0:23:13.440 --> 0:23:15.920
<v Speaker 1>like Wout Chain Clan, you got to take time and

0:23:16.080 --> 0:23:19.280
<v Speaker 1>do it together you know, you know it's different when

0:23:19.280 --> 0:23:21.159
<v Speaker 1>you're doing your own things, then you could do it

0:23:21.240 --> 0:23:23.200
<v Speaker 1>the way you want to. But when because you know,

0:23:23.400 --> 0:23:26.320
<v Speaker 1>everybody want to make sure that you know, we like

0:23:26.480 --> 0:23:29.320
<v Speaker 1>the music, you know, if it's something that I made

0:23:29.440 --> 0:23:32.960
<v Speaker 1>or whatever or that's on the record, and um, you know,

0:23:33.000 --> 0:23:34.840
<v Speaker 1>I want to know how they all feel. I don't

0:23:34.880 --> 0:23:36.560
<v Speaker 1>want it to just be up there because it's like

0:23:37.080 --> 0:23:38.760
<v Speaker 1>me and Rizza felt like that. NA, I need to

0:23:38.840 --> 0:23:40.480
<v Speaker 1>know how you feel about it. You might say, Yo,

0:23:40.560 --> 0:23:43.040
<v Speaker 1>that ain't nick or yo. You know I could take

0:23:43.119 --> 0:23:45.520
<v Speaker 1>it right, so you know how to go. You know,

0:23:45.640 --> 0:23:48.120
<v Speaker 1>it's just all about everybody being there at one time

0:23:48.200 --> 0:23:50.080
<v Speaker 1>and just getting it in. Now. I'm waiting for this

0:23:50.160 --> 0:23:52.240
<v Speaker 1>bout ten biopick or something to happen because you see

0:23:52.280 --> 0:23:56.000
<v Speaker 1>they have the NWA one. Did I know, y'all have

0:23:56.240 --> 0:24:01.840
<v Speaker 1>got to talk about and you know that's something that

0:24:01.920 --> 0:24:05.320
<v Speaker 1>I'm looking forward to too. You know, it's a it's

0:24:05.320 --> 0:24:07.800
<v Speaker 1>a it's a mean story behind us, man. I guess

0:24:08.040 --> 0:24:09.800
<v Speaker 1>you know, I guess should have happened when it's time.

0:24:10.280 --> 0:24:12.520
<v Speaker 1>You know, when I think about the NWA story, like

0:24:12.600 --> 0:24:15.200
<v Speaker 1>it almost took them like twenty five years to really

0:24:16.080 --> 0:24:17.840
<v Speaker 1>really tell it the way they want to tell it.

0:24:18.400 --> 0:24:20.720
<v Speaker 1>You know, I think it's important to have a great director,

0:24:21.480 --> 0:24:23.760
<v Speaker 1>you know that really is willing to look in because

0:24:24.119 --> 0:24:28.240
<v Speaker 1>I tell anybody, be like when when when we came together,

0:24:28.560 --> 0:24:31.200
<v Speaker 1>it was like putting something together that wasn't meant to happen,

0:24:31.680 --> 0:24:34.800
<v Speaker 1>but it was meant to happen, you know, imagine you know,

0:24:35.280 --> 0:24:37.520
<v Speaker 1>It's like I tell tell dudes, you know when Rizzard

0:24:37.560 --> 0:24:40.400
<v Speaker 1>started calling anybody like you you you you you're coming

0:24:40.400 --> 0:24:43.680
<v Speaker 1>to studio. You know. We wasn't even we wasn't even

0:24:43.880 --> 0:24:47.040
<v Speaker 1>rapids like that. We just loved We loved the art

0:24:47.080 --> 0:24:49.480
<v Speaker 1>of it. We grew up in it. So it was

0:24:49.560 --> 0:24:51.359
<v Speaker 1>like I might have had a little bit of skill,

0:24:51.480 --> 0:24:53.080
<v Speaker 1>but I had a lot of hip hop in me,

0:24:53.680 --> 0:24:56.680
<v Speaker 1>you know. And he knew my potential. He knew certain dudes,

0:24:56.960 --> 0:24:59.399
<v Speaker 1>you know, certain dudes that was just around. Dudes got

0:24:59.480 --> 0:25:02.359
<v Speaker 1>put on you know master Killer, you know that's my brother.

0:25:02.480 --> 0:25:05.640
<v Speaker 1>He was with Jizza. You know, we loved him so much.

0:25:05.720 --> 0:25:08.280
<v Speaker 1>It was like, yeah, come in, you know what I mean.

0:25:08.440 --> 0:25:11.440
<v Speaker 1>His heart was was where it's supposed to be. And

0:25:11.520 --> 0:25:13.760
<v Speaker 1>it's like I've never seen a group made like this

0:25:13.920 --> 0:25:18.600
<v Speaker 1>before when first started, Yeah, you gull was locked up.

0:25:18.640 --> 0:25:21.000
<v Speaker 1>He just came home only had eight balls. He only

0:25:21.040 --> 0:25:22.800
<v Speaker 1>had like eight balls in the first up. Now he

0:25:22.880 --> 0:25:24.680
<v Speaker 1>always had heat thought. I mean, you know, it's just

0:25:24.800 --> 0:25:27.159
<v Speaker 1>that he was away. You know, he came out, he

0:25:27.320 --> 0:25:30.440
<v Speaker 1>was fresh, he had the afro. You know, you know,

0:25:30.560 --> 0:25:32.119
<v Speaker 1>he just had only a little bit of time to

0:25:32.240 --> 0:25:35.080
<v Speaker 1>make it happen. And that's what it was. You feel

0:25:35.119 --> 0:25:37.040
<v Speaker 1>like the artist, like Wu Tang and yourself set the

0:25:37.080 --> 0:25:40.000
<v Speaker 1>ball too high for New York that nobody's been able

0:25:40.040 --> 0:25:41.520
<v Speaker 1>to reach. You Like the next err just could not

0:25:41.720 --> 0:25:44.160
<v Speaker 1>do what Wu Tang did, what Nas did, what Jay did,

0:25:44.280 --> 0:25:47.639
<v Speaker 1>what boot Camp Click did. It just couldn't. Some things

0:25:47.680 --> 0:25:50.760
<v Speaker 1>just ain't gonna be duplicated, you know. And I think

0:25:50.840 --> 0:25:53.880
<v Speaker 1>that we wanted them type of group. Stat already, you're

0:25:53.920 --> 0:25:56.520
<v Speaker 1>not gonna get one of those, forget it. You know.

0:25:56.960 --> 0:25:58.680
<v Speaker 1>It's the same way I look at You're not gonna

0:25:58.680 --> 0:26:02.080
<v Speaker 1>get a run DMC. You know you're not gonna get

0:26:02.119 --> 0:26:07.720
<v Speaker 1>a NAS like that. You know, Um, you know, it's

0:26:07.760 --> 0:26:10.320
<v Speaker 1>just it's just all about your heritage, what you come from.

0:26:10.400 --> 0:26:12.359
<v Speaker 1>You know, if you if you come from music the

0:26:12.440 --> 0:26:15.439
<v Speaker 1>way we come from it, and you understand what it's about,

0:26:15.720 --> 0:26:19.439
<v Speaker 1>you know that's why I respect documentaries, because documentaries from

0:26:19.480 --> 0:26:21.800
<v Speaker 1>great artists it you know, it kind of like puts

0:26:21.840 --> 0:26:24.440
<v Speaker 1>you in perspective to see what they're going through. You know,

0:26:24.600 --> 0:26:26.639
<v Speaker 1>Like I was chilling yesterday. I was with Iced Tea.

0:26:26.720 --> 0:26:28.720
<v Speaker 1>I was at his crib. You know, he got this

0:26:28.840 --> 0:26:31.440
<v Speaker 1>podcast that you do, so you know, he, you know,

0:26:31.560 --> 0:26:33.440
<v Speaker 1>the legend out there, he doing what he's doing it

0:26:33.680 --> 0:26:36.720
<v Speaker 1>and surrounding his fan base next him, and you know,

0:26:36.800 --> 0:26:38.680
<v Speaker 1>we was going back and forth in stories, and a

0:26:38.720 --> 0:26:40.879
<v Speaker 1>lot of stories that he was saying was like I

0:26:41.080 --> 0:26:43.200
<v Speaker 1>was familiar with it, Like damn, it seemed like he

0:26:43.640 --> 0:26:46.600
<v Speaker 1>he telling my life, you know. And to me it's

0:26:46.640 --> 0:26:48.680
<v Speaker 1>just so important though, you know, because you really see

0:26:48.720 --> 0:26:51.440
<v Speaker 1>the greatness in the artist when you can see his story. Right.

0:26:52.160 --> 0:26:54.560
<v Speaker 1>And you talked about bringing Nazi stat in Island for

0:26:54.600 --> 0:26:57.880
<v Speaker 1>the first time to record for the album and everything. Yeah,

0:26:58.119 --> 0:26:59.560
<v Speaker 1>I'm sure y'all had a lot of people coming to

0:26:59.600 --> 0:27:02.920
<v Speaker 1>stating now nah, And I really don't nah, not really really.

0:27:03.920 --> 0:27:06.080
<v Speaker 1>Staton Allen was hot. Nobody want to get on the

0:27:06.119 --> 0:27:10.560
<v Speaker 1>ferry or whatever. Nobody you don't want to get stat now.

0:27:10.640 --> 0:27:13.040
<v Speaker 1>And you know, stat now is another another type of

0:27:13.480 --> 0:27:16.200
<v Speaker 1>another type of place, you know. I mean some cats

0:27:16.280 --> 0:27:19.000
<v Speaker 1>came through of course though, you know Smith and Wesson,

0:27:19.160 --> 0:27:21.760
<v Speaker 1>you know, dudes that really relate to the streets. But

0:27:21.880 --> 0:27:24.639
<v Speaker 1>we never really want the brain dudes around it, you know.

0:27:24.840 --> 0:27:27.239
<v Speaker 1>You know one time on one of my homeboys got

0:27:27.320 --> 0:27:29.680
<v Speaker 1>locked up and they threw them in the sale with

0:27:29.920 --> 0:27:32.879
<v Speaker 1>with with theces and all that they was playing them like,

0:27:33.200 --> 0:27:36.160
<v Speaker 1>because they knew he wasn't from there. So I don't

0:27:36.200 --> 0:27:38.639
<v Speaker 1>recommend dudes to go out there like that even now.

0:27:38.800 --> 0:27:43.920
<v Speaker 1>Still it's probably worse right now. You think nobody else

0:27:43.960 --> 0:27:46.679
<v Speaker 1>came out of Stanton knowledge. You think nobody else came

0:27:46.680 --> 0:27:51.040
<v Speaker 1>out of Staton knowledge, Um, like no other rappers. There

0:27:51.160 --> 0:27:53.840
<v Speaker 1>was a couple, yeah, you know, a couple of cats

0:27:54.000 --> 0:27:57.560
<v Speaker 1>tried though, but um, it's just all about the work ethic, man,

0:27:57.720 --> 0:28:04.199
<v Speaker 1>you know, from standing Yeah, I mean, I guess it's

0:28:04.240 --> 0:28:07.280
<v Speaker 1>just because they wasn't really putting it all the way down,

0:28:07.480 --> 0:28:09.199
<v Speaker 1>you know. It's you know, this is the one thing

0:28:09.240 --> 0:28:11.640
<v Speaker 1>about this sport right here. You gotta be out there,

0:28:12.200 --> 0:28:15.040
<v Speaker 1>you know. Um, I tell anybody and anybody from stating

0:28:15.040 --> 0:28:17.560
<v Speaker 1>now and that I love you. Gotta go out people,

0:28:17.640 --> 0:28:21.680
<v Speaker 1>gotta see y'all more, you know, you know, um, the music.

0:28:22.560 --> 0:28:25.160
<v Speaker 1>You just gotta make what it takes to show everybody

0:28:25.240 --> 0:28:27.239
<v Speaker 1>what it is. I tell anybody, if you make, if

0:28:27.280 --> 0:28:29.880
<v Speaker 1>you come out of stating owl and you do so much,

0:28:29.960 --> 0:28:32.200
<v Speaker 1>and I feel like it's enough for me to support

0:28:32.240 --> 0:28:34.320
<v Speaker 1>and I'm gonna support you. So it's like it's like

0:28:34.440 --> 0:28:36.399
<v Speaker 1>I give dudes that card, like, just show me what

0:28:36.480 --> 0:28:38.479
<v Speaker 1>you could do. Show me, you know what I mean,

0:28:38.480 --> 0:28:40.240
<v Speaker 1>if you can make it up to the radio station

0:28:40.360 --> 0:28:43.400
<v Speaker 1>and blah blah blay. Yeah, nine times out of ten,

0:28:43.480 --> 0:28:45.959
<v Speaker 1>I'm backing you up just because you from stating now,

0:28:46.360 --> 0:28:49.600
<v Speaker 1>just because I want to see that happen because we

0:28:49.800 --> 0:28:51.920
<v Speaker 1>need it, you know. And I know it's a lot

0:28:52.000 --> 0:28:54.600
<v Speaker 1>of talent out there, you know, but it's about that work.

0:28:54.880 --> 0:28:56.480
<v Speaker 1>I just feel like you're doing the right thing with

0:28:56.640 --> 0:28:58.640
<v Speaker 1>the Purple Tap Man. You got the documentary coming out

0:28:58.680 --> 0:29:00.720
<v Speaker 1>this year. You just dry the new album. Like I

0:29:00.760 --> 0:29:02.640
<v Speaker 1>feel like the ball was dropped for the thirty six

0:29:02.760 --> 0:29:05.000
<v Speaker 1>Chambers into the Wood tag when it was that twenty

0:29:05.040 --> 0:29:08.200
<v Speaker 1>year There was no doct about that, man, you know.

0:29:08.320 --> 0:29:11.520
<v Speaker 1>I mean it's just, you know, like I said, dealing

0:29:11.560 --> 0:29:14.680
<v Speaker 1>with a with a with a franchise team be everybody

0:29:14.760 --> 0:29:16.959
<v Speaker 1>gotta be in sync. You gotta have the right coaches

0:29:17.000 --> 0:29:19.840
<v Speaker 1>and the right people making sure we all on the

0:29:19.920 --> 0:29:22.360
<v Speaker 1>same page, you know, because it's it's so many of us.

0:29:23.000 --> 0:29:25.080
<v Speaker 1>You know, you can't talk though half of us and

0:29:25.120 --> 0:29:27.680
<v Speaker 1>then expect the others have to understand and we not

0:29:27.840 --> 0:29:30.600
<v Speaker 1>around each other everything. It's not like that, you know.

0:29:30.880 --> 0:29:33.480
<v Speaker 1>We one thing. We always sold y'all from the beginning,

0:29:33.520 --> 0:29:36.200
<v Speaker 1>and nobody in this room good fun on that. We said, Yo,

0:29:36.280 --> 0:29:38.440
<v Speaker 1>when we come in, we're gonna come in this way,

0:29:38.480 --> 0:29:41.720
<v Speaker 1>and then everybody would eventually do their own thing. That's

0:29:41.760 --> 0:29:44.600
<v Speaker 1>what's going on, you know that. You know, everybody made

0:29:44.640 --> 0:29:46.960
<v Speaker 1>a lot of money. You know, what you did with

0:29:47.080 --> 0:29:48.960
<v Speaker 1>your money is what you did. Where your career is

0:29:49.000 --> 0:29:51.240
<v Speaker 1>at is where it sat. You know, I could say

0:29:51.280 --> 0:29:54.120
<v Speaker 1>that for myself, I blew a lot of cash, you know,

0:29:54.360 --> 0:29:57.920
<v Speaker 1>and right now I'm just still fortunate to be able

0:29:57.960 --> 0:30:00.520
<v Speaker 1>to go out there and capitalize. You know, ain't in

0:30:00.640 --> 0:30:03.640
<v Speaker 1>nobody way. You know, I ain't. Ain't stopping you from

0:30:03.720 --> 0:30:06.200
<v Speaker 1>doing your one too, don't stop me from doing mine,

0:30:06.760 --> 0:30:08.560
<v Speaker 1>you know. And um, when it's time to come back

0:30:08.600 --> 0:30:11.280
<v Speaker 1>together and do chores, and we always could do that,

0:30:11.360 --> 0:30:14.080
<v Speaker 1>we could all who chang is gonna always be able

0:30:14.120 --> 0:30:17.200
<v Speaker 1>to go get millions of dollars every year. You know,

0:30:17.320 --> 0:30:19.960
<v Speaker 1>it's just all about the scheduling and the in the

0:30:20.080 --> 0:30:22.520
<v Speaker 1>in the in the business, the people, the whole team

0:30:22.600 --> 0:30:24.440
<v Speaker 1>still care about the w or is it just the

0:30:24.520 --> 0:30:27.160
<v Speaker 1>money thing? Nah? I think you know that the kids

0:30:27.200 --> 0:30:30.080
<v Speaker 1>always the w though, But you know the money is

0:30:30.160 --> 0:30:34.160
<v Speaker 1>just something that you know, don't play with nobody's money.

0:30:34.240 --> 0:30:37.720
<v Speaker 1>Be fair, be fair, you know, don't straight up straight

0:30:37.840 --> 0:30:42.520
<v Speaker 1>up there you go. Wow, we appreciate you joining us

0:30:43.920 --> 0:30:48.200
<v Speaker 1>out now International Luxurious shout out the oil, the oil

0:30:48.240 --> 0:30:51.040
<v Speaker 1>them super features on there. You know, I know, I

0:30:51.120 --> 0:30:53.400
<v Speaker 1>know this my first y'all know, this my first time

0:30:53.520 --> 0:31:00.640
<v Speaker 1>doing a record with this many facture features. Yeah, you

0:31:00.760 --> 0:31:04.000
<v Speaker 1>know that. That's the Melanie Fiona, that's Charlomie's Booth Melody

0:31:05.800 --> 0:31:11.760
<v Speaker 1>Lord Ray Ross. Yeah, you know everybody showed up. Now.

0:31:11.840 --> 0:31:16.000
<v Speaker 1>I don't even be watching it though. Wow, it's the

0:31:16.080 --> 0:31:17.200
<v Speaker 1>Breakfast Club, it's Ray