1 00:00:00,360 --> 00:00:04,200 Speaker 1: Big Man and DJ Scream bring you Big Facts hot 2 00:00:04,320 --> 00:00:07,480 Speaker 1: this podcast in the streets. Visit the new website today 3 00:00:07,760 --> 00:00:11,239 Speaker 1: www dot Big Facts pot dot com, a live for 4 00:00:11,320 --> 00:00:13,880 Speaker 1: first class sounds. You know who it is. DJ Scream, 5 00:00:13,960 --> 00:00:16,560 Speaker 1: Big Bang, Baby Jade, and we got a special guest 6 00:00:16,640 --> 00:00:18,880 Speaker 1: on Big Fact Today. He goes by the name of Millie's. 7 00:00:18,920 --> 00:00:22,840 Speaker 1: Millie's don't pull it up on Big Facts. What's up? 8 00:00:22,840 --> 00:00:24,440 Speaker 1: What's up? What's up? How are you feeling now? This 9 00:00:24,560 --> 00:00:27,440 Speaker 1: was an important one to come to. I'm glad. Timing 10 00:00:27,560 --> 00:00:29,920 Speaker 1: is everything. We definitely had this in the conversation for 11 00:00:29,960 --> 00:00:32,160 Speaker 1: some time, but I think this, this is the perfect time, 12 00:00:32,159 --> 00:00:34,720 Speaker 1: and everything really quickly before we get started, I gotta 13 00:00:34,720 --> 00:00:38,760 Speaker 1: stay shout out the chance, definitely shout out the shot 14 00:00:41,600 --> 00:00:46,800 Speaker 1: lashes and cheeks, chances the future, shout out, shout out 15 00:00:46,840 --> 00:00:50,960 Speaker 1: of right, millies, Millies. What's going on? Man? What's on 16 00:00:50,960 --> 00:00:53,199 Speaker 1: your mind today? What's your move? What's your what's your vibration? 17 00:00:53,320 --> 00:00:56,040 Speaker 1: I'm good, bro. I'm like learning, like how to be 18 00:00:56,960 --> 00:01:01,120 Speaker 1: a nationally recognized artist is different. Been him like where 19 00:01:01,160 --> 00:01:04,200 Speaker 1: I'm from, I've been him forever, but now for the 20 00:01:04,280 --> 00:01:06,720 Speaker 1: first time, I'm really learning how to like have an 21 00:01:06,800 --> 00:01:09,800 Speaker 1: artist grind and what it takes, Like the last sixty 22 00:01:09,840 --> 00:01:13,920 Speaker 1: days have been hectic, had been just draining on your body, 23 00:01:14,080 --> 00:01:15,640 Speaker 1: like the type of you know what I mean, the 24 00:01:16,360 --> 00:01:19,759 Speaker 1: type of situations you ain't constantly. I'm used to basically 25 00:01:19,800 --> 00:01:21,880 Speaker 1: being able to do some ship and then fall back 26 00:01:21,959 --> 00:01:24,720 Speaker 1: for five days, and it's not like that once ship 27 00:01:24,760 --> 00:01:27,160 Speaker 1: starts heating up. But I'm taking every opportunity, you know 28 00:01:27,200 --> 00:01:28,720 Speaker 1: what i mean, because it took a long time to 29 00:01:28,760 --> 00:01:32,559 Speaker 1: get here. So I'm just I'm I'm learning and I'm earning, 30 00:01:32,560 --> 00:01:33,880 Speaker 1: you know, I mean, what's you what you think that 31 00:01:33,920 --> 00:01:36,200 Speaker 1: moment was that kind of took you from being let's 32 00:01:36,240 --> 00:01:39,600 Speaker 1: say we used the word underground underground artists to I 33 00:01:39,600 --> 00:01:41,120 Speaker 1: still feel like I'm an undergrad. I feel like I'm 34 00:01:41,120 --> 00:01:43,400 Speaker 1: on underground superstar. I feel like that's like a like 35 00:01:43,440 --> 00:01:46,120 Speaker 1: a category that needs to be out there and wrapped now, 36 00:01:46,240 --> 00:01:49,320 Speaker 1: especially nowadays were like streaming and ship like that. There's 37 00:01:49,360 --> 00:01:52,560 Speaker 1: a lot of underground superstars like but on my guess, 38 00:01:52,640 --> 00:01:55,200 Speaker 1: the moment like I really started to crack through, like 39 00:01:55,400 --> 00:01:58,880 Speaker 1: on some national ship like the BT Cipher two thousand 40 00:01:58,920 --> 00:02:02,480 Speaker 1: and sixteen, I finessed my way in there. They put 41 00:02:02,480 --> 00:02:04,800 Speaker 1: me on National TV. I was the only rapper probably 42 00:02:04,800 --> 00:02:07,640 Speaker 1: in the history of the BT cipher to be in 43 00:02:07,680 --> 00:02:11,760 Speaker 1: there with no U, with no PR, no label. Hold 44 00:02:11,760 --> 00:02:14,919 Speaker 1: on you want on schedule to be Oh, I wasn't 45 00:02:14,960 --> 00:02:18,359 Speaker 1: on schedule. Bro I knew a cameraman, you know, Chris Robinson, 46 00:02:18,960 --> 00:02:22,320 Speaker 1: the director, so his son, little Chris, he shot the 47 00:02:22,320 --> 00:02:25,000 Speaker 1: cipher in Brooklyn. It's had like a warehouse, and he 48 00:02:25,040 --> 00:02:27,680 Speaker 1: would tell me, um yo, just pull up and maybe 49 00:02:27,720 --> 00:02:30,520 Speaker 1: somebody don't show up. So on two thousand and fourteen, 50 00:02:30,639 --> 00:02:35,760 Speaker 1: I pulled up. I sat for three days. I was hoping, 51 00:02:35,840 --> 00:02:39,720 Speaker 1: like damn, I hope somebody don't show up. It ain't happened. 52 00:02:39,720 --> 00:02:42,360 Speaker 1: Two thousand fifteen, I get to drop on the location again, 53 00:02:42,440 --> 00:02:45,880 Speaker 1: I slide back. I'll wait. This is when Kendrick Lamar. 54 00:02:45,919 --> 00:02:47,720 Speaker 1: You remember when Kendrick Lama said something I'm the King 55 00:02:47,800 --> 00:02:49,480 Speaker 1: of New York or some ship like that. So it's 56 00:02:49,520 --> 00:02:51,440 Speaker 1: like a little tense I remember that ship he came 57 00:02:51,480 --> 00:02:54,359 Speaker 1: through did his BT cipher. I sat for those three days. 58 00:02:55,080 --> 00:02:57,400 Speaker 1: The next year two thousand and sixteen. Now, mind you, 59 00:02:57,440 --> 00:02:59,400 Speaker 1: I got bars this whole time. I know what I'm 60 00:02:59,440 --> 00:03:01,840 Speaker 1: gonna say, and I know him. I out wrapped everybody 61 00:03:01,840 --> 00:03:04,280 Speaker 1: in this motherfucker if they let me in. But I'm 62 00:03:04,320 --> 00:03:07,040 Speaker 1: sitting there the first day in two thousand and sixteen. 63 00:03:07,120 --> 00:03:09,440 Speaker 1: I'm prepared to sit three days again. I'm really prepared 64 00:03:09,480 --> 00:03:14,720 Speaker 1: to do this ship the twenty years like. But yeah, 65 00:03:14,760 --> 00:03:17,400 Speaker 1: the first day in two thousand and sixteen, I'm sitting 66 00:03:17,400 --> 00:03:21,400 Speaker 1: there and uh, and they tell me, yo, somebody missed 67 00:03:21,440 --> 00:03:24,880 Speaker 1: their flight. So I'm like, oh, it's lit. So a 68 00:03:24,919 --> 00:03:26,680 Speaker 1: little Chris is like, I'm gonna send him a links 69 00:03:26,680 --> 00:03:28,440 Speaker 1: and ship. So he sends the links to like Jesse 70 00:03:28,600 --> 00:03:31,200 Speaker 1: Collins and yo me and um the lady Michelle I 71 00:03:31,280 --> 00:03:34,640 Speaker 1: believe it's her name, and he's like, yeah, they got 72 00:03:34,760 --> 00:03:36,560 Speaker 1: your links. They're looking at your ship right now when 73 00:03:36,600 --> 00:03:39,000 Speaker 1: I see him looking at the phone, but they just 74 00:03:39,040 --> 00:03:42,000 Speaker 1: look wild, unimpressed and ship. And I'm at like the 75 00:03:42,040 --> 00:03:44,800 Speaker 1: catering table where everybody's at and I'm like, you think 76 00:03:44,840 --> 00:03:46,839 Speaker 1: I should go over and talk to him, and like, yeah, 77 00:03:46,880 --> 00:03:49,760 Speaker 1: sh shoot your shot because it looks ugly. It looked 78 00:03:49,760 --> 00:03:52,240 Speaker 1: like it was clipped. Like they just look wild, unimpressed. 79 00:03:52,880 --> 00:03:55,160 Speaker 1: And I caught up. I walked across the room. Everybody 80 00:03:55,160 --> 00:03:57,440 Speaker 1: in there. It's like like hotbridge, like eight boogie and 81 00:03:57,760 --> 00:03:59,760 Speaker 1: was in there, like I think Russ was there, like 82 00:04:00,320 --> 00:04:03,320 Speaker 1: maybe not in the general um place where I was at, 83 00:04:03,400 --> 00:04:06,280 Speaker 1: but their camps definitely like a lot of people, probably 84 00:04:06,280 --> 00:04:08,680 Speaker 1: like fifty people in there. I walked across the room 85 00:04:08,720 --> 00:04:12,000 Speaker 1: and I'm like, um yo, Millie's whatever. Just I tried 86 00:04:12,040 --> 00:04:14,200 Speaker 1: to give him my little spill and ship like that 87 00:04:14,240 --> 00:04:16,320 Speaker 1: and uh and he just cut me off. He's like 88 00:04:16,320 --> 00:04:21,080 Speaker 1: wrap bro was blown. I'm like, I got my nerves up, 89 00:04:21,120 --> 00:04:23,919 Speaker 1: like I just I just got to wrap him. But 90 00:04:24,040 --> 00:04:26,360 Speaker 1: I'll be having certain bulletproof wraps, you know what I mean, 91 00:04:26,400 --> 00:04:28,680 Speaker 1: and whether I'm so, I could be wild drunk, I 92 00:04:28,680 --> 00:04:31,080 Speaker 1: could be an Antartica and the Blizzard with a tank 93 00:04:31,120 --> 00:04:33,600 Speaker 1: top on him. Remember this ship, you know what I mean. 94 00:04:33,680 --> 00:04:36,520 Speaker 1: So I went to wine of my bulletproof wraps and 95 00:04:36,560 --> 00:04:39,000 Speaker 1: I'm nervous, so like I got nerveus so like my 96 00:04:39,080 --> 00:04:41,760 Speaker 1: voice fake cracking while I'm wrapping this ship. But I 97 00:04:41,800 --> 00:04:44,640 Speaker 1: know I got that ship. So I get eight bars through. 98 00:04:44,640 --> 00:04:47,279 Speaker 1: They're still looking down on the eighth bar. They kind 99 00:04:47,279 --> 00:04:50,279 Speaker 1: of like look up. I'm like, all right, I got 100 00:04:50,279 --> 00:04:52,440 Speaker 1: the attention. By the twelfth bar, I feel like I 101 00:04:52,560 --> 00:04:55,400 Speaker 1: get a little like you know, a little head Bob 102 00:04:55,480 --> 00:04:58,440 Speaker 1: and ship on the sixteen bar. I rapped probably like 103 00:04:58,520 --> 00:05:00,560 Speaker 1: twenty bars and shipped on this near the bought. They 104 00:05:00,600 --> 00:05:02,480 Speaker 1: were all smiling but just a little bit like not 105 00:05:02,480 --> 00:05:04,839 Speaker 1: giving me too much play, but like just a little bit, 106 00:05:05,200 --> 00:05:07,200 Speaker 1: and they're like, all right, we're gonna huddle up about it. 107 00:05:07,240 --> 00:05:09,000 Speaker 1: But I just felt good that I got it off, 108 00:05:09,160 --> 00:05:11,159 Speaker 1: Like I don't want to leave nothing on the table 109 00:05:11,200 --> 00:05:13,680 Speaker 1: in life. Who's the first person to reach out to you? 110 00:05:13,760 --> 00:05:17,160 Speaker 1: After that? So after that, so yeah, they came back 111 00:05:17,200 --> 00:05:18,920 Speaker 1: and they said are you in the cipher? Boom put 112 00:05:18,960 --> 00:05:21,080 Speaker 1: me on that ship aired. I ended up leading off 113 00:05:21,120 --> 00:05:24,440 Speaker 1: the awards, you know, I think it was down here, Yeah, yeah, 114 00:05:24,480 --> 00:05:29,560 Speaker 1: it was, yeah, And so I let off the awards. 115 00:05:29,720 --> 00:05:32,359 Speaker 1: Um my ship was actually blown because I came to 116 00:05:32,560 --> 00:05:36,400 Speaker 1: Atlanta and they didn't air my ship in the little stadium, right, 117 00:05:37,120 --> 00:05:38,919 Speaker 1: so I'm like I might be clipped. Then they aired 118 00:05:38,920 --> 00:05:41,440 Speaker 1: it twice on National TV, so it was lit. But 119 00:05:41,640 --> 00:05:43,960 Speaker 1: um yeah we did it. It aired in the Charlotte 120 00:05:43,960 --> 00:05:46,800 Speaker 1: Magne was the first one to uh to say like 121 00:05:47,360 --> 00:05:49,919 Speaker 1: radio yeah, was like she was like, yo that that 122 00:05:49,960 --> 00:05:53,000 Speaker 1: white kid Millie's went crazy and v CO signed it 123 00:05:54,160 --> 00:05:56,479 Speaker 1: and yeah, she just started like getting lit from there. 124 00:05:56,760 --> 00:05:58,120 Speaker 1: And that's when I was like, all right, I could 125 00:05:58,160 --> 00:06:00,000 Speaker 1: really do this ship because before I had just been 126 00:06:00,160 --> 00:06:02,240 Speaker 1: going and I have been getting like paid features and 127 00:06:02,320 --> 00:06:05,479 Speaker 1: being him in Boston, but it wasn't to where I 128 00:06:05,520 --> 00:06:07,440 Speaker 1: wanted it to be at. And that's just showed me like, 129 00:06:07,440 --> 00:06:09,520 Speaker 1: all right, now that ship realistic. And I just followed 130 00:06:09,560 --> 00:06:11,640 Speaker 1: up with that ground like year after year and now 131 00:06:11,800 --> 00:06:14,360 Speaker 1: now we had big facts, man, big fucking facts. Man. 132 00:06:14,680 --> 00:06:17,760 Speaker 1: What's the coaches like in Boston? Like song from Cambridge 133 00:06:17,760 --> 00:06:19,479 Speaker 1: just like a little different, but it's right next to it. 134 00:06:19,480 --> 00:06:21,360 Speaker 1: I don't know, Like what's the girl who got the 135 00:06:21,400 --> 00:06:25,200 Speaker 1: song about a landing? She's like, you're not from yeah, 136 00:06:25,279 --> 00:06:27,320 Speaker 1: So it's like one of those situations. I got something 137 00:06:27,320 --> 00:06:30,480 Speaker 1: from like like right outside of the So from Cambridge, 138 00:06:30,520 --> 00:06:32,400 Speaker 1: Like we got a lot of basketball players. We gotta 139 00:06:32,760 --> 00:06:35,960 Speaker 1: like Cambridge like a melting pot of people, the most 140 00:06:36,040 --> 00:06:37,840 Speaker 1: languages that spoke. We got like a lot of people 141 00:06:37,839 --> 00:06:39,840 Speaker 1: from the Islands and ship like that, like Patrick you 142 00:06:40,120 --> 00:06:43,440 Speaker 1: from Cambridge, like ra Mell Robinson. We've got basketball players, 143 00:06:43,440 --> 00:06:45,360 Speaker 1: but it's all like six one seven culture, So it's 144 00:06:45,440 --> 00:06:47,200 Speaker 1: right there. Like if you get shot in Cambridge, you 145 00:06:47,240 --> 00:06:51,360 Speaker 1: go to Boston Hospital. We like I'm born in Boston Hospital. 146 00:06:51,400 --> 00:06:52,800 Speaker 1: I went to school. Like if you get shot in 147 00:06:52,800 --> 00:06:57,240 Speaker 1: the cat you got a grety yeah yeah whatever that. Yeah, 148 00:06:58,720 --> 00:07:01,360 Speaker 1: you know, yeah, like they got it's different, but it's 149 00:07:01,400 --> 00:07:04,719 Speaker 1: the same. But um, now, I mean the culture, you know, 150 00:07:04,760 --> 00:07:07,400 Speaker 1: we were very prideful and like sports and ship like that. 151 00:07:07,440 --> 00:07:09,640 Speaker 1: I feel like we don't got our like like the 152 00:07:09,720 --> 00:07:12,600 Speaker 1: music scene never really popped off since like Bobby Brown 153 00:07:12,680 --> 00:07:16,400 Speaker 1: and like you know like new Addition Zo and No. 154 00:07:18,040 --> 00:07:22,480 Speaker 1: But it's you know, it's tim and it. But yeah, 155 00:07:22,640 --> 00:07:25,160 Speaker 1: so like I mean it's it's a good culture of 156 00:07:25,320 --> 00:07:28,560 Speaker 1: artists coming up and ship like that, but we we 157 00:07:28,640 --> 00:07:30,760 Speaker 1: haven't had no stalls to really put the ship on 158 00:07:30,800 --> 00:07:32,800 Speaker 1: the map in a long time. So like a lot 159 00:07:32,800 --> 00:07:34,840 Speaker 1: of people like they don't believe in the music, they're 160 00:07:34,840 --> 00:07:36,880 Speaker 1: just starting to believe now, like for real that it's 161 00:07:36,920 --> 00:07:39,280 Speaker 1: just possible. Because we got me being Joine Lucas. We 162 00:07:39,320 --> 00:07:42,760 Speaker 1: got a few people going crazy. So when you were 163 00:07:42,840 --> 00:07:47,440 Speaker 1: like when you were coming up, um, throughout most of 164 00:07:47,480 --> 00:07:51,760 Speaker 1: your like school career, you were assigned to special education 165 00:07:51,800 --> 00:07:55,720 Speaker 1: classes right because of your because you have a d D. Yeah, 166 00:07:55,760 --> 00:07:58,239 Speaker 1: I got a d h D and a behavior disorder. 167 00:07:58,280 --> 00:08:11,680 Speaker 1: They said, Okay, right, but everybody, it's just so like 168 00:08:11,720 --> 00:08:15,240 Speaker 1: when you were when you were in those special education classes, 169 00:08:16,080 --> 00:08:20,080 Speaker 1: did that kind of discourage you from trying to be 170 00:08:20,240 --> 00:08:24,960 Speaker 1: normal or did that make you feel like, Okay, I'm different, 171 00:08:25,160 --> 00:08:29,160 Speaker 1: so this is something special about me. Now it's more 172 00:08:29,240 --> 00:08:31,240 Speaker 1: like the first one you said, because it's like, all right, 173 00:08:31,280 --> 00:08:33,400 Speaker 1: Like my classroom is like this right, it's like the 174 00:08:33,440 --> 00:08:35,600 Speaker 1: size of this room and it's just six kids and 175 00:08:35,640 --> 00:08:37,719 Speaker 1: we bug out all day. And I know that it's 176 00:08:37,760 --> 00:08:39,959 Speaker 1: a bunch of normal kids down the hallway because it's 177 00:08:40,000 --> 00:08:43,040 Speaker 1: thirty kids per class. So I'm like, really, cook, there's 178 00:08:43,080 --> 00:08:46,040 Speaker 1: something wrong with me. And so yeah, I think that 179 00:08:46,200 --> 00:08:48,480 Speaker 1: from like the jump, I knew, like I I'm different, 180 00:08:48,520 --> 00:08:50,719 Speaker 1: I'm not normal. So I'm gonna just I'm gonna take 181 00:08:50,720 --> 00:08:52,520 Speaker 1: a different path in life. I think that's what it 182 00:08:52,520 --> 00:08:55,079 Speaker 1: taught me. Like I'm gonna take a whole different path 183 00:08:55,240 --> 00:08:58,480 Speaker 1: because I'm young. I'm in sixth grade, but I'm but 184 00:08:58,559 --> 00:09:00,480 Speaker 1: I know, like, all right, if I can't sit in 185 00:09:00,480 --> 00:09:02,280 Speaker 1: the it's common sense. If I can't sit in the 186 00:09:02,360 --> 00:09:05,920 Speaker 1: class with thirty people, something's wrong with me. I gotta 187 00:09:06,040 --> 00:09:08,440 Speaker 1: you know, I gotta take another route. Than them thirty people. 188 00:09:08,520 --> 00:09:10,640 Speaker 1: So college was off the table. Ship like that, really, 189 00:09:10,679 --> 00:09:13,080 Speaker 1: school was off the table. I just wanted to play basketball, 190 00:09:13,080 --> 00:09:15,880 Speaker 1: and once I got cut from the freshman team. But like, 191 00:09:15,920 --> 00:09:18,280 Speaker 1: once I didn't make the freshman team and that was clipped, 192 00:09:18,840 --> 00:09:20,960 Speaker 1: it was all downhire there was at the beginning of 193 00:09:21,080 --> 00:09:25,520 Speaker 1: like some of the street history because ye as soon 194 00:09:25,520 --> 00:09:28,160 Speaker 1: as I got into like the special ed classes between 195 00:09:28,320 --> 00:09:31,640 Speaker 1: like my neighborhood and and and and being in there, 196 00:09:31,640 --> 00:09:32,880 Speaker 1: because it's like, all right, if we're all in the 197 00:09:32,920 --> 00:09:35,720 Speaker 1: special class, we're gonna bond every day on the bad ship, 198 00:09:35,920 --> 00:09:37,600 Speaker 1: Like you're the baddest kid. You're the baddest kid. We're 199 00:09:37,640 --> 00:09:40,480 Speaker 1: the baddest kids. We're gonna figure this ship out. So 200 00:09:40,520 --> 00:09:42,360 Speaker 1: like I feel like that's where it started, because I 201 00:09:42,400 --> 00:09:45,160 Speaker 1: started like trapping like young just being like around him 202 00:09:45,320 --> 00:09:47,400 Speaker 1: with with the mix of that, and then my neighborhood, 203 00:09:49,040 --> 00:09:51,520 Speaker 1: that's where it kind of started snowballing. And once basketball 204 00:09:51,640 --> 00:09:53,400 Speaker 1: was off the table, ship was clipped and it was 205 00:09:53,440 --> 00:09:55,800 Speaker 1: just and then but you go back to the you 206 00:09:55,840 --> 00:09:59,960 Speaker 1: got back to the school sometimes and talk to the kids. Yeah, yeah, 207 00:10:00,160 --> 00:10:02,920 Speaker 1: so I want to that's that's dope. I went to 208 00:10:03,240 --> 00:10:06,319 Speaker 1: South Boston Hi. That's where, like you know, like the 209 00:10:06,880 --> 00:10:09,440 Speaker 1: movies and ship come from, like The Departed and all that. 210 00:10:09,480 --> 00:10:12,400 Speaker 1: I went to South Boston, HI, and I asked them 211 00:10:12,440 --> 00:10:14,400 Speaker 1: in the class, I said, like, how many of y'all 212 00:10:14,480 --> 00:10:16,600 Speaker 1: feel like you can't be ship in life because you're 213 00:10:16,640 --> 00:10:18,679 Speaker 1: in this class right now, raise your hand. They're all 214 00:10:18,760 --> 00:10:21,040 Speaker 1: like this. So I just want to show them, like 215 00:10:21,280 --> 00:10:23,560 Speaker 1: you could do more. There's a lot of a lot 216 00:10:23,600 --> 00:10:25,960 Speaker 1: of people in special education. They just don't claim it. 217 00:10:27,000 --> 00:10:29,480 Speaker 1: Motherfucker's don't want to claim that. I know I put 218 00:10:29,520 --> 00:10:31,240 Speaker 1: that ship in Dinings, you know what I mean, that 219 00:10:31,400 --> 00:10:34,160 Speaker 1: was my thing, Like I put SPED SPED i e P. 220 00:10:34,360 --> 00:10:36,720 Speaker 1: Individual Education Planning. That's what they give you when they 221 00:10:36,720 --> 00:10:39,080 Speaker 1: first put you in there. So like, yeah, you know 222 00:10:39,160 --> 00:10:40,760 Speaker 1: that's big to me. I just want to show them kids, 223 00:10:40,800 --> 00:10:42,400 Speaker 1: like it's because I thought it was clipped for me 224 00:10:42,440 --> 00:10:45,280 Speaker 1: in life as soon as I was in there. So 225 00:10:45,320 --> 00:10:47,120 Speaker 1: if I could make a little difference by just letting 226 00:10:47,160 --> 00:10:48,920 Speaker 1: them know, like, all right, it's not clipped for you. 227 00:10:49,000 --> 00:10:53,360 Speaker 1: It's how it's however you carry it. You can yourself. Yeah, 228 00:10:53,400 --> 00:10:54,960 Speaker 1: but people don't want to say that they was in 229 00:10:55,000 --> 00:10:58,760 Speaker 1: special education. I just wear that ship proudly, like you know, 230 00:10:59,400 --> 00:11:02,640 Speaker 1: trying to get y'all medicine and ship. Yeah, they had 231 00:11:02,679 --> 00:11:05,680 Speaker 1: me on them. They had me on adderall early, like, yeah, 232 00:11:05,679 --> 00:11:07,920 Speaker 1: they had me on adderall to focus or maybe it 233 00:11:07,960 --> 00:11:11,000 Speaker 1: was riddling or adderall yeah, which actually, you know the 234 00:11:11,000 --> 00:11:14,040 Speaker 1: weird shites, that's a focused drug, and I could naturally rap, 235 00:11:14,160 --> 00:11:16,880 Speaker 1: so like I would just focus on rapping all day. 236 00:11:16,960 --> 00:11:19,200 Speaker 1: Like when some of them drugs, I'll be in school 237 00:11:19,240 --> 00:11:21,360 Speaker 1: and I just I'm still not focused on the class. 238 00:11:21,400 --> 00:11:23,719 Speaker 1: I'm just focused on my wraps and ship like that. 239 00:11:24,840 --> 00:11:29,760 Speaker 1: Who you raised about your parents and your mother grandmother mom? Yeah, yeah, 240 00:11:30,040 --> 00:11:33,520 Speaker 1: Like I have my pops until probably like seven eighth 241 00:11:33,559 --> 00:11:35,960 Speaker 1: grade and ship. Um. I would go to his house 242 00:11:36,000 --> 00:11:38,679 Speaker 1: on the weekends. But his house was like an artistic house, 243 00:11:38,720 --> 00:11:41,000 Speaker 1: like you ever heard the single wappa A closer to 244 00:11:41,200 --> 00:11:45,760 Speaker 1: my Yeah, Like when she when she went to Berkeley College, 245 00:11:46,679 --> 00:11:48,400 Speaker 1: she lived with me in that house like my pops 246 00:11:48,400 --> 00:11:50,320 Speaker 1: would have like a lot of artists. But at some point, 247 00:11:50,360 --> 00:11:52,920 Speaker 1: like my mom's took me out of that house. She 248 00:11:53,000 --> 00:11:55,600 Speaker 1: thought it was like, you know, better to kind of 249 00:11:55,800 --> 00:11:57,560 Speaker 1: be around her because it was a little hectic in 250 00:11:57,600 --> 00:12:00,679 Speaker 1: that house. Um, and then I was just yet full 251 00:12:00,760 --> 00:12:03,880 Speaker 1: time with my moms with some of the fix you think, uh, 252 00:12:04,200 --> 00:12:06,280 Speaker 1: not your dad not being around or you're not being 253 00:12:06,280 --> 00:12:09,880 Speaker 1: around your dad, or you're like I feel like, um, 254 00:12:09,920 --> 00:12:12,360 Speaker 1: I feel like I just wasn't kind of like, you know, 255 00:12:12,480 --> 00:12:14,920 Speaker 1: not to his detriment because like I funk with my pops. Now, 256 00:12:15,559 --> 00:12:17,280 Speaker 1: like when when you grow up, you realize, all right, 257 00:12:17,280 --> 00:12:20,520 Speaker 1: my pops was just a dude. We having kids, you know, 258 00:12:20,559 --> 00:12:24,560 Speaker 1: we want them to be superheroes and ship. But I 259 00:12:24,600 --> 00:12:26,800 Speaker 1: feel like the ship that shocked me in life was 260 00:12:26,960 --> 00:12:30,199 Speaker 1: like when I would go outside, nobody really told told 261 00:12:30,240 --> 00:12:32,520 Speaker 1: me that, like the world is cold like that I 262 00:12:32,559 --> 00:12:36,160 Speaker 1: had to find out, like I was going outside and 263 00:12:36,280 --> 00:12:38,480 Speaker 1: those punching me in my face for no reason and 264 00:12:38,559 --> 00:12:41,280 Speaker 1: ship like and learning, oh I gotta find I had 265 00:12:41,280 --> 00:12:43,200 Speaker 1: to learn all of this ship by myself, and that 266 00:12:43,320 --> 00:12:46,000 Speaker 1: kind of gave me like a resentment towards him in 267 00:12:46,040 --> 00:12:49,000 Speaker 1: the beginning because I wasn't prepared for violence. I wasn't 268 00:12:49,000 --> 00:12:51,720 Speaker 1: prepared for you know, just kind of like being a 269 00:12:51,760 --> 00:12:54,679 Speaker 1: man type ship. And I had to teach myself that 270 00:12:54,720 --> 00:12:57,200 Speaker 1: and then just look at like whatever role models I 271 00:12:57,280 --> 00:12:59,600 Speaker 1: had to kind of teach me that too. But I 272 00:12:59,640 --> 00:13:01,640 Speaker 1: think that I think that was one of the things 273 00:13:01,679 --> 00:13:03,480 Speaker 1: where it was a little harder being with, you know, 274 00:13:03,600 --> 00:13:05,440 Speaker 1: like a single mom, because she could even my mother's 275 00:13:05,440 --> 00:13:09,200 Speaker 1: like anti violence, Like my mother wasn't even like the 276 00:13:09,240 --> 00:13:11,280 Speaker 1: type to be like, oh, you better go whoop his 277 00:13:11,400 --> 00:13:13,599 Speaker 1: ass like I actually, if she was on that, I 278 00:13:13,600 --> 00:13:15,400 Speaker 1: would have probably called a smack by the time I 279 00:13:15,440 --> 00:13:19,840 Speaker 1: was fifteen, because I learned to fight back myself, you 280 00:13:19,880 --> 00:13:21,960 Speaker 1: know what I mean. I was like, no, I'm gonna 281 00:13:22,120 --> 00:13:24,560 Speaker 1: I just realized, like I could either face this ship 282 00:13:24,600 --> 00:13:27,800 Speaker 1: and fight, or I can never come around in the 283 00:13:27,840 --> 00:13:31,080 Speaker 1: basketball courts right next to my house. So see that 284 00:13:31,640 --> 00:13:37,120 Speaker 1: I'm gonna to stay in on him and going to basketball. Yeah, yeah, yeah, 285 00:13:37,120 --> 00:13:39,840 Speaker 1: you gotta fight. Yeah, you gotta fight. That's what people 286 00:13:39,840 --> 00:13:42,000 Speaker 1: think that people see this ship now, like they think 287 00:13:42,000 --> 00:13:44,040 Speaker 1: it was easy. Like, no, there's nothing the industry could 288 00:13:44,080 --> 00:13:46,680 Speaker 1: do to me that my neighborhood didn't. Because I'm telling you, 289 00:13:46,920 --> 00:13:48,760 Speaker 1: I'm well, it might be somebody who don't know me. 290 00:13:48,800 --> 00:13:50,679 Speaker 1: You might not even really be from my neighborhood. You 291 00:13:50,760 --> 00:13:52,840 Speaker 1: might be around dudes was just taking off of me. 292 00:13:52,880 --> 00:13:55,599 Speaker 1: So I had to fight a lot extra, you know 293 00:13:55,600 --> 00:13:57,240 Speaker 1: what I mean. I got punched in the face for 294 00:13:57,280 --> 00:13:59,800 Speaker 1: no reason, like three or four times until I realized, 295 00:13:59,840 --> 00:14:01,880 Speaker 1: all know, this ship has clipped, like I gotta fight. 296 00:14:02,120 --> 00:14:03,880 Speaker 1: And then after you get that one fight in and 297 00:14:03,840 --> 00:14:06,080 Speaker 1: you see how people treat you like all right, this 298 00:14:06,120 --> 00:14:08,760 Speaker 1: is the remedy right here, like yeah, this is this 299 00:14:08,800 --> 00:14:11,839 Speaker 1: is the remedy, Like just fight back, they're gonna respect it. 300 00:14:12,400 --> 00:14:16,040 Speaker 1: What is it? All the tattoo start ship early because 301 00:14:16,400 --> 00:14:19,880 Speaker 1: my my brother, my brother, um, my father got he 302 00:14:19,960 --> 00:14:22,440 Speaker 1: got three kids, but one of my brothers, he was 303 00:14:22,480 --> 00:14:25,960 Speaker 1: always inked like Travis Barker before Travis Barker, like before 304 00:14:26,040 --> 00:14:29,240 Speaker 1: Wayne before Travels. That's what I looked at, like when 305 00:14:29,240 --> 00:14:31,840 Speaker 1: I'm young, like seven, like my brother was inked the 306 00:14:31,920 --> 00:14:34,400 Speaker 1: funk up and she was blasted. So I always wanted that, 307 00:14:34,440 --> 00:14:37,720 Speaker 1: and he knew he knew a tattoo artist, so I 308 00:14:37,760 --> 00:14:40,240 Speaker 1: got um. I got a queened with the with the 309 00:14:40,280 --> 00:14:43,120 Speaker 1: tattoo artist probably around like like sixteen. And ship. It's 310 00:14:43,120 --> 00:14:47,160 Speaker 1: not a getting blasted. You had a situation shot no jumpers, 311 00:14:47,160 --> 00:14:52,960 Speaker 1: So explain the situation. You got an altercation and you 312 00:14:53,040 --> 00:14:56,040 Speaker 1: had to pull out and you're done? Did it jam 313 00:14:56,120 --> 00:15:00,480 Speaker 1: or fall apart? Because funny thing because people will be 314 00:15:00,520 --> 00:15:02,680 Speaker 1: like uh like catching a wreck on the internet because 315 00:15:02,680 --> 00:15:05,840 Speaker 1: I talked about a divine intervention moment right, Like I'm spiritual. 316 00:15:05,880 --> 00:15:08,640 Speaker 1: I believe in God. I believe. Yeah, I believe God, 317 00:15:08,760 --> 00:15:12,680 Speaker 1: like really got me through some things. So I spoke 318 00:15:12,760 --> 00:15:17,520 Speaker 1: which I'll probably never speak on another like spiritual moment again. 319 00:15:17,680 --> 00:15:21,360 Speaker 1: You know what I mean? Um, because if you're not, 320 00:15:21,480 --> 00:15:23,800 Speaker 1: if God doesn't have a big effect on your life, 321 00:15:23,800 --> 00:15:26,720 Speaker 1: you might not understand the motherfuckers saying he'd been through 322 00:15:26,800 --> 00:15:31,000 Speaker 1: some hip that he can't explain that only God can explain. 323 00:15:31,880 --> 00:15:34,240 Speaker 1: So yeah, like you know, I talked about the one 324 00:15:34,280 --> 00:15:37,440 Speaker 1: time my ship didn't go off right because to be 325 00:15:37,640 --> 00:15:40,840 Speaker 1: me and to be where I'm from, yeah, like you 326 00:15:40,880 --> 00:15:45,560 Speaker 1: know you could read through the lines, but yeah, it 327 00:15:45,640 --> 00:15:49,120 Speaker 1: was a situation where you feel me basically, like like 328 00:15:49,160 --> 00:15:51,400 Speaker 1: I had a brand new joint and and and this 329 00:15:51,480 --> 00:15:54,240 Speaker 1: was right off the hills and my friends going down 330 00:15:54,240 --> 00:15:57,400 Speaker 1: for a murder free smokes free Buddha they on my arm. 331 00:15:57,440 --> 00:15:59,600 Speaker 1: I was lost. I was trying to figure it out, 332 00:15:59,800 --> 00:16:01,760 Speaker 1: and somebody that gave me a brand new grip. And 333 00:16:01,800 --> 00:16:03,560 Speaker 1: when I tried to let it go in the club, 334 00:16:03,600 --> 00:16:07,240 Speaker 1: which there was security cameras everybody, it ain't goolf And 335 00:16:07,240 --> 00:16:09,680 Speaker 1: then when we went to the bathroom, the ship was 336 00:16:09,720 --> 00:16:11,960 Speaker 1: disassembled and I didn't know how it would be disassembled 337 00:16:11,960 --> 00:16:14,880 Speaker 1: because I don't know how to disassemble a joint. Was 338 00:16:15,680 --> 00:16:19,960 Speaker 1: like the safety like the safety pin was out and 339 00:16:20,000 --> 00:16:22,360 Speaker 1: all of that and uh. And you know, it's funny 340 00:16:22,400 --> 00:16:24,240 Speaker 1: because people go crazy on the internet. But I'm with 341 00:16:24,320 --> 00:16:26,800 Speaker 1: the same homies that we all walked out with. You 342 00:16:26,880 --> 00:16:29,280 Speaker 1: know what I'm saying, Like, why should is very verifiable? 343 00:16:29,360 --> 00:16:32,280 Speaker 1: You could all you could look search the Blanco series. 344 00:16:32,320 --> 00:16:34,360 Speaker 1: You could go to my neighborhood and ask people, you 345 00:16:34,360 --> 00:16:36,320 Speaker 1: know what I mean, Like we're timing it. So for 346 00:16:36,320 --> 00:16:38,480 Speaker 1: for people, it's just funny because they're like, all that 347 00:16:38,520 --> 00:16:40,200 Speaker 1: ship was that? Why would I talk about the time 348 00:16:40,400 --> 00:16:42,280 Speaker 1: my ship didn't go off? I'm talking about God. But 349 00:16:42,320 --> 00:16:45,520 Speaker 1: you can't talk about God to ungodly people. Sometimes they're 350 00:16:45,520 --> 00:16:47,120 Speaker 1: not gonna get it, you know what I mean. But 351 00:16:47,160 --> 00:16:48,680 Speaker 1: you ain't another baby to be the end of it. 352 00:16:49,160 --> 00:16:52,080 Speaker 1: Hell no. And that's the I said, Oh, that's that's 353 00:16:52,160 --> 00:16:54,360 Speaker 1: that's the one thing you'll feel, y'all. Y'all got on it, 354 00:16:54,600 --> 00:16:57,440 Speaker 1: and you know it's wreck because it's real life. It's 355 00:16:57,480 --> 00:17:01,680 Speaker 1: my real life. So yeah, but I have more divine 356 00:17:01,720 --> 00:17:04,960 Speaker 1: intervention moments, you know what I mean. But I keep 357 00:17:05,000 --> 00:17:09,840 Speaker 1: that off the end of it. That's fair enough. What 358 00:17:09,920 --> 00:17:12,600 Speaker 1: do you say, man, being uh white rapper, what's your 359 00:17:12,600 --> 00:17:15,159 Speaker 1: biggest obstacle? Like, what's what's the thing that's just the 360 00:17:15,160 --> 00:17:18,560 Speaker 1: most frustrating to you? Probably when when people just don't 361 00:17:18,560 --> 00:17:21,080 Speaker 1: like you because you're a white rapper? Because I just 362 00:17:21,119 --> 00:17:22,760 Speaker 1: be the thing I have people to be like, he nice, 363 00:17:22,800 --> 00:17:25,200 Speaker 1: but I don't no white rappers, which how I understand, 364 00:17:26,760 --> 00:17:30,359 Speaker 1: Like that's honestly, Like, I feel like the majority of 365 00:17:30,400 --> 00:17:32,920 Speaker 1: people that don't like me is just you know, they 366 00:17:32,960 --> 00:17:35,560 Speaker 1: can't um, they can't get past it that I'm and 367 00:17:35,680 --> 00:17:38,800 Speaker 1: I'm not even a traditional white rapper because I'm like actually, 368 00:17:38,880 --> 00:17:41,480 Speaker 1: like you know, I grew up in the culture. So 369 00:17:41,600 --> 00:17:43,959 Speaker 1: most of the white rappers that made it, like you know, 370 00:17:44,000 --> 00:17:46,280 Speaker 1: if you look at their friend groups, they was you know, 371 00:17:46,359 --> 00:17:49,040 Speaker 1: suburban kids and ship like that, and they cut straight 372 00:17:49,040 --> 00:17:54,119 Speaker 1: through to UM to the white mainstream America. So I 373 00:17:54,160 --> 00:17:56,320 Speaker 1: can't through hip hop. So it's a little different. How 374 00:17:56,359 --> 00:17:59,639 Speaker 1: do you think that you're at a disadvantage because of 375 00:17:59,800 --> 00:18:03,080 Speaker 1: that particular stereotype. No, Like I'm matter if I feel 376 00:18:03,080 --> 00:18:05,159 Speaker 1: like it's harder to make it, but once you make it, 377 00:18:05,200 --> 00:18:07,440 Speaker 1: that's when like the white privilege kick in and they 378 00:18:07,480 --> 00:18:10,000 Speaker 1: give you target ads and you you know what I mean, 379 00:18:10,119 --> 00:18:13,879 Speaker 1: you get it's different. So it's harder on the come up, 380 00:18:13,920 --> 00:18:17,000 Speaker 1: but as soon as you crack that door, it's easier 381 00:18:17,000 --> 00:18:20,560 Speaker 1: as a white rapper for sure. And I still don't 382 00:18:20,600 --> 00:18:22,280 Speaker 1: feel like I cracked the door all that way, but 383 00:18:22,440 --> 00:18:25,479 Speaker 1: like you know, that's that's my perception of it, at 384 00:18:25,520 --> 00:18:31,920 Speaker 1: least because white privileges, Yeah, like you know, they're gonna 385 00:18:32,000 --> 00:18:34,480 Speaker 1: put you. They feel like, I don't know, you relate 386 00:18:34,520 --> 00:18:37,119 Speaker 1: to you, like they feel like you're cool enough to 387 00:18:37,359 --> 00:18:39,680 Speaker 1: uh when they feel like you're cool enough to press 388 00:18:39,760 --> 00:18:42,879 Speaker 1: the culture as if you to sit on big facts. Okay, 389 00:18:43,080 --> 00:18:48,359 Speaker 1: you're the one that can influence. So yeah, you know 390 00:18:48,560 --> 00:18:51,040 Speaker 1: with it with a little wink like film one of 391 00:18:51,119 --> 00:18:55,880 Speaker 1: those yeah we got you, yeah ship like that. See 392 00:18:55,880 --> 00:18:58,359 Speaker 1: it happened, So it worked both ways. But then like 393 00:18:58,480 --> 00:19:03,159 Speaker 1: certain things like I think people um say, like like 394 00:19:03,240 --> 00:19:05,560 Speaker 1: to me, like eminem Raw, like he's one of the 395 00:19:05,880 --> 00:19:07,960 Speaker 1: one of the greatest rappers ever, Like I don't think 396 00:19:08,000 --> 00:19:11,760 Speaker 1: he's overrated because because he's white. See what I'm saying 397 00:19:12,720 --> 00:19:15,840 Speaker 1: it's just another conversation. But in there's certain rappers I think, 398 00:19:15,880 --> 00:19:19,040 Speaker 1: hell yeah, like like like an m c K for instance, 399 00:19:19,119 --> 00:19:22,719 Speaker 1: like he went to all like he he went um 400 00:19:23,080 --> 00:19:25,320 Speaker 1: to rock music without the blink of an eye, you 401 00:19:25,359 --> 00:19:26,600 Speaker 1: know what I mean, with the blink of an eye. 402 00:19:26,680 --> 00:19:30,399 Speaker 1: So that's like your fan base is really just jacking 403 00:19:30,440 --> 00:19:33,440 Speaker 1: you because you're white. To me, m M, I don't 404 00:19:34,000 --> 00:19:37,520 Speaker 1: like you know, yeah, it makes sense, say what you 405 00:19:37,600 --> 00:19:40,760 Speaker 1: feel you got, you got any regret so through life 406 00:19:40,880 --> 00:19:43,080 Speaker 1: or through your rap career with him? Now, I really don't. 407 00:19:43,400 --> 00:19:46,439 Speaker 1: I really don't honestly, Like I was talking to my 408 00:19:46,520 --> 00:19:48,280 Speaker 1: men about it the other day, like I feel like 409 00:19:48,480 --> 00:19:51,640 Speaker 1: everything is meant to be, should happen when it happens, 410 00:19:52,320 --> 00:19:55,560 Speaker 1: Everything is meant to be. Yeah, I can't. I can't. 411 00:19:55,600 --> 00:19:59,359 Speaker 1: I can't say I regret nothing. I mean like I do. 412 00:19:59,520 --> 00:20:02,159 Speaker 1: But there's and ship like I've been there, Like I 413 00:20:02,440 --> 00:20:04,920 Speaker 1: wish I told like certain homies back in the day 414 00:20:04,960 --> 00:20:08,119 Speaker 1: to not do certain ship that they did that you know, 415 00:20:08,240 --> 00:20:10,160 Speaker 1: like my brothers are doing life and ship like that 416 00:20:10,280 --> 00:20:13,200 Speaker 1: like natural life like so, but at the time them, 417 00:20:13,880 --> 00:20:16,880 Speaker 1: we're young. I don't know, so I get like those regrets. 418 00:20:16,920 --> 00:20:19,800 Speaker 1: But it's it's ship that I would have never known anyway. 419 00:20:20,840 --> 00:20:28,520 Speaker 1: They said, we're not get big. We talked about that sometime. 420 00:20:28,520 --> 00:20:30,280 Speaker 1: I'm going a big fast Friday, Like what what? What 421 00:20:30,320 --> 00:20:32,080 Speaker 1: do you think the fine line is in the streets 422 00:20:32,080 --> 00:20:35,120 Speaker 1: of minding your business because you're kind of it's kind 423 00:20:35,119 --> 00:20:36,920 Speaker 1: of like mandy your business, but on the other end, 424 00:20:37,000 --> 00:20:40,200 Speaker 1: kind of not minding your business too. Help your homies 425 00:20:40,200 --> 00:20:43,040 Speaker 1: from crashing out of ship. Yeah, it's hard because I 426 00:20:43,040 --> 00:20:44,840 Speaker 1: look at I look at wrapped like I look at 427 00:20:44,880 --> 00:20:47,879 Speaker 1: wrapped like, um, it's like a race to save people. 428 00:20:48,600 --> 00:20:50,199 Speaker 1: That's how I look at it, Like it's like a 429 00:20:50,480 --> 00:20:53,119 Speaker 1: It's like a race to save my youngest I've saved 430 00:20:53,160 --> 00:20:55,800 Speaker 1: people that's around me. But I preached sometimes it's hard 431 00:20:55,800 --> 00:20:58,040 Speaker 1: to preach like what I do. Like even when my 432 00:20:58,080 --> 00:20:59,760 Speaker 1: youngers in my neighborhood, I'll take you out, I'll put 433 00:20:59,760 --> 00:21:03,199 Speaker 1: you around some real lit ship and then I'll have 434 00:21:03,280 --> 00:21:05,480 Speaker 1: that conversation with you, like you wanna be around this 435 00:21:05,520 --> 00:21:08,600 Speaker 1: so you want to, you know, because I'm not the 436 00:21:08,600 --> 00:21:11,120 Speaker 1: greatest role model, I can't just tell you every day 437 00:21:11,200 --> 00:21:15,040 Speaker 1: like all right, get out the streets because woo woo woo, 438 00:21:15,080 --> 00:21:17,720 Speaker 1: Like you know, all I could do is show you 439 00:21:17,800 --> 00:21:20,160 Speaker 1: that there's like another life. But yeah, it's it's it's 440 00:21:20,160 --> 00:21:22,000 Speaker 1: a fine line because you could tell somebody something, but 441 00:21:22,000 --> 00:21:24,480 Speaker 1: they're gonna do what they want to do. And a 442 00:21:24,520 --> 00:21:27,160 Speaker 1: lot of motherfucker's they frontal lobe isn't even developed. It's 443 00:21:27,160 --> 00:21:29,640 Speaker 1: a part of your brain that develops after twenty four 444 00:21:29,760 --> 00:21:32,639 Speaker 1: or something like that. So it's hard to talk to 445 00:21:32,720 --> 00:21:35,640 Speaker 1: somebody your whole brain ain't even developed and crashing out 446 00:21:36,080 --> 00:21:40,359 Speaker 1: because I was there, I was crashing, crashing. Do you 447 00:21:40,359 --> 00:21:42,920 Speaker 1: feel like you're go ahead to um your whole career? 448 00:21:42,960 --> 00:21:46,200 Speaker 1: You got to prove yourself because you went to the coach, 449 00:21:47,320 --> 00:21:52,399 Speaker 1: maybe not to the culture, just like um, yeah to 450 00:21:52,400 --> 00:21:55,679 Speaker 1: the nonbelievers. Like I feel like I've probably proven myself 451 00:21:55,720 --> 00:21:58,040 Speaker 1: to the maybe like not like down South yet as much, 452 00:21:58,080 --> 00:22:00,800 Speaker 1: you know what I mean, but like, like you know, 453 00:22:00,840 --> 00:22:02,840 Speaker 1: I got a lot of stamps and this ship. You know, 454 00:22:02,920 --> 00:22:04,840 Speaker 1: I'm just saying, like even even if you go around 455 00:22:04,920 --> 00:22:08,160 Speaker 1: like the goats, like the Jay's and all of them, 456 00:22:08,160 --> 00:22:10,680 Speaker 1: do you feel like it's a sense of I gotta 457 00:22:10,720 --> 00:22:15,040 Speaker 1: show them that I'm I'm this like musically, yeah, That's 458 00:22:15,040 --> 00:22:17,280 Speaker 1: what I'm saying, Like yeah, yeah, yeah, yeah, yeah, yeah, 459 00:22:17,320 --> 00:22:21,200 Speaker 1: that's gonna always Yeah, definitely, you gotta always like always deliver. 460 00:22:21,320 --> 00:22:23,160 Speaker 1: And the Crazy Ship row was I wrapped more than 461 00:22:23,200 --> 00:22:26,120 Speaker 1: any other rapper. Like if you look at my freestyles 462 00:22:26,160 --> 00:22:28,320 Speaker 1: and you're go online, I wrapped. I'm wrapping more than 463 00:22:28,400 --> 00:22:30,920 Speaker 1: any other rapper in the world for the last three 464 00:22:31,000 --> 00:22:36,800 Speaker 1: years literally statistically realistically, I'm going to like this year, 465 00:22:36,840 --> 00:22:39,480 Speaker 1: I already did on I ain't gonna say the platforms 466 00:22:39,480 --> 00:22:41,960 Speaker 1: on here, but like I've wrapped for like fifteen minutes, 467 00:22:42,359 --> 00:22:45,240 Speaker 1: which is like somebody's album. If you could sit down 468 00:22:45,240 --> 00:22:49,439 Speaker 1: and wrap four four minutes straight at somebody's album, you 469 00:22:49,440 --> 00:22:51,480 Speaker 1: know what I mean. And I'm doing that thirty minutes 470 00:22:51,960 --> 00:22:55,920 Speaker 1: a year consistently, Like I'm wrapping. The guys who are nice, 471 00:22:55,920 --> 00:22:58,520 Speaker 1: who do do high level wrap, they're rapping like once 472 00:22:59,200 --> 00:23:01,320 Speaker 1: once or twice thing might do you know, like the 473 00:23:01,400 --> 00:23:04,960 Speaker 1: Leakers or something here and there a couple of minutes 474 00:23:05,160 --> 00:23:06,919 Speaker 1: you got one of the most more than all of 475 00:23:06,960 --> 00:23:13,359 Speaker 1: them from Elite Coach Signs. Though from that's the next question, 476 00:23:13,359 --> 00:23:16,000 Speaker 1: how did that even come about? And how how is 477 00:23:16,040 --> 00:23:19,399 Speaker 1: it man that came on? That came I moved to 478 00:23:19,400 --> 00:23:21,600 Speaker 1: New York. I moved to New York when I was 479 00:23:21,640 --> 00:23:23,280 Speaker 1: at like when I was at the height of my 480 00:23:23,320 --> 00:23:25,440 Speaker 1: ship in Boston, I had just did summer jam with 481 00:23:25,520 --> 00:23:28,560 Speaker 1: Nicki Minaj. I just knew, like all it was like 482 00:23:28,560 --> 00:23:30,840 Speaker 1: a glass ceiling. It was like you did this, but 483 00:23:30,960 --> 00:23:33,399 Speaker 1: that's it, Like it's still no national recognition. So I 484 00:23:33,400 --> 00:23:35,399 Speaker 1: moved to New York. I was taking a little the 485 00:23:35,480 --> 00:23:38,680 Speaker 1: Chinese bus back and forth, fifteen dollars a day until 486 00:23:38,720 --> 00:23:41,040 Speaker 1: I realized on, like, I gotta get a spot out here. 487 00:23:41,040 --> 00:23:43,439 Speaker 1: I got a little spot in the Bronx. In that 488 00:23:43,560 --> 00:23:46,440 Speaker 1: same week, I met Kiss through My Man Set Free. 489 00:23:46,520 --> 00:23:48,480 Speaker 1: My Man Set Free. Um, it's like an older guy 490 00:23:48,520 --> 00:23:51,200 Speaker 1: who really helped me out on my career, and um, 491 00:23:51,200 --> 00:23:54,560 Speaker 1: I paid him for a feature, but he was working 492 00:23:54,600 --> 00:23:56,359 Speaker 1: with the song already. And then after that, I just 493 00:23:56,440 --> 00:23:58,040 Speaker 1: kept following up with him, like if he would be 494 00:23:58,080 --> 00:23:59,800 Speaker 1: in the club, if he were being like starlets or 495 00:23:59,800 --> 00:24:02,440 Speaker 1: something ship for a walk through. I just figure out 496 00:24:02,480 --> 00:24:04,560 Speaker 1: how to finesse my way get in there and make 497 00:24:04,600 --> 00:24:06,320 Speaker 1: sure he's seen me. If he'd be at the regular 498 00:24:06,359 --> 00:24:08,280 Speaker 1: club a show, I figure out how to, you know, 499 00:24:08,359 --> 00:24:11,359 Speaker 1: just get face time with him until his man ice 500 00:24:11,400 --> 00:24:15,280 Speaker 1: picked J started really like listening to my ship. Yeah, 501 00:24:15,600 --> 00:24:18,359 Speaker 1: ice Peak. J Ice picked Jay listened to my ship 502 00:24:18,440 --> 00:24:21,320 Speaker 1: and really started on like diving into it and realizing like, 503 00:24:21,320 --> 00:24:23,199 Speaker 1: oh now he could sing, he could wrap, he can 504 00:24:23,280 --> 00:24:25,720 Speaker 1: all of that, and uh he told kids, you know 505 00:24:25,840 --> 00:24:28,000 Speaker 1: you should you should um you should co sign him 506 00:24:28,000 --> 00:24:31,040 Speaker 1: man and put him on your label and ship like that. 507 00:24:31,160 --> 00:24:34,040 Speaker 1: So yeah, that's how that happened. Who do you feel 508 00:24:34,080 --> 00:24:36,359 Speaker 1: like believe in you the most? Like from the begining 509 00:24:36,359 --> 00:24:41,800 Speaker 1: of everything, beside just said blood Like in life, I say, like, 510 00:24:41,880 --> 00:24:44,160 Speaker 1: my man Creeze, shout out the Creeze. I never said 511 00:24:44,160 --> 00:24:46,240 Speaker 1: that in a in an interview. He like, he's my man. 512 00:24:46,280 --> 00:24:47,840 Speaker 1: But he was like an m M A fighter too, 513 00:24:47,920 --> 00:24:49,520 Speaker 1: not a real m M A fighter, but he could 514 00:24:49,560 --> 00:24:52,800 Speaker 1: fucking mm A fight up. So like he really, I'm 515 00:24:52,800 --> 00:24:56,040 Speaker 1: telling you, m M A fight up. We fought the 516 00:24:56,040 --> 00:24:58,080 Speaker 1: Boston Marathon bomb or two. I never talked. I'll tell 517 00:24:58,080 --> 00:25:02,000 Speaker 1: you all about that later, right, But my man Creeze 518 00:25:02,160 --> 00:25:06,040 Speaker 1: stood with me like since I was like twelve thirteen. 519 00:25:06,119 --> 00:25:08,280 Speaker 1: He telling he's like that boxing coach telling me you 520 00:25:08,359 --> 00:25:10,760 Speaker 1: to go bro. You don't understand you to go bro. 521 00:25:11,240 --> 00:25:13,040 Speaker 1: So we'd have shows and then just be me and 522 00:25:13,160 --> 00:25:16,359 Speaker 1: him sometimes, but he'd be behind me, you know what 523 00:25:16,400 --> 00:25:19,119 Speaker 1: I mean, and anybody like if a rapper dissed me, 524 00:25:19,160 --> 00:25:22,040 Speaker 1: he go beat him up if you talk bad about me, 525 00:25:22,080 --> 00:25:26,600 Speaker 1: and go beat you up constantly. So he was the muscle. 526 00:25:26,760 --> 00:25:28,720 Speaker 1: He was my coach, you know what I mean, My 527 00:25:28,720 --> 00:25:30,639 Speaker 1: my my fighting coach. He was all of that, and 528 00:25:30,680 --> 00:25:34,720 Speaker 1: I needed that because you know, like I wouldn't fight, 529 00:25:34,840 --> 00:25:37,399 Speaker 1: but I can't fight like him. So you know, Creek 530 00:25:37,440 --> 00:25:40,320 Speaker 1: Creese was really there for me, like step by step 531 00:25:40,359 --> 00:25:43,760 Speaker 1: for re suck and shout on my dog. Would you 532 00:25:43,760 --> 00:25:46,040 Speaker 1: get into like a rap beef for somebody just at 533 00:25:46,080 --> 00:25:48,720 Speaker 1: this point trying to get at you and don't know, 534 00:25:48,880 --> 00:25:52,440 Speaker 1: like because it's like it's a pain, you know that 535 00:25:52,520 --> 00:25:55,399 Speaker 1: ship like Federal, I don't know, it's it's getting a 536 00:25:55,440 --> 00:25:59,080 Speaker 1: little nasty too, like like yeah, because I don't want 537 00:25:59,200 --> 00:26:02,560 Speaker 1: just like wrap be It depends how, you know, if 538 00:26:02,560 --> 00:26:04,760 Speaker 1: it's But I wouldn't say yeah, like if somebody dissed 539 00:26:04,760 --> 00:26:07,480 Speaker 1: me who was like um above me and stature and 540 00:26:07,520 --> 00:26:09,399 Speaker 1: it could be just some like you know, ship on 541 00:26:09,480 --> 00:26:11,919 Speaker 1: wax or whatever, and I could just flame them like 542 00:26:11,960 --> 00:26:14,000 Speaker 1: that and up my career. I would do that, But 543 00:26:14,000 --> 00:26:17,040 Speaker 1: I'm not rapping down to nobody because anyone just want 544 00:26:17,040 --> 00:26:19,399 Speaker 1: to hurt you, you know what I mean? Because what 545 00:26:19,480 --> 00:26:22,520 Speaker 1: am I doing? Like, yeah, I'm not it's not an 546 00:26:22,520 --> 00:26:24,880 Speaker 1: even trade, but I'd wrap up at somebody for sure. 547 00:26:25,080 --> 00:26:27,960 Speaker 1: What about on some social media ship, I'm no, hell no, 548 00:26:27,960 --> 00:26:29,800 Speaker 1: none of it. I can't even say sucking my dick 549 00:26:29,840 --> 00:26:33,600 Speaker 1: on Instagram no more. That's to take my page and 550 00:26:33,640 --> 00:26:35,479 Speaker 1: that should be crushing me inside. You know, you just 551 00:26:35,480 --> 00:26:38,680 Speaker 1: want to fire all that suck my thick bowls off block. 552 00:26:39,320 --> 00:26:40,720 Speaker 1: I used to hit him with the suck my dick 553 00:26:40,760 --> 00:26:43,399 Speaker 1: boso block. I can't even do that no more? So 554 00:26:43,640 --> 00:26:46,280 Speaker 1: what is the platform for us to be free? Facts? 555 00:26:46,359 --> 00:26:49,959 Speaker 1: But it was the crazy on Twitter? Oh yeah, that's 556 00:26:50,000 --> 00:26:54,520 Speaker 1: why I'll be telling a little crazy on Twitter, I guess. Yeah, 557 00:26:54,560 --> 00:26:58,119 Speaker 1: you gotta go on Twitter to grand say come to 558 00:26:58,160 --> 00:27:05,320 Speaker 1: my come on my Twitter. G Yeah, you like Instagram, 559 00:27:05,359 --> 00:27:08,360 Speaker 1: don't play fair? Yeah, I mean ship like I still 560 00:27:08,400 --> 00:27:12,080 Speaker 1: got my page, so yeah, I'm seeing like, yeah, you 561 00:27:12,119 --> 00:27:14,959 Speaker 1: can't really talk crazy like that. You can't even like 562 00:27:15,640 --> 00:27:19,560 Speaker 1: say certain ships and another nigga's comments and they'll still 563 00:27:19,560 --> 00:27:21,760 Speaker 1: try to like flag you man, that ship is wicked 564 00:27:23,320 --> 00:27:30,560 Speaker 1: to Trump with Joe Biden neither neither. Yeah, I was 565 00:27:32,160 --> 00:27:37,240 Speaker 1: um Barack Obama or oh maybe Bernie Sanders. I like 566 00:27:37,320 --> 00:27:41,080 Speaker 1: the Bernie Sanders. I like Bernie. I think Bernie could 567 00:27:41,080 --> 00:27:47,520 Speaker 1: have did it. Bernie. I like Bernie. But you Joe 568 00:27:47,520 --> 00:27:52,199 Speaker 1: Biden Donald Trump? Oh man, he said, neither. Can I 569 00:27:52,280 --> 00:27:56,119 Speaker 1: skate with that one? You'll vote, you vote for sure. 570 00:27:56,400 --> 00:27:59,919 Speaker 1: So what I'm saying, don't man, that's the lesser two, Eve, 571 00:28:01,200 --> 00:28:05,760 Speaker 1: don't take the safe No, it ain't safe. I ain't 572 00:28:05,800 --> 00:28:09,480 Speaker 1: gonna lie. Like I really hated Trump when he was 573 00:28:09,520 --> 00:28:12,560 Speaker 1: in there, and then I thought, like, I don't know 574 00:28:12,640 --> 00:28:14,639 Speaker 1: it was and then I started seeing like Joe Bhaden, 575 00:28:14,680 --> 00:28:17,959 Speaker 1: it's kind of like similar like to him, like you know, 576 00:28:18,119 --> 00:28:21,280 Speaker 1: so yeah, I was. I've been off of politics, like 577 00:28:22,160 --> 00:28:24,200 Speaker 1: I've just been off of it completely, like I don't 578 00:28:24,200 --> 00:28:27,120 Speaker 1: got no faith in it, like this clip, I don't 579 00:28:27,160 --> 00:28:29,960 Speaker 1: pay attention to it. I was even paying attention to 580 00:28:30,000 --> 00:28:32,919 Speaker 1: the Russian Ukraine War until they started telling me all 581 00:28:32,960 --> 00:28:35,040 Speaker 1: the raceship and I said, I'm not tuning into this 582 00:28:35,119 --> 00:28:42,400 Speaker 1: no more neither. So who's your celebrity crush coming up? Scissor? Well, 583 00:28:42,400 --> 00:28:57,680 Speaker 1: that's reason yeah, yeah coming up maybe man? Right now? 584 00:28:57,760 --> 00:29:01,840 Speaker 1: Still right now? Yeah, Yeah, I'm never in like two 585 00:29:01,880 --> 00:29:08,080 Speaker 1: thousand thirteen or something like that up you know, like 586 00:29:08,760 --> 00:29:10,400 Speaker 1: I was laying on a beach chair. I was in 587 00:29:10,800 --> 00:29:13,600 Speaker 1: south By, Southwest, and then it was like some sort 588 00:29:13,640 --> 00:29:18,160 Speaker 1: of I don't know, smoker's club house party type vibe. 589 00:29:18,160 --> 00:29:20,360 Speaker 1: I had a good beach chair and she walked by 590 00:29:20,440 --> 00:29:22,479 Speaker 1: and I just said with something. She was smiling off right, 591 00:29:22,560 --> 00:29:24,400 Speaker 1: and I felt like, you know, if I could have 592 00:29:24,440 --> 00:29:29,400 Speaker 1: pursued it, maybe, but you from yeah, yeah, now it's 593 00:29:29,440 --> 00:29:31,240 Speaker 1: just like a little bit but not like a freeze. 594 00:29:31,280 --> 00:29:32,840 Speaker 1: Like I was like, yeah, I love your music and 595 00:29:32,840 --> 00:29:37,640 Speaker 1: ship like that. But she kept walking but like I 596 00:29:37,720 --> 00:29:40,000 Speaker 1: probably had a little space to like, you know, like 597 00:29:40,480 --> 00:29:43,560 Speaker 1: she talking and ship. I was like, no, like you 598 00:29:43,640 --> 00:29:47,880 Speaker 1: gotta manifest that happen again now for sure coming up 599 00:29:47,880 --> 00:29:57,280 Speaker 1: though um probably maya, maya maya, but I say maya TLC, 600 00:29:59,040 --> 00:30:03,400 Speaker 1: maya TLS all three tells all three like different reasons. 601 00:30:03,400 --> 00:30:07,040 Speaker 1: I like chilly though, I like left, I like the 602 00:30:07,120 --> 00:30:11,080 Speaker 1: t balls. Women women, Well that's a year. That's what 603 00:30:11,120 --> 00:30:13,320 Speaker 1: I grew up with, for sure. What made you? What 604 00:30:13,320 --> 00:30:15,440 Speaker 1: I'm saying, like why you just go get your white one? 605 00:30:16,560 --> 00:30:18,280 Speaker 1: But it wasn't like around like that. So like the 606 00:30:18,320 --> 00:30:22,200 Speaker 1: time by the time I was by the time, I 607 00:30:22,240 --> 00:30:24,840 Speaker 1: was like me and like, see, this is gonna be 608 00:30:24,840 --> 00:30:35,000 Speaker 1: controversial because like I like old women though, like especially now. 609 00:30:35,200 --> 00:30:38,080 Speaker 1: But yeah, growing up, growing up, I was kind of 610 00:30:38,160 --> 00:30:41,240 Speaker 1: like anti like white girl. I wasn't jacking them because 611 00:30:41,280 --> 00:30:42,840 Speaker 1: first of all, like if I met him, they was 612 00:30:42,880 --> 00:30:44,720 Speaker 1: like kind of like the college white girls and it 613 00:30:44,800 --> 00:30:46,800 Speaker 1: was kind of goofy to me. Or they were super 614 00:30:46,880 --> 00:30:50,800 Speaker 1: like street bitches from like like Childstown Projects and Ship. 615 00:30:51,000 --> 00:30:56,000 Speaker 1: It's like super ratchet like so yeah, but my preference 616 00:30:56,040 --> 00:31:00,920 Speaker 1: growing up was black women definitely. Now it's it's all women. Um, 617 00:31:00,960 --> 00:31:03,360 Speaker 1: just if you didn't like the goofies and you didn't 618 00:31:03,400 --> 00:31:05,960 Speaker 1: like the superraption, I just like, um, I just like 619 00:31:06,480 --> 00:31:10,240 Speaker 1: just swag the beauty ship like that. And then it's 620 00:31:10,280 --> 00:31:14,320 Speaker 1: like also like you know, um, black girls helped me 621 00:31:14,360 --> 00:31:16,520 Speaker 1: like a lot, like in my neighborhood even coming up, 622 00:31:16,520 --> 00:31:18,480 Speaker 1: because they really be like leave him alone, that's my 623 00:31:18,520 --> 00:31:25,000 Speaker 1: friend from Yeah, not that the dudes like listen to Ship. 624 00:31:27,000 --> 00:31:31,200 Speaker 1: I was friends. I was friends. Yeah, yeah, you know. 625 00:31:31,280 --> 00:31:32,960 Speaker 1: I was friends with like a lot of a lot 626 00:31:33,000 --> 00:31:35,560 Speaker 1: of black girls like those some of my homies, and 627 00:31:35,560 --> 00:31:37,960 Speaker 1: they would vouch for me, like in the neighborhood, like 628 00:31:38,840 --> 00:31:40,800 Speaker 1: you know, even shout out Lady Repo. She was one 629 00:31:40,840 --> 00:31:42,840 Speaker 1: of the ross rappers and she used to tell me 630 00:31:42,920 --> 00:31:47,160 Speaker 1: you have to leave him alone forever. So yeah, where 631 00:31:47,200 --> 00:31:52,760 Speaker 1: you got the baddest women in your opinion? See it 632 00:31:52,880 --> 00:31:55,480 Speaker 1: the pen like, because I really feel like they're all 633 00:31:55,520 --> 00:31:58,520 Speaker 1: over but and you're gonna get me in trouble. But 634 00:32:00,240 --> 00:32:08,280 Speaker 1: I say it depends. I don't know. That's tough. M No, 635 00:32:08,440 --> 00:32:14,200 Speaker 1: no kids, okays, Yeah, yeah, that's a tough question. But 636 00:32:14,200 --> 00:32:17,360 Speaker 1: like Atlanta, at Atlanta got the best stop clubs for 637 00:32:17,400 --> 00:32:21,280 Speaker 1: sure by far you've been, you've been through and that 638 00:32:21,440 --> 00:32:26,600 Speaker 1: you've been through all on most of yeah, yeah, most 639 00:32:26,680 --> 00:32:28,760 Speaker 1: of them. Yeah, I've been coming out here for a 640 00:32:28,760 --> 00:32:32,360 Speaker 1: little while. Okay, if you moved up, you moved from 641 00:32:32,400 --> 00:32:35,480 Speaker 1: New York. When if you move from New York to 642 00:32:35,560 --> 00:32:37,200 Speaker 1: nothing City, way would it be? I want a big 643 00:32:37,240 --> 00:32:38,960 Speaker 1: crib in the South, like I never had a house 644 00:32:39,080 --> 00:32:41,280 Speaker 1: my whole life still to this day, you know what 645 00:32:41,320 --> 00:32:43,680 Speaker 1: I mean, Like I want I want a house with 646 00:32:43,840 --> 00:32:47,000 Speaker 1: a backyard. That's what I want. I want a house 647 00:32:47,040 --> 00:32:48,760 Speaker 1: with a backyard. So I want to go to the 648 00:32:48,800 --> 00:32:53,640 Speaker 1: South for real with the black girl. You ain't have mad, 649 00:32:52,960 --> 00:32:58,840 Speaker 1: have mad legal gripshun around, get the big truck. I 650 00:32:58,880 --> 00:33:03,320 Speaker 1: have stupid army in South here yeah like that's yeah, 651 00:33:03,440 --> 00:33:05,400 Speaker 1: yeah I could. I could move to um I've never 652 00:33:05,440 --> 00:33:08,120 Speaker 1: been to Houston enough and here is let but I 653 00:33:08,120 --> 00:33:12,040 Speaker 1: can move to Georgia. Ye speaking of like dunes? Man, 654 00:33:12,080 --> 00:33:14,200 Speaker 1: what's you think the solution is all this crazy? Just 655 00:33:14,240 --> 00:33:16,680 Speaker 1: have to shoot the ship like if you were if you, 656 00:33:16,760 --> 00:33:19,680 Speaker 1: if you had your say, so how we could in politics? 657 00:33:20,160 --> 00:33:22,080 Speaker 1: So like yeah, like I don't know where to lead 658 00:33:22,160 --> 00:33:26,640 Speaker 1: me on a political ship, but I feel like I right, 659 00:33:26,720 --> 00:33:28,840 Speaker 1: First of all, you said you should make it super 660 00:33:28,880 --> 00:33:31,280 Speaker 1: hard to get um like like like any type of 661 00:33:31,320 --> 00:33:33,040 Speaker 1: like chop, like it should be easy to get a 662 00:33:33,160 --> 00:33:35,280 Speaker 1: hand gunning hard to get a solved, right first, right, 663 00:33:35,360 --> 00:33:38,640 Speaker 1: I think that. So I know that most people, probably 664 00:33:38,680 --> 00:33:40,760 Speaker 1: like in the South, in different places, like they believe 665 00:33:40,840 --> 00:33:42,680 Speaker 1: you should have all of that ship. Right, I think 666 00:33:42,680 --> 00:33:45,080 Speaker 1: you should probably make it hard to get the ship 667 00:33:45,160 --> 00:33:48,640 Speaker 1: to commote people down super quick. And but everybody should 668 00:33:48,680 --> 00:33:50,760 Speaker 1: have the right to have a pole. And I think 669 00:33:50,760 --> 00:33:53,200 Speaker 1: they should put UM security in the schools, but like 670 00:33:53,400 --> 00:33:56,800 Speaker 1: trained shooters that don't freeze up like you know, really, 671 00:33:56,800 --> 00:33:59,960 Speaker 1: because the most UM the most non violent people are 672 00:34:00,080 --> 00:34:01,680 Speaker 1: most violent, if that makes sense, Like you know, like 673 00:34:01,760 --> 00:34:04,360 Speaker 1: a kungtuble motherfucker, Like he's not really gonna start a 674 00:34:04,440 --> 00:34:07,080 Speaker 1: fight with you. He and I can do. Yeah, and 675 00:34:07,120 --> 00:34:09,839 Speaker 1: the train shooters not itching the bust bust their gun, 676 00:34:10,719 --> 00:34:12,960 Speaker 1: see what I'm saying. So I would probably get put 677 00:34:13,040 --> 00:34:16,319 Speaker 1: one of them because we got the budget, and that's 678 00:34:16,320 --> 00:34:19,000 Speaker 1: not the school budget, that's in the police budget. We'll 679 00:34:19,040 --> 00:34:22,040 Speaker 1: put one of them motherfucker's at each school. And because 680 00:34:22,400 --> 00:34:24,319 Speaker 1: I'm saying, if that little kid who ran in there 681 00:34:24,360 --> 00:34:26,600 Speaker 1: and killed all them kids, if he knew, oh now, 682 00:34:26,680 --> 00:34:28,600 Speaker 1: he's gonna blow me down as soon as I go 683 00:34:28,719 --> 00:34:31,880 Speaker 1: in there. Should it be different you having me tracking 684 00:34:31,920 --> 00:34:35,480 Speaker 1: the cameras all on his phone, got the pole on him. Yeah, 685 00:34:35,520 --> 00:34:39,279 Speaker 1: and blow them school shooters down. That's what I think. 686 00:34:40,600 --> 00:34:42,960 Speaker 1: I don't know where that ends me, like politically or 687 00:34:42,960 --> 00:34:52,359 Speaker 1: not the Republican or whatever, but yeah, I don't know. Yeah, 688 00:34:53,160 --> 00:34:56,160 Speaker 1: that's what's some of mill these goals man like personal 689 00:34:56,719 --> 00:34:58,439 Speaker 1: you know what I mean? We know obviously a career 690 00:34:58,560 --> 00:35:03,880 Speaker 1: goes to what water? Yeah, I wanna um, I just 691 00:35:04,000 --> 00:35:05,880 Speaker 1: want to save people with wrap like and do it 692 00:35:06,000 --> 00:35:08,799 Speaker 1: like in an accelerated process, like I wanna that's that's 693 00:35:08,840 --> 00:35:10,320 Speaker 1: how I look at it. I feel like I've already 694 00:35:10,360 --> 00:35:13,080 Speaker 1: saved like three to four to five people just straight 695 00:35:13,120 --> 00:35:14,600 Speaker 1: out the streets. Like I know for a fact that 696 00:35:14,640 --> 00:35:17,520 Speaker 1: there wasn't running around with me, they'd be and that ship. 697 00:35:17,840 --> 00:35:19,239 Speaker 1: And I want to do that for a lot of people. 698 00:35:19,239 --> 00:35:20,799 Speaker 1: I want to put artists on. I want to put 699 00:35:20,840 --> 00:35:23,239 Speaker 1: at least five six artists on where they could have 700 00:35:24,680 --> 00:35:28,120 Speaker 1: you know, a whole uh group of people to eat 701 00:35:28,120 --> 00:35:30,800 Speaker 1: off of them ship like that. I think, so like 702 00:35:31,000 --> 00:35:33,520 Speaker 1: just those are my attainable goals, Like I just want 703 00:35:33,560 --> 00:35:34,800 Speaker 1: to get as big as I could get in the 704 00:35:34,920 --> 00:35:38,360 Speaker 1: music game and funking around and just put artists on 705 00:35:38,520 --> 00:35:41,520 Speaker 1: after that. Um yeah, that's my that's my life goals 706 00:35:41,560 --> 00:35:45,560 Speaker 1: in the next year for real. So, um, how you 707 00:35:45,680 --> 00:35:50,239 Speaker 1: keep from letting like getting bullet as a kid keep 708 00:35:50,280 --> 00:35:55,880 Speaker 1: you from being built up like towards the world? Um? Now, 709 00:35:55,960 --> 00:35:59,160 Speaker 1: that ship just made me tough, Like I appreciate it. Yeah, 710 00:35:59,200 --> 00:36:02,000 Speaker 1: I appreciate it more like I don't know, like it 711 00:36:02,080 --> 00:36:03,920 Speaker 1: never made me better cause like I had a lot 712 00:36:04,000 --> 00:36:07,640 Speaker 1: of people that like, like I learned what a win 713 00:36:07,760 --> 00:36:11,000 Speaker 1: and the loss was early. Yeah, a lot of people 714 00:36:11,120 --> 00:36:13,680 Speaker 1: never even learn what a win and the losses you're 715 00:36:13,719 --> 00:36:16,600 Speaker 1: really just going through life. You're not taking I'm taking 716 00:36:16,719 --> 00:36:21,239 Speaker 1: extreme wins and extreme losses, so I appreciate it for real, 717 00:36:21,480 --> 00:36:24,040 Speaker 1: like you already know how to feel, to be, to 718 00:36:24,080 --> 00:36:28,800 Speaker 1: feel yeah, yeah, hell yeah. And then you also learned like, 719 00:36:28,880 --> 00:36:32,319 Speaker 1: all right, this ship didn't kill me. Motherfuckinger stopped me out. 720 00:36:33,280 --> 00:36:36,799 Speaker 1: I'm doing then I know how to do this. Mother 721 00:36:37,360 --> 00:36:41,120 Speaker 1: stopped me out. My face is intact, get up, shake 722 00:36:41,200 --> 00:36:43,680 Speaker 1: my ship off, go to the house, and I'm like, 723 00:36:43,680 --> 00:36:49,200 Speaker 1: I'm alive. And then the next day and i'm And 724 00:36:49,280 --> 00:36:52,040 Speaker 1: the next day you come out and and it's good, 725 00:36:52,120 --> 00:36:53,960 Speaker 1: and then and then and then you feel the feeling 726 00:36:54,000 --> 00:36:58,040 Speaker 1: of winning the fight. You're like, goddamn Georgia foolman out. 727 00:36:58,600 --> 00:37:02,879 Speaker 1: So it's like, you know, um, yeah, that's why I'm 728 00:37:02,880 --> 00:37:04,719 Speaker 1: not better, bro, because it's like I had to learn 729 00:37:04,800 --> 00:37:06,960 Speaker 1: to take wins and losses because even through my rap career, 730 00:37:06,960 --> 00:37:10,960 Speaker 1: I took while rejection. But it just feels like getting 731 00:37:11,080 --> 00:37:13,759 Speaker 1: stomped out in sixth grade, you know, like that's all 732 00:37:13,840 --> 00:37:17,920 Speaker 1: they feels like, just emotionally. So yeah, that's that's just 733 00:37:18,000 --> 00:37:22,080 Speaker 1: a blessing man for real. What's that golden moment for you. 734 00:37:23,080 --> 00:37:27,200 Speaker 1: Millie's in the studio with the golden moment, like it 735 00:37:27,239 --> 00:37:29,160 Speaker 1: makes it all worth it, just the person I always 736 00:37:29,200 --> 00:37:32,440 Speaker 1: wanted to sit down and collaborate with man Um. I 737 00:37:32,560 --> 00:37:34,600 Speaker 1: was in the studio one day, like so they used 738 00:37:34,600 --> 00:37:36,640 Speaker 1: to have the D Block studios and young because it's 739 00:37:36,680 --> 00:37:39,000 Speaker 1: like it's just like you would think you've ever been there. 740 00:37:39,640 --> 00:37:41,600 Speaker 1: It's just like you would think a D Block studio 741 00:37:41,719 --> 00:37:45,000 Speaker 1: would be. It's in like a factory building, you know, 742 00:37:45,200 --> 00:37:49,800 Speaker 1: like Rugged Ship ninety motherfucker's and then Timberland ship like that. 743 00:37:50,560 --> 00:37:53,560 Speaker 1: And I came in there one day and Kiss was 744 00:37:53,719 --> 00:37:57,160 Speaker 1: right into something and the ship was so hard and 745 00:37:57,239 --> 00:37:59,880 Speaker 1: I'm like, yo, bro, can I write to that. It 746 00:38:00,080 --> 00:38:02,120 Speaker 1: took me just courage just to ask him that it's 747 00:38:02,160 --> 00:38:05,600 Speaker 1: like right, and I laid my verse and that ship 748 00:38:05,680 --> 00:38:07,800 Speaker 1: made it on his album that was Government Cheese. But 749 00:38:07,920 --> 00:38:12,600 Speaker 1: like that Um, that verse like me writing side by 750 00:38:12,680 --> 00:38:15,920 Speaker 1: side with Kiss and getting on his album that was 751 00:38:16,360 --> 00:38:19,879 Speaker 1: That was it for me. Yeah, Like, can't nobody funck 752 00:38:19,960 --> 00:38:21,680 Speaker 1: with me? Like I didn't sat down with Kiss, and 753 00:38:21,719 --> 00:38:24,080 Speaker 1: I meant no artists could funk with me in the world. 754 00:38:24,800 --> 00:38:27,080 Speaker 1: That's how I feel like because I sat down with Kiss. 755 00:38:27,120 --> 00:38:29,200 Speaker 1: I panned the sixteen, he loved it and put it 756 00:38:29,280 --> 00:38:33,680 Speaker 1: on his album, and he really the best. Like there's 757 00:38:33,719 --> 00:38:38,120 Speaker 1: other like great rappers, but nobody his age, or or 758 00:38:38,480 --> 00:38:41,800 Speaker 1: or the ten years under, ten years under, nobody, and 759 00:38:41,880 --> 00:38:44,120 Speaker 1: none of these brackets can funk with him right now 760 00:38:45,120 --> 00:38:51,959 Speaker 1: A sixteen whoever, No, he showed it. I'm talking about 761 00:38:52,000 --> 00:38:54,120 Speaker 1: he's sharp, like we just came from New Orleans. Like 762 00:38:54,239 --> 00:38:57,160 Speaker 1: he's sharp, Like I'm watching, I'm like, I don't know 763 00:38:57,280 --> 00:38:59,520 Speaker 1: how you do that because I'm way younger and I'm 764 00:39:00,160 --> 00:39:02,520 Speaker 1: and I forget some lines. I might get drunk in 765 00:39:02,600 --> 00:39:05,000 Speaker 1: my shows. I I would I cut this song. I 766 00:39:05,120 --> 00:39:07,800 Speaker 1: forgot that ship to play the next one, not kiss. 767 00:39:08,400 --> 00:39:10,560 Speaker 1: You're on bar for bar for bar for bar. You 768 00:39:10,600 --> 00:39:13,239 Speaker 1: don't slipping on stumble on the word. He's different, well 769 00:39:13,320 --> 00:39:16,640 Speaker 1: for sure. Yeah, there were times when I'm show the 770 00:39:16,719 --> 00:39:18,800 Speaker 1: word where you were thinking about giving up because it 771 00:39:19,040 --> 00:39:21,000 Speaker 1: was just funked up, Like how happy are you now 772 00:39:21,120 --> 00:39:27,000 Speaker 1: that you did? Not? Man, it's everything. I cried on 773 00:39:27,120 --> 00:39:28,800 Speaker 1: the plane. I ain't gonna lie like. I had a 774 00:39:28,960 --> 00:39:33,960 Speaker 1: crazy day in l A. Probably like three weeks ago, 775 00:39:34,120 --> 00:39:39,239 Speaker 1: maybe four weeks ago, I had met um Man. It 776 00:39:39,360 --> 00:39:41,600 Speaker 1: was just a crazy day. Somebody was on my phone. 777 00:39:41,760 --> 00:39:44,279 Speaker 1: I can't even say right now, but somebody was on 778 00:39:44,400 --> 00:39:46,560 Speaker 1: my phone. And then I went and I sat down 779 00:39:46,640 --> 00:39:49,400 Speaker 1: with Snoop, and Snoop just like lectured me for like, 780 00:39:50,000 --> 00:39:53,640 Speaker 1: you know, like an hour and traded game with me. Men. 781 00:39:53,800 --> 00:39:56,479 Speaker 1: I ran into my guy Massy. I threw the sped 782 00:39:56,600 --> 00:39:58,640 Speaker 1: chain on him because he threw you know, he showed 783 00:39:58,680 --> 00:40:01,239 Speaker 1: me so much love. And people was calling my phone 784 00:40:01,280 --> 00:40:04,440 Speaker 1: about incredible ship. And I actually just got kicked off 785 00:40:04,480 --> 00:40:07,120 Speaker 1: a plane. I got kicked off a plane, but I 786 00:40:07,200 --> 00:40:09,160 Speaker 1: wasn't even tripping out. They let me on the next 787 00:40:09,239 --> 00:40:12,320 Speaker 1: plane and I just sat there. Man, I shed a 788 00:40:12,440 --> 00:40:16,040 Speaker 1: terror joy. I was like, yo, I can't I was like, 789 00:40:16,200 --> 00:40:20,120 Speaker 1: I was just like, yo, I can't believe me up now. 790 00:40:20,239 --> 00:40:22,000 Speaker 1: I don't know, like because I just believed, and I 791 00:40:22,040 --> 00:40:23,800 Speaker 1: don't know where the belief was coming from, because I 792 00:40:23,880 --> 00:40:29,200 Speaker 1: was just getting so much rejection, you know what I'm saying, Yeah, 793 00:40:29,239 --> 00:40:31,160 Speaker 1: that should suck me up. Like I just I just 794 00:40:31,440 --> 00:40:33,160 Speaker 1: was like, I can't believe it. I shed a tear 795 00:40:33,280 --> 00:40:36,960 Speaker 1: for real, Like, so what nohing knowing what you know? Now? 796 00:40:37,000 --> 00:40:38,800 Speaker 1: What would you tell the younger you? Like when you 797 00:40:38,920 --> 00:40:41,800 Speaker 1: was thinking about when you was taking those sixth grade 798 00:40:43,160 --> 00:40:46,960 Speaker 1: I say keep going and and I say keep going, 799 00:40:47,120 --> 00:40:49,399 Speaker 1: and like you know, I thought I thought my cut 800 00:40:49,440 --> 00:40:51,759 Speaker 1: off age was thirty and that's when I turned it up. 801 00:40:52,920 --> 00:40:54,600 Speaker 1: What do you mean my cut off age? I thought 802 00:40:54,640 --> 00:40:57,680 Speaker 1: that was it for a rapper, Like that was so 803 00:40:58,640 --> 00:41:00,840 Speaker 1: just for me to like go crazy. See like after 804 00:41:01,200 --> 00:41:04,400 Speaker 1: my cutoff age, in my mind, I would have told myself, now, 805 00:41:04,440 --> 00:41:07,160 Speaker 1: I don't don't trip like you got it. So how 806 00:41:07,239 --> 00:41:09,960 Speaker 1: your mom received the rep crew man? She loved it, 807 00:41:10,040 --> 00:41:12,120 Speaker 1: but she knows this it's like a dangerous job too, 808 00:41:12,520 --> 00:41:14,600 Speaker 1: you know what I mean. So she's very proud that 809 00:41:14,680 --> 00:41:17,680 Speaker 1: them that them that I'm out the streets. But she also, 810 00:41:17,880 --> 00:41:20,799 Speaker 1: like you know, um, she loved it though, like her 811 00:41:20,840 --> 00:41:23,120 Speaker 1: friends and ship could be hearing about me, like all 812 00:41:23,160 --> 00:41:25,520 Speaker 1: that kids here about me, like she like a like 813 00:41:25,640 --> 00:41:30,200 Speaker 1: a celebrity mom sometimes you know, especially where we're from. Um, 814 00:41:31,320 --> 00:41:33,040 Speaker 1: but yeah, she knows it's it's a grind like my 815 00:41:33,160 --> 00:41:35,520 Speaker 1: mother's like my therapist and ship. So she's gonna here 816 00:41:35,560 --> 00:41:37,200 Speaker 1: all the way. I try not even to put the 817 00:41:37,280 --> 00:41:40,120 Speaker 1: bad ship on her now though, like you know, I 818 00:41:40,239 --> 00:41:42,600 Speaker 1: try to just keep it like but but I'm used 819 00:41:42,600 --> 00:41:45,520 Speaker 1: to having her as like my therapist, so she love it. 820 00:41:45,680 --> 00:41:47,680 Speaker 1: Do you think the press is more intense of trying 821 00:41:47,719 --> 00:41:51,560 Speaker 1: to get there trying to stay there? That's good, good 822 00:41:51,600 --> 00:41:59,040 Speaker 1: ask questions? Um shit, probably trying to It's like both 823 00:41:59,120 --> 00:42:02,000 Speaker 1: because it's like frink like. But yeah, the pressure is 824 00:42:02,080 --> 00:42:06,040 Speaker 1: up now because because if my ship fall off, like now, 825 00:42:06,120 --> 00:42:10,520 Speaker 1: I'm actually feeding people before like if I lose, nobody 826 00:42:10,560 --> 00:42:15,080 Speaker 1: else really fact I lost. Now if I lose ten, fifteen, 827 00:42:15,200 --> 00:42:19,400 Speaker 1: twenty people lose, you know. So yeah, and I just 828 00:42:19,480 --> 00:42:21,040 Speaker 1: want to do it for my states. So yeah, yeah, 829 00:42:21,080 --> 00:42:26,000 Speaker 1: the pressures stay on. Ye what you think the pressure? 830 00:42:27,640 --> 00:42:31,680 Speaker 1: I feel that pressure every day. Absolutely. I really don't 831 00:42:31,719 --> 00:42:36,279 Speaker 1: know what we're doing we're doing, but I mean the 832 00:42:36,400 --> 00:42:40,640 Speaker 1: pressure of, like you said, doing what you have to 833 00:42:40,760 --> 00:42:44,680 Speaker 1: do because you know that now you're in the position 834 00:42:44,719 --> 00:42:47,520 Speaker 1: where more people are depending on you is definitely like 835 00:42:47,960 --> 00:42:50,640 Speaker 1: a ton of pressure because you know, like one slip, 836 00:42:50,680 --> 00:42:52,279 Speaker 1: all this ship can be gone, and then that means 837 00:42:52,360 --> 00:42:55,200 Speaker 1: that all of all these people that's depending on the 838 00:42:55,239 --> 00:42:57,520 Speaker 1: ship it's gonna be gone too. I just feel like 839 00:42:57,600 --> 00:43:01,399 Speaker 1: in my in my situation, it just a different plate 840 00:43:01,440 --> 00:43:03,120 Speaker 1: than on fixting because I've been had to fixt place 841 00:43:03,200 --> 00:43:08,360 Speaker 1: since I was fourteen, same pressure, take care of you 842 00:43:08,400 --> 00:43:10,440 Speaker 1: know what I'm saying. So it's the same ship that 843 00:43:10,520 --> 00:43:12,320 Speaker 1: I was always like, you know, I was always a 844 00:43:12,360 --> 00:43:16,400 Speaker 1: single child. I didn't have no kids purposely, So now 845 00:43:16,560 --> 00:43:20,200 Speaker 1: it's just falling on So it's different like if you yeah, 846 00:43:20,200 --> 00:43:23,480 Speaker 1: if you had it my feet up now, like you 847 00:43:23,520 --> 00:43:26,560 Speaker 1: know what I'm saying. It's like we're just coaching before 848 00:43:26,600 --> 00:43:30,400 Speaker 1: the fold this month. So but that's yeah, that's what 849 00:43:30,480 --> 00:43:32,880 Speaker 1: life supposed to be like for sure. But now I 850 00:43:33,360 --> 00:43:35,760 Speaker 1: I like as an artist, now if I was a rapper, 851 00:43:36,360 --> 00:43:41,720 Speaker 1: I would feed that different that different. Were there talking 852 00:43:41,760 --> 00:43:45,320 Speaker 1: ship kicking, ship winning, no competition, so it is what 853 00:43:45,440 --> 00:43:47,880 Speaker 1: it is, even the competition that we do. Hell, they 854 00:43:48,120 --> 00:43:51,000 Speaker 1: were calling in trade game with each other, I'm saying, 855 00:43:51,040 --> 00:43:54,000 Speaker 1: So it ain't really competition. But this rap ship, you 856 00:43:54,160 --> 00:43:57,480 Speaker 1: got them drop a hot song and then you drop album, 857 00:43:57,520 --> 00:43:59,319 Speaker 1: and you drop another album and then they'd be like, oh, 858 00:43:59,400 --> 00:44:01,279 Speaker 1: he launched it. I swear to god, I was thinking 859 00:44:01,320 --> 00:44:03,640 Speaker 1: about my next album, Like we number one on iTunes 860 00:44:03,760 --> 00:44:06,080 Speaker 1: right now. After last album we tried at Billboard, so 861 00:44:06,120 --> 00:44:07,960 Speaker 1: I was already like, all right, I gotta try to 862 00:44:08,040 --> 00:44:11,879 Speaker 1: higher on Billboard or if it's over for me. Yeah. 863 00:44:13,400 --> 00:44:15,440 Speaker 1: And then this one, I'm like, damn, Like I really 864 00:44:15,480 --> 00:44:17,279 Speaker 1: don't pull out the stops for this. I got five 865 00:44:17,360 --> 00:44:19,680 Speaker 1: year old foreign I have five year old foreign bringings. 866 00:44:19,719 --> 00:44:22,800 Speaker 1: Told us to the projects in my in my city, 867 00:44:22,920 --> 00:44:26,520 Speaker 1: like I'm doing incredible ship, and I'm like, Yo, how 868 00:44:26,560 --> 00:44:29,360 Speaker 1: do I talk that? I don't. I don't want to, 869 00:44:30,120 --> 00:44:32,680 Speaker 1: That's what I'm saying, Like it's like, where's the you 870 00:44:32,760 --> 00:44:35,360 Speaker 1: feel me? I just meant money back outside of here, 871 00:44:35,520 --> 00:44:40,200 Speaker 1: So like that's like a feature I gotta do some 872 00:44:40,280 --> 00:44:44,359 Speaker 1: incredible ship right now, right now? Yeah? Yeah, yeah, Nah, 873 00:44:44,719 --> 00:44:54,040 Speaker 1: for sure we're not getting big, are you? Probably one 874 00:44:54,080 --> 00:44:57,120 Speaker 1: of the most outside Repperts. Is that just part of 875 00:44:57,600 --> 00:45:00,560 Speaker 1: how you outside? But you know that we see I'm 876 00:45:00,760 --> 00:45:06,680 Speaker 1: really I'm talking about like really like the South Side. 877 00:45:08,160 --> 00:45:13,560 Speaker 1: I'll be in the fucking the trend cheetos. I had 878 00:45:13,600 --> 00:45:16,720 Speaker 1: a couple off days in New York right in my schedule, 879 00:45:16,960 --> 00:45:19,759 Speaker 1: and and I had two feature videos I had to 880 00:45:19,840 --> 00:45:22,320 Speaker 1: do boom, so I one of them already knowing my 881 00:45:22,400 --> 00:45:25,320 Speaker 1: man's like he's from East New York. Like I'm like, 882 00:45:25,400 --> 00:45:27,520 Speaker 1: all right, So he sent me the address. We're in Cyprus. 883 00:45:27,640 --> 00:45:30,120 Speaker 1: Projects in East New York, which is like the worst 884 00:45:30,160 --> 00:45:32,480 Speaker 1: ship in the world, you know what I mean. Boom 885 00:45:32,640 --> 00:45:35,359 Speaker 1: and he's on my off days, A hundred motherfucker's out there. 886 00:45:35,400 --> 00:45:37,920 Speaker 1: The next day, I'm like, all right, where's the video 887 00:45:38,080 --> 00:45:41,200 Speaker 1: for the feature Queen's Bridge projects Boom out, you know 888 00:45:41,239 --> 00:45:42,840 Speaker 1: what I mean. It's just like, Yo, the ship is 889 00:45:42,920 --> 00:45:44,600 Speaker 1: concert and then like yeah, but that's one of the 890 00:45:44,680 --> 00:45:46,959 Speaker 1: things I pride myself for. Man, I'm not scared of nothing, 891 00:45:47,000 --> 00:45:49,200 Speaker 1: but god, you know what I mean. So I've always 892 00:45:49,280 --> 00:45:51,560 Speaker 1: been like that, bro I've been in I've been running 893 00:45:51,600 --> 00:45:56,040 Speaker 1: around and landing. I shot a video on on On Boulevard. 894 00:45:56,800 --> 00:46:03,040 Speaker 1: That's a spot, right, was a project yeah before Yeah Boulevard. 895 00:46:03,440 --> 00:46:05,880 Speaker 1: I came down here because I had UM. I was 896 00:46:05,960 --> 00:46:08,160 Speaker 1: on a feature with UM. This is like ten years ago. 897 00:46:09,120 --> 00:46:10,800 Speaker 1: I came down and I was on a song with 898 00:46:10,920 --> 00:46:15,120 Speaker 1: Blue Da Vinci and because O Fly and we shot 899 00:46:15,160 --> 00:46:17,319 Speaker 1: it in like the projects in the Lantashers. So it's 900 00:46:17,360 --> 00:46:19,400 Speaker 1: like it always been like that. My man Dylan here, 901 00:46:19,440 --> 00:46:21,080 Speaker 1: he didn't have me out in the trenches since I 902 00:46:21,200 --> 00:46:24,520 Speaker 1: was a little kid in Boston. Like you know, documented 903 00:46:24,920 --> 00:46:27,160 Speaker 1: you think that's somewhat of the away with what I 904 00:46:27,239 --> 00:46:29,560 Speaker 1: was saying earlier, like proving yourself like that you'll pull up. 905 00:46:29,680 --> 00:46:31,440 Speaker 1: There's like, oh yeah, I'm gonna pull up. You know 906 00:46:31,520 --> 00:46:33,600 Speaker 1: what I'm saying. It's like maybe it's a pull up, 907 00:46:33,640 --> 00:46:35,440 Speaker 1: but it's kind of just like I just don't feel that, 908 00:46:35,960 --> 00:46:38,439 Speaker 1: like you not for nothing. I went to Haiti because 909 00:46:38,440 --> 00:46:41,520 Speaker 1: I grew up with all those motherfucker's told me, right now, 910 00:46:41,640 --> 00:46:44,360 Speaker 1: do you not go to Haiti? Don't go to Haiti. 911 00:46:44,560 --> 00:46:46,520 Speaker 1: That's what they told me. They're getting kidnapped left for right. 912 00:46:46,560 --> 00:46:49,880 Speaker 1: This is what Haitians are telling me. You feeling, Oh no, 913 00:46:49,960 --> 00:46:52,600 Speaker 1: I'm on the plane and it got crunchy out there, 914 00:46:53,080 --> 00:46:58,680 Speaker 1: But I just feel love for re because it's different. 915 00:46:58,760 --> 00:47:04,480 Speaker 1: It's different than America. Like that word, by the way, 916 00:47:05,120 --> 00:47:09,759 Speaker 1: just done, that's my word. I crunchy out there because 917 00:47:09,760 --> 00:47:14,600 Speaker 1: it was like, um, we had SUV's, we got twelve SUVs, 918 00:47:14,640 --> 00:47:18,359 Speaker 1: and we got sticks, big fucking sticks. It doesn't matter, 919 00:47:19,120 --> 00:47:20,800 Speaker 1: It don't matter because they're gonna look at you and 920 00:47:20,840 --> 00:47:24,960 Speaker 1: be like, shoot you point that ship right, shoot you 921 00:47:25,040 --> 00:47:26,560 Speaker 1: know what I mean? Like that's what type of time 922 00:47:26,600 --> 00:47:29,200 Speaker 1: they want with the dudes out there. Like it's just 923 00:47:29,440 --> 00:47:31,520 Speaker 1: it's a different it's a different level but shout out 924 00:47:31,560 --> 00:47:34,160 Speaker 1: head it was beautiful though, Like it was beautiful. But yeah, 925 00:47:34,200 --> 00:47:36,680 Speaker 1: I'm going anywhere, bro. I told motherfucker's you could book 926 00:47:36,680 --> 00:47:41,279 Speaker 1: me in Ukraine right now. I'm dead as can book 927 00:47:41,280 --> 00:47:43,120 Speaker 1: me and Ukraine for a hund of stacks right now. 928 00:47:43,480 --> 00:47:45,960 Speaker 1: I need that six figures. I'll go out there, you 929 00:47:46,000 --> 00:47:47,600 Speaker 1: know what I mean, Like, I'll take your word and 930 00:47:47,920 --> 00:47:50,120 Speaker 1: be straight. I got God with me, Like I go anywhere, 931 00:47:50,120 --> 00:47:53,360 Speaker 1: I'll go anywhere in the world. It's proven, documented, factual. 932 00:47:54,000 --> 00:48:00,200 Speaker 1: M Yeah, scream the outside. I like that. A lot 933 00:48:00,200 --> 00:48:02,839 Speaker 1: of fun out of this deli onto you, man, because 934 00:48:02,880 --> 00:48:04,920 Speaker 1: they don't be understanding, like no, like a lot of 935 00:48:04,960 --> 00:48:08,040 Speaker 1: these rappers, they be in the house man, Like I 936 00:48:08,080 --> 00:48:14,000 Speaker 1: don't know, they never experienced divine intervention. You're going back 937 00:48:14,040 --> 00:48:16,320 Speaker 1: to the divine intervention. No, nobody want to shoot, no 938 00:48:16,400 --> 00:48:23,080 Speaker 1: white but you privilege because the motherucker definitely empty this 939 00:48:23,160 --> 00:48:26,759 Speaker 1: hole on me in front of my mother's house. Yeah yeah, 940 00:48:26,800 --> 00:48:29,640 Speaker 1: I thought about a word, but then I remembered, like 941 00:48:29,760 --> 00:48:32,480 Speaker 1: the flashes and the banks, you know what I mean 942 00:48:34,360 --> 00:48:40,919 Speaker 1: that she changed after you see that muzzle flash. Yeah, time, 943 00:48:41,000 --> 00:48:44,080 Speaker 1: and then you always add that bullshit that question question 944 00:48:44,160 --> 00:48:51,560 Speaker 1: please time, Like like domond Now, I like when I 945 00:48:51,680 --> 00:48:54,040 Speaker 1: had time, No bullshit, I don't got time no more. 946 00:48:54,080 --> 00:48:55,919 Speaker 1: But like when I had time, I liked the strip club, 947 00:48:55,960 --> 00:49:00,239 Speaker 1: and I like going there early? Too early? What because 948 00:49:00,280 --> 00:49:05,000 Speaker 1: you can now listen? Listen, listen, listen. I don't understand 949 00:49:05,000 --> 00:49:06,840 Speaker 1: why people go to strip club late, right, you might 950 00:49:06,880 --> 00:49:08,480 Speaker 1: as well go there when all the girls check in 951 00:49:08,560 --> 00:49:13,040 Speaker 1: the work, like because other than that, like it's just competent. 952 00:49:13,080 --> 00:49:14,640 Speaker 1: Why you want more to wait until all the dudes 953 00:49:14,719 --> 00:49:17,000 Speaker 1: is there? If all the girls get here at eleven o'clock, 954 00:49:19,760 --> 00:49:23,320 Speaker 1: how somebody from Atlanta giving us Atlanta, but I don't know. 955 00:49:23,360 --> 00:49:27,600 Speaker 1: I don't know if Atlanta but New York. I'm install 956 00:49:27,680 --> 00:49:31,120 Speaker 1: it at twelve, all the strips is there, all the 957 00:49:31,200 --> 00:49:34,000 Speaker 1: bottle girls is there at eleven thirty. People don't get 958 00:49:34,040 --> 00:49:38,480 Speaker 1: there until two o'clock in the morning. So my thousand 959 00:49:38,560 --> 00:49:41,759 Speaker 1: dollars is gonna look like five thousand dollars, whereas my 960 00:49:41,920 --> 00:49:45,480 Speaker 1: thousand dollars at two o'clock, it's gonna look like two 961 00:49:45,560 --> 00:49:47,799 Speaker 1: hundred dollars. And they don't care about that measly two 962 00:49:47,880 --> 00:49:51,879 Speaker 1: hundred dollars. So it's like I'm stretching my money. That's 963 00:49:51,920 --> 00:49:58,040 Speaker 1: what I've always yeah, stretching a look at all of that. God, 964 00:49:58,120 --> 00:50:01,600 Speaker 1: I'm building relationships. But that's that's my that's my all time. 965 00:50:01,680 --> 00:50:05,160 Speaker 1: That's what I do all the time. What you what 966 00:50:05,320 --> 00:50:07,399 Speaker 1: some of your favorite liquor with some of your favorite food, 967 00:50:07,480 --> 00:50:10,480 Speaker 1: that type of ship culture and lifestyle type. I like, 968 00:50:10,719 --> 00:50:12,759 Speaker 1: like right now, like I had a um, I had 969 00:50:12,800 --> 00:50:14,360 Speaker 1: like a like a kind of like a hole in 970 00:50:14,400 --> 00:50:16,440 Speaker 1: my stomach. So for for like a while, like in 971 00:50:16,480 --> 00:50:18,640 Speaker 1: the lining of my stomach from like eating like spicy 972 00:50:18,680 --> 00:50:22,920 Speaker 1: food and popping pills or whatever the funk. It was 973 00:50:22,960 --> 00:50:26,200 Speaker 1: ad villain ship like that. But I started eating like, um, 974 00:50:26,480 --> 00:50:28,920 Speaker 1: grilled chicken after that, like grilled chicken. So now I 975 00:50:29,080 --> 00:50:31,200 Speaker 1: really be on like a lot of like on Colombian food, 976 00:50:31,280 --> 00:50:34,239 Speaker 1: like Mexican food now because they just got rice beans 977 00:50:34,320 --> 00:50:36,320 Speaker 1: grilled chickens. Like I try to keep it simple, but 978 00:50:36,400 --> 00:50:39,360 Speaker 1: I love I love I love old food though I 979 00:50:39,480 --> 00:50:42,319 Speaker 1: love Haitian food, I love jamaking food. If I want 980 00:50:42,360 --> 00:50:46,560 Speaker 1: to go to sleep, um yeah, like I like a 981 00:50:47,160 --> 00:50:49,120 Speaker 1: like a good put me to sleep plate. Look, I'm 982 00:50:49,160 --> 00:50:53,839 Speaker 1: on that Reperssado, Repersado Blanco, my whole album about Repersato, 983 00:50:54,840 --> 00:50:58,520 Speaker 1: talk about that album, man um just like a mixture 984 00:50:58,560 --> 00:51:02,680 Speaker 1: of like high level rap, pain, emotion based music, touching 985 00:51:02,760 --> 00:51:06,879 Speaker 1: on a lot of subjects depression, you know what I mean, anger, sadness, joy, 986 00:51:08,520 --> 00:51:11,000 Speaker 1: heart beats. We got a lot of features. We got Marzi, 987 00:51:12,360 --> 00:51:15,680 Speaker 1: we got on five Yo Farr and Jada Kiss Styles, 988 00:51:15,840 --> 00:51:20,880 Speaker 1: p Oh, I got on there, more Peasy from Detroit, 989 00:51:22,480 --> 00:51:25,080 Speaker 1: Cousin STIs from Boston. We we got we got a 990 00:51:25,120 --> 00:51:29,440 Speaker 1: plethora artists that ship, Um it's fired. Did that? Did 991 00:51:29,480 --> 00:51:31,440 Speaker 1: that make a competitive for you? Having all those features 992 00:51:31,719 --> 00:51:34,839 Speaker 1: like making sure your verse was in But I feel 993 00:51:34,840 --> 00:51:36,279 Speaker 1: like I'm a good A and R though, So like 994 00:51:36,320 --> 00:51:39,520 Speaker 1: when I approached somebody, like when I go like get 995 00:51:39,560 --> 00:51:42,920 Speaker 1: my money back, yo versus gonna be the best I'm 996 00:51:42,920 --> 00:51:44,400 Speaker 1: gonna find it. I know what I like out of 997 00:51:44,440 --> 00:51:46,440 Speaker 1: certain artist, Like I was telling him, like I like 998 00:51:46,520 --> 00:51:48,680 Speaker 1: your pain ship. I like like get shipped with Kodak 999 00:51:48,760 --> 00:51:51,040 Speaker 1: and ship like that. So that's what I try to 1000 00:51:51,080 --> 00:51:52,800 Speaker 1: give an artist something that I feel is right in 1001 00:51:52,880 --> 00:51:54,759 Speaker 1: pocket for him, like I gave five or something I 1002 00:51:54,840 --> 00:51:57,000 Speaker 1: knew he would go crazy on. Everyone goes crazy on 1003 00:51:57,080 --> 00:52:00,319 Speaker 1: their feature versus with me, Like if you look at 1004 00:52:00,360 --> 00:52:03,000 Speaker 1: my herbo verse, you look at my my Benny very 1005 00:52:03,120 --> 00:52:06,680 Speaker 1: kiss anybody. Everybody wraps up to the highest level for sure. 1006 00:52:07,120 --> 00:52:08,960 Speaker 1: And I got a reputation as a lyricist, so I 1007 00:52:09,040 --> 00:52:12,560 Speaker 1: think that helps you. What's some of the most key 1008 00:52:12,640 --> 00:52:16,400 Speaker 1: or clutch information you would give somebody on the come 1009 00:52:16,520 --> 00:52:20,600 Speaker 1: up or a young personal game man, I would say, like, 1010 00:52:20,680 --> 00:52:22,880 Speaker 1: get your face clean with people, you know what I mean, 1011 00:52:23,000 --> 00:52:25,600 Speaker 1: Like pull up, get face value with people as much 1012 00:52:25,640 --> 00:52:28,200 Speaker 1: as you can. You gotta be ready to die for it. 1013 00:52:28,280 --> 00:52:30,520 Speaker 1: You gotta be ready to like you gotta be ready 1014 00:52:30,560 --> 00:52:33,400 Speaker 1: to um, to sacrifice comfort. You gotta be ready to 1015 00:52:35,000 --> 00:52:38,560 Speaker 1: to jump at every opportunity because like some motherfucker's that 1016 00:52:38,640 --> 00:52:40,840 Speaker 1: feel like they're bigger than an opportunity. Like if I 1017 00:52:40,960 --> 00:52:43,239 Speaker 1: know that there's a fifteen percent when I was coming up, 1018 00:52:43,239 --> 00:52:45,400 Speaker 1: if I knew that there's a fifteen percent chance like 1019 00:52:45,520 --> 00:52:49,440 Speaker 1: I could meet you somewhere, I'm gonna take that fifteen 1020 00:52:49,480 --> 00:52:53,440 Speaker 1: percent chance that that other chance is not gonna register 1021 00:52:53,560 --> 00:52:56,800 Speaker 1: in my head. I'm gonna say, all right, this is 1022 00:52:57,360 --> 00:52:59,799 Speaker 1: this is worth it. And I did that every time. 1023 00:53:00,080 --> 00:53:03,480 Speaker 1: It's like THEE for two years straight. Yeah yeah, yeah, 1024 00:53:03,560 --> 00:53:05,279 Speaker 1: but I'm but I'm like that, bro, Like if I 1025 00:53:05,360 --> 00:53:06,840 Speaker 1: hadn't made it right now. If I was coming up 1026 00:53:06,880 --> 00:53:09,480 Speaker 1: in Atlanta, you would have seen me ninety times. I 1027 00:53:09,480 --> 00:53:12,680 Speaker 1: would have been outside even even with even with this 1028 00:53:12,760 --> 00:53:15,160 Speaker 1: conversation you want to do it, but your team was persistent, 1029 00:53:15,280 --> 00:53:18,440 Speaker 1: like they made sure it's just them, like I know, 1030 00:53:18,680 --> 00:53:20,840 Speaker 1: and like yo, I probably myself on being a realist, 1031 00:53:20,880 --> 00:53:22,520 Speaker 1: like seeing things how they are and not how you 1032 00:53:22,600 --> 00:53:25,480 Speaker 1: want them to be. I know, I'm not the biggest 1033 00:53:25,600 --> 00:53:28,239 Speaker 1: artist in Atlanta. I know, y'all sitting down with the 1034 00:53:28,320 --> 00:53:30,840 Speaker 1: litt motherfucker's from the South, and y'all really it like 1035 00:53:31,160 --> 00:53:35,759 Speaker 1: y'all the voice of this whole ship. So yeah, I 1036 00:53:35,840 --> 00:53:37,759 Speaker 1: gotta press for that, you know what I mean, Like 1037 00:53:37,880 --> 00:53:40,040 Speaker 1: I rerouted flights and all that because I'm coming here, 1038 00:53:40,120 --> 00:53:44,319 Speaker 1: Like I never yeah, I I never, like I'm going 1039 00:53:44,360 --> 00:53:47,239 Speaker 1: to pass up an opportunity. But being a realist tool 1040 00:53:47,320 --> 00:53:49,400 Speaker 1: to all the artists, like just to touch on that 1041 00:53:49,640 --> 00:53:51,360 Speaker 1: seeing things how they are, not how you want them 1042 00:53:51,400 --> 00:53:52,960 Speaker 1: to be. That should have put you out of like 1043 00:53:53,080 --> 00:53:55,000 Speaker 1: it hurts to be painful because you have to look 1044 00:53:55,040 --> 00:53:56,719 Speaker 1: at yourself in the mirror and go, damn, I'm not 1045 00:53:56,840 --> 00:53:59,080 Speaker 1: the biggest artist in the world, like I feel like 1046 00:53:59,160 --> 00:54:02,200 Speaker 1: I am. You know what I means it hurts. But 1047 00:54:02,400 --> 00:54:06,479 Speaker 1: once you take that initial hurt, you're able to say, 1048 00:54:06,760 --> 00:54:08,320 Speaker 1: all right, well this is where I'm starting from. So 1049 00:54:08,440 --> 00:54:10,640 Speaker 1: I lead you starting from a place of reality and 1050 00:54:10,719 --> 00:54:14,160 Speaker 1: not delusion, where so much you got nine percent of 1051 00:54:14,239 --> 00:54:16,719 Speaker 1: motherfucker's walking out here delusional because they're scared to get 1052 00:54:16,800 --> 00:54:19,440 Speaker 1: hurt about where they run in life. So I'm the 1053 00:54:19,480 --> 00:54:28,000 Speaker 1: hottest in my stay, not what you wanted to be. 1054 00:54:28,760 --> 00:54:30,600 Speaker 1: That's really thinks how they are, not how you want 1055 00:54:30,640 --> 00:54:32,160 Speaker 1: them to be. And I don't told people that. I've 1056 00:54:32,239 --> 00:54:33,880 Speaker 1: had people in my camp try to gas me and 1057 00:54:33,920 --> 00:54:36,000 Speaker 1: say you're you're hotter than so and so, and I go, no, 1058 00:54:36,160 --> 00:54:40,320 Speaker 1: I'm not. Statistically and realistically, we can feel like that, 1059 00:54:40,400 --> 00:54:42,799 Speaker 1: but that's something to prove. Yes, and so so many 1060 00:54:42,880 --> 00:54:45,080 Speaker 1: motherfucker's let somebody tell them you're you're hotter than so 1061 00:54:45,200 --> 00:54:47,520 Speaker 1: and so, and they dad as walk out the door 1062 00:54:47,640 --> 00:54:50,319 Speaker 1: and feel like I'm hotter than you're not. You're gonna 1063 00:54:50,320 --> 00:54:52,600 Speaker 1: be great. Yeah, if you think like that, you're gonna 1064 00:54:52,600 --> 00:54:54,520 Speaker 1: be great. Yeah, be a realist, you know what I mean. 1065 00:54:54,680 --> 00:54:59,000 Speaker 1: And it's like, yeah, people just say I run my city, Oh, 1066 00:54:59,080 --> 00:55:01,040 Speaker 1: I run my seat. That's like a casual thing. You 1067 00:55:01,160 --> 00:55:03,080 Speaker 1: meet somebody from out of town. We can meet somebody 1068 00:55:03,160 --> 00:55:05,839 Speaker 1: right now from Arkansas wherever. They're just gonna casually. Now, 1069 00:55:05,840 --> 00:55:08,040 Speaker 1: I run my city, that's me. I could tell you. 1070 00:55:08,120 --> 00:55:09,759 Speaker 1: I ain't even gonna tell you I'll run my city, 1071 00:55:09,800 --> 00:55:11,480 Speaker 1: but I could tell you if y'all come down there, 1072 00:55:11,840 --> 00:55:14,319 Speaker 1: I could put five six SUVs on you. You could 1073 00:55:14,320 --> 00:55:16,880 Speaker 1: go anywhere you want, you know what I'm saying comfortably, 1074 00:55:17,000 --> 00:55:19,680 Speaker 1: Like when they're gonna roll out the red carpet every 1075 00:55:19,880 --> 00:55:23,080 Speaker 1: single place. Oh yeah, I ain't even gonna say I 1076 00:55:23,200 --> 00:55:27,200 Speaker 1: run my ship, but I'm up. But yeah, yeah, on god, 1077 00:55:27,360 --> 00:55:28,640 Speaker 1: what would it take for you to sound a white 1078 00:55:28,680 --> 00:55:32,960 Speaker 1: wrapper right now? The other now, he had to beat 1079 00:55:35,400 --> 00:55:46,160 Speaker 1: question ever your mind? You got me with that one, yo. 1080 00:55:46,320 --> 00:55:49,680 Speaker 1: That's like a that's like a weird question right there, Like, um, 1081 00:55:50,120 --> 00:55:52,000 Speaker 1: you know, he has to be just like me for real. 1082 00:55:52,760 --> 00:55:55,919 Speaker 1: I had to like go verify you for real. Yeah, 1083 00:55:56,000 --> 00:55:58,719 Speaker 1: you have to be just like me. You have to 1084 00:55:58,800 --> 00:56:03,160 Speaker 1: have that up about nice. And that's like, he's somebody 1085 00:56:03,239 --> 00:56:05,600 Speaker 1: I know who could just go right now and I 1086 00:56:05,680 --> 00:56:08,560 Speaker 1: could get a bag and invested into my novel artists, 1087 00:56:08,960 --> 00:56:11,359 Speaker 1: you know what I mean. But yeah, that's I don't 1088 00:56:11,400 --> 00:56:13,800 Speaker 1: know like there's only one other like white kid I 1089 00:56:13,880 --> 00:56:16,799 Speaker 1: know who's just like me. That's my brother, asked Kate. 1090 00:56:16,920 --> 00:56:19,360 Speaker 1: Like he grew up in my same neighborhood. He was 1091 00:56:19,400 --> 00:56:23,000 Speaker 1: the first um, first first dude in UH and conquered 1092 00:56:23,440 --> 00:56:26,000 Speaker 1: prison with a black cellman, white and black cellmate. Like 1093 00:56:26,080 --> 00:56:28,360 Speaker 1: the guards don't let you do that. They had to say, no, 1094 00:56:28,560 --> 00:56:30,920 Speaker 1: this is what it is, like we rocked. So he 1095 00:56:31,120 --> 00:56:33,640 Speaker 1: respected by the by the black people, the white people, 1096 00:56:33,640 --> 00:56:35,320 Speaker 1: all that, you know what I mean. So it's like different, 1097 00:56:35,400 --> 00:56:37,360 Speaker 1: like I don't really be meeting people that's just like me. 1098 00:56:37,520 --> 00:56:41,040 Speaker 1: But I guess if you're nice, I'll put you on that. 1099 00:56:41,120 --> 00:56:44,719 Speaker 1: You sucked me up with that question because it's like 1100 00:56:45,400 --> 00:56:49,440 Speaker 1: the reason why it QUI because it's like you had 1101 00:56:49,520 --> 00:56:52,200 Speaker 1: the heir what you had for kiss to sign you. Yeah, 1102 00:56:52,280 --> 00:56:54,080 Speaker 1: you know what I'm saying, Like, so what is it 1103 00:56:54,360 --> 00:56:56,800 Speaker 1: how y'all feel about like white wrappers and the climbate 1104 00:56:56,840 --> 00:57:02,600 Speaker 1: that I don't know listen and but we we fun 1105 00:57:02,719 --> 00:57:07,320 Speaker 1: like I fought with your energy, but we but we 1106 00:57:07,480 --> 00:57:11,080 Speaker 1: all we all had this conversation like without to be honest, 1107 00:57:11,080 --> 00:57:15,399 Speaker 1: I've never listened to a full Imminem album. I don't 1108 00:57:15,440 --> 00:57:17,560 Speaker 1: know why it's not I could play you ship though 1109 00:57:17,640 --> 00:57:20,360 Speaker 1: that would change your mind on ship. I feel like 1110 00:57:20,440 --> 00:57:22,560 Speaker 1: I got I gotta playlist at them that I can 1111 00:57:22,600 --> 00:57:26,640 Speaker 1: play to anybody and change. But it's not but as 1112 00:57:26,720 --> 00:57:29,960 Speaker 1: far as a full project because just like for me, 1113 00:57:30,080 --> 00:57:32,120 Speaker 1: for instance, because I didn't really weigh in when they 1114 00:57:32,240 --> 00:57:35,560 Speaker 1: talked about this or whatever. But I'm an Eminem fan, 1115 00:57:36,520 --> 00:57:44,360 Speaker 1: but I'm an Eminem fan to certain songs at certain times. Singles. Yeah, 1116 00:57:44,520 --> 00:57:47,640 Speaker 1: like I can't really like I say, call out a 1117 00:57:47,760 --> 00:57:50,880 Speaker 1: whole project that I've listened to from start to finish 1118 00:57:51,000 --> 00:57:52,520 Speaker 1: or you know what I'm saying, No ship like that, 1119 00:57:52,800 --> 00:57:56,440 Speaker 1: but his word play and his imagination and we give 1120 00:57:57,320 --> 00:57:59,480 Speaker 1: everything is official. But I think the move is what 1121 00:57:59,680 --> 00:58:02,560 Speaker 1: made me a fan for sure. That's not me, that 1122 00:58:02,600 --> 00:58:04,120 Speaker 1: could I mean I feel like that could happen with 1123 00:58:04,160 --> 00:58:06,720 Speaker 1: different artists, Like I was a like like I'm a 1124 00:58:06,840 --> 00:58:09,680 Speaker 1: die hard like Nipsey fan, right, like for real, like 1125 00:58:09,800 --> 00:58:12,760 Speaker 1: I got tweets like in two thousand thirteen, Nipsey Hustle 1126 00:58:12,840 --> 00:58:16,280 Speaker 1: my favorite rapper of all time, like documented, right, I 1127 00:58:16,400 --> 00:58:18,920 Speaker 1: told him this, that's crazy. I gotta line. I said, 1128 00:58:18,920 --> 00:58:20,960 Speaker 1: I met Nipsey and Atlanta told him he the greatest. 1129 00:58:21,240 --> 00:58:23,440 Speaker 1: I call that Dick Roding, I call you insecure. You 1130 00:58:23,480 --> 00:58:25,360 Speaker 1: gotta live through more mostly also women to you know 1131 00:58:25,400 --> 00:58:28,760 Speaker 1: what I mean. Like, but I met Nipsey and I 1132 00:58:28,880 --> 00:58:30,720 Speaker 1: told him that, and I was always on that, but 1133 00:58:30,840 --> 00:58:33,040 Speaker 1: I saw like once he passed, like a lot of 1134 00:58:33,160 --> 00:58:36,240 Speaker 1: people all of a sudden was big fans of his, 1135 00:58:36,880 --> 00:58:38,200 Speaker 1: but a lot of them were saying, well, I like 1136 00:58:38,280 --> 00:58:40,480 Speaker 1: the interviews and ship. So I feel like that's the 1137 00:58:40,560 --> 00:58:42,160 Speaker 1: thing with an artist. How you say you funk with 1138 00:58:42,360 --> 00:58:44,520 Speaker 1: m Off. I think that's all around artistry, you know 1139 00:58:44,560 --> 00:58:48,400 Speaker 1: what I mean, used to your personality, to your songs 1140 00:58:48,440 --> 00:58:50,439 Speaker 1: and ship like that, because I feel like if you're 1141 00:58:50,560 --> 00:58:54,040 Speaker 1: if you're an artist, your main goal should be to 1142 00:58:54,200 --> 00:58:57,800 Speaker 1: get people to become in tune with you as a person. 1143 00:58:58,280 --> 00:59:01,720 Speaker 1: Because if they do that, you can fucking go sell 1144 00:59:02,240 --> 00:59:05,120 Speaker 1: chicken fries at Burger King. They're gonna step with you 1145 00:59:05,240 --> 00:59:09,000 Speaker 1: and follow you and sell out the chicken fries because 1146 00:59:09,120 --> 00:59:11,440 Speaker 1: they fun with you as a person even though they 1147 00:59:11,480 --> 00:59:15,080 Speaker 1: were introduced to you through your music. You got a brand. 1148 00:59:15,160 --> 00:59:16,600 Speaker 1: So if you got a brand, and it's kind of 1149 00:59:16,680 --> 00:59:20,480 Speaker 1: like you got real fans, you know, yeah, yeah, protect 1150 00:59:20,520 --> 00:59:27,120 Speaker 1: the brand absolutely, man, We're with you yeah, we need, 1151 00:59:27,200 --> 00:59:28,760 Speaker 1: we need, we need to go up, go up your 1152 00:59:28,800 --> 00:59:30,600 Speaker 1: way and do a live. We're trying to do lives 1153 00:59:30,640 --> 00:59:33,000 Speaker 1: with different cities. Of course, we gotta do that. You know. 1154 00:59:33,120 --> 00:59:35,000 Speaker 1: That's all set up. Like I said, right car, it 1155 00:59:35,120 --> 00:59:37,120 Speaker 1: rolled out even when y'all come to New York. You 1156 00:59:37,160 --> 00:59:39,640 Speaker 1: know what I mean. It's my second city. So sure 1157 00:59:39,800 --> 00:59:41,520 Speaker 1: what y'all tapped in with the right ones out there. 1158 00:59:42,120 --> 00:59:44,040 Speaker 1: That's what this is. Man bike shouts out. The meal 1159 00:59:44,160 --> 00:59:46,760 Speaker 1: is pulling up, blessing us some big Facts, sipping on 1160 00:59:46,840 --> 00:59:52,240 Speaker 1: the Delhi again. I was just saying, oh yeah, yeah, 1161 00:59:52,240 --> 00:59:53,880 Speaker 1: you gotta see things how they are, not how you 1162 00:59:53,960 --> 00:59:56,800 Speaker 1: want them to be. It will be painful in the beginning, 1163 00:59:57,520 --> 00:59:59,760 Speaker 1: but it'll be worth it, you know, because at least 1164 00:59:59,760 --> 01:00:02,320 Speaker 1: you're art off on a realistic level of where you're 1165 01:00:02,360 --> 01:00:06,640 Speaker 1: at instead of walking out the door delusion of like population. 1166 01:00:06,720 --> 01:00:10,680 Speaker 1: You know, Big Facts worth families man. 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