WEBVTT - Ep: 652: Hunting History

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<v Speaker 1>If this is the Meat Eater Podcast coming at you shirtless, severely,

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<v Speaker 1>bug bitten, and in my case, underwear listening podcast, you

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<v Speaker 1>can't predict anything.

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<v Speaker 2>The Meat Eater Podcast is brought to you by First Light.

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<v Speaker 2>Whether you're checking trail cams, hanging deer stands, or scouting

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<v Speaker 2>for ELK, First Light has performance apparel to support every

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<v Speaker 2>hunter in every environment. Check it out at first light

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<v Speaker 2>dot com. F I R S T L I t

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<v Speaker 2>E dot com. Joined today by Morgan Fallon and doctor Randall.

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<v Speaker 2>Doctor Randall's just here to look good. Yes, if anything

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<v Speaker 2>comes up you need to talk about, they'll raise your hand.

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<v Speaker 3>We're just trying to interject with some quips, some observations.

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<v Speaker 2>Please Mo. Mo Fallen Man uh uh, I'm trying to

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<v Speaker 2>think of where to begin. Well, Mo, found was the

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<v Speaker 2>original so a billion years ago. Mo, I'm gonna give

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<v Speaker 2>your I'm gonna help you with your bio. Then you

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<v Speaker 2>fill it in.

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<v Speaker 4>Okay, go for it.

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<v Speaker 2>No, how does it okay? Most longtime producer cinematographer. If

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<v Speaker 2>you've seen the movie I know this. When you were

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<v Speaker 2>a youngster, you worked on the movie Ali Michael Man's Alia.

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<v Speaker 4>I was Michael Man's assistant on Ali. Wow.

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<v Speaker 2>MO filmed a million episodes of Biggest Loser.

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<v Speaker 4>Yes, ninety six episodes.

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<v Speaker 2>MO. I did a show many years ago on travel Channel.

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<v Speaker 2>MO filmed all of that. MO filmed all of the

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<v Speaker 2>first met Eaters. Yeah, a bunch, Ye traveled all over

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<v Speaker 2>Hell for three years. Yeah, MO made MO made me

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<v Speaker 2>eater look like what me eater looks like? Yeah, you

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<v Speaker 2>designed the show. Yeah, I mean a handful was did,

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<v Speaker 2>but you like put you made the look.

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<v Speaker 4>Yeah, yep, I guess so. Yeah, with the camera for sure. Yeah,

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<v Speaker 4>the way the camera interacts, you know, with you on

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<v Speaker 4>the show for sure.

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<v Speaker 2>And at that time you were already doing were you

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<v Speaker 2>already working on Boordain at that time?

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<v Speaker 4>Yeah? So I started working with Bordain in two thousand

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<v Speaker 4>and eight, so it predated when we met. But that

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<v Speaker 4>was the reason I was able to meet you was

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<v Speaker 4>because I had done that and that had gone pretty well.

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<v Speaker 4>And so zero point zero, the company that produced Boordaen,

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<v Speaker 4>they called me when they hooked up with you.

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<v Speaker 2>Talk about tell everybody about just tell the whole story

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<v Speaker 2>of the years you spent on the Boordain show. The

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<v Speaker 2>whole story was I mean, like I don't know, give

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<v Speaker 2>me like ten minutes worth man.

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<v Speaker 4>Ten cool?

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<v Speaker 2>Yeah, I mean why, I like what, because that's going

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<v Speaker 2>to land us where we're landing. That's going to land

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<v Speaker 2>us with us, you know. I mean unfortunately it lands

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<v Speaker 2>us with us being so like reunited on our new project.

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<v Speaker 2>But I mean you had like you lived like a

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<v Speaker 2>whole you lived a whole lifetime.

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<v Speaker 4>Yeah, I mean yeah, it gets into all kinds of

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<v Speaker 4>complicated stuff, man, because like I mean, I'll start at

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<v Speaker 4>the beginning. I got called randomly by a by a

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<v Speaker 4>friend of mine who's the chief cinematographer, one of the

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<v Speaker 4>two chief cinematographers for Bordei and Zach Zamboni, and they

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<v Speaker 4>had had a camera operator cancel last minute on a

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<v Speaker 4>trip to Egypt, and it was the phone call was

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<v Speaker 4>basically like, you know, do you have a passport.

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<v Speaker 2>That was your in Yeah, a cancelation.

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<v Speaker 4>Yeah. They're like, do you have a that's a tough

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<v Speaker 4>show to get on sure. I mean, like, dude, I

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<v Speaker 4>was clicking my heels. Man, They're like, do you have

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<v Speaker 4>a passport? Can you go to Egypt next week? And

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<v Speaker 4>I was like one hundred percent, there can go and

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<v Speaker 4>uh and I went and it went really well with Tony,

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<v Speaker 4>which is which is rare, you know, like it's these

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<v Speaker 4>like a very kind of particular person. It was a

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<v Speaker 4>very set, you know, kind of particular set of criteria

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<v Speaker 4>that you kind of needed to meet to work on

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<v Speaker 4>that show. Like you had to be able. He had

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<v Speaker 4>to be able to hang out with you. You had

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<v Speaker 4>to be cool enough to hang out. You had to

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<v Speaker 4>not be a dick. You had to treat the people

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<v Speaker 4>who are taking us into their lives as if they're

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<v Speaker 4>as if you're a guest in their world and not

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<v Speaker 4>you know, some arrogant TV producer who comes in and

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<v Speaker 4>is just gonna, you know, stomp all over them.

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<v Speaker 2>So he was sensitive to how he was sensitive to

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<v Speaker 2>how you guys behave to the people you were around.

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<v Speaker 4>I think that was actually like the number one criteria man.

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<v Speaker 4>But but if you think about it, it sets the

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<v Speaker 4>tone for the whole show. The show is not us

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<v Speaker 4>sitting you know, five thousand miles away and my you

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<v Speaker 4>know office in Los Angeles and saying like, what is

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<v Speaker 4>the story I can tell about these people's lives? You know,

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<v Speaker 4>it was like the the show was like we are

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<v Speaker 4>going to go here and we're going to figure out

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<v Speaker 4>what the story is of these people lives and they're

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<v Speaker 4>the ones that are going to tell us, you know.

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<v Speaker 4>And I think that whole tone was set by this

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<v Speaker 4>idea that you're you're a guest, and you are a guest.

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<v Speaker 4>You know, you're traveling around the world and absorbing other

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<v Speaker 4>people's lives in a commercial enterprise. You can't be considered

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<v Speaker 4>anything but a guest, right, And so those were a

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<v Speaker 4>couple of like the just criteria he had set forth

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<v Speaker 4>for like people who kind of fit on the show

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<v Speaker 4>and worked well. I got that called I did. The

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<v Speaker 4>show went really well. I think he particularly liked me

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<v Speaker 4>because I was willing to risk my physical well being

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<v Speaker 4>and or life for a shot. You know, at the time,

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<v Speaker 4>I was young and didn't have kids, so I was

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<v Speaker 4>able to make a lot of stupid decisions I wouldn't

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<v Speaker 4>make now.

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<v Speaker 2>But you should at some point tell the story about Brazil.

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<v Speaker 4>Yeah, I mean that was probably more me overreacting than anything.

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<v Speaker 3>What's the example that comes to mind though.

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<v Speaker 4>Well, I mean that first show we went across the

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<v Speaker 4>western desert or a big portion of the western desert

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<v Speaker 4>in Egypt with the Bedouin, right, and they all uniformly

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<v Speaker 4>drive these late seventies land Cruisers, which is a super

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<v Speaker 4>cool car. But then this is a weird little footnote.

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<v Speaker 4>There some places in the world where you go where

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<v Speaker 4>they drive land Rovers, and there's some place in the

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<v Speaker 4>world where you go there where they drive land Cruisers,

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<v Speaker 4>you know, and a lot, a lot of the world

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<v Speaker 4>can be got two automotive choices. Right there are a

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<v Speaker 4>land Cruiser country. And I had no idea what we

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<v Speaker 4>were doing. I had never been on the show. It's

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<v Speaker 4>like my third day on the show. I had never been,

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<v Speaker 4>you know, worked on the show before. We're driving out

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<v Speaker 4>into the desert and I was like, oh, hop on

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<v Speaker 4>the top of the car and you know, shoot shots

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<v Speaker 4>of the cars, you know, slowly picking their way through

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<v Speaker 4>the dunes, and you know, like five minutes later, we're

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<v Speaker 4>going eighty five miles an hour. I am hugging for

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<v Speaker 4>my life this four post bed that they for some

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<v Speaker 4>reason had strapped to the top of the car, which

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<v Speaker 4>I still can't explain. I think they thought Tony was

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<v Speaker 4>some kind of like Prima Donna that was going to

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<v Speaker 4>need a four post bed out in the you know,

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<v Speaker 4>the desert. That's man. Anyways, I'm like holding onto this

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<v Speaker 4>thing with one hand shooting with the other and we

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<v Speaker 4>get to we get to where we're camping and I've

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<v Speaker 4>got this just massive bicep size hematoma you know, on

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<v Speaker 4>my arm. Oh, and Tony saw it and that was it. Man.

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<v Speaker 4>It was like he was like started talking to me,

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<v Speaker 4>he started asking me a question, he looked at me,

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<v Speaker 4>you know, these like kind of novel things at that point.

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<v Speaker 4>And I got a call from Chris and Lydia, the

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<v Speaker 4>owners of ZPZ after, and they're like, Tony likes you,

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<v Speaker 4>which is super rare, so like, you know, we're going

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<v Speaker 4>to do this a bunch more.

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<v Speaker 2>And that started.

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<v Speaker 4>Ten ten years of traveling with him. Now that's that's

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<v Speaker 4>intermingled with when I got called to first work with you,

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<v Speaker 4>which was christ and Lydia called me and they're like, well,

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<v Speaker 4>you know, maybe this guy will like you too. And

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<v Speaker 4>they showed me that original presentation piece of you sitting

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<v Speaker 4>in the park in Brooklyn. You grab the squirrel, right,

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<v Speaker 4>pigeon pigeon, sorry.

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<v Speaker 2>You.

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<v Speaker 4>Grab a pigeon, You take it home and cook it,

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<v Speaker 4>and they're like, we want to this, we want to

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<v Speaker 4>make this a show. And it just like it immediately

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<v Speaker 4>for me, like I felt like it immediately clicked. I

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<v Speaker 4>was like, oh yeah, that's like that's super cinematic, super dynamics,

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<v Speaker 4>a really interesting philosophy. It's totally unlike anything I'd ever

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<v Speaker 4>seen before. And they called me to come and do

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<v Speaker 4>that original presentation piece we did where we're we're in

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<v Speaker 4>the you know, in the swamp up by your house, yep.

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<v Speaker 4>And it was like I think we met in like

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<v Speaker 4>a out back parking lot or something, and within half

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<v Speaker 4>an hour we were like neck deep in a swamp

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<v Speaker 4>and I was like totally hooked, man, totally hooked.

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<v Speaker 2>That was the Miskegan River Marsh, Yeah, yeah, and Miskegan.

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<v Speaker 2>That's that's the county I grew up in, a Michigan Miskegan.

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<v Speaker 2>I should go fact check this. I've heard it my

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<v Speaker 2>whole life. Song of trust. It is true. Miskegan means

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<v Speaker 2>it's it's a native word that means big swamp. M

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<v Speaker 2>I hope there you go. That's well, you know, I

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<v Speaker 2>can say this, I can say that's what they told me.

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<v Speaker 2>They told me that.

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<v Speaker 4>But the thing but you know, the important thing about

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<v Speaker 4>that and the reason I remember that moment so well,

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<v Speaker 4>it's just like it all it just all clicked, you know,

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<v Speaker 4>you're like, oh, this is like, this is kind of

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<v Speaker 4>the best of both worlds, because you wanted to make

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<v Speaker 4>TV that was about like ideas, you know, and at

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<v Speaker 4>the same time like it had the inherent kind of

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<v Speaker 4>action and dirtiness and kind of throwing yourself into a swamp.

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<v Speaker 4>That that that makes for good TV.

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<v Speaker 5>It's from an Algonquin word meaning Marshie River.

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<v Speaker 4>Enough, very like.

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<v Speaker 2>Phil could get his paycheck just for doing a little

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<v Speaker 2>ship like that, just saving the day. Tell me again

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<v Speaker 2>what it means, Phil.

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<v Speaker 5>It's an Algonquin word meaning Marshi River.

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<v Speaker 2>God, that's exactly what it is too. Yeah.

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<v Speaker 3>I wonder where they got it.

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<v Speaker 2>Never thought look that up. Good job, Phil, Oh yeah anytime. Yeah,

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<v Speaker 2>they really gone through life saying it meant big swamp,

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<v Speaker 2>and you would have been right sort of. Do I

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<v Speaker 2>want to tell the No, I'm not gonna tell the joke.

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<v Speaker 2>Growing up? What it meant? You were through everything we've

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<v Speaker 2>talked about so far. You're you were a camera guy. Yeah,

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<v Speaker 2>and you like you don't uh for listeners, Moe is

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<v Speaker 2>the most most kind of bashful, modest You were an

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<v Speaker 2>exceptional camera guy.

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<v Speaker 4>Yeah, this at this particular little niche of this World.

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<v Speaker 2>Yeah, yeah, very much. So, Yeah, Mo was a exceptional cameraman,

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<v Speaker 2>was uh combining. Nominated an Emmy, but I should just

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<v Speaker 2>say nominated for Emmy. Did you ever win an enemy?

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<v Speaker 2>Did you win one?

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<v Speaker 4>I've got yeah, I've got two in two different categories

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<v Speaker 4>and ten nominations.

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<v Speaker 2>Geez, what did you get the two?

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<v Speaker 4>It one for cinematography and one for producing.

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<v Speaker 2>Oh okay, yeah, okay, I knew you were nominated, but

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<v Speaker 2>I guess I spaced the fact that you won one. Yeah.

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<v Speaker 4>Oh, I sat through a lot of long ceremonies without one,

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<v Speaker 4>so you get to the end, like over four and

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<v Speaker 4>a half hours. In my life, I think the best

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<v Speaker 4>example of that is what we got nominated up against

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<v Speaker 4>Free Solo. And so when we're sitting next to the

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<v Speaker 4>you know, we're sitting next to them, and the whole

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<v Speaker 4>time just being like, I mean, there's.

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<v Speaker 2>Yeah, it's just like that was going to play out.

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<v Speaker 4>Oh yeah, I mean it's like take a canoe out

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<v Speaker 4>against like the USS Lincoln. Yeah, you can paddle a

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<v Speaker 4>good canoe, man, but it's only so much you can do.

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<v Speaker 2>And then uh, you moved out of that eventually got

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<v Speaker 2>into producing, yeah, and then produced like a bunch of episodes.

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<v Speaker 4>Yeah, yeah, that was kind of twofold. You know, like

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<v Speaker 4>I came up always in camera because during that original

0:12:42.679 --> 0:12:45.440
<v Speaker 4>job working for Michael mann I, he had just handed

0:12:45.440 --> 0:12:46.760
<v Speaker 4>me a camera at one point he was just like,

0:12:46.800 --> 0:12:51.160
<v Speaker 4>shoot everything that happens, you know, backstage, which was like

0:12:52.440 --> 0:12:56.959
<v Speaker 4>not a normal film for cool shit happening backstage. It's

0:12:56.960 --> 0:12:58.920
<v Speaker 4>like you're hanging out at the gym with like all

0:12:59.000 --> 0:13:01.880
<v Speaker 4>e and those kinds of things.

0:13:01.960 --> 0:13:02.760
<v Speaker 5>So I started.

0:13:02.760 --> 0:13:05.320
<v Speaker 4>I filmed a bunch of behind the scenes stuff and

0:13:05.360 --> 0:13:08.040
<v Speaker 4>they used a bunch of it to make this HBO

0:13:08.160 --> 0:13:12.160
<v Speaker 4>documentary about the film. And that's what got me started shooting.

0:13:12.679 --> 0:13:19.120
<v Speaker 4>It's like it never required cameras, never required any real

0:13:20.160 --> 0:13:22.760
<v Speaker 4>training or effort. I pick them up and it just

0:13:22.760 --> 0:13:26.800
<v Speaker 4>inherently understood everything I needed to understand to be an

0:13:26.800 --> 0:13:32.680
<v Speaker 4>exceptional camera operator. And it just clicked for me, you know.

0:13:32.760 --> 0:13:36.120
<v Speaker 4>And the ninety six episodes The Biggest Loser. It's funny now,

0:13:37.760 --> 0:13:40.160
<v Speaker 4>but that show shot me to you taught me to shoot.

0:13:40.240 --> 0:13:43.559
<v Speaker 4>You know. It's like you're ten hours a day, you

0:13:43.640 --> 0:13:46.040
<v Speaker 4>got the camera on your shoulder and you're just constantly

0:13:46.080 --> 0:13:49.080
<v Speaker 4>having to figure out the geometry of camera blocking and

0:13:49.160 --> 0:13:53.000
<v Speaker 4>movement and telling characters stories and tying things in together,

0:13:53.600 --> 0:13:55.480
<v Speaker 4>all the stuff that you need to do to be

0:13:55.520 --> 0:13:59.000
<v Speaker 4>a good camera operator. We were just practicing it every day.

0:13:59.400 --> 0:14:00.920
<v Speaker 4>And so when I got out in the field with you,

0:14:00.960 --> 0:14:02.360
<v Speaker 4>and I got out in the field with Tony, I

0:14:02.400 --> 0:14:05.880
<v Speaker 4>was able to use all of those like narrative tools

0:14:06.360 --> 0:14:08.600
<v Speaker 4>as well as just Yet at that time in my

0:14:08.640 --> 0:14:12.200
<v Speaker 4>life was like a total athlete and a badass. Not

0:14:12.320 --> 0:14:13.240
<v Speaker 4>anymore at all.

0:14:13.840 --> 0:14:15.200
<v Speaker 2>Yeah, you know, you should, you know, you should tell

0:14:15.240 --> 0:14:20.920
<v Speaker 2>people Box it's interesting about you is a mo your

0:14:21.280 --> 0:14:24.080
<v Speaker 2>your folks taught at a boarding school. Ye, and then

0:14:24.160 --> 0:14:26.400
<v Speaker 2>you went to the boarding school. So you were like

0:14:26.440 --> 0:14:28.520
<v Speaker 2>a towny yeah, and a student.

0:14:28.840 --> 0:14:29.920
<v Speaker 4>Yeah.

0:14:30.080 --> 0:14:31.160
<v Speaker 2>Yeah, if you know what I.

0:14:31.120 --> 0:14:33.480
<v Speaker 4>Mean, Yeah I do. I totally know what you mean.

0:14:33.520 --> 0:14:36.120
<v Speaker 2>And if for any I don't mean you, I mean folks. Oh, no,

0:14:37.160 --> 0:14:40.040
<v Speaker 2>you were a town student, right, for anyone.

0:14:39.720 --> 0:14:42.880
<v Speaker 4>Who grew up in a town with a boarding school,

0:14:42.920 --> 0:14:45.960
<v Speaker 4>you'll understand the dynamic, especially an East Coast boarding school.

0:14:46.480 --> 0:14:53.320
<v Speaker 4>It's uh, it's it's an interesting it is an interesting dynamic.

0:14:53.360 --> 0:14:54.760
<v Speaker 4>I got the worst of both worlds.

0:14:55.040 --> 0:14:56.600
<v Speaker 2>Oh, I thought you maybe best. I think you got

0:14:56.600 --> 0:14:57.080
<v Speaker 2>the best.

0:14:56.880 --> 0:14:58.680
<v Speaker 4>Of both worlds. I didn't get the best of.

0:14:58.600 --> 0:15:01.080
<v Speaker 2>Both worlds ha and the students.

0:15:02.440 --> 0:15:05.800
<v Speaker 4>To the townies, I was, I was like, you know,

0:15:05.920 --> 0:15:09.600
<v Speaker 4>I was like a stale prep schooler yea. And to

0:15:09.760 --> 0:15:13.000
<v Speaker 4>the you know, to the students, I was like a

0:15:13.040 --> 0:15:16.720
<v Speaker 4>faculty brat Towney. You know, I didn't really so it

0:15:16.760 --> 0:15:19.640
<v Speaker 4>was miserable for the first three years. And then like

0:15:19.840 --> 0:15:21.840
<v Speaker 4>and then I realized, like, wait a second, I have

0:15:21.880 --> 0:15:25.600
<v Speaker 4>a car, and I can go wherever I want. And uh,

0:15:26.120 --> 0:15:29.840
<v Speaker 4>you know, I I can. I can exist with all

0:15:29.840 --> 0:15:31.440
<v Speaker 4>the benefits of being from town.

0:15:31.760 --> 0:15:32.920
<v Speaker 3>Uh.

0:15:32.960 --> 0:15:39.040
<v Speaker 4>And I can. I can you know, choose from the flock.

0:15:38.880 --> 0:15:45.600
<v Speaker 6>Of of of of all these you know, really beautiful,

0:15:45.720 --> 0:15:50.480
<v Speaker 6>blue blooded you know prep school girls got that.

0:15:52.040 --> 0:15:54.640
<v Speaker 2>It ended up working out pretty well in the And

0:15:54.720 --> 0:15:55.680
<v Speaker 2>this is in New Hampshire.

0:15:56.040 --> 0:15:56.920
<v Speaker 4>It's in New Hampshire.

0:15:57.000 --> 0:16:00.080
<v Speaker 2>Yeah, did you grow up around ken Burns like in

0:16:00.080 --> 0:16:00.680
<v Speaker 2>his zone?

0:16:00.840 --> 0:16:03.360
<v Speaker 4>Now? I mean, well, if you grow up in New Hampshire,

0:16:03.480 --> 0:16:06.400
<v Speaker 4>you grow up around everyone else who's in New Hampshire,

0:16:06.520 --> 0:16:10.120
<v Speaker 4>you know, just by proximity the size of the state.

0:16:10.200 --> 0:16:11.400
<v Speaker 4>So he was about an hour away.

0:16:11.520 --> 0:16:12.920
<v Speaker 2>Yeah. And what was that lake you guys are.

0:16:12.920 --> 0:16:16.960
<v Speaker 4>On We're on winnipes hockey. Yeah, it was great lake beautiful. Yeah,

0:16:17.040 --> 0:16:17.600
<v Speaker 4>it stunning.

0:16:18.040 --> 0:16:21.080
<v Speaker 2>How was when you when you got out of being

0:16:21.080 --> 0:16:25.320
<v Speaker 2>a camera guy, Yeah, and you you moved into producing,

0:16:26.480 --> 0:16:28.880
<v Speaker 2>How did you ever get over the feeling of wanting

0:16:28.920 --> 0:16:30.880
<v Speaker 2>to yank the cameras away from the camera guys.

0:16:30.960 --> 0:16:33.040
<v Speaker 4>Yeah it was. It was really hard for a long

0:16:33.080 --> 0:16:37.720
<v Speaker 4>time and created quick a fair amount of conflict with

0:16:37.920 --> 0:16:41.840
<v Speaker 4>camera sure, cinematographers on set, but.

0:16:41.920 --> 0:16:42.600
<v Speaker 2>Give me that thing.

0:16:42.800 --> 0:16:44.760
<v Speaker 4>Yeah, and that was a lot fiery, Yeah, a lot

0:16:44.800 --> 0:16:47.920
<v Speaker 4>more fiery then at that point my lex stomp over

0:16:48.080 --> 0:16:50.840
<v Speaker 4>and grab the camera and pull it off the tripod,

0:16:50.960 --> 0:16:56.200
<v Speaker 4>and you know, not not not good behavior. As I've

0:16:56.200 --> 0:16:58.680
<v Speaker 4>gotten older and I've become more seasoned as a producer

0:16:58.720 --> 0:17:02.920
<v Speaker 4>and director, I've learned to be much more mellow about

0:17:03.280 --> 0:17:07.320
<v Speaker 4>the mistakes I see in camera, and much more constructive,

0:17:07.640 --> 0:17:11.400
<v Speaker 4>and you know about how how kind of interact with

0:17:11.400 --> 0:17:15.600
<v Speaker 4>with camera folks and and use the fact that I

0:17:15.600 --> 0:17:18.320
<v Speaker 4>can speak their language in a way that isn't just

0:17:18.400 --> 0:17:20.760
<v Speaker 4>like completely insulting and demoralizing to them.

0:17:20.920 --> 0:17:24.560
<v Speaker 2>Yeah. Yeah, so uh. In total, how many years as

0:17:24.600 --> 0:17:27.800
<v Speaker 2>you spent working on the various bord Ain properties?

0:17:28.200 --> 0:17:32.480
<v Speaker 4>Ten ten years with Tony It's like it comes out

0:17:32.480 --> 0:17:35.800
<v Speaker 4>to like seventy five shows or something that were that

0:17:35.840 --> 0:17:42.119
<v Speaker 4>are either produced or shot directed. I for a couple

0:17:42.119 --> 0:17:43.800
<v Speaker 4>of the shows. At the very end, I was co

0:17:43.880 --> 0:17:47.720
<v Speaker 4>directing with my wife, which was awesome, kind of the

0:17:47.760 --> 0:17:48.880
<v Speaker 4>best part of the experience.

0:17:50.320 --> 0:17:53.400
<v Speaker 2>And then that ship was just all of a sudden, uh,

0:17:53.760 --> 0:17:58.600
<v Speaker 2>just over. I mean, you know, we've talked about it

0:17:58.600 --> 0:18:01.480
<v Speaker 2>a little bit, but if you wouldn't mind, it's kind

0:18:01.520 --> 0:18:04.440
<v Speaker 2>of giving people an idea of what, you know, the

0:18:04.720 --> 0:18:08.240
<v Speaker 2>degree to which any job for ten years, but not

0:18:08.280 --> 0:18:10.760
<v Speaker 2>only you know, any job you have for ten years,

0:18:10.800 --> 0:18:14.119
<v Speaker 2>and so abruptly and so tragically, but the way it was,

0:18:15.760 --> 0:18:21.600
<v Speaker 2>the way that kind of work really created a they

0:18:21.600 --> 0:18:23.280
<v Speaker 2>created like a complete lifestyle.

0:18:24.240 --> 0:18:29.200
<v Speaker 4>Yeah, yeah, a lifestyle that was, like say, I mean,

0:18:29.240 --> 0:18:33.520
<v Speaker 4>incredibly awesome at times and in certain way is not

0:18:33.600 --> 0:18:45.439
<v Speaker 4>super healthy, and an absolutely extraordinary opportunity to see the

0:18:45.480 --> 0:18:49.440
<v Speaker 4>world in a way that only a very, very very

0:18:49.480 --> 0:18:53.520
<v Speaker 4>small handful of people get to see it. I try

0:18:53.520 --> 0:18:55.919
<v Speaker 4>to tell the story of what it was like, and

0:18:55.960 --> 0:18:57.919
<v Speaker 4>you can only really do it by, you know, in

0:18:58.000 --> 0:19:01.920
<v Speaker 4>a million different little pieces anecdotes and this and that,

0:19:02.480 --> 0:19:06.960
<v Speaker 4>But you can't really ever, you can't really, I can't

0:19:07.000 --> 0:19:11.680
<v Speaker 4>really ever articulate the full experience. I try to tell

0:19:11.720 --> 0:19:14.159
<v Speaker 4>people this thing that I think some people get and

0:19:14.200 --> 0:19:16.880
<v Speaker 4>a lot of people don't. But there's a scene at

0:19:16.880 --> 0:19:21.560
<v Speaker 4>the end of Lord of the Rings, right the new movies,

0:19:22.160 --> 0:19:27.439
<v Speaker 4>where they've just gone on this like unbelievable adventure that

0:19:27.840 --> 0:19:30.200
<v Speaker 4>like really only the four of them understand, and they

0:19:30.200 --> 0:19:32.480
<v Speaker 4>go back to the Shire and they're they're sitting back

0:19:32.520 --> 0:19:35.159
<v Speaker 4>in their favorite bar and the Shire and everyone's carrying

0:19:35.200 --> 0:19:37.680
<v Speaker 4>on around them, and they just kind of sit there

0:19:37.720 --> 0:19:41.080
<v Speaker 4>in silence and look at each other. And I guess

0:19:41.160 --> 0:19:44.080
<v Speaker 4>that's how I feel about It's a there's a very

0:19:44.119 --> 0:19:46.919
<v Speaker 4>small group of people who went through that experience with me,

0:19:47.560 --> 0:19:50.639
<v Speaker 4>and when I'm with them, we understand each other and

0:19:50.720 --> 0:19:53.879
<v Speaker 4>implicitly understand the experience. We went through, the highs and lows,

0:19:54.000 --> 0:19:56.679
<v Speaker 4>the ending, all of the all of the things that

0:19:56.720 --> 0:20:00.960
<v Speaker 4>came with it. But I can't really I can't, you know,

0:20:01.000 --> 0:20:04.040
<v Speaker 4>the world around that goes on in a way that

0:20:04.080 --> 0:20:07.280
<v Speaker 4>I can't really see in the same way anymore, And

0:20:07.680 --> 0:20:09.520
<v Speaker 4>I can't really explain it to the people, even the

0:20:09.520 --> 0:20:11.760
<v Speaker 4>people I love. Luckily, my wife got to work on it,

0:20:11.800 --> 0:20:15.040
<v Speaker 4>so she understands. My dad asks about it all the time.

0:20:15.080 --> 0:20:18.960
<v Speaker 4>I can't really fully explain it. It's I think I

0:20:19.240 --> 0:20:21.919
<v Speaker 4>would imagine and in no way am I comparing myself

0:20:21.960 --> 0:20:23.720
<v Speaker 4>to a soldier, but I would imagine it's the same

0:20:23.800 --> 0:20:27.200
<v Speaker 4>kind of thing that soldiers go through, where they they

0:20:27.200 --> 0:20:32.199
<v Speaker 4>can only really fully understand the experience between themselves, you know,

0:20:32.240 --> 0:20:35.720
<v Speaker 4>and when they're together, there's a comfort that comes by

0:20:35.760 --> 0:20:40.359
<v Speaker 4>that kind of shared experience, and outside of it, there's

0:20:40.400 --> 0:20:45.760
<v Speaker 4>a kind of discomfort. You know. I believe we went

0:20:45.800 --> 0:20:49.960
<v Speaker 4>through very similar things, you know, on the on Mediator

0:20:50.040 --> 0:20:52.440
<v Speaker 4>and on wild Within before that, where as we try

0:20:52.480 --> 0:20:56.720
<v Speaker 4>to figure things out, how do you really how do

0:20:56.760 --> 0:20:59.760
<v Speaker 4>you really explain you know, those experiences.

0:21:00.440 --> 0:21:03.000
<v Speaker 2>Yeah, at that at that age, you know, at that

0:21:03.080 --> 0:21:06.440
<v Speaker 2>age and time, it sounds so weird. But I would

0:21:06.480 --> 0:21:09.680
<v Speaker 2>have a hard time. Uh, I would have a hard

0:21:09.680 --> 0:21:11.720
<v Speaker 2>time bouncing from the one world to the other.

0:21:13.400 --> 0:21:14.720
<v Speaker 4>Between the two worlds.

0:21:14.840 --> 0:21:17.440
<v Speaker 2>Just going like I wanted to be home and loved

0:21:17.480 --> 0:21:19.919
<v Speaker 2>being home, but it was it was the pacing was

0:21:19.920 --> 0:21:20.399
<v Speaker 2>so different.

0:21:20.440 --> 0:21:21.160
<v Speaker 4>It was super hard.

0:21:21.280 --> 0:21:22.240
<v Speaker 2>Yeah, it would become weird.

0:21:22.560 --> 0:21:24.280
<v Speaker 4>It was super hard. And for a long time I'd

0:21:24.320 --> 0:21:26.800
<v Speaker 4>come home and like, you know, my wife would getting

0:21:26.840 --> 0:21:29.920
<v Speaker 4>fights and there's all kinds of like and I'm like oh, so,

0:21:30.320 --> 0:21:32.520
<v Speaker 4>you know, eventually you realize it's like it's all me

0:21:32.640 --> 0:21:35.359
<v Speaker 4>and what I'm bringing back into the house. I learned

0:21:35.400 --> 0:21:39.280
<v Speaker 4>over time how to decompress in the hour ride from

0:21:39.480 --> 0:21:43.200
<v Speaker 4>the airport to home and not bring it in the house.

0:21:43.400 --> 0:21:45.600
<v Speaker 4>But it took me a long time and some more

0:21:45.680 --> 0:21:48.119
<v Speaker 4>maturity to be able to figure that out, because for

0:21:48.160 --> 0:21:50.280
<v Speaker 4>a long time I'd carry all of that energy back

0:21:50.320 --> 0:21:50.720
<v Speaker 4>in the house.

0:21:50.760 --> 0:21:56.640
<v Speaker 2>Yeah. Years ago, my wife told me, just detecting that

0:21:57.359 --> 0:22:01.160
<v Speaker 2>little bit of uh that travels a lot for work.

0:22:01.200 --> 0:22:05.160
<v Speaker 2>Probably aren't stand it, but like coming out of one's pacing,

0:22:05.960 --> 0:22:08.400
<v Speaker 2>coming out of one thing and then moving into a household,

0:22:08.440 --> 0:22:13.720
<v Speaker 2>especially little kids, and you're with these kind of you're

0:22:13.720 --> 0:22:17.680
<v Speaker 2>with like really high performing people and a fast paced thing,

0:22:17.760 --> 0:22:19.840
<v Speaker 2>and you're focused on a single thing and you're kind

0:22:19.840 --> 0:22:21.920
<v Speaker 2>of like camping out or living out, and all of

0:22:21.920 --> 0:22:24.240
<v Speaker 2>a sudden you're in and like little kids. And she

0:22:24.440 --> 0:22:26.840
<v Speaker 2>I'd never called her bluff, but she would say, hey,

0:22:26.840 --> 0:22:29.440
<v Speaker 2>if you need to, why don't you when you come

0:22:29.440 --> 0:22:32.480
<v Speaker 2>home go stay in a hotel for night? Yeah then

0:22:32.520 --> 0:22:35.680
<v Speaker 2>come yeah, And I got the message, and I never

0:22:35.720 --> 0:22:39.040
<v Speaker 2>did that totally. I think that would have been the

0:22:39.080 --> 0:22:41.000
<v Speaker 2>one worst thing you know, but it's like, but when

0:22:41.000 --> 0:22:42.639
<v Speaker 2>you come in the house, man, you're walking into an

0:22:42.680 --> 0:22:45.240
<v Speaker 2>active household like little kids, you know what I mean,

0:22:45.280 --> 0:22:48.160
<v Speaker 2>you got to transition quick. And their thing that she'd

0:22:48.160 --> 0:22:50.720
<v Speaker 2>always said is she's like, if it's not a big

0:22:50.760 --> 0:22:52.760
<v Speaker 2>deal when you go away, and you don't want it

0:22:52.760 --> 0:22:54.199
<v Speaker 2>to be a big deal when you go away. You

0:22:54.240 --> 0:22:57.120
<v Speaker 2>want to just slip out the door. It's not gonna

0:22:57.119 --> 0:23:00.240
<v Speaker 2>be a big deal when you come home. Right, it's

0:23:00.240 --> 0:23:03.600
<v Speaker 2>not gonna be like balloons and shit. Right, You're walking

0:23:03.640 --> 0:23:06.760
<v Speaker 2>into an active environment and you gotta get with the program.

0:23:06.800 --> 0:23:08.840
<v Speaker 4>Well, you're working. I was just gonna say, you're walking

0:23:08.880 --> 0:23:10.960
<v Speaker 4>into a program. And I think that's the difference. And

0:23:11.000 --> 0:23:15.440
<v Speaker 4>when you talk about like documentary, you know, making documentary content,

0:23:15.800 --> 0:23:18.800
<v Speaker 4>I think it's actually particularly different than other kinds of

0:23:18.800 --> 0:23:22.960
<v Speaker 4>work too, because you're in such a reactive environment. You're

0:23:24.080 --> 0:23:29.040
<v Speaker 4>constantly reacting to sensory input that's coming in in the environment,

0:23:29.080 --> 0:23:32.679
<v Speaker 4>and so you're super high key, you know, trying to

0:23:32.720 --> 0:23:35.280
<v Speaker 4>figure out all of all of these things and what

0:23:35.320 --> 0:23:37.720
<v Speaker 4>does it mean and how do you navigate this to

0:23:37.800 --> 0:23:42.159
<v Speaker 4>tell the story. And then there's logistics and physical just

0:23:43.800 --> 0:23:46.439
<v Speaker 4>the sheer physical nature of going out and shooting in

0:23:46.480 --> 0:23:49.680
<v Speaker 4>these environments. All of it has you in this very

0:23:49.800 --> 0:23:52.480
<v Speaker 4>visceral mode and then you're like walking back into like

0:23:53.000 --> 0:23:57.439
<v Speaker 4>a program with like really specific you know, structure and

0:23:57.520 --> 0:24:00.239
<v Speaker 4>guidelines and it needs to be that way.

0:24:00.080 --> 0:24:01.720
<v Speaker 2>Ton of night, Like let's go get an ice cream.

0:24:02.520 --> 0:24:03.600
<v Speaker 4>It's hard to code switch.

0:24:03.600 --> 0:24:06.920
<v Speaker 2>Nope, not going to get an ice cream ten o'clock totally.

0:24:07.560 --> 0:24:10.680
<v Speaker 4>So yeah, I mean that's a big that's a that's

0:24:10.760 --> 0:24:14.000
<v Speaker 4>definitely a big part of it, A big part of

0:24:14.040 --> 0:24:17.160
<v Speaker 4>it all along in terms of making a relationship and

0:24:17.240 --> 0:24:18.800
<v Speaker 4>like a household work.

0:24:21.359 --> 0:24:26.080
<v Speaker 2>And you filmed the you did the last correct me

0:24:26.080 --> 0:24:29.960
<v Speaker 2>if I'm wrong, but you're you directed the very like

0:24:30.040 --> 0:24:33.720
<v Speaker 2>the last ever board in episode because the last one

0:24:33.760 --> 0:24:35.040
<v Speaker 2>didn't become one, right.

0:24:35.440 --> 0:24:37.720
<v Speaker 4>The last two didn't become one, so.

0:24:37.400 --> 0:24:39.120
<v Speaker 2>So they never they didn't finish your Italy one.

0:24:39.400 --> 0:24:41.440
<v Speaker 4>No, it was shelved.

0:24:42.240 --> 0:24:44.200
<v Speaker 2>It was you wrapped the episode.

0:24:44.320 --> 0:24:46.640
<v Speaker 4>Yeah, we shot the whole thing. It was it was

0:24:46.840 --> 0:24:51.840
<v Speaker 4>it was. It was probably from a selfish perspective, best

0:24:51.840 --> 0:24:52.639
<v Speaker 4>episode of TV. I.

0:24:53.040 --> 0:24:55.520
<v Speaker 2>I guess it makes sense because all the post production everything,

0:24:55.560 --> 0:24:57.600
<v Speaker 2>and yeah, well it's.

0:24:57.720 --> 0:25:03.400
<v Speaker 4>We produced shows after Tony had died, Like I did

0:25:03.440 --> 0:25:06.280
<v Speaker 4>a show in Marfa and in West Texas. It was

0:25:06.359 --> 0:25:08.760
<v Speaker 4>all inspired by the time we had spent down there

0:25:10.160 --> 0:25:14.399
<v Speaker 4>and that show. Tony died before we finished that show,

0:25:14.480 --> 0:25:16.800
<v Speaker 4>and so you can watch that show and there's none

0:25:17.040 --> 0:25:21.800
<v Speaker 4>of his kind of very famous voiceover the show is

0:25:22.520 --> 0:25:26.320
<v Speaker 4>it's it's looser. It doesn't have that connective tissue because

0:25:26.320 --> 0:25:30.479
<v Speaker 4>he wasn't around to record it. In the case of Florence, like,

0:25:31.280 --> 0:25:33.680
<v Speaker 4>there were things in the show that were just simply

0:25:33.760 --> 0:25:38.280
<v Speaker 4>too painful to the people in his immediate orbit, or

0:25:38.359 --> 0:25:41.399
<v Speaker 4>we thought could have been too painful to people in

0:25:41.440 --> 0:25:45.359
<v Speaker 4>his immediate orbit to release the show, and so a

0:25:45.400 --> 0:25:48.320
<v Speaker 4>decision was made just to shelve that footage. It was

0:25:48.520 --> 0:25:52.960
<v Speaker 4>used in Morgan Neville's documentary Roadrunner. We used some of

0:25:52.960 --> 0:25:56.960
<v Speaker 4>that footage, but it was I mean again, it was

0:25:57.280 --> 0:25:58.080
<v Speaker 4>probably the best show.

0:25:58.440 --> 0:25:58.960
<v Speaker 2>Like we had.

0:25:59.040 --> 0:26:02.520
<v Speaker 4>We we like had the Alfizi Gallery shut down. We

0:26:02.560 --> 0:26:03.720
<v Speaker 4>had it all to ourselves.

0:26:04.440 --> 0:26:04.639
<v Speaker 2>You know.

0:26:05.440 --> 0:26:08.200
<v Speaker 4>The Fizi Gallery is one of the most famous museums

0:26:08.200 --> 0:26:10.080
<v Speaker 4>in the world. It's like, yeah, you think of like

0:26:10.119 --> 0:26:15.879
<v Speaker 4>the very famous Bodacelli's like Primavera, and uh, all of

0:26:16.000 --> 0:26:19.240
<v Speaker 4>the those those paintings are there. It's like the one

0:26:19.280 --> 0:26:21.600
<v Speaker 4>of the pre eminent museums in Italy. And you can,

0:26:21.720 --> 0:26:24.040
<v Speaker 4>you know, just imagine from there what that means.

0:26:24.240 --> 0:26:25.639
<v Speaker 2>They're therefore the world.

0:26:25.520 --> 0:26:29.120
<v Speaker 4>Therefore the world, you know, he's talking about the heart

0:26:29.160 --> 0:26:34.880
<v Speaker 4>and soul of you know, Renaissance artwork is all contained

0:26:34.960 --> 0:26:36.639
<v Speaker 4>right there. And say, and we had that, we had

0:26:36.640 --> 0:26:40.640
<v Speaker 4>the place to ourselves, and we went to some crazy places,

0:26:40.680 --> 0:26:45.200
<v Speaker 4>standing like standing at the South Pole was pretty amazing.

0:26:45.600 --> 0:26:50.879
<v Speaker 4>But standing in the Bodaicelli wing of of Thefizi Gallery alone,

0:26:51.040 --> 0:26:53.400
<v Speaker 4>like I took a selfie, is no one else there

0:26:53.600 --> 0:26:56.399
<v Speaker 4>that's about us unless you wax floors for a living.

0:26:56.840 --> 0:27:00.600
<v Speaker 4>That's about as rare as I guess, you know. And

0:27:00.640 --> 0:27:02.960
<v Speaker 4>that's what I mean about, like this opportunity to see

0:27:02.960 --> 0:27:06.399
<v Speaker 4>the world in ways that you know, who gets to

0:27:06.440 --> 0:27:10.600
<v Speaker 4>do that, you know, like you'd have to be in

0:27:10.680 --> 0:27:15.640
<v Speaker 4>the very very very upper echelons of society, which I'm

0:27:15.680 --> 0:27:19.680
<v Speaker 4>not to be able to do that on your own.

0:27:19.920 --> 0:27:23.160
<v Speaker 4>Millions and millions and millions of dollars worth of funding

0:27:23.880 --> 0:27:27.000
<v Speaker 4>to shuttle our asses around the world, you know, and

0:27:27.040 --> 0:27:28.520
<v Speaker 4>see the things that we got to see.

0:27:29.320 --> 0:27:31.439
<v Speaker 2>So when when you walked away from that, what did

0:27:31.440 --> 0:27:33.040
<v Speaker 2>you start doing? I'm kind of getting to the part

0:27:33.040 --> 0:27:35.439
<v Speaker 2>where you and me worked on our new project together.

0:27:35.520 --> 0:27:37.560
<v Speaker 2>But did you just take some time.

0:27:37.359 --> 0:27:39.920
<v Speaker 4>Off when I walked away from that and not.

0:27:39.920 --> 0:27:43.240
<v Speaker 2>Walked away whatever it ended, you know, I mean that

0:27:43.359 --> 0:27:44.440
<v Speaker 2>was your job, right, that.

0:27:44.520 --> 0:27:49.960
<v Speaker 4>Was my job. Yeah. Yeah, if there's some stuff in

0:27:49.960 --> 0:27:52.560
<v Speaker 4>the middle there though, that's like that we've never talked about.

0:27:52.680 --> 0:27:55.920
<v Speaker 4>That's like, it's probably shit we should talk about. Like

0:27:56.119 --> 0:27:58.359
<v Speaker 4>I had to make a decision at one point to

0:27:58.520 --> 0:28:02.480
<v Speaker 4>leave like meat Eater and everything that we had created

0:28:02.720 --> 0:28:06.760
<v Speaker 4>doing this in order to do that, and and it

0:28:06.800 --> 0:28:10.159
<v Speaker 4>was like a super super difficult decision because here, like

0:28:10.200 --> 0:28:11.359
<v Speaker 4>I didn't create that show.

0:28:11.640 --> 0:28:11.960
<v Speaker 2>M M.

0:28:12.320 --> 0:28:15.840
<v Speaker 4>I was a participant in that show. I didn't create it.

0:28:16.000 --> 0:28:17.800
<v Speaker 2>Like yeah, like if we were like but that's like

0:28:17.840 --> 0:28:20.359
<v Speaker 2>the equivalent of the you and me are like roommates

0:28:20.560 --> 0:28:23.040
<v Speaker 2>and all of a sudden someone buys you a house.

0:28:23.680 --> 0:28:25.320
<v Speaker 2>I'm gonna be like, yeah, it's a bummer that you're

0:28:25.320 --> 0:28:25.879
<v Speaker 2>moving out, MO.

0:28:26.000 --> 0:28:30.240
<v Speaker 4>But I mean, I mean, this is yeah, but this

0:28:30.280 --> 0:28:32.760
<v Speaker 4>is where your humility comes into plate man, Like it was,

0:28:32.880 --> 0:28:34.920
<v Speaker 4>it's more than that, Like I remember.

0:28:34.680 --> 0:28:37.240
<v Speaker 2>No, I remember being I remember you like struggling with it.

0:28:37.280 --> 0:28:38.440
<v Speaker 2>But to me, it wasn't a you know.

0:28:39.400 --> 0:28:42.200
<v Speaker 4>Yeah. Well in the end, like it's a it's a

0:28:42.240 --> 0:28:44.680
<v Speaker 4>decision I had to make right, Like again, I knew

0:28:44.680 --> 0:28:46.600
<v Speaker 4>what I knew what was on the line. I had

0:28:46.600 --> 0:28:49.120
<v Speaker 4>been on the show before, and when the show moved

0:28:49.120 --> 0:28:52.600
<v Speaker 4>from Travel Channel to CNN, Tony was like, I like,

0:28:52.800 --> 0:28:57.760
<v Speaker 4>I want you to come like full time, and you

0:28:57.920 --> 0:29:01.240
<v Speaker 4>just like, you just can't. You can't pass up that opportunity.

0:29:01.320 --> 0:29:04.320
<v Speaker 4>You just you can't pass up that opportunity to see

0:29:04.320 --> 0:29:08.080
<v Speaker 4>the world like that. And uh. And there were a

0:29:08.120 --> 0:29:10.600
<v Speaker 4>couple of like career things, I like boxes I wanted

0:29:10.640 --> 0:29:14.160
<v Speaker 4>to check too, you know. Yeah, but it was it

0:29:14.240 --> 0:29:16.440
<v Speaker 4>was hard, man, and it was hard to go like

0:29:16.600 --> 0:29:19.480
<v Speaker 4>in that direction and go do that and then watch

0:29:19.760 --> 0:29:24.320
<v Speaker 4>everything that you've built, you know, subsequently. So when I

0:29:24.320 --> 0:29:27.080
<v Speaker 4>got the call to like to come back to work,

0:29:27.200 --> 0:29:28.920
<v Speaker 4>I was, I was stoked. It was great.

0:29:29.080 --> 0:29:31.080
<v Speaker 2>A the timing well, I don't want to say the

0:29:31.080 --> 0:29:33.880
<v Speaker 2>timing was good because it was such a because the

0:29:33.920 --> 0:29:36.680
<v Speaker 2>things we discussed, like the fact that you were I

0:29:36.720 --> 0:29:38.800
<v Speaker 2>mean this is years ago now, but that you were

0:29:39.520 --> 0:29:43.040
<v Speaker 2>you became like a free agent after doing after working

0:29:43.040 --> 0:29:43.520
<v Speaker 2>on board.

0:29:43.400 --> 0:29:45.600
<v Speaker 4>A for extausely I had been I had been with

0:29:45.680 --> 0:29:50.200
<v Speaker 4>ZPZ on staff for fourteen years, which is still amazing

0:29:50.200 --> 0:29:53.400
<v Speaker 4>to me. But then, you know, after Tony died, I

0:29:53.440 --> 0:29:57.320
<v Speaker 4>worked I did another three years with w camal Bell

0:29:57.600 --> 0:30:00.760
<v Speaker 4>doing United Shades of America, which was kind of an

0:30:00.800 --> 0:30:04.400
<v Speaker 4>interesting thing too, because like that was very much focused

0:30:04.480 --> 0:30:07.960
<v Speaker 4>not only on like American culture and like domestic issues,

0:30:08.440 --> 0:30:13.560
<v Speaker 4>but a pov on American culture and domestic issues that

0:30:13.760 --> 0:30:18.240
<v Speaker 4>I could literally never attain myself. So I'm just not

0:30:18.560 --> 0:30:21.440
<v Speaker 4>I'm just I'm not a black dude in America. And

0:30:21.480 --> 0:30:23.440
<v Speaker 4>so I was able to go and travel around with

0:30:23.560 --> 0:30:27.960
<v Speaker 4>Cabal and and see things from his perspective, which was

0:30:28.000 --> 0:30:33.280
<v Speaker 4>really profound. And then once we wrap that show up

0:30:34.560 --> 0:30:45.320
<v Speaker 4>with another two Emmy nominations us on that one, I left.

0:30:45.560 --> 0:30:48.880
<v Speaker 4>I left zero point zero and went out freelance and

0:30:48.920 --> 0:30:52.960
<v Speaker 4>started show running and uh and so yeah, there's a

0:30:52.960 --> 0:30:55.080
<v Speaker 4>little time in there, which is good because I needed

0:30:55.080 --> 0:30:56.480
<v Speaker 4>to learn how to show run.

0:30:56.720 --> 0:30:59.960
<v Speaker 2>Before you called no good, I'm glad you learned.

0:31:00.520 --> 0:31:01.400
<v Speaker 4>I learned a little bit.

0:31:01.560 --> 0:31:06.520
<v Speaker 2>So just for uh, for listeners, a little bit, MOA's

0:31:06.520 --> 0:31:10.240
<v Speaker 2>talking when probably I probably explained this for Hi'm sure

0:31:11.360 --> 0:31:13.360
<v Speaker 2>something's in the air and everybody's got like, are you

0:31:13.360 --> 0:31:14.400
<v Speaker 2>having like a throat.

0:31:16.000 --> 0:31:19.040
<v Speaker 3>Film clear nominated for an Emmy.

0:31:19.280 --> 0:31:23.840
<v Speaker 2>No film Randall. They don't come together, but doctor Randall,

0:31:23.880 --> 0:31:28.200
<v Speaker 2>I have not been nominated. We got nominated for James

0:31:28.280 --> 0:31:29.560
<v Speaker 2>Beard Award, which you didn't get.

0:31:30.080 --> 0:31:32.880
<v Speaker 4>I was, I was, I was at that.

0:31:33.440 --> 0:31:34.120
<v Speaker 2>We were at that dinner.

0:31:34.120 --> 0:31:36.120
<v Speaker 4>No, it wasn't at the dinner. I didn't go to dinner.

0:31:36.320 --> 0:31:39.160
<v Speaker 4>But I remember when we got the nomination a couple

0:31:39.160 --> 0:31:41.680
<v Speaker 4>of fort We were in Mexico when we got that

0:31:41.760 --> 0:31:45.120
<v Speaker 4>first one. We were hunting turkeys in Mexico. Oh really, yeah,

0:31:45.120 --> 0:31:47.240
<v Speaker 4>I remember down on that that ranch down there we

0:31:47.280 --> 0:31:50.960
<v Speaker 4>got we went, we shot a buffalo and uh and

0:31:51.000 --> 0:31:53.000
<v Speaker 4>a bunch of turkeys.

0:31:51.880 --> 0:31:56.760
<v Speaker 2>Yeah. Uh. Give a brief bit of history here for

0:31:56.760 --> 0:31:59.360
<v Speaker 2>for for folks, Moo is the story. But Mo's been

0:31:59.360 --> 0:32:01.840
<v Speaker 2>talking about zero point zero Production, So just try to

0:32:01.840 --> 0:32:08.440
<v Speaker 2>explain a little bit of a little show business education. Generally,

0:32:08.480 --> 0:32:11.200
<v Speaker 2>like zero point zero Production is a television production company.

0:32:11.920 --> 0:32:14.800
<v Speaker 2>How it generally works in TV production in the old days?

0:32:16.200 --> 0:32:18.520
<v Speaker 2>Is it the production company winds up being like a

0:32:18.560 --> 0:32:22.360
<v Speaker 2>contractor building a house. Right, a homeowner comes, they said,

0:32:22.400 --> 0:32:24.680
<v Speaker 2>I want a house, I got plans for it. It looks

0:32:24.720 --> 0:32:26.720
<v Speaker 2>like this, I'm handing it over to you. You're the contract.

0:32:26.840 --> 0:32:28.960
<v Speaker 2>You come in and build the house. Once you build

0:32:28.960 --> 0:32:31.959
<v Speaker 2>the house, it's all set. You hand the keys over

0:32:32.040 --> 0:32:33.880
<v Speaker 2>to the person that bought it and you walk away

0:32:35.040 --> 0:32:37.080
<v Speaker 2>and it's their propert. They might do more houses with you,

0:32:37.160 --> 0:32:38.920
<v Speaker 2>but that's how it goes. Do you finish the house,

0:32:39.360 --> 0:32:43.440
<v Speaker 2>hand it to them For all you folks. I'm sure

0:32:43.440 --> 0:32:47.880
<v Speaker 2>everyone listening, I'm sure has seen episodes of No Reservations

0:32:47.880 --> 0:32:50.800
<v Speaker 2>and Parts Unknown. So this company, zero point zero Production,

0:32:52.800 --> 0:32:54.240
<v Speaker 2>produce all of those shows.

0:32:55.120 --> 0:32:58.240
<v Speaker 4>And it's important to note develop the original concept too.

0:32:58.360 --> 0:32:59.200
<v Speaker 2>Which was Cook's Tour.

0:32:59.600 --> 0:32:59.719
<v Speaker 4>Right.

0:33:00.440 --> 0:33:03.440
<v Speaker 2>So if you go way back and I like remember,

0:33:03.600 --> 0:33:09.240
<v Speaker 2>I vividly remember this happening is Anthony Bourdain's book Kitchen Confidential.

0:33:09.360 --> 0:33:12.080
<v Speaker 2>I remember it coming out. I remember being excerpted in

0:33:12.120 --> 0:33:15.479
<v Speaker 2>the New Yorker, and like they took, they came in,

0:33:16.360 --> 0:33:18.520
<v Speaker 2>optioned it, made a deal, started building this whole thing.

0:33:18.840 --> 0:33:21.880
<v Speaker 2>When we started making Meet Eater with zero point zero,

0:33:23.440 --> 0:33:26.000
<v Speaker 2>we built media where we just owned we owned Meat

0:33:26.000 --> 0:33:29.320
<v Speaker 2>Eater and just license it out. So in the old days,

0:33:30.680 --> 0:33:33.240
<v Speaker 2>in many many, many of the first years of Meat Eater,

0:33:33.360 --> 0:33:37.280
<v Speaker 2>I made Meat Eater as a joint venture, like we

0:33:37.440 --> 0:33:39.720
<v Speaker 2>were fifty to fifty business partners and we owned me

0:33:39.840 --> 0:33:41.720
<v Speaker 2>Eater as a joint venture between me and Zero point

0:33:41.800 --> 0:33:47.600
<v Speaker 2>zero Production. Later we had the opportunity I was approached

0:33:47.640 --> 0:33:51.600
<v Speaker 2>by a company that that invested in digital media properties.

0:33:51.800 --> 0:33:56.520
<v Speaker 2>So one you might know is uh, they were invested

0:33:56.520 --> 0:33:59.760
<v Speaker 2>in Barstool Sports and kind of were a majority owner

0:33:59.760 --> 0:34:02.000
<v Speaker 2>and bar our Stool Sports. It was with the guy

0:34:02.040 --> 0:34:04.480
<v Speaker 2>that had been the chair of news Courts, so Fox News,

0:34:04.480 --> 0:34:06.800
<v Speaker 2>and they had a group called TCG, and we took

0:34:06.840 --> 0:34:09.719
<v Speaker 2>an investment from TCG to build me Eater and do

0:34:09.840 --> 0:34:14.960
<v Speaker 2>a thing, and then over time didn't have involvement with

0:34:15.239 --> 0:34:17.720
<v Speaker 2>Zero point zero anymore, and overtime MO didn't have involvement

0:34:17.719 --> 0:34:20.759
<v Speaker 2>with Zero point zero anymore. This is all a long

0:34:20.840 --> 0:34:23.840
<v Speaker 2>rambling way of leading into this project that we're working

0:34:23.840 --> 0:34:27.759
<v Speaker 2>on now that Mo and I are just putting a

0:34:27.840 --> 0:34:30.600
<v Speaker 2>rap on. Our work on all these episodes is coming

0:34:30.640 --> 0:34:32.279
<v Speaker 2>out of all those years of making me Eater. I

0:34:32.320 --> 0:34:36.000
<v Speaker 2>started talking to a friend of mine, Mark Pierce, who

0:34:36.040 --> 0:34:39.400
<v Speaker 2>owns warm Spring Productions, and some of the guys on

0:34:39.440 --> 0:34:41.319
<v Speaker 2>his team, and we started talking about this idea of

0:34:41.400 --> 0:34:47.400
<v Speaker 2>doing a show around outdoor mysteries, wilderness mysteries, and we

0:34:47.480 --> 0:34:52.880
<v Speaker 2>had baked it along pretty good, made an arrangement with

0:34:53.040 --> 0:34:55.320
<v Speaker 2>History Channel. We're gonna you know, we're gonna call it

0:34:55.440 --> 0:34:59.960
<v Speaker 2>Hunting History. We're gonna do it in partnership with History Channel.

0:35:00.360 --> 0:35:04.000
<v Speaker 2>And eventually we needed, like, what's called a showrunner? You

0:35:04.000 --> 0:35:07.160
<v Speaker 2>should explain what a showrunner is. I wasn't even really

0:35:07.160 --> 0:35:08.360
<v Speaker 2>clear on what a showrunner was.

0:35:08.480 --> 0:35:09.560
<v Speaker 4>I mean, you can think of it.

0:35:09.800 --> 0:35:11.160
<v Speaker 3>I almost asked that a minute ago.

0:35:12.640 --> 0:35:15.640
<v Speaker 4>It's basically like a project manager, you know, so you're

0:35:15.880 --> 0:35:22.120
<v Speaker 4>you just have oversight over the whole project tip to toe,

0:35:23.239 --> 0:35:26.160
<v Speaker 4>which requires, you know, it requires a lot of different

0:35:26.280 --> 0:35:27.560
<v Speaker 4>kind of skill sets.

0:35:28.600 --> 0:35:33.480
<v Speaker 3>Does that include like creatively, what's an episode? What's note

0:35:33.719 --> 0:35:34.040
<v Speaker 3>from that?

0:35:34.520 --> 0:35:37.400
<v Speaker 2>Yeah? Okay, very much. Moe was originally hired to be

0:35:37.440 --> 0:35:40.359
<v Speaker 2>a director, and then it moved up to being from

0:35:40.400 --> 0:35:42.920
<v Speaker 2>a director that moved up to being the showrunner the

0:35:43.000 --> 0:35:47.200
<v Speaker 2>kind of like primary driver of all things, and still

0:35:47.239 --> 0:35:49.320
<v Speaker 2>directed the show, still directed the show.

0:35:50.160 --> 0:35:52.799
<v Speaker 3>Yeah, it seems like it should be a more prestigious

0:35:52.840 --> 0:35:55.719
<v Speaker 3>sounding title a showrunner. To me, it would be like

0:35:55.760 --> 0:35:59.040
<v Speaker 3>a I think of like a bike messenger, and it

0:35:59.040 --> 0:36:02.360
<v Speaker 3>should be called to mind a very different set of responsibilities.

0:36:02.440 --> 0:36:07.200
<v Speaker 2>I know, it should be seriously you branded, yeah, showrunner

0:36:07.320 --> 0:36:09.360
<v Speaker 2>Like he's like a dude that runs around. Yeah.

0:36:09.680 --> 0:36:12.120
<v Speaker 4>The title that people would see on screen as executive

0:36:12.120 --> 0:36:13.360
<v Speaker 4>producer gotcha.

0:36:13.920 --> 0:36:16.160
<v Speaker 2>Yeah, but anyone that knows show business knows that could

0:36:16.200 --> 0:36:17.479
<v Speaker 2>mean a variety of things.

0:36:17.480 --> 0:36:20.120
<v Speaker 4>That's a wide, wide cash all phrase.

0:36:20.520 --> 0:36:22.759
<v Speaker 2>A tip for people watching, for all you people that

0:36:22.920 --> 0:36:27.320
<v Speaker 2>love watching credits and movies. When you see EP, yeah,

0:36:27.520 --> 0:36:33.319
<v Speaker 2>apply like a healthy dose of skepticism because you a

0:36:33.320 --> 0:36:37.200
<v Speaker 2>lot of activities can capture you the EP. A check, right,

0:36:37.680 --> 0:36:40.160
<v Speaker 2>A check can get you EP. Or it's that you

0:36:40.239 --> 0:36:44.160
<v Speaker 2>spent twenty years bleeding for a project, right yeah, put

0:36:44.200 --> 0:36:47.759
<v Speaker 2>your life savings, mortgaged your house. In the end you're

0:36:47.800 --> 0:36:51.239
<v Speaker 2>an EP. Or later it's all done and you're like, oh,

0:36:51.280 --> 0:36:54.240
<v Speaker 2>I'd like to be involved in that. I can be helpful.

0:36:54.480 --> 0:36:56.160
<v Speaker 2>And then all of a sudden there's a EP too,

0:36:57.120 --> 0:36:59.880
<v Speaker 2>and those two people are like, oh, mate, you have

0:37:00.160 --> 0:37:02.160
<v Speaker 2>you're what I am? You're not what I am?

0:37:02.600 --> 0:37:06.640
<v Speaker 4>And those are getting long because he shows now these

0:37:06.640 --> 0:37:09.959
<v Speaker 4>are like ten EPs, but two of those people worked. Yeah,

0:37:10.239 --> 0:37:13.600
<v Speaker 4>everyone else was just attached to those people. Bled why

0:37:14.239 --> 0:37:20.000
<v Speaker 4>in in Well, I guess in all all productions. So

0:37:20.040 --> 0:37:23.239
<v Speaker 4>it's not specific a documentary, but like fighting for those

0:37:23.360 --> 0:37:26.520
<v Speaker 4>like the producer credit, Like that's what people that's what

0:37:26.520 --> 0:37:30.759
<v Speaker 4>people want. If you want to be like Oscar eligible,

0:37:31.320 --> 0:37:32.760
<v Speaker 4>you need that producer credit.

0:37:32.840 --> 0:37:33.680
<v Speaker 2>Oh got it? Really?

0:37:34.000 --> 0:37:34.440
<v Speaker 4>Yeah?

0:37:34.480 --> 0:37:35.360
<v Speaker 2>God man, I know that.

0:37:35.480 --> 0:37:38.360
<v Speaker 4>Right, some epis, you know, some EPs will have it,

0:37:38.440 --> 0:37:40.600
<v Speaker 4>but producers that's where it's at.

0:37:41.000 --> 0:37:45.000
<v Speaker 2>Oh so executive is like a downgrade. You just want

0:37:45.040 --> 0:37:45.880
<v Speaker 2>to be regular producers.

0:37:45.920 --> 0:37:47.400
<v Speaker 4>Yeah, you want to be on that. You want to

0:37:47.440 --> 0:37:49.880
<v Speaker 4>be the the producer. It's usually a one producer.

0:37:49.920 --> 0:37:52.239
<v Speaker 3>Because I was just saying, it's probably not too late

0:37:52.280 --> 0:37:55.440
<v Speaker 3>for me to angle for EP on the new show,

0:37:56.160 --> 0:37:58.040
<v Speaker 3>but it is too late for the producer, and that's the.

0:37:57.960 --> 0:38:01.920
<v Speaker 2>One you want. Yeah, gotcha. Yeah, this to lady the way, Randall,

0:38:03.920 --> 0:38:08.960
<v Speaker 2>I do have a checkbook. When we started, when we

0:38:09.000 --> 0:38:11.439
<v Speaker 2>started on Hunting History, when Moe came in, we hadn't

0:38:11.440 --> 0:38:13.080
<v Speaker 2>we didn't have our subjects.

0:38:13.640 --> 0:38:15.720
<v Speaker 4>We had a few of them. They had done development

0:38:15.840 --> 0:38:19.279
<v Speaker 4>work you know, leading up to that, and uh and

0:38:19.320 --> 0:38:22.279
<v Speaker 4>it developed some good concepts. Yeah, so like we ran

0:38:22.360 --> 0:38:24.759
<v Speaker 4>with a bunch of those. Yeah, we certainly weren't going

0:38:24.760 --> 0:38:25.439
<v Speaker 4>to throw those out.

0:38:26.239 --> 0:38:27.960
<v Speaker 2>Let's do it? Should we should? We should we lay

0:38:28.000 --> 0:38:30.000
<v Speaker 2>out the mysteries like well, let me first lay out

0:38:30.000 --> 0:38:34.560
<v Speaker 2>the kind of overriding premises. So so on hunting history

0:38:34.640 --> 0:38:41.000
<v Speaker 2>we explore eight uh outdoor wilderness mysteries. I'll tell you

0:38:41.000 --> 0:38:42.440
<v Speaker 2>some things that I would say are true of all

0:38:42.480 --> 0:38:45.959
<v Speaker 2>of them. Okay, they could be that there, they could

0:38:46.000 --> 0:38:50.240
<v Speaker 2>be they could be mysteries that are forty or fifty

0:38:50.320 --> 0:38:53.440
<v Speaker 2>years old. Some of them. They could be mysteries that

0:38:53.480 --> 0:38:56.239
<v Speaker 2>are over three hundred years old. Yeah, so that there.

0:38:56.160 --> 0:38:59.720
<v Speaker 4>Are many thousands of years old or or millennia.

0:39:00.239 --> 0:39:04.040
<v Speaker 2>Yeah, you're right. They could be vastly different timeframes, but

0:39:04.080 --> 0:39:07.719
<v Speaker 2>they share in common that these are mysteries that are

0:39:07.760 --> 0:39:12.759
<v Speaker 2>set in wilderness, backwoods environments like some of the wildest,

0:39:12.840 --> 0:39:17.399
<v Speaker 2>most beautiful landscapes in the country. They are things that

0:39:17.600 --> 0:39:21.880
<v Speaker 2>people will have I'll be following all these riddles or

0:39:21.920 --> 0:39:25.160
<v Speaker 2>these clues. There are things that most Americans will have

0:39:25.360 --> 0:39:28.160
<v Speaker 2>some little thing in the back of their head that goes, oh,

0:39:28.160 --> 0:39:33.080
<v Speaker 2>I've heard of that. Yeah right, there's like a oh yeah,

0:39:33.400 --> 0:39:37.040
<v Speaker 2>I heard of that. They're all things that are still

0:39:37.040 --> 0:39:38.480
<v Speaker 2>being actively argued about.

0:39:38.719 --> 0:39:38.919
<v Speaker 4>Yep.

0:39:40.840 --> 0:39:46.960
<v Speaker 2>Oddly, and this surprised me. They're all things that have obsessives. Yeah, yeah,

0:39:47.040 --> 0:39:52.279
<v Speaker 2>they all have living obsessives who have dedicated their life

0:39:52.440 --> 0:39:55.720
<v Speaker 2>or major portions of their life to push a theory,

0:39:56.920 --> 0:40:00.160
<v Speaker 2>and there are usually other obsessives with a different theory.

0:40:00.239 --> 0:40:02.919
<v Speaker 4>Yeah, And are constantly new theories.

0:40:03.360 --> 0:40:07.600
<v Speaker 2>Yeah yeah, constantly new theories, constantly new theories coming up.

0:40:08.840 --> 0:40:12.000
<v Speaker 2>And so we found those. And to give you what

0:40:12.040 --> 0:40:13.560
<v Speaker 2>we're getting into some of these, but to give you

0:40:13.560 --> 0:40:15.960
<v Speaker 2>a sense of the range would be some of the

0:40:16.040 --> 0:40:22.399
<v Speaker 2>mysteries are like some of the mysteries are just definitionally

0:40:22.440 --> 0:40:27.239
<v Speaker 2>a mystery. Meaning in the nineteen seventies we had this

0:40:27.360 --> 0:40:30.480
<v Speaker 2>kind of blows your mind to think this is true.

0:40:30.640 --> 0:40:36.239
<v Speaker 2>In the nineteen seventies, we had a rash of global

0:40:36.280 --> 0:40:40.920
<v Speaker 2>and also national skyjackings. It seems so hard to picture

0:40:41.000 --> 0:40:44.480
<v Speaker 2>now in a post nine to eleven world, but there

0:40:44.680 --> 0:40:51.560
<v Speaker 2>was a legitimate problem with people hijacking airplanes globally and nationally,

0:40:52.400 --> 0:40:55.960
<v Speaker 2>hijack an airplane, get ransom money, try to get away

0:40:56.000 --> 0:40:57.120
<v Speaker 2>with the ransom money.

0:40:57.040 --> 0:40:59.719
<v Speaker 4>For either economic gain or political.

0:41:00.320 --> 0:41:04.960
<v Speaker 2>Yeah. Became some currific ideological yes, it became some political

0:41:06.120 --> 0:41:09.280
<v Speaker 2>political hijackings, you know, the famous t w A hijacking.

0:41:09.280 --> 0:41:11.440
<v Speaker 2>And then there also been just like some lone wolf

0:41:11.680 --> 0:41:15.680
<v Speaker 2>financial hijackings just for personal financial gain. Only one of

0:41:15.719 --> 0:41:19.719
<v Speaker 2>these skyjackings, as they call him. Only one of these

0:41:19.719 --> 0:41:24.000
<v Speaker 2>skyjackings remains unsolved, and it is the story of a

0:41:24.040 --> 0:41:28.759
<v Speaker 2>guy that identified himself as Dan Cooper. In the early

0:41:28.840 --> 0:41:34.760
<v Speaker 2>days of the investigation, a journalist misheard a communication between

0:41:34.960 --> 0:41:42.839
<v Speaker 2>some investigators misheard dB Cooper ran an article using dB

0:41:43.000 --> 0:41:46.800
<v Speaker 2>Cooper as a suspect name. It was misheard dB Cooper

0:41:46.800 --> 0:41:49.640
<v Speaker 2>did not use dB Cooper used Dan Cooper. He's on

0:41:49.719 --> 0:41:53.480
<v Speaker 2>a plane that takes off out of Portland to Seattle.

0:41:54.880 --> 0:41:56.040
<v Speaker 2>But what do you buy his ticket for?

0:41:56.200 --> 0:41:57.319
<v Speaker 4>It's like twenty bucks.

0:41:57.320 --> 0:42:02.520
<v Speaker 2>It's so funny. Yeah, buys a ticket, gets on it

0:42:02.560 --> 0:42:04.799
<v Speaker 2>with walks in. Buys a ticket for twenty bucks, gets

0:42:04.800 --> 0:42:08.080
<v Speaker 2>on the plane. He's dressed in a suit. He's wearing loafers.

0:42:08.560 --> 0:42:12.000
<v Speaker 2>He hands a flight attendant a note that he's got

0:42:12.000 --> 0:42:13.880
<v Speaker 2>a bomb. He opens up a suitcase. It's got a

0:42:13.880 --> 0:42:17.360
<v Speaker 2>bunch of wires and shit looks like a bomb. Demands

0:42:17.360 --> 0:42:22.920
<v Speaker 2>a couple hundred thousand dollars in twenties. The plane lands

0:42:23.160 --> 0:42:28.759
<v Speaker 2>at sea tack. He lets all the passengers go, He

0:42:28.840 --> 0:42:31.600
<v Speaker 2>lets he keeps some hostages on the plane. Flight crew

0:42:32.080 --> 0:42:35.640
<v Speaker 2>lets a flight attendant go. She comes back with a

0:42:35.680 --> 0:42:38.439
<v Speaker 2>big sack full of all his twenties. I can't remember

0:42:38.440 --> 0:42:41.440
<v Speaker 2>we calculated how many pounds of twenties. It was not

0:42:41.480 --> 0:42:42.399
<v Speaker 2>as much as you'd think.

0:42:42.680 --> 0:42:45.560
<v Speaker 4>No, I'm trying to remember, like twenty two pounds or something.

0:42:47.000 --> 0:42:47.400
<v Speaker 3>Shocking.

0:42:47.600 --> 0:42:50.799
<v Speaker 2>Ask for four parachutes. This is like some key stuff here.

0:42:51.880 --> 0:42:57.040
<v Speaker 2>Ask for multiple parachutes, creating the idea that he's going

0:42:57.120 --> 0:43:02.080
<v Speaker 2>to jump with the flight crew. Yeah, because if he says,

0:43:02.200 --> 0:43:02.640
<v Speaker 2>give me.

0:43:02.640 --> 0:43:04.719
<v Speaker 4>One shoot, like sweet.

0:43:05.760 --> 0:43:12.799
<v Speaker 2>Give him yeah, yeah, why are you going to cut

0:43:12.840 --> 0:43:15.440
<v Speaker 2>every rope in there? Then give him the shoot? Ask

0:43:15.560 --> 0:43:20.160
<v Speaker 2>for four shoots. They they take off out of They

0:43:20.280 --> 0:43:22.920
<v Speaker 2>take off out of seattack. He wants to go.

0:43:24.239 --> 0:43:24.919
<v Speaker 4>Mexico City.

0:43:25.000 --> 0:43:28.520
<v Speaker 2>Yeah, he wants to go to Mexico City. They argue

0:43:28.520 --> 0:43:30.279
<v Speaker 2>with him that you can't. There's not enough fuel on

0:43:30.320 --> 0:43:34.280
<v Speaker 2>the plane. They debate. So this all this is important

0:43:34.280 --> 0:43:38.560
<v Speaker 2>detail because he he's taken off out of sea attack

0:43:38.600 --> 0:43:39.960
<v Speaker 2>and he already knows what he's gonna do. He knows

0:43:39.960 --> 0:43:41.520
<v Speaker 2>he's gonna jump out of the plane, and he has

0:43:41.520 --> 0:43:44.640
<v Speaker 2>a destination in mind. They're already taken off and they're

0:43:44.760 --> 0:43:48.720
<v Speaker 2>arguing about you can't do that. They suggest they suggest

0:43:48.800 --> 0:43:51.400
<v Speaker 2>like landing in the Bay Area or something. They suggest

0:43:51.440 --> 0:43:55.239
<v Speaker 2>going to San Francisco. He's like, it's too busy. He's like,

0:43:55.320 --> 0:43:59.759
<v Speaker 2>let's go to Reno and refuel. So now time has

0:43:59.800 --> 0:44:02.080
<v Speaker 2>gone by, he's in the air. He wants to go

0:44:02.120 --> 0:44:04.720
<v Speaker 2>one place. They changed their mind. They're going in another direction.

0:44:04.880 --> 0:44:08.040
<v Speaker 2>Point being there's like people argue this that he had

0:44:08.080 --> 0:44:10.320
<v Speaker 2>like he knew what was up and had an accomplished

0:44:10.360 --> 0:44:13.480
<v Speaker 2>waiting the dude. This is one thing I'm sure about

0:44:13.719 --> 0:44:19.560
<v Speaker 2>this dude does not know. No, no rational person can

0:44:19.719 --> 0:44:22.439
<v Speaker 2>argue that he knew where he was when he jumped

0:44:22.440 --> 0:44:25.479
<v Speaker 2>out of that plane. It was the kind of plane

0:44:25.480 --> 0:44:27.520
<v Speaker 2>that had the back door that opens up. Yeah.

0:44:27.840 --> 0:44:29.680
<v Speaker 4>I mean, even if you do where you were, even

0:44:29.680 --> 0:44:31.640
<v Speaker 4>if you had known what route you were on, you

0:44:31.640 --> 0:44:32.600
<v Speaker 4>wouldn't know where you were.

0:44:33.480 --> 0:44:39.040
<v Speaker 2>Cloudy night, a storm, No, there's a storm, overcast, heavily overcast,

0:44:39.160 --> 0:44:42.759
<v Speaker 2>gys raining, and he's jumping out. At where he's jumping out,

0:44:42.760 --> 0:44:47.800
<v Speaker 2>it's like negative zero seven degree. We we said negative

0:44:47.880 --> 0:44:50.839
<v Speaker 2>seven I think is the number we came negative at

0:44:50.880 --> 0:44:52.520
<v Speaker 2>the elevation he's at and he's got suit on.

0:44:52.600 --> 0:44:56.160
<v Speaker 4>Loafers going two hundred miles an hour. Yeah, negative seven.

0:44:56.280 --> 0:44:59.920
<v Speaker 2>There's a really funny part of this where so the

0:45:00.280 --> 0:45:02.080
<v Speaker 2>put all on the hole from excited explaining a funny

0:45:02.080 --> 0:45:03.799
<v Speaker 2>part of this. When we're filming it, we're in the

0:45:03.840 --> 0:45:08.320
<v Speaker 2>town of We're in this area of the FBI's drop zone,

0:45:08.520 --> 0:45:10.239
<v Speaker 2>and we're we just are going to eat in this

0:45:10.360 --> 0:45:13.640
<v Speaker 2>town at Cougar, Washington, just going does we just like

0:45:13.680 --> 0:45:16.839
<v Speaker 2>made plans to going to Cougar to eat And we're

0:45:16.840 --> 0:45:18.400
<v Speaker 2>sitting there and we're like, we're kind of outside the

0:45:18.440 --> 0:45:20.359
<v Speaker 2>trucks and some guys got some cameras and here comes

0:45:20.400 --> 0:45:22.719
<v Speaker 2>a dude driving buying a bike. Is then listen, here

0:45:22.719 --> 0:45:25.040
<v Speaker 2>comes a guy driving buying a bike and it's just

0:45:25.160 --> 0:45:27.359
<v Speaker 2>killing them. He sees the cameras and it's killing them,

0:45:27.360 --> 0:45:29.319
<v Speaker 2>you know, and he's like he drives and you can

0:45:29.320 --> 0:45:32.200
<v Speaker 2>see him change his mind. And he comes back and

0:45:32.239 --> 0:45:36.240
<v Speaker 2>he's got some shorts on and he's got a shirt,

0:45:36.280 --> 0:45:39.160
<v Speaker 2>a heavy like a big shirt on, but suspenders under

0:45:39.200 --> 0:45:44.880
<v Speaker 2>his shirt, like suspenders under his T shirt. And I said, he'said,

0:45:44.880 --> 0:45:47.319
<v Speaker 2>what are you guys doing? You know dB Cooper, you know,

0:45:47.360 --> 0:45:49.359
<v Speaker 2>he gets all fired up about Dbie Cooper And I said,

0:45:49.360 --> 0:45:53.360
<v Speaker 2>what do you have? Why you got your suspenders on it?

0:45:53.400 --> 0:45:55.520
<v Speaker 2>Under your shirt, and he tells me that holds up

0:45:55.560 --> 0:46:01.520
<v Speaker 2>my pistols. To give you a sense of how much

0:46:01.719 --> 0:46:05.480
<v Speaker 2>like this story lives, right, we didn't get an interview

0:46:05.480 --> 0:46:06.719
<v Speaker 2>with this guy, but to give you a sense how

0:46:06.760 --> 0:46:10.200
<v Speaker 2>much the story lives, this individual races home. This is

0:46:10.239 --> 0:46:13.960
<v Speaker 2>just a guy on the street, races home on his

0:46:14.000 --> 0:46:19.560
<v Speaker 2>bike and comes back with like evidence okay about who DV.

0:46:19.680 --> 0:46:22.000
<v Speaker 2>Cooper is. It introduces us to a thing that totally

0:46:22.040 --> 0:46:24.040
<v Speaker 2>mess with our heads because in all of our research,

0:46:24.840 --> 0:46:26.520
<v Speaker 2>I was just talking about what he had on. Right,

0:46:26.600 --> 0:46:29.560
<v Speaker 2>he's got on a jack, he's got loafers, okay, And

0:46:29.719 --> 0:46:32.000
<v Speaker 2>all our research we never see any mention to this.

0:46:32.160 --> 0:46:36.760
<v Speaker 2>But he's describing he's describing one of the last known

0:46:36.960 --> 0:46:41.040
<v Speaker 2>moves of dB Cooper, which was to slip a packet

0:46:41.080 --> 0:46:46.080
<v Speaker 2>of twenties into his wetsuit. So we get done talking

0:46:46.080 --> 0:46:50.040
<v Speaker 2>to him, we're like, the wetsuit. W how did we

0:46:50.080 --> 0:46:52.880
<v Speaker 2>miss the wet suit? But then we went and reviewed

0:46:52.960 --> 0:46:57.359
<v Speaker 2>there's no that man. As far as I know, that man,

0:46:57.800 --> 0:47:01.040
<v Speaker 2>and only that man knows about that the Cooper was

0:47:01.080 --> 0:47:01.960
<v Speaker 2>wearing a wet suit.

0:47:02.600 --> 0:47:05.279
<v Speaker 4>But I mean, but that's what's so cool about the

0:47:05.320 --> 0:47:08.280
<v Speaker 4>story and the reason that the story is so enduring

0:47:08.440 --> 0:47:12.120
<v Speaker 4>is it invites all of this you know, you're you're

0:47:12.200 --> 0:47:16.320
<v Speaker 4>left with so few clues that paints such a vivid

0:47:16.400 --> 0:47:20.120
<v Speaker 4>picture of what this guy did that it's open to

0:47:20.200 --> 0:47:23.520
<v Speaker 4>all this interpretation. As we talk about in the show,

0:47:24.080 --> 0:47:28.279
<v Speaker 4>it's like a it's a perfect story, and like what

0:47:28.400 --> 0:47:30.279
<v Speaker 4>a fun thing to be able to just like dive

0:47:30.320 --> 0:47:33.120
<v Speaker 4>into a perfect story and just let your imagination goes.

0:47:34.560 --> 0:47:36.040
<v Speaker 4>He had a wet suit on. He was jumping in

0:47:36.080 --> 0:47:37.360
<v Speaker 4>the lake. Manna.

0:47:37.400 --> 0:47:39.279
<v Speaker 2>Look like idiots, We never talked about a wet suit.

0:47:41.080 --> 0:47:44.319
<v Speaker 2>Scratch the wet suit. That's just a dude down the streets.

0:47:44.360 --> 0:47:47.040
<v Speaker 2>That's the dude down the street wearing shorts with pistols

0:47:47.920 --> 0:47:51.879
<v Speaker 2>hanging from his suspenders. So, uh, Cooper goes on the back.

0:47:52.040 --> 0:47:55.040
<v Speaker 2>There's always a little details. He lights he uh, here's

0:47:55.040 --> 0:47:57.520
<v Speaker 2>a crazy part. Smokes a cigarette. Yeah, smokes a couple

0:47:57.520 --> 0:47:59.040
<v Speaker 2>of cigarettes. Put him in the ash tree. You know

0:47:59.080 --> 0:48:01.640
<v Speaker 2>how even today you'll see planes and still have that

0:48:01.680 --> 0:48:04.439
<v Speaker 2>little ash tray. Put some cigarettes in the ash tray.

0:48:04.760 --> 0:48:06.399
<v Speaker 2>He was one of the biggest screw ups the FBI

0:48:06.480 --> 0:48:11.160
<v Speaker 2>ever made in not being able to anticipate and not

0:48:11.200 --> 0:48:14.920
<v Speaker 2>being able to anticipate that you would pull DNA off

0:48:14.960 --> 0:48:17.680
<v Speaker 2>the cigarettes, which would now be a blink of an

0:48:17.719 --> 0:48:22.040
<v Speaker 2>eye process, Like the FBI lab would have the genetic

0:48:22.040 --> 0:48:26.480
<v Speaker 2>profile of this person within minutes. They check them out, Yah,

0:48:28.360 --> 0:48:35.239
<v Speaker 2>burn them. Do you believe this? No, Like you're like

0:48:35.320 --> 0:48:38.399
<v Speaker 2>an archaeology. It's very common in archaeology, Like if you're

0:48:38.400 --> 0:48:40.560
<v Speaker 2>out of sight, you dig a little square, you'll dig

0:48:40.560 --> 0:48:43.279
<v Speaker 2>a meter square, and then the rest of it you

0:48:43.320 --> 0:48:45.319
<v Speaker 2>don't touch because you're like, I don't know. In one

0:48:45.360 --> 0:48:48.200
<v Speaker 2>hundred years, they'll be able to dip a stick in

0:48:48.239 --> 0:48:49.920
<v Speaker 2>that dirt and tell you what happened here, So let's

0:48:49.960 --> 0:48:52.120
<v Speaker 2>not mess with the rest because technology improved. But no,

0:48:52.239 --> 0:48:53.839
<v Speaker 2>they're like, yeah, what are you gonna do? These old

0:48:53.920 --> 0:49:02.040
<v Speaker 2>cigarettes gone gone. At some point he takes apart one

0:49:02.040 --> 0:49:05.120
<v Speaker 2>of the four parachutes and gets some cord out of

0:49:05.160 --> 0:49:07.920
<v Speaker 2>it shit and fashions himself a little bundle of money

0:49:09.040 --> 0:49:12.640
<v Speaker 2>and lowers that back door down and spends some amount

0:49:12.640 --> 0:49:15.760
<v Speaker 2>of time messing around on the back.

0:49:15.600 --> 0:49:18.120
<v Speaker 4>Yeah, we should, we should specify that it's it's at

0:49:18.160 --> 0:49:23.319
<v Speaker 4>a time when some planes had the the staircase that

0:49:23.480 --> 0:49:25.680
<v Speaker 4>lowers from the tail of the plane, So we're not

0:49:25.719 --> 0:49:28.520
<v Speaker 4>talking about the side door at the back of a plane.

0:49:28.520 --> 0:49:31.680
<v Speaker 4>We're talking about a staircase that lowers directly off the

0:49:31.680 --> 0:49:32.759
<v Speaker 4>tail of the fuselage.

0:49:32.920 --> 0:49:40.680
<v Speaker 2>Yepp. He he expects the flight attendant to open the door,

0:49:40.960 --> 0:49:43.640
<v Speaker 2>realizes that the flight attendant is not instructed on opening

0:49:43.640 --> 0:49:46.080
<v Speaker 2>door and in flight can't open the door, and sends

0:49:46.120 --> 0:49:48.279
<v Speaker 2>the flight attendant up front. So now he's in the

0:49:48.320 --> 0:49:49.840
<v Speaker 2>back of the plane. This is this is key to

0:49:49.920 --> 0:49:52.479
<v Speaker 2>He's in back of the plane by himself. He gets

0:49:52.480 --> 0:49:57.359
<v Speaker 2>the door down and at some point climbs down, puts

0:49:57.440 --> 0:50:01.279
<v Speaker 2>on a parachute, and climbs down the steps. How the

0:50:01.360 --> 0:50:03.960
<v Speaker 2>FBI would later determine what they would call their drop

0:50:04.040 --> 0:50:08.080
<v Speaker 2>zone is based on like trajectory, flight time and all this.

0:50:08.200 --> 0:50:12.040
<v Speaker 2>But one of the key pieces is the pilots feel

0:50:12.160 --> 0:50:17.319
<v Speaker 2>a pressure change in the cabin, suggesting to them that

0:50:17.320 --> 0:50:20.319
<v Speaker 2>that pressure change was that he's putting weight on the

0:50:20.320 --> 0:50:26.239
<v Speaker 2>back step. Yeah, and when he jumped the backstep the

0:50:26.320 --> 0:50:30.439
<v Speaker 2>door goes fo Yeah. Just a few folks listening at home.

0:50:30.520 --> 0:50:33.640
<v Speaker 2>I just took my hand and inflected it at the wrist.

0:50:34.920 --> 0:50:38.040
<v Speaker 2>I did like a little wrist flick. That was the

0:50:38.120 --> 0:50:42.840
<v Speaker 2>door coming up. And so they go like, huh, maybe

0:50:42.880 --> 0:50:45.080
<v Speaker 2>that was him jumping out. Let's take note of where

0:50:45.120 --> 0:50:49.800
<v Speaker 2>we're at. That's the FBI drop zone. I'm not kidding.

0:50:49.920 --> 0:50:53.120
<v Speaker 2>That's the FBI drop zone somewhere between the Sea Tac

0:50:53.320 --> 0:50:56.640
<v Speaker 2>and Reno, but like sometime around there. Because eventually they

0:50:56.680 --> 0:50:59.480
<v Speaker 2>get like, well, shit, let's go look. Yeah no, no,

0:50:59.520 --> 0:51:02.880
<v Speaker 2>they didn't. They not look till they landed or did

0:51:02.880 --> 0:51:03.479
<v Speaker 2>they go look.

0:51:04.360 --> 0:51:08.960
<v Speaker 4>They did not get a They did not get resources

0:51:08.960 --> 0:51:10.200
<v Speaker 4>out in the field to look.

0:51:10.320 --> 0:51:12.839
<v Speaker 2>No, no, when did the flight crew go to look

0:51:12.880 --> 0:51:16.160
<v Speaker 2>to see that he was actually a long time? Yeah?

0:51:16.320 --> 0:51:19.839
<v Speaker 4>Yeah, because well, I mean you can kind of offend that.

0:51:19.960 --> 0:51:22.399
<v Speaker 4>Guys know the guy's got a bomb. Man.

0:51:22.440 --> 0:51:25.000
<v Speaker 2>Oh yeah, every go up front, go up for No,

0:51:25.000 --> 0:51:28.439
<v Speaker 2>I'm not blaming anybody, but they're saying that became this

0:51:28.760 --> 0:51:34.920
<v Speaker 2>hotly contested FBI drop zone. Earlier were talking about everybody's

0:51:34.920 --> 0:51:36.560
<v Speaker 2>got like a little bit of awareness of the story.

0:51:37.719 --> 0:51:39.920
<v Speaker 2>I know, I knew the story. I didn't know any

0:51:39.920 --> 0:51:41.440
<v Speaker 2>of the detail. I knew there was a skyjacker, and

0:51:41.440 --> 0:51:44.399
<v Speaker 2>I knew jumped out of the plane, and and and

0:51:44.440 --> 0:51:46.839
<v Speaker 2>when we got into it, and Mo and I are

0:51:46.880 --> 0:51:49.200
<v Speaker 2>like talking, and other guys we work with are all talking.

0:51:50.560 --> 0:51:52.840
<v Speaker 2>I would often say on the calls, I'll tell you

0:51:52.920 --> 0:51:55.239
<v Speaker 2>what happened. You know, have not been there, yea, and

0:51:55.320 --> 0:52:03.120
<v Speaker 2>knowing nothing about it. I was like he he burrowed

0:52:03.160 --> 0:52:06.640
<v Speaker 2>into the ground, didn't know what he was doing, had

0:52:06.680 --> 0:52:10.440
<v Speaker 2>a bad shoot, whatever. And the reason he's never because

0:52:10.560 --> 0:52:13.359
<v Speaker 2>we should jump to this. He's never turned up.

0:52:13.960 --> 0:52:19.600
<v Speaker 4>Nothing has ever turned up, well, well except yeah, one thing.

0:52:19.520 --> 0:52:21.760
<v Speaker 2>Some money turned up. We'll get to that in the minux.

0:52:21.800 --> 0:52:23.879
<v Speaker 2>We went, we went to the site. Some money turned

0:52:23.920 --> 0:52:24.839
<v Speaker 2>up into Columbia River.

0:52:25.400 --> 0:52:28.920
<v Speaker 4>In the eighties, nothing of his body, parachute or anything

0:52:28.960 --> 0:52:29.160
<v Speaker 4>like that.

0:52:30.600 --> 0:52:34.200
<v Speaker 2>And people thought that, you know, one investigator said, well,

0:52:34.280 --> 0:52:37.600
<v Speaker 2>come deer season, we'll find him, because he thought something,

0:52:37.640 --> 0:52:39.399
<v Speaker 2>you know, like some guy's gonna be like, oh my god,

0:52:39.440 --> 0:52:41.200
<v Speaker 2>a parachute hanging in a tree with the dead guy

0:52:41.280 --> 0:52:43.600
<v Speaker 2>from it, and it would be over right. That was

0:52:43.600 --> 0:52:46.640
<v Speaker 2>the assumption early on. It's like, he's just dead somewhere

0:52:46.640 --> 0:52:50.920
<v Speaker 2>and they'll find the shoot. They never did. And I

0:52:50.960 --> 0:52:54.239
<v Speaker 2>would have thought, well, his shoot never opened, you know,

0:52:54.560 --> 0:52:57.560
<v Speaker 2>and and he burrowed into the ground, and and you

0:52:57.600 --> 0:53:02.080
<v Speaker 2>know all that soft rainforest moss, and you're hitting at

0:53:02.160 --> 0:53:04.160
<v Speaker 2>one hundred and seventy miles an hour or something like that.

0:53:04.280 --> 0:53:09.879
<v Speaker 2>Terminal boity. Yeah, somewhere and right and unless someone looks

0:53:09.920 --> 0:53:12.839
<v Speaker 2>in the right little divot and that's where the money is,

0:53:13.440 --> 0:53:17.080
<v Speaker 2>that's where his body is. And we kind of begin

0:53:17.160 --> 0:53:22.360
<v Speaker 2>our exploration with that idea and then quickly have special

0:53:22.400 --> 0:53:26.840
<v Speaker 2>forces guys, military parachuters, a parachute instructor with like fourteen

0:53:26.880 --> 0:53:30.680
<v Speaker 2>thousand jumps in his history who was actually interviewed by

0:53:30.680 --> 0:53:35.040
<v Speaker 2>the FBI after the dB Cooper thing. Them all say no,

0:53:35.160 --> 0:53:39.000
<v Speaker 2>he's probably fine. Yeah, no reason to think he's not fine.

0:53:40.120 --> 0:53:42.360
<v Speaker 2>Like in their mind, it's like, no, no landing, the

0:53:42.360 --> 0:53:44.680
<v Speaker 2>trees don't matter, land in the mountains don't matter.

0:53:44.960 --> 0:53:47.000
<v Speaker 4>Yeah, it's a parachute. They're like designed to work.

0:53:47.200 --> 0:53:49.080
<v Speaker 2>Yeah, he's like no. I was like, what if you

0:53:49.160 --> 0:53:57.080
<v Speaker 2>hit a treat it doesn't matter. Yeah. We couldn't get

0:53:57.160 --> 0:54:00.720
<v Speaker 2>any major parachute dudes to tell us that he was dead,

0:54:01.440 --> 0:54:06.880
<v Speaker 2>as much as I wanted to community, but they're like,

0:54:06.880 --> 0:54:09.000
<v Speaker 2>the shoots work, you pull the cord, you're landing.

0:54:10.080 --> 0:54:12.840
<v Speaker 4>And I think the other interesting thing is like we

0:54:12.920 --> 0:54:15.120
<v Speaker 4>had like an opportunity to get you in the air

0:54:15.160 --> 0:54:19.240
<v Speaker 4>and get you like, you know, doing a tandem jump,

0:54:19.440 --> 0:54:23.759
<v Speaker 4>and your immediate reaction on the ground went from like

0:54:24.480 --> 0:54:26.759
<v Speaker 4>before we went up on the plane, like he's he's

0:54:26.760 --> 0:54:30.360
<v Speaker 4>burrowed into the ground, to like, I know, he's he

0:54:30.680 --> 0:54:32.160
<v Speaker 4>could of course he could survive that.

0:54:32.800 --> 0:54:34.320
<v Speaker 3>Now you're part of the community.

0:54:33.920 --> 0:54:36.440
<v Speaker 4>And I think, and that's what's so fun about the

0:54:36.440 --> 0:54:39.920
<v Speaker 4>show is like you you you get to unfold these

0:54:40.000 --> 0:54:45.560
<v Speaker 4>mysteries and kind of pressure test one variation or one

0:54:45.640 --> 0:54:49.680
<v Speaker 4>possibility or one theory at a time, and over the

0:54:49.719 --> 0:54:52.680
<v Speaker 4>course of it you come out with a completely different

0:54:52.760 --> 0:54:55.719
<v Speaker 4>understanding or a completely different viewpoint on it. None of

0:54:55.719 --> 0:55:00.000
<v Speaker 4>it based on empirical evidence, all based on experiential evidence.

0:55:00.719 --> 0:55:03.640
<v Speaker 4>And I think that's what's what you know, That's the

0:55:03.680 --> 0:55:06.040
<v Speaker 4>reason that like, as a concept, I think this show

0:55:06.160 --> 0:55:10.799
<v Speaker 4>is so cool is that you were out there experiencing

0:55:10.880 --> 0:55:16.280
<v Speaker 4>things and then making you know, assessments of a mystery

0:55:16.360 --> 0:55:17.960
<v Speaker 4>based on those experiences.

0:55:18.239 --> 0:55:21.479
<v Speaker 2>And if and if he lived and I think he did,

0:55:21.760 --> 0:55:23.680
<v Speaker 2>if he survived the jump, think about how you think

0:55:23.719 --> 0:55:26.680
<v Speaker 2>he did. Yeah, well, now I think you did, right, Yeah,

0:55:26.719 --> 0:55:30.359
<v Speaker 2>But then but then just like invite yourself to think

0:55:30.360 --> 0:55:33.760
<v Speaker 2>about this for a minute, that you're somewhere south of Seattle,

0:55:34.040 --> 0:55:37.279
<v Speaker 2>you're not quite sure where, and you've jumped in the

0:55:37.400 --> 0:55:41.439
<v Speaker 2>dark and keep in mind he never got caught. You're

0:55:41.520 --> 0:55:44.840
<v Speaker 2>landing in the dark, and not toward dawn, You're landing

0:55:44.880 --> 0:55:47.399
<v Speaker 2>in the dark in the evening. Yeah, it's a lot

0:55:47.640 --> 0:55:54.400
<v Speaker 2>in your loafers, not rigged up in the rain. Yeah.

0:55:54.480 --> 0:55:57.600
<v Speaker 2>What then there's talk of accomplices, and maybe there were,

0:55:57.680 --> 0:56:00.960
<v Speaker 2>but like not to that point. But there's there's no way.

0:56:01.120 --> 0:56:02.960
<v Speaker 2>There's no way you could have coordinate it with someone

0:56:03.000 --> 0:56:03.359
<v Speaker 2>on the ground.

0:56:03.400 --> 0:56:05.160
<v Speaker 4>Now, he'd need to get to a payphone at that

0:56:05.280 --> 0:56:08.000
<v Speaker 4>time and make a call and say, well, I think

0:56:08.000 --> 0:56:11.520
<v Speaker 4>I'm just somewhere out in the Cascade range, you know.

0:56:12.080 --> 0:56:13.920
<v Speaker 2>And you're walking around and as far as you know,

0:56:13.960 --> 0:56:16.880
<v Speaker 2>there was this kind of laughable delay in looking for

0:56:17.000 --> 0:56:17.640
<v Speaker 2>him on the ground.

0:56:17.920 --> 0:56:20.480
<v Speaker 4>It's because it was partly because it was Thanksgiving night. Yeah,

0:56:20.600 --> 0:56:22.520
<v Speaker 4>everyone had to finish there. Yeah, they had to finish

0:56:22.560 --> 0:56:25.200
<v Speaker 4>their dressing and pumpkin pie and ship and they got

0:56:25.200 --> 0:56:28.759
<v Speaker 4>the posse rounded up. He didn't know this that, he

0:56:28.840 --> 0:56:32.640
<v Speaker 4>doesn't know this. No, so no, like in all this

0:56:32.800 --> 0:56:36.000
<v Speaker 4>time since and they did. They brought out the army.

0:56:36.760 --> 0:56:40.480
<v Speaker 2>I mean the army to do shoulder to shoulder was

0:56:40.480 --> 0:56:45.080
<v Speaker 2>like five foot spacing, I think Fingertip Fingertip spacing shoulder

0:56:45.120 --> 0:56:48.840
<v Speaker 2>to shoulder, and they they spent months grid working everything.

0:56:50.719 --> 0:56:56.160
<v Speaker 2>No parachute, no sack, nothing, nothing.

0:56:57.160 --> 0:57:00.719
<v Speaker 4>So oh man, they were doing fly over is in

0:57:01.520 --> 0:57:03.440
<v Speaker 4>was it the SR seventeen or the.

0:57:03.400 --> 0:57:04.560
<v Speaker 3>Seventy one seventy one?

0:57:04.680 --> 0:57:06.759
<v Speaker 2>You know blackbird? Yeah, they brought that up.

0:57:06.960 --> 0:57:09.719
<v Speaker 3>Yeah, use that to try to find the shoot big

0:57:09.760 --> 0:57:15.560
<v Speaker 3>reconnaissance aviation guy here, like, I got it right, my.

0:57:15.640 --> 0:57:16.640
<v Speaker 4>Favorite bat too.

0:57:19.680 --> 0:57:23.720
<v Speaker 2>They nothing. Ever, we'll get to this money. Then we'll

0:57:23.800 --> 0:57:25.360
<v Speaker 2>kind of move one hundred another one of these, just

0:57:25.360 --> 0:57:27.480
<v Speaker 2>to give people example. We'll get to this money. So

0:57:27.640 --> 0:57:29.720
<v Speaker 2>here's the crazy, weird part. And this is what really

0:57:29.800 --> 0:57:34.320
<v Speaker 2>like the money. If the money hadn't happened, the story'd

0:57:34.360 --> 0:57:38.040
<v Speaker 2>be different. But the money up ends everything. Yeah, in

0:57:38.120 --> 0:57:42.560
<v Speaker 2>the eighties, right near Phil's backyard, Phil Phil Phillison on this.

0:57:42.800 --> 0:57:46.000
<v Speaker 5>That's right Vancouver, Washington, on the shores of western Vancouver,

0:57:46.040 --> 0:57:46.480
<v Speaker 5>I believe.

0:57:46.680 --> 0:57:47.720
<v Speaker 2>Do you know the name of the bar.

0:57:48.320 --> 0:57:50.120
<v Speaker 5>I don't know the name of the bar, so, yeah,

0:57:50.160 --> 0:57:53.040
<v Speaker 5>I can't fill you in. Sorry. It's an Algonquin word

0:57:53.120 --> 0:57:57.120
<v Speaker 5>meaning marshy swamp, Tina bar, Tina bar.

0:57:57.320 --> 0:57:57.400
<v Speaker 2>So.

0:57:57.440 --> 0:58:04.120
<v Speaker 3>The original the the Skyjacking was in seventy two seventy three,

0:58:05.160 --> 0:58:05.600
<v Speaker 3>seventy two.

0:58:06.320 --> 0:58:09.760
<v Speaker 2>I was not yet born. I wasn't even conceived yet, Randall,

0:58:13.040 --> 0:58:16.120
<v Speaker 2>where was I? Oh the money? So check this out?

0:58:17.040 --> 0:58:19.440
<v Speaker 2>Eighty one? Was it a somewhere eight nineteen eighty one?

0:58:19.680 --> 0:58:22.920
<v Speaker 2>Somewhere early eighties? Some kid, Now this is that this

0:58:23.000 --> 0:58:26.800
<v Speaker 2>is the surface I'm telling you the surface level true part.

0:58:26.920 --> 0:58:29.040
<v Speaker 2>And you can read in all the conspiracy theories the

0:58:29.120 --> 0:58:35.200
<v Speaker 2>surface level true part. Okay, everyone agrees is this. Some

0:58:35.320 --> 0:58:37.280
<v Speaker 2>kid goes down on the Columbia River and they're going

0:58:37.320 --> 0:58:42.880
<v Speaker 2>to make a fire, and he's scratching out with his foot. Yeah,

0:58:43.000 --> 0:58:47.200
<v Speaker 2>a little fire pit, Okay, on the bank of the river,

0:58:47.400 --> 0:58:50.920
<v Speaker 2>just like you would. And lo and behold, here is

0:58:51.000 --> 0:59:00.760
<v Speaker 2>a bundle bundles, bundles, bundles of rotten twenties. When they

0:59:00.800 --> 0:59:04.320
<v Speaker 2>gave Cooper all of his currency, when they gave his

0:59:04.400 --> 0:59:10.120
<v Speaker 2>ransom money, I knew they knew the serial numbers. Okay,

0:59:10.400 --> 0:59:12.360
<v Speaker 2>here's a whole other wrinkle. I'm gonna get into this wrinkles.

0:59:12.400 --> 0:59:15.720
<v Speaker 2>This is interesting wrinkle I knew going as we did

0:59:15.720 --> 0:59:19.000
<v Speaker 2>our research. It was like they knew the serial numbers

0:59:19.000 --> 0:59:23.640
<v Speaker 2>of the money. I thought they were sequential, meaning I

0:59:23.680 --> 0:59:27.520
<v Speaker 2>thought they gave him blank to blank numbers, which would

0:59:27.560 --> 0:59:28.480
<v Speaker 2>make it easier.

0:59:28.240 --> 0:59:31.120
<v Speaker 3>To find sell a list of serial number, but.

0:59:31.040 --> 0:59:35.000
<v Speaker 2>It was all random numbers, so you couldn't notify banks.

0:59:35.040 --> 0:59:37.600
<v Speaker 2>If you see any money come in between one one

0:59:37.760 --> 0:59:42.880
<v Speaker 2>zero zero zero zero and one one zero, they keep

0:59:42.880 --> 0:59:47.760
<v Speaker 2>your eye out for it. It's like thousands of twenty

0:59:47.880 --> 0:59:51.320
<v Speaker 2>thousand random ass serial numbers, so you could never get

0:59:51.320 --> 0:59:53.680
<v Speaker 2>in your head what numbers you're looking for. Because I

0:59:53.720 --> 0:59:55.520
<v Speaker 2>used to be like, the money never turned up, so

0:59:55.560 --> 0:59:57.120
<v Speaker 2>the money must be gone. But someone' say, how do

0:59:57.160 --> 1:00:00.439
<v Speaker 2>you know the money's gone? If he took have money

1:00:00.480 --> 1:00:02.720
<v Speaker 2>and spent it wherever the hell. Yeah, took it to

1:00:02.720 --> 1:00:04.840
<v Speaker 2>the Caribbean, took it to Mexico, took it anywhere, took

1:00:04.880 --> 1:00:07.520
<v Speaker 2>to grease whatever and exchange the money. And then the

1:00:07.560 --> 1:00:10.360
<v Speaker 2>fact that someone down the road is gonna check that

1:00:10.520 --> 1:00:13.560
<v Speaker 2>serial number against the list of twenty thousand random ass

1:00:13.640 --> 1:00:17.360
<v Speaker 2>serial numbers and find it. But anyhow, the money that

1:00:17.400 --> 1:00:19.200
<v Speaker 2>comes out of team to borrow the corners is all

1:00:19.280 --> 1:00:22.000
<v Speaker 2>rotten away. But it's the numbers.

1:00:22.120 --> 1:00:24.880
<v Speaker 4>They know for a fact that that is the money.

1:00:25.000 --> 1:00:26.680
<v Speaker 4>It's the money from the ransom.

1:00:27.520 --> 1:00:29.720
<v Speaker 2>But here's the deal, Like the crazy part of it

1:00:29.760 --> 1:00:32.240
<v Speaker 2>is that you'd say to yourself. If you're thinking, man,

1:00:32.400 --> 1:00:34.680
<v Speaker 2>you're now saying to yourself, well, yeah, he lost some

1:00:34.800 --> 1:00:37.840
<v Speaker 2>of the money. He's drowned in a river and it flowed.

1:00:38.240 --> 1:00:41.360
<v Speaker 2>It was in a little creek, float out of the mountains,

1:00:41.880 --> 1:00:45.640
<v Speaker 2>float into a tributary, float into the Columbia on a flood.

1:00:45.680 --> 1:00:47.760
<v Speaker 2>You got deposited on the bank. Covered in sentiment. But

1:00:47.800 --> 1:00:52.320
<v Speaker 2>here's the problem the money. If you drained the FBI

1:00:52.480 --> 1:00:55.680
<v Speaker 2>drop zone, it doesn't flow to that spot.

1:00:56.440 --> 1:01:00.040
<v Speaker 4>It's up river. That spot it's up.

1:01:00.200 --> 1:01:04.000
<v Speaker 2>The money was found up drainage from the entire FBI

1:01:04.120 --> 1:01:06.880
<v Speaker 2>drop zone, which brings in the question it didn't get

1:01:06.920 --> 1:01:09.640
<v Speaker 2>like he didn't. It's either he didn't land in his

1:01:09.720 --> 1:01:16.800
<v Speaker 2>drop zone, the drop zones wrong, or someone and here

1:01:17.320 --> 1:01:19.320
<v Speaker 2>he did enter all conspiracy idea.

1:01:19.720 --> 1:01:22.760
<v Speaker 4>So the next logical conclusion you say, well, the drop

1:01:22.800 --> 1:01:27.000
<v Speaker 4>zones are on again. He landed in some tributary, whatever

1:01:27.040 --> 1:01:30.120
<v Speaker 4>it washed down, got caught in a sandbar. That's totally

1:01:30.760 --> 1:01:34.479
<v Speaker 4>reasonable to assume. Here's why the money being in three

1:01:34.800 --> 1:01:38.880
<v Speaker 4>different packets is important because they were not bundled together,

1:01:40.760 --> 1:01:44.480
<v Speaker 4>meaning the statistical probability of the three of them ending

1:01:44.520 --> 1:01:47.520
<v Speaker 4>up in one level in the billions.

1:01:47.520 --> 1:01:52.800
<v Speaker 2>Unless something was holding them in it. He okay, this

1:01:52.880 --> 1:01:56.720
<v Speaker 2>is what's claimed. He there's a couple of little details here,

1:01:58.000 --> 1:02:02.120
<v Speaker 2>he uh says to a flight attendant. The flight attendant,

1:02:02.160 --> 1:02:07.120
<v Speaker 2>he asked her, do you want some of this money? Okay?

1:02:08.080 --> 1:02:12.800
<v Speaker 2>She says no. Did some amount of that money, like

1:02:12.920 --> 1:02:15.000
<v Speaker 2>we don't know what happened for a long period of time.

1:02:15.040 --> 1:02:17.120
<v Speaker 2>Did some of that amount of that money wind up

1:02:17.240 --> 1:02:19.640
<v Speaker 2>Like he's got like a bag, but he puts not

1:02:19.720 --> 1:02:22.680
<v Speaker 2>in his wetsuit. But like some of it goes here,

1:02:22.880 --> 1:02:24.880
<v Speaker 2>some of it's in a different envelope, some of it

1:02:25.040 --> 1:02:28.320
<v Speaker 2>some you know, like it sat there so long and

1:02:28.400 --> 1:02:32.000
<v Speaker 2>rotted so much, something could have decomposed around it. What

1:02:32.080 --> 1:02:35.320
<v Speaker 2>was holding it together. But but people that are way

1:02:35.400 --> 1:02:37.960
<v Speaker 2>obsessed about this have given up on the idea that

1:02:37.960 --> 1:02:41.680
<v Speaker 2>it washed there. Yeah, they think the money was buried there.

1:02:41.720 --> 1:02:43.360
<v Speaker 2>And what's so funny. We went there with a guy

1:02:43.400 --> 1:02:46.080
<v Speaker 2>who's like he actually had some of the money, like

1:02:46.120 --> 1:02:47.360
<v Speaker 2>some of the money that came out of the bank.

1:02:47.440 --> 1:02:47.640
<v Speaker 4>Yeah.

1:02:47.680 --> 1:02:51.280
<v Speaker 2>Hm. He wrote his name though, Eric Eric Ericulis.

1:02:51.400 --> 1:02:53.760
<v Speaker 4>Yeah, he's like he's like the foremost you know, kind

1:02:53.800 --> 1:02:57.280
<v Speaker 4>of citizen sleuth. What they what they refer to themselves

1:02:57.280 --> 1:03:00.000
<v Speaker 4>as citizens. Salu, he's a serious and best investigator.

1:03:00.240 --> 1:03:02.480
<v Speaker 2>We go there, we're standing around the river bank and

1:03:02.520 --> 1:03:04.520
<v Speaker 2>I'm like, so it's right here, and he goes, well,

1:03:04.560 --> 1:03:12.440
<v Speaker 2>it was about nine feet up feet out because of erosion.

1:03:12.760 --> 1:03:14.480
<v Speaker 2>It was like the money was like over your head

1:03:14.480 --> 1:03:18.680
<v Speaker 2>when you're standing there. Now, he feels that that money,

1:03:19.360 --> 1:03:22.880
<v Speaker 2>because of all this stuff I won't get into, he

1:03:22.960 --> 1:03:27.760
<v Speaker 2>feels that money was buried. He feels it was buried

1:03:27.800 --> 1:03:32.120
<v Speaker 2>by D. B. Cooper. Conspiracy theories are that dB Cooper

1:03:32.200 --> 1:03:37.080
<v Speaker 2>later placed the money to throw off the trail, that

1:03:37.440 --> 1:03:44.080
<v Speaker 2>he uh lift, got a ride from someone like dude,

1:03:44.960 --> 1:03:48.640
<v Speaker 2>get me out of here, and that guy freaked and

1:03:48.640 --> 1:03:56.280
<v Speaker 2>buried the money. No, no, but that is the last There's

1:03:56.280 --> 1:03:59.080
<v Speaker 2>a neck tie that he took off and left on

1:03:59.120 --> 1:04:01.560
<v Speaker 2>the plane. There's this cigarettes that are gone. There's the

1:04:01.600 --> 1:04:05.080
<v Speaker 2>money in Tina Bar. And they've investigated, I don't know,

1:04:05.120 --> 1:04:08.720
<v Speaker 2>some ten thousand people. Yeah, they really focus heavy on

1:04:08.840 --> 1:04:13.600
<v Speaker 2>disgruntled special forces guys coming out of Vietnam.

1:04:14.640 --> 1:04:18.640
<v Speaker 4>Yeah, and and people with an engineering background or some

1:04:18.720 --> 1:04:24.200
<v Speaker 4>exposure to Boeing or people who would have proximity to

1:04:24.840 --> 1:04:28.880
<v Speaker 4>understanding how the plane works in a basic way. And

1:04:29.240 --> 1:04:33.120
<v Speaker 4>you know, it's fascinating there there are there are thousands

1:04:33.320 --> 1:04:38.200
<v Speaker 4>of these little micro theories of how little portions of

1:04:38.720 --> 1:04:41.920
<v Speaker 4>the mystery. And the fact is like no one actually

1:04:41.960 --> 1:04:43.520
<v Speaker 4>knows anything nothing.

1:04:43.840 --> 1:04:46.680
<v Speaker 2>The flight attendant asked him. According to her, there's no

1:04:46.720 --> 1:04:49.080
<v Speaker 2>witnesses of the conversation. She asked them, do you have

1:04:49.120 --> 1:04:52.800
<v Speaker 2>a grudge against the airline? And he said, I just

1:04:52.840 --> 1:04:55.959
<v Speaker 2>have a grudge, But I mean, those are the things

1:04:56.200 --> 1:04:58.720
<v Speaker 2>like and this is an important part of this, of

1:04:58.760 --> 1:05:01.040
<v Speaker 2>the the whole story is he's like he's become he

1:05:01.080 --> 1:05:02.000
<v Speaker 2>became like a folk here.

1:05:02.800 --> 1:05:09.120
<v Speaker 4>You know, he didn't didn't hurt anyone, you know, in

1:05:09.120 --> 1:05:12.640
<v Speaker 4>in in in our imaginations, he gets away with two

1:05:12.680 --> 1:05:16.760
<v Speaker 4>hundred thousand dollars, you know, and uh and disappears into

1:05:16.800 --> 1:05:19.840
<v Speaker 4>the night. It's awesome. He's a he's a hero. He's

1:05:20.240 --> 1:05:21.440
<v Speaker 4>yeah yeah, uh.

1:05:22.600 --> 1:05:27.400
<v Speaker 2>If you watch the news, there's always claims. There's been many,

1:05:27.440 --> 1:05:32.760
<v Speaker 2>many claims. There's a theme people's parents die. Yeah, oh yeah, yeah,

1:05:33.640 --> 1:05:36.800
<v Speaker 2>people's parents die, and then they come forward to say it.

1:05:36.840 --> 1:05:40.000
<v Speaker 2>And recently some people came out and there there's there's

1:05:40.040 --> 1:05:43.240
<v Speaker 2>these kids whose dad actually did a there's these kids

1:05:43.240 --> 1:05:48.280
<v Speaker 2>whose dad actually did a copycat skyjacking and then later

1:05:48.400 --> 1:05:51.560
<v Speaker 2>died in a shootout with the cops, and a lot

1:05:51.560 --> 1:05:54.000
<v Speaker 2>of suspicion fell that it was it was his own

1:05:54.040 --> 1:05:56.880
<v Speaker 2>copy cat, like that was his second skyjacking. Some people

1:05:56.920 --> 1:05:59.760
<v Speaker 2>say they these kids come out and they produce this

1:05:59.760 --> 1:06:03.320
<v Speaker 2>this parachute all the way in North Carolina or something

1:06:03.360 --> 1:06:04.160
<v Speaker 2>across the country.

1:06:04.200 --> 1:06:04.800
<v Speaker 4>Across country.

1:06:04.800 --> 1:06:06.560
<v Speaker 2>They're like, hey, we found a parachute in our shed.

1:06:06.680 --> 1:06:08.320
<v Speaker 2>Then you got to ask you a question. But there's

1:06:08.360 --> 1:06:11.640
<v Speaker 2>so many claims like this, they mostly get debunked. Yeah,

1:06:11.640 --> 1:06:13.840
<v Speaker 2>I asked your question. So you're telling me that he

1:06:14.080 --> 1:06:16.880
<v Speaker 2>that night brought his parachute. He that night bundled that

1:06:16.920 --> 1:06:20.760
<v Speaker 2>parachute up no way, and then brought it home to

1:06:20.880 --> 1:06:22.960
<v Speaker 2>North Carolina and put it in his shed.

1:06:23.360 --> 1:06:26.720
<v Speaker 4>I use this again, no no way.

1:06:27.040 --> 1:06:27.959
<v Speaker 2>I like that one.

1:06:29.840 --> 1:06:32.560
<v Speaker 3>Rubbed that fabric between your fingers and thinking a good

1:06:32.560 --> 1:06:32.920
<v Speaker 3>old day.

1:06:32.960 --> 1:06:35.880
<v Speaker 2>It was like so many of my friends sent me

1:06:35.960 --> 1:06:37.720
<v Speaker 2>that article when that came out, because I was just

1:06:37.840 --> 1:06:41.240
<v Speaker 2>that was after we after we filmed, they sent me

1:06:41.280 --> 1:06:43.440
<v Speaker 2>that article. And then by that point I was like

1:06:43.520 --> 1:06:47.919
<v Speaker 2>well versed in all the claims, just like there's there's

1:06:47.960 --> 1:06:51.480
<v Speaker 2>a claim more than every year does a claim Yeah,

1:06:52.080 --> 1:06:53.440
<v Speaker 2>my boyfriend was Dbie Cooper.

1:06:53.560 --> 1:06:57.480
<v Speaker 4>Yeah, a lot of deathbed confessionals. You know, you like

1:06:57.520 --> 1:07:04.200
<v Speaker 4>to add grandpa was Cooper. We should make a buffer sticker, man,

1:07:05.840 --> 1:07:09.320
<v Speaker 4>it you think about that. With the parachute, we tried

1:07:09.360 --> 1:07:11.200
<v Speaker 4>to walk through, Like one of the things we do

1:07:11.360 --> 1:07:13.520
<v Speaker 4>in the show is like we walked through in the

1:07:13.520 --> 1:07:18.720
<v Speaker 4>Pitch Black. We walked through those mountains and it's staggering

1:07:19.560 --> 1:07:23.760
<v Speaker 4>how difficult it is to walk through those mountains. I

1:07:23.760 --> 1:07:26.840
<v Speaker 4>mean we're talking about like the Cascades. The best best

1:07:26.880 --> 1:07:29.720
<v Speaker 4>guess of the drop zone is that it's in the

1:07:29.760 --> 1:07:34.040
<v Speaker 4>Cascades just west, like southwest of Mount Saint Helen's right

1:07:34.160 --> 1:07:37.520
<v Speaker 4>prior to Mount Saint Helens erupting, So it's like thick

1:07:37.560 --> 1:07:42.080
<v Speaker 4>old growth forest and really steep and uh and just

1:07:42.120 --> 1:07:44.720
<v Speaker 4>trying to walk through there in the dark with came

1:07:44.960 --> 1:07:47.000
<v Speaker 4>it was impossible. You're gonna drag a You're gonna drag

1:07:47.040 --> 1:07:47.640
<v Speaker 4>a parachute.

1:07:49.280 --> 1:07:51.280
<v Speaker 2>We did a we did a thing like we know

1:07:51.360 --> 1:07:53.000
<v Speaker 2>you don't really know what you have, but we did

1:07:53.040 --> 1:07:56.480
<v Speaker 2>like a no, we did a no flashlight because yeah,

1:07:56.600 --> 1:07:58.640
<v Speaker 2>just limited stuff. Like he's not like he's got big

1:07:58.680 --> 1:08:01.480
<v Speaker 2>he doesn't have a big tool bag. Maybe yeah, flash,

1:08:01.600 --> 1:08:03.680
<v Speaker 2>it's on. No. But one thing I never did in

1:08:03.720 --> 1:08:07.160
<v Speaker 2>my whole life was strike a match to look around.

1:08:08.960 --> 1:08:11.920
<v Speaker 2>It doesn't work as good. Ear. We're talking about Indiana Jones.

1:08:12.120 --> 1:08:14.120
<v Speaker 2>He goes into a cave and strikes a matches like

1:08:14.560 --> 1:08:15.200
<v Speaker 2>a spot light.

1:08:15.800 --> 1:08:17.320
<v Speaker 4>It's not like all of a sudden you're in the

1:08:17.360 --> 1:08:18.080
<v Speaker 4>Lincoln Tunnel.

1:08:20.240 --> 1:08:22.160
<v Speaker 2>Yeah, you strike that match and you're like, you don't

1:08:22.200 --> 1:08:27.960
<v Speaker 2>see much of anything. Man, it was fun. Okay, I

1:08:28.000 --> 1:08:30.800
<v Speaker 2>want to let's talk about Donner Party. Yeah, that's a

1:08:30.840 --> 1:08:32.360
<v Speaker 2>good one. I want we just talked about Rowing Oak

1:08:32.360 --> 1:08:35.040
<v Speaker 2>and Donner Party. There's one hundred, one hundreds eight to

1:08:35.040 --> 1:08:38.040
<v Speaker 2>talk about. Where them. I want to talk about Rowing

1:08:38.040 --> 1:08:40.240
<v Speaker 2>Oak or Donner Party.

1:08:40.320 --> 1:08:41.200
<v Speaker 4>That'll start with Rono.

1:08:41.439 --> 1:08:45.640
<v Speaker 2>Okay, I'll lay the groundwork. You should quiz Randall on

1:08:45.640 --> 1:08:46.200
<v Speaker 2>on rowing Oak.

1:08:46.680 --> 1:08:48.040
<v Speaker 4>Yeah, what do you know about Rono? Yeah?

1:08:48.080 --> 1:08:52.120
<v Speaker 2>Randall? How many? How many settlers? Oh, doctor Randall?

1:08:53.400 --> 1:09:01.200
<v Speaker 3>Thirty one seventy two fifty four, one hundred and thirty nine.

1:09:02.920 --> 1:09:05.400
<v Speaker 3>You just went too high twenty four.

1:09:05.520 --> 1:09:08.600
<v Speaker 2>I won't. No, I'm not going to continue to humiliate you.

1:09:08.600 --> 1:09:11.800
<v Speaker 2>One hundred and seventeen. Gotta do it rough.

1:09:11.880 --> 1:09:14.760
<v Speaker 3>I had it in there somewhere rough one hundred seventeen promise.

1:09:14.720 --> 1:09:19.120
<v Speaker 2>We're gonna go way back in time. We're jumping out

1:09:19.120 --> 1:09:22.400
<v Speaker 2>from the from the nineteen seventies to the fifteen nineties.

1:09:23.400 --> 1:09:32.360
<v Speaker 2>All these all your European superpowers, Spain, France, England, Portugal,

1:09:32.840 --> 1:09:37.760
<v Speaker 2>they're all vying for colonies New World colonies. The Spanish

1:09:37.920 --> 1:09:40.200
<v Speaker 2>were earlier to the game, and they are getting loaded

1:09:40.240 --> 1:09:44.000
<v Speaker 2>on gold and everybody's like, but down south, everybody's got

1:09:44.040 --> 1:09:48.320
<v Speaker 2>bad fomo. Everybody's got bad fomo. They want their own

1:09:48.400 --> 1:09:49.080
<v Speaker 2>chunk of the pie.

1:09:49.160 --> 1:09:51.360
<v Speaker 4>Well, Portuguese are killing it in South America too.

1:09:51.320 --> 1:09:53.160
<v Speaker 2>Yeah, so people are tearing it up, and the English

1:09:53.200 --> 1:09:57.120
<v Speaker 2>are feeling like they're missing the whole party, and they

1:09:57.479 --> 1:09:59.400
<v Speaker 2>they don't want to go too far south because the

1:09:59.439 --> 1:10:01.439
<v Speaker 2>Spanish at at this point have a major toll hold

1:10:01.520 --> 1:10:06.240
<v Speaker 2>and like jealously guard their areas. In fact, the Spanish

1:10:06.320 --> 1:10:10.439
<v Speaker 2>are so worried about other countries getting a toe hold

1:10:11.000 --> 1:10:14.280
<v Speaker 2>did They got like warships cruising up and down the

1:10:14.400 --> 1:10:18.599
<v Speaker 2>US coast hunting for anyone who'd have the audacity to

1:10:18.600 --> 1:10:21.000
<v Speaker 2>try to get a toe hold in the New World.

1:10:22.120 --> 1:10:25.439
<v Speaker 2>England had sent some like expeditionary trips poking around and

1:10:25.439 --> 1:10:29.080
<v Speaker 2>prodding around, they map parts of the shoreline and they

1:10:29.080 --> 1:10:31.840
<v Speaker 2>get an idea that they're going to establish their first

1:10:31.840 --> 1:10:35.200
<v Speaker 2>permanent colony in Chesapeake Bay. So they take these one

1:10:35.240 --> 1:10:43.000
<v Speaker 2>hundred and seventeen settlers, kids, wives, young people, right, and

1:10:43.680 --> 1:10:45.439
<v Speaker 2>they haul them over and the intention is to bring

1:10:45.520 --> 1:10:47.920
<v Speaker 2>them up into Chesapeake Bay. There's like some weird stuff

1:10:47.920 --> 1:10:50.760
<v Speaker 2>that we get into in the episode. And and they

1:10:50.800 --> 1:10:52.960
<v Speaker 2>don't bring them where they're supposed to bring them. They're

1:10:53.000 --> 1:10:55.320
<v Speaker 2>just like kind of like just them. It sounds like

1:10:55.320 --> 1:10:58.439
<v Speaker 2>a little like unceremonious because it was. I mean, they

1:10:58.720 --> 1:11:00.599
<v Speaker 2>dump them out on an eye island in the outer

1:11:01.040 --> 1:11:03.360
<v Speaker 2>North Carolina. This will have to do see you later,

1:11:04.040 --> 1:11:07.600
<v Speaker 2>Like it won't work forever, but it might work for

1:11:07.640 --> 1:11:08.080
<v Speaker 2>a minute.

1:11:08.200 --> 1:11:09.160
<v Speaker 3>We'll see you next year.

1:11:10.120 --> 1:11:10.719
<v Speaker 2>But it wasn't.

1:11:11.320 --> 1:11:13.640
<v Speaker 4>But it's also important to note who these people are

1:11:13.680 --> 1:11:16.920
<v Speaker 4>because like they're not this is not a military expedition.

1:11:17.040 --> 1:11:20.080
<v Speaker 4>These are like these are like farmers and craftsmen. They're

1:11:20.120 --> 1:11:24.439
<v Speaker 4>not people who are who are equipped or used to

1:11:26.560 --> 1:11:28.040
<v Speaker 4>going out and and.

1:11:29.920 --> 1:11:33.000
<v Speaker 2>No experience building an.

1:11:32.520 --> 1:11:34.240
<v Speaker 4>Outpost from a military standpoint.

1:11:34.280 --> 1:11:36.000
<v Speaker 2>Yeah, these are people who buy and large have probably

1:11:36.040 --> 1:11:39.200
<v Speaker 2>spent their life and within like some small radius of

1:11:39.200 --> 1:11:41.680
<v Speaker 2>a handful of miles. Probably you can't generalize, but like

1:11:41.720 --> 1:11:45.760
<v Speaker 2>mostly these are like yeomen people. They drop them on

1:11:45.840 --> 1:11:49.679
<v Speaker 2>this island. And then their leader as this dude, John White, Well,

1:11:49.760 --> 1:11:52.840
<v Speaker 2>they realize how precarious their situation is. And he can't

1:11:52.840 --> 1:11:55.280
<v Speaker 2>even hang for long. And he's like, hey, I'm going

1:11:55.360 --> 1:11:58.000
<v Speaker 2>to run back to England and get some supplies and

1:11:58.040 --> 1:12:02.400
<v Speaker 2>I'm gonna run back hang to He goes back to

1:12:02.439 --> 1:12:07.639
<v Speaker 2>England and like a war breaks out and the queen says,

1:12:07.760 --> 1:12:10.439
<v Speaker 2>no one's doing ship with any ships. All ships are

1:12:10.479 --> 1:12:14.720
<v Speaker 2>fighting the war and all this other stuff happens, and

1:12:14.800 --> 1:12:18.679
<v Speaker 2>it's three years and keep mind this is John White, dude.

1:12:18.680 --> 1:12:20.639
<v Speaker 2>Here's an important detail. This John White dude. His wife

1:12:20.680 --> 1:12:23.679
<v Speaker 2>and daughter are there. No, no, no, his daughter and got

1:12:23.760 --> 1:12:28.559
<v Speaker 2>his daughter's pregnant is there? Comes back three years later,

1:12:29.880 --> 1:12:33.519
<v Speaker 2>is they able to do a quick check on Roanoke?

1:12:33.560 --> 1:12:35.880
<v Speaker 2>And they're not there? They're gone. But then there's a

1:12:35.960 --> 1:12:40.160
<v Speaker 2>hurricane coming and he can't he can't even really look around.

1:12:41.439 --> 1:12:44.439
<v Speaker 2>But as the story goes, carved down a tree. They

1:12:44.479 --> 1:12:45.880
<v Speaker 2>made a plan. Hey, if you got to go somewhere,

1:12:45.880 --> 1:12:48.320
<v Speaker 2>carve on a tree crow it where you're going. And

1:12:48.360 --> 1:12:50.920
<v Speaker 2>they and they carve the word crow a tone, which

1:12:50.960 --> 1:12:54.720
<v Speaker 2>was a tribe that lived on modern day Hatteras Island.

1:12:55.840 --> 1:12:58.200
<v Speaker 2>A hurricane comes, he leaves, and then no one comes

1:12:58.240 --> 1:13:02.280
<v Speaker 2>back for a decade or something like that. A decade.

1:13:03.160 --> 1:13:06.000
<v Speaker 2>By the time someone comes in seriously looks for these colonists,

1:13:06.000 --> 1:13:07.879
<v Speaker 2>it is just like they are.

1:13:09.200 --> 1:13:13.280
<v Speaker 4>Absolutely gone but gone gone, Like there's just rumors. It's

1:13:13.280 --> 1:13:16.800
<v Speaker 4>not like there's a bunch of bones. No, yeah, there's nothing.

1:13:16.960 --> 1:13:21.599
<v Speaker 2>Gone gone, just rumors. And it's so long has gone

1:13:21.680 --> 1:13:23.920
<v Speaker 2>by that now there's like, oh, you know, it's like

1:13:23.960 --> 1:13:25.720
<v Speaker 2>it's this common thing that pops up in history. I'm

1:13:25.720 --> 1:13:28.559
<v Speaker 2>sure you even countered at rantal Oh. I did see

1:13:28.560 --> 1:13:33.520
<v Speaker 2>a blue eyed Indian right suggesting that they like integrated

1:13:34.800 --> 1:13:41.439
<v Speaker 2>but just gone but there. But people are actively looking

1:13:41.439 --> 1:13:43.160
<v Speaker 2>for their stuff. And what's funny about it is like,

1:13:43.240 --> 1:13:45.880
<v Speaker 2>of course, their stuff's get scattered around, because even if

1:13:45.920 --> 1:13:47.880
<v Speaker 2>they had all died right there of some disease, if

1:13:47.920 --> 1:13:51.200
<v Speaker 2>they'd all died of the flu, their shit's still going

1:13:51.280 --> 1:13:53.839
<v Speaker 2>to get scattered around because this is like a vibrant

1:13:54.520 --> 1:13:58.360
<v Speaker 2>this area is full of all these different Native American groups.

1:13:58.400 --> 1:14:01.040
<v Speaker 2>So they're going to take the stuff and scatter anyway.

1:14:01.040 --> 1:14:03.240
<v Speaker 4>And they show up, The English show up with stuff

1:14:03.280 --> 1:14:08.120
<v Speaker 4>that is like highly highly, highly valuable because there's no

1:14:08.280 --> 1:14:12.680
<v Speaker 4>way for Native Americans who are here to get you

1:14:12.720 --> 1:14:18.840
<v Speaker 4>know that iron. You know these things that they had guns,

1:14:19.360 --> 1:14:21.519
<v Speaker 4>so you think like it's not just like a bunch

1:14:21.560 --> 1:14:25.360
<v Speaker 4>of random crap lying around. These are like highly valuable.

1:14:24.960 --> 1:14:27.519
<v Speaker 2>Items, stuff that people want. So the search has been

1:14:27.840 --> 1:14:32.280
<v Speaker 2>by and large, the search is archaeologists looking for their

1:14:32.280 --> 1:14:35.840
<v Speaker 2>little trinkets and shit, right, but finding a trinket and

1:14:35.840 --> 1:14:37.639
<v Speaker 2>we went to it. We went to an active dig

1:14:37.680 --> 1:14:42.120
<v Speaker 2>site where they're finding like really old English stuff. But

1:14:42.160 --> 1:14:46.280
<v Speaker 2>it's like they get excited about it, but it doesn't

1:14:46.280 --> 1:14:47.800
<v Speaker 2>mean that in my mind, doesn't mean it much because

1:14:47.840 --> 1:14:50.800
<v Speaker 2>their shit's gona wind up there anyways, because people are

1:14:50.800 --> 1:14:54.920
<v Speaker 2>going to take this stuff and trade it. We talked

1:14:54.920 --> 1:14:57.519
<v Speaker 2>to one researcher on it and he's like this, We're like,

1:14:57.520 --> 1:15:00.920
<v Speaker 2>what would satisfy what would sad by you about what

1:15:01.040 --> 1:15:06.720
<v Speaker 2>happened to someone? And he said it's cool because it's

1:15:06.720 --> 1:15:11.240
<v Speaker 2>like identifiable. He's like a Christian burial, a Christian burial

1:15:11.280 --> 1:15:16.920
<v Speaker 2>not on Roanoke m someone because all the tribes had

1:15:17.000 --> 1:15:21.880
<v Speaker 2>burial rituals where the bodies would be buried in a

1:15:21.920 --> 1:15:25.479
<v Speaker 2>curled up and fetal positions, you know, very different ways.

1:15:25.479 --> 1:15:30.240
<v Speaker 2>He goes to find a because he's like, they might

1:15:30.280 --> 1:15:35.599
<v Speaker 2>have you know, they might have been integrated into a tribe.

1:15:35.760 --> 1:15:38.880
<v Speaker 2>The last thing to go would be religious practice. Yeah,

1:15:39.600 --> 1:15:41.840
<v Speaker 2>you know in his mind, the last thing to go

1:15:41.920 --> 1:15:45.719
<v Speaker 2>would be burial rights and a mother bearing her child,

1:15:45.760 --> 1:15:50.280
<v Speaker 2>a child bearing its mother or someone would would would

1:15:50.320 --> 1:15:56.000
<v Speaker 2>have laid them out on their back, flat prone head

1:15:56.040 --> 1:15:56.559
<v Speaker 2>to the east.

1:15:56.960 --> 1:16:01.400
<v Speaker 4>Yeah, a Christian style burial done by Christians is what

1:16:01.439 --> 1:16:02.080
<v Speaker 4>they're looking for.

1:16:02.160 --> 1:16:05.760
<v Speaker 2>And he's like, if someone can present that, they can

1:16:05.800 --> 1:16:09.360
<v Speaker 2>say here's where here's where they ended up.

1:16:10.040 --> 1:16:12.720
<v Speaker 4>Uh.

1:16:12.720 --> 1:16:15.920
<v Speaker 2>A detail about that we get into is to kind

1:16:15.920 --> 1:16:18.000
<v Speaker 2>of show you what's gonna happen to these people when

1:16:18.040 --> 1:16:21.160
<v Speaker 2>they land. It's within days. One of them goes out

1:16:21.200 --> 1:16:23.800
<v Speaker 2>to get oysters. They got they got like nothing. They

1:16:23.800 --> 1:16:25.439
<v Speaker 2>got their heart up from the minute they're there. They

1:16:25.520 --> 1:16:29.360
<v Speaker 2>got very little food resources. Crabs, right, he goes crab,

1:16:29.520 --> 1:16:32.479
<v Speaker 2>he goes blue crabbing. It just gets filled full of arrows.

1:16:33.160 --> 1:16:33.920
<v Speaker 4>His head smashed.

1:16:33.960 --> 1:16:37.680
<v Speaker 2>Now because the dudes that were there before him, the

1:16:37.760 --> 1:16:40.880
<v Speaker 2>English explorers that were there before him, do all this

1:16:41.160 --> 1:16:45.880
<v Speaker 2>ham handed antagonistic ship to the tribes and piss off

1:16:45.880 --> 1:16:48.000
<v Speaker 2>a bunch of the tribes, and then you later bring

1:16:48.000 --> 1:16:49.720
<v Speaker 2>a bunch of women and children and turn them out

1:16:49.720 --> 1:16:50.080
<v Speaker 2>on an eye.

1:16:50.880 --> 1:16:51.320
<v Speaker 4>Let him go.

1:16:52.080 --> 1:16:57.439
<v Speaker 2>You see anybody, uh, I don't know, don't mention me.

1:16:58.520 --> 1:17:02.200
<v Speaker 3>And there aren't any like oral true from those communities

1:17:03.080 --> 1:17:03.599
<v Speaker 3>around there.

1:17:03.640 --> 1:17:09.120
<v Speaker 2>About the strangers, I'm kind of shocked by how it's

1:17:09.200 --> 1:17:12.559
<v Speaker 2>kind of shocking how how little there is, how little

1:17:12.560 --> 1:17:14.200
<v Speaker 2>there is there.

1:17:14.080 --> 1:17:18.519
<v Speaker 4>Again, there are those rumors of like you know, blue eyed.

1:17:18.640 --> 1:17:23.759
<v Speaker 2>Right, square houses too, tribes like like traders would encounter

1:17:23.840 --> 1:17:26.439
<v Speaker 2>people and they'd be like but in wild places, you know,

1:17:26.439 --> 1:17:31.080
<v Speaker 2>they'd be like hundreds of miles inland, there's there's people

1:17:31.120 --> 1:17:33.759
<v Speaker 2>in square houses living with such and such a true

1:17:33.760 --> 1:17:35.280
<v Speaker 2>and to have a square house. But it's just just

1:17:35.320 --> 1:17:41.280
<v Speaker 2>like it's ephemeral. It's like rumors and glimpses as we

1:17:41.400 --> 1:17:44.000
<v Speaker 2>dug into it. Like I'll tell you one of things

1:17:44.000 --> 1:17:47.559
<v Speaker 2>for certain, and I can't say much of certain. One

1:17:47.640 --> 1:17:50.000
<v Speaker 2>hundred and seventeen of those guys didn't go somewhere and

1:17:50.040 --> 1:17:52.879
<v Speaker 2>like set up shop and build houses.

1:17:54.360 --> 1:17:55.759
<v Speaker 4>That was too much of an imprint.

1:17:56.040 --> 1:18:00.479
<v Speaker 2>It was whatever happened was like quick. It was ugly,

1:18:00.600 --> 1:18:01.880
<v Speaker 2>and I think it was scattered.

1:18:02.040 --> 1:18:04.000
<v Speaker 4>They panicked and scattered to the wind.

1:18:04.200 --> 1:18:06.880
<v Speaker 2>And I'm sure some of them because they did write

1:18:06.920 --> 1:18:08.519
<v Speaker 2>on a tree. They wrote on a tree and on

1:18:08.600 --> 1:18:14.000
<v Speaker 2>a fence post, crow atin and then kro on one signe.

1:18:14.200 --> 1:18:16.000
<v Speaker 2>They finished it on one sign. One sign did and

1:18:16.000 --> 1:18:17.760
<v Speaker 2>now was the agreement. If you go somewhere write it down.

1:18:19.200 --> 1:18:21.680
<v Speaker 2>But then like did they make it? How many of

1:18:21.720 --> 1:18:26.120
<v Speaker 2>them made it? How many went to crow at five? Right? Yeah,

1:18:26.240 --> 1:18:31.920
<v Speaker 2>you don't know. And then there's been fraudulent evidence, like, uh,

1:18:32.240 --> 1:18:34.280
<v Speaker 2>there's this thing that came out called the Dare Stone.

1:18:34.600 --> 1:18:38.120
<v Speaker 2>This woman Elizabeth Dare wrote this like fairly plausible on

1:18:38.200 --> 1:18:43.519
<v Speaker 2>a rock. Don't laugh, No, I writes a rock like

1:18:43.560 --> 1:18:46.120
<v Speaker 2>some shit, right, And a guy finds the rock. But

1:18:46.200 --> 1:18:48.280
<v Speaker 2>the timing of him finding the rock was that a

1:18:48.280 --> 1:18:52.000
<v Speaker 2>timing of like heightened the public curiosity about this is

1:18:52.080 --> 1:18:54.600
<v Speaker 2>when the legend started to emerge. And then you have

1:18:55.479 --> 1:18:59.960
<v Speaker 2>a dozen copycat rocks. So all the copycat rocks are obviously,

1:19:00.600 --> 1:19:04.160
<v Speaker 2>and then the one rock is suspicious, and now people

1:19:04.200 --> 1:19:06.240
<v Speaker 2>don't accept that rock to be true. But that rock

1:19:06.320 --> 1:19:09.440
<v Speaker 2>basically said like we've been whittled away and killed and kidnapped.

1:19:11.400 --> 1:19:15.360
<v Speaker 4>Yeah, it's like it was written to her father and

1:19:15.400 --> 1:19:24.400
<v Speaker 4>to me though the love I like, I like the

1:19:24.479 --> 1:19:28.439
<v Speaker 4>you know, so wait, like she was running around running

1:19:28.479 --> 1:19:32.120
<v Speaker 4>from these hostile Native American tribes.

1:19:32.280 --> 1:19:34.639
<v Speaker 2>No, she was in their captivity at the time and.

1:19:34.439 --> 1:19:41.439
<v Speaker 4>Carrying a scratching rocks the pound rock around slowly story

1:19:41.479 --> 1:19:41.960
<v Speaker 4>into it.

1:19:42.600 --> 1:19:44.720
<v Speaker 2>Yeah, you know, it seems implausible.

1:19:44.720 --> 1:19:46.360
<v Speaker 3>We need to go quickly get the rock.

1:19:47.840 --> 1:19:51.200
<v Speaker 2>It seems implausible. We talked to these one authors. They

1:19:51.320 --> 1:19:53.600
<v Speaker 2>they kind of laugh about that. It's called the Dairstone.

1:19:53.800 --> 1:19:56.000
<v Speaker 2>They laugh about the Dairstone. You gotta have a pretty

1:19:56.000 --> 1:19:58.920
<v Speaker 2>sophisticated understanding of the language at the time. But one

1:19:58.920 --> 1:20:02.640
<v Speaker 2>of the things they laughed about the Airstone is it

1:20:02.920 --> 1:20:07.439
<v Speaker 2>like a decent analogy would be, let's say I were

1:20:07.520 --> 1:20:10.760
<v Speaker 2>to talk to you in a Southern accent, right right,

1:20:11.160 --> 1:20:13.920
<v Speaker 2>and a Southerner doesn't think I have a Southern accent.

1:20:14.960 --> 1:20:19.719
<v Speaker 2>They're writing on the Dairstone is so like stereotypically.

1:20:19.200 --> 1:20:21.960
<v Speaker 4>Ye old English, Yeah, yeah.

1:20:21.400 --> 1:20:24.920
<v Speaker 2>And yeez, you know, like all over the place. They're like,

1:20:24.960 --> 1:20:28.400
<v Speaker 2>it's just it's like someone who's like read some Shakespeare

1:20:28.520 --> 1:20:32.200
<v Speaker 2>or something trying to write a note in Shakespeare language.

1:20:32.320 --> 1:20:34.360
<v Speaker 2>You know or whatever. And that's one of the better

1:20:34.400 --> 1:20:37.600
<v Speaker 2>indictments of the other indictment to be this play comes.

1:20:37.320 --> 1:20:39.360
<v Speaker 4>Out right right at the same time.

1:20:39.439 --> 1:20:42.920
<v Speaker 2>Yeah, this very popular performance comes out. It's still running

1:20:42.920 --> 1:20:46.439
<v Speaker 2>today and and and the fervor of the popularity of

1:20:46.479 --> 1:20:48.440
<v Speaker 2>this they're low and behold as the daarstone.

1:20:49.360 --> 1:20:53.600
<v Speaker 4>Yeah, but again, I mean like, these are not selected

1:20:53.640 --> 1:20:58.160
<v Speaker 4>because they're like finite mysteries. They're they're selected because they're

1:20:58.479 --> 1:21:02.320
<v Speaker 4>they're there's they're mystery with all kinds of possibilities, and

1:21:02.320 --> 1:21:03.840
<v Speaker 4>that's what makes it fun, you know.

1:21:04.960 --> 1:21:07.519
<v Speaker 2>Yeah, I don't think that one will be solved, and

1:21:07.680 --> 1:21:09.760
<v Speaker 2>just a spoiler alert, that's what I say. In the end,

1:21:09.760 --> 1:21:13.519
<v Speaker 2>I'm like, I don't think there's like a thing when

1:21:13.520 --> 1:21:15.040
<v Speaker 2>you look at it, like there's a lot of people

1:21:15.040 --> 1:21:16.640
<v Speaker 2>looking and a lot of people ask the question, but

1:21:16.680 --> 1:21:22.080
<v Speaker 2>there's not it's too there's not a clean answer. I

1:21:22.080 --> 1:21:24.160
<v Speaker 2>don't think there is a clean answer, right, but.

1:21:25.160 --> 1:21:27.439
<v Speaker 4>In the questions I'm asked for a long time. But

1:21:27.520 --> 1:21:31.080
<v Speaker 4>I think what was like, what was really cool about

1:21:31.080 --> 1:21:34.479
<v Speaker 4>this concept and really unique to this concept is no

1:21:34.479 --> 1:21:37.880
<v Speaker 4>one's really asked those questions from an outdoor standpoint. So

1:21:37.920 --> 1:21:42.600
<v Speaker 4>these are all mysteries that have a element of the

1:21:42.640 --> 1:21:48.320
<v Speaker 4>outdoors right in the in wilderness, and no one's really

1:21:48.360 --> 1:21:51.360
<v Speaker 4>approached them from from that point of view. And it's

1:21:51.360 --> 1:21:52.760
<v Speaker 4>a lot of what we spend our time in the

1:21:52.760 --> 1:21:58.320
<v Speaker 4>show doing is like living these things and and going

1:21:58.439 --> 1:22:00.760
<v Speaker 4>through to the best of our ability, the things that

1:22:00.800 --> 1:22:04.439
<v Speaker 4>those people went through, or it's suspected that they possibly

1:22:04.479 --> 1:22:04.880
<v Speaker 4>went through.

1:22:05.040 --> 1:22:08.360
<v Speaker 2>Yeah, going but going to the real places kind of

1:22:08.360 --> 1:22:10.639
<v Speaker 2>blows your mind because there's this one theory that emerged.

1:22:10.680 --> 1:22:13.960
<v Speaker 2>They said, even though they had written that stuff on

1:22:14.040 --> 1:22:16.760
<v Speaker 2>the thing, there was also an expression of intention that

1:22:16.800 --> 1:22:21.720
<v Speaker 2>they moved fifty miles to the main which you can

1:22:21.760 --> 1:22:25.000
<v Speaker 2>take it different ways. One interpretation is they went fifty

1:22:25.040 --> 1:22:28.000
<v Speaker 2>miles inland, which lands you in this place we went to,

1:22:28.040 --> 1:22:33.439
<v Speaker 2>which is called the Great Dismal Swamp. And you go

1:22:33.479 --> 1:22:35.479
<v Speaker 2>into that stuff, you're like, oh, yeah, you guys under

1:22:36.200 --> 1:22:39.680
<v Speaker 2>like kids and stuff, and you're all wearing like petticoats

1:22:39.720 --> 1:22:41.360
<v Speaker 2>or ever the hell they ran around it, and like

1:22:41.400 --> 1:22:44.200
<v Speaker 2>you're navigating that, you know, you're like wading to the

1:22:44.240 --> 1:22:45.400
<v Speaker 2>Great Dismal Swamp.

1:22:45.680 --> 1:22:47.720
<v Speaker 4>And what's kind of amazing though, is when when we

1:22:47.800 --> 1:22:51.320
<v Speaker 4>went you go there now and there's a bunch of

1:22:51.360 --> 1:22:54.040
<v Speaker 4>dry land. There a bunch of agricultural land, but all

1:22:54.120 --> 1:22:59.639
<v Speaker 4>of that land was was drained. That was all just swamp.

1:23:00.200 --> 1:23:04.200
<v Speaker 4>When you think of the prototypical swamp like Kermit the

1:23:04.200 --> 1:23:07.719
<v Speaker 4>Frog at the beginning of the Muppet movie, level swamp,

1:23:07.840 --> 1:23:10.920
<v Speaker 4>like that's what it was. Lily pads and cypress trees

1:23:11.520 --> 1:23:12.519
<v Speaker 4>that whole area.

1:23:12.720 --> 1:23:15.679
<v Speaker 2>Yeah, we I mean, you know, it's an hour long show.

1:23:15.760 --> 1:23:17.719
<v Speaker 2>You can't explore any avenue of this and this would

1:23:17.720 --> 1:23:19.880
<v Speaker 2>have been like way down the list for how sort

1:23:19.920 --> 1:23:24.759
<v Speaker 2>of outside of the story it was. But that area

1:23:25.439 --> 1:23:30.840
<v Speaker 2>some of the most harshest slave conditions, Yes, in the

1:23:30.880 --> 1:23:33.800
<v Speaker 2>history of slavery in the South, some of the most harshest,

1:23:34.040 --> 1:23:38.760
<v Speaker 2>like high death rate slave conditions was making that dry land. Yeah,

1:23:38.840 --> 1:23:41.519
<v Speaker 2>they were put to work draining that land. Yeah, and

1:23:41.560 --> 1:23:44.240
<v Speaker 2>these mallarial you know, and mallarial conditions.

1:23:44.360 --> 1:23:47.400
<v Speaker 4>Those canals are also just criss crossing the land. You

1:23:47.439 --> 1:23:49.960
<v Speaker 4>see those canals that they dug, and the imagine the

1:23:49.960 --> 1:23:57.320
<v Speaker 4>conditions under which they were.

1:23:54.360 --> 1:23:57.920
<v Speaker 2>Looking at just many many, many many square miles upon

1:23:57.960 --> 1:24:01.000
<v Speaker 2>square miles upon square miles. It was hand dug trenches

1:24:01.040 --> 1:24:04.200
<v Speaker 2>to drain that ground. It was just like a disposal

1:24:04.280 --> 1:24:07.479
<v Speaker 2>place for humans that you just pour into like you

1:24:07.680 --> 1:24:10.040
<v Speaker 2>like you're pouring them into a war, pouring slaves into

1:24:10.080 --> 1:24:14.120
<v Speaker 2>that job, which, like I said, wasn't a lot of

1:24:14.200 --> 1:24:19.879
<v Speaker 2>room too. Maybe a future maybe a future episode. Uh.

1:24:20.520 --> 1:24:22.320
<v Speaker 2>Another one of going to the spot, we'll talk about

1:24:22.360 --> 1:24:28.160
<v Speaker 2>this one, we'll wrap it up, is going to Donner

1:24:28.200 --> 1:24:31.639
<v Speaker 2>Pass where the Donner Party, where that all went down.

1:24:31.840 --> 1:24:35.040
<v Speaker 2>And one of the funniest things just happened in a

1:24:35.080 --> 1:24:36.600
<v Speaker 2>parking lot. It's not in our show because it just

1:24:36.640 --> 1:24:41.080
<v Speaker 2>happened in a parking lot. Someone we ran into some guys.

1:24:41.680 --> 1:24:44.160
<v Speaker 2>They were filming. They were doing like some ski stuff

1:24:44.200 --> 1:24:46.120
<v Speaker 2>or something. I think what they're doing. We got talking

1:24:46.120 --> 1:24:47.960
<v Speaker 2>to them. They were talking about So this is like

1:24:48.000 --> 1:24:52.040
<v Speaker 2>a third third hand story because we're out filming a

1:24:52.120 --> 1:24:54.240
<v Speaker 2>dinner Pass and they're filming like some skis nothing to

1:24:54.240 --> 1:24:56.280
<v Speaker 2>do with Donner Party. We're feeling about the dinner party

1:24:56.280 --> 1:24:58.040
<v Speaker 2>and they're filming some ski stuff and they share it

1:24:58.080 --> 1:25:01.320
<v Speaker 2>with us. These people that they hadn't counter who were

1:25:01.360 --> 1:25:04.320
<v Speaker 2>in Donner Pass because they were doing a thing about

1:25:04.400 --> 1:25:13.759
<v Speaker 2>places with Christmas names, right, you know, Donnor and Dancer.

1:25:16.040 --> 1:25:19.400
<v Speaker 2>That's the funniest thing the world. Amazing. Uh, that was

1:25:19.439 --> 1:25:23.519
<v Speaker 2>pretty amazing background on Donner Party. Donner Party was well,

1:25:23.560 --> 1:25:25.599
<v Speaker 2>first off, I'm gonna talk about what before I get

1:25:25.600 --> 1:25:27.439
<v Speaker 2>into what it was, I'm gonna talk about However, what

1:25:27.479 --> 1:25:30.360
<v Speaker 2>everybody knows, including me, what I know about the Donner

1:25:30.400 --> 1:25:33.240
<v Speaker 2>Party is it was an American horror story where people

1:25:33.439 --> 1:25:39.599
<v Speaker 2>ate each other full stop. Right, They're like, yeah, they

1:25:39.600 --> 1:25:44.040
<v Speaker 2>got stuck in the mountains and ate each other. Mm hmm, yeah, right,

1:25:44.120 --> 1:25:46.280
<v Speaker 2>that's the story there there in the story. It's a

1:25:46.360 --> 1:25:49.160
<v Speaker 2>very short episode. That's the story of the Donner Party.

1:25:49.520 --> 1:25:51.400
<v Speaker 2>That's what That's what I went into it knowing about.

1:25:51.479 --> 1:25:53.400
<v Speaker 2>You know, I was actually like a little skeptical because

1:25:53.439 --> 1:25:54.680
<v Speaker 2>I was like, what is it? You know, what is

1:25:54.680 --> 1:25:55.880
<v Speaker 2>it really to do? You know?

1:25:56.520 --> 1:25:59.800
<v Speaker 4>So no, I think we were all like that was

1:25:59.800 --> 1:26:04.439
<v Speaker 4>a show that we pitched many times, like a concept

1:26:04.479 --> 1:26:06.559
<v Speaker 4>that we pitched many times. And the question we all

1:26:06.600 --> 1:26:09.400
<v Speaker 4>had was like, well, like what's the story? Like what's

1:26:09.439 --> 1:26:13.080
<v Speaker 4>the mystery? What's the story? You know, they got snowed in,

1:26:13.120 --> 1:26:15.760
<v Speaker 4>they ate each other. I don't you know, what are

1:26:15.800 --> 1:26:16.280
<v Speaker 4>we gonna do?

1:26:16.479 --> 1:26:17.840
<v Speaker 3>Seems pretty straightforward?

1:26:18.560 --> 1:26:22.920
<v Speaker 2>It ain't. It ain't. There's a lot like who's to

1:26:23.439 --> 1:26:30.080
<v Speaker 2>here's the questions who's to blame and what could they

1:26:30.120 --> 1:26:34.040
<v Speaker 2>really have done different? Right? And why did what happened happen?

1:26:34.760 --> 1:26:36.800
<v Speaker 2>And now I'm gonna say a little bit of the

1:26:36.800 --> 1:26:42.720
<v Speaker 2>scene is like eighteen forty six, so pre Gold Rush,

1:26:42.800 --> 1:26:45.439
<v Speaker 2>Like everybody's heard of the forty nine ers, ye, right, member,

1:26:45.439 --> 1:26:47.400
<v Speaker 2>we had Elliott west On, he goes. Everybody's to talk

1:26:47.439 --> 1:26:50.479
<v Speaker 2>about the forty nine ers, But the lucky ones were

1:26:50.520 --> 1:26:55.559
<v Speaker 2>the forty eight ers. The forty eight ers got all

1:26:55.600 --> 1:26:58.880
<v Speaker 2>the gold. The forty nine they were late. We're a

1:26:59.000 --> 1:26:59.639
<v Speaker 2>little late.

1:27:00.040 --> 1:27:02.120
<v Speaker 4>So these folks were hopeful forty eight ers.

1:27:02.200 --> 1:27:05.120
<v Speaker 2>Yeah, so these guys, uh, the dinner party, they're coming

1:27:05.160 --> 1:27:08.799
<v Speaker 2>over in eighteen forty six. And the way these emigrant

1:27:08.880 --> 1:27:12.720
<v Speaker 2>trains worked, as I learned through this project, is like

1:27:13.400 --> 1:27:19.320
<v Speaker 2>they're they're like there's a fluidity to how these groups

1:27:19.320 --> 1:27:22.240
<v Speaker 2>come together. You know, there's a kind of rough timeline.

1:27:22.240 --> 1:27:24.080
<v Speaker 2>Like if you're going to cross the Great Plains, across

1:27:24.120 --> 1:27:27.320
<v Speaker 2>the Rockies and across the Sierra Nevada, it's like you

1:27:27.360 --> 1:27:29.320
<v Speaker 2>gotta get going as early in the spring as you

1:27:29.360 --> 1:27:31.439
<v Speaker 2>can to have the maxim amount of time so you

1:27:31.479 --> 1:27:36.200
<v Speaker 2>can cross the continent and get there before snow. But

1:27:36.320 --> 1:27:38.920
<v Speaker 2>you can't leave until the ground dries out. So it's

1:27:38.960 --> 1:27:40.759
<v Speaker 2>hard to get going in March because you're gonna encounter

1:27:41.200 --> 1:27:44.719
<v Speaker 2>flood swollen rivers. Right, there's mud everywhere, so you gotta

1:27:44.720 --> 1:27:47.360
<v Speaker 2>be like, shit's got to dry out, and there's a race.

1:27:47.439 --> 1:27:51.280
<v Speaker 2>It's like stuff dries out, water levels come down from

1:27:51.520 --> 1:27:53.599
<v Speaker 2>snow melt, and all of a sudden, it's a good

1:27:53.600 --> 1:27:56.559
<v Speaker 2>time to go, and then you haul ass. And then

1:27:56.680 --> 1:27:58.920
<v Speaker 2>on the other end, you're bracketed in by the coming

1:27:58.960 --> 1:28:01.040
<v Speaker 2>of bad weather. So there's like you pick your window

1:28:01.520 --> 1:28:03.880
<v Speaker 2>and and groups come together and they meet in these

1:28:03.920 --> 1:28:09.200
<v Speaker 2>certain spots and uh, what was the big town everybody

1:28:09.360 --> 1:28:15.240
<v Speaker 2>took off? These guys all took out of us, not Springfield, Springfield, Missouri. Yeah,

1:28:16.280 --> 1:28:19.479
<v Speaker 2>what's that independence? Yes, I think that's it where they

1:28:19.479 --> 1:28:22.240
<v Speaker 2>took off from. Anyways, you come together and you form

1:28:24.080 --> 1:28:28.719
<v Speaker 2>your your parties come together in family groups. Family groups

1:28:28.800 --> 1:28:32.400
<v Speaker 2>form up, right, so you when you cross in a

1:28:32.439 --> 1:28:35.960
<v Speaker 2>wagon train, you might be with your extended family. It's

1:28:36.000 --> 1:28:39.479
<v Speaker 2>it's you, you know, it's your brother, it's your brother's

1:28:39.560 --> 1:28:42.120
<v Speaker 2>wife and kids, it's your mom and dad, it's your

1:28:42.200 --> 1:28:45.400
<v Speaker 2>uncle and his family. But then you you join up

1:28:45.439 --> 1:28:49.360
<v Speaker 2>with all these other family units. So you're in a party,

1:28:49.479 --> 1:28:51.360
<v Speaker 2>but you're loosely bound.

1:28:51.160 --> 1:28:54.639
<v Speaker 4>Family units and bachelors and you know, all all kinds

1:28:54.640 --> 1:28:55.280
<v Speaker 4>of different.

1:28:55.040 --> 1:28:57.759
<v Speaker 2>Things and guides and hopefully a guide it's been there before,

1:28:58.160 --> 1:29:03.760
<v Speaker 2>and there's like, uh, you're literally taking votes to to

1:29:03.760 --> 1:29:06.320
<v Speaker 2>to put forward like a leader. So when we say

1:29:06.360 --> 1:29:08.719
<v Speaker 2>the Donner Party, you know, winds up being it winds

1:29:08.760 --> 1:29:14.759
<v Speaker 2>up being ninety some individuals of like two primary clans,

1:29:15.240 --> 1:29:17.280
<v Speaker 2>but then a bunch of other people kind of surrounding

1:29:17.280 --> 1:29:21.560
<v Speaker 2>these clans. And they get all the way out to uh,

1:29:21.640 --> 1:29:24.800
<v Speaker 2>they get all the way out to Fort Bridger, and

1:29:25.560 --> 1:29:29.960
<v Speaker 2>they are fed some bad information about a thing called

1:29:30.000 --> 1:29:34.040
<v Speaker 2>Hastings cut off. It's super funny about Hastings cut off,

1:29:34.120 --> 1:29:39.479
<v Speaker 2>as it was billed to them as shorter and easier. Okay,

1:29:39.520 --> 1:29:43.040
<v Speaker 2>this is this is the great part of this. It's

1:29:43.160 --> 1:29:46.479
<v Speaker 2>way harder and now that you can like measure stuff accurately,

1:29:46.560 --> 1:29:50.280
<v Speaker 2>it's not stronger Hastings cut off, which is shorter and easier.

1:29:50.280 --> 1:29:51.679
<v Speaker 2>It's longer and harder.

1:29:52.400 --> 1:29:54.280
<v Speaker 3>Pretty rare in the world of cutoffs.

1:29:55.320 --> 1:29:59.439
<v Speaker 2>It's like a shitty long cut. Yeah, and they have

1:29:59.520 --> 1:30:03.400
<v Speaker 2>a lot of an internal division. Donner's wife, for instance,

1:30:03.479 --> 1:30:04.880
<v Speaker 2>is like I don't think we should do it. But

1:30:05.120 --> 1:30:07.400
<v Speaker 2>this is crazy because Jim Bridger gets rolled up in

1:30:07.439 --> 1:30:12.840
<v Speaker 2>this whole thing. Jim Bridger. He all these wagon trains

1:30:12.880 --> 1:30:15.920
<v Speaker 2>are taking a route that's causing them to bypass Fort Bridger.

1:30:17.640 --> 1:30:21.040
<v Speaker 2>Bridger who's already a compromised individual in some ways because

1:30:21.439 --> 1:30:24.360
<v Speaker 2>famously it was Jim Bridger who abandoned Hugh Glass and

1:30:24.439 --> 1:30:27.639
<v Speaker 2>the whole Revenant incident. Right, so Bridger is or isn't,

1:30:27.640 --> 1:30:30.640
<v Speaker 2>like the world's greatest guy. Bridger is like, shit, now

1:30:30.880 --> 1:30:33.160
<v Speaker 2>no one goes by my fort anymore. And he's like,

1:30:33.360 --> 1:30:36.840
<v Speaker 2>Hastings cut Off sounds great. It goes right past my fort.

1:30:38.000 --> 1:30:41.599
<v Speaker 2>You guys should definitely take Hastings cut Off and stop

1:30:41.680 --> 1:30:46.000
<v Speaker 2>by well trade, I'll sell you some shit. And they

1:30:46.040 --> 1:30:49.400
<v Speaker 2>do this and uh and when they leave on Hastings

1:30:49.439 --> 1:30:52.160
<v Speaker 2>cut Off, here's the crazy part. So like other wagon

1:30:52.200 --> 1:30:54.960
<v Speaker 2>trains at the time they go south on Hastings cut Off,

1:30:56.320 --> 1:30:58.240
<v Speaker 2>which is going to go over the wall Satch Range

1:30:58.760 --> 1:31:01.000
<v Speaker 2>and then through Dinner Pass. Well it joins back up

1:31:01.040 --> 1:31:04.880
<v Speaker 2>before Donner Pass. Anyways, when they there's other wagon chains

1:31:04.880 --> 1:31:09.160
<v Speaker 2>that they're with, the wagon chains they're with that don't

1:31:09.200 --> 1:31:11.479
<v Speaker 2>take Hastings cut off, make it to California just fine

1:31:13.080 --> 1:31:17.520
<v Speaker 2>going over Donner Pass. So they do this south loop

1:31:18.080 --> 1:31:20.559
<v Speaker 2>and it sets them back so far and encounter so

1:31:20.560 --> 1:31:24.879
<v Speaker 2>many weird problems that they wind up behind other parties

1:31:24.920 --> 1:31:27.680
<v Speaker 2>when they go up Donner Pass. So they're not pioneering

1:31:27.720 --> 1:31:31.320
<v Speaker 2>Donner Pass. Donner Pass has successfully been used.

1:31:31.200 --> 1:31:33.599
<v Speaker 4>Been used in years prior.

1:31:33.720 --> 1:31:37.720
<v Speaker 2>Yeah. Yeah, and they start up in the snow and

1:31:37.760 --> 1:31:40.680
<v Speaker 2>they get uh the.

1:31:39.800 --> 1:31:43.000
<v Speaker 4>They well, it's it's like important to note to you.

1:31:43.160 --> 1:31:47.200
<v Speaker 4>It's not that they actually don't arrive at the bottom

1:31:47.200 --> 1:31:51.320
<v Speaker 4>of Dinner Donner Pass particularly late, despite all of their problems.

1:31:51.400 --> 1:31:53.080
<v Speaker 4>It's it's the end of October.

1:31:53.520 --> 1:31:56.200
<v Speaker 2>Yeah, it's an early storm.

1:31:56.439 --> 1:32:00.040
<v Speaker 4>Right, parties had crossed as late as December.

1:32:00.080 --> 1:32:03.960
<v Speaker 2>And yeah, you're in years past. I forgot that detail. Yeah,

1:32:03.960 --> 1:32:06.800
<v Speaker 2>that's anar thing. Is like, that's a great point because

1:32:06.800 --> 1:32:09.080
<v Speaker 2>you also start there's this kind of narrative that they

1:32:09.080 --> 1:32:12.040
<v Speaker 2>were like I was just laying out like stupid to

1:32:12.080 --> 1:32:14.679
<v Speaker 2>go up there. Yeah, they were late, they were late,

1:32:14.720 --> 1:32:16.800
<v Speaker 2>but it had been done. They were late, but it

1:32:16.840 --> 1:32:19.599
<v Speaker 2>had been done. But then they got up in the

1:32:19.640 --> 1:32:24.439
<v Speaker 2>mountains in a situation where it was just insane snow.

1:32:24.560 --> 1:32:27.599
<v Speaker 2>It was an abnormal snow year. Yeah, and they lingered,

1:32:27.640 --> 1:32:32.719
<v Speaker 2>they got up there. It was an early snowstorm. Perhaps

1:32:32.760 --> 1:32:35.600
<v Speaker 2>they could have backed out, but they felt that they

1:32:35.600 --> 1:32:38.160
<v Speaker 2>would get a thaw. Right, what are the odds that's

1:32:38.200 --> 1:32:40.160
<v Speaker 2>going to keep happening? Right all the time, like living

1:32:40.160 --> 1:32:42.680
<v Speaker 2>in the Northern Rockies, you know, also in October, like

1:32:42.720 --> 1:32:45.080
<v Speaker 2>what big old storm, and then like a month later,

1:32:45.120 --> 1:32:47.760
<v Speaker 2>it's like seventy degrees and you're like hunting in your

1:32:47.800 --> 1:32:49.760
<v Speaker 2>t shirt and you're like, God, it isn't that weird.

1:32:49.840 --> 1:32:52.000
<v Speaker 2>It was like, you know, two feet of snow here

1:32:52.040 --> 1:32:54.479
<v Speaker 2>a couple of weeks ago. They thought it'd be that,

1:32:54.760 --> 1:32:58.840
<v Speaker 2>but it just got worse, deeper, worse, deeper, and they

1:32:59.000 --> 1:33:01.439
<v Speaker 2>lingered too long, and then it became impossible to back out.

1:33:01.640 --> 1:33:03.600
<v Speaker 4>And when you talk about worse and deeper, like the

1:33:03.720 --> 1:33:08.200
<v Speaker 4>numbers are astounding, like the amount of snowfall in that area,

1:33:08.520 --> 1:33:12.559
<v Speaker 4>they'll get sixty feet a snowfall in Donner Pass.

1:33:12.880 --> 1:33:16.320
<v Speaker 2>They're climbing, they make these all these little shelters. We'll

1:33:16.320 --> 1:33:18.519
<v Speaker 2>talk about those in a minute. They're getting to where

1:33:18.560 --> 1:33:25.759
<v Speaker 2>they're climbing tunnels up out of their shelters. You climb

1:33:25.880 --> 1:33:29.040
<v Speaker 2>out and pop out on the surface and they're cutting wood.

1:33:29.479 --> 1:33:31.679
<v Speaker 2>There's pictures later where there it be a dude standing

1:33:31.760 --> 1:33:34.200
<v Speaker 2>on dry ground. Yeah, and way up above his head

1:33:34.240 --> 1:33:36.439
<v Speaker 2>is a cut off tree, Yeah, thirty feet and he

1:33:36.520 --> 1:33:39.880
<v Speaker 2>realized that's where they were cutting wood, walking around on

1:33:39.920 --> 1:33:42.200
<v Speaker 2>top of all that snow. But here's where all this

1:33:42.280 --> 1:33:45.880
<v Speaker 2>whole Donner party shit changes for me, is it's ninety

1:33:45.920 --> 1:33:49.040
<v Speaker 2>people over half a little kids. You never think about that, yeh,

1:33:50.280 --> 1:33:52.839
<v Speaker 2>No one ever thinks about it's little kids.

1:33:53.040 --> 1:33:54.800
<v Speaker 4>Yeah, And.

1:33:56.560 --> 1:34:00.839
<v Speaker 2>Like, statistically the little kids were more likely to survive,

1:34:02.320 --> 1:34:05.960
<v Speaker 2>and also statistically parents of little kids were more likely to.

1:34:05.880 --> 1:34:09.559
<v Speaker 4>Survive, and statistically women were more likely to.

1:34:09.560 --> 1:34:11.240
<v Speaker 2>Survive, more likely to survive.

1:34:11.200 --> 1:34:16.719
<v Speaker 4>That the people who did who fared the worst were

1:34:17.120 --> 1:34:18.400
<v Speaker 4>unattached bachelors.

1:34:18.520 --> 1:34:23.040
<v Speaker 2>Yeah, a handful of reasons, like supposed reasons why they

1:34:23.040 --> 1:34:25.200
<v Speaker 2>were already working their.

1:34:25.040 --> 1:34:27.920
<v Speaker 4>Ass saatigued from the trip out that far that.

1:34:27.840 --> 1:34:31.120
<v Speaker 2>They were assuming all this work, doing all this stuff,

1:34:31.400 --> 1:34:34.760
<v Speaker 2>so they're going into it very lean. Meanwhile, people who

1:34:34.760 --> 1:34:36.880
<v Speaker 2>had been able to ride in the wagons weren't as

1:34:36.960 --> 1:34:39.519
<v Speaker 2>physically depleted. There's also like a little bit of a

1:34:39.520 --> 1:34:42.719
<v Speaker 2>psychological element there winds up being this group decides eventually

1:34:42.720 --> 1:34:44.000
<v Speaker 2>to make a break for it, and it's called the

1:34:44.040 --> 1:34:46.519
<v Speaker 2>Forlorn Hope Party. And they make a break for it

1:34:46.520 --> 1:34:50.160
<v Speaker 2>in the California direction. They're going to cross Dinner paths.

1:34:50.160 --> 1:34:51.760
<v Speaker 2>They're almost to the top of Donner Pass. They're going

1:34:51.800 --> 1:34:54.880
<v Speaker 2>to cross the pass and go for it on foot. Yeah,

1:34:54.920 --> 1:34:56.800
<v Speaker 2>on foot. They make no issues. They think they'll do

1:34:56.840 --> 1:34:58.639
<v Speaker 2>They think they'll be there in some number of days.

1:34:58.680 --> 1:35:01.760
<v Speaker 2>It takes weeks. Of the people that left on that

1:35:01.800 --> 1:35:09.840
<v Speaker 2>Forlorn Hope Party, parents lived, people with, people with relatives

1:35:10.120 --> 1:35:12.920
<v Speaker 2>at the camp. Yeah, other people just are like fuck

1:35:12.960 --> 1:35:16.120
<v Speaker 2>it and just died, you know, because they probably got

1:35:16.120 --> 1:35:20.200
<v Speaker 2>where there was no point, you know, And there is cannibalism,

1:35:20.200 --> 1:35:24.080
<v Speaker 2>but it's like, you know, these people were condemned for

1:35:24.080 --> 1:35:25.720
<v Speaker 2>a long time for it, but when you start looking

1:35:25.760 --> 1:35:29.599
<v Speaker 2>at it, was like you start getting it. Like they

1:35:29.600 --> 1:35:36.920
<v Speaker 2>did everything they could possibly do, everything they could possibly

1:35:36.960 --> 1:35:39.120
<v Speaker 2>do to keep their families alive. And I don't think

1:35:39.120 --> 1:35:40.360
<v Speaker 2>anyone would do anything differently.

1:35:41.280 --> 1:35:43.960
<v Speaker 4>I think the only thing that would be done differently

1:35:44.120 --> 1:35:46.840
<v Speaker 4>in a modern context, and I mean this in all seriousness,

1:35:46.880 --> 1:35:50.400
<v Speaker 4>is that cannibalism would have started much earlier. I think

1:35:50.439 --> 1:35:54.640
<v Speaker 4>that you're talking about a time when people are you know,

1:35:54.680 --> 1:35:57.519
<v Speaker 4>we talk about in Roanoke like the last thing to go,

1:35:57.600 --> 1:36:01.480
<v Speaker 4>or religious practices. These are peopleeople who are highly religious

1:36:01.520 --> 1:36:06.120
<v Speaker 4>and highly driven to live by that code, and that

1:36:06.160 --> 1:36:09.840
<v Speaker 4>code is very specific about eating other folks, you know,

1:36:10.160 --> 1:36:15.200
<v Speaker 4>and they hold on for what would seem like forever,

1:36:15.520 --> 1:36:19.000
<v Speaker 4>just a torturous amount of time of starving to death,

1:36:20.240 --> 1:36:23.800
<v Speaker 4>trying to scrape food together in any way they can

1:36:23.920 --> 1:36:26.920
<v Speaker 4>before they before they start eating people.

1:36:27.080 --> 1:36:33.879
<v Speaker 2>Yeah, there's one dark element to it. They it seems

1:36:33.880 --> 1:36:35.880
<v Speaker 2>like no one really knows all the details. But if

1:36:35.880 --> 1:36:37.880
<v Speaker 2>you look at all the journals and evidence and all that,

1:36:37.920 --> 1:36:42.920
<v Speaker 2>it seems like cannibalism with one exception. Cannibalism was limited

1:36:42.960 --> 1:36:46.879
<v Speaker 2>to people eating people who had starve to death. Okay,

1:36:46.960 --> 1:36:49.519
<v Speaker 2>they're eating people would starve to death. But there's a

1:36:49.560 --> 1:36:52.000
<v Speaker 2>guy in the dinner party who's kind of like, throughout

1:36:52.040 --> 1:36:54.200
<v Speaker 2>the whole story kind of emerges as a real asshole.

1:36:56.120 --> 1:37:01.200
<v Speaker 2>He murders two Native American guides that they have. But

1:37:01.439 --> 1:37:05.840
<v Speaker 2>at that time that was not illegal. It would have

1:37:05.880 --> 1:37:09.320
<v Speaker 2>been illegal to shoot someone's cow, it was not illegal

1:37:09.360 --> 1:37:14.120
<v Speaker 2>to murder two Native Americans. He outright murders two Native

1:37:14.160 --> 1:37:18.760
<v Speaker 2>Americans to eat them, and then later everybody knows that

1:37:18.800 --> 1:37:20.160
<v Speaker 2>he did. He just lives his life.

1:37:20.600 --> 1:37:23.280
<v Speaker 3>Yeah, not picked up.

1:37:23.320 --> 1:37:25.639
<v Speaker 2>They talked about doing something. No one ever did anything

1:37:25.640 --> 1:37:29.080
<v Speaker 2>to that dude. And there's also all these other crazy stories,

1:37:29.120 --> 1:37:33.720
<v Speaker 2>like one of the search parties, as it's told, like

1:37:33.800 --> 1:37:36.320
<v Speaker 2>it was quite a sight when search parties started to come.

1:37:36.360 --> 1:37:38.080
<v Speaker 2>But when search parties came, they had to kind of

1:37:38.120 --> 1:37:40.800
<v Speaker 2>ferry them out. Like a search party shows up and

1:37:40.800 --> 1:37:44.000
<v Speaker 2>they can only take a handful of people, so they're like, okay,

1:37:44.000 --> 1:37:46.480
<v Speaker 2>everybody wait here. They take a handful of people to California.

1:37:46.600 --> 1:37:48.800
<v Speaker 2>Come back one time. They come back and as the

1:37:48.840 --> 1:37:53.479
<v Speaker 2>story goes, here's a guy holding walking along with a

1:37:53.600 --> 1:37:57.160
<v Speaker 2>human leg and sees the search party people and has

1:37:57.160 --> 1:38:03.160
<v Speaker 2>the wherewithal to throw it down in the snow. My

1:38:03.280 --> 1:38:08.840
<v Speaker 2>dog tries that trick, like you got busted. We met

1:38:08.840 --> 1:38:11.439
<v Speaker 2>with an archaeologists that dug one of the camps. They

1:38:11.479 --> 1:38:16.120
<v Speaker 2>were at two different camp two primary camp locations, and

1:38:16.160 --> 1:38:21.599
<v Speaker 2>they dug one of the camps and found the remains

1:38:21.600 --> 1:38:25.240
<v Speaker 2>of all kinds of stuff that they were they were eating. Uh.

1:38:26.120 --> 1:38:28.360
<v Speaker 2>At one point early on, they killed a bear, they

1:38:28.439 --> 1:38:31.559
<v Speaker 2>killed a grizzly early on, they killed dogs, They had

1:38:31.640 --> 1:38:32.880
<v Speaker 2>oxen they killed.

1:38:33.960 --> 1:38:37.600
<v Speaker 4>They had lots of small games, deer.

1:38:37.680 --> 1:38:42.960
<v Speaker 2>Rodents and stuff they were killing, and they were they

1:38:43.240 --> 1:38:44.599
<v Speaker 2>One of the things they were doing is they were

1:38:44.600 --> 1:38:47.160
<v Speaker 2>eating animal hide. So early on they had no way

1:38:47.200 --> 1:38:49.479
<v Speaker 2>to feed their oxen, so they were killing the oxen

1:38:49.520 --> 1:38:52.240
<v Speaker 2>and just eating the meat. And then later they started

1:38:52.240 --> 1:38:54.960
<v Speaker 2>revisiting it and they started eating the bones. But when

1:38:55.000 --> 1:38:57.040
<v Speaker 2>they killed them, they used the hides to help them

1:38:57.080 --> 1:38:59.760
<v Speaker 2>make roofs and doors on structures. They were making like

1:38:59.760 --> 1:39:01.840
<v Speaker 2>ten like structures with hides. We made one of these

1:39:01.880 --> 1:39:05.519
<v Speaker 2>structures with this rotten ass cow hide, uh, and slept

1:39:05.520 --> 1:39:12.360
<v Speaker 2>in there. It was one of the worst smelling rotting cowhide,

1:39:12.680 --> 1:39:14.360
<v Speaker 2>and we use it for a shelter. It was a

1:39:14.360 --> 1:39:15.960
<v Speaker 2>great shelter. I mean, you could keep a lot of

1:39:16.000 --> 1:39:18.160
<v Speaker 2>warmth in that thing with a fire, like you could

1:39:18.160 --> 1:39:22.640
<v Speaker 2>make a warm in air. But stank. We got like

1:39:22.640 --> 1:39:26.479
<v Speaker 2>a little chimney and stuff coming out there. Uh So

1:39:28.240 --> 1:39:29.160
<v Speaker 2>how was I getting in with that?

1:39:30.600 --> 1:39:32.920
<v Speaker 4>We were talking about the animals that they.

1:39:34.160 --> 1:39:37.920
<v Speaker 2>They started eating the hides, and then they started boiling

1:39:37.960 --> 1:39:40.720
<v Speaker 2>the bones and crushing the bones and boiling and eating

1:39:40.720 --> 1:39:43.200
<v Speaker 2>the bones. And there's a thing I read after the

1:39:43.200 --> 1:39:45.360
<v Speaker 2>fact that I really wish I had read before we

1:39:45.400 --> 1:39:48.080
<v Speaker 2>did it. A guy happens to give me. One of

1:39:48.080 --> 1:39:51.280
<v Speaker 2>our podcast guests, Randy Brown, gives me a book called

1:39:51.320 --> 1:39:55.679
<v Speaker 2>Death on the Barren Ground, and it's this journal of

1:39:55.680 --> 1:39:57.960
<v Speaker 2>of It's a journal of one guy who was in

1:39:58.000 --> 1:40:00.360
<v Speaker 2>a party of three people and they all starved death.

1:40:00.920 --> 1:40:04.080
<v Speaker 2>The youngest guy lives longest, and he keeps a meticulous

1:40:04.160 --> 1:40:08.200
<v Speaker 2>journal chronicling the starvation death of his two companions and

1:40:08.240 --> 1:40:11.840
<v Speaker 2>then chronicling his own death of starvation. Okay, and they

1:40:11.840 --> 1:40:13.960
<v Speaker 2>all die in the nineteen twenties in the Canadian Arctic

1:40:14.000 --> 1:40:18.439
<v Speaker 2>along the Thelon River. It's so crazy because they wind

1:40:18.520 --> 1:40:22.000
<v Speaker 2>up eating that exact same diet they had been trapping,

1:40:22.080 --> 1:40:25.599
<v Speaker 2>so they had wolverines and stuff, and they're eating wolverine hides,

1:40:25.640 --> 1:40:27.880
<v Speaker 2>weasel hides that they had built up before they started

1:40:27.920 --> 1:40:31.960
<v Speaker 2>to starve to death, and they're eating bones and what's

1:40:32.080 --> 1:40:37.040
<v Speaker 2>killing them Like they're dying of starvation, yes, but what's

1:40:37.080 --> 1:40:42.719
<v Speaker 2>really killing them is these terrible bottle obstructions because they're

1:40:42.760 --> 1:40:46.160
<v Speaker 2>eating that boiled, crushed bone. In the absence of other stuff,

1:40:46.200 --> 1:40:51.720
<v Speaker 2>they're trying to build makeshift enema devices and they're literally

1:40:51.880 --> 1:40:56.960
<v Speaker 2>digging out of each other's rectums, dried gobs of crushed

1:40:57.000 --> 1:41:01.080
<v Speaker 2>bone and like that are forming in of these gelatinous

1:41:01.120 --> 1:41:05.040
<v Speaker 2>balls from that boiled animal hide. And then the hair follicles,

1:41:05.080 --> 1:41:07.840
<v Speaker 2>because you're eating, you're scraping the hair away, but there's

1:41:07.840 --> 1:41:11.360
<v Speaker 2>all that hair follicle, and that hair follicle is joining

1:41:11.400 --> 1:41:14.240
<v Speaker 2>up into balls of hair. When they find these guys'

1:41:14.240 --> 1:41:17.280
<v Speaker 2>bodies a couple of years later, the Royal Mounted Police

1:41:17.320 --> 1:41:20.479
<v Speaker 2>do like a report. They are nothing but skeletons, but

1:41:20.520 --> 1:41:23.880
<v Speaker 2>there's still what he describes as a plate of excrement

1:41:25.080 --> 1:41:29.320
<v Speaker 2>in the cabin of this bone ball.

1:41:30.120 --> 1:41:30.640
<v Speaker 3>Concrete.

1:41:31.360 --> 1:41:37.800
<v Speaker 2>Yeah, they talk about And so we met with an

1:41:37.840 --> 1:41:40.519
<v Speaker 2>archaeologist who worked on this bone project. And then I

1:41:40.640 --> 1:41:42.920
<v Speaker 2>later was like after we met, after we got done

1:41:42.920 --> 1:41:45.840
<v Speaker 2>film in our episode, I sent her, I was like, hey,

1:41:45.840 --> 1:41:48.639
<v Speaker 2>for your work. Here's this great journal of like what

1:41:48.720 --> 1:41:51.280
<v Speaker 2>happens when you eat these diets, and like that's what

1:41:51.439 --> 1:41:54.639
<v Speaker 2>killing that's what's killing those guys, these guys, these Canadian

1:41:54.720 --> 1:41:57.599
<v Speaker 2>Arctic guys, what's killing them? They would have died anyway,

1:41:57.600 --> 1:42:02.080
<v Speaker 2>But what's like the immediate biggest problem them is that

1:42:02.080 --> 1:42:06.800
<v Speaker 2>that the bowel obstruction and digestive problems of eating, like

1:42:06.920 --> 1:42:11.240
<v Speaker 2>non edible. Yeah, needing eating non digestible stuff in a

1:42:11.320 --> 1:42:12.200
<v Speaker 2>state of desperation.

1:42:12.360 --> 1:42:15.200
<v Speaker 4>Yeah, they talk about, you know, in in dinner, they

1:42:15.240 --> 1:42:18.880
<v Speaker 4>talk about boiling those bones so many times boiling and

1:42:18.920 --> 1:42:22.760
<v Speaker 4>reboiling that they get something called pop polish, which is

1:42:22.960 --> 1:42:26.680
<v Speaker 4>like they basically turned to porcelain in that pot as

1:42:26.720 --> 1:42:30.120
<v Speaker 4>they try to extract whatever nutrients they can out of

1:42:30.960 --> 1:42:32.599
<v Speaker 4>out of what's left of the bone.

1:42:32.800 --> 1:42:35.479
<v Speaker 2>We boiled up some raw hide. Yeah, and its like

1:42:35.560 --> 1:42:37.560
<v Speaker 2>you can make it pretty edible, man, when you boil it.

1:42:37.640 --> 1:42:39.320
<v Speaker 2>Actually it's actually not that. It's like, why is it

1:42:39.320 --> 1:42:44.840
<v Speaker 2>being like quite flavorless and has a most out of umi.

1:42:47.640 --> 1:42:51.160
<v Speaker 3>More of the broth that that wasn't the rotten that.

1:42:53.280 --> 1:42:56.360
<v Speaker 2>We talked about.

1:42:54.080 --> 1:42:59.240
<v Speaker 4>It safe for consumption.

1:42:58.920 --> 1:43:00.439
<v Speaker 2>Yeah, we had had. We had a handful.

1:43:00.560 --> 1:43:02.040
<v Speaker 4>If you're starving out there, you need it.

1:43:02.600 --> 1:43:04.960
<v Speaker 2>Yeah. We did some snow shoes. They made snow shoes.

1:43:04.960 --> 1:43:07.000
<v Speaker 2>We mocked up some snow shoes. We worked with the

1:43:07.000 --> 1:43:09.280
<v Speaker 2>guy that spent some time, spent a lot of time

1:43:09.360 --> 1:43:10.120
<v Speaker 2>hiking the path.

1:43:10.240 --> 1:43:10.439
<v Speaker 4>You know.

1:43:12.680 --> 1:43:17.040
<v Speaker 2>But uh yeah, man, being in the dinner pass, you're

1:43:17.040 --> 1:43:18.479
<v Speaker 2>like there eight, I can tell you one thing ain't

1:43:18.520 --> 1:43:19.320
<v Speaker 2>ship to eat here.

1:43:20.880 --> 1:43:24.200
<v Speaker 4>We tried to hunt like you know, squirrels, small game.

1:43:24.439 --> 1:43:26.880
<v Speaker 4>You end up like in an hour, you burn more

1:43:26.880 --> 1:43:30.040
<v Speaker 4>calories than you could possibly hunt, you know, for the

1:43:30.080 --> 1:43:30.519
<v Speaker 4>whole day.

1:43:30.600 --> 1:43:33.400
<v Speaker 2>It's just like it's just it's like it's a subalpine.

1:43:33.439 --> 1:43:36.360
<v Speaker 3>It's like like it's rocket.

1:43:36.400 --> 1:43:41.280
<v Speaker 4>Yeah, it's it's not like that. It's but it's i mean,

1:43:42.160 --> 1:43:44.080
<v Speaker 4>at a certain point it's like almost like what's the difference.

1:43:44.120 --> 1:43:47.519
<v Speaker 2>Yeah, it's like it's subalpine. It's like fifty percent of

1:43:47.560 --> 1:43:50.960
<v Speaker 2>every surface is rock and you got little like dwarfed

1:43:51.040 --> 1:43:54.160
<v Speaker 2>up spruce and fur and there's some there's some pond

1:43:54.160 --> 1:43:55.920
<v Speaker 2>of roses here and there, but it's just like a

1:43:56.240 --> 1:43:59.680
<v Speaker 2>very poor ground. And you talk to guys there, like

1:43:59.720 --> 1:44:03.360
<v Speaker 2>we talked the hunters there, and hunters are like, dude,

1:44:03.360 --> 1:44:06.080
<v Speaker 2>the first whiff of snow, yeah, everything they do not.

1:44:08.600 --> 1:44:09.839
<v Speaker 4>Snowf on the country.

1:44:10.000 --> 1:44:12.839
<v Speaker 2>Yeah. Yeah, they're like you come up in the summer,

1:44:13.400 --> 1:44:16.560
<v Speaker 2>but they're gone, they're gone early. Yeah, you know, this

1:44:16.720 --> 1:44:19.000
<v Speaker 2>is nothing. There's nothing. I mean they killed like a

1:44:19.479 --> 1:44:22.639
<v Speaker 2>like a some crows whatever here and there.

1:44:22.760 --> 1:44:25.799
<v Speaker 4>Yeah, but again nothing nothing that was enough to replace

1:44:25.840 --> 1:44:28.920
<v Speaker 4>the calories they were burning on it. So it's a

1:44:29.120 --> 1:44:31.920
<v Speaker 4>it's what was fascinating to me about that story is

1:44:31.960 --> 1:44:34.120
<v Speaker 4>like you go in, you know, and I think this

1:44:34.240 --> 1:44:36.240
<v Speaker 4>is like throughout the series, you go in like with

1:44:36.320 --> 1:44:40.240
<v Speaker 4>one concept. Yeah, you're like dinner party, you know, cannibals,

1:44:40.720 --> 1:44:43.880
<v Speaker 4>like I get it, Like you don't get it at all.

1:44:44.040 --> 1:44:47.040
<v Speaker 4>And you when you when you do the research, and

1:44:47.160 --> 1:44:50.920
<v Speaker 4>in conjunction with doing the research, spend time in the

1:44:50.960 --> 1:44:54.840
<v Speaker 4>place trying to do the things that they have done,

1:44:55.080 --> 1:44:57.960
<v Speaker 4>you have a completely new perspective on it. And so

1:44:58.040 --> 1:44:59.720
<v Speaker 4>you go into the story being like, Wow, what a

1:44:59.720 --> 1:45:02.519
<v Speaker 4>bunch of like fools that ended up eating each other

1:45:02.640 --> 1:45:05.080
<v Speaker 4>in the mountains, And you come out of it being like, well,

1:45:05.120 --> 1:45:07.439
<v Speaker 4>what a bunch of heroes. Yeah, you know, this is

1:45:07.479 --> 1:45:11.000
<v Speaker 4>the level of heroics that went into saving those kids.

1:45:11.400 --> 1:45:15.679
<v Speaker 4>There's a great story about one of the women who

1:45:15.800 --> 1:45:19.080
<v Speaker 4>stayed back at h at one of the two sites,

1:45:19.120 --> 1:45:22.040
<v Speaker 4>which was Donner Lake. Is right at the at the

1:45:22.200 --> 1:45:27.519
<v Speaker 4>end of Donner Lake, she's basically responsible for all these kids.

1:45:27.760 --> 1:45:33.000
<v Speaker 4>You know, she delivers as the story goes, she delivers

1:45:33.040 --> 1:45:36.640
<v Speaker 4>the last kid to that rescue party and then just

1:45:36.720 --> 1:45:40.600
<v Speaker 4>leans up against the cabin wall and and dies, you know.

1:45:40.640 --> 1:45:43.519
<v Speaker 4>And it's and it's the story is like full of

1:45:43.560 --> 1:45:49.040
<v Speaker 4>these little, these little sub stories like that that that

1:45:49.320 --> 1:45:54.200
<v Speaker 4>just I find like incredibly moving and like a total

1:45:54.280 --> 1:45:58.559
<v Speaker 4>rewrite of what I understood of of that history.

1:45:58.960 --> 1:46:00.960
<v Speaker 2>Now, I kept vowing that I was gonna stop making

1:46:01.000 --> 1:46:07.759
<v Speaker 2>any and all Donner jokes, Donner Family, Christmas, Donner Dinner Party.

1:46:09.400 --> 1:46:12.559
<v Speaker 2>No I stuck to it. Now, you know, we were

1:46:12.640 --> 1:46:17.840
<v Speaker 2>joking like, did you know that Saddam Hussein has books

1:46:17.840 --> 1:46:20.960
<v Speaker 2>of poetry? So just like you could say, like, you know,

1:46:21.000 --> 1:46:24.760
<v Speaker 2>the poet Saddam Hussein. No one says that, right, he

1:46:24.800 --> 1:46:27.040
<v Speaker 2>has a novel, so you can say the poet novelist

1:46:27.080 --> 1:46:30.559
<v Speaker 2>Saddam Hussein. You'd never say that. So now when someone

1:46:30.640 --> 1:46:35.360
<v Speaker 2>say from now on, I might actually yeah, when we

1:46:35.400 --> 1:46:39.600
<v Speaker 2>overthrew the poet novelist Saddam Hussein. Uh So, now you

1:46:39.640 --> 1:46:41.960
<v Speaker 2>know you'd be like Donner Party. You know, I'm gonna

1:46:41.960 --> 1:46:45.000
<v Speaker 2>start doing something similar, but the opposite. I'm gonna say, oh,

1:46:45.040 --> 1:46:48.280
<v Speaker 2>the heroes the Donner Party. Yeah, I'm not gonna say, oh,

1:46:48.439 --> 1:46:51.280
<v Speaker 2>dirty cannibals. I'm gonna say, you know, the heroes the

1:46:51.320 --> 1:46:53.759
<v Speaker 2>Dinner Party saved all those kids, saved all those children,

1:46:54.200 --> 1:46:56.240
<v Speaker 2>wonderful story of hope.

1:46:56.960 --> 1:46:59.560
<v Speaker 3>You know, one of our finest moments.

1:46:59.560 --> 1:47:01.559
<v Speaker 2>There's an half of them died, half of them.

1:47:01.520 --> 1:47:04.680
<v Speaker 4>Lived, almost half of them died, more than half of

1:47:04.720 --> 1:47:10.600
<v Speaker 4>them lived. And the other little sub note, And you

1:47:10.680 --> 1:47:12.800
<v Speaker 4>don't make this the last thing on this, but like

1:47:13.160 --> 1:47:16.360
<v Speaker 4>I love the fact that his name the Donner, you know,

1:47:16.439 --> 1:47:18.479
<v Speaker 4>the Donner Party and Donner Pass, and we know it

1:47:18.520 --> 1:47:23.240
<v Speaker 4>as the Donners when you get into history. George Donner

1:47:23.960 --> 1:47:27.759
<v Speaker 4>stopped because he had he had wounded his hand trying

1:47:27.800 --> 1:47:34.280
<v Speaker 4>to trying to build a wagon wheel. He cut his hand,

1:47:34.600 --> 1:47:37.880
<v Speaker 4>and uh, and it was festering, so he stopped six

1:47:37.960 --> 1:47:43.679
<v Speaker 4>miles short. George Donner after which the entire fiasco is named,

1:47:44.200 --> 1:47:46.320
<v Speaker 4>never even saw the pass. YEA.

1:47:48.760 --> 1:47:52.240
<v Speaker 2>He died of an infection. He got a somewhat superficial

1:47:52.280 --> 1:47:54.040
<v Speaker 2>caught on his hand. He thought he'd be fine. Dies

1:47:54.080 --> 1:47:57.559
<v Speaker 2>of an infection, that's great, and never lay his eyes

1:47:57.600 --> 1:48:00.439
<v Speaker 2>on the pass. Gets rich and there's there's a lot,

1:48:00.600 --> 1:48:03.000
<v Speaker 2>I mean, there's so much more like they had. You know,

1:48:05.160 --> 1:48:07.760
<v Speaker 2>they had gotten into an internal fight on the way

1:48:07.840 --> 1:48:13.840
<v Speaker 2>and had like a fatality from internal squabbling, and they

1:48:13.880 --> 1:48:17.639
<v Speaker 2>the I believe it was the Piute as they were

1:48:17.680 --> 1:48:23.639
<v Speaker 2>approaching the past, the Piute in Nevada where really whittling

1:48:23.640 --> 1:48:26.599
<v Speaker 2>the way on their livestock. They had all these all

1:48:26.640 --> 1:48:29.200
<v Speaker 2>these normal problems, should say no, yeah, yeah, all the

1:48:29.200 --> 1:48:32.840
<v Speaker 2>problems typical of people trying to cross right. They weren't.

1:48:32.840 --> 1:48:37.960
<v Speaker 2>They weren't like exceptional in any way. And then then

1:48:38.320 --> 1:48:42.160
<v Speaker 2>doing during the gold Rush, people resumed flooding over that thing,

1:48:42.200 --> 1:48:46.120
<v Speaker 2>man flooding over that past. And now you're standing there

1:48:46.120 --> 1:48:48.479
<v Speaker 2>and there's like the highway doesn't go that way, there's

1:48:48.479 --> 1:48:51.519
<v Speaker 2>a highway that goes over it. There's another highway over it.

1:48:51.760 --> 1:48:53.840
<v Speaker 2>And you standing look and be like, who in the

1:48:53.880 --> 1:48:55.920
<v Speaker 2>hell would think you could get a wagon through here?

1:48:56.560 --> 1:48:58.400
<v Speaker 3>Yeah, I feel like I've seen the signs.

1:48:58.560 --> 1:49:00.840
<v Speaker 2>It is a wicked it's unreal pass.

1:49:00.920 --> 1:49:03.280
<v Speaker 4>It's unreal. I mean they they took the wagons apart

1:49:03.360 --> 1:49:06.479
<v Speaker 4>and block and tackle pulled them up, the pulled them

1:49:06.560 --> 1:49:10.880
<v Speaker 4>up those cliffs. And now it's like, you know, you're

1:49:10.880 --> 1:49:14.760
<v Speaker 4>within earshot of people going eighty five miles an hour

1:49:15.720 --> 1:49:16.519
<v Speaker 4>on a freeway.

1:49:16.720 --> 1:49:19.439
<v Speaker 2>That's just so funny, just driving in to do our work,

1:49:19.600 --> 1:49:23.400
<v Speaker 2>driving into film, Like I get into the airport, find arena, Yeah,

1:49:23.520 --> 1:49:26.760
<v Speaker 2>find arena and start driving up the highway and you

1:49:26.800 --> 1:49:29.799
<v Speaker 2>get to a sign and it says like Sacramento seventy

1:49:29.800 --> 1:49:30.360
<v Speaker 2>two miles.

1:49:30.600 --> 1:49:31.840
<v Speaker 4>Yeah, like what fuck?

1:49:32.080 --> 1:49:37.920
<v Speaker 2>Yeah, better make a reservation. What's exactly problem?

1:49:38.200 --> 1:49:39.240
<v Speaker 3>Af chang there?

1:49:41.080 --> 1:49:43.360
<v Speaker 2>Yeah, seeing that signe it'd be like in your mind like,

1:49:43.400 --> 1:49:45.479
<v Speaker 2>oh shitting hour will be there. Yeah, we'll be over

1:49:45.520 --> 1:49:47.439
<v Speaker 2>the mountains and out the other side and down in

1:49:47.479 --> 1:49:50.000
<v Speaker 2>the valley of the hour. You know, imagine the ship

1:49:50.160 --> 1:49:53.639
<v Speaker 2>that like what that seventy two miles meant? Back then?

1:49:53.680 --> 1:49:56.639
<v Speaker 2>It's so funny you're on that highway. Also, I had

1:49:56.640 --> 1:50:05.160
<v Speaker 2>this like deflated feeling. I'm like, oh, cool story, what pansies?

1:50:05.360 --> 1:50:10.000
<v Speaker 2>Anybody could make it over there? Watch over there in

1:50:10.080 --> 1:50:13.880
<v Speaker 2>an hour? Man. That was great. So that that's we

1:50:13.960 --> 1:50:14.479
<v Speaker 2>covered three.

1:50:14.960 --> 1:50:16.639
<v Speaker 4>Yeah, yeah, there's five more.

1:50:17.000 --> 1:50:20.280
<v Speaker 2>So. We did one on the oldest shipwreck in the

1:50:20.280 --> 1:50:22.960
<v Speaker 2>Great Lakes, the first ship to sail the Upper Great.

1:50:22.800 --> 1:50:24.519
<v Speaker 4>Lakes, another fascinating story.

1:50:25.439 --> 1:50:28.160
<v Speaker 2>We did one on the mysteries of the first Americans.

1:50:28.600 --> 1:50:32.439
<v Speaker 2>We did one on we should have got well, we

1:50:32.439 --> 1:50:34.120
<v Speaker 2>should have got into cattle mutilations.

1:50:34.200 --> 1:50:37.360
<v Speaker 4>Cattle mutilations is a lot of fun. It's a lot

1:50:37.360 --> 1:50:40.120
<v Speaker 4>of fun too, because like that. There's another one where

1:50:40.160 --> 1:50:42.639
<v Speaker 4>I like, I know I went in with one perspective,

1:50:42.760 --> 1:50:46.680
<v Speaker 4>it was like bullshit, like you walk away man, Like

1:50:46.720 --> 1:50:49.680
<v Speaker 4>oh oh boy, yeah.

1:50:49.439 --> 1:50:51.439
<v Speaker 2>Yeah, you know, I was thinking about if we wanted

1:50:51.520 --> 1:50:56.080
<v Speaker 2>to do a podcast on cattle mutilations. I can't think

1:50:56.080 --> 1:50:57.720
<v Speaker 2>of which one of the people we talked to be

1:50:57.720 --> 1:51:00.920
<v Speaker 2>best to have on. Oh all good. We had to

1:51:00.920 --> 1:51:02.280
<v Speaker 2>get a cam, a panel.

1:51:04.040 --> 1:51:06.439
<v Speaker 4>Enough here for most of the people in the Yeah.

1:51:06.600 --> 1:51:06.760
<v Speaker 2>True.

1:51:06.760 --> 1:51:07.400
<v Speaker 4>I don't know if you can.

1:51:07.320 --> 1:51:11.120
<v Speaker 2>Say community, but uh what else we got?

1:51:11.160 --> 1:51:14.000
<v Speaker 4>Man, it's a big community. I mean, there's a lot

1:51:14.080 --> 1:51:16.240
<v Speaker 4>of people out there that have had these experiences.

1:51:16.320 --> 1:51:19.760
<v Speaker 2>Here's one for people. We did one. We did one

1:51:19.920 --> 1:51:23.240
<v Speaker 2>on a thing now known as the Alaska Triangle, which

1:51:23.280 --> 1:51:26.760
<v Speaker 2>is a portion of Alaska that some argue has like

1:51:26.800 --> 1:51:32.000
<v Speaker 2>this insane rate of disappearances aircraft, missing people, ships. But

1:51:32.040 --> 1:51:34.720
<v Speaker 2>we we examined it through the lens of a particular

1:51:34.800 --> 1:51:38.400
<v Speaker 2>flight called the Beggage Bogs flight again from the seventies,

1:51:38.520 --> 1:51:44.040
<v Speaker 2>where the speaker of the house Hailbogs. Who if you're

1:51:44.080 --> 1:51:47.760
<v Speaker 2>an NPR fan, the journalist Koki Roberts who recently passed away,

1:51:48.120 --> 1:51:50.960
<v Speaker 2>Kochi Roberts. Have you ever listened to NPR news and

1:51:51.000 --> 1:51:53.960
<v Speaker 2>you heard the journalist Cookie Roberts her father was Hailbogs.

1:51:54.160 --> 1:51:57.280
<v Speaker 2>He was the Speaker of the House. Alaska had one Congressman,

1:51:57.400 --> 1:52:01.240
<v Speaker 2>Nick Beggage, and the speed of the house. So like

1:52:01.320 --> 1:52:08.800
<v Speaker 2>the Speaker of the House, who's it now, Johnson uh

1:52:09.320 --> 1:52:14.360
<v Speaker 2>Baggage and Bogs? Or on a plane with a congressional

1:52:14.439 --> 1:52:17.920
<v Speaker 2>aid in a pilot and the plane goes missing and

1:52:18.040 --> 1:52:22.320
<v Speaker 2>is still missing today has never been found. Most of

1:52:22.320 --> 1:52:25.240
<v Speaker 2>the search area focused around. The search area for long

1:52:25.280 --> 1:52:28.800
<v Speaker 2>time focused around a glacier that they thought perhaps it

1:52:28.840 --> 1:52:31.040
<v Speaker 2>had gone into a glacier, and you'd be like, what

1:52:31.360 --> 1:52:33.400
<v Speaker 2>do you mean by that? But we went to in

1:52:33.800 --> 1:52:36.160
<v Speaker 2>doing it, we went to a place where a plane,

1:52:36.479 --> 1:52:41.120
<v Speaker 2>a much bigger plane with many many more passengers, did

1:52:41.160 --> 1:52:44.000
<v Speaker 2>get eaten by a glacier and then many years later

1:52:44.360 --> 1:52:46.160
<v Speaker 2>regurgitated at the toe of the glacier.

1:52:46.680 --> 1:52:53.600
<v Speaker 4>It's absolutely fascinating. They crashed this, this globe master, you know,

1:52:53.720 --> 1:52:58.679
<v Speaker 4>big prop plane, military transport members on it, on top

1:52:58.720 --> 1:53:03.599
<v Speaker 4>of this mountain. It falls into a crevass, snowed over,

1:53:04.200 --> 1:53:10.599
<v Speaker 4>and seventy years later, this massive glacier, colony glacier spits

1:53:10.640 --> 1:53:13.839
<v Speaker 4>it out the bottom just as just piece shredded pieces

1:53:13.960 --> 1:53:14.719
<v Speaker 4>of metal.

1:53:14.880 --> 1:53:18.640
<v Speaker 2>Every year the military every summer, the military goes and

1:53:18.680 --> 1:53:21.080
<v Speaker 2>they scoured the tour of that glacier and there's still

1:53:21.120 --> 1:53:24.439
<v Speaker 2>identifying it would be just finger bones, and there's still

1:53:24.439 --> 1:53:28.360
<v Speaker 2>identifying service members. And when we went, we flew over

1:53:28.400 --> 1:53:31.400
<v Speaker 2>in a helicopter. We didn't want to land there because

1:53:31.400 --> 1:53:34.320
<v Speaker 2>it's like, oh you know, it's almost like a gravesite.

1:53:35.680 --> 1:53:38.160
<v Speaker 2>We flew over after it did this summer's work and

1:53:38.200 --> 1:53:43.120
<v Speaker 2>there's orange spray paint circles. Wow, all along that glaciers,

1:53:43.160 --> 1:53:44.920
<v Speaker 2>not all on, but through good chunk of that there's

1:53:44.920 --> 1:53:48.000
<v Speaker 2>like orange spray paint markers and arrows and circles where

1:53:48.000 --> 1:53:51.599
<v Speaker 2>they were recovering debris. The engines came out in big pieces,

1:53:51.600 --> 1:53:54.479
<v Speaker 2>but a lot of it's just it's just like it pulled,

1:53:55.200 --> 1:53:56.439
<v Speaker 2>it pulled, rides it to gravel.

1:53:56.600 --> 1:54:00.960
<v Speaker 4>Yeah, so you know, just a massive garbageposal and you

1:54:01.000 --> 1:54:03.960
<v Speaker 4>think what it does to mountains. Yeah, yeah, there's this

1:54:04.000 --> 1:54:08.160
<v Speaker 4>a little plain man made a small aircraft.

1:54:08.720 --> 1:54:11.479
<v Speaker 2>But what's crazy is what's crazy is on this one,

1:54:11.479 --> 1:54:14.800
<v Speaker 2>the baggage Bog's flight, the glacier they were looking at.

1:54:14.880 --> 1:54:16.880
<v Speaker 2>They spent a lot of time on this glacier. The

1:54:16.920 --> 1:54:20.600
<v Speaker 2>glaciers receded so much and it's been so long that

1:54:20.640 --> 1:54:22.919
<v Speaker 2>when you look at the rate of flow of the glacier,

1:54:23.000 --> 1:54:26.559
<v Speaker 2>you can now rule out that it was in that glacier,

1:54:27.160 --> 1:54:28.960
<v Speaker 2>because it was in that glacier to spit it out

1:54:29.000 --> 1:54:33.400
<v Speaker 2>by now, but except the bottom of it.

1:54:33.480 --> 1:54:35.560
<v Speaker 4>So this is this is what like, and this is

1:54:35.600 --> 1:54:38.360
<v Speaker 4>what's so cool is each one, each little facet of

1:54:38.400 --> 1:54:42.040
<v Speaker 4>each one of these mysteries has all these permutations, all

1:54:42.040 --> 1:54:45.920
<v Speaker 4>these possibilities. Like what's cool about that is that glacier

1:54:48.080 --> 1:54:52.040
<v Speaker 4>as as it as it, you know, kind of came

1:54:52.080 --> 1:54:56.480
<v Speaker 4>down the mountain and into the basin, dug out a

1:54:56.600 --> 1:55:00.320
<v Speaker 4>lake that's eight hundred feet deep, dude, just.

1:55:00.200 --> 1:55:02.040
<v Speaker 2>Like you can paddle a canoe crosses like some bitches,

1:55:02.080 --> 1:55:02.800
<v Speaker 2>eight hundred.

1:55:02.520 --> 1:55:03.840
<v Speaker 4>Feet eight ft pep.

1:55:03.880 --> 1:55:05.440
<v Speaker 2>It's in one edge of it is just a wall

1:55:05.480 --> 1:55:09.680
<v Speaker 2>of ice. So yeah, it could have spat it out

1:55:09.680 --> 1:55:11.600
<v Speaker 2>into eight hundred feet of water and a little crumpled

1:55:11.640 --> 1:55:16.800
<v Speaker 2>up pieces. My guess to spoiler alert, I think it's

1:55:16.800 --> 1:55:21.760
<v Speaker 2>a Prince William sound, yeah, which is deeper, yeah, and

1:55:21.880 --> 1:55:24.880
<v Speaker 2>muckier and way bigger. Yeah, I think it's a Prince

1:55:24.880 --> 1:55:27.200
<v Speaker 2>William sound. And I'm not like out on a limb

1:55:27.240 --> 1:55:31.280
<v Speaker 2>when I say that, But Uh, they focus very heavily

1:55:31.680 --> 1:55:37.080
<v Speaker 2>in one pass and one glacier at first and this doue.

1:55:37.120 --> 1:55:40.440
<v Speaker 2>This pass we go through it with a plane. There's

1:55:40.480 --> 1:55:42.400
<v Speaker 2>a pass where you're like going it's like the worst

1:55:42.440 --> 1:55:44.920
<v Speaker 2>pass in the world, like you know, a passion everything

1:55:44.960 --> 1:55:47.000
<v Speaker 2>like a straight thing. It's a pass where you like

1:55:47.800 --> 1:55:49.920
<v Speaker 2>when you're the worst part of the past, you gotta

1:55:49.960 --> 1:55:51.960
<v Speaker 2>take a forty five. You gotta not sorry, you gotta

1:55:51.960 --> 1:55:56.120
<v Speaker 2>take a ninety degree turn. So you're going like sharp left,

1:55:56.480 --> 1:55:58.720
<v Speaker 2>sharp right, get out there into a head wall and

1:55:58.800 --> 1:56:00.520
<v Speaker 2>it's takes incredible you fly.

1:56:00.520 --> 1:56:03.920
<v Speaker 4>To the end of this this you know of turning

1:56:04.000 --> 1:56:08.240
<v Speaker 4>and arm right, this massive kind of valley. It's first

1:56:08.280 --> 1:56:11.560
<v Speaker 4>at first a body of water and then this valley

1:56:11.840 --> 1:56:14.839
<v Speaker 4>Portage pass and then and then Portage glacier and Portish

1:56:14.920 --> 1:56:17.080
<v Speaker 4>Lake who we were talking about. And as you get

1:56:17.120 --> 1:56:18.960
<v Speaker 4>to the very end of it, you make a ninety

1:56:18.960 --> 1:56:22.760
<v Speaker 4>degree turn and only then can you see whether or

1:56:22.800 --> 1:56:25.160
<v Speaker 4>not the pass is open. And if it's you.

1:56:25.600 --> 1:56:29.160
<v Speaker 2>Gotta check for oncoming aircraft too, Yeah, And if it's

1:56:29.200 --> 1:56:31.960
<v Speaker 2>not open, you just got to keep turning and and

1:56:31.960 --> 1:56:33.440
<v Speaker 2>and do a one eighty and.

1:56:33.400 --> 1:56:34.480
<v Speaker 4>Go right back to anchorage.

1:56:34.480 --> 1:56:36.160
<v Speaker 2>When we're sitting there. In the past. We hiked up

1:56:36.160 --> 1:56:37.640
<v Speaker 2>in the past and we went down this lake. We're

1:56:37.640 --> 1:56:41.280
<v Speaker 2>sitting there. After a while, we watched a plane. He

1:56:41.320 --> 1:56:44.920
<v Speaker 2>gets up there, comes back, comes back and his head's

1:56:44.960 --> 1:56:48.360
<v Speaker 2>back to anchorage. He's like, Nope, not today, closed up

1:56:48.400 --> 1:56:53.520
<v Speaker 2>that day the sketchy pass. Yeah, but yeah, man, on

1:56:53.680 --> 1:56:56.160
<v Speaker 2>the what date? Yeah, January twenty eighth, if you want

1:56:56.200 --> 1:56:56.800
<v Speaker 2>to watch the show.

1:56:56.840 --> 1:56:58.960
<v Speaker 5>If people are listening to this, the day it drops

1:56:58.960 --> 1:57:02.200
<v Speaker 5>it is the twentieth, So it'll be weekend a day

1:57:02.240 --> 1:57:03.160
<v Speaker 5>from now, the twenty eighth.

1:57:03.240 --> 1:57:04.480
<v Speaker 2>Yeah, molds gonna do credits.

1:57:07.120 --> 1:57:11.000
<v Speaker 4>It wasn't quite the it wasn't quite the setup. I

1:57:11.040 --> 1:57:13.080
<v Speaker 4>was like, I was like kind of hintings, like, let's

1:57:13.120 --> 1:57:14.400
<v Speaker 4>kind of steer the last part of.

1:57:14.320 --> 1:57:19.960
<v Speaker 2>The contents poved in this and I'm not listening. I

1:57:20.040 --> 1:57:24.080
<v Speaker 2>want to say for you, I want to still yeah Mo,

1:57:24.840 --> 1:57:28.480
<v Speaker 2>and I'm joking yeah, talk about who, talk about who

1:57:28.520 --> 1:57:28.960
<v Speaker 2>he worked with.

1:57:29.560 --> 1:57:32.680
<v Speaker 4>I mean it is again as we talked about it,

1:57:32.800 --> 1:57:34.120
<v Speaker 4>like the beginning of the show, I'll try to make

1:57:34.120 --> 1:57:36.120
<v Speaker 4>a seguay. Now you're not going to do the work.

1:57:38.240 --> 1:57:39.840
<v Speaker 4>As we talked about the beginning of the show, it's

1:57:39.880 --> 1:57:42.360
<v Speaker 4>like there's a lot that goes into these shows. This

1:57:42.480 --> 1:57:45.200
<v Speaker 4>is not just like it's like, oh, you got to

1:57:45.360 --> 1:57:46.880
<v Speaker 4>show greenlit, you go out and make it. This is

1:57:47.480 --> 1:57:51.000
<v Speaker 4>years and years of like grinding in what's called the

1:57:51.040 --> 1:57:54.720
<v Speaker 4>development process. You take a show concept and you develop

1:57:54.800 --> 1:57:56.920
<v Speaker 4>a deck on it, and you pitch it to various

1:57:56.960 --> 1:58:01.600
<v Speaker 4>networks and and so I like, it's we got to

1:58:01.600 --> 1:58:03.920
<v Speaker 4>give credit to the people who did that work. It's

1:58:03.960 --> 1:58:05.320
<v Speaker 4>the hardest part of making TV.

1:58:05.800 --> 1:58:10.760
<v Speaker 2>Like going way back would be the constant attention of

1:58:11.400 --> 1:58:12.840
<v Speaker 2>Ben Ford and Mark Pierce.

1:58:12.880 --> 1:58:16.480
<v Speaker 4>Exactly ben Ford, Mark Pierce, Bridger Pierce, Chris Richardson and

1:58:16.680 --> 1:58:19.240
<v Speaker 4>all the people over at Warm Springs who really like

1:58:19.720 --> 1:58:24.200
<v Speaker 4>shepherded this project from concept to like something that actually

1:58:24.240 --> 1:58:25.520
<v Speaker 4>has funding and you're gonna go.

1:58:25.440 --> 1:58:28.360
<v Speaker 2>Out And on my end, it was my wife Katie. Yeah,

1:58:28.480 --> 1:58:31.160
<v Speaker 2>that's right, drove it on my end for a long time.

1:58:31.320 --> 1:58:34.040
<v Speaker 4>So I also I need to thak because she's the

1:58:34.040 --> 1:58:34.800
<v Speaker 4>one that called me.

1:58:37.680 --> 1:58:38.960
<v Speaker 2>I's like, God, don't call.

1:58:42.600 --> 1:58:44.840
<v Speaker 4>You know. So you have this tremendous group of people

1:58:45.000 --> 1:58:47.680
<v Speaker 4>here that we got to partner with and work with

1:58:47.720 --> 1:58:49.400
<v Speaker 4>and like the part that we do, like that's the

1:58:49.600 --> 1:58:51.320
<v Speaker 4>that's the fun part. And got on the field and

1:58:51.400 --> 1:58:54.000
<v Speaker 4>hang out and go to the cabin and you know,

1:58:54.320 --> 1:58:56.360
<v Speaker 4>get to do all the fun stuff fly around on

1:58:56.760 --> 1:59:00.400
<v Speaker 4>you know, glaciers and and all that. But on the

1:59:00.440 --> 1:59:03.440
<v Speaker 4>other side, when we talk about the network, like, what

1:59:03.600 --> 1:59:06.080
<v Speaker 4>was really great about this experience in this show is

1:59:06.080 --> 1:59:08.480
<v Speaker 4>like we had a tremendous team at the network too.

1:59:09.040 --> 1:59:13.080
<v Speaker 4>I've had a lot of network experiences. It often is

1:59:13.320 --> 1:59:15.680
<v Speaker 4>the case that you're getting network notes that are like,

1:59:16.240 --> 1:59:18.160
<v Speaker 4>don't like this, don't like this, don't like this. It

1:59:18.200 --> 1:59:24.400
<v Speaker 4>don't like provide any constructive path forward. What's really unique

1:59:24.440 --> 1:59:31.240
<v Speaker 4>here is working with like Max Mcaliffe, Mary Donahue, Alexander Hicks,

1:59:31.360 --> 1:59:38.080
<v Speaker 4>Eli Lair. Their notes are their notes are very, very

1:59:38.120 --> 1:59:42.200
<v Speaker 4>pointed and very constructive, and it's a huge part of

1:59:42.240 --> 1:59:45.800
<v Speaker 4>what has made this show successful. So I've never worked

1:59:45.800 --> 1:59:48.720
<v Speaker 4>for this network before, you know, and instead of coming

1:59:48.760 --> 1:59:51.600
<v Speaker 4>in and having to like just operate in the blind

1:59:51.640 --> 1:59:55.280
<v Speaker 4>and figure things out, this is like incredibly you know

1:59:55.640 --> 2:00:01.280
<v Speaker 4>response of an adept team that's got a blueprint for

2:00:01.480 --> 2:00:04.160
<v Speaker 4>how you make these you know, these shows. And it

2:00:04.240 --> 2:00:07.760
<v Speaker 4>was a real, like real learning experience for me telling

2:00:08.120 --> 2:00:09.480
<v Speaker 4>these kinds of narratives.

2:00:09.720 --> 2:00:10.320
<v Speaker 2>That's great, man.

2:00:10.600 --> 2:00:13.240
<v Speaker 4>So it was all around. It's just been It's been

2:00:13.240 --> 2:00:17.080
<v Speaker 4>an awesome experience. I hope we get renewed and you

2:00:17.120 --> 2:00:17.760
<v Speaker 4>can do it again.

2:00:20.640 --> 2:00:24.120
<v Speaker 2>It comes out the show's hunting History comes out on

2:00:24.360 --> 2:00:29.600
<v Speaker 2>History Channel ten pm Eastern. I could do the math

2:00:29.600 --> 2:00:36.800
<v Speaker 2>all across the whole country, nine Central, What happens eight

2:00:36.880 --> 2:00:39.720
<v Speaker 2>miles Mountain, seven dollars.

2:00:43.880 --> 2:00:45.840
<v Speaker 4>Ten o'clock in the Lost Colony.

2:00:47.400 --> 2:00:49.160
<v Speaker 2>Five or something like that. You figured it out, You'll

2:00:49.160 --> 2:00:52.440
<v Speaker 2>figured it out Alaska on the History Channel, and it

2:00:52.600 --> 2:00:54.880
<v Speaker 2>follows the show. That was funny is a lot of

2:00:55.040 --> 2:00:57.000
<v Speaker 2>most people we talked to when we're working on our

2:00:57.040 --> 2:01:01.040
<v Speaker 2>show and we talked about working with History Channel, they

2:01:01.080 --> 2:01:03.520
<v Speaker 2>bring up how they can't. They don't like to miss

2:01:04.200 --> 2:01:06.800
<v Speaker 2>Curse of Oak Island. So it's right after curseve oak

2:01:06.840 --> 2:01:09.840
<v Speaker 2>Island on his channel premiere January twenty eight. Then you

2:01:09.880 --> 2:01:10.880
<v Speaker 2>can watch for eight weeks.

2:01:12.080 --> 2:01:14.560
<v Speaker 4>Yeah, next year we'll make eight more.

2:01:14.600 --> 2:01:16.560
<v Speaker 2>You'll watch the whole thing and never get to ce Mo.

2:01:17.800 --> 2:01:19.200
<v Speaker 2>So you have to watch here if you want to

2:01:19.200 --> 2:01:22.320
<v Speaker 2>see Mo, check him out. I trust that Moe was there.

2:01:22.760 --> 2:01:26.800
<v Speaker 4>It's actually technically not true. I'm really I'm really bothered

2:01:26.800 --> 2:01:30.200
<v Speaker 4>by one shot in uh Alaska Triangle where I'm like

2:01:30.680 --> 2:01:33.840
<v Speaker 4>I'm in this sweatshirt. I'm trying to I don't know

2:01:33.880 --> 2:01:35.640
<v Speaker 4>if I can get over my headphones, so I'm trying

2:01:35.680 --> 2:01:38.960
<v Speaker 4>to trying to hide in the back of the helicopter

2:01:39.200 --> 2:01:41.520
<v Speaker 4>like this as we're had a cameo.

2:01:41.840 --> 2:01:43.120
<v Speaker 2>Yeah, that's cool.

2:01:42.920 --> 2:01:44.920
<v Speaker 4>And you can see. Man, it's just like, who is that.

2:01:45.560 --> 2:01:48.560
<v Speaker 4>There's a weird dude in the helicopter.

2:01:49.440 --> 2:01:55.960
<v Speaker 2>Your lives are at risk. There's a skyjacker. He's gonna joke.

2:01:57.320 --> 2:01:59.000
<v Speaker 2>Thanks everybody for tuning in man, and I hope you

2:01:59.080 --> 2:02:00.880
<v Speaker 2>check out the show, and I hope you have as

2:02:00.960 --> 2:02:03.520
<v Speaker 2>much fun watching as we had putting it together. Thank

2:02:03.600 --> 2:02:05.200
<v Speaker 2>you and thanks, thank you,