1 00:00:00,360 --> 00:00:03,000 Speaker 1: Coming up at about four minutes after the hour. It's 2 00:00:03,040 --> 00:00:06,400 Speaker 1: my strawberry letter for today and the subject is does 3 00:00:06,440 --> 00:00:10,720 Speaker 1: she pass her leftovers to me? Figure that out? Find 4 00:00:10,720 --> 00:00:13,080 Speaker 1: out what's going on at the top of the hour. 5 00:00:13,200 --> 00:00:16,040 Speaker 1: But right now it is time for the nephew and 6 00:00:16,160 --> 00:00:19,800 Speaker 1: today's spring phone call. What you got for a snap? 7 00:00:20,040 --> 00:00:22,200 Speaker 1: Steps upon the team with the dream of a hardcore 8 00:00:22,320 --> 00:00:25,160 Speaker 1: lean Your dream wasn't grapp to be pointed graphic Yeah, 9 00:00:25,640 --> 00:00:28,560 Speaker 1: tough rock, baby, top rock. When you at man, this 10 00:00:28,680 --> 00:00:30,720 Speaker 1: is the nephew coming at you. If you ain't heard 11 00:00:30,760 --> 00:00:35,920 Speaker 1: it before, here it is the nephew pranks, chub rock sile, 12 00:00:35,960 --> 00:00:38,680 Speaker 1: what ain't for the helping? Somebody fini use my instrumental 13 00:00:38,880 --> 00:00:42,239 Speaker 1: hello and then act like they're gonna just use my hello. Hello. 14 00:00:42,520 --> 00:00:45,480 Speaker 1: May I speak to chub Hey? I need to talk 15 00:00:45,479 --> 00:00:47,840 Speaker 1: to you man. This d Low from our flow Jaim 16 00:00:47,920 --> 00:00:52,520 Speaker 1: Productions out of Jacksonville, Florida. My name d Low from 17 00:00:52,520 --> 00:00:57,560 Speaker 1: flow Jam Productions out of Jacksonville, Florida. Can you hear me? Brother, brother? 18 00:00:58,520 --> 00:01:00,320 Speaker 1: Bring your blood pressure down a couple of not just 19 00:01:00,440 --> 00:01:03,440 Speaker 1: be hold on because of me and you already got 20 00:01:03,480 --> 00:01:07,920 Speaker 1: a problem. Now my understanding of somebody using my instrumental 21 00:01:08,160 --> 00:01:10,600 Speaker 1: on some kind of records you got called if you 22 00:01:10,800 --> 00:01:13,639 Speaker 1: was mine and all that, all them, all that music 23 00:01:13,800 --> 00:01:16,119 Speaker 1: is my music, and I got a problem with all 24 00:01:16,120 --> 00:01:19,640 Speaker 1: of that. Brother, calm your blood pressure down. You know 25 00:01:19,800 --> 00:01:22,160 Speaker 1: what I'm saying to you, my brother, pressure calmed down. 26 00:01:22,240 --> 00:01:25,119 Speaker 1: All I'm saying to you will ain't nobody finn release, 27 00:01:25,240 --> 00:01:29,080 Speaker 1: no CD, no album. I'm using my music out. It 28 00:01:29,080 --> 00:01:31,880 Speaker 1: ain't finning out. I understand who you will and all 29 00:01:31,880 --> 00:01:33,720 Speaker 1: the stuff you'ven't done in the past, but you ain't 30 00:01:33,760 --> 00:01:36,800 Speaker 1: gonna use my stuff though. Brother. Let me tell you something. 31 00:01:36,840 --> 00:01:39,240 Speaker 1: Anything I ever got in my life in twenty years 32 00:01:39,240 --> 00:01:41,160 Speaker 1: of recording, I don't know how you got my number. 33 00:01:41,560 --> 00:01:45,000 Speaker 1: Who you are? You know who you're supposed to be representing. 34 00:01:45,040 --> 00:01:47,760 Speaker 1: But anything I do is always straight up. We do 35 00:01:47,800 --> 00:01:51,480 Speaker 1: our music ourselves or for producer. I'm using he does 36 00:01:51,560 --> 00:01:54,120 Speaker 1: his thing, I pay him, or do whatever I gotta do. 37 00:01:54,600 --> 00:01:56,360 Speaker 1: You're calling me. I don't even know who you are, 38 00:01:56,800 --> 00:01:58,520 Speaker 1: but you need to calm down your blood pressure. If 39 00:01:58,520 --> 00:02:00,480 Speaker 1: you want to continue this conversation, if we can get 40 00:02:00,520 --> 00:02:02,920 Speaker 1: to some kind of figuring out of who you are 41 00:02:03,000 --> 00:02:05,200 Speaker 1: and what you're talking about, you want to yell at 42 00:02:05,240 --> 00:02:07,320 Speaker 1: me and try to do that. I don't. I don't 43 00:02:07,360 --> 00:02:09,680 Speaker 1: go for yelling and intimidation. I ain't one of these 44 00:02:09,720 --> 00:02:11,280 Speaker 1: young dudes out there. So if you don't bring your 45 00:02:11,280 --> 00:02:14,640 Speaker 1: blood pressure down, then I'm gonna have a problem. My 46 00:02:14,680 --> 00:02:16,960 Speaker 1: blood pressure will go up and then we'll have a 47 00:02:17,120 --> 00:02:20,280 Speaker 1: real real problem. Do you feel what I'm saying to you? 48 00:02:20,320 --> 00:02:22,639 Speaker 1: I understand everything that you're saying to me. All I'm 49 00:02:22,680 --> 00:02:25,480 Speaker 1: saying to you, I know I know my music when 50 00:02:25,480 --> 00:02:28,280 Speaker 1: I hear and I think your boy cow that took 51 00:02:28,320 --> 00:02:31,480 Speaker 1: my music from me. Now, if you the stuff you 52 00:02:31,560 --> 00:02:35,000 Speaker 1: got on, if you was mine, o't les's mine. I 53 00:02:35,040 --> 00:02:37,799 Speaker 1: ain't nobody tripping with y'all on what you do. I'm 54 00:02:37,840 --> 00:02:40,480 Speaker 1: just trying to tell you you said all that stuff 55 00:02:40,520 --> 00:02:42,520 Speaker 1: is mine? You talking about those are my lyrics on 56 00:02:42,600 --> 00:02:44,440 Speaker 1: that playboy? You don't write no lyrics for me? Were 57 00:02:44,480 --> 00:02:47,279 Speaker 1: you crazy? No, I'm trying like one of them. Lath 58 00:02:47,480 --> 00:02:49,960 Speaker 1: You don't knowbody touch my lyrics? Be you're saying all 59 00:02:49,960 --> 00:02:52,760 Speaker 1: that I'm not. I ain't talking about the mule the lyrics. 60 00:02:52,800 --> 00:02:56,000 Speaker 1: I'm talking about the music itself. That's what I'm talking about. 61 00:02:56,160 --> 00:02:58,720 Speaker 1: The lyrics I don't know nothing about that. Might be 62 00:02:58,800 --> 00:03:00,840 Speaker 1: you but I'm just trying to let you know about 63 00:03:00,840 --> 00:03:03,920 Speaker 1: the music that belong to mate. Convert that mike that 64 00:03:03,960 --> 00:03:06,840 Speaker 1: you got there might be me. Convert the mike ain't 65 00:03:06,840 --> 00:03:10,399 Speaker 1: no mike. The music is mine. Let's get that out 66 00:03:10,440 --> 00:03:13,240 Speaker 1: there now. The music on this song you got, if 67 00:03:13,280 --> 00:03:16,720 Speaker 1: you was mine, that's my music. Brother. You ain't Bobby Woolman. 68 00:03:16,840 --> 00:03:19,160 Speaker 1: How could it be your music? The interpretation of the 69 00:03:19,240 --> 00:03:22,040 Speaker 1: music was from Bobby wool mack Hey. Brother. Now, I 70 00:03:22,080 --> 00:03:24,360 Speaker 1: don't know if you're the one that stole my music. 71 00:03:24,400 --> 00:03:26,839 Speaker 1: I don't know if it was your boy cal who 72 00:03:26,919 --> 00:03:30,639 Speaker 1: called himself DJ Rexhall, whoever he called himself. All I'm 73 00:03:30,680 --> 00:03:33,600 Speaker 1: trying to let you know where this music belonged to me. 74 00:03:33,800 --> 00:03:35,240 Speaker 1: All right, So what do you want? If you want 75 00:03:35,240 --> 00:03:36,880 Speaker 1: to meet me on the streets of way and you 76 00:03:36,920 --> 00:03:38,400 Speaker 1: can handle it the way you want to handle it 77 00:03:38,440 --> 00:03:40,280 Speaker 1: with me, you want to handle it that way. You 78 00:03:40,320 --> 00:03:43,040 Speaker 1: ain't saying nothing to me, man, You ain't saying that's 79 00:03:43,040 --> 00:03:45,120 Speaker 1: what you're saying me, brother, That's that's all I want 80 00:03:45,120 --> 00:03:47,400 Speaker 1: of them to keep blasts. You don't say me. Did 81 00:03:47,440 --> 00:03:51,040 Speaker 1: you just say something about my rector? You don't talk 82 00:03:51,080 --> 00:03:54,280 Speaker 1: on you. You don't talk about my we gonna we 83 00:03:54,440 --> 00:03:57,200 Speaker 1: will me if you keep talking about my you don't 84 00:03:57,280 --> 00:04:00,600 Speaker 1: bring my up on nothing, you know nothing, you ain't nothing. 85 00:04:00,640 --> 00:04:02,360 Speaker 1: If you want to talk as men, then we sit 86 00:04:02,440 --> 00:04:04,080 Speaker 1: down and we talk as men, because I don't know 87 00:04:04,080 --> 00:04:05,880 Speaker 1: what you're talking about. But if you're come in to 88 00:04:05,960 --> 00:04:09,560 Speaker 1: bed throwing my name in the middle of severy, then 89 00:04:09,600 --> 00:04:11,840 Speaker 1: I got a problem with that being and I'll handle 90 00:04:11,880 --> 00:04:14,760 Speaker 1: it with you. I'm not new young, I don't make records. 91 00:04:14,800 --> 00:04:16,760 Speaker 1: I ain't gonna miss you on the record. I'm gonna 92 00:04:16,800 --> 00:04:18,840 Speaker 1: come see you so we can sit down eye the 93 00:04:18,880 --> 00:04:21,240 Speaker 1: eye and we get down to what it is. And 94 00:04:21,440 --> 00:04:23,520 Speaker 1: all I'm saying is I got a problem with it 95 00:04:23,560 --> 00:04:25,760 Speaker 1: and have been a bigger problem I got at this point. 96 00:04:25,800 --> 00:04:28,039 Speaker 1: Now is for you to tell me. Do I want 97 00:04:28,040 --> 00:04:30,360 Speaker 1: to meet you on the streets somewhere, And you know what, 98 00:04:30,520 --> 00:04:33,000 Speaker 1: I ain't got no problem with that. You wanna want 99 00:04:33,000 --> 00:04:34,720 Speaker 1: me to find really want me to see you? Now? 100 00:04:34,920 --> 00:04:37,279 Speaker 1: You know what your problem is, man. Your problem is 101 00:04:37,440 --> 00:04:40,359 Speaker 1: that you ain't getting a successful as heavy day. You 102 00:04:40,400 --> 00:04:43,880 Speaker 1: didn't do with Biggie with Biggie Smalls, did That's your problem, man, 103 00:04:44,120 --> 00:04:47,000 Speaker 1: That's have no problem that those are incredible artists who 104 00:04:47,000 --> 00:04:49,919 Speaker 1: have done all kinds of beautiful things in music. I 105 00:04:49,960 --> 00:04:52,800 Speaker 1: have done my thing in music, all of those things 106 00:04:52,800 --> 00:04:54,840 Speaker 1: that you're trying to get me to go past the 107 00:04:54,960 --> 00:04:57,640 Speaker 1: line of sensibility that goes to young ands. And like 108 00:04:57,680 --> 00:05:00,320 Speaker 1: I said before, forget about that. What I I said 109 00:05:00,360 --> 00:05:03,360 Speaker 1: earlier stands brother, when you want to see you don't care? 110 00:05:03,480 --> 00:05:05,200 Speaker 1: Why do you want to me that? How about I 111 00:05:05,240 --> 00:05:07,520 Speaker 1: got a better idea for you. I'm doing a club 112 00:05:07,560 --> 00:05:10,520 Speaker 1: date in Jacksonville, flos Brothers who you can, got my 113 00:05:10,640 --> 00:05:13,560 Speaker 1: guests and come see me personally and make sure we 114 00:05:13,680 --> 00:05:16,760 Speaker 1: come with this vigor though, Come with this vigor or 115 00:05:17,400 --> 00:05:20,000 Speaker 1: what you're talking about. You're gonna quit using these big words. 116 00:05:20,040 --> 00:05:22,640 Speaker 1: What is this? Ain't no big words you're gonna use. 117 00:05:22,760 --> 00:05:24,680 Speaker 1: But you're wanna come there with this attitude. You ain't 118 00:05:24,680 --> 00:05:27,719 Speaker 1: gonna see no bodyguard there, you feel me. All I'm 119 00:05:27,720 --> 00:05:30,800 Speaker 1: saying to you is the music belongs to me. That's 120 00:05:30,800 --> 00:05:33,520 Speaker 1: what I'm saying to you, man, That's all I'm saying 121 00:05:33,520 --> 00:05:36,240 Speaker 1: to you. And who your boy ever? Thenly to swipe 122 00:05:36,279 --> 00:05:38,760 Speaker 1: my music, laid it under you and you don't put 123 00:05:38,760 --> 00:05:41,719 Speaker 1: some tracks on top of it. Ain't right? Dog, brother. 124 00:05:41,839 --> 00:05:44,799 Speaker 1: Let me tell you something the guy is a guy 125 00:05:45,240 --> 00:05:51,200 Speaker 1: of incredible integrity saying it the truth. Brother, it's the truth. 126 00:05:51,200 --> 00:05:53,800 Speaker 1: I mean, I'm sorry, man, I mean clear that Trump said, 127 00:05:53,800 --> 00:05:56,280 Speaker 1: and I'm sorry that you up saying. Bring all of that, 128 00:05:56,400 --> 00:05:59,920 Speaker 1: Forget all of that, forget everything we're talking about right now. 129 00:06:00,160 --> 00:06:02,080 Speaker 1: I want you to know this. Can I tell you 130 00:06:02,160 --> 00:06:05,360 Speaker 1: something else again? Can I say something else to you? 131 00:06:05,520 --> 00:06:08,640 Speaker 1: Can you say it? Calmly? I can't. You can't. Yes, 132 00:06:08,920 --> 00:06:11,279 Speaker 1: this is if you time me from the Steve Harvey 133 00:06:11,400 --> 00:06:15,680 Speaker 1: Morning Show. You just got pranked by Monica. You just 134 00:06:15,760 --> 00:06:20,640 Speaker 1: got franked by your boy name shot Man. You guys 135 00:06:20,640 --> 00:06:28,960 Speaker 1: are crazy. You're serious. You can't be serious? Baby, Wow man, 136 00:06:29,560 --> 00:06:32,599 Speaker 1: Wow man, that's crazy man, Shot Look all right, cool 137 00:06:33,120 --> 00:06:38,919 Speaker 1: and I gotta get everybody back and then you have 138 00:06:39,080 --> 00:06:48,560 Speaker 1: it that bigger keep that same energy. Classy though. That's 139 00:06:48,600 --> 00:06:50,960 Speaker 1: what I liked about him. He kept a classy. But 140 00:06:51,080 --> 00:06:53,920 Speaker 1: you know I've noticed about you when you whenever you 141 00:06:54,000 --> 00:06:59,080 Speaker 1: prank the rappers, you always real humbly scared at just 142 00:06:59,680 --> 00:07:02,320 Speaker 1: what different you know? You know you don't you don't 143 00:07:02,320 --> 00:07:04,920 Speaker 1: have like chill take, you don't have that same biggle 144 00:07:05,160 --> 00:07:09,880 Speaker 1: when you're talking to them after. But they different. They 145 00:07:09,920 --> 00:07:12,720 Speaker 1: come from a different place. You gotta be you gotta 146 00:07:12,760 --> 00:07:15,360 Speaker 1: know what you're dealing with. Be nice and make sure 147 00:07:15,400 --> 00:07:16,920 Speaker 1: they're all right when you get off the phone. You 148 00:07:16,920 --> 00:07:24,280 Speaker 1: don't want no drama. You're gonna find out like Drake 149 00:07:24,760 --> 00:07:28,880 Speaker 1: prank pretty boy Drinke, I do that taste fool? You 150 00:07:29,440 --> 00:07:39,720 Speaker 1: bet you want prank, Boosey. We paid money to hear 151 00:07:39,800 --> 00:07:44,080 Speaker 1: that you would get them good too. Are getting good 152 00:07:44,120 --> 00:07:49,280 Speaker 1: but wiping down to be different outter m m m 153 00:07:49,520 --> 00:07:53,120 Speaker 1: m all right, Memphis, Tennessee. There's only one show you 154 00:07:53,160 --> 00:07:55,520 Speaker 1: can get, and that's Friday with you Tonight, the second 155 00:07:55,560 --> 00:07:58,040 Speaker 1: show Friday. Everything else is gone. I write, the nephew 156 00:07:58,200 --> 00:08:01,320 Speaker 1: is in Memphis Tonight. Only show on the table is 157 00:08:01,320 --> 00:08:03,760 Speaker 1: the second show. So get it white again. Got a 158 00:08:03,760 --> 00:08:07,200 Speaker 1: few up left, but the nephew is in Memphis, Tennessee. 159 00:08:07,320 --> 00:08:10,440 Speaker 1: Got all my Bobby's cube spots written down. I'm gonna 160 00:08:10,440 --> 00:08:13,920 Speaker 1: be five pounds heavily when I leave in alright, coming 161 00:08:14,000 --> 00:08:18,440 Speaker 1: up the strawberry letter. Uh did she pass her leftovers 162 00:08:18,480 --> 00:08:22,200 Speaker 1: to me? We'll find out right after this. You're listening 163 00:08:22,440 --> 00:08:24,280 Speaker 1: to the Steve Harvey Morning Show.