WEBVTT - Thurs Post Show (10-06-22)

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<v Speaker 1>It's time for the Bobby Bones post show. Here's your host,

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<v Speaker 1>Bobby Bones. Hello, Hello, you know it's given a commercial

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<v Speaker 1>this morning. I'm not gonna say who it was, but man,

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<v Speaker 1>they ask some weird stuff with me at commercials. They

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<v Speaker 1>want me to do all kinds of like, for example,

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<v Speaker 1>I'm not going to read to you because I don't

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<v Speaker 1>want to throw anybody under the bus because I don't

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<v Speaker 1>even know that. It's probably not even the company. It's

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<v Speaker 1>probably somebody in sales that works and I don't know

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<v Speaker 1>what town they live in, because I get what happens

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<v Speaker 1>in the morning as I come in and have a

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<v Speaker 1>stack and it is a large stack. I'm lucky that

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<v Speaker 1>it's a large stack. So I say that is and

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<v Speaker 1>I'm I'm fortunate. I am a little bit, but I

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<v Speaker 1>want people to know that I'm complaining. I'm complaining because

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<v Speaker 1>it's a fortunate problem to have. Okay, Okay, A lot

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<v Speaker 1>of people buy commercials. That's how we get to do

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<v Speaker 1>our job, and so I do commercials for any city

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<v Speaker 1>that wants it. You know, I think one of the

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<v Speaker 1>appeals of having our show, even it being a syndicated show,

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<v Speaker 1>because there's always philosophical do we put on a better

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<v Speaker 1>show if it's syndicated. We put on a local show

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<v Speaker 1>that maybe not be as good, but it's local. And

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<v Speaker 1>I understand why that's talked about, right, But I'll go, hey,

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<v Speaker 1>I'll do commercials for anybody. Some syndicated shows won't. They'll

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<v Speaker 1>be like, we don't wanna do for this market. I

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<v Speaker 1>get this and it's um it's a real estate commercial

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<v Speaker 1>and it could have been written by a salesperson. But

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<v Speaker 1>in the end it says, hey, just google and see

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<v Speaker 1>you're not alone. Read all the five star reviews. Just

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<v Speaker 1>go to da da da da da. And then it says,

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<v Speaker 1>in parentheses, do a satisfied sigh, like to sigh yeah.

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<v Speaker 1>And then I'm supposed to go do a satisfied sign

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<v Speaker 1>and then go I feel better already? What is that? What? Right?

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<v Speaker 1>That's what I said. So the commercial is like, hey,

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<v Speaker 1>just google la la la la, then go to the website.

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<v Speaker 1>I feel better already. What I would never do that.

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<v Speaker 1>That's pretty good though, that's a pretty good I mean, yeah,

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<v Speaker 1>that was good at acting. But I don't understand this.

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<v Speaker 1>It sounds like you just went to the bathroom. Who

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<v Speaker 1>does this go through? Who reads these? And but I know,

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<v Speaker 1>it's got to go through a process before it gets

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<v Speaker 1>to me. Yeah, I don't want to say where it

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<v Speaker 1>came from because it's a very specific location of where

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<v Speaker 1>it came from. But it comes from them and then

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<v Speaker 1>goes to Kevin. Kevin then takes it in formats in

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<v Speaker 1>the way you like to have it. We usually take

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<v Speaker 1>out things that could be a conflict, or it could

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<v Speaker 1>be whatever. Sometimes they're very particular on certain things in

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<v Speaker 1>that way. Are they particular about the satisfied side? Because

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<v Speaker 1>they haven't. They they didn't mention it, but but sometimes

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<v Speaker 1>they are, and I'll hear about it. And the once

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<v Speaker 1>we send it off, hey, can you can you read

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<v Speaker 1>this one line? If it's something that we forgot. Sure,

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<v Speaker 1>if it's something weird like that, I'll go, oh, it's

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<v Speaker 1>just not in character to read that. Um no, yeah,

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<v Speaker 1>it's tough. Yeah, I think. And that same client also

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<v Speaker 1>puts a tagline in there from another client that they

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<v Speaker 1>stole from, and so I always have to remove that

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<v Speaker 1>because I'm like, you can't say that somebody else has

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<v Speaker 1>that tagline. But he says for another commercial, just do it. No, No,

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<v Speaker 1>that's funny. Melts in your mouth, not in your hand.

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<v Speaker 1>Breakfast the champions. Yeah, it's it's a bit bizarre sometimes.

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<v Speaker 1>Oh I had something the other day which I thought

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<v Speaker 1>was weird. I don't know I'm paraphrasing, but it was

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<v Speaker 1>like somewhere in the middle of it, it just had

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<v Speaker 1>these princess said say something funny. I'm like, well, and

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<v Speaker 1>I don't do those anymore because and we've eliminated that

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<v Speaker 1>where they're like just ad lib about it, like here's

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<v Speaker 1>here's the thing, and then just add lib. No, no no, no,

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<v Speaker 1>you just tell me what. I'll say what you need

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<v Speaker 1>me to say. For the most part, unless I'm doing

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<v Speaker 1>a satisfied side, just give me the points and I'll

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<v Speaker 1>say it. But I'm I'm not going to add lib

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<v Speaker 1>unless it's something that we know a lot a lot about,

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<v Speaker 1>Like I don't know a lot about this person that

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<v Speaker 1>sells this real estate. Yea, yeah, I'm voicing it more

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<v Speaker 1>than I am going I've used it. And there's a difference, yes,

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<v Speaker 1>where I won't do I won't endorse things where I'm like, yeah,

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<v Speaker 1>I've used it's great unless I have or somebody And

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<v Speaker 1>there are things that i'll voice that's like a car

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<v Speaker 1>situation if they're like, hey, will you be the voice. Yes,

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<v Speaker 1>well I voice whiskey no, And that's a little more

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<v Speaker 1>lenient if I'm voicing it. But I'll do some of

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<v Speaker 1>those and I'll be like, yeah, I just ad lib.

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<v Speaker 1>It's a we bought sixty seconds. So read this line.

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<v Speaker 1>Ad lib for forty five and then read this. I

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<v Speaker 1>mean no, no, that's called the show. You want to

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<v Speaker 1>add liver, But like Sonic, they can go. Here's the

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<v Speaker 1>page for Sonic mentioned about a burger and ad lib

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<v Speaker 1>fifty nine seconds. You got it, and then I'll just

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<v Speaker 1>let it rip. But yeah, I'm not gonna do many

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<v Speaker 1>satisfied sides. What about a happy hoot? What's a happy hoot?

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<v Speaker 1>Who sucks? Will do anything? By the way, you don't

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<v Speaker 1>matter what you telling. You want me to happy? Who

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<v Speaker 1>you want me to satisfy side? I'll do it for

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<v Speaker 1>it all. Yeah, He'll give it to you non stop.

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<v Speaker 1>You want me sad sally, I'll be a sad salad.

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<v Speaker 1>I think the difference is I can't sit here and

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<v Speaker 1>for two hours and have to create ad libs and

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<v Speaker 1>satisfied sizes all day because I'm being very efficient. Were

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<v Speaker 1>you have a couple and you're done? Yeah, I don't

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<v Speaker 1>have as many as you. I mean, but I'd love

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<v Speaker 1>to have more. He would love to have more. Could

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<v Speaker 1>do all the happy hoots you want, happy hoots satisfied side.

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<v Speaker 1>I don't even care if you know about it or not.

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<v Speaker 1>You do you sell anything? No, no, no no, no bleeping burps,

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<v Speaker 1>I'll do those. Why do you say no? No, no no, no,

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<v Speaker 1>I won't do anything. What have you said no too?

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<v Speaker 1>Lunchbox ever said no? He has always said yeah, yeah,

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<v Speaker 1>that's what I'm saying. Think, Well, what's he referring to, Like,

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<v Speaker 1>what would he say no to? That's exactly Yeah, you're right,

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<v Speaker 1>I'd say yes to tampons. Yeah, he'd say yes to anything.

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<v Speaker 1>Tampons love him great, they do the job. What if

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<v Speaker 1>the woman in a good mood, What if the Love

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<v Speaker 1>Golf Tour said we want you to come and what?

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<v Speaker 1>That's good? But what is that man? How much they're

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<v Speaker 1>gonna pay me? Probably a lot? That's like the player,

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<v Speaker 1>I go, you do it? Is that something he should

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<v Speaker 1>say no to? No? Oh? It just depends. So the

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<v Speaker 1>problem with that golf tour, because they're poaching people off

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<v Speaker 1>the PGA tour by paying them a lot of money.

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<v Speaker 1>Is the money that funds this tour that's almost unlimited money.

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<v Speaker 1>It's the same money that has funded a lot of

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<v Speaker 1>things in the Middle East, for example, that they have

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<v Speaker 1>connected to L nine to eleven. Oh my. But where

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<v Speaker 1>it gets to be a bit hypocritical is the PGA

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<v Speaker 1>also a sponsors that have these back connections to If

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<v Speaker 1>there's a company, they're taking money, they're using money, they're

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<v Speaker 1>shady stuff all over the place. Yeah, so you're gonna

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<v Speaker 1>wear Nike, you don't know where that money comes from. Well,

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<v Speaker 1>there's sweatshots other parts too. So I'm not even saying

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<v Speaker 1>the Lift tour is right or wrong. I'm just saying

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<v Speaker 1>if there's a big corporation and they got a lot

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<v Speaker 1>of money coming in and outfull lots of places, some

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<v Speaker 1>of that stuff probably count some places that aren't as

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<v Speaker 1>reputable as you'd hold. So what you're saying is wherever

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<v Speaker 1>there's money, there's shade. I always say that where there's money,

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<v Speaker 1>there's corruption. I don't care why. And right, the less

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<v Speaker 1>of the money, the less of corruption. But the more money,

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<v Speaker 1>the more corruption. Because I think you're right. I mean

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<v Speaker 1>the way you look at it, if you have more

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<v Speaker 1>money and you fan it out, you're gonna have shade,

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<v Speaker 1>you put it over your tree. Yes, we probably indirectly

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<v Speaker 1>have dealt with cartel money, drug money. Yeah yeah, what

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<v Speaker 1>satisfied side. They're like, you know, ten kilos of meth

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<v Speaker 1>feel better already. So it just depends on where you

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<v Speaker 1>fall and that. I am not a fan of Lived Tour,

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<v Speaker 1>but I don't know all the intricacies about their organizations.

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<v Speaker 1>But Lunchbox definitely opposes Live Tour. No, no, no, I

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<v Speaker 1>don't oppose the Live Tour. What I oppose is the

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<v Speaker 1>player saying it's not about the money. Well, I'm just

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<v Speaker 1>saying it's about the money, right, guys. I couldn't turn

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<v Speaker 1>it down. Most of them are saying, oh, two hundred

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<v Speaker 1>million dollars, But I'm doing it to grow the game

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<v Speaker 1>of golf. No, just saying you're going for the money.

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<v Speaker 1>It's only one hundred million and they get paid just

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<v Speaker 1>a play, not even to win. You don't have to win. Listen.

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<v Speaker 1>My statement was Live Tour is the greatest thing that

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<v Speaker 1>ever happened to golf because they've made the PGA become better.

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<v Speaker 1>If there's no competition, there's no reason to have to

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<v Speaker 1>strive to be better and do things in a better way.

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<v Speaker 1>I think the live tour I don't like. So it's

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<v Speaker 1>televised on the golf No, no, no one will touch it.

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<v Speaker 1>You can't watch it. I think on YouTube you can

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<v Speaker 1>watch it. You can go to an event, you can

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<v Speaker 1>go watch it on TikTok for they harassed the offer

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<v Speaker 1>is being funny. Anyway, My whole point wither do I

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<v Speaker 1>know that's plain in it? Phil Nicholson really, Sergio Garcia, No,

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<v Speaker 1>no, no no, he's like anyway, lunch Bucks don't do anything right.

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<v Speaker 1>I got my limits. But but you just said you

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<v Speaker 1>didn't have any. Yeah, I'm just trying to sound cool.

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<v Speaker 1>Oh got I gotta got it? Uh, Scooba, why did

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<v Speaker 1>you almost flip? Let me say this. I don't know

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<v Speaker 1>what happened on tomorrows show. We have a couple of

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<v Speaker 1>great interviews. We just did them. One of them is

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<v Speaker 1>Barbara Corcoran from Shark Tank, and nobody pitched their ideas

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<v Speaker 1>of her hilarious. And I won't say this on the show,

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<v Speaker 1>but since you guys watched on Facebook or listen to this,

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<v Speaker 1>I'll give you she actually liked one of the ideas

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<v Speaker 1>so much she was like, I put money in there. Yeah,

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<v Speaker 1>it's awesome. It's awesome and so but we're doing this

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<v Speaker 1>and before we get on, there's some sort of issue

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<v Speaker 1>with connecting or something. What happened when Scooba flipped out? Yeah,

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<v Speaker 1>so Barbara's people were saying, hey, can you hear me?

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<v Speaker 1>And what I like to do. I control the zoom,

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<v Speaker 1>so I can control when Bobby pops up when he talks.

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<v Speaker 1>I can mute Bobby and do all that. So when

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<v Speaker 1>she said can you hear me? I said, Scuba, can

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<v Speaker 1>you talk to them before? I don't want to turn

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<v Speaker 1>Bobby up. Can you talk to them and tell him, yes,

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<v Speaker 1>we can hear you. Sound great? And he looks at me.

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<v Speaker 1>He's like, no, just just you do it, And I said, no,

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<v Speaker 1>you do it on your end. And then he throws

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<v Speaker 1>his headphones and walks out the door with his laptop.

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<v Speaker 1>Also flipped his computer in the air like which, by

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<v Speaker 1>the way, that's not Scuba's personality. So I see Scuba's

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<v Speaker 1>not having a good day or it's not been a

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<v Speaker 1>good few days. Let's give Scuba a verbal hug. I

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<v Speaker 1>hope his headphones still work. Bec doesn't happen. He's not

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<v Speaker 1>an angry guy, Scuba. What happened in your mind? Well,

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<v Speaker 1>I mean you're about other things going on, which I'm

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<v Speaker 1>sure projects into this situation. But for me, logically, it

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<v Speaker 1>did not make sense for me to rule myself from

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<v Speaker 1>where I'm at when we have to do two things. One,

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<v Speaker 1>not only do they have to hear we have to

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<v Speaker 1>hear them, which we were hearing, but they have to

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<v Speaker 1>know that they can hear us. And in order to

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<v Speaker 1>do that, Eddie has to take it off mute, put

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<v Speaker 1>it up so that we can hear us. That we

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<v Speaker 1>we go in the interview not having issues of sound.

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<v Speaker 1>So I was like, well, let's just test the right

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<v Speaker 1>now to see if they can hear us, and he's like,

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<v Speaker 1>just do it in your laptop. But that doesn't make

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<v Speaker 1>sense to me when we want to see both ends

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<v Speaker 1>if we can hear each other. Because when I just

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<v Speaker 1>want I just go turn it up and yeah, yeah,

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<v Speaker 1>yeah hear us. I get it. But that's that's an

0:10:23.800 --> 0:10:26.200
<v Speaker 1>issue we always did. Like this always happens, and I

0:10:26.240 --> 0:10:28.480
<v Speaker 1>understand no, usually he turns it on. I don't know

0:10:28.520 --> 0:10:35.160
<v Speaker 1>what the hell he nae here, not not with me,

0:10:35.280 --> 0:10:37.280
<v Speaker 1>not with me, And I'm not taking a side here,

0:10:37.320 --> 0:10:41.160
<v Speaker 1>But usually you or Mike depending on what show we're doing,

0:10:41.440 --> 0:10:43.800
<v Speaker 1>talks to them first and then it comes over to

0:10:43.840 --> 0:10:45.240
<v Speaker 1>me because my Mike is not turned on because who

0:10:45.280 --> 0:10:47.800
<v Speaker 1>knows what we're doing in here. So I just it

0:10:47.840 --> 0:10:50.120
<v Speaker 1>wasn't about that. Why you guys do it a certain way.

0:10:50.120 --> 0:10:54.160
<v Speaker 1>It was like, broh, you okay, because you don't flip

0:10:54.400 --> 0:10:58.200
<v Speaker 1>and if you're if you're on that edge, you go

0:10:58.280 --> 0:11:00.360
<v Speaker 1>take care of stuff, you know. Yeah, well thinks we'll

0:11:00.360 --> 0:11:03.160
<v Speaker 1>be taken care of Oh with me sounds like, oh

0:11:03.160 --> 0:11:05.080
<v Speaker 1>my gosh, it sounds like you when you guys walking

0:11:05.080 --> 0:11:08.400
<v Speaker 1>me into my car. Oh my god, it'll be taking

0:11:09.600 --> 0:11:13.080
<v Speaker 1>a moment. I was like, I'm totally am oblivious to this. Yeah,

0:11:13.080 --> 0:11:17.600
<v Speaker 1>we figured you're on the line of side. I mean

0:11:17.760 --> 0:11:20.880
<v Speaker 1>you could hear Scooba slam his headphones through the microphone.

0:11:21.000 --> 0:11:23.000
<v Speaker 1>And then secondly, two things. One, you can't you're not

0:11:23.000 --> 0:11:24.439
<v Speaker 1>in the line of side. I'm right on ray and

0:11:24.480 --> 0:11:28.319
<v Speaker 1>Scooba's eyes, um so doesn't doesn't I walk away and

0:11:28.360 --> 0:11:30.160
<v Speaker 1>I have to come back and then put them on. Anyways,

0:11:30.320 --> 0:11:31.760
<v Speaker 1>let me make my other point make any sense, I'll

0:11:31.800 --> 0:11:34.280
<v Speaker 1>remember the point. A Secondly, if you're often in your

0:11:34.320 --> 0:11:38.840
<v Speaker 1>own little bubble a lot of times, even more when

0:11:38.880 --> 0:11:41.760
<v Speaker 1>it's down, we're not on, You're ye, we weren't on right, Yes,

0:11:41.800 --> 0:11:43.360
<v Speaker 1>what I'm saying, you're on your own when we're on,

0:11:43.520 --> 0:11:45.920
<v Speaker 1>I'm on, but I also still in. So where do

0:11:45.960 --> 0:11:48.200
<v Speaker 1>you go when we're off? I'm right here? Yeah, yeah,

0:11:48.200 --> 0:11:50.520
<v Speaker 1>but where do you go? I mean, I don't know.

0:11:51.640 --> 0:11:53.720
<v Speaker 1>But sometimes sometimes we'll all trying to talk to you,

0:11:53.880 --> 0:12:00.960
<v Speaker 1>like Amy, Okay, how did this shift to me? Does

0:12:01.080 --> 0:12:03.160
<v Speaker 1>Scuba and Eddie need to make a repair? I haven't

0:12:03.200 --> 0:12:05.120
<v Speaker 1>done anything wrong, and now I feel like I'm being

0:12:05.440 --> 0:12:07.719
<v Speaker 1>called out for not paying attention for some reason. No, no,

0:12:08.000 --> 0:12:10.520
<v Speaker 1>you said you were oblivious, said you had saying to

0:12:10.559 --> 0:12:12.599
<v Speaker 1>this situation, but you said no, No. Sometimes all that

0:12:12.840 --> 0:12:16.920
<v Speaker 1>you kind of like alluded to that. I struggle here,

0:12:17.000 --> 0:12:19.640
<v Speaker 1>all struggle sometimes, don't worry, Like I got Facebook. I

0:12:19.720 --> 0:12:21.640
<v Speaker 1>got Facebook. And if I'm in them of a conversation

0:12:21.880 --> 0:12:24.240
<v Speaker 1>and sometimes I'm like talking, I'm like, oh, that's funny gossip,

0:12:24.240 --> 0:12:27.600
<v Speaker 1>and then Bobby's I'm like, thy needs a break. Let's

0:12:27.600 --> 0:12:31.080
<v Speaker 1>just move over to the old camera here. I feel good.

0:12:31.160 --> 0:12:32.959
<v Speaker 1>Why does they need ever do they need to repair?

0:12:33.360 --> 0:12:35.200
<v Speaker 1>We're good? I think we're good. I just know now

0:12:35.240 --> 0:12:38.600
<v Speaker 1>that I'll talk a repair, right and repair? Well, no, god,

0:12:38.760 --> 0:12:41.080
<v Speaker 1>we're good, we're good. Time just get tense and who cares?

0:12:41.080 --> 0:12:43.280
<v Speaker 1>And he's not mine? You go that scuba was eleven?

0:12:43.880 --> 0:12:46.000
<v Speaker 1>Who move on? Oh he just called Oh he called

0:12:46.040 --> 0:12:49.120
<v Speaker 1>you elevener? Okay, yeah, like like you're eleven year old.

0:12:49.120 --> 0:12:51.920
<v Speaker 1>Like you reacted in a way like eleven year old.

0:12:51.960 --> 0:12:54.520
<v Speaker 1>But he didn't compute your headphones and walked off and

0:12:54.559 --> 0:12:57.720
<v Speaker 1>then doesn't like turn on the FN audio. Who gives

0:12:57.720 --> 0:12:59.200
<v Speaker 1>a crap? And then I had to come back here

0:12:59.240 --> 0:13:01.280
<v Speaker 1>and do the same. You can't hear them because hit

0:13:01.360 --> 0:13:03.520
<v Speaker 1>him in the headphones, no sense. It didn't compute to me.

0:13:03.559 --> 0:13:05.240
<v Speaker 1>And as an audio guy, which right would would say

0:13:05.280 --> 0:13:07.240
<v Speaker 1>something because we have to make sure both ends can

0:13:07.320 --> 0:13:09.360
<v Speaker 1>hear each other. So then we had to do it anyways,

0:13:09.440 --> 0:13:11.480
<v Speaker 1>right do it initially as an audio guy, we really

0:13:11.480 --> 0:13:14.520
<v Speaker 1>expect you to step up, buddy. Are you an audio guys?

0:13:14.520 --> 0:13:17.240
<v Speaker 1>You get slammed into the audio role. Oh no, I'm

0:13:17.240 --> 0:13:20.120
<v Speaker 1>an audio guy. I know good audio from bad good?

0:13:20.280 --> 0:13:22.480
<v Speaker 1>So so do you which way is better? Do you

0:13:22.520 --> 0:13:25.520
<v Speaker 1>think it's better to skip the scoopa step? I'm for

0:13:25.679 --> 0:13:28.079
<v Speaker 1>a I don't care about how you guys do it technically. No,

0:13:28.280 --> 0:13:33.000
<v Speaker 1>I'm asking you because this is literally not the conversation

0:13:33.240 --> 0:13:37.760
<v Speaker 1>about efficiency. Yes, but this is not. My only question

0:13:37.880 --> 0:13:40.480
<v Speaker 1>was Scooba, are you okay because you don't react like that.

0:13:40.480 --> 0:13:42.520
<v Speaker 1>That's good, that's good that The only reason I brought

0:13:42.559 --> 0:13:44.280
<v Speaker 1>it up is you guys almost fits five and then

0:13:44.280 --> 0:13:46.199
<v Speaker 1>it's almost like after that happens, you just move on life.

0:13:46.200 --> 0:13:50.200
<v Speaker 1>Who cares? Yeah right, it doesn't matter. I love you, Scuba. Yes,

0:13:50.559 --> 0:13:53.160
<v Speaker 1>but what's the question about efficiency? LaunchBox? Go ahead ask me.

0:13:53.160 --> 0:13:55.120
<v Speaker 1>You know what I'm saying is so Scooba is saying

0:13:55.360 --> 0:13:57.040
<v Speaker 1>we had to do two steps when we could have

0:13:57.040 --> 0:13:59.360
<v Speaker 1>just done one. If anyone just pulled it up, we

0:13:59.400 --> 0:14:02.160
<v Speaker 1>would know. Then I wasn't ready. Then I was doing

0:14:02.200 --> 0:14:04.120
<v Speaker 1>something else and Eddie didn't turn my microphone up because

0:14:04.160 --> 0:14:05.640
<v Speaker 1>I was in the middle of doing something else, and

0:14:05.679 --> 0:14:07.839
<v Speaker 1>so he has Scooba to test. This isn't what happens

0:14:07.880 --> 0:14:10.440
<v Speaker 1>every time. So this was an outlier issue today. I

0:14:10.559 --> 0:14:12.480
<v Speaker 1>was in the middle of doing something else, so if

0:14:12.559 --> 0:14:14.160
<v Speaker 1>Eddie would turned out my micups, she'd have hurt me

0:14:14.200 --> 0:14:17.360
<v Speaker 1>going doing a side for a commercial or something. Um,

0:14:17.360 --> 0:14:19.760
<v Speaker 1>so he didn't. So he said, Scooba, will you talk. Therefore,

0:14:20.000 --> 0:14:23.320
<v Speaker 1>today is not a perfect example of what usually happens. However,

0:14:24.720 --> 0:14:29.160
<v Speaker 1>there was almost a meltdown. So vote Eddie voting Scooba

0:14:29.160 --> 0:14:30.520
<v Speaker 1>and I will talk about it and we'll figure out

0:14:30.560 --> 0:14:32.320
<v Speaker 1>a way to do it next time. I've seen these

0:14:32.320 --> 0:14:34.240
<v Speaker 1>things on Instagram where they put two people in a

0:14:34.280 --> 0:14:37.320
<v Speaker 1>phone booth and they fight in a phone booth ring.

0:14:37.360 --> 0:14:40.720
<v Speaker 1>It's just phone booth fighting in Russia. Why old, God

0:14:40.760 --> 0:14:43.520
<v Speaker 1>sounds awesome? Why old? Like if you can't get away,

0:14:43.560 --> 0:14:46.560
<v Speaker 1>it's not a head But just like that guy didn't

0:14:46.560 --> 0:14:49.360
<v Speaker 1>even get punchers off in the booth. You mean kick?

0:14:49.520 --> 0:14:51.440
<v Speaker 1>That's all right? I lets choose these video allright here,

0:14:51.440 --> 0:14:58.360
<v Speaker 1>we're going sorry al right, sob no, I mean Scooba

0:14:58.400 --> 0:15:03.000
<v Speaker 1>is like the nicest guy, the nicest right. The reason

0:15:03.040 --> 0:15:08.360
<v Speaker 1>I have because Scuba is the softest, warmest, nicest guy.

0:15:08.800 --> 0:15:10.160
<v Speaker 1>Now when you see him, you don't think that is

0:15:10.200 --> 0:15:11.680
<v Speaker 1>a big beard and you're like that guy, he's probably

0:15:12.160 --> 0:15:15.520
<v Speaker 1>ready for some action. But no, he said, are you

0:15:15.520 --> 0:15:20.480
<v Speaker 1>guys good? We're good killing me here? Okay, So what

0:15:20.560 --> 0:15:26.040
<v Speaker 1>we're gonna do here is exact worst problems. I'm just

0:15:26.160 --> 0:15:28.320
<v Speaker 1>gonna be over here. We're gonna do a couple of

0:15:28.600 --> 0:15:34.000
<v Speaker 1>promo videos for who. The first thing is Seattle. Okay,

0:15:34.320 --> 0:15:37.880
<v Speaker 1>just a little behind the scenes, you guys can hear. Yeah,

0:15:37.960 --> 0:15:41.760
<v Speaker 1>oh good, call Eddie. Usually we'll do five videos deep

0:15:42.920 --> 0:15:48.320
<v Speaker 1>and there's water bottles from the entire week. What are

0:15:48.320 --> 0:15:53.040
<v Speaker 1>we doing changing a screen? We'll have a different grab

0:15:53.440 --> 0:15:59.120
<v Speaker 1>in the back because it's for m Okay, forever and hurry,

0:15:59.160 --> 0:16:01.560
<v Speaker 1>but don't change anything. If we if we're ever in

0:16:01.560 --> 0:16:04.480
<v Speaker 1>a hurry, we don't have to change anything. Okay cool?

0:16:05.160 --> 0:16:10.000
<v Speaker 1>Oh yeah. The September Teacher Feature winner is Brianna White,

0:16:10.040 --> 0:16:13.880
<v Speaker 1>a private preschool teacher in Granted Falls. Brianna was nominated

0:16:13.880 --> 0:16:17.760
<v Speaker 1>by Michael Cadrascolie. Thanks Michael, Michael shared Branna's one of

0:16:17.760 --> 0:16:20.120
<v Speaker 1>a kind. The time and effort that she puts in

0:16:20.240 --> 0:16:22.920
<v Speaker 1>every day is truly amazing. She makes school fund for

0:16:22.960 --> 0:16:25.360
<v Speaker 1>every kid and you can tell that they just love her.

0:16:25.680 --> 0:16:29.000
<v Speaker 1>These kids leave preschool fully prepared for kindergarten and she

0:16:29.040 --> 0:16:32.040
<v Speaker 1>always gets excited over her students accomplishments and loves hearing

0:16:32.120 --> 0:16:37.000
<v Speaker 1>how well a former students doing so that's awesome. Congratulations Branna,

0:16:37.120 --> 0:16:38.880
<v Speaker 1>thanks for what you do. Now we're sending you two

0:16:38.960 --> 0:16:41.440
<v Speaker 1>hundred and fifty bucks to help with your class or

0:16:41.480 --> 0:16:43.840
<v Speaker 1>a nice day for you, treat yourself, do something for both.

0:16:44.280 --> 0:16:46.520
<v Speaker 1>And if you know a teacher that we should celebrate,

0:16:46.560 --> 0:16:48.840
<v Speaker 1>tell us about them at ninety eight nine the bull

0:16:48.920 --> 0:16:57.360
<v Speaker 1>dot com. Good. Yeah, it's fine. By the way, I

0:16:57.400 --> 0:16:58.760
<v Speaker 1>don't have a readies ahead of time to all the

0:16:58.800 --> 0:17:00.320
<v Speaker 1>people listening to judging me right now. So if I

0:17:00.360 --> 0:17:03.440
<v Speaker 1>screw up, I didn't read these are Oh I forgot.

0:17:03.480 --> 0:17:05.320
<v Speaker 1>We're still doing the post shows, Like who's he talking to?

0:17:06.040 --> 0:17:11.359
<v Speaker 1>I was like, what it's like? All right? Go ahead?

0:17:14.040 --> 0:17:18.120
<v Speaker 1>How long? How long? How long are these seconds? Cool?

0:17:19.760 --> 0:17:24.640
<v Speaker 1>Do I read the header? Okay, listen, this is what

0:17:24.760 --> 0:17:27.560
<v Speaker 1>radio stations do. We give you free money every hour

0:17:27.720 --> 0:17:30.400
<v Speaker 1>in the hopes that you will like us best. Whether

0:17:30.440 --> 0:17:32.720
<v Speaker 1>it works out or not, you should still take our money.

0:17:32.880 --> 0:17:35.840
<v Speaker 1>It's free money on the twenties every hour on the

0:17:35.880 --> 0:17:38.840
<v Speaker 1>Big ninety eight, one grand at a time. So you

0:17:38.880 --> 0:17:41.399
<v Speaker 1>can basically when your share of two hundred and twenty

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<v Speaker 1>five thousand dollars, grab your smartphone, set that hourly appointment

0:17:46.440 --> 0:17:48.720
<v Speaker 1>at twenty past each hour, listen for the key word

0:17:49.040 --> 0:17:52.119
<v Speaker 1>inter it online at the Big ninety eight dot com.

0:17:52.160 --> 0:17:55.160
<v Speaker 1>And that's it. One thousand dollars in holiday help. It's

0:17:55.160 --> 0:17:57.200
<v Speaker 1>that easy, free money on the twenties on the Big

0:17:57.320 --> 0:18:00.440
<v Speaker 1>ninety eight. Just for fun, post blow in the comments

0:18:00.440 --> 0:18:03.320
<v Speaker 1>on what you're gonna buy when you win the free money.

0:18:03.600 --> 0:18:10.800
<v Speaker 1>Good luck? Oh and please like us best good? Yeah

0:18:10.840 --> 0:18:15.080
<v Speaker 1>you want to sigh one more of these? Do me

0:18:15.119 --> 0:18:22.440
<v Speaker 1>to wait till the three two. Hey, it's Bobby Bones

0:18:22.480 --> 0:18:24.600
<v Speaker 1>with the Big ninety eight and we're all about helping

0:18:24.640 --> 0:18:27.760
<v Speaker 1>you not only hear your favorite country music, but experience

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<v Speaker 1>your favorite country music. We want to send you straight

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<v Speaker 1>to Vegas. That's George Straight in Las Vegas, December, second

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<v Speaker 1>round trip airfare to night hotels, stay in tickets to

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<v Speaker 1>see the king of country music, mister George Straight. Get

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<v Speaker 1>your smartphone ready to tech stand to win with the

0:18:43.560 --> 0:18:46.400
<v Speaker 1>Big ninety eight, and just for fun, share and tag

0:18:46.440 --> 0:18:48.520
<v Speaker 1>who you would take with you to Vegas when you win.

0:18:48.960 --> 0:18:52.199
<v Speaker 1>Straight to Vegas powered by MCA Nashville and only on

0:18:52.359 --> 0:18:59.520
<v Speaker 1>the Big ninety eight. Cool. Thank you, um, okay, so

0:19:02.000 --> 0:19:07.679
<v Speaker 1>good there, good, thank you. And then let me say this,

0:19:07.920 --> 0:19:10.000
<v Speaker 1>there's a Bobby cast up today with Chapel Heart, which

0:19:10.040 --> 0:19:13.280
<v Speaker 1>was really great. It was I don't know that I

0:19:13.320 --> 0:19:15.639
<v Speaker 1>expected so much energy, Mike. We don't normally do them

0:19:15.680 --> 0:19:19.480
<v Speaker 1>with multiple people though, but yeah, normally one on one. Yeah,

0:19:19.520 --> 0:19:20.879
<v Speaker 1>and then I'm not a big fan of doing one

0:19:20.920 --> 0:19:23.560
<v Speaker 1>of multi people because you don't get the whole story

0:19:23.600 --> 0:19:25.359
<v Speaker 1>if you're having to split it around you have with

0:19:25.440 --> 0:19:27.720
<v Speaker 1>their family. So I work really well. I did work well. Yeah,

0:19:27.720 --> 0:19:29.080
<v Speaker 1>I really enjoyed it. So you guys check it out

0:19:29.080 --> 0:19:31.200
<v Speaker 1>at Chapel Heart. They're up on the Bobby Cast today.

0:19:31.520 --> 0:19:33.520
<v Speaker 1>Amy's got a four things up today, Amy, what's happening

0:19:33.520 --> 0:19:36.280
<v Speaker 1>over there? Oh? My friends Jill and cater On. They

0:19:36.280 --> 0:19:39.520
<v Speaker 1>were background singers for Kelly Clarkson for six years and

0:19:39.560 --> 0:19:41.399
<v Speaker 1>so they have cool stories there. But one of the

0:19:41.400 --> 0:19:44.480
<v Speaker 1>main things is is that we touch on is how

0:19:44.520 --> 0:19:46.919
<v Speaker 1>to navigate when life doesn't go as you planned it

0:19:46.960 --> 0:19:50.679
<v Speaker 1>to go. Because their background vocal career kind of suddenly

0:19:50.760 --> 0:19:53.640
<v Speaker 1>ended after they put up a blog post. They were

0:19:53.720 --> 0:19:57.200
<v Speaker 1>doing some background vocals for a male singer not saying

0:19:57.240 --> 0:20:00.679
<v Speaker 1>his name, and a picture circulated within a group text

0:20:00.880 --> 0:20:03.440
<v Speaker 1>and someone on the team called one of them huge.

0:20:03.760 --> 0:20:06.400
<v Speaker 1>They said, oh man, she looks huge there, and so

0:20:06.440 --> 0:20:08.359
<v Speaker 1>she wrote a whole blog about it, just standing up

0:20:08.400 --> 0:20:11.560
<v Speaker 1>for herself, and they got fired. So then their career

0:20:11.600 --> 0:20:14.639
<v Speaker 1>took turned and went a different way, and that they

0:20:14.680 --> 0:20:16.399
<v Speaker 1>see the blessing in it. Now. They just have a

0:20:16.400 --> 0:20:18.840
<v Speaker 1>lot of really cool stories and a lot of insight

0:20:18.880 --> 0:20:21.560
<v Speaker 1>to share. Check that out. Four Things with Amy Brown. Hey,

0:20:21.640 --> 0:20:23.879
<v Speaker 1>let me play Tanya from Connecticut. Ray. This is a

0:20:24.000 --> 0:20:27.600
<v Speaker 1>voicemail we got yesterday. I just wanted to say Mallow

0:20:27.640 --> 0:20:30.199
<v Speaker 1>for the post show. Really loved the extra content and

0:20:30.240 --> 0:20:33.320
<v Speaker 1>appreciate your dedication to always giving us more. Um, you

0:20:33.320 --> 0:20:36.240
<v Speaker 1>guys do so much and I think y'all are rat

0:20:36.240 --> 0:20:38.879
<v Speaker 1>and I just want to say thanks, thank you. Vera,

0:20:38.960 --> 0:20:41.960
<v Speaker 1>She say Mallow must be from Hawaiian or the island

0:20:42.080 --> 0:20:44.879
<v Speaker 1>or maybe, like I don't know, lives in Mississippi and

0:20:44.960 --> 0:20:47.400
<v Speaker 1>used to live in Hawaiian more visited one time, or yeah,

0:20:47.440 --> 0:20:48.880
<v Speaker 1>we had an intern once it did that came back.

0:20:50.119 --> 0:20:52.520
<v Speaker 1>She run there for three days tomorrow on the show.

0:20:52.680 --> 0:20:56.760
<v Speaker 1>Chad Krueger not Kroeger, which we've always thought Chad Kruger

0:20:56.760 --> 0:21:02.040
<v Speaker 1>from Nickelback, And he's a lot warmer and funnier and

0:21:02.200 --> 0:21:04.159
<v Speaker 1>normal than I guess I thought he would have. And

0:21:04.280 --> 0:21:05.840
<v Speaker 1>he addressed that to me like they always used to,

0:21:06.160 --> 0:21:08.880
<v Speaker 1>like serious pictures of us. Everybody thinks we're like super serious. Yeah,

0:21:09.040 --> 0:21:10.920
<v Speaker 1>it's super cool. And then Edie's always been a hater,

0:21:10.960 --> 0:21:13.800
<v Speaker 1>so we made Eddie ask a couple of questions. One

0:21:13.880 --> 0:21:16.640
<v Speaker 1>question was not approved, the one you led with. Yeah,

0:21:16.640 --> 0:21:18.400
<v Speaker 1>I like that one. Hey, let me tell you though,

0:21:18.440 --> 0:21:20.159
<v Speaker 1>I did. After the interview, I was like, this is

0:21:20.160 --> 0:21:22.120
<v Speaker 1>a sweet guy. He's a sweet dude, Like you can

0:21:22.119 --> 0:21:24.320
<v Speaker 1>tell he's a really really nice guy. Oh, now you're coming.

0:21:24.359 --> 0:21:28.399
<v Speaker 1>I don't okay, come on. We did ask him, and

0:21:28.440 --> 0:21:31.119
<v Speaker 1>what was on Joel's head. We did ask him that,

0:21:31.440 --> 0:21:33.280
<v Speaker 1>so that'd be tomorrow too. You guys, have a great

0:21:33.320 --> 0:21:35.600
<v Speaker 1>day and we'll see tomorrow. By every buddy,