1
00:00:01,240 --> 00:00:05,480
Speaker 1: It's time for the Bobby Bones post show. Here's your host,

2
00:00:06,000 --> 00:00:15,760
Speaker 1: Bobby Bones. Hello, Hello, you know it's given a commercial

3
00:00:15,840 --> 00:00:18,280
Speaker 1: this morning. I'm not gonna say who it was, but man,

4
00:00:18,320 --> 00:00:21,040
Speaker 1: they ask some weird stuff with me at commercials. They

5
00:00:21,079 --> 00:00:23,360
Speaker 1: want me to do all kinds of like, for example,

6
00:00:23,640 --> 00:00:25,680
Speaker 1: I'm not going to read to you because I don't

7
00:00:25,720 --> 00:00:28,080
Speaker 1: want to throw anybody under the bus because I don't

8
00:00:28,080 --> 00:00:31,040
Speaker 1: even know that. It's probably not even the company. It's

9
00:00:31,080 --> 00:00:34,960
Speaker 1: probably somebody in sales that works and I don't know

10
00:00:35,000 --> 00:00:38,040
Speaker 1: what town they live in, because I get what happens

11
00:00:38,080 --> 00:00:39,680
Speaker 1: in the morning as I come in and have a

12
00:00:39,720 --> 00:00:42,120
Speaker 1: stack and it is a large stack. I'm lucky that

13
00:00:42,159 --> 00:00:43,600
Speaker 1: it's a large stack. So I say that is and

14
00:00:43,680 --> 00:00:47,479
Speaker 1: I'm I'm fortunate. I am a little bit, but I

15
00:00:47,520 --> 00:00:50,560
Speaker 1: want people to know that I'm complaining. I'm complaining because

16
00:00:50,560 --> 00:00:53,479
Speaker 1: it's a fortunate problem to have. Okay, Okay, A lot

17
00:00:53,479 --> 00:00:55,560
Speaker 1: of people buy commercials. That's how we get to do

18
00:00:55,640 --> 00:00:59,360
Speaker 1: our job, and so I do commercials for any city

19
00:00:59,400 --> 00:01:01,960
Speaker 1: that wants it. You know, I think one of the

20
00:01:02,000 --> 00:01:05,240
Speaker 1: appeals of having our show, even it being a syndicated show,

21
00:01:05,240 --> 00:01:08,280
Speaker 1: because there's always philosophical do we put on a better

22
00:01:08,319 --> 00:01:10,200
Speaker 1: show if it's syndicated. We put on a local show

23
00:01:10,240 --> 00:01:11,800
Speaker 1: that maybe not be as good, but it's local. And

24
00:01:11,800 --> 00:01:16,280
Speaker 1: I understand why that's talked about, right, But I'll go, hey,

25
00:01:16,319 --> 00:01:19,399
Speaker 1: I'll do commercials for anybody. Some syndicated shows won't. They'll

26
00:01:19,400 --> 00:01:21,120
Speaker 1: be like, we don't wanna do for this market. I

27
00:01:21,160 --> 00:01:25,360
Speaker 1: get this and it's um it's a real estate commercial

28
00:01:25,760 --> 00:01:28,720
Speaker 1: and it could have been written by a salesperson. But

29
00:01:28,840 --> 00:01:31,480
Speaker 1: in the end it says, hey, just google and see

30
00:01:32,000 --> 00:01:34,840
Speaker 1: you're not alone. Read all the five star reviews. Just

31
00:01:34,920 --> 00:01:37,280
Speaker 1: go to da da da da da. And then it says,

32
00:01:37,280 --> 00:01:42,640
Speaker 1: in parentheses, do a satisfied sigh, like to sigh yeah.

33
00:01:42,640 --> 00:01:45,720
Speaker 1: And then I'm supposed to go do a satisfied sign

34
00:01:45,720 --> 00:01:49,000
Speaker 1: and then go I feel better already? What is that? What? Right?

35
00:01:49,040 --> 00:01:50,960
Speaker 1: That's what I said. So the commercial is like, hey,

36
00:01:50,960 --> 00:01:53,240
Speaker 1: just google la la la la, then go to the website.

37
00:01:55,240 --> 00:01:57,760
Speaker 1: I feel better already. What I would never do that.

38
00:01:57,760 --> 00:02:00,960
Speaker 1: That's pretty good though, that's a pretty good I mean, yeah,

39
00:02:00,960 --> 00:02:04,240
Speaker 1: that was good at acting. But I don't understand this.

40
00:02:07,080 --> 00:02:15,680
Speaker 1: It sounds like you just went to the bathroom. Who

41
00:02:15,720 --> 00:02:18,280
Speaker 1: does this go through? Who reads these? And but I know,

42
00:02:18,280 --> 00:02:19,720
Speaker 1: it's got to go through a process before it gets

43
00:02:19,720 --> 00:02:21,720
Speaker 1: to me. Yeah, I don't want to say where it

44
00:02:21,760 --> 00:02:23,799
Speaker 1: came from because it's a very specific location of where

45
00:02:23,800 --> 00:02:26,280
Speaker 1: it came from. But it comes from them and then

46
00:02:26,320 --> 00:02:28,760
Speaker 1: goes to Kevin. Kevin then takes it in formats in

47
00:02:28,800 --> 00:02:30,280
Speaker 1: the way you like to have it. We usually take

48
00:02:30,320 --> 00:02:31,760
Speaker 1: out things that could be a conflict, or it could

49
00:02:31,800 --> 00:02:34,600
Speaker 1: be whatever. Sometimes they're very particular on certain things in

50
00:02:34,639 --> 00:02:36,640
Speaker 1: that way. Are they particular about the satisfied side? Because

51
00:02:36,639 --> 00:02:40,960
Speaker 1: they haven't. They they didn't mention it, but but sometimes

52
00:02:40,960 --> 00:02:43,520
Speaker 1: they are, and I'll hear about it. And the once

53
00:02:43,560 --> 00:02:45,520
Speaker 1: we send it off, hey, can you can you read

54
00:02:45,520 --> 00:02:47,480
Speaker 1: this one line? If it's something that we forgot. Sure,

55
00:02:47,840 --> 00:02:49,720
Speaker 1: if it's something weird like that, I'll go, oh, it's

56
00:02:49,720 --> 00:02:53,320
Speaker 1: just not in character to read that. Um no, yeah,

57
00:02:53,360 --> 00:02:55,840
Speaker 1: it's tough. Yeah, I think. And that same client also

58
00:02:56,000 --> 00:02:58,400
Speaker 1: puts a tagline in there from another client that they

59
00:02:58,440 --> 00:03:00,440
Speaker 1: stole from, and so I always have to remove that

60
00:03:00,440 --> 00:03:02,160
Speaker 1: because I'm like, you can't say that somebody else has

61
00:03:02,200 --> 00:03:05,640
Speaker 1: that tagline. But he says for another commercial, just do it. No, No,

62
00:03:05,680 --> 00:03:08,880
Speaker 1: that's funny. Melts in your mouth, not in your hand.

63
00:03:09,840 --> 00:03:15,680
Speaker 1: Breakfast the champions. Yeah, it's it's a bit bizarre sometimes.

64
00:03:16,919 --> 00:03:19,040
Speaker 1: Oh I had something the other day which I thought

65
00:03:19,040 --> 00:03:20,919
Speaker 1: was weird. I don't know I'm paraphrasing, but it was

66
00:03:20,960 --> 00:03:22,639
Speaker 1: like somewhere in the middle of it, it just had

67
00:03:22,639 --> 00:03:24,960
Speaker 1: these princess said say something funny. I'm like, well, and

68
00:03:25,000 --> 00:03:27,720
Speaker 1: I don't do those anymore because and we've eliminated that

69
00:03:27,800 --> 00:03:29,959
Speaker 1: where they're like just ad lib about it, like here's

70
00:03:30,080 --> 00:03:32,400
Speaker 1: here's the thing, and then just add lib. No, no no, no,

71
00:03:32,400 --> 00:03:34,760
Speaker 1: you just tell me what. I'll say what you need

72
00:03:34,800 --> 00:03:36,160
Speaker 1: me to say. For the most part, unless I'm doing

73
00:03:36,160 --> 00:03:38,400
Speaker 1: a satisfied side, just give me the points and I'll

74
00:03:38,440 --> 00:03:42,200
Speaker 1: say it. But I'm I'm not going to add lib

75
00:03:42,320 --> 00:03:46,400
Speaker 1: unless it's something that we know a lot a lot about,

76
00:03:46,520 --> 00:03:48,240
Speaker 1: Like I don't know a lot about this person that

77
00:03:48,280 --> 00:03:52,200
Speaker 1: sells this real estate. Yea, yeah, I'm voicing it more

78
00:03:52,240 --> 00:03:55,320
Speaker 1: than I am going I've used it. And there's a difference, yes,

79
00:03:55,360 --> 00:03:58,160
Speaker 1: where I won't do I won't endorse things where I'm like, yeah,

80
00:03:58,200 --> 00:04:00,480
Speaker 1: I've used it's great unless I have or somebody And

81
00:04:00,520 --> 00:04:03,240
Speaker 1: there are things that i'll voice that's like a car

82
00:04:03,480 --> 00:04:05,560
Speaker 1: situation if they're like, hey, will you be the voice. Yes,

83
00:04:05,800 --> 00:04:08,840
Speaker 1: well I voice whiskey no, And that's a little more

84
00:04:08,920 --> 00:04:12,160
Speaker 1: lenient if I'm voicing it. But I'll do some of

85
00:04:12,160 --> 00:04:13,640
Speaker 1: those and I'll be like, yeah, I just ad lib.

86
00:04:13,800 --> 00:04:16,280
Speaker 1: It's a we bought sixty seconds. So read this line.

87
00:04:16,320 --> 00:04:18,320
Speaker 1: Ad lib for forty five and then read this. I

88
00:04:18,400 --> 00:04:20,960
Speaker 1: mean no, no, that's called the show. You want to

89
00:04:21,000 --> 00:04:23,880
Speaker 1: add liver, But like Sonic, they can go. Here's the

90
00:04:23,920 --> 00:04:26,520
Speaker 1: page for Sonic mentioned about a burger and ad lib

91
00:04:26,560 --> 00:04:28,800
Speaker 1: fifty nine seconds. You got it, and then I'll just

92
00:04:28,920 --> 00:04:31,400
Speaker 1: let it rip. But yeah, I'm not gonna do many

93
00:04:31,400 --> 00:04:34,680
Speaker 1: satisfied sides. What about a happy hoot? What's a happy hoot?

94
00:04:35,040 --> 00:04:40,760
Speaker 1: Who sucks? Will do anything? By the way, you don't

95
00:04:40,760 --> 00:04:42,320
Speaker 1: matter what you telling. You want me to happy? Who

96
00:04:42,320 --> 00:04:44,200
Speaker 1: you want me to satisfy side? I'll do it for

97
00:04:44,320 --> 00:04:46,760
Speaker 1: it all. Yeah, He'll give it to you non stop.

98
00:04:47,040 --> 00:04:49,080
Speaker 1: You want me sad sally, I'll be a sad salad.

99
00:04:49,200 --> 00:04:53,000
Speaker 1: I think the difference is I can't sit here and

100
00:04:53,640 --> 00:04:55,520
Speaker 1: for two hours and have to create ad libs and

101
00:04:55,560 --> 00:04:58,200
Speaker 1: satisfied sizes all day because I'm being very efficient. Were

102
00:04:58,240 --> 00:05:00,880
Speaker 1: you have a couple and you're done? Yeah, I don't

103
00:05:00,880 --> 00:05:02,840
Speaker 1: have as many as you. I mean, but I'd love

104
00:05:02,839 --> 00:05:04,680
Speaker 1: to have more. He would love to have more. Could

105
00:05:04,720 --> 00:05:07,560
Speaker 1: do all the happy hoots you want, happy hoots satisfied side.

106
00:05:07,560 --> 00:05:09,040
Speaker 1: I don't even care if you know about it or not.

107
00:05:09,120 --> 00:05:12,240
Speaker 1: You do you sell anything? No, no, no no, no bleeping burps,

108
00:05:12,279 --> 00:05:15,000
Speaker 1: I'll do those. Why do you say no? No, no no, no,

109
00:05:15,120 --> 00:05:20,839
Speaker 1: I won't do anything. What have you said no too?

110
00:05:20,960 --> 00:05:23,040
Speaker 1: Lunchbox ever said no? He has always said yeah, yeah,

111
00:05:23,120 --> 00:05:26,120
Speaker 1: that's what I'm saying. Think, Well, what's he referring to, Like,

112
00:05:26,120 --> 00:05:29,040
Speaker 1: what would he say no to? That's exactly Yeah, you're right,

113
00:05:29,040 --> 00:05:31,679
Speaker 1: I'd say yes to tampons. Yeah, he'd say yes to anything.

114
00:05:32,000 --> 00:05:35,479
Speaker 1: Tampons love him great, they do the job. What if

115
00:05:35,680 --> 00:05:37,720
Speaker 1: the woman in a good mood, What if the Love

116
00:05:37,760 --> 00:05:39,480
Speaker 1: Golf Tour said we want you to come and what?

117
00:05:39,880 --> 00:05:43,320
Speaker 1: That's good? But what is that man? How much they're

118
00:05:43,360 --> 00:05:46,320
Speaker 1: gonna pay me? Probably a lot? That's like the player,

119
00:05:47,839 --> 00:05:49,760
Speaker 1: I go, you do it? Is that something he should

120
00:05:49,800 --> 00:05:53,440
Speaker 1: say no to? No? Oh? It just depends. So the

121
00:05:53,600 --> 00:05:56,120
Speaker 1: problem with that golf tour, because they're poaching people off

122
00:05:56,120 --> 00:05:58,239
Speaker 1: the PGA tour by paying them a lot of money.

123
00:05:58,480 --> 00:06:01,440
Speaker 1: Is the money that funds this tour that's almost unlimited money.

124
00:06:01,920 --> 00:06:04,080
Speaker 1: It's the same money that has funded a lot of

125
00:06:04,120 --> 00:06:06,920
Speaker 1: things in the Middle East, for example, that they have

126
00:06:06,960 --> 00:06:11,240
Speaker 1: connected to L nine to eleven. Oh my. But where

127
00:06:11,240 --> 00:06:13,679
Speaker 1: it gets to be a bit hypocritical is the PGA

128
00:06:13,839 --> 00:06:17,920
Speaker 1: also a sponsors that have these back connections to If

129
00:06:17,960 --> 00:06:20,360
Speaker 1: there's a company, they're taking money, they're using money, they're

130
00:06:20,400 --> 00:06:22,680
Speaker 1: shady stuff all over the place. Yeah, so you're gonna

131
00:06:22,680 --> 00:06:25,080
Speaker 1: wear Nike, you don't know where that money comes from. Well,

132
00:06:25,520 --> 00:06:29,400
Speaker 1: there's sweatshots other parts too. So I'm not even saying

133
00:06:29,440 --> 00:06:31,840
Speaker 1: the Lift tour is right or wrong. I'm just saying

134
00:06:32,279 --> 00:06:34,080
Speaker 1: if there's a big corporation and they got a lot

135
00:06:34,080 --> 00:06:35,800
Speaker 1: of money coming in and outfull lots of places, some

136
00:06:35,800 --> 00:06:38,720
Speaker 1: of that stuff probably count some places that aren't as

137
00:06:38,760 --> 00:06:40,719
Speaker 1: reputable as you'd hold. So what you're saying is wherever

138
00:06:40,720 --> 00:06:43,120
Speaker 1: there's money, there's shade. I always say that where there's money,

139
00:06:43,120 --> 00:06:46,640
Speaker 1: there's corruption. I don't care why. And right, the less

140
00:06:46,640 --> 00:06:48,680
Speaker 1: of the money, the less of corruption. But the more money,

141
00:06:48,760 --> 00:06:51,000
Speaker 1: the more corruption. Because I think you're right. I mean

142
00:06:51,040 --> 00:06:52,320
Speaker 1: the way you look at it, if you have more

143
00:06:52,320 --> 00:06:54,080
Speaker 1: money and you fan it out, you're gonna have shade,

144
00:06:54,800 --> 00:06:58,600
Speaker 1: you put it over your tree. Yes, we probably indirectly

145
00:06:58,640 --> 00:07:02,960
Speaker 1: have dealt with cartel money, drug money. Yeah yeah, what

146
00:07:03,160 --> 00:07:07,560
Speaker 1: satisfied side. They're like, you know, ten kilos of meth

147
00:07:08,560 --> 00:07:12,520
Speaker 1: feel better already. So it just depends on where you

148
00:07:12,560 --> 00:07:15,960
Speaker 1: fall and that. I am not a fan of Lived Tour,

149
00:07:17,280 --> 00:07:19,680
Speaker 1: but I don't know all the intricacies about their organizations.

150
00:07:19,680 --> 00:07:22,880
Speaker 1: But Lunchbox definitely opposes Live Tour. No, no, no, I

151
00:07:22,920 --> 00:07:25,080
Speaker 1: don't oppose the Live Tour. What I oppose is the

152
00:07:25,080 --> 00:07:26,960
Speaker 1: player saying it's not about the money. Well, I'm just

153
00:07:27,000 --> 00:07:29,720
Speaker 1: saying it's about the money, right, guys. I couldn't turn

154
00:07:29,760 --> 00:07:31,360
Speaker 1: it down. Most of them are saying, oh, two hundred

155
00:07:31,400 --> 00:07:33,000
Speaker 1: million dollars, But I'm doing it to grow the game

156
00:07:33,040 --> 00:07:35,040
Speaker 1: of golf. No, just saying you're going for the money.

157
00:07:35,080 --> 00:07:38,360
Speaker 1: It's only one hundred million and they get paid just

158
00:07:38,400 --> 00:07:41,000
Speaker 1: a play, not even to win. You don't have to win. Listen.

159
00:07:41,040 --> 00:07:42,520
Speaker 1: My statement was Live Tour is the greatest thing that

160
00:07:42,520 --> 00:07:46,480
Speaker 1: ever happened to golf because they've made the PGA become better.

161
00:07:46,600 --> 00:07:48,480
Speaker 1: If there's no competition, there's no reason to have to

162
00:07:48,520 --> 00:07:50,560
Speaker 1: strive to be better and do things in a better way.

163
00:07:50,720 --> 00:07:52,400
Speaker 1: I think the live tour I don't like. So it's

164
00:07:52,440 --> 00:07:55,640
Speaker 1: televised on the golf No, no, no one will touch it.

165
00:07:56,480 --> 00:07:58,560
Speaker 1: You can't watch it. I think on YouTube you can

166
00:07:58,600 --> 00:08:00,920
Speaker 1: watch it. You can go to an event, you can

167
00:08:01,000 --> 00:08:03,360
Speaker 1: go watch it on TikTok for they harassed the offer

168
00:08:03,400 --> 00:08:06,080
Speaker 1: is being funny. Anyway, My whole point wither do I

169
00:08:06,120 --> 00:08:11,800
Speaker 1: know that's plain in it? Phil Nicholson really, Sergio Garcia, No,

170
00:08:11,800 --> 00:08:18,120
Speaker 1: no, no no, he's like anyway, lunch Bucks don't do anything right.

171
00:08:18,360 --> 00:08:19,960
Speaker 1: I got my limits. But but you just said you

172
00:08:19,960 --> 00:08:21,800
Speaker 1: didn't have any. Yeah, I'm just trying to sound cool.

173
00:08:21,800 --> 00:08:24,160
Speaker 1: Oh got I gotta got it? Uh, Scooba, why did

174
00:08:24,200 --> 00:08:27,680
Speaker 1: you almost flip? Let me say this. I don't know

175
00:08:27,720 --> 00:08:30,040
Speaker 1: what happened on tomorrows show. We have a couple of

176
00:08:30,080 --> 00:08:33,160
Speaker 1: great interviews. We just did them. One of them is

177
00:08:33,200 --> 00:08:36,040
Speaker 1: Barbara Corcoran from Shark Tank, and nobody pitched their ideas

178
00:08:36,040 --> 00:08:38,680
Speaker 1: of her hilarious. And I won't say this on the show,

179
00:08:38,679 --> 00:08:40,679
Speaker 1: but since you guys watched on Facebook or listen to this,

180
00:08:40,679 --> 00:08:42,600
Speaker 1: I'll give you she actually liked one of the ideas

181
00:08:42,600 --> 00:08:44,520
Speaker 1: so much she was like, I put money in there. Yeah,

182
00:08:44,520 --> 00:08:48,480
Speaker 1: it's awesome. It's awesome and so but we're doing this

183
00:08:48,640 --> 00:08:52,840
Speaker 1: and before we get on, there's some sort of issue

184
00:08:52,840 --> 00:08:56,200
Speaker 1: with connecting or something. What happened when Scooba flipped out? Yeah,

185
00:08:55,920 --> 00:08:59,720
Speaker 1: so Barbara's people were saying, hey, can you hear me?

186
00:09:00,120 --> 00:09:02,079
Speaker 1: And what I like to do. I control the zoom,

187
00:09:02,160 --> 00:09:04,839
Speaker 1: so I can control when Bobby pops up when he talks.

188
00:09:04,840 --> 00:09:07,040
Speaker 1: I can mute Bobby and do all that. So when

189
00:09:07,080 --> 00:09:09,199
Speaker 1: she said can you hear me? I said, Scuba, can

190
00:09:09,240 --> 00:09:10,920
Speaker 1: you talk to them before? I don't want to turn

191
00:09:10,960 --> 00:09:13,319
Speaker 1: Bobby up. Can you talk to them and tell him, yes,

192
00:09:13,320 --> 00:09:15,880
Speaker 1: we can hear you. Sound great? And he looks at me.

193
00:09:15,880 --> 00:09:17,800
Speaker 1: He's like, no, just just you do it, And I said, no,

194
00:09:18,280 --> 00:09:20,560
Speaker 1: you do it on your end. And then he throws

195
00:09:20,679 --> 00:09:23,120
Speaker 1: his headphones and walks out the door with his laptop.

196
00:09:23,240 --> 00:09:25,920
Speaker 1: Also flipped his computer in the air like which, by

197
00:09:25,960 --> 00:09:31,040
Speaker 1: the way, that's not Scuba's personality. So I see Scuba's

198
00:09:31,080 --> 00:09:32,920
Speaker 1: not having a good day or it's not been a

199
00:09:32,920 --> 00:09:37,080
Speaker 1: good few days. Let's give Scuba a verbal hug. I

200
00:09:37,120 --> 00:09:40,480
Speaker 1: hope his headphones still work. Bec doesn't happen. He's not

201
00:09:40,520 --> 00:09:44,240
Speaker 1: an angry guy, Scuba. What happened in your mind? Well,

202
00:09:44,280 --> 00:09:46,439
Speaker 1: I mean you're about other things going on, which I'm

203
00:09:46,440 --> 00:09:50,400
Speaker 1: sure projects into this situation. But for me, logically, it

204
00:09:50,480 --> 00:09:52,920
Speaker 1: did not make sense for me to rule myself from

205
00:09:52,920 --> 00:09:55,280
Speaker 1: where I'm at when we have to do two things. One,

206
00:09:55,320 --> 00:09:57,800
Speaker 1: not only do they have to hear we have to

207
00:09:57,840 --> 00:10:00,160
Speaker 1: hear them, which we were hearing, but they have to

208
00:10:00,240 --> 00:10:02,960
Speaker 1: know that they can hear us. And in order to

209
00:10:03,000 --> 00:10:05,040
Speaker 1: do that, Eddie has to take it off mute, put

210
00:10:05,080 --> 00:10:06,720
Speaker 1: it up so that we can hear us. That we

211
00:10:06,720 --> 00:10:09,280
Speaker 1: we go in the interview not having issues of sound.

212
00:10:09,480 --> 00:10:11,080
Speaker 1: So I was like, well, let's just test the right

213
00:10:11,120 --> 00:10:13,280
Speaker 1: now to see if they can hear us, and he's like,

214
00:10:13,320 --> 00:10:15,160
Speaker 1: just do it in your laptop. But that doesn't make

215
00:10:15,160 --> 00:10:17,240
Speaker 1: sense to me when we want to see both ends

216
00:10:17,280 --> 00:10:19,280
Speaker 1: if we can hear each other. Because when I just

217
00:10:19,440 --> 00:10:21,520
Speaker 1: want I just go turn it up and yeah, yeah,

218
00:10:21,559 --> 00:10:23,800
Speaker 1: yeah hear us. I get it. But that's that's an

219
00:10:23,800 --> 00:10:26,200
Speaker 1: issue we always did. Like this always happens, and I

220
00:10:26,240 --> 00:10:28,480
Speaker 1: understand no, usually he turns it on. I don't know

221
00:10:28,520 --> 00:10:35,160
Speaker 1: what the hell he nae here, not not with me,

222
00:10:35,280 --> 00:10:37,280
Speaker 1: not with me, And I'm not taking a side here,

223
00:10:37,320 --> 00:10:41,160
Speaker 1: But usually you or Mike depending on what show we're doing,

224
00:10:41,440 --> 00:10:43,800
Speaker 1: talks to them first and then it comes over to

225
00:10:43,840 --> 00:10:45,240
Speaker 1: me because my Mike is not turned on because who

226
00:10:45,280 --> 00:10:47,800
Speaker 1: knows what we're doing in here. So I just it

227
00:10:47,840 --> 00:10:50,120
Speaker 1: wasn't about that. Why you guys do it a certain way.

228
00:10:50,120 --> 00:10:54,160
Speaker 1: It was like, broh, you okay, because you don't flip

229
00:10:54,400 --> 00:10:58,200
Speaker 1: and if you're if you're on that edge, you go

230
00:10:58,280 --> 00:11:00,360
Speaker 1: take care of stuff, you know. Yeah, well thinks we'll

231
00:11:00,360 --> 00:11:03,160
Speaker 1: be taken care of Oh with me sounds like, oh

232
00:11:03,160 --> 00:11:05,080
Speaker 1: my gosh, it sounds like you when you guys walking

233
00:11:05,080 --> 00:11:08,400
Speaker 1: me into my car. Oh my god, it'll be taking

234
00:11:09,600 --> 00:11:13,080
Speaker 1: a moment. I was like, I'm totally am oblivious to this. Yeah,

235
00:11:13,080 --> 00:11:17,600
Speaker 1: we figured you're on the line of side. I mean

236
00:11:17,760 --> 00:11:20,880
Speaker 1: you could hear Scooba slam his headphones through the microphone.

237
00:11:21,000 --> 00:11:23,000
Speaker 1: And then secondly, two things. One, you can't you're not

238
00:11:23,000 --> 00:11:24,439
Speaker 1: in the line of side. I'm right on ray and

239
00:11:24,480 --> 00:11:28,319
Speaker 1: Scooba's eyes, um so doesn't doesn't I walk away and

240
00:11:28,360 --> 00:11:30,160
Speaker 1: I have to come back and then put them on. Anyways,

241
00:11:30,320 --> 00:11:31,760
Speaker 1: let me make my other point make any sense, I'll

242
00:11:31,800 --> 00:11:34,280
Speaker 1: remember the point. A Secondly, if you're often in your

243
00:11:34,320 --> 00:11:38,840
Speaker 1: own little bubble a lot of times, even more when

244
00:11:38,880 --> 00:11:41,760
Speaker 1: it's down, we're not on, You're ye, we weren't on right, Yes,

245
00:11:41,800 --> 00:11:43,360
Speaker 1: what I'm saying, you're on your own when we're on,

246
00:11:43,520 --> 00:11:45,920
Speaker 1: I'm on, but I also still in. So where do

247
00:11:45,960 --> 00:11:48,200
Speaker 1: you go when we're off? I'm right here? Yeah, yeah,

248
00:11:48,200 --> 00:11:50,520
Speaker 1: but where do you go? I mean, I don't know.

249
00:11:51,640 --> 00:11:53,720
Speaker 1: But sometimes sometimes we'll all trying to talk to you,

250
00:11:53,880 --> 00:12:00,960
Speaker 1: like Amy, Okay, how did this shift to me? Does

251
00:12:01,080 --> 00:12:03,160
Speaker 1: Scuba and Eddie need to make a repair? I haven't

252
00:12:03,200 --> 00:12:05,120
Speaker 1: done anything wrong, and now I feel like I'm being

253
00:12:05,440 --> 00:12:07,719
Speaker 1: called out for not paying attention for some reason. No, no,

254
00:12:08,000 --> 00:12:10,520
Speaker 1: you said you were oblivious, said you had saying to

255
00:12:10,559 --> 00:12:12,599
Speaker 1: this situation, but you said no, No. Sometimes all that

256
00:12:12,840 --> 00:12:16,920
Speaker 1: you kind of like alluded to that. I struggle here,

257
00:12:17,000 --> 00:12:19,640
Speaker 1: all struggle sometimes, don't worry, Like I got Facebook. I

258
00:12:19,720 --> 00:12:21,640
Speaker 1: got Facebook. And if I'm in them of a conversation

259
00:12:21,880 --> 00:12:24,240
Speaker 1: and sometimes I'm like talking, I'm like, oh, that's funny gossip,

260
00:12:24,240 --> 00:12:27,600
Speaker 1: and then Bobby's I'm like, thy needs a break. Let's

261
00:12:27,600 --> 00:12:31,080
Speaker 1: just move over to the old camera here. I feel good.

262
00:12:31,160 --> 00:12:32,959
Speaker 1: Why does they need ever do they need to repair?

263
00:12:33,360 --> 00:12:35,200
Speaker 1: We're good? I think we're good. I just know now

264
00:12:35,240 --> 00:12:38,600
Speaker 1: that I'll talk a repair, right and repair? Well, no, god,

265
00:12:38,760 --> 00:12:41,080
Speaker 1: we're good, we're good. Time just get tense and who cares?

266
00:12:41,080 --> 00:12:43,280
Speaker 1: And he's not mine? You go that scuba was eleven?

267
00:12:43,880 --> 00:12:46,000
Speaker 1: Who move on? Oh he just called Oh he called

268
00:12:46,040 --> 00:12:49,120
Speaker 1: you elevener? Okay, yeah, like like you're eleven year old.

269
00:12:49,120 --> 00:12:51,920
Speaker 1: Like you reacted in a way like eleven year old.

270
00:12:51,960 --> 00:12:54,520
Speaker 1: But he didn't compute your headphones and walked off and

271
00:12:54,559 --> 00:12:57,720
Speaker 1: then doesn't like turn on the FN audio. Who gives

272
00:12:57,720 --> 00:12:59,200
Speaker 1: a crap? And then I had to come back here

273
00:12:59,240 --> 00:13:01,280
Speaker 1: and do the same. You can't hear them because hit

274
00:13:01,360 --> 00:13:03,520
Speaker 1: him in the headphones, no sense. It didn't compute to me.

275
00:13:03,559 --> 00:13:05,240
Speaker 1: And as an audio guy, which right would would say

276
00:13:05,280 --> 00:13:07,240
Speaker 1: something because we have to make sure both ends can

277
00:13:07,320 --> 00:13:09,360
Speaker 1: hear each other. So then we had to do it anyways,

278
00:13:09,440 --> 00:13:11,480
Speaker 1: right do it initially as an audio guy, we really

279
00:13:11,480 --> 00:13:14,520
Speaker 1: expect you to step up, buddy. Are you an audio guys?

280
00:13:14,520 --> 00:13:17,240
Speaker 1: You get slammed into the audio role. Oh no, I'm

281
00:13:17,240 --> 00:13:20,120
Speaker 1: an audio guy. I know good audio from bad good?

282
00:13:20,280 --> 00:13:22,480
Speaker 1: So so do you which way is better? Do you

283
00:13:22,520 --> 00:13:25,520
Speaker 1: think it's better to skip the scoopa step? I'm for

284
00:13:25,679 --> 00:13:28,079
Speaker 1: a I don't care about how you guys do it technically. No,

285
00:13:28,280 --> 00:13:33,000
Speaker 1: I'm asking you because this is literally not the conversation

286
00:13:33,240 --> 00:13:37,760
Speaker 1: about efficiency. Yes, but this is not. My only question

287
00:13:37,880 --> 00:13:40,480
Speaker 1: was Scooba, are you okay because you don't react like that.

288
00:13:40,480 --> 00:13:42,520
Speaker 1: That's good, that's good that The only reason I brought

289
00:13:42,559 --> 00:13:44,280
Speaker 1: it up is you guys almost fits five and then

290
00:13:44,280 --> 00:13:46,199
Speaker 1: it's almost like after that happens, you just move on life.

291
00:13:46,200 --> 00:13:50,200
Speaker 1: Who cares? Yeah right, it doesn't matter. I love you, Scuba. Yes,

292
00:13:50,559 --> 00:13:53,160
Speaker 1: but what's the question about efficiency? LaunchBox? Go ahead ask me.

293
00:13:53,160 --> 00:13:55,120
Speaker 1: You know what I'm saying is so Scooba is saying

294
00:13:55,360 --> 00:13:57,040
Speaker 1: we had to do two steps when we could have

295
00:13:57,040 --> 00:13:59,360
Speaker 1: just done one. If anyone just pulled it up, we

296
00:13:59,400 --> 00:14:02,160
Speaker 1: would know. Then I wasn't ready. Then I was doing

297
00:14:02,200 --> 00:14:04,120
Speaker 1: something else and Eddie didn't turn my microphone up because

298
00:14:04,160 --> 00:14:05,640
Speaker 1: I was in the middle of doing something else, and

299
00:14:05,679 --> 00:14:07,839
Speaker 1: so he has Scooba to test. This isn't what happens

300
00:14:07,880 --> 00:14:10,440
Speaker 1: every time. So this was an outlier issue today. I

301
00:14:10,559 --> 00:14:12,480
Speaker 1: was in the middle of doing something else, so if

302
00:14:12,559 --> 00:14:14,160
Speaker 1: Eddie would turned out my micups, she'd have hurt me

303
00:14:14,200 --> 00:14:17,360
Speaker 1: going doing a side for a commercial or something. Um,

304
00:14:17,360 --> 00:14:19,760
Speaker 1: so he didn't. So he said, Scooba, will you talk. Therefore,

305
00:14:20,000 --> 00:14:23,320
Speaker 1: today is not a perfect example of what usually happens. However,

306
00:14:24,720 --> 00:14:29,160
Speaker 1: there was almost a meltdown. So vote Eddie voting Scooba

307
00:14:29,160 --> 00:14:30,520
Speaker 1: and I will talk about it and we'll figure out

308
00:14:30,560 --> 00:14:32,320
Speaker 1: a way to do it next time. I've seen these

309
00:14:32,320 --> 00:14:34,240
Speaker 1: things on Instagram where they put two people in a

310
00:14:34,280 --> 00:14:37,320
Speaker 1: phone booth and they fight in a phone booth ring.

311
00:14:37,360 --> 00:14:40,720
Speaker 1: It's just phone booth fighting in Russia. Why old, God

312
00:14:40,760 --> 00:14:43,520
Speaker 1: sounds awesome? Why old? Like if you can't get away,

313
00:14:43,560 --> 00:14:46,560
Speaker 1: it's not a head But just like that guy didn't

314
00:14:46,560 --> 00:14:49,360
Speaker 1: even get punchers off in the booth. You mean kick?

315
00:14:49,520 --> 00:14:51,440
Speaker 1: That's all right? I lets choose these video allright here,

316
00:14:51,440 --> 00:14:58,360
Speaker 1: we're going sorry al right, sob no, I mean Scooba

317
00:14:58,400 --> 00:15:03,000
Speaker 1: is like the nicest guy, the nicest right. The reason

318
00:15:03,040 --> 00:15:08,360
Speaker 1: I have because Scuba is the softest, warmest, nicest guy.

319
00:15:08,800 --> 00:15:10,160
Speaker 1: Now when you see him, you don't think that is

320
00:15:10,200 --> 00:15:11,680
Speaker 1: a big beard and you're like that guy, he's probably

321
00:15:12,160 --> 00:15:15,520
Speaker 1: ready for some action. But no, he said, are you

322
00:15:15,520 --> 00:15:20,480
Speaker 1: guys good? We're good killing me here? Okay, So what

323
00:15:20,560 --> 00:15:26,040
Speaker 1: we're gonna do here is exact worst problems. I'm just

324
00:15:26,160 --> 00:15:28,320
Speaker 1: gonna be over here. We're gonna do a couple of

325
00:15:28,600 --> 00:15:34,000
Speaker 1: promo videos for who. The first thing is Seattle. Okay,

326
00:15:34,320 --> 00:15:37,880
Speaker 1: just a little behind the scenes, you guys can hear. Yeah,

327
00:15:37,960 --> 00:15:41,760
Speaker 1: oh good, call Eddie. Usually we'll do five videos deep

328
00:15:42,920 --> 00:15:48,320
Speaker 1: and there's water bottles from the entire week. What are

329
00:15:48,320 --> 00:15:53,040
Speaker 1: we doing changing a screen? We'll have a different grab

330
00:15:53,440 --> 00:15:59,120
Speaker 1: in the back because it's for m Okay, forever and hurry,

331
00:15:59,160 --> 00:16:01,560
Speaker 1: but don't change anything. If we if we're ever in

332
00:16:01,560 --> 00:16:04,480
Speaker 1: a hurry, we don't have to change anything. Okay cool?

333
00:16:05,160 --> 00:16:10,000
Speaker 1: Oh yeah. The September Teacher Feature winner is Brianna White,

334
00:16:10,040 --> 00:16:13,880
Speaker 1: a private preschool teacher in Granted Falls. Brianna was nominated

335
00:16:13,880 --> 00:16:17,760
Speaker 1: by Michael Cadrascolie. Thanks Michael, Michael shared Branna's one of

336
00:16:17,760 --> 00:16:20,120
Speaker 1: a kind. The time and effort that she puts in

337
00:16:20,240 --> 00:16:22,920
Speaker 1: every day is truly amazing. She makes school fund for

338
00:16:22,960 --> 00:16:25,360
Speaker 1: every kid and you can tell that they just love her.

339
00:16:25,680 --> 00:16:29,000
Speaker 1: These kids leave preschool fully prepared for kindergarten and she

340
00:16:29,040 --> 00:16:32,040
Speaker 1: always gets excited over her students accomplishments and loves hearing

341
00:16:32,120 --> 00:16:37,000
Speaker 1: how well a former students doing so that's awesome. Congratulations Branna,

342
00:16:37,120 --> 00:16:38,880
Speaker 1: thanks for what you do. Now we're sending you two

343
00:16:38,960 --> 00:16:41,440
Speaker 1: hundred and fifty bucks to help with your class or

344
00:16:41,480 --> 00:16:43,840
Speaker 1: a nice day for you, treat yourself, do something for both.

345
00:16:44,280 --> 00:16:46,520
Speaker 1: And if you know a teacher that we should celebrate,

346
00:16:46,560 --> 00:16:48,840
Speaker 1: tell us about them at ninety eight nine the bull

347
00:16:48,920 --> 00:16:57,360
Speaker 1: dot com. Good. Yeah, it's fine. By the way, I

348
00:16:57,400 --> 00:16:58,760
Speaker 1: don't have a readies ahead of time to all the

349
00:16:58,800 --> 00:17:00,320
Speaker 1: people listening to judging me right now. So if I

350
00:17:00,360 --> 00:17:03,440
Speaker 1: screw up, I didn't read these are Oh I forgot.

351
00:17:03,480 --> 00:17:05,320
Speaker 1: We're still doing the post shows, Like who's he talking to?

352
00:17:06,040 --> 00:17:11,359
Speaker 1: I was like, what it's like? All right? Go ahead?

353
00:17:14,040 --> 00:17:18,120
Speaker 1: How long? How long? How long are these seconds? Cool?

354
00:17:19,760 --> 00:17:24,640
Speaker 1: Do I read the header? Okay, listen, this is what

355
00:17:24,760 --> 00:17:27,560
Speaker 1: radio stations do. We give you free money every hour

356
00:17:27,720 --> 00:17:30,400
Speaker 1: in the hopes that you will like us best. Whether

357
00:17:30,440 --> 00:17:32,720
Speaker 1: it works out or not, you should still take our money.

358
00:17:32,880 --> 00:17:35,840
Speaker 1: It's free money on the twenties every hour on the

359
00:17:35,880 --> 00:17:38,840
Speaker 1: Big ninety eight, one grand at a time. So you

360
00:17:38,880 --> 00:17:41,399
Speaker 1: can basically when your share of two hundred and twenty

361
00:17:41,440 --> 00:17:46,400
Speaker 1: five thousand dollars, grab your smartphone, set that hourly appointment

362
00:17:46,440 --> 00:17:48,720
Speaker 1: at twenty past each hour, listen for the key word

363
00:17:49,040 --> 00:17:52,119
Speaker 1: inter it online at the Big ninety eight dot com.

364
00:17:52,160 --> 00:17:55,160
Speaker 1: And that's it. One thousand dollars in holiday help. It's

365
00:17:55,160 --> 00:17:57,200
Speaker 1: that easy, free money on the twenties on the Big

366
00:17:57,320 --> 00:18:00,440
Speaker 1: ninety eight. Just for fun, post blow in the comments

367
00:18:00,440 --> 00:18:03,320
Speaker 1: on what you're gonna buy when you win the free money.

368
00:18:03,600 --> 00:18:10,800
Speaker 1: Good luck? Oh and please like us best good? Yeah

369
00:18:10,840 --> 00:18:15,080
Speaker 1: you want to sigh one more of these? Do me

370
00:18:15,119 --> 00:18:22,440
Speaker 1: to wait till the three two. Hey, it's Bobby Bones

371
00:18:22,480 --> 00:18:24,600
Speaker 1: with the Big ninety eight and we're all about helping

372
00:18:24,640 --> 00:18:27,760
Speaker 1: you not only hear your favorite country music, but experience

373
00:18:28,040 --> 00:18:31,000
Speaker 1: your favorite country music. We want to send you straight

374
00:18:31,240 --> 00:18:34,520
Speaker 1: to Vegas. That's George Straight in Las Vegas, December, second

375
00:18:34,920 --> 00:18:38,399
Speaker 1: round trip airfare to night hotels, stay in tickets to

376
00:18:38,440 --> 00:18:41,440
Speaker 1: see the king of country music, mister George Straight. Get

377
00:18:41,480 --> 00:18:43,560
Speaker 1: your smartphone ready to tech stand to win with the

378
00:18:43,560 --> 00:18:46,400
Speaker 1: Big ninety eight, and just for fun, share and tag

379
00:18:46,440 --> 00:18:48,520
Speaker 1: who you would take with you to Vegas when you win.

380
00:18:48,960 --> 00:18:52,199
Speaker 1: Straight to Vegas powered by MCA Nashville and only on

381
00:18:52,359 --> 00:18:59,520
Speaker 1: the Big ninety eight. Cool. Thank you, um, okay, so

382
00:19:02,000 --> 00:19:07,679
Speaker 1: good there, good, thank you. And then let me say this,

383
00:19:07,920 --> 00:19:10,000
Speaker 1: there's a Bobby cast up today with Chapel Heart, which

384
00:19:10,040 --> 00:19:13,280
Speaker 1: was really great. It was I don't know that I

385
00:19:13,320 --> 00:19:15,639
Speaker 1: expected so much energy, Mike. We don't normally do them

386
00:19:15,680 --> 00:19:19,480
Speaker 1: with multiple people though, but yeah, normally one on one. Yeah,

387
00:19:19,520 --> 00:19:20,879
Speaker 1: and then I'm not a big fan of doing one

388
00:19:20,920 --> 00:19:23,560
Speaker 1: of multi people because you don't get the whole story

389
00:19:23,600 --> 00:19:25,359
Speaker 1: if you're having to split it around you have with

390
00:19:25,440 --> 00:19:27,720
Speaker 1: their family. So I work really well. I did work well. Yeah,

391
00:19:27,720 --> 00:19:29,080
Speaker 1: I really enjoyed it. So you guys check it out

392
00:19:29,080 --> 00:19:31,200
Speaker 1: at Chapel Heart. They're up on the Bobby Cast today.

393
00:19:31,520 --> 00:19:33,520
Speaker 1: Amy's got a four things up today, Amy, what's happening

394
00:19:33,520 --> 00:19:36,280
Speaker 1: over there? Oh? My friends Jill and cater On. They

395
00:19:36,280 --> 00:19:39,520
Speaker 1: were background singers for Kelly Clarkson for six years and

396
00:19:39,560 --> 00:19:41,399
Speaker 1: so they have cool stories there. But one of the

397
00:19:41,400 --> 00:19:44,480
Speaker 1: main things is is that we touch on is how

398
00:19:44,520 --> 00:19:46,919
Speaker 1: to navigate when life doesn't go as you planned it

399
00:19:46,960 --> 00:19:50,679
Speaker 1: to go. Because their background vocal career kind of suddenly

400
00:19:50,760 --> 00:19:53,640
Speaker 1: ended after they put up a blog post. They were

401
00:19:53,720 --> 00:19:57,200
Speaker 1: doing some background vocals for a male singer not saying

402
00:19:57,240 --> 00:20:00,679
Speaker 1: his name, and a picture circulated within a group text

403
00:20:00,880 --> 00:20:03,440
Speaker 1: and someone on the team called one of them huge.

404
00:20:03,760 --> 00:20:06,400
Speaker 1: They said, oh man, she looks huge there, and so

405
00:20:06,440 --> 00:20:08,359
Speaker 1: she wrote a whole blog about it, just standing up

406
00:20:08,400 --> 00:20:11,560
Speaker 1: for herself, and they got fired. So then their career

407
00:20:11,600 --> 00:20:14,639
Speaker 1: took turned and went a different way, and that they

408
00:20:14,680 --> 00:20:16,399
Speaker 1: see the blessing in it. Now. They just have a

409
00:20:16,400 --> 00:20:18,840
Speaker 1: lot of really cool stories and a lot of insight

410
00:20:18,880 --> 00:20:21,560
Speaker 1: to share. Check that out. Four Things with Amy Brown. Hey,

411
00:20:21,640 --> 00:20:23,879
Speaker 1: let me play Tanya from Connecticut. Ray. This is a

412
00:20:24,000 --> 00:20:27,600
Speaker 1: voicemail we got yesterday. I just wanted to say Mallow

413
00:20:27,640 --> 00:20:30,199
Speaker 1: for the post show. Really loved the extra content and

414
00:20:30,240 --> 00:20:33,320
Speaker 1: appreciate your dedication to always giving us more. Um, you

415
00:20:33,320 --> 00:20:36,240
Speaker 1: guys do so much and I think y'all are rat

416
00:20:36,240 --> 00:20:38,879
Speaker 1: and I just want to say thanks, thank you. Vera,

417
00:20:38,960 --> 00:20:41,960
Speaker 1: She say Mallow must be from Hawaiian or the island

418
00:20:42,080 --> 00:20:44,879
Speaker 1: or maybe, like I don't know, lives in Mississippi and

419
00:20:44,960 --> 00:20:47,400
Speaker 1: used to live in Hawaiian more visited one time, or yeah,

420
00:20:47,440 --> 00:20:48,880
Speaker 1: we had an intern once it did that came back.

421
00:20:50,119 --> 00:20:52,520
Speaker 1: She run there for three days tomorrow on the show.

422
00:20:52,680 --> 00:20:56,760
Speaker 1: Chad Krueger not Kroeger, which we've always thought Chad Kruger

423
00:20:56,760 --> 00:21:02,040
Speaker 1: from Nickelback, And he's a lot warmer and funnier and

424
00:21:02,200 --> 00:21:04,159
Speaker 1: normal than I guess I thought he would have. And

425
00:21:04,280 --> 00:21:05,840
Speaker 1: he addressed that to me like they always used to,

426
00:21:06,160 --> 00:21:08,880
Speaker 1: like serious pictures of us. Everybody thinks we're like super serious. Yeah,

427
00:21:09,040 --> 00:21:10,920
Speaker 1: it's super cool. And then Edie's always been a hater,

428
00:21:10,960 --> 00:21:13,800
Speaker 1: so we made Eddie ask a couple of questions. One

429
00:21:13,880 --> 00:21:16,640
Speaker 1: question was not approved, the one you led with. Yeah,

430
00:21:16,640 --> 00:21:18,400
Speaker 1: I like that one. Hey, let me tell you though,

431
00:21:18,440 --> 00:21:20,159
Speaker 1: I did. After the interview, I was like, this is

432
00:21:20,160 --> 00:21:22,120
Speaker 1: a sweet guy. He's a sweet dude, Like you can

433
00:21:22,119 --> 00:21:24,320
Speaker 1: tell he's a really really nice guy. Oh, now you're coming.

434
00:21:24,359 --> 00:21:28,399
Speaker 1: I don't okay, come on. We did ask him, and

435
00:21:28,440 --> 00:21:31,119
Speaker 1: what was on Joel's head. We did ask him that,

436
00:21:31,440 --> 00:21:33,280
Speaker 1: so that'd be tomorrow too. You guys, have a great

437
00:21:33,320 --> 00:21:35,600
Speaker 1: day and we'll see tomorrow. By every buddy,