WEBVTT - MOO WITH MEEE

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<v Speaker 1>Girl.

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<v Speaker 2>Wait, girl, we don't know what the last five years are.

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<v Speaker 2>Tell me, tell me my god, Virginia.

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<v Speaker 3>She's sheen ay no ma, not name yo No? What

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<v Speaker 3>is your childhood traumas?

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<v Speaker 1>I am a chuck.

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<v Speaker 3>You what's going down before you?

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<v Speaker 1>So well? Welcome to Like a Virgin, the show where

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<v Speaker 1>we give yesterday's pop culture today's takes Arma's dom you.

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<v Speaker 3>I'm Frantrado and.

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<v Speaker 1>There has never been a better time to become a

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<v Speaker 1>patron at patreon dot com slash Like a Virgin, where

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<v Speaker 1>we do weekly bonus episodes. Because we're going on a

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<v Speaker 1>little hiatus.

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<v Speaker 3>It is time for our annual We are tired.

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<v Speaker 1>Yes, season two has come to an end and we're

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<v Speaker 1>gonna take some time off from main episodes.

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<v Speaker 3>How do we decide seasons?

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<v Speaker 2>You ask very arbitrary, very arbitrarily, with no rhyme or reason,

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<v Speaker 2>and whenever we feel like it. And let me tell you.

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<v Speaker 2>We're tired, same time last year. Actually it wasn't the

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<v Speaker 2>same time last year. I was a little later last year.

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<v Speaker 3>I can't remember. We were tired.

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<v Speaker 2>We're tired right now. We're gonna go on a little break.

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<v Speaker 2>But lucky for you, we have some Patreon episodes in

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<v Speaker 2>the bank, mama.

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<v Speaker 1>So while you might be missing us on your weekly feed,

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<v Speaker 1>you can still hear us every week at patreon dot

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<v Speaker 1>com slash Like a Virgin, where we will be doing

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<v Speaker 1>more sort of like chit chatty catchups. We'll be talking

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<v Speaker 1>about some spooky season stuff. We'll be finally watching cats

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<v Speaker 1>Don't Dance. Yes, oh my god, I'm into submission. So

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<v Speaker 1>become a patron and you know, get your weekly of Froze.

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<v Speaker 1>That's a combination of our names, Fran and Rose.

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<v Speaker 2>Oh.

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<v Speaker 3>I was like, what froze Frose or Ran Ran.

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<v Speaker 2>Yeah, if you miss us on the main feed, mosey

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<v Speaker 2>on over the Patreon if you've never subscribed there that

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<v Speaker 2>is patreon dot com slash Like a Virgin.

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<v Speaker 1>So with that in mind, we thought long and hard.

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<v Speaker 1>AKA we texted an hour before we had to be

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<v Speaker 1>in the studio about what we should you know, end

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<v Speaker 1>season two of Like a Virgin with and Phoebe jokingly

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<v Speaker 1>suggested the musical rent and we were like, not no,

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<v Speaker 1>not no. You Fran literally said not no, not no.

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<v Speaker 3>So said yes.

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<v Speaker 1>And one of the rare times I have said.

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<v Speaker 2>No, that's not your narrative anymore. Rose, you always say yes.

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<v Speaker 1>And oh thanks no, but no, but so yes. Today

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<v Speaker 1>we will be loosely discussing, you know, the rock musical Rent,

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<v Speaker 1>which you know, took the world by storm in nineteen

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<v Speaker 1>ninety six when it premiered both off Broadway and then

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<v Speaker 1>eventually on Broadway. Was later adapted into a feature film

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<v Speaker 1>by Christopher Columbus, probably the most misguided directing choice ever

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<v Speaker 1>made a live musical, and truly like has been weaponized

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<v Speaker 1>by theater kids across the globe for.

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<v Speaker 2>Decades now, weaponizing the text of Rent and their bfas

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<v Speaker 2>all at the same time.

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<v Speaker 1>When I think of Rent, and I want to know

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<v Speaker 1>if you have the same thought, I think very specifically,

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<v Speaker 1>and this might be a theater kid thing of the

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<v Speaker 1>double CD soundtrack.

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<v Speaker 3>Oh I had that, of course you did.

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<v Speaker 2>I'm pretty sure I had that, Or if I didn't

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<v Speaker 2>have it, I definitely checked it out from the library

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<v Speaker 2>and burned it, burned both discs, not in.

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<v Speaker 1>The fire like you copied it.

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<v Speaker 2>No, no, no, remember barns our gen Z listeners if we

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<v Speaker 2>have any, might not know what that that terminology? Jesus

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<v Speaker 2>fucking Christ what gen Z listeners? I honest, So we

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<v Speaker 2>definitely have them, really, yeah, oh my god.

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<v Speaker 3>I thought it was mostly it is.

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<v Speaker 1>Mostly memornials, but there are some gen Z people.

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<v Speaker 2>H I know, I used to burn CDs profusely and

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<v Speaker 2>I'm sure Rent was one of those things. And for

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<v Speaker 2>a very long time, Rent was one of my kind

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<v Speaker 2>of key brand pillars. I would say it was like Rent,

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<v Speaker 2>it was Mulin Rouge and what else did I believe

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<v Speaker 2>in baz lerment?

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<v Speaker 3>I don't.

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<v Speaker 2>I mean, I don't know. I don't know what the

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<v Speaker 2>third brand pillar is. I'll come, it'll, it'll come back

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<v Speaker 2>to me. But what about you?

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<v Speaker 1>Well, so I might surprise you by saying this, but

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<v Speaker 1>I don't really fuck with Rent like that, right, I

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<v Speaker 1>you know, I obviously.

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<v Speaker 3>I always think that you're like a super standard.

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<v Speaker 1>No. No, no, I'm obviously with Charlene. No, I'm honestly like,

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<v Speaker 1>of course, I'm very familiar with it. I've seen it

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<v Speaker 1>on Broadway, I've seen the movie. I know the songs.

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<v Speaker 1>I had the soundtrack. But it's not really my tea

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<v Speaker 1>with musical theater. I mean, we all know from listening

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<v Speaker 1>to this podcast, I am a recovering musical theater girly,

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<v Speaker 1>and I am also somewhat reclaiming it as as an adult,

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<v Speaker 1>but I always gravitated towards, you know, more classic musicals

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<v Speaker 1>and also more bombastic musicals, like we've talked about Phantom

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<v Speaker 1>of the Opera Is my favorite musical one of your

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<v Speaker 1>key brand pillars? Yes, yeah, definitely at the time, definitely.

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<v Speaker 1>And Rent was always a little too poppy for me

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<v Speaker 1>as a teenager. Yeah, And I I just didn't really

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<v Speaker 1>form my personality around it the way that a lot

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<v Speaker 1>of people that I was friends with at the time,

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<v Speaker 1>did you know, I was much more likely to be

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<v Speaker 1>listening to the Last Five Years soundtrack than I was

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<v Speaker 1>listening to Rent.

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<v Speaker 3>What's the Last five Years?

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<v Speaker 1>The Last five Years as a music hole by Jason

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<v Speaker 1>Robert Brown?

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<v Speaker 3>Who is that? He's a you wouldn't know him, okay,

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<v Speaker 3>and said it like it was somebody that.

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<v Speaker 1>I mean, he is somebody. But if you're a musical

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<v Speaker 1>theater girly like that. It's a two person show about

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<v Speaker 1>a married couple and the dissolution of their marriage, and

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<v Speaker 1>it takes place in opposite timelines. So the musical starts

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<v Speaker 1>from the woman's side with the end of their marriage

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<v Speaker 1>and then goes backwards in time, and then the man's

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<v Speaker 1>side starts from the beginning of their courtship and goes

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<v Speaker 1>forward in time and they meet in the middle when

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<v Speaker 1>they get married, and it is incredible music. Oh, it's

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<v Speaker 1>like a really like interesting storytelling device. Sherry Renee Scott

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<v Speaker 1>and Norbert Leo Butts were in the original cast. Shary

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<v Speaker 1>Renee Scott is like a Broadway legend and it has

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<v Speaker 1>some of my favorite songs in musical theater, like a

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<v Speaker 1>Summer in Ohio, like the Schmool song. Just kidding, I

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<v Speaker 1>hate the Schmool song. It was adapted into a film

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<v Speaker 1>with Anna Kendrick, which is not a bad movie but

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<v Speaker 1>is not like gag worthy, but it's I think it

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<v Speaker 1>was only ever off Broadway, but my friends and I

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<v Speaker 1>were obsessed with it in high school and I specifically remember,

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<v Speaker 1>did you ever do one of those all night like

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<v Speaker 1>cancer walk a thon thing? Yes?

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<v Speaker 2>Yes, my boyfriend at the time and I jerked each

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<v Speaker 2>other off in like a boy Scouts TN.

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<v Speaker 1>Okay, so while you were doing that, my friends and

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<v Speaker 1>I were sitting around like an artificial campfire, singing along

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<v Speaker 1>to the Last five Years.

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<v Speaker 3>Did you also have to wear t shirts that said

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<v Speaker 3>cancer sucks?

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<v Speaker 1>No?

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<v Speaker 2>Okay, we had these T shirts that said cancer sucks,

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<v Speaker 2>and all the proceeds went to cancer, not to cancer,

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<v Speaker 2>not pro cancer, anti cancer. It was actually to pro

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<v Speaker 2>cancer poses people things giving you cancer, no I U.

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<v Speaker 2>And every it was like it was like the new

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<v Speaker 2>north Face. Like everyone had a cancer sucks T shirt

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<v Speaker 2>because they came in lots of different colors, and it

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<v Speaker 2>was like really like crazy to have the words sucks

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<v Speaker 2>on a T shirt.

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<v Speaker 3>And it'd be like, oh, yeah, I mean.

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<v Speaker 1>That was that was rebellious as fuck in high school. Sucks. Yeah.

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<v Speaker 2>No, that is kind of the era of culture that

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<v Speaker 2>Rent found me. I didn't know that it was an

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<v Speaker 2>adaptation of Labohm for a long time.

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<v Speaker 1>It is famously an adaptation of the opera.

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<v Speaker 3>But instead of TV, it's AIDS.

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<v Speaker 1>It's AIDS. So for anyone who doesn't know the basic

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<v Speaker 1>premise of Rent, it's about or it's about a group

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<v Speaker 1>of young artists and like artists adjacent people living in

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<v Speaker 1>New York City in the nineties bohemians and they can't

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<v Speaker 1>pay their rent. They live in Alphabet City, which is

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<v Speaker 1>you know, downtown on the East Side, and a bunch

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<v Speaker 1>of them have AIDS and the only trans person or

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<v Speaker 1>like gender queer person is the one who dies of it.

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<v Speaker 1>There's a performance artist, there's a filmmaker who sells out.

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<v Speaker 1>There's a straight couple who are the great love story

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<v Speaker 1>of the piece. Yeah, both have AIDS.

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<v Speaker 3>I forgot that they are.

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<v Speaker 1>They are the centerpiece of the show, the straight couple.

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<v Speaker 1>Why because because Jonathan Larson, who wrote the music. And

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<v Speaker 1>this is something that a lot of people that gets

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<v Speaker 1>obscured a lot. And I mean even when we shut

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<v Speaker 1>up and we're talking about this, you were like, oh,

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<v Speaker 1>didn't he die from AIDS? And no, he died from

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<v Speaker 1>complications from an aneurysm. And he was straight.

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<v Speaker 2>Yeah heterosexual, Yeah, he was straight and unfortunately died the

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<v Speaker 2>day after the very first dress rehearsal.

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<v Speaker 1>He died the morning after the Music Hall's final dress rehearsal.

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<v Speaker 1>What's your favorite song from Rent?

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<v Speaker 3>That's hard?

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<v Speaker 1>Mm?

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<v Speaker 3>Will you light my candle?

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<v Speaker 1>What are you staring at? Nothing? Your hair in the moonlight?

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<v Speaker 1>You look familiar? Can you make it?

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<v Speaker 2>Just?

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<v Speaker 1>Haven't eat much to stop spinning anyway?

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<v Speaker 2>What right?

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<v Speaker 3>Isn't she like coked out or something?

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<v Speaker 1>And she's on Heroin?

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<v Speaker 2>Oh?

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<v Speaker 3>Heroin?

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<v Speaker 1>Yeah? Oh that's she and Roger are both Heroin auticts.

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<v Speaker 3>Oh eh, I used to tie you up.

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<v Speaker 1>It's a living.

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<v Speaker 3>Doesn't the guy who plays Roger is gay?

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<v Speaker 1>I don't think so.

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<v Speaker 3>Oh really, no, Oh my god, that's so confusing.

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<v Speaker 1>Who went on Aida? And then wait, is this the

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<v Speaker 1>guy which also has Sharon Scott in it, who was

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<v Speaker 1>in the last five years?

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<v Speaker 3>Oh of course.

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<v Speaker 2>I have already told this story, or I've already said

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<v Speaker 2>in in maybe the first season of the pod that

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<v Speaker 2>this was definitely one of the things that like broke

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<v Speaker 2>me open.

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<v Speaker 3>It's I don't know why.

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<v Speaker 2>I'm only realizing that Mulan Rouge and Rent, which both

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<v Speaker 2>came into my life around the same time from the

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<v Speaker 2>same person who was mel that bisexual goth I was

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<v Speaker 2>friends with in They and my best friend's called a Sack.

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<v Speaker 2>She showed both of those movies to me, and they're

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<v Speaker 2>both about bohemians and they're both based on and they're

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<v Speaker 2>bolls based. Oh my god, they're based and they're both

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<v Speaker 2>about aids. Well, no, no, she has bargulations. She has consumption.

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<v Speaker 2>That's what they called TV.

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<v Speaker 1>You just love saying I do love saying consumption because

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<v Speaker 1>I consumption, because I do wish that I was like

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<v Speaker 1>a frail Victorian woman coughing up blood into a handkerchief.

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<v Speaker 1>Do you want to know what my favorite song from Rento's.

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<v Speaker 3>Yes, forgive me for not asking.

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<v Speaker 1>It's Over the Moon, which is the.

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<v Speaker 3>Song that no one sings, no one's ever heard of

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<v Speaker 3>flap song.

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<v Speaker 1>Only thing to do is jump over the Moon. It's

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<v Speaker 1>a Dina Menzelle, Maureen's character performing. It's her performance piece

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<v Speaker 1>that she does in the first act. It's incredibly iconic.

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<v Speaker 1>It's the one where she moves moove with me, moo

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<v Speaker 1>with me.

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<v Speaker 3>Oh, the performance art moment.

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<v Speaker 1>It's incredible and you have not lived until you've seen

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<v Speaker 1>Charlene do it at TNT on a Tuesday night. Move

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<v Speaker 1>with Me.

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<v Speaker 2>Shar is an actual Rent historian, And No's like, we

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<v Speaker 2>actually should we text her right now?

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<v Speaker 3>Do you think she's by the studio? She could come

0:13:12.800 --> 0:13:15.959
<v Speaker 3>right I actually, I actually talk about it for hours.

0:13:16.040 --> 0:13:19.840
<v Speaker 1>Well, she wrote a piece about rent Out that I

0:13:19.840 --> 0:13:23.000
<v Speaker 1>think I commission. I remember this, Yeah, and it was

0:13:23.080 --> 0:13:26.640
<v Speaker 1>really great. She she is definitely a rent scholar because

0:13:26.880 --> 0:13:31.040
<v Speaker 1>it is a very foundational musical for her. And yeah,

0:13:31.040 --> 0:13:32.960
<v Speaker 1>we should have planned ahead and had her back for

0:13:33.080 --> 0:13:34.520
<v Speaker 1>this episode, but we didn't.

0:13:34.760 --> 0:13:35.960
<v Speaker 3>We didn't plan ahead at all.

0:13:36.280 --> 0:13:40.440
<v Speaker 1>Also, Rent is a Christmas musical, right it is the

0:13:40.480 --> 0:13:42.360
<v Speaker 1>first act takes place on Christmas?

0:13:42.480 --> 0:13:43.720
<v Speaker 3>Or are you and I going to watch it on

0:13:43.720 --> 0:13:44.640
<v Speaker 3>December first this year?

0:13:46.960 --> 0:13:49.840
<v Speaker 1>Maybe? I haven't watched the movie in a couple of years.

0:13:50.440 --> 0:13:53.360
<v Speaker 1>So the movie came out when I was in I

0:13:53.360 --> 0:13:56.080
<v Speaker 1>guess probably when we were both in high school. It

0:13:56.200 --> 0:14:01.360
<v Speaker 1>came out on Thanksgiving. I saw it when I was

0:14:01.440 --> 0:14:06.120
<v Speaker 1>I was in Connecticut visiting my dad's family for Thanksgiving.

0:14:06.720 --> 0:14:09.959
<v Speaker 1>And you know, whenever we did that, there would be

0:14:10.040 --> 0:14:12.040
<v Speaker 1>one night where we would all go to the movies

0:14:12.640 --> 0:14:16.320
<v Speaker 1>and no one wanted to see Rent except me. But

0:14:16.480 --> 0:14:21.400
<v Speaker 1>I bullied my dad into taking me to it gay

0:14:22.160 --> 0:14:24.600
<v Speaker 1>and because it's not like I wanted to see it,

0:14:24.640 --> 0:14:27.920
<v Speaker 1>But I think the other option was National Treasure, and

0:14:27.960 --> 0:14:29.480
<v Speaker 1>I did want to see it because even though I

0:14:29.520 --> 0:14:32.760
<v Speaker 1>didn't love Rent, like obviously, I still liked it.

0:14:32.960 --> 0:14:37.760
<v Speaker 2>National Treasure is an exquisite film. I've never seen it.

0:14:37.760 --> 0:14:38.880
<v Speaker 3>It's an amazing movie.

0:14:38.960 --> 0:14:42.120
<v Speaker 1>But I will say, and I know this is kind

0:14:42.120 --> 0:14:46.840
<v Speaker 1>of blasphemous. In the years since, I probably have listened

0:14:46.920 --> 0:14:51.680
<v Speaker 1>to the movie soundtrack more than the OBC.

0:14:52.240 --> 0:14:55.400
<v Speaker 2>Yeah, no, I definitely listened to the movie soundtrack. The OBCR,

0:14:55.640 --> 0:14:56.920
<v Speaker 2>the OBCR.

0:14:57.520 --> 0:15:00.000
<v Speaker 3>The movie son tract is good, the movie music is good.

0:15:00.040 --> 0:15:06.480
<v Speaker 1>It is you know, Rosario Dawson. I love voices. I

0:15:06.520 --> 0:15:11.000
<v Speaker 1>love Daphne ruben Vega, who was the original Mimi. She

0:15:11.200 --> 0:15:14.680
<v Speaker 1>is iconic both in Rent and in that scene in

0:15:14.720 --> 0:15:17.560
<v Speaker 1>the first Sex in the City movie where she talks

0:15:17.600 --> 0:15:20.280
<v Speaker 1>to the girls in the bathroom during the auction.

0:15:20.240 --> 0:15:21.160
<v Speaker 3>I just watched.

0:15:21.960 --> 0:15:24.680
<v Speaker 1>She was a smart girl until she fell in love.

0:15:26.720 --> 0:15:29.800
<v Speaker 1>But Rosario Dawson kind of four plus four?

0:15:29.920 --> 0:15:32.520
<v Speaker 3>That yeah, wait, what's four plus four? Is this new slang?

0:15:34.600 --> 0:15:38.320
<v Speaker 1>My sisters said it over the weekend, and I'm now adopted.

0:15:38.920 --> 0:15:45.000
<v Speaker 2>I'm so the way my eyes are rolling into my

0:15:45.200 --> 0:15:48.600
<v Speaker 2>skull right now, girl, that is It's fine.

0:15:48.760 --> 0:15:51.280
<v Speaker 1>I've got a four plus four that shut up?

0:15:51.440 --> 0:15:53.160
<v Speaker 4>No, but you know that you're now going to say

0:15:53.160 --> 0:15:55.600
<v Speaker 4>it off as your own.

0:15:55.800 --> 0:15:56.320
<v Speaker 3>No, I'm not.

0:16:17.760 --> 0:16:20.320
<v Speaker 2>What's the marine? I did a mental song, the first

0:16:20.320 --> 0:16:26.040
<v Speaker 2>one to take Me Baby. That's actually why didn't I

0:16:26.040 --> 0:16:27.640
<v Speaker 2>I redact what I said earlier.

0:16:27.800 --> 0:16:32.760
<v Speaker 3>My true favorite song is take Me Baby or Lave

0:16:32.960 --> 0:16:34.320
<v Speaker 3>Me That song fucks.

0:16:34.360 --> 0:16:40.160
<v Speaker 1>That song was created to be sung at karaoke by

0:16:40.240 --> 0:16:45.040
<v Speaker 1>people who are way too into singing it as happened

0:16:45.440 --> 0:16:51.080
<v Speaker 1>famously on an episode of Girls Yes This at Hannah's

0:16:51.200 --> 0:16:56.080
<v Speaker 1>birthday party when when Marnie tried to get her to

0:16:56.200 --> 0:17:00.360
<v Speaker 1>perform it on stage and she didn't want to. Also,

0:17:01.000 --> 0:17:06.800
<v Speaker 1>in the first season of Girls Showshana asks Marnie if

0:17:06.840 --> 0:17:08.880
<v Speaker 1>she's ever seen rent, and she says, of course, it's

0:17:08.880 --> 0:17:11.479
<v Speaker 1>the whole reason I moved to New York. That is

0:17:12.240 --> 0:17:17.320
<v Speaker 1>true for a lot of people, which is crazy because like, yes,

0:17:17.440 --> 0:17:23.480
<v Speaker 1>it does glamorize this experience of being like poor and

0:17:23.880 --> 0:17:26.480
<v Speaker 1>you know, oppressed living in New York City, but it's

0:17:26.520 --> 0:17:32.679
<v Speaker 1>also like not super It doesn't make it sound super appealing. No,

0:17:32.960 --> 0:17:36.439
<v Speaker 1>Like sure, lev bo M is a fun group number,

0:17:37.080 --> 0:17:43.040
<v Speaker 1>but you know the people are like killing dogs and die.

0:17:43.080 --> 0:17:46.080
<v Speaker 1>Paying rent and not paying rent. That's the whole premise

0:17:46.119 --> 0:17:46.840
<v Speaker 1>of the beginning.

0:17:46.840 --> 0:17:49.000
<v Speaker 2>They they literally are like, we're not gonna pay rent,

0:17:49.000 --> 0:17:50.840
<v Speaker 2>and you're kind of like, okay.

0:17:52.680 --> 0:17:55.760
<v Speaker 1>Okay, have you ever not paid rent somewhere you lived?

0:17:58.280 --> 0:18:01.800
<v Speaker 2>No, I did like dit a lease and left my

0:18:01.960 --> 0:18:06.120
<v Speaker 2>roommates add a listing with a lease under my name,

0:18:06.720 --> 0:18:08.760
<v Speaker 2>and it was just like just fill my room because

0:18:08.800 --> 0:18:11.560
<v Speaker 2>the management was unresponsive and just not helpful in doing

0:18:11.600 --> 0:18:15.200
<v Speaker 2>anything in terms of like getting next people in, they

0:18:15.240 --> 0:18:18.760
<v Speaker 2>like wouldn't it was whatever, we had negligent management. So

0:18:19.119 --> 0:18:22.800
<v Speaker 2>I paid rent, I found a subletter, and then I

0:18:22.880 --> 0:18:25.399
<v Speaker 2>moved on. But I found out that like months or

0:18:25.560 --> 0:18:29.040
<v Speaker 2>years later, my roommates did not pay that rent in

0:18:29.080 --> 0:18:32.320
<v Speaker 2>the final months because it was the pandemic, So that

0:18:32.400 --> 0:18:37.280
<v Speaker 2>might affect my credit score. Anyways, No, it's never happened,

0:18:37.320 --> 0:18:42.040
<v Speaker 2>but you probably have definitely squatted, maybe at least once.

0:18:42.200 --> 0:18:46.399
<v Speaker 1>Yeah, I have once, not technically squatting, not squatting in

0:18:46.440 --> 0:18:50.080
<v Speaker 1>a way where the people I lived with and I said,

0:18:50.560 --> 0:18:54.000
<v Speaker 1>let squat, but in a way where I just was

0:18:54.200 --> 0:18:56.960
<v Speaker 1>very broke and did not pay a couple months of rent.

0:18:57.320 --> 0:19:01.919
<v Speaker 2>I briefly dated this guy who wait, oh wait, have

0:19:02.000 --> 0:19:04.320
<v Speaker 2>I told you about this guy that I dated who

0:19:04.359 --> 0:19:07.200
<v Speaker 2>co wrote musicals with his brother about the Egyptian Revolution.

0:19:08.520 --> 0:19:10.080
<v Speaker 1>Let's why don't you just tell it again?

0:19:10.240 --> 0:19:13.960
<v Speaker 2>So I literally like started eating this guy super hot,

0:19:14.040 --> 0:19:16.320
<v Speaker 2>unfortunately very straight passing. I had no idea who was

0:19:16.359 --> 0:19:20.280
<v Speaker 2>gay until we were making out, and then we started

0:19:20.280 --> 0:19:22.120
<v Speaker 2>to date and I ended up not really liking him,

0:19:22.119 --> 0:19:24.840
<v Speaker 2>but I was between sublets and I didn't have a

0:19:24.880 --> 0:19:27.679
<v Speaker 2>place to stay from, so I dated him for another

0:19:27.720 --> 0:19:31.320
<v Speaker 2>month so that it crash in his Upper West Side

0:19:31.320 --> 0:19:35.160
<v Speaker 2>apartment that his parents paid for and it was worth it.

0:19:36.440 --> 0:19:38.800
<v Speaker 3>And why did I bring that up? Oh?

0:19:38.800 --> 0:19:46.440
<v Speaker 2>Because I wasn't paying rent. You know what sucks? Rent cancer?

0:19:46.800 --> 0:19:49.000
<v Speaker 2>Also rent, rent sucks.

0:19:49.119 --> 0:19:53.800
<v Speaker 1>It has every sucked. Every month when my rent leaves

0:19:53.880 --> 0:19:59.160
<v Speaker 1>my bank account, a part of my soul leaves my body.

0:19:59.320 --> 0:20:02.480
<v Speaker 2>And can I be vulnerable? This year is the first

0:20:02.600 --> 0:20:06.080
<v Speaker 2>year since twenty eighteen where I've had trouble paying rent.

0:20:06.320 --> 0:20:10.000
<v Speaker 2>Like twenty eighteen, I was like starving freelancer, really having

0:20:10.000 --> 0:20:14.280
<v Speaker 2>trouble making ends, me digging deep into my savings, like

0:20:14.359 --> 0:20:17.280
<v Speaker 2>basically was saved by that job a out magazine. And

0:20:17.320 --> 0:20:22.040
<v Speaker 2>now I'm like kind of in the same spot. Rent

0:20:22.160 --> 0:20:26.000
<v Speaker 2>has really sucked the bone marrow out of my body.

0:20:26.680 --> 0:20:29.760
<v Speaker 3>And it's so expensive. Rose, your rent is really good.

0:20:29.960 --> 0:20:32.560
<v Speaker 1>Well it's about to be. It's starting next month. It's

0:20:32.600 --> 0:20:34.400
<v Speaker 1>going up two hundred dollars a month.

0:20:34.200 --> 0:20:35.040
<v Speaker 3>Which is not that bad.

0:20:35.320 --> 0:20:35.960
<v Speaker 1>It's bad.

0:20:36.080 --> 0:20:37.680
<v Speaker 3>It's bad. It's bad, but it's.

0:20:37.520 --> 0:20:42.680
<v Speaker 1>Bad considering nothing has been improved about my apartment.

0:20:42.800 --> 0:20:45.399
<v Speaker 3>Right, did you say that you never email them? I

0:20:45.400 --> 0:20:46.760
<v Speaker 3>never emailed them. You should email them.

0:20:46.840 --> 0:20:50.320
<v Speaker 1>It's too late. It's too late. I actually still haven't

0:20:50.320 --> 0:20:52.439
<v Speaker 1>told them that I'm renewing my lease and sent the

0:20:52.480 --> 0:20:54.680
<v Speaker 1>extra two hundred dollars to add to my security post.

0:20:54.720 --> 0:20:55.439
<v Speaker 1>I should do that.

0:20:55.800 --> 0:20:59.240
<v Speaker 3>You should just not pay the rate increase.

0:20:59.640 --> 0:21:02.880
<v Speaker 2>No, I'm not gonna do that. Yeah, just because I'm

0:21:02.920 --> 0:21:05.600
<v Speaker 2>not the people in rent. That's the other Yeah, I

0:21:05.680 --> 0:21:06.879
<v Speaker 2>just what was the plant?

0:21:06.960 --> 0:21:09.000
<v Speaker 3>Like? What happens after you don't pay? Do you don't

0:21:09.000 --> 0:21:09.520
<v Speaker 3>pay rent?

0:21:09.960 --> 0:21:10.560
<v Speaker 1>You get evicted?

0:21:10.840 --> 0:21:13.280
<v Speaker 2>You get evicted? Do you have like squatters rights? What

0:21:13.359 --> 0:21:16.160
<v Speaker 2>are squatters right? I?

0:21:16.240 --> 0:21:20.200
<v Speaker 1>Look, I know during the pandemic there was a lot

0:21:20.200 --> 0:21:25.200
<v Speaker 1>of discussion about squatters rights and landlords. I never really

0:21:25.400 --> 0:21:29.440
<v Speaker 1>investigated it too deeply because I have an incredible fear

0:21:29.440 --> 0:21:31.480
<v Speaker 1>of authority and.

0:21:32.160 --> 0:21:35.760
<v Speaker 3>Right shockingly, even though you break every rule, Yeah.

0:21:35.480 --> 0:21:38.159
<v Speaker 1>But I'm but I also really like following the rules.

0:21:38.280 --> 0:21:42.199
<v Speaker 1>Yeah you do, so I don't. I've never been in

0:21:42.200 --> 0:21:42.919
<v Speaker 1>a situation.

0:21:43.480 --> 0:21:44.640
<v Speaker 3>You've never been in a situation.

0:21:44.960 --> 0:21:51.320
<v Speaker 1>I've never been in this situation. So, yeah, I don't

0:21:51.359 --> 0:21:55.879
<v Speaker 1>know what happens when you stop paying rent? You I

0:21:55.880 --> 0:21:57.040
<v Speaker 1>guess start singing.

0:21:57.160 --> 0:21:58.560
<v Speaker 3>I guess you start singing.

0:21:58.720 --> 0:21:59.520
<v Speaker 1>You sing?

0:22:01.000 --> 0:22:04.000
<v Speaker 2>Well, that is the thing, rose, is that when you

0:22:04.040 --> 0:22:08.600
<v Speaker 2>cannot pay with money. You pay with art, beautiful, beautiful art.

0:22:08.840 --> 0:22:12.240
<v Speaker 2>And the landlords in rent they go, they look, they

0:22:12.240 --> 0:22:14.160
<v Speaker 2>took one look at Anthony Rap and they were like.

0:22:14.119 --> 0:22:16.480
<v Speaker 3>Your voice is so beautiful. Well, you don't have to

0:22:16.480 --> 0:22:17.040
<v Speaker 3>pay rent.

0:22:16.840 --> 0:22:23.240
<v Speaker 1>Because voice is not beautiful, but it's a pretty great. Wait.

0:22:23.280 --> 0:22:28.120
<v Speaker 1>Speaking of Anthony Rap, don't you have tea with him? Oh?

0:22:28.160 --> 0:22:28.480
<v Speaker 1>My god?

0:22:28.960 --> 0:22:33.159
<v Speaker 3>Do I have tea with Anthony Rap? Not anymore? But

0:22:34.280 --> 0:22:34.760
<v Speaker 3>one time?

0:22:34.840 --> 0:22:36.400
<v Speaker 1>Have you explored each other's bodies?

0:22:36.640 --> 0:22:36.920
<v Speaker 3>Yes?

0:22:37.359 --> 0:22:41.480
<v Speaker 1>No, no, have you explored each other's body? Addy addies.

0:22:41.560 --> 0:22:43.200
<v Speaker 3>He's not my type.

0:22:43.320 --> 0:22:49.080
<v Speaker 2>I don't go for guys that look like like target models,

0:22:49.280 --> 0:22:52.280
<v Speaker 2>like if you don't have any like tattoos or that's

0:22:52.440 --> 0:22:54.879
<v Speaker 2>pretty accurate. Yeah, like I any if you don't have

0:22:54.920 --> 0:22:58.520
<v Speaker 2>any distinctive features, if you're just like a guy like

0:22:59.160 --> 0:23:02.960
<v Speaker 2>I can't see you. But he's a gorgeous, talented man,

0:23:03.240 --> 0:23:06.200
<v Speaker 2>I'm sure. Anyways, I'm being diplomatic. We got into a fight.

0:23:06.280 --> 0:23:08.520
<v Speaker 2>I think around the time that the Charlene piece came

0:23:08.560 --> 0:23:09.959
<v Speaker 2>out on out dot com. I think it was a

0:23:10.000 --> 0:23:12.280
<v Speaker 2>pag to that are in relation to that, because I

0:23:12.400 --> 0:23:15.639
<v Speaker 2>got on my you know, on my little high horse

0:23:15.800 --> 0:23:18.960
<v Speaker 2>and tweeted about how the idea of rent was stolen

0:23:19.040 --> 0:23:20.720
<v Speaker 2>from Sarah Schulman.

0:23:20.520 --> 0:23:21.159
<v Speaker 1>Which it was?

0:23:21.520 --> 0:23:22.239
<v Speaker 3>Which it it?

0:23:22.680 --> 0:23:26.560
<v Speaker 2>You know, there's no way to prove that it was

0:23:26.920 --> 0:23:31.240
<v Speaker 2>fully plagiarized, but I think it's pretty undeniable that he

0:23:31.359 --> 0:23:34.520
<v Speaker 2>read her text and and borrowed a lot of things.

0:23:34.760 --> 0:23:37.480
<v Speaker 2>I think it's pretty pretty easy to look at the

0:23:37.480 --> 0:23:40.239
<v Speaker 2>facts and say that. So if you I don't think, Well,

0:23:40.240 --> 0:23:42.240
<v Speaker 2>the other thing is like the book that Sarah wrote

0:23:42.280 --> 0:23:45.520
<v Speaker 2>that he plagiarized was kind of one of her flat books,

0:23:46.560 --> 0:23:49.920
<v Speaker 2>like go read like Gentrification of the Mind or something

0:23:49.960 --> 0:23:52.320
<v Speaker 2>like that. I mean, that book isn't like good quote unquote.

0:23:52.359 --> 0:23:54.760
<v Speaker 2>That book just has a lot of like incredible ideas

0:23:54.800 --> 0:23:57.080
<v Speaker 2>and thought leadership in it, but it's not like an

0:23:57.200 --> 0:24:00.080
<v Speaker 2>enjoyable read. Actually, I would actually venture to say that

0:24:00.119 --> 0:24:03.359
<v Speaker 2>Sirciualman is maybe one of the most unfunny people on

0:24:03.400 --> 0:24:06.359
<v Speaker 2>the planet. Like she actually and this I'm saying this

0:24:06.400 --> 0:24:08.919
<v Speaker 2>as an admirer, Like she is a legend and I

0:24:08.960 --> 0:24:11.520
<v Speaker 2>would like love to have a body of work like

0:24:11.520 --> 0:24:14.720
<v Speaker 2>hers one day. But she is so on fun and

0:24:14.760 --> 0:24:18.800
<v Speaker 2>she cannot see like because of what she's gone through

0:24:18.840 --> 0:24:22.560
<v Speaker 2>and what she's reported on. Like you know, if Jonathan

0:24:22.640 --> 0:24:25.760
<v Speaker 2>Larson's gonna steal her play. She's gonna never stop talking

0:24:25.760 --> 0:24:28.440
<v Speaker 2>about it till the end of time. Anyways, I got

0:24:28.480 --> 0:24:32.719
<v Speaker 2>into a fight with Adam Lambert, Matthew Lambert and Anthony

0:24:32.840 --> 0:24:37.960
<v Speaker 2>Rap Anthony Rap about it on Twitter of all places,

0:24:38.000 --> 0:24:41.399
<v Speaker 2>which I never I said, you you disagree, but I

0:24:41.440 --> 0:24:44.919
<v Speaker 2>say I never. I never really get into spars with people.

0:24:45.119 --> 0:24:46.720
<v Speaker 2>I will go back and forth. I will like maybe

0:24:46.800 --> 0:24:49.960
<v Speaker 2>hit back, but I won't go like back forth, back forth,

0:24:50.000 --> 0:24:52.120
<v Speaker 2>back forth. And I went like back forth, back forth,

0:24:52.160 --> 0:24:54.240
<v Speaker 2>back forth with Anthony Rap on Twitter. It was kind

0:24:54.240 --> 0:24:54.679
<v Speaker 2>of wild.

0:24:56.000 --> 0:25:01.440
<v Speaker 1>What a different time? Yeah, can you and imagine fighting

0:25:01.440 --> 0:25:03.640
<v Speaker 1>with someone on Twitter in twenty twenty three?

0:25:04.359 --> 0:25:11.399
<v Speaker 3>Yes, I just did that. Oh your no, Phoebe, please bleep.

0:25:12.080 --> 0:25:15.359
<v Speaker 2>Bravo, Bravo, Bravo, Bravo, Bravo, Bravo, Phoebe, Phoebe, Phoebe.

0:25:15.400 --> 0:25:18.879
<v Speaker 1>Oh wait, Speaking of Jonathan Larson, did you watch Tiktik

0:25:18.960 --> 0:25:24.080
<v Speaker 1>Boom when it was amazing? It's incredible? Andrew Garfield four

0:25:24.119 --> 0:25:30.000
<v Speaker 1>posport four He four plus four that it's so. I

0:25:30.040 --> 0:25:33.320
<v Speaker 1>actually me, I actually maybe liked tick tick Boom more

0:25:33.359 --> 0:25:37.320
<v Speaker 1>than rent in high school. Featured Amy Spanger, who later

0:25:37.440 --> 0:25:40.520
<v Speaker 1>went on to star in The Wedding Singer, which the

0:25:40.600 --> 0:25:42.760
<v Speaker 1>musical which I think I have discussed that I saw

0:25:42.840 --> 0:25:45.240
<v Speaker 1>eight times on Broadway my freshman year of college.

0:25:45.720 --> 0:25:47.360
<v Speaker 3>I don't remember that, but I don't think it needs

0:25:47.359 --> 0:25:48.199
<v Speaker 3>to be recapped.

0:25:50.960 --> 0:25:54.320
<v Speaker 1>But yeah, the movie of it was I think so

0:25:54.480 --> 0:25:55.240
<v Speaker 1>beautifully done.

0:25:55.280 --> 0:25:57.320
<v Speaker 3>Literally never seen The Wedding Singer. And just as a side.

0:25:57.160 --> 0:26:01.240
<v Speaker 1>Note, h the movie. The movie, I think you'd like it, Okay, yeah,

0:26:01.320 --> 0:26:05.320
<v Speaker 1>you you like Adam Sandler, No, you like Drew barrymore.

0:26:05.280 --> 0:26:08.439
<v Speaker 2>Love Okay, I mean not now that she's a scab

0:26:08.560 --> 0:26:10.200
<v Speaker 2>you but you redacted her scabbery.

0:26:10.359 --> 0:26:15.359
<v Speaker 1>Yeah, you'd you would enjoy the Wedding Singer. Yeah, okay, yeah,

0:26:15.560 --> 0:26:21.120
<v Speaker 1>tictic boom exclamation point. The movie was really great. Vanessa

0:26:21.440 --> 0:26:26.440
<v Speaker 1>Vanessa Hudgens was so good in it. Andrew Garfield deserves

0:26:26.440 --> 0:26:30.000
<v Speaker 1>to have its assay always, but especially for that movie.

0:26:29.800 --> 0:26:33.720
<v Speaker 2>Once again playing wait, is that character gay? No, he's yeah,

0:26:33.800 --> 0:26:38.159
<v Speaker 2>because he's because it's basically an autobiographical musical about Jonathan Larson.

0:26:38.200 --> 0:26:40.879
<v Speaker 2>I mean it is an autobiographical musical. Sorry to make

0:26:40.920 --> 0:26:45.520
<v Speaker 2>this remark again, but Andrew Garfield insists on playing characters

0:26:45.720 --> 0:26:50.520
<v Speaker 2>that are not gay. For some reason. And it's always like,

0:26:50.520 --> 0:26:53.119
<v Speaker 2>like in that Mormon TV show that we want them,

0:26:53.160 --> 0:26:57.080
<v Speaker 2>remember the Mormon Particuped Dow, You're like, that character has

0:26:57.280 --> 0:27:00.320
<v Speaker 2>all the bones, make up, motivations and attributes of a

0:27:00.359 --> 0:27:02.960
<v Speaker 2>gay person, and yet the character is not gay.

0:27:03.080 --> 0:27:05.520
<v Speaker 3>And that's very surprising to me. And this was the same.

0:27:05.560 --> 0:27:08.960
<v Speaker 2>It's like Matt like Matthew Larson, Anthony Larson, Anthony, Jonathan Larson,

0:27:09.000 --> 0:27:12.640
<v Speaker 2>Jonathan Larson, thank you. I was just rolling through all

0:27:12.640 --> 0:27:15.200
<v Speaker 2>of the names until I got there, until you got

0:27:15.200 --> 0:27:20.040
<v Speaker 2>me there. Jonathan Larson also not gay, kind of wild.

0:27:20.359 --> 0:27:22.639
<v Speaker 2>And so I guess it makes sense that famously straight,

0:27:22.720 --> 0:27:26.520
<v Speaker 2>famously straight, but definitely thought of culturally as gay. Andrew

0:27:26.560 --> 0:27:29.680
<v Speaker 2>Garfield is straight, though he's not like one of those

0:27:29.680 --> 0:27:31.600
<v Speaker 2>closeted Hollywood type.

0:27:31.640 --> 0:27:33.320
<v Speaker 1>I mean, I don't know his tea like that, but

0:27:34.000 --> 0:27:35.680
<v Speaker 1>to all appearances, he is straight.

0:27:35.760 --> 0:27:36.360
<v Speaker 3>I'm pretty sure.

0:27:36.520 --> 0:27:38.080
<v Speaker 2>I mean, I don't know his tea, but I know

0:27:38.160 --> 0:27:40.200
<v Speaker 2>I feel like I would know already he did.

0:27:40.640 --> 0:27:44.560
<v Speaker 1>I do remember the I think the one time that

0:27:44.640 --> 0:27:48.439
<v Speaker 1>he got sort of minorly canceled was when he said

0:27:48.520 --> 0:27:51.800
<v Speaker 1>something along the lines of like, I'm gay in everything,

0:27:51.880 --> 0:27:55.600
<v Speaker 1>but having sex with guys. Like it was him trying

0:27:55.640 --> 0:28:00.120
<v Speaker 1>to be like, you know, like I'm like culturally gay.

0:28:02.720 --> 0:28:07.880
<v Speaker 1>He really stepped in it that one. But he's a king.

0:28:08.320 --> 0:28:13.600
<v Speaker 2>He is a king, unproblematic, would suck to oblivion. He

0:28:13.720 --> 0:28:16.360
<v Speaker 2>used to be a huge crush to me and now

0:28:16.400 --> 0:28:16.920
<v Speaker 2>not at all.

0:28:17.000 --> 0:28:17.080
<v Speaker 4>Oh.

0:28:17.160 --> 0:28:19.840
<v Speaker 1>I think he's hotter now than he's ever been. He

0:28:19.920 --> 0:28:22.040
<v Speaker 1>got some hair plugs. He looks good.

0:28:22.320 --> 0:28:24.919
<v Speaker 2>Oh see, it's not his age that has deterred me.

0:28:25.000 --> 0:28:27.760
<v Speaker 2>It is my personal taste that has grown. I think

0:28:27.800 --> 0:28:30.560
<v Speaker 2>that he is still very attractive. He's just not really

0:28:31.920 --> 0:28:32.320
<v Speaker 2>he is.

0:28:32.280 --> 0:28:35.199
<v Speaker 3>So foreign.

0:28:37.200 --> 0:28:39.840
<v Speaker 2>Paying rent Wait what was the other there was another

0:28:40.320 --> 0:28:44.920
<v Speaker 2>performance art performance and talk about performance arts. So as

0:28:45.120 --> 0:28:49.480
<v Speaker 2>as has been somewhat alluded to on other episodes of

0:28:49.520 --> 0:28:54.760
<v Speaker 2>this podcast, I have myself dabbled in a bit of

0:28:54.880 --> 0:28:57.760
<v Speaker 2>performance art. I you know, at one point in my

0:28:57.840 --> 0:29:01.720
<v Speaker 2>life you could say that I was living a life

0:29:02.200 --> 0:29:05.240
<v Speaker 2>somewhat adjacent to the lives of the characters in Rent.

0:29:05.400 --> 0:29:08.680
<v Speaker 1>Oh. Would you say, uh, yeah, okay, you know, I

0:29:08.720 --> 0:29:12.720
<v Speaker 1>like considered myself like a starving artist, no more of

0:29:12.720 --> 0:29:16.120
<v Speaker 1>a Maureene. A Maureene, although you know, being friends with Charlene,

0:29:16.120 --> 0:29:21.160
<v Speaker 1>Like I could never actually be Maureene because she is Maureen. Yeah.

0:29:21.280 --> 0:29:26.320
<v Speaker 1>I have made some really bad performance art in my time.

0:29:26.880 --> 0:29:30.760
<v Speaker 1>I think I mentioned once that at a rave that

0:29:30.800 --> 0:29:34.200
<v Speaker 1>I threw once we buried Charlene in a trunk full

0:29:34.240 --> 0:29:37.560
<v Speaker 1>of dirt in the middle of a dance floor. I

0:29:37.760 --> 0:29:40.960
<v Speaker 1>ate a cow heart once, right, I remember the cow heart.

0:29:41.560 --> 0:29:47.000
<v Speaker 1>I covered a watermelon in sunscreen and ate it.

0:29:47.680 --> 0:29:49.040
<v Speaker 3>The artist is present.

0:29:49.720 --> 0:29:53.560
<v Speaker 1>I was doing. I wrote some really horrible you know,

0:29:53.600 --> 0:29:56.360
<v Speaker 1>spoken word poetry. Did you really? Oh?

0:29:56.480 --> 0:29:58.440
<v Speaker 3>Yeah, that seems so unlike that.

0:29:58.480 --> 0:30:02.440
<v Speaker 1>I that I then collaborated with a musician to create

0:30:02.480 --> 0:30:06.360
<v Speaker 1>an original score. Who was a friend of mine?

0:30:07.240 --> 0:30:07.360
<v Speaker 2>No?

0:30:07.400 --> 0:30:08.320
<v Speaker 3>I mean who was she?

0:30:08.560 --> 0:30:11.600
<v Speaker 1>Who was she? Who were you? She don't say that?

0:30:13.240 --> 0:30:16.080
<v Speaker 3>Yeah, this was so unrecognizable to me.

0:30:16.280 --> 0:30:18.320
<v Speaker 1>I know. But but you know what, I have been

0:30:18.320 --> 0:30:22.960
<v Speaker 1>thinking recently that I do miss some of that fearlessness

0:30:23.000 --> 0:30:26.520
<v Speaker 1>to look stupid. Are you saying you missed this stage? No,

0:30:26.560 --> 0:30:28.760
<v Speaker 1>I don't miss you saying you missed the glamor. I

0:30:28.800 --> 0:30:30.840
<v Speaker 1>do not miss the I do not miss a life

0:30:30.840 --> 0:30:59.920
<v Speaker 1>on the stage. Yes, as cringey as it can be

0:31:00.760 --> 0:31:04.480
<v Speaker 1>to think about, oh my god, I did that in public,

0:31:04.640 --> 0:31:07.920
<v Speaker 1>and it's actually more embarrassing. Sometimes it's less embaring to

0:31:07.920 --> 0:31:09.240
<v Speaker 1>think about the times when I did it in like

0:31:09.280 --> 0:31:12.200
<v Speaker 1>a warehouse full of thousands of people. It's more embarrassing

0:31:12.200 --> 0:31:13.680
<v Speaker 1>to think about the times that I did it at

0:31:13.720 --> 0:31:17.440
<v Speaker 1>like Macrey Park on a Wednesday, while like six people

0:31:17.480 --> 0:31:22.280
<v Speaker 1>were there. That is like a lot cringier. But at

0:31:22.280 --> 0:31:28.520
<v Speaker 1>the same time I feel pretty punk or for having

0:31:28.760 --> 0:31:29.200
<v Speaker 1>done that.

0:31:29.240 --> 0:31:32.280
<v Speaker 2>That's the history I was literally just talking about. So

0:31:32.480 --> 0:31:36.040
<v Speaker 2>I did conduct an interview with Connie Fleming on Friday

0:31:36.040 --> 0:31:38.080
<v Speaker 2>for the trans Oral History Project.

0:31:38.320 --> 0:31:40.160
<v Speaker 3>Cool iconic door girl.

0:31:40.200 --> 0:31:41.760
<v Speaker 2>If you don't know her, I mean, she's a model,

0:31:41.800 --> 0:31:46.400
<v Speaker 2>she's amused muglare Vivina Westwood, but also like very infamously

0:31:46.720 --> 0:31:47.600
<v Speaker 2>an iconic.

0:31:47.320 --> 0:31:50.800
<v Speaker 1>Door, sickening, sickening New York City nightlfe legends.

0:31:50.480 --> 0:31:53.520
<v Speaker 2>And we don't use the word iconic lightly, very intentional

0:31:53.600 --> 0:31:55.720
<v Speaker 2>with the use of the word icon even though it

0:31:55.760 --> 0:32:00.280
<v Speaker 2>is overused these days. And in interviewing her, I just

0:32:00.320 --> 0:32:05.880
<v Speaker 2>talking about how there is such a massive body of

0:32:05.960 --> 0:32:11.800
<v Speaker 2>work in nightlife that goes completely undocumented, not in the history,

0:32:12.440 --> 0:32:16.360
<v Speaker 2>not in the art world, like not in the echelon

0:32:16.920 --> 0:32:20.240
<v Speaker 2>or ancestry of like queer art or art in general,

0:32:20.680 --> 0:32:24.440
<v Speaker 2>especially when it comes to like drag artistry, it's like unrecorded,

0:32:24.800 --> 0:32:28.280
<v Speaker 2>and some of this stuff, like I mean, pre iPhone

0:32:28.680 --> 0:32:33.560
<v Speaker 2>is like lost to eternity because no one there. All

0:32:33.600 --> 0:32:36.640
<v Speaker 2>they had was the experience of it. And now which

0:32:36.640 --> 0:32:38.640
<v Speaker 2>I do kind of love, I kind of miss love.

0:32:39.000 --> 0:32:44.120
<v Speaker 1>I miss I always really liked the ephemerality of nightlife.

0:32:44.200 --> 0:32:46.880
<v Speaker 2>Yeah, I think that's something that makes it really special

0:32:46.960 --> 0:32:52.520
<v Speaker 2>and precious, if not like mystical, that those are things

0:32:52.600 --> 0:32:56.240
<v Speaker 2>that those are experiences created by and for queer and

0:32:56.240 --> 0:32:59.080
<v Speaker 2>trance people, the most marginalized in New York nightlife.

0:32:58.680 --> 0:32:59.960
<v Speaker 3>Club kids, et cetera.

0:33:00.800 --> 0:33:05.440
<v Speaker 2>And it was all like literally just for that one night,

0:33:05.560 --> 0:33:08.800
<v Speaker 2>just for the six people you perform to at TNT, Right,

0:33:09.400 --> 0:33:13.680
<v Speaker 2>And how like in the grand scheme of like what

0:33:13.840 --> 0:33:17.480
<v Speaker 2>something like Rent is trying to teach us that that's

0:33:17.480 --> 0:33:20.040
<v Speaker 2>like even more depressing thinking about all the artists from

0:33:20.040 --> 0:33:22.920
<v Speaker 2>that generation that have like unfortunately died and now they're

0:33:22.960 --> 0:33:25.640
<v Speaker 2>not a part of the cultural conversation the way someone

0:33:25.680 --> 0:33:27.920
<v Speaker 2>like a Sarah Schulman might be or other kinds of

0:33:28.000 --> 0:33:32.120
<v Speaker 2>kind of aids generation artists. But I'm really I mean,

0:33:32.160 --> 0:33:34.120
<v Speaker 2>I don't know if I'm happy or sad that like

0:33:34.240 --> 0:33:36.640
<v Speaker 2>now everything has recorded on the iPhone and so now

0:33:36.800 --> 0:33:40.200
<v Speaker 2>all drag performances in the history of forever will be

0:33:40.920 --> 0:33:44.880
<v Speaker 2>documented in time somehow. But they're not like collated. They're

0:33:44.920 --> 0:33:46.720
<v Speaker 2>not like put in a book. They're not putting museums,

0:33:46.760 --> 0:33:49.440
<v Speaker 2>and they really should be because like not to go there.

0:33:49.440 --> 0:33:51.000
<v Speaker 2>But like a lot of I know, you didn't do

0:33:51.120 --> 0:33:54.400
<v Speaker 2>drag like specifically, but like a lot of drag art

0:33:54.760 --> 0:33:57.960
<v Speaker 2>like is way more interesting than like what Marina Abramovich

0:33:58.080 --> 0:33:58.320
<v Speaker 2>is doing.

0:33:58.320 --> 0:34:01.640
<v Speaker 1>I'm sorry, yeah, I mean I did that was drag adjacent.

0:34:02.160 --> 0:34:06.760
<v Speaker 1>I'm very grateful that most of the public art I

0:34:06.880 --> 0:34:11.040
<v Speaker 1>made was pre transition, so if someone were to share it,

0:34:11.040 --> 0:34:12.640
<v Speaker 1>it would be kind of an act of violence.

0:34:12.840 --> 0:34:13.600
<v Speaker 3>Yes, love that.

0:34:14.360 --> 0:34:17.840
<v Speaker 1>And also I deleted my Facebook in twenty fifteen, so

0:34:17.840 --> 0:34:22.680
<v Speaker 1>so much of what I shared myself is just gone

0:34:23.040 --> 0:34:25.600
<v Speaker 1>of my own volition. But I do you know, I

0:34:25.680 --> 0:34:30.000
<v Speaker 1>have things saved the vault. In the vault, you know,

0:34:30.120 --> 0:34:33.640
<v Speaker 1>maybe one day I'll do a retrospective, a rent respective,

0:34:34.719 --> 0:34:39.080
<v Speaker 1>rent respective. I don't know that I would ever like

0:34:39.239 --> 0:34:43.040
<v Speaker 1>make performance art again, but you would.

0:34:43.120 --> 0:34:45.759
<v Speaker 3>But would you be on this?

0:34:46.040 --> 0:34:48.840
<v Speaker 1>Would you on mastage? We have been on the stage.

0:34:48.840 --> 0:34:53.200
<v Speaker 2>Girl different as us. Yeah, but it is a performance.

0:34:53.320 --> 0:34:55.759
<v Speaker 2>But when I was performing I was performing as me.

0:34:56.080 --> 0:34:57.279
<v Speaker 3>Yeah.

0:34:57.600 --> 0:35:00.880
<v Speaker 2>Yeah, Well when you eat it, when you eat a

0:35:00.920 --> 0:35:03.359
<v Speaker 2>cow heart at one of our podcast recordings, then you know,

0:35:03.480 --> 0:35:06.040
<v Speaker 2>maybe I'll be convinced. But I want to see you

0:35:06.080 --> 0:35:09.440
<v Speaker 2>what I'm really trying to I want to see you

0:35:09.520 --> 0:35:11.120
<v Speaker 2>eat a cow heart again.

0:35:12.640 --> 0:35:17.719
<v Speaker 3>In full drag. I want to see you covered in blood, and.

0:35:18.160 --> 0:35:20.960
<v Speaker 1>Girl, I've been covered in blood many times, and I

0:35:21.000 --> 0:35:25.480
<v Speaker 1>have I have lost many venue security deposits over spilling

0:35:26.000 --> 0:35:29.080
<v Speaker 1>various things on electric surfaces.

0:35:29.400 --> 0:35:32.520
<v Speaker 2>You're breaking one of Charlene and Kronin's cardinal rules of

0:35:32.600 --> 0:35:35.319
<v Speaker 2>nightlife performance, which is don't get to.

0:35:35.280 --> 0:35:37.200
<v Speaker 1>Make a mess on stage. Girl. Where do you think

0:35:37.200 --> 0:35:42.960
<v Speaker 1>that rule originated? My my friend Paul, who I used

0:35:43.000 --> 0:35:46.480
<v Speaker 1>to throw parties with. He performed as his alter ego

0:35:46.960 --> 0:35:49.840
<v Speaker 1>boy Wolf, and he used to I don't think he

0:35:50.000 --> 0:35:53.400
<v Speaker 1>started this, but there are definitely I remember sort of

0:35:53.400 --> 0:35:56.000
<v Speaker 1>a fad for this happening. He always used to bring

0:35:56.360 --> 0:35:59.360
<v Speaker 1>put a tart out on stage before he would perform.

0:35:59.640 --> 0:36:01.239
<v Speaker 1>Because he did a lot of stuff with food. It

0:36:01.239 --> 0:36:03.720
<v Speaker 1>would get very messy, and so that kind of became

0:36:03.760 --> 0:36:06.880
<v Speaker 1>a thing like when you were watching when you were

0:36:07.160 --> 0:36:09.000
<v Speaker 1>when you were at a party in Brooklyn and you

0:36:09.040 --> 0:36:11.160
<v Speaker 1>saw tarp coming out. You were like, oh, right.

0:36:10.960 --> 0:36:14.600
<v Speaker 4>Here we go again. There the blood. Prepare the blood,

0:36:14.640 --> 0:36:18.520
<v Speaker 4>prepare the milk. Prepare the milk, prepare the like fake

0:36:19.200 --> 0:36:24.239
<v Speaker 4>vomit flower, Like what a yeah? I mean look, I've

0:36:24.280 --> 0:36:31.120
<v Speaker 4>put down a few tarps in my time, and I'm about.

0:36:31.120 --> 0:36:34.759
<v Speaker 3>Just put a arm down last night, Anny, I want

0:36:34.760 --> 0:36:39.359
<v Speaker 3>to kill myself. I yeah, I haven't come in like

0:36:39.880 --> 0:36:40.440
<v Speaker 3>eight days.

0:36:40.719 --> 0:36:45.360
<v Speaker 1>Oh my god, yeah yeah, wow. I came yesterday, but

0:36:45.440 --> 0:36:48.520
<v Speaker 1>it was the first time I had come in like

0:36:48.600 --> 0:36:51.560
<v Speaker 1>a week because I was home visiting my family and

0:36:52.840 --> 0:36:56.760
<v Speaker 1>just not coming. Yeah, just not coming.

0:36:57.520 --> 0:37:00.440
<v Speaker 2>Well tonight, I want to lay down the term honey,

0:37:00.880 --> 0:37:04.399
<v Speaker 2>it's disgusting actually, Like my that's that should be.

0:37:04.320 --> 0:37:06.080
<v Speaker 1>A new thing. Would like you text me like what

0:37:06.120 --> 0:37:07.680
<v Speaker 1>are you doing? I'm like, I'm laying on the top.

0:37:10.120 --> 0:37:13.680
<v Speaker 2>What are your I used to own so many tarps?

0:37:13.719 --> 0:37:16.080
<v Speaker 2>Do you that used to be in my apartment at

0:37:16.160 --> 0:37:17.680
<v Speaker 2>all times?

0:37:18.160 --> 0:37:21.040
<v Speaker 1>I used to own so many tarps.

0:37:20.719 --> 0:37:23.800
<v Speaker 3>Too many tarps, too many tarps.

0:37:24.120 --> 0:37:25.560
<v Speaker 2>Well now I'm gonna put a tarp down every time

0:37:25.560 --> 0:37:29.239
<v Speaker 2>I have sex. Is there anything you like need to masturbate?

0:37:29.600 --> 0:37:31.320
<v Speaker 2>Do you need like a candle, like a special candle

0:37:31.400 --> 0:37:38.080
<v Speaker 2>or no, like some like music or like quiet doesn't

0:37:38.160 --> 0:37:38.640
<v Speaker 2>be quiet.

0:37:38.800 --> 0:37:40.000
<v Speaker 1>I need.

0:37:41.239 --> 0:37:46.000
<v Speaker 2>My imagination, your imagination, and friction, and some written erotica

0:37:46.600 --> 0:37:48.040
<v Speaker 2>and Uncle Ronney's New.

0:37:47.920 --> 0:37:50.360
<v Speaker 1>Hole No No Girl.

0:37:50.640 --> 0:37:55.160
<v Speaker 4>I read Uncle Ronnie's New Horror like pretty recently did

0:37:55.280 --> 0:38:02.879
<v Speaker 4>hold Up. It holds Up, It holds up, except they

0:38:03.000 --> 0:38:04.319
<v Speaker 4>use condoms in it.

0:38:04.520 --> 0:38:07.000
<v Speaker 3>That's hot. No safety is hot.

0:38:07.160 --> 0:38:08.400
<v Speaker 1>I mean we are talking about rents.

0:38:08.560 --> 0:38:12.120
<v Speaker 2>I love condoms. I literally love condoms. I will what

0:38:12.480 --> 0:38:14.959
<v Speaker 2>I will. I will constantly advocate for a condoms book.

0:38:15.000 --> 0:38:17.319
<v Speaker 1>I'm not saying you shouldn't have saved sex, but we

0:38:17.360 --> 0:38:21.319
<v Speaker 1>do live in the era of prep, so yeah, you know, well,

0:38:21.400 --> 0:38:28.880
<v Speaker 1>I and in in fiction, in in erotica, you should

0:38:28.920 --> 0:38:30.200
<v Speaker 1>not be using condoms.

0:38:30.239 --> 0:38:32.600
<v Speaker 3>Well I have been. I mean, this is okay, that's true.

0:38:32.640 --> 0:38:33.399
<v Speaker 3>That's true, that's true.

0:38:34.040 --> 0:38:38.360
<v Speaker 1>Like I will like like sometimes I'll read fan fiction

0:38:38.920 --> 0:38:44.240
<v Speaker 1>about like, you know, like this crazy scenario that would

0:38:44.280 --> 0:38:48.399
<v Speaker 1>never happen and no, and they will be like, oh,

0:38:48.480 --> 0:38:49.480
<v Speaker 1>let me put a condom.

0:38:49.800 --> 0:38:51.960
<v Speaker 3>You put the condom on his tentacles.

0:38:51.520 --> 0:38:56.080
<v Speaker 1>The girl girl, fuck you, I kill myself.

0:38:56.120 --> 0:38:59.160
<v Speaker 3>That's that's kind of wild. I like condoms. I don't

0:38:59.160 --> 0:38:59.480
<v Speaker 3>know why.

0:38:59.520 --> 0:39:02.399
<v Speaker 2>I think there's something nice about I think well, I mean,

0:39:02.440 --> 0:39:04.560
<v Speaker 2>if there's a mess, like it's less to worry about.

0:39:04.600 --> 0:39:07.560
<v Speaker 2>But also like, I mean, have you ever jerked off

0:39:07.560 --> 0:39:09.839
<v Speaker 2>into a condom? Yes, of course when I was younger, Yeah,

0:39:09.880 --> 0:39:13.520
<v Speaker 2>me too. But now I've been having sex with people

0:39:13.560 --> 0:39:16.719
<v Speaker 2>with uteruses where like for something, not all, but some

0:39:16.760 --> 0:39:18.600
<v Speaker 2>of them. It's like I would prefer to use a

0:39:18.640 --> 0:39:21.160
<v Speaker 2>condom for like whatever reason. But also a lot of

0:39:21.160 --> 0:39:23.480
<v Speaker 2>those people like can't get pregnant anyway, So.

0:39:23.520 --> 0:39:25.880
<v Speaker 1>Yeah, and can you even impregnate someone at this point?

0:39:26.560 --> 0:39:26.879
<v Speaker 1>I can.

0:39:26.960 --> 0:39:28.640
<v Speaker 2>I still have quite a lot of I mean, not

0:39:28.719 --> 0:39:31.160
<v Speaker 2>a lot less than I used to, but I definitely could.

0:39:32.000 --> 0:39:33.520
<v Speaker 3>I mean, I don't know that for sure. I could

0:39:33.520 --> 0:39:36.440
<v Speaker 3>be completely infertile. And I think you're shooting blanks.

0:39:36.760 --> 0:39:39.680
<v Speaker 2>I know, I'm I'm I'm not not yet. I've been

0:39:39.680 --> 0:39:40.840
<v Speaker 2>monitoring it because.

0:39:40.600 --> 0:39:43.960
<v Speaker 1>I want to try to get me pregnant. Let's have

0:39:44.040 --> 0:39:48.600
<v Speaker 1>a baby, shoot, and we'll name it Phoebe.

0:39:48.280 --> 0:39:51.160
<v Speaker 3>The way this devolved so nicely, honestly.

0:39:51.239 --> 0:39:51.880
<v Speaker 1>Yeah. Perfect.

0:39:52.920 --> 0:39:54.919
<v Speaker 3>Anyways, let's not pay rent this month.

0:39:55.360 --> 0:39:57.600
<v Speaker 1>I'm never paying rent again. Actually no, I will be

0:39:57.640 --> 0:40:05.479
<v Speaker 1>paying an extra two dollars in rent. But my little pony, pony,

0:40:05.520 --> 0:40:08.000
<v Speaker 1>my little pony, My little way of fighting the system

0:40:08.239 --> 0:40:09.920
<v Speaker 1>is that I have my auto pay set up to

0:40:09.960 --> 0:40:12.960
<v Speaker 1>pay on the fifth of the month. Oh, that's my

0:40:13.000 --> 0:40:14.600
<v Speaker 1>way to stick it to the man. They have to

0:40:14.680 --> 0:40:17.479
<v Speaker 1>they have to wait an extra five days to get

0:40:17.560 --> 0:40:18.000
<v Speaker 1>my money.

0:40:18.080 --> 0:40:19.040
<v Speaker 3>Yeah, the man.

0:40:19.120 --> 0:40:23.759
<v Speaker 2>And for the record, Virgins, we as a podcast know

0:40:24.040 --> 0:40:28.200
<v Speaker 2>that all landlords are bad, unless, of course, either Rose

0:40:28.280 --> 0:40:30.520
<v Speaker 2>and I decide to be one.

0:40:30.680 --> 0:40:32.520
<v Speaker 1>No, we are not becoming landlord.

0:40:32.600 --> 0:40:35.000
<v Speaker 3>It's alluded many times to potentially be.

0:40:35.360 --> 0:40:39.120
<v Speaker 2>No, and as on the podcast, you have I believe

0:40:39.160 --> 0:40:40.640
<v Speaker 2>that about you both said this.

0:40:40.719 --> 0:40:43.520
<v Speaker 3>On the record, Rose, we are off keys.

0:40:43.680 --> 0:40:46.840
<v Speaker 1>So we just so. Loretta LLC just bought a building

0:40:46.880 --> 0:40:50.600
<v Speaker 1>that we will be renovated and turning into artist lofts.

0:40:50.719 --> 0:40:54.760
<v Speaker 2>Yeah, bohemian living spaces co ops.

0:40:55.040 --> 0:40:55.160
<v Speaker 1>Uh.

0:40:56.239 --> 0:40:57.880
<v Speaker 2>I was gonna say sex parties, but we can't. We

0:40:57.880 --> 0:40:58.960
<v Speaker 2>don't have the infrastructure for that.

0:40:59.600 --> 0:41:01.919
<v Speaker 1>No. I haven't been to a sex party in so long.

0:41:02.120 --> 0:41:04.080
<v Speaker 3>I would like to maybe go to one.

0:41:04.200 --> 0:41:09.160
<v Speaker 1>I got invited to go to a queer romantic comedy

0:41:09.200 --> 0:41:13.480
<v Speaker 1>play that is being performed at a sex club, but

0:41:13.480 --> 0:41:16.560
<v Speaker 1>there's no, it's not I don't know. I have to

0:41:16.600 --> 0:41:17.760
<v Speaker 1>investigate further.

0:41:18.080 --> 0:41:20.840
<v Speaker 2>One of the people that I'm having sex with is

0:41:20.840 --> 0:41:24.960
<v Speaker 2>a facilitator of a sex party, and he frequents this

0:41:25.080 --> 0:41:27.920
<v Speaker 2>other I don't think he would mind whatever. He frequents

0:41:27.960 --> 0:41:33.000
<v Speaker 2>this sex party where it's called it's called studs and mares.

0:41:33.840 --> 0:41:35.520
<v Speaker 1>Who I like that. Yeah, well you know I'm a

0:41:35.520 --> 0:41:36.040
<v Speaker 1>horse girl.

0:41:36.160 --> 0:41:37.040
<v Speaker 3>You are horse girl.

0:41:37.400 --> 0:41:42.080
<v Speaker 2>And so the bottoms are the mares, and they don't

0:41:42.120 --> 0:41:45.280
<v Speaker 2>wear pants, and they like all stand in a line

0:41:45.640 --> 0:41:49.920
<v Speaker 2>like bent over when like the studs walk in and

0:41:49.960 --> 0:41:52.040
<v Speaker 2>do whatever they want to the mayors that are like

0:41:52.080 --> 0:41:55.359
<v Speaker 2>lined in their stables, so to speak. And this guy

0:41:55.719 --> 0:41:57.440
<v Speaker 2>was telling me, I think this is a really good idea.

0:41:57.600 --> 0:41:59.960
<v Speaker 2>He was like, I want to have a reverse studs

0:42:00.040 --> 0:42:02.880
<v Speaker 2>and Mayor's party, where like it's about the studs and

0:42:02.920 --> 0:42:06.160
<v Speaker 2>you walk in and it's all of these tops with

0:42:06.280 --> 0:42:10.280
<v Speaker 2>like viagrid out penises and you just mount and they're

0:42:10.320 --> 0:42:11.520
<v Speaker 2>the ones that are getting used.

0:42:11.640 --> 0:42:12.440
<v Speaker 3>I think that's amazing.

0:42:12.440 --> 0:42:14.120
<v Speaker 1>And they don't wear pants, but they do wear shirts.

0:42:14.120 --> 0:42:15.360
<v Speaker 3>They're just dildos.

0:42:15.680 --> 0:42:19.640
<v Speaker 1>Yeah, it's that's called. The technical term is shirt cocking. Oh,

0:42:20.400 --> 0:42:21.319
<v Speaker 1>when you wear a pant.

0:42:21.480 --> 0:42:22.959
<v Speaker 2>I thought it was called when you wear a shirt,

0:42:23.000 --> 0:42:24.320
<v Speaker 2>but no thought it was a Winnie the pooing.

0:42:24.360 --> 0:42:25.520
<v Speaker 1>No, it's shirt cock.

0:42:25.480 --> 0:42:27.120
<v Speaker 3>Shortcock shirt cock.

0:42:28.400 --> 0:42:31.080
<v Speaker 1>No matter what genitally you have, it's called it a

0:42:31.120 --> 0:42:42.080
<v Speaker 1>short cocking. So slide into our DM set like a

0:42:42.120 --> 0:42:45.640
<v Speaker 1>Virgin four twenty sixty nine. Let us know how much

0:42:45.680 --> 0:42:49.080
<v Speaker 1>your rent is. What's your favorite song from Rent?

0:42:49.160 --> 0:42:49.319
<v Speaker 4>Do you?

0:42:49.400 --> 0:42:51.399
<v Speaker 1>We didn't even really talk about Adenamon's all that much,

0:42:51.400 --> 0:42:56.360
<v Speaker 1>but we've talked about Adenamon. We have a lot at Like.

0:42:55.640 --> 0:42:58.640
<v Speaker 4>Fit the Bad used to be the only person on

0:42:58.680 --> 0:43:00.560
<v Speaker 4>Instagram and now the only bird and we follow on

0:43:00.600 --> 0:43:01.880
<v Speaker 4>Instagram is Sally Field.

0:43:01.960 --> 0:43:02.920
<v Speaker 1>Yeah, we need to change that.

0:43:03.560 --> 0:43:05.280
<v Speaker 3>Wait, who's the next? Well, third season?

0:43:05.360 --> 0:43:10.000
<v Speaker 1>Tell us who wants to follow on Instagram next? Also,

0:43:10.560 --> 0:43:13.800
<v Speaker 1>you can become a patron at Patreon dot com slash

0:43:13.840 --> 0:43:14.440
<v Speaker 1>like a Virgin.

0:43:14.640 --> 0:43:17.120
<v Speaker 2>And remember this is the last time for the season

0:43:17.160 --> 0:43:19.160
<v Speaker 2>where you will get us in the main feed.

0:43:19.360 --> 0:43:22.480
<v Speaker 3>So we are taking a break. We will be right back,

0:43:23.000 --> 0:43:23.760
<v Speaker 3>but for now.

0:43:23.800 --> 0:43:26.200
<v Speaker 2>We will continue to publish episodes on the Patreon, So

0:43:26.239 --> 0:43:29.680
<v Speaker 2>go subscribe over there at Patreon dot com slash like

0:43:29.719 --> 0:43:30.440
<v Speaker 2>a Virgin.

0:43:30.800 --> 0:43:36.000
<v Speaker 1>And as always, thanks to producer Phoebe and you know

0:43:36.160 --> 0:43:47.480
<v Speaker 1>sho out for now, Yeah, for now and now a

0:43:47.480 --> 0:43:51.040
<v Speaker 1>clip from our Patreon. Become a patron at Patreon dot

0:43:51.040 --> 0:43:54.279
<v Speaker 1>com Slash Like a Virgin for weekly bonus episodes, and

0:43:54.320 --> 0:43:59.640
<v Speaker 1>more so. The seasons I've watched are Murder House, Asylum,

0:44:00.880 --> 0:44:08.040
<v Speaker 1>Freak Show. I watched half Hotel. I watched half of Roanoke.

0:44:08.640 --> 0:44:13.239
<v Speaker 1>I watched the first It's the season where they like

0:44:13.440 --> 0:44:16.239
<v Speaker 1>flip it halfway through and it turns out what you've

0:44:16.280 --> 0:44:21.880
<v Speaker 1>been watching is like a TV recreation of something that happened.

0:44:22.960 --> 0:44:26.120
<v Speaker 1>I watched the first couple episodes of Cult. I watched

0:44:26.120 --> 0:44:29.920
<v Speaker 1>the entirety of Apocalypse. I watched the entirety of nineteen

0:44:29.960 --> 0:44:32.640
<v Speaker 1>eighty four Oh my God, which nineteen eighty four is

0:44:32.680 --> 0:44:36.880
<v Speaker 1>actually pretty good because it's like very tight. I didn't

0:44:36.920 --> 0:44:40.200
<v Speaker 1>watch Double Feature, and I'm I'm currently watching Delicate, so

0:44:40.200 --> 0:44:42.319
<v Speaker 1>I've actually watched most of the show.

0:44:42.400 --> 0:44:46.239
<v Speaker 2>Do you feel like Delicate? So I having not seen

0:44:46.239 --> 0:44:48.200
<v Speaker 2>all of the other series? Do you feel like Delicate

0:44:48.280 --> 0:44:51.799
<v Speaker 2>is kind of different from the rest of the franchise.

0:44:51.960 --> 0:44:56.479
<v Speaker 1>It's smaller like the world because usually American horror story

0:44:56.520 --> 0:45:02.280
<v Speaker 1>has lots of competing storylines, and that's part of why

0:45:02.360 --> 0:45:05.080
<v Speaker 1>a lot of the seasons are flawed, is because the

0:45:05.080 --> 0:45:07.359
<v Speaker 1>ones that you're more interested in don't get as much

0:45:07.400 --> 0:45:10.719
<v Speaker 1>time or they drop them or like merge them in

0:45:10.760 --> 0:45:15.160
<v Speaker 1>weird ways. I like how tight delicate is focused on

0:45:15.200 --> 0:45:20.239
<v Speaker 1>this one character and her story, which I think has

0:45:20.480 --> 0:45:23.719
<v Speaker 1>maybe happened over the past couple of years, like probably

0:45:23.800 --> 0:45:26.560
<v Speaker 1>like in a lot of ways because of the budget,

0:45:26.640 --> 0:45:30.280
<v Speaker 1>like they can't spend as much on like all these actors.

0:45:30.280 --> 0:45:32.399
<v Speaker 1>Because even think about Delicate like it has I mean

0:45:32.400 --> 0:45:35.160
<v Speaker 1>obviously like having Kim Kardashian as a gag but it

0:45:35.200 --> 0:45:39.440
<v Speaker 1>doesn't have like the huge gaggy cast that previous seasons

0:45:39.640 --> 0:45:40.560
<v Speaker 1>no have had.

0:45:40.400 --> 0:45:43.120
<v Speaker 2>Like Kim k is playing the same function as Gaga

0:45:43.640 --> 0:45:48.120
<v Speaker 2>in an Hotel. To me, it's just like gag casting.

0:45:49.320 --> 0:45:52.640
<v Speaker 3>Sorry, not a great actress.

0:45:52.320 --> 0:45:52.960
<v Speaker 1>I disagree.

0:45:53.040 --> 0:45:53.479
<v Speaker 3>I'm sorry.

0:45:53.520 --> 0:45:55.640
<v Speaker 2>I think that's I think she's so great. I think

0:45:55.640 --> 0:45:58.800
<v Speaker 2>that Gaga is better than Kim. Kay, But I do think.

0:45:58.600 --> 0:45:59.680
<v Speaker 1>You haven't seen Hotel.

0:46:00.080 --> 0:46:02.960
<v Speaker 2>I've seen a lot of clips of Hotel, okay. I

0:46:03.280 --> 0:46:09.040
<v Speaker 2>I think that Gaga's acting ability has significantly improved since Hotel,

0:46:09.320 --> 0:46:11.359
<v Speaker 2>like right, like like.

0:46:11.800 --> 0:46:14.000
<v Speaker 1>I don't know, Okay, I think it's pretty much the same.

0:46:16.000 --> 0:46:19.759
<v Speaker 2>She was basically playing the same character. I mean, no,

0:46:19.840 --> 0:46:22.439
<v Speaker 2>I okay, So more on Kim k. You think she's

0:46:22.480 --> 0:46:24.399
<v Speaker 2>eating I think she's eating. I mean, I do think

0:46:24.400 --> 0:46:26.880
<v Speaker 2>she's incredible. The thing is like, to me, obviously, when

0:46:26.960 --> 0:46:29.640
<v Speaker 2>Kim K's on screen, I'm not evaluating her acting like

0:46:29.719 --> 0:46:32.200
<v Speaker 2>that's not I was just saying that because like I

0:46:32.239 --> 0:46:34.040
<v Speaker 2>was trying to think about them playing the same function

0:46:34.160 --> 0:46:36.799
<v Speaker 2>and as like stunt casting in these series. But I'm

0:46:36.840 --> 0:46:41.160
<v Speaker 2>not evaluating Kim's acting like she's just and I think

0:46:41.200 --> 0:46:44.040
<v Speaker 2>that honestly, the flatness with which she delivers a lot

0:46:44.040 --> 0:46:47.479
<v Speaker 2>of her lines in a kardashian esque way works really

0:46:47.480 --> 0:46:50.480
<v Speaker 2>well for the affect of says. This is what Bubba says,

0:46:50.520 --> 0:46:52.080
<v Speaker 2>was sound like like it's kind of working.

0:46:52.320 --> 0:46:57.719
<v Speaker 1>It's like, I the episode where they go to the

0:46:57.760 --> 0:47:02.360
<v Speaker 1>Gotham Awards and Emma Robert's vomits during her speech, and

0:47:02.400 --> 0:47:04.919
<v Speaker 1>then the next day she wakes up in her bed

0:47:04.920 --> 0:47:07.560
<v Speaker 1>in the morning and Kim is laying in bed next

0:47:07.600 --> 0:47:09.920
<v Speaker 1>to her under the covers with her face fully b

0:47:10.239 --> 0:47:12.000
<v Speaker 1>I just started cackling.

0:47:12.719 --> 0:47:15.960
<v Speaker 3>It's so insane, mug stamps.

0:47:16.200 --> 0:47:18.759
<v Speaker 1>It's so but she's so good, and like the way

0:47:18.800 --> 0:47:22.920
<v Speaker 1>she delivers the lines is so You're right, it is

0:47:23.040 --> 0:47:27.720
<v Speaker 1>incredibly flat, but it's really funny. It works, and yeah,

0:47:27.800 --> 0:47:31.160
<v Speaker 1>it works, like you're you're never not aware that this

0:47:31.239 --> 0:47:34.799
<v Speaker 1>is Kim Kardashian, but like it that works.

0:47:34.560 --> 0:47:35.719
<v Speaker 3>And do you want to know? Do you want to

0:47:35.719 --> 0:47:37.360
<v Speaker 3>know a bit of a boma?

0:47:37.520 --> 0:47:40.240
<v Speaker 2>The ending has been spoiled for me because I knew

0:47:40.320 --> 0:47:41.399
<v Speaker 2>someone who worked on.

0:47:41.440 --> 0:47:45.320
<v Speaker 3>It, so I actually I think the ending knows.

0:47:45.320 --> 0:47:47.080
<v Speaker 2>I won't spoil it for you, but I think the

0:47:47.160 --> 0:47:50.920
<v Speaker 2>ending is a gag, and I think the understanding Obviously

0:47:51.000 --> 0:47:56.680
<v Speaker 2>kim Ka is giving villain energy from Jump. I'm not

0:47:56.719 --> 0:47:58.840
<v Speaker 2>saying that she is like the Big Bad, but I

0:47:58.840 --> 0:48:00.239
<v Speaker 2>will say that a lot of the way is that

0:48:00.280 --> 0:48:01.960
<v Speaker 2>all these different things pull off in the way that

0:48:02.000 --> 0:48:06.799
<v Speaker 2>Kim k pulls into Like what is at stake here

0:48:06.840 --> 0:48:09.719
<v Speaker 2>in the show is really good? What do you think

0:48:09.760 --> 0:48:12.240
<v Speaker 2>is happening with her baby?

0:48:12.920 --> 0:48:15.120
<v Speaker 3>Whatever? What are some fan theories that you might have?

0:48:15.280 --> 0:48:17.160
<v Speaker 1>I don't. I'm well, I don't know about fan theories

0:48:17.200 --> 0:48:18.719
<v Speaker 1>because it's not like I feel like I'm not going.

0:48:18.880 --> 0:48:22.640
<v Speaker 1>It's not like I've been going and looking. I mean,

0:48:23.040 --> 0:48:27.680
<v Speaker 1>you know, the clearest, this is obviously very much modeling

0:48:27.719 --> 0:48:31.960
<v Speaker 1>itself after Rosemary's Baby. That's very much a big inspiration

0:48:32.160 --> 0:48:38.360
<v Speaker 1>for this. So my guess was knowing that you find

0:48:38.440 --> 0:48:41.719
<v Speaker 1>you find out in the first episode that Kim and

0:48:41.800 --> 0:48:46.640
<v Speaker 1>Emma met in a fertility group. So I think that possibly,

0:48:46.840 --> 0:48:50.160
<v Speaker 1>like this baby is being like a grown and harvested

0:48:50.239 --> 0:48:52.520
<v Speaker 1>for Kim, right, and Emma is the vessel.

0:48:52.880 --> 0:48:56.800
<v Speaker 3>Okay, that's okay, Okay, love that, But I also.

0:48:56.600 --> 0:48:58.960
<v Speaker 1>Don't know, because the thing is with American horror story,

0:48:59.360 --> 0:49:03.080
<v Speaker 1>they could start out with one intention and then halfway

0:49:03.080 --> 0:49:06.880
<v Speaker 1>through the season completely abandoned that and decide to do

0:49:06.960 --> 0:49:09.960
<v Speaker 1>something else. Like with Covin, they had no idea who

0:49:10.680 --> 0:49:13.680
<v Speaker 1>the Supreme was when they started the season, and there

0:49:13.719 --> 0:49:17.040
<v Speaker 1>are so many moments of fake outs where they like

0:49:17.200 --> 0:49:21.120
<v Speaker 1>try to hedge towards someone like Tessa Familia is clearly

0:49:21.160 --> 0:49:23.400
<v Speaker 1>supposed to be like the one who might be the

0:49:23.440 --> 0:49:25.759
<v Speaker 1>new Supreme in the beginning of the season, and then

0:49:25.800 --> 0:49:28.600
<v Speaker 1>by the end like it being Sarah Paulsen comes out

0:49:28.600 --> 0:49:30.160
<v Speaker 1>of totally left field.

0:49:30.400 --> 0:49:30.520
<v Speaker 3>Right.

0:49:31.400 --> 0:49:35.560
<v Speaker 1>So and also, you know we only are getting for now,

0:49:35.640 --> 0:49:38.640
<v Speaker 1>We're only getting part one of Delegate because that's all

0:49:38.680 --> 0:49:41.880
<v Speaker 1>that was filmed before the strike, right, so you know,

0:49:41.920 --> 0:49:45.120
<v Speaker 1>when they go back, they might decide to like change

0:49:45.160 --> 0:49:45.759
<v Speaker 1>the whole thing.