WEBVTT - #435 - Remembering Toby Keith with Interviews From Over The Years

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<v Speaker 1>Episode four thirty five. We thought we would do a

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<v Speaker 1>Toby Keith special because over the last twelve years we've

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<v Speaker 1>had a lot of fun interviews, experiences, stories with Toby Keith.

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<v Speaker 1>And we were on the radio show yesterday, which was Tuesday,

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<v Speaker 1>and you know, talking about Toby Keith passing away at

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<v Speaker 1>age sixty two. Obviously, it was a sad day, sad

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<v Speaker 1>day for all the people that knew him, all the

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<v Speaker 1>people that had worked with them were been affected and

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<v Speaker 1>influenced by him. But some of the stuff that we're

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<v Speaker 1>gonna do here just isn't sad. And although it did

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<v Speaker 1>feel very sad on the day that we came and

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<v Speaker 1>talked about his death, I just don't want to leave

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<v Speaker 1>that as kind of the last impression of us talking

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<v Speaker 1>about him. So I wanted to just play a bunch

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<v Speaker 1>of clips, a bunch of interviews from the many times

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<v Speaker 1>he's been on the show, some of the stories that

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<v Speaker 1>we've shared as well. So in memory of Toby, we're

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<v Speaker 1>gonna do a special Bobby Cast that you know, features

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<v Speaker 1>everybody from the people on the show to Toby calling,

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<v Speaker 1>to Toby being in the studio, and we're gonna start

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<v Speaker 1>with back in October of twenty thirteen. Twenty thirteen is

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<v Speaker 1>the year we moved to Nashville. It was a wild year.

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<v Speaker 1>It even snowed in April that year, I remember, And

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<v Speaker 1>so we moved here. We're all like new to the area.

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<v Speaker 1>Toby Keith was coming in the studio. We were like,

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<v Speaker 1>this is crazy. I remember walking in. He was humongous.

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<v Speaker 1>Obviously we knew he was, but we never met him.

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<v Speaker 1>But he was like six three six ' four and

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<v Speaker 1>big personality. Obviously felt like he had a duck walking

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<v Speaker 1>in the door. We talked about tequila that he was

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<v Speaker 1>drinking during the interview, playing with Willie Nelson, how he

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<v Speaker 1>got into horse racing with his dad, and a few

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<v Speaker 1>other things. So this is us with Toby Keith back

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<v Speaker 1>in October of twenty thirteen. Hey, Toby Keith is here

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<v Speaker 1>this morning on the Bobby Bone Show. Hey, yes, it's

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<v Speaker 1>tequila with you.

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<v Speaker 2>I do.

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<v Speaker 3>It's a mescow. It's a cousin of tequila, but it's

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<v Speaker 3>a mescaut with a worm and it's the real McCoy.

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<v Speaker 1>Well, what's the difference. I've never had a drink alcohols.

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<v Speaker 1>I don't know anyth about it.

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<v Speaker 2>You don't even drink.

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<v Speaker 1>I got water.

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<v Speaker 2>So what's the mesca is?

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<v Speaker 3>Tequila's made from blue agave farm raised and they squeeze

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<v Speaker 3>the juice out, extracted the raw juice and make tequila

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<v Speaker 3>and Mexico. It's kind of Mexican moonshine. They take the

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<v Speaker 3>green of goavi that's wild and they smoke it like

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<v Speaker 3>a ham and gives it a smoky flavor and cure

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<v Speaker 3>it and then they've crushed the juices out of it

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<v Speaker 3>and they make it. And there's a worm in the

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<v Speaker 3>bottom of the bottle that always is symbolic to Mexican moonshine.

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<v Speaker 2>Would you all the time?

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<v Speaker 1>Are you immune of the worm?

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<v Speaker 2>Immune?

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<v Speaker 1>Yeah, Like it doesn't bother you anymore, Like you have

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<v Speaker 1>immunity to worm.

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<v Speaker 2>Immune.

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<v Speaker 1>Like what if I hate the worm? What would happen

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<v Speaker 1>to me?

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<v Speaker 2>You'd lose your show?

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<v Speaker 3>Probably, Oh, I didn't know where that was going, Bobby.

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<v Speaker 3>Nothing would happen if you just took the worm out

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<v Speaker 3>of the bottom of the bottle.

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<v Speaker 2>Nothing would happen.

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<v Speaker 3>Though they say that there you see visions when you

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<v Speaker 3>eat the worm, But I think it's just because he's

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<v Speaker 3>the bottom of the bottle.

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<v Speaker 1>Because you've had the entire bot. I got it. That's

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<v Speaker 1>called wild Shot and you can get it where.

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<v Speaker 3>You can get in thirty seven states liquor storage. It's

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<v Speaker 3>the number one premium mescow in the US.

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<v Speaker 1>So what's the light working with Willie? Spend the time

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<v Speaker 1>with Willie.

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<v Speaker 3>Well, the unique thing about it is the guitar player

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<v Speaker 3>has been in my band that I've had forever. Joey

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<v Speaker 3>Floyd was the little boy in Honeysokel Rose. So my

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<v Speaker 3>guitar player grew up in the Willie family since he

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<v Speaker 3>was in grade school. So to be around them all

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<v Speaker 3>the time, it was just like they were already family.

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<v Speaker 3>I was in with them the second that I met him.

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<v Speaker 3>And will He's always been very professional, very good friend.

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<v Speaker 2>Call you tell you Joe. He loves jokes.

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<v Speaker 3>If you you know, he'll just call you up out

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<v Speaker 3>of the blue and say, if you heard a good one

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<v Speaker 3>to day. He's he wants to know when he starts

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<v Speaker 3>his day out whether he's going to have some new

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<v Speaker 3>material to lay on everybody all day. And it's amazing

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<v Speaker 3>how big his heart is and the little light that

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<v Speaker 3>shines in his eyes, and what a you know, what

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<v Speaker 3>a great guitar player, how jazz he is man he

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<v Speaker 3>is jazz.

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<v Speaker 2>WILLI is just jazz.

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<v Speaker 3>His guitar is like an extension of his spirit, and

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<v Speaker 3>he can really create music on a guitar that no

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<v Speaker 3>one else can.

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<v Speaker 1>Okay, we're gonna play a new song, Toby, you ready,

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<v Speaker 1>all right?

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<v Speaker 4>All right?

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<v Speaker 1>Drinks after work and so for those maybe they haven't

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<v Speaker 1>heard it yet. First of all, the album of the

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<v Speaker 1>same name comes out October twenty ninth. Tell us about

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<v Speaker 1>the album that tell us about the song album.

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<v Speaker 2>Is as I told you earlier.

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<v Speaker 3>I write all year long, and I go in the

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<v Speaker 3>spring and I start piling my songs up there I

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<v Speaker 3>wrote and I never have a theme or anything. I

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<v Speaker 3>just take my ten or twelve best things I think

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<v Speaker 3>I wrote and record them and live with them. So

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<v Speaker 3>they're all homebreads. It's not like we went over to

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<v Speaker 3>Kentucky and handpicked a bunch of iarling race horses and

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<v Speaker 3>gave a million dollars each for them. They're no cherry

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<v Speaker 3>picking going on. We write them and them their home cooked,

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<v Speaker 3>and then we stick them out and I live with

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<v Speaker 3>the results. This is one song here that's on the

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<v Speaker 3>album that I didn't write. Drinks after work and Mark right,

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<v Speaker 3>my partner found this song, and he said, you have

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<v Speaker 3>to cut this song. I didn't know if it fit me.

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<v Speaker 3>I didn't know if I could sing it. It was

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<v Speaker 3>putty out of the box and we did a knocked

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<v Speaker 3>it out in the studio and it kind of bloomed

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<v Speaker 3>in the studio and the tornadoes hit hit. I only

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<v Speaker 3>had four songs done for the album running behind in

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<v Speaker 3>June Tornadoes hit Oklahoma. They said we'll have a single

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<v Speaker 3>by June eighth, and I was like, well, I'm kind

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<v Speaker 3>of busy here and and so I turned those in

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<v Speaker 3>and they said, let's pick something. So we went with

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<v Speaker 3>this first. It's a really cool song. It's kind of

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<v Speaker 3>a wednessy hump day song.

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<v Speaker 1>I love this bar and girl continue to expand. You

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<v Speaker 1>have almost twenty locations now right.

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<v Speaker 2>I think there are twenty?

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<v Speaker 1>Are there twenty now?

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<v Speaker 2>Yeah? Maybe more?

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<v Speaker 1>At press time there was eighteen. So two have happened

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<v Speaker 1>in the last hour, like they're growing, like we're twins. Yeah.

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<v Speaker 1>So you ever go just okay, you don't tell them

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<v Speaker 1>you're coming, but you see one. You go in, you

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<v Speaker 1>have a meal and just oh yeah, yeah, oh yeah.

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<v Speaker 1>And then you get like bad service and you go

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<v Speaker 1>have a talk with the manager.

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<v Speaker 3>Usually don't get that far. When your picture's on the

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<v Speaker 3>wall and it's your joint, usually sit down. Somebody goes

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<v Speaker 3>all right, oh my god, you're old.

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<v Speaker 1>Then they would tell everybody and everybody freaks out.

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<v Speaker 3>Yeah, so's I snuck in one and uh And I

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<v Speaker 3>actually didn't get it very It was in the afternoon,

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<v Speaker 3>so it was like four o'clock in the afternoon, so

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<v Speaker 3>it was twein er time of day. You know, the

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<v Speaker 3>dinner crowd hadn't hit yet and the lunch was way over,

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<v Speaker 3>and I kind of snuck in the side door and

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<v Speaker 3>sit down by the bar. And we'd been playing golf,

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<v Speaker 3>so we had four or five golfers, so they just

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<v Speaker 3>thought we were four or five dudes. Took them ten

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<v Speaker 3>minutes to figure it out, but.

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<v Speaker 2>It took them a while.

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<v Speaker 3>A wait on, men, I was like, hey, you're not

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<v Speaker 3>getting over here quick now, so's slop some whiskey out here.

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<v Speaker 2>Girls.

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<v Speaker 5>Come on.

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<v Speaker 1>So you're a racehorse guy, huh yep, I grew up

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<v Speaker 1>near Oakland Racetrack. You sneak in like twelve years old.

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<v Speaker 1>You just go races all time?

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<v Speaker 2>I go, I racehorse silver all the time.

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<v Speaker 1>And hey, love, we would go and you know, two

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<v Speaker 1>dollars minimum bet, and you go and find an adult

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<v Speaker 1>to make your bet for you. There all day and

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<v Speaker 1>his bet horses.

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<v Speaker 3>As kid, Yeah, I bet the long shot most of

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<v Speaker 3>the time as a kid all sixty.

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<v Speaker 2>Try to make sixty dollars out of two.

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<v Speaker 1>Or you take the two and you'd bet the favorite

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<v Speaker 1>and you bet them a show and you make like

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<v Speaker 1>two dollars and ten cents. Now you do one of

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<v Speaker 1>those two things. So how'd you get into racehorses?

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<v Speaker 3>My dad had some family friends who he grew up

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<v Speaker 3>with who had some homegrown racehorses, and he passed away

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<v Speaker 3>in two thousand and one, but around ninety four, ninety five,

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<v Speaker 3>he was go to the track with and watch them

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<v Speaker 3>run their horses, and I said, Dad, I'm I want

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<v Speaker 3>to buy you a horse so you can. So I

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<v Speaker 3>bought them a little bought half interest in a local horse,

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<v Speaker 3>and we win the first race. And he was all excited.

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<v Speaker 1>You won the first race? Did you expect to win

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<v Speaker 1>the first rounce?

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<v Speaker 2>Guys?

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<v Speaker 3>Today, I got a horse. I'll take twenty thousand or

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<v Speaker 3>half of him. So I bought my dad a horse

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<v Speaker 3>and he went to the track at Remington there at

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<v Speaker 3>Reymingdon Park in Oklahoma City, one of his first races.

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<v Speaker 3>Was like then I was hooked.

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<v Speaker 1>I was like, I'm did you dag Get in the

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<v Speaker 1>picture afterwards? Yeah? Yeah, he went down on in the NFL.

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<v Speaker 1>I got the picture with ther.

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<v Speaker 3>In the winter, sir, yeah, yeah. And so then look up.

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<v Speaker 3>That was sixteen years ago. And now I have one

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<v Speaker 3>hundred and twenty five mayors, and.

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<v Speaker 1>You have one hundred and twenty five mayors? Well, where

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<v Speaker 1>do you keep those things? Do you have your own

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<v Speaker 1>horse racing ranch?

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<v Speaker 3>I do really In Oklahoma, I keep twenty five quarterhorse

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<v Speaker 3>thirdbred mariors are thirty there and I keep the other

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<v Speaker 3>one hundred and something in Kentucky. I have four thoroughbred stallions.

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<v Speaker 3>Two stand in Kentucky, two stand in Florida. I have

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<v Speaker 3>three quarter horse stallions.

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<v Speaker 4>Do you know all their names?

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<v Speaker 2>Yeah? You know what?

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<v Speaker 1>No? You know everyone name?

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<v Speaker 2>Really mean the stallions?

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<v Speaker 1>No? Every horse? Now she thinks every horse?

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<v Speaker 2>Ye horses, I actually do.

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<v Speaker 1>Really, I believe it. We're all big fans Toby Keith.

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<v Speaker 1>Everybody right here on the Bobby Bones show. Next up

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<v Speaker 1>as us with Toby. In twenty fourteen, Toby came back

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<v Speaker 1>into our studio to promote his new single that they

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<v Speaker 1>released that day called Drunk Americans. And something that we

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<v Speaker 1>have talked about in our studio, even off the air

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<v Speaker 1>for at least ten years, is how Toby said he

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<v Speaker 1>could make more money in one night unmerched, than the

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<v Speaker 1>president canon a year. Kind of hilarious, very much an

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<v Speaker 1>inside joke around here. I didn't know if it was

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<v Speaker 1>even on the air or off the year that he

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<v Speaker 1>said that to us, But here is that back from

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<v Speaker 1>twenty fourteen. All right, Toby keithon studio right now?

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<v Speaker 2>What I'm in, Hey man, not a lot.

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<v Speaker 1>Good to see you again. Yeah, today's a big day

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<v Speaker 1>for you because today is the world premiere of your

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<v Speaker 1>new song, right, which we just played, and people are

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<v Speaker 1>going to be able to hear it every hour decent

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<v Speaker 1>around read reviews.

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<v Speaker 3>Never right iTunes, I haven't read one in fifteen years,

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<v Speaker 3>maybe fifteen years.

0:09:50.800 --> 0:09:54.760
<v Speaker 1>Or if you have any like an album song, nothing, nope.

0:09:55.320 --> 0:09:57.800
<v Speaker 1>Drunk Americans, Yeah, tell me about it.

0:09:58.120 --> 0:09:59.880
<v Speaker 3>Well, it's just about a bunch of people who get

0:10:00.040 --> 0:10:03.040
<v Speaker 3>together at night in this happy go lucky.

0:10:02.760 --> 0:10:05.080
<v Speaker 1>Bar, and it is and the song is about all

0:10:05.160 --> 0:10:06.079
<v Speaker 1>kinds of different people.

0:10:06.320 --> 0:10:09.000
<v Speaker 3>It's kind of a cross between I Love This Bar

0:10:09.280 --> 0:10:10.400
<v Speaker 3>and American Ride?

0:10:10.559 --> 0:10:12.640
<v Speaker 1>Do you ever think about running for frofas hell?

0:10:12.760 --> 0:10:16.400
<v Speaker 3>No, no, no, you mean liars man, You didn't.

0:10:16.800 --> 0:10:18.559
<v Speaker 1>That's what I say too about politicians is they don't

0:10:18.600 --> 0:10:20.000
<v Speaker 1>know what it's like to be normal, because most of

0:10:20.040 --> 0:10:21.800
<v Speaker 1>them get to be you know, they grow up rich

0:10:21.920 --> 0:10:23.680
<v Speaker 1>and title. So that's why they get to run for

0:10:23.679 --> 0:10:25.120
<v Speaker 1>offst to begin You can't.

0:10:25.840 --> 0:10:27.959
<v Speaker 3>It'd be really hard to run that show because you

0:10:28.160 --> 0:10:30.719
<v Speaker 3>just everybody around you would either be a yes man

0:10:30.800 --> 0:10:31.319
<v Speaker 3>or a liar.

0:10:31.400 --> 0:10:32.920
<v Speaker 1>You don't feel like you could break that mold though,

0:10:33.200 --> 0:10:34.640
<v Speaker 1>don't you feel like you broke a mold? And country

0:10:34.720 --> 0:10:35.880
<v Speaker 1>music and you know, feel like you can break them all?

0:10:35.920 --> 0:10:36.920
<v Speaker 2>In politics now, I couldn't.

0:10:37.000 --> 0:10:40.920
<v Speaker 3>I could put a niche in maybe at the city

0:10:41.000 --> 0:10:46.000
<v Speaker 3>level or something. But plus, the pay sucks.

0:10:45.800 --> 0:10:47.960
<v Speaker 1>Right, that's about power though, that's not even about pay.

0:10:48.040 --> 0:10:49.600
<v Speaker 2>I can make more in a night and the president

0:10:49.640 --> 0:10:51.880
<v Speaker 2>makes all year and a night.

0:10:51.960 --> 0:10:56.679
<v Speaker 1>You can make over one hundred thousand dollars. You brought

0:10:56.679 --> 0:10:58.760
<v Speaker 1>it up, not me, he makes more than a hundred.

0:10:58.800 --> 0:11:00.280
<v Speaker 1>I'm just asking thom in a night you make over

0:11:00.320 --> 0:11:05.319
<v Speaker 1>one hundred grand. Oh yeah, oh my goodness, Holy crap,

0:11:05.520 --> 0:11:09.480
<v Speaker 1>you're simple. I am simple. What's the president maker year?

0:11:09.559 --> 0:11:09.640
<v Speaker 5>Like?

0:11:09.679 --> 0:11:11.760
<v Speaker 1>Two fifty? Is that what the salary is for the president?

0:11:12.400 --> 0:11:14.680
<v Speaker 1>The two fifty? Right? You didn't not you can make

0:11:14.720 --> 0:11:15.760
<v Speaker 1>over twenty fifty thousands.

0:11:15.760 --> 0:11:18.400
<v Speaker 2>I made that much in merch before in a night

0:11:18.600 --> 0:11:19.319
<v Speaker 2>in the night.

0:11:20.360 --> 0:11:24.400
<v Speaker 1>Could touch you. So you went from like not having

0:11:24.440 --> 0:11:27.679
<v Speaker 1>anything to having whatever you want. Do you feel like

0:11:27.679 --> 0:11:28.480
<v Speaker 1>you're different inside?

0:11:28.640 --> 0:11:28.720
<v Speaker 6>No?

0:11:30.600 --> 0:11:32.280
<v Speaker 1>What's what's money you've been able to let you do?

0:11:32.760 --> 0:11:35.120
<v Speaker 1>Like on on a gravel giving level, on.

0:11:35.040 --> 0:11:38.559
<v Speaker 3>A giving legl Yeah, oh, I built. I built a

0:11:38.600 --> 0:11:43.959
<v Speaker 3>sixteen room Ritz Carlton disney World Children's Cancer Lodge in

0:11:44.000 --> 0:11:48.240
<v Speaker 3>Oklahoma City that we didn't have cost sixteen million bucks

0:11:48.280 --> 0:11:55.359
<v Speaker 3>to build, as it really looks like Ritz Carlton meets Disneyland.

0:11:55.400 --> 0:11:58.200
<v Speaker 3>I had hold on, let me get.

0:11:58.040 --> 0:12:00.640
<v Speaker 1>This, Hey, who is it? Let's who's calling Toby somebody cool?

0:12:01.160 --> 0:12:02.200
<v Speaker 1>Who is it?

0:12:02.200 --> 0:12:05.200
<v Speaker 3>It's a buddy of mine runs a meat packing plant.

0:12:07.360 --> 0:12:09.000
<v Speaker 1>What would he call you for right now? Like? What

0:12:09.040 --> 0:12:09.560
<v Speaker 1>would he say?

0:12:10.280 --> 0:12:10.520
<v Speaker 2>Well?

0:12:10.559 --> 0:12:13.760
<v Speaker 3>We I have I have a company that I don't

0:12:13.800 --> 0:12:15.320
<v Speaker 3>call dream Walker Farms Meats.

0:12:15.559 --> 0:12:20.160
<v Speaker 2>So what has plug that right now? And say?

0:12:20.160 --> 0:12:23.040
<v Speaker 3>What sell smoked turkeys and stuff through the through the internet.

0:12:23.160 --> 0:12:24.960
<v Speaker 3>So he's called me to tell tell me that the

0:12:24.960 --> 0:12:26.280
<v Speaker 3>turkeys are smoked or something.

0:12:26.280 --> 0:12:27.800
<v Speaker 1>You gotta hook it up. Then you gotta send me

0:12:28.080 --> 0:12:30.040
<v Speaker 1>you need a turkey. I need like five of them.

0:12:31.400 --> 0:12:32.719
<v Speaker 2>The best. I wouldn't be in it.

0:12:32.760 --> 0:12:34.080
<v Speaker 1>If they want to say the name again.

0:12:34.640 --> 0:12:36.439
<v Speaker 2>Dream Walking farms.

0:12:36.080 --> 0:12:40.199
<v Speaker 1>Meats okay, And that means Bobby gets some free dream walking.

0:12:40.360 --> 0:12:43.160
<v Speaker 3>I send you some turkeys and some bony and filets

0:12:43.200 --> 0:12:46.240
<v Speaker 3>and stuff and turkeys and beef.

0:12:46.920 --> 0:12:50.640
<v Speaker 1>See you think that that message was, Hey, Toby and

0:12:50.840 --> 0:12:54.640
<v Speaker 1>turkeys are in, turkeys in, We're all good, We're all good.

0:12:55.240 --> 0:12:58.560
<v Speaker 1>What was the first song that you finished and it

0:12:58.600 --> 0:13:00.320
<v Speaker 1>comes out hits number one? You're all right, I'm here

0:13:00.320 --> 0:13:00.960
<v Speaker 1>to stay now.

0:13:01.480 --> 0:13:02.480
<v Speaker 2>She'd have been a cowboy.

0:13:03.600 --> 0:13:06.120
<v Speaker 1>So that was it. That's when you knew this is

0:13:06.280 --> 0:13:06.719
<v Speaker 1>this is it?

0:13:06.760 --> 0:13:08.280
<v Speaker 2>I'm here. Yeah I didn't.

0:13:08.480 --> 0:13:11.280
<v Speaker 3>I mean, you obviously had to follow it up with something,

0:13:11.320 --> 0:13:13.400
<v Speaker 3>but I knew I had. If they liked that one,

0:13:13.440 --> 0:13:14.920
<v Speaker 3>I knew I had another one just like it.

0:13:15.160 --> 0:13:16.679
<v Speaker 1>You know, we were talking earlier about all the stuff

0:13:16.679 --> 0:13:18.280
<v Speaker 1>that you're able to do now that you make money.

0:13:18.320 --> 0:13:19.720
<v Speaker 1>Is that the best part about making Money's you able

0:13:19.760 --> 0:13:20.560
<v Speaker 1>to do things for other people?

0:13:20.600 --> 0:13:21.200
<v Speaker 2>Absolutely?

0:13:21.760 --> 0:13:24.280
<v Speaker 1>It is you can only make so much. You probably

0:13:24.320 --> 0:13:27.320
<v Speaker 1>hit a point to where you make enough for you

0:13:28.040 --> 0:13:30.520
<v Speaker 1>and then you're able to like build the Ritz Carlton

0:13:30.520 --> 0:13:31.560
<v Speaker 1>Disney thing you're talking about.

0:13:31.720 --> 0:13:34.439
<v Speaker 3>Yeah, And the biggest thing that we get a kick out.

0:13:34.480 --> 0:13:39.200
<v Speaker 3>I was letting my kids pick stuff out, like around

0:13:39.200 --> 0:13:41.760
<v Speaker 3>the holidays and stuff. They start picking stuff out, big

0:13:41.760 --> 0:13:45.680
<v Speaker 3>stuff we can go do silently, you know, so I

0:13:45.720 --> 0:13:47.760
<v Speaker 3>can't really talk about it much more, you know than

0:13:47.920 --> 0:13:49.840
<v Speaker 3>keeping it souight. But they'll pick something in the paper

0:13:49.880 --> 0:13:52.120
<v Speaker 3>where somebody struggling at Christmas.

0:13:52.400 --> 0:13:54.600
<v Speaker 1>How do you do it with kids? Because I'm sure

0:13:54.600 --> 0:13:56.720
<v Speaker 1>you're brought up way different than your kids brought up now.

0:13:57.160 --> 0:13:59.640
<v Speaker 2>But I never missed anything. I mean I never knew we.

0:13:59.559 --> 0:14:02.040
<v Speaker 1>Were right, and I didn't know I was poor either.

0:14:02.440 --> 0:14:05.000
<v Speaker 1>But now that you have money and you have gift

0:14:05.000 --> 0:14:09.240
<v Speaker 1>to raise kids with money, do you fight them having

0:14:09.240 --> 0:14:11.680
<v Speaker 1>a sense of entitlement? Is that a hard fight?

0:14:11.800 --> 0:14:12.600
<v Speaker 2>It is a hard fight.

0:14:12.880 --> 0:14:14.679
<v Speaker 1>How do you manage to balance a making You.

0:14:14.640 --> 0:14:17.080
<v Speaker 3>Can't You want them to have more than you had,

0:14:17.120 --> 0:14:22.000
<v Speaker 3>but at the same time, you know there's a balance there.

0:14:22.160 --> 0:14:24.440
<v Speaker 3>You have to try to, you know, I try to

0:14:24.480 --> 0:14:27.760
<v Speaker 3>do you know what I mean? I tell them like, Okay,

0:14:27.760 --> 0:14:29.760
<v Speaker 3>we're gonna we're gonna get you a car when you

0:14:29.880 --> 0:14:33.760
<v Speaker 3>turn sixteen. But I'm not you know, but we're not buying.

0:14:34.080 --> 0:14:36.560
<v Speaker 3>I'm gonna get you like a Mustang or one of

0:14:36.560 --> 0:14:38.800
<v Speaker 3>those a twenty thousand dollars car.

0:14:38.920 --> 0:14:40.680
<v Speaker 1>You making pay their own insurance or anything like that?

0:14:41.000 --> 0:14:43.680
<v Speaker 3>No, but I make them have to pay for their

0:14:43.720 --> 0:14:46.080
<v Speaker 3>gas and stuff through doing chores.

0:14:45.760 --> 0:14:46.640
<v Speaker 2>And earning their way.

0:14:46.800 --> 0:14:48.400
<v Speaker 1>Do they ever have to work real jobs?

0:14:48.720 --> 0:14:50.120
<v Speaker 2>Yeah? Yeah, oh yeah.

0:14:50.640 --> 0:14:56.840
<v Speaker 3>Like well, Crystal was working with her husband an oil

0:14:56.920 --> 0:14:58.320
<v Speaker 3>and lease office.

0:14:57.960 --> 0:15:00.200
<v Speaker 1>And I'd be like, come on, dad, I sai you

0:15:00.240 --> 0:15:04.080
<v Speaker 1>on Forbes. I'm working to well on Lisavi. You have

0:15:04.400 --> 0:15:08.040
<v Speaker 1>you have free turkeys? Come on, good to see you

0:15:08.040 --> 0:15:10.640
<v Speaker 1>you too. Yeah, all right, Toby Keith here, everybody.

0:15:13.720 --> 0:15:16.360
<v Speaker 7>Let's take a quick pause for a message from our sponsor,

0:15:24.560 --> 0:15:26.760
<v Speaker 7>and we're back on the Bobby Cast.

0:15:27.480 --> 0:15:30.320
<v Speaker 1>Next up is Toby from twenty fifteen. And he surprised

0:15:30.360 --> 0:15:32.240
<v Speaker 1>me by calling you to the studio and he asked

0:15:32.320 --> 0:15:34.360
<v Speaker 1>Eddie and myself and the Raging Idiots to come open

0:15:34.400 --> 0:15:37.960
<v Speaker 1>a show for him in DC, and he sent us

0:15:37.960 --> 0:15:39.680
<v Speaker 1>plane to come pick us up. It's a whole deal.

0:15:39.680 --> 0:15:42.640
<v Speaker 1>It's pretty cool and We've talked about that three or

0:15:42.640 --> 0:15:45.120
<v Speaker 1>four times over the past few days, but we haven't

0:15:45.360 --> 0:15:47.680
<v Speaker 1>played any of this yet. And then following the call

0:15:47.720 --> 0:15:49.880
<v Speaker 1>with Toby, You're gonna hear the segment we did on

0:15:49.880 --> 0:15:53.800
<v Speaker 1>the radio following that week and recapped all of that

0:15:53.960 --> 0:15:57.120
<v Speaker 1>with Toby, even some audio of us on stage singing

0:15:57.160 --> 0:15:58.520
<v Speaker 1>red Solo Cup with Toby Keith.

0:15:58.600 --> 0:15:59.240
<v Speaker 4>Okay, here you go.

0:16:00.080 --> 0:16:02.320
<v Speaker 1>I thought it was a joke at first because I

0:16:02.360 --> 0:16:04.960
<v Speaker 1>was walking to the airport. Here's a story, and I

0:16:05.000 --> 0:16:07.520
<v Speaker 1>met one of Toby's people and he was like, Hey,

0:16:07.600 --> 0:16:09.280
<v Speaker 1>nice to meet you. And then I get a call

0:16:09.320 --> 0:16:10.840
<v Speaker 1>and they said, hey, Toby would like for the Raging

0:16:10.840 --> 0:16:12.920
<v Speaker 1>Idiots to open up for him in DC. And I

0:16:12.960 --> 0:16:15.960
<v Speaker 1>was like, okay, I thought this was like punked. Yeah,

0:16:16.080 --> 0:16:17.760
<v Speaker 1>I thought it was like punked. I was like, okay,

0:16:17.760 --> 0:16:21.200
<v Speaker 1>stop it. So I said, I talk to Toby, and

0:16:21.240 --> 0:16:24.040
<v Speaker 1>so Toby's here now. Now is this a joke, Toby?

0:16:24.120 --> 0:16:25.960
<v Speaker 1>And be for real because I don't like you, know,

0:16:26.160 --> 0:16:27.480
<v Speaker 1>like you, I don't like pranks me and play it

0:16:27.520 --> 0:16:28.800
<v Speaker 1>on me. What's the deal here?

0:16:29.360 --> 0:16:32.720
<v Speaker 5>Well, we're just going to have to come in open

0:16:32.840 --> 0:16:38.120
<v Speaker 5>up the DC show, and we're always looking for new

0:16:38.200 --> 0:16:39.040
<v Speaker 5>crazy stuff.

0:16:40.960 --> 0:16:44.280
<v Speaker 1>So you are legitimately asking us, the Raging Idiots, to

0:16:44.320 --> 0:16:46.960
<v Speaker 1>open up for you. This is a real question. Yes,

0:16:47.160 --> 0:16:50.400
<v Speaker 1>no question, Eddie, We're in right, it's an honor.

0:16:51.240 --> 0:16:51.560
<v Speaker 8>Yeah.

0:16:52.720 --> 0:16:54.040
<v Speaker 1>How many millions do we.

0:16:54.000 --> 0:16:56.920
<v Speaker 5>Get shows you want to do?

0:17:00.640 --> 0:17:03.320
<v Speaker 1>Sincerely? Yeah, we would not say no ever in a

0:17:03.320 --> 0:17:05.200
<v Speaker 1>million years. So thank you. I thought it was a joke.

0:17:05.280 --> 0:17:09.760
<v Speaker 1>So that's that's crazy awesome. So Eddie and I go

0:17:10.040 --> 0:17:13.800
<v Speaker 1>as the Raging Idiots and we go to play right

0:17:13.880 --> 0:17:16.639
<v Speaker 1>outside of DC Northern Virginia. We're opening up for Toby Keith.

0:17:16.800 --> 0:17:18.560
<v Speaker 1>And first of all, let me say thank you to Toby.

0:17:18.600 --> 0:17:21.000
<v Speaker 1>It was a great experience. It's crazy to play such

0:17:21.000 --> 0:17:23.800
<v Speaker 1>a big venue. I mean it's a twenty thousand seed venue,

0:17:23.840 --> 0:17:26.560
<v Speaker 1>so to even have us up there, which is ridiculous.

0:17:26.560 --> 0:17:29.560
<v Speaker 1>More on that later. Yeah, and then I went out

0:17:29.560 --> 0:17:33.080
<v Speaker 1>with Christiansen and did buy me a boat, completely unexpected.

0:17:33.760 --> 0:17:35.520
<v Speaker 1>One of the coolest things I've ever got to do.

0:17:36.440 --> 0:17:38.000
<v Speaker 1>I'll tell you about that later.

0:17:39.440 --> 0:17:39.680
<v Speaker 2>Now.

0:17:39.800 --> 0:17:42.080
<v Speaker 1>At one point, the whole night was a blur because

0:17:42.200 --> 0:17:44.400
<v Speaker 1>we have like twenty stories from it, good and bad.

0:17:45.359 --> 0:17:47.800
<v Speaker 1>But at one point during Toby's show, and I'm talking

0:17:47.840 --> 0:17:50.959
<v Speaker 1>about the crowd, it is just twenty thousand Deep at

0:17:51.040 --> 0:17:54.040
<v Speaker 1>Jeffy Lube Live and they always bring out the acts

0:17:54.040 --> 0:17:56.800
<v Speaker 1>that played before him to come on and do Red

0:17:56.880 --> 0:18:01.040
<v Speaker 1>Solo Cup with him. So Red So Low Cup, I

0:18:01.520 --> 0:18:04.680
<v Speaker 1>fill you up. Let's have a party. We're all hitting.

0:18:05.000 --> 0:18:09.560
<v Speaker 1>So before we go out, we're talking to Toby backstage

0:18:10.240 --> 0:18:12.440
<v Speaker 1>and we're talking about the Regie Idiots and I'm the

0:18:12.480 --> 0:18:14.720
<v Speaker 1>white one and Eddie's the Mexican one, and that's how

0:18:14.720 --> 0:18:17.919
<v Speaker 1>we introduce ourselves. Yeah, I'm the white one. Hey, I'm

0:18:18.000 --> 0:18:19.400
<v Speaker 1>the Mexican of the band. Yeah.

0:18:19.400 --> 0:18:20.840
<v Speaker 3>It's easy to just keep up with you all.

0:18:21.000 --> 0:18:23.960
<v Speaker 1>Yeah, because we look alike. We're like twins basically, but

0:18:24.119 --> 0:18:25.440
<v Speaker 1>it's like, hey, I'm the white guy and he's like

0:18:25.560 --> 0:18:29.320
<v Speaker 1>the Mexican guy. So we walk out on stage and

0:18:30.200 --> 0:18:32.480
<v Speaker 1>it's totally a joke that Eddie brought up to Toby,

0:18:32.520 --> 0:18:35.159
<v Speaker 1>like I'm the Mexican one. And Toby's like on the

0:18:35.200 --> 0:18:37.399
<v Speaker 1>mic because we're not singing Red Solo Cup, and he goes, oh,

0:18:37.400 --> 0:18:40.880
<v Speaker 1>where's that Mexican one. The crowd has no idea. I'm

0:18:40.920 --> 0:18:43.280
<v Speaker 1>gonna play the clip and we laughed so hard because

0:18:43.359 --> 0:18:44.880
<v Speaker 1>Eddie is the one that told him like, hey, I'm

0:18:44.880 --> 0:18:48.320
<v Speaker 1>the Mexican one. But here here we go. So this

0:18:48.400 --> 0:18:50.480
<v Speaker 1>is me and Toby singing you here Eddie a little bit,

0:18:50.600 --> 0:18:52.919
<v Speaker 1>and you hear him during the clip go, hey, that

0:18:53.040 --> 0:19:15.880
<v Speaker 1>Mexican one. So if you listen again, what he says

0:19:15.920 --> 0:19:17.960
<v Speaker 1>and I slowed to he says, hey, let's get the

0:19:18.000 --> 0:19:21.119
<v Speaker 1>Mexican in here. But what people don't know is Eddie

0:19:21.160 --> 0:19:24.320
<v Speaker 1>told him to call him that, so before anything else happened.

0:19:24.359 --> 0:19:25.760
<v Speaker 1>You know, I don't want me to get you call

0:19:25.920 --> 0:19:28.440
<v Speaker 1>Eddie a Mexican. Sure, Eddie's like, call me the Mexican.

0:19:28.560 --> 0:19:30.960
<v Speaker 1>I am the Mexican of the I'm the white guy. Boom,

0:19:47.440 --> 0:19:49.320
<v Speaker 1>then you're gonna. I didn't think you'd be able to

0:19:49.320 --> 0:19:52.440
<v Speaker 1>hear me that much, that they had our mics up loud, loud.

0:19:52.920 --> 0:19:54.800
<v Speaker 2>And I think I think that's what happened.

0:19:55.480 --> 0:19:57.639
<v Speaker 1>When I first got the mic, I was lip syncing

0:19:57.720 --> 0:19:59.760
<v Speaker 1>because I didn't want to mess up the words, and

0:19:59.760 --> 0:20:01.840
<v Speaker 1>I think the sound guy probably boosted us up because

0:20:01.840 --> 0:20:05.760
<v Speaker 1>of that. So in return, i'd not heard myself jam

0:20:05.760 --> 0:20:07.960
<v Speaker 1>it out. I mean, because that's like not even Toby

0:20:08.000 --> 0:20:16.560
<v Speaker 1>like I hear me. Yeah, that's tell me. Oh my goodness.

0:20:17.440 --> 0:20:19.639
<v Speaker 1>The next time Toby was on our show was twenty eighteen,

0:20:20.040 --> 0:20:22.320
<v Speaker 1>he called to talk about the release of his song

0:20:22.640 --> 0:20:24.920
<v Speaker 1>Don't let the Old Man, in, which he wrote for

0:20:24.960 --> 0:20:28.400
<v Speaker 1>the movie The Mule starring Clint Eastwood. So Toby talked

0:20:28.400 --> 0:20:31.560
<v Speaker 1>about the inspiration behind this song, what the movie was about,

0:20:31.720 --> 0:20:35.680
<v Speaker 1>and hanging with Clint Eastwood. Hello, this is Toby, this

0:20:35.800 --> 0:20:36.520
<v Speaker 1>boy bones.

0:20:36.680 --> 0:20:38.399
<v Speaker 5>Hey Bob, what's up buddy?

0:20:38.400 --> 0:20:38.840
<v Speaker 4>How you doing?

0:20:39.040 --> 0:20:39.480
<v Speaker 5>Oh?

0:20:40.040 --> 0:20:41.760
<v Speaker 1>Don't let the Old Man? D tell me what the

0:20:41.760 --> 0:20:43.800
<v Speaker 1>movie is about? Like, normal person? Normal person.

0:20:44.880 --> 0:20:48.440
<v Speaker 5>Uh, it's based on a true story about a guy

0:20:48.480 --> 0:20:51.800
<v Speaker 5>from Indiana that was eighty something years of old, eighty

0:20:51.840 --> 0:20:56.800
<v Speaker 5>eight and he he is fame to fame was he

0:20:56.960 --> 0:20:59.520
<v Speaker 5>was famous that uh even got a printed in the

0:20:59.520 --> 0:21:01.840
<v Speaker 5>New York Times that he made these lilies or something.

0:21:01.880 --> 0:21:07.680
<v Speaker 5>He grew flowers. And at some point the cartel started sticking.

0:21:07.960 --> 0:21:11.400
<v Speaker 5>He'd haul loads of vegetables, I guess, and the cartail

0:21:11.480 --> 0:21:14.040
<v Speaker 5>start putting a sack of something else in there with them,

0:21:14.080 --> 0:21:17.800
<v Speaker 5>you know. And then when he found you know, as

0:21:17.800 --> 0:21:19.560
<v Speaker 5>he found out, he knew he'd kind of wrecked his

0:21:19.640 --> 0:21:22.879
<v Speaker 5>life and was desperate, and so he ends up running

0:21:22.920 --> 0:21:28.040
<v Speaker 5>drugs for the cartel. And and uh, they didn't really

0:21:28.040 --> 0:21:31.080
<v Speaker 5>ever check him because they did see an eighty eight

0:21:31.160 --> 0:21:34.440
<v Speaker 5>year old man and just not checking. You know, it's

0:21:34.440 --> 0:21:37.520
<v Speaker 5>not what they were looking for. And uh, it's a

0:21:37.520 --> 0:21:40.200
<v Speaker 5>great movie, great story. And so I wrote the song

0:21:40.240 --> 0:21:42.720
<v Speaker 5>and sent it to him. He called me back the

0:21:42.760 --> 0:21:44.680
<v Speaker 5>next morning after I sent it to him and said,

0:21:44.880 --> 0:21:46.040
<v Speaker 5>I'm putting it in the movie.

0:21:46.280 --> 0:21:47.600
<v Speaker 1>Hey, what's plenty of would like though?

0:21:47.640 --> 0:21:48.240
<v Speaker 4>Like hanging out?

0:21:50.119 --> 0:21:53.560
<v Speaker 5>He's uh, really, he's a real nice guy man and

0:21:53.600 --> 0:21:56.520
<v Speaker 5>me he's real, Uh, he's real laid back, he's funny,

0:21:59.119 --> 0:22:00.320
<v Speaker 5>he's real soft heart.

0:22:03.600 --> 0:22:03.760
<v Speaker 8>You know.

0:22:03.800 --> 0:22:07.040
<v Speaker 5>I was expecting to be riding with dirty Harry, you know,

0:22:07.920 --> 0:22:12.440
<v Speaker 5>and he's just he just I love that he's been

0:22:12.480 --> 0:22:16.159
<v Speaker 5>with the same company, Warner Brothers, for over forty five years,

0:22:16.880 --> 0:22:18.520
<v Speaker 5>and that they kind of let him do what he

0:22:18.560 --> 0:22:21.840
<v Speaker 5>wants to do. And he really doesn't have to. You know,

0:22:22.000 --> 0:22:23.760
<v Speaker 5>a lot of people work for a lot of different

0:22:24.040 --> 0:22:27.480
<v Speaker 5>whatever's the best script and whatever pays the most or whatever.

0:22:27.520 --> 0:22:29.760
<v Speaker 5>But he kind of gets to go about and do

0:22:29.840 --> 0:22:33.600
<v Speaker 5>his own thing. And I love that. But he's a

0:22:33.680 --> 0:22:37.199
<v Speaker 5>total gentleman. And he's an old dare guy. Will get

0:22:37.280 --> 0:22:39.800
<v Speaker 5>up in the morning, play golf all day and then

0:22:39.840 --> 0:22:42.560
<v Speaker 5>hosts this event till midnight. I mean, and he'll do

0:22:42.600 --> 0:22:46.520
<v Speaker 5>it three days in a row, and he's in great

0:22:47.000 --> 0:22:49.360
<v Speaker 5>mind and shape for a guy of his age.

0:22:49.640 --> 0:22:51.520
<v Speaker 1>All Right, Toby keats on with us, and the movie

0:22:51.560 --> 0:22:54.040
<v Speaker 1>we're talking about is called The Mule. That's what Toby's

0:22:54.040 --> 0:22:56.640
<v Speaker 1>gonna go and watch. And the song is Don't Let

0:22:56.640 --> 0:23:00.320
<v Speaker 1>the Old Man In and Toby's singing it. Toby wrote it. Toby,

0:23:00.320 --> 0:23:02.040
<v Speaker 1>it's good to talk to you, my friend. We don't

0:23:02.040 --> 0:23:02.960
<v Speaker 1>see each other enough.

0:23:03.520 --> 0:23:05.400
<v Speaker 5>Well, come out. See you used to come out jam

0:23:05.480 --> 0:23:07.680
<v Speaker 5>with us once a while. Still you're still doing that.

0:23:07.800 --> 0:23:09.760
<v Speaker 1>I'm just trying to like pay my mortgage right now,

0:23:09.800 --> 0:23:10.960
<v Speaker 1>so I'm doing everything to survive.

0:23:12.600 --> 0:23:14.920
<v Speaker 5>Okay, brother, all right, see you, Toby.

0:23:15.560 --> 0:23:27.479
<v Speaker 6>The Bobby Cast will be right back. This is the

0:23:27.480 --> 0:23:28.240
<v Speaker 6>Bobby Cast.

0:23:28.960 --> 0:23:31.639
<v Speaker 1>The final chat with Toby will be one that happened

0:23:31.680 --> 0:23:34.960
<v Speaker 1>last month where he came into our studio. We talked

0:23:34.960 --> 0:23:37.840
<v Speaker 1>a lot about his returns, his return to music, his

0:23:38.000 --> 0:23:41.600
<v Speaker 1>returned to the live stage, his return here with us,

0:23:42.040 --> 0:23:44.960
<v Speaker 1>and so we talked about that being in Vegas and

0:23:45.119 --> 0:23:52.240
<v Speaker 1>his concern of remembering the lyrics on the Bobby Bone Show. Now, Toby, Toby,

0:23:52.280 --> 0:23:55.160
<v Speaker 1>it's rare that people that I'm super close to ask

0:23:55.240 --> 0:23:58.000
<v Speaker 1>me for tickets anything, because they know, like, unless it's

0:23:58.080 --> 0:24:00.600
<v Speaker 1>really meaningful, don't ask. And I've only had two close

0:24:00.600 --> 0:24:03.159
<v Speaker 1>friends asked me for tickets this whole year, and our

0:24:03.240 --> 0:24:03.600
<v Speaker 1>last year.

0:24:03.640 --> 0:24:05.760
<v Speaker 4>It was Morgan Wallen and it was your shows in Vegas.

0:24:05.920 --> 0:24:06.239
<v Speaker 5>That was it.

0:24:06.280 --> 0:24:08.440
<v Speaker 1>That's how big those shows were. And they sold I

0:24:08.480 --> 0:24:11.760
<v Speaker 1>saw they sold out immediately. What do you still have

0:24:11.880 --> 0:24:14.040
<v Speaker 1>any sort of anxiety at all about shows selling?

0:24:15.600 --> 0:24:18.199
<v Speaker 3>No, I hadn't worked in I probably only worked a

0:24:18.240 --> 0:24:23.119
<v Speaker 3>handful of shows in the last wide COVID two big seas,

0:24:23.560 --> 0:24:27.439
<v Speaker 3>COVID and Cancer, So I hadn't worked handful of shows

0:24:27.440 --> 0:24:30.440
<v Speaker 3>in the last three years. But I worked every year

0:24:30.480 --> 0:24:34.879
<v Speaker 3>for twenty seven eight years, And I mean I was

0:24:35.640 --> 0:24:39.399
<v Speaker 3>only the only thing I had that concern me was

0:24:39.640 --> 0:24:42.560
<v Speaker 3>being away from it for three years and remembering all

0:24:42.640 --> 0:24:48.280
<v Speaker 3>the words because they subconsciously come to you when you're working. Yeah,

0:24:48.320 --> 0:24:50.600
<v Speaker 3>you don't even think about it, you know them, and

0:24:50.640 --> 0:24:54.600
<v Speaker 3>then getting completely away from them and having to start back.

0:24:54.640 --> 0:24:56.480
<v Speaker 3>So they had a telepromp trip there and I got

0:24:56.520 --> 0:24:59.160
<v Speaker 3>into a little bit of a sound check We're going

0:24:59.160 --> 0:25:01.560
<v Speaker 3>to go full dress rehearsal to day, but.

0:25:03.280 --> 0:25:05.160
<v Speaker 8>I didn't even use it. It was just like riding

0:25:05.160 --> 0:25:05.400
<v Speaker 8>the bike.

0:25:05.440 --> 0:25:06.359
<v Speaker 4>Oh you knew all the words.

0:25:06.480 --> 0:25:08.479
<v Speaker 3>Yeah, once I got up there and started rolling and

0:25:08.520 --> 0:25:11.760
<v Speaker 3>it got familiar. I just I didn't even look at

0:25:11.760 --> 0:25:12.439
<v Speaker 3>the tail from.

0:25:12.520 --> 0:25:15.320
<v Speaker 4>What about playing at all? Did you did your handstake callous?

0:25:15.760 --> 0:25:16.080
<v Speaker 8>Yeah?

0:25:16.440 --> 0:25:20.399
<v Speaker 3>I still played no matter where I was, always had

0:25:20.440 --> 0:25:25.200
<v Speaker 3>a guitar there and still plunked around. But they've been

0:25:25.280 --> 0:25:26.120
<v Speaker 3>callous so long.

0:25:27.440 --> 0:25:30.400
<v Speaker 1>It's all callous and even bones anymore. It's just all callouses.

0:25:30.480 --> 0:25:32.399
<v Speaker 8>Yeah, that's why you have an extra fingernails.

0:25:33.240 --> 0:25:34.920
<v Speaker 1>You guys are putting these songs. Don't let the old

0:25:34.920 --> 0:25:38.760
<v Speaker 1>man in. Its hard, it's been out, but you're like, hey,

0:25:38.800 --> 0:25:39.400
<v Speaker 1>this song's good.

0:25:39.440 --> 0:25:41.399
<v Speaker 4>Here it is, remember it. We're gonna push it again.

0:25:41.560 --> 0:25:42.640
<v Speaker 4>Where did that come from? And why?

0:25:42.680 --> 0:25:44.600
<v Speaker 8>So? So that wasn't my idea.

0:25:44.960 --> 0:25:47.760
<v Speaker 3>So we put that in the in the Eastwood movie

0:25:47.960 --> 0:25:51.080
<v Speaker 3>three or four years ago, and the movie didn't do

0:25:51.119 --> 0:25:53.159
<v Speaker 3>as well as they thought. But and it's at the

0:25:53.280 --> 0:25:56.159
<v Speaker 3>very end, and as powerful as the song was, it

0:25:56.280 --> 0:25:59.320
<v Speaker 3>still didn't really get us to do. Great songs have

0:25:59.400 --> 0:26:01.880
<v Speaker 3>a way of finding a home.

0:26:01.960 --> 0:26:02.720
<v Speaker 2>Will he cut it?

0:26:03.160 --> 0:26:04.159
<v Speaker 8>Humpherdnt cut it?

0:26:04.200 --> 0:26:08.520
<v Speaker 3>A bunch of foreign legends cut it in their language,

0:26:08.840 --> 0:26:11.560
<v Speaker 3>And I thought, well, that's cool, you know. And then

0:26:11.720 --> 0:26:14.280
<v Speaker 3>when the Icon Award came up at the People's Choice,

0:26:16.200 --> 0:26:19.680
<v Speaker 3>Rack Clark did Clarkson Who's I'm known for years, he's

0:26:19.720 --> 0:26:22.719
<v Speaker 3>produced a lot of the award shows. He said, I

0:26:22.760 --> 0:26:25.400
<v Speaker 3>really want you to do this song. I was like, man,

0:26:25.880 --> 0:26:26.840
<v Speaker 3>Blake's present.

0:26:26.680 --> 0:26:28.480
<v Speaker 4>Me, Oh, yes, you do that song? Like you weren't

0:26:28.520 --> 0:26:30.280
<v Speaker 4>planning to do that song, got.

0:26:30.040 --> 0:26:33.679
<v Speaker 3>It and because it's it was it's dark, you know,

0:26:33.720 --> 0:26:37.879
<v Speaker 3>and it's and and I hadn't been in the public

0:26:37.920 --> 0:26:40.679
<v Speaker 3>eye for a while, and so I was like, Blake's

0:26:40.720 --> 0:26:43.040
<v Speaker 3>gonna do Who's Your Daddy? And I want to do

0:26:43.119 --> 0:26:45.520
<v Speaker 3>something up tempo because he's he's going to be fun

0:26:45.560 --> 0:26:51.320
<v Speaker 3>and funny. And he goes, no, Rack insisted, and I said, Rack,

0:26:51.359 --> 0:26:52.480
<v Speaker 3>if you want me do it, I'll do it.

0:26:52.520 --> 0:26:55.800
<v Speaker 8>He goes, I think it'd be gigantic highlight and he

0:26:55.880 --> 0:26:56.240
<v Speaker 8>was right.

0:26:56.600 --> 0:26:58.639
<v Speaker 4>He was massive. People went crazy.

0:26:58.840 --> 0:27:01.760
<v Speaker 1>And so because of that response, everybody's like, we need

0:27:01.760 --> 0:27:02.680
<v Speaker 1>to reintroduce this song.

0:27:03.560 --> 0:27:07.560
<v Speaker 3>Well it just it went number one immediately on iTunes.

0:27:07.920 --> 0:27:11.959
<v Speaker 3>And then people start calling saying, hey, it want service radio. Yeah,

0:27:12.000 --> 0:27:15.000
<v Speaker 3>and I haven't really served. I haven't done anything in

0:27:15.040 --> 0:27:17.280
<v Speaker 3>three or four years. And I was like, I don't

0:27:17.280 --> 0:27:19.399
<v Speaker 3>know if they play this kind of music anymore. You know,

0:27:19.760 --> 0:27:23.000
<v Speaker 3>this is way different than what you normally hear. And

0:27:23.040 --> 0:27:27.400
<v Speaker 3>I said, this is this song is even more classic

0:27:27.560 --> 0:27:30.280
<v Speaker 3>than my age. This song could have been recorded in

0:27:30.280 --> 0:27:34.199
<v Speaker 3>the fifties, you know, our sixties, and it's it's so

0:27:34.880 --> 0:27:38.280
<v Speaker 3>it's so country and so old school that I said,

0:27:38.359 --> 0:27:39.679
<v Speaker 3>you do what you want to do with it. But

0:27:40.760 --> 0:27:43.440
<v Speaker 3>I just love it that it got it, it found

0:27:43.440 --> 0:27:43.720
<v Speaker 3>a home.

0:27:44.359 --> 0:27:48.360
<v Speaker 1>So you live in Oklahoma, right, almost all the time

0:27:48.640 --> 0:27:50.800
<v Speaker 1>all the time. So do you live close enough to

0:27:50.840 --> 0:27:52.520
<v Speaker 1>go to a bunch of games? Like are you close

0:27:52.600 --> 0:27:53.160
<v Speaker 1>enough to Norman?

0:27:53.359 --> 0:27:56.240
<v Speaker 3>I'm seven miles from the stadium, you are. My ranch

0:27:56.359 --> 0:27:59.879
<v Speaker 3>is about seven miles. The stadium kind of sets on

0:27:59.880 --> 0:28:02.160
<v Speaker 3>the outskirtsytown and I'm out further.

0:28:02.600 --> 0:28:05.919
<v Speaker 1>What's been difficult for me being someone that is very

0:28:06.040 --> 0:28:08.160
<v Speaker 1>much from Arkansas and a diehard razorback is that family

0:28:08.200 --> 0:28:10.720
<v Speaker 1>that not only are the massive OU fans, but they coach.

0:28:10.720 --> 0:28:13.919
<v Speaker 1>Oh you, Patty Gasso is the OU softball coaches won

0:28:14.000 --> 0:28:15.399
<v Speaker 1>like seven national championships.

0:28:15.520 --> 0:28:16.840
<v Speaker 4>And it's been hard for me to be a fan

0:28:17.000 --> 0:28:18.680
<v Speaker 4>of OU sports.

0:28:18.760 --> 0:28:21.600
<v Speaker 1>But I've picked a softball team I'm fan of can't

0:28:21.640 --> 0:28:25.120
<v Speaker 1>quite jump on board with football quite yet. Yeah, you're right,

0:28:25.160 --> 0:28:26.960
<v Speaker 1>And my wife's like, you should put up Would you

0:28:26.960 --> 0:28:29.720
<v Speaker 1>ever put on another team's like shirt?

0:28:30.400 --> 0:28:30.800
<v Speaker 8>Me up?

0:28:31.520 --> 0:28:34.959
<v Speaker 3>Now, I will say this my parents. My mom's from

0:28:35.080 --> 0:28:37.959
<v Speaker 3>Arkansas and my dad's from Oklahoma. So like I told you,

0:28:39.560 --> 0:28:43.680
<v Speaker 3>I'm half Hog in my raising, I'm all Ou. But

0:28:43.880 --> 0:28:46.920
<v Speaker 3>my second, if I have a second, favorite team is Arkansas.

0:28:47.000 --> 0:28:49.320
<v Speaker 3>And the first two or three football games I went

0:28:49.360 --> 0:28:52.000
<v Speaker 3>to as a six or seven year old, my grandmother

0:28:52.040 --> 0:28:56.840
<v Speaker 3>took me Little Rock two different y'all played two different stadiums.

0:28:57.120 --> 0:28:59.520
<v Speaker 4>They still do that one time a year. I wish

0:28:59.520 --> 0:29:00.960
<v Speaker 4>they wouldn't, but yeah, So.

0:29:00.960 --> 0:29:02.840
<v Speaker 3>I went to FEE, and then I went to Little Rock,

0:29:03.360 --> 0:29:07.560
<v Speaker 3>saw Tech and SMU and the old Southwest Conference. But

0:29:08.080 --> 0:29:10.840
<v Speaker 3>so I tell everybody, Keith Jackson's a great tide end

0:29:10.880 --> 0:29:13.800
<v Speaker 3>at ou he's Smarkansas, And when we see each other,

0:29:13.840 --> 0:29:15.680
<v Speaker 3>we y old boom or Sioue instead of Boomer.

0:29:15.720 --> 0:29:15.880
<v Speaker 8>Soon.

0:29:16.520 --> 0:29:18.520
<v Speaker 1>Yeah, at the house, we do woo pick sooner, but

0:29:18.560 --> 0:29:20.600
<v Speaker 1>only that because I put to woo pick first. We

0:29:20.880 --> 0:29:23.960
<v Speaker 1>have a Matt that's half Arkansas half Oklahoma. And my

0:29:24.000 --> 0:29:26.360
<v Speaker 1>wife she's not petty though she can go to Arkansas

0:29:26.360 --> 0:29:27.960
<v Speaker 1>games and be like, let's go with me.

0:29:28.040 --> 0:29:28.600
<v Speaker 4>I struggle.

0:29:28.960 --> 0:29:31.720
<v Speaker 3>I could probably if the Hogs were in the National

0:29:31.800 --> 0:29:34.800
<v Speaker 3>Championship and I was like singing the anthem at the

0:29:34.840 --> 0:29:37.440
<v Speaker 3>game and they weren't playing Oklahoma, I could put on

0:29:37.480 --> 0:29:40.120
<v Speaker 3>a I'd be comfortable in Arkansas Jersey.

0:29:40.320 --> 0:29:42.440
<v Speaker 4>You like Venables, I love it. What do you like

0:29:42.440 --> 0:29:42.880
<v Speaker 4>about him?

0:29:43.360 --> 0:29:47.520
<v Speaker 8>He was here when Bob Stoop's got the coaching job,

0:29:48.080 --> 0:29:49.200
<v Speaker 8>and he was here for years.

0:29:49.880 --> 0:29:54.560
<v Speaker 3>And his defensive prowess. I mean, the guy's been around

0:29:54.600 --> 0:29:58.520
<v Speaker 3>twenty two years coaching at that level. Not head coach,

0:29:58.600 --> 0:30:02.040
<v Speaker 3>but defense going. He's he's played in eight national championships

0:30:02.360 --> 0:30:06.080
<v Speaker 3>fourd oh you and Ford Clemson and his number. I mean,

0:30:06.120 --> 0:30:09.080
<v Speaker 3>he's just a great defensive coach. We were a really

0:30:09.120 --> 0:30:12.840
<v Speaker 3>really bad shape. He's processed like sixty five players in

0:30:12.840 --> 0:30:15.280
<v Speaker 3>the last twenty four months. It was on the last team,

0:30:16.280 --> 0:30:20.880
<v Speaker 3>and only two of the portal guys got Power five deals.

0:30:21.480 --> 0:30:26.200
<v Speaker 3>Everybody else went smaller division. So we were really lacking

0:30:26.280 --> 0:30:31.480
<v Speaker 3>on the defensive side of football. And he fixed that.

0:30:32.120 --> 0:30:33.719
<v Speaker 4>You do you do an al stuff yourself?

0:30:34.000 --> 0:30:35.000
<v Speaker 8>Oh yeah, me too.

0:30:35.280 --> 0:30:36.400
<v Speaker 4>Do you talk about it?

0:30:37.120 --> 0:30:37.800
<v Speaker 8>I'll talk about it.

0:30:37.840 --> 0:30:39.880
<v Speaker 4>You do talk about it because people ask me to

0:30:39.920 --> 0:30:41.520
<v Speaker 4>talk about him like, I mean, I guess I will.

0:30:41.560 --> 0:30:46.040
<v Speaker 1>But I do stuff like I take these student athletes

0:30:46.280 --> 0:30:48.080
<v Speaker 1>and I hire them to use their name, image and

0:30:48.160 --> 0:30:50.600
<v Speaker 1>likeness to promote things that I do make sure.

0:30:50.680 --> 0:30:52.240
<v Speaker 8>Yeah, yeah, I just give them money.

0:30:52.280 --> 0:30:55.840
<v Speaker 4>Oh well see yeah, I have to like find a.

0:30:56.560 --> 0:31:00.480
<v Speaker 3>Kid, I have a charity, I have a foundation, and

0:31:00.760 --> 0:31:02.560
<v Speaker 3>we'll get them to whatever.

0:31:02.640 --> 0:31:04.640
<v Speaker 8>You know. I mean it's you get them to do

0:31:04.640 --> 0:31:05.280
<v Speaker 8>a little stuff.

0:31:05.320 --> 0:31:06.640
<v Speaker 4>Yeah, get them to do stuff for the charity.

0:31:06.960 --> 0:31:07.160
<v Speaker 8>Yeah.

0:31:07.240 --> 0:31:08.800
<v Speaker 3>Yeah, they show up, you know, I get them to

0:31:08.800 --> 0:31:12.280
<v Speaker 3>show up at my golf tournament or my foundation auction

0:31:12.520 --> 0:31:15.240
<v Speaker 3>or something. But they don't really have to do much.

0:31:15.480 --> 0:31:18.240
<v Speaker 3>You know what's weird about that whole thing is this

0:31:18.920 --> 0:31:21.640
<v Speaker 3>toothpastes out of the too, you know, yeah, put it back.

0:31:21.680 --> 0:31:23.040
<v Speaker 4>Yeah, I can't ring that bell for sure.

0:31:23.240 --> 0:31:25.800
<v Speaker 3>Four years ago, if they have just said, hey, we

0:31:25.880 --> 0:31:29.880
<v Speaker 3>don't give every player in fifty grand, they had a

0:31:30.000 --> 0:31:34.080
<v Speaker 3>sign that immediately. But it's with the portal in that

0:31:34.160 --> 0:31:35.880
<v Speaker 3>it just makes it crazy.

0:31:35.960 --> 0:31:39.280
<v Speaker 1>It is absolutely bizarre, even where players just moving all

0:31:39.280 --> 0:31:40.760
<v Speaker 1>over the place, even to shopping for deals.

0:31:40.840 --> 0:31:43.400
<v Speaker 3>No one's loyal, no one. I mean, you recruit them

0:31:43.440 --> 0:31:45.200
<v Speaker 3>and get them on campus. You do everything. You can

0:31:45.360 --> 0:31:47.520
<v Speaker 3>give them money, you get them education, and you have

0:31:47.560 --> 0:31:48.920
<v Speaker 3>to recruit them again next year.

0:31:49.240 --> 0:31:51.880
<v Speaker 8>It's it. I wouldn't want that. I don't know.

0:31:51.880 --> 0:31:53.000
<v Speaker 4>I think I take it, though, I still take it.

0:31:53.000 --> 0:31:54.920
<v Speaker 4>I still be a head coach. Yeah, I'll be pretty good.

0:31:55.240 --> 0:31:55.440
<v Speaker 8>Yeah.

0:31:55.480 --> 0:31:59.239
<v Speaker 1>Yeah, we'd run, we'd wide open offense. We'd run, you know,

0:31:59.480 --> 0:32:03.880
<v Speaker 1>probably have two footballs, three tailbacks, two doing two quarterbacks,

0:32:03.920 --> 0:32:06.920
<v Speaker 1>so one that could also play wide receiver in motion.

0:32:07.000 --> 0:32:08.040
<v Speaker 4>You never knew he was going to come through and

0:32:08.040 --> 0:32:08.800
<v Speaker 4>actually take the snapper.

0:32:08.880 --> 0:32:11.800
<v Speaker 1>Not tell me that's not revolutionary, that's like, that's not

0:32:11.840 --> 0:32:15.160
<v Speaker 1>Lincoln Riley stuff. Yeah, but then it wouldn't work because

0:32:15.160 --> 0:32:16.640
<v Speaker 1>I'd have no defense and then we'd lose and.

0:32:16.560 --> 0:32:17.240
<v Speaker 4>Everybody would laugh.

0:32:18.200 --> 0:32:19.120
<v Speaker 8>Well that would be Lincoln.

0:32:19.200 --> 0:32:22.040
<v Speaker 1>Yeah, that'd be Lincoln Riley exactly. Yes, yes, So how's

0:32:22.080 --> 0:32:22.560
<v Speaker 1>everything going.

0:32:22.640 --> 0:32:23.560
<v Speaker 2>It's going pretty good.

0:32:24.160 --> 0:32:27.280
<v Speaker 3>But I've got a roadhouse out in the country by

0:32:27.400 --> 0:32:30.200
<v Speaker 3>that's like a ninety seven year old roadhouse that has

0:32:30.240 --> 0:32:35.040
<v Speaker 3>a lot of music history, a lot of Oklahoma history.

0:32:35.240 --> 0:32:36.560
<v Speaker 4>What's a roadhouse. I don't know what that is.

0:32:36.600 --> 0:32:39.200
<v Speaker 8>It's like a bar outdoor. Oh, got it, got it,

0:32:39.240 --> 0:32:41.280
<v Speaker 8>got you know, it's an old roadhouse.

0:32:41.240 --> 0:32:43.480
<v Speaker 4>Like Texas roadhouse, the restaurant type place.

0:32:43.480 --> 0:32:46.680
<v Speaker 3>Well, like a bar out in the country that people

0:32:46.720 --> 0:32:48.800
<v Speaker 3>would drive out to, like in a movie. You'd see

0:32:48.840 --> 0:32:52.520
<v Speaker 3>people they'll set a roadhouse up, Remember the one where

0:32:52.800 --> 0:32:54.120
<v Speaker 3>Patrick Sway roadhouse?

0:32:55.120 --> 0:32:56.040
<v Speaker 8>Yeah that one.

0:32:56.080 --> 0:32:56.960
<v Speaker 4>Yeah, yeah, I know that one.

0:32:57.080 --> 0:32:59.200
<v Speaker 3>Yeah one, all right, so yeah, there you go. Okay,

0:32:59.320 --> 0:33:03.840
<v Speaker 3>So that's kind out by itself. This thing's like ninety

0:33:03.880 --> 0:33:07.200
<v Speaker 3>seven years old. The old actor James Garner was named

0:33:07.280 --> 0:33:11.000
<v Speaker 3>James Bumgarner before he went to Hollywood. He pumped gas

0:33:11.040 --> 0:33:13.880
<v Speaker 3>in there. Bonnie and Clyde State and some cabins behind it.

0:33:14.200 --> 0:33:16.800
<v Speaker 3>Bob Wills and Texas playboys people like that would come

0:33:16.840 --> 0:33:19.480
<v Speaker 3>through and play these little dances out there, and then

0:33:19.520 --> 0:33:22.000
<v Speaker 3>it turned into a convenience store. We used to get

0:33:22.040 --> 0:33:25.440
<v Speaker 3>baked beer, tobacco stuff there before we rolled it up.

0:33:25.680 --> 0:33:26.840
<v Speaker 8>And then we're going to tear it down.

0:33:27.760 --> 0:33:30.320
<v Speaker 3>And my whole countryside out there where I live, I

0:33:30.360 --> 0:33:35.160
<v Speaker 3>know everybody, that's my sanctuary. They were like, man, they're

0:33:35.160 --> 0:33:37.320
<v Speaker 3>telling it tearing the old Hollywood's corner down.

0:33:38.400 --> 0:33:39.640
<v Speaker 8>And so I.

0:33:39.560 --> 0:33:43.440
<v Speaker 3>Went and bought the thing, popped it up, cleaned it up,

0:33:43.480 --> 0:33:46.000
<v Speaker 3>put some lights in the trees, put a stage out there,

0:33:46.440 --> 0:33:50.719
<v Speaker 3>shot in all State TV special out there Live concert

0:33:50.760 --> 0:33:55.400
<v Speaker 3>from all State Entry and left the stage up and

0:33:55.520 --> 0:33:58.120
<v Speaker 3>now you can go out there, get some food, get

0:33:58.120 --> 0:34:00.320
<v Speaker 3>a beer, sit on the lights, bring your dog, bring

0:34:00.320 --> 0:34:05.840
<v Speaker 3>the kids, and have bicker night on Wednesday. And I

0:34:05.880 --> 0:34:09.799
<v Speaker 3>saved it, you know. And so one night I said

0:34:09.920 --> 0:34:12.880
<v Speaker 3>I want to try to play. So I called the

0:34:13.120 --> 0:34:17.000
<v Speaker 3>manager and I said, tell uh, Jennifer, I said, tell

0:34:17.280 --> 0:34:19.800
<v Speaker 3>the band. They're paid, but they're not going to play.

0:34:20.880 --> 0:34:23.000
<v Speaker 3>And then she goes, who's playing? I said, another band?

0:34:23.960 --> 0:34:24.680
<v Speaker 8>And then I was.

0:34:24.640 --> 0:34:27.239
<v Speaker 3>Bringing my guys in from Nashville, and we were just

0:34:27.280 --> 0:34:31.000
<v Speaker 3>gonna go up incognito and just let the word build

0:34:31.239 --> 0:34:33.600
<v Speaker 3>and just have fun. And I was going to see

0:34:33.600 --> 0:34:36.080
<v Speaker 3>how far I could go without taking a break, you know.

0:34:36.880 --> 0:34:39.960
<v Speaker 3>So I did two three hour nights and she goes, well,

0:34:40.000 --> 0:34:42.680
<v Speaker 3>who do I advertise is playing? I said, the Greasy Weenies,

0:34:44.400 --> 0:34:46.759
<v Speaker 3>and so she put it up the Greasy Weenies will

0:34:46.760 --> 0:34:49.600
<v Speaker 3>be here Friday and Saturday. Well, everybody started going something

0:34:49.640 --> 0:34:53.719
<v Speaker 3>not right because the bands getting paid. So when I

0:34:53.800 --> 0:34:56.840
<v Speaker 3>showed up first night, they were just like lined.

0:34:56.680 --> 0:34:58.880
<v Speaker 8>Up down the ditches a half a mile in every direction.

0:34:59.120 --> 0:35:02.239
<v Speaker 3>And and I did two nights in July, and I

0:35:02.280 --> 0:35:05.840
<v Speaker 3>was like book it go book me some shows. So

0:35:07.560 --> 0:35:10.399
<v Speaker 3>you just can't get the trucks and buses after three

0:35:10.520 --> 0:35:13.719
<v Speaker 3>years all together, and the crew everybody's off working with

0:35:13.760 --> 0:35:16.920
<v Speaker 3>everybody else, you know, So it took till December to

0:35:17.040 --> 0:35:17.799
<v Speaker 3>launch this thing.

0:35:18.600 --> 0:35:19.680
<v Speaker 8>Yeah here we.

0:35:19.600 --> 0:35:21.560
<v Speaker 4>Are, well Toby, good to see you. There is to

0:35:21.719 --> 0:35:23.720
<v Speaker 4>Keith everybody.

0:35:24.440 --> 0:35:26.160
<v Speaker 1>Toby's been kind enough to come in the studio and

0:35:26.200 --> 0:35:28.839
<v Speaker 1>call into our show numerous times over the years and

0:35:29.360 --> 0:35:31.359
<v Speaker 1>has let Eddie and I perform with them, and we've

0:35:31.400 --> 0:35:34.359
<v Speaker 1>also performed with them at festivals. And Toby Keith will

0:35:34.360 --> 0:35:37.520
<v Speaker 1>always be a major part of country music. His songs

0:35:37.560 --> 0:35:40.080
<v Speaker 1>will continue to live on and they will for sure

0:35:40.160 --> 0:35:43.000
<v Speaker 1>be played for decades to come. Thanks to Toby Keith

0:35:43.000 --> 0:35:44.760
<v Speaker 1>for all that he did. Thank you guys for listening.

0:35:45.040 --> 0:35:47.040
<v Speaker 1>This has been a Bobby Cast production.