1 00:00:06,800 --> 00:00:09,680 Speaker 1: Episode four thirty five. We thought we would do a 2 00:00:09,760 --> 00:00:14,360 Speaker 1: Toby Keith special because over the last twelve years we've 3 00:00:14,400 --> 00:00:18,759 Speaker 1: had a lot of fun interviews, experiences, stories with Toby Keith. 4 00:00:19,280 --> 00:00:23,200 Speaker 1: And we were on the radio show yesterday, which was Tuesday, 5 00:00:23,239 --> 00:00:25,520 Speaker 1: and you know, talking about Toby Keith passing away at 6 00:00:25,560 --> 00:00:28,960 Speaker 1: age sixty two. Obviously, it was a sad day, sad 7 00:00:29,000 --> 00:00:30,720 Speaker 1: day for all the people that knew him, all the 8 00:00:30,720 --> 00:00:32,839 Speaker 1: people that had worked with them were been affected and 9 00:00:32,840 --> 00:00:34,919 Speaker 1: influenced by him. But some of the stuff that we're 10 00:00:34,920 --> 00:00:36,640 Speaker 1: gonna do here just isn't sad. And although it did 11 00:00:36,760 --> 00:00:39,120 Speaker 1: feel very sad on the day that we came and 12 00:00:39,159 --> 00:00:40,960 Speaker 1: talked about his death, I just don't want to leave 13 00:00:40,960 --> 00:00:43,640 Speaker 1: that as kind of the last impression of us talking 14 00:00:43,680 --> 00:00:45,319 Speaker 1: about him. So I wanted to just play a bunch 15 00:00:45,360 --> 00:00:48,560 Speaker 1: of clips, a bunch of interviews from the many times 16 00:00:48,560 --> 00:00:49,920 Speaker 1: he's been on the show, some of the stories that 17 00:00:49,920 --> 00:00:52,080 Speaker 1: we've shared as well. So in memory of Toby, we're 18 00:00:52,080 --> 00:00:54,840 Speaker 1: gonna do a special Bobby Cast that you know, features 19 00:00:54,920 --> 00:00:57,680 Speaker 1: everybody from the people on the show to Toby calling, 20 00:00:57,720 --> 00:00:59,760 Speaker 1: to Toby being in the studio, and we're gonna start 21 00:00:59,800 --> 00:01:03,520 Speaker 1: with back in October of twenty thirteen. Twenty thirteen is 22 00:01:03,560 --> 00:01:06,200 Speaker 1: the year we moved to Nashville. It was a wild year. 23 00:01:06,200 --> 00:01:08,560 Speaker 1: It even snowed in April that year, I remember, And 24 00:01:08,640 --> 00:01:12,119 Speaker 1: so we moved here. We're all like new to the area. 25 00:01:12,440 --> 00:01:14,640 Speaker 1: Toby Keith was coming in the studio. We were like, 26 00:01:14,680 --> 00:01:17,560 Speaker 1: this is crazy. I remember walking in. He was humongous. 27 00:01:18,400 --> 00:01:21,080 Speaker 1: Obviously we knew he was, but we never met him. 28 00:01:21,440 --> 00:01:24,320 Speaker 1: But he was like six three six ' four and 29 00:01:25,400 --> 00:01:29,160 Speaker 1: big personality. Obviously felt like he had a duck walking 30 00:01:29,160 --> 00:01:31,600 Speaker 1: in the door. We talked about tequila that he was 31 00:01:31,680 --> 00:01:34,480 Speaker 1: drinking during the interview, playing with Willie Nelson, how he 32 00:01:34,520 --> 00:01:36,280 Speaker 1: got into horse racing with his dad, and a few 33 00:01:36,280 --> 00:01:38,440 Speaker 1: other things. So this is us with Toby Keith back 34 00:01:38,480 --> 00:01:41,960 Speaker 1: in October of twenty thirteen. Hey, Toby Keith is here 35 00:01:41,959 --> 00:01:44,320 Speaker 1: this morning on the Bobby Bone Show. Hey, yes, it's 36 00:01:44,319 --> 00:01:44,920 Speaker 1: tequila with you. 37 00:01:45,200 --> 00:01:45,399 Speaker 2: I do. 38 00:01:45,560 --> 00:01:47,760 Speaker 3: It's a mescow. It's a cousin of tequila, but it's 39 00:01:47,760 --> 00:01:49,920 Speaker 3: a mescaut with a worm and it's the real McCoy. 40 00:01:50,280 --> 00:01:52,480 Speaker 1: Well, what's the difference. I've never had a drink alcohols. 41 00:01:52,480 --> 00:01:53,320 Speaker 1: I don't know anyth about it. 42 00:01:53,320 --> 00:01:54,000 Speaker 2: You don't even drink. 43 00:01:57,160 --> 00:01:57,840 Speaker 1: I got water. 44 00:01:58,440 --> 00:02:00,440 Speaker 2: So what's the mesca is? 45 00:02:01,640 --> 00:02:05,560 Speaker 3: Tequila's made from blue agave farm raised and they squeeze 46 00:02:05,680 --> 00:02:09,679 Speaker 3: the juice out, extracted the raw juice and make tequila 47 00:02:09,960 --> 00:02:12,840 Speaker 3: and Mexico. It's kind of Mexican moonshine. They take the 48 00:02:12,960 --> 00:02:16,560 Speaker 3: green of goavi that's wild and they smoke it like 49 00:02:16,600 --> 00:02:19,280 Speaker 3: a ham and gives it a smoky flavor and cure 50 00:02:19,320 --> 00:02:21,520 Speaker 3: it and then they've crushed the juices out of it 51 00:02:21,600 --> 00:02:23,800 Speaker 3: and they make it. And there's a worm in the 52 00:02:23,800 --> 00:02:29,400 Speaker 3: bottom of the bottle that always is symbolic to Mexican moonshine. 53 00:02:31,080 --> 00:02:32,800 Speaker 2: Would you all the time? 54 00:02:32,880 --> 00:02:34,120 Speaker 1: Are you immune of the worm? 55 00:02:35,240 --> 00:02:35,640 Speaker 2: Immune? 56 00:02:35,760 --> 00:02:37,600 Speaker 1: Yeah, Like it doesn't bother you anymore, Like you have 57 00:02:37,600 --> 00:02:38,720 Speaker 1: immunity to worm. 58 00:02:38,560 --> 00:02:39,120 Speaker 2: Immune. 59 00:02:39,440 --> 00:02:40,799 Speaker 1: Like what if I hate the worm? What would happen 60 00:02:40,840 --> 00:02:41,040 Speaker 1: to me? 61 00:02:42,639 --> 00:02:43,480 Speaker 2: You'd lose your show? 62 00:02:43,560 --> 00:02:49,760 Speaker 3: Probably, Oh, I didn't know where that was going, Bobby. 63 00:02:50,800 --> 00:02:53,040 Speaker 3: Nothing would happen if you just took the worm out 64 00:02:53,040 --> 00:02:54,000 Speaker 3: of the bottom of the bottle. 65 00:02:54,919 --> 00:02:55,720 Speaker 2: Nothing would happen. 66 00:02:55,720 --> 00:02:58,280 Speaker 3: Though they say that there you see visions when you 67 00:02:58,320 --> 00:02:59,880 Speaker 3: eat the worm, But I think it's just because he's 68 00:03:00,080 --> 00:03:01,359 Speaker 3: the bottom of the bottle. 69 00:03:01,520 --> 00:03:03,880 Speaker 1: Because you've had the entire bot. I got it. That's 70 00:03:03,919 --> 00:03:05,440 Speaker 1: called wild Shot and you can get it where. 71 00:03:05,840 --> 00:03:08,680 Speaker 3: You can get in thirty seven states liquor storage. It's 72 00:03:08,720 --> 00:03:11,360 Speaker 3: the number one premium mescow in the US. 73 00:03:11,480 --> 00:03:13,200 Speaker 1: So what's the light working with Willie? Spend the time 74 00:03:13,200 --> 00:03:13,720 Speaker 1: with Willie. 75 00:03:14,320 --> 00:03:18,280 Speaker 3: Well, the unique thing about it is the guitar player 76 00:03:18,280 --> 00:03:21,680 Speaker 3: has been in my band that I've had forever. Joey 77 00:03:21,760 --> 00:03:25,600 Speaker 3: Floyd was the little boy in Honeysokel Rose. So my 78 00:03:25,720 --> 00:03:28,680 Speaker 3: guitar player grew up in the Willie family since he 79 00:03:28,760 --> 00:03:34,920 Speaker 3: was in grade school. So to be around them all 80 00:03:34,960 --> 00:03:36,920 Speaker 3: the time, it was just like they were already family. 81 00:03:37,080 --> 00:03:40,440 Speaker 3: I was in with them the second that I met him. 82 00:03:40,600 --> 00:03:45,080 Speaker 3: And will He's always been very professional, very good friend. 83 00:03:45,160 --> 00:03:47,080 Speaker 2: Call you tell you Joe. He loves jokes. 84 00:03:47,200 --> 00:03:49,400 Speaker 3: If you you know, he'll just call you up out 85 00:03:49,440 --> 00:03:51,040 Speaker 3: of the blue and say, if you heard a good one 86 00:03:51,080 --> 00:03:55,080 Speaker 3: to day. He's he wants to know when he starts 87 00:03:55,120 --> 00:03:56,920 Speaker 3: his day out whether he's going to have some new 88 00:03:56,960 --> 00:04:00,680 Speaker 3: material to lay on everybody all day. And it's amazing 89 00:04:00,680 --> 00:04:03,840 Speaker 3: how big his heart is and the little light that 90 00:04:03,920 --> 00:04:07,240 Speaker 3: shines in his eyes, and what a you know, what 91 00:04:07,320 --> 00:04:11,200 Speaker 3: a great guitar player, how jazz he is man he 92 00:04:11,360 --> 00:04:12,119 Speaker 3: is jazz. 93 00:04:12,440 --> 00:04:13,800 Speaker 2: WILLI is just jazz. 94 00:04:14,720 --> 00:04:18,479 Speaker 3: His guitar is like an extension of his spirit, and 95 00:04:18,520 --> 00:04:22,000 Speaker 3: he can really create music on a guitar that no 96 00:04:22,040 --> 00:04:22,640 Speaker 3: one else can. 97 00:04:22,839 --> 00:04:24,719 Speaker 1: Okay, we're gonna play a new song, Toby, you ready, 98 00:04:24,760 --> 00:04:25,000 Speaker 1: all right? 99 00:04:25,000 --> 00:04:25,280 Speaker 4: All right? 100 00:04:25,320 --> 00:04:27,840 Speaker 1: Drinks after work and so for those maybe they haven't 101 00:04:27,839 --> 00:04:29,480 Speaker 1: heard it yet. First of all, the album of the 102 00:04:29,520 --> 00:04:32,280 Speaker 1: same name comes out October twenty ninth. Tell us about 103 00:04:32,320 --> 00:04:35,400 Speaker 1: the album that tell us about the song album. 104 00:04:35,120 --> 00:04:37,360 Speaker 2: Is as I told you earlier. 105 00:04:37,360 --> 00:04:39,560 Speaker 3: I write all year long, and I go in the 106 00:04:39,560 --> 00:04:41,919 Speaker 3: spring and I start piling my songs up there I 107 00:04:41,920 --> 00:04:44,080 Speaker 3: wrote and I never have a theme or anything. I 108 00:04:44,160 --> 00:04:46,719 Speaker 3: just take my ten or twelve best things I think 109 00:04:46,760 --> 00:04:49,000 Speaker 3: I wrote and record them and live with them. So 110 00:04:49,040 --> 00:04:51,560 Speaker 3: they're all homebreads. It's not like we went over to 111 00:04:51,640 --> 00:04:55,240 Speaker 3: Kentucky and handpicked a bunch of iarling race horses and 112 00:04:55,279 --> 00:04:57,400 Speaker 3: gave a million dollars each for them. They're no cherry 113 00:04:57,400 --> 00:05:01,080 Speaker 3: picking going on. We write them and them their home cooked, 114 00:05:01,080 --> 00:05:02,640 Speaker 3: and then we stick them out and I live with 115 00:05:02,680 --> 00:05:05,440 Speaker 3: the results. This is one song here that's on the 116 00:05:05,480 --> 00:05:08,320 Speaker 3: album that I didn't write. Drinks after work and Mark right, 117 00:05:08,440 --> 00:05:10,760 Speaker 3: my partner found this song, and he said, you have 118 00:05:10,839 --> 00:05:13,400 Speaker 3: to cut this song. I didn't know if it fit me. 119 00:05:13,400 --> 00:05:14,680 Speaker 3: I didn't know if I could sing it. It was 120 00:05:14,800 --> 00:05:18,040 Speaker 3: putty out of the box and we did a knocked 121 00:05:18,040 --> 00:05:19,839 Speaker 3: it out in the studio and it kind of bloomed 122 00:05:19,880 --> 00:05:23,159 Speaker 3: in the studio and the tornadoes hit hit. I only 123 00:05:23,200 --> 00:05:26,200 Speaker 3: had four songs done for the album running behind in 124 00:05:26,279 --> 00:05:29,719 Speaker 3: June Tornadoes hit Oklahoma. They said we'll have a single 125 00:05:29,800 --> 00:05:31,680 Speaker 3: by June eighth, and I was like, well, I'm kind 126 00:05:31,680 --> 00:05:35,600 Speaker 3: of busy here and and so I turned those in 127 00:05:35,640 --> 00:05:38,000 Speaker 3: and they said, let's pick something. So we went with 128 00:05:38,040 --> 00:05:40,800 Speaker 3: this first. It's a really cool song. It's kind of 129 00:05:40,800 --> 00:05:42,040 Speaker 3: a wednessy hump day song. 130 00:05:42,240 --> 00:05:44,159 Speaker 1: I love this bar and girl continue to expand. You 131 00:05:44,160 --> 00:05:46,120 Speaker 1: have almost twenty locations now right. 132 00:05:46,240 --> 00:05:47,200 Speaker 2: I think there are twenty? 133 00:05:47,279 --> 00:05:48,000 Speaker 1: Are there twenty now? 134 00:05:48,080 --> 00:05:49,400 Speaker 2: Yeah? Maybe more? 135 00:05:49,480 --> 00:05:51,360 Speaker 1: At press time there was eighteen. So two have happened 136 00:05:51,400 --> 00:05:54,160 Speaker 1: in the last hour, like they're growing, like we're twins. Yeah. 137 00:05:54,880 --> 00:05:57,280 Speaker 1: So you ever go just okay, you don't tell them 138 00:05:57,279 --> 00:05:59,200 Speaker 1: you're coming, but you see one. You go in, you 139 00:05:59,240 --> 00:06:01,359 Speaker 1: have a meal and just oh yeah, yeah, oh yeah. 140 00:06:01,400 --> 00:06:03,240 Speaker 1: And then you get like bad service and you go 141 00:06:03,240 --> 00:06:04,640 Speaker 1: have a talk with the manager. 142 00:06:05,040 --> 00:06:08,120 Speaker 3: Usually don't get that far. When your picture's on the 143 00:06:08,160 --> 00:06:10,360 Speaker 3: wall and it's your joint, usually sit down. Somebody goes 144 00:06:10,360 --> 00:06:12,040 Speaker 3: all right, oh my god, you're old. 145 00:06:12,120 --> 00:06:14,000 Speaker 1: Then they would tell everybody and everybody freaks out. 146 00:06:14,120 --> 00:06:18,920 Speaker 3: Yeah, so's I snuck in one and uh And I 147 00:06:18,920 --> 00:06:22,240 Speaker 3: actually didn't get it very It was in the afternoon, 148 00:06:22,279 --> 00:06:23,680 Speaker 3: so it was like four o'clock in the afternoon, so 149 00:06:23,680 --> 00:06:25,159 Speaker 3: it was twein er time of day. You know, the 150 00:06:25,160 --> 00:06:28,240 Speaker 3: dinner crowd hadn't hit yet and the lunch was way over, 151 00:06:28,800 --> 00:06:30,480 Speaker 3: and I kind of snuck in the side door and 152 00:06:31,360 --> 00:06:33,960 Speaker 3: sit down by the bar. And we'd been playing golf, 153 00:06:34,040 --> 00:06:35,760 Speaker 3: so we had four or five golfers, so they just 154 00:06:35,760 --> 00:06:39,080 Speaker 3: thought we were four or five dudes. Took them ten 155 00:06:39,120 --> 00:06:41,200 Speaker 3: minutes to figure it out, but. 156 00:06:41,200 --> 00:06:41,800 Speaker 2: It took them a while. 157 00:06:41,800 --> 00:06:43,280 Speaker 3: A wait on, men, I was like, hey, you're not 158 00:06:43,320 --> 00:06:45,640 Speaker 3: getting over here quick now, so's slop some whiskey out here. 159 00:06:45,680 --> 00:06:46,000 Speaker 2: Girls. 160 00:06:46,040 --> 00:06:46,240 Speaker 5: Come on. 161 00:06:46,600 --> 00:06:48,800 Speaker 1: So you're a racehorse guy, huh yep, I grew up 162 00:06:49,600 --> 00:06:51,920 Speaker 1: near Oakland Racetrack. You sneak in like twelve years old. 163 00:06:51,960 --> 00:06:53,000 Speaker 1: You just go races all time? 164 00:06:53,160 --> 00:06:54,920 Speaker 2: I go, I racehorse silver all the time. 165 00:06:54,960 --> 00:06:56,839 Speaker 1: And hey, love, we would go and you know, two 166 00:06:56,839 --> 00:06:58,640 Speaker 1: dollars minimum bet, and you go and find an adult 167 00:06:58,640 --> 00:07:00,680 Speaker 1: to make your bet for you. There all day and 168 00:07:00,720 --> 00:07:01,520 Speaker 1: his bet horses. 169 00:07:01,520 --> 00:07:03,520 Speaker 3: As kid, Yeah, I bet the long shot most of 170 00:07:03,520 --> 00:07:05,280 Speaker 3: the time as a kid all sixty. 171 00:07:05,400 --> 00:07:06,920 Speaker 2: Try to make sixty dollars out of two. 172 00:07:07,160 --> 00:07:09,200 Speaker 1: Or you take the two and you'd bet the favorite 173 00:07:09,240 --> 00:07:10,560 Speaker 1: and you bet them a show and you make like 174 00:07:10,560 --> 00:07:12,720 Speaker 1: two dollars and ten cents. Now you do one of 175 00:07:12,720 --> 00:07:15,240 Speaker 1: those two things. So how'd you get into racehorses? 176 00:07:16,320 --> 00:07:19,720 Speaker 3: My dad had some family friends who he grew up 177 00:07:19,760 --> 00:07:24,360 Speaker 3: with who had some homegrown racehorses, and he passed away 178 00:07:24,400 --> 00:07:28,400 Speaker 3: in two thousand and one, but around ninety four, ninety five, 179 00:07:29,320 --> 00:07:31,440 Speaker 3: he was go to the track with and watch them 180 00:07:31,520 --> 00:07:34,360 Speaker 3: run their horses, and I said, Dad, I'm I want 181 00:07:34,360 --> 00:07:36,160 Speaker 3: to buy you a horse so you can. So I 182 00:07:36,200 --> 00:07:39,840 Speaker 3: bought them a little bought half interest in a local horse, 183 00:07:39,840 --> 00:07:42,160 Speaker 3: and we win the first race. And he was all excited. 184 00:07:42,240 --> 00:07:44,280 Speaker 1: You won the first race? Did you expect to win 185 00:07:44,320 --> 00:07:44,880 Speaker 1: the first rounce? 186 00:07:45,960 --> 00:07:46,200 Speaker 2: Guys? 187 00:07:46,200 --> 00:07:48,680 Speaker 3: Today, I got a horse. I'll take twenty thousand or 188 00:07:48,720 --> 00:07:51,200 Speaker 3: half of him. So I bought my dad a horse 189 00:07:51,360 --> 00:07:54,560 Speaker 3: and he went to the track at Remington there at 190 00:07:54,560 --> 00:07:57,320 Speaker 3: Reymingdon Park in Oklahoma City, one of his first races. 191 00:07:57,440 --> 00:07:59,360 Speaker 3: Was like then I was hooked. 192 00:07:59,360 --> 00:08:01,120 Speaker 1: I was like, I'm did you dag Get in the 193 00:08:01,120 --> 00:08:03,640 Speaker 1: picture afterwards? Yeah? Yeah, he went down on in the NFL. 194 00:08:03,680 --> 00:08:04,679 Speaker 1: I got the picture with ther. 195 00:08:04,720 --> 00:08:09,640 Speaker 3: In the winter, sir, yeah, yeah. And so then look up. 196 00:08:09,960 --> 00:08:12,240 Speaker 3: That was sixteen years ago. And now I have one 197 00:08:12,320 --> 00:08:13,720 Speaker 3: hundred and twenty five mayors, and. 198 00:08:13,760 --> 00:08:16,560 Speaker 1: You have one hundred and twenty five mayors? Well, where 199 00:08:16,560 --> 00:08:17,880 Speaker 1: do you keep those things? Do you have your own 200 00:08:17,920 --> 00:08:18,880 Speaker 1: horse racing ranch? 201 00:08:19,080 --> 00:08:24,400 Speaker 3: I do really In Oklahoma, I keep twenty five quarterhorse 202 00:08:24,440 --> 00:08:26,760 Speaker 3: thirdbred mariors are thirty there and I keep the other 203 00:08:27,240 --> 00:08:32,800 Speaker 3: one hundred and something in Kentucky. I have four thoroughbred stallions. 204 00:08:33,640 --> 00:08:36,880 Speaker 3: Two stand in Kentucky, two stand in Florida. I have 205 00:08:36,960 --> 00:08:40,040 Speaker 3: three quarter horse stallions. 206 00:08:40,400 --> 00:08:41,400 Speaker 4: Do you know all their names? 207 00:08:41,800 --> 00:08:43,120 Speaker 2: Yeah? You know what? 208 00:08:43,960 --> 00:08:45,760 Speaker 1: No? You know everyone name? 209 00:08:45,960 --> 00:08:48,280 Speaker 2: Really mean the stallions? 210 00:08:48,640 --> 00:08:50,320 Speaker 1: No? Every horse? Now she thinks every horse? 211 00:08:50,360 --> 00:08:52,880 Speaker 2: Ye horses, I actually do. 212 00:08:53,400 --> 00:08:56,719 Speaker 1: Really, I believe it. We're all big fans Toby Keith. 213 00:08:56,800 --> 00:09:00,400 Speaker 1: Everybody right here on the Bobby Bones show. Next up 214 00:09:00,400 --> 00:09:02,920 Speaker 1: as us with Toby. In twenty fourteen, Toby came back 215 00:09:02,920 --> 00:09:05,320 Speaker 1: into our studio to promote his new single that they 216 00:09:05,400 --> 00:09:09,760 Speaker 1: released that day called Drunk Americans. And something that we 217 00:09:09,800 --> 00:09:11,960 Speaker 1: have talked about in our studio, even off the air 218 00:09:12,080 --> 00:09:15,280 Speaker 1: for at least ten years, is how Toby said he 219 00:09:15,320 --> 00:09:18,000 Speaker 1: could make more money in one night unmerched, than the 220 00:09:18,040 --> 00:09:21,520 Speaker 1: president canon a year. Kind of hilarious, very much an 221 00:09:21,520 --> 00:09:23,720 Speaker 1: inside joke around here. I didn't know if it was 222 00:09:23,760 --> 00:09:25,400 Speaker 1: even on the air or off the year that he 223 00:09:25,480 --> 00:09:27,640 Speaker 1: said that to us, But here is that back from 224 00:09:27,640 --> 00:09:30,760 Speaker 1: twenty fourteen. All right, Toby keithon studio right now? 225 00:09:30,800 --> 00:09:32,400 Speaker 2: What I'm in, Hey man, not a lot. 226 00:09:32,480 --> 00:09:34,360 Speaker 1: Good to see you again. Yeah, today's a big day 227 00:09:34,440 --> 00:09:36,480 Speaker 1: for you because today is the world premiere of your 228 00:09:36,480 --> 00:09:39,040 Speaker 1: new song, right, which we just played, and people are 229 00:09:39,040 --> 00:09:41,680 Speaker 1: going to be able to hear it every hour decent 230 00:09:41,760 --> 00:09:43,079 Speaker 1: around read reviews. 231 00:09:43,880 --> 00:09:48,640 Speaker 3: Never right iTunes, I haven't read one in fifteen years, 232 00:09:48,679 --> 00:09:50,679 Speaker 3: maybe fifteen years. 233 00:09:50,800 --> 00:09:54,760 Speaker 1: Or if you have any like an album song, nothing, nope. 234 00:09:55,320 --> 00:09:57,800 Speaker 1: Drunk Americans, Yeah, tell me about it. 235 00:09:58,120 --> 00:09:59,880 Speaker 3: Well, it's just about a bunch of people who get 236 00:10:00,040 --> 00:10:03,040 Speaker 3: together at night in this happy go lucky. 237 00:10:02,760 --> 00:10:05,080 Speaker 1: Bar, and it is and the song is about all 238 00:10:05,160 --> 00:10:06,079 Speaker 1: kinds of different people. 239 00:10:06,320 --> 00:10:09,000 Speaker 3: It's kind of a cross between I Love This Bar 240 00:10:09,280 --> 00:10:10,400 Speaker 3: and American Ride? 241 00:10:10,559 --> 00:10:12,640 Speaker 1: Do you ever think about running for frofas hell? 242 00:10:12,760 --> 00:10:16,400 Speaker 3: No, no, no, you mean liars man, You didn't. 243 00:10:16,800 --> 00:10:18,559 Speaker 1: That's what I say too about politicians is they don't 244 00:10:18,600 --> 00:10:20,000 Speaker 1: know what it's like to be normal, because most of 245 00:10:20,040 --> 00:10:21,800 Speaker 1: them get to be you know, they grow up rich 246 00:10:21,920 --> 00:10:23,680 Speaker 1: and title. So that's why they get to run for 247 00:10:23,679 --> 00:10:25,120 Speaker 1: offst to begin You can't. 248 00:10:25,840 --> 00:10:27,959 Speaker 3: It'd be really hard to run that show because you 249 00:10:28,160 --> 00:10:30,719 Speaker 3: just everybody around you would either be a yes man 250 00:10:30,800 --> 00:10:31,319 Speaker 3: or a liar. 251 00:10:31,400 --> 00:10:32,920 Speaker 1: You don't feel like you could break that mold though, 252 00:10:33,200 --> 00:10:34,640 Speaker 1: don't you feel like you broke a mold? And country 253 00:10:34,720 --> 00:10:35,880 Speaker 1: music and you know, feel like you can break them all? 254 00:10:35,920 --> 00:10:36,920 Speaker 2: In politics now, I couldn't. 255 00:10:37,000 --> 00:10:40,920 Speaker 3: I could put a niche in maybe at the city 256 00:10:41,000 --> 00:10:46,000 Speaker 3: level or something. But plus, the pay sucks. 257 00:10:45,800 --> 00:10:47,960 Speaker 1: Right, that's about power though, that's not even about pay. 258 00:10:48,040 --> 00:10:49,600 Speaker 2: I can make more in a night and the president 259 00:10:49,640 --> 00:10:51,880 Speaker 2: makes all year and a night. 260 00:10:51,960 --> 00:10:56,679 Speaker 1: You can make over one hundred thousand dollars. You brought 261 00:10:56,679 --> 00:10:58,760 Speaker 1: it up, not me, he makes more than a hundred. 262 00:10:58,800 --> 00:11:00,280 Speaker 1: I'm just asking thom in a night you make over 263 00:11:00,320 --> 00:11:05,319 Speaker 1: one hundred grand. Oh yeah, oh my goodness, Holy crap, 264 00:11:05,520 --> 00:11:09,480 Speaker 1: you're simple. I am simple. What's the president maker year? 265 00:11:09,559 --> 00:11:09,640 Speaker 5: Like? 266 00:11:09,679 --> 00:11:11,760 Speaker 1: Two fifty? Is that what the salary is for the president? 267 00:11:12,400 --> 00:11:14,680 Speaker 1: The two fifty? Right? You didn't not you can make 268 00:11:14,720 --> 00:11:15,760 Speaker 1: over twenty fifty thousands. 269 00:11:15,760 --> 00:11:18,400 Speaker 2: I made that much in merch before in a night 270 00:11:18,600 --> 00:11:19,319 Speaker 2: in the night. 271 00:11:20,360 --> 00:11:24,400 Speaker 1: Could touch you. So you went from like not having 272 00:11:24,440 --> 00:11:27,679 Speaker 1: anything to having whatever you want. Do you feel like 273 00:11:27,679 --> 00:11:28,480 Speaker 1: you're different inside? 274 00:11:28,640 --> 00:11:28,720 Speaker 6: No? 275 00:11:30,600 --> 00:11:32,280 Speaker 1: What's what's money you've been able to let you do? 276 00:11:32,760 --> 00:11:35,120 Speaker 1: Like on on a gravel giving level, on. 277 00:11:35,040 --> 00:11:38,559 Speaker 3: A giving legl Yeah, oh, I built. I built a 278 00:11:38,600 --> 00:11:43,959 Speaker 3: sixteen room Ritz Carlton disney World Children's Cancer Lodge in 279 00:11:44,000 --> 00:11:48,240 Speaker 3: Oklahoma City that we didn't have cost sixteen million bucks 280 00:11:48,280 --> 00:11:55,359 Speaker 3: to build, as it really looks like Ritz Carlton meets Disneyland. 281 00:11:55,400 --> 00:11:58,200 Speaker 3: I had hold on, let me get. 282 00:11:58,040 --> 00:12:00,640 Speaker 1: This, Hey, who is it? Let's who's calling Toby somebody cool? 283 00:12:01,160 --> 00:12:02,200 Speaker 1: Who is it? 284 00:12:02,200 --> 00:12:05,200 Speaker 3: It's a buddy of mine runs a meat packing plant. 285 00:12:07,360 --> 00:12:09,000 Speaker 1: What would he call you for right now? Like? What 286 00:12:09,040 --> 00:12:09,560 Speaker 1: would he say? 287 00:12:10,280 --> 00:12:10,520 Speaker 2: Well? 288 00:12:10,559 --> 00:12:13,760 Speaker 3: We I have I have a company that I don't 289 00:12:13,800 --> 00:12:15,320 Speaker 3: call dream Walker Farms Meats. 290 00:12:15,559 --> 00:12:20,160 Speaker 2: So what has plug that right now? And say? 291 00:12:20,160 --> 00:12:23,040 Speaker 3: What sell smoked turkeys and stuff through the through the internet. 292 00:12:23,160 --> 00:12:24,960 Speaker 3: So he's called me to tell tell me that the 293 00:12:24,960 --> 00:12:26,280 Speaker 3: turkeys are smoked or something. 294 00:12:26,280 --> 00:12:27,800 Speaker 1: You gotta hook it up. Then you gotta send me 295 00:12:28,080 --> 00:12:30,040 Speaker 1: you need a turkey. I need like five of them. 296 00:12:31,400 --> 00:12:32,719 Speaker 2: The best. I wouldn't be in it. 297 00:12:32,760 --> 00:12:34,080 Speaker 1: If they want to say the name again. 298 00:12:34,640 --> 00:12:36,439 Speaker 2: Dream Walking farms. 299 00:12:36,080 --> 00:12:40,199 Speaker 1: Meats okay, And that means Bobby gets some free dream walking. 300 00:12:40,360 --> 00:12:43,160 Speaker 3: I send you some turkeys and some bony and filets 301 00:12:43,200 --> 00:12:46,240 Speaker 3: and stuff and turkeys and beef. 302 00:12:46,920 --> 00:12:50,640 Speaker 1: See you think that that message was, Hey, Toby and 303 00:12:50,840 --> 00:12:54,640 Speaker 1: turkeys are in, turkeys in, We're all good, We're all good. 304 00:12:55,240 --> 00:12:58,560 Speaker 1: What was the first song that you finished and it 305 00:12:58,600 --> 00:13:00,320 Speaker 1: comes out hits number one? You're all right, I'm here 306 00:13:00,320 --> 00:13:00,960 Speaker 1: to stay now. 307 00:13:01,480 --> 00:13:02,480 Speaker 2: She'd have been a cowboy. 308 00:13:03,600 --> 00:13:06,120 Speaker 1: So that was it. That's when you knew this is 309 00:13:06,280 --> 00:13:06,719 Speaker 1: this is it? 310 00:13:06,760 --> 00:13:08,280 Speaker 2: I'm here. Yeah I didn't. 311 00:13:08,480 --> 00:13:11,280 Speaker 3: I mean, you obviously had to follow it up with something, 312 00:13:11,320 --> 00:13:13,400 Speaker 3: but I knew I had. If they liked that one, 313 00:13:13,440 --> 00:13:14,920 Speaker 3: I knew I had another one just like it. 314 00:13:15,160 --> 00:13:16,679 Speaker 1: You know, we were talking earlier about all the stuff 315 00:13:16,679 --> 00:13:18,280 Speaker 1: that you're able to do now that you make money. 316 00:13:18,320 --> 00:13:19,720 Speaker 1: Is that the best part about making Money's you able 317 00:13:19,760 --> 00:13:20,560 Speaker 1: to do things for other people? 318 00:13:20,600 --> 00:13:21,200 Speaker 2: Absolutely? 319 00:13:21,760 --> 00:13:24,280 Speaker 1: It is you can only make so much. You probably 320 00:13:24,320 --> 00:13:27,320 Speaker 1: hit a point to where you make enough for you 321 00:13:28,040 --> 00:13:30,520 Speaker 1: and then you're able to like build the Ritz Carlton 322 00:13:30,520 --> 00:13:31,560 Speaker 1: Disney thing you're talking about. 323 00:13:31,720 --> 00:13:34,439 Speaker 3: Yeah, And the biggest thing that we get a kick out. 324 00:13:34,480 --> 00:13:39,200 Speaker 3: I was letting my kids pick stuff out, like around 325 00:13:39,200 --> 00:13:41,760 Speaker 3: the holidays and stuff. They start picking stuff out, big 326 00:13:41,760 --> 00:13:45,680 Speaker 3: stuff we can go do silently, you know, so I 327 00:13:45,720 --> 00:13:47,760 Speaker 3: can't really talk about it much more, you know than 328 00:13:47,920 --> 00:13:49,840 Speaker 3: keeping it souight. But they'll pick something in the paper 329 00:13:49,880 --> 00:13:52,120 Speaker 3: where somebody struggling at Christmas. 330 00:13:52,400 --> 00:13:54,600 Speaker 1: How do you do it with kids? Because I'm sure 331 00:13:54,600 --> 00:13:56,720 Speaker 1: you're brought up way different than your kids brought up now. 332 00:13:57,160 --> 00:13:59,640 Speaker 2: But I never missed anything. I mean I never knew we. 333 00:13:59,559 --> 00:14:02,040 Speaker 1: Were right, and I didn't know I was poor either. 334 00:14:02,440 --> 00:14:05,000 Speaker 1: But now that you have money and you have gift 335 00:14:05,000 --> 00:14:09,240 Speaker 1: to raise kids with money, do you fight them having 336 00:14:09,240 --> 00:14:11,680 Speaker 1: a sense of entitlement? Is that a hard fight? 337 00:14:11,800 --> 00:14:12,600 Speaker 2: It is a hard fight. 338 00:14:12,880 --> 00:14:14,679 Speaker 1: How do you manage to balance a making You. 339 00:14:14,640 --> 00:14:17,080 Speaker 3: Can't You want them to have more than you had, 340 00:14:17,120 --> 00:14:22,000 Speaker 3: but at the same time, you know there's a balance there. 341 00:14:22,160 --> 00:14:24,440 Speaker 3: You have to try to, you know, I try to 342 00:14:24,480 --> 00:14:27,760 Speaker 3: do you know what I mean? I tell them like, Okay, 343 00:14:27,760 --> 00:14:29,760 Speaker 3: we're gonna we're gonna get you a car when you 344 00:14:29,880 --> 00:14:33,760 Speaker 3: turn sixteen. But I'm not you know, but we're not buying. 345 00:14:34,080 --> 00:14:36,560 Speaker 3: I'm gonna get you like a Mustang or one of 346 00:14:36,560 --> 00:14:38,800 Speaker 3: those a twenty thousand dollars car. 347 00:14:38,920 --> 00:14:40,680 Speaker 1: You making pay their own insurance or anything like that? 348 00:14:41,000 --> 00:14:43,680 Speaker 3: No, but I make them have to pay for their 349 00:14:43,720 --> 00:14:46,080 Speaker 3: gas and stuff through doing chores. 350 00:14:45,760 --> 00:14:46,640 Speaker 2: And earning their way. 351 00:14:46,800 --> 00:14:48,400 Speaker 1: Do they ever have to work real jobs? 352 00:14:48,720 --> 00:14:50,120 Speaker 2: Yeah? Yeah, oh yeah. 353 00:14:50,640 --> 00:14:56,840 Speaker 3: Like well, Crystal was working with her husband an oil 354 00:14:56,920 --> 00:14:58,320 Speaker 3: and lease office. 355 00:14:57,960 --> 00:15:00,200 Speaker 1: And I'd be like, come on, dad, I sai you 356 00:15:00,240 --> 00:15:04,080 Speaker 1: on Forbes. I'm working to well on Lisavi. You have 357 00:15:04,400 --> 00:15:08,040 Speaker 1: you have free turkeys? Come on, good to see you 358 00:15:08,040 --> 00:15:10,640 Speaker 1: you too. Yeah, all right, Toby Keith here, everybody. 359 00:15:13,720 --> 00:15:16,360 Speaker 7: Let's take a quick pause for a message from our sponsor, 360 00:15:24,560 --> 00:15:26,760 Speaker 7: and we're back on the Bobby Cast. 361 00:15:27,480 --> 00:15:30,320 Speaker 1: Next up is Toby from twenty fifteen. And he surprised 362 00:15:30,360 --> 00:15:32,240 Speaker 1: me by calling you to the studio and he asked 363 00:15:32,320 --> 00:15:34,360 Speaker 1: Eddie and myself and the Raging Idiots to come open 364 00:15:34,400 --> 00:15:37,960 Speaker 1: a show for him in DC, and he sent us 365 00:15:37,960 --> 00:15:39,680 Speaker 1: plane to come pick us up. It's a whole deal. 366 00:15:39,680 --> 00:15:42,640 Speaker 1: It's pretty cool and We've talked about that three or 367 00:15:42,640 --> 00:15:45,120 Speaker 1: four times over the past few days, but we haven't 368 00:15:45,360 --> 00:15:47,680 Speaker 1: played any of this yet. And then following the call 369 00:15:47,720 --> 00:15:49,880 Speaker 1: with Toby, You're gonna hear the segment we did on 370 00:15:49,880 --> 00:15:53,800 Speaker 1: the radio following that week and recapped all of that 371 00:15:53,960 --> 00:15:57,120 Speaker 1: with Toby, even some audio of us on stage singing 372 00:15:57,160 --> 00:15:58,520 Speaker 1: red Solo Cup with Toby Keith. 373 00:15:58,600 --> 00:15:59,240 Speaker 4: Okay, here you go. 374 00:16:00,080 --> 00:16:02,320 Speaker 1: I thought it was a joke at first because I 375 00:16:02,360 --> 00:16:04,960 Speaker 1: was walking to the airport. Here's a story, and I 376 00:16:05,000 --> 00:16:07,520 Speaker 1: met one of Toby's people and he was like, Hey, 377 00:16:07,600 --> 00:16:09,280 Speaker 1: nice to meet you. And then I get a call 378 00:16:09,320 --> 00:16:10,840 Speaker 1: and they said, hey, Toby would like for the Raging 379 00:16:10,840 --> 00:16:12,920 Speaker 1: Idiots to open up for him in DC. And I 380 00:16:12,960 --> 00:16:15,960 Speaker 1: was like, okay, I thought this was like punked. Yeah, 381 00:16:16,080 --> 00:16:17,760 Speaker 1: I thought it was like punked. I was like, okay, 382 00:16:17,760 --> 00:16:21,200 Speaker 1: stop it. So I said, I talk to Toby, and 383 00:16:21,240 --> 00:16:24,040 Speaker 1: so Toby's here now. Now is this a joke, Toby? 384 00:16:24,120 --> 00:16:25,960 Speaker 1: And be for real because I don't like you, know, 385 00:16:26,160 --> 00:16:27,480 Speaker 1: like you, I don't like pranks me and play it 386 00:16:27,520 --> 00:16:28,800 Speaker 1: on me. What's the deal here? 387 00:16:29,360 --> 00:16:32,720 Speaker 5: Well, we're just going to have to come in open 388 00:16:32,840 --> 00:16:38,120 Speaker 5: up the DC show, and we're always looking for new 389 00:16:38,200 --> 00:16:39,040 Speaker 5: crazy stuff. 390 00:16:40,960 --> 00:16:44,280 Speaker 1: So you are legitimately asking us, the Raging Idiots, to 391 00:16:44,320 --> 00:16:46,960 Speaker 1: open up for you. This is a real question. Yes, 392 00:16:47,160 --> 00:16:50,400 Speaker 1: no question, Eddie, We're in right, it's an honor. 393 00:16:51,240 --> 00:16:51,560 Speaker 8: Yeah. 394 00:16:52,720 --> 00:16:54,040 Speaker 1: How many millions do we. 395 00:16:54,000 --> 00:16:56,920 Speaker 5: Get shows you want to do? 396 00:17:00,640 --> 00:17:03,320 Speaker 1: Sincerely? Yeah, we would not say no ever in a 397 00:17:03,320 --> 00:17:05,200 Speaker 1: million years. So thank you. I thought it was a joke. 398 00:17:05,280 --> 00:17:09,760 Speaker 1: So that's that's crazy awesome. So Eddie and I go 399 00:17:10,040 --> 00:17:13,800 Speaker 1: as the Raging Idiots and we go to play right 400 00:17:13,880 --> 00:17:16,639 Speaker 1: outside of DC Northern Virginia. We're opening up for Toby Keith. 401 00:17:16,800 --> 00:17:18,560 Speaker 1: And first of all, let me say thank you to Toby. 402 00:17:18,600 --> 00:17:21,000 Speaker 1: It was a great experience. It's crazy to play such 403 00:17:21,000 --> 00:17:23,800 Speaker 1: a big venue. I mean it's a twenty thousand seed venue, 404 00:17:23,840 --> 00:17:26,560 Speaker 1: so to even have us up there, which is ridiculous. 405 00:17:26,560 --> 00:17:29,560 Speaker 1: More on that later. Yeah, and then I went out 406 00:17:29,560 --> 00:17:33,080 Speaker 1: with Christiansen and did buy me a boat, completely unexpected. 407 00:17:33,760 --> 00:17:35,520 Speaker 1: One of the coolest things I've ever got to do. 408 00:17:36,440 --> 00:17:38,000 Speaker 1: I'll tell you about that later. 409 00:17:39,440 --> 00:17:39,680 Speaker 2: Now. 410 00:17:39,800 --> 00:17:42,080 Speaker 1: At one point, the whole night was a blur because 411 00:17:42,200 --> 00:17:44,400 Speaker 1: we have like twenty stories from it, good and bad. 412 00:17:45,359 --> 00:17:47,800 Speaker 1: But at one point during Toby's show, and I'm talking 413 00:17:47,840 --> 00:17:50,959 Speaker 1: about the crowd, it is just twenty thousand Deep at 414 00:17:51,040 --> 00:17:54,040 Speaker 1: Jeffy Lube Live and they always bring out the acts 415 00:17:54,040 --> 00:17:56,800 Speaker 1: that played before him to come on and do Red 416 00:17:56,880 --> 00:18:01,040 Speaker 1: Solo Cup with him. So Red So Low Cup, I 417 00:18:01,520 --> 00:18:04,680 Speaker 1: fill you up. Let's have a party. We're all hitting. 418 00:18:05,000 --> 00:18:09,560 Speaker 1: So before we go out, we're talking to Toby backstage 419 00:18:10,240 --> 00:18:12,440 Speaker 1: and we're talking about the Regie Idiots and I'm the 420 00:18:12,480 --> 00:18:14,720 Speaker 1: white one and Eddie's the Mexican one, and that's how 421 00:18:14,720 --> 00:18:17,919 Speaker 1: we introduce ourselves. Yeah, I'm the white one. Hey, I'm 422 00:18:18,000 --> 00:18:19,400 Speaker 1: the Mexican of the band. Yeah. 423 00:18:19,400 --> 00:18:20,840 Speaker 3: It's easy to just keep up with you all. 424 00:18:21,000 --> 00:18:23,960 Speaker 1: Yeah, because we look alike. We're like twins basically, but 425 00:18:24,119 --> 00:18:25,440 Speaker 1: it's like, hey, I'm the white guy and he's like 426 00:18:25,560 --> 00:18:29,320 Speaker 1: the Mexican guy. So we walk out on stage and 427 00:18:30,200 --> 00:18:32,480 Speaker 1: it's totally a joke that Eddie brought up to Toby, 428 00:18:32,520 --> 00:18:35,159 Speaker 1: like I'm the Mexican one. And Toby's like on the 429 00:18:35,200 --> 00:18:37,399 Speaker 1: mic because we're not singing Red Solo Cup, and he goes, oh, 430 00:18:37,400 --> 00:18:40,880 Speaker 1: where's that Mexican one. The crowd has no idea. I'm 431 00:18:40,920 --> 00:18:43,280 Speaker 1: gonna play the clip and we laughed so hard because 432 00:18:43,359 --> 00:18:44,880 Speaker 1: Eddie is the one that told him like, hey, I'm 433 00:18:44,880 --> 00:18:48,320 Speaker 1: the Mexican one. But here here we go. So this 434 00:18:48,400 --> 00:18:50,480 Speaker 1: is me and Toby singing you here Eddie a little bit, 435 00:18:50,600 --> 00:18:52,919 Speaker 1: and you hear him during the clip go, hey, that 436 00:18:53,040 --> 00:19:15,880 Speaker 1: Mexican one. So if you listen again, what he says 437 00:19:15,920 --> 00:19:17,960 Speaker 1: and I slowed to he says, hey, let's get the 438 00:19:18,000 --> 00:19:21,119 Speaker 1: Mexican in here. But what people don't know is Eddie 439 00:19:21,160 --> 00:19:24,320 Speaker 1: told him to call him that, so before anything else happened. 440 00:19:24,359 --> 00:19:25,760 Speaker 1: You know, I don't want me to get you call 441 00:19:25,920 --> 00:19:28,440 Speaker 1: Eddie a Mexican. Sure, Eddie's like, call me the Mexican. 442 00:19:28,560 --> 00:19:30,960 Speaker 1: I am the Mexican of the I'm the white guy. Boom, 443 00:19:47,440 --> 00:19:49,320 Speaker 1: then you're gonna. I didn't think you'd be able to 444 00:19:49,320 --> 00:19:52,440 Speaker 1: hear me that much, that they had our mics up loud, loud. 445 00:19:52,920 --> 00:19:54,800 Speaker 2: And I think I think that's what happened. 446 00:19:55,480 --> 00:19:57,639 Speaker 1: When I first got the mic, I was lip syncing 447 00:19:57,720 --> 00:19:59,760 Speaker 1: because I didn't want to mess up the words, and 448 00:19:59,760 --> 00:20:01,840 Speaker 1: I think the sound guy probably boosted us up because 449 00:20:01,840 --> 00:20:05,760 Speaker 1: of that. So in return, i'd not heard myself jam 450 00:20:05,760 --> 00:20:07,960 Speaker 1: it out. I mean, because that's like not even Toby 451 00:20:08,000 --> 00:20:16,560 Speaker 1: like I hear me. Yeah, that's tell me. Oh my goodness. 452 00:20:17,440 --> 00:20:19,639 Speaker 1: The next time Toby was on our show was twenty eighteen, 453 00:20:20,040 --> 00:20:22,320 Speaker 1: he called to talk about the release of his song 454 00:20:22,640 --> 00:20:24,920 Speaker 1: Don't let the Old Man, in, which he wrote for 455 00:20:24,960 --> 00:20:28,400 Speaker 1: the movie The Mule starring Clint Eastwood. So Toby talked 456 00:20:28,400 --> 00:20:31,560 Speaker 1: about the inspiration behind this song, what the movie was about, 457 00:20:31,720 --> 00:20:35,680 Speaker 1: and hanging with Clint Eastwood. Hello, this is Toby, this 458 00:20:35,800 --> 00:20:36,520 Speaker 1: boy bones. 459 00:20:36,680 --> 00:20:38,399 Speaker 5: Hey Bob, what's up buddy? 460 00:20:38,400 --> 00:20:38,840 Speaker 4: How you doing? 461 00:20:39,040 --> 00:20:39,480 Speaker 5: Oh? 462 00:20:40,040 --> 00:20:41,760 Speaker 1: Don't let the Old Man? D tell me what the 463 00:20:41,760 --> 00:20:43,800 Speaker 1: movie is about? Like, normal person? Normal person. 464 00:20:44,880 --> 00:20:48,440 Speaker 5: Uh, it's based on a true story about a guy 465 00:20:48,480 --> 00:20:51,800 Speaker 5: from Indiana that was eighty something years of old, eighty 466 00:20:51,840 --> 00:20:56,800 Speaker 5: eight and he he is fame to fame was he 467 00:20:56,960 --> 00:20:59,520 Speaker 5: was famous that uh even got a printed in the 468 00:20:59,520 --> 00:21:01,840 Speaker 5: New York Times that he made these lilies or something. 469 00:21:01,880 --> 00:21:07,680 Speaker 5: He grew flowers. And at some point the cartel started sticking. 470 00:21:07,960 --> 00:21:11,400 Speaker 5: He'd haul loads of vegetables, I guess, and the cartail 471 00:21:11,480 --> 00:21:14,040 Speaker 5: start putting a sack of something else in there with them, 472 00:21:14,080 --> 00:21:17,800 Speaker 5: you know. And then when he found you know, as 473 00:21:17,800 --> 00:21:19,560 Speaker 5: he found out, he knew he'd kind of wrecked his 474 00:21:19,640 --> 00:21:22,879 Speaker 5: life and was desperate, and so he ends up running 475 00:21:22,920 --> 00:21:28,040 Speaker 5: drugs for the cartel. And and uh, they didn't really 476 00:21:28,040 --> 00:21:31,080 Speaker 5: ever check him because they did see an eighty eight 477 00:21:31,160 --> 00:21:34,440 Speaker 5: year old man and just not checking. You know, it's 478 00:21:34,440 --> 00:21:37,520 Speaker 5: not what they were looking for. And uh, it's a 479 00:21:37,520 --> 00:21:40,200 Speaker 5: great movie, great story. And so I wrote the song 480 00:21:40,240 --> 00:21:42,720 Speaker 5: and sent it to him. He called me back the 481 00:21:42,760 --> 00:21:44,680 Speaker 5: next morning after I sent it to him and said, 482 00:21:44,880 --> 00:21:46,040 Speaker 5: I'm putting it in the movie. 483 00:21:46,280 --> 00:21:47,600 Speaker 1: Hey, what's plenty of would like though? 484 00:21:47,640 --> 00:21:48,240 Speaker 4: Like hanging out? 485 00:21:50,119 --> 00:21:53,560 Speaker 5: He's uh, really, he's a real nice guy man and 486 00:21:53,600 --> 00:21:56,520 Speaker 5: me he's real, Uh, he's real laid back, he's funny, 487 00:21:59,119 --> 00:22:00,320 Speaker 5: he's real soft heart. 488 00:22:03,600 --> 00:22:03,760 Speaker 8: You know. 489 00:22:03,800 --> 00:22:07,040 Speaker 5: I was expecting to be riding with dirty Harry, you know, 490 00:22:07,920 --> 00:22:12,440 Speaker 5: and he's just he just I love that he's been 491 00:22:12,480 --> 00:22:16,159 Speaker 5: with the same company, Warner Brothers, for over forty five years, 492 00:22:16,880 --> 00:22:18,520 Speaker 5: and that they kind of let him do what he 493 00:22:18,560 --> 00:22:21,840 Speaker 5: wants to do. And he really doesn't have to. You know, 494 00:22:22,000 --> 00:22:23,760 Speaker 5: a lot of people work for a lot of different 495 00:22:24,040 --> 00:22:27,480 Speaker 5: whatever's the best script and whatever pays the most or whatever. 496 00:22:27,520 --> 00:22:29,760 Speaker 5: But he kind of gets to go about and do 497 00:22:29,840 --> 00:22:33,600 Speaker 5: his own thing. And I love that. But he's a 498 00:22:33,680 --> 00:22:37,199 Speaker 5: total gentleman. And he's an old dare guy. Will get 499 00:22:37,280 --> 00:22:39,800 Speaker 5: up in the morning, play golf all day and then 500 00:22:39,840 --> 00:22:42,560 Speaker 5: hosts this event till midnight. I mean, and he'll do 501 00:22:42,600 --> 00:22:46,520 Speaker 5: it three days in a row, and he's in great 502 00:22:47,000 --> 00:22:49,360 Speaker 5: mind and shape for a guy of his age. 503 00:22:49,640 --> 00:22:51,520 Speaker 1: All Right, Toby keats on with us, and the movie 504 00:22:51,560 --> 00:22:54,040 Speaker 1: we're talking about is called The Mule. That's what Toby's 505 00:22:54,040 --> 00:22:56,640 Speaker 1: gonna go and watch. And the song is Don't Let 506 00:22:56,640 --> 00:23:00,320 Speaker 1: the Old Man In and Toby's singing it. Toby wrote it. Toby, 507 00:23:00,320 --> 00:23:02,040 Speaker 1: it's good to talk to you, my friend. We don't 508 00:23:02,040 --> 00:23:02,960 Speaker 1: see each other enough. 509 00:23:03,520 --> 00:23:05,400 Speaker 5: Well, come out. See you used to come out jam 510 00:23:05,480 --> 00:23:07,680 Speaker 5: with us once a while. Still you're still doing that. 511 00:23:07,800 --> 00:23:09,760 Speaker 1: I'm just trying to like pay my mortgage right now, 512 00:23:09,800 --> 00:23:10,960 Speaker 1: so I'm doing everything to survive. 513 00:23:12,600 --> 00:23:14,920 Speaker 5: Okay, brother, all right, see you, Toby. 514 00:23:15,560 --> 00:23:27,479 Speaker 6: The Bobby Cast will be right back. This is the 515 00:23:27,480 --> 00:23:28,240 Speaker 6: Bobby Cast. 516 00:23:28,960 --> 00:23:31,639 Speaker 1: The final chat with Toby will be one that happened 517 00:23:31,680 --> 00:23:34,960 Speaker 1: last month where he came into our studio. We talked 518 00:23:34,960 --> 00:23:37,840 Speaker 1: a lot about his returns, his return to music, his 519 00:23:38,000 --> 00:23:41,600 Speaker 1: returned to the live stage, his return here with us, 520 00:23:42,040 --> 00:23:44,960 Speaker 1: and so we talked about that being in Vegas and 521 00:23:45,119 --> 00:23:52,240 Speaker 1: his concern of remembering the lyrics on the Bobby Bone Show. Now, Toby, Toby, 522 00:23:52,280 --> 00:23:55,160 Speaker 1: it's rare that people that I'm super close to ask 523 00:23:55,240 --> 00:23:58,000 Speaker 1: me for tickets anything, because they know, like, unless it's 524 00:23:58,080 --> 00:24:00,600 Speaker 1: really meaningful, don't ask. And I've only had two close 525 00:24:00,600 --> 00:24:03,159 Speaker 1: friends asked me for tickets this whole year, and our 526 00:24:03,240 --> 00:24:03,600 Speaker 1: last year. 527 00:24:03,640 --> 00:24:05,760 Speaker 4: It was Morgan Wallen and it was your shows in Vegas. 528 00:24:05,920 --> 00:24:06,239 Speaker 5: That was it. 529 00:24:06,280 --> 00:24:08,440 Speaker 1: That's how big those shows were. And they sold I 530 00:24:08,480 --> 00:24:11,760 Speaker 1: saw they sold out immediately. What do you still have 531 00:24:11,880 --> 00:24:14,040 Speaker 1: any sort of anxiety at all about shows selling? 532 00:24:15,600 --> 00:24:18,199 Speaker 3: No, I hadn't worked in I probably only worked a 533 00:24:18,240 --> 00:24:23,119 Speaker 3: handful of shows in the last wide COVID two big seas, 534 00:24:23,560 --> 00:24:27,439 Speaker 3: COVID and Cancer, So I hadn't worked handful of shows 535 00:24:27,440 --> 00:24:30,440 Speaker 3: in the last three years. But I worked every year 536 00:24:30,480 --> 00:24:34,879 Speaker 3: for twenty seven eight years, And I mean I was 537 00:24:35,640 --> 00:24:39,399 Speaker 3: only the only thing I had that concern me was 538 00:24:39,640 --> 00:24:42,560 Speaker 3: being away from it for three years and remembering all 539 00:24:42,640 --> 00:24:48,280 Speaker 3: the words because they subconsciously come to you when you're working. Yeah, 540 00:24:48,320 --> 00:24:50,600 Speaker 3: you don't even think about it, you know them, and 541 00:24:50,640 --> 00:24:54,600 Speaker 3: then getting completely away from them and having to start back. 542 00:24:54,640 --> 00:24:56,480 Speaker 3: So they had a telepromp trip there and I got 543 00:24:56,520 --> 00:24:59,160 Speaker 3: into a little bit of a sound check We're going 544 00:24:59,160 --> 00:25:01,560 Speaker 3: to go full dress rehearsal to day, but. 545 00:25:03,280 --> 00:25:05,160 Speaker 8: I didn't even use it. It was just like riding 546 00:25:05,160 --> 00:25:05,400 Speaker 8: the bike. 547 00:25:05,440 --> 00:25:06,359 Speaker 4: Oh you knew all the words. 548 00:25:06,480 --> 00:25:08,479 Speaker 3: Yeah, once I got up there and started rolling and 549 00:25:08,520 --> 00:25:11,760 Speaker 3: it got familiar. I just I didn't even look at 550 00:25:11,760 --> 00:25:12,439 Speaker 3: the tail from. 551 00:25:12,520 --> 00:25:15,320 Speaker 4: What about playing at all? Did you did your handstake callous? 552 00:25:15,760 --> 00:25:16,080 Speaker 8: Yeah? 553 00:25:16,440 --> 00:25:20,399 Speaker 3: I still played no matter where I was, always had 554 00:25:20,440 --> 00:25:25,200 Speaker 3: a guitar there and still plunked around. But they've been 555 00:25:25,280 --> 00:25:26,120 Speaker 3: callous so long. 556 00:25:27,440 --> 00:25:30,400 Speaker 1: It's all callous and even bones anymore. It's just all callouses. 557 00:25:30,480 --> 00:25:32,399 Speaker 8: Yeah, that's why you have an extra fingernails. 558 00:25:33,240 --> 00:25:34,920 Speaker 1: You guys are putting these songs. Don't let the old 559 00:25:34,920 --> 00:25:38,760 Speaker 1: man in. Its hard, it's been out, but you're like, hey, 560 00:25:38,800 --> 00:25:39,400 Speaker 1: this song's good. 561 00:25:39,440 --> 00:25:41,399 Speaker 4: Here it is, remember it. We're gonna push it again. 562 00:25:41,560 --> 00:25:42,640 Speaker 4: Where did that come from? And why? 563 00:25:42,680 --> 00:25:44,600 Speaker 8: So? So that wasn't my idea. 564 00:25:44,960 --> 00:25:47,760 Speaker 3: So we put that in the in the Eastwood movie 565 00:25:47,960 --> 00:25:51,080 Speaker 3: three or four years ago, and the movie didn't do 566 00:25:51,119 --> 00:25:53,159 Speaker 3: as well as they thought. But and it's at the 567 00:25:53,280 --> 00:25:56,159 Speaker 3: very end, and as powerful as the song was, it 568 00:25:56,280 --> 00:25:59,320 Speaker 3: still didn't really get us to do. Great songs have 569 00:25:59,400 --> 00:26:01,880 Speaker 3: a way of finding a home. 570 00:26:01,960 --> 00:26:02,720 Speaker 2: Will he cut it? 571 00:26:03,160 --> 00:26:04,159 Speaker 8: Humpherdnt cut it? 572 00:26:04,200 --> 00:26:08,520 Speaker 3: A bunch of foreign legends cut it in their language, 573 00:26:08,840 --> 00:26:11,560 Speaker 3: And I thought, well, that's cool, you know. And then 574 00:26:11,720 --> 00:26:14,280 Speaker 3: when the Icon Award came up at the People's Choice, 575 00:26:16,200 --> 00:26:19,680 Speaker 3: Rack Clark did Clarkson Who's I'm known for years, he's 576 00:26:19,720 --> 00:26:22,719 Speaker 3: produced a lot of the award shows. He said, I 577 00:26:22,760 --> 00:26:25,400 Speaker 3: really want you to do this song. I was like, man, 578 00:26:25,880 --> 00:26:26,840 Speaker 3: Blake's present. 579 00:26:26,680 --> 00:26:28,480 Speaker 4: Me, Oh, yes, you do that song? Like you weren't 580 00:26:28,520 --> 00:26:30,280 Speaker 4: planning to do that song, got. 581 00:26:30,040 --> 00:26:33,679 Speaker 3: It and because it's it was it's dark, you know, 582 00:26:33,720 --> 00:26:37,879 Speaker 3: and it's and and I hadn't been in the public 583 00:26:37,920 --> 00:26:40,679 Speaker 3: eye for a while, and so I was like, Blake's 584 00:26:40,720 --> 00:26:43,040 Speaker 3: gonna do Who's Your Daddy? And I want to do 585 00:26:43,119 --> 00:26:45,520 Speaker 3: something up tempo because he's he's going to be fun 586 00:26:45,560 --> 00:26:51,320 Speaker 3: and funny. And he goes, no, Rack insisted, and I said, Rack, 587 00:26:51,359 --> 00:26:52,480 Speaker 3: if you want me do it, I'll do it. 588 00:26:52,520 --> 00:26:55,800 Speaker 8: He goes, I think it'd be gigantic highlight and he 589 00:26:55,880 --> 00:26:56,240 Speaker 8: was right. 590 00:26:56,600 --> 00:26:58,639 Speaker 4: He was massive. People went crazy. 591 00:26:58,840 --> 00:27:01,760 Speaker 1: And so because of that response, everybody's like, we need 592 00:27:01,760 --> 00:27:02,680 Speaker 1: to reintroduce this song. 593 00:27:03,560 --> 00:27:07,560 Speaker 3: Well it just it went number one immediately on iTunes. 594 00:27:07,920 --> 00:27:11,959 Speaker 3: And then people start calling saying, hey, it want service radio. Yeah, 595 00:27:12,000 --> 00:27:15,000 Speaker 3: and I haven't really served. I haven't done anything in 596 00:27:15,040 --> 00:27:17,280 Speaker 3: three or four years. And I was like, I don't 597 00:27:17,280 --> 00:27:19,399 Speaker 3: know if they play this kind of music anymore. You know, 598 00:27:19,760 --> 00:27:23,000 Speaker 3: this is way different than what you normally hear. And 599 00:27:23,040 --> 00:27:27,400 Speaker 3: I said, this is this song is even more classic 600 00:27:27,560 --> 00:27:30,280 Speaker 3: than my age. This song could have been recorded in 601 00:27:30,280 --> 00:27:34,199 Speaker 3: the fifties, you know, our sixties, and it's it's so 602 00:27:34,880 --> 00:27:38,280 Speaker 3: it's so country and so old school that I said, 603 00:27:38,359 --> 00:27:39,679 Speaker 3: you do what you want to do with it. But 604 00:27:40,760 --> 00:27:43,440 Speaker 3: I just love it that it got it, it found 605 00:27:43,440 --> 00:27:43,720 Speaker 3: a home. 606 00:27:44,359 --> 00:27:48,360 Speaker 1: So you live in Oklahoma, right, almost all the time 607 00:27:48,640 --> 00:27:50,800 Speaker 1: all the time. So do you live close enough to 608 00:27:50,840 --> 00:27:52,520 Speaker 1: go to a bunch of games? Like are you close 609 00:27:52,600 --> 00:27:53,160 Speaker 1: enough to Norman? 610 00:27:53,359 --> 00:27:56,240 Speaker 3: I'm seven miles from the stadium, you are. My ranch 611 00:27:56,359 --> 00:27:59,879 Speaker 3: is about seven miles. The stadium kind of sets on 612 00:27:59,880 --> 00:28:02,160 Speaker 3: the outskirtsytown and I'm out further. 613 00:28:02,600 --> 00:28:05,919 Speaker 1: What's been difficult for me being someone that is very 614 00:28:06,040 --> 00:28:08,160 Speaker 1: much from Arkansas and a diehard razorback is that family 615 00:28:08,200 --> 00:28:10,720 Speaker 1: that not only are the massive OU fans, but they coach. 616 00:28:10,720 --> 00:28:13,919 Speaker 1: Oh you, Patty Gasso is the OU softball coaches won 617 00:28:14,000 --> 00:28:15,399 Speaker 1: like seven national championships. 618 00:28:15,520 --> 00:28:16,840 Speaker 4: And it's been hard for me to be a fan 619 00:28:17,000 --> 00:28:18,680 Speaker 4: of OU sports. 620 00:28:18,760 --> 00:28:21,600 Speaker 1: But I've picked a softball team I'm fan of can't 621 00:28:21,640 --> 00:28:25,120 Speaker 1: quite jump on board with football quite yet. Yeah, you're right, 622 00:28:25,160 --> 00:28:26,960 Speaker 1: And my wife's like, you should put up Would you 623 00:28:26,960 --> 00:28:29,720 Speaker 1: ever put on another team's like shirt? 624 00:28:30,400 --> 00:28:30,800 Speaker 8: Me up? 625 00:28:31,520 --> 00:28:34,959 Speaker 3: Now, I will say this my parents. My mom's from 626 00:28:35,080 --> 00:28:37,959 Speaker 3: Arkansas and my dad's from Oklahoma. So like I told you, 627 00:28:39,560 --> 00:28:43,680 Speaker 3: I'm half Hog in my raising, I'm all Ou. But 628 00:28:43,880 --> 00:28:46,920 Speaker 3: my second, if I have a second, favorite team is Arkansas. 629 00:28:47,000 --> 00:28:49,320 Speaker 3: And the first two or three football games I went 630 00:28:49,360 --> 00:28:52,000 Speaker 3: to as a six or seven year old, my grandmother 631 00:28:52,040 --> 00:28:56,840 Speaker 3: took me Little Rock two different y'all played two different stadiums. 632 00:28:57,120 --> 00:28:59,520 Speaker 4: They still do that one time a year. I wish 633 00:28:59,520 --> 00:29:00,960 Speaker 4: they wouldn't, but yeah, So. 634 00:29:00,960 --> 00:29:02,840 Speaker 3: I went to FEE, and then I went to Little Rock, 635 00:29:03,360 --> 00:29:07,560 Speaker 3: saw Tech and SMU and the old Southwest Conference. But 636 00:29:08,080 --> 00:29:10,840 Speaker 3: so I tell everybody, Keith Jackson's a great tide end 637 00:29:10,880 --> 00:29:13,800 Speaker 3: at ou he's Smarkansas, And when we see each other, 638 00:29:13,840 --> 00:29:15,680 Speaker 3: we y old boom or Sioue instead of Boomer. 639 00:29:15,720 --> 00:29:15,880 Speaker 8: Soon. 640 00:29:16,520 --> 00:29:18,520 Speaker 1: Yeah, at the house, we do woo pick sooner, but 641 00:29:18,560 --> 00:29:20,600 Speaker 1: only that because I put to woo pick first. We 642 00:29:20,880 --> 00:29:23,960 Speaker 1: have a Matt that's half Arkansas half Oklahoma. And my 643 00:29:24,000 --> 00:29:26,360 Speaker 1: wife she's not petty though she can go to Arkansas 644 00:29:26,360 --> 00:29:27,960 Speaker 1: games and be like, let's go with me. 645 00:29:28,040 --> 00:29:28,600 Speaker 4: I struggle. 646 00:29:28,960 --> 00:29:31,720 Speaker 3: I could probably if the Hogs were in the National 647 00:29:31,800 --> 00:29:34,800 Speaker 3: Championship and I was like singing the anthem at the 648 00:29:34,840 --> 00:29:37,440 Speaker 3: game and they weren't playing Oklahoma, I could put on 649 00:29:37,480 --> 00:29:40,120 Speaker 3: a I'd be comfortable in Arkansas Jersey. 650 00:29:40,320 --> 00:29:42,440 Speaker 4: You like Venables, I love it. What do you like 651 00:29:42,440 --> 00:29:42,880 Speaker 4: about him? 652 00:29:43,360 --> 00:29:47,520 Speaker 8: He was here when Bob Stoop's got the coaching job, 653 00:29:48,080 --> 00:29:49,200 Speaker 8: and he was here for years. 654 00:29:49,880 --> 00:29:54,560 Speaker 3: And his defensive prowess. I mean, the guy's been around 655 00:29:54,600 --> 00:29:58,520 Speaker 3: twenty two years coaching at that level. Not head coach, 656 00:29:58,600 --> 00:30:02,040 Speaker 3: but defense going. He's he's played in eight national championships 657 00:30:02,360 --> 00:30:06,080 Speaker 3: fourd oh you and Ford Clemson and his number. I mean, 658 00:30:06,120 --> 00:30:09,080 Speaker 3: he's just a great defensive coach. We were a really 659 00:30:09,120 --> 00:30:12,840 Speaker 3: really bad shape. He's processed like sixty five players in 660 00:30:12,840 --> 00:30:15,280 Speaker 3: the last twenty four months. It was on the last team, 661 00:30:16,280 --> 00:30:20,880 Speaker 3: and only two of the portal guys got Power five deals. 662 00:30:21,480 --> 00:30:26,200 Speaker 3: Everybody else went smaller division. So we were really lacking 663 00:30:26,280 --> 00:30:31,480 Speaker 3: on the defensive side of football. And he fixed that. 664 00:30:32,120 --> 00:30:33,719 Speaker 4: You do you do an al stuff yourself? 665 00:30:34,000 --> 00:30:35,000 Speaker 8: Oh yeah, me too. 666 00:30:35,280 --> 00:30:36,400 Speaker 4: Do you talk about it? 667 00:30:37,120 --> 00:30:37,800 Speaker 8: I'll talk about it. 668 00:30:37,840 --> 00:30:39,880 Speaker 4: You do talk about it because people ask me to 669 00:30:39,920 --> 00:30:41,520 Speaker 4: talk about him like, I mean, I guess I will. 670 00:30:41,560 --> 00:30:46,040 Speaker 1: But I do stuff like I take these student athletes 671 00:30:46,280 --> 00:30:48,080 Speaker 1: and I hire them to use their name, image and 672 00:30:48,160 --> 00:30:50,600 Speaker 1: likeness to promote things that I do make sure. 673 00:30:50,680 --> 00:30:52,240 Speaker 8: Yeah, yeah, I just give them money. 674 00:30:52,280 --> 00:30:55,840 Speaker 4: Oh well see yeah, I have to like find a. 675 00:30:56,560 --> 00:31:00,480 Speaker 3: Kid, I have a charity, I have a foundation, and 676 00:31:00,760 --> 00:31:02,560 Speaker 3: we'll get them to whatever. 677 00:31:02,640 --> 00:31:04,640 Speaker 8: You know. I mean it's you get them to do 678 00:31:04,640 --> 00:31:05,280 Speaker 8: a little stuff. 679 00:31:05,320 --> 00:31:06,640 Speaker 4: Yeah, get them to do stuff for the charity. 680 00:31:06,960 --> 00:31:07,160 Speaker 8: Yeah. 681 00:31:07,240 --> 00:31:08,800 Speaker 3: Yeah, they show up, you know, I get them to 682 00:31:08,800 --> 00:31:12,280 Speaker 3: show up at my golf tournament or my foundation auction 683 00:31:12,520 --> 00:31:15,240 Speaker 3: or something. But they don't really have to do much. 684 00:31:15,480 --> 00:31:18,240 Speaker 3: You know what's weird about that whole thing is this 685 00:31:18,920 --> 00:31:21,640 Speaker 3: toothpastes out of the too, you know, yeah, put it back. 686 00:31:21,680 --> 00:31:23,040 Speaker 4: Yeah, I can't ring that bell for sure. 687 00:31:23,240 --> 00:31:25,800 Speaker 3: Four years ago, if they have just said, hey, we 688 00:31:25,880 --> 00:31:29,880 Speaker 3: don't give every player in fifty grand, they had a 689 00:31:30,000 --> 00:31:34,080 Speaker 3: sign that immediately. But it's with the portal in that 690 00:31:34,160 --> 00:31:35,880 Speaker 3: it just makes it crazy. 691 00:31:35,960 --> 00:31:39,280 Speaker 1: It is absolutely bizarre, even where players just moving all 692 00:31:39,280 --> 00:31:40,760 Speaker 1: over the place, even to shopping for deals. 693 00:31:40,840 --> 00:31:43,400 Speaker 3: No one's loyal, no one. I mean, you recruit them 694 00:31:43,440 --> 00:31:45,200 Speaker 3: and get them on campus. You do everything. You can 695 00:31:45,360 --> 00:31:47,520 Speaker 3: give them money, you get them education, and you have 696 00:31:47,560 --> 00:31:48,920 Speaker 3: to recruit them again next year. 697 00:31:49,240 --> 00:31:51,880 Speaker 8: It's it. I wouldn't want that. I don't know. 698 00:31:51,880 --> 00:31:53,000 Speaker 4: I think I take it, though, I still take it. 699 00:31:53,000 --> 00:31:54,920 Speaker 4: I still be a head coach. Yeah, I'll be pretty good. 700 00:31:55,240 --> 00:31:55,440 Speaker 8: Yeah. 701 00:31:55,480 --> 00:31:59,239 Speaker 1: Yeah, we'd run, we'd wide open offense. We'd run, you know, 702 00:31:59,480 --> 00:32:03,880 Speaker 1: probably have two footballs, three tailbacks, two doing two quarterbacks, 703 00:32:03,920 --> 00:32:06,920 Speaker 1: so one that could also play wide receiver in motion. 704 00:32:07,000 --> 00:32:08,040 Speaker 4: You never knew he was going to come through and 705 00:32:08,040 --> 00:32:08,800 Speaker 4: actually take the snapper. 706 00:32:08,880 --> 00:32:11,800 Speaker 1: Not tell me that's not revolutionary, that's like, that's not 707 00:32:11,840 --> 00:32:15,160 Speaker 1: Lincoln Riley stuff. Yeah, but then it wouldn't work because 708 00:32:15,160 --> 00:32:16,640 Speaker 1: I'd have no defense and then we'd lose and. 709 00:32:16,560 --> 00:32:17,240 Speaker 4: Everybody would laugh. 710 00:32:18,200 --> 00:32:19,120 Speaker 8: Well that would be Lincoln. 711 00:32:19,200 --> 00:32:22,040 Speaker 1: Yeah, that'd be Lincoln Riley exactly. Yes, yes, So how's 712 00:32:22,080 --> 00:32:22,560 Speaker 1: everything going. 713 00:32:22,640 --> 00:32:23,560 Speaker 2: It's going pretty good. 714 00:32:24,160 --> 00:32:27,280 Speaker 3: But I've got a roadhouse out in the country by 715 00:32:27,400 --> 00:32:30,200 Speaker 3: that's like a ninety seven year old roadhouse that has 716 00:32:30,240 --> 00:32:35,040 Speaker 3: a lot of music history, a lot of Oklahoma history. 717 00:32:35,240 --> 00:32:36,560 Speaker 4: What's a roadhouse. I don't know what that is. 718 00:32:36,600 --> 00:32:39,200 Speaker 8: It's like a bar outdoor. Oh, got it, got it, 719 00:32:39,240 --> 00:32:41,280 Speaker 8: got you know, it's an old roadhouse. 720 00:32:41,240 --> 00:32:43,480 Speaker 4: Like Texas roadhouse, the restaurant type place. 721 00:32:43,480 --> 00:32:46,680 Speaker 3: Well, like a bar out in the country that people 722 00:32:46,720 --> 00:32:48,800 Speaker 3: would drive out to, like in a movie. You'd see 723 00:32:48,840 --> 00:32:52,520 Speaker 3: people they'll set a roadhouse up, Remember the one where 724 00:32:52,800 --> 00:32:54,120 Speaker 3: Patrick Sway roadhouse? 725 00:32:55,120 --> 00:32:56,040 Speaker 8: Yeah that one. 726 00:32:56,080 --> 00:32:56,960 Speaker 4: Yeah, yeah, I know that one. 727 00:32:57,080 --> 00:32:59,200 Speaker 3: Yeah one, all right, so yeah, there you go. Okay, 728 00:32:59,320 --> 00:33:03,840 Speaker 3: So that's kind out by itself. This thing's like ninety 729 00:33:03,880 --> 00:33:07,200 Speaker 3: seven years old. The old actor James Garner was named 730 00:33:07,280 --> 00:33:11,000 Speaker 3: James Bumgarner before he went to Hollywood. He pumped gas 731 00:33:11,040 --> 00:33:13,880 Speaker 3: in there. Bonnie and Clyde State and some cabins behind it. 732 00:33:14,200 --> 00:33:16,800 Speaker 3: Bob Wills and Texas playboys people like that would come 733 00:33:16,840 --> 00:33:19,480 Speaker 3: through and play these little dances out there, and then 734 00:33:19,520 --> 00:33:22,000 Speaker 3: it turned into a convenience store. We used to get 735 00:33:22,040 --> 00:33:25,440 Speaker 3: baked beer, tobacco stuff there before we rolled it up. 736 00:33:25,680 --> 00:33:26,840 Speaker 8: And then we're going to tear it down. 737 00:33:27,760 --> 00:33:30,320 Speaker 3: And my whole countryside out there where I live, I 738 00:33:30,360 --> 00:33:35,160 Speaker 3: know everybody, that's my sanctuary. They were like, man, they're 739 00:33:35,160 --> 00:33:37,320 Speaker 3: telling it tearing the old Hollywood's corner down. 740 00:33:38,400 --> 00:33:39,640 Speaker 8: And so I. 741 00:33:39,560 --> 00:33:43,440 Speaker 3: Went and bought the thing, popped it up, cleaned it up, 742 00:33:43,480 --> 00:33:46,000 Speaker 3: put some lights in the trees, put a stage out there, 743 00:33:46,440 --> 00:33:50,719 Speaker 3: shot in all State TV special out there Live concert 744 00:33:50,760 --> 00:33:55,400 Speaker 3: from all State Entry and left the stage up and 745 00:33:55,520 --> 00:33:58,120 Speaker 3: now you can go out there, get some food, get 746 00:33:58,120 --> 00:34:00,320 Speaker 3: a beer, sit on the lights, bring your dog, bring 747 00:34:00,320 --> 00:34:05,840 Speaker 3: the kids, and have bicker night on Wednesday. And I 748 00:34:05,880 --> 00:34:09,799 Speaker 3: saved it, you know. And so one night I said 749 00:34:09,920 --> 00:34:12,880 Speaker 3: I want to try to play. So I called the 750 00:34:13,120 --> 00:34:17,000 Speaker 3: manager and I said, tell uh, Jennifer, I said, tell 751 00:34:17,280 --> 00:34:19,800 Speaker 3: the band. They're paid, but they're not going to play. 752 00:34:20,880 --> 00:34:23,000 Speaker 3: And then she goes, who's playing? I said, another band? 753 00:34:23,960 --> 00:34:24,680 Speaker 8: And then I was. 754 00:34:24,640 --> 00:34:27,239 Speaker 3: Bringing my guys in from Nashville, and we were just 755 00:34:27,280 --> 00:34:31,000 Speaker 3: gonna go up incognito and just let the word build 756 00:34:31,239 --> 00:34:33,600 Speaker 3: and just have fun. And I was going to see 757 00:34:33,600 --> 00:34:36,080 Speaker 3: how far I could go without taking a break, you know. 758 00:34:36,880 --> 00:34:39,960 Speaker 3: So I did two three hour nights and she goes, well, 759 00:34:40,000 --> 00:34:42,680 Speaker 3: who do I advertise is playing? I said, the Greasy Weenies, 760 00:34:44,400 --> 00:34:46,759 Speaker 3: and so she put it up the Greasy Weenies will 761 00:34:46,760 --> 00:34:49,600 Speaker 3: be here Friday and Saturday. Well, everybody started going something 762 00:34:49,640 --> 00:34:53,719 Speaker 3: not right because the bands getting paid. So when I 763 00:34:53,800 --> 00:34:56,840 Speaker 3: showed up first night, they were just like lined. 764 00:34:56,680 --> 00:34:58,880 Speaker 8: Up down the ditches a half a mile in every direction. 765 00:34:59,120 --> 00:35:02,239 Speaker 3: And and I did two nights in July, and I 766 00:35:02,280 --> 00:35:05,840 Speaker 3: was like book it go book me some shows. So 767 00:35:07,560 --> 00:35:10,399 Speaker 3: you just can't get the trucks and buses after three 768 00:35:10,520 --> 00:35:13,719 Speaker 3: years all together, and the crew everybody's off working with 769 00:35:13,760 --> 00:35:16,920 Speaker 3: everybody else, you know, So it took till December to 770 00:35:17,040 --> 00:35:17,799 Speaker 3: launch this thing. 771 00:35:18,600 --> 00:35:19,680 Speaker 8: Yeah here we. 772 00:35:19,600 --> 00:35:21,560 Speaker 4: Are, well Toby, good to see you. There is to 773 00:35:21,719 --> 00:35:23,720 Speaker 4: Keith everybody. 774 00:35:24,440 --> 00:35:26,160 Speaker 1: Toby's been kind enough to come in the studio and 775 00:35:26,200 --> 00:35:28,839 Speaker 1: call into our show numerous times over the years and 776 00:35:29,360 --> 00:35:31,359 Speaker 1: has let Eddie and I perform with them, and we've 777 00:35:31,400 --> 00:35:34,359 Speaker 1: also performed with them at festivals. And Toby Keith will 778 00:35:34,360 --> 00:35:37,520 Speaker 1: always be a major part of country music. His songs 779 00:35:37,560 --> 00:35:40,080 Speaker 1: will continue to live on and they will for sure 780 00:35:40,160 --> 00:35:43,000 Speaker 1: be played for decades to come. Thanks to Toby Keith 781 00:35:43,000 --> 00:35:44,760 Speaker 1: for all that he did. Thank you guys for listening. 782 00:35:45,040 --> 00:35:47,040 Speaker 1: This has been a Bobby Cast production.