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Speaker 1: Hello everybody. It's Um Sam, I co host the podcast

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Speaker 1: here currently listening to called Stradio Lab, and I am

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Speaker 1: just um recording this little message to you, uh to

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Speaker 1: tell you that we are doing a live show in

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Speaker 1: Brooklyn on March nine at eight p m. At the Bellhouse.

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Speaker 1: So if you live in New York City, we'd love

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Speaker 1: to see you there. If you feel like traveling from

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Speaker 1: wherever the hell it is you live, then we'd love

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Speaker 1: to see you there. Ticks are available. We're gonna have

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Speaker 1: special guests. It's gonna be so fun. We did one

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Speaker 1: over the summer and it was a damn blast, so

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Speaker 1: I have a really good feeling that this one is

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Speaker 1: going to be UM also fun. So yeah, um, And

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Speaker 1: now enjoy this gorgeous, beautiful, stunning, perfect no notes, absolutely unique,

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Speaker 1: completely self contained, um informative, and yet hilarious episode of

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Speaker 1: Stradio Lab. Okay, thank you bye, Okay, podcast starts. Now.

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Speaker 1: What's up everyone? You are listening to Stradio Lab. Um,

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Speaker 1: that's welcome back. Welcome back you, welcome back. Yeah, I'm back.

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Speaker 1: You for welcoming me back. I have to remind myself,

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Speaker 1: you know, not everyone subscribed to the Patreon where you

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Speaker 1: would have already listened to the episode titled Sam Speaks.

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Speaker 1: So for many people, this is the first time you

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Speaker 1: have spoken in two weeks. Yeah, and in many ways

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Speaker 1: other than the Patreon episode. Of course, they would be correct.

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Speaker 1: It's baby's first words all over again. I am getting

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Speaker 1: my podcast legs back and you know, we'll see if

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Speaker 1: it's I got the stuff. And I have one question

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Speaker 1: for you, Sandwich is when you test it positive for

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Speaker 1: coronavirus and Chile, were you silent or were you silenced?

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Speaker 1: Thank you for asking me that. I would say I

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Speaker 1: was very much silenced. I was whisked off to an

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Speaker 1: Airbnb with Paris wallpaper, and UM have been unallowed to

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Speaker 1: speak ever since. Yeah, here's the so I've been. The

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Speaker 1: Paris wallpaper is almost like, um, it has now become

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Speaker 1: such a daily part of my life because you are

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Speaker 1: you know, you've kind of made it a habit to

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Speaker 1: post selfies of yourself in front of the wallpaper, which,

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Speaker 1: if you haven't seen it online, it isn't Paris wallpaper

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Speaker 1: in the sense that there are there's like a beautiful

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Speaker 1: painting of the Eiffel Tower. It is, in fact the

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Speaker 1: wallpaper that says the word Paris and various different fonts. Yeah,

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Speaker 1: I mean it's very postmodern. It's very like called a MoMA.

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Speaker 1: It's it's not showing Paris, it is showing the word Paris,

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Speaker 1: and it's it's putting the onus on you to imagine

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Speaker 1: the city that is Paris that you know, it reminds

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Speaker 1: me of and of course I'm forgetting the artist. But

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Speaker 1: when you enter the Whitney there is a giant neon

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Speaker 1: sign that says America Like it's um and I everyone

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Speaker 1: everyone who's an art home listening to this is like

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Speaker 1: it's literally like a famous American artist whose name is

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Speaker 1: escaping me and I don't care right now, but it

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Speaker 1: like says America and giant letters and it's like, okay,

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Speaker 1: now it's very and now we said it when you

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Speaker 1: walk into Whitney, and that to me is what the

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Speaker 1: Paris wallpaper in your airbnb in Santiago, Chile is going for. Yeah,

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Speaker 1: it's it's very much commenting on you know, what is

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Speaker 1: an image, um, and what is visual art? And what

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Speaker 1: do we talk about when we talk about Paris? Well,

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Speaker 1: and I you know, I can't not be addicted to

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Speaker 1: the fact that as an American in Santiago. My wallpaper

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Speaker 1: is Paris. You know, I do feel like if you were,

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Speaker 1: you know, from Santiago, and you just wanted to stay

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Speaker 1: in this airbnb for some reason and you saw the

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Speaker 1: parents wallpaper, you'd be missing some of the context and

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Speaker 1: you'd be like, yeah, this is like this person likes

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Speaker 1: the idea of Paris. But if you are visiting from

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Speaker 1: a foreign country and there's a different foreign country on

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Speaker 1: the wall, I mean, it's rubbing your snout in it.

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Speaker 1: It's like, do you like this, you stupid American tourist pig.

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Speaker 1: It's rubbing my snout in it. I think I keep

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Speaker 1: posting the selfies in front of it, too, because it's

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Speaker 1: almost like I want to post something that's like I'm

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Speaker 1: stuck in Santiago, But every time I opened my phone

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Speaker 1: and put on a selfie camera, all that's behind me

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Speaker 1: is the word Paris a thousand times, And so I

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Speaker 1: can't even get the brownie points of saying I'm stuck

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Speaker 1: in Santiago. It just says Paris. But I think it

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Speaker 1: adds to the you know, you are kind of in

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Speaker 1: this claustrophobic you know, It's like, uh, I think someone

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Speaker 1: mentioned a kind of a yellow wallpaper type situation, and

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Speaker 1: the Paris wallpaper adds to the a you know, fun

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Speaker 1: house mirror of your mind that's going on during this experience.

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Speaker 1: I mean it's like I would say that the inside

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Speaker 1: it's it's almost emulating the inside of your mind, which

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Speaker 1: is kind of like words don't mean anything anymore. What

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Speaker 1: place am I in? Like, yeah, I'm in Santiago kind of,

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Speaker 1: but it's Paris. You know, it's Paris. And here's what else.

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Speaker 1: No one else is saying, it's also l A. And

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Speaker 1: I it's weird. I'm in Santiago, but it's Paris. And

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Speaker 1: at the same time, it is in fact l A

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Speaker 1: because guess what, there's palm trees here. Sometimes it's just

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Speaker 1: that you were there to shoot something. Oh and I

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Speaker 1: was there and say that. And you're basically in a

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Speaker 1: sound stage and it's desert e here. It's hot and

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Speaker 1: sunny every day, at least right now because it's summer,

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Speaker 1: and so every day I'm like, Okay, it's summer here.

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Speaker 1: It's I'm in l A. I'm on a writer's I'm

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Speaker 1: in a writer's room in l A. That's what I'm

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Speaker 1: telling myself every day when I wake up. We're in

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Speaker 1: a room and you are a writer, and then I order,

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Speaker 1: you know, say, food from a restaurant, and then the

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Speaker 1: person comes and is speaking Spanish, and then I'm expected

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Speaker 1: to speak Spanish back, and suddenly the fantasy is shattered

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Speaker 1: and I'm back in Santiago. I'm not in Paris, I'm

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Speaker 1: not in l A. I am fact back and it's

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Speaker 1: very confusing. Yeah, and then you respond, speak English. Yeah.

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Speaker 1: I put in my special directions, my deliverery instructions. Speak

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Speaker 1: English from you know. Actually everything here is insanely bland,

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Speaker 1: and one talks about that. Not a single person talks

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Speaker 1: about that. Fascinating. Yeah. Here, I'll say, you know what

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Speaker 1: you missed last night? Please tell me so. So in fact,

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Speaker 1: this week you missed two shows that were gonna be

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Speaker 1: on together. One is the show that you co host

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Speaker 1: entitled Stevie, where they Marcia Andrew attempted to FaceTime you

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Speaker 1: on stage and then it did not work correct um.

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Speaker 1: And then last night we would have done a famous

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Speaker 1: New York staple called fifty first Jokes, where, in fact

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Speaker 1: fifth comedians each tell their first joke of the year,

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Speaker 1: and it should have been in January, but because of

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Speaker 1: it was. It was last night. Can I tell you

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Speaker 1: I had such a blast. It was like I said

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Speaker 1: this on stage, I was like, look at us, all

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Speaker 1: cost playing like there was just a vibe where I

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Speaker 1: was like, it was like, for a moment, none of

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Speaker 1: this exists, Like for a moment, we haven't We're not

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Speaker 1: about to enter a new variant. And then I also

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Speaker 1: accessed my Boston comic personality and really went out with

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Speaker 1: the guys after when I tell you, I was shooting

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Speaker 1: the ship with all the guy I was with, like

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Speaker 1: the you know, I'm talking Anthony de Vito, I'm talking

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Speaker 1: uh you know, uh, you know our friend Mike and Bruce.

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Speaker 1: I'm like, it was I was chilling with the guys.

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Speaker 1: I was like keeping up. I was like cracking jokes,

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Speaker 1: and there was a sick pleasure of being like, you know,

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Speaker 1: I can access this, I can I know how to

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Speaker 1: hang I love that like you specifically, I don't in

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Speaker 1: my mind, I don't think I've ever seen you hang

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Speaker 1: with the guys, So to hear about it, it's like,

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Speaker 1: you're right, that is a possibility because in my mind,

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Speaker 1: like those types, like specifically like Mike, it's like we

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Speaker 1: knew each other from open mics forever and like there

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Speaker 1: was a lot of hanging with that style of cruise.

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Speaker 1: Mike is Mike, I feel comfortable within any environment. That

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Speaker 1: was the wrong example, but like I mean, I mean

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Speaker 1: kind of uh, you know, you know what I mean,

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Speaker 1: like comedians that are in a in a very slightly

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Speaker 1: different scene than we are. Let's say, yeah, and I'm

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Speaker 1: talking specifically about straight men. Just in case anyone was

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Speaker 1: unclear on that. No, you said, guys, they got it.

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Speaker 1: I know, but you know, the guys can in anything

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Speaker 1: these days, Am I right say that? Well, I'm glad

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Speaker 1: you were straight for a night, and I'm glad that

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Speaker 1: you it felt so good to be straight for a night.

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Speaker 1: And I'm not even seeing that in a kind of

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Speaker 1: condescending way or like oh, like genuinely I was like

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Speaker 1: I let I could finally let loose. I just have

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Speaker 1: to ask, like conversationally, did you find it where? Where

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Speaker 1: there ever moments where you felt ostracized or all good, wow,

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Speaker 1: look at that. It's going to be a no. It's

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Speaker 1: gonna be a no. Look at that. It was also

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Speaker 1: nice just like talking stand up, like not talking to

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Speaker 1: people that are like you know, it was just stand

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Speaker 1: up in its purest form, Like I was having this

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Speaker 1: conversation with um Anthony Davito about like what someone should

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Speaker 1: name their hour and like what is like the correct

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Speaker 1: you know, something that can appeal to a mass audience

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Speaker 1: but also is like you know, is not hack or whatever.

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Speaker 1: And it was like such a fun conversation Mark Marin

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Speaker 1: over here. No, it's not crazy, I think. I guess

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Speaker 1: I'm like having trouble jumping off because you weren't there.

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Speaker 1: You have to know. It's kind of because because I

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Speaker 1: wasn't there for one of those cases where we had

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Speaker 1: to be there. It's one of the many cases that

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Speaker 1: maybe you guys have run across this in your life

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Speaker 1: where sometimes you have to be there. But I also

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Speaker 1: think it's hard. This is one of those intros where

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Speaker 1: it's like we are just like sort of catching up

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Speaker 1: in a way that's like a little bit real, Like

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Speaker 1: you do have to like like it's actually helpful context

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Speaker 1: to know where both of us are at um we've

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Speaker 1: been up to, but it's also like it's hard to

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Speaker 1: be sort of post podcast when you're sincerely catching up

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Speaker 1: on what's sort of been happening. I guess, I mean,

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Speaker 1: I feel like Our analysis of the pair's wallpaper was

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Speaker 1: pretty post podcast if I can be so bold, sure,

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Speaker 1: sure that's true? Or should I say we was someone

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Speaker 1: telling us this that, like you know how and you

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Speaker 1: know in France they also say a way. It's kind

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Speaker 1: of like yeah instead of yes. And someone was saying

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Speaker 1: like they said way, and then someone was like, don't

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Speaker 1: say that if you're not friends, say wait, okay, stop

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Speaker 1: gate keeping the word. Yet I know you can literally

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Speaker 1: stop keeping the word. Yeah, it's not that deep. Oh

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Speaker 1: my god. In Chile, they like don't put like on

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Speaker 1: grassy s. They don't say the s at the end.

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Speaker 1: So I've really been trying to be like really casual

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Speaker 1: and be like Grassia, Like I always think about that

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Speaker 1: if I ever go to Spain, I'm like, I need

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Speaker 1: to have the confidence to do the list you have to.

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Speaker 1: But today the woman came to give me my COVID

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Speaker 1: test and she and I was just like really trying

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Speaker 1: to speak Spanish, but it was embarrassing. I have the

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Speaker 1: Spanish of the child, um, maybe a three year old. Yeah,

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Speaker 1: but are really hot three year old, hot, horny three

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Speaker 1: year old, horny three year old who's not afraid to

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Speaker 1: go there? Yeah, um, should we bring our guests. I

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Speaker 1: think that would be for the best, to be perfectly

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Speaker 1: honest with you. Oh my god, it's tough. Um yeah,

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Speaker 1: I guess, like, are we doing a good job? There

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Speaker 1: is something? No, no, no, no, no, you can you

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Speaker 1: just please please wait? I mean I've been waiting. Okay,

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Speaker 1: are we doing a good job to see? This is

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Speaker 1: one of those cases where I truly to be this

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Speaker 1: is a great insurance. But I can tell that you

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Speaker 1: are unsure. Okay, Okay, Well then in that case, I'm

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Speaker 1: just gonna you know. You didn't like it, specifically, you

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Speaker 1: didn't like my part. I thought your part was great.

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Speaker 1: I was questioning my own part as well. I think

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Speaker 1: your part was excellent. Okay, your part was better than mine,

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Speaker 1: But I feel the need to defend my part as

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Speaker 1: being also valid like I do think you. I do

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Speaker 1: think we never got to like a Paris wallpaper moment

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Speaker 1: with my part. But I thought I thought it would

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Speaker 1: be important to bring up since this is a podcast

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Speaker 1: about trip culture, that I was right for a night.

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Speaker 1: I think it is really important to bring it up.

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Speaker 1: And as a co host, I think I failed you

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Speaker 1: because I didn't treat it as the gift that it was. Yeah,

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Speaker 1: thank you, So I apologize. I actually feel my body

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Speaker 1: becoming more relaxed after you said that. You know, I

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Speaker 1: and improv. Everything your partner brings you is a gift

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Speaker 1: and you have to treat it as if it's special.

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Speaker 1: And I wasn't doing that. And I was you know,

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Speaker 1: I enjoyed the story, but did it? Was it Christmas morning?

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Speaker 1: Totally totally, And just from my perspective, it actually seemed

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Speaker 1: like you enjoyed it fine until afterwards you were like, wait,

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Speaker 1: that was not that good. So for the future, you know,

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Speaker 1: if you've done a good job pretending to enjoy it

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Speaker 1: so far, maybe don't stop the magic halfway through, you know,

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Speaker 1: just let me believe it was a good gift. No,

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Speaker 1: I enjoyed it. I just didn't. I felt like I

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Speaker 1: wasn't able to like riff on it in a way

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Speaker 1: that transcended what it was. Totally totally. Well, oh, brother,

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Speaker 1: I told you. I'm get my podcast legs back, um

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Speaker 1: to help us get our feet on the damn ground.

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Speaker 1: Um please, um, Welcome to the podcast Give a Glamour Girl?

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Speaker 1: Who do you who? For? Natalie robber Lightman. Hey, wow, guys,

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Speaker 1: thanks so much for having me. What well, I have

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Speaker 1: a lot to say obviously right at the game. The

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Speaker 1: first thing I want to say is, so, I read

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Speaker 1: this book last year about sibling rivalry and how to

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Speaker 1: help kids with what is it called pluge? It's called

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Speaker 1: siblings without rivalry? Can you write a book that was

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Speaker 1: about the opposite of sibling Okay, guy, you guys don't

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Speaker 1: got it. You guys don't got it. It just sounds

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Speaker 1: like no. But honestly, what I'm saying to you guys

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Speaker 1: is you don't get it. Okay, well you haven't started yet,

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Speaker 1: so and I love so basically, like the whole thing

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Speaker 1: is like, well you've really It's like it's not about

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Speaker 1: what one person has the other person has. It's like

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Speaker 1: seeing the feeling of like you feel like you don't

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Speaker 1: have enough cereal or whatever. And I want to say

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Speaker 1: that what you boys just did was a beautiful demonstration

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Speaker 1: of that philosophy. Really, you know what I mean, Who's

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Speaker 1: who's who's you know? Interest on first spot? Right, and

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Speaker 1: then and then you said I see you, I see

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Speaker 1: that you felt that, and then you can find out

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Speaker 1: of it and as a mother and as your mother's Yeah,

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Speaker 1: what could I wish for more for my boys. Thank you,

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Speaker 1: and honestly, all we really want is for your approval

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Speaker 1: as our mother. Yeah, you know we're putting on this,

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Speaker 1: this performance. We're pretending we're talking about things. None of

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Speaker 1: what we said is true. Sam's in New York. I mean,

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Speaker 1: I've been in New York whole time. I'm back in

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Speaker 1: my home at the Empire State Building on top. We're

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Speaker 1: just trying to make up story. And here's something I

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Speaker 1: just thought of. We make we tell ourselves stories in

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Speaker 1: order to live. I just thought of that, write it down,

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Speaker 1: that I'm gonna I think I'm gonna write that one down,

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Speaker 1: and that I would even like to have an addendum

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Speaker 1: to that. You know, we tell ourselves. Wait to say

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Speaker 1: it again, we tell ourselves stories in order to live.

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Speaker 1: We tell ourselves stories in order to live. Um uh.

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Speaker 1: In the eyes of our mother, Natalie, we tell ourselves stories.

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Speaker 1: So and so then our mother is there. We tell

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Speaker 1: ourselves stories and so our mother is there. Well, okay,

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Speaker 1: so this is the same. On the one hand, we

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Speaker 1: tell ourselves stories. On the other hand, because our mother

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Speaker 1: is right, two things can be true. Two things can

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Speaker 1: be true. Do you believe in kind of like Freudian

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Speaker 1: mother stuff. Um, you know me, just like, do you

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Speaker 1: feel like basically everything we're doing is like rooted in

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Speaker 1: a relationship to our parents? Basically for sure? But I

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Speaker 1: don't think it's all like I gotta funk daddy, you know, totally. Yes,

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Speaker 1: I think some of it, sure, some of it, yeah,

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Speaker 1: but not all of it. My mom when she was

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Speaker 1: a kid, was acting out at one point and her

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Speaker 1: mom went to like a Freudian psychologists and that person

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Speaker 1: was like, she wants to suck your husband. No, got it?

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Speaker 1: And and then there's no end really to the story,

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Speaker 1: but it is. I was reading this book, in fact,

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Speaker 1: called in the freud Archives, and it is truly a

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Speaker 1: laugh out loud account of these feuding Freudians, and it's

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Speaker 1: like they're feuding, but because they're both Freudians, the accusations

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Speaker 1: are like, well, he attacked me because he clearly has

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Speaker 1: unresolved issues with his mother. Well he attacked me because

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Speaker 1: his testicles. He's insecure about his testicle. It's like it

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Speaker 1: was like this, these like professional fights, but then they

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Speaker 1: would keep going back to like the most personal stuff,

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Speaker 1: and I was like, what an untendable way to live?

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Speaker 1: I mean, feuding Freudian sounds very like Dr Susian. Yes,

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Speaker 1: I actually thought that when I said it, fifty feuding

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Speaker 1: Freudian Freudians fighting fighting the first Furrer. Oh yes, Oh

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Speaker 1: my god. I love like historical like stuff. That was

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Speaker 1: historical fiction. Inglorious bastards. Literally, are we craving another? Inglorious bastards? Okay,

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Speaker 1: so here's the that's literally the question. Thank you for

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Speaker 1: bringing that up. And my answer is, is he going

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Speaker 1: to make a gay one? Is he going to make

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Speaker 1: one that's like set during the Age Crisis and it's

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Speaker 1: like gay men murdering Ronald Reagan? Wait, George, I'm sorry,

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Speaker 1: but that's genius. Okay, we're gee gee, it's literally you

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Speaker 1: don't you see I'm making it. I'm making it. Yeah, done,

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Speaker 1: that's genius. That's literally all the premises. Can I give

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Speaker 1: you a suggestion and people will whatever. But just I'm

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Speaker 1: like very into film. And something that I just noticed

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Speaker 1: is it doesn't always work to cast gay actors and

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Speaker 1: gay roles. No, no, I would say yeah against the material.

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Speaker 1: So obviously it's a long way way. But when you

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Speaker 1: get to casting, you know, who would you cast as

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Speaker 1: a central and and and keep in mind. You know,

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Speaker 1: of course, some there's a lot of controversy about how

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Speaker 1: to depict who was affected the most by the age crisis.

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Speaker 1: Who would you cast? I'm thinking maybe you're so glad

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Speaker 1: we're getting to that. Yeah, Chris Pine. Yeah, that's a

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Speaker 1: really good choice. Yeah, I mean I love um, who's

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Speaker 1: the Chris from Partners Rack. Oh, Chris Prod. Chris Prod.

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Speaker 1: That's a really good one. That's a really really good one.

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Speaker 1: He can give you a laugh, he should. You know

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Speaker 1: what I'm realizing, you know, if we're doing this inglorious

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Speaker 1: bastard style, I mean there's already literally a narrative about

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Speaker 1: a brick being thrown, like imagine, it's like if it's

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Speaker 1: Tarantino esque, it's like Chris Pratt as a persecuted gay

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Speaker 1: individual at Stone Wall throwing a brick that then kind

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Speaker 1: of smashes a CoP's head. And there's blood everywhere. Of course,

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Speaker 1: there's blood. You know, when it comes to film, there

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Speaker 1: will be. And if you can double the blood, double budget,

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Speaker 1: double it help me. Yeah? Yeah, whatever, you know what

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Speaker 1: else I need to say? Hanging out with straight guys, Yes,

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Speaker 1: when it's right, it's so fucking right. Yes, Natalie, this

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Speaker 1: is what I'm saying. Thank you for saying that. And

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Speaker 1: it's not always right, you know, but when it's right,

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Speaker 1: it's literally better than hanging out with anyone else. It's

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Speaker 1: like it is truly like if you get in the zone,

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Speaker 1: it is the most comfortable. It's like, oh, thank god,

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Speaker 1: you're a lot. It's a bubble bath. You're just in

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Speaker 1: and they just take you. You flow down a lazy river,

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Speaker 1: you know how I feel? Okay, Sometimes like it's similar

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Speaker 1: to like going and spending time in nature. Like it's

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Speaker 1: it's very much just sometimes food and if I'm like

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Speaker 1: I need my like gay comforts and I need my

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Speaker 1: city comforts. But like when you can really take that

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Speaker 1: that night and be with straight guys, you just feel cleansed.

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Speaker 1: That comparison is so apt. It's like when um, straight

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Speaker 1: people go to like a drag brunch that George having

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Speaker 1: his night with the boys, you know what I mean,

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Speaker 1: that's exactly what. It couldn't be a every day but

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Speaker 1: like on the weekend maybe sure, yeah, like a pre

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Speaker 1: weekend night. Yeah, it kind of roots you a little bit.

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Speaker 1: You're like, okay, and this is the real world. We

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Speaker 1: can all pretend that we're real, but like this is

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Speaker 1: the world we live. Yeah, I mean I feel like

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Speaker 1: I don't know if you guys feel this as like

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Speaker 1: and I'm seriously not trying to be rude, but like

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Speaker 1: gay guys, I'm saying that nicely and so just I'll

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Speaker 1: just go on. And then like when you're growing up,

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Speaker 1: so like for me as someone, like I wanted those

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Speaker 1: guys to like want to me and they didn't and

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Speaker 1: like you're like, are you guys my friends? And like

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Speaker 1: but also I'm gay but whatever, It's like you spend

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Speaker 1: your whole life like chase a gay guys like I'm sorry,

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Speaker 1: straight guys affection. I'm like actually about to cry and uh.

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Speaker 1: And then and then you start living like without it,

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Speaker 1: you know what I mean. You're like, oh, I don't

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Speaker 1: need it, like by the way, like I'm gay and

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Speaker 1: like okay whatever, like it doesn't really matter. But but

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Speaker 1: the so then you have your whole life without it.

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Speaker 1: It's not like it doesn't like make up who you are,

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Speaker 1: but then you get to just have it for the night,

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Speaker 1: you know what I mean, Like, oh my god, like

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Speaker 1: I actually do have the straight guys attention and like

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Speaker 1: love it scratches an old itchy. Do you guys feel

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Speaker 1: what I said, Well, it's what a therapist might call

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Speaker 1: And maybe I'm butchering this, but I think it's called

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Speaker 1: a reparative experience, which is where you like, let's say

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Speaker 1: you have had like a bad experience in Santiago, Chile,

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Speaker 1: then have a reparative experience. You plan a trip where

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Speaker 1: you make an effort to have a really good time

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Speaker 1: so that then that location is not a trauma in

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Speaker 1: your brain kind of. And I feel like that is

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Speaker 1: what it's like to hang out with straight guys on

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Speaker 1: your own terms. It's like, I'm not I'm not trying

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Speaker 1: to impress anyone. I it's of course, you know, I'm

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Speaker 1: not going to hang out with you know, like bad

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Speaker 1: Like I'm hanging out with like nice straight guys that

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Speaker 1: accept me for who I am. So like, I'm not like,

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Speaker 1: I'm not intimidated. I don't feel like I'm coming up short,

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Speaker 1: like I'm re contextualizing the experience. I love it. And

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Speaker 1: thank you. I needed the language and he gave it

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Speaker 1: to me. And honestly, George, h shout out to you

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Speaker 1: for just having that language on hand because we were

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Speaker 1: going to be dancing around sort of the phrasing of

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Speaker 1: what that could be called. Could come up with that phrase. Man, Yeah,

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Speaker 1: I dated someone for six years, both of whose parents

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Speaker 1: were therapists. Oh my god, I know the language. Whoa

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Speaker 1: and therapists, I'll say it in Los Angeles, So that's

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Speaker 1: sort of top tier. Yeah, top tier definitely to the stars.

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Speaker 1: Maybe you know they can't discuss their their patients. Oh,

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Speaker 1: they can give a hint. They saw, they can give

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Speaker 1: a little hit. My mom is a therapist, and they

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Speaker 1: can give a hint. Does your mom have celebrity patients?

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Speaker 1: I guess I don't know, but not not for my knowledge.

422
00:24:54,960 --> 00:24:57,680
Speaker 1: I want to know. I want to have badly. No,

423
00:24:59,200 --> 00:25:02,040
Speaker 1: her clients are are kind of like just people in

424
00:25:02,160 --> 00:25:05,760
Speaker 1: like Westchester. I assume they like fly in for her

425
00:25:05,840 --> 00:25:09,119
Speaker 1: because she's really good. Yeah, she sounds really good. I

426
00:25:09,119 --> 00:25:14,359
Speaker 1: mean she did a I'm fly into Westchester. You should

427
00:25:14,359 --> 00:25:18,360
Speaker 1: seriously take a helicopter to Westchester to see my mom.

428
00:25:18,600 --> 00:25:21,000
Speaker 1: To go have therapy with your mom? Yeah, yeah, she

429
00:25:21,040 --> 00:25:27,000
Speaker 1: does mostly couple's works, So bring whoever you two can go. Yeah,

430
00:25:27,040 --> 00:25:32,879
Speaker 1: we should go. Why not? Un fascinating? Should we do

431
00:25:32,920 --> 00:25:36,840
Speaker 1: the first segment? I was going to say that, actually, yeah, Natalie,

432
00:25:36,880 --> 00:25:39,120
Speaker 1: do you feel like we're talking over you too much? Oh?

433
00:25:39,160 --> 00:25:42,000
Speaker 1: My god, do you feel that? Well, I'm just like

434
00:25:42,040 --> 00:25:44,520
Speaker 1: you are someone who whose voice I value and who

435
00:25:44,560 --> 00:25:47,280
Speaker 1: I want to just here speak, and yet I keep

436
00:25:47,320 --> 00:25:50,480
Speaker 1: having the instinct to speak myself. Oh wait, do you guys?

437
00:25:50,480 --> 00:25:54,040
Speaker 1: I haven't felt that. I feel like I'm talking a lot,

438
00:25:53,240 --> 00:25:56,760
Speaker 1: but that's now the official narrative. Wait, I got I

439
00:25:56,760 --> 00:25:58,600
Speaker 1: don't want to be some girl who's like not talking.

440
00:25:58,640 --> 00:26:02,119
Speaker 1: It's like humiliating. Oh no, no, no, I'm like, I'm like,

441
00:26:02,359 --> 00:26:06,000
Speaker 1: I'm like a girl afraid to talk. That's you're not

442
00:26:06,080 --> 00:26:08,719
Speaker 1: being that. You're not You're not at all. We actually

443
00:26:08,760 --> 00:26:12,520
Speaker 1: already changed the narrative and like we won't let the

444
00:26:12,560 --> 00:26:15,320
Speaker 1: first narrative take over, Like we have complete control of

445
00:26:15,320 --> 00:26:17,719
Speaker 1: the narrative and of the press and so like totally

446
00:26:17,720 --> 00:26:20,480
Speaker 1: will control this story. Do you sometimes feel like people

447
00:26:20,480 --> 00:26:23,840
Speaker 1: are reclaiming narratives too much? Yeah, at this point in time,

448
00:26:24,920 --> 00:26:27,040
Speaker 1: sometimes want to kind of defend the narrative and be

449
00:26:27,040 --> 00:26:29,720
Speaker 1: like the narrative has agency to like you have to

450
00:26:29,800 --> 00:26:33,320
Speaker 1: let it do its thing before you. Everyone keeps reclaiming, right,

451
00:26:33,400 --> 00:26:38,719
Speaker 1: you can't constantly. I mean, like Britney spears culture and

452
00:26:38,760 --> 00:26:41,080
Speaker 1: everyone wanted to do that with everything. Right now, I'm like,

453
00:26:41,160 --> 00:26:43,720
Speaker 1: can we just let some stuff be like what it

454
00:26:43,880 --> 00:26:45,879
Speaker 1: is on its surface? This is how I feel about

455
00:26:45,880 --> 00:26:47,960
Speaker 1: the Kanye I mean, who knows that this will be

456
00:26:48,040 --> 00:26:49,800
Speaker 1: relevant by the time it comes out, But like the Kanye,

457
00:26:49,920 --> 00:26:53,560
Speaker 1: Julia Fox, Kim Kardashian news cycle, where it's like basically there,

458
00:26:53,600 --> 00:26:55,560
Speaker 1: it's like the narrative is a hot potato and they're

459
00:26:55,560 --> 00:26:58,080
Speaker 1: each reclaiming it for essentially six seconds at a time.

460
00:26:58,520 --> 00:27:02,520
Speaker 1: It's like I can't gear up right because it's like,

461
00:27:02,800 --> 00:27:05,840
Speaker 1: this is a juicy story. And then it's like you're

462
00:27:06,800 --> 00:27:09,800
Speaker 1: having fun with what is abuse? And then it's like, no,

463
00:27:10,000 --> 00:27:12,640
Speaker 1: you're having fun with what is a mental health breakdown?

464
00:27:12,720 --> 00:27:15,399
Speaker 1: And then it's like just go through that over and

465
00:27:15,400 --> 00:27:17,560
Speaker 1: over and over and over. Right, I mean, well, then

466
00:27:17,640 --> 00:27:19,639
Speaker 1: Julia Fox walked a runway and then there was a

467
00:27:19,640 --> 00:27:22,080
Speaker 1: headline that was like her revenge dress, and it's like, wait,

468
00:27:22,160 --> 00:27:28,240
Speaker 1: what when did we get here? Like right, she's literally

469
00:27:28,280 --> 00:27:31,200
Speaker 1: she is so just happy to be here. I literally

470
00:27:31,240 --> 00:27:35,639
Speaker 1: like just happy to let me full of support. She

471
00:27:35,720 --> 00:27:38,760
Speaker 1: has my full support, full support. I think her saying

472
00:27:38,840 --> 00:27:41,440
Speaker 1: unca jobs is one of the funniest things that has

473
00:27:41,520 --> 00:27:46,919
Speaker 1: ever happened to me too. I um, I really like

474
00:27:47,200 --> 00:27:50,399
Speaker 1: I just I find them all. I love looking at her,

475
00:27:50,520 --> 00:27:53,760
Speaker 1: so that's all I got to beautiful, gorgeous, stunning, beautious.

476
00:27:54,480 --> 00:27:57,040
Speaker 1: And I kind of like how fake it all is,

477
00:27:57,119 --> 00:27:58,480
Speaker 1: like where it's like we did it for a month

478
00:27:58,640 --> 00:28:01,359
Speaker 1: and it's like over and an agree one like this

479
00:28:01,440 --> 00:28:05,760
Speaker 1: is this is radical honesty, the radical transparency. Totally. It

480
00:28:05,960 --> 00:28:09,160
Speaker 1: is like yeah, and it is kind of like it's

481
00:28:09,160 --> 00:28:12,159
Speaker 1: a celebrity couple, like they're all like that. Like it's

482
00:28:12,200 --> 00:28:14,359
Speaker 1: unsettling to us because it shows us the truth of

483
00:28:14,440 --> 00:28:18,000
Speaker 1: all celebrity couples, which like they just don't exist. It

484
00:28:18,160 --> 00:28:21,480
Speaker 1: literally does not happening, and that is not nice to us.

485
00:28:21,840 --> 00:28:28,720
Speaker 1: Nor Okay, now that we've controlled, I'll try and speak

486
00:28:28,800 --> 00:28:31,480
Speaker 1: up a little more get myself. No, I actually feel

487
00:28:31,480 --> 00:28:34,040
Speaker 1: bad for even say it's it's my insecurity at being

488
00:28:34,080 --> 00:28:36,760
Speaker 1: like a speaking to you, you know what I mean,

489
00:28:37,720 --> 00:28:40,960
Speaker 1: because because I often and then its spirals and then

490
00:28:41,000 --> 00:28:43,800
Speaker 1: I'm as I'm doing now, I'm taking up space talking

491
00:28:43,840 --> 00:28:46,200
Speaker 1: about my own insecurity about talking too much, and then

492
00:28:46,200 --> 00:28:48,800
Speaker 1: it's like give it up. I hear you, but don't worry.

493
00:28:48,960 --> 00:28:53,440
Speaker 1: So let's do our for a segment, Sam, okay. Um,

494
00:28:53,560 --> 00:28:56,800
Speaker 1: So I've had a lot of time to reflect and

495
00:28:56,840 --> 00:29:01,600
Speaker 1: get stronger, and so I will be reducing the first segment, Natalie.

496
00:29:01,680 --> 00:29:04,640
Speaker 1: And it is called straight Shooters, and in it we

497
00:29:04,680 --> 00:29:08,200
Speaker 1: gauge your famil familiarity with complicity and straight culture by

498
00:29:08,240 --> 00:29:12,160
Speaker 1: asking a series of rapid fire questions basically this thing

499
00:29:12,280 --> 00:29:15,480
Speaker 1: or another thing. And if you ask any pop questions,

500
00:29:15,680 --> 00:29:19,240
Speaker 1: we will yell at you. Natalie, how did Sam do

501
00:29:19,320 --> 00:29:24,160
Speaker 1: introducing the segment? So cute, so sweet, amazing energy, great guy,

502
00:29:24,240 --> 00:29:27,960
Speaker 1: I've never heard anyone introduce a segments so well, Oh

503
00:29:28,000 --> 00:29:30,719
Speaker 1: my god. It actually brings tears to my eyes. And

504
00:29:30,760 --> 00:29:33,840
Speaker 1: to think that mere weeks ago back check that as

505
00:29:33,840 --> 00:29:38,720
Speaker 1: someone right now, I have to deal with my audience

506
00:29:39,120 --> 00:29:42,680
Speaker 1: smokes and just saying that mere weeks ago, Sam would

507
00:29:42,760 --> 00:29:45,640
Speaker 1: in fact ask me to introduce a segment because, quote,

508
00:29:45,720 --> 00:29:49,720
Speaker 1: you're so much better at it. Wait, that's weapon is

509
00:29:49,840 --> 00:29:55,080
Speaker 1: heart breaking heartbard. Yeah well yeah, but you know, but

510
00:29:55,120 --> 00:30:00,880
Speaker 1: it's like a really good weapon, totally all right shooting. Okay,

511
00:30:00,880 --> 00:30:06,960
Speaker 1: So I'm sorry, Yeah, why am I apologizing? Um? Okay, So, Natalie,

512
00:30:07,480 --> 00:30:16,200
Speaker 1: leftist politics or center parts, oh, center parts now, oh okay.

513
00:30:18,960 --> 00:30:22,360
Speaker 1: Basically like, of course leftist politics, right, but what we

514
00:30:22,440 --> 00:30:24,320
Speaker 1: actually can only focus on one thing at a time,

515
00:30:24,360 --> 00:30:27,720
Speaker 1: and right now it is center center. That's a correct assessment.

516
00:30:28,720 --> 00:30:34,000
Speaker 1: Natalie fat Joe or skinny girl Margarita, Oh, skinny girl,

517
00:30:34,040 --> 00:30:36,240
Speaker 1: I'm a Bethney girl. I listened to just be the podcast,

518
00:30:36,280 --> 00:30:41,320
Speaker 1: so it's gotta be yeah, um okay. The teens of

519
00:30:41,360 --> 00:30:46,760
Speaker 1: euphoria or the thirty somethings of a story, the teams

520
00:30:46,760 --> 00:30:56,280
Speaker 1: of usphoria nicely unrealistic beauty standards or realistic the aging technology, um,

521
00:30:56,320 --> 00:31:02,640
Speaker 1: realistic d aging technology. I can't wait to participate. I

522
00:31:02,680 --> 00:31:04,760
Speaker 1: can't wait to be part of the conversation. Did I

523
00:31:04,840 --> 00:31:08,200
Speaker 1: be talking after the they are said? You can't do?

524
00:31:08,240 --> 00:31:10,640
Speaker 1: What you just did was just ask a question? But

525
00:31:10,800 --> 00:31:17,400
Speaker 1: of course you literally I did. I did. I wonder

526
00:31:17,440 --> 00:31:22,200
Speaker 1: if I can be talking after the things are said? Yeah,

527
00:31:22,840 --> 00:31:26,240
Speaker 1: making statements is not. It is allowed, Like that's not

528
00:31:27,160 --> 00:31:32,680
Speaker 1: love that six times ahead? Sorry? Um okay. Being a

529
00:31:32,720 --> 00:31:38,800
Speaker 1: linebacker or being a line producer, Oh my god, I

530
00:31:38,880 --> 00:31:43,840
Speaker 1: think honestly being a linebacker, because it would be silly

531
00:31:43,880 --> 00:31:46,720
Speaker 1: and cute if I did that, and if I was

532
00:31:46,760 --> 00:31:49,520
Speaker 1: a line producer, people would be like so disappointed in

533
00:31:49,560 --> 00:31:53,120
Speaker 1: me for like ruining forgetting to do stuff, and like

534
00:31:53,360 --> 00:31:56,520
Speaker 1: you know what I mean, Yeah, don't you think linebacker?

535
00:31:57,600 --> 00:31:58,840
Speaker 1: Maybe this is one of those things where you know,

536
00:31:58,920 --> 00:32:00,560
Speaker 1: you say the words so many times it loses its

537
00:32:00,560 --> 00:32:04,400
Speaker 1: meaning now here in the world. Now hearing the word linebacker,

538
00:32:04,600 --> 00:32:07,880
Speaker 1: I'm like, that sounds that sounds like the title of

539
00:32:08,240 --> 00:32:13,440
Speaker 1: um kind of like a postmodern novel, Like linebacker doesn't

540
00:32:13,480 --> 00:32:17,400
Speaker 1: sound like like really conceptual or something like it's weird that.

541
00:32:17,720 --> 00:32:19,840
Speaker 1: I guess you could say that about like shortstop, like

542
00:32:19,880 --> 00:32:22,760
Speaker 1: those are pretty weird work. Yeah, well, what is a

543
00:32:22,800 --> 00:32:26,240
Speaker 1: linebacker again? That's I don't know, is that the big one?

544
00:32:26,760 --> 00:32:29,800
Speaker 1: That's the big one for sure? Okay, because people will

545
00:32:29,800 --> 00:32:34,640
Speaker 1: be anecker right right, but they're all pretty big, right. Yeah.

546
00:32:34,680 --> 00:32:36,720
Speaker 1: You can't be like tiny and be a football player,

547
00:32:36,760 --> 00:32:40,240
Speaker 1: for short, unless you're a kicker. Unless you're a kicker. Again,

548
00:32:40,800 --> 00:32:42,840
Speaker 1: if you're a kicker, do you never get in a

549
00:32:42,920 --> 00:32:45,960
Speaker 1: situation where you are beat up? I think I can

550
00:32:46,000 --> 00:32:49,160
Speaker 1: get beat up a little, but I don't think it's

551
00:32:49,360 --> 00:32:54,480
Speaker 1: very common. Mostly maybe after the game face if you're

552
00:32:54,520 --> 00:32:56,880
Speaker 1: talking smack at the at the bar or after the

553
00:32:56,920 --> 00:32:59,080
Speaker 1: big game. Right, if you win, they do like a

554
00:32:59,120 --> 00:33:03,120
Speaker 1: celebratory like punch in the fucking face. That's like they're

555
00:33:03,200 --> 00:33:08,840
Speaker 1: like jackass. That's good. Yeah, okay, Natalie self help or

556
00:33:09,440 --> 00:33:18,800
Speaker 1: self harm? Okay, guy who read that little ditty that? Yeah,

557
00:33:18,640 --> 00:33:20,880
Speaker 1: that was a George original for sure. I have to

558
00:33:21,000 --> 00:33:25,520
Speaker 1: say self help pretty unambiguously. Yeah, I mean I love

559
00:33:25,560 --> 00:33:28,280
Speaker 1: self helping. I read the book about something rivalry, which

560
00:33:28,320 --> 00:33:30,520
Speaker 1: we have to get back to. But but let's finish

561
00:33:30,520 --> 00:33:34,080
Speaker 1: the segment first. Okay, No, that wasn't sorry, that was

562
00:33:34,120 --> 00:33:36,000
Speaker 1: not directed at you. That was directed at me. Wanting

563
00:33:36,040 --> 00:33:40,440
Speaker 1: to respond to that, and George move on to George says,

564
00:33:42,760 --> 00:33:46,600
Speaker 1: oh my gosh, Okay, this is gonna be a hard one.

565
00:33:46,760 --> 00:33:54,600
Speaker 1: Oh god, Kirsten Dunst, Kristen Stewart or kin whoa, Oh

566
00:33:54,680 --> 00:33:59,320
Speaker 1: you know what, it's actually not hard um for me.

567
00:33:59,480 --> 00:34:04,320
Speaker 1: It's Christen Stewart, you know what I mean? Because I'm

568
00:34:04,360 --> 00:34:08,800
Speaker 1: like a lesbian, right, so it's not so like what

569
00:34:08,920 --> 00:34:11,560
Speaker 1: am I gonna pick? It's like, right, she's like your guys,

570
00:34:11,640 --> 00:34:15,120
Speaker 1: Lady Gaga. Yeah yeah, well she's like you can be

571
00:34:15,160 --> 00:34:16,680
Speaker 1: like you can have like a pinion to be like

572
00:34:16,680 --> 00:34:18,839
Speaker 1: oh yeah, she's like annoying or like she's like oh,

573
00:34:18,960 --> 00:34:20,520
Speaker 1: like oh, she's a really good actor, like she's a

574
00:34:20,520 --> 00:34:22,200
Speaker 1: guy actor or whatever. But it's like she's kind of

575
00:34:22,320 --> 00:34:26,239
Speaker 1: just like psychotically hot. It really is. And there's like, no,

576
00:34:26,560 --> 00:34:29,799
Speaker 1: there's no real advans or butts. I mean, maybe people

577
00:34:29,840 --> 00:34:32,000
Speaker 1: will righte in, maybe we'll get like flooding d ms

578
00:34:32,040 --> 00:34:36,560
Speaker 1: like we don't like her, but come on, and she

579
00:34:36,640 --> 00:34:39,880
Speaker 1: has this girlfriend, fiance whatever. She did this interview or

580
00:34:39,960 --> 00:34:41,919
Speaker 1: she was like, yeah, I met a two weeks ago,

581
00:34:41,960 --> 00:34:44,359
Speaker 1: like I'm gonna marry her, like I'm engaged whatever. She's

582
00:34:44,360 --> 00:34:49,359
Speaker 1: just like a classic like hero for people, like we

583
00:34:49,400 --> 00:34:52,880
Speaker 1: really met her, she got engaged her fiance for two weeks,

584
00:34:53,440 --> 00:34:55,719
Speaker 1: but she made the plan. Yeah, she was like this

585
00:34:55,800 --> 00:34:59,480
Speaker 1: is the one. Yeah, so I do love Kristen. Kirsten

586
00:34:59,560 --> 00:35:03,520
Speaker 1: Dunson is architectural Digest house store. Have you seen it? Yes?

587
00:35:03,560 --> 00:35:09,160
Speaker 1: Of course, Sam, have you not? No weird? You got

588
00:35:09,160 --> 00:35:13,480
Speaker 1: to see what she's doing with little boat figurines. Yeah.

589
00:35:13,880 --> 00:35:16,400
Speaker 1: I can't decide if I actually like the house. I

590
00:35:16,440 --> 00:35:20,200
Speaker 1: did really enjoy watching her give the tour. I hear you,

591
00:35:20,280 --> 00:35:23,080
Speaker 1: I got it, and I agree with you. By the way,

592
00:35:23,160 --> 00:35:26,080
Speaker 1: So Natalie, I try and catch me not agree with you?

593
00:35:26,080 --> 00:35:33,240
Speaker 1: Oh my god, giving it a go or giving it arrest? Arrest? Okay, okay,

594
00:35:33,320 --> 00:35:36,520
Speaker 1: well finally I asked my last question so I can

595
00:35:36,560 --> 00:35:38,960
Speaker 1: respond to the Christian Stewart conversation, which is what I

596
00:35:39,000 --> 00:35:43,640
Speaker 1: wanted to do this whole time. It to me, and

597
00:35:43,680 --> 00:35:47,480
Speaker 1: I'm sorry if this comes across as problematic to me.

598
00:35:47,600 --> 00:35:51,160
Speaker 1: It's like you watch something like The l Word. Each

599
00:35:51,200 --> 00:35:54,120
Speaker 1: of the women has a different energy and you're like, Okay,

600
00:35:54,160 --> 00:35:59,080
Speaker 1: these are all the kinds of queer women. Christian Stewart

601
00:35:59,280 --> 00:36:01,440
Speaker 1: is like, what if you took all those energies and

602
00:36:01,480 --> 00:36:10,640
Speaker 1: put them into one person? Um? Can you say more? No? Actually, okay, amazing.

603
00:36:10,680 --> 00:36:14,880
Speaker 1: Do you guys have another segment? Or I guess what

604
00:36:14,920 --> 00:36:17,080
Speaker 1: I mean is just like she is as you're saying,

605
00:36:17,200 --> 00:36:19,520
Speaker 1: she is, as Sam said, she is your Lady Gaga,

606
00:36:19,640 --> 00:36:23,840
Speaker 1: and that she she's like she is the she is

607
00:36:23,960 --> 00:36:28,120
Speaker 1: the one, right I mean right, yeah, I mean she's

608
00:36:28,800 --> 00:36:30,560
Speaker 1: and people are so going to disagree with me. I

609
00:36:30,560 --> 00:36:34,400
Speaker 1: really should speak from personal experience because like whatever, but

610
00:36:35,600 --> 00:36:40,799
Speaker 1: it's it's not that she's so like um like, it's

611
00:36:40,840 --> 00:36:43,040
Speaker 1: really she's not Lady Gaga, because it's really that she's

612
00:36:43,080 --> 00:36:45,719
Speaker 1: so fucking hot to me, you know what I mean,

613
00:36:46,200 --> 00:36:48,640
Speaker 1: not even like oh she's like representing the culture or

614
00:36:48,640 --> 00:36:52,000
Speaker 1: she's like hating knockout after knockout or whatever. It's like

615
00:36:52,040 --> 00:36:56,080
Speaker 1: she literally like those talks in a way that is

616
00:36:56,480 --> 00:37:00,880
Speaker 1: um of having sex for me. I want to talk

617
00:37:00,880 --> 00:37:03,440
Speaker 1: about something else because I'm getting embarrassed. No, no, no, no,

618
00:37:03,880 --> 00:37:05,920
Speaker 1: but I completely agree with you. There's no one that

619
00:37:05,960 --> 00:37:11,040
Speaker 1: has more of an ironically charged presence. Yeah, it's not

620
00:37:11,160 --> 00:37:13,520
Speaker 1: true except for that girl who was in that French one.

621
00:37:13,600 --> 00:37:18,360
Speaker 1: Oh my god. Um, I'm talking about like the singer

622
00:37:19,560 --> 00:37:22,560
Speaker 1: the one with Okay, do you feel like Adele is

623
00:37:22,600 --> 00:37:25,000
Speaker 1: the hotter one or the other one is the hotter

624
00:37:25,040 --> 00:37:28,440
Speaker 1: one from Thank You for Asking? And it's not Bluesenrm's

625
00:37:28,440 --> 00:37:34,200
Speaker 1: color that I'm talking about and actually talking about. Yeah, yeah,

626
00:37:35,000 --> 00:37:40,840
Speaker 1: the Blues Normers color whatever. It's icho. But um, Adele,

627
00:37:41,160 --> 00:37:43,560
Speaker 1: there's a fan cam of her and I actually, you

628
00:37:43,560 --> 00:37:47,719
Speaker 1: guys should post this in the show notes. Can Yeah,

629
00:37:47,880 --> 00:37:49,960
Speaker 1: we're going to post it in the show notes. A

630
00:37:50,000 --> 00:37:53,120
Speaker 1: fan cam video adel from Portrait of a Lady on

631
00:37:53,200 --> 00:37:56,919
Speaker 1: Fire that is literally going to get your guys rocks off.

632
00:37:57,239 --> 00:38:01,880
Speaker 1: So I hope I hope people are generally jerking it

633
00:38:01,960 --> 00:38:06,440
Speaker 1: to this episode, is all I can say. Do you

634
00:38:06,480 --> 00:38:08,279
Speaker 1: think you have like like a lot of kind of

635
00:38:08,320 --> 00:38:13,319
Speaker 1: like dyke like listeners. Oh yeah, yeah, definitely. I mean

636
00:38:13,320 --> 00:38:16,279
Speaker 1: based on emails we get and stuff. Yeah, and they've

637
00:38:16,400 --> 00:38:20,000
Speaker 1: glamoring for me the backlash I got when I said

638
00:38:20,000 --> 00:38:22,640
Speaker 1: I didn't like Kristen Stewart and for the record, I

639
00:38:22,719 --> 00:38:26,040
Speaker 1: was the one that we've talked about her in the past.

640
00:38:26,560 --> 00:38:31,960
Speaker 1: Oh all right, this is insane. Now, this is officially insane,

641
00:38:32,360 --> 00:38:36,080
Speaker 1: and I'm like scared. You know, It's like, how come

642
00:38:36,120 --> 00:38:38,720
Speaker 1: it's insane when I start talking about it, Like because

643
00:38:38,719 --> 00:38:40,839
Speaker 1: you had a secret, Sam, you're kind of gate keeping

644
00:38:40,920 --> 00:38:44,200
Speaker 1: Kristen Stewart. Like, I'm just saying, this is how I feel.

645
00:38:44,200 --> 00:38:46,560
Speaker 1: It's like you're talking about her. But then when we'd

646
00:38:46,600 --> 00:38:49,320
Speaker 1: start talking about her, you are suddenly really tense and

647
00:38:49,360 --> 00:38:53,000
Speaker 1: you're like, that's not not that well. I'm obviously coming

648
00:38:53,040 --> 00:38:56,319
Speaker 1: in with like a bad energy, But I will say,

649
00:38:56,400 --> 00:38:58,760
Speaker 1: you guys had a thing about her that I didn't

650
00:38:58,800 --> 00:39:02,920
Speaker 1: know about, so I was preda no. No. Our thing

651
00:39:03,040 --> 00:39:05,440
Speaker 1: was just whether she's a good actress, which is completely

652
00:39:05,480 --> 00:39:09,120
Speaker 1: separate o respect, I don't know and of course the

653
00:39:09,160 --> 00:39:12,400
Speaker 1: thing is I keep saying, Sam, have you seen Personal Shopper?

654
00:39:13,040 --> 00:39:18,200
Speaker 1: And my answer remains, but and I do take back

655
00:39:18,280 --> 00:39:21,040
Speaker 1: what I said. I was watching the Twilight films and

656
00:39:21,080 --> 00:39:24,200
Speaker 1: it had and it was driving me crazy to watch them.

657
00:39:24,400 --> 00:39:26,360
Speaker 1: And that's I think I was coming from a place

658
00:39:26,400 --> 00:39:31,080
Speaker 1: of anger. Yeah, that those films. I'm not ready to

659
00:39:31,080 --> 00:39:35,439
Speaker 1: be reclaimed quite yet. They're not though, guys. Yeah, I

660
00:39:35,480 --> 00:39:37,480
Speaker 1: like what I missed it, I missed a little bit.

661
00:39:37,640 --> 00:39:45,960
Speaker 1: Now back, Oh did you know that? Yeah? Why know

662
00:39:46,000 --> 00:39:49,360
Speaker 1: you're an introvert. What are you guys talking about? Well,

663
00:39:49,400 --> 00:39:51,000
Speaker 1: you know, I think it was actually a good time

664
00:39:51,040 --> 00:39:56,080
Speaker 1: to maybe move on. Great because imagine, truly imagine how

665
00:39:56,280 --> 00:39:58,640
Speaker 1: boring it would be if we were like, well, actually

666
00:39:58,640 --> 00:40:00,719
Speaker 1: we were talking about this and then we like had

667
00:40:00,760 --> 00:40:05,920
Speaker 1: to really did, like imagine, I don't want right natally,

668
00:40:06,560 --> 00:40:12,800
Speaker 1: What the hell is your topic? Okay, so my topic

669
00:40:13,200 --> 00:40:16,400
Speaker 1: is and this is a thing of straight culture if

670
00:40:16,400 --> 00:40:22,880
Speaker 1: I'm understanding everything, Yes, is penis straws. And maybe people

671
00:40:22,920 --> 00:40:25,799
Speaker 1: don't know what you have the visual exactly, but you

672
00:40:25,880 --> 00:40:28,680
Speaker 1: google it, it it will come up like those plastic straws

673
00:40:28,800 --> 00:40:31,840
Speaker 1: that you have on like Bachelor at weekends. I have

674
00:40:31,880 --> 00:40:34,719
Speaker 1: a penis at the top, so you're like sucking on

675
00:40:34,760 --> 00:40:37,440
Speaker 1: a penis to get to the like gen tonic or whatever.

676
00:40:38,920 --> 00:40:42,960
Speaker 1: And I mean, I'm a bridesmaid, I've been one. Do

677
00:40:43,000 --> 00:40:46,319
Speaker 1: you identify as one more broadly just out of out

678
00:40:46,320 --> 00:40:52,680
Speaker 1: of cont specific event even when the wedding ends. I

679
00:40:52,680 --> 00:40:55,200
Speaker 1: think if someone tells you something enough times about yourself,

680
00:40:55,200 --> 00:40:57,960
Speaker 1: you start to believe them. And it's kind of like,

681
00:40:57,760 --> 00:41:01,360
Speaker 1: how like, you know, there's a kind of harmful stereotype

682
00:41:01,400 --> 00:41:04,400
Speaker 1: of like straight women like experimenting with queerness in college

683
00:41:04,480 --> 00:41:06,839
Speaker 1: or something, and that it's like and and and then

684
00:41:07,000 --> 00:41:10,279
Speaker 1: they you know, get whatever. It's like You're like, no,

685
00:41:10,360 --> 00:41:13,480
Speaker 1: I wasn't experimenting with being a bridesmaid, Like that's my identity.

686
00:41:14,680 --> 00:41:16,919
Speaker 1: You're like, yeah, for the night. I'm like, how many

687
00:41:16,960 --> 00:41:21,239
Speaker 1: times I have to tell you like it was me? Um,

688
00:41:21,280 --> 00:41:25,439
Speaker 1: but I have, I've been one. I do identify and um,

689
00:41:25,480 --> 00:41:27,720
Speaker 1: like I've been on Bachelor Ate weekends and the penis

690
00:41:27,719 --> 00:41:29,560
Speaker 1: straw is like a big part of it. And it's

691
00:41:29,600 --> 00:41:32,799
Speaker 1: a very straight activity to suck out of the penis straw.

692
00:41:33,200 --> 00:41:38,239
Speaker 1: Yeah for me? Can I say more? Please? Okay? Basically

693
00:41:38,320 --> 00:41:40,920
Speaker 1: I feel like there's this thing on bachelor at weekends.

694
00:41:41,520 --> 00:41:43,919
Speaker 1: How do you guys on bachelor Weekend? I've been a

695
00:41:43,960 --> 00:41:49,840
Speaker 1: bride's man for my best friend jen and very briefly

696
00:41:49,880 --> 00:41:55,319
Speaker 1: there was a penis element to it than you wasn't

697
00:41:55,360 --> 00:41:59,240
Speaker 1: pinned the tail? Actually, you know what? I think maybe

698
00:41:59,320 --> 00:42:01,560
Speaker 1: that might have been of it, but I now can't remember.

699
00:42:01,880 --> 00:42:06,640
Speaker 1: But more importantly, we were very My friend jen Um

700
00:42:07,200 --> 00:42:11,919
Speaker 1: got married relatively young. We were like and the thing

701
00:42:12,080 --> 00:42:15,520
Speaker 1: that her brides her maid of honor plan was a

702
00:42:15,640 --> 00:42:20,239
Speaker 1: nude drawing class where there was a naked guy and

703
00:42:20,320 --> 00:42:23,279
Speaker 1: we all were taught how to draw him by this

704
00:42:23,360 --> 00:42:27,560
Speaker 1: like kind of domineering woman who was part of the

705
00:42:28,280 --> 00:42:32,880
Speaker 1: It was the one like peddling him. So we started.

706
00:42:33,040 --> 00:42:35,239
Speaker 1: First of all, it was at this like gorgeous airbnb

707
00:42:36,120 --> 00:42:38,439
Speaker 1: that was kind of like a loft. So we did

708
00:42:38,480 --> 00:42:41,719
Speaker 1: the drawing and then we went out and this was

709
00:42:41,760 --> 00:42:45,719
Speaker 1: in London and we had British person Bingo, so it

710
00:42:45,760 --> 00:42:47,880
Speaker 1: was like we would go out bar hopping and it

711
00:42:47,880 --> 00:42:51,279
Speaker 1: would be like, okay, did you meet someone who is

712
00:42:51,360 --> 00:42:54,280
Speaker 1: from Essex? Did you meet someone who voted yes on Brexit?

713
00:42:54,440 --> 00:42:57,360
Speaker 1: And you would like to do the Bengo card And

714
00:42:58,200 --> 00:43:00,640
Speaker 1: some of them were kind of you. Thank you for

715
00:43:00,680 --> 00:43:02,920
Speaker 1: asking that question. What did you say, Natalie, you were

716
00:43:03,000 --> 00:43:09,480
Speaker 1: in England. We were in London, guy, did you say, oh, sorry,

717
00:43:11,360 --> 00:43:18,880
Speaker 1: go around healths kitchen. I'm so sorry. Her husband is British.

718
00:43:19,200 --> 00:43:22,239
Speaker 1: They got married in London. Oh yeah, that helps so much.

719
00:43:22,840 --> 00:43:28,879
Speaker 1: The batch it was in London. We drew a naked guy.

720
00:43:29,160 --> 00:43:31,879
Speaker 1: Then we went out bar hopping and that was about

721
00:43:32,280 --> 00:43:34,920
Speaker 1: and there were there was definitely penis paraphernalia, but I

722
00:43:34,920 --> 00:43:36,680
Speaker 1: can't remember exactly what it was like. I don't know

723
00:43:36,719 --> 00:43:38,520
Speaker 1: if it was straws. I don't know if it was stickers.

724
00:43:38,560 --> 00:43:40,520
Speaker 1: I don't know if it was you know, confetti that

725
00:43:40,560 --> 00:43:43,120
Speaker 1: was shaped like penises. But there was an element of

726
00:43:43,200 --> 00:43:46,359
Speaker 1: that for sure, totally that And that is the only

727
00:43:46,400 --> 00:43:48,960
Speaker 1: time I've ever been in a bridal party. Okay, thank you,

728
00:43:49,200 --> 00:43:51,120
Speaker 1: And I'm taking all of that in. And I have

729
00:43:51,200 --> 00:43:52,880
Speaker 1: been in the bridal party once, but I did not

730
00:43:53,000 --> 00:43:57,800
Speaker 1: go to the bachelor at party. Been to a bachelor party.

731
00:43:58,280 --> 00:44:03,359
Speaker 1: Um not not. It wasn't political, um, I wasn't trying

732
00:44:03,400 --> 00:44:07,239
Speaker 1: to make my voice heard by by being silent. I

733
00:44:07,360 --> 00:44:10,120
Speaker 1: just sort of I think it was like, you know,

734
00:44:10,280 --> 00:44:13,560
Speaker 1: part of me has trouble committing to sort of the

735
00:44:13,600 --> 00:44:19,439
Speaker 1: flights and sort of the costs of part of it. Yeah,

736
00:44:19,480 --> 00:44:21,440
Speaker 1: there is that there's a part of me that doesn't

737
00:44:21,440 --> 00:44:27,160
Speaker 1: want to pay for it. Yeah, it's a burden. Well,

738
00:44:27,239 --> 00:44:31,680
Speaker 1: basically the theory is like at a bachelor at weekend,

739
00:44:31,680 --> 00:44:34,080
Speaker 1: and this kind of goes for any straight like girls

740
00:44:34,239 --> 00:44:37,480
Speaker 1: night or whatever. There's like a lot of work done

741
00:44:37,520 --> 00:44:42,680
Speaker 1: to like invoke sex and like sexiness and like something illicit,

742
00:44:42,760 --> 00:44:45,239
Speaker 1: like kind of something's happening right now, you know what

743
00:44:45,280 --> 00:44:49,719
Speaker 1: I mean, Because it's a very like unsexual like kind

744
00:44:49,719 --> 00:44:53,120
Speaker 1: of known environment, like nothing's going to happen tonight. But

745
00:44:53,160 --> 00:44:55,000
Speaker 1: we have these penis draws are like, oh, we're doing

746
00:44:55,040 --> 00:44:57,480
Speaker 1: something a listed or like we're looking at a naked guy,

747
00:44:57,520 --> 00:44:59,799
Speaker 1: like we're drawing a penis, you know, like that kind

748
00:44:59,800 --> 00:45:02,520
Speaker 1: of and wearing the penis hat, or like we're playing

749
00:45:02,520 --> 00:45:04,400
Speaker 1: a game where we talk about sex, you know what

750
00:45:04,480 --> 00:45:06,400
Speaker 1: I mean, Like you never have I ever or whatever.

751
00:45:06,880 --> 00:45:10,760
Speaker 1: And I feel like it's very straight because with gay

752
00:45:10,840 --> 00:45:14,279
Speaker 1: people it's not there's not no sex, you know what

753
00:45:14,360 --> 00:45:19,400
Speaker 1: I mean. The X is always on the table like

754
00:45:19,880 --> 00:45:21,840
Speaker 1: or whatever. Like if you're in a group of gay people,

755
00:45:21,880 --> 00:45:24,160
Speaker 1: it's like it's not like oh yeah, like, well, that's

756
00:45:24,200 --> 00:45:31,920
Speaker 1: nothing would ever happen between any of that, right maybe,

757
00:45:32,040 --> 00:45:33,360
Speaker 1: and I'm not god, I don't know what's going to

758
00:45:33,440 --> 00:45:37,040
Speaker 1: happen something. So that kind of thing of like really

759
00:45:37,040 --> 00:45:40,400
Speaker 1: working hard to like add sex in like an obvious way,

760
00:45:40,640 --> 00:45:43,040
Speaker 1: you know what I mean, is a straight thing. You

761
00:45:43,120 --> 00:45:47,040
Speaker 1: also point out the whole point of like bachelor bachelor

762
00:45:47,200 --> 00:45:49,880
Speaker 1: parties too, is like we have to go wild because

763
00:45:49,920 --> 00:45:52,600
Speaker 1: after this we only have sex with this one person

764
00:45:52,920 --> 00:45:56,480
Speaker 1: and we never are fun again because well then the

765
00:45:56,560 --> 00:46:01,560
Speaker 1: kids come and no home and um and uh. Whereas

766
00:46:01,600 --> 00:46:04,520
Speaker 1: I do think people are like marriage does not mean

767
00:46:05,440 --> 00:46:09,520
Speaker 1: um that in the same sense. I actually think that

768
00:46:09,840 --> 00:46:13,480
Speaker 1: first rate people, even bachelorettes and bachelor parties, have strayed

769
00:46:13,520 --> 00:46:16,279
Speaker 1: too far from the original thing, which was like have

770
00:46:16,520 --> 00:46:22,000
Speaker 1: sex one more time before you with someone else. There's

771
00:46:22,040 --> 00:46:26,880
Speaker 1: actually there's actually something almost beautiful in the simplicity of

772
00:46:26,880 --> 00:46:30,320
Speaker 1: a bachelor party at like a strip club, because you're like, okay,

773
00:46:30,360 --> 00:46:32,719
Speaker 1: this is straightforward, where it's like to have a bachelotte

774
00:46:32,760 --> 00:46:38,040
Speaker 1: party where it's like penises, penises, what are we doing here?

775
00:46:38,560 --> 00:46:41,319
Speaker 1: Totally like at least like a bachelor party back in

776
00:46:41,360 --> 00:46:44,000
Speaker 1: the day was like you're not married yet you should

777
00:46:44,000 --> 00:46:45,960
Speaker 1: have you should suck a girl, you know what I mean?

778
00:46:46,960 --> 00:46:49,240
Speaker 1: And then they would and then no, in our modern

779
00:46:49,360 --> 00:46:52,799
Speaker 1: day conception of commitment or whatever, like oh we're not

780
00:46:53,520 --> 00:46:55,600
Speaker 1: we don't have sex with other people, so that's cheating

781
00:46:55,640 --> 00:46:58,520
Speaker 1: and it'll still be cheating tomorrow. It's like, then what

782
00:46:58,560 --> 00:47:01,000
Speaker 1: are we doing here? You know what I mean? Why

783
00:47:01,040 --> 00:47:04,120
Speaker 1: it's the nights so different than tomorrow? Yeah, yeah, you're

784
00:47:04,160 --> 00:47:09,440
Speaker 1: completely right. I'm making like, um, like a mid summer

785
00:47:09,920 --> 00:47:13,919
Speaker 1: style ritualistic It should end with like and now here

786
00:47:13,960 --> 00:47:16,880
Speaker 1: is a naked person have sex with them? People should

787
00:47:16,920 --> 00:47:28,640
Speaker 1: die and there should be blood. No. Um, the like

788
00:47:28,680 --> 00:47:31,200
Speaker 1: a lot of Glazer movie where they like kill something

789
00:47:32,200 --> 00:47:35,279
Speaker 1: that is, by the way, the feeling of a bachelorette

790
00:47:35,280 --> 00:47:38,320
Speaker 1: party where it's like something needs to happen, you know

791
00:47:38,360 --> 00:47:41,560
Speaker 1: what I mean, Like in that movie it's murder, But

792
00:47:41,640 --> 00:47:44,560
Speaker 1: that's the feeling of like this night needs to be

793
00:47:44,600 --> 00:47:47,960
Speaker 1: like alive, and yeah it's not going to well that's it.

794
00:47:48,080 --> 00:47:53,840
Speaker 1: Well that's the the stilted promise of the bachelor party.

795
00:47:53,880 --> 00:47:56,319
Speaker 1: It's like, well, you want to go crazy, but you're

796
00:47:56,320 --> 00:47:59,040
Speaker 1: not going to do the one thing, like you're not

797
00:47:59,080 --> 00:48:02,160
Speaker 1: gonna have sex with something like, so then you have

798
00:48:02,280 --> 00:48:05,839
Speaker 1: to just like I find all these ways to get

799
00:48:05,880 --> 00:48:10,400
Speaker 1: all right to the edge, but not jump right totally.

800
00:48:10,760 --> 00:48:13,359
Speaker 1: And it comes in the form of a straw. Yeah.

801
00:48:13,880 --> 00:48:17,360
Speaker 1: When you are at these bachelor at parties, are you

802
00:48:17,440 --> 00:48:21,239
Speaker 1: having fun? Um? Yeah, a lot of the time. I

803
00:48:21,280 --> 00:48:23,320
Speaker 1: just went to one for my friend a couple of

804
00:48:23,320 --> 00:48:26,160
Speaker 1: months ago. It was just like a random house. I

805
00:48:26,200 --> 00:48:28,799
Speaker 1: got there, there was a horse nearby, and I did

806
00:48:28,880 --> 00:48:31,160
Speaker 1: shrooms and I looked at the horse. It was amazing,

807
00:48:31,680 --> 00:48:36,040
Speaker 1: you know, And it was really fun. But then there

808
00:48:36,080 --> 00:48:40,440
Speaker 1: were penis straws and and I and I am a

809
00:48:40,480 --> 00:48:42,919
Speaker 1: wrinkle in it, you know what I mean, Like sure

810
00:48:43,920 --> 00:48:47,680
Speaker 1: that it's like, oh the penis straw And I'm like, yeah,

811
00:48:47,800 --> 00:48:50,120
Speaker 1: you know what I mean. It's kind of like, don't

812
00:48:50,239 --> 00:48:53,719
Speaker 1: don't think too hard about the whole thing. But but

813
00:48:53,800 --> 00:48:56,440
Speaker 1: I do. But I do. Um, I do have a

814
00:48:56,440 --> 00:48:59,520
Speaker 1: lot of fun all the time in my life. There

815
00:48:59,600 --> 00:49:02,360
Speaker 1: was something about would you say and I don't. I

816
00:49:02,360 --> 00:49:04,960
Speaker 1: don't want you to drag your friends, but like, okay,

817
00:49:05,000 --> 00:49:07,640
Speaker 1: for me, I'm like the bachelor party I'm describing is

818
00:49:07,760 --> 00:49:10,680
Speaker 1: very much. It was not. It was like everything was

819
00:49:10,719 --> 00:49:13,040
Speaker 1: done with a wink. It was a mixed group of

820
00:49:13,080 --> 00:49:15,480
Speaker 1: like women and gay men. It was like all these

821
00:49:15,560 --> 00:49:18,759
Speaker 1: people are like, you know, almost doing commentary on the

822
00:49:18,800 --> 00:49:21,200
Speaker 1: idea of a bachelor party. Like no one was there

823
00:49:21,239 --> 00:49:26,480
Speaker 1: earnestly being like, you know, right, I can't believe you're

824
00:49:26,520 --> 00:49:29,239
Speaker 1: doing it's batch like it wasn't you know. It was

825
00:49:29,360 --> 00:49:32,640
Speaker 1: very much like, oh, isn't it funny that we have penis?

826
00:49:32,680 --> 00:49:35,560
Speaker 1: Things like isn't it funny that we're doing this? You know,

827
00:49:35,920 --> 00:49:38,880
Speaker 1: And I'm almost like I almost crave the simplicity of

828
00:49:38,920 --> 00:49:42,080
Speaker 1: a non ironic like of a match or party where

829
00:49:42,120 --> 00:49:45,839
Speaker 1: it's really like I've been waiting my whole life for this. Yeah,

830
00:49:45,880 --> 00:49:47,719
Speaker 1: I mean, I don't think the ones that I've done

831
00:49:47,719 --> 00:49:51,960
Speaker 1: are ironic. Like, I mean, listen, there's always a wink

832
00:49:52,000 --> 00:49:54,160
Speaker 1: in a odd with a penis hat, of course, you

833
00:49:54,200 --> 00:49:56,760
Speaker 1: know what I mean, Like it's a playful thing. Yeah,

834
00:49:56,800 --> 00:49:58,279
Speaker 1: it would be funny if it would be crazy if

835
00:49:58,320 --> 00:50:01,000
Speaker 1: there wasn't if someone was like, this is a fashion statement,

836
00:50:02,320 --> 00:50:04,160
Speaker 1: of course. And by the way, they'll check the runway

837
00:50:04,200 --> 00:50:07,879
Speaker 1: next year. Like it starts exactly as soon as something

838
00:50:07,960 --> 00:50:10,680
Speaker 1: is laughable, it becomes fashion. Right, you're joking now, but

839
00:50:10,840 --> 00:50:12,640
Speaker 1: literally you're going to be like bidding on one on

840
00:50:12,719 --> 00:50:16,479
Speaker 1: eBay and like, how soon do you think pussy hats

841
00:50:16,480 --> 00:50:20,560
Speaker 1: are going to be reappropriated? Ironically, It's not soon enough.

842
00:50:21,160 --> 00:50:27,319
Speaker 1: We're honestly, I think I actually think it's it's really

843
00:50:27,320 --> 00:50:30,279
Speaker 1: going to take a second because it it felt it's

844
00:50:30,280 --> 00:50:33,399
Speaker 1: in the scars are bad, you know what I mean,

845
00:50:35,360 --> 00:50:38,600
Speaker 1: going to be like a quick bounce back. Oh my god,

846
00:50:39,160 --> 00:50:42,640
Speaker 1: what's wow? That really affected you? I'm sorry, Yeah, oh

847
00:50:42,840 --> 00:50:44,960
Speaker 1: my god, it was the hats you can't think of

848
00:50:45,080 --> 00:50:48,040
Speaker 1: you're talking about how it's not an ironic Oh yeah,

849
00:50:48,080 --> 00:50:50,799
Speaker 1: they're not. They're not ironic. But I will say, like

850
00:50:51,160 --> 00:50:53,600
Speaker 1: it's I mean, it is can be like a really

851
00:50:53,600 --> 00:50:55,359
Speaker 1: fun like you go away with a group of people

852
00:50:55,400 --> 00:50:57,440
Speaker 1: you get to meet, Like if you're the new people

853
00:50:57,480 --> 00:50:59,880
Speaker 1: you're meeting are fun. That's a great element, you know,

854
00:51:00,000 --> 00:51:05,560
Speaker 1: I mean like college friends or whatever. Yes, I love that.

855
00:51:05,560 --> 00:51:08,160
Speaker 1: That's like the best part of a wedding. Yeah, I know,

856
00:51:08,560 --> 00:51:11,200
Speaker 1: I mean, yeah, that is. Like I do think like

857
00:51:11,400 --> 00:51:14,839
Speaker 1: sometimes like queer weddings are kind of trying to like

858
00:51:15,280 --> 00:51:19,279
Speaker 1: reinment the wheel a little bit, you know, and it's

859
00:51:19,360 --> 00:51:21,719
Speaker 1: kind of like, you know what, it's no problem. You

860
00:51:21,719 --> 00:51:24,040
Speaker 1: can do whatever you want, but like the wheel is like,

861
00:51:24,440 --> 00:51:28,000
Speaker 1: it's not bad. You know it's been tested. Yeah, it's

862
00:51:28,040 --> 00:51:31,799
Speaker 1: been It's tired and true. So I don't know, are

863
00:51:31,840 --> 00:51:34,439
Speaker 1: you guys like gonna get married you think to each

864
00:51:34,480 --> 00:51:38,680
Speaker 1: other or whatever? Maybe after we see your couple of

865
00:51:38,680 --> 00:51:43,920
Speaker 1: therapist mom, I do I like, honestly, if it were

866
00:51:43,960 --> 00:51:47,840
Speaker 1: done well, I really love the premise of a bachelor

867
00:51:47,960 --> 00:51:52,360
Speaker 1: bachelorette party. It sounds so fun, and I'm at this

868
00:51:52,400 --> 00:51:55,560
Speaker 1: point in my life just desperately seeking excuses for people

869
00:51:55,600 --> 00:52:03,439
Speaker 1: to commit to having fun. I'm I'm tired of oh yeah,

870
00:52:03,520 --> 00:52:05,600
Speaker 1: let's I'll pop in for a drink, but then I

871
00:52:05,640 --> 00:52:07,960
Speaker 1: have to go to that thing. It's like no, no, no,

872
00:52:08,000 --> 00:52:10,680
Speaker 1: I want your complete attention. I want you to be

873
00:52:10,760 --> 00:52:12,680
Speaker 1: in a hotel room with me and you have to

874
00:52:12,719 --> 00:52:18,120
Speaker 1: go to sleep here and wake up here. You want

875
00:52:18,160 --> 00:52:19,560
Speaker 1: like what do you want them? You want like a

876
00:52:19,600 --> 00:52:22,279
Speaker 1: big weekend away or you want like a crazy night?

877
00:52:22,400 --> 00:52:24,200
Speaker 1: Do you know what I mean? That's a great question.

878
00:52:24,840 --> 00:52:27,319
Speaker 1: It doesn't need to be a big weekend away. But

879
00:52:27,600 --> 00:52:33,200
Speaker 1: I want a small weekend away. Like it's say maybe

880
00:52:33,200 --> 00:52:35,960
Speaker 1: like Atlantic City, it's like an hour. I want to go,

881
00:52:36,040 --> 00:52:39,200
Speaker 1: like an hour out of town. So everyone's everyone's committed

882
00:52:39,239 --> 00:52:41,600
Speaker 1: to being there, and it's it's not hard to get there,

883
00:52:41,760 --> 00:52:44,520
Speaker 1: and then you just everyone is on the same page

884
00:52:44,560 --> 00:52:46,680
Speaker 1: of like going for it and being a lot of fun.

885
00:52:47,719 --> 00:52:50,359
Speaker 1: I would I'm imagining. Maybe this is boring, but like

886
00:52:50,760 --> 00:52:54,680
Speaker 1: I'm imagining an upstate house with the right crew. You

887
00:52:54,680 --> 00:52:57,200
Speaker 1: guys are really describing the two kids like the two

888
00:52:57,280 --> 00:53:00,600
Speaker 1: best kinds, you know, Like I do think Atlantic City

889
00:53:00,640 --> 00:53:02,120
Speaker 1: would take me out of it. I'm going to be honest,

890
00:53:02,160 --> 00:53:04,920
Speaker 1: like I need to be I need to not be

891
00:53:04,960 --> 00:53:08,560
Speaker 1: affected by my surroundings, Like I don't need to see

892
00:53:08,600 --> 00:53:11,480
Speaker 1: someone stumbling on the street, you know, Like I I

893
00:53:11,520 --> 00:53:15,200
Speaker 1: wanted to stimuli, yes, or I want to be in

894
00:53:15,239 --> 00:53:19,440
Speaker 1: control of the stimuli. Okay, I love that. I do

895
00:53:19,560 --> 00:53:23,239
Speaker 1: want the option to go to a bar, like specifically

896
00:53:23,280 --> 00:53:27,560
Speaker 1: like a smaller city bar I find to be so fun. Yeah,

897
00:53:27,680 --> 00:53:31,000
Speaker 1: well yeah, I mean, unfortunately, have the trauma of going

898
00:53:31,000 --> 00:53:34,480
Speaker 1: to a small bar in Maine and singing karaoke with

899
00:53:34,520 --> 00:53:39,520
Speaker 1: a woman and we did um the pink song some ballad,

900
00:53:41,160 --> 00:53:47,080
Speaker 1: She's amazing. It was called who Knew? Really? Yeah, it

901
00:53:47,160 --> 00:53:50,759
Speaker 1: was Who Knew? The Connected? Are we right now? That

902
00:53:50,800 --> 00:53:53,840
Speaker 1: was great? But here's here's the thing. Then I was

903
00:53:53,880 --> 00:53:56,200
Speaker 1: like we were saying it together, and I was like trying.

904
00:53:56,280 --> 00:53:59,480
Speaker 1: I was being a little a stranger. Yeah, she was

905
00:54:00,000 --> 00:54:02,040
Speaker 1: her forties. I was being a little kind of and

906
00:54:02,120 --> 00:54:05,720
Speaker 1: I was taking the role of like gay guy who's like, yes, queen,

907
00:54:05,760 --> 00:54:07,320
Speaker 1: you know. I was doing a little bit of that whatever.

908
00:54:07,320 --> 00:54:13,759
Speaker 1: We're in karaoke fine, um, And and then I was

909
00:54:13,800 --> 00:54:15,919
Speaker 1: like trying to be like cutie with her. And then

910
00:54:15,960 --> 00:54:18,040
Speaker 1: she was like truly turned to me and had like

911
00:54:18,080 --> 00:54:20,280
Speaker 1: tears in her eyes and was like, this song reminds

912
00:54:20,280 --> 00:54:22,520
Speaker 1: me of my baby, who I haven't seen in so long.

913
00:54:22,880 --> 00:54:25,279
Speaker 1: And I was like, oh, and then I actually that

914
00:54:25,400 --> 00:54:30,080
Speaker 1: experience was immensely dramatic in terms of like suddenly being

915
00:54:30,080 --> 00:54:32,160
Speaker 1: brought down to earth when I thought I truly was

916
00:54:32,200 --> 00:54:35,160
Speaker 1: like I'm a tourist in this small city and I'm like,

917
00:54:35,680 --> 00:54:39,200
Speaker 1: I'm like having fun with this random woman. And there

918
00:54:39,280 --> 00:54:42,400
Speaker 1: was just like a real like down to earth moment

919
00:54:42,520 --> 00:54:45,799
Speaker 1: where I truly still think about it to this day

920
00:54:46,160 --> 00:54:49,760
Speaker 1: and that that has like affected how I how I see,

921
00:54:49,840 --> 00:54:54,879
Speaker 1: like knowing how when I'm somewhere else. No, there's than

922
00:54:54,960 --> 00:54:58,080
Speaker 1: like a person who's like a casual stranger slash friend,

923
00:54:58,200 --> 00:55:00,680
Speaker 1: like trying to become like a three to mentional person

924
00:55:00,800 --> 00:55:06,239
Speaker 1: with you, Like, let's acknowledge what this is, like we

925
00:55:06,800 --> 00:55:11,319
Speaker 1: are performing a person for each other. Right, Yeah. I

926
00:55:11,360 --> 00:55:13,759
Speaker 1: wonder how she thinks about it though, Like maybe she's like,

927
00:55:14,400 --> 00:55:16,399
Speaker 1: oh my god, like that night, like I was so

928
00:55:16,520 --> 00:55:20,080
Speaker 1: held by that guy that I did. Know what I mean,

929
00:55:20,400 --> 00:55:23,160
Speaker 1: I will say, to my credit, I did step up

930
00:55:23,160 --> 00:55:25,280
Speaker 1: to the plate and then like have like pretty intense

931
00:55:25,280 --> 00:55:28,280
Speaker 1: conversation with her. It sounds like you did. That's probably

932
00:55:28,280 --> 00:55:31,759
Speaker 1: why it's traumatic for you. You gave it to her,

933
00:55:31,880 --> 00:55:34,239
Speaker 1: you know what I mean, And it's good that you

934
00:55:34,320 --> 00:55:37,000
Speaker 1: did it, But it was also crazy that to me

935
00:55:37,200 --> 00:55:39,359
Speaker 1: that song, who knew I was almost doing it. I

936
00:55:39,400 --> 00:55:41,560
Speaker 1: was like, oh my god, so random that it's like this,

937
00:55:42,160 --> 00:55:43,960
Speaker 1: And then she was like, the song is really meaningful

938
00:55:44,000 --> 00:55:46,920
Speaker 1: to me. I can't. I mean, there's no way to

939
00:55:46,920 --> 00:55:49,279
Speaker 1: talk about it without sounding like an asshole. But well,

940
00:55:49,320 --> 00:55:51,440
Speaker 1: I do think that Pink has that funny ability to

941
00:55:51,520 --> 00:55:54,719
Speaker 1: be very very much a joke to some people and

942
00:55:54,920 --> 00:55:59,279
Speaker 1: literally like a prince to other people. You know, my

943
00:55:59,280 --> 00:56:06,000
Speaker 1: my mom is addicted to Pink. You know. That's like

944
00:56:06,800 --> 00:56:10,719
Speaker 1: I genuinely wish I could, like I don't enjoy like

945
00:56:10,800 --> 00:56:13,719
Speaker 1: being having a different opinion on it, Like I wish

946
00:56:13,719 --> 00:56:17,319
Speaker 1: I could just be like hell, yes, but more like

947
00:56:17,400 --> 00:56:19,120
Speaker 1: she'll be like, so what do you like? Do you

948
00:56:19,680 --> 00:56:21,920
Speaker 1: like pink? And like do get guys like pink? And

949
00:56:24,280 --> 00:56:27,200
Speaker 1: wait that I should have done that as my topic.

950
00:56:27,280 --> 00:56:31,120
Speaker 1: Pink is such a good topic, pink should I should?

951
00:56:31,120 --> 00:56:34,440
Speaker 1: I save it for someone else. There's nobody straighter, especially

952
00:56:34,440 --> 00:56:38,440
Speaker 1: how dikey she looks is. It's amazing the way that

953
00:56:38,520 --> 00:56:41,239
Speaker 1: she can look and act and how straight she can

954
00:56:41,280 --> 00:56:44,640
Speaker 1: still seem and be. Yeah, well it's all these signifiers.

955
00:56:44,680 --> 00:56:46,239
Speaker 1: Do you would think like, oh, she's really good friends

956
00:56:46,239 --> 00:56:48,160
Speaker 1: with Ellen, like all these things that maybe to a

957
00:56:48,200 --> 00:56:51,279
Speaker 1: straight person would read as queer, but actually her even

958
00:56:51,280 --> 00:56:54,960
Speaker 1: more straight. It's an amazing right, George, Yes, Like it's

959
00:56:55,040 --> 00:56:57,680
Speaker 1: it's just an example of how like the facts don't

960
00:56:57,680 --> 00:57:01,640
Speaker 1: tell the whole story, like you really represent just looking

961
00:57:01,680 --> 00:57:04,200
Speaker 1: at the raw data, like yeo, do you have a

962
00:57:04,280 --> 00:57:07,879
Speaker 1: short haircut because she liked to do aerial tricks. Yeah,

963
00:57:07,920 --> 00:57:11,160
Speaker 1: but she's not a lesbian and she can act like one.

964
00:57:12,080 --> 00:57:15,480
Speaker 1: And you're so thank you for bringing raw data, the

965
00:57:15,520 --> 00:57:17,640
Speaker 1: concept of broad data into it, because it goes to

966
00:57:17,640 --> 00:57:20,680
Speaker 1: show you how relying on stem does not tell the

967
00:57:20,680 --> 00:57:23,040
Speaker 1: whole story. Like that's why you need a kind of

968
00:57:23,120 --> 00:57:28,840
Speaker 1: liberal arts education. You can't just rely on the data. Yeah,

969
00:57:28,880 --> 00:57:31,080
Speaker 1: and you have to rely a lot on like vibe

970
00:57:31,200 --> 00:57:35,520
Speaker 1: is something. Yeah, Yeah, did you get to the bottom

971
00:57:35,560 --> 00:57:38,200
Speaker 1: of penis straws? Well, I'm almost like, Natalie, do you

972
00:57:38,320 --> 00:57:41,200
Speaker 1: have anything you want to say about specifically penis straws?

973
00:57:41,440 --> 00:57:43,640
Speaker 1: Which you totally don't have to because to me, this

974
00:57:43,680 --> 00:57:47,960
Speaker 1: topic has always been about the concept of well, I mean,

975
00:57:48,000 --> 00:57:51,960
Speaker 1: the penis straw like itself, I think is just like

976
00:57:52,040 --> 00:57:56,880
Speaker 1: embodies the thing of like, oh, like I'm doing something sexual,

977
00:57:57,240 --> 00:57:59,000
Speaker 1: you know what I mean, like needing to be like

978
00:57:59,600 --> 00:58:03,280
Speaker 1: this is sexy when you're with all girls. I'm drinking

979
00:58:03,280 --> 00:58:05,080
Speaker 1: out of it, Like I'm putting my mouth to the

980
00:58:05,120 --> 00:58:09,960
Speaker 1: little tip of the shafts on the straw. And you

981
00:58:09,960 --> 00:58:12,760
Speaker 1: wouldn't have to do that if you were gay, you

982
00:58:12,840 --> 00:58:15,280
Speaker 1: know what I'm saying. Yeah, you wouldn't. You wouldn't have

983
00:58:15,320 --> 00:58:17,800
Speaker 1: to bring it in so hard with the straw. Yeah,

984
00:58:17,960 --> 00:58:22,240
Speaker 1: but I actually I actually wish they would though. Okay, sorry,

985
00:58:22,320 --> 00:58:27,000
Speaker 1: I'm I love it. Yeah, Okay, hear me out a

986
00:58:27,080 --> 00:58:34,960
Speaker 1: gay bar. That's bachelorette party themes wait and wait, yeah,

987
00:58:36,640 --> 00:58:42,840
Speaker 1: yeah yeah, and all the drinks have penis straws are

988
00:58:42,840 --> 00:58:45,120
Speaker 1: wearing penis hats. You get like it's like a joke.

989
00:58:45,320 --> 00:58:48,520
Speaker 1: It's like a commentary. Literally, gay men wearing batch threat

990
00:58:49,120 --> 00:58:52,520
Speaker 1: like bride and pin the penis on the guy in

991
00:58:52,560 --> 00:58:55,720
Speaker 1: the corners. Okay, right, okay, you guys actually have your

992
00:58:55,760 --> 00:58:57,480
Speaker 1: next projects. By the way, door, do you need to

993
00:58:57,480 --> 00:59:01,680
Speaker 1: write that movie about Reagan Corcasses and Sam. You actually

994
00:59:01,720 --> 00:59:03,320
Speaker 1: have to start this bar and literally we need to

995
00:59:03,320 --> 00:59:07,040
Speaker 1: get you like seed money. I'm so excited for you guys.

996
00:59:07,120 --> 00:59:11,840
Speaker 1: This is crazy, that is amazing. I mean you would go, right,

997
00:59:12,240 --> 00:59:17,920
Speaker 1: I would you know who else would go? Yeah, they

998
00:59:18,040 --> 00:59:24,120
Speaker 1: like it, but they would go and then and they

999
00:59:24,120 --> 00:59:28,120
Speaker 1: would be fun for the guys there, Yeah, and they

1000
00:59:28,120 --> 00:59:30,800
Speaker 1: would kind of props. It's funny because one of the

1001
00:59:30,800 --> 00:59:33,200
Speaker 1: most frustrating, I feel like, quote unquote debates is when

1002
00:59:33,280 --> 00:59:35,520
Speaker 1: gay men are like straight women need to stop going

1003
00:59:35,560 --> 00:59:38,000
Speaker 1: to game like batch no more batch stort parties at

1004
00:59:38,040 --> 00:59:42,640
Speaker 1: gave bars, and then it's like this is like what Yeah,

1005
00:59:42,680 --> 00:59:45,760
Speaker 1: I just like stumbled into that, but it's just like

1006
00:59:47,120 --> 00:59:50,960
Speaker 1: it's not that simple, Like you can't this isn't like

1007
00:59:50,960 --> 00:59:54,000
Speaker 1: a clear punching up, punching down thing like gave bar

1008
00:59:54,040 --> 00:59:56,160
Speaker 1: should be for everyone. So then it's like, well, you're

1009
00:59:56,200 --> 01:00:01,640
Speaker 1: almost like remixing that and making it completely nonsensical where

1010
01:00:01,680 --> 01:00:05,080
Speaker 1: you're like, Okay, no one's on top here, No everyone's

1011
01:00:05,120 --> 01:00:08,400
Speaker 1: on the bottom, and and it's like, oh, like why

1012
01:00:08,400 --> 01:00:09,960
Speaker 1: are these women at the gay bars? But but if

1013
01:00:09,960 --> 01:00:12,440
Speaker 1: they came to this gay bar, they would be a

1014
01:00:12,480 --> 01:00:16,000
Speaker 1: fun prop for the guy. Like it's really for the guys,

1015
01:00:16,560 --> 01:00:18,120
Speaker 1: you know what I mean, Like you could have like

1016
01:00:18,120 --> 01:00:20,160
Speaker 1: a photo booth in the corner and and you're like,

1017
01:00:20,160 --> 01:00:22,600
Speaker 1: oh my god, look, you know. It's in the same

1018
01:00:22,640 --> 01:00:24,479
Speaker 1: way that it's like girls go to the gay bars

1019
01:00:24,480 --> 01:00:28,320
Speaker 1: and be like it's gay, But but they would be

1020
01:00:28,320 --> 01:00:29,920
Speaker 1: the ones that are like, do you guys know what

1021
01:00:29,920 --> 01:00:31,680
Speaker 1: I'm saying? I do get what you're saying, and I

1022
01:00:31,720 --> 01:00:33,360
Speaker 1: think you're do you think I should say it for

1023
01:00:33,400 --> 01:00:36,960
Speaker 1: like another half hour? Well it was it was hard

1024
01:00:37,000 --> 01:00:38,560
Speaker 1: because it was like we can't interrupt, you know, like

1025
01:00:38,600 --> 01:00:43,640
Speaker 1: so we're just like a natural conclusion. Um. You know.

1026
01:00:43,680 --> 01:00:45,919
Speaker 1: I used to think that like bachelor party at gay

1027
01:00:45,920 --> 01:00:49,560
Speaker 1: bars thing like had kind of like aged out, like

1028
01:00:49,600 --> 01:00:52,560
Speaker 1: I thought it didn't exist anymore. And then a few

1029
01:00:52,640 --> 01:00:55,000
Speaker 1: years ago we were on Fire Island, which you know,

1030
01:00:55,080 --> 01:00:58,080
Speaker 1: it's like hard to get there, hard to get housing there,

1031
01:00:58,080 --> 01:01:00,600
Speaker 1: like it's like a commitment. And there was a full

1032
01:01:00,680 --> 01:01:04,600
Speaker 1: bachelor that's the housing crisis. There was a full bachelor

1033
01:01:04,640 --> 01:01:09,120
Speaker 1: head party fully on Fire Island, like treating you get

1034
01:01:09,200 --> 01:01:11,800
Speaker 1: here and they're like treating the game in like props.

1035
01:01:11,880 --> 01:01:14,880
Speaker 1: And I was like, this is crazy, Like you don't

1036
01:01:14,920 --> 01:01:17,960
Speaker 1: understand where you are. Can I tell you something? You

1037
01:01:18,160 --> 01:01:21,640
Speaker 1: think that most straight women at this point have multiple

1038
01:01:21,680 --> 01:01:25,600
Speaker 1: gay friends. It is shocking how not true that is.

1039
01:01:25,920 --> 01:01:28,320
Speaker 1: And so and it is way more often And I'm

1040
01:01:28,360 --> 01:01:30,280
Speaker 1: not saying I'm offended by this. I don't care, but

1041
01:01:30,360 --> 01:01:32,680
Speaker 1: it is way more often than you think that you

1042
01:01:32,680 --> 01:01:35,040
Speaker 1: will suddenly be spoken to by a straight woman as

1043
01:01:35,080 --> 01:01:38,280
Speaker 1: though it's like and she's watching Will and Grace. It is.

1044
01:01:38,440 --> 01:01:41,960
Speaker 1: It is shocking because you kind of think, like New

1045
01:01:42,040 --> 01:01:47,000
Speaker 1: York like media representation, like surely every kind of cool

1046
01:01:47,080 --> 01:01:50,240
Speaker 1: looking straight woman has a few close game ill friends.

1047
01:01:50,280 --> 01:01:52,400
Speaker 1: You just kind of think like that's part of the world.

1048
01:01:52,440 --> 01:01:58,160
Speaker 1: Now it really is. I am constantly, constantly shocked by this. Yeah,

1049
01:01:58,360 --> 01:02:02,000
Speaker 1: would you agree, Sam? I feel agree? It's kind of crazy,

1050
01:02:02,200 --> 01:02:06,080
Speaker 1: and it's almost sad because you can because you can

1051
01:02:06,080 --> 01:02:09,720
Speaker 1: tell that they somehow missed the bone, like they were like,

1052
01:02:09,960 --> 01:02:13,040
Speaker 1: oh no, like I'm thirty three and I still don't

1053
01:02:13,080 --> 01:02:16,200
Speaker 1: have close gate male friends, right. They just moved the

1054
01:02:16,240 --> 01:02:19,720
Speaker 1: wrong towns, in the wrong order, in the wrong decades

1055
01:02:19,880 --> 01:02:22,439
Speaker 1: and just missed it all. Yeah, you know what I mean.

1056
01:02:22,840 --> 01:02:25,080
Speaker 1: It's also like a self fulfilling thing where it's like

1057
01:02:25,160 --> 01:02:27,800
Speaker 1: they treat gay men like that, and gay men don't

1058
01:02:27,800 --> 01:02:29,720
Speaker 1: want to hang out with them, so then they're always like, well,

1059
01:02:29,760 --> 01:02:32,480
Speaker 1: why don't I have the best gay friend? Right, It's

1060
01:02:32,520 --> 01:02:45,280
Speaker 1: like because you want one. That's so sad. That's heavy,

1061
01:02:46,680 --> 01:02:51,760
Speaker 1: It's really sad. Yeah. Yeah, I like don't want this

1062
01:02:51,800 --> 01:02:54,440
Speaker 1: episode to end. Sorry, now, I like brought the concept

1063
01:02:54,480 --> 01:02:57,800
Speaker 1: of it ending into the conversation. Well, I just you know,

1064
01:02:57,840 --> 01:03:02,960
Speaker 1: I want to say, in the Street Women, this has

1065
01:03:03,000 --> 01:03:07,040
Speaker 1: been like a a critique of you this episode, and

1066
01:03:07,600 --> 01:03:12,880
Speaker 1: I personally love you. I thrive around street women, and

1067
01:03:13,240 --> 01:03:16,680
Speaker 1: I think for the most part you're my icons, my

1068
01:03:16,760 --> 01:03:20,480
Speaker 1: idol straight women are I agree? You know, is one

1069
01:03:20,480 --> 01:03:22,360
Speaker 1: of the great one of the great straight women. My

1070
01:03:22,400 --> 01:03:26,600
Speaker 1: mom my, wait, can I say something? Yeah, my mom

1071
01:03:26,760 --> 01:03:29,800
Speaker 1: our moms and our mom's know how to act around

1072
01:03:29,840 --> 01:03:33,600
Speaker 1: game in Yeah, yeah, best friends with our moms. Yeah,

1073
01:03:33,680 --> 01:03:37,760
Speaker 1: and yeah, that's the real Freudian thing. Elephant in the

1074
01:03:37,800 --> 01:03:39,760
Speaker 1: room is that we just want to be best friends

1075
01:03:39,760 --> 01:03:43,439
Speaker 1: with our mom mom. He was too afraid to write

1076
01:03:43,440 --> 01:03:45,920
Speaker 1: it down. Yeah, he was like, Oh, I guess I

1077
01:03:45,920 --> 01:03:50,520
Speaker 1: want to hurt best friends. Yeah, you want to be

1078
01:03:50,760 --> 01:03:53,240
Speaker 1: having a bachelorte party with your mom. Oh my god,

1079
01:03:53,320 --> 01:03:55,960
Speaker 1: the dream. I mean, yeah, I have to give a

1080
01:03:56,080 --> 01:03:59,720
Speaker 1: major shout out to straight women because literally like some

1081
01:03:59,760 --> 01:04:03,880
Speaker 1: of the us girls in the world and taught me

1082
01:04:04,120 --> 01:04:07,320
Speaker 1: so much and and a big part of me is one,

1083
01:04:07,760 --> 01:04:11,800
Speaker 1: who what am I saying? Really? What does that mean?

1084
01:04:13,400 --> 01:04:17,200
Speaker 1: I mean, yeah, by the way, oh, this would be

1085
01:04:17,200 --> 01:04:20,240
Speaker 1: an amazing platform two D come out on. Right, would

1086
01:04:21,400 --> 01:04:30,160
Speaker 1: be straight culture. My topic is me no, but like

1087
01:04:30,200 --> 01:04:34,000
Speaker 1: I was one for a long time, And I mean

1088
01:04:34,040 --> 01:04:36,120
Speaker 1: I think a lot of like day women don't feel

1089
01:04:36,120 --> 01:04:40,440
Speaker 1: comfortable in some of the like straight like girls stuff.

1090
01:04:40,480 --> 01:04:43,400
Speaker 1: But I was like a big fan of like sleepovers

1091
01:04:43,480 --> 01:04:45,880
Speaker 1: and like blah blah blah, and like closeness and like yeah,

1092
01:04:46,080 --> 01:04:48,479
Speaker 1: but also my friends growing up, my straight girl friends

1093
01:04:48,480 --> 01:04:50,160
Speaker 1: who are all straight now and he's bought up parties

1094
01:04:50,160 --> 01:04:52,080
Speaker 1: like go too. When we were kids, we used to

1095
01:04:52,120 --> 01:04:55,600
Speaker 1: hump the ship out of each other, like I mean,

1096
01:04:55,680 --> 01:04:57,120
Speaker 1: and I'm like why why did I love it? So

1097
01:04:57,160 --> 01:05:00,560
Speaker 1: I'm like, yeah, straight, girls are amazing, Like literally you

1098
01:05:00,560 --> 01:05:03,480
Speaker 1: can rub on each other. I don't know what that was,

1099
01:05:03,840 --> 01:05:08,439
Speaker 1: but it was seriously amazing. And sleepovers are to die

1100
01:05:08,480 --> 01:05:12,000
Speaker 1: for if you play them right. And that's honestly, what

1101
01:05:12,080 --> 01:05:14,520
Speaker 1: is a bachelorette party but a sleepover? And I want

1102
01:05:14,560 --> 01:05:16,560
Speaker 1: to have one. Oh my god, I would love to

1103
01:05:16,560 --> 01:05:21,000
Speaker 1: have a sleepover. Oh yeah, do you guys do that ever? Well,

1104
01:05:21,560 --> 01:05:23,280
Speaker 1: I feel like if you're having a sleepover with game

1105
01:05:23,320 --> 01:05:26,200
Speaker 1: and it does not the stereotype, but it is an

1106
01:05:26,280 --> 01:05:38,160
Speaker 1: orgy whatever, thank you. M Yeah. I feel like sleepover

1107
01:05:38,400 --> 01:05:40,600
Speaker 1: is like no one's doing them anymore. Everyone needs like

1108
01:05:40,600 --> 01:05:44,160
Speaker 1: their night creams or whatever. No. I fully, I think

1109
01:05:44,200 --> 01:05:46,640
Speaker 1: that's so true. Everyone's like, well, my back hurts if

1110
01:05:46,680 --> 01:05:49,520
Speaker 1: I like, don't sleep in my own Yeah, yeah, it's like,

1111
01:05:49,560 --> 01:05:51,720
Speaker 1: can you just have a fucking night where your back hurts.

1112
01:05:52,480 --> 01:05:55,800
Speaker 1: It's worth it for the camaraderie. Totally get a massage.

1113
01:05:56,480 --> 01:05:59,520
Speaker 1: That's a great excuse. Can I give each other? People

1114
01:05:59,520 --> 01:06:02,720
Speaker 1: who are particular about their routines when they're literally on

1115
01:06:02,760 --> 01:06:08,520
Speaker 1: like a group vacation is so destabilizing. I now, I'm

1116
01:06:08,520 --> 01:06:09,919
Speaker 1: like not sure if I want to say this because

1117
01:06:09,960 --> 01:06:13,880
Speaker 1: maybe these people listen. Let's just say. Let's just say this.

1118
01:06:14,880 --> 01:06:17,960
Speaker 1: I once went on vacasion with people who kept adhering

1119
01:06:18,000 --> 01:06:21,120
Speaker 1: to strict exercise regimens while on that vacation. That would

1120
01:06:21,160 --> 01:06:24,520
Speaker 1: like interfere with group activities, so we would have to

1121
01:06:24,560 --> 01:06:30,360
Speaker 1: plan around their exercising. That's tough. You can say. I'm

1122
01:06:30,400 --> 01:06:33,880
Speaker 1: not gonna say, I'm not gonna I'm our lips a seed.

1123
01:06:34,560 --> 01:06:36,600
Speaker 1: You know, I don't exercise anymore, and I want to

1124
01:06:36,600 --> 01:06:40,840
Speaker 1: say this to listeners. It is literally one of the

1125
01:06:40,880 --> 01:06:47,480
Speaker 1: best things that ever happened to me. Yes, I mean

1126
01:06:47,520 --> 01:06:49,280
Speaker 1: I take walks or whatever, but when I have to

1127
01:06:49,320 --> 01:06:53,560
Speaker 1: go somewhere, but seriously, my body, I've never felt more amazing.

1128
01:06:53,920 --> 01:06:55,840
Speaker 1: And some people aren't supposed to do it. I'll just

1129
01:06:55,880 --> 01:06:58,040
Speaker 1: say that it's not right for everybody. What's so funny

1130
01:06:58,160 --> 01:07:00,920
Speaker 1: is I don't exercise, but I feel a conn I'm

1131
01:07:00,920 --> 01:07:03,400
Speaker 1: basically well, you know, it's like occasionally I'll do stuff,

1132
01:07:03,400 --> 01:07:08,200
Speaker 1: but it's like I basically feel constant guilt. About not exercising.

1133
01:07:08,400 --> 01:07:11,280
Speaker 1: You need to We need to talk because literally, you

1134
01:07:11,320 --> 01:07:14,680
Speaker 1: can be free. You just don't have to do it.

1135
01:07:14,840 --> 01:07:19,280
Speaker 1: You don't even Okay, okay, I can't. I can't support

1136
01:07:19,280 --> 01:07:23,960
Speaker 1: this converense you can and I know whatever, we can't

1137
01:07:23,960 --> 01:07:26,520
Speaker 1: get into this again. Working out is like the thing

1138
01:07:26,600 --> 01:07:29,320
Speaker 1: that puts me in the best mood. I feel incredible.

1139
01:07:29,520 --> 01:07:31,880
Speaker 1: I need to go for a run or actually, I'm

1140
01:07:31,880 --> 01:07:34,000
Speaker 1: feeling so much affection for you. I don't know what's

1141
01:07:34,000 --> 01:07:37,560
Speaker 1: going on, Natalie. I've been there, set and there is

1142
01:07:37,600 --> 01:07:39,640
Speaker 1: a way out. Pity. No, no, no, no, no, it's

1143
01:07:39,680 --> 01:07:42,520
Speaker 1: the door. Like actually I'm like that. I stand. Look

1144
01:07:42,600 --> 01:07:44,720
Speaker 1: look at your big smile. It must be true for you,

1145
01:07:44,720 --> 01:07:46,880
Speaker 1: you know what I mean. That's amazing, George. It's not

1146
01:07:46,920 --> 01:07:49,080
Speaker 1: true for you, and you need to come with me. Okay,

1147
01:07:50,120 --> 01:07:54,760
Speaker 1: I love I love Natalie the like prescribe like almost

1148
01:07:54,760 --> 01:07:58,640
Speaker 1: as if it's like antidepressants. It's like, it's not for everybody.

1149
01:07:59,280 --> 01:08:05,200
Speaker 1: Therapy size. Of course, it's very individual, but not everybody

1150
01:08:05,240 --> 01:08:08,560
Speaker 1: can be jogging? Are you kidding me? What is harder

1151
01:08:08,600 --> 01:08:11,360
Speaker 1: on the body than throwing yourself at the pavement. Second,

1152
01:08:11,400 --> 01:08:16,360
Speaker 1: I do think running specifically. I'm sorry to say is insane. Yeah,

1153
01:08:16,439 --> 01:08:19,720
Speaker 1: you're sacrificing yourself. You run a little. I don't run

1154
01:08:19,760 --> 01:08:26,360
Speaker 1: like a a mile or two to warm up for

1155
01:08:26,479 --> 01:08:29,240
Speaker 1: my my gym time. You like to be at the gym.

1156
01:08:29,560 --> 01:08:31,920
Speaker 1: The idea that a mile. If I ever ran a mile,

1157
01:08:31,960 --> 01:08:34,160
Speaker 1: I'd be like, well, it's time to go to the

1158
01:08:34,200 --> 01:08:46,080
Speaker 1: hospital at point nine nine. So, oh my god, do

1159
01:08:46,120 --> 01:08:49,360
Speaker 1: you like the gym like life? I love the gym life.

1160
01:08:49,640 --> 01:08:52,880
Speaker 1: It really is. It's like and I don't even think

1161
01:08:52,920 --> 01:08:55,160
Speaker 1: I'm particularly good at it, Like my body is like

1162
01:08:55,240 --> 01:08:58,160
Speaker 1: quite average, But I just like love going there and

1163
01:08:58,200 --> 01:09:01,920
Speaker 1: I love like hitting the weights and going for little runs.

1164
01:09:02,000 --> 01:09:05,160
Speaker 1: And oh I can't get enough of the stuff. That's amazing.

1165
01:09:05,160 --> 01:09:06,600
Speaker 1: And I would never try and take it from you,

1166
01:09:07,479 --> 01:09:14,599
Speaker 1: even though it seems like I am. Um, Yeah, I

1167
01:09:14,600 --> 01:09:17,360
Speaker 1: want to. I want to join my fantasy in life

1168
01:09:17,640 --> 01:09:20,479
Speaker 1: along with my bachelorette bars to join a really really

1169
01:09:20,520 --> 01:09:24,440
Speaker 1: fancy Jim one day, Sam, you literally can join Equinox.

1170
01:09:26,040 --> 01:09:28,439
Speaker 1: Are not there yet, you know what I mean? I know,

1171
01:09:28,560 --> 01:09:31,519
Speaker 1: but I just think, knowing how much joy it would

1172
01:09:31,520 --> 01:09:34,839
Speaker 1: bring you, you can cut costs elsewhere and join Equinox.

1173
01:09:35,400 --> 01:09:37,080
Speaker 1: Could you get like some type of deal with them

1174
01:09:37,160 --> 01:09:39,800
Speaker 1: or you like post hashtag ad do you know what

1175
01:09:39,880 --> 01:09:43,720
Speaker 1: I mean? May be down, but George, what we can't

1176
01:09:43,720 --> 01:09:46,160
Speaker 1: talk about that? Seriously? He wants to be happy. Can

1177
01:09:46,200 --> 01:09:50,120
Speaker 1: we help her? I don't think I'm no, I don't

1178
01:09:50,120 --> 01:09:53,840
Speaker 1: think they would have me. Yeah. I feel like our

1179
01:09:53,840 --> 01:09:56,840
Speaker 1: listeners would wouldn't mind a tempercent discount on the six

1180
01:09:58,120 --> 01:10:02,960
Speaker 1: bright point right on a discount crowd. Should we do

1181
01:10:03,000 --> 01:10:07,639
Speaker 1: a final segment is a real question. We absolutely should, George,

1182
01:10:07,720 --> 01:10:11,719
Speaker 1: do you want to introduce it? Yea naturally. Our final

1183
01:10:11,760 --> 01:10:15,080
Speaker 1: segment is called Shoutouts, and in this segment we pay

1184
01:10:15,120 --> 01:10:19,320
Speaker 1: homage to one of the foundational elements of straight culture,

1185
01:10:19,320 --> 01:10:22,799
Speaker 1: which is the radio shout out. Think t RL, think

1186
01:10:23,479 --> 01:10:26,200
Speaker 1: you know Elvis Duran and the z Morning Zoo. I

1187
01:10:26,320 --> 01:10:28,479
Speaker 1: love him. He's gay, by the way, go on, No,

1188
01:10:29,240 --> 01:10:33,400
Speaker 1: he's he's a gay guy. Yeah wow, welcome to the flock.

1189
01:10:34,080 --> 01:10:38,200
Speaker 1: Yeah wait, what did you say? I don't know? Um,

1190
01:10:38,760 --> 01:10:40,639
Speaker 1: So we will each go around and do a shout

1191
01:10:40,680 --> 01:10:43,280
Speaker 1: out about something that that is on our minds this weekend.

1192
01:10:43,280 --> 01:10:45,400
Speaker 1: You know what, I actually something came to me. I

1193
01:10:45,439 --> 01:10:49,000
Speaker 1: can go first. I would love first. I want to

1194
01:10:49,000 --> 01:10:51,840
Speaker 1: give a quick shout out to the band Gossip and

1195
01:10:51,880 --> 01:10:55,639
Speaker 1: its lead singer Beth Ditto. Let me tell you something,

1196
01:10:56,320 --> 01:11:01,599
Speaker 1: dearrest listeners. I recently did a deep dive into the

1197
01:11:01,640 --> 01:11:03,840
Speaker 1: work of the band Gossip, which I used to live in,

1198
01:11:04,040 --> 01:11:06,640
Speaker 1: and I would say, you know, they broke up, you know,

1199
01:11:06,720 --> 01:11:09,160
Speaker 1: a few years ago. I haven't. They're not in my playlist.

1200
01:11:09,200 --> 01:11:11,400
Speaker 1: I don't regularly listen to them, and I just want

1201
01:11:11,439 --> 01:11:13,840
Speaker 1: to say, nobody is doing it like these men and

1202
01:11:13,880 --> 01:11:17,519
Speaker 1: women anymore. I highly encourage everyone to do two things.

1203
01:11:17,640 --> 01:11:20,439
Speaker 1: One is, go look up the performance of Standing in

1204
01:11:20,479 --> 01:11:22,519
Speaker 1: the Way of Control that they did on David Letterman

1205
01:11:22,720 --> 01:11:24,800
Speaker 1: and tell me that it is not real rock and

1206
01:11:24,920 --> 01:11:27,280
Speaker 1: roll the world has not seen since two thousand seven.

1207
01:11:27,680 --> 01:11:30,320
Speaker 1: And to go listen to the song Step in the

1208
01:11:30,439 --> 01:11:32,519
Speaker 1: Right Direction and tell me that song should not be

1209
01:11:32,560 --> 01:11:37,120
Speaker 1: a canonized empowerment anthem on par with Haiti Barry's Firework.

1210
01:11:37,720 --> 01:11:40,559
Speaker 1: I'm talking they should play it on RuPaul's drag race.

1211
01:11:40,840 --> 01:11:43,400
Speaker 1: I'm talking they should play it in graduations. It should

1212
01:11:43,400 --> 01:11:46,680
Speaker 1: be a theme when someone has a coming out party.

1213
01:11:47,760 --> 01:11:53,800
Speaker 1: And so with that, I am calling officially for a

1214
01:11:53,800 --> 01:12:00,640
Speaker 1: career resurgence of one Miss Beth Ditto. And that's final. Um.

1215
01:12:00,680 --> 01:12:06,479
Speaker 1: You know, George, I'm down for the reclaiming of that band.

1216
01:12:07,000 --> 01:12:11,120
Speaker 1: Uh I. From my experience, I remember them being like

1217
01:12:11,520 --> 01:12:14,559
Speaker 1: I felt like Perez Hilton liked them so much in

1218
01:12:14,600 --> 01:12:17,240
Speaker 1: their heyday that it was like I was like, Okay,

1219
01:12:17,320 --> 01:12:22,519
Speaker 1: I won't like this, like it's a big tent. Though

1220
01:12:22,560 --> 01:12:24,760
Speaker 1: it's a big time. It's totally a big time in

1221
01:12:24,800 --> 01:12:27,720
Speaker 1: my mind. They're very like fashion like Beth did, I

1222
01:12:27,720 --> 01:12:29,960
Speaker 1: feel like, would like walk runways and it would be like,

1223
01:12:30,720 --> 01:12:33,320
Speaker 1: isn't it fun to cheese there? And I think you're right?

1224
01:12:33,360 --> 01:12:36,639
Speaker 1: And I think I'm just Maybe it was even internalized

1225
01:12:36,680 --> 01:12:39,599
Speaker 1: homophobia where I was like, well, Perez like sit so much,

1226
01:12:39,680 --> 01:12:43,360
Speaker 1: then I don't like it totally. But but that is

1227
01:12:43,400 --> 01:12:49,880
Speaker 1: definitely my association. Um, I have no association off. Well,

1228
01:12:49,880 --> 01:12:52,280
Speaker 1: there you go. Is that true. I don't know. I

1229
01:12:52,280 --> 01:12:55,080
Speaker 1: don't know what it is. I would I don't know

1230
01:12:55,120 --> 01:12:57,640
Speaker 1: a lot about music and if I if I was

1231
01:12:57,680 --> 01:13:00,800
Speaker 1: trying to flirt with you guys, that would be something

1232
01:13:00,800 --> 01:13:02,400
Speaker 1: that I would have brought up sooner, you know what

1233
01:13:02,479 --> 01:13:08,280
Speaker 1: I mean, so we could explain music to you. Happy

1234
01:13:08,280 --> 01:13:10,400
Speaker 1: to send you some playlists. The only thing I love

1235
01:13:10,520 --> 01:13:17,639
Speaker 1: I seriously needs, please send me love that Wow? Okay,

1236
01:13:17,680 --> 01:13:23,600
Speaker 1: well I'll go now ready, what's up freaks and losers

1237
01:13:23,680 --> 01:13:27,240
Speaker 1: and perverts out there around the globe. I would like

1238
01:13:27,280 --> 01:13:32,720
Speaker 1: to give a huge shout out to lettuce, specifically ahead

1239
01:13:32,960 --> 01:13:36,839
Speaker 1: of lettuce. Having ahead of lettuce is the peak of wealth.

1240
01:13:37,320 --> 01:13:40,000
Speaker 1: I have always thought I'm not worth it. I can't

1241
01:13:40,040 --> 01:13:45,519
Speaker 1: have lettuce. I'll just use some of the fucking box

1242
01:13:45,600 --> 01:13:48,320
Speaker 1: salad and put it on my sandwich or whatever. I

1243
01:13:48,360 --> 01:13:51,759
Speaker 1: got a fucking head of lettuce because I was going

1244
01:13:51,840 --> 01:13:55,880
Speaker 1: through it in Santiago, Chile, and I'm pulling these dang

1245
01:13:56,439 --> 01:13:59,479
Speaker 1: leaves off and putting them on my sandwich. Oh the crunch,

1246
01:14:00,200 --> 01:14:04,479
Speaker 1: the fresh, wet feeling, the head of lettuce, Oh, so

1247
01:14:04,720 --> 01:14:08,679
Speaker 1: crisp and refreshing. I think it has taken my sandwich

1248
01:14:08,720 --> 01:14:11,559
Speaker 1: to the next level. And I've been waiting for this

1249
01:14:11,640 --> 01:14:14,800
Speaker 1: level my entire life. And I think it's so important

1250
01:14:15,000 --> 01:14:17,479
Speaker 1: that we don't hold ourselves back and we get the

1251
01:14:17,520 --> 01:14:20,400
Speaker 1: head of lettuce. And we joined Equinox because you're worth

1252
01:14:20,439 --> 01:14:24,000
Speaker 1: it and it's time and so a head of lettuce,

1253
01:14:24,200 --> 01:14:27,760
Speaker 1: I think you're a great addition to a sandwich. And yeah,

1254
01:14:27,760 --> 01:14:30,479
Speaker 1: I'm gonna throw away half and that's cool too. I'm

1255
01:14:30,520 --> 01:14:32,840
Speaker 1: allowed so x o x o, I love you. A

1256
01:14:32,880 --> 01:14:42,080
Speaker 1: head of lettuce awesome. I'm like, you're making fun of me. Oh,

1257
01:14:42,120 --> 01:14:47,479
Speaker 1: I'm literally not. I didn't. I didn't. I really thought,

1258
01:14:47,520 --> 01:14:50,640
Speaker 1: I what what was that? What was a bit? What

1259
01:14:50,800 --> 01:14:53,559
Speaker 1: took you know? When I understood what you were saying,

1260
01:14:53,560 --> 01:14:54,880
Speaker 1: I was on board. At first. I thought you were

1261
01:14:54,880 --> 01:14:56,639
Speaker 1: gonna make a salad with the head of lettuce, which

1262
01:14:56,880 --> 01:14:59,719
Speaker 1: one could argue would make more sense with a whole

1263
01:14:59,760 --> 01:15:03,160
Speaker 1: head lettuce, But in fact, you wanted to just pluck

1264
01:15:03,200 --> 01:15:05,760
Speaker 1: a few leaves off for your sandwich. Is gonna throw

1265
01:15:05,800 --> 01:15:07,280
Speaker 1: the rest of the way, which I guess is also

1266
01:15:07,280 --> 01:15:10,559
Speaker 1: a way to use it. Yeah. No, I feel I'm

1267
01:15:10,680 --> 01:15:13,599
Speaker 1: literally at about daga, you know, like my sandwiches are

1268
01:15:13,640 --> 01:15:18,040
Speaker 1: like that level right now. M I think you're really

1269
01:15:18,040 --> 01:15:22,280
Speaker 1: onto something because I fucking hate the bag box of Greens.

1270
01:15:22,960 --> 01:15:27,280
Speaker 1: It's like they just they're they are rotten. They come rotten.

1271
01:15:27,400 --> 01:15:30,920
Speaker 1: The freshest ones are rotten to the core. So I

1272
01:15:31,080 --> 01:15:34,160
Speaker 1: support it and I want it for myself too, But

1273
01:15:34,200 --> 01:15:37,479
Speaker 1: it's it doesn't unattainable. Yeah, but actually it's like you

1274
01:15:37,479 --> 01:15:39,599
Speaker 1: can do it. It's easier to go to Equinox than

1275
01:15:40,560 --> 01:15:44,600
Speaker 1: get ahead of lettus. That's right now, it is. I

1276
01:15:44,640 --> 01:15:48,000
Speaker 1: mean shows you everything wrong with inflation? Are you kidding me? Yes?

1277
01:15:48,280 --> 01:15:50,680
Speaker 1: I also think it's so important to just encourage like

1278
01:15:50,720 --> 01:15:53,200
Speaker 1: food waste as you did, like that. You need to

1279
01:15:53,240 --> 01:15:55,479
Speaker 1: be doing that kind of thing. Do you don't like

1280
01:15:55,520 --> 01:15:58,800
Speaker 1: to throw it out? I can turn it into fossil fuels. Yes,

1281
01:15:59,560 --> 01:16:04,439
Speaker 1: you're not composting back in the earth stage right, you're

1282
01:16:04,760 --> 01:16:10,360
Speaker 1: growing out? Is recycling, right? I mean the problem is

1283
01:16:10,400 --> 01:16:16,280
Speaker 1: that anyways, that's true, like because recycling is recycling. Okay.

1284
01:16:16,439 --> 01:16:19,120
Speaker 1: Something that I think about sometimes this is we can't

1285
01:16:19,360 --> 01:16:22,040
Speaker 1: we can't air this. But sometimes I'm like, if something

1286
01:16:22,160 --> 01:16:24,240
Speaker 1: is going to compost, what's the point of putting it

1287
01:16:24,280 --> 01:16:26,120
Speaker 1: in a compost? But I can't. We can't go there.

1288
01:16:26,720 --> 01:16:28,920
Speaker 1: We can we can't go there because it won't it

1289
01:16:28,920 --> 01:16:32,280
Speaker 1: will compost. It won't not like specially turn it won't compost.

1290
01:16:32,360 --> 01:16:37,000
Speaker 1: Give an eggshels. Sorry not to be a cop, to

1291
01:16:37,000 --> 01:16:38,519
Speaker 1: be a cop, not to know, but we don't think

1292
01:16:39,200 --> 01:16:42,320
Speaker 1: I'm okay, okay, Natalie. Would you like to do a

1293
01:16:42,320 --> 01:16:48,080
Speaker 1: shout out? Yeah? I always want to do one. Hey guys, um,

1294
01:16:48,120 --> 01:16:53,440
Speaker 1: I want to shout out today. Um thanks underwear panties

1295
01:16:53,640 --> 01:16:59,639
Speaker 1: and boxer panty because basically, you guys know this, it's

1296
01:16:59,680 --> 01:17:03,560
Speaker 1: an underwear that absorbs your period. Now that's not possible,

1297
01:17:03,680 --> 01:17:08,439
Speaker 1: I know, but it does it the science it's literally magic.

1298
01:17:08,520 --> 01:17:11,200
Speaker 1: It makes no sense. They're like it can hold eighty

1299
01:17:11,280 --> 01:17:14,120
Speaker 1: gallons of period of blood. You're like, really because it's

1300
01:17:14,120 --> 01:17:16,559
Speaker 1: a piece of cloth and they're like yeah. And You're

1301
01:17:16,600 --> 01:17:19,639
Speaker 1: like does it go anywhere? And they're like no. You're like,

1302
01:17:20,400 --> 01:17:25,120
Speaker 1: how's that? How's that? Because that's literally how possible. But

1303
01:17:25,960 --> 01:17:28,160
Speaker 1: I'm finding as I get older, and I'm sure a

1304
01:17:28,200 --> 01:17:31,280
Speaker 1: lot of my listeners are that I'm I'm a little

1305
01:17:31,360 --> 01:17:34,240
Speaker 1: less amenable to putting stuff up my vagina. Like I

1306
01:17:34,240 --> 01:17:36,200
Speaker 1: don't know, stuff used to just go up, like I

1307
01:17:36,240 --> 01:17:39,040
Speaker 1: can't really explain it, Like it just wasn't an issue.

1308
01:17:39,120 --> 01:17:41,680
Speaker 1: Kind of like it's like with people and with like

1309
01:17:41,840 --> 01:17:44,120
Speaker 1: stuff like I would just be like, you know, and

1310
01:17:44,160 --> 01:17:45,720
Speaker 1: I could just put like a Diva cup people and

1311
01:17:45,800 --> 01:17:47,960
Speaker 1: be like, oh, it's too much, it's too much, And

1312
01:17:48,040 --> 01:17:50,000
Speaker 1: I was like, no, it's not, just like shove it.

1313
01:17:50,600 --> 01:17:53,400
Speaker 1: But something's changing and now I'm kind of like, you

1314
01:17:53,439 --> 01:17:55,920
Speaker 1: know what, it's a little too much. I guess this

1315
01:17:56,000 --> 01:17:59,519
Speaker 1: is part of getting older. So I'm utilizing the underwear

1316
01:18:00,080 --> 01:18:03,519
Speaker 1: to catch the blood and it's amazing and I don't

1317
01:18:03,560 --> 01:18:05,680
Speaker 1: understand it, but I appreciate it. And I got to

1318
01:18:05,680 --> 01:18:09,760
Speaker 1: give a shout out shadow, and you know, they're not

1319
01:18:09,800 --> 01:18:14,120
Speaker 1: even an advertiser, no, and I'm not even attached to

1320
01:18:14,280 --> 01:18:16,320
Speaker 1: the brand. I actually shouldn't have said things because I

1321
01:18:16,320 --> 01:18:18,040
Speaker 1: think there are better ones that I actually want to get.

1322
01:18:18,280 --> 01:18:22,640
Speaker 1: But just that that idea, you know, well, yeah, I

1323
01:18:23,080 --> 01:18:26,080
Speaker 1: love that that. I loved sort of the ad to to.

1324
01:18:26,920 --> 01:18:30,120
Speaker 1: I thought that was like kind of calming. Well, I'm

1325
01:18:30,240 --> 01:18:37,040
Speaker 1: very entrepreneural. Being a consumer is being an entrepreneur exactly

1326
01:18:37,400 --> 01:18:40,320
Speaker 1: being a consumer. Yeah, Like I'm an influencer of course,

1327
01:18:41,040 --> 01:18:44,120
Speaker 1: just by virtual purchasing something to myself, right, I say,

1328
01:18:44,120 --> 01:18:45,680
Speaker 1: next time, I'm going to get this one, not this one.

1329
01:18:46,000 --> 01:18:49,599
Speaker 1: And exactly, yes, you are doing It's like your wire cutter, right,

1330
01:18:52,520 --> 01:18:56,720
Speaker 1: buying is like a gateway to selling. Whoa, yeah, yeah,

1331
01:18:56,720 --> 01:19:00,439
Speaker 1: because it's like you're dipping your toe into the economy. Basically,

1332
01:19:01,400 --> 01:19:03,800
Speaker 1: it's like a slippery slope. You're buying next thing you know,

1333
01:19:03,880 --> 01:19:08,240
Speaker 1: you're selling right, needing and getting is about to be

1334
01:19:08,280 --> 01:19:14,519
Speaker 1: selling you. Yeah. Well, this has been a sash so

1335
01:19:14,680 --> 01:19:18,519
Speaker 1: lute delight, the best time you guys, thank you so

1336
01:19:18,600 --> 01:19:21,439
Speaker 1: much for doing the pod. Seriously, thank you for having me.

1337
01:19:21,479 --> 01:19:24,360
Speaker 1: It was a major treat. So this is going to

1338
01:19:24,439 --> 01:19:26,160
Speaker 1: be a big one. I can feel it. You can

1339
01:19:26,240 --> 01:19:28,639
Speaker 1: feel it. Make a splash. Let's make a splash. We're

1340
01:19:28,640 --> 01:19:31,559
Speaker 1: gonna make a splash. So many people are scared to

1341
01:19:31,640 --> 01:19:34,800
Speaker 1: make a splash, and even sometimes George and I can

1342
01:19:34,840 --> 01:19:37,080
Speaker 1: get scared. But today we really felt your confidence and

1343
01:19:37,120 --> 01:19:39,120
Speaker 1: your energy and we said, you know what, this girl

1344
01:19:39,160 --> 01:19:41,400
Speaker 1: is not afraid of anything. It's so funny you say

1345
01:19:41,439 --> 01:19:43,960
Speaker 1: that because no one would ever know you guys got scared.

1346
01:19:44,000 --> 01:19:46,200
Speaker 1: So it's nice to say that. Just to give its people.

1347
01:19:46,439 --> 01:19:47,840
Speaker 1: I'm just saying, you, guys, you know what I mean.

1348
01:19:47,920 --> 01:19:51,360
Speaker 1: I could it's scared of making a splash. Things underwear

1349
01:19:51,439 --> 01:20:02,760
Speaker 1: make a splash. Bad sho. That's amazing. I was gonna say,

1350
01:20:02,800 --> 01:20:05,479
Speaker 1: that's got to be the end, right Yeah, Okay, And

1351
01:20:05,760 --> 01:20:17,840
Speaker 1: seen and seen by