WEBVTT - Part One: Baba Yaga: Everyone's Favorite Witch From Folklore

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<v Speaker 1>Hello, and welcome to the cool people who did cool stuff.

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<v Speaker 1>I'm your host, Margaret Kiljoy, and each week I dig

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<v Speaker 1>into history and find all the radius stories of the

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<v Speaker 1>Rattus people who did ship like overthrow governments and smash

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<v Speaker 1>patriarchy and each children ums most week, this week's is Halloween. Well,

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<v Speaker 1>actually last week is the Halloween. It's kind of confusing

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<v Speaker 1>because next week is Halloween for us, but last week

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<v Speaker 1>is Halloween for you. Every day is Halloween. My guest

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<v Speaker 1>today is the one and only Jamie Loftus. Jamie, how

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<v Speaker 1>are you? Hi? Oh I'm so tired, but I'm great

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<v Speaker 1>and I'm ready for Halloween. Do you have Halloween plans? Marcaret? No?

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<v Speaker 1>I well, I'm I'm going to go be alone in

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<v Speaker 1>the woods on Halloween. Okay, that's said that that counts

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<v Speaker 1>as plans. Yeah, yeah, and totally won't be spooked out

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<v Speaker 1>at all. What are your Halloween plans? What my my Halloween?

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<v Speaker 1>Because halloweens on a Monday this year, which is troubling.

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<v Speaker 1>So I have like a Halloween part time job that's

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<v Speaker 1>occupying a lot of my time. But on Saturday, I'm

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<v Speaker 1>going to see Danny Elfman in concert, which is very

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<v Speaker 1>excited the Pumpkin King. I guess that he does like

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<v Speaker 1>an annual Halloween show at the Hollywood Bowl. I didn't

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<v Speaker 1>know about it before this year, but I'm going, baby,

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<v Speaker 1>I can't wait. Yeah, Sophie Halloween plans. Our producer is

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<v Speaker 1>the one and only Sophie Lectreman. Sophie, how are you

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<v Speaker 1>where your Halloween? Plans? To dress my dog and as

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<v Speaker 1>many costumes as possible, and um that I hope that

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<v Speaker 1>kids still. I'm gonna put a giant bowl of candy

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<v Speaker 1>in front of my house because um, I would like

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<v Speaker 1>them to have the candy, but I don't want to interact.

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<v Speaker 1>M M. But I hope they don't steal my ball.

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<v Speaker 1>They prefer it that way too mean. I think we

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<v Speaker 1>all do. UM. And then I'm gonna go do some

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<v Speaker 1>spooky ship yea, wait, are you wearing a costume? Um?

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<v Speaker 1>I don't know. I didn't get that far on the planning,

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<v Speaker 1>was just told where to be in when I like.

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<v Speaker 1>Outfit choice not confirmed. I have one more question, which

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<v Speaker 1>is what size candy bars are you rocking? I feel

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<v Speaker 1>like there should be a mid size between fun size

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<v Speaker 1>and full size, but I don't know that that exists,

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<v Speaker 1>I feel like that's what I got. To be honest,

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<v Speaker 1>I feel like they don't. They're definitely not full size.

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<v Speaker 1>They're definitely not full size. That's I got Goldilocks exactly.

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<v Speaker 1>But and I feel like the pack I got, I

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<v Speaker 1>was like, this is like a very good like there's variety,

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<v Speaker 1>which I appreciate. Um, but yeah, I hope they don't

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<v Speaker 1>steal my bowl. That would hurt my feelings. And I

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<v Speaker 1>hope that one kid doesn't ruin it for everyone else

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<v Speaker 1>by taking all the candy. That's my biggest electrified the bowl.

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<v Speaker 1>What if I like solid choice, I don't know, not

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<v Speaker 1>enough to kill because that's just probably illegal, but enough

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<v Speaker 1>that's more and more important. Like if they still the bowl, okay, fine, like, okay,

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<v Speaker 1>I get it, it's you needed the bowl. But if

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<v Speaker 1>they if one kid takes all the candy from the bowl,

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<v Speaker 1>that will upset me and Anderson will fully narc Yeah

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<v Speaker 1>that that will happen is the word you meant to

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<v Speaker 1>say that. I know. I feel like it will, which

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<v Speaker 1>would not be cool. People. No, I wouldn't do it.

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<v Speaker 1>I saw it has been. I saw it happen and

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<v Speaker 1>I did spot. No, it's and then you go up

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<v Speaker 1>there and you're like, oh my god, that's so nice.

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<v Speaker 1>They put a bull, you put your head in the

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<v Speaker 1>bowl no candy, and then you're like, wow, this person sucks.

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<v Speaker 1>It's like no, some little ship had kids sucks. Anyways,

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<v Speaker 1>that's been my rant. You should hide in the bushes

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<v Speaker 1>and then shout it's the tragedy of the commons. Don't

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<v Speaker 1>stop them and don't explain what the tragedy of the

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<v Speaker 1>commons is, um, but maybe actually then follow them down

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<v Speaker 1>the street and uh, do tell this story about the

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<v Speaker 1>Nobel Prize winning scientists who disproved the concept of the

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<v Speaker 1>tragedy of the commons. And just tell the like eight

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<v Speaker 1>year old this, and I promise you they'll never do

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<v Speaker 1>it again. It's Justice through Pedantry, which is the name

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<v Speaker 1>of the podcast that you're listening to, just the Pedantry. Today,

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<v Speaker 1>I'm going to explain the difference between hanged and hung. Uh,

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<v Speaker 1>and then judge everyone who gets No. I'm not going

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<v Speaker 1>to do that, Jamie. I was gonna say, I I

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<v Speaker 1>don't know what today's episode is about. So when you

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<v Speaker 1>said that, I started mentally preparing myself. Well, I'm just

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<v Speaker 1>gonna I'm gonna plow ahead with my script, even though

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<v Speaker 1>I've ruined some of the jokes. Jamie, have you ever

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<v Speaker 1>heard of Halloween? Oh? Yeah, yeah, this isn't a story

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<v Speaker 1>about Halloween. This isn't ano about Halllen. Okay, but so

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<v Speaker 1>we were just catching up. But it's a special Halloween

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<v Speaker 1>episode nonetheless, because instead of talking about a real person today,

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<v Speaker 1>I want to talk about a fake person or in

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<v Speaker 1>my head, a more real than real person, an archetype,

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<v Speaker 1>a god to some. Because it's Folklore Week on cool

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<v Speaker 1>people who did cool stuff and this inaugural mm hmm,

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<v Speaker 1>this this inaugural Folklore Week. There's only one lady who

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<v Speaker 1>fits the bill besides Jamie Loftus. Of course, sometimes this

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<v Speaker 1>person helps people. Sometimes she eats people. She lives in

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<v Speaker 1>the woods and she hangs out with geese. She scoots

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<v Speaker 1>around the forest and an iron mortar, pushing herself along

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<v Speaker 1>with an iron pestle sweeping up her tracks behind her

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<v Speaker 1>with a broom, and her hut sits on chicken legs.

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<v Speaker 1>Because she is the one and only baba fucking yoga.

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<v Speaker 1>Oh I feel it's my lucky day. Wow, this is thrilling.

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<v Speaker 1>I didn't know her house was on chicken legs. That's

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<v Speaker 1>very very creative. That's very scary. I know it's actually

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<v Speaker 1>it's one of the most unique parts about the Bobby

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<v Speaker 1>yoga mythology is the like the chicken like in many ways.

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<v Speaker 1>We'll talk about this later, but like in many ways,

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<v Speaker 1>like she's like a witch, right and then like but

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<v Speaker 1>her houses on chicken legs, and she like sits in

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<v Speaker 1>a mortar like mortar and pestle, you know, the thing

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<v Speaker 1>you grind up. You might know this, but I'm explaining

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<v Speaker 1>to some of those are heavy tips. Yeah, yeah, totally. Well,

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<v Speaker 1>in this way case, it sits in one that's like

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<v Speaker 1>big enough for a person and then like scoots around

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<v Speaker 1>like rides it like a little cart. That's so that

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<v Speaker 1>sounds both first of all awesome but logistically inefficient and

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<v Speaker 1>probably really allowed. Yeah, that's true. You could probably hear

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<v Speaker 1>Bobby Agat coming. Yeah. Um, well, she she sweeps away

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<v Speaker 1>the tracks with a broom as she goes, like to

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<v Speaker 1>clear so you can hear her, but you don't know

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<v Speaker 1>where she went because you got cleaned up. Very tree

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<v Speaker 1>falls in the woods, except not really at all. Maybe

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<v Speaker 1>the opposite here, if Bobby Agata moves through the woods

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<v Speaker 1>and no one survives to hear to tell the tale.

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<v Speaker 1>Did it ever happen? Then she probably knocked down that

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<v Speaker 1>tree that she ruins around care. Yeah, yeah, it's a

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<v Speaker 1>fucking forest. I think the best way to introduce a

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<v Speaker 1>figure out of folklore is to to tell you a

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<v Speaker 1>folk tale. And so I haven't done like a direct

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<v Speaker 1>reading on this podcast before, but I'm doing this reading,

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<v Speaker 1>which you can still interrupt, just to put that out there.

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<v Speaker 1>We don't have to. I confuse that when I went

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<v Speaker 1>to your when I went to your live event, you're

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<v Speaker 1>not supposed to interrupt it. Those stood up and started.

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<v Speaker 1>I just think everywhere I go as a podcast, and

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<v Speaker 1>I can interrupt whenever I want. You're the guest at

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<v Speaker 1>every event, Ladies and gentlemen, Jamie loftus I said, after

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<v Speaker 1>Jamie walked through the background in a hot dog costume.

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<v Speaker 1>This is a seven translation of a story called Vassilisa

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<v Speaker 1>the Beauty or Vasilisa the Beautiful or whatever. But this

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<v Speaker 1>relation translate the title is Vasilisa the Beauty. M hmm.

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<v Speaker 1>Once in a certain country lived a merchant. He had

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<v Speaker 1>been married twelve years and had only one child, a daughter, Vasilisa,

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<v Speaker 1>whom everyone called Vasilisa the beauty when her mother died.

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<v Speaker 1>I mean, everyone says everyone called her Vassilisa the beauty,

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<v Speaker 1>but obviously some people called her Vasilisa the beautiful and

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<v Speaker 1>some people Vasilisa the fair Vasilisa. I mean, I appreciate

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<v Speaker 1>that that's the only thing that we know about her

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<v Speaker 1>so far. Yeah, I think, let's be clear. She's hot.

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<v Speaker 1>She's falking hot. We are talking about a girl slash woman.

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<v Speaker 1>Is there anything else that you would need to know

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<v Speaker 1>about this character? Well? No, see, that's that's the thing.

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<v Speaker 1>It's I need to know coming in that the protagonist

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<v Speaker 1>is conventionally hot, or why would I continue listening to

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<v Speaker 1>the story. Yeah, totally flipped my table in lea. Absolutely yeah,

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<v Speaker 1>and don't worry. This whole story is absolutely there's no

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<v Speaker 1>more problems, no, no, anyway amazing. So she's hot, yeah,

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<v Speaker 1>and she's so oh no, but but she she does

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<v Speaker 1>grow up, Okay. When her mother died, the little girl

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<v Speaker 1>was eight years old. On her deathbed, she called her

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<v Speaker 1>young daughter to her, took out from under the bedclothes

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<v Speaker 1>a doll, gave it to her and said, listen, dear

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<v Speaker 1>little Vasilisa, remember and fulfill my last words. I am

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<v Speaker 1>dying and leave you with a mother's blessing this doll.

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<v Speaker 1>Keep it always with you, and show it to no one,

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<v Speaker 1>And whenever misfortune happens to you, give it something to

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<v Speaker 1>eat and ask its advice. Thereupon the mother kissed her

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<v Speaker 1>little daughter and died this merchant. The merchant, after his

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<v Speaker 1>wife's death, mourned as long as was reasonable, which I

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<v Speaker 1>don't know how long is reasonable. Yeah, that the fun

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<v Speaker 1>that sounds like a fun um. There's certain phrases, and

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<v Speaker 1>you know you're reading a translation where you're like something

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<v Speaker 1>got lost there because that sounds so um, I don't know,

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<v Speaker 1>no feelings. Yeah, yeah, no, totally. I actually switched to

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<v Speaker 1>this translation from a different translation because the sentence made

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<v Speaker 1>even less sense than the other translation. I can't remember

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<v Speaker 1>it all the top of my head. Um. It was

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<v Speaker 1>actually from a couple of years later, so I thought

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<v Speaker 1>it would be more slightly you know, six year more

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<v Speaker 1>contemporary translation. But post the post Titanic translation really changed

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<v Speaker 1>the game. Yeah, absolutely, And I totally remember what year

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<v Speaker 1>the Titanic went down. Oh, it's out. You don't want

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<v Speaker 1>to know it went It went down between April fourteenth

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<v Speaker 1>and April fifteenth, nineteen twelve. I used to sit on

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<v Speaker 1>my roof every single year growing up during the times

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<v Speaker 1>the Titanic was thinking and really just think about think

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<v Speaker 1>about the lives lost during the Titanic. Very sick way

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<v Speaker 1>to spend your childhood. Were you a goth kid? No,

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<v Speaker 1>I was. I was just kind of a weird kid. Okay,

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<v Speaker 1>So I feel like maybe we've talked about that. I

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<v Speaker 1>don't remember. But I tried to fit into various alternative

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<v Speaker 1>groups as a kid, and no one quite took me on.

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<v Speaker 1>It was like just the wrong thing to mourn. No

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<v Speaker 1>one mourns the Titanic. I tried. I tried the goth kids,

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<v Speaker 1>but I couldn't quite hang. I tried the Juggalos, who

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<v Speaker 1>were like such a nice group of kids at my

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<v Speaker 1>high school, but they always played hacky sack in a

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<v Speaker 1>circle outside and I wore a back brace and they're like,

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<v Speaker 1>you can't play hacky sack happy juggalow. So I just um,

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<v Speaker 1>I just played the oboe and minded my own business. Okay, Okay, Well,

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<v Speaker 1>I hope burns as long as is reasonable. Yeah, more,

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<v Speaker 1>as long as it was reasonable, And then began to

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<v Speaker 1>think about getting married again. He was a good sensible

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<v Speaker 1>man and did not concern himself with the maidens. But

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<v Speaker 1>best of all, he liked a certain young widow. She

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<v Speaker 1>knew about children, had two daughters of her own, about

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<v Speaker 1>the same age as Vasilisa, and of course could keep

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<v Speaker 1>the house and do all that a mother should do. Okay,

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<v Speaker 1>the mother married the widow who I don't think it's

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<v Speaker 1>a name. Oh, I was about to say, I like

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<v Speaker 1>the widow is my favorite so far, because I just

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<v Speaker 1>like the energy that a second wife brings into a story.

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<v Speaker 1>I have bad news for you about folklore and mother

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<v Speaker 1>in law's Oh. I know folklore hates the second wife

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<v Speaker 1>as an aspiring second wife. I'm always rooting for them. Okay, Okay,

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<v Speaker 1>he made a mistake. He did not find her a

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<v Speaker 1>good mother for his child. Vasilisa was the prettiest girl

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<v Speaker 1>in the whole village, and the stepmother and the stepsisters

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<v Speaker 1>were envious of her beauty. They treated her cruelly and

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<v Speaker 1>made her do impossible tasks so that she might grow

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<v Speaker 1>thin under the burden, and her complexion might turn dark

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<v Speaker 1>under the wind and the sun. It was indeed, it

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<v Speaker 1>was no life for her at all. Was she not

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<v Speaker 1>going outside prior to this? Yeah, she was beautiful so

0:13:05.960 --> 0:13:08.439
<v Speaker 1>of course she wasn't going outside. That's true. She had

0:13:08.440 --> 0:13:12.160
<v Speaker 1>to she had to be kept indoors. But Vasilisa bore

0:13:12.200 --> 0:13:14.880
<v Speaker 1>it uncomplainingly, and every day she grew more beautiful and

0:13:14.880 --> 0:13:19.040
<v Speaker 1>plump than ever, while her stepmother and stepsisters grew uglier

0:13:19.080 --> 0:13:22.000
<v Speaker 1>and thinner from ill temper, in spite of the fact

0:13:22.040 --> 0:13:24.560
<v Speaker 1>that they never did anything but sit around with folded

0:13:24.600 --> 0:13:28.600
<v Speaker 1>hands like fine ladies. How did this happen? Okay, that's

0:13:28.679 --> 0:13:33.839
<v Speaker 1>literally what we do, so I'm still rooting for them. Yeah, yeah, no,

0:13:33.960 --> 0:13:38.400
<v Speaker 1>that's that's fair. Vasilisa's doll helped her. Had it not

0:13:38.480 --> 0:13:40.920
<v Speaker 1>been for that, the poor girl could not have stood

0:13:40.960 --> 0:13:44.840
<v Speaker 1>so much work. Vasilisa did not eat the daintiest morsels

0:13:44.840 --> 0:13:47.720
<v Speaker 1>of her scanty, fair, but she put them aside for

0:13:47.760 --> 0:13:50.200
<v Speaker 1>her little doll, and in the evening, when the rest

0:13:50.240 --> 0:13:52.200
<v Speaker 1>had gone to bed, she would shut herself into her

0:13:52.240 --> 0:13:55.720
<v Speaker 1>little room and give it the good things, saying, here,

0:13:55.760 --> 0:13:59.560
<v Speaker 1>little doll, eat something and listen to my tale of woe. Here.

0:13:59.600 --> 0:14:01.680
<v Speaker 1>I live in my papa's house, but I do not

0:14:01.720 --> 0:14:04.439
<v Speaker 1>get any pleasure out of it. My wicked stepmother is

0:14:04.480 --> 0:14:07.200
<v Speaker 1>trying to drive me out of the bright world. Teach

0:14:07.240 --> 0:14:10.160
<v Speaker 1>me how must I behave and what must I do?

0:14:11.320 --> 0:14:16.320
<v Speaker 1>This is like something that I would do with my

0:14:16.360 --> 0:14:19.440
<v Speaker 1>American girl dolls and still do now as an adult

0:14:19.480 --> 0:14:23.320
<v Speaker 1>American girl doll collector. This is, for example, a conversation

0:14:23.320 --> 0:14:26.360
<v Speaker 1>I would have with my doll logan, have you ever

0:14:26.400 --> 0:14:29.240
<v Speaker 1>been to the American Girl Doll Cafe? No? Where is

0:14:29.280 --> 0:14:36.400
<v Speaker 1>this or anywhere? There's in most major American metropolitan cities.

0:14:37.080 --> 0:14:39.360
<v Speaker 1>We gotta go. I think I'm like, I wonder if

0:14:39.360 --> 0:14:41.440
<v Speaker 1>you would like it's um. They give you a three

0:14:41.480 --> 0:14:43.640
<v Speaker 1>course meal you have to eat with a doll. If

0:14:43.640 --> 0:14:46.400
<v Speaker 1>you don't have a doll, they'll lend you one. And

0:14:46.600 --> 0:14:50.760
<v Speaker 1>yes they serve the doll tiny food. And yes you

0:14:50.800 --> 0:14:53.080
<v Speaker 1>can drink there, and no, you don't need a kid

0:14:53.120 --> 0:14:56.520
<v Speaker 1>to go. Um. I went for my twenty seventh birthday

0:14:56.680 --> 0:14:59.080
<v Speaker 1>and I had a hell of a time. I think

0:14:59.120 --> 0:15:03.520
<v Speaker 1>Margaret would either love or hate it. I kind of

0:15:03.560 --> 0:15:07.040
<v Speaker 1>fund the fence on how you but it is um.

0:15:07.080 --> 0:15:09.800
<v Speaker 1>It is fun. Just you know, just tip well and

0:15:09.840 --> 0:15:13.840
<v Speaker 1>they cut you off it after after three blue moons. Okay, okay, good.

0:15:15.800 --> 0:15:18.840
<v Speaker 1>I can't imagine drinking anything else in front of an

0:15:18.840 --> 0:15:22.920
<v Speaker 1>American girl doll like no, absolutely and and they but

0:15:23.000 --> 0:15:25.160
<v Speaker 1>and they will not serve the American girl doll a

0:15:25.160 --> 0:15:27.880
<v Speaker 1>tiny blue moon, although I was hopeful that they might.

0:15:28.240 --> 0:15:30.640
<v Speaker 1>I mean, it is a kid. It would be wrong,

0:15:30.680 --> 0:15:32.480
<v Speaker 1>I mean, although some of them are probably older than me.

0:15:34.040 --> 0:15:36.680
<v Speaker 1>I was. I mean, I would say that Logan, you know,

0:15:36.800 --> 0:15:39.400
<v Speaker 1>if if I'm sticking to logan canon, I would say

0:15:39.480 --> 0:15:42.240
<v Speaker 1>he would sneak a sip of beer, you know, sure

0:15:42.280 --> 0:15:45.920
<v Speaker 1>as he canomically fourteen, Yes, but a lot of fourteen

0:15:46.000 --> 0:15:48.680
<v Speaker 1>year olds sneap, sneak a little sip here and there.

0:15:49.760 --> 0:15:52.480
<v Speaker 1>I'm not going to answer any of this about my

0:15:52.520 --> 0:15:56.680
<v Speaker 1>own life. First drink, because my parents listen to this podcast.

0:15:56.960 --> 0:16:01.440
<v Speaker 1>So I'm back on board with Basilisa. The doll would

0:16:01.440 --> 0:16:03.960
<v Speaker 1>eat a little and give her good advice and console

0:16:04.000 --> 0:16:07.280
<v Speaker 1>her for her sorrow, and before morning came, it would

0:16:07.320 --> 0:16:10.640
<v Speaker 1>finish every one of Vasilisa's tasks while she was resting

0:16:10.680 --> 0:16:13.360
<v Speaker 1>in the cool air or gathering flowers. The beds were

0:16:13.360 --> 0:16:17.040
<v Speaker 1>weeded for her, the cabbage is watered, the pails filled,

0:16:17.120 --> 0:16:19.760
<v Speaker 1>and the fire made. The doll also taught her how

0:16:19.760 --> 0:16:22.880
<v Speaker 1>to avoid sunburn. It was fine to live with the doll.

0:16:24.720 --> 0:16:28.920
<v Speaker 1>Does Logan do all that? All that? No, Logan has

0:16:28.960 --> 0:16:32.320
<v Speaker 1>never advised me on my skincare routine even once. And

0:16:32.360 --> 0:16:36.280
<v Speaker 1>I'm just realizing, like the magic of a doll that

0:16:36.360 --> 0:16:39.760
<v Speaker 1>you're that you're dying relative gives you. Maybe it's that

0:16:40.280 --> 0:16:43.400
<v Speaker 1>is the skin career. This is the second time skincare

0:16:43.400 --> 0:16:44.960
<v Speaker 1>has come up on this podcast. Last time it was

0:16:45.000 --> 0:16:49.320
<v Speaker 1>about the blood of children or the blood of the virgins.

0:16:50.960 --> 0:16:53.800
<v Speaker 1>Oh okay, I mean that's that is a classic skincare technique,

0:16:53.800 --> 0:16:57.080
<v Speaker 1>and they don't You can still use it, but you

0:16:57.200 --> 0:16:59.280
<v Speaker 1>they just call it something different now and I'm not

0:16:59.280 --> 0:17:03.400
<v Speaker 1>gonna say what it is, but it's highaluronic acid. That's

0:17:03.440 --> 0:17:07.000
<v Speaker 1>the blood of virgins. Okay, okay, this gets deeper into

0:17:07.000 --> 0:17:10.240
<v Speaker 1>anyone who listened to the episode where I talked about Batty,

0:17:10.720 --> 0:17:13.960
<v Speaker 1>Now you know more about why that worked. Several years

0:17:14.040 --> 0:17:17.040
<v Speaker 1>passed and Vasilisa grew up into a beautiful maiden. All

0:17:17.040 --> 0:17:19.640
<v Speaker 1>the young men in town sought her, though none none

0:17:19.640 --> 0:17:22.000
<v Speaker 1>of them would so much as look at her step sisters.

0:17:22.480 --> 0:17:25.240
<v Speaker 1>The stepmother was crosser than ever and replied to all

0:17:25.240 --> 0:17:28.040
<v Speaker 1>the suitors, we will not give the youngest one before

0:17:28.080 --> 0:17:31.679
<v Speaker 1>the older ones. As soon as she had sent the

0:17:31.680 --> 0:17:35.280
<v Speaker 1>suitors away, she would vent her spite on Vasilisa with blows.

0:17:36.760 --> 0:17:39.320
<v Speaker 1>Now it happened that the merchant was obliged to go

0:17:39.359 --> 0:17:41.639
<v Speaker 1>away from home for a long time on important business.

0:17:42.000 --> 0:17:44.359
<v Speaker 1>The stepmother went to live in another house which stood

0:17:44.400 --> 0:17:47.160
<v Speaker 1>near a dense forest, and in this was a hut

0:17:47.160 --> 0:17:50.320
<v Speaker 1>where Baba Yaga, the witch dwelt. She was a wicked

0:17:50.320 --> 0:17:53.639
<v Speaker 1>hat who never permitted any person to approach her, and

0:17:53.680 --> 0:17:59.760
<v Speaker 1>she ate men like chickens. I love her girl already,

0:17:59.800 --> 0:18:04.960
<v Speaker 1>I imagining the the like reveal of Angelica Houston and

0:18:05.160 --> 0:18:11.919
<v Speaker 1>the witches as Bobby AGAs like reveal into the story. Oh,

0:18:12.040 --> 0:18:15.760
<v Speaker 1>I love it. Having settled into her new home, the

0:18:15.800 --> 0:18:19.719
<v Speaker 1>merchant's wife kept inventing pretexts to send the detested Vasilissa

0:18:19.880 --> 0:18:22.920
<v Speaker 1>into the forest, but the girl always came back without accident.

0:18:23.240 --> 0:18:25.280
<v Speaker 1>The doll showed her the way and did not let

0:18:25.359 --> 0:18:29.600
<v Speaker 1>her go near the bobby Agaz hut. Autumn came. The

0:18:29.720 --> 0:18:32.640
<v Speaker 1>stepmother one time gave the three girls their evenings work

0:18:32.720 --> 0:18:35.639
<v Speaker 1>to do. She bade one to make woven lace, the

0:18:35.720 --> 0:18:39.160
<v Speaker 1>second to nit stockings, but she set Vasilisa to spinning.

0:18:39.920 --> 0:18:42.080
<v Speaker 1>She put out the lights throughout the house and left

0:18:42.160 --> 0:18:45.119
<v Speaker 1>only one little candle where the girls were working, and

0:18:45.200 --> 0:18:48.679
<v Speaker 1>she herself went to bed. While the girls were working,

0:18:48.720 --> 0:18:51.480
<v Speaker 1>the candle began to gut her. One of the girls

0:18:51.480 --> 0:18:54.080
<v Speaker 1>took the snuffers to trim the wick, but instead of

0:18:54.080 --> 0:18:57.400
<v Speaker 1>doing so, she followed her mother's directions and as if

0:18:57.440 --> 0:19:04.920
<v Speaker 1>accidentally put out the candle. Wait, what is the candle guttering? Help? Yeah? Yeah,

0:19:04.920 --> 0:19:09.800
<v Speaker 1>no no, so so a candle guttering is where it's like, oh,

0:19:09.880 --> 0:19:13.760
<v Speaker 1>it's okay, okay, it's it's doing the scary thing. Yeah. Yeah,

0:19:13.760 --> 0:19:16.880
<v Speaker 1>it was like starting to go out. Yeah. And then

0:19:17.640 --> 0:19:21.439
<v Speaker 1>as for snuffers that somehow trimmed the wick, I do

0:19:21.520 --> 0:19:24.119
<v Speaker 1>not know what this object looks like. I assumed it

0:19:24.160 --> 0:19:27.719
<v Speaker 1>was one of those little bells that put on the candle,

0:19:28.359 --> 0:19:30.399
<v Speaker 1>but that doesn't trim the wick, so there must be

0:19:30.440 --> 0:19:36.000
<v Speaker 1>scissors on the someone who's listening knows. As an avid

0:19:36.080 --> 0:19:39.160
<v Speaker 1>viewer of candle YouTube, I can say that a wig

0:19:39.240 --> 0:19:44.359
<v Speaker 1>trimmer and a candle snuffer two very different investments. You

0:19:44.400 --> 0:19:47.800
<v Speaker 1>should argue with this and translator, because I think that

0:19:48.080 --> 0:19:51.440
<v Speaker 1>you would have done a better job. That's sounded sarcastic.

0:19:51.720 --> 0:19:53.560
<v Speaker 1>I mean it wasn't earnest, but it was somewhere in

0:19:53.560 --> 0:19:57.880
<v Speaker 1>between the two. I'm trying to make fun of Okay,

0:19:59.760 --> 0:20:02.040
<v Speaker 1>now what are we going to do, asked the girls.

0:20:02.280 --> 0:20:04.080
<v Speaker 1>There's not a light in the whole house, and our

0:20:04.119 --> 0:20:06.679
<v Speaker 1>stints are not finished. We must go to the bobby

0:20:06.720 --> 0:20:10.119
<v Speaker 1>Aga after a light. I have all the light I

0:20:10.160 --> 0:20:12.119
<v Speaker 1>want from my bosom pin, said the one who is

0:20:12.160 --> 0:20:15.840
<v Speaker 1>working on the lace. I won't go, and I won't go,

0:20:15.920 --> 0:20:18.360
<v Speaker 1>said the one who was knitting stockings. I have enough

0:20:18.440 --> 0:20:22.600
<v Speaker 1>light from my knitting needles. Vasilisa must go after the light,

0:20:22.720 --> 0:20:25.600
<v Speaker 1>cried both of them. Hurry to Babba Yaga the witch

0:20:25.760 --> 0:20:28.280
<v Speaker 1>and get it, and they drove her out of the room.

0:20:28.680 --> 0:20:31.840
<v Speaker 1>Vasilisa went into her little room, set before her doll

0:20:31.960 --> 0:20:35.119
<v Speaker 1>the supper that she had saved for her, and said, now, dolly,

0:20:35.400 --> 0:20:37.720
<v Speaker 1>take your supper and listen to my tale of woe.

0:20:38.119 --> 0:20:40.919
<v Speaker 1>They're sending me to the bobby Yaga after fire, and

0:20:40.920 --> 0:20:44.280
<v Speaker 1>the bobby Aga will eat me. The doll ate the food,

0:20:44.280 --> 0:20:48.080
<v Speaker 1>and her eyes gleamed like two candles. Do not be afraid,

0:20:48.200 --> 0:20:53.800
<v Speaker 1>little Vasilisa, she said, sounding very much like a biblical angel. No, okay,

0:20:55.640 --> 0:20:58.000
<v Speaker 1>go whi or they send you. Only keep me with

0:20:58.040 --> 0:21:00.679
<v Speaker 1>you always. When you have me, you have nothing to

0:21:00.800 --> 0:21:04.600
<v Speaker 1>fear at the witch's hut, So Vasilisa made haste, hid

0:21:04.600 --> 0:21:07.160
<v Speaker 1>the doll in her pocket, and, having crossed herself, went

0:21:07.160 --> 0:21:10.480
<v Speaker 1>into the dense forest. As she went along, tremblingly, a

0:21:10.520 --> 0:21:14.080
<v Speaker 1>horseman suddenly galloped past her. He was white, his dress

0:21:14.160 --> 0:21:16.600
<v Speaker 1>was white, the horse he rode was white, and the

0:21:16.640 --> 0:21:20.600
<v Speaker 1>horses trappings were white. Outdoors, it began to grow light.

0:21:20.760 --> 0:21:22.840
<v Speaker 1>So that's that's going to be a metaphor, And that's

0:21:22.840 --> 0:21:25.920
<v Speaker 1>going to be a metaphor for something. What what did

0:21:25.920 --> 0:21:29.680
<v Speaker 1>you read ahead of? You already knew this story. Okay, this,

0:21:29.680 --> 0:21:32.640
<v Speaker 1>this damn doll is cracking me up. This doll goes

0:21:32.680 --> 0:21:36.520
<v Speaker 1>back and forth between being like an employee of Vasilisa's

0:21:36.560 --> 0:21:40.080
<v Speaker 1>and then randomly acting like the Godfather, Like I'm picturing

0:21:40.240 --> 0:21:43.720
<v Speaker 1>the doll with like cutting a steak, being like, don't

0:21:43.720 --> 0:21:47.240
<v Speaker 1>worry about it, bring me in Witch's house. We're going

0:21:47.280 --> 0:21:51.240
<v Speaker 1>to take care of this. No. Like, the doll is

0:21:51.280 --> 0:21:54.439
<v Speaker 1>absolutely the uninterrogated character in this Like all of the

0:21:54.480 --> 0:21:58.560
<v Speaker 1>other characters have like these like explanations and like Bobby

0:21:58.640 --> 0:22:01.280
<v Speaker 1>yagas like this crazy witch, but nothing about the fucking

0:22:01.320 --> 0:22:05.240
<v Speaker 1>doll that is Like, this doll is very versatile in

0:22:05.320 --> 0:22:08.080
<v Speaker 1>the roles they can fill in this story because it's like,

0:22:10.200 --> 0:22:12.840
<v Speaker 1>I I love the doll, and I am picturing like

0:22:13.359 --> 0:22:15.800
<v Speaker 1>kind of a Danny de Vito voice coming out of

0:22:16.600 --> 0:22:18.479
<v Speaker 1>coming out of a doll to take to take care

0:22:18.520 --> 0:22:22.560
<v Speaker 1>of the situation. I'm just I think the doll represents

0:22:22.640 --> 0:22:26.199
<v Speaker 1>financial privilege, but I'm not sure. Because you can, just

0:22:26.280 --> 0:22:28.800
<v Speaker 1>like your mom died, leave to here with this blessing

0:22:28.840 --> 0:22:31.280
<v Speaker 1>where you don't have to do any work. You don't

0:22:31.280 --> 0:22:33.320
<v Speaker 1>have to worry about anything because anytime you're worried, you

0:22:33.400 --> 0:22:37.280
<v Speaker 1>just fall back on it, stand inside and be hot.

0:22:37.680 --> 0:22:42.159
<v Speaker 1>Yeah that's the moral. Yeah, yeah, morals are not great. Okay.

0:22:42.359 --> 0:22:45.320
<v Speaker 1>She walked farther and another horseman gallop past. He was read,

0:22:45.440 --> 0:22:47.439
<v Speaker 1>his clothing was red, and he rode a red horse.

0:22:47.960 --> 0:22:52.280
<v Speaker 1>The sun began to rise. Vasilisa walked all night and day,

0:22:52.440 --> 0:22:54.639
<v Speaker 1>and only towards the next evening did she reach the

0:22:54.640 --> 0:22:57.879
<v Speaker 1>clearing where stood the Baba Yaga's hut. The fence around

0:22:57.880 --> 0:23:00.800
<v Speaker 1>the hut was made of men's bones, and the posts

0:23:00.840 --> 0:23:05.560
<v Speaker 1>were decorated with human skulls instead of doorposts, where men's

0:23:05.640 --> 0:23:09.600
<v Speaker 1>leg bones instead of shutters were arms. Instead of a

0:23:09.680 --> 0:23:14.600
<v Speaker 1>lock was a mouth with sharp teeth. I'm getting the idea. Yeah,

0:23:16.000 --> 0:23:17.880
<v Speaker 1>I would love if this description went on for ten

0:23:17.960 --> 0:23:21.920
<v Speaker 1>bab pages. Like instead of a door knob, there there

0:23:22.000 --> 0:23:24.240
<v Speaker 1>was a little There is a little vial of hair

0:23:24.960 --> 0:23:28.959
<v Speaker 1>instead of a totally there's a fingernail instead of one

0:23:29.000 --> 0:23:32.639
<v Speaker 1>of those things that goes on the window. The doorbell

0:23:32.720 --> 0:23:34.680
<v Speaker 1>was just a guy who was like, you can hit

0:23:34.720 --> 0:23:38.679
<v Speaker 1>me with a stick. I'll yell. You have to spank

0:23:38.720 --> 0:23:41.520
<v Speaker 1>someone with a stick or she won't come to the door. Yeah,

0:23:42.400 --> 0:23:45.520
<v Speaker 1>And actually, apparently in the original before this translation, they

0:23:45.560 --> 0:23:50.200
<v Speaker 1>then talked about the chicken legs, but the translator was like, oh,

0:23:50.320 --> 0:23:52.280
<v Speaker 1>I don't know, that seems complicated, and it was like

0:23:52.359 --> 0:23:57.520
<v Speaker 1>ruining his vibe. Wow, this translator, I really have some

0:23:57.640 --> 0:24:01.000
<v Speaker 1>because like that's the part. Yeah, it's a big, it's

0:24:01.000 --> 0:24:06.920
<v Speaker 1>a big. Yeah, that's very scary. Yeah, Vasilisa was benumbed

0:24:06.920 --> 0:24:10.119
<v Speaker 1>with terror, and which obviously doesn't make any sense unless

0:24:10.160 --> 0:24:13.880
<v Speaker 1>it's the chicken legs, so okay, But Vasilisa was benumbed

0:24:13.880 --> 0:24:15.960
<v Speaker 1>with terror and stood as if rooted to the spot.

0:24:16.280 --> 0:24:19.439
<v Speaker 1>Suddenly another horseman came riding along. He was black, his

0:24:19.520 --> 0:24:22.040
<v Speaker 1>clothing was black, and he rode a black horse. He

0:24:22.080 --> 0:24:24.600
<v Speaker 1>galloped up to the bobby AGA's gates and disappeared as

0:24:24.640 --> 0:24:27.480
<v Speaker 1>if he had sunk through the earth. Night had come,

0:24:28.240 --> 0:24:31.200
<v Speaker 1>but the darkness did not last long. In the skulls

0:24:31.240 --> 0:24:34.240
<v Speaker 1>on the fence, eyes gleamed, and it was as light

0:24:34.320 --> 0:24:38.119
<v Speaker 1>as noon all over the clearing. Vasilisa shook with terror,

0:24:38.520 --> 0:24:41.000
<v Speaker 1>but not knowing where to run, she remained where she was.

0:24:42.359 --> 0:24:45.359
<v Speaker 1>Soon a terrible noise was heard in the forest. The

0:24:45.400 --> 0:24:48.639
<v Speaker 1>trees trembled and the dry leaves rustled. It was the

0:24:48.680 --> 0:24:52.359
<v Speaker 1>Bobba Yaga coming. She stormed along in a mortar. She

0:24:52.400 --> 0:24:55.040
<v Speaker 1>whipped it up with her pestle, and she swept away

0:24:55.080 --> 0:24:58.120
<v Speaker 1>the tracks with her besom bessum which I looked it up.

0:24:58.119 --> 0:25:03.400
<v Speaker 1>It's a It just means an old which sproom like cool. Wait,

0:25:03.480 --> 0:25:06.520
<v Speaker 1>new word for bessm b e s o M. I

0:25:06.520 --> 0:25:08.080
<v Speaker 1>don't know how to pronounce it. I probably should have

0:25:08.119 --> 0:25:12.479
<v Speaker 1>looked it up. No, I'm into it. She came up

0:25:12.520 --> 0:25:16.200
<v Speaker 1>to the gates, paused and sniffing all around. Cried, Foo

0:25:16.400 --> 0:25:24.000
<v Speaker 1>foo foo, I smell Russian breath. Who is here? Vasilisa approached.

0:25:26.359 --> 0:25:29.240
<v Speaker 1>Vasilisa approached the old Dame with fear and trembling, and

0:25:29.280 --> 0:25:33.200
<v Speaker 1>bowing low said, it is I Granny, my stepmother's daughter,

0:25:33.320 --> 0:25:36.280
<v Speaker 1>sent me to you to get some fire because there's

0:25:36.280 --> 0:25:38.000
<v Speaker 1>like nowhere else in town. She could have gotten fire

0:25:38.000 --> 0:25:41.719
<v Speaker 1>with two days walk. But you know whatever I'm imagining

0:25:41.760 --> 0:25:44.760
<v Speaker 1>like be Arthur, like I'm trying to I'm trying to

0:25:46.160 --> 0:25:49.840
<v Speaker 1>get a visual on Baba Yaga. But who do I

0:25:49.920 --> 0:25:53.320
<v Speaker 1>want to hear storm out and say I smell Russian blood?

0:25:53.320 --> 0:25:55.719
<v Speaker 1>Be Arthur, I think. Okay, wait, who's be Arthur. I'm

0:25:55.720 --> 0:25:59.200
<v Speaker 1>just gonna admit that I don't. She's the tall golden

0:25:59.280 --> 0:26:03.840
<v Speaker 1>girl mark oh ship Okay, yep, yeah that would It

0:26:03.840 --> 0:26:08.879
<v Speaker 1>works for me. It works for me, good, exclaimed the

0:26:08.920 --> 0:26:12.240
<v Speaker 1>Bobby Aga. That is a good actor. No good, explained

0:26:12.280 --> 0:26:15.520
<v Speaker 1>Bobby Aga. I know them. Live on and do some

0:26:15.600 --> 0:26:17.639
<v Speaker 1>work for me and then I will give you some fire.

0:26:17.960 --> 0:26:20.080
<v Speaker 1>But if you do not do it, then I will

0:26:20.080 --> 0:26:23.920
<v Speaker 1>eat you up. She turned to the gates and cried, hey,

0:26:24.040 --> 0:26:27.600
<v Speaker 1>my strong fence, give way, open my high gates open.

0:26:28.200 --> 0:26:30.760
<v Speaker 1>The gates opened and the Bobby Yaga went in, and

0:26:30.840 --> 0:26:34.200
<v Speaker 1>Vasilisa followed her, and then all was closed tight again.

0:26:34.680 --> 0:26:36.600
<v Speaker 1>As soon as she entered the room, the Bobby Agatha

0:26:36.640 --> 0:26:39.680
<v Speaker 1>stretched herself out and said to Vassilisa, bring me here,

0:26:39.760 --> 0:26:42.639
<v Speaker 1>what is on the stove? I want to eat? And

0:26:42.680 --> 0:26:44.800
<v Speaker 1>what do you think Jamie Loftus that that there was

0:26:44.840 --> 0:26:49.640
<v Speaker 1>to eat which is hot? M m well, I could

0:26:49.640 --> 0:26:53.200
<v Speaker 1>imagine some homemade stuff, but wouldn't it be better if

0:26:53.240 --> 0:26:57.199
<v Speaker 1>they were, like maybe some sponsored products. I was just

0:26:57.359 --> 0:27:01.200
<v Speaker 1>thinking that. I was thinking, what is better for Vasilisa

0:27:01.320 --> 0:27:04.040
<v Speaker 1>and Bobby Aga and for you the listener than a

0:27:04.200 --> 0:27:09.600
<v Speaker 1>hardy stew made of potatoes sponsor of the show, the

0:27:09.600 --> 0:27:13.160
<v Speaker 1>concept of potatoes. You're sponsored by hardy stu made of potatoes.

0:27:14.200 --> 0:27:17.359
<v Speaker 1>We are, we are. But I for sure thought one

0:27:17.520 --> 0:27:21.639
<v Speaker 1>Jamie Loftus was going to come out and say hot dogs. Look,

0:27:21.680 --> 0:27:25.359
<v Speaker 1>I mean, if there's good and if there's anything that

0:27:25.560 --> 0:27:30.360
<v Speaker 1>is more likely to have the flesh of of question

0:27:30.400 --> 0:27:34.600
<v Speaker 1>mark in it, is it not the classic dish the

0:27:34.600 --> 0:27:40.320
<v Speaker 1>hot dog? The rumors are not baseless, all right, hot

0:27:40.359 --> 0:27:43.720
<v Speaker 1>dog horror story. God it's too late, it's almost Halloween already.

0:27:43.840 --> 0:27:49.840
<v Speaker 1>But a witch who blends children into hot dogs. Oh

0:27:50.080 --> 0:27:52.640
<v Speaker 1>it's exciting. No one take the idea. That's my idea

0:27:55.040 --> 0:27:57.720
<v Speaker 1>right now, change this sentence to bring me here, what

0:27:57.840 --> 0:28:00.359
<v Speaker 1>is on the stove? I want to eat those hot dogs.

0:28:00.520 --> 0:28:03.720
<v Speaker 1>Never mind who is in them, said the Bobby had gone,

0:28:04.400 --> 0:28:06.200
<v Speaker 1>and you know what else was in them was all

0:28:06.200 --> 0:28:10.639
<v Speaker 1>of the other products and sponsors of this podcast, like

0:28:10.760 --> 0:28:19.840
<v Speaker 1>these ones, and we are back. And Vasilisa lighted a

0:28:19.880 --> 0:28:22.119
<v Speaker 1>splinter at the skull's eyes on the fence and began

0:28:22.160 --> 0:28:24.080
<v Speaker 1>to take down the food from the stove and give

0:28:24.119 --> 0:28:26.960
<v Speaker 1>it to Bobby Aga. There was enough hot dogs for

0:28:27.040 --> 0:28:30.440
<v Speaker 1>ten men. From the cellar. She brought bread and meat,

0:28:31.119 --> 0:28:38.120
<v Speaker 1>obviously long meat and a long bread tube inat casing. Yeah, yeah,

0:28:38.880 --> 0:28:42.480
<v Speaker 1>beer and snap. I'm sure she's I think I think

0:28:42.520 --> 0:28:44.040
<v Speaker 1>she I'm trying to think of, like, what is a

0:28:44.120 --> 0:28:47.840
<v Speaker 1>villainous hot dog? I mean, but she's like I feel

0:28:47.880 --> 0:28:49.280
<v Speaker 1>like she would know what she was doing. She would

0:28:49.280 --> 0:28:52.760
<v Speaker 1>be it would be grilled, it would be natural casing,

0:28:52.800 --> 0:28:56.240
<v Speaker 1>like she'd be eating good hot dogs. She's not boiling

0:28:56.240 --> 0:28:59.480
<v Speaker 1>this ship, that's for sure. What about those, um, the

0:28:59.600 --> 0:29:02.400
<v Speaker 1>really old the like twenty years ago vegan hot dog,

0:29:02.440 --> 0:29:04.720
<v Speaker 1>the tofu dogs. I feel like that's the most villainous

0:29:04.760 --> 0:29:08.600
<v Speaker 1>hot dog I can imagine. The Yeah that just like

0:29:08.640 --> 0:29:11.000
<v Speaker 1>falls apart in your hands and you're supposed to be

0:29:11.040 --> 0:29:17.200
<v Speaker 1>like thank you. Yeah, the old dame ate and drank,

0:29:17.320 --> 0:29:20.080
<v Speaker 1>leaving for Vassilisa only a bit of soup, a crust

0:29:20.120 --> 0:29:25.000
<v Speaker 1>of bread, and a morsel of roast pig, not even

0:29:25.000 --> 0:29:27.800
<v Speaker 1>a hot dog. Then the bobby Aga lay down to sleep, saying,

0:29:27.840 --> 0:29:30.360
<v Speaker 1>when morning comes, I am going out. Keep your eyes open.

0:29:30.440 --> 0:29:32.840
<v Speaker 1>Clean the court, sweep the hut, get the dinner, prepare

0:29:32.880 --> 0:29:35.800
<v Speaker 1>the bedclothes. Then go into the corn bin, take forty

0:29:35.840 --> 0:29:38.440
<v Speaker 1>bushels of wheat and clean it a fennel. Have all

0:29:38.440 --> 0:29:41.320
<v Speaker 1>of this completely done, or I will eat you up.

0:29:42.440 --> 0:29:46.320
<v Speaker 1>After giving this command, the bobby agab began to snore Vasilisa,

0:29:46.360 --> 0:29:48.920
<v Speaker 1>but the old dame's leavings before the doll burst into

0:29:49.000 --> 0:29:52.800
<v Speaker 1>tears and said, now eat little doll, and listen to

0:29:52.840 --> 0:29:55.520
<v Speaker 1>my tale of woe. The Bobba Yaga has given me

0:29:55.560 --> 0:29:58.200
<v Speaker 1>such a heavy task perform, and she threatens to eat

0:29:58.240 --> 0:30:01.680
<v Speaker 1>me up if it is not all accomplished. Help me privilege.

0:30:02.440 --> 0:30:06.040
<v Speaker 1>The doll replied, if you're not Vasilisa, eat your supper,

0:30:06.080 --> 0:30:09.280
<v Speaker 1>say your prayers, and go to sleep. Morning is wiser

0:30:09.320 --> 0:30:12.280
<v Speaker 1>than the evening, which is actually good advice, that is

0:30:12.320 --> 0:30:15.320
<v Speaker 1>an actual good moral, that is true. I mean, I

0:30:15.320 --> 0:30:17.800
<v Speaker 1>feel like it's pulled from the same logic of like,

0:30:17.880 --> 0:30:21.240
<v Speaker 1>don't go to bed angry, don't make any big decisions

0:30:21.320 --> 0:30:24.240
<v Speaker 1>late at night. Yeah, but this is like the Dolls

0:30:24.240 --> 0:30:29.440
<v Speaker 1>and Godfather mode again. Yeah, absolutely, yeah. While let's sitting

0:30:29.480 --> 0:30:33.560
<v Speaker 1>there with a tiny fork and spoon eating the cutting up, yeah,

0:30:33.600 --> 0:30:35.920
<v Speaker 1>cutting up a hot dog. It's taking a lot of effort,

0:30:35.960 --> 0:30:38.440
<v Speaker 1>but they're so confident that you're like, ash, she'll get it,

0:30:38.560 --> 0:30:41.520
<v Speaker 1>it's mine, and then it starts eating it like um,

0:30:41.560 --> 0:30:43.160
<v Speaker 1>like when a Lord of the Rings villain is like

0:30:43.160 --> 0:30:45.560
<v Speaker 1>eating really gross and sickly at a feast, and like

0:30:45.600 --> 0:30:50.880
<v Speaker 1>it's like a representation. Yeah yeah, and then everyone's like,

0:30:50.880 --> 0:30:57.720
<v Speaker 1>I have musophonia, please. Vasilisa did so. She awoke rather early,

0:30:57.800 --> 0:30:59.600
<v Speaker 1>but the Bobby I got was up before her and

0:30:59.680 --> 0:31:02.200
<v Speaker 1>was king out the window. The eyes and the skulls

0:31:02.200 --> 0:31:04.960
<v Speaker 1>were growing dim, and now the white horseman galloped by

0:31:05.120 --> 0:31:08.600
<v Speaker 1>and it became quite bright. The Bobby Aga went outdoors whistled,

0:31:08.640 --> 0:31:11.840
<v Speaker 1>and before her appeared her mortar and pestle and bassoom.

0:31:11.880 --> 0:31:14.440
<v Speaker 1>The red Horseman flashed by, and the sun came up.

0:31:15.360 --> 0:31:17.800
<v Speaker 1>The Bobby Aga got into her mortar and started off.

0:31:18.120 --> 0:31:20.240
<v Speaker 1>She spurred it on with the pestle and swept away

0:31:20.280 --> 0:31:24.040
<v Speaker 1>the traces with her bassom. Vasilisa was left alone and

0:31:24.040 --> 0:31:26.760
<v Speaker 1>she began to investigate the Bobby Eaga's house. She was

0:31:26.800 --> 0:31:29.080
<v Speaker 1>amazed at the abundance of everything, and she could not

0:31:29.160 --> 0:31:31.280
<v Speaker 1>make up her mind which tasks she would take hold

0:31:31.280 --> 0:31:34.160
<v Speaker 1>of first. But she soon discovered that her work was

0:31:34.200 --> 0:31:37.480
<v Speaker 1>done for her already. The doll was just separating out

0:31:37.560 --> 0:31:41.040
<v Speaker 1>from the wheat the last grains of the fennel. Oh

0:31:41.120 --> 0:31:44.719
<v Speaker 1>you are my dear deliverer, exclaimed Vasilisa. You have saved

0:31:44.760 --> 0:31:47.800
<v Speaker 1>me from misfortune. All that is left for you to

0:31:47.840 --> 0:31:50.320
<v Speaker 1>do is to get dinner, replied the doll, climbing into

0:31:50.360 --> 0:31:53.920
<v Speaker 1>Vasilisa's pocket. Get it and God be with you. But

0:31:54.080 --> 0:31:58.120
<v Speaker 1>now take a good rest for your health. Vasilisa is

0:31:58.120 --> 0:32:01.160
<v Speaker 1>going to get hit with the invoice while lifetime from

0:32:01.280 --> 0:32:05.920
<v Speaker 1>this doll to She's thinking, this is like some sort

0:32:05.960 --> 0:32:08.960
<v Speaker 1>of long term internship. This doll is going to come

0:32:08.960 --> 0:32:15.080
<v Speaker 1>back for her money. This is by it, okay. Toward evening,

0:32:15.200 --> 0:32:17.840
<v Speaker 1>Vasilisa left the table and waited for the Bobby Aga.

0:32:17.920 --> 0:32:20.320
<v Speaker 1>It began to grow dark. The black horseman galloped by

0:32:20.320 --> 0:32:22.680
<v Speaker 1>the gates. Then the eyes and the skulls began to

0:32:22.680 --> 0:32:25.400
<v Speaker 1>gleam the trees trembled, the leaves rustled. Up came the

0:32:25.400 --> 0:32:28.960
<v Speaker 1>bobby Aga. Vasilisa met her. Is her work all done?

0:32:29.040 --> 0:32:32.800
<v Speaker 1>Asked the hag. You can see for yourself, granny, replied Vasilisa.

0:32:33.360 --> 0:32:35.800
<v Speaker 1>The bobby Aga looked all around and became very angry,

0:32:35.800 --> 0:32:39.040
<v Speaker 1>because there was nothing to be angry about. We've all

0:32:39.040 --> 0:32:43.920
<v Speaker 1>been there. Okay, yeah, wow hashtag relatable content from the

0:32:43.920 --> 0:32:48.320
<v Speaker 1>bobby Aga. Very good, she said, sullenly. Then she cried,

0:32:48.640 --> 0:32:52.240
<v Speaker 1>my faithful servants, my bosom friends, grind my wheat for me.

0:32:52.920 --> 0:32:56.600
<v Speaker 1>Instantly appeared three pairs of hands seized the wheat and

0:32:56.720 --> 0:32:59.960
<v Speaker 1>carried it out of sight. The witch ate her supper,

0:33:00.240 --> 0:33:05.640
<v Speaker 1>laid down to sleep, and gave again Basilisa her orders tomorrow.

0:33:05.800 --> 0:33:08.280
<v Speaker 1>Do the same as you did today, But above all,

0:33:08.360 --> 0:33:11.000
<v Speaker 1>take from the corn crib the poppy and clean it

0:33:11.040 --> 0:33:13.840
<v Speaker 1>of all dirt to the last seed. You'll cause trouble

0:33:13.920 --> 0:33:15.840
<v Speaker 1>for someone if the least a bit of earth is

0:33:15.880 --> 0:33:19.040
<v Speaker 1>mixed with the poppy. Then she turned her face to

0:33:19.160 --> 0:33:22.680
<v Speaker 1>the wall and began to snore. As before, Vasilisa gave

0:33:22.680 --> 0:33:24.600
<v Speaker 1>her doll something to eat. The doll ate it and

0:33:24.640 --> 0:33:26.960
<v Speaker 1>told her what she had told her the night before

0:33:27.960 --> 0:33:30.360
<v Speaker 1>pray to God and go to sleep. Morning is wiser

0:33:30.400 --> 0:33:34.680
<v Speaker 1>than evening. All shall be done, dear little Vasilisa. In

0:33:34.720 --> 0:33:37.680
<v Speaker 1>the morning, Bobby Aga again flew away in her mortar,

0:33:37.760 --> 0:33:40.440
<v Speaker 1>and Vasilisa and the doll quickly accomplished the work that

0:33:40.520 --> 0:33:43.080
<v Speaker 1>was to be done. In the evening, the old hag

0:33:43.120 --> 0:33:47.000
<v Speaker 1>came home, inspected everything, and cried out, my faithful servants,

0:33:47.040 --> 0:33:50.840
<v Speaker 1>my bosom friends, make some oil out of this poppy.

0:33:51.080 --> 0:33:53.560
<v Speaker 1>Three pairs of hands appeared, seized the poppy, and carried

0:33:53.600 --> 0:33:56.120
<v Speaker 1>it out of sight. The bobby Aga sat down to

0:33:56.160 --> 0:33:59.320
<v Speaker 1>its supper, and while she ate, Vasilisa stood by in silence.

0:34:00.520 --> 0:34:02.400
<v Speaker 1>Why don't you have something to say to me, asked

0:34:02.400 --> 0:34:06.040
<v Speaker 1>the witch. You stand there like one tongue tied. I

0:34:06.080 --> 0:34:08.600
<v Speaker 1>did not dare to, said Vasilisa, But if you will

0:34:08.560 --> 0:34:12.160
<v Speaker 1>allow me, I should like to ask you something. Ask away.

0:34:12.400 --> 0:34:15.279
<v Speaker 1>Only remember not every question leads to good. If you

0:34:15.360 --> 0:34:17.800
<v Speaker 1>come to know too much, you will quickly grow old.

0:34:18.400 --> 0:34:24.400
<v Speaker 1>Oh scary, uh, scary message. Also, why is the Vasilisa

0:34:24.440 --> 0:34:29.200
<v Speaker 1>tried to poison her yet? Vassilisa is just come on,

0:34:29.520 --> 0:34:33.759
<v Speaker 1>come on, yeah, well we'll actually talk about not that

0:34:33.840 --> 0:34:36.719
<v Speaker 1>I want the Bobby you gotta get hurt because she

0:34:36.960 --> 0:34:39.440
<v Speaker 1>sounds incredible. She sounds like a legend, and like she

0:34:39.440 --> 0:34:44.400
<v Speaker 1>wouldn't fall for it. The the like why Vassilisa's a

0:34:44.400 --> 0:34:48.920
<v Speaker 1>goody two shoes. Well, we'll actually end up talking about okay, cool,

0:34:49.960 --> 0:34:52.200
<v Speaker 1>I only wanted to ask you about what I saw, Granny.

0:34:52.400 --> 0:34:54.400
<v Speaker 1>As I was coming to you. I was overtaken by

0:34:54.440 --> 0:34:56.560
<v Speaker 1>a white horseman on a white horse and white clothes.

0:34:57.000 --> 0:35:00.120
<v Speaker 1>Who is he? That is my bright day, so the

0:35:00.120 --> 0:35:03.239
<v Speaker 1>Bobby Aga. Then I was overtaken by another horseman on

0:35:03.280 --> 0:35:05.840
<v Speaker 1>a red horse. He was red and in red clothes.

0:35:06.080 --> 0:35:08.960
<v Speaker 1>Who is he? That is my red son, replied the

0:35:08.960 --> 0:35:11.520
<v Speaker 1>Bobby Agaw. And what was the meaning of the black

0:35:11.520 --> 0:35:14.600
<v Speaker 1>horseman who overtook me? Just at your gates? Granny, that

0:35:14.719 --> 0:35:18.920
<v Speaker 1>was my black night? All are my faithful servants. Vasilisa

0:35:19.000 --> 0:35:21.359
<v Speaker 1>remembered the three pairs of hands, but said nothing more.

0:35:22.480 --> 0:35:25.120
<v Speaker 1>Why don't you ask something more, demanded the Bobby Aga.

0:35:25.760 --> 0:35:27.680
<v Speaker 1>I am afraid of what you said might happen to me.

0:35:27.840 --> 0:35:30.280
<v Speaker 1>If one comes to know too much, one grows old.

0:35:31.440 --> 0:35:33.880
<v Speaker 1>It is good, said the Bobby Agaw, that you should

0:35:33.920 --> 0:35:36.360
<v Speaker 1>only ask about what you have seen out of doors,

0:35:36.400 --> 0:35:38.799
<v Speaker 1>and not what you have seen in the house. I

0:35:38.840 --> 0:35:41.080
<v Speaker 1>do not like people to tell tales about me out

0:35:41.080 --> 0:35:44.120
<v Speaker 1>of school, and I eat up those who are too inquisitive.

0:35:44.560 --> 0:35:46.600
<v Speaker 1>And now I'm going to put a question to you.

0:35:47.360 --> 0:35:49.640
<v Speaker 1>How did you succeed in doing the work which I

0:35:49.680 --> 0:35:53.600
<v Speaker 1>gave you to do. Wow, my mother's blessings helped me

0:35:53.719 --> 0:35:57.239
<v Speaker 1>talk shit and end up in a hot dog. That

0:35:57.440 --> 0:36:00.719
<v Speaker 1>is I mean, that's your slogan. You have that back

0:36:00.760 --> 0:36:04.840
<v Speaker 1>patch on your vest. But this is talk. If you

0:36:04.840 --> 0:36:07.680
<v Speaker 1>talk about what you see in my house? Can I

0:36:07.760 --> 0:36:10.719
<v Speaker 1>end up in a hot dog? What is that be

0:36:10.840 --> 0:36:13.759
<v Speaker 1>gone for me? You daughter with the blessing. I don't

0:36:13.800 --> 0:36:17.400
<v Speaker 1>want people who have been blessed. And she dragged Vasilisa

0:36:17.480 --> 0:36:19.280
<v Speaker 1>from the room and pushed her out of the gates.

0:36:19.680 --> 0:36:21.480
<v Speaker 1>Then she took down from the fence one of the

0:36:21.480 --> 0:36:23.600
<v Speaker 1>skulls with the lighted eyes, put it on a stick

0:36:23.680 --> 0:36:25.799
<v Speaker 1>and gave it to her, saying, here is the light

0:36:25.840 --> 0:36:28.520
<v Speaker 1>for your step sisters. Take it. That is what they

0:36:28.560 --> 0:36:32.879
<v Speaker 1>sent you here for. Vasilisa hastened home on the run

0:36:33.160 --> 0:36:35.120
<v Speaker 1>by the light of the skull, and it did not

0:36:35.320 --> 0:36:38.319
<v Speaker 1>go out till the next morning. At last, toward the

0:36:38.360 --> 0:36:41.200
<v Speaker 1>evening on the second day, she reached her home. As

0:36:41.200 --> 0:36:42.959
<v Speaker 1>she went through the gates, she was going to throw

0:36:42.960 --> 0:36:46.400
<v Speaker 1>the skull away. Why of course, she said to herself,

0:36:46.680 --> 0:36:49.600
<v Speaker 1>they won't need the light now. But suddenly she heard

0:36:49.600 --> 0:36:53.080
<v Speaker 1>a quiet voice from the skull saying, don't throw me away,

0:36:53.560 --> 0:37:01.279
<v Speaker 1>take me to your stepmother. Okay. Yeah. She looked up

0:37:01.280 --> 0:37:03.360
<v Speaker 1>at her stepmother's house, and not seeing a light in

0:37:03.440 --> 0:37:05.760
<v Speaker 1>any window, she resolved to go in with the skull.

0:37:06.400 --> 0:37:08.920
<v Speaker 1>The first person she met spoke kindly to her and

0:37:08.960 --> 0:37:11.040
<v Speaker 1>told her that since she had been away, there's been

0:37:11.040 --> 0:37:13.759
<v Speaker 1>no light in the house. They couldn't make anything burn,

0:37:13.880 --> 0:37:15.600
<v Speaker 1>and the fire which they tried to bring from the

0:37:15.600 --> 0:37:18.040
<v Speaker 1>neighbors went out the moment it was brought into the house.

0:37:18.960 --> 0:37:22.120
<v Speaker 1>Perhaps your light will keep, said the stepmother. They carried

0:37:22.120 --> 0:37:24.359
<v Speaker 1>the skull into the house. Then the eyes gazed so

0:37:24.440 --> 0:37:28.120
<v Speaker 1>steadily at the stepmother and the daughters that it burnt them.

0:37:28.200 --> 0:37:31.520
<v Speaker 1>They tried to hide, but wherever they went the eyes

0:37:31.560 --> 0:37:35.320
<v Speaker 1>always followed them. In the morning, they were burnt to ashes,

0:37:36.000 --> 0:37:40.200
<v Speaker 1>but it did not touch Vasilisa. Wow, because she she

0:37:40.280 --> 0:37:43.120
<v Speaker 1>didn't do ship and she minded her own business, Like

0:37:43.200 --> 0:37:46.320
<v Speaker 1>how good girl. Yeah, you're starting to get you're starting

0:37:46.360 --> 0:37:50.560
<v Speaker 1>to catch on This is not Bobby a Go's fault

0:37:51.040 --> 0:37:54.480
<v Speaker 1>that she has used this way. Bobby, you got blameless.

0:37:54.640 --> 0:37:58.840
<v Speaker 1>Ye did nothing wrong. Bobby a God did nothing wrong?

0:37:59.040 --> 0:38:06.080
<v Speaker 1>Is a shirt totally. Then Vasilisa buried the skull on

0:38:06.080 --> 0:38:07.920
<v Speaker 1>the ground, locked the house up, and went into the

0:38:07.920 --> 0:38:10.000
<v Speaker 1>city and asked for shelter with an old woman with

0:38:10.040 --> 0:38:12.840
<v Speaker 1>whom she had no relations, or who who had no relations.

0:38:13.880 --> 0:38:16.239
<v Speaker 1>She said to the old woman, it is tiresome for

0:38:16.280 --> 0:38:18.440
<v Speaker 1>me to have nothing to do. Granny, come by me

0:38:18.520 --> 0:38:21.719
<v Speaker 1>the very best flax and I will spin it for you. Okay, Yeah,

0:38:21.760 --> 0:38:24.240
<v Speaker 1>that was like more evidence of them. She's acting so weird.

0:38:25.040 --> 0:38:27.839
<v Speaker 1>Why is she acting so weird? The three Like, I

0:38:27.880 --> 0:38:30.320
<v Speaker 1>know she didn't like her relatives and they were cruel

0:38:30.400 --> 0:38:32.600
<v Speaker 1>to her, but they turned to ash and she's like,

0:38:33.440 --> 0:38:36.799
<v Speaker 1>better bury this skull and go find someone to adopt me,

0:38:37.040 --> 0:38:39.160
<v Speaker 1>Like what is wrong with her? All right? But but

0:38:39.280 --> 0:38:42.840
<v Speaker 1>hear me out if I'm staying with some people. And

0:38:42.840 --> 0:38:44.880
<v Speaker 1>then I murdered the ship out of them by accident,

0:38:46.200 --> 0:38:49.880
<v Speaker 1>I might bury and then moved to a different city.

0:38:51.560 --> 0:38:53.680
<v Speaker 1>I guess, So, I guess I'm just not expecting this

0:38:53.800 --> 0:38:58.520
<v Speaker 1>from Vasilisa, who has not done really much active things

0:38:58.560 --> 0:39:02.880
<v Speaker 1>so far. She was pretty. That's true, she was pretty,

0:39:02.960 --> 0:39:05.880
<v Speaker 1>and she never got a sunburn, which this story is

0:39:05.920 --> 0:39:12.680
<v Speaker 1>weirdly fixated on sunburns and just burned in general. Yep ye.

0:39:14.680 --> 0:39:16.880
<v Speaker 1>The woman brought some of the very best flax, and

0:39:17.040 --> 0:39:20.360
<v Speaker 1>Vasilisa sat down to her task. The work fairly glowed

0:39:20.440 --> 0:39:22.319
<v Speaker 1>under her hands, and the thread that she made came

0:39:22.320 --> 0:39:24.759
<v Speaker 1>out as smooth and as even as her hair. She

0:39:24.880 --> 0:39:27.200
<v Speaker 1>made a lot of thread, the finest that was ever seen.

0:39:27.800 --> 0:39:30.839
<v Speaker 1>No one could equal it. Vasilisa had gone to ask

0:39:30.880 --> 0:39:33.640
<v Speaker 1>her doll's advice, and the doll had said, bring me

0:39:33.680 --> 0:39:36.959
<v Speaker 1>an old comb in an old shuttle, even a curry comb.

0:39:37.560 --> 0:39:40.520
<v Speaker 1>I will do it for you. So Vasilisa got her

0:39:40.560 --> 0:39:42.840
<v Speaker 1>all that was asked for and went to bed, and

0:39:42.880 --> 0:39:46.960
<v Speaker 1>the doll during the day made a splendid loom. Towards

0:39:47.000 --> 0:39:48.920
<v Speaker 1>the end of the winter, the linen was all spun,

0:39:49.120 --> 0:39:50.960
<v Speaker 1>and it was so fine that one could pass it

0:39:51.000 --> 0:39:53.760
<v Speaker 1>through the eye of a needle like thread. In the spring,

0:39:53.840 --> 0:39:57.680
<v Speaker 1>they bleached the linen and Vasilisa said to the old woman, Granny,

0:39:57.800 --> 0:40:00.880
<v Speaker 1>take this linen and get some money for it. The

0:40:00.920 --> 0:40:03.480
<v Speaker 1>old dame looked at the stuff and exclaimed, no, my

0:40:03.560 --> 0:40:06.640
<v Speaker 1>dear child. No one except the czar should wear such linen.

0:40:07.360 --> 0:40:15.719
<v Speaker 1>I will take it to court. What this is a

0:40:15.880 --> 0:40:23.919
<v Speaker 1>very eccentric area, that's like imagine okay, imagine if you will,

0:40:24.880 --> 0:40:28.200
<v Speaker 1>mark you you present me with a scarf that you've knitted,

0:40:28.680 --> 0:40:32.560
<v Speaker 1>and I retort by saying I couldn't possibly wear this scarf.

0:40:32.840 --> 0:40:34.680
<v Speaker 1>We've got to bring this scarf to the White House.

0:40:35.000 --> 0:40:39.800
<v Speaker 1>We've got to Joe Biden needs this scarf. I need

0:40:39.880 --> 0:40:42.799
<v Speaker 1>John mine and wearing this scarf today and I will

0:40:42.880 --> 0:40:53.800
<v Speaker 1>personally what a wild reaction. Okay, okay, I'm on board

0:40:54.520 --> 0:40:58.359
<v Speaker 1>that my adult that Taylor the American doult what's wait,

0:40:58.400 --> 0:41:03.000
<v Speaker 1>what's your hi? Oh? Logan, Logan, Logan and Tyler are

0:41:03.040 --> 0:41:08.000
<v Speaker 1>the same in my head. I'm sorry, Logan, same energy. Sorry,

0:41:08.120 --> 0:41:11.560
<v Speaker 1>sorry too, Sorry to all the Logans and Tyler's out there.

0:41:12.280 --> 0:41:15.840
<v Speaker 1>Um yeah, okay, so we're bringing we're bringing the Dolls

0:41:15.880 --> 0:41:19.319
<v Speaker 1>scarf to the Joe Biden of the area. Interesting and

0:41:19.360 --> 0:41:23.280
<v Speaker 1>what else should we bring to this ours court? Well,

0:41:23.320 --> 0:41:25.759
<v Speaker 1>I mean you're supposed to bring certain offerings, and a

0:41:25.800 --> 0:41:28.560
<v Speaker 1>lot of them I think should be sponsored goods and

0:41:28.680 --> 0:41:32.200
<v Speaker 1>maybe even services. Okay, okay, well then let's let's let's

0:41:32.239 --> 0:41:39.360
<v Speaker 1>listen and then pick through and pick our favorite, and

0:41:39.560 --> 0:41:42.520
<v Speaker 1>we are back and none of those ads are good

0:41:42.600 --> 0:41:50.000
<v Speaker 1>enough for Joe Biden. Wow. If there's one thing I

0:41:50.040 --> 0:41:53.040
<v Speaker 1>know about Margaret Killjoy is that she wants what's best

0:41:53.080 --> 0:42:04.759
<v Speaker 1>for Joe Biden. Nothing that can spreading about. Yeah, much

0:42:04.800 --> 0:42:09.680
<v Speaker 1>like I feel about the Czar. So she went to

0:42:09.719 --> 0:42:12.640
<v Speaker 1>the Tsar's palace and kept marching up and down in

0:42:12.640 --> 0:42:16.120
<v Speaker 1>front of the windows. Bizarre saw her and asked, what

0:42:16.200 --> 0:42:19.960
<v Speaker 1>do you want, old Dame. Your majesty, she replied, I

0:42:20.040 --> 0:42:22.640
<v Speaker 1>have brought you some wonderful cloth. I do not want

0:42:22.680 --> 0:42:26.160
<v Speaker 1>to show it to anyone except yourself. This doesn't turn

0:42:26.200 --> 0:42:27.839
<v Speaker 1>into a murder of the Tsar thing, which is really

0:42:27.880 --> 0:42:31.000
<v Speaker 1>confusing to me. Oh that's a that's a bummer. I

0:42:31.080 --> 0:42:34.040
<v Speaker 1>was sort of hoping that Bobbig would have it in

0:42:34.080 --> 0:42:39.920
<v Speaker 1>for the Tsar and something like, yeah, yeah, it's not

0:42:39.960 --> 0:42:43.480
<v Speaker 1>where it's going though. No, although like I'm like, I

0:42:43.480 --> 0:42:46.280
<v Speaker 1>probably shouldn't rewrite it on the flash. We could punch

0:42:46.360 --> 0:42:51.640
<v Speaker 1>this up, but I think we'll worsh up this. Yeah,

0:42:51.880 --> 0:42:54.000
<v Speaker 1>these are commanded that would be brought before him, And

0:42:54.000 --> 0:42:57.040
<v Speaker 1>when he saw the linen, he was dumbfounded. Why did

0:42:57.040 --> 0:42:59.600
<v Speaker 1>you think you should know? Um, what will you take

0:42:59.640 --> 0:43:02.520
<v Speaker 1>for this? He asked? It will not cost you Anything's

0:43:02.560 --> 0:43:04.800
<v Speaker 1>our father, I have brought it for you as a gift.

0:43:06.120 --> 0:43:11.919
<v Speaker 1>Bizarre thanked her and sent her off with handsome presents. Yeah,

0:43:12.280 --> 0:43:14.880
<v Speaker 1>it's almost like the concept of folklore is to reinforce

0:43:15.000 --> 0:43:18.680
<v Speaker 1>values that the society wants people to have. But how

0:43:18.680 --> 0:43:25.960
<v Speaker 1>has bring the tsarre? Bring the tsar? All right? Whatever? Fine?

0:43:26.920 --> 0:43:29.520
<v Speaker 1>From that linen, they started to make Bizarre some shirts.

0:43:29.800 --> 0:43:31.400
<v Speaker 1>They cut them out, but they could not find a

0:43:31.440 --> 0:43:33.960
<v Speaker 1>seamstress anywhere to make them. They searched long, and at

0:43:34.000 --> 0:43:36.160
<v Speaker 1>last there's are summoned the old dame and said to her,

0:43:36.560 --> 0:43:38.560
<v Speaker 1>you are clever enough to spin and weave this cloth,

0:43:38.600 --> 0:43:40.480
<v Speaker 1>you must be clever enough to make some shirts out

0:43:40.480 --> 0:43:43.839
<v Speaker 1>of it. Sovereign, it was not I who spun and

0:43:43.840 --> 0:43:45.600
<v Speaker 1>wove this cloth of the old dame. It is the

0:43:45.640 --> 0:43:48.759
<v Speaker 1>work of my adopted daughter. Well, let her make them,

0:43:48.760 --> 0:43:51.799
<v Speaker 1>he said. The woman went home and told Vasilisa all

0:43:51.840 --> 0:43:55.480
<v Speaker 1>about this I knew, said Vasilisa that this work of

0:43:55.520 --> 0:43:58.560
<v Speaker 1>my hands would not suit them. She shut herself in

0:43:58.640 --> 0:44:01.800
<v Speaker 1>her room and took hold of the work. She sewed steadily,

0:44:02.000 --> 0:44:04.200
<v Speaker 1>without once letting it out of her hands, and soon

0:44:04.239 --> 0:44:07.440
<v Speaker 1>a dozen shirts were ready. The Dame took the shirts

0:44:07.520 --> 0:44:10.200
<v Speaker 1>the Czar and Vasilisa washed her face and hands, combed

0:44:10.200 --> 0:44:12.840
<v Speaker 1>her hair, dressed herself and sat down at the window,

0:44:12.840 --> 0:44:15.399
<v Speaker 1>waiting to see what would happen. Presently, one of those

0:44:15.400 --> 0:44:17.880
<v Speaker 1>our servants came into the old dame's yard and said,

0:44:18.160 --> 0:44:20.680
<v Speaker 1>our sovereign's are wishes to see the clever artist who

0:44:20.680 --> 0:44:23.399
<v Speaker 1>has made him the shirts, and to reward him from

0:44:23.400 --> 0:44:27.920
<v Speaker 1>his own hands. Vasilisa and went and showed herself before

0:44:27.920 --> 0:44:30.520
<v Speaker 1>the eyes of the Tzar. When he saw the fair

0:44:30.560 --> 0:44:33.880
<v Speaker 1>young girl who there's been no evidence that this character

0:44:33.920 --> 0:44:39.560
<v Speaker 1>has grown old. Just be clear. I'm very curious. Yeah,

0:44:39.640 --> 0:44:41.600
<v Speaker 1>thank you for clearing that up. Yeah. When he saw

0:44:41.680 --> 0:44:44.920
<v Speaker 1>the fair young girl, he fell passionately in love with her. No,

0:44:45.200 --> 0:44:48.120
<v Speaker 1>he exclaimed, I will never part with you. You shall

0:44:48.160 --> 0:44:53.359
<v Speaker 1>be my wife. So the Tsar took Vasilisa town. Yeah place,

0:44:54.480 --> 0:45:00.200
<v Speaker 1>this place is so stressful. It feels like Bobby Yaga is,

0:45:00.360 --> 0:45:02.600
<v Speaker 1>or like the Bobby you got is the only person

0:45:03.280 --> 0:45:10.920
<v Speaker 1>who is reacting to anything with the proper intensity. Absolutely, absolutely, so,

0:45:10.960 --> 0:45:13.760
<v Speaker 1>the Czar took Vasilisa by her white hands and caused

0:45:13.760 --> 0:45:16.399
<v Speaker 1>her to sit by his side, caused her to sit

0:45:16.440 --> 0:45:20.279
<v Speaker 1>by his son cause oh this is so yeah, this

0:45:20.440 --> 0:45:26.080
<v Speaker 1>translation is freaking me out, caused her. I'm imagining a

0:45:26.200 --> 0:45:30.960
<v Speaker 1>soup lex like, I mean, what is marriage in a

0:45:31.040 --> 0:45:36.000
<v Speaker 1>traditional night like back in the day anyway, But causing

0:45:36.040 --> 0:45:38.799
<v Speaker 1>you to sit by someone else's side, I guess it's true.

0:45:38.840 --> 0:45:42.759
<v Speaker 1>It implies lack of choice, and so they celebrated a

0:45:42.800 --> 0:45:46.600
<v Speaker 1>great wedding. Vasilisa's father soon afterwards returned home. He has

0:45:46.640 --> 0:45:50.600
<v Speaker 1>not like she's gone off and got herself adopted by someone.

0:45:51.280 --> 0:45:55.799
<v Speaker 1>He was delighted with her good fortune. Go ahead, and

0:45:55.880 --> 0:45:58.600
<v Speaker 1>it was he like, where is my wife at? Where

0:45:58.680 --> 0:46:00.839
<v Speaker 1>is my step don't where do you care about that?

0:46:02.360 --> 0:46:05.320
<v Speaker 1>You're right? His daughter has been caused to marry the csar,

0:46:05.520 --> 0:46:09.840
<v Speaker 1>So his wife, he was delighted with her good fortune,

0:46:10.080 --> 0:46:12.360
<v Speaker 1>and from that time forth he lived at his daughter's.

0:46:12.680 --> 0:46:15.120
<v Speaker 1>Vasilisa took the old dame also to be with her,

0:46:15.440 --> 0:46:17.960
<v Speaker 1>but the doll she kept in her pocket to the

0:46:18.080 --> 0:46:24.319
<v Speaker 1>very end of her days. The end, the end. This

0:46:24.719 --> 0:46:29.600
<v Speaker 1>story is confusing. I have I'm going to go full

0:46:29.800 --> 0:46:33.440
<v Speaker 1>like the worst kind of YouTuber mode and be like

0:46:33.760 --> 0:46:37.200
<v Speaker 1>all the plot holes and the Bobby Yugas story interesting,

0:46:37.280 --> 0:46:41.200
<v Speaker 1>let's get into it. Looks like someone some writers didn't

0:46:41.480 --> 0:46:43.839
<v Speaker 1>get the message that a story is supposed to have

0:46:43.880 --> 0:46:48.080
<v Speaker 1>a beginning, middle, and an end. Jamie, you're triggering me.

0:46:48.120 --> 0:46:52.520
<v Speaker 1>I do not like this. Wait, Jamie, where did you

0:46:52.560 --> 0:46:54.839
<v Speaker 1>get that hat? What do you call that type of hat?

0:46:55.080 --> 0:47:02.319
<v Speaker 1>Is that a Trilby or a Fedora? Lady, It's a Fedora.

0:47:02.600 --> 0:47:06.000
<v Speaker 1>And in this essay I will be talking about the

0:47:06.040 --> 0:47:11.799
<v Speaker 1>implications of the Bobbiaga why Vasilisa did nothing wrong? I oh,

0:47:11.840 --> 0:47:20.839
<v Speaker 1>my god, what I do? That said? That said, I

0:47:20.960 --> 0:47:24.000
<v Speaker 1>don't have a lot of questions about the Bobby God

0:47:24.000 --> 0:47:26.680
<v Speaker 1>doesn't even get to come back. That's my said, that's

0:47:26.719 --> 0:47:29.319
<v Speaker 1>my sadness. She disappears. So one of the things about

0:47:29.360 --> 0:47:32.920
<v Speaker 1>the stories about Bobbia Gas, Bobbia Gas always a side character,

0:47:34.280 --> 0:47:38.799
<v Speaker 1>Bobbia Ga sometimes Bobbia guys like the main villain, right,

0:47:38.880 --> 0:47:41.520
<v Speaker 1>and this one Bobbia Gas barely even a villain. But

0:47:42.480 --> 0:47:46.560
<v Speaker 1>Bobbia Gas always a thing that people are tested against

0:47:47.560 --> 0:47:51.879
<v Speaker 1>rather than like really even a person. In a lot

0:47:51.880 --> 0:47:57.080
<v Speaker 1>of ways. Um so, so I guess like in the

0:47:57.200 --> 0:48:01.919
<v Speaker 1>internal logic of this story, like Vassily is a navigating

0:48:02.000 --> 0:48:05.360
<v Speaker 1>and surviving the Bobby Yaga situation is just like what

0:48:05.600 --> 0:48:13.520
<v Speaker 1>she needs to get her to get as our husband. Huh, Margaret,

0:48:13.520 --> 0:48:18.800
<v Speaker 1>I have a question, which is what is the moral

0:48:19.120 --> 0:48:23.719
<v Speaker 1>this story? So the moral of the story, as far

0:48:23.760 --> 0:48:25.120
<v Speaker 1>as I can tell, the more of a lot of

0:48:25.120 --> 0:48:29.480
<v Speaker 1>Bobby Aga stories is um, listen to your mother and

0:48:29.560 --> 0:48:32.799
<v Speaker 1>don't trust the bad mother, which is either the stepmother

0:48:33.280 --> 0:48:36.320
<v Speaker 1>or the wicked witch in the woods. Bobby Aga like

0:48:36.440 --> 0:48:39.440
<v Speaker 1>often is the standing for like bad mom. It's like

0:48:39.480 --> 0:48:43.520
<v Speaker 1>as the evil old woman figure. And so basically there's

0:48:43.560 --> 0:48:47.240
<v Speaker 1>different like lessons. It's who gets thrown against Bobby Aga

0:48:47.239 --> 0:48:50.640
<v Speaker 1>like leads to different things. And if you're a young girl,

0:48:51.239 --> 0:48:54.360
<v Speaker 1>then being obedient is the way to deal with Bobby Aga.

0:48:54.680 --> 0:48:58.040
<v Speaker 1>And I think if you're a grown ass man, being

0:48:58.120 --> 0:49:00.840
<v Speaker 1>looking for a lady is a good way to interact

0:49:00.880 --> 0:49:06.239
<v Speaker 1>with Bobby Aga. And yeah, I don't know, It's it's

0:49:06.280 --> 0:49:10.160
<v Speaker 1>basically this like fear of the woods, like don't go

0:49:10.239 --> 0:49:12.000
<v Speaker 1>into the dark woods of the which will eat you.

0:49:12.760 --> 0:49:16.120
<v Speaker 1>But if you're good and obedient, you will survive that experience.

0:49:17.360 --> 0:49:21.040
<v Speaker 1>And what is the scarier thing in this era than

0:49:21.280 --> 0:49:24.480
<v Speaker 1>an older woman living by herself and seeming to have

0:49:25.040 --> 0:49:30.839
<v Speaker 1>a nice time. Yeah, yeah, yeah, terrifying. And so I'm

0:49:30.880 --> 0:49:33.400
<v Speaker 1>gonna talk a little bit. We're gonna talk about kind

0:49:33.400 --> 0:49:36.520
<v Speaker 1>of who Bobby Aga is today and then when we

0:49:36.560 --> 0:49:39.800
<v Speaker 1>come back Wednesday, we'll talk more about what it all means,

0:49:40.640 --> 0:49:46.320
<v Speaker 1>and there'll be another story. There's another story, okay because

0:49:46.360 --> 0:49:52.600
<v Speaker 1>this one. Sorry, I'm putting my Fedora on again. What

0:49:52.760 --> 0:49:55.319
<v Speaker 1>is the so is the doll kind of this like

0:49:56.160 --> 0:49:59.719
<v Speaker 1>personification of good good mommy, and then Bobby Yaga is.

0:50:00.640 --> 0:50:03.360
<v Speaker 1>That's maybe the most famous story about Babagan. It's the

0:50:03.400 --> 0:50:05.839
<v Speaker 1>one I run across the most um partly because there's

0:50:05.840 --> 0:50:09.279
<v Speaker 1>this really beautiful art from edition of us Alisa the

0:50:09.280 --> 0:50:13.480
<v Speaker 1>Beautiful that is like metal bands use it as their

0:50:13.760 --> 0:50:16.880
<v Speaker 1>T shirts. Um, I have a Regana shirt, which is

0:50:16.880 --> 0:50:19.799
<v Speaker 1>a really sick metal band. It's a do metal band

0:50:19.880 --> 0:50:22.760
<v Speaker 1>and they use Specialisa the Beautiful as their art and stuff.

0:50:23.320 --> 0:50:27.880
<v Speaker 1>But probably for others, Vasilisa is a popular character. That's

0:50:28.040 --> 0:50:31.560
<v Speaker 1>yeah interesting. I mean I think it's like I think

0:50:31.560 --> 0:50:35.120
<v Speaker 1>it's because the art. Honestly, there's like this like you know,

0:50:36.040 --> 0:50:38.640
<v Speaker 1>Russian girl walking through the woods with a skull gleaming

0:50:38.719 --> 0:50:41.160
<v Speaker 1>light on a stick. It's pretty fucking metal you know.

0:50:42.120 --> 0:50:45.799
<v Speaker 1>Oh yeah, that was about It was about Okay, I

0:50:45.840 --> 0:50:49.040
<v Speaker 1>see that shirt at the merch booth, I take out

0:50:49.320 --> 0:50:54.399
<v Speaker 1>my credit Yeah, yeah, totally yeah, that's why. No, never mind,

0:50:54.840 --> 0:50:58.080
<v Speaker 1>all right. And so, so she's the scary old crone

0:50:58.120 --> 0:51:00.920
<v Speaker 1>that that lives in the woods and stories she helps,

0:51:00.960 --> 0:51:04.000
<v Speaker 1>some stories she hurts. But in the ones which she helps,

0:51:04.040 --> 0:51:06.439
<v Speaker 1>she always has the capacity to do great violence. She's

0:51:06.480 --> 0:51:10.719
<v Speaker 1>never like, hey, little lost friend, here you go. And

0:51:10.760 --> 0:51:12.600
<v Speaker 1>it's as I was talking about earlier, but now I'm

0:51:12.600 --> 0:51:15.000
<v Speaker 1>just reading the script anyway, it's the clever girls, the

0:51:15.000 --> 0:51:17.320
<v Speaker 1>ones who do as they're told, who survived their encounters

0:51:17.320 --> 0:51:21.479
<v Speaker 1>with Bobby a gum. So who the fund is Bobby Aga.

0:51:22.960 --> 0:51:25.759
<v Speaker 1>It depends on the story. You'll be shocked to know this.

0:51:28.719 --> 0:51:30.640
<v Speaker 1>And there there are some things that they all tend

0:51:30.640 --> 0:51:34.480
<v Speaker 1>to agree on. Bobbiaga is a wizened old crone who

0:51:34.520 --> 0:51:36.360
<v Speaker 1>lives in the forest or at the edge of the forest,

0:51:36.520 --> 0:51:40.120
<v Speaker 1>sometimes underground, but usually edge of the forest. Her hut

0:51:40.160 --> 0:51:43.040
<v Speaker 1>stands on chicken legs. Sometimes it's two legs, sometimes it's

0:51:43.080 --> 0:51:49.640
<v Speaker 1>four legs, sometimes it's goat legs, but usually it's chicken legs. Yeah,

0:51:49.680 --> 0:51:53.399
<v Speaker 1>I mean, not that anyone asked, But I really love

0:51:53.520 --> 0:51:58.960
<v Speaker 1>the chicken legs. I just think it's because also precarious,

0:51:59.320 --> 0:52:04.080
<v Speaker 1>you know. Yeah, goat legs are sturdy. Yeah, chicken legs. Um,

0:52:04.239 --> 0:52:09.960
<v Speaker 1>excuse me, Okay, sorry, I've bet Fedora on again. No, no, no,

0:52:10.360 --> 0:52:14.479
<v Speaker 1>this is a it's a good Um. It's your inner self.

0:52:14.520 --> 0:52:16.399
<v Speaker 1>I'm glad that you're letting your true self be seen.

0:52:17.760 --> 0:52:20.600
<v Speaker 1>The house can walk around on these legs. Sometimes it

0:52:20.640 --> 0:52:23.200
<v Speaker 1>can move around, but more often it kind of stays

0:52:23.200 --> 0:52:26.120
<v Speaker 1>in one place, and it can turn in place. Um.

0:52:26.120 --> 0:52:29.360
<v Speaker 1>In a lot of ways, the house is its own entity.

0:52:29.400 --> 0:52:32.399
<v Speaker 1>Often when the traveler arrives, they can't find the door.

0:52:32.840 --> 0:52:35.879
<v Speaker 1>Sometimes the houses no windows or doors, and you can

0:52:35.880 --> 0:52:38.239
<v Speaker 1>make the house turn around and face you with like

0:52:38.280 --> 0:52:40.120
<v Speaker 1>the so you can see the door if you say

0:52:40.160 --> 0:52:42.680
<v Speaker 1>the right command, which one of the examples of the

0:52:42.760 --> 0:52:45.719
<v Speaker 1>right command is hut hut, stand with your back to

0:52:45.760 --> 0:52:49.360
<v Speaker 1>the forest your front to me, which is very literal.

0:52:49.400 --> 0:52:52.560
<v Speaker 1>Oh yeah, I'm saying that all the time. Yeah, totally. Um,

0:52:52.640 --> 0:52:55.600
<v Speaker 1>that's what I do. That's super helpful. My self driving

0:52:55.640 --> 0:52:57.719
<v Speaker 1>car that I totally own. That's how I get my

0:52:57.800 --> 0:53:00.600
<v Speaker 1>car to come to me. Um, it's on chicken legs.

0:53:04.200 --> 0:53:06.840
<v Speaker 1>That's it. That would be I mean, if there's anything

0:53:06.880 --> 0:53:09.320
<v Speaker 1>that's going to get me on board with self driving cars,

0:53:09.360 --> 0:53:13.760
<v Speaker 1>which feels near impossible. But if we're talking a little

0:53:13.840 --> 0:53:18.320
<v Speaker 1>chicken legs that can read my mind, maybe plug me in. Exactly,

0:53:19.000 --> 0:53:21.279
<v Speaker 1>they went down the wrong alley, like focusing on like

0:53:21.320 --> 0:53:23.319
<v Speaker 1>Tesla and all these like scientists. It should have been

0:53:23.320 --> 0:53:26.680
<v Speaker 1>focusing on on Bobby Aga, which is why I'm looking

0:53:26.719 --> 0:53:30.920
<v Speaker 1>for investors company that will No, I'm not going to

0:53:31.040 --> 0:53:35.880
<v Speaker 1>try and become an never mind. The hut is surrounded

0:53:35.880 --> 0:53:38.520
<v Speaker 1>by a fence made of bones, with skull lanterns topping

0:53:38.560 --> 0:53:41.560
<v Speaker 1>the posts. In some stories there's a skull missing, which

0:53:41.600 --> 0:53:47.840
<v Speaker 1>is a spot waiting to be your skull. Oh, that

0:53:48.040 --> 0:53:51.560
<v Speaker 1>is creepy. Inside the hut, she might be lying on

0:53:51.600 --> 0:53:54.520
<v Speaker 1>the stove, her body stretched from one corner of the

0:53:54.560 --> 0:53:57.120
<v Speaker 1>hut to the other, with her nose having grown so

0:53:57.160 --> 0:54:01.399
<v Speaker 1>long it goes into the ceiling. Sometimes her breasts hang

0:54:01.520 --> 0:54:07.120
<v Speaker 1>down over a car like a curtain rod um. A

0:54:07.120 --> 0:54:09.000
<v Speaker 1>lot of old folklore is like really into being like

0:54:09.040 --> 0:54:12.040
<v Speaker 1>and this lady is ugly, and by that I mean tits,

0:54:12.520 --> 0:54:17.560
<v Speaker 1>saggy tits. People get really into that people, I mean

0:54:17.600 --> 0:54:22.200
<v Speaker 1>people loves some some saggy tit imagery when it comes

0:54:22.200 --> 0:54:25.400
<v Speaker 1>to a woman they're supposed to hate, picking up on

0:54:25.440 --> 0:54:29.040
<v Speaker 1>some anti Semitic stuff. This is like, I feel like

0:54:29.080 --> 0:54:34.160
<v Speaker 1>all the cartoon logic classics of a way to characterize

0:54:34.160 --> 0:54:37.080
<v Speaker 1>a villain in the worst kind of way. But I

0:54:37.120 --> 0:54:41.120
<v Speaker 1>love her. I love that she. How did she get

0:54:41.160 --> 0:54:44.920
<v Speaker 1>so big? I'm not it was sometimes actually a lot

0:54:45.000 --> 0:54:48.640
<v Speaker 1>of stories she's in ogress and like literally a giant um.

0:54:48.680 --> 0:54:50.799
<v Speaker 1>And I'll talk a little bit about the origins of

0:54:50.840 --> 0:54:54.000
<v Speaker 1>that version of it. Uh. Sometimes she stirs the coals

0:54:54.000 --> 0:54:57.200
<v Speaker 1>of her fire with her nose. Uh. Sometimes she's a

0:54:57.280 --> 0:54:59.880
<v Speaker 1>regular sized woman and is like rail thin and ugly.

0:55:00.400 --> 0:55:03.120
<v Speaker 1>Sometimes she has bear claws for hands. Sometimes she has

0:55:03.200 --> 0:55:06.440
<v Speaker 1>iron teeth, and sometimes has iron teeth like protrude from

0:55:06.440 --> 0:55:08.640
<v Speaker 1>her gums, either like boar tusks or just like kind

0:55:08.640 --> 0:55:11.640
<v Speaker 1>of like sideways like sticking out. Did she ever have

0:55:11.760 --> 0:55:15.640
<v Speaker 1>guns for hands? Yeah? Probably, Um. I can't imagine a

0:55:15.719 --> 0:55:19.440
<v Speaker 1>version where she doesn't have guns from hands actually, um.

0:55:19.440 --> 0:55:21.799
<v Speaker 1>And like one of the things that a lot of

0:55:22.400 --> 0:55:24.440
<v Speaker 1>there's a lot of feminists who quite like Bobby Agad

0:55:24.480 --> 0:55:26.520
<v Speaker 1>for some odd reason, and one of the main one

0:55:26.600 --> 0:55:27.960
<v Speaker 1>one of the things that comes up is that like

0:55:28.040 --> 0:55:30.239
<v Speaker 1>she just does not give a ship that she's ugly.

0:55:30.320 --> 0:55:33.160
<v Speaker 1>She like revels in her power, right, And that's like

0:55:33.280 --> 0:55:35.880
<v Speaker 1>the beauty of being a crone is like your your past,

0:55:36.840 --> 0:55:39.839
<v Speaker 1>the judgment of society that wants. Like Vasilisa only has

0:55:39.880 --> 0:55:43.279
<v Speaker 1>one value, and it's that she's beautiful and obedient. I

0:55:43.280 --> 0:55:46.000
<v Speaker 1>guess she has two values. Bobby Aga has all kinds

0:55:46.040 --> 0:55:48.279
<v Speaker 1>of value because she can like funk everything up that

0:55:48.360 --> 0:55:50.920
<v Speaker 1>she wants and she controls night and day and the

0:55:50.960 --> 0:55:54.000
<v Speaker 1>sun and ship. You know, I love that rate of

0:55:54.040 --> 0:55:57.360
<v Speaker 1>it because it's like, yeah, I mean, Vasily is the

0:55:57.640 --> 0:56:00.160
<v Speaker 1>beautiful I know we're supposed to view her as the

0:56:00.400 --> 0:56:03.480
<v Speaker 1>virtuous hero, but it's like everything about her that's considered

0:56:03.520 --> 0:56:08.480
<v Speaker 1>societally desirable is what is also actively hindering her life

0:56:08.840 --> 0:56:13.120
<v Speaker 1>totally being any kind of interesting of like, okay, you

0:56:13.320 --> 0:56:16.200
<v Speaker 1>we think you're beautiful, so you can never go outside

0:56:16.280 --> 0:56:21.000
<v Speaker 1>or have an experience and uh the czarre things. You're beautiful,

0:56:21.080 --> 0:56:23.439
<v Speaker 1>so you actually have to marry him today right now,

0:56:23.640 --> 0:56:26.719
<v Speaker 1>and you're going to be caused to sit next to him.

0:56:26.800 --> 0:56:30.319
<v Speaker 1>Is that what it been? Is? Yeah? So it is

0:56:30.400 --> 0:56:34.280
<v Speaker 1>like she's and and then the Bobby it got well,

0:56:34.560 --> 0:56:37.680
<v Speaker 1>you know, I'm I'm sure that there are drawbacks, but

0:56:37.800 --> 0:56:42.480
<v Speaker 1>it's like she's just completely liberated from anyone's bullshit, which

0:56:42.560 --> 0:56:47.560
<v Speaker 1>does seem to have its merits. And she's a homeowner. Okay,

0:56:47.600 --> 0:56:50.560
<v Speaker 1>she's a homeowner, I know. And she doesn't have aspirational

0:56:50.719 --> 0:56:53.960
<v Speaker 1>like she doesn't. She is her own doll. She is

0:56:54.000 --> 0:56:58.720
<v Speaker 1>her own you know, godfather figure. She right, she doesn't

0:56:58.760 --> 0:57:02.239
<v Speaker 1>need a doll. She does in need uh, she's she's

0:57:02.280 --> 0:57:06.040
<v Speaker 1>in need a mom meet. Although I would I do

0:57:06.080 --> 0:57:08.680
<v Speaker 1>want to know what her mom was like. Well, we'll

0:57:08.719 --> 0:57:11.120
<v Speaker 1>talk a little bit about her origins. Um. I think

0:57:11.120 --> 0:57:13.640
<v Speaker 1>maybe more on Wednesday, but I'm not sure where is

0:57:13.680 --> 0:57:16.400
<v Speaker 1>it in my script? Who knows? The only way to

0:57:16.440 --> 0:57:19.320
<v Speaker 1>know is to go forward. Sometimes she has a leg

0:57:19.400 --> 0:57:23.360
<v Speaker 1>made out of clay or iron or steel. Sometimes one

0:57:23.560 --> 0:57:26.760
<v Speaker 1>one leg has been like shriveled down to bone. Sometimes

0:57:26.800 --> 0:57:29.000
<v Speaker 1>the things that people say about her rhyme like Bobby

0:57:29.040 --> 0:57:34.120
<v Speaker 1>y aga bony leg rhymes in Russian apparently. And she

0:57:34.240 --> 0:57:36.800
<v Speaker 1>leaves every day she's off to you know, she very

0:57:37.240 --> 0:57:39.760
<v Speaker 1>she gets a lot done. She goes off to wherever

0:57:39.800 --> 0:57:42.480
<v Speaker 1>she's doing in the world, usually to steal children for

0:57:42.520 --> 0:57:46.200
<v Speaker 1>her meals. Um comes home every night. Out in the world.

0:57:46.280 --> 0:57:48.600
<v Speaker 1>She rides around in a huge mortar, like a mortar

0:57:48.640 --> 0:57:51.520
<v Speaker 1>and pestle. She crouches in it with her knees almost

0:57:51.600 --> 0:57:54.360
<v Speaker 1>up to her chin, and some of the depictions, some

0:57:54.440 --> 0:57:59.160
<v Speaker 1>of them, it's like a little bit yeah, and in

0:57:59.320 --> 0:58:01.680
<v Speaker 1>one hand you wields the pestle, which she uses like

0:58:01.840 --> 0:58:03.680
<v Speaker 1>a kind of like a riding crop to drive the

0:58:03.720 --> 0:58:06.600
<v Speaker 1>mortar along. Um, although I've also seen it where like

0:58:06.600 --> 0:58:09.440
<v Speaker 1>she's like kind of paddling like a canoe along the

0:58:09.440 --> 0:58:13.000
<v Speaker 1>ground with it. Oh, I like that again, You're just like,

0:58:13.120 --> 0:58:16.600
<v Speaker 1>this is going to be very loud, uh and and arduous,

0:58:16.640 --> 0:58:19.880
<v Speaker 1>which means that while maybe that she's not the most

0:58:20.080 --> 0:58:24.080
<v Speaker 1>you know, mechanically minded, she must be pretty strong, That's true.

0:58:24.160 --> 0:58:26.560
<v Speaker 1>I don't think I could if you're heaven that thing,

0:58:27.280 --> 0:58:30.760
<v Speaker 1>especially if you're in the fetal position while you're doing it.

0:58:31.480 --> 0:58:34.240
<v Speaker 1>That takes some serious upper arm strength on the bobby

0:58:34.320 --> 0:58:37.400
<v Speaker 1>of gospel. And she has three horsemen who are obedient

0:58:37.440 --> 0:58:39.720
<v Speaker 1>to her, and she's not like you there ride this

0:58:39.800 --> 0:58:42.400
<v Speaker 1>around for me. You know. Do you think the horsemen

0:58:42.440 --> 0:58:45.960
<v Speaker 1>are unionized? Do you think they're paid? I don't know.

0:58:46.440 --> 0:58:48.640
<v Speaker 1>I wonder about the Four Horsemen and the apocalypse, like,

0:58:48.840 --> 0:58:51.880
<v Speaker 1>is that a collective? Is it like work around? Because

0:58:51.920 --> 0:58:56.400
<v Speaker 1>if so, I don't know, fucking bring it. What's the

0:58:56.480 --> 0:58:59.120
<v Speaker 1>internal drama with the four horsemen? Because you know that

0:58:59.160 --> 0:59:06.360
<v Speaker 1>there's like polycule, there's a polyguele in there, and you know,

0:59:06.640 --> 0:59:10.480
<v Speaker 1>like and then there's there's one person who everyone is like, well,

0:59:10.840 --> 0:59:13.040
<v Speaker 1>if we had to vote one horseman off the island,

0:59:13.080 --> 0:59:15.440
<v Speaker 1>we all know who it was. Sorry, but we're not

0:59:15.440 --> 0:59:20.440
<v Speaker 1>going to go there. Sorry, sorry to that horse. Yeah,

0:59:20.440 --> 0:59:22.840
<v Speaker 1>that's a good point. In her other hand, she has

0:59:22.880 --> 0:59:24.920
<v Speaker 1>a broom, which she uses to sweep away the tracks

0:59:25.520 --> 0:59:27.160
<v Speaker 1>and some of the newer versions of the fairy tale

0:59:27.160 --> 0:59:29.000
<v Speaker 1>and might say newhere, I mean like a hundred years ago,

0:59:29.240 --> 0:59:32.760
<v Speaker 1>like the mortar itself flies and then she uses the

0:59:32.800 --> 0:59:36.800
<v Speaker 1>broom to like sweep away the like basically like the contrails,

0:59:36.800 --> 0:59:39.000
<v Speaker 1>like the way it disrupts the clouds when she flies,

0:59:39.040 --> 0:59:42.600
<v Speaker 1>she sweeps it away with the broom. She's often surrounded

0:59:42.600 --> 0:59:46.800
<v Speaker 1>by birds. Sometimes it's flocks of blackbirds that announced her coming. Uh,

0:59:46.880 --> 0:59:50.520
<v Speaker 1>the wind also announces her coming. Sometimes black geese follow

0:59:50.520 --> 0:59:53.680
<v Speaker 1>her around on her daily quest, maybe helping her find

0:59:53.680 --> 0:59:59.200
<v Speaker 1>a that. Yeah. I love that. Maybe chickens used to

0:59:59.240 --> 1:00:03.680
<v Speaker 1>follow her around and then something terrible happened. They kind

1:00:03.720 --> 1:00:09.360
<v Speaker 1>of like vultron up into the house. Okay, I like

1:00:09.440 --> 1:00:12.880
<v Speaker 1>that better. She smells when people are coming in almost

1:00:12.920 --> 1:00:16.080
<v Speaker 1>every story about her, specifically, she smells that they're Russian,

1:00:17.320 --> 1:00:19.520
<v Speaker 1>and it kind of reminds me of Jack and this beanstalk,

1:00:19.920 --> 1:00:21.760
<v Speaker 1>you know, like a fi fi fo fum I smell

1:00:21.800 --> 1:00:27.040
<v Speaker 1>the blood of in English mm hmm. And that's how

1:00:27.240 --> 1:00:30.400
<v Speaker 1>there's I feel like there's there's certain types of people

1:00:30.480 --> 1:00:34.760
<v Speaker 1>they can smell into cure women from the New England

1:00:34.880 --> 1:00:38.120
<v Speaker 1>area in in a similar way, and they're not afraid

1:00:38.160 --> 1:00:42.760
<v Speaker 1>to announce themselves either. Whatever the modern modern equivalent of

1:00:42.880 --> 1:00:46.520
<v Speaker 1>fi fi faull FuMB is, it might just be dm

1:00:46.640 --> 1:00:53.400
<v Speaker 1>ngu hi every week until you die. Yeah, it's like

1:00:54.040 --> 1:00:58.560
<v Speaker 1>line hi hi hi hi, I smell the blood someone

1:00:58.600 --> 1:01:09.720
<v Speaker 1>who's visibly insecure. Yeah, exactly. Uh. Russian doesn't have a

1:01:09.840 --> 1:01:13.080
<v Speaker 1>definite versus indefinite article in speech like the versus a,

1:01:13.920 --> 1:01:16.680
<v Speaker 1>and it uses other context to get those ideas across.

1:01:16.720 --> 1:01:19.200
<v Speaker 1>It's not like lacking that concept as far as I understand,

1:01:19.840 --> 1:01:23.520
<v Speaker 1>but translators often struggle to understand. And so something that

1:01:23.560 --> 1:01:27.560
<v Speaker 1>has come up a lot, is Bobby Aga specific person

1:01:28.280 --> 1:01:30.800
<v Speaker 1>or is it like a type of creature? H you know,

1:01:31.240 --> 1:01:34.680
<v Speaker 1>is she Bobby Aga or she the Bobby Aga or

1:01:34.760 --> 1:01:38.040
<v Speaker 1>she a Bobby Aga. And the answer to that is yes,

1:01:38.880 --> 1:01:42.040
<v Speaker 1>she is all of those things, depending on the story.

1:01:42.240 --> 1:01:46.160
<v Speaker 1>I like that that good answer. Sometimes her name is

1:01:46.200 --> 1:01:49.600
<v Speaker 1>capitalized in the Russian, sometimes it isn't. So sometimes it's

1:01:49.640 --> 1:01:53.240
<v Speaker 1>just like you know whatever, um. And in some stories

1:01:53.280 --> 1:01:56.280
<v Speaker 1>she has two sisters, their names names of her sisters,

1:01:57.040 --> 1:01:58.600
<v Speaker 1>don't I'm gonna give you a chance to guess the

1:01:58.680 --> 1:02:06.360
<v Speaker 1>names of her sisters. The names of her sisters. What

1:02:07.280 --> 1:02:10.200
<v Speaker 1>is a riddle? Baba and Yrga. No, it's Bobby Yagan,

1:02:10.320 --> 1:02:20.760
<v Speaker 1>Bobby Yaga, they all have the same name. Have you

1:02:20.880 --> 1:02:24.720
<v Speaker 1>said what Babba Yaga? Does it translate to anything? Or

1:02:24.800 --> 1:02:28.480
<v Speaker 1>is it just like yeah? Okay? So then this is

1:02:28.560 --> 1:02:30.720
<v Speaker 1>this cuts into this cuts into Wednesdays. But actually this

1:02:30.880 --> 1:02:33.720
<v Speaker 1>I'm like, I should have put this here, so I'm

1:02:33.760 --> 1:02:37.960
<v Speaker 1>being such a big So Baba Yaga as two different things.

1:02:38.080 --> 1:02:41.360
<v Speaker 1>Baba is grandma uh and then a lot of Slavic

1:02:41.440 --> 1:02:45.600
<v Speaker 1>land languages baba means grandma. And that's why like characters

1:02:45.640 --> 1:02:47.720
<v Speaker 1>are like being like hey granny, right, um, and I'll

1:02:47.720 --> 1:02:51.120
<v Speaker 1>talk about some of the ideological that gets interesting, and

1:02:51.160 --> 1:02:54.480
<v Speaker 1>then you got people have said, oh, it translates this,

1:02:54.600 --> 1:02:57.720
<v Speaker 1>or it's etymologically similar to this. But there's like eighteen

1:02:57.800 --> 1:03:00.320
<v Speaker 1>different things that people think it's similar to as far

1:03:00.320 --> 1:03:02.040
<v Speaker 1>as I can tell us, basically just a proper name

1:03:02.080 --> 1:03:05.080
<v Speaker 1>in this context, um, because it's like some people are like, oh,

1:03:05.160 --> 1:03:07.680
<v Speaker 1>it comes from serpent, or it comes from deceiver, or

1:03:07.760 --> 1:03:11.960
<v Speaker 1>it comes from which, or it becomes from this, that

1:03:12.160 --> 1:03:14.280
<v Speaker 1>or the other thing. So there is like the most

1:03:14.720 --> 1:03:19.560
<v Speaker 1>common direct translation of Babbiaga's grandmother, which which is very

1:03:19.720 --> 1:03:22.800
<v Speaker 1>fitting to how because like, oh, there's a grandmother witch

1:03:22.840 --> 1:03:28.920
<v Speaker 1>who lives in the forest, right, But yeah, sometimes she

1:03:29.000 --> 1:03:31.360
<v Speaker 1>guards the water of life, which can bring people back

1:03:31.400 --> 1:03:34.080
<v Speaker 1>from the dead. Sometimes she guards both the waters of

1:03:34.160 --> 1:03:36.680
<v Speaker 1>life and death. The water of life brings you back

1:03:36.720 --> 1:03:39.840
<v Speaker 1>from the dead, but the water of death reconstitutes your

1:03:39.880 --> 1:03:42.360
<v Speaker 1>corpse because it's like the water of corpses. So if

1:03:42.360 --> 1:03:44.480
<v Speaker 1>you're like beheaded or whatever, you can't just like sprinkle

1:03:44.520 --> 1:03:46.040
<v Speaker 1>the water of life on you, right, or you'll come

1:03:46.040 --> 1:03:47.760
<v Speaker 1>back from the dead entire, right, and then you'll just

1:03:47.920 --> 1:03:52.040
<v Speaker 1>you'll just be in extreme pain. Yeah, so you need

1:03:52.120 --> 1:03:56.400
<v Speaker 1>both the waters of life and death. Sometimes she sucks

1:03:56.480 --> 1:04:00.240
<v Speaker 1>the life out of women out by their breasts. There

1:04:00.360 --> 1:04:04.120
<v Speaker 1>is quite possibly a fair amount of lesbianism and the

1:04:04.200 --> 1:04:06.240
<v Speaker 1>older stories that was kind of left out of the

1:04:06.280 --> 1:04:09.640
<v Speaker 1>translations into English. And I've only found references to this

1:04:09.760 --> 1:04:12.920
<v Speaker 1>in like an academic book that's like, oh and some

1:04:13.120 --> 1:04:15.720
<v Speaker 1>of the subtext of this was left out of the translations,

1:04:15.760 --> 1:04:18.240
<v Speaker 1>And I'm like, motherfucker, giving this subtext, this is all

1:04:18.280 --> 1:04:21.280
<v Speaker 1>I want. Yeah, I was like, Um, there's maybe a

1:04:21.360 --> 1:04:23.160
<v Speaker 1>lot of people out there who would love to hear

1:04:23.200 --> 1:04:25.760
<v Speaker 1>a story about a mysterious woman in the woods sucking

1:04:25.880 --> 1:04:28.040
<v Speaker 1>the life out of your table. There's maybe just a

1:04:28.120 --> 1:04:30.160
<v Speaker 1>lot of people who want to hear that. Yeah. I

1:04:30.280 --> 1:04:33.200
<v Speaker 1>think that we could probably make a living writing those stories. Actually,

1:04:35.120 --> 1:04:38.720
<v Speaker 1>um fifty shape never mind, Um, maybe better than any

1:04:38.760 --> 1:04:43.480
<v Speaker 1>of that. Anyway, she has and there's actually so Babbia

1:04:43.520 --> 1:04:45.520
<v Speaker 1>got is the main name that people use for now,

1:04:45.600 --> 1:04:48.160
<v Speaker 1>but she has dozens or hundreds of names. Uh, Like

1:04:48.320 --> 1:04:50.960
<v Speaker 1>most of the iconic figures out of folklore. Um, she's

1:04:51.000 --> 1:04:53.120
<v Speaker 1>most known for being Russian, but there's versions of her

1:04:53.200 --> 1:04:56.080
<v Speaker 1>found in pretty much every Slavic culture, and echoes of

1:04:56.120 --> 1:04:58.240
<v Speaker 1>her can be found throughout the world, and like comparable

1:04:58.320 --> 1:05:00.480
<v Speaker 1>figures can be found in cultures are around the world.

1:05:01.800 --> 1:05:04.240
<v Speaker 1>And one of the things that's interesting about her, she's

1:05:04.280 --> 1:05:07.480
<v Speaker 1>the figure of the witch right, but in most Western

1:05:07.560 --> 1:05:10.880
<v Speaker 1>European belief which is our individual mortal women who made

1:05:10.920 --> 1:05:13.720
<v Speaker 1>some kind of pact with the devil um, bobby Aga

1:05:14.440 --> 1:05:16.760
<v Speaker 1>is more of a force of nature herself. She doesn't

1:05:16.800 --> 1:05:19.880
<v Speaker 1>need the devil. There's one origin for her story for

1:05:19.960 --> 1:05:23.320
<v Speaker 1>her that involves the devil. The Devil's like, you know

1:05:23.400 --> 1:05:26.200
<v Speaker 1>what I need? I need like a bad bitch. So

1:05:26.320 --> 1:05:28.200
<v Speaker 1>he finds twelve of the worst women he could find

1:05:28.320 --> 1:05:31.320
<v Speaker 1>and he throws them into the devil stupot, cooks them up,

1:05:31.840 --> 1:05:34.560
<v Speaker 1>he inhales the steam, and then he spits back into

1:05:34.600 --> 1:05:37.800
<v Speaker 1>the cauldron and out pops Bobby I hope he at

1:05:37.880 --> 1:05:42.080
<v Speaker 1>least made like a sexy calendar with them, the twelve

1:05:42.160 --> 1:05:44.440
<v Speaker 1>of the worst women in the world. That's a calendar

1:05:44.520 --> 1:05:48.280
<v Speaker 1>that would be really appealing to me. Wait, so he

1:05:48.520 --> 1:05:51.320
<v Speaker 1>boiled twelve women together, and then the Bobby Aga was

1:05:51.360 --> 1:05:53.640
<v Speaker 1>the result. Yeah, boiled the women together and hailed the

1:05:53.760 --> 1:05:57.760
<v Speaker 1>steam of the boiling women and then spit and Bobby

1:05:57.840 --> 1:06:01.080
<v Speaker 1>AGAs was created from the spin of the devil after

1:06:01.240 --> 1:06:04.960
<v Speaker 1>hailing the steam of the twelve the people that he

1:06:05.080 --> 1:06:09.800
<v Speaker 1>hired for the calendar. Wow, that's it. That's a very

1:06:10.000 --> 1:06:14.520
<v Speaker 1>um thorough cooking process. Um. I don't think that's where

1:06:14.560 --> 1:06:17.560
<v Speaker 1>Bobby Got comes from. That's like one version, right, but

1:06:17.720 --> 1:06:20.600
<v Speaker 1>it is a little bit later than Bobby A. Gaza

1:06:21.280 --> 1:06:25.920
<v Speaker 1>as a specifically constituted mythical character. And when we come

1:06:25.960 --> 1:06:28.960
<v Speaker 1>back on Wednesday, we'll talk about where she comes from

1:06:30.000 --> 1:06:31.920
<v Speaker 1>as my cliffhanger. But doesn't we don't have to like

1:06:32.080 --> 1:06:34.800
<v Speaker 1>end it there if you have like thoughts. But that's

1:06:34.800 --> 1:06:38.360
<v Speaker 1>why I got for a cliffhanger. No, I mean, I

1:06:38.440 --> 1:06:40.800
<v Speaker 1>have a million more questions, but I feel I feel

1:06:40.840 --> 1:06:45.960
<v Speaker 1>as if all maybe revealed. It might be, but well,

1:06:46.040 --> 1:06:51.640
<v Speaker 1>first let's reveal Jamie Lofti as a person who has

1:06:51.760 --> 1:06:58.240
<v Speaker 1>stuff to plug. Mhm yeah, okay, I'm sorry, I'm like

1:06:58.320 --> 1:07:00.640
<v Speaker 1>coming down from this Bobby Got high. I'm so excited

1:07:00.640 --> 1:07:02.800
<v Speaker 1>to learn more about her. I've only heard about her,

1:07:02.880 --> 1:07:06.240
<v Speaker 1>I think only in name. So this is thrilling. Um.

1:07:07.040 --> 1:07:09.640
<v Speaker 1>I guess what I will plug is. You can follow

1:07:09.720 --> 1:07:14.200
<v Speaker 1>me on Twitter and Instagram. Um, at Jamie Lofts. Help

1:07:15.040 --> 1:07:19.040
<v Speaker 1>or uh, you can buy my book about Bobby Yuga's

1:07:19.080 --> 1:07:23.840
<v Speaker 1>favorite dish, hot dogs. Uh, my my book all about

1:07:24.080 --> 1:07:28.680
<v Speaker 1>the history and uh sort of, I can't think of

1:07:28.720 --> 1:07:31.120
<v Speaker 1>the word. There's usually a big word I use. It's

1:07:31.160 --> 1:07:34.360
<v Speaker 1>not coming right now. It's all about it's everything about dogs.

1:07:34.440 --> 1:07:39.840
<v Speaker 1>It's called raw Dog. It's anti dist establishment. Terryan is

1:07:40.360 --> 1:07:44.360
<v Speaker 1>everyone's go to big word the But yeah, you can

1:07:44.400 --> 1:07:48.240
<v Speaker 1>buy Raw Dog. You can preorder it now. It comes

1:07:48.280 --> 1:07:50.960
<v Speaker 1>out next May. It would be awesome if you pre

1:07:51.120 --> 1:07:54.960
<v Speaker 1>ordered it. I hear that that's supposed to be helpful. Um.

1:07:55.800 --> 1:08:00.680
<v Speaker 1>Or you can listen to podcasts including Ghosts Chure my

1:08:01.280 --> 1:08:04.560
<v Speaker 1>Scary little podcast on cool Zone Media. You can listen

1:08:04.560 --> 1:08:09.720
<v Speaker 1>to it right now. You can. Uh so if you

1:08:09.800 --> 1:08:14.080
<v Speaker 1>have anything to plug, listen to Internet Hate Machine on

1:08:14.200 --> 1:08:17.840
<v Speaker 1>The Colsonian's Newest show with Bridget Todd. Wherever you get

1:08:17.880 --> 1:08:23.240
<v Speaker 1>your podcasts. Yeah, oh yes, okay, I'm on the Internet

1:08:23.800 --> 1:08:26.640
<v Speaker 1>under my name. If you search me, you'll find me

1:08:26.680 --> 1:08:29.040
<v Speaker 1>on the Internet saying I wish I was on the

1:08:29.080 --> 1:08:31.320
<v Speaker 1>Internet less, and everyone like ha ha ha, and I'll

1:08:31.360 --> 1:08:32.840
<v Speaker 1>be like, no, I'm serious, and then they'll be like,

1:08:33.120 --> 1:08:34.840
<v Speaker 1>that's kind of an asshole. Thank you you say, since

1:08:34.880 --> 1:08:37.559
<v Speaker 1>we're all people who like being on the internet, that's

1:08:37.600 --> 1:08:40.840
<v Speaker 1>something you can do if you would like, And I

1:08:40.960 --> 1:08:52.400
<v Speaker 1>will talk at you on Wednesday. Bye. Cool People Who

1:08:52.479 --> 1:08:55.000
<v Speaker 1>Did Cool Stuff is a production of cool Zone Media.

1:08:55.360 --> 1:08:58.200
<v Speaker 1>For more podcasts on cool Zone Media, visit our website

1:08:58.320 --> 1:09:00.760
<v Speaker 1>cool zone media dot com, or check us out on

1:09:00.920 --> 1:09:03.800
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

1:09:03.880 --> 1:09:12.280
<v Speaker 1>get your podcasts. H