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Speaker 1: Oh, you're listening a.

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Speaker 2: Mess, okay, if it's listen. I feel like, before we

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Speaker 2: get into our guests, how are we gonna work on

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Speaker 2: our lateness?

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Speaker 3: I just I feel like that is that is us.

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Speaker 2: Anybody who books us know we're definitely not gonna be

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Speaker 2: there on the time that they say on the ship.

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Speaker 4: You asked us to be somewhere and then you show

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Speaker 4: up early. That's actually this.

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Speaker 3: Might be on you. It might be on you, But Maria,

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Speaker 3: would you be bron to Marie? How are we gonna

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Speaker 3: do this for the rest of our lives?

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Speaker 2: Just we're just gonna be fifteen twenty minutes every time?

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Speaker 3: It's for Lauren Hill?

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Speaker 2: So oh no, I don't want to be the Lauren

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Speaker 2: Hill of comedy. I want I want to be five

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Speaker 2: minutes late.

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Speaker 3: That's it, Sydney. It could have been so simple if

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Speaker 3: we left yesterday.

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Speaker 4: If we left yesterday, we probably could have got here

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Speaker 4: on time. I think I just I thought we were

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Speaker 4: recording at two. I thought it was two thirty. I

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Speaker 4: felt like I have an extra day to prepare, and

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Speaker 4: it turns out I did not.

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Speaker 2: The thing is is that I'm taking cars and I

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Speaker 2: don't know why I would think taking a car in

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Speaker 2: New York City prime time time anything after ten am

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Speaker 2: during the week, and yeah, I'm gonna be late, so

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Speaker 2: we're gonna do better.

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Speaker 4: Yeah, but but it wouldn't be mess if we didn't

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Speaker 4: show up fifteen minutes later.

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Speaker 3: So if we were on time, if we were on.

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Speaker 2: Time, if we were on time, this was gonna be dry.

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Speaker 2: Just I just want to let you know if we're

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Speaker 2: here early, just know we have nothing to say.

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Speaker 4: Listen, speaking of people having things to say, we have

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Speaker 4: a guest today. Look at the professional segue obsessed you are.

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Speaker 3: You are the one.

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Speaker 4: I'm gonna be late, but I'm gonna be prepared when

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Speaker 4: I get here.

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Speaker 3: You are late, show up, when I show up, I'm here.

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Speaker 2: You're here, You're clocked in, Marie. Who's our guests?

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Speaker 4: Our guest today is here to talk about to answer

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Speaker 4: the question are fans messy?

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Speaker 3: Yeah, we need him. He's uh.

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Speaker 2: He's one of the hosts of Last Culturistas. He's a

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Speaker 2: celebrity now, I.

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Speaker 3: Mean he's the Friends of Christmas Man.

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Speaker 2: Yeah, and he has Mariah Carey's number in his phone.

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Speaker 2: So I'm I mean, we are so lucky to have

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Speaker 2: you in the building. Matt rogers.

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Speaker 3: What how are you doing?

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Speaker 1: I'm so good and can I tell you what? I

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Speaker 1: immediately have things to say? Okay, what I think the

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Speaker 1: lateness thing is? You know some people there's they've been

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Speaker 1: studies done that say people that are often late have

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Speaker 1: an unconscious addiction to rushing. Like do you think there's

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Speaker 1: something about it where you kind of get off on

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Speaker 1: like the like needing to go, go go because you're

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Speaker 1: not gonna make it. Is there something about it you

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Speaker 1: might be actually like addicted to or a customer.

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Speaker 3: It's not that I'm addicted to it.

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Speaker 4: I don't have the fire lit under my ass until

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Speaker 4: i'm it's already too late for me. Yes, Like I

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Speaker 4: was at the house, I had an interior designer looking

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Speaker 4: at stuff.

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Speaker 3: I'm like, what color should I paint this?

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Speaker 4: I'm googling beds, and then it was like I should

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Speaker 4: eat something, and then it was like, no, I should

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Speaker 4: have left already.

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Speaker 2: Yes, ADHD, it's ADHD, but it's also for me. It's

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Speaker 2: just like time is just going by too fast. I

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Speaker 2: feel like, after you hit thirty time.

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Speaker 3: What is it? Yeah, it's gone. It's rude.

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Speaker 2: By the time we talked about it, we are already

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Speaker 2: somewhere else. Yeah, in another universe, and I'm tired. I

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Speaker 2: remember when time was so slow.

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Speaker 3: Yeah, yeah, remember counting in the twenties and the twenty.

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Speaker 4: Days down to Christmas as a kid. Yeah, it's like

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Speaker 4: twenty one day still Christmas. Now it's like Christmas is tomorrow.

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Speaker 3: Yeah, it's happening right now.

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Speaker 1: It's basically gonna happen in fifteen minutes. By the way,

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Speaker 1: this year moved faster than any year on record. Do

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Speaker 1: you agree with me? Twenty twenty four. I cannot believe

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Speaker 1: it's November. No, forget it. It's almost December at this point.

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Speaker 4: Right, it's December tomorrow. I feel like, are this December

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Speaker 4: when this comes out?

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Speaker 3: Oh? Fully, absolutely? Well are we cursed? Are we cursed? Now?

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Speaker 3: Are we? Now?

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Speaker 2: When we do things, we're just like, well, it's about

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Speaker 2: to be over. The end is coming.

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Speaker 1: Yeah. I mean I think we're a lot more nihilist

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Speaker 1: than we were. But I will say in regards to time,

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Speaker 1: and let me know how you feel about this. When

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Speaker 1: when you go to LA and they tell.

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Speaker 3: You, why would you why would you say that?

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Speaker 1: I want to say, you.

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Speaker 3: Let me get through, okay, Blackholst.

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Speaker 1: When you go there, they tell you like I was

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Speaker 1: running late for a meeting one time, the first time

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Speaker 1: I ever went there, and I arrived like fifteen minutes late,

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Speaker 1: and I felt messy and the person goes, oh, it's la,

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Speaker 1: everyone's fifteen minutes late. And I said, what a dangerous

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Speaker 1: thing to tell me, because now I'm going to think

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Speaker 1: that that's acceptable and on the table.

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Speaker 3: You know, it's dangerous. What I went on a date.

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Speaker 4: I was late to the date obviously, and when I

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Speaker 4: got there, the guy was like, I said, oh, so sorry,

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Speaker 4: I'm late. He goes, pretty, women are never on time,

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Speaker 4: so I didn't expect you to be on time.

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Speaker 3: And that's in my brain. And now when I'm late,

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Speaker 3: I'm like, well.

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Speaker 1: You are, and reinforce.

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Speaker 2: But also when I when I feel like when i'm late,

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Speaker 2: I'm like, well, the party not going.

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Speaker 3: To start until I get there. Lakesha. Yeah, so I

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Speaker 3: am black cash for today.

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Speaker 4: But I'm just like black Kesha. It's two dollars signs

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Speaker 4: black Kesha is Keisha, Keisha, I am.

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Speaker 3: I am Keisha.

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Speaker 1: No.

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Speaker 2: I think that if there's three people there and one

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Speaker 2: person is late, it's okay. Like if you're at a

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Speaker 2: dinner and one person that one person is missing, It's okay,

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Speaker 2: the dinner can still happen. But I think if you

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Speaker 2: are by yourself waiting on me, that's when I feel bad.

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Speaker 1: That was my mess though in my twenties. Like lateness.

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Speaker 1: I remember one time studie like yelled at me one

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Speaker 1: time for being ten minutes late. And now it's kind

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Speaker 1: of it's kind of rich though, because in La she

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Speaker 1: never on time.

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Speaker 3: She's never on time, but she's big boss, and so

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Speaker 3: are you true?

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Speaker 1: You let me listen. I I now I try to

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Speaker 1: be exactly on time to everything. I think that's big

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Speaker 1: boss energy, starting right on the dim.

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Speaker 4: Let's talk, let's talk. How does that one do that?

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Speaker 4: Do you schedule? Do you see?

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Speaker 1: What?

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Speaker 3: How long sin it'sake you to get there and then

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Speaker 3: work your way back from there?

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Speaker 1: Do you know? I literally will pick where I live

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Speaker 1: based on can I get places fast? Like in New York.

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Speaker 1: I have a studio apartment in Long Island City And

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Speaker 1: the only reason really why I live there is because

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Speaker 1: it's on the set seven train. Don't even talk to me.

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Speaker 1: This train is that girl.

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Speaker 3: I've never even heard of the seven train. I'm good,

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Speaker 3: I'm glad.

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Speaker 1: They're keeping it a secret. I don't want people even

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Speaker 1: saying my girl's name, because when you get on the

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Speaker 1: seven in Long Island City, you are actually in Times

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Speaker 1: Square in ten fifteen minutes.

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Speaker 3: I hated that will sounds like hell.

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Speaker 1: If you want to know why, well you want to

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Speaker 1: be in Times Square because no, here's what it is.

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Speaker 1: When you're on the seven line. There's four stops in Manhattan.

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Speaker 1: It is Grand Central, Fifth, Ave, Bryant Park, Times Square,

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Speaker 1: and Hudson Yards. From all of those, you can get

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Speaker 1: any line. So it's not even like say you need

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Speaker 1: to be all the way downtown for something. The seventh

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Speaker 1: to the four.

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Speaker 4: So the seven is Queens's l Train, I think. So literally, Okay,

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Speaker 4: I don't like none of those steps.

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Speaker 1: Yeah, but you can get It's a it's a connector

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Speaker 1: to the rest of the world, is what I'm saying.

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Speaker 2: Well, that's what I was thinking. You know, Matt, we've

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Speaker 2: known each other for a long time, probably ten years.

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Speaker 2: When I feel like when we were all like just

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Speaker 2: budding comedy people.

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Speaker 3: You were you in UCB or I did uc B.

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Speaker 1: But I was never like like a UCB girl like

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Speaker 1: I was. I wasn't good at improv back in my twenties.

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Speaker 1: I made it on a mad team eventually, but I

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Speaker 1: had to do a lot of stuff on the side

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Speaker 1: to like get ready to be on a team.

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Speaker 2: Is that because you're saying, I mean, you don't want

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Speaker 2: to be like I am an improv Well, you know improv.

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Speaker 2: Well they think they're like, you know, that's a different world.

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Speaker 3: I don't. I don't want to drag them, but no,

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Speaker 3: drag them this improv in theater, I feel like it's

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Speaker 3: very close.

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Speaker 1: Well, the thing about improv is like it was like

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Speaker 1: when I was trying to do it, it felt like

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Speaker 1: a like a specific type of person was succeeding. Yes,

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Speaker 1: and I was not one of those people, but I did.

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Speaker 1: I was good at like sketch and wearing like a

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Speaker 1: wig and stuff. Okay, I wore a wig and screamed

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Speaker 1: my entire twenties.

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Speaker 3: Did you see me do characters?

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Speaker 1: I too? Was that it was always me like putting

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Speaker 1: on like a bitchy wig and like being some like

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Speaker 1: woman with an attitude.

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Speaker 3: Yeah, I couldn't do UCB. I tried. You know, I've

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Speaker 3: got a couple of scholarships.

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Speaker 1: You guys are stand up stuff. Yeah, you guys are

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Speaker 1: like that was always your thing. Like now, I remember

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Speaker 1: when I started the podcast, I was like, people aren't

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Speaker 1: going to want to hear me talking like I just

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Speaker 1: didn't think of myself performing as myself as like a

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Speaker 1: viable option. How wrong, how wrong I was about the

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Speaker 1: other stuff, because you know what didn't pay off me

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Speaker 1: screaming in a wig I tried or Michael said, there's

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Speaker 1: the door, but it still work out.

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Speaker 2: I mean, I mean, Matt, you you are the Prince

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Speaker 2: of Christmas, you have an album, you did a special,

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Speaker 2: you're on the road.

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Speaker 3: I mean, you have fans.

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Speaker 1: No, this is this is honestly. I actually while I

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Speaker 1: didn't think it would work out the way it did,

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Speaker 1: I was like, there's no way. I'm happy it worked

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Speaker 1: out the way it worked out. And like I will say,

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Speaker 1: like transitioning into the fans of it all because I

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Speaker 1: know that's what we're talking about, our fans, Messy. The

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Speaker 1: reason why I have everything I have is because of

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Speaker 1: the podcast, the podcast, the smartest the.

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Speaker 3: Record of mess Everything you.

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Speaker 1: Have, everything I have is because of the podcast. Yes,

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Speaker 1: like being feeling like I have people that listen week

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Speaker 1: in and week out, and you guys know, like they

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Speaker 1: feel connected to you in that way because you let

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Speaker 1: them in and it does develop into something that can

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Speaker 1: sometimes feel a little bit like parasocial and ever they

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Speaker 1: know that, but the thing is like it I do

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Speaker 1: have like a relationship with them as you guys do

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Speaker 1: with your people, because you come on here and you

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Speaker 1: share your mess. It gets weird when like, you share

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Speaker 1: so much mess that you feel like it's part of

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Speaker 1: your job to do that, because then you have to

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Speaker 1: think about the people in your life who are affected.

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Speaker 3: Oh you know, you know, we have gotten in trouble

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Speaker 3: for this before, so we all have.

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Speaker 4: But you share something, you're like, they'll never hear, they'll

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Speaker 4: never know back to them.

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Speaker 3: That's the episode they listened to.

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Speaker 2: Yeah, Matt, where when was the moment in the pod

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Speaker 2: where you're like, oh, like you have reached that moment

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Speaker 2: where you're like, I have to pull back from the

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Speaker 2: fans literally.

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Speaker 1: Remember it was when I was dating Henry Kaperski. Oh yeah,

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Speaker 1: when it was I was twenty five and we started

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Speaker 1: the podcast when I was twenty six. So Henry and

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Speaker 1: I had been like probably together about eight nine months

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Speaker 1: and then we started the podcast, never thinking the podcast

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Speaker 1: was ever going to be successful. I remember one time

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Speaker 1: I looked at like the analytics and I saw like

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Speaker 1: I was like, oh my god. I was like, bo

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Speaker 1: sixty five people listening to this episode.

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Speaker 3: That's why shut it. Wait man, you were going to

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Speaker 3: be like sixty five thousand people.

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Speaker 1: When I saw that sixty five people had listened, I

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Speaker 1: was like, this is like all of our friends and

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Speaker 1: maybe some of their people that they told. I was like,

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Speaker 1: this is crazy because I'm thinking, like, remember the podcast

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Speaker 1: atlist Morales would do important shit, not weird or something

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Speaker 1: like that. Like she used to do a podcast and

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Speaker 1: I used to think, like, this podcast is cool, like

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Speaker 1: and I was like, how many people listen? She was like, oh,

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Speaker 1: you know, a few hundred whatever. I was like, that

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Speaker 1: would be amazing. That was all I wanted. And then

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Speaker 1: suddenly a lot of people listen to it. And that

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Speaker 1: happened during my first relationship, and I would be popping

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Speaker 1: off about me and Henry's.

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Speaker 3: Relationship therapy session in the booth, saying everything like there.

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Speaker 1: I listened back sometimes and I'm like, you were really

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Speaker 1: out here saying what you were really going through. Like

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Speaker 1: sometimes I'm like I wish I had kept a diary,

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Speaker 1: And then I realized I have kept a diary for

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Speaker 1: nine years lost culture, and it's a public diary. Like

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Speaker 1: he finally one day said to me like, I don't

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Speaker 1: want you to say that, and I was.

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Speaker 3: Like, and you were like, what, the girls is eating

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Speaker 3: it up?

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Speaker 1: And I think like the immediately I was like, oh,

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Speaker 1: the girls are eating it up. And so that's why

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Speaker 1: I have to like understand, this is someone who I'm

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Speaker 1: not just talking about that one time when we did

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Speaker 1: X y Z for me, I'm talking about it for

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Speaker 1: him too, and he doesn't have a voice on the conversation.

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Speaker 1: So and then I went through like one like bad, bad, bad,

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Speaker 1: bad bad breakup with someone that you met, Yes, yeah,

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Speaker 1: And like one of the things part of the fallout

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Speaker 1: was like he was like, please don't talk about it

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Speaker 1: on the podcast, and I was like, I would never

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Speaker 1: blast anyone like by name publicly on the podcast anymore.

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Speaker 1: But then it's just like it's a rub, right, because

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Speaker 1: it's like part of the reason why you're bonded to

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Speaker 1: your fans and why you're successful is because you open

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Speaker 1: up about certain things that go on in your life.

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Speaker 1: And all I wanted to do was open up about that,

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Speaker 1: but I felt like restricted and self conscious about you know,

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Speaker 1: the whatever discourse about my personal life, my art.

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Speaker 3: He's stifling the r But what about this?

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Speaker 2: What about like because we know that you're a public

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Speaker 2: figure or like us and people say things like that,

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Speaker 2: isn't there a moment where it's like, so, don't do

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Speaker 2: shit that you'll make me want to say something on.

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Speaker 1: My very like tell vibes, like if you don't want

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Speaker 1: a song written about you, like don't break mess up?

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Speaker 3: Yeah.

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Speaker 1: But also it's like, you know, I can even be

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Speaker 1: adult enough and be like, it is only my take

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Speaker 1: that I'm giving, and so it's never going to be

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Speaker 1: there because there are two sides to the story, whether

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Speaker 1: I want to admit it or not. Like everything I

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Speaker 1: say isn't the empirical truth, but you know it is

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Speaker 1: a little bit like that. It's like you did not

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Speaker 1: know who you were dating, especially because you the reason

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Speaker 1: why you came up is because you liked.

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Speaker 3: Was a fan. Do you know any wait, do you

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Speaker 3: think that people that you date?

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Speaker 2: And I ask you this sometimes, Marie two, that these

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Speaker 2: people aren't enamored with you and they know your work?

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Speaker 2: You don't You're not afraid of someone legit being a

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Speaker 2: fan and able.

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Speaker 3: To maneuver their way in and then.

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Speaker 1: Now I am, yeah, now I am.

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Speaker 2: I think that there's some people that you know, they

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Speaker 2: hear you, and you don't. You don't know the other

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Speaker 2: side of them, so that's why they can come in

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Speaker 2: and infiltrate. But I feel like somebody who's doing a

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Speaker 2: lot and being so nice and and just being like endearing,

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Speaker 2: that's a red flag for me.

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Speaker 3: Someone being nice is a red flag.

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Speaker 2: Too nice, too nice, Like they're they're doing anything and

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Speaker 2: everything you want them to do.

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Speaker 3: Oh I'll do it. Oh I got this, I got this,

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Speaker 3: I'll do that.

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Speaker 4: I've had to end a relationship or two because of that,

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Speaker 4: because you're saying all the right things, you're doing all

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Speaker 4: the right things. I'm waiting for the other shooter drop.

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Speaker 4: Are you a are you a fanatic?

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Speaker 1: Well, what I'm saying is you got to keep your

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Speaker 1: eyes open for red flags and really listen to yourself, like,

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Speaker 1: like your gut is never wrong, and and sometimes it

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Speaker 1: can feel like your gut is against what chemistry is.

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Speaker 1: So like a couple of times, like I've had situations

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Speaker 1: where I felt very like taken away by someone, you

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Speaker 1: know what I mean, Like.

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Speaker 2: You ako your gay So yeah, I feel like the

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Speaker 2: gays do that. The gays, the gays do they.

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Speaker 1: Lesbians will move right in yeah, bank account right, Yeah,

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Speaker 1: what do you mean the problem? Yeah?

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Speaker 3: Yeah, we say a stand tinto now you hold the day.

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Speaker 1: Well, you'll make like an emotional commitment and be there.

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Speaker 1: Gay guys will just be fucking each other.

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Speaker 3: Okay.

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Speaker 1: And that's what gets messy in the gay community is

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Speaker 1: it's everyone has fucked everyone else, and it's like it's

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Speaker 1: almost really difficult as someone who really doesn't like sharing.

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Speaker 1: I don't even like to share appetizers.

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Speaker 3: Not even calla Maari for the table. Matt, I didn't

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Speaker 3: know this about you. You're not a share You're not

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Speaker 3: doing asheto Peppins.

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Speaker 1: Listen, I will share appetizers. I lie about that. Okay,

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Speaker 1: here's what I don't do. Here's what I don't do.

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Speaker 2: Oh, I know you you're I think you're You might

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Speaker 2: be like Marie to a little bit, like we have

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Speaker 2: to agree that we're sharing, but you can't have your

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Speaker 2: own plate. And then all of a sudden, I'm like

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Speaker 2: trying to pick off your I don't want your fork.

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Speaker 3: For my plate.

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Speaker 1: I'm just saying, like my entre is my entre and

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Speaker 1: if it's a thing at the beginning, where it's like

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Speaker 1: it's a stated fact. Yes, we both want both these things,

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Speaker 1: so it's going to be a split situation that but

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Speaker 1: I'm not good at it, you know what I mean,

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Speaker 1: it's not my natural inclination to share. So you can

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Speaker 1: imagine sexually up in the gay community. I don't love

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Speaker 1: it when I know that someone I'm really into has

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Speaker 1: fucked all my friends, like friends, you got, how many

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Speaker 1: friends you got, Matt might be six seven, eight.

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Speaker 2: And they're all and they're all good looking, influential gays

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Speaker 2: in Hollywood.

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Speaker 1: That's who fault is that?

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Speaker 3: That's you, Matt. You want to get some uglier friends,

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Speaker 3: ugly and regular people, how about that?

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Speaker 1: Can we talk about this? So one of my best friends,

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Speaker 1: Dave Mazzoni, best friend to us all, very close friend

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Speaker 1: to the good and did you know his like new

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Speaker 1: like beloved is someone I've known for years and years

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Speaker 1: and years and years.

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Speaker 3: I didn't know that he was just a new guy.

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Speaker 1: I've known Dave's new boyfriend for like a really long time,

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Speaker 1: but he was always la and now they both live

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Speaker 1: in New York, et cetera. But we all met at

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Speaker 1: Coachella and literally we met in a group and we

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Speaker 1: were all women. It was clear that that was going down.

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Speaker 1: We were all going through the rolodecks like where are

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Speaker 1: the trauma points here? Like who's fucked too? You know

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Speaker 1: what I'm saying, And luckily like at all didn't matter.

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Speaker 1: But it is a thing with gays. And it's a.

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Speaker 2: Lie that I the king in New York though it's

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Speaker 2: a thing in because you think just because it's a

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Speaker 2: big city, but.

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Speaker 1: It is every city.

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Speaker 4: Yeah, I feel like every city has it because everybody

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Speaker 4: kind of knows the same people. This is why I've

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Speaker 4: never hooked up with a comedian, because that, to me

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Speaker 4: feels very incestuous.

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Speaker 3: Would want to be with.

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Speaker 4: Somebody that you've been with, and I don't want to

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Speaker 4: bang a male comedian.

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Speaker 3: That's come on.

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Speaker 1: I don't know. If I've heard about.

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Speaker 3: Just one male comedian, one male comedian, then my name.

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Speaker 3: One male comedian might got the bang, might be on NBC.

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Speaker 2: Might have a couple of specials. You know, they got

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Speaker 2: a private jet. You don't, don't, that's not the one

410
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Speaker 2: you're not looking for that.

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Speaker 1: I might have a couple of specials, but they still

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Speaker 1: have that mommy issue.

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Speaker 3: I think the more specials, the more moreues.

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Speaker 4: If you the older of the letters of the word special,

415
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Speaker 4: it's spells issues.

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Speaker 1: But like, yeah, no, I I I it's hard because

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Speaker 1: I would like to find my like boyfriend and this

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Speaker 1: has been my ideal situation. If you know who I am,

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Speaker 1: just tell me. I've gone on dates, three dates with

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Speaker 1: guys and then they told me, Hey, I feel like

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Speaker 1: I should have told you at the beginning. I like, really,

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Speaker 1: do listen to your podcast or like I've been to

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Speaker 1: X y Z show and I'm like, I want to

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Speaker 1: be like, it's.

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Speaker 3: Okay, it's not. It's not.

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Speaker 4: I don't want to anybody who I feel like knows

427
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Speaker 4: more about me than I know about.

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Speaker 1: Them, Because then you rewind the tape and you're like,

429
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Speaker 1: I've been telling you about myself and you said here

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Speaker 1: and pretended to listen.

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Speaker 3: That is kind of sick. That's kind of weird.

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Speaker 4: Okay, let's talk about the worst fans of all time,

433
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Speaker 4: you know, like a like a Yolanda Selina situation.

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Speaker 1: What I hope we never have to have.

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Speaker 2: Well, I think my issue is that I am so

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Speaker 2: friendly that I scare the Ulanda's off.

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Speaker 3: I think that there's a moment yeah, there's a moment,

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Speaker 3: especially when we're when we're having so no, no, no, Marie.

439
00:19:16,920 --> 00:19:20,159
Speaker 3: Remember we would have you know, the warm up the

440
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Speaker 3: knitting factory.

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Speaker 2: All these people who are like Marie are clearly just like, oh, hey,

442
00:19:25,960 --> 00:19:28,960
Speaker 2: don't touch me. I'm like giving them my number. I'm like, yeah,

443
00:19:29,040 --> 00:19:31,200
Speaker 2: let's get something to eat. I'm talking to them.

444
00:19:31,560 --> 00:19:35,280
Speaker 3: And didn't you make one of them your assistant? Hey wait,

445
00:19:35,440 --> 00:19:36,240
Speaker 3: hold on, now.

446
00:19:36,680 --> 00:19:41,680
Speaker 1: You you think that the way wait you someone assistant?

447
00:19:45,200 --> 00:19:47,159
Speaker 2: What it is you got to bring them in, You

448
00:19:47,240 --> 00:19:50,200
Speaker 2: got to reel them in and you you have to fill.

449
00:19:50,000 --> 00:19:51,960
Speaker 3: Them out already in Sydney, you know.

450
00:19:51,920 --> 00:19:54,800
Speaker 2: They're And that takes away from the I want to

451
00:19:54,880 --> 00:19:56,280
Speaker 2: kill you because you're like, oh you.

452
00:19:56,240 --> 00:19:58,520
Speaker 3: Didn't already you already know me. You know what I

453
00:19:58,520 --> 00:19:58,760
Speaker 3: mean that.

454
00:19:58,960 --> 00:20:01,560
Speaker 2: I think the disguise of like the people who are

455
00:20:01,560 --> 00:20:04,720
Speaker 2: psychopaths or sociopaths, they have to feel like they got

456
00:20:04,720 --> 00:20:05,320
Speaker 2: one over you.

457
00:20:05,359 --> 00:20:07,119
Speaker 3: But if it's me, it's like, hey, come on, what

458
00:20:07,200 --> 00:20:08,080
Speaker 3: you want, what you need?

459
00:20:08,280 --> 00:20:08,440
Speaker 1: Come?

460
00:20:08,560 --> 00:20:11,800
Speaker 3: I know you crazy? I'm crazy. You can't out crazy me?

461
00:20:12,080 --> 00:20:14,520
Speaker 3: Oh yeah you can't. I don't like that.

462
00:20:14,800 --> 00:20:19,720
Speaker 1: No, they want you to be like hapless. Yes, first

463
00:20:20,640 --> 00:20:23,240
Speaker 1: I feel like the thing is and one thing I

464
00:20:23,320 --> 00:20:25,240
Speaker 1: want to like truly make clear. And this is not

465
00:20:25,359 --> 00:20:28,000
Speaker 1: just me being like, hey, but I really do like

466
00:20:28,480 --> 00:20:31,120
Speaker 1: love the people that like are coming to the show

467
00:20:31,240 --> 00:20:34,560
Speaker 1: is like that that are I love them. I am

468
00:20:34,600 --> 00:20:37,320
Speaker 1: the same way though I will give too much. And

469
00:20:37,359 --> 00:20:40,280
Speaker 1: the thing that bothers me is when I feel really

470
00:20:40,400 --> 00:20:44,320
Speaker 1: exhausted after it's nothing anyone did, It's that I gave

471
00:20:44,520 --> 00:20:47,719
Speaker 1: so much of myself because if someone comes up, I

472
00:20:47,760 --> 00:20:51,199
Speaker 1: still have like scarcity mindset of like, oh, I have

473
00:20:51,240 --> 00:20:53,720
Speaker 1: to like really give this person like a lot of

474
00:20:53,760 --> 00:20:55,520
Speaker 1: my attention because I feel like it's all going to

475
00:20:55,560 --> 00:20:57,280
Speaker 1: go away at any second, you know what I mean.

476
00:20:57,320 --> 00:21:00,760
Speaker 4: Like I'm not like I can I can kind of

477
00:21:00,800 --> 00:21:04,240
Speaker 4: identify with that, But for me, it's you know, I

478
00:21:04,280 --> 00:21:06,560
Speaker 4: when I'm when somebody comes up, I know they've spent

479
00:21:06,600 --> 00:21:08,120
Speaker 4: the money, I know they spent the time, they spent

480
00:21:08,160 --> 00:21:10,480
Speaker 4: the energy to come see me. I'll give them my

481
00:21:10,560 --> 00:21:13,240
Speaker 4: full attention when I'm talking to them and then move on.

482
00:21:13,400 --> 00:21:15,200
Speaker 4: I'm not like talking to them and then looking around

483
00:21:15,240 --> 00:21:16,679
Speaker 4: the room to see who else I can talk to

484
00:21:16,840 --> 00:21:17,919
Speaker 4: or how to escape.

485
00:21:17,920 --> 00:21:19,760
Speaker 3: I'm just like, yeah, you know, like we'll have a

486
00:21:19,760 --> 00:21:22,439
Speaker 3: moment and then it's like, okay, thank you for coming.

487
00:21:22,640 --> 00:21:25,600
Speaker 4: Yeah, hi, and now because everybody wants a second, everybody

488
00:21:25,640 --> 00:21:27,879
Speaker 4: wants a moment you talked. I try to talk to everybody,

489
00:21:28,480 --> 00:21:30,120
Speaker 4: you know, the safe looking people.

490
00:21:29,880 --> 00:21:32,680
Speaker 3: And then I and then I okay, by you know

491
00:21:32,720 --> 00:21:34,639
Speaker 3: what I mean. I can't wait till I get a

492
00:21:34,640 --> 00:21:35,240
Speaker 3: little Julie.

493
00:21:35,280 --> 00:21:39,000
Speaker 4: It's a little security guard, a little bouncer, you know,

494
00:21:39,119 --> 00:21:41,440
Speaker 4: a guy that a bodyguard who's like, you.

495
00:21:41,440 --> 00:21:43,480
Speaker 3: Know, when we're not no more photo?

496
00:21:43,600 --> 00:21:47,320
Speaker 2: Yeah, I sorry, yeah, I don't know how to do that.

497
00:21:47,480 --> 00:21:49,800
Speaker 3: I'm I'm want to take everybody in. And then we're

498
00:21:49,800 --> 00:21:51,240
Speaker 3: talking and they're trying to bring everybody and in the

499
00:21:51,440 --> 00:21:54,240
Speaker 3: Dina Yeah, we'll like okay. Then we're like, okay, the

500
00:21:54,280 --> 00:21:54,800
Speaker 3: show is over.

501
00:21:54,840 --> 00:21:56,800
Speaker 2: We're about to go to another spot, and I'm telling

502
00:21:56,800 --> 00:21:57,600
Speaker 2: the people where we're at.

503
00:21:58,200 --> 00:21:58,360
Speaker 4: Yah.

504
00:21:58,400 --> 00:22:01,120
Speaker 3: Person, it's like, okay, taking them to the dim. We're

505
00:22:01,160 --> 00:22:01,480
Speaker 3: going to the.

506
00:22:01,480 --> 00:22:05,320
Speaker 4: Commodore And he's like, we're taking the sprinter van to

507
00:22:05,400 --> 00:22:08,480
Speaker 4: this place with these people. And then I'm like, Marie,

508
00:22:08,520 --> 00:22:12,080
Speaker 4: I don't have stalkers because they're like we've already.

509
00:22:11,720 --> 00:22:13,639
Speaker 1: We're friends, already close friends.

510
00:22:13,760 --> 00:22:16,440
Speaker 3: They know us. And then they're coming. They're hanging around.

511
00:22:16,560 --> 00:22:19,480
Speaker 3: You're like, wait, I'm not close with your y'all close

512
00:22:19,520 --> 00:22:20,679
Speaker 3: with Sydney. Stop talking to me.

513
00:22:21,200 --> 00:22:24,320
Speaker 1: So as women, it's so different, guy, You guys have

514
00:22:24,400 --> 00:22:25,520
Speaker 1: a different situation.

515
00:22:25,840 --> 00:22:30,159
Speaker 4: Like listen, I've seen enough Lefetime Movie Channel films to

516
00:22:30,240 --> 00:22:32,199
Speaker 4: know that I don't want to be this close to

517
00:22:32,240 --> 00:22:32,919
Speaker 4: any of y'all.

518
00:22:34,520 --> 00:22:35,159
Speaker 3: Not y'all.

519
00:22:35,240 --> 00:22:38,840
Speaker 2: But yeah, those people, I mean chapel Ron was talking

520
00:22:38,840 --> 00:22:41,080
Speaker 2: about it, and yeah, I mean people she she got

521
00:22:41,080 --> 00:22:41,840
Speaker 2: like backlash.

522
00:22:41,960 --> 00:22:44,119
Speaker 1: She shouldn't get backlash though, because you know what, she

523
00:22:44,320 --> 00:22:45,960
Speaker 1: was nice about it, Like she.

524
00:22:45,920 --> 00:22:48,440
Speaker 3: Was nice about from the beginning. She was she had

525
00:22:48,560 --> 00:22:49,439
Speaker 3: dark eyeliner on.

526
00:22:49,480 --> 00:22:51,000
Speaker 2: I don't know how nice you could be when you

527
00:22:51,240 --> 00:22:53,119
Speaker 2: when your makeup is like I'm mad at you.

528
00:22:53,600 --> 00:22:58,000
Speaker 1: I think I think she paints is a pissed off face.

529
00:22:58,040 --> 00:23:00,320
Speaker 1: I think the character of Chapelon is also a bit

530
00:23:00,359 --> 00:23:02,560
Speaker 1: like you know what I mean, it's a little bit

531
00:23:02,600 --> 00:23:05,000
Speaker 1: like don't fuck with me, or fuck around and find

532
00:23:05,000 --> 00:23:09,320
Speaker 1: out rather and people have But with chapel it's like

533
00:23:10,080 --> 00:23:13,160
Speaker 1: the first thing she did was very softly at a show,

534
00:23:13,320 --> 00:23:16,160
Speaker 1: be like I'm having a really hard day, like this

535
00:23:16,200 --> 00:23:19,040
Speaker 1: has been very intense for me. It's happening very fast,

536
00:23:19,280 --> 00:23:20,600
Speaker 1: and I just want you to know if I don't

537
00:23:20,600 --> 00:23:22,920
Speaker 1: give you guys the big show, it's just because I'm

538
00:23:22,960 --> 00:23:24,640
Speaker 1: going through it and this is something that I'm really

539
00:23:24,680 --> 00:23:26,960
Speaker 1: dealing with. And then she posts on Instagram, thank you

540
00:23:27,000 --> 00:23:31,080
Speaker 1: for receiving that, like you know, I'm really dealing with this.

541
00:23:31,359 --> 00:23:33,879
Speaker 1: And then she had what I guess was like a

542
00:23:33,960 --> 00:23:39,439
Speaker 1: really intense physical fan interaction. Yeah, and she got on

543
00:23:39,480 --> 00:23:42,199
Speaker 1: her TikTok and was like, is it normal for you

544
00:23:42,240 --> 00:23:44,440
Speaker 1: to just go up and grab somebody? Don't do it? Wait?

545
00:23:44,800 --> 00:23:46,960
Speaker 3: Is who somebody grabbed her at at an event?

546
00:23:47,560 --> 00:23:50,640
Speaker 1: Shows like that? That's what it seemed like in the TikTok. Well,

547
00:23:50,720 --> 00:23:52,600
Speaker 1: she was pissed off because she was like, it's not

548
00:23:52,680 --> 00:23:55,240
Speaker 1: normal to come to someone and just yell yell at them.

549
00:23:55,520 --> 00:23:57,720
Speaker 1: Don't call me by my actual name, like she put

550
00:23:57,760 --> 00:23:59,440
Speaker 1: her boundaries out there. She was pissed off.

551
00:23:59,640 --> 00:24:01,760
Speaker 2: Yeah, it's weird if her if her name is Chap

552
00:24:02,240 --> 00:24:04,640
Speaker 2: we at the Chaperone show, that's what I'm calling you. Yeah,

553
00:24:04,640 --> 00:24:08,760
Speaker 2: And I do think that, Like fans are so aggressive now.

554
00:24:08,960 --> 00:24:11,919
Speaker 2: They just feel like you you stay ow you, they

555
00:24:12,040 --> 00:24:14,480
Speaker 2: own you. They're like I pay my money, come here,

556
00:24:15,000 --> 00:24:18,280
Speaker 2: like and it's different because like Chris Brown has set

557
00:24:18,320 --> 00:24:22,040
Speaker 2: a presidents he said, a president, like, hey, you want

558
00:24:22,040 --> 00:24:24,200
Speaker 2: to meet and greet, it's a thousand dollars, we could

559
00:24:24,240 --> 00:24:26,680
Speaker 2: just do whatever. I think that's a moment where it's like, hey,

560
00:24:26,720 --> 00:24:28,919
Speaker 2: you did pay your money. If you want to, if

561
00:24:28,920 --> 00:24:30,320
Speaker 2: you want to, if you want him to pick you

562
00:24:30,400 --> 00:24:32,359
Speaker 2: up and hold you in the photo, you pay for that.

563
00:24:32,480 --> 00:24:35,240
Speaker 2: But when somebody's out and about or like they're walking

564
00:24:35,240 --> 00:24:37,920
Speaker 2: away from their show and at a restaurant, they don't

565
00:24:37,960 --> 00:24:42,080
Speaker 2: owe you a photo or an autograph or even a hello.

566
00:24:42,240 --> 00:24:44,639
Speaker 1: I think they owe you nothing. I mean like that.

567
00:24:44,920 --> 00:24:46,800
Speaker 1: It's like if they're not at work, they don't owe you,

568
00:24:46,920 --> 00:24:49,119
Speaker 1: like no one owes anyone anything. And then she even

569
00:24:49,160 --> 00:24:52,800
Speaker 1: said she's like she said, like women don't owe you anything,

570
00:24:52,880 --> 00:24:54,960
Speaker 1: because I do think it's a different thing with women,

571
00:24:55,160 --> 00:24:57,800
Speaker 1: Like I think I think you feel an invasion that

572
00:24:57,880 --> 00:25:01,440
Speaker 1: like weed, I just could never really true understand, and

573
00:25:01,480 --> 00:25:04,080
Speaker 1: that is like it makes you feel unsafe.

574
00:25:04,200 --> 00:25:06,880
Speaker 3: You never never had the moment where you felt unsafe.

575
00:25:06,960 --> 00:25:09,160
Speaker 1: I'm just saying I'm not a woman, and I don't

576
00:25:09,200 --> 00:25:12,080
Speaker 1: know what it's like to be like to feel to

577
00:25:12,160 --> 00:25:15,000
Speaker 1: walk around in the world and be like, you know,

578
00:25:15,200 --> 00:25:17,960
Speaker 1: at actual threat of violence because I'm like a white

579
00:25:18,040 --> 00:25:19,840
Speaker 1: man that walks the world in like I can, like

580
00:25:20,880 --> 00:25:23,000
Speaker 1: you know what, forever years of code switching, like I

581
00:25:23,040 --> 00:25:25,680
Speaker 1: can fit into certain places, you know what I mean.

582
00:25:25,840 --> 00:25:29,879
Speaker 4: I think that the younger your fans, the more unsafe

583
00:25:29,920 --> 00:25:30,200
Speaker 4: you are.

584
00:25:30,480 --> 00:25:32,000
Speaker 1: Probably true, right, I didn't.

585
00:25:32,080 --> 00:25:34,200
Speaker 4: I never even thinked about that because the young ones

586
00:25:34,200 --> 00:25:37,840
Speaker 4: are like, like somebody was telling me that, like when

587
00:25:37,840 --> 00:25:41,840
Speaker 4: Pete Davidson is in LA or whatever, like girls will

588
00:25:41,840 --> 00:25:44,280
Speaker 4: get in their cars and follow him.

589
00:25:44,359 --> 00:25:45,520
Speaker 3: Try to follow him home.

590
00:25:46,080 --> 00:25:50,439
Speaker 4: So he's they got like decoy vehicles and trick Lamborghinis

591
00:25:50,480 --> 00:25:54,080
Speaker 4: to like switch out of because yeah, these women will

592
00:25:54,200 --> 00:25:56,280
Speaker 4: follow and it's like, you know, girls in their twenties

593
00:25:56,880 --> 00:25:58,640
Speaker 4: or you know what I'm saying, just trying to get

594
00:25:58,800 --> 00:25:59,960
Speaker 4: to Pete Davidson.

595
00:25:59,640 --> 00:26:04,040
Speaker 1: Trying literally get some either attention or like real interaction

596
00:26:04,119 --> 00:26:06,399
Speaker 1: with him. I'll never forget this. So one of the

597
00:26:06,400 --> 00:26:08,359
Speaker 1: first times I ever went to LA was my family

598
00:26:08,440 --> 00:26:11,679
Speaker 1: after I graduated college. One of my graduation presents was

599
00:26:11,720 --> 00:26:17,840
Speaker 1: my dad and my mom took me girl, you know

600
00:26:17,840 --> 00:26:18,159
Speaker 1: what I mean.

601
00:26:19,840 --> 00:26:21,600
Speaker 4: I came to the graduation and I was like, just

602
00:26:21,640 --> 00:26:23,200
Speaker 4: play the air hoorn when they say my name.

603
00:26:23,240 --> 00:26:26,000
Speaker 3: They didn't even buy the they didn't even do that.

604
00:26:26,720 --> 00:26:28,760
Speaker 1: I think it. Let's just say it was the trip

605
00:26:28,800 --> 00:26:31,680
Speaker 1: to La. We went as a family and a couple

606
00:26:31,640 --> 00:26:32,280
Speaker 1: of sweaters.

607
00:26:32,520 --> 00:26:36,000
Speaker 3: I got a sheet cake. Okay, I got a sexy

608
00:26:36,080 --> 00:26:36,680
Speaker 3: sheet cake.

609
00:26:38,480 --> 00:26:39,840
Speaker 1: I wish I got a sheet cake.

610
00:26:40,000 --> 00:26:41,199
Speaker 3: You went to La with the family.

611
00:26:41,600 --> 00:26:44,880
Speaker 1: So we went there and we went on a celebrity

612
00:26:44,920 --> 00:26:47,600
Speaker 1: homes tour. So it was like, I don't know if

613
00:26:47,600 --> 00:26:48,760
Speaker 1: you have we ever in lu see this.

614
00:26:48,960 --> 00:26:51,440
Speaker 2: Yes, it's because Greta. Greta has shown me too, Like yes,

615
00:26:51,520 --> 00:26:52,560
Speaker 2: where they're like they're.

616
00:26:52,359 --> 00:26:55,119
Speaker 1: Like Safari jeeps essentially where like you all sit in

617
00:26:55,359 --> 00:26:58,880
Speaker 1: and like like they drive around like the areas where

618
00:26:58,880 --> 00:27:01,560
Speaker 1: I guess quote unquote celebrities live and they say that's

619
00:27:01,600 --> 00:27:03,800
Speaker 1: the house of Selena Gomez, you know, that's the house

620
00:27:03,840 --> 00:27:06,440
Speaker 1: of whatever. And we were doing it. I'm like twenty

621
00:27:06,520 --> 00:27:09,240
Speaker 1: two years old, and I'm already starting to feel a

622
00:27:09,280 --> 00:27:11,399
Speaker 1: little bit weird because we had just driven past like

623
00:27:11,720 --> 00:27:14,639
Speaker 1: Christina Aguilera's house and like he and the guy was

624
00:27:14,640 --> 00:27:16,920
Speaker 1: from New Zealand and he was like, oh, maybe we'll

625
00:27:16,920 --> 00:27:18,399
Speaker 1: see you, you know what I mean. I was like, oh,

626
00:27:18,400 --> 00:27:19,960
Speaker 1: this feels like a little bit like weird. That was

627
00:27:20,000 --> 00:27:25,040
Speaker 1: my new Zealand accent. Sea Yeah, but I was like, oh,

628
00:27:25,119 --> 00:27:26,560
Speaker 1: now are we like trying to hunt it? Like it

629
00:27:26,600 --> 00:27:28,720
Speaker 1: felt like a zoo attraction. And I was like, oh,

630
00:27:28,760 --> 00:27:32,040
Speaker 1: I don't like this. And then we were driving down.

631
00:27:32,960 --> 00:27:35,600
Speaker 1: We were driving past the Beverly Hills Hotel and he's

632
00:27:35,640 --> 00:27:38,280
Speaker 1: going off about how Whitney Houston died there, and I

633
00:27:38,320 --> 00:27:42,239
Speaker 1: was like feeling weird. And then he thought that in

634
00:27:42,280 --> 00:27:46,200
Speaker 1: the car next to us was the actor Adrian Grenier

635
00:27:46,400 --> 00:27:51,160
Speaker 1: from Entourage. Okay, Vince from Entourage. He thought that Vince

636
00:27:51,240 --> 00:27:54,160
Speaker 1: from Entourage was like driving next to us and away

637
00:27:54,200 --> 00:28:00,800
Speaker 1: from us. He gunned it no, like we eving through

638
00:28:00,880 --> 00:28:04,040
Speaker 1: cars to try to get to what he thought was

639
00:28:04,040 --> 00:28:07,960
Speaker 1: Adrian Greneer. I'm in the car like these in these

640
00:28:08,000 --> 00:28:10,880
Speaker 1: like Safari mobiles. I don't think I was wearing a seatbelt.

641
00:28:11,080 --> 00:28:11,639
Speaker 3: I'm sure you were.

642
00:28:11,760 --> 00:28:14,199
Speaker 1: And my mom, dad and sister don't know who Adrian

643
00:28:14,240 --> 00:28:15,960
Speaker 1: Grenier is. I don't think anyone did.

644
00:28:16,359 --> 00:28:21,680
Speaker 3: And so but I did, and we know him from

645
00:28:21,720 --> 00:28:22,600
Speaker 3: Devilware's product.

646
00:28:23,600 --> 00:28:27,760
Speaker 1: Yes, So we're like really flying down the street and

647
00:28:27,800 --> 00:28:31,280
Speaker 1: I'm like if I die because this guy thinks he

648
00:28:30,960 --> 00:28:32,600
Speaker 1: sees Adrian Grenere.

649
00:28:32,640 --> 00:28:36,000
Speaker 2: That is not my that's that's not a person we

650
00:28:36,160 --> 00:28:38,640
Speaker 2: dine o, I'm Diana energy.

651
00:28:38,400 --> 00:28:42,560
Speaker 1: For And so then we pull up and it wasn't him,

652
00:28:43,040 --> 00:28:44,920
Speaker 1: and I'm thinking to myself, like, let's get the funk

653
00:28:45,000 --> 00:28:45,320
Speaker 1: out of.

654
00:28:45,280 --> 00:28:46,840
Speaker 3: Here, like you owe me with my money back.

655
00:28:46,920 --> 00:28:52,720
Speaker 1: But the is like the comfortability that was the culture of,

656
00:28:52,880 --> 00:28:57,720
Speaker 1: like let's go hunt this celebrity down made me nervous.

657
00:28:57,920 --> 00:29:00,760
Speaker 4: But they still do that, like as as icky as

658
00:29:00,760 --> 00:29:02,920
Speaker 4: it made you feel, there are people they got the

659
00:29:02,920 --> 00:29:05,560
Speaker 4: camera around the neck, they got the map in their lap,

660
00:29:05,560 --> 00:29:07,640
Speaker 4: They're circling otis is where she lives.

661
00:29:07,640 --> 00:29:09,200
Speaker 3: This is where such and such lives.

662
00:29:09,200 --> 00:29:11,480
Speaker 4: We're going to Calabasas next, Like there are people who

663
00:29:11,680 --> 00:29:12,640
Speaker 4: eat that up.

664
00:29:12,960 --> 00:29:15,680
Speaker 1: And also like it's just like I do believe in

665
00:29:15,760 --> 00:29:18,400
Speaker 1: like if you see them, like yeah, clock it, but

666
00:29:18,440 --> 00:29:21,040
Speaker 1: then like move on. I have one friend who will

667
00:29:21,040 --> 00:29:25,600
Speaker 1: see someone and point and you better put your hand down, you.

668
00:29:25,680 --> 00:29:26,520
Speaker 3: Like, because they know me.

669
00:29:29,640 --> 00:29:32,560
Speaker 1: Okay. So then I was at the Sabrina Carpenter concert.

670
00:29:35,000 --> 00:29:36,480
Speaker 1: It was so good, No it was. I went in

671
00:29:37,560 --> 00:29:40,520
Speaker 1: at the Forum in LA and so behind us like

672
00:29:40,560 --> 00:29:44,720
Speaker 1: in one of the like real fancy people seats like, no,

673
00:29:44,880 --> 00:29:45,560
Speaker 1: I was on the floor.

674
00:29:46,640 --> 00:29:48,840
Speaker 3: Are renaissance for Sabrina? You were?

675
00:29:49,520 --> 00:29:54,600
Speaker 1: I renaissance for Sabrina Club Espresso, And so I turned

676
00:29:54,600 --> 00:29:57,600
Speaker 1: around because there's a commotion and I turned around and

677
00:29:57,840 --> 00:30:00,640
Speaker 1: John Mayer and Katie Perry are top with each other.

678
00:30:00,720 --> 00:30:03,000
Speaker 1: Now John Mayor and Katie Perry like used to date,

679
00:30:03,360 --> 00:30:06,040
Speaker 1: and this is like years ago. Everybody yeah, right, and

680
00:30:06,040 --> 00:30:08,320
Speaker 1: they use but but they're having this interaction and I'm

681
00:30:08,320 --> 00:30:10,680
Speaker 1: telling you, the whole stadium is turned around with their

682
00:30:10,720 --> 00:30:14,920
Speaker 1: phones and I was just like, this is embarrassing. Stops.

683
00:30:15,120 --> 00:30:17,560
Speaker 1: It is embarrassing. It is embarrassing.

684
00:30:17,640 --> 00:30:18,840
Speaker 3: No, you know what's embarrassing.

685
00:30:19,200 --> 00:30:22,000
Speaker 4: All those people shot that, and probably half of them

686
00:30:22,000 --> 00:30:25,400
Speaker 4: created a TikTok video that's like that moment POV you

687
00:30:25,480 --> 00:30:28,960
Speaker 4: come into your ex at the like yeah and people

688
00:30:29,000 --> 00:30:30,200
Speaker 4: and then people are in the.

689
00:30:30,120 --> 00:30:31,960
Speaker 3: Comments like, oh my god, I can't believe you.

690
00:30:32,240 --> 00:30:35,440
Speaker 4: People love famous people more than anything right now.

691
00:30:35,480 --> 00:30:37,160
Speaker 1: It's you know what it is, It's like I think

692
00:30:37,240 --> 00:30:41,200
Speaker 1: that that it is. This is my theory. I think

693
00:30:41,240 --> 00:30:45,280
Speaker 1: that people feel so like politically hopeless and like like

694
00:30:45,400 --> 00:30:48,320
Speaker 1: hopeless and like things that making change that actually matters,

695
00:30:48,680 --> 00:30:51,880
Speaker 1: that the discourse about pop culture gets like a lot

696
00:30:51,960 --> 00:30:55,000
Speaker 1: more intense because it doesn't actually matter and you can

697
00:30:55,040 --> 00:30:57,160
Speaker 1: like swing an opinion around or like be like I

698
00:30:57,240 --> 00:31:00,560
Speaker 1: hate this person because we can't actually do anything in

699
00:31:00,600 --> 00:31:02,680
Speaker 1: our life, you know what I mean. So it's like,

700
00:31:03,400 --> 00:31:05,880
Speaker 1: I just have noticed that the discourse about pop culture

701
00:31:05,920 --> 00:31:09,840
Speaker 1: seems like it's getting to a toxic place that reminds

702
00:31:09,920 --> 00:31:13,400
Speaker 1: me of like the tabloid culture from the Perez Hilton era.

703
00:31:13,720 --> 00:31:16,200
Speaker 2: I agree, And now I'm not saying that I'm trying to,

704
00:31:16,320 --> 00:31:18,880
Speaker 2: you know, a cap for miss miss.

705
00:31:18,880 --> 00:31:21,080
Speaker 3: J Low, but there was a moment where I was.

706
00:31:22,880 --> 00:31:26,000
Speaker 2: Mean, yes, I know, I know Jenny not from the block,

707
00:31:26,080 --> 00:31:28,600
Speaker 2: but it's just too many of these like these daylo

708
00:31:28,960 --> 00:31:32,760
Speaker 2: povs and these little videos and in these little dissertations

709
00:31:32,800 --> 00:31:36,200
Speaker 2: the Redds cheese and ham sandwich thing, and they have

710
00:31:36,480 --> 00:31:37,200
Speaker 2: it for mine.

711
00:31:37,320 --> 00:31:40,080
Speaker 1: Well they're doing it now with Cynthia and Ariana. Like

712
00:31:40,160 --> 00:31:42,880
Speaker 1: people are like they should they need to stop crying

713
00:31:42,920 --> 00:31:46,160
Speaker 1: at that. It's so annoying. And I'm just like you guys,

714
00:31:46,200 --> 00:31:48,920
Speaker 1: like does the punishment fit the crime. I was for

715
00:31:49,000 --> 00:31:50,760
Speaker 1: you to go online and call these women what you're

716
00:31:50,800 --> 00:31:53,520
Speaker 1: calling them, because that they're emotional because they worked hard

717
00:31:53,520 --> 00:31:55,160
Speaker 1: on this thing for two years and now it's coming

718
00:31:55,200 --> 00:31:56,959
Speaker 1: out and like it means a lot to little girls.

719
00:31:57,000 --> 00:31:59,040
Speaker 4: But is that a fan or is that like because

720
00:31:59,120 --> 00:32:01,520
Speaker 4: there are lots of fans like to hate and watch stuff.

721
00:32:01,600 --> 00:32:03,800
Speaker 3: Yeah, just comment things that they would never say to you.

722
00:32:04,040 --> 00:32:06,440
Speaker 1: But that is like, but here's the thing. I do

723
00:32:06,520 --> 00:32:11,360
Speaker 1: consider those people's fans, because if you're online talking about me.

724
00:32:11,640 --> 00:32:13,800
Speaker 3: You're a you're a thing.

725
00:32:13,960 --> 00:32:17,160
Speaker 1: It doesn't matter what you're saying is really mean, because

726
00:32:17,160 --> 00:32:20,760
Speaker 1: like I've seen some stuff that is so mean.

727
00:32:21,160 --> 00:32:23,600
Speaker 2: Wait, Matt has anybody has have you ever had a

728
00:32:23,600 --> 00:32:26,400
Speaker 2: moment maybe in Lost Cultures is where people were being

729
00:32:26,480 --> 00:32:28,920
Speaker 2: mean to you. You mean like like you saw what

730
00:32:29,080 --> 00:32:32,520
Speaker 2: people were writing or yeah, yeah.

731
00:32:32,320 --> 00:32:38,480
Speaker 1: Like I will sometimes like go on our subreddit like subreddit,

732
00:32:38,560 --> 00:32:41,280
Speaker 1: Yes that Lost Cultures has a subreddit, and it's like

733
00:32:41,480 --> 00:32:44,960
Speaker 1: ninety percent very positive and very like I think the

734
00:32:45,000 --> 00:32:48,360
Speaker 1: tone of the podcast. And then there will be some

735
00:32:48,440 --> 00:32:51,520
Speaker 1: people who I just see certain accounts like keep coming

736
00:32:51,560 --> 00:32:56,200
Speaker 1: back and saying certain things. I think it's because they

737
00:32:56,360 --> 00:32:59,600
Speaker 1: know that I'm on there and they know what bothers me,

738
00:32:59,800 --> 00:33:01,840
Speaker 1: and I think it's the reason they're trying to get

739
00:33:01,880 --> 00:33:04,240
Speaker 1: at me is because they're they're a van. They're a

740
00:33:04,320 --> 00:33:06,400
Speaker 1: van and like it's it's it's one thing to be

741
00:33:06,520 --> 00:33:09,480
Speaker 1: like I enjoyed this episode, like this part dragged me,

742
00:33:09,520 --> 00:33:11,800
Speaker 1: et cetera. Whatever, like say what you're gonna say, But

743
00:33:11,800 --> 00:33:15,000
Speaker 1: then there's certain things that I think you wouldn't say that,

744
00:33:15,640 --> 00:33:18,920
Speaker 1: you know you, if you weren't actually trying to bother you.

745
00:33:19,320 --> 00:33:20,120
Speaker 3: Yeah.

746
00:33:20,480 --> 00:33:25,360
Speaker 4: Yeah, So, like I think all of the everybody has

747
00:33:26,240 --> 00:33:30,200
Speaker 4: people have fans sometimes that you're like, oh, you like

748
00:33:30,880 --> 00:33:35,000
Speaker 4: Nikki has the barbs and it still has the Navy Beyonce,

749
00:33:35,160 --> 00:33:37,520
Speaker 4: I mean behind be have to me used to be

750
00:33:37,680 --> 00:33:40,480
Speaker 4: the most intense fans, but now I thing is it's.

751
00:33:40,320 --> 00:33:42,920
Speaker 1: The bar You think it's because the Beehive has collectively

752
00:33:42,960 --> 00:33:43,640
Speaker 1: gotten older.

753
00:33:44,160 --> 00:33:46,800
Speaker 2: I think so because I think after a certain age bracket. Yeah,

754
00:33:46,800 --> 00:33:50,280
Speaker 2: I've seen my analytics, my analytics, My my fans are

755
00:33:50,440 --> 00:33:53,560
Speaker 2: a little a little older, and it's like they they tired,

756
00:33:53,720 --> 00:33:56,000
Speaker 2: so they might not get the back right away. They're like,

757
00:33:56,040 --> 00:33:57,960
Speaker 2: were getting the tickets with Girl, We're not getting when

758
00:33:57,960 --> 00:33:58,480
Speaker 2: you put the.

759
00:33:58,440 --> 00:34:03,120
Speaker 1: Link just until I tell who who? Who? They tell who?

760
00:34:03,600 --> 00:34:07,719
Speaker 1: Like really hates me demographically it's other gay men really.

761
00:34:08,000 --> 00:34:12,000
Speaker 4: I think other gay performers also say that that's.

762
00:34:11,800 --> 00:34:15,439
Speaker 1: Messy, ya, We're not able to support each other really, yeah,

763
00:34:15,480 --> 00:34:18,680
Speaker 1: like like us as us as the people, we're all friends,

764
00:34:18,760 --> 00:34:23,360
Speaker 1: like like I'm friends with obviously Bowen, Josh, Aaron, George,

765
00:34:23,400 --> 00:34:26,800
Speaker 1: Sam Dave, Like these are all dear friends of mine, mulioh,

766
00:34:26,840 --> 00:34:28,520
Speaker 1: you know what I mean, Like these are all people

767
00:34:28,560 --> 00:34:33,800
Speaker 1: that I love and like I support. It's gay male

768
00:34:34,120 --> 00:34:40,640
Speaker 1: fans like on the internet get crazy. They they they

769
00:34:40,680 --> 00:34:43,280
Speaker 1: get it's just and they say.

770
00:34:43,000 --> 00:34:45,880
Speaker 3: Listeners here, hey, gay fans on the internet.

771
00:34:45,600 --> 00:34:48,800
Speaker 1: Like Matael Lane said one time, like they're not gonna

772
00:34:48,840 --> 00:34:51,719
Speaker 1: really ride for you unless you're a drag queen or

773
00:34:51,840 --> 00:34:57,239
Speaker 1: like so fucking hot that that like and and like

774
00:34:57,440 --> 00:34:59,480
Speaker 1: not trying to be anything but that you know what

775
00:34:59,520 --> 00:35:03,240
Speaker 1: I mean, Like the Ryan hard for like Tricksy Mattel.

776
00:35:03,120 --> 00:35:06,120
Speaker 3: Yes, and they love pop drag queens.

777
00:35:05,920 --> 00:35:09,520
Speaker 1: Yeah, exactly, like I think drag queens like they get

778
00:35:09,520 --> 00:35:12,720
Speaker 1: it in different ways. Like drag queens get insane abuse

779
00:35:12,800 --> 00:35:15,960
Speaker 1: online from some crazy gig guys. Sure, but like like

780
00:35:16,000 --> 00:35:18,799
Speaker 1: the drag race fandom is so fucking insane to the

781
00:35:18,800 --> 00:35:20,520
Speaker 1: point where you're like, who are these people? And you

782
00:35:20,560 --> 00:35:25,000
Speaker 1: find out it's mostly like middle schoolers, no way yes, yeah.

783
00:35:24,960 --> 00:35:26,960
Speaker 3: We gotta take the phones back away.

784
00:35:28,239 --> 00:35:31,239
Speaker 1: We gotta got a social media band. In Australia, you

785
00:35:31,320 --> 00:35:33,640
Speaker 1: have to be sixteen before you can start social media.

786
00:35:33,719 --> 00:35:36,200
Speaker 3: I don't even think sixteen. You can even twenty one.

787
00:35:36,239 --> 00:35:38,000
Speaker 4: If you have a cell phone, you can still get

788
00:35:38,040 --> 00:35:40,239
Speaker 4: on social media. You know what I'm saying, Like, we

789
00:35:40,320 --> 00:35:45,759
Speaker 4: gotta Melonia, this should be your platform. You gotta say

790
00:35:45,800 --> 00:35:48,200
Speaker 4: what does it be best?

791
00:35:48,800 --> 00:35:50,360
Speaker 1: Well, didn't she? I think she just came out and

792
00:35:50,400 --> 00:35:53,279
Speaker 1: said like she's gonna be like first Lady Light. She's like,

793
00:35:53,400 --> 00:35:54,600
Speaker 1: only gonna have to it.

794
00:35:54,680 --> 00:35:55,880
Speaker 3: She's not moving into that house.

795
00:35:55,960 --> 00:35:57,640
Speaker 1: No, I don't think she's trying to move out of.

796
00:35:57,600 --> 00:35:59,640
Speaker 3: The New York house. Yeah, she pretty changed the locks

797
00:35:59,640 --> 00:36:01,360
Speaker 3: on him. She said, get somebody else to do it.

798
00:36:01,680 --> 00:36:03,759
Speaker 2: I don't y'all better get one of them, you know,

799
00:36:03,880 --> 00:36:05,520
Speaker 2: the people who look like me to come in.

800
00:36:05,600 --> 00:36:10,000
Speaker 3: And she's like a soft filter on her. She's like, no,

801
00:36:10,080 --> 00:36:10,560
Speaker 3: I'm not.

802
00:36:10,920 --> 00:36:12,799
Speaker 1: Like, watch when we find out that half the time

803
00:36:12,800 --> 00:36:14,440
Speaker 1: we have seen her Republic and hasn't been her.

804
00:36:14,719 --> 00:36:17,000
Speaker 3: Oh that's what they're saying. She got a stunt double

805
00:36:17,200 --> 00:36:18,840
Speaker 3: and I would love that. I want that for me.

806
00:36:19,000 --> 00:36:21,760
Speaker 2: I need somebody to tap in and do the small

807
00:36:21,800 --> 00:36:23,120
Speaker 2: things that I just can't do.

808
00:36:23,160 --> 00:36:24,960
Speaker 3: I don't want to show up for that. The appearances.

809
00:36:25,040 --> 00:36:27,840
Speaker 3: The appearance. Yeah, there's there's a couple you know, you

810
00:36:27,880 --> 00:36:31,080
Speaker 3: know birthday dinners. Oh yeah, I do need me. Yeah,

811
00:36:31,239 --> 00:36:32,560
Speaker 3: it's twenty of us here.

812
00:36:32,800 --> 00:36:35,080
Speaker 2: You're not really hanging out with me, So you just

813
00:36:35,200 --> 00:36:37,279
Speaker 2: need the body of me there.

814
00:36:37,320 --> 00:36:40,120
Speaker 3: To pay for my part. But you don't you paying

815
00:36:40,120 --> 00:36:42,120
Speaker 3: for the double and the double's.

816
00:36:41,719 --> 00:36:48,279
Speaker 4: Food I have to eat and the birthday girl.

817
00:36:48,440 --> 00:36:51,400
Speaker 3: So I think everybody should have a little bit of

818
00:36:51,400 --> 00:36:52,840
Speaker 3: a double. It's hard.

819
00:36:52,920 --> 00:36:55,160
Speaker 1: There was one celebrity that they were saying had to

820
00:36:55,200 --> 00:36:59,560
Speaker 1: double a while back, and it was they were like

821
00:37:00,400 --> 00:37:04,160
Speaker 1: convinced enough that it was true that they had that

822
00:37:04,239 --> 00:37:07,200
Speaker 1: they somehow have the information that the body double had

823
00:37:07,200 --> 00:37:09,800
Speaker 1: to do the exact same workouts and eat the exact

824
00:37:09,800 --> 00:37:10,520
Speaker 1: same food.

825
00:37:10,800 --> 00:37:11,439
Speaker 3: Is this the rock?

826
00:37:12,200 --> 00:37:14,720
Speaker 1: No, it's someone do you remember what I'm talking about.

827
00:37:15,440 --> 00:37:17,120
Speaker 1: There was like there was a celebrity who they were

828
00:37:17,160 --> 00:37:19,640
Speaker 1: saying had a body double. It wasn't Britney Spears, but

829
00:37:19,719 --> 00:37:22,080
Speaker 1: someone like that, Okay, where it was like, oh, you

830
00:37:22,120 --> 00:37:24,319
Speaker 1: know half the time, it's the body double who does

831
00:37:24,400 --> 00:37:26,600
Speaker 1: the same workouts and eats the same food so they

832
00:37:26,600 --> 00:37:28,080
Speaker 1: can keep the same exact body.

833
00:37:28,239 --> 00:37:31,799
Speaker 3: Was it Jlo in the studio? It was shot?

834
00:37:33,680 --> 00:37:35,719
Speaker 2: But you know what man, Speaking of fans, I think

835
00:37:35,760 --> 00:37:38,680
Speaker 2: a lot of the fans I want fans that are

836
00:37:38,719 --> 00:37:41,719
Speaker 2: so delusional. But sometimes it's like you gotta hold your

837
00:37:41,760 --> 00:37:44,960
Speaker 2: person accountable. Like that's what I get mad about. The

838
00:37:45,040 --> 00:37:48,000
Speaker 2: fans that like ride for these people. Sometimes it's like,

839
00:37:48,360 --> 00:37:51,320
Speaker 2: you know that person is there wrong, Like it's.

840
00:37:51,000 --> 00:37:56,200
Speaker 3: Okay the I mean, there was a moment where I was.

841
00:37:56,160 --> 00:37:58,880
Speaker 2: Like, okay, j Loo, maybe you need to take a

842
00:37:58,880 --> 00:38:02,080
Speaker 2: break and yeah, and her fans were like no, she's

843
00:38:02,160 --> 00:38:04,759
Speaker 2: just being heard. But then everybody jumped on her and

844
00:38:04,760 --> 00:38:07,840
Speaker 2: it was bad. But I think, like like Taylor Swift fans,

845
00:38:08,000 --> 00:38:09,040
Speaker 2: I'm through.

846
00:38:09,320 --> 00:38:12,520
Speaker 3: I'm done because they don't say the truth. They can't.

847
00:38:12,920 --> 00:38:14,080
Speaker 1: The barbers are crazy.

848
00:38:14,239 --> 00:38:15,759
Speaker 3: The barbers are great. They're unhinged.

849
00:38:15,800 --> 00:38:18,920
Speaker 2: They they wake up and eat glass and then you

850
00:38:18,960 --> 00:38:21,160
Speaker 2: know they drink dark liquor with no eyes.

851
00:38:21,320 --> 00:38:23,120
Speaker 3: Yeah, yeah, they're they're pretty aggressive.

852
00:38:23,239 --> 00:38:25,600
Speaker 1: And she you know what's crazy about her? She knows

853
00:38:25,600 --> 00:38:26,719
Speaker 1: it and she feeds the fire.

854
00:38:26,800 --> 00:38:29,720
Speaker 3: She yes, she's somebody who does feed the fire.

855
00:38:29,880 --> 00:38:30,560
Speaker 1: Yeah.

856
00:38:30,680 --> 00:38:33,359
Speaker 2: Do you do you ever like meet people that kind

857
00:38:33,360 --> 00:38:36,640
Speaker 2: of like try to be like you and Bowen, Like

858
00:38:36,680 --> 00:38:39,080
Speaker 2: do you see like during Halloween or anything like that.

859
00:38:39,400 --> 00:38:43,239
Speaker 1: Sometimes they'll come up and they'll be they'll know Bowen probably, Yeah,

860
00:38:43,320 --> 00:38:47,440
Speaker 1: Bowen is a list, like that's that's the truth. Is

861
00:38:47,520 --> 00:38:50,440
Speaker 1: Like I'm sitting here around CNUS.

862
00:38:50,680 --> 00:38:57,600
Speaker 2: Stop the Red Carpets, which one all of them?

863
00:38:58,040 --> 00:39:01,640
Speaker 1: Yeah, Like I'm going to tell you that I think.

864
00:39:01,520 --> 00:39:03,279
Speaker 3: Matt knows where he is and where he's gonna be.

865
00:39:03,840 --> 00:39:04,600
Speaker 3: We we were going to.

866
00:39:05,120 --> 00:39:08,279
Speaker 1: I feel really good about the c minus list. I

867
00:39:08,320 --> 00:39:11,520
Speaker 1: feel that's where I'm at. Bowen is a list, you know,

868
00:39:11,760 --> 00:39:13,240
Speaker 1: I knew it when he was on hot Ones.

869
00:39:14,480 --> 00:39:17,360
Speaker 3: First of all, Ones is not for regular That is

870
00:39:17,400 --> 00:39:18,040
Speaker 3: the top booking.

871
00:39:18,960 --> 00:39:21,799
Speaker 4: Hot Ones is the top booking. It's really hard to

872
00:39:21,800 --> 00:39:23,640
Speaker 4: book that. They booked out for the next time.

873
00:39:24,520 --> 00:39:27,040
Speaker 1: Johansson, Jennifer Lawrence, Bowen.

874
00:39:26,840 --> 00:39:30,680
Speaker 3: Yangyang like that's the title.

875
00:39:31,239 --> 00:39:33,560
Speaker 1: He'll get dressed up as like a Halloween custom because

876
00:39:33,560 --> 00:39:34,880
Speaker 1: also he dresses up like a lot of things on

877
00:39:34,960 --> 00:39:35,919
Speaker 1: us and there's a lot.

878
00:39:35,800 --> 00:39:38,640
Speaker 3: Of opportunity Bowen Yang as the.

879
00:39:40,400 --> 00:39:43,680
Speaker 1: All those lookalike contests, Like you could do a Bowen

880
00:39:43,760 --> 00:39:47,640
Speaker 1: Yang look like contests. You get the half moons glasses

881
00:39:48,320 --> 00:39:52,240
Speaker 1: and you know, like he's dressed in these cozy little sweaters.

882
00:39:52,120 --> 00:39:53,720
Speaker 3: Or a blazer or blazer.

883
00:39:54,080 --> 00:39:55,920
Speaker 4: The lookalike contests. You don't even have to look like them.

884
00:39:55,960 --> 00:39:57,319
Speaker 4: You just got to know how to say the name.

885
00:39:57,360 --> 00:39:58,680
Speaker 4: Because the Timothy chal May.

886
00:39:58,640 --> 00:40:00,719
Speaker 2: I was like, I saw him, Oh, I saw it.

887
00:40:01,000 --> 00:40:03,080
Speaker 2: And they came in with the swag. I felt like

888
00:40:03,120 --> 00:40:04,320
Speaker 2: they had the riz.

889
00:40:04,840 --> 00:40:07,160
Speaker 1: Do you know who's getting one another one of our girls?

890
00:40:07,800 --> 00:40:08,400
Speaker 1: Rachel Senate?

891
00:40:08,480 --> 00:40:09,880
Speaker 3: They did it already.

892
00:40:10,600 --> 00:40:11,040
Speaker 1: Was it good?

893
00:40:11,239 --> 00:40:14,640
Speaker 3: It was just girls with bushy brows and very like they.

894
00:40:14,520 --> 00:40:19,160
Speaker 2: Had they had Sarah. When Sarah Shermon did Rachel on

895
00:40:19,320 --> 00:40:19,879
Speaker 2: SL I.

896
00:40:19,800 --> 00:40:20,600
Speaker 1: Couldn't believe it.

897
00:40:20,480 --> 00:40:21,480
Speaker 3: It was so good.

898
00:40:21,560 --> 00:40:24,760
Speaker 2: The cleavage, the hair of the power, literally like Bowen

899
00:40:25,080 --> 00:40:29,959
Speaker 2: and Sherman being on fucking SNL and Rachel Senate being

900
00:40:30,000 --> 00:40:30,759
Speaker 2: an impression.

901
00:40:30,880 --> 00:40:36,239
Speaker 1: I was like, we have changed. Yeah, she's made it

902
00:40:35,760 --> 00:40:40,600
Speaker 1: all evolved. But like sometimes they sometimes it's a little

903
00:40:41,600 --> 00:40:44,680
Speaker 1: this never happens, but when someone comes up and goes

904
00:40:45,120 --> 00:40:47,439
Speaker 1: bitch and I.

905
00:40:47,360 --> 00:40:48,799
Speaker 3: Was trying to sound like you, it's.

906
00:40:48,719 --> 00:40:50,759
Speaker 1: Just a little me whatever I mean. Then then then

907
00:40:50,760 --> 00:40:52,279
Speaker 1: you're like, oh, you try to sound like me and

908
00:40:52,280 --> 00:40:54,880
Speaker 1: you just screamed the word bitch like great one example.

909
00:40:55,680 --> 00:40:57,640
Speaker 1: But no, I mean like, and this is the thing

910
00:40:57,719 --> 00:41:02,239
Speaker 1: is I don't experience it in interaction where it's too

911
00:41:02,360 --> 00:41:05,560
Speaker 1: much ever, because because like who am I you know

912
00:41:05,560 --> 00:41:08,960
Speaker 1: what I mean? Bowen is like the kind of person

913
00:41:08,960 --> 00:41:14,000
Speaker 1: who is like deeply meaningful to like queer people, Asian people,

914
00:41:14,080 --> 00:41:15,920
Speaker 1: Like I've been with him where people come up and

915
00:41:15,920 --> 00:41:19,560
Speaker 1: they're like, clearly it's a moment for them because they

916
00:41:19,560 --> 00:41:21,799
Speaker 1: feel seen by him, like that's not happening with me.

917
00:41:21,960 --> 00:41:25,799
Speaker 1: And if it does, like that's really nice. But I

918
00:41:25,840 --> 00:41:28,200
Speaker 1: think that, Yeah, it's just I think people come up

919
00:41:28,239 --> 00:41:30,760
Speaker 1: to me and they're like casual in a way where

920
00:41:31,080 --> 00:41:32,799
Speaker 1: with him they come up in there very It's like

921
00:41:33,160 --> 00:41:35,839
Speaker 1: that is an exchange of import I think.

922
00:41:35,840 --> 00:41:38,920
Speaker 2: I want to be honest, I like, I like it casual.

923
00:41:38,960 --> 00:41:42,840
Speaker 2: I don't the intensity of people. And I'm an impath

924
00:41:42,920 --> 00:41:45,239
Speaker 2: and I'm feeling there feeling and then I'm feeling like.

925
00:41:47,200 --> 00:41:48,120
Speaker 3: I don't.

926
00:41:48,320 --> 00:41:48,840
Speaker 1: I'm hugging.

927
00:41:48,840 --> 00:41:51,120
Speaker 3: I'm out here hugging, yeah, and then you're you're trying,

928
00:41:51,239 --> 00:41:53,239
Speaker 3: they're bringing their energy into you. I don't.

929
00:41:53,280 --> 00:41:57,800
Speaker 2: I don't know hug everybody hugging. I'm hugging everybody hugger anyway.

930
00:41:58,040 --> 00:42:00,359
Speaker 2: I hug everybody, Marie, I love it like this.

931
00:42:00,440 --> 00:42:05,319
Speaker 1: Oh thanks, get this. One time someone online said I

932
00:42:05,400 --> 00:42:07,440
Speaker 1: used to work with Matt Rodgers and he gives too

933
00:42:07,440 --> 00:42:12,640
Speaker 1: many hugs. I said, why didn't you say something in person? Yeah,

934
00:42:12,719 --> 00:42:14,680
Speaker 1: if anyone had said to me ever once like I

935
00:42:14,719 --> 00:42:17,640
Speaker 1: don't want to hug, I'll never touch you again, i'll

936
00:42:17,640 --> 00:42:19,319
Speaker 1: come near you again, I don't even want to.

937
00:42:19,760 --> 00:42:23,799
Speaker 4: Well that's like a not a backhanded compliment, it's like

938
00:42:23,880 --> 00:42:25,279
Speaker 4: a version of that.

939
00:42:25,440 --> 00:42:27,759
Speaker 1: No, it was the person was definitely trying to make

940
00:42:27,800 --> 00:42:30,239
Speaker 1: something weird. Yeah, I was like, I promise you my

941
00:42:30,320 --> 00:42:31,359
Speaker 1: hands are over here.

942
00:42:31,560 --> 00:42:34,759
Speaker 3: It's an insult, but not really it was.

943
00:42:35,200 --> 00:42:38,200
Speaker 1: It was it was insinuating something I did not like.

944
00:42:38,440 --> 00:42:41,719
Speaker 2: Oh but you know what somebody when I first started comedy,

945
00:42:42,560 --> 00:42:45,000
Speaker 2: like male comedians, was like, oh, yeah, yeah, you know

946
00:42:45,239 --> 00:42:47,600
Speaker 2: Sydney she was, you know, being nice to me and

947
00:42:47,640 --> 00:42:49,920
Speaker 2: you know she's looking at me. And then everybody's like, no,

948
00:42:50,000 --> 00:42:51,920
Speaker 2: that's how Sydney is with everybody. And then I was like,

949
00:42:52,000 --> 00:42:54,040
Speaker 2: so I'm just for the streets. I'm just hugging and

950
00:42:54,080 --> 00:42:55,560
Speaker 2: being nice everybody. And they said it in a way

951
00:42:55,560 --> 00:42:57,560
Speaker 2: where I was like, I guess I gotta just fucking

952
00:42:57,600 --> 00:43:01,320
Speaker 2: push people and ignore people and be a because.

953
00:43:00,880 --> 00:43:03,600
Speaker 1: But then if you're a bitch, then then you're a bitch.

954
00:43:03,680 --> 00:43:06,240
Speaker 1: Then then in the streets you're known as the bitch.

955
00:43:06,480 --> 00:43:09,000
Speaker 4: Yes, yes, yes, and listen, beat a bitch because when

956
00:43:09,040 --> 00:43:11,200
Speaker 4: people think you don't like them, they want you to

957
00:43:11,360 --> 00:43:12,960
Speaker 4: like them more.

958
00:43:13,040 --> 00:43:16,359
Speaker 1: The thing, too, is like me at rest, like and

959
00:43:16,400 --> 00:43:19,720
Speaker 1: I'm not saying this about myself or whatever, like I

960
00:43:19,760 --> 00:43:23,120
Speaker 1: am a nice person, like I am out here, like.

961
00:43:23,400 --> 00:43:28,200
Speaker 4: Let me go on last Cultursa's ready, let me see.

962
00:43:27,000 --> 00:43:29,360
Speaker 1: Because they're lovely to me. But to me, it's just

963
00:43:29,400 --> 00:43:31,879
Speaker 1: every now and then people at the same account will

964
00:43:31,880 --> 00:43:34,000
Speaker 1: come and say the same thing, and I'm like, maybe

965
00:43:34,040 --> 00:43:35,719
Speaker 1: I should never have shared that I come on this,

966
00:43:35,760 --> 00:43:37,799
Speaker 1: but I do want to check in and see what

967
00:43:37,960 --> 00:43:41,000
Speaker 1: they the ones who like really like the show like

968
00:43:41,440 --> 00:43:44,719
Speaker 1: because it's important to me. I want to, you know,

969
00:43:44,800 --> 00:43:47,080
Speaker 1: be able to make a good show for them, the

970
00:43:47,120 --> 00:43:50,480
Speaker 1: people that really care. But then it sometimes crosses over

971
00:43:50,560 --> 00:43:54,239
Speaker 1: into a little bit like once I start internalizing it,

972
00:43:54,640 --> 00:43:57,480
Speaker 1: and I just then I realize, like, no, this is

973
00:43:57,560 --> 00:43:59,879
Speaker 1: just the same people who have the same thing to say.

974
00:44:00,239 --> 00:44:02,560
Speaker 1: And then you sit down and you say to yourself,

975
00:44:02,920 --> 00:44:06,600
Speaker 1: get over yourself. Not everyone is gonna like you, and

976
00:44:06,640 --> 00:44:07,479
Speaker 1: that is true.

977
00:44:07,719 --> 00:44:11,680
Speaker 4: That's so hard truth, but it's hard. Do you think

978
00:44:11,800 --> 00:44:14,040
Speaker 4: Beyonce Reid's comments shut up?

979
00:44:14,400 --> 00:44:15,080
Speaker 3: Yes, she does.

980
00:44:15,200 --> 00:44:18,080
Speaker 2: She absolutely there's some viral stuff that she will then

981
00:44:18,960 --> 00:44:21,480
Speaker 2: take it. Somebody in her team has showed hers and

982
00:44:21,480 --> 00:44:23,319
Speaker 2: she's like, you know what, I'm gonna flip this ship.

983
00:44:23,640 --> 00:44:26,400
Speaker 2: I know she might not look at specific comments, but

984
00:44:26,719 --> 00:44:30,480
Speaker 2: she knows what the well people are showing here.

985
00:44:31,320 --> 00:44:33,120
Speaker 3: She knows what the team is like, this is this

986
00:44:33,200 --> 00:44:33,839
Speaker 3: is what they say.

987
00:44:34,239 --> 00:44:37,680
Speaker 1: You know, I recently talked to someone who is close

988
00:44:37,719 --> 00:44:40,880
Speaker 1: with a big celebrity and they were telling me they're

989
00:44:40,920 --> 00:44:45,279
Speaker 1: the person that like the celebrity trust to give them

990
00:44:45,280 --> 00:44:49,480
Speaker 1: the information. And what they do is they say, tell

991
00:44:49,480 --> 00:44:51,920
Speaker 1: me the good stuff mm hmm, and then like the

992
00:44:51,960 --> 00:44:55,279
Speaker 1: next day they'll be like, tell me the truth, so

993
00:44:55,320 --> 00:44:59,319
Speaker 1: that they can at least and tell me. But the

994
00:44:59,360 --> 00:45:01,840
Speaker 1: good stuff come first, right, so that there can be

995
00:45:01,920 --> 00:45:04,759
Speaker 1: like a bed of knowledge that there is love, and

996
00:45:04,800 --> 00:45:07,680
Speaker 1: then the truth comes in, and you know, it's just

997
00:45:07,760 --> 00:45:10,120
Speaker 1: kind of like an element to what is being said.

998
00:45:12,000 --> 00:45:13,640
Speaker 2: They're like, yeah, that might be the title. Tell me

999
00:45:13,680 --> 00:45:15,360
Speaker 2: the good stuff, then tell me the truth. I like

1000
00:45:15,400 --> 00:45:18,480
Speaker 2: that because I think, oh, there was a moment on

1001
00:45:18,560 --> 00:45:22,880
Speaker 2: TikTok where the people were kind of dragging Serena Williams.

1002
00:45:22,880 --> 00:45:26,239
Speaker 2: This one creator was said, hey, girl, Serena Williams is

1003
00:45:26,280 --> 00:45:28,680
Speaker 2: always looking like a hot mess. And then they showed

1004
00:45:28,680 --> 00:45:32,440
Speaker 2: a compilation of all the clothes and makeup and wigs

1005
00:45:32,440 --> 00:45:35,480
Speaker 2: and stuff. And then the next time you saw Serena

1006
00:45:35,560 --> 00:45:39,160
Speaker 2: she stepped out, Yeah, and she was together. They was like,

1007
00:45:39,200 --> 00:45:42,600
Speaker 2: there's no way that Serena's stylists or makeup artists or

1008
00:45:42,600 --> 00:45:44,719
Speaker 2: people somebody did not know.

1009
00:45:44,920 --> 00:45:46,719
Speaker 3: They that they saw that and they fixed it. They

1010
00:45:46,719 --> 00:45:48,040
Speaker 3: were like, sometimes taking.

1011
00:45:47,840 --> 00:45:50,160
Speaker 4: Notes, you got to do that because some of the

1012
00:45:50,200 --> 00:45:53,360
Speaker 4: girls they do need new styling, they do need new makeup.

1013
00:45:53,400 --> 00:45:53,640
Speaker 3: They do.

1014
00:45:53,960 --> 00:45:57,200
Speaker 4: Like everybody can't the team can't stay the same the

1015
00:45:57,239 --> 00:45:57,719
Speaker 4: whole time.

1016
00:45:58,120 --> 00:45:59,040
Speaker 3: We got a level up.

1017
00:45:59,239 --> 00:46:02,120
Speaker 1: Also, sometimes it's it is hard because I would imagine

1018
00:46:02,160 --> 00:46:06,080
Speaker 1: like if you have like a bad stylist, Like you

1019
00:46:06,160 --> 00:46:08,719
Speaker 1: might really like the person's personality, but they might make

1020
00:46:08,760 --> 00:46:12,680
Speaker 1: you look crazy. Yeah, that might be right. Why someone

1021
00:46:13,040 --> 00:46:16,600
Speaker 1: doesn't change their stylist and keeps looking bad because the

1022
00:46:16,680 --> 00:46:20,520
Speaker 1: team is aware about the feedback. When a huge because

1023
00:46:20,520 --> 00:46:22,880
Speaker 1: when you spend a ton of money, to get someone

1024
00:46:22,920 --> 00:46:25,480
Speaker 1: ready for something, and then they go out hit the carpet,

1025
00:46:25,640 --> 00:46:27,959
Speaker 1: put that hand on the hip and the photo comes

1026
00:46:27,960 --> 00:46:30,240
Speaker 1: out and then the feedback is negative.

1027
00:46:30,280 --> 00:46:32,120
Speaker 3: Yeah, it's on the it's on the fashion.

1028
00:46:32,360 --> 00:46:35,640
Speaker 1: Money was spent on it, so they care. The kr

1029
00:46:35,719 --> 00:46:37,800
Speaker 1: care is when someone looks bad and gets bad reviews.

1030
00:46:38,040 --> 00:46:40,440
Speaker 4: Well, I mean, if you're on a red carpet, someone

1031
00:46:40,680 --> 00:46:43,920
Speaker 4: somewhere is reviewing the fit. The girls get dressed up

1032
00:46:43,920 --> 00:46:45,960
Speaker 4: to go to the met Gala and you know, we

1033
00:46:46,040 --> 00:46:48,640
Speaker 4: got winners. And then there's people who you never even

1034
00:46:48,760 --> 00:46:50,960
Speaker 4: see their pictures. You didn't even know they were there, right,

1035
00:46:51,040 --> 00:46:54,799
Speaker 4: So sometimes it's worse to not get at all.

1036
00:46:54,880 --> 00:46:57,839
Speaker 1: Yeah, there's been times where Getty hasn't posted me on

1037
00:46:57,840 --> 00:47:00,080
Speaker 1: one of these red carpets. You speak of ah, and

1038
00:47:00,120 --> 00:47:04,319
Speaker 1: I'll be like, shade the shot on that.

1039
00:47:04,480 --> 00:47:07,080
Speaker 3: But I also think that what the fuck are these people?

1040
00:47:07,239 --> 00:47:07,319
Speaker 1: Like?

1041
00:47:07,360 --> 00:47:08,000
Speaker 3: What do you wear?

1042
00:47:08,120 --> 00:47:11,880
Speaker 2: You're at Tarja every other weekend, turning looks there. So

1043
00:47:12,040 --> 00:47:16,640
Speaker 2: it's like, I feel like style is sometimes subjective and

1044
00:47:17,040 --> 00:47:20,759
Speaker 2: these these fans are these critics. You're rude, and you

1045
00:47:20,800 --> 00:47:22,440
Speaker 2: need to take a seat, and you need to you

1046
00:47:22,480 --> 00:47:25,160
Speaker 2: need to put that snuggie, take this snuggie off and.

1047
00:47:25,120 --> 00:47:27,399
Speaker 3: Maybe you need to walk outside because you're doing too much.

1048
00:47:28,040 --> 00:47:33,080
Speaker 1: Everyone needside. That is ultimately the thing is everyone needs

1049
00:47:33,080 --> 00:47:36,160
Speaker 1: a touch grass. Yeah, And it's just a really easy

1050
00:47:36,320 --> 00:47:39,120
Speaker 1: time to be in the phone because we've gone through

1051
00:47:39,160 --> 00:47:42,040
Speaker 1: the election, We've gone through a time like I feel

1052
00:47:42,040 --> 00:47:45,120
Speaker 1: like one of the things that people live for nowadays

1053
00:47:45,440 --> 00:47:49,200
Speaker 1: is like is the discourse and is being in the phone,

1054
00:47:49,200 --> 00:47:51,440
Speaker 1: and it makes it feel like this world and like

1055
00:47:51,480 --> 00:47:53,279
Speaker 1: a lot of the stuff we're even talking about is

1056
00:47:53,320 --> 00:47:56,680
Speaker 1: actually real. When it's just like a few people can

1057
00:47:56,719 --> 00:48:01,799
Speaker 1: have their opinion and honestly it's it's as long as

1058
00:48:01,800 --> 00:48:04,399
Speaker 1: it doesn't get dangerous and messed up and harmful, I'm

1059
00:48:04,400 --> 00:48:07,279
Speaker 1: good with it. Some sometimes it just does.

1060
00:48:07,480 --> 00:48:11,240
Speaker 4: It does because everybody like pop culture, people have fans,

1061
00:48:11,880 --> 00:48:14,120
Speaker 4: sports athletes have fans.

1062
00:48:14,120 --> 00:48:15,720
Speaker 3: Politicians now have fans.

1063
00:48:15,800 --> 00:48:19,719
Speaker 1: Yeah, politicians, that's.

1064
00:48:19,480 --> 00:48:20,440
Speaker 3: What Mega is.

1065
00:48:20,520 --> 00:48:23,239
Speaker 4: They they at the rallies wearing the merch and they're

1066
00:48:23,320 --> 00:48:25,520
Speaker 4: screaming the lines with him, and it's like.

1067
00:48:25,560 --> 00:48:28,680
Speaker 1: Yeah, Magga is Maga is crazy. Mega is stan culture.

1068
00:48:28,719 --> 00:48:29,719
Speaker 1: But also like you know what.

1069
00:48:29,760 --> 00:48:32,560
Speaker 3: Drama is stand Okay, Magga is stand culture.

1070
00:48:32,760 --> 00:48:34,520
Speaker 1: But I will say, you know what, what drove me

1071
00:48:34,640 --> 00:48:37,080
Speaker 1: nuts was that Kamala has the k Hive.

1072
00:48:37,400 --> 00:48:41,120
Speaker 3: Have you heard about the about the girls Don't Kill Me? Yeah?

1073
00:48:41,200 --> 00:48:44,200
Speaker 3: I thought that the K Hives. I thought it was both,

1074
00:48:44,400 --> 00:48:45,600
Speaker 3: wasn't it Kamala h Q.

1075
00:48:45,800 --> 00:48:48,239
Speaker 2: People were going crazy about that, But I didn't know

1076
00:48:48,320 --> 00:48:49,160
Speaker 2: she had a whole hive.

1077
00:48:49,360 --> 00:48:50,200
Speaker 1: She has the k Hive?

1078
00:48:50,320 --> 00:48:53,680
Speaker 3: Well showing I haven't heard from work.

1079
00:49:13,560 --> 00:49:16,640
Speaker 2: Okay, so we do have We do have a couple

1080
00:49:16,719 --> 00:49:18,480
Speaker 2: of segments that we need to get before.

1081
00:49:18,960 --> 00:49:22,840
Speaker 3: Okay, So we have a messy or just living segment.

1082
00:49:23,480 --> 00:49:25,000
Speaker 3: We need you to tell us if this is messy

1083
00:49:25,080 --> 00:49:28,120
Speaker 3: or if this is just living? Yes, okay. So sister

1084
00:49:28,440 --> 00:49:29,360
Speaker 3: she's going to college.

1085
00:49:29,520 --> 00:49:32,960
Speaker 2: Yeah, she's nineteen or eighteen or whatever, she's going to college.

1086
00:49:33,000 --> 00:49:34,600
Speaker 3: And she's like, I'm grown now, I'm grown.

1087
00:49:35,040 --> 00:49:37,960
Speaker 2: And she's like, I want to tell my parents I

1088
00:49:37,960 --> 00:49:40,080
Speaker 2: don't want to watch my younger siblings anymore.

1089
00:49:40,080 --> 00:49:40,439
Speaker 3: I'm out.

1090
00:49:40,600 --> 00:49:42,480
Speaker 2: You got to get somebody else to do it. And

1091
00:49:42,600 --> 00:49:45,279
Speaker 2: she told her parents that and they were like, absolutely not.

1092
00:49:45,680 --> 00:49:48,320
Speaker 2: And do you think it's messy like to set boundaries

1093
00:49:48,360 --> 00:49:49,240
Speaker 2: like that?

1094
00:49:49,440 --> 00:49:51,640
Speaker 1: Are they paying for college? Ooh?

1095
00:49:51,680 --> 00:49:53,160
Speaker 3: You know what. I didn't even think about that.

1096
00:49:53,400 --> 00:49:55,480
Speaker 2: I was like, yeah, why don't you just get a babysitter.

1097
00:49:55,520 --> 00:49:59,319
Speaker 2: It's like they're paying fifty grand. They're paying you to

1098
00:49:59,360 --> 00:50:00,920
Speaker 2: be the bib you are.

1099
00:50:01,040 --> 00:50:04,440
Speaker 1: We need more information, Yeah, we need more information. If

1100
00:50:04,440 --> 00:50:07,799
Speaker 1: they're not paying for college, you don't know, No, you

1101
00:50:07,800 --> 00:50:10,520
Speaker 1: don't have the maybe's it if they're paying for college,

1102
00:50:11,680 --> 00:50:15,160
Speaker 1: maybe it's it once a week something like that. Like

1103
00:50:15,239 --> 00:50:21,279
Speaker 1: it's if they're still actively involved in your success. You

1104
00:50:21,320 --> 00:50:26,160
Speaker 1: have them to thank for it in some part.

1105
00:50:24,960 --> 00:50:28,160
Speaker 2: Because your parents, now you this is a debt. It's like, hey,

1106
00:50:28,160 --> 00:50:30,200
Speaker 2: I didn't have to be born. That's what you did.

1107
00:50:30,360 --> 00:50:32,560
Speaker 2: You you opened the leg, you popped it up and

1108
00:50:32,800 --> 00:50:35,600
Speaker 2: got fertilized. So now so now I'm in debt. I

1109
00:50:35,640 --> 00:50:37,959
Speaker 2: have to everything I do is for you.

1110
00:50:38,360 --> 00:50:40,600
Speaker 3: Well, everything I did was for you, So yeah, as

1111
00:50:40,600 --> 00:50:41,399
Speaker 3: the mom, maybe this.

1112
00:50:41,360 --> 00:50:44,680
Speaker 4: Is why i'd.

1113
00:50:43,160 --> 00:50:46,520
Speaker 1: Be like, yeah, you know what that. I always resented

1114
00:50:46,520 --> 00:50:48,480
Speaker 1: that whenever my dad would pull that, like whenever my

1115
00:50:48,560 --> 00:50:51,239
Speaker 1: dad was dead wrong, like objectively wrong about something and

1116
00:50:51,280 --> 00:50:53,160
Speaker 1: I would point it out. It always came back to

1117
00:50:53,239 --> 00:50:54,239
Speaker 1: whose house do you live in?

1118
00:50:54,960 --> 00:50:57,640
Speaker 3: And I was just like, what, that's toxic?

1119
00:51:00,800 --> 00:51:04,120
Speaker 1: What else I need to know? This is my favorite segment.

1120
00:51:04,560 --> 00:51:06,240
Speaker 3: Messy or just living?

1121
00:51:07,440 --> 00:51:10,640
Speaker 4: Oh, speaking of fans Jonathan Majors and Meghan good are engaged.

1122
00:51:10,680 --> 00:51:11,440
Speaker 3: Is that messy?

1123
00:51:11,719 --> 00:51:16,959
Speaker 1: Yeah? Yeah, Why why because I don't think I don't.

1124
00:51:17,000 --> 00:51:20,000
Speaker 1: I don't. I don't know the Jonathan Majors of it all. Yeah,

1125
00:51:20,080 --> 00:51:22,640
Speaker 1: I believe the people that said he was doing what

1126
00:51:22,719 --> 00:51:25,080
Speaker 1: he was doing. I know that, like whatever, but like

1127
00:51:25,719 --> 00:51:28,560
Speaker 1: that didn't seem above board to me. Megan Goods can

1128
00:51:28,560 --> 00:51:29,960
Speaker 1: make her own decisions, but for.

1129
00:51:29,960 --> 00:51:36,520
Speaker 2: Me, for hers, yeah, I think I And that's this

1130
00:51:36,560 --> 00:51:38,239
Speaker 2: is the hard thing. Is like if you're a say

1131
00:51:38,280 --> 00:51:40,839
Speaker 2: friends to you're friends with somebody, right, or if you're

1132
00:51:40,920 --> 00:51:44,319
Speaker 2: dating someone and people are coming out and they're like, hey,

1133
00:51:44,400 --> 00:51:48,120
Speaker 2: they're not because this happens like people, oh your friend

1134
00:51:48,160 --> 00:51:50,680
Speaker 2: is not nice, and you're like, that's weird because like,

1135
00:51:50,760 --> 00:51:52,799
Speaker 2: I've had a good time with them, they're not mean

1136
00:51:52,840 --> 00:51:53,040
Speaker 2: to me.

1137
00:51:53,520 --> 00:51:55,680
Speaker 3: But it's like when does the line drawery.

1138
00:51:55,680 --> 00:51:57,719
Speaker 2: You're like, well, if people keep saying this person is

1139
00:51:57,760 --> 00:52:00,640
Speaker 2: an asshole, they might be an asshole. Yeah, they might

1140
00:52:00,680 --> 00:52:02,400
Speaker 2: be in it, and I probably shouldn't get married to

1141
00:52:02,400 --> 00:52:03,799
Speaker 2: them because I'm gonna come around and be like, you

1142
00:52:03,840 --> 00:52:07,240
Speaker 2: know what, can't you believe this person that ass Yeah, We've.

1143
00:52:07,040 --> 00:52:09,120
Speaker 3: Been telling you, girl, We've been saying.

1144
00:52:09,000 --> 00:52:12,439
Speaker 2: But I'm also like maybe they got engaged because it's like, well,

1145
00:52:12,520 --> 00:52:13,399
Speaker 2: what are you gonna do now?

1146
00:52:13,440 --> 00:52:15,520
Speaker 3: She's stuck with him throughout the whole.

1147
00:52:16,280 --> 00:52:21,000
Speaker 1: Always, almost always people that are like riding for a

1148
00:52:21,040 --> 00:52:25,799
Speaker 1: problematic partner always regret it, like if you if you're

1149
00:52:25,880 --> 00:52:28,000
Speaker 1: like that is not how he really is, Like I'm

1150
00:52:28,000 --> 00:52:32,200
Speaker 1: gonna stand up, like I'm gonna stay with this. A

1151
00:52:32,239 --> 00:52:33,520
Speaker 1: lot of people aren't wrong.

1152
00:52:33,960 --> 00:52:35,640
Speaker 4: Well, the streets are saying she was the one that

1153
00:52:35,640 --> 00:52:37,640
Speaker 4: he was texting that started the whole fiasco.

1154
00:52:37,960 --> 00:52:40,120
Speaker 1: I don't know much about what the streets are saying.

1155
00:52:40,160 --> 00:52:41,919
Speaker 1: I just I wish the best for Megan Good.

1156
00:52:42,200 --> 00:52:43,319
Speaker 3: Yeah, that's great.

1157
00:52:43,960 --> 00:52:45,960
Speaker 1: I wish the best for her because I've been fans

1158
00:52:46,000 --> 00:52:47,200
Speaker 1: since Cousin Skeeter.

1159
00:52:47,640 --> 00:52:50,440
Speaker 3: Right, and only only a fan would know that you

1160
00:52:50,880 --> 00:52:51,480
Speaker 3: Cousin Skeeter.

1161
00:52:51,640 --> 00:52:54,040
Speaker 1: Cousin Skeeter, who, by the way, the actor that played

1162
00:52:54,080 --> 00:52:56,839
Speaker 1: Cousin Skeeter or the lead of Cousin Skeeter ended up

1163
00:52:56,880 --> 00:52:59,440
Speaker 1: fucking Paris Hilton in that House of Wax movie. I

1164
00:52:59,440 --> 00:53:01,080
Speaker 1: thought that was the onniest thing I've ever seen.

1165
00:53:02,320 --> 00:53:05,000
Speaker 3: Who I just remember Chad Michael Murray in Paris Hilton

1166
00:53:05,040 --> 00:53:05,520
Speaker 3: in that movie.

1167
00:53:05,600 --> 00:53:08,319
Speaker 1: There was also the guy from Cousin Skeeter and he

1168
00:53:08,360 --> 00:53:09,520
Speaker 1: and Paris Hilton fucked in.

1169
00:53:09,440 --> 00:53:10,960
Speaker 3: That movie and I thought it was And then she

1170
00:53:11,000 --> 00:53:16,000
Speaker 3: died when movies were good? Don't we miss those days? Cinema?

1171
00:53:16,320 --> 00:53:22,759
Speaker 2: Okay, we have one missage, Marie. Do you want to

1172
00:53:23,760 --> 00:53:24,439
Speaker 2: read that one?

1173
00:53:24,640 --> 00:53:25,200
Speaker 3: It's right here?

1174
00:53:26,280 --> 00:53:30,239
Speaker 4: Who Okay, I told my friend I wasn't going out

1175
00:53:30,239 --> 00:53:31,040
Speaker 4: to avoid her.

1176
00:53:31,200 --> 00:53:33,960
Speaker 3: Then I see her out. Oops.

1177
00:53:34,680 --> 00:53:36,759
Speaker 4: Now, anytime you tell somebody that you're not gonna go

1178
00:53:37,000 --> 00:53:37,879
Speaker 4: out and you.

1179
00:53:38,080 --> 00:53:42,239
Speaker 3: Do go out like you're in, how do you moron? Right?

1180
00:53:42,480 --> 00:53:45,200
Speaker 1: My thing is like, if you're gonna go out after

1181
00:53:45,239 --> 00:53:48,480
Speaker 1: you say I'm not going out, don't go anywhere remotely

1182
00:53:48,520 --> 00:53:50,040
Speaker 1: where you could run into that person.

1183
00:53:50,560 --> 00:53:52,000
Speaker 3: Like where do you live that you thought that you

1184
00:53:52,000 --> 00:53:53,040
Speaker 3: could get away with this mob?

1185
00:53:53,719 --> 00:53:56,800
Speaker 1: Like come on, that's just amateur hour's.

1186
00:53:56,520 --> 00:53:58,560
Speaker 2: I don't know, I've done it before, And it's just

1187
00:53:58,600 --> 00:54:00,560
Speaker 2: like what you have to do is you have to

1188
00:54:00,560 --> 00:54:01,800
Speaker 2: get your friend's location.

1189
00:54:02,120 --> 00:54:04,880
Speaker 3: More people should be sharing your location so you know

1190
00:54:04,920 --> 00:54:05,600
Speaker 3: where they at.

1191
00:54:06,160 --> 00:54:08,040
Speaker 4: But then if you're sharing your location and you told

1192
00:54:08,040 --> 00:54:10,080
Speaker 4: me you stay at home, I could see that you're out.

1193
00:54:09,920 --> 00:54:12,439
Speaker 3: Okay, but then I heard right, if you switch your

1194
00:54:12,640 --> 00:54:16,239
Speaker 3: location to where your iPad or you your laptop is,

1195
00:54:16,680 --> 00:54:19,000
Speaker 3: then you can then it says that you're there, but

1196
00:54:19,040 --> 00:54:21,760
Speaker 3: you're really out girl. There's a lot of hoops and loops.

1197
00:54:21,760 --> 00:54:23,560
Speaker 2: If you if I mean you didn't want to tell

1198
00:54:23,600 --> 00:54:25,480
Speaker 2: this person that you was going out.

1199
00:54:25,520 --> 00:54:27,880
Speaker 3: But if you, if you're going to do the dance,

1200
00:54:28,360 --> 00:54:29,600
Speaker 3: I'm just giving you heads up.

1201
00:54:29,719 --> 00:54:33,719
Speaker 2: Put your location as your iPad and then Rome Streets.

1202
00:54:34,440 --> 00:54:38,279
Speaker 1: I feel like I sometimes I go places where I

1203
00:54:38,280 --> 00:54:41,000
Speaker 1: don't want people to know, and so if I were

1204
00:54:41,040 --> 00:54:44,880
Speaker 1: to share my location with the girls, then I wouldn't

1205
00:54:44,880 --> 00:54:47,080
Speaker 1: be able to do that anymore. Sometimes I need to

1206
00:54:47,080 --> 00:54:49,520
Speaker 1: be a little bit off the grid and move in silence.

1207
00:54:49,440 --> 00:54:56,720
Speaker 3: Like lasagna, like the g and asagna. Thank you.

1208
00:54:56,800 --> 00:54:58,719
Speaker 4: Maybe that's how I should. I can stop being lad.

1209
00:54:58,800 --> 00:55:00,799
Speaker 4: If I share my location with every body, they'll know

1210
00:55:01,200 --> 00:55:01,760
Speaker 4: when I'm.

1211
00:55:01,600 --> 00:55:05,040
Speaker 1: Like, like, we can tell you, Marie still.

1212
00:55:04,800 --> 00:55:05,280
Speaker 3: At the house.

1213
00:55:05,560 --> 00:55:07,719
Speaker 2: You have your location, Marie and I do. I'm like,

1214
00:55:07,800 --> 00:55:10,160
Speaker 2: I know she ain't okay, so it's all right.

1215
00:55:11,719 --> 00:55:12,040
Speaker 3: Thank you.

1216
00:55:12,080 --> 00:55:13,920
Speaker 1: I could have stayed for three more hours, Matt.

1217
00:55:14,000 --> 00:55:15,759
Speaker 3: Thank you so much for coming to mess You guys

1218
00:55:15,880 --> 00:55:16,480
Speaker 3: know the best.

1219
00:55:16,760 --> 00:55:19,480
Speaker 1: Yeah, well you're coming on Lost Culture soon, right? Yeah?

1220
00:55:19,520 --> 00:55:22,279
Speaker 1: Would we have it on this on the books here.

1221
00:55:22,719 --> 00:55:23,640
Speaker 1: It became my problem.

1222
00:55:23,719 --> 00:55:25,960
Speaker 3: Yeah, that felt very la like I'm going to see

1223
00:55:26,000 --> 00:55:26,359
Speaker 3: y'all soon.

1224
00:55:26,400 --> 00:55:28,640
Speaker 2: It's like, are we I just felt like this, Matt,

1225
00:55:28,760 --> 00:55:30,879
Speaker 2: let the people know what your hands know, where you'll

1226
00:55:30,920 --> 00:55:32,480
Speaker 2: be at, where you have a tour coming up.

1227
00:55:32,600 --> 00:55:35,080
Speaker 1: I have a tour, the Prince of Christmas Tour. It's

1228
00:55:35,120 --> 00:55:37,680
Speaker 1: on sale now Matt Rodgers Official dot com. Please come.

1229
00:55:38,040 --> 00:55:40,719
Speaker 1: And I have a show on Netflix is called No

1230
00:55:40,800 --> 00:55:42,879
Speaker 1: Good Deed. It's gonna be really good. It comes out

1231
00:55:42,880 --> 00:55:47,840
Speaker 1: December twelfth, and as always the podcast Lost Culturius with

1232
00:55:47,880 --> 00:55:50,440
Speaker 1: Matt Rodgers and Bow and Yang and featuring Sitting Marie

1233
00:55:50,600 --> 00:55:53,400
Speaker 1: in the new Year on Big Money Players Network.

1234
00:55:54,719 --> 00:55:57,680
Speaker 3: I Do Think So, Thank You.

1235
00:55:59,360 --> 00:56:02,280
Speaker 4: Mess It's Sidney Washington and Marie Foston is a production

1236
00:56:02,360 --> 00:56:06,080
Speaker 4: by Will Ferrell's Big Money Players and iHeartRadio Podcasts, created

1237
00:56:06,160 --> 00:56:09,920
Speaker 4: and hosted by Sidney Washington and Marie Foston. Executive produced

1238
00:56:09,960 --> 00:56:14,200
Speaker 4: by Olivia Aguilar and Hans Sonny, super produced by Becca Ramos,

1239
00:56:14,440 --> 00:56:16,239
Speaker 4: edited and mixed by Brian Jeffries.

1240
00:56:16,440 --> 00:56:19,120
Speaker 3: If you would like your messages read on air, please

1241
00:56:19,160 --> 00:56:22,239
Speaker 3: email us at messthpodcast at gmail dot com or call

1242
00:56:22,320 --> 00:56:25,160
Speaker 3: for your Messages to be played at seven six three

1243
00:56:25,280 --> 00:56:27,040
Speaker 3: two eight zero six five eight eight