WEBVTT - Jupiter Ascending with Summer Farah

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<v Speaker 1>On the Bechdel Cast. The questions asked if movies have.

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<v Speaker 2>Women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 2>or do they have individualism? It's the patriarchy, zeph and

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<v Speaker 2>Beast start changing it with the Bechdel Cast.

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<v Speaker 3>Hello, Jupiter Loftis, it's me Capricorn Dorante.

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<v Speaker 4>Wait, don't you mean Cane Dorante o Caine?

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<v Speaker 3>Yeah, Cane Jupiter.

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<v Speaker 4>Loftis and Cane Durrante. That didn't even really connect for me,

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<v Speaker 4>But in a way we're kind of meant to be.

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<v Speaker 4>I'll just keep being like, what's this, and then you'll

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<v Speaker 4>tell me, and then we'll go to another room and

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<v Speaker 4>I'll be like, what's this? And then you'll tell me.

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<v Speaker 3>And then sometimes you'll be like can we make out

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<v Speaker 3>right now? And then I'll be like, no.

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<v Speaker 4>I do feel weirdly. I mean, it's like it's obviously

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<v Speaker 4>a mess. But there are certain times in life where

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<v Speaker 4>you're presented with an existential problem and your response to

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<v Speaker 4>it is, hm, should we kiss? You're like focus, focus, dude.

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<v Speaker 4>You were just told you own the world and your

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<v Speaker 4>response was should I kiss my wolf? Boyfriend? And I

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<v Speaker 4>think that we have had emotional situations not us specifically,

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<v Speaker 4>but also us specifically, where you're like, you're presented with

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<v Speaker 4>an existential question and you're like, let's focus on something manageable,

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<v Speaker 4>like should we kiss? And already I've put more emotional

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<v Speaker 4>thought into the character of Jupiter Jones, who came out

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<v Speaker 4>I think the same year as Jessica Jones. I kept

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<v Speaker 4>Jupiter Jones Jessica Jones. I really liked that show when

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<v Speaker 4>it first came out.

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<v Speaker 3>Yeah, I forgot about that for some reason.

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<v Speaker 4>Wow, I didn't welcome to the Bextel cast. My name

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<v Speaker 4>is Jupiter.

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<v Speaker 3>And I'm Cain Durante, and together we will ascend. We

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<v Speaker 3>will ascend to where I don't know.

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<v Speaker 4>I don't know. Neither does something eugenics.

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<v Speaker 3>Yeah, oh gosh, this is our show where we demon

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<v Speaker 3>movies through an intersexual feminist lens, using the Bechdel Test

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<v Speaker 3>simply as a jumping off point. But Jamie Wood on

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<v Speaker 3>Earth is that Earth that is owned by by Jupiter Jones.

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<v Speaker 4>Jupiter Jones, not that she understands what that means or

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<v Speaker 4>has much interest in it, which is maybe praxis. I

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<v Speaker 4>don't know.

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<v Speaker 3>I don't know.

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<v Speaker 4>So the Bechdel test is media metric created by friend

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<v Speaker 4>of the show, our dear pal, Alison Bechtel. It is

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<v Speaker 4>a media magic that's existed since the eighties, but it

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<v Speaker 4>has since been adapted into a mainstream metric. Our version

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<v Speaker 4>requires that two characters of a marginalized gender speak to

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<v Speaker 4>each other about something other than a man for more

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<v Speaker 4>than two lines of dialogue. And this is actually the

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<v Speaker 4>Bechtel test is going to be an amazing tool to

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<v Speaker 4>use today because how many times can a movie past

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<v Speaker 4>the Bechdel test and it just be Mila Kunis introducing

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<v Speaker 4>herself to another blonde woman. That is I would say

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<v Speaker 4>a good seventy five percent of the Bechdel test passes

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<v Speaker 4>in this movie. And sure, two characters reading is technically important,

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<v Speaker 4>but it is less than ideal. And that's the episode

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<v Speaker 4>we did it and bye. But yes, that's the Bechdel test.

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<v Speaker 4>And today we have been brought the challenge of a lifetime.

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<v Speaker 4>We have been brought to ascend, and we have an

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<v Speaker 4>incredible returning guest to us, to ascend us, to ascend

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<v Speaker 4>with us, to ascend.

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<v Speaker 3>Us all of the above. She is a Palestinian American

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<v Speaker 3>writer from California. She is the author of The Hungering

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<v Speaker 3>Years You remember her from our episode on Julie and Julia,

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<v Speaker 3>and she is calling on you to recommit yourself to

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<v Speaker 3>the liberation of the Palestinian people. Every day it's summer Farah,

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<v Speaker 3>Hello and welcome back.

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<v Speaker 1>Hi. Oh my goodness, I've been keeping my giggles silent.

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<v Speaker 4>You don't have to do silence anymore. Don't silence yourself. Yay, Hi,

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<v Speaker 4>welcome back.

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<v Speaker 1>Welcome, Thank you for having me.

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<v Speaker 4>Wow, Julie, Julia, Jupiter. I'm sensing a pattern.

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<v Speaker 3>Oh my goodness, names that start with Jay you you, Yeah,

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<v Speaker 3>Julia and Julia and Jupiter.

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<v Speaker 1>I mean, that's that's how we can connect them.

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<v Speaker 4>Well, but before we get into this, because we could

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<v Speaker 4>barely contain ourselves off, Mike, there's so much to talk about. First,

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<v Speaker 4>you just had a new poetry collection come out, The

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<v Speaker 4>Hungering Years. We want to hear all about it all.

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<v Speaker 1>Yeah. I had a collection called The Hungering Years come

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<v Speaker 1>out with Host Publications. They are a small press based

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<v Speaker 1>in Austin, Texas, and it is poems about being obsessed

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<v Speaker 1>with things, poems about food, poems about hanging out with

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<v Speaker 1>your friends, and the kind of orienting philosophy of a

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<v Speaker 1>lot of it is like excess and too muchness, which

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<v Speaker 1>is why I thought Jupiter is Snding would be a

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<v Speaker 1>great thematic tie.

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<v Speaker 3>I'm seeing the connection.

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<v Speaker 4>I The last time I saw you, we discussed this

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<v Speaker 4>movie and I couldn't wrap my head around it, and

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<v Speaker 4>now having seen it, I can't wrap my head around it.

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<v Speaker 4>I'm so excited too, because this is I think I

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<v Speaker 4>was mixing this movie up with something else. First of all,

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<v Speaker 4>I don't know who I thought directed this, but this

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<v Speaker 4>is a this is what Chowski's joined. Oh yeah, this

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<v Speaker 4>is like the big leagues.

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<v Speaker 1>Yeah, and yet incredibly respected directors, and it's like icons, Yeah,

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<v Speaker 1>you know why everyone said yes to doing this? Oh?

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<v Speaker 1>Absolutely right, Like you know, it's like, yeah, of course,

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<v Speaker 1>like I would. I would do literally anything they asked

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<v Speaker 1>me to.

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<v Speaker 4>It's kind of interesting and heartbreaking is too strong a word.

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<v Speaker 4>In retrospect, watching interviews like cast interviews, particularly with Channing Tatum,

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<v Speaker 4>who I carry a torch for who He's like so

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<v Speaker 4>excited and he's like, I would have done anything that

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<v Speaker 4>the Witchowskis would ask I'm like the biggest Matrix fan

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<v Speaker 4>in the world. This was such a cool opportunity. I

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<v Speaker 4>was so excited and then like eight years later. I

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<v Speaker 4>think he was asked about it in an interview and

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<v Speaker 4>he was like, well, that shoot was really hard.

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<v Speaker 3>Wait can I quote it? Can I say what he said?

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<v Speaker 3>Because he uses a turn of phrase that is so funny.

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<v Speaker 3>He says, Jupiter sending was a nightmare from the jump.

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<v Speaker 3>It was a sideways movie. All of us were there

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<v Speaker 3>for seven months busting our hump?

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<v Speaker 4>How old is he? Okay, people busting our hump.

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<v Speaker 3>I'm never gonna stop laughing about that. I've never heard

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<v Speaker 3>that expression before, Like, what does that mean?

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<v Speaker 4>I've only heard it from like senior citizens, genuinely wow,

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<v Speaker 4>busting our hump? Wow, chanting Tatum, he's old. I don't

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<v Speaker 4>even know how old he is. Maybe he's he's only

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<v Speaker 4>a few.

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<v Speaker 3>Years older than me, I think.

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<v Speaker 4>And you've never busted your hump.

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<v Speaker 3>That is not true. I have I bust my hump.

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<v Speaker 4>Okay, hey, hey, hey, okay, sorry.

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<v Speaker 3>I'm not so virgin. I bust my hope.

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<v Speaker 4>That's well, that's not what he's saying. He's this. I

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<v Speaker 4>will say, this movie is many things, horny is not

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<v Speaker 4>one of them.

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<v Speaker 1>That's really interesting because I don't I mean, I don't know.

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<v Speaker 3>I feel like I think it is horny.

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<v Speaker 1>I think it is horny, really, I don't. I don't know.

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<v Speaker 1>I think it wants to be.

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<v Speaker 4>Yeah, I definitely think it aspires to be horny.

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<v Speaker 1>It's like incestuously horny, and so you kind of like

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<v Speaker 1>don't want it to be. But I don't know.

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<v Speaker 4>They want their mom, but yeah, they all do. When

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<v Speaker 4>I with their mom.

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<v Speaker 3>There's like Oedipus stuff happening. There is bestiality kind of

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<v Speaker 3>if you consider chanted him to be a wolf man.

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<v Speaker 4>I'm so unclear. I'm like, why is I okay? First

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<v Speaker 4>of all, what stood up to be about this movie

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<v Speaker 4>is that the Razzie winning performance to me is what

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<v Speaker 4>I'm holding closest to my heart, and that is the

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<v Speaker 4>Eddie redmain permance, which everyone hates. Yeah, but I kind

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<v Speaker 4>of love it the more I sit with it, Like

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<v Speaker 4>every word comes out unlike you've ever heard a word.

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<v Speaker 4>He's like, it won't be mine. He sounds like when

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<v Speaker 4>SpongeBob is out of the water and he's all dried up,

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<v Speaker 4>Like he sounds like SpongeBob dry. I like it, And

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<v Speaker 4>then he won a Razzie for it. This was also

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<v Speaker 4>around the time he won an Oscar for the Theory

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<v Speaker 4>of Everything, and Eddie Redmain's Oscar record we can talk

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<v Speaker 4>about because it is uh, it is sordid and bleak.

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<v Speaker 1>It was the theory of everything Oscar, right, yes? Or

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<v Speaker 1>is it okay? Yeah? Yeah?

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<v Speaker 4>Yeah. But The Danish Girl comes out this same year

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<v Speaker 4>in twenty fifteen, and I guess that Lana Wachowski and

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<v Speaker 4>Eddie Redmain were discussing that role, and she was advising

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<v Speaker 4>him on the set of Jupiter Ascending, which is both

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<v Speaker 4>sweet and I'm like, I can't deal with that today,

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<v Speaker 4>know what was happening? And on the set of where

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<v Speaker 4>Eddie Redman saying.

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<v Speaker 5>I create life. Yeah, I will harvest the planet tomorrow.

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<v Speaker 1>He's my favorite.

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<v Speaker 3>Wait okay, so Summer, tell us about your relationship, your

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<v Speaker 3>history with this movie.

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<v Speaker 4>Who did this get on your plate? What happened?

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<v Speaker 1>Yeah? So I remember the trailers for this movie really clearly,

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<v Speaker 1>and I remember the sort of like internet discourse around

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<v Speaker 1>it when it was in theaters and like coming out

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<v Speaker 1>and just sort of like in the conversation, very much

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<v Speaker 1>maligned right away, and I was like, oh, look, dumb,

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<v Speaker 1>I don't think I'm going to see that. But then

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<v Speaker 1>I read like I think it was like a tumbler

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<v Speaker 1>post that was like Jupiter Ascending is like if a

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<v Speaker 1>nine year old girl got all of her fantasies turned

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<v Speaker 1>into a film, and I was like, I gotta go

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<v Speaker 1>see that. It is kind of true because that's very

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<v Speaker 1>interesting to me. And so my friends and I worded

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<v Speaker 1>it and then we watched it in someone's house and

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<v Speaker 1>I loved it. I honestly don't remember if the people

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<v Speaker 1>I watched it with liked it. I think that they,

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<v Speaker 1>like to this day, will humor me when I talk

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<v Speaker 1>about it. But it just became like a movie that

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<v Speaker 1>I would show people, like anytime I was making a

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<v Speaker 1>new friend, I would show them Jupiter Ascending because I

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<v Speaker 1>just I was so fascinated by it. Like I like

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<v Speaker 1>things that are bad. I like bad movies, I like

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<v Speaker 1>bad TV shows like I my taste in visual media

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<v Speaker 1>is like I think something that is like bad and

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<v Speaker 1>has weird contradictions and confusing, it's like more interesting.

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<v Speaker 4>To me than yeah, good all we all have those.

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<v Speaker 4>And it's like you, you, I don't know, you talk

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<v Speaker 4>about media that people overlook better than almost anyone in

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<v Speaker 4>the entire world, like truly.

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<v Speaker 1>Thank you.

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<v Speaker 4>So even though the first twenty minutes of Jupiter Ascending,

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<v Speaker 4>I'm like, what has she done? Yeah, I don't know.

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<v Speaker 4>It's a text. It's a text.

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<v Speaker 1>It's a text. And yeah, and so it just, yeah,

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<v Speaker 1>it just became a movie that I would show to people.

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<v Speaker 1>It became like something that I really like telling people

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<v Speaker 1>about without them seeing it. Like after rewatching it for this,

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<v Speaker 1>I like sent a buddy a voice note about it,

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<v Speaker 1>and they were like, Jesus Christ, I thought it was

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<v Speaker 1>about something else, you know, like and I love that reaction.

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<v Speaker 1>It's so much fun. And yeah, for a long time,

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<v Speaker 1>I would say Jupiter Ascending is my favorite movie if

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<v Speaker 1>you asked me what my favorite movie was. But I

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<v Speaker 1>kind of had a real I don't know, reorienting on

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<v Speaker 1>my relationship with it because of the of my Lacunis.

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<v Speaker 1>Like I was a big that Seminy show head. But

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<v Speaker 1>she loves to raise money for the Israeli Army.

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<v Speaker 4>He really does.

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<v Speaker 1>She really died.

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<v Speaker 3>I did not know. I do know that she's good

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<v Speaker 3>friends with Natalie Portman, so this actually.

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<v Speaker 4>Tracks well, who almost got the role of Jupiter. So

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<v Speaker 4>it really was like xiety. Yes, it was almost Zionist

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<v Speaker 4>v Zionist for for Jupiter.

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<v Speaker 1>Yeah, but she would have been so good at it.

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<v Speaker 4>She certainly would have been better.

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<v Speaker 1>Yeah, but I also loved, I loved I was a

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<v Speaker 1>big chanting Tatum person, and I still hold fondness for

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<v Speaker 1>him and Eddie Redmain really impressed me. But yeah, and like,

0:12:36.280 --> 0:12:38.559
<v Speaker 1>I mean, I really liked the movie. Like this came

0:12:38.600 --> 0:12:40.680
<v Speaker 1>out when I was my senior year of high school,

0:12:40.800 --> 0:12:42.720
<v Speaker 1>and so like I kind of impact.

0:12:43.080 --> 0:12:44.280
<v Speaker 4>Yes, I kind of just.

0:12:44.280 --> 0:12:49.800
<v Speaker 1>Learned what a movie was, and so yeah, it has

0:12:49.840 --> 0:12:54.400
<v Speaker 1>shaped a lot of me and my life. Yeah, I

0:12:54.520 --> 0:12:57.120
<v Speaker 1>just I'm very happy to share it with the two

0:12:57.160 --> 0:12:59.400
<v Speaker 1>of you and see if we can figure it out.

0:12:59.679 --> 0:13:02.640
<v Speaker 4>I'm I'm so excited we're going to We're going to

0:13:02.679 --> 0:13:05.880
<v Speaker 4>get to the bottom of this because we got this.

0:13:06.160 --> 0:13:11.559
<v Speaker 4>I really love that, you know, to quote Wikipedia. Despite

0:13:11.559 --> 0:13:14.280
<v Speaker 4>praise for the visual effects, the narrative was criticized as

0:13:14.280 --> 0:13:20.000
<v Speaker 4>confusing and I and it's not untrue. But I also

0:13:20.040 --> 0:13:23.920
<v Speaker 4>did enjoy looking into because the Witch House kis. Even

0:13:23.960 --> 0:13:27.720
<v Speaker 4>though they are not like one hundred percent hit, you

0:13:27.800 --> 0:13:31.800
<v Speaker 4>can never accuse their work of being underthought. Yes, and

0:13:31.920 --> 0:13:35.000
<v Speaker 4>there it was interesting learning about like where they were

0:13:35.040 --> 0:13:37.720
<v Speaker 4>pulling from and the reference points, some of which I

0:13:37.760 --> 0:13:41.119
<v Speaker 4>was familiar. With some of which I weren't like. They're brilliant,

0:13:41.559 --> 0:13:47.200
<v Speaker 4>it just doesn't always translate to a successful movie.

0:13:47.440 --> 0:13:51.400
<v Speaker 3>Sometimes there's the Matrix one, and then sometimes there's the

0:13:51.440 --> 0:13:54.120
<v Speaker 3>Matrix three, and they made both, and.

0:13:54.520 --> 0:13:59.480
<v Speaker 4>Somewhere in between is Jupiter Ascending. It is fascinating, it

0:13:59.559 --> 0:14:02.640
<v Speaker 4>is fast. I still haven't seen speed Racer.

0:14:03.080 --> 0:14:05.280
<v Speaker 3>Nor have I, but I think I would like it.

0:14:05.400 --> 0:14:08.080
<v Speaker 3>I've heard great things about it. It's very underrated, but

0:14:08.320 --> 0:14:10.559
<v Speaker 3>the people who ride for it ride for it hard,

0:14:10.800 --> 0:14:13.360
<v Speaker 3>So it's my It's on my watch list.

0:14:13.440 --> 0:14:14.720
<v Speaker 1>I think I would really like it.

0:14:14.880 --> 0:14:19.320
<v Speaker 3>Yeah, Jamie, what is your relationship with Jupiter Ascending?

0:14:20.520 --> 0:14:23.960
<v Speaker 4>I had never seen this? Of course I had never

0:14:24.000 --> 0:14:27.000
<v Speaker 4>seen this, but I and I also i'd only heard

0:14:27.000 --> 0:14:31.720
<v Speaker 4>of it via Summer. I don't this movie completely missed me.

0:14:31.880 --> 0:14:34.280
<v Speaker 4>It's it is because I've never been a big sci

0:14:34.280 --> 0:14:37.800
<v Speaker 4>fi person, so it's not something that would have come

0:14:37.840 --> 0:14:43.160
<v Speaker 4>across my desk upon release. I will figure out the

0:14:43.200 --> 0:14:46.320
<v Speaker 4>second we finished recording what I was confusing this movie from.

0:14:46.360 --> 0:14:50.440
<v Speaker 4>I was confusing it with a different mid twenty tens

0:14:50.480 --> 0:14:54.160
<v Speaker 4>sci fi box office flop, and I cannot remember what

0:14:54.360 --> 0:14:54.680
<v Speaker 4>it was.

0:14:54.760 --> 0:14:58.000
<v Speaker 3>Okay, I was confusing this with Valerian in the City

0:14:58.040 --> 0:14:59.080
<v Speaker 3>of one Thousand Planets.

0:14:59.360 --> 0:15:01.480
<v Speaker 4>Oh, I was I know what that is?

0:15:01.480 --> 0:15:03.960
<v Speaker 3>A sex criminal? Luke Bison.

0:15:04.160 --> 0:15:06.120
<v Speaker 1>Is that the one Rihanna is in.

0:15:08.080 --> 0:15:12.400
<v Speaker 4>I just remember Rihanna being a battleship Oh okay, oh

0:15:12.440 --> 0:15:14.840
<v Speaker 4>and Ocean's eight. I was thinking about how she was

0:15:14.880 --> 0:15:18.960
<v Speaker 4>the hacker and Oceans eight recently there she was Smurfett,

0:15:19.280 --> 0:15:21.600
<v Speaker 4>not that anyone saw it. Do you remember when La

0:15:21.840 --> 0:15:25.440
<v Speaker 4>was covered in billboards that said Rihanna is Smurfett and

0:15:25.480 --> 0:15:28.440
<v Speaker 4>it was just like, what an awesome is that poetry? Summer?

0:15:29.600 --> 0:15:29.720
<v Speaker 1>Uh?

0:15:29.800 --> 0:15:32.760
<v Speaker 4>Yeah, I think so Rihanna is Smurfett. It felt like

0:15:32.800 --> 0:15:33.240
<v Speaker 4>it to be.

0:15:34.120 --> 0:15:37.400
<v Speaker 3>I don't remember that, but I do remember the Zendaea

0:15:37.760 --> 0:15:39.360
<v Speaker 3>is is Michi Michi?

0:15:40.320 --> 0:15:41.920
<v Speaker 4>Yes, that was big.

0:15:42.480 --> 0:15:44.640
<v Speaker 3>That was huge, culturally enormous.

0:15:44.840 --> 0:15:47.600
<v Speaker 4>Sometimes you're like this person is this and you're like, wow,

0:15:48.240 --> 0:15:52.160
<v Speaker 4>no one cares, but it is interesting that it's everywhere. Yeah.

0:15:53.200 --> 0:15:56.800
<v Speaker 3>I had not seen this movie either. I'm very much

0:15:56.880 --> 0:16:01.280
<v Speaker 3>a like sci fi action movie person for sure, but

0:16:01.400 --> 0:16:04.680
<v Speaker 3>I think I missed it in theaters because I knew

0:16:04.760 --> 0:16:10.680
<v Speaker 3>about the generally negative reviews, so I kind of passed

0:16:10.840 --> 0:16:15.800
<v Speaker 3>on it. But I had aside from having a very

0:16:15.800 --> 0:16:19.640
<v Speaker 3>difficult time following it the first time I watched it. Truly,

0:16:19.680 --> 0:16:23.440
<v Speaker 3>my like draft of the recap after my first watch

0:16:23.640 --> 0:16:27.520
<v Speaker 3>was and then they go somewhere, and why they go there,

0:16:27.560 --> 0:16:31.560
<v Speaker 3>I mean are clear to me, but they go there.

0:16:32.440 --> 0:16:35.280
<v Speaker 3>And then on the second watch I started to be

0:16:35.280 --> 0:16:39.040
<v Speaker 3>able to fill in the gaps. But yeah, it's definitely

0:16:39.720 --> 0:16:42.160
<v Speaker 3>you know, it has some exposition problems. I would say

0:16:42.160 --> 0:16:46.200
<v Speaker 3>that information is not delivered particularly clearly. There's also some

0:16:46.240 --> 0:16:49.440
<v Speaker 3>weird editing choices between scenes.

0:16:49.600 --> 0:16:49.800
<v Speaker 1>Well.

0:16:49.840 --> 0:16:52.480
<v Speaker 4>I also think that sometimes, like tonally, it's like we're

0:16:52.760 --> 0:16:56.200
<v Speaker 4>especially at the very beginning, Well we'll get into it,

0:16:56.240 --> 0:16:59.600
<v Speaker 4>but like it feels like we are oscillating between a

0:16:59.760 --> 0:17:03.200
<v Speaker 4>raw that came out in two thousand and two and

0:17:04.040 --> 0:17:08.639
<v Speaker 4>the movie Jupiter Ascending is so wild watching me Lacunas

0:17:08.680 --> 0:17:11.560
<v Speaker 4>cleaning a toilet being like I hate my life. I'm like,

0:17:11.920 --> 0:17:15.080
<v Speaker 4>is this a Garfield comic? Like what what is this?

0:17:15.920 --> 0:17:19.880
<v Speaker 4>But it's awesome. Yeah, I do think ultimately this is awesome. Yeah,

0:17:19.960 --> 0:17:20.680
<v Speaker 4>I think I agree.

0:17:20.720 --> 0:17:23.199
<v Speaker 1>That's what's important. I think that it feels like a

0:17:23.280 --> 0:17:26.160
<v Speaker 1>movie where it's like maybe they thought they would never

0:17:26.200 --> 0:17:26.920
<v Speaker 1>make a movie ever.

0:17:27.000 --> 0:17:32.440
<v Speaker 4>Again, I'm like, I've looked for I haven't been able

0:17:32.440 --> 0:17:34.120
<v Speaker 4>to find a lot of I mean, it's only ten

0:17:34.200 --> 0:17:38.320
<v Speaker 4>years old, so I would be curious whenever the Wachowski's

0:17:38.400 --> 0:17:42.879
<v Speaker 4>released their retrospective, you know, like cumulative interviews, what was

0:17:42.920 --> 0:17:46.159
<v Speaker 4>going on, because most of what I've found is like, oh,

0:17:46.240 --> 0:17:49.920
<v Speaker 4>our budget got cut, which I believe, but also their

0:17:49.960 --> 0:17:53.160
<v Speaker 4>budget was two hundred million dollars, and I'm like, surely

0:17:54.000 --> 0:18:00.040
<v Speaker 4>surely four hundred million dollars wouldn't have fixed, isn't The

0:18:00.080 --> 0:18:03.560
<v Speaker 4>difference between Meila Kunis just being like, what is this?

0:18:03.760 --> 0:18:08.000
<v Speaker 4>Where am I and not? I don't know.

0:18:08.280 --> 0:18:12.000
<v Speaker 3>I don't know, we don't know. Let's take a quick

0:18:12.040 --> 0:18:25.680
<v Speaker 3>break and we'll come back for the recap. We're back.

0:18:25.720 --> 0:18:30.680
<v Speaker 3>We're as sending into the recap of Jupiter Ascending. We

0:18:30.720 --> 0:18:37.080
<v Speaker 3>start with backstory of the character Jupiter Jones played by

0:18:37.240 --> 0:18:41.800
<v Speaker 3>Mila Kunis. Backstory about how her parents met in Russia

0:18:42.400 --> 0:18:47.040
<v Speaker 3>and fell in love, how her astronomy professor father was

0:18:47.119 --> 0:18:51.879
<v Speaker 3>obsessed with the planet Jupiter, hence wanting to name their daughter.

0:18:52.440 --> 0:18:58.040
<v Speaker 4>That I will say, okay already, but like I was

0:18:58.119 --> 0:19:01.040
<v Speaker 4>waiting for the whole movie. This is the first scene

0:19:01.080 --> 0:19:02.720
<v Speaker 4>and the witch house kis I mean I was thinking

0:19:02.800 --> 0:19:05.200
<v Speaker 4>of the Matrix one, not to put them in a box,

0:19:05.359 --> 0:19:08.719
<v Speaker 4>but that's the big one. Sure, And I was thinking about, like,

0:19:08.800 --> 0:19:12.680
<v Speaker 4>what a strong introduction to the world that is. Oh yeah,

0:19:12.720 --> 0:19:14.920
<v Speaker 4>And so I went in thinking, Oh, this first scene

0:19:15.040 --> 0:19:17.320
<v Speaker 4>is going to be coming back in a big way.

0:19:17.400 --> 0:19:20.280
<v Speaker 4>Throughout the movie, The Father, I will say, never comes

0:19:20.280 --> 0:19:24.719
<v Speaker 4>back except for an eBay telescope. Yeah that is. I

0:19:24.840 --> 0:19:28.399
<v Speaker 4>kept waiting to find out that Eddie Redmain was secretly

0:19:29.160 --> 0:19:31.960
<v Speaker 4>like there was that someone was secretly her father. It

0:19:32.000 --> 0:19:33.840
<v Speaker 4>seems like the kind of movie where that would happen.

0:19:33.920 --> 0:19:37.800
<v Speaker 4>But spoiler alert, he was just a weird guy with

0:19:37.920 --> 0:19:43.840
<v Speaker 4>a telescope. He died rubbing vasilin on his wife's pregnant stomach.

0:19:44.119 --> 0:19:47.240
<v Speaker 4>And that's all that ever you're ever gonna need to

0:19:47.280 --> 0:19:50.040
<v Speaker 4>know about this guy. I kept waiting for him to

0:19:50.080 --> 0:19:51.760
<v Speaker 4>come back. He No, he's dead.

0:19:51.960 --> 0:19:52.400
<v Speaker 3>He's gone.

0:19:52.400 --> 0:19:53.640
<v Speaker 4>That's it. That's it for him.

0:19:53.920 --> 0:19:54.240
<v Speaker 3>Yep.

0:19:54.560 --> 0:19:58.040
<v Speaker 1>Jupiter is barely relevant, you know, so awesome.

0:19:59.280 --> 0:20:02.119
<v Speaker 4>Yeah, movie that really realized on her being like, I

0:20:02.160 --> 0:20:04.520
<v Speaker 4>need to get back to my family. Boy, does she

0:20:04.600 --> 0:20:08.040
<v Speaker 4>seem indifferent to them? She does not seem to like

0:20:08.119 --> 0:20:08.919
<v Speaker 4>them very much.

0:20:09.200 --> 0:20:12.920
<v Speaker 1>Yeah, and I'm space and yeah, anyways, right.

0:20:12.600 --> 0:20:15.200
<v Speaker 4>But yeah, don't get attached to the father. Don't look

0:20:15.240 --> 0:20:17.000
<v Speaker 4>for him. He's not coming back. He's dead.

0:20:17.119 --> 0:20:20.800
<v Speaker 1>Planet name doesn't mean anything, Telescope doesn't mean anything.

0:20:21.720 --> 0:20:25.200
<v Speaker 4>Oh, I didn't even occur to you that Jupiter doesn't

0:20:25.280 --> 0:20:29.439
<v Speaker 4>really mean very much except like an astrology joke kind of.

0:20:29.920 --> 0:20:32.080
<v Speaker 3>Well, before I saw the movie, I thought that it

0:20:32.119 --> 0:20:36.359
<v Speaker 3>would take place on or near the planet Jupiter. But

0:20:36.440 --> 0:20:40.199
<v Speaker 3>it's truly just that that's her name, yeah, in it this.

0:20:40.400 --> 0:20:44.639
<v Speaker 4>R and speaking of I, it's so interesting somewhere that

0:20:44.720 --> 0:20:47.000
<v Speaker 4>you saw like the post saying that this is a

0:20:47.080 --> 0:20:50.159
<v Speaker 4>nine year old girl's dreams coming true. Because the first

0:20:50.240 --> 0:20:55.359
<v Speaker 4>like long extended stories I wrote were probably around the

0:20:55.359 --> 0:20:57.760
<v Speaker 4>time I was nine, and the name of my main

0:20:57.880 --> 0:21:03.360
<v Speaker 4>character was Neptune Star exactly. So this was happening. Yeah,

0:21:03.400 --> 0:21:04.280
<v Speaker 4>this was happening.

0:21:04.480 --> 0:21:07.800
<v Speaker 1>Yeah. I was obsessed with Saturn. I was writing little

0:21:07.880 --> 0:21:13.480
<v Speaker 1>personified like anthropomorphization stories about Saturn when I was nine,

0:21:13.840 --> 0:21:16.040
<v Speaker 1>Like this is this is true?

0:21:16.320 --> 0:21:19.199
<v Speaker 4>So maybe this is just like the Witch housekis they

0:21:19.240 --> 0:21:22.480
<v Speaker 4>were young gals once. Maybe they were like Jupiter Jones,

0:21:22.800 --> 0:21:27.160
<v Speaker 4>right you guys, and everyone's like yeah.

0:21:26.280 --> 0:21:31.360
<v Speaker 3>Yeah, okay, so her father he's a guy.

0:21:31.160 --> 0:21:34.000
<v Speaker 4>But don't get used to him because no, he's dead.

0:21:34.280 --> 0:21:37.840
<v Speaker 3>He's about to die because one night some like thugs

0:21:38.080 --> 0:21:43.880
<v Speaker 3>come into their home steal money and her father's prized telescope,

0:21:44.480 --> 0:21:48.439
<v Speaker 3>and then kill her father. So her mother flees to

0:21:48.520 --> 0:21:52.160
<v Speaker 3>the US and gives birth to Jupiter along the way

0:21:52.800 --> 0:21:56.280
<v Speaker 3>on a ship crossing the Atlantic, probably pretty much the

0:21:56.320 --> 0:22:02.000
<v Speaker 3>same journey that Titanic took, I'm guessing. Jupiter's aunt, Nino,

0:22:02.480 --> 0:22:06.720
<v Speaker 3>says that she's destined for great things, but Jupiter doesn't

0:22:06.720 --> 0:22:09.960
<v Speaker 3>believe her, because we cut to her as an adult.

0:22:10.680 --> 0:22:12.320
<v Speaker 3>She her mother and her aunt.

0:22:12.240 --> 0:22:16.120
<v Speaker 4>Works like the beginning of Maid in Manhattan. Yes, it's

0:22:16.280 --> 0:22:17.960
<v Speaker 4>so bizarre.

0:22:17.760 --> 0:22:23.439
<v Speaker 3>Yeah, because they work as house cleaners for rich people,

0:22:24.600 --> 0:22:27.719
<v Speaker 3>I think. And Jupiter hates her life, which she repeats,

0:22:27.840 --> 0:22:28.680
<v Speaker 3>she said several.

0:22:28.520 --> 0:22:33.600
<v Speaker 4>Times, almost to camera, like she almost goes to camera

0:22:33.640 --> 0:22:35.680
<v Speaker 4>and says, but she says it more than us. I

0:22:35.760 --> 0:22:39.159
<v Speaker 4>hate my life. And you're like, oh, right, Millicuna is

0:22:39.200 --> 0:22:43.800
<v Speaker 4>not very good at acting, but that's you know, live

0:22:43.880 --> 0:22:47.159
<v Speaker 4>laugh love. Oh that's so wild that. Yeah, she that

0:22:47.640 --> 0:22:50.280
<v Speaker 4>her co star in Black Swan was almost cast in this.

0:22:50.359 --> 0:22:53.040
<v Speaker 4>That didn't even occur to me until just now. Miliicunas

0:22:53.040 --> 0:22:56.320
<v Speaker 4>and Natalie Portman. We're in Black Swan together. Yeah, well

0:22:56.560 --> 0:23:00.440
<v Speaker 4>they both suck, but Natalie Portman can an act.

0:23:01.160 --> 0:23:01.240
<v Speaker 2>Ye.

0:23:02.880 --> 0:23:05.879
<v Speaker 3>Well, I wonder if I mean, I think she didn't

0:23:05.880 --> 0:23:08.320
<v Speaker 3>do the movie because of like scheduling conflicts. But I'm like,

0:23:08.359 --> 0:23:12.200
<v Speaker 3>she was already a space queen queen Amidala.

0:23:12.560 --> 0:23:14.240
<v Speaker 4>Oh yeah, she had her shot.

0:23:14.520 --> 0:23:18.600
<v Speaker 1>Yeah, give another woman at we all get to be

0:23:18.680 --> 0:23:19.359
<v Speaker 1>space queen.

0:23:20.359 --> 0:23:22.200
<v Speaker 3>Yeah, let some other people try.

0:23:22.880 --> 0:23:25.479
<v Speaker 4>I guess it's still happening. Does I don't know what

0:23:25.560 --> 0:23:28.320
<v Speaker 4>Dune is. Does being a dune count as being a

0:23:28.320 --> 0:23:30.600
<v Speaker 4>space queen? Or is that is dune on Earth?

0:23:31.960 --> 0:23:35.480
<v Speaker 3>What is definitely is definitely space?

0:23:35.680 --> 0:23:37.760
<v Speaker 4>So zindea space queen.

0:23:38.720 --> 0:23:41.040
<v Speaker 3>You know, I don't think she's a queen. Oh okay,

0:23:41.160 --> 0:23:42.959
<v Speaker 3>she's space working class.

0:23:43.520 --> 0:23:47.000
<v Speaker 4>Oh yeah, someday I'm going to get the flu and

0:23:47.240 --> 0:23:48.800
<v Speaker 4>figure out what's going on with Dune.

0:23:49.160 --> 0:23:52.720
<v Speaker 3>Well, good luck with that, because it's really hard to follow.

0:23:52.840 --> 0:23:54.920
<v Speaker 3>I would say, maybe just as hard to follow as

0:23:55.440 --> 0:23:59.879
<v Speaker 3>they drink. They drink their pea, right, yes, I forget.

0:24:00.040 --> 0:24:03.520
<v Speaker 3>I mean that definitely happens in water World. I don't

0:24:03.560 --> 0:24:07.040
<v Speaker 3>remember if this movie has been compared to Oh Interesting

0:24:07.160 --> 0:24:10.879
<v Speaker 3>and One of the at the time reviews of Jupiter Ascending,

0:24:11.240 --> 0:24:15.680
<v Speaker 3>which I think was pretty unfair to Jupiter Ascending.

0:24:15.920 --> 0:24:18.800
<v Speaker 4>But they said every generation gets its own water World.

0:24:18.920 --> 0:24:20.639
<v Speaker 4>I'm like, I've never seen water World, so I'm not

0:24:20.640 --> 0:24:21.399
<v Speaker 4>sure what that means.

0:24:21.400 --> 0:24:25.000
<v Speaker 3>Oh, that's probably referencing how water World was a huge

0:24:25.040 --> 0:24:29.680
<v Speaker 3>budget movie that critics hated and was a box office flop.

0:24:30.520 --> 0:24:33.080
<v Speaker 1>Is water World the one at Universal Studios?

0:24:34.520 --> 0:24:37.440
<v Speaker 4>Have you seen the show? The show is awesome, awesome.

0:24:37.840 --> 0:24:39.879
<v Speaker 4>I don't know what happens in water World, but that

0:24:40.000 --> 0:24:43.320
<v Speaker 4>show is. I followed all the stunt actors on Instagram.

0:24:43.359 --> 0:24:45.680
<v Speaker 4>I'm like, these people are geniuses.

0:24:45.960 --> 0:24:50.520
<v Speaker 1>They're so cool. Updated with Jupiter Ascending.

0:24:51.160 --> 0:24:53.280
<v Speaker 4>That would be great. And they're like, let's invest a

0:24:53.359 --> 0:24:56.920
<v Speaker 4>ton of money into a different movie that flopped and

0:24:56.960 --> 0:24:59.639
<v Speaker 4>then people will maybe it will give a well needed

0:24:59.680 --> 0:25:02.080
<v Speaker 4>shot to the arm with Jupiter. I think it's a

0:25:02.160 --> 0:25:06.919
<v Speaker 4>Universal movie too, Warner Bros.

0:25:07.040 --> 0:25:11.439
<v Speaker 3>Okay, yeah, but there's I mean there's a Warner Brothers

0:25:11.480 --> 0:25:14.280
<v Speaker 3>property at Universal aka Harry Potter.

0:25:14.560 --> 0:25:21.239
<v Speaker 4>So oh yeah, well we ever know peace. So her

0:25:21.320 --> 0:25:27.920
<v Speaker 4>dad's dead and she she I hate my life me too, Wow,

0:25:28.000 --> 0:25:29.840
<v Speaker 4>my dad said, and I hate my life. That's why

0:25:31.440 --> 0:25:32.240
<v Speaker 4>she's relatable.

0:25:34.320 --> 0:25:36.960
<v Speaker 3>Yeah, okay. So then we cut to a far away

0:25:37.000 --> 0:25:42.920
<v Speaker 3>planet in another solar system. There we meet the Abras

0:25:43.080 --> 0:25:49.160
<v Speaker 3>six siblings. This is Titus played by Douglas Booth, Khalik

0:25:49.440 --> 0:25:54.440
<v Speaker 3>played by Tuppence Middleton, and Balam Balem I forget how

0:25:54.440 --> 0:25:56.880
<v Speaker 3>to say his name played by Eddie Redmain.

0:25:58.160 --> 0:26:03.560
<v Speaker 4>We're like, I love these siblings because even though they're

0:26:03.680 --> 0:26:07.400
<v Speaker 4>obviously all together, they're all acting like they're in separate rooms,

0:26:07.600 --> 0:26:13.800
<v Speaker 4>and I love that they have sub zero chemistry. It

0:26:13.920 --> 0:26:15.000
<v Speaker 4>is like awesome.

0:26:15.840 --> 0:26:19.080
<v Speaker 3>Yeah, they've never they've been siblings for tens of thousands

0:26:19.119 --> 0:26:21.600
<v Speaker 3>of years, but they somehow also never met before.

0:26:21.960 --> 0:26:27.600
<v Speaker 4>No is Yeah, they're just like, hey, so how are you. Oh,

0:26:27.680 --> 0:26:34.119
<v Speaker 4>our sister is ugly? Yes, anyways, goodbye. That's kind of

0:26:34.119 --> 0:26:34.640
<v Speaker 4>the whole thing.

0:26:35.320 --> 0:26:40.680
<v Speaker 3>So, these three siblings are members of a powerful intergalactic

0:26:40.880 --> 0:26:46.840
<v Speaker 3>empire that owns and controls a bunch of planets, including Earth,

0:26:47.480 --> 0:26:53.520
<v Speaker 3>which their late mother has left to Baalum in her will,

0:26:54.720 --> 0:26:58.440
<v Speaker 3>so keep that in mind. Then we meet Caine Wise

0:26:58.720 --> 0:27:03.680
<v Speaker 3>played by Channing Tatum. He's an alien who is on

0:27:03.800 --> 0:27:09.160
<v Speaker 3>Earth looking for someone named Catherine Dunlevy, although we don't

0:27:09.280 --> 0:27:11.320
<v Speaker 3>yet know why. And it takes a while to figure

0:27:11.359 --> 0:27:11.760
<v Speaker 3>it out.

0:27:11.800 --> 0:27:13.000
<v Speaker 4>It's Vanessa Kirbye.

0:27:13.640 --> 0:27:16.919
<v Speaker 3>Oh my god, that is who that is. I was like,

0:27:17.160 --> 0:27:20.600
<v Speaker 3>she's familiar, but I don't know who she is, and

0:27:20.640 --> 0:27:23.040
<v Speaker 3>then I forgot to look it up. But you're so true.

0:27:22.880 --> 0:27:24.840
<v Speaker 4>One of the many blonde women you meet that it's like,

0:27:24.880 --> 0:27:28.359
<v Speaker 4>don't get attached to her, she'll be onnesome. But that's her.

0:27:28.600 --> 0:27:34.280
<v Speaker 3>Yeah, huh okay, So Kin is looking for her. Balam

0:27:34.400 --> 0:27:38.119
<v Speaker 3>is also looking for her, and in this case we

0:27:38.200 --> 0:27:43.280
<v Speaker 3>do know why because he wants her found and killed.

0:27:44.680 --> 0:27:48.760
<v Speaker 3>Then we reveal that Catherine Dunlevy is a friend of Jupiter's.

0:27:49.280 --> 0:27:54.240
<v Speaker 3>They are together when a group of like spindly little

0:27:54.320 --> 0:27:58.200
<v Speaker 3>evil aliens come in and attack them.

0:27:58.359 --> 0:28:02.600
<v Speaker 4>And aliens that literally look like alien dot jpeg. Like

0:28:03.480 --> 0:28:07.359
<v Speaker 4>I do appreciate that, Like I don't know. As the movie,

0:28:07.400 --> 0:28:10.000
<v Speaker 4>as we get deeper into the movie, Eddie Redmain is

0:28:10.119 --> 0:28:17.639
<v Speaker 4>mainly like scolding dinosaurs yea at his house and you

0:28:17.760 --> 0:28:21.320
<v Speaker 4>don't really understand why. But it's like the I don't

0:28:21.359 --> 0:28:24.800
<v Speaker 4>know again, You're like not to over expect things from

0:28:24.800 --> 0:28:27.000
<v Speaker 4>the wachousekis, but you're like, oh, that dinosaur looks like

0:28:27.280 --> 0:28:30.640
<v Speaker 4>dinosaur dot jpeg. That alien looks like alien dot jpeg.

0:28:31.280 --> 0:28:33.120
<v Speaker 4>You don't really understand what they want or what they're

0:28:33.200 --> 0:28:33.439
<v Speaker 4>up to.

0:28:33.960 --> 0:28:36.879
<v Speaker 1>The dinosaurs are wearing leather jackets, so.

0:28:37.000 --> 0:28:39.800
<v Speaker 4>The dinosaurs are really cool and they are capable of

0:28:39.840 --> 0:28:46.280
<v Speaker 4>experiencing shame yea, and so I'm interested, but like, yeah,

0:28:46.320 --> 0:28:49.400
<v Speaker 4>what's their whole deal? And we and we won't find out,

0:28:49.600 --> 0:28:52.320
<v Speaker 4>but it is fun to just every time Eddie Redmains

0:28:52.320 --> 0:28:55.479
<v Speaker 4>sounding like dry SpongeBob scolding a dinosaur, and you're like,

0:28:55.680 --> 0:28:58.880
<v Speaker 4>how could you hate this performance? This is awesome.

0:28:58.880 --> 0:29:01.680
<v Speaker 3>Because each of those siblings, and it took me forever

0:29:01.760 --> 0:29:05.600
<v Speaker 3>to figure out like which minions worked for which siblings,

0:29:05.600 --> 0:29:09.520
<v Speaker 3>but they each have a group or at least one

0:29:09.880 --> 0:29:14.000
<v Speaker 3>servant or minion. Eddie Redmain's character has a whole army

0:29:14.040 --> 0:29:17.480
<v Speaker 3>of people. He's got the like giant lizard dinosaur army.

0:29:18.120 --> 0:29:21.840
<v Speaker 3>He also has someone named mister Knight who is wearing

0:29:21.880 --> 0:29:23.720
<v Speaker 3>like a George Washington wig.

0:29:24.760 --> 0:29:27.000
<v Speaker 4>I don't know what's going on there, but I was like, yeah,

0:29:27.160 --> 0:29:30.200
<v Speaker 4>mister Knight, let's not do a second pass at that name.

0:29:31.560 --> 0:29:31.760
<v Speaker 2>No.

0:29:32.760 --> 0:29:35.520
<v Speaker 3>Uh, then there's and I left most of these people

0:29:35.560 --> 0:29:37.800
<v Speaker 3>out of the recap because I'm like they don't matter,

0:29:38.960 --> 0:29:43.640
<v Speaker 3>but not to erase the woman who works for Titus

0:29:43.640 --> 0:29:46.080
<v Speaker 3>who has like enormous mouths ears.

0:29:46.640 --> 0:29:48.640
<v Speaker 1>I yeah, she's my favorite.

0:29:48.840 --> 0:29:53.560
<v Speaker 4>She's pretty cool. I can't just like another, like we

0:29:53.640 --> 0:29:56.400
<v Speaker 4>couldn't do a second pass at that, and maybe that's

0:29:56.400 --> 0:29:58.640
<v Speaker 4>for the best. But they're like, Okay, what if this

0:29:58.720 --> 0:30:03.640
<v Speaker 4>person were complete, completely normal looking otherwise, but just had

0:30:03.800 --> 0:30:09.120
<v Speaker 4>gigantic mouth ears. Yeah, it's awesome, it's cool. I love her.

0:30:10.320 --> 0:30:14.280
<v Speaker 3>Okay. So Jupiter and her friend Katherine are attacked by

0:30:14.320 --> 0:30:21.080
<v Speaker 3>these aliens. They disappear, and then Catherine and Jupiter I

0:30:21.080 --> 0:30:23.240
<v Speaker 3>think they like passed out because they kind of like

0:30:23.400 --> 0:30:26.280
<v Speaker 3>come to and they don't seem to have any memory

0:30:26.360 --> 0:30:32.160
<v Speaker 3>of what happened. Then we learn that Jupiter is planning

0:30:32.200 --> 0:30:35.080
<v Speaker 3>to sell her eggs. It seems like at the behest

0:30:35.120 --> 0:30:37.400
<v Speaker 3>of a cousin of hers cousin Vlattie.

0:30:37.480 --> 0:30:40.320
<v Speaker 4>Oh I mistook for a boyfriend at first, I was

0:30:40.360 --> 0:30:41.920
<v Speaker 4>not clear that he was her cousin.

0:30:42.240 --> 0:30:43.120
<v Speaker 3>It's unclear.

0:30:43.480 --> 0:30:46.800
<v Speaker 4>And also because I just don't I can't imagine, I mean,

0:30:46.880 --> 0:30:50.320
<v Speaker 4>and maybe this is on me. I can't imagine being

0:30:50.360 --> 0:30:54.640
<v Speaker 4>persuaded to sell my eggs in a like seventy five

0:30:54.800 --> 0:30:56.920
<v Speaker 4>twenty five deal with my cousin.

0:30:56.760 --> 0:30:57.840
<v Speaker 3>Your loser cousin.

0:30:58.400 --> 0:31:01.320
<v Speaker 4>Yeah, I'm like, I would need to be like being

0:31:01.360 --> 0:31:03.840
<v Speaker 4>pretty severely gaslight for that to happen, And that's not

0:31:03.880 --> 0:31:06.200
<v Speaker 4>really a cousin's game. But I don't know.

0:31:06.720 --> 0:31:07.440
<v Speaker 3>It's confusing.

0:31:07.640 --> 0:31:09.840
<v Speaker 4>Maybe my cousins aren't persuasive enough.

0:31:11.160 --> 0:31:14.640
<v Speaker 3>Maybe, but she is willing to go through with it

0:31:14.680 --> 0:31:18.200
<v Speaker 3>because she wants money to buy a telescope, just like

0:31:18.280 --> 0:31:19.719
<v Speaker 3>the one her father used to have.

0:31:20.040 --> 0:31:21.800
<v Speaker 4>What is she going to do with it? Don't worry

0:31:21.800 --> 0:31:25.440
<v Speaker 4>about it. We don't know, because the ultimate thing is

0:31:25.520 --> 0:31:29.040
<v Speaker 4>we don't know what Jupiter Jones wants out of her life.

0:31:29.080 --> 0:31:32.160
<v Speaker 4>She has no goal, which is compelling and a protagonist.

0:31:34.680 --> 0:31:43.400
<v Speaker 3>Look, let aimless women be protagonists too. No, okay, you're right, right,

0:31:43.440 --> 0:31:46.320
<v Speaker 3>you're right, Okay. So she goes to this clinic for

0:31:46.400 --> 0:31:52.080
<v Speaker 3>the egg extraction using the name of her friend Catherine Dunlevy,

0:31:52.560 --> 0:31:55.280
<v Speaker 3>and we get to reveal that the doctors are actually

0:31:55.320 --> 0:31:59.560
<v Speaker 3>the same evil little aliens in disguise, and they're about

0:31:59.600 --> 0:32:02.280
<v Speaker 3>to kill Jupiter because it turns out that it is

0:32:02.680 --> 0:32:05.560
<v Speaker 3>her who they actually want. They just thought they were

0:32:05.560 --> 0:32:09.920
<v Speaker 3>looking for Catherine Dunlevy because Jupiter was using her name,

0:32:10.240 --> 0:32:13.600
<v Speaker 3>which is a detail that might have been in the

0:32:13.640 --> 0:32:15.880
<v Speaker 3>first draft of the script, but they should have.

0:32:15.840 --> 0:32:17.120
<v Speaker 4>They should have just changed it.

0:32:17.040 --> 0:32:20.280
<v Speaker 3>To make way more clear. Yeah exactly, yeah.

0:32:20.080 --> 0:32:22.880
<v Speaker 4>But but good for you know, Vanessa Kirby got a

0:32:23.000 --> 0:32:24.880
<v Speaker 4>check and all she had to do is be basically

0:32:25.000 --> 0:32:26.720
<v Speaker 4>naked for all of her screen time.

0:32:28.040 --> 0:32:32.800
<v Speaker 3>Yes, yes, okay. So then so she's about to be

0:32:33.000 --> 0:32:36.440
<v Speaker 3>killed by these aliens, but then Cain comes in to

0:32:36.560 --> 0:32:41.560
<v Speaker 3>save her. We learned that he was hired by Titus

0:32:42.160 --> 0:32:47.720
<v Speaker 3>to find Jupiter and bring her to him for reasons

0:32:47.760 --> 0:32:54.160
<v Speaker 3>that will eventually maybe become clear. And then Cain explains

0:32:54.280 --> 0:32:57.800
<v Speaker 3>that he is an alien from another planet, but he's

0:32:57.840 --> 0:33:02.120
<v Speaker 3>also this hybrid of like half human half wolf.

0:33:02.520 --> 0:33:04.719
<v Speaker 4>And now this is like starting to be like, oh,

0:33:04.960 --> 0:33:10.200
<v Speaker 4>this is like kind of like porn, you know, like

0:33:10.240 --> 0:33:13.040
<v Speaker 4>this is kind of like a vertical series. This is

0:33:13.160 --> 0:33:16.760
<v Speaker 4>kind of like you know, wait, I know I brought

0:33:16.760 --> 0:33:21.120
<v Speaker 4>this up before, Caitlin. I read some like wolf porn

0:33:21.160 --> 0:33:23.840
<v Speaker 4>book once. And also if this is if this is

0:33:23.880 --> 0:33:26.520
<v Speaker 4>your shit, like truly, all power to you. It was

0:33:26.560 --> 0:33:30.760
<v Speaker 4>recommended to me. It was called like the Alpha's rejected

0:33:30.880 --> 0:33:31.959
<v Speaker 4>mate or something.

0:33:32.400 --> 0:33:34.640
<v Speaker 3>Yes, you have brought this up I have brought up The.

0:33:34.600 --> 0:33:37.720
<v Speaker 4>Alpha's Rejected Mate. It's something that is Oh no, it's

0:33:37.760 --> 0:33:40.440
<v Speaker 4>the Tyrant Alpha's Rejected Mate. That was my first and

0:33:40.520 --> 0:33:43.320
<v Speaker 4>only wolf porn novel I've read. But I will say

0:33:43.840 --> 0:33:46.360
<v Speaker 4>it did make me feel things, but they were not

0:33:46.440 --> 0:33:48.720
<v Speaker 4>things I wanted to feel, and so I had to stop.

0:33:48.960 --> 0:33:49.560
<v Speaker 3>Yeah, that's fair.

0:33:49.640 --> 0:33:52.160
<v Speaker 4>But when Caine was introduced, I was like, oh, this

0:33:52.240 --> 0:33:55.280
<v Speaker 4>is a gateway for future readers of The Tyrant Alpha's

0:33:55.320 --> 0:33:59.080
<v Speaker 4>Rejected Mate. Yeah, because they even go through this, Like

0:33:59.800 --> 0:34:01.960
<v Speaker 4>I do you feel like the witch Howskis have a

0:34:02.080 --> 0:34:07.240
<v Speaker 4>knack for this, where famously The Matrix, an incredible movie,

0:34:07.920 --> 0:34:11.040
<v Speaker 4>was like, really you know the red pill ideology that

0:34:11.040 --> 0:34:16.239
<v Speaker 4>comes from the Matrix, Right, there are people who willfully

0:34:16.280 --> 0:34:18.480
<v Speaker 4>misunderstand the work of the witch Howski's to the point

0:34:18.480 --> 0:34:21.400
<v Speaker 4>where the witch Howskis have had to openly state this,

0:34:21.480 --> 0:34:23.640
<v Speaker 4>which has to be very frustrating. But I do feel

0:34:23.640 --> 0:34:26.239
<v Speaker 4>like they have a knack for like identifying these really

0:34:26.280 --> 0:34:30.240
<v Speaker 4>potent ideas. And there is something about Cain that feels

0:34:30.400 --> 0:34:35.040
<v Speaker 4>very like Sigma Male, like before Sigma males were a thing,

0:34:35.840 --> 0:34:38.560
<v Speaker 4>whereas like I'm a lone wolf and it's not that

0:34:38.719 --> 0:34:42.640
<v Speaker 4>I couldn't have anyone I want. It's that I just

0:34:43.400 --> 0:34:46.759
<v Speaker 4>don't need that I'm so awesome that I'm just I'm

0:34:46.800 --> 0:34:49.759
<v Speaker 4>behaving like an insult. But it's not that. It's a

0:34:49.840 --> 0:34:52.640
<v Speaker 4>secret third thing, and that's kind of what sigmas are,

0:34:52.680 --> 0:34:54.640
<v Speaker 4>and that's kind of what Caine is. I just the

0:34:54.640 --> 0:34:57.640
<v Speaker 4>wach Howskis really have a way with tap tap in

0:34:57.640 --> 0:34:58.040
<v Speaker 4>that vein.

0:34:58.440 --> 0:35:00.680
<v Speaker 3>I hadn't considered that fully.

0:35:00.800 --> 0:35:03.960
<v Speaker 4>But well, yeah, it's been a long day sitting with

0:35:04.000 --> 0:35:07.920
<v Speaker 4>this movie my friends, and I've reached a lot of

0:35:07.960 --> 0:35:09.319
<v Speaker 4>irrational conclusions.

0:35:09.560 --> 0:35:11.160
<v Speaker 3>No, I love it. Keep them caring.

0:35:11.200 --> 0:35:14.759
<v Speaker 1>You know, I was thinking about like Omega verse, like

0:35:15.239 --> 0:35:18.960
<v Speaker 1>Wolf totally stuff, which I don't I don't really know

0:35:19.000 --> 0:35:20.920
<v Speaker 1>why I didn't think about it any of the other

0:35:21.000 --> 0:35:25.040
<v Speaker 1>times I've watched this movie since, Like, you know, those

0:35:25.080 --> 0:35:27.399
<v Speaker 1>things have been on my mind in the entire ten

0:35:27.480 --> 0:35:29.520
<v Speaker 1>years since this movie has come out. But of course

0:35:29.680 --> 0:35:33.680
<v Speaker 1>it's it's interesting because you know, he's like, I'm a dog,

0:35:33.840 --> 0:35:37.799
<v Speaker 1>but does he display any dog traits? I don't know.

0:35:37.920 --> 0:35:38.960
<v Speaker 1>I mean it's I.

0:35:39.000 --> 0:35:42.680
<v Speaker 3>Was like, well, summer, he has pointy ears and he wears.

0:35:42.440 --> 0:35:45.719
<v Speaker 4>Island like like some dogs. Do you know? I just

0:35:45.800 --> 0:35:49.240
<v Speaker 4>also like it's not even a universal dog thing as

0:35:49.320 --> 0:35:52.360
<v Speaker 4>a as a proud mother to a cocker spaniel. That

0:35:52.520 --> 0:35:56.040
<v Speaker 4>is not our story. Yeah, I think if Channing Tatum

0:35:56.080 --> 0:35:58.839
<v Speaker 4>had had those fly if you're a dog, be a dog,

0:35:58.880 --> 0:36:01.359
<v Speaker 4>give me those floppy cars. Her spaniel ears.

0:36:01.239 --> 0:36:04.719
<v Speaker 1>Well, you know, there was like the goat woman ears

0:36:04.800 --> 0:36:06.279
<v Speaker 1>like yeah.

0:36:05.760 --> 0:36:06.200
<v Speaker 4>I don't know.

0:36:06.400 --> 0:36:08.520
<v Speaker 3>There was a guy with a whole elephant face.

0:36:08.800 --> 0:36:11.640
<v Speaker 1>Yeah, as far as we're going, if it's like monster

0:36:11.760 --> 0:36:15.640
<v Speaker 1>fucking adjacent bestiality, it's like it's kind of weak, like

0:36:15.719 --> 0:36:20.680
<v Speaker 1>there's not much happening here that feels taboo. Yeah, he's

0:36:20.719 --> 0:36:21.399
<v Speaker 1>kind of just a guy.

0:36:21.600 --> 0:36:22.239
<v Speaker 3>It's just a guy.

0:36:22.440 --> 0:36:25.719
<v Speaker 4>I do feel like ultimately, the closest I've gotten to

0:36:26.040 --> 0:36:29.520
<v Speaker 4>my personal Omega verse is mister Tumnus.

0:36:29.800 --> 0:36:30.040
<v Speaker 1>Yeah.

0:36:30.080 --> 0:36:34.239
<v Speaker 4>That is wow. That's that's like where I'm like, Okay, no,

0:36:34.320 --> 0:36:37.040
<v Speaker 4>I see the vision. I see the vision, and I

0:36:37.040 --> 0:36:39.520
<v Speaker 4>would make it work if given the opportunity.

0:36:39.880 --> 0:36:42.000
<v Speaker 1>Well, you know, I was, I mean, this is this

0:36:42.040 --> 0:36:44.120
<v Speaker 1>is the last shot of the movie, but it does connect.

0:36:44.160 --> 0:36:46.680
<v Speaker 1>But like you know, when she's like Jupiter's like up

0:36:46.719 --> 0:36:49.640
<v Speaker 1>in like she's like observing her city, you know, like

0:36:49.719 --> 0:36:52.920
<v Speaker 1>from from high up. I was thinking about the the

0:36:53.000 --> 0:36:57.920
<v Speaker 1>Jessica Alba series Dark Angel, which almost every episode of

0:36:57.920 --> 0:37:00.560
<v Speaker 1>that show ends with her like on the because it

0:37:00.560 --> 0:37:02.880
<v Speaker 1>takes place in like a dystopia seattle, like her on

0:37:02.920 --> 0:37:06.120
<v Speaker 1>top of the space needle observing and like you know,

0:37:06.360 --> 0:37:10.920
<v Speaker 1>talking about when Dale'll find my family or whatever. And

0:37:11.000 --> 0:37:15.319
<v Speaker 1>in that show, she's like a genetically modified human and

0:37:15.360 --> 0:37:18.399
<v Speaker 1>she's like spliced with K nine DNA, which makes her

0:37:18.440 --> 0:37:21.439
<v Speaker 1>go into heat and so she just like really needs

0:37:21.480 --> 0:37:23.160
<v Speaker 1>to fuck and that's like.

0:37:24.320 --> 0:37:26.160
<v Speaker 3>Say, she needs to bust her hump.

0:37:27.480 --> 0:37:30.920
<v Speaker 1>And then that's where like Omega Verse like is inspired

0:37:31.000 --> 0:37:33.640
<v Speaker 1>by because Jensen Ackles was in that show, and then

0:37:33.800 --> 0:37:35.960
<v Speaker 1>you know, you take it and then you make anyway,

0:37:36.000 --> 0:37:37.600
<v Speaker 1>we don't need to about those things.

0:37:37.640 --> 0:37:40.640
<v Speaker 4>I know we have to talk about Gensen Ackles. You're

0:37:40.680 --> 0:37:43.919
<v Speaker 4>you're here somewhere, you're here, we have to talk about them.

0:37:44.000 --> 0:37:45.799
<v Speaker 1>But yeah, I was like, wow, Like he doesn't even

0:37:45.800 --> 0:37:46.520
<v Speaker 1>go into heat.

0:37:46.760 --> 0:37:50.520
<v Speaker 4>Like it feels like a really half hearted commitment to

0:37:51.160 --> 0:37:55.680
<v Speaker 4>the bit. It feels, yeah, humanoid, but give us full dog. Yeah,

0:37:55.840 --> 0:37:58.960
<v Speaker 4>give us those give us those big stinky floppy ears.

0:37:59.400 --> 0:38:05.160
<v Speaker 3>Yeah. Okay, so Cain has more or less abducted her,

0:38:05.400 --> 0:38:08.520
<v Speaker 3>but she's like pretty fine with it, and they're about

0:38:08.560 --> 0:38:12.520
<v Speaker 3>to leave to head to where Titus is I think,

0:38:12.640 --> 0:38:14.319
<v Speaker 3>but it's not really specified.

0:38:14.440 --> 0:38:16.120
<v Speaker 4>I never know really where they're going.

0:38:16.280 --> 0:38:17.960
<v Speaker 3>I never know where they're headed to.

0:38:18.360 --> 0:38:21.960
<v Speaker 4>But luckily Jupiter is constantly asking where they are, so

0:38:22.040 --> 0:38:24.759
<v Speaker 4>you do get the answer. But you're like, well, where

0:38:24.760 --> 0:38:28.120
<v Speaker 4>the hell is that? Like sometimes sometimes you look like

0:38:28.160 --> 0:38:30.680
<v Speaker 4>you're in another planet, and then Cain is like, no,

0:38:30.719 --> 0:38:35.239
<v Speaker 4>we're still in Chicago, and you're like, really, okay.

0:38:35.040 --> 0:38:39.040
<v Speaker 3>Oh yeah, yes, that does happen, and that's right here

0:38:39.080 --> 0:38:41.480
<v Speaker 3>in the story. They're about to leave Chicago, but then

0:38:41.680 --> 0:38:48.040
<v Speaker 3>the little bad long legged aliens start chasing them. Jupiter

0:38:48.120 --> 0:38:52.719
<v Speaker 3>and Caan eventually get away with the help of Cain's

0:38:53.280 --> 0:38:59.520
<v Speaker 3>gravity boots that allow him to roller blade around the sky.

0:39:00.080 --> 0:39:03.440
<v Speaker 4>Channing Tatum writing his journal every night. It sounds silly.

0:39:03.560 --> 0:39:05.959
<v Speaker 4>I feel silly doing it, but I trust the butch

0:39:05.960 --> 0:39:08.720
<v Speaker 4>house Keys vision. I know it will end up looking cool.

0:39:09.600 --> 0:39:14.719
<v Speaker 4>Love Channing busting my hump over.

0:39:19.960 --> 0:39:23.520
<v Speaker 3>I'm sorry somewhere, I know you dearly love this movie.

0:39:23.680 --> 0:39:26.480
<v Speaker 1>No, it's great. No, I just I feel bad for

0:39:26.560 --> 0:39:32.320
<v Speaker 1>Channing Tatum. It's okay, he rallied, Yeah, he did like

0:39:32.400 --> 0:39:35.879
<v Speaker 1>Hail Caesar. The next year that it's true. I love

0:39:35.920 --> 0:39:38.920
<v Speaker 1>his little tap dance and that what a performance.

0:39:39.440 --> 0:39:42.280
<v Speaker 4>This is also the same year as Magic Mike XXL

0:39:42.440 --> 0:39:43.640
<v Speaker 4>kind of a wild room.

0:39:43.960 --> 0:39:48.600
<v Speaker 3>Yeah he's fine, he's a shut up about busting his humps.

0:39:49.920 --> 0:39:55.440
<v Speaker 3>Oh come up, Yeah, okay, So they get away. Meanwhile,

0:39:56.200 --> 0:40:02.960
<v Speaker 3>Balum gets word from his giant and winged dinosaur lizard

0:40:03.160 --> 0:40:08.799
<v Speaker 3>Minion that Caine intervened in the killing of Jupiter and

0:40:08.840 --> 0:40:12.520
<v Speaker 3>he saved her. And Balam is acting like he knows

0:40:13.120 --> 0:40:16.840
<v Speaker 3>Jupiter personally. He seems to think they go way back,

0:40:16.920 --> 0:40:20.640
<v Speaker 3>and we're like, hmm, what's that all about? Back on Earth,

0:40:21.040 --> 0:40:25.680
<v Speaker 3>Caine drives Jupiter to his friend's house, Stinger played by

0:40:25.719 --> 0:40:29.080
<v Speaker 3>Sean Bean, because they need his help.

0:40:29.280 --> 0:40:30.359
<v Speaker 4>I love Sean Bean.

0:40:30.800 --> 0:40:34.360
<v Speaker 3>He he's great and he plays exactly the character that

0:40:34.440 --> 0:40:38.200
<v Speaker 3>he always plays in this movie. But they need his

0:40:38.360 --> 0:40:46.640
<v Speaker 3>help to do something unclear unclear. Maybe it's to get

0:40:46.760 --> 0:40:49.760
<v Speaker 3>to whatever planet Titus is on, but we're not sure. Anyway,

0:40:49.800 --> 0:40:52.120
<v Speaker 3>they hang out of his house for a while where

0:40:52.160 --> 0:40:56.280
<v Speaker 3>there are a bunch of bees which do not sting Jupiter,

0:40:56.400 --> 0:40:58.600
<v Speaker 3>and it almost love this.

0:40:58.600 --> 0:41:02.879
<v Speaker 4>This is this is like when this sequence happens, you're like, oh,

0:41:03.120 --> 0:41:05.760
<v Speaker 4>this is camp. This is amazing, and this is also

0:41:06.640 --> 0:41:10.400
<v Speaker 4>a nine year old's dream. Bees will not sting me

0:41:10.560 --> 0:41:14.080
<v Speaker 4>because I am royalty, and like that is I mean,

0:41:14.120 --> 0:41:17.239
<v Speaker 4>that is the fantasy, right. It's like that there is

0:41:17.239 --> 0:41:21.319
<v Speaker 4>something amazing about you that doesn't require that you know

0:41:21.800 --> 0:41:25.480
<v Speaker 4>or do anything differently, and that there's just something inherently

0:41:25.480 --> 0:41:29.720
<v Speaker 4>special about you that is so undeniable that even bees

0:41:29.760 --> 0:41:30.719
<v Speaker 4>will not sting you.

0:41:31.560 --> 0:41:33.640
<v Speaker 3>This is what happens to Jupiter, and they kind of

0:41:33.680 --> 0:41:36.480
<v Speaker 3>start to figure out, like, wait a minute, is she royalty?

0:41:37.080 --> 0:41:40.520
<v Speaker 4>I also love that there is We do meet a character,

0:41:40.640 --> 0:41:44.320
<v Speaker 4>an other blonde woman in this scene. Oh I forget.

0:41:44.719 --> 0:41:46.080
<v Speaker 4>We do meet her by.

0:41:46.000 --> 0:41:48.120
<v Speaker 1>Name disappears immediately.

0:41:48.840 --> 0:41:51.640
<v Speaker 4>It seems like she might be Caine's ex girlfriend.

0:41:51.680 --> 0:41:53.320
<v Speaker 3>No, no, no, no, no, it's Stinger's daughter.

0:41:53.880 --> 0:41:55.680
<v Speaker 1>Yeah, what is daughter?

0:41:56.160 --> 0:41:59.880
<v Speaker 4>Oh my god? This is inscrutable. Okay.

0:42:00.120 --> 0:42:03.800
<v Speaker 1>She literally says like one thing while Kane and Singer

0:42:03.880 --> 0:42:06.399
<v Speaker 1>are fighting, and then I don't I don't know where

0:42:06.440 --> 0:42:06.920
<v Speaker 1>she goes.

0:42:07.280 --> 0:42:10.080
<v Speaker 3>She says, I'm gonna go out to get groceries, and

0:42:10.080 --> 0:42:13.640
<v Speaker 3>then she never to make dinner because women be making dinner.

0:42:14.280 --> 0:42:16.839
<v Speaker 4>But then I think that they fuck off before she comes.

0:42:16.880 --> 0:42:19.040
<v Speaker 4>She comes back with no one to make dinner for

0:42:19.560 --> 0:42:22.120
<v Speaker 4>She's like, where's my dad? Literally, where's her dad? I

0:42:22.160 --> 0:42:25.960
<v Speaker 4>didn't realize that was so. And that is the first

0:42:26.440 --> 0:42:30.600
<v Speaker 4>example of many where we technically pass the Backel test.

0:42:30.640 --> 0:42:34.040
<v Speaker 4>This one's hilarious, although you could argue because this character

0:42:34.080 --> 0:42:38.160
<v Speaker 4>disappears immediately that maybe it's not an important interaction, but

0:42:38.360 --> 0:42:40.799
<v Speaker 4>it is one of the Bechdel test passes. That is

0:42:40.920 --> 0:42:46.319
<v Speaker 4>just Jupiter saying hello, I am Jupiter, and the other

0:42:46.480 --> 0:42:51.000
<v Speaker 4>character says hello, I'm this character, and it's punctuated by

0:42:51.040 --> 0:42:53.719
<v Speaker 4>the fact that they are literally having this conversation in

0:42:53.760 --> 0:42:57.000
<v Speaker 4>front of Sean Bean and Channing Tatum getting into a

0:42:57.120 --> 0:43:01.640
<v Speaker 4>violent physical altercation as they're passing the Baxtel test uselessly

0:43:02.760 --> 0:43:04.000
<v Speaker 4>correct I liked it.

0:43:04.880 --> 0:43:09.360
<v Speaker 3>Yeah, it was pretty sick. Okay. So then Stinger tells

0:43:09.480 --> 0:43:15.920
<v Speaker 3>Jupiter more about Cain and his checkered past, also about

0:43:16.040 --> 0:43:21.680
<v Speaker 3>the history of Earth and how the abraxis a brassics

0:43:22.480 --> 0:43:25.240
<v Speaker 3>I don't know how to say it, dynasty that controls

0:43:25.320 --> 0:43:30.560
<v Speaker 3>Earth deliberately makes sure that the human population reaches an

0:43:30.680 --> 0:43:35.320
<v Speaker 3>unsustainable number so that the planet can be considered ripe

0:43:35.520 --> 0:43:39.920
<v Speaker 3>for harvest, whatever that means. But it's pretty obvious that

0:43:40.000 --> 0:43:46.440
<v Speaker 3>it's not great. Then the evil aliens find them again,

0:43:46.680 --> 0:43:51.279
<v Speaker 3>as do a couple like human hybrid bounty hunters. There's

0:43:51.280 --> 0:43:53.520
<v Speaker 3>this big fight scene and a couple of the Bounty

0:43:53.600 --> 0:43:58.120
<v Speaker 3>Hunters capture Jupiter and fly her away on a spaceship.

0:43:58.920 --> 0:44:04.000
<v Speaker 3>Jupiter wakes up in the home of the sister callique

0:44:04.120 --> 0:44:04.839
<v Speaker 3>A Brassis.

0:44:05.080 --> 0:44:07.759
<v Speaker 4>By the way, this becomes a running joke in the

0:44:07.800 --> 0:44:14.399
<v Speaker 4>movie that Jupiter is regularly passing out and waking up

0:44:14.440 --> 0:44:17.479
<v Speaker 4>somewhere again and has been changed into a different set

0:44:17.520 --> 0:44:21.560
<v Speaker 4>of clothes yes, and doesn't remember it. This is presented

0:44:21.600 --> 0:44:24.160
<v Speaker 4>as an adorable joke, even though the love interest does

0:44:24.200 --> 0:44:28.200
<v Speaker 4>this at one point. Yeah, that people are while she's unconscious,

0:44:28.200 --> 0:44:33.160
<v Speaker 4>either because of medicine or combat. She wakes up at

0:44:33.160 --> 0:44:35.879
<v Speaker 4>another place in a different outfit that and the joke

0:44:35.960 --> 0:44:38.319
<v Speaker 4>is usually that she just doesn't like the outfit, but

0:44:38.400 --> 0:44:40.640
<v Speaker 4>the subtext of the joke is that she has been

0:44:40.800 --> 0:44:49.280
<v Speaker 4>stripped and redressed while unconscious, and you're like, Lily, Lana,

0:44:48.560 --> 0:44:53.399
<v Speaker 4>what is this joke? What is the joke? Come on,

0:44:53.520 --> 0:44:55.719
<v Speaker 4>you have final cut, no excuses.

0:44:56.360 --> 0:44:58.640
<v Speaker 3>Yeah, yeah, it's not great.

0:44:58.760 --> 0:45:01.759
<v Speaker 4>Anyways, It's very like win Wigna not of like, well,

0:45:01.840 --> 0:45:04.800
<v Speaker 4>hopefully at this time I get to pick my outfit

0:45:05.000 --> 0:45:07.040
<v Speaker 4>and I'll be awake when I put it on, and

0:45:07.080 --> 0:45:10.120
<v Speaker 4>you're like, uh wild.

0:45:10.440 --> 0:45:17.440
<v Speaker 3>Yeah. Anyway, Jupiter meets Khalik, who tells her that Jupiter

0:45:17.600 --> 0:45:21.239
<v Speaker 3>is what they call a recurrence, which is basically a

0:45:21.680 --> 0:45:28.480
<v Speaker 3>genetic reincarnation of the late mother of Calikue, Titus, and Balam,

0:45:29.480 --> 0:45:34.759
<v Speaker 3>which means that Jupiter is essentially a queen slash like

0:45:34.960 --> 0:45:37.200
<v Speaker 3>kind of their mother, but kind of not. She's just

0:45:37.239 --> 0:45:43.919
<v Speaker 3>like a genetic replica recurrence of this late queen, who

0:45:44.120 --> 0:45:48.440
<v Speaker 3>Khalik mentions was ninety one thousand years old when she died,

0:45:49.160 --> 0:45:52.080
<v Speaker 3>but she would have lived longer except that she was murdered.

0:45:52.520 --> 0:45:54.000
<v Speaker 3>But they don't know by whom.

0:45:54.680 --> 0:45:56.640
<v Speaker 4>I'm so confused about this.

0:45:58.760 --> 0:46:02.960
<v Speaker 1>Well there, yeah.

0:46:02.280 --> 0:46:07.600
<v Speaker 4>Okay, look, I guess it's like it's well, okay, there's

0:46:07.640 --> 0:46:11.840
<v Speaker 4>so many elements of this movie that is like, okay,

0:46:11.880 --> 0:46:16.680
<v Speaker 4>there is technology in this world beyond my wildest imagination,

0:46:17.840 --> 0:46:20.920
<v Speaker 4>So why can't they explain this to me? Because they

0:46:21.200 --> 0:46:23.200
<v Speaker 4>the closest they get to be like, we know you're

0:46:23.239 --> 0:46:26.160
<v Speaker 4>our mother, and we know your recurrence is like because

0:46:26.200 --> 0:46:28.960
<v Speaker 4>you kind of look like this statue and I'm like,

0:46:29.080 --> 0:46:32.359
<v Speaker 4>we don't have better technology than you kind of look

0:46:32.440 --> 0:46:33.440
<v Speaker 4>like this statue.

0:46:33.640 --> 0:46:37.400
<v Speaker 1>Okay, So like I thought it was that, Like I

0:46:37.400 --> 0:46:39.520
<v Speaker 1>don't know, maybe I'm extrapolating too much.

0:46:39.600 --> 0:46:41.560
<v Speaker 4>No, you know this movie far better than I do.

0:46:41.600 --> 0:46:43.640
<v Speaker 4>I was just trying to figure out, like it's there

0:46:43.640 --> 0:46:45.839
<v Speaker 4>seems like a lot of guesswork for this very high

0:46:45.880 --> 0:46:46.640
<v Speaker 4>tech universe.

0:46:46.880 --> 0:46:49.000
<v Speaker 1>So like I thought it was because like when you're

0:46:49.280 --> 0:46:52.200
<v Speaker 1>I don't know, theoretically, when you're going to donate eggs,

0:46:52.520 --> 0:46:56.480
<v Speaker 1>you give some sort of like DNA sample and perhaps

0:46:56.560 --> 0:46:59.920
<v Speaker 1>on all of their planets they like are keeping trapped

0:47:00.160 --> 0:47:03.359
<v Speaker 1>of like all of the DNA records, and so she's

0:47:03.400 --> 0:47:07.400
<v Speaker 1>like a genetic match of the mother when she like

0:47:07.960 --> 0:47:11.840
<v Speaker 1>went to the hospital and like registered under her.

0:47:11.719 --> 0:47:16.040
<v Speaker 4>Friend's name, why they under Vanessa Kirby's identity for something.

0:47:16.280 --> 0:47:20.080
<v Speaker 1>Yeah, And so they were like, oh, like ding, ding,

0:47:20.280 --> 0:47:23.399
<v Speaker 1>we found a match. Time to go to like this

0:47:23.480 --> 0:47:27.960
<v Speaker 1>medical specific medical record. But I don't know why, Like

0:47:28.160 --> 0:47:30.640
<v Speaker 1>has she never gone to the doctor before? Like I

0:47:30.640 --> 0:47:31.160
<v Speaker 1>don't know.

0:47:31.080 --> 0:47:33.840
<v Speaker 3>Why, like a blood sample?

0:47:34.239 --> 0:47:36.719
<v Speaker 1>Yeah, like why do they not? And I was sure,

0:47:36.800 --> 0:47:40.200
<v Speaker 1>and again I've seen this movie many times. How long

0:47:40.239 --> 0:47:42.520
<v Speaker 1>ago did the mother die? Was it.

0:47:43.040 --> 0:47:45.480
<v Speaker 4>Did she just that's a really good question.

0:47:45.840 --> 0:47:46.600
<v Speaker 3>That's not clear.

0:47:47.080 --> 0:47:49.319
<v Speaker 4>They're acting as if she did, but time is so

0:47:50.000 --> 0:47:50.839
<v Speaker 4>fluid to them.

0:47:51.320 --> 0:47:54.319
<v Speaker 1>I'm like, maybe like she gets like reborn when the

0:47:54.440 --> 0:47:59.440
<v Speaker 1>mother dies, and like her DNA is like re recycled

0:48:00.120 --> 0:48:01.560
<v Speaker 1>on their holdings.

0:48:01.640 --> 0:48:05.760
<v Speaker 4>I'm creating the rules of it felt very like I guess. Yeah.

0:48:05.920 --> 0:48:09.960
<v Speaker 4>With the Abrassics group, it's like it seemed like so

0:48:10.160 --> 0:48:12.520
<v Speaker 4>much was within their control, but then the things that

0:48:12.560 --> 0:48:17.600
<v Speaker 4>weren't within their control I didn't understand, Like, yeah, I

0:48:17.640 --> 0:48:20.359
<v Speaker 4>don't know the other thing, and this is like more

0:48:20.440 --> 0:48:25.359
<v Speaker 4>Bechtelcasti stuff, but that in this world where anything can

0:48:25.400 --> 0:48:27.960
<v Speaker 4>be true, and like we're being encouraged by this story

0:48:27.960 --> 0:48:30.920
<v Speaker 4>to be like, the world is completely different if you

0:48:31.160 --> 0:48:33.960
<v Speaker 4>just look just beneath the surface, which is so much

0:48:33.960 --> 0:48:37.280
<v Speaker 4>of what the Wachowskis are doing. Even in this world,

0:48:38.280 --> 0:48:44.839
<v Speaker 4>the ultimate goal across millennia, across planets and galaxies is

0:48:44.920 --> 0:48:51.200
<v Speaker 4>to be a young attractive woman. Yeah, and to not

0:48:51.560 --> 0:48:55.319
<v Speaker 4>appear old or age in any way. And it's just

0:48:55.400 --> 0:48:58.399
<v Speaker 4>presented as a universal truth and as it just made

0:48:58.640 --> 0:48:59.720
<v Speaker 4>kind of sad.

0:49:00.160 --> 0:49:02.800
<v Speaker 3>Yeah, I mean, I guess you could argue that that's

0:49:02.960 --> 0:49:04.800
<v Speaker 3>what the villains.

0:49:04.400 --> 0:49:08.480
<v Speaker 4>Want I but I don't think that there's anything applied.

0:49:08.800 --> 0:49:12.359
<v Speaker 4>There's no pushback on that being a good thing from

0:49:12.400 --> 0:49:15.400
<v Speaker 4>our heroes. They're just sort of like, oh oh, weird,

0:49:16.120 --> 0:49:19.239
<v Speaker 4>got it. Well we're already young and hot, so anyways,

0:49:19.520 --> 0:49:24.200
<v Speaker 4>like I don't know, shrug, but uh, I liked any

0:49:24.320 --> 0:49:26.480
<v Speaker 4>movie you guys, No, no.

0:49:26.520 --> 0:49:28.399
<v Speaker 1>I know, I feel the same way. And I think,

0:49:28.440 --> 0:49:32.000
<v Speaker 1>like again, this watch especially, like I think maybe this

0:49:32.080 --> 0:49:33.480
<v Speaker 1>is the first time I've watched it with like a

0:49:33.480 --> 0:49:37.319
<v Speaker 1>fully grown brain. Okay, it was kind of like, al right,

0:49:37.440 --> 0:49:39.880
<v Speaker 1>like this is what the great wishes, this is what

0:49:40.080 --> 0:49:45.080
<v Speaker 1>it all is about. Presumably Mila kunis now like in

0:49:45.160 --> 0:49:48.960
<v Speaker 1>her inheritance as Queen, gets this power too, but she doesn't.

0:49:49.680 --> 0:49:51.879
<v Speaker 1>She doesn't seem interested in using it. But she also

0:49:51.920 --> 0:49:54.399
<v Speaker 1>doesn't seem uninteresting.

0:49:55.360 --> 0:49:59.520
<v Speaker 4>Right, It's all so vague with her. It's like because

0:49:59.520 --> 0:50:02.840
<v Speaker 4>again don't know what she wants. She's just sort of

0:50:03.120 --> 0:50:06.800
<v Speaker 4>here for the ride, like another one of the awesome

0:50:06.880 --> 0:50:13.080
<v Speaker 4>Jupiter moments where you're like, Jupiter is an iconic apathetic character.

0:50:13.400 --> 0:50:17.360
<v Speaker 4>She is like on the Apathy Hall of Fame because

0:50:17.680 --> 0:50:20.640
<v Speaker 4>even after she's been abducted, this is going back a

0:50:20.640 --> 0:50:24.359
<v Speaker 4>little bit by Cain and Sean Bean. She calls her

0:50:24.440 --> 0:50:29.200
<v Speaker 4>cousin on the phone and says nothing about what is

0:50:29.239 --> 0:50:32.160
<v Speaker 4>going on. She's like, hey, sorry, something went wild at

0:50:32.200 --> 0:50:35.640
<v Speaker 4>the eggs situation and I'm busy now, and you're like,

0:50:36.640 --> 0:50:40.720
<v Speaker 4>so to be told over an hour later, all Jupiter

0:50:40.800 --> 0:50:43.040
<v Speaker 4>wants is to be with her family. I'm like, I

0:50:43.080 --> 0:50:45.319
<v Speaker 4>don't know. It seems like she was abducted and had

0:50:45.400 --> 0:50:49.040
<v Speaker 4>no interest in returning just for something to happen to her.

0:50:49.600 --> 0:50:51.600
<v Speaker 4>I know that, Like, and this is all like pulled

0:50:51.640 --> 0:50:54.399
<v Speaker 4>into focus for me when I learned that the witch

0:50:54.400 --> 0:50:59.960
<v Speaker 4>House Keys were pulling from Dorothy a lot for Jupiter

0:51:00.239 --> 0:51:03.279
<v Speaker 4>character and pulling from the Wizard of Oz. Yeah, but

0:51:04.239 --> 0:51:05.600
<v Speaker 4>it hasn't quite come together.

0:51:05.880 --> 0:51:09.960
<v Speaker 3>But I mean, compare it to again The Matrix, one

0:51:09.960 --> 0:51:13.799
<v Speaker 3>of the finest films ever made. I think they're both

0:51:13.920 --> 0:51:18.439
<v Speaker 3>chosen One narratives in the sense that it's someone who

0:51:19.280 --> 0:51:23.400
<v Speaker 3>is an ordinary person who is actually special and destined

0:51:23.440 --> 0:51:27.280
<v Speaker 3>for great things, and they discover this along the way

0:51:27.320 --> 0:51:30.319
<v Speaker 3>and have to decide what to do with all of

0:51:30.360 --> 0:51:35.400
<v Speaker 3>that information. And for Neo, he's actively seeking out answers.

0:51:35.440 --> 0:51:38.200
<v Speaker 3>He's actively trying to figure out, like what is the

0:51:38.239 --> 0:51:41.240
<v Speaker 3>matrix and do I want to be a part of

0:51:41.640 --> 0:51:46.680
<v Speaker 3>the resistance against it? And then with Jupiter, she's just

0:51:46.760 --> 0:51:49.280
<v Speaker 3>sort of like, oh.

0:51:49.040 --> 0:51:49.759
<v Speaker 4>We kids.

0:51:50.280 --> 0:51:53.680
<v Speaker 1>What's so interesting about her is that she's like from

0:51:53.800 --> 0:51:55.799
<v Speaker 1>a working class immigrant family.

0:51:55.840 --> 0:51:58.879
<v Speaker 3>And undocumented too specializes that she's undocumented.

0:51:59.040 --> 0:52:00.840
<v Speaker 1>Yeah, that was that was That was one of the

0:52:00.880 --> 0:52:03.120
<v Speaker 1>things that like on this watch, I was like, this

0:52:03.280 --> 0:52:07.400
<v Speaker 1>is like refugee imagery of like in the like bottom

0:52:07.440 --> 0:52:10.080
<v Speaker 1>of like the cellar of a boat, the harsh journey

0:52:10.160 --> 0:52:13.520
<v Speaker 1>across the waters, like that's they're very much pulling from

0:52:13.520 --> 0:52:17.879
<v Speaker 1>that kind of iconography, and I feel this kind of like, well,

0:52:17.960 --> 0:52:22.680
<v Speaker 1>my family is everything is like the like tagline for

0:52:23.160 --> 0:52:28.000
<v Speaker 1>like immigrant family stories, but there's no like grounding or

0:52:28.160 --> 0:52:30.279
<v Speaker 1>anything to hold on to with that. She's not a

0:52:30.320 --> 0:52:35.040
<v Speaker 1>fully fledged character grounded in that kind of reality or

0:52:35.239 --> 0:52:38.880
<v Speaker 1>family structure or family dynamic or tie at all, which

0:52:39.520 --> 0:52:42.120
<v Speaker 1>I think is very funny. I don't know, it makes

0:52:42.239 --> 0:52:43.880
<v Speaker 1>it makes it feel like her family is in a

0:52:43.960 --> 0:52:47.200
<v Speaker 1>completely different movie, and when they are pulled in to

0:52:47.280 --> 0:52:51.000
<v Speaker 1>the narrative, it's like what is going on? But yeah,

0:52:51.040 --> 0:52:55.120
<v Speaker 1>it's so interesting. It's like, what do you mean she's undocumented?

0:52:55.360 --> 0:52:57.759
<v Speaker 1>What do you mean that's the story that's being.

0:52:57.600 --> 0:53:01.040
<v Speaker 4>Told, right, Say more, save more, say more.

0:53:00.840 --> 0:53:03.200
<v Speaker 1>And like, how does it connect to like realizing that

0:53:03.280 --> 0:53:07.759
<v Speaker 1>you are the reincarnation of like the ultimate colonizer, Like

0:53:07.840 --> 0:53:09.000
<v Speaker 1>that's crazy, right.

0:53:09.400 --> 0:53:13.359
<v Speaker 4>And that she doesn't seem to have any opinions on that.

0:53:14.280 --> 0:53:16.880
<v Speaker 4>We're I mean, this is fastwording to the literal end

0:53:16.920 --> 0:53:18.799
<v Speaker 4>of the movie. But I was like, yeah, kind of

0:53:19.440 --> 0:53:22.480
<v Speaker 4>agg one might say that. At the end, she's like

0:53:23.320 --> 0:53:26.640
<v Speaker 4>talking with Caine and he's like, so you own the

0:53:26.680 --> 0:53:29.360
<v Speaker 4>world and she has no. I mean, it would have

0:53:29.360 --> 0:53:32.000
<v Speaker 4>been like easy, to the point of like bad writing,

0:53:32.040 --> 0:53:34.359
<v Speaker 4>to be like, well, I don't think anyone should own

0:53:34.400 --> 0:53:37.480
<v Speaker 4>the world. You can't really own the world. But she

0:53:37.680 --> 0:53:39.759
<v Speaker 4>was like, yeah, I do own the world, and I'm

0:53:39.760 --> 0:53:43.080
<v Speaker 4>still trying to figure out what that means. And you're like, yeah,

0:53:43.120 --> 0:53:45.719
<v Speaker 4>I guess I am too. Jupiter, are you and me both.

0:53:46.719 --> 0:53:49.160
<v Speaker 1>Like I think? Especially it's interesting that the way that

0:53:49.320 --> 0:53:55.160
<v Speaker 1>her father dies is also so like anti climactic. Is

0:53:55.239 --> 0:53:57.680
<v Speaker 1>just like some random people we don't I don't know,

0:53:57.680 --> 0:54:00.160
<v Speaker 1>I don't know if I would like want this of

0:54:00.200 --> 0:54:03.040
<v Speaker 1>my Jupiter ascending, but it's like, what what is what

0:54:03.200 --> 0:54:06.120
<v Speaker 1>is the what's their situation? In Russia. What are the vibes?

0:54:06.440 --> 0:54:09.040
<v Speaker 4>Like what when is when?

0:54:10.840 --> 0:54:14.160
<v Speaker 1>Like what is there? Like what is their context? And

0:54:14.640 --> 0:54:18.880
<v Speaker 1>I think that that's such an there's no like political

0:54:19.000 --> 0:54:22.319
<v Speaker 1>socio political grounding for any of their movements, of their

0:54:22.360 --> 0:54:26.480
<v Speaker 1>migration of anything. And so when you have this overarching

0:54:27.080 --> 0:54:29.160
<v Speaker 1>theme or like kind of like motif of the film

0:54:29.239 --> 0:54:34.000
<v Speaker 1>is essentially about like colonization and like annihilatory violence and

0:54:34.120 --> 0:54:38.400
<v Speaker 1>harvesting of resources, it's just kind of like what an

0:54:38.480 --> 0:54:40.839
<v Speaker 1>interesting character to put at the heart of it, who

0:54:40.920 --> 0:54:45.600
<v Speaker 1>also like does nothing at the end. I I you know,

0:54:46.000 --> 0:54:49.359
<v Speaker 1>earlier in the movie she says something like yeah, like

0:54:49.400 --> 0:54:51.920
<v Speaker 1>no one should own the world or something like that, right, right,

0:54:51.960 --> 0:54:54.440
<v Speaker 1>And so if that came back, that would be interesting.

0:54:54.800 --> 0:54:58.280
<v Speaker 4>But she owns the world. Yeah, She's like this is weird.

0:54:58.520 --> 0:55:02.000
<v Speaker 1>But she's also not tuned into any of society's ills either.

0:55:02.160 --> 0:55:06.120
<v Speaker 1>She's not like, oh, like the oppression of the working class.

0:55:06.160 --> 0:55:08.600
<v Speaker 1>You know, she's just like I hate my life, you know,

0:55:08.719 --> 0:55:11.200
<v Speaker 1>Like what was she You know, it's just so funny.

0:55:11.280 --> 0:55:14.319
<v Speaker 1>I don't know, like that there's such a nothingness to

0:55:14.400 --> 0:55:16.919
<v Speaker 1>it where there are so many points where it's like, well,

0:55:16.960 --> 0:55:20.440
<v Speaker 1>it could have been like a weird, heavy handed, cheesy,

0:55:20.880 --> 0:55:23.840
<v Speaker 1>sort of like liberal posturing, but it's not.

0:55:24.840 --> 0:55:28.000
<v Speaker 4>It's really interesting, yeah, because it's like I have to

0:55:28.040 --> 0:55:31.799
<v Speaker 4>imagine there were drafts of this where her family was

0:55:31.840 --> 0:55:36.680
<v Speaker 4>more meaningfully included, because the specifics are too specific to

0:55:36.800 --> 0:55:40.680
<v Speaker 4>have never meant anything, right, like yeah, but then her

0:55:40.719 --> 0:55:46.840
<v Speaker 4>family kind of becomes cartoon characters and in the final product,

0:55:46.880 --> 0:55:49.680
<v Speaker 4>I just am like, I wonder who is at the

0:55:49.840 --> 0:55:52.160
<v Speaker 4>charge of that, because you know, the Wachowskis have quite

0:55:52.200 --> 0:55:55.360
<v Speaker 4>a bit of like influence over the final product, but

0:55:55.480 --> 0:55:57.840
<v Speaker 4>also they still get studio notes and all that stuff,

0:55:57.840 --> 0:55:59.799
<v Speaker 4>Like I just I'd be so curious. I don't know.

0:56:00.120 --> 0:56:03.239
<v Speaker 3>Well, the other thing about it is that with other

0:56:04.080 --> 0:56:08.200
<v Speaker 3>Chosen One hero's journey type narratives, there are many where

0:56:09.320 --> 0:56:11.120
<v Speaker 3>there's a call to adventure in the sense that like

0:56:11.160 --> 0:56:15.120
<v Speaker 3>it falls in their lap and they unlike Neo, where

0:56:15.160 --> 0:56:19.359
<v Speaker 3>like they're not actively searching for answers, something comes to

0:56:19.400 --> 0:56:21.040
<v Speaker 3>them and falls in their lap and then they have

0:56:21.120 --> 0:56:22.839
<v Speaker 3>to decide what to do about it. But a lot

0:56:22.880 --> 0:56:27.800
<v Speaker 3>of those stories, whatever it is, ends up like radicalizing

0:56:27.840 --> 0:56:32.040
<v Speaker 3>them to realize. Oh, like Luke Skywalker, let's take that example,

0:56:32.719 --> 0:56:35.560
<v Speaker 3>things fall in his lap. He decides to go and

0:56:36.200 --> 0:56:39.120
<v Speaker 3>join the resistance. He doesn't really know a whole lot

0:56:39.160 --> 0:56:42.200
<v Speaker 3>of what that specifically means at first, but then he's like,

0:56:42.320 --> 0:56:46.240
<v Speaker 3>oh yeah, I hate the Empire, I hate Darth Vader,

0:56:46.320 --> 0:56:48.200
<v Speaker 3>Like this experience has radicalized me.

0:56:48.520 --> 0:56:52.000
<v Speaker 4>And this movie was said to be heavily influenced by

0:56:52.000 --> 0:56:56.759
<v Speaker 4>Star Wars, enough that Sean Bean has said that his

0:56:57.000 --> 0:57:01.640
<v Speaker 4>character that Stinger a ped his half human half honey

0:57:01.680 --> 0:57:06.960
<v Speaker 4>bee character he plays pie Hans. It says Stinger a Penie.

0:57:07.800 --> 0:57:09.440
<v Speaker 4>I don't know if they ever say his last name

0:57:09.440 --> 0:57:13.320
<v Speaker 4>about Loud. I'm just looking at Wikipedia. Stinger a Penie

0:57:13.920 --> 0:57:16.480
<v Speaker 4>Comma a Han solo type character.

0:57:17.920 --> 0:57:20.040
<v Speaker 3>I will say it is way more of a Han

0:57:20.160 --> 0:57:20.960
<v Speaker 3>solo type.

0:57:21.000 --> 0:57:24.400
<v Speaker 4>I was not getting Han solo from Stinger a Penie.

0:57:24.880 --> 0:57:30.120
<v Speaker 4>But I just, you know, dare to dream mean, yeah.

0:57:29.960 --> 0:57:37.080
<v Speaker 1>I would say that about myself, you know, sure, like you.

0:57:33.760 --> 0:57:38.160
<v Speaker 3>Know exactly, Yeah, I'm a Han solo.

0:57:39.200 --> 0:57:42.560
<v Speaker 4>Anything is a Han solo type. Half honey bee is

0:57:42.720 --> 0:57:44.280
<v Speaker 4>just like it's just so funny.

0:57:44.480 --> 0:57:47.720
<v Speaker 3>Wait, okay, sorry, back up a second. He yes, he's

0:57:47.760 --> 0:57:50.200
<v Speaker 3>a honeybee hybrid. Is that why he has all the bees?

0:57:50.480 --> 0:57:52.560
<v Speaker 1>Yeah? So he's a bee?

0:57:53.560 --> 0:57:56.480
<v Speaker 4>Yeah, you know how a dog while Sean Bee is

0:57:56.600 --> 0:57:59.640
<v Speaker 4>half bee and there's no yeah, does he just look

0:57:59.760 --> 0:58:03.600
<v Speaker 4>like a man? Well, yeah, looks like a man, but

0:58:03.680 --> 0:58:05.640
<v Speaker 4>let's not worry about it. Also, going back to the

0:58:05.680 --> 0:58:08.440
<v Speaker 4>Wizard of Oz, stuff like just I don't know, this

0:58:08.560 --> 0:58:12.400
<v Speaker 4>movie is so chaotic. There are quotes about this that

0:58:12.440 --> 0:58:16.320
<v Speaker 4>I was like, what the hell, Maybe I'm being too

0:58:16.320 --> 0:58:21.440
<v Speaker 4>close minded. This is a quote about because the Wochowskis

0:58:21.480 --> 0:58:25.080
<v Speaker 4>have repeatedly said this is influenced by the Odyssey, the

0:58:25.120 --> 0:58:28.720
<v Speaker 4>Wizard of Oz, and Star Wars, the big influences. You

0:58:28.720 --> 0:58:32.880
<v Speaker 4>can definitely feel those often in conflict with each other. Right,

0:58:33.480 --> 0:58:38.960
<v Speaker 4>But this is a quote from Lana Wachowski comparing Cain

0:58:39.120 --> 0:58:41.920
<v Speaker 4>to a character from the Wizard of Oz. She says,

0:58:42.120 --> 0:58:43.880
<v Speaker 4>we were like, can we bring a different kind of

0:58:43.920 --> 0:58:47.840
<v Speaker 4>female character like Dorothy or Alice, characters who negotiate conflict

0:58:47.880 --> 0:58:52.560
<v Speaker 4>and complex situations with intelligence and empathy. Yes, Dorothy has

0:58:52.600 --> 0:58:56.320
<v Speaker 4>a protector, Toto, who's always barking at everyone, and that

0:58:56.720 --> 0:59:02.919
<v Speaker 4>was the origin of Cain. This movie asks what if

0:59:03.120 --> 0:59:09.680
<v Speaker 4>Dorothy and Toto were fucking like it's so weird, Like too,

0:59:11.480 --> 0:59:13.920
<v Speaker 4>I love the Waitchousekis. I'm like, why would you say that,

0:59:14.640 --> 0:59:16.720
<v Speaker 4>why would you say what if Dorothy was fucking Toto?

0:59:16.800 --> 0:59:19.080
<v Speaker 4>And that's kind of the whole idea.

0:59:19.120 --> 0:59:22.080
<v Speaker 3>And then okay, so that's we're already getting into the discussion.

0:59:22.520 --> 0:59:26.560
<v Speaker 3>But yeah, there's just so much to unpack. I think

0:59:26.880 --> 0:59:32.360
<v Speaker 3>the reason Jupiter's character doesn't end up being radicalized by

0:59:33.320 --> 0:59:39.080
<v Speaker 3>her learning about this very large scale colonial capitalist genocidal

0:59:39.200 --> 0:59:43.360
<v Speaker 3>project is she you know, at the end she does

0:59:43.440 --> 0:59:46.480
<v Speaker 3>say like, no, I'm not gonna let you do this,

0:59:46.760 --> 0:59:49.920
<v Speaker 3>but through most of the movie she's not really asking

0:59:49.960 --> 0:59:53.840
<v Speaker 3>the right question. She doesn't seem curious about what's going on.

0:59:54.080 --> 0:59:56.560
<v Speaker 3>She's just sort of like you might even say, she

0:59:56.720 --> 0:59:58.880
<v Speaker 3>put on some gravity boots and is just sort of

0:59:59.000 --> 1:00:00.800
<v Speaker 3>coasting along and.

1:00:00.880 --> 1:00:04.160
<v Speaker 4>Maarda, she's on dial up internet.

1:00:04.840 --> 1:00:07.880
<v Speaker 3>Yes, And it's because I think the main arc that

1:00:07.960 --> 1:00:11.320
<v Speaker 3>seems to be written for her character, rather than any

1:00:11.320 --> 1:00:15.160
<v Speaker 3>sort of like political ideological shift or anything like that.

1:00:15.760 --> 1:00:19.200
<v Speaker 3>It's like hetero romance where in the very beginning there's

1:00:19.240 --> 1:00:25.320
<v Speaker 3>like mention in her voiceover of something about not finding love,

1:00:25.480 --> 1:00:28.600
<v Speaker 3>and then she's talking to her friend Catherine and she's like, well,

1:00:28.640 --> 1:00:32.200
<v Speaker 3>my mom always told me that fairy tales were ridiculous,

1:00:32.280 --> 1:00:34.720
<v Speaker 3>and the love isn't I don't know if it's real.

1:00:35.160 --> 1:00:37.560
<v Speaker 3>And then when she's talking to Kine in various situations,

1:00:37.600 --> 1:00:40.240
<v Speaker 3>she's like, I always seem to go after the wrong

1:00:40.320 --> 1:00:43.600
<v Speaker 3>man who doesn't love me back. So everything everything that

1:00:43.640 --> 1:00:44.760
<v Speaker 3>revolves around her arc.

1:00:44.800 --> 1:00:48.040
<v Speaker 4>Which we have no context for, like we don't know that.

1:00:48.200 --> 1:00:51.080
<v Speaker 4>And you're also like, yeah, Meili Kunnas, I'm sure you're

1:00:51.080 --> 1:00:54.480
<v Speaker 4>getting turned down right and left. But like, but it is.

1:00:54.600 --> 1:00:58.000
<v Speaker 4>It is interesting again where I have to feel like

1:00:58.320 --> 1:01:01.280
<v Speaker 4>her mom because this move he wants to be about

1:01:01.440 --> 1:01:04.800
<v Speaker 4>mothers a lot. And so it also does feel weird

1:01:04.960 --> 1:01:10.520
<v Speaker 4>that Jupiter's mother is so estranged from the movie because

1:01:10.560 --> 1:01:14.520
<v Speaker 4>at the end, again because her family is kind of

1:01:14.560 --> 1:01:17.440
<v Speaker 4>operating in a totally different movie than the rest of

1:01:17.520 --> 1:01:20.920
<v Speaker 4>the movie, especially her cousin's Flattie, Oh my god, her

1:01:20.960 --> 1:01:24.160
<v Speaker 4>cousin's Flatty is in like a fairly Brothers movie. He's

1:01:24.200 --> 1:01:29.480
<v Speaker 4>like somewhere else, He's like in nineteen ninety nine. But

1:01:30.120 --> 1:01:32.800
<v Speaker 4>like you're saying, like all of the groundwork is laid

1:01:32.920 --> 1:01:35.160
<v Speaker 4>for them to be actively engaged with the story. So

1:01:35.160 --> 1:01:38.120
<v Speaker 4>I'm wondering if, like when and if that was severed.

1:01:38.440 --> 1:01:41.760
<v Speaker 4>But the end, her her mother is just like, oh,

1:01:41.800 --> 1:01:46.360
<v Speaker 4>by the way, I'm over your father's death and like

1:01:46.520 --> 1:01:50.040
<v Speaker 4>you should have a telescope. Sorry, and you're like surely.

1:01:50.160 --> 1:01:52.160
<v Speaker 4>At one point, this was more of an arc between

1:01:52.280 --> 1:01:54.760
<v Speaker 4>Jupiter and her mother, because it feels like it's like

1:01:54.920 --> 1:01:59.400
<v Speaker 4>even the opening sequence establishes some tension between them, but

1:01:59.440 --> 1:02:01.000
<v Speaker 4>then she just kind of disappears.

1:02:01.680 --> 1:02:02.480
<v Speaker 3>Yeah for sure.

1:02:02.640 --> 1:02:03.720
<v Speaker 4>Anyways, I like it.

1:02:04.920 --> 1:02:08.680
<v Speaker 1>Yeah, best movie ever? Yeah, what happens next? King?

1:02:09.720 --> 1:02:13.000
<v Speaker 3>I would love to tell you. Okay, so Jupiter is

1:02:13.000 --> 1:02:17.360
<v Speaker 3>with Colique Khaliku is trying to buddy up to our

1:02:17.400 --> 1:02:18.320
<v Speaker 3>friend Jupiter.

1:02:18.480 --> 1:02:19.920
<v Speaker 1>It what strokes her face?

1:02:20.360 --> 1:02:27.320
<v Speaker 3>Oh yeah, it's intimate awesome. Colique explains that to her people,

1:02:27.880 --> 1:02:32.560
<v Speaker 3>time is the most valuable resource and that she and

1:02:32.640 --> 1:02:35.320
<v Speaker 3>her family can live for so long because they use

1:02:35.440 --> 1:02:40.200
<v Speaker 3>this advanced technology that they've created to replace their dying

1:02:40.320 --> 1:02:44.480
<v Speaker 3>cells with new ones. But where do they get the

1:02:44.520 --> 1:02:49.440
<v Speaker 3>new cells? I wonder if we'll find out? And then

1:02:49.480 --> 1:02:53.480
<v Speaker 3>we see Colique go through this like rejuvenation process where

1:02:53.520 --> 1:02:56.640
<v Speaker 3>she takes a dip in a pool and comes out

1:02:57.240 --> 1:03:03.280
<v Speaker 3>looking much younger. She has washed all the oldness off.

1:03:03.680 --> 1:03:07.840
<v Speaker 4>Right, because looking young is the ultimate goal of not

1:03:08.000 --> 1:03:13.200
<v Speaker 4>just humanity, of all living beings throughout time is looking

1:03:13.320 --> 1:03:14.920
<v Speaker 4>hot in twenty fifteen.

1:03:16.080 --> 1:03:20.240
<v Speaker 3>Yeah, and then Khalik is like, by the way, my

1:03:20.320 --> 1:03:24.640
<v Speaker 3>mother wrote in her will that any recurrence of hers,

1:03:24.720 --> 1:03:28.640
<v Speaker 3>which again is what Jupiter is, will inherit the Earth.

1:03:29.240 --> 1:03:34.960
<v Speaker 3>So technically Jupiter owns like is the rightful heir to Earth,

1:03:35.720 --> 1:03:38.680
<v Speaker 3>even though it was Ballam who was originally supposed to

1:03:38.680 --> 1:03:41.479
<v Speaker 3>inherit the Earth, and that's why he wants Jupiter dead

1:03:41.840 --> 1:03:45.880
<v Speaker 3>so that he can keep Earth. And we're not really

1:03:45.880 --> 1:03:48.280
<v Speaker 3>sure how Jupiter processes this, but.

1:03:48.800 --> 1:03:51.680
<v Speaker 4>There's a lot of cliffhangers with Jupiter about to form

1:03:51.720 --> 1:03:52.280
<v Speaker 4>an opinion.

1:03:54.080 --> 1:03:56.920
<v Speaker 3>But the important thing is that she thinks Kalek is

1:03:57.280 --> 1:04:00.360
<v Speaker 3>kind of nice and on her side. But then Kane

1:04:00.360 --> 1:04:02.480
<v Speaker 3>shows up to be like, m I'm not too sure

1:04:02.520 --> 1:04:08.520
<v Speaker 3>about that. That's probably not true. Then Jupiter is like, yeah,

1:04:08.880 --> 1:04:13.520
<v Speaker 3>so she'll be kiss and she's suddenly very horny for him,

1:04:13.840 --> 1:04:15.200
<v Speaker 3>but he rejects her.

1:04:15.920 --> 1:04:20.400
<v Speaker 4>She's the Tyra Dolpha was rejected mate. One might say, yeah,

1:04:20.840 --> 1:04:23.880
<v Speaker 4>I really, I mean yeah truly to fans of that book.

1:04:24.040 --> 1:04:27.720
<v Speaker 4>I literally got horny and had to stop because I

1:04:27.760 --> 1:04:30.080
<v Speaker 4>was like, I don't want to know. I don't want it.

1:04:30.200 --> 1:04:32.560
<v Speaker 3>Sometimes you just I don't want to uncover that part

1:04:32.560 --> 1:04:33.760
<v Speaker 3>of yourself.

1:04:33.520 --> 1:04:36.160
<v Speaker 4>Such as you're like, if I'm into this, I really cannot.

1:04:36.360 --> 1:04:38.360
<v Speaker 4>I'm I've got a lot going on right now.

1:04:38.360 --> 1:04:40.840
<v Speaker 1>I can't know this is this when she says I

1:04:40.880 --> 1:04:44.919
<v Speaker 1>love dogs. I've always loved dogs, and then yes, yeah,

1:04:45.040 --> 1:04:49.160
<v Speaker 1>okay yeah, and then her like she like her strange,

1:04:49.880 --> 1:04:52.680
<v Speaker 1>like to herself like I love dogs, like kind of

1:04:52.720 --> 1:04:55.800
<v Speaker 1>realizing something, and it's like, I don't know, I don't

1:04:55.840 --> 1:04:57.400
<v Speaker 1>know what emotion you're expressing.

1:04:58.160 --> 1:05:00.640
<v Speaker 4>I feel I do feel like there is an actor

1:05:00.760 --> 1:05:04.440
<v Speaker 4>that could have sold that line. It just Mila Kunas

1:05:04.520 --> 1:05:05.480
<v Speaker 4>is not that actor.

1:05:05.840 --> 1:05:06.640
<v Speaker 1>Natalie Portland.

1:05:06.720 --> 1:05:10.720
<v Speaker 4>Let's see it, Natalie Portman. Maybe could I love dogs?

1:05:10.760 --> 1:05:10.840
<v Speaker 1>Like?

1:05:10.920 --> 1:05:13.600
<v Speaker 4>You know, like there there is someone who or or

1:05:13.640 --> 1:05:16.600
<v Speaker 4>even a Jennifer Lawrence type could have made it funny,

1:05:16.840 --> 1:05:17.400
<v Speaker 4>you know, like.

1:05:17.640 --> 1:05:19.920
<v Speaker 3>Yeah, well, I think I think the way you're supposed

1:05:19.920 --> 1:05:24.040
<v Speaker 3>to read this is her repeating the ridiculous line she

1:05:24.120 --> 1:05:27.160
<v Speaker 3>just said to herself, as if to say, like, you idiot,

1:05:27.240 --> 1:05:31.120
<v Speaker 3>what did you say? I love dogs? But that's not

1:05:31.240 --> 1:05:33.280
<v Speaker 3>quite how Mila Kunaz delivers it.

1:05:33.400 --> 1:05:36.360
<v Speaker 4>So she just sort of says I love dogs again. Yeah,

1:05:36.680 --> 1:05:39.880
<v Speaker 4>she says, must love dogs and I love dogs. The

1:05:39.920 --> 1:05:41.360
<v Speaker 4>Wes Anderson movie.

1:05:42.280 --> 1:05:43.680
<v Speaker 3>Wow makes you think.

1:05:44.320 --> 1:05:46.600
<v Speaker 4>I'm thinking, I've never seen that movie, but I love

1:05:46.720 --> 1:05:49.240
<v Speaker 4>that it is just I love dogs.

1:05:49.280 --> 1:05:53.040
<v Speaker 1>I think it's also twenty fifteen maybe, oh wow, it

1:05:53.120 --> 1:05:54.080
<v Speaker 1>might be twenty fourteen.

1:05:54.680 --> 1:06:00.200
<v Speaker 4>Huge years either, huge year for movies. I didn't watch.

1:06:00.400 --> 1:06:03.040
<v Speaker 3>Okay, So Jupiter owns Earth.

1:06:04.240 --> 1:06:05.959
<v Speaker 4>She's working it out.

1:06:06.880 --> 1:06:13.960
<v Speaker 3>Yes, a cyborg named Bob starts on the paperwork that's

1:06:14.000 --> 1:06:19.320
<v Speaker 3>required so that Jupiter can access the title to Earth

1:06:19.440 --> 1:06:21.520
<v Speaker 3>the way that you like, you know, have a title

1:06:21.560 --> 1:06:23.720
<v Speaker 3>to a car or a deed to the house.

1:06:23.880 --> 1:06:26.120
<v Speaker 4>She's trying to write it down. If this came out today,

1:06:26.400 --> 1:06:29.200
<v Speaker 4>this part would be played by John Early, because this

1:06:29.360 --> 1:06:32.240
<v Speaker 4>actor is strongly channeling John Early.

1:06:32.320 --> 1:06:37.400
<v Speaker 3>Oh true. Okay, so Bob is helping her. There's a

1:06:37.480 --> 1:06:41.760
<v Speaker 3>ton of bureaucratic red tape, but she finally gets the

1:06:41.840 --> 1:06:48.160
<v Speaker 3>title to Earth and now she owns the planet. This

1:06:48.240 --> 1:06:51.800
<v Speaker 3>makes her even hornier because once again Jupiter lays it

1:06:51.840 --> 1:06:55.320
<v Speaker 3>on real thick on Cain. She wants to smooth him

1:06:55.680 --> 1:06:56.520
<v Speaker 3>so bad.

1:06:56.800 --> 1:06:59.400
<v Speaker 4>And she likes to be called queen. And this is

1:06:59.440 --> 1:07:03.280
<v Speaker 4>like a wish filment thing. But I'm begging Jupiter to

1:07:03.320 --> 1:07:05.520
<v Speaker 4>think more critically about what's happening.

1:07:06.720 --> 1:07:09.760
<v Speaker 3>He says, like your majesty and she's like, oh.

1:07:10.760 --> 1:07:13.160
<v Speaker 4>Say it again, and you're like, okay, Jupiter, but what

1:07:13.160 --> 1:07:15.600
<v Speaker 4>are you going to do with the deed to Earth?

1:07:17.520 --> 1:07:20.920
<v Speaker 3>Yeah? But she's too horny for that, and it seems

1:07:20.960 --> 1:07:25.440
<v Speaker 3>like Caine might be kind of reciprocating these feelings, but

1:07:25.520 --> 1:07:31.600
<v Speaker 3>the moment is ruined when twist Stinger betrays them and

1:07:31.600 --> 1:07:35.440
<v Speaker 3>we're like, oh, a Sean Bean character turning on someone

1:07:35.520 --> 1:07:38.280
<v Speaker 3>and betraying them and being a bad guy the whole time.

1:07:39.120 --> 1:07:41.960
<v Speaker 3>I would have never thought, just kidding, this is the

1:07:42.040 --> 1:07:43.520
<v Speaker 3>character he plays every time.

1:07:43.720 --> 1:07:46.840
<v Speaker 4>But unlike every other time, it doesn't have too much

1:07:46.840 --> 1:07:48.880
<v Speaker 4>of an effect on the plot because later Kine just

1:07:48.920 --> 1:07:51.720
<v Speaker 4>comes back and he's like, oh, well right, your daughter,

1:07:51.880 --> 1:07:52.520
<v Speaker 4>so whatever.

1:07:53.160 --> 1:07:53.400
<v Speaker 3>Yeah.

1:07:53.440 --> 1:07:55.760
<v Speaker 4>I liked it. That felt like the twist on the

1:07:55.760 --> 1:07:59.040
<v Speaker 4>Sean Being character is that he betrayed him and guess what,

1:07:59.160 --> 1:08:00.000
<v Speaker 4>it doesn't affect them.

1:08:00.320 --> 1:08:03.280
<v Speaker 3>That way, and actually he's he is a good guy.

1:08:03.600 --> 1:08:07.600
<v Speaker 3>He just betrayed them for reasons, but now he's good again.

1:08:07.640 --> 1:08:10.040
<v Speaker 4>I thought Caine was real for that. I was like, yeah,

1:08:10.080 --> 1:08:12.440
<v Speaker 4>you know what, life is hard, and you know we're

1:08:12.480 --> 1:08:16.800
<v Speaker 4>putting compromising positions and yeah, let's just keep things moving.

1:08:17.560 --> 1:08:22.000
<v Speaker 3>True. Compare it to his character in, for example, National Treasure,

1:08:22.360 --> 1:08:26.600
<v Speaker 3>when he betrays Nicholas Cage's character whose name is Benjamin

1:08:26.920 --> 1:08:27.760
<v Speaker 3>Franklin or.

1:08:27.680 --> 1:08:33.360
<v Speaker 4>Something, Benjamin Franklin Gates Gates. Sorry, I hate that I

1:08:33.400 --> 1:08:35.000
<v Speaker 4>had that ready, that.

1:08:35.120 --> 1:08:41.479
<v Speaker 3>Locked and loaded. Anyway, he betrays Benjamin Franklin Gates and

1:08:41.520 --> 1:08:43.519
<v Speaker 3>then is a bad guy the whole time, the whole

1:08:43.520 --> 1:08:44.320
<v Speaker 3>rest of the movie.

1:08:44.600 --> 1:08:47.000
<v Speaker 4>So yeah, he's only a bad guy for half of

1:08:47.040 --> 1:08:49.160
<v Speaker 4>the time, much like he is only half of a

1:08:49.200 --> 1:09:01.000
<v Speaker 4>honey bee. Yeah, which like truly which half? I just

1:09:01.280 --> 1:09:04.360
<v Speaker 4>And it's also like if you're casting a part and

1:09:04.439 --> 1:09:06.680
<v Speaker 4>I love Sean Bean, but I don't look at him

1:09:06.720 --> 1:09:10.800
<v Speaker 4>and I'm like, oh right, he's so b like like

1:09:10.880 --> 1:09:12.840
<v Speaker 4>you know, like you would think of maybe casting a

1:09:12.960 --> 1:09:15.880
<v Speaker 4>type that you're like, oh, like a uh, I don't know.

1:09:15.880 --> 1:09:21.439
<v Speaker 4>I don't think of bees as like muscular and gruff. Yeah,

1:09:21.439 --> 1:09:22.519
<v Speaker 4>I know.

1:09:22.760 --> 1:09:27.760
<v Speaker 3>Wait, okay, was were his parents Renezel Wigger's character from

1:09:27.880 --> 1:09:30.679
<v Speaker 3>B Movie and the Bee from B Movie?

1:09:31.520 --> 1:09:36.080
<v Speaker 4>No, I really can't Sean Bean Sean Bean. Maybe they're

1:09:36.160 --> 1:09:40.720
<v Speaker 4>thinking Sean Bee much like Larry B. King from B

1:09:40.880 --> 1:09:42.240
<v Speaker 4>Movie or.

1:09:42.960 --> 1:09:46.120
<v Speaker 3>Larry Bealy Is that anything like Larry geely.

1:09:46.000 --> 1:09:52.120
<v Speaker 4>Be and who is that joke for? But it's for me,

1:09:53.800 --> 1:09:57.280
<v Speaker 4>thank you so much. Okay, the thread I won't wish,

1:09:57.600 --> 1:10:00.360
<v Speaker 4>I wouldn't wish Sean Bean being the spawn of Jerry

1:10:00.400 --> 1:10:05.760
<v Speaker 4>seinfeldt like there's I want better for him, but but

1:10:05.760 --> 1:10:10.320
<v Speaker 4>but some are the question stands he's half be where exactly?

1:10:11.920 --> 1:10:16.160
<v Speaker 1>And it's also like surprising that he's able to betray

1:10:16.520 --> 1:10:21.040
<v Speaker 1>the queen when he is part B. You'd think that,

1:10:21.280 --> 1:10:21.679
<v Speaker 1>Oh my.

1:10:21.600 --> 1:10:23.480
<v Speaker 4>God, yes, and he would sooner.

1:10:23.280 --> 1:10:25.000
<v Speaker 1>Die wouldn't allow him?

1:10:25.160 --> 1:10:27.800
<v Speaker 4>Oh my god. They didn't even think of that. It's

1:10:27.920 --> 1:10:31.080
<v Speaker 4>just like, I mean, okay, so technically Jupiter Ascending is

1:10:31.080 --> 1:10:33.920
<v Speaker 4>giving the same deference to Bees that B movie is

1:10:33.960 --> 1:10:38.200
<v Speaker 4>because B movie makes bees a patriarchy. Still yeah, wow,

1:10:38.439 --> 1:10:40.479
<v Speaker 4>yeah he shouldn't. Okay, first of all, he I thought you.

1:10:40.720 --> 1:10:43.439
<v Speaker 4>I thought you were getting at something far sillier, which

1:10:43.479 --> 1:10:45.240
<v Speaker 4>is that if he's half B, he should be able

1:10:45.280 --> 1:10:48.320
<v Speaker 4>to get between those bars.

1:10:48.640 --> 1:10:53.280
<v Speaker 1>Oh yeah, you know like shape shift and I.

1:10:53.200 --> 1:10:56.519
<v Speaker 4>Do love that, Like, yeah, well is it? I can't

1:10:56.560 --> 1:10:59.599
<v Speaker 4>even remember. This movie is blurred in my head, Like

1:11:00.400 --> 1:11:02.400
<v Speaker 4>I know that it's a big deal for Caine to

1:11:02.400 --> 1:11:05.080
<v Speaker 4>get his wings back, which is not something I associate

1:11:05.120 --> 1:11:08.960
<v Speaker 4>with wolves or dogs. But sure, yeah, so shouldn't Sean

1:11:09.040 --> 1:11:10.840
<v Speaker 4>Bean be trying to get his wings back?

1:11:11.000 --> 1:11:11.160
<v Speaker 2>Is he?

1:11:11.240 --> 1:11:11.479
<v Speaker 4>Also?

1:11:12.920 --> 1:11:15.599
<v Speaker 1>I was thinking that his bee too, Like he's trying

1:11:15.600 --> 1:11:17.799
<v Speaker 1>to get back bee wings, not angel wings.

1:11:18.120 --> 1:11:20.400
<v Speaker 6>I guess why don't we get to see him with

1:11:20.520 --> 1:11:22.519
<v Speaker 6>bee wings the little ones?

1:11:23.040 --> 1:11:23.320
<v Speaker 4>Yeah?

1:11:23.400 --> 1:11:25.639
<v Speaker 3>Yeah, there should have been like a post credits scene

1:11:25.880 --> 1:11:28.400
<v Speaker 3>where he's buzzing around in his little bee wings.

1:11:28.600 --> 1:11:32.439
<v Speaker 4>Yeah that is so oh my god, wait, I cannot stop,

1:11:32.760 --> 1:11:36.200
<v Speaker 4>Like Summer, he should not be able to betray the queen.

1:11:36.280 --> 1:11:40.680
<v Speaker 4>That's like that should be his whole thing. Yeah, that's infuriating.

1:11:41.439 --> 1:11:44.559
<v Speaker 4>Why didn't they think of that? Why go? Why go

1:11:44.640 --> 1:11:47.719
<v Speaker 4>out of the way to make Jupiter queen? If if

1:11:47.760 --> 1:11:50.280
<v Speaker 4>the only bee in the story is going to betray

1:11:50.360 --> 1:11:52.759
<v Speaker 4>her with no consequence.

1:11:52.400 --> 1:11:54.839
<v Speaker 1>It's like, I don't know, how is he the outside

1:11:54.880 --> 1:11:59.000
<v Speaker 1>of the name stinger? I don't know, singer?

1:11:59.560 --> 1:12:01.320
<v Speaker 4>Yeah, oh yeah, I mean we.

1:12:01.280 --> 1:12:04.200
<v Speaker 1>Can talk about this later. But I am interested in

1:12:05.120 --> 1:12:07.759
<v Speaker 1>Cain as a name. But that's that's for after.

1:12:08.160 --> 1:12:11.800
<v Speaker 3>That's for after Cain K nine K nine that I

1:12:11.960 --> 1:12:14.640
<v Speaker 3>was thinking, Okay, but the biblical.

1:12:14.240 --> 1:12:19.400
<v Speaker 4>Cane also a peenie I just learned is just like

1:12:19.439 --> 1:12:22.160
<v Speaker 4>a Latin word for b. So his name is stinger

1:12:22.200 --> 1:12:27.640
<v Speaker 4>b yes, and Okay, yet he is just a tattooed

1:12:28.200 --> 1:12:28.920
<v Speaker 4>man man.

1:12:30.000 --> 1:12:33.160
<v Speaker 3>Yeah, at least the at least they put Channing Tatum

1:12:34.000 --> 1:12:38.559
<v Speaker 3>in again pointy ears. He's wearing eyeliner because dogs famously

1:12:38.600 --> 1:12:41.800
<v Speaker 3>wear eyeliner, and he I think he does have kind

1:12:41.840 --> 1:12:44.759
<v Speaker 3>of sharper more pronounced can nine teeth.

1:12:45.120 --> 1:12:47.800
<v Speaker 1>The bleached brows are something.

1:12:48.560 --> 1:12:51.320
<v Speaker 3>Which is like all things I associate with dogs.

1:12:52.000 --> 1:12:56.040
<v Speaker 4>They're just trying to make Channing Tatum look fucky in

1:12:56.080 --> 1:12:58.880
<v Speaker 4>a way we haven't seen him before. Yeah, I think

1:12:58.960 --> 1:13:01.639
<v Speaker 4>kind of and that and that's good to be clear,

1:13:01.680 --> 1:13:06.040
<v Speaker 4>that's good, just like Eddie Redmain sort of looks kardashian

1:13:06.240 --> 1:13:09.920
<v Speaker 4>esque in a way that I was like, is this?

1:13:10.960 --> 1:13:14.400
<v Speaker 4>What is this? What am I looking at? Why isn't

1:13:14.400 --> 1:13:15.679
<v Speaker 4>he opening his mouth?

1:13:15.880 --> 1:13:20.759
<v Speaker 1>His long neck, the longest neck that's ever been seen?

1:13:22.720 --> 1:13:26.120
<v Speaker 4>How dare they give him a razzie? I just I

1:13:26.200 --> 1:13:30.439
<v Speaker 4>guarantee that this is a more interesting performance than both

1:13:30.479 --> 1:13:32.000
<v Speaker 4>of his Oscar performances.

1:13:32.320 --> 1:13:36.040
<v Speaker 1>Yeah, I agree. I saw a theory of everything, and

1:13:36.080 --> 1:13:39.400
<v Speaker 1>I saw Jupiter sending and let me tell you when

1:13:39.479 --> 1:13:40.240
<v Speaker 1>do I remember?

1:13:41.840 --> 1:13:44.360
<v Speaker 4>And what are we talking about? In the Bechdel theory

1:13:44.400 --> 1:13:46.920
<v Speaker 4>and everything tell you that much.

1:13:47.080 --> 1:13:51.080
<v Speaker 1>That's the most culturally relevant exact the oscars don't matter.

1:13:51.080 --> 1:13:53.080
<v Speaker 4>Who has stood the test of time?

1:13:54.160 --> 1:13:58.520
<v Speaker 3>And what's Stephen Hawking not named in the Epstein files here?

1:14:00.560 --> 1:14:09.599
<v Speaker 4>And you know who wasn't.

1:14:08.600 --> 1:14:09.200
<v Speaker 3>Makes you think?

1:14:09.439 --> 1:14:10.120
<v Speaker 4>Makes you think?

1:14:10.320 --> 1:14:17.800
<v Speaker 3>Okay, back to the story. Okay, Stinger has just betrayed them.

1:14:18.080 --> 1:14:23.640
<v Speaker 3>Jupiter is detained and brought to Titus, the youngest of

1:14:23.680 --> 1:14:30.280
<v Speaker 3>the three siblings, and she's like, you're violating space code

1:14:30.520 --> 1:14:32.920
<v Speaker 3>and you have to bring me back to Earth and

1:14:32.960 --> 1:14:36.120
<v Speaker 3>he's like, okay, fair, but first you must dine with me,

1:14:37.360 --> 1:14:43.360
<v Speaker 3>and he puts her in a patent leather catwoman style dress.

1:14:43.439 --> 1:14:47.280
<v Speaker 4>Yeah really like it reminded me of in the recent

1:14:48.280 --> 1:14:53.360
<v Speaker 4>Weathering Heights adaptation, which but when like Margaret Robbie all

1:14:53.360 --> 1:14:56.760
<v Speaker 4>of a sudden randomly looks like Kula Deville and you're like,

1:14:57.640 --> 1:15:01.200
<v Speaker 4>what like it is? It's an interesting outfit, But it's

1:15:01.240 --> 1:15:04.520
<v Speaker 4>so like the tone of this movie is so inconsistent

1:15:04.520 --> 1:15:07.200
<v Speaker 4>because Mila Kunis is still playing like I'm just a

1:15:07.240 --> 1:15:10.719
<v Speaker 4>regular girl. So she's like, this dress isn't really my style?

1:15:10.840 --> 1:15:15.040
<v Speaker 4>I'm like, dude, or don't Jupiter? Come on? It's a

1:15:15.400 --> 1:15:16.400
<v Speaker 4>weird dress though, And.

1:15:16.400 --> 1:15:21.160
<v Speaker 3>Even more bizarre is that Titus is like Hubba hubba,

1:15:21.240 --> 1:15:24.840
<v Speaker 3>even though it's been established that Jupiter looks exactly like

1:15:25.280 --> 1:15:32.240
<v Speaker 3>his mother. So he wants to fuck his mom question.

1:15:32.040 --> 1:15:35.559
<v Speaker 4>Mark, Great, well, Caitlyn, you've heard of that one before.

1:15:36.280 --> 1:15:39.439
<v Speaker 4>Come on, well have you heard this one before? I mean,

1:15:39.600 --> 1:15:41.639
<v Speaker 4>I wants to fuck a lady that looks like his mom,

1:15:41.920 --> 1:15:48.000
<v Speaker 4>but rarely the uh proven incarnation of his actual mom. Right,

1:15:48.120 --> 1:15:51.120
<v Speaker 4>But then it turns out just kidding for some reason,

1:15:51.520 --> 1:15:52.000
<v Speaker 4>just kidding.

1:15:52.200 --> 1:15:55.000
<v Speaker 3>Yeah, we'll find out more about that in a moment.

1:15:55.080 --> 1:15:59.520
<v Speaker 3>But in the meantime, he shows Jupiter all these canisters

1:15:59.760 --> 1:16:04.240
<v Speaker 3>of this liquid. It's the same thing that Kaliku bathed

1:16:04.280 --> 1:16:09.200
<v Speaker 3>in earlier, and he explains that it's made from humans,

1:16:10.040 --> 1:16:14.280
<v Speaker 3>that Earth is a farm that they harvest people from

1:16:14.320 --> 1:16:20.800
<v Speaker 3>to create this like rejuvenating youth juice. But he's trying

1:16:20.840 --> 1:16:23.719
<v Speaker 3>to put a stop to all this because that's wrong,

1:16:24.320 --> 1:16:27.600
<v Speaker 3>as was his mother, and he's just following in her footsteps.

1:16:28.560 --> 1:16:32.200
<v Speaker 3>And he's like, but enough about all that, will you

1:16:32.320 --> 1:16:33.479
<v Speaker 3>marry me? Jupiter?

1:16:33.960 --> 1:16:38.040
<v Speaker 4>And we're somehow left on a cliffhanger for this.

1:16:38.600 --> 1:16:41.360
<v Speaker 3>Yeah, she gasps, and then there's another hard cut to

1:16:41.400 --> 1:16:42.480
<v Speaker 3>the next scene.

1:16:42.479 --> 1:16:48.280
<v Speaker 4>And you're like, Jupiter, what's in it for you? She

1:16:51.840 --> 1:16:54.360
<v Speaker 4>this becomes and again I'm like, is there like a

1:16:54.400 --> 1:16:57.360
<v Speaker 4>Wizard of Ozsie? I was trying to, like, see, I

1:16:57.400 --> 1:17:01.479
<v Speaker 4>have not read the Odyssey looking forward to the Christopher

1:17:01.520 --> 1:17:04.680
<v Speaker 4>and noll In Odyssey, I have to say, so I

1:17:05.360 --> 1:17:08.120
<v Speaker 4>only know the broad strokes. I can see the Wizard

1:17:08.160 --> 1:17:12.920
<v Speaker 4>of Oz episodic nature of like what if instead of

1:17:13.360 --> 1:17:16.599
<v Speaker 4>meeting three friends on your way to Oz, you were

1:17:16.720 --> 1:17:22.839
<v Speaker 4>kidnapped by three diabolical siblings on the way to nowhere

1:17:23.920 --> 1:17:27.000
<v Speaker 4>or on the way back to home? Right technically if

1:17:27.080 --> 1:17:31.160
<v Speaker 4>Chicago is Kansas something like that, Like it is episodic,

1:17:31.280 --> 1:17:35.360
<v Speaker 4>but but the episodes don't really advance the plot. They

1:17:35.479 --> 1:17:39.400
<v Speaker 4>kind of just continue it. I don't know. I was

1:17:39.479 --> 1:17:43.120
<v Speaker 4>trying to get there. The tightest one at very least,

1:17:43.520 --> 1:17:48.040
<v Speaker 4>I will say, was interesting. Yeah, I didn't see brother

1:17:48.200 --> 1:17:49.439
<v Speaker 4>proposal coming.

1:17:49.560 --> 1:17:49.800
<v Speaker 1>M M.

1:17:50.400 --> 1:17:50.599
<v Speaker 2>Yeah.

1:17:51.080 --> 1:17:54.120
<v Speaker 1>This is really where it all starts, like really falling

1:17:54.160 --> 1:17:56.880
<v Speaker 1>apart for me. Okay, this is where I'm really like,

1:17:56.960 --> 1:17:59.720
<v Speaker 1>I don't I don't know what's happening. I don't know

1:18:00.400 --> 1:18:04.240
<v Speaker 1>there's like a there's a continually shifting allegiance of Jupiter

1:18:04.320 --> 1:18:07.360
<v Speaker 1>to different characters, and it's like, why why are you

1:18:07.439 --> 1:18:09.000
<v Speaker 1>with this person now? Why?

1:18:09.040 --> 1:18:12.519
<v Speaker 3>Like I don't she's she's very very gullible and she

1:18:12.600 --> 1:18:16.040
<v Speaker 3>just sort of like becomes best friends with whoever the

1:18:16.080 --> 1:18:19.920
<v Speaker 3>next sibling she meets is yeah, and we're like, have

1:18:20.040 --> 1:18:22.880
<v Speaker 3>a little bit more discernment of character.

1:18:23.000 --> 1:18:27.120
<v Speaker 1>And think she should be more weirded out, more and

1:18:27.280 --> 1:18:29.519
<v Speaker 1>more excited, you know, like she.

1:18:29.439 --> 1:18:34.320
<v Speaker 4>Just has like sub reactions to again, like that's it's

1:18:34.360 --> 1:18:36.760
<v Speaker 4>part of why she's such a frustrating character. Where like

1:18:37.560 --> 1:18:41.720
<v Speaker 4>Lanava Chowski said in different interviews, like oh, well Dorothy, Well,

1:18:41.760 --> 1:18:43.320
<v Speaker 4>first of all, I think she kind of misreads the

1:18:43.400 --> 1:18:45.800
<v Speaker 4>character Dorothy, where she's like Dorothy doesn't change that much

1:18:45.840 --> 1:18:47.800
<v Speaker 4>from the beginning to the end, And you're like, well

1:18:47.800 --> 1:18:52.160
<v Speaker 4>that's not true at all. But like Dorothy is maybe

1:18:52.200 --> 1:18:56.040
<v Speaker 4>not the most active protagonist, right, There's it's a lot

1:18:56.080 --> 1:19:00.759
<v Speaker 4>of things happening to her, but Dorothy is consist making

1:19:01.200 --> 1:19:06.639
<v Speaker 4>emotional choices. She is consistently stating where she stands with things,

1:19:07.080 --> 1:19:11.280
<v Speaker 4>and these are qualities jupid relax, Like, yeah, I wouldn't

1:19:11.800 --> 1:19:14.960
<v Speaker 4>characterize her as a particularly empathetic I wouldn't characterize her

1:19:15.000 --> 1:19:18.000
<v Speaker 4>as anything. I don't like she just seems to be like, wow,

1:19:18.080 --> 1:19:21.280
<v Speaker 4>this is so like it's like she's talking to an

1:19:21.320 --> 1:19:26.719
<v Speaker 4>audience that isn't there, both figuratively and if box Office

1:19:26.720 --> 1:19:30.519
<v Speaker 4>receets her to be indicated literally being like this is

1:19:30.600 --> 1:19:34.120
<v Speaker 4>so weird. Wow, Like you're just like, how do you

1:19:34.200 --> 1:19:37.320
<v Speaker 4>feel about this? Critical it's impossible to feel nothing.

1:19:37.760 --> 1:19:42.880
<v Speaker 1>Dorothy and Alice of Alice, they're both little girls, so that's.

1:19:42.479 --> 1:19:44.680
<v Speaker 4>Also adult women part of it.

1:19:44.880 --> 1:19:48.600
<v Speaker 1>Like they're little girls, and she's an adult woman with

1:19:48.720 --> 1:19:51.519
<v Speaker 1>a job and like a life and is donating her eggs.

1:19:51.600 --> 1:19:53.560
<v Speaker 1>You know, I don't know, Like there is like just

1:19:53.600 --> 1:19:56.720
<v Speaker 1>an incredible passivity that also doesn't seem to be like

1:19:57.200 --> 1:20:01.679
<v Speaker 1>noticed by the narrative either, Like it's not passive character

1:20:01.840 --> 1:20:05.679
<v Speaker 1>in an interesting way, like right, you know, but it's

1:20:05.760 --> 1:20:09.080
<v Speaker 1>just like she's like getting a river and she's being

1:20:09.160 --> 1:20:09.960
<v Speaker 1>knocked around.

1:20:10.840 --> 1:20:14.360
<v Speaker 4>I feel like she's weirdly kind of subject to these

1:20:14.400 --> 1:20:17.840
<v Speaker 4>like tropes I would normally and this is kind of

1:20:17.840 --> 1:20:19.639
<v Speaker 4>like old hat at this point, but that I would

1:20:19.680 --> 1:20:23.360
<v Speaker 4>like attribute to like a born sexy Yesterday character, except

1:20:23.400 --> 1:20:28.640
<v Speaker 4>she wasn't born sexy yesterday, she was she was born, Like,

1:20:28.800 --> 1:20:31.120
<v Speaker 4>we know so much about her origin story, we know

1:20:31.200 --> 1:20:33.800
<v Speaker 4>so much about her, and so it's like, with all

1:20:33.800 --> 1:20:36.920
<v Speaker 4>that being true, it's really bizarre that she has no

1:20:37.040 --> 1:20:41.920
<v Speaker 4>reaction to anything that's going on. I do like, Okay,

1:20:42.000 --> 1:20:43.760
<v Speaker 4>I just scrolled past this note and I don't know

1:20:43.840 --> 1:20:45.559
<v Speaker 4>if I'll find it again, because I have so many

1:20:45.560 --> 1:20:51.880
<v Speaker 4>notes that even in deep space, the poorly constructed H

1:20:51.960 --> 1:20:54.280
<v Speaker 4>and m V neck will find its way to you.

1:20:55.720 --> 1:20:58.280
<v Speaker 4>Everyone is wearing an H and M V neck at

1:20:58.280 --> 1:21:05.400
<v Speaker 4>some point in the movie, including billionaire aliens, and I

1:21:05.479 --> 1:21:08.840
<v Speaker 4>celebrate that that's monoculture in a way we no longer have.

1:21:10.920 --> 1:21:11.400
<v Speaker 3>So true.

1:21:11.600 --> 1:21:15.120
<v Speaker 4>Yeah, so yeah, So her brothers like, marry me, and

1:21:15.200 --> 1:21:19.200
<v Speaker 4>she bafflingly is like, yeah, maybe her son.

1:21:19.320 --> 1:21:23.280
<v Speaker 3>Her son's marry me, and she's like.

1:21:24.280 --> 1:21:27.040
<v Speaker 4>And she's about to do it, and they literally I

1:21:27.040 --> 1:21:29.120
<v Speaker 4>thought they were gonna do like a series of unfortunate

1:21:29.160 --> 1:21:32.040
<v Speaker 4>events thing where she's like secretly kind of playing a

1:21:32.080 --> 1:21:34.240
<v Speaker 4>trick and she's like, I'm going to sign the contract

1:21:34.240 --> 1:21:36.800
<v Speaker 4>with the wrong hand or like somehow, but like no,

1:21:36.880 --> 1:21:39.639
<v Speaker 4>she's just gonna marry him and wait for Channing Tatum

1:21:39.680 --> 1:21:40.960
<v Speaker 4>to interrupt the wedding.

1:21:41.120 --> 1:21:45.440
<v Speaker 3>Yes, which is more or less what happens next. Titus

1:21:45.720 --> 1:21:49.040
<v Speaker 3>disposes of Cain by like launching him into space, but

1:21:49.640 --> 1:21:54.560
<v Speaker 3>Cain uses his nifty gravity boots and a magical oxygen

1:21:54.680 --> 1:21:58.200
<v Speaker 3>suit that he happens to have right there to survive

1:21:58.360 --> 1:22:03.799
<v Speaker 3>until he is rescued by Like they're described as space

1:22:03.960 --> 1:22:09.400
<v Speaker 3>cops who we've seen before. They're like buds with Stinger.

1:22:10.240 --> 1:22:15.160
<v Speaker 3>Stinger a penie, of course, so he gets rescueees Stinger

1:22:15.240 --> 1:22:22.360
<v Speaker 3>is a penie. Yes. Jupiter meanwhile is going through with

1:22:22.400 --> 1:22:29.559
<v Speaker 3>this marriage. So Cain and Stinger reconcile, and then they

1:22:29.760 --> 1:22:34.240
<v Speaker 3>go to the wedding to stop it. And Caine is

1:22:34.240 --> 1:22:36.599
<v Speaker 3>starting to realize that he's in love with Jupiter two,

1:22:37.080 --> 1:22:39.200
<v Speaker 3>and so they go in and they crash the wedding

1:22:39.240 --> 1:22:43.400
<v Speaker 3>and it's very Shrek crashing in to stop the Fiona

1:22:43.479 --> 1:22:44.759
<v Speaker 3>Farquad wedding.

1:22:45.560 --> 1:22:48.519
<v Speaker 4>Sure, except we know what Fiona wants.

1:22:50.360 --> 1:22:52.200
<v Speaker 3>Yes, that is the big difference.

1:22:52.360 --> 1:22:55.960
<v Speaker 4>And also there's a huge matrix reference in Trek there

1:22:56.080 --> 1:22:57.720
<v Speaker 4>is featuring Fiona.

1:22:58.000 --> 1:23:03.360
<v Speaker 3>It's all connected, web connects them all, it sure does.

1:23:04.160 --> 1:23:07.120
<v Speaker 4>I think maybe the only person who said with love

1:23:07.200 --> 1:23:08.920
<v Speaker 4>the only person who maybe could have been worse in

1:23:09.000 --> 1:23:11.880
<v Speaker 4>the part of Jupiter is to go to Johnson's to

1:23:11.920 --> 1:23:14.519
<v Speaker 4>go to Johnson is maybe the only living actor who

1:23:14.520 --> 1:23:16.040
<v Speaker 4>could have given less in this role.

1:23:16.360 --> 1:23:19.240
<v Speaker 1>Yeah, yeah, this this movie is pretty like Madam Webbian.

1:23:19.800 --> 1:23:21.040
<v Speaker 1>I think it's.

1:23:24.040 --> 1:23:27.639
<v Speaker 4>She really could have but but maybe Dakota Johnson could

1:23:27.640 --> 1:23:30.559
<v Speaker 4>have sold me on apathy as a as a character choice.

1:23:30.840 --> 1:23:34.040
<v Speaker 1>Yeah, let's let's remake it. I want to.

1:23:35.520 --> 1:23:39.800
<v Speaker 4>I would love to see another Jupiter's ending. All they

1:23:39.840 --> 1:23:43.559
<v Speaker 4>needed was four hundred million dollars and that would have That.

1:23:43.520 --> 1:23:45.479
<v Speaker 1>Would have fixed it, that would have made the story

1:23:45.600 --> 1:23:46.120
<v Speaker 1>made sense.

1:23:47.120 --> 1:23:51.040
<v Speaker 3>Yeah, we all know that money equals good story exactly

1:23:51.520 --> 1:23:55.799
<v Speaker 3>for sure. Okay. So then Kine, who has rescued Jupiter

1:23:55.880 --> 1:24:00.679
<v Speaker 3>from the wedding, takes her back to Earth, but when

1:24:00.720 --> 1:24:04.040
<v Speaker 3>she goes into her house, her family is gone because

1:24:04.040 --> 1:24:09.479
<v Speaker 3>they've been abducted by Balam's giant space lizard man. And

1:24:09.520 --> 1:24:14.880
<v Speaker 3>then that other servant of Balam's, mister Knight, blackmails.

1:24:16.240 --> 1:24:17.840
<v Speaker 4>Had completely forgotten about him.

1:24:18.600 --> 1:24:23.200
<v Speaker 3>He blackmails Jupiter saying that if she relinquishes her title

1:24:23.760 --> 1:24:28.040
<v Speaker 3>to Earth so that Balam can have it, they'll let

1:24:28.080 --> 1:24:32.160
<v Speaker 3>her family live. So she agrees to go with mister

1:24:32.240 --> 1:24:35.759
<v Speaker 3>Knight to keep her family safe. She meets with Balam,

1:24:35.920 --> 1:24:41.240
<v Speaker 3>who demands that she hand over her title to Earth,

1:24:42.120 --> 1:24:44.760
<v Speaker 3>and she's like, well, if I do that, you're just

1:24:44.920 --> 1:24:51.000
<v Speaker 3>gonna harvest and kill everyone there, and he's like yeah yeah,

1:24:51.040 --> 1:24:53.519
<v Speaker 3>and she's like, well, I guess I should form an

1:24:53.560 --> 1:24:54.640
<v Speaker 3>opinion about.

1:24:54.320 --> 1:24:56.679
<v Speaker 4>That later, and she does.

1:24:57.320 --> 1:25:00.120
<v Speaker 3>I guess and she says, no, don't do it, Balam.

1:25:00.640 --> 1:25:03.280
<v Speaker 3>But before she can like really do anything on her own,

1:25:03.920 --> 1:25:10.040
<v Speaker 3>Cain and his buddies attack Balum and I think the

1:25:10.160 --> 1:25:14.559
<v Speaker 3>like the refinery where they make the youth juice at

1:25:16.000 --> 1:25:19.479
<v Speaker 3>So things are kind of like crashing down around them,

1:25:20.400 --> 1:25:25.599
<v Speaker 3>and Jupiter and Balom fall into a hole and they're

1:25:25.640 --> 1:25:26.920
<v Speaker 3>like plummeting downward.

1:25:27.120 --> 1:25:30.519
<v Speaker 4>One could one could even call it, okay, horrible in

1:25:30.600 --> 1:25:33.599
<v Speaker 4>coming a plot hole. Oh wow?

1:25:33.880 --> 1:25:37.440
<v Speaker 3>Oh wait, I thought you were gonna say Jupiter descending.

1:25:38.200 --> 1:25:42.400
<v Speaker 4>Oh god, if I only had a bigger brain. Thankfully

1:25:42.560 --> 1:25:42.840
<v Speaker 4>you do.

1:25:43.120 --> 1:25:46.519
<v Speaker 3>I do, so I got you covered. Thank you so

1:25:46.640 --> 1:25:52.560
<v Speaker 3>much anytime. Okay, So they're falling. Cain is I don't know,

1:25:52.600 --> 1:25:55.200
<v Speaker 3>he's doing something. He's battling the giant lizards.

1:25:55.560 --> 1:25:59.760
<v Speaker 4>He's busting as hump, He's busting us up.

1:26:00.400 --> 1:26:04.000
<v Speaker 3>Jupiter starts to make her way back to Caine, but

1:26:04.040 --> 1:26:08.919
<v Speaker 3>then Balum attacks Jupiter again. They're fighting, they fall again,

1:26:09.320 --> 1:26:13.680
<v Speaker 3>they're descending again, but then finally Caine swoops in with

1:26:13.680 --> 1:26:16.519
<v Speaker 3>his gravity boots and saves Jupiter. I think this is

1:26:16.560 --> 1:26:18.880
<v Speaker 3>the fifth or sixth time he has saved her throughout

1:26:18.920 --> 1:26:19.320
<v Speaker 3>the movie.

1:26:19.880 --> 1:26:22.599
<v Speaker 4>Yeah, not to mention, I mean she's also been saved

1:26:22.600 --> 1:26:26.200
<v Speaker 4>by characters. We never really get full context for thinking

1:26:26.240 --> 1:26:30.479
<v Speaker 4>of you, missus ponytails, where the hell you were? You

1:26:30.560 --> 1:26:32.240
<v Speaker 4>also saved Jupiter at some point?

1:26:32.320 --> 1:26:33.519
<v Speaker 3>Wait? Who she has?

1:26:33.560 --> 1:26:35.840
<v Speaker 1>Like the it's like purple hair.

1:26:36.400 --> 1:26:41.160
<v Speaker 4>Yeah, she has like purple pigtails that are like crimped,

1:26:41.200 --> 1:26:44.160
<v Speaker 4>and she's got this cool outfit and she but like,

1:26:44.240 --> 1:26:47.040
<v Speaker 4>I have no idea who she is. I don't know

1:26:47.080 --> 1:26:50.960
<v Speaker 4>how beside she's on We see her once or twice.

1:26:51.600 --> 1:26:53.640
<v Speaker 4>Oh wait, no, isn't she one of She's the kind

1:26:53.640 --> 1:26:56.040
<v Speaker 4>of character you see and you're like, yeah, she's gonna

1:26:56.040 --> 1:26:58.400
<v Speaker 4>be awesome, but then you just never really figure out

1:26:58.400 --> 1:26:59.000
<v Speaker 4>who she is.

1:26:59.000 --> 1:27:02.080
<v Speaker 3>Isn't she one of the bounty hunters who captures her?

1:27:02.200 --> 1:27:03.400
<v Speaker 3>I don't think she saves.

1:27:03.120 --> 1:27:03.880
<v Speaker 4>Who told you that?

1:27:04.439 --> 1:27:05.280
<v Speaker 3>Who told me that?

1:27:05.920 --> 1:27:08.120
<v Speaker 4>Yeah? Wait, I want I want to know who that

1:27:08.200 --> 1:27:08.720
<v Speaker 4>character is.

1:27:09.560 --> 1:27:11.960
<v Speaker 3>I mean if you if I'm thinking of who you're describing,

1:27:12.120 --> 1:27:15.519
<v Speaker 3>I think she she like abducts Jupiter, not saves her.

1:27:15.800 --> 1:27:18.479
<v Speaker 4>Well, she does Jupiter, I guess. I'm thinking, like Jupiter

1:27:18.600 --> 1:27:22.200
<v Speaker 4>is like unconscious and someone wakes her up. Did she

1:27:22.240 --> 1:27:24.200
<v Speaker 4>wake Jupiter up for being unconscious?

1:27:24.560 --> 1:27:26.000
<v Speaker 3>Maybe I can't remember.

1:27:27.160 --> 1:27:30.479
<v Speaker 1>He's in the like really long scene at the beginning

1:27:30.720 --> 1:27:33.080
<v Speaker 1>that's like yes, yeah, yeah, yeah.

1:27:33.120 --> 1:27:38.040
<v Speaker 4>And then she instruction Yeah yeah, she's a bounty.

1:27:38.320 --> 1:27:41.400
<v Speaker 1>Join don't the two bounty hunters like join them?

1:27:41.800 --> 1:27:42.120
<v Speaker 3>No?

1:27:43.080 --> 1:27:43.799
<v Speaker 4>On their side?

1:27:43.960 --> 1:27:46.559
<v Speaker 1>Really I thought so too, but it was unclear.

1:27:46.720 --> 1:27:48.960
<v Speaker 3>Well, I mean, Summer, you've seen this movie way more

1:27:49.000 --> 1:27:51.640
<v Speaker 3>than me. But I was like, I was so locked in.

1:27:51.720 --> 1:27:54.040
<v Speaker 3>I was like, I have to understand.

1:27:54.160 --> 1:27:56.160
<v Speaker 1>No, you're doing so good. I was really wondering.

1:27:56.200 --> 1:28:01.760
<v Speaker 3>I was like, reare, Okay, we're almost done, So given

1:28:01.840 --> 1:28:05.800
<v Speaker 3>us the ultimate challenge. Yeah, Cain and Jupiter are making

1:28:05.840 --> 1:28:10.840
<v Speaker 3>their way back to the ship, but oh no, something's

1:28:10.840 --> 1:28:13.960
<v Speaker 3>about to explode. Will they make it in time? They do,

1:28:14.400 --> 1:28:18.559
<v Speaker 3>and then Jupiter returns to Earth. She's safe and sound

1:28:18.680 --> 1:28:21.919
<v Speaker 3>with her mom and aunt and the rest of her family.

1:28:22.720 --> 1:28:24.400
<v Speaker 3>Though she's back to cleaning toilets.

1:28:24.760 --> 1:28:26.879
<v Speaker 4>But now it's awesome.

1:28:26.960 --> 1:28:31.040
<v Speaker 3>But now she's the Queen of Earth, so she loves

1:28:31.040 --> 1:28:31.599
<v Speaker 3>her life.

1:28:31.800 --> 1:28:35.200
<v Speaker 4>And now that's what I call You can't say that.

1:28:35.439 --> 1:28:37.759
<v Speaker 4>I mean, at the beginning she hated toilets, but now

1:28:37.800 --> 1:28:38.799
<v Speaker 4>she likes them.

1:28:38.840 --> 1:28:40.760
<v Speaker 3>And that's an arc if I've ever seen one.

1:28:40.840 --> 1:28:42.519
<v Speaker 4>That's an arc that counts.

1:28:42.760 --> 1:28:45.360
<v Speaker 3>Then her family gives her the telescope that she was

1:28:45.400 --> 1:28:49.479
<v Speaker 3>hoping to buy, and then the movie ends with her

1:28:49.600 --> 1:28:52.759
<v Speaker 3>not using it at all. Instead, she's noodling with Cain,

1:28:53.400 --> 1:28:54.960
<v Speaker 3>who has wings now.

1:28:55.200 --> 1:28:59.280
<v Speaker 4>Like a dog would right, right, guys, right.

1:28:58.760 --> 1:29:03.200
<v Speaker 3>Exactly, and then she has his gravity boots on and

1:29:03.240 --> 1:29:08.679
<v Speaker 3>then they're flying around together the end. Yes, so an

1:29:08.720 --> 1:29:12.920
<v Speaker 3>hour and a half into the episode, let's take another

1:29:12.960 --> 1:29:23.160
<v Speaker 3>break and we'll come back to discuss.

1:29:25.200 --> 1:29:27.960
<v Speaker 4>And we're bad, We're back. I do feel like we've

1:29:28.040 --> 1:29:31.800
<v Speaker 4>had a large portion of the discussion. Ye starting the

1:29:31.880 --> 1:29:35.799
<v Speaker 4>recap as is increasingly common on this show. But summer,

1:29:36.640 --> 1:29:37.960
<v Speaker 4>where would you like to begin?

1:29:39.040 --> 1:29:43.520
<v Speaker 1>Let's let's let's talk about the mother daughter relationship, Jupiter's

1:29:43.560 --> 1:29:48.479
<v Speaker 1>mother daughter relationship. Absolutely, I feel like there are there

1:29:48.520 --> 1:29:52.280
<v Speaker 1>are movies when you rewatch them. Every time you watch it,

1:29:52.400 --> 1:29:54.800
<v Speaker 1>you're kind of like, oh, I forgot it starts like that,

1:29:55.520 --> 1:29:58.120
<v Speaker 1>and this is one of them. I'm always like, oh, yeah,

1:29:58.120 --> 1:30:01.759
<v Speaker 1>it doesn't start with the toilets, it starts with the parents.

1:30:02.080 --> 1:30:05.920
<v Speaker 1>And I think something that always throws me off is

1:30:05.960 --> 1:30:08.840
<v Speaker 1>when her family buys her the telescope at the end.

1:30:09.280 --> 1:30:12.280
<v Speaker 1>I always wonder when did her mom tell her about

1:30:12.320 --> 1:30:16.679
<v Speaker 1>the telescope? Like, when when did she get any kind

1:30:16.680 --> 1:30:20.360
<v Speaker 1>of access to her family history. She says, like, my

1:30:20.479 --> 1:30:22.880
<v Speaker 1>mom like pushed away all of her family except for

1:30:22.920 --> 1:30:25.599
<v Speaker 1>her sister. And it seems like maybe she doesn't talk

1:30:25.640 --> 1:30:29.680
<v Speaker 1>about her dad very much. Maybe she only knows the

1:30:29.760 --> 1:30:32.120
<v Speaker 1>origin of her name, but I don't know. I always

1:30:32.120 --> 1:30:35.559
<v Speaker 1>found that to be such a dropped thing. It's like,

1:30:35.600 --> 1:30:38.519
<v Speaker 1>why does she know what telescope her dead dad had?

1:30:39.439 --> 1:30:41.439
<v Speaker 1>How is it relevant to any of this? How do

1:30:41.520 --> 1:30:44.160
<v Speaker 1>we spend so much time in space? And then like

1:30:44.320 --> 1:30:47.080
<v Speaker 1>her astronomer father isn't relevant?

1:30:47.240 --> 1:30:51.559
<v Speaker 4>Really he never comes back. That's really yeah. I felt

1:30:51.560 --> 1:30:54.240
<v Speaker 4>the same. I just I have to believe and would

1:30:54.280 --> 1:30:56.559
<v Speaker 4>I did not have a lot of luck finding out

1:30:56.600 --> 1:31:01.080
<v Speaker 4>like what happened in earlier drafts of this script, but

1:31:01.439 --> 1:31:04.599
<v Speaker 4>that her mother had to like, especially at the end

1:31:04.640 --> 1:31:07.840
<v Speaker 4>where it feels throwaway. In the version of the movie

1:31:07.840 --> 1:31:11.120
<v Speaker 4>that we get where she's like, you know, I've really

1:31:11.240 --> 1:31:13.680
<v Speaker 4>like she says something I can to like, I've realized,

1:31:13.720 --> 1:31:17.080
<v Speaker 4>like you should be able to use a telescope and

1:31:17.240 --> 1:31:19.840
<v Speaker 4>explore your passions and blah blah blah, and like says

1:31:19.880 --> 1:31:21.800
<v Speaker 4>something that you're like, Well in a movie where this

1:31:21.960 --> 1:31:26.280
<v Speaker 4>character was a character that could be really impactful and

1:31:26.320 --> 1:31:29.439
<v Speaker 4>could have really like symbolized an arc that mother and

1:31:29.520 --> 1:31:33.360
<v Speaker 4>daughter have been on, but like, I don't know, yeah,

1:31:33.400 --> 1:31:35.880
<v Speaker 4>like somewhere, like you're saying, there's a lot established about

1:31:35.880 --> 1:31:38.240
<v Speaker 4>the mom that I find it very hard to believe

1:31:38.280 --> 1:31:42.639
<v Speaker 4>that there wasn't originally intentioned to have that mother daughter

1:31:42.760 --> 1:31:47.800
<v Speaker 4>story running throughout, because that would also track with how

1:31:47.920 --> 1:31:52.320
<v Speaker 4>disregulated the Abrasis family is yea with their dead mother,

1:31:52.920 --> 1:31:55.400
<v Speaker 4>and then you have like why don't we know how

1:31:55.560 --> 1:31:57.840
<v Speaker 4>I mean whatever, It's like, you know, Jupiter never knew

1:31:57.880 --> 1:32:01.559
<v Speaker 4>her father and we don't really know how much or

1:32:01.640 --> 1:32:04.720
<v Speaker 4>when she learned about him, But there are ways that

1:32:04.800 --> 1:32:08.160
<v Speaker 4>you think that Jupiter could connect with In contrast, the

1:32:08.240 --> 1:32:11.800
<v Speaker 4>Abrasis family, where they have a dead parent, they have

1:32:12.360 --> 1:32:16.520
<v Speaker 4>mommy issues, yeah, but none of these similarities are explored.

1:32:16.960 --> 1:32:20.680
<v Speaker 1>And like thinking about the Wizard of Oz comparison, so

1:32:20.840 --> 1:32:25.600
<v Speaker 1>much of like Dorothy's journey, right is seeing the parallels

1:32:25.680 --> 1:32:30.200
<v Speaker 1>of the Ossians to the troubles that she has in

1:32:30.240 --> 1:32:32.479
<v Speaker 1>her life at the start of the movie, right, like

1:32:32.520 --> 1:32:36.400
<v Speaker 1>the mean Lady is the wicked Witch, and on and

1:32:36.439 --> 1:32:40.520
<v Speaker 1>on and on, right, And so it's it's very funny,

1:32:40.680 --> 1:32:43.360
<v Speaker 1>I don't know to be to site Wizard of All

1:32:43.560 --> 1:32:48.439
<v Speaker 1>as an influence, but have such a drastic disconnect between

1:32:48.479 --> 1:32:53.639
<v Speaker 1>these two narratives, especially with like any redmaking murders his mom,

1:32:53.880 --> 1:32:56.360
<v Speaker 1>Like what I don't know, Like what does that do

1:32:56.479 --> 1:32:59.120
<v Speaker 1>to a person to be faced with a person who

1:32:59.200 --> 1:33:02.040
<v Speaker 1>has like killed the parent. Does it make you think

1:33:02.080 --> 1:33:04.519
<v Speaker 1>about your relationship to your parent at all? It would

1:33:04.600 --> 1:33:06.080
<v Speaker 1>make me right.

1:33:06.240 --> 1:33:09.599
<v Speaker 4>And it's like, but that's kind of not Jupiter's style.

1:33:10.360 --> 1:33:11.960
<v Speaker 4>Jupiter's like brain off.

1:33:12.120 --> 1:33:17.120
<v Speaker 3>I was not really asking questions or being curious about anything.

1:33:16.840 --> 1:33:22.280
<v Speaker 4>And that's actually self care. And she's like touching grass

1:33:22.360 --> 1:33:25.960
<v Speaker 4>or something. But yeah, I guess something that I wondered

1:33:25.960 --> 1:33:28.960
<v Speaker 4>that I'm like, maybe I'm really kind of like off

1:33:28.960 --> 1:33:31.599
<v Speaker 4>the deep end here. But at the end when you

1:33:31.640 --> 1:33:36.200
<v Speaker 4>find out randomly like Eddie Redmain murdered his mother, but

1:33:36.280 --> 1:33:39.400
<v Speaker 4>he also says that she was begging to ask you,

1:33:39.920 --> 1:33:44.160
<v Speaker 4>if not begged him to do we believe him there?

1:33:44.640 --> 1:33:46.800
<v Speaker 4>Like I think we're supposed to believe him, but it

1:33:46.880 --> 1:33:53.560
<v Speaker 4>just feels like again like if true, so under explored. Yeah,

1:33:53.560 --> 1:33:56.240
<v Speaker 4>and such a last minute thing to learn about a

1:33:56.320 --> 1:33:59.600
<v Speaker 4>character before they fall into a literal void never to

1:33:59.640 --> 1:34:00.400
<v Speaker 4>be seen again.

1:34:00.840 --> 1:34:04.360
<v Speaker 1>I believed Tim, and I thought it was meant to

1:34:05.520 --> 1:34:09.439
<v Speaker 1>say that there is like something in the genetics that

1:34:09.520 --> 1:34:12.759
<v Speaker 1>she possesses that like, oh, you hate your life because

1:34:12.760 --> 1:34:16.600
<v Speaker 1>my mother hated her life, and so you're genetically predisposed.

1:34:18.320 --> 1:34:24.040
<v Speaker 3>I interpreted it as their mother realized the atrocities that

1:34:24.080 --> 1:34:29.720
<v Speaker 3>she committed by harvesting humans from various planets.

1:34:29.840 --> 1:34:34.400
<v Speaker 1>But see, like that would be great, like imagine that

1:34:34.600 --> 1:34:38.080
<v Speaker 1>like an interiority of like your I don't know, like

1:34:38.720 --> 1:34:43.320
<v Speaker 1>the being that you're reincarnated from, like like like like

1:34:43.360 --> 1:34:46.880
<v Speaker 1>an Avatar cycle kind of thing, like teaching you the

1:34:47.000 --> 1:34:49.880
<v Speaker 1>harm of that past life or whatever that would have

1:34:49.880 --> 1:34:50.479
<v Speaker 1>been sick.

1:34:50.439 --> 1:34:53.280
<v Speaker 4>Which is right, Yeah, But then even so, why would

1:34:53.320 --> 1:34:57.479
<v Speaker 4>you force your son to do that?

1:34:57.479 --> 1:35:01.200
<v Speaker 6>That doesn't feel like a the way to do that,

1:35:01.680 --> 1:35:06.040
<v Speaker 6>steady little son, right, You're like Eddie Redmain is having

1:35:06.080 --> 1:35:10.040
<v Speaker 6>clearly enough issues as it is the genetics of it all.

1:35:10.600 --> 1:35:12.400
<v Speaker 4>I don't really have that much to say that. It

1:35:12.479 --> 1:35:16.840
<v Speaker 4>isn't extremely obvious, but there is a sort of I

1:35:16.840 --> 1:35:19.559
<v Speaker 4>don't know, I don't know because it's like, you know,

1:35:19.720 --> 1:35:23.720
<v Speaker 4>we have two iconic trans filmmakers making this film, so

1:35:23.760 --> 1:35:25.880
<v Speaker 4>I'm like, who the fuck am I? But you know,

1:35:25.880 --> 1:35:28.360
<v Speaker 4>when genetics are brought up too much, you kind of

1:35:28.400 --> 1:35:30.800
<v Speaker 4>have to start tilting your head a little bit and

1:35:30.880 --> 1:35:34.520
<v Speaker 4>being like, ah, I don't know.

1:35:34.520 --> 1:35:38.840
<v Speaker 3>Again, it is the villains who are obsessed with, yeah,

1:35:38.880 --> 1:35:40.000
<v Speaker 3>this whole genetic thing.

1:35:40.320 --> 1:35:42.240
<v Speaker 4>Well but yes, but again it's like, but there's no

1:35:42.360 --> 1:35:46.320
<v Speaker 4>pushback on the hero side. Like at the end, Mila Kunas,

1:35:46.439 --> 1:35:50.839
<v Speaker 4>due to genetics, owns the deed to Earth and seems

1:35:50.880 --> 1:35:53.960
<v Speaker 4>fine with that. Yeah, because she will be a benevolent

1:35:54.040 --> 1:35:54.840
<v Speaker 4>ruler to Earth.

1:35:55.720 --> 1:35:57.120
<v Speaker 3>Right, so well, like.

1:35:57.560 --> 1:36:00.760
<v Speaker 1>You know, functionally, what does it mean to own the

1:36:00.800 --> 1:36:04.320
<v Speaker 1>Earth at that point? Like seemingly she doesn't, I don't

1:36:04.360 --> 1:36:07.160
<v Speaker 1>know if she has she continues to have access to

1:36:07.240 --> 1:36:12.920
<v Speaker 1>the technology of right, hey, the Braxist family because I

1:36:12.960 --> 1:36:15.519
<v Speaker 1>don't know, it's it's it's very I mean, it's it's

1:36:15.600 --> 1:36:19.640
<v Speaker 1>poorly done. So there's many questions, but I think that

1:36:19.680 --> 1:36:24.720
<v Speaker 1>there is such a strange sort of like she is

1:36:24.800 --> 1:36:28.960
<v Speaker 1>happy now I guess because she has a dog boyfriend,

1:36:29.120 --> 1:36:31.360
<v Speaker 1>but also because she is the owner of earth. But

1:36:31.400 --> 1:36:34.000
<v Speaker 1>I think there you know, there is a there is

1:36:34.040 --> 1:36:36.439
<v Speaker 1>like oh, like she wants to buy things and she

1:36:36.479 --> 1:36:39.880
<v Speaker 1>has to work really hard. But does ownership of earth

1:36:40.000 --> 1:36:40.920
<v Speaker 1>give her wealth?

1:36:41.080 --> 1:36:41.559
<v Speaker 2>I don't know.

1:36:41.880 --> 1:36:43.040
<v Speaker 1>I don't know what it gives.

1:36:42.760 --> 1:36:47.640
<v Speaker 4>Her really know what she gets out of it? And

1:36:47.800 --> 1:36:51.120
<v Speaker 4>also just I don't know. Jupiter, bless her heart, she

1:36:51.280 --> 1:36:54.200
<v Speaker 4>is like unbelievably vague to the very end where the

1:36:54.280 --> 1:36:59.400
<v Speaker 4>last time we see her with her family, she's like, sorry, everyone,

1:36:59.840 --> 1:37:02.800
<v Speaker 4>I've got a date tonight. And then her aunt, because

1:37:02.840 --> 1:37:05.320
<v Speaker 4>her aunt's whole thing is she is like a caricature

1:37:05.360 --> 1:37:09.080
<v Speaker 4>of like I love astrology, which you think would become

1:37:09.120 --> 1:37:12.599
<v Speaker 4>plot relevant, but don't worry, it never does. And she's like,

1:37:12.680 --> 1:37:16.000
<v Speaker 4>what's his sign? And Jupiter says, ha ha, I don't know.

1:37:16.520 --> 1:37:20.040
<v Speaker 4>End of scene and see yup. Awesome.

1:37:20.240 --> 1:37:23.559
<v Speaker 3>Well, to go back to your point summer about her

1:37:23.640 --> 1:37:27.240
<v Speaker 3>relationship with her mother and how there were opportunities to

1:37:28.520 --> 1:37:34.479
<v Speaker 3>characterize Jupiter, either by like setting up an arc or

1:37:34.520 --> 1:37:37.200
<v Speaker 3>giving her a desire or motivation or something like that

1:37:37.760 --> 1:37:41.120
<v Speaker 3>because she wants to buy this telescope, but we have

1:37:41.200 --> 1:37:45.599
<v Speaker 3>no specific indication of why, Like, yeah, did her mother

1:37:45.720 --> 1:37:47.560
<v Speaker 3>tell her about her father's telescope.

1:37:47.720 --> 1:37:49.880
<v Speaker 4>I have to believe there's a draft word where that

1:37:50.000 --> 1:37:50.240
<v Speaker 4>was there.

1:37:50.479 --> 1:37:53.919
<v Speaker 3>Why true? Right, because she's gonna spend four thousand dollars

1:37:53.960 --> 1:37:57.559
<v Speaker 3>on it, Yeah, that's that is no small purchase, But

1:37:57.600 --> 1:38:00.160
<v Speaker 3>there's no indication that, like, maybe she wants to by

1:38:00.200 --> 1:38:03.639
<v Speaker 3>this telescope to feel closer to the memory of her father.

1:38:03.720 --> 1:38:06.240
<v Speaker 3>Maybe she wants it because she legitimately has an interest

1:38:06.320 --> 1:38:09.160
<v Speaker 3>in space. If so, that could explain why when she

1:38:09.200 --> 1:38:12.640
<v Speaker 3>gets abducted and taken to space, she's like, this is

1:38:12.640 --> 1:38:17.479
<v Speaker 3>actually cool the way that like Moana another hero's Journey

1:38:17.720 --> 1:38:20.960
<v Speaker 3>chosen one style narrative that came out right around this time,

1:38:21.479 --> 1:38:25.679
<v Speaker 3>it's very clearly established that Moana longs to be out

1:38:25.800 --> 1:38:28.759
<v Speaker 3>on the ocean and to explore if there's a similar

1:38:28.800 --> 1:38:32.960
<v Speaker 3>thing for Jupiter, where she likes she longs to explore space,

1:38:33.439 --> 1:38:37.360
<v Speaker 3>but she it doesn't seem conceivable because she's a working

1:38:37.400 --> 1:38:40.519
<v Speaker 3>class woman who will never have access to that. And

1:38:40.560 --> 1:38:43.719
<v Speaker 3>then when she finally does again, that could explain why

1:38:44.439 --> 1:38:47.880
<v Speaker 3>she's so enamored by Oh I'm on this new planet,

1:38:47.880 --> 1:38:50.439
<v Speaker 3>I'm meeting these aliens. This is also cool, this is

1:38:50.439 --> 1:38:53.440
<v Speaker 3>what I dreamed of. But because none of that is established,

1:38:54.040 --> 1:38:57.160
<v Speaker 3>we have no idea how she feels about her situation.

1:38:57.680 --> 1:39:01.920
<v Speaker 3>We have no idea what she wants or what motivates her.

1:39:01.920 --> 1:39:07.439
<v Speaker 4>Choices, Like it reminds me of this is very random.

1:39:07.560 --> 1:39:12.000
<v Speaker 4>But a recent criticism I saw of Belle from Beauty

1:39:12.000 --> 1:39:15.920
<v Speaker 4>and the Beast in a YouTube video that I liked

1:39:16.880 --> 1:39:21.720
<v Speaker 4>was that she is kind of a bizarre protagonist on

1:39:21.760 --> 1:39:26.200
<v Speaker 4>the grounds that we know what she doesn't want, but

1:39:26.240 --> 1:39:28.840
<v Speaker 4>we don't know what she does want, which makes her

1:39:28.880 --> 1:39:31.800
<v Speaker 4>whole journey rather confusing and sort of serves to make

1:39:31.840 --> 1:39:34.439
<v Speaker 4>someone else the protagonist in her story, which is something

1:39:34.439 --> 1:39:36.680
<v Speaker 4>I was thinking about with Jupiter and Cain, where I

1:39:36.720 --> 1:39:40.320
<v Speaker 4>think Cain more clearly fits the role of a protagonist

1:39:40.439 --> 1:39:43.160
<v Speaker 4>in that he grows and changes.

1:39:43.120 --> 1:39:46.280
<v Speaker 3>And has a specific motivation, a specific desire yea.

1:39:46.520 --> 1:39:49.960
<v Speaker 4>He wants his wings, which is vague but a tangible goal,

1:39:50.760 --> 1:39:54.840
<v Speaker 4>whereas we really are only told what Jupiter doesn't want,

1:39:55.439 --> 1:39:56.760
<v Speaker 4>and it's her life.

1:39:57.360 --> 1:39:59.880
<v Speaker 3>Yes, she wants much more than this provincial life, right ye,

1:40:00.200 --> 1:40:02.720
<v Speaker 3>which is that's the whole bells I want. It was

1:40:02.760 --> 1:40:04.840
<v Speaker 3>just just like I don't want this, but you're like, okay,

1:40:04.880 --> 1:40:05.880
<v Speaker 3>but what do you want?

1:40:06.280 --> 1:40:08.320
<v Speaker 4>Yeah, and so you could sort of give that character

1:40:08.400 --> 1:40:11.840
<v Speaker 4>anything and be sort of like I guess maybe I

1:40:11.840 --> 1:40:12.240
<v Speaker 4>don't know.

1:40:12.520 --> 1:40:15.600
<v Speaker 1>And then when Jupiter, it's like nothing really changes. I

1:40:15.640 --> 1:40:17.760
<v Speaker 1>think that's that's the thing that's like always just so

1:40:19.080 --> 1:40:22.400
<v Speaker 1>kooky at the end of the movie, Like she's so

1:40:22.560 --> 1:40:25.880
<v Speaker 1>much happier, she's more a beat, she's full of life,

1:40:26.000 --> 1:40:28.599
<v Speaker 1>and it's like that things are the same. Is it

1:40:28.720 --> 1:40:32.559
<v Speaker 1>really just the boyfriend? I don't know, Like it's so

1:40:33.040 --> 1:40:36.120
<v Speaker 1>it is so in some ways, it's kind of it's

1:40:36.200 --> 1:40:38.840
<v Speaker 1>kind of fun to be like all she needed is

1:40:38.880 --> 1:40:41.160
<v Speaker 1>this like little secret that she owns the earth and

1:40:41.240 --> 1:40:41.840
<v Speaker 1>she's good.

1:40:42.479 --> 1:40:45.840
<v Speaker 4>But I don't know, I kind of I mean, I

1:40:45.960 --> 1:40:50.160
<v Speaker 4>wanted to give the movie that like, and maybe I

1:40:50.160 --> 1:40:52.519
<v Speaker 4>don't know. Again, I'm like, maybe I'm overthinking it, but

1:40:52.600 --> 1:40:56.160
<v Speaker 4>like that at the end, I feel like there's I mean,

1:40:56.280 --> 1:40:59.720
<v Speaker 4>it feels sort of similar to Dorothy, where Dorothy technically

1:40:59.760 --> 1:41:03.080
<v Speaker 4>and up exactly where she started with a whole new

1:41:03.200 --> 1:41:09.840
<v Speaker 4>appreciation for what she has. Maybe that's what it's supposed

1:41:09.840 --> 1:41:10.040
<v Speaker 4>to be.

1:41:10.880 --> 1:41:15.320
<v Speaker 3>Yeah, She's like oh, I could have been harvested and

1:41:15.360 --> 1:41:19.040
<v Speaker 3>I wasn't, so I'm grateful now.

1:41:19.280 --> 1:41:22.240
<v Speaker 4>And it's just I just want more for her than

1:41:22.880 --> 1:41:27.439
<v Speaker 4>to be satisfied that she hasn't been harvested. I don't know.

1:41:27.600 --> 1:41:29.479
<v Speaker 4>I mean, although it's like there are a lot of

1:41:29.520 --> 1:41:34.120
<v Speaker 4>really interesting ideas and like going back to like the Wachowski's, like, yeah,

1:41:34.560 --> 1:41:38.679
<v Speaker 4>they're not underthinking the mythology they're pulling from. They're pulling

1:41:38.680 --> 1:41:41.880
<v Speaker 4>from these movies, but they're also pulling from a bunch

1:41:42.120 --> 1:41:51.280
<v Speaker 4>of folklore, specifically like gnostic ideas and the Okay, I

1:41:52.160 --> 1:41:55.200
<v Speaker 4>was I was afraid you would ask that. Sorry, sorry,

1:41:56.080 --> 1:42:02.440
<v Speaker 4>not so like basically ideas of transhumanism, of gnosticism, of reincarnation.

1:42:03.920 --> 1:42:08.240
<v Speaker 4>There is something I learned about called the Gaya hypothesis.

1:42:08.560 --> 1:42:11.720
<v Speaker 4>I was really, I was summer. Maybe you know all

1:42:11.760 --> 1:42:14.120
<v Speaker 4>of this way better than I know. Do you know

1:42:14.160 --> 1:42:16.720
<v Speaker 4>about the Gaya hypothesis? I was afraid that. I was, like,

1:42:16.720 --> 1:42:22.439
<v Speaker 4>I'm like Mother Earth, yes exactly, that Jupiter is and

1:42:22.479 --> 1:42:25.600
<v Speaker 4>I guess that the Witch Housekis gave some interviews to

1:42:25.640 --> 1:42:28.120
<v Speaker 4>this effect. But there's also just been a lot of

1:42:28.160 --> 1:42:30.960
<v Speaker 4>speculation for people who are interested in folklore like this

1:42:31.560 --> 1:42:35.840
<v Speaker 4>that Jupiter is supposed to be a representation of Earth

1:42:36.000 --> 1:42:41.599
<v Speaker 4>itself and is supposed to embody all of the gaya

1:42:41.760 --> 1:42:47.040
<v Speaker 4>like beautiful qualities of Earth. I'm going to quote from

1:42:47.120 --> 1:42:50.800
<v Speaker 4>bravely from a medium dot com interview here, So take

1:42:50.840 --> 1:42:52.800
<v Speaker 4>with a grain of salt. But there's just really not

1:42:53.520 --> 1:42:56.160
<v Speaker 4>a lot of good info about the background of this.

1:42:56.160 --> 1:43:00.800
<v Speaker 4>This is from Golden Age timeline. Jupiter is said gnostic

1:43:00.880 --> 1:43:04.880
<v Speaker 4>themes of transhumanism versus soul embo, spiritual awakening, and the

1:43:04.920 --> 1:43:08.880
<v Speaker 4>divine feminism. One of the main themes in Jupiterous ending

1:43:08.880 --> 1:43:12.640
<v Speaker 4>relates to Gnosticism, an ancient religious movement associated with the

1:43:13.439 --> 1:43:17.639
<v Speaker 4>Es Senes that views the material world as a lower

1:43:17.680 --> 1:43:22.040
<v Speaker 4>density learning ground for souls to evolve. According to gnostic beliefs,

1:43:22.120 --> 1:43:24.679
<v Speaker 4>human souls are divine beings who choose to get trapped

1:43:24.680 --> 1:43:27.720
<v Speaker 4>in the physical world that is controlled by evil archons.

1:43:27.800 --> 1:43:31.400
<v Speaker 4>It's starting to give scientology here, and archon is defined

1:43:31.400 --> 1:43:35.519
<v Speaker 4>as a technological ruler that enslaves through mind control, frequency implants,

1:43:35.520 --> 1:43:39.360
<v Speaker 4>and military strategies, and works through controlling more embodied sources

1:43:39.400 --> 1:43:44.880
<v Speaker 4>such as corrupt humans or non humans perhaps bees or dinosaurs,

1:43:45.640 --> 1:43:50.840
<v Speaker 4>only through attaining gnosis or esoteric spiritual knowledge. This is

1:43:50.880 --> 1:43:54.360
<v Speaker 4>absolutely some l Roone humbridshit. Can the soul transcend its

1:43:54.400 --> 1:43:59.599
<v Speaker 4>earthly prison and reach liberation? So it's pulling from ancient

1:43:59.640 --> 1:44:03.599
<v Speaker 4>ideas that el Ron Hubber would later steal. And again,

1:44:03.680 --> 1:44:05.800
<v Speaker 4>like when I was reading stuff like this, I was like, oh,

1:44:05.840 --> 1:44:10.719
<v Speaker 4>I kind of see how the siblings fall into that idea,

1:44:10.960 --> 1:44:15.679
<v Speaker 4>and that Jupiter is theoretically a foil to that idea.

1:44:16.000 --> 1:44:19.880
<v Speaker 4>But again, she's so inactive that it's like hard to

1:44:19.960 --> 1:44:25.719
<v Speaker 4>telegraph those ideas effectively because she's not if she's embodying Earth,

1:44:26.600 --> 1:44:30.040
<v Speaker 4>I don't think Earth is coming off particularly well. Like

1:44:30.080 --> 1:44:33.200
<v Speaker 4>it's just sort of like, here's this because the idea

1:44:33.240 --> 1:44:40.360
<v Speaker 4>of like harvesting humans for fuel is so horrific and potent,

1:44:40.920 --> 1:44:44.000
<v Speaker 4>but it's kind of just like left there in this story.

1:44:44.040 --> 1:44:47.840
<v Speaker 1>I don't know I was thinking about. It starts with

1:44:47.920 --> 1:44:53.040
<v Speaker 1>her theoretically donating her eggs, and I don't know, there's

1:44:53.040 --> 1:44:56.599
<v Speaker 1>something interesting there too, with a sort of kind of

1:44:56.640 --> 1:45:01.080
<v Speaker 1>like exploitation of a working woman in like having to

1:45:01.360 --> 1:45:07.240
<v Speaker 1>resort to donating your eggs in order to afford things

1:45:07.280 --> 1:45:09.320
<v Speaker 1>that you want and need. And also I don't know,

1:45:09.400 --> 1:45:12.759
<v Speaker 1>like the cousin thing is like it's absurd, like why

1:45:12.800 --> 1:45:14.799
<v Speaker 1>why is she letting her cousin take.

1:45:14.800 --> 1:45:17.759
<v Speaker 3>The bulk of the bulk it's going to earn.

1:45:18.320 --> 1:45:21.160
<v Speaker 1>But I think there is something interesting there of like

1:45:21.240 --> 1:45:25.120
<v Speaker 1>this sort of patriarchal exploitation continuing, and then when she

1:45:25.200 --> 1:45:27.920
<v Speaker 1>becomes a queen, there is a weird empowerment to it.

1:45:27.960 --> 1:45:31.320
<v Speaker 1>But it just doesn't it doesn't work well right, And

1:45:31.360 --> 1:45:34.040
<v Speaker 1>like I think that I don't know there is hearing

1:45:34.200 --> 1:45:37.560
<v Speaker 1>hearing you read these like spiritual themes, like that's so beautiful.

1:45:37.800 --> 1:45:41.000
<v Speaker 1>I wish I wish it was coming through.

1:45:41.960 --> 1:45:44.760
<v Speaker 4>I know, yeah, I think, Wait, sorry, can I tell

1:45:44.760 --> 1:45:48.280
<v Speaker 4>you more about the guy A hypothesis? Yeah, because I

1:45:48.320 --> 1:45:50.479
<v Speaker 4>was like, I because I do believe, like I I

1:45:50.520 --> 1:45:53.240
<v Speaker 4>don't know the Wachowski's, I fully believe they are well

1:45:53.280 --> 1:45:55.760
<v Speaker 4>acquainted with the guy A hypothesis. This all feels very

1:45:55.800 --> 1:45:59.519
<v Speaker 4>within their wheelhouse. And this is where I was like, wait,

1:46:00.080 --> 1:46:03.639
<v Speaker 4>this really could have been something. The Gya hypothesis posits

1:46:03.680 --> 1:46:06.120
<v Speaker 4>that the Earth, also known as Gaya, along with the

1:46:06.120 --> 1:46:08.559
<v Speaker 4>planets and the stars, are sentient beings on their own

1:46:08.600 --> 1:46:12.280
<v Speaker 4>evolutionary journey. Humans and other life forms on the planet

1:46:12.280 --> 1:46:15.400
<v Speaker 4>are like cells within her body. Her desire to understand

1:46:15.479 --> 1:46:18.040
<v Speaker 4>the origins of creation led her to bring the material

1:46:18.080 --> 1:46:22.240
<v Speaker 4>world into existence without approval from supreme creator of the

1:46:22.320 --> 1:46:27.240
<v Speaker 4>universe aka eddie Redmain. And so there is this massive

1:46:27.360 --> 1:46:32.240
<v Speaker 4>cosmic story that is being referenced. But of all the

1:46:32.280 --> 1:46:35.040
<v Speaker 4>things that are explained to us in the course of

1:46:35.080 --> 1:46:39.639
<v Speaker 4>this story, this is something I could have actually really used.

1:46:39.720 --> 1:46:42.880
<v Speaker 4>I don't know if that is what they're referencing, hmm,

1:46:43.160 --> 1:46:44.880
<v Speaker 4>but it's interesting. I was like, Oh, I want more

1:46:44.880 --> 1:46:46.360
<v Speaker 4>about the Gaya hypothesis.

1:46:47.040 --> 1:46:53.800
<v Speaker 3>Something I think the movie does handle pretty well is

1:46:54.160 --> 1:47:03.320
<v Speaker 3>its criticism of genocidal colonial capitalism, because the villains are

1:47:03.320 --> 1:47:10.879
<v Speaker 3>this royal family who control this empire where they implant

1:47:10.960 --> 1:47:16.120
<v Speaker 3>human DNA on various planets, wait till the population grows

1:47:16.520 --> 1:47:21.560
<v Speaker 3>basically out of control and becomes unsustainable, and then harvests

1:47:21.600 --> 1:47:25.120
<v Speaker 3>them aka kills everybody on the planet to create their

1:47:25.120 --> 1:47:29.760
<v Speaker 3>youth juice. And the movie presents this as like, this

1:47:29.880 --> 1:47:34.240
<v Speaker 3>is absolutely horrible and these they need to be stopped,

1:47:34.439 --> 1:47:38.719
<v Speaker 3>and Jupiter is kind of the one to stop them,

1:47:38.760 --> 1:47:43.960
<v Speaker 3>but she barely does, and therein lies the problem. But

1:47:45.160 --> 1:47:49.240
<v Speaker 3>where I think the movie missteps with this is that

1:47:50.600 --> 1:47:55.800
<v Speaker 3>the cops and the military of this movie are poised

1:47:55.920 --> 1:48:00.720
<v Speaker 3>as the good guys actually, because with Cain being this

1:48:00.920 --> 1:48:08.600
<v Speaker 3>like ex military soldier character, and then with the Aegis,

1:48:09.200 --> 1:48:14.480
<v Speaker 3>which is the like cops, they're running around with Stinger

1:48:14.720 --> 1:48:19.479
<v Speaker 3>and they help Caine and Jupiter with different things. They're

1:48:19.520 --> 1:48:21.960
<v Speaker 3>always like, oh no, they're the good guys. They're helping,

1:48:22.000 --> 1:48:27.000
<v Speaker 3>they're doing good stuff. And maybe maybe in this world

1:48:27.360 --> 1:48:33.240
<v Speaker 3>these sort of like intergalactic police and military are maybe

1:48:33.280 --> 1:48:39.760
<v Speaker 3>doing good things and like holding the horrible genocide committers accountable.

1:48:39.439 --> 1:48:42.520
<v Speaker 4>But it seems like the rest of the world reflects

1:48:42.560 --> 1:48:45.360
<v Speaker 4>ours enough that probably not exactly.

1:48:45.400 --> 1:48:49.439
<v Speaker 3>The far more likely scenario would be that the cops

1:48:49.720 --> 1:48:52.920
<v Speaker 3>and the military are working to protect the property of

1:48:52.960 --> 1:48:57.280
<v Speaker 3>the ruling class and carrying out the genocide on behalf

1:48:57.360 --> 1:49:01.640
<v Speaker 3>of the ruling class. So yeah, the way these entities

1:49:01.720 --> 1:49:04.519
<v Speaker 3>are portrayed in the movie does not track.

1:49:05.120 --> 1:49:08.160
<v Speaker 1>I think there's just like a broader problem with sci

1:49:08.280 --> 1:49:13.080
<v Speaker 1>fi often where genocide is kind of like this sort

1:49:13.120 --> 1:49:17.360
<v Speaker 1>of like singular event, and I think it it's sort

1:49:17.400 --> 1:49:21.040
<v Speaker 1>of like and it's happened in Star Wars, happens in

1:49:21.080 --> 1:49:24.280
<v Speaker 1>like there was like a novel I read like a

1:49:24.360 --> 1:49:26.880
<v Speaker 1>year after this. It was like a like a y

1:49:27.080 --> 1:49:31.200
<v Speaker 1>novel that was like Earth becomes inhabitable and so ever

1:49:31.360 --> 1:49:34.720
<v Speaker 1>moves to space and like there's like a genocide of

1:49:34.760 --> 1:49:38.080
<v Speaker 1>like the space Arabs, and it's like the inciting incident

1:49:38.160 --> 1:49:42.080
<v Speaker 1>for the novels, and it's just so casual of like

1:49:42.120 --> 1:49:46.400
<v Speaker 1>the kind of aftermaths of like what genocide is, and

1:49:46.439 --> 1:49:49.479
<v Speaker 1>it's often just this kind of like singular event. And

1:49:49.520 --> 1:49:53.799
<v Speaker 1>I think that similarly, this movie is doing that, which

1:49:53.960 --> 1:49:57.519
<v Speaker 1>I think is sort of why we have those sort

1:49:57.560 --> 1:50:00.160
<v Speaker 1>of broader I mean, of course, I don't know, we're

1:50:00.200 --> 1:50:02.719
<v Speaker 1>not how often we're gonna getting movies that are anti military,

1:50:02.720 --> 1:50:05.160
<v Speaker 1>anti cop, like very rarely. If we're watching films that

1:50:05.160 --> 1:50:08.360
<v Speaker 1>are two hundred million dollar budgets right like that, you're

1:50:08.400 --> 1:50:11.760
<v Speaker 1>not gonna get that. But I think that like it

1:50:11.840 --> 1:50:14.920
<v Speaker 1>is kind of like the Royals are bad because they

1:50:15.080 --> 1:50:17.800
<v Speaker 1>do this one singular act and so there are no

1:50:17.920 --> 1:50:23.400
<v Speaker 1>reverberations of this event, right, and so the I don't know,

1:50:23.439 --> 1:50:27.040
<v Speaker 1>it's like so interesting, what who who does this? Like

1:50:27.080 --> 1:50:33.960
<v Speaker 1>intergalactic space force answer to also is interesting. It's like

1:50:34.000 --> 1:50:37.519
<v Speaker 1>who who is Who's in charge? Which also makes them

1:50:37.520 --> 1:50:41.120
<v Speaker 1>feel like I don't know, I can't even like fathom

1:50:41.640 --> 1:50:43.840
<v Speaker 1>a criticism of them because I'm like, they're nothing.

1:50:44.520 --> 1:50:47.920
<v Speaker 4>Yeah, I mean, yeah, it's it's yeah, the speaking to

1:50:47.920 --> 1:50:52.640
<v Speaker 4>to your point, like how this is presented in a

1:50:52.760 --> 1:50:54.760
<v Speaker 4>very movie like way of, oh well, if you get

1:50:54.840 --> 1:51:00.280
<v Speaker 4>rid of these three people, everything will be fine, and

1:51:00.320 --> 1:51:03.320
<v Speaker 4>it's not like it's like I don't need Jupiter ascending

1:51:03.400 --> 1:51:05.160
<v Speaker 4>to be like and here's what this is going to

1:51:05.200 --> 1:51:07.599
<v Speaker 4>look like on a longer timeline. But I don't think

1:51:07.640 --> 1:51:11.479
<v Speaker 4>it's unreasonable to want like something that feels like such

1:51:11.520 --> 1:51:16.200
<v Speaker 4>a gaping hole in this plot is like that we

1:51:16.280 --> 1:51:20.080
<v Speaker 4>don't even really feel at the end from jupiter stated

1:51:20.240 --> 1:51:25.920
<v Speaker 4>intent to do better or that her I mean, we

1:51:26.040 --> 1:51:31.280
<v Speaker 4>know that she she disagrees with the I want to

1:51:31.360 --> 1:51:38.440
<v Speaker 4>keep using the dune name a Tredees, I'm thinking of Abrassics. Oh,

1:51:38.520 --> 1:51:42.400
<v Speaker 4>we know that she knows that what the Abrassics family

1:51:42.479 --> 1:51:47.639
<v Speaker 4>represents and their genocidal ideology is horrific, But we don't

1:51:47.680 --> 1:51:51.960
<v Speaker 4>know what she is going to do. And that is like,

1:51:52.640 --> 1:51:56.960
<v Speaker 4>it's very frustrating and bizarre in a movie that seems

1:51:57.000 --> 1:52:01.200
<v Speaker 4>to want us to leave feeling like this character is

1:52:01.240 --> 1:52:05.360
<v Speaker 4>going to do better and do differently, but we're just

1:52:05.360 --> 1:52:07.520
<v Speaker 4>sort of told like and now she has a boyfriend.

1:52:08.000 --> 1:52:10.800
<v Speaker 3>Yeah right, Well we learned that Earth is one of

1:52:10.920 --> 1:52:17.040
<v Speaker 3>many planets, Yeah, that this dynasty harvests from. So is

1:52:17.080 --> 1:52:17.639
<v Speaker 3>she going?

1:52:17.760 --> 1:52:19.880
<v Speaker 4>So wouldn't this be the beginning of a revolution?

1:52:20.560 --> 1:52:24.040
<v Speaker 3>Like exactly, Like wouldn't she try to? And maybe I

1:52:24.080 --> 1:52:26.080
<v Speaker 3>mean this movie, this movie was planned to be the

1:52:26.120 --> 1:52:29.680
<v Speaker 3>first of a franchise, so maybe in in sequels that

1:52:29.680 --> 1:52:32.040
<v Speaker 3>would never happen because this movie was a flop at

1:52:32.040 --> 1:52:32.840
<v Speaker 3>the box office.

1:52:33.040 --> 1:52:35.000
<v Speaker 4>I feel like, I don't know, I should try.

1:52:35.000 --> 1:52:35.800
<v Speaker 1>I guess.

1:52:37.000 --> 1:52:37.639
<v Speaker 3>It's time.

1:52:38.240 --> 1:52:38.960
<v Speaker 4>It's time.

1:52:39.280 --> 1:52:39.800
<v Speaker 1>What I know.

1:52:41.680 --> 1:52:43.519
<v Speaker 4>They were just about to tell us.

1:52:43.640 --> 1:52:48.000
<v Speaker 3>We're just about to show her being the leader of

1:52:48.040 --> 1:52:53.200
<v Speaker 3>a revolution, but oops, they forgot worth mentioning. And this

1:52:53.240 --> 1:52:56.680
<v Speaker 3>is something we've talked about on many past episodes, so

1:52:56.800 --> 1:53:00.240
<v Speaker 3>we don't necessarily need to harp on it a ton.

1:53:00.439 --> 1:53:04.320
<v Speaker 3>But this is an action movie with a protagonist who

1:53:04.720 --> 1:53:08.600
<v Speaker 3>is a woman who is not allowed to participate in

1:53:08.640 --> 1:53:10.639
<v Speaker 3>the action most of the time.

1:53:11.240 --> 1:53:15.400
<v Speaker 4>Oh, we should talk about it because it's egregious. Yeah,

1:53:15.479 --> 1:53:17.639
<v Speaker 4>she does nothing like.

1:53:17.880 --> 1:53:20.760
<v Speaker 3>Not only just like, as we've already talked about, she

1:53:20.800 --> 1:53:24.200
<v Speaker 3>doesn't really make any active choices that propel the narrative forward.

1:53:24.960 --> 1:53:29.080
<v Speaker 3>Nor does she participate in the actual like action sequences,

1:53:29.120 --> 1:53:32.200
<v Speaker 3>any fight or chase sequences or anything like that. She

1:53:32.680 --> 1:53:38.240
<v Speaker 3>is either having to be rescued. She is clinging to Cain,

1:53:38.400 --> 1:53:41.200
<v Speaker 3>who is doing all of the action. And I did

1:53:41.280 --> 1:53:44.639
<v Speaker 3>count like I think five different times where she needed

1:53:44.680 --> 1:53:50.200
<v Speaker 3>to be rescued by Cain usually and again, going back

1:53:50.200 --> 1:53:52.560
<v Speaker 3>to a comparison to the Matrix.

1:53:53.160 --> 1:53:54.960
<v Speaker 4>Movies, starts with Trinity.

1:53:55.200 --> 1:53:59.200
<v Speaker 3>It starts with Trinity kicking ass. It's about Neo, who

1:53:59.439 --> 1:54:03.880
<v Speaker 3>again chosen One, had no prior combat experience, but in

1:54:03.920 --> 1:54:07.519
<v Speaker 3>that movie he trains and he becomes a fighter, and

1:54:07.560 --> 1:54:10.559
<v Speaker 3>then he fights in a bunch of fight scenes. Jupiter

1:54:10.760 --> 1:54:15.200
<v Speaker 3>also had no prior fighting experience, but then is never trained.

1:54:15.240 --> 1:54:18.559
<v Speaker 3>It never fights, never participates, And I have to imagine

1:54:18.640 --> 1:54:23.120
<v Speaker 3>it's because Neo is a man and Jupiter is a woman.

1:54:23.160 --> 1:54:27.080
<v Speaker 4>And which is all the more frustrating having this come

1:54:27.200 --> 1:54:31.679
<v Speaker 4>from women filmmakers who are historically feminist filmmakers. They made

1:54:31.840 --> 1:54:35.920
<v Speaker 4>bound right, What do you mean Jupiter isn't doing anything? Yeah?

1:54:36.080 --> 1:54:40.880
<v Speaker 1>I know, you know, thinking back to the weird undressing

1:54:40.920 --> 1:54:45.640
<v Speaker 1>while she's unconscious and putting things on. Even something like that,

1:54:45.760 --> 1:54:48.600
<v Speaker 1>I feel like is asking for some kind of like

1:54:49.320 --> 1:54:53.000
<v Speaker 1>mon taught, like outfit montage. You know, however corny or

1:54:53.160 --> 1:54:56.800
<v Speaker 1>like silly that would have been. I feel like, like,

1:54:56.880 --> 1:54:59.520
<v Speaker 1>you know, you get princess Diary's, you find out your royalty,

1:54:59.600 --> 1:55:02.560
<v Speaker 1>you get a little makeover montage. And I don't want

1:55:02.680 --> 1:55:07.400
<v Speaker 1>a makeover montage necessarily, but even that is something that

1:55:07.520 --> 1:55:12.080
<v Speaker 1>is less abhorrent than being like total loss of agency

1:55:12.240 --> 1:55:16.400
<v Speaker 1>of like you being undressed, well unconscious and then change

1:55:17.280 --> 1:55:19.960
<v Speaker 1>where like I don't know, it feels like it feels

1:55:20.000 --> 1:55:22.080
<v Speaker 1>in line with well, of course, she also doesn't get

1:55:22.080 --> 1:55:25.880
<v Speaker 1>to learn to fight because she can't even try on

1:55:26.080 --> 1:55:28.600
<v Speaker 1>outfits of her own free will.

1:55:29.000 --> 1:55:31.480
<v Speaker 4>Well yeah, I mean with sad in mine, it's like

1:55:32.400 --> 1:55:36.040
<v Speaker 4>one of the few things a lot of women protagonists

1:55:36.040 --> 1:55:39.640
<v Speaker 4>do have is a way to telegraph their personality through

1:55:40.040 --> 1:55:43.840
<v Speaker 4>what they're wearing. And Jupiter doesn't even get that because

1:55:43.920 --> 1:55:47.960
<v Speaker 4>other people are undressing her, arguably via assault, so we

1:55:48.000 --> 1:55:51.040
<v Speaker 4>don't even know like what her personal style is other

1:55:51.120 --> 1:55:55.920
<v Speaker 4>than like what we see her wearing at work. I ah, man, yeah,

1:55:55.920 --> 1:55:58.960
<v Speaker 4>I I that point about Neo makes so much sense

1:55:59.000 --> 1:56:00.480
<v Speaker 4>because I was thinking a lot about how in the

1:56:00.480 --> 1:56:03.160
<v Speaker 4>mid twenty tens there's a lot of talk about Mary

1:56:03.240 --> 1:56:07.720
<v Speaker 4>too characters. Yeah, and like how I think it was

1:56:07.760 --> 1:56:11.960
<v Speaker 4>sort of a kind of nothing argument in the case

1:56:12.000 --> 1:56:14.680
<v Speaker 4>of some where, yes, there are definitely Mary Sue characters

1:56:14.680 --> 1:56:17.600
<v Speaker 4>that are, you know, maybe frustrating, but I think that

1:56:17.600 --> 1:56:21.240
<v Speaker 4>that exists with men as well, and is not hers

1:56:21.320 --> 1:56:23.640
<v Speaker 4>back on half the same amount, and that it's an

1:56:23.640 --> 1:56:27.160
<v Speaker 4>over correction usually weaponized by male critics. But it almost

1:56:27.200 --> 1:56:30.200
<v Speaker 4>felt like with Jupiter it was like, oh, well, of course,

1:56:30.320 --> 1:56:32.440
<v Speaker 4>you know, she's just a regular girl. She wouldn't know

1:56:32.440 --> 1:56:35.640
<v Speaker 4>how to fight, And you're like, yeah, Neo was a

1:56:35.680 --> 1:56:36.480
<v Speaker 4>regular guy.

1:56:36.720 --> 1:56:40.160
<v Speaker 3>He was a computer programmer or something.

1:56:40.000 --> 1:56:43.879
<v Speaker 4>But he learned how to fight and it was awesome

1:56:43.920 --> 1:56:47.280
<v Speaker 4>to watch. But and also like part of this could

1:56:47.280 --> 1:56:49.560
<v Speaker 4>be solved by writing, is like if we knew that

1:56:49.680 --> 1:56:52.320
<v Speaker 4>even if Jupiter didn't have the ability she needed at

1:56:52.320 --> 1:56:57.080
<v Speaker 4>the beginning, if she had the interest in astronomy, feels

1:56:57.120 --> 1:57:00.280
<v Speaker 4>like the obvious thing. If she had an interest in

1:57:00.360 --> 1:57:05.280
<v Speaker 4>something that could translate to a usable skill. But she's

1:57:05.360 --> 1:57:08.280
<v Speaker 4>not given an interest or an ambition, and it's not

1:57:08.400 --> 1:57:12.280
<v Speaker 4>translated to a usable skill. They don't even bother to

1:57:12.280 --> 1:57:14.360
<v Speaker 4>give her an interest that doesn't really come up.

1:57:14.480 --> 1:57:16.960
<v Speaker 1>Ever, they couldn't even just like given her like a

1:57:17.120 --> 1:57:19.960
<v Speaker 1>gun or something. I don't know, Like what is this

1:57:20.240 --> 1:57:24.080
<v Speaker 1>like advanced technology. She doesn't even get like a laser

1:57:24.160 --> 1:57:25.840
<v Speaker 1>gun or something. I don't know.

1:57:26.080 --> 1:57:29.080
<v Speaker 4>She doesn't even get to lay it like she yah. Yeah.

1:57:29.120 --> 1:57:32.640
<v Speaker 4>Her big moment is telling Eddie Redmain, I'm not your mother,

1:57:32.840 --> 1:57:33.400
<v Speaker 4>and you're.

1:57:33.280 --> 1:57:35.240
<v Speaker 1>Like they're hitting him with like a crowbar.

1:57:37.280 --> 1:57:41.200
<v Speaker 3>That is the one scene where she does some combat

1:57:41.680 --> 1:57:46.560
<v Speaker 3>in this movie full of combat where they're scuffling. She

1:57:46.680 --> 1:57:50.280
<v Speaker 3>picks up a pipe or something, gets a few good

1:57:50.480 --> 1:57:56.080
<v Speaker 3>hits in, but then for some reason tosses her weapon aside,

1:57:56.360 --> 1:57:59.880
<v Speaker 3>and he's still there. He could still very easily over

1:58:00.080 --> 1:58:00.560
<v Speaker 3>power her.

1:58:00.680 --> 1:58:04.200
<v Speaker 4>I mean any Redmid really just like pops up wherever

1:58:04.240 --> 1:58:07.440
<v Speaker 4>the plot needs him to, where he's just like wink,

1:58:07.600 --> 1:58:08.760
<v Speaker 4>here I am, and he's.

1:58:08.600 --> 1:58:11.680
<v Speaker 1>Like I it.

1:58:11.760 --> 1:58:15.360
<v Speaker 3>He's so weird because he disappears for like a full

1:58:15.480 --> 1:58:17.560
<v Speaker 3>hour in the middle of the movie.

1:58:17.760 --> 1:58:21.400
<v Speaker 4>Well he's scolding lizards at his last feeling what do

1:58:21.440 --> 1:58:24.520
<v Speaker 4>you think he's doing? He is so funny in this

1:58:25.240 --> 1:58:28.920
<v Speaker 4>he to be fair, I appreciate I've watched a video

1:58:29.000 --> 1:58:31.640
<v Speaker 4>he gave a video of an interview he gave on

1:58:31.680 --> 1:58:34.760
<v Speaker 4>the Red Carpet at the Oscars where he was about

1:58:34.760 --> 1:58:39.000
<v Speaker 4>to I think win for thory of Everything. Again, I

1:58:39.040 --> 1:58:41.440
<v Speaker 4>haven't seen it, but he he did have a very

1:58:41.440 --> 1:58:47.240
<v Speaker 4>good attitude about winning the Razzie. He said quote, I

1:58:47.360 --> 1:58:51.400
<v Speaker 4>gave what I thought was a very bold performance, but

1:58:51.480 --> 1:58:56.160
<v Speaker 4>it turned out to be a bit disastrous. And first

1:58:56.200 --> 1:58:58.880
<v Speaker 4>of all, don't be so hard on yourself, King, And

1:58:58.960 --> 1:59:02.400
<v Speaker 4>second of all, I just appreciate when someone takes something

1:59:02.480 --> 1:59:05.720
<v Speaker 4>like that in stride. And it wouldn't be his last

1:59:05.800 --> 1:59:08.680
<v Speaker 4>big swing that people didn't care for. If you recall

1:59:08.760 --> 1:59:12.080
<v Speaker 4>him recently appearing in Cabaret, where a lot of people

1:59:12.320 --> 1:59:16.280
<v Speaker 4>did not appreciate Eddie Redmain's swing. I can't speak to it,

1:59:16.440 --> 1:59:20.720
<v Speaker 4>but yeah, he uh, he swings and he misses.

1:59:20.840 --> 1:59:22.720
<v Speaker 3>Well, he was just doing what all of them were

1:59:22.800 --> 1:59:26.360
<v Speaker 3>doing for seven months, busting their humps.

1:59:26.840 --> 1:59:31.280
<v Speaker 4>Look, humps were being busted. I appreciated the swing.

1:59:31.480 --> 1:59:35.480
<v Speaker 1>Yeah, I would say that, like I don't know as

1:59:35.520 --> 1:59:38.880
<v Speaker 1>much as I and like, you know, this movie's bad,

1:59:38.920 --> 1:59:40.880
<v Speaker 1>I love it in all of the ways that it's bad.

1:59:41.000 --> 1:59:44.040
<v Speaker 1>I think Eddie Redmain is doing exactly like what you.

1:59:43.920 --> 1:59:45.600
<v Speaker 4>Want what the movie for.

1:59:46.080 --> 1:59:49.440
<v Speaker 1>Yeah, and it's really fun, Like I find it very

1:59:49.440 --> 1:59:53.440
<v Speaker 1>compelling I enjoy the choices he's making and like, I

1:59:53.480 --> 1:59:56.520
<v Speaker 1>don't know, like it's it's weird and it's kind of like,

1:59:56.560 --> 1:59:59.840
<v Speaker 1>well why not. I don't know, like let's go for.

2:00:00.080 --> 2:00:03.480
<v Speaker 4>That's us Like that's a Wachowski movie too of like yeah,

2:00:03.040 --> 2:00:07.040
<v Speaker 4>you're you're a weird villain. I don't know. Yeah, I

2:00:07.040 --> 2:00:10.080
<v Speaker 4>thought it was fun. I like I think that as

2:00:10.080 --> 2:00:13.120
<v Speaker 4>you're talking about this summer, it feels like, I don't know,

2:00:13.240 --> 2:00:15.560
<v Speaker 4>this is how I feel a lot about like I

2:00:15.720 --> 2:00:21.040
<v Speaker 4>Frankenstein sometimes where you're just like it is unquestionably a

2:00:21.080 --> 2:00:25.080
<v Speaker 4>swing and a miss, but everyone is. You can really

2:00:25.200 --> 2:00:30.920
<v Speaker 4>feel everyone being like we're gonna do something cool here,

2:00:31.480 --> 2:00:34.000
<v Speaker 4>and I just like cannot help but be charmed by

2:00:34.040 --> 2:00:37.520
<v Speaker 4>it even though it never comes together.

2:00:38.080 --> 2:00:41.840
<v Speaker 1>It's like, isn't it so cool to try something? You know?

2:00:43.120 --> 2:00:48.240
<v Speaker 4>It's beautiful? Yeah, I don't know. I just I think

2:00:48.320 --> 2:00:52.760
<v Speaker 4>that they should give the Razzie to someone else. There's

2:00:52.840 --> 2:00:55.720
<v Speaker 4>a few out there. There's other women in this movie.

2:00:55.960 --> 2:00:59.480
<v Speaker 4>There were not many that we really get to know

2:00:59.720 --> 2:01:04.640
<v Speaker 4>very well, but I did want to shout out. Familists

2:01:06.400 --> 2:01:11.160
<v Speaker 4>character played by Googa, who has been in a bunch

2:01:11.200 --> 2:01:15.280
<v Speaker 4>of things. She is a half human half deer.

2:01:16.080 --> 2:01:17.400
<v Speaker 3>Oh those are deer ears.

2:01:17.840 --> 2:01:21.360
<v Speaker 4>Yes, those are deer ears. They look like gigantic mouse ears,

2:01:21.360 --> 2:01:25.440
<v Speaker 4>but they are deer ears played by a very talented

2:01:25.640 --> 2:01:30.800
<v Speaker 4>actor who is being underused. We also have Captain of

2:01:30.960 --> 2:01:34.920
<v Speaker 4>the aegis Diamika. I think I don't know if we

2:01:34.960 --> 2:01:37.040
<v Speaker 4>hear her name spoken out loud very often, but we.

2:01:37.000 --> 2:01:39.480
<v Speaker 3>Do, keeping her like captain singh.

2:01:39.200 --> 2:01:42.839
<v Speaker 4>Yes, yeah, but we see her a number of times.

2:01:43.520 --> 2:01:48.640
<v Speaker 4>She is generally just commenting on what others are doing.

2:01:48.720 --> 2:01:53.000
<v Speaker 4>But hey, so is Jupiter, and she she has I

2:01:53.000 --> 2:01:57.680
<v Speaker 4>think a fair amount of presence in the movie. She's there. Yeah,

2:01:59.560 --> 2:02:00.280
<v Speaker 4>that my it.

2:02:01.640 --> 2:02:07.360
<v Speaker 3>That's more or less. It's it did seem like casting wise,

2:02:07.480 --> 2:02:12.120
<v Speaker 3>there was a commitment to casting not just white people.

2:02:12.880 --> 2:02:16.400
<v Speaker 3>It's mostly white people in the main roles.

2:02:16.680 --> 2:02:18.720
<v Speaker 4>I was gonna say, with characters who have impact on

2:02:18.760 --> 2:02:20.520
<v Speaker 4>the plot. And I do think it is still majority

2:02:20.520 --> 2:02:21.400
<v Speaker 4>of the white characters.

2:02:21.600 --> 2:02:22.280
<v Speaker 3>This is true.

2:02:22.520 --> 2:02:26.480
<v Speaker 1>Like the Bee people didn't need to be white, you.

2:02:26.440 --> 2:02:31.520
<v Speaker 3>Know, certainly not Why yeah, why is Sean Bee would

2:02:31.720 --> 2:02:32.720
<v Speaker 3>be there? They can you know.

2:02:33.520 --> 2:02:38.600
<v Speaker 4>I It's all just it's just like who would I

2:02:38.720 --> 2:02:42.920
<v Speaker 4>wish into this scenario. I don't know who is mister Knight.

2:02:44.440 --> 2:02:47.879
<v Speaker 3>What what is that? A character who.

2:02:47.760 --> 2:02:50.880
<v Speaker 4>Is mister Knight? I was not quite I gave up

2:02:50.920 --> 2:02:53.840
<v Speaker 4>on trying to figure out who mister Knight was and

2:02:53.960 --> 2:02:55.640
<v Speaker 4>just decided to enjoy the ride.

2:02:55.760 --> 2:02:58.400
<v Speaker 3>Well, think of it like, think of it in terms

2:02:58.400 --> 2:03:06.480
<v Speaker 3>of minions. I love to Balamist group. Mister Knight is

2:03:06.480 --> 2:03:08.680
<v Speaker 3>probably like Kevin Kevin Lemgnon.

2:03:08.920 --> 2:03:12.440
<v Speaker 4>He kind of is kind of Kevin coded, isn't he?

2:03:12.440 --> 2:03:15.600
<v Speaker 4>He reminded me of Summer. Did you ever read Circu Freak?

2:03:17.720 --> 2:03:20.280
<v Speaker 4>I loved circ to Freak when I was a kid.

2:03:20.640 --> 2:03:23.720
<v Speaker 4>That was my like pre Twilight Vampire book. It was

2:03:23.760 --> 2:03:27.760
<v Speaker 4>like for preteens and there's a villain in there that

2:03:27.880 --> 2:03:29.760
<v Speaker 4>even when I was a kid, I was like, all right,

2:03:30.000 --> 2:03:34.120
<v Speaker 4>this is getting ridiculous. There's a character named Desmond Tiny

2:03:34.480 --> 2:03:41.320
<v Speaker 4>aka des Tiny Destiny, and even at the time, I

2:03:41.360 --> 2:03:43.560
<v Speaker 4>was like, all right, all right, this is too much

2:03:43.840 --> 2:03:47.560
<v Speaker 4>and I'm ten. Mister Knight feels like that where you're

2:03:47.640 --> 2:03:53.080
<v Speaker 4>like it's like, what do you look? Sure? I'm ten,

2:03:53.240 --> 2:03:58.080
<v Speaker 4>but I'm not. I can read. I can handle something

2:03:58.120 --> 2:04:03.160
<v Speaker 4>more complicated than mister Knight, but they didn't believe it. Yeah,

2:04:03.360 --> 2:04:07.360
<v Speaker 4>does Tiny. I will never stop thinking about Desmond tiny.

2:04:08.240 --> 2:04:15.000
<v Speaker 3>I'll never stop thinking about stinger a Penie stinger pee uh.

2:04:15.080 --> 2:04:18.320
<v Speaker 1>Thinking about the women. I think it is a bummer

2:04:18.360 --> 2:04:21.200
<v Speaker 1>that the sister of the family kind of has the

2:04:21.280 --> 2:04:25.920
<v Speaker 1>least amount to do of the siblings. I guess she

2:04:26.040 --> 2:04:30.680
<v Speaker 1>does reveal like how how their youth works, and that's

2:04:30.720 --> 2:04:35.160
<v Speaker 1>like important, plot relevant, but I don't know, like they

2:04:35.240 --> 2:04:38.640
<v Speaker 1>all have a weird, like erotic relationship with this woman

2:04:38.680 --> 2:04:42.360
<v Speaker 1>that looks like their mom. Couldn't she have tricked the marriage?

2:04:42.440 --> 2:04:43.360
<v Speaker 1>I don't know, I don't know.

2:04:43.440 --> 2:04:47.600
<v Speaker 4>I know, it's like it's not like I more. Yeah,

2:04:47.640 --> 2:04:50.160
<v Speaker 4>I was like the other two were being so evil

2:04:50.480 --> 2:04:53.240
<v Speaker 4>that it's like it does feel like she mostly just

2:04:53.240 --> 2:04:54.840
<v Speaker 4>sets up the plot and she's like we would get

2:04:54.840 --> 2:04:58.360
<v Speaker 4>along great, yeah, and then she's gone, and you're like me,

2:04:58.440 --> 2:05:01.600
<v Speaker 4>of all her brothers are you know, well especially I

2:05:01.600 --> 2:05:05.520
<v Speaker 4>think Titus Titus, Titus is the weirdest of all.

2:05:05.800 --> 2:05:10.080
<v Speaker 1>So Titus is the youngest, right, Yes, Okay, I've been,

2:05:10.240 --> 2:05:14.640
<v Speaker 1>I've been. I've been very Bridgerton pilled lately. And so

2:05:14.680 --> 2:05:18.920
<v Speaker 1>I was thinking about, like, you know, like the inheritance

2:05:19.280 --> 2:05:22.640
<v Speaker 1>in a royal family or like a wealthy family, and

2:05:22.640 --> 2:05:25.040
<v Speaker 1>it's like, oh yeah, I guess. I guess the youngest

2:05:25.720 --> 2:05:29.880
<v Speaker 1>son would be the most evil because he doesn't he

2:05:29.960 --> 2:05:32.200
<v Speaker 1>has the least inheritance.

2:05:33.280 --> 2:05:35.640
<v Speaker 4>Or like the most heads to chop to arrive at

2:05:35.640 --> 2:05:41.400
<v Speaker 4>an inheritance. Yeah, yeah, he he definitely. I was like, Wow,

2:05:41.480 --> 2:05:45.960
<v Speaker 4>he really makes to me because Baalam is so I

2:05:45.960 --> 2:05:50.160
<v Speaker 4>mean iconic, but his his goals are vague, and I

2:05:50.200 --> 2:05:53.120
<v Speaker 4>think part of what makes Titus diabolical is that he's

2:05:53.200 --> 2:05:56.680
<v Speaker 4>also like two horny, which is a great quality and

2:05:56.720 --> 2:06:01.720
<v Speaker 4>a villain. Ballum is just kind of pacing around his

2:06:01.800 --> 2:06:05.520
<v Speaker 4>office yelling at dinosaurs, and his whole thing is I

2:06:05.560 --> 2:06:09.240
<v Speaker 4>start a sentence loud and then I ended very quiet,

2:06:09.920 --> 2:06:15.240
<v Speaker 4>and I like, he's just doing something totally different. But Titus,

2:06:15.240 --> 2:06:17.600
<v Speaker 4>I feel like, is to me the scariest of the three.

2:06:17.680 --> 2:06:22.160
<v Speaker 4>And I agree that, like, you know, not that I whatever, like,

2:06:22.480 --> 2:06:25.600
<v Speaker 4>if we're gonna have three villains, then don't make the

2:06:25.960 --> 2:06:29.160
<v Speaker 4>women of them kind of just like vaguely threatening.

2:06:29.480 --> 2:06:31.680
<v Speaker 1>Yeah, And she's kind of just there. I don't know,

2:06:31.800 --> 2:06:34.840
<v Speaker 1>like I don't know where her goals are necessarily, I

2:06:34.840 --> 2:06:35.240
<v Speaker 1>don't know.

2:06:35.720 --> 2:06:38.160
<v Speaker 3>They all want to manipulate Jupiter in some ways so

2:06:38.200 --> 2:06:41.600
<v Speaker 3>that they can have access to Earth. They go about

2:06:41.600 --> 2:06:43.800
<v Speaker 3>it different ways, and many of those ways don't really

2:06:43.840 --> 2:06:44.800
<v Speaker 3>make any sense.

2:06:45.480 --> 2:06:49.280
<v Speaker 4>But it seems like Kaliku's goals being or like the

2:06:49.480 --> 2:06:53.640
<v Speaker 4>information collique in parts, being related to physical beauty also

2:06:53.720 --> 2:06:58.640
<v Speaker 4>feels very gender yes, because this is not something that

2:06:58.680 --> 2:07:03.040
<v Speaker 4>the men are really bringing up in the same context. Again,

2:07:03.120 --> 2:07:07.400
<v Speaker 4>so whoever is editing this Wikipedia page clearly shares our

2:07:07.440 --> 2:07:11.440
<v Speaker 4>opinions because in the description. The character description for Khalik

2:07:12.200 --> 2:07:17.080
<v Speaker 4>tuppens Middleson as Khaleik Abersach's second primary of the ballum

2:07:17.120 --> 2:07:20.520
<v Speaker 4>and Titus's sister whose motives appear to be less business

2:07:20.520 --> 2:07:23.400
<v Speaker 4>oriented than her brother's, which I think is a polite

2:07:23.440 --> 2:07:28.680
<v Speaker 4>way of saying, so what does she want? Like it

2:07:28.720 --> 2:07:30.720
<v Speaker 4>seems like she might just want a friend.

2:07:31.240 --> 2:07:31.560
<v Speaker 1>Yeah.

2:07:31.720 --> 2:07:35.520
<v Speaker 4>Also, I didn't know that Terry Gilliam has a cameo

2:07:35.560 --> 2:07:41.120
<v Speaker 4>in this movie. Whoa who the seal insignet minister, the

2:07:41.160 --> 2:07:46.400
<v Speaker 4>bureaucrat who confirms Jupiter's title to Earth, And I like

2:07:46.520 --> 2:07:49.240
<v Speaker 4>Terry Gillium. I wouldn't recon it, but that's Terry Gillium.

2:07:49.280 --> 2:07:50.880
<v Speaker 4>And and that was like a big deal for the

2:07:50.960 --> 2:07:53.560
<v Speaker 4>Wochowskis because they love Terry Gillium. So that's kind of

2:07:53.560 --> 2:07:54.520
<v Speaker 4>fun good for those.

2:07:55.080 --> 2:07:56.120
<v Speaker 1>Yeah, that's sweet.

2:07:56.200 --> 2:07:59.680
<v Speaker 3>He directed one of my favorite movies ever, Earned Twelve Monkeys.

2:08:00.160 --> 2:08:04.080
<v Speaker 4>He's great and definitely like a big influence on The Wachowski.

2:08:04.160 --> 2:08:06.600
<v Speaker 4>So I thought that was sweet. I wish it was

2:08:06.720 --> 2:08:09.200
<v Speaker 4>in a different movie, but also kind of awesome because

2:08:09.280 --> 2:08:12.640
<v Speaker 4>Terry gilliam has also liked the Wachowski has made a

2:08:12.640 --> 2:08:16.920
<v Speaker 4>lot of swings, some of which have connected and some

2:08:17.560 --> 2:08:21.160
<v Speaker 4>not so much. And that's what Also the fact that

2:08:21.240 --> 2:08:24.480
<v Speaker 4>they were making I haven't seen Cloud Outless before, but

2:08:24.520 --> 2:08:27.160
<v Speaker 4>that the fact that they were they were working, they

2:08:27.160 --> 2:08:29.120
<v Speaker 4>were finishing Cloud out Lists at the time that they

2:08:29.120 --> 2:08:32.120
<v Speaker 4>were working on Jupiter Ascending, and you're just like they

2:08:32.200 --> 2:08:34.880
<v Speaker 4>just had a rough twenty tens, Like there's no way

2:08:34.920 --> 2:08:35.400
<v Speaker 4>around it.

2:08:35.680 --> 2:08:39.440
<v Speaker 3>Yeah, I saw Cloud out Lists and it's maybe not

2:08:40.080 --> 2:08:44.240
<v Speaker 3>their best work, to put it lightly, that's okay, But

2:08:44.560 --> 2:08:47.440
<v Speaker 3>we all just have to go watch speed Racer too.

2:08:47.520 --> 2:08:48.960
<v Speaker 4>Yeah, let's go to speed Racer.

2:08:49.240 --> 2:08:51.760
<v Speaker 3>Let's do it. Does anyone have anything else they'd like

2:08:51.880 --> 2:08:52.720
<v Speaker 3>to talk about?

2:08:54.120 --> 2:08:58.160
<v Speaker 1>Just the loose the like aerial fight at the beginning

2:08:58.280 --> 2:09:05.680
<v Speaker 1>between the Bounty Hunters came so long, so long, and

2:09:05.720 --> 2:09:09.200
<v Speaker 1>it's like there's your Star Wars, you know, It's like

2:09:09.480 --> 2:09:13.400
<v Speaker 1>very very much like pod Racer, Phantom Menace vibes.

2:09:13.640 --> 2:09:17.200
<v Speaker 4>It is, it is, it is, It is very Prequels vibes.

2:09:17.280 --> 2:09:20.000
<v Speaker 1>It's so funny to be like, let's take the thing

2:09:20.040 --> 2:09:22.200
<v Speaker 1>that people famously hated.

2:09:23.440 --> 2:09:26.000
<v Speaker 4>And do it too, do it again, much like the Prequels.

2:09:26.040 --> 2:09:29.560
<v Speaker 4>My eyes glazed over immediately, and you're like, unfortunately, there

2:09:29.600 --> 2:09:32.480
<v Speaker 4>goes probably one hundred and fifty million dollars, and I

2:09:32.640 --> 2:09:37.760
<v Speaker 4>just like, I'm like, okay, so where's Channing Tatum dug.

2:09:37.760 --> 2:09:41.120
<v Speaker 3>Well, especially because it's characters who we do not know

2:09:41.720 --> 2:09:44.760
<v Speaker 3>what role they plan the story. Yeah, Channing Tatum is there.

2:09:44.840 --> 2:09:50.120
<v Speaker 3>His character will become we will come to understand his significance,

2:09:50.160 --> 2:09:52.240
<v Speaker 3>but at this point we don't know who the fuck

2:09:52.480 --> 2:09:55.240
<v Speaker 3>he is, and the movie doesn't make it clear. So

2:09:55.280 --> 2:09:57.760
<v Speaker 3>now we're just watching a bunch of random ass people

2:09:59.000 --> 2:10:01.920
<v Speaker 3>flying around on gravity boots and we're just like, why

2:10:01.960 --> 2:10:03.840
<v Speaker 3>am I watching this? Who are these people? What?

2:10:04.400 --> 2:10:04.720
<v Speaker 1>Well?

2:10:04.920 --> 2:10:07.440
<v Speaker 4>And the fact and this is again like we're like

2:10:08.320 --> 2:10:10.040
<v Speaker 4>snake eating it's on tail at this point, but I'm

2:10:10.120 --> 2:10:14.280
<v Speaker 4>having so much fun. Like the two characters we meet

2:10:14.760 --> 2:10:18.160
<v Speaker 4>in the introduction have no bearing on the plot. Jupiter's

2:10:18.200 --> 2:10:21.280
<v Speaker 4>parents no bearing on the plot, the father least of all.

2:10:21.440 --> 2:10:21.640
<v Speaker 1>Yeah.

2:10:21.720 --> 2:10:24.480
<v Speaker 4>Yeah, and the mother may be in some draft, but

2:10:24.640 --> 2:10:27.320
<v Speaker 4>not in what we get. So it's like we meet

2:10:27.520 --> 2:10:33.200
<v Speaker 4>two characters very intentionally and basically never interact with them again,

2:10:33.360 --> 2:10:37.360
<v Speaker 4>except very superficially in the case of Jupiter's mom. Yes,

2:10:37.400 --> 2:10:39.400
<v Speaker 4>and then like you're saying, like, then we meet all

2:10:39.480 --> 2:10:42.360
<v Speaker 4>these other characters who we have no attachment or stakes too.

2:10:43.000 --> 2:10:46.000
<v Speaker 4>And unless you watch this movie five times, you don't

2:10:46.000 --> 2:10:49.600
<v Speaker 4>even know that Sean Bean is half honey bee. And

2:10:49.680 --> 2:10:51.960
<v Speaker 4>I really feel like they should really bash you over

2:10:52.000 --> 2:10:54.160
<v Speaker 4>the head with that information because that's so awesome.

2:10:54.680 --> 2:10:58.080
<v Speaker 1>Yes, I do love the scene of all of the

2:10:58.080 --> 2:11:02.120
<v Speaker 1>bees like coming to her. I find it very pretty

2:11:02.240 --> 2:11:07.640
<v Speaker 1>with the like the the plants. Yeah, it's like, all right,

2:11:08.160 --> 2:11:10.880
<v Speaker 1>another like fifty million right there, because they must be

2:11:10.960 --> 2:11:12.800
<v Speaker 1>cgi bees, right, they got it?

2:11:12.880 --> 2:11:14.920
<v Speaker 4>Oh yeah, what if they just threw a hive of

2:11:15.000 --> 2:11:17.440
<v Speaker 4>bees at Mailicunis? That would be so wild?

2:11:17.720 --> 2:11:19.600
<v Speaker 1>They did, do you that? On Supernatures?

2:11:20.360 --> 2:11:20.760
<v Speaker 3>Whoa?

2:11:21.520 --> 2:11:26.120
<v Speaker 4>They say more wait, okay for listeners that may somehow

2:11:26.280 --> 2:11:31.200
<v Speaker 4>not know Summer is the I was a premier supernatural scholar.

2:11:31.720 --> 2:11:32.120
<v Speaker 1>Thank you.

2:11:32.640 --> 2:11:33.000
<v Speaker 4>Yes.

2:11:33.560 --> 2:11:38.800
<v Speaker 1>In an episode in season one, they sic a swarm

2:11:38.840 --> 2:11:43.360
<v Speaker 1>of bees on to Jensen Acles and Jared Padaluki. It

2:11:43.480 --> 2:11:45.960
<v Speaker 1>is an episode called Bugs. There's lots of bugs in

2:11:46.000 --> 2:11:49.200
<v Speaker 1>it and they're like real, real bees and they are

2:11:49.360 --> 2:11:53.360
<v Speaker 1>in enclosed space. And then it didn't show up well

2:11:53.400 --> 2:11:59.520
<v Speaker 1>on camera and so they did SEEGI the bees anyway, Andy,

2:11:59.680 --> 2:12:03.240
<v Speaker 1>just like through bees on these guys, and this is

2:12:03.240 --> 2:12:06.320
<v Speaker 1>like season one, and so it's like, you know, you

2:12:06.360 --> 2:12:08.400
<v Speaker 1>can't what can you? What can you say?

2:12:08.880 --> 2:12:09.160
<v Speaker 4>You know.

2:12:10.720 --> 2:12:13.880
<v Speaker 1>You don't have that much power, right, They're forcing me

2:12:13.920 --> 2:12:15.520
<v Speaker 1>into a room with bees. And I think about it

2:12:15.600 --> 2:12:20.360
<v Speaker 1>every time I see bees in any film, any movie,

2:12:20.760 --> 2:12:22.160
<v Speaker 1>and I'm just like, yeah, I remember.

2:12:23.040 --> 2:12:23.480
<v Speaker 3>Wow.

2:12:23.640 --> 2:12:27.200
<v Speaker 4>My friend Nina texted me today. It was like because

2:12:27.240 --> 2:12:30.200
<v Speaker 4>she saw that I had logged Jupiter Ascending on letterbox

2:12:30.880 --> 2:12:33.200
<v Speaker 4>and she was just like, I think of this movie

2:12:33.240 --> 2:12:35.840
<v Speaker 4>every time I see bees. Ten out of ten. I

2:12:35.880 --> 2:12:38.440
<v Speaker 4>was like, that's beautiful a movie. And now I will

2:12:38.440 --> 2:12:41.360
<v Speaker 4>think of Jupiter Ascending every time I see bees.

2:12:41.840 --> 2:12:44.960
<v Speaker 1>I really will, I mean, and I do. I think

2:12:45.000 --> 2:12:52.000
<v Speaker 1>of bees are genetically designed to recognize royalty, Like that's

2:12:52.040 --> 2:12:55.440
<v Speaker 1>my b movie script, just like it's just in there

2:12:55.600 --> 2:12:58.960
<v Speaker 1>all the time. Yeah, I do. I think it's I

2:12:58.960 --> 2:13:02.200
<v Speaker 1>think it's a lot of like cool looking things in

2:13:02.240 --> 2:13:02.800
<v Speaker 1>this movie.

2:13:03.120 --> 2:13:06.160
<v Speaker 3>I mean visually, like I think the world building, the

2:13:06.160 --> 2:13:11.480
<v Speaker 3>production design. Yeah, visually like the movie is pretty good.

2:13:12.040 --> 2:13:14.920
<v Speaker 4>Yeah, I mean it's like you are getting the Wachowski treatment,

2:13:15.000 --> 2:13:16.600
<v Speaker 4>like it is a visual feast.

2:13:17.000 --> 2:13:21.160
<v Speaker 1>Yeah. I always think about Jupiter's like wedding dress, the

2:13:22.080 --> 2:13:24.280
<v Speaker 1>like the head piece, and like how her hair is

2:13:25.360 --> 2:13:31.280
<v Speaker 1>so cool, like very like pop star. You know, yes,

2:13:31.760 --> 2:13:34.520
<v Speaker 1>I love that. I feel like I always misremember the

2:13:34.560 --> 2:13:37.200
<v Speaker 1>outfits as like more fabulous than they are, Like they're

2:13:37.240 --> 2:13:40.400
<v Speaker 1>kind of the dresses themselves are kind of like simple.

2:13:40.600 --> 2:13:43.840
<v Speaker 1>But yeah, just that that hair so gorgeous.

2:13:44.320 --> 2:13:49.280
<v Speaker 4>Yeah, yeah, well it passes the Bactels test. Actually it does.

2:13:49.640 --> 2:13:52.840
<v Speaker 4>Look look, there's no way around it. Mila Kunis meets

2:13:52.880 --> 2:13:56.560
<v Speaker 4>a lot of blonde women in this movie, and there

2:13:56.640 --> 2:14:00.560
<v Speaker 4>are like brief exchanges she has with her mother, her aunt,

2:14:01.400 --> 2:14:03.120
<v Speaker 4>with the sister.

2:14:04.720 --> 2:14:06.839
<v Speaker 3>Khaleiku and Khalik.

2:14:07.440 --> 2:14:11.840
<v Speaker 4>I will say that, like most interactions that Miela Kunas

2:14:11.880 --> 2:14:14.600
<v Speaker 4>has with anyone of any gener in this movie, it

2:14:14.680 --> 2:14:16.920
<v Speaker 4>is mostly her just being like either saying hello, I'm

2:14:16.960 --> 2:14:20.840
<v Speaker 4>Jupiter Jones or saying hello, where am I? What is this?

2:14:22.120 --> 2:14:25.480
<v Speaker 4>But those are important interactions because I would also like

2:14:25.560 --> 2:14:28.000
<v Speaker 4>to know where she is and what is this.

2:14:28.840 --> 2:14:31.320
<v Speaker 3>And then there's that one scene where she says call me.

2:14:31.400 --> 2:14:34.600
<v Speaker 1>Joop, Like what do you mean?

2:14:35.640 --> 2:14:37.200
<v Speaker 3>Since when do you go by Joop?

2:14:37.880 --> 2:14:40.160
<v Speaker 1>She like just decided that surely.

2:14:40.360 --> 2:14:43.720
<v Speaker 3>Well, she's in space. Now she's reinventing herself. It's like

2:14:43.760 --> 2:14:45.720
<v Speaker 3>when you go to college and you're like, I have

2:14:45.800 --> 2:14:47.200
<v Speaker 3>a I'm a new person.

2:14:47.560 --> 2:14:50.480
<v Speaker 4>It reminded me of a very humiliating like week in

2:14:50.520 --> 2:14:53.000
<v Speaker 4>middle school for me where I both tried to get

2:14:53.000 --> 2:14:57.120
<v Speaker 4>people to call to call me JJ and when that

2:14:57.160 --> 2:15:01.560
<v Speaker 4>didn't stick, I was like, how about mem? And neither

2:15:01.640 --> 2:15:05.560
<v Speaker 4>of them stuck j me me and I get it.

2:15:05.920 --> 2:15:09.200
<v Speaker 4>I've never had a nickname. This really worked out for

2:15:09.240 --> 2:15:12.800
<v Speaker 4>me in my life. But that's okay. It's okay, it's

2:15:12.800 --> 2:15:14.880
<v Speaker 4>a short name. It's fine.

2:15:16.600 --> 2:15:19.879
<v Speaker 3>It does pass the Bechtel test. What about our nipple scale,

2:15:20.000 --> 2:15:23.080
<v Speaker 3>the scale where we rate the movie zero to five

2:15:23.160 --> 2:15:27.560
<v Speaker 3>nipples based on examining it through an intersectional feminist lens.

2:15:27.360 --> 2:15:29.680
<v Speaker 4>Summer, I almost want to let you go first. You're

2:15:29.680 --> 2:15:33.600
<v Speaker 4>the expert, like tell us, oh my god.

2:15:34.040 --> 2:15:38.360
<v Speaker 1>It's like it's like the jubiter ascending in my head five,

2:15:40.000 --> 2:15:44.520
<v Speaker 1>But it's got to be like one, like there are

2:15:44.560 --> 2:15:48.760
<v Speaker 1>women present and they talk to each other. But and

2:15:48.960 --> 2:15:51.560
<v Speaker 1>you know what, I think I'll give it to any

2:15:51.640 --> 2:15:52.080
<v Speaker 1>red name.

2:15:53.480 --> 2:15:58.480
<v Speaker 4>Paradoxically, it's like I do think, I don't know he's

2:15:59.040 --> 2:16:02.080
<v Speaker 4>he's putting his he's giving it his own, he's busting

2:16:02.120 --> 2:16:07.960
<v Speaker 4>his hump over there. Yeah, I think I'll be either.

2:16:08.000 --> 2:16:10.600
<v Speaker 4>I might go one and a half because it's like

2:16:11.000 --> 2:16:13.400
<v Speaker 4>you can feel intent. I want to believe there's a

2:16:13.520 --> 2:16:17.080
<v Speaker 4>draft of this script that really gets it there. The

2:16:17.160 --> 2:16:22.000
<v Speaker 4>witch housekis are feminist icons, which makes this movie very confusing,

2:16:22.920 --> 2:16:25.760
<v Speaker 4>and going back to your earlier point Summer, that this

2:16:25.960 --> 2:16:28.880
<v Speaker 4>movie that is like is trying to say something about

2:16:28.880 --> 2:16:33.520
<v Speaker 4>colonization but then really kind of refuses to at the

2:16:33.640 --> 2:16:37.600
<v Speaker 4>end is bizarre, especially because we are like given a

2:16:37.720 --> 2:16:41.560
<v Speaker 4>character that you would think would have strong feelings about this.

2:16:42.480 --> 2:16:48.039
<v Speaker 4>It's just a weird one. Women are there, and so.

2:16:49.920 --> 2:16:51.119
<v Speaker 3>One and a half.

2:16:53.040 --> 2:16:55.600
<v Speaker 4>I'm giving one to Eddie Redmond and I'm giving half

2:16:55.600 --> 2:16:56.120
<v Speaker 4>to the Bees.

2:16:57.560 --> 2:17:00.200
<v Speaker 3>If I will give the movie, I think I think

2:17:00.240 --> 2:17:03.080
<v Speaker 3>also one and a half.

2:17:03.720 --> 2:17:09.600
<v Speaker 4>Because oh no, this is the episode that breaks the

2:17:09.640 --> 2:17:13.400
<v Speaker 4>system where you're like, what what do things for me.

2:17:13.840 --> 2:17:19.240
<v Speaker 3>Doesn't mean because of reasons. And that's exactly what I

2:17:19.320 --> 2:17:22.240
<v Speaker 3>kept writing in my recap the first time I watched

2:17:22.240 --> 2:17:25.800
<v Speaker 3>this movie. They do things because of reasons.

2:17:25.400 --> 2:17:27.920
<v Speaker 4>And sometimes the reasons have become clear with time.

2:17:28.080 --> 2:17:31.039
<v Speaker 3>Yeah, and sometimes not so much. So I'm gonna I'm

2:17:31.040 --> 2:17:34.080
<v Speaker 3>gonna keep it vague. But also we just we just

2:17:34.120 --> 2:17:38.000
<v Speaker 3>talked for over two hours, so I've already said my piece.

2:17:38.160 --> 2:17:41.199
<v Speaker 4>It felt it felt earned. I'm like there, I could

2:17:41.200 --> 2:17:45.840
<v Speaker 4>have kept going there. There's I have more questions. Did

2:17:45.920 --> 2:17:49.400
<v Speaker 4>telescopes really cost four thousand dollars? I mean, I have

2:17:49.440 --> 2:17:50.640
<v Speaker 4>so many more questions.

2:17:51.200 --> 2:17:56.120
<v Speaker 3>Great question. I'm gonna give one nipple to the scene

2:17:56.160 --> 2:18:00.840
<v Speaker 3>where Titus is having a floating space or Yeah.

2:18:00.879 --> 2:18:02.640
<v Speaker 1>I can't believe we didn't even talk about that.

2:18:03.520 --> 2:18:06.439
<v Speaker 4>It's that kind of movie. It's that kind of movie.

2:18:06.360 --> 2:18:06.560
<v Speaker 1>Yeah.

2:18:06.600 --> 2:18:09.120
<v Speaker 3>And then okay, and then my half nipple goes to

2:18:10.040 --> 2:18:15.560
<v Speaker 3>the scene where Jupiter puts a pad on Caine's bleeding wound.

2:18:15.640 --> 2:18:18.640
<v Speaker 4>Oh my god, how did we not talk about that clearly?

2:18:18.720 --> 2:18:19.320
<v Speaker 3>This car?

2:18:20.360 --> 2:18:22.800
<v Speaker 4>What is it lucky for you? This car belongs to

2:18:22.840 --> 2:18:24.720
<v Speaker 4>a woman's time. And then she pulls out like an

2:18:24.760 --> 2:18:29.280
<v Speaker 4>overnight MAXI pad unwrapped out of the glove compartment.

2:18:29.000 --> 2:18:35.039
<v Speaker 3>And then she sticks the adhesive side on his wound, which,

2:18:35.120 --> 2:18:36.160
<v Speaker 3>what the hell is that gonna do?

2:18:36.240 --> 2:18:42.320
<v Speaker 4>That's not absorbent, hurts kind of blood, which also feels

2:18:42.400 --> 2:18:44.879
<v Speaker 4>very astormative for a movie made by two trans women.

2:18:44.959 --> 2:18:51.280
<v Speaker 4>It you see, I can't believe did there's that much

2:18:51.280 --> 2:18:53.840
<v Speaker 4>going on in Jupiter Ascending and he's a side up.

2:18:53.920 --> 2:18:56.880
<v Speaker 4>I'm like, does she hate does she hate him? That's

2:18:56.920 --> 2:18:58.519
<v Speaker 4>going to make the problem.

2:18:58.200 --> 2:19:01.160
<v Speaker 3>Far worse, way worse. Yeah, and yes, it happens right

2:19:01.160 --> 2:19:06.560
<v Speaker 3>before the bees. Yeah, it just it's it's cinema. It's cinema.

2:19:07.800 --> 2:19:08.520
<v Speaker 1>That's a movie.

2:19:08.600 --> 2:19:10.600
<v Speaker 4>It is a movie that feels like a movie.

2:19:10.840 --> 2:19:14.560
<v Speaker 3>It really does feel like that movie. Summer. Thank you

2:19:14.640 --> 2:19:16.200
<v Speaker 3>so much for joining us.

2:19:16.560 --> 2:19:18.920
<v Speaker 1>Thank you so much for having me. This is so

2:19:19.040 --> 2:19:19.640
<v Speaker 1>much fun.

2:19:19.920 --> 2:19:22.280
<v Speaker 4>This was a blast. I feel like I could do

2:19:22.360 --> 2:19:25.560
<v Speaker 4>this episode again and have it completely new thoughts.

2:19:26.200 --> 2:19:29.240
<v Speaker 3>I feel like I have ascended to a new plane

2:19:29.280 --> 2:19:33.560
<v Speaker 3>of existence. So thank you for that. Tell us where

2:19:33.600 --> 2:19:38.160
<v Speaker 3>people can buy your book? Find your work plug away.

2:19:38.400 --> 2:19:43.200
<v Speaker 1>So my book. You can buy it through host Publications

2:19:43.280 --> 2:19:49.080
<v Speaker 1>website or check out your local bookstore. We distribute through Asterism.

2:19:49.560 --> 2:19:54.560
<v Speaker 1>You can follow me. I'm still on Twitter, not really

2:19:55.520 --> 2:19:58.360
<v Speaker 1>at some of this, but you can follow me on

2:19:58.400 --> 2:20:02.000
<v Speaker 1>Instagram at Borders book Store. I guess I'm on the

2:20:02.000 --> 2:20:04.920
<v Speaker 1>Blue Sky too at some I don't know. I don't

2:20:05.040 --> 2:20:09.119
<v Speaker 1>use that, but Instagram bores bookstore. That is my crowning achievement.

2:20:09.320 --> 2:20:14.160
<v Speaker 4>So yeah, hell yeah, that's thank you. Also, thank you

2:20:14.200 --> 2:20:19.960
<v Speaker 4>so much. Good luck finding another movie with protagonists whose

2:20:20.000 --> 2:20:22.600
<v Speaker 4>name starts with ju. I believe you will do it.

2:20:23.680 --> 2:20:26.160
<v Speaker 1>That'll, that'll, that'll really like narrow it down.

2:20:27.320 --> 2:20:29.280
<v Speaker 3>Yeah. Yeah, you're not allowed to come back on the

2:20:29.320 --> 2:20:32.240
<v Speaker 3>show until you find that movie.

2:20:32.480 --> 2:20:37.040
<v Speaker 4>But also for guess anything, this was like, oh yes,

2:20:37.400 --> 2:20:40.520
<v Speaker 4>sometimes you see a movie like Jupiter Ascending and you're like,

2:20:40.560 --> 2:20:42.800
<v Speaker 4>I think I've I think we've talked about it all

2:20:42.879 --> 2:20:44.280
<v Speaker 4>and then you're stumped.

2:20:44.879 --> 2:20:47.840
<v Speaker 1>Yeah, I'm so glad. That was my goal.

2:20:48.320 --> 2:20:53.240
<v Speaker 3>Yeah, thank you for being here. Come back anytime, and

2:20:53.320 --> 2:20:57.959
<v Speaker 3>you can find us on our Patreon aka Matreon, where

2:20:57.959 --> 2:21:00.960
<v Speaker 3>we do two bonus episodes a month for five dollars

2:21:00.959 --> 2:21:05.120
<v Speaker 3>a month, always on an amazing theme. You get to

2:21:05.200 --> 2:21:09.440
<v Speaker 3>choose the movies matrons a lot of the time, and

2:21:09.480 --> 2:21:12.000
<v Speaker 3>it's the best way to support the show, and you

2:21:12.040 --> 2:21:14.920
<v Speaker 3>get access to the entire back catalog of now over

2:21:14.959 --> 2:21:19.400
<v Speaker 3>two hundred bonus episodes. So what a damn good special.

2:21:19.920 --> 2:21:25.200
<v Speaker 3>Oh yeah, and with that, should we put on our

2:21:25.400 --> 2:21:29.360
<v Speaker 3>gravity boots and roller blade around the sky.

2:21:29.560 --> 2:21:32.039
<v Speaker 4>But don't worry if you don't have your boots. We

2:21:32.160 --> 2:21:35.400
<v Speaker 4>also have wings for some reason, like all dogs.

2:21:35.760 --> 2:21:36.760
<v Speaker 3>Like all dogs.

2:21:37.280 --> 2:21:45.320
<v Speaker 4>Yeah, Bye bye. The Bechdel Cast is a production of iHeartMedia,

2:21:45.480 --> 2:21:48.480
<v Speaker 4>hosted and produced by Me Jamie Loftus.

2:21:48.200 --> 2:21:51.680
<v Speaker 3>And Me Caitlyn Durante. The podcast is also produced by

2:21:51.800 --> 2:21:53.279
<v Speaker 3>Sophie Lichtermann and.

2:21:53.320 --> 2:21:55.680
<v Speaker 4>Edited by Caitlyn Durrante. Ever heard of them?

2:21:56.160 --> 2:21:59.600
<v Speaker 3>That's me? And our logo and merch and all of

2:21:59.600 --> 2:22:03.160
<v Speaker 3>our art work, in fact, are designed by Jamie Loftus,

2:22:03.200 --> 2:22:03.800
<v Speaker 3>Ever heard of her?

2:22:04.040 --> 2:22:07.080
<v Speaker 4>Oh my God? And our theme song, by the way,

2:22:07.200 --> 2:22:11.080
<v Speaker 4>was composed by Mike Kaplan with vocals by Katherine Voskrasinski

2:22:11.480 --> 2:22:14.320
<v Speaker 4>Iconic and a special thanks to the one and only

2:22:14.680 --> 2:22:15.959
<v Speaker 4>Aristotle Acevedo.

2:22:16.480 --> 2:22:20.240
<v Speaker 3>For more information about the podcast, please visit Linktree Slash

2:22:20.280 --> 2:22:21.080
<v Speaker 3>Spectelcast