WEBVTT - Parcast

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<v Speaker 1>Hi, Welcome to Access podcast, the podcast about podcasts. I'm

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<v Speaker 1>Addie Stout. We are headed towards the Halloween season and

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<v Speaker 1>I thought it'd be a great time to talk about

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<v Speaker 1>a few creepy podcasts. And nobody does creepier podcast better

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<v Speaker 1>than Max Cutler and the folks at podcast. They've given

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<v Speaker 1>you such titles as serial Killers, Unsolved Murders, and their

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<v Speaker 1>new show Cults. Let's check it out. Manson wasn't a

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<v Speaker 1>serial killer. He didn't stab or strangle his victims like

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<v Speaker 1>John Wayne Gacy. He was a cult leader charismatic enough

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<v Speaker 1>to manipulate his followers into committing murder on his behalf.

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<v Speaker 1>And it's Manson's role as a cult leader and his

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<v Speaker 1>ability to commit murder by proxy that makes him so memorable.

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<v Speaker 1>Joining me now, Max Cutler, co founder and president of Podcast,

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<v Speaker 1>the Creepiest of podcast companies. I don't know if creepy

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<v Speaker 1>is the right word, but but you do have a

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<v Speaker 1>specific genre that that you focus on, uh a podcast? Yes,

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<v Speaker 1>we do well, Thanks man for having me. We definitely

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<v Speaker 1>are focused on true crime right now. Um, we're very

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<v Speaker 1>much enjoying the true crime wave and capitalizing on it.

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<v Speaker 1>I think it's safe to say, so, why do you

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<v Speaker 1>think folks are so passionate and into true crime stories

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<v Speaker 1>right now? Well, I think there's a lot of reasons

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<v Speaker 1>right now. Um. Specifically one kind of our whole entire

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<v Speaker 1>as a country, United States, the environment we're in. There's

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<v Speaker 1>a lot of distrust going on, what is really happening?

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<v Speaker 1>Do we really know what is really happening? In many cases? Um,

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<v Speaker 1>So I think we're really tapping into that. I think also,

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<v Speaker 1>quite frankly, true crime kind of caters to our most

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<v Speaker 1>powerful emotion, which is um fear. Um. I think that

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<v Speaker 1>could we be a victim of true crime? Are we

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<v Speaker 1>trying to figure out what causes people to commit crimes?

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<v Speaker 1>Is a very interesting and strong motivation for our listeners,

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<v Speaker 1>I know, and the kind of psychology behind it. Um.

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<v Speaker 1>I also think, you know, looking at it really closely,

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<v Speaker 1>it's it's kind of like a puzzle piece. I'm trying

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<v Speaker 1>to understand what makes someone do that, what makes them tick.

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<v Speaker 1>In our case, we have a show called serial Killers.

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<v Speaker 1>We're we're looking to the psychology of what molded a

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<v Speaker 1>serial killer. And every day, you know, we get tons

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<v Speaker 1>of emails about people just trying to understand what makes

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<v Speaker 1>a person commit such horrible crimes. And I think there's

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<v Speaker 1>there's really kind of a you know, searching for the

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<v Speaker 1>information that we find very interesting. Do you have a

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<v Speaker 1>favorite serial killer? Um? You know, I I do not

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<v Speaker 1>have a favorite serial killer. UM. I do find a

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<v Speaker 1>lot of them extremely fascinating. From a story standpoint, I

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<v Speaker 1>think that you know, looking at it, obviously, Ted Bunny

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<v Speaker 1>is a huge serial killer. Everyone you know probably familiar

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<v Speaker 1>with Ted Bunny by name. Um, and just kind of

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<v Speaker 1>under you know, from a psychology standpoint, just understanding Ted

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<v Speaker 1>Bunny from someone that's able to really interact with people

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<v Speaker 1>and act really normal and then and then be able

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<v Speaker 1>to flip a switch it turned off to become this

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<v Speaker 1>horrible monster. Is it's really a fascinating case study. And

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<v Speaker 1>that that case, you know, he's always fascinating me. Mind's

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<v Speaker 1>gayzy just because I hate clar so I put John

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<v Speaker 1>Wayne up there, but in general, so you know, one

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<v Speaker 1>of the things I think that it makes your podcast

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<v Speaker 1>stand out, and I think for a lot of the

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<v Speaker 1>podcast that do well. And something I preach to my

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<v Speaker 1>students who I teach at a university is that high

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<v Speaker 1>quality production will always win and and and that is

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<v Speaker 1>something that you your company in particular Partcast really takes

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<v Speaker 1>great pride because your your productions are just so well done. Um.

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<v Speaker 1>Talk about the time and effort that goes into an

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<v Speaker 1>episode for one of your podcasts, because there's a lot

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<v Speaker 1>of elements going on in there. Yeah, well, I mean,

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<v Speaker 1>first off, production value is the king. That's the most

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<v Speaker 1>important thing here at podcasts, and we spend a lot

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<v Speaker 1>of time making sure we get it as right as possible. Um.

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<v Speaker 1>For us, it's our number one differential statement. Quite frankly,

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<v Speaker 1>there's over four thousand podcasts out there, not not all

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<v Speaker 1>are active, but most of them do not put enough

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<v Speaker 1>time or effort into production value, and that's something we

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<v Speaker 1>take extremely seriously. Um. Depending on the show, we can

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<v Speaker 1>spend up to thirty to forty hours on im producing

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<v Speaker 1>a show. Uh an episode, Um, you know, Unsolved Murders,

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<v Speaker 1>which is another show of ours, is a almost a

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<v Speaker 1>modern take on old time radio where we have tons

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<v Speaker 1>of voice actors, sound effects, multiple beds. Um. You know,

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<v Speaker 1>our sound design and engineer is, in my opinion, the

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<v Speaker 1>best in the business. And he, of course he's sitting

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<v Speaker 1>right here, um he uh, he doesn't a phenomenal job

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<v Speaker 1>at really piecing together each episode and telling the story. Um,

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<v Speaker 1>because for us that podcast, the most important thing is

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<v Speaker 1>storytelling and there's many ways to do that and bringing

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<v Speaker 1>these stories to life. And so I mean besides from

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<v Speaker 1>writing each script up going into sound effects, layering everything.

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<v Speaker 1>It's it's a very complex process, but when we take

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<v Speaker 1>very seriously. You know, one theme I get back to

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<v Speaker 1>with the couple of the guests we've had on is

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<v Speaker 1>is and you just said it is that that old

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<v Speaker 1>time radio feel, you know, back when radio was radio drama.

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<v Speaker 1>And I love that. That's where podcasting is taking radio.

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<v Speaker 1>For me, I left, you know, when I left radio

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<v Speaker 1>to get in podcasting was because I felt radio was

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<v Speaker 1>getting away from kind of you know, a lot of

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<v Speaker 1>the entertainment value that we to have on it and more.

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<v Speaker 1>Just hey, talk for twenty seconds, Um, so I want

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<v Speaker 1>it talked about your influence, how radio has influenced you

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<v Speaker 1>and and your dad who has it was kind of

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<v Speaker 1>he is legendary in the radio business. Um, so you've

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<v Speaker 1>been around a long time. Yeah, no, it's uh, it's

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<v Speaker 1>been a huge impact on my life. Um. Growing up

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<v Speaker 1>in a radio household has probably why I started a podcast.

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<v Speaker 1>And the first thing I did when I wanted to

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<v Speaker 1>start podcast was get my dad out of retirement to

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<v Speaker 1>be a consultant and co founder here with me, and

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<v Speaker 1>he's you know, it's for me. I think it's weird

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<v Speaker 1>to say it's great working with your dad, because so

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<v Speaker 1>many people have horrible experiences, But for me, it's the

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<v Speaker 1>best thing that I you know, that I'm able to do.

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<v Speaker 1>He UM. For the people don't know, my dad was

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<v Speaker 1>in radio for most of his life. He started off

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<v Speaker 1>as a disc jockey and then ended up UM becoming

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<v Speaker 1>a very you know, lucky to create many top radio

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<v Speaker 1>shows that he produced, as well as Color Productions and

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<v Speaker 1>Color Commy Networks, UM. And so having that background, there's

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<v Speaker 1>there's definitely something growing up in a household where creativity

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<v Speaker 1>is king, and living in radio and audio is just inspiring.

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<v Speaker 1>And I think that both of us agreed when we

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<v Speaker 1>you know, when we started this about eighteen months ago,

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<v Speaker 1>now that unfortunately Radio UM and it's mixed feelings for us,

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<v Speaker 1>Radio is kind of going downhill in many ways on

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<v Speaker 1>the content side, and we really wanted to bring it

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<v Speaker 1>back to a great storytelling, great narrative podcast and we

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<v Speaker 1>think we've we've done that in the content. Um. But yeah,

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<v Speaker 1>it's had a profound impact on me and everything we

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<v Speaker 1>do here. It's part of my job is I work

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<v Speaker 1>as a digital program director in San Francisco, and our

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<v Speaker 1>jocks have been retraining themselves and learning podcasting and getting

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<v Speaker 1>back to that storytelling and they're really embracing it. And

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<v Speaker 1>I see us as a radio company and I heart

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<v Speaker 1>we're producing some really good podcast content. But you know,

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<v Speaker 1>some of the older radio folks still kind of kick

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<v Speaker 1>and scream and they don't understand it. They don't want

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<v Speaker 1>to be a part of it. How was that transition

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<v Speaker 1>for your dad when you talk to him about podcasting?

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<v Speaker 1>Was he embracing it right away or or was he

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<v Speaker 1>one of the a little bit of a hold out

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<v Speaker 1>at all. Well, I think for my dad there's mixed emotions. One,

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<v Speaker 1>he embraced it right away because he saw the potential.

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<v Speaker 1>He saw that the need for quite family to connect

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<v Speaker 1>with an audience that was not happening up in radio

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<v Speaker 1>any anymore. So he loved that aspect of it. But

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<v Speaker 1>of course he grew up in radio. Radio is a

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<v Speaker 1>huge part of his life. Um, And so for him,

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<v Speaker 1>I know it's mixed emotions that he feels that radio

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<v Speaker 1>has really gone downhill in the quality of it. Um,

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<v Speaker 1>and he wishes it was, you know, still there because

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<v Speaker 1>it really did have a huge impact on his life.

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<v Speaker 1>But now in the podcast space, it's a huge potential.

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<v Speaker 1>It is the future. UM, you know, I know, it's

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<v Speaker 1>a fact. He talked two people in radio. They're they're

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<v Speaker 1>starting to embrace the podcasting spaces you just mentioned, and

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<v Speaker 1>those that aren't embracing the podcast space will start embracing

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<v Speaker 1>the podcast space. Um. The numbers are just there. I mean,

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<v Speaker 1>the last year alone, we grew I know, we have

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<v Speaker 1>sixties seven million monthly listeners. We have, you know, revenue

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<v Speaker 1>increased by five percent over year over a year, which

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<v Speaker 1>is the most crucial thing for radio. Um. Obviously we're

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<v Speaker 1>still nowhere near where radio is on the advertising dollar side.

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<v Speaker 1>But with that being said, I mean, podcasting is the future.

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<v Speaker 1>I mean, if you look at it from a just

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<v Speaker 1>a granular perspective, audio is really the last media that

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<v Speaker 1>hasn't gone on demand televisions on a man, films on

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<v Speaker 1>too many of the Netflix is of the world, Amazon's,

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<v Speaker 1>et cetera. Audio really hasn't and in many ways, podcasting

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<v Speaker 1>is that. And as you have more and more companies,

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<v Speaker 1>whether it be obviously Apple podcast now is really starting

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<v Speaker 1>to gear up and take it more seriously. Um, Tune

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<v Speaker 1>in Radio is taking it seriously. Stitcher, where I know

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<v Speaker 1>you're very familiar with, is taking it seriously. So it's

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<v Speaker 1>very interesting. Um. And of course our hearts taking it seriously,

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<v Speaker 1>which is which is great news. UM. So we'll see,

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<v Speaker 1>you know, what happens in the future. But you know,

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<v Speaker 1>in all honesty, you need to start embracing the podcast

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<v Speaker 1>space because it is going to be the future in radio.

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<v Speaker 1>We tend to deal with stalkers, fans, people to get

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<v Speaker 1>a little too obsessed with our with our programs and ourselves.

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<v Speaker 1>I know I've had a few with the kind of

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<v Speaker 1>podcast that you do. Are there any folks that you

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<v Speaker 1>know that are that you have to you know, deal

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<v Speaker 1>with on this. Are there people that want to correct

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<v Speaker 1>you and tell you different things or give you theories?

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<v Speaker 1>How is that interaction? Yeah, of course, um there. You know,

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<v Speaker 1>it varies on the show in terms of how much interaction,

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<v Speaker 1>but every show has interaction and we love it. It's

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<v Speaker 1>a you know, the great thing about podcasting is it's

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<v Speaker 1>really a conversation. It's not us telling them and we

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<v Speaker 1>want them to be involved with our programming. It shows

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<v Speaker 1>that they really care and they listen, and so we

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<v Speaker 1>have people every day emailing us, whether about a theory,

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<v Speaker 1>if it's an unsolved murder episode, maybe who did it?

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<v Speaker 1>Who done it? You know, it is very common for us. UM.

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<v Speaker 1>We just launched a new show called Cults, and that

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<v Speaker 1>show has done amazing for us, and UM the feedback

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<v Speaker 1>has been so positive and people trying to understand and

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<v Speaker 1>have their own theories of maybe why you know, Charles

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<v Speaker 1>Manson was the way he was for example. UM. We also,

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<v Speaker 1>of course get criticism from time to time. UM, maybe

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<v Speaker 1>a host spoke to quickly, maybe they thought that, um,

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<v Speaker 1>we could have presented the information a different way, et cetera.

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<v Speaker 1>But these are all great conversations and it just shows

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<v Speaker 1>again how engaged the podcast community is. Just like radio

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<v Speaker 1>quite frankly, when you have a great, great disc jockey.

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<v Speaker 1>So it's very similar in that regard. But I do think,

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<v Speaker 1>you know, podcasting in general is a very intimate experience UM,

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<v Speaker 1>and our listeners, I know, developer relationship with our hosts.

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<v Speaker 1>We want them to develop a relationship with our host

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<v Speaker 1>because at the end of the day if they feel

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<v Speaker 1>like they know the host, they feel like they know um,

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<v Speaker 1>they interact that much strongly and build up so much

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<v Speaker 1>more of a connection that content. I want to talk

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<v Speaker 1>about the new podcast Cults, which you can find on

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<v Speaker 1>I Heart Radio. Why Cults? Why did you get into that?

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<v Speaker 1>I'll be honest, I got super into the Manson series

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<v Speaker 1>and I just think that it's it's It's to me

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<v Speaker 1>always say good podcast is like reading a book, and

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<v Speaker 1>I'm just I'm in it. So I'm really into the

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<v Speaker 1>new Cults podcast. Why did you guys choose that? Thank you? Yeah,

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<v Speaker 1>this was something that I want to do for a while. Um,

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<v Speaker 1>I felt that, you know, we've been really heavily in

0:10:39.200 --> 0:10:41.360
<v Speaker 1>true crime, but we need to slowly kind of embrace

0:10:41.400 --> 0:10:42.920
<v Speaker 1>where true crime is going. And I think this is

0:10:42.960 --> 0:10:44.920
<v Speaker 1>the next logical step. I think if you just talk

0:10:45.000 --> 0:10:47.840
<v Speaker 1>to somebody and mentioned Charles Manson, the Family or any coal,

0:10:47.880 --> 0:10:50.559
<v Speaker 1>it's amazing how they just perk up and get excited

0:10:50.559 --> 0:10:52.560
<v Speaker 1>to talk about it, Like what makes them join the colt?

0:10:52.600 --> 0:10:54.680
<v Speaker 1>How did they get mind washed? And for us, that

0:10:54.720 --> 0:10:56.720
<v Speaker 1>was really what we wanted to answer, is the psychological

0:10:56.800 --> 0:10:59.319
<v Speaker 1>how does somebody in the case of Charles Manson, for example,

0:11:00.080 --> 0:11:02.400
<v Speaker 1>manipulate all these people to create murder by proxy in

0:11:02.440 --> 0:11:04.720
<v Speaker 1>his situation, but just to join a cult. And you know,

0:11:04.760 --> 0:11:09.240
<v Speaker 1>for him, he wasn't a very um popular person growing up.

0:11:09.360 --> 0:11:10.920
<v Speaker 1>He had to you know, and he yet he was

0:11:10.960 --> 0:11:12.959
<v Speaker 1>able to control all these people. And it's a very

0:11:13.000 --> 0:11:15.760
<v Speaker 1>interesting study. And also of course for us, it does

0:11:15.800 --> 0:11:17.720
<v Speaker 1>have the true crime element to it, which is important

0:11:17.720 --> 0:11:20.120
<v Speaker 1>to keep our brand identity there, but it also is

0:11:20.200 --> 0:11:23.160
<v Speaker 1>kind of logically getting us a little away from from

0:11:23.240 --> 0:11:25.440
<v Speaker 1>the traditional true crime which we want to do. You know,

0:11:25.480 --> 0:11:27.240
<v Speaker 1>we never want to chase the next year. That was

0:11:27.280 --> 0:11:29.199
<v Speaker 1>something we're never going to do a podcast, and that

0:11:29.360 --> 0:11:31.520
<v Speaker 1>something we never will do. Um. We want to present

0:11:31.600 --> 0:11:33.839
<v Speaker 1>content in a different way, more of a storytelling and

0:11:33.920 --> 0:11:35.920
<v Speaker 1>entertaining way, an informative way, and I think, you know,

0:11:36.040 --> 0:11:39.240
<v Speaker 1>Colts is apparently really really really accomplishing that right now.

0:11:39.559 --> 0:11:41.959
<v Speaker 1>And the timing is also really good as far as

0:11:42.200 --> 0:11:44.680
<v Speaker 1>American hor Story to win cults as well. So between

0:11:44.720 --> 0:11:47.800
<v Speaker 1>American horse Story and your podcast, I've already got some

0:11:47.840 --> 0:11:51.520
<v Speaker 1>folks lined up to join my cult and hopefully maybe

0:11:51.520 --> 0:11:52.719
<v Speaker 1>in a couple of years will be to want to

0:11:52.720 --> 0:11:56.400
<v Speaker 1>show about me. That's great. I hope. So they're they're

0:11:56.400 --> 0:11:59.400
<v Speaker 1>called a podcast producers. My producers looking at me side

0:11:59.440 --> 0:12:02.320
<v Speaker 1>died right now. No, that's not gonna work. Um, this

0:12:02.400 --> 0:12:04.960
<v Speaker 1>might be a question, you know, for you or you know,

0:12:05.000 --> 0:12:07.640
<v Speaker 1>maybe if you've talked to any of your producers while

0:12:07.640 --> 0:12:10.959
<v Speaker 1>they're doing these shows. You know, Stephen King once I

0:12:11.040 --> 0:12:13.560
<v Speaker 1>read an article about when he was writing the book

0:12:13.600 --> 0:12:16.000
<v Speaker 1>The Shining he would be in the middle of writing

0:12:16.040 --> 0:12:18.240
<v Speaker 1>and kind of gets freaked out and stop writing and

0:12:18.240 --> 0:12:20.360
<v Speaker 1>have to like go downstairs and be around people because

0:12:20.640 --> 0:12:23.839
<v Speaker 1>he's kind of scaring himself. Um. Do you ever find yourself,

0:12:24.440 --> 0:12:26.080
<v Speaker 1>you know, in the middle of you know, working on

0:12:26.080 --> 0:12:31.080
<v Speaker 1>a podcast getting creeped out and a little freaked out. Yeah,

0:12:31.080 --> 0:12:32.880
<v Speaker 1>well yeahtual, it's funny being that up. So yeah, this week,

0:12:32.920 --> 0:12:36.439
<v Speaker 1>actually we have a new podcast coming out called Haunted Places. Um,

0:12:36.520 --> 0:12:38.280
<v Speaker 1>and I was reading the script at nighttime and I

0:12:38.360 --> 0:12:40.480
<v Speaker 1>was the only one in the office here, and it

0:12:40.559 --> 0:12:41.720
<v Speaker 1>got to a point where I had to take a

0:12:41.760 --> 0:12:44.040
<v Speaker 1>break and just be like, Okay, this is this is

0:12:44.240 --> 0:12:46.280
<v Speaker 1>you know, this is not really happening. Um. But yeah,

0:12:46.280 --> 0:12:48.720
<v Speaker 1>I think that we do have times where we um

0:12:48.800 --> 0:12:50.640
<v Speaker 1>have to take a step back from it. I don't

0:12:50.640 --> 0:12:53.079
<v Speaker 1>think we necessarily have ever gotten freak freaked out in

0:12:53.120 --> 0:12:55.000
<v Speaker 1>the studio. Could be wrong, but I know we have

0:12:55.160 --> 0:12:58.240
<v Speaker 1>very disturbing moments when um, we have to ask ourselves,

0:12:58.320 --> 0:13:00.560
<v Speaker 1>quite honestly, should we be even you know how how

0:13:00.640 --> 0:13:03.920
<v Speaker 1>much we want to delve into this in the details. Um,

0:13:03.960 --> 0:13:05.920
<v Speaker 1>But and and the end of the day, you know

0:13:06.040 --> 0:13:10.000
<v Speaker 1>it's um, we really haven't had any situations that we

0:13:10.080 --> 0:13:12.480
<v Speaker 1>got scared by our content. I've got a segment that

0:13:12.520 --> 0:13:14.800
<v Speaker 1>we're gonna do right now we do with every guest

0:13:14.880 --> 0:13:17.880
<v Speaker 1>that's called three Killer Questions. And again I didn't name

0:13:17.920 --> 0:13:21.200
<v Speaker 1>it special for you. It's always three Killer questions. But

0:13:21.400 --> 0:13:25.240
<v Speaker 1>I am changing the first question. Normally I would ask you,

0:13:25.520 --> 0:13:27.840
<v Speaker 1>if you were a sandwich, what kind of sandwich would

0:13:27.880 --> 0:13:31.199
<v Speaker 1>you be? But instead for you for Halloween, for podcast,

0:13:31.559 --> 0:13:34.960
<v Speaker 1>if you were a serial killer? Which one would you be?

0:13:35.080 --> 0:13:38.160
<v Speaker 1>What kind of serial killer would you be? What kind

0:13:38.200 --> 0:13:41.280
<v Speaker 1>of serial killer would I be? A name or a

0:13:41.840 --> 0:13:45.240
<v Speaker 1>more of it? A general A genre of serial killer,

0:13:46.760 --> 0:13:51.679
<v Speaker 1>ax X guy, poisoner. I don't know. I think I

0:13:51.679 --> 0:13:53.439
<v Speaker 1>think I'd have to be more of a poison a

0:13:53.520 --> 0:13:55.480
<v Speaker 1>poison er just because you know I don't do well

0:13:55.480 --> 0:13:57.840
<v Speaker 1>with blood. To be honest, with you and so, And

0:13:57.880 --> 0:13:59.480
<v Speaker 1>also I think you can probably get away with the

0:13:59.520 --> 0:14:01.599
<v Speaker 1>crime a little it better if you're not there. But

0:14:02.760 --> 0:14:04.840
<v Speaker 1>I've never never thought about that before. Um. But yeah,

0:14:04.920 --> 0:14:07.400
<v Speaker 1>definitely definitely a poison or something something a little away

0:14:07.400 --> 0:14:09.000
<v Speaker 1>from the crime scene. So don't you have to see

0:14:09.040 --> 0:14:15.320
<v Speaker 1>the person person? All right? Max Cutler? What technology in

0:14:15.400 --> 0:14:18.160
<v Speaker 1>your life? Did you stop and go? This changed my life?

0:14:18.440 --> 0:14:25.320
<v Speaker 1>The first one? Oh n'ten sixty four? That was easy though,

0:14:25.320 --> 0:14:28.120
<v Speaker 1>without question, I'll never forget that happened. Yeah, I can

0:14:28.160 --> 0:14:30.600
<v Speaker 1>always tell the age of who I'm interviewing with that

0:14:30.680 --> 0:14:33.840
<v Speaker 1>question because depending on the technology that they pick out.

0:14:34.440 --> 0:14:36.360
<v Speaker 1>And the last question is what's the last podcast that

0:14:36.400 --> 0:14:40.960
<v Speaker 1>you binged? Oh s Town. I loved that podcast. It's

0:14:40.960 --> 0:14:43.240
<v Speaker 1>just reminding me I'm from West Virginia. Self was like, yeah,

0:14:43.280 --> 0:14:46.120
<v Speaker 1>I know that guy. Yeah, yeah, that's it's a phenomenal.

0:14:46.160 --> 0:14:49.160
<v Speaker 1>They did a phenomenal job with that podcast. Absolutely, yeah, yeah,

0:14:49.200 --> 0:14:51.920
<v Speaker 1>they It's it when you hear podcasts like that, it's

0:14:51.960 --> 0:14:54.960
<v Speaker 1>it's inspiring. Um and uh yeah, it's really I'm glad.

0:14:54.960 --> 0:14:56.600
<v Speaker 1>I'm glad that you liked that one too. You can

0:14:56.640 --> 0:14:58.400
<v Speaker 1>learn so much from them. Quite honestly, we learned a

0:14:58.440 --> 0:15:01.000
<v Speaker 1>lot from them. Um, it's it's great. It's just phenomenal

0:15:01.040 --> 0:15:03.480
<v Speaker 1>from both the storytelling element just from a production call.

0:15:03.560 --> 0:15:07.600
<v Speaker 1>It's just absolutely phenomenal. I do branded content podcasts and

0:15:07.720 --> 0:15:11.720
<v Speaker 1>I I'm pretty much just hawk things that Gimblet have

0:15:11.760 --> 0:15:14.120
<v Speaker 1>done because I like all this stuff. Gimblet does so

0:15:14.200 --> 0:15:16.080
<v Speaker 1>much with us a great job, and they obviously have

0:15:16.080 --> 0:15:19.280
<v Speaker 1>a great branded branded for branded UH firm over there

0:15:19.280 --> 0:15:22.920
<v Speaker 1>as well that they're doing some really great stuff. Well, Max,

0:15:23.000 --> 0:15:25.440
<v Speaker 1>this has been fun. Um, you can can you can

0:15:25.520 --> 0:15:28.240
<v Speaker 1>check out all the shows at podcast Network, but you

0:15:28.240 --> 0:15:31.000
<v Speaker 1>can also find them all on the I Heart Radio app,

0:15:31.040 --> 0:15:35.280
<v Speaker 1>including the new one Cults, So go check that out. Uh, Max,

0:15:35.840 --> 0:15:38.640
<v Speaker 1>thank you so much for coming on. And anyone who

0:15:38.640 --> 0:15:44.320
<v Speaker 1>works with Max, watch what you're eating might be sliding

0:15:44.400 --> 0:15:47.360
<v Speaker 1>something in there today. That's great. Thank you Matt for

0:15:47.360 --> 0:15:53.440
<v Speaker 1>having so a little behind the scenes there with Max Cutler.

0:15:53.560 --> 0:15:55.640
<v Speaker 1>You know, I just thought of the see I should

0:15:55.640 --> 0:15:58.320
<v Speaker 1>have asked him what was the scary story that made

0:15:58.400 --> 0:16:00.440
<v Speaker 1>him scared when he was you know, sit get scared

0:16:00.440 --> 0:16:04.360
<v Speaker 1>in his office. But we'll hear it probably in their

0:16:04.400 --> 0:16:07.040
<v Speaker 1>new podcast Haunted Places. Oh my gosh, look at that

0:16:07.160 --> 0:16:10.520
<v Speaker 1>you're learning. Look at her look at the radio plug

0:16:10.600 --> 0:16:13.480
<v Speaker 1>going all right, Z is in the studio. That means

0:16:13.480 --> 0:16:15.880
<v Speaker 1>we are going to find out about three podcasts that

0:16:15.960 --> 0:16:19.920
<v Speaker 1>you can listen to right now that are in the

0:16:20.000 --> 0:16:23.760
<v Speaker 1>true crime genres that we're looking at this week. Alright,

0:16:23.840 --> 0:16:25.320
<v Speaker 1>so hit me up. What do you got this week?

0:16:25.400 --> 0:16:28.120
<v Speaker 1>First one is Sword and Scale. My roommate actually told

0:16:28.120 --> 0:16:30.560
<v Speaker 1>me about this one, and it's really cool. It's very like.

0:16:30.840 --> 0:16:34.600
<v Speaker 1>They cover the dark underworld of crime, murders, abductions, bizarre

0:16:34.800 --> 0:16:37.040
<v Speaker 1>crimes and stuff like that. I like it because they

0:16:37.040 --> 0:16:40.920
<v Speaker 1>have interviews with the victims and even the perpetrators. It's

0:16:40.960 --> 0:16:45.160
<v Speaker 1>like nine one one calls really interesting. Oh, let's listen.

0:16:46.120 --> 0:16:48.680
<v Speaker 1>That is why when a mother's love is not present,

0:16:49.360 --> 0:16:55.720
<v Speaker 1>the results can be disastrous. Take for example, a man

0:16:55.840 --> 0:17:00.600
<v Speaker 1>by the name of Ed. Her mother was sick, angry, hungry,

0:17:02.240 --> 0:17:06.119
<v Speaker 1>and very sad woman. I hated her, but I wanted

0:17:06.160 --> 0:17:10.960
<v Speaker 1>to love my mother. That sounds very well produced. Yeah,

0:17:11.200 --> 0:17:13.359
<v Speaker 1>I like well produced stuff. Thank you. I don't know

0:17:13.400 --> 0:17:16.080
<v Speaker 1>about that one at all. Um, gosh, Okay, that's added

0:17:16.119 --> 0:17:20.359
<v Speaker 1>to the list the five list of podcasts I must

0:17:20.359 --> 0:17:23.040
<v Speaker 1>listen to. All right, what else you got? The next

0:17:23.040 --> 0:17:28.119
<v Speaker 1>one is true Crime slash comedy, it's my Favorite murder.

0:17:28.240 --> 0:17:30.960
<v Speaker 1>It's two girls named Karen and Georgia and their two

0:17:31.000 --> 0:17:34.640
<v Speaker 1>friends and they talk about their favorite murderer from John Bennett.

0:17:35.080 --> 0:17:38.480
<v Speaker 1>It's so funny, but they do it really respectfully and

0:17:38.520 --> 0:17:41.479
<v Speaker 1>it's really well researched. They know what they're talking about.

0:17:41.680 --> 0:17:43.720
<v Speaker 1>And UM, I really like it because they always end

0:17:44.200 --> 0:17:49.000
<v Speaker 1>their show would stay sexy and don't get murdered. Super funny.

0:17:49.040 --> 0:17:50.960
<v Speaker 1>This is a podcast that's getting a lot of buzz

0:17:51.080 --> 0:17:54.320
<v Speaker 1>that again, due to my schedule, haven't had time to

0:17:54.359 --> 0:17:56.080
<v Speaker 1>listen to. So let's check out a little bit right now.

0:17:56.840 --> 0:18:01.240
<v Speaker 1>We do not condone math on this part, not no way.

0:18:01.800 --> 0:18:05.600
<v Speaker 1>We don't condone murder either, even for our own entertainment.

0:18:07.000 --> 0:18:09.080
<v Speaker 1>Were against it. Do you want to discuss it though?

0:18:09.160 --> 0:18:12.879
<v Speaker 1>We do. Um, but if you guys murder someone and

0:18:13.240 --> 0:18:15.080
<v Speaker 1>like you blame it on my favorite murder, we will

0:18:15.119 --> 0:18:17.600
<v Speaker 1>not talk about it. Let's just agree that right now. Yeah,

0:18:17.640 --> 0:18:19.560
<v Speaker 1>you won't get famous on that. No, we will not

0:18:19.600 --> 0:18:21.800
<v Speaker 1>talk about it. That's good. We should have said that

0:18:21.840 --> 0:18:24.800
<v Speaker 1>at the beginning. You know what I think about that

0:18:24.880 --> 0:18:28.400
<v Speaker 1>podcast is that if I asked them the question if

0:18:28.400 --> 0:18:30.520
<v Speaker 1>you were serial killer, who would you be, they would

0:18:30.560 --> 0:18:32.560
<v Speaker 1>have an answer right away. They probably have a list

0:18:32.600 --> 0:18:34.920
<v Speaker 1>of them. How about you let me ask you that question,

0:18:34.960 --> 0:18:36.640
<v Speaker 1>if you were a serial killer, what kind of serial

0:18:36.680 --> 0:18:39.320
<v Speaker 1>killer would you be? I I mean, I want to

0:18:39.320 --> 0:18:43.880
<v Speaker 1>say poison. Isn't that like? Isn't that like? Ladies answer, Well,

0:18:43.880 --> 0:18:47.119
<v Speaker 1>that was max answer. But I think that's a yeah.

0:18:47.160 --> 0:18:49.119
<v Speaker 1>I mean, I think people were scared to let me

0:18:50.280 --> 0:18:53.320
<v Speaker 1>to kind of embrace that. Okay, you know, in a

0:18:53.400 --> 0:18:56.840
<v Speaker 1>world where there are no you know, no repercussions and

0:18:57.040 --> 0:18:58.639
<v Speaker 1>you know, and I know you don't really want to

0:18:58.640 --> 0:19:00.399
<v Speaker 1>be one. No, I mean, no, no know. But I

0:19:00.440 --> 0:19:04.480
<v Speaker 1>think I like the Dexter method. He's super methodical. He

0:19:04.600 --> 0:19:07.960
<v Speaker 1>drains the blood and he's very scientific about it. I'd

0:19:08.000 --> 0:19:10.200
<v Speaker 1>like to think that I would be super clean. And

0:19:10.480 --> 0:19:15.680
<v Speaker 1>I think that's see, that's a real answer. I like that.

0:19:16.840 --> 0:19:19.119
<v Speaker 1>Al Right, next one, let's yeah, let's talk about the

0:19:19.119 --> 0:19:21.280
<v Speaker 1>next one. I think you're gonna be familiar with this.

0:19:21.640 --> 0:19:27.719
<v Speaker 1>Um it's called Criminal. I love this podcast. I love Phoebe.

0:19:27.880 --> 0:19:30.440
<v Speaker 1>I love I can listen to Phoebe for a long

0:19:30.880 --> 0:19:33.720
<v Speaker 1>long periods of time. In fact, I recommended this podcast

0:19:33.760 --> 0:19:35.520
<v Speaker 1>to a student who was trying to do a true

0:19:35.520 --> 0:19:39.400
<v Speaker 1>crime podcast, and he came back and he had over

0:19:39.440 --> 0:19:42.760
<v Speaker 1>the weekend and listened to I think forty episodes and

0:19:42.760 --> 0:19:44.879
<v Speaker 1>they have a lot. Yeah. Yeah. He just kind of

0:19:44.920 --> 0:19:48.000
<v Speaker 1>binged them all weekend because he can binge this podcast.

0:19:48.040 --> 0:19:50.960
<v Speaker 1>And I like it because it's not crimes that you

0:19:51.040 --> 0:19:54.480
<v Speaker 1>really hear about, right, Like, they're very unpopular ones, but

0:19:54.560 --> 0:19:58.399
<v Speaker 1>they are so well researched and journalistic because Phoebe is

0:19:58.400 --> 0:20:01.679
<v Speaker 1>an award winning journalist. She is, and um, so I

0:20:01.760 --> 0:20:05.840
<v Speaker 1>really really liked them. Let's listen to some. And then

0:20:06.359 --> 0:20:10.440
<v Speaker 1>George Lee Lennox was found dead. They found his body

0:20:10.440 --> 0:20:14.240
<v Speaker 1>slumped over in his gold Cadillac. The car was full

0:20:14.280 --> 0:20:18.520
<v Speaker 1>of blood. He'd been shotting the head two times. A

0:20:18.640 --> 0:20:21.680
<v Speaker 1>man came forward and confessed that he had been paid

0:20:21.840 --> 0:20:25.840
<v Speaker 1>fifteen thousand dollars to kill George Lee Lennox along with

0:20:25.880 --> 0:20:31.199
<v Speaker 1>two accomplices. The shooters identified themselves as members of the

0:20:31.280 --> 0:20:36.000
<v Speaker 1>so called Dixie Mafia, and it was widely speculated that

0:20:36.040 --> 0:20:40.600
<v Speaker 1>the reason the Dixie Mafia wanted George Lee Lennox dead

0:20:40.880 --> 0:20:44.680
<v Speaker 1>was because George Lee Lennox had a problem with Tennessee

0:20:44.680 --> 0:20:47.760
<v Speaker 1>walking horse tradition. Can I tell you a little secret?

0:20:48.560 --> 0:20:52.240
<v Speaker 1>She is actually coming on this show, and I'm so excited.

0:20:52.359 --> 0:20:58.200
<v Speaker 1>What Yes, Total Fake radio's the producer. She already booked

0:20:58.200 --> 0:21:00.840
<v Speaker 1>her anyway, a little little behind the scenes every Yeah,

0:21:00.840 --> 0:21:03.480
<v Speaker 1>So Phoebe's gonna come on. I'm always very I'm not

0:21:03.640 --> 0:21:07.000
<v Speaker 1>comfortable enough with my interviewing skills to interview a real

0:21:07.080 --> 0:21:09.480
<v Speaker 1>journalist and not feel like they're judging me. I think

0:21:09.480 --> 0:21:12.840
<v Speaker 1>we'll do well. I hope. So I'm nervous she's Uh.

0:21:13.000 --> 0:21:16.520
<v Speaker 1>I'm a big fan. I'm a big fan Phoebe. So

0:21:16.640 --> 0:21:20.040
<v Speaker 1>Z that was fun, good suggestions. Thank you. I'm learning

0:21:20.359 --> 0:21:23.960
<v Speaker 1>you're getting getting good at this. Uh and uh yeah.

0:21:23.960 --> 0:21:26.000
<v Speaker 1>Besides Phoebe, We've got lots of other guests coming up

0:21:26.200 --> 0:21:28.000
<v Speaker 1>in the next few weeks that I can't tell you

0:21:28.040 --> 0:21:31.400
<v Speaker 1>about yet because we're still nailing down folks. But if

0:21:31.400 --> 0:21:34.480
<v Speaker 1>you like podcasts and you like this show, it's only

0:21:34.520 --> 0:21:37.080
<v Speaker 1>going to get better. I promise We've got lots coming

0:21:37.160 --> 0:21:41.720
<v Speaker 1>up on there. Well, that's gonna do it. Episode three

0:21:41.880 --> 0:21:44.879
<v Speaker 1>is in the can Access podcast is produced by the

0:21:44.880 --> 0:21:49.280
<v Speaker 1>one and only zy Zionya Elvis. Zionya d Elvis is

0:21:49.320 --> 0:21:52.480
<v Speaker 1>in the Building where I did I Got It? Artwork

0:21:52.520 --> 0:21:56.800
<v Speaker 1>by Dalton Runberg Music composed by Casey Franco. Special thanks

0:21:56.800 --> 0:22:00.040
<v Speaker 1>to Chris Peterson, Don Parker and Katie Wilcox and I

0:22:00.160 --> 0:22:03.640
<v Speaker 1>Heart Radio. Follow us on Facebook, we are Access Podcast.

0:22:03.920 --> 0:22:07.600
<v Speaker 1>On Twitter, we are access podcast one because there's an

0:22:07.600 --> 0:22:11.160
<v Speaker 1>access podcast who hasn't tweeted in four years and still

0:22:11.200 --> 0:22:13.880
<v Speaker 1>has that handled. We'd like it Twitter and you can

0:22:13.920 --> 0:22:16.240
<v Speaker 1>follow me at Maddie Stout, m A T t y

0:22:16.600 --> 0:22:19.080
<v Speaker 1>s t a U, d As and Dog Taz and

0:22:19.160 --> 0:22:23.399
<v Speaker 1>Tom and download the I heart Radio app, Go to podcast, listen,

0:22:23.640 --> 0:22:25.760
<v Speaker 1>share and tell your friends about it. Bye bye