1 00:00:28,120 --> 00:00:30,880 Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we 2 00:00:31,040 --> 00:00:33,080 Speaker 1: like to call the after party. This is the show 3 00:00:33,120 --> 00:00:35,479 Speaker 1: after the show, the party after the party, the bridge 4 00:00:35,479 --> 00:00:37,479 Speaker 1: to get you from one full episode of Disgraceland to 5 00:00:37,520 --> 00:00:41,080 Speaker 1: the other. The backyard, to dig into the dirt. Our mission, guys, 6 00:00:41,159 --> 00:00:43,639 Speaker 1: to uncover the truth, to confront the myth, to reclaim 7 00:00:43,680 --> 00:00:46,560 Speaker 1: the story. On this bonus episode, we're diving deeper into 8 00:00:46,560 --> 00:00:49,559 Speaker 1: the bathtub with Jim Morrison's body and the conspiracy theorists. 9 00:00:49,600 --> 00:00:52,959 Speaker 1: We're previewing next week's new episode on the Happy Mondays, 10 00:00:53,000 --> 00:00:56,240 Speaker 1: which is absolutely mad, as they say. Plus we get 11 00:00:56,280 --> 00:00:59,240 Speaker 1: into your emails, comments, dms, and as always a whole 12 00:00:59,280 --> 00:01:02,240 Speaker 1: lot of rosie. This is the podcast for the musically obsessed, 13 00:01:02,400 --> 00:01:04,720 Speaker 1: the outsiders, the independent thinkers who know that the best 14 00:01:04,760 --> 00:01:07,880 Speaker 1: history is the history that gets buried. Disgrace Lands, where 15 00:01:07,880 --> 00:01:09,959 Speaker 1: I tell the stories he didn't want told, the kind 16 00:01:10,000 --> 00:01:12,040 Speaker 1: you'll end up telling someone else. All right, disc goes, 17 00:01:12,319 --> 00:01:24,080 Speaker 1: Let's get into it, all right, guys. In this week's 18 00:01:24,080 --> 00:01:27,280 Speaker 1: full episode on the death of Jim Morrison, you might 19 00:01:27,319 --> 00:01:29,080 Speaker 1: have heard me make mention of the theory that Jim 20 00:01:29,080 --> 00:01:32,720 Speaker 1: Morrison died at the Rock and Roll Circus nightclub, and 21 00:01:32,840 --> 00:01:38,840 Speaker 1: not in his Parisian apartment as the official story goes. Here, however, 22 00:01:39,000 --> 00:01:44,120 Speaker 1: is a clip to refresh your memory. In Paris in 23 00:01:44,200 --> 00:01:47,480 Speaker 1: nineteen seventy one, there was a nightclub that Jim Morrison 24 00:01:47,560 --> 00:01:50,840 Speaker 1: hung out at called the Rock and Roll Circus. It 25 00:01:50,880 --> 00:01:54,440 Speaker 1: was a hotbed for drug use of all kinds, including heroin. 26 00:01:55,120 --> 00:01:57,720 Speaker 1: In two thousand and seven, the manager of that club, 27 00:01:58,040 --> 00:02:01,760 Speaker 1: Sam Bennet, published a book in French only, in which 28 00:02:01,800 --> 00:02:04,520 Speaker 1: he made the claim that Jim overdosed on heroin that 29 00:02:04,640 --> 00:02:07,160 Speaker 1: night at the Rock and Roll Circus, and that his 30 00:02:07,280 --> 00:02:10,200 Speaker 1: body was moved out of the club, back to his 31 00:02:10,280 --> 00:02:15,760 Speaker 1: apartment and placed in the tug. Conspiracy theorists love this theory, 32 00:02:16,240 --> 00:02:19,400 Speaker 1: but I don't. First of all, why would they take 33 00:02:19,440 --> 00:02:21,840 Speaker 1: the body all the way back to Jim's apartment and 34 00:02:21,960 --> 00:02:24,919 Speaker 1: carefully stage a scene with him in the tub. Why 35 00:02:24,960 --> 00:02:26,480 Speaker 1: not just take him out of the club and leave 36 00:02:26,520 --> 00:02:30,120 Speaker 1: the body in the street or in somebody's car or anywhere. Really, 37 00:02:30,639 --> 00:02:32,919 Speaker 1: why go through all the trouble of having to sneak 38 00:02:32,960 --> 00:02:36,040 Speaker 1: the body through the streets of Paris into an apartment 39 00:02:36,320 --> 00:02:39,359 Speaker 1: and then presumably convinced the dead dude's girlfriend to get 40 00:02:39,400 --> 00:02:43,079 Speaker 1: behind this fantastic lie with you, a lie that would 41 00:02:43,160 --> 00:02:47,560 Speaker 1: clearly complicate her life. What incentive would Pamela course and 42 00:02:47,720 --> 00:02:52,600 Speaker 1: have to support this lie? Okay, there is no incentive, 43 00:02:53,280 --> 00:02:57,840 Speaker 1: and Sam Bennett offers no proof to this theory, rather 44 00:02:57,919 --> 00:03:02,320 Speaker 1: than his own supposed eye witness testimony and the supposed 45 00:03:02,400 --> 00:03:06,120 Speaker 1: testimony hearsay. I would say, I'm a few other clubgoers, 46 00:03:06,120 --> 00:03:10,400 Speaker 1: but there's no physical evidence. There's no corroborating evidence of 47 00:03:10,480 --> 00:03:13,480 Speaker 1: any sort. You simply have to take these people at 48 00:03:13,520 --> 00:03:16,320 Speaker 1: their word. It's the same thing as saying I saw 49 00:03:16,360 --> 00:03:21,080 Speaker 1: Elvis at the supermarket today. Bennett's book was only published 50 00:03:21,200 --> 00:03:24,680 Speaker 1: in French, that's telling, and it was published by a 51 00:03:24,800 --> 00:03:29,920 Speaker 1: niche independent publisher. Now I'm not trying to shit on 52 00:03:29,960 --> 00:03:34,920 Speaker 1: independent publishers. I'm just saying, don't you think if this 53 00:03:34,960 --> 00:03:38,960 Speaker 1: guy had the goods that a major publishing company would 54 00:03:39,000 --> 00:03:43,440 Speaker 1: publish his book? Okay, I had a major publishing company 55 00:03:43,440 --> 00:03:46,240 Speaker 1: publish my book. I have a little bit of experience 56 00:03:46,600 --> 00:03:50,720 Speaker 1: with what goes into making these claims. Everything I said 57 00:03:50,720 --> 00:03:53,320 Speaker 1: in disgrace and everything, even things that wasn't even thinking 58 00:03:53,360 --> 00:03:58,640 Speaker 1: about innocuous, innocuous facts, the facts that I thought were innocuous, 59 00:03:58,680 --> 00:04:03,880 Speaker 1: I should say, not particularly important to whatever claim I 60 00:04:04,000 --> 00:04:07,360 Speaker 1: was making. You know, like all of that stuff was 61 00:04:07,480 --> 00:04:09,560 Speaker 1: vetted and checked by an attorney and I had to 62 00:04:09,560 --> 00:04:13,520 Speaker 1: back everything up. Okay, Again, Bennett's book was only published 63 00:04:13,520 --> 00:04:16,760 Speaker 1: in French. It never had an English translated version that 64 00:04:16,880 --> 00:04:20,440 Speaker 1: was published. Why not? And again it was only published, 65 00:04:20,640 --> 00:04:24,600 Speaker 1: like I said, by a niche independent publisher, not by 66 00:04:24,640 --> 00:04:29,240 Speaker 1: a major publishing company. And you know, there's never been 67 00:04:29,240 --> 00:04:32,800 Speaker 1: an English translation that matters. But there have been a 68 00:04:33,040 --> 00:04:38,159 Speaker 1: shitload of English speaking conspiracy theorists on TikTok videos repping 69 00:04:38,200 --> 00:04:43,440 Speaker 1: this theory of Bennett's English AI generated videos on YouTube. 70 00:04:43,960 --> 00:04:47,440 Speaker 1: I'm so sick. Just side note, I am so sick 71 00:04:47,600 --> 00:04:52,800 Speaker 1: of these AI voice documentaries, super serious on YouTube with 72 00:04:52,880 --> 00:04:55,760 Speaker 1: spooky music behind it and then cut down for tickto 73 00:04:55,800 --> 00:04:59,119 Speaker 1: I'm so I'm so sick of this crap. I cannot wait, 74 00:05:00,000 --> 00:05:02,480 Speaker 1: can't wait until it gets blown out and it's coming. 75 00:05:02,600 --> 00:05:04,880 Speaker 1: There's all this fear. Side note, all this fear about 76 00:05:05,600 --> 00:05:08,800 Speaker 1: AI destroying everything for creatives, and yes, some of that 77 00:05:08,920 --> 00:05:11,560 Speaker 1: is actually well founded fear. But I do think that 78 00:05:11,600 --> 00:05:13,680 Speaker 1: there's going to be a reckoning and the cream of 79 00:05:13,720 --> 00:05:17,440 Speaker 1: the crop is going to rise and this slop will 80 00:05:17,440 --> 00:05:20,719 Speaker 1: be demoted and relegated to the dark corners of the 81 00:05:20,720 --> 00:05:24,080 Speaker 1: Internet where it belongs. I think that's coming. I'm positive. Anyways, 82 00:05:24,360 --> 00:05:27,280 Speaker 1: Like I said, lots of English AI generated videos on 83 00:05:27,320 --> 00:05:30,240 Speaker 1: this conspiracy theory that are on YouTube, cut down, on 84 00:05:30,279 --> 00:05:33,120 Speaker 1: TikTok and on Instagram, and there are Reddit threads breathlessly 85 00:05:33,160 --> 00:05:36,599 Speaker 1: supporting this theory also in English. Sam Bennett made a 86 00:05:36,640 --> 00:05:39,479 Speaker 1: lot of hay with this Rock and Roll Circus conspiracy 87 00:05:39,520 --> 00:05:44,679 Speaker 1: theory about Jim Morrison, and all of it with little evidence. Now, 88 00:05:44,920 --> 00:05:50,080 Speaker 1: his theory again that Jim Morrison died in the toilet 89 00:05:50,200 --> 00:05:53,359 Speaker 1: at the Rock and Roll Circus and his body was 90 00:05:53,400 --> 00:05:56,719 Speaker 1: brought back to his apartment and placed in the tub. 91 00:05:57,160 --> 00:05:59,839 Speaker 1: The theory is possible, I guess, in the sense that 92 00:06:00,360 --> 00:06:05,000 Speaker 1: anything is possible, and the theory Sam Bennett's theory isn't 93 00:06:05,000 --> 00:06:10,039 Speaker 1: necessarily disproved by the theory that I believe happened the 94 00:06:10,080 --> 00:06:11,880 Speaker 1: events that I believe happened, by the theory that I 95 00:06:11,920 --> 00:06:14,840 Speaker 1: subscribe to that Jim Marrison died from mistakenly taking his 96 00:06:14,920 --> 00:06:20,640 Speaker 1: girlfriend's heroin supplied by Count Jean de Bertoy. Okay, I guess. 97 00:06:21,279 --> 00:06:24,719 Speaker 1: I guess Jim could have taken that heroin at the 98 00:06:24,800 --> 00:06:28,640 Speaker 1: rock and roll circus instead of at his apartment, and 99 00:06:28,640 --> 00:06:31,080 Speaker 1: that he could have had his body moved back to 100 00:06:31,160 --> 00:06:34,320 Speaker 1: his apartment. But again, why why would they move the 101 00:06:34,320 --> 00:06:36,160 Speaker 1: body back to the apartment. Why not just leave them 102 00:06:36,160 --> 00:06:39,880 Speaker 1: in the street or put the body somewhere else. Theoretically, 103 00:06:39,960 --> 00:06:42,120 Speaker 1: both theories can be true, That's what I'm trying to 104 00:06:42,120 --> 00:06:44,600 Speaker 1: get at. But that then pushes the story into the 105 00:06:44,600 --> 00:06:47,440 Speaker 1: Hollywood studio version of this rock star's death. And that's 106 00:06:47,480 --> 00:06:50,560 Speaker 1: just a little too fascinating and a little too good 107 00:06:50,600 --> 00:06:53,920 Speaker 1: to be true, and just too many fantastical things have 108 00:06:54,120 --> 00:06:56,240 Speaker 1: to have happened in order for all of these pieces 109 00:06:56,279 --> 00:06:59,760 Speaker 1: to come together into the story that the conspiracy theorists 110 00:06:59,760 --> 00:07:03,599 Speaker 1: want us to believe. That's the problem with conspiracy theories. 111 00:07:03,880 --> 00:07:07,479 Speaker 1: They ask too much of us. The theories are always 112 00:07:07,520 --> 00:07:11,520 Speaker 1: couched in this subtext that all of these secret, duplicitous 113 00:07:11,720 --> 00:07:15,320 Speaker 1: things are happening in the shadows. Well, some of us 114 00:07:15,520 --> 00:07:18,200 Speaker 1: have been in those shadows. Some of us have spent 115 00:07:18,360 --> 00:07:23,280 Speaker 1: countless hours researching what goes on in those shadows. Some 116 00:07:23,320 --> 00:07:27,480 Speaker 1: of us have spent time with lawyers vetting what we've 117 00:07:27,480 --> 00:07:30,880 Speaker 1: found in those shadows. Okay, and usually the thing that 118 00:07:31,240 --> 00:07:37,520 Speaker 1: actually happened is the most obvious thing, not some complicated 119 00:07:37,600 --> 00:07:43,200 Speaker 1: reordering of events that involve multiple characters all moving in 120 00:07:43,360 --> 00:07:48,640 Speaker 1: secret together. Conspiracies mostly happen by accident, not by intricate 121 00:07:48,680 --> 00:07:54,080 Speaker 1: planning and conniving. Events have momentum. People move in unison 122 00:07:54,360 --> 00:07:57,760 Speaker 1: based on their own incentives, often without each other's knowledge, 123 00:07:57,960 --> 00:08:02,280 Speaker 1: in certain directions, often the same direction, and oftentimes unexpected 124 00:08:02,320 --> 00:08:04,920 Speaker 1: things can happen in harmony with each other, and the 125 00:08:04,920 --> 00:08:06,840 Speaker 1: next thing you know, the president is dead in Dallas. 126 00:08:06,880 --> 00:08:09,760 Speaker 1: I'm not saying it doesn't happen. It does happen, but 127 00:08:09,800 --> 00:08:12,520 Speaker 1: it happens differently from how the conspiracy theorists want us 128 00:08:12,520 --> 00:08:14,920 Speaker 1: to believe that it happens. I believe that the best 129 00:08:14,920 --> 00:08:18,520 Speaker 1: conspiracy theories, the ones that are actually true, happen almost 130 00:08:18,520 --> 00:08:21,600 Speaker 1: by accident and less by design. But this doesn't make 131 00:08:21,600 --> 00:08:26,440 Speaker 1: the conspiracy theorists or their theories uninteresting. I'm fascinated by them, 132 00:08:26,680 --> 00:08:30,640 Speaker 1: particularly the more outlandish ones. And when it comes to 133 00:08:30,680 --> 00:08:33,800 Speaker 1: Jim Morrison, there are many, many, many outlandish and frankly 134 00:08:34,200 --> 00:08:38,199 Speaker 1: highly entertaining theories about Jim faking his own death. Okay, 135 00:08:38,240 --> 00:08:41,840 Speaker 1: now I didn't really get into these theories in any detail, 136 00:08:42,440 --> 00:08:44,920 Speaker 1: in any real detail. Anyways, in the full episode this week, 137 00:08:46,120 --> 00:08:47,720 Speaker 1: but Zeth and I are going to be discussing in 138 00:08:47,720 --> 00:08:51,240 Speaker 1: the exclusive section of this after Party today some of 139 00:08:51,280 --> 00:08:54,880 Speaker 1: the wilder claims about how Jim has spent his time 140 00:08:55,120 --> 00:08:58,120 Speaker 1: since he faked his death in Paris. Okay, did you 141 00:08:58,160 --> 00:09:01,160 Speaker 1: know Jim Morrison's maintenance man in New York. It's true, 142 00:09:01,640 --> 00:09:05,360 Speaker 1: and he wasn't really RUSSELINGBA after all. Turns out he 143 00:09:05,480 --> 00:09:08,120 Speaker 1: was a cowboy. Is a cowboy, I should say, up 144 00:09:08,160 --> 00:09:10,920 Speaker 1: in Oregon. He's also living in Tibet as a monk. 145 00:09:11,200 --> 00:09:14,079 Speaker 1: He's undercover and on the run from the CIA in 146 00:09:14,120 --> 00:09:17,240 Speaker 1: the Australian outback as well. He gets around Jim Morrison. 147 00:09:17,280 --> 00:09:19,200 Speaker 1: That's my point. This is one of my favorite ones 148 00:09:19,320 --> 00:09:23,320 Speaker 1: that the CIA did it. And I'm being sarcastic when 149 00:09:23,360 --> 00:09:26,079 Speaker 1: I say favorite. I actually hate this one. It cheapens 150 00:09:26,559 --> 00:09:29,160 Speaker 1: the way in which we should be looking at the CIA, 151 00:09:30,000 --> 00:09:31,640 Speaker 1: which is we should look at them as one of 152 00:09:31,640 --> 00:09:36,320 Speaker 1: the most lethal, slimy, dangerous and complicated organizations that the 153 00:09:36,320 --> 00:09:40,319 Speaker 1: world has ever known. That's another story. But anyways, that 154 00:09:40,360 --> 00:09:42,160 Speaker 1: and I are going to have some fun with all 155 00:09:42,240 --> 00:09:44,240 Speaker 1: this in the exclusive section of this after party coming 156 00:09:44,360 --> 00:09:46,440 Speaker 1: up in a couple of minutes here in the bonus episode. 157 00:09:46,480 --> 00:09:47,560 Speaker 1: But you know the drill. You gotta be an All 158 00:09:47,600 --> 00:09:50,000 Speaker 1: Access member to hear this conversation. Go to disgrace landpod 159 00:09:50,080 --> 00:09:52,160 Speaker 1: dot com to sign up to become a Disgrace and 160 00:09:52,280 --> 00:09:55,760 Speaker 1: All Access member to unlock exclusive content like this plus 161 00:09:55,880 --> 00:09:58,440 Speaker 1: ad free listening all right in your feed right now, 162 00:09:58,960 --> 00:10:01,000 Speaker 1: like we've been talking about. Got our Jim Morrison in 163 00:10:01,040 --> 00:10:04,880 Speaker 1: the Count episode The Mysterious Count. Coming up next right 164 00:10:04,920 --> 00:10:07,320 Speaker 1: after this after Party is our rewind episode from our 165 00:10:07,400 --> 00:10:11,360 Speaker 1: archive on John Lennon, Parts one and two, originally released 166 00:10:11,440 --> 00:10:15,040 Speaker 1: on June tenth, twenty eighteen, twenty eighteen. Damn, that was 167 00:10:15,080 --> 00:10:18,560 Speaker 1: a long time ago. This episode deals with John Lennon 168 00:10:18,600 --> 00:10:21,760 Speaker 1: and the motivation behind his assassination. When you listen to 169 00:10:21,800 --> 00:10:24,520 Speaker 1: these episodes, you're gonna learn why John Lennon was tied 170 00:10:24,600 --> 00:10:26,920 Speaker 1: up and blindfolded by his producer in the studio. You're 171 00:10:26,920 --> 00:10:30,000 Speaker 1: gonna learn about why John Lennon was thrown out of 172 00:10:30,000 --> 00:10:32,360 Speaker 1: the Troubadour by a relative of the President of the 173 00:10:32,400 --> 00:10:35,840 Speaker 1: United States, and of course more about the sixth psychology 174 00:10:35,880 --> 00:10:38,560 Speaker 1: that drove Lennon's assassin to do the unthinkable. That and 175 00:10:38,640 --> 00:10:41,320 Speaker 1: more all in the Rewind episodes on John Lennon Coming 176 00:10:41,400 --> 00:10:46,120 Speaker 1: up in this weekend's Disgraceland feed Next after this week's 177 00:10:46,160 --> 00:10:50,360 Speaker 1: Disgraceland Rewind episode, coming up next Tuesday, our brand new 178 00:10:50,400 --> 00:10:59,600 Speaker 1: episode on Happy Mondays. This story deals with possibly the wildest, craziest, 179 00:11:00,120 --> 00:11:07,280 Speaker 1: most batshit, lunatic, insane night life scene that has ever existed. Okay, 180 00:11:08,200 --> 00:11:11,880 Speaker 1: this scene spawned a movement called acid house. Acid House 181 00:11:11,960 --> 00:11:13,920 Speaker 1: was invented, and it gave birth to what would be 182 00:11:14,000 --> 00:11:16,960 Speaker 1: the defining sound of England in the nineteen nineties. Okay, 183 00:11:16,960 --> 00:11:20,319 Speaker 1: where bands like Oasis, bands like The Stone Roses got 184 00:11:20,320 --> 00:11:23,240 Speaker 1: their start in the home of a drug that changed 185 00:11:23,400 --> 00:11:25,959 Speaker 1: music history. So listen to that Happy Monday's episode to 186 00:11:26,000 --> 00:11:28,440 Speaker 1: get all that info. All Right, when you're listening to 187 00:11:28,520 --> 00:11:32,000 Speaker 1: the new Disgraceland Happy Monday's episode, be thinking about bands, 188 00:11:32,240 --> 00:11:34,760 Speaker 1: be thinking about drugs, be thinking about the wild music 189 00:11:34,800 --> 00:11:37,760 Speaker 1: scenes that sprouted from that synergy. And give us a 190 00:11:37,800 --> 00:11:39,760 Speaker 1: call at six one seven nine oh six six six 191 00:11:39,880 --> 00:11:42,320 Speaker 1: three eight and let us know what you think is 192 00:11:42,360 --> 00:11:48,640 Speaker 1: the most hedonistic, transgressive wild band of all time? Is it? 193 00:11:48,720 --> 00:11:51,120 Speaker 1: Happy Mondays? After you hear this episode. Are you gonna 194 00:11:51,120 --> 00:11:53,760 Speaker 1: walk away thinking damn, I didn't know that that band 195 00:11:53,840 --> 00:11:56,800 Speaker 1: was fucking crazy? Or is it somebody else? Okay? You 196 00:11:56,840 --> 00:11:59,400 Speaker 1: can email us at disgrace lamdpod. You can call us 197 00:11:59,400 --> 00:12:01,440 Speaker 1: with your answers six one seven nine oh six six 198 00:12:01,559 --> 00:12:04,200 Speaker 1: six three eight, leave a voicemail, send a text. You 199 00:12:04,240 --> 00:12:07,880 Speaker 1: might hear your answer on next week's after Party bonus episode. 200 00:12:07,880 --> 00:12:12,440 Speaker 1: You can also email us at disgracelandpod at gmail dot 201 00:12:12,440 --> 00:12:14,720 Speaker 1: com or hit us on the socials at disgrace lampod. 202 00:12:14,760 --> 00:12:17,200 Speaker 1: All right, discos, your answers to the last week's question 203 00:12:17,240 --> 00:12:20,280 Speaker 1: of the week, your voicemails, your texts, your dms, they're 204 00:12:20,280 --> 00:12:37,920 Speaker 1: all coming up right after this. All right, guys, you 205 00:12:37,920 --> 00:12:39,640 Speaker 1: want to be a rock and roll star? Listen now 206 00:12:39,760 --> 00:12:41,520 Speaker 1: here what I say. I'm in the phone booth. It's 207 00:12:41,520 --> 00:12:43,920 Speaker 1: the one across the hall disco. Six one seven nine 208 00:12:43,960 --> 00:12:46,640 Speaker 1: oh six six six three eight. Last week's question of 209 00:12:46,640 --> 00:12:50,960 Speaker 1: the week relative to our Disgraceland episode, our Jim Morrison episode, 210 00:12:51,200 --> 00:12:55,000 Speaker 1: was how do you think that Jim Morrison died? Now 211 00:12:55,040 --> 00:12:57,840 Speaker 1: on this question, I'm going to turn to you guys 212 00:12:57,880 --> 00:13:03,920 Speaker 1: on Instagram in some of our more passionate followers more 213 00:13:03,960 --> 00:13:07,440 Speaker 1: passionate followers of the Jim Morrison death saga. I should say, 214 00:13:07,920 --> 00:13:12,400 Speaker 1: because well, you know the Internet, it never disappoints. Unknown 215 00:13:12,400 --> 00:13:15,679 Speaker 1: Assassin seven rites saying, hey, he never died because of Heroin. 216 00:13:15,880 --> 00:13:18,840 Speaker 1: Matter of fact, his closest friends said he never liked Heroin. 217 00:13:19,200 --> 00:13:22,720 Speaker 1: Jim Morrison was killed all caps. They feared he was 218 00:13:22,840 --> 00:13:27,960 Speaker 1: uncontrollably wild, unexpected and rebellious, and so was Jimmy Hendrix. 219 00:13:28,280 --> 00:13:30,559 Speaker 1: He was killed by his own manager so he can 220 00:13:30,600 --> 00:13:33,520 Speaker 1: own his music after his death. Speak the truth, all 221 00:13:33,600 --> 00:13:38,920 Speaker 1: caps well, Unknown Assassin seven, whoever you are, clearly I 222 00:13:38,920 --> 00:13:41,000 Speaker 1: don't think you're a disgrace Land listener because you would 223 00:13:41,000 --> 00:13:43,920 Speaker 1: know my thoughts on Jimmy Hendrix and they align kind 224 00:13:43,920 --> 00:13:46,599 Speaker 1: of with yours. Can't be proven, but I'm kind of 225 00:13:46,600 --> 00:13:48,439 Speaker 1: there with you on HENDRICKX on Marrison. I think you're 226 00:13:48,440 --> 00:13:51,600 Speaker 1: out of your mind, and yeah, get back to me. 227 00:13:51,600 --> 00:13:55,440 Speaker 1: I'd love to continue this conversation. Scarlett one MB believes 228 00:13:55,480 --> 00:13:58,280 Speaker 1: that Jim Morrison disappeared off into the sunset and that 229 00:13:58,320 --> 00:14:02,360 Speaker 1: he hated the rock star persona. More miles have been 230 00:14:02,400 --> 00:14:05,760 Speaker 1: gotten out of this Jim Morrison hating the limelight theory 231 00:14:05,920 --> 00:14:09,240 Speaker 1: than possibly anything in rock and roll Archie Pointer thinks 232 00:14:09,280 --> 00:14:14,280 Speaker 1: he was killed and doesn't exactly say why, and no 233 00:14:14,400 --> 00:14:17,200 Speaker 1: evidence that he was killed none. And I've heard people 234 00:14:17,280 --> 00:14:19,680 Speaker 1: point to the fact that the CIA was involved. They 235 00:14:19,720 --> 00:14:22,200 Speaker 1: were not a lot of people buying into the merry 236 00:14:22,280 --> 00:14:25,760 Speaker 1: and faithful of it all. And uh, you know I 237 00:14:25,840 --> 00:14:29,160 Speaker 1: support that theory. You know I do at disgracelam pod 238 00:14:29,440 --> 00:14:33,400 Speaker 1: on Instagram, theoretically on x on Facebook. You want to 239 00:14:33,400 --> 00:14:34,920 Speaker 1: talk more about it with me there, or you can 240 00:14:34,960 --> 00:14:37,360 Speaker 1: text six one seventy nine oh six six six three eight. 241 00:14:37,400 --> 00:14:39,680 Speaker 1: You want to elevate this conversation, you want to elevate 242 00:14:39,720 --> 00:14:42,880 Speaker 1: the discourse. I'm here for it, Okay, text me, email 243 00:14:42,920 --> 00:14:45,200 Speaker 1: me six one seventy nine oh six six six three 244 00:14:45,280 --> 00:14:48,840 Speaker 1: eight speaking to text. Got some interesting texts from a 245 00:14:48,880 --> 00:14:50,760 Speaker 1: bunch of you on last week's Question of the Week 246 00:14:50,760 --> 00:14:54,120 Speaker 1: regarding Wendy O Williams and the most shocking thing that 247 00:14:54,160 --> 00:14:57,720 Speaker 1: you guys have seen a musician do on stage nine 248 00:14:57,800 --> 00:14:59,880 Speaker 1: four nine right, saying, Hey, most shocking thing that I've 249 00:15:00,040 --> 00:15:02,200 Speaker 1: seen on stage? Well, I never saw Gigi Allen, but 250 00:15:02,280 --> 00:15:05,600 Speaker 1: this is close. Sometime in the mid nineteen eighties, the 251 00:15:05,680 --> 00:15:09,200 Speaker 1: Cramps were playing at the country Club in Recita, California. 252 00:15:10,120 --> 00:15:12,720 Speaker 1: Now you'd think the story would be about Lux Interior 253 00:15:12,720 --> 00:15:15,480 Speaker 1: wagging his stuff at the crowd, which he did, But no, 254 00:15:15,720 --> 00:15:18,520 Speaker 1: this is about El Duce from the Mentors, who is 255 00:15:18,560 --> 00:15:21,080 Speaker 1: on stage between bands. Now I'm going to interject here 256 00:15:21,120 --> 00:15:23,440 Speaker 1: into the text for those of you who don't know, 257 00:15:23,680 --> 00:15:27,560 Speaker 1: speaking of conspiracy theories, L Duce the dude air quotes 258 00:15:27,640 --> 00:15:31,000 Speaker 1: musician from the Mentors who is supposedly the guy who 259 00:15:31,120 --> 00:15:35,560 Speaker 1: Courtney Love hired to kill Kurt Kobe. He's on record 260 00:15:35,600 --> 00:15:37,680 Speaker 1: saying he's the guy that he's paid like fifty grand 261 00:15:37,720 --> 00:15:42,000 Speaker 1: to do it or something. You know how I feel 262 00:15:42,000 --> 00:15:44,920 Speaker 1: about that. Anyways, back to the text, this is about 263 00:15:45,040 --> 00:15:47,640 Speaker 1: L Duce from the Mentors, who was on stage between bands, 264 00:15:47,680 --> 00:15:50,200 Speaker 1: maybe announcing the cramps, maybe just being L Duce and 265 00:15:50,200 --> 00:15:52,040 Speaker 1: looking for a free beer. I don't recall. What I 266 00:15:52,040 --> 00:15:54,840 Speaker 1: do recall is within seconds of L Duce being on stage, 267 00:15:54,920 --> 00:15:57,280 Speaker 1: his pants were at his ankles and his hand firmly 268 00:15:57,320 --> 00:16:00,000 Speaker 1: grasping the microphone, and out of nowhere, a young lady 269 00:16:00,040 --> 00:16:04,280 Speaker 1: hops up on stage and proceeds to phillate. Okay, all right, 270 00:16:05,360 --> 00:16:06,960 Speaker 1: you know she does what she does to L Duce. 271 00:16:07,080 --> 00:16:09,600 Speaker 1: Al Duce doesn't flinch right there in front of everybody, 272 00:16:09,680 --> 00:16:14,360 Speaker 1: keeps keeps his monologue going into the microphone. Yikes, that 273 00:16:14,480 --> 00:16:18,520 Speaker 1: is pretty shocking. I you know, I'm reading this for 274 00:16:18,560 --> 00:16:22,840 Speaker 1: the first time here, and uh, I asked for it. 275 00:16:23,120 --> 00:16:25,840 Speaker 1: You know, I clearly stopped saying the thing that he did. 276 00:16:25,920 --> 00:16:28,360 Speaker 1: You can read between the lines because you know this 277 00:16:28,440 --> 00:16:32,560 Speaker 1: is a family show sort of. I asked for this though, 278 00:16:34,120 --> 00:16:37,040 Speaker 1: So no fault to all y'all. When you ask for 279 00:16:37,080 --> 00:16:40,320 Speaker 1: the most shocking and you get responses about l Duce 280 00:16:40,520 --> 00:16:44,600 Speaker 1: being filated on stage, well you shouldn't be surprised. As 281 00:16:44,640 --> 00:16:48,920 Speaker 1: a podcast host, right, same question. Let's move over to 282 00:16:48,960 --> 00:16:51,120 Speaker 1: the four two five. Hey Jake Jewels from the four 283 00:16:51,120 --> 00:16:53,000 Speaker 1: two five and listening to your show about Wendy Oh, 284 00:16:53,440 --> 00:16:57,240 Speaker 1: I saw the Plasmatics in Southern California. Another Southern California 285 00:16:57,280 --> 00:16:59,760 Speaker 1: thing here in nineteen eighty one, put on by krooq 286 00:17:00,640 --> 00:17:03,600 Speaker 1: K Rock the punk station. It was insane and super loud, 287 00:17:03,600 --> 00:17:05,920 Speaker 1: and Wendy acts the shit. I having an old TV 288 00:17:06,080 --> 00:17:08,280 Speaker 1: and it was everything we hope for. Thanks for the memories, 289 00:17:08,440 --> 00:17:12,160 Speaker 1: Rock Arola. You got a Jules that was a little 290 00:17:12,200 --> 00:17:16,160 Speaker 1: more PG. Appreciate that if you can call Wendy O. Williams, 291 00:17:16,960 --> 00:17:20,600 Speaker 1: PG for one, writes in well unexpected mention of the 292 00:17:20,720 --> 00:17:25,960 Speaker 1: Strokes in the Wendy O. Williams episode, Ah, I'm blanking. 293 00:17:26,200 --> 00:17:28,320 Speaker 1: I'm blanking on the Strokes being mentioned in the Wendy O. 294 00:17:28,359 --> 00:17:30,720 Speaker 1: Williams episode. But I'm reading this text because there's a 295 00:17:30,720 --> 00:17:34,480 Speaker 1: new Strokes book coming out and I'm excited about it. 296 00:17:33,720 --> 00:17:37,120 Speaker 1: It's not all about the Strokes, it's about the era. 297 00:17:37,480 --> 00:17:41,439 Speaker 1: That era that's sort of like post post grunge, early 298 00:17:41,640 --> 00:17:45,160 Speaker 1: aughts New York era. This is kind of the same 299 00:17:45,240 --> 00:17:47,439 Speaker 1: world as Meet Me in the Bathroom. This one's by 300 00:17:47,480 --> 00:17:50,280 Speaker 1: Stephen Haden. He's a great music journalist and I'm stoked 301 00:17:50,359 --> 00:17:52,680 Speaker 1: to check this out. Once I read it, I will 302 00:17:52,880 --> 00:17:55,040 Speaker 1: let you know if there's anything disgrace Landy in there 303 00:17:55,080 --> 00:17:58,199 Speaker 1: for us. Sure there will be, and I'm sure some 304 00:17:58,240 --> 00:17:59,760 Speaker 1: of you will read the book as well, and we 305 00:17:59,840 --> 00:18:03,480 Speaker 1: can talk about it here. Speaking of books, speaking of reading, 306 00:18:03,520 --> 00:18:06,440 Speaker 1: I should say here in Jim Morrison, we can disgrace 307 00:18:06,520 --> 00:18:08,639 Speaker 1: land Something I didn't mention in this week's episode, but 308 00:18:08,640 --> 00:18:10,280 Speaker 1: I'm going to do here in the After Party Bonus 309 00:18:10,280 --> 00:18:14,120 Speaker 1: episode was the origin of the Door's band name from 310 00:18:14,160 --> 00:18:17,240 Speaker 1: an essay that I've never read, so this is kind 311 00:18:17,240 --> 00:18:20,400 Speaker 1: of a reading recommendation, I guess for myself. Anyways, Okay, 312 00:18:20,720 --> 00:18:23,520 Speaker 1: were you guys aware that Jim Morrison took the name 313 00:18:23,840 --> 00:18:27,280 Speaker 1: for his band The Doors from Aljuis Huxley's essay The 314 00:18:27,359 --> 00:18:32,320 Speaker 1: Doors of Perception, and that Huxley's title was inspired by 315 00:18:32,320 --> 00:18:36,680 Speaker 1: his experimentation with Mesclin. Now I knew this one of 316 00:18:36,720 --> 00:18:38,600 Speaker 1: those things I knew but I've kind of forgotten about. 317 00:18:39,040 --> 00:18:41,439 Speaker 1: This makes sense given all that we've come to know 318 00:18:41,680 --> 00:18:45,679 Speaker 1: about the Lizard King. The Doors, of course, broke on 319 00:18:45,760 --> 00:18:48,560 Speaker 1: through into the mainstream in nineteen sixty seven with their 320 00:18:48,600 --> 00:18:52,600 Speaker 1: self titled debut album I Believe We're going to just 321 00:18:52,640 --> 00:18:56,600 Speaker 1: take ourselves back here. The Doors were massive, huge, instantly 322 00:18:56,640 --> 00:19:00,200 Speaker 1: almost okay, And I believe part of the reason, part 323 00:19:00,200 --> 00:19:03,960 Speaker 1: of their appeal anyways, was their name, the Doors. Think 324 00:19:04,000 --> 00:19:06,800 Speaker 1: about it, The Doors? What did it mean? The Doors? 325 00:19:07,440 --> 00:19:10,000 Speaker 1: It had to mean something else otherwise, why weren't they 326 00:19:10,000 --> 00:19:13,080 Speaker 1: called the Chairs or the tables. The Doors had a 327 00:19:13,160 --> 00:19:17,119 Speaker 1: mystique intrigue. You can hear it in the opening notes 328 00:19:17,119 --> 00:19:19,560 Speaker 1: of their first single, break on Through, and you can 329 00:19:19,680 --> 00:19:22,119 Speaker 1: see it on the cover of their first album and 330 00:19:22,680 --> 00:19:24,800 Speaker 1: to my point, you can feel it in their name, 331 00:19:24,920 --> 00:19:28,200 Speaker 1: The Doors. All this begs the question is a band 332 00:19:28,280 --> 00:19:31,520 Speaker 1: name cool because of the name itself or does the 333 00:19:31,520 --> 00:19:35,520 Speaker 1: coolness of the band make their band name cool. Either way, 334 00:19:35,520 --> 00:19:36,960 Speaker 1: The Doors are one of the greatest bands to ever 335 00:19:37,040 --> 00:19:39,840 Speaker 1: do it. And you can, of course hear more about 336 00:19:39,880 --> 00:19:42,439 Speaker 1: the band and the death of singer Jim Morrison in 337 00:19:42,520 --> 00:19:45,359 Speaker 1: this week's full episode of Disgrace and Don't go anywhere. Guys, 338 00:19:45,600 --> 00:19:53,639 Speaker 1: gonna be right back after this with your emails and more. 339 00:20:00,560 --> 00:20:02,600 Speaker 1: All right, we are back thanks to joining us once 340 00:20:02,600 --> 00:20:05,040 Speaker 1: again in the after party. Before I get into your emails, 341 00:20:05,160 --> 00:20:07,160 Speaker 1: I just want to remind you, guys about the Happy 342 00:20:07,200 --> 00:20:14,280 Speaker 1: Monday's question most hedonistic wildest band of all times? Six 343 00:20:14,359 --> 00:20:18,040 Speaker 1: one seven nine oh six six six three eight Call me. 344 00:20:18,280 --> 00:20:21,280 Speaker 1: I'm getting lonely. It's summer. I know you're all out 345 00:20:21,280 --> 00:20:24,960 Speaker 1: there hanging out outside, going to cookouts at the beach 346 00:20:25,240 --> 00:20:28,040 Speaker 1: watching the World Cup. How fucking awesome is the World Cup? Then, 347 00:20:28,119 --> 00:20:31,640 Speaker 1: by the way, I have been sucked into this thing 348 00:20:31,960 --> 00:20:34,360 Speaker 1: in a way I completely did not expect. I wasn't 349 00:20:34,400 --> 00:20:37,240 Speaker 1: planning on watching this at all. I've never been a 350 00:20:37,240 --> 00:20:40,199 Speaker 1: soccer fan really, only to the extent that I've had 351 00:20:40,200 --> 00:20:42,240 Speaker 1: to learn about it because of the work we've done 352 00:20:42,280 --> 00:20:47,000 Speaker 1: in Sportsland. I've never I've I mean, I guess you know. 353 00:20:47,000 --> 00:20:49,760 Speaker 1: I watched Ted Lasso. That's about it. But I have 354 00:20:49,840 --> 00:20:52,239 Speaker 1: been completely sucked into all these games, not just the 355 00:20:52,320 --> 00:20:54,840 Speaker 1: United States games, all these games. And I don't think 356 00:20:54,840 --> 00:20:56,760 Speaker 1: I'm coming out, guys. I think I'm in the wormhole 357 00:20:56,800 --> 00:20:58,480 Speaker 1: for good. I think I'm going to find a team 358 00:20:58,520 --> 00:21:00,879 Speaker 1: to support. That's what they say. They they say support. 359 00:21:00,880 --> 00:21:03,760 Speaker 1: You guys knew that to find a team, a Premier 360 00:21:03,880 --> 00:21:06,720 Speaker 1: league team, And I don't know. I mean, I guess 361 00:21:06,760 --> 00:21:10,320 Speaker 1: you know, MESSI what right? Like I can root for Miami. Anyways, 362 00:21:10,400 --> 00:21:13,320 Speaker 1: that's a big, big digression. Didn't want to talk about 363 00:21:13,320 --> 00:21:14,840 Speaker 1: World Cup, but hey, everyone I talked to you is 364 00:21:14,840 --> 00:21:17,080 Speaker 1: talking about the World Cup. If you want to talk 365 00:21:17,119 --> 00:21:18,600 Speaker 1: about the World Cup, give me a call. Who do 366 00:21:18,600 --> 00:21:20,240 Speaker 1: you root for? Six one seven nine or six sixty 367 00:21:20,240 --> 00:21:22,280 Speaker 1: six three eight? Voicemail? Text call me, leave me a 368 00:21:22,359 --> 00:21:25,240 Speaker 1: voicemail about anything, Send me a text about anything you want, 369 00:21:25,400 --> 00:21:27,520 Speaker 1: but most specifically, if you want to get in on 370 00:21:27,560 --> 00:21:30,520 Speaker 1: this Happy Monday's conversation for next week's episode, which is 371 00:21:30,560 --> 00:21:33,960 Speaker 1: a banger of an episode get at Me. You might 372 00:21:34,000 --> 00:21:36,680 Speaker 1: hear your voice here in the after party next week. 373 00:21:36,760 --> 00:21:40,320 Speaker 1: All right. You can also email me Disgrace Lampod at 374 00:21:40,520 --> 00:21:45,160 Speaker 1: gmail dot com like mister Jose Melndez. Now, I love 375 00:21:45,160 --> 00:21:48,880 Speaker 1: this email. This comes from Jose Melndez and the subject 376 00:21:48,920 --> 00:21:54,720 Speaker 1: is Hector Levo Levo la voe Yes Levo. Hector Levo, 377 00:21:55,560 --> 00:21:59,320 Speaker 1: the Voice salsa singer. Hey, I'm a huge fan of 378 00:21:59,359 --> 00:22:02,080 Speaker 1: both your pots and I've been listening to you for 379 00:22:02,119 --> 00:22:04,400 Speaker 1: a couple of years now, and I also wondered if 380 00:22:04,440 --> 00:22:07,800 Speaker 1: you ever thought about covering a Hispanic musician. I'm a 381 00:22:07,880 --> 00:22:10,359 Speaker 1: Puerto Rican who grew up with Salt some music and 382 00:22:10,480 --> 00:22:14,679 Speaker 1: have always been fascinated by the musicians that levitate that genre. 383 00:22:15,200 --> 00:22:18,480 Speaker 1: One musician in particular, Hector Leveau, the Voice, who is 384 00:22:18,680 --> 00:22:21,200 Speaker 1: pretty much on the mount rushmore of Salt Some musicians. 385 00:22:21,600 --> 00:22:23,960 Speaker 1: You may have probably seen Mark Anthony's portrayal of Hector 386 00:22:24,000 --> 00:22:26,520 Speaker 1: Loveau in the film El Cantante, and although I think 387 00:22:26,600 --> 00:22:28,760 Speaker 1: Marc Anthony did a great job, I feel that there 388 00:22:28,880 --> 00:22:31,040 Speaker 1: was more that needed to be told. Hector lived a 389 00:22:31,240 --> 00:22:34,360 Speaker 1: hard and tragic life, but he will always be remembered 390 00:22:34,440 --> 00:22:40,840 Speaker 1: as Elle Cantante. The singer Jose Thank you. I've never 391 00:22:40,920 --> 00:22:44,200 Speaker 1: heard of this guy. I'm vague. I have some vague 392 00:22:44,760 --> 00:22:49,200 Speaker 1: recollection of a movie poster with Mark Anthony playing playing 393 00:22:49,240 --> 00:22:51,520 Speaker 1: a singer, and that's probably what you're referring to here. 394 00:22:52,320 --> 00:22:55,200 Speaker 1: And I'm very excited to get into this. Your claim 395 00:22:55,240 --> 00:22:58,359 Speaker 1: that he lived a hard and tragic life. I'm guessing 396 00:22:58,440 --> 00:23:01,000 Speaker 1: there's some transgression, there's some crime. I'm there. I'm guessing 397 00:23:01,040 --> 00:23:04,120 Speaker 1: there will be a way in love. The recommendation. Can't 398 00:23:04,160 --> 00:23:06,840 Speaker 1: thank you enough, guys. You got artists you want covered 399 00:23:07,440 --> 00:23:09,879 Speaker 1: in Disgraceland. Hit us up. That's where the Happy Mondays 400 00:23:09,920 --> 00:23:12,399 Speaker 1: came from. That's where when Dio Williams came from. These 401 00:23:12,400 --> 00:23:15,600 Speaker 1: are recommendations from you, guys. Even Jim Morrison's death, all 402 00:23:15,680 --> 00:23:18,560 Speaker 1: these stories came from you, guys, and they're coming right 403 00:23:18,600 --> 00:23:20,359 Speaker 1: back at you right in the feed. That's how we 404 00:23:20,440 --> 00:23:23,399 Speaker 1: do it here, disgracelaandpod at gmail dot com. Get us 405 00:23:23,440 --> 00:23:26,200 Speaker 1: your rex six one seven nine oh six six six 406 00:23:26,359 --> 00:23:30,000 Speaker 1: three eight voicemail and text. You want a surefire away 407 00:23:30,040 --> 00:23:32,000 Speaker 1: to get my attention, you can do so on Patreon 408 00:23:32,119 --> 00:23:35,920 Speaker 1: in the chat, which is where I was last night, 409 00:23:36,520 --> 00:23:38,880 Speaker 1: asking the discos in the chat if anybody had seen Sugar. 410 00:23:38,920 --> 00:23:41,440 Speaker 1: Have you guys seen Sugar? I love this show. I 411 00:23:41,640 --> 00:23:44,720 Speaker 1: absolutely love this show. Colin Ferrell. It's on Apple. A 412 00:23:44,720 --> 00:23:47,040 Speaker 1: bunch of you started it, some have not, some watched 413 00:23:47,080 --> 00:23:49,320 Speaker 1: the first season. Chris on it. This is for you. 414 00:23:49,560 --> 00:23:52,600 Speaker 1: You're asking if it improves. You're saying that you weren't 415 00:23:52,600 --> 00:23:54,040 Speaker 1: feeling it in the beginning. And I can tell you 416 00:23:54,119 --> 00:23:57,480 Speaker 1: that this show gets fantastic. One of the best endings 417 00:23:59,440 --> 00:24:02,240 Speaker 1: to season that I've ever seen. Now, it's a pretty 418 00:24:02,320 --> 00:24:05,439 Speaker 1: controversial ending of season one. We're in season two now, 419 00:24:05,520 --> 00:24:08,760 Speaker 1: just started. That's what I'm asking about it. Zeth not 420 00:24:08,880 --> 00:24:10,399 Speaker 1: a fan. He was a fan of the show and 421 00:24:10,440 --> 00:24:11,959 Speaker 1: then he saw the ending and he was like, I'm out, 422 00:24:12,560 --> 00:24:14,639 Speaker 1: and that happens. I get it. There's still people who 423 00:24:14,680 --> 00:24:16,920 Speaker 1: don't like the ending to the Sopranos. I can't do 424 00:24:17,000 --> 00:24:18,760 Speaker 1: anything for those people, though. I just you know, they 425 00:24:18,840 --> 00:24:21,800 Speaker 1: got to live their lives. That's on them, not on me. Okay, 426 00:24:22,520 --> 00:24:24,639 Speaker 1: the same thing here. The ending of season one I 427 00:24:24,720 --> 00:24:27,840 Speaker 1: thought was great, and season two is fantastic. It's modern noir. 428 00:24:28,160 --> 00:24:33,479 Speaker 1: It's a it's a modern version, modern take on Raymond Chandler, 429 00:24:33,600 --> 00:24:36,000 Speaker 1: kind of Philip Marlow thing, but it is a little 430 00:24:36,040 --> 00:24:40,080 Speaker 1: more fantastical than that, and it looks incredible. It's inspiring 431 00:24:40,119 --> 00:24:41,760 Speaker 1: me in a lot of different ways, and I'm here 432 00:24:41,880 --> 00:24:44,040 Speaker 1: for it, and a lot of you are. We're talking 433 00:24:44,080 --> 00:24:46,359 Speaker 1: about it over in the Patreon chap. Get on in 434 00:24:46,440 --> 00:24:49,480 Speaker 1: there with us speaking to movies over in Hollywood Land 435 00:24:50,240 --> 00:24:53,280 Speaker 1: in that feed. This week, we've got our archive episode 436 00:24:53,560 --> 00:24:57,520 Speaker 1: on James Dean, and James Dean prompted this question from 437 00:24:57,640 --> 00:25:02,280 Speaker 1: Zeth of what character from movie history is your favorite rebel. 438 00:25:02,400 --> 00:25:06,040 Speaker 1: That's a great question, that's it because I love movies 439 00:25:06,119 --> 00:25:08,760 Speaker 1: with anti heroes. We all do. That's kind of why 440 00:25:08,800 --> 00:25:11,440 Speaker 1: we're all here together. Anyways, Deeth and I were giving 441 00:25:11,480 --> 00:25:16,040 Speaker 1: recommendations on rebel themed content. So Zeth had some fantastic 442 00:25:16,560 --> 00:25:20,679 Speaker 1: movies that I'd never heard of that I'm really stoked 443 00:25:20,720 --> 00:25:24,000 Speaker 1: to watch rebel movies in this week's rap Party, and 444 00:25:24,040 --> 00:25:27,800 Speaker 1: I'm giving rebel song recommendations all right, obviously because of 445 00:25:28,040 --> 00:25:31,760 Speaker 1: James Dean and Rebel without a Cause. So make sure 446 00:25:31,840 --> 00:25:35,399 Speaker 1: you are subscribed to Hollywood Land on Apple Podcasts, iHeartRadio 447 00:25:35,400 --> 00:25:37,080 Speaker 1: app where you get your podcast, so you're not missing 448 00:25:37,160 --> 00:25:40,800 Speaker 1: that conversation. Also from the world of film in cinema 449 00:25:41,119 --> 00:25:43,159 Speaker 1: and movies that we're watching. I've got to watch Do 450 00:25:43,240 --> 00:25:46,159 Speaker 1: the Right Thing today and I am happy about that. 451 00:25:46,320 --> 00:25:48,240 Speaker 1: It's summertime. Do the Right Thing as one of the 452 00:25:48,280 --> 00:25:52,040 Speaker 1: greatest summer movies of all time. That's why I'm watching it. 453 00:25:52,119 --> 00:25:56,359 Speaker 1: That's why Zeth is watching it as well, directly because 454 00:25:56,480 --> 00:25:59,440 Speaker 1: that is the next episode of this film should be 455 00:25:59,480 --> 00:26:01,960 Speaker 1: played loud. This film should be played loud comes to 456 00:26:02,040 --> 00:26:06,280 Speaker 1: you via Patreon for our All Access members. Okay, disgrace 457 00:26:06,359 --> 00:26:09,840 Speaker 1: lampod dot com to sign up. You're also gonna get 458 00:26:09,840 --> 00:26:11,840 Speaker 1: yourself in the chat over there and get into that conversation. 459 00:26:12,480 --> 00:26:14,600 Speaker 1: You can do that for free. That doesn't cost anything. 460 00:26:14,960 --> 00:26:17,160 Speaker 1: But we love putting this podcast together for you guys 461 00:26:17,240 --> 00:26:20,720 Speaker 1: exclusively for our All Access members. The feedback has been fantastic. 462 00:26:21,000 --> 00:26:23,680 Speaker 1: The last episode we did on Dazed and Confused was 463 00:26:24,600 --> 00:26:27,720 Speaker 1: probably my favorite. Zeth was really really high when we 464 00:26:27,800 --> 00:26:29,879 Speaker 1: did that one, and if you want a lot, and 465 00:26:29,920 --> 00:26:33,200 Speaker 1: I'm just kidding, he wasn't, but we joke about that anyhow. 466 00:26:33,320 --> 00:26:37,040 Speaker 1: It's it's this film should be played loud and it 467 00:26:37,160 --> 00:26:40,359 Speaker 1: is available exclusively to our All Access members. Do the 468 00:26:40,440 --> 00:26:42,680 Speaker 1: Right Thing is coming up. End of this month July 469 00:26:42,840 --> 00:26:45,600 Speaker 1: twenty ninth, and I hadn't mentioned it here because it's 470 00:26:45,680 --> 00:26:47,639 Speaker 1: just so obvious. We talk about it every week, but 471 00:26:47,920 --> 00:26:50,159 Speaker 1: I should mention for new listeners. This film Should be 472 00:26:50,200 --> 00:26:53,840 Speaker 1: Loud isn't just a movie podcast. It is a podcast 473 00:26:54,400 --> 00:26:59,080 Speaker 1: about music in movies. It bridges the gap between Disgraceland 474 00:26:59,520 --> 00:27:03,040 Speaker 1: and Hall would Land for you guys. All right, all right, 475 00:27:04,080 --> 00:27:07,240 Speaker 1: as promised, Zeth and I are about to get into 476 00:27:07,280 --> 00:27:13,320 Speaker 1: this conversation discussing some of the most outlandish, insane Jim 477 00:27:13,400 --> 00:27:18,480 Speaker 1: Morrison faked his own death theories. All right, can you 478 00:27:18,520 --> 00:27:20,840 Speaker 1: spell rodeo clown? That's coming up right now? Go to 479 00:27:20,920 --> 00:27:24,240 Speaker 1: disgrace lampod dot com to sign up and listen. Unlock 480 00:27:24,320 --> 00:27:28,040 Speaker 1: more exclusive content just like this, plus ad free listening. 481 00:27:28,080 --> 00:27:39,440 Speaker 1: All right, we'll be back after this. All right, guys, 482 00:27:39,440 --> 00:27:41,359 Speaker 1: we're back. But before we get out of here, I 483 00:27:41,440 --> 00:27:44,119 Speaker 1: got to pimp out our archive. I don't even know 484 00:27:44,119 --> 00:27:45,800 Speaker 1: where to start. I don't know who we mentioned today. 485 00:27:46,160 --> 00:27:49,399 Speaker 1: I did just so many episodes. Somebody emailed me about 486 00:27:49,760 --> 00:27:53,280 Speaker 1: doing a George Michael episode. Guy, there's a George Michael episode. Okay, 487 00:27:53,480 --> 00:27:55,840 Speaker 1: that's in the archive of over two hundred and fifty episodes, 488 00:27:55,840 --> 00:27:58,040 Speaker 1: probably two hundred and seventy five episodes by this point. 489 00:27:58,280 --> 00:28:00,400 Speaker 1: World Cups got me thinking about Oasis. Got a couple 490 00:28:00,440 --> 00:28:02,640 Speaker 1: Oasis episodes in there as well. You can find those. 491 00:28:02,720 --> 00:28:05,920 Speaker 1: Matt will have the episode information on these subjects in 492 00:28:06,040 --> 00:28:08,600 Speaker 1: the show notes of this after party to make it 493 00:28:08,680 --> 00:28:11,720 Speaker 1: easier for you to navigate to those stories should you 494 00:28:11,800 --> 00:28:14,080 Speaker 1: want to listen to them. I gotta get out of here. 495 00:28:14,160 --> 00:28:16,040 Speaker 1: Like I said, I gotta watch Do the Right Thing. Anyways, 496 00:28:16,119 --> 00:28:18,760 Speaker 1: let's recap, shall we. Number one? This week our new 497 00:28:18,840 --> 00:28:22,320 Speaker 1: episode on Jim in the Mysterious Count is available for 498 00:28:22,400 --> 00:28:24,160 Speaker 1: you to listen to right now in the rewind slot. 499 00:28:24,240 --> 00:28:26,880 Speaker 1: This weekend our classic episodes on John Lennon Parts one 500 00:28:27,000 --> 00:28:29,719 Speaker 1: and two. Number three Next week coming at you. Our 501 00:28:29,880 --> 00:28:32,920 Speaker 1: new episode on Happy Mondays. Number four. Zeth gives you 502 00:28:32,960 --> 00:28:36,240 Speaker 1: those Hollywood and crime vibes this week on James Dean 503 00:28:36,359 --> 00:28:38,880 Speaker 1: in Hollywood Land, so make sure that you're subscribed, and 504 00:28:39,040 --> 00:28:41,160 Speaker 1: I give you my music ricks and the wrap party 505 00:28:41,280 --> 00:28:43,840 Speaker 1: every week over in Hollywood Land. Number five. This film 506 00:28:43,880 --> 00:28:46,960 Speaker 1: should be played loud. Our video podcasts with our new 507 00:28:47,000 --> 00:28:50,400 Speaker 1: episode on Days and Confused is available for you right now. 508 00:28:50,480 --> 00:28:52,479 Speaker 1: Our next episode on Do the right thing is come. 509 00:28:52,520 --> 00:28:55,000 Speaker 1: In July twenty ninth, go to disgrace lampod dot com 510 00:28:55,080 --> 00:28:57,200 Speaker 1: to sign up to become an all Access member and 511 00:28:57,400 --> 00:29:00,800 Speaker 1: unlock exclusive content just like this, along with ad free listening. 512 00:29:01,240 --> 00:29:03,600 Speaker 1: Number six six one, seven, nine, sixty six sixty three eight. 513 00:29:03,640 --> 00:29:05,520 Speaker 1: Your voice keeps us digging into the dark corners of 514 00:29:05,600 --> 00:29:08,400 Speaker 1: music history. So keep calling, keep texting with your answers 515 00:29:08,440 --> 00:29:10,120 Speaker 1: to this week's question of the week, or with whatever 516 00:29:10,200 --> 00:29:12,160 Speaker 1: else you want to talk about. Number seven. Don't forget 517 00:29:12,200 --> 00:29:14,800 Speaker 1: this goes. This isn't just content. It's a community, a 518 00:29:14,880 --> 00:29:17,440 Speaker 1: community of the obsessed, and no one cares about music, books, 519 00:29:17,520 --> 00:29:19,479 Speaker 1: records in the crime and grime that ties them all 520 00:29:19,520 --> 00:29:22,560 Speaker 1: together like you do. And well that's a disgrace, all right. 521 00:29:22,600 --> 00:29:25,400 Speaker 1: Back on July third, nineteen seventy one, Jim Morrison was 522 00:29:25,480 --> 00:29:28,240 Speaker 1: pronounced dead at the age of twenty seven, and this 523 00:29:28,560 --> 00:29:30,920 Speaker 1: is what America was listening to on that day, according 524 00:29:31,000 --> 00:29:34,560 Speaker 1: to the Billboard Charts. Number one, It's too late. I 525 00:29:34,640 --> 00:29:38,640 Speaker 1: Feel the Earth Move Carol King last week one peak 526 00:29:38,680 --> 00:29:43,960 Speaker 1: position one weeks on Charts nineties. Number two Indian Reservation 527 00:29:44,280 --> 00:29:47,440 Speaker 1: the Lament of the Cherokee Reservation. Indians on last week 528 00:29:47,520 --> 00:29:52,320 Speaker 1: number four fourth peak positions weeks on Chart thirteen number 529 00:29:52,360 --> 00:29:56,760 Speaker 1: three Treat like a Lady, Cornelius Brothers Sister Rose last 530 00:29:56,800 --> 00:30:00,160 Speaker 1: week number five, don't peak position for six three so 531 00:30:00,240 --> 00:30:04,840 Speaker 1: on Suck Honey number four, Rainy Days and Mondays and 532 00:30:05,000 --> 00:30:09,600 Speaker 1: Carpenters last week to see position to your Honey. Weeks 533 00:30:09,680 --> 00:30:27,800 Speaker 1: on Shara, Quit talking and start mixing