WEBVTT - From The Archive: Steve McQueen

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<v Speaker 1>Guess What's happening on Ruthie's Table four on the twenty

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<v Speaker 1>second of October, our brand new series with exciting guests.

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<v Speaker 1>Just last week I interviewed Elton, John Greta, Gerwig, Ian

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<v Speaker 1>McKellen and Guillermo del Toro. Go to Apple, Spotify, iHeart,

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<v Speaker 1>or wherever you get your podcasts. See you in two weeks.

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<v Speaker 1>You are listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 1>Sitting here in the River Cafe on a sunny Monday morning,

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<v Speaker 1>with chefs in the kitchen making ravioli, with hiroles and

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<v Speaker 1>waiters laying tables in the garden, the uncertain world we

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<v Speaker 1>live in feels miles away. The artist and filmmaker Steve

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<v Speaker 1>McQueen does not separate the world of beauty and the

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<v Speaker 1>world of suffering in any of his work political oppression, slavery,

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<v Speaker 1>sexual inequality. Steve and I met in nineteen ninety nine

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<v Speaker 1>when he won the Turner Prize for his radical video art,

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<v Speaker 1>and we once had dinner together with President Obama. It

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<v Speaker 1>was clear that the only person President Obama was interested

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<v Speaker 1>in talking to with Steve McQueen, and he didn't want

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<v Speaker 1>to share him with anyone else. Now, a few years later,

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<v Speaker 1>I finally have Steve McQueen all to myself, and being

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<v Speaker 1>a generous person, will share him with you. Steve and

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<v Speaker 1>I share a hero in Paul Robeson. We share the

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<v Speaker 1>same concerns for equality and justice and food, and today

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<v Speaker 1>we're going to talk all about that and more. Thank you, Steve,

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<v Speaker 1>Thank you for inviting me. Tell me about growing up

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<v Speaker 1>in London. You lived with your parents in West London

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<v Speaker 1>and what did you eat?

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<v Speaker 2>Yeah, we grew up. I grew up having a firstyship

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<v Speaker 2>with book West London. My relationship with food really starts

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<v Speaker 2>with the market. I was the kid who was carrying

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<v Speaker 2>the bags behind their mother, you know, because basically I

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<v Speaker 2>would have to go with her because you know, I

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<v Speaker 2>was the sort of detra pair of hands to carry

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<v Speaker 2>the shopping back home. Food was a way of actually

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<v Speaker 2>getting to go London because if someone had said to

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<v Speaker 2>my mother there's you know, you could get so and

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<v Speaker 2>so seabas in this market for this amount of money,

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<v Speaker 2>she will be there. So people used to talk about

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<v Speaker 2>where can they get particular kind of food and fresh produce?

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<v Speaker 1>Yeah, where was your mother born?

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<v Speaker 2>My mother was born in Trinidad, but she grew up

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<v Speaker 2>in in Grenada and my father was born in Grenado.

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<v Speaker 1>How old were they when they came to London.

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<v Speaker 2>My mother was about fourteen fifteen, I think's about fifteen

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<v Speaker 2>when she came to London. I think in the early sixties,

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<v Speaker 2>and my father was a little bit older. I think

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<v Speaker 2>maybe it was about twenty one.

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<v Speaker 3>I don't know when. I think he came early sixties too,

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<v Speaker 3>but not not at the same time.

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<v Speaker 1>And so do you think her mother had taken her

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<v Speaker 1>to the market. As you say, the market does introduce

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<v Speaker 1>us to a culture, that introduces us to a city.

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<v Speaker 1>It's the first place I always go when I go

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<v Speaker 1>to any town in any city in any country. But

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<v Speaker 1>tell me more about the smells of the market and

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<v Speaker 1>what it looked like for you and your mother's experience

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<v Speaker 1>of the market.

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<v Speaker 2>Well, in fact, what happened was that a lot of

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<v Speaker 2>joity of people for coming from west in this headline,

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<v Speaker 2>and they grew their own food, you know, and look

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<v Speaker 2>after you know, the animals and so forth and whatnot.

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<v Speaker 2>And fishing was a big part of the culture too,

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<v Speaker 2>because obviously my mother lived on the coast InCred a

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<v Speaker 2>place called Siteers and was a very big fishing spot there.

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<v Speaker 2>You know, it's called a fishing village. Food was very

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<v Speaker 2>much directly sort of to do with who they were.

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<v Speaker 2>So when they came to London, of course looking for

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<v Speaker 2>good food was very important. And you know we used

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<v Speaker 2>to go to all kinds of bloody markets all over London.

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<v Speaker 3>I so I said, I met up with it.

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<v Speaker 2>I missed my football focus on a sacle because I

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<v Speaker 2>had to go to the market with my mum. It

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<v Speaker 2>was something which I remember, and it was all different cultures,

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<v Speaker 2>you know, it was, didn't you You had the sort

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<v Speaker 2>of you know, the Londoners and the White Londoners and

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<v Speaker 2>the Indian, you're the Jewish. You had all kinds of people.

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<v Speaker 2>It was fabulous. It was really kind of coolbe.

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<v Speaker 1>When you would come home from the market. What would

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<v Speaker 1>you eat? What would they cook from the market?

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<v Speaker 2>Oh, if you get dashing, you know, spinach? You know

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<v Speaker 2>again you know you cook? I mean my my my

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<v Speaker 2>favorite was like a nice stewed chicken. I'm not a

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<v Speaker 2>special thing. I'm rote just you know, Oh my god,

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<v Speaker 2>what was it? A beautiful It's like a nice stew fish.

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<v Speaker 2>And I used to love what was this this one thing?

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<v Speaker 2>I used to not very much. Was a vegetable?

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<v Speaker 3>What was it? It was? I love, I love.

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<v Speaker 2>Yeah, Yeah, it was all kinds of exotic stuff. I

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<v Speaker 2>mean I say exotic because it was familiar to me.

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<v Speaker 2>But my friends, my white friends, and what was that was?

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<v Speaker 3>This was this? Yeah?

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<v Speaker 1>Who cooked in the house?

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<v Speaker 2>My mother cooked, My father cooked. My father was a

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<v Speaker 2>good cooked too. He took pride in the Christmas hand.

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<v Speaker 3>That was his job.

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<v Speaker 2>There was a particular way of cooking, part way that

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<v Speaker 2>came from because his uncle was a butcher in the

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<v Speaker 2>West Indies.

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<v Speaker 3>So there was a particular way of cooking the hand.

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<v Speaker 2>I can't even prescribe it now, but it's close, all

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<v Speaker 2>into indented in all everywhere.

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<v Speaker 3>It was almost like sort of a ror movie. Marvelous. Yeah,

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<v Speaker 3>great cooks, great cooks.

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<v Speaker 1>Did you cook with them? Was it a family affair?

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<v Speaker 1>Would you all cook together?

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<v Speaker 2>I mean, I love being with my mother in the

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<v Speaker 2>kitchen because somehow I love to help out. I love

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<v Speaker 2>to sort of be I don't know, I love to

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<v Speaker 2>love that. So I can't say that I'm a great cook,

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<v Speaker 2>but I was a very good shoe chef. I am a

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<v Speaker 2>bit of a neat and tidy person.

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<v Speaker 1>Would they entertain would friends come over? Did was there

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<v Speaker 1>that feeling.

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<v Speaker 3>When people did come over? It was? It was a

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<v Speaker 3>lot of family and fair and well. I think most

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<v Speaker 3>of the things I used to do with the people's

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<v Speaker 3>come over with them would just listen because.

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<v Speaker 2>There was always boys that would come out that my

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<v Speaker 2>parents will never talk to us about, of course, but

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<v Speaker 2>always because adults will talk to adults.

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<v Speaker 3>So therefore and find out about sort of how what

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<v Speaker 3>was going on?

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<v Speaker 1>Or when you left this very comforting family meals where

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<v Speaker 1>you were cooked for and you ate together. What was

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<v Speaker 1>that like when you left home? Where did you live?

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<v Speaker 2>I was actually nearing you, guys. Actually I was in Fulham.

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<v Speaker 2>I was just around the corner from me. I was

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<v Speaker 2>with this girlfriend and she was great. She was a

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<v Speaker 2>very important girlfriend of mine. Your name was a Nuke.

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<v Speaker 2>She was a Swiss. And then she had discovered this restaurant,

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<v Speaker 2>this place called Malati, the Indonesia place and so, which

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<v Speaker 2>was delicious, It was gorgeous. And that was my first restaurant, and.

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<v Speaker 1>She that was your first restaurant.

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<v Speaker 3>I think that was one of my first restaurants. I

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<v Speaker 3>think I was about nineteen years old.

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<v Speaker 1>And after that, the restaurants become part of your social life.

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<v Speaker 1>Did you love restaurants?

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<v Speaker 3>Absolutely?

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<v Speaker 2>I mean what's great about I mean, now, I suppose

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<v Speaker 2>in London it wasn't so when when I was growing up,

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<v Speaker 2>we didn't have that was the world, I think. And

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<v Speaker 2>to be introduced to the world through food and of

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<v Speaker 2>course good company, that's always the main ingredient for going

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<v Speaker 2>to a restaurant, So that was wonderful. And then we

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<v Speaker 2>got to know. So we've got a lot of restaurants

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<v Speaker 2>and so we got to know I remember during that time,

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<v Speaker 2>this is early nineties, early nineties. Yeah, and also in

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<v Speaker 2>East End too.

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<v Speaker 1>Yeah, what about in arts school? Was that revelation?

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<v Speaker 3>Yeah?

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<v Speaker 2>I mean, you know canon bit of cheese blaodiel and baget.

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<v Speaker 2>I mean that was that was kind of like interesting

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<v Speaker 2>because again there was an addition to wet in this cheese,

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<v Speaker 2>I mean was crappy cheese. You know, you can imagine

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<v Speaker 2>a sort of a big block of something which they

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<v Speaker 2>called cheese. But getting to know cheese was interesting during

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<v Speaker 2>my time at Foundation at Chelsea.

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<v Speaker 1>I mean, it's a kind of interesting life change, isn't it.

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<v Speaker 1>Between this going to the market with your mother and

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<v Speaker 1>carrying the bag and coming home and cooking, and then

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<v Speaker 1>sitting down and eating, and then having independence and having

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<v Speaker 1>to fend for yourself and discover life out there. Did

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<v Speaker 1>you go home? Would you return home for the home

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<v Speaker 1>cooked meal?

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<v Speaker 3>Yes? I used to love going home for food.

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<v Speaker 2>My goodness, I said, Oh, oh, my goodness, I used

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<v Speaker 2>to love it.

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<v Speaker 3>It's just it's just to sort of. Yeah.

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<v Speaker 2>It was difficult because at first it was how do

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<v Speaker 2>I cook? What do I cook? I was on the phone,

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<v Speaker 2>my mom, Mom, how do I do this?

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<v Speaker 3>Mom? Do I do this? My mad I do that?

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<v Speaker 2>So a lot of calls about making sort of soups

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<v Speaker 2>and things like that, and how do I season them?

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<v Speaker 2>Because I think it For granted, I used to be

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<v Speaker 2>a shoe hip, but I wasn't really looking. It wasn't

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<v Speaker 2>really studying. Yeah, so a lot of phone calls.

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<v Speaker 1>Basically back then, the River Cafe Cafe is ready for autumn.

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<v Speaker 1>Pumpkin and chestnut souper tolo dispinacci polenta and almond cake

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<v Speaker 1>and why not a telephonino, one of our favorite cocktails,

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<v Speaker 1>were open from nine to nine, just steps away from

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<v Speaker 1>the River Cafe. See you there, Welcome back to River Cafe.

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<v Speaker 1>Table four. In each episode, my guest reads a recipe

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<v Speaker 1>they have chosen from one of our cookbooks. We chose

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<v Speaker 1>spinach and peas. So would you like to go for

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<v Speaker 1>it and tell the world how to make it?

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<v Speaker 2>One kilogram fresh peas in their pods, extra virgin olive oil,

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<v Speaker 2>one garlic clove, peeled and diced. One dried red chili crumbled,

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<v Speaker 2>one kilogram with spinach, washed, tough stalks removed.

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<v Speaker 1>Pard the peas and blanche them with plenty of boiling water.

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<v Speaker 1>In Italy, no one ever cooks vegetables.

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<v Speaker 3>I'll only pasta.

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<v Speaker 2>So rather than blanching these peas, boil them so that

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<v Speaker 2>they almost melt together with spinach and the olive oil.

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<v Speaker 1>Gorgeous. So, now, Steve, here we are and we're going

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<v Speaker 1>to talk about the series that has just been on

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<v Speaker 1>television that we've all watched and been so moved by.

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<v Speaker 1>Small Acts. You tell the story of a local restaurant

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<v Speaker 1>constantly harassed by the police. Is that a memory or

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<v Speaker 1>is that? Can you tell me about the restaurant, the

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<v Speaker 1>politics and the series.

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<v Speaker 2>Sure well, The Mangrove Restaurant was a restaurant run by

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<v Speaker 2>Frank Kritchlow in lamber Grove on All Saints road, and

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<v Speaker 2>he opened a restaurant in nineteen sixty eight, and it.

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<v Speaker 3>Was a sort of home away from home restaurant.

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<v Speaker 2>You can imagine, as I said before, other people wanting

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<v Speaker 2>the sort of the taste of home and had a

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<v Speaker 2>vibrancy of having sort of like many people wanted to

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<v Speaker 2>sort of come to a place to eat and to

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<v Speaker 2>sort of commune with each other.

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<v Speaker 3>So it was a place of refuge.

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<v Speaker 2>In it in a way, you know, the vibe that

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<v Speaker 2>came out of there, and it was just one of

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<v Speaker 2>those places which became very infectious if people wanted to go.

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<v Speaker 2>It was it was it was something which was which

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<v Speaker 2>was which was on the scene, and unfortunately the police

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<v Speaker 2>and the authorities that be obviously didn't like what was

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<v Speaker 2>happening at this place because again it was you know,

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<v Speaker 2>it was people from the Western Ears, it was working

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<v Speaker 2>class people, it was the thinkers, it was sort of

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<v Speaker 2>activists were coming and also the whole eploy.

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<v Speaker 3>So all these people.

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<v Speaker 2>Coming to this spot and talking over food, having ideas,

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<v Speaker 2>and obviously that was something which the authorities didn't like,

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<v Speaker 2>and therefore they tried to disrupt, disrupted as much as

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<v Speaker 2>they could. You know, it was a case of the

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<v Speaker 2>people not wanting certain ideas having a foothold in the UK,

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<v Speaker 2>and they thought that the Mangrove was a place where

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<v Speaker 2>those ideas could sort of take roote.

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<v Speaker 1>There's something about doing that kind of discussion as well

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<v Speaker 1>over food. And one of the things that I see

0:11:52.920 --> 0:11:56.120
<v Speaker 1>in the restaurant is that somehow being out of your house,

0:11:56.240 --> 0:12:00.280
<v Speaker 1>being away from your domestic life, being looked after, gives

0:12:00.360 --> 0:12:03.440
<v Speaker 1>you the chance to really focus on a conversation. Do

0:12:03.520 --> 0:12:04.959
<v Speaker 1>you find that in a restaurant?

0:12:05.120 --> 0:12:05.760
<v Speaker 3>Absolutely?

0:12:06.200 --> 0:12:09.880
<v Speaker 2>Absolutely, And there's a sense of I don't know what

0:12:10.000 --> 0:12:14.760
<v Speaker 2>is it purpose, you're there, your present, there's another person

0:12:14.920 --> 0:12:18.760
<v Speaker 2>there in present, but also actually just a listen. It's

0:12:18.800 --> 0:12:22.280
<v Speaker 2>just a case of being in an environment where you are,

0:12:23.320 --> 0:12:25.839
<v Speaker 2>you know, you feel comfortable in order to say things

0:12:25.880 --> 0:12:27.000
<v Speaker 2>and listen.

0:12:27.600 --> 0:12:31.440
<v Speaker 1>And also I've talked to various people in business and

0:12:31.480 --> 0:12:35.280
<v Speaker 1>in film and creating movies or making deals. I mean

0:12:35.320 --> 0:12:38.080
<v Speaker 1>when I always quote is Michael Kine who said that

0:12:38.160 --> 0:12:40.680
<v Speaker 1>he never did a deal for a movie in America

0:12:40.720 --> 0:12:44.120
<v Speaker 1>that didn't take place in a restaurant, and he said

0:12:44.400 --> 0:12:47.240
<v Speaker 1>that was very Hollywood. Do you work in restaurants? Do

0:12:47.280 --> 0:12:49.280
<v Speaker 1>you'd like to meet people that you're going to work

0:12:49.320 --> 0:12:50.600
<v Speaker 1>with in a restaurant.

0:12:50.640 --> 0:12:53.480
<v Speaker 3>First, I love it, but that doesn't happen often.

0:12:54.640 --> 0:12:57.400
<v Speaker 2>I mean, I think it's sort of it's a classy

0:12:57.440 --> 0:12:58.680
<v Speaker 2>way to do anything, isn't it.

0:12:58.679 --> 0:13:00.719
<v Speaker 3>And also I love it because growing up in the

0:13:00.800 --> 0:13:01.240
<v Speaker 3>art world.

0:13:01.679 --> 0:13:03.720
<v Speaker 2>What was wonderful about growing up in the art world

0:13:03.920 --> 0:13:08.400
<v Speaker 2>is that artists never paid for dinners, never, because you're

0:13:08.400 --> 0:13:11.320
<v Speaker 2>the artist. And it was amazing. In fact, I think

0:13:11.320 --> 0:13:15.160
<v Speaker 2>that's how I grew up in food in an and

0:13:15.280 --> 0:13:18.040
<v Speaker 2>interesting way. It was through the art world. It's completely

0:13:18.040 --> 0:13:19.640
<v Speaker 2>different to the film world. I mean, you know the

0:13:19.679 --> 0:13:22.319
<v Speaker 2>fact that you you know, you might get crappy sangwich,

0:13:22.320 --> 0:13:23.160
<v Speaker 2>you're you're you're lucky.

0:13:23.760 --> 0:13:25.800
<v Speaker 3>But in the art world, it was always the best wines.

0:13:25.880 --> 0:13:27.040
<v Speaker 3>It was always the best food.

0:13:27.520 --> 0:13:29.600
<v Speaker 2>You know, if it was an opening or even a meeting,

0:13:29.640 --> 0:13:31.079
<v Speaker 2>it was always the best restaurant.

0:13:31.160 --> 0:13:33.160
<v Speaker 3>And that was a huge education. Absolutely.

0:13:33.480 --> 0:13:37.280
<v Speaker 1>I was thinking about making movies and the movies you've made,

0:13:37.280 --> 0:13:40.520
<v Speaker 1>and of course here we are talking about food and

0:13:40.640 --> 0:13:44.880
<v Speaker 1>eating and the joy of being taken care of through food.

0:13:45.320 --> 0:13:48.160
<v Speaker 1>And then I think of the movie that you know

0:13:48.200 --> 0:13:51.240
<v Speaker 1>it was so earth shattering, which was Hunger. And so

0:13:51.280 --> 0:13:54.440
<v Speaker 1>we're talking about a movie called hunger and the state

0:13:54.480 --> 0:13:59.760
<v Speaker 1>of hunger, and somebody put their principles and politics above comfort.

0:14:00.520 --> 0:14:04.199
<v Speaker 1>Does a political act actually starved themselves? So what was

0:14:04.240 --> 0:14:07.200
<v Speaker 1>it like making a movie that was the absence of

0:14:07.240 --> 0:14:08.960
<v Speaker 1>food as a political statement?

0:14:12.800 --> 0:14:15.120
<v Speaker 3>I mean, for me, it was again it's food is

0:14:15.120 --> 0:14:16.080
<v Speaker 3>an interesting thing that you know.

0:14:17.520 --> 0:14:19.880
<v Speaker 2>I related to that in a way that of being

0:14:19.920 --> 0:14:23.280
<v Speaker 2>a child, in the way that you know, often the

0:14:23.320 --> 0:14:27.400
<v Speaker 2>only power a child has is frailing to eat. His

0:14:27.560 --> 0:14:32.560
<v Speaker 2>or her mother saying you're not leaving this table until

0:14:32.560 --> 0:14:35.680
<v Speaker 2>you finish that plate, and the child sort of, you know,

0:14:35.760 --> 0:14:40.520
<v Speaker 2>refusing to eat, and then you're sent off the bed,

0:14:40.680 --> 0:14:43.520
<v Speaker 2>you know. And it's interesting because you know what the

0:14:43.560 --> 0:14:45.600
<v Speaker 2>clothes you wear that as a as a child of

0:14:45.600 --> 0:14:47.320
<v Speaker 2>a sudden age, what time you go to bed, what

0:14:47.360 --> 0:14:49.800
<v Speaker 2>food you eat, is chosen by your parents. And the

0:14:49.800 --> 0:14:52.600
<v Speaker 2>whole idea that this child, the power this child has

0:14:53.040 --> 0:14:54.320
<v Speaker 2>is to refrain to eat.

0:14:54.720 --> 0:14:55.200
<v Speaker 3>That was my.

0:14:55.200 --> 0:14:58.520
<v Speaker 2>Relationship in some ways to Bobby Sands and Hunger Stright,

0:14:58.600 --> 0:15:00.840
<v Speaker 2>that the power that person had was referring to eat

0:15:01.160 --> 0:15:02.840
<v Speaker 2>ever since it was a child. I remembered asking my

0:15:02.920 --> 0:15:04.920
<v Speaker 2>mom when I saw this image of Bobby's hands on

0:15:05.120 --> 0:15:07.680
<v Speaker 2>television with a number oneth his image and asking my mother,

0:15:07.720 --> 0:15:10.360
<v Speaker 2>what's what's what is that? How oldest person is? Because no,

0:15:10.440 --> 0:15:12.160
<v Speaker 2>thats how many days this person has been a hunger strike.

0:15:12.560 --> 0:15:15.600
<v Speaker 2>So there was an immediate relationship with the story and

0:15:15.680 --> 0:15:17.800
<v Speaker 2>it was, yeah, it was It was difficult, but I

0:15:17.800 --> 0:15:20.480
<v Speaker 2>think Michael Fans been there. You know why cars is

0:15:20.520 --> 0:15:22.600
<v Speaker 2>Bobby Sands was tremendous and that was a bond up,

0:15:22.640 --> 0:15:24.080
<v Speaker 2>you know, we have to this day.

0:15:24.720 --> 0:15:27.120
<v Speaker 3>It was a real kind of a labor of love.

0:15:27.160 --> 0:15:30.280
<v Speaker 1>And what are the food scenes in your movies? In

0:15:30.320 --> 0:15:32.840
<v Speaker 1>twelve years a Slave, there's a scene, isn't there at

0:15:32.840 --> 0:15:33.640
<v Speaker 1>the dinner table?

0:15:34.280 --> 0:15:36.280
<v Speaker 2>I seem to remember, Yeah, there's lots of I think

0:15:36.320 --> 0:15:37.760
<v Speaker 2>there's lots of food in my films. I mean you

0:15:37.800 --> 0:15:40.440
<v Speaker 2>can see after that his shame. The two characters Brandon

0:15:40.640 --> 0:15:43.240
<v Speaker 2>any sort of possible girlfriend or at this dinner table

0:15:43.280 --> 0:15:47.040
<v Speaker 2>and this waiter, annoying waiter comes in every five seconds

0:15:47.040 --> 0:15:49.440
<v Speaker 2>to interrupt them. I remember that from having lots of

0:15:49.440 --> 0:15:51.680
<v Speaker 2>dinners in New York and every five seconds and what

0:15:51.680 --> 0:15:54.040
<v Speaker 2>becomes in the middle of something was getting bigger. You

0:15:54.080 --> 0:15:56.800
<v Speaker 2>know how conversations are they have to get to that point,

0:15:57.320 --> 0:15:59.320
<v Speaker 2>you know, it's always it was commercial bloody breaks every

0:15:59.320 --> 0:16:01.920
<v Speaker 2>five seconds, start from scratch every five minutes, so you're

0:16:01.920 --> 0:16:04.240
<v Speaker 2>didn't make for a good eating experience.

0:16:04.840 --> 0:16:06.760
<v Speaker 1>I put that in the movie What do You Eat

0:16:06.840 --> 0:16:07.360
<v Speaker 1>on a Film?

0:16:07.400 --> 0:16:07.480
<v Speaker 3>So?

0:16:07.960 --> 0:16:10.480
<v Speaker 1>Do you hate stopping for lunch when you're filming?

0:16:10.920 --> 0:16:11.000
<v Speaker 3>No?

0:16:11.080 --> 0:16:13.520
<v Speaker 2>I think it's fantastic. I mean, what was so wonderful

0:16:13.720 --> 0:16:17.680
<v Speaker 2>when I started filmmaking? And hunger and shame and obvious.

0:16:17.920 --> 0:16:20.400
<v Speaker 2>It's like all the actors and all the crew eat together.

0:16:21.040 --> 0:16:23.600
<v Speaker 2>They people in their buddy trailers and the act crap,

0:16:24.080 --> 0:16:27.800
<v Speaker 2>everyone lead together. There's something about communal eating and it's

0:16:27.840 --> 0:16:35.640
<v Speaker 2>about weed. It's such a unifying thing to see, you know,

0:16:36.120 --> 0:16:39.320
<v Speaker 2>the hear and makeup and the camera department and tubing

0:16:39.400 --> 0:16:41.400
<v Speaker 2>up for food and sitting at the table together and

0:16:41.440 --> 0:16:43.480
<v Speaker 2>talking about the film or talking about things.

0:16:43.480 --> 0:16:45.280
<v Speaker 3>When there's a camaraderie.

0:16:47.080 --> 0:16:49.640
<v Speaker 2>It's only time often when you're sort of on set

0:16:49.680 --> 0:16:52.800
<v Speaker 2>together that you had that sort of time, as you know,

0:16:53.080 --> 0:16:56.920
<v Speaker 2>when when you're sitting together eating and it's fun.

0:16:57.000 --> 0:16:59.480
<v Speaker 3>It's fun. I love it.

0:17:04.520 --> 0:17:08.359
<v Speaker 1>Year three is an exhibition that was at the Tate

0:17:09.200 --> 0:17:11.720
<v Speaker 1>and I went to see it three times because every

0:17:11.760 --> 0:17:15.320
<v Speaker 1>time I went back I saw something, something different in

0:17:15.359 --> 0:17:18.760
<v Speaker 1>the expression of a child, of a teacher. It really

0:17:18.800 --> 0:17:21.760
<v Speaker 1>told the story of the world we live in through

0:17:21.800 --> 0:17:24.440
<v Speaker 1>these photographs. And one of the issues that I think

0:17:24.560 --> 0:17:29.040
<v Speaker 1>is very important is that when we had the lockdown

0:17:29.119 --> 0:17:31.720
<v Speaker 1>a year ago, one of the things we learned that

0:17:31.760 --> 0:17:35.679
<v Speaker 1>when children were denied school, they were also denied food,

0:17:36.240 --> 0:17:39.159
<v Speaker 1>and they were denied food at lunchtime, which might have

0:17:39.240 --> 0:17:43.720
<v Speaker 1>been their only meal of the day. And the idea

0:17:43.760 --> 0:17:47.560
<v Speaker 1>that we have a society that children depend on having

0:17:47.600 --> 0:17:50.000
<v Speaker 1>their food away from the home because of the poverty

0:17:50.080 --> 0:17:54.520
<v Speaker 1>in the home is appalling and shocking and distressing everything else.

0:17:54.840 --> 0:17:57.480
<v Speaker 2>Yes, absolutely, I mean I had schooled us, which I

0:17:57.520 --> 0:18:00.720
<v Speaker 2>paid for by my mother. That's why today I like

0:18:00.760 --> 0:18:05.119
<v Speaker 2>hot meals. I love the hot lunches, I mean, and

0:18:05.160 --> 0:18:07.639
<v Speaker 2>they were vital. They were vital. There were children I

0:18:07.720 --> 0:18:11.120
<v Speaker 2>know for a fact that that was the main meal

0:18:11.160 --> 0:18:14.080
<v Speaker 2>of the day, if not the only meal of the day.

0:18:14.800 --> 0:18:16.399
<v Speaker 2>And this is with our bottle of milk in the

0:18:16.400 --> 0:18:18.639
<v Speaker 2>morning before missus snatcher took it away from us.

0:18:19.320 --> 0:18:21.760
<v Speaker 3>Yeah, I love school meals in that way. Also, just

0:18:21.800 --> 0:18:25.840
<v Speaker 3>because we're such a good laugh in the canteen, you know,

0:18:25.600 --> 0:18:29.679
<v Speaker 3>I associate food in school with good times and I

0:18:29.680 --> 0:18:33.280
<v Speaker 3>can even remember the smell of it, the canteen and

0:18:33.320 --> 0:18:36.720
<v Speaker 3>the noise and the cutlery banging them together, and it's

0:18:36.760 --> 0:18:37.919
<v Speaker 3>so important. You know.

0:18:38.359 --> 0:18:41.200
<v Speaker 2>Also, people have to sort of really tip the hat

0:18:41.200 --> 0:18:43.399
<v Speaker 2>to Marcus l Ashford and what he did in the

0:18:43.440 --> 0:18:45.280
<v Speaker 2>sense of, you know, getting the government to sort of

0:18:45.320 --> 0:18:49.080
<v Speaker 2>stand down twice about the school meals because you know

0:18:49.200 --> 0:18:50.960
<v Speaker 2>it can This is you know, if we can't look

0:18:51.000 --> 0:18:53.520
<v Speaker 2>after people we can't afford to eat, then I don't

0:18:53.520 --> 0:18:55.920
<v Speaker 2>know who we are as human beings. That it took

0:18:55.960 --> 0:18:57.639
<v Speaker 2>a footballer to do. That is kind of a bit

0:18:57.800 --> 0:19:00.120
<v Speaker 2>you know. There you go, everyone has got a step up.

0:19:00.119 --> 0:19:00.639
<v Speaker 3>In your own way.

0:19:00.680 --> 0:19:02.760
<v Speaker 2>I suppose if people aren't doing their job properly, that

0:19:02.880 --> 0:19:05.720
<v Speaker 2>meaning the government. And also don't forget this again, it's

0:19:05.760 --> 0:19:07.280
<v Speaker 2>just one of those things I feel that, you know,

0:19:07.400 --> 0:19:10.919
<v Speaker 2>everyone is unfortunately not brought into this world equally. But

0:19:11.440 --> 0:19:14.159
<v Speaker 2>if you just give someone the possibility a little bit

0:19:14.160 --> 0:19:16.600
<v Speaker 2>of a shaft of life, one doesn't know where that

0:19:16.680 --> 0:19:18.879
<v Speaker 2>might lead them to. So, yeah, the fact that people

0:19:18.960 --> 0:19:23.120
<v Speaker 2>actually have a millionaire stomach, you know in Britain, Yeah,

0:19:23.280 --> 0:19:27.040
<v Speaker 2>it's more than important. One thing I was very shocked

0:19:27.119 --> 0:19:30.720
<v Speaker 2>by when I was shooting in Chicago. Shooting widows was

0:19:30.800 --> 0:19:34.320
<v Speaker 2>how I didn't see a grocery store and a black neighborhood.

0:19:35.000 --> 0:19:38.600
<v Speaker 2>I didn't see any greens in a black neighbor You know,

0:19:38.720 --> 0:19:41.920
<v Speaker 2>there wasn't a green grocer's, but there was always some

0:19:41.960 --> 0:19:44.720
<v Speaker 2>sort of fast food place where people eat. So people

0:19:44.760 --> 0:19:47.520
<v Speaker 2>are losing this sort of heritage of food. People are

0:19:47.560 --> 0:19:51.000
<v Speaker 2>not aware of the food and nourishment and possibilities within food,

0:19:51.080 --> 0:19:54.680
<v Speaker 2>and food is politics in a way, it reverts back

0:19:54.720 --> 0:19:58.199
<v Speaker 2>to what we were talking about right at the beginning

0:19:58.240 --> 0:20:02.240
<v Speaker 2>of a conversation. It starts with like, in a way

0:20:02.359 --> 0:20:05.359
<v Speaker 2>markets because markets, a lot of markets are on the threat,

0:20:05.359 --> 0:20:08.560
<v Speaker 2>a lot of markets have closed. So this sense of

0:20:08.600 --> 0:20:11.040
<v Speaker 2>community's sense of comarder in a sense of sort of

0:20:12.320 --> 0:20:15.800
<v Speaker 2>love of food and love of each other is being

0:20:15.840 --> 0:20:19.120
<v Speaker 2>sort of erased in the sort of you know, working

0:20:19.160 --> 0:20:21.440
<v Speaker 2>class areas. I mean, you get these markets, but they're

0:20:21.520 --> 0:20:24.200
<v Speaker 2>so they're kind of like posh markets, aren't they. There's

0:20:24.200 --> 0:20:26.080
<v Speaker 2>sort of farmers' markets they call them, and you know,

0:20:26.400 --> 0:20:30.399
<v Speaker 2>the food is so expensive, so and I again I

0:20:30.440 --> 0:20:33.440
<v Speaker 2>feel that they're becoming kind of food deserts in a

0:20:33.480 --> 0:20:36.439
<v Speaker 2>way where kids are growing up on fast food and

0:20:36.480 --> 0:20:39.680
<v Speaker 2>not being introduced to sort of love food in a way.

0:20:40.280 --> 0:20:43.159
<v Speaker 2>So that's something which I'm a bit sort of concerned about.

0:20:43.960 --> 0:20:47.800
<v Speaker 1>Yeah, food is a connection, and food is a memory,

0:20:48.600 --> 0:20:51.800
<v Speaker 1>and food is giving and sharing, and food is political

0:20:51.880 --> 0:20:56.280
<v Speaker 1>and social, and it's also comfort. It's something that we

0:20:56.359 --> 0:20:59.440
<v Speaker 1>go to and we need comfort. And so I suppose

0:20:59.480 --> 0:21:03.439
<v Speaker 1>Steve mc queen, what would you say is the food

0:21:03.480 --> 0:21:05.800
<v Speaker 1>you would go to if you needed comfort?

0:21:06.200 --> 0:21:09.200
<v Speaker 2>For me, the comfort food that I very much love

0:21:09.240 --> 0:21:13.119
<v Speaker 2>and I appreciate is often the cold day, you know,

0:21:13.200 --> 0:21:15.879
<v Speaker 2>and you come in and it's my mum's chicken soups,

0:21:15.920 --> 0:21:18.800
<v Speaker 2>westernion chicken soup, which has the bones in it and stuff,

0:21:18.800 --> 0:21:21.040
<v Speaker 2>you know, you suck on the bones, and it's the

0:21:21.119 --> 0:21:24.040
<v Speaker 2>sort of you know, it's the time, it's the garlic.

0:21:24.119 --> 0:21:26.720
<v Speaker 2>It's all kinds of stuff, you know, the secret ingredients

0:21:26.720 --> 0:21:28.920
<v Speaker 2>when she wants you to want toll me. The dumplings,

0:21:29.040 --> 0:21:30.679
<v Speaker 2>a bit of potatoes, a bit of peas.

0:21:30.720 --> 0:21:31.440
<v Speaker 3>It's wonderful.

0:21:31.480 --> 0:21:34.160
<v Speaker 2>So those are the kind of things I really love. Yeah,

0:21:34.400 --> 0:21:37.880
<v Speaker 2>and I could hear my dad sucking the bones right.

0:21:37.720 --> 0:21:40.600
<v Speaker 3>Now my head. Yeah, it was.

0:21:40.680 --> 0:21:43.520
<v Speaker 2>It was a wonderful, you know, having those dinners together

0:21:44.640 --> 0:21:47.640
<v Speaker 2>on those cold days. I remember it was it was beautiful.

0:21:47.720 --> 0:21:49.879
<v Speaker 2>It was beautiful and lots of great memories. My dad's

0:21:49.920 --> 0:21:52.960
<v Speaker 2>not anymore. So when I often do think about him,

0:21:53.520 --> 0:21:55.439
<v Speaker 2>I do think about him, and actually I do think

0:21:55.480 --> 0:21:58.960
<v Speaker 2>about him. Christmas and the Ham, of course, and Christmas.

0:21:59.600 --> 0:22:03.040
<v Speaker 2>Christmas breakfast was a big thing. Hot cocoa.

0:22:03.720 --> 0:22:04.840
<v Speaker 3>My dad would make a bake.

0:22:05.040 --> 0:22:07.200
<v Speaker 2>A bake is a kind of a flat bread, West

0:22:07.200 --> 0:22:09.640
<v Speaker 2>Indian flat bread in the morning and and oh my god,

0:22:10.080 --> 0:22:13.960
<v Speaker 2>how can I how can I not say this? Fish

0:22:14.000 --> 0:22:18.000
<v Speaker 2>cakes my mother's fish cakes. Oh my god, my mother's

0:22:18.000 --> 0:22:21.040
<v Speaker 2>fishcakes on the Christmas morning and she's making these little

0:22:21.040 --> 0:22:24.440
<v Speaker 2>bakes which was sort of like a like a.

0:22:24.359 --> 0:22:26.760
<v Speaker 3>Bread you'll fry and oil. Oh my god.

0:22:27.280 --> 0:22:30.320
<v Speaker 2>And even my daughter ittually when my mom comes up

0:22:30.359 --> 0:22:33.480
<v Speaker 2>as yours, asks Granny please make fishcakes for me because

0:22:33.480 --> 0:22:35.840
<v Speaker 2>it's a West Indian fishcakes such as it's gorgeous. And

0:22:35.880 --> 0:22:37.800
<v Speaker 2>of course you know that there's never anything left for

0:22:37.840 --> 0:22:40.080
<v Speaker 2>me when I get home. But you know, it's just

0:22:40.720 --> 0:22:43.320
<v Speaker 2>I think, really, what you've done actually is actually given me.

0:22:44.040 --> 0:22:46.960
<v Speaker 2>I mean, fact's what love is rock, not even loves rock.

0:22:47.040 --> 0:22:50.639
<v Speaker 2>That's what the whole of Small Acts was based on.

0:22:51.160 --> 0:22:53.879
<v Speaker 2>The foundation of all of that was based on food

0:22:54.359 --> 0:22:57.320
<v Speaker 2>and memory, because it's what's so fascinating. I'm rambling on

0:22:57.359 --> 0:23:01.600
<v Speaker 2>it again myself. But it's smell is the most antaste,

0:23:02.400 --> 0:23:06.880
<v Speaker 2>is the most potent sources of memory, not the photographs.

0:23:07.280 --> 0:23:09.639
<v Speaker 2>Photographs is only telling you so much because you know,

0:23:09.680 --> 0:23:12.760
<v Speaker 2>it cuts out what's beyond the frame is not present,

0:23:12.760 --> 0:23:16.520
<v Speaker 2>it's not visible going on wrapping.

0:23:18.000 --> 0:23:21.280
<v Speaker 1>No, don't it's beautiful, but it is what it does.

0:23:21.600 --> 0:23:24.520
<v Speaker 1>There are people who say, I never remembered that until

0:23:24.560 --> 0:23:27.400
<v Speaker 1>we started talking about the food, and that brought back

0:23:27.440 --> 0:23:30.639
<v Speaker 1>the memory. I had somebody whose father had left home

0:23:30.720 --> 0:23:33.639
<v Speaker 1>and he would when he saw his children on the weekends,

0:23:33.680 --> 0:23:37.440
<v Speaker 1>he would suddenly start cooking for them. And he said, oh,

0:23:37.480 --> 0:23:39.880
<v Speaker 1>I don't know. I don't think I've ever told anybody

0:23:39.960 --> 0:23:43.000
<v Speaker 1>that story, But now I remember my father actually is

0:23:43.040 --> 0:23:46.680
<v Speaker 1>a way of his guilt or his love just started cooking,

0:23:46.840 --> 0:23:49.119
<v Speaker 1>you know. And I think, what you just when you

0:23:49.200 --> 0:23:52.679
<v Speaker 1>choose your comfort food, you start thinking about your father

0:23:52.840 --> 0:23:55.000
<v Speaker 1>and your mother, and you think about the memories and

0:23:55.040 --> 0:23:59.000
<v Speaker 1>that it's so potent, isn't it. I had I thought

0:23:59.119 --> 0:24:01.440
<v Speaker 1>it would be interesting, But what it really brings home

0:24:01.560 --> 0:24:04.160
<v Speaker 1>over and over again is the connection that food has

0:24:04.160 --> 0:24:05.280
<v Speaker 1>for us for memories.

0:24:05.520 --> 0:24:10.840
<v Speaker 2>Yeah, forget about this island this, I'm telling you.

0:24:10.840 --> 0:24:12.920
<v Speaker 3>You've done it, mate, Smell and til you've done it.

0:24:14.240 --> 0:24:16.520
<v Speaker 1>Well, thank you, you've done it. It's all to do

0:24:16.640 --> 0:24:16.960
<v Speaker 1>with you.

0:24:22.119 --> 0:24:25.280
<v Speaker 2>Thank you for listening to Ruthie's Table four in partnership

0:24:25.280 --> 0:24:25.960
<v Speaker 2>with Montclair