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Speaker 1: Hello the Internet, and welcome to Season to fifty nine,

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Speaker 1: episode three of Dirt Day Least Like Day production of

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Speaker 1: I Heart Radio. This is a podcast where we take

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Speaker 1: a deep dive into America's shared consciousness. And it is Wednesday, October,

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Speaker 1: no time. It is National Kentucky Day, National LT Center

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Speaker 1: Awareness Day, National Seafood Biss Day, Hagfish Day, Supporting no

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Speaker 1: not fun, your local Chamber of Commerce, fuck them, Medical

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Speaker 1: Assistance Recognition Day, and Broad Day us A broad Day,

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Speaker 1: didn't We have recently have a bra less day like

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Speaker 1: a day, Yes, but for this time is Breast Reconstruction

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Speaker 1: Awareness because October breast cancer awareness, so a lot of

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Speaker 1: breast cancer themed day. Yeah, yeah, I mean that's what

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Speaker 1: I immediately assumed. That's what Brad. It wasn't like a

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Speaker 1: surfer holiday bra like bra No. Well, my name is

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Speaker 1: Jack O'Brien a K M M. Bought a fucking twelve foot,

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Speaker 1: which I bought a fucking twelve foot which, yeah, I

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Speaker 1: bought a fucking twelve foot which that is courtesy of

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Speaker 1: milk Steak on the discord to the tune of Season

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Speaker 1: of the Witch, which is a song that I get

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Speaker 1: a case. I've got multiple a case from and I

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Speaker 1: hadn't heard it before the first a K I think

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Speaker 1: from Christy Amagucci Man and now it is in the

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Speaker 1: rotation on in my playlist. I do like it by Donovan.

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Speaker 1: My mom was I remember that was one of the

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Speaker 1: first bands. My mom was like, you should check out

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Speaker 1: this band Donovan, And I was like, what the funk?

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Speaker 1: When did you start giving music recommendations? But that was like,

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Speaker 1: that was a very big moment for me because my

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Speaker 1: mom of until then was only listening to classical music

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Speaker 1: and I've listened to some rock ship and she was like,

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Speaker 1: you should check out of Donovan. I think I only

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Speaker 1: knew about Donovan because like there was a feud with

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Speaker 1: Bob Dylan at some point um, and I was like

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Speaker 1: a real Dylan head when I was okay, because I

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Speaker 1: was cool. Anyways, I'm thrilled to be joined as always

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Speaker 1: by my co host, Mr Miles Miles Gray a K.

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Speaker 1: What's go got to do? Got to do with it?

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Speaker 1: Whats go? When the point histories? And oh shoots, what's

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Speaker 1: vang got to do got to do with it? Who

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Speaker 1: do some soup? Can ass some flowers? Okay. Shout out

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Speaker 1: to Jesse Jericho for that wonderful. What's love got to

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Speaker 1: do with it? A k A. Yeah, A lot of

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Speaker 1: people are like, wow, just stop. Oil is doing a

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Speaker 1: lot and we're calling Van Go go right now? Yeah

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Speaker 1: for them for Van Go. I mean, I feel like

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Speaker 1: you could have probably put in Van Go, like you

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Speaker 1: could have fian Go into the lyrics. But I'm not

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Speaker 1: here to give notes. After the fact. I take submissions

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Speaker 1: and I bring them to life. Well, miles, we are

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Speaker 1: thrilled to be joined in our third and fourth seats

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Speaker 1: by two very funny comedians togeather host one of my

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Speaker 1: favorite podcasts, Radio Lab. It's Sam Tigger and George Save. Hello, Hello, Hello,

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Speaker 1: you know what? Thank you so much for bringing up

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Speaker 1: Donovan because we both wanted to come on here and

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Speaker 1: discuss our favorite musician, Donovan, right, Yeah, I mean it

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Speaker 1: especially for you. Yeah. No, it's an honor to be here.

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Speaker 1: I'm so embarrassed that we don't have jingles to share.

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Speaker 1: It's really humiliating. I Mean, the thing I always say is,

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Speaker 1: what's your what's your goal to karaoke track? Sam, I

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Speaker 1: want to know your answer to this, you know, minus

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Speaker 1: fear based, which is kind of embarrassing. Fine is Yeah,

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Speaker 1: I do Modern Love by David Bowie because I can

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Speaker 1: sing it well and it I feel like it has

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Speaker 1: a part at the end where you get to kind

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Speaker 1: of yell and you get to sort of be loose,

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Speaker 1: and it's like it implies that you're being like off

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Speaker 1: the cuff, but I I'm I do it every time,

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Speaker 1: and so it's I used to always try to do yeah, yeah,

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Speaker 1: I used to always try to do um paparazzi it

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Speaker 1: my voice just it's like, actually harder than you think.

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Speaker 1: And I was like, do I go low or do

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Speaker 1: I try to hit the high? Yeah? Actually I would

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Speaker 1: always end and a really good vocalist and no one's

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Speaker 1: talking about it, and no one talks about it. We're

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Speaker 1: here to correct that. Thank you exactly. How about you, George.

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Speaker 1: I. I I don't want to be a buzz kill, but

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Speaker 1: I really karaoke is one of the few things that

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Speaker 1: I really am anti across the board. I I think

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Speaker 1: I think similarly to Sam it sphere based and that

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Speaker 1: I I think, you know, as much as I have

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Speaker 1: many talents and my arsenal singing is not one of them,

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Speaker 1: and I feel very insecure whenever I am forced to

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Speaker 1: sing into a microphone and then I one time had

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Speaker 1: a really traumatic experience where as a joke, I chose

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Speaker 1: this song by Pink to sing at a at a

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Speaker 1: karaoke event, and then I and then this woman ended

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Speaker 1: up kind of starting to sing with me and we

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Speaker 1: had a little duet moment and we had kind of

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Speaker 1: a moment, and I thought it was very sweet, and

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Speaker 1: then at end she was like, I don't want to

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Speaker 1: get into that. At the end, she just like looks

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Speaker 1: at me and she's like, that song really reminds me

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Speaker 1: of my daughter. And then just like started going into

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Speaker 1: like very personal stuff that I was not really ready

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Speaker 1: to kind of receive at the time. This was in

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Speaker 1: rural Maine, so kind of fell in the blaze and

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Speaker 1: so I think that was really the nail on the

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Speaker 1: coffin for me. But one time someone made me cry

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Speaker 1: when they saying Weathering Heights by kids bullish karaoke. Wow,

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Speaker 1: so you want to lose something? Yeah, why not? I

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Speaker 1: mean it's good to be a good to be an

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Speaker 1: emotional audience member. One time the DJ cut me off

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Speaker 1: halfway through she Wolf by Shakira because I was flopping

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Speaker 1: so hard. See, that's my biggest fear because everyone's like

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Speaker 1: and whenever I expressed that fear of people are like, no,

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Speaker 1: you know, everyone is everyone's just like being themselves. I'm like, yeah,

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Speaker 1: but what if I'm the one person who they do

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Speaker 1: cut off because they're like, okay, well we still want

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Speaker 1: to have fun here, Like, but you know you're not

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Speaker 1: the one person because Sam is the one that's right.

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Speaker 1: But I feel like a good karaoke night needs the

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Speaker 1: people who are not great just to make sure just

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Speaker 1: to keep the levels right, so people aren't completely discouraged

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Speaker 1: because like there's places in l A you go and

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Speaker 1: you're like, okay, motherfucker, we get it. Like you think

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Speaker 1: there's an audition. Well in New York, specifically around the

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Speaker 1: Watcher Broadway, they're out right, what are you guys go to?

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Speaker 1: Is I have, however, done karaoke. I know it's going

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Speaker 1: to be surprising to you because of how much I

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Speaker 1: fucking nailed that Donovan track that that actually came from

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Speaker 1: just me really feeling strongly about the fact that I

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Speaker 1: did by a twelve ft which and it's the thing

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Speaker 1: I feel the most pride in about my life currently. Man,

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Speaker 1: we got a deepot. We need a karaoke night with

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Speaker 1: the team I know we do because now that now

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Speaker 1: I have song on Mike and I probably I've got

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Speaker 1: the bug. Guys. Yeah, I want you to I want

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Speaker 1: to hear you sing strong Enough by Cheryl Crowe. Uh

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Speaker 1: huh oh, I could do that. We're going to go

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Speaker 1: strong enough by Share. That's what I love to. Yeah.

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Speaker 1: Like the difference between you two and culture. Yeah, that's right,

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Speaker 1: that's the Rorschach test. Like strong enough, go share, Share girl,

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Speaker 1: girl girl. All right, we're going to get to know

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Speaker 1: you guys a little bit better in a moment. First,

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Speaker 1: we're gonna tell our listeners a few of the things

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Speaker 1: we're talking about today. It turns out people don't like

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Speaker 1: to work at Amazon, so we're gonna talk about that

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Speaker 1: fucking news flash shocking. We are going to talk about

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Speaker 1: what is it? Rainbow Rainbow Fentyl. Yeah, like the new

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Speaker 1: craz You should be worried. That should be in front

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Speaker 1: of your mind as a as a parent man. All

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Speaker 1: of that, plenty more or maybe none of that. We'll

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Speaker 1: see before we get to it, Sam George, we like

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Speaker 1: to ask our guests, what is something from your search history?

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Speaker 1: I looked at my search a street to see sort

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Speaker 1: of what I've been up to a lot of it

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Speaker 1: was pretty narcissistic, A lot of it was Sam Taggert,

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Speaker 1: a lot of the Stradio Lab, a lot of Stam

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Speaker 1: tagger Stradio Lab that was kind of dark. But then

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Speaker 1: I actually thought the more telling one was how heavy

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Speaker 1: does something need to be for you to need to

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Speaker 1: find a stud in the wall? Oh? Yeah, because I'm

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Speaker 1: trying to like hang stuff in my bedroom, I'm trying

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Speaker 1: to like redo it, and I have no practical skills,

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Speaker 1: and I'm also lazy, so on top of it all,

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Speaker 1: I'm lazy. And I got a mirror that was too

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Speaker 1: it was like kind of heavy, and I was like, well,

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Speaker 1: does it do I have to find a stud? Do

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Speaker 1: I have to go buy a stud finder? And I

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Speaker 1: thought I did it out of safety, but I wish

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Speaker 1: I didn't have to wish to cut corners. Wait, you

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Speaker 1: wish that you could have just said, fuck it, we're

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Speaker 1: going drywall only just let go and let god. I've

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Speaker 1: never understood why we make walls that can't just hold everything.

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Speaker 1: I just don't agree. I like, still, I'm at one point,

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Speaker 1: at some point I know I'll be kind of this

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Speaker 1: will come back by me in the ass but I'm

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Speaker 1: kind of like whatever, like you can put anything on

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Speaker 1: the wall ripped out. Yeah, that's like every like vacuum

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Speaker 1: thing I've had to put in a wall. And I

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Speaker 1: was like, that's fine, that's enough. Two weeks later, like

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Speaker 1: one of the screws like just flopping out, and I'm like, ship, Yes,

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Speaker 1: they had a point about this whole stud thing. I'm

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Speaker 1: in a similar school. I thought I'd rather not if

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Speaker 1: I don't have to. Yeah, they should make better walls

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Speaker 1: than like trusting us as they're putting it on the

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Speaker 1: individual instead of the collective act, so that the builders

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Speaker 1: need to be doing a better job. That's right, it's

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Speaker 1: actually and I actually I also want to say, you know,

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Speaker 1: it comes back to that classic tech industry slogan asked

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Speaker 1: for don't ask for permission. Yeah that move fast and breaks,

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Speaker 1: move fast and break things first of all, which is

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Speaker 1: actually also applicable, but also asked for forgiveness, not permission.

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Speaker 1: There you go, So you know, yeah, like if one

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Speaker 1: in every twenty times I break the wall, yeah, we'll

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Speaker 1: cross that bridge when we get there. Oh sorry my

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Speaker 1: TV fell on your baby. Yeah yeah, Just to be clear,

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Speaker 1: both of those slogans no issues and I actually think

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Speaker 1: those are my political beliefs, right, thanks for forgiveness, don't

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Speaker 1: ask for permission? All good, All good here in the

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Speaker 1: tech industry, in them run, things has worked out well

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Speaker 1: all of us. I think Semini are two of the

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Speaker 1: foremost technocratic podcasters out there. How about you, George, What's

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Speaker 1: something from your search history? UM? I mean sadly so

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Speaker 1: my during the day, I work as an editor at

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Speaker 1: the New Gawker, and and so my search history is

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Speaker 1: completely destroyed because of that, because every time some new

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Speaker 1: personality comes up, I have to find out who they are.

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Speaker 1: So I can tell you, you know, I just kind

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Speaker 1: of finished a round of blog editing a couple of

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Speaker 1: hours ago, and a new person I found out about

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Speaker 1: is Emily Radikowski's new potential bow. She has seen smooching,

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Speaker 1: And so we thought, you know, sometimes, you know, we

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Speaker 1: do hard hitting journalism, we do kind of provocative commentary,

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Speaker 1: but sometimes you got to get those clicks. And we

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Speaker 1: were like, it would be fun if we did almost

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Speaker 1: like a tongue in cheek, funny, ironic, sarcastic, five fast

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Speaker 1: facts about this guy. And there were so few facts

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Speaker 1: available that one of them is just he's a Democrat.

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Speaker 1: You know, it's crazy. I almost clicked on that article, like, wow,

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Speaker 1: just said I read it. I almost thought about reading that.

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Speaker 1: I just love that that it's number five. He is

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Speaker 1: a quote registered. Oh it's Rasio Rispo. Oh yeah exactly.

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Speaker 1: Do you know who that? Yeah? Of course he h exactly.

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Speaker 1: He's like a New York kind of figure. One of

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Speaker 1: our one of our facts is that he's friends with

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Speaker 1: Nick Roll's wife. Get to know. I do want to

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Speaker 1: shout out fran Hope for Hope who wrote who wrote

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Speaker 1: this piece and did an incredible job with very little information. Yeah,

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Speaker 1: I figured it. I mean the one thing I figured

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Speaker 1: is like she's always around people who collect art. I

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Speaker 1: feel like that's the one fact I feel like of

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Speaker 1: her recent like uh out in society moments. I feel

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Speaker 1: like she's been very close to the art world recently.

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Speaker 1: Oh Emily yeah yeah yeah yeah yeah. Kind of a

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Speaker 1: trend right now for celebt women's celebrities to date men

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Speaker 1: in the art world Emarada, Chloe seventy and Jennifer Lawrence

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Speaker 1: and so three is actually a pattern. Yeah, we we

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Speaker 1: need to pay attention to it. Yeah, I mean, and

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Speaker 1: those are called smart money launderers, that's right, Yeah, yeah, criminals.

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Speaker 1: Like I feel like every time there's somebody who like

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Speaker 1: gets very serious with somebody in the art world, that

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Speaker 1: person it turns out to be just being like they're

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Speaker 1: the best and at being in the art world because

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Speaker 1: they were a grifter of some sort. Like hasn't that

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Speaker 1: happened multiple times? The art word is quite literally a

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Speaker 1: money laundering scheme, just a global money laundering scheme, and

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Speaker 1: there's something kind of beautiful about that to just like

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Speaker 1: know that there's no substance there. The new Gacker is great,

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Speaker 1: by the way, Thank you very much. What is something

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Speaker 1: that will stick with you, George? What is something you

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Speaker 1: think is overrated? Oh? I have a really good answer

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Speaker 1: for this, not to brag. I think that's something that

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Speaker 1: is overrated is oral histories. Okay, Yeah, I just like

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Speaker 1: don't like there's something about it where like either do

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Speaker 1: the work and write a book or just kind of

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Speaker 1: like do a tweet, like to do an oral history

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Speaker 1: of the you know, of the Office episode where Jim

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Speaker 1: and Pam go to the supermarket. Like, I don't care.

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Speaker 1: I don't need to like have quotes from a writer

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Speaker 1: that was like and then and then in the room.

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Speaker 1: They someone said what if they go to the supermarket,

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Speaker 1: and we said, no, they can't do that. That's crazy

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Speaker 1: that it's very like loosely edited. So it makes sense

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Speaker 1: that you as an editor would be anti this because

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Speaker 1: that's what about a less readable just kind of loose

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Speaker 1: grouping of source quotes, right. And sometimes, like you know,

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Speaker 1: if there's like an episode of a show you like, actually,

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Speaker 1: the best thing you can do is just rewatch that episode.

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Speaker 1: You don't need an oral history of how it came

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Speaker 1: to me. M m m hmm. It broke new ground

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Speaker 1: sending the grocery store. I mean like when when I

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Speaker 1: saw that they were going to the grocery store, I

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Speaker 1: fucking lost my mind. So sometimes sometimes it eppisode like

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Speaker 1: out of left field. It's not like it's like a

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Speaker 1: good app you're more like, wait, how did why did

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Speaker 1: this happen? Like I'm I'm talking about like the dinosaurs

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Speaker 1: at like series finale, do you remember, I mean it

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Speaker 1: was like this kid's show and then like suddenly it

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Speaker 1: was about like like all of the dinosaurs getting exterminated

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Speaker 1: by comets. That was a metaphor for global warming, and

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Speaker 1: it was like whoa, whoa, whoa, whoa world. I did

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Speaker 1: not me at eight years old did not need to

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Speaker 1: see this. I'm like, what happened to knock? The mama

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Speaker 1: is gone? They all die? But I mean that's where

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Speaker 1: that was. We were there for like the Henson light

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Speaker 1: of it, right, rather than like, y'all y'all fucked up narrative. Right. Yeah,

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Speaker 1: so that I do understand the need for an oral history,

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Speaker 1: but also George, love and respect um your opinions as always. Yeah,

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Speaker 1: reading them read like I could again like if we're

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Speaker 1: taking it for face, like literally like let me hear it. Okay,

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Speaker 1: that's one thing, but reading it is like I feel

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Speaker 1: like I'm high reading Cormick McCarthy or something. Yeah. Well,

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Speaker 1: it's just like it's better in theory than in practice.

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Speaker 1: You click on these things and they're like seventeen thousand

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Speaker 1: words long, and you're like, I don't know, I mean,

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Speaker 1: find a good quote for us, and like bring it

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Speaker 1: to the front like a journalist, Like pretend you're a journalist.

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Speaker 1: I don't pretend you have an editor and this is

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Speaker 1: a journalistic institution. I don't know. Here's this interview I

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Speaker 1: did with that guy. Yeah, yeah, listen to it. Yeah,

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Speaker 1: like the the true story behind the dinosaurs episode maybe

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Speaker 1: maybe is like one really good quote. Yeah, I think

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Speaker 1: we got all agree and that's the one we need. Yeah,

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Speaker 1: I mean I feel like I couldn't we just call

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Speaker 1: it DJ Daniel right now because in his dad was

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Speaker 1: his dad, my my uncle actually wrote on dinosaurs and really, yeah,

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Speaker 1: fuck it, just call and get the oral history right now,

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Speaker 1: right now? Should we do it? Hey? What the funk?

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Speaker 1: Was up with that man? And now it works for

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Speaker 1: environmental nonprofit? So he he headstrong. I think before that

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Speaker 1: he was pro oil industry, and then as that episode

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Speaker 1: came together, he was actually at the van go painting. Yeah,

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Speaker 1: he throws, that's that's what his He was taking videos.

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Speaker 1: He likes to be behind the scenes. They feel strong,

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Speaker 1: very strongly about soup based protest. Yeah. Yeah, it's very specific. Uh, Sam,

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Speaker 1: what's something you think is overrated? Okay? I think good

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Speaker 1: acting is overrated. I don't believe in acting as an

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Speaker 1: art form. I think it's on the I think it's

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Speaker 1: on the director to sort of make it makes sense,

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Speaker 1: sort of like cast properly and like like, I think

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Speaker 1: everyone has a different little special sauce. But I'm always

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Speaker 1: like like I'm like, no, when someone is like bad

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Speaker 1: at acting in a movie, I'm like, that's not their fault.

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Speaker 1: They don't know what the hell is going on, Like

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Speaker 1: it's on the director to tell them what, right, right, Yeah,

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Speaker 1: that's like a coach putting the worst player on the

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Speaker 1: bench into the starting like lineup when you're like, you

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Speaker 1: know that's not the best player, right, It's like, yeah,

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Speaker 1: but it's gonna get butts in the seats, so fuck it,

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Speaker 1: like and we know that. That's why feel like does

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Speaker 1: Harry Styles kind of fit into? That's how I feel

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Speaker 1: about Harry Styles, Like he s just they're like, hey man,

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Speaker 1: you should act. He's like I guess, and everyone's like,

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Speaker 1: I think he's set up to fail. But I also

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Speaker 1: just think anyone that's like good at acting, like they

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Speaker 1: just have like a lot of times they have like

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Speaker 1: ten little tricks. Like it's like I can make my

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Speaker 1: lip twitch like this, so like I can fry right right.

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Speaker 1: I Really it's something I for some reason, I do

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Speaker 1: not believe in. I'm just always like, yeah, I guess,

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Speaker 1: like Sam is not really an actress, gay, I don't know,

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Speaker 1: he's more of a pop star, gay god. And I

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Speaker 1: would say I'm more of an actress. I I do

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Speaker 1: actually appreciate what Sam is saying, because I do think

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Speaker 1: we celebrate acting too much. But but but I will

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Speaker 1: be the person who's like blown away by performance and

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Speaker 1: then and then I'm like, have you seen Cape Blanchett

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Speaker 1: and Tarr? That was actually the thing that jumped to

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Speaker 1: my mind, even though I haven't seen it. That seems

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Speaker 1: to be the performance that everybody is like that this

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Speaker 1: If you're going to go to a movie to watch

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Speaker 1: a performance this year, that that's the one to do

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Speaker 1: it for and very well directed. So you know, it's

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Speaker 1: Sam's words her, it's the man, it's the todd Field. Yeah.

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Speaker 1: But yeah, I'm going to see Tar tonight. So hopefully

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Speaker 1: hopefully Kate teaches me the power of acting or just

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Speaker 1: make a scene and be like, I honestly don't get it, y'all.

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Speaker 1: She's waving a stick around for most of the movie.

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Speaker 1: It does seem like listen, I loved I liked the

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Speaker 1: performs a lot. I do think when she's doing the

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Speaker 1: stick stuff she could tone it down a bit. It's

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Speaker 1: a lot it's very exaggerated stick acting. Does that go

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Speaker 1: for all conductors? I've had that thought every time, every

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Speaker 1: single time I've seen a conductor, I've been like, you

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Speaker 1: could take it down. It was so I remember I

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Speaker 1: played in a youth orchestra, like a youth symphony growing up,

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Speaker 1: because I like super into playing trumpet as a kid.

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Speaker 1: And the direct the conductor of that you symphony was

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Speaker 1: so fucking pretentious, Like it's like he it's like to

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Speaker 1: your point. It's like he has been like watching mixtapes

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Speaker 1: of other conductors of simph like symphonies and be like

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Speaker 1: that's the ship you gotta get on, like you gotta

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Speaker 1: have nasty long hair, be sweating and like just over

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Speaker 1: like just big animated movements. And he was like a

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Speaker 1: nightmare of a person. So I give it up to

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Speaker 1: the low key conductors. With a lot of conductors, it

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Speaker 1: does feel like, you know, are you doing this traumatic

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Speaker 1: movement for for for us the orchestra? Are you doing

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Speaker 1: it for you the conductor? Like are you trying to

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Speaker 1: like prove your own importance? Are you trying to like

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Speaker 1: keep us in time? And like right part of it,

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Speaker 1: I get like if there's a crescendo right and the

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Speaker 1: and the certain section isn't giving it to you enough,

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Speaker 1: You've got to like really gesture like, yo, this is fortissimo.

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Speaker 1: You know, y'll playing a mezzo forte type ship. But

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Speaker 1: the I don't know. Sometimes it does seem like they're

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Speaker 1: doing a solo on it, like like how a rock

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Speaker 1: like Santana would do a rock solo and a get

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Speaker 1: right like oh fuck man, like in the middle of it,

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Speaker 1: like okay, you're coming minutes yeah, or like s de Heim.

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Speaker 1: Not to bring it back to Sam's least favorite musician,

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Speaker 1: bass Faces, that bass face is wild as they also

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Speaker 1: played bass and I was just like, yo, she's she's

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Speaker 1: feeling it up. There is there a bad performance that

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Speaker 1: you or something that was like noted for being a

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Speaker 1: bad performance that just like didn't bother you that you'd

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Speaker 1: like ride for. I mean, I don't it's hard to

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Speaker 1: tell what people actually think of the quality of this performance.

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Speaker 1: But Gaga's performance in House of Gucci is like so

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Speaker 1: like funny in a way that I just love. Like

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Speaker 1: it's like you don't need to be like good, you

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Speaker 1: need to be like just giving me something. And it's

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Speaker 1: like that is giving me something. I don't know what

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Speaker 1: it is, but it's something. The entire movie was like

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Speaker 1: a structural critique of the concept of acting, like, you

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Speaker 1: know what good thing is, Well, this is the most

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Speaker 1: entertaining movie you've seen this year, and we are doing

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Speaker 1: like just the most ridiculous. We're making fun of the

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Speaker 1: idea of acting up here. Weel good with that, And

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00:22:13,160 --> 00:22:16,160
Speaker 1: I was. I even like Jared Leto's performance. I thought

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Speaker 1: that his best performance today. I was like, thank you

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00:22:21,800 --> 00:22:25,520
Speaker 1: for this. I needed this. He should. I stand by

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00:22:25,880 --> 00:22:29,240
Speaker 1: my statement that that character should be the voice of

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Speaker 1: Mario in the new movie. Oh and by the way,

406
00:22:33,200 --> 00:22:34,840
Speaker 1: by the way, you know, you know who was not

407
00:22:34,920 --> 00:22:36,720
Speaker 1: going to that movie, Adam Driver, who was trying to

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00:22:36,800 --> 00:22:40,680
Speaker 1: be a good actor. He needed to put that aside.

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00:22:40,880 --> 00:22:47,960
Speaker 1: Read the roomy Halloween. Yeah, no, we can be spooky,

410
00:22:48,080 --> 00:22:52,679
Speaker 1: not accurate. Jeremy Irons doing like a completely different accent.

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Speaker 1: I was like, yes, you are British, just be British. Right, Oh,

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Speaker 1: all right, let's take a quick break, we'll come back.

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Speaker 1: We'll hear you're underrated and maybe get into some news.

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Speaker 1: And we're back and Sam, do you have an underrated

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Speaker 1: something you think is underrated? I do. I mean, we

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Speaker 1: kind't touched on it, so it might be boring, but

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Speaker 1: I'm gonna do it anyway. I was gonna say, And

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Speaker 1: underrated is climate terrorism. I think you know we've all

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Speaker 1: been sort of mocking this, this soup squad, and I

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Speaker 1: think any form of climate terrorism is a sleigh. And

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Speaker 1: I think we need to be sort of upping the

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Speaker 1: amount of climate terrorism. Yeah, it's gonna be messy. It's

423
00:23:46,560 --> 00:23:48,880
Speaker 1: sort of we're for figuring ourselves out. We don't really

424
00:23:48,920 --> 00:23:51,320
Speaker 1: know what to destroy or how to destroy it, but

425
00:23:51,680 --> 00:23:56,119
Speaker 1: maybe we gotta make a splash. Somebody's gotta be terrorizing something, right,

426
00:23:56,280 --> 00:23:59,119
Speaker 1: It's like they're too comfortable. I don't want to do it,

427
00:23:59,280 --> 00:24:03,520
Speaker 1: but somebody not. There are a lot of things I

428
00:24:03,560 --> 00:24:05,440
Speaker 1: don't want to do, Like right, yeah, I don't want

429
00:24:05,440 --> 00:24:07,720
Speaker 1: to pick up the garbage. But we gotta get it together.

430
00:24:07,800 --> 00:24:10,359
Speaker 1: But it ain't gonna be me. But y'all please figure

431
00:24:10,400 --> 00:24:14,920
Speaker 1: it out. Up the stakes please, Yeah, I'm all in.

432
00:24:15,760 --> 00:24:18,560
Speaker 1: My critique was like, why ruined something beautiful that everyone

433
00:24:18,640 --> 00:24:22,359
Speaker 1: can enjoy instead of like ruining a pipeline? But it

434
00:24:22,440 --> 00:24:25,600
Speaker 1: definitely got our attention more than those are. But that's

435
00:24:25,640 --> 00:24:27,600
Speaker 1: the thing, Jack, you gotta think like a terrorist man.

436
00:24:27,680 --> 00:24:30,800
Speaker 1: Those are soft targets. I mean, you nobody the body's

437
00:24:30,880 --> 00:24:33,159
Speaker 1: looking out for you at the Van Go exhibit. So

438
00:24:33,280 --> 00:24:35,400
Speaker 1: it's like it's like being a viking when you pulled

439
00:24:35,520 --> 00:24:37,400
Speaker 1: up to the continent of Europe. They're like, Yo, these

440
00:24:37,400 --> 00:24:40,199
Speaker 1: motherfucker's have no idea, bro, we'll fuck this place up.

441
00:24:41,200 --> 00:24:43,800
Speaker 1: And I think that's how they're looking at it right now. Yeah,

442
00:24:44,359 --> 00:24:47,800
Speaker 1: like a sucking Aston Martin dealership. They're like, you're fucked.

443
00:24:49,160 --> 00:24:51,840
Speaker 1: I always I'm always a little skeptical when people are like, well,

444
00:24:51,920 --> 00:24:54,960
Speaker 1: but it did get us talking, so it worked. I'm like, no, no, no, no, no,

445
00:24:55,119 --> 00:25:03,720
Speaker 1: it's not that got our attention. It definitely started the conversation. Yeah,

446
00:25:03,720 --> 00:25:06,280
Speaker 1: it definitely did. But like I'm like, okay, when people

447
00:25:06,320 --> 00:25:09,800
Speaker 1: were protesting, like the Sackler wing of the museum, You're like, okay,

448
00:25:09,880 --> 00:25:12,640
Speaker 1: the name Sackler is on it. I can see the connection.

449
00:25:12,840 --> 00:25:15,920
Speaker 1: Like let's go. I'm there, like I'm holding my sign.

450
00:25:16,320 --> 00:25:18,560
Speaker 1: But there's something about there's too many reference kind of

451
00:25:18,600 --> 00:25:22,040
Speaker 1: floating around. You're like, there's soup, there's and go, there's oil,

452
00:25:22,359 --> 00:25:27,640
Speaker 1: there's a museum. I'm like, let's streamline, right, yeah, stay focused.

453
00:25:27,840 --> 00:25:30,159
Speaker 1: At least throw the soup at like an at a

454
00:25:30,240 --> 00:25:33,600
Speaker 1: Warhol or you know, I don't know if that would

455
00:25:33,640 --> 00:25:35,080
Speaker 1: help the message, but it would at least have a

456
00:25:35,119 --> 00:25:38,840
Speaker 1: more streamlined there like like funk up like a Jeff

457
00:25:38,920 --> 00:25:42,720
Speaker 1: Koons piece, you know, like like a massive, massively like

458
00:25:43,040 --> 00:25:45,959
Speaker 1: I'm just make him hand over fist money like probably

459
00:25:46,000 --> 00:25:48,040
Speaker 1: how like like we were saying with the van Goes,

460
00:25:48,080 --> 00:25:50,320
Speaker 1: like yo, bro, let's leave that man alone. He didn't

461
00:25:50,320 --> 00:25:55,960
Speaker 1: even know he was successful when he died. Yeah, yeah,

462
00:25:56,240 --> 00:25:58,840
Speaker 1: there are better targets in the art world. For sure.

463
00:25:59,440 --> 00:26:07,080
Speaker 1: Climate needs an editorial director or a creative director. And yeah,

464
00:26:07,200 --> 00:26:09,960
Speaker 1: I mean because right now, hard in the punts little

465
00:26:10,000 --> 00:26:11,840
Speaker 1: noodles at the wall, you know, they're sort of seeing

466
00:26:11,880 --> 00:26:16,159
Speaker 1: where sticks and um, they're just they're they're wasting they

467
00:26:16,240 --> 00:26:19,399
Speaker 1: have an audience of rabbit audience and they're sort of

468
00:26:19,560 --> 00:26:22,320
Speaker 1: squandering it, right Well, I mean I think the other

469
00:26:22,359 --> 00:26:24,840
Speaker 1: thing too, is like the way like they didn't funk

470
00:26:24,960 --> 00:26:26,800
Speaker 1: up the van go like they threw it at the

471
00:26:26,880 --> 00:26:31,520
Speaker 1: plastic shield around the van. You know, they didn't even yeah,

472
00:26:31,600 --> 00:26:34,720
Speaker 1: you know, they don't have pieces like up and not

473
00:26:34,880 --> 00:26:37,040
Speaker 1: just that they called ahead of time to make sure

474
00:26:37,119 --> 00:26:39,879
Speaker 1: they would not ruin it. So then I'm like, all right,

475
00:26:39,920 --> 00:26:42,440
Speaker 1: well that's not very punk rock, right right, right, and

476
00:26:42,480 --> 00:26:44,840
Speaker 1: they took notes on which kind of soup to throw.

477
00:26:45,280 --> 00:26:51,000
Speaker 1: They're like that maybe something more water based. That feels

478
00:26:51,000 --> 00:26:55,240
Speaker 1: a little bit too greasy. Okay, okay, okay, well we

479
00:26:55,240 --> 00:26:59,720
Speaker 1: could just put red food coloring in some water. Okay coloring,

480
00:27:00,359 --> 00:27:04,440
Speaker 1: you know, people throwing red paint at for That's that's

481
00:27:04,480 --> 00:27:07,400
Speaker 1: like a perfect narrative like that. That's what I said,

482
00:27:08,080 --> 00:27:11,000
Speaker 1: what you're saying, Yes, that makes sense to me. But

483
00:27:11,200 --> 00:27:14,399
Speaker 1: this is although maybe it's more of a dada like

484
00:27:15,960 --> 00:27:17,720
Speaker 1: the point is how random it is, and maybe we

485
00:27:17,720 --> 00:27:20,600
Speaker 1: should like that. Maybe we're thinking in a modernist rather

486
00:27:20,680 --> 00:27:24,000
Speaker 1: than postmodernist way, right right, this is the sort of

487
00:27:24,200 --> 00:27:28,040
Speaker 1: sort of wave of climate terrorism. It's Tim and Eric

488
00:27:28,520 --> 00:27:35,720
Speaker 1: climate terrorism. Right. We need we want to get to

489
00:27:35,800 --> 00:27:38,080
Speaker 1: like the Octavia Butler point, you know what I mean,

490
00:27:38,240 --> 00:27:40,520
Speaker 1: we're like really fucking it up in like a laser

491
00:27:40,560 --> 00:27:44,360
Speaker 1: guided way. Yeah, I think that makes sense for climate terrorism.

492
00:27:44,520 --> 00:27:50,200
Speaker 1: Like the climate story, it doesn't need randomness or you know, surrealism.

493
00:27:50,320 --> 00:27:52,879
Speaker 1: It's pretty it's pretty straightforward because I feel like the

494
00:27:52,960 --> 00:27:55,919
Speaker 1: whole tension is like we know we're fucking the earth up,

495
00:27:56,320 --> 00:27:59,840
Speaker 1: but like we don't fucking control the resource extraction or

496
00:28:00,160 --> 00:28:02,280
Speaker 1: like the you know, pull the levers of like our

497
00:28:02,400 --> 00:28:05,600
Speaker 1: energy mixed to burn fossil fuels. So it's like, ww

498
00:28:05,680 --> 00:28:08,080
Speaker 1: do we fucking do something so right, it's in that

499
00:28:08,240 --> 00:28:10,080
Speaker 1: point now it's like I don't know, man, just go

500
00:28:10,240 --> 00:28:13,720
Speaker 1: fucking funk up that dealership, Go climb this bridge, throw

501
00:28:13,800 --> 00:28:16,200
Speaker 1: some sup at this thing, like whatever, man, because like

502
00:28:16,840 --> 00:28:19,800
Speaker 1: we can't just sucking buy paper straws and things like

503
00:28:19,920 --> 00:28:21,920
Speaker 1: that's gonna fucking end it, because that's a you know,

504
00:28:21,960 --> 00:28:23,760
Speaker 1: at the end of the day, it's not stopping the

505
00:28:23,840 --> 00:28:27,879
Speaker 1: fucking industry that's responsible for They were blewing themselves to

506
00:28:28,440 --> 00:28:34,359
Speaker 1: NBA basketball courts last playoffs, which was interesting, but again

507
00:28:34,560 --> 00:28:39,760
Speaker 1: I felt, yeah, it happened like multiple times in Memphis,

508
00:28:39,880 --> 00:28:42,600
Speaker 1: like in the at Memphis Grizzlies home games, I think

509
00:28:42,680 --> 00:28:47,320
Speaker 1: in Minnesota like that, it was like one they targeted

510
00:28:47,440 --> 00:28:53,040
Speaker 1: one specific series and just kept gluing themselves to the

511
00:28:53,360 --> 00:28:56,320
Speaker 1: court over and over again and and it never worked.

512
00:28:56,640 --> 00:28:58,880
Speaker 1: But it was always very violent how they were like

513
00:28:59,000 --> 00:29:02,200
Speaker 1: pulled off the court. So there's like also remember that

514
00:29:02,240 --> 00:29:05,480
Speaker 1: one security guard who was like a fucking NFL linebacker,

515
00:29:05,640 --> 00:29:08,240
Speaker 1: like reading the play, like just saw this person getting

516
00:29:08,320 --> 00:29:10,400
Speaker 1: ready to get up the court. And the second they

517
00:29:10,440 --> 00:29:15,320
Speaker 1: stood up there just out, yeah, they need they need coaching,

518
00:29:15,560 --> 00:29:20,960
Speaker 1: they need they needed director, better director. Yeah, George, what

519
00:29:21,280 --> 00:29:24,640
Speaker 1: is something you think is underrated? All right? I know

520
00:29:24,760 --> 00:29:26,920
Speaker 1: I came in guns a blazing with the oral history thing.

521
00:29:27,000 --> 00:29:30,640
Speaker 1: This one really stumped me. I was like, the first

522
00:29:30,680 --> 00:29:32,400
Speaker 1: thought I had was having a printer, but that I

523
00:29:32,480 --> 00:29:34,160
Speaker 1: was like, I can't go with that. That's the most

524
00:29:34,240 --> 00:29:37,400
Speaker 1: boring possible thing anyone could ever say. But I'll say this,

525
00:29:37,760 --> 00:29:40,760
Speaker 1: I think something that this is a little obvious, but

526
00:29:41,800 --> 00:29:44,680
Speaker 1: going to a multiplex to see a movie, people don't

527
00:29:44,680 --> 00:29:46,719
Speaker 1: realize because people don't go to movies that much anymore.

528
00:29:46,960 --> 00:29:49,800
Speaker 1: They are so desperate for our business that their policies

529
00:29:49,840 --> 00:29:54,920
Speaker 1: are in unhinged. It is like it is like every

530
00:29:55,040 --> 00:29:57,880
Speaker 1: like AMC Regal, all those places are offering passes that

531
00:29:57,920 --> 00:30:00,280
Speaker 1: are like twenty dollars a month for unlimited mo movies

532
00:30:00,560 --> 00:30:02,440
Speaker 1: and they also have like a full bar with like

533
00:30:02,520 --> 00:30:10,280
Speaker 1: Ayahuaska and the like. Because I really like going to

534
00:30:10,320 --> 00:30:12,640
Speaker 1: the movies, and but the past few times I've went,

535
00:30:12,760 --> 00:30:14,280
Speaker 1: the people i've gone with him been like, wow, this

536
00:30:14,400 --> 00:30:15,880
Speaker 1: is my first time going to the movies and like

537
00:30:16,400 --> 00:30:19,080
Speaker 1: three years kind of like people don't know what's going on,

538
00:30:19,320 --> 00:30:21,760
Speaker 1: Like this is the this is the opportunity of a lifetime.

539
00:30:23,000 --> 00:30:25,719
Speaker 1: This is your living room. If you play your cards right,

540
00:30:25,920 --> 00:30:28,600
Speaker 1: nobody will be here. And you know, you can even

541
00:30:28,600 --> 00:30:30,040
Speaker 1: smoke weed in there. They don't even give a fun

542
00:30:30,280 --> 00:30:32,600
Speaker 1: Yeah really like the fact that all of them have

543
00:30:32,800 --> 00:30:35,400
Speaker 1: Like people like I missed movie pass Well it exists.

544
00:30:35,600 --> 00:30:38,080
Speaker 1: You just have to commit to one theater but there

545
00:30:38,160 --> 00:30:41,400
Speaker 1: yea yeah. Yeah. I think people are focusing on the

546
00:30:41,480 --> 00:30:43,240
Speaker 1: wrong thing when talking about going to see a movie

547
00:30:43,280 --> 00:30:45,600
Speaker 1: in theaters because they're like, like the purest will be

548
00:30:45,680 --> 00:30:46,840
Speaker 1: like we need to go see a movie in theater

549
00:30:46,880 --> 00:30:49,160
Speaker 1: because it's so important to be around like the masses

550
00:30:49,200 --> 00:30:51,760
Speaker 1: of people while you see this film, and it's like no, no, no, no.

551
00:30:51,880 --> 00:30:55,080
Speaker 1: Mass people stresses everybody out, say, like you get like

552
00:30:55,360 --> 00:30:58,560
Speaker 1: the biggest, most reclining seat you could ever imagine a

553
00:30:58,640 --> 00:31:06,320
Speaker 1: full bar and like you can like what do you

554
00:31:06,360 --> 00:31:08,400
Speaker 1: think about the food, like you know, like the Alamo

555
00:31:08,560 --> 00:31:10,920
Speaker 1: Draft houses of the world are places where they bring food,

556
00:31:10,960 --> 00:31:13,520
Speaker 1: Like I like the option, but I more or so

557
00:31:13,720 --> 00:31:16,160
Speaker 1: to say, I like to eat a lot and typically

558
00:31:16,160 --> 00:31:18,120
Speaker 1: when I got moving, like Y'a'm gonna get high before

559
00:31:18,360 --> 00:31:20,400
Speaker 1: so I eat a lot, and I'm I'm not joking.

560
00:31:20,440 --> 00:31:23,640
Speaker 1: By the third act, I'm fucking struggling to fucking stay

561
00:31:23,840 --> 00:31:27,200
Speaker 1: like conscious because I'm like, yeah, I would say Alamo

562
00:31:27,320 --> 00:31:30,040
Speaker 1: draft I was much like oral histories, good in theory,

563
00:31:30,240 --> 00:31:34,120
Speaker 1: not great in practice. Yeah. I find that they've also

564
00:31:34,360 --> 00:31:36,760
Speaker 1: not as far as I know, and that this might

565
00:31:36,800 --> 00:31:40,080
Speaker 1: have happened since I last checked, But they have yet

566
00:31:40,200 --> 00:31:45,280
Speaker 1: to get a single order, right and very good foods

567
00:31:45,360 --> 00:31:48,600
Speaker 1: not good. And they they've never gotten a single like,

568
00:31:48,680 --> 00:31:51,080
Speaker 1: they've never gotten everything that you put on and you

569
00:31:51,200 --> 00:31:53,479
Speaker 1: write down the order. So it's interesting that they get

570
00:31:54,120 --> 00:31:57,320
Speaker 1: on paper. Here's what I have, actually a billion dollar

571
00:31:57,360 --> 00:31:59,959
Speaker 1: business idea, which is that, you know, collabs are all

572
00:32:00,040 --> 00:32:02,440
Speaker 1: the rage right now. I think if those movie theaters

573
00:32:02,520 --> 00:32:04,960
Speaker 1: just collaborated with like in and out, and then you

574
00:32:05,040 --> 00:32:08,120
Speaker 1: could get like a known entity because there and get

575
00:32:08,360 --> 00:32:10,600
Speaker 1: in and out. I mean that seems kind of like

576
00:32:10,640 --> 00:32:12,880
Speaker 1: a no brainer to me, right, that would be huge,

577
00:32:13,160 --> 00:32:15,280
Speaker 1: That would be amazing. Why have your own kitchen, just

578
00:32:15,360 --> 00:32:18,440
Speaker 1: have a little satellite kitchen right just popping in and

579
00:32:18,480 --> 00:32:22,000
Speaker 1: out truck. Yeah, I mean that'd be an interesting way.

580
00:32:22,120 --> 00:32:24,280
Speaker 1: How like studios to start propping up films they know

581
00:32:24,320 --> 00:32:27,440
Speaker 1: we're gonna have terrible openings like you basically you just

582
00:32:27,560 --> 00:32:30,240
Speaker 1: have an in and out collab opening, Like in markets

583
00:32:30,280 --> 00:32:32,040
Speaker 1: with mill in and out. They're like, guys, this Super

584
00:32:32,080 --> 00:32:34,520
Speaker 1: Mario film, you're gonna love it with in and out

585
00:32:35,280 --> 00:32:38,840
Speaker 1: Kansas pull up. I mean though, I mean not to

586
00:32:39,000 --> 00:32:41,360
Speaker 1: not to blame the theaters for not having good business,

587
00:32:41,440 --> 00:32:44,800
Speaker 1: but get them Ackinsey consultant in there and they'll be

588
00:32:44,880 --> 00:32:48,400
Speaker 1: up and running out and they'll probably say something like

589
00:32:48,520 --> 00:32:51,360
Speaker 1: have you tried more diverse offerings? And they're like, well,

590
00:32:51,400 --> 00:32:54,320
Speaker 1: hold on, hold on, we look we know you. Yeah

591
00:32:54,400 --> 00:32:58,920
Speaker 1: yeah yeah, hamburgers divers and I mean like vegan options. Yeah, yeah,

592
00:32:59,760 --> 00:33:03,920
Speaker 1: that's fine all right. By the way, uh, I use

593
00:33:04,000 --> 00:33:07,160
Speaker 1: my printer constantly. Printers are underrated, but thank you. Well

594
00:33:07,240 --> 00:33:10,120
Speaker 1: we'll we'll skip over it on the basis of it

595
00:33:10,280 --> 00:33:14,720
Speaker 1: being born. But printer having a printer yea, yeah, I'm

596
00:33:14,760 --> 00:33:17,040
Speaker 1: sorry that it just inspired. I can't agree that more

597
00:33:17,040 --> 00:33:19,400
Speaker 1: because it makes it's excited me the idea I don't

598
00:33:19,400 --> 00:33:21,600
Speaker 1: have a printer, but the times I wish I had

599
00:33:21,640 --> 00:33:23,800
Speaker 1: a fucking printer, I'm always like, why the funk have

600
00:33:23,920 --> 00:33:26,400
Speaker 1: I not bought a printer yet? Even if you need

601
00:33:26,440 --> 00:33:28,640
Speaker 1: to print something out once a year. I'm telling you

602
00:33:28,920 --> 00:33:31,960
Speaker 1: that just by one you know the print here. The

603
00:33:32,080 --> 00:33:35,920
Speaker 1: printer industry, they are built to fall apart so quickly.

604
00:33:36,440 --> 00:33:38,160
Speaker 1: I've never had a printer, like even when I go

605
00:33:38,240 --> 00:33:39,760
Speaker 1: to use it after six months, it's like, wait, why

606
00:33:39,800 --> 00:33:42,920
Speaker 1: doesn't it work? Now? It worked before? My mom has mine?

607
00:33:42,960 --> 00:33:44,880
Speaker 1: Drives me crazy. My mom has this one from like

608
00:33:45,000 --> 00:33:48,880
Speaker 1: eighteen years ago that just cannot fucking be stopped. It's

609
00:33:48,920 --> 00:33:51,800
Speaker 1: like it's like the most like respected member of our family.

610
00:33:52,160 --> 00:33:56,760
Speaker 1: Just like all right, respect to you, brother, brother printer,

611
00:33:57,120 --> 00:34:02,840
Speaker 1: literally brother, all right, let's get into Amazon real quick.

612
00:34:03,240 --> 00:34:06,880
Speaker 1: Turns out terrible place to work. Yeah, I don't know,

613
00:34:07,000 --> 00:34:12,879
Speaker 1: like just the statistics support everything that we have always suspected,

614
00:34:13,360 --> 00:34:16,600
Speaker 1: Like at every level I've I've known like one person

615
00:34:16,680 --> 00:34:19,920
Speaker 1: who worked at Amazon, like at an executive level, and

616
00:34:20,000 --> 00:34:21,840
Speaker 1: they told me, and this was like years ago, but

617
00:34:21,920 --> 00:34:25,000
Speaker 1: they told me that like they cried multiple times like

618
00:34:25,160 --> 00:34:27,439
Speaker 1: on the job, and that like there was at least

619
00:34:27,520 --> 00:34:30,760
Speaker 1: one person crying on the like in in their office

620
00:34:30,800 --> 00:34:33,600
Speaker 1: on a regular basis, and you had to like respond

621
00:34:33,680 --> 00:34:36,399
Speaker 1: to emails within three minutes at any time of day

622
00:34:36,600 --> 00:34:39,080
Speaker 1: or else. He where they would be like excuse me,

623
00:34:39,480 --> 00:34:45,080
Speaker 1: like hello, yeah, off task. It's also I've known many

624
00:34:45,239 --> 00:34:49,280
Speaker 1: people who have worked in it in like Amazon corporate,

625
00:34:49,400 --> 00:34:52,400
Speaker 1: not like in a in a warehouse, like as coders

626
00:34:52,480 --> 00:34:55,880
Speaker 1: or as product managers or whatever. And it's like that

627
00:34:56,080 --> 00:35:00,040
Speaker 1: ethos extends throughout the company, like from the lowest and

628
00:35:00,080 --> 00:35:02,399
Speaker 1: the people at the lowest level of the totem powl

629
00:35:02,440 --> 00:35:04,799
Speaker 1: to the people that are like vps. It's just it's

630
00:35:04,880 --> 00:35:08,400
Speaker 1: like and and that's I think the people that end

631
00:35:08,480 --> 00:35:10,080
Speaker 1: up liking it there are the people that thrive in

632
00:35:10,120 --> 00:35:13,880
Speaker 1: that kind of environment, which is a personality type, right,

633
00:35:15,320 --> 00:35:18,440
Speaker 1: And so like there's this leaked memo that basically just

634
00:35:18,600 --> 00:35:22,960
Speaker 1: confirms like, yeah, it's a hellish fucking nightscape, but nightscape,

635
00:35:23,000 --> 00:35:25,680
Speaker 1: hell escape. It's a hellish nightmarish hell escape. That's what

636
00:35:25,719 --> 00:35:28,640
Speaker 1: I was trying to do. But apparently they're like with

637
00:35:28,800 --> 00:35:31,640
Speaker 1: the amount of like employees that they're that are leaving

638
00:35:31,719 --> 00:35:34,479
Speaker 1: the company, like their attrition rate is costing them about

639
00:35:34,560 --> 00:35:38,040
Speaker 1: eight billion dollars per year and they lose three percent

640
00:35:38,200 --> 00:35:42,840
Speaker 1: of hourly workers every week. So they said, well, according

641
00:35:42,880 --> 00:35:46,680
Speaker 1: to this like internal research paper that I think, who god,

642
00:35:46,800 --> 00:35:49,799
Speaker 1: it's the verge, uh, it said workers are twice as

643
00:35:49,880 --> 00:35:52,400
Speaker 1: likely to leave by choice rather than because they were

644
00:35:52,480 --> 00:35:55,120
Speaker 1: laid off or fired. It also says that the issue

645
00:35:55,160 --> 00:35:57,279
Speaker 1: is widespread throughout the company, as we're just saying, not

646
00:35:57,480 --> 00:36:00,239
Speaker 1: just with warehouse workers, from entry level rolls all the

647
00:36:00,280 --> 00:36:02,840
Speaker 1: way up to vice presidents. The lowest attrition rate for

648
00:36:02,920 --> 00:36:05,600
Speaker 1: one of the company's ten tiers of employees was almost

649
00:36:05,719 --> 00:36:09,960
Speaker 1: seventy that's the lowest, with the highest reaching eight one.

650
00:36:12,600 --> 00:36:15,520
Speaker 1: I feel like every you know, every company, there's a

651
00:36:15,600 --> 00:36:17,760
Speaker 1: thing in like the business world called the hedgehog principle

652
00:36:17,840 --> 00:36:19,800
Speaker 1: where it's like every company needs to have like a

653
00:36:20,480 --> 00:36:25,440
Speaker 1: single line thesis statement that is what makes like separates

654
00:36:25,520 --> 00:36:29,640
Speaker 1: them from other companies and makes them more profitable. And

655
00:36:30,480 --> 00:36:33,560
Speaker 1: there's seems to be we are the best at exploiting

656
00:36:33,640 --> 00:36:37,320
Speaker 1: people without you having to notice that you the customer

657
00:36:37,440 --> 00:36:40,040
Speaker 1: having to notice that we're the best at treating our

658
00:36:40,360 --> 00:36:43,800
Speaker 1: workers like ship. But in a way that like is

659
00:36:43,840 --> 00:36:47,480
Speaker 1: behind closed doors, so so you just like turnaround and

660
00:36:47,600 --> 00:36:51,880
Speaker 1: the package arrives on your doorstep and you don't have

661
00:36:52,080 --> 00:36:54,719
Speaker 1: to see that we are like beating the ship out

662
00:36:54,760 --> 00:36:58,680
Speaker 1: of our our employees essentially, and that that really seems

663
00:36:59,040 --> 00:37:01,600
Speaker 1: like when when we talk about this, it's it seems

664
00:37:01,640 --> 00:37:05,880
Speaker 1: like we talk about it in relation to other companies,

665
00:37:06,040 --> 00:37:09,680
Speaker 1: where you know, other companies might have like incidentally like

666
00:37:09,800 --> 00:37:12,759
Speaker 1: bad culture because of like bad management, but like this

667
00:37:13,040 --> 00:37:16,400
Speaker 1: seems to be there, like at a cellular level, at

668
00:37:16,440 --> 00:37:18,480
Speaker 1: a like down to the d NA. This seems to

669
00:37:18,560 --> 00:37:23,359
Speaker 1: be their whole innovation is moving like just making making

670
00:37:23,440 --> 00:37:28,080
Speaker 1: labor extremely cheap and moving the cheap labor and all

671
00:37:28,120 --> 00:37:30,759
Speaker 1: their practices of like how they treat people like ship

672
00:37:30,880 --> 00:37:32,840
Speaker 1: behind closed doors so we don't so we don't have

673
00:37:32,960 --> 00:37:36,239
Speaker 1: to see it. Yeah. It also I feel like it

674
00:37:36,360 --> 00:37:41,879
Speaker 1: makes like the even slightly conscious consumer look like sort

675
00:37:41,920 --> 00:37:44,160
Speaker 1: of a bleeding heart liberal in this way that is

676
00:37:44,200 --> 00:37:46,600
Speaker 1: like like if I like talking to my mom, who

677
00:37:46,719 --> 00:37:48,919
Speaker 1: like orders a lot of Amazon, and be like, that's

678
00:37:49,160 --> 00:37:51,880
Speaker 1: like their I mean, to their employees, she's she's like,

679
00:37:52,000 --> 00:37:55,080
Speaker 1: it's like suddenly I'm like Bernie Sanders and like I'm like,

680
00:37:55,320 --> 00:37:58,000
Speaker 1: you know, like you shouldn't listen to me anymore. And

681
00:37:58,120 --> 00:38:01,000
Speaker 1: it's like, oh, it's it's so cruel that it should

682
00:38:01,040 --> 00:38:03,959
Speaker 1: be so obvious to to us all, And it's weird

683
00:38:04,040 --> 00:38:06,719
Speaker 1: that pointing it out is still like radical in some way.

684
00:38:06,719 --> 00:38:08,800
Speaker 1: Well it's then you like sweatshop. It's like in the

685
00:38:09,000 --> 00:38:13,240
Speaker 1: nineties or the two thousand's when it almost became cliche

686
00:38:13,360 --> 00:38:16,719
Speaker 1: to point out that everything, all closes are made in sweatshops.

687
00:38:16,760 --> 00:38:18,080
Speaker 1: So then you were kind of like, Okay, well, I

688
00:38:18,160 --> 00:38:21,600
Speaker 1: guess that's part of the world now. I mean to

689
00:38:21,680 --> 00:38:25,120
Speaker 1: that end, like there's like a new proposal from like

690
00:38:25,200 --> 00:38:29,160
Speaker 1: the group it's called the Commercial Customs Operation Advisory Committee

691
00:38:29,200 --> 00:38:32,640
Speaker 1: when it's like like from like Walmart and ship and

692
00:38:33,280 --> 00:38:37,000
Speaker 1: they've been basically talking to like you know there they

693
00:38:37,080 --> 00:38:39,600
Speaker 1: give suggestions to the Customs and Order Protection on like

694
00:38:39,640 --> 00:38:42,239
Speaker 1: how to streamline trade regulations, and right now they're trying

695
00:38:42,239 --> 00:38:44,200
Speaker 1: to do a thing that would basically make it harder

696
00:38:44,239 --> 00:38:46,600
Speaker 1: for you to realize if they were like you know,

697
00:38:47,160 --> 00:38:50,680
Speaker 1: like bringing in products that were tied to labor abuse overseas,

698
00:38:51,080 --> 00:38:54,360
Speaker 1: like that's their suggestion. Just yeah, just like kind of

699
00:38:54,560 --> 00:38:57,560
Speaker 1: like the manifest like they're like really blogging us down,

700
00:38:57,640 --> 00:39:00,359
Speaker 1: like let's just just barrel through that that way people

701
00:39:00,480 --> 00:39:04,280
Speaker 1: can't really link anything back to anything untoward. But again,

702
00:39:04,360 --> 00:39:07,680
Speaker 1: because I think it's funny that they are consciously realizing, oh,

703
00:39:07,880 --> 00:39:11,279
Speaker 1: some consumers are becoming a little more aware of like

704
00:39:11,400 --> 00:39:13,960
Speaker 1: what the human cost is to certain goods and so

705
00:39:14,239 --> 00:39:16,440
Speaker 1: that they're like all in on now being like all right,

706
00:39:16,520 --> 00:39:19,120
Speaker 1: funk up the manifest No one will know in terms

707
00:39:19,160 --> 00:39:22,120
Speaker 1: of Amazon, like let's just crank just like fuck the

708
00:39:22,160 --> 00:39:24,799
Speaker 1: attrition rate, just keep it going. And we talked about

709
00:39:24,800 --> 00:39:26,759
Speaker 1: in the past how like even their own analysis, like

710
00:39:27,040 --> 00:39:29,720
Speaker 1: we're gonna run through people who we can even fucking

711
00:39:29,880 --> 00:39:32,600
Speaker 1: exploit in certain markets if we don't figure it out,

712
00:39:33,160 --> 00:39:36,040
Speaker 1: which is I'm sure really comforting thought. I also just

713
00:39:36,080 --> 00:39:39,320
Speaker 1: wanted to touch on Bezos because Mona Hulabi, like in

714
00:39:39,400 --> 00:39:42,560
Speaker 1: the New York Times, did this like really interesting infographic

715
00:39:42,680 --> 00:39:46,279
Speaker 1: to help people just get some scale of Jeff Bezos wealth,

716
00:39:46,800 --> 00:39:50,080
Speaker 1: and it's it's really I think we always talk about, yeah,

717
00:39:50,200 --> 00:39:52,680
Speaker 1: it's really hard to fathom what a hundred seventy two

718
00:39:52,719 --> 00:39:56,160
Speaker 1: billion dollars looks like to an average person, But in it,

719
00:39:56,480 --> 00:39:58,680
Speaker 1: you know, she's breaking down for like, for zero points

720
00:39:58,719 --> 00:40:01,800
Speaker 1: seven percent of his wealth, could give every Amazon employee

721
00:40:01,840 --> 00:40:04,919
Speaker 1: a thousand dollars for less than one percent of his wealth.

722
00:40:05,360 --> 00:40:07,680
Speaker 1: Another one said that the average full time Amazon employee

723
00:40:07,719 --> 00:40:12,120
Speaker 1: made thirty seven thousand dollar thirty seven thirty in order

724
00:40:12,200 --> 00:40:14,880
Speaker 1: to accumulate as much money as Bezos a hundred seventy

725
00:40:14,920 --> 00:40:17,520
Speaker 1: two billion an employee would have to start working in

726
00:40:17,680 --> 00:40:21,680
Speaker 1: the Pilos scene Epoch four and a half million years ago,

727
00:40:21,920 --> 00:40:25,839
Speaker 1: when hominids had just started standing on two feet. That's

728
00:40:26,040 --> 00:40:31,040
Speaker 1: the head start. Oh yes, they said. Based on his

729
00:40:31,120 --> 00:40:33,640
Speaker 1: wealth gains in twenty one and twenty two, his wealth

730
00:40:33,760 --> 00:40:37,080
Speaker 1: was increasing five hundred dollars per second. So that means

731
00:40:37,320 --> 00:40:39,879
Speaker 1: in forty weeks, the time it takes for a human

732
00:40:39,880 --> 00:40:42,919
Speaker 1: adjust state, he could reimburse everyone in the United States

733
00:40:42,960 --> 00:40:45,279
Speaker 1: who got IVF in the past two and a half years.

734
00:40:45,719 --> 00:40:47,640
Speaker 1: That's just in forty weeks he could do that. Or

735
00:40:47,840 --> 00:40:49,799
Speaker 1: in ninety five hours, he could buy a hundred sixty

736
00:40:49,880 --> 00:40:52,400
Speaker 1: nine million dollar apartment on on the ninety floor of

737
00:40:52,880 --> 00:40:56,480
Speaker 1: three to Park Avenue in ninety five hours. That's how

738
00:40:56,600 --> 00:41:00,279
Speaker 1: much his That's how much money he makes passively. And

739
00:41:00,400 --> 00:41:04,040
Speaker 1: he deserves every penny, right, That's what I was just

740
00:41:04,120 --> 00:41:06,279
Speaker 1: gonna say, he deserves at all. He's the best, He's

741
00:41:06,320 --> 00:41:10,320
Speaker 1: the best amounts a super no. I thought this article,

742
00:41:10,719 --> 00:41:14,320
Speaker 1: I don't know, you can commute. You can consult me

743
00:41:14,440 --> 00:41:16,440
Speaker 1: next time New York Times, because I feel like there

744
00:41:16,480 --> 00:41:18,879
Speaker 1: were better ways to make make some of these points.

745
00:41:18,960 --> 00:41:21,480
Speaker 1: The place and error or whatever I thought was good,

746
00:41:21,560 --> 00:41:24,600
Speaker 1: But I don't know. But some of them kind there

747
00:41:24,680 --> 00:41:27,400
Speaker 1: was one hard to fathom where it's like fingernail dust

748
00:41:27,760 --> 00:41:31,839
Speaker 1: is like one one hundred millions of a centimeter. It's

749
00:41:31,880 --> 00:41:34,719
Speaker 1: like sometimes with those things, I'm like, all right, who

750
00:41:34,840 --> 00:41:38,600
Speaker 1: is this? Like are we just having fun with numbers here? Yeah?

751
00:41:39,160 --> 00:41:42,080
Speaker 1: And like the sixty hundred and sixty nine million dollar

752
00:41:42,120 --> 00:41:44,640
Speaker 1: apartment on the ninety six floor of four D, Like

753
00:41:44,719 --> 00:41:48,480
Speaker 1: I have no fucking idea what that. Yeah, I don't

754
00:41:48,520 --> 00:41:51,040
Speaker 1: know about New York real estate? Who are you? Who

755
00:41:51,320 --> 00:41:54,120
Speaker 1: specifically is this for? I'm like l A's most expensive

756
00:41:54,160 --> 00:41:59,120
Speaker 1: houses seventy million according to selling Sunset terms? How many

757
00:41:59,160 --> 00:42:06,200
Speaker 1: asaibo is that you could have os e bowls every

758
00:42:06,280 --> 00:42:10,160
Speaker 1: day for seven million, which they had done. Yeah, a

759
00:42:10,280 --> 00:42:12,640
Speaker 1: few more drafts of what the actual numbers they wanted

760
00:42:12,640 --> 00:42:14,560
Speaker 1: to pull together were. I think they're they're trying to

761
00:42:14,680 --> 00:42:16,919
Speaker 1: see look no matter how like maybe you make sense

762
00:42:16,920 --> 00:42:20,320
Speaker 1: of the world through pieces of toblarone chocolate or maybe

763
00:42:20,520 --> 00:42:26,200
Speaker 1: they have a few different ones toblerone chocolate versus like

764
00:42:26,440 --> 00:42:29,040
Speaker 1: is what everybody else makes? And Jeff Bezos is like

765
00:42:29,280 --> 00:42:33,600
Speaker 1: five Mount everests or something like that that one of

766
00:42:33,680 --> 00:42:37,280
Speaker 1: a piece of tob larone is American median. That was solid,

767
00:42:37,400 --> 00:42:40,120
Speaker 1: But that and the place Snira were like mixed in

768
00:42:40,280 --> 00:42:41,920
Speaker 1: with a bunch of things where I had to like

769
00:42:42,040 --> 00:42:46,839
Speaker 1: picture fingernail clippings, or you know the hundred and six

770
00:42:46,840 --> 00:42:49,439
Speaker 1: and nine million dollar apartment on the nineties six floor

771
00:42:49,560 --> 00:42:52,920
Speaker 1: of for three to Park Avenue, Like is that just

772
00:42:53,160 --> 00:42:56,200
Speaker 1: to make the point to Jeff Bezos, because I feel

773
00:42:56,200 --> 00:42:59,840
Speaker 1: like he's probably the only person who entered any awareness

774
00:43:00,000 --> 00:43:03,560
Speaker 1: of like that real estate exists like that, who knows?

775
00:43:03,840 --> 00:43:07,040
Speaker 1: You know, Yeah, all right, let's take a quick break

776
00:43:07,040 --> 00:43:09,239
Speaker 1: and we'll come back and talk about the menace that

777
00:43:09,480 --> 00:43:25,040
Speaker 1: is rainbow fentanyl. And we're back. And the media loves

778
00:43:25,080 --> 00:43:30,880
Speaker 1: a good Halloween freak out, like a little like Halloween panic,

779
00:43:31,440 --> 00:43:34,520
Speaker 1: and the d e A is seizing on that trend.

780
00:43:34,840 --> 00:43:38,840
Speaker 1: They released a warning last week that brightly colored fentanyl

781
00:43:38,920 --> 00:43:42,120
Speaker 1: pills were popping up, and there is a new trend

782
00:43:42,480 --> 00:43:47,120
Speaker 1: being used to target children with brightly colored fentanyl pills.

783
00:43:47,920 --> 00:43:50,839
Speaker 1: Because if there's one thing drug dealers love, it's giving

784
00:43:50,840 --> 00:43:54,759
Speaker 1: away drugs for free to a demographic that does not

785
00:43:54,960 --> 00:43:58,560
Speaker 1: have any money of their own. Yeah. Yeah, first of

786
00:43:58,600 --> 00:44:03,600
Speaker 1: you learn at drug dealer camp. That is honestly what

787
00:44:03,760 --> 00:44:06,640
Speaker 1: I thought drug dealers were when I was a kid though,

788
00:44:07,360 --> 00:44:09,080
Speaker 1: because of the DARE program. I thought they were going

789
00:44:09,120 --> 00:44:11,680
Speaker 1: to hold me down and forced me to do drugs, right,

790
00:44:11,760 --> 00:44:13,600
Speaker 1: some guy in a leather jacket. It was just like,

791
00:44:13,680 --> 00:44:16,480
Speaker 1: what's up, kid, because you've had eighties idea of what

792
00:44:16,600 --> 00:44:21,799
Speaker 1: if I drug? No? This uh, this tradition is um

793
00:44:22,840 --> 00:44:25,800
Speaker 1: it's as American as apple damn pie. I feel like

794
00:44:26,040 --> 00:44:30,120
Speaker 1: it's just a thing that's like like that is what

795
00:44:30,239 --> 00:44:34,800
Speaker 1: Halloween is for, like news, like local news, Like I'm like,

796
00:44:34,960 --> 00:44:37,840
Speaker 1: I wonder if they like literally are like, come on,

797
00:44:37,920 --> 00:44:39,840
Speaker 1: Halloweens just around the corner. What are we afraid of

798
00:44:40,000 --> 00:44:44,480
Speaker 1: this year? Like we need something scary because every year

799
00:44:44,520 --> 00:44:48,359
Speaker 1: it's like really, yeah, what's the new thing? Right? Well?

800
00:44:48,400 --> 00:44:50,320
Speaker 1: I love those two that like the d e A

801
00:44:50,560 --> 00:44:53,600
Speaker 1: is also just like excuse, like way to make yourselves

802
00:44:53,640 --> 00:44:56,759
Speaker 1: look more useless. D A Like they're being like, hey,

803
00:44:56,960 --> 00:45:01,040
Speaker 1: warning folks, it's us the drug warlords. They're fucking there's

804
00:45:01,080 --> 00:45:03,920
Speaker 1: candy colored fentinel that will kill your kids. I don't know,

805
00:45:04,000 --> 00:45:06,440
Speaker 1: look y'all, we're trying to keep the drug war going. Please,

806
00:45:06,920 --> 00:45:09,800
Speaker 1: I mean that is the biggest question for me is

807
00:45:09,880 --> 00:45:14,680
Speaker 1: always like who are the people that want to anonymously

808
00:45:15,600 --> 00:45:21,120
Speaker 1: killed children on Halloween? Right? Like, I like, what's the

809
00:45:21,160 --> 00:45:24,880
Speaker 1: profile there? Yeah, we still don't know. That's how you

810
00:45:24,960 --> 00:45:28,440
Speaker 1: advertise how good your ship is? Man, right exactly, it's honestly,

811
00:45:28,480 --> 00:45:32,400
Speaker 1: it's viral marketing. Yeah. Yeah, those twelve tricker treaders they

812
00:45:32,440 --> 00:45:34,600
Speaker 1: got taken out. That was my ship. And there's also

813
00:45:35,200 --> 00:45:37,120
Speaker 1: you have to be careful with any news story that's

814
00:45:37,160 --> 00:45:41,240
Speaker 1: like rainbow based, like that the Rainbow Parties. Yeah, Rainbow

815
00:45:41,360 --> 00:45:44,800
Speaker 1: Parties was that. I wonder if there's just something in

816
00:45:45,400 --> 00:45:47,640
Speaker 1: and George, maybe you can like tell us this, but

817
00:45:47,800 --> 00:45:51,719
Speaker 1: like something in the editor like the editor handbook that

818
00:45:51,920 --> 00:45:55,880
Speaker 1: is like people, you know, people love numbers in in

819
00:45:56,239 --> 00:45:58,960
Speaker 1: their titles of stories, and if you can like get

820
00:45:59,000 --> 00:46:02,719
Speaker 1: a r heard rainbow in there, that's gonna like get

821
00:46:02,840 --> 00:46:05,440
Speaker 1: people clicking, because I mean I think people I think

822
00:46:05,480 --> 00:46:09,400
Speaker 1: the combination of like something childlike and something dangerous always

823
00:46:09,560 --> 00:46:12,600
Speaker 1: freaks people out. Like you know, in this instance, like

824
00:46:12,800 --> 00:46:18,240
Speaker 1: Rainbow Fentel, it's like it's like children are in danger,

825
00:46:19,040 --> 00:46:24,279
Speaker 1: right right? Yeah, yeah, Rainbow Parties was the like kids

826
00:46:24,360 --> 00:46:27,080
Speaker 1: wearing different colored lipsticks and giving each other blow jobs

827
00:46:27,120 --> 00:46:31,359
Speaker 1: at the party and then yeah that Oprah was like, hell, yeah,

828
00:46:31,600 --> 00:46:34,120
Speaker 1: let's let's do this. That tell us about this and

829
00:46:34,239 --> 00:46:36,759
Speaker 1: we should be worried about this. Oh yeah, oh yeah.

830
00:46:36,800 --> 00:46:38,800
Speaker 1: I don't know anybody who's done it personally or know

831
00:46:38,880 --> 00:46:41,200
Speaker 1: if it's true. But oh, Oprah's truly the queen of

832
00:46:41,480 --> 00:46:46,440
Speaker 1: never being held accountable for spreading information. Like we're like,

833
00:46:47,080 --> 00:46:50,480
Speaker 1: can you come get doctor? Is Oprah Dr Phil like

834
00:46:50,600 --> 00:46:55,040
Speaker 1: all these doctors? Yeah, she didn't. She doesn't check credentials necessary.

835
00:46:56,320 --> 00:46:59,000
Speaker 1: She goes. She runs on vibes. Yeah, she runs on vibes.

836
00:46:59,040 --> 00:47:03,359
Speaker 1: She has a gut feeling, and she is the most Yeah,

837
00:47:03,560 --> 00:47:06,320
Speaker 1: it makes sense that she is the most famous American.

838
00:47:08,160 --> 00:47:11,719
Speaker 1: The the the d A Alert actually doesn't even say

839
00:47:11,719 --> 00:47:16,759
Speaker 1: anything about Halloween. It's just the media, you know. Of course,

840
00:47:16,800 --> 00:47:19,680
Speaker 1: you got Fox News and also like local media, which

841
00:47:19,800 --> 00:47:22,959
Speaker 1: is just most local media is just mini Fox News

842
00:47:23,400 --> 00:47:27,160
Speaker 1: like that. They're just going with the same sort of bullshit.

843
00:47:27,400 --> 00:47:30,480
Speaker 1: Scared often literally because there is I don't I don't

844
00:47:30,520 --> 00:47:32,520
Speaker 1: have the information in front of me. But at once,

845
00:47:32,920 --> 00:47:35,319
Speaker 1: at a previous job, I once edited this thing about

846
00:47:35,360 --> 00:47:38,680
Speaker 1: how there are um I think it's called Sinclair broadcast

847
00:47:38,680 --> 00:47:41,440
Speaker 1: and it's just like giant conglomerate that like you know,

848
00:47:41,640 --> 00:47:45,840
Speaker 1: literally runs like fake local news outlets that just like that,

849
00:47:46,040 --> 00:47:51,320
Speaker 1: just like ship out fox markets run and yeah, like

850
00:47:51,680 --> 00:47:53,800
Speaker 1: you can see it whenever they do like those like

851
00:47:54,080 --> 00:47:56,640
Speaker 1: op eds to camera or like all the anchors are

852
00:47:56,719 --> 00:48:00,560
Speaker 1: like totally in line like SYNCD up eating the same

853
00:48:00,600 --> 00:48:03,400
Speaker 1: script and you're like, oh sh it, yeah, that's that's

854
00:48:03,480 --> 00:48:07,160
Speaker 1: really dark. The headline ahead of Halloween drug agents warning

855
00:48:07,239 --> 00:48:12,239
Speaker 1: parents about rainbow fentanyl. Uh, it doesn't like there there

856
00:48:12,400 --> 00:48:17,200
Speaker 1: is no statical like factual connection to Halloween, but it

857
00:48:17,440 --> 00:48:20,879
Speaker 1: is truly before Halloween, so like they can get away

858
00:48:20,960 --> 00:48:23,480
Speaker 1: with putting that up there. But I truly think that

859
00:48:24,320 --> 00:48:27,239
Speaker 1: you're right, Sam that like this is this comes from

860
00:48:27,320 --> 00:48:29,920
Speaker 1: an editorial meeting where they're like, all right, so what

861
00:48:30,000 --> 00:48:32,959
Speaker 1: are we gonna like freak people out about? And could

862
00:48:33,000 --> 00:48:35,799
Speaker 1: it possibly be rainbow colored because it's been a while

863
00:48:35,880 --> 00:48:38,399
Speaker 1: since we've had a rainbow colored freak out. There's also

864
00:48:38,520 --> 00:48:41,759
Speaker 1: something about freaking people out about something that is not real,

865
00:48:42,000 --> 00:48:44,839
Speaker 1: because then people can almost be like few, like our

866
00:48:44,920 --> 00:48:47,920
Speaker 1: kids didn't get the rainbow fent at all, like made

867
00:48:47,960 --> 00:48:52,040
Speaker 1: it through another Halloween, and like because there are real dangerous.

868
00:48:52,080 --> 00:48:53,600
Speaker 1: Like I don't know if you guys have seen there's

869
00:48:53,600 --> 00:48:57,600
Speaker 1: like some statistic about like the number of like kids

870
00:48:57,640 --> 00:49:00,279
Speaker 1: that get hit by a car on Halloween. Like like

871
00:49:00,760 --> 00:49:04,719
Speaker 1: it's like Halloween and it's like you talk about the

872
00:49:04,800 --> 00:49:06,960
Speaker 1: real thing to be afraid of, Like we could talk

873
00:49:07,000 --> 00:49:08,759
Speaker 1: about that, but it's like, but that's not juicy and

874
00:49:08,840 --> 00:49:12,080
Speaker 1: it might happen, so that's not really fun to sort

875
00:49:12,120 --> 00:49:14,799
Speaker 1: of talk about. It's like this is more spooky. It's

876
00:49:14,800 --> 00:49:17,239
Speaker 1: in the Halloween spirit. I mean, it's like there might

877
00:49:17,239 --> 00:49:21,239
Speaker 1: be a vampire right right, and just like how like

878
00:49:21,320 --> 00:49:23,840
Speaker 1: a vampire isn't gonna bite you and turn you, although

879
00:49:23,960 --> 00:49:26,120
Speaker 1: I hope it happens every year for me, it never does.

880
00:49:26,520 --> 00:49:28,520
Speaker 1: It's just like with Vent and all, like it's like

881
00:49:28,760 --> 00:49:31,960
Speaker 1: the whole ship, especially with all the like interacting with

882
00:49:32,080 --> 00:49:34,440
Speaker 1: fentinal videos you see where cops are going down. It's

883
00:49:34,480 --> 00:49:38,600
Speaker 1: like that's also that's also just as real as fucking werewolves,

884
00:49:40,880 --> 00:49:43,719
Speaker 1: Like they're not gonna perish from looking at it. And

885
00:49:43,920 --> 00:49:46,160
Speaker 1: it's interesting about like the candy thing is that like

886
00:49:46,280 --> 00:49:48,759
Speaker 1: it was just because at a bust the d A

887
00:49:48,920 --> 00:49:51,560
Speaker 1: did like they were keeping it in like a skittles

888
00:49:51,600 --> 00:49:55,080
Speaker 1: bag or like a NERD's box, not like so they're like, oh,

889
00:49:55,200 --> 00:49:57,319
Speaker 1: see what they're trying to do. They want some kid

890
00:49:57,440 --> 00:50:00,759
Speaker 1: to open this and then pretend it's adults. It's like, no,

891
00:50:00,880 --> 00:50:03,880
Speaker 1: they're smuggling fucking drugs. Like you don't suddenly be like,

892
00:50:04,160 --> 00:50:07,600
Speaker 1: hey man, you got to open every little like statue

893
00:50:07,640 --> 00:50:10,840
Speaker 1: of Maria for like Catholics, because there's heroin inside. I

894
00:50:10,920 --> 00:50:15,359
Speaker 1: just saw lost. You better keep your eye on that ship. Well,

895
00:50:15,480 --> 00:50:18,800
Speaker 1: we tell ourselves stories in order to live. Yeah, a

896
00:50:18,960 --> 00:50:22,680
Speaker 1: veritable rainbow of different colored cars will be running over

897
00:50:22,800 --> 00:50:26,560
Speaker 1: your children. That's Halloween like that. See you can get

898
00:50:26,640 --> 00:50:30,680
Speaker 1: the rainbow in there and still be scare, tactical and

899
00:50:30,760 --> 00:50:36,239
Speaker 1: actually help people, it seems like. But it was also

900
00:50:36,280 --> 00:50:37,920
Speaker 1: the name of the pride party Sam and I are

901
00:50:37,960 --> 00:50:45,000
Speaker 1: throwing next year. Come on out. Tickets are one hundred

902
00:50:45,080 --> 00:50:53,520
Speaker 1: dollars and they don't someone will die. Yeah. Yeah, it's

903
00:50:54,520 --> 00:50:57,560
Speaker 1: just thinking of like it's kind of like we couldn't

904
00:50:58,200 --> 00:51:02,759
Speaker 1: quit y two K, Like why two K was so

905
00:51:03,440 --> 00:51:08,719
Speaker 1: fucking energizing, Why two K was fucking everything you the

906
00:51:08,800 --> 00:51:11,600
Speaker 1: ship we were buying fucking merch, like where we were

907
00:51:11,680 --> 00:51:14,880
Speaker 1: like half embracing like a potential disaster, but something like

908
00:51:15,000 --> 00:51:17,640
Speaker 1: I don't know, maybe, and it's now it's like we've

909
00:51:17,640 --> 00:51:19,400
Speaker 1: got to keep kind of pushing that Y two K

910
00:51:19,560 --> 00:51:22,840
Speaker 1: button and people like just enough that it seems feasible

911
00:51:22,880 --> 00:51:24,719
Speaker 1: but not enough to cause a full blown panic. It

912
00:51:24,840 --> 00:51:27,160
Speaker 1: really is hard to recapture the magic of Y two K.

913
00:51:27,600 --> 00:51:31,320
Speaker 1: It really combines so many great things, I mean, digital

914
00:51:31,800 --> 00:51:38,280
Speaker 1: fear of the digital right, futurism. There was kind of aesthetic.

915
00:51:38,760 --> 00:51:40,440
Speaker 1: There was community of the kind of aesthetic of like

916
00:51:40,480 --> 00:51:43,560
Speaker 1: a TLC No Scrubs video, you know, right right, but

917
00:51:43,680 --> 00:51:47,239
Speaker 1: make it scary for it to hit mid night and

918
00:51:47,280 --> 00:51:49,480
Speaker 1: sort of be like, I wonder if anything bad is

919
00:51:49,480 --> 00:51:51,600
Speaker 1: gonna happen, and you're like in your heart, you like

920
00:51:51,760 --> 00:51:53,360
Speaker 1: kind of know nothing about it is gonna happen, but

921
00:51:53,360 --> 00:51:55,160
Speaker 1: at the same time it's like maybe. And then when

922
00:51:55,200 --> 00:51:58,200
Speaker 1: nothing bad happens, oh, the party just gets even more popping,

923
00:51:58,440 --> 00:52:01,800
Speaker 1: like what feeling? Well, like, here's the thing I remember,

924
00:52:01,920 --> 00:52:04,320
Speaker 1: right because I was what this was sixteen going on

925
00:52:04,400 --> 00:52:07,360
Speaker 1: sixteen That that year, I was like at my friend's

926
00:52:07,400 --> 00:52:09,840
Speaker 1: house because we weren't going to some fucking cool party

927
00:52:09,880 --> 00:52:11,440
Speaker 1: at the time. We just weren't cool enough to be

928
00:52:11,520 --> 00:52:14,440
Speaker 1: at a like a proper y two K party. But

929
00:52:14,520 --> 00:52:17,040
Speaker 1: I remember earlier that night when it was nine, we're like, yo,

930
00:52:17,080 --> 00:52:20,279
Speaker 1: what happened in New York? Right? Yeah? And they're like

931
00:52:20,400 --> 00:52:22,600
Speaker 1: it's all good, it's all good, and we're like few.

932
00:52:23,040 --> 00:52:24,919
Speaker 1: But in my mind, I don't like to your point,

933
00:52:25,280 --> 00:52:28,440
Speaker 1: like George, I don't know if I, for all the excitement,

934
00:52:28,560 --> 00:52:30,920
Speaker 1: like what would have happened if the ship went at

935
00:52:31,040 --> 00:52:32,680
Speaker 1: like the way we thought it was going to go

936
00:52:32,800 --> 00:52:36,640
Speaker 1: and completely start falling out of this guy, right, I

937
00:52:36,680 --> 00:52:39,120
Speaker 1: wouldn't have been ready even though we were like giddy

938
00:52:39,200 --> 00:52:42,680
Speaker 1: for it. Yeah. Well, I so, first of all, like

939
00:52:42,800 --> 00:52:44,600
Speaker 1: the reality of why two K is we just hadn't

940
00:52:44,640 --> 00:52:47,759
Speaker 1: heard of software updates yet, like and that's all. It

941
00:52:47,960 --> 00:52:51,040
Speaker 1: was like we were still the software update. We were

942
00:52:51,080 --> 00:52:53,800
Speaker 1: still learning about the concept of technology, right. It was

943
00:52:53,840 --> 00:52:56,840
Speaker 1: a different time. So they just told they just focused

944
00:52:56,920 --> 00:52:59,840
Speaker 1: on one software update, and we're like, if this doesn't happen,

945
00:53:00,000 --> 00:53:05,759
Speaker 1: we're fucked. But is there anyway that we like sensed that,

946
00:53:06,000 --> 00:53:08,320
Speaker 1: you know, the thesis of this podcast, at least in

947
00:53:08,440 --> 00:53:11,160
Speaker 1: my mind, is that like there is some like collective

948
00:53:11,480 --> 00:53:16,200
Speaker 1: unconscious you know, that has some intuition that's at least

949
00:53:16,239 --> 00:53:17,960
Speaker 1: worth looking at is there any way that like we

950
00:53:18,160 --> 00:53:22,719
Speaker 1: sensed some apocalypse was coming around Why two K, and

951
00:53:22,840 --> 00:53:26,120
Speaker 1: it just didn't happen until like some reckoning that ended

952
00:53:26,200 --> 00:53:30,160
Speaker 1: up being September eleventh, which does that This is me

953
00:53:30,280 --> 00:53:33,160
Speaker 1: bringing up September eleven twice in a single episode for

954
00:53:33,280 --> 00:53:36,400
Speaker 1: no reason, but that I do wonder if people just

955
00:53:36,520 --> 00:53:39,239
Speaker 1: had a sense that, like America has been fucking up

956
00:53:39,320 --> 00:53:43,760
Speaker 1: and just like sending our like you know, our damage

957
00:53:43,920 --> 00:53:47,520
Speaker 1: elsewhere and ignoring our damage for for so long that

958
00:53:47,680 --> 00:53:51,160
Speaker 1: they were just like this gotta like something bad's gonna happen, right,

959
00:53:51,280 --> 00:53:54,680
Speaker 1: Like something like catastrophic is gonna happen. And then we

960
00:53:54,840 --> 00:53:58,000
Speaker 1: just like made up why two K to like give

961
00:53:58,080 --> 00:54:01,680
Speaker 1: ourselves that and it didn't happen until like a year later.

962
00:54:02,160 --> 00:54:07,279
Speaker 1: That's that's a theory that feels very like prophetic. Like

963
00:54:07,400 --> 00:54:10,640
Speaker 1: I I'm I'm addicted to um the idea of all

964
00:54:10,640 --> 00:54:14,560
Speaker 1: of this having an understanding that something bad is coming, right,

965
00:54:14,640 --> 00:54:15,800
Speaker 1: I don't I don't know how true it is, but

966
00:54:15,840 --> 00:54:17,920
Speaker 1: I love it. I feel like those people would have

967
00:54:18,080 --> 00:54:20,200
Speaker 1: to be a little more aware of like what our

968
00:54:20,239 --> 00:54:23,279
Speaker 1: karmic debt was from a front policy perspective's which no

969
00:54:23,360 --> 00:54:25,360
Speaker 1: one was Maybe I'm wrong, but it was why it

970
00:54:25,480 --> 00:54:29,439
Speaker 1: UK and America's specific thing. Well, I think the free

971
00:54:29,480 --> 00:54:32,880
Speaker 1: cat was American's specific interesting, but they did talk it.

972
00:54:33,080 --> 00:54:34,920
Speaker 1: They did talk about I remember in Japan like it

973
00:54:35,040 --> 00:54:37,360
Speaker 1: was kind of like a funny thing, like they're like

974
00:54:37,440 --> 00:54:39,800
Speaker 1: I remember being there like in the in the build

975
00:54:39,880 --> 00:54:41,600
Speaker 1: up to it, and people would just say like yeah,

976
00:54:41,640 --> 00:54:43,920
Speaker 1: you never know. But it was never like like they

977
00:54:43,960 --> 00:54:46,920
Speaker 1: weren't having like like computer people on like in earnest

978
00:54:47,040 --> 00:54:49,160
Speaker 1: news segments like they did in the US where they're like,

979
00:54:49,280 --> 00:54:51,120
Speaker 1: you know, like when the clock hits, like we'll see

980
00:54:51,160 --> 00:54:53,919
Speaker 1: what happens, right, you weren't they were given those people

981
00:54:54,000 --> 00:54:56,759
Speaker 1: air well because there wasn't that they weren't all trying

982
00:54:56,800 --> 00:55:00,680
Speaker 1: to make money off of like survival bean bowls or whatever. Yeah.

983
00:55:01,040 --> 00:55:03,720
Speaker 1: I do think that the time period between January twenty

984
00:55:04,480 --> 00:55:07,120
Speaker 1: January two thousand and September two thousand one is such

985
00:55:07,160 --> 00:55:10,200
Speaker 1: a like maybe someone has already done this, but I'm

986
00:55:10,200 --> 00:55:11,759
Speaker 1: like someone should write a book about it, because it

987
00:55:11,960 --> 00:55:15,040
Speaker 1: was like it was the the optimism maybe in oral history.

988
00:55:15,960 --> 00:55:18,839
Speaker 1: It was like the it was the this brief time

989
00:55:18,880 --> 00:55:23,480
Speaker 1: when there was optimism about a new millennium and then

990
00:55:23,560 --> 00:55:26,040
Speaker 1: It's just like and then after that, any kind of

991
00:55:26,120 --> 00:55:29,200
Speaker 1: history would write after that would of course have eleven

992
00:55:29,280 --> 00:55:34,000
Speaker 1: as like the definitive first thing essentially that happened. Yeah, right,

993
00:55:34,800 --> 00:55:37,160
Speaker 1: But I'm trying to think, like what culture was released

994
00:55:37,200 --> 00:55:44,000
Speaker 1: during that time. It wasn't good. Yeah, movies that were

995
00:55:44,000 --> 00:55:48,719
Speaker 1: released in two thousand, oh yeah, bring it on, a

996
00:55:48,800 --> 00:55:53,800
Speaker 1: scary movie. Didn't Gladiator like win all the Academy Awards

997
00:55:53,960 --> 00:55:56,839
Speaker 1: and it's just like a real straight down the middle

998
00:55:57,080 --> 00:56:02,879
Speaker 1: action movie. Yeah. Yeah, American Psycho. Great movie. Yeah, really

999
00:56:02,920 --> 00:56:05,440
Speaker 1: good movie. But that wasn't popular at the time and

1000
00:56:05,600 --> 00:56:08,560
Speaker 1: has since become extremely like it didn't it didn't like

1001
00:56:08,920 --> 00:56:11,920
Speaker 1: crush at the box office, but it's become like the

1002
00:56:12,160 --> 00:56:15,000
Speaker 1: movie from that time period that I feel like most people.

1003
00:56:15,760 --> 00:56:17,879
Speaker 1: I mean, the fact the Gladiator is like the one

1004
00:56:17,960 --> 00:56:20,480
Speaker 1: best picture or did it one best picture? That's not

1005
00:56:20,600 --> 00:56:23,560
Speaker 1: that inspiring to me. Right, Maybe I'm at that time

1006
00:56:23,600 --> 00:56:27,320
Speaker 1: period being fruitful. Yeah, I don't know if it was fruitful,

1007
00:56:27,400 --> 00:56:30,799
Speaker 1: but it was like very specific, you know, I think,

1008
00:56:30,880 --> 00:56:32,480
Speaker 1: But yeah, with the White Two, I mean, it might

1009
00:56:32,520 --> 00:56:35,400
Speaker 1: have been more that we probably knew that technology, like

1010
00:56:35,520 --> 00:56:37,880
Speaker 1: we couldn't totally wrap our heads around it. And now

1011
00:56:37,960 --> 00:56:40,560
Speaker 1: we're in this like social media quagmire we're in now

1012
00:56:40,680 --> 00:56:44,120
Speaker 1: where maybe if I think, if anything, maybe our intuition

1013
00:56:44,239 --> 00:56:48,560
Speaker 1: was more about like technology is about to like this

1014
00:56:48,640 --> 00:56:51,759
Speaker 1: is about to be beyond our capabilities as a species

1015
00:56:51,880 --> 00:56:54,680
Speaker 1: to deal with. Yeah, like I think that. And then

1016
00:56:54,800 --> 00:56:56,759
Speaker 1: because I think that really came to pass, and now

1017
00:56:56,840 --> 00:56:59,759
Speaker 1: we're like wow, because what just four short years later

1018
00:57:00,000 --> 00:57:02,839
Speaker 1: of Mark Zuckerberg click clack in a way, I mean

1019
00:57:02,920 --> 00:57:04,680
Speaker 1: I remember, you know, just as a kid, I remember

1020
00:57:04,719 --> 00:57:08,080
Speaker 1: being like, something's gonna happen with Cambridge Analytica, right, yeah,

1021
00:57:08,200 --> 00:57:14,160
Speaker 1: you were to seem I mean this the summer before

1022
00:57:14,239 --> 00:57:16,800
Speaker 1: No eleven, like you know, literally on the on the

1023
00:57:16,920 --> 00:57:21,600
Speaker 1: front page of I think Time magazine when like on

1024
00:57:22,200 --> 00:57:25,560
Speaker 1: September eleven was the Summer of the Shark and it

1025
00:57:25,680 --> 00:57:28,240
Speaker 1: was about how they were like three shark attacks in

1026
00:57:28,360 --> 00:57:32,280
Speaker 1: America that summer, and so like it might just be

1027
00:57:32,480 --> 00:57:37,200
Speaker 1: that America needed something to be afraid of and because

1028
00:57:37,320 --> 00:57:41,800
Speaker 1: they like just were so closed off to the reality

1029
00:57:42,040 --> 00:57:44,680
Speaker 1: of the world that they had to like make up stories.

1030
00:57:44,800 --> 00:57:50,400
Speaker 1: But like now we have now, now we have Rainbow Fentinel,

1031
00:57:50,440 --> 00:57:52,600
Speaker 1: we have things to be No, we have so much

1032
00:57:52,720 --> 00:57:55,520
Speaker 1: to actually be worried about, and we're still making up

1033
00:57:55,600 --> 00:57:59,880
Speaker 1: stories to like like Rainbow fentinl to like give us

1034
00:58:00,160 --> 00:58:03,160
Speaker 1: fake things to be worried about, because maybe that's just like, well,

1035
00:58:03,200 --> 00:58:07,480
Speaker 1: it's tradition, and also it's just more reassuring there's actually

1036
00:58:07,520 --> 00:58:10,000
Speaker 1: no they're there, yeah, or it's like Y two k

1037
00:58:10,240 --> 00:58:14,720
Speaker 1: like our farewell to like frivolous bullshit fearmongering because we

1038
00:58:14,800 --> 00:58:17,440
Speaker 1: were about to enter the era of like real fucking

1039
00:58:17,480 --> 00:58:20,880
Speaker 1: ship like because unless you were like truly aware and

1040
00:58:21,040 --> 00:58:23,800
Speaker 1: up to date on everything. For me as a teenager,

1041
00:58:23,880 --> 00:58:26,400
Speaker 1: I lived in a couple of total ignorant bliss of

1042
00:58:26,520 --> 00:58:29,280
Speaker 1: like I don't know, dude, fucking John Oh got a

1043
00:58:29,360 --> 00:58:32,400
Speaker 1: new fucking pathfinder, like let's sucking drive up to the

1044
00:58:32,520 --> 00:58:36,240
Speaker 1: mall type ship and then you're like, wow, oh shit, right,

1045
00:58:36,880 --> 00:58:39,720
Speaker 1: like America is doing stuff around Like that was sort

1046
00:58:39,720 --> 00:58:41,920
Speaker 1: of my process. After nine eleven, our history teacher like,

1047
00:58:41,960 --> 00:58:43,920
Speaker 1: does anyone want to take a stab at why anything

1048
00:58:44,000 --> 00:58:45,800
Speaker 1: might have happened in the United States? And we were

1049
00:58:45,840 --> 00:58:53,000
Speaker 1: like what, Yeah, you must have more liberal school than

1050
00:58:53,040 --> 00:58:56,200
Speaker 1: I did because mine. Mine was like, yes, these evil

1051
00:58:56,400 --> 00:59:01,200
Speaker 1: people they're coming our freedom. They gotta say. As someone

1052
00:59:01,240 --> 00:59:03,240
Speaker 1: who at the time was living in America with non

1053
00:59:03,320 --> 00:59:06,400
Speaker 1: American parents. It was shocking the level of ignor. I

1054
00:59:06,440 --> 00:59:08,480
Speaker 1: mean the fact that suddenly our pizza was coming in

1055
00:59:08,560 --> 00:59:11,680
Speaker 1: American flag boxes. I was like, what is going on here?

1056
00:59:11,920 --> 00:59:16,440
Speaker 1: Like terrifying. Yeah, I was like, I gotta stand for

1057
00:59:16,520 --> 00:59:19,560
Speaker 1: the fucking national anthem. Now. I was like I used

1058
00:59:19,600 --> 00:59:23,480
Speaker 1: to get away with like sitting down, not doing And

1059
00:59:23,520 --> 00:59:25,840
Speaker 1: then also I remember as kind of like an impressionable kid,

1060
00:59:25,920 --> 00:59:28,120
Speaker 1: but like not understanding any of the context and being like, well,

1061
00:59:28,160 --> 00:59:31,640
Speaker 1: everyone has all these cars have support our troops stickers

1062
00:59:31,680 --> 00:59:33,400
Speaker 1: on them. I guess that must be a status symbol.

1063
00:59:33,520 --> 00:59:35,720
Speaker 1: And I like made my parents buy one because I

1064
00:59:35,760 --> 00:59:37,160
Speaker 1: saw it at the supermarket. I was, I want to

1065
00:59:37,200 --> 00:59:39,960
Speaker 1: be like all the other American families. Oh my god,

1066
00:59:40,360 --> 00:59:43,360
Speaker 1: which is such a wall because you know, where did

1067
00:59:43,440 --> 00:59:46,240
Speaker 1: you grow up? Well, I I I mostly grew up

1068
00:59:46,280 --> 00:59:48,680
Speaker 1: in Greece. My parents are Greek. But then there was

1069
00:59:48,720 --> 00:59:50,600
Speaker 1: a brief period for like seven years when we lived

1070
00:59:50,600 --> 00:59:52,320
Speaker 1: in New Jersey, which is why I don't have an

1071
00:59:52,360 --> 00:59:57,080
Speaker 1: action or anything. And that happened to overlap with nine, right,

1072
00:59:57,160 --> 00:59:59,800
Speaker 1: So yeah, it's yeah, definitely, it was like I was

1073
01:00:00,080 --> 01:00:04,280
Speaker 1: from eight to two thousand five, I think really the

1074
01:00:04,920 --> 01:00:07,640
Speaker 1: wonderful years kind of between the Bill Clinton scandal and

1075
01:00:08,000 --> 01:00:15,240
Speaker 1: the second Bush administration the highlights. Yeah, yeah, yeah, Well guys,

1076
01:00:15,280 --> 01:00:18,720
Speaker 1: it's been so fun having you on the Daily Zeitgeist.

1077
01:00:19,120 --> 01:00:22,680
Speaker 1: Like I said, huge fan of your show. Where can

1078
01:00:22,760 --> 01:00:27,080
Speaker 1: people find you? Follow you all that good stuff? Well one,

1079
01:00:27,160 --> 01:00:30,120
Speaker 1: thanks so much for having us to fun. You can

1080
01:00:30,200 --> 01:00:33,840
Speaker 1: find us both on Instagram and Twitter, and uh, like,

1081
01:00:34,080 --> 01:00:37,080
Speaker 1: I'm Sam Taggart on Instagram and Sam t Taggert on

1082
01:00:37,120 --> 01:00:39,720
Speaker 1: Twitter and George Twitter you and I'm George Severis on

1083
01:00:39,840 --> 01:00:42,960
Speaker 1: both should we We do have three live shows coming up.

1084
01:00:45,040 --> 01:00:47,640
Speaker 1: I have them written down because we we we just um,

1085
01:00:48,240 --> 01:00:50,080
Speaker 1: it doesn't matter, but we So we have one in

1086
01:00:50,160 --> 01:00:52,720
Speaker 1: New York for the New York Comedy Festival at the

1087
01:00:52,760 --> 01:00:55,439
Speaker 1: Bellhouse on Wednesday, November nine, and then we have two

1088
01:00:55,520 --> 01:00:58,040
Speaker 1: coming up in l A one for the Vulture Festival

1089
01:00:58,280 --> 01:01:01,400
Speaker 1: and on November twelth, and one more at the Allegian

1090
01:01:01,440 --> 01:01:04,440
Speaker 1: Theater on November fourteen. So that's that's what we have

1091
01:01:04,560 --> 01:01:07,520
Speaker 1: to promote today. Thank you for giving us a space

1092
01:01:07,600 --> 01:01:11,040
Speaker 1: and for and and and and the opportunity to do that. Yeah,

1093
01:01:11,280 --> 01:01:13,760
Speaker 1: of course for you. And is there a tweet or

1094
01:01:13,920 --> 01:01:16,120
Speaker 1: some of the work of social media that you guys

1095
01:01:16,160 --> 01:01:19,080
Speaker 1: have been joining. Oh yeah, Sam, do you have one?

1096
01:01:19,680 --> 01:01:22,280
Speaker 1: You go first? Okay, so that I actually it's just

1097
01:01:22,360 --> 01:01:25,160
Speaker 1: cheating because I've already treated it out also because I

1098
01:01:25,280 --> 01:01:27,760
Speaker 1: found out about it via another podcast, who Weekly, But

1099
01:01:28,120 --> 01:01:30,280
Speaker 1: I have been introduced to this. Um I'm not on

1100
01:01:30,400 --> 01:01:33,160
Speaker 1: TikTok intentionally so because I think it would ruin my life.

1101
01:01:33,520 --> 01:01:35,640
Speaker 1: But I've been introduced to this TikTok account called the

1102
01:01:35,720 --> 01:01:38,440
Speaker 1: v I P List I believe, and it's these two

1103
01:01:38,600 --> 01:01:41,680
Speaker 1: girls in New York that go to kind of iconic

1104
01:01:41,800 --> 01:01:44,240
Speaker 1: New York restaurants and review them. But in the most

1105
01:01:45,360 --> 01:01:46,840
Speaker 1: I think they're doing it as a bit in this

1106
01:01:46,960 --> 01:01:51,360
Speaker 1: kind of grading voice where they're like that the steadcare

1107
01:01:51,640 --> 01:01:53,760
Speaker 1: was terrible, then we got to art and it was awesome,

1108
01:01:54,760 --> 01:01:57,240
Speaker 1: And that's kind of like I'm not exaggerating. So I

1109
01:01:57,320 --> 01:02:00,600
Speaker 1: really want to especially shout out the bouts Is our video,

1110
01:02:00,920 --> 01:02:03,560
Speaker 1: which I kind of happened upon because I was, you know,

1111
01:02:03,600 --> 01:02:06,720
Speaker 1: because of the James Corden thing. It really is, it

1112
01:02:06,840 --> 01:02:09,320
Speaker 1: really is. It brings me so much joy and I

1113
01:02:09,320 --> 01:02:11,440
Speaker 1: have not watched a truly like seventeen times. I really

1114
01:02:11,520 --> 01:02:15,360
Speaker 1: encourage everyone to to look it up. Yeah. At one

1115
01:02:15,400 --> 01:02:17,600
Speaker 1: point they go they were talking about something and they're like,

1116
01:02:17,720 --> 01:02:22,360
Speaker 1: this tart needs a faro past. Oh no, it's I

1117
01:02:22,400 --> 01:02:26,600
Speaker 1: think it's someone get this tart a faro past. Wow.

1118
01:02:27,240 --> 01:02:29,280
Speaker 1: I guess as a companion piece to that, I would

1119
01:02:29,320 --> 01:02:33,280
Speaker 1: say Grace Kolan Schmidt's post about falt Tazaar where she

1120
01:02:33,360 --> 01:02:35,880
Speaker 1: was standing in front of it saying welcome back James.

1121
01:02:37,840 --> 01:02:41,680
Speaker 1: That was so funny. I also just imagine I know,

1122
01:02:41,880 --> 01:02:43,919
Speaker 1: I mean, we know Grace and we know where she lives,

1123
01:02:44,000 --> 01:02:47,280
Speaker 1: and it's not close about imagining like getting on a train,

1124
01:02:47,760 --> 01:02:50,520
Speaker 1: getting on a train from Brooklyn to go to Baltasar

1125
01:02:50,680 --> 01:02:52,800
Speaker 1: to take the photo for her post. And I gotta

1126
01:02:52,840 --> 01:02:55,080
Speaker 1: say it was worth it. That was worth it, I mean.

1127
01:02:55,200 --> 01:02:57,280
Speaker 1: And also did she have poster board? Did she have

1128
01:02:57,360 --> 01:02:59,400
Speaker 1: to also run to CBS pick up poster board and

1129
01:02:59,480 --> 01:03:01,880
Speaker 1: markers making science is welcome back James, and then go

1130
01:03:01,960 --> 01:03:08,040
Speaker 1: to mountain then snap a picture. Is impressive? Yeah, Miles,

1131
01:03:08,080 --> 01:03:11,520
Speaker 1: where can people find you? What's a tweet you've been enjoying? Oh? Man,

1132
01:03:11,800 --> 01:03:14,040
Speaker 1: you can uh find me on Twitter and Instagram at

1133
01:03:14,120 --> 01:03:16,480
Speaker 1: Miles of Gray. Check Jack and I out on our

1134
01:03:16,520 --> 01:03:20,600
Speaker 1: basketball podcast. Miles and Jack got mad Moostie's uh, and

1135
01:03:20,720 --> 01:03:23,560
Speaker 1: also check me out with Sophia Alexandra on our ninety

1136
01:03:23,640 --> 01:03:28,000
Speaker 1: Day Fiance podcast for twenty Day Fiance. Uh. Some tweets

1137
01:03:28,120 --> 01:03:31,320
Speaker 1: that I like. First one from past guests, so you

1138
01:03:31,440 --> 01:03:34,480
Speaker 1: might be hearing from soon. Paulo Vignalan at Polo viganl

1139
01:03:34,520 --> 01:03:38,440
Speaker 1: and tweeted me looking for advice. No, not you, um

1140
01:03:39,000 --> 01:03:42,800
Speaker 1: should feel so about right, And then Pizzerina's Borrow at

1141
01:03:43,120 --> 01:03:46,160
Speaker 1: Tela Mundo tweeted, if your best he doesn't permanently alter

1142
01:03:46,280 --> 01:03:49,640
Speaker 1: the linguistic center of your brain, they are not your bestie. Uh.

1143
01:03:49,680 --> 01:03:52,479
Speaker 1: And that's so true when the weird ways we speak

1144
01:03:52,600 --> 01:03:55,560
Speaker 1: ruboff on each other. Uh. I'm sure many of you

1145
01:03:55,640 --> 01:03:58,560
Speaker 1: know just from listening to podcasts that can ruin your brain.

1146
01:03:59,520 --> 01:04:01,920
Speaker 1: That was all so one of mine, which I think

1147
01:04:02,000 --> 01:04:04,920
Speaker 1: that's something about the mind meld that happens also to

1148
01:04:05,040 --> 01:04:07,479
Speaker 1: your the linguistic part of your brain. When you post

1149
01:04:07,600 --> 01:04:10,160
Speaker 1: three hours of podcast together on a daily basis and

1150
01:04:10,280 --> 01:04:12,360
Speaker 1: you start liking the same tweets, I wonder if we

1151
01:04:12,480 --> 01:04:14,840
Speaker 1: liked it at the exact same time, Like we just

1152
01:04:15,280 --> 01:04:18,760
Speaker 1: get off this and immediately like do all the same ship. Well,

1153
01:04:18,800 --> 01:04:20,800
Speaker 1: we'll text each other when we like a tweet a

1154
01:04:20,920 --> 01:04:26,480
Speaker 1: did you like it? Uh? Colin Deerson tweeted Taylor swift

1155
01:04:26,560 --> 01:04:28,720
Speaker 1: fandom is q and on for people who were a

1156
01:04:28,800 --> 01:04:32,400
Speaker 1: pleasure to have in class. I don't know if that's

1157
01:04:32,440 --> 01:04:35,000
Speaker 1: true Taylor Swift fans, but the fact that I'm so

1158
01:04:35,160 --> 01:04:37,440
Speaker 1: scared that I'm like preempting it by being like, I

1159
01:04:37,440 --> 01:04:39,640
Speaker 1: don't look, you know, I don't know if that's true,

1160
01:04:39,800 --> 01:04:41,560
Speaker 1: So like, don't be mad at me. I just thought

1161
01:04:41,560 --> 01:04:44,760
Speaker 1: it was funny, probably suggested that maybe there's something too

1162
01:04:45,120 --> 01:04:48,560
Speaker 1: that tweet. Uh. You can find me on Twitter at

1163
01:04:48,640 --> 01:04:51,520
Speaker 1: Jack Underscore O'Brien. You can find us on Twitter at

1164
01:04:51,600 --> 01:04:54,240
Speaker 1: Daily Zeitgeist. Were at the Daily Zeitgeist on Instagram. We

1165
01:04:54,280 --> 01:04:57,160
Speaker 1: have a Facebook fan page on a website daily zieis

1166
01:04:57,240 --> 01:04:59,800
Speaker 1: dot com where we post our episodes on our footnotes

1167
01:05:00,280 --> 01:05:01,920
Speaker 1: no over link off to the information that we talked

1168
01:05:01,960 --> 01:05:04,280
Speaker 1: about in today's episode, as well as a song that

1169
01:05:04,400 --> 01:05:06,560
Speaker 1: we think you might enjoy miles with song that we

1170
01:05:06,600 --> 01:05:10,720
Speaker 1: think people radio. Uh. This is from this artist Maya,

1171
01:05:11,000 --> 01:05:14,240
Speaker 1: who is like a sax player, who who's like played

1172
01:05:14,280 --> 01:05:16,680
Speaker 1: in like the Dad Kings, like with Sharon Jones and

1173
01:05:16,880 --> 01:05:19,880
Speaker 1: like the Buddhos band. Like Mark ronson the roots like

1174
01:05:19,960 --> 01:05:23,480
Speaker 1: guys like totally has his chops as like a sax player,

1175
01:05:23,680 --> 01:05:26,280
Speaker 1: but in his solo stuff, he's like melding kind of

1176
01:05:26,360 --> 01:05:29,320
Speaker 1: his own like indigenous heritage with like just other types

1177
01:05:29,360 --> 01:05:31,880
Speaker 1: of music that he's played, and it's just like makes

1178
01:05:31,920 --> 01:05:34,680
Speaker 1: for a nice you know, house instrumental like played in

1179
01:05:34,760 --> 01:05:38,320
Speaker 1: your house instrumental music. So this track is called Kukaria

1180
01:05:38,480 --> 01:05:41,720
Speaker 1: t u k A r i A by Coach c

1181
01:05:41,920 --> 01:05:44,320
Speaker 1: O C H E M E a uh and just

1182
01:05:44,760 --> 01:05:46,520
Speaker 1: the dope track and a lot of his work is

1183
01:05:46,560 --> 01:05:48,680
Speaker 1: pretty interesting, so check it all out if you want to.

1184
01:05:49,200 --> 01:05:51,840
Speaker 1: Al Right, well, The Daily Zika is a production by

1185
01:05:51,920 --> 01:05:53,920
Speaker 1: Heart Radio. For more podcast for my heart Radio, visit

1186
01:05:53,960 --> 01:05:56,480
Speaker 1: the heart Radio app, Apple podcast, or wherever you listen

1187
01:05:56,480 --> 01:05:58,200
Speaker 1: to your favorite shows. That is going to do it

1188
01:05:58,280 --> 01:06:00,240
Speaker 1: for us this morning. We're back this afternoon to tell

1189
01:06:00,280 --> 01:06:01,600
Speaker 1: you what is trending. I want to talk to you

1190
01:06:01,640 --> 01:06:02,600
Speaker 1: all that like by