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Speaker 1: Why do you want so concerned? You have a furrowed brow.

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Speaker 1: Turn that furrowed brow upside down. She was an American

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Speaker 1: girl raised on promises. Who fire real talk, yo. So

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Speaker 1: I don't know how we're gonna cover all that I

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Speaker 1: have to say in this episode. Plus have the genius

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Speaker 1: guests that we have, the one and only Sarah Chalk.

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Speaker 1: We have so much to cover. Season three begins right now. Yeah,

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Speaker 1: season three, Welcome, everybody, Welcome. Made three. We made it

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Speaker 1: to season three. This is going so fast. We're gonna

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Speaker 1: be done with this show too soon. I know my

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Speaker 1: heart needs to re up. Well, no, I heart's clearly

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Speaker 1: gonna re up to me. I don't know what my

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Speaker 1: fucking gift basket is, but I think it's pretty clear

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Speaker 1: they're gonna re up. But um but um but I mean,

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Speaker 1: you know, someone wrote me on my social media that like,

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Speaker 1: if you guys keep going at this rate, you'll be

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Speaker 1: done in this many weeks, and I was like, oh shit,

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Speaker 1: that's kind of fast. Well that's a great to think

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Speaker 1: about what we're gonna do when we're at a Scrubs episodes.

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Speaker 1: I think we could keep going with watching movies or

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Speaker 1: or or like pads of favorite TV shows or something.

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Speaker 1: I like that idea. That sounds great. I mean, what's

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Speaker 1: gonna happen, obviously, is eventually the world to reopen and

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Speaker 1: we'll be going back to doing what we do for

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Speaker 1: a living, acting and directing, and maybe we'll slow down

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Speaker 1: and do one a week instead of two week. I'm

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Speaker 1: just speculating. Listen, man, anything's possible. That's the beauty of

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Speaker 1: that's the beauty of this podcast. It's called Fake Doctors,

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Speaker 1: Real Friends. It's not necessarily called the Scrubs rewatch Show. Yeah,

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Speaker 1: that's just smart. That was smart. We could have called

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Speaker 1: it the Scrubs Rewatch Show and then it just would

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Speaker 1: have been that. Right. No, but that's not what this is.

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Speaker 1: This is a This is a tale of two fake

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Speaker 1: doctors who are actual friends, real friends. Yeah. So you know,

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Speaker 1: we could take this on to something else. Maybe we

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Speaker 1: watch other doctors shows. I'd preferably do I want to

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Speaker 1: do that. I do. No. I want to say since

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Speaker 1: we talk so much about movies, and I do think

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Speaker 1: that the listeners like the discussion of pop culture and

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Speaker 1: episodes of TV, we could literally go, Okay, this week,

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Speaker 1: we're doing back to the Future this week, we're doing

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Speaker 1: an episode of What's Happening, Like we could just I

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Speaker 1: think we could just like pick whether it's a TV

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Speaker 1: episode or a movie, and like that's the topic of

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Speaker 1: discussion that week. I would love I would love to

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Speaker 1: do the Back to the Future one. Now, could we

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Speaker 1: do that? No? Already did? We already did La Land.

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Speaker 1: Although I think when we switched to this mode, we'll

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Speaker 1: have to do a more in depth La La Land. Oh,

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Speaker 1: I can't go way deeper with my lad You know,

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Speaker 1: we turned a lot of people onto Lala Land. I

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Speaker 1: had a lot of people on my feeds being like,

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Speaker 1: you know, I never actually watched it, and I did,

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Speaker 1: thank you so much. I'm crying my eyes out. Really, yeah,

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Speaker 1: I would think that people would just be pissed off

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Speaker 1: at the end of La La Land. I don't necessarily

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Speaker 1: think people would be. I didn't think people would be

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Speaker 1: crying and stuff. I cried my eyes out at the

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Speaker 1: d laaand you didn't. We was sad you cried at

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Speaker 1: the end of La I'm a big sucker for love.

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Speaker 1: That cannot be if you strategically and do a good

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Speaker 1: job in your script of setting up two people. I'm

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Speaker 1: dying to be together, and then you throw at me

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Speaker 1: that they can't be together. I mean, even if like

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Speaker 1: we always we've not always we've used the example of

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Speaker 1: Whoopee being separated from her sister in color Purple, Oh

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Speaker 1: my gosh, or or or feel the dreams, the father

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Speaker 1: having the catch, but he's got to go back to

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Speaker 1: the field. Like you give me, you give me two

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Speaker 1: people that love each other and they can't be together.

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Speaker 1: I'm fucking done. I hear that out of Africa. Come on, buddy,

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Speaker 1: Bridges of Madison County. Come on home, buddy. When she

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Speaker 1: reaches for that handle and her hand is shaken, come o, buddy.

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Speaker 1: Spoilers WHI she's about to commit infidelity and she's about

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Speaker 1: to cheat on her husband. So come my own buddy.

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Speaker 1: Are you watching um Raised by Wolves Us? No? Is

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Speaker 1: that the Mowgli story of Tarzan? No, it's a jungle

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Speaker 1: book in Tarzan in one reverence. No, it's it's Ridley Scott, dude,

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Speaker 1: and it's sci fi. So I know you'll love it.

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Speaker 1: And it's really good. Joel, you must be watching this.

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Speaker 1: I freaking love it was there you go, I don't

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Speaker 1: want to it's cool. I think you really like it.

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Speaker 1: Donald because it's like sci fi, it's all the stuff. Really,

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Speaker 1: Scott's been exploring with the Alien franchise for the past

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Speaker 1: couple of years, and what I'm really interested it's like

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Speaker 1: the story of a mother and son. Mostly Ridley Scott's

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Speaker 1: son takes over the series after episode three, so really

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Speaker 1: Scott directs the first three episodes. Yeah is it, Jake?

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Speaker 1: I think so? Look it up. He's got a few songs.

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Speaker 1: I'm actually I'm actually represented by the Ridley Scott's Company

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Speaker 1: as a commercial director. And um, oh, a little bit

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Speaker 1: of trivia for you. When we cut my short film

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Speaker 1: that I made with Alicia Silverstone and Florence Pew, the

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Speaker 1: one that you all should go watch if you haven't

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Speaker 1: watched it called In the Time It Takes to Get There. Um,

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Speaker 1: that was in the whole edit suite where they cut

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Speaker 1: this show. So they like loaned us one of their

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Speaker 1: bays and for like a few days and we cut

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Speaker 1: our short in there, and I didn't know what it was.

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Speaker 1: It was like, oh, yeah, we're we're gearing up to

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Speaker 1: cut this epic series called Raised by Wolves, And I

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Speaker 1: was like, I don't know what that is. And now

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Speaker 1: I'm and now I'm watching it and it's so good.

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Speaker 1: I was like, oh shit, I was cutting on their avids.

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Speaker 1: So there you go. Donald, you'll love it. It's sci fi.

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Speaker 1: There's spaceships, there's androids. Oh that's the one where like

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Speaker 1: the Android is like got a bunch of kids and

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Speaker 1: it's yes, yes, yes, it's really good. Luke Scott oh yah, well,

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Speaker 1: Jake Scott's also a really amazing director. But Donald, you'll

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Speaker 1: love it. Um should we talk about Peloton? Did you

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Speaker 1: spend today? I did not spend to damn Gonna? I did.

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Speaker 1: You could probably tell by how sweaty I am. Are

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Speaker 1: you gonna try this woman? Leanne Haynesby, She's my favorite?

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Speaker 1: Right now, I'm telling you try Cody's. I did try Cody.

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Speaker 1: I did try Cody. Did you laugh your ass off?

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Speaker 1: He's funny, but he's a little he has I love

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Speaker 1: how you all have catchphrases. Cody. Cody has some catchphrases, right.

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Speaker 1: He says some shit that's like they're all trying to

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Speaker 1: find there. What you're talking about, willis what was coded? What? God?

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Speaker 1: He said one phrase over and again. But Liane's is

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Speaker 1: done and dusted because she's British and I didn't know

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Speaker 1: that was done and she goes, okay, okay, sit back down,

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Speaker 1: that section's over done and dusted, and I didn't. I

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Speaker 1: was like, did she make this shit up? And then

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Speaker 1: I asked Florence, It's like, is that like a British expression?

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Speaker 1: She's like, yeah, don and dusted. I never heard dunn

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Speaker 1: and dusted before Don dusted. Do you know what my

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Speaker 1: favorite British saying is bits and bobs? What is that?

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Speaker 1: Penis and balls? No bits and bobs? Like, just like

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Speaker 1: bits and bobs doesn't refer to penis and balls. Why

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Speaker 1: would it refer to penis and ball? I don't know.

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Speaker 1: Penis is willing forgot, for fuck's sake, just stop talking

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Speaker 1: about willis. Sorry anyway. Yeah, so I want to incorporate

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Speaker 1: I might even try it in this podcast the expression

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Speaker 1: don and dustted. Okay, dude, I'm getting skinny though, Dude.

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Speaker 1: I just want you to know I'm pushing myself. You're

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Speaker 1: looking good. I'm not gonna lie you're looking good, man.

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Speaker 1: I'm kind of wait. I'm gonna I'm gonna not not

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Speaker 1: ready to reveal my my abs yet because it's only

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Speaker 1: been a week, but I'm I'm going hardcore. I can't

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Speaker 1: wait for the Abberville as Health like everybody, and that's

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Speaker 1: my goal. Hey, speaking of cover of Men's Health, did

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Speaker 1: you see Ryan Reynolds on Twitter? What do you didn't

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Speaker 1: see that? Oh my god? Oh he's been blowing us

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Speaker 1: up all morning. He wants to come on the show.

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Speaker 1: He's like, go check Twitter right now now on your phone.

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Speaker 1: Not do you have Twitter on your phone? Yeah, he missed.

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Speaker 1: He missed his opportunity. Man, it's really we're not gonna

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Speaker 1: The funny thing is, what are you gonna we don't

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Speaker 1: have an episode, We just do it. He's gonna be

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Speaker 1: like our first, like episode. Yeah, he's gonna be our first,

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Speaker 1: just like shooting this ship with a on a very

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Speaker 1: special episode. Though doctor's real fra. He don't be funny

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Speaker 1: to get episode. It'll be funny to get up to

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Speaker 1: watch an episode he has nothing to do with. And

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Speaker 1: he's like, all right, Ryan, you're gonna wait it on

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Speaker 1: three zero two? Right? What do you think about this one? Er?

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Speaker 1: So wait? Hold up? He liked he Somebody obviously reached

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Speaker 1: out to him and was like, why did you diss

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Speaker 1: a fake doctor? No? No, I was very tactful when

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Speaker 1: I when I posted I made I made a joke

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Speaker 1: saying right today on the podcast, Ryan Reynolds asterisk down,

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Speaker 1: then put on the asterisk is a great actor we

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Speaker 1: talk about and um, people really reply to that. I'm

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Speaker 1: sure people. I know people were tagging and left and

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Speaker 1: right and uh. And then today he responded like I

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Speaker 1: want to be on this show. Like and then everyone

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Speaker 1: started weighing in and he was like and I was like,

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Speaker 1: we love you, Ryan, bring gin And He's like, I'll

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Speaker 1: bring what did you write you like, I'll bring empty

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Speaker 1: bottles and all the gin that's already in my body

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Speaker 1: or something. But like he's already. He's like he's, uh,

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Speaker 1: he's coming. He wants to come on the show. Okay,

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Speaker 1: that's why do you have that face on? Why do

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Speaker 1: you have that face on? It's like you're like pouting? Better?

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Speaker 1: Are you? Are you pouting? Oh? You me? Yeah, you

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Speaker 1: don't seem excited that Ryan wants to come on the

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Speaker 1: show of a sudden. No, I smoke that's sativa today,

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Speaker 1: So like you can't get high and come to work.

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Speaker 1: I'm not high. I just smoke that. I just said.

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Speaker 1: I smoked that said today. We are so opposite I'm

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Speaker 1: like I like did the peloton and chugged the Red Bull,

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Speaker 1: and Donald's like like fucking sitting pulling bong hits in

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Speaker 1: his living room. Come on, buddy, this is work. I

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Speaker 1: can't see these people. I can't do bong hits in

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Speaker 1: the living room. I got the kids in the living rooms,

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Speaker 1: all right, Well whatever in your garden, I got a

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Speaker 1: little escaped deck. Oh yeah, um, all right, Well everyone,

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Speaker 1: should we get into the show. A lot to talk about.

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Speaker 1: To bring in Sarah's Sarah here, Sarah's here, bring her in. See,

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Speaker 1: let's see everybody if she can figure out of her tech.

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Speaker 1: Oh jesus, she's on her iPad. That's always a bad sign.

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Speaker 1: Remember when Remember she had music playing one time? Yes,

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Speaker 1: but she could only hear it, right, we couldn't hear it? Yeah,

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Speaker 1: she always Let's see everybody, let's see listeners. If Sarah

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Speaker 1: Shawk can join a zoom call without issue? So far,

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Speaker 1: so far, so far, We've got We've got Sarah's iPad

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Speaker 1: is connecting to Uh that's soundproofing. Oh she doesn't know.

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Speaker 1: Oh she's got fancy soundproofing, probably because of Rick and

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Speaker 1: Morney or something. There she is what happened? Did I

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Speaker 1: do it for the work? You did? It seems are recording?

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Speaker 1: Are you recording? Oh boy, for real, these guys, you're

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Speaker 1: not even oh god, oh god, it's gonna be oh

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Speaker 1: my god situation already. And then and then what happened?

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Speaker 1: The dogs ate my other dog and my dad. This

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Speaker 1: was actually a dog's ate my homework situation. I so

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Speaker 1: prepared and I watched the episode and I couldn't find

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Speaker 1: my sheets, and I was like, fuck it twe o'clock

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Speaker 1: where I wears everything I wrote down? And so I

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Speaker 1: retraced my steps and look where I found it. The

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Speaker 1: wind had blown it in between the decks. And it's like,

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Speaker 1: oh my gosh, so so how much you care about

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Speaker 1: Sarah's holding up Sarah's holding up a paper that looks

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Speaker 1: like it's been through the washing machine. This is the most.

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Speaker 1: But I'm glad the audience is seeing this, because this

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Speaker 1: is what every single morning of we ever saw. Sarah

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Speaker 1: was like, you, guys, you're not going to believe this.

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Speaker 1: The note that I made of the show fell in

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Speaker 1: the gutter, and then just as I was reaching for it,

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Speaker 1: a raccoon picked it up and ran off with it.

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Speaker 1: And then I chased the racco going down that I

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Speaker 1: actually prepared, and that time code three point five two.

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Speaker 1: Kelso made a great face, Sarah, it looks like you

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Speaker 1: have a fancy sound booth, but is that a makeshift thing?

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Speaker 1: Because you do Rick and Wardy and other fun voiceover work.

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Speaker 1: So I can't remember if I told you guys this story,

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Speaker 1: but I um when I first the pandemic hit and

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Speaker 1: I was recording cartoons, and I was grabbing every duvet

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Speaker 1: and pillow on the bottom bunk bed and making like

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Speaker 1: a sound cocoon for as you know, good acoustics as

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Speaker 1: we could get. At that point, we were just kind

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Speaker 1: of doing pickups and it was fine. And then they

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Speaker 1: wanted better sound quality. So I took seven moving blankets

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Speaker 1: and duct taped them to my four year old's play

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Speaker 1: tent and I was like crawling there. And then so

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Speaker 1: then I I did like this deep dive into building

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Speaker 1: my own sound booth, and I learned more about like

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Speaker 1: green glue and clips and bass traps and like than

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Speaker 1: I could ever want to know. And so then finally

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Speaker 1: I decided to just order like a proper vocal booth

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Speaker 1: from Oregon and it was shipped up in a crate

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Speaker 1: and then we had to assemble it. So I like

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Speaker 1: the real deal. Wow, it's big, Sarah. I like that

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Speaker 1: you got it from Oregon. It's big, guys. Sarah has

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Speaker 1: like a legit professional audio. It's about time, though, Sarah,

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Speaker 1: because I feel like you do a lot of awesome

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Speaker 1: vo work. And I can understand that people were probably like,

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Speaker 1: all right, come on, Sarah, Well, especially since you guys

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Speaker 1: all know how technologically inclined I am. Yes, our listeners

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Speaker 1: have all heard and act he goes down before this one.

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Speaker 1: I'm like, I'm going to have I'm gonna have everything ready,

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Speaker 1: and I at the last minute, I was like, oh,

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Speaker 1: they prefer earbuds, not you know, headphones, And I thought

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Speaker 1: I was so organized, and then I went to go

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Speaker 1: grab my papers and I was saying, well, I'm so

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Speaker 1: glad you're here, Sarah, going to see you. We miss you.

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Speaker 1: I'm so glad you're here for this one, because um,

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Speaker 1: it's just an incredible Elliott episode and um we've been

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Speaker 1: talking so much and this isn't just to blow smoke.

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Speaker 1: And I know you probably don't listen to the podcast,

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Speaker 1: but we are not men of lip service. Let's keep

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Speaker 1: it on oh, I spent nine years. I know, I know,

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Speaker 1: if we know, you're not feel like no, but Sarah,

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Speaker 1: even though it's it, and this is coming from the

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Speaker 1: bottom of my heart. Donald and I are watching these episodes,

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Speaker 1: and almost every episode we're like, holy shit, I wasn't

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Speaker 1: paying enough attention to how good Sarah is in this show.

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Speaker 1: That is so nice and so um not true. I

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Speaker 1: find the beginning episodes very difficult for me to watch

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Speaker 1: because I'm so bad. I feel so much. As this

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Speaker 1: show went along, I feel like, great, I think you're

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Speaker 1: so funny Sarah, your comics. I think I was so

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Speaker 1: in my own bubble and trying to do a good

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Speaker 1: job my own thing. And of course I noticed occasionally

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Speaker 1: when I thought you were being funny or or or

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Speaker 1: your dramatic work was great. But now I'm just sitting

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Speaker 1: here twenty years later watching and Donald and I are

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Speaker 1: both like, holy shit, Sarah is funny as hell, and

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Speaker 1: of course you're dramatic stuff too, but but you're just

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Speaker 1: high hilarious well for their dramatic stuff. I've got my

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Speaker 1: Josh Raid and the iPod you know, play soundtrack. Remember

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Speaker 1: I used to go with my iPods and have my

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Speaker 1: crime playlist. I think that's a good to move for

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Speaker 1: a lot of people putting on the sad music winter.

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Speaker 1: Are you gonna say Donald and you find as hell? Girl?

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Speaker 1: Holy shit? Oh there it is there. It is talk.

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Speaker 1: We just watched the episode where you when you're naughty

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Speaker 1: nurse outfit making out with Donald and that got us

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Speaker 1: all riled up. Oh my god, I remember that day,

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Speaker 1: and it was like, you know, when you're on a

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Speaker 1: show and you are somebody's love interests from the beginning,

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Speaker 1: and you kind of meet and you're already kissing, But

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Speaker 1: it's so different from when like you become such good

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Speaker 1: friends with somebody and you're just buddies, and then all

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Speaker 1: of a sudden, it's like and now you will be

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Speaker 1: on all fours, crawling on top of them, and you'll

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Speaker 1: be wearing very little clothing. Right. Zach was like, Zach

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Speaker 1: kept asking me. He was like, wait a second, and

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Speaker 1: you didn't get like excited, And I was like, dude,

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Speaker 1: at this point, we were hanging out so much and

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Speaker 1: we were so tight as friends that it was like, Yo,

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Speaker 1: it's like I'm kissing my sister, dude, And then oh

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Speaker 1: my god. But when you look at the scene, it

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Speaker 1: looks really good, like we had good chemistry, you have

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Speaker 1: good chemistry. You're jealous. I'm not gonna lie. I can't

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Speaker 1: lie and tell you that and jealous I twenty years later,

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Speaker 1: I was like, get your fucking hands. I love it. Wait,

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Speaker 1: we never we never counted in Sarah. And since uh,

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Speaker 1: since you're you're our favorite Canadian. Ryan Reynolds is going

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Speaker 1: to be coming on the program, so he's gonna be

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Speaker 1: our second favorite Canadian. But since you're our first favorite Canadian,

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Speaker 1: I thought, wait, wait, wait, Tom Cavanaugh also Tom Kavanaugh

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Speaker 1: also okay, okay, I can't believe, are you? And then

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Speaker 1: we're gonna have Michael Jay Fox I hope. So that's

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Speaker 1: the top. He might just play Sarah. No, no, no,

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Speaker 1: if he's Sarah Michael J. Sarah, but I think Michael J.

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Speaker 1: Fox might briefly maybe just for the week, move Sarah down. No, no,

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Speaker 1: it would be Sarah Michael J. Fox, Okay, Tom Cavanaugh

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Speaker 1: and then Ryanka and when Ryan comes on, Donald and

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Speaker 1: Ryan I've done the exact saint that scene I just

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Speaker 1: did with Donald like on all fours, cryling on top

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Speaker 1: of him. Also I've done with Ryans So really that

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Speaker 1: could be discussed that or we have done it, you have,

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Speaker 1: I have, I have what what was that? I don't

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Speaker 1: know if you guys remember when we were I can't

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Speaker 1: remember Canadian porn? Sorry, did you do Canadian porn? You know?

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Speaker 1: It was? It was? It was. There's a lot of

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Speaker 1: here work here now. It didn't used to be that way.

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Speaker 1: Um so Ryan right, I don't know if you guys

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Speaker 1: remember we could get you know, Ryan and I. Ryan

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Speaker 1: and I were young. We had to take what Canadian

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Speaker 1: work we could get Canadian something you hear a lot about.

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Speaker 1: But okay, it's very tame, very They politely kiss each

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Speaker 1: other totally all right before we count in, Sarah tell

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Speaker 1: us the story you mounted Ryan Reynolds. So, I don't

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Speaker 1: know if you guys remember. I can't remember what season

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Speaker 1: it was on Scrubs, but I remember I was. I

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Speaker 1: was like, oh man, I gotta put on braun underwear

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Speaker 1: and for this movie. And there's pretty much my only

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Speaker 1: couple scenes in the movie, and one or two of

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Speaker 1: them were in like just pull brown underwear, like push

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Speaker 1: Ryan Realms on the bed, crawl on top of them,

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Speaker 1: much like the Donald scene. And so so I was

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Speaker 1: like trying to do I think I asked you, Zach,

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Speaker 1: you had that amazing delivery food service that was like

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Speaker 1: super healthy, and so I tried doing that and I

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00:18:10,600 --> 00:18:13,960
Speaker 1: was like trying to be all healthy. What happened? And

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Speaker 1: what was the scene you mounted him? Was awkward? Was

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Speaker 1: there chemistry like there was between you and Donald in

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Speaker 1: your naughty outfit? Hells? Yeah? So I was, I was.

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Speaker 1: I think I got there to say. And my first

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Speaker 1: scene was that scene with Ryan. So it was kind

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Speaker 1: of like, Hi, nice to meet you again, kind of

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Speaker 1: because we'd known each other through friends when we were younger,

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Speaker 1: but I didn't know him well at all. And yeah,

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Speaker 1: that was literally the first scene as I like a

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Speaker 1: garter and heels and like this one movie is this?

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Speaker 1: How can watch this movie is? Let's say, I wanted

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Speaker 1: to quickly watch it this evening. Uh. It is directed

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Speaker 1: by Marcos Siega, starring Ryan Reynolds and Emily Mortimer. And

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Speaker 1: the name of it is coming to me. I'll count

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Speaker 1: us in. You guys will go to break. I'll think

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Speaker 1: about it all right, hold on and Sarah, you will

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Speaker 1: now count us in. Got girls an we only bestow

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Speaker 1: this un certain people French or English. By body, I

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Speaker 1: mean we're in Canba with French do French, French French? Thanks?

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Speaker 1: He said, world, you like, how would you about? Would

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Speaker 1: you prefer stories about show we made about a bunch

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Speaker 1: of nurses? Said, he's stories? So dado around here? Are

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Speaker 1: yadoo around here? Sarah? So what was the movie called?

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Speaker 1: Joel helped you out? Joel helped me out? Thank you Joel?

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Speaker 1: Chaos theory? Chaos theory? All right, everyone? This is this

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Speaker 1: is obviously before he like blew up and became like

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Speaker 1: the Ryan Reynolds that he is today. Was he already

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Speaker 1: ripped in stuff like that? Donald wants to know if

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00:20:01,520 --> 00:20:02,920
Speaker 1: Donald wants to know if you had a chance to

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Speaker 1: see the abs live in person? Were they Doe and

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00:20:06,200 --> 00:20:09,800
Speaker 1: was he where they listening? Where where they? Or was

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Speaker 1: he like ripped enough to be a character in magic? Mike?

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Speaker 1: I mean, I just he was ripped. I just remember

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Speaker 1: being ripped. I don't know the degrees of rippage that

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Speaker 1: you guys are referring to, but well, you know, Sarah,

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Speaker 1: you were, you were on top of them. I'm sure

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Speaker 1: you know they were. I feel bad that you were

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Speaker 1: coming from me being your love interest and then uh

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Speaker 1: and then going to Ryan Reynolds with his abs and

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Speaker 1: had to come back to Mike Joey physique. But anyway,

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Speaker 1: this episode, I really I have to say the first

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Speaker 1: shot of me, I instantly saw that I had a

390
00:20:36,960 --> 00:20:40,399
Speaker 1: little little fopa happening. I had a little bed and

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Speaker 1: that is one of my favorite shots in the episode.

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Speaker 1: I mean, when you're dancing, it fucking kills me. Okay,

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Speaker 1: I don't too far. We're going too fast. We're going

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Speaker 1: too fast. Let's just do the recap real quick so

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Speaker 1: we can get this out of the way. Recap. All right,

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Speaker 1: hold on, I don't have my phone, Dan, I need

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Speaker 1: you to time, no problem. And yes, I have been

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Speaker 1: listening to the podcast. I am behind, but I haven't

399
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Speaker 1: listening and I do nobody nobody else say I did

400
00:21:12,200 --> 00:21:14,360
Speaker 1: hear you ask Scarlett your hands about Ryan Reynolds aapp

401
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Speaker 1: so I know that that happens. Yes, okay, all right,

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Speaker 1: here we go. All right, you ready ready it's forty

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Speaker 1: seven seconds now, forty seven seconds? Ready go. Season three

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Speaker 1: begins with a pal Doctor Cox punches Doctor Kelso in

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Speaker 1: the nose. Things in the hospital seem to go back

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Speaker 1: to normal. Well, there are a few changes. J D

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00:21:34,720 --> 00:21:39,240
Speaker 1: stopped using moose when when the progression of change doesn't

408
00:21:39,240 --> 00:21:41,800
Speaker 1: move fast enough. Some people take matters into their own

409
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Speaker 1: hands and try to help change with its pace. Unfortunately,

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Speaker 1: change is stubborn as fuck and moves at its own speed.

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Speaker 1: It's like it likes to take its time. Change is

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Speaker 1: so slow that things always seem to be the same. Okay,

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00:22:00,520 --> 00:22:03,000
Speaker 1: changes so slow, things always seem to be the same.

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Speaker 1: Thirty nine seconds. Thank you Donald for that beautiful summation

415
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Speaker 1: of the themes. My first impression was what the hell

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Speaker 1: did I do during this hiatus? Because I have a belly,

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Speaker 1: my hair is too long, I seem a little fat

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Speaker 1: in my face, like I've been over indulging in alcohol. Um.

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Speaker 1: That was my first impression of myself. What did you guys,

420
00:22:25,680 --> 00:22:28,000
Speaker 1: thick when you first saw your season three selves? When

421
00:22:28,040 --> 00:22:30,680
Speaker 1: I first saw you, I was like, oh shit, this

422
00:22:30,920 --> 00:22:34,520
Speaker 1: is the season. Zach came back comfortable, like he cares.

423
00:22:35,359 --> 00:22:37,920
Speaker 1: He came back, but it's true he went away that

424
00:22:38,080 --> 00:22:40,960
Speaker 1: summer and sincerely was like, you know, hey, I'm the

425
00:22:41,080 --> 00:22:42,680
Speaker 1: star of a hit show and I'm gonna be on

426
00:22:42,840 --> 00:22:46,760
Speaker 1: Thursday nights and he ate some freaking ice cream. Like

427
00:22:47,680 --> 00:22:49,680
Speaker 1: you noticed, I looked a little chubby. I don't like that.

428
00:22:49,800 --> 00:22:51,960
Speaker 1: But see, see when you guys say that you don't

429
00:22:51,960 --> 00:22:54,040
Speaker 1: blow smoke and you yeah, I mean you, you mean it.

430
00:22:54,320 --> 00:22:56,760
Speaker 1: You can tell it like it is. No, we don't,

431
00:22:56,800 --> 00:22:58,440
Speaker 1: we don't, we don't. We don't mince words here. I

432
00:22:58,480 --> 00:22:59,919
Speaker 1: want him to be honest with you. I tell him,

433
00:23:00,000 --> 00:23:02,600
Speaker 1: and he looks a little Tubbins. Will you tell me

434
00:23:02,720 --> 00:23:10,840
Speaker 1: that all the time? Tubbins? I like it sounded like

435
00:23:10,920 --> 00:23:14,200
Speaker 1: it sounded like Mary Poppins with Tubbins for paper and

436
00:23:17,040 --> 00:23:18,960
Speaker 1: your own set of wings. What's up? You know what?

437
00:23:19,000 --> 00:23:20,800
Speaker 1: I remember? We were? We were, We were bona fied

438
00:23:20,880 --> 00:23:22,679
Speaker 1: hit at this point. Season two was our was our

439
00:23:22,920 --> 00:23:26,000
Speaker 1: was our biggest season ever. And I have to look

440
00:23:26,080 --> 00:23:28,199
Speaker 1: up when I did that hetus. I'm sure I may

441
00:23:28,240 --> 00:23:29,880
Speaker 1: have made a movie me he was Last Kiss or something.

442
00:23:29,920 --> 00:23:33,520
Speaker 1: I don't know, but I came back a little Tubbins. No,

443
00:23:33,640 --> 00:23:35,240
Speaker 1: I think it's garden I think at this time it's

444
00:23:35,280 --> 00:23:37,840
Speaker 1: Garden State. I think Garden State had come out. You're

445
00:23:37,880 --> 00:23:40,639
Speaker 1: right jumping timeline and no, it didn't come out. I

446
00:23:40,760 --> 00:23:43,840
Speaker 1: think I probably shot Gardens. That it had to be

447
00:23:44,000 --> 00:23:45,919
Speaker 1: this year that you shot Garden State, because the year

448
00:23:46,000 --> 00:23:49,639
Speaker 1: before you had just sold it and everything like that,

449
00:23:49,800 --> 00:23:52,440
Speaker 1: So this is the right, right right. The year before

450
00:23:52,520 --> 00:23:55,160
Speaker 1: I had done Shakespeare in the Park in New York,

451
00:23:55,320 --> 00:23:57,440
Speaker 1: and then I had set it up with Natalie, and

452
00:23:57,600 --> 00:23:59,080
Speaker 1: this would have been one year later, is what I

453
00:23:59,080 --> 00:24:01,400
Speaker 1: had probably made the movie. Sorry I'm bad with time

454
00:24:01,440 --> 00:24:03,440
Speaker 1: like that, but you're probably right. So anyway, I come back.

455
00:24:03,480 --> 00:24:05,639
Speaker 1: I remember that we were we all three of us,

456
00:24:05,680 --> 00:24:07,119
Speaker 1: were kind of like, the show is such a hit.

457
00:24:07,119 --> 00:24:09,879
Speaker 1: Are we gonna get a little pay raise? Because you

458
00:24:09,920 --> 00:24:12,560
Speaker 1: know that sometimes happens. After two years, we had heard

459
00:24:12,560 --> 00:24:14,840
Speaker 1: that the Willing Grace casts had all been given boxers.

460
00:24:14,880 --> 00:24:16,720
Speaker 1: Do you remember that This was like when the Porsche

461
00:24:16,800 --> 00:24:21,000
Speaker 1: boxer was a boxer. Yeah, just get just come out.

462
00:24:21,080 --> 00:24:23,359
Speaker 1: And they had given all four of the leads of

463
00:24:23,440 --> 00:24:26,320
Speaker 1: Will and Grace boxers. And we were like, oh shit,

464
00:24:26,520 --> 00:24:28,640
Speaker 1: we'll be gonna get what's going on? And we didn't

465
00:24:28,680 --> 00:24:32,159
Speaker 1: get anything. And then the first episode opened with you

466
00:24:32,320 --> 00:24:35,040
Speaker 1: Too the song, and I never turned to Donald being like,

467
00:24:35,160 --> 00:24:41,840
Speaker 1: I guess that's where our raised. Oh my god, that

468
00:24:42,119 --> 00:24:44,520
Speaker 1: you two song. I mean, just hearing it in this episode,

469
00:24:44,560 --> 00:24:46,359
Speaker 1: like does it bring you guys right back to the pilot.

470
00:24:46,440 --> 00:24:49,280
Speaker 1: I can't hear that song without it like being twenty

471
00:24:49,359 --> 00:24:52,200
Speaker 1: four again and shooting that pilot. Why did we play

472
00:24:52,280 --> 00:24:55,680
Speaker 1: the song a lot that was in the pilot was

473
00:24:55,720 --> 00:24:58,400
Speaker 1: in the pilot episode when Danald Joel am I correct, Yeah,

474
00:24:58,400 --> 00:25:00,159
Speaker 1: I think so. It wasn't when you walk in like

475
00:25:00,240 --> 00:25:03,040
Speaker 1: the song. I think in the pilot up it probably

476
00:25:03,160 --> 00:25:06,719
Speaker 1: is less unless it was that we tried to put

477
00:25:06,800 --> 00:25:08,359
Speaker 1: it in and then when we it was just in

478
00:25:08,400 --> 00:25:10,000
Speaker 1: the pre cut and when we aired, we didn't get

479
00:25:10,000 --> 00:25:11,600
Speaker 1: it till three years later, but I think we had

480
00:25:11,640 --> 00:25:13,600
Speaker 1: it in there, and I just remember that it was

481
00:25:13,680 --> 00:25:16,240
Speaker 1: very expensive, and I think we were told at the time,

482
00:25:16,760 --> 00:25:18,600
Speaker 1: like someone was like, you're not gonna believe how much

483
00:25:18,640 --> 00:25:20,760
Speaker 1: we spent on getting that you two song, and we

484
00:25:20,880 --> 00:25:25,160
Speaker 1: were all like, great, that sounds great, gonna be really

485
00:25:25,200 --> 00:25:28,679
Speaker 1: good because you know, because Bono needs a new house. Right,

486
00:25:28,760 --> 00:25:32,280
Speaker 1: Oh my god? Did did you guys? Was that the

487
00:25:32,440 --> 00:25:35,200
Speaker 1: year that you got your new car? Speaking of boxers,

488
00:25:35,240 --> 00:25:36,639
Speaker 1: it wasn't a Boxer, but when you went from your

489
00:25:36,720 --> 00:25:40,119
Speaker 1: ZDR Porsche and Bill put the license plate on, No,

490
00:25:40,240 --> 00:25:42,399
Speaker 1: I didn't go right to do I didn't get that

491
00:25:42,520 --> 00:25:44,720
Speaker 1: cocky I got I got a three fifty Z the

492
00:25:44,840 --> 00:25:47,280
Speaker 1: year that the three Nissan three fifty Z came out.

493
00:25:47,960 --> 00:25:51,280
Speaker 1: My father's fanciest sports car was a Nissan two eighties X,

494
00:25:51,359 --> 00:25:53,200
Speaker 1: and I thought it was the coolest car. It was

495
00:25:53,240 --> 00:25:55,160
Speaker 1: the first, one of the first cars where that would talk,

496
00:25:55,520 --> 00:25:57,520
Speaker 1: that is to say, like if you left your lights on,

497
00:25:57,600 --> 00:25:59,520
Speaker 1: it would be like your lights are on. And I

498
00:25:59,640 --> 00:26:01,879
Speaker 1: was like, holy shit, we have night Rider. We have

499
00:26:02,000 --> 00:26:04,720
Speaker 1: fucking night Rider. And I would talk to it. I

500
00:26:04,800 --> 00:26:06,680
Speaker 1: would talk to it. I would sit, my dad would

501
00:26:06,680 --> 00:26:09,520
Speaker 1: be inside obviously like I wouldn't have the keys, but

502
00:26:09,600 --> 00:26:11,920
Speaker 1: I would like open the door and like flip the

503
00:26:12,000 --> 00:26:14,960
Speaker 1: lights on it and I'd be like, hey kid, and

504
00:26:15,040 --> 00:26:16,840
Speaker 1: everything okay with the car, and it would be like

505
00:26:16,920 --> 00:26:18,679
Speaker 1: your lights her own, and I'm like, thank you, kid,

506
00:26:19,080 --> 00:26:21,560
Speaker 1: And I was just in heaven. So I always loved

507
00:26:21,640 --> 00:26:24,080
Speaker 1: Nissan sports cars. And then Nissan Kim came out with

508
00:26:24,160 --> 00:26:27,200
Speaker 1: a three fifty Z and I was so excited. And

509
00:26:27,320 --> 00:26:29,560
Speaker 1: I actually my car that I bought for five grand

510
00:26:29,600 --> 00:26:31,280
Speaker 1: when I moved to La my parents low me money,

511
00:26:31,640 --> 00:26:36,960
Speaker 1: was a Nissan two forty SX super used barely, you know,

512
00:26:37,000 --> 00:26:39,040
Speaker 1: I fixed it up so it was fine. And then

513
00:26:39,119 --> 00:26:41,040
Speaker 1: when I got to when I got scrubbed and there

514
00:26:41,119 --> 00:26:45,160
Speaker 1: was a bus boy who worked at the French Vietnamese

515
00:26:45,200 --> 00:26:47,240
Speaker 1: restaurant with me, and he barely spoke English. I don't

516
00:26:47,240 --> 00:26:49,520
Speaker 1: know any Spanish, but we were like best friends. And

517
00:26:50,000 --> 00:26:54,159
Speaker 1: he loved my Nissan two forty SX. And when I

518
00:26:54,240 --> 00:26:56,800
Speaker 1: got Scrubs and then I bought the Z, I gave

519
00:26:56,920 --> 00:26:59,840
Speaker 1: him the car for like a dollar because you have

520
00:26:59,880 --> 00:27:02,040
Speaker 1: to like do some money exchange or something, so he

521
00:27:02,160 --> 00:27:04,280
Speaker 1: like he got the car for a buck and it

522
00:27:04,320 --> 00:27:07,159
Speaker 1: was pretty cool moment. And so yes, my first fancy

523
00:27:07,280 --> 00:27:09,760
Speaker 1: car with scrubs was that I didn't get to portion

524
00:27:09,800 --> 00:27:11,800
Speaker 1: until I made a little more money. Hold on, I

525
00:27:11,840 --> 00:27:15,680
Speaker 1: remember what happened. You bought the Z and everybody clowned

526
00:27:15,720 --> 00:27:19,840
Speaker 1: you for buying one person one person clown, one personal

527
00:27:19,920 --> 00:27:25,800
Speaker 1: who is that? One person? You? You? Okay? You also,

528
00:27:26,480 --> 00:27:28,760
Speaker 1: but also Bill who put TV doc on your license

529
00:27:28,800 --> 00:27:30,399
Speaker 1: plate and then he didn't tell you that he was

530
00:27:30,480 --> 00:27:31,920
Speaker 1: doing that. I don't know if you've discussed this on

531
00:27:31,920 --> 00:27:33,480
Speaker 1: the podcast or maybe you want to cut this out

532
00:27:33,480 --> 00:27:37,000
Speaker 1: because it's too much. We don't cut. Don't cut. We

533
00:27:37,080 --> 00:27:41,280
Speaker 1: don't cut embarrassing things out, Sarah, Bill had the prop Department,

534
00:27:41,520 --> 00:27:45,720
Speaker 1: unbeknownst to me, put a California license plate on my

535
00:27:45,760 --> 00:27:48,879
Speaker 1: new car that said TV doc and I didn't know

536
00:27:49,000 --> 00:27:51,120
Speaker 1: about it or see it. And I was driving around

537
00:27:51,280 --> 00:27:54,840
Speaker 1: fucking la for how long? For how long? Probably like

538
00:27:55,040 --> 00:27:57,600
Speaker 1: like a week with a flashy sports car with TV doc?

539
00:27:57,680 --> 00:28:01,720
Speaker 1: I want to so embarrassed. That inspired me when I

540
00:28:01,880 --> 00:28:04,160
Speaker 1: was working on a show called Mad Love with Jason

541
00:28:04,200 --> 00:28:06,200
Speaker 1: Biggs and Tyler Labine and we were rapping the next

542
00:28:06,280 --> 00:28:07,720
Speaker 1: day and I thought what it would be a fun

543
00:28:07,840 --> 00:28:11,520
Speaker 1: thing to do for the cast, and Judy Grew was

544
00:28:11,520 --> 00:28:12,840
Speaker 1: on him. She was like, I can't do it to

545
00:28:12,960 --> 00:28:17,040
Speaker 1: Judy because she wouldn't have loved it. So I asked

546
00:28:17,040 --> 00:28:19,520
Speaker 1: the props department, who are always so amazing, like in

547
00:28:19,640 --> 00:28:21,200
Speaker 1: twenty four hours, I was like, can you get me

548
00:28:21,720 --> 00:28:24,720
Speaker 1: two license plates? And so they made me these license

549
00:28:24,760 --> 00:28:27,080
Speaker 1: plates and they TechEd them down to make them look old,

550
00:28:27,119 --> 00:28:28,720
Speaker 1: and I was like, what would be the douchiest things

551
00:28:28,760 --> 00:28:32,360
Speaker 1: that they could be driving around with? So for Biggs,

552
00:28:32,480 --> 00:28:39,160
Speaker 1: I did Biggs and the S was a dollar signum.

553
00:28:39,520 --> 00:28:43,120
Speaker 1: For Tyler Labine, I just did, like actin ACTI n

554
00:28:43,160 --> 00:28:47,520
Speaker 1: apostrophe at acting for my fellow. I've known Tyler since

555
00:28:47,560 --> 00:28:49,680
Speaker 1: we were sixteen. We were in a robin Hood takeoff

556
00:28:49,720 --> 00:28:52,600
Speaker 1: with Joshua Jackson, josh Jackson and Devin Sawa when we

557
00:28:52,640 --> 00:28:56,560
Speaker 1: were like fifteen. So all you Canadian kids stick together. Man,

558
00:28:56,720 --> 00:28:59,200
Speaker 1: there's a whole Canadian community up there. There's only like

559
00:28:59,480 --> 00:29:01,680
Speaker 1: fourteen of them. They all know each other. No, there's

560
00:29:01,760 --> 00:29:04,880
Speaker 1: no way more than that. Dude. I used to think

561
00:29:04,960 --> 00:29:07,760
Speaker 1: like you, Zach. I used to think like you. But no, no, no,

562
00:29:09,160 --> 00:29:12,200
Speaker 1: I learned when I did I did a French Canadian

563
00:29:12,280 --> 00:29:15,920
Speaker 1: film in Montreal, and I learned that there's a whole

564
00:29:16,000 --> 00:29:21,080
Speaker 1: community of French Canadian stars that watch French Canadian cinema

565
00:29:22,040 --> 00:29:24,160
Speaker 1: like they have their own star system. Because when I

566
00:29:24,200 --> 00:29:26,560
Speaker 1: did the movie, there's amazing actress I worked with. She

567
00:29:26,760 --> 00:29:30,520
Speaker 1: was like a big star in Montreal. And interestingly enough,

568
00:29:30,600 --> 00:29:33,760
Speaker 1: I said, oh, these movies must must transfer over to

569
00:29:34,040 --> 00:29:36,160
Speaker 1: France and they said no, they really, they rarely ever

570
00:29:36,440 --> 00:29:40,000
Speaker 1: become popular in France. It's like just this community. They

571
00:29:40,080 --> 00:29:43,640
Speaker 1: have their own like movie stars. So what was the movie?

572
00:29:43,680 --> 00:29:47,600
Speaker 1: I want to see it? It's called The High Cost

573
00:29:47,680 --> 00:29:52,120
Speaker 1: of Living. It's a super super, super good but also

574
00:29:52,240 --> 00:29:54,280
Speaker 1: sad movie. It's the movie I made with Deborah Chow.

575
00:29:55,000 --> 00:29:57,520
Speaker 1: We've spoken about Debor Chow on this podcast. She's become

576
00:29:57,920 --> 00:30:00,120
Speaker 1: one of the hottest directors in town. She's one of

577
00:30:00,120 --> 00:30:05,960
Speaker 1: the directors of Mandalorian and she's directing m the Obi

578
00:30:06,000 --> 00:30:09,600
Speaker 1: Wan TV show. Anyway, her first feature that she wrote

579
00:30:09,640 --> 00:30:12,880
Speaker 1: and directed UM was was there and it was called

580
00:30:12,920 --> 00:30:14,400
Speaker 1: The High Cost of Living, which I was going to

581
00:30:14,440 --> 00:30:17,239
Speaker 1: say reach. The reason I would imagine, the reason why

582
00:30:17,280 --> 00:30:22,400
Speaker 1: I wouldn't translate or in France. In France is because

583
00:30:22,560 --> 00:30:26,080
Speaker 1: it's two different French us close enough. I mean you

584
00:30:26,120 --> 00:30:28,800
Speaker 1: can sound like this different, right, Sara, you would know

585
00:30:28,840 --> 00:30:30,840
Speaker 1: better than us. Isn't that sounds like you can understand

586
00:30:30,880 --> 00:30:34,760
Speaker 1: each other. That's like saying Haitians and montreal people speak

587
00:30:34,840 --> 00:30:37,600
Speaker 1: the same French Man, it's a different I don't think

588
00:30:37,640 --> 00:30:40,320
Speaker 1: it's that different. Let's ask the people, the person who's fluent, Sarah,

589
00:30:40,480 --> 00:30:43,400
Speaker 1: is it that different? I mean, they definitely are different.

590
00:30:43,400 --> 00:30:46,960
Speaker 1: I feel like there's sort of like a definitely people

591
00:30:47,320 --> 00:30:51,480
Speaker 1: from France would like to definitely think so, like when

592
00:30:51,520 --> 00:30:53,840
Speaker 1: I go to France and I'm so excited to speak

593
00:30:53,880 --> 00:30:58,320
Speaker 1: French at the market. Since um I was learned speaking

594
00:30:58,520 --> 00:31:02,960
Speaker 1: you know all my my teachers, growing friend Canadian Hello Milo,

595
00:31:05,000 --> 00:31:13,600
Speaker 1: Still good radio. They Callmedian Radio the radio because we

596
00:31:13,640 --> 00:31:19,920
Speaker 1: would be like chatting all the time. I don't even

597
00:31:19,960 --> 00:31:23,800
Speaker 1: know what she said, but it shifted. But that's French

598
00:31:23,880 --> 00:31:28,600
Speaker 1: Canadian right there. That's French Canadian. That's right now, Sarah,

599
00:31:28,640 --> 00:31:30,920
Speaker 1: as I recall what they no, it's a big difference

600
00:31:31,040 --> 00:31:34,600
Speaker 1: between that and freaking regular French. She just said it

601
00:31:34,720 --> 00:31:37,640
Speaker 1: was different, but Donald saying they can barely understand each other.

602
00:31:37,840 --> 00:31:39,440
Speaker 1: You can go there and they think you have an accent,

603
00:31:39,520 --> 00:31:42,720
Speaker 1: but they understand you. I mean, they were the words

604
00:31:42,720 --> 00:31:45,040
Speaker 1: are all the same. Yeah, I just say, that's it

605
00:31:45,160 --> 00:31:50,440
Speaker 1: real hard though. It's like it's like you're saying it

606
00:31:50,560 --> 00:31:54,400
Speaker 1: like that instead of plus some motherfucker, because that comes

607
00:31:54,440 --> 00:31:59,120
Speaker 1: up all the time. Fish. It's been like it's sad

608
00:31:59,160 --> 00:32:05,960
Speaker 1: of being like poissons le poison. I feel like they

609
00:32:06,040 --> 00:32:09,000
Speaker 1: said we like this, Sarah, Wet, they go wet. What

610
00:32:12,200 --> 00:32:16,240
Speaker 1: I remember is that they're going wet wa um. So sorry.

611
00:32:16,640 --> 00:32:19,240
Speaker 1: Joel has told us that that song didn't make the pilot, Sarah,

612
00:32:19,320 --> 00:32:20,880
Speaker 1: So maybe it was in the cut. You heard it

613
00:32:20,960 --> 00:32:22,880
Speaker 1: in the cut, and it probably was too expensive. I

614
00:32:22,960 --> 00:32:24,160
Speaker 1: have to ask Bill now because I don't know if

615
00:32:24,160 --> 00:32:25,280
Speaker 1: I'm making that up, but I thought it was in

616
00:32:25,360 --> 00:32:27,080
Speaker 1: the cut of the pilot. But yeah, maybe we had

617
00:32:27,120 --> 00:32:29,920
Speaker 1: to wait till season three for our boxer money to

618
00:32:30,000 --> 00:32:34,760
Speaker 1: go to. Bill doesn't do the ask Bill section, No,

619
00:32:34,920 --> 00:32:38,160
Speaker 1: he does. You misunderstood Donald. It's not that he was

620
00:32:38,280 --> 00:32:40,800
Speaker 1: giving up doing the segment. He said he just wanted

621
00:32:40,840 --> 00:32:44,760
Speaker 1: to be more proactive in his contributions. Isn't that right, Joel? Yes,

622
00:32:44,840 --> 00:32:47,240
Speaker 1: that is correct. Okay, can we let's get back to

623
00:32:47,320 --> 00:32:49,760
Speaker 1: the show. Okay, But I just have so much to

624
00:32:49,800 --> 00:32:52,160
Speaker 1: talk about. How about that news article about us that

625
00:32:52,240 --> 00:32:55,440
Speaker 1: was in Sarah did you see that? I saw it

626
00:32:55,520 --> 00:32:59,400
Speaker 1: and I read it and congratulations and I agree, and

627
00:33:00,200 --> 00:33:05,120
Speaker 1: I mean just the just the like in headline. Yeah,

628
00:33:05,200 --> 00:33:08,000
Speaker 1: it was like the podcast of Quarantine. How how Fake

629
00:33:08,080 --> 00:33:12,240
Speaker 1: Doctor's Real Friends became the hit podcast of Quarantine. Everybody,

630
00:33:12,280 --> 00:33:15,560
Speaker 1: if you haven't seen it, US says that we're all amazing,

631
00:33:15,840 --> 00:33:19,560
Speaker 1: and we agree, and it is such a it's such

632
00:33:19,600 --> 00:33:22,880
Speaker 1: a beautiful relief in the midst of all of the shit.

633
00:33:23,080 --> 00:33:26,960
Speaker 1: Like I find there have been stressful moments obviously over

634
00:33:27,040 --> 00:33:30,000
Speaker 1: the past seven months, when someone gets sick and you're like, oh,

635
00:33:30,120 --> 00:33:33,040
Speaker 1: good now that every symptoms on the docket. There's not

636
00:33:33,160 --> 00:33:35,720
Speaker 1: really a moment of relief if you're sick of wondering

637
00:33:35,760 --> 00:33:38,240
Speaker 1: is is it is? It's not it? And I have

638
00:33:39,080 --> 00:33:41,320
Speaker 1: played I remember one time I was really stressed. I

639
00:33:41,400 --> 00:33:43,160
Speaker 1: played it and it was you guys and Neil Flynn

640
00:33:43,320 --> 00:33:45,960
Speaker 1: and I laughed my ass off, And it does it

641
00:33:46,080 --> 00:33:48,880
Speaker 1: just like takes you out of all of the things.

642
00:33:49,000 --> 00:33:51,840
Speaker 1: It's it's so great. You know what takes me out

643
00:33:51,880 --> 00:33:53,560
Speaker 1: of you know what takes me out of thinking about

644
00:33:53,600 --> 00:33:57,440
Speaker 1: shit too? Is watching you on vacation with your family, Sarah,

645
00:33:57,800 --> 00:34:00,360
Speaker 1: and you trying to the motor boat with the motor

646
00:34:00,400 --> 00:34:03,640
Speaker 1: boat trying to get the motor out of the water.

647
00:34:04,520 --> 00:34:08,640
Speaker 1: That is Sarah. Will you explain? First of all, you

648
00:34:08,680 --> 00:34:12,520
Speaker 1: should follow Sarah Chalk on the social media, but oh

649
00:34:12,640 --> 00:34:15,480
Speaker 1: my god, what was going on with this with this video?

650
00:34:15,560 --> 00:34:19,080
Speaker 1: Can you explain to people that didn't see hilarious? So

651
00:34:19,520 --> 00:34:21,759
Speaker 1: it's a long video of my butt trying to pull

652
00:34:21,840 --> 00:34:25,480
Speaker 1: up a motor I I'm just trying to So the

653
00:34:25,640 --> 00:34:31,400
Speaker 1: motor is very heavy and for some reason, why were

654
00:34:31,440 --> 00:34:33,680
Speaker 1: you trying to pull the what do they call those motors?

655
00:34:33,760 --> 00:34:36,840
Speaker 1: The it's outboard? Why are you trying to pull the

656
00:34:36,880 --> 00:34:39,160
Speaker 1: outboard motor out of the water, Because so it's an

657
00:34:39,200 --> 00:34:42,520
Speaker 1: outboard motor, it's like a twenty five or something, which

658
00:34:42,600 --> 00:34:45,680
Speaker 1: is the horsepower, and it's big and it's heavy, and

659
00:34:45,760 --> 00:34:47,880
Speaker 1: it's on the back of a tin boat. And so

660
00:34:48,160 --> 00:34:50,800
Speaker 1: basically when you beat it, you can't leave the outboard

661
00:34:50,840 --> 00:34:54,560
Speaker 1: down or the prop will get totally damaged. Doesn't just

662
00:34:54,680 --> 00:34:57,520
Speaker 1: tilt up. So this is a skill that my sisters

663
00:34:57,719 --> 00:35:00,759
Speaker 1: have learned um and because I lived in la and

664
00:35:01,000 --> 00:35:04,400
Speaker 1: I just for seventeen years whatever, I just there's some

665
00:35:04,520 --> 00:35:06,239
Speaker 1: skills I was missing. So this summer I was like,

666
00:35:06,320 --> 00:35:08,399
Speaker 1: I'm learning to drive the boat. I'm learning to pull

667
00:35:08,440 --> 00:35:10,400
Speaker 1: out the motor. The motor is very hard, so you

668
00:35:10,520 --> 00:35:11,960
Speaker 1: pull in, you got to kind of time it out

669
00:35:12,040 --> 00:35:14,480
Speaker 1: that you you know, kill the motor, and then as

670
00:35:14,520 --> 00:35:15,839
Speaker 1: you're coming into the beach, you don't want to kill

671
00:35:15,840 --> 00:35:17,880
Speaker 1: it two earlier you'll be out to see and then

672
00:35:17,920 --> 00:35:20,120
Speaker 1: you have to quickly grab it and pull it up.

673
00:35:20,120 --> 00:35:21,200
Speaker 1: But there's a way that you can kind of like

674
00:35:21,560 --> 00:35:24,400
Speaker 1: push down on the handle to give yourself some you know,

675
00:35:25,000 --> 00:35:28,200
Speaker 1: umph to get that motor out. And I didn't know

676
00:35:28,320 --> 00:35:30,879
Speaker 1: that I was doing it till Piper, my sister, had

677
00:35:31,080 --> 00:35:34,480
Speaker 1: videoed me trying for about fifteen minutes to pull this

678
00:35:34,680 --> 00:35:38,040
Speaker 1: motor out. And then she played it back for me afterwards,

679
00:35:38,160 --> 00:35:40,400
Speaker 1: and finally I got up. I did bail and have

680
00:35:40,480 --> 00:35:43,040
Speaker 1: a couple of Scrubs esque pratfalls. But what I didn't

681
00:35:43,040 --> 00:35:45,040
Speaker 1: notice so I watched it back, was every time I've

682
00:35:45,080 --> 00:35:46,880
Speaker 1: always tried to pull up that motor, I make the

683
00:35:47,000 --> 00:35:55,080
Speaker 1: jd um. I like it, just like for summer. It

684
00:35:55,320 --> 00:35:57,920
Speaker 1: was so funny watching you try and pull an outboard

685
00:35:58,000 --> 00:36:00,360
Speaker 1: motor out. I mean it was like it was it

686
00:36:00,440 --> 00:36:02,360
Speaker 1: was like watching an episode of Three's Company. It was

687
00:36:02,440 --> 00:36:07,040
Speaker 1: just I wish it was set to music. It's just

688
00:36:07,440 --> 00:36:11,000
Speaker 1: I mean, I can't. I'm gotten telling you. It's heavy.

689
00:36:11,080 --> 00:36:15,120
Speaker 1: It's heavy. I pictured this is how you get around

690
00:36:15,200 --> 00:36:19,520
Speaker 1: in Canada twenty five Yeah, just in your little ten

691
00:36:19,680 --> 00:36:24,440
Speaker 1: twenty boat with your twenty five horse power. Speaking of Canada,

692
00:36:24,480 --> 00:36:27,719
Speaker 1: are you guys watching the show called the vale on

693
00:36:28,360 --> 00:36:32,320
Speaker 1: um Hbo Max. It's so good. I haven't seen it.

694
00:36:32,360 --> 00:36:34,120
Speaker 1: I've heard it's so great and we can discuss it

695
00:36:34,200 --> 00:36:37,480
Speaker 1: at our next reunion. I've heard it's amazing. I'm just

696
00:36:37,600 --> 00:36:41,239
Speaker 1: behind y'all watch the way too much television. Man. It's

697
00:36:41,320 --> 00:36:47,359
Speaker 1: like y'all need to get some get them kids, some kids, kids,

698
00:36:47,400 --> 00:36:50,200
Speaker 1: some kids. You'll never watch television again, Well, Donald, what,

699
00:36:50,640 --> 00:36:52,400
Speaker 1: I don't watch that much TV. I watched TV. We

700
00:36:52,480 --> 00:36:54,360
Speaker 1: watched TV like for a few hours after fuck are

701
00:36:54,360 --> 00:36:56,440
Speaker 1: you got a new show every day? It's like, Yo,

702
00:36:56,560 --> 00:37:01,600
Speaker 1: have you guys watched the Perception? Well you watch You're

703
00:37:01,719 --> 00:37:05,200
Speaker 1: you don't watch it sounds TV after you have dinner,

704
00:37:05,320 --> 00:37:08,680
Speaker 1: like like many do, we do. We try and get

705
00:37:08,719 --> 00:37:13,520
Speaker 1: into a few good shows betwixt dinner and bedtime. Yeah,

706
00:37:13,560 --> 00:37:16,400
Speaker 1: I don't. I don't have the I don't do that.

707
00:37:16,560 --> 00:37:18,320
Speaker 1: I get to watch, I watch a little bit of sports.

708
00:37:19,080 --> 00:37:22,359
Speaker 1: Then then I you know, that's it. I go to bed.

709
00:37:22,719 --> 00:37:24,560
Speaker 1: I think that you're I think that you're unique in

710
00:37:24,600 --> 00:37:27,279
Speaker 1: that area. I think, especially during quarantine, there's there's a

711
00:37:27,360 --> 00:37:31,040
Speaker 1: lot of brilliant television right now to consume. Anyway, The

712
00:37:31,080 --> 00:37:34,920
Speaker 1: VA on October and October, and I'm very excited for October. Anyway,

713
00:37:34,920 --> 00:37:37,120
Speaker 1: The VOW on HBO Max. I highly recommend you check

714
00:37:37,120 --> 00:37:40,200
Speaker 1: it out. It's really fucked up and very well told,

715
00:37:40,400 --> 00:37:43,040
Speaker 1: and it's about a cult and a lot of it

716
00:37:43,120 --> 00:37:46,440
Speaker 1: takes place in Vancouver. That's why I brought it up. Sarah,

717
00:37:46,520 --> 00:37:48,879
Speaker 1: I'm so glad you didn't get recruited into this sex

718
00:37:48,960 --> 00:37:52,400
Speaker 1: cult because they pulled in a lot of actors' real

719
00:37:52,600 --> 00:37:55,880
Speaker 1: it's a real Is it based on nexium? Yes? It

720
00:37:56,040 --> 00:38:00,719
Speaker 1: is nexium? It is. No, it's a documentary, Sarah. They're

721
00:38:00,719 --> 00:38:04,600
Speaker 1: they're They're showing all these beautiful young Canadian actresses that

722
00:38:04,719 --> 00:38:06,440
Speaker 1: got recruited into this thing, and I'm like, I'm so

723
00:38:06,600 --> 00:38:10,600
Speaker 1: glad they didn't get my Sarah, it is I feel

724
00:38:10,600 --> 00:38:12,359
Speaker 1: like it went it went down. I think like right

725
00:38:12,440 --> 00:38:15,040
Speaker 1: after I moved to la If, I'm right, Alison mac right,

726
00:38:15,120 --> 00:38:17,520
Speaker 1: she's the one that she becomes like one of the

727
00:38:17,600 --> 00:38:20,960
Speaker 1: fucking leaders of the ship's branding them. I listened to

728
00:38:21,040 --> 00:38:24,880
Speaker 1: I haven't watched Boilers, but they brand boilers. They brand

729
00:38:24,960 --> 00:38:28,760
Speaker 1: them vagina adjacent. Yes, they brand them next to the vaginas. Sarah,

730
00:38:28,760 --> 00:38:31,160
Speaker 1: you're ruining the show. I just have a couple more things.

731
00:38:31,239 --> 00:38:33,839
Speaker 1: I'm sorry. I'm sorry, I'm sorry. What is the name

732
00:38:33,880 --> 00:38:38,239
Speaker 1: of this show. It's called The Vow. It's on HBO Max.

733
00:38:38,320 --> 00:38:40,640
Speaker 1: It is so fucked up, Daniel, you watching it? Let

734
00:38:40,680 --> 00:38:44,440
Speaker 1: me write them down and watch it. I'm so Sarah.

735
00:38:44,800 --> 00:38:46,360
Speaker 1: Did anyone ever come up to you and be like,

736
00:38:46,480 --> 00:38:49,040
Speaker 1: I have a really wonderful class. I want to take

737
00:38:49,080 --> 00:38:51,239
Speaker 1: you to let me show let me just show you

738
00:38:51,320 --> 00:38:54,200
Speaker 1: my branding. Oh my god, she's she's lifting up her shirt.

739
00:38:54,520 --> 00:38:57,919
Speaker 1: She's branded everybody, she's branded. And right at that moment

740
00:38:58,040 --> 00:39:00,120
Speaker 1: the lad Lightning package went out. There we go. I

741
00:39:00,200 --> 00:39:01,920
Speaker 1: don't mean to make a joke out everybody. It is

742
00:39:02,000 --> 00:39:05,440
Speaker 1: really fucked up, but I but you just can't believe it.

743
00:39:05,480 --> 00:39:07,640
Speaker 1: You're watching it with your jaw on the floor of this.

744
00:39:07,800 --> 00:39:09,800
Speaker 1: It's not only is it such a fucked up story,

745
00:39:10,160 --> 00:39:13,040
Speaker 1: but the documentarians did a really amazing job telling it.

746
00:39:13,080 --> 00:39:16,000
Speaker 1: Because you're just like, holy shit, I wonder if it's

747
00:39:16,040 --> 00:39:18,000
Speaker 1: the same documentarians that did they So they did a

748
00:39:18,040 --> 00:39:21,120
Speaker 1: podcast which I've listened to all the episodes about Nexium.

749
00:39:21,480 --> 00:39:22,840
Speaker 1: I think it was on the CBC a couple of

750
00:39:22,880 --> 00:39:25,600
Speaker 1: years ago. We don't talk about other podcasts. Yeah, I

751
00:39:25,719 --> 00:39:27,759
Speaker 1: get that. I just realized as it was coming out

752
00:39:27,880 --> 00:39:33,240
Speaker 1: of my mouth, guys listening my mouth, and I realized

753
00:39:33,280 --> 00:39:36,680
Speaker 1: that it might be a competitor. Um. I was wearing

754
00:39:36,719 --> 00:39:39,360
Speaker 1: my tu sarring my two and I just broke in

755
00:39:39,440 --> 00:39:41,719
Speaker 1: my garberator. All of a sudden, I pulled out of

756
00:39:41,719 --> 00:39:46,560
Speaker 1: the parcade. Sarah say the most Canadian sentence you can

757
00:39:47,560 --> 00:39:49,200
Speaker 1: I think that was it that involved two which is

758
00:39:49,200 --> 00:39:50,960
Speaker 1: your hat, your garbade, which is our garbage pulls in

759
00:39:50,960 --> 00:39:55,600
Speaker 1: your parkcade, which is a parking structure, and then you

760
00:39:55,640 --> 00:39:59,399
Speaker 1: say suri suriy and then you say I'm just off

761
00:39:59,400 --> 00:40:02,000
Speaker 1: to have you guys, anyone seem like Gilda tuk No,

762
00:40:02,160 --> 00:40:07,800
Speaker 1: what's that? What? OK? Yeah? It was It was a

763
00:40:07,880 --> 00:40:09,919
Speaker 1: It was a yes, a movie that we were forced

764
00:40:09,960 --> 00:40:12,680
Speaker 1: to watch in French class every year growing up. Um,

765
00:40:12,800 --> 00:40:14,480
Speaker 1: all right, Donald, you on your phone right now? What

766
00:40:14,520 --> 00:40:16,759
Speaker 1: the fuck are you doing? I'm waiting to get into

767
00:40:16,840 --> 00:40:18,880
Speaker 1: the show. You guys are so you've checked out of

768
00:40:18,920 --> 00:40:23,239
Speaker 1: the show. You're on your phone right I'm not really

769
00:40:25,120 --> 00:40:27,799
Speaker 1: social media looking at animation videos on YouTube right now.

770
00:40:28,160 --> 00:40:31,040
Speaker 1: I'm not big anymore. Dude, that ship was fucking like

771
00:40:31,880 --> 00:40:33,880
Speaker 1: a half an hour or a time? Did you stay?

772
00:40:34,000 --> 00:40:35,640
Speaker 1: Oh you got a high a half hour ago and

773
00:40:35,640 --> 00:40:37,520
Speaker 1: you're not still high? What has we been we've been

774
00:40:37,600 --> 00:40:40,399
Speaker 1: doing We've been doing the show for over a half

775
00:40:40,440 --> 00:40:42,600
Speaker 1: an hour, so it can't be a half hour ago. Wait,

776
00:40:42,680 --> 00:40:44,600
Speaker 1: I didn't know that, Donald, I missed the beginning. Yeah,

777
00:40:44,600 --> 00:40:48,200
Speaker 1: he's hot, we've lost that. I didn't know that I

778
00:40:48,320 --> 00:40:51,080
Speaker 1: was underneath the death by the way, Sarah, it's a

779
00:40:51,160 --> 00:40:53,080
Speaker 1: perfect now and dude, we all came back for season

780
00:40:53,200 --> 00:40:56,440
Speaker 1: three feeling ourselves. I got a little Tommy phoning it in.

781
00:40:56,800 --> 00:40:59,640
Speaker 1: I'm cocky. Donald comes into season three the podcast Big

782
00:41:00,200 --> 00:41:04,759
Speaker 1: in his phone. Listen, hold on, time out, Time out,

783
00:41:04,840 --> 00:41:08,640
Speaker 1: Time out, Buddy, listen. I am not high right now. Okay,

784
00:41:08,719 --> 00:41:11,239
Speaker 1: so let's yea. I am worn off. It's worn off.

785
00:41:11,360 --> 00:41:13,880
Speaker 1: It's completely worn off. I am. I seen some of

786
00:41:13,960 --> 00:41:16,359
Speaker 1: this quick wear off weed because if I get high,

787
00:41:16,440 --> 00:41:19,759
Speaker 1: it's been hours. It's been about it's been hours. My

788
00:41:19,880 --> 00:41:21,680
Speaker 1: point is that should be one of our products, quick

789
00:41:21,719 --> 00:41:24,520
Speaker 1: wear off weed by fake doctrines, real friends. Oh my god,

790
00:41:24,560 --> 00:41:27,279
Speaker 1: we make so much money. You can you can be

791
00:41:27,400 --> 00:41:29,640
Speaker 1: you can be high, but it lasts, it goes away

792
00:41:29,680 --> 00:41:33,080
Speaker 1: after a half hour. All right, all right, let's show

793
00:41:33,120 --> 00:41:36,560
Speaker 1: the thank you. All right, thank you. Forty three minutes in,

794
00:41:36,760 --> 00:41:41,200
Speaker 1: we've finally gotten to this. Okay, So we talked about

795
00:41:41,239 --> 00:41:43,760
Speaker 1: your hair already, we talked about your weight and everything

796
00:41:43,840 --> 00:41:48,279
Speaker 1: like that. Talk right, George Michael in the beginning. Yeah,

797
00:41:48,320 --> 00:41:51,400
Speaker 1: so what's the difference. You can you can sing, George Michael,

798
00:41:51,719 --> 00:41:54,640
Speaker 1: and as long as it's not the actual music and

799
00:41:54,920 --> 00:41:57,200
Speaker 1: George Michael singing and doesn't cost any money. But if

800
00:41:57,239 --> 00:41:59,160
Speaker 1: you know, I'm sure too. We had three songs in

801
00:41:59,200 --> 00:42:01,200
Speaker 1: this episode. This is how much Bill was feeling our

802
00:42:01,239 --> 00:42:05,880
Speaker 1: budget after on season two. Uh, Tom, Petty, George, Michael,

803
00:42:06,040 --> 00:42:09,839
Speaker 1: you two. I imagine it was a very expensive song.

804
00:42:09,920 --> 00:42:12,280
Speaker 1: I think we shot probably half the half the show's

805
00:42:12,680 --> 00:42:16,879
Speaker 1: music budget in the first episode. But um but uh yeah.

806
00:42:17,000 --> 00:42:19,839
Speaker 1: So I'm dancing and Donald says, what's the rule about

807
00:42:20,080 --> 00:42:23,400
Speaker 1: white boys dancing in public? And I go, not allowed

808
00:42:23,480 --> 00:42:28,600
Speaker 1: unless you're gay. And then this amazing guy comes in

809
00:42:29,040 --> 00:42:31,640
Speaker 1: and dances like crazy and does this move and we

810
00:42:31,760 --> 00:42:38,040
Speaker 1: go Morning Stephen, which we then name our dog, our

811
00:42:38,160 --> 00:42:44,480
Speaker 1: second dog. Um. But the funniest right off the bat

812
00:42:44,520 --> 00:42:46,759
Speaker 1: would You're like, if I could touch your body like no,

813
00:42:46,920 --> 00:42:52,040
Speaker 1: not you, sir. Yeah, if I could touch your body,

814
00:42:52,239 --> 00:42:57,279
Speaker 1: not you, sir. And then let's get let's get to

815
00:42:57,320 --> 00:43:03,760
Speaker 1: the basketball game. Smack talk, yeah, smack talking, Omaja Butler Omoja.

816
00:43:03,800 --> 00:43:07,640
Speaker 1: I want to say it right, Omoja Butler? Yeah, uh

817
00:43:07,840 --> 00:43:11,200
Speaker 1: it has Probably that's that joke made me laugh, probably

818
00:43:11,239 --> 00:43:13,760
Speaker 1: the hardest out of all of the jokes in the show,

819
00:43:14,320 --> 00:43:17,040
Speaker 1: where he's like, I'm gonna toast you so bad your

820
00:43:17,120 --> 00:43:20,120
Speaker 1: mother is not gonna recognize you. And you go, oh, yeah,

821
00:43:20,360 --> 00:43:24,680
Speaker 1: well I heard just just have started drinking again. And

822
00:43:24,800 --> 00:43:27,360
Speaker 1: then you're like and then his face just true and

823
00:43:27,560 --> 00:43:30,440
Speaker 1: he starts crying and right, and then you go, oh,

824
00:43:30,640 --> 00:43:36,000
Speaker 1: it's not supposed to be true. Yeah, you're all out. Yeah, yeah,

825
00:43:36,120 --> 00:43:38,560
Speaker 1: you go like let him flow or something, and then yeah,

826
00:43:38,600 --> 00:43:41,719
Speaker 1: and it's just your delivery. Yeah, well I heard your

827
00:43:41,760 --> 00:43:49,239
Speaker 1: sister started drinking again. And I love that JD doesn't

828
00:43:49,239 --> 00:43:50,880
Speaker 1: have a smack talk. He's like, oh, it's it's not

829
00:43:50,960 --> 00:43:55,719
Speaker 1: supposed to be true. And then also, this is this

830
00:43:55,920 --> 00:43:58,640
Speaker 1: is the episode that Frick started. Yeah, two forty three,

831
00:43:58,719 --> 00:44:03,120
Speaker 1: everybody a mom Avery, First Frick. What's the genesis of Frick?

832
00:44:04,200 --> 00:44:06,560
Speaker 1: I wish I remembered. I don't remember. I don't know.

833
00:44:07,480 --> 00:44:08,719
Speaker 1: I don't remember. I don't know if it was me

834
00:44:08,840 --> 00:44:13,080
Speaker 1: your bill. And then then it developed went to double frick,

835
00:44:13,200 --> 00:44:16,000
Speaker 1: and then frick on a stick with a brick, No,

836
00:44:16,160 --> 00:44:19,800
Speaker 1: it was frick, double frick, frick on a stick on

837
00:44:19,880 --> 00:44:24,280
Speaker 1: a stick with a brick. It became one of Sarah's catchphrases.

838
00:44:24,360 --> 00:44:26,200
Speaker 1: She finally got her What you talking about? Willis? I

839
00:44:26,320 --> 00:44:29,319
Speaker 1: got it? In season three season season three, she got

840
00:44:29,360 --> 00:44:31,320
Speaker 1: her frick. I didn't get a box there, but I

841
00:44:31,360 --> 00:44:35,560
Speaker 1: got a frick. Yeah, but I did. I did get

842
00:44:35,600 --> 00:44:37,960
Speaker 1: that pink Cashmere juicy jogger set that I wore in

843
00:44:38,040 --> 00:44:40,080
Speaker 1: that frick scene. I remember they let me take that home.

844
00:44:40,440 --> 00:44:44,240
Speaker 1: Oh yeah, girl, Do you remember Juicy? Do you remember

845
00:44:45,480 --> 00:44:52,440
Speaker 1: that I juicy, Juicy Cashmere? Yeah, man, Juicy with the

846
00:44:52,520 --> 00:44:55,120
Speaker 1: gym everybody had, and it was sweatsuits. It was a

847
00:44:55,200 --> 00:44:59,360
Speaker 1: bunch of sweatsuits and everybody was paying three hundred dollars

848
00:44:59,480 --> 00:45:04,839
Speaker 1: for sweatsuit. Yeah, juicy, they figured it out. Juicy. Um,

849
00:45:05,480 --> 00:45:07,640
Speaker 1: So you know frick comes from you can't You know?

850
00:45:07,840 --> 00:45:10,239
Speaker 1: On TV shows and network you're always trying to work

851
00:45:10,320 --> 00:45:13,840
Speaker 1: around places where you'd actually curse. Some shows like Do

852
00:45:13,960 --> 00:45:16,880
Speaker 1: It and Beep It, which which I guess it is

853
00:45:16,920 --> 00:45:19,680
Speaker 1: easier if you're more documentary style, like like The Office

854
00:45:19,800 --> 00:45:24,879
Speaker 1: or Modern Family or something. Um. Some shows The Good

855
00:45:24,920 --> 00:45:29,520
Speaker 1: Place very creatively made it fork because they were in

856
00:45:29,640 --> 00:45:32,919
Speaker 1: like this supposedly in this like heaven type setting where

857
00:45:33,920 --> 00:45:37,120
Speaker 1: where it just automatically changes all your curses to better words.

858
00:45:37,719 --> 00:45:41,359
Speaker 1: But so Frick allowed Sarah to say fuck without saying fuck.

859
00:45:42,239 --> 00:45:44,960
Speaker 1: There's one more. There's one more place that they changed

860
00:45:45,040 --> 00:45:47,719
Speaker 1: the word and so you wouldn't say fucking. That was

861
00:45:47,760 --> 00:45:51,879
Speaker 1: Battlestar Galactica, and they said frak and that became are

862
00:45:51,920 --> 00:45:55,239
Speaker 1: you frakin kidding me? Are you frakin kidding me? Right now?

863
00:45:55,480 --> 00:45:57,160
Speaker 1: But that they never explained it, or they just just

864
00:45:57,280 --> 00:45:59,279
Speaker 1: did it. They just did it for the whole the

865
00:45:59,360 --> 00:46:01,200
Speaker 1: whole run of the show. It would be like, what

866
00:46:01,320 --> 00:46:04,520
Speaker 1: the frack are you talking about? Oh, frack, I'm gonna

867
00:46:04,640 --> 00:46:07,920
Speaker 1: frack you up. You can say friggin um, which I

868
00:46:08,040 --> 00:46:11,759
Speaker 1: always thought was which was a comfortable alternative. Yeah, but

869
00:46:11,920 --> 00:46:14,240
Speaker 1: some people don't like friggin It doesn't have the power

870
00:46:14,320 --> 00:46:18,239
Speaker 1: that buck has or frick or frick. You need the k,

871
00:46:18,480 --> 00:46:21,160
Speaker 1: you need the k frick. You know that to make

872
00:46:21,200 --> 00:46:26,440
Speaker 1: a movie PG thirteen, Uh, you're allowed one fuck in

873
00:46:26,560 --> 00:46:29,279
Speaker 1: a PG thirteen movie and it can't be as sexual. Fuck.

874
00:46:29,400 --> 00:46:31,440
Speaker 1: You can't be like, oh, I want to fuck her,

875
00:46:32,000 --> 00:46:35,680
Speaker 1: but you can be like what the fuck? Oh I

876
00:46:35,760 --> 00:46:37,719
Speaker 1: didn't know an old trivia for you. So you have

877
00:46:37,760 --> 00:46:39,680
Speaker 1: to pick your fuck. If you're if you're directing a

878
00:46:39,719 --> 00:46:41,600
Speaker 1: PG thirteen movie, they're like, all right, pick your fuck,

879
00:46:41,680 --> 00:46:44,200
Speaker 1: what do you want? And then next rating you can do?

880
00:46:45,080 --> 00:46:50,160
Speaker 1: Are you consider? Yeah, okay, so there's some I'm sorry,

881
00:46:50,200 --> 00:46:51,719
Speaker 1: go ahead, go ahead ahead. I'm trying to think of

882
00:46:51,760 --> 00:46:56,839
Speaker 1: the other oh PG thirteen rules they've probably changed there

883
00:46:56,920 --> 00:47:00,759
Speaker 1: used to be like, um obviously sex, um, there were

884
00:47:00,800 --> 00:47:03,600
Speaker 1: some other other ones. Forgot drug use. Maybe I don't know.

885
00:47:04,120 --> 00:47:07,719
Speaker 1: All right, go ahead, Donald, Uh Kelso's nose squeaks the

886
00:47:07,880 --> 00:47:10,080
Speaker 1: entire episode before we get to Kelso's Nose. What about

887
00:47:10,120 --> 00:47:12,320
Speaker 1: Sarah losing her car door? I mean that was hilarious.

888
00:47:13,239 --> 00:47:16,799
Speaker 1: Further and then carrying it around the hospital with Mesa

889
00:47:16,880 --> 00:47:19,360
Speaker 1: doesn't get stolen. Now, this is something that this is

890
00:47:19,440 --> 00:47:24,759
Speaker 1: something that goes on. This joke continues through other episodes

891
00:47:25,120 --> 00:47:28,120
Speaker 1: because you you later on have like a taxicab door

892
00:47:28,320 --> 00:47:31,560
Speaker 1: like a yellow on your car and everything like that.

893
00:47:31,920 --> 00:47:34,600
Speaker 1: So this is a joke that continues with your brand

894
00:47:34,640 --> 00:47:37,600
Speaker 1: new card. Am I right? Or am I wrong? Yeah?

895
00:47:37,719 --> 00:47:39,440
Speaker 1: That's right. I forgot about that. I think that's right.

896
00:47:39,840 --> 00:47:42,040
Speaker 1: Yeah she did. She didn't get the matching colored door.

897
00:47:42,160 --> 00:47:44,399
Speaker 1: She just got it was the same door of her car,

898
00:47:44,480 --> 00:47:51,000
Speaker 1: but it was yellow. Um. Yeah, so that I thought

899
00:47:51,040 --> 00:47:55,040
Speaker 1: that was very funny. Um and then yeah, so sorry Donald,

900
00:47:55,080 --> 00:47:57,520
Speaker 1: go to go to Kelso's squeaky nose, which is very funny.

901
00:47:57,640 --> 00:48:00,560
Speaker 1: For the whole episode, Kelso has a squeaking knows because

902
00:48:00,600 --> 00:48:04,920
Speaker 1: of the punch he received from doctor Cox, and that

903
00:48:04,960 --> 00:48:08,520
Speaker 1: shit is left. Yo. Every time KI would uh inhale,

904
00:48:08,680 --> 00:48:11,160
Speaker 1: it would squeak. It's only on the inhale. Though it's

905
00:48:11,160 --> 00:48:13,520
Speaker 1: not on the exhale, It's only on the inhale. So

906
00:48:13,640 --> 00:48:18,200
Speaker 1: every time inhale. I love how people hate him so

907
00:48:18,360 --> 00:48:20,520
Speaker 1: much that even though the room was packed, He's like,

908
00:48:20,760 --> 00:48:26,680
Speaker 1: miraculously no one was. Sorry. Sammy, Sammy in the background

909
00:48:26,840 --> 00:48:32,080
Speaker 1: going like ceting now my dive under the gurney. I

910
00:48:32,400 --> 00:48:34,360
Speaker 1: replated it a few times because I thought it was

911
00:48:34,400 --> 00:48:37,279
Speaker 1: a cowboy switch. Sea. I couldn't figure out if it

912
00:48:37,360 --> 00:48:40,840
Speaker 1: was or not. I was not a cowboy switch. I

913
00:48:40,920 --> 00:48:44,080
Speaker 1: feel like it was. I feel like you came running

914
00:48:44,160 --> 00:48:46,800
Speaker 1: up in the hallway and from the back, then it

915
00:48:46,880 --> 00:48:48,680
Speaker 1: was cowboy switch, and then you popped up. I know,

916
00:48:48,800 --> 00:48:52,080
Speaker 1: but it was so seamless. That good. That so for

917
00:48:52,320 --> 00:48:54,440
Speaker 1: those of you who don't remember a cowboy switches when

918
00:48:54,840 --> 00:48:58,759
Speaker 1: the actor who's not a stuntman is hiding and the

919
00:48:58,840 --> 00:49:01,640
Speaker 1: stuntman does something sane and then kind of goes off

920
00:49:01,719 --> 00:49:04,640
Speaker 1: camera and then the real actor pops up. So JD

921
00:49:04,880 --> 00:49:08,160
Speaker 1: does this insane sort of slide under a gurney and

922
00:49:08,280 --> 00:49:11,000
Speaker 1: then I pop up. I'm pretty I'm like, I'm pretty

923
00:49:11,040 --> 00:49:13,160
Speaker 1: sure it's a cowboy switch, but man, it is seamless.

924
00:49:13,239 --> 00:49:15,800
Speaker 1: You cannot tell. It's so like the timing of me

925
00:49:15,960 --> 00:49:19,239
Speaker 1: coming up was so brazy. It's over. And I mean,

926
00:49:19,320 --> 00:49:22,040
Speaker 1: you did always, for the most part, try your own

927
00:49:22,239 --> 00:49:24,759
Speaker 1: falls always, so it's very pausible. I did. I did.

928
00:49:24,840 --> 00:49:26,359
Speaker 1: I did a lot of them. But when when when

929
00:49:26,440 --> 00:49:28,480
Speaker 1: when you know? The thing about a stunt man is

930
00:49:28,520 --> 00:49:31,000
Speaker 1: there is when there's a real chance, like, okay, you

931
00:49:31,120 --> 00:49:33,440
Speaker 1: could get hurt doing this one, Like like when I

932
00:49:33,520 --> 00:49:37,080
Speaker 1: exit the room, that's clearly at it takes a really

933
00:49:37,120 --> 00:49:39,879
Speaker 1: hard fall on the gurney tipping over. So you don't

934
00:49:39,920 --> 00:49:43,839
Speaker 1: want your actors breaking anything because then you can't fucking

935
00:49:43,920 --> 00:49:47,040
Speaker 1: make the show. So a lot of these actors, also,

936
00:49:47,120 --> 00:49:50,560
Speaker 1: stunt people often don't get paid well. They get like

937
00:49:50,680 --> 00:49:53,600
Speaker 1: one rate to show up, but then often they won't

938
00:49:53,680 --> 00:49:57,040
Speaker 1: get more money unless they do the thing. So sometimes

939
00:49:57,080 --> 00:49:58,920
Speaker 1: I feel for stunt people who are like, oh, come on,

940
00:49:59,400 --> 00:50:01,080
Speaker 1: you know you want to show off and do it yourself,

941
00:50:01,160 --> 00:50:04,279
Speaker 1: but let me fucking do this stunt and right, and

942
00:50:04,320 --> 00:50:06,560
Speaker 1: so I often tried to do them, but but but

943
00:50:06,719 --> 00:50:08,680
Speaker 1: some of them were I could like break a hand.

944
00:50:08,880 --> 00:50:11,359
Speaker 1: They were like, no, you're not doing that. I would still,

945
00:50:11,480 --> 00:50:13,880
Speaker 1: even not doing my own stunts. Come once a season

946
00:50:14,040 --> 00:50:17,279
Speaker 1: two scrubs on crutches with having torn the ligaments in

947
00:50:17,360 --> 00:50:19,560
Speaker 1: my left ankle. I think it was about once a year,

948
00:50:19,800 --> 00:50:23,000
Speaker 1: and I'd be like, Randall, I'm so sorry. So they

949
00:50:23,000 --> 00:50:25,840
Speaker 1: would like they would have me like standing behind beside

950
00:50:25,880 --> 00:50:27,920
Speaker 1: the bed and standing in a lot of scenes and

951
00:50:28,000 --> 00:50:30,319
Speaker 1: not walking a week. How many times did you get

952
00:50:30,360 --> 00:50:33,200
Speaker 1: injured making this show? I feel like it was it

953
00:50:33,280 --> 00:50:35,480
Speaker 1: was always my ankle, and it was never doing anything fabulous.

954
00:50:35,480 --> 00:50:36,840
Speaker 1: I would come to send people like how'd you do it?

955
00:50:36,840 --> 00:50:39,160
Speaker 1: And I'd be like, I was walking Lola, and I

956
00:50:39,239 --> 00:50:41,759
Speaker 1: tripped on a pine cone on the sidewalk, and then

957
00:50:42,040 --> 00:50:44,279
Speaker 1: it was yeah, it was. It was basically the first

958
00:50:44,320 --> 00:50:46,719
Speaker 1: time I did it. I was in college and my

959
00:50:46,840 --> 00:50:49,239
Speaker 1: leg was crossed and my foot fell asleep, and I

960
00:50:49,320 --> 00:50:51,120
Speaker 1: was in like a five hundred person lecture hall and

961
00:50:51,200 --> 00:50:53,400
Speaker 1: I got up to ask the professor question and I

962
00:50:53,480 --> 00:50:55,960
Speaker 1: went down, like I went over my ankle. I rolled

963
00:50:56,000 --> 00:50:57,840
Speaker 1: my ankle and it swole up to the size of

964
00:50:57,880 --> 00:51:00,600
Speaker 1: a grapefruit and they X rayed it. And I was

965
00:51:00,719 --> 00:51:03,960
Speaker 1: nineteen years old and I had a growth plate that

966
00:51:04,080 --> 00:51:06,080
Speaker 1: hadn't closed because I haven't finished growing. But they thought

967
00:51:06,080 --> 00:51:07,759
Speaker 1: it was a hairline fracture, so by mistake, put me

968
00:51:07,800 --> 00:51:09,960
Speaker 1: into a plaster cast up to my knee and I

969
00:51:10,000 --> 00:51:11,960
Speaker 1: went to go film an episode of The Rosanne Show

970
00:51:12,000 --> 00:51:14,120
Speaker 1: and she was like. Roseanne was like, it doesn't make

971
00:51:14,200 --> 00:51:16,000
Speaker 1: sense you would have that get that taken off, and

972
00:51:16,160 --> 00:51:18,600
Speaker 1: so I did, even though like that's like a kid

973
00:51:18,760 --> 00:51:23,319
Speaker 1: who has like, you know, a potentially don't even what's

974
00:51:23,360 --> 00:51:25,600
Speaker 1: wrong take that cast. So they asked me to take

975
00:51:25,600 --> 00:51:27,239
Speaker 1: the cast off, so I did, and the doctor down

976
00:51:27,320 --> 00:51:30,240
Speaker 1: there was like, you're it's actually a blessing in disguise,

977
00:51:30,320 --> 00:51:32,239
Speaker 1: because this is like a growth plate that hasn't closed.

978
00:51:32,280 --> 00:51:34,400
Speaker 1: It's not a hairline fracture. If it's not broken. You

979
00:51:34,480 --> 00:51:36,479
Speaker 1: just sprained it really badly and that's why it swole

980
00:51:36,600 --> 00:51:40,600
Speaker 1: up so much. So Zan's coldness actually helped you. It

981
00:51:40,800 --> 00:51:42,600
Speaker 1: was it was such a it was a gift, man,

982
00:51:42,800 --> 00:51:44,839
Speaker 1: It's all for you. I want to tell everyone about

983
00:51:44,880 --> 00:51:48,320
Speaker 1: Lola Sarah's seven thousand dollar dog, and we'll explain it

984
00:51:48,520 --> 00:52:00,040
Speaker 1: right after these were and were bad and bad. I

985
00:52:02,000 --> 00:52:03,320
Speaker 1: know I'm allowed to join it on that. I just

986
00:52:03,800 --> 00:52:06,800
Speaker 1: I was inspired. You're just not allowed to read the

987
00:52:07,239 --> 00:52:12,759
Speaker 1: producer notes as you would call. Oh wait, okay, hold on, Donald,

988
00:52:12,760 --> 00:52:23,240
Speaker 1: still no, but you're not hot, You're not high at all, right, Sarah,

989
00:52:23,360 --> 00:52:25,960
Speaker 1: tell everyone who's listening about your seven thousand dollar dog.

990
00:52:26,040 --> 00:52:28,839
Speaker 1: And before you judge everyone, No, she didn't go buy

991
00:52:29,000 --> 00:52:33,120
Speaker 1: some boutique, fancy expensive. That was. That was a big

992
00:52:33,239 --> 00:52:35,719
Speaker 1: evening for us too. What what was the evening? What

993
00:52:35,840 --> 00:52:38,240
Speaker 1: were we doing? Where were it was a charity, Sarady.

994
00:52:38,239 --> 00:52:40,799
Speaker 1: You remember what the cause was. It was the Help Group.

995
00:52:40,840 --> 00:52:43,200
Speaker 1: It was for autism with children with autism, and it

996
00:52:43,400 --> 00:52:46,279
Speaker 1: was m Jeff Zucker, who was the boss at NBC.

997
00:52:46,640 --> 00:52:49,319
Speaker 1: Well you remember that Donald infamously gave the noogie two

998
00:52:49,440 --> 00:52:53,319
Speaker 1: that our first part, Please Donald, no, please Donald? Know. Uh.

999
00:52:53,680 --> 00:52:56,000
Speaker 1: So we were there and we were excited. I think

1000
00:52:56,040 --> 00:52:59,600
Speaker 1: it was like season two, um and season one or

1001
00:52:59,600 --> 00:53:01,920
Speaker 1: season two, and we went and Jeff Zucker was our

1002
00:53:01,960 --> 00:53:04,400
Speaker 1: boss and the night was to honor him and his

1003
00:53:04,520 --> 00:53:06,920
Speaker 1: contribution to the Help Group as well. And so there

1004
00:53:07,000 --> 00:53:09,719
Speaker 1: was this little chocolate lab that they were having as

1005
00:53:09,800 --> 00:53:12,919
Speaker 1: part of the auction to raise money, and I really

1006
00:53:13,000 --> 00:53:15,000
Speaker 1: just paused there. Let me pause there. Did they have

1007
00:53:15,120 --> 00:53:17,759
Speaker 1: one dog or several? It was just one, all right?

1008
00:53:17,800 --> 00:53:20,239
Speaker 1: So I recall it was an auction obviously to raise

1009
00:53:20,320 --> 00:53:24,640
Speaker 1: money for for autism, and they geniusly brought in this

1010
00:53:24,800 --> 00:53:27,799
Speaker 1: puppy that was the cutest chocolate lab puppy you've ever seen.

1011
00:53:27,880 --> 00:53:30,759
Speaker 1: It was like tiny, you fit in your palm in

1012
00:53:30,800 --> 00:53:33,319
Speaker 1: your hands, and it was probably I don't know, I'm

1013
00:53:33,360 --> 00:53:36,880
Speaker 1: guessing ten weeks old. And the idea was, you know,

1014
00:53:36,960 --> 00:53:38,960
Speaker 1: we're gonna get They wanted everyone, and then you got

1015
00:53:39,000 --> 00:53:41,279
Speaker 1: everyone like buzzed on alcohol, and then the idea is like,

1016
00:53:41,320 --> 00:53:43,359
Speaker 1: all right, who's you guys are gonna bid on who

1017
00:53:43,440 --> 00:53:46,319
Speaker 1: gets to take home this dog? And they brought they

1018
00:53:46,400 --> 00:53:48,839
Speaker 1: brought her around, like you're saying to like to get

1019
00:53:48,920 --> 00:53:51,200
Speaker 1: everybody super excited. It brought her around and I was

1020
00:53:51,280 --> 00:53:54,879
Speaker 1: holding her, this little chocolate brown nugget. She was yeah,

1021
00:53:54,920 --> 00:53:56,840
Speaker 1: she was like tiny, she's ten weeks old. And I

1022
00:53:56,960 --> 00:53:58,960
Speaker 1: was wearing a chocolate brown dress. I remember it was

1023
00:53:59,000 --> 00:54:01,480
Speaker 1: my was my bride's made stress from my sister's wedding,

1024
00:54:02,680 --> 00:54:08,560
Speaker 1: and so I'm falling in love with this dog. And

1025
00:54:08,800 --> 00:54:10,680
Speaker 1: then the bidding starts in the room, and I'm bidding

1026
00:54:10,719 --> 00:54:12,759
Speaker 1: on her, and the whole I fall over the soul's

1027
00:54:12,800 --> 00:54:14,560
Speaker 1: rest froom. Everyone's going crazy, Everyone's bidding on it, and

1028
00:54:14,600 --> 00:54:16,880
Speaker 1: so finally I just gave up because it was insane.

1029
00:54:17,400 --> 00:54:20,240
Speaker 1: It got too high. And then the whole cast around

1030
00:54:20,239 --> 00:54:22,360
Speaker 1: the table, you guys all whispered to each other. And

1031
00:54:22,480 --> 00:54:24,719
Speaker 1: then when the bidding came to write before the ending,

1032
00:54:24,760 --> 00:54:26,480
Speaker 1: you all like stood up and put your arms up

1033
00:54:26,520 --> 00:54:29,480
Speaker 1: and and got her for me, and and we all

1034
00:54:29,480 --> 00:54:33,319
Speaker 1: split the costs each play a thousand dollars? How long?

1035
00:54:33,400 --> 00:54:35,160
Speaker 1: How long did it take for me to pay you

1036
00:54:35,239 --> 00:54:38,320
Speaker 1: the thousand dollars? Did you ever pay? I did pay her, Okay,

1037
00:54:38,760 --> 00:54:42,120
Speaker 1: how long? I don't remember her I don't remember. But

1038
00:54:42,239 --> 00:54:45,359
Speaker 1: it just was the most sweetest, thoughtful, touching thing ever.

1039
00:54:45,640 --> 00:54:48,359
Speaker 1: And she obviously like became her Scrubs mascot and came

1040
00:54:48,400 --> 00:54:50,880
Speaker 1: to Scrubs to work every day. And I loved her

1041
00:54:50,960 --> 00:54:53,720
Speaker 1: so much. She was very I think I paid for Lola,

1042
00:54:53,800 --> 00:54:59,200
Speaker 1: like season eight or nine, I finally gave the money.

1043
00:54:59,280 --> 00:55:01,320
Speaker 1: In life, I remember whenever we had group things to

1044
00:55:01,440 --> 00:55:04,360
Speaker 1: chip in on, like Crew gifts or or or getting

1045
00:55:04,719 --> 00:55:07,120
Speaker 1: getting something for the crew, or in this case giving

1046
00:55:07,200 --> 00:55:10,440
Speaker 1: money to charity for Sarah's dog. Johnny c would pay

1047
00:55:10,440 --> 00:55:12,200
Speaker 1: you like an hour later. He'd be like, fast money

1048
00:55:12,239 --> 00:55:15,800
Speaker 1: makes fast friends. That was one of his Johnny seisms

1049
00:55:15,800 --> 00:55:17,920
Speaker 1: would be like fast money makes fast friends. And then

1050
00:55:18,040 --> 00:55:20,480
Speaker 1: Donald was the polar opposite. Donald would be like eight

1051
00:55:20,600 --> 00:55:22,919
Speaker 1: years later, he'd be like, yo, did I ever pay

1052
00:55:23,000 --> 00:55:29,320
Speaker 1: you for the dog? And then I remember I was

1053
00:55:29,360 --> 00:55:31,080
Speaker 1: the one who I was so disorganized. I just would

1054
00:55:31,080 --> 00:55:32,720
Speaker 1: never catch the check. And Ken would be like, Sarah,

1055
00:55:33,760 --> 00:55:39,720
Speaker 1: you haven't cashed the check yet. I hate those people. So, Lola,

1056
00:55:40,160 --> 00:55:41,800
Speaker 1: when you went into Sarah's dress room, I know we

1057
00:55:41,840 --> 00:55:44,080
Speaker 1: brought this up another time, but it was like the

1058
00:55:44,400 --> 00:55:46,040
Speaker 1: it was like if you ever seen the show Hoarders.

1059
00:55:46,600 --> 00:55:48,880
Speaker 1: It was like that, but worse. It was like it

1060
00:55:48,960 --> 00:55:51,040
Speaker 1: was sort of as idious. There was like a soup

1061
00:55:51,239 --> 00:55:53,760
Speaker 1: There was like an open soup can from two seasons

1062
00:55:53,800 --> 00:55:59,480
Speaker 1: ago and like like looked like exploded. It kind of

1063
00:55:59,600 --> 00:56:02,240
Speaker 1: is like as if is that this pages of notes

1064
00:56:02,400 --> 00:56:04,480
Speaker 1: was my dressing room, right? As if if this kind

1065
00:56:04,520 --> 00:56:08,200
Speaker 1: of like raining notes. So p Ken Jenkins is trying

1066
00:56:08,239 --> 00:56:10,360
Speaker 1: to manage his check book and Sarah just throws a

1067
00:56:10,440 --> 00:56:13,759
Speaker 1: check for a thousand dollars in there somewhere. This can

1068
00:56:13,880 --> 00:56:15,480
Speaker 1: of soup from two seasons ago is true. But my

1069
00:56:15,600 --> 00:56:17,839
Speaker 1: nickname was Super Breakfast because I would always have soup

1070
00:56:17,840 --> 00:56:19,000
Speaker 1: all the time, and you guys would be like, oh,

1071
00:56:19,000 --> 00:56:23,680
Speaker 1: it's super Breakfast for breakfast. I love I love soups.

1072
00:56:23,680 --> 00:56:25,960
Speaker 1: I mean, I have my hot tea right now. There's

1073
00:56:26,000 --> 00:56:28,479
Speaker 1: always something hot in my hands. It's like either soup

1074
00:56:28,600 --> 00:56:30,439
Speaker 1: or tea or yeah. But that's guys, you run cold.

1075
00:56:30,480 --> 00:56:35,600
Speaker 1: That's only that's the run cold. That circulation us. She

1076
00:56:35,760 --> 00:56:40,080
Speaker 1: was fourteen. Oh she died, Lolla died. She did She

1077
00:56:40,200 --> 00:56:42,680
Speaker 1: literally she was fourteen years old. That's pretty dumbn good

1078
00:56:42,719 --> 00:56:45,439
Speaker 1: for a lab it was. It's been over fourteen years,

1079
00:56:45,520 --> 00:56:50,239
Speaker 1: I guess, Holy shit, wow, it's it's it's been twenty one. Yeah.

1080
00:56:54,400 --> 00:56:56,680
Speaker 1: Um yo. This is the first episode that I that

1081
00:56:57,600 --> 00:57:03,200
Speaker 1: orange Google Googo, So I think this came from um.

1082
00:57:03,320 --> 00:57:05,200
Speaker 1: Like this was at the height of the Jomba juice

1083
00:57:05,440 --> 00:57:08,520
Speaker 1: craze um, which I don't used to drink. I don't

1084
00:57:08,600 --> 00:57:10,800
Speaker 1: drink anymore because someone told me that there's like so

1085
00:57:10,920 --> 00:57:13,200
Speaker 1: much sugar in them, and why are you drinking Jomba Juice.

1086
00:57:13,239 --> 00:57:15,520
Speaker 1: But it was probably Harley Pastor Neck that told you, yeah,

1087
00:57:15,719 --> 00:57:18,640
Speaker 1: yeahs not just not the disc Jomba Juice. If you

1088
00:57:18,720 --> 00:57:20,320
Speaker 1: love it, it could be a nice treat for you,

1089
00:57:20,400 --> 00:57:24,320
Speaker 1: but it's a sugar retreat. Did you know that Johnba Juice? Later? Uh,

1090
00:57:24,800 --> 00:57:27,280
Speaker 1: Harley Passion Neck and Johnba Juice got into a partnership

1091
00:57:27,320 --> 00:57:30,720
Speaker 1: together and he started selling smoothies at Jomba Juice. Really

1092
00:57:30,760 --> 00:57:32,560
Speaker 1: have to remember he used to did we could cut

1093
00:57:32,600 --> 00:57:34,000
Speaker 1: this out? But remember he used to tell us all

1094
00:57:34,040 --> 00:57:37,000
Speaker 1: the time, Uh, you know, don't drink Johnba juice. It's

1095
00:57:37,040 --> 00:57:39,280
Speaker 1: got a lot of sugar in it. He then had

1096
00:57:39,360 --> 00:57:42,520
Speaker 1: his own smoothies at Johnba Juice. Yeah, but maybe, but

1097
00:57:42,680 --> 00:57:47,720
Speaker 1: maybe he made a low sugar one to prove his point. Sure, sure,

1098
00:57:49,240 --> 00:57:57,040
Speaker 1: Um Sarah, Sarah, Wait everybody, Oh I'm laughing at everyone. Um. Second,

1099
00:57:57,280 --> 00:58:01,160
Speaker 1: Oh Jesus, is this the grease to Face episode? No,

1100
00:58:01,440 --> 00:58:04,600
Speaker 1: it's not. Yes, this is no, it's not. Did you

1101
00:58:04,640 --> 00:58:09,320
Speaker 1: watch the episode? But then no, I did. Come on, man,

1102
00:58:09,560 --> 00:58:12,280
Speaker 1: this is you don't say grease to face on the show.

1103
00:58:12,720 --> 00:58:15,160
Speaker 1: Because the grease to Face episode was when Sarah had

1104
00:58:15,200 --> 00:58:17,720
Speaker 1: to come in looking like like really distressed and bad.

1105
00:58:17,840 --> 00:58:19,720
Speaker 1: She doesn't have that moment she comes in with a makeover.

1106
00:58:19,840 --> 00:58:22,040
Speaker 1: She never has a moment where she looks bad. Well,

1107
00:58:22,120 --> 00:58:24,880
Speaker 1: they did give her playing Jane hair this episode, Like

1108
00:58:25,000 --> 00:58:28,960
Speaker 1: everything is accented for the reveal at the end. There's

1109
00:58:29,000 --> 00:58:30,840
Speaker 1: no moment where she was supposed to look sweaty, and

1110
00:58:30,920 --> 00:58:33,360
Speaker 1: we teased her saying, come on, look worse than that.

1111
00:58:33,680 --> 00:58:35,680
Speaker 1: But there's no moment in this episode where she like

1112
00:58:35,760 --> 00:58:37,760
Speaker 1: was supposed to look particularly bad. And I want to

1113
00:58:37,800 --> 00:58:39,800
Speaker 1: hear your thoughts on your makeover, big makeover in this

1114
00:58:40,280 --> 00:58:42,040
Speaker 1: I want to know what your thoughts are run on

1115
00:58:42,160 --> 00:58:51,480
Speaker 1: this dramatic, choppy Bob Janitor. I still like what that's

1116
00:58:51,560 --> 00:58:53,200
Speaker 1: one of the greatest scenes in the episode. I'll let

1117
00:58:53,240 --> 00:58:55,720
Speaker 1: you answer the question, but that scene I wrote that down.

1118
00:58:55,800 --> 00:58:58,080
Speaker 1: I really want to talk about the Elliott and Janitor.

1119
00:58:58,160 --> 00:58:59,720
Speaker 1: We're gonna get in then, but I just want to

1120
00:58:59,760 --> 00:59:01,560
Speaker 1: know what in the macro, what did you think of

1121
00:59:01,600 --> 00:59:03,360
Speaker 1: this big makeover? Because it's always a lot of pressure

1122
00:59:03,360 --> 00:59:05,560
Speaker 1: when they're like, oh my god, it's a character makeover

1123
00:59:05,920 --> 00:59:08,080
Speaker 1: and the todd as hell, don't get me wrong, coming

1124
00:59:08,120 --> 00:59:10,400
Speaker 1: in and your eye makeup and your bob. But I

1125
00:59:10,520 --> 00:59:12,080
Speaker 1: just like, I don't know. I guess I just liked

1126
00:59:12,120 --> 00:59:14,520
Speaker 1: you with your little you know, your your before hair.

1127
00:59:15,440 --> 00:59:17,800
Speaker 1: I mean I remember being I remember at the time

1128
00:59:18,240 --> 00:59:21,120
Speaker 1: being very excited about it, because like I remember that

1129
00:59:21,400 --> 00:59:23,480
Speaker 1: they had me leave at lunch and I raced over

1130
00:59:23,560 --> 00:59:25,280
Speaker 1: town and this guy in Beverly Hills cut it and

1131
00:59:25,320 --> 00:59:29,080
Speaker 1: then had me race back and and I got to

1132
00:59:29,160 --> 00:59:31,920
Speaker 1: wear my first pair of True Religion jeans, which was

1133
00:59:32,080 --> 00:59:37,240
Speaker 1: very exciting to me. M and that was like a

1134
00:59:37,320 --> 00:59:40,280
Speaker 1: fancy brand at the time, I think, very fancy and

1135
00:59:41,000 --> 00:59:44,880
Speaker 1: um and then Darla Albright are awesome makeup artists, put

1136
00:59:44,920 --> 00:59:49,080
Speaker 1: all this like smoky eye makeup on me, and I

1137
00:59:49,120 --> 00:59:51,640
Speaker 1: remember having fun and enjoying it at the time, and

1138
00:59:52,720 --> 00:59:56,280
Speaker 1: looking back, I mean, I just, yeah, I guess I

1139
00:59:56,400 --> 00:59:59,920
Speaker 1: feel like, you know, there was a line in one

1140
01:00:00,000 --> 01:00:03,439
Speaker 1: of the episodes when Bill liked to put truisms into

1141
01:00:03,520 --> 01:00:05,360
Speaker 1: our dialogue that was short hair gives me pig face,

1142
01:00:06,360 --> 01:00:10,440
Speaker 1: and so yeah, so that sometimes I always sometimes I

1143
01:00:10,480 --> 01:00:11,920
Speaker 1: feel like with short hair gives me pig face. I

1144
01:00:11,960 --> 01:00:16,440
Speaker 1: don't think you looked beautiful. You looked got Don't get

1145
01:00:16,480 --> 01:00:19,240
Speaker 1: me wrong. I just maybe I'm just not into Bob's

1146
01:00:19,560 --> 01:00:21,080
Speaker 1: is a personal thing. I don't know. I mean, don't

1147
01:00:21,080 --> 01:00:23,840
Speaker 1: get me wrong, you looked gorgeous, but I, oh, I am.

1148
01:00:23,960 --> 01:00:27,800
Speaker 1: I just today my Amazon scissors. I like, now with

1149
01:00:27,920 --> 01:00:30,960
Speaker 1: your with your with your like your dreadlock hair. It

1150
01:00:31,080 --> 01:00:33,600
Speaker 1: really looks amazing. I think Damil and Joe Hell can

1151
01:00:33,640 --> 01:00:36,160
Speaker 1: weigh in. It's pretty dancing. So I just you know,

1152
01:00:36,200 --> 01:00:39,360
Speaker 1: we're in a pandemic, and um, I ordered hair cutting

1153
01:00:39,360 --> 01:00:41,760
Speaker 1: scissors from Amazon, and I just was overly excited. And

1154
01:00:41,840 --> 01:00:43,479
Speaker 1: so I just tried to cut my own hair this morning.

1155
01:00:43,680 --> 01:00:46,120
Speaker 1: And I literally like have only had one person who

1156
01:00:46,160 --> 01:00:48,160
Speaker 1: lives in LA when I've gone back for recordings or whatever,

1157
01:00:48,160 --> 01:00:50,160
Speaker 1: I've had a gout my hair. And so I just

1158
01:00:50,280 --> 01:00:52,240
Speaker 1: kind of was like, I think Gregory goes something like this,

1159
01:00:52,440 --> 01:00:54,400
Speaker 1: and he does this. And then my niece was like

1160
01:00:54,520 --> 01:00:55,800
Speaker 1: on YouTube, if you just put your hair in a

1161
01:00:55,840 --> 01:00:57,880
Speaker 1: ponytail and then you just like kind of cut the

1162
01:00:58,000 --> 01:01:01,280
Speaker 1: top kind of, So I did it. I don't know,

1163
01:01:02,200 --> 01:01:04,240
Speaker 1: I don't see when we'll see it's dry now, so

1164
01:01:04,280 --> 01:01:05,720
Speaker 1: I don't know. I haven't take it. We'll see it

1165
01:01:05,800 --> 01:01:09,000
Speaker 1: looks a little bit longer. If that fails, you can

1166
01:01:09,040 --> 01:01:11,720
Speaker 1: always get the dude, the prover, the one cut that

1167
01:01:11,840 --> 01:01:14,880
Speaker 1: works for everybody. You get a bowl and you put

1168
01:01:14,920 --> 01:01:16,920
Speaker 1: it over your head and you just cut on the

1169
01:01:16,960 --> 01:01:19,600
Speaker 1: outline of the bowl. I didn't know this trick. So

1170
01:01:19,720 --> 01:01:23,720
Speaker 1: if I'm not happy with it's called the mo, the

1171
01:01:23,840 --> 01:01:28,400
Speaker 1: MO from the Three Stooges. The mo the mo. Okay, Donald,

1172
01:01:28,760 --> 01:01:31,320
Speaker 1: if I'm not pleased with the results when this dry is,

1173
01:01:31,360 --> 01:01:34,760
Speaker 1: I'm going to do that? You get when not? When

1174
01:01:35,040 --> 01:01:37,840
Speaker 1: Ted turns to Carlin says, so you're engaged to that

1175
01:01:37,960 --> 01:01:43,080
Speaker 1: surgeon guy, she goes, yeah, He goes, is it serious? Serious? No?

1176
01:01:43,240 --> 01:01:48,440
Speaker 1: We swing yes. So so Ted first hit on Sarah

1177
01:01:48,720 --> 01:01:51,880
Speaker 1: last episode because Sarah and the last episode you were

1178
01:01:51,920 --> 01:01:53,200
Speaker 1: crying and he's kind of like want to get a

1179
01:01:53,280 --> 01:01:56,200
Speaker 1: drink and uh. And in this episode he's trying the

1180
01:01:56,240 --> 01:01:59,080
Speaker 1: Carla angle. He's just really he's really clutching a straws here.

1181
01:02:01,040 --> 01:02:03,520
Speaker 1: She looked so beautiful in this episode, by the way,

1182
01:02:04,520 --> 01:02:06,640
Speaker 1: Yeah she did. How about when she she goes to

1183
01:02:06,760 --> 01:02:10,080
Speaker 1: seduce the uh or at least blackmail the doctor that

1184
01:02:10,120 --> 01:02:11,720
Speaker 1: she hooked up with, and you're waiting out the outside

1185
01:02:11,840 --> 01:02:13,760
Speaker 1: and she kind she comes out and she lowers her

1186
01:02:13,800 --> 01:02:17,920
Speaker 1: top like she just hooked up with him. Yeahs like,

1187
01:02:18,000 --> 01:02:20,640
Speaker 1: how is that funny. Let's get to the Elliott and

1188
01:02:20,680 --> 01:02:24,520
Speaker 1: the janitor in the men's room. Yeah, so funny. This

1189
01:02:24,680 --> 01:02:26,880
Speaker 1: is the first time we established that because we don't

1190
01:02:26,920 --> 01:02:30,000
Speaker 1: know his name, that Elliott decided she's going to call

1191
01:02:30,080 --> 01:02:33,960
Speaker 1: him janitor. And it's always high pitched. And it got

1192
01:02:34,040 --> 01:02:36,320
Speaker 1: more in my high pitched by the episode, Like this

1193
01:02:36,520 --> 01:02:38,320
Speaker 1: was the first one that we did that, and then

1194
01:02:38,440 --> 01:02:44,120
Speaker 1: by season eight it was like Hiro and Iron and

1195
01:02:44,200 --> 01:02:46,560
Speaker 1: sometimes we do takes where it was not even audible

1196
01:02:46,680 --> 01:02:48,840
Speaker 1: and be like they're probably never going to use this,

1197
01:02:48,920 --> 01:02:53,880
Speaker 1: but how high can we possibly? I love that the

1198
01:02:54,000 --> 01:02:56,240
Speaker 1: janitor doesn't even flinch. He's just like, yeah, as though

1199
01:02:56,280 --> 01:02:58,040
Speaker 1: you said his name, yea, yeah, yeah, Oh my god,

1200
01:02:58,360 --> 01:03:00,640
Speaker 1: Neil in the scene. For some reasons, things like this

1201
01:03:00,840 --> 01:03:03,120
Speaker 1: scene I remember like we shot it yesterday. It feels

1202
01:03:03,120 --> 01:03:07,240
Speaker 1: like so recent. I don't know why. Um and oh

1203
01:03:07,320 --> 01:03:10,080
Speaker 1: my god, he made laughed so hard when he's talking

1204
01:03:10,120 --> 01:03:12,840
Speaker 1: about my grandmother that was actually my mother and my mother,

1205
01:03:13,360 --> 01:03:15,680
Speaker 1: my sister who was my mom or my grandmother thought

1206
01:03:15,680 --> 01:03:17,120
Speaker 1: she was my mother, my sister was my mom, and

1207
01:03:17,200 --> 01:03:22,080
Speaker 1: my brother dad dad, not just that when you well,

1208
01:03:22,080 --> 01:03:23,680
Speaker 1: when you say to him and you're like you're like

1209
01:03:23,880 --> 01:03:27,080
Speaker 1: you know, and my life's turned pretty much turned upside down.

1210
01:03:27,120 --> 01:03:31,880
Speaker 1: Do you ever feel like that he goes, nah, because

1211
01:03:32,280 --> 01:03:41,840
Speaker 1: I'm a winner. Just the fact that the janitor, the

1212
01:03:42,000 --> 01:03:45,680
Speaker 1: janitor of the hospital's reply is no, because I'm a winner.

1213
01:03:46,560 --> 01:03:48,840
Speaker 1: I wonder if, like I wonder if the janitor with

1214
01:03:49,040 --> 01:03:50,520
Speaker 1: you know, because we never know when he's telling the

1215
01:03:50,560 --> 01:03:53,960
Speaker 1: truth or when he's lying. If maybe because he fancies Sarah,

1216
01:03:54,120 --> 01:03:56,400
Speaker 1: that he is telling the truth, Like we have no

1217
01:03:56,480 --> 01:03:59,360
Speaker 1: idea when he says this brother dad, if any of

1218
01:03:59,400 --> 01:04:01,600
Speaker 1: it's true and he's just if he's just a fucking

1219
01:04:01,680 --> 01:04:07,160
Speaker 1: total liar. I feel like with Sarah, maybe maybe with Elliott,

1220
01:04:07,240 --> 01:04:10,000
Speaker 1: he was like, you know, truthful. I mean, I'm just

1221
01:04:10,080 --> 01:04:12,680
Speaker 1: thinking that for the first time. Well I don't know

1222
01:04:12,720 --> 01:04:15,800
Speaker 1: what it was. I like to think he was. I

1223
01:04:15,920 --> 01:04:17,440
Speaker 1: like to think a lot of this is a lot

1224
01:04:17,480 --> 01:04:20,560
Speaker 1: of what the janitor tells us is true, Like when

1225
01:04:20,640 --> 01:04:26,000
Speaker 1: he brings out the cage at Turk and Carla's baby shower.

1226
01:04:26,920 --> 01:04:29,120
Speaker 1: When he brings out the cage for the baby is

1227
01:04:29,600 --> 01:04:34,480
Speaker 1: because he had one when he was a kid when

1228
01:04:34,560 --> 01:04:36,600
Speaker 1: they wanted to you know what I mean. But we

1229
01:04:36,720 --> 01:04:38,560
Speaker 1: never know, you know, unless you're cutting to his house

1230
01:04:38,600 --> 01:04:40,440
Speaker 1: like when he has a squirrel army and you actually

1231
01:04:40,520 --> 01:04:43,960
Speaker 1: see the squirrel army. You know, you just never know.

1232
01:04:45,280 --> 01:04:47,160
Speaker 1: It's so fun to watch Neil in these scenes though,

1233
01:04:47,160 --> 01:04:50,600
Speaker 1: because he always throws in like obviously the dialogue and um,

1234
01:04:51,120 --> 01:04:53,400
Speaker 1: you know how the writers would write or whatever Neil says,

1235
01:04:53,440 --> 01:04:55,440
Speaker 1: and he would come up with something insanely funny on

1236
01:04:55,480 --> 01:04:58,480
Speaker 1: the spot. Um. But like even the stuff he does,

1237
01:04:58,560 --> 01:05:00,480
Speaker 1: like on this scene where he just like talking to

1238
01:05:00,600 --> 01:05:03,560
Speaker 1: me and he randomly smells the urinal cake just like

1239
01:05:03,760 --> 01:05:10,560
Speaker 1: in the middle of the line. It's a good year.

1240
01:05:12,280 --> 01:05:15,880
Speaker 1: I laughed out loud when when you see Scott Fully

1241
01:05:15,960 --> 01:05:20,880
Speaker 1: in the smoothie place and uh, he says, I thought

1242
01:05:20,920 --> 01:05:23,120
Speaker 1: you hated this place because the time you got sick

1243
01:05:23,200 --> 01:05:25,320
Speaker 1: here and you go you remember that, and he goes,

1244
01:05:25,920 --> 01:05:33,400
Speaker 1: you've got sick on my face? Is the master? I

1245
01:05:33,440 --> 01:05:38,080
Speaker 1: think Scott Fully is coming on next episode because yeah, yeah,

1246
01:05:38,920 --> 01:05:42,440
Speaker 1: that's the Sea World episode and I and he's down,

1247
01:05:43,320 --> 01:05:49,200
Speaker 1: but because that's when dolphins but uh but um, but Sarah, Uh,

1248
01:05:50,200 --> 01:05:51,960
Speaker 1: he was your scene partner, so you can speak to

1249
01:05:52,040 --> 01:05:55,280
Speaker 1: this even better. But god, no one delivers a straight

1250
01:05:55,800 --> 01:05:58,800
Speaker 1: man line like that guy. Just you got sick on

1251
01:05:58,960 --> 01:06:03,840
Speaker 1: my face? And he he doesn't break. Ever, Yeah, he

1252
01:06:03,880 --> 01:06:05,640
Speaker 1: doesn't break. It doesn't break, no matter what, he just

1253
01:06:05,720 --> 01:06:09,880
Speaker 1: doesn't break. He doesn't break, doesn't crack up, yeah, oh

1254
01:06:09,920 --> 01:06:13,600
Speaker 1: my god, all over the floor. And then in front

1255
01:06:13,640 --> 01:06:16,640
Speaker 1: of his new hot girlfriend and you're like, and he goes,

1256
01:06:16,680 --> 01:06:23,240
Speaker 1: it's okay. It happens. That is really funny. So you

1257
01:06:23,360 --> 01:06:25,840
Speaker 1: think you're like, oh my god, this Sean, this is fate.

1258
01:06:26,320 --> 01:06:28,560
Speaker 1: And then in walks like the pretty new girlfriend and

1259
01:06:28,680 --> 01:06:30,040
Speaker 1: you just look at it and take one look at

1260
01:06:30,080 --> 01:06:34,720
Speaker 1: her and you bugle on the floor. You know. I

1261
01:06:34,800 --> 01:06:37,680
Speaker 1: found it really interesting that they after that, they go

1262
01:06:37,840 --> 01:06:40,880
Speaker 1: outside with the two of them, with Sean and this

1263
01:06:41,080 --> 01:06:43,760
Speaker 1: new girlfriend for the dialogue, so that you understand that

1264
01:06:43,840 --> 01:06:46,919
Speaker 1: he still kind of has feelings for Elliott. I found

1265
01:06:46,960 --> 01:06:48,720
Speaker 1: that very interesting that they did that, you know what

1266
01:06:48,760 --> 01:06:51,720
Speaker 1: I mean, Well, they go outside just to see the

1267
01:06:51,800 --> 01:06:54,000
Speaker 1: joke of her with the door in her car. Yeah,

1268
01:06:54,080 --> 01:06:56,720
Speaker 1: but there's this whole setup for that, and then she

1269
01:06:56,920 --> 01:07:00,200
Speaker 1: drives by, and you know, like he's he's sticking up

1270
01:07:00,200 --> 01:07:02,120
Speaker 1: for her when she's like that girl is such a loser.

1271
01:07:02,160 --> 01:07:04,040
Speaker 1: He's like, I don't know about that. You know, she's

1272
01:07:04,160 --> 01:07:07,240
Speaker 1: she's she's she's a sweetheart. He's saying nice things about her,

1273
01:07:07,520 --> 01:07:10,760
Speaker 1: and then Elliott drives by with the no door right

1274
01:07:11,680 --> 01:07:13,600
Speaker 1: the smoothies on the roof, and he's and you could

1275
01:07:13,600 --> 01:07:15,760
Speaker 1: see then right there and there Scott Alie again. Sean

1276
01:07:15,840 --> 01:07:19,320
Speaker 1: goes again Elliott like he he's he just he just

1277
01:07:19,520 --> 01:07:22,840
Speaker 1: finished sticking up for her, and she's already blown that.

1278
01:07:23,080 --> 01:07:24,920
Speaker 1: But he has to tell her that he has the

1279
01:07:25,000 --> 01:07:28,320
Speaker 1: smoothies on her roof or she's gonna be driving in

1280
01:07:28,400 --> 01:07:30,480
Speaker 1: traffic and hit the brakes and that's gonna scare the

1281
01:07:30,520 --> 01:07:32,120
Speaker 1: shit out of her. And he knows it's gonna cause

1282
01:07:32,120 --> 01:07:34,480
Speaker 1: an accident, so he gives the Elliot, you left the

1283
01:07:34,520 --> 01:07:37,640
Speaker 1: smoothies on your roof. She smashes on the brake like

1284
01:07:37,720 --> 01:07:39,960
Speaker 1: they're meant for each other, they're perfect for each other,

1285
01:07:40,480 --> 01:07:44,080
Speaker 1: and then ans google all over. Then you lose the

1286
01:07:44,160 --> 01:07:49,919
Speaker 1: other door with That was fucking hilarious. I laughed, Yeah,

1287
01:07:50,040 --> 01:07:53,280
Speaker 1: I laughed at Sarah, You're very funny. Sarah's Sarah's cool guy.

1288
01:07:53,680 --> 01:07:57,360
Speaker 1: Like try Sarah Elliot's mustering everything she can to look

1289
01:07:57,600 --> 01:08:02,400
Speaker 1: cute and cool in front of the new girlfriend, random

1290
01:08:02,480 --> 01:08:07,200
Speaker 1: point with no door and the smoothies on our roof.

1291
01:08:08,000 --> 01:08:12,560
Speaker 1: Double freaking and then and then like Scott Foley's delivery

1292
01:08:12,600 --> 01:08:15,680
Speaker 1: when we're in that scene with the with the smoothies

1293
01:08:15,720 --> 01:08:18,559
Speaker 1: and I give some random, long explanation of some dream

1294
01:08:18,600 --> 01:08:20,320
Speaker 1: that I had and he's like, yeah, I'm doing about

1295
01:08:20,320 --> 01:08:25,479
Speaker 1: the same too. Yeah, he's so funny. He's good. We

1296
01:08:25,560 --> 01:08:27,880
Speaker 1: gotta do a show with him, like when we make

1297
01:08:27,920 --> 01:08:31,760
Speaker 1: our Space Janitor TV show. Um, whatever the next thing is,

1298
01:08:31,840 --> 01:08:33,880
Speaker 1: we gotta we gotta pop Scott. I want to do

1299
01:08:34,000 --> 01:08:39,080
Speaker 1: something with Scott Foley nobody. That was so funny. What

1300
01:08:39,160 --> 01:08:40,720
Speaker 1: do you want to do with Scott foy buddy? I

1301
01:08:40,840 --> 01:08:42,360
Speaker 1: know we should we should go to break. We should

1302
01:08:42,360 --> 01:08:43,920
Speaker 1: go to break, We should go to break. Do we

1303
01:08:44,000 --> 01:08:45,360
Speaker 1: need to go to break? To all? And what about

1304
01:08:45,360 --> 01:08:47,320
Speaker 1: the guest? We have a get we guess this here

1305
01:08:47,439 --> 01:08:49,400
Speaker 1: we can know. But it's so with Sarah Chalk here,

1306
01:08:49,439 --> 01:08:51,400
Speaker 1: it's so exciting. We have so much to talk about.

1307
01:08:52,280 --> 01:08:54,560
Speaker 1: All right, we're gonna go to break, guys, and we

1308
01:08:54,680 --> 01:08:56,760
Speaker 1: come back. Not only were we gonna have more of

1309
01:08:57,000 --> 01:09:00,479
Speaker 1: America's favorite Canadian Sarah Chalk, we are going to have

1310
01:09:00,640 --> 01:09:04,679
Speaker 1: a guest. And it's very hard to top last episodes guests, Joel,

1311
01:09:04,840 --> 01:09:07,760
Speaker 1: because people really, really love the guy who had sex

1312
01:09:07,840 --> 01:09:10,200
Speaker 1: at a funeral while sitting on a toilet. Um, So,

1313
01:09:10,320 --> 01:09:14,800
Speaker 1: I hope that this guest can top that. We'll be

1314
01:09:14,920 --> 01:09:24,160
Speaker 1: right back. All right, here we go, everybody. We're back.

1315
01:09:24,520 --> 01:09:27,719
Speaker 1: We're back, We're back. We're back with the delightful Sarah Chalk,

1316
01:09:28,200 --> 01:09:33,240
Speaker 1: the wonderful Sarah Chalk, the glorious. And here is Adam Burger. Hi, Adam,

1317
01:09:34,439 --> 01:09:39,280
Speaker 1: Adam Burger. You got a full house today. You got

1318
01:09:39,320 --> 01:09:43,479
Speaker 1: a full house. You got three interns, the King and

1319
01:09:44,280 --> 01:09:47,880
Speaker 1: oh my gosh, Hi guys, Hi man, Welcome to the program,

1320
01:09:48,040 --> 01:09:50,800
Speaker 1: Fake Doctor's Real Friends. We really appreciate you being here.

1321
01:09:51,040 --> 01:09:54,160
Speaker 1: You must be an extraordinary guest because we had such

1322
01:09:54,640 --> 01:09:57,000
Speaker 1: a memorable guest in the last episode that Joel has

1323
01:09:57,040 --> 01:09:59,920
Speaker 1: really upped her game. And I know she wouldn't follow

1324
01:10:00,120 --> 01:10:02,720
Speaker 1: last week's sex on a toilet at a funeral with

1325
01:10:02,880 --> 01:10:07,439
Speaker 1: someone who wasn't worthy of following the story that you

1326
01:10:07,600 --> 01:10:10,479
Speaker 1: wrote in to get on the show. Yeah so, Um.

1327
01:10:11,240 --> 01:10:15,240
Speaker 1: I teach musical theater at a an arts high school

1328
01:10:15,320 --> 01:10:22,639
Speaker 1: here and I've been a Scrub super fan since it aired.

1329
01:10:22,880 --> 01:10:24,840
Speaker 1: I'm your Guys's age on forty five and I've been

1330
01:10:24,880 --> 01:10:28,439
Speaker 1: watching it since it aired. And in two thousand and eight,

1331
01:10:29,520 --> 01:10:32,559
Speaker 1: my class, my advanced class of high schoolers, we decided

1332
01:10:32,640 --> 01:10:37,439
Speaker 1: to do the Scrubs musical episode. Oh my god, that's what.

1333
01:10:38,360 --> 01:10:40,800
Speaker 1: And so I was obviously I knew the episode really,

1334
01:10:40,840 --> 01:10:43,479
Speaker 1: really well, and I didn't, you know, being a teacher,

1335
01:10:43,560 --> 01:10:46,800
Speaker 1: I'm very cognizant of you know, rights and royalties and stuff.

1336
01:10:46,800 --> 01:10:48,720
Speaker 1: And I'm like, well, I don't want to even work

1337
01:10:48,800 --> 01:10:51,759
Speaker 1: on this if I don't have permission. So I sought

1338
01:10:51,840 --> 01:10:55,280
Speaker 1: out Jeff Marks, who's one of the composers of the songs,

1339
01:10:55,320 --> 01:10:57,200
Speaker 1: and he didn't have a new queue as well, and

1340
01:10:57,360 --> 01:11:00,040
Speaker 1: I found his website and I emailed him and and

1341
01:11:00,120 --> 01:11:01,760
Speaker 1: he I didn't really expect to hear back, but he

1342
01:11:01,840 --> 01:11:06,080
Speaker 1: wrote me a very long email, very friendly, basically saying,

1343
01:11:06,120 --> 01:11:09,120
Speaker 1: you know, I didn't write everything. Deborah Fordham was the

1344
01:11:09,280 --> 01:11:12,400
Speaker 1: episode writer and she wrote a lot of the stuff too,

1345
01:11:12,479 --> 01:11:14,120
Speaker 1: but she said, you know, he said, you're not charging

1346
01:11:14,160 --> 01:11:15,719
Speaker 1: for it, are you? And I said, well, no, I'm

1347
01:11:16,040 --> 01:11:18,080
Speaker 1: it's just like a class project that we're doing. He said,

1348
01:11:18,160 --> 01:11:19,920
Speaker 1: then don't worry about it. Nobody's going to carry So

1349
01:11:20,040 --> 01:11:23,000
Speaker 1: we didn't even publish the music from it or anything.

1350
01:11:23,640 --> 01:11:26,439
Speaker 1: So I'm a pianist and a musician, and I arranged

1351
01:11:26,479 --> 01:11:29,680
Speaker 1: all the songs. Oh my god, bought under the just

1352
01:11:29,800 --> 01:11:32,280
Speaker 1: so happened to have like the exact right students that year,

1353
01:11:32,360 --> 01:11:35,400
Speaker 1: like the right demographics to do that too. And I'm like,

1354
01:11:35,439 --> 01:11:37,320
Speaker 1: I don't know if you guys know scrubs, but I'm

1355
01:11:37,880 --> 01:11:40,360
Speaker 1: obsessed with it. We're going to do this really weird project.

1356
01:11:40,720 --> 01:11:43,640
Speaker 1: And I cast it from the class and we presented it,

1357
01:11:43,920 --> 01:11:46,920
Speaker 1: uh just for some like as a class assignment. People

1358
01:11:46,920 --> 01:11:50,800
Speaker 1: came in to watch, and it was a number killed

1359
01:11:50,880 --> 01:11:55,880
Speaker 1: the most though, oh gosh, probably guy love that's I mean,

1360
01:11:55,960 --> 01:11:58,600
Speaker 1: I love classic. Did you have to censor? You're the

1361
01:11:58,680 --> 01:12:01,040
Speaker 1: only man who's ever been in the side of me? No.

1362
01:12:01,920 --> 01:12:04,320
Speaker 1: We lucky. I'm very very lucky that I work at

1363
01:12:04,360 --> 01:12:07,000
Speaker 1: an art school where we could push the boundaries pretty well.

1364
01:12:07,080 --> 01:12:09,200
Speaker 1: I don't have anybody really watching over my shoulder to

1365
01:12:09,600 --> 01:12:12,400
Speaker 1: censor me on stuff. We've done some like edgy shows

1366
01:12:12,439 --> 01:12:14,839
Speaker 1: and stuff. But I imagine this, I imagine the teenager

1367
01:12:14,960 --> 01:12:21,560
Speaker 1: probably didn't hold up his fist, though I would. I

1368
01:12:21,640 --> 01:12:23,960
Speaker 1: would have thought that the number that killed would have

1369
01:12:24,000 --> 01:12:27,120
Speaker 1: been the Pooh song. But that's just me, Like that

1370
01:12:27,280 --> 01:12:29,479
Speaker 1: was a hard one to make it as funny, I think,

1371
01:12:29,560 --> 01:12:32,040
Speaker 1: because you know we're on a stage. We didn't. It

1372
01:12:32,160 --> 01:12:34,280
Speaker 1: was very hard to stage a TV show on a

1373
01:12:35,120 --> 01:12:37,240
Speaker 1: on a theaprical stage, so it was a lot of

1374
01:12:37,280 --> 01:12:39,000
Speaker 1: the humor I think was lost in that. But you know,

1375
01:12:39,080 --> 01:12:41,880
Speaker 1: seeing two guys up there singing, well, that's so great.

1376
01:12:41,920 --> 01:12:46,320
Speaker 1: You know there is there is a Scrubs musical in development,

1377
01:12:46,600 --> 01:12:49,360
Speaker 1: a real one. Oh I didn't. I don't even know

1378
01:12:49,360 --> 01:12:51,800
Speaker 1: if I'm supposed to say that, but I'll ask. I'm

1379
01:12:51,840 --> 01:12:55,479
Speaker 1: sure I can say that. Randall Winston, who we've had

1380
01:12:55,520 --> 01:12:58,200
Speaker 1: on the show and was one of our main producers,

1381
01:12:58,240 --> 01:13:01,519
Speaker 1: our line producer, I think he was taking the lead

1382
01:13:01,560 --> 01:13:05,000
Speaker 1: on developing a Broadway musical, taking some of the songs

1383
01:13:05,080 --> 01:13:07,360
Speaker 1: from the from the Scrubs Musical episode, and then of

1384
01:13:07,400 --> 01:13:09,280
Speaker 1: course that's not enough to build a two and a

1385
01:13:09,320 --> 01:13:11,600
Speaker 1: half hour show around. So then you know, and of

1386
01:13:11,680 --> 01:13:14,519
Speaker 1: course you know, figuring out what the story of it

1387
01:13:14,600 --> 01:13:16,240
Speaker 1: would be. But I know that it was in the works.

1388
01:13:16,280 --> 01:13:18,559
Speaker 1: For those of you who interested in that, Oh my gosh,

1389
01:13:18,600 --> 01:13:21,559
Speaker 1: that's wild. You could take so many of the stories

1390
01:13:21,920 --> 01:13:25,760
Speaker 1: and then turn them into the Scrubs Musical, like the

1391
01:13:25,920 --> 01:13:29,080
Speaker 1: story of the story where we sang I'm waiting for

1392
01:13:29,240 --> 01:13:32,000
Speaker 1: my real life to begin. We could add that in there.

1393
01:13:32,160 --> 01:13:34,960
Speaker 1: We could you could add you could add so many

1394
01:13:35,080 --> 01:13:39,800
Speaker 1: moments where we where we sang into the musical. Also,

1395
01:13:39,840 --> 01:13:41,599
Speaker 1: I think I think it'd be cool is JD going

1396
01:13:41,680 --> 01:13:44,760
Speaker 1: into fantasy in a musical world set. It could be

1397
01:13:44,840 --> 01:13:46,920
Speaker 1: so fun because you get so much cool stuff with

1398
01:13:47,000 --> 01:13:49,880
Speaker 1: set design and numbers everything like that. Yeah, yeah, I

1399
01:13:49,960 --> 01:13:52,400
Speaker 1: like that. Yeah, um, well that's cool. And I'm so

1400
01:13:52,520 --> 01:13:55,680
Speaker 1: glad that you seem like a really fun teacher. Ad him.

1401
01:13:55,800 --> 01:13:58,599
Speaker 1: I went to a high school where a public high

1402
01:13:58,600 --> 01:14:02,760
Speaker 1: school in New Jersey, Columbia High School in Maplewood, New Jersey,

1403
01:14:02,840 --> 01:14:06,720
Speaker 1: and it wasn't cool to be in plays. And I

1404
01:14:07,520 --> 01:14:09,519
Speaker 1: did have a great drama teacher who I liked a lot,

1405
01:14:09,600 --> 01:14:11,439
Speaker 1: but I, you know, I was a self conscious team

1406
01:14:11,479 --> 01:14:13,160
Speaker 1: and I was doing all of this, all of my

1407
01:14:13,640 --> 01:14:16,559
Speaker 1: theater stuff outside of school. I was going to theater camp,

1408
01:14:17,000 --> 01:14:19,799
Speaker 1: I was doing, you know, participating in sort of community

1409
01:14:19,840 --> 01:14:23,839
Speaker 1: theater stuff. But I was too self conscious. I regret

1410
01:14:24,160 --> 01:14:27,240
Speaker 1: to be in the school plays. And so I know,

1411
01:14:27,320 --> 01:14:30,040
Speaker 1: you're at an art school, so it's it's a different world.

1412
01:14:30,120 --> 01:14:32,320
Speaker 1: But I just loved I love it when I hear

1413
01:14:32,360 --> 01:14:36,519
Speaker 1: about great teachers like you who are inspiring kids to perform. Well,

1414
01:14:36,520 --> 01:14:38,880
Speaker 1: I'm really lucky because, you know, like I said, we

1415
01:14:38,960 --> 01:14:41,120
Speaker 1: get to do some really cool stuff there. I really

1416
01:14:41,200 --> 01:14:43,200
Speaker 1: try to think outside the box and do do weird

1417
01:14:43,240 --> 01:14:45,240
Speaker 1: stuff that no other school would do, so that we

1418
01:14:45,360 --> 01:14:48,240
Speaker 1: don't have that problem of like students only wanting to

1419
01:14:48,280 --> 01:14:50,519
Speaker 1: go out and do community theater stuff that they want

1420
01:14:50,560 --> 01:14:52,760
Speaker 1: to do our shows every year. So we've, like I said,

1421
01:14:52,760 --> 01:14:55,800
Speaker 1: we've been able to do some really cool edgy things

1422
01:14:55,840 --> 01:14:58,920
Speaker 1: over the years without really anybody intervening. And you know,

1423
01:14:59,200 --> 01:15:01,240
Speaker 1: one of the things we ourselves on as a school

1424
01:15:01,360 --> 01:15:04,040
Speaker 1: is that, you know, the whole student body or kind

1425
01:15:04,120 --> 01:15:06,400
Speaker 1: of the outcasts, you know, they're kind of you know,

1426
01:15:06,920 --> 01:15:09,000
Speaker 1: the coolest kid at our school is you know, might

1427
01:15:09,080 --> 01:15:11,559
Speaker 1: be the star of the musical instead of the star

1428
01:15:11,640 --> 01:15:14,240
Speaker 1: of the football team. That's why That's why I flourished

1429
01:15:14,280 --> 01:15:18,120
Speaker 1: in theater camp. That's why I was like, oh, because

1430
01:15:18,160 --> 01:15:19,960
Speaker 1: I was like I was good at being in plays,

1431
01:15:20,040 --> 01:15:22,200
Speaker 1: so I was like the cool kid. I was like, finally,

1432
01:15:23,560 --> 01:15:25,040
Speaker 1: I want to go back in time and come to

1433
01:15:25,080 --> 01:15:30,479
Speaker 1: your high school at him. Oh, I get that a lot, Sarah.

1434
01:15:30,600 --> 01:15:32,120
Speaker 1: You do plays. I mean I know you were a

1435
01:15:32,240 --> 01:15:34,400
Speaker 1: kid actor, you were working, But did you participate in

1436
01:15:34,479 --> 01:15:38,040
Speaker 1: any school plays? I did. We actually did get to

1437
01:15:38,080 --> 01:15:40,360
Speaker 1: do really pretty cool musicals at our high school. And

1438
01:15:40,360 --> 01:15:44,160
Speaker 1: I was an Annie and they didn't They didn't seem

1439
01:15:44,200 --> 01:15:47,800
Speaker 1: to mind that I was tone deaf unlike some other Yeah,

1440
01:15:47,840 --> 01:15:51,599
Speaker 1: but you got rhythm though. You can dance. We've seen

1441
01:15:51,640 --> 01:15:55,599
Speaker 1: you dance. All you're dancing turns very sexual quickly? Can

1442
01:15:55,640 --> 01:15:58,479
Speaker 1: you dance in a non provocative manner? I can't do

1443
01:15:58,520 --> 01:16:01,920
Speaker 1: the robot. That's a very non productive provocative That's true.

1444
01:16:02,439 --> 01:16:04,920
Speaker 1: That is true. Sarah always starts off. It's always like

1445
01:16:05,680 --> 01:16:15,800
Speaker 1: and a robot, booty, booty booty. I've known Sarah for

1446
01:16:15,920 --> 01:16:19,280
Speaker 1: twenty years, and when she starts dancing, it's about five

1447
01:16:19,360 --> 01:16:23,799
Speaker 1: seconds before there's like acid like backing up in. Oops,

1448
01:16:23,840 --> 01:16:27,000
Speaker 1: I dropped something that just comes from my like grade

1449
01:16:27,040 --> 01:16:30,600
Speaker 1: twelve parent teacher. I mean, I'm grad parent of a

1450
01:16:30,760 --> 01:16:32,200
Speaker 1: night where we all did babies go Back. It just

1451
01:16:32,240 --> 01:16:35,720
Speaker 1: sort of like it just comes out of nowhere. Just

1452
01:16:35,800 --> 01:16:37,680
Speaker 1: kind of feel like if Sarah had TikTok, Like if

1453
01:16:37,720 --> 01:16:40,120
Speaker 1: we were all teenagers with TikTok, she'd be one of

1454
01:16:40,160 --> 01:16:42,439
Speaker 1: those people doing like the provocative TikTok. She would be

1455
01:16:42,520 --> 01:16:48,439
Speaker 1: doing the savage. She'd be like, I'm a savage snacky booty. Okay, okay.

1456
01:16:49,520 --> 01:16:51,639
Speaker 1: One of my favorites I was born at the wrong time, guys.

1457
01:16:52,040 --> 01:16:54,599
Speaker 1: One of my favorite things from the from the series

1458
01:16:54,760 --> 01:16:58,120
Speaker 1: is the clip show where they do the entire runner

1459
01:16:58,160 --> 01:17:00,760
Speaker 1: of all you guys dancing and different episode. I mean,

1460
01:17:00,840 --> 01:17:02,720
Speaker 1: everybody on that show. I don't remember that having we

1461
01:17:02,800 --> 01:17:05,680
Speaker 1: did have a clip show. I've never seen the clip show,

1462
01:17:05,760 --> 01:17:07,599
Speaker 1: but I know we had one. I only know because

1463
01:17:07,680 --> 01:17:09,320
Speaker 1: the thing that's great about a clip show is I

1464
01:17:09,320 --> 01:17:11,680
Speaker 1: think you still get paid for an episode, but you

1465
01:17:11,720 --> 01:17:18,360
Speaker 1: don't don't work you guys. They did a runner of dances,

1466
01:17:18,439 --> 01:17:20,240
Speaker 1: they did a runner of like I think they did

1467
01:17:20,280 --> 01:17:23,920
Speaker 1: a runner of um you crashing into things, and they

1468
01:17:23,960 --> 01:17:26,759
Speaker 1: did I think they did a runner of Doctor Cox's

1469
01:17:26,800 --> 01:17:30,000
Speaker 1: Insults too. I'm not sure, but they was. Yeah, it's funny. Well,

1470
01:17:30,080 --> 01:17:32,479
Speaker 1: Sarah and Donald did most of the dancing, because the

1471
01:17:32,560 --> 01:17:35,040
Speaker 1: two of them are very very good dancers. I I'm

1472
01:17:35,080 --> 01:17:37,920
Speaker 1: good at running into stuff and falling number stuff. I

1473
01:17:38,080 --> 01:17:40,400
Speaker 1: wish I could sing. I loved it and I was

1474
01:17:40,439 --> 01:17:42,400
Speaker 1: in musicals as a kid. My sister and I went

1475
01:17:42,520 --> 01:17:46,839
Speaker 1: to UM a musical theater kind of school outside of school,

1476
01:17:47,320 --> 01:17:51,680
Speaker 1: and UM we auditioned for it and they called and

1477
01:17:51,800 --> 01:17:53,680
Speaker 1: they said, to my sister, we love you and we

1478
01:17:53,760 --> 01:17:55,960
Speaker 1: want you to be the lead. And they said, she said,

1479
01:17:56,000 --> 01:17:57,920
Speaker 1: what about Sarah And they were like, yeah, no, we

1480
01:17:58,000 --> 01:18:02,120
Speaker 1: don't want her. And so she said, okay that I'm

1481
01:18:02,120 --> 01:18:03,800
Speaker 1: not I'm not going to do it, and she hung

1482
01:18:03,880 --> 01:18:05,640
Speaker 1: up and they called back five minutes later and they

1483
01:18:05,640 --> 01:18:07,720
Speaker 1: were like, okay, we really want you, so we're gonna

1484
01:18:07,760 --> 01:18:10,280
Speaker 1: take your little sister as well. So Natasha was the

1485
01:18:10,400 --> 01:18:13,320
Speaker 1: lead and she was wearing this like turquoise shiny thing

1486
01:18:13,360 --> 01:18:15,800
Speaker 1: with this long blonde hair. And I was one of

1487
01:18:15,880 --> 01:18:19,920
Speaker 1: three tigers at the back that was wearing UM all black,

1488
01:18:20,000 --> 01:18:21,760
Speaker 1: and I had a tiger mask and we were just

1489
01:18:21,920 --> 01:18:24,040
Speaker 1: like in the background, kind of side to side with

1490
01:18:24,120 --> 01:18:26,280
Speaker 1: our claws, didn't have any lines, and I was in heaven.

1491
01:18:26,320 --> 01:18:30,880
Speaker 1: I was like, I'm doing it. I wanted so badly

1492
01:18:31,040 --> 01:18:33,080
Speaker 1: is that it gets to New York to see bullets

1493
01:18:33,080 --> 01:18:36,519
Speaker 1: over Broadway when it was because I'm a huge fan.

1494
01:18:36,600 --> 01:18:38,360
Speaker 1: I'm a huge Scrubs fan. I just was And of

1495
01:18:38,439 --> 01:18:41,960
Speaker 1: course my celebrity crush is Betsy Wolf. Wow. That's a

1496
01:18:42,000 --> 01:18:44,240
Speaker 1: good celebrity crush to have. I know, I saw her

1497
01:18:44,280 --> 01:18:46,080
Speaker 1: in the Last five Years and I me too a

1498
01:18:46,240 --> 01:18:48,400
Speaker 1: second stage right, maybe we were there the same night.

1499
01:18:48,880 --> 01:18:51,080
Speaker 1: Oh my god. You can listen to that album if

1500
01:18:51,120 --> 01:18:54,439
Speaker 1: you like musicals. It's a wonderful show called Last five

1501
01:18:54,520 --> 01:18:56,760
Speaker 1: Years and there's a recording of Betsy Wolf in it.

1502
01:18:57,280 --> 01:19:00,840
Speaker 1: Um I'm Bullets Were Away was one of the most

1503
01:19:00,920 --> 01:19:03,040
Speaker 1: you know, I was a theater geek kid, as as

1504
01:19:03,040 --> 01:19:06,160
Speaker 1: we're discussing, I went to theater camp and I did

1505
01:19:06,280 --> 01:19:10,640
Speaker 1: plays out of college and off Broadway. But being in

1506
01:19:10,880 --> 01:19:14,080
Speaker 1: a full blown, like big budget musical with a twenty

1507
01:19:14,160 --> 01:19:17,920
Speaker 1: five piece orchestra, I literally my entrance was literally rising

1508
01:19:18,040 --> 01:19:21,799
Speaker 1: through the stage playing a ukulele. It was such a surreal.

1509
01:19:22,040 --> 01:19:26,040
Speaker 1: It was like a total kid dream, fruition, bucket list

1510
01:19:26,120 --> 01:19:29,920
Speaker 1: thing happened, and I want to do it again one day.

1511
01:19:29,960 --> 01:19:32,120
Speaker 1: It was just it was just too much fun. Did

1512
01:19:32,160 --> 01:19:34,120
Speaker 1: you ever mess up coming up on the stage when

1513
01:19:34,160 --> 01:19:36,519
Speaker 1: you were coming up playing n get song? Did you

1514
01:19:36,560 --> 01:19:41,720
Speaker 1: ever come ain't well? A couple of things. First of all,

1515
01:19:42,400 --> 01:19:44,720
Speaker 1: if for most of you who didn't see the show,

1516
01:19:45,400 --> 01:19:48,120
Speaker 1: the show is happening, and it begins with with with

1517
01:19:48,240 --> 01:19:51,120
Speaker 1: another number and then I enter rising. So I would

1518
01:19:51,120 --> 01:19:55,400
Speaker 1: go down underneath the stage before the show because I

1519
01:19:55,479 --> 01:19:58,280
Speaker 1: was nervous as hell, and every show, no matter how

1520
01:19:58,320 --> 01:20:00,840
Speaker 1: many we did, and I'd say loaded the conductor and

1521
01:20:00,920 --> 01:20:03,360
Speaker 1: sort of waved to the orchestra because they were down there,

1522
01:20:03,520 --> 01:20:05,200
Speaker 1: and then I'd go over to where my lift was

1523
01:20:05,360 --> 01:20:07,000
Speaker 1: and i'd sort of talked to the crew guys and

1524
01:20:07,040 --> 01:20:10,240
Speaker 1: shoot the ship. And then a light goes on, which

1525
01:20:10,320 --> 01:20:12,639
Speaker 1: means the lift is about to go. And I would

1526
01:20:12,640 --> 01:20:15,280
Speaker 1: always get so nervous because you don't it's such a

1527
01:20:15,360 --> 01:20:17,759
Speaker 1: crazy way to enter the stage. Most of the times,

1528
01:20:17,840 --> 01:20:21,080
Speaker 1: in a normal budget world, you're just entering from the

1529
01:20:21,120 --> 01:20:22,880
Speaker 1: wings of the stage. But here we are a big

1530
01:20:22,920 --> 01:20:25,120
Speaker 1: budget musical show, and the light goes off and I'm

1531
01:20:25,240 --> 01:20:27,160
Speaker 1: riding and I start rising, and then you just see

1532
01:20:27,360 --> 01:20:30,360
Speaker 1: like twenty five hundred people watching you. And so of

1533
01:20:30,479 --> 01:20:32,320
Speaker 1: course there were times when I would totally fuck up

1534
01:20:32,320 --> 01:20:34,400
Speaker 1: the ukulele because I'm not a musician, but I learned

1535
01:20:34,439 --> 01:20:36,720
Speaker 1: to play this one song on the ukulele. What I

1536
01:20:36,880 --> 01:20:40,080
Speaker 1: later learned was there was a guy in the orchestra

1537
01:20:40,160 --> 01:20:44,680
Speaker 1: pit who was also playing the ukulele and defending how

1538
01:20:44,760 --> 01:20:46,479
Speaker 1: not how much I was sucking, they would kind of

1539
01:20:46,520 --> 01:20:50,479
Speaker 1: bring up his mixer on environment, Like if I was

1540
01:20:50,560 --> 01:20:52,720
Speaker 1: really fucking off that day, they would just bring up

1541
01:20:52,760 --> 01:20:57,519
Speaker 1: the orchestra pit on ukulele. Oh that's amazing, Donald. Did

1542
01:20:57,560 --> 01:21:01,559
Speaker 1: you ever do theater nice school? I did high school theater. Well,

1543
01:21:01,600 --> 01:21:03,519
Speaker 1: not high school. I went to the professional children school.

1544
01:21:03,520 --> 01:21:05,400
Speaker 1: So everybody that I went to school with was like

1545
01:21:05,560 --> 01:21:07,960
Speaker 1: already on Broadway and doing shit like that, So we

1546
01:21:08,040 --> 01:21:11,160
Speaker 1: didn't really have a theater at the school. But yeah,

1547
01:21:11,280 --> 01:21:14,000
Speaker 1: you know, when I graduated, I did shows with a

1548
01:21:14,120 --> 01:21:17,479
Speaker 1: theater for a new audience. I did shows off off

1549
01:21:17,640 --> 01:21:21,120
Speaker 1: off Broadway, Off Broadway, I did show There was a

1550
01:21:21,360 --> 01:21:24,280
Speaker 1: I grew up in Hell's Kitchen, New York, and on

1551
01:21:24,439 --> 01:21:27,280
Speaker 1: forty second between ninth and tenth Avenue, there was this

1552
01:21:27,400 --> 01:21:30,320
Speaker 1: whole theater comp like this theater thing called Theater Row,

1553
01:21:30,560 --> 01:21:34,040
Speaker 1: and it was a bunch of different Yeah, that was

1554
01:21:34,120 --> 01:21:35,800
Speaker 1: there too, but it was a bunch of different, uh,

1555
01:21:36,320 --> 01:21:39,000
Speaker 1: play playhouses and stuff like that. It's no longer there

1556
01:21:39,040 --> 01:21:41,640
Speaker 1: now there's like a building and stuff like that with

1557
01:21:42,680 --> 01:21:45,519
Speaker 1: tenants and stuff. But I remember when I was a kid,

1558
01:21:45,520 --> 01:21:47,160
Speaker 1: I'd be like, one day, I'm gonna do a show there.

1559
01:21:47,400 --> 01:21:49,200
Speaker 1: I wound up doing two shows there, you know what

1560
01:21:49,240 --> 01:21:51,200
Speaker 1: I mean, Like it was. It's one of those things

1561
01:21:51,280 --> 01:21:53,880
Speaker 1: where if you grew up in New York City like

1562
01:21:54,080 --> 01:21:57,080
Speaker 1: I did, and you weren't doing plays, then you weren't

1563
01:21:57,080 --> 01:21:59,120
Speaker 1: really trying to be an actor, because that was all

1564
01:21:59,200 --> 01:22:00,720
Speaker 1: that was there, you know what I mean, that was

1565
01:22:00,840 --> 01:22:03,479
Speaker 1: all you know. It was either that or it was

1566
01:22:04,840 --> 01:22:06,800
Speaker 1: the one you might get lucky and get on a

1567
01:22:06,880 --> 01:22:09,840
Speaker 1: New York undercover. But for that, they were like two

1568
01:22:09,920 --> 01:22:13,200
Speaker 1: thousand people auditioning for one line, you know what I mean. So,

1569
01:22:13,920 --> 01:22:16,960
Speaker 1: uh yeah, did I do plays? I did quite a

1570
01:22:17,000 --> 01:22:18,719
Speaker 1: few plays. I came up in a theater. My parents

1571
01:22:18,920 --> 01:22:21,000
Speaker 1: were a part of the National Black Theater in Harlem,

1572
01:22:21,080 --> 01:22:23,960
Speaker 1: and so instead of a babysitter, I used to have

1573
01:22:24,040 --> 01:22:28,280
Speaker 1: to sit in the audience with, you know, while my

1574
01:22:28,360 --> 01:22:31,519
Speaker 1: parents performed on stage. And I remember one of the

1575
01:22:31,680 --> 01:22:35,800
Speaker 1: actors started complaining because, you know, put me in an

1576
01:22:35,800 --> 01:22:38,760
Speaker 1: audience with a bunch of people. I'm part of the show. Now,

1577
01:22:38,760 --> 01:22:40,040
Speaker 1: I don't give a fuck what you said, you know

1578
01:22:40,080 --> 01:22:43,320
Speaker 1: what I mean. It started off, It started the first night,

1579
01:22:43,360 --> 01:22:44,960
Speaker 1: I was fine, But once it got to the point

1580
01:22:45,000 --> 01:22:46,840
Speaker 1: where I was there every night, I was like, oh,

1581
01:22:46,920 --> 01:22:50,760
Speaker 1: I'm in this ship too, baby. I can't imagine you

1582
01:22:50,960 --> 01:22:53,840
Speaker 1: was like sitting there quietly. That's not it was impossible.

1583
01:22:54,280 --> 01:22:56,360
Speaker 1: Like I would get involved, Like I would get up

1584
01:22:56,400 --> 01:22:59,560
Speaker 1: out of my chair and help the actors, and you know,

1585
01:22:59,760 --> 01:23:01,960
Speaker 1: like at one point they would sit me down next

1586
01:23:02,000 --> 01:23:03,840
Speaker 1: to one of the actors in the show and I'd

1587
01:23:03,840 --> 01:23:06,320
Speaker 1: be having a conversation with the actor while the show

1588
01:23:06,479 --> 01:23:08,760
Speaker 1: was going on. And one time he missed his queue

1589
01:23:09,080 --> 01:23:11,040
Speaker 1: because he was fucking with me, and he got in

1590
01:23:11,080 --> 01:23:13,599
Speaker 1: trouble for that shit. Like at that point, I knew

1591
01:23:13,680 --> 01:23:15,040
Speaker 1: right then and there, And I was very young. I

1592
01:23:15,160 --> 01:23:17,960
Speaker 1: was like five four or five. I knew right there

1593
01:23:17,960 --> 01:23:19,360
Speaker 1: and now I was like, I'm going to be an actor, dude.

1594
01:23:19,400 --> 01:23:21,800
Speaker 1: This is this is If it wasn't four plays, I

1595
01:23:21,840 --> 01:23:23,200
Speaker 1: wouldn't be an actor, you know what I mean. I

1596
01:23:23,320 --> 01:23:25,479
Speaker 1: knew right then and there. This is the life I

1597
01:23:25,560 --> 01:23:27,280
Speaker 1: want to live. I want to be able to do

1598
01:23:27,439 --> 01:23:30,560
Speaker 1: this because one I have a lot of fun and

1599
01:23:30,680 --> 01:23:34,800
Speaker 1: two this doesn't seem as hard as everybody says it is.

1600
01:23:35,160 --> 01:23:38,519
Speaker 1: And you know, well, I mean, in fairness to yourself,

1601
01:23:38,720 --> 01:23:42,200
Speaker 1: it seemed that way to you because you had your

1602
01:23:42,240 --> 01:23:45,160
Speaker 1: parents were doing it, you had a natural instinct for it.

1603
01:23:45,320 --> 01:23:49,040
Speaker 1: You know. It's well, of course his nature nurture you.

1604
01:23:49,360 --> 01:23:52,160
Speaker 1: You then nurtured that ability, but you obviously had it

1605
01:23:52,280 --> 01:23:54,240
Speaker 1: in you as a child, right. Well. You know, some

1606
01:23:54,400 --> 01:23:56,920
Speaker 1: people are I honestly believe that some people are born.

1607
01:23:57,200 --> 01:24:01,439
Speaker 1: Everybody's born to do what they do. Some people find

1608
01:24:01,520 --> 01:24:04,240
Speaker 1: what they do later on, some people find what they

1609
01:24:04,360 --> 01:24:06,960
Speaker 1: do early on. But you're born to do what you do,

1610
01:24:07,520 --> 01:24:08,880
Speaker 1: you know what I mean, whether it is to be

1611
01:24:09,160 --> 01:24:11,479
Speaker 1: an actor, whether it is to be a politician, whether

1612
01:24:11,520 --> 01:24:15,519
Speaker 1: it is to be whatever. You're given a certain set

1613
01:24:15,560 --> 01:24:19,200
Speaker 1: of skills. It just sound like Liam Neeson I have

1614
01:24:19,280 --> 01:24:23,760
Speaker 1: a certain sort of skills. Some people are assassins, right

1615
01:24:24,720 --> 01:24:26,360
Speaker 1: but no, But I feel like you're given a certain

1616
01:24:26,400 --> 01:24:29,080
Speaker 1: set of skills and it's up to you to take

1617
01:24:29,120 --> 01:24:30,640
Speaker 1: it as far as you want to go with it,

1618
01:24:30,840 --> 01:24:34,040
Speaker 1: you know what I mean. Sometimes the gift that you

1619
01:24:34,160 --> 01:24:36,479
Speaker 1: have isn't the gift that you want, you know what

1620
01:24:36,560 --> 01:24:38,439
Speaker 1: I mean, And you have to come to grips with that,

1621
01:24:38,520 --> 01:24:41,800
Speaker 1: and that's usually what happens. But for the most people,

1622
01:24:41,920 --> 01:24:46,000
Speaker 1: some people aren't blessed enough to know what their passion

1623
01:24:46,120 --> 01:24:48,120
Speaker 1: and thing is for a long time. I mean, you

1624
01:24:48,200 --> 01:24:51,840
Speaker 1: were you were so blessed because it happened to be

1625
01:24:51,960 --> 01:24:54,120
Speaker 1: the thing that your parents were exposing you too. I

1626
01:24:54,280 --> 01:24:55,920
Speaker 1: was the same way. My father, you know, was doing

1627
01:24:56,000 --> 01:24:58,800
Speaker 1: community theater as his hobby, and I kind of like

1628
01:24:59,160 --> 01:25:01,400
Speaker 1: was like, this is a job you can have, Like

1629
01:25:01,760 --> 01:25:04,559
Speaker 1: this is something you can do. But I mean, there's

1630
01:25:04,560 --> 01:25:06,080
Speaker 1: so many people and I feel for them. I mean

1631
01:25:06,120 --> 01:25:07,960
Speaker 1: I talked to college kids or getting out of college

1632
01:25:08,000 --> 01:25:11,000
Speaker 1: and they still haven't found like their thing, and they

1633
01:25:11,040 --> 01:25:13,600
Speaker 1: haven't they haven't dropped into something that excites them. And

1634
01:25:14,560 --> 01:25:16,760
Speaker 1: so I always feel really really blessed and lucky that

1635
01:25:16,840 --> 01:25:19,240
Speaker 1: I was, at a young age exposed to something that

1636
01:25:19,400 --> 01:25:22,439
Speaker 1: so lit me up. Yeah, oh absolutely, man, And and

1637
01:25:22,560 --> 01:25:26,880
Speaker 1: people like Adam, dude, you're you're if I have, I

1638
01:25:27,040 --> 01:25:31,679
Speaker 1: have fond memories of all my drama teachers, fond memories

1639
01:25:31,840 --> 01:25:35,439
Speaker 1: like there was Kurt, there was you know, uh, there

1640
01:25:35,600 --> 01:25:40,160
Speaker 1: was uh mister oh Man, what was this dude's name?

1641
01:25:40,240 --> 01:25:43,240
Speaker 1: There was Kurt, there was oh Man by my blank

1642
01:25:43,320 --> 01:25:45,200
Speaker 1: and now. But I have fond memories of the people

1643
01:25:45,240 --> 01:25:47,439
Speaker 1: that taught me how to be an actor, you know

1644
01:25:47,479 --> 01:25:49,840
Speaker 1: what I mean, who I went to classes with, who

1645
01:25:50,240 --> 01:25:53,840
Speaker 1: taught me through uh, whether it was a workshop or

1646
01:25:54,160 --> 01:25:58,840
Speaker 1: a or a play that I did, Like, I've worked

1647
01:25:58,840 --> 01:26:00,720
Speaker 1: with people that a lot of people people didn't have

1648
01:26:00,800 --> 01:26:04,519
Speaker 1: the operation I worked with, like Elizabeth Swatos who recently

1649
01:26:04,560 --> 01:26:07,960
Speaker 1: passed away, God Rest her soul and everything like that.

1650
01:26:08,160 --> 01:26:10,640
Speaker 1: But I worked with people that did Broadway shows that

1651
01:26:10,760 --> 01:26:15,240
Speaker 1: were freaking iconic and stuff like that. And uh and

1652
01:26:15,560 --> 01:26:17,400
Speaker 1: and I was looking at it as I need a

1653
01:26:17,439 --> 01:26:19,680
Speaker 1: fucking job right now, and not looking at it as

1654
01:26:20,080 --> 01:26:22,559
Speaker 1: I'm like, I could be learning so many great things

1655
01:26:22,720 --> 01:26:25,679
Speaker 1: right now from these people. And so, Sarah, to answer

1656
01:26:25,720 --> 01:26:27,000
Speaker 1: you a question, Yeah, I did a lot of theater

1657
01:26:27,040 --> 01:26:28,600
Speaker 1: when I was growing up, but it was because I

1658
01:26:28,760 --> 01:26:30,240
Speaker 1: really wanted to get the hell out of New York

1659
01:26:30,280 --> 01:26:39,400
Speaker 1: City and be an actor in la um Adam. Do

1660
01:26:39,600 --> 01:26:42,120
Speaker 1: you have a question for us? I do. I have

1661
01:26:42,680 --> 01:26:44,240
Speaker 1: got a million of them, but I'll start with well,

1662
01:26:44,320 --> 01:26:47,280
Speaker 1: pick one because we were running very long today because

1663
01:26:47,560 --> 01:26:55,360
Speaker 1: you know, the Canadian is a little you know. So

1664
01:26:55,520 --> 01:26:58,920
Speaker 1: my question is this, Uh. I my all time favorite

1665
01:26:58,920 --> 01:27:01,519
Speaker 1: episode of Scrubs and probably my all time favorite episode

1666
01:27:01,560 --> 01:27:03,799
Speaker 1: of any television. So it is the series eight finale,

1667
01:27:04,120 --> 01:27:08,200
Speaker 1: which is just a perfect, perfect episode of television for

1668
01:27:08,439 --> 01:27:10,719
Speaker 1: US fans for the way that it repped up Adam,

1669
01:27:10,760 --> 01:27:13,240
Speaker 1: I wrote it. I wrote it, Adam, thank you. I

1670
01:27:13,360 --> 01:27:17,479
Speaker 1: don't think that's first. It was interrupting film. It was

1671
01:27:17,479 --> 01:27:21,400
Speaker 1: interrupting film. But my question is, you know what what

1672
01:27:21,520 --> 01:27:23,680
Speaker 1: other shows I wanted to hear from all all of you.

1673
01:27:24,080 --> 01:27:27,439
Speaker 1: What what other shows in your you know, in fandom

1674
01:27:27,520 --> 01:27:30,280
Speaker 1: that you that you've enjoyed. Do you feel like the finale?

1675
01:27:30,360 --> 01:27:35,479
Speaker 1: Absolutely first, I'll go first. I call first season in

1676
01:27:35,560 --> 01:27:39,200
Speaker 1: the history of television. And as Donald's seemed to be

1677
01:27:39,320 --> 01:27:41,760
Speaker 1: dissing me for early in the broadcast, I have watched

1678
01:27:41,800 --> 01:27:44,920
Speaker 1: a lot of television, and in the history of television,

1679
01:27:45,240 --> 01:27:51,719
Speaker 1: there is no contender for best series finale. Ever, don't

1680
01:27:51,760 --> 01:27:58,679
Speaker 1: at me, don't do well, don't frown. Six Feet Under, Yeah,

1681
01:27:58,840 --> 01:28:06,240
Speaker 1: there's applause. Dan, I'll turn your key. I will, I will.

1682
01:28:06,320 --> 01:28:09,000
Speaker 1: I will turn my key, only because I've only seen

1683
01:28:09,120 --> 01:28:11,759
Speaker 1: the last episode of Six Feet Under. No, are you serious?

1684
01:28:12,720 --> 01:28:15,719
Speaker 1: Are you serious? I'm dead serious? That was a pretty

1685
01:28:17,880 --> 01:28:22,800
Speaker 1: the only one, but they didn't see. I've learned the

1686
01:28:22,920 --> 01:28:24,519
Speaker 1: same thing with Breaking Back. We learned that he only

1687
01:28:24,560 --> 01:28:27,120
Speaker 1: watches finales. Yeah, I understand, and I know where it

1688
01:28:27,200 --> 01:28:29,960
Speaker 1: came from, though, So check this out. Raiders of the

1689
01:28:30,040 --> 01:28:32,000
Speaker 1: Lost Dark. When I first saw Raiders at the Lost Dark,

1690
01:28:32,320 --> 01:28:34,519
Speaker 1: we walked into the theater at the very end when

1691
01:28:34,600 --> 01:28:37,639
Speaker 1: he's coming down the stairs and he's like, those stupid fools,

1692
01:28:37,680 --> 01:28:39,720
Speaker 1: they don't know what I what they got in there,

1693
01:28:40,000 --> 01:28:42,160
Speaker 1: And then she turns around to him and says, well,

1694
01:28:42,200 --> 01:28:43,880
Speaker 1: I know what I got here. Come on, let me

1695
01:28:43,960 --> 01:28:46,280
Speaker 1: buy you a drink. And then they go off and

1696
01:28:46,320 --> 01:28:48,760
Speaker 1: they leave, and then they show the arc being put

1697
01:28:48,800 --> 01:28:51,280
Speaker 1: into this big ass hall. Right, that's the first scene

1698
01:28:51,280 --> 01:28:53,439
Speaker 1: I saw from Raiders of the Lost Dark. Now, in

1699
01:28:53,600 --> 01:28:56,360
Speaker 1: doing that, I still had no idea what the movie

1700
01:28:56,479 --> 01:28:59,479
Speaker 1: was about, right, And so I went and watched the

1701
01:28:59,520 --> 01:29:02,280
Speaker 1: whole movie, and then that scene comes up again, and

1702
01:29:02,360 --> 01:29:05,320
Speaker 1: I was like, oh, so, knowing the ending didn't necessarily

1703
01:29:05,439 --> 01:29:08,200
Speaker 1: hurt the story for me. So from that point on,

1704
01:29:08,400 --> 01:29:10,960
Speaker 1: if the ending is dope, I'll go back and watch,

1705
01:29:11,360 --> 01:29:13,000
Speaker 1: I'll go back and watch the rest of the show.

1706
01:29:13,160 --> 01:29:17,120
Speaker 1: But if it's some lay mass ending, buck your show, okay,

1707
01:29:17,200 --> 01:29:20,080
Speaker 1: but your your story doesn't really hold because you loved

1708
01:29:20,160 --> 01:29:22,240
Speaker 1: both the Six Feet Under finale and then Breaking Bad

1709
01:29:22,280 --> 01:29:24,839
Speaker 1: finale and never went back to watch any other episodes.

1710
01:29:24,960 --> 01:29:28,240
Speaker 1: I was just too many episodes, too many episodes. Okay,

1711
01:29:28,920 --> 01:29:32,080
Speaker 1: I'm confused, but okay, um somebody else goes Six Feet

1712
01:29:32,160 --> 01:29:34,320
Speaker 1: Under if you haven't watched, it as an incredible show

1713
01:29:34,520 --> 01:29:38,280
Speaker 1: and the finale is just a masterpiece. Sarah, you want

1714
01:29:38,320 --> 01:29:40,920
Speaker 1: to go, I want to go. Um I agree with you.

1715
01:29:41,000 --> 01:29:45,160
Speaker 1: I thought Six Feet underd was bonkers. I feel like

1716
01:29:46,320 --> 01:29:51,360
Speaker 1: The Office, both British and American versions had incredible finaleesum

1717
01:29:52,720 --> 01:29:54,559
Speaker 1: er was a million years ago, but I remember thinking

1718
01:29:54,600 --> 01:29:59,920
Speaker 1: that one was awesome. Um and and I I agree

1719
01:30:00,000 --> 01:30:02,080
Speaker 1: with you, Adam. The Scrubs form Now was one of

1720
01:30:02,080 --> 01:30:04,960
Speaker 1: my favorite Scrubs episodes that we got to do. It

1721
01:30:05,040 --> 01:30:08,640
Speaker 1: was so cool for us to get to make that

1722
01:30:08,720 --> 01:30:12,040
Speaker 1: episode because Bill had this really cool idea of having

1723
01:30:12,320 --> 01:30:14,920
Speaker 1: every person who would ever guest start on the show

1724
01:30:15,120 --> 01:30:19,240
Speaker 1: come back. So like that day, everybody was so emotional anyways,

1725
01:30:19,280 --> 01:30:22,120
Speaker 1: because it was the last episode and then to have

1726
01:30:22,800 --> 01:30:25,240
Speaker 1: every guest star and then Zach walks down that whole

1727
01:30:25,320 --> 01:30:27,280
Speaker 1: way and we got to go down while you're filming

1728
01:30:27,320 --> 01:30:30,160
Speaker 1: that scene and like just see everybody lined up from

1729
01:30:30,160 --> 01:30:32,400
Speaker 1: the past eight years, and you know, there's a couple

1730
01:30:32,439 --> 01:30:34,400
Speaker 1: of people that couldn't make it, but for the most part,

1731
01:30:34,479 --> 01:30:36,920
Speaker 1: I mean all those people made an effort to get there,

1732
01:30:36,920 --> 01:30:39,040
Speaker 1: and people flew in from New York and from wherever

1733
01:30:39,120 --> 01:30:43,040
Speaker 1: they were living or shooting at the time, and it

1734
01:30:43,240 --> 01:30:46,040
Speaker 1: was so special. It's very emotional. And I don't know

1735
01:30:46,040 --> 01:30:47,840
Speaker 1: if you know the trivia, Adam, but it's but it's

1736
01:30:47,920 --> 01:30:51,360
Speaker 1: Bill Lawrence playing le Janitor who pulls down the sheet.

1737
01:30:54,080 --> 01:30:58,680
Speaker 1: You go okay, Joel, go ahead, favorite Sarah. Sarah changed it,

1738
01:30:58,800 --> 01:31:01,559
Speaker 1: morphed it and started making five or six. So Joel

1739
01:31:01,840 --> 01:31:05,280
Speaker 1: the game is when he says, best finale, what's the

1740
01:31:05,400 --> 01:31:07,040
Speaker 1: thing that pops to your brain? Because that's what happened

1741
01:31:07,080 --> 01:31:12,160
Speaker 1: to me with six feet under Boardwalk Empire Watch. I

1742
01:31:12,240 --> 01:31:14,960
Speaker 1: think it's five seasons of it. It's so concise. In

1743
01:31:15,040 --> 01:31:19,479
Speaker 1: the final scene, it's like heart like the whole thing.

1744
01:31:19,560 --> 01:31:21,519
Speaker 1: The whole shows about being in the twenties. And right

1745
01:31:21,600 --> 01:31:25,840
Speaker 1: at the very final scene, there's the introduction of like Nickelodeon,

1746
01:31:25,920 --> 01:31:28,120
Speaker 1: which is an early movie thing that you could like

1747
01:31:28,520 --> 01:31:30,560
Speaker 1: pay a nickel and watch a movie and it's like

1748
01:31:30,840 --> 01:31:33,640
Speaker 1: very small or whatever, and it like totally changes the

1749
01:31:33,720 --> 01:31:35,479
Speaker 1: game for this old cat who thought he would never

1750
01:31:35,520 --> 01:31:37,479
Speaker 1: see anything new. And then there's a post and I

1751
01:31:37,479 --> 01:31:39,280
Speaker 1: will tell you what it is. But no spoilers please.

1752
01:31:40,160 --> 01:31:43,240
Speaker 1: It's so freaking good. Martin Scorsese produced it. It's like

1753
01:31:43,760 --> 01:31:46,519
Speaker 1: mid two thousands. Martin Scorsese directed the pilot as well,

1754
01:31:46,880 --> 01:31:49,439
Speaker 1: Yes he did. He should definitely such a good series.

1755
01:31:49,479 --> 01:31:51,560
Speaker 1: But the finale is really good. I will give no

1756
01:31:51,640 --> 01:31:53,800
Speaker 1: spoilers for six Feet Under finale other than to say

1757
01:31:54,080 --> 01:31:55,519
Speaker 1: that you got to listen to the sea a song

1758
01:31:55,680 --> 01:32:00,560
Speaker 1: breathe me because it's in my friend. Holy shit, is

1759
01:32:00,600 --> 01:32:04,160
Speaker 1: that a great song? Okay, dan'l go um, the one

1760
01:32:04,200 --> 01:32:09,640
Speaker 1: that instantly pop into my head as the Sopranos. Yes, okay. Now,

1761
01:32:09,760 --> 01:32:12,600
Speaker 1: there was a lot of talk about people having interpretations.

1762
01:32:12,680 --> 01:32:16,120
Speaker 1: Do you have your interpretation? I mean, I think that's

1763
01:32:16,200 --> 01:32:18,519
Speaker 1: kind of the goal. That was the goal. I think

1764
01:32:19,240 --> 01:32:21,600
Speaker 1: it was David Chase, right, David Chase is yeah, so

1765
01:32:21,840 --> 01:32:24,559
Speaker 1: David Chase, that's what he wanted to have happened, kind

1766
01:32:24,560 --> 01:32:27,519
Speaker 1: of with the ending of Lala Land, with the twist

1767
01:32:27,600 --> 01:32:30,920
Speaker 1: top at inception. You want to defy the convention of

1768
01:32:31,000 --> 01:32:34,040
Speaker 1: putting a very concise, nice bow on and allow people

1769
01:32:34,160 --> 01:32:37,960
Speaker 1: to keep the story just in their heads for so long.

1770
01:32:38,160 --> 01:32:42,639
Speaker 1: And I'm certainly of the people who think, again, no spoilers,

1771
01:32:42,680 --> 01:32:45,559
Speaker 1: but I think the ending is relatively clear. I think

1772
01:32:45,640 --> 01:32:48,760
Speaker 1: we all know what happened, but I like that that

1773
01:32:49,040 --> 01:32:51,519
Speaker 1: is left to left to the imagination. And I will

1774
01:32:51,600 --> 01:32:56,040
Speaker 1: also never forget watching the finale with my father being downstairs.

1775
01:32:56,240 --> 01:32:59,200
Speaker 1: We were both just like gripping the couch, counting down

1776
01:32:59,240 --> 01:33:01,320
Speaker 1: the minutes, being like, this show is going to be

1777
01:33:01,360 --> 01:33:05,200
Speaker 1: over shortly, this show's gonna be over shortly, like what's

1778
01:33:05,200 --> 01:33:08,360
Speaker 1: going to happen? And then in those that final minute

1779
01:33:08,360 --> 01:33:10,680
Speaker 1: of whatever the show is trying not to spoil or

1780
01:33:10,720 --> 01:33:12,519
Speaker 1: both of us just like I think you can spoil

1781
01:33:12,640 --> 01:33:14,840
Speaker 1: the I mean, yeah, I guess the ending doesn't happen,

1782
01:33:14,960 --> 01:33:20,160
Speaker 1: but not just cut it just cuts, hard cut, don't stop,

1783
01:33:20,800 --> 01:33:24,720
Speaker 1: hard cut for thirty seconds of just black screen, and

1784
01:33:24,920 --> 01:33:28,840
Speaker 1: both of me my dad are just like, do the

1785
01:33:28,880 --> 01:33:34,280
Speaker 1: cable go out? And then I love a hard cut

1786
01:33:34,360 --> 01:33:37,200
Speaker 1: to black. Don't fade out your show? Love it? Yeah,

1787
01:33:37,360 --> 01:33:39,519
Speaker 1: produce the whole thing. H No. I mean, I'm just

1788
01:33:39,600 --> 01:33:42,360
Speaker 1: a sucker, whether it's whether it's theater or or or

1789
01:33:42,600 --> 01:33:44,680
Speaker 1: or film and TV. I don't like a fade like

1790
01:33:44,880 --> 01:33:48,479
Speaker 1: blackout or hardcuts of black like and that shit. U. Now,

1791
01:33:48,640 --> 01:33:51,320
Speaker 1: I'm gonna be cynical and say the reason I think

1792
01:33:51,360 --> 01:33:56,280
Speaker 1: he's alive is, uh, there's no way that they didn't

1793
01:33:56,280 --> 01:34:00,000
Speaker 1: have plans to make films eventually. Unfortunately, James Gandelfini died

1794
01:34:00,600 --> 01:34:03,880
Speaker 1: in real life. But I don't think there's any scenario

1795
01:34:04,040 --> 01:34:08,040
Speaker 1: where they didn't daydream about making films. So I'm just

1796
01:34:08,360 --> 01:34:10,839
Speaker 1: I'm just gonna throw that out there. I totally can't

1797
01:34:10,880 --> 01:34:13,280
Speaker 1: tell you something. I totally accept that as a like,

1798
01:34:14,160 --> 01:34:16,719
Speaker 1: but you know how it really goes kind of studio

1799
01:34:16,840 --> 01:34:20,360
Speaker 1: thing like with um when people were talking about Avengers

1800
01:34:20,400 --> 01:34:22,760
Speaker 1: and how like are they really dead? Like are they

1801
01:34:22,840 --> 01:34:24,840
Speaker 1: really gone? People like, no, they're not gone. They have

1802
01:34:25,080 --> 01:34:27,559
Speaker 1: more movie deals like obviously Spider Man's not gone. Blah

1803
01:34:27,560 --> 01:34:29,960
Speaker 1: blah blah. I mean, you know, obviously that changes now

1804
01:34:30,160 --> 01:34:32,879
Speaker 1: too because of you know, you know, r I P. Chadwick.

1805
01:34:32,960 --> 01:34:35,240
Speaker 1: But like, I think it's very reasonable to look at

1806
01:34:35,280 --> 01:34:36,800
Speaker 1: that and say, you think they were really going to

1807
01:34:36,960 --> 01:34:38,840
Speaker 1: end the show there. You think they were really going

1808
01:34:38,880 --> 01:34:41,080
Speaker 1: to end it there, whether or not the movie deals

1809
01:34:41,120 --> 01:34:43,599
Speaker 1: coming afterwards would have been prequels or whatever, blah blah blah.

1810
01:34:43,640 --> 01:34:45,600
Speaker 1: I think that's totally fair. But I still love that

1811
01:34:45,720 --> 01:34:48,160
Speaker 1: finale for this exact reason that we're talking about it

1812
01:34:48,640 --> 01:34:53,080
Speaker 1: all right, Donald, you're up. I'm embarrassed by my shows

1813
01:34:53,120 --> 01:34:55,680
Speaker 1: because you guys, don't you guys, I don't watch the

1814
01:34:55,720 --> 01:34:58,559
Speaker 1: same type of television shows you watch. But my favorite,

1815
01:34:58,680 --> 01:35:04,880
Speaker 1: my favorite finale so far. Wow, in television shows, that's tough.

1816
01:35:05,240 --> 01:35:07,880
Speaker 1: That's tough for me. I'm sorry. Uh, you can could

1817
01:35:07,920 --> 01:35:12,720
Speaker 1: be sports like the last game of the Knicks. I'll

1818
01:35:12,760 --> 01:35:14,760
Speaker 1: tell you what. In terms of television moments, those are

1819
01:35:14,880 --> 01:35:17,080
Speaker 1: some of the greatest of all time. Any like, yeah,

1820
01:35:17,120 --> 01:35:20,479
Speaker 1: any any any last second seven buzzer beaters are just like,

1821
01:35:20,960 --> 01:35:25,320
Speaker 1: you can't be that particular game seven buzzer beater you like, Donald, No, no, no, no, no.

1822
01:35:25,560 --> 01:35:28,280
Speaker 1: I I you know, I'm one of those cats who

1823
01:35:28,720 --> 01:35:33,519
Speaker 1: is really heavily into a certain genre. And so I'm

1824
01:35:33,600 --> 01:35:38,960
Speaker 1: sure my favorite episode finale has got to be like

1825
01:35:39,160 --> 01:35:41,599
Speaker 1: the Rebels. For the Rebels finale was pretty dope actually,

1826
01:35:42,280 --> 01:35:46,280
Speaker 1: And yeah, Joel agrees, you gotta woo and uh now

1827
01:35:46,360 --> 01:35:48,760
Speaker 1: that Clone Wars has come to a finale, I like

1828
01:35:48,880 --> 01:35:52,280
Speaker 1: that finale. That was pretty good too. Uh, But yeah,

1829
01:35:52,320 --> 01:35:54,360
Speaker 1: you don't have to be embarrassed that it's animation. You

1830
01:35:54,479 --> 01:35:57,840
Speaker 1: seem like you you're like, well, you guys are all

1831
01:35:57,840 --> 01:35:59,519
Speaker 1: sitting here like you guys just sitting here like six

1832
01:35:59,560 --> 01:36:03,400
Speaker 1: feet on and the Sopranos and oh god, Boardwalk Empire.

1833
01:36:03,640 --> 01:36:06,080
Speaker 1: Oh and let me tell you something that's Scrubs finale.

1834
01:36:06,320 --> 01:36:08,719
Speaker 1: And then I come up and I'm like the rated

1835
01:36:09,040 --> 01:36:14,800
Speaker 1: for teenest shows. Well, you don't want you You've said

1836
01:36:14,800 --> 01:36:17,400
Speaker 1: you don't watch so much narrative TV. So there you go.

1837
01:36:17,479 --> 01:36:20,240
Speaker 1: There's I don't. I don't. All right, it's time for

1838
01:36:20,320 --> 01:36:24,160
Speaker 1: America and Canada's favorite segments. Sarah, you haven't participated in

1839
01:36:24,240 --> 01:36:26,400
Speaker 1: this yet, so we're really gonna need you to represent.

1840
01:36:26,439 --> 01:36:30,920
Speaker 1: You're gonna need to represent your nation. It's time too.

1841
01:36:31,320 --> 01:36:36,640
Speaker 1: It's your life, all right, Adam. We've helped a lot

1842
01:36:36,680 --> 01:36:39,320
Speaker 1: of people here. Um, and by a lot we mean

1843
01:36:39,439 --> 01:36:46,280
Speaker 1: no one, but anyway, I have helped people people, Um, no, no,

1844
01:36:47,120 --> 01:36:49,560
Speaker 1: but I but I have heard you know what I

1845
01:36:49,640 --> 01:36:53,360
Speaker 1: have heard. I've heard people say on my social media, Um,

1846
01:36:53,840 --> 01:36:56,160
Speaker 1: hey that advice you gave so and so actually really

1847
01:36:56,200 --> 01:36:58,479
Speaker 1: helped me with something like the white board stuff or

1848
01:36:59,360 --> 01:37:02,519
Speaker 1: our stuff of trying to lose weight, or even even

1849
01:37:02,600 --> 01:37:05,960
Speaker 1: helping um last week's last episode's guy with issue with

1850
01:37:06,040 --> 01:37:08,479
Speaker 1: his kids. So I don't, I don't know, maybe not,

1851
01:37:09,200 --> 01:37:11,679
Speaker 1: but this goes to so many people across the world.

1852
01:37:11,880 --> 01:37:15,759
Speaker 1: I like to think that something we say might register

1853
01:37:16,000 --> 01:37:18,479
Speaker 1: with a few people and they go, oh, maybe I

1854
01:37:18,600 --> 01:37:23,519
Speaker 1: will try that. So Adam, Adam, you're robbing. Okay. So

1855
01:37:24,240 --> 01:37:26,960
Speaker 1: the you know, the last six months have been crazy

1856
01:37:27,040 --> 01:37:31,720
Speaker 1: for everybody. And you know, I had two really fantastic

1857
01:37:31,840 --> 01:37:33,880
Speaker 1: jobs in the arts. I was so lucky to do

1858
01:37:34,040 --> 01:37:38,000
Speaker 1: exactly what I want to do, and you know, I've

1859
01:37:38,040 --> 01:37:40,519
Speaker 1: got a great wife and three little boys and just

1860
01:37:40,720 --> 01:37:43,160
Speaker 1: everything is you know, great, and then the pandemic hits

1861
01:37:43,240 --> 01:37:45,439
Speaker 1: and the theater that I work at shut down, and

1862
01:37:45,880 --> 01:37:48,960
Speaker 1: my classroom is gone, and I'm doing it online and

1863
01:37:49,320 --> 01:37:52,120
Speaker 1: all of my little boys are doing their schooling online,

1864
01:37:52,320 --> 01:37:56,479
Speaker 1: and it's just, you know, I'm in perfectly good headspace.

1865
01:37:56,680 --> 01:37:58,559
Speaker 1: You know. I know there's people suffering a lot more

1866
01:37:58,600 --> 01:38:01,479
Speaker 1: than me who are not getting paid or who are

1867
01:38:01,560 --> 01:38:04,320
Speaker 1: not you know, uh, they have you know, they have

1868
01:38:04,360 --> 01:38:06,800
Speaker 1: severe mental health issues because of this. But what but

1869
01:38:07,360 --> 01:38:09,960
Speaker 1: it is very tough and I've never in my life

1870
01:38:10,040 --> 01:38:13,120
Speaker 1: kind of experienced these moments of like, oh my gosh,

1871
01:38:13,200 --> 01:38:15,519
Speaker 1: I can't you know, keep it together. What is what

1872
01:38:15,800 --> 01:38:21,320
Speaker 1: is anybody's advice for just staying saying with the country

1873
01:38:21,479 --> 01:38:24,640
Speaker 1: being where it is right now and uh, no end

1874
01:38:24,720 --> 01:38:29,000
Speaker 1: in sight. How old are your boys? I have three

1875
01:38:29,120 --> 01:38:31,519
Speaker 1: of nine, the my oldest just turned nine, and I

1876
01:38:31,560 --> 01:38:33,960
Speaker 1: have a five year old and a three year old. Wow,

1877
01:38:34,520 --> 01:38:36,720
Speaker 1: you guys have your hands full. I mean to be

1878
01:38:36,960 --> 01:38:42,880
Speaker 1: at home all day. Everybody's home, yep. Sarah, do you

1879
01:38:42,920 --> 01:38:45,120
Speaker 1: have any advice for um? What do you? What do

1880
01:38:45,160 --> 01:38:46,920
Speaker 1: you do? I think the best name of advice is

1881
01:38:46,960 --> 01:38:49,400
Speaker 1: to say what works for you. So, Sarah, you've been

1882
01:38:49,400 --> 01:38:51,760
Speaker 1: in a very similar situation she for a while and

1883
01:38:51,920 --> 01:38:54,040
Speaker 1: if you're still doing it. She was cohabitating with her

1884
01:38:54,080 --> 01:38:57,639
Speaker 1: sister and their kids. So how do you stay seeing

1885
01:38:57,760 --> 01:39:00,960
Speaker 1: Sarah with all the mayhem of co and having to

1886
01:39:01,320 --> 01:39:04,439
Speaker 1: help your kids with homeschooling and all that. Well, I

1887
01:39:04,479 --> 01:39:05,840
Speaker 1: don't know. I don't know if you would say I'm

1888
01:39:05,880 --> 01:39:07,559
Speaker 1: staying sane. I mean, I just cut my own hair

1889
01:39:08,040 --> 01:39:10,519
Speaker 1: with my scissors that arrived in the mail, So that's debatable.

1890
01:39:10,760 --> 01:39:13,719
Speaker 1: But I think I think the best advice I was given,

1891
01:39:13,880 --> 01:39:17,320
Speaker 1: and it's really hard to take. The advice is just

1892
01:39:17,520 --> 01:39:19,599
Speaker 1: take it day by day, because I that you can

1893
01:39:19,720 --> 01:39:22,080
Speaker 1: do that's totally doable. It's when you go, like I

1894
01:39:22,160 --> 01:39:24,040
Speaker 1: find myself bargain hills. I went, oh, yeah, I can

1895
01:39:24,120 --> 01:39:25,920
Speaker 1: fully do this for six months. Okay, okay, fine, fine,

1896
01:39:25,920 --> 01:39:26,880
Speaker 1: I can do it for a year, but just not

1897
01:39:27,000 --> 01:39:29,680
Speaker 1: too okay, two years, but that's fucking it, not a

1898
01:39:29,800 --> 01:39:31,640
Speaker 1: day more. And so I think, like, if there's a

1899
01:39:31,760 --> 01:39:35,000
Speaker 1: way to try and find ways to stay in the

1900
01:39:35,120 --> 01:39:38,000
Speaker 1: moment in the day, only what's in front of you

1901
01:39:38,840 --> 01:39:42,040
Speaker 1: that has helped. I think, like especially with kids. I

1902
01:39:42,120 --> 01:39:44,000
Speaker 1: mean we I have a ten year old and a

1903
01:39:44,040 --> 01:39:50,880
Speaker 1: four year old and I am officially homeschooling them, which

1904
01:39:51,000 --> 01:39:54,400
Speaker 1: is brand spank and new. I've never done that before,

1905
01:39:54,520 --> 01:39:56,679
Speaker 1: and we made the decision to do that. The schools

1906
01:39:56,720 --> 01:40:00,240
Speaker 1: haven't have opened up here now, but we're keeping them home, um,

1907
01:40:00,920 --> 01:40:04,400
Speaker 1: so that everyone can stay safe and healthy. And so

1908
01:40:05,400 --> 01:40:08,320
Speaker 1: one thing that, um we found that's really cool that

1909
01:40:08,360 --> 01:40:10,840
Speaker 1: someone recommended to me is something called outschool dot com

1910
01:40:10,960 --> 01:40:12,840
Speaker 1: And you can go on there and do like anything

1911
01:40:12,880 --> 01:40:14,479
Speaker 1: your kids are interested in, like if you just need

1912
01:40:14,520 --> 01:40:16,639
Speaker 1: a break. It's like sign language class, or like sketching

1913
01:40:17,000 --> 01:40:19,599
Speaker 1: DC or a debate class where you debate like Marvel

1914
01:40:19,760 --> 01:40:23,360
Speaker 1: versus DC characters. Um. And so we're doing that. Another

1915
01:40:23,400 --> 01:40:26,320
Speaker 1: thing we're doing is trying to like farm out a

1916
01:40:26,439 --> 01:40:29,000
Speaker 1: few things. So like, you know, have my uncle portal

1917
01:40:29,080 --> 01:40:32,200
Speaker 1: in and do a class on something. Um, I can

1918
01:40:32,240 --> 01:40:34,599
Speaker 1: come in and teach a class on something, Sarah. Yeah,

1919
01:40:34,640 --> 01:40:37,200
Speaker 1: I'm you're just you're gonna be doing that. Yeah, I'm

1920
01:40:37,240 --> 01:40:41,400
Speaker 1: taking hit me. I'm hitting up on that now. And

1921
01:40:42,560 --> 01:40:44,960
Speaker 1: Danel and Joel and Donald I'm an eating class. Also,

1922
01:40:45,000 --> 01:40:47,439
Speaker 1: I'm gonna, I'm gonna, I'm gonna, I'm gonna rest. I'm

1923
01:40:47,439 --> 01:40:51,400
Speaker 1: gonna respectfully decline and say, I don't I know you do,

1924
01:40:51,479 --> 01:40:53,839
Speaker 1: but Donald, you need to teach us to stop motion animation.

1925
01:40:53,880 --> 01:40:57,280
Speaker 1: Your stuff amazing. I appreciate that. I appreciate that, but

1926
01:40:57,320 --> 01:41:00,559
Speaker 1: I'm gonna respectfully decline. I don't want to teach nobody

1927
01:41:00,560 --> 01:41:02,680
Speaker 1: else's kids but my own right now. I shouldn't. I

1928
01:41:02,720 --> 01:41:04,720
Speaker 1: shouldn't be have to teach my own kids right now,

1929
01:41:04,800 --> 01:41:06,760
Speaker 1: to be honest with you, but I'm helping with them. Well,

1930
01:41:06,760 --> 01:41:09,360
Speaker 1: I'm just you know what I want to Why don't

1931
01:41:09,360 --> 01:41:10,800
Speaker 1: you Why don't you go and say, first of all,

1932
01:41:11,080 --> 01:41:12,559
Speaker 1: first of all, I want to give a shout out

1933
01:41:12,600 --> 01:41:15,240
Speaker 1: to all the teachers out there to be and all

1934
01:41:15,800 --> 01:41:19,160
Speaker 1: with all respect and all kidding aside, let's give a

1935
01:41:19,160 --> 01:41:20,680
Speaker 1: shout out to all the teachers out there who are

1936
01:41:20,720 --> 01:41:24,160
Speaker 1: actually teaching their kids online and teaching their kids. The

1937
01:41:24,320 --> 01:41:26,920
Speaker 1: teachers that are actually going into schools and teaching there

1938
01:41:27,240 --> 01:41:29,720
Speaker 1: and teaching students there too, Let's give a shout out

1939
01:41:29,760 --> 01:41:31,960
Speaker 1: to them, because you're absolutely right. You are on the

1940
01:41:32,080 --> 01:41:35,759
Speaker 1: front lines and you are doing work that is very important.

1941
01:41:35,800 --> 01:41:39,680
Speaker 1: You are teaching tomorrow's leaders, and you're doing it with

1942
01:41:40,600 --> 01:41:43,559
Speaker 1: a fucking really bad handicap, you know what I mean.

1943
01:41:43,640 --> 01:41:45,800
Speaker 1: And so shout out to all of you out there

1944
01:41:45,840 --> 01:41:48,880
Speaker 1: who are doing it. Um, what are we doing to

1945
01:41:48,960 --> 01:41:51,880
Speaker 1: stay safe? And I mean to stay sane, to stay

1946
01:41:52,000 --> 01:41:58,760
Speaker 1: sane one stay safe to Uh, that's really difficult, you know.

1947
01:41:58,960 --> 01:42:02,479
Speaker 1: Living We live in the vall and in the Sherman

1948
01:42:02,560 --> 01:42:07,439
Speaker 1: Oaks area, and you know, Los Angeles was hit really

1949
01:42:07,520 --> 01:42:11,080
Speaker 1: hard with COVID, and you know, for a really long time,

1950
01:42:11,120 --> 01:42:12,840
Speaker 1: I kept the kids inside and all we did was

1951
01:42:12,880 --> 01:42:16,000
Speaker 1: watch television and stuff like that, and that really wasn't

1952
01:42:16,320 --> 01:42:18,800
Speaker 1: that wasn't an ideal thing for us to do. But

1953
01:42:19,000 --> 01:42:23,160
Speaker 1: recently we've found ways to go to parks. We've potted

1954
01:42:23,240 --> 01:42:25,479
Speaker 1: with a couple of families so the kids have friends

1955
01:42:25,560 --> 01:42:28,960
Speaker 1: to go play with and stuff and Uh. The way

1956
01:42:29,120 --> 01:42:31,599
Speaker 1: for us to stay safe is try to be as

1957
01:42:31,720 --> 01:42:37,040
Speaker 1: normal as possible in these abnormal times without crossing the

1958
01:42:37,160 --> 01:42:41,559
Speaker 1: line and being uh and and and and not being safe.

1959
01:42:41,960 --> 01:42:44,240
Speaker 1: So that's how. For example, I see you know on

1960
01:42:44,360 --> 01:42:47,280
Speaker 1: your Instagram, you got your kids into golf, um, which

1961
01:42:47,400 --> 01:42:50,439
Speaker 1: is something you like and they like. So that's like

1962
01:42:50,800 --> 01:42:53,040
Speaker 1: a thing you can do outside of the house together

1963
01:42:53,360 --> 01:42:55,600
Speaker 1: as a group. That's fun for everybody. That's something you

1964
01:42:55,680 --> 01:42:58,000
Speaker 1: do right right. Well, yeah, I mean there are very

1965
01:42:58,040 --> 01:43:00,280
Speaker 1: few sports that you can do where they there's no

1966
01:43:00,439 --> 01:43:04,200
Speaker 1: contact or your or the or or you can socially distance.

1967
01:43:04,640 --> 01:43:07,439
Speaker 1: And so as a family, yeah, we got into golf.

1968
01:43:07,920 --> 01:43:10,280
Speaker 1: We go over to Zach's house when he's not home

1969
01:43:10,320 --> 01:43:14,400
Speaker 1: and we swim, you know what I mean. But it's tough, Adam.

1970
01:43:14,400 --> 01:43:16,320
Speaker 1: I'm gonna be honest with you, man. This is a

1971
01:43:16,479 --> 01:43:18,040
Speaker 1: This is one of those things where it's like where

1972
01:43:18,080 --> 01:43:20,360
Speaker 1: you can find your happiness and where you can find

1973
01:43:20,439 --> 01:43:23,080
Speaker 1: your joy. You grab onto it and you freaking hold

1974
01:43:23,160 --> 01:43:25,360
Speaker 1: it tight and you and you and you live in

1975
01:43:25,439 --> 01:43:29,200
Speaker 1: that space until this is over. Because it's not like

1976
01:43:29,360 --> 01:43:31,040
Speaker 1: that we can go outside and just do whatever the

1977
01:43:31,360 --> 01:43:34,160
Speaker 1: heck we want right now. That's not something we can do.

1978
01:43:34,280 --> 01:43:36,000
Speaker 1: I like, think you didn't curse because he's a teacher.

1979
01:43:36,080 --> 01:43:40,320
Speaker 1: That was really cute, my respected coming. Yeah, he was like,

1980
01:43:40,720 --> 01:43:42,040
Speaker 1: first of all, when do you ever not curse? But

1981
01:43:42,080 --> 01:43:45,519
Speaker 1: because he's like a high school teacher, like heck, heck, um,

1982
01:43:46,120 --> 01:43:48,559
Speaker 1: I'm gonna Adam, I'm gonna say something that might be tricky,

1983
01:43:48,920 --> 01:43:52,000
Speaker 1: tricky for you because you have kids and um, and

1984
01:43:52,160 --> 01:43:55,439
Speaker 1: that is that meditation has really helped me. Um. There's

1985
01:43:55,439 --> 01:43:58,880
Speaker 1: a lot of different apps that are out there. I'm

1986
01:43:58,920 --> 01:44:01,720
Speaker 1: just gonna shout out heads space because that's the one

1987
01:44:01,800 --> 01:44:05,000
Speaker 1: that's worked for me. And if you're listening and you go,

1988
01:44:05,120 --> 01:44:06,800
Speaker 1: I'm not gonna fucking meditate, what the hell is he

1989
01:44:06,880 --> 01:44:11,800
Speaker 1: talking about? I guarantee you that if you all you

1990
01:44:11,880 --> 01:44:13,960
Speaker 1: need to do is find twenty minutes. They actually even

1991
01:44:14,000 --> 01:44:16,200
Speaker 1: have shorter ones if you can only find ten or fifteen.

1992
01:44:16,280 --> 01:44:19,120
Speaker 1: But I think twenty minutes is what I've noticed. I

1993
01:44:19,160 --> 01:44:21,599
Speaker 1: get the most out of it. So I know, out

1994
01:44:21,640 --> 01:44:23,559
Speaker 1: of my respect, I don't have kids. I know it's tricky,

1995
01:44:23,640 --> 01:44:25,560
Speaker 1: but if you can have your wife take over for

1996
01:44:25,640 --> 01:44:28,280
Speaker 1: twenty minutes and you go hide, even in your car, wherever,

1997
01:44:28,320 --> 01:44:30,040
Speaker 1: you can get your bedroom, wherever, you can be and

1998
01:44:30,240 --> 01:44:32,960
Speaker 1: just sit and listen to this app and they have

1999
01:44:33,000 --> 01:44:36,000
Speaker 1: different programs. It can be for anxiety, it can be

2000
01:44:36,200 --> 01:44:39,800
Speaker 1: for insomnia, it can be for relationships. They have like

2001
01:44:39,920 --> 01:44:44,560
Speaker 1: the theme theme packs, and I have found when I

2002
01:44:44,720 --> 01:44:47,760
Speaker 1: do that every day twenty minutes in the morning, it

2003
01:44:47,960 --> 01:44:51,360
Speaker 1: really does keep my anxiety and my stress levels lower.

2004
01:44:51,439 --> 01:44:54,639
Speaker 1: It's it's noticeable. And if you do try this, don't

2005
01:44:54,680 --> 01:44:56,400
Speaker 1: go try it once and go, oh, my brain was

2006
01:44:56,439 --> 01:44:59,120
Speaker 1: wandering all over the place. Fuck that thing. No, like anything,

2007
01:44:59,200 --> 01:45:01,280
Speaker 1: it takes practice. It's like you're not gonna go and

2008
01:45:01,439 --> 01:45:03,200
Speaker 1: try and play golf with day one and suck, and

2009
01:45:03,760 --> 01:45:07,160
Speaker 1: it takes practice to but little by little your mind

2010
01:45:07,240 --> 01:45:10,160
Speaker 1: does quiet and then ultimately you're kind of sitting there

2011
01:45:10,400 --> 01:45:12,120
Speaker 1: and of course it wanders a little bit, but you

2012
01:45:12,160 --> 01:45:14,080
Speaker 1: bring it back and you focus on your breath and

2013
01:45:14,320 --> 01:45:16,840
Speaker 1: it's it's it's made a noticeable difference in my life.

2014
01:45:18,720 --> 01:45:22,040
Speaker 1: So there you go. You're welcome, Adam, You're welcome, Adam,

2015
01:45:22,160 --> 01:45:27,320
Speaker 1: You're welcome. Thunderous applause for us, Dan thunders applause, Adam,

2016
01:45:27,760 --> 01:45:29,599
Speaker 1: thank you so much. Thank you for being an educator,

2017
01:45:29,720 --> 01:45:33,479
Speaker 1: thank you for thank you for being there for young

2018
01:45:33,600 --> 01:45:36,960
Speaker 1: people and for inspiring them. And I'm sure the kids

2019
01:45:37,040 --> 01:45:39,200
Speaker 1: don't tell you enough, even though you might have nice kids.

2020
01:45:39,280 --> 01:45:41,880
Speaker 1: But I hope the kids, I hope that you get

2021
01:45:42,080 --> 01:45:44,439
Speaker 1: that you're making a difference in their lives. Well, if

2022
01:45:44,439 --> 01:45:46,559
Speaker 1: I could say one more thing, I hope you guys

2023
01:45:46,640 --> 01:45:49,320
Speaker 1: understand how important in your podcast is. I mean, I

2024
01:45:49,680 --> 01:45:52,960
Speaker 1: I this came about almost right as covid started, as

2025
01:45:53,000 --> 01:45:55,880
Speaker 1: you know, and I've started taking walks in the morning

2026
01:45:56,760 --> 01:45:58,639
Speaker 1: before the kids are up, just to you know, get

2027
01:45:58,680 --> 01:46:00,760
Speaker 1: a little bit of exercise and just to get out

2028
01:46:00,800 --> 01:46:02,479
Speaker 1: of the house. And so I've been taking walks and

2029
01:46:02,520 --> 01:46:05,680
Speaker 1: I listened to the podcast, and I never really understood

2030
01:46:05,720 --> 01:46:08,920
Speaker 1: the expression that something brings a smile to your face.

2031
01:46:08,960 --> 01:46:12,600
Speaker 1: I always thought it was kind of a metaphor. But

2032
01:46:13,160 --> 01:46:15,920
Speaker 1: when your podcast comes on and that theme song kicks in,

2033
01:46:16,200 --> 01:46:19,040
Speaker 1: and like a smile comes to my face, I don't

2034
01:46:19,080 --> 01:46:23,000
Speaker 1: even realize that I wasn't smiling until it happens. It's

2035
01:46:23,040 --> 01:46:25,599
Speaker 1: it's like Pavlov. It just it comes up and bam,

2036
01:46:25,760 --> 01:46:31,280
Speaker 1: I'm smiling on my walk every single time. Entertainment is

2037
01:46:31,400 --> 01:46:34,240
Speaker 1: our savior right now and makes so happy and you know,

2038
01:46:34,400 --> 01:46:38,320
Speaker 1: e news, the very fancy entertainment station agrees with you.

2039
01:46:38,400 --> 01:46:40,320
Speaker 1: I don't know if you said that you heard that

2040
01:46:40,400 --> 01:46:43,439
Speaker 1: we were a very very popular podcast. Oh no, but

2041
01:46:43,600 --> 01:46:45,400
Speaker 1: thank you. I have to confess to you that you know,

2042
01:46:45,520 --> 01:46:48,000
Speaker 1: Donald and I and Joel and Dan, and we listen

2043
01:46:48,080 --> 01:46:50,240
Speaker 1: to the episode back and make edits, and so I

2044
01:46:50,320 --> 01:46:52,720
Speaker 1: sometimes listen to it while I'm walking my dog, and

2045
01:46:52,880 --> 01:46:56,320
Speaker 1: I've seen people right on our social media is like,

2046
01:46:56,360 --> 01:46:58,280
Speaker 1: oh my god, I'm laughing out loud so hard. People

2047
01:46:58,280 --> 01:47:00,559
Speaker 1: are looking at me. And there's time where I'm listening

2048
01:47:00,560 --> 01:47:02,800
Speaker 1: to the to our early version, the draft before we

2049
01:47:02,960 --> 01:47:05,280
Speaker 1: edit it, and I'm walking my dog and I'm sitting

2050
01:47:05,320 --> 01:47:08,040
Speaker 1: there fucking laughing out loud at us. And I know

2051
01:47:08,120 --> 01:47:10,880
Speaker 1: that's shameless because I'm laughing at us, But anyway, it

2052
01:47:11,000 --> 01:47:12,840
Speaker 1: makes me so happy to hear that it's making a

2053
01:47:12,880 --> 01:47:16,720
Speaker 1: difference in people's lives. So thank you, Adam, and we're

2054
01:47:16,760 --> 01:47:18,960
Speaker 1: going to let you go now, but thank you so

2055
01:47:19,080 --> 01:47:23,439
Speaker 1: much for coming on the show. Thank you, bye, guys,

2056
01:47:23,560 --> 01:47:26,160
Speaker 1: Thank you, thanks so much being well. Oh Joel, that

2057
01:47:26,320 --> 01:47:28,720
Speaker 1: was such a wonderful guest in a different way because no,

2058
01:47:28,960 --> 01:47:31,280
Speaker 1: he wasn't banging on a tarlet at a funeral. Good,

2059
01:47:31,560 --> 01:47:34,040
Speaker 1: but he was a wonderful teacher who inspires the youth

2060
01:47:34,120 --> 01:47:39,920
Speaker 1: of the youth, inspires the youth. Your musical Yeah, it's

2061
01:47:40,000 --> 01:47:41,600
Speaker 1: really that's really cool. And the fact that he like

2062
01:47:41,960 --> 01:47:44,000
Speaker 1: wrote the music to it and figured it all out

2063
01:47:44,040 --> 01:47:45,920
Speaker 1: on the piano because I didn't exist, that's so cool.

2064
01:47:46,640 --> 01:47:49,320
Speaker 1: Let's talk about first of all, Laddie the X ray

2065
01:47:49,400 --> 01:47:54,439
Speaker 1: tech to the Caribbean. He's compared to the Caribbean. He's

2066
01:47:54,479 --> 01:47:56,639
Speaker 1: the one that hangs out with the dude whose eye

2067
01:47:56,720 --> 01:48:01,719
Speaker 1: keeps popping out. He's true. Yeah, it's true. When Sean Whalen, Joel,

2068
01:48:01,760 --> 01:48:04,439
Speaker 1: will you double check out? Do you know where I

2069
01:48:04,560 --> 01:48:06,479
Speaker 1: know Sean Whalen from? This is a really good piece

2070
01:48:06,479 --> 01:48:10,679
Speaker 1: of trivia. Do you remember one of the best ads

2071
01:48:10,760 --> 01:48:13,640
Speaker 1: of the of the last however many years when the

2072
01:48:13,720 --> 01:48:17,760
Speaker 1: guys had too much peanut butter. And he's like they

2073
01:48:17,880 --> 01:48:20,320
Speaker 1: call him from the radio show and he's got his

2074
01:48:20,520 --> 01:48:24,720
Speaker 1: his his his room is surrounded with trivia and memorabilia

2075
01:48:24,840 --> 01:48:30,680
Speaker 1: about Aaron Burr and and they and and and the

2076
01:48:30,840 --> 01:48:34,479
Speaker 1: radio show is calling him and they go they go,

2077
01:48:34,720 --> 01:48:37,720
Speaker 1: um for for one thousand dollars, who is the man

2078
01:48:37,840 --> 01:48:41,400
Speaker 1: who shot Alexander Hamilton? And he was like his moment

2079
01:48:41,439 --> 01:48:43,879
Speaker 1: to Sharne because he's like his whole life is dedicated

2080
01:48:43,960 --> 01:48:46,400
Speaker 1: to Aaron Burr and he and he calls and he

2081
01:48:46,479 --> 01:48:51,840
Speaker 1: just eat peb and they're like, we're sorry, sir, we're

2082
01:48:51,880 --> 01:48:54,400
Speaker 1: gonna have to let you go anyway. Hilarious ad. You

2083
01:48:54,479 --> 01:48:57,320
Speaker 1: can watch it on YouTube. That was Sean Whalen. Was

2084
01:48:57,360 --> 01:49:02,519
Speaker 1: he also in Pirates? Um Joel, he's he's an all three. Yeah,

2085
01:49:02,640 --> 01:49:06,519
Speaker 1: I'm pretty sure that's him, but it's sorry Sean Whyland

2086
01:49:06,600 --> 01:49:13,839
Speaker 1: spelled different? W h a l een like a whale okay, Laddie.

2087
01:49:14,120 --> 01:49:17,000
Speaker 1: And then of course the my machines, guy, My machines,

2088
01:49:17,320 --> 01:49:20,639
Speaker 1: my machine. They used to play that over and over

2089
01:49:20,760 --> 01:49:24,800
Speaker 1: and over again where on set man sound used to

2090
01:49:24,880 --> 01:49:28,960
Speaker 1: play that these are my machines over and over. Yeah,

2091
01:49:29,760 --> 01:49:32,360
Speaker 1: just like out of nowhere, these are my machines. Because

2092
01:49:32,360 --> 01:49:34,280
Speaker 1: he says it's so good, like if you listen to

2093
01:49:34,360 --> 01:49:37,160
Speaker 1: way the way he says it, it's a great read

2094
01:49:37,520 --> 01:49:41,000
Speaker 1: of a yell that's not really like he's yelling, but

2095
01:49:41,120 --> 01:49:44,000
Speaker 1: he's not, you know, out of control yelling. It's a

2096
01:49:44,040 --> 01:49:48,920
Speaker 1: controlled yell like it's running Anyway, he loved it. He's

2097
01:49:49,080 --> 01:49:52,200
Speaker 1: very funny and um and that was a funny bit

2098
01:49:52,400 --> 01:49:55,600
Speaker 1: and then um, Sarah, I love the montage of you

2099
01:49:56,600 --> 01:49:59,680
Speaker 1: getting you know, tearing your your your kitten post, your

2100
01:49:59,680 --> 01:50:03,240
Speaker 1: off wall and then then putting your back up and

2101
01:50:03,560 --> 01:50:10,679
Speaker 1: put it back up up, like I'll destroy my room,

2102
01:50:10,720 --> 01:50:13,360
Speaker 1: but that's like one step too far. But not only

2103
01:50:13,880 --> 01:50:16,000
Speaker 1: the cat poster back up, but you're destroyed it. You

2104
01:50:16,080 --> 01:50:17,680
Speaker 1: like ripped it up and then you tape it with

2105
01:50:17,840 --> 01:50:21,439
Speaker 1: like black duct tape and ship like put it back up.

2106
01:50:22,800 --> 01:50:25,320
Speaker 1: I love it. That's like Elliot's room. Yeah, I know

2107
01:50:25,400 --> 01:50:28,439
Speaker 1: your room was so bubble gummy, curly, I know, just

2108
01:50:28,720 --> 01:50:31,960
Speaker 1: hugging a Teddy Bear. Where did you get the money

2109
01:50:32,000 --> 01:50:33,639
Speaker 1: from the half all of that when your parents cut

2110
01:50:33,680 --> 01:50:36,160
Speaker 1: you off and stuff. Remember, like all of a sudden,

2111
01:50:36,160 --> 01:50:37,800
Speaker 1: I feel like that's from when they had me back

2112
01:50:37,880 --> 01:50:40,280
Speaker 1: still on I was still on the That's like it's

2113
01:50:40,320 --> 01:50:43,160
Speaker 1: like frozen in time. It's like Elliot's things from when

2114
01:50:43,240 --> 01:50:46,599
Speaker 1: she was twelve, right, all of the all of the yeah, yeah,

2115
01:50:46,640 --> 01:50:48,280
Speaker 1: I guess she took all of her chatch keys from

2116
01:50:48,320 --> 01:50:52,280
Speaker 1: her from her youth she got cut off. Well that

2117
01:50:52,400 --> 01:50:54,120
Speaker 1: was that was really fun. And it's cut to Tom

2118
01:50:54,200 --> 01:51:01,960
Speaker 1: petty American girl and m raised on promises Oh yeah,

2119
01:51:02,640 --> 01:51:07,040
Speaker 1: I join nobody, finally get her hot sexy scrubs chick

2120
01:51:07,320 --> 01:51:10,400
Speaker 1: entrance down the hallway, the classic from the feed up

2121
01:51:10,800 --> 01:51:17,439
Speaker 1: Smoky smoke SloMo um, and then um, how about alone?

2122
01:51:17,479 --> 01:51:19,000
Speaker 1: I thought. Another funny thing they made me laugh was

2123
01:51:19,040 --> 01:51:22,240
Speaker 1: when um, when everyone's you know, everyone's kind of just

2124
01:51:22,320 --> 01:51:24,320
Speaker 1: doing their own thing because they can tell when Kelsel

2125
01:51:24,400 --> 01:51:27,000
Speaker 1: is coming because it was nose squeak and and now

2126
01:51:27,360 --> 01:51:29,600
Speaker 1: now Cox is fixed the nose squeak, but they don't know,

2127
01:51:30,040 --> 01:51:32,240
Speaker 1: and they cut to everyone just being lazy, and the

2128
01:51:32,400 --> 01:51:40,800
Speaker 1: janitor is giving a lomo on the I didn't know

2129
01:51:40,920 --> 01:51:43,880
Speaker 1: until this moment that the janitor and and Uh and

2130
01:51:44,240 --> 01:51:53,960
Speaker 1: Nurse Roberts were close enough her choppy chop, or when

2131
01:51:54,000 --> 01:51:56,080
Speaker 1: Alma says to me, I'm going for advice and she goes,

2132
01:51:56,280 --> 01:52:00,200
Speaker 1: it's also because you're very white. She goes, why do

2133
01:52:00,240 --> 01:52:03,559
Speaker 1: you call me marshmallows it because I'm solved and sensitive

2134
01:52:03,600 --> 01:52:11,240
Speaker 1: or something. She goes, sure, it's also because you're very white. Um,

2135
01:52:11,360 --> 01:52:14,800
Speaker 1: And then Shan comes in at the end, Oh heartbreaking,

2136
01:52:16,640 --> 01:52:22,719
Speaker 1: and you're like, damn, damn, I didn't I didn't see,

2137
01:52:23,640 --> 01:52:27,240
Speaker 1: like I didn't see. I'm at the point now where

2138
01:52:27,280 --> 01:52:30,400
Speaker 1: I don't see j D and Elliott getting together though

2139
01:52:30,479 --> 01:52:32,120
Speaker 1: on the show, even though I know what happens at

2140
01:52:32,160 --> 01:52:35,080
Speaker 1: the end. It feels like at this point in the

2141
01:52:35,200 --> 01:52:38,639
Speaker 1: show that the two of them getting together isn't isn't

2142
01:52:38,640 --> 01:52:40,960
Speaker 1: the possibility. They don't, They don't. They're not on the

2143
01:52:41,040 --> 01:52:43,599
Speaker 1: same page anymore. So at the end when Sean when

2144
01:52:43,640 --> 01:52:46,800
Speaker 1: he says to her, you look beautiful, and then Sean

2145
01:52:46,880 --> 01:52:49,280
Speaker 1: steps out, I didn't see that coming. I didn't see

2146
01:52:50,160 --> 01:52:53,880
Speaker 1: JD reacting to her the way he reacted, and I

2147
01:52:54,000 --> 01:52:57,719
Speaker 1: knew Sean would come back, but I didn't see that happening. Well.

2148
01:52:57,760 --> 01:53:00,439
Speaker 1: I mean, it's interesting because not only is JD attracted

2149
01:53:00,479 --> 01:53:03,120
Speaker 1: to Elliott a new obviously because she's done, she looks

2150
01:53:03,200 --> 01:53:05,120
Speaker 1: great and she's done this makeover, but it's also because

2151
01:53:05,160 --> 01:53:07,719
Speaker 1: he's he's turned on by seeing her be a badass.

2152
01:53:08,000 --> 01:53:11,120
Speaker 1: She's so finally fucking being tough and standing up for herself,

2153
01:53:11,560 --> 01:53:13,640
Speaker 1: and he's like, holy shit, this is this is this

2154
01:53:13,800 --> 01:53:16,760
Speaker 1: is a new woman. Who's this woman? I'm intrigued. Then

2155
01:53:16,760 --> 01:53:21,960
Speaker 1: all of a sudden, fucking Scott Foley, nobody cares sweater, Yeah,

2156
01:53:22,320 --> 01:53:25,280
Speaker 1: when did nobody cares? Shan come in? It's in his

2157
01:53:25,400 --> 01:53:29,400
Speaker 1: first episode that he's nobody cares when we're at this. Yeah,

2158
01:53:29,680 --> 01:53:32,920
Speaker 1: is that when we're at the uh? Where? Where where

2159
01:53:33,000 --> 01:53:35,880
Speaker 1: are we? When you say that? No, it's his very

2160
01:53:35,960 --> 01:53:39,800
Speaker 1: first episode. He's in Nobody. I forgot when by do

2161
01:53:39,960 --> 01:53:42,679
Speaker 1: we just to clarify something? Um, the My Machines guy

2162
01:53:43,040 --> 01:53:46,160
Speaker 1: is Lee Aharnberg. That's the guy who's in Pirates. Um.

2163
01:53:46,280 --> 01:53:49,400
Speaker 1: I was talking about Sean Whalen and that's the Aaron

2164
01:53:49,439 --> 01:53:53,080
Speaker 1: Burr commercial guy who plays Laddie who's a different X

2165
01:53:53,160 --> 01:53:54,920
Speaker 1: ray tech. He's the one I lie on top of

2166
01:53:55,160 --> 01:53:58,479
Speaker 1: naked because he wants to get an X ray That

2167
01:53:58,600 --> 01:54:02,160
Speaker 1: looks like he's X ray to time. He's twin. That

2168
01:54:02,320 --> 01:54:08,800
Speaker 1: guy is hilarious. He's in so many commercials. Yeah, yeah, yeah, everything. Yeah,

2169
01:54:08,880 --> 01:54:11,720
Speaker 1: absolutely a lot of commercials. Okay, but Lee Ahronberg is

2170
01:54:11,760 --> 01:54:14,920
Speaker 1: the one you're thinking of who's in Pirates. Another funny

2171
01:54:14,960 --> 01:54:16,760
Speaker 1: moment is Johnny C when he's like with the prison

2172
01:54:16,840 --> 01:54:18,479
Speaker 1: inmates and he's asking him to keep the photo of

2173
01:54:18,600 --> 01:54:20,920
Speaker 1: his son. So rap But I never said, why is

2174
01:54:21,000 --> 01:54:24,439
Speaker 1: Johnny showing people with pictures of his son? And why

2175
01:54:24,439 --> 01:54:27,519
Speaker 1: would he not he bring the picture? He has it

2176
01:54:27,600 --> 01:54:30,000
Speaker 1: out like he's he's showing every prisoner he's getting a

2177
01:54:30,000 --> 01:54:34,040
Speaker 1: physical too, is his kid. I do have to say,

2178
01:54:34,080 --> 01:54:37,920
Speaker 1: I got um goosebumps when when we finally figure out

2179
01:54:38,000 --> 01:54:42,280
Speaker 1: that it's familial Mediterranean fever. Yeah, I'm such a sucker

2180
01:54:42,320 --> 01:54:46,200
Speaker 1: for those moments where where we as young doctors go Eureka,

2181
01:54:46,280 --> 01:54:48,920
Speaker 1: we got it, like we figured it out. Like, I mean,

2182
01:54:48,960 --> 01:54:52,440
Speaker 1: it's funny I'm watching us, but I gave myself goosebumps.

2183
01:54:52,720 --> 01:54:54,800
Speaker 1: I love the fact that doctor Cox takes the credit

2184
01:54:54,840 --> 01:54:59,320
Speaker 1: for it at the end too. Yeah, yeah, says it

2185
01:54:59,360 --> 01:55:01,560
Speaker 1: was all you guys. Yeah, right after he says that shit.

2186
01:55:02,240 --> 01:55:05,600
Speaker 1: But yeah, I didn't understand. That's the one thing I

2187
01:55:05,680 --> 01:55:10,000
Speaker 1: didn't understand the whole episode. He's telling you not to

2188
01:55:11,280 --> 01:55:16,360
Speaker 1: rely on him, but he's relying on us the whole episode.

2189
01:55:16,600 --> 01:55:19,120
Speaker 1: He's saying to us, don't rely on me. I'm not

2190
01:55:19,200 --> 01:55:21,200
Speaker 1: going to be here for you all the time. Don't

2191
01:55:21,240 --> 01:55:23,840
Speaker 1: rely on me. But he's relying on us to come

2192
01:55:23,920 --> 01:55:26,360
Speaker 1: up with this diagnosis so that he can go into

2193
01:55:26,400 --> 01:55:27,640
Speaker 1: the room at the end and take all of the

2194
01:55:27,720 --> 01:55:30,600
Speaker 1: credit for it. Well, I think maybe that's sort of

2195
01:55:30,680 --> 01:55:32,760
Speaker 1: what Bill's doing in the writing in season three, is

2196
01:55:32,840 --> 01:55:36,000
Speaker 1: like it's gonna start being a tip for tat ying

2197
01:55:36,200 --> 01:55:38,840
Speaker 1: Yang if you will, situation where there's gonna be times

2198
01:55:38,880 --> 01:55:41,000
Speaker 1: where we're helping him look good and he's going, of course,

2199
01:55:41,080 --> 01:55:43,360
Speaker 1: going to be saving our asses still and we're getting

2200
01:55:43,400 --> 01:55:46,360
Speaker 1: we're getting a little more experience where we can become

2201
01:55:46,360 --> 01:55:48,520
Speaker 1: a little more closer to being his peer. No, I

2202
01:55:48,880 --> 01:55:51,360
Speaker 1: totally understand that, but it's just it was just it's

2203
01:55:51,480 --> 01:55:54,120
Speaker 1: like a it's a great psych out because you know,

2204
01:55:54,240 --> 01:55:56,080
Speaker 1: here you are thinking that we need this guy, we

2205
01:55:56,160 --> 01:55:57,760
Speaker 1: need this guy to help us, we need this guy,

2206
01:55:57,840 --> 01:56:00,280
Speaker 1: we need this guy, and at the end of the show,

2207
01:56:00,480 --> 01:56:02,600
Speaker 1: we didn't need him at all. He actually needed us

2208
01:56:02,640 --> 01:56:04,440
Speaker 1: so he could go tell these people the next day,

2209
01:56:04,800 --> 01:56:06,640
Speaker 1: this is what's going on with your patient. This is

2210
01:56:06,680 --> 01:56:09,240
Speaker 1: going on with my patient. You know what I mean. Uh,

2211
01:56:09,880 --> 01:56:12,280
Speaker 1: I just thought I thought it was I just thought

2212
01:56:12,320 --> 01:56:14,560
Speaker 1: it was That's a great I like I like fake

2213
01:56:14,600 --> 01:56:16,920
Speaker 1: I like when shows do things like that, when it's

2214
01:56:16,960 --> 01:56:20,560
Speaker 1: like you think that you know, the mentor is there

2215
01:56:21,160 --> 01:56:24,880
Speaker 1: to support the obviously he's there to support the cast,

2216
01:56:25,080 --> 01:56:27,600
Speaker 1: but really in the grand scheme of things, he doesn't

2217
01:56:27,640 --> 01:56:28,840
Speaker 1: want to do it because he doesn't want to do

2218
01:56:28,920 --> 01:56:30,960
Speaker 1: the paperwork. And I mean, not the paperwork. He doesn't

2219
01:56:30,960 --> 01:56:33,680
Speaker 1: want to do the work that it takes to to

2220
01:56:34,920 --> 01:56:37,920
Speaker 1: diagnose the patient. He just wants to credit at the end.

2221
01:56:38,640 --> 01:56:40,200
Speaker 1: He doesn't have the time. I mean, he's got so

2222
01:56:40,360 --> 01:56:41,840
Speaker 1: much on his plate, and he kind of, you know,

2223
01:56:41,880 --> 01:56:43,640
Speaker 1: he's still keep in mind, he's still even though he's

2224
01:56:43,640 --> 01:56:47,440
Speaker 1: aggressive and confrontational, he's still our teacher. So he's like,

2225
01:56:47,600 --> 01:56:49,360
Speaker 1: you guys got to do the work. You guys got

2226
01:56:49,440 --> 01:56:51,600
Speaker 1: to stay late and figure it out. And then of

2227
01:56:51,680 --> 01:56:54,400
Speaker 1: course he he you know, gives them love good work.

2228
01:56:54,720 --> 01:56:57,120
Speaker 1: That was a good get. And then he goes and

2229
01:56:57,200 --> 01:56:59,280
Speaker 1: takes credit for it because that's him, you know, right,

2230
01:56:59,280 --> 01:57:01,320
Speaker 1: because it's his and it is the big cheese. Did

2231
01:57:01,360 --> 01:57:03,640
Speaker 1: we ever go? Do we ever recap that? Like? One

2232
01:57:03,640 --> 01:57:05,080
Speaker 1: of the funniest parts of this show is when you

2233
01:57:05,160 --> 01:57:06,440
Speaker 1: go in at the beginning and you're like, I know

2234
01:57:06,480 --> 01:57:07,840
Speaker 1: everybody so well, I know what they're gonna say, and

2235
01:57:07,840 --> 01:57:11,360
Speaker 1: then you're like replacing Donald's and twoties and and Johnny

2236
01:57:11,360 --> 01:57:15,120
Speaker 1: sees dialoged you put your earbuds in. I love that part. Johnny,

2237
01:57:16,280 --> 01:57:18,440
Speaker 1: thank you sir? What's that? Donald? You did a good Johnny,

2238
01:57:18,720 --> 01:57:22,520
Speaker 1: You did a good Johnny. You honor me. I'm sorry

2239
01:57:22,560 --> 01:57:24,440
Speaker 1: to steal Dan's what you're talking about willis again, but

2240
01:57:24,440 --> 01:57:26,360
Speaker 1: I really like to take it. You honor me by

2241
01:57:26,400 --> 01:57:29,080
Speaker 1: taking it. I'm gonna take it down. I won't use

2242
01:57:29,160 --> 01:57:30,680
Speaker 1: it on the podcast that much, but I'm gonna start

2243
01:57:30,720 --> 01:57:32,440
Speaker 1: using it in my real life because brother, I hope

2244
01:57:32,440 --> 01:57:34,680
Speaker 1: you do. UM do I honor you by taking it

2245
01:57:35,040 --> 01:57:38,960
Speaker 1: most certainly listen, you were deserving pec Donald and I

2246
01:57:39,000 --> 01:57:42,280
Speaker 1: have a special announcement just so y'all know who are listening.

2247
01:57:42,640 --> 01:57:46,120
Speaker 1: Because the DMVs are all closed and or I think

2248
01:57:46,200 --> 01:57:48,120
Speaker 1: most of them are, a lot of them are, UM

2249
01:57:48,360 --> 01:57:52,520
Speaker 1: and other reasons. Because of COVID, voter registration is very

2250
01:57:52,600 --> 01:57:56,040
Speaker 1: far down, apparently over two million down from what it

2251
01:57:56,120 --> 01:57:59,160
Speaker 1: normally is in a presidential year. So Donald and I

2252
01:57:59,360 --> 01:58:03,760
Speaker 1: are teaming up with a cause called Headcount. Now what

2253
01:58:03,880 --> 01:58:06,800
Speaker 1: I want you to do is want you when this

2254
01:58:06,960 --> 01:58:09,000
Speaker 1: podcast is over, you can go to our social media

2255
01:58:09,080 --> 01:58:13,080
Speaker 1: is where we will have links to this. But if

2256
01:58:13,120 --> 01:58:14,640
Speaker 1: you don't want to go to social media or you're

2257
01:58:14,680 --> 01:58:17,600
Speaker 1: not on social media, you can go to headcount dot

2258
01:58:17,800 --> 01:58:23,400
Speaker 1: org backslash Zach and Donald. Now what's going to happen?

2259
01:58:23,800 --> 01:58:27,840
Speaker 1: You are going to register or just check your registration.

2260
01:58:29,280 --> 01:58:34,400
Speaker 1: If fifteen hundred of you do this, drum roll Dan,

2261
01:58:34,960 --> 01:58:36,480
Speaker 1: a little drum roll there, I'll do it in my mouth.

2262
01:58:36,520 --> 01:58:43,840
Speaker 1: Let me do it in my mouth and take this

2263
01:58:44,000 --> 01:58:48,880
Speaker 1: action that is either registring for the first time. Sorry, sorry,

2264
01:58:48,920 --> 01:58:51,920
Speaker 1: thank you, either registering for the first time, or just

2265
01:58:52,240 --> 01:58:54,600
Speaker 1: checking that you are in fact registered because a lot

2266
01:58:54,600 --> 01:58:57,360
Speaker 1: of people get purged every year. Fifteen hundred of you

2267
01:58:57,480 --> 01:59:00,200
Speaker 1: do it, Donald and I will do a video where

2268
01:59:00,280 --> 01:59:05,640
Speaker 1: we teach you how to make an apple tini. Y oh,

2269
01:59:06,440 --> 01:59:09,440
Speaker 1: and then we will drink said apple tinis. You don't

2270
01:59:09,440 --> 01:59:14,000
Speaker 1: even like Apple's that you didn't even like it. I

2271
01:59:14,080 --> 01:59:16,360
Speaker 1: don't even like it. I don't mind vodka, but I

2272
01:59:17,280 --> 01:59:20,360
Speaker 1: will drink them for America. Wait, hold up, I think

2273
01:59:20,400 --> 01:59:23,160
Speaker 1: we should make a like a real apple tiny, though

2274
01:59:23,480 --> 01:59:27,000
Speaker 1: not the generic where you get the freaking the puckers

2275
01:59:27,320 --> 01:59:30,480
Speaker 1: and you just pour the puckers into the Theay what

2276
01:59:30,560 --> 01:59:32,760
Speaker 1: you want to get gourmet? I want to I think

2277
01:59:32,800 --> 01:59:36,960
Speaker 1: we should get freaking straight up mixologists on this bad boy. Well,

2278
01:59:37,000 --> 01:59:39,400
Speaker 1: we have Flow who's a chef. She can help us

2279
01:59:39,480 --> 01:59:42,640
Speaker 1: with that. Okay, she knows how to mix drinks too.

2280
01:59:42,760 --> 01:59:44,520
Speaker 1: Oh yeah, does she ever? Let me tell you something,

2281
01:59:44,960 --> 01:59:47,280
Speaker 1: you guys. I got inspired by Flow actually because she

2282
01:59:48,040 --> 01:59:51,560
Speaker 1: did one of these. And she said to her followers

2283
01:59:51,600 --> 01:59:54,800
Speaker 1: on Instant and Twitter, a five hundred of you register

2284
01:59:55,760 --> 01:59:58,720
Speaker 1: or check your registration, I'll cook a Sunday roast, which

2285
01:59:58,800 --> 02:00:03,000
Speaker 1: is a big traditional British meal. She registered seventy five

2286
02:00:03,240 --> 02:00:07,480
Speaker 1: hundred people. Damn what, and you guys, I'm competitive and

2287
02:00:07,600 --> 02:00:10,320
Speaker 1: I need you to help me beat my girlfriend. Okay,

2288
02:00:10,840 --> 02:00:14,280
Speaker 1: so all Donald and I am asking is for fifteen hundred.

2289
02:00:14,280 --> 02:00:16,000
Speaker 1: If it ends up being more than that, then that

2290
02:00:16,040 --> 02:00:18,000
Speaker 1: will be great and we'll all feel wonderful about it.

2291
02:00:18,240 --> 02:00:21,280
Speaker 1: This is nonpartisan, so don't get your panties in a bunch.

2292
02:00:21,800 --> 02:00:24,400
Speaker 1: This is just trying to get people to register, okay,

2293
02:00:24,600 --> 02:00:26,400
Speaker 1: and trying to tell people to vote. Right, don't get

2294
02:00:26,440 --> 02:00:29,000
Speaker 1: don't get all political with this bullshit and be like,

2295
02:00:29,160 --> 02:00:31,440
Speaker 1: you guys are so political. No, we just want you

2296
02:00:31,560 --> 02:00:33,760
Speaker 1: to vote. We want you to vote, We want you

2297
02:00:33,880 --> 02:00:36,840
Speaker 1: to vote. Seven Katy, It's just sc dude, it's your

2298
02:00:36,920 --> 02:00:40,320
Speaker 1: American right. So no, now, okay, if you're listening to

2299
02:00:40,360 --> 02:00:42,800
Speaker 1: this wherever you are, you're gonna either go to our

2300
02:00:42,880 --> 02:00:45,560
Speaker 1: social media on Instagram or Twitter or Facebook if that's

2301
02:00:45,600 --> 02:00:48,880
Speaker 1: easiest for you. If not, go to headcount dot org

2302
02:00:49,400 --> 02:00:53,080
Speaker 1: backslash Zach and Donald. Don't do this somewhere else, because

2303
02:00:53,120 --> 02:00:55,800
Speaker 1: we want credit for you checking your status or registering.

2304
02:00:56,080 --> 02:01:00,720
Speaker 1: We want credit. I did it just now, super easy. Okay,

2305
02:01:00,840 --> 02:01:04,480
Speaker 1: thank you, Daniel, We have one, Gotchad. We are a

2306
02:01:04,560 --> 02:01:08,000
Speaker 1: halfway there. Well, no, we are, we are, We're not

2307
02:01:08,080 --> 02:01:14,960
Speaker 1: on there. What's the address again, headcount dot org, backslash

2308
02:01:15,240 --> 02:01:18,080
Speaker 1: Zach and Donald. Or if it's easier for you, go

2309
02:01:18,160 --> 02:01:21,440
Speaker 1: to our social media's on Instagram. It'll be in our

2310
02:01:21,560 --> 02:01:24,640
Speaker 1: bios on Twitter. I we'll both be tweeting it out

2311
02:01:24,960 --> 02:01:28,680
Speaker 1: and please help us. UM beat Samuel Jackson did it.

2312
02:01:28,720 --> 02:01:31,680
Speaker 1: We want to beat him too, Josh Gad just did it.

2313
02:01:32,200 --> 02:01:35,840
Speaker 1: So we are going to teach you how to make

2314
02:01:35,880 --> 02:01:39,000
Speaker 1: an apple teeny that's just the most perfect one. And

2315
02:01:39,120 --> 02:01:40,680
Speaker 1: then he and I, because we're in the same pod

2316
02:01:40,760 --> 02:01:44,560
Speaker 1: at this point, we can be together and share a cocktail. Okay,

2317
02:01:44,640 --> 02:01:52,000
Speaker 1: we're going to share cock tails. It's sounded dirty, no matter, Look, dude,

2318
02:01:53,000 --> 02:01:55,440
Speaker 1: we are going to share. Listen to me again. I'll

2319
02:01:55,480 --> 02:01:57,560
Speaker 1: make it. I'll make it even more sexual. We are

2320
02:01:57,640 --> 02:02:08,480
Speaker 1: going to share some cock tails. I am so much

2321
02:02:08,840 --> 02:02:17,040
Speaker 1: excited to share some cock tails. I cannot wait to

2322
02:02:17,360 --> 02:02:23,440
Speaker 1: just have some of your cock tales. All right, Sorry,

2323
02:02:23,520 --> 02:02:26,560
Speaker 1: Joel's getting schemed out. You know you know what's gonna

2324
02:02:26,680 --> 02:02:28,920
Speaker 1: you know it's gonna taste great going down my throat

2325
02:02:31,440 --> 02:02:39,080
Speaker 1: your cock tail, Joel, I think they could just keep

2326
02:02:39,120 --> 02:02:41,400
Speaker 1: doing this for another forty five minutes. I don't think

2327
02:02:43,240 --> 02:02:48,200
Speaker 1: you are laughing, so don't tease. I don't I know

2328
02:02:48,280 --> 02:02:50,600
Speaker 1: this episode nine and a half hours. We haven't saw

2329
02:02:50,640 --> 02:02:54,000
Speaker 1: Happy Birthday to Joel yet. Oh. Also, it's Joel's birthday

2330
02:02:54,080 --> 02:02:58,880
Speaker 1: is today next October one, so a week from yesterday. Okay,

2331
02:02:58,920 --> 02:03:00,680
Speaker 1: and John, we have to talk about Wells present. And

2332
02:03:00,720 --> 02:03:02,440
Speaker 1: also we never got Daniel the president, so we need

2333
02:03:02,520 --> 02:03:06,200
Speaker 1: to stop that. No, I reminded myself when I was

2334
02:03:06,400 --> 02:03:10,960
Speaker 1: looking online Wells Present. We can totally give them some

2335
02:03:11,160 --> 02:03:17,800
Speaker 1: cock tail tale. How about? How about? I don't feel

2336
02:03:17,800 --> 02:03:20,240
Speaker 1: comfortable making this joke with Joel, it's in approvent, but Dan,

2337
02:03:20,400 --> 02:03:26,240
Speaker 1: I will give you so much cock tale. All right,

2338
02:03:26,280 --> 02:03:29,240
Speaker 1: we gotta go. We love you, everybody, Please do the

2339
02:03:29,280 --> 02:03:31,640
Speaker 1: head count thing. I want to crush everyone. I want

2340
02:03:31,720 --> 02:03:35,440
Speaker 1: Sam Jackson to say to his publicist, holy shit, Sam

2341
02:03:35,480 --> 02:03:40,680
Speaker 1: Taxans say robbers, holy shit, you all these motherfucker's. Okay,

2342
02:03:40,800 --> 02:03:46,160
Speaker 1: good head Count Slow did seventy five. I'm sure it's

2343
02:03:46,200 --> 02:03:47,480
Speaker 1: higher than that, but I would love to be able

2344
02:03:47,520 --> 02:03:50,040
Speaker 1: to say, ha ha flow we did seven five oh one.

2345
02:03:50,720 --> 02:03:52,720
Speaker 1: But I'm not aiming that high. That's that's that's that

2346
02:03:52,840 --> 02:03:54,440
Speaker 1: might be too high. But let's all I want for

2347
02:03:54,520 --> 02:03:57,080
Speaker 1: now is fifteen You get the prize of the video

2348
02:03:57,160 --> 02:03:59,560
Speaker 1: of cocktails. If you do fifty fifteen hundred of you

2349
02:04:00,000 --> 02:04:03,080
Speaker 1: a registration or register for the first time. Come on, everybody,

2350
02:04:03,120 --> 02:04:04,760
Speaker 1: I want to do it. I want to try and

2351
02:04:04,800 --> 02:04:08,080
Speaker 1: do my Sam Jackson one more time. How did these

2352
02:04:08,200 --> 02:04:13,320
Speaker 1: motherfucker's beat me? No better? Yes? Yes, I like No,

2353
02:04:13,440 --> 02:04:15,800
Speaker 1: I'm not kach. I just don't dig on swine. This

2354
02:04:16,360 --> 02:04:22,320
Speaker 1: is a tasty burger, great scene. Um all right, head

2355
02:04:22,400 --> 02:04:26,840
Speaker 1: count dot org, backslash, Zack and Donald, we love you all.

2356
02:04:28,400 --> 02:04:33,720
Speaker 1: Nice stories about shore we made about a bunch of

2357
02:04:33,920 --> 02:04:37,840
Speaker 1: docs and nurses and Jannan, who I said, he's the

2358
02:04:38,040 --> 02:04:46,360
Speaker 1: stories so yetto around you here are yato around you here?

2359
02:04:46,480 --> 02:04:51,600
Speaker 1: I respect mm hmmm