WEBVTT - #267 - Cordae

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<v Speaker 1>Core Day is in here. What they do? Bro? How

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<v Speaker 1>you feeling, man, I'm very good. It's a little hot

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<v Speaker 1>in this room, not gonna lie. It's cool, a little toasty,

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<v Speaker 1>It's fine. Well look man, third album, yes, sir, we

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<v Speaker 1>didn't have to wait as long for this one. Mm hmm.

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<v Speaker 1>Twelve months. Yeah, it's been a year now, yep. I

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<v Speaker 1>feel like I feel like it's been I remember the

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<v Speaker 1>last album released party. Dave Chappelle was there, Yeah, he

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<v Speaker 1>hosted it. That was that was pretty big. Now that's

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<v Speaker 1>a bar. Yeah. He did a great favor for me too.

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<v Speaker 1>I asked him and then he said easy money. Steve

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<v Speaker 1>was there, Yeah, he was actually Yeah, I was at

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<v Speaker 1>a joint circle with Simba, Steve Rkle and Dave Chappelle

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<v Speaker 1>in the back backstage at the pepper was the Peppermint Club. Yeah,

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<v Speaker 1>it was peer Yeah. A lot of good people showed

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<v Speaker 1>up to support Killer Roy showed up there. Yeah, yeah,

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<v Speaker 1>like a lot of got a a lot of love

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<v Speaker 1>from a lot of artists. How does the Dave Chappelle

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<v Speaker 1>thing work out? Like, how do you guys become friends

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<v Speaker 1>first time? You know what? We got really close during

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<v Speaker 1>the pandemic. I will fly out to Ohio to see Yeah, exactly,

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<v Speaker 1>and he's just a really good It might be the

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<v Speaker 1>Virgo connection too, but not that I'm like a moon

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<v Speaker 1>worship you are you really into that? I'm I'm not

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<v Speaker 1>a moon worshiper. What do you worship? God? Shout out

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<v Speaker 1>to go, you know, shut out to God the one?

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<v Speaker 1>But which type of guy that we're going? Catholic God,

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<v Speaker 1>Christian God, Baptism, I'm a I'm a Baptist. I'm a Christian, sure, okay,

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<v Speaker 1>but more so with Dave Chappelle, Like we just got

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<v Speaker 1>really cool because somebody I can always go to for

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<v Speaker 1>advice and he just realed down to earth, Like he's

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<v Speaker 1>just a real one bro. You know. So visiting him

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<v Speaker 1>in Ohio, like a town in kind of the middle

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<v Speaker 1>of nowhere, in the middle of time, the thing COVID paranoia, Yeah,

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<v Speaker 1>it was, it was. It was awesome. Yeah. So you

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<v Speaker 1>guys just from there just connected and it was like,

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<v Speaker 1>and you know, he's from Maryland too, so it's it's

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<v Speaker 1>just an easy thing. Do you feel like because I

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<v Speaker 1>feel like Maryland is low key, like highly slept on.

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<v Speaker 1>When we talk about like kind of the grand scheme

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<v Speaker 1>of like hip hop you know you got your off,

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<v Speaker 1>you got yeah logic. Yeah, there's a lot of hitters

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<v Speaker 1>from Maryland and Bro Marvin Gaye from DC shout you

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<v Speaker 1>know what I'm saying, we got It's such a rich

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<v Speaker 1>culture of music, you know, and DC, Maryland, Virginia, DMV

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<v Speaker 1>United instead as one will be so much like because

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<v Speaker 1>even Virginia got Pusher, got Pharrell, got Chris Brown Trey songs.

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<v Speaker 1>Fat Trails just got out Fat Trails. He shout out,

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<v Speaker 1>Fat Trail cold. Yeah, I got money, y'all got power,

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<v Speaker 1>I got respect with this. I'll just tell you, like

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<v Speaker 1>growing up as like a kid because like Fat Trail,

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<v Speaker 1>Sluttie Boys, huge fan like, ain't no blow on my projects,

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<v Speaker 1>Like what the fuck is the chick? It felt like

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<v Speaker 1>such a like moment when he got MMG. It felt

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<v Speaker 1>like like, oh shit's about to go crazy. Yeah nah,

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<v Speaker 1>for sure it was crazy bro like Trail Glizzi Grizzy.

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<v Speaker 1>Yeah for sure. Like I said, Trail huge influence will

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<v Speaker 1>a obviously big flock. So many local artists too. I

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<v Speaker 1>DK is killing it now, K is incredible. So it's

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<v Speaker 1>it's a lot of really good artists out that area.

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<v Speaker 1>Bro right now, because I feel like you have great

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<v Speaker 1>taste in music, and you're kind of like, you know,

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<v Speaker 1>you're not, like you might have some old head taste

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<v Speaker 1>in you for being a young kid. But what are

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<v Speaker 1>you listening to? I won't say I got old head taste.

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<v Speaker 1>I just think I like to go back. Yeah, but okay,

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<v Speaker 1>point maybe proven. I've been listening to a lot of

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<v Speaker 1>Outgreen lately, but I've been listening to a lot of

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<v Speaker 1>older music for samples, you know, just to listen and

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<v Speaker 1>old head taste for sure. Yeah, the Silvers, you know

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<v Speaker 1>what I'm saying, Just but for sample purposes and because

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<v Speaker 1>it's fucking good. Like wine is always going to be

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<v Speaker 1>fine wine. You can always go back and watch Michael

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<v Speaker 1>Jordan highlights and they're still crazy. Pete Marrivig not so much,

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<v Speaker 1>you know what I'm saying. Yeah, once you get to

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<v Speaker 1>like when the TVs were black and white on YouTube,

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<v Speaker 1>the highlights become really bad. Yeah you're like, oh, these

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<v Speaker 1>guys would be terrible today. They couldn't last because they

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<v Speaker 1>were just playing against a bunch of guys that looked

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<v Speaker 1>like me. Yeah. No, it was like niggas is plumbing.

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<v Speaker 1>And then okay, I got a game tonight at the

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<v Speaker 1>National Basketball Association. But any hip hop you're like that

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<v Speaker 1>is like you know anything new, Like have you listened

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<v Speaker 1>to the new Literally album? No, I haven't chat, I

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<v Speaker 1>haven't chat Crazy it's dope, trippy psychedelic, like, yeah, no,

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<v Speaker 1>I've seen that. It was like an experimental album album.

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<v Speaker 1>Shout out to him for like, it takes a lot

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<v Speaker 1>of nuts to do some ship like that. The type

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<v Speaker 1>of music you would love to listen to it Truman

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<v Speaker 1>hard Yeah, Goodman music, Nah, for sure, and I gotta

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<v Speaker 1>check it out. I'll definitely check it out. What is

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<v Speaker 1>your go to shroman music? Mmm, let me see the

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<v Speaker 1>goat to just anything soulful, anything soulful, and it's also

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<v Speaker 1>you can just type in shroom playlist on Yeah, yeah,

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<v Speaker 1>Mack to Marco, Nirvana, fucking yeah, entertain What song is that? Entertain?

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<v Speaker 1>It's a big ass song. And I'm crazy for not

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<v Speaker 1>knowing the ts. Yeah, it's a shout out to you. Yeah,

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<v Speaker 1>it's a it's crazy. Mac Miller's great on Troops. Yeah,

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<v Speaker 1>Travis is Tame and Paula. Yeah, Tame and Paula of

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<v Speaker 1>course that the LSD LSD. I feel like I had

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<v Speaker 1>ass naming all these like big troom songs. But that's

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<v Speaker 1>what I do. I just go on sound and just

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<v Speaker 1>hit play you good, yeah, super good. Worst trip you've

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<v Speaker 1>ever had, Oh, I've had if any I've had a

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<v Speaker 1>bad one. I've had just one bad one, Bro, I

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<v Speaker 1>was it was. It was just a dumb reason why

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<v Speaker 1>I did. I was in the hall, in the crib along.

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<v Speaker 1>I just shouldn't have did it. I was in a

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<v Speaker 1>dark place in my life, honestly, Truman at home alone. Bro,

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<v Speaker 1>it was crazy. It was horrible. Pandemic No, not pandemic.

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<v Speaker 1>So what happened? Were you just like overthinking everything freaking out? Yeah?

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<v Speaker 1>I was. Yeah, I was like really on panic mode

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<v Speaker 1>like in life, Like I was on like full on

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<v Speaker 1>panic mode. Like it was crazy, Bro, it was. It

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<v Speaker 1>was not something I like to revis it. Was just

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<v Speaker 1>it was a bad trip. Explain to me what was

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<v Speaker 1>going on with the Abraham Lincoln fake fake beard thing

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<v Speaker 1>that was happening for that show, because I really legit

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<v Speaker 1>thought because I didn't seen you online in a while,

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<v Speaker 1>and then you pop back out and I'm like, oh

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<v Speaker 1>this guys just just saying like I don't know what's

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<v Speaker 1>happening here. Yeah, it's this character I got Big Play

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<v Speaker 1>Day and I I was him in the R and

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<v Speaker 1>P video, So I was just like, you know, and

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<v Speaker 1>I had to do a TV show that day, okay,

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<v Speaker 1>And I'm like, you know what. And for the TV show,

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<v Speaker 1>I was Big Play Day, my character that I my

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<v Speaker 1>alter It's kind of like my alter ego, honestly. And

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<v Speaker 1>so for the TV shows called The South Side, so

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<v Speaker 1>I had to be my alter ego Big Play Day,

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<v Speaker 1>and I had my chops on. I'm like, you know what, bro,

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<v Speaker 1>fuck it, I'm gonna do the show with him. And

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<v Speaker 1>I didn't think it was I was just like, y'all,

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<v Speaker 1>fuck it, like I thought it was real. I'm a creative. Yeah,

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<v Speaker 1>that's crazy. Nigga looked like Kareem Abdul Jabbar's like, Jesus,

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<v Speaker 1>he's going straight seventies porn mode on these my maath

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<v Speaker 1>for real, straight up BBC nights out here. Absolutely, Yeah,

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<v Speaker 1>did you say BBC? Jesus? You said it? And I

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<v Speaker 1>mean you said it. He did it anyway. You you

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<v Speaker 1>go to a lot of basketball games. Yeah, I feel

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<v Speaker 1>like you're a front row of many I am. You're

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<v Speaker 1>very passionate about the NBA in the sport. Would I

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<v Speaker 1>want to say that I just am in a blessed

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<v Speaker 1>as position in my life through where I get court

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<v Speaker 1>side tickets for free, So for free, for free? How

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<v Speaker 1>does that work? My agent manager? And then sometimes I'll

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<v Speaker 1>know the players, so courtside for free every time. You've

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<v Speaker 1>never paid not a dollar? Wow? Right, hand of God,

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<v Speaker 1>I've been over one hundred. In my first NBA game,

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<v Speaker 1>I was court sided. Wow. That's nice. God is great.

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<v Speaker 1>What have you ever had like a situation where you're

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<v Speaker 1>talking shit or like somebody was like, like, you know,

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<v Speaker 1>you're at courtside you hear Yeah, so you heard something.

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<v Speaker 1>Maybe you shouldn't have hurt. No, I don't talk now.

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<v Speaker 1>I don't talk shit at all because I like the

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<v Speaker 1>I'm just there to enjoy the game and I ain't

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<v Speaker 1>trying to fight No. Seven for the plus I got hands.

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<v Speaker 1>But you're a Wizards fane. I'm a Wizards fan, I mean,

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<v Speaker 1>and that's rough. What are you gonna say? We got

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<v Speaker 1>Bradley Bill? Like, who cares for? Now? Do you want

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<v Speaker 1>Bradley Bill to stay? There's no way you want him

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<v Speaker 1>to stay as a Bradley Bill fan or a Wizard

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<v Speaker 1>fan a wiz Yeah, I want brad Bell to stay.

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<v Speaker 1>Why because he's like, so you can continue to fight

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<v Speaker 1>for the night Seed. You think we should just tank? Yeah, Victor,

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<v Speaker 1>I think you guys trade Bradley Beal, Chris stops Porzingis Kuzma,

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<v Speaker 1>get a bunch of fucking picks, and well we got

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<v Speaker 1>a we get another star. What if we just get

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<v Speaker 1>another star? Then we were doing something no one's going

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<v Speaker 1>to DC. I know it's not gonna happen. The closest

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<v Speaker 1>thing to another star y'all got is that tall, awkward

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<v Speaker 1>white man Chris stops Pusini. Oh yeah, it's called it.

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<v Speaker 1>You're getting a distressed asset. That's the best that's the

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<v Speaker 1>best case scenario for the Wizards. Get a distressed asset

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<v Speaker 1>like Chris stops and he actually comes through and plays

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<v Speaker 1>all right, which is we just traded a Ucci Uchi Rama?

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<v Speaker 1>What ruly? Hatra mora? It's not nah. That sounds like

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<v Speaker 1>a great porno. Speaking to BBC's hu Chi Rama Baby

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<v Speaker 1>whoci in big like seventies letters, I watched a movie

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<v Speaker 1>called Rama who Chi Rama Baby? That sounds like a

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<v Speaker 1>great sitcom too, Whuchi Rama. I think you're gonna be

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<v Speaker 1>good for the Lakers though, Yeah, he's Uh, I don't know. Man,

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<v Speaker 1>was he good for y'all? No, he was straight. He

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<v Speaker 1>got the job done. He got the job done. You know,

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<v Speaker 1>he shout out to him. Yeah, he shout out. You know,

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<v Speaker 1>he's got his own pair of Jordan's. He's got like

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<v Speaker 1>a really moral version of Jordan's six. For real, I

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<v Speaker 1>think it's a six. Yeah, hey, shout out to hey, Hey,

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<v Speaker 1>young black man getting money. Man, can't be mad at that.

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<v Speaker 1>You're still doing Puma. I see you got Louise on

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<v Speaker 1>what's going on? Absolutely, I'm wearing Puma, but I had

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<v Speaker 1>to master the jacket. So what happens? You can in

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<v Speaker 1>trouble if you wear Louis Patan shoes. Nah, because they're

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<v Speaker 1>not a direct competitor of Puma. According to the the Article

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<v Speaker 1>eleven a, Section three of my contract. As long as

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<v Speaker 1>I'm not wearing any competitors, is it frustrating that you

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<v Speaker 1>can't wear some fly jays? It isn't tool them quarterly

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<v Speaker 1>checks coming, And I mean listen, man, Puma is on fire. Mann.

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<v Speaker 1>You know, you know it's crazy. I might reanswer that sometimes,

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<v Speaker 1>but Puma has a l a wide variety, like the

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<v Speaker 1>Puma Rude collab is super and I'm not only like

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<v Speaker 1>collab is fire. Fucking Yeah. We got some ship at Puma, bro,

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<v Speaker 1>I ain't gonna lie. We got some good ship at

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<v Speaker 1>poo poos great now they're they're great, And we're number

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<v Speaker 1>two behind Nike is as far as its most athletic

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<v Speaker 1>gear and most sneaker soul. Literally we're number two behind

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<v Speaker 1>Nike and we c and the dope thing about Puma,

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<v Speaker 1>they're more like inclusive, like they'll get like a kid

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<v Speaker 1>super or they'll get like uh rude, you know what

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<v Speaker 1>I'm saying. They'll get like l like they work with.

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<v Speaker 1>Who decides war? Like all the brands that's really the

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<v Speaker 1>ones that's making shit move in culture. Who decides war?

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<v Speaker 1>Who decides war? Who the white man? Not the white

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<v Speaker 1>the white man, his last name is man, the white man,

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<v Speaker 1>the white man. Uh yeah, shout out to Puma, Man,

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<v Speaker 1>shout out to Puma. So me ask you something, uh

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<v Speaker 1>huh when you like collaborate, cause a lot of art

0:11:00.160 --> 0:11:04.599
<v Speaker 1>we see do these huge brand deals. Is there like,

0:11:05.920 --> 0:11:08.480
<v Speaker 1>is there anything that like you're you? Because because I

0:11:08.520 --> 0:11:12.280
<v Speaker 1>feel like you have a very like commercially viable image.

0:11:12.280 --> 0:11:13.679
<v Speaker 1>If I'm a brand and I'm like I want to

0:11:13.720 --> 0:11:17.240
<v Speaker 1>get somebody who's young, who's you know, tapped into the culture.

0:11:17.280 --> 0:11:20.559
<v Speaker 1>But won't you know, fucking I don't know, go on

0:11:20.679 --> 0:11:22.840
<v Speaker 1>Instagram live at three in the morning with an ak

0:11:23.000 --> 0:11:26.400
<v Speaker 1>forty seven and threaten his ops knowing that you're kind

0:11:26.440 --> 0:11:28.800
<v Speaker 1>of that guy. I don't know if that's a compliment.

0:11:29.080 --> 0:11:33.000
<v Speaker 1>It is, Okay, of course it is. I know. I'm joking.

0:11:34.760 --> 0:11:37.439
<v Speaker 1>Are you like, super like mindful of that when just

0:11:37.559 --> 0:11:39.480
<v Speaker 1>moving around like day to day life? Like yo, like

0:11:39.840 --> 0:11:42.320
<v Speaker 1>cause you I mean you said that, Uh? I mean

0:11:42.720 --> 0:11:44.240
<v Speaker 1>what songs did you dropp last year? We were talking

0:11:44.240 --> 0:11:47.920
<v Speaker 1>about was a pepsi that broke your coca cola? So

0:11:48.000 --> 0:11:49.800
<v Speaker 1>you're you're doing shit that like a lot of artists

0:11:49.840 --> 0:11:52.280
<v Speaker 1>can't do, you know what I mean? Getting getting bags

0:11:52.320 --> 0:11:53.880
<v Speaker 1>that a lot of artists can't do. So, like when

0:11:53.920 --> 0:11:56.240
<v Speaker 1>you're just thinking about your social media, you're thinking about

0:11:56.280 --> 0:11:58.679
<v Speaker 1>just how you move around in the public eye or

0:11:58.880 --> 0:12:00.960
<v Speaker 1>stuff you might say an interview use social media. Are

0:12:00.960 --> 0:12:04.120
<v Speaker 1>you mindful of that? No? Not really, bro because at

0:12:04.120 --> 0:12:05.800
<v Speaker 1>the end of the day, the music is still the

0:12:05.880 --> 0:12:07.760
<v Speaker 1>engine that drives it off. Like you can be the

0:12:07.840 --> 0:12:12.079
<v Speaker 1>cleanest motherfucker, but like if your music ain't hitting, then

0:12:12.240 --> 0:12:14.280
<v Speaker 1>or if it's or you're not connecting with the people,

0:12:14.400 --> 0:12:17.000
<v Speaker 1>then that ship, that opportunity doesn't exist. So I just

0:12:17.360 --> 0:12:19.080
<v Speaker 1>I just like to be myself, bro, And I've never

0:12:19.200 --> 0:12:21.240
<v Speaker 1>just been a gun slinging ass Nigga. I own guns

0:12:21.320 --> 0:12:24.520
<v Speaker 1>several actually that you should with a license. You chect yourself. Cute.

0:12:24.960 --> 0:12:26.679
<v Speaker 1>I got endless guns. You know what I'm saying, it's

0:12:26.840 --> 0:12:29.839
<v Speaker 1>all super illegal. But I say this super illegal, no

0:12:30.040 --> 0:12:33.120
<v Speaker 1>super legal. Super you got super illegal, no super legal.

0:12:33.400 --> 0:12:35.120
<v Speaker 1>I got what you got. I got got Drake Nigga,

0:12:35.120 --> 0:12:37.480
<v Speaker 1>I got Draco's, I got all types of ship legally.

0:12:37.600 --> 0:12:40.920
<v Speaker 1>You know what I'm saying. Where do you live? If

0:12:40.920 --> 0:12:45.320
<v Speaker 1>you live at the No, no, no, Georgia, Georgia, Georgia.

0:12:45.360 --> 0:12:47.240
<v Speaker 1>Okay you you got it all then yeah yeah yeah

0:12:47.240 --> 0:12:49.240
<v Speaker 1>you're Georgia South with it. Yeah, like I say, if

0:12:49.280 --> 0:12:51.160
<v Speaker 1>you're here, no, no, no, that's not legal. You got

0:12:51.200 --> 0:12:52.880
<v Speaker 1>a good league. Yeah, I got send me all those

0:12:52.920 --> 0:12:55.960
<v Speaker 1>all that. Hey, that's good though. Let people know they

0:12:56.040 --> 0:12:58.679
<v Speaker 1>can't you know, not that I don't have any. Are

0:12:58.720 --> 0:13:00.520
<v Speaker 1>some me all those legal in the South? I can't.

0:13:00.920 --> 0:13:05.440
<v Speaker 1>I don't know. He would know his fully automatics are

0:13:05.520 --> 0:13:11.640
<v Speaker 1>illegal everywhere, correct, everywhere. Yes, Yeah, I don't know he

0:13:11.679 --> 0:13:16.120
<v Speaker 1>would know because he's yeah I thought so. Yeah, but

0:13:16.240 --> 0:13:17.679
<v Speaker 1>yeah I got I got hell of ship bro in

0:13:17.760 --> 0:13:20.079
<v Speaker 1>the South. Yeah. I fucking this guy right here was

0:13:20.120 --> 0:13:24.160
<v Speaker 1>logging into my YouTube channel on our company laptop. Besides

0:13:24.240 --> 0:13:26.079
<v Speaker 1>the fucked up porn history that popped up in my

0:13:26.160 --> 0:13:29.960
<v Speaker 1>Google Internet, yeah, absolutely, my YouTube algorithm was just about

0:13:30.080 --> 0:13:33.160
<v Speaker 1>machine guns and handguns. And I was like, what the

0:13:33.320 --> 0:13:37.640
<v Speaker 1>fuck is going on because this fucking Second Amendment ass

0:13:37.800 --> 0:13:40.640
<v Speaker 1>motherfucker over here searching how to take apart handguns and

0:13:40.679 --> 0:13:45.199
<v Speaker 1>ship But I digress. But they're strapped up, Yeah, exactly.

0:13:45.640 --> 0:13:49.040
<v Speaker 1>But the point is that I just I'm not never,

0:13:49.160 --> 0:13:51.400
<v Speaker 1>not gonna be myself Bro for the sake of a brand,

0:13:51.600 --> 0:13:53.040
<v Speaker 1>you know what I'm saying though, for the sake of

0:13:53.440 --> 0:13:56.640
<v Speaker 1>But I turned down millions and millions of dollars Bro

0:13:56.800 --> 0:13:58.559
<v Speaker 1>because it's like it's a brand that's kind of like

0:13:58.640 --> 0:14:00.800
<v Speaker 1>off brand for me as a person, because it's like,

0:14:01.240 --> 0:14:04.719
<v Speaker 1>I'm not trying to just start selling ball clippers. You

0:14:04.800 --> 0:14:06.400
<v Speaker 1>know what I'm say. I'm going to ask you. Don't

0:14:06.440 --> 0:14:08.280
<v Speaker 1>tell me the company, but tell me the genre of

0:14:08.880 --> 0:14:10.719
<v Speaker 1>bag you turned down. Is it an energy drink? Is

0:14:10.760 --> 0:14:13.040
<v Speaker 1>it ball Clippers and it wasn't ball Clippers that. But

0:14:13.320 --> 0:14:15.120
<v Speaker 1>but like, what give me like something that you've turned down?

0:14:15.440 --> 0:14:17.160
<v Speaker 1>Just the industry. You don't gotta tell me what company

0:14:17.320 --> 0:14:21.400
<v Speaker 1>was big as I turned down huge features because the artists,

0:14:21.440 --> 0:14:24.360
<v Speaker 1>I'm like, yeah, they like do like one hundred million

0:14:24.440 --> 0:14:26.840
<v Speaker 1>monthly streams, but I just don't like the song and

0:14:27.000 --> 0:14:29.560
<v Speaker 1>it might not be the best business decision, but it's

0:14:29.640 --> 0:14:31.280
<v Speaker 1>just like, yo, I'm still an artist at the end

0:14:31.320 --> 0:14:32.640
<v Speaker 1>of the day, and I try to just move with

0:14:32.800 --> 0:14:35.760
<v Speaker 1>my heart. And it sounds fucking cliche and all this shit,

0:14:35.800 --> 0:14:37.080
<v Speaker 1>but it's the guys down the store. I try to

0:14:37.120 --> 0:14:40.040
<v Speaker 1>just move with my feeling, you know. But so it's

0:14:40.080 --> 0:14:42.040
<v Speaker 1>the same with what about a brand? What kind of brand?

0:14:42.200 --> 0:14:44.480
<v Speaker 1>What's what's the brand deal you turned down? What's a

0:14:44.560 --> 0:14:47.960
<v Speaker 1>brand deal with? Yeah, a clothing brand? You gotta be

0:14:48.000 --> 0:14:53.040
<v Speaker 1>more specific than that, is give me okay, let's just

0:14:53.040 --> 0:14:55.080
<v Speaker 1>say a clothing brand I've turned that. Boozy wanted to

0:14:55.120 --> 0:14:57.520
<v Speaker 1>come and have you bring back Jewel House clothing. He

0:14:57.680 --> 0:15:02.480
<v Speaker 1>has a I rock that for years. You remember your

0:15:02.560 --> 0:15:08.400
<v Speaker 1>house fight dt L all all over the country gap? Yeah,

0:15:09.440 --> 0:15:11.440
<v Speaker 1>he said before you said no the gap is this

0:15:11.560 --> 0:15:15.640
<v Speaker 1>before Kanye I didn't. I don't know before right when

0:15:16.160 --> 0:15:21.600
<v Speaker 1>it was yeah no on the gap, Yeah were gap?

0:15:21.640 --> 0:15:27.120
<v Speaker 1>Except yeah? But I know, yeah, hit you right now

0:15:27.440 --> 0:15:30.120
<v Speaker 1>he's gone through some sort of you know, spiritual reawakening.

0:15:30.200 --> 0:15:33.240
<v Speaker 1>He fucked up. You know, he's trying to bring back Easy. Hey,

0:15:33.320 --> 0:15:36.800
<v Speaker 1>pray pray for ya, man, pray for ya. Hypothetically he

0:15:36.960 --> 0:15:41.120
<v Speaker 1>kitched you, Cordy. I fucked up, man, I'm sorry. I

0:15:41.200 --> 0:15:43.200
<v Speaker 1>gotta get this Easy ship back popping. Would you like

0:15:43.240 --> 0:15:45.760
<v Speaker 1>to be the face of the new season? I might.

0:15:45.840 --> 0:15:48.240
<v Speaker 1>I'm gonna think about that ship. Yeah, I'm gonna think

0:15:48.240 --> 0:15:50.880
<v Speaker 1>about it. I'm gonna give him some serious consideration. Absolutely,

0:15:51.480 --> 0:15:53.880
<v Speaker 1>I just gotta see, you know, what the designs look like.

0:15:53.960 --> 0:15:56.000
<v Speaker 1>But I ain't gonna be like, oh no, because everybody

0:15:56.080 --> 0:15:58.880
<v Speaker 1>else is on some can't you know? I agree whatever

0:15:59.160 --> 0:16:01.600
<v Speaker 1>I'm a I'm a death. We consider it highly Yeah,

0:16:01.880 --> 0:16:04.320
<v Speaker 1>I mean, I think, and that's one of the forefathers,

0:16:04.400 --> 0:16:06.520
<v Speaker 1>you know what I'm saying. So he is. He is

0:16:06.600 --> 0:16:09.280
<v Speaker 1>one of the forefathers, in my opinion, the best discography

0:16:09.320 --> 0:16:13.360
<v Speaker 1>and rap history. Highly. Yes, you you can put a

0:16:13.400 --> 0:16:15.680
<v Speaker 1>good ass argument on that, A good ass I think

0:16:15.720 --> 0:16:21.040
<v Speaker 1>it's Kanye whole. But I think Yay's got more class

0:16:21.120 --> 0:16:23.560
<v Speaker 1>like certified, like undeniable classics. But hos up there. But

0:16:23.600 --> 0:16:26.960
<v Speaker 1>I also think okay outcast, Yeah, for sure, o't cast,

0:16:27.720 --> 0:16:33.960
<v Speaker 1>they don't miss Okay Kanye Okay, college drop out, late legislation, graduate, graduation.

0:16:34.040 --> 0:16:37.520
<v Speaker 1>All three classics, yeah, all three of classics. Eight classic

0:16:37.560 --> 0:16:42.320
<v Speaker 1>because it's yeah, yeah, my beautiful, my beautiful, dark twist

0:16:42.360 --> 0:16:44.920
<v Speaker 1>of fantasy. That's file classic. Then we're going yes, which,

0:16:44.960 --> 0:16:48.960
<v Speaker 1>in my opinion is I think Jesus it's I think

0:16:49.040 --> 0:16:51.400
<v Speaker 1>you're confusing. I could be. I think you're not confusing.

0:16:51.840 --> 0:16:55.480
<v Speaker 1>I think influential. Don't mean it's a classic. No, I

0:16:55.520 --> 0:16:58.200
<v Speaker 1>actually think Jesus personally, for me, I love so I

0:16:58.240 --> 0:16:59.920
<v Speaker 1>don't know to it's crazy. I don't think it's in

0:17:00.520 --> 0:17:04.040
<v Speaker 1>consensus hip hop classic Okay, I think it's like for

0:17:04.160 --> 0:17:06.320
<v Speaker 1>me personally, Okay, it's a classic. I got albums that

0:17:06.359 --> 0:17:07.760
<v Speaker 1>I'm like, it's a classic to me, But that don't

0:17:07.760 --> 0:17:09.680
<v Speaker 1>mean it's a classic to everybody you know for sure.

0:17:09.800 --> 0:17:12.760
<v Speaker 1>But going back to the original point, just because I'm

0:17:12.760 --> 0:17:14.040
<v Speaker 1>trying to get my thought off my bet if I

0:17:14.119 --> 0:17:17.399
<v Speaker 1>cut you off of just like I'm I can't be

0:17:17.480 --> 0:17:19.720
<v Speaker 1>a slave to the brand Bro, I say no to

0:17:19.880 --> 0:17:23.159
<v Speaker 1>ninety five percent of incoming brands and feature everything. Bro,

0:17:23.280 --> 0:17:24.960
<v Speaker 1>it just gotta be like whether I do a song,

0:17:25.040 --> 0:17:27.560
<v Speaker 1>I gotta like really fuck with the song or that person,

0:17:27.640 --> 0:17:29.480
<v Speaker 1>no matter how big or small they are, you know

0:17:29.560 --> 0:17:31.560
<v Speaker 1>what I'm saying. If it's like a brand, it just

0:17:31.640 --> 0:17:33.720
<v Speaker 1>gotta be on brand with who I am as a

0:17:33.800 --> 0:17:36.800
<v Speaker 1>human being. Like Puma do Hella like community outreach shit,

0:17:36.840 --> 0:17:39.880
<v Speaker 1>They do Hella charitable shit. They do Hella like give

0:17:40.000 --> 0:17:42.760
<v Speaker 1>back stuff. And I used to wear Pumas in middle

0:17:42.800 --> 0:17:45.040
<v Speaker 1>school because we used to wear uniforms in a public

0:17:45.080 --> 0:17:46.800
<v Speaker 1>school and we had to wear all black sneakers, so

0:17:47.080 --> 0:17:49.119
<v Speaker 1>I would have one the Pumas. They're affordable, So I

0:17:49.240 --> 0:17:52.000
<v Speaker 1>really fuck with Puma. So that's why I rock with Puma.

0:17:52.080 --> 0:17:54.320
<v Speaker 1>You know what I'm saying. They got plenty of Pumas

0:17:54.320 --> 0:17:57.320
<v Speaker 1>in my closet. That's it. A lot more Jordans, but

0:17:57.400 --> 0:17:59.479
<v Speaker 1>we're gonna change that for court Ay, thank you sir.

0:17:59.720 --> 0:18:01.800
<v Speaker 1>When we'll see something, well, something I need to buy

0:18:02.040 --> 0:18:03.600
<v Speaker 1>some high level pullmas is on the way for you,

0:18:03.720 --> 0:18:05.840
<v Speaker 1>high level Pumas. How's the high level thing going? It's

0:18:05.920 --> 0:18:08.160
<v Speaker 1>going great. We just need more artists, so how Does

0:18:08.200 --> 0:18:10.840
<v Speaker 1>that work for you because you're obviously in full artist mode. Yeah,

0:18:11.000 --> 0:18:13.440
<v Speaker 1>you have a lot of personal life developments happening that

0:18:13.520 --> 0:18:15.640
<v Speaker 1>are life changing. Yeah, do you have time to even

0:18:15.680 --> 0:18:18.000
<v Speaker 1>search for artists? Yeah, it just got to be the

0:18:18.040 --> 0:18:20.840
<v Speaker 1>one that I It's all about feeling, bro, just because

0:18:20.920 --> 0:18:22.439
<v Speaker 1>at the end of the day, I can sleep at

0:18:22.520 --> 0:18:24.680
<v Speaker 1>night if I turn down a certain amount of bread

0:18:24.840 --> 0:18:27.840
<v Speaker 1>or a brand or a feature whatever, if I know,

0:18:27.960 --> 0:18:29.800
<v Speaker 1>like I just went with what my heart felt, you

0:18:29.880 --> 0:18:31.720
<v Speaker 1>know what I'm saying, or what I really love or

0:18:31.760 --> 0:18:34.040
<v Speaker 1>what moved me. So it's kind of the same with artists, bro,

0:18:34.040 --> 0:18:35.639
<v Speaker 1>because I don't want to just sign artists just to

0:18:35.720 --> 0:18:37.600
<v Speaker 1>sign them. I want to just have the model of

0:18:37.680 --> 0:18:39.960
<v Speaker 1>like just have a few artists and we really like

0:18:40.119 --> 0:18:42.200
<v Speaker 1>push behind them and I'm able to give them the

0:18:42.280 --> 0:18:44.680
<v Speaker 1>stuff that I've learned, even though I'm still fucking I

0:18:44.800 --> 0:18:46.800
<v Speaker 1>fuck up a lot, Like I'm a fuck up bro

0:18:47.040 --> 0:18:49.280
<v Speaker 1>for sure, but I can acknowledge that and I just

0:18:49.359 --> 0:18:51.200
<v Speaker 1>keep moving, you know what I'm saying. That's my goal.

0:18:52.000 --> 0:18:54.920
<v Speaker 1>So and just you know, with Ace and the whole team,

0:18:55.080 --> 0:18:58.119
<v Speaker 1>like pushing behind them. So just getting a couple of artists,

0:18:58.200 --> 0:19:00.720
<v Speaker 1>you know, because if you turn down a deal. That's

0:19:01.520 --> 0:19:04.119
<v Speaker 1>nobody lose a sleepover that. If you signed somebody and

0:19:04.200 --> 0:19:06.480
<v Speaker 1>you don't do justice by them, that's a human being.

0:19:06.600 --> 0:19:11.880
<v Speaker 1>That's a human being that's responsible. But when you sign

0:19:11.960 --> 0:19:14.359
<v Speaker 1>an artist, you're kind of not even kind of you're

0:19:14.359 --> 0:19:16.680
<v Speaker 1>responsible for that person. Yo. So you did a Ted

0:19:16.760 --> 0:19:18.560
<v Speaker 1>talk that was like the biggest Ted talk of the year.

0:19:18.760 --> 0:19:22.920
<v Speaker 1>YEA was that very Uh were you nervous preparing for

0:19:23.000 --> 0:19:25.040
<v Speaker 1>that because that's a big deal to do it? Yeah, Bro,

0:19:25.160 --> 0:19:27.040
<v Speaker 1>I was off. That's one of them shroom nights. Bro.

0:19:27.280 --> 0:19:28.760
<v Speaker 1>Like when I had that bad, I was like, fuck,

0:19:28.800 --> 0:19:32.240
<v Speaker 1>I got this Ted talk to do next week. Word

0:19:32.520 --> 0:19:35.399
<v Speaker 1>that wasn't the mayor. It was a fucking It was

0:19:35.440 --> 0:19:37.359
<v Speaker 1>a bunch of shit, bro, A bunch of shit. It

0:19:37.480 --> 0:19:39.960
<v Speaker 1>was a lot of ship. But going back to the

0:19:40.040 --> 0:19:47.720
<v Speaker 1>Ted talk, hmmm, I am that was something I wanted

0:19:47.760 --> 0:19:49.400
<v Speaker 1>to do because I'm like, Yo, it's just some cool ship.

0:19:49.440 --> 0:19:51.040
<v Speaker 1>And then when they actually reached out, I was like, yeah,

0:19:51.040 --> 0:19:52.720
<v Speaker 1>we want Cordiator to do a tech I'm like, oh shit,

0:19:52.800 --> 0:19:56.720
<v Speaker 1>I didn't know, So what's the question again? Just like

0:19:57.320 --> 0:19:59.119
<v Speaker 1>talking about preparing for that, like, you know, that's a

0:19:59.160 --> 0:20:01.399
<v Speaker 1>big speech to write. A lot of I wrote a

0:20:01.440 --> 0:20:04.480
<v Speaker 1>speech and then I sent it over to Ted Talk

0:20:04.560 --> 0:20:06.439
<v Speaker 1>and they had like certain notes about it. And then

0:20:06.440 --> 0:20:10.119
<v Speaker 1>I'm like, bro, like I don't like what the they

0:20:10.200 --> 0:20:12.240
<v Speaker 1>sent me, like, you know, edit notes like this is cool,

0:20:12.280 --> 0:20:14.560
<v Speaker 1>but this ain't. And so I kind of started panicking

0:20:14.600 --> 0:20:16.159
<v Speaker 1>because I'm like, I just want to write what I

0:20:16.240 --> 0:20:17.720
<v Speaker 1>want to write, and so I just end up just

0:20:17.800 --> 0:20:20.480
<v Speaker 1>doing that. I just ignored their notes and just deal

0:20:20.520 --> 0:20:23.080
<v Speaker 1>with it. Was the biggest one, and it was the

0:20:23.080 --> 0:20:27.280
<v Speaker 1>biggest one. You gotta do another one, no, not no

0:20:27.400 --> 0:20:29.680
<v Speaker 1>time soon. I gotta I gotta, I think I before

0:20:29.720 --> 0:20:31.400
<v Speaker 1>I do another one. I gotta do some more shit,

0:20:31.840 --> 0:20:34.560
<v Speaker 1>like some more legendary stuff. You know, Hey, we gotta

0:20:34.600 --> 0:20:36.360
<v Speaker 1>stop the interview to tell you about our folks at

0:20:36.440 --> 0:20:39.560
<v Speaker 1>my bookie. That's right, baby, super Bowl's coming. Well, you

0:20:39.640 --> 0:20:41.639
<v Speaker 1>know in a month or so, we got the playoffs.

0:20:42.240 --> 0:20:44.680
<v Speaker 1>Right now, you could get those future bets in on

0:20:44.760 --> 0:20:47.679
<v Speaker 1>who you think out of this uh barrage of teams

0:20:47.720 --> 0:20:49.320
<v Speaker 1>that made it to the playoffs is gonna win the

0:20:49.400 --> 0:20:52.240
<v Speaker 1>Super Bowl. You could bet player props, we can go

0:20:52.480 --> 0:20:54.680
<v Speaker 1>NBA action on them. So much ways to make money

0:20:54.920 --> 0:20:56.440
<v Speaker 1>with all the sports going on, and you could do

0:20:56.480 --> 0:20:58.680
<v Speaker 1>it all at my Bookie right now. If you go

0:20:58.720 --> 0:21:00.399
<v Speaker 1>to my Bookie and you see sign it for a

0:21:00.440 --> 0:21:03.040
<v Speaker 1>new account, used the promo code boot leg, and they

0:21:03.119 --> 0:21:06.000
<v Speaker 1>will match your first deposit up to one thousand dollars.

0:21:06.320 --> 0:21:08.600
<v Speaker 1>You know what's dope about my Bookie. Not only can

0:21:08.640 --> 0:21:11.560
<v Speaker 1>you bet on your favorite sports, what's your good? Also

0:21:11.720 --> 0:21:14.720
<v Speaker 1>good little blackjack going little slot machines and that dang

0:21:14.960 --> 0:21:18.200
<v Speaker 1>me email low roulette. Yeah me so much ways to

0:21:18.200 --> 0:21:20.440
<v Speaker 1>get paid on my Bookie. The most important thing is, though,

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<v Speaker 1>up's boot leg cav here to us. That's out the

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<v Speaker 1>interview and tell you about blue Choo. Yes, do you

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<v Speaker 1>have a dick? Does your husband have a dick? Maybe?

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<v Speaker 1>Does your boyfriend got a dick? Does your wife have

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<v Speaker 1>you that. Yeah, blue Choo will get your dick real

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<v Speaker 1>hard to kick off that new year. You know what

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<v Speaker 1>I'm saying. If you want your dick harder than advanced

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<v Speaker 1>trigonometry senior year high school, then go to blue choo

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0:23:02.240 --> 0:23:04.680
<v Speaker 1>nobody wants to talk about their dick with a stranger.

0:23:05.040 --> 0:23:09.040
<v Speaker 1>I take that back. I take that back. Lots of

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<v Speaker 1>get your dick right in the new year. It's twenty

0:23:34.440 --> 0:23:39.560
<v Speaker 1>twenty three. Yeah, your dick shouldn't be flaccid after a nice, long,

0:23:40.160 --> 0:23:43.480
<v Speaker 1>stressful night. No, your dick should be ready. You don't

0:23:43.480 --> 0:23:45.560
<v Speaker 1>want to be a you know, a victim of too

0:23:45.640 --> 0:23:48.680
<v Speaker 1>much stress, too much anxiety, and then you look down

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<v Speaker 1>and you can't stay hard. You imagine how fucking embarrassing

0:23:51.800 --> 0:23:54.800
<v Speaker 1>that is. You get yourself a nice, lovely, fucking young lady,

0:23:55.240 --> 0:23:57.240
<v Speaker 1>you bring it to the place you're nervous. She's a

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<v Speaker 1>little maybe she's a little out of your fucking league,

0:24:00.320 --> 0:24:02.960
<v Speaker 1>and you start thinking too much and that Dick's not

0:24:03.040 --> 0:24:06.080
<v Speaker 1>gonna perform. It's not it's not gonna perform how you'd

0:24:06.160 --> 0:24:08.439
<v Speaker 1>like it too, but you know how it will perform.

0:24:08.840 --> 0:24:11.800
<v Speaker 1>If you're on that fucking blue Choo, You're gonna put

0:24:11.840 --> 0:24:16.080
<v Speaker 1>in a fucking luka donkic sixty one point fucking performance

0:24:16.119 --> 0:24:18.360
<v Speaker 1>on that pussy all right, So go to blue choo

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<v Speaker 1>dot com right now, use that promo code bootle. Like,

0:24:21.160 --> 0:24:23.399
<v Speaker 1>let's get back to the interview for you what has

0:24:23.480 --> 0:24:26.439
<v Speaker 1>been because I think that the number one thing artists

0:24:26.600 --> 0:24:28.960
<v Speaker 1>have an issue with you mentioned it earlier is somebody

0:24:29.000 --> 0:24:31.760
<v Speaker 1>could get a TikTok moment m hm, but it doesn't

0:24:31.800 --> 0:24:34.119
<v Speaker 1>mean they have fans. Yeah, right, you have done a

0:24:34.160 --> 0:24:36.600
<v Speaker 1>good job of like developing a fan base. Thank you.

0:24:36.800 --> 0:24:40.159
<v Speaker 1>What is the hardest part about like connecting with the

0:24:40.200 --> 0:24:43.440
<v Speaker 1>people and making them give a fuck about you? Huh.

0:24:44.160 --> 0:24:46.560
<v Speaker 1>Just it's gonna sound cliche, but I think it's just

0:24:46.680 --> 0:24:49.040
<v Speaker 1>being yourself, bro, and not just giving the fuck about

0:24:49.119 --> 0:24:50.760
<v Speaker 1>Like the numbers, you know what I'm saying. Like even

0:24:50.840 --> 0:24:52.440
<v Speaker 1>like with my last album, I think it's because I

0:24:52.520 --> 0:24:54.440
<v Speaker 1>dropped at the top of the year. I did twenty

0:24:54.480 --> 0:24:56.800
<v Speaker 1>four k first week. Everybody reported at twenty I'm not

0:24:56.800 --> 0:24:58.480
<v Speaker 1>gonna tweet and be like, no, Nigga ain't do twenty

0:24:58.520 --> 0:25:00.320
<v Speaker 1>I did twenty four K, but whatever. So I did

0:25:00.400 --> 0:25:04.240
<v Speaker 1>twenty four K, but I sold out ninety percent of

0:25:04.320 --> 0:25:07.320
<v Speaker 1>a world tour in venues that's way bigger than motherfuckers

0:25:07.359 --> 0:25:09.879
<v Speaker 1>that do triple the numbers that I do, right, you

0:25:09.920 --> 0:25:11.400
<v Speaker 1>geel what I'm saying. So, what's the point of doing

0:25:11.680 --> 0:25:13.719
<v Speaker 1>one hundred K first week if you can't sell out

0:25:13.800 --> 0:25:17.400
<v Speaker 1>the Novo you know what I'm saying, or certain venues

0:25:17.440 --> 0:25:20.040
<v Speaker 1>that I'm doing me as a with my little twenty

0:25:20.080 --> 0:25:22.159
<v Speaker 1>four k, and I'm doing triple the venues, and those

0:25:22.200 --> 0:25:24.960
<v Speaker 1>people also aren't turning down million dollar deals nah, for

0:25:25.040 --> 0:25:27.800
<v Speaker 1>sure on a tens on conscious album, by the way,

0:25:27.920 --> 0:25:29.240
<v Speaker 1>you know what I'm saying. So I say this to

0:25:29.240 --> 0:25:32.000
<v Speaker 1>say it's all about like what connects, you know, just

0:25:32.480 --> 0:25:35.440
<v Speaker 1>making music from your heart that relates to a certain

0:25:35.480 --> 0:25:39.080
<v Speaker 1>demographic or not even demographic, a certain niche people who

0:25:39.160 --> 0:25:41.399
<v Speaker 1>are who just whoever is for. I'm I'm kind of

0:25:41.440 --> 0:25:42.879
<v Speaker 1>at the place right now where I'm like, yo, bro,

0:25:43.000 --> 0:25:46.280
<v Speaker 1>I just wanna make music. It's trans with this new

0:25:46.320 --> 0:25:49.320
<v Speaker 1>shit I'm doing, Bro, I'm just more transparent than ever ever,

0:25:50.160 --> 0:25:53.040
<v Speaker 1>more vulnerable than ever, more honest than ever. And whoever

0:25:53.119 --> 0:25:55.720
<v Speaker 1>that connects to is who's that was meant to connect to.

0:25:55.800 --> 0:25:57.800
<v Speaker 1>And if it didn't connect to them, I meant and

0:25:57.920 --> 0:26:00.320
<v Speaker 1>if that doesn't connect to whoever, then it's not for

0:26:00.440 --> 0:26:03.400
<v Speaker 1>you production wise? Who's on the new album? Because you've

0:26:03.400 --> 0:26:05.280
<v Speaker 1>we've seen you in the studio with the Who's who?

0:26:06.040 --> 0:26:07.240
<v Speaker 1>I want to say you were in with Dre and

0:26:07.320 --> 0:26:09.600
<v Speaker 1>we didn't We haven't heard, but that sounds like yeah, yeah,

0:26:10.359 --> 0:26:12.920
<v Speaker 1>I mean so it says that's like the same story

0:26:12.960 --> 0:26:15.240
<v Speaker 1>for like a million other artists. Yeah, everyone's like, yo,

0:26:15.280 --> 0:26:16.840
<v Speaker 1>I was in with Dre. I'm like, can we hear

0:26:16.920 --> 0:26:19.720
<v Speaker 1>the music? Hey, I'm happy with my flick. I'm happy

0:26:19.800 --> 0:26:21.800
<v Speaker 1>with you got mom flick my mom got that ship

0:26:21.880 --> 0:26:24.600
<v Speaker 1>framed and should But who's Who's got beats on the album?

0:26:26.200 --> 0:26:27.920
<v Speaker 1>F n Z not sure if you ever heard of them?

0:26:27.960 --> 0:26:34.600
<v Speaker 1>They're super cold at l Jacob my boy, Illy Holler,

0:26:34.760 --> 0:26:40.680
<v Speaker 1>he's super tight. Who else? I can't think are you

0:26:40.760 --> 0:26:45.200
<v Speaker 1>doing any production? Oh? Bongo bongo super hard T minus

0:26:46.680 --> 0:26:49.800
<v Speaker 1>nice little lineup? Yeah cool little you know, Avenger Squad.

0:26:49.880 --> 0:26:52.000
<v Speaker 1>What do we gotta do to get you in the studio?

0:26:52.080 --> 0:26:55.640
<v Speaker 1>With the Alchemist. Oh, I did ship with Alchemists. We did.

0:26:55.720 --> 0:26:57.480
<v Speaker 1>I'm trying to yo me and Alchemists will make a

0:26:57.520 --> 0:27:00.200
<v Speaker 1>fire ass collab. You can take you a whole album. Yeah,

0:27:00.200 --> 0:27:02.560
<v Speaker 1>I'm down for that all the way. Is that like

0:27:02.600 --> 0:27:05.560
<v Speaker 1>because you're on You're on Atlantic Records, so like it's

0:27:05.600 --> 0:27:07.480
<v Speaker 1>probably a little bit more difficult for you to be like,

0:27:07.520 --> 0:27:09.120
<v Speaker 1>I want to do a fucking album with the Alchemist

0:27:09.440 --> 0:27:13.720
<v Speaker 1>because now, because I was just paying myself, that's fair.

0:27:13.800 --> 0:27:15.399
<v Speaker 1>Not that he'll even I don't even know what that

0:27:15.520 --> 0:27:18.280
<v Speaker 1>will be because my argument, I paid for the beats.

0:27:18.320 --> 0:27:19.680
<v Speaker 1>What do you I would love for you to do

0:27:19.760 --> 0:27:21.440
<v Speaker 1>like a fool, even if it's not the Alchemist, just

0:27:21.520 --> 0:27:25.480
<v Speaker 1>like one producer. Nah, for sure, I'm definitely like, that's

0:27:25.520 --> 0:27:27.160
<v Speaker 1>one of my goals this year to drop a couple

0:27:27.200 --> 0:27:29.480
<v Speaker 1>of those, like one from Alchemists, one with this artist,

0:27:29.520 --> 0:27:32.680
<v Speaker 1>but Alchemists definitely at beside the Alchemist's house. Well, just

0:27:32.760 --> 0:27:36.720
<v Speaker 1>me and that producer Metro would be super tight. I

0:27:36.760 --> 0:27:39.399
<v Speaker 1>don't really I never met this nigga though, Yeah, I

0:27:39.440 --> 0:27:42.240
<v Speaker 1>never met an album. Yeah, so great that thug first

0:27:42.359 --> 0:27:46.600
<v Speaker 1>free Free Thug. I love the transition, he said. Every

0:27:46.680 --> 0:27:49.639
<v Speaker 1>time we make it rain. It's a thunderstoring crazy. You know,

0:27:49.720 --> 0:27:53.560
<v Speaker 1>the transition from that record into the future interlude afterwards. Yeah,

0:27:53.600 --> 0:27:56.399
<v Speaker 1>I'm freaking, I'm geeking. That's just that's that's that's not

0:27:57.720 --> 0:28:01.560
<v Speaker 1>any album. Metro is a culture curator. He's amazing. He's awesome.

0:28:01.840 --> 0:28:04.040
<v Speaker 1>I think he's like I was thinking about this the

0:28:04.119 --> 0:28:06.119
<v Speaker 1>other day, right because if we think about like, I

0:28:06.240 --> 0:28:09.480
<v Speaker 1>think his new album is probably and this might be

0:28:09.600 --> 0:28:12.680
<v Speaker 1>Recncy biased, but it feels like the best hip hop compilation.

0:28:13.040 --> 0:28:15.760
<v Speaker 1>I'm glad you Recncy bias is the real thing. It is.

0:28:15.840 --> 0:28:17.320
<v Speaker 1>But I'm like, when I'm listening to this new metro

0:28:17.359 --> 0:28:19.480
<v Speaker 1>Booming album, I'm like, I'm not sure anyone has really

0:28:19.600 --> 0:28:23.239
<v Speaker 1>ever done a better compilation, Like cal has never made

0:28:23.280 --> 0:28:25.200
<v Speaker 1>an album better than that. Are we going down the

0:28:25.240 --> 0:28:27.240
<v Speaker 1>line whoever's got compilation albums? You know what I'm saying.

0:28:27.280 --> 0:28:29.360
<v Speaker 1>I just feel like this metro Booming album he purposely

0:28:29.520 --> 0:28:33.280
<v Speaker 1>like built it around this cast of guys. Now he

0:28:33.400 --> 0:28:35.159
<v Speaker 1>did that. He took drake off of one of the

0:28:35.280 --> 0:28:37.800
<v Speaker 1>songs who take a break off. He did it for

0:28:37.880 --> 0:28:40.880
<v Speaker 1>the art. It's fucking crazy. Yes, we gotta get you

0:28:40.920 --> 0:28:43.480
<v Speaker 1>a metro boomer in Nah that'd be crazy fuck somebody

0:28:43.520 --> 0:28:47.680
<v Speaker 1>who you worked with. Yeah, obviously he's in a tough situation.

0:28:48.120 --> 0:28:52.400
<v Speaker 1>Uh for young Thug. That was on one of your

0:28:52.520 --> 0:28:55.680
<v Speaker 1>kind of like holdover. Uh he does justin till ep

0:28:56.000 --> 0:28:57.840
<v Speaker 1>Me and Thug got another joint in the can that

0:28:58.160 --> 0:28:59.920
<v Speaker 1>I love a lot, that I actually like more to

0:29:00.040 --> 0:29:01.640
<v Speaker 1>and What's Up. But What's Up just fit that. Uh,

0:29:01.920 --> 0:29:04.640
<v Speaker 1>that that project a little bit better because I needed

0:29:04.760 --> 0:29:08.320
<v Speaker 1>some tempo. But Thug man real one. Bro. He's always

0:29:08.320 --> 0:29:11.240
<v Speaker 1>there whenever I need, like any advice, you know what

0:29:11.280 --> 0:29:14.320
<v Speaker 1>I'm saying, whenever I needed anything. But he's just super genuine.

0:29:14.440 --> 0:29:16.720
<v Speaker 1>You guys recorded those together. Yeah, we recorded both of

0:29:16.760 --> 0:29:19.560
<v Speaker 1>them together. What's his process compared to yours? Like, Man,

0:29:19.600 --> 0:29:21.920
<v Speaker 1>I gotta I can't write when I'm with him because

0:29:21.920 --> 0:29:23.760
<v Speaker 1>he does everything off the top. So I'm like, fucking

0:29:23.800 --> 0:29:25.520
<v Speaker 1>I gotta do the same shit. But even if I

0:29:25.600 --> 0:29:28.920
<v Speaker 1>were to like write some stuff, he's patient, he's with whatever,

0:29:29.280 --> 0:29:31.520
<v Speaker 1>like with whatever. But I try to just keep up

0:29:31.560 --> 0:29:33.440
<v Speaker 1>with him. That's my goal, to just keep up at

0:29:33.480 --> 0:29:35.520
<v Speaker 1>the pace he records, but still come up with some

0:29:35.640 --> 0:29:37.920
<v Speaker 1>cold shit right hard. You've been with a lot of

0:29:37.960 --> 0:29:45.880
<v Speaker 1>artists who's got the fastest pace writing or recording thug thug. Yeah, yeah, yeah,

0:29:46.040 --> 0:29:48.719
<v Speaker 1>that's fair. Who's on the new album? Besides, we got

0:29:48.800 --> 0:29:50.440
<v Speaker 1>the new Anderson? But you and Anderson should do a

0:29:50.480 --> 0:29:52.280
<v Speaker 1>new album together, by the way, like yeah, like like

0:29:52.800 --> 0:29:55.120
<v Speaker 1>do like a ten pack. Yeah, that'd be crazy. Nah,

0:29:55.360 --> 0:29:57.000
<v Speaker 1>it'll be. And you know what, it's because I think

0:29:57.040 --> 0:29:59.920
<v Speaker 1>our chemistry on record is is so good. Because he's

0:30:00.040 --> 0:30:01.600
<v Speaker 1>really like one of my best friends. I don't have

0:30:01.680 --> 0:30:03.760
<v Speaker 1>too many friends. He's a great guy. He's one of

0:30:03.800 --> 0:30:07.360
<v Speaker 1>my best friends for real. And so so Anderson's on

0:30:07.440 --> 0:30:10.920
<v Speaker 1>the album. Who else? I'm not quite sure yet, And

0:30:10.960 --> 0:30:13.120
<v Speaker 1>I don't want to say a name just because they

0:30:13.200 --> 0:30:15.200
<v Speaker 1>might not make it or that song may not make

0:30:15.280 --> 0:30:17.240
<v Speaker 1>it in a grand scheme. But I'll let you know.

0:30:18.120 --> 0:30:20.280
<v Speaker 1>I'm not trying to be you don't know one other

0:30:20.400 --> 0:30:23.680
<v Speaker 1>for sure, No, I don't. I swear you know the

0:30:23.720 --> 0:30:26.840
<v Speaker 1>album coming out. I don't know what's the name of

0:30:26.880 --> 0:30:32.000
<v Speaker 1>the album. I don't know. It's just an idea. I'm sorry,

0:30:32.120 --> 0:30:33.680
<v Speaker 1>is it coming out? And is it coming out by

0:30:33.720 --> 0:30:36.120
<v Speaker 1>the summertime? Yeah? This shit okay? And you don't have

0:30:36.200 --> 0:30:38.520
<v Speaker 1>to fucking name yet. Just tell me. I'd rather not

0:30:38.680 --> 0:30:41.200
<v Speaker 1>say no. I'm dead ass. You don't know the name. No,

0:30:41.280 --> 0:30:42.760
<v Speaker 1>I'm dead ass. You could just look at me and

0:30:42.840 --> 0:30:44.720
<v Speaker 1>be like, you know what, Bro, I'd rather not say.

0:30:45.200 --> 0:30:48.640
<v Speaker 1>I would rather not I don't know for sure. I

0:30:48.720 --> 0:30:50.640
<v Speaker 1>don't know for sure. That's my answer, Like, I know

0:30:50.840 --> 0:30:53.920
<v Speaker 1>the name what I'm thinking of, but it ain't that.

0:30:54.080 --> 0:30:56.080
<v Speaker 1>I don't want to sit here and promote a name

0:30:56.200 --> 0:30:58.040
<v Speaker 1>that ain't the name. No more. Was there Averse on

0:30:58.160 --> 0:31:01.120
<v Speaker 1>this new album that you know the name of Averse?

0:31:01.600 --> 0:31:03.480
<v Speaker 1>That song that you felt like you might have got

0:31:03.560 --> 0:31:07.320
<v Speaker 1>bodied on Averse? Averse? I'm just now I'm fishing for

0:31:07.440 --> 0:31:10.440
<v Speaker 1>guests rapper versus. Do you think there's somebody on your

0:31:10.480 --> 0:31:12.200
<v Speaker 1>new album that might have bodied you on the song

0:31:13.160 --> 0:31:14.880
<v Speaker 1>or came close or made you be like ooh that

0:31:15.040 --> 0:31:20.280
<v Speaker 1>was close. Damn No, no like that. So what you're

0:31:20.280 --> 0:31:23.160
<v Speaker 1>saying is everyone gave me throwaway verses on your album. Nah,

0:31:23.240 --> 0:31:27.160
<v Speaker 1>niggas ain't do that, niggas. No, na, Nah, it's not

0:31:27.280 --> 0:31:29.840
<v Speaker 1>too many feet. I literally got like two features, So

0:31:29.960 --> 0:31:32.720
<v Speaker 1>you do know you have features, but they're not a lot. Bro. Listen,

0:31:32.840 --> 0:31:35.440
<v Speaker 1>you know I don't like to say the feature into

0:31:35.480 --> 0:31:38.840
<v Speaker 1>that paperwork. I'm kind of a jinx right, Like, if

0:31:38.840 --> 0:31:40.959
<v Speaker 1>we're both walking and it's a pole, we ain't splitting

0:31:41.000 --> 0:31:43.040
<v Speaker 1>that poll. Okay, you know what I'm saying. If it's

0:31:43.080 --> 0:31:44.720
<v Speaker 1>a crack on the floor, I ain't stepping on that.

0:31:44.800 --> 0:31:46.520
<v Speaker 1>Don't step on crack, you know what I'm saying. Just

0:31:46.560 --> 0:31:48.880
<v Speaker 1>smoke it. It is as I say, it's very hard

0:31:48.920 --> 0:31:50.280
<v Speaker 1>in La did and I step on some sort of

0:31:50.320 --> 0:31:54.400
<v Speaker 1>crack somewhere. It's everywhere or it's more fetanol. Absolutely, But

0:31:55.000 --> 0:31:56.840
<v Speaker 1>shout out to that fatty watch I mean, speaking of

0:31:57.080 --> 0:32:00.280
<v Speaker 1>shout out, damn fuck that shit. Crazy. I wonder Fedi

0:32:00.320 --> 0:32:02.480
<v Speaker 1>wap knew when he named himself that that there would

0:32:02.480 --> 0:32:05.080
<v Speaker 1>be a drug like named after him, like eight years later.

0:32:05.160 --> 0:32:06.800
<v Speaker 1>You know, that was like the most deadly shit ever.

0:32:06.880 --> 0:32:11.280
<v Speaker 1>That's like killing all half of the country. Pretty crazy, Hey, obviously,

0:32:12.080 --> 0:32:15.640
<v Speaker 1>very tragic. Let's switch speeds. Okay, very tragic situation happened.

0:32:15.800 --> 0:32:18.920
<v Speaker 1>Happened in Memphis. Yeah, the young man who got killed

0:32:18.960 --> 0:32:22.680
<v Speaker 1>by the five police officers. You were very much you

0:32:22.760 --> 0:32:27.040
<v Speaker 1>got arrested protesting during the pandemic after the George Floyd thing,

0:32:27.520 --> 0:32:30.280
<v Speaker 1>which was for Breonna Taylor, or it was for Breonna Taylor.

0:32:30.320 --> 0:32:34.480
<v Speaker 1>But but I feel like that whole time, just the

0:32:34.640 --> 0:32:37.320
<v Speaker 1>pandemic just is all mushed together. Yeah, and I think

0:32:37.400 --> 0:32:40.160
<v Speaker 1>it was a blessing in the sense of like it

0:32:40.320 --> 0:32:44.479
<v Speaker 1>really gave light to things that just always are happening.

0:32:44.560 --> 0:32:47.920
<v Speaker 1>But because everybody was just standing still and not doing anything,

0:32:48.000 --> 0:32:50.840
<v Speaker 1>it's like, no, this is just clearly super fucked up

0:32:51.200 --> 0:32:53.360
<v Speaker 1>and it keeps going on. So I think it kind

0:32:53.400 --> 0:32:55.880
<v Speaker 1>of helped highlight and catapult the movie. I was gonna

0:32:55.880 --> 0:33:02.560
<v Speaker 1>ask you, like, obviously, protesting it's something that moves the

0:33:02.680 --> 0:33:05.520
<v Speaker 1>needle because it forces people to see the ugly. Yeah,

0:33:07.000 --> 0:33:09.600
<v Speaker 1>two years removed from that, what are the things that

0:33:09.640 --> 0:33:12.080
<v Speaker 1>you're kind of doing or involved in that are you

0:33:12.160 --> 0:33:17.280
<v Speaker 1>know kind of that isn't necessarily on camera. I think

0:33:17.320 --> 0:33:19.840
<v Speaker 1>it's just one step at a time, right, And it's

0:33:19.960 --> 0:33:22.680
<v Speaker 1>just like whether it be just donating to the right

0:33:22.800 --> 0:33:25.000
<v Speaker 1>cause it's talk trying to talk to the people who

0:33:25.080 --> 0:33:27.800
<v Speaker 1>are in power to try to get it done. And

0:33:28.000 --> 0:33:29.920
<v Speaker 1>I can do a lot more, you know, it's still

0:33:30.360 --> 0:33:32.600
<v Speaker 1>everybody here. Yeah, for sure, it's what I don't want

0:33:32.600 --> 0:33:34.480
<v Speaker 1>to sit here and act like a Marcus Garvey, you know,

0:33:34.760 --> 0:33:39.040
<v Speaker 1>or whoever the case may be. But I think it's

0:33:39.080 --> 0:33:41.200
<v Speaker 1>talking to the I don't know. I actually don't know

0:33:41.240 --> 0:33:43.840
<v Speaker 1>the answers. Honestly, I just don't know. But we can.

0:33:43.920 --> 0:33:46.600
<v Speaker 1>It's obvious it's a fucking problem. It's obvious. It's a

0:33:46.600 --> 0:33:48.480
<v Speaker 1>big fucking problem. But I think it's the step that's

0:33:48.520 --> 0:33:50.440
<v Speaker 1>talking to the people that's in position. I think the

0:33:50.520 --> 0:33:54.880
<v Speaker 1>police broth. You know, the original police were slave hunters.

0:33:56.200 --> 0:33:58.640
<v Speaker 1>Like actually, like the original police. It's a real this

0:33:58.720 --> 0:34:01.840
<v Speaker 1>ain't shit. I'm just made like the original police. So

0:34:01.920 --> 0:34:05.960
<v Speaker 1>the infrastructure is just fucked up because the same morals

0:34:06.040 --> 0:34:09.680
<v Speaker 1>and values of the original police officers were for slave hunters.

0:34:09.719 --> 0:34:14.480
<v Speaker 1>So now two hundred however many odd eighteen five, so

0:34:14.680 --> 0:34:18.239
<v Speaker 1>two hundred plus years since slavery was abolished, even in

0:34:18.320 --> 0:34:23.360
<v Speaker 1>the reconstruction era, Like, sorry for the history lesson, and

0:34:23.400 --> 0:34:27.160
<v Speaker 1>I also want to make sure I'm yeah so boom

0:34:27.560 --> 0:34:29.920
<v Speaker 1>so I said to say, the original police were slave hunters.

0:34:30.000 --> 0:34:33.880
<v Speaker 1>So now that ship turned into this police construct that

0:34:33.960 --> 0:34:36.000
<v Speaker 1>we have now, and a lot of the same morales

0:34:36.040 --> 0:34:40.200
<v Speaker 1>and principalities are just embedded within the system. So that's

0:34:40.600 --> 0:34:46.680
<v Speaker 1>why it's disproportionate. Yeah, it's it's it's it's like, if

0:34:46.760 --> 0:34:49.600
<v Speaker 1>the system is broken, how do you tear it down?

0:34:49.640 --> 0:34:52.120
<v Speaker 1>And rebuild it. Yeah, you know what I mean, because

0:34:52.120 --> 0:34:53.719
<v Speaker 1>if you think about the Memphis thing, it's like it's

0:34:53.760 --> 0:34:55.920
<v Speaker 1>a police thing. Like it's like these cops are like

0:34:56.120 --> 0:34:59.319
<v Speaker 1>there there, it's the it's the institution even no matter

0:34:59.400 --> 0:35:01.279
<v Speaker 1>what color. You know what I'm saying. Black police is

0:35:02.520 --> 0:35:04.160
<v Speaker 1>just did something like that, you know what I'm saying.

0:35:04.200 --> 0:35:06.640
<v Speaker 1>So it's the institution that they're a part of, because

0:35:06.880 --> 0:35:12.920
<v Speaker 1>the origins of the institution comes from racism. So this

0:35:13.080 --> 0:35:17.120
<v Speaker 1>new project, because I feel like album number one you

0:35:17.200 --> 0:35:19.799
<v Speaker 1>get the Grammy nomination. I actually liked your second album more,

0:35:19.880 --> 0:35:23.800
<v Speaker 1>thank you, you know, and I just thought it was

0:35:24.719 --> 0:35:29.240
<v Speaker 1>I thought it was more focused. I agree, I agree,

0:35:29.400 --> 0:35:34.640
<v Speaker 1>it was more. My second album was more from It

0:35:34.760 --> 0:35:38.000
<v Speaker 1>was more polished, Like the lyricisms is better, the songwriting

0:35:38.160 --> 0:35:42.120
<v Speaker 1>was better. The construction of the album, like the sequencing

0:35:42.560 --> 0:35:45.000
<v Speaker 1>of it was better. I think it didn't connect at

0:35:45.040 --> 0:35:47.600
<v Speaker 1>the level that I wanted to because it wasn't as

0:35:47.640 --> 0:35:51.880
<v Speaker 1>transparent and vulnerable. That's just my opinion. So this album,

0:35:53.760 --> 0:35:55.759
<v Speaker 1>we don't even know what's going to be on the album. Yeah,

0:35:55.960 --> 0:35:58.400
<v Speaker 1>we don't know. We including me, you're gonna be on

0:35:58.480 --> 0:36:02.600
<v Speaker 1>the album? That'd be some weird flex metro it ain't

0:36:02.600 --> 0:36:04.160
<v Speaker 1>even on my own album. I got everybody, Yeah, that

0:36:04.200 --> 0:36:07.800
<v Speaker 1>ain't it, And I need my puck. Like you said earlier,

0:36:07.840 --> 0:36:10.080
<v Speaker 1>you're pretty much just like Yo, I'm doing what's true

0:36:10.120 --> 0:36:11.800
<v Speaker 1>to me at this moment, and whoever it connects to,

0:36:11.920 --> 0:36:14.080
<v Speaker 1>who it's for absolutely, do you give a fuck though

0:36:14.120 --> 0:36:16.040
<v Speaker 1>about Because when you come out the gate with a

0:36:16.040 --> 0:36:18.719
<v Speaker 1>Grammy nomination, that's a pretty wild fucking thing to do. No,

0:36:19.440 --> 0:36:21.759
<v Speaker 1>it's only like eight of us who like debut like

0:36:21.960 --> 0:36:25.120
<v Speaker 1>debut album nomination. Yeah, it's got to be a gifted.

0:36:25.160 --> 0:36:26.640
<v Speaker 1>The curse too, because now you're looked at it a

0:36:26.719 --> 0:36:28.640
<v Speaker 1>certain light where it's like, well, if you can first

0:36:28.719 --> 0:36:30.640
<v Speaker 1>I've got the Grammy nomination, you're gonna do it this

0:36:30.760 --> 0:36:33.000
<v Speaker 1>next one. Do you let that pressure get to you

0:36:33.160 --> 0:36:34.359
<v Speaker 1>or do you think about it or let it psy

0:36:34.360 --> 0:36:36.359
<v Speaker 1>like you out at all? Nah? Bro, because I never

0:36:36.520 --> 0:36:39.080
<v Speaker 1>I was never like the hottest nigga out when I

0:36:39.160 --> 0:36:41.040
<v Speaker 1>first came out. It's always for me, it's just been

0:36:41.080 --> 0:36:45.719
<v Speaker 1>like Booker, Blooker, Blooka, Blooker, Blooker, blooker. So it's been

0:36:46.239 --> 0:36:48.600
<v Speaker 1>I don't know if that's a weird noise, but whatever,

0:36:48.680 --> 0:36:50.440
<v Speaker 1>I get it. But it's kind of just been steps

0:36:50.480 --> 0:36:52.239
<v Speaker 1>at the step. But bro, I've only been in the game.

0:36:53.400 --> 0:36:55.439
<v Speaker 1>There'll be four years since my first album, five years

0:36:55.440 --> 0:36:57.400
<v Speaker 1>since I like people started to know my name and

0:36:57.480 --> 0:37:01.000
<v Speaker 1>know my music and shit, and and so five years

0:37:01.040 --> 0:37:03.879
<v Speaker 1>since King Kung Fu came out? Be five years in July?

0:37:04.080 --> 0:37:06.560
<v Speaker 1>What year did I already see? So I've already seen

0:37:06.680 --> 0:37:09.480
<v Speaker 1>so many artists just come and go. With this small five,

0:37:09.520 --> 0:37:11.759
<v Speaker 1>it would be the artist that was the hottest. And

0:37:11.800 --> 0:37:13.600
<v Speaker 1>I'm not saying no names because it's respect. As long

0:37:13.600 --> 0:37:16.600
<v Speaker 1>as they able to feed their families, change their family lives,

0:37:16.640 --> 0:37:19.120
<v Speaker 1>it's love. They still won. They still win as rap

0:37:19.440 --> 0:37:21.759
<v Speaker 1>as the lottery. So any level of scess you could

0:37:22.160 --> 0:37:26.239
<v Speaker 1>you could achieve, fucking is better than the rapper pool.

0:37:26.480 --> 0:37:29.640
<v Speaker 1>Absolutely sure. So I said, I've done seen so many

0:37:29.760 --> 0:37:31.480
<v Speaker 1>artists come and go. So I know for a fact

0:37:31.480 --> 0:37:33.359
<v Speaker 1>I'm being able to make music at the highest level

0:37:33.400 --> 0:37:34.960
<v Speaker 1>for the next twenty years and still be able to

0:37:35.000 --> 0:37:37.359
<v Speaker 1>make a great living for the next twenty years off music.

0:37:37.400 --> 0:37:39.520
<v Speaker 1>I'm not worried about that. It's just about how high

0:37:39.560 --> 0:37:41.239
<v Speaker 1>am I gonna take? You? How high can I take

0:37:41.280 --> 0:37:43.600
<v Speaker 1>this ship? And every year I've been leveling up and

0:37:43.640 --> 0:37:46.839
<v Speaker 1>I've been able to see this literally from my first tour,

0:37:46.960 --> 0:37:49.440
<v Speaker 1>I did five hundred cap rooms. My second tour, I

0:37:49.480 --> 0:37:51.319
<v Speaker 1>did one thousand cap rooms. My last tour, I did

0:37:51.360 --> 0:37:54.759
<v Speaker 1>two thousand cap rooms, you know, And that's where I

0:37:54.920 --> 0:37:57.719
<v Speaker 1>kind of base my success that versus first week. These

0:37:57.760 --> 0:38:00.239
<v Speaker 1>are real humans, it, Bro, that's a real fan because

0:38:00.239 --> 0:38:02.919
<v Speaker 1>they had to leave their house, get a babysitter, maybe

0:38:03.120 --> 0:38:06.520
<v Speaker 1>buy a ticket, right fucking get dropped off by their parents,

0:38:06.800 --> 0:38:09.120
<v Speaker 1>get dropped, call a uber, take a shower, put on

0:38:09.239 --> 0:38:11.960
<v Speaker 1>some fresh shit, didn't wait in line, no matter what

0:38:12.120 --> 0:38:15.080
<v Speaker 1>the weather or not. Put on some fresh shit exactly

0:38:15.880 --> 0:38:17.719
<v Speaker 1>to see you do what you love. You know what

0:38:17.760 --> 0:38:19.960
<v Speaker 1>I'm saying versus like a number that can be skewed

0:38:20.080 --> 0:38:23.000
<v Speaker 1>or falsified. Yeah, a lot of these fucking streams are fake,

0:38:23.960 --> 0:38:28.160
<v Speaker 1>a lot of them. I mean, I would venture to say, sorry, Dwight,

0:38:30.000 --> 0:38:32.720
<v Speaker 1>ninety nine point nine percent of these major label fucking artists,

0:38:32.840 --> 0:38:35.759
<v Speaker 1>there's some sort of fucking little tick on the fucking

0:38:35.880 --> 0:38:38.160
<v Speaker 1>numbers going on. Yeah, I wouldn't doubt it, bro. And

0:38:38.239 --> 0:38:40.920
<v Speaker 1>the thing is, it's like I was saying, like, I

0:38:41.000 --> 0:38:42.600
<v Speaker 1>don't it don't bother me, And I'm not just saying

0:38:42.640 --> 0:38:44.719
<v Speaker 1>that because some shit does bother me. I'm a human

0:38:44.760 --> 0:38:46.440
<v Speaker 1>fucking being. Bro. I got feelings in the motion, But

0:38:46.520 --> 0:38:48.839
<v Speaker 1>it doesn't bother me with this because I'm seeing real

0:38:48.920 --> 0:38:51.360
<v Speaker 1>life wins when I'm doing a sold out tour, you

0:38:51.400 --> 0:38:53.440
<v Speaker 1>know what I mean. And that's that's that's the real

0:38:53.520 --> 0:38:56.440
<v Speaker 1>shit that matters. So even when you're selling merch and

0:38:56.480 --> 0:38:58.560
<v Speaker 1>you're you know, people are supporting you with their where

0:38:58.560 --> 0:39:02.279
<v Speaker 1>they're that's the shit that d differentiate somebody who can

0:39:02.360 --> 0:39:04.359
<v Speaker 1>catch a record, catch a moment, and there's somebody who

0:39:04.400 --> 0:39:07.680
<v Speaker 1>can have longevity and pay their bills and sh you know,

0:39:07.920 --> 0:39:11.239
<v Speaker 1>and open up a club and turn down million dollars

0:39:11.239 --> 0:39:14.840
<v Speaker 1>deals from the gap. Absolutely never was a gap guy myself,

0:39:15.480 --> 0:39:17.239
<v Speaker 1>I didn't. I didn't even know that. It didn't even

0:39:17.280 --> 0:39:18.800
<v Speaker 1>make it. It didn't even make it back to me.

0:39:19.000 --> 0:39:20.799
<v Speaker 1>You should yell at him for that, now, that's cool.

0:39:21.440 --> 0:39:24.360
<v Speaker 1>I'd like to know if the gap was knocking. I

0:39:24.560 --> 0:39:27.279
<v Speaker 1>never knew that, honestly, what's up? You're gonn tell me

0:39:27.320 --> 0:39:31.279
<v Speaker 1>about the gap that never came across my table? Really never, damn.

0:39:31.320 --> 0:39:32.839
<v Speaker 1>I didn't know. But I say that to say, that's

0:39:32.880 --> 0:39:35.000
<v Speaker 1>the stuff that don't don't even come to me that

0:39:35.200 --> 0:39:36.920
<v Speaker 1>you know what I'm saying. So I say this to say,

0:39:37.000 --> 0:39:38.600
<v Speaker 1>like I say no to a lot of shit, Bro,

0:39:38.760 --> 0:39:41.399
<v Speaker 1>I just like to do what I'm passionate about, what's

0:39:41.440 --> 0:39:43.239
<v Speaker 1>on brand for me as a human being, or what

0:39:43.320 --> 0:39:46.160
<v Speaker 1>I love to do. Things I'm passionate about things I love.

0:39:46.280 --> 0:39:48.960
<v Speaker 1>So it's cool, bro. Also, Yo, how did I not

0:39:49.040 --> 0:39:51.120
<v Speaker 1>make your top ten list last shit? Bro? It's cool?

0:39:51.480 --> 0:39:53.960
<v Speaker 1>On the which top ten list? Top ten rappers or

0:39:53.960 --> 0:39:57.560
<v Speaker 1>top ten albums? Damn both. I ain't making me kid,

0:39:58.000 --> 0:40:00.600
<v Speaker 1>It's cool, by the way, I just I'm not feelings

0:40:00.600 --> 0:40:02.560
<v Speaker 1>about it. I'm just asking. I mean, I just didn't.

0:40:02.560 --> 0:40:03.719
<v Speaker 1>I didn't think you had. I mean it was a

0:40:03.760 --> 0:40:05.440
<v Speaker 1>good year last year. I didn't think he had a

0:40:05.480 --> 0:40:06.839
<v Speaker 1>top ten album last year. I think you had about

0:40:06.840 --> 0:40:09.719
<v Speaker 1>a top twenty. Okay, I respect that. And on the

0:40:09.800 --> 0:40:12.319
<v Speaker 1>rapping shit, I just think the wrapping list was tough, man,

0:40:12.800 --> 0:40:15.160
<v Speaker 1>because there was a lot of Brodzer. There was a

0:40:15.360 --> 0:40:21.440
<v Speaker 1>lot of rapping this nigga kevo. I didn't put ransom

0:40:21.480 --> 0:40:25.359
<v Speaker 1>on my list. Listen, I did pay thirty eight specials too, though,

0:40:25.600 --> 0:40:28.800
<v Speaker 1>because thirty eight specih was on five. You don't know

0:40:28.920 --> 0:40:32.439
<v Speaker 1>thirty eight species trust Come on, bruh, Come on, bruh,

0:40:32.840 --> 0:40:34.920
<v Speaker 1>what you gotta do some shit with her? What a

0:40:35.160 --> 0:40:37.400
<v Speaker 1>lot of hey, listen, a lot of love to everybody, bro,

0:40:37.440 --> 0:40:39.400
<v Speaker 1>I'm not I just I didn't even know until he

0:40:39.440 --> 0:40:40.920
<v Speaker 1>told me. Like, yo, you know he told me right

0:40:40.960 --> 0:40:42.680
<v Speaker 1>before we walked in. You know you ain't make kid

0:40:42.760 --> 0:40:45.680
<v Speaker 1>top ten. Yeah. A lot of people didn't make my

0:40:45.719 --> 0:40:47.439
<v Speaker 1>top ten list. That are my friends. Benny the Busher

0:40:47.480 --> 0:40:49.600
<v Speaker 1>didn't make the top ten list. I think Conway, you

0:40:49.680 --> 0:40:51.160
<v Speaker 1>might have snuck in. I don't think he did, though,

0:40:51.160 --> 0:40:55.560
<v Speaker 1>I actually don't think he did. He might have. But

0:40:55.680 --> 0:40:57.279
<v Speaker 1>there was a lot of rappers that did not make

0:40:57.320 --> 0:40:59.680
<v Speaker 1>the top ten list because I put guys like my

0:40:59.800 --> 0:41:01.640
<v Speaker 1>thing was last year. Like I put a guy like

0:41:01.760 --> 0:41:04.560
<v Speaker 1>Simba on the list because Simba did the rapper shit

0:41:04.640 --> 0:41:08.000
<v Speaker 1>last year. That motherfucker hit every outlet. He had moments

0:41:08.040 --> 0:41:10.760
<v Speaker 1>on these fucking out and he like when I saw Simba,

0:41:10.880 --> 0:41:13.640
<v Speaker 1>like yo, I'm trying to make sure y'all see me

0:41:13.680 --> 0:41:17.200
<v Speaker 1>as that motherfucker, so I'm gonna go rap everywhere. And

0:41:17.280 --> 0:41:19.560
<v Speaker 1>he put out a cool project. Now Simba's mad because

0:41:19.560 --> 0:41:20.840
<v Speaker 1>I didn't put this project in the top ten. But

0:41:20.880 --> 0:41:23.080
<v Speaker 1>I'd tell him the same thing. Hey, wasn't a top

0:41:23.160 --> 0:41:26.239
<v Speaker 1>ten album. Love you You're on my top ten. Hey,

0:41:26.360 --> 0:41:29.000
<v Speaker 1>I gotta respect it. Bro. Yeah, okay, what do you

0:41:29.080 --> 0:41:31.160
<v Speaker 1>think about this? Hey, we got to stop the interview

0:41:31.200 --> 0:41:33.359
<v Speaker 1>real quick to tell you about our family at Hard Dean.

0:41:33.440 --> 0:41:37.279
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0:41:37.320 --> 0:41:40.240
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0:41:40.360 --> 0:41:42.560
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0:41:42.600 --> 0:41:44.800
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0:41:44.840 --> 0:41:47.120
<v Speaker 1>bachelor party, whatever's going on. You're going to go watch

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0:41:50.719 --> 0:41:53.080
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0:41:56.600 --> 0:42:01.600
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0:42:01.760 --> 0:42:06.000
<v Speaker 1>the flower all top notch, all the best. The bud

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<v Speaker 1>tenders are so friendly. It smells great. It smells so

0:42:09.640 --> 0:42:13.440
<v Speaker 1>good inside of Harden that they have their own Harden

0:42:13.560 --> 0:42:18.840
<v Speaker 1>signature scent candle. See I sniffed that, and I just

0:42:18.880 --> 0:42:22.040
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0:42:29.239 --> 0:42:30.680
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<v Speaker 1>get odd socks. Let's get back to the interview. You

0:44:40.719 --> 0:44:45.240
<v Speaker 1>think the average music consumer wants to be a critic

0:44:46.000 --> 0:44:48.920
<v Speaker 1>or like or like wants to be of influence, not like.

0:44:49.400 --> 0:44:52.800
<v Speaker 1>I think we're losing a pool of like people that

0:44:52.920 --> 0:44:55.239
<v Speaker 1>are just genuine music fans like me, bro, I'm just

0:44:55.320 --> 0:44:58.919
<v Speaker 1>a genuine music right. I remember this one artist dropped

0:44:58.960 --> 0:45:02.399
<v Speaker 1>the song in a fan were like, Yo, the song

0:45:02.520 --> 0:45:04.360
<v Speaker 1>was good, but this mix is asked, like, what the

0:45:04.440 --> 0:45:05.880
<v Speaker 1>fuck do you know about a mix? You know what

0:45:05.920 --> 0:45:07.719
<v Speaker 1>I'm saying. I think it's too many like you can come.

0:45:07.840 --> 0:45:09.920
<v Speaker 1>I think a lot of people like yourself, right, you

0:45:10.000 --> 0:45:13.360
<v Speaker 1>can comment on music because you've been You've done the research,

0:45:13.719 --> 0:45:15.520
<v Speaker 1>You've been doing this shit for a long time. You've

0:45:15.520 --> 0:45:18.120
<v Speaker 1>been around, You've done the research, the history, the knowledge.

0:45:19.160 --> 0:45:21.560
<v Speaker 1>Like a lot of these kids be putting out hot

0:45:21.600 --> 0:45:24.400
<v Speaker 1>takes and all of this shit, but not for no information.

0:45:24.520 --> 0:45:26.799
<v Speaker 1>That's just social media though. Yeah, that's true. So it's

0:45:26.880 --> 0:45:29.640
<v Speaker 1>just like everyone has opinion about everything every so it's

0:45:29.640 --> 0:45:32.919
<v Speaker 1>not even music. It's like everyone thinks that they're political experts. Yeah,

0:45:32.960 --> 0:45:35.479
<v Speaker 1>everybody thinks that they're fucking Skip Bayless or they're fucking

0:45:35.560 --> 0:45:38.680
<v Speaker 1>sports that these motherfuckers don't know shit. Like I was

0:45:38.760 --> 0:45:42.239
<v Speaker 1>sitting with some Phoenix Suns fans that I'm related to

0:45:42.400 --> 0:45:44.919
<v Speaker 1>in Arizona not too long ago, and with a straight face,

0:45:44.960 --> 0:45:46.400
<v Speaker 1>they try to tell me that we made the right

0:45:46.440 --> 0:45:48.920
<v Speaker 1>decision to draft DeAndre a and over Luka Donks And

0:45:49.000 --> 0:45:50.960
<v Speaker 1>I'm like, well, you just don't watch basketball and you're

0:45:50.960 --> 0:45:53.000
<v Speaker 1>a fucking loser and never talk to me about sports again.

0:45:53.360 --> 0:45:56.239
<v Speaker 1>That was crazy. See, yeah, Christmas, you fuck what is

0:45:56.280 --> 0:45:58.640
<v Speaker 1>that nigga? DeAndre ain't doing now? You know, he's just

0:45:58.719 --> 0:46:02.239
<v Speaker 1>getting rebounds and you know, not dunking h despite being

0:46:02.280 --> 0:46:04.640
<v Speaker 1>seven feet tall. I hope he trade his fucking ass.

0:46:04.840 --> 0:46:07.560
<v Speaker 1>God bless him. Hey, black man getting money, I'm proud

0:46:07.560 --> 0:46:09.319
<v Speaker 1>of you, doll me too. Let's I'd like to trade

0:46:09.400 --> 0:46:14.439
<v Speaker 1>him for another black man getting money A little bit hard.

0:46:15.440 --> 0:46:18.520
<v Speaker 1>I'm just saying. Top. Speaking of being music critiques, what's

0:46:18.520 --> 0:46:22.239
<v Speaker 1>your top five albums of all time? Of all time? HM?

0:46:23.400 --> 0:46:27.560
<v Speaker 1>Is this subjective? Everything? Subjective. I know that's your list,

0:46:27.719 --> 0:46:33.080
<v Speaker 1>not the list, your list, uh, top five albums of

0:46:33.200 --> 0:46:37.399
<v Speaker 1>all time? Yeah, Marvin Gaye was going on, Okay, let's

0:46:37.440 --> 0:46:42.880
<v Speaker 1>do rap albums. Okay, rewind go, that's all rap albums.

0:46:42.920 --> 0:46:49.880
<v Speaker 1>Top five The Blueprint. That's one of my favorite albums

0:46:49.920 --> 0:46:54.200
<v Speaker 1>of all time. Okay, regardless of Genr's soul, I never

0:46:54.360 --> 0:46:58.920
<v Speaker 1>changed every day. This is just so we got the Blueprint.

0:47:06.560 --> 0:47:16.120
<v Speaker 1>It ti urban legend. Ooh okay, somebod. That's someone that

0:47:16.160 --> 0:47:17.680
<v Speaker 1>had the many fresh shirt of the R right now,

0:47:17.719 --> 0:47:20.319
<v Speaker 1>the many fresh hats to Bricotta, he said, he said,

0:47:20.320 --> 0:47:23.560
<v Speaker 1>I gotta cheve, he said, he said. I popped tags

0:47:23.600 --> 0:47:25.880
<v Speaker 1>on the throw back fast Nigga Please and man knees

0:47:25.880 --> 0:47:28.600
<v Speaker 1>when I cut my grass. Mm crazy. I just look

0:47:28.760 --> 0:47:35.040
<v Speaker 1>and shit was tight to me. It was written. Ohs okay,

0:47:37.360 --> 0:47:43.279
<v Speaker 1>no order obviously, affirmative action, man, affirmative action. Yeah. Oh yeah,

0:47:47.560 --> 0:48:06.560
<v Speaker 1>Kanye College drop out. That's four. Then Future Dirty Sprite too,

0:48:06.840 --> 0:48:09.480
<v Speaker 1>ooh yes too. It's a very diverse five. Yeah. I

0:48:09.520 --> 0:48:11.239
<v Speaker 1>had to bring somebody from the track world, you know

0:48:11.280 --> 0:48:14.600
<v Speaker 1>what I'm saying, mm, from all walks of life. That's

0:48:14.760 --> 0:48:17.880
<v Speaker 1>top five albums. Just just that, just came up that

0:48:18.000 --> 0:48:20.360
<v Speaker 1>I just been listening to recently. He had that Future

0:48:20.560 --> 0:48:25.520
<v Speaker 1>twenty fifteen run, twenty fourteen twenty fifteen run. It's kind

0:48:25.560 --> 0:48:27.279
<v Speaker 1>of crazy when you think about it, like sifty six

0:48:27.440 --> 0:48:30.879
<v Speaker 1>nights Mons. That just fucking it's insane. Yeah, nuts, Yeah,

0:48:31.040 --> 0:48:32.600
<v Speaker 1>would you put Future in your top ten all time?

0:48:33.880 --> 0:48:36.800
<v Speaker 1>I was just having this conversation like recently with my

0:48:36.920 --> 0:48:40.600
<v Speaker 1>boy of this generation of this all time rapper ever

0:48:41.560 --> 0:48:47.319
<v Speaker 1>mm mm it's tough. It's tough, bro Y Top ten

0:48:47.480 --> 0:48:53.000
<v Speaker 1>is tough, Yeah, tough. He's definitely super legendary. All these

0:48:53.040 --> 0:48:56.400
<v Speaker 1>little niggas today sound like him. Everybody everybody sound like

0:48:56.520 --> 0:49:01.560
<v Speaker 1>him and thug super influence, super legendary, super pop culture.

0:49:01.920 --> 0:49:09.480
<v Speaker 1>Got a classic album? He does? Yeah, longevity reinvented himself.

0:49:10.719 --> 0:49:13.040
<v Speaker 1>I think it's like seven to eight categories, right, you

0:49:13.160 --> 0:49:18.600
<v Speaker 1>got do they have a classic album? Longevity? Quality of

0:49:18.680 --> 0:49:28.120
<v Speaker 1>albums is overall hit records, moments, and influence, how their

0:49:28.239 --> 0:49:34.880
<v Speaker 1>peers look at them. Lyricism, of course and bars lyricism

0:49:34.960 --> 0:49:38.319
<v Speaker 1>bars at the same thing. Yeah, okay, lyricism. He could

0:49:38.320 --> 0:49:42.280
<v Speaker 1>write the fucking shit out of a song a songwriting ability, Yeah, lyricism,

0:49:42.440 --> 0:49:45.359
<v Speaker 1>song I would say lyricism and bars to separate because

0:49:45.360 --> 0:49:49.800
<v Speaker 1>you can put hooks and lyricism, bars songwriting. Yeah, impact

0:49:49.880 --> 0:49:53.120
<v Speaker 1>on pop culture and influence. You talked about having a

0:49:53.160 --> 0:49:55.440
<v Speaker 1>classic album. I just went viral on this podcast I

0:49:55.520 --> 0:49:58.200
<v Speaker 1>was on because I said that I did not think.

0:49:58.520 --> 0:50:01.120
<v Speaker 1>Now this goes back to the com station we had, Yeah,

0:50:01.400 --> 0:50:04.400
<v Speaker 1>that there's albums that are classics to me. Yeah, and

0:50:04.480 --> 0:50:06.520
<v Speaker 1>I do think each one of these guys have those

0:50:07.160 --> 0:50:12.239
<v Speaker 1>for me personally, but in terms of how like consensus

0:50:12.360 --> 0:50:14.520
<v Speaker 1>hip hop classics and nobody could say shit about which

0:50:14.520 --> 0:50:16.240
<v Speaker 1>of my chronic get Rich of I trying my beautiful

0:50:16.280 --> 0:50:18.759
<v Speaker 1>dark twist of fantasy, good Kimas City. I don't think

0:50:18.840 --> 0:50:20.560
<v Speaker 1>Drake or j Cole have a classic in that In

0:50:20.640 --> 0:50:26.080
<v Speaker 1>that manner, I would disagree heavily. So which one we're

0:50:26.080 --> 0:50:29.120
<v Speaker 1>gonna say? Take care in Fourteils Drive, right, I would

0:50:29.160 --> 0:50:31.680
<v Speaker 1>go Four Sills Drive for sure, classic album. Bro. I

0:50:31.760 --> 0:50:35.680
<v Speaker 1>think even amongst like the like, non negotiable. For sure,

0:50:35.800 --> 0:50:39.000
<v Speaker 1>that's a classical album. And I'd agree with that one

0:50:39.040 --> 0:50:41.320
<v Speaker 1>over any Drake album. For the rest. Nothing was the

0:50:41.400 --> 0:50:43.840
<v Speaker 1>same as a classic album to me, it is. I

0:50:43.880 --> 0:50:48.880
<v Speaker 1>think it's his best album for sure. Tusci O look crazy, amazing,

0:50:50.200 --> 0:50:54.880
<v Speaker 1>just blaze b too right it is. I don't know.

0:50:54.960 --> 0:50:58.279
<v Speaker 1>I wouldn't know honestly. So that's a classic to me.

0:50:58.440 --> 0:51:00.279
<v Speaker 1>And I just don't think everyone sees it that way.

0:51:02.360 --> 0:51:04.640
<v Speaker 1>Who's everyone though? Who is everyone? I mean, if you

0:51:04.719 --> 0:51:07.800
<v Speaker 1>were to take a room full of fucking one hundred

0:51:07.840 --> 0:51:12.000
<v Speaker 1>motherfuckers who are somehow you respect their opinion about hip hop?

0:51:12.600 --> 0:51:14.200
<v Speaker 1>I don't think everyone would agree with that. I think

0:51:14.239 --> 0:51:16.879
<v Speaker 1>everyone would say get Richard Dye Trying is a classic. Yeah,

0:51:17.480 --> 0:51:20.359
<v Speaker 1>I don't think there you'd find a soul that'd be like, nah,

0:51:20.600 --> 0:51:24.520
<v Speaker 1>you're crazy, you find mockers just to say it, so

0:51:24.640 --> 0:51:27.400
<v Speaker 1>you think nothing was the same as a classic? Bro?

0:51:27.800 --> 0:51:29.600
<v Speaker 1>To me, it is, yeah, take Care as a classic

0:51:29.680 --> 0:51:33.960
<v Speaker 1>to me. I actually like other j co shit more

0:51:34.000 --> 0:51:38.560
<v Speaker 1>than Force Hills Drive M. I love cole Man. Shout

0:51:38.600 --> 0:51:40.239
<v Speaker 1>out to cole What shout out to you? This new

0:51:40.239 --> 0:51:43.120
<v Speaker 1>album you're gonna drop it gonna be a classic. That's

0:51:43.160 --> 0:51:45.160
<v Speaker 1>something y'all, man, I want. I'm not gonna say no

0:51:45.200 --> 0:51:47.279
<v Speaker 1>shit like that. That's something that people to decide. I

0:51:47.320 --> 0:51:49.279
<v Speaker 1>have no Once I put it, it's like once you

0:51:49.360 --> 0:51:50.920
<v Speaker 1>put it out there on the earth, bro, it's just

0:51:51.000 --> 0:51:53.680
<v Speaker 1>for fucking everybody else to consume and do what they want.

0:51:54.040 --> 0:51:59.040
<v Speaker 1>Album coming really soon, really soon. No title two. Rapper

0:51:59.120 --> 0:52:04.880
<v Speaker 1>features up Anderson Pack that's one. What State is one

0:52:04.920 --> 0:52:09.440
<v Speaker 1>of the rapper features from Chicago? M hm, So you

0:52:09.600 --> 0:52:13.360
<v Speaker 1>and Dirk No, see, we ain't gonna I said Chicago

0:52:13.400 --> 0:52:16.759
<v Speaker 1>because there's so many dope niggas from Chicago. You in common? No,

0:52:17.080 --> 0:52:19.560
<v Speaker 1>so you and g Herbo. Listen, it's you and Herbal.

0:52:19.600 --> 0:52:21.760
<v Speaker 1>It's him and Herbal, all right, So look, g Herbo's

0:52:21.760 --> 0:52:25.120
<v Speaker 1>on the album. It's coming soon. Appreciate you put yes, sir.

0:52:25.160 --> 0:52:26.200
<v Speaker 1>Appreciate you having a dog,