WEBVTT - Part Two: John Wayne: A Dude Who Sucked

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<v Speaker 1>Oh boy, Welcome back, Pardner to Behind the Bastards the

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<v Speaker 1>Cowboy podcast talking about John Wayne who is about to

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<v Speaker 1>get his first he's just had his first role on screen. Um,

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<v Speaker 1>and he's about to get his first cowboy job. So

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<v Speaker 1>he's he's he's he gets on a gig on a

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<v Speaker 1>film as a as a prop boy. Yet again with

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<v Speaker 1>his dude role. Walsh, this director and his apparently the

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<v Speaker 1>thing that gets him his first cowboy job is Walsh

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<v Speaker 1>catches a glimpse of Marian while he's carrying furniture across

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<v Speaker 1>the sound stage. He's again he's huge and very strong.

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<v Speaker 1>So he has this like reputation for people just like

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<v Speaker 1>pick up a couch when that needs to be moved

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<v Speaker 1>and just like walk it as on his own, like

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<v Speaker 1>across the stage or something. And so Roll sees this

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<v Speaker 1>big showed of a dude just kind of man handling furniture. Um,

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<v Speaker 1>and he feels that like Marian has a warm and

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<v Speaker 1>wholesome expression on his face. Uh. Quote. I stopped and watched.

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<v Speaker 1>I noticed the fine physique of the boy, his careless

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<v Speaker 1>strength and the grace of his movement. Um. Now is

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<v Speaker 1>this another forward situation for sure? But are we grooming

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<v Speaker 1>hashtag Disney grooming. I mean, I think what you've got

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<v Speaker 1>here is a dude whose job it is. Like any director,

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<v Speaker 1>this obviously gets problematic a lot of the time, but

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<v Speaker 1>as a director you should be able to let you

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<v Speaker 1>should be looking and appreciating the way people move and look.

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<v Speaker 1>That is part of like your gig is to be like, oh,

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<v Speaker 1>I like the way that motherfucker moves. Just appreciate the

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<v Speaker 1>human form. Yeah, there's a creepy way for that, but

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<v Speaker 1>in this case it doesn't seem to be creepy. Although

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<v Speaker 1>I should state John Wayne's opinion is that this is

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<v Speaker 1>not the first time Walsh saw him and decided like

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<v Speaker 1>he looked good. John Wayne's later opinion is that Walsh

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<v Speaker 1>saw him at a Fox Company nick when he was

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<v Speaker 1>super hungover and engaged in a walking contest, which he

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<v Speaker 1>barely won because everybody was still pretty drunk. Um. Whatever

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<v Speaker 1>the case, why did he always has to make these

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<v Speaker 1>back stories of like no, actually, like I beat him

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<v Speaker 1>at arm wrestling. That's how we first met. I checked

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<v Speaker 1>his ass and then you give me a part and

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<v Speaker 1>I was like, this part sucks. It is one of

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<v Speaker 1>those things. He's a liar, so I wouldn't be surprised

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<v Speaker 1>about that, although I don't feel like barely one a

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<v Speaker 1>walking contest while drunk is particularly cool either. That's true.

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<v Speaker 1>That's true, so who knows. Um, but his story is

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<v Speaker 1>very much tall privilege. You can't be a six three

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<v Speaker 1>brawny man hanging around a film set is not going

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<v Speaker 1>to get noticed doing any of the same stuff. No,

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<v Speaker 1>um he is. He is again like being a tall

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<v Speaker 1>white guy is the easy mode of life. It is.

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<v Speaker 1>There's so many things you can you can get out

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<v Speaker 1>of just by being a tall white dude. It's incredible. Um.

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<v Speaker 1>So Marian he Walsh is like, I like to look

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<v Speaker 1>at this kid. I want to make him a Cowboys star.

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<v Speaker 1>Uh and he he puts Marian through screen testing, which

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<v Speaker 1>is like where they put you on camera to decide

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<v Speaker 1>if you actually do look good on camera, and he

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<v Speaker 1>does so they cast him as the star of of

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<v Speaker 1>an upcoming film, um, which more than doubles his pay overnight.

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<v Speaker 1>But it's clear, however, that he's gonna need a new name.

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<v Speaker 1>Marian Morrison definitely not a cowboy actor name. Duke is

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<v Speaker 1>that's starlet name though, Like that's a oh yeah, yeah,

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<v Speaker 1>Marion Morrison. Yeah, absolutely a great leading female name, but

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<v Speaker 1>not not good for a cowboy actor in the twenties.

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<v Speaker 1>Still not cutting in. They decide not. They decide he

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<v Speaker 1>needs an even better name than Duke Morrison, and I'm

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<v Speaker 1>gonna quote from Scott I'm in here. Roll Walsh claimed

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<v Speaker 1>that he came up with a name Wayne, and that

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<v Speaker 1>she Hand, who's another person involved in the film's production,

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<v Speaker 1>added John, but Duke said that the whole thing was

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<v Speaker 1>she Hands. I Sheehan was a fan of Mad Anthony Wayne,

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<v Speaker 1>the Revolutionary War general, because he had been tough and

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<v Speaker 1>a nonconformist. The John seems to have been an afterthought,

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<v Speaker 1>but it worked. Gave the two halves of the name

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<v Speaker 1>the equivalence of two blocks of granite that miraculously fit together.

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<v Speaker 1>And one of the things Wayne will later say that

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<v Speaker 1>I think it's true is that it kind of works

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<v Speaker 1>as a single thing you call him like John Wayne

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<v Speaker 1>is a single name on its own, Like it's not

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<v Speaker 1>something you split up in your head. And that's part

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<v Speaker 1>of why it's so it became so iconic. Um So

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<v Speaker 1>obviously they picked this name for him, which is I

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<v Speaker 1>think objectively a good decision. You can't argue with the results. Um,

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<v Speaker 1>Wayne John's not you'd call him Wayne or John's, but

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<v Speaker 1>you wouldn't call him Wayne John's. Yeah, Wayne, Wayne John fails.

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<v Speaker 1>Wayne John can't lift a couch. Terrible name. Absolutely not. No, No,

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<v Speaker 1>Wayne John is not a chod John Wayne hardcore chowed.

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<v Speaker 1>I love I love your interpret like your definition of

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<v Speaker 1>chowed because very different than I think what my understanding

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<v Speaker 1>of the word showed is, which is like a short

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<v Speaker 1>dick I have I have chosen, I have taken it

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<v Speaker 1>from the show. I think you should leave so as

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<v Speaker 1>I do every single thing I say. Look, I love that.

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<v Speaker 1>So Fox, you know, they change this guy's name. Um,

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<v Speaker 1>and when they do their press releases and stuff. In

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<v Speaker 1>the movie he's going to be in the big trail.

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<v Speaker 1>They have to like come up with a backstory for him,

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<v Speaker 1>and they just lie all the time in these right,

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<v Speaker 1>Like they don't give a ship what your actual backstory is.

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<v Speaker 1>Fox is going to make up whatever it seems best.

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<v Speaker 1>So they decided to say that his birth name was

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<v Speaker 1>Wayne Morrison, which for whatever reason sounded better for them

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<v Speaker 1>than the truth. Um, and John's fine with this. He

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<v Speaker 1>doesn't fight back. His museum states quote it was okay

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<v Speaker 1>with him. If the people paying his salary wanted to

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<v Speaker 1>spruce up his name, Um, which is reasonable as a

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<v Speaker 1>poor kid. If somebody's like, hey, we can make you

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<v Speaker 1>rich and famous, but you gotta pick a different fuck it.

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<v Speaker 1>I don't give a ship. Call me whatever. You can

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<v Speaker 1>call iced Tea, I don't. Yeah. Yeah, so please take

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<v Speaker 1>that name away from she took the only good name

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<v Speaker 1>I had. Give a good name to my fucking brother.

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<v Speaker 1>But that's crazy that you're not only invincing like a

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<v Speaker 1>stage name, but you're like even your given name is

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<v Speaker 1>not tough enough. You can't let people know you were

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<v Speaker 1>ever called Marian. You're not going to buy that, absolutely not.

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<v Speaker 1>So the Big Trail is not a good shoot. Uh,

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<v Speaker 1>it's it's what you might call a problem. Um, I

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<v Speaker 1>don't know, you know you You've you've been on some sets,

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<v Speaker 1>Francesca Um, probably more than me, certainly more than may Im.

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<v Speaker 1>And I guess, uh so you tell me how normal

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<v Speaker 1>this all sounds. I mean I've uggled them. Yeah, yeah, okay,

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<v Speaker 1>I guess I've been on like a set or two.

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<v Speaker 1>What's up? Yeah? So the cast and crew had to

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<v Speaker 1>travel out to Huma, Arizona, and Duke now John Wayne

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<v Speaker 1>shows up on set drunk and he stays that way

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<v Speaker 1>for days. Um, he gets horrible diarrhea instantly, he gets

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<v Speaker 1>sick from the water and he can barely function, and

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<v Speaker 1>he's almost immediately like both so sick that he can't

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<v Speaker 1>walk and still drinking. Um, so this is his first

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<v Speaker 1>start and this is his first starring. Row shows up

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<v Speaker 1>hammered and then start shooting himself. Amazing, incredible, unbelievable. Is

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<v Speaker 1>that where he gets his actual cowboy walk known only

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<v Speaker 1>the lead but sort of the wide leg, like I

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<v Speaker 1>just shot my past. I don't want to smear this

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<v Speaker 1>too much. Yeah. Um so ironized Cody, the Italian man

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<v Speaker 1>who pretended to be a Native American person, takes care

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<v Speaker 1>of John Wayne during this period when he's got deadly diarrhea,

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<v Speaker 1>and Jensen, the biographer claims quote gave him various Indian

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<v Speaker 1>remedies for diarrhea. Now again, iron eyed Cody not an

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<v Speaker 1>indigenous person, so God only knows. He's just spoon feeding him. Basta.

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<v Speaker 1>It was just just a little molla. He is a

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<v Speaker 1>classic food of the planes. Uppa settles the stomach every time.

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<v Speaker 1>It's like, well that's some I don't understand magic. But

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<v Speaker 1>thank you, Cody. He just smacked him. Yeah, he's literally

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<v Speaker 1>just cooking a pizza and enough and everybody's like, oh

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<v Speaker 1>my god, look at his hes. Not whiskey is not

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<v Speaker 1>a meal. Um. So, after, in Cody's words, quote, puking

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<v Speaker 1>and crapping blood for a week, the director of the film, Walsh,

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<v Speaker 1>is forced to shoot the movie around his star, who

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<v Speaker 1>was actively dying at this point. He loses like eighteen

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<v Speaker 1>pounds in a couple of weeks. So again, despite the

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<v Speaker 1>fact that he is pooping himself to death, he does

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<v Speaker 1>not quit drinking all day every day. Jensen writes that

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<v Speaker 1>this was partly a factor of him wanting to show

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<v Speaker 1>up all of the other drunk people on set. Quote,

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<v Speaker 1>he had to show these self important actors that he

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<v Speaker 1>was as manly as they were. He drank like crazy,

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<v Speaker 1>which prolonged his dysentery. Nothing more manly than shooting your

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<v Speaker 1>pants on a set. That is that is what shows

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<v Speaker 1>you're tough, pooping yourself to death because you drink so much.

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<v Speaker 1>I mean, that's how Johnny Depp got into character for

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<v Speaker 1>Pirates of the Caribbeans. That is actually accurate. Yes, um,

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<v Speaker 1>it is also how Johnny Depp got in the character

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<v Speaker 1>for being Johnny Depp. Yes, every day, it's just rings

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<v Speaker 1>and shipping his pants. Yeah, exactly, That's that's really all

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<v Speaker 1>he needs. So iron eyed Cody recalled that one night

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<v Speaker 1>the drinking got completely out of hand. Uh, the Apaches

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<v Speaker 1>hired to work on the film, got really wasted and

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<v Speaker 1>decided to attack the settlers. Um. They raced into location

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<v Speaker 1>set on their horses, drunkenly firing arrows into the wagons,

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<v Speaker 1>the town set, and even the tents in which some

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<v Speaker 1>of the cast and crew were sleeping. By the way,

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<v Speaker 1>I have no idea if any of these guys were

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<v Speaker 1>actually Apache. If they're just cast that way, it's probably

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<v Speaker 1>a mix. Like a lot of them are probably like Cody,

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<v Speaker 1>just like Italian dude, Like who knows, Um, it is

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<v Speaker 1>Hollywood in the twenties. Um. So Cody wakes John Wayne

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<v Speaker 1>up to warn him that, like, hey, a bunch of

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<v Speaker 1>the crew were shooting arrows at other people. Like it's

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<v Speaker 1>kind of a big mess. As it heads up, there's

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<v Speaker 1>like an arrow fight going on on set. Um, And

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<v Speaker 1>he sees that Duke is like too drunk to like

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<v Speaker 1>know what's going on. So Cody sees these these actors

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<v Speaker 1>on horses coming and he decides, well, I might as

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<v Speaker 1>well join them. So he gets on his horse and

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<v Speaker 1>just start shooting arrows at the set and apparently Duke

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<v Speaker 1>just keeps lying down and drinking the entire time. Um,

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<v Speaker 1>so that's fun. That sounds like a fun filming set

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<v Speaker 1>to do. Oh the Golden years of Hollywood. Like this

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<v Speaker 1>guy can't even get up, No he's not. Like half

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<v Speaker 1>the set is like drunk and pretending to be indigenous

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<v Speaker 1>and shooting arrows at the other half of the set. Uh.

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<v Speaker 1>And then the star are is drunken, shifting his pants

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<v Speaker 1>on on the floor. Just grown up cowboys and Indians. Yeah,

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<v Speaker 1>grown up seems like too strong a term. Yeah. Um

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<v Speaker 1>it's a bunch of seven year olds with access to

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<v Speaker 1>liquor and real arrows. Yeah. Yeah, So the studio is

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<v Speaker 1>not psyched with their big star. This is not a

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<v Speaker 1>great first performance. You know, even in the thirties, you

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<v Speaker 1>wanted a guy who, for example, could hold off on

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<v Speaker 1>the being an alcoholic long enough to make the movie. Um.

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<v Speaker 1>Wayne does eventually dry out enough to become functional, and

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<v Speaker 1>it's because another actor sits down to drink with him,

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<v Speaker 1>and instead of giving him normal whiskey gives him what moonshine,

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<v Speaker 1>basically peer ever Clear, and so John Wayne drinks like

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<v Speaker 1>essentially hundred and eighty proof Ever Clear with a stomach bug,

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<v Speaker 1>which makes him so sick that he stops drinking for

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<v Speaker 1>a while. Is there anything alcohol can't do? You just

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<v Speaker 1>have the jangle keys in front of face, but like yeah,

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<v Speaker 1>like worse alcohol for him. Yeah. So the Big Trail

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<v Speaker 1>flops not it doesn't do super well. Although people today

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<v Speaker 1>will claim it was a really good movie. It just

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<v Speaker 1>isn't like a huge hit at the time kind of

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<v Speaker 1>is not seen as very successful. But it's people will

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<v Speaker 1>argue it's it's a pretty good movie. Um, those people

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<v Speaker 1>are fucking lying. Like, I don't know, it seems maybe

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<v Speaker 1>it was good, Like who knows. I would watch the

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<v Speaker 1>behind the scenes once again, Sure I would much Yeah,

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<v Speaker 1>Like like the documentary about the making of The Isle

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<v Speaker 1>of dr Moreau, Like I haven't seen it, but believe

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<v Speaker 1>it's it's The director initial director of the film was

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<v Speaker 1>a wizard who went crazy and got fired and decided

0:12:44.080 --> 0:12:46.200
<v Speaker 1>to live in the jungle and sneak onto set in

0:12:46.280 --> 0:12:48.600
<v Speaker 1>costume every day while they were trying to make the movie.

0:12:49.559 --> 0:12:55.480
<v Speaker 1>It's it's fucking awesome. It's such a fun story. Say it, okay, Um,

0:12:55.760 --> 0:12:58.360
<v Speaker 1>can I just put it? Didn't say that ironized Cody's

0:12:58.400 --> 0:13:05.240
<v Speaker 1>real name? Yeah? Well, Espera Oscar DECORTI also like a

0:13:05.280 --> 0:13:10.440
<v Speaker 1>really effeminate name, Espada. Yeah, so no wonder he and

0:13:10.480 --> 0:13:14.200
<v Speaker 1>Marian got along. Um no, it's it's very funny. I

0:13:14.200 --> 0:13:16.959
<v Speaker 1>do like the image of him like feeding lasagna to

0:13:17.120 --> 0:13:20.079
<v Speaker 1>John Wayne and pretending it's like an ancient Apache remedy

0:13:20.120 --> 0:13:24.240
<v Speaker 1>for I can't figure out what he's doing, and all

0:13:24.280 --> 0:13:26.839
<v Speaker 1>of the other Italians and costume are like, yeah, no,

0:13:27.000 --> 0:13:35.959
<v Speaker 1>that's an ancient remedy. Oh, Hollywood was pretty racist. Um

0:13:36.160 --> 0:13:39.800
<v Speaker 1>still is so the Big Trail. You know, it doesn't

0:13:39.880 --> 0:13:41.880
<v Speaker 1>kill his career entirely, because a lot of people do

0:13:41.880 --> 0:13:44.760
<v Speaker 1>see it as a pretty decent movie. Um, but it doesn't.

0:13:44.800 --> 0:13:47.600
<v Speaker 1>It does, like poorly enough that he spends most of

0:13:47.640 --> 0:13:50.360
<v Speaker 1>the next decade kind of just hanging in there as

0:13:50.400 --> 0:13:54.320
<v Speaker 1>an actor. He's he's moved up solidly from prop Boy,

0:13:54.360 --> 0:13:56.480
<v Speaker 1>but he's also kind of a side character. He's like

0:13:56.600 --> 0:14:00.400
<v Speaker 1>Ronald Reagan, right, he's not unknown. But no in this

0:14:00.480 --> 0:14:04.080
<v Speaker 1>period really considers themselves a John Wayne fan. You know,

0:14:04.520 --> 0:14:06.720
<v Speaker 1>like they've got a career. They're doing okay, but they're

0:14:06.760 --> 0:14:09.640
<v Speaker 1>also not like they're never like top build usually, right,

0:14:09.679 --> 0:14:11.360
<v Speaker 1>they're not they're not going to move a lot of

0:14:11.360 --> 0:14:16.839
<v Speaker 1>butts into seats. Um and Westerns are pretty much all

0:14:16.960 --> 0:14:19.360
<v Speaker 1>this out there. Correct, There's a lot. No, there's a

0:14:19.360 --> 0:14:22.120
<v Speaker 1>lot of gangster movies. There's a lot of romance flicks.

0:14:22.120 --> 0:14:25.080
<v Speaker 1>There's some like war pictures and stuff like. But westerns

0:14:25.080 --> 0:14:28.560
<v Speaker 1>are they're like the Marvel movies of the day broadly speaking, right,

0:14:28.600 --> 0:14:31.400
<v Speaker 1>Like they're the most number one what tends to get

0:14:31.440 --> 0:14:35.120
<v Speaker 1>like not like they're kind of the most consistent way

0:14:35.440 --> 0:14:37.360
<v Speaker 1>people are making a bunch of money. They're like superhero

0:14:37.360 --> 0:14:41.080
<v Speaker 1>films broader than Marvel because there's cheap ones too, because

0:14:41.120 --> 0:14:43.480
<v Speaker 1>you can make them pretty cheap sometimes. And this is

0:14:43.520 --> 0:14:48.840
<v Speaker 1>the Fast and the Furious franchise. Yeah, I don't know, right,

0:14:49.000 --> 0:14:53.480
<v Speaker 1>Like in these are a lot of your action films, right,

0:14:53.480 --> 0:14:55.200
<v Speaker 1>this is what puts butts in seats. These are the

0:14:55.200 --> 0:14:58.000
<v Speaker 1>popcorn flicks. Right. And John Wayne kind of for a

0:14:58.040 --> 0:15:00.640
<v Speaker 1>decade is sort of a side character and those sort

0:15:00.640 --> 0:15:03.920
<v Speaker 1>of movies. Right, He's rarely gonna be a particularly big

0:15:04.000 --> 0:15:06.920
<v Speaker 1>because he's not a big draw. You know. This changes

0:15:07.000 --> 0:15:10.560
<v Speaker 1>in nineteen thirty nine when John gets finally cast in

0:15:10.600 --> 0:15:15.360
<v Speaker 1>a john Ford Cowboy film called Stagecoach. If you have

0:15:15.480 --> 0:15:18.360
<v Speaker 1>ever whenever you are watching like a movie or a

0:15:18.400 --> 0:15:22.480
<v Speaker 1>TV show that mentions John Wayne or cowboy movies, you

0:15:22.520 --> 0:15:25.400
<v Speaker 1>will see the same clip from the movie Stage Coach.

0:15:25.440 --> 0:15:28.280
<v Speaker 1>And it is John Wayne with a lever action gun

0:15:28.600 --> 0:15:31.120
<v Speaker 1>that he flips over and over in his hand as

0:15:31.120 --> 0:15:34.240
<v Speaker 1>he fires while walking onto screen, and it like slowly

0:15:34.320 --> 0:15:36.720
<v Speaker 1>zooms on in us face. It is one of the

0:15:36.720 --> 0:15:41.240
<v Speaker 1>most iconic scenes in Western cinema. Among other things, it's

0:15:41.840 --> 0:15:45.840
<v Speaker 1>entirely why Terminator to the action scenes initially are shot

0:15:45.880 --> 0:15:48.560
<v Speaker 1>the way. It's why Arnold in that movie gets a

0:15:48.640 --> 0:15:51.360
<v Speaker 1>lever action shotgun that he can flip around and fire.

0:15:51.720 --> 0:15:54.640
<v Speaker 1>It's this really iconic moment that makes its way into

0:15:54.680 --> 0:15:58.040
<v Speaker 1>a bunch of modern pop culture right um, And that

0:15:58.160 --> 0:16:00.760
<v Speaker 1>is the moment, that moment when John Wayne walks on

0:16:00.880 --> 0:16:05.080
<v Speaker 1>scene in Stagecoach that makes him as a star. And

0:16:05.120 --> 0:16:07.840
<v Speaker 1>I'm gonna quote from a BuzzFeed right up by Anna

0:16:07.920 --> 0:16:12.480
<v Speaker 1>Helen Peterson. Stagecoach was intended as an ensemble picture. Wayne

0:16:12.520 --> 0:16:14.880
<v Speaker 1>doesn't even show up until fifteen minutes into the film,

0:16:15.160 --> 0:16:17.800
<v Speaker 1>but When he does, It's with a Heroes intro. Wayne

0:16:17.800 --> 0:16:20.120
<v Speaker 1>twirls his rifle as if it were a pistol as

0:16:20.120 --> 0:16:23.240
<v Speaker 1>the camera zooms into a glorious close up of Wayne's face.

0:16:23.560 --> 0:16:26.360
<v Speaker 1>It's become one of the most iconic scenes in classic cinema,

0:16:26.560 --> 0:16:30.080
<v Speaker 1>and Wayne's way out of Quickie Western purgatory. Gradually, Wayne

0:16:30.080 --> 0:16:32.320
<v Speaker 1>became something of a leading man. He was in Ford's

0:16:32.360 --> 0:16:35.120
<v Speaker 1>next picture, The Long Voyage Home as a Swedish fisherman,

0:16:35.280 --> 0:16:38.840
<v Speaker 1>and played a Navy officer opposite Marlene Dietrich in Seven Centers.

0:16:39.160 --> 0:16:41.760
<v Speaker 1>Wayne's westernness was treated as a matter of fact. He was,

0:16:41.840 --> 0:16:45.640
<v Speaker 1>in photoplays words, the typical Western American, open faced and

0:16:45.800 --> 0:16:48.880
<v Speaker 1>open minded, but the press also emphasized that he enjoyed

0:16:48.920 --> 0:16:52.120
<v Speaker 1>the finer things. Wayne dressed with meticulous care like any

0:16:52.160 --> 0:16:55.600
<v Speaker 1>well capped businessman, looks divine and tucks her tails, and

0:16:55.640 --> 0:16:58.440
<v Speaker 1>doesn't wean a guitar or sing sad pieces about Western

0:16:58.480 --> 0:17:01.680
<v Speaker 1>skies either. He lived in an exquisitely furnished home and

0:17:01.760 --> 0:17:04.399
<v Speaker 1>the swinkiest section of Hollywood, and has no yin for

0:17:04.480 --> 0:17:09.400
<v Speaker 1>horses off screen, so he becomes huge after this right

0:17:09.480 --> 0:17:12.800
<v Speaker 1>stagecoach makes him into a leading man and he kind

0:17:12.840 --> 0:17:15.280
<v Speaker 1>of immediately takes off in Hollywood. Part of it is

0:17:15.320 --> 0:17:17.399
<v Speaker 1>that he's been in film twenty years at this point,

0:17:17.800 --> 0:17:21.040
<v Speaker 1>he's in his he's like forty, Um, he's old enough

0:17:21.119 --> 0:17:23.040
<v Speaker 1>to get he's one of these guys who doesn't look

0:17:23.119 --> 0:17:26.800
<v Speaker 1>right until he gets kind of grizzled. Um. And so

0:17:26.880 --> 0:17:29.560
<v Speaker 1>he gets very popular for that. And he doesn't just

0:17:29.600 --> 0:17:33.040
<v Speaker 1>get cast as the stead in westerns um. And he's

0:17:33.119 --> 0:17:37.800
<v Speaker 1>kind of the first cowboy actor who's more actor than cowboy,

0:17:37.840 --> 0:17:41.920
<v Speaker 1>because the previous generation, guys like John Mix, are real cowboys,

0:17:42.040 --> 0:17:47.760
<v Speaker 1>you know, like that's how they learned. Wayne isn't really

0:17:47.960 --> 0:17:50.520
<v Speaker 1>like he's he's got some of that in his background, right,

0:17:50.600 --> 0:17:52.760
<v Speaker 1>Like he has some claim to it, but it's he's

0:17:52.840 --> 0:17:55.399
<v Speaker 1>kind of you know, he's a fancy dandy boy. You know,

0:17:55.480 --> 0:17:57.600
<v Speaker 1>he wants to he's just having a good time being

0:17:57.640 --> 0:18:00.000
<v Speaker 1>a rich guy. Yeah, and and he grew up poor,

0:18:00.800 --> 0:18:04.200
<v Speaker 1>so it's like, yeah, he's gonna want to not ride

0:18:04.200 --> 0:18:07.000
<v Speaker 1>a horse to a crop set right. Right. It's often

0:18:07.000 --> 0:18:08.720
<v Speaker 1>framed as like he hated horses, and he's like, no,

0:18:08.880 --> 0:18:10.359
<v Speaker 1>he just had to do that as a kid. He

0:18:10.359 --> 0:18:12.880
<v Speaker 1>probably doesn't want to do it anymore. Like he's too

0:18:12.880 --> 0:18:15.719
<v Speaker 1>many horses. But that's really interesting that like it takes

0:18:15.960 --> 0:18:19.359
<v Speaker 1>especially in the Westerns, and maybe in this time that

0:18:19.560 --> 0:18:24.440
<v Speaker 1>like having an older hero was much more compelling than like,

0:18:24.960 --> 0:18:27.719
<v Speaker 1>you know, you know, the Tom Hollins of today, like

0:18:27.760 --> 0:18:31.159
<v Speaker 1>a little baby face Spider Man. You're like, no, you

0:18:31.320 --> 0:18:34.959
<v Speaker 1>want a grizzled guy was killed many, many, many people.

0:18:35.480 --> 0:18:37.440
<v Speaker 1>You want a guy who's like, looks like he's kind

0:18:37.440 --> 0:18:39.959
<v Speaker 1>of seen some ship, who can who can play that

0:18:40.080 --> 0:18:42.280
<v Speaker 1>off a little bit, And he doesn't. Even this isn't

0:18:42.320 --> 0:18:44.280
<v Speaker 1>really the height of his career because he's still kind

0:18:44.320 --> 0:18:47.320
<v Speaker 1>of young at this point. Um, but yeah, this is

0:18:47.359 --> 0:18:50.280
<v Speaker 1>the first time he gets his big snakes. He's old

0:18:50.359 --> 0:18:53.359
<v Speaker 1>enough to you know, to look like he's been through

0:18:53.400 --> 0:18:56.679
<v Speaker 1>some stuff. Um. Now, there's one last PostScript to the

0:18:56.680 --> 0:19:00.000
<v Speaker 1>story of Stagecoach. While it ignited John Wayne's career, by

0:19:00.080 --> 0:19:03.240
<v Speaker 1>nineteen thirty nine, Tom Fix was largely out of work

0:19:03.240 --> 0:19:06.120
<v Speaker 1>and desperate for a good job. He asked John Ford

0:19:06.200 --> 0:19:09.040
<v Speaker 1>for a part on Stage Coach, and Mix would allege

0:19:09.080 --> 0:19:12.080
<v Speaker 1>until his death that John Wayne begged Ford not to

0:19:12.119 --> 0:19:15.239
<v Speaker 1>give Mixed the part, sabotaged the guy who got him

0:19:15.280 --> 0:19:18.080
<v Speaker 1>his first job, right, real piece of shit, you know,

0:19:19.600 --> 0:19:23.640
<v Speaker 1>I know you're gonna get like, oh my god, that's crazy. Yeah,

0:19:23.640 --> 0:19:25.439
<v Speaker 1>because it was supposed to be an ensemble cast or

0:19:25.480 --> 0:19:30.520
<v Speaker 1>it is an ensemble cast everybody. Yeah, But you know,

0:19:30.600 --> 0:19:32.879
<v Speaker 1>if if Mixes in there, maybe that's gonna take some

0:19:32.960 --> 0:19:36.080
<v Speaker 1>shine away from John Wayne. He's not gonna because mix

0:19:36.160 --> 0:19:40.520
<v Speaker 1>is a better cowboy actor. Maybe that's gonna funk with

0:19:40.840 --> 0:19:45.480
<v Speaker 1>John Wayne's ability to, uh, you know shine on set

0:19:46.000 --> 0:19:49.760
<v Speaker 1>right now? Does he learn anything in these in these years?

0:19:49.800 --> 0:19:53.119
<v Speaker 1>Like is he a better alcoholic? Number one? He's an

0:19:53.160 --> 0:19:56.480
<v Speaker 1>incredible alcohol You gotta give him credit for that. The

0:19:56.640 --> 0:19:59.879
<v Speaker 1>King like really, honestly, this is a separate story. But

0:20:00.000 --> 0:20:02.719
<v Speaker 1>and I do my podcast on the heroes of drunk driving.

0:20:02.760 --> 0:20:05.320
<v Speaker 1>He's one of the most influential drunk drivers they're ever

0:20:05.480 --> 0:20:10.320
<v Speaker 1>really invented a lot of modern drunk driving techniques, holding

0:20:10.320 --> 0:20:13.520
<v Speaker 1>a beer in between his legs, uh, screaming at his

0:20:13.560 --> 0:20:16.320
<v Speaker 1>wife drunkenly from in the back seat while he drives,

0:20:16.359 --> 0:20:19.320
<v Speaker 1>like all of those John Wayne originals in the closet

0:20:19.359 --> 0:20:24.000
<v Speaker 1>when nobody could piss in a closet like John Wayne.

0:20:24.320 --> 0:20:31.879
<v Speaker 1>Absolutely not. You know what else is oscar worthy? These ads?

0:20:39.480 --> 0:20:42.960
<v Speaker 1>And we're back, uh, and the Oscar for best, ad

0:20:43.000 --> 0:20:51.800
<v Speaker 1>goes to the one about how Mattresses no longer uses

0:20:51.960 --> 0:20:55.240
<v Speaker 1>rare earth minerals mind by slave labor in the congo

0:20:55.359 --> 0:20:58.679
<v Speaker 1>to make their beds. Not anymore, not anymore. Yeah, that

0:20:58.800 --> 0:21:01.960
<v Speaker 1>was back in That was back in the seventeen hundreds

0:21:01.960 --> 0:21:07.640
<v Speaker 1>when Mattress was better known as the East India Trading Company. Um,

0:21:07.680 --> 0:21:12.000
<v Speaker 1>they've moved on now they just ship people mattresses. It's fine,

0:21:12.800 --> 0:21:16.040
<v Speaker 1>We've forgiven them. Yeah, you need to forgive them too.

0:21:16.280 --> 0:21:20.360
<v Speaker 1>That's the message of our Oscar winning Mattress ad. So

0:21:21.280 --> 0:21:24.640
<v Speaker 1>in the Ford films Seven Centers, John Wayne played opposite

0:21:24.640 --> 0:21:28.919
<v Speaker 1>Marlena Dietrich and she's the real actress who inspired the

0:21:28.920 --> 0:21:33.560
<v Speaker 1>fictional Bridget von hammers Mark and Inglorious Bastards. So in

0:21:33.600 --> 0:21:36.600
<v Speaker 1>that movie, she is the German actress that Quentin Tarantino

0:21:36.720 --> 0:21:41.480
<v Speaker 1>insisted on strangling on camera for very unclear reasons. Um

0:21:41.560 --> 0:21:44.719
<v Speaker 1>or maybe not so unclear reasons. I don't I'm not

0:21:44.880 --> 0:21:46.760
<v Speaker 1>enough of an expert on that. But it's weird, right,

0:21:46.920 --> 0:21:49.240
<v Speaker 1>we gotta agree, it's weird. It's kind of uncomfortable that

0:21:49.240 --> 0:21:53.399
<v Speaker 1>he did that. Yeah, yeah, I'm remembering that. That's in

0:21:53.400 --> 0:21:56.320
<v Speaker 1>the Yes, yes, yes, it's like the Yeah he wanted

0:21:56.359 --> 0:21:59.119
<v Speaker 1>it to be his hands on on camera that strangled her.

0:21:59.560 --> 0:22:10.919
<v Speaker 1>Very weird. Um, but your feet fucking Quintin Tarantino. So, Um,

0:22:11.000 --> 0:22:13.399
<v Speaker 1>she's the real actress that that lady is based off of.

0:22:13.480 --> 0:22:16.440
<v Speaker 1>She's quite a star, one of the most famous leading

0:22:16.520 --> 0:22:20.040
<v Speaker 1>ladies ever and certainly in this period. Um, kind of

0:22:20.119 --> 0:22:25.720
<v Speaker 1>top of the fucking female you know, actor food chain. Um. Now,

0:22:25.760 --> 0:22:30.240
<v Speaker 1>in real life, Wayne and Dietrich started hooking up immediately. Um,

0:22:30.280 --> 0:22:35.879
<v Speaker 1>she is way more experienced than him. Um she oh yeah, yeah,

0:22:36.040 --> 0:22:38.840
<v Speaker 1>she is Marlen di Dietrich, and he is is an

0:22:38.840 --> 0:22:41.840
<v Speaker 1>awkward boy who spends most of his time drunk with

0:22:41.880 --> 0:22:45.320
<v Speaker 1>a bunch of dudes on a yacht. Um. So one

0:22:45.320 --> 0:22:47.879
<v Speaker 1>of the things that like he obviously he gets super

0:22:47.920 --> 0:22:50.720
<v Speaker 1>into this thing. He's also kind of insecure with her

0:22:50.760 --> 0:22:53.439
<v Speaker 1>and around her because she's more experienced than him and

0:22:53.480 --> 0:22:56.200
<v Speaker 1>more famous than him. Um, so a few things are

0:22:56.200 --> 0:22:58.800
<v Speaker 1>going on here. This is kind of a complex relationship,

0:22:58.840 --> 0:23:02.600
<v Speaker 1>although I think from marline she just likes fucking hot actors.

0:23:02.760 --> 0:23:06.000
<v Speaker 1>You know, he's the one who starts developing some complexes

0:23:06.000 --> 0:23:10.240
<v Speaker 1>around this. Hey boy, boy, lift that couch over there. Yeah,

0:23:10.359 --> 0:23:13.960
<v Speaker 1>Oh absolutely, hang on, Let me, pour some oil on

0:23:14.040 --> 0:23:17.920
<v Speaker 1>your back. Keep doing that. No, no, I didn't say

0:23:17.960 --> 0:23:24.440
<v Speaker 1>come yet. So obviously he's still married to Josie at

0:23:24.440 --> 0:23:28.560
<v Speaker 1>this point. His his wife, of course, when they get married,

0:23:28.560 --> 0:23:30.800
<v Speaker 1>when and his gife getting married, Like their friends from

0:23:30.800 --> 0:23:32.720
<v Speaker 1>the beginning are like, well, this isn't going to last.

0:23:33.359 --> 0:23:35.879
<v Speaker 1>He is incapable of not cheating on you constantly, and

0:23:35.920 --> 0:23:41.200
<v Speaker 1>you are super catholic now heartbreaking, Lee. Josie adores her husband. Um,

0:23:41.320 --> 0:23:44.280
<v Speaker 1>John mostly seems to be distracted and frustrated by her.

0:23:44.800 --> 0:23:47.639
<v Speaker 1>She feels like his acting like her attitude is I

0:23:47.720 --> 0:23:49.280
<v Speaker 1>just gotta put up with this for a little while.

0:23:49.440 --> 0:23:52.960
<v Speaker 1>Nobody is in acting very long. Eventually it'll he'll get

0:23:52.960 --> 0:23:56.000
<v Speaker 1>too old. It'll be a short feeling for him, um,

0:23:56.119 --> 0:23:57.960
<v Speaker 1>and then he'll figure out something more serious to do

0:23:58.000 --> 0:24:01.040
<v Speaker 1>with his life. Um John Wayne kind of views his

0:24:01.040 --> 0:24:06.720
<v Speaker 1>wife and children the same way, right, even my whole thing,

0:24:06.920 --> 0:24:10.840
<v Speaker 1>you know. Um. So, he would later complain to friends

0:24:10.880 --> 0:24:13.520
<v Speaker 1>that he and Josie only had sex four times during

0:24:13.520 --> 0:24:17.760
<v Speaker 1>their marriage. Fucking probably a lie, but like a gross one.

0:24:18.400 --> 0:24:23.600
<v Speaker 1>So mean dude, Um, he's just so angry that like,

0:24:23.640 --> 0:24:26.719
<v Speaker 1>what does that say about you two? Like that's obviously

0:24:27.440 --> 0:24:30.640
<v Speaker 1>doesn't look good on you, bron. Maybe she would want

0:24:30.640 --> 0:24:32.399
<v Speaker 1>to suck you more if she didn't feel like you

0:24:32.440 --> 0:24:34.840
<v Speaker 1>were sucking every single other person in town because she's

0:24:34.840 --> 0:24:37.480
<v Speaker 1>not into that ship. Like, maybe maybe your behavior is

0:24:37.520 --> 0:24:39.320
<v Speaker 1>having an impact on the things you don't like about

0:24:39.359 --> 0:24:43.200
<v Speaker 1>your marriage. John Wayne, He's not going to into my wife,

0:24:43.640 --> 0:24:47.320
<v Speaker 1>you know what I'm saying, Like those kids four nuts. Honestly,

0:24:47.359 --> 0:24:51.720
<v Speaker 1>that was it, in and out, five pomps, four nuts.

0:24:51.760 --> 0:24:55.679
<v Speaker 1>I mean really not even that hot, Like my wife's

0:24:55.880 --> 0:24:58.919
<v Speaker 1>not as hot as Marlen. Wow, you are just quoting

0:24:58.960 --> 0:25:02.760
<v Speaker 1>directly from his o biography. The story of It showed

0:25:03.480 --> 0:25:08.520
<v Speaker 1>the tale of John Way. Uh so he's initially, some

0:25:08.560 --> 0:25:11.000
<v Speaker 1>people will say, was kind of morally conflicted about all

0:25:11.000 --> 0:25:13.720
<v Speaker 1>the sleeping around he was doing. But by the time

0:25:13.800 --> 0:25:18.520
<v Speaker 1>he's an actual star, it becomes just like totally Uh

0:25:19.480 --> 0:25:22.159
<v Speaker 1>it becomes just like so routine to him that he

0:25:22.240 --> 0:25:26.040
<v Speaker 1>stops trying to hide it. So everyone in Hollywood knows

0:25:26.119 --> 0:25:29.000
<v Speaker 1>that John Wayne and Marlene Dietrich are sleeping with each other.

0:25:29.520 --> 0:25:32.040
<v Speaker 1>Um they do not even like they They're out in

0:25:32.160 --> 0:25:35.640
<v Speaker 1>public together at events while Josie is eight months pregnant,

0:25:35.720 --> 0:25:40.280
<v Speaker 1>which doesn't do She's not happy you know that's not great.

0:25:40.520 --> 0:25:44.000
<v Speaker 1>That's not a great position to put someone in. Um.

0:25:44.040 --> 0:25:46.520
<v Speaker 1>So she confronts him over it. But she's also too

0:25:46.600 --> 0:25:49.480
<v Speaker 1>Catholic to divorce him, right, Like, you don't do that.

0:25:49.680 --> 0:25:54.560
<v Speaker 1>So she's yeah, it's it's growny um like his parents

0:25:54.560 --> 0:25:57.720
<v Speaker 1>got divorced. Yeah, because pars and he it's interesting years

0:25:57.720 --> 0:26:01.280
<v Speaker 1>earlier or whatever that he doesn't push divorce U because

0:26:01.280 --> 0:26:05.040
<v Speaker 1>he could have. And Jensen, one of his biographers, suspects

0:26:05.040 --> 0:26:08.040
<v Speaker 1>that this is because he's still too possessive and insecure

0:26:08.080 --> 0:26:10.840
<v Speaker 1>about her. Um. And I'm gonna he's actually the piece

0:26:10.880 --> 0:26:14.280
<v Speaker 1>of ship in the relationship. Oh for sure, Absolutely, he's

0:26:14.280 --> 0:26:16.679
<v Speaker 1>the piece of ship in this relationship. I don't know

0:26:16.760 --> 0:26:19.040
<v Speaker 1>much about Josie, but I know that John Wayne is

0:26:19.080 --> 0:26:22.320
<v Speaker 1>the bad guy in this relationship. Um. I'm going to

0:26:22.400 --> 0:26:25.160
<v Speaker 1>read a quote about him as a as a husband

0:26:25.200 --> 0:26:28.920
<v Speaker 1>and a father from from Jensen's book. He demanded his

0:26:29.000 --> 0:26:31.240
<v Speaker 1>children profess their love to him on a daily basis.

0:26:31.359 --> 0:26:34.120
<v Speaker 1>Barely Able to sleep, Duke awoke every day before dawn

0:26:34.160 --> 0:26:36.479
<v Speaker 1>and demanded the entire house rise with him, even if

0:26:36.480 --> 0:26:38.679
<v Speaker 1>it was a day off for family and friends. He

0:26:38.720 --> 0:26:41.399
<v Speaker 1>had a litany of rules based upon superstitions, which were

0:26:41.440 --> 0:26:44.000
<v Speaker 1>a result of the childhood of poverty and emotional abuse

0:26:44.040 --> 0:26:47.000
<v Speaker 1>by his mother. Ever, convinced that he was destined for ruined,

0:26:47.080 --> 0:26:49.920
<v Speaker 1>Duke consisted that the superstitions be followed or his life

0:26:49.960 --> 0:26:55.080
<v Speaker 1>would collapse into abject failure. So he he he makes

0:26:55.280 --> 0:26:57.919
<v Speaker 1>bizarre rules for his family. He screams at them if

0:26:57.920 --> 0:27:00.639
<v Speaker 1>they put hats on beds. Can't do that around John.

0:27:01.160 --> 0:27:03.879
<v Speaker 1>If you if you spill salt, you have to toss

0:27:03.880 --> 0:27:06.280
<v Speaker 1>it over your shoulder, which is not an uncommon thing

0:27:06.280 --> 0:27:09.960
<v Speaker 1>in this day. Umbrella's can only be opened outside. No

0:27:10.000 --> 0:27:13.280
<v Speaker 1>one can hand him a salt shaker. You don't hand

0:27:13.400 --> 0:27:18.000
<v Speaker 1>John Wayne a salt shaker. You know what's really funny

0:27:18.040 --> 0:27:21.520
<v Speaker 1>about that is that I like, I lived in Latin

0:27:21.560 --> 0:27:24.760
<v Speaker 1>America for a while and the same thing, Like I mean,

0:27:25.320 --> 0:27:28.000
<v Speaker 1>just the superstistent you put the salt on the table,

0:27:28.160 --> 0:27:30.439
<v Speaker 1>then you can pick it up. Yeah, there's like a

0:27:30.480 --> 0:27:32.880
<v Speaker 1>lot like this is not he didn't invent this. It's

0:27:32.960 --> 0:27:34.800
<v Speaker 1>not like only to him. Maybe the no hats on

0:27:34.840 --> 0:27:37.160
<v Speaker 1>beds thing. I haven't heard that before. That's kind of weird.

0:27:37.200 --> 0:27:39.919
<v Speaker 1>But is he like, you know, you know, look me

0:27:39.960 --> 0:27:43.000
<v Speaker 1>in the eyes when we toast otherwise seven years bad luck.

0:27:43.560 --> 0:27:46.320
<v Speaker 1>You know that one's true? Yea, like seven years of

0:27:46.400 --> 0:27:49.080
<v Speaker 1>bad sex or whatever it is, even though I've only

0:27:49.119 --> 0:27:52.560
<v Speaker 1>done it with your mom four times, four times at

0:27:52.560 --> 0:27:58.399
<v Speaker 1>the dinner table after screaming about salt. Uh. But what

0:27:58.440 --> 0:28:01.720
<v Speaker 1>does it mean, professor? Love like just every day. Yeah,

0:28:01.760 --> 0:28:04.119
<v Speaker 1>you gotta tell dad that he's a good dad before

0:28:04.119 --> 0:28:08.520
<v Speaker 1>he goes out to fun Marlene Dietrich on Rodeo drive

0:28:08.560 --> 0:28:11.760
<v Speaker 1>out in public. He doesn't start it like it can't

0:28:11.760 --> 0:28:15.040
<v Speaker 1>be him to say I love you first. That is unclear.

0:28:15.119 --> 0:28:16.919
<v Speaker 1>But he does not strike me as I say I

0:28:16.960 --> 0:28:20.760
<v Speaker 1>love you first kind of dude. I don't know. Maybe so. Uh.

0:28:20.800 --> 0:28:23.440
<v Speaker 1>He's also like this around his friends. He's got these

0:28:23.440 --> 0:28:25.879
<v Speaker 1>card playing buddies that he plays cards with, and if

0:28:25.920 --> 0:28:28.480
<v Speaker 1>somebody sets a card on the table face up by accident,

0:28:28.840 --> 0:28:30.960
<v Speaker 1>they have to get up and circle their chair three

0:28:31.000 --> 0:28:34.240
<v Speaker 1>times in order to avoid bad luck. Um. So he's

0:28:34.680 --> 0:28:36.720
<v Speaker 1>you know again, this is not I think people might

0:28:36.800 --> 0:28:39.440
<v Speaker 1>be I want to say, this is like O C. D.

0:28:39.560 --> 0:28:41.320
<v Speaker 1>I don't know. Maybe I'm not going to diagnose him,

0:28:41.480 --> 0:28:44.440
<v Speaker 1>but these are all like superstitions that exist at the time,

0:28:44.480 --> 0:28:46.840
<v Speaker 1>and he's just this is not an uncommon thing with

0:28:46.880 --> 0:28:49.680
<v Speaker 1>people who like grow up in desperate situations where they

0:28:49.720 --> 0:28:53.080
<v Speaker 1>get super paranoid about not wanting to do anything that

0:28:53.080 --> 0:28:55.360
<v Speaker 1>can make ship go wrong for them, because they understand

0:28:55.360 --> 0:28:59.040
<v Speaker 1>how fragile successes um and how shitty it is when

0:28:59.040 --> 0:29:01.440
<v Speaker 1>you're dirt poor. I get it, you know, not that

0:29:01.480 --> 0:29:03.360
<v Speaker 1>it's good, but I understand what's going on in his

0:29:03.400 --> 0:29:06.480
<v Speaker 1>head here. I think. So while he's keeping a tight

0:29:06.520 --> 0:29:09.040
<v Speaker 1>eye on his wife and kids, he escalates his relationship

0:29:09.080 --> 0:29:12.120
<v Speaker 1>with Dietrich. She later claimed that she more or less

0:29:12.200 --> 0:29:16.080
<v Speaker 1>directed their affair as the more experienced partner. Quote what

0:29:16.160 --> 0:29:18.720
<v Speaker 1>pleased me most was he wasn't vain or arrogant, Far

0:29:18.800 --> 0:29:21.480
<v Speaker 1>from it. He was insecure as an actor, worried about

0:29:21.480 --> 0:29:23.320
<v Speaker 1>his talent or what he felt was a lack of it.

0:29:23.640 --> 0:29:25.920
<v Speaker 1>As a man. He was a little insecure and vulnerable.

0:29:26.160 --> 0:29:28.560
<v Speaker 1>I was able to help in both respects. We had

0:29:28.560 --> 0:29:31.640
<v Speaker 1>a small affair, a small friendship, which we both enjoyed.

0:29:32.480 --> 0:29:36.760
<v Speaker 1>Now that's to her again, marleya Dietrich, huge star. Uh.

0:29:36.920 --> 0:29:40.000
<v Speaker 1>He it's a bigger thing for him, and it's definitely

0:29:40.040 --> 0:29:42.680
<v Speaker 1>a bigger thing for his wife, for whom this is devastating, right,

0:29:42.720 --> 0:29:44.800
<v Speaker 1>Mereley just like, yeah, you know is he was he

0:29:44.880 --> 0:29:46.720
<v Speaker 1>was young. He needed somebody to show him the ropes

0:29:46.760 --> 0:29:48.640
<v Speaker 1>and like make him feel better about himself. I did that.

0:29:48.680 --> 0:29:54.520
<v Speaker 1>It's whatever. Then I wanted Yeah, yeah, I enjoyed that

0:29:54.600 --> 0:29:57.400
<v Speaker 1>he didn't know how to talk back to me. Yeah.

0:29:58.200 --> 0:30:02.800
<v Speaker 1>I was a little wife. How cute months pregnant, she's

0:30:02.840 --> 0:30:10.560
<v Speaker 1>fat four children? Yes, but that's really interesting that. I

0:30:10.600 --> 0:30:13.720
<v Speaker 1>mean it might I'm curious to how this ends because

0:30:13.720 --> 0:30:18.040
<v Speaker 1>I feel like it's foreboding, like she clearly he was

0:30:18.080 --> 0:30:23.320
<v Speaker 1>clearly obsessed with Well, that's an interesting part here. So

0:30:23.920 --> 0:30:27.200
<v Speaker 1>John Wayne was actually in Mexico partying with Dietrich while

0:30:27.280 --> 0:30:30.160
<v Speaker 1>his wife Josie delivers their fourth child and second daughter,

0:30:30.240 --> 0:30:35.600
<v Speaker 1>Melinda Um. So their relationship continued for some time, and

0:30:35.640 --> 0:30:38.840
<v Speaker 1>while Wayne definitely got along better with Dietrich than he

0:30:38.880 --> 0:30:42.320
<v Speaker 1>did with his wife, it was also a tempestuous relationship.

0:30:42.400 --> 0:30:44.560
<v Speaker 1>And I'm going to read a real rough quote from

0:30:44.560 --> 0:30:48.120
<v Speaker 1>the true life of John Wayne here. Duke handled her

0:30:48.160 --> 0:30:50.560
<v Speaker 1>the way he handled every woman in his life. When

0:30:50.600 --> 0:30:53.160
<v Speaker 1>she provoked him, he punched her, and it didn't matter

0:30:53.240 --> 0:30:56.200
<v Speaker 1>if it was in public. On location for the Spoilers

0:30:56.200 --> 0:30:59.720
<v Speaker 1>in Lake Arrowhead, California, Duke and Marlene were rehearsing a

0:30:59.800 --> 0:31:02.760
<v Speaker 1>scene for the film. Duke suggested one way to play

0:31:02.800 --> 0:31:06.000
<v Speaker 1>the scene, and Marlen suggested another. Duke pressed his point

0:31:06.000 --> 0:31:09.840
<v Speaker 1>and Marlene finally shot back, that's a dumb idea. Duke's

0:31:09.840 --> 0:31:13.000
<v Speaker 1>face turned to stone and his eyes burned with suppressed rage.

0:31:13.320 --> 0:31:16.120
<v Speaker 1>As the camera was about to roll, Duke angrily retied

0:31:16.160 --> 0:31:19.880
<v Speaker 1>his bandanna, which he'd loosened between takes. Uh. Duke tied

0:31:19.920 --> 0:31:22.200
<v Speaker 1>a bigger than normal not and Marlen saw it and

0:31:22.240 --> 0:31:25.640
<v Speaker 1>told him, you don't even know how to tie a bandana. Suddenly,

0:31:25.880 --> 0:31:29.200
<v Speaker 1>Duke exploded. He swung a huge fist in a roundhouse

0:31:29.320 --> 0:31:32.320
<v Speaker 1>right and hit Marlen right in the face. She went flying,

0:31:32.520 --> 0:31:35.560
<v Speaker 1>landing hard in the rough dirt. Marlene lay sprawled on

0:31:35.600 --> 0:31:38.800
<v Speaker 1>the ground for a moment, gathering her senses. She didn't

0:31:38.800 --> 0:31:43.360
<v Speaker 1>cry now, no, no, she was on the ground and

0:31:43.480 --> 0:31:46.160
<v Speaker 1>straight up. When she came to she lit a cigarette.

0:31:46.240 --> 0:31:51.680
<v Speaker 1>That's well, it's actually more uncomfortable than that, Francesca, because

0:31:51.720 --> 0:31:56.120
<v Speaker 1>according to Jensen, whose source here is the actress Margaret Lindsay,

0:31:56.200 --> 0:31:59.160
<v Speaker 1>who is there on set when this happens, she looks

0:31:59.240 --> 0:32:02.160
<v Speaker 1>up at him with a tense arousal, gets up and

0:32:02.240 --> 0:32:04.520
<v Speaker 1>gives him what is described by this other actress as

0:32:04.560 --> 0:32:07.040
<v Speaker 1>a love punch, and then they start making out. So

0:32:08.000 --> 0:32:09.240
<v Speaker 1>I don't know, I don't know. I don't know what

0:32:09.280 --> 0:32:10.960
<v Speaker 1>you want to do with this information? How do you

0:32:11.000 --> 0:32:14.040
<v Speaker 1>want to parse that all out? But that's what someone

0:32:14.080 --> 0:32:16.760
<v Speaker 1>else who was there says, went down. I've been waiting

0:32:16.800 --> 0:32:18.720
<v Speaker 1>for you to do that since the moment I met you.

0:32:22.600 --> 0:32:26.240
<v Speaker 1>He will, he will be repeatedly physically abusive to people,

0:32:26.760 --> 0:32:30.120
<v Speaker 1>to women specifically, throughout his life. It is unclear to

0:32:30.160 --> 0:32:32.560
<v Speaker 1>me if that's what's going on here or if they

0:32:32.600 --> 0:32:35.360
<v Speaker 1>just had kind of a thing where that I don't

0:32:35.400 --> 0:32:37.480
<v Speaker 1>I really don't know, Like I don't know what's going

0:32:37.520 --> 0:32:41.640
<v Speaker 1>on with these two. Um. I mean it's interesting though,

0:32:41.680 --> 0:32:44.560
<v Speaker 1>because she as even though she did that, you got

0:32:44.560 --> 0:32:48.400
<v Speaker 1>to think about being a star like her in that

0:32:48.480 --> 0:32:51.640
<v Speaker 1>time you're on set, this guy who you're sleeping with,

0:32:51.880 --> 0:32:56.280
<v Speaker 1>who's younger, more inexperienced, hits you. What are you gonna do,

0:32:56.440 --> 0:32:59.320
<v Speaker 1>like cry or be mad wherever that shows so much

0:32:59.720 --> 0:33:01.880
<v Speaker 1>vulne ability, You're gonna get up and be like, No,

0:33:02.000 --> 0:33:06.400
<v Speaker 1>I liked it. It's exactly whatever. You know. That is

0:33:06.520 --> 0:33:08.400
<v Speaker 1>much more a position of strength when you've got to

0:33:08.440 --> 0:33:11.520
<v Speaker 1>protect your image, that's right, right, And that's a huge,

0:33:11.720 --> 0:33:13.960
<v Speaker 1>probably part of what's like. I I mean, I don't

0:33:13.960 --> 0:33:17.760
<v Speaker 1>know these people obviously, Um, but that seems really plausible

0:33:17.800 --> 0:33:22.920
<v Speaker 1>to me. Um yeah, fucking embarrassing otherwise. And again, a

0:33:23.040 --> 0:33:25.600
<v Speaker 1>number of people through the years and other circumstances see

0:33:25.680 --> 0:33:28.920
<v Speaker 1>John Wayne hit women in public, like with his fists.

0:33:29.280 --> 0:33:31.640
<v Speaker 1>Not that like a slap is okay either, but like

0:33:31.680 --> 0:33:35.360
<v Speaker 1>specifically like punching them. Um, it's just like a thing

0:33:35.480 --> 0:33:38.760
<v Speaker 1>John Wayne does, like his, like his, like his mentor

0:33:38.880 --> 0:33:43.320
<v Speaker 1>John Ford. Um, cool dudes, learned it from the best.

0:33:43.760 --> 0:33:48.160
<v Speaker 1>So yeah, it is also Yeah, so Duke's relationship with

0:33:48.200 --> 0:33:50.360
<v Speaker 1>Marlene fell apart for the same reason so many of

0:33:50.400 --> 0:33:54.040
<v Speaker 1>his relationships did. He started fucking a teenage girl in Mexico.

0:33:54.480 --> 0:33:58.080
<v Speaker 1>Um yeah, so that's why this doesn't work out. She

0:33:58.280 --> 0:34:00.680
<v Speaker 1>may have been working as a prostitute it at the time.

0:34:00.840 --> 0:34:04.840
<v Speaker 1>Her exact background is kind of unclear. Some sources will

0:34:04.880 --> 0:34:07.760
<v Speaker 1>say her mother ran a brothel that was very popular

0:34:07.800 --> 0:34:11.640
<v Speaker 1>with the actors and that's where John Wayne meets her. Um,

0:34:11.680 --> 0:34:15.240
<v Speaker 1>but we know that he definitely at age thirty four.

0:34:15.280 --> 0:34:19.440
<v Speaker 1>I think starts fucking at the oldest She's like seventeen

0:34:19.480 --> 0:34:23.560
<v Speaker 1>at this point. Um. Her name is Esperanza Bauer. She

0:34:23.719 --> 0:34:28.400
<v Speaker 1>goes by Chatta. UM. Biographer Randy Roberts writes in his

0:34:28.440 --> 0:34:32.800
<v Speaker 1>book John Wayne American Quote, Chata's life before nineteen forty

0:34:32.840 --> 0:34:35.320
<v Speaker 1>one is a mystery. She was never accepted in Hollywood,

0:34:35.360 --> 0:34:37.799
<v Speaker 1>and rumors circulated at the time that she met John

0:34:37.840 --> 0:34:40.080
<v Speaker 1>Wayne that she was working as a high priced call

0:34:40.160 --> 0:34:42.840
<v Speaker 1>girl and a bit actress in the Mexican film industry.

0:34:43.200 --> 0:34:45.759
<v Speaker 1>Pillar Wayne later wrote that Chatta was born in the

0:34:45.760 --> 0:34:49.040
<v Speaker 1>slums of Mexico City and became a prostitute to escape poverty.

0:34:49.360 --> 0:34:51.440
<v Speaker 1>Others said that when Chatta and Duke met, she was

0:34:51.480 --> 0:34:55.160
<v Speaker 1>married to a Mexican student named Eugenio Morrison. We really

0:34:55.360 --> 0:34:58.440
<v Speaker 1>don't know what her background is, but we know she

0:34:58.680 --> 0:35:08.040
<v Speaker 1>is a teenager and possibly a sex worker. Hard to say, Um, Roberts. Chata, Yeah,

0:35:08.120 --> 0:35:11.400
<v Speaker 1>and maybe even the worst, which is not a sex

0:35:11.440 --> 0:35:15.839
<v Speaker 1>worker but the daughter of something a traffic was not

0:35:15.920 --> 0:35:21.200
<v Speaker 1>actually working. And then it's hard. Yeah, we really do

0:35:21.280 --> 0:35:24.160
<v Speaker 1>not know the precise details here other than that it's

0:35:24.200 --> 0:35:26.960
<v Speaker 1>for sure gross, right, it's for sure gross. It's for

0:35:27.000 --> 0:35:31.319
<v Speaker 1>sure bad stuff. Um, it's just the exact dimensions of

0:35:31.360 --> 0:35:34.360
<v Speaker 1>like what precisely was going on is kind of unclear,

0:35:34.440 --> 0:35:36.600
<v Speaker 1>but it's for sure bad. And I should note here

0:35:36.640 --> 0:35:40.520
<v Speaker 1>that like Roberts's book is way classier and it's description

0:35:40.520 --> 0:35:44.520
<v Speaker 1>of Chata the Jensen's book. Sure, it's called What American

0:35:44.760 --> 0:35:48.440
<v Speaker 1>John Made American? Well gee, I mean because Jensen is

0:35:48.440 --> 0:35:50.600
<v Speaker 1>like the most negative book about John Wayne. But it's

0:35:50.640 --> 0:35:53.560
<v Speaker 1>also written by a dude who was writing at least

0:35:53.560 --> 0:35:55.319
<v Speaker 1>in a pretty gross time, and I think was kind

0:35:55.320 --> 0:35:58.399
<v Speaker 1>of gross himself because he describes Chata as quote, an

0:35:58.480 --> 0:36:02.040
<v Speaker 1>underaged prostitute with a spoking body and amazing good looks.

0:36:03.880 --> 0:36:07.040
<v Speaker 1>I call the ship Jensen what the funk, dude? And

0:36:07.120 --> 0:36:10.080
<v Speaker 1>that's her biography. If you are describing someone as an

0:36:10.160 --> 0:36:14.560
<v Speaker 1>underaged prostitute, the whatever comes next should never include the

0:36:14.560 --> 0:36:19.040
<v Speaker 1>phrase smoking body. Never you have just stated you're talking

0:36:19.080 --> 0:36:27.879
<v Speaker 1>about a child. Richard Jensen, God, what a again? John

0:36:27.920 --> 0:36:31.920
<v Speaker 1>Wayne biographer is probably only moderately less terrible than John Wayne.

0:36:32.000 --> 0:36:35.680
<v Speaker 1>No exactly, he's only a few gradations better on the

0:36:35.800 --> 0:36:39.360
<v Speaker 1>me too creep predator scale. And again, I also I

0:36:39.400 --> 0:36:41.920
<v Speaker 1>am unclear as to how much we should like. There's

0:36:42.680 --> 0:36:44.759
<v Speaker 1>a lot of people who are arguing someone's underage, you

0:36:44.760 --> 0:36:49.800
<v Speaker 1>should always say sex trafficking victim rather than prostitute. But also,

0:36:49.920 --> 0:36:52.759
<v Speaker 1>this is a real different time, and I don't know

0:36:53.200 --> 0:36:56.600
<v Speaker 1>the extent to which she has agency in her life,

0:36:56.719 --> 0:37:00.000
<v Speaker 1>and seventeen is means a different thing in nineteen thirty

0:37:00.120 --> 0:37:02.440
<v Speaker 1>nine than it does today in some ways, Like I

0:37:02.480 --> 0:37:04.320
<v Speaker 1>have no idea what's going on. I have no idea

0:37:04.360 --> 0:37:07.319
<v Speaker 1>whether she's a victim of her mom or if she

0:37:07.520 --> 0:37:10.359
<v Speaker 1>is pursuing a rich guy to get out of like

0:37:10.440 --> 0:37:13.160
<v Speaker 1>Mexico and into the United States, and like like, who,

0:37:13.320 --> 0:37:15.880
<v Speaker 1>I don't know, what's I mean from brothel to Hollywood,

0:37:16.000 --> 0:37:19.200
<v Speaker 1>Like I'll take the deal. Because she's also trying to

0:37:19.239 --> 0:37:22.080
<v Speaker 1>get a career in Hollywood, which John Wayne attempts to

0:37:22.120 --> 0:37:24.680
<v Speaker 1>help her with. So like, there's there's stuff going on here.

0:37:25.080 --> 0:37:30.000
<v Speaker 1>It's certainly horrific behavior on John Wayne's part, you know

0:37:30.040 --> 0:37:33.680
<v Speaker 1>what I mean? John Wayne falls in love. He says, um,

0:37:33.800 --> 0:37:37.040
<v Speaker 1>he will for years call her his true love even

0:37:37.080 --> 0:37:40.160
<v Speaker 1>after they have split up. And he punches Oh, he

0:37:40.200 --> 0:37:44.040
<v Speaker 1>punches her a lot. He punches her a lot. Um,

0:37:44.080 --> 0:37:47.800
<v Speaker 1>So whatever is going on in her background, Wayne falls

0:37:47.800 --> 0:37:50.440
<v Speaker 1>in love immediately He moves her to California, where he

0:37:50.520 --> 0:37:54.120
<v Speaker 1>has her tell people she's twenty four years old. Um,

0:37:54.200 --> 0:37:57.319
<v Speaker 1>so he knows this is again we just said, like

0:37:57.360 --> 0:37:59.880
<v Speaker 1>these are somewhat different times and some of this stuff

0:37:59.920 --> 0:38:03.120
<v Speaker 1>is viewed differently. But john Wayne knows this is gross

0:38:03.200 --> 0:38:05.919
<v Speaker 1>enough that he has to age her up, you know, Like,

0:38:06.120 --> 0:38:09.799
<v Speaker 1>so again that different yeah even for Hollywood people like

0:38:10.080 --> 0:38:17.160
<v Speaker 1>that's kind of young John. Um, he starts trying one

0:38:17.160 --> 0:38:19.600
<v Speaker 1>of the things that's important to him. And again, we

0:38:19.640 --> 0:38:21.520
<v Speaker 1>don't know how much it is that she wanted a

0:38:21.560 --> 0:38:23.880
<v Speaker 1>career in movies. There's an argument to be made that

0:38:23.960 --> 0:38:26.520
<v Speaker 1>he wanted her to be seen as having a career,

0:38:26.920 --> 0:38:29.279
<v Speaker 1>so it doesn't look like he just trafficked a girl

0:38:29.360 --> 0:38:34.920
<v Speaker 1>from Mexico into Hollywood. Um. So, whatever is going on

0:38:35.000 --> 0:38:39.760
<v Speaker 1>here again? Super messy? Uh, super messed up. Um. Marlena

0:38:39.840 --> 0:38:42.799
<v Speaker 1>Dietrich when she finds out that what he's doing that

0:38:42.880 --> 0:38:46.560
<v Speaker 1>he's that he set this girl up with an apartment

0:38:46.560 --> 0:38:48.879
<v Speaker 1>in Hollywood and brought her into the country, she dumps him.

0:38:48.920 --> 0:38:52.280
<v Speaker 1>She's like, no, no, no, like that's that's fucking weird.

0:38:52.440 --> 0:38:57.279
<v Speaker 1>John So, Um, I don't know. Good for Marlene. I

0:38:57.320 --> 0:39:01.719
<v Speaker 1>guess she's fine. He's still married to Josie at this

0:39:01.760 --> 0:39:05.480
<v Speaker 1>point though, and if she wasn't happy with Marlene Dietrich,

0:39:05.800 --> 0:39:09.920
<v Speaker 1>she's really not happy with with this. Um not psyched

0:39:09.960 --> 0:39:12.520
<v Speaker 1>about what what John is doing. Um. Now her parents

0:39:12.560 --> 0:39:16.000
<v Speaker 1>are both high society Catholics, and so he's called upon

0:39:16.120 --> 0:39:19.520
<v Speaker 1>regularly to show up at events and functions. Um. And

0:39:19.880 --> 0:39:22.799
<v Speaker 1>you know he's surly because he'd rather be fucking someone

0:39:22.840 --> 0:39:25.400
<v Speaker 1>who is at the oldest now nineteen, right, they've been

0:39:25.400 --> 0:39:28.719
<v Speaker 1>together a couple of points, So he just acts like

0:39:28.760 --> 0:39:32.800
<v Speaker 1>a jick the parties. He's goes the events to cruise

0:39:32.880 --> 0:39:35.240
<v Speaker 1>for like young Catholic girls. He goes to the events

0:39:35.239 --> 0:39:37.120
<v Speaker 1>so that everyone knows how much he doesn't want to

0:39:37.160 --> 0:39:39.600
<v Speaker 1>be there, Like he sulks because he'd rather be with

0:39:39.680 --> 0:39:42.759
<v Speaker 1>his like teenage mistress in the apartment that he makes

0:39:42.760 --> 0:39:45.440
<v Speaker 1>the studio pay for her in Hollywood. Um. One of

0:39:45.440 --> 0:39:50.000
<v Speaker 1>the family friends was like and they did. Um. Yeah,

0:39:50.040 --> 0:39:52.200
<v Speaker 1>So he's like, not only is he cheating on his

0:39:52.239 --> 0:39:54.600
<v Speaker 1>wife with a teenager, but he has to like make

0:39:54.640 --> 0:39:57.000
<v Speaker 1>sure everybody knows how unfair he thinks it is that

0:39:57.040 --> 0:40:00.799
<v Speaker 1>he has to show up at parties where adults are Um.

0:40:00.960 --> 0:40:06.920
<v Speaker 1>Cool guy, John Wayne, Um, what a dude. So Hollywood

0:40:07.000 --> 0:40:09.719
<v Speaker 1>is helping bank roll sort of the because he's too

0:40:09.719 --> 0:40:13.280
<v Speaker 1>big of a cash cow for them to like making

0:40:13.320 --> 0:40:16.640
<v Speaker 1>them a lot of money. Yeah, this is the early forties.

0:40:17.160 --> 0:40:19.120
<v Speaker 1>He moves chat at a Hollywood in the spring of

0:40:19.160 --> 0:40:22.520
<v Speaker 1>forty three. Some will argue that it was like part

0:40:22.560 --> 0:40:24.759
<v Speaker 1>of what he was doing by having the studio pay

0:40:24.800 --> 0:40:27.040
<v Speaker 1>for her apartment and pay for her to like they

0:40:27.080 --> 0:40:29.040
<v Speaker 1>would give her like money every month, that it was

0:40:29.080 --> 0:40:31.880
<v Speaker 1>partly like a tax dodge, like that's how he received

0:40:31.920 --> 0:40:34.279
<v Speaker 1>some of his salaries so that it wasn't taxed. I

0:40:34.280 --> 0:40:36.239
<v Speaker 1>don't know how to evaluate the truth of that, but

0:40:36.280 --> 0:40:39.239
<v Speaker 1>it does sound like some movie star shit, like not

0:40:39.320 --> 0:40:42.279
<v Speaker 1>only are you like keeping a secret teenage mistress, but

0:40:42.320 --> 0:40:44.759
<v Speaker 1>you're doing it as a tax dodge, you know, like

0:40:45.200 --> 0:40:49.279
<v Speaker 1>everyone's on board. Yeah, that's that does sound very Hollywood

0:40:49.280 --> 0:40:52.080
<v Speaker 1>and in the nows too, like that's not just a

0:40:52.120 --> 0:40:56.120
<v Speaker 1>forties thing. Um. So the two start seeing each other

0:40:56.320 --> 0:40:58.560
<v Speaker 1>probably in forty one. I think like forty three is

0:40:58.560 --> 0:41:00.640
<v Speaker 1>when she moves to Hollywood. That it's also the year

0:41:01.480 --> 0:41:04.160
<v Speaker 1>one that the United States, helped long by our buddies

0:41:04.160 --> 0:41:06.560
<v Speaker 1>in Japan, decides to give this whole World War two

0:41:06.600 --> 0:41:09.879
<v Speaker 1>thing a try, right, Um, So this is our big

0:41:09.880 --> 0:41:13.000
<v Speaker 1>old patriotic war. Right, every everybody's got to go volunteer

0:41:13.040 --> 0:41:16.000
<v Speaker 1>to fight. It is all but unthinkable for young leading

0:41:16.000 --> 0:41:18.600
<v Speaker 1>men in the prime of their life action movie stars. Right,

0:41:18.760 --> 0:41:21.520
<v Speaker 1>You've got this war where absolutely every man who can

0:41:21.719 --> 0:41:25.319
<v Speaker 1>is doing something. It's considered obscene by a lot of

0:41:25.360 --> 0:41:28.960
<v Speaker 1>people that somebody capable of doing action like in the film,

0:41:29.040 --> 0:41:32.120
<v Speaker 1>somebody like being a war hero in movies, wouldn't go

0:41:32.239 --> 0:41:35.600
<v Speaker 1>volunteer to fight to serve in some way, Right. Jimmy

0:41:35.719 --> 0:41:39.120
<v Speaker 1>Stewart tries to join the Army. He gets rejected as

0:41:39.160 --> 0:41:41.040
<v Speaker 1>being under He has just one, like, I think, an

0:41:41.040 --> 0:41:43.440
<v Speaker 1>Academy award. This is right after It's a wonderful life.

0:41:43.920 --> 0:41:45.279
<v Speaker 1>He's one of the biggest stars in the world. He

0:41:45.320 --> 0:41:48.880
<v Speaker 1>gets rejected for being underweight, so he hires a personal

0:41:48.920 --> 0:41:52.080
<v Speaker 1>trainer so he can bulke up, and he joins the

0:41:52.200 --> 0:41:55.840
<v Speaker 1>Army Air Corps and he flies twenty bomber missions over Europe,

0:41:56.040 --> 0:41:59.040
<v Speaker 1>like the most one of the most dangerous jobs of

0:41:59.040 --> 0:42:04.520
<v Speaker 1>the entire wars. You me, Stewart. He retires as a general, didn't, Yeah,

0:42:05.239 --> 0:42:10.120
<v Speaker 1>Jimmy Stewart bombs like Europe repeatedly, Like he has an

0:42:10.120 --> 0:42:14.200
<v Speaker 1>incredibly dangerous job. They didn't need all those bombs some

0:42:14.320 --> 0:42:18.920
<v Speaker 1>of them, yes, but yeah, but it's also like, undeniably,

0:42:19.000 --> 0:42:20.560
<v Speaker 1>as one of the biggest stars in the world, he

0:42:20.600 --> 0:42:23.120
<v Speaker 1>takes a job where like a huge percentage of men

0:42:23.160 --> 0:42:25.840
<v Speaker 1>who do that job die doing it, like it is

0:42:25.920 --> 0:42:30.520
<v Speaker 1>incredibly dangerous um And there's a lot of famous actors

0:42:30.560 --> 0:42:33.400
<v Speaker 1>who do similar things. Clark Gable, who was over forty

0:42:33.440 --> 0:42:35.239
<v Speaker 1>at the point and was old enough that he could

0:42:35.239 --> 0:42:37.840
<v Speaker 1>have gotten out of serving, joins the Air Force. Some

0:42:37.920 --> 0:42:40.360
<v Speaker 1>will say he was suicidal because his wife had just died,

0:42:40.680 --> 0:42:43.160
<v Speaker 1>but he flew. He also flies bomber missions. As an

0:42:43.200 --> 0:42:46.160
<v Speaker 1>aerial gunner. Gable is like crammed into a gun in

0:42:46.200 --> 0:42:49.080
<v Speaker 1>the belly of a bomber, like shooting at fighter planes.

0:42:49.320 --> 0:42:52.400
<v Speaker 1>So even though it's not like all these movie stars

0:42:52.440 --> 0:42:55.680
<v Speaker 1>you know, were once action heroes or the detectives or

0:42:56.440 --> 0:42:58.719
<v Speaker 1>in real life, they become them because it's sort of

0:42:58.760 --> 0:43:02.400
<v Speaker 1>still seen as you know, you know, serving your country

0:43:02.800 --> 0:43:05.239
<v Speaker 1>and your role model. Even though like some a lot

0:43:05.280 --> 0:43:07.600
<v Speaker 1>of these guys go on to be politically problematic, but

0:43:07.640 --> 0:43:10.120
<v Speaker 1>they're all human enough to look at the Nazis and

0:43:10.120 --> 0:43:11.839
<v Speaker 1>be like, I should we probably do something about that,

0:43:12.440 --> 0:43:15.759
<v Speaker 1>where we probably got to do something about that, right, right, right,

0:43:16.040 --> 0:43:18.719
<v Speaker 1>or just even even like the idea that you would

0:43:18.760 --> 0:43:21.840
<v Speaker 1>attempt to physically train to be able to like like

0:43:21.920 --> 0:43:24.399
<v Speaker 1>Jimmy could have just like you know, tried to put

0:43:24.400 --> 0:43:29.480
<v Speaker 1>on I just can't do it, you know, off yet

0:43:30.120 --> 0:43:34.080
<v Speaker 1>he committed Oh my god, that yeah, alright. So and

0:43:34.760 --> 0:43:37.960
<v Speaker 1>Henry Fonda, who could have gotten out of the service

0:43:38.000 --> 0:43:40.880
<v Speaker 1>because he had three kids and initially they weren't drafting

0:43:41.160 --> 0:43:43.520
<v Speaker 1>like Father's right, they were trying to keep families together.

0:43:43.560 --> 0:43:47.120
<v Speaker 1>They were mainly drafting singleman. Fonda could have gotten a deferment. Instead,

0:43:47.160 --> 0:43:49.560
<v Speaker 1>he enlists in the Army Air Corps and again, like

0:43:49.640 --> 0:43:52.560
<v Speaker 1>serves his country at war. Now, a lot of big

0:43:52.600 --> 0:43:56.000
<v Speaker 1>stars did not join the military. Gary Cooper doesn't join,

0:43:56.120 --> 0:43:59.800
<v Speaker 1>Bing Crosby, James Cagney. But they're also way over forty

0:43:59.840 --> 0:44:01.759
<v Speaker 1>I think at this point, like they're old enough that like,

0:44:02.080 --> 0:44:03.839
<v Speaker 1>well I just can't you know, I'm an old man.

0:44:03.880 --> 0:44:06.319
<v Speaker 1>I'm just gonna slow everybody down, right, which fair enough.

0:44:06.360 --> 0:44:09.399
<v Speaker 1>You probably shouldn't be getting into that stuff. If you're

0:44:09.400 --> 0:44:12.520
<v Speaker 1>Bing Crosby and you have been chain smoking cigarettes since

0:44:12.560 --> 0:44:17.360
<v Speaker 1>age eight, you might not be helpful. Um, But John

0:44:17.400 --> 0:44:19.520
<v Speaker 1>Wayne was young enough to serve. He's in his mid

0:44:19.560 --> 0:44:21.319
<v Speaker 1>thirties at this point, right, he is the prime of

0:44:21.320 --> 0:44:24.439
<v Speaker 1>his life. He is a big strong man. Initially though,

0:44:24.440 --> 0:44:27.040
<v Speaker 1>he qualifies for a deferment, and he gets a deferment

0:44:27.239 --> 0:44:29.719
<v Speaker 1>because he has a wife and kids. Right, I got

0:44:29.719 --> 0:44:33.960
<v Speaker 1>six kids. Keep saying, good old, good old Josie. I

0:44:34.000 --> 0:44:36.440
<v Speaker 1>gotta stay with Josie and the kids. You know, I

0:44:36.440 --> 0:44:38.879
<v Speaker 1>gotta keep him. I gotta keep him, you know, I gotta.

0:44:38.920 --> 0:44:41.040
<v Speaker 1>I want to go out there and fight the crowds.

0:44:41.080 --> 0:44:44.040
<v Speaker 1>Don't get me wrong, but this family. I'm so dedicated

0:44:44.080 --> 0:44:48.200
<v Speaker 1>to my family. I've got yeah, yeah, I've got a

0:44:48.200 --> 0:44:54.760
<v Speaker 1>wife to sleep around on. I have kids to ignore. Um.

0:44:54.800 --> 0:44:58.240
<v Speaker 1>So he gets a deferment um, and his studio uses

0:44:58.320 --> 0:45:00.399
<v Speaker 1>his family as an excuse for the fat that he's

0:45:00.440 --> 0:45:03.160
<v Speaker 1>not serving with because the press asked, right, John Wayne's

0:45:03.160 --> 0:45:05.120
<v Speaker 1>a big star, He's not what what are you doing

0:45:05.120 --> 0:45:07.120
<v Speaker 1>in the war? John Wayne? That everyone else is a

0:45:07.120 --> 0:45:10.360
<v Speaker 1>part of um. This exerpt from an article in Modern

0:45:10.480 --> 0:45:13.320
<v Speaker 1>Screen is a good example of how they justified this quote.

0:45:13.800 --> 0:45:15.719
<v Speaker 1>A man of thirty five heading to a family of

0:45:15.719 --> 0:45:18.359
<v Speaker 1>six has to think twice before leaving. Just the same,

0:45:18.440 --> 0:45:20.960
<v Speaker 1>Big John Wayne is restless because, like I said, he's

0:45:20.960 --> 0:45:23.360
<v Speaker 1>a man's man who thinks straight and believes in action.

0:45:23.640 --> 0:45:25.880
<v Speaker 1>It's a dilemma for a family man and an American

0:45:25.920 --> 0:45:28.520
<v Speaker 1>gentleman who wants to make a personal appearance in the

0:45:28.560 --> 0:45:31.319
<v Speaker 1>big scrap. So that's how they frame it as, like, Oh,

0:45:31.400 --> 0:45:33.960
<v Speaker 1>he really wants to get in there. But ah, he's

0:45:34.000 --> 0:45:37.120
<v Speaker 1>just got it. He's got his family. Oh he loved

0:45:37.120 --> 0:45:41.480
<v Speaker 1>to make a cameo, but he's he's a teenager that

0:45:41.560 --> 0:45:46.120
<v Speaker 1>he traffics into the United States. You know, I'm not

0:45:46.160 --> 0:45:49.879
<v Speaker 1>sure if you've heard of the Alcoholics Yacht Club. Very

0:45:49.960 --> 0:45:53.480
<v Speaker 1>important work that they're doing out there in Mexico. Really

0:45:53.520 --> 0:45:55.799
<v Speaker 1>the most important branch of the Navy is the Alcoholic

0:45:55.880 --> 0:45:59.239
<v Speaker 1>Yacht Club. Yeah, so he would love to Oh my god,

0:45:59.280 --> 0:46:01.879
<v Speaker 1>he'd so love to be there to help your little war. Ever. Yeah,

0:46:02.200 --> 0:46:04.520
<v Speaker 1>Now it's very funny too because while he's making these

0:46:04.520 --> 0:46:07.240
<v Speaker 1>claims and forty two and forty three, he has already

0:46:07.239 --> 0:46:10.600
<v Speaker 1>moved Chata into Hollywood and asked his wife for a divorce.

0:46:10.840 --> 0:46:13.840
<v Speaker 1>They are separated. When all of it, when he's claiming

0:46:13.840 --> 0:46:16.680
<v Speaker 1>all of this ship to the press, now, hang on,

0:46:16.800 --> 0:46:19.600
<v Speaker 1>not yet, not yet, honey, don't sign the papers don't

0:46:19.600 --> 0:46:23.400
<v Speaker 1>not quite yet, not quite yet man now, although actually

0:46:23.440 --> 0:46:26.000
<v Speaker 1>I should say he really does want it. Um, she

0:46:26.200 --> 0:46:28.440
<v Speaker 1>refuses to divorce him for a while because you know,

0:46:28.600 --> 0:46:34.320
<v Speaker 1>again she's incredibly Catholic. Uh. And his mentor, patron, John Ford,

0:46:34.600 --> 0:46:37.640
<v Speaker 1>gives him hell to for trying to divorce her because

0:46:37.640 --> 0:46:41.160
<v Speaker 1>he's Catholic. Right, Ford, who again beats his wife relentlessly,

0:46:41.640 --> 0:46:44.200
<v Speaker 1>believes that John Wayne should stay married because that's what

0:46:44.280 --> 0:46:46.759
<v Speaker 1>God wants and just keep cheating on his wife, you know,

0:46:46.840 --> 0:46:50.040
<v Speaker 1>I mean that's the john Ford but also trapped them

0:46:51.000 --> 0:46:56.799
<v Speaker 1>John Come on, yeah, so that's what a fucking like.

0:46:57.160 --> 0:46:59.560
<v Speaker 1>So good on Clyde and Molly. I just want to

0:46:59.560 --> 0:47:02.400
<v Speaker 1>say that, you know, early pioneers a lot of things,

0:47:02.480 --> 0:47:06.240
<v Speaker 1>trying to farm in the desert but also getting a divorce,

0:47:06.360 --> 0:47:08.880
<v Speaker 1>and one of those two things was excecting, abusive, really

0:47:09.640 --> 0:47:12.520
<v Speaker 1>very revolutionary. That Molly was the one doing the abusing

0:47:12.880 --> 0:47:18.520
<v Speaker 1>a plus like incredible work. Um. So it is worth

0:47:18.560 --> 0:47:23.400
<v Speaker 1>emphasizing that John Wayne, while he dodged the draft in

0:47:23.480 --> 0:47:26.759
<v Speaker 1>World War Two, justified it by needing to take care

0:47:26.800 --> 0:47:29.440
<v Speaker 1>of his family. While he's doing this, he is living

0:47:29.480 --> 0:47:32.160
<v Speaker 1>away from his wife in luxury at the Chateau Marmont

0:47:32.239 --> 0:47:35.080
<v Speaker 1>and fucking a girl who is at most nineteen who

0:47:35.120 --> 0:47:39.279
<v Speaker 1>he possibly illegally trafficked into the United States. That part's questionable,

0:47:39.640 --> 0:47:49.520
<v Speaker 1>but um yeah, it's cold so um brand for hollow

0:47:50.120 --> 0:47:54.600
<v Speaker 1>Christian masculinity, like you know, emblem that he is, he

0:47:54.640 --> 0:47:57.400
<v Speaker 1>doesn't actually and kind of the shift of like oh

0:47:57.440 --> 0:47:59.560
<v Speaker 1>no, no no, no, that's the old way is to actually

0:47:59.600 --> 0:48:01.719
<v Speaker 1>put your anywhere your mouth is or do something like

0:48:01.800 --> 0:48:08.600
<v Speaker 1>be a hero. This is like yeah, like is playing

0:48:08.640 --> 0:48:11.360
<v Speaker 1>from this playbook, you know exactly. I'm just like thinking,

0:48:11.400 --> 0:48:14.800
<v Speaker 1>like what if like Jenna Bush was sent to Iraq?

0:48:15.719 --> 0:48:19.319
<v Speaker 1>Loell like Jenna Bush, I mean is co hosting Good

0:48:19.320 --> 0:48:22.120
<v Speaker 1>Morning America. You know what I'm saying. I I think

0:48:22.280 --> 0:48:26.400
<v Speaker 1>we should send all of the children of elected leaders

0:48:26.400 --> 0:48:28.560
<v Speaker 1>into war zones. I don't care which ones they don't

0:48:28.560 --> 0:48:31.279
<v Speaker 1>need to be supported or just send them just mail

0:48:31.360 --> 0:48:34.120
<v Speaker 1>them there, you know what, like in a shipping crate.

0:48:34.440 --> 0:48:36.440
<v Speaker 1>It's the Today Show. But yes they should and they

0:48:36.440 --> 0:48:39.000
<v Speaker 1>should all be sent there. I mean retroactively, you could

0:48:39.000 --> 0:48:42.359
<v Speaker 1>still go to Iraq, I like, help rebuild bro Well,

0:48:42.440 --> 0:48:45.640
<v Speaker 1>I don't think I don't look, I don't think the

0:48:45.680 --> 0:48:51.359
<v Speaker 1>iraqis need Jenna Bush's help. Um, but you know, um,

0:48:51.480 --> 0:48:54.240
<v Speaker 1>she could take somebody's place in a city getting shelled

0:48:54.360 --> 0:48:57.200
<v Speaker 1>right now, Um, just move them into your house, Jenna,

0:48:57.520 --> 0:49:03.000
<v Speaker 1>Come on, indeed, do something. So Ford chastises John Wayne

0:49:03.040 --> 0:49:08.719
<v Speaker 1>for quote this is how he talks about John Wayne's teenage. Uh.

0:49:08.760 --> 0:49:10.600
<v Speaker 1>I don't know what term to use here, but he

0:49:10.760 --> 0:49:14.480
<v Speaker 1>says that she playing with Mexican jumping beans because again,

0:49:14.760 --> 0:49:17.840
<v Speaker 1>everyone's very racist, very like these are like this is

0:49:17.920 --> 0:49:23.120
<v Speaker 1>for nineteen forty three, you know, like um. But he

0:49:23.120 --> 0:49:25.680
<v Speaker 1>also calls him a damn fool for breaking up his marriage.

0:49:25.960 --> 0:49:29.280
<v Speaker 1>According to biographer Roberts, Wayne wrote back that the marriage

0:49:29.320 --> 0:49:31.959
<v Speaker 1>is over and he quote does not give a four

0:49:32.040 --> 0:49:35.359
<v Speaker 1>letter word if I could see my kids. I don't

0:49:35.360 --> 0:49:38.920
<v Speaker 1>give a ship if she takes the kids. Awesome, what

0:49:39.040 --> 0:49:42.600
<v Speaker 1>a hero. So there are several things John Ford never

0:49:43.080 --> 0:49:45.560
<v Speaker 1>forgave John Wayne for and this is one of them.

0:49:45.960 --> 0:49:49.640
<v Speaker 1>When the war started forward to his credit, well, I

0:49:49.640 --> 0:49:51.440
<v Speaker 1>don't know if this is to his credit before joins

0:49:51.480 --> 0:49:54.360
<v Speaker 1>the OSS, which is the precursor to the c i A.

0:49:54.840 --> 0:49:56.640
<v Speaker 1>And he gets the rank of commander and he gets

0:49:56.640 --> 0:49:58.840
<v Speaker 1>this to make like propaganda movies. Right, That's what Reagan

0:49:58.880 --> 0:50:00.839
<v Speaker 1>does during the war, right, lot of guys who don't

0:50:00.840 --> 0:50:02.840
<v Speaker 1>want to go fight because not everybody does the Jimmy

0:50:02.880 --> 0:50:06.560
<v Speaker 1>Stewart thing, still join the military and they make propaganda

0:50:06.640 --> 0:50:11.560
<v Speaker 1>reels about how not to get v D or whatever. Um, John,

0:50:11.760 --> 0:50:14.879
<v Speaker 1>So that's John for John stuff. In those days there

0:50:14.960 --> 0:50:18.000
<v Speaker 1>was some good stuff, some good v D. You mean, yeah,

0:50:17.640 --> 0:50:20.960
<v Speaker 1>oh my god, the old time syphilis. This new ship

0:50:21.200 --> 0:50:28.720
<v Speaker 1>cannot compete. No, the itch isn't the same. Not just

0:50:29.000 --> 0:50:31.239
<v Speaker 1>doesn't hold a candle. You kids don't even know what

0:50:31.280 --> 0:50:36.759
<v Speaker 1>it's like to have your p burn. Unbelievable zoomers. Okay,

0:50:36.960 --> 0:50:43.480
<v Speaker 1>so um. Biographer Scott i'man basically said so again. Ford

0:50:43.640 --> 0:50:46.480
<v Speaker 1>joins the OSS and starts calling John Wayne a coward

0:50:46.800 --> 0:50:49.359
<v Speaker 1>for failing to serve um and tries to push him

0:50:49.360 --> 0:50:51.200
<v Speaker 1>to join. Now, there's a couple of different versions of

0:50:51.239 --> 0:50:54.440
<v Speaker 1>what Wayne wants to do in the OSS. Biographer Scott

0:50:54.480 --> 0:50:56.759
<v Speaker 1>i'man frames it as if John Wayne wanted to get

0:50:56.800 --> 0:50:59.879
<v Speaker 1>like a special ops gig suited for an action star.

0:51:00.520 --> 0:51:03.279
<v Speaker 1>So when i'man's telling, he crafts his application to the

0:51:03.280 --> 0:51:06.160
<v Speaker 1>ouss to make him look like an international man of mystery.

0:51:06.520 --> 0:51:10.640
<v Speaker 1>Quote swimming above average, small boat sailing, average football played

0:51:10.680 --> 0:51:14.440
<v Speaker 1>college ball at the University of Southern California. Squashing tennis, fair,

0:51:14.520 --> 0:51:18.439
<v Speaker 1>deep sea fishing, seven marlin in two years, hunting good field, shot,

0:51:18.640 --> 0:51:21.799
<v Speaker 1>horseback riding, have done falls and posse riding in pictures.

0:51:21.840 --> 0:51:24.879
<v Speaker 1>Not as easy as it sounds. So that's that's the way,

0:51:24.880 --> 0:51:26.440
<v Speaker 1>like I'm in as like he wants to try to

0:51:26.440 --> 0:51:29.359
<v Speaker 1>get a job doing like, you know, secret agent kind

0:51:29.440 --> 0:51:35.600
<v Speaker 1>of shit. Um, squashing tennis, that's fair. It's basically throwing

0:51:35.640 --> 0:51:40.600
<v Speaker 1>a grenade, you know. Fair. So Ford introduces John Wayne

0:51:40.600 --> 0:51:43.360
<v Speaker 1>to wild Bill Donovan, who's the head of the OSS

0:51:43.400 --> 0:51:45.200
<v Speaker 1>and like will become the founder of the c I

0:51:45.320 --> 0:51:48.919
<v Speaker 1>a UM, and Donovan suggests that Wayne might be good

0:51:48.920 --> 0:51:52.160
<v Speaker 1>for what they call small boat work, which is running

0:51:52.200 --> 0:51:55.279
<v Speaker 1>the German blockade to deliver weapons to partisans, which would

0:51:55.280 --> 0:51:57.879
<v Speaker 1>be a pretty cool thing to do in World War two.

0:51:58.360 --> 0:52:00.359
<v Speaker 1>If he really wants to get him a bit role

0:52:00.440 --> 0:52:03.359
<v Speaker 1>in the war in the war, well, and if he'd

0:52:03.360 --> 0:52:07.800
<v Speaker 1>done this, that's dope. Like that's literally, um fucking uh.

0:52:07.840 --> 0:52:15.960
<v Speaker 1>What's his name's character in Casablanca? Um? Yeah, um Bogart,

0:52:16.480 --> 0:52:19.080
<v Speaker 1>that's what he's doing. He's like running guns to two

0:52:19.120 --> 0:52:22.640
<v Speaker 1>rebels in like occupied Europe, and ship. So i'man says

0:52:22.680 --> 0:52:25.240
<v Speaker 1>like that's what John Wayne is trying to do. Wild

0:52:25.239 --> 0:52:27.160
<v Speaker 1>bills like, oh yeah, you'd be perfect for this. John

0:52:27.200 --> 0:52:30.480
<v Speaker 1>Wayne's like, I would love to run guns past the

0:52:30.560 --> 0:52:33.960
<v Speaker 1>Nazi blockade. I just gotta finish three more movies, Like,

0:52:34.000 --> 0:52:35.719
<v Speaker 1>give me three more movies, but then I'm gonna I'm

0:52:35.719 --> 0:52:37.720
<v Speaker 1>gonna be ready to get in. You know, I'm ready

0:52:37.760 --> 0:52:40.279
<v Speaker 1>to get in. And friends of his at the time

0:52:40.280 --> 0:52:42.400
<v Speaker 1>will note that he kind of always tells people I

0:52:42.440 --> 0:52:44.120
<v Speaker 1>just gotta do one more movie. I gotta do two

0:52:44.120 --> 0:52:46.080
<v Speaker 1>more movies and then I'm getting into the war effort.

0:52:46.120 --> 0:52:49.680
<v Speaker 1>Don't worry, guys, I'm almost there. I'll be right behind you.

0:52:49.760 --> 0:52:52.920
<v Speaker 1>This is like Trump on January six, Just like you guys,

0:52:52.960 --> 0:52:57.200
<v Speaker 1>go right there. There are versions of this story. One

0:52:57.320 --> 0:52:59.719
<v Speaker 1>version is that he films his three pictures and he

0:53:00.000 --> 0:53:03.000
<v Speaker 1>holls this officer at the OSS that Donovan had set

0:53:03.040 --> 0:53:04.960
<v Speaker 1>him up with, and that guy was like, dude, we

0:53:05.040 --> 0:53:07.000
<v Speaker 1>sent you a letter, you know, did you not get it?

0:53:07.040 --> 0:53:10.680
<v Speaker 1>We already filled that position. So john gets worried. He's like,

0:53:10.680 --> 0:53:12.200
<v Speaker 1>oh no, I'm gonna miss my chance to be in

0:53:12.239 --> 0:53:14.479
<v Speaker 1>the os S And he sends John Ford a letter

0:53:14.760 --> 0:53:18.600
<v Speaker 1>which states, dear Pappy, have you any suggestions on how

0:53:18.640 --> 0:53:21.120
<v Speaker 1>I should get in? Can I get assigned to your outfit?

0:53:21.160 --> 0:53:23.120
<v Speaker 1>And if I could, would you want me? How about

0:53:23.160 --> 0:53:25.360
<v Speaker 1>the Marines? You have Army and Navuman under you? Have

0:53:25.440 --> 0:53:27.400
<v Speaker 1>you any Marines? Or how about a CB or what

0:53:27.400 --> 0:53:29.960
<v Speaker 1>would you suggest? I just hate to ask favors, but

0:53:30.000 --> 0:53:34.239
<v Speaker 1>for Christ's sake, you can suggest, can't you. Now. I'man's

0:53:34.280 --> 0:53:36.360
<v Speaker 1>take here seems to be that John Wayne was perhaps

0:53:36.480 --> 0:53:39.640
<v Speaker 1>unwilling to fight, but or willing to serve, but not

0:53:39.760 --> 0:53:42.440
<v Speaker 1>as like a simple soldier. Whatever he was going to do,

0:53:42.520 --> 0:53:45.040
<v Speaker 1>he wanted it to be like a special position, one

0:53:45.080 --> 0:53:48.200
<v Speaker 1>that matched his opinion of himself, and something that would

0:53:48.200 --> 0:53:51.200
<v Speaker 1>exclude him from the standard military chain of command. So,

0:53:51.239 --> 0:53:54.160
<v Speaker 1>like Jimmy Stewart, Jean Autrey, Clark Gable, these guys are

0:53:54.200 --> 0:53:57.560
<v Speaker 1>all fighting as normal soldiers more or less, John Wayne

0:53:57.760 --> 0:54:00.680
<v Speaker 1>does not want to do that. Scott i'man writes, quote,

0:54:01.120 --> 0:54:04.239
<v Speaker 1>It's probable that Wayne was emotionally committed to working under

0:54:04.280 --> 0:54:07.359
<v Speaker 1>Ford's command, was embarrassed about Donovan shying away from him

0:54:07.360 --> 0:54:09.480
<v Speaker 1>at the height of the war, and simply wasn't willing

0:54:09.520 --> 0:54:12.160
<v Speaker 1>to enlist and take his chances. Certainly he had an

0:54:12.160 --> 0:54:14.799
<v Speaker 1>image of himself as an officer under Ford, but as

0:54:14.800 --> 0:54:16.640
<v Speaker 1>he would say, I would have had to go in

0:54:16.680 --> 0:54:18.839
<v Speaker 1>as a private. I took a dim view of that.

0:54:19.840 --> 0:54:24.359
<v Speaker 1>So the reality is unclean. And again, some people will

0:54:24.360 --> 0:54:26.480
<v Speaker 1>say initially John Wayne was trying to get this gig

0:54:26.600 --> 0:54:28.719
<v Speaker 1>running guns. Others will say he only just wanted to

0:54:28.760 --> 0:54:31.319
<v Speaker 1>be in Ford's unit making movies like he never wanted

0:54:31.360 --> 0:54:34.319
<v Speaker 1>to get close to the danger. Hard to say. Uh.

0:54:34.360 --> 0:54:36.840
<v Speaker 1>The author of the BuzzFeed right up, I quoted earlier

0:54:36.880 --> 0:54:40.799
<v Speaker 1>ads quote. The truth of Wayne's hesitation was logical, if unspeakable.

0:54:41.120 --> 0:54:43.239
<v Speaker 1>He'd worked for a decade to claw his way out

0:54:43.239 --> 0:54:45.840
<v Speaker 1>of the quickies. If he left Hollywood, then, even to

0:54:45.920 --> 0:54:49.040
<v Speaker 1>serve his country, he might not ever regain his momentum.

0:54:49.280 --> 0:54:51.840
<v Speaker 1>So he stayed put, made a dozen films, two of

0:54:51.880 --> 0:54:54.200
<v Speaker 1>which dealt with the war, and allowed the press to

0:54:54.320 --> 0:54:58.520
<v Speaker 1>rationalize his lack of service. He doesn't want to suck

0:54:58.560 --> 0:55:02.480
<v Speaker 1>his career up right now, or his hair, and that's

0:55:02.520 --> 0:55:06.440
<v Speaker 1>the dominant theory now. Richard Jensen has a third theory,

0:55:06.480 --> 0:55:08.759
<v Speaker 1>which a list at least explains why Wayne was not

0:55:08.840 --> 0:55:12.640
<v Speaker 1>accepted for the OSS. He argues that while John Ford

0:55:12.719 --> 0:55:15.000
<v Speaker 1>was giving John Wayne ship for not serving and being like,

0:55:15.040 --> 0:55:16.520
<v Speaker 1>why are you being in a coward? Why aren't you

0:55:16.520 --> 0:55:18.520
<v Speaker 1>willing to like man up and and take part in

0:55:18.560 --> 0:55:21.680
<v Speaker 1>this war. While he's doing that, Ford is also telling

0:55:21.680 --> 0:55:24.719
<v Speaker 1>wild Bill Donovan, don't hire this guy, don't let him in,

0:55:24.840 --> 0:55:28.399
<v Speaker 1>don't don't bring this guy like he'd done before. You know, Um,

0:55:28.440 --> 0:55:32.280
<v Speaker 1>he does this like about roles in Hollywood. So friends,

0:55:33.040 --> 0:55:37.080
<v Speaker 1>that's totally tracks. That's absolutely the guy John Ford is

0:55:37.560 --> 0:55:40.240
<v Speaker 1>right because he's already fallen out with him by this point.

0:55:40.320 --> 0:55:43.000
<v Speaker 1>So well, they're in and out a bunch, like they

0:55:43.120 --> 0:55:45.040
<v Speaker 1>they're close, Like Wayne will take care of him when

0:55:45.040 --> 0:55:48.240
<v Speaker 1>he's sick and dying. They have a codependent kind of thing, right,

0:55:48.280 --> 0:55:51.839
<v Speaker 1>Like it's totally a codependent relationship because like Ford will

0:55:51.840 --> 0:55:53.560
<v Speaker 1>want nothing to do with him and then want him

0:55:53.560 --> 0:55:56.080
<v Speaker 1>back and kind of yeah, they kissed that one time,

0:55:56.120 --> 0:56:01.120
<v Speaker 1>but they were drunk and they were drunk and it

0:56:01.200 --> 0:56:06.319
<v Speaker 1>was cold, so you know, john Ford, uh kind of

0:56:06.320 --> 0:56:08.480
<v Speaker 1>sucking and he does this like when he's not when

0:56:08.520 --> 0:56:11.280
<v Speaker 1>he's like ship shutting down Wayne's ability to get roles

0:56:11.320 --> 0:56:14.160
<v Speaker 1>early on in his career. He's also constantly being like, no,

0:56:14.320 --> 0:56:16.359
<v Speaker 1>you're not talented, so nobody's gonna want you to act

0:56:16.400 --> 0:56:18.600
<v Speaker 1>in their movies. Like your shitty at acting, You look

0:56:18.640 --> 0:56:24.080
<v Speaker 1>like crap, you're fat. You know, he's like the worst. Yeah,

0:56:24.280 --> 0:56:26.560
<v Speaker 1>and of course John Wayne loves him forever and takes

0:56:26.600 --> 0:56:28.640
<v Speaker 1>care of him when he's sick and dying. But yeah,

0:56:28.719 --> 0:56:32.680
<v Speaker 1>so friends speculated like this isn't Jensen who invinced the speculation.

0:56:32.719 --> 0:56:34.840
<v Speaker 1>People who are close to both of them speculate that

0:56:34.920 --> 0:56:38.280
<v Speaker 1>Ford stops John Wayne from getting a job as the oss.

0:56:38.320 --> 0:56:40.560
<v Speaker 1>Some will say it's revenge for what he did with Chattah,

0:56:40.640 --> 0:56:43.600
<v Speaker 1>that he likes divorcing his wife. You know that Ford

0:56:43.680 --> 0:56:45.960
<v Speaker 1>is just angry that he's getting a divorce because he's

0:56:46.000 --> 0:56:50.640
<v Speaker 1>super catholic. Uh. Jensen notes that others speculated Ford didn't

0:56:50.640 --> 0:56:52.640
<v Speaker 1>want John Wayne to get a chance to quote prove

0:56:52.719 --> 0:56:55.400
<v Speaker 1>he was Ford's equal, so he just didn't want him to,

0:56:55.440 --> 0:56:57.520
<v Speaker 1>like he wanted him to kind of look like ship

0:56:57.680 --> 0:56:59.600
<v Speaker 1>for not being in the war, because otherwise he might

0:56:59.600 --> 0:57:02.040
<v Speaker 1>look good it and then that's bad for Forward because

0:57:02.040 --> 0:57:05.239
<v Speaker 1>it makes Ford less powerful in the relationship. I don't

0:57:05.239 --> 0:57:07.560
<v Speaker 1>see why both can't be true. I think it seems

0:57:07.560 --> 0:57:09.600
<v Speaker 1>like both or true. And he wanted Wayne to think

0:57:09.600 --> 0:57:12.920
<v Speaker 1>he was. He wanted him in the war, and Wayne

0:57:12.920 --> 0:57:16.240
<v Speaker 1>didn't even want to go. He sure didn't. That seems

0:57:16.400 --> 0:57:18.800
<v Speaker 1>really clear that John Wayne did not want to go

0:57:18.840 --> 0:57:23.160
<v Speaker 1>to fucking war. Um. And I I mean, look, I

0:57:23.240 --> 0:57:26.840
<v Speaker 1>don't blame him, but yes it is. I don't. I

0:57:26.880 --> 0:57:31.520
<v Speaker 1>don't cling to this kind of masculinity. Yeah, so I

0:57:31.520 --> 0:57:33.840
<v Speaker 1>don't have the same, but it does seem like a

0:57:33.960 --> 0:57:39.440
<v Speaker 1>bigal oversight for those who are waving Wayne flags at rallies. Still, Yeah,

0:57:39.720 --> 0:57:43.080
<v Speaker 1>it's it's that's exactly like right, and it's going to

0:57:43.120 --> 0:57:45.880
<v Speaker 1>get grocer later. Like obviously, as a general rule, I

0:57:45.920 --> 0:57:49.240
<v Speaker 1>am pro draft dodging. I will say World War two

0:57:49.320 --> 0:57:52.000
<v Speaker 1>is the one war where you're kind of questionable if

0:57:52.000 --> 0:57:54.640
<v Speaker 1>you're dodging it because like some ship didn't need to

0:57:54.680 --> 0:57:59.120
<v Speaker 1>get done, you know. Um. But generally speaking, I'm pro

0:57:59.280 --> 0:58:03.160
<v Speaker 1>draft dodging, but not when you become like super pro

0:58:03.240 --> 0:58:06.600
<v Speaker 1>war forever after that, then then you're being scummy if

0:58:06.600 --> 0:58:08.600
<v Speaker 1>you draft dodge and are like nobody should have to

0:58:08.600 --> 0:58:11.400
<v Speaker 1>fight in a war. That's fine, that's perfectly consistent. That

0:58:11.480 --> 0:58:13.440
<v Speaker 1>is not where John Wayne's going to go, right, And

0:58:13.520 --> 0:58:18.600
<v Speaker 1>your entire persona is crafted around sort of this American

0:58:18.640 --> 0:58:21.840
<v Speaker 1>hero worship and you rely on that and you're winning

0:58:22.080 --> 0:58:25.680
<v Speaker 1>these you know, battles on the frontier, you're forming a nation.

0:58:26.120 --> 0:58:29.680
<v Speaker 1>You are literally playing soldiers fighting in the Battle of Iwajima.

0:58:29.800 --> 0:58:32.080
<v Speaker 1>You know, that's like one of your iconic films. And

0:58:32.160 --> 0:58:36.040
<v Speaker 1>like you, you didn't even wouldn't even make didn't even

0:58:36.160 --> 0:58:38.400
<v Speaker 1>find out a way to make movies for the government

0:58:38.480 --> 0:58:41.520
<v Speaker 1>during the war. Like right, Um, let alone do the ship.

0:58:41.640 --> 0:58:44.760
<v Speaker 1>And by the way, Jimmy Stewart never a big action star,

0:58:45.360 --> 0:58:49.480
<v Speaker 1>but fucking put up when it was time to put up.

0:58:50.040 --> 0:58:54.480
<v Speaker 1>Put his fucking money where his mouth was. Um. Anyway,

0:58:54.680 --> 0:58:56.600
<v Speaker 1>you know who else puts their money where their mouth is?

0:58:58.760 --> 0:59:01.440
<v Speaker 1>Products and services? Who sup with this podcast? Who also

0:59:02.080 --> 0:59:08.200
<v Speaker 1>helped carry out the bombing of Fortress Europe? Good on them?

0:59:08.200 --> 0:59:11.240
<v Speaker 1>That's the that's the one promise that our sponsors make

0:59:11.360 --> 0:59:17.160
<v Speaker 1>is that they have bombed German cities. Um, absolutely uh

0:59:17.240 --> 0:59:20.360
<v Speaker 1>from it's the Italians problems with you know what I mean,

0:59:20.360 --> 0:59:25.040
<v Speaker 1>they were already it was over, Yeah, dropping pasta on them,

0:59:25.080 --> 0:59:28.760
<v Speaker 1>just way too much. Bombing of Napoli. Yeah, it was

0:59:29.080 --> 0:59:32.640
<v Speaker 1>a lot of pretty cities get pretty fucked up here. Look,

0:59:32.720 --> 0:59:43.520
<v Speaker 1>it's it's a messy war. Um so ads we're back

0:59:43.920 --> 0:59:49.240
<v Speaker 1>so um so good ship. It's good stuff. John Wayne

0:59:49.720 --> 0:59:54.040
<v Speaker 1>does like volunteer spends like three weeks visiting troops fighting

0:59:54.040 --> 0:59:56.640
<v Speaker 1>in Guam. Like he does a little tour. He does

0:59:56.640 --> 1:00:00.680
<v Speaker 1>some USO shit, but not not much. Sky i'man who

1:00:00.760 --> 1:00:04.840
<v Speaker 1>is like a very positive biographer really likes John Wayne

1:00:05.080 --> 1:00:07.800
<v Speaker 1>even notes that, like he didn't really do much in

1:00:07.880 --> 1:00:10.720
<v Speaker 1>World War Two by the standards of other guys, even

1:00:10.760 --> 1:00:13.080
<v Speaker 1>other guys who didn't join the military, he did less

1:00:13.120 --> 1:00:16.320
<v Speaker 1>than them. He just visited troops and like flipped his

1:00:16.320 --> 1:00:18.720
<v Speaker 1>pistol around a few times. And he doesn't visit a

1:00:18.920 --> 1:00:22.680
<v Speaker 1>much like Bob Hope, right, who sucks bad person. There's

1:00:22.680 --> 1:00:25.760
<v Speaker 1>a lot of like horrible regressive politics. But Bob Hope

1:00:25.960 --> 1:00:29.240
<v Speaker 1>cannot serve in this period and like spends like his

1:00:29.320 --> 1:00:31.960
<v Speaker 1>whole all of his time going to field hospitals and

1:00:32.000 --> 1:00:34.560
<v Speaker 1>doing shows. Like there are guys who don't serve but

1:00:34.680 --> 1:00:36.960
<v Speaker 1>still like put a huge amount of time into like

1:00:37.040 --> 1:00:39.840
<v Speaker 1>keeping morale up for troops. John Wayne does a bit

1:00:39.880 --> 1:00:41.680
<v Speaker 1>of that, but he he doesn't really want to take

1:00:41.720 --> 1:00:44.920
<v Speaker 1>a break from his career to even do that. Um,

1:00:44.960 --> 1:00:48.320
<v Speaker 1>he would visit USO hospitals to talk to wounded soldiers,

1:00:48.320 --> 1:00:50.720
<v Speaker 1>who would often ask him, why aren't you in this war,

1:00:50.880 --> 1:00:53.720
<v Speaker 1>Duke um, and he would he would be like, I

1:00:53.760 --> 1:00:59.200
<v Speaker 1>have an old football injury. I knew he was back

1:00:59.280 --> 1:01:03.880
<v Speaker 1>up boy. You know you ever heard a body surfing? Yeah,

1:01:04.440 --> 1:01:06.720
<v Speaker 1>and we used to do in the Old West. Like

1:01:07.240 --> 1:01:11.000
<v Speaker 1>every single soldier who landed at Normandy hadn't fucked themselves

1:01:11.040 --> 1:01:13.479
<v Speaker 1>up playing football as a kid, right, Like they didn't

1:01:13.480 --> 1:01:16.040
<v Speaker 1>have pads back then. All of them were dead shoulder

1:01:16.080 --> 1:01:19.240
<v Speaker 1>and back injuries. No, you are and fodder. You need

1:01:19.280 --> 1:01:21.840
<v Speaker 1>to go now. Yeah, it's fine if you're back hurts,

1:01:21.880 --> 1:01:27.200
<v Speaker 1>it'll be over suon Yeah god, um so he yeah.

1:01:27.240 --> 1:01:29.840
<v Speaker 1>He sometimes would say that President Roosevelt had asked him

1:01:29.840 --> 1:01:32.600
<v Speaker 1>to keep morale up by making more movies. This is

1:01:32.920 --> 1:01:35.840
<v Speaker 1>super untrue, but he doesn't make a lot of movies. Um.

1:01:35.880 --> 1:01:38.640
<v Speaker 1>And obviously this works out great for him career wise

1:01:38.680 --> 1:01:40.880
<v Speaker 1>because all of the other leading men who might take

1:01:41.000 --> 1:01:45.440
<v Speaker 1>roles for him are off fighting and in some cases dying. Um.

1:01:45.520 --> 1:01:49.560
<v Speaker 1>You know, bily brilliant strategy. Have you seen gone with

1:01:49.600 --> 1:01:52.600
<v Speaker 1>the Wind? I have you know the kid, the like

1:01:52.680 --> 1:01:55.360
<v Speaker 1>fresh faced young kid who like marries Scarlett early in

1:01:55.360 --> 1:01:58.720
<v Speaker 1>the movie and becomes uh like goes off to die

1:01:58.760 --> 1:02:02.960
<v Speaker 1>and dies in the Confederate arm Yes, he actually dies

1:02:03.040 --> 1:02:08.160
<v Speaker 1>fighting in World War two, Like he dies in combat. Yeah. Um,

1:02:08.200 --> 1:02:11.640
<v Speaker 1>so this is again a lot of times you have

1:02:11.760 --> 1:02:16.040
<v Speaker 1>like soldier like especially nowadays and when Vietnam comes around,

1:02:16.040 --> 1:02:18.160
<v Speaker 1>like there will be moments and stuff and in Korea,

1:02:18.560 --> 1:02:21.320
<v Speaker 1>like with Elvis, where it's very performative. This is not

1:02:21.520 --> 1:02:24.600
<v Speaker 1>performative for most of the celebrities who join in World

1:02:24.600 --> 1:02:30.440
<v Speaker 1>War Two. Clark Gable people, Yeah, Gable Gable did Gable

1:02:30.640 --> 1:02:34.920
<v Speaker 1>weight ship. I'm mixing him up with the other one. Um,

1:02:35.000 --> 1:02:38.480
<v Speaker 1>you said Cooper didn't. Yeah, Cooper did not. Clark Gable does.

1:02:38.560 --> 1:02:41.520
<v Speaker 1>Clark Gable is like a fucking a gunner, like on

1:02:41.560 --> 1:02:44.440
<v Speaker 1>a on a bomber plane. Um, which is one of

1:02:44.440 --> 1:02:47.280
<v Speaker 1>the most dangerous jobs in the whole war. Um. You're

1:02:47.320 --> 1:02:50.280
<v Speaker 1>like hanging in like a glass cockpit on the bottom

1:02:50.320 --> 1:02:53.360
<v Speaker 1>of a plane, exposed to gunfire with no armor and

1:02:53.360 --> 1:02:55.680
<v Speaker 1>if you get shot, you just get the air sucked

1:02:55.680 --> 1:02:57.680
<v Speaker 1>out of you and pulled to the ground. It's a horror.

1:02:58.120 --> 1:03:04.640
<v Speaker 1>Butler did that. Fuck Yeah, he fucking yeah, he sure did.

1:03:05.080 --> 1:03:10.560
<v Speaker 1>Look he's not He's pretty right. Wing himself, but definitely hot,

1:03:11.160 --> 1:03:13.520
<v Speaker 1>like we could we could be fair about that, comparing

1:03:13.760 --> 1:03:16.240
<v Speaker 1>pieces of trap. I mean, like, that's what this show is.

1:03:16.360 --> 1:03:19.919
<v Speaker 1>It's though. It is though funny that Rhett Butler goes

1:03:20.000 --> 1:03:22.720
<v Speaker 1>to war and like survives and the kid who dies

1:03:22.760 --> 1:03:28.360
<v Speaker 1>and gone with the wind also dies finding um loops

1:03:29.120 --> 1:03:34.520
<v Speaker 1>little on the nose, Hollywood. Um so uh. If you're

1:03:34.560 --> 1:03:37.280
<v Speaker 1>surprised that the man who dodged the draft in World

1:03:37.320 --> 1:03:39.320
<v Speaker 1>War Two, which is the only war in which that's

1:03:39.400 --> 1:03:42.360
<v Speaker 1>arguably unethical, goes on to become a right wing icon,

1:03:42.840 --> 1:03:46.240
<v Speaker 1>you should not be. What's interesting is that John Wayne

1:03:46.320 --> 1:03:49.040
<v Speaker 1>himself would spend the rest of his life outraged by

1:03:49.080 --> 1:03:52.520
<v Speaker 1>his own failure to serve. Whether it was venal profit

1:03:52.600 --> 1:03:55.320
<v Speaker 1>seeking or simple cowardice, he saw it as the ultimate

1:03:55.320 --> 1:03:59.200
<v Speaker 1>strike against his MACHINESMO and Ford never lets him forget it.

1:03:59.360 --> 1:04:02.240
<v Speaker 1>Oh God. Perhaps the first expression of this comes in

1:04:02.320 --> 1:04:05.080
<v Speaker 1>nineteen forty four, when he helps to create the Motion

1:04:05.160 --> 1:04:08.880
<v Speaker 1>Picture Alliance for the Preservation of American Ideals or m

1:04:08.920 --> 1:04:11.800
<v Speaker 1>p A. Now with a name like that, you know,

1:04:11.960 --> 1:04:14.520
<v Speaker 1>some fucked up culture war bullshit is about to drop,

1:04:14.600 --> 1:04:18.240
<v Speaker 1>and it sure did. See brown people will be killed

1:04:18.480 --> 1:04:21.400
<v Speaker 1>in the in these films. Yeah, I mean it's more that,

1:04:21.560 --> 1:04:25.480
<v Speaker 1>like these guys are hardcore anti communist, which if you're

1:04:25.520 --> 1:04:28.560
<v Speaker 1>an anti communist in the US World War Two, you

1:04:28.640 --> 1:04:30.440
<v Speaker 1>kind of got to sit out a little bit, like

1:04:30.480 --> 1:04:32.960
<v Speaker 1>you gotta kind of keep quiet because the Soviet unions

1:04:32.960 --> 1:04:35.320
<v Speaker 1>are ally you can't kind of you cannot be as

1:04:35.400 --> 1:04:40.760
<v Speaker 1>unhinged in your attacks against communism for four years or so, um,

1:04:40.800 --> 1:04:42.640
<v Speaker 1>because we we kind of need them to do all

1:04:42.720 --> 1:04:47.240
<v Speaker 1>of that, because we need like twenty million of them

1:04:47.240 --> 1:04:53.000
<v Speaker 1>are so to die fighting. Um. So nineteen forty four,

1:04:53.040 --> 1:04:55.680
<v Speaker 1>they start this anti communist organization kind of near the

1:04:55.720 --> 1:04:58.160
<v Speaker 1>end of the war, and John Wayne had not been

1:04:58.200 --> 1:05:00.840
<v Speaker 1>political earlier in his career. He would later claim to

1:05:00.920 --> 1:05:03.360
<v Speaker 1>have even had a socialist period. I don't know how true.

1:05:03.400 --> 1:05:04.920
<v Speaker 1>I think that is. It's kind of a right wing

1:05:04.960 --> 1:05:06.640
<v Speaker 1>thing to claim he used to be a socialist in

1:05:06.680 --> 1:05:09.080
<v Speaker 1>college then he saw the light. I think he's one

1:05:09.080 --> 1:05:12.920
<v Speaker 1>of the first guys to do that. Absolutely. This is yeah,

1:05:13.000 --> 1:05:16.440
<v Speaker 1>that is such a playbook. Yeah. His friend Henry Fonda

1:05:16.560 --> 1:05:19.920
<v Speaker 1>later recalled quote, the Duke couldn't even spell politics in

1:05:19.920 --> 1:05:23.400
<v Speaker 1>the thirties, So I think it's probably he just did

1:05:23.440 --> 1:05:26.600
<v Speaker 1>not give a shit um. But in the early forties, again,

1:05:26.640 --> 1:05:28.400
<v Speaker 1>he's got to do something to feel like a man.

1:05:28.600 --> 1:05:31.120
<v Speaker 1>He's got to do something to like shore up his

1:05:31.200 --> 1:05:34.760
<v Speaker 1>credentials as a tough guy, and being anti communists seems

1:05:34.800 --> 1:05:37.840
<v Speaker 1>like the best bet. So he gets elected head of

1:05:37.840 --> 1:05:40.920
<v Speaker 1>the Screen Actors Guild in the early forties. Um. And

1:05:40.960 --> 1:05:43.200
<v Speaker 1>he claims that becoming the head of a union is

1:05:43.200 --> 1:05:45.520
<v Speaker 1>the first time he starts to notice the deadly trend

1:05:45.560 --> 1:05:50.960
<v Speaker 1>of on wrestling socialism. Yeah, so that's so perfect. That's

1:05:51.000 --> 1:05:56.360
<v Speaker 1>also just so peak, like right wing icon idiot. Oh yeah,

1:05:56.440 --> 1:05:59.720
<v Speaker 1>it's it's beautiful. Thanks to this union, I realized unions

1:05:59.720 --> 1:06:05.200
<v Speaker 1>are too terrible. Yeah, except for this one and the police.

1:06:05.840 --> 1:06:08.480
<v Speaker 1>Once you get union, So, once you get sensitized to it,

1:06:08.560 --> 1:06:10.600
<v Speaker 1>he told an interviewer, you'd begin to be aware of

1:06:10.640 --> 1:06:14.440
<v Speaker 1>cracks at our president, the flag patriotism. He described the

1:06:14.480 --> 1:06:17.680
<v Speaker 1>attitude of his colleagues towards traditional Americana as quote a

1:06:17.760 --> 1:06:23.800
<v Speaker 1>kind of sneering. Now this is up, you suck an asshole.

1:06:24.400 --> 1:06:26.560
<v Speaker 1>This is all ship, he would claim later after he

1:06:26.600 --> 1:06:30.080
<v Speaker 1>became a political figure. UM film critic and his story

1:06:30.080 --> 1:06:33.360
<v Speaker 1>and Emmanuel Leave believes that guilt over his failure to

1:06:33.400 --> 1:06:36.840
<v Speaker 1>serve in World War Two drove Wayne to right wing politics.

1:06:37.120 --> 1:06:39.720
<v Speaker 1>There's ample evidence to suggest this. Friends of his, like

1:06:39.760 --> 1:06:43.920
<v Speaker 1>Mary Saint John often gave telling anecdotes quote he was

1:06:43.920 --> 1:06:45.480
<v Speaker 1>not the kind of man to dwell on it or

1:06:45.520 --> 1:06:47.560
<v Speaker 1>talk about it, but you knew he did. You could

1:06:47.560 --> 1:06:49.880
<v Speaker 1>see it in his face. Whenever anyone asked him about

1:06:49.880 --> 1:06:52.120
<v Speaker 1>his war record, he wouldn't tell them that he had

1:06:52.120 --> 1:06:54.560
<v Speaker 1>not served, and it made him feel like a hypocrite.

1:06:55.560 --> 1:07:00.200
<v Speaker 1>So that's so perfect. Of course, you're gonna make up

1:07:00.240 --> 1:07:02.600
<v Speaker 1>for your your feeling that you didn't defend your country

1:07:02.640 --> 1:07:08.200
<v Speaker 1>by you utilizing the most bullshit prop of so called Americanism,

1:07:08.200 --> 1:07:12.680
<v Speaker 1>which is defending yourself against communism. Yeah, and and oh

1:07:12.760 --> 1:07:14.880
<v Speaker 1>it's so and it's so perfect, and it is like

1:07:14.920 --> 1:07:19.560
<v Speaker 1>the parallels again to today two Trump's little bones burs.

1:07:19.600 --> 1:07:21.680
<v Speaker 1>I hate to bring his name up again, but just

1:07:22.360 --> 1:07:24.520
<v Speaker 1>it's so clear. And the people who are the most

1:07:24.600 --> 1:07:27.880
<v Speaker 1>vitriolic are also folks who would never in their fucking

1:07:27.920 --> 1:07:32.640
<v Speaker 1>lives fight for any cause. Yeah, it's the same ship

1:07:32.720 --> 1:07:35.520
<v Speaker 1>with like George Bush, you know, getting getting a cushy

1:07:35.600 --> 1:07:40.920
<v Speaker 1>family excuse not to actually fight in Vietnam. Um, you know,

1:07:41.720 --> 1:07:46.680
<v Speaker 1>it's it's it's it's this but like super willing to

1:07:46.720 --> 1:07:49.480
<v Speaker 1>send other people to fight, and what matters is the image.

1:07:49.520 --> 1:07:52.040
<v Speaker 1>It doesn't matter, Like what you do doesn't matter. It's

1:07:52.040 --> 1:07:54.040
<v Speaker 1>just like why you can you can pay for your

1:07:54.120 --> 1:07:57.000
<v Speaker 1>daughter to have an abortion and also support ending the

1:07:57.120 --> 1:08:02.600
<v Speaker 1>right uh to to to reproductive choice. Because it's not

1:08:02.680 --> 1:08:05.200
<v Speaker 1>what you do that matters. It's what you say you

1:08:05.240 --> 1:08:07.760
<v Speaker 1>know in public, and it's whether or not you have

1:08:07.840 --> 1:08:09.960
<v Speaker 1>the wear the right hat. It's like Ben Shapiro with

1:08:10.000 --> 1:08:13.520
<v Speaker 1>his cowboy hat and his big black truck. You never

1:08:13.640 --> 1:08:16.479
<v Speaker 1>towed Ben Shapiro. You don't know how to toe, you

1:08:16.560 --> 1:08:19.160
<v Speaker 1>know how to set a fucking tow hitch, Like, by god,

1:08:19.200 --> 1:08:21.920
<v Speaker 1>you would panic if you had to change lanes with

1:08:21.960 --> 1:08:29.080
<v Speaker 1>a trailer, Like but you got that characterization. Yeah, Ben

1:08:30.720 --> 1:08:34.200
<v Speaker 1>haul like a fucking tin foot, little bit, little baby

1:08:34.240 --> 1:08:37.200
<v Speaker 1>trailer just just once been show me you know how

1:08:37.240 --> 1:08:40.800
<v Speaker 1>to use a truck? Literally? Tiny boat work? What is it?

1:08:40.920 --> 1:08:44.960
<v Speaker 1>Small boats? Small boat work? Couldn't do small fishing for Marlin.

1:08:45.160 --> 1:08:52.360
<v Speaker 1>Goddamn it. Go run some guns, John Wayne, So leave manual.

1:08:52.439 --> 1:08:55.760
<v Speaker 1>Leave the fucking film. Criticism claims that like this sort

1:08:55.800 --> 1:08:57.920
<v Speaker 1>of shame is what drives Wayne to the m p

1:08:58.000 --> 1:09:02.200
<v Speaker 1>A in nineteen. Like blockbuster war movies, doing this was

1:09:02.240 --> 1:09:05.240
<v Speaker 1>a prominent and easily publicized way to frame himself as

1:09:05.240 --> 1:09:08.320
<v Speaker 1>a warrior struggling against the great evil, when he had

1:09:08.360 --> 1:09:10.960
<v Speaker 1>actually failed to do anything about the real great evil

1:09:11.000 --> 1:09:13.840
<v Speaker 1>of the time. UM. He served as the president of

1:09:13.880 --> 1:09:17.759
<v Speaker 1>the organization starting in nineteen forty nine, now the year before,

1:09:17.920 --> 1:09:20.360
<v Speaker 1>at age forty one, John Wayne was cast in a

1:09:20.400 --> 1:09:23.719
<v Speaker 1>film called Red River. This would be the first movie

1:09:23.760 --> 1:09:26.080
<v Speaker 1>to feature Wayne as he is now most famous to

1:09:26.160 --> 1:09:30.479
<v Speaker 1>millions of Americans as a gruff, hard edged, late middle

1:09:30.479 --> 1:09:33.240
<v Speaker 1>aged cowboy because again he's aged like he looks like

1:09:33.280 --> 1:09:35.320
<v Speaker 1>he's in his fifties in this because but also kind

1:09:35.320 --> 1:09:39.440
<v Speaker 1>of the perfect like American hero um, sort of unwitting,

1:09:39.880 --> 1:09:44.000
<v Speaker 1>like I don't want to be here, um, like protagonist,

1:09:44.240 --> 1:09:46.559
<v Speaker 1>which is something that we love. We love a guy

1:09:46.640 --> 1:09:49.320
<v Speaker 1>he's about to retire, but he gets drawn out of

1:09:49.320 --> 1:09:52.200
<v Speaker 1>retirement because he's got a fucking kid. Gas. Yeah, it's

1:09:52.200 --> 1:09:55.200
<v Speaker 1>like you're sucking John McClain. He's balding and divorced and

1:09:55.240 --> 1:09:57.160
<v Speaker 1>he's like exhausted, but then he's got to go murder

1:09:57.200 --> 1:09:59.960
<v Speaker 1>some Germans. You know, we love that ship, Bruce Will.

1:10:00.040 --> 1:10:03.080
<v Speaker 1>This did this perfectly. Yeah, he really did. He did

1:10:03.120 --> 1:10:08.040
<v Speaker 1>everything right in his in his career politics. Probably I've

1:10:08.560 --> 1:10:11.680
<v Speaker 1>never wanted to know what Bruce Willis beliefs about politics.

1:10:11.720 --> 1:10:15.439
<v Speaker 1>It seems like that wouldn't make me happy. It's also

1:10:15.560 --> 1:10:17.960
<v Speaker 1>changed in the last like ten years. I feel like,

1:10:18.320 --> 1:10:20.280
<v Speaker 1>whereas like right wingers, we would think we're more right

1:10:20.280 --> 1:10:23.320
<v Speaker 1>wing in Hollywood like ten years ago, or just like, hey,

1:10:23.400 --> 1:10:25.519
<v Speaker 1>that guy's pretty good. You know, he's fine. Yeah, it's

1:10:25.560 --> 1:10:28.080
<v Speaker 1>it's it's the Arnold Schwarzenegger thing where it's like you've

1:10:28.120 --> 1:10:31.760
<v Speaker 1>suddenly gone from being like an arch conservative to one

1:10:31.800 --> 1:10:35.600
<v Speaker 1>of the least crazy people talking about politics in America

1:10:35.640 --> 1:10:38.240
<v Speaker 1>because everything has lurched so far to the right. It's

1:10:38.320 --> 1:10:43.040
<v Speaker 1>it's great, it's fine, it's not going to cause any problems. Um.

1:10:43.080 --> 1:10:47.719
<v Speaker 1>So it's this John Wayne, this kind of tough older cowboy. Um,

1:10:47.800 --> 1:10:49.960
<v Speaker 1>this old hand who he's like one of the terms

1:10:50.000 --> 1:10:53.080
<v Speaker 1>he's he's a begrudging tutor for younger cowboys. Right, that's

1:10:53.080 --> 1:10:55.160
<v Speaker 1>a big part of his appeal in these movies. He's

1:10:55.360 --> 1:10:58.479
<v Speaker 1>taking some fresh faced young book under his wing. This

1:10:58.560 --> 1:11:00.719
<v Speaker 1>is the John Wayne. He's a star are at this point?

1:11:01.040 --> 1:11:03.599
<v Speaker 1>This is the John Wayne that becomes an icon, right,

1:11:04.120 --> 1:11:06.519
<v Speaker 1>Like this is the John Wayne whose face is still

1:11:06.560 --> 1:11:09.680
<v Speaker 1>plastered all over fucking merch tables at gun shows to

1:11:09.720 --> 1:11:13.760
<v Speaker 1>this day. So his his career torpedoes forward at the

1:11:13.800 --> 1:11:17.320
<v Speaker 1>same time as his anti communist activism lurches forward. He

1:11:17.360 --> 1:11:21.160
<v Speaker 1>serves three turns as president of the the the m

1:11:21.240 --> 1:11:24.400
<v Speaker 1>p A until nineteen fifty two. Now, since this was

1:11:24.439 --> 1:11:27.200
<v Speaker 1>the height of the Second Red Scare, many of John

1:11:27.240 --> 1:11:30.320
<v Speaker 1>Wayne's friends and many of the studio executives in particular,

1:11:30.360 --> 1:11:32.439
<v Speaker 1>warned him that, like, hey, you might not want to

1:11:32.439 --> 1:11:34.760
<v Speaker 1>get into politics this much. It could kill you with

1:11:34.840 --> 1:11:38.880
<v Speaker 1>the box office. Americans, whatever we feel about communists, may

1:11:38.920 --> 1:11:42.080
<v Speaker 1>not want to see John Wayne, cowboy hero wearing a

1:11:42.160 --> 1:11:46.600
<v Speaker 1>suit talking to Congress about like your colleagues being socialists.

1:11:47.320 --> 1:11:53.479
<v Speaker 1>Um so uh, John Wayne claimed, like it's one of

1:11:53.479 --> 1:11:56.439
<v Speaker 1>those things. The idea that like this is probably not true.

1:11:56.479 --> 1:11:58.599
<v Speaker 1>The idea that like he got a lot of pushback

1:11:58.640 --> 1:12:01.599
<v Speaker 1>saying he shouldn't get into right way politics is probably

1:12:01.640 --> 1:12:03.640
<v Speaker 1>a lie because John Wayne is the only one who

1:12:03.720 --> 1:12:06.000
<v Speaker 1>claims it, and he only ever brings this up to

1:12:06.040 --> 1:12:08.879
<v Speaker 1>point out that but even then, I became the biggest

1:12:08.960 --> 1:12:11.960
<v Speaker 1>box office draw in Hollywood. After you know I started

1:12:12.000 --> 1:12:14.040
<v Speaker 1>doing all this stuff. Like That's how he frames it

1:12:14.040 --> 1:12:17.360
<v Speaker 1>as like they didn't want me to start being anti communists,

1:12:17.360 --> 1:12:19.719
<v Speaker 1>but once I did, that just made me more popular.

1:12:20.439 --> 1:12:24.519
<v Speaker 1>Um yeah, once again trying to cancel me. First they

1:12:24.520 --> 1:12:29.600
<v Speaker 1>took Jenny, then they take my anti communist activism. He is,

1:12:29.640 --> 1:12:32.960
<v Speaker 1>by the way, married to Chattah and has divorced Jenny

1:12:32.960 --> 1:12:35.439
<v Speaker 1>at this point. Whether or not, like his kids today

1:12:35.680 --> 1:12:38.120
<v Speaker 1>will claim, I should note that he was a good

1:12:38.200 --> 1:12:41.200
<v Speaker 1>dad and like stayed in their lives. I don't know

1:12:41.280 --> 1:12:44.080
<v Speaker 1>what the cases some biographers have claimed other things, but

1:12:44.160 --> 1:12:47.519
<v Speaker 1>his kids are pretty positive about I mean maybe I

1:12:47.560 --> 1:12:50.439
<v Speaker 1>don't know. I'm not gonna tell them what their lives

1:12:50.439 --> 1:12:54.439
<v Speaker 1>were like. Um, he's certainly like I don't think they

1:12:54.800 --> 1:12:57.920
<v Speaker 1>wanted for anything right, Like he didn't like like they

1:12:58.240 --> 1:13:03.080
<v Speaker 1>benefited from the Wayne money. It's scene like so um so.

1:13:03.320 --> 1:13:07.479
<v Speaker 1>Eugene Levy describes how he generally framed this to the press.

1:13:07.880 --> 1:13:10.080
<v Speaker 1>Wayne said that those who warned him must have meant

1:13:10.080 --> 1:13:13.000
<v Speaker 1>it would ruin me with the Moscow fan clubs, because

1:13:13.040 --> 1:13:15.679
<v Speaker 1>when I became president of the Alliance, I was thirty

1:13:15.720 --> 1:13:18.240
<v Speaker 1>second on the box office polls. But last year i'd

1:13:18.240 --> 1:13:21.280
<v Speaker 1>skin it up near the top. It's very familiar right

1:13:21.320 --> 1:13:24.400
<v Speaker 1>wing framing. Right, they tried to cancel me, but I

1:13:24.479 --> 1:13:27.519
<v Speaker 1>just it just made me more popular all that ship.

1:13:27.640 --> 1:13:31.919
<v Speaker 1>He's the perfect figurehead for not World War Two, arguably

1:13:31.960 --> 1:13:34.519
<v Speaker 1>the most righteous American war, but the Cold War the

1:13:34.560 --> 1:13:41.360
<v Speaker 1>most exactly like unrighteous, like pillaging you know, Third World

1:13:41.400 --> 1:13:45.720
<v Speaker 1>countries or Global South countries under phantom threats. I'm not

1:13:45.760 --> 1:13:49.280
<v Speaker 1>saying it didn't get real at a certain point, but

1:13:49.360 --> 1:13:52.640
<v Speaker 1>like it was such a propaganda war because we have

1:13:52.760 --> 1:13:56.840
<v Speaker 1>this one war that is unquestionably necessary, and he's like, nah,

1:13:56.960 --> 1:13:59.639
<v Speaker 1>that ain't me. But then we started invading these tiny

1:13:59.680 --> 1:14:02.120
<v Speaker 1>little entrees and he's like, oh yeah, yeah, fun m up,

1:14:02.760 --> 1:14:10.440
<v Speaker 1>fuck um up, um yeah, it's cool. He he innvinced

1:14:10.439 --> 1:14:13.559
<v Speaker 1>being James Woods in a way. So the part of

1:14:13.560 --> 1:14:16.559
<v Speaker 1>the second Red Scare that John Wayne was personally involved

1:14:16.560 --> 1:14:19.160
<v Speaker 1>in was the backlash to the pro Soviet movies that

1:14:19.200 --> 1:14:21.840
<v Speaker 1>he made in the early nineteen forties. Members of the

1:14:21.880 --> 1:14:26.360
<v Speaker 1>House un American Activities Committee HUAC were livid that studios

1:14:26.400 --> 1:14:30.280
<v Speaker 1>like MGM had made films celebrating the Russian war effort. Suddenly,

1:14:30.320 --> 1:14:32.720
<v Speaker 1>Hollywood stars were being called up to inform on their

1:14:32.720 --> 1:14:36.360
<v Speaker 1>fellow celebs for left wing sympathies leave you writes quote.

1:14:36.760 --> 1:14:39.240
<v Speaker 1>It got to the point where Lela Rodgers, Jinger's mother

1:14:39.280 --> 1:14:42.519
<v Speaker 1>and vice president at r KO, was asked to examine

1:14:42.560 --> 1:14:45.920
<v Speaker 1>all screenplays for questionable content. She was proud to declare

1:14:45.960 --> 1:14:48.400
<v Speaker 1>that she had found a line in the Tinder Comrade

1:14:48.400 --> 1:14:52.000
<v Speaker 1>which stated share and share alike, that's the meaning of democracy.

1:14:52.439 --> 1:14:55.640
<v Speaker 1>Dalton Trumbo, who wrote the screenplay, later became one of

1:14:55.680 --> 1:14:59.200
<v Speaker 1>the Hollywood Ten. The friendly witnesses of HUAC included many

1:14:59.240 --> 1:15:03.440
<v Speaker 1>Hollywood celebrit such as Gary Cooper, who reportedly condemned communism

1:15:03.439 --> 1:15:06.000
<v Speaker 1>because it was not on the level whatever that meant,

1:15:06.360 --> 1:15:09.200
<v Speaker 1>or Adolph Minju, whose credo was that communism could be

1:15:09.240 --> 1:15:12.400
<v Speaker 1>expressed by players by a look, by an inflection, by

1:15:12.439 --> 1:15:17.640
<v Speaker 1>a change in voice. So what that's what? Literally, like

1:15:17.680 --> 1:15:20.200
<v Speaker 1>Trumbo gets canceled for ship like that, for saying like

1:15:20.200 --> 1:15:23.120
<v Speaker 1>democracy is about sharing. Like that's like the most cancel

1:15:23.160 --> 1:15:27.000
<v Speaker 1>culture America's ever got is what does to fucking yeah

1:15:27.040 --> 1:15:32.599
<v Speaker 1>exactly on American activities man back by the way, Oh

1:15:32.680 --> 1:15:35.719
<v Speaker 1>for sure, they're so horny to do this. Ronald Reagan

1:15:35.800 --> 1:15:37.519
<v Speaker 1>was one of the guys who named the most names.

1:15:37.520 --> 1:15:40.400
<v Speaker 1>He loved getting up in front of Congress and informing

1:15:40.400 --> 1:15:44.240
<v Speaker 1>on his colleagues. Now, to to their credit, there were

1:15:44.320 --> 1:15:48.439
<v Speaker 1>some very base fucking actors and actresses, including Katherine Heppard

1:15:48.880 --> 1:15:51.240
<v Speaker 1>refuses to talk to the community. She's like the fun like,

1:15:51.240 --> 1:15:52.920
<v Speaker 1>you can't make me do ship. I don't give a fuck,

1:15:53.360 --> 1:15:56.280
<v Speaker 1>Katherine Heppern, What are you gonna do? Cancel Katherine Hepburn. No,

1:15:56.400 --> 1:16:01.280
<v Speaker 1>you're fucking not um, And they don't. Uh uh. John Wayne,

1:16:01.280 --> 1:16:04.960
<v Speaker 1>who is an avowed anti communist, does nothing, so he

1:16:05.000 --> 1:16:07.400
<v Speaker 1>does not get up in front of who act This

1:16:07.479 --> 1:16:10.519
<v Speaker 1>is not a principled stance. His biographer Iman claims that

1:16:10.600 --> 1:16:13.599
<v Speaker 1>this was in part that because like well he wasn't

1:16:13.600 --> 1:16:16.080
<v Speaker 1>really that judgmental about people, he wouldn't have wanted to

1:16:16.120 --> 1:16:18.240
<v Speaker 1>cancel his colleagues because if he liked you, he didn't

1:16:18.240 --> 1:16:20.599
<v Speaker 1>care about your politics. You know these buddies with Orson Wells,

1:16:20.600 --> 1:16:25.160
<v Speaker 1>who was pretty left wing. Um. That's one justification for

1:16:25.200 --> 1:16:28.480
<v Speaker 1>why he doesn't get up in front of whoac UM.

1:16:28.640 --> 1:16:32.200
<v Speaker 1>Blacklisted screenwriter Howard Coke, who's one of the people who

1:16:32.200 --> 1:16:35.120
<v Speaker 1>gets caught up in this, theorizes that it was not

1:16:35.240 --> 1:16:38.879
<v Speaker 1>John Wayne's decision to stay out, but instead studio meddling

1:16:38.960 --> 1:16:42.599
<v Speaker 1>that kept him from testifying. In some cases, the heads

1:16:42.600 --> 1:16:44.800
<v Speaker 1>of the studios made deals with the committee not to

1:16:44.840 --> 1:16:47.680
<v Speaker 1>put a certain individual on the stand publicly. That was

1:16:47.720 --> 1:16:49.800
<v Speaker 1>true not only of so called suspects so what they

1:16:49.840 --> 1:16:52.799
<v Speaker 1>like to call the unfriendly witnesses, but also a friendly

1:16:52.800 --> 1:16:55.120
<v Speaker 1>witnesses that the studio didn't want to have tainted by

1:16:55.120 --> 1:16:58.080
<v Speaker 1>political publicity of any kind. Somebody like Wayne is a

1:16:58.120 --> 1:17:00.519
<v Speaker 1>good example. How are you going to get pole rushing

1:17:00.560 --> 1:17:02.400
<v Speaker 1>in to see him shooting down the apaches when they

1:17:02.400 --> 1:17:04.200
<v Speaker 1>start thinking of him as the guy wearing a suit

1:17:04.240 --> 1:17:06.479
<v Speaker 1>and tie and saying, what a great job all these

1:17:06.479 --> 1:17:09.080
<v Speaker 1>seventy year old politicians with their glasses and bow ties

1:17:09.080 --> 1:17:14.559
<v Speaker 1>are doing defending America. Mixed message, So, I mean money

1:17:14.600 --> 1:17:18.200
<v Speaker 1>is number one in his life at this point, and yeah,

1:17:18.240 --> 1:17:20.280
<v Speaker 1>you know, and obviously coward is not going into World

1:17:20.320 --> 1:17:24.440
<v Speaker 1>War two, but also potentially just wanting to keep making money.

1:17:24.520 --> 1:17:28.000
<v Speaker 1>It is also here's the thing, and this is gonna

1:17:28.000 --> 1:17:32.680
<v Speaker 1>sound weird, but it's kind of also a condemnation of

1:17:32.760 --> 1:17:35.040
<v Speaker 1>him that he doesn't testify in front of who act

1:17:35.320 --> 1:17:39.120
<v Speaker 1>because it shows he doesn't really believe Carrie Grant, who

1:17:39.120 --> 1:17:42.160
<v Speaker 1>again goes and fights in World War Two, also a

1:17:42.240 --> 1:17:45.760
<v Speaker 1>right wing ship head. Carrie Grant's studio goes, don't get

1:17:45.800 --> 1:17:47.519
<v Speaker 1>up and testify in front of who ak, it's going

1:17:47.560 --> 1:17:50.439
<v Speaker 1>to be bad for your image. But Carrie Grant, again,

1:17:50.439 --> 1:17:51.760
<v Speaker 1>this is not a good thing to do. But he

1:17:51.840 --> 1:17:54.240
<v Speaker 1>does believe it because he gets up and says fuck

1:17:54.280 --> 1:17:58.120
<v Speaker 1>you to the studio and testifies against his colleagues and stuff,

1:17:58.479 --> 1:18:01.959
<v Speaker 1>which is and again getting into like murky moral territory.

1:18:02.000 --> 1:18:05.400
<v Speaker 1>But I guess I'm saying it's more respectable to be

1:18:05.479 --> 1:18:07.680
<v Speaker 1>a right wing ship head who believes enough to hurt

1:18:07.760 --> 1:18:10.000
<v Speaker 1>your career by it than it is to only be

1:18:10.040 --> 1:18:11.800
<v Speaker 1>a right wing ship head when you think it's good

1:18:11.800 --> 1:18:14.519
<v Speaker 1>for your career. I guess that's where I'm landing here.

1:18:14.520 --> 1:18:17.080
<v Speaker 1>I feel you landing there. I I land more in

1:18:17.160 --> 1:18:20.960
<v Speaker 1>the like I'm glad he didn't snitch, And yeah, sure,

1:18:21.280 --> 1:18:24.599
<v Speaker 1>yes you needed into communism to fucking booster your career

1:18:24.720 --> 1:18:28.160
<v Speaker 1>and go speak at some brunches, But good for you.

1:18:29.120 --> 1:18:31.559
<v Speaker 1>Good and bad aren't as as meaningful. Here is just

1:18:31.600 --> 1:18:34.160
<v Speaker 1>the state that, like Carrie Grant was a guy who

1:18:34.200 --> 1:18:37.760
<v Speaker 1>believed in some things, John Wayne didn't. Right that that's

1:18:37.760 --> 1:18:40.120
<v Speaker 1>more because like obviously yes, it's good to not testify.

1:18:40.439 --> 1:18:42.800
<v Speaker 1>It just is a note of like, how kind of

1:18:43.560 --> 1:18:47.200
<v Speaker 1>empty he is? He's still punching women, guys don't. Don't

1:18:47.200 --> 1:18:50.519
<v Speaker 1>worry And I don't know Carry Grant probably right. I

1:18:50.520 --> 1:18:54.160
<v Speaker 1>don't know much about the guys still punching women. Maybe

1:18:54.160 --> 1:18:56.719
<v Speaker 1>not Jimmy Stewart, I don't. I want to believe he wouldn't,

1:18:56.720 --> 1:18:59.840
<v Speaker 1>But I don't know much about Jimmy Stewart. Um he

1:19:00.040 --> 1:19:03.519
<v Speaker 1>did different did was part of the bombing of Korea,

1:19:03.600 --> 1:19:05.960
<v Speaker 1>So I don't know. Some some mixed stuff there too.

1:19:07.120 --> 1:19:11.360
<v Speaker 1>Um So, yeah, it's weird as Scott, i'man rights. Being

1:19:11.400 --> 1:19:14.360
<v Speaker 1>seen as anti communist had real benefits for John Wayne

1:19:14.360 --> 1:19:17.439
<v Speaker 1>in the Blacklist years that followed quote and so the

1:19:17.479 --> 1:19:20.559
<v Speaker 1>Blacklist arab began. There would be more hearings in nineteen fifty.

1:19:20.640 --> 1:19:23.559
<v Speaker 1>The result was that dozens were jailed, hundreds lost their jobs,

1:19:23.600 --> 1:19:27.120
<v Speaker 1>hundreds more left the country, some died. Every motion picture

1:19:27.200 --> 1:19:29.599
<v Speaker 1>union from the Screen Actors Guild to the Screen Director's

1:19:29.640 --> 1:19:33.120
<v Speaker 1>Guild ultimately capitulated to the Blacklist. All this would be

1:19:33.120 --> 1:19:36.679
<v Speaker 1>called by one writer, echoing Daniel Dafoe, the Plague Years.

1:19:37.080 --> 1:19:39.760
<v Speaker 1>Dalton Trumbo had another name for it. The time of

1:19:39.800 --> 1:19:43.040
<v Speaker 1>the Toad. During this period, the right wing press regularly

1:19:43.080 --> 1:19:45.519
<v Speaker 1>ganged up on performers who had committed the terrible sin

1:19:45.560 --> 1:19:48.040
<v Speaker 1>of not serving in the military during World War Two.

1:19:48.439 --> 1:19:51.599
<v Speaker 1>The hearst columnist Westbrook Pegler accused Danny Kay of not

1:19:52.080 --> 1:19:55.120
<v Speaker 1>giving exactly his all during the war, and then added

1:19:55.200 --> 1:19:59.200
<v Speaker 1>the seasoning of anti Semitism by mentioning Kay's real name, Kaminsky.

1:19:59.560 --> 1:20:03.479
<v Speaker 1>Peglar neglected to mention that many conservatives hadn't served John

1:20:03.520 --> 1:20:06.479
<v Speaker 1>Wayne among them. By the way, don't come from my boy,

1:20:06.560 --> 1:20:09.920
<v Speaker 1>Danny Kay. Don't you fucking come from my boy Danny Kay,

1:20:10.600 --> 1:20:15.000
<v Speaker 1>Danny Kay Pegler? What the why are you pulling love God?

1:20:15.080 --> 1:20:19.759
<v Speaker 1>Pulling out the anti semitism for peace, for not going

1:20:20.000 --> 1:20:22.680
<v Speaker 1>and fighting in World War Two? Like what are you?

1:20:22.880 --> 1:20:26.639
<v Speaker 1>What are you talking about here? Yeah, it's it's awesome.

1:20:27.080 --> 1:20:28.760
<v Speaker 1>So again, and this is part of the point that

1:20:28.800 --> 1:20:32.440
<v Speaker 1>people will make is that by being super pro anti communist,

1:20:32.520 --> 1:20:36.160
<v Speaker 1>very right wing, he deflects a lot of criticism for

1:20:36.200 --> 1:20:41.360
<v Speaker 1>the fact that he doesn't do anything in the war. Yep, Um, well,

1:20:41.400 --> 1:20:45.400
<v Speaker 1>he gets the past because he's someone needs there Christian

1:20:45.439 --> 1:20:48.320
<v Speaker 1>masculine identity. I mean, that's like he's more of an emblem.

1:20:48.320 --> 1:20:52.200
<v Speaker 1>He's a symbol. Yeah yeah, he's like Batman, but worse,

1:20:53.120 --> 1:20:55.160
<v Speaker 1>a lot worse than bad. If Batman sees the bad

1:20:55.240 --> 1:21:00.520
<v Speaker 1>signals like uh, I gotta gotta sees the batstick. Delasi's

1:21:00.560 --> 1:21:03.360
<v Speaker 1>like cuddling with the teenager he trafficked into the United States,

1:21:03.360 --> 1:21:08.920
<v Speaker 1>and it's like, can someone else deal with that? Um

1:21:09.040 --> 1:21:12.280
<v Speaker 1>so with his colleagues blacklisted, John Wayne stars in an

1:21:12.280 --> 1:21:15.519
<v Speaker 1>increasing series of right wing films, including nineteen fifty two

1:21:15.640 --> 1:21:18.400
<v Speaker 1>Is Big Jim McClain, in which he played a heroic

1:21:18.520 --> 1:21:22.000
<v Speaker 1>Huac investigator. In nineteen fifty four, he was cast in

1:21:22.080 --> 1:21:26.160
<v Speaker 1>what would probably become the most shameful role of his career. Francesca,

1:21:26.320 --> 1:21:29.679
<v Speaker 1>are you ready for this? This is my favorite John

1:21:29.680 --> 1:21:37.679
<v Speaker 1>Wayne role. Genghis Khan. Hell yeah, just another white guy

1:21:37.920 --> 1:21:44.040
<v Speaker 1>taking an Asian actor's role. It's amazing. Somebody's like, who

1:21:44.080 --> 1:21:46.680
<v Speaker 1>are we going to get to pay Genghis Khan? You

1:21:46.720 --> 1:21:53.960
<v Speaker 1>know who looks like a Mongolian warlord? John Wayne? John

1:21:54.000 --> 1:21:58.760
<v Speaker 1>Wayne middle now kind of fat John Wayne. It's he

1:21:58.840 --> 1:22:03.400
<v Speaker 1>looks so silly in this. It's amazing. It's almost beyond parody.

1:22:03.479 --> 1:22:07.519
<v Speaker 1>How like racist this movie is. It's like, if you

1:22:07.600 --> 1:22:10.720
<v Speaker 1>were joking about racism in this period, you would like

1:22:10.880 --> 1:22:14.120
<v Speaker 1>make up John Wayne being Genghis Khan is like a gag.

1:22:14.160 --> 1:22:18.040
<v Speaker 1>But no, they really did it. Hell yeah they did.

1:22:18.080 --> 1:22:22.640
<v Speaker 1>Look at that Look at that mustache, those blue eyes. Unbelievable.

1:22:23.439 --> 1:22:25.640
<v Speaker 1>Everyone needs to look this up right now. And I

1:22:26.080 --> 1:22:29.639
<v Speaker 1>think we need to watch this high. Yeah, it's incredible that. Like,

1:22:29.880 --> 1:22:33.439
<v Speaker 1>obviously the most famous white guy who racistly plays an

1:22:33.439 --> 1:22:37.800
<v Speaker 1>Asian in this period is Mickey Rooney. But boy boy,

1:22:37.880 --> 1:22:41.160
<v Speaker 1>howdy is John Wayne nipping at his fucking heels in

1:22:41.240 --> 1:22:47.120
<v Speaker 1>terms of racist casting here? But also like Genghis is

1:22:47.160 --> 1:22:50.640
<v Speaker 1>the good guy? What because like n W, it's generally

1:22:50.680 --> 1:22:54.320
<v Speaker 1>the hero. It's more just that like he's impressive, right,

1:22:54.360 --> 1:22:56.960
<v Speaker 1>I think that's probably like I've I watched this years

1:22:56.960 --> 1:22:58.840
<v Speaker 1>ago as a kid, just because I heard about it. Like,

1:22:58.880 --> 1:23:00.960
<v Speaker 1>I think it's more of just like an historical epic.

1:23:01.080 --> 1:23:05.040
<v Speaker 1>You're not trying to like, I don't know. Um. Also,

1:23:05.760 --> 1:23:08.880
<v Speaker 1>here's another fun fact. The more the role was originally

1:23:08.920 --> 1:23:14.799
<v Speaker 1>written from Marlon Brando, Oh you would rather see Brando

1:23:14.960 --> 1:23:19.280
<v Speaker 1>is Genghis. Imagine Brando is Geges. This is so funny

1:23:19.320 --> 1:23:24.240
<v Speaker 1>to be that's really funny. I mean maybe old Brando,

1:23:24.360 --> 1:23:27.040
<v Speaker 1>like really old Brandon. I could see ye. Fat Brando

1:23:27.160 --> 1:23:30.360
<v Speaker 1>is gegus cot. Fat Brando not having to walk anywhere,

1:23:30.400 --> 1:23:33.880
<v Speaker 1>just being like a horse. You're just sitting on a

1:23:33.920 --> 1:23:39.680
<v Speaker 1>horse the whole time, not moving kill him, like I

1:23:39.720 --> 1:23:45.439
<v Speaker 1>get that, just stroking a long sort of spy white beard. Uh,

1:23:45.880 --> 1:23:49.479
<v Speaker 1>that might have made sense. This is documentary about the

1:23:49.600 --> 1:23:51.960
<v Speaker 1>making of The Isle of Dr Moreau, which is also

1:23:52.000 --> 1:23:56.200
<v Speaker 1>an incredible Marlon Brando documentary. Among other things, he decides

1:23:56.240 --> 1:23:58.519
<v Speaker 1>that his character is secretly a dolphin and wears a

1:23:58.560 --> 1:24:00.719
<v Speaker 1>bucket on his head the whole movie, but never explains

1:24:00.720 --> 1:24:04.960
<v Speaker 1>it to anyone. It fucking rules Marlon Brando's like late career.

1:24:05.040 --> 1:24:09.920
<v Speaker 1>Brando is the greatest Hollywood actor there has ever been. Yeah,

1:24:09.960 --> 1:24:13.719
<v Speaker 1>it's amazing. It's just like when everyone wants your career

1:24:13.760 --> 1:24:17.280
<v Speaker 1>to stay alive except for you. Yeah, it's very funny.

1:24:17.360 --> 1:24:21.920
<v Speaker 1>Nobody hated Hollywood more than Marlon Brando, a man who

1:24:21.960 --> 1:24:25.000
<v Speaker 1>only ever made his money as an actor. It's also

1:24:25.080 --> 1:24:26.720
<v Speaker 1>he's going to be the hero of well, one of

1:24:26.760 --> 1:24:30.800
<v Speaker 1>the heroes of our third episodes Good good Times Anyway.

1:24:31.160 --> 1:24:35.080
<v Speaker 1>The Conqueror. John Wayne as Genghis Khan not a good movie,

1:24:35.280 --> 1:24:38.000
<v Speaker 1>as this exerpt from the Guardians Film blog makes clear.

1:24:38.640 --> 1:24:41.559
<v Speaker 1>The film opens with Timushin as Genghis was originally known,

1:24:41.600 --> 1:24:45.320
<v Speaker 1>intercepting a wedding procession of markets. No, not merecats. The

1:24:45.360 --> 1:24:48.639
<v Speaker 1>market lord has a tartar bride or tie Jane Hayward,

1:24:48.680 --> 1:24:51.320
<v Speaker 1>but not for long. I feel this tartar woman is

1:24:51.360 --> 1:24:54.720
<v Speaker 1>for me. In tones, timushin my blood says, take her.

1:24:55.200 --> 1:24:57.760
<v Speaker 1>Few actors can make lines like this sound good, and

1:24:57.880 --> 1:25:01.360
<v Speaker 1>John Wayne wasn't one of them. Writer Oscar Millard wanted

1:25:01.400 --> 1:25:04.400
<v Speaker 1>to give the screenplay an archaic flourish, mindful of the

1:25:04.400 --> 1:25:06.280
<v Speaker 1>fact that my story was nothing more than a tarted

1:25:06.360 --> 1:25:08.080
<v Speaker 1>up Western I thought this would give it a certain

1:25:08.080 --> 1:25:10.920
<v Speaker 1>cash a and I left no lily unpainted, he said

1:25:10.960 --> 1:25:13.879
<v Speaker 1>in nine. It was a mistake I have never repeated.

1:25:14.320 --> 1:25:17.080
<v Speaker 1>Poor old John Wayne has to prance about saying things

1:25:17.200 --> 1:25:19.880
<v Speaker 1>things such as I greet you my mother, where normal

1:25:19.880 --> 1:25:22.240
<v Speaker 1>people would say hello mom. This might be why he

1:25:22.280 --> 1:25:24.640
<v Speaker 1>looks so miserable in every scene. You've got to do

1:25:24.720 --> 1:25:27.519
<v Speaker 1>something about these lines, he told Millard during filming. I

1:25:27.600 --> 1:25:31.720
<v Speaker 1>can't read them. It was too late. So one of

1:25:31.760 --> 1:25:36.080
<v Speaker 1>the worst movies of all time. Very cringe but Francesca,

1:25:36.240 --> 1:25:39.880
<v Speaker 1>here's the good part. Do you believe in karma? Uh?

1:25:41.000 --> 1:25:43.760
<v Speaker 1>A little bit, a little bit. This is this is

1:25:43.800 --> 1:25:48.639
<v Speaker 1>a very calmer moment because while they're filming this movie,

1:25:48.760 --> 1:25:51.840
<v Speaker 1>they're they're in like Nevada in the desert, like making

1:25:51.840 --> 1:25:56.440
<v Speaker 1>this thing because I guess that's our best equivalent to mongolia. Um.

1:25:56.760 --> 1:25:59.360
<v Speaker 1>While they're making this, they are a hundred miles away

1:25:59.360 --> 1:26:02.960
<v Speaker 1>from an attack mcbomb testing site. Uh. So they go

1:26:03.040 --> 1:26:05.040
<v Speaker 1>to the government They're like, hey, we got John Wayne

1:26:05.080 --> 1:26:07.519
<v Speaker 1>out here filming a movie. Is it safe to be

1:26:07.600 --> 1:26:11.600
<v Speaker 1>this close to nuclear bombs going off? And the Government's like, oh, absolutely, no,

1:26:11.760 --> 1:26:14.439
<v Speaker 1>you guys are fine. It's totally far away, not going

1:26:14.479 --> 1:26:17.880
<v Speaker 1>to be a problem, not gonna be a problem. So

1:26:19.280 --> 1:26:21.920
<v Speaker 1>it was a problem. The entire cast and crew of

1:26:21.960 --> 1:26:26.920
<v Speaker 1>The Conqueror get massive doses of radiation, like like they like,

1:26:27.040 --> 1:26:30.200
<v Speaker 1>they're right next to nuclear bombs going off for days,

1:26:30.360 --> 1:26:34.639
<v Speaker 1>you know, weeks as they film this. Don't worry, keep going,

1:26:35.640 --> 1:26:39.080
<v Speaker 1>it's gonna be good for the lighting. Yes, your burns

1:26:39.120 --> 1:26:45.240
<v Speaker 1>look incredible, honey, that's great. So what was the Union

1:26:45.360 --> 1:26:49.120
<v Speaker 1>doing at this point? Jesus, Yeah, it's been too gutted.

1:26:49.520 --> 1:26:51.960
<v Speaker 1>They can't complain about geting nuked, or they'll get called

1:26:52.000 --> 1:26:56.280
<v Speaker 1>out as being socialist. It's very funny that John Wayne

1:26:56.320 --> 1:26:59.080
<v Speaker 1>gets nuked by the US government and spoilers. It's what

1:26:59.240 --> 1:27:02.519
<v Speaker 1>kills him. That's extremely funny. It's the funniest thing that

1:27:02.560 --> 1:27:06.120
<v Speaker 1>could possibly have happened. He gets he gets fucking nuked

1:27:06.120 --> 1:27:10.000
<v Speaker 1>and irradiated while pretending to be Genghis Khan. That rules.

1:27:10.040 --> 1:27:13.519
<v Speaker 1>That's incredibly funny. That is kind of like the spirit

1:27:13.560 --> 1:27:17.000
<v Speaker 1>of Genghis Khan. It is Genghis Khan was smiling down

1:27:17.080 --> 1:27:21.160
<v Speaker 1>from heaven like, yes, this is what I want. That

1:27:21.400 --> 1:27:25.040
<v Speaker 1>is amazing. Wow, And so okay, how much radiation are

1:27:25.040 --> 1:27:29.800
<v Speaker 1>we talking a funkload? Francesca? Wait so again. Recently it's

1:27:29.800 --> 1:27:32.439
<v Speaker 1>become a story that like a bunch of Russian soldiers

1:27:32.479 --> 1:27:37.520
<v Speaker 1>probably got radiation set because they dug trenches in Chernobyl. Right, Chernobyl.

1:27:37.640 --> 1:27:40.320
<v Speaker 1>A lot of radiation also a lot less than there

1:27:40.360 --> 1:27:42.840
<v Speaker 1>was decades ago when it was new. These guys are

1:27:42.960 --> 1:27:47.360
<v Speaker 1>standing downwind of nuclear bombs as they go off, a

1:27:47.360 --> 1:27:53.760
<v Speaker 1>lot of radiation um the cast and crew of the Conqueror,

1:27:53.800 --> 1:27:57.080
<v Speaker 1>as well as a startling number of Americans like them.

1:27:57.080 --> 1:28:00.479
<v Speaker 1>Because the US government nukes a lot of Americans, citizen's.

1:28:00.880 --> 1:28:03.519
<v Speaker 1>They get known as down Winders in the decades to

1:28:03.560 --> 1:28:07.400
<v Speaker 1>come because they all get cancer. Um. By nineteen eighty one,

1:28:07.479 --> 1:28:10.679
<v Speaker 1>this is film in fifty four, By nine ninety six

1:28:10.760 --> 1:28:13.040
<v Speaker 1>of the two cast and crew on the set had

1:28:13.040 --> 1:28:19.320
<v Speaker 1>developed cancer. Forty six of them, including John Wayne, had died. Um.

1:28:19.320 --> 1:28:25.679
<v Speaker 1>It's pretty cool. Within what time period again, thirty years,

1:28:25.680 --> 1:28:28.120
<v Speaker 1>a little less than thirty years, half of them have

1:28:28.280 --> 1:28:32.280
<v Speaker 1>cancer and a quarter of them are dead from cancer. Um,

1:28:32.320 --> 1:28:35.200
<v Speaker 1>including John Wayne. He gets a couple of cancers right

1:28:35.960 --> 1:28:38.599
<v Speaker 1>first in nineteen sixty four, so ten years later it's

1:28:38.680 --> 1:28:41.280
<v Speaker 1>lung cancer. So maybe it was a smoking I'm sure

1:28:41.280 --> 1:28:44.000
<v Speaker 1>the nukes didn't help. He finally dies of like a

1:28:44.040 --> 1:28:48.320
<v Speaker 1>horrible stomach cancer. So he probably dies in part at

1:28:48.400 --> 1:28:50.320
<v Speaker 1>least as a result of getting nuked on the set

1:28:50.320 --> 1:28:53.240
<v Speaker 1>of The Conqueror. Of all the sets, you know what

1:28:53.320 --> 1:28:55.880
<v Speaker 1>I mean, it wasn't going to be a good one.

1:28:55.920 --> 1:28:59.960
<v Speaker 1>It had to be the Gang Khan. It is extremely fun,

1:29:00.240 --> 1:29:03.760
<v Speaker 1>though it is at least see. The one redeeming thing

1:29:03.880 --> 1:29:06.360
<v Speaker 1>I think about this is I don't it doesn't sound

1:29:06.400 --> 1:29:09.400
<v Speaker 1>like he did like a pigeon like accent, like some

1:29:09.439 --> 1:29:14.320
<v Speaker 1>sort of I don't mean stereotypical. I think he does. Ye,

1:29:15.000 --> 1:29:18.920
<v Speaker 1>so yeah, I guess that's better. I don't know that

1:29:18.960 --> 1:29:21.160
<v Speaker 1>I want to like I I don't certainly want to

1:29:21.160 --> 1:29:23.280
<v Speaker 1>be saying what's better or worse. It all seems pretty

1:29:23.360 --> 1:29:25.719
<v Speaker 1>rough to me. No, I think we all agree everyone

1:29:26.080 --> 1:29:27.920
<v Speaker 1>on that set deserve to get nooked. I mean that

1:29:28.080 --> 1:29:34.680
<v Speaker 1>was fine that this happened. It's totally fine. Um, good stuff. Um,

1:29:34.760 --> 1:29:37.960
<v Speaker 1>and that's gonna that's gonna be our part two. Francesco,

1:29:38.040 --> 1:29:40.960
<v Speaker 1>We're gonna have you back for part three, but for

1:29:41.080 --> 1:29:44.240
<v Speaker 1>right now, you want to plug your plug doblesh my god,

1:29:44.320 --> 1:29:48.400
<v Speaker 1>you guys check out the Bituation Room podcast. I promise. Well,

1:29:48.439 --> 1:29:51.479
<v Speaker 1>I don't know. Maybe we'll just watch Genghis Khan on

1:29:51.520 --> 1:29:56.200
<v Speaker 1>our next episode. We might, babe, who knows. I'm excited

1:29:56.240 --> 1:29:58.640
<v Speaker 1>for the third chapter and all the they find in

1:29:58.680 --> 1:30:01.719
<v Speaker 1>his stomach. Oh yeah, app all the meat in his guts.

1:30:02.120 --> 1:30:06.160
<v Speaker 1>All right, Well that's gonna do us uh and everyone else,

1:30:06.479 --> 1:30:11.400
<v Speaker 1>you know, until until next time. Uh stand directly next

1:30:11.479 --> 1:30:13.920
<v Speaker 1>to a nuclear blast while the government says it's fine.

1:30:14.120 --> 1:30:16.600
<v Speaker 1>Because you're John Wayne. You know the government is never

1:30:16.680 --> 1:30:21.840
<v Speaker 1>gonna lie to you. Oh my god, behind The Bastards

1:30:21.840 --> 1:30:24.439
<v Speaker 1>is a production of cool Zone Media. For more from

1:30:24.479 --> 1:30:28.120
<v Speaker 1>cool Zone Media, visit our website cool zone media dot com,

1:30:28.280 --> 1:30:30.639
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1:30:30.680 --> 1:30:33.160
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