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Speaker 1: Look mad oh, I see you? Why why and look

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Speaker 1: over there? How is that culture? Yes? Goodness, let d

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Speaker 1: don let's culture joining us in process? Is Boster? Yes,

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Speaker 1: he's back. Um, this is the final day of ourisode.

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Speaker 1: Spectacular kind of under the clock here. But I think

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Speaker 1: I think if I can leave in you guys can

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Speaker 1: finish out the list if you need to. I think

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Speaker 1: we can do this in an hour. Well unless okay,

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Speaker 1: so we're going to finish out the hour, so altogether,

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Speaker 1: but I don't want to see okay, but I don't

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Speaker 1: want it to feel rush. See if if something, if

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Speaker 1: something needs to be discussed, we'll discuss. Remember remember, remember,

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Speaker 1: remember what Doug said at the top of the episode.

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Speaker 1: He said, the flow can dictate the field. And we've

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Speaker 1: really been feeling. We've been flowing and feeling so so

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Speaker 1: with that spirit. Number someoneed to call My Lover has

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Speaker 1: Hector mc wal radio mix, Janet Jackson an amazing song,

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Speaker 1: an amazing remix to an amazing song, The Bridge, mym

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Speaker 1: I looking for a guy. Guy, Let's let's move on.

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Speaker 1: You get someone to common love again, Baby Comma, I'm

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Speaker 1: a fan. Jenne Numb Heartbreak Hotel Hector Radio Mix, The

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Speaker 1: hot Break tell I mean, yeah, talk about setting atmosphere.

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Speaker 1: I love to know where I am in a song

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Speaker 1: she's introduced, and she's kind of like, is how many Whitney?

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Speaker 1: How many times has Whitney been on the list of

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Speaker 1: our well number two nine seven was I will Always

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Speaker 1: love you? All these She no, I don't need to

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Speaker 1: I don't need to know anything else she's been on

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Speaker 1: the last Just maybe it wasn't as maybe I will

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Speaker 1: Always Love You didn't have the global cultural impact of

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Speaker 1: saying perfect by Hoku Christian Home. Yeah, I think that

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Speaker 1: like perfect day, perfect day, Why would you ever want

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Speaker 1: to check into a Heartbreak hotel? You're checking in there,

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Speaker 1: you have to go. It's when like it's like being

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Speaker 1: quarantined for COVID, it's when a pipe burst in your

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Speaker 1: apartment and you have to live somewhere. But I don't

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Speaker 1: think any of these ladies had a choice about where

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Speaker 1: they checked in. I think they could afford and room

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Speaker 1: at the Heartbreak Hotel, and that's just where they were

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Speaker 1: staying for maybe I don't know, a few days, hopefully

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Speaker 1: not longer than a week. Girl, they're flying into Korea,

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Speaker 1: and when it's when it's Pete COVID and they you

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Speaker 1: have to stay in this hotel to days. They put

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Speaker 1: tape on the doors. They put tape on the doors,

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Speaker 1: don't even give you a key card to get in

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Speaker 1: and out of the building. Our choir teacher taped the

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Speaker 1: doors when we would travel out of ye that was

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Speaker 1: a popular thing that you just would do to keep

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Speaker 1: kids locked up. Chase. It's so funny that taping the doors.

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Speaker 1: So if the tape was broken, you know, the kid

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Speaker 1: was a whore, you couldn't just put the tape back

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Speaker 1: on the But you can't. You can't, like there's no like,

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Speaker 1: you can't, like right right right, there is no way

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Speaker 1: to do that, is there. I figured it out. You could.

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Speaker 1: You could sneak out of the room, press the tape

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Speaker 1: back on, but you would not be able to go

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Speaker 1: back into the room until after everyone had woken up

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Speaker 1: and the tape had been taken off. I think what

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Speaker 1: you gotta do is like if you open the door

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Speaker 1: of the tape breaks, just like take the piece. Take

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Speaker 1: take So now with the tape is and two, you

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Speaker 1: take off one of them and just put the side

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Speaker 1: that's less broken. I don't even think the tape would break.

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Speaker 1: I think there's a way to open the door without

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Speaker 1: the tape breaking. I get what you're saying, though, there's

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Speaker 1: no way to close the door again and get it

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Speaker 1: to tape. Yeah, it would depend on what the tape

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Speaker 1: was made out of a different cop but now literally,

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Speaker 1: like imagine having Uber in high school like you like

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Speaker 1: it's over, forget, I'm not staying there. No re turned

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Speaker 1: to you radio mix Melanie see thank you for bringing

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Speaker 1: up the song because people don't talk about Melanie sees Bop.

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Speaker 1: I turned to you enough like a flower leading to

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Speaker 1: the sun. I didn't know that was Melanie Melanie see

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Speaker 1: Spice Girls Zone Melanie Saw in a gate club today.

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Speaker 1: Absolutely because you're the only one I put this in

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Speaker 1: for you. You You did, and because I wanted a run

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Speaker 1: of hex Hector. I know it number ninety six. Nobody's

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Speaker 1: supposed to be here is the hex Hector dance makes.

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Speaker 1: I mean what thunder plus is to uh Whitney, It's

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Speaker 1: not right, but it's okay. Hex Hector is to nobody's

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Speaker 1: supposed to be here and made it the song that

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Speaker 1: we know and love. And Deborah Cox was truly that singer.

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Speaker 1: No no buddy, no no, no, no, no, just imagine

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Speaker 1: being in the booth and being like, I think I

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Speaker 1: have an idea what I want to do? I think no, no, no, no,

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Speaker 1: no no no no no no. That's the most insane song.

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Speaker 1: Number Destiny's Child. Thank you Candy Burst for writing this

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Speaker 1: one huge major paid for the Old Lady Gang. The

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Speaker 1: house this is this is her mother' but the Old

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Speaker 1: Lady Gang is the restaurant series of restaurants, and that

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Speaker 1: was built by and no scrubs. Money probably yeah, absolutely

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Speaker 1: so much money, so much money. I mean, she is

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Speaker 1: probably one of the most honestly rich, not inherited, not inherited,

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Speaker 1: and also not like a house of cards about to

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Speaker 1: tumble over with you know, the Feds come knocking. And

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Speaker 1: also she gets ever fired deside Sleevehousewives, the woman is

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Speaker 1: absolutely fine. Something happened to me recently where I felt

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Speaker 1: really bad for gen Shaw. Recently, I was like, damn,

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Speaker 1: she might just lose. There is something about the way

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Speaker 1: she's carrying on on social media where it's like, do

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Speaker 1: you I don't know if she understands. It's like how

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Speaker 1: could she not? But also how could she behave like this? Yeah?

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Speaker 1: Um anyway, number not speaking of all gen Shaw's bullshit.

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Speaker 1: Number ninety four is do do you got a first

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Speaker 1: aid kit? Handy? I thought this was Pussycat Dolls until

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Speaker 1: just this moment. That's okay, you know, that's Danity Kane.

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Speaker 1: And Raiser and p Diddy would be so disappointed. Do

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Speaker 1: you remember when we were at Barracuda in New York

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Speaker 1: and those girls were trying to interrupt the drag show

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Speaker 1: and I said, those bitches look like they were in

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Speaker 1: Danity Kane. And they were, in fact in Dannity Kane.

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Speaker 1: It was Aubrey and it was a day. I looked

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Speaker 1: at the girls and I said, they looked like a

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Speaker 1: member and it was Aubrey O Day. And then I

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Speaker 1: don't actually know if the other one was in Danity Kane,

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Speaker 1: but she looked like she could have. Well, there's a

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Speaker 1: specific aesthetic that comes to mind when you say that

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Speaker 1: bitch looks like she's a member of Danity Kane, which

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Speaker 1: is like a little too much. I make up sort

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Speaker 1: of a road hard, put away, wet, like the highlights,

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Speaker 1: the very specific blonde chance even like a little bit

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Speaker 1: of low light happening, like that sort of thing that

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Speaker 1: girls were really into where it was really dark underneath.

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Speaker 1: Remember when girls would just die the bottom of their hair,

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Speaker 1: like back behind their neck and like that's giving danity

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Speaker 1: Kane and also obviously like like a tube top at

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Speaker 1: a game, bar Man. I can't tell if I missed

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Speaker 1: that or if I well, it's gonna come back, it's

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Speaker 1: gonna come back. Yeah, I don't know what's back. Nineties

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Speaker 1: fashion is back, and so two thousand's fashion is register

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Speaker 1: on the corner um. And speaking of the year, two

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Speaker 1: thousand and ten, number ninety three is Lose my Breath

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Speaker 1: Destiny's Child. The drums at the beginning of the song

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Speaker 1: were a moment in cultural history. Absolutely absolutely it was

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Speaker 1: giving marching band, but make it pop. Weren't you so happy?

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Speaker 1: Like this was after Beyonce's dangerous scene Love, but she'd

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Speaker 1: gone back to Destiny's Child. I was like thrilled, and

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Speaker 1: I bet they were thrilled. Destiny f Phil is actually

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Speaker 1: my favorite Destiny Love Girl Love if Love. She knew

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Speaker 1: that that was it when she named that up, when

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Speaker 1: they named it, and she said, and make sure we

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Speaker 1: close the yeah, And then there was on their cover

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Speaker 1: of that song emotion emotions that was not on Destiny Fulfilled.

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Speaker 1: But that's one of my farente zunds of theirs. I

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Speaker 1: think it might be like a bonus track. I may

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Speaker 1: be wrong. M Let's get to the it's not on

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Speaker 1: Destiny Fulfilled. Let's get to ninety two super Basic. It's

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Speaker 1: the genesis. It is the genesis of YouTube, the genesis.

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Speaker 1: It was not what made us meet and become friends,

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Speaker 1: but it is what made us see each other because

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Speaker 1: that because before then it was oh, there's Matt Rodgers.

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Speaker 1: I heard, I heard you're really funny. I like, good

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Speaker 1: luck on your audition. When bone Yang bullied me my

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Speaker 1: Dangerou Box audition happened, it did, it did vividly. I

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Speaker 1: remember that we've been through this um, but I think

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Speaker 1: we were friends. But then when super Base popped off,

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Speaker 1: that's when everyone started telling us that we had to

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Speaker 1: start performing at all the parties together, Like, oh, mate,

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Speaker 1: put them together and put on a song they both

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Speaker 1: know and we can just watch them. It was the

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Speaker 1: beginning of like us being a show for our straight

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Speaker 1: that nowadays, if we're Velma and Rocks, yeah, making a

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Speaker 1: foul week at least oh yeah, yeah, number ninety one

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Speaker 1: million dollar bill. So you're saying this is better than

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Speaker 1: I will always love you, as well. I mean, we don't.

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Speaker 1: This was not up to us that we didn't. This

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Speaker 1: is was God created it was, it was we're merely conduits.

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Speaker 1: I don't even know this song. He think you feel

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Speaker 1: like a million dollars. Bill say oh, say it left

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Speaker 1: right down? Just spin around and around say it. Oh,

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Speaker 1: say it, come on, I do. It's in my muscle memory.

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Speaker 1: I didn't even know I knew it. What I also

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Speaker 1: love about this song is like a random errant, like

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Speaker 1: just someone coming in and just I just pictured her

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Speaker 1: coming into Rome and just going be like it's the

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Speaker 1: same thing and trum me loved by Robin s. It's

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Speaker 1: so good when someone just sings a vowel. We need

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Speaker 1: that more, not more than ever. The girls are are

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Speaker 1: too scared to vocalize. They want to whisper. I totally

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Speaker 1: agree with, well, then you know what. You know who

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Speaker 1: I respect lately Billie Eirelish just exploring her belt. Yeah

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Speaker 1: she really is, and it should be her because she's

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Speaker 1: the one who's getting all these girls to fucking mumble

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Speaker 1: and now they're following her lead. Yes exactly, Yeah, they

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Speaker 1: truly are. Also, Olivia Rodrigo opens up, Yes, I just

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Speaker 1: maybe this is why people have an appetite for American Night.

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Speaker 1: Al again, maybe this is a stretch, but you want

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Speaker 1: to see someone with like vocal powers, Like there's nothing

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Speaker 1: I miss more than late nineties ballads being popular. There's

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Speaker 1: nothing I miss more than like you know, like fucking

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Speaker 1: my heart will go on being number one. Well, then, babe,

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Speaker 1: you need to be watching American I know that's where

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Speaker 1: those songs. Trust me, I am. I'm When you come

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Speaker 1: over tonight, I'll show you. I'll show you some highlights. Yeah,

196
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Speaker 1: just show me some highlights. Alright, So number ninety, who

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Speaker 1: needs it? It's the laziest rap in history, very bad

198
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Speaker 1: in I just feel like it's it's it's a perfect

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Speaker 1: pop song that doesn't need anything additional. It is like

200
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Speaker 1: it's so is that? Why does that happen? Why? Why

201
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Speaker 1: do people feel they need to put features on sometimes

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Speaker 1: like unless it's like another like female, I really am

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Speaker 1: not that interested in It's Mariah invented it, that's true,

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Speaker 1: Like get a wrapper, get around. I mean, the Heartbreaker

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Speaker 1: verse is amazing. The fantasy with older crossover now too. Yeah,

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Speaker 1: that's the thing is that that you it does open

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Speaker 1: up your audience, that mark and the streams go up, mama, Yeah,

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Speaker 1: and then you get played on different storms of radio

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Speaker 1: as well. Back You know who could use a feature

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Speaker 1: is okay? Well, first got to an all for you,

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Speaker 1: Janet Jackson. A song that we were singing in like

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Speaker 1: the fourth fifth, sixth grade going got a nice package

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Speaker 1: all right, because I'm gonna have to write it tonight.

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Speaker 1: Do we know what we were singing? I think we did.

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Speaker 1: And also yeah, it is insane. I don't think we

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Speaker 1: spiritually knew how to ride the package, but we knew

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Speaker 1: what we were saying. I didn't know it meant fucking

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Speaker 1: riding on a dicky Yeah, Janet sort of when she

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Speaker 1: turned that sexual corner, never turned back, no matter even

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Speaker 1: if the song sounded like it shouldn't be like that.

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Speaker 1: Did you watch that New York Times documentary, like the

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Speaker 1: corner was turned on like on rhythmate Like, did she

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Speaker 1: turned the corner early on? Yeah? Not even not even

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Speaker 1: rhythmation it control control, yeah, control nasty, yeah, Janet, true,

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Speaker 1: that's culture. Hans Hans. Hans got us to talk about

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Speaker 1: Michael Jackson earlier that we've like deliberately avoided talking about it,

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Speaker 1: but we've always talked about JA. Yeah, We're sure to um.

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Speaker 1: Okay eight, Now this is Joel kim Is saying that

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Speaker 1: this needs a feature of rap feature. Who do you

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Speaker 1: have a rapper in mind? Bratt bring to Bratt back.

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Speaker 1: I think the Brat is attainable. Brat is a sticky option.

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Speaker 1: Yeah yeah, yah, yeah yeah yeah is it? It? Would

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Speaker 1: it be weird if I mean no? Because I guess

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Speaker 1: it wouldn't be weird to bring this song back because

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Speaker 1: it is like ten years old, like there is another

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Speaker 1: life cycle to put it through. I think that this

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Speaker 1: song could be huge again because confident and cool. You

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Speaker 1: know you hold the key. That's always going to be relevant.

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Speaker 1: That idea absolutely chic. Also iconically, Kelly ben Simone and

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Speaker 1: Jill's erin in the video for this not knowing what

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Speaker 1: to the fun to do with their hands or face.

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Speaker 1: They never do like there's a there's a there's a

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Speaker 1: moment in the video where where Lou is like singing

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Speaker 1: and looking at Kelly and Jill, and Jill is just

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Speaker 1: looking back at Lu like like I'm here and I'm listening.

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Speaker 1: So funny. Okay, number seven PhiC my senior song. This

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Speaker 1: came out in this photograph. We really wanted it the

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Speaker 1: cool kids at my high school wanted it to be

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Speaker 1: forever young off of the this was my graduation song.

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Speaker 1: We wanted it to be forever young. We were outvoted.

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Speaker 1: Photograph photograph, and it's so it's so on the nose.

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Speaker 1: It is like it's like vitamin C graduation level on

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Speaker 1: the nose. It was on the list. Um, I will

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Speaker 1: say that, Um, I do. I do like how it

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Speaker 1: ends with every time I do it makes me laugh

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Speaker 1: and then he just ends, I haven't heard this in

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Speaker 1: a while, you know, talk about this. There aren't that

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Speaker 1: many men on this list, and I will can we

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Speaker 1: can we say that you put this song on the list. Yeah, Um,

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Speaker 1: well it wasn't up to me. With God, God make

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Speaker 1: God creative. I don't know for the questions, I stand

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Speaker 1: by it. Seven you cover Jessica Simpsons song. It's a

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Speaker 1: really good Jessica will feel about that. I don't think

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Speaker 1: she's ever gonna know. You don't think she listens. I

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Speaker 1: don't think she's I think she took a peek at

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Speaker 1: how that artist's name is spelled and said, not my business.

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Speaker 1: Not my business, is not your fight. This is not

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Speaker 1: for me. This is tire fight Jessica, you mama, you

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Speaker 1: got a billion dollar hair extension empire. You do not

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Speaker 1: know how to pronounce this name. Let's table the cover.

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Speaker 1: Let him enjoy it. Yeah, number eighty five. This is

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Speaker 1: this artist like this has been all over this, all

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Speaker 1: over this list, glamorous huge who who just sampled this

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Speaker 1: song to Jack Harlow? Yes, Yes, and it's a really

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Speaker 1: good it's really good it, Oh my god, and it's

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Speaker 1: really clever. He's like, uh, flying in the g I

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Speaker 1: got it out some of the A like like getting

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Speaker 1: up with the A and like it's clever. It's not

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Speaker 1: just like like, oh, let me just throw on a

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Speaker 1: Fergie song. He just like he works around it. Yeah,

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Speaker 1: he used it like the art that it is, used

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Speaker 1: it to increase his art, and that is a ploy

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Speaker 1: for the gays and the girls. She's like, they fucking

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Speaker 1: love this. She can have us. I think he can

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Speaker 1: have us. Well, he I think him working with Littlens,

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Speaker 1: he does have us. He has us. He's had he's

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Speaker 1: had us. You know, you know, I'm totally fine with it.

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Speaker 1: He's he seems lovely. Yeah. I think he's a nice,

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Speaker 1: good nice boy. We need we need that. Has he

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Speaker 1: been to SNL. Have you met him? Yeah? When my

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Speaker 1: host did, he was yeah, last time. Number four, Nothing

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Speaker 1: in this World Harris Hulton. We got to sing this

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Speaker 1: song with Paris, so it was we were were I

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Speaker 1: tried back when Paris had her first documentary out, the

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Speaker 1: American Meme American Meme, and she came in and we

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Speaker 1: got to sing nothing in this World with her, And

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Speaker 1: I'm sure she thought that we were going to mention

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Speaker 1: stars are blind, which did not make the list, but

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Speaker 1: we are Nothing in this World stands though I do

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Speaker 1: love stars are blind. Stars are Blind is like a

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Speaker 1: little too like sleepy or like then nothing in this

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Speaker 1: world You're It's it's like a it's a power ballad,

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Speaker 1: not a power ballad necessarily, but like you feel like

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Speaker 1: it lifts off. It lifts off. Also I love that,

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Speaker 1: like there's the bridge like she like there's any other

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Speaker 1: singer like like it would be like an opt up,

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Speaker 1: like do this thing, do not and do this thing

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Speaker 1: to not so good good for her? Did Laana before

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Speaker 1: Laana say that? Number eighty three Show Me Love, Robin,

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Speaker 1: Show Me Love, Show my Life? Did you were you

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Speaker 1: guys into Robin from the very beginning from this song,

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Speaker 1: and I will say we went to Robin Knight at

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Speaker 1: the Eco Plex, uh last week, a week ago tonight.

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Speaker 1: My boyfriend did not know. Well, he's a little younger.

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Speaker 1: He is a little younger, and that is his defense.

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Speaker 1: But I still say I was young, you were young.

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Speaker 1: You're only I think you're only three years older than

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Speaker 1: my boyfriend. Maybe sure, so why are you forming cognitive memories? Okay, yeah,

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Speaker 1: so this song. We were five when this came out.

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Speaker 1: Really remember, yes, we were really young, so he would

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Speaker 1: be one this song is I guess that's unfair of me.

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Speaker 1: This is like like Robin is essentially like Paula Abdul

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Speaker 1: to him, but this song is like there's something. I'm

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Speaker 1: sure there are people like in UM Sweden who like

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Speaker 1: predate her, but like this song feels like quintessential Swedish

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Speaker 1: pop and if everything else comes from that, Max Martin

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Speaker 1: comes from that. You know that UM hit may maybe

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Speaker 1: one more time with originally supposed to be Robin song

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Speaker 1: and she turned it down and then turned it down

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Speaker 1: to ye huge inc that songs around. But okay, in

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Speaker 1: my defense, though, like people know the song imagine I

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Speaker 1: was I know the song imagined by John Lennon and

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Speaker 1: I wasn't alive when that song came out, and yet

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Speaker 1: I remember it, so why doesn't he know? Show Me

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Speaker 1: Love by Robin comparing the cultural impact is probably what

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Speaker 1: we're going to run into trouble there. I think. I

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Speaker 1: think show Me Love by Robin is as big a

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Speaker 1: song as imagined by John Lennon. I remember being a

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Speaker 1: little fag five year old and having like having that's insane.

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Speaker 1: It's just simply so simply not. I think that Imagine

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Speaker 1: didn't do what it set out to do. Imagine was like,

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Speaker 1: We're going to change the world. The song did nothing.

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Speaker 1: Show Me Love accomplished the sure show Me Love did

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Speaker 1: I would say have a bigger impact on pop music

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Speaker 1: than Serious because this showed Me Love into like the

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Speaker 1: Math Martin, into the rest of pop. That's huge. Imagine.

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Speaker 1: It's just like a song that any of the Beatles

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Speaker 1: could have sung, whether together or separate. Yoko was on it,

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Speaker 1: Who who cares Yoko was on it? It's I completely

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Speaker 1: stand by that number eighty two Show Me Love Robin

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Speaker 1: and S. Isn't it insane that there's two loves Robbin's Like,

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Speaker 1: thank God Robin S. It's a Shricken of the Egg

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Speaker 1: heart Breaks promises more than I'm also going to say it.

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Speaker 1: I stand by the song being eighty two and the

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Speaker 1: other Robin song being eighty three. I think this is

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Speaker 1: the superior Robin Um, which means that all the songs

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Speaker 1: from now on are better than Imagine, which didn't make

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Speaker 1: the list. I it brings us to Some people say,

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Speaker 1: look at me dad, that's what That's what she says, right, Um,

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Speaker 1: you know some people say it look like my dad.

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Speaker 1: You guys know your face was very funny. When you

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Speaker 1: guys are laughing at me like I'm crazy, pull it

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Speaker 1: up now unless you can prove it. Um. This was

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Speaker 1: like height Radio Disney played between huge Major speaking of

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Speaker 1: um cartoonish number eighty that don't impress me much, queen,

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Speaker 1: who could forget the iconic image of her in the

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Speaker 1: desert hitchhiking and that glamorous like I guess like three

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Speaker 1: piece like cougar material, leopard material and okay, so you

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Speaker 1: got a car. The one thing that bothers me about

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Speaker 1: the song is the heightening, isn't right? Yeah, it's like

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Speaker 1: she starts with Brad Pitt. Brad Pitt is second, So

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Speaker 1: she says Okay, so so you're a rocket science it

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Speaker 1: gets rocket scientist Brad Pitt, So you got a car.

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Speaker 1: It's like, if I'm a rocket scientist, that's super impressive.

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Speaker 1: I will even give Brad Pitt being a heightened on

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Speaker 1: rocket scientist. I think is Brad Pitt, like, especially at

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Speaker 1: the time, very special guy. There's many different rocket scientists,

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Speaker 1: there's only one Brad Pitt. So that's a heightened Can

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Speaker 1: we talk to the really quickly a roll of the

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Speaker 1: dice culturally to reference an actor and then to really

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Speaker 1: have him be relevant still today, like it could have

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Speaker 1: been any but she could have said that. She could

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Speaker 1: have said, so you're Timothy Olfant, okay, so you're Stephen Dorf.

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Speaker 1: That don't impress me. In fact, I would say Brad

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Speaker 1: Pitt sort of has the last laugh here. Yeah yeah, yeah,

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Speaker 1: he's like, yeah, you thought I was just a piece

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Speaker 1: of meat for your song, I'm an Oscar Oscar winner okay.

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Speaker 1: And then at the very end the last chorus, your

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Speaker 1: Tarzan Captain Kirk, maybe John Wayne whatever. That don't impres much.

390
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Speaker 1: That's whatever. She loses the whole threat. You're so right

391
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Speaker 1: about the height it's a d heightened but also that

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Speaker 1: don't impress them me much. It is just such a

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Speaker 1: cultural lexicon moment that it is number eighty and a

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Speaker 1: better song than I would always like, Sorry, what did

395
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Speaker 1: you say? It's car rocket Scientists, Brad Pick Because that's okay,

396
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Speaker 1: so you're a rocket scientist. Okay, so you're Brad Pitt. Okay,

397
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Speaker 1: so you got a car. I think that's the way

398
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Speaker 1: it goes. Can we double tay? You know? I checked

399
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Speaker 1: it's Rocket Scientists, Brad Pitt. Car's car should not be last.

400
00:23:32,240 --> 00:23:36,120
Speaker 1: It should be car rocket Scientists, Brad Pitt. And then

401
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Speaker 1: also then you can save like your fun cultural reference

402
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Speaker 1: for the end of the song. Totally, that could be that,

403
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Speaker 1: certainly totally and she's earned it by the end. To

404
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Speaker 1: do Captain Kirk, What a bad writer? Expensive Erica Jane, Yeah,

405
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Speaker 1: better than I will always love you, clear clear. I

406
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Speaker 1: don't think we're even debating it. It's expensive to be me,

407
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Speaker 1: followed by number seventy eight only Hope Mandy Moore, one

408
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Speaker 1: of I think the most important songs in her career.

409
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Speaker 1: I would say, yeah, number seventy seven. I think I'm

410
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Speaker 1: in I'm in love with you Jessica Simpson. This was

411
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Speaker 1: a John Cougar Mellen Camp sample that really kicked us.

412
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Speaker 1: I love Jack and Diane. I think I think I

413
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Speaker 1: love I think I'm in love with you, but more

414
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Speaker 1: absolutely and I My favorite thing about this song is

415
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Speaker 1: that she goes very tell you every time you hear that,

416
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Speaker 1: like like that like we're like insane interval and she

417
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Speaker 1: does They're like, okay, Lanna, It's it's insane. The visual

418
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Speaker 1: like the readers are sing out on the visual of

419
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Speaker 1: you as you sing it when down in equally insane.

420
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Speaker 1: You know, the readers really miss out on our visuals

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Speaker 1: all the time, which is twice to which I say,

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Speaker 1: get well soon and give us a TV show now.

423
00:25:16,119 --> 00:25:23,880
Speaker 1: Number Madonna incredible song, number I Don't want to Wait,

424
00:25:25,240 --> 00:25:29,800
Speaker 1: I mean huge, huge, This is it takes You Back?

425
00:25:31,080 --> 00:25:35,480
Speaker 1: Number seventy four Government Hooker. This is one of Lady

426
00:25:35,480 --> 00:25:39,480
Speaker 1: Guga's highest charting songs in the Great Global Songbook for

427
00:25:39,560 --> 00:25:43,879
Speaker 1: good reason. Do you remember where you were when you

428
00:25:43,920 --> 00:25:49,000
Speaker 1: heard the lyrics put your hands on Me? John F. Kennedy,

429
00:25:49,359 --> 00:25:52,240
Speaker 1: do you remember where you were? I was with because

430
00:25:52,400 --> 00:25:55,680
Speaker 1: she played this song at the Muglar fashion show where

431
00:25:55,720 --> 00:25:58,280
Speaker 1: she walked before the album came out, before anyone heard

432
00:25:58,320 --> 00:26:00,760
Speaker 1: this track and then she threw in that little lyric

433
00:26:01,480 --> 00:26:03,600
Speaker 1: and then me and Concorde Posse were together. We were like,

434
00:26:03,680 --> 00:26:09,720
Speaker 1: oh my god, this fucking girl. That's what I said, ladyga,

435
00:26:09,880 --> 00:26:15,760
Speaker 1: this fucking girl, and that's like iconically what this girl

436
00:26:15,880 --> 00:26:20,720
Speaker 1: is crazy? Like I love this girl, this girl, this

437
00:26:20,800 --> 00:26:24,320
Speaker 1: girl is crazy. I love this girl. This girl. You

438
00:26:24,359 --> 00:26:30,200
Speaker 1: don't like the same age Number seventy three, Sierra, this

439
00:26:30,359 --> 00:26:33,159
Speaker 1: really was the beginning of what we called crunkin be

440
00:26:33,480 --> 00:26:37,720
Speaker 1: remember crunk. Good luck booking that spot on this list

441
00:26:37,720 --> 00:26:41,240
Speaker 1: do you speak of? Honestly, there's no Oh my god,

442
00:26:41,960 --> 00:26:45,720
Speaker 1: oh my god, Sierra had the last last Sierra did

443
00:26:45,720 --> 00:26:52,000
Speaker 1: have the Unfortunately it's a koh. Sira has emerged victorious

444
00:26:52,040 --> 00:26:54,840
Speaker 1: over read over billionaire Rihanna. You know what I'd say

445
00:26:54,840 --> 00:26:57,719
Speaker 1: to re read Then start making more music, bitch, and

446
00:26:57,720 --> 00:27:00,960
Speaker 1: then maybe you can get on the list. And there

447
00:27:01,040 --> 00:27:03,560
Speaker 1: is a huge party that being are throwing for every

448
00:27:03,760 --> 00:27:06,720
Speaker 1: artist on the list, and you're not invited. Really good

449
00:27:06,720 --> 00:27:10,640
Speaker 1: looking booking our party, speaking party, we speaking speak of

450
00:27:10,880 --> 00:27:15,600
Speaker 1: number seventy two, he said, she said, Ashley Tisdale, this

451
00:27:15,720 --> 00:27:17,879
Speaker 1: is like one of those like he said, she said,

452
00:27:18,480 --> 00:27:22,600
Speaker 1: it's a disgusting song. But it's bad, it's it's perfectly good.

453
00:27:23,640 --> 00:27:27,400
Speaker 1: It's bad so good. Speaking of number seventy one, star

454
00:27:27,480 --> 00:27:32,200
Speaker 1: Starships sing well they were meant to fly, singing singing

455
00:27:33,280 --> 00:27:38,360
Speaker 1: meant to fly. Honestly, that's second half of um. The

456
00:27:38,560 --> 00:27:41,320
Speaker 1: Pink Friday Roman Reloaded is some of my favorite Nikki,

457
00:27:41,400 --> 00:27:44,920
Speaker 1: like all her songs that she was doing. I loved

458
00:27:44,920 --> 00:27:47,480
Speaker 1: that era, Pound the Alarm, Pound the Alarm. This is

459
00:27:47,520 --> 00:27:54,840
Speaker 1: representative song, go to the beach each let's get away, right,

460
00:27:55,000 --> 00:27:57,520
Speaker 1: Let's go to the beach and for giving us that

461
00:27:58,119 --> 00:28:02,520
Speaker 1: Starships makes the list. Yes, number seventy Your Love is

462
00:28:02,560 --> 00:28:05,920
Speaker 1: My drug. People talk about TikTok, but this is the song.

463
00:28:06,000 --> 00:28:07,800
Speaker 1: This is the song, This is the song on a

464
00:28:07,840 --> 00:28:11,200
Speaker 1: song like she's mapping it so perfectly on like drug

465
00:28:11,200 --> 00:28:15,720
Speaker 1: youth like it's it's perfect. And also the bridge, I

466
00:28:15,800 --> 00:28:21,040
Speaker 1: don't care what people say, the rush on the price

467
00:28:21,160 --> 00:28:25,080
Speaker 1: sid day, I get so hot. It's really good. Remember

468
00:28:25,080 --> 00:28:27,360
Speaker 1: when Papula covered it and it was like a great cover.

469
00:28:28,000 --> 00:28:30,640
Speaker 1: Were you at that show? We did a live show

470
00:28:30,640 --> 00:28:32,439
Speaker 1: and Papula covered it and I think we kind of

471
00:28:32,600 --> 00:28:35,560
Speaker 1: killed it. It's like an acappella cover, right, No, no, no, well, no,

472
00:28:35,640 --> 00:28:39,840
Speaker 1: we had the band, but the bill that was fun. Okay,

473
00:28:40,000 --> 00:28:43,560
Speaker 1: number sixty nine, who do you think you are? Spice girls?

474
00:28:44,240 --> 00:28:48,000
Speaker 1: Tys Underland favorite for good reason. It really is when

475
00:28:48,080 --> 00:28:51,479
Speaker 1: you were on Molly at a club. Sorry, it really

476
00:28:51,600 --> 00:28:58,600
Speaker 1: really really better, nothing better kind of right on me

477
00:28:58,800 --> 00:29:06,080
Speaker 1: beginning think about my neck my back, like ka, I mean,

478
00:29:06,120 --> 00:29:09,040
Speaker 1: look at this point it's very scandal us something we

479
00:29:09,080 --> 00:29:10,840
Speaker 1: can all agree and whenever you sort of bring up

480
00:29:10,880 --> 00:29:14,160
Speaker 1: my neck my back, it's sort of a thing of like, yes,

481
00:29:14,240 --> 00:29:16,960
Speaker 1: we all now are like familiar enough with the joke.

482
00:29:17,240 --> 00:29:19,880
Speaker 1: But the fact is, like if you listen to the song,

483
00:29:20,000 --> 00:29:23,719
Speaker 1: it's beautiful, beautiful song, so beautiful, and you don't and

484
00:29:23,800 --> 00:29:25,920
Speaker 1: honestly you don't. You don't have a whop without this

485
00:29:26,040 --> 00:29:30,360
Speaker 1: coming first. No, but you know what else? I want

486
00:29:30,360 --> 00:29:34,000
Speaker 1: to look like your toes was also this era. It

487
00:29:34,080 --> 00:29:35,880
Speaker 1: was filthy. It was a filthy era. It was a

488
00:29:35,920 --> 00:29:39,240
Speaker 1: filthy I mean this is I mean I remember listening

489
00:29:39,280 --> 00:29:41,440
Speaker 1: to I Want to Let Ye from your head to

490
00:29:41,520 --> 00:29:43,840
Speaker 1: your toes and really wanting to get off book on

491
00:29:43,880 --> 00:29:49,360
Speaker 1: the versus you could do it the doge You don't huge,

492
00:29:50,000 --> 00:29:51,960
Speaker 1: I will say, I can't believe anyone was shocked by

493
00:29:51,960 --> 00:29:55,480
Speaker 1: what when we had this song, Yeah, we're people shocked.

494
00:29:55,640 --> 00:29:59,280
Speaker 1: I guess people were scandalized by scandalized. Um, what's his face?

495
00:30:00,040 --> 00:30:04,920
Speaker 1: Marjorie Taylor Green, Yeah, what's his face? And then Madison

496
00:30:05,040 --> 00:30:08,760
Speaker 1: Cawthorne with with his best friend his best boyfriend's hand

497
00:30:08,760 --> 00:30:12,280
Speaker 1: on his penis like all enraged to whop more like,

498
00:30:12,960 --> 00:30:17,760
Speaker 1: yeah you're gay? Number sixties seven. Every time we touched,

499
00:30:22,520 --> 00:30:26,200
Speaker 1: I couldn't remember the weird words. Every time we touched again,

500
00:30:27,360 --> 00:30:30,520
Speaker 1: what was that? I couldn't remember the words? I remember

501
00:30:30,520 --> 00:30:33,080
Speaker 1: the weird or something that happens when Joel, you know,

502
00:30:33,160 --> 00:30:35,920
Speaker 1: starts to like trip on a word and he kind

503
00:30:35,920 --> 00:30:37,800
Speaker 1: of loses control for a second and then all he

504
00:30:37,840 --> 00:30:39,920
Speaker 1: can do is just smile through it and just like

505
00:30:41,000 --> 00:30:43,360
Speaker 1: delighted it just happened. It just happened to him. I

506
00:30:43,400 --> 00:30:47,440
Speaker 1: want to I want to look for him, because it's

507
00:30:47,480 --> 00:30:52,160
Speaker 1: hard and he hasn't he hasn't warmed up. As Elizabeth

508
00:30:52,160 --> 00:30:56,040
Speaker 1: Swado's theater teacher used to say, bite those consonants, kids,

509
00:30:57,040 --> 00:31:05,880
Speaker 1: bite them all right, Um speaking up? Number sixty numbers

510
00:31:07,160 --> 00:31:12,640
Speaker 1: actually one of the best songs ever. Stand by this. Sure, yes,

511
00:31:13,880 --> 00:31:17,960
Speaker 1: there's no one's debating you have a really nastcsion. I'm

512
00:31:18,000 --> 00:31:20,200
Speaker 1: thinking about it, and there's no discussion. Remember the dance

513
00:31:20,240 --> 00:31:27,600
Speaker 1: break in the video, she goes she looked nervous the

514
00:31:27,600 --> 00:31:34,440
Speaker 1: whole time. Well, this was when she was like publicly embracing,

515
00:31:34,440 --> 00:31:37,680
Speaker 1: like being like a fucking mess. Yeah. Yeah, she was like,

516
00:31:37,760 --> 00:31:39,840
Speaker 1: I want to say, respectfully, I would love you to

517
00:31:39,920 --> 00:31:42,880
Speaker 1: take the cameras off me. I relate to this song.

518
00:31:43,440 --> 00:31:46,840
Speaker 1: Tired of rumors start, tired of rumors starting a league

519
00:31:46,840 --> 00:31:50,280
Speaker 1: and lost culture. I think it's Doug. Doug is the league?

520
00:31:50,720 --> 00:31:55,160
Speaker 1: Is he reading a book? My fuck? Not engineering anyway?

521
00:31:55,600 --> 00:32:00,240
Speaker 1: Number sixty get out of my way? Absolutely, I think

522
00:32:00,320 --> 00:32:05,000
Speaker 1: the best Kylie song. Yeah, absolutely, it makes me feel powerful.

523
00:32:05,840 --> 00:32:09,080
Speaker 1: Oh yeah, now I've got a taste. I want to

524
00:32:09,120 --> 00:32:14,280
Speaker 1: explore and going to waste not anymore. The video is incredible,

525
00:32:14,560 --> 00:32:20,760
Speaker 1: amazing video. Ain't going anyway, not anymore. And I'm about

526
00:32:20,760 --> 00:32:23,560
Speaker 1: to let you see this is what will happen if

527
00:32:23,600 --> 00:32:25,800
Speaker 1: you don't give your if you ain't giving your girl.

528
00:32:28,120 --> 00:32:31,120
Speaker 1: It's a threat. It's a threat. I'm about to let

529
00:32:31,160 --> 00:32:33,920
Speaker 1: you see it's a threat. It's about to be yet. No,

530
00:32:34,040 --> 00:32:37,080
Speaker 1: we're not gonna say that's gonna come out coming Number

531
00:32:37,080 --> 00:32:41,960
Speaker 1: sixty four Kim Petris. This isn't probably the newest song

532
00:32:42,000 --> 00:32:44,400
Speaker 1: on the list, but the second we heard it, we

533
00:32:44,480 --> 00:32:46,320
Speaker 1: knew that it was in the Great Global Song Book.

534
00:32:47,560 --> 00:32:50,480
Speaker 1: Treat Me like a Slut. I'm a dirty bitch. I

535
00:32:50,560 --> 00:32:56,280
Speaker 1: love to fuck. It's it's so perfect. Another like, again,

536
00:32:56,320 --> 00:32:59,040
Speaker 1: would we have the song if not for yet? Exactly?

537
00:33:00,200 --> 00:33:03,560
Speaker 1: Treat me like a slut, dirty bitch, I love to fuck.

538
00:33:04,520 --> 00:33:10,480
Speaker 1: And from very adult to sort of childlike adult contemporary yes,

539
00:33:10,840 --> 00:33:15,920
Speaker 1: Number sixty three. Big Girls Don't my first? Really really,

540
00:33:16,160 --> 00:33:19,240
Speaker 1: I know I'm speaking of personal. It's actually called Big

541
00:33:19,240 --> 00:33:23,880
Speaker 1: Girls Don't Cry and in parentheses personal, Oh my god? Really?

542
00:33:24,440 --> 00:33:27,440
Speaker 1: What does it means? A lot? It means I remember

543
00:33:28,200 --> 00:33:33,560
Speaker 1: the video very well. Milo in the videos like really

544
00:33:33,680 --> 00:33:38,320
Speaker 1: establishing himself pre this is us post heroes and post heroes,

545
00:33:39,520 --> 00:33:42,640
Speaker 1: a big transition for him into music video artists. UM,

546
00:33:42,680 --> 00:33:47,320
Speaker 1: and for me, it just reminds me that I shouldn't cry.

547
00:33:47,640 --> 00:33:50,360
Speaker 1: Don't cry. And what I think of when I think

548
00:33:50,400 --> 00:33:53,280
Speaker 1: of this song is um a child missing their blanket.

549
00:33:53,640 --> 00:33:55,640
Speaker 1: When whenever I think of that, I think, well, thank

550
00:33:55,640 --> 00:33:57,960
Speaker 1: you for that evocative image, because now I understand what

551
00:33:58,000 --> 00:34:00,040
Speaker 1: you're going through, because I get a child miss in

552
00:34:00,040 --> 00:34:04,000
Speaker 1: their blanket. I really get that I didn't have one.

553
00:34:04,160 --> 00:34:06,560
Speaker 1: You didn't have a blanket, you didn't have any toys.

554
00:34:07,480 --> 00:34:10,480
Speaker 1: I just it just it that that passive fire and

555
00:34:10,560 --> 00:34:12,319
Speaker 1: that just lined that line never worked on me. And

556
00:34:12,360 --> 00:34:16,160
Speaker 1: I'm sorry to both of you that never resonated. And

557
00:34:17,080 --> 00:34:18,880
Speaker 1: I have issue with it being the being up this

558
00:34:18,920 --> 00:34:22,040
Speaker 1: thigh on the list. Let's move on. Oh my God,

559
00:34:23,800 --> 00:34:29,480
Speaker 1: when Jesus say yes, Michelle Williams, and of course the

560
00:34:29,600 --> 00:34:32,919
Speaker 1: end of that sentences when Jesus say yes, nobody say

561
00:34:33,719 --> 00:34:37,960
Speaker 1: she's right, and again sort of like imagine being asked

562
00:34:37,960 --> 00:34:40,960
Speaker 1: to be in the song, how could you say no?

563
00:34:41,320 --> 00:34:44,480
Speaker 1: Because the title in itself is a threat. When Jesus

564
00:34:44,520 --> 00:34:46,239
Speaker 1: say yes, nobody can say no. And by the way,

565
00:34:46,280 --> 00:34:49,680
Speaker 1: you just did say yes. I talked to him. So, Kelly,

566
00:34:49,800 --> 00:34:51,759
Speaker 1: you're going to be in town, right? How do you

567
00:34:51,760 --> 00:34:54,640
Speaker 1: know when Jesus say yes? I think, well, Jesus said

568
00:34:54,719 --> 00:34:57,160
Speaker 1: yes to this whole list, so I think you just

569
00:34:57,239 --> 00:35:02,440
Speaker 1: know Michelle Beyonce Kelly, No, that is not it. Do

570
00:35:02,520 --> 00:35:04,440
Speaker 1: you think I'm the Kelly? I think I'm the Michelle.

571
00:35:05,840 --> 00:35:10,080
Speaker 1: It's so stupid, and it's willfully it's it's it's willful.

572
00:35:10,200 --> 00:35:13,720
Speaker 1: I'm not I'm the Michelle. I think we're all Kelly

573
00:35:14,600 --> 00:35:20,239
Speaker 1: the most religious. Yeah exactly. I actually I embrace my

574
00:35:20,440 --> 00:35:24,879
Speaker 1: role as Kelly Rowlands. I really do. She's she's cool

575
00:35:24,920 --> 00:35:27,640
Speaker 1: as ship, she's funny, she's real. I'm beyonceing that. I'm

576
00:35:27,680 --> 00:35:30,560
Speaker 1: like just a little I'm a little dead inside, and

577
00:35:30,600 --> 00:35:33,520
Speaker 1: I just don't I can't really do interviews anymore because

578
00:35:33,520 --> 00:35:39,960
Speaker 1: I'm just tired. That's how I'm And you're the richest

579
00:35:39,960 --> 00:35:45,120
Speaker 1: and most famous and then but tired, but tired. But

580
00:35:45,600 --> 00:35:53,160
Speaker 1: it's tired. It's serving tired artists. It's serving like, oh see,

581
00:35:53,239 --> 00:35:56,480
Speaker 1: this is it. Kelly Roland has bops like lay it

582
00:35:56,520 --> 00:36:00,520
Speaker 1: on me, motivation like so good and also not for nothing.

583
00:36:00,520 --> 00:36:02,840
Speaker 1: But Kelly Rowland as cool as you want to because

584
00:36:02,880 --> 00:36:05,000
Speaker 1: she got to say faggot and Freddy versus Jason. She

585
00:36:05,000 --> 00:36:07,120
Speaker 1: got to say faggot and Freddie versus Jason. She got

586
00:36:07,120 --> 00:36:09,759
Speaker 1: a text on Microsoft e cell on a phone in

587
00:36:09,800 --> 00:36:13,160
Speaker 1: them what is a dilemma. Yeah, she can host any

588
00:36:13,280 --> 00:36:16,040
Speaker 1: X Factor she wants. She's such a good judge on

589
00:36:16,040 --> 00:36:19,279
Speaker 1: their shows. She's fabulous. She did the British version one

590
00:36:19,280 --> 00:36:21,439
Speaker 1: time and it was like she she like really was good.

591
00:36:21,640 --> 00:36:25,720
Speaker 1: Number sixty. Speaking of British X Factor contestants, Sweet Melody,

592
00:36:25,920 --> 00:36:30,239
Speaker 1: Little Mix, in fact, Kelly Rowland what she which meant

593
00:36:30,280 --> 00:36:32,520
Speaker 1: her a little Minit she did not to Lisa meantor

594
00:36:32,560 --> 00:36:35,359
Speaker 1: a Little Mix And Kelly Roland had the female artist

595
00:36:35,480 --> 00:36:38,160
Speaker 1: that year. And I remember Kelly Roland being super hard

596
00:36:38,239 --> 00:36:40,080
Speaker 1: on Little Mix because she was like, I think you

597
00:36:40,080 --> 00:36:41,600
Speaker 1: guys are really good and can be really good in

598
00:36:41,640 --> 00:36:44,120
Speaker 1: your harmonies aren't right, and you guys aren't necessarily jelling yet.

599
00:36:44,120 --> 00:36:46,520
Speaker 1: But I'm only going to be hard because you know

600
00:36:46,800 --> 00:36:48,640
Speaker 1: that I know what it's like to be in the

601
00:36:48,680 --> 00:36:50,480
Speaker 1: best girl group. But I think that you guys could

602
00:36:50,600 --> 00:36:54,239
Speaker 1: could get up there. And then Little Mix was didn't there,

603
00:36:54,440 --> 00:36:57,319
Speaker 1: but well internationally you could argue that they were pretty huge,

604
00:36:57,360 --> 00:37:00,120
Speaker 1: but America it never did happen. It's sort of like

605
00:37:00,160 --> 00:37:06,640
Speaker 1: Foreskin say that sort of No, I don't know what

606
00:37:06,800 --> 00:37:10,200
Speaker 1: I'm number fifty nine. What is it? Are you still

607
00:37:10,239 --> 00:37:18,040
Speaker 1: Beyonce entired? Righty? Big MoMA thing? Little Kim got it

608
00:37:18,080 --> 00:37:21,440
Speaker 1: going on? What what? I'm really surprised to not have

609
00:37:21,520 --> 00:37:24,319
Speaker 1: you put on how many licks on this? How many?

610
00:37:24,440 --> 00:37:26,400
Speaker 1: I'm I'm more of a how many licks? Was it

611
00:37:26,480 --> 00:37:29,600
Speaker 1: on this album? Was it? Uh? I think that was

612
00:37:29,600 --> 00:37:33,160
Speaker 1: on Notorious. There's there's stick whatever, there's so, there's so,

613
00:37:33,200 --> 00:37:35,800
Speaker 1: there's so much Kim I just this is my personal

614
00:37:35,840 --> 00:37:38,839
Speaker 1: favorite Kim sung okay perfect, That's all mine is how

615
00:37:38,840 --> 00:37:41,480
Speaker 1: many licks? But I respect and I know that God

616
00:37:41,520 --> 00:37:43,560
Speaker 1: put this on. Remember after Paying Friday came out and

617
00:37:43,560 --> 00:37:46,480
Speaker 1: she came out with Black Friday. Just basically it's it

618
00:37:46,560 --> 00:37:48,799
Speaker 1: was a dis track on Nicki Minaj. I think that

619
00:37:48,960 --> 00:37:53,120
Speaker 1: the little Kim Nicki Minaj fight broke Nicki Minaj. I

620
00:37:53,160 --> 00:37:55,799
Speaker 1: think that's why. Something about that going down and makes

621
00:37:55,800 --> 00:38:00,160
Speaker 1: her unable to like actually support she thinks she is,

622
00:38:00,200 --> 00:38:03,160
Speaker 1: though she thinks she's being supportive of the new Girls. Yeah.

623
00:38:03,160 --> 00:38:05,239
Speaker 1: And also I'm not even I don't even know specifics

624
00:38:05,280 --> 00:38:08,680
Speaker 1: and can't really gauge, like, but I'm sure it affected her. Yeah,

625
00:38:08,719 --> 00:38:12,640
Speaker 1: I think it did, because I'm sure I'm sure Kim

626
00:38:12,719 --> 00:38:15,320
Speaker 1: was affected by There's like there there's a Ryan Murphy

627
00:38:15,320 --> 00:38:17,480
Speaker 1: feud in that. Well, I actually would love to see

628
00:38:17,520 --> 00:38:23,920
Speaker 1: that maybe not maybe maybe maybe someone else. No, No,

629
00:38:24,000 --> 00:38:26,600
Speaker 1: it should be it should be Ryan Shonda should be

630
00:38:26,600 --> 00:38:31,879
Speaker 1: past feud and she should do it. Yes, don't cry

631
00:38:31,920 --> 00:38:40,480
Speaker 1: for me, Argentina, various, Avida's amazing, Andrew Loyd Webber crid fabulous,

632
00:38:41,400 --> 00:38:46,520
Speaker 1: Madonna is a movie killer, is killer, movie killer. I

633
00:38:46,640 --> 00:38:52,440
Speaker 1: never heard these seven boss ums. I'm not to hate

634
00:38:52,920 --> 00:38:55,719
Speaker 1: really a lesson being taught to kids everywhere in the

635
00:38:55,760 --> 00:38:59,440
Speaker 1: beginning that song, you don't have to like me, but

636
00:38:59,560 --> 00:39:03,799
Speaker 1: you will respect me. You know why, because because I'm

637
00:39:03,800 --> 00:39:08,880
Speaker 1: a boss. And then the d d down from the

638
00:39:08,960 --> 00:39:15,400
Speaker 1: video just like limp Risks hanging police for President, True

639
00:39:15,640 --> 00:39:19,160
Speaker 1: number fifty six, can't take my eyes off of you,

640
00:39:19,360 --> 00:39:23,239
Speaker 1: Denise Denise Richards and dropped it gorgeous, holds up much

641
00:39:23,280 --> 00:39:25,719
Speaker 1: better than I thought it would. We watched in the

642
00:39:25,800 --> 00:39:28,799
Speaker 1: last year or so. I also recently, Yeah, we watched. Yeah,

643
00:39:28,800 --> 00:39:31,600
Speaker 1: we watched it, and you know there are expected to

644
00:39:31,600 --> 00:39:34,440
Speaker 1: be I was horrified by parts, but I was horrified

645
00:39:34,480 --> 00:39:36,759
Speaker 1: by less parts than I thought. Well, Matt Malloy, who

646
00:39:36,760 --> 00:39:39,080
Speaker 1: plays the judge who's like a pedophile, is on. I

647
00:39:39,080 --> 00:39:40,839
Speaker 1: love that for you. And Greta and I were at

648
00:39:40,880 --> 00:39:42,239
Speaker 1: the premier of the night and like, we went over

649
00:39:42,280 --> 00:39:43,480
Speaker 1: to him because I haven't met at him, but I

650
00:39:43,480 --> 00:39:45,600
Speaker 1: don't share scenes with him. But I was like, we're

651
00:39:45,640 --> 00:39:47,880
Speaker 1: such huge fans of dropped the Gorgeous and he was like,

652
00:39:48,160 --> 00:39:50,919
Speaker 1: you know what's crazy. It's like I get approached about

653
00:39:50,920 --> 00:39:53,200
Speaker 1: that movie like all the time, all the time, and

654
00:39:53,239 --> 00:39:56,520
Speaker 1: I'm like, yeah, because it's like true, true, I think

655
00:39:56,560 --> 00:39:59,080
Speaker 1: a bigger cult classic than it even gets credit. I

656
00:39:59,120 --> 00:40:02,040
Speaker 1: think gets called a cult classic. But it's a classic.

657
00:40:02,480 --> 00:40:05,640
Speaker 1: People people really love it. You want to know what

658
00:40:05,760 --> 00:40:07,360
Speaker 1: it is? Like I was reading about it and it

659
00:40:07,520 --> 00:40:09,680
Speaker 1: was like someone made a really good point, which was

660
00:40:09,800 --> 00:40:12,799
Speaker 1: all those teen movies at the time, none of them

661
00:40:12,880 --> 00:40:15,640
Speaker 1: had like dark humor. So that was the only like

662
00:40:15,840 --> 00:40:18,920
Speaker 1: teen movie about high school that had like an abject

663
00:40:19,040 --> 00:40:22,319
Speaker 1: like after there was a long period. No, I think

664
00:40:22,360 --> 00:40:27,040
Speaker 1: the lineage is Heather's Jawbreaker Gorgeous. Yeah, yeah, yeah, that

665
00:40:27,040 --> 00:40:28,920
Speaker 1: would make sense. But like in terms of like at

666
00:40:28,960 --> 00:40:30,279
Speaker 1: that time, it was like a lot of like I

667
00:40:30,320 --> 00:40:32,759
Speaker 1: think Bringing On came around right around aroughout that time,

668
00:40:32,880 --> 00:40:34,600
Speaker 1: and like, you know, She's all that and everything. Like

669
00:40:34,640 --> 00:40:37,800
Speaker 1: in terms of nineties, like The Freaks and like Theater

670
00:40:37,960 --> 00:40:41,200
Speaker 1: kids didn't really have a movie that was like, you know,

671
00:40:42,000 --> 00:40:44,160
Speaker 1: like super appealing to them because that movie was not Yes,

672
00:40:44,239 --> 00:40:46,399
Speaker 1: it was about winning a pageant, but it wasn't about

673
00:40:46,440 --> 00:40:48,759
Speaker 1: like being the most popular girl in school, or like

674
00:40:48,840 --> 00:40:51,640
Speaker 1: getting pretty, or like getting Freddie Prince Junior to date you.

675
00:40:51,840 --> 00:40:55,840
Speaker 1: You know, it was like about like power struggle and

676
00:40:55,960 --> 00:40:58,920
Speaker 1: like it was about women. The really there is not

677
00:40:59,280 --> 00:41:02,240
Speaker 1: really a large male presence, Like he's dispensed with pretty

678
00:41:02,239 --> 00:41:04,480
Speaker 1: early in the movie. Yeah, exactly, love interest. Yeah, he

679
00:41:04,520 --> 00:41:11,440
Speaker 1: gets shot off Lauren Hill. You can't really mention Denise

680
00:41:11,560 --> 00:41:13,640
Speaker 1: Richards and then be disrespectful to Lauren Hell. So I'm

681
00:41:13,640 --> 00:41:16,680
Speaker 1: happy we did that too, and and and Lauren, we

682
00:41:16,760 --> 00:41:19,120
Speaker 1: love you. I'm really happy you put this next one

683
00:41:19,160 --> 00:41:24,960
Speaker 1: on here before past that Dutch Miss Elliott. This unfortunately

684
00:41:25,040 --> 00:41:27,600
Speaker 1: came on while I was on Molly at the club

685
00:41:27,840 --> 00:41:30,000
Speaker 1: and I looked out at the crowd and the only

686
00:41:30,080 --> 00:41:33,320
Speaker 1: thing I could think was Mean Girls is maybe the

687
00:41:33,440 --> 00:41:37,080
Speaker 1: perfect movie. Yeah, because this song, this song comes on

688
00:41:37,160 --> 00:41:41,400
Speaker 1: when Regina George gets introduced, like the music supervisor on

689
00:41:41,440 --> 00:41:43,960
Speaker 1: that movie, I think Neil did. And there's something so like,

690
00:41:45,280 --> 00:41:48,279
Speaker 1: there's something I don't know. That movie is really really evil,

691
00:41:48,360 --> 00:41:51,719
Speaker 1: takes a human form in Regina George. Oh don't let

692
00:41:51,760 --> 00:41:55,640
Speaker 1: the Yeah, she may look like your typical scum sucking

693
00:41:55,840 --> 00:42:00,120
Speaker 1: road horror, just that. Yeah, it's basic but I do

694
00:42:00,239 --> 00:42:07,480
Speaker 1: love that movie. Yeah, impossible from Brandy Cinderella, Whitney Houston's

695
00:42:07,480 --> 00:42:12,439
Speaker 1: that happening? Never the fact that this movie's title might

696
00:42:12,520 --> 00:42:16,239
Speaker 1: as well now be Brandy Cinderella. Yeah, but also like

697
00:42:16,480 --> 00:42:18,440
Speaker 1: that iconic backstage footage why are you what are you

698
00:42:18,480 --> 00:42:21,239
Speaker 1: doing down there? What are you doing down there? Are

699
00:42:21,239 --> 00:42:27,200
Speaker 1: you down there? When Brandy literally sing why are you

700
00:42:27,360 --> 00:42:33,520
Speaker 1: down there? Number fifty two? You don't know me? The

701
00:42:33,560 --> 00:42:37,160
Speaker 1: First Wives Club? You know you've ever seen I mean,

702
00:42:37,760 --> 00:42:40,520
Speaker 1: you've never seen that film, You've never seen any of

703
00:42:40,719 --> 00:42:42,759
Speaker 1: You've never seen it. And I put it in. But

704
00:42:43,000 --> 00:42:47,759
Speaker 1: isn't that played in gay bars a video bar staple? Yes,

705
00:42:47,920 --> 00:42:49,759
Speaker 1: you know what, it's actually not as good as a

706
00:42:49,880 --> 00:42:54,920
Speaker 1: movie as people want it to be, remember it. Yeah, yeah, Yeah,

707
00:42:54,920 --> 00:42:57,160
Speaker 1: it's one of those It's like it's actually quite long,

708
00:42:57,760 --> 00:42:59,520
Speaker 1: and like it looks like it should be so much

709
00:42:59,560 --> 00:43:00,960
Speaker 1: more fun than it is. It looks like it should

710
00:43:00,960 --> 00:43:02,359
Speaker 1: be like Zani and Lacking in the three of them

711
00:43:02,400 --> 00:43:05,359
Speaker 1: like all doing stuff together, and like it's most it's

712
00:43:05,400 --> 00:43:08,320
Speaker 1: not sad, it's just kind of like it doesn't really move.

713
00:43:09,520 --> 00:43:21,319
Speaker 1: I don't know, but we're happy it exists. He wasn't

714
00:43:21,360 --> 00:43:26,719
Speaker 1: mad enough Tony Braxton. This this is actually in terms

715
00:43:26,800 --> 00:43:30,200
Speaker 1: of we listened to it in Vegas, like Patrick, Jared

716
00:43:30,239 --> 00:43:32,439
Speaker 1: and I were listening to it in Vegas. In terms

717
00:43:32,480 --> 00:43:37,319
Speaker 1: of riffing over a final chorus, it is unparalleled. Her

718
00:43:37,520 --> 00:43:44,440
Speaker 1: choices over the last chorus are who coo bananas? Like

719
00:43:45,040 --> 00:43:49,600
Speaker 1: really going forward, like I'm forgetting like what exactly it is.

720
00:43:49,680 --> 00:43:50,960
Speaker 1: But like when you listen to it, it's one of

721
00:43:51,000 --> 00:43:53,239
Speaker 1: those songs that was like on the radio enough when

722
00:43:53,280 --> 00:43:55,920
Speaker 1: we were like that age where you remember it all

723
00:43:56,360 --> 00:43:59,400
Speaker 1: it's like muscle memory, and but you were able to

724
00:43:59,440 --> 00:44:01,840
Speaker 1: study it the closer would you do? You did a

725
00:44:01,880 --> 00:44:04,000
Speaker 1: closer read on it. I just like was hearing it

726
00:44:04,080 --> 00:44:05,759
Speaker 1: and I was like, how did this woman get in

727
00:44:05,800 --> 00:44:07,680
Speaker 1: the booth? And was like yeah, sure, and then like

728
00:44:07,880 --> 00:44:11,560
Speaker 1: she just picked these insane things. It's sort of like

729
00:44:11,640 --> 00:44:16,080
Speaker 1: Deborah Cox. No, it's just like there's so much going on.

730
00:44:16,320 --> 00:44:19,120
Speaker 1: I think that's providing like a good like mental model

731
00:44:19,200 --> 00:44:21,759
Speaker 1: for people, like imagine the person in the booth and

732
00:44:21,880 --> 00:44:24,640
Speaker 1: that should that that should like tell you everything. Well,

733
00:44:24,680 --> 00:44:29,359
Speaker 1: it's actually real culture number nine. Let me say it first.

734
00:44:29,760 --> 00:44:31,839
Speaker 1: If you're hearing a song it was recorded in the booth,

735
00:44:32,320 --> 00:44:34,640
Speaker 1: it's real. Number nine. If you're hearing a song, it

736
00:44:34,760 --> 00:44:38,680
Speaker 1: was recorded in the booth. Number one thing, one thing.

737
00:44:39,120 --> 00:44:41,759
Speaker 1: This is a great song. It's an absolute It was

738
00:44:41,880 --> 00:44:43,880
Speaker 1: in the Worst Person in the World and it real

739
00:44:43,960 --> 00:44:45,960
Speaker 1: sounded like a new song. I was like, wait is

740
00:44:46,040 --> 00:44:49,880
Speaker 1: this and then it plays like, oh, put your records

741
00:44:49,920 --> 00:44:54,399
Speaker 1: on Karen Bailey, Ray hit him Up Style, Oops, Blue

742
00:44:54,480 --> 00:44:56,759
Speaker 1: cant Joel. If you ever have anything to say, jump in.

743
00:44:58,320 --> 00:45:02,120
Speaker 1: There is Brianna, There is Rihanna. Rianna, you are invited

744
00:45:02,160 --> 00:45:07,800
Speaker 1: to our party, breaking dishes, Rihanna iconic. I watched my

745
00:45:07,880 --> 00:45:10,359
Speaker 1: sister do a dance contest that my two friends Sam

746
00:45:10,440 --> 00:45:13,320
Speaker 1: and Lorienne choreographed, and it was a little too sexy.

747
00:45:14,600 --> 00:45:22,680
Speaker 1: The line is so under appreciated of the fact that

748
00:45:22,719 --> 00:45:26,200
Speaker 1: you guys couldn't get through three without let's let's keep

749
00:45:26,239 --> 00:45:30,839
Speaker 1: Let's keep moving. Number forty six Dinosaur and oh essay

750
00:45:31,080 --> 00:45:34,440
Speaker 1: you are a dinosaur. Oh L d M. And you're

751
00:45:34,520 --> 00:45:37,560
Speaker 1: just an old man hitting on me. What you need

752
00:45:37,600 --> 00:45:41,520
Speaker 1: a cat? The most ages pop song ever, ages um

753
00:45:42,200 --> 00:45:47,800
Speaker 1: as pop music song Yeah keep holding On from the

754
00:45:47,880 --> 00:45:53,560
Speaker 1: Aragon soundtrack, deceptively heart songs sing uh huh and that

755
00:45:53,600 --> 00:45:56,040
Speaker 1: she's a singer. I mean I find with you didn't

756
00:45:56,080 --> 00:45:58,640
Speaker 1: prove it. This one did, and the Glee cast also

757
00:45:58,719 --> 00:46:03,000
Speaker 1: slayed this one. Yes, Number forty four girlfriend Japanese version

758
00:46:03,160 --> 00:46:10,280
Speaker 1: explicit Avril Levine girlfriends Spanish version explicit Avral Levine girlfriend

759
00:46:10,400 --> 00:46:15,640
Speaker 1: French version explicit Avril Levine one girlfriend in version explicit

760
00:46:15,719 --> 00:46:20,600
Speaker 1: Avrel Levine. Did she do different languages for each different

761
00:46:20,680 --> 00:46:22,880
Speaker 1: different versions for each language? Did you know about this?

762
00:46:23,120 --> 00:46:28,080
Speaker 1: I love this song? How is her Mandarin bo insane? Here?

763
00:46:28,120 --> 00:46:32,320
Speaker 1: I'll play it insane? It's and she doesn't even do

764
00:46:32,360 --> 00:46:34,360
Speaker 1: the original melody For the other language. She does the

765
00:46:34,400 --> 00:46:39,520
Speaker 1: original melody, but there's there are too many words, you

766
00:46:42,480 --> 00:46:48,440
Speaker 1: need a new one. I can be your girlfriend. And

767
00:46:48,520 --> 00:47:00,759
Speaker 1: then she does like there's too many care, there's many syllables,

768
00:47:00,960 --> 00:47:03,719
Speaker 1: so that they couldn't do the original melody. Did it

769
00:47:03,800 --> 00:47:05,800
Speaker 1: pay off? Was it a huge international head? No? No,

770
00:47:08,040 --> 00:47:10,000
Speaker 1: I like that. The one version you left off of

771
00:47:10,080 --> 00:47:12,839
Speaker 1: the countdown was the German version? Was the German version? Well,

772
00:47:12,920 --> 00:47:14,719
Speaker 1: let's listen to it. Let's let's just listen to the

773
00:47:14,800 --> 00:47:20,320
Speaker 1: first thing. Oh, well, that's why, And there we have it.

774
00:47:21,440 --> 00:47:25,920
Speaker 1: An ugly language. I think the French is actually kind

775
00:47:25,960 --> 00:47:28,080
Speaker 1: of cute. Should we listen to that. Let let's hear okay,

776
00:47:28,120 --> 00:47:40,000
Speaker 1: hold on, sure taps went to new vel based are

777
00:47:40,000 --> 00:47:43,839
Speaker 1: all your languages? These are my languages, but the Japanese one,

778
00:47:44,080 --> 00:47:46,640
Speaker 1: which is not my language, is maybe cute too. This

779
00:47:46,680 --> 00:47:51,600
Speaker 1: is the last one we'll play. That's cool. This is

780
00:47:51,640 --> 00:47:54,640
Speaker 1: the one I think with the biggest crossover. Well that's

781
00:47:54,680 --> 00:47:59,680
Speaker 1: why she did. Yeah, not problematic at all. Number forty

782
00:48:00,239 --> 00:48:02,719
Speaker 1: never really over, Katie Perry, You have to talk about

783
00:48:02,760 --> 00:48:07,080
Speaker 1: this one. Never really over. Um. I feel like, actually

784
00:48:07,960 --> 00:48:10,239
Speaker 1: I think it was a hit on streaming, but this

785
00:48:10,280 --> 00:48:13,000
Speaker 1: should have been a teenage Dreams size hit. Like I

786
00:48:13,160 --> 00:48:15,399
Speaker 1: listened to it all the time. It's so evocative, it's

787
00:48:15,440 --> 00:48:18,879
Speaker 1: so good. Katie's fucking great. It was really fun live

788
00:48:19,120 --> 00:48:21,480
Speaker 1: it was. And also I think like the song that

789
00:48:21,719 --> 00:48:24,200
Speaker 1: came out after this that's not on the list, small

790
00:48:24,280 --> 00:48:27,919
Speaker 1: Talk is also the Charlie Pooth written and produced. Small

791
00:48:27,960 --> 00:48:30,759
Speaker 1: Talk is also great and almost put really a really

792
00:48:30,840 --> 00:48:33,840
Speaker 1: good era for for Katie that I hope she leans

793
00:48:33,880 --> 00:48:35,920
Speaker 1: into in the next time. I agree. I also never

794
00:48:36,000 --> 00:48:41,240
Speaker 1: forget Daisies, which number thirty nine ring my bell Anit

795
00:48:41,320 --> 00:48:48,200
Speaker 1: Award Best of My Love the Emotions, absolutely perfect song,

796
00:48:48,320 --> 00:48:50,800
Speaker 1: perfect song, and von Zelf Solomon performs out an American

797
00:48:50,840 --> 00:48:55,719
Speaker 1: Idol season for cute When I kissed the Teacher Lily

798
00:48:55,880 --> 00:48:59,439
Speaker 1: James and here we go again. Respect Lily, Lily James

799
00:48:59,719 --> 00:49:03,600
Speaker 1: name and Mommy, I here we go again. You have

800
00:49:03,760 --> 00:49:08,400
Speaker 1: to she she is very impressive. She's great. Did you

801
00:49:08,440 --> 00:49:11,719
Speaker 1: watch any of the Pampa Tommy Pamat, Tommy Baby Driver,

802
00:49:11,880 --> 00:49:14,600
Speaker 1: Mama Mia Um, and then she's in that new Fresh

803
00:49:15,400 --> 00:49:20,319
Speaker 1: Fresh but you're thinking of Sebastian Stan Yeah yeah, yeah

804
00:49:20,480 --> 00:49:24,280
Speaker 1: yeah um. Number thirty six tends to be nice. Josie

805
00:49:24,280 --> 00:49:29,359
Speaker 1: and the Cats pussy Cat, Josie Pussycats. This is really

806
00:49:29,480 --> 00:49:31,640
Speaker 1: really an incredible song and a story and a song that,

807
00:49:31,760 --> 00:49:34,759
Speaker 1: like it was very effective somehow driving the plot like

808
00:49:35,360 --> 00:49:37,279
Speaker 1: it's supposed to in the span of this song. Show

809
00:49:37,320 --> 00:49:41,879
Speaker 1: how the like those girls achieved mainstream success, Like over

810
00:49:41,920 --> 00:49:44,280
Speaker 1: the course of this song they are cho chart toppers.

811
00:49:45,160 --> 00:49:47,240
Speaker 1: Really fine. I don't know where was the Oscar nomination

812
00:49:47,280 --> 00:49:51,040
Speaker 1: for Best Original Song for this take things? Seriously? Do

813
00:49:51,200 --> 00:49:56,960
Speaker 1: you feel? Number thirty five featuring Phoebe Bridgers huge. The

814
00:49:57,080 --> 00:49:58,680
Speaker 1: last time I was on we talked about this song.

815
00:50:00,080 --> 00:50:02,919
Speaker 1: HIV song came out the first that we loaded into

816
00:50:02,960 --> 00:50:07,080
Speaker 1: Fire Island shooting and oh my god, you're right. Yeah,

817
00:50:07,480 --> 00:50:15,200
Speaker 1: and um if you like interesting thirty four, This I

818
00:50:15,239 --> 00:50:21,040
Speaker 1: think is too low. This is Selena Gomez has written

819
00:50:21,080 --> 00:50:22,600
Speaker 1: one of the greatest songs of all time with those

820
00:50:22,600 --> 00:50:24,400
Speaker 1: of you to love me. I think it asks um

821
00:50:24,600 --> 00:50:27,400
Speaker 1: so much emotionally everyone that listens to it. Can I

822
00:50:27,440 --> 00:50:29,759
Speaker 1: ask you a question? Is the Queen of Pop on

823
00:50:29,880 --> 00:50:32,800
Speaker 1: this list? Yes? Okay, oh she's been on this. I

824
00:50:32,840 --> 00:50:35,960
Speaker 1: Love Myself was on the list. Yes, the Queen of

825
00:50:36,000 --> 00:50:38,640
Speaker 1: Pop was represented on the the Great Global Songs. I

826
00:50:38,719 --> 00:50:45,120
Speaker 1: just need to make sure absolutely. Number thirty three careful crazy,

827
00:50:46,600 --> 00:50:50,600
Speaker 1: I want to get married Curry Stephani, but we more

828
00:50:51,000 --> 00:50:56,600
Speaker 1: like Belly gave you tsc p it out my whole

829
00:50:56,680 --> 00:50:59,600
Speaker 1: heart to a piece of ship and I thought you

830
00:50:59,640 --> 00:51:03,120
Speaker 1: would learn your lesson about like can pick just now

831
00:51:03,239 --> 00:51:06,719
Speaker 1: return and texts. I'm at first I chuckled that you

832
00:51:06,800 --> 00:51:09,319
Speaker 1: included this. It's but it's one of the best things

833
00:51:09,360 --> 00:51:12,080
Speaker 1: ever because she is like emoting through it in a

834
00:51:12,239 --> 00:51:15,120
Speaker 1: really like, in a great like You can latch onto

835
00:51:15,160 --> 00:51:17,200
Speaker 1: it immediately and you're like you're with her because you

836
00:51:17,280 --> 00:51:20,280
Speaker 1: don't care about a thing about your mother, motherfucking self.

837
00:51:20,440 --> 00:51:27,239
Speaker 1: You make me Sick Number Daisies Katie Perry, A song

838
00:51:27,360 --> 00:51:30,040
Speaker 1: that changed my life. Talk about this song. This is

839
00:51:30,200 --> 00:51:33,040
Speaker 1: really became your personality. It became my personality for a while.

840
00:51:33,320 --> 00:51:37,400
Speaker 1: I've performed to it. I genuinely connect with the idea.

841
00:51:39,040 --> 00:51:41,439
Speaker 1: I did a lipting to it in Bom Springs, Kicked

842
00:51:41,440 --> 00:51:45,279
Speaker 1: out of our home. Number thirty one, Crocodile Rock, El

843
00:51:45,600 --> 00:51:52,600
Speaker 1: John the Facts said, Crocodile Rock Facts said, speaking of

844
00:51:52,680 --> 00:51:59,440
Speaker 1: Facts number thirty room room, I have never experienced, are

845
00:51:59,480 --> 00:52:02,040
Speaker 1: you four? Quite like being in a room full of people.

846
00:52:03,080 --> 00:52:04,640
Speaker 1: While this song came out in New York when she

847
00:52:04,719 --> 00:52:08,480
Speaker 1: just performed last week and everyone me especially, it was

848
00:52:09,280 --> 00:52:15,759
Speaker 1: every single fucking word just screaming. Let like just I've

849
00:52:15,800 --> 00:52:18,360
Speaker 1: never had fun started, I started. I was at the

850
00:52:18,400 --> 00:52:23,040
Speaker 1: pit of the Greek and the pit bumped. Everyone's credit

851
00:52:23,120 --> 00:52:27,120
Speaker 1: to Charlie x x um concert goers. Very well behaved group,

852
00:52:27,160 --> 00:52:29,480
Speaker 1: because we're all in the fucking pit and where everyone's

853
00:52:29,520 --> 00:52:32,880
Speaker 1: jumping up and down straight now toppling over. No like rowdiness.

854
00:52:33,000 --> 00:52:35,719
Speaker 1: Everyone knows to just jump up and down. Little buddy hump.

855
00:52:37,239 --> 00:52:42,640
Speaker 1: Dirty because this is when she fully became Tina. Dirty

856
00:52:42,840 --> 00:52:47,839
Speaker 1: was the sluttiest song of a generation. It said, give

857
00:52:47,880 --> 00:52:50,319
Speaker 1: me a yeast infection. On the music video, shoot, why

858
00:52:50,360 --> 00:52:53,560
Speaker 1: don't you, why don't you do you identify with dirty?

859
00:52:54,640 --> 00:52:58,239
Speaker 1: It's still the most insane music video to watch. She's

860
00:52:58,280 --> 00:53:03,719
Speaker 1: sort of like, it's so filthy. Yeah, filthy. It's giving

861
00:53:03,719 --> 00:53:07,600
Speaker 1: me Joel. It's giving me joel. He just someone who's

862
00:53:07,640 --> 00:53:15,479
Speaker 1: just like, this is medium. I see that, but post

863
00:53:15,560 --> 00:53:20,080
Speaker 1: it later. We'll post it later. Um. This actually the

864
00:53:21,400 --> 00:53:26,879
Speaker 1: Romans revenge, just her parts. The most engagement I had

865
00:53:27,160 --> 00:53:31,440
Speaker 1: throughout the filming of Fire Island was the Instagram stories

866
00:53:31,480 --> 00:53:34,560
Speaker 1: of you guys doing romans revenge. Yeah, I mean, that's

867
00:53:34,640 --> 00:53:39,480
Speaker 1: deep in our history. It's it's in my bones. Not

868
00:53:39,560 --> 00:53:45,279
Speaker 1: get but putting your bitches on? Is it now? To

869
00:53:45,320 --> 00:53:49,600
Speaker 1: wrap your coff you took the spot that I took

870
00:53:49,640 --> 00:53:52,720
Speaker 1: the spot, get off the pot, got out and broken

871
00:53:52,960 --> 00:53:58,719
Speaker 1: off your top, etcetera number mentos, the Freshmaker theme of mentos.

872
00:53:59,200 --> 00:54:00,880
Speaker 1: I mean, we all know it. We all know it.

873
00:54:01,200 --> 00:54:04,480
Speaker 1: I mean, and also like, don't this is crazy to say,

874
00:54:04,520 --> 00:54:06,680
Speaker 1: but like when you sing it, your mouth feels fresh,

875
00:54:06,800 --> 00:54:10,080
Speaker 1: like you know, it's like Brittany Murphy fucking sings to

876
00:54:10,200 --> 00:54:15,160
Speaker 1: it in clueless. I hope they won the Cleo. I

877
00:54:15,239 --> 00:54:19,720
Speaker 1: know about that from Madman, Number Sweet from Downtown Abbey.

878
00:54:20,480 --> 00:54:23,200
Speaker 1: This is one of the most powerful intro songs to

879
00:54:23,239 --> 00:54:30,920
Speaker 1: any television show. Number She Will Kira. When this song

880
00:54:31,000 --> 00:54:33,879
Speaker 1: opened up the Super Bowl halftime, you were so happy.

881
00:54:35,280 --> 00:54:42,320
Speaker 1: Oh and like cantherropy being thrown away as a lyric Darling,

882
00:54:42,400 --> 00:54:45,000
Speaker 1: this is no joke. This is like Capy. She sounds

883
00:54:45,000 --> 00:54:51,200
Speaker 1: like Candice. It's like she's like a word Smith Candice, Candice, Dealer, Diller,

884
00:54:51,280 --> 00:54:58,520
Speaker 1: Bassett more in her later stage ancient voices, Survivor. It's

885
00:54:58,560 --> 00:55:10,719
Speaker 1: a bope. It gets you excited. Fiji Claire Delulon really

886
00:55:10,760 --> 00:55:12,840
Speaker 1: having a moment in a lot of movies, and I

887
00:55:12,920 --> 00:55:15,800
Speaker 1: see being used in every other movie. What's so beautiful?

888
00:55:15,840 --> 00:55:19,640
Speaker 1: It's beautiful, speaking of absolute abject beauty all too well.

889
00:55:19,840 --> 00:55:24,000
Speaker 1: Ten minute version Taylor Swift two. But let's move on

890
00:55:24,160 --> 00:55:27,240
Speaker 1: because we got to talk about number twenty one. Welcome

891
00:55:27,280 --> 00:55:30,759
Speaker 1: to New York. Taylor Swift a different artist, a different artist,

892
00:55:30,840 --> 00:55:34,120
Speaker 1: and a better artist. In my opinion, I love this song.

893
00:55:34,440 --> 00:55:36,920
Speaker 1: Girls with Girls and Boys with boys. She said that

894
00:55:37,280 --> 00:55:40,640
Speaker 1: girls and girls and boys and boys to New York,

895
00:55:41,280 --> 00:55:44,719
Speaker 1: where people are gay, where people are gay. I did

896
00:55:44,800 --> 00:55:47,560
Speaker 1: play this song in my mother's car when we were

897
00:55:47,640 --> 00:55:52,040
Speaker 1: driving back from my sister's wedding into New York, and

898
00:55:52,360 --> 00:55:55,400
Speaker 1: my mom goes, this song is very good and I

899
00:55:55,480 --> 00:55:57,680
Speaker 1: feel amazing being in New York with this song, I

900
00:55:57,760 --> 00:56:00,200
Speaker 1: feel welcomed. I mean, I used to stack you have

901
00:56:00,280 --> 00:56:02,880
Speaker 1: Liberty of pop songs. Yeah, it really is. It stands

902
00:56:03,080 --> 00:56:07,120
Speaker 1: very tall and and definitely shines a light. It's sort

903
00:56:07,120 --> 00:56:09,400
Speaker 1: of the poor in the storm for all pop singers.

904
00:56:09,680 --> 00:56:12,960
Speaker 1: I imagine this. I imagine Lady Liberty dancing to this song,

905
00:56:13,200 --> 00:56:16,879
Speaker 1: and I think she's happy. We're in the top twenty.

906
00:56:16,920 --> 00:56:19,120
Speaker 1: Can we say acknowledge these These are the top twenty

907
00:56:19,200 --> 00:56:22,640
Speaker 1: songs of the world and the Great Global Song Book

908
00:56:22,760 --> 00:56:30,200
Speaker 1: number twenty. Vanessa Hudgens put your sneakers on. Why don't

909
00:56:30,280 --> 00:56:33,680
Speaker 1: you do you have the energy? Did you eat? Do

910
00:56:33,800 --> 00:56:37,200
Speaker 1: you have the energy that those These are important questions,

911
00:56:37,280 --> 00:56:40,560
Speaker 1: These are major questions. Vanessa for the pod, Vanessa for

912
00:56:40,600 --> 00:56:44,279
Speaker 1: the pod. I agree, and I need to confront her.

913
00:56:44,840 --> 00:56:47,240
Speaker 1: You need to confront her about what did I what happened?

914
00:56:47,320 --> 00:56:50,200
Speaker 1: People are going to die. We need to really get

915
00:56:50,239 --> 00:56:52,759
Speaker 1: to the bottom of her. But like I was a

916
00:56:52,800 --> 00:56:56,040
Speaker 1: bigger fan after that, I think it really helped her.

917
00:56:56,280 --> 00:57:00,279
Speaker 1: Oh no, it put her on the map. Yeah, that's

918
00:57:00,280 --> 00:57:02,839
Speaker 1: how high or drunk she was, that that she would

919
00:57:02,840 --> 00:57:05,400
Speaker 1: be that transparent and also make that big of a gaff.

920
00:57:05,840 --> 00:57:08,719
Speaker 1: I was like, you real to me, she kind of

921
00:57:08,880 --> 00:57:15,040
Speaker 1: was right, I mean, yeah, okay, number nineteen. Isn't that

922
00:57:15,120 --> 00:57:19,920
Speaker 1: like inevitable? I shouldn't be doing this? And then she

923
00:57:20,040 --> 00:57:21,760
Speaker 1: was the way she laughed, I don't know. I stamped

924
00:57:21,960 --> 00:57:24,120
Speaker 1: and Sneaker Knight really is a bop and it is

925
00:57:24,160 --> 00:57:26,800
Speaker 1: it about sneakers? Is it? It's called sneaker Night, maybe

926
00:57:26,800 --> 00:57:41,840
Speaker 1: sneaker Evening, Sneaker Evening number nineteen and a smne but

927
00:57:42,520 --> 00:57:48,040
Speaker 1: not yours. They are my own, not yours. They are

928
00:57:48,280 --> 00:57:54,920
Speaker 1: my own. And I am never booke. Number eighteen Milk

929
00:57:55,000 --> 00:57:58,920
Speaker 1: Money Fergie. This is the first non duchess song and

930
00:57:59,000 --> 00:58:03,400
Speaker 1: her highest chart players, highest chart placement, let's place, Let's placement. Yeah,

931
00:58:03,720 --> 00:58:05,880
Speaker 1: this is a great music video. Great. I mean, Kim Kay,

932
00:58:06,160 --> 00:58:09,760
Speaker 1: Kim Kay poorn milk on herself you have. I think,

933
00:58:09,840 --> 00:58:13,920
Speaker 1: like Christie Chrissie, one of the icons of the of

934
00:58:14,000 --> 00:58:22,400
Speaker 1: the time, speaking of nine number seventeen stretch, I don't

935
00:58:22,440 --> 00:58:24,600
Speaker 1: think there's anything more to say Nope, Just how about this?

936
00:58:24,720 --> 00:58:27,800
Speaker 1: How about just make a YouTube search? How about ros

937
00:58:29,280 --> 00:58:32,840
Speaker 1: there you go? Number sixteen, dip it Low? Christina Milion

938
00:58:33,040 --> 00:58:36,000
Speaker 1: better than ladies who lunch, better than some Hi. I mean,

939
00:58:36,440 --> 00:58:39,640
Speaker 1: Christina Milion is huge right now. So then this was

940
00:58:39,720 --> 00:58:42,120
Speaker 1: the beginning. She couldn't even keep her job on the voice.

941
00:58:42,920 --> 00:58:46,440
Speaker 1: She was the Brian gentleman, the social media correspondent who

942
00:58:46,600 --> 00:58:50,680
Speaker 1: wasn't after season or two that that's doing her dirty.

943
00:58:51,320 --> 00:58:54,920
Speaker 1: I love Christina Milion, Oh me too, the beginning of

944
00:58:55,320 --> 00:58:57,600
Speaker 1: dip it Low, like that's like that warped string. But

945
00:59:00,200 --> 00:59:03,240
Speaker 1: never forget too that she is in Jessica Simpsons Public

946
00:59:03,240 --> 00:59:06,600
Speaker 1: Affair music video with Christina Applicant and Eva Longoria. Amazing,

947
00:59:06,840 --> 00:59:12,720
Speaker 1: never forget some city vibes. Hello number amazing. Great Christians.

948
00:59:13,400 --> 00:59:15,920
Speaker 1: Do you have anything to say about this? Um? No,

949
00:59:16,920 --> 00:59:19,280
Speaker 1: it's a beautiful song. It's a beautiful, gorgeous song and

950
00:59:19,400 --> 00:59:23,000
Speaker 1: a lot of the world it's been arranged many different ways. Yeah,

951
00:59:23,120 --> 00:59:24,280
Speaker 1: you can do so much with that. You can do

952
00:59:24,360 --> 00:59:27,480
Speaker 1: a lot with it. Yeah. Number fourteen Am two pm.

953
00:59:27,680 --> 00:59:31,200
Speaker 1: Christina Emilian to have two songs in the top twenty,

954
00:59:31,280 --> 00:59:34,080
Speaker 1: that's how do you know you're a force? That's how

955
00:59:34,160 --> 00:59:36,400
Speaker 1: you know your fir. This song is about longevity, it's

956
00:59:36,400 --> 00:59:40,760
Speaker 1: about lasting AM to PM, and Christina has lost it.

957
00:59:40,920 --> 00:59:44,520
Speaker 1: She has lasted. And I would also say this whenever

958
00:59:44,640 --> 00:59:49,840
Speaker 1: you sort of command somebody hit the lights. It is powerful.

959
00:59:49,920 --> 00:59:54,600
Speaker 1: It's powerful, it is powerful. It stays with me. It's thirteen.

960
00:59:54,960 --> 00:59:58,360
Speaker 1: Why did you do that, Lady Gaga. Just watch the

961
00:59:58,400 --> 00:59:59,760
Speaker 1: movie and you get the movie and you'll get it.

962
01:00:00,160 --> 01:00:03,360
Speaker 1: Sam Elliott Circle moment because we did the Stars Born

963
01:00:03,720 --> 01:00:08,120
Speaker 1: review on this episode and now it's number thirteen of

964
01:00:08,160 --> 01:00:14,440
Speaker 1: the Songs of the World, Number twelve, various alphabe ending

965
01:00:14,720 --> 01:00:18,600
Speaker 1: movie one of Wicked. What is the second movie gonna be?

966
01:00:18,880 --> 01:00:22,560
Speaker 1: No good Deed, No good deed, They're gonna thank goodness,

967
01:00:22,880 --> 01:00:26,280
Speaker 1: thank thank Goodness is a great song. Thank Goodness an

968
01:00:26,400 --> 01:00:28,640
Speaker 1: underrated song in the musical, one of the best act

969
01:00:28,680 --> 01:00:31,800
Speaker 1: two openers. Yes, but I also think thank Goodness will

970
01:00:31,800 --> 01:00:33,840
Speaker 1: be a really fun beginning of the second movie. Yeah

971
01:00:33,880 --> 01:00:36,000
Speaker 1: it will. I actually don't think the two movie thing

972
01:00:36,120 --> 01:00:37,760
Speaker 1: is going to be a disaster. I really don't. I

973
01:00:37,800 --> 01:00:39,760
Speaker 1: think I think that I think they right. I think

974
01:00:39,840 --> 01:00:42,480
Speaker 1: the second movie needs a new song. I think definitely

975
01:00:42,520 --> 01:00:45,400
Speaker 1: actually well, and also what I want is that the

976
01:00:45,560 --> 01:00:47,960
Speaker 1: movies are both not two hours and fifteen minutes long, Like,

977
01:00:48,000 --> 01:00:49,760
Speaker 1: if they're going to split these into two, give us,

978
01:00:51,240 --> 01:00:53,160
Speaker 1: do not do what they did with the Hobbit and

979
01:00:53,520 --> 01:00:57,120
Speaker 1: stretch it for it's in those three movies right that

980
01:00:57,320 --> 01:00:59,400
Speaker 1: it's a very short book. He knored in an afternoon.

981
01:01:00,040 --> 01:01:03,520
Speaker 1: Number eleven, Girl Fight Brooke Valentine one of the most

982
01:01:03,720 --> 01:01:11,600
Speaker 1: violent songs. Number ten. That's the way it is really definitive, definitive,

983
01:01:11,680 --> 01:01:14,640
Speaker 1: definitive as a song, but definitive and sentiment. Yes, And

984
01:01:14,880 --> 01:01:19,160
Speaker 1: that's the way. That's the way it is. What is

985
01:01:19,200 --> 01:01:23,840
Speaker 1: the way? What is it that it can be anything? Selen?

986
01:01:24,800 --> 01:01:30,640
Speaker 1: Congratulations Selene on your highest chart placement, Number nine, Cyrus

987
01:01:30,960 --> 01:01:33,480
Speaker 1: a favorite of mine. A beautiful song. I mean, just

988
01:01:34,000 --> 01:01:36,160
Speaker 1: and did you know that actually this is true, like

989
01:01:36,360 --> 01:01:39,280
Speaker 1: every country singer passed on it. I was gonna say,

990
01:01:39,680 --> 01:01:44,720
Speaker 1: literally it is hearkens back to those like that route

991
01:01:44,880 --> 01:01:48,720
Speaker 1: yet Martina McBride a broken wing moment like we're giving

992
01:01:48,800 --> 01:01:52,120
Speaker 1: concrete angel as mentioned earlier, but every country singer passed

993
01:01:52,120 --> 01:01:53,840
Speaker 1: on this, and she was like, I'll take it, you know.

994
01:01:54,000 --> 01:01:58,200
Speaker 1: Rihanna passed on um, we can't stop. And that's why

995
01:01:58,240 --> 01:02:00,560
Speaker 1: I didn't know. That's why we got the course that

996
01:02:00,640 --> 01:02:05,680
Speaker 1: we got number eight to become one the Spice girls

997
01:02:06,320 --> 01:02:10,400
Speaker 1: condom anthem Condemn Them, a beautiful song that the music

998
01:02:10,520 --> 01:02:13,360
Speaker 1: video is New York. Yeah, it really is New York.

999
01:02:13,680 --> 01:02:15,320
Speaker 1: But this is like the five of them. This is

1000
01:02:15,360 --> 01:02:17,440
Speaker 1: like the last single off of Spice, the first album.

1001
01:02:18,040 --> 01:02:21,200
Speaker 1: So at this point they were already like fucking icons.

1002
01:02:21,920 --> 01:02:24,640
Speaker 1: To do that on your first album, m I love it.

1003
01:02:24,760 --> 01:02:27,000
Speaker 1: And also when a baby said be a little bit wiser, baby,

1004
01:02:27,040 --> 01:02:29,640
Speaker 1: put it on, put it on. They said social message queens,

1005
01:02:30,240 --> 01:02:32,240
Speaker 1: they said, girl powers not our only message? Did not

1006
01:02:32,360 --> 01:02:34,080
Speaker 1: they did not know about prep. No, they did not

1007
01:02:34,200 --> 01:02:35,800
Speaker 1: know about prep. But they never rowed dogs it in

1008
01:02:35,880 --> 01:02:38,720
Speaker 1: their life. But I bet they have sense. Yeah, are

1009
01:02:38,760 --> 01:02:42,280
Speaker 1: they're missing out? Number seven? Who let the dogs out?

1010
01:02:42,440 --> 01:02:46,640
Speaker 1: Baha man? When I found out that it wasn't real

1011
01:02:46,720 --> 01:02:49,920
Speaker 1: dogs used in the Who Who Who? It was just

1012
01:02:50,000 --> 01:02:53,720
Speaker 1: the baham thought that that was real dogs. As a child, Yeah,

1013
01:02:54,040 --> 01:02:56,040
Speaker 1: I thought they brought the dogs into the booth. Honey,

1014
01:02:56,200 --> 01:02:59,400
Speaker 1: you believed to you believe to believe easily. I did

1015
01:02:59,480 --> 01:03:03,680
Speaker 1: grow up evangelical Christian. I guess that's sort of the

1016
01:03:04,080 --> 01:03:10,360
Speaker 1: definition of should be the tagline. Number six, he loves

1017
01:03:10,400 --> 01:03:12,960
Speaker 1: you not Dream. I bet the girls have Dream are

1018
01:03:12,960 --> 01:03:15,040
Speaker 1: really excited to have gotten to number six. They will

1019
01:03:15,080 --> 01:03:17,720
Speaker 1: be at the party, the party, but they're going to

1020
01:03:17,880 --> 01:03:22,160
Speaker 1: look exactly like Dannity Kines. We love them though, he

1021
01:03:22,320 --> 01:03:27,240
Speaker 1: loves me, he loves not. Number five The Boys Mine,

1022
01:03:27,560 --> 01:03:30,040
Speaker 1: Brandy and Monica sort of a similar sentiment to he

1023
01:03:30,120 --> 01:03:32,920
Speaker 1: loves you not he loves me. He loves you not

1024
01:03:33,320 --> 01:03:39,640
Speaker 1: right exactly. The boy is mine, the boys and you're

1025
01:03:40,000 --> 01:03:43,600
Speaker 1: You're Brandy and I Monica. We've also performed this a bunch.

1026
01:03:44,360 --> 01:03:46,840
Speaker 1: Excuse me? Can I please talk to you for a minute? Sure,

1027
01:03:47,120 --> 01:03:50,640
Speaker 1: you know you look kind of familiar, Yeah you did too,

1028
01:03:51,280 --> 01:03:52,720
Speaker 1: But um, I just wanted to know do you know

1029
01:03:52,840 --> 01:03:56,480
Speaker 1: somebody name? Well you know his name? Oh yeah, definitely,

1030
01:03:56,560 --> 01:03:58,920
Speaker 1: I know his name. Well, I just want to let

1031
01:03:58,960 --> 01:04:02,720
Speaker 1: you know that he's mine. No, no, he is mine.

1032
01:04:03,840 --> 01:04:10,480
Speaker 1: Number four Milkshake Plice. I mean the way people reference

1033
01:04:10,560 --> 01:04:13,800
Speaker 1: this song constantly still and what is the milkshake? It

1034
01:04:13,840 --> 01:04:16,720
Speaker 1: can be anything. It can be anything. It might be titties,

1035
01:04:16,800 --> 01:04:19,200
Speaker 1: or it could be really like milkshake. I mean, like

1036
01:04:19,320 --> 01:04:22,680
Speaker 1: she made it. She made it just vague enough, you

1037
01:04:22,760 --> 01:04:25,360
Speaker 1: know what I mean and not only milkshake can be swapped,

1038
01:04:25,400 --> 01:04:28,920
Speaker 1: can be anything. The yard can be a yard to

1039
01:04:29,040 --> 01:04:32,080
Speaker 1: the yards. It could be her box, it could be

1040
01:04:32,240 --> 01:04:35,920
Speaker 1: her home. So funny just ye people going to the

1041
01:04:36,040 --> 01:04:41,640
Speaker 1: yard again, mean girls, When the little girl at the

1042
01:04:41,720 --> 01:04:54,080
Speaker 1: screen heye, drive back, Candice Well deserved the best housewife song, period, period, period,

1043
01:04:54,160 --> 01:04:59,120
Speaker 1: point blank. Boy, this drive back to You is actually

1044
01:04:59,240 --> 01:05:01,080
Speaker 1: a hook that I want to hear again and again.

1045
01:05:01,200 --> 01:05:03,320
Speaker 1: I will never forget the live I don't think so

1046
01:05:03,440 --> 01:05:06,280
Speaker 1: Honey show in New York over the summer, where this

1047
01:05:06,400 --> 01:05:08,480
Speaker 1: song really had just come out and you had not

1048
01:05:08,720 --> 01:05:10,840
Speaker 1: made it a part of Like I actually think lost

1049
01:05:10,880 --> 01:05:14,720
Speaker 1: called readers now would recognize it and like celebrate it

1050
01:05:14,760 --> 01:05:17,080
Speaker 1: in the way. But for you to try to celebrate

1051
01:05:17,200 --> 01:05:20,040
Speaker 1: it when no one knew what it was and treating

1052
01:05:20,080 --> 01:05:23,680
Speaker 1: it like as though it were a huge hit. Well

1053
01:05:23,880 --> 01:05:26,520
Speaker 1: at at my show at New York Comedy Festival, like

1054
01:05:26,560 --> 01:05:28,600
Speaker 1: when Greta and my co headlined like I came out

1055
01:05:28,720 --> 01:05:31,760
Speaker 1: to drive Back, and like when I tell you the

1056
01:05:31,840 --> 01:05:34,200
Speaker 1: crowd was so down for it. I was like, who

1057
01:05:34,320 --> 01:05:36,400
Speaker 1: knew that song? And they all screamed, and I was like,

1058
01:05:37,240 --> 01:05:40,200
Speaker 1: she owes you a jet, She'll look forward to the

1059
01:05:40,280 --> 01:05:43,240
Speaker 1: last Cultures Culture Awards. See if Candice takes home some hardware,

1060
01:05:43,440 --> 01:05:48,120
Speaker 1: Candi shows up number two somewhere over the rainbow, Judy Garland,

1061
01:05:49,400 --> 01:05:52,760
Speaker 1: I mean, it is a transformative piece of cinema history,

1062
01:05:53,120 --> 01:05:56,280
Speaker 1: and you know, musically it has stood and we'll stand

1063
01:05:56,320 --> 01:05:58,520
Speaker 1: the test of time. I saw him that still like

1064
01:05:59,200 --> 01:06:03,919
Speaker 1: feels like, like puts a sense of on wondering kids today. Yeah,

1065
01:06:04,080 --> 01:06:08,240
Speaker 1: I think nothing to that. We have arrived at the

1066
01:06:08,400 --> 01:06:17,080
Speaker 1: number on the great global songoisodes. Spectacular. Congratulations, congratula to

1067
01:06:17,160 --> 01:06:19,920
Speaker 1: be here. Congratulations to both of you. Huge for both

1068
01:06:19,960 --> 01:06:21,840
Speaker 1: of you. I'm so proud of both of you. I

1069
01:06:22,640 --> 01:06:26,360
Speaker 1: literally am like not as busy as both of you combined,

1070
01:06:26,600 --> 01:06:29,920
Speaker 1: and I could not make it to a hundred episodes

1071
01:06:29,960 --> 01:06:36,240
Speaker 1: of my podcast, honestly, congratulations though, like Urgent Care, Urgent

1072
01:06:36,320 --> 01:06:39,320
Speaker 1: Care did the fucking thing. We we did it. But honestly,

1073
01:06:39,440 --> 01:06:41,480
Speaker 1: it is hysterical that we could not make a two

1074
01:06:41,880 --> 01:06:49,880
Speaker 1: episodes and we did. We started this in March and

1075
01:06:49,920 --> 01:06:53,640
Speaker 1: in different worlds, different worlds, in a different place and time.

1076
01:06:54,120 --> 01:06:57,600
Speaker 1: But we have still the Obama. Nevertheless, we've been through

1077
01:06:57,600 --> 01:07:00,920
Speaker 1: three different presidents. We have been through three from presidents

1078
01:07:02,200 --> 01:07:06,600
Speaker 1: all amazing so that we could all amazing presidents, so

1079
01:07:06,720 --> 01:07:09,920
Speaker 1: that we could arrive at this moment of announcing the number.

1080
01:07:09,920 --> 01:07:14,080
Speaker 1: But the number one song of the Great Global Songbook

1081
01:07:14,440 --> 01:07:22,920
Speaker 1: is Cool for the Summervado experiencing a huge rebirth on

1082
01:07:23,040 --> 01:07:27,960
Speaker 1: TikTok Oh. There is no song that gets me more

1083
01:07:28,040 --> 01:07:31,080
Speaker 1: in the mood for anything than Cool for the Summer.

1084
01:07:31,640 --> 01:07:35,960
Speaker 1: Iconic carecut. At the time, the video was psychotically good,

1085
01:07:36,280 --> 01:07:40,400
Speaker 1: the bisexual lighting with the themes of the song. I

1086
01:07:40,640 --> 01:07:43,360
Speaker 1: dare anyone to be that iconic. I was literally just

1087
01:07:43,440 --> 01:07:45,480
Speaker 1: talking to somebody about this, like I'm sure you get

1088
01:07:45,800 --> 01:07:48,919
Speaker 1: d ms that are like, Hey, I'm going through something,

1089
01:07:48,960 --> 01:07:51,120
Speaker 1: can you help me? You know, Like I've talked to

1090
01:07:51,240 --> 01:07:54,240
Speaker 1: other people in our friend group. Who gets against from strangers? Yea?

1091
01:07:54,680 --> 01:07:58,160
Speaker 1: And can you imagine what Demi Levado's inbox looks like?

1092
01:07:58,320 --> 01:08:03,320
Speaker 1: Everything that they represent and an honor like their indecs

1093
01:08:03,400 --> 01:08:08,840
Speaker 1: must be a mess, must be they're talking about aliens, yeah, ghosts, Yeah,

1094
01:08:09,960 --> 01:08:13,200
Speaker 1: they must get all kinds. They probably get a lot

1095
01:08:13,320 --> 01:08:16,600
Speaker 1: of people being like I also saw a ghost in

1096
01:08:16,640 --> 01:08:21,280
Speaker 1: a froio stand. Yes, they they've invited that in, which

1097
01:08:21,400 --> 01:08:25,280
Speaker 1: is you know, wonderful. Listen all I know is with

1098
01:08:25,439 --> 01:08:28,800
Speaker 1: all the craziness that goes on in their life, they

1099
01:08:28,880 --> 01:08:31,760
Speaker 1: have they have offered cool for the summer to us,

1100
01:08:32,360 --> 01:08:36,880
Speaker 1: and cool for the summer if our grandparents had somewhere

1101
01:08:36,920 --> 01:08:43,080
Speaker 1: over the rainbow, our grandchildren will have cool for the summer. Well.

1102
01:08:43,280 --> 01:08:45,720
Speaker 1: We end every episode with the song. This episode is

1103
01:08:45,760 --> 01:08:52,400
Speaker 1: no different. Time me down to your paradise. Don't be

1104
01:08:52,680 --> 01:08:58,400
Speaker 1: scared because your body tie. Just that we want to

1105
01:08:58,560 --> 01:09:03,880
Speaker 1: try because they you and now and now listen, but

1106
01:09:04,080 --> 01:09:07,559
Speaker 1: I don't right sto