WEBVTT - #217 - 38 Spesh

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<v Speaker 1>Yo, what up? This is the boy Dame representing play

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<v Speaker 1>too Much CMG. Hey man, check me out on Bootleg

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<v Speaker 1>cav podcast. Yep, Bootleg cab Podcast. Special guests in here, Cyrus.

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<v Speaker 1>Can we get this man a nice ashtray? Right? There's

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<v Speaker 1>one right there. Let's get him an ash tray? All right?

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<v Speaker 1>We got thirty eight special in here. Yes, thirty eight spech.

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<v Speaker 1>We have to provide you with an ash tray for

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<v Speaker 1>the fire weed that you have been given. I appreciate that.

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<v Speaker 1>Some great weed, man. Yeah, my guy's highest draft pussy

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<v Speaker 1>right now. Yes, Iam, welcome man, It's good to see you, bro.

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<v Speaker 1>First of all, I just want to salute you. Man.

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<v Speaker 1>I've been a fan for a long time. You've definitely

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<v Speaker 1>been grinding over a decade. I feel like, definitely, what

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<v Speaker 1>are we talking fifteen years now? About fifteen? Because what

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<v Speaker 1>year did you have to go sit down? Was that

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<v Speaker 1>like damn that was two thousand and nine and some shit? Yeah?

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<v Speaker 1>Yeah yeah yeah. Was it hard when you because like

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<v Speaker 1>I feel like you were buzzing and obviously to go

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<v Speaker 1>sit down that was horrible, man, Hell yeah, it was

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<v Speaker 1>fucking hard. Do you almost feel like there was like

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<v Speaker 1>was there was there a something positive you could took

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<v Speaker 1>out of there, like maybe you weren't ready for the

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<v Speaker 1>for the shine that was coming at the time. It was. Yeah,

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<v Speaker 1>looking back now, definitely I had a lot more living

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<v Speaker 1>to do, you know what I mean, a lot of

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<v Speaker 1>more things to experience. I had to get more of

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<v Speaker 1>an understanding of business. I realized I ain't want to

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<v Speaker 1>come in the game that way. Yeah, you know what

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<v Speaker 1>I'm saying. I didn't want to be that kind of artist.

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<v Speaker 1>You know. I wanted to come into the game a

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<v Speaker 1>certain kind of way, which was going to take a

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<v Speaker 1>certain kind of route, certain type of time. So look,

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<v Speaker 1>I didn't know that at the beginning. You know. I

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<v Speaker 1>wanted to get right to where I was going right

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<v Speaker 1>then and there skip the steps. Yeah, but the steps

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<v Speaker 1>you gotta do ship to make sure that you, you know,

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<v Speaker 1>is solid when you get there. Yep. So did you

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<v Speaker 1>feel like, because I feel like sometimes artists make a

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<v Speaker 1>mistake when they're kind of like one foot in, one

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<v Speaker 1>foot out on the rap shit, where it's like, did

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<v Speaker 1>that force you to kind of really focus on music more,

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<v Speaker 1>take it a lot more serious when you got out

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<v Speaker 1>of course, Like I had to make a conscious decision

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<v Speaker 1>and ship, Like what did I want to do? And uh,

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<v Speaker 1>prior to me making that decision, I always gave most

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<v Speaker 1>of my energy to the streets as opposed to music.

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<v Speaker 1>You know, even like the titles of your early projects

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<v Speaker 1>were like right, it was all you know, out on,

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<v Speaker 1>out on bail and custody. Yeah, right ship like that

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<v Speaker 1>thirty eight Laws of Powder. But yeah, I'm high as fuck.

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<v Speaker 1>What was the question? I was just I was just saying, like,

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<v Speaker 1>you know, obviously a lot of artists coming into the

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<v Speaker 1>game and they have one foot in, one for out,

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<v Speaker 1>Like I feel like sometimes you have a humbling experience

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<v Speaker 1>like getting locked up, where you know it might maybe

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<v Speaker 1>kind of reprioritize how you see things. Yeah, of course,

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<v Speaker 1>man see it like a lot of a lot of

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<v Speaker 1>people I could cuss around, Yeah of course. So a

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<v Speaker 1>lot of motherfuckers is running around taking extreme resk and

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<v Speaker 1>shit like that because they never suffered any consequences. You know,

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<v Speaker 1>the younger you are, the more wilder you are moven

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<v Speaker 1>reckless because you know, you really ain't experienced any consequences.

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<v Speaker 1>And shit me, I'm a person that experienced consequences at

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<v Speaker 1>the consequence, which makes me appreciate not halving that face consequences,

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<v Speaker 1>you know what I'm saying. So until you experience those consequences,

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<v Speaker 1>you're not going to have that same appreciation level. So

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<v Speaker 1>you know, I definitely have a high appreciation level from

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<v Speaker 1>suffering from those consequences, you know what I'm saying. And

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<v Speaker 1>I had to make a conscious decision, like I was saying,

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<v Speaker 1>to either take music one hundred and ten percent and

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<v Speaker 1>give it all and lead out of it shit alone,

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<v Speaker 1>which was a very hard decision because I wasn't in

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<v Speaker 1>the best position financially, right, and that easy money is

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<v Speaker 1>the easy money, right, Yeah, And what you know is

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<v Speaker 1>what you know. Yeah, And that's what the sacrifice come in,

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<v Speaker 1>you know. And I made those sacrifices, and it was

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<v Speaker 1>the best thing that I best decision I made for

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<v Speaker 1>my life, you know what I'm saying. I made it

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<v Speaker 1>just by having faith, not really having a complete understanding

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<v Speaker 1>on how I was gonna capitalize a liquid eate. But

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<v Speaker 1>I knew the upside potential as opposed to the upside

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<v Speaker 1>of potential of the streets. Right, the potential is like

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<v Speaker 1>short term game, but the longside, the long term shit

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<v Speaker 1>is jail, death, incarceration. We know the results from that

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<v Speaker 1>right now, it's not you know, and you know, the

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<v Speaker 1>short term payoff is great. Yeah, of course, of course,

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<v Speaker 1>you know what I'm saying. But you know that other life,

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<v Speaker 1>meaning like the music and the music money, just seemed

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<v Speaker 1>a little more intriguing. And it's and it's not. There's

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<v Speaker 1>no there's really no one way to do it. And

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<v Speaker 1>I feel like you've done a great job of carving

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<v Speaker 1>your own way of making like I feel like most

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<v Speaker 1>artists look at the music industry as Okay, I'm gonna

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<v Speaker 1>get in advance, I'm gonna put out music and i'm

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<v Speaker 1>gonna tour. I'm gonna go do clubs, I'm gonna do shows,

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<v Speaker 1>as opposed to really turning over every rock if you

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<v Speaker 1>have a core fan base, that's there's ways to monetize that.

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<v Speaker 1>It really is. And shit, that's what see, if I

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<v Speaker 1>was still in the streets, I wanted to magnify those

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<v Speaker 1>opportunities by me not being in the streets. I've really

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<v Speaker 1>seen that and noticed it. So it left up when

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<v Speaker 1>I was in the streets and relying on other areas.

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<v Speaker 1>You know, it's easy to leave rocks unturned, you know

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<v Speaker 1>what I'm saying. So it's like Okay, let me go

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<v Speaker 1>in and figure out how to make some money in

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<v Speaker 1>this area, in this area, in this area, because it's

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<v Speaker 1>all I have. Yep, I have no other way. And

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<v Speaker 1>sometimes you got to put yourself in those positions to

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<v Speaker 1>where all you got. If you a hustler, then you

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<v Speaker 1>got to put yourself in a position to where you

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<v Speaker 1>know you have to hustle. You got to look at

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<v Speaker 1>your product. I mean as much as like it's art,

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<v Speaker 1>but it's also like a business. You're in the music business,

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<v Speaker 1>and I feel like, especially as an independent artist, it

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<v Speaker 1>almost expands the way you can make money. If you're

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<v Speaker 1>signed on a major label, there's so much red tape

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<v Speaker 1>anything you want to do. That's where you could do

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<v Speaker 1>whatever the fuck you want. You could drop a project

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<v Speaker 1>for three months before it's DSPs and only your fans

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<v Speaker 1>get it. You could drop a fucking limited edition vinyl run.

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<v Speaker 1>You could do it. So many things you could do that.

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<v Speaker 1>I figured that out later on, but at the beginning

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<v Speaker 1>of the journey that don't. That's not too like you know,

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<v Speaker 1>visible force, of course, you know what I'm saying. So

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<v Speaker 1>your first your goals change as you get more knowledge

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<v Speaker 1>and stuff. At first, I just wanted to deal. Yeah,

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<v Speaker 1>of course, keep your advance, get high and stuff. Back

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<v Speaker 1>then that was like definitely still with hard radio era,

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<v Speaker 1>that was kind of the way to go back then,

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<v Speaker 1>it was definitely the goal. Like, and I didn't understand that,

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<v Speaker 1>you know, you didn't need a lot of fans in

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<v Speaker 1>order to really like get rich facts. You know, you

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<v Speaker 1>just need you just need, you need more fans and followers.

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<v Speaker 1>I would take five hundred fans over a million followers.

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<v Speaker 1>I would definitely take that because five hundred fans, when

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<v Speaker 1>I say fans of people who will spend money with

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<v Speaker 1>you, you you can be able to pay your bills. You'll

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<v Speaker 1>be able to keep a roof over your head with

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<v Speaker 1>those five hundred people if you do it the right way.

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<v Speaker 1>Of course. Yeah, yeah, of course you've built waight. I

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<v Speaker 1>mean you're you're you're up there, man, you're killing it.

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<v Speaker 1>But yeah, it's wild. I do feel like like when

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<v Speaker 1>I when you talk to people who've been locked up,

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<v Speaker 1>they take it as one or two ways. Either one

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<v Speaker 1>they come out and fucked more and situtionalized, or they

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<v Speaker 1>get humbled. Andy, it kind of corrects the path when

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<v Speaker 1>you were when you were in incarcerated, were you working

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<v Speaker 1>on your bars in there. Hell nah, nah, meat man,

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<v Speaker 1>I only could move off energy and real life events, right,

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<v Speaker 1>I can't really like you were like unmotivated. Yeah, I

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<v Speaker 1>don't even write on what I'm doing, Yeah, with my

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<v Speaker 1>life doing so I'm gonna either. I ain't want to

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<v Speaker 1>write about being in jail. I knew my ship was

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<v Speaker 1>natural talent and when I came home that I was

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<v Speaker 1>gonna be able to work. And actually when I came home,

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<v Speaker 1>you know, I stepped my ship up even more. You

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<v Speaker 1>know what I'm saying for was my flow and all

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<v Speaker 1>of that without having to practice in jail. It's just

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<v Speaker 1>a natural thing. But I ain't work on nothing in jail. Yeah.

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<v Speaker 1>Was there like a was there like a scene in

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<v Speaker 1>prison of like rappers, like people like kicking ciphers and

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<v Speaker 1>they obviously you had a name when you were in there.

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<v Speaker 1>Did people know who you were? Yeah? Or they found out? Well,

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<v Speaker 1>they were a couple of motherfuckers, was knowing who I was?

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<v Speaker 1>And shit, because I was still on the come up there, right,

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<v Speaker 1>you were still on to come up? Yeah. So but

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<v Speaker 1>I would run across a couple of spinners and ship

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<v Speaker 1>like shout out to my homeboy, iron Chic he was

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<v Speaker 1>on the battle scene and him had a few sessions

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<v Speaker 1>in the in the yard iron Chek. Yeah, shout out

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<v Speaker 1>the Iron Chek and ship Man. You know what I'm saying.

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<v Speaker 1>Facts you uh, for people who don't know, I feel

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<v Speaker 1>like a lot of people if it wasn't Griselda, they

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<v Speaker 1>discovered Bennie through you, got through you and you and

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<v Speaker 1>you guys doing the Early Collapse table was that twenty fifteen? Yeah,

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<v Speaker 1>like the Trust tapes and stuff like that, that that all

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<v Speaker 1>that early ship Explain your relationship obviously, both you guys

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<v Speaker 1>are from upstate about an hour apart Buffalo, Rochester minutes

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<v Speaker 1>our Explain how did you and Benny end up initially

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<v Speaker 1>linking up? I used to go to DJ Sha Studio,

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<v Speaker 1>Bressing Peace, Bressing Piece to DJ Shit. I used to

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<v Speaker 1>go there to record that was like that was Benning

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<v Speaker 1>Home Studio and like green and Team Invasion and shout

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<v Speaker 1>out to Greenlander and Team Evasion. And they they suggested

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<v Speaker 1>that I go out to Buffalo to record at Shape Spot.

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<v Speaker 1>So you know, early in my career, like two thousand

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<v Speaker 1>and seven, I would go out there and just start

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<v Speaker 1>working on my early mixtapes, right, and then me and

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<v Speaker 1>Benny would just collapse because that was his home studio,

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<v Speaker 1>so eventually it became my home studio as well. And

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<v Speaker 1>that's how me and Benny gaked that relationship because I'll

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<v Speaker 1>come through there and we just be working and shit,

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<v Speaker 1>you know what I'm saying, And uh, that's how I started.

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<v Speaker 1>That's how I met Ben, That's how I met Conway,

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<v Speaker 1>and you know, the whole, the whole Griselda ship. Yeah,

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<v Speaker 1>I think you guys are synonymous with each other, both

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<v Speaker 1>of y'all's movements, you know, in terms of like what

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<v Speaker 1>y'all do with the fans, what y'all do on the

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<v Speaker 1>business side, like and then obviously musically. I think you

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<v Speaker 1>guys are very tidy in man, has it has it been?

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<v Speaker 1>It's been pretty dope for you just knowing Bennie since

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<v Speaker 1>back then to kind of see everything that Benny been

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<v Speaker 1>one of my main motivations on my journey and ship

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<v Speaker 1>because it was times that you know, on my journey,

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<v Speaker 1>I faced so many things that would discourage me from

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<v Speaker 1>not you know, knowing how to capitalize off it, that

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<v Speaker 1>I would take breaks and watching Bennie he just would

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<v Speaker 1>keep going, would keep going, and that was the motivation

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<v Speaker 1>I needed, right, So when I seen like the response

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<v Speaker 1>he was getting, that motivated me. It was like, oh,

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<v Speaker 1>I know it's possible. You know, there's somebody I work

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<v Speaker 1>with all the time and I see how they responding

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<v Speaker 1>to him. So it's like, oh, let me show on

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<v Speaker 1>what I could do too. If Benny ain't keep working

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<v Speaker 1>the way he did, I went and I had that

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<v Speaker 1>motivation or inspiration to really keep going because like I said,

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<v Speaker 1>I wasn't making no money off of it after doing

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<v Speaker 1>it for ten years, right, So you know, once I

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<v Speaker 1>seen my boy doing actually getting the respect and the recognition,

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<v Speaker 1>it was like, oh, okay, we're on or something now.

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<v Speaker 1>And that's when I picked my pen back up and

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<v Speaker 1>we did stab and shot. That was a great project.

0:10:57.320 --> 0:10:59.920
<v Speaker 1>Appreciate that, Yeah, great project. It's stoked because I like

0:11:00.080 --> 0:11:03.720
<v Speaker 1>to see watching you go on your recent run and

0:11:03.760 --> 0:11:07.120
<v Speaker 1>watching Ransom go on his recent run. It's been dope

0:11:07.160 --> 0:11:10.840
<v Speaker 1>to see. And uh, you know, Ransom somebody who's on

0:11:10.880 --> 0:11:14.240
<v Speaker 1>your new project, but he's also somebody who I feel like,

0:11:14.360 --> 0:11:18.680
<v Speaker 1>you know is has done a really good job of

0:11:20.600 --> 0:11:23.520
<v Speaker 1>finessing the independent game to your let like like using

0:11:23.600 --> 0:11:25.680
<v Speaker 1>like the positive because you know something like you said,

0:11:25.679 --> 0:11:26.880
<v Speaker 1>when you first came into the game, you're trying to

0:11:26.880 --> 0:11:28.760
<v Speaker 1>get a record. I think Ransom is somebody who like

0:11:29.720 --> 0:11:32.760
<v Speaker 1>is doing a great job of making sure he's super

0:11:32.760 --> 0:11:34.959
<v Speaker 1>serving his fans, making sure he don't he don't go

0:11:35.080 --> 0:11:37.360
<v Speaker 1>too too long without making sure you hear a project

0:11:37.360 --> 0:11:38.880
<v Speaker 1>from him, or you stay on top, like you know

0:11:38.920 --> 0:11:41.280
<v Speaker 1>what I mean. So it's dope to see both of

0:11:41.360 --> 0:11:44.400
<v Speaker 1>y'all from that era, right you know, really, I feel

0:11:44.400 --> 0:11:46.640
<v Speaker 1>like y'all are really catching your stride right now, Like

0:11:46.640 --> 0:11:48.959
<v Speaker 1>it's kind of crazy. It is crazy, you know what

0:11:49.000 --> 0:11:53.680
<v Speaker 1>I'm saying. It's really it's it's it's motivational, inspirational to

0:11:53.760 --> 0:11:55.840
<v Speaker 1>the people that's grinding and let you know, not to

0:11:55.880 --> 0:11:58.559
<v Speaker 1>give up, because there's chapters of every of your guys'

0:11:58.679 --> 0:12:02.640
<v Speaker 1>careers that are like legendary within themselves, you know what

0:12:02.679 --> 0:12:06.960
<v Speaker 1>I mean. So it's like just to see ten, twelve, thirteen,

0:12:07.000 --> 0:12:10.720
<v Speaker 1>fourteen years in both of y'all are fucking hitting your peak.

0:12:11.080 --> 0:12:13.840
<v Speaker 1>It's like it's dope, and like you said, it is inspirational.

0:12:13.920 --> 0:12:15.360
<v Speaker 1>I'm sure for a lot of artists who can watch

0:12:15.400 --> 0:12:18.640
<v Speaker 1>them just be like, damn, these dude is really hitting

0:12:18.640 --> 0:12:22.200
<v Speaker 1>their stride right now. All these years later. Yeah, we

0:12:22.240 --> 0:12:24.079
<v Speaker 1>got to stop the interview real quick to tell you

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0:13:49.840 --> 0:13:54.760
<v Speaker 1>the interview. Would you say that, like obviously you said

0:13:54.800 --> 0:13:57.319
<v Speaker 1>Benny was a big inspiration, but like just the you know,

0:13:57.400 --> 0:14:00.000
<v Speaker 1>I feel like you and you and Grisela have similar

0:14:00.080 --> 0:14:03.319
<v Speaker 1>her business models in terms of YO, when we drop,

0:14:03.440 --> 0:14:05.800
<v Speaker 1>we're gonna have the merch, we're gonna have the vinyl.

0:14:05.840 --> 0:14:08.880
<v Speaker 1>We're gonna make sure that fans can show up and

0:14:08.960 --> 0:14:11.839
<v Speaker 1>support us with with where it counts like you might

0:14:12.080 --> 0:14:14.079
<v Speaker 1>not pay for the project, but hey, we gotta We

0:14:14.120 --> 0:14:16.559
<v Speaker 1>got a hoodie, we gotta TV. Would you say that,

0:14:16.600 --> 0:14:20.000
<v Speaker 1>like with what Grisela kind of did, I don't know

0:14:20.000 --> 0:14:22.080
<v Speaker 1>who was doing that first, but now well on the

0:14:22.160 --> 0:14:23.800
<v Speaker 1>on the merch side and that whole thing that was

0:14:23.840 --> 0:14:27.600
<v Speaker 1>definitely Griselta. They they they helped introduce the whole formula

0:14:27.680 --> 0:14:30.160
<v Speaker 1>to how to actually capitalize. Shout out to Gun because

0:14:31.360 --> 0:14:34.040
<v Speaker 1>shut out the Gun And that's another thing, like you know,

0:14:34.080 --> 0:14:37.600
<v Speaker 1>if Gun ain't really do what he did, you know,

0:14:37.680 --> 0:14:40.840
<v Speaker 1>I wouldn't have the motivation to really take it serious

0:14:40.920 --> 0:14:43.600
<v Speaker 1>as well. I didn't really see that it was money

0:14:43.640 --> 0:14:46.600
<v Speaker 1>to be made and really see how to really connect

0:14:46.600 --> 0:14:49.040
<v Speaker 1>with the people. And Gun figure that out. You know

0:14:49.040 --> 0:14:51.680
<v Speaker 1>what I'm saying, Father, It's like how to actually capitalize

0:14:51.680 --> 0:14:53.920
<v Speaker 1>on the fan base and ship, you know what I'm saying.

0:14:54.520 --> 0:14:57.120
<v Speaker 1>So so so shout out to the whole Grisetta. So yeah,

0:14:57.200 --> 0:15:00.800
<v Speaker 1>yeah that that that that that whole formula is that

0:15:00.880 --> 0:15:04.320
<v Speaker 1>whole independent formula started you know with them over there,

0:15:04.480 --> 0:15:07.000
<v Speaker 1>you know what I mean? Fowers that way of course,

0:15:07.120 --> 0:15:12.440
<v Speaker 1>like definitely definite. You also, uh, you know, you're no

0:15:12.480 --> 0:15:14.400
<v Speaker 1>stranger to do in collad project. Shout out to my

0:15:14.440 --> 0:15:17.080
<v Speaker 1>guy Chase Fatty who's been through here, you guys had

0:15:17.120 --> 0:15:21.400
<v Speaker 1>a dope project together. Who is on your radar that

0:15:21.520 --> 0:15:23.360
<v Speaker 1>like if you were there's like an up and coming

0:15:23.440 --> 0:15:24.920
<v Speaker 1>artist that you're just fucking with them, Like if you

0:15:24.920 --> 0:15:26.960
<v Speaker 1>could do an album with them? Who would have beat this?

0:15:27.520 --> 0:15:34.240
<v Speaker 1>You respect? Oh? Man, let me see man, because it

0:15:34.280 --> 0:15:36.320
<v Speaker 1>could also be a O G. Just somebody here, Like, man,

0:15:36.320 --> 0:15:40.040
<v Speaker 1>if I could do something with this person, be crazy. Man.

0:15:40.080 --> 0:15:42.000
<v Speaker 1>I would love to produce an album for Foot of

0:15:42.000 --> 0:15:45.840
<v Speaker 1>God as a Z. I would love to produce an

0:15:45.840 --> 0:15:49.760
<v Speaker 1>album for a You know what I'm saying, Brooklyn's final

0:15:49.800 --> 0:15:52.040
<v Speaker 1>shoutout man, shout out to the God. You know what

0:15:52.080 --> 0:15:54.200
<v Speaker 1>I'm saying. As far as new new people, you know

0:15:54.200 --> 0:15:56.840
<v Speaker 1>what I mean? Like I pretty much work with everybody

0:15:56.920 --> 0:15:58.680
<v Speaker 1>knew that I'm that I'm feeling, man, you know what

0:15:58.720 --> 0:16:02.040
<v Speaker 1>I'm saying. And uh, you know what I mean. The

0:16:02.840 --> 0:16:07.840
<v Speaker 1>newest people that I'm feeling like, who is applying pressure

0:16:07.920 --> 0:16:11.920
<v Speaker 1>lyrically would have to be like Shane or you know,

0:16:12.360 --> 0:16:14.200
<v Speaker 1>just off of the simple factor. You know, I have

0:16:14.360 --> 0:16:17.000
<v Speaker 1>worked with her and see how she held her own. Yeah,

0:16:17.000 --> 0:16:19.240
<v Speaker 1>you guys gotten for sure, you know, and you know

0:16:19.360 --> 0:16:21.160
<v Speaker 1>she she held her own with every single one of

0:16:21.240 --> 0:16:23.880
<v Speaker 1>us from Ransom Bennie to me and you know we

0:16:24.120 --> 0:16:26.320
<v Speaker 1>we we swing. You know what I like is who's

0:16:26.360 --> 0:16:28.760
<v Speaker 1>on the BSF album? He was just up here. I

0:16:28.840 --> 0:16:31.320
<v Speaker 1>like go to the real too. I like O T too. Yeah,

0:16:31.320 --> 0:16:36.920
<v Speaker 1>he got got some real he'd be saying shit in

0:16:36.960 --> 0:16:39.680
<v Speaker 1>a way to be hitting. That makes sense, So shouts

0:16:39.680 --> 0:16:44.520
<v Speaker 1>to ot Man. Okay, So seven Shots is out for you.

0:16:44.720 --> 0:16:46.840
<v Speaker 1>When you like, look at a year, right, let's say

0:16:47.000 --> 0:16:50.600
<v Speaker 1>we're January twenty twenty three, do you automatically know what

0:16:50.640 --> 0:16:52.640
<v Speaker 1>the year is looking like, like I'm gonna put this out,

0:16:52.680 --> 0:16:54.400
<v Speaker 1>this out, this out or you just kind of go

0:16:54.520 --> 0:16:56.480
<v Speaker 1>with the flow in terms of like release schedule or

0:16:56.760 --> 0:16:59.840
<v Speaker 1>like like it depends on how much I've been working

0:17:00.040 --> 0:17:02.200
<v Speaker 1>year prior. You know what I'm saying. If I've been

0:17:02.200 --> 0:17:04.280
<v Speaker 1>working a year prior, then yeah, you know what I'm saying.

0:17:04.400 --> 0:17:07.840
<v Speaker 1>Like this year, I didn't really have it figured out.

0:17:08.200 --> 0:17:11.679
<v Speaker 1>Last year I took a break from uh from the

0:17:11.680 --> 0:17:14.320
<v Speaker 1>writing side and focus more on the producing an executive

0:17:14.320 --> 0:17:17.400
<v Speaker 1>producing side. So I really ain't have I wasn't really

0:17:17.440 --> 0:17:19.480
<v Speaker 1>like just going to work like I usually would do

0:17:19.840 --> 0:17:21.520
<v Speaker 1>when I write. You know what I'm saying. I usually

0:17:21.520 --> 0:17:23.480
<v Speaker 1>would go make a record put it to the side,

0:17:23.840 --> 0:17:25.600
<v Speaker 1>go make records, put it to the side. But I

0:17:25.640 --> 0:17:28.719
<v Speaker 1>went all that time without doing nothing before seven shots. Yeah,

0:17:28.760 --> 0:17:30.600
<v Speaker 1>so I didn't really know when I was gonna drop

0:17:30.640 --> 0:17:32.320
<v Speaker 1>this year. I just woke up one day, hit my

0:17:32.359 --> 0:17:34.280
<v Speaker 1>engineer and was like, yo, let's lock in, and we

0:17:34.320 --> 0:17:36.320
<v Speaker 1>went to the studio and I recorded the whole album

0:17:36.359 --> 0:17:38.680
<v Speaker 1>that day, the whole the whole album that day. Because

0:17:38.720 --> 0:17:42.160
<v Speaker 1>I recorded the whole it's eight records, yeah, eight records. Yeah,

0:17:42.280 --> 0:17:45.080
<v Speaker 1>I mean so one day. Yeah, I recorded the whole

0:17:45.080 --> 0:17:47.680
<v Speaker 1>album that day. That's you know what I'm saying that, Yeah,

0:17:47.720 --> 0:17:49.760
<v Speaker 1>And it was a feel. It was a feel like

0:17:49.800 --> 0:17:51.640
<v Speaker 1>I like to provide a field, so you know when

0:17:51.640 --> 0:17:54.240
<v Speaker 1>I that's how I record. I like to capture the

0:17:54.440 --> 0:17:57.280
<v Speaker 1>energy of that time, you know what I'm saying, and

0:17:57.640 --> 0:18:00.000
<v Speaker 1>record everything while I'm feeling that energy. And that's why

0:18:00.080 --> 0:18:03.720
<v Speaker 1>the projects sound like that. Sonning for you, there's like,

0:18:03.800 --> 0:18:06.440
<v Speaker 1>obviously guys like yourself, guys like Rock Marcie, who will

0:18:06.520 --> 0:18:09.160
<v Speaker 1>executive produce or produce a whole album for somebody else?

0:18:09.240 --> 0:18:12.760
<v Speaker 1>Like what is the approach for when you put your

0:18:12.760 --> 0:18:15.159
<v Speaker 1>producer hat on it, and how does it differentiate from

0:18:15.200 --> 0:18:21.480
<v Speaker 1>when you are the artist. Uh, well, my producer had

0:18:21.560 --> 0:18:25.680
<v Speaker 1>I'm basically more or less like a coach, right, I'm

0:18:25.720 --> 0:18:29.359
<v Speaker 1>just sitting there like just watching and and there to

0:18:29.480 --> 0:18:34.000
<v Speaker 1>actually like critique, not really just you know, like just

0:18:34.040 --> 0:18:36.920
<v Speaker 1>to actually help form whatever it is and make sure

0:18:36.960 --> 0:18:39.400
<v Speaker 1>it's the best. You know what I'm saying. As a producer,

0:18:40.000 --> 0:18:44.240
<v Speaker 1>I'm not really you know, And you know it's it's

0:18:44.920 --> 0:18:47.520
<v Speaker 1>I actually enjoy that a little a lot more than

0:18:47.600 --> 0:18:50.280
<v Speaker 1>than than than me than the autist side, you know

0:18:50.320 --> 0:18:53.040
<v Speaker 1>what I'm saying. Being the coach. Yeah, you know what

0:18:53.040 --> 0:18:56.520
<v Speaker 1>I'm saying, Like you know what I mean. But you

0:18:56.560 --> 0:18:59.080
<v Speaker 1>know that's that's I have to put a lot of

0:18:59.119 --> 0:19:02.560
<v Speaker 1>time into that when I'm in that mode, you know,

0:19:02.840 --> 0:19:05.880
<v Speaker 1>just like on the business side. When I'm in business mode,

0:19:05.920 --> 0:19:07.960
<v Speaker 1>I'm in business mode, I really ain't thinking about writing,

0:19:07.960 --> 0:19:09.840
<v Speaker 1>no raps or nothing like that, you know what I'm saying.

0:19:09.840 --> 0:19:13.159
<v Speaker 1>And when I'm in production mode, I'm bringing out twenty

0:19:13.200 --> 0:19:14.840
<v Speaker 1>beats in a day, you know what I'm saying, So

0:19:14.880 --> 0:19:16.840
<v Speaker 1>it'd be certain hats when I'm in rap mode, like

0:19:16.920 --> 0:19:20.080
<v Speaker 1>right now, I'm rapping. I didn't produce one song on

0:19:20.680 --> 0:19:24.520
<v Speaker 1>seven Shots because I'm rapping, you know, So I took

0:19:24.560 --> 0:19:28.000
<v Speaker 1>the producer hat off and I'm got yeah, and I'm

0:19:28.000 --> 0:19:31.040
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<v Speaker 1>back to the interview. Rochester obviously upstate New York in general,

0:20:58.960 --> 0:21:02.239
<v Speaker 1>up until the last maybe seven eight years, I feel like,

0:21:02.280 --> 0:21:05.359
<v Speaker 1>you know, very slept on. I mean, you were probably

0:21:05.520 --> 0:21:07.840
<v Speaker 1>were you locked up when Amelio started to pop a bit,

0:21:08.400 --> 0:21:11.639
<v Speaker 1>when Breaking Point came out. I just came home and shit,

0:21:11.840 --> 0:21:15.280
<v Speaker 1>I just came home around that time and shit. But yeah,

0:21:15.480 --> 0:21:17.119
<v Speaker 1>because when I think of Rochester, I think of you,

0:21:17.160 --> 0:21:19.040
<v Speaker 1>I think of him, I think of Green Lantern. Yeah,

0:21:19.160 --> 0:21:22.040
<v Speaker 1>that's how it started. Yeah, with the whole hip hop scene.

0:21:22.200 --> 0:21:24.280
<v Speaker 1>You know what I'm saying. I remember having the Team

0:21:24.320 --> 0:21:27.040
<v Speaker 1>Invasion mixtapes back in the day exactly. Shout out the

0:21:27.040 --> 0:21:30.520
<v Speaker 1>Team Invasion selling them out to swat Meet, Shout out

0:21:30.520 --> 0:21:34.520
<v Speaker 1>to Greenlander, like Greenlander was like the og of the

0:21:34.560 --> 0:21:37.159
<v Speaker 1>town that really like open doors like that let us know,

0:21:37.320 --> 0:21:41.200
<v Speaker 1>like okay, oh yeah, Eminem's DJ, jay Z's DJ Naz's DJ,

0:21:43.280 --> 0:21:47.280
<v Speaker 1>right and one of the coldest producers, right, And people

0:21:47.280 --> 0:21:49.520
<v Speaker 1>don't understand Like, man, I used to sit under Green

0:21:49.600 --> 0:21:52.040
<v Speaker 1>and study a lot, Like that's how I know how

0:21:52.080 --> 0:21:55.239
<v Speaker 1>to put a project together, you know, I know I

0:21:55.359 --> 0:21:57.840
<v Speaker 1>understand it, like how I would want to start and

0:21:57.920 --> 0:21:59.840
<v Speaker 1>how I would want to make it end, and like

0:21:59.880 --> 0:22:01.919
<v Speaker 1>you know that come from like you know, really sitting

0:22:01.920 --> 0:22:04.440
<v Speaker 1>there up under Green. Green Lantern has got my favorite

0:22:04.560 --> 0:22:07.679
<v Speaker 1>mixtapes ever, probably and uh he's probably he's probably my

0:22:07.680 --> 0:22:09.679
<v Speaker 1>favorite mixtape DJ of all time, to be honest, man,

0:22:09.720 --> 0:22:12.760
<v Speaker 1>So shout out to Green that's my dog. He's out

0:22:12.760 --> 0:22:15.159
<v Speaker 1>of my hometown now, nay Z doing his thing man

0:22:15.880 --> 0:22:18.480
<v Speaker 1>Green Lantern. Man, So I was gonna say, was it

0:22:20.119 --> 0:22:22.360
<v Speaker 1>did it work against you? Not being from New York

0:22:22.440 --> 0:22:24.520
<v Speaker 1>City and being from that the city in that area.

0:22:24.680 --> 0:22:28.200
<v Speaker 1>At first, it definitely it just started working funny. Yeah,

0:22:28.440 --> 0:22:32.120
<v Speaker 1>that ain't become cool until you know, recently these last

0:22:32.200 --> 0:22:36.600
<v Speaker 1>couple of years. Before then, they they wasn't jack and

0:22:36.640 --> 0:22:39.040
<v Speaker 1>that it was so hard, like you know what I mean,

0:22:39.160 --> 0:22:45.879
<v Speaker 1>Like New York is real like territorial prideful, yeah, you know,

0:22:46.040 --> 0:22:49.080
<v Speaker 1>and that what they rep like, you know they so

0:22:49.240 --> 0:22:54.200
<v Speaker 1>it's like they ain't even really like supporting other boroughs.

0:22:54.880 --> 0:22:58.080
<v Speaker 1>You know, it's like the Bronx right loan another spy

0:22:58.119 --> 0:23:00.960
<v Speaker 1>six hours away, you know what I'm saying. Serious drive

0:23:01.040 --> 0:23:04.040
<v Speaker 1>they never even heard of before. So it was real

0:23:04.160 --> 0:23:09.000
<v Speaker 1>hard for them to like understand where we was coming from.

0:23:09.040 --> 0:23:11.280
<v Speaker 1>You know what I'm saying. They didn't understand it because

0:23:11.960 --> 0:23:14.560
<v Speaker 1>you know, they didn't understand that you know, these were

0:23:14.760 --> 0:23:17.200
<v Speaker 1>stories up here and people really getting busy up here.

0:23:17.600 --> 0:23:20.840
<v Speaker 1>They never been up there, never went to the prison system,

0:23:21.080 --> 0:23:23.440
<v Speaker 1>you know what I'm saying. So you think it's it's

0:23:23.440 --> 0:23:29.120
<v Speaker 1>that's gone away recently. Hell yeah, that was the understanding. Yeah,

0:23:29.160 --> 0:23:31.480
<v Speaker 1>I feel like, you know, if they understand now, like

0:23:31.480 --> 0:23:34.040
<v Speaker 1>like you know, there's another part of New York because

0:23:34.040 --> 0:23:35.679
<v Speaker 1>I feel like there's always guys like you know, obviously

0:23:35.680 --> 0:23:38.320
<v Speaker 1>Static Select is not from New York, is from Boston,

0:23:38.320 --> 0:23:40.119
<v Speaker 1>but I feel like he always would show love on

0:23:40.160 --> 0:23:43.560
<v Speaker 1>SHA forty five just to the guys like you know,

0:23:43.560 --> 0:23:45.200
<v Speaker 1>the Gris all the guys. That's when I first heard

0:23:45.200 --> 0:23:49.960
<v Speaker 1>of them was a Static freestyle and case Leigh you

0:23:50.000 --> 0:23:52.800
<v Speaker 1>know definitely. But I feel like now you know, you'll

0:23:52.800 --> 0:23:55.240
<v Speaker 1>see Folk Flex show support, you know, and obviously shot

0:23:55.280 --> 0:23:58.280
<v Speaker 1>out to Conway for motivating Flex to challenge every New

0:23:58.359 --> 0:24:02.480
<v Speaker 1>York rapper to make new music. I'm glad something dope

0:24:02.520 --> 0:24:05.040
<v Speaker 1>came out of that situation because it looked interesting in

0:24:05.080 --> 0:24:08.200
<v Speaker 1>for a shouts about got conract. But for you man,

0:24:08.320 --> 0:24:12.600
<v Speaker 1>like in twenty twenty two, when you put out a project,

0:24:12.840 --> 0:24:15.879
<v Speaker 1>what is the like checklist? It's like, Okay, the album's

0:24:15.880 --> 0:24:17.679
<v Speaker 1>gonna come out. We got to have the merch together,

0:24:18.040 --> 0:24:20.639
<v Speaker 1>We got to have the vinyl together, Like what is

0:24:20.680 --> 0:24:23.080
<v Speaker 1>everything that you You got to make sure it's put

0:24:23.119 --> 0:24:25.640
<v Speaker 1>together before you put a project out, because like we said,

0:24:25.680 --> 0:24:28.640
<v Speaker 1>you're a hustler. You know how to really ulterally monetize

0:24:28.640 --> 0:24:32.399
<v Speaker 1>your work, your art. For independent artists that are watching this, like,

0:24:32.400 --> 0:24:33.959
<v Speaker 1>what are the things that you make sure are all

0:24:34.000 --> 0:24:36.520
<v Speaker 1>aligned before you put something out. I make sure that

0:24:36.560 --> 0:24:39.040
<v Speaker 1>the project is you know, I make sure I got

0:24:39.119 --> 0:24:40.720
<v Speaker 1>I make sure it's done, and I got all the

0:24:40.800 --> 0:24:44.960
<v Speaker 1>assets first, you know, assets meaning like my good artwork,

0:24:45.200 --> 0:24:49.240
<v Speaker 1>social media stuff, social media stuff, videos, things that I

0:24:49.280 --> 0:24:51.640
<v Speaker 1>could do that I could use to help with my rollout.

0:24:51.840 --> 0:24:53.359
<v Speaker 1>You know, I make sure I got all of that

0:24:53.440 --> 0:24:55.760
<v Speaker 1>before I go and hire a publicist or somebody that

0:24:56.160 --> 0:24:58.320
<v Speaker 1>work it, because you don't want to hire the publics

0:24:58.520 --> 0:25:00.800
<v Speaker 1>for everything you chasing, you tell stuff like that. So

0:25:00.880 --> 0:25:02.320
<v Speaker 1>the first thing I do is make sure I got

0:25:02.320 --> 0:25:06.560
<v Speaker 1>all the assets connected to the project. After I got that,

0:25:06.720 --> 0:25:08.760
<v Speaker 1>then I make sure I got all the merchant stuff

0:25:08.960 --> 0:25:14.440
<v Speaker 1>you know, in production. And then that's about it. Man.

0:25:14.480 --> 0:25:16.639
<v Speaker 1>Once I got all of those things linked up, you know,

0:25:16.760 --> 0:25:18.879
<v Speaker 1>I make sure that I'm with a good distributor to

0:25:18.960 --> 0:25:23.000
<v Speaker 1>make sure I could get some proper visibility on right,

0:25:23.080 --> 0:25:26.200
<v Speaker 1>maybe some playlists pitching, you know what I'm saying, which

0:25:26.240 --> 0:25:30.640
<v Speaker 1>is very important. And that's about it. Once I got

0:25:30.680 --> 0:25:32.760
<v Speaker 1>those things, and you know, I don't you know, I

0:25:32.840 --> 0:25:36.080
<v Speaker 1>make sure I turn the music in at least thirty

0:25:36.160 --> 0:25:38.679
<v Speaker 1>days or more prior to me releasing and give the

0:25:38.720 --> 0:25:41.399
<v Speaker 1>digital peoples enough time to do what they need to

0:25:41.440 --> 0:25:43.959
<v Speaker 1>do with it, like you can't just like us sometimes

0:25:43.960 --> 0:25:45.879
<v Speaker 1>as all this, we'll lock ourselves into a date, be

0:25:45.920 --> 0:25:48.119
<v Speaker 1>like I'm wanna drop next week. Just get them the

0:25:48.200 --> 0:25:50.560
<v Speaker 1>music and stuff, you know, you want to actually really

0:25:50.880 --> 0:25:53.280
<v Speaker 1>turn stuff in, you know, and then come up with

0:25:53.320 --> 0:25:55.159
<v Speaker 1>the date. Yeah, because if you've come up with the

0:25:55.240 --> 0:25:58.320
<v Speaker 1>date and the album's not mixed master turned in, then you,

0:25:58.359 --> 0:25:59.879
<v Speaker 1>like you said, you handcuf yourself to a day and

0:26:00.320 --> 0:26:02.840
<v Speaker 1>right for artists who don't know, like you, definitely want

0:26:02.840 --> 0:26:04.520
<v Speaker 1>to turn your shit in thirty days prior for the

0:26:04.600 --> 0:26:08.080
<v Speaker 1>DSPs at least at least you know, at least you

0:26:08.119 --> 0:26:10.920
<v Speaker 1>know what I'm saying. So yeah, that's that's about that.

0:26:11.800 --> 0:26:16.120
<v Speaker 1>How does somebody get vinyl made? Is that? Is that

0:26:16.840 --> 0:26:18.880
<v Speaker 1>hell right now? Because I heard it's really tough. It's

0:26:18.960 --> 0:26:23.080
<v Speaker 1>hard as hell right now. Man, So if you it's right, yeah, man,

0:26:23.160 --> 0:26:27.440
<v Speaker 1>So listen, Vinyl is like gold man. You know, y'all

0:26:27.440 --> 0:26:29.840
<v Speaker 1>get y'all good piece of vinyl. Them things going up

0:26:29.880 --> 0:26:32.040
<v Speaker 1>in value, they are, people are collecting them and they're

0:26:32.080 --> 0:26:34.479
<v Speaker 1>going to are collecting them. Shut out to the collectors, man,

0:26:34.560 --> 0:26:36.920
<v Speaker 1>y'all go on these on e Bay and stuff. Y'all

0:26:36.960 --> 0:26:39.960
<v Speaker 1>gonna see some pieces of vinyl in there that's selling

0:26:40.000 --> 0:26:42.800
<v Speaker 1>for thousands of dollars and shit like that. Man. You know,

0:26:42.920 --> 0:26:45.880
<v Speaker 1>so when I get ready to drop seven shots, y'all

0:26:45.880 --> 0:26:47.760
<v Speaker 1>make sure y'all stand in line and get a piece

0:26:47.760 --> 0:26:50.000
<v Speaker 1>of this because it's only going to be a limited amount.

0:26:50.400 --> 0:26:52.199
<v Speaker 1>And you know they ain't gonna do nothing but go

0:26:52.280 --> 0:26:55.760
<v Speaker 1>up in price. It's like, you know, all other valuable things.

0:26:56.000 --> 0:26:57.840
<v Speaker 1>We gotta stop the interview tell you about our partners

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0:27:23.640 --> 0:27:25.840
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0:27:28.000 --> 0:27:30.399
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0:28:18.680 --> 0:28:20.359
<v Speaker 1>are proud to say so. All right, let's get back

0:28:20.359 --> 0:28:24.119
<v Speaker 1>to the interview. Removing your project in any projects you've

0:28:24.119 --> 0:28:25.760
<v Speaker 1>been a part of from this year, what is your

0:28:25.800 --> 0:28:28.160
<v Speaker 1>favorite album, what's your album of the year so far?

0:28:28.560 --> 0:28:33.359
<v Speaker 1>Twenty twenty two. Oh shit, man, man, what did I

0:28:33.480 --> 0:28:37.600
<v Speaker 1>listen to this? Shit? Man? Damn man, I don't want

0:28:37.600 --> 0:28:39.760
<v Speaker 1>to give me like three of them. I don't listen

0:28:39.800 --> 0:28:41.880
<v Speaker 1>to people. How about that, You didn't listen to the

0:28:41.920 --> 0:28:45.040
<v Speaker 1>Pusher t album? Nah, it's fire, I gotta go listen

0:28:45.080 --> 0:28:47.760
<v Speaker 1>to it. What about Kendricks? You listen to Kendrick's album? Definitely?

0:28:47.840 --> 0:28:50.160
<v Speaker 1>I heard not I heard. I heard like what was

0:28:50.360 --> 0:28:52.440
<v Speaker 1>on a radio like with him and the chit going

0:28:52.480 --> 0:28:54.120
<v Speaker 1>back and forth. I thought that shit was called him

0:28:54.120 --> 0:28:56.240
<v Speaker 1>in the check. I didn't go listen to it, though.

0:28:56.280 --> 0:28:58.680
<v Speaker 1>I'm kind of with when it comes to music, right,

0:28:58.840 --> 0:29:02.520
<v Speaker 1>I gotta have like I'm not unreal. I don't know, bro,

0:29:03.040 --> 0:29:04.920
<v Speaker 1>I'm a little weird and shit when it comes to me,

0:29:04.960 --> 0:29:07.760
<v Speaker 1>I don't listen it. Like that's fair? Like that? What

0:29:07.840 --> 0:29:10.360
<v Speaker 1>about who would you consider your top like four or five?

0:29:10.800 --> 0:29:13.800
<v Speaker 1>Like your personal It don't got to be the greatest

0:29:13.800 --> 0:29:16.040
<v Speaker 1>of all time. I'm talking about just like your personal favorites.

0:29:16.200 --> 0:29:21.080
<v Speaker 1>Just MC's all time Cougie rap I put at the

0:29:21.080 --> 0:29:24.280
<v Speaker 1>top of the list. Yeah, obviously escites ain't in no order,

0:29:24.320 --> 0:29:27.000
<v Speaker 1>but you rap start first, you know what I'm saying. Yeah,

0:29:27.080 --> 0:29:29.480
<v Speaker 1>you've obviously got music dedicated to him. Shot the coolgie

0:29:29.520 --> 0:29:37.160
<v Speaker 1>rap shit whole, not just from lyrical content, from from

0:29:37.280 --> 0:29:42.920
<v Speaker 1>from the field, everything everything, fuck it. Yeah. Oh nahs

0:29:42.960 --> 0:29:47.240
<v Speaker 1>for creativity, fucking rewind Man like creativity, like I got

0:29:47.240 --> 0:29:52.960
<v Speaker 1>different rappers, that's for different things. Tupac for emotion pain Yep,

0:29:53.200 --> 0:29:55.320
<v Speaker 1>that was the first person that made me feel something

0:29:55.400 --> 0:29:58.800
<v Speaker 1>like how I feel sad or I feel happy? I

0:29:58.840 --> 0:30:07.360
<v Speaker 1>feel Tupac from pain on one more one more? Huh

0:30:09.960 --> 0:30:16.320
<v Speaker 1>damn big, big and without a doubt, big for just

0:30:16.440 --> 0:30:21.400
<v Speaker 1>like flow the best flow ever flow butter flow right,

0:30:21.640 --> 0:30:25.920
<v Speaker 1>big for flow period. That's fair. Yeah, that's a grade five.

0:30:26.080 --> 0:30:27.880
<v Speaker 1>You should cause you rap too, man, They'll get enough

0:30:27.880 --> 0:30:31.640
<v Speaker 1>flowers out here. Honorable mention, Big pun pun Man, Honorable

0:30:31.720 --> 0:30:35.360
<v Speaker 1>mention Punk Apple Punishment. Oh god, that's one of the biggest,

0:30:35.360 --> 0:30:37.280
<v Speaker 1>the biggest webs. Like, man, what a pun would have

0:30:37.360 --> 0:30:40.080
<v Speaker 1>never passed? Man? Ship? Where would he be at right now?

0:30:40.520 --> 0:30:42.480
<v Speaker 1>I mean Ship, Biggie and Tupac. We could say that

0:30:42.480 --> 0:30:45.680
<v Speaker 1>about three of them, right Ship A whole different landscape

0:30:45.680 --> 0:30:48.480
<v Speaker 1>of this whole game, bro, that's fun. It be insane. Man,

0:30:48.600 --> 0:30:50.720
<v Speaker 1>what you got coming? Do you have anything else coming?

0:30:50.760 --> 0:30:53.120
<v Speaker 1>The rest of the Year or anything out in the books,

0:30:53.120 --> 0:30:56.280
<v Speaker 1>more music, or you just working seven shots right now.

0:30:56.280 --> 0:30:58.400
<v Speaker 1>I'm working seven shots. But I got some ship. I

0:30:58.400 --> 0:31:00.000
<v Speaker 1>don't know if I want to announce it yet because

0:31:00.000 --> 0:31:02.120
<v Speaker 1>I don't know when it's coming. But what I can

0:31:02.200 --> 0:31:05.640
<v Speaker 1>announce and tell y'all that me and Conway did an

0:31:05.640 --> 0:31:09.480
<v Speaker 1>album during a pandemic. Ooh yeah, is it coming out?

0:31:09.800 --> 0:31:12.200
<v Speaker 1>Is coming out twenty twenty three, y'all get ready for that.

0:31:12.480 --> 0:31:15.120
<v Speaker 1>Has Conway convinced you to visit him in Denver yet? No?

0:31:15.240 --> 0:31:17.360
<v Speaker 1>I ain't go out there yet. He's pretty much living

0:31:17.400 --> 0:31:21.040
<v Speaker 1>there now. I went and saw him last month. He

0:31:21.120 --> 0:31:23.200
<v Speaker 1>fucking fell in love with Denver and it's just not lie.

0:31:23.240 --> 0:31:25.960
<v Speaker 1>He's just not leaving. I gotta go. I've never even been.

0:31:26.080 --> 0:31:28.080
<v Speaker 1>I'll go and check that shit out. You've never been

0:31:28.120 --> 0:31:31.000
<v Speaker 1>to Denver, I've never been Dever. Just go out there.

0:31:31.040 --> 0:31:33.239
<v Speaker 1>Conway's got like a he's got to sewed up out there.

0:31:33.240 --> 0:31:34.600
<v Speaker 1>They treat him like he's you were to think he's

0:31:34.600 --> 0:31:36.320
<v Speaker 1>from Denver. We was moving around out the strip. Club

0:31:36.440 --> 0:31:39.840
<v Speaker 1>fucking weed grows all kinds of shit. So Conway and

0:31:39.960 --> 0:31:43.840
<v Speaker 1>Special Album twenty twenty three Facts love to hear it Yeah,

0:31:44.040 --> 0:31:47.680
<v Speaker 1>there it is, man. I appreciate you pulling up. Yo.

0:31:47.760 --> 0:31:49.800
<v Speaker 1>You just also just did a crazy freestyle, which is

0:31:49.840 --> 0:31:51.680
<v Speaker 1>a different YouTube video. Go watch that shit. That ship

0:31:51.760 --> 0:31:55.680
<v Speaker 1>was insane. What is the website? People can go support

0:31:56.080 --> 0:31:59.520
<v Speaker 1>the trust Station the trust Station dot Com. Y'all could

0:31:59.560 --> 0:32:03.440
<v Speaker 1>go get merged. Y'all could go and get Vinyl. Y'all

0:32:03.440 --> 0:32:07.080
<v Speaker 1>could go and listen to my own radio station on

0:32:07.160 --> 0:32:10.080
<v Speaker 1>the trust Station dot Com. Y'all could go and listen

0:32:10.120 --> 0:32:13.920
<v Speaker 1>to my radio station. You're curating the playlist. I'm curating

0:32:13.920 --> 0:32:16.200
<v Speaker 1>the playlist, man, But you know I got some shows

0:32:16.200 --> 0:32:19.120
<v Speaker 1>in there too. You know what I'm saying. That is

0:32:19.200 --> 0:32:21.040
<v Speaker 1>live as well, and shit, you know what I mean.

0:32:21.240 --> 0:32:24.200
<v Speaker 1>The app will be launching soon, y'all gonna be here more.

0:32:24.200 --> 0:32:26.400
<v Speaker 1>You're gonna have an app coming, definitely. The app is

0:32:26.440 --> 0:32:28.440
<v Speaker 1>coming soon, so people will be able to ride around

0:32:28.440 --> 0:32:30.360
<v Speaker 1>and listen to your radio station and right from their phone.

0:32:30.400 --> 0:32:31.960
<v Speaker 1>Yeah well right now, you can still do it. You

0:32:32.000 --> 0:32:34.880
<v Speaker 1>could go to the trust that dot Com listen to

0:32:34.920 --> 0:32:37.000
<v Speaker 1>it right from the site from your browser. But the

0:32:37.040 --> 0:32:40.320
<v Speaker 1>app is on the way. They things coming, man. You

0:32:40.360 --> 0:32:42.760
<v Speaker 1>can be dropping like exclusive music on the app first.

0:32:42.800 --> 0:32:46.640
<v Speaker 1>Hell yeah, it's smart, bro. There it is, Man thirty

0:32:46.640 --> 0:32:48.720
<v Speaker 1>eight specch appreciate you pulling up, brother, Yes that you

0:32:48.800 --> 0:32:50.880
<v Speaker 1>having me bro Fire boom