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Speaker 1: Powered by road. Hey y y hey, Selling Wilson Rap

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Speaker 1: raid Off and me and my partner beat our mill

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Speaker 1: of them. And you know we got the premiere website

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Speaker 1: out there, rap rate dot com. And now I'm about

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Speaker 1: to take over the podcast game. I want to sit

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Speaker 1: down with the coaches most important voices. Give you that

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Speaker 1: news and information, that opinion, the only opinion that matters. Man.

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Speaker 1: Here a rap raid Off Listen up, rap right Off podcast.

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Speaker 1: Celia Wilson, I'm be dot speed out. What's up baby?

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Speaker 1: Feeling great? Feeling good? Feeling great? How are you feeling

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Speaker 1: like I'm living off experience? Are you going right there

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Speaker 1: with the guesses? That's not happen to Drake lorg story

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Speaker 1: Ye you already you know got with Drake and David Busters.

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Speaker 1: But you can convince them to do the podcast. I

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Speaker 1: saw him at David Busters last week after SNL where

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Speaker 1: he had like a little wrap up party. It was

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Speaker 1: really nice. Everybody was there, the whole crew. Did you

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Speaker 1: look good clean shaving? Up close? It was it was

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Speaker 1: up close all right. Everyone was hovering around him like

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Speaker 1: a fish in the fish ball, But I did it

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Speaker 1: was something to him. He was smoking, you know, hooka

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Speaker 1: and stuff like he still loves the hookah, still loves

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Speaker 1: the hookahs. It was good fun, good fun night. We

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Speaker 1: came close to get him on the podcast. We won't

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Speaker 1: talk about that but sensitive subject. Course it has a

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Speaker 1: lawsuit pending. So you break your word with CBS. We

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Speaker 1: break your legs, buddy. But now it would be cool though. Man,

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Speaker 1: you know this episodes powered by Roll, right of course

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Speaker 1: it is Roll microphones. Man, So can we talk about

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Speaker 1: that hot spot we shot with the little commercials? Yeah

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Speaker 1: last week? Right man, how are you gonna see that? Courts?

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Speaker 1: And can they spread that out? Man? I want that

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Speaker 1: on the internet. It's gonna be internet a road campaign. Yeah,

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Speaker 1: they patted us now and make sure we went too

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Speaker 1: sweaty man half hours. It was a real thing. Ro

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Speaker 1: This is the best Man guaranteed microphones, tenure guarantees. Everyone

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Speaker 1: used them for fifty sent most death resids, snoop and

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Speaker 1: basically every guest that comes on the show. So yes, squad,

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Speaker 1: you need your mike to sound nice. Man wrote us

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Speaker 1: the way to gold Man. Make sure you support them

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Speaker 1: telling the brat rate of podcast. It's your favorite podcast

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Speaker 1: as man and go to road dot com r O

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Speaker 1: D E dot com dot com ye also another not

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Speaker 1: to be a Vegas thing right going to baby You're

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Speaker 1: going to Vegas, baby, Las Vegas, June seventeen. Is that

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Speaker 1: a conflict? Man? You gotta young, go out think I

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Speaker 1: got my kid. It's all good, all right, make sure

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Speaker 1: it's all good, big Papa. But yeah, we'll be with

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Speaker 1: the homie with the Palms Hotel and we're gonna talk

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Speaker 1: to the homie ot Genesis. He got a crazy story,

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Speaker 1: so that's good. I'd be fun. Yeah. I hate it

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Speaker 1: on him at first. I actually over, I'm in love

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Speaker 1: with I still hate that song, and I've expressed that

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Speaker 1: with the guy that works with him. Rigs over Atlanta

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Speaker 1: used to have real fights about ot Genesis. We made

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Speaker 1: a bet and I said he's out of head. He's like, no,

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Speaker 1: he has another one. It was like, nah, he's that cut.

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Speaker 1: It came was like I remember when you hit me

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Speaker 1: and you said, Yo, this cut of thing. Man, oh man,

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Speaker 1: raise might be right, this might be you need to

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Speaker 1: cut it. Cut. It is better than Coco. Oh yeah,

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Speaker 1: way better way to cut aside. Right, So if you

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Speaker 1: go to Ditch Friday's dot com and put and put

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Speaker 1: the promo code podcast, you can come for free hang

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Speaker 1: out with us Vegas, Man, Vegas. We're gonna blocking shorts

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Speaker 1: and Ship. We're gonna wearing shorts, cut off khakis, French breaks.

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Speaker 1: She's jealous. Maybe you'd come out back to the private jet.

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Speaker 1: I don't think that shouldn't be. Who's gonna produce? I

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Speaker 1: don't know the phone straight off the I phone sunscreen,

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Speaker 1: right courses, Man, bring him a little man, that's why

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Speaker 1: you got your shades little Why not? Now we're excited

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Speaker 1: about that, A little road trip for the rapperrate our podcast, man. Absolutely.

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Speaker 1: Somebody said we don't be doing enough episodes, man, I

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Speaker 1: mean the last one was last week. Alicia keys That

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Speaker 1: was a great episode. I felt like it could have

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Speaker 1: been longer because we only had limited time with her.

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Speaker 1: But you know, you get what you gave us what

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Speaker 1: thirty minute she said, and then she end up giving

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Speaker 1: us about forty things. Yeah, it was fun though, sucking

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Speaker 1: Alicia Keys. Man, it's fifteen time Grammy Award winner, Man

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Speaker 1: thirty million plus. I don't think he's never been on

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Speaker 1: a podcast. Man. Ship didn't even know what a podcast was.

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Speaker 1: She's like, you don't play my song. But we got

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Speaker 1: some good things out of her really excited about that. Yes,

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Speaker 1: some good things today. Man. We got a legendary group

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Speaker 1: coming through. The Locks is here, man, the hardest out there. Man,

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Speaker 1: it's bad Boy weekend in the city. Man, you feel

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Speaker 1: the intensity. Every Puffy Guys did it again. Every Puffy

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Speaker 1: guys feeling like eight again. Man. Everyone's been hitting me

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Speaker 1: about tickets. Are you going I'm like, look, man, I

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Speaker 1: don't know. I'm just interviewing the Locks people that don't know.

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Speaker 1: It's Wednesday night in the city. And then I think

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Speaker 1: Friday is the first show bad Boy Reunion Tour Barclay Center.

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Speaker 1: Special guests are gonna be Jay Z, Mary J. Blidges

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Speaker 1: And the next night he's bringing out d MX and

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Speaker 1: Swiss Beats with Mary J. Blodge and the city's on five. Man,

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Speaker 1: bad Boy Man one of the best legacies in music.

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Speaker 1: And he was like, Okay, let's look at this roster man,

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Speaker 1: who's the heart of this whole thing. It always goes

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Speaker 1: back to the Locks Man, the bad boys a bad

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Speaker 1: boy really like they thought they was gonna leave, but

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Speaker 1: they end up still getting pulled back in Man with

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Speaker 1: a bad boy legacy of dynasty. Man. So it's a

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Speaker 1: good chance to talk to them about, you know, the

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Speaker 1: craziness of still being in business with Puffy after all

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Speaker 1: these years, eighteen plus years. Man, if you want to

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Speaker 1: be technical, was money respect? I want to know what

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Speaker 1: that movement? He's still They still ain't giving us no

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Speaker 1: album since like sixteen years ago. We are the streets.

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Speaker 1: They keep promising the album spen sixteen years. Of course

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Speaker 1: in sixteen years literally the Internet with a lot of

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Speaker 1: free styff and that that secret media with rock Nation,

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Speaker 1: and we're talking about that about that man. Actually this

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Speaker 1: was kind of like preparation for this. It was kind

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Speaker 1: of hard because so much music something beat. I fell

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Speaker 1: asleep listening to some Styles featuring Ray J song you

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Speaker 1: got stop the Locks of record may records of everybody.

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Speaker 1: They've had every major producer, low level producer like this,

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Speaker 1: that's four different careers. Is a lost career. There's a

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Speaker 1: Jadakis's career, styles pea career, loose career. She got like

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Speaker 1: five six albums, Silver Baccillas and all that mixed tapes.

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Speaker 1: The legacy is too much. It's a great legacy. I

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Speaker 1: think about when I think about the Locks is just

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Speaker 1: like being in high school all over again. Like those

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Speaker 1: freestyles on Hot notty seven. I mean that was the

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Speaker 1: height of the beef of Rocket Feller And I mean

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Speaker 1: I was listening to the one in Philly when they

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Speaker 1: blew Jada and it was just like he starts rapping,

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Speaker 1: he don't know, he's gonna gotta go, and you feel

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Speaker 1: attention to the crowd and he goes there. He goes

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Speaker 1: till seek riding to get on. They's just start, Oh

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Speaker 1: my god, you want to talk about being a time

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Speaker 1: to be alive in high school? Sixteen years stuff at him.

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Speaker 1: I think in interviews you said they were booing and

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Speaker 1: throwing everything. I had him on the stage. Man. So

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Speaker 1: it's funny because you know, obviously at the time Jay

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Speaker 1: and Osby was the biggest thing ever, but I think

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Speaker 1: time has passed. People love that styles Beanie, I mean

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Speaker 1: Jada Beanie beef Man. That was actually the best. It

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Speaker 1: was actually the best. People was like the undercard, but

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Speaker 1: it was really better than the main of a better

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Speaker 1: fight because they just made great songs at each other

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Speaker 1: and it was such an intensity pus like both hardcore dudes,

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Speaker 1: Like you can see them scrapping up like it's just

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Speaker 1: like it was just ugly. We're gonna talk about it,

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Speaker 1: but we didn't ask me about it. We gotta get

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Speaker 1: absolutely crazy. But it's all loves all piece. Man, were

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Speaker 1: excited that coming through the entire l o X, all

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Speaker 1: three of y'all would say, all three of y'all, that's

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Speaker 1: Jay the kiss styles p cheek luch Man. It's gonna

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Speaker 1: be a very special I think the fans are gonna

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Speaker 1: love this one. Man. So wait, what are they say

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Speaker 1: in the comments? Man, let's see what's going on? Man,

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Speaker 1: you go to the rap rate of podcast subscribe looking

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Speaker 1: at the man because that Noria guys doing numbers. So yeah, Man,

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Speaker 1: times I don't like to even look at here anymore.

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Speaker 1: Really change, I'm joking up, joking. We read your reviews, comments,

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Speaker 1: we listen to the people. Man, what are the people saying?

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Speaker 1: I'm pulling it up? Man, tell him how to tell

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Speaker 1: them how your life is? Right now? I was taking

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Speaker 1: a minute. Wait, okay, wrap rate our podcast. Make sure

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Speaker 1: like you like my man beat out set, make sure

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Speaker 1: you go. You gotta subscribe, you gotta rate, you gotta

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Speaker 1: review the rap rate our podcast. You know, my computers

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Speaker 1: all busted backup, computer, I spilled like fucking water or

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Speaker 1: some ship on my computer. Idiot. Figure that out. I

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Speaker 1: messed up. Look at the Noriega Currency episodes number one, Okay,

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Speaker 1: it's fucking guy, alright, buddy, number seven right now? Okay,

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Speaker 1: well that's the gud number. We're gonna be hit number

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Speaker 1: one after this episode. Man, we had number seven. Man,

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Speaker 1: what fucking medal is number seven? Is that the seventhist

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Speaker 1: the most seventhist? All right, let's see some comments. This

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Speaker 1: is central Howard Legend gives us five stars. I like that.

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Speaker 1: Love the podcast, always intrigued by the next interview. We

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Speaker 1: love y'all down here in Akron, Ohio. Yeah, there we go,

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Speaker 1: len Bronze home. Man, we got at Akron shout who's

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Speaker 1: my man? Or Steph loss To of course, great look

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Speaker 1: for the sport. But y'all gotta get fab and currency

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Speaker 1: on their beat. I asked the great questions respect. Could

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Speaker 1: see that being another instant classic love and respect. What

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Speaker 1: y'all do? Salute? So they want some FAB and they

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Speaker 1: want some currency currency? Just did you can join fab?

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Speaker 1: Also with fab? Also with a Jadu guy? As about

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Speaker 1: the probably he got coming up with fab absolutely Freddie

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Speaker 1: and Jason mixtape. So the next comments a man Thorn

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Speaker 1: fourteen says, I've never been a fan of interviews, genuinely,

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Speaker 1: they bore me and aren't engaging. I listened to the

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Speaker 1: flat Bush Zombies episode and was hooked easily. My favorite

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Speaker 1: look at all right the flat was Lobus. That was

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Speaker 1: one of my favorites too. It is what these guys

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Speaker 1: are doing. It's got to be the best. They get personal.

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Speaker 1: Pull back the curtains and man to get into a

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Speaker 1: lot of interesting discussions. You at the same time elevate

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Speaker 1: all the artists and interviews into the spotlight and brush

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Speaker 1: and brush. Your laugh ain't bad. Your laugh ain't bad.

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Speaker 1: And bro, you're laughing, ain't bad. I'm down with it.

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Speaker 1: There you go, stop laugh shame and he's down with

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Speaker 1: my laugh. The laugh is terrible, but I will say

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Speaker 1: it's gotten better. Thank you that you've been toning it down, trying.

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Speaker 1: You've been mindful of trying to be mindful. Man, you

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Speaker 1: got me with that mindful one. I'm still haven't be covered.

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Speaker 1: I remember to take We Got the Ready Kids one

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Speaker 1: on a video and I laugh and you look at

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Speaker 1: me like like all right, I'm sorry. Put you on punishment.

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Speaker 1: Shock therapiece, you up like his third grade teacher. Your

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Speaker 1: Mr Miller put your hand down rich wards between the

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Speaker 1: brilliant andios and rapper on I'm good rapper and if

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Speaker 1: you would logic my favorite getting up all kind of

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Speaker 1: going back the back catalog, the breakfast Club and are

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Speaker 1: my favorite. These guys talk like I'm there and ask

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Speaker 1: questions that I always wanted to ask. Elliot the trademark

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Speaker 1: laugh is flame emoji. Listen to them critics fam that's

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Speaker 1: what he says. How many flames did give you? Just

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Speaker 1: one solid one? I'll take it, man, I'll take it.

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Speaker 1: Just me and nobody else gave us five stars. It

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Speaker 1: only took two episodes for me to jump on board

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Speaker 1: with what you're doing. I listen to this podcast for

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Speaker 1: the same reason I buy de Luxe edition Blue rays

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Speaker 1: the behind the scenes, and of course I love that

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Speaker 1: it's focused on the music and things that correct connect us.

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Speaker 1: Elliott is top ten. Worst last I've heard top ten

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Speaker 1: was Janne Kiss has a great laugh. We'll talk about

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Speaker 1: his life, but uh my man, only one Mikey says,

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Speaker 1: Nori is killing you. That's about it. That's pretty accurate. Oh,

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Speaker 1: this one to beat out as a clown's supreme nine

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Speaker 1: one nine Vein you're a pioneering hip hop journalism. You've

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Speaker 1: been around too long to have picked this clown beat

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Speaker 1: Out as your counterpart. Yeah, he's about saving grace. Are

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Speaker 1: you my saving grace? Are you my kind of part clown?

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Speaker 1: I guess I'm both there. You go. Beat Out only

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Speaker 1: researchs the guest because he asked to. Is that the job?

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Speaker 1: This guy's an ass clown and that's apparent by the

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Speaker 1: questions he asked. He's a d rider. I like the

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Speaker 1: podcast and I think it's dope, but could be way

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Speaker 1: better if you find somebody else to cod with coals with.

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Speaker 1: Let me guess you whoever? This person is someone real,

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Speaker 1: construtes to the culture and their all connections and is respected. Alright,

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Speaker 1: listen to my mixtape. Don't try to divide a conquer,

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Speaker 1: don't try to divide a conquer. To rapp rate up boys,

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Speaker 1: Let's give it more more. I'll say it again. I

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Speaker 1: see what next? Wanted to see what's going on? Uh man,

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Speaker 1: drink Chaps makes your podcast sound like a lag couch interview,

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Speaker 1: makes some motherfucking noise horns sounds a clap and that's

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Speaker 1: a fact. That's now y'all straight though, respect so you

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Speaker 1: know again, man, great podcast. Either way, you win with

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Speaker 1: the play CBS Family, Baby got drink Champ, you got

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Speaker 1: wraperate up podcasts, No losers, different perspectives, different perspectives, and

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Speaker 1: we're gonna get their perspectives of speaking of which place

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Speaker 1: before we get to that, please go to fill out

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Speaker 1: the survey at plate it's survey dot com. Yeah, man,

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Speaker 1: we need your voices to be heard. Man, go to

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Speaker 1: play and survey dot com. Let him know how you

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Speaker 1: feel about that rap Errate Up podcast. Man, it's a

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Speaker 1: little long. I'll be honest, man, it's not long. Man,

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Speaker 1: Come on, man, something to do it? Then just go

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Speaker 1: ahead and do it. Do if you love to wrap

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Speaker 1: rate our podcast, if you appreciate the fifty episodes of

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Speaker 1: quality interviews we brought you, we need your support, man.

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Speaker 1: We get the advertising that we need to keep delivering

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Speaker 1: the product that you want. And it starts that you're

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Speaker 1: going to play a survey dot Com let them know

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Speaker 1: how you feel about the raperrate our podcast. All right,

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Speaker 1: look out for the family and look out for Jada

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Speaker 1: Kiss Styles, Pchek Loose, living off experience, the loses in

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Speaker 1: the building. It's gonna chop it up, man, bad War

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Speaker 1: Union tours going on going down this weekend. Rap rate

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Speaker 1: our podcast to play It, a new podcast network featuring

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Speaker 1: radio and TV personalities talking business, sports, tech, entertainment, and more.

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Speaker 1: Play it at play dot it Hey yesterday. Sully Wilson

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Speaker 1: from Rap Right Off and me and my partner beat

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Speaker 1: Our milling Man with the group. It's only opinion that matters.

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Speaker 1: Man here Rap right off? Yo, you da all the

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Speaker 1: s's how you're going? I tell you well, Nick good.

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Speaker 1: It's like two fifty. Somebody got shot of something this morning,

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Speaker 1: something that was around. Yeah, yeah, the first thing in

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Speaker 1: the morning that you got mad blocks somebody got shots

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Speaker 1: in the morning. You jumping on nothing about that? Right

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Speaker 1: picture blocked off? Oh Man beat out? We got him

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Speaker 1: in the lots man of well of them here man

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Speaker 1: even see here? Man up, baby, I'm great man, this motherfucker.

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Speaker 1: What's up with you? Man? You sound like the skit?

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Speaker 1: What was the airlines? Now? Thank you guys. Man, start

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Speaker 1: with the bad boy reunion. Man, I gotta get with

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Speaker 1: the bad boys. A bad boy. Man's incredible. Many appreciate it.

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Speaker 1: Still be on the journey, man, what's it like? Man?

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Speaker 1: Puff driving your crazy rehearsals and ship like that though

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Speaker 1: there's a couple of video over the top. Man. He

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Speaker 1: wanted everything to you know, to be on point. What's

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Speaker 1: it like working with him now compared to back then,

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Speaker 1: Like in terms of like the work he in a

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Speaker 1: good space, it's much easier. Yeah, Um French and the

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Speaker 1: new artists that you know he works with now, they

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Speaker 1: they don't see what we saw. I mean they got thick,

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Speaker 1: they got a good We got it good. But it

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Speaker 1: was just it Dad, it was just it was just

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Speaker 1: rougher really because he was still kind of young, like

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Speaker 1: you guys, trying to figure it out against himself as well. Ye.

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Speaker 1: Plus we're not when I when I signed to him

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Speaker 1: anymore so that we're coming in as all this helping

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Speaker 1: that tour out, you know what I mean exactly, So

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Speaker 1: it's different. It's a lot you know, kind of lay

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Speaker 1: the red carpet out for you know. So that's a

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Speaker 1: good because he knows how central you guys are. Like

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Speaker 1: what do you think it is like the aesthetic that

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Speaker 1: you used to this dynasty, this this legacy, Like what's

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Speaker 1: the astact that LX still brings to that? Like why

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Speaker 1: is that so important? Like he's almost he couldn't do

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Speaker 1: it without you guys. Yeah, you know it's um. You

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Speaker 1: got mace, you got You've got a lot of glamour

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Speaker 1: and glitz, you know, for what that's worth. And then

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Speaker 1: you you need some edge, you know. I mean they

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Speaker 1: got black robbed, which is a a little bit edgy,

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Speaker 1: but you need the l oxter finished. Yeah. Yeah, you

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Speaker 1: need to mix the pot up. Man. You need different

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Speaker 1: spices in the pot, you know what I mean. We

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Speaker 1: bring the we bring the raw effect to it, and

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Speaker 1: I think we didn't. We did. We had a meetium

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Speaker 1: between everything between high class and shiny and street. We

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Speaker 1: could we you know, we're the guys that could tie

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Speaker 1: it all. And at this point, he's the more treating

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Speaker 1: used equals because he was special longevity and like under him.

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Speaker 1: You know, you're talking a lot going on. I mean,

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Speaker 1: not like him, but we all own bosses, right, I mean,

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Speaker 1: plus the Benjamins and stuff like that. You gotta have

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Speaker 1: us there to do seven records. We bought it that.

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Speaker 1: You know, what are your flexes? When you guys to

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Speaker 1: the Benjamins, did you kind of know it's gonna be

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Speaker 1: one of those ones? Because Kim and Kim and Big

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Speaker 1: weren't even on it at first, right, We didn't. We

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Speaker 1: didn't want to do the Benjamin. We didn't want to.

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Speaker 1: He had a hard time getting us to lay shaking

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Speaker 1: my vocals on it. It was for a long time.

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Speaker 1: It was just him and you go his part, right,

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Speaker 1: I think, yeah, his part. It was one of my

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Speaker 1: rhymes already, like he came in the midiro you want

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Speaker 1: to do that? Didn't like, yeah, I need that, I

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Speaker 1: need that, I need that. But you didn't like to

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Speaker 1: beat or what was it? We didn't. I didn't think

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Speaker 1: that first. I didn't like. I didn't think. I didn't

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Speaker 1: think it was it was rushing, Yeah, I do it

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00:17:01,600 --> 00:17:04,359
Speaker 1: whenever doing like you And it's weird to can we

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Speaker 1: like his verse overlaps with yours? Like what was that?

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Speaker 1: But that's something that he always That's one of the things.

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Speaker 1: There was a lot of bad Boys songs. There's a

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Speaker 1: lot of overlapping heat. It's something widow me likes to

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Speaker 1: overlap shit. I told remember, I told Missy put Missy

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Speaker 1: Elliot was there when we walked in the MIDI room.

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Speaker 1: Missy was like, yo, let me have you spit on this.

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Speaker 1: I went, you went, We all went. She said yo,

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Speaker 1: use that verse strictly trying to use that and then

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Speaker 1: I need y'all to write puffs something. I swear to God.

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Speaker 1: You remember mir was We didn't know she was dancing

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Speaker 1: ship she was doing some but she was with She

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Speaker 1: was like he was crazy, But why weren't you on

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Speaker 1: the record? Stop? I ain't made it. Oh puff took

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Speaker 1: my part. Oh you could have the room for spontaneous

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Speaker 1: when I mean at the time, I wasn't looking at

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Speaker 1: it like that neither, like you know what I mean.

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00:17:52,960 --> 00:17:54,399
Speaker 1: Later on I was like, damn, I should have been

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Speaker 1: on that record. But it's all good. I mean, you

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Speaker 1: know what, um, I think that's what we really bring

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Speaker 1: to the table where hello access one for all, all

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Speaker 1: for one. So I still felt like part of the record,

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Speaker 1: but now the things are like obviously on good terms.

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Speaker 1: Do you kind of like regret the whole campaign of

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Speaker 1: one to get off because it kind of like maybe

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Speaker 1: it made it. It made us tighter, not to cut

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Speaker 1: you off, right, but it made us tighter. I think

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Speaker 1: it actually did. I think they could agree to that,

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Speaker 1: and it made him respect us more, like you know

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Speaker 1: what I mean, not to to our own horn, but

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Speaker 1: anybody that ever went against Diddy. He kind of wiped

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Speaker 1: them out of you know, they still still can do

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Speaker 1: your thing, but it's fill you over there. Yeah, we

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Speaker 1: was able to or whatever it was. Yeah, we it

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Speaker 1: worked for us. You know what I meant only that

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Speaker 1: that ship helped the industry because a lot of people,

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Speaker 1: a lot of people, it was a turning point in issue,

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Speaker 1: and a lot of people think we had like a

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Speaker 1: we had the standard contract the same as everybody pretty

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Speaker 1: much everybody else, and he probably had worse than the standard.

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Speaker 1: I mean that ship that it was a lot of

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Speaker 1: It was probably a lot of people standard contracts though

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Speaker 1: it was it wasn't it wasn't that not crazy, but

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Speaker 1: we kind of had like a street mentality ten times

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Speaker 1: ten as a hundred times got off you for a minute.

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Speaker 1: He always wanted to say this, we should have fucking

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Speaker 1: win that. Landelle McMillan him too. Yeah, you know what

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Speaker 1: I mean, you know when you grow up, everybody, we

390
00:19:34,400 --> 00:19:38,879
Speaker 1: shouldn't win everybody because everybody. It wasn't solely his. He

391
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Speaker 1: didn't do nothing but past or something like it's on

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Speaker 1: you with ye anybody coming off the street that's gonna

393
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Speaker 1: do that though, like you don't know a game, and

394
00:19:46,520 --> 00:19:48,920
Speaker 1: you've got an opportunity to change your whole life. Label

395
00:19:48,960 --> 00:19:51,440
Speaker 1: was already kind of and it's just like it's gonna

396
00:19:51,440 --> 00:19:56,520
Speaker 1: say that the Chicago Bulls. You said you wanted to

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Speaker 1: beat up music, exact duffel bag to get around to it.

398
00:20:01,440 --> 00:20:03,760
Speaker 1: But if you listen to the first album, your solo record,

399
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Speaker 1: you talk about like that defending Black Puff, like Puff's

400
00:20:06,840 --> 00:20:10,080
Speaker 1: not gonna jerk us, and then you say, can I live?

401
00:20:10,119 --> 00:20:12,480
Speaker 1: Puffs set us up properly. So isn't that then ironic

402
00:20:12,520 --> 00:20:16,320
Speaker 1: that you guys then felt like, wow, this isn't you

403
00:20:16,320 --> 00:20:19,600
Speaker 1: look at the overall gist of it. He did set

404
00:20:19,680 --> 00:20:23,400
Speaker 1: us up properly, you know, in different tax practice of course. Yeah,

405
00:20:23,720 --> 00:20:25,560
Speaker 1: we learned a lot of shoulders, a lot of ship.

406
00:20:26,280 --> 00:20:28,600
Speaker 1: Even with the shiny suits. I tell a lot of time, yo, man.

407
00:20:28,920 --> 00:20:32,440
Speaker 1: That put us somewhere else though, you know, but nobody,

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00:20:32,520 --> 00:20:34,840
Speaker 1: not even with the shiny shuites, nobody said fuck a

409
00:20:34,920 --> 00:20:39,159
Speaker 1: shiny suit until we said shiny suit. Nobody said, yo,

410
00:20:39,240 --> 00:20:41,520
Speaker 1: we don't like shiny suits. Everybody was going with a little.

411
00:20:41,520 --> 00:20:44,359
Speaker 1: Puff was doing it, Mace was doing it. He's winning

412
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Speaker 1: the game. It's the look we had the audacity to say,

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Speaker 1: funk that ship, But she did you know something was

414
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Speaker 1: going on? Because like like elliots of money power respect

415
00:20:52,040 --> 00:20:54,080
Speaker 1: you said, I you're getting the jerk. You still seeing noise?

416
00:20:54,160 --> 00:20:59,320
Speaker 1: Did you feel something was going on or anything's going on?

417
00:20:59,320 --> 00:21:00,880
Speaker 1: Because it's like I would that be on the wreck

418
00:21:00,960 --> 00:21:03,359
Speaker 1: on the debut, like with people in your air at

419
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Speaker 1: the time, or no, we's this unhappy like little Yeah,

420
00:21:06,520 --> 00:21:09,199
Speaker 1: maybe maybe people was in a at the time. She

421
00:21:09,400 --> 00:21:13,440
Speaker 1: was very business, very very business that you see you

422
00:21:13,480 --> 00:21:17,879
Speaker 1: all the way, you know what numbers. You got to

423
00:21:17,880 --> 00:21:21,520
Speaker 1: go by numbers, like you look at what's selling how

424
00:21:21,600 --> 00:21:23,399
Speaker 1: much you CD like when you come from a block

425
00:21:23,440 --> 00:21:26,000
Speaker 1: and you come from regular school. You kind of sticking

426
00:21:26,000 --> 00:21:28,359
Speaker 1: with the numbers. You kind of know, so you know,

427
00:21:28,440 --> 00:21:31,520
Speaker 1: ten times sent as a hundred dog like everywhere in

428
00:21:31,520 --> 00:21:33,840
Speaker 1: the world. And if that ship don't if I ain't

429
00:21:33,840 --> 00:21:35,960
Speaker 1: getting a lot of when you find out you ain't

430
00:21:35,960 --> 00:21:38,640
Speaker 1: getting more than a couple of dollars off of that,

431
00:21:38,640 --> 00:21:41,760
Speaker 1: that ship changes your whole mentality. Funk with that contract said,

432
00:21:41,760 --> 00:21:43,639
Speaker 1: and well all that so you feeling out why you

433
00:21:43,680 --> 00:21:45,320
Speaker 1: were making the album at the time. While you were

434
00:21:45,359 --> 00:21:46,960
Speaker 1: making the albums, I think we came in as on

435
00:21:47,040 --> 00:21:49,119
Speaker 1: some Homeboyship. When we got with Puff, it wasn't like

436
00:21:49,200 --> 00:21:56,520
Speaker 1: so we just came a young young have them come

437
00:21:56,600 --> 00:21:57,840
Speaker 1: in and write this for me. So it was like,

438
00:21:57,880 --> 00:22:00,360
Speaker 1: all right, we'll be there. It wasn't now people now

439
00:22:00,359 --> 00:22:01,960
Speaker 1: sign this. We're gonna do this. That's what we're getting

440
00:22:01,960 --> 00:22:03,560
Speaker 1: off of it, you know what I mean? It's different

441
00:22:04,040 --> 00:22:07,320
Speaker 1: split and what are you proud of the first album

442
00:22:07,520 --> 00:22:10,800
Speaker 1: like the Sences only part of that steps. I want

443
00:22:10,800 --> 00:22:13,400
Speaker 1: to change the thing with our whole growth up until now.

444
00:22:14,359 --> 00:22:16,439
Speaker 1: Hell yes, that's what we learned. It really made it.

445
00:22:16,440 --> 00:22:18,720
Speaker 1: It made the movie that much better, It made the

446
00:22:18,840 --> 00:22:22,560
Speaker 1: book that much better. You know the name of our

447
00:22:22,600 --> 00:22:25,600
Speaker 1: group is living off experience, So all of that is

448
00:22:25,640 --> 00:22:28,879
Speaker 1: just adds on to the you know what we represent?

449
00:22:29,000 --> 00:22:31,440
Speaker 1: Does it feel like eighteen years because it's been that

450
00:22:31,520 --> 00:22:34,760
Speaker 1: sense of drop this year made it don't feel like

451
00:22:34,840 --> 00:22:37,399
Speaker 1: it until until I got to pay college to Wishing

452
00:22:37,480 --> 00:22:41,439
Speaker 1: and all when you get I'm fifty six right now,

453
00:22:41,480 --> 00:22:47,000
Speaker 1: so is dancing and running around like forty years we didn't.

454
00:22:47,760 --> 00:22:50,359
Speaker 1: But it's like a testament. I guess the name because

455
00:22:50,400 --> 00:22:53,800
Speaker 1: it's like the experience is still tests and tests of time,

456
00:22:53,840 --> 00:22:56,000
Speaker 1: Like are there records that y'all like standing out for

457
00:22:56,080 --> 00:22:58,000
Speaker 1: you guys, Like I know which ones I really love

458
00:22:59,440 --> 00:23:03,359
Speaker 1: from that first album. Oh let's start love over for

459
00:23:03,520 --> 00:23:15,280
Speaker 1: me money bitches of east Wick. You know, I think

460
00:23:15,280 --> 00:23:16,720
Speaker 1: you said something with David that all for the that

461
00:23:16,800 --> 00:23:19,000
Speaker 1: was like Swisses first beat, All for the Love is

462
00:23:19,119 --> 00:23:21,480
Speaker 1: the thing with that, Yeah, that's Swiss. That's the first

463
00:23:21,480 --> 00:23:25,520
Speaker 1: Swiss beating ever on. Yeah that's the first one. It

464
00:23:25,640 --> 00:23:29,400
Speaker 1: was actually another one that, um, you know, me having

465
00:23:29,400 --> 00:23:32,159
Speaker 1: a little bit of experience with Diddy, I had switched

466
00:23:32,200 --> 00:23:34,800
Speaker 1: ready with two of them, and the other one was

467
00:23:34,880 --> 00:23:37,720
Speaker 1: let's give him something to talk about. Eventually gave that

468
00:23:37,800 --> 00:23:40,080
Speaker 1: the case Leigh and just made it a mixtape joint.

469
00:23:40,640 --> 00:23:44,600
Speaker 1: But um, yeah, me knowing Swiss because we was running back.

470
00:23:44,680 --> 00:23:47,160
Speaker 1: We was at Daddy's house, and then when we was

471
00:23:47,160 --> 00:23:50,560
Speaker 1: wasn't we was in Powerhouse and Yankee's with the Riders.

472
00:23:50,560 --> 00:23:54,240
Speaker 1: So when um, the pretty much of the first album

473
00:23:54,240 --> 00:23:57,080
Speaker 1: was getting finished and we was all doing solos, I

474
00:23:57,119 --> 00:23:59,080
Speaker 1: was gonna get the beat from Swiss, but I told

475
00:23:59,119 --> 00:24:03,359
Speaker 1: him half toy because the way Diddy is now, you

476
00:24:03,480 --> 00:24:08,080
Speaker 1: gotta you gotta learn how to work him. So he

477
00:24:08,240 --> 00:24:13,680
Speaker 1: came in. He played the first one I think he's

478
00:24:13,680 --> 00:24:17,880
Speaker 1: just knocking anything. It's just rocking to it. Whatever it did,

479
00:24:17,920 --> 00:24:22,000
Speaker 1: He's like, yeah, I think that's hot. I don't like it.

480
00:24:23,160 --> 00:24:25,719
Speaker 1: Let's start looking at Switch. This is young Switsch. This

481
00:24:25,800 --> 00:24:31,479
Speaker 1: is a few hundred million less Swine. He's still a boy. Switch.

482
00:24:32,200 --> 00:24:35,880
Speaker 1: It shot him down like his whole whom he don't

483
00:24:35,880 --> 00:24:41,840
Speaker 1: worry about him Slot out come back popping the all

484
00:24:41,960 --> 00:24:44,440
Speaker 1: for the Love beat Now and the people is going crazy.

485
00:24:44,640 --> 00:24:48,320
Speaker 1: Diet on Angel Letty other producers that now did he like, Yeah,

486
00:24:48,320 --> 00:24:51,080
Speaker 1: that's the one that's Swiss with the cooler man. I

487
00:24:51,160 --> 00:24:54,960
Speaker 1: told you you gotta work him so and outside that

488
00:24:55,280 --> 00:24:57,080
Speaker 1: because he's also very hands on the album, Like he's

489
00:24:57,080 --> 00:24:58,520
Speaker 1: on a lot of hooks and stuff like that. Like

490
00:24:58,560 --> 00:25:00,359
Speaker 1: it's almost like he was very passionate. Was it like

491
00:25:00,400 --> 00:25:05,600
Speaker 1: working on that project with his constant input in the situation? Switzer?

492
00:25:05,680 --> 00:25:08,480
Speaker 1: Did he did? He he loved? Did he did? He

493
00:25:08,560 --> 00:25:12,400
Speaker 1: knew that he had the roy's youngest knew hottest spinners

494
00:25:12,400 --> 00:25:15,640
Speaker 1: in the world, so he loved this. Plus he knew

495
00:25:15,640 --> 00:25:19,600
Speaker 1: he was new. Energy was great. Was a hill. You'll

496
00:25:19,640 --> 00:25:23,359
Speaker 1: have a verse that you know it's fucking it? He like,

497
00:25:23,800 --> 00:25:25,800
Speaker 1: ain't it? And you're like she used to kill me.

498
00:25:27,840 --> 00:25:30,680
Speaker 1: You'd be like that' like we're looking at each other

499
00:25:30,840 --> 00:25:33,879
Speaker 1: like that, like making our music and he trying to

500
00:25:33,880 --> 00:25:38,120
Speaker 1: tell us and ain't gonna That was also the part

501
00:25:38,160 --> 00:25:40,280
Speaker 1: of the problem, like you know what I'm saying, Like

502
00:25:40,320 --> 00:25:42,119
Speaker 1: after a while, like you know what I mean, I

503
00:25:42,160 --> 00:25:45,280
Speaker 1: think he was too egotistical, and I think he was

504
00:25:45,280 --> 00:25:48,440
Speaker 1: too egotistical. But like when you know what, you gotta think.

505
00:25:48,440 --> 00:25:51,360
Speaker 1: We're coming from Yanka's it took. I mean, were definitely excited.

506
00:25:51,400 --> 00:25:53,879
Speaker 1: We made it to the Chicago bulls and rap, but

507
00:25:53,920 --> 00:25:56,399
Speaker 1: we made it to from a place nobody even fucking

508
00:25:56,400 --> 00:25:59,480
Speaker 1: shouts out. I mean, Mary's from there. They get recognition,

509
00:25:59,560 --> 00:26:04,120
Speaker 1: but no DJs. They all Manhattan, Brooklyn, Bronze Queens the outside.

510
00:26:08,400 --> 00:26:11,600
Speaker 1: So we always like fucking like but like you said,

511
00:26:13,400 --> 00:26:15,600
Speaker 1: I want to know, like between because the guys first

512
00:26:15,640 --> 00:26:18,320
Speaker 1: appearance on the Main Source album, so between that. So

513
00:26:18,520 --> 00:26:25,360
Speaker 1: like music evolved though from that, from from when we

514
00:26:25,359 --> 00:26:28,119
Speaker 1: was doing the demo and before um, like when we

515
00:26:28,160 --> 00:26:30,840
Speaker 1: was working with Main Source and Chubb Rock in Dave

516
00:26:30,920 --> 00:26:37,040
Speaker 1: wall I didn't sound we was gonna sign with you rock. Wow,

517
00:26:39,359 --> 00:26:42,080
Speaker 1: that's amazing. Yeah, Mary put s Knight on the phone

518
00:26:42,080 --> 00:26:44,960
Speaker 1: with us one time, yo time. One time we was

519
00:26:45,000 --> 00:26:47,119
Speaker 1: in she's crib at the school because we go to

520
00:26:47,560 --> 00:26:49,080
Speaker 1: we go to school and get I mean, we go

521
00:26:49,160 --> 00:26:51,040
Speaker 1: get snacks at the school. Then we go to his

522
00:26:51,119 --> 00:26:55,800
Speaker 1: crib and watch video music by So the phone ring

523
00:26:55,800 --> 00:26:59,440
Speaker 1: and is like its Sugar Knight. He hang up. We

524
00:26:59,600 --> 00:27:03,600
Speaker 1: like some my prank calling. Then he called back like, no,

525
00:27:03,800 --> 00:27:05,640
Speaker 1: this is Sugar Night. I could get on the Red

526
00:27:05,680 --> 00:27:08,960
Speaker 1: Eye of night where however, many people y'all want and

527
00:27:09,040 --> 00:27:11,760
Speaker 1: we want to talk about giving your deal. So we

528
00:27:11,880 --> 00:27:16,400
Speaker 1: hung up. We're like, holy night, how didn't get your

529
00:27:16,480 --> 00:27:20,960
Speaker 1: number for like we would have went to that. So

530
00:27:21,000 --> 00:27:24,040
Speaker 1: this is pre like we was about to sign with

531
00:27:24,119 --> 00:27:27,680
Speaker 1: bad Boy that Tuesday maybe or that following week or

532
00:27:27,960 --> 00:27:29,879
Speaker 1: the word out that we was about to sign was

533
00:27:29,920 --> 00:27:32,520
Speaker 1: heavy and then out of nowhere. But during the three

534
00:27:32,600 --> 00:27:34,760
Speaker 1: years spin from like with the main source project to

535
00:27:34,880 --> 00:27:36,800
Speaker 1: your debut, like what was going through your minds we

536
00:27:36,840 --> 00:27:40,480
Speaker 1: had discouraged about now he was just working. He was

537
00:27:40,480 --> 00:27:42,960
Speaker 1: getting a lot of We was we was hot in

538
00:27:43,080 --> 00:27:46,480
Speaker 1: yall in west Chester, so that kept us. That kept

539
00:27:46,560 --> 00:27:48,760
Speaker 1: us working until we was able to reach you know,

540
00:27:48,880 --> 00:27:51,919
Speaker 1: outside and then a bigger broad at the time was

541
00:27:51,960 --> 00:27:54,680
Speaker 1: like albums though incluing them was on dropping them joint.

542
00:27:54,800 --> 00:27:57,800
Speaker 1: It was like bibles the first song, the first top five,

543
00:27:58,160 --> 00:28:00,679
Speaker 1: but this before that, like he's saying from main source

544
00:28:00,920 --> 00:28:03,400
Speaker 1: until we reached Diddy, Like we were just hot around

545
00:28:03,400 --> 00:28:05,560
Speaker 1: the way, Like you know what main source wasn't even

546
00:28:05,600 --> 00:28:09,199
Speaker 1: with the original rap was right, wasn't it like was

547
00:28:11,720 --> 00:28:14,080
Speaker 1: large prow was going. It was just the two DJs

548
00:28:14,080 --> 00:28:24,960
Speaker 1: and Mike Like but you know, he's two been super

549
00:28:25,000 --> 00:28:28,560
Speaker 1: professional from a youth, like a lot of ship, Like

550
00:28:28,880 --> 00:28:31,600
Speaker 1: we're sow music in high school though we're so tapes

551
00:28:31,640 --> 00:28:34,000
Speaker 1: in high school. Literally, Yeah, we had no trush growth

552
00:28:34,080 --> 00:28:37,400
Speaker 1: thing going. No, so we worked that odd jobs. He's

553
00:28:37,400 --> 00:28:40,880
Speaker 1: stolen the cassettes and we we we made the music

554
00:28:41,000 --> 00:28:43,640
Speaker 1: press them up sold them around Yea. So it wasn't

555
00:28:44,120 --> 00:28:47,160
Speaker 1: you guys always felt like you wanted to be artists. Yeah,

556
00:28:47,600 --> 00:28:50,880
Speaker 1: we went harding at it for since little guys like

557
00:28:50,960 --> 00:28:53,880
Speaker 1: you know what I mean, doing local DJs. Then we

558
00:28:53,920 --> 00:28:56,400
Speaker 1: found the DJ name Cash. But he was a white dude.

559
00:28:56,800 --> 00:28:59,360
Speaker 1: He had a little bit more skills than all the

560
00:28:59,480 --> 00:29:01,880
Speaker 1: dudes that just had the two techniques in the mixer

561
00:29:01,960 --> 00:29:04,400
Speaker 1: and stuff like he had like he had some other

562
00:29:04,480 --> 00:29:06,680
Speaker 1: ship in this crib. That was you know, he had

563
00:29:06,720 --> 00:29:08,920
Speaker 1: some green land. He was like the first green land.

564
00:29:10,080 --> 00:29:12,480
Speaker 1: He was able to put ship together and all that

565
00:29:12,680 --> 00:29:14,600
Speaker 1: till he came out. When did you first realize that

566
00:29:14,600 --> 00:29:17,720
Speaker 1: your pain games was stronger than the average motherfucker? Like,

567
00:29:18,040 --> 00:29:20,000
Speaker 1: who do you think person? You realized was like who

568
00:29:20,000 --> 00:29:23,120
Speaker 1: got nice first? For the crew? It was all nice?

569
00:29:23,600 --> 00:29:28,160
Speaker 1: We was on It was you because we every nights

570
00:29:28,200 --> 00:29:30,720
Speaker 1: in high school. I was like the red Man and

571
00:29:30,960 --> 00:29:33,840
Speaker 1: you did in high school. We would call each other

572
00:29:34,120 --> 00:29:38,480
Speaker 1: with something we wrote that night before it was rapping

573
00:29:38,520 --> 00:29:42,640
Speaker 1: with me, was rapping with Steve Tuning, but that wasn't

574
00:29:42,640 --> 00:29:46,160
Speaker 1: really I wasn't. I was just clowning like that was

575
00:29:46,240 --> 00:29:48,680
Speaker 1: just like free styling off the head as a little

576
00:29:48,800 --> 00:29:53,280
Speaker 1: kid sticks or none of that on it. Then we

577
00:29:53,600 --> 00:29:57,160
Speaker 1: eventually like I started, but you know that's what's up

578
00:29:59,640 --> 00:30:05,560
Speaker 1: from that start from remember early any early quotable like

579
00:30:05,600 --> 00:30:07,520
Speaker 1: the bar that you got. He was like, wow, that's

580
00:30:07,560 --> 00:30:12,280
Speaker 1: like I didn't know about professionalism. And when met them

581
00:30:14,560 --> 00:30:18,240
Speaker 1: engage staff, I didn't, yo, yo, how about this and

582
00:30:18,280 --> 00:30:20,360
Speaker 1: say yo, when you mess with Jay Skid, give me

583
00:30:20,400 --> 00:30:23,400
Speaker 1: some respect? What ever is? And your chicken said, that's

584
00:30:23,640 --> 00:30:33,920
Speaker 1: chasing around bestiles. You said you were just like into

585
00:30:34,000 --> 00:30:38,680
Speaker 1: professionalism role I didn't know like they like this is

586
00:30:38,800 --> 00:30:41,680
Speaker 1: like I always salute them for that, Like these they've

587
00:30:41,680 --> 00:30:46,560
Speaker 1: been professional since like fifteen fourteen probably that's when I

588
00:30:46,600 --> 00:30:49,239
Speaker 1: really started sucking them around, like fifteen and all of that.

589
00:30:49,720 --> 00:30:52,280
Speaker 1: I didn't really know about studios. I was just like

590
00:30:52,360 --> 00:30:55,600
Speaker 1: rapping outside, banging on the things like they was like

591
00:30:55,720 --> 00:31:00,080
Speaker 1: studios organized time, get the money for the hour is

592
00:31:00,600 --> 00:31:03,400
Speaker 1: do like I mean real ship, like I need to

593
00:31:03,440 --> 00:31:05,560
Speaker 1: the point. I mean this is when really real was then.

594
00:31:05,720 --> 00:31:10,000
Speaker 1: So I couldn't even this couldn't lay a verse for

595
00:31:10,160 --> 00:31:12,360
Speaker 1: ship dog, I mean for ship. I got to rap

596
00:31:12,360 --> 00:31:15,400
Speaker 1: outside do this like they knew how to, like yo,

597
00:31:15,560 --> 00:31:18,120
Speaker 1: get your ship tight. Get there. You think you just

598
00:31:18,120 --> 00:31:22,440
Speaker 1: had to figure out the beat was I was ears

599
00:31:22,680 --> 00:31:26,160
Speaker 1: deposed it like banging on the mailbox on the lunch table.

600
00:31:26,240 --> 00:31:30,200
Speaker 1: So but it was just about because Yanks was filled

601
00:31:30,240 --> 00:31:32,400
Speaker 1: with rappers like this. This is as I said that

602
00:31:32,440 --> 00:31:34,120
Speaker 1: you guys have Metoris and you just kind of just

603
00:31:34,240 --> 00:31:37,920
Speaker 1: learned that everybody X was our old old head and

604
00:31:38,080 --> 00:31:42,400
Speaker 1: Bill blast um row Rome dudes like that was like

605
00:31:42,440 --> 00:31:44,760
Speaker 1: the older dudes in the town. That was you know,

606
00:31:44,840 --> 00:31:47,360
Speaker 1: really rocking, and we used to watch them X had

607
00:31:47,400 --> 00:31:51,200
Speaker 1: a historical battle with another dude named Bill Blast and

608
00:31:51,320 --> 00:31:54,880
Speaker 1: Yankers that was like a historic thing. Almost got my

609
00:31:54,920 --> 00:31:58,600
Speaker 1: ASKWI before coming in so late everybody had to spend

610
00:31:58,600 --> 00:32:02,320
Speaker 1: the night I twelve. It was a historical ball x

611
00:32:02,960 --> 00:32:08,400
Speaker 1: X prush them actually super super like it was a

612
00:32:08,480 --> 00:32:11,120
Speaker 1: legend in the town. Already. Ext used to have his

613
00:32:11,360 --> 00:32:15,040
Speaker 1: music recorded over old Luther Van Drawers tapes or o

614
00:32:15,320 --> 00:32:18,240
Speaker 1: J joints and just write X and the Black Pilot

615
00:32:18,560 --> 00:32:25,560
Speaker 1: and he could sell it for whatever, famous platinum five

616
00:32:25,640 --> 00:32:30,480
Speaker 1: times or for a lot of old matenion, a lot

617
00:32:30,520 --> 00:32:33,360
Speaker 1: of that old material, but not getting beat dog with

618
00:32:33,400 --> 00:32:39,240
Speaker 1: you on it, right, that was actually was a wild boy,

619
00:32:39,320 --> 00:32:41,120
Speaker 1: like he was a wild He was a wild dude.

620
00:32:41,360 --> 00:32:43,200
Speaker 1: But Yanks, you had the cipher like you know, you

621
00:32:43,240 --> 00:32:46,320
Speaker 1: had the really heavy block. You every block you go to,

622
00:32:46,920 --> 00:32:48,800
Speaker 1: you wrap, you gotta really wrap, and you gotta out

623
00:32:48,800 --> 00:32:51,080
Speaker 1: wrap the next nigger. Like so if it came a

624
00:32:51,160 --> 00:32:53,520
Speaker 1: thing as in a loop as we kept going and

625
00:32:53,640 --> 00:32:56,480
Speaker 1: kept going on, only a couple of people made it.

626
00:32:56,560 --> 00:32:58,680
Speaker 1: Is that the reason why, like I think about it now,

627
00:32:58,720 --> 00:33:01,840
Speaker 1: like you guys are so like your background is so crazy.

628
00:33:01,880 --> 00:33:03,360
Speaker 1: That is that the reason why now you have so

629
00:33:03,440 --> 00:33:06,680
Speaker 1: much mix tapes and songs and freestyles all over the internet,

630
00:33:06,680 --> 00:33:09,360
Speaker 1: mixtapes because it's like doing research for you guys like yo,

631
00:33:09,400 --> 00:33:12,680
Speaker 1: I can't catalog too much. I mean we respect that.

632
00:33:13,240 --> 00:33:15,960
Speaker 1: We're still having trouble with collecting all of this stuff,

633
00:33:16,760 --> 00:33:22,000
Speaker 1: public stuff, so much standing understand the points of a catalog.

634
00:33:22,120 --> 00:33:25,960
Speaker 1: Remember was let's see the song y these guys catalog.

635
00:33:26,080 --> 00:33:27,680
Speaker 1: A catalog is in point. That's what makes you be

636
00:33:27,720 --> 00:33:29,840
Speaker 1: able to talk, makes you bad. People just want that

637
00:33:29,840 --> 00:33:31,600
Speaker 1: one hit and then they just fade to fade away,

638
00:33:31,640 --> 00:33:33,800
Speaker 1: and so you can't do. People don't respect the craft,

639
00:33:34,560 --> 00:33:36,800
Speaker 1: be honest, Like this ship is no different from every

640
00:33:36,800 --> 00:33:39,760
Speaker 1: other craft. A ballplayer stays in the gym, a boxing

641
00:33:39,800 --> 00:33:42,720
Speaker 1: stays in the gym, mixed monster artists stays in the gym.

642
00:33:42,800 --> 00:33:45,920
Speaker 1: Like whatever you do, you gotta stay doing what you do.

643
00:33:46,000 --> 00:33:48,360
Speaker 1: Like if you respect the craftic the minute you stop

644
00:33:49,080 --> 00:33:51,360
Speaker 1: and say, I'm good enough to a good enough point

645
00:33:51,400 --> 00:33:54,520
Speaker 1: to not even practice, not even thought freestyles here, man,

646
00:33:54,640 --> 00:33:56,560
Speaker 1: just do think it's a rap for you because you

647
00:33:56,640 --> 00:33:58,760
Speaker 1: lost it, You lost that passion, you lost the fire.

648
00:33:59,080 --> 00:34:01,440
Speaker 1: Don't respect the craft for more respect you straight as

649
00:34:01,520 --> 00:34:04,000
Speaker 1: straight as fun, so much music. I don't cass. You're

650
00:34:04,000 --> 00:34:08,080
Speaker 1: working on the new project fab right, Yeah, just came

651
00:34:08,120 --> 00:34:11,360
Speaker 1: off the tour, so we just I spoke the Lows yesterday.

652
00:34:11,440 --> 00:34:14,640
Speaker 1: We're getting it right because we're working on the Locks album,

653
00:34:14,960 --> 00:34:19,319
Speaker 1: so now I gotta find that time and yeah, yeah

654
00:34:19,360 --> 00:34:21,960
Speaker 1: we heard that. No no, no, no, no, no no no no.

655
00:34:22,600 --> 00:34:24,640
Speaker 1: That I didn't even really want to say because we

656
00:34:25,239 --> 00:34:27,799
Speaker 1: this is what it is every day in the studio now,

657
00:34:27,840 --> 00:34:31,280
Speaker 1: even my solos on Everything's on hold. It's all about

658
00:34:31,320 --> 00:34:33,759
Speaker 1: this Locks album. Why do you think at the time

659
00:34:33,840 --> 00:34:37,759
Speaker 1: right now to do it? Um, just because because we

660
00:34:38,320 --> 00:34:40,360
Speaker 1: a lot of fans say the same thing. Beat I

661
00:34:40,440 --> 00:34:43,759
Speaker 1: just said, we heard that before, and we just got

662
00:34:43,800 --> 00:34:47,000
Speaker 1: actually tired and just said it's now or never, so

663
00:34:47,440 --> 00:34:50,359
Speaker 1: we gotta do it. And we're actually doing it right now.

664
00:34:50,480 --> 00:34:52,239
Speaker 1: You're coming into stood it makes sense because we just

665
00:34:52,880 --> 00:34:55,640
Speaker 1: finally just dropped the solo. Yeah, we just let something

666
00:34:55,719 --> 00:34:58,839
Speaker 1: now to free up the slate. So now we're gonna

667
00:34:58,960 --> 00:35:01,359
Speaker 1: we're getting that done, so be doing the Freddy verse,

668
00:35:01,480 --> 00:35:05,080
Speaker 1: Jason and Infant working on the Locks out and it's

669
00:35:05,080 --> 00:35:08,120
Speaker 1: still we are the streets too. Yeah, why why do

670
00:35:08,120 --> 00:35:10,919
Speaker 1: that shot want to change it. I like that feel.

671
00:35:12,440 --> 00:35:13,759
Speaker 1: You don't feel like it's a lot of pressure to

672
00:35:14,040 --> 00:35:15,759
Speaker 1: because the first one is a classic. So do you

673
00:35:15,840 --> 00:35:18,839
Speaker 1: feel like, Yeah, I mean it's gonna be hard. It's

674
00:35:18,880 --> 00:35:22,240
Speaker 1: gonna be hard. But I was gonna say, what's your approach?

675
00:35:22,239 --> 00:35:25,839
Speaker 1: Do you care about big name produces? The young town

676
00:35:26,239 --> 00:35:28,400
Speaker 1: y'all need to hear another us and acts and like

677
00:35:28,600 --> 00:35:32,760
Speaker 1: that kind of I don't I like it on paper,

678
00:35:33,000 --> 00:35:37,200
Speaker 1: but I wanted to be right organic. Yeah, feel got

679
00:35:37,320 --> 00:35:39,799
Speaker 1: to be organic. You know, I'm pumping track list real quick.

680
00:35:40,440 --> 00:35:42,239
Speaker 1: I think with us, I think with us, we work

681
00:35:42,280 --> 00:35:45,560
Speaker 1: on keeping it organic. That's what keeps us around so long,

682
00:35:45,719 --> 00:35:48,160
Speaker 1: like you know what I mean, and irrelevant. So we're

683
00:35:48,160 --> 00:35:51,520
Speaker 1: gonna keep around so long that we embraced the new

684
00:35:51,640 --> 00:35:57,800
Speaker 1: ship with Joey Badass and we funk with um Jeezy

685
00:35:57,960 --> 00:36:01,560
Speaker 1: just called me the other day and seeing all them

686
00:36:01,640 --> 00:36:04,080
Speaker 1: type of dudes, and we could be made a hit

687
00:36:04,120 --> 00:36:08,200
Speaker 1: with j Juice. Man, you gotta you gotta a lot

688
00:36:08,280 --> 00:36:10,480
Speaker 1: of a lot of dudes in out in our space.

689
00:36:11,040 --> 00:36:13,239
Speaker 1: They turn their back on them dudes, you know what

690
00:36:13,280 --> 00:36:15,040
Speaker 1: I mean, whether it's they cup of tea or not.

691
00:36:15,280 --> 00:36:17,640
Speaker 1: You still gotta embrace them because that's what's going on

692
00:36:17,840 --> 00:36:21,120
Speaker 1: with music. Music evolves and you gotta know how to

693
00:36:21,560 --> 00:36:24,440
Speaker 1: deal with individuals. According this is I'm looking at the

694
00:36:24,520 --> 00:36:26,600
Speaker 1: track list now, like Dan, this this was really a

695
00:36:26,680 --> 00:36:30,240
Speaker 1: classic album you had Fuck you of course the skits

696
00:36:30,320 --> 00:36:34,680
Speaker 1: was crazy recognized a primo. It's good joints. Man, what

697
00:36:35,120 --> 00:36:41,920
Speaker 1: inspired fuck you? Shan Sean? So when you would you?

698
00:36:41,920 --> 00:36:44,840
Speaker 1: When you maybe it wasn't like something angry like we

699
00:36:45,000 --> 00:36:49,120
Speaker 1: all this, It was the whole thing was ventilation, vent

700
00:36:49,760 --> 00:36:55,319
Speaker 1: and we knew what the funk we was talking about. Yeah, yeah,

701
00:36:55,600 --> 00:36:59,560
Speaker 1: it was the show like these were good and these

702
00:36:59,640 --> 00:37:03,560
Speaker 1: kinds that throwing out they're gonna work. Yeah, you know

703
00:37:03,600 --> 00:37:05,640
Speaker 1: what I'm saying. That makes sense because it's like you

704
00:37:05,760 --> 00:37:07,520
Speaker 1: come in like you know when you like you said,

705
00:37:07,560 --> 00:37:09,160
Speaker 1: we first came and we're coming to the bulls. That's

706
00:37:09,160 --> 00:37:12,839
Speaker 1: Phil Jackson. But and we respect all he knows all

707
00:37:12,920 --> 00:37:16,480
Speaker 1: he does and we learn it, but we also know

708
00:37:16,600 --> 00:37:19,040
Speaker 1: what makes us like you know what it's like Kobe Fielding.

709
00:37:19,440 --> 00:37:21,520
Speaker 1: Kobe was on the bench at first with yeah, he

710
00:37:21,520 --> 00:37:24,880
Speaker 1: didn't know he had that and he's seen it, you know,

711
00:37:25,040 --> 00:37:30,480
Speaker 1: I mean holy ship talking about you know, we know

712
00:37:30,800 --> 00:37:32,919
Speaker 1: you know we know we you know what you talking about,

713
00:37:33,040 --> 00:37:35,120
Speaker 1: but we also know what the we're talking about too.

714
00:37:35,400 --> 00:37:39,959
Speaker 1: But then the piggyback off that all all these years

715
00:37:40,040 --> 00:37:43,279
Speaker 1: later to still have a relationship with Puff and for

716
00:37:43,480 --> 00:37:45,920
Speaker 1: him to bend a little bit in respect out and

717
00:37:46,040 --> 00:37:50,120
Speaker 1: respect us as music man. You see how I only

718
00:37:50,160 --> 00:37:52,040
Speaker 1: had a small part. But you see how he made

719
00:37:52,120 --> 00:37:55,480
Speaker 1: money making Mitch come out years later when he started

720
00:37:55,520 --> 00:38:00,560
Speaker 1: listening that that comes that turns and the money may

721
00:38:00,600 --> 00:38:06,200
Speaker 1: get wrote a couple of style Roll the Meat of

722
00:38:06,320 --> 00:38:09,239
Speaker 1: It and King Los and some other dudes. But once

723
00:38:09,320 --> 00:38:12,239
Speaker 1: he he got in a different space and with his

724
00:38:12,320 --> 00:38:16,080
Speaker 1: own self and start listening and he starts you can

725
00:38:16,120 --> 00:38:17,960
Speaker 1: start hearing it in the music. You know what I mean?

726
00:38:18,000 --> 00:38:20,160
Speaker 1: He called He's definitely get that. Why he wasn't on

727
00:38:20,239 --> 00:38:23,640
Speaker 1: that bunch of times which was on tour with Ghost

728
00:38:23,680 --> 00:38:28,520
Speaker 1: getting back. But what is it? What is about Puff

729
00:38:28,520 --> 00:38:30,440
Speaker 1: that he always sends to have these kind of fallouts

730
00:38:30,480 --> 00:38:32,680
Speaker 1: of people, but he does rectify it, He does reconcile

731
00:38:32,719 --> 00:38:34,520
Speaker 1: because he's a good dude. I think it's just so

732
00:38:34,719 --> 00:38:37,680
Speaker 1: much going on in his life. Forty million dollars to

733
00:38:37,840 --> 00:38:43,520
Speaker 1: kill the deals. It's hard to really clear your mind

734
00:38:43,800 --> 00:38:45,799
Speaker 1: sometimes you know what I mean, because we go through

735
00:38:45,880 --> 00:38:49,200
Speaker 1: that and we're only dealing with lesser millions. But you

736
00:38:49,239 --> 00:38:50,880
Speaker 1: know what I mean, it's the same type of success

737
00:38:51,000 --> 00:38:54,239
Speaker 1: as a motherfucker man. The more the more success you

738
00:38:54,320 --> 00:38:56,640
Speaker 1: have around you if you don't have like fortunately, this

739
00:38:56,840 --> 00:39:00,080
Speaker 1: was what also keeps us twenty years. Yes, man, we

740
00:39:00,160 --> 00:39:03,920
Speaker 1: got each other. So they'll say, Yo, you're fucking bugging like, Yo,

741
00:39:04,280 --> 00:39:07,719
Speaker 1: don't do it. That's stupid. Don't and you gotta respect it,

742
00:39:07,800 --> 00:39:09,880
Speaker 1: like you know, I might not feel it, but I

743
00:39:09,960 --> 00:39:12,000
Speaker 1: gotta like a certain times before I do something stupid,

744
00:39:12,040 --> 00:39:15,440
Speaker 1: I hit them like anything really doing industry. Most of

745
00:39:15,480 --> 00:39:19,000
Speaker 1: the time I say, I'll call him before before I

746
00:39:19,080 --> 00:39:21,640
Speaker 1: say I'm call I'm gonna do this move, and they'd

747
00:39:21,640 --> 00:39:24,239
Speaker 1: be like, Yo, don't do that, that would be dumb,

748
00:39:24,600 --> 00:39:27,200
Speaker 1: or think about it, don't do it this way. Because

749
00:39:27,280 --> 00:39:29,799
Speaker 1: once you take accountability and you have somebody that's telling

750
00:39:29,840 --> 00:39:33,080
Speaker 1: you that was stupid, that you know, you respect they weren't.

751
00:39:33,760 --> 00:39:35,719
Speaker 1: You got nothing, but you got to eat that. And

752
00:39:35,800 --> 00:39:38,000
Speaker 1: you know, stupid Puff might not have that many people

753
00:39:38,160 --> 00:39:41,719
Speaker 1: that he hangs with. That so he's immediate level like

754
00:39:41,800 --> 00:39:44,799
Speaker 1: he's a he's a billionaire. Practically, you don't got too

755
00:39:44,880 --> 00:39:48,400
Speaker 1: close billion their friends. I could say that's stupid. So

756
00:39:48,480 --> 00:39:50,680
Speaker 1: what was it like during that time when you guys

757
00:39:50,719 --> 00:39:53,120
Speaker 1: are on no way out? Like did that same kind

758
00:39:53,120 --> 00:39:55,640
Speaker 1: of energy existing like him being he was the biggest

759
00:39:55,760 --> 00:40:02,520
Speaker 1: rapper at the time, the Sinkings artists. Yeah, so that

760
00:40:02,680 --> 00:40:05,719
Speaker 1: was that was we have fun, makee no way out,

761
00:40:06,520 --> 00:40:08,840
Speaker 1: We have fun. Definitely. It was all over the place.

762
00:40:08,920 --> 00:40:12,239
Speaker 1: And that was um traveling the first time traveling, was

763
00:40:12,320 --> 00:40:15,160
Speaker 1: traveling a lot besides the publishing thing with us and

764
00:40:15,239 --> 00:40:17,440
Speaker 1: did he and like that was really that was a

765
00:40:18,040 --> 00:40:20,400
Speaker 1: he was yo man. We did at parties with him

766
00:40:20,400 --> 00:40:24,520
Speaker 1: and he did the whole party. We haven't parties since.

767
00:40:24,760 --> 00:40:30,239
Speaker 1: How we party like that again? She like everything that

768
00:40:30,360 --> 00:40:32,719
Speaker 1: you hear on a dope song today that all the

769
00:40:32,960 --> 00:40:37,160
Speaker 1: private jet, private jet, private jet going to caravan and

770
00:40:37,440 --> 00:40:42,279
Speaker 1: nineties were smoking. Every act had their own jet. We

771
00:40:42,360 --> 00:40:45,760
Speaker 1: were smoking on private jets in the nineties. We're stopping

772
00:40:47,120 --> 00:40:50,640
Speaker 1: he click before. I was like, that's how you pronounced

773
00:40:52,640 --> 00:40:56,719
Speaker 1: keep guy on this whatever he's popping. Click oh. In

774
00:40:56,880 --> 00:40:59,520
Speaker 1: ninety he said, trust me, it's gonna be a good

775
00:40:59,560 --> 00:41:03,680
Speaker 1: looking I'm we were doing. We had sweets, we did

776
00:41:03,840 --> 00:41:09,120
Speaker 1: everything before when it made it fly because he respected

777
00:41:09,200 --> 00:41:10,920
Speaker 1: I'll fly too. So this is why we got a

778
00:41:11,000 --> 00:41:15,080
Speaker 1: chip on our show the always, because we had that

779
00:41:15,200 --> 00:41:18,000
Speaker 1: ship but were different. Yeah, but it was street fly

780
00:41:19,480 --> 00:41:22,879
Speaker 1: like we was the fly sniggers to the tunnel. Dumb

781
00:41:22,960 --> 00:41:25,160
Speaker 1: kind of niggers, wasn't there. You would see us on

782
00:41:25,239 --> 00:41:27,960
Speaker 1: that old white party that were somewhere like yea, we

783
00:41:28,120 --> 00:41:32,759
Speaker 1: was learning scific from the actually No Way Out tour.

784
00:41:34,360 --> 00:41:41,400
Speaker 1: Great say again the specifics of the I was winning

785
00:41:41,400 --> 00:41:44,640
Speaker 1: a lot of money gambling playing, so that became a

786
00:41:44,800 --> 00:41:48,520
Speaker 1: problem because it like I didn't. It was a segment

787
00:41:48,680 --> 00:41:52,680
Speaker 1: where I didn't care about the tour nor more running

788
00:41:52,719 --> 00:41:57,319
Speaker 1: down and were running was making wild money. Maybe yeah,

789
00:41:57,440 --> 00:42:02,680
Speaker 1: we see I got about forty fift just the other artists,

790
00:42:03,280 --> 00:42:08,080
Speaker 1: little Kim's entourage, the junior Mafia, every yeah, even sometimes

791
00:42:08,120 --> 00:42:12,160
Speaker 1: it's the whole the whole congregation is playing and make

792
00:42:12,239 --> 00:42:15,360
Speaker 1: Diddy come with PAULI to the room with fifty in

793
00:42:15,440 --> 00:42:17,640
Speaker 1: the briefcase and lose right there, and you know what

794
00:42:17,680 --> 00:42:21,120
Speaker 1: I mean, That's how intense it was. And then one day, um,

795
00:42:22,120 --> 00:42:23,960
Speaker 1: then we used to be doing because we were doing

796
00:42:24,040 --> 00:42:27,239
Speaker 1: I always we always love Big Papa and they'll be

797
00:42:27,440 --> 00:42:29,960
Speaker 1: up there and I had to win sp into the stage.

798
00:42:30,000 --> 00:42:32,879
Speaker 1: I get up there and winded and he started getting mad.

799
00:42:33,000 --> 00:42:36,439
Speaker 1: No gambling before the show. This that but my one

800
00:42:36,719 --> 00:42:39,640
Speaker 1: vague memory I got one time I was gambling. I

801
00:42:39,760 --> 00:42:43,560
Speaker 1: heard the music start. I came out and bossed my ask.

802
00:42:43,680 --> 00:42:45,759
Speaker 1: The choir was right there. I did one of them,

803
00:42:45,880 --> 00:42:49,279
Speaker 1: Charlie Brown pumping the end, landing on my back and

804
00:42:49,320 --> 00:42:52,920
Speaker 1: they're like, oh baby. Had to get up and run

805
00:42:53,000 --> 00:42:54,960
Speaker 1: to I said you, I ain't gambling no more. Before

806
00:42:55,000 --> 00:43:01,520
Speaker 1: this was an, I had partner named Inky with me

807
00:43:01,920 --> 00:43:04,600
Speaker 1: and we was just crushing ship rest in peace Wolf

808
00:43:04,920 --> 00:43:07,319
Speaker 1: and then when we broke Wolf one day gave us

809
00:43:07,400 --> 00:43:10,239
Speaker 1: like five No, he broke us. Then he gave some

810
00:43:10,360 --> 00:43:14,000
Speaker 1: walk money. It ripped it up. Wolf chased him for

811
00:43:14,320 --> 00:43:19,719
Speaker 1: five he ripped up about wow. Crazy. So is it

812
00:43:19,800 --> 00:43:21,480
Speaker 1: kind of like surreal to see like the line of

813
00:43:21,960 --> 00:43:24,279
Speaker 1: for the for the Bad Reunion, it's almost similar to

814
00:43:24,360 --> 00:43:26,560
Speaker 1: the No Way Out because he had j on there

815
00:43:26,640 --> 00:43:30,160
Speaker 1: your head. You know what I was gonna say that

816
00:43:30,239 --> 00:43:32,160
Speaker 1: back then he put the RMB artists on his toys

817
00:43:32,200 --> 00:43:33,759
Speaker 1: and all that, you know what I mean, and hip

818
00:43:33,840 --> 00:43:35,840
Speaker 1: hop toys. And she's like that because I've been on

819
00:43:35,920 --> 00:43:37,960
Speaker 1: other ones with that she was like his island because

820
00:43:37,960 --> 00:43:44,680
Speaker 1: like a girl somewhere the rough roight of No Way out,

821
00:43:45,360 --> 00:43:51,040
Speaker 1: No Way, that stage was his cash. That's the most

822
00:43:52,719 --> 00:43:59,279
Speaker 1: note that was. That was dog crazy googled out be

823
00:43:59,640 --> 00:44:02,160
Speaker 1: uff me like yo, and that that packed the stadiums

824
00:44:02,160 --> 00:44:04,040
Speaker 1: having us and all that kind of stuff. You know,

825
00:44:04,200 --> 00:44:05,879
Speaker 1: that was our first You get to go to the city,

826
00:44:06,160 --> 00:44:09,440
Speaker 1: so you're going to the more sneaker stores, We're going

827
00:44:09,520 --> 00:44:14,360
Speaker 1: to the hoods copping weeds. We used to run from security,

828
00:44:14,440 --> 00:44:16,520
Speaker 1: like they used to put security on us. We used

829
00:44:16,560 --> 00:44:19,560
Speaker 1: to ditch security go to the hood. They had an

830
00:44:19,640 --> 00:44:23,120
Speaker 1: app out the Locks into the hood. They ditch security

831
00:44:23,760 --> 00:44:25,719
Speaker 1: all kind of like, you know, because that's that's who

832
00:44:25,760 --> 00:44:27,520
Speaker 1: we was. So we was used to like get up,

833
00:44:27,520 --> 00:44:32,040
Speaker 1: We're we're going to whatever is popping and that's what

834
00:44:32,640 --> 00:44:35,600
Speaker 1: security like. That was our whole flow from then. That's

835
00:44:35,600 --> 00:44:41,040
Speaker 1: where we got no security from security. A bad boy. Actually, wow,

836
00:44:41,600 --> 00:44:43,800
Speaker 1: we don't need to kill. One of the things I

837
00:44:43,880 --> 00:44:45,879
Speaker 1: think that's so appealing about The Locks as a crew

838
00:44:46,040 --> 00:44:48,800
Speaker 1: is you guys as collaborals, like do you ever sometimes

839
00:44:48,840 --> 00:44:50,520
Speaker 1: step back and thing you can make like the best

840
00:44:50,680 --> 00:44:53,480
Speaker 1: mixtape playlists, your sof for collaborals, what you guys have done,

841
00:44:53,520 --> 00:44:55,480
Speaker 1: like which ones stand out to you? And we can

842
00:44:55,560 --> 00:45:01,640
Speaker 1: just talk about those Hans for sure, all not can

843
00:45:01,719 --> 00:45:05,360
Speaker 1: I live? Yeah, well, of course all about the Benjamin.

844
00:45:08,360 --> 00:45:11,080
Speaker 1: What was that? Like, I want to thank you too. Yeah,

845
00:45:11,120 --> 00:45:14,279
Speaker 1: that's I can remember. That's of our dogs. We we

846
00:45:14,600 --> 00:45:18,120
Speaker 1: as always a story with that, because we are. That's

847
00:45:18,120 --> 00:45:20,600
Speaker 1: when we was a lot. We was young. We were

848
00:45:20,680 --> 00:45:22,680
Speaker 1: still doing shows off the clue tapes, you know what

849
00:45:22,719 --> 00:45:25,520
Speaker 1: I mean. We was everywhere crushing them. So I think

850
00:45:25,560 --> 00:45:28,680
Speaker 1: we flew in the GUARDI or JFK and we got

851
00:45:28,760 --> 00:45:30,759
Speaker 1: to call that Hove wanted us to do a song

852
00:45:30,880 --> 00:45:34,879
Speaker 1: with him. But we at the airport and we're like, yoke,

853
00:45:35,560 --> 00:45:37,960
Speaker 1: should we go away in a while, drop our bags

854
00:45:38,000 --> 00:45:40,440
Speaker 1: off and all that? Should we just go to the studio?

855
00:45:41,680 --> 00:45:45,160
Speaker 1: So I don't know, probably collective decision. We went straight

856
00:45:45,239 --> 00:45:48,279
Speaker 1: to the studio. We went to Branton first, of course,

857
00:45:51,080 --> 00:45:54,600
Speaker 1: Branton liquor store. Then we went to the studio. We

858
00:45:54,680 --> 00:45:56,800
Speaker 1: got there, it was just dude, it was that's the

859
00:45:56,960 --> 00:46:01,080
Speaker 1: introduction of segull hold yourself. You go to rhyme force,

860
00:46:01,360 --> 00:46:06,279
Speaker 1: he just starts spinning fifty. He stopped keep going he's

861
00:46:06,320 --> 00:46:09,440
Speaker 1: making him rhyme until we're like, no, he's nice, he's nice. Nothing.

862
00:46:09,520 --> 00:46:12,920
Speaker 1: Then after that they pulled up to beat Maric Sherman

863
00:46:14,000 --> 00:46:15,960
Speaker 1: and we that's how I reside. Our dogs came over.

864
00:46:16,640 --> 00:46:19,799
Speaker 1: He's left her part out, he got off the thing.

865
00:46:20,440 --> 00:46:23,080
Speaker 1: They laid all laid parts. It got to my part

866
00:46:23,160 --> 00:46:26,600
Speaker 1: and niggas wanted to hit the club. Wow. Oh yeah,

867
00:46:26,680 --> 00:46:35,560
Speaker 1: I was super tight. You know, I was still I

868
00:46:35,680 --> 00:46:38,680
Speaker 1: was still on the thing, like, so we laid my part.

869
00:46:38,920 --> 00:46:41,239
Speaker 1: So we came back the next day and they was

870
00:46:41,280 --> 00:46:42,719
Speaker 1: in the thing and I went in the thing. I

871
00:46:42,760 --> 00:46:45,680
Speaker 1: remember I was in the thing. I was looking at

872
00:46:45,719 --> 00:46:47,759
Speaker 1: everybody facing Oh. I came out to think. He was like,

873
00:46:47,840 --> 00:46:51,080
Speaker 1: oh he was getting at us to the thing, and

874
00:46:51,120 --> 00:46:52,520
Speaker 1: I think because I mean, that's what it was in

875
00:46:52,600 --> 00:46:57,200
Speaker 1: those days. Anyway, you know, it was very competitive, similar

876
00:46:57,440 --> 00:47:00,560
Speaker 1: kind of situation because it was more fun. I think

877
00:47:01,440 --> 00:47:05,080
Speaker 1: before I was delivered with all family. So we came in,

878
00:47:05,680 --> 00:47:08,080
Speaker 1: remember them calling us for a May session. Then we

879
00:47:08,200 --> 00:47:14,600
Speaker 1: came in and that was the Because a lot of

880
00:47:14,600 --> 00:47:16,719
Speaker 1: people don't know, Mace used to be with us a

881
00:47:16,800 --> 00:47:20,239
Speaker 1: lot rider studios every day before he was got on

882
00:47:20,400 --> 00:47:25,160
Speaker 1: his Mace also so murder US three, we helped them

883
00:47:25,239 --> 00:47:27,719
Speaker 1: be murdered to yeah, we helped them be murdered US three,

884
00:47:27,840 --> 00:47:31,440
Speaker 1: Mason X and the rough Rider Studio would be the five,

885
00:47:32,040 --> 00:47:36,880
Speaker 1: both rooms going Swiss, p K, Dame Grease on the beats,

886
00:47:38,160 --> 00:47:41,280
Speaker 1: US five, US five rapping and then then um dragging

887
00:47:41,360 --> 00:47:43,879
Speaker 1: Eve came along. But that was pretty much the vibe

888
00:47:43,920 --> 00:47:47,719
Speaker 1: every day, every room banging, everybody just going in. It

889
00:47:47,800 --> 00:47:49,880
Speaker 1: was a competitive nature within the bad Boy camp with

890
00:47:49,960 --> 00:47:52,880
Speaker 1: you guys, Black Rob, Mace, even Big to an extent

891
00:47:53,000 --> 00:47:57,719
Speaker 1: like hell yeah, because you have to rap, had to

892
00:47:57,800 --> 00:47:59,680
Speaker 1: keep your bars up, had to keep your bars up,

893
00:47:59,719 --> 00:48:01,680
Speaker 1: like you know what I'm saying that. It definitely was,

894
00:48:01,800 --> 00:48:04,480
Speaker 1: but it was love too. It's like a basketball team.

895
00:48:04,520 --> 00:48:06,120
Speaker 1: Like even with them three, I get on the song

896
00:48:06,200 --> 00:48:08,560
Speaker 1: with these two. I don't want you saying kiss or

897
00:48:08,600 --> 00:48:11,359
Speaker 1: she was better than mine. I'm cool with it if

898
00:48:11,400 --> 00:48:13,239
Speaker 1: that happens, and I'm glad you know it's one for

899
00:48:13,320 --> 00:48:17,000
Speaker 1: the team, but I want, yeah, I want to try

900
00:48:17,040 --> 00:48:19,719
Speaker 1: to body like even with us, we'll say something I

901
00:48:20,000 --> 00:48:22,880
Speaker 1: like you got that I kissed you guys like we

902
00:48:22,960 --> 00:48:25,480
Speaker 1: do that within each other. That wants you, But does

903
00:48:25,480 --> 00:48:28,200
Speaker 1: it ever bother you left you guys on the record

904
00:48:28,200 --> 00:48:30,560
Speaker 1: and kisses and or like vice versa, like what you

905
00:48:30,640 --> 00:48:33,960
Speaker 1: mean firstance? Like one record I think about in particular

906
00:48:34,440 --> 00:48:37,759
Speaker 1: the clips. I'm not sure as you and uh youre

907
00:48:37,800 --> 00:48:39,600
Speaker 1: kiss on it together, but you're not on it. Yeah,

908
00:48:39,880 --> 00:48:41,399
Speaker 1: Like I'm as mad at you know what I'm saying,

909
00:48:41,440 --> 00:48:43,520
Speaker 1: Like I miss the jail ship old kind of yeah,

910
00:48:43,600 --> 00:48:45,400
Speaker 1: like my mom wasn't dead with all that, Like I

911
00:48:45,520 --> 00:48:49,600
Speaker 1: was cool with this, the like people, he loves he

912
00:48:49,760 --> 00:48:52,040
Speaker 1: loves people. You know what they say, You're moved like

913
00:48:52,080 --> 00:48:55,279
Speaker 1: a drug. The damn at the time school would like

914
00:48:55,360 --> 00:48:58,840
Speaker 1: just doing a group. He was looking for the outside

915
00:48:58,880 --> 00:49:01,200
Speaker 1: and really they can't men kind of focused on like

916
00:49:01,320 --> 00:49:03,120
Speaker 1: that and then breaking off and doing solo ship. Hey

917
00:49:03,239 --> 00:49:05,520
Speaker 1: hard actually told me to yo, watch when you wrap

918
00:49:05,600 --> 00:49:08,960
Speaker 1: at the station. They're loving to do more. Yeah, you

919
00:49:09,040 --> 00:49:10,759
Speaker 1: know got me into that shell than that and then

920
00:49:10,800 --> 00:49:13,040
Speaker 1: it just jumped off. So how does that how? Also

921
00:49:13,239 --> 00:49:14,800
Speaker 1: because you guys did more work that, how did you

922
00:49:14,840 --> 00:49:16,400
Speaker 1: guys go and put the back and forth style like

923
00:49:17,120 --> 00:49:21,640
Speaker 1: you guys together more so kissing styles that doesn't actually develop.

924
00:49:22,600 --> 00:49:24,920
Speaker 1: I think in the lab we just do different ships.

925
00:49:25,000 --> 00:49:29,160
Speaker 1: Like Dope money was the first was it Dope money

926
00:49:29,239 --> 00:49:32,640
Speaker 1: or made man made men, made men was the first time,

927
00:49:33,719 --> 00:49:38,960
Speaker 1: Tommy was the first thing was getting hot. This actually

928
00:49:39,160 --> 00:49:41,719
Speaker 1: was getting hot. It was getting hot, and we didn't

929
00:49:41,760 --> 00:49:45,200
Speaker 1: have that much room to do all of it. Made men,

930
00:49:46,840 --> 00:49:49,319
Speaker 1: all of us and make it make sense. It would

931
00:49:49,320 --> 00:49:52,400
Speaker 1: have been too dragged out, especially because the beat wasn't um.

932
00:49:53,000 --> 00:49:54,920
Speaker 1: The beat was slow. It wasn't like. It wasn't an

933
00:49:54,960 --> 00:49:58,680
Speaker 1: up tempo over. So we man We made it in

934
00:49:58,800 --> 00:50:03,040
Speaker 1: and out like it was a fact. Next week, what

935
00:50:03,160 --> 00:50:07,800
Speaker 1: was that fight about? She was crazy looking for X.

936
00:50:08,520 --> 00:50:11,200
Speaker 1: Somebody who looked like EX did something that wanted his

937
00:50:11,239 --> 00:50:16,080
Speaker 1: assistance in Boston queen or somebody they did somebody who

938
00:50:16,120 --> 00:50:19,239
Speaker 1: looked like EX did something said so they was super deep.

939
00:50:19,360 --> 00:50:21,279
Speaker 1: We're sucking up and we can't find actually sucking this

940
00:50:21,360 --> 00:50:25,840
Speaker 1: whole tauru automatically this niggle was what goes in the

941
00:50:25,920 --> 00:50:28,840
Speaker 1: hallway and then it jumps off. It was a stand

942
00:50:29,680 --> 00:50:32,279
Speaker 1: was crazy man, Ray was cool. So I went in

943
00:50:32,360 --> 00:50:35,440
Speaker 1: the hallway, was like, and this is a renal hallway.

944
00:50:35,480 --> 00:50:37,480
Speaker 1: That ship was packed. They were all winning the hall,

945
00:50:37,800 --> 00:50:41,040
Speaker 1: our room, our dressing room, went out there. We got

946
00:50:41,120 --> 00:50:44,439
Speaker 1: out there. It was a million made men with avery Rex.

947
00:50:44,600 --> 00:50:48,160
Speaker 1: Is that said, bigging on something had betimes, you know

948
00:50:48,200 --> 00:50:49,680
Speaker 1: the ones that you packed down to see if you

949
00:50:49,719 --> 00:50:51,919
Speaker 1: got guns on you. They was hitting us with dolls

950
00:50:51,920 --> 00:50:56,120
Speaker 1: and ships, you know, the big black and yellow. I'm

951
00:50:56,160 --> 00:50:58,080
Speaker 1: actually chopping it up with Busy, you know, me and

952
00:50:58,200 --> 00:51:01,440
Speaker 1: me and Ray chopping up. Use it. He raised a

953
00:51:01,480 --> 00:51:04,879
Speaker 1: good dude. We raise cool. So we're chopping it up.

954
00:51:05,280 --> 00:51:09,840
Speaker 1: Raise stick man right over his shoulder, his eyes grilled

955
00:51:09,960 --> 00:51:13,440
Speaker 1: and everything is like he don't care. He move, he

956
00:51:13,440 --> 00:51:15,800
Speaker 1: an't care what we were saying. He he's just like that.

957
00:51:16,120 --> 00:51:19,839
Speaker 1: I'm asking them, yo, catch a catchup, cave. Catchup came

958
00:51:19,880 --> 00:51:26,239
Speaker 1: from the service. Catch up right, came from outside. Then

959
00:51:26,320 --> 00:51:29,640
Speaker 1: it was like cartoon, like the click rock Star. They

960
00:51:29,760 --> 00:51:32,359
Speaker 1: click rop Star. First they clicked out, they clicked up,

961
00:51:32,840 --> 00:51:38,120
Speaker 1: they clicked the smartest dude, they click they clicked that

962
00:51:38,320 --> 00:51:43,960
Speaker 1: nerd genius. Boom. I'm hearing mash it like this out

963
00:51:44,000 --> 00:51:46,520
Speaker 1: there going out there. I'm drinking, Me and Busy drinking

964
00:51:46,520 --> 00:51:49,360
Speaker 1: and ship open the door. Sneak Styles bleeding said I

965
00:51:49,480 --> 00:51:53,279
Speaker 1: love it looking at it. Blood coming out of the

966
00:51:53,320 --> 00:52:00,120
Speaker 1: face said yeah, like what's our started tonight Joe at

967
00:52:00,120 --> 00:52:02,399
Speaker 1: the time they went past that line, and then something

968
00:52:02,520 --> 00:52:04,800
Speaker 1: we wentn't past their line and ship day it was

969
00:52:05,760 --> 00:52:09,080
Speaker 1: like yeah, because they started overpowering us on the blows

970
00:52:09,560 --> 00:52:16,719
Speaker 1: the knife the hawks came out. Then it was like

971
00:52:18,840 --> 00:52:21,880
Speaker 1: and then it's like a separation for a minute, and

972
00:52:21,920 --> 00:52:24,000
Speaker 1: then I felt my sneaker was off. I was like

973
00:52:24,120 --> 00:52:27,160
Speaker 1: half knocked out. I was hyped though, like I was,

974
00:52:27,360 --> 00:52:31,080
Speaker 1: I was super hype. And then we just went we

975
00:52:31,120 --> 00:52:38,040
Speaker 1: went who put some working that kind of like yeah,

976
00:52:38,280 --> 00:52:41,480
Speaker 1: boom boom boom, I want hit and quit and just

977
00:52:41,560 --> 00:52:43,400
Speaker 1: put us in the same bullpen. Yeah. Then we was

978
00:52:43,480 --> 00:52:45,920
Speaker 1: in the bullpen and Boston and then I kept hand

979
00:52:46,160 --> 00:52:49,640
Speaker 1: my name and then I was like usual suspects. Though

980
00:52:50,320 --> 00:52:52,439
Speaker 1: I was bleeding, I had the floor. I ain't see

981
00:52:52,520 --> 00:52:56,359
Speaker 1: nothing lefter at that. But then that was crazy because

982
00:52:56,360 --> 00:52:59,080
Speaker 1: they said I should have killed Ray. Yeah, that's what

983
00:52:59,200 --> 00:53:07,239
Speaker 1: the post He's told us we should so strong. He

984
00:53:07,400 --> 00:53:10,080
Speaker 1: was strong. They had to pull the toll busses up

985
00:53:10,120 --> 00:53:12,319
Speaker 1: to the precinct and get us side of it because

986
00:53:12,360 --> 00:53:16,719
Speaker 1: he had the hotels around. Wow. How yeah, now that fight?

987
00:53:17,120 --> 00:53:19,640
Speaker 1: How did that not get to that? With you and Rockefeller?

988
00:53:19,760 --> 00:53:22,399
Speaker 1: During those we didn't see each other and say God

989
00:53:22,719 --> 00:53:25,200
Speaker 1: a long time when you see I was down. I

990
00:53:25,239 --> 00:53:27,680
Speaker 1: ain't allowed outside. One day right and they hit Factor.

991
00:53:27,760 --> 00:53:30,320
Speaker 1: We're waiting for beans was something crazy and he was

992
00:53:30,440 --> 00:53:33,440
Speaker 1: he was on the phone with each other privately. The

993
00:53:33,600 --> 00:53:36,719
Speaker 1: maddest day I have. I got two mad times with that.

994
00:53:37,880 --> 00:53:40,919
Speaker 1: One time they laughing. I was chat at the tear.

995
00:53:41,000 --> 00:53:43,040
Speaker 1: I wanted to go to Hot nineties seven with the

996
00:53:43,160 --> 00:53:45,960
Speaker 1: trade pound. One day Flex was letting them go out

997
00:53:46,000 --> 00:53:49,080
Speaker 1: there and this air's out. I'm like, yo, how can

998
00:53:49,160 --> 00:53:52,560
Speaker 1: he do something? Got into me like just go down

999
00:53:52,640 --> 00:53:55,640
Speaker 1: there with the three fifty seven and do something stupid.

1000
00:53:55,840 --> 00:54:00,160
Speaker 1: Get busy. But they talked, God say this from and

1001
00:54:00,160 --> 00:54:01,880
Speaker 1: do you know what it was with the Niggs crap.

1002
00:54:02,239 --> 00:54:06,080
Speaker 1: So they were saying some ship like you know whatever.

1003
00:54:06,560 --> 00:54:09,880
Speaker 1: It was like whatever, they're busy they you know, they

1004
00:54:09,880 --> 00:54:13,080
Speaker 1: said the nigger um. And we had a promotional van

1005
00:54:13,120 --> 00:54:14,880
Speaker 1: now on Philly. It somewhere Beans grabbed and they got

1006
00:54:14,960 --> 00:54:17,080
Speaker 1: the driver smacked them up. Then it give us driving

1007
00:54:17,080 --> 00:54:25,600
Speaker 1: the logs van. They was on it like when Hit

1008
00:54:25,680 --> 00:54:27,680
Speaker 1: went to a show in Philly. We went too deep

1009
00:54:28,960 --> 00:54:30,560
Speaker 1: and we had the thing and they're looking at us

1010
00:54:30,600 --> 00:54:33,840
Speaker 1: and they're looking for they're looking for everybody. They're looking like,

1011
00:54:33,960 --> 00:54:37,600
Speaker 1: where's the rest of these niggas are like and we're

1012
00:54:37,640 --> 00:54:39,640
Speaker 1: just like, yo, fucking man, we're from you know what

1013
00:54:39,800 --> 00:54:43,560
Speaker 1: it is, what's going on whatever, and them niggas like love.

1014
00:54:44,160 --> 00:54:46,399
Speaker 1: I was like, oh, we got Philly. Philly still loved

1015
00:54:46,600 --> 00:54:49,920
Speaker 1: because the big thing was because before beats, Philly was

1016
00:54:49,960 --> 00:54:53,600
Speaker 1: like one of our biggest, biggest, you know, biggest supporters

1017
00:54:53,640 --> 00:54:56,120
Speaker 1: and fish ways so more show than the rocket feller.

1018
00:54:56,520 --> 00:54:59,400
Speaker 1: I was worried about Philly flipping on them, like you

1019
00:54:59,440 --> 00:55:01,320
Speaker 1: know what I'm saying, because of it. But when Philly

1020
00:55:01,400 --> 00:55:04,440
Speaker 1: still loved us, that's why I said we're good like

1021
00:55:04,520 --> 00:55:06,200
Speaker 1: we're good money, like you know what I'm saying. I

1022
00:55:06,280 --> 00:55:08,120
Speaker 1: went in and Philly, we were playing the audio before

1023
00:55:08,160 --> 00:55:11,080
Speaker 1: you guys came in and be one of the stupidest things.

1024
00:55:14,840 --> 00:55:17,800
Speaker 1: We can't get to because the freestyle, Yeah, the boss,

1025
00:55:18,920 --> 00:55:23,200
Speaker 1: give me the beast. It's like a medicine bag. I

1026
00:55:23,360 --> 00:55:26,560
Speaker 1: looked at my son, different gods, fitting head in your back,

1027
00:55:26,719 --> 00:55:31,760
Speaker 1: standing over the body, fired again, said signal wire riding again.

1028
00:55:32,160 --> 00:55:36,800
Speaker 1: The crowd crazy. They had a process that for a

1029
00:55:36,920 --> 00:55:41,160
Speaker 1: second because I was killing I was one of my

1030
00:55:41,360 --> 00:55:44,640
Speaker 1: best shot my four assault like my solo shows. I

1031
00:55:44,800 --> 00:55:48,480
Speaker 1: was in the sixes of arena had the true blues

1032
00:55:48,680 --> 00:55:53,040
Speaker 1: or I was feeling like Diddy status and then just

1033
00:55:53,440 --> 00:55:59,560
Speaker 1: screwed Ship. Why not what you mean? I started talking

1034
00:55:59,600 --> 00:56:02,200
Speaker 1: about see you go out of nowhere. They do everything

1035
00:56:02,320 --> 00:56:12,160
Speaker 1: you could throw at They do everything I was. I

1036
00:56:12,239 --> 00:56:15,719
Speaker 1: thought they was cheering right there. It was he was

1037
00:56:15,760 --> 00:56:25,719
Speaker 1: going there the switch that he wasn't even on the

1038
00:56:25,880 --> 00:56:31,120
Speaker 1: bill or none of that. I like something. No, I

1039
00:56:31,280 --> 00:56:35,000
Speaker 1: was my dodge game is mean. Yeah I was dodging Ship,

1040
00:56:35,120 --> 00:56:37,719
Speaker 1: but they was throwing everything was crazy. But why I

1041
00:56:37,800 --> 00:56:39,920
Speaker 1: got him back a little one when I because we're

1042
00:56:39,920 --> 00:56:41,840
Speaker 1: gonna make it came out a little, but it was

1043
00:56:41,920 --> 00:56:45,320
Speaker 1: still Ship was crazy. But before before you did that?

1044
00:56:45,400 --> 00:56:47,840
Speaker 1: Why because I always try to get you. Just just

1045
00:56:48,640 --> 00:56:51,360
Speaker 1: something just came out of nowhere. Go at take the shot.

1046
00:56:51,520 --> 00:56:55,200
Speaker 1: You take the shot when you then watch like yeah,

1047
00:56:56,440 --> 00:56:59,480
Speaker 1: watch that, so I think you take the shot. We

1048
00:56:59,600 --> 00:57:02,959
Speaker 1: take the shot. Then another one another one here because

1049
00:57:02,960 --> 00:57:05,360
Speaker 1: you gotta show you don't give a fuck like that.

1050
00:57:05,520 --> 00:57:07,680
Speaker 1: That's the key to this, Like that's where new rap

1051
00:57:07,840 --> 00:57:11,160
Speaker 1: goes wrong. Well, I hate news. Why do you think

1052
00:57:11,160 --> 00:57:14,120
Speaker 1: there's no good disc records? And with each other, they

1053
00:57:14,200 --> 00:57:17,280
Speaker 1: did disrespect, but they dick ride each other too much

1054
00:57:17,360 --> 00:57:20,480
Speaker 1: like you got he's a star, you a star. It's

1055
00:57:20,520 --> 00:57:23,040
Speaker 1: one galaxy. I got enough room to both these stars.

1056
00:57:23,120 --> 00:57:28,560
Speaker 1: And somebody's shipped on another star, but philosophy on him.

1057
00:57:28,560 --> 00:57:30,080
Speaker 1: But it was crazy, is like I was saying before

1058
00:57:30,080 --> 00:57:31,680
Speaker 1: you guys came in when I was in high school,

1059
00:57:31,840 --> 00:57:34,840
Speaker 1: obviously grew up on your niggers. Like when those mixtapes dropped,

1060
00:57:34,880 --> 00:57:38,600
Speaker 1: those disk records, that was like watercool talk like nig

1061
00:57:38,640 --> 00:57:41,360
Speaker 1: can still talk about it to this day, Like like

1062
00:57:41,400 --> 00:57:43,560
Speaker 1: that's why I was saying, I never I didn't care

1063
00:57:43,560 --> 00:57:46,040
Speaker 1: if I was became songs either they make this into

1064
00:57:46,120 --> 00:57:48,160
Speaker 1: songs like you know what I mean, just want to

1065
00:57:49,440 --> 00:57:51,680
Speaker 1: as it's on all you know, it was getting the

1066
00:57:51,800 --> 00:57:55,600
Speaker 1: storio and cats was gonna was taking bets in high school,

1067
00:57:55,600 --> 00:57:58,280
Speaker 1: like who's gonna get killed first? Like couple of the

1068
00:57:58,320 --> 00:58:00,840
Speaker 1: things that you guys would saying that back that night.

1069
00:58:02,240 --> 00:58:04,680
Speaker 1: But at the same time styles, I don't know social media,

1070
00:58:04,840 --> 00:58:08,320
Speaker 1: that's true. Back that gave a little more privacy and it, yeah,

1071
00:58:08,760 --> 00:58:12,480
Speaker 1: it swayed away from you know things audience couldn't make

1072
00:58:12,520 --> 00:58:16,480
Speaker 1: fun of it, be involved. We were still outsiders, like

1073
00:58:16,640 --> 00:58:20,000
Speaker 1: we had a right. You can send the meme to

1074
00:58:20,080 --> 00:58:24,440
Speaker 1: the you can get under the skin more. But styles

1075
00:58:24,480 --> 00:58:26,840
Speaker 1: you said, I remember the freestyle you did over Wait

1076
00:58:26,880 --> 00:58:28,760
Speaker 1: a minute, he was like, we're still gonna bump your ship,

1077
00:58:28,920 --> 00:58:32,400
Speaker 1: Like you still had a resist, still respect for the craft,

1078
00:58:32,520 --> 00:58:37,440
Speaker 1: I think a second, because you don't want to fan

1079
00:58:37,600 --> 00:58:41,080
Speaker 1: like that's what often in rap battles, like people don't

1080
00:58:41,120 --> 00:58:43,840
Speaker 1: acknowledge the skill of the opponent, Like you know what

1081
00:58:43,880 --> 00:58:46,480
Speaker 1: I'm saying. So we're saying, hey, you're a worthy opponent.

1082
00:58:46,520 --> 00:58:48,480
Speaker 1: I like it you and I'm not gonna we were

1083
00:58:48,560 --> 00:58:50,400
Speaker 1: cool with them niggers like before that, Like you know

1084
00:58:50,440 --> 00:58:55,680
Speaker 1: what I'm saying. That music like like why we was beefing,

1085
00:58:55,760 --> 00:58:58,840
Speaker 1: why we was beef and nothing was changing about I

1086
00:58:59,000 --> 00:59:01,240
Speaker 1: was still riding the I'm knocking see you on the hold,

1087
00:59:01,800 --> 00:59:04,640
Speaker 1: all the songs that I played from them before all

1088
00:59:04,720 --> 00:59:07,480
Speaker 1: they knew ship that was dope, even the ship say

1089
00:59:07,560 --> 00:59:09,960
Speaker 1: was this enous because you gotta do your homework and

1090
00:59:10,000 --> 00:59:11,520
Speaker 1: you want to listen and you're a fan. It was

1091
00:59:11,880 --> 00:59:14,200
Speaker 1: they still who they are and they still got that

1092
00:59:14,280 --> 00:59:16,640
Speaker 1: skill set. That's like you're saying, if you play ball

1093
00:59:16,680 --> 00:59:19,280
Speaker 1: and you know he gonna he's nice too, Like you

1094
00:59:19,760 --> 00:59:23,200
Speaker 1: just you don't you don't like just like each other.

1095
00:59:23,880 --> 00:59:26,520
Speaker 1: There's be something is you don't even touch gloves before

1096
00:59:26,560 --> 00:59:29,479
Speaker 1: the fight, No touching the gloves, none of that. After

1097
00:59:29,560 --> 00:59:32,400
Speaker 1: the fight, touch gloves, hug It was all good. We

1098
00:59:32,720 --> 00:59:34,600
Speaker 1: scrapped to that. We did what we did. But even

1099
00:59:35,520 --> 00:59:36,880
Speaker 1: but you even had at one point, I think it

1100
00:59:36,960 --> 00:59:39,120
Speaker 1: was your kiss. He was like, even your boss is soft.

1101
00:59:39,200 --> 00:59:41,320
Speaker 1: It was the seagull. You don't talk about rocket Feller

1102
00:59:41,320 --> 00:59:42,919
Speaker 1: stuff like that. So you kind of like bade hold

1103
00:59:42,960 --> 00:59:47,960
Speaker 1: a little bit. Hol did the smart ship like he

1104
00:59:48,040 --> 00:59:52,320
Speaker 1: sicked the wolves. He baited us the sick the wolves.

1105
00:59:52,360 --> 00:59:54,360
Speaker 1: He did like the intelligent are the war He was

1106
00:59:54,480 --> 00:59:56,800
Speaker 1: really all the warring on us, Like you know what

1107
00:59:56,840 --> 00:59:59,080
Speaker 1: I'm saying, Because he was he was doing both things,

1108
00:59:59,120 --> 01:00:01,600
Speaker 1: and he was going to call and doing the street

1109
01:00:01,640 --> 01:00:04,280
Speaker 1: thing at the same time and building his company, so

1110
01:00:04,400 --> 01:00:07,600
Speaker 1: it kind of looked like a trifector. I'm a bat

1111
01:00:07,680 --> 01:00:11,520
Speaker 1: him started. And because he was doing all the remixed

1112
01:00:11,560 --> 01:00:14,120
Speaker 1: kisses was Kiss was doing at the time, he kiss

1113
01:00:14,160 --> 01:00:17,720
Speaker 1: was on fire at that particular moment as a solo artist.

1114
01:00:18,080 --> 01:00:20,520
Speaker 1: So we was looking at like, oh, ship, we see

1115
01:00:20,560 --> 01:00:23,840
Speaker 1: what he's doing. And then it just panned out to

1116
01:00:23,960 --> 01:00:26,880
Speaker 1: that way, and then it was smart. He also grabbed

1117
01:00:26,960 --> 01:00:29,080
Speaker 1: up pick and told him to stop while they coming

1118
01:00:29,120 --> 01:00:33,280
Speaker 1: at me like that too, and Sony or your wife,

1119
01:00:34,480 --> 01:00:36,480
Speaker 1: you know what I mean? But do you ever always love?

1120
01:00:36,600 --> 01:00:38,560
Speaker 1: But do you regret that line that you said, Um,

1121
01:00:38,800 --> 01:00:42,560
Speaker 1: it's a man's world, said it to your dead man's No,

1122
01:00:42,800 --> 01:00:46,560
Speaker 1: I mean, because it wasn't. I didn't. Everybody said a

1123
01:00:46,680 --> 01:00:50,360
Speaker 1: witty A witty spitter knows how to say something and

1124
01:00:50,560 --> 01:00:55,240
Speaker 1: let you decipher what it means, opposed to just blatantly saying,

1125
01:00:55,680 --> 01:00:57,480
Speaker 1: you know what I mean. There was no disrespect to

1126
01:00:57,560 --> 01:01:01,480
Speaker 1: Elia or nothing that happened was just a line. You

1127
01:01:01,560 --> 01:01:03,720
Speaker 1: know what I mean? Those lines man, like the battle

1128
01:01:03,760 --> 01:01:05,640
Speaker 1: of you and beans. We had beans up here. I

1129
01:01:05,680 --> 01:01:07,760
Speaker 1: forgot to talk about it like people's favorite battle. I

1130
01:01:07,840 --> 01:01:10,160
Speaker 1: think at this point, like there's something special about that battle,

1131
01:01:10,200 --> 01:01:14,360
Speaker 1: like obviously Jay notby they loved the battle like the

1132
01:01:14,560 --> 01:01:18,560
Speaker 1: seagull and the fifty sig actually hurt me, hurt me

1133
01:01:18,880 --> 01:01:22,640
Speaker 1: more like it hurt me personally because he was like

1134
01:01:22,760 --> 01:01:24,840
Speaker 1: my friend or like my little man, not you know,

1135
01:01:25,040 --> 01:01:27,760
Speaker 1: not to say he was my little man. But Hope

1136
01:01:28,080 --> 01:01:31,640
Speaker 1: asked us to snamp him before reservoir dogs. You know

1137
01:01:31,680 --> 01:01:33,680
Speaker 1: what I mean, we was we was like the big

1138
01:01:37,200 --> 01:01:41,320
Speaker 1: love that I might balk it extra spit of the locks.

1139
01:01:41,920 --> 01:01:45,000
Speaker 1: That was he was telling us, coming to us, looking

1140
01:01:45,200 --> 01:01:47,280
Speaker 1: us out of eye, saying I really know what I mean.

1141
01:01:47,400 --> 01:01:51,160
Speaker 1: So I knew it was something that wasn't genuine because

1142
01:01:51,200 --> 01:01:54,040
Speaker 1: I never said nothing about at least fifth had that.

1143
01:01:54,320 --> 01:01:56,640
Speaker 1: You did this song with John and he can use

1144
01:01:56,760 --> 01:02:01,600
Speaker 1: that segu had nothing. They just was pick with the you.

1145
01:02:02,040 --> 01:02:04,920
Speaker 1: So what did that comfrom? You say, blackstage to hugging

1146
01:02:04,960 --> 01:02:07,320
Speaker 1: your mom's Like yeah, because on the A they got

1147
01:02:07,360 --> 01:02:10,160
Speaker 1: me with pictures hugging his mom's on it don't because

1148
01:02:10,160 --> 01:02:13,240
Speaker 1: I watched the movie Where's the Snow? It ain't in

1149
01:02:13,320 --> 01:02:20,880
Speaker 1: the movie the Somebody's Photo album. What I'm saying, what

1150
01:02:21,080 --> 01:02:25,880
Speaker 1: toy was that the um hard knock life, Yeah, hard

1151
01:02:26,360 --> 01:02:29,960
Speaker 1: life backstage bag shut out the beans in them? No man,

1152
01:02:30,200 --> 01:02:31,800
Speaker 1: So how did you? How did you officially resolve it?

1153
01:02:31,880 --> 01:02:33,960
Speaker 1: Like what was their meeting or you just spoken I

1154
01:02:33,960 --> 01:02:37,560
Speaker 1: don't want to have no beans just faded out because

1155
01:02:37,560 --> 01:02:41,480
Speaker 1: I don't remember now he started then he had turned more.

1156
01:02:41,520 --> 01:02:44,560
Speaker 1: You wouldn't he had his turn more? He end up

1157
01:02:44,600 --> 01:02:48,200
Speaker 1: saying they made him in Puerto Rico one day. It

1158
01:02:48,320 --> 01:02:54,240
Speaker 1: was Puerto Rico. We was in Puerto Rico, some of

1159
01:02:54,320 --> 01:02:56,040
Speaker 1: the something like that. It was one of those. It

1160
01:02:56,160 --> 01:02:58,640
Speaker 1: was one of those because yeah, fifty was performing, fifty

1161
01:02:58,720 --> 01:03:01,520
Speaker 1: has a big fifty had the big headline whatever that was.

1162
01:03:02,160 --> 01:03:04,560
Speaker 1: We see we didn't see Siegal, but we've seen free.

1163
01:03:05,840 --> 01:03:08,880
Speaker 1: You've seen Free. Actually it was me and Luke on

1164
01:03:08,920 --> 01:03:11,800
Speaker 1: the steps. It was me. It was me, you ain't

1165
01:03:11,880 --> 01:03:13,880
Speaker 1: it me? And I met him downstairs. Yeh, it was

1166
01:03:14,000 --> 01:03:15,640
Speaker 1: me and you ain't hit on the on the thing.

1167
01:03:16,280 --> 01:03:19,000
Speaker 1: And then we came up with a plan A and

1168
01:03:19,080 --> 01:03:22,360
Speaker 1: the plan B in the plann C. Yeah, I remember

1169
01:03:22,400 --> 01:03:24,600
Speaker 1: the whole ship. First one was like, oh, we're just

1170
01:03:24,680 --> 01:03:26,760
Speaker 1: gonna fuck freeway up right there because we was in

1171
01:03:26,800 --> 01:03:28,760
Speaker 1: the same because we was in the same model, and

1172
01:03:29,760 --> 01:03:31,919
Speaker 1: we was like we could jump this and Nigga right here,

1173
01:03:32,200 --> 01:03:34,120
Speaker 1: and he was dollar because he didn't see us yet.

1174
01:03:34,640 --> 01:03:36,800
Speaker 1: He didn't see us yet. We've seen him going in,

1175
01:03:36,920 --> 01:03:39,000
Speaker 1: but he didn't see us yet. So we're just like hi.

1176
01:03:39,440 --> 01:03:43,360
Speaker 1: And then we was like, you know what, let's chop

1177
01:03:43,440 --> 01:03:44,720
Speaker 1: it up. Like you know what I'm saying, Let's go

1178
01:03:44,840 --> 01:03:46,400
Speaker 1: chop it up. We in Puerto Rico. That would be

1179
01:03:46,440 --> 01:03:49,560
Speaker 1: fucking stupid. We're gonna sunk up this in the scope. YadA, YadA, YadA,

1180
01:03:50,080 --> 01:03:52,960
Speaker 1: jail Puerto Rico. Let's let's see if we get to

1181
01:03:53,000 --> 01:03:54,760
Speaker 1: come to see if it comes to some terms like

1182
01:03:54,800 --> 01:03:57,480
Speaker 1: you know what I'm saying or something or and then um,

1183
01:03:57,640 --> 01:03:59,880
Speaker 1: because before that we've seen each other a couple of times.

1184
01:04:00,040 --> 01:04:02,360
Speaker 1: He had a few incidents nobody don't really know about

1185
01:04:02,640 --> 01:04:05,560
Speaker 1: because the Internet wasn't out where. It's like fun, y'r

1186
01:04:05,640 --> 01:04:07,840
Speaker 1: niggers want to do it, what's up like and all

1187
01:04:07,920 --> 01:04:09,919
Speaker 1: of that. But it was like, you know, somebody's gonna

1188
01:04:09,960 --> 01:04:12,560
Speaker 1: get shot, somebody gonna get something stupid is gonna happen.

1189
01:04:12,600 --> 01:04:16,480
Speaker 1: So let's surprised you meet the person. Man, how cool

1190
01:04:16,520 --> 01:04:17,960
Speaker 1: they are? Like you know what I mean? A lot

1191
01:04:18,040 --> 01:04:21,160
Speaker 1: of it we've never even met even sat here like

1192
01:04:21,240 --> 01:04:24,720
Speaker 1: this ever. Wow, that was that was a crazy time, man,

1193
01:04:24,960 --> 01:04:27,040
Speaker 1: just going up to Hot ninety seven. I feel like

1194
01:04:27,080 --> 01:04:29,360
Speaker 1: you guys in Union and dip Set to an extent too,

1195
01:04:29,440 --> 01:04:33,480
Speaker 1: started off like keeping niggas listening to the radio for freestyle.

1196
01:04:33,560 --> 01:04:35,880
Speaker 1: Now it doesn't really have the same kind of appeal anymore.

1197
01:04:37,360 --> 01:04:39,960
Speaker 1: I think that's two reasons. One because in the m

1198
01:04:40,040 --> 01:04:42,400
Speaker 1: C and one because it's the DJ. So it's both

1199
01:04:42,960 --> 01:04:45,880
Speaker 1: because when you take out the appeal of the importance

1200
01:04:45,920 --> 01:04:49,160
Speaker 1: of freestyling and point of actually being able to lyrically rhyme,

1201
01:04:49,920 --> 01:04:52,400
Speaker 1: kind of fux it all up. You know what I mean.

1202
01:04:52,520 --> 01:04:54,640
Speaker 1: I said, you tweeted something like recently you said like

1203
01:04:54,800 --> 01:04:57,280
Speaker 1: every three weeks you feel like not rapping anymore, something

1204
01:04:57,360 --> 01:04:59,640
Speaker 1: like that, and then you throw like four songs on

1205
01:04:59,720 --> 01:05:02,520
Speaker 1: sound floud. I mean, I love the I love the

1206
01:05:02,600 --> 01:05:04,880
Speaker 1: rhyme like I love. If I ain't had these two,

1207
01:05:04,960 --> 01:05:06,920
Speaker 1: probably I probably would have quit, to be honest with you,

1208
01:05:07,360 --> 01:05:11,520
Speaker 1: because it's you know, um and I don't know. It's

1209
01:05:11,560 --> 01:05:15,040
Speaker 1: like the lyricist. The appreciation of lyricism isn't what it

1210
01:05:15,200 --> 01:05:16,680
Speaker 1: used to be. Like you know what I'm saying that

1211
01:05:16,760 --> 01:05:20,560
Speaker 1: I get it because music change, things evolved changed, but

1212
01:05:20,680 --> 01:05:23,480
Speaker 1: the attention span is so short and then more so

1213
01:05:23,640 --> 01:05:26,040
Speaker 1: than that, not even with us, because fortunately throughout it

1214
01:05:26,120 --> 01:05:28,840
Speaker 1: all we get the They funk with us, the young people,

1215
01:05:28,920 --> 01:05:31,400
Speaker 1: the old people. Everybody funks with us, but it's fucked

1216
01:05:31,480 --> 01:05:34,439
Speaker 1: up like like no, no, not the um young thug.

1217
01:05:34,520 --> 01:05:36,720
Speaker 1: But whenever a person like me is looking at a

1218
01:05:36,920 --> 01:05:40,479
Speaker 1: die hard little Wayne fan for seven years, say funck

1219
01:05:40,560 --> 01:05:43,919
Speaker 1: little Wayne because a young thug. It makes me feel

1220
01:05:44,000 --> 01:05:47,080
Speaker 1: fucked up from where where hip hop is like nowadays,

1221
01:05:47,200 --> 01:05:49,640
Speaker 1: Like if you had a favorite, you stuck with who

1222
01:05:49,680 --> 01:05:51,480
Speaker 1: your favorite was, you didn't change that ship up in

1223
01:05:51,560 --> 01:05:54,440
Speaker 1: four weeks. You can't say Drake was your favorite, then

1224
01:05:54,920 --> 01:05:58,240
Speaker 1: Kanye is your favorite next week, then Jake Cole is

1225
01:05:58,280 --> 01:06:01,120
Speaker 1: your favorite than Kendricks, your who the fund is your favorite?

1226
01:06:01,840 --> 01:06:03,600
Speaker 1: You could like a ball like you know what I'm saying,

1227
01:06:03,680 --> 01:06:06,760
Speaker 1: But they can't all be your fucking favorite. So that

1228
01:06:06,800 --> 01:06:09,080
Speaker 1: should be like, you know, but I respect that. You know,

1229
01:06:09,240 --> 01:06:11,200
Speaker 1: I'm a little older than these dudes, like I could

1230
01:06:11,240 --> 01:06:13,680
Speaker 1: be some of the falls. My son's eighteen, he's graduating

1231
01:06:13,720 --> 01:06:15,720
Speaker 1: this ship and such, and so I don't try to

1232
01:06:15,840 --> 01:06:17,400
Speaker 1: judge it like like he said, we don't have the

1233
01:06:17,560 --> 01:06:19,880
Speaker 1: right like the rest of our peers and a lot

1234
01:06:19,920 --> 01:06:22,120
Speaker 1: of people in our age group judging the knocket. I

1235
01:06:22,240 --> 01:06:26,600
Speaker 1: just said, it's fucked up, and yeah, Kin kind of

1236
01:06:26,680 --> 01:06:28,400
Speaker 1: challenge the audience with the roll out of your last

1237
01:06:28,440 --> 01:06:32,200
Speaker 1: album with that in terms of likeficient Rod, just to

1238
01:06:32,280 --> 01:06:35,240
Speaker 1: show them you could do you know you can do that.

1239
01:06:36,360 --> 01:06:40,680
Speaker 1: I acknowledge the new listeners is partly due to our kids,

1240
01:06:40,760 --> 01:06:41,920
Speaker 1: Like you know what I mean, I got a son

1241
01:06:42,040 --> 01:06:45,040
Speaker 1: that's about to be a junior Clark Atlanta and then

1242
01:06:45,280 --> 01:06:50,080
Speaker 1: fashion and his air and this his whole involvement in

1243
01:06:50,160 --> 01:06:54,200
Speaker 1: the culture is very influential in my career, you know

1244
01:06:54,240 --> 01:06:56,880
Speaker 1: what I mean to a certain aspoint. Yeah, it's a

1245
01:06:56,920 --> 01:06:59,200
Speaker 1: bug him out being that his dad is Jada Kiss

1246
01:06:59,360 --> 01:07:01,320
Speaker 1: Like he's like the same age you were when you

1247
01:07:01,360 --> 01:07:04,479
Speaker 1: first started out right, Yeah, you just spend more money

1248
01:07:04,600 --> 01:07:10,080
Speaker 1: than my dad was just Robert Phillips. But what's it

1249
01:07:10,160 --> 01:07:12,040
Speaker 1: like growing? Like you guys live life changes obviously with

1250
01:07:12,040 --> 01:07:14,080
Speaker 1: the juices and health and you know the guy, the

1251
01:07:14,200 --> 01:07:16,600
Speaker 1: personal changes you guys have made, Like how did that develop?

1252
01:07:16,720 --> 01:07:21,400
Speaker 1: Like to be plant based? Are your experience? Man? Like

1253
01:07:21,520 --> 01:07:24,520
Speaker 1: we say, like the ship is morning, incorporate everything. I

1254
01:07:24,640 --> 01:07:26,280
Speaker 1: think people like a lot of people look at the

1255
01:07:26,360 --> 01:07:29,360
Speaker 1: locks or d block and they you know, you see

1256
01:07:29,360 --> 01:07:31,960
Speaker 1: a rap group or that's what you see, or you know,

1257
01:07:32,480 --> 01:07:34,600
Speaker 1: I think we more than that. We like an organization

1258
01:07:34,680 --> 01:07:38,680
Speaker 1: of family and teams. So this starts from always like

1259
01:07:38,760 --> 01:07:40,600
Speaker 1: if one is doing better, you want you want your

1260
01:07:40,640 --> 01:07:42,840
Speaker 1: brothers to do better. Like Lucis calling me seven in

1261
01:07:42,880 --> 01:07:45,760
Speaker 1: the morning, Nice day, Go go work, out. You hit

1262
01:07:45,800 --> 01:07:48,400
Speaker 1: that track, there, you hit the weights. It's looking bright.

1263
01:07:48,680 --> 01:07:50,920
Speaker 1: Can't show here's a new FOODSPI eat this and such

1264
01:07:50,960 --> 01:07:53,160
Speaker 1: and such me vice versa, because it's more than that.

1265
01:07:53,360 --> 01:07:57,120
Speaker 1: Like our families are families besides us three, Like that's

1266
01:07:57,120 --> 01:07:59,760
Speaker 1: what a lot of people don't understand. But besides this,

1267
01:08:00,680 --> 01:08:03,720
Speaker 1: I think our evolution comes with trying to get bigger,

1268
01:08:03,840 --> 01:08:06,280
Speaker 1: trying to be more successful, trying to be impossible, knowing

1269
01:08:06,280 --> 01:08:09,000
Speaker 1: where we're from, staying around it, and then being connected

1270
01:08:09,040 --> 01:08:11,600
Speaker 1: with each other and respecting each other's word. So it

1271
01:08:11,720 --> 01:08:14,320
Speaker 1: kind of keeps everybody grounding and on a on a

1272
01:08:14,480 --> 01:08:18,479
Speaker 1: level of growing and inspiring to be better together. Like

1273
01:08:18,560 --> 01:08:20,680
Speaker 1: the hood too, Yeah, for sure, that's what we did.

1274
01:08:20,840 --> 01:08:24,600
Speaker 1: That's that's that's the main thing. Because you know, I

1275
01:08:24,680 --> 01:08:26,960
Speaker 1: mean not to be funny, I hate to sound preachy,

1276
01:08:27,080 --> 01:08:29,880
Speaker 1: but hip hop is the biggest influence to the youth,

1277
01:08:30,040 --> 01:08:31,960
Speaker 1: Like you know what I'm saying. And if we it's

1278
01:08:32,000 --> 01:08:34,599
Speaker 1: a bragger doocer sports, so you're supposed to be bragger dooceer,

1279
01:08:34,680 --> 01:08:36,840
Speaker 1: say you're better than everybody and brag about the ship

1280
01:08:36,920 --> 01:08:39,800
Speaker 1: you've got. But how many niggas in the hood could

1281
01:08:39,800 --> 01:08:42,960
Speaker 1: even really afford a civic, like go to the hook, right,

1282
01:08:43,320 --> 01:08:45,200
Speaker 1: So we talk about it. You can't get that. You

1283
01:08:45,240 --> 01:08:47,200
Speaker 1: can't get the Rolex. Niggers can't get the civic and

1284
01:08:47,240 --> 01:08:50,960
Speaker 1: the swatch. So if we all credit card or like

1285
01:08:51,040 --> 01:08:53,080
Speaker 1: you're saying, so Certain Ship, we know as the locks.

1286
01:08:53,640 --> 01:08:55,840
Speaker 1: We try to stay grounded with attached to the bank

1287
01:08:56,360 --> 01:08:58,640
Speaker 1: and we keep the balance. So we know. Health got

1288
01:08:58,680 --> 01:09:00,439
Speaker 1: a lot to do with that, like health working out,

1289
01:09:00,560 --> 01:09:04,400
Speaker 1: You ain't healthy. You can't be fake or nothing. What

1290
01:09:04,439 --> 01:09:07,639
Speaker 1: I'm saying you want ain't just the working out neither,

1291
01:09:07,760 --> 01:09:09,320
Speaker 1: like I mean, it just ain't to eat, because it's

1292
01:09:09,320 --> 01:09:12,000
Speaker 1: about eating, working out and being in a good mindspace

1293
01:09:12,040 --> 01:09:14,000
Speaker 1: and good being around good people with good energy. Like

1294
01:09:14,040 --> 01:09:16,320
Speaker 1: we were just in the car talking about Certain Ship.

1295
01:09:16,400 --> 01:09:19,080
Speaker 1: We avoiders and because we don't want to be around

1296
01:09:19,120 --> 01:09:21,560
Speaker 1: fucking bad energy, we don't need that ship like we

1297
01:09:21,640 --> 01:09:24,160
Speaker 1: you're trying to build together, So a little bit of

1298
01:09:24,200 --> 01:09:26,479
Speaker 1: bad energy can suck the whole groove up for everybody.

1299
01:09:26,560 --> 01:09:28,639
Speaker 1: So we try to all beware of that, be mindful

1300
01:09:28,640 --> 01:09:31,760
Speaker 1: of it and trying to grow. Know what I'm saying,

1301
01:09:31,840 --> 01:09:34,640
Speaker 1: like the O G perspective, trying to go out at

1302
01:09:34,680 --> 01:09:36,840
Speaker 1: the end of the day, being an artist or this

1303
01:09:37,479 --> 01:09:41,000
Speaker 1: hip hop industry is only it should be a stepping

1304
01:09:41,120 --> 01:09:45,160
Speaker 1: storm branch you off, you know, make some money and

1305
01:09:45,320 --> 01:09:49,799
Speaker 1: do create some other avenues for yourself, whether it's juice

1306
01:09:49,840 --> 01:09:51,240
Speaker 1: and you know what I mean, I want to do

1307
01:09:51,360 --> 01:09:55,360
Speaker 1: the voice over things, a bunch of things to do

1308
01:09:55,520 --> 01:10:00,760
Speaker 1: with we gotta you know, your brand always talks about this.

1309
01:10:00,840 --> 01:10:03,360
Speaker 1: Allives like groups. You know, there's not too many groups anymore,

1310
01:10:03,439 --> 01:10:06,040
Speaker 1: like there's maybe a handful if that. What's the secret

1311
01:10:06,080 --> 01:10:07,840
Speaker 1: to the success and why do you think that doesn't exist?

1312
01:10:07,880 --> 01:10:10,320
Speaker 1: Just watching all of them funk up, you know what

1313
01:10:10,360 --> 01:10:14,560
Speaker 1: I mean, watching dudes and have Twitter rants, have financial

1314
01:10:14,760 --> 01:10:19,879
Speaker 1: arguments over on social media, or just bash they bashed

1315
01:10:20,280 --> 01:10:23,840
Speaker 1: somebody they came in the game with, you know, uncontrollably

1316
01:10:24,000 --> 01:10:27,479
Speaker 1: for no reason. We we use all of that as

1317
01:10:27,840 --> 01:10:31,920
Speaker 1: tools to keep us loyal and no dividing conquer no

1318
01:10:32,640 --> 01:10:36,120
Speaker 1: financial people get in your air and do none of

1319
01:10:36,200 --> 01:10:39,360
Speaker 1: that type of you know, no underhanded snake ship and

1320
01:10:39,520 --> 01:10:42,400
Speaker 1: keep anything one hundred and it is what it is.

1321
01:10:42,640 --> 01:10:46,720
Speaker 1: We agree to disagree. We don't always collectively agree on

1322
01:10:46,840 --> 01:10:49,200
Speaker 1: the same thing right off the bat or none of that.

1323
01:10:49,360 --> 01:10:52,600
Speaker 1: And it's never it's not gonna be like that of

1324
01:10:52,640 --> 01:10:58,200
Speaker 1: three rules out of threes, that's what it is. That's

1325
01:10:58,200 --> 01:11:00,000
Speaker 1: what it is for your two out of three rules.

1326
01:11:00,200 --> 01:11:01,880
Speaker 1: But why do you think other artists interos feel like

1327
01:11:01,920 --> 01:11:03,240
Speaker 1: they don't need to pair up with each other, Like

1328
01:11:03,280 --> 01:11:05,240
Speaker 1: everybody wants to be an individual artist, Like why do

1329
01:11:05,280 --> 01:11:09,360
Speaker 1: you think you don't see really people coming your circle

1330
01:11:09,400 --> 01:11:11,720
Speaker 1: to do that kind of Ship's definitely people get in

1331
01:11:11,760 --> 01:11:13,560
Speaker 1: your air. But for one, a lot of them is

1332
01:11:13,600 --> 01:11:15,920
Speaker 1: not organic. None of them didn't know each other since

1333
01:11:15,960 --> 01:11:19,519
Speaker 1: little kids, like a lot of them didn't play pop

1334
01:11:19,600 --> 01:11:22,160
Speaker 1: Warna football together. And all of them, you know, they

1335
01:11:22,280 --> 01:11:25,839
Speaker 1: met down the road and their journey we met before

1336
01:11:26,360 --> 01:11:28,559
Speaker 1: we was going to school shopping. They goethering for them

1337
01:11:28,640 --> 01:11:31,639
Speaker 1: looking for deals for air forces. So it's a different

1338
01:11:31,760 --> 01:11:34,960
Speaker 1: kind of it's different. You gotta respect their brotherhood, like

1339
01:11:35,040 --> 01:11:36,360
Speaker 1: you know what I mean, Like I think a lot

1340
01:11:36,400 --> 01:11:39,599
Speaker 1: of dudes like money. Money is definitely the easiest thing

1341
01:11:39,680 --> 01:11:42,120
Speaker 1: that could divide you. And I think we came into

1342
01:11:42,200 --> 01:11:45,080
Speaker 1: the door like we said fucking earlier. I mean, we said,

1343
01:11:45,160 --> 01:11:48,320
Speaker 1: let the lots go on puff. Bad boy is very

1344
01:11:48,439 --> 01:11:50,360
Speaker 1: young men, So that should show you an idea of

1345
01:11:51,920 --> 01:11:53,360
Speaker 1: it got to be a band of brothers. Like you

1346
01:11:53,400 --> 01:11:55,400
Speaker 1: know what I'm saying, and I think that has me

1347
01:11:55,560 --> 01:11:57,160
Speaker 1: That sucks me up with a lot of rap groups

1348
01:11:57,160 --> 01:11:58,840
Speaker 1: because it's sad to say, not to be funny. I

1349
01:11:58,960 --> 01:12:00,519
Speaker 1: was just looking at that ship with him and um

1350
01:12:00,880 --> 01:12:03,200
Speaker 1: Cam last night, like I love dip Set, not even

1351
01:12:03,520 --> 01:12:05,920
Speaker 1: like as a as a fan of music. It kind

1352
01:12:05,960 --> 01:12:07,720
Speaker 1: of it sucks you up when you can't see a

1353
01:12:08,479 --> 01:12:11,680
Speaker 1: group that you love. It sucks me up. This not

1354
01:12:11,880 --> 01:12:15,639
Speaker 1: see Hole with Bigs and Game. Yeah, all that ship

1355
01:12:15,760 --> 01:12:17,720
Speaker 1: like really fucks with us, Like you know what I'm

1356
01:12:17,720 --> 01:12:19,920
Speaker 1: saying that kind of like I want to see g

1357
01:12:20,200 --> 01:12:22,400
Speaker 1: Unit as g Unit, like you know the stand want

1358
01:12:22,439 --> 01:12:24,920
Speaker 1: to see Rocket fell as. Even if it's not all

1359
01:12:24,960 --> 01:12:28,479
Speaker 1: the time, it should be able like once twice Christmas,

1360
01:12:28,600 --> 01:12:31,320
Speaker 1: maybe New Year's some ship they should be because that

1361
01:12:31,320 --> 01:12:33,439
Speaker 1: ship built a lot of this city. Do you think

1362
01:12:33,479 --> 01:12:35,519
Speaker 1: that they built that's true? Do you think that the

1363
01:12:35,640 --> 01:12:37,799
Speaker 1: locks if you guys came out today as that couldn't

1364
01:12:38,720 --> 01:12:45,840
Speaker 1: sustain the way fucking hell yeah, wait till your head,

1365
01:12:47,080 --> 01:12:49,360
Speaker 1: because we win, we would be the same people who

1366
01:12:49,400 --> 01:12:52,840
Speaker 1: we are now, you know what I mean? We win, We'

1367
01:12:53,000 --> 01:12:55,840
Speaker 1: not ying while we are run. It's still go. Yeah,

1368
01:12:55,880 --> 01:12:59,200
Speaker 1: we didn't change we should I mean we yeah, we're

1369
01:12:59,320 --> 01:13:02,960
Speaker 1: evolving depth, but we don't change with the initial what

1370
01:13:03,120 --> 01:13:06,080
Speaker 1: we're here introductions? Do you even win together or you

1371
01:13:06,160 --> 01:13:08,160
Speaker 1: feel together? And I think a lot of artists don't

1372
01:13:08,240 --> 01:13:09,599
Speaker 1: keep that in mind, Like you know what I'm saying.

1373
01:13:09,600 --> 01:13:11,200
Speaker 1: You think it's with a lot of people that people

1374
01:13:11,280 --> 01:13:13,080
Speaker 1: might looked at in the early days of rap, like

1375
01:13:13,160 --> 01:13:15,800
Speaker 1: you guys reputation like hot hairs, a thugs, the kind

1376
01:13:15,840 --> 01:13:17,800
Speaker 1: of thing like a Nori or you guys like they

1377
01:13:17,880 --> 01:13:19,720
Speaker 1: end up you guys end up having the longevity. Were

1378
01:13:19,720 --> 01:13:21,360
Speaker 1: a lot of people thought like maybe you guys wouldn't

1379
01:13:21,400 --> 01:13:22,880
Speaker 1: be in there for the long haul, but like, if

1380
01:13:22,920 --> 01:13:24,920
Speaker 1: you guys have been there for like decades, you make

1381
01:13:25,000 --> 01:13:27,840
Speaker 1: the transition. We was hot heads, we were we were

1382
01:13:27,960 --> 01:13:30,960
Speaker 1: hot heads. Nori was a hot head that was able

1383
01:13:31,000 --> 01:13:34,880
Speaker 1: to businessman. Yeah, you know what I mean that you

1384
01:13:35,040 --> 01:13:37,519
Speaker 1: get it, you understand it, and you grow when you

1385
01:13:37,680 --> 01:13:40,479
Speaker 1: learn this shouldn't make it work for you and you

1386
01:13:40,840 --> 01:13:43,519
Speaker 1: you understand that being a hot head is not gonna

1387
01:13:43,600 --> 01:13:46,360
Speaker 1: keep you around. You cool your head off a little,

1388
01:13:50,680 --> 01:13:55,800
Speaker 1: gonna get to that album. Do you ever missed out

1389
01:13:55,840 --> 01:13:59,439
Speaker 1: your misiness being uh reckless of times? I mean I

1390
01:13:59,520 --> 01:14:05,280
Speaker 1: love once a month. I don't miss it. You know

1391
01:14:05,320 --> 01:14:09,080
Speaker 1: what it is because sometimes you know, sometimes in this thing,

1392
01:14:09,240 --> 01:14:12,600
Speaker 1: like people say things to you that you want to

1393
01:14:12,640 --> 01:14:15,320
Speaker 1: put hands on them for hands and feet on them

1394
01:14:15,360 --> 01:14:17,760
Speaker 1: for social media, social media, like you know what I mean.

1395
01:14:17,800 --> 01:14:22,360
Speaker 1: It's a lot of no, not not not not not

1396
01:14:22,479 --> 01:14:25,280
Speaker 1: in a disrespectful way. It's just some sometimes somebody says

1397
01:14:25,280 --> 01:14:28,080
Speaker 1: some ship that's just playing no stupid like sometimes and

1398
01:14:28,200 --> 01:14:30,240
Speaker 1: you you you think about it and you go there,

1399
01:14:30,280 --> 01:14:32,680
Speaker 1: but just kind of I just remember the smell of

1400
01:14:32,760 --> 01:14:35,280
Speaker 1: the jail, and that brings me right back to reality.

1401
01:14:35,280 --> 01:14:38,519
Speaker 1: I remember fucking lifting my nuts and spreading my cheeks

1402
01:14:38,560 --> 01:14:41,040
Speaker 1: for I'll go to the visit room, lifting my feet

1403
01:14:41,080 --> 01:14:43,200
Speaker 1: and open them up. Yeah, I try to think of

1404
01:14:43,200 --> 01:14:46,080
Speaker 1: all that ship and lawsuit money and lawyer money, and

1405
01:14:46,200 --> 01:14:48,200
Speaker 1: then you know it just ain't fucking worth it. And

1406
01:14:48,240 --> 01:14:51,360
Speaker 1: then you calm yourself down with that. But sometimes you

1407
01:14:51,400 --> 01:14:54,080
Speaker 1: want to smack the ship out of somebody's human anybody

1408
01:14:54,120 --> 01:14:55,760
Speaker 1: want to smack all the time. But I won't miss it.

1409
01:14:56,640 --> 01:14:59,840
Speaker 1: I miss it. I don't miss it, got it. I

1410
01:15:00,040 --> 01:15:03,280
Speaker 1: like a free smack, though hand, and I take a

1411
01:15:03,360 --> 01:15:05,880
Speaker 1: free smack every style. You seem like the most out

1412
01:15:05,920 --> 01:15:08,439
Speaker 1: of the crew that you stay on social media monitor

1413
01:15:08,520 --> 01:15:10,800
Speaker 1: things a lot more than maybe she could kill to

1414
01:15:10,960 --> 01:15:13,200
Speaker 1: like why why why is that your thing? Like why

1415
01:15:13,240 --> 01:15:15,000
Speaker 1: do you why do you have to? I have to

1416
01:15:15,040 --> 01:15:18,840
Speaker 1: because one, um, when I've been independent for a long time,

1417
01:15:18,880 --> 01:15:21,120
Speaker 1: you know what I'm saying. Um. Two, I have a

1418
01:15:21,200 --> 01:15:24,840
Speaker 1: juice business too, you know. Three, you gotta under you know,

1419
01:15:24,920 --> 01:15:26,680
Speaker 1: you gotta under look at your level or rap. Like

1420
01:15:26,720 --> 01:15:30,559
Speaker 1: if I don't stay busy, then then then I could

1421
01:15:30,600 --> 01:15:32,360
Speaker 1: fade out slightly. I could get it. I could get

1422
01:15:32,439 --> 01:15:35,519
Speaker 1: probably a six month break hearing there. But then it's

1423
01:15:35,560 --> 01:15:37,840
Speaker 1: like my fans is like, what's up? So, you know,

1424
01:15:38,240 --> 01:15:40,560
Speaker 1: I just feel like I gotta snail on Twitter to

1425
01:15:40,720 --> 01:15:43,400
Speaker 1: be to adapt because it's really you know, I've adapted

1426
01:15:43,439 --> 01:15:45,800
Speaker 1: to being now trying to get snapped because I've done

1427
01:15:45,840 --> 01:15:50,120
Speaker 1: the homework and Snap and Facebook is actually more engaging

1428
01:15:50,280 --> 01:15:52,439
Speaker 1: with your fans and Twitter, but I'm so used to

1429
01:15:52,560 --> 01:15:55,080
Speaker 1: talking more than taking the picture. And it's a way

1430
01:15:55,120 --> 01:15:57,840
Speaker 1: for you because the fans engaging those who funk what

1431
01:15:57,920 --> 01:16:00,439
Speaker 1: you funk with you and go buy that music. I figured,

1432
01:16:00,520 --> 01:16:03,439
Speaker 1: you know, let me work who I got right, and

1433
01:16:03,560 --> 01:16:06,280
Speaker 1: he worked these motherfucker's so I can't that kind of ship.

1434
01:16:08,280 --> 01:16:09,680
Speaker 1: I have fun with it. I get the hang of

1435
01:16:09,720 --> 01:16:12,240
Speaker 1: this ship. He don't even say nothing. It is bopp

1436
01:16:12,320 --> 01:16:18,719
Speaker 1: into the camera there for that the anti Sophie, anti

1437
01:16:18,840 --> 01:16:22,400
Speaker 1: mirror picture. Right, That's what I'm trying. I'm trying to

1438
01:16:22,439 --> 01:16:25,519
Speaker 1: help not a lot of them play the music in

1439
01:16:25,600 --> 01:16:29,280
Speaker 1: this box. That ship crazy. To get somebody your phone

1440
01:16:29,320 --> 01:16:31,800
Speaker 1: and let him snap you. Yeah, that's what I do.

1441
01:16:31,880 --> 01:16:34,840
Speaker 1: I just snap of it. Ship felt snap you the

1442
01:16:35,000 --> 01:16:39,680
Speaker 1: toy people gets on social media in depth. In me,

1443
01:16:39,840 --> 01:16:43,519
Speaker 1: I'm just on Twitter more. I'm just trying to get

1444
01:16:46,080 --> 01:16:50,040
Speaker 1: the Twitter's fun for me. It's like it's maybe some

1445
01:16:50,160 --> 01:16:52,639
Speaker 1: ship I wanted to wrap that I ain't gonna wrap flag.

1446
01:16:52,720 --> 01:16:55,519
Speaker 1: You just tweet have a full blown argument with you

1447
01:16:55,600 --> 01:17:00,519
Speaker 1: on Twitter. I said, lie, but Pat, my past three

1448
01:17:00,600 --> 01:17:04,120
Speaker 1: years been cool my name in my past early days,

1449
01:17:04,360 --> 01:17:10,400
Speaker 1: I had certain words for that cock goggless buffers. But

1450
01:17:10,760 --> 01:17:12,560
Speaker 1: that's always up the lost because you guys, event on

1451
01:17:12,600 --> 01:17:14,360
Speaker 1: your records like kiss. One of the records I still

1452
01:17:14,400 --> 01:17:16,160
Speaker 1: think about is like feel me and still feel me?

1453
01:17:16,200 --> 01:17:17,680
Speaker 1: Are we're still going to get more of those kind

1454
01:17:17,720 --> 01:17:19,479
Speaker 1: of yeah? I mean, you know, I had to go

1455
01:17:19,640 --> 01:17:22,880
Speaker 1: through some more stuff and I definitely did so, I'm

1456
01:17:23,360 --> 01:17:27,160
Speaker 1: definitely gonna. I'm actually I reached out the owl a

1457
01:17:27,240 --> 01:17:31,439
Speaker 1: few months ago to cook up another feeling. That ship,

1458
01:17:31,840 --> 01:17:33,479
Speaker 1: that ship he just asked you, was the ship that

1459
01:17:33,600 --> 01:17:37,839
Speaker 1: drives me the most crazy. When people go like sometimes

1460
01:17:37,920 --> 01:17:39,519
Speaker 1: like when people want you to go in the back

1461
01:17:39,600 --> 01:17:44,560
Speaker 1: to a certain place a record like yo Holiday, I'm like,

1462
01:17:44,640 --> 01:17:46,920
Speaker 1: I don't want to go to jail, like you know

1463
01:17:46,960 --> 01:17:50,240
Speaker 1: what I'm saying, But they're not the song I'm saying

1464
01:17:50,320 --> 01:17:53,479
Speaker 1: the feeling of that that I'm not in that Zoe.

1465
01:17:54,200 --> 01:17:57,040
Speaker 1: I might catch that Zoe hearing there, but I'm not

1466
01:17:57,160 --> 01:18:00,000
Speaker 1: walking around ready to stab people, ready bust my stuff.

1467
01:18:00,160 --> 01:18:06,400
Speaker 1: Ricky say, I'm ignorant and bus gun sell. I'm still that.

1468
01:18:07,360 --> 01:18:09,719
Speaker 1: I'm working the other shot. I met the other side.

1469
01:18:09,800 --> 01:18:12,519
Speaker 1: It's good over there. It's relief again and not get

1470
01:18:12,600 --> 01:18:14,479
Speaker 1: in trouble. You know what I'm saying. It's it feels

1471
01:18:14,479 --> 01:18:17,519
Speaker 1: good to wake up and walking to walk in the building,

1472
01:18:17,600 --> 01:18:19,439
Speaker 1: and I have that energy on you and not have

1473
01:18:19,600 --> 01:18:22,360
Speaker 1: that vibe on wanting to fucking shoot or stab or

1474
01:18:22,400 --> 01:18:25,599
Speaker 1: beat somebody looking over your back, worrying about them doing

1475
01:18:25,640 --> 01:18:28,360
Speaker 1: the same to you. Being able to say I'm right

1476
01:18:28,400 --> 01:18:30,240
Speaker 1: in now. I tell the person I ain't gonna let

1477
01:18:30,280 --> 01:18:31,840
Speaker 1: you put hands on me and get close to me.

1478
01:18:32,320 --> 01:18:35,120
Speaker 1: But I'm cool with telling anybody I'm cool like I'm cool. Dog,

1479
01:18:35,120 --> 01:18:37,639
Speaker 1: I don't want the problems I give you one or two.

1480
01:18:37,640 --> 01:18:43,360
Speaker 1: I don't want no problems if you get close something

1481
01:18:43,360 --> 01:18:44,920
Speaker 1: to do I gotta do. But if you know you

1482
01:18:45,000 --> 01:18:47,840
Speaker 1: gotta hip hop, especially in hip hop, you gotta We've

1483
01:18:47,880 --> 01:18:49,479
Speaker 1: in the locks like for a long time, and we

1484
01:18:49,840 --> 01:18:53,080
Speaker 1: say not to knock no other rappers, but this is

1485
01:18:53,120 --> 01:18:56,840
Speaker 1: a long run of being guarding ourselves. Dog, this is

1486
01:18:56,920 --> 01:18:59,560
Speaker 1: a long like. That's not there's no token or no

1487
01:19:00,120 --> 01:19:02,280
Speaker 1: ton't no award for that. But you know what it

1488
01:19:02,400 --> 01:19:06,320
Speaker 1: is that landing on the plane, no ratchet, go to

1489
01:19:06,400 --> 01:19:14,280
Speaker 1: a club, hood, authentic stickup kids, dope dealers, strippers, jack boys,

1490
01:19:15,200 --> 01:19:17,280
Speaker 1: niggers who want to see if you who you said

1491
01:19:17,360 --> 01:19:20,479
Speaker 1: you was, and you have to carry yourself a certain way.

1492
01:19:20,800 --> 01:19:22,800
Speaker 1: We're blessed to be alive, like you know what I'm saying.

1493
01:19:22,800 --> 01:19:24,799
Speaker 1: People don't like we blessed to be alive and blessed

1494
01:19:24,840 --> 01:19:26,479
Speaker 1: to be here and blessed to be able to go

1495
01:19:26,560 --> 01:19:28,600
Speaker 1: into the town. And and I'm saying people who we

1496
01:19:28,600 --> 01:19:31,880
Speaker 1: should be worried about, say, Yo, we love y'all, we

1497
01:19:32,000 --> 01:19:35,680
Speaker 1: got yall. We're holding y'all down? Whatever happened? D blocks here?

1498
01:19:35,760 --> 01:19:38,439
Speaker 1: I don't even notice, nigger, I'm D block D blocks

1499
01:19:38,479 --> 01:19:41,680
Speaker 1: in the building, Ratty's in the call? What like? Is

1500
01:19:41,720 --> 01:19:43,800
Speaker 1: that the thing? Like you guys? Of course, have you

1501
01:19:43,840 --> 01:19:46,080
Speaker 1: know commercial success? I remember kiss you said? You know

1502
01:19:46,720 --> 01:19:48,720
Speaker 1: you get respect depending who says it, and things like that.

1503
01:19:48,800 --> 01:19:51,960
Speaker 1: You want to plaque with the triangle on your wall? Like,

1504
01:19:52,120 --> 01:19:54,000
Speaker 1: are those kind of the things that really matter to you?

1505
01:19:54,120 --> 01:19:59,160
Speaker 1: Is it more so? Because? Of course? And then it

1506
01:19:59,240 --> 01:20:01,640
Speaker 1: is a different Music is in a different space. Like

1507
01:20:01,800 --> 01:20:05,559
Speaker 1: you you put out music the tour to make money

1508
01:20:05,640 --> 01:20:09,960
Speaker 1: off touring, to get sponsors, to to stand that to Brandon, um,

1509
01:20:10,439 --> 01:20:12,559
Speaker 1: you get you get all you can get a bunch

1510
01:20:12,600 --> 01:20:15,799
Speaker 1: of things attached to once you roll out a good layout.

1511
01:20:16,000 --> 01:20:17,760
Speaker 1: And that's where it is now. That's why they came

1512
01:20:17,800 --> 01:20:20,800
Speaker 1: with three sixty deals because they didn't figure out how

1513
01:20:20,880 --> 01:20:23,040
Speaker 1: to sell records again, so now they got to eat

1514
01:20:23,080 --> 01:20:27,760
Speaker 1: off any avenue you can eat off. So obviously that

1515
01:20:27,880 --> 01:20:30,320
Speaker 1: ain't what it's about. When you see whole drop by

1516
01:20:30,360 --> 01:20:33,840
Speaker 1: album attached to and I was a bush or Samsung.

1517
01:20:34,400 --> 01:20:37,720
Speaker 1: You really know that it ain't that ain't what it is,

1518
01:20:38,000 --> 01:20:40,120
Speaker 1: you know what I mean. You gotta find a new abum,

1519
01:20:40,160 --> 01:20:42,560
Speaker 1: You gotta find a niche and find a way to

1520
01:20:42,640 --> 01:20:45,400
Speaker 1: work the system right now. But you feel validated when

1521
01:20:45,439 --> 01:20:47,120
Speaker 1: it gets from the fans and the people that you know,

1522
01:20:47,240 --> 01:20:49,240
Speaker 1: like those guys that you talked about them right styles

1523
01:20:49,400 --> 01:20:52,559
Speaker 1: Like that's where the validation comes from. Yeah, we get

1524
01:20:52,720 --> 01:20:57,160
Speaker 1: validation from making the people feel how they feel, you

1525
01:20:57,200 --> 01:20:59,439
Speaker 1: know what I mean. Of course, everybody wants to have

1526
01:20:59,640 --> 01:21:02,519
Speaker 1: money and perks and be on private jets and all

1527
01:21:02,560 --> 01:21:05,519
Speaker 1: of the good bullshit and the amenities. But at the

1528
01:21:05,640 --> 01:21:07,600
Speaker 1: end of the day, when your artist is about you

1529
01:21:07,720 --> 01:21:11,400
Speaker 1: putting your music outing and reaching the people who love

1530
01:21:11,479 --> 01:21:14,120
Speaker 1: you and making them feel good. So who's putting this

1531
01:21:14,200 --> 01:21:16,880
Speaker 1: locks out out? Man? You know what I'm saying. Business Wise,

1532
01:21:17,280 --> 01:21:19,600
Speaker 1: we got nice announcement. I saw you guys at the

1533
01:21:19,680 --> 01:21:24,040
Speaker 1: Rock Nation, the couples going over and were talking. We're

1534
01:21:24,080 --> 01:21:27,080
Speaker 1: talking business man, trying to make some trying to do

1535
01:21:27,200 --> 01:21:29,559
Speaker 1: big business. You know, that's a lot of things, things

1536
01:21:29,600 --> 01:21:32,280
Speaker 1: like people don't understand what the locks we as the

1537
01:21:32,400 --> 01:21:36,639
Speaker 1: Locks as a group, you know, we um went through

1538
01:21:36,680 --> 01:21:39,200
Speaker 1: some things as solo artists. We figured it out for

1539
01:21:39,320 --> 01:21:41,240
Speaker 1: us to come back as the Locks and had to

1540
01:21:41,320 --> 01:21:44,080
Speaker 1: make sense for us as the Locks before. It just

1541
01:21:44,280 --> 01:21:46,800
Speaker 1: makes sense for everybody else too. You know what I'm saying.

1542
01:21:49,479 --> 01:21:51,240
Speaker 1: We're working a couple of months. We're working in the

1543
01:21:51,360 --> 01:21:54,320
Speaker 1: lab every day. We're working in the lab every day. Um.

1544
01:21:55,600 --> 01:21:57,720
Speaker 1: So the goals that make an announcement and then get

1545
01:21:57,800 --> 01:22:00,760
Speaker 1: this out. But my buddy, we need a couple of

1546
01:22:00,800 --> 01:22:02,960
Speaker 1: big I need a couple of producers I'm looking for.

1547
01:22:03,240 --> 01:22:09,760
Speaker 1: We're looking for styles Dame Greece. Just I'm looking for

1548
01:22:09,880 --> 01:22:13,000
Speaker 1: metro booming and mustard too interesting. I need them, to

1549
01:22:13,400 --> 01:22:15,439
Speaker 1: need them, I need them. Do you guys always did that?

1550
01:22:15,520 --> 01:22:18,760
Speaker 1: You guys are vibe. We're looking for a look like

1551
01:22:18,880 --> 01:22:22,599
Speaker 1: I'm um, Mike will who y'all need to hear. I'm

1552
01:22:22,640 --> 01:22:25,639
Speaker 1: trying to like when they hit Primo out Dame Greece,

1553
01:22:26,120 --> 01:22:29,160
Speaker 1: I like, I like what I liked, maybe become a

1554
01:22:29,240 --> 01:22:33,519
Speaker 1: Locks fan. So not necessarily were trying to do. We're

1555
01:22:33,560 --> 01:22:39,400
Speaker 1: trying to do, try to please you. That's what we're

1556
01:22:39,400 --> 01:22:42,200
Speaker 1: gonna doend money too, So it's like I like, but

1557
01:22:42,320 --> 01:22:45,400
Speaker 1: that's what we try to do. Like, um, but basically

1558
01:22:45,439 --> 01:22:47,439
Speaker 1: going to take the originality of the Locks and what

1559
01:22:47,600 --> 01:22:49,800
Speaker 1: we do and how we work as solo artists and

1560
01:22:50,400 --> 01:22:52,960
Speaker 1: Tampa with new Ship, but keep it Locks. We're gonna

1561
01:22:53,000 --> 01:22:56,080
Speaker 1: bring that effect to the Locks at like you know

1562
01:22:56,120 --> 01:22:59,559
Speaker 1: what I'm saying, like but more of what you looked,

1563
01:22:59,640 --> 01:23:01,759
Speaker 1: what you looking for, kind of like like last record

1564
01:23:01,800 --> 01:23:04,320
Speaker 1: you did Jason Swiss, we named that when we did

1565
01:23:04,360 --> 01:23:06,479
Speaker 1: that year in review on the website. That was like

1566
01:23:06,560 --> 01:23:08,640
Speaker 1: our favorite beat of the year. And that beat was

1567
01:23:08,680 --> 01:23:11,120
Speaker 1: like who what is? It was like it was just

1568
01:23:11,240 --> 01:23:13,120
Speaker 1: head Swiss in the zone Dough. I caught him in

1569
01:23:13,200 --> 01:23:17,400
Speaker 1: one of their Yeah with Swiss, you gotta we got

1570
01:23:17,520 --> 01:23:19,880
Speaker 1: to catch him, like catch him in the zone. That

1571
01:23:20,120 --> 01:23:22,280
Speaker 1: a lot of but especially him because he like our

1572
01:23:22,360 --> 01:23:25,640
Speaker 1: little brother and he know you know sometimes he's in

1573
01:23:25,720 --> 01:23:27,880
Speaker 1: the South of France with him, but when he comes

1574
01:23:27,920 --> 01:23:33,240
Speaker 1: back and get that, yeah, when you catch him in

1575
01:23:33,280 --> 01:23:35,360
Speaker 1: the South of the Bronx. I was able to catch

1576
01:23:35,439 --> 01:23:37,320
Speaker 1: that Jason off from like that. And the record you

1577
01:23:37,400 --> 01:23:39,479
Speaker 1: did with Puff two was towards the end of mm

1578
01:23:41,280 --> 01:23:43,800
Speaker 1: old man oh man, yeah, oh man, wow. Yeah, that

1579
01:23:43,920 --> 01:23:46,439
Speaker 1: it was hard like they wasn't they wasn't even gonna

1580
01:23:46,479 --> 01:23:49,960
Speaker 1: take that beat. Really, Yeah, I forced that on that

1581
01:23:50,080 --> 01:23:51,640
Speaker 1: that was a great record. He was like no. I

1582
01:23:51,800 --> 01:23:55,360
Speaker 1: was like hell, no, hell, yeah, it's going on. We're

1583
01:23:55,439 --> 01:23:57,439
Speaker 1: doing this. Was it like righting for puffing that in

1584
01:23:57,520 --> 01:23:59,439
Speaker 1: that zone for that project. I had it fun because

1585
01:23:59,439 --> 01:24:01,280
Speaker 1: I was telling what to do, like hell, because he

1586
01:24:01,320 --> 01:24:04,800
Speaker 1: wanted he wanted it like he wanted instructions and to

1587
01:24:04,960 --> 01:24:07,720
Speaker 1: be regulars. So I was abusing it. But he's you know,

1588
01:24:07,800 --> 01:24:11,000
Speaker 1: I respect about He's a fucking hard worker though, because

1589
01:24:11,040 --> 01:24:13,120
Speaker 1: he takes it like I'm like, no, you don't say

1590
01:24:13,160 --> 01:24:17,920
Speaker 1: that verse like that though. U now he wanted the

1591
01:24:18,040 --> 01:24:21,240
Speaker 1: later vocals, he is no pushing them. That's one thing

1592
01:24:21,280 --> 01:24:24,400
Speaker 1: about it. That's why I think that's why we work

1593
01:24:24,479 --> 01:24:26,600
Speaker 1: great with him, and we we that's what part of

1594
01:24:26,640 --> 01:24:30,760
Speaker 1: our twenty year runners understanding that from early work, work

1595
01:24:30,840 --> 01:24:33,799
Speaker 1: around the clock, be fourthful, would it be best energy?

1596
01:24:34,240 --> 01:24:36,920
Speaker 1: If you gotta take off, lay down, do that come back,

1597
01:24:37,000 --> 01:24:39,880
Speaker 1: same forceful energy, same work with it, get right to it.

1598
01:24:40,960 --> 01:24:45,280
Speaker 1: So it was like I lay something for him. I

1599
01:24:45,439 --> 01:24:48,000
Speaker 1: lay it. The problem is that I don't. I don't write,

1600
01:24:48,040 --> 01:24:50,560
Speaker 1: so that that's where it was becoming irritating, but not

1601
01:24:50,720 --> 01:24:53,639
Speaker 1: for me. So I lay it, and so I can't

1602
01:24:53,680 --> 01:24:55,880
Speaker 1: direct him how to say it off for paper, like

1603
01:24:56,000 --> 01:24:58,200
Speaker 1: you know what I'm saying. So I'm telling him saying

1604
01:24:58,240 --> 01:25:00,560
Speaker 1: how you were saying, but say this part like this.

1605
01:25:01,720 --> 01:25:03,600
Speaker 1: You know, sometimes you gotta do something. But what was

1606
01:25:03,760 --> 01:25:06,360
Speaker 1: dope is even shift I wasn't on, he said to me,

1607
01:25:06,439 --> 01:25:09,880
Speaker 1: Am I saying it right? I'd be like, nah, like

1608
01:25:09,960 --> 01:25:11,640
Speaker 1: you know what I'm saying, or like certain should I

1609
01:25:11,680 --> 01:25:13,600
Speaker 1: tell him? I don't think you should get me to

1610
01:25:13,680 --> 01:25:16,680
Speaker 1: write that. Maybe you want to. I think you know,

1611
01:25:16,800 --> 01:25:19,200
Speaker 1: maybe Meek sound better on that, fab sound better than that.

1612
01:25:19,320 --> 01:25:21,040
Speaker 1: I think he would write that better or he would

1613
01:25:21,080 --> 01:25:24,439
Speaker 1: write that better. So he's he's much more open. I

1614
01:25:24,520 --> 01:25:26,639
Speaker 1: think he's just in a space of comfortability and being

1615
01:25:26,760 --> 01:25:30,080
Speaker 1: much more open and kind of respecting, because I felt like,

1616
01:25:30,160 --> 01:25:32,519
Speaker 1: if you hired me to come do a job, you

1617
01:25:32,560 --> 01:25:34,240
Speaker 1: know what I'm saying, I do the job, and I

1618
01:25:34,320 --> 01:25:36,600
Speaker 1: come to do my job. But he came to me

1619
01:25:36,800 --> 01:25:38,800
Speaker 1: like I hired you to do the job. I know

1620
01:25:38,880 --> 01:25:41,640
Speaker 1: what your job is. I respect it. Um all is

1621
01:25:41,720 --> 01:25:44,840
Speaker 1: I'm taking directions. I'm listening. And then there's something you

1622
01:25:44,920 --> 01:25:47,000
Speaker 1: wanted to be the he wanted to be the artist,

1623
01:25:47,360 --> 01:25:49,280
Speaker 1: and the dope think about it was he was really

1624
01:25:49,320 --> 01:25:52,120
Speaker 1: going in the booth, learning it and going in the

1625
01:25:52,200 --> 01:25:55,000
Speaker 1: booth like concerned ship. I was like, you could learn

1626
01:25:55,040 --> 01:25:57,519
Speaker 1: it and and read it off for their going in it,

1627
01:25:57,880 --> 01:26:01,559
Speaker 1: but this particular one learn it thing, going the booth

1628
01:26:02,000 --> 01:26:03,719
Speaker 1: and do it so you could be moving your hands

1629
01:26:03,760 --> 01:26:08,240
Speaker 1: free and actually take the time out. I'm like he

1630
01:26:08,320 --> 01:26:11,160
Speaker 1: got three other sessions too, Like he's doing three four

1631
01:26:11,240 --> 01:26:14,760
Speaker 1: sessions and actually still taking the time to go all right,

1632
01:26:14,920 --> 01:26:17,720
Speaker 1: okay and this room that room. So it was pretty dope.

1633
01:26:18,320 --> 01:26:21,559
Speaker 1: Do you still write us everything off? Ahead down? Because

1634
01:26:21,560 --> 01:26:25,280
Speaker 1: I'll be drinking this moment. My writing is not I

1635
01:26:25,320 --> 01:26:27,760
Speaker 1: don't write because I can't do it now. But mind

1636
01:26:27,880 --> 01:26:30,880
Speaker 1: is not all for like, to be honest, mind is

1637
01:26:30,920 --> 01:26:32,920
Speaker 1: not like all for a dope thing like I don't

1638
01:26:32,960 --> 01:26:35,800
Speaker 1: need to write. If I write on paper, I'll be

1639
01:26:35,840 --> 01:26:38,160
Speaker 1: here racing all day and I flow off be on

1640
01:26:38,320 --> 01:26:40,559
Speaker 1: b It wouldn't be able to read it. I wouldn't

1641
01:26:40,560 --> 01:26:42,719
Speaker 1: be able to. So I had a lot of stop jobs.

1642
01:26:43,720 --> 01:26:45,280
Speaker 1: He's sleeping and ship and then it just wake up

1643
01:26:45,320 --> 01:26:48,240
Speaker 1: with the first. So was it like that during the

1644
01:26:48,280 --> 01:26:51,920
Speaker 1: bad boy days too? Since you didn't right or so

1645
01:26:52,640 --> 01:26:55,040
Speaker 1: puff having that same were you mentoring him during those

1646
01:26:55,120 --> 01:26:57,280
Speaker 1: days of how to say things. Was he being responsive

1647
01:26:57,360 --> 01:27:01,080
Speaker 1: to it or yeah, he was the same same back then,

1648
01:27:01,160 --> 01:27:04,680
Speaker 1: but now even more so now he was before he

1649
01:27:04,840 --> 01:27:08,280
Speaker 1: was listening and taking all the advice, but he still

1650
01:27:08,400 --> 01:27:12,439
Speaker 1: was the boss. Now. It's like when I was doing

1651
01:27:12,479 --> 01:27:14,840
Speaker 1: Triple Him, it was like you're a boss, I'm a boss,

1652
01:27:14,880 --> 01:27:17,679
Speaker 1: and we're working together, so it's kind of a different vibe.

1653
01:27:17,720 --> 01:27:19,599
Speaker 1: But he always I think he always gives a hunting

1654
01:27:19,600 --> 01:27:26,400
Speaker 1: in temper center work. So he's a workhorse. I've you

1655
01:27:26,479 --> 01:27:28,759
Speaker 1: won't really find too many people like that in the industry,

1656
01:27:29,160 --> 01:27:30,960
Speaker 1: even with music, because back then I used to be

1657
01:27:31,120 --> 01:27:34,960
Speaker 1: like he's fucking coming in sprinkling things on something and

1658
01:27:35,080 --> 01:27:38,640
Speaker 1: something like working with working with with Triple Him and

1659
01:27:38,720 --> 01:27:40,479
Speaker 1: over the over the things that they're gonna take a

1660
01:27:40,560 --> 01:27:43,760
Speaker 1: small piece. I've seen him tell Marion Wane to take

1661
01:27:43,760 --> 01:27:47,200
Speaker 1: a small piece of something very dull and bland and

1662
01:27:47,320 --> 01:27:51,439
Speaker 1: sounds some way teller guitars do this. I was seeing

1663
01:27:51,560 --> 01:27:53,200
Speaker 1: James Brown in him, like you know what I'm saying

1664
01:27:53,240 --> 01:27:55,600
Speaker 1: that I was feeling like I was watching like he

1665
01:27:55,720 --> 01:27:57,680
Speaker 1: watched James Brown, like you know what I'm saying, Like

1666
01:27:57,760 --> 01:28:01,400
Speaker 1: he he's he is the closest thing to James Brown

1667
01:28:01,479 --> 01:28:03,479
Speaker 1: that we could get a saying take that. Now, he

1668
01:28:03,520 --> 01:28:05,639
Speaker 1: don't do the music a thing, but he was piecing

1669
01:28:05,720 --> 01:28:09,280
Speaker 1: that ship together and it was coming out crazy. I

1670
01:28:09,360 --> 01:28:11,240
Speaker 1: was like, oh, ship one thing I also wanted to

1671
01:28:11,320 --> 01:28:14,400
Speaker 1: know too. It's like you gotta started pioneering that my

1672
01:28:14,520 --> 01:28:16,840
Speaker 1: cause the same color I remember was on it was

1673
01:28:16,880 --> 01:28:19,960
Speaker 1: out of money power respected that. Yeah it was who

1674
01:28:20,040 --> 01:28:22,400
Speaker 1: saw it? He said, got the color, same colors. Fire

1675
01:28:25,479 --> 01:28:30,000
Speaker 1: that was that we made it and he just made

1676
01:28:30,040 --> 01:28:33,200
Speaker 1: it get off together for we had to be ready

1677
01:28:36,320 --> 01:28:40,840
Speaker 1: because afterwards everyone had color the same colors. I mean

1678
01:28:41,000 --> 01:28:43,120
Speaker 1: that was dopeboy. That was dope boy shoot in the hood,

1679
01:28:43,240 --> 01:28:45,880
Speaker 1: like you know what I'm saying, that's from block talk,

1680
01:28:46,000 --> 01:28:48,800
Speaker 1: Like you know what I'm saying, Like that was dealer talk.

1681
01:28:48,880 --> 01:28:50,639
Speaker 1: But then he also had the I mean the hood

1682
01:28:50,760 --> 01:28:53,599
Speaker 1: like that was. That was a thing that everyone ran

1683
01:28:53,680 --> 01:28:55,760
Speaker 1: with him. Like yo, man, these things they're giving no credit.

1684
01:28:55,920 --> 01:28:58,519
Speaker 1: That's good. I thank you for that. I got, like

1685
01:28:58,640 --> 01:29:01,160
Speaker 1: the fun up I get out. It's a lot of ship.

1686
01:29:01,240 --> 01:29:03,960
Speaker 1: We missed the crap about to tweet that ship. The

1687
01:29:04,040 --> 01:29:06,640
Speaker 1: credit for a lot of ship dog the hood is

1688
01:29:07,400 --> 01:29:09,559
Speaker 1: you know you got the Hall of Famers. Man, yeah,

1689
01:29:09,600 --> 01:29:11,839
Speaker 1: but we still have the credit for a lot of ships. Actually,

1690
01:29:11,920 --> 01:29:20,280
Speaker 1: now since we made it up here, I feel not better,

1691
01:29:22,320 --> 01:29:25,160
Speaker 1: he said. He said about time exactly got the text

1692
01:29:25,880 --> 01:29:28,000
Speaker 1: with the thing, you know. Elliott next went, I said,

1693
01:29:30,880 --> 01:29:33,680
Speaker 1: looking through this all day saying we gotta get out here.

1694
01:29:33,720 --> 01:29:35,519
Speaker 1: But we were saying, like, it's just crazy to feel

1695
01:29:35,520 --> 01:29:36,680
Speaker 1: like I just got back to New York. I was

1696
01:29:36,680 --> 01:29:39,439
Speaker 1: in d C. It's like the energy in the city's

1697
01:29:39,479 --> 01:29:46,360
Speaker 1: excited right right, like everybody the Barclays, like everyone's excited.

1698
01:29:46,400 --> 01:29:48,040
Speaker 1: And then once I saw you guys are gonna be

1699
01:29:48,040 --> 01:29:50,400
Speaker 1: on the real tour going forth, you know, the toy

1700
01:29:50,479 --> 01:29:52,680
Speaker 1: kicks off in the fall, Like, it's just crazy to

1701
01:29:52,760 --> 01:29:54,840
Speaker 1: be You're not in that situation, man, So what do

1702
01:29:54,880 --> 01:29:56,680
Speaker 1: you think people should expect from the tour? Like when

1703
01:29:56,720 --> 01:30:01,520
Speaker 1: they go off. He's trying to make it real. Theatrical

1704
01:30:01,880 --> 01:30:06,240
Speaker 1: the stage is humongous. Stages one of the biggest stages

1705
01:30:06,360 --> 01:30:09,560
Speaker 1: we have. You can actually work lose weight on that

1706
01:30:09,760 --> 01:30:13,120
Speaker 1: damn stage. The stage is humongous. He got all the

1707
01:30:13,200 --> 01:30:15,920
Speaker 1: acts together and rocking the classics. It's just a real

1708
01:30:16,040 --> 01:30:18,800
Speaker 1: good energy and vibe. I think that the show is

1709
01:30:18,840 --> 01:30:21,360
Speaker 1: well worth it. You know, some people complaining about the

1710
01:30:21,439 --> 01:30:23,800
Speaker 1: price of the ticket, but I think after you sit

1711
01:30:23,880 --> 01:30:27,519
Speaker 1: there and absorb that, you'll be Yeah, it's definitely well

1712
01:30:27,600 --> 01:30:30,120
Speaker 1: worth it. You guys are kind of weaved into the set.

1713
01:30:30,240 --> 01:30:32,439
Speaker 1: It's like we got our own set in. We rock

1714
01:30:32,520 --> 01:30:34,880
Speaker 1: with him like every that's what everybody. Everybody got a

1715
01:30:34,960 --> 01:30:37,960
Speaker 1: little medley of their own joints, and then you got

1716
01:30:38,040 --> 01:30:41,479
Speaker 1: the joints with him and a big six. It's gonna

1717
01:30:41,520 --> 01:30:44,439
Speaker 1: be It's gonna be an incredible show. I've got old

1718
01:30:44,479 --> 01:30:48,960
Speaker 1: school pyros and explosions. He spent a lot of money

1719
01:30:50,560 --> 01:30:54,360
Speaker 1: more than you show. Yeah, he gives a funk about

1720
01:30:54,920 --> 01:30:57,280
Speaker 1: he spent. He spent some bread on this production. I

1721
01:30:57,320 --> 01:30:59,479
Speaker 1: mean all the way around. He'll come in clap at

1722
01:30:59,479 --> 01:31:02,759
Speaker 1: your energy. Yeah, listen that he's get. We get Biggie

1723
01:31:02,800 --> 01:31:08,760
Speaker 1: holograms and nothing else. I don't know. You guys gonna

1724
01:31:08,760 --> 01:31:10,920
Speaker 1: be performing like some of the classic B side. I

1725
01:31:10,920 --> 01:31:12,680
Speaker 1: mean you probably do this on your own shows, but

1726
01:31:12,800 --> 01:31:19,240
Speaker 1: like inside the set list saw him. Yeah, because especially

1727
01:31:19,360 --> 01:31:21,960
Speaker 1: you gotta let him. We're letting them really rock for

1728
01:31:22,160 --> 01:31:25,160
Speaker 1: these these two Barkley joints. I guess if we want

1729
01:31:25,200 --> 01:31:28,439
Speaker 1: to switch something before we take off and hit the road.

1730
01:31:28,840 --> 01:31:31,200
Speaker 1: We probably do some tweaking like that, but for right now,

1731
01:31:31,320 --> 01:31:33,920
Speaker 1: you gotta let him like you guys ever did like

1732
01:31:34,000 --> 01:31:36,680
Speaker 1: a reservoir Dogs in full, or maybe like can I Live?

1733
01:31:38,640 --> 01:31:43,559
Speaker 1: You've done Reservo if everyone yeah, Wow, I've never seen

1734
01:31:43,640 --> 01:31:52,639
Speaker 1: that a few times with everybody wow, and can I live?

1735
01:31:53,000 --> 01:31:56,280
Speaker 1: Well he said that twenty five hours. Yeah, started and

1736
01:31:56,320 --> 01:32:00,160
Speaker 1: started something definitely wow. Looking forward to that for me.

1737
01:32:00,320 --> 01:32:02,200
Speaker 1: Get it so you get that new album out before

1738
01:32:02,200 --> 01:32:04,679
Speaker 1: you guys going to the tour this fall. New music.

1739
01:32:04,800 --> 01:32:08,880
Speaker 1: We definitely put work. We're gonna make the system work

1740
01:32:08,960 --> 01:32:12,800
Speaker 1: this time, working on and it's that anybody guys haven't

1741
01:32:12,800 --> 01:32:14,320
Speaker 1: worked with that, you want to work. If you've done

1742
01:32:14,439 --> 01:32:20,200
Speaker 1: eminem Na just now, Stacks would be dope outcasting outcasting

1743
01:32:20,240 --> 01:32:23,479
Speaker 1: the locks, be a nice soul the greatest groups, be

1744
01:32:23,520 --> 01:32:26,040
Speaker 1: a nice song with j Cole right now. I love

1745
01:32:26,160 --> 01:32:30,559
Speaker 1: ja about him? What do you think it's special about him?

1746
01:32:31,320 --> 01:32:35,120
Speaker 1: Got the whole? He got the whole. Yeah, he could

1747
01:32:35,160 --> 01:32:37,880
Speaker 1: fit in out and be all right. That's what I think.

1748
01:32:38,120 --> 01:32:41,000
Speaker 1: That's as simple as that. If he was came out

1749
01:32:41,040 --> 01:32:44,240
Speaker 1: when we came out, he'd be all right. Right now,

1750
01:32:44,400 --> 01:32:46,880
Speaker 1: That's why I think Drake got to to a certain,

1751
01:32:47,280 --> 01:32:49,479
Speaker 1: to a certain I was going with that till they

1752
01:32:49,600 --> 01:32:53,400
Speaker 1: had the um for me, I was going that to that,

1753
01:32:53,520 --> 01:32:58,439
Speaker 1: to the Quinn Miller to that ship came out, Oh

1754
01:32:58,640 --> 01:33:01,519
Speaker 1: the Drake, Yeah, I was like, it was Drake, Cole

1755
01:33:01,600 --> 01:33:03,160
Speaker 1: and Kendrick for me, Like you know what I mean.

1756
01:33:03,200 --> 01:33:05,400
Speaker 1: But I like I like Cold because I feel like

1757
01:33:05,479 --> 01:33:09,360
Speaker 1: he's he's just he's the producer and those stuff he produces.

1758
01:33:09,439 --> 01:33:12,080
Speaker 1: I just feel like he's grown. He's grown so much.

1759
01:33:12,160 --> 01:33:14,600
Speaker 1: He's always giving them, giving yourself, been itself, but he

1760
01:33:14,680 --> 01:33:18,400
Speaker 1: grows and he beginting that diggers. I don't know when

1761
01:33:18,439 --> 01:33:22,720
Speaker 1: you put it because when shp he be getting that

1762
01:33:22,920 --> 01:33:24,920
Speaker 1: nigger dog like, I don't know if people be catching it.

1763
01:33:25,680 --> 01:33:28,040
Speaker 1: Cold be getting at everybody like he'd be saying a

1764
01:33:28,120 --> 01:33:30,479
Speaker 1: lot of ship and he begetting at his piers, the

1765
01:33:30,560 --> 01:33:33,280
Speaker 1: older folks, the younger folks. I hear it, I'll be

1766
01:33:33,360 --> 01:33:35,280
Speaker 1: catching it. So I'd be like, I really like that

1767
01:33:35,360 --> 01:33:37,519
Speaker 1: about him, But he stays remains himself, like you know

1768
01:33:37,520 --> 01:33:39,120
Speaker 1: what I'm what does that come from? From? You? Guys?

1769
01:33:39,160 --> 01:33:41,519
Speaker 1: I know we're gonna leave soon, but like lyrically, when

1770
01:33:41,560 --> 01:33:43,960
Speaker 1: I hear your Jenna kiss versus. They always say Jennakins

1771
01:33:44,040 --> 01:33:47,000
Speaker 1: never spred a whack Versus always makes me laugh. With styles,

1772
01:33:47,040 --> 01:33:50,360
Speaker 1: you got that ignorant. I don't give a funk. You

1773
01:33:50,439 --> 01:33:51,840
Speaker 1: know that type ship and she could kind of like

1774
01:33:51,880 --> 01:33:55,519
Speaker 1: an extension of styles of style? Where does that come from?

1775
01:33:55,600 --> 01:34:00,639
Speaker 1: Like everyone's lyrical abilities, I guess for me each other though,

1776
01:34:01,439 --> 01:34:04,360
Speaker 1: more than anything. I mean, we fans a hip hop,

1777
01:34:04,439 --> 01:34:07,599
Speaker 1: so we listen to music you probably think we wouldn't

1778
01:34:07,640 --> 01:34:10,280
Speaker 1: listen to. But I think being around each other in

1779
01:34:10,360 --> 01:34:13,840
Speaker 1: the studio and I could just get united off him

1780
01:34:13,880 --> 01:34:16,280
Speaker 1: and I come in off a few you know. I've

1781
01:34:16,320 --> 01:34:17,880
Speaker 1: been on the road, so I missed some of the

1782
01:34:18,000 --> 01:34:21,320
Speaker 1: locks joints and I just sit there with the engineer

1783
01:34:21,560 --> 01:34:23,800
Speaker 1: light one and listen to some of the joints they

1784
01:34:23,880 --> 01:34:26,760
Speaker 1: laid and be like, holy ship, dog, I gotta you

1785
01:34:26,800 --> 01:34:29,040
Speaker 1: know what I mean? And that keeps it more than

1786
01:34:29,800 --> 01:34:31,560
Speaker 1: the same as I feel like I just throw on

1787
01:34:31,680 --> 01:34:35,280
Speaker 1: a new drake or new hove or anything. Do you

1788
01:34:35,600 --> 01:34:37,680
Speaker 1: listen to the ocean like? Laugh for Chuck would be like,

1789
01:34:40,080 --> 01:34:43,160
Speaker 1: I don't even really have just make it and I

1790
01:34:43,240 --> 01:34:45,760
Speaker 1: hope you love it. Yeah, that's I think that's I

1791
01:34:45,920 --> 01:34:48,439
Speaker 1: think that's a big part of keeping our group forward.

1792
01:34:50,120 --> 01:34:52,479
Speaker 1: Thinksten to ourselves. We don't listen to ourselves that much.

1793
01:34:52,520 --> 01:34:54,040
Speaker 1: Like if you're getting the car and you're playing and

1794
01:34:54,080 --> 01:34:56,280
Speaker 1: I won't like it's mash it I hear. I forgot

1795
01:34:56,280 --> 01:34:58,040
Speaker 1: I did it because I'm in the car with my

1796
01:34:58,120 --> 01:35:01,040
Speaker 1: homeboy and he's playing on somewhere. Because as an m

1797
01:35:01,160 --> 01:35:02,920
Speaker 1: C is like like the Kiss just told you, we

1798
01:35:03,080 --> 01:35:05,439
Speaker 1: respect the funk out of our craft, like we listen

1799
01:35:05,479 --> 01:35:08,320
Speaker 1: to ship. You don't probably think we would listen to.

1800
01:35:08,880 --> 01:35:12,640
Speaker 1: We respect like I see rock Ham Cooge Kane, careress E,

1801
01:35:12,720 --> 01:35:14,800
Speaker 1: p m T. To this day, it's it's still as

1802
01:35:14,840 --> 01:35:17,439
Speaker 1: if I was thirteen or fourteen. Yeah, those are the

1803
01:35:17,560 --> 01:35:20,360
Speaker 1: masters of what we do. Like you know what I'm saying,

1804
01:35:20,400 --> 01:35:25,840
Speaker 1: I still acknowledge hold NOAs and big As transitioning in

1805
01:35:25,960 --> 01:35:29,320
Speaker 1: the Wold to transition into this whole new gateway from

1806
01:35:29,360 --> 01:35:31,639
Speaker 1: the end of mab al So. So you gotta understand

1807
01:35:31,680 --> 01:35:35,360
Speaker 1: when you respect the craft, you wake up like respecting

1808
01:35:35,400 --> 01:35:37,439
Speaker 1: the craft, you respect the balls. We'll be listening to

1809
01:35:37,560 --> 01:35:40,679
Speaker 1: some ship from years ago with Nigga said some crazy

1810
01:35:40,760 --> 01:35:43,560
Speaker 1: ship or you know, you just respect bars and I

1811
01:35:43,600 --> 01:35:45,360
Speaker 1: think when you respect the art form of it all.

1812
01:35:45,439 --> 01:35:47,160
Speaker 1: That's what keeps you for But when you listen a

1813
01:35:47,200 --> 01:35:49,240
Speaker 1: lot of people listen to the ship and they keep listening,

1814
01:35:49,479 --> 01:35:51,439
Speaker 1: and you feel super adupe because you're hot right now

1815
01:35:51,800 --> 01:35:55,040
Speaker 1: and you're dope. So you might get cocky to a

1816
01:35:55,080 --> 01:35:56,720
Speaker 1: point where you think, like, fucking I don't need to

1817
01:35:56,760 --> 01:35:59,360
Speaker 1: get no better dope, But we acknowledge we could always

1818
01:35:59,400 --> 01:36:02,240
Speaker 1: get better. Keep striving for it all, right, man. So

1819
01:36:02,280 --> 01:36:04,439
Speaker 1: we're looking forward to the tour man with a new

1820
01:36:04,520 --> 01:36:09,000
Speaker 1: album and the locks Baby Jada style See That You

1821
01:36:09,040 --> 01:36:12,120
Speaker 1: Fell Yo podcast Sir