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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the history of Curby Your Enthusiasm

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Speaker 1: podcast on Max and YouTube, as well.

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Speaker 2: Links available in the episode description.

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Speaker 3: Jeff, Yes, here we are.

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Speaker 2: I'm Jeff Garland and you're Susie Sman. Oh no, Susie Smen.

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Speaker 2: You're Jeff Garland.

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Speaker 3: And this is I love that you corrected it, like

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Speaker 3: you went in for the correct like people, Wait a minute,

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Speaker 3: that's a woman's name, and all right, whatever.

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Speaker 2: A boy named Sue? Season five, episode eight.

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Speaker 3: Do you know that song? I know, you know it's

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Speaker 3: a Johnny Cash song. Yeah, but do you know that song?

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Speaker 3: Which is a great song. It's about a guy who

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Speaker 3: had all these trouble being named Sue, and then he

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Speaker 3: gets get into a fight with a guy at a

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Speaker 3: bar and it turns out to be his dad who

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Speaker 3: named him Sue, and then they make amends and they

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Speaker 3: move on. But it's really funny. It's a great song, and.

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Speaker 1: This is a great episode. Yes, how's that segue? This

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Speaker 1: episode is near perfect.

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Speaker 2: I think it's.

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Speaker 3: Deftly an all time favorite with great cast people.

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Speaker 2: And Larry has told me it just very well might

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Speaker 2: be his favorite.

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Speaker 3: To be in real time. He texted you this morning

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Speaker 3: you told.

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Speaker 1: Him yes, and told me yes, and he told me

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Speaker 1: that and he is in particular no in this episode.

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Speaker 3: David Hall of Fame performance so funny, by the way,

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Speaker 3: each of us have, all four of us have really

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Speaker 3: strong moments in this all four of us. Yes, but

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Speaker 3: Larry as the Orthodox Jew, are you kidding me? And

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Speaker 3: there was one phrase that I caught him up. I

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Speaker 3: remember what it was, but I knew Larry knew, but

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Speaker 3: it was so believable. Yeah, I mean, And this.

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Speaker 1: Was directed by Larry Charles this episode. And we start

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Speaker 1: out that Larry is with Richard Lewis at his bedside,

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Speaker 1: and Lewis is, of course in black silk pajamas.

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Speaker 2: You know, I love that he's like in black silk pajamas.

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Speaker 1: And Lewis says to him, you look fantastic, and Larry, well,

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Speaker 1: I was never a drug addict or an alcoholic. I

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Speaker 1: never slept with a lot of strange women, although I

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Speaker 1: would have liked to. But like he's digging it into

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Speaker 1: Lewis it's kind of mean, you know, because Lewis was

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Speaker 1: a drug addict and an alcoholic and all that kind

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Speaker 1: of stuff. And Lewis says, are you're gonna give me

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Speaker 1: the kidney knot? And Larry says, well, what about Louis Lewis,

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Speaker 1: who is still in a coma? And Richard Lewis says,

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Speaker 1: you know, coma's a unpredictable and I'm so low on

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Speaker 1: the kidney transplant list that there's a list for getting

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Speaker 1: an organ donor. And Lewis is very, very very low,

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Speaker 1: and he says, look at look at the Mick, and

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Speaker 1: he shows a picture of Richard Lewis with Mickey Mantle,

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Speaker 1: because Mickey Mantle got a liver transplant. If you re right,

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Speaker 1: I do yes, And he would, you know, because he

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Speaker 1: was Mickey Mantle.

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Speaker 2: He got the liver immediately. He didn't have to wait

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Speaker 2: on a list.

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Speaker 1: And there's a ball in front and Mickey Mantle got

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Speaker 1: his liver boom, and Larry says to Lewis, well, if

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Speaker 1: you were a bigger celebrity, you'd probably go.

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Speaker 2: Up on the list.

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Speaker 1: So he's really being kind of mean to Lewis, but

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Speaker 1: it's funny and Richard says, to see that ball, that's

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Speaker 1: the mix five hundredth home run, and it's in my will,

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Speaker 1: it's yours, and it's worth around twenty grand.

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Speaker 2: And we see the nurse in the background listening to

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Speaker 2: all this in.

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Speaker 3: All sincerity, Mickey Mantle's five hundred home run ball at

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Speaker 3: that point, in that time, that would probably be worth

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Speaker 3: three hundred thousand dollars. Yeah, now, way more. I mean

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Speaker 3: probably ten million dollars. I'm to a collector that probably, oh, oh,

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Speaker 3: come on, it's the Yankees. There's two quintessential Yankees oh three.

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Speaker 2: Four Choe Tamagi, Babe Ruth, Babe.

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Speaker 3: Ruth, Georgia Maja, Luke Carrig and Mickey Mickey Mannal yeah,

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Speaker 3: and so Mickey Mantle's five under the home run ball.

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Speaker 3: I'm sorry if you're a Yankee fan, which they're the

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Speaker 3: most popular team in all of baseball. They're also the

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Speaker 3: probably the least part they're just by the way, I

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Speaker 3: have so much respect for the Yankees, and I'm sorry

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Speaker 3: that I know that's your favorite team. Not this season, well,

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Speaker 3: the Cubs. This year was kind of heartbreaking, but I'm

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Speaker 3: used to that with the Cubs. Although it was a

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Speaker 3: great accomplishment this year, it's not called Baseball Talk with

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Speaker 3: Susie and Jeff anyhow, Yeah, you never know how high

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Speaker 3: that ball could go. It could go up to like

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Speaker 3: fifty million. Let's say you're a billionaire and you love

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Speaker 3: Mickey Mantle and the Yankees, and to you then where

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Speaker 3: would you stop? Where would you stop? Ya?

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Speaker 2: So what's it to you?

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Speaker 1: So the nurse is in the background overhearing this discussion

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Speaker 1: about the ball and how much it's worth. And then

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Speaker 1: I love this moment where Lewis says, do the mick

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Speaker 1: running around the basis and Larry does that little run

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Speaker 1: that he does, which is his invitation, which is great.

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Speaker 3: I love when real relationship stuff comes into play, right now.

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Speaker 3: I make Larry do things that kill me all the time,

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Speaker 3: and a lot of them make it into the show.

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Speaker 3: And that's one between Larry and Richard that they've laughed

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Speaker 3: about for hours, and here it is in the show.

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Speaker 3: And by the way, so damn funny, so damn funny.

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Speaker 2: So funny.

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Speaker 1: Yeah, and then Larry says to Richard, do you like

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Speaker 1: this sweater? And Richard says, if you're doing an Andy

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Speaker 1: William summer show, which is such a Lewis line.

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Speaker 3: Oh, that is such a Lewis line. You say, such

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Speaker 3: a Lewis line. There's only two people who did humor

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Speaker 3: like that, okay, where they would do the reference that

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Speaker 3: hipsters would get. Lenny Bruce Richard Lewis list stops there. Yeah,

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Speaker 3: because I'm pretty good at it. But these guys, you know,

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Speaker 3: I mean home Richard Lewis when he says like I

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Speaker 3: for that moment, there is nothing, as far as I

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Speaker 3: have concerned, there's nothing funnier Richard Lewis saying it's not

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Speaker 3: just Andy Williams, It's Summer Special Special exactly.

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Speaker 1: It's the detail. It's the detail that's that's what you

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Speaker 1: can't teach. That's what is just in Richard Lewis's crazy

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Speaker 1: comedic brand.

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Speaker 3: You know, as time goes on. He's always been a

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Speaker 3: hero of mine since I'm a kid. But I appreciate

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Speaker 3: his comedy more and more and more and more all

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Speaker 3: the time. It really I gotta tell him that. Well,

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Speaker 3: he knows I love him and he's a he means

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Speaker 3: the world to me, both off stage and on. But

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Speaker 3: I'm going to tell him that because his comedy, especially on.

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Speaker 1: This show, well, when we were when we were coming up,

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Speaker 1: you know, Richard Lewis was like a king.

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Speaker 3: Well remember Carnegie Hall.

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Speaker 2: Yeah, he sold that Carnegie Hall in nineteen eighty nine.

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Speaker 3: Ask him now, if you're a tickety tech I love

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Speaker 3: saying it wrong, a TikTok person. You could sell out

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Speaker 3: a week at Carnegie Hall.

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Speaker 2: But you know who cares those days? It was different?

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Speaker 3: No, yeah, well of course, and all those days everything's over.

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Speaker 1: But when when I was coming up, you know, Richard

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Speaker 1: was no, I mean heed it, he was it.

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Speaker 3: And then he became one of these stars that came

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Speaker 3: out Jane Lenno, the other from Late Night with David Letterman. Look,

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Speaker 3: Richard Lewis was always a big deal, but once he

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Speaker 3: started doing the Letterman Show, he became an actual star.

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Speaker 2: Yeah, yeah, star.

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Speaker 3: Yes.

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Speaker 2: So, and now we get to call him friend, which

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Speaker 2: is lovely.

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Speaker 3: I really I can't believe it.

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Speaker 1: Still, I'm going to actually call him when we're done

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Speaker 1: and tell him how we were raving about him.

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Speaker 3: And by the way, he enjoys that more than mister

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Speaker 3: Richard Lewis.

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Speaker 1: And Lewis says to Larry, I love you, Larry Man.

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Speaker 1: If my cousin stays in that coma, I'm depending on you.

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Speaker 1: And you just cut to Larry's face, which is just

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Speaker 1: pure terror, you know.

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Speaker 2: And he's in the hallway of Lewis's house. He's leaving.

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Speaker 2: And Lisa, who is the nurse who is played by

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Speaker 2: Mo Collins.

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Speaker 3: And Mo Collins fucking awesome. Yeah, she's just great and the.

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Speaker 2: Love terrific actress.

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Speaker 3: Yea.

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Speaker 1: And she says that was nice of him to give

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Speaker 1: you the ball, and then she tells Larry that she

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Speaker 1: used to date Jeff.

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Speaker 4: You have a good time with him, well until things

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Speaker 4: got you know, intimate, it was fun, you know, he was.

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Speaker 3: He's kind of a slam bam, thank you, ma'am kind

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Speaker 3: of guy.

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Speaker 4: Right, No, not really at all. No slamming, no bamon,

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Speaker 4: no thanking the mam. She was a little it was

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Speaker 4: short lived, was the problem.

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Speaker 3: He was like that.

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Speaker 4: I mean it was dark, but honest to god, it

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Speaker 4: was like that.

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Speaker 3: What are you kidding?

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Speaker 4: No, I'm not kidding, Jeff. Yeah, very small, very small.

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Speaker 4: It's like a peanut, that little.

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Speaker 3: Very you know. Wait, way too much information here, Okay.

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Speaker 4: I actually thought you would have known that.

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Speaker 2: Can I know such a thing.

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Speaker 4: I just would think that the something that friends men

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Speaker 4: would talk about.

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Speaker 3: Nobody ever talks about that.

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Speaker 2: She says it was very short lived.

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Speaker 1: And then she does this, she holds up her fingers

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Speaker 1: for people who can't see that are just listening into

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Speaker 1: like an inch mode, which is the symbol for very

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Speaker 1: small penis. Yes, and she's like, I thought you would

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Speaker 1: have known, which is bizarre.

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Speaker 2: Why would he not? Yes, if Jeff has a small penis?

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Speaker 1: And next thing we know, Jeff and Larry are sitting

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Speaker 1: on either side of Louis Lewis's Okay Cooma bed to

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Speaker 1: start this.

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Speaker 3: Scene being one of the most popular scenes in the

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Speaker 3: history of the show, Okay, I would say, that's my

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Speaker 3: number one of people coming up to me asking me

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Speaker 3: to do that in pictures, we'll get to it. But

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Speaker 3: as you're a fan, you know what it is. But

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Speaker 3: the idea that Larry and I are sitting and having

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Speaker 3: a conversation on either side of the bed, not even

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Speaker 3: acknowledging the guy who's in a coma between us, Lewis Lewis,

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Speaker 3: So that's set up A yeah, is already a home run.

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Speaker 2: Even it's a visual that's very funny.

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Speaker 3: Even if we just ent a regular conversation, the scene's funny.

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Speaker 1: But then so Jeff says, you know, comes run partictable,

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Speaker 1: and Larry says, hey, I ran into uh Louis's nurse Lisa,

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Speaker 1: and she said she had a thing with you. And

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Speaker 1: then Larry tells you that she told me that you had,

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Speaker 1: you know, this big, a very small penis, and Jeff

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Speaker 1: immediately gets offended, as he should, and says.

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Speaker 3: No, no, no, big vagina, gigantic vagina? What big is

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Speaker 3: vagina known to man? Huge? You're kidding? Are you telling

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Speaker 3: me the truth? It's gigantic, gigantic.

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Speaker 5: So why is she going around making this.

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Speaker 3: Is because maybe she's afraid that you'll find out she

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Speaker 3: has a big vagina. Why would you even do that?

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Speaker 3: I don't even know nipping it in the bud? How

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Speaker 3: dare she? I'll tell you what. I bet you there's

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Speaker 3: a ton of guys out there who've been labeled with

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Speaker 3: small penis. I bet your fifty percent, isn't it? And

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Speaker 3: it's a big vagina, yeh? Think of it biologically?

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Speaker 5: Why should they be as many big vaginas as there

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Speaker 5: are small?

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Speaker 3: Right? These big vagina ladies are getting away with murder.

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Speaker 3: See this is the thing about impro But this is

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Speaker 3: the thing about improvising when you're really being true to it.

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Speaker 3: I put zero thought into what I was going to

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Speaker 3: do with my hands, you know what I mean. There

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Speaker 3: was no like what do I do? Or it says

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Speaker 3: in the script Jeff makes a v or there's nothing

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Speaker 3: about it. And then in the moment, no, it didn't

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Speaker 3: say that, didn't say it in the outline, but in

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Speaker 3: that moment, especially because I'm playing worked up, and if

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Speaker 3: you listen to last recording you can see I can

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Speaker 3: get worked up. It was just boom and then both

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Speaker 3: my hands like a giant vagina, and then Larry repeating

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Speaker 3: it back to me, back and forth. And it introduced

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Speaker 3: something to the zeitgeist. And I'm not I'm talking about

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Speaker 3: Larry's writing. If you will, Yes, people come up to

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Speaker 3: me with the big vagina hands, and I'm talking about

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Speaker 3: now it's slowed down to once or twice a month,

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Speaker 3: but it used to be once every few days. Well

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Speaker 3: you know, has it? But the premise of because small

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Speaker 3: penises have always been a small penis, small penis. But

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Speaker 3: you never hear big vagina. Now we never hear big

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Speaker 3: At his desk as he's writing this goes I mean,

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Speaker 3: at first, I don't know what small penis, how it

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Speaker 3: came into his mind or whatever, or if he's searching,

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Speaker 3: but then it occurs to him, No, big vagina. That

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Speaker 3: alone is what I'm talking about Zeitgeist. Because every man said, yeah,

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Speaker 3: one about that?

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Speaker 1: What about then you two go into it, you two

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Speaker 1: like fifty percent labeled small penises might just be the

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Speaker 1: big vagina, and why shouldn't there be as many big

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Speaker 1: vaginas as small penises? And you say, these big vagina

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Speaker 1: ladies are getting away with murder and they ate.

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Speaker 2: Larry's like, they love this, they love this, the.

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Speaker 3: Small penises and from now on on this yeah, I'm.

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Speaker 2: This from now with the v in the hands.

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Speaker 1: And then the doctor enters and the doctor tells him

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Speaker 1: that he's on to him. It's the same doctor that

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Speaker 1: we saw last episode. I'm on to you, mister David.

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Speaker 1: You're waiting for this man to die so that you

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Speaker 1: don't have to give mister Lewis the kidney, by the way.

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Speaker 2: And Larry's like, pretty good work. No, no, no, no, you

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Speaker 2: got me.

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Speaker 3: First, he denies it. Why would you say something like that?

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Speaker 3: He goes, you know, the doctor goes, no, I know it,

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Speaker 3: and then Larry just there's a beat and he goes, hey,

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Speaker 3: good work, good work, you're right work. And then he

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Speaker 3: turns to me to be impressed with the doctor, like,

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Speaker 3: did you see the good work he did? Very fun.

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Speaker 1: Yeah, yeah, we'll be right back.

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Speaker 2: Stay tuned, and we're back.

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Speaker 1: And then you ask if he and Cheryl want to

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Speaker 1: go skiing with us because you rented a chalet, and

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Speaker 1: he's like, no, it's too much of a schlep. No, no, no, no,

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Speaker 1: And then both of you see George Lopez in the

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Speaker 1: hall of the hospital. Yes, and George Lopez did in

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Speaker 1: fact have a kidney transplant in real life.

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Speaker 3: Yes, yes, yes. By the way, his wife at the

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Speaker 3: time gave him her kidney and Lopez gave him her kidney. Yes,

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Speaker 3: which I say is the ultimate of giving. Yes, the

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Speaker 3: only thing I would be a heart transplant, but that

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Speaker 3: would mean one of you were dead, even the one you.

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Speaker 2: Can live with just one kidney. So yeah, ladies.

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Speaker 3: And gentlemen, we only have one heart.

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Speaker 2: Only one heart.

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Speaker 3: Keep it up. Hold on, I've got a message.

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Speaker 2: Some people's are large.

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Speaker 3: No, keep it open and keep it warm. What if

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Speaker 3: I close everyone of my stand up shows with that?

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Speaker 3: Ladies and gentlemen, You know we all have one heart.

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Speaker 3: Let's keep him open and keep them warm. Good night, everybody.

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Speaker 1: Well, do you know what I always hated when a

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Speaker 1: comedian would apologize, you know what, we kid because we

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Speaker 1: love or whatever they would say.

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Speaker 3: I always porch belt, and actually.

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Speaker 2: I hated it.

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Speaker 3: No. The only guy who did it that I just

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Speaker 3: love the way he did it was Rickles, because Rickless

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Speaker 3: would talk about we love each other people, and then

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Speaker 3: he would sing a song like a ballad of some sort. Yeah,

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Speaker 3: and I love that and and by the way.

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Speaker 1: That's fine for him. I never felt like I wanted

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Speaker 1: to apologize.

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Speaker 3: No, no, no, no, no, no, no, no you it would be false.

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Speaker 3: I like ending with gratitude for them, because now especially

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Speaker 3: I actually thanked the audience for even leaving their homes.

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Speaker 3: Forget that they came to see me to congratulate them

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Speaker 3: on leaving their homes. You know. But there was a

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Speaker 3: guy in Chicago who used to say, everybody, you know,

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Speaker 3: as I liked, I swear, this was his ending every time,

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Speaker 3: and of course every comedian made fun of it. Everybody, hey,

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Speaker 3: thanks for coming to night. And as I always say, live, love, laugh,

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Speaker 3: and that was his closer every time, And of course

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Speaker 3: moments before he closed. Comedians would run into the room

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Speaker 3: to watch him do it to hear yes, it was fun.

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Speaker 2: Because comedians are mean in a good way.

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Speaker 1: So George Lopez tells him he feels great, and you

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Speaker 1: guys say, Louis is at the bottom of the list,

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Speaker 1: and he Lopez says, if somebody's got to step up,

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Speaker 1: if you're at the bottom of the list, your fuck.

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Speaker 2: But then he gives the information that there's a guy

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Speaker 2: who's the head of the Kidney Consortium, which is such

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Speaker 2: a thing as the Kidney Consort.

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Speaker 3: By the way, how funny you say that, because when

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Speaker 3: we were doing the scene that was a big topic

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Speaker 3: of discussion with us of like what we consortium? Can

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Speaker 3: you know I don't remember it was in the script

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Speaker 3: or how should George it's consortium if I believe.

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Speaker 1: I don't know, But anyway, he said, George says, there's

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Speaker 1: a guy who's the head of the kidney Foundation and

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Speaker 1: he could be gotten to so you should buddy up

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Speaker 1: to him, kiss his ass. His name is Ben Heineman.

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Speaker 1: And then Larry's at home and Omar Jones is there,

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Speaker 1: and he asked, Larry says, can you get me some

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Speaker 1: information on this guy? Ben Heinemann and Cheryl enters and

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Speaker 1: she meets Omar for the first time, and Omar closes

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Speaker 1: his at shadcase with the handcuffs in it, and he leaves,

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Speaker 1: and Cheryl bought Larry a new ski jacket and Larry

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Speaker 1: tries it on and Cheryl says, you could wear it

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Speaker 1: when we go skiing with Susie and Jeff, and Larry says, no,

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Speaker 1: I don't want to go.

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Speaker 2: I don't want to go too much.

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Speaker 1: Schlepping, and then he's Larry sees a bag, a plastic

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Speaker 1: bag that Omar left and it's edible undies in the

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Speaker 1: bag and he goes running out to give it to Omar,

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Speaker 1: but he's missed him, so he just stuffs it in

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Speaker 1: the ski jacket.

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Speaker 3: Can see it.

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Speaker 2: Try the ski jacket, he guess.

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Speaker 3: I want I want to say about this. If this

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Speaker 3: were the only funny thing in the episode, it's worth

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Speaker 3: the journey. There's so many gems through this episode that

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Speaker 3: it's kind of hard to believe. And also to set

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Speaker 3: up edible underwear for something that happens later. And also

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Speaker 3: what I love about it is Omar Jones the way

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Speaker 3: we've estabbed edible underwear, but again I buy that, like

360
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Speaker 3: I'm going on the journey with that.

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Speaker 2: He's a religious man. Yes, you know we've established Oh.

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Speaker 3: Wait, I'm always complaining about this, this and this, like

363
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Speaker 3: bongos in Larry's bedroom what have you? But this, I

364
00:18:07,200 --> 00:18:10,160
Speaker 3: buy this is all good. Like I don't think what's

365
00:18:10,160 --> 00:18:13,160
Speaker 3: he doing? Like you never know? But still loved it.

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Speaker 3: Keep going.

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Speaker 2: So he puts the box in his coat pocket.

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Speaker 1: And then Larry's in his office on the phone with

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Speaker 1: Omar Jones and he's finding out about Hyneman. He's a

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Speaker 1: Yankee fan, he's an Orthodox Jew. He's got a gold Cadillac.

371
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Speaker 1: He gives him the plate number, and you walk in

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Speaker 1: and you guys try to figure out how are you

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Speaker 1: gonna befriend this Ben Heineman And Larry's if I could

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Speaker 1: save his life, like for example, if you, Jeff push

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Speaker 1: him off the roof and I save his life, And you're.

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Speaker 2: Like, at what point?

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Speaker 1: At no point does he ask you about the fat

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Speaker 1: guy who pushed you off the roof, you know, But

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Speaker 1: I was like, oh, not that, not that version.

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Speaker 3: Larry makes it easy for me. We throw each other softballs. Now,

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00:18:56,200 --> 00:19:00,399
Speaker 3: his softball to me is unintentional, whereas he he hats

382
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Speaker 3: the scenario, having no way idea what I'm going to

383
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Speaker 3: say back. But all I have to do every time

384
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Speaker 3: is just question what he just said the logic. Speaking

385
00:19:10,400 --> 00:19:13,359
Speaker 3: of logic, all I do is question what he just said.

386
00:19:13,840 --> 00:19:16,720
Speaker 3: And it's funny. So he does that for me every time,

387
00:19:17,000 --> 00:19:20,520
Speaker 3: and for me, I will say things where I know

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Speaker 3: where he's gonna go with it, and it's fun. I'm

389
00:19:24,560 --> 00:19:27,679
Speaker 3: just obviously it's fun. But he makes it easy for

390
00:19:27,800 --> 00:19:31,000
Speaker 3: me to have those moments with him. He sets you

391
00:19:31,119 --> 00:19:36,119
Speaker 3: up well unintentionally because you know normally, but you know

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Speaker 3: I do.

393
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Speaker 1: I do think though, Jeff, that you know and I

394
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Speaker 1: notice it, you know more in the later seasons. We've

395
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Speaker 1: been doing this together, all of us for so long

396
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Speaker 1: that we read each other's minds. I mean, there's a

397
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Speaker 1: dialogue of the unconscious going on at all times.

398
00:19:51,040 --> 00:19:52,960
Speaker 3: I think one one of the best ones I ever

399
00:19:53,040 --> 00:19:56,520
Speaker 3: did was him with the dishes in the water, and

400
00:19:56,560 --> 00:19:58,959
Speaker 3: I say, you have special hands. You don't remember that

401
00:19:59,000 --> 00:19:59,920
Speaker 3: you were in the scene.

402
00:20:00,440 --> 00:20:01,439
Speaker 2: I'm trying to remember it.

403
00:20:01,520 --> 00:20:06,000
Speaker 3: Yeah, well I got it, but but I just tell him,

404
00:20:06,000 --> 00:20:08,840
Speaker 3: what do you have special hands? Something about him and

405
00:20:08,920 --> 00:20:11,160
Speaker 3: dishes and hot water and the owl keep going oh.

406
00:20:11,160 --> 00:20:13,080
Speaker 2: Yeah, yeah, yeah, yeah, I do remember that.

407
00:20:13,920 --> 00:20:16,240
Speaker 1: And then we see Larry comes up with an idea,

408
00:20:16,600 --> 00:20:18,520
Speaker 1: but we don't hear what it is. We just cut

409
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Speaker 1: to you guys are in a parking lot looking for

410
00:20:21,480 --> 00:20:23,480
Speaker 1: the cadillac. Now, of course this doesn't make sense. How

411
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Speaker 1: would you know where the guy's cadillac was unless it's

412
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Speaker 1: his place of work or something.

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00:20:28,600 --> 00:20:30,359
Speaker 3: June set us up, but good.

414
00:20:30,160 --> 00:20:33,480
Speaker 1: Set us up, okay, And we see the first attempt,

415
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Speaker 1: you smash into the tailgate and it's nothing. Nothing happens,

416
00:20:37,119 --> 00:20:38,520
Speaker 1: and then you get out of the car because you

417
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Speaker 1: don't want to stay in the car and get whiplash.

418
00:20:40,480 --> 00:20:42,439
Speaker 1: You tell him to try again and he gives it

419
00:20:42,480 --> 00:20:45,280
Speaker 1: a good smash this time in the airbit goes off

420
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Speaker 1: and he's all full of crap all over his face

421
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Speaker 1: and you have to pull him out of the car.

422
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Speaker 3: We shot that's a Pacific Design Center. Very interesting buildings, yes,

423
00:20:54,400 --> 00:20:58,280
Speaker 3: but we shot that bag exploding. Oh my god, with

424
00:20:58,400 --> 00:21:01,480
Speaker 3: Larry with the powder. He's such a sport with all

425
00:21:01,520 --> 00:21:02,280
Speaker 3: this ship. Yeah.

426
00:21:02,960 --> 00:21:05,320
Speaker 2: How many times did you shoot that? Probably just once

427
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Speaker 2: or twice more than that really.

428
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Speaker 3: And then at a certain point all we had to

429
00:21:09,720 --> 00:21:13,480
Speaker 3: do was have the thing already blown up and Larry

430
00:21:13,520 --> 00:21:17,240
Speaker 3: getting out. But it was it was that was difficult

431
00:21:17,240 --> 00:21:17,719
Speaker 3: to shoot.

432
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Speaker 1: Yeah, well, it's a lot of choreography for that kind

433
00:21:20,400 --> 00:21:22,800
Speaker 1: of a thing, you know. And then we see that

434
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Speaker 1: Larry leaves a note on the windshield of the Cadillac.

435
00:21:26,920 --> 00:21:31,880
Speaker 1: And next week cut to again pleasant music and where

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00:21:32,080 --> 00:21:33,760
Speaker 1: is He's Deli?

437
00:21:32,920 --> 00:21:37,120
Speaker 3: Which no longer exists as far as I know.

438
00:21:37,280 --> 00:21:38,360
Speaker 2: Right, it was a centemon.

439
00:21:38,440 --> 00:21:41,240
Speaker 3: It was also a regular deli, but we've created an

440
00:21:41,359 --> 00:21:44,080
Speaker 3: orthodox deli. And then Larry comes.

441
00:21:43,840 --> 00:21:47,040
Speaker 1: In and Larry, Larry's wearing a like a short sleeve

442
00:21:47,160 --> 00:21:49,160
Speaker 1: striped shirt, which is not his style at all.

443
00:21:49,160 --> 00:21:50,920
Speaker 3: Also tucked in, tucked in.

444
00:21:51,160 --> 00:21:51,600
Speaker 2: Tucked in.

445
00:21:51,840 --> 00:21:55,399
Speaker 1: Yeah, And and he walks in and he's you know,

446
00:21:55,520 --> 00:21:58,040
Speaker 1: s Ben, And all of a sudden he has this

447
00:21:58,240 --> 00:22:01,920
Speaker 1: accent which is like, I don't know what the fuck

448
00:22:01,960 --> 00:22:02,199
Speaker 1: it is.

449
00:22:02,240 --> 00:22:06,679
Speaker 2: It's the funniest thing I've ever heard of my life. Mister, mister,

450
00:22:07,400 --> 00:22:08,200
Speaker 2: how are you, sir?

451
00:22:09,200 --> 00:22:12,679
Speaker 5: What a great, great pleasure to meet you.

452
00:22:12,840 --> 00:22:13,520
Speaker 2: It's nice to meet you.

453
00:22:13,560 --> 00:22:15,560
Speaker 3: It doesn't have that sit down please, thank you.

454
00:22:16,960 --> 00:22:20,159
Speaker 5: I'm sorry, I'm I'm a little late you.

455
00:22:22,640 --> 00:22:29,280
Speaker 1: Yeah, what a misfit it was for you?

456
00:22:29,320 --> 00:22:31,760
Speaker 3: To leave that note on my car. Well, how could

457
00:22:31,800 --> 00:22:33,439
Speaker 3: I do anything less than that.

458
00:22:33,520 --> 00:22:36,440
Speaker 5: I'd have to be a sociopath to hit somebody's car

459
00:22:36,680 --> 00:22:39,000
Speaker 5: and then and then go away into the night as

460
00:22:39,000 --> 00:22:39,920
Speaker 5: if nothing happened.

461
00:22:40,359 --> 00:22:41,640
Speaker 3: Thank you, thank you.

462
00:22:41,720 --> 00:22:45,600
Speaker 5: What happened? I was listening to Jewish radio and they

463
00:22:45,600 --> 00:22:48,080
Speaker 5: were talking about Israel, and I got so worked up

464
00:22:48,359 --> 00:22:49,800
Speaker 5: I lost control of my car.

465
00:22:50,240 --> 00:22:54,120
Speaker 3: May offer you so much, please, Marty Manus, Please it's

466
00:22:54,160 --> 00:22:54,800
Speaker 3: kosh if you know that.

467
00:22:56,000 --> 00:23:03,720
Speaker 5: Oh, say wait a second, hello, no, no, no, no, no, uh,

468
00:23:03,760 --> 00:23:06,160
Speaker 5: thank you, thank you for that invitation. But I cannot

469
00:23:06,160 --> 00:23:09,520
Speaker 5: go to the baseball game on the Sabbath. I'm sorry,

470
00:23:10,040 --> 00:23:16,320
Speaker 5: it's impossible. I'll take a rain check. However, Oh okay.

471
00:23:17,880 --> 00:23:20,359
Speaker 3: He didn't know what the accent was gonna be until

472
00:23:20,400 --> 00:23:21,320
Speaker 3: he opened his mouth.

473
00:23:21,440 --> 00:23:22,320
Speaker 2: I guarante did it.

474
00:23:22,800 --> 00:23:26,520
Speaker 3: That's the point about improv You cannot prepare. And I've

475
00:23:26,560 --> 00:23:29,840
Speaker 3: already told stories of Richard Lewis writing stuff down on

476
00:23:29,920 --> 00:23:32,679
Speaker 3: a card and like sticking it where the sugar is

477
00:23:32,720 --> 00:23:35,919
Speaker 3: at a table, and then Larry or I pulling it away,

478
00:23:36,359 --> 00:23:39,280
Speaker 3: him getting pissed. But he's so much better, you know,

479
00:23:39,480 --> 00:23:40,200
Speaker 3: being in the moment.

480
00:23:40,560 --> 00:23:42,960
Speaker 2: Ben Heineman is played by Stuart Penkin.

481
00:23:43,119 --> 00:23:47,439
Speaker 3: Stuart Penkin very funny actor, delightful man. But when I

482
00:23:47,560 --> 00:23:50,960
Speaker 3: was a kid, he was in a movie called Hollywood

483
00:23:51,040 --> 00:23:56,760
Speaker 3: Knights with Michelle Pfeiffer, Robert Wooll, Tony Danza, and he

484
00:23:56,880 --> 00:24:00,480
Speaker 3: played this nerdy guy who to me was the funniest

485
00:24:00,480 --> 00:24:01,119
Speaker 3: thing in the movie.

486
00:24:01,359 --> 00:24:03,160
Speaker 2: He's brilliant as Ben Heineman.

487
00:24:03,320 --> 00:24:06,000
Speaker 3: Oh he really is, no, no brilliant, you know.

488
00:24:06,080 --> 00:24:09,600
Speaker 1: So they introduced themselves and Ben speaks some Hebrew, to

489
00:24:09,640 --> 00:24:14,399
Speaker 1: which Larry's response was, he's just clearly does not know

490
00:24:14,440 --> 00:24:15,959
Speaker 1: what the hell he's talking about.

491
00:24:16,080 --> 00:24:19,440
Speaker 3: But not only that, he doesn't put a big spin

492
00:24:19,560 --> 00:24:24,159
Speaker 3: on it. He doesn't lightly so you wouldn't notice.

493
00:24:24,520 --> 00:24:25,920
Speaker 2: And then he goes into this whole story.

494
00:24:25,960 --> 00:24:30,119
Speaker 1: I'd have to be a sociopath to have just walked away.

495
00:24:30,680 --> 00:24:32,680
Speaker 2: I was listening to Jewish radio.

496
00:24:32,840 --> 00:24:35,920
Speaker 1: I got so worked off by lost control of the car.

497
00:24:37,520 --> 00:24:38,600
Speaker 3: Jewish radio.

498
00:24:39,040 --> 00:24:44,280
Speaker 1: Yes, and then Ben, very gracious, can I offer you

499
00:24:44,320 --> 00:24:44,840
Speaker 1: some lunch?

500
00:24:44,920 --> 00:24:45,560
Speaker 2: It's kosher?

501
00:24:45,920 --> 00:24:50,040
Speaker 3: By the way, forget that Larry wrote the episode. Okay,

502
00:24:50,359 --> 00:24:53,280
Speaker 3: his performance in this episode top the bottom.

503
00:24:53,720 --> 00:24:54,600
Speaker 2: I mean fantastic.

504
00:24:54,680 --> 00:24:57,960
Speaker 3: I mean it's this may be his best performance in

505
00:24:58,000 --> 00:25:00,719
Speaker 3: the history of the show. I think it could be.

506
00:25:01,040 --> 00:25:01,480
Speaker 2: It could be.

507
00:25:01,880 --> 00:25:04,679
Speaker 1: And then Larry's phone rings and he's like, excuse me

508
00:25:04,720 --> 00:25:07,399
Speaker 1: a minute, a little flip vote. I cannot go to

509
00:25:07,480 --> 00:25:10,359
Speaker 1: the baseball game on the sabbath. And then you know,

510
00:25:10,359 --> 00:25:13,320
Speaker 1: because he knows the guy's a Yankee fan, and that

511
00:25:13,480 --> 00:25:16,719
Speaker 1: Ben Heineman tells him he watches television on the sabbath

512
00:25:16,760 --> 00:25:17,600
Speaker 1: and Jeff.

513
00:25:17,359 --> 00:25:17,920
Speaker 2: You're not looking.

514
00:25:17,960 --> 00:25:28,720
Speaker 1: Larry goes like this, then some more fake heep brew yes,

515
00:25:29,000 --> 00:25:31,080
Speaker 1: and then Ben says, there's two things that I love,

516
00:25:31,200 --> 00:25:32,639
Speaker 1: by the way, stuffed back.

517
00:25:32,560 --> 00:25:35,639
Speaker 3: By the way, Larry loved the scene with you and

518
00:25:35,720 --> 00:25:39,119
Speaker 3: him on the couch with the yeah. But later you

519
00:25:39,160 --> 00:25:42,320
Speaker 3: have seen he loved how much it made me laugh

520
00:25:42,480 --> 00:25:45,720
Speaker 3: like he was. He was so happy that he was

521
00:25:45,880 --> 00:25:50,440
Speaker 3: destroying me, destroying money. No, but I mean I would

522
00:25:50,480 --> 00:25:53,680
Speaker 3: approach the table, you know when usually notes are given whatever,

523
00:25:53,840 --> 00:25:56,520
Speaker 3: with tears in my eyes. And it just thrilled him that.

524
00:25:56,480 --> 00:25:58,679
Speaker 2: He killed me just so I wasn't here. So but

525
00:25:58,760 --> 00:26:00,080
Speaker 2: it was just so funny.

526
00:26:00,800 --> 00:26:15,320
Speaker 1: We'll be right back, stay tuned, and we're back, and

527
00:26:15,359 --> 00:26:17,439
Speaker 1: then Ben says, there's two things in my life that

528
00:26:17,520 --> 00:26:21,600
Speaker 1: I love besides family, I love baseball and I love skiing.

529
00:26:22,000 --> 00:26:24,440
Speaker 2: And Larry's like, oh my yammacka almost fill off.

530
00:26:25,400 --> 00:26:28,160
Speaker 1: I have a little ski lodge and he invites Ben

531
00:26:28,520 --> 00:26:32,520
Speaker 1: to your ski lodge. This scene is just it's fantastic.

532
00:26:33,160 --> 00:26:35,320
Speaker 1: Larry is with Lisa. He Lewis is with Lisa and

533
00:26:35,320 --> 00:26:37,040
Speaker 1: he says, I spoke to her mutual friend. I mentioned

534
00:26:37,040 --> 00:26:39,600
Speaker 1: the small penis and Lisa says, was he upset? And

535
00:26:39,960 --> 00:26:43,320
Speaker 1: Larry says rather. He says, rather it was with your

536
00:26:43,359 --> 00:26:47,040
Speaker 1: big vagina and he does the hand gesture again huge.

537
00:26:47,480 --> 00:26:49,360
Speaker 1: You blame it on the small penis and you've got

538
00:26:49,359 --> 00:26:50,400
Speaker 1: a huge vagina.

539
00:26:50,840 --> 00:26:51,040
Speaker 3: Oh.

540
00:26:51,080 --> 00:26:52,960
Speaker 1: And then he's talking to Lewis. This guy's ahead of

541
00:26:53,000 --> 00:26:55,080
Speaker 1: the whole thing. He's gonna go skiing with me. He's

542
00:26:55,119 --> 00:26:57,439
Speaker 1: a huge Yankee fan. Let me give him the mantle

543
00:26:57,520 --> 00:26:59,800
Speaker 1: ball and Lewis is like, are you out of your mind?

544
00:27:00,080 --> 00:27:02,680
Speaker 1: And then they notice that the ball is missing and

545
00:27:02,960 --> 00:27:06,000
Speaker 1: Larry looks for it. It's not behind the cabinet, nothing, and

546
00:27:06,359 --> 00:27:08,639
Speaker 1: he says, who's been here? And Louis says, you know,

547
00:27:08,840 --> 00:27:11,760
Speaker 1: just the nurse, a few friends. And Louis says, I

548
00:27:11,800 --> 00:27:14,400
Speaker 1: see her leaving in the same uniform. There's no pockets

549
00:27:14,480 --> 00:27:17,280
Speaker 1: or anything. She couldn't have taken the ball, and Larry

550
00:27:17,440 --> 00:27:21,720
Speaker 1: starts thinking unless and then Lisa enters the nurse and

551
00:27:21,760 --> 00:27:24,960
Speaker 1: he's like the Mickey Mantle ball is missing, and he says,

552
00:27:25,000 --> 00:27:27,479
Speaker 1: can a ball worth in the excess of twenty thousand

553
00:27:27,520 --> 00:27:30,199
Speaker 1: dollars just disappear? And then she says, Jim, what are

554
00:27:30,240 --> 00:27:33,040
Speaker 1: you driving at? And then he does his Perry Mason

555
00:27:33,320 --> 00:27:34,960
Speaker 1: and he pulls his glasses off.

556
00:27:35,160 --> 00:27:36,720
Speaker 3: I'll tell you what I'm driving at.

557
00:27:37,240 --> 00:27:40,760
Speaker 5: I submit, you took that baseball, stashed it and you're

558
00:27:40,840 --> 00:27:44,240
Speaker 5: unusually large vagina and walk right on out of here.

559
00:27:44,520 --> 00:27:46,960
Speaker 3: So the way he plays this is like a great

560
00:27:47,040 --> 00:27:52,879
Speaker 3: detective who's waited for this moment. Yeah to say in

561
00:27:52,920 --> 00:27:57,159
Speaker 3: the parlor, in that he's sitting here, Cliro, he's barrow.

562
00:27:57,640 --> 00:28:02,439
Speaker 3: And again the performance like this to me is Larry

563
00:28:02,520 --> 00:28:06,000
Speaker 3: my favorite Larry David performance in this episode. Everything he

564
00:28:06,080 --> 00:28:08,120
Speaker 3: does destroys me in this episode.

565
00:28:09,119 --> 00:28:12,639
Speaker 2: And you're usually large vagina, it kills me.

566
00:28:12,920 --> 00:28:16,280
Speaker 1: I agree, And Lewis's face is just you know, priceless

567
00:28:16,280 --> 00:28:19,160
Speaker 1: there and then we cut to dinner at our house.

568
00:28:19,200 --> 00:28:21,960
Speaker 1: It's the four of us having dinner at our house. Cheryl, Larry,

569
00:28:22,000 --> 00:28:24,679
Speaker 1: Jeff and Susie and Larry says, have you seen my

570
00:28:24,720 --> 00:28:26,840
Speaker 1: cell phone? He asks Cheryl, So we've established that his

571
00:28:26,880 --> 00:28:30,440
Speaker 1: cell phone is gone. And then we start discussing skiing,

572
00:28:30,520 --> 00:28:32,520
Speaker 1: and all of a sudden, Larry's wants to go skiing,

573
00:28:32,760 --> 00:28:34,520
Speaker 1: and I'm excited because Cheryl and I are going to

574
00:28:34,600 --> 00:28:35,760
Speaker 1: go snowboarding, et cetera.

575
00:28:36,200 --> 00:28:37,920
Speaker 2: And then Larry says, I hope you don't mind, but

576
00:28:38,000 --> 00:28:39,240
Speaker 2: I've invited an.

577
00:28:39,200 --> 00:28:42,360
Speaker 1: Orthodox Jew and his daughter, and I'm just like, what

578
00:28:43,160 --> 00:28:46,480
Speaker 1: even Orthodox jewice? Just some random Orthodox Jew? And he

579
00:28:46,560 --> 00:28:49,440
Speaker 1: tells us he's head of the Kidney Consortium. And I

580
00:28:49,560 --> 00:28:51,320
Speaker 1: just say, let's just be clear. You know, do you

581
00:28:51,320 --> 00:28:52,920
Speaker 1: want to get Lewis up on the list and you

582
00:28:52,960 --> 00:28:54,560
Speaker 1: want to go get out of you having to give

583
00:28:54,600 --> 00:28:56,720
Speaker 1: him the kidney? And I don't, I don't know to

584
00:28:56,720 --> 00:28:59,280
Speaker 1: spend the weekend with these people. And Larry goes into

585
00:28:59,280 --> 00:29:01,960
Speaker 1: a complete a queen scene, but he.

586
00:29:01,960 --> 00:29:04,600
Speaker 3: Says, the cut the cutting, and I loved it. But

587
00:29:04,640 --> 00:29:05,960
Speaker 3: that's not the worst part.

588
00:29:06,320 --> 00:29:06,920
Speaker 2: Boom now.

589
00:29:07,360 --> 00:29:10,479
Speaker 1: And what's interesting what I recall Jeff is in that

590
00:29:10,600 --> 00:29:13,400
Speaker 1: scene we played out the whole thing where he told

591
00:29:13,480 --> 00:29:15,600
Speaker 1: me I was going to have to play his.

592
00:29:15,640 --> 00:29:17,600
Speaker 2: Wife and we went through that.

593
00:29:17,720 --> 00:29:19,880
Speaker 1: Remember that, Yeah, So we went through that whole thing,

594
00:29:20,080 --> 00:29:22,000
Speaker 1: but it's better that it was cut where it.

595
00:29:22,040 --> 00:29:25,480
Speaker 3: Was, Oh, that's an effiicient cut. But you know what's

596
00:29:25,520 --> 00:29:29,040
Speaker 3: funny to me, and I'm just noticing this now, is

597
00:29:29,080 --> 00:29:33,280
Speaker 3: when you're quoting yourself, Yeah, you just are playing the

598
00:29:33,320 --> 00:29:39,959
Speaker 3: part again. You're just like you're recreating what actually happened

599
00:29:40,000 --> 00:29:40,840
Speaker 3: in the episode.

600
00:29:41,000 --> 00:29:44,280
Speaker 1: Yes, exactly, but yeah, so originally we had gone through

601
00:29:44,320 --> 00:29:46,320
Speaker 1: a whole thing where he tells us that I have

602
00:29:46,400 --> 00:29:48,840
Speaker 1: to play his wife because he can't have the shiksa

603
00:29:49,320 --> 00:29:51,800
Speaker 1: you guysha wife Cheryl. But that was cut, and that

604
00:29:51,880 --> 00:29:53,480
Speaker 1: was a great cut. I remember when I first saw

605
00:29:53,560 --> 00:29:55,120
Speaker 1: it, it was like, oh, that was smart. That was a

606
00:29:55,200 --> 00:29:58,239
Speaker 1: really good cut. And we cut to the chalet and

607
00:29:58,280 --> 00:30:01,440
Speaker 1: there we are sitting on a couch. I got some

608
00:30:01,600 --> 00:30:04,320
Speaker 1: schmatta on my head and Larry has his arm around me,

609
00:30:04,320 --> 00:30:05,800
Speaker 1: and I'm like, looking at it, it's like, you know,

610
00:30:05,840 --> 00:30:08,440
Speaker 1: get your fucking hands off me, and you and Cheryl

611
00:30:08,600 --> 00:30:10,840
Speaker 1: are a couple, and Larry and I are a couple,

612
00:30:11,200 --> 00:30:13,000
Speaker 1: and I sitting on the.

613
00:30:12,960 --> 00:30:16,880
Speaker 3: Couch the least believable as Cheryl and I. Well, now

614
00:30:17,160 --> 00:30:19,160
Speaker 3: like if you don't know and you're watching the show,

615
00:30:19,200 --> 00:30:21,360
Speaker 3: which of these people are couples. They would pick you

616
00:30:21,440 --> 00:30:24,080
Speaker 3: and Larry and they would definitely want to say you.

617
00:30:24,160 --> 00:30:26,920
Speaker 2: And why not? What I disagree with that?

618
00:30:27,840 --> 00:30:28,040
Speaker 3: Yeah?

619
00:30:28,120 --> 00:30:28,440
Speaker 2: Why not?

620
00:30:28,840 --> 00:30:32,440
Speaker 3: Well, for our viewers, there are many reasons.

621
00:30:32,800 --> 00:30:35,520
Speaker 1: Larry says, she's a wonderful cook, my susie, and he

622
00:30:35,560 --> 00:30:38,800
Speaker 1: puts his arm around me. And then Rachel asked how

623
00:30:38,800 --> 00:30:41,960
Speaker 1: we met, and I say, at a Hillel function.

624
00:30:42,080 --> 00:30:44,440
Speaker 2: Now, let me tell you this. I had no idea

625
00:30:44,440 --> 00:30:45,280
Speaker 2: what Hillel is.

626
00:30:45,640 --> 00:30:47,760
Speaker 1: I just pulled that word out of my head that

627
00:30:47,800 --> 00:30:49,600
Speaker 1: I heard it somewhere.

628
00:30:48,720 --> 00:30:51,640
Speaker 3: It's it's the Jewish groups on.

629
00:30:51,640 --> 00:30:54,440
Speaker 2: The college campuses. But I did not know that when

630
00:30:54,440 --> 00:30:55,000
Speaker 2: I said that.

631
00:30:55,080 --> 00:30:57,920
Speaker 1: So when she came back and she said, oh, so

632
00:30:58,000 --> 00:31:00,360
Speaker 1: you met in college, I was like, oh, okay, I

633
00:31:00,360 --> 00:31:02,640
Speaker 1: guess so. Because I didn't know what Hillel was. I

634
00:31:02,680 --> 00:31:04,920
Speaker 1: just knew that it was an organization, so I just

635
00:31:04,960 --> 00:31:08,240
Speaker 1: said hello. And then Larry starts talking about that he

636
00:31:08,360 --> 00:31:11,320
Speaker 1: was in a band and he sang Jewish folk songs

637
00:31:11,360 --> 00:31:14,360
Speaker 1: and Rachel, oh, let's say, we didn't even Rachel is

638
00:31:14,400 --> 00:31:15,480
Speaker 1: played by Ariese Barr.

639
00:31:15,840 --> 00:31:17,120
Speaker 2: We didn't even say that yet.

640
00:31:17,440 --> 00:31:21,720
Speaker 1: Reese Barr is a wonderfully talented comedic actress. She did

641
00:31:21,760 --> 00:31:24,280
Speaker 1: that whole series where she played Svetlana, which was a

642
00:31:24,760 --> 00:31:26,320
Speaker 1: Russian prostitute.

643
00:31:26,520 --> 00:31:28,720
Speaker 3: But by the way, she lives in Israel.

644
00:31:29,080 --> 00:31:29,920
Speaker 2: She back and forth.

645
00:31:30,000 --> 00:31:31,560
Speaker 1: She lives part of the time in Israel and part

646
00:31:31,560 --> 00:31:34,240
Speaker 1: of the time in New York in la but really

647
00:31:34,360 --> 00:31:36,920
Speaker 1: really funny. She does a lot of one person shows

648
00:31:36,960 --> 00:31:40,600
Speaker 1: and a lot of different characters, so she's playing very

649
00:31:40,600 --> 00:31:43,560
Speaker 1: talented and she's playing Rachel. She says, so, what songs

650
00:31:43,560 --> 00:31:48,840
Speaker 1: did you sing? And Larry says, Noel Fish, hold.

651
00:31:48,640 --> 00:31:52,120
Speaker 3: On sing here. When he says, Larry, David and the hipsters,

652
00:31:52,280 --> 00:31:52,960
Speaker 3: well that's later.

653
00:31:53,120 --> 00:31:55,640
Speaker 2: That comes up first.

654
00:31:55,640 --> 00:31:59,280
Speaker 1: He says, the song skaffilter fish blues. My freaking back

655
00:31:59,400 --> 00:32:01,640
Speaker 1: is killing me and it's making it hard to covel.

656
00:32:02,240 --> 00:32:05,720
Speaker 1: And then Cheryl says, what was the name of your band?

657
00:32:06,040 --> 00:32:08,920
Speaker 3: Which, by the way, I had hold on hold on

658
00:32:09,000 --> 00:32:12,360
Speaker 3: though I had to have whispered that to her, because

659
00:32:12,400 --> 00:32:16,600
Speaker 3: that's like my relationship with Larry, like the way of

660
00:32:16,840 --> 00:32:20,640
Speaker 3: giving him a home run ball. That's why I know

661
00:32:20,760 --> 00:32:23,080
Speaker 3: for sure I would wager everything I owned that I

662
00:32:23,080 --> 00:32:25,560
Speaker 3: wish to ask him what the name of the band was,

663
00:32:26,200 --> 00:32:29,200
Speaker 3: because you know, there's no by the way, you know, Cheryl,

664
00:32:29,600 --> 00:32:31,920
Speaker 3: there's no way she's going to ask that. She's my

665
00:32:32,000 --> 00:32:35,040
Speaker 3: mouthpiece on that one. And then of course he says

666
00:32:35,600 --> 00:32:39,800
Speaker 3: Larry David and the Hipsters. Now in the show, it

667
00:32:40,000 --> 00:32:43,640
Speaker 3: cuts to me Cheryl and I nodding.

668
00:32:43,320 --> 00:32:45,080
Speaker 2: Like yeah, uh huh.

669
00:32:45,120 --> 00:32:49,000
Speaker 3: Where in reality in that moment, the minute Larry David

670
00:32:49,200 --> 00:32:51,640
Speaker 3: and the Hipsters comes out of his mouth and I

671
00:32:51,760 --> 00:32:56,280
Speaker 3: do not break. I exploded. I could not, do you remember?

672
00:32:57,000 --> 00:33:00,040
Speaker 3: I just I was what's the working? That is it

673
00:33:00,080 --> 00:33:03,520
Speaker 3: inconsolable when you're laughter too? But I could not.

674
00:33:04,240 --> 00:33:06,840
Speaker 2: I don't think it's inconsolable. But there's another word.

675
00:33:06,960 --> 00:33:12,040
Speaker 3: Yeah, yeah, I just exploded Larry David and then the

676
00:33:12,200 --> 00:33:13,760
Speaker 3: hiking Hipsters, And.

677
00:33:13,720 --> 00:33:15,880
Speaker 1: Then of course the hipsters went out on their own

678
00:33:15,920 --> 00:33:17,800
Speaker 1: and became quite successful.

679
00:33:17,440 --> 00:33:19,560
Speaker 2: And he just became Larry David.

680
00:33:19,600 --> 00:33:24,240
Speaker 3: By the way, again, Larry, there's a term and improv

681
00:33:24,640 --> 00:33:28,480
Speaker 3: explore in heighten, which means whatever anyone gives you, embrace

682
00:33:28,520 --> 00:33:31,560
Speaker 3: it and then say something else that lifts it, and

683
00:33:31,600 --> 00:33:34,400
Speaker 3: you go back and forth. And of course the hipsters

684
00:33:34,400 --> 00:33:37,880
Speaker 3: went out on their own and they were very successful. Again,

685
00:33:38,720 --> 00:33:41,760
Speaker 3: I explode with laughter and it's delayed.

686
00:33:41,440 --> 00:33:44,440
Speaker 1: And none of that. The hipsters the gefilter fish. But

687
00:33:44,720 --> 00:33:47,880
Speaker 1: none of that was planned. That was all in the moment.

688
00:33:47,920 --> 00:33:50,120
Speaker 1: I'm just letting our audience know that. You know that,

689
00:33:50,160 --> 00:33:51,480
Speaker 1: But I'm letting our audience know that.

690
00:33:51,600 --> 00:33:54,400
Speaker 3: Yeah. But also part of the reason Larry laughs so

691
00:33:54,520 --> 00:33:57,160
Speaker 3: much and breaks on the show is because he sits

692
00:33:57,200 --> 00:34:00,360
Speaker 3: and he writes this, and then when it's actually happening,

693
00:34:00,880 --> 00:34:04,400
Speaker 3: it tickles him, especially when somebody takes the ball and

694
00:34:04,520 --> 00:34:07,560
Speaker 3: runs with it, you know, and it's a soccer game

695
00:34:07,600 --> 00:34:09,960
Speaker 3: in his head, which is strange in a lot of touchs.

696
00:34:10,000 --> 00:34:11,000
Speaker 3: I don't know, you.

697
00:34:10,880 --> 00:34:13,080
Speaker 1: Did chuckle at that, you lose it, And then I

698
00:34:13,239 --> 00:34:15,920
Speaker 1: say I was not attracted to him. I felt sorry

699
00:34:16,000 --> 00:34:19,640
Speaker 1: for him. I had Rachmuna's pity. I taken stray animals.

700
00:34:19,680 --> 00:34:23,160
Speaker 1: And Ben says, you remind me of my wife. All

701
00:34:23,239 --> 00:34:25,920
Speaker 1: of a sholom, now, all of a sholem is like

702
00:34:26,000 --> 00:34:27,760
Speaker 1: rest in peace is what that means?

703
00:34:28,160 --> 00:34:31,040
Speaker 2: And Larry says, I would like to meet her, which

704
00:34:31,080 --> 00:34:33,799
Speaker 2: is a You see Rachel ding ding ding going off.

705
00:34:33,840 --> 00:34:36,280
Speaker 2: How did he not know what ali a sholem means?

706
00:34:36,280 --> 00:34:39,399
Speaker 3: Well, very early on in the scene, she just is

707
00:34:39,440 --> 00:34:41,719
Speaker 3: not buying Rachel is very suspicious.

708
00:34:42,000 --> 00:34:43,640
Speaker 1: But that was a moment that I you know that

709
00:34:43,680 --> 00:34:45,239
Speaker 1: I noticed and aggravated.

710
00:34:45,360 --> 00:34:47,879
Speaker 3: Yeah, suspicious and very aggravated.

711
00:34:47,920 --> 00:34:49,080
Speaker 2: She died six years ago.

712
00:34:49,160 --> 00:34:51,480
Speaker 1: She passed away six And Larry's like, eh, eh, that

713
00:34:51,560 --> 00:34:54,799
Speaker 1: whole thing, and Rachel's face is suspicious. And then Larry

714
00:34:54,800 --> 00:34:57,359
Speaker 1: says to Ben, what do you do? And Ben tells

715
00:34:57,440 --> 00:34:59,840
Speaker 1: him that he's head of the kidney Foundation, he says.

716
00:35:00,239 --> 00:35:02,200
Speaker 1: Then Larry tells him about Richard Lewis.

717
00:35:02,320 --> 00:35:04,480
Speaker 5: He says, I would give him my own kidney if

718
00:35:04,520 --> 00:35:07,839
Speaker 5: only we were a match, but unfortunately that's the lass.

719
00:35:08,239 --> 00:35:09,080
Speaker 3: That is not the case.

720
00:35:14,880 --> 00:35:20,280
Speaker 1: Excuse me, Okay, I would give him my own kidney

721
00:35:20,280 --> 00:35:23,200
Speaker 1: if we were a match, but alas that is not

722
00:35:23,360 --> 00:35:26,720
Speaker 1: the case. Like suddenly he's speaking in these biblical kinds

723
00:35:26,760 --> 00:35:32,640
Speaker 1: of alas the case, and then some more Hebrew, some

724
00:35:32,719 --> 00:35:36,319
Speaker 1: more that, and Rachel says, excuse me, because she knows

725
00:35:36,320 --> 00:35:39,319
Speaker 1: he's faking it. He's not really speaking in Hebrew. And

726
00:35:39,360 --> 00:35:43,200
Speaker 1: then we cut to time to go to bed. Yes,

727
00:35:43,400 --> 00:35:46,520
Speaker 1: and I throw Larry's pillows on the floor, cut to

728
00:35:46,719 --> 00:35:49,160
Speaker 1: Cheryl throws yours pillows on the floor.

729
00:35:48,920 --> 00:35:49,439
Speaker 2: Same thing.

730
00:35:49,960 --> 00:35:52,400
Speaker 1: And then I'm asleep and I'm tossing and turning, and

731
00:35:52,440 --> 00:35:54,520
Speaker 1: he's tossing and turning. He can't seem to, you know,

732
00:35:54,560 --> 00:35:58,160
Speaker 1: get comfortable, and so he climbs into bed and wakes me.

733
00:35:58,239 --> 00:35:59,359
Speaker 2: Up and like, what are you doing?

734
00:35:59,400 --> 00:36:01,600
Speaker 1: And he's like, my yeah, I don't give a shit

735
00:36:01,600 --> 00:36:02,719
Speaker 1: about your back yet on the floor.

736
00:36:02,719 --> 00:36:03,600
Speaker 2: Get the fuck out of the bed.

737
00:36:03,600 --> 00:36:04,320
Speaker 3: Blah blah.

738
00:36:04,360 --> 00:36:07,400
Speaker 2: Now coming up now is one of my favorite scenes ever.

739
00:36:07,880 --> 00:36:09,000
Speaker 2: It's the next morning.

740
00:36:09,280 --> 00:36:11,840
Speaker 1: Larry comes into the kitchen and Cheryl is cooking and

741
00:36:11,840 --> 00:36:14,200
Speaker 1: he's like, what's that smell. It's bacon. He's like, what

742
00:36:14,239 --> 00:36:17,640
Speaker 1: are you crazy? You can't cook bacon. These people are orthodox,

743
00:36:17,680 --> 00:36:19,960
Speaker 1: they can't have bacon. And then he's like, how'd you

744
00:36:20,000 --> 00:36:21,640
Speaker 1: do last night? She's like I was fine. He's like

745
00:36:21,680 --> 00:36:24,000
Speaker 1: I missed you and they hug and just as they're hugging,

746
00:36:24,160 --> 00:36:28,280
Speaker 1: Rachel Reese bar walks in and ret Larry says, good morning.

747
00:36:29,360 --> 00:36:30,280
Speaker 3: Now.

748
00:36:30,360 --> 00:36:33,200
Speaker 1: This was season five. For the rest of the seven

749
00:36:33,280 --> 00:36:35,960
Speaker 1: seasons that we had, every time I would come into

750
00:36:35,960 --> 00:36:38,000
Speaker 1: the makeup trailer and he was there, I would say

751
00:36:38,160 --> 00:36:41,560
Speaker 1: good morning and we would laugh because it was just

752
00:36:41,719 --> 00:36:46,120
Speaker 1: so funny. And Rachel brings in the plates and she says,

753
00:36:46,160 --> 00:36:48,960
Speaker 1: are these the plates that we ate the pot roast on?

754
00:36:49,080 --> 00:36:52,080
Speaker 1: Last night, And Cheryl's like, yes, they you know, yes

755
00:36:52,160 --> 00:36:55,399
Speaker 1: they are. And She's like, where are the milk and milkchi?

756
00:36:55,640 --> 00:36:57,720
Speaker 1: How do you pronounce that milk plates?

757
00:36:58,160 --> 00:37:02,000
Speaker 3: You're asking someone who's not he has no idea.

758
00:37:01,960 --> 00:37:04,120
Speaker 2: And but Larry's backing up, Yeah, where are the milky plates?

759
00:37:04,120 --> 00:37:06,319
Speaker 1: Like Larry's just backing her up, like starts ganging up,

760
00:37:06,320 --> 00:37:08,040
Speaker 1: But yeah, where are the milky plates?

761
00:37:08,440 --> 00:37:10,319
Speaker 5: You were told about the milk plates?

762
00:37:10,760 --> 00:37:11,160
Speaker 3: Was you not?

763
00:37:12,000 --> 00:37:14,920
Speaker 2: Okay? Well, I'm sorry about that.

764
00:37:14,920 --> 00:37:15,279
Speaker 3: That's fine.

765
00:37:15,320 --> 00:37:16,520
Speaker 2: I have to bury the plate and we'll be done.

766
00:37:16,520 --> 00:37:18,880
Speaker 2: I'm going to do what you have to bury the plate.

767
00:37:19,400 --> 00:37:19,920
Speaker 2: Why would you.

768
00:37:19,920 --> 00:37:20,600
Speaker 3: Bury a plate?

769
00:37:21,560 --> 00:37:25,680
Speaker 2: What would you bury a plate? You have to bury

770
00:37:25,680 --> 00:37:27,239
Speaker 2: the plate to purify. It has to go on your

771
00:37:28,360 --> 00:37:29,160
Speaker 2: sure you probably.

772
00:37:28,880 --> 00:37:31,200
Speaker 1: Have a whole set of china.

773
00:37:31,239 --> 00:37:33,319
Speaker 2: Wash it and call it a day.

774
00:37:33,600 --> 00:37:37,239
Speaker 3: Uh no, no, we can't wash it and call it

775
00:37:37,280 --> 00:37:39,320
Speaker 3: a day. No, that's not how it works.

776
00:37:39,920 --> 00:37:41,160
Speaker 2: Do you want to bury it? As the man of

777
00:37:41,200 --> 00:37:42,560
Speaker 2: the house, you bury it.

778
00:37:42,560 --> 00:37:45,680
Speaker 5: You'll bury, you'll bury. It's a little early for burying.

779
00:37:46,400 --> 00:37:48,040
Speaker 5: I don't like to bury it before coffee.

780
00:37:48,760 --> 00:37:51,520
Speaker 2: This is so Cheryl. She just says, why would you

781
00:37:51,560 --> 00:37:54,880
Speaker 2: bury a plate? I love that? Why would you bury

782
00:37:54,920 --> 00:37:55,400
Speaker 2: a plate?

783
00:37:56,000 --> 00:37:56,239
Speaker 3: You know?

784
00:37:56,640 --> 00:37:59,399
Speaker 1: And and Larry says, tell her, because Larry, of course

785
00:37:59,400 --> 00:38:02,040
Speaker 1: has no idea, and Rachel tells her people.

786
00:38:01,880 --> 00:38:06,719
Speaker 3: No, no, no, hold on, though Rachel nods at Larry to explain, yeah, yeah,

787
00:38:06,960 --> 00:38:10,640
Speaker 3: Garry comes. Then Larry reacts at Cheryl again.

788
00:38:10,600 --> 00:38:13,040
Speaker 2: Yeah, the milk plate. The milky plate sits like scream,

789
00:38:13,080 --> 00:38:13,239
Speaker 2: you know.

790
00:38:13,520 --> 00:38:16,000
Speaker 1: Yeah, And then Cheryl says, well, can't you just wash

791
00:38:16,080 --> 00:38:18,560
Speaker 1: it and call it a day? And lar said no, no, no,

792
00:38:18,600 --> 00:38:21,040
Speaker 1: you can't just call it a day. And then Rachel says,

793
00:38:21,080 --> 00:38:23,080
Speaker 1: would you like, as the man of the house, would

794
00:38:23,120 --> 00:38:24,359
Speaker 1: you like to bury the plate?

795
00:38:24,440 --> 00:38:24,720
Speaker 2: Lara?

796
00:38:24,800 --> 00:38:27,200
Speaker 1: No, no, no, yeah, you bury. I don't like to bury

797
00:38:27,239 --> 00:38:30,520
Speaker 1: before coffee. And then before she leaves, she's like, do

798
00:38:30,640 --> 00:38:32,760
Speaker 1: I smell bacon? Larsay, no, I was a little guessy.

799
00:38:32,840 --> 00:38:33,520
Speaker 1: I lit a match.

800
00:38:33,680 --> 00:38:35,360
Speaker 2: And he says to Cheryl, you are a guest in

801
00:38:35,400 --> 00:38:37,760
Speaker 2: this house. I love that whole scene.

802
00:38:37,880 --> 00:38:40,720
Speaker 3: I love that, but I'm saying it's one after another

803
00:38:40,880 --> 00:38:45,240
Speaker 3: that you're killing me. Big Vagina alone makes the episode.

804
00:38:45,320 --> 00:38:59,279
Speaker 2: We'll be right back, stay tuned. Okay, we're back. Now.

805
00:38:59,360 --> 00:39:02,360
Speaker 1: Let me ask you this, Jeff, I don't recall was

806
00:39:02,600 --> 00:39:05,400
Speaker 1: the milk it plates in the outline.

807
00:39:06,040 --> 00:39:09,040
Speaker 3: Sure that was the premise of the scene. I'm guessing

808
00:39:09,080 --> 00:39:11,560
Speaker 3: that it was, because why else would you have the

809
00:39:11,640 --> 00:39:17,080
Speaker 3: scene she has her plate ready, Yes, so it had

810
00:39:17,080 --> 00:39:18,640
Speaker 3: to have been in the outline.

811
00:39:18,239 --> 00:39:19,200
Speaker 2: The milket plates.

812
00:39:19,560 --> 00:39:22,400
Speaker 3: By the way, place do you remember where this place was?

813
00:39:22,560 --> 00:39:24,560
Speaker 1: It was in Malibu, and I will tell you about

814
00:39:25,960 --> 00:39:28,160
Speaker 1: And can I tell you something would happen that night

815
00:39:28,200 --> 00:39:29,920
Speaker 1: after we left and it was a very long day

816
00:39:29,920 --> 00:39:32,279
Speaker 1: of shooting, and it was late at night, and I

817
00:39:32,320 --> 00:39:36,040
Speaker 1: got lost driving home with no GPS up in the

818
00:39:36,080 --> 00:39:38,840
Speaker 1: canyons of Malibu. I was never so scared in my life.

819
00:39:39,000 --> 00:39:42,959
Speaker 3: I was unless there's a full moon, it's it.

820
00:39:42,880 --> 00:39:46,160
Speaker 1: Was pitch black, there's no houses, nothing. It was one

821
00:39:46,200 --> 00:39:47,759
Speaker 1: of the scariest moments of my life.

822
00:39:47,800 --> 00:39:49,880
Speaker 2: Somehow I figured out how to get out of there,

823
00:39:49,880 --> 00:39:51,000
Speaker 2: but it took me about an hour.

824
00:39:51,200 --> 00:39:52,840
Speaker 3: So you didn't stop at one.

825
00:39:53,160 --> 00:39:57,680
Speaker 1: Weep no, I had to keep and the no GPS.

826
00:39:58,000 --> 00:40:00,000
Speaker 1: GPS is one of the greatest inventions.

827
00:40:00,480 --> 00:40:03,200
Speaker 3: Take a step back. Listen to the way you're saying,

828
00:40:03,640 --> 00:40:07,680
Speaker 3: no GPS. How could people not think you're religious? How

829
00:40:07,680 --> 00:40:09,040
Speaker 3: do people not think.

830
00:40:09,040 --> 00:40:12,320
Speaker 2: Yourself I'm Jewish, just not religious.

831
00:40:12,360 --> 00:40:13,960
Speaker 3: Extra bonus Jewish.

832
00:40:14,080 --> 00:40:16,279
Speaker 1: All right, that's fine, But I'm not religious, and I

833
00:40:16,320 --> 00:40:18,920
Speaker 1: was not brought up religious, so I don't know about milk.

834
00:40:18,680 --> 00:40:19,800
Speaker 2: It plates a.

835
00:40:19,880 --> 00:40:23,400
Speaker 1: Reese was brought up I believe Orthodox and knows all

836
00:40:23,440 --> 00:40:25,279
Speaker 1: about and spent a lot of time in.

837
00:40:25,280 --> 00:40:27,319
Speaker 3: Israel, and Larry relied on her. I know that.

838
00:40:27,600 --> 00:40:28,640
Speaker 2: Yeah, yeah.

839
00:40:29,080 --> 00:40:32,080
Speaker 1: So next we're skiing and Larry's equipment, you know, he's

840
00:40:32,120 --> 00:40:34,400
Speaker 1: got the skis and the boots and the schlep, and

841
00:40:34,440 --> 00:40:37,600
Speaker 1: he's lugging a pit and then you two fall off

842
00:40:37,600 --> 00:40:38,040
Speaker 1: the lift.

843
00:40:38,080 --> 00:40:40,560
Speaker 2: It's all like a disaster. Jeff and Larry fall off

844
00:40:40,560 --> 00:40:41,120
Speaker 2: the ski list.

845
00:40:41,200 --> 00:40:44,040
Speaker 3: Can I say something, This was one of my saddest

846
00:40:44,080 --> 00:40:46,680
Speaker 3: moments in the history of working on the show. Now

847
00:40:46,800 --> 00:40:50,239
Speaker 3: watching it, it look fine. It was supposed to fit

848
00:40:50,320 --> 00:40:54,200
Speaker 3: me physically a lot more than that, and I had

849
00:40:54,320 --> 00:40:57,200
Speaker 3: never skied in my life. I never had skis on,

850
00:40:57,840 --> 00:41:03,520
Speaker 3: and I was naturally awkward. Now in order we are awkward, yes,

851
00:41:03,600 --> 00:41:06,719
Speaker 3: but if you can ski, you're comfortable in them.

852
00:41:06,800 --> 00:41:08,520
Speaker 2: But if you're not used to them, you got these

853
00:41:08,600 --> 00:41:09,840
Speaker 2: huge things on your feet.

854
00:41:09,960 --> 00:41:13,160
Speaker 3: So I in order to be a good physical comedian,

855
00:41:13,239 --> 00:41:15,239
Speaker 3: you have to be able to do what it is

856
00:41:15,280 --> 00:41:17,600
Speaker 3: you're you know, you have to know how to ski

857
00:41:17,920 --> 00:41:21,880
Speaker 3: in order to act like you're falling over. I couldn't

858
00:41:21,880 --> 00:41:24,400
Speaker 3: do it, but I remember, well, you know, Larry Charles

859
00:41:24,400 --> 00:41:27,799
Speaker 3: can get frustrated. But I remember Larry, it was the

860
00:41:27,840 --> 00:41:31,040
Speaker 3: only time this ever happened in the history of the show.

861
00:41:31,440 --> 00:41:34,760
Speaker 3: I saw them away from me, whispering to one another,

862
00:41:35,200 --> 00:41:38,000
Speaker 3: and I know the conversation was, he can't fucking do this.

863
00:41:38,160 --> 00:41:41,520
Speaker 3: I know he can't. Like they were frustrated with.

864
00:41:41,480 --> 00:41:44,240
Speaker 2: Me falling off the lift or something.

865
00:41:45,000 --> 00:41:47,120
Speaker 3: There's a lot more to it, and by the way,

866
00:41:47,160 --> 00:41:49,359
Speaker 3: it didn't look so bad. It actually looked pretty good.

867
00:41:49,719 --> 00:41:51,959
Speaker 3: But I remember there were supposed to be a lot

868
00:41:52,040 --> 00:41:55,480
Speaker 3: more to it, and I couldn't do it, and Larry

869
00:41:55,560 --> 00:41:59,560
Speaker 3: and Larry were so frustrated with me that I think

870
00:41:59,640 --> 00:42:02,240
Speaker 3: that's the only time in the history of the show

871
00:42:02,560 --> 00:42:06,600
Speaker 3: where I saw a producer and a producer and director.

872
00:42:06,640 --> 00:42:10,719
Speaker 3: Larry Charles was both discussing how much I sucked. And

873
00:42:10,960 --> 00:42:14,359
Speaker 3: I've never forgotten it, and I felt so I was embarrassed.

874
00:42:14,400 --> 00:42:16,880
Speaker 2: Well, the scene worked fine, of you two.

875
00:42:16,719 --> 00:42:18,920
Speaker 3: Falling off, I know, but at the time we didn't

876
00:42:18,920 --> 00:42:19,800
Speaker 3: know it all right.

877
00:42:19,719 --> 00:42:22,439
Speaker 2: Well, but it did work fine. I wasn't there that day,

878
00:42:23,080 --> 00:42:24,359
Speaker 2: so you too full off the let.

879
00:42:24,320 --> 00:42:27,239
Speaker 3: Did you even come to the ski day? Now? That

880
00:42:27,320 --> 00:42:28,200
Speaker 3: was up in Big Bear.

881
00:42:28,680 --> 00:42:32,320
Speaker 1: Yeah. And then we see Larry snowplowing down and Rachel

882
00:42:32,400 --> 00:42:33,880
Speaker 1: and Ben are at the bottom of the hill and

883
00:42:33,960 --> 00:42:36,799
Speaker 1: Ben is finished and Rachel wants one more run, so

884
00:42:36,840 --> 00:42:39,200
Speaker 1: he tells Larry go with Rachel one more run, and

885
00:42:39,239 --> 00:42:42,120
Speaker 1: she's like, she doesn't want it, and then Ben tells him,

886
00:42:42,160 --> 00:42:44,480
Speaker 1: I think I could help you move your friend Richard

887
00:42:44,520 --> 00:42:45,880
Speaker 1: Lewis up the list.

888
00:42:45,880 --> 00:42:49,920
Speaker 2: And Larry's I'm gonna faint. I know where you're going

889
00:42:49,960 --> 00:42:50,600
Speaker 2: when you die.

890
00:42:50,760 --> 00:42:54,840
Speaker 1: Right up there, mister, Right up there, there's an escalator

891
00:42:54,920 --> 00:42:57,800
Speaker 1: up You're going on the escalip It's just so funny.

892
00:42:58,000 --> 00:43:01,960
Speaker 3: By the way, there's a movie I forgot the original name,

893
00:43:02,000 --> 00:43:04,640
Speaker 3: but in America it was released A Stairway to Heaven

894
00:43:05,040 --> 00:43:09,600
Speaker 3: and it's a Powell Presburger movie. They're the directors. Yeah yeah,

895
00:43:09,640 --> 00:43:13,080
Speaker 3: and with David nivin a master I.

896
00:43:13,080 --> 00:43:13,880
Speaker 2: Know that movie?

897
00:43:14,160 --> 00:43:14,440
Speaker 3: Is that?

898
00:43:14,719 --> 00:43:16,640
Speaker 2: I think Joan plow Wright is in that movie?

899
00:43:16,680 --> 00:43:20,080
Speaker 3: Yeah, yes, and she plays opposite him. And the point

900
00:43:20,200 --> 00:43:22,960
Speaker 3: is that is easily in my top ten favorite movies

901
00:43:22,960 --> 00:43:26,120
Speaker 3: of all time, and it is so moving to me.

902
00:43:26,280 --> 00:43:28,920
Speaker 3: I love that movie so much. As a matter of fact,

903
00:43:29,280 --> 00:43:31,200
Speaker 3: now that I've been talking about I haven't seen it

904
00:43:31,239 --> 00:43:34,240
Speaker 3: for a while. Popping that baby in maybe even tonight.

905
00:43:34,640 --> 00:43:36,879
Speaker 2: Okay, look forward to it, I am.

906
00:43:37,040 --> 00:43:40,000
Speaker 1: And next we have Larry and Rachel on the ski

907
00:43:40,080 --> 00:43:43,799
Speaker 1: lift and Larry is, you know, making his ridiculous small talk.

908
00:43:43,840 --> 00:43:47,000
Speaker 1: What do people have against whistlers? I can't draw, but

909
00:43:47,040 --> 00:43:49,719
Speaker 1: I'm a very good doodler. Let's have a doodle contest

910
00:43:49,719 --> 00:43:51,920
Speaker 1: when we get back to the lodge and you know,

911
00:43:51,960 --> 00:43:54,319
Speaker 1: and she's just like a yeah yeah, and then the

912
00:43:54,360 --> 00:43:57,040
Speaker 1: lift stops and Rachel's say, it's only going to be

913
00:43:57,040 --> 00:43:59,360
Speaker 1: a few minutes. But then we see time passes and

914
00:43:59,440 --> 00:44:03,360
Speaker 1: time pass and it's fifteen minutes already, and she's worried

915
00:44:03,400 --> 00:44:04,640
Speaker 1: about Chick Sahama.

916
00:44:04,800 --> 00:44:05,320
Speaker 2: Is that what it is?

917
00:44:05,440 --> 00:44:10,799
Speaker 3: Shama down something? Though Larry Charles, however, he block this

918
00:44:11,080 --> 00:44:15,440
Speaker 3: first off where they're sitting was closer to if they

919
00:44:15,520 --> 00:44:18,600
Speaker 3: found nothing would happen type area, like yes, in the

920
00:44:18,640 --> 00:44:23,359
Speaker 3: wide shot, but it looked like they were where they were,

921
00:44:23,640 --> 00:44:25,759
Speaker 3: like it was shot yeah yeah, yeah, yeah yeah.

922
00:44:25,800 --> 00:44:29,160
Speaker 1: Okay, So she starts saying that Shick Sahama is what's

923
00:44:29,160 --> 00:44:31,320
Speaker 1: gonna happen, which is sundown? And I can't be alone

924
00:44:31,360 --> 00:44:33,120
Speaker 1: with you after sundown. You're a man and I'm a

925
00:44:33,120 --> 00:44:36,320
Speaker 1: single woman. It's against the law. And Larry says, who says,

926
00:44:36,360 --> 00:44:39,040
Speaker 1: and she says, hush em, hush em says, and he's

927
00:44:39,120 --> 00:44:42,839
Speaker 1: just like, hey, it's extenuating circumstances. And she's like, there's

928
00:44:42,880 --> 00:44:45,520
Speaker 1: no such thing. Five point forty one. It's another half hour.

929
00:44:45,600 --> 00:44:49,120
Speaker 1: The sun is going down, and they're both freezing and hungry,

930
00:44:49,520 --> 00:44:51,360
Speaker 1: and Larry reaches into.

931
00:44:51,160 --> 00:44:54,720
Speaker 2: His pocket and lo and behold what's in his pocket?

932
00:44:55,400 --> 00:44:59,960
Speaker 2: Edible panties? Yeah, he takes it out, starts to eat,

933
00:45:00,080 --> 00:45:02,799
Speaker 2: takes a bite. It's pretty good, it's pretty good.

934
00:45:03,040 --> 00:45:05,200
Speaker 3: Well, those are clearly made out of licorice.

935
00:45:05,400 --> 00:45:09,040
Speaker 1: Yes, they look licoricish, that's what they did. And Rachel's

936
00:45:09,080 --> 00:45:12,239
Speaker 1: how much time? And Larry offers her some of the

937
00:45:12,280 --> 00:45:14,520
Speaker 1: panties and move that away from me, and then she says,

938
00:45:14,520 --> 00:45:16,839
Speaker 1: somebody's gonna have to jump, You're gonna and she says him,

939
00:45:16,880 --> 00:45:17,480
Speaker 1: you're gonna have to.

940
00:45:17,520 --> 00:45:19,960
Speaker 3: Jump, and he says, what are you crazy?

941
00:45:20,120 --> 00:45:23,719
Speaker 2: He says, what are you fucking nuts? Now very rare

942
00:45:24,280 --> 00:45:27,759
Speaker 2: that Larry uses fuck, very rare.

943
00:45:28,080 --> 00:45:31,920
Speaker 3: But in that instance, yes, it didn't stand out because

944
00:45:32,120 --> 00:45:35,400
Speaker 3: now that's what I would say, that's what anyone would say.

945
00:45:36,560 --> 00:45:41,520
Speaker 1: Jumping because ahash shem, it's it's ridiculous and uh and

946
00:45:41,600 --> 00:45:44,359
Speaker 1: she she she takes out her phone. She gives him

947
00:45:44,360 --> 00:45:47,759
Speaker 1: her phone, and she jumps and he continues to eat,

948
00:45:48,120 --> 00:45:50,400
Speaker 1: and then he uses the phone to call Richard Lewis

949
00:45:50,680 --> 00:45:52,520
Speaker 1: to give him the bad news. He said, you know,

950
00:45:52,680 --> 00:45:56,200
Speaker 1: the kidney. He realizes now that he's totally alienated the

951
00:45:56,239 --> 00:45:59,160
Speaker 1: Heineman's and the kidney is not gonna happen.

952
00:45:59,160 --> 00:46:01,840
Speaker 2: And he says to him, I'm gonna call my cell phone.

953
00:46:02,000 --> 00:46:05,520
Speaker 3: If you hear it ringing, pick it up. Okay, fine, fine, And.

954
00:46:05,440 --> 00:46:07,880
Speaker 1: In the meantime, Lisa, the nurse, is propping up the

955
00:46:07,920 --> 00:46:11,359
Speaker 1: pillows behind Richard, and he dials the number, and then

956
00:46:11,400 --> 00:46:19,680
Speaker 1: we hear from Lisa's vagina.

957
00:46:17,280 --> 00:46:19,720
Speaker 3: Clearly from her vagina, and Richard looks up like, wow,

958
00:46:19,800 --> 00:46:23,120
Speaker 3: this is true. And the idea that Mickey Manno's five

959
00:46:23,239 --> 00:46:27,520
Speaker 3: hundreds home run ball was stored in her vagina. That's

960
00:46:27,640 --> 00:46:29,360
Speaker 3: quite end of the episode.

961
00:46:29,560 --> 00:46:30,200
Speaker 2: And that's it.

962
00:46:30,560 --> 00:46:35,920
Speaker 3: And by the way, I so enjoyed, like I really

963
00:46:36,080 --> 00:46:40,520
Speaker 3: don't enjoy going back and looking at these guys do well.

964
00:46:41,120 --> 00:46:43,279
Speaker 3: Mostly for me, it's the pain I know I was

965
00:46:43,360 --> 00:46:46,759
Speaker 3: feeling as being very heavy and the pain I was

966
00:46:46,800 --> 00:46:50,560
Speaker 3: in in terms of emotional but also I don't like

967
00:46:50,680 --> 00:46:54,200
Speaker 3: watching myself, whether I'm fit or not. And then but

968
00:46:54,360 --> 00:46:57,680
Speaker 3: this episode, I really couldn't get enough of it.

969
00:46:58,080 --> 00:46:58,839
Speaker 2: You know what else, Jeff.

970
00:46:58,920 --> 00:47:02,360
Speaker 1: Usually when I'm reward, I'm writing notes, writing notes, and

971
00:47:02,360 --> 00:47:05,080
Speaker 1: I'm not really enjoying the episode. I was laughing out

972
00:47:05,320 --> 00:47:08,360
Speaker 1: loud watching this episode.

973
00:47:07,320 --> 00:47:12,600
Speaker 3: This is my favorite Larry David performance, and there have

974
00:47:12,640 --> 00:47:15,920
Speaker 3: been many, and this is one of my favorite episodes.

975
00:47:15,960 --> 00:47:20,400
Speaker 3: And of course I got to do something that people

976
00:47:20,400 --> 00:47:23,520
Speaker 3: have reacted strongly to, and that's exciting for me.

977
00:47:24,960 --> 00:47:27,400
Speaker 1: Whenever I tell Larry and I think Larry is a

978
00:47:27,520 --> 00:47:30,520
Speaker 1: terrific comedic actor, and whenever I tell him and he's like,

979
00:47:30,600 --> 00:47:31,479
Speaker 1: I don't I don't act.

980
00:47:31,520 --> 00:47:34,080
Speaker 2: I don't act, which is bullshit. He does act, of course.

981
00:47:34,239 --> 00:47:36,719
Speaker 3: If I may. I don't know if this applies to you,

982
00:47:36,880 --> 00:47:39,680
Speaker 3: how you feel about it, But I look at myself

983
00:47:39,760 --> 00:47:43,640
Speaker 3: as a comedian who acts, and I'm a pretty good

984
00:47:43,719 --> 00:47:48,080
Speaker 3: actor for a comedian who acts. I am not an actor.

985
00:47:48,480 --> 00:47:51,640
Speaker 3: I am not an actor. I am a comedian who acts.

986
00:47:51,840 --> 00:47:54,200
Speaker 2: I never really broke it down like that.

987
00:47:54,680 --> 00:47:57,400
Speaker 3: Well I do. I've thought about it because I thought

988
00:47:57,719 --> 00:48:01,360
Speaker 3: as an actor and I'm not so great as a comedian.

989
00:48:01,680 --> 00:48:06,040
Speaker 3: I'm pretty fucking good as an actor. But comedians generally

990
00:48:06,080 --> 00:48:07,080
Speaker 3: make the transition.

991
00:48:07,520 --> 00:48:11,680
Speaker 1: Stand ups I'm talking about who are terrific. Robin Williams,

992
00:48:11,760 --> 00:48:13,320
Speaker 1: the Jacket, you know.

993
00:48:13,880 --> 00:48:16,520
Speaker 3: A lot do a lot do. I think it's more

994
00:48:16,520 --> 00:48:22,200
Speaker 3: often than not comedians can transition to being really solid actors.

995
00:48:21,160 --> 00:48:23,640
Speaker 3: But it was a great dramatic actor.

996
00:48:23,920 --> 00:48:28,440
Speaker 1: You know, Alan King was a good actor actor. But

997
00:48:28,560 --> 00:48:32,040
Speaker 1: you know, when you're on stage doing stand up and

998
00:48:32,719 --> 00:48:35,880
Speaker 1: you're you're making materials sound fresh every time.

999
00:48:35,719 --> 00:48:36,360
Speaker 2: That's acting.

1000
00:48:37,040 --> 00:48:38,840
Speaker 3: But I don't do that well.

1001
00:48:38,560 --> 00:48:41,560
Speaker 2: Most comedians do. And what were the other means? But Jeff,

1002
00:48:41,640 --> 00:48:44,160
Speaker 2: that's not true. You do you have bits that you do?

1003
00:48:44,600 --> 00:48:47,600
Speaker 3: No, I have bits that I recall. I have no

1004
00:48:47,880 --> 00:48:51,799
Speaker 3: sense of. The strongest I ever go is when I

1005
00:48:51,840 --> 00:48:54,880
Speaker 3: film a special where I have an outline but it

1006
00:48:54,960 --> 00:48:55,879
Speaker 3: still gives me room.

1007
00:48:56,120 --> 00:48:58,800
Speaker 1: Yes, but there are things that you have said before

1008
00:48:58,920 --> 00:49:02,320
Speaker 1: that you're saying again and making it sound fresh.

1009
00:49:02,480 --> 00:49:05,920
Speaker 3: No, it sounds fresh because I'm saying it could be

1010
00:49:05,960 --> 00:49:08,719
Speaker 3: something I haven't said in a year, and I'm recalling it,

1011
00:49:09,000 --> 00:49:10,879
Speaker 3: so it is fresh as I'm telling it.

1012
00:49:11,200 --> 00:49:13,359
Speaker 2: But you know what I'm saying, No, what was saying

1013
00:49:13,440 --> 00:49:13,640
Speaker 2: to me?

1014
00:49:13,800 --> 00:49:17,640
Speaker 3: I'm saying this is why I say for me, I'm

1015
00:49:17,680 --> 00:49:22,480
Speaker 3: a comedian who acts because I'm not. There's only one

1016
00:49:22,520 --> 00:49:26,440
Speaker 3: time in my career where I actually performed as an actor,

1017
00:49:26,800 --> 00:49:29,680
Speaker 3: and that was my HBO half hour. It was in

1018
00:49:29,719 --> 00:49:33,319
Speaker 3: a very difficult room. The first show. I ate it,

1019
00:49:33,440 --> 00:49:35,840
Speaker 3: I really did. I didn't have a good set audio,

1020
00:49:35,920 --> 00:49:37,960
Speaker 3: it was just and there were high ceilings, which is

1021
00:49:38,000 --> 00:49:42,120
Speaker 3: death for comedy. But I remember sitting backstage and I

1022
00:49:42,760 --> 00:49:47,520
Speaker 3: told my wife and my manager. I said, well, they go,

1023
00:49:47,600 --> 00:49:49,279
Speaker 3: how do you feel about the second? I go, I'm

1024
00:49:49,320 --> 00:49:51,839
Speaker 3: gonna do great? And they say, oh, that's a good as.

1025
00:49:51,960 --> 00:49:54,520
Speaker 3: I go, no, no, no, no, I'm gonna do great because

1026
00:49:54,520 --> 00:49:58,200
Speaker 3: no matter what their reaction is, I'm killing. I am

1027
00:49:58,360 --> 00:50:03,080
Speaker 3: killing camera. You played Yeah, No, But I actually performed

1028
00:50:03,400 --> 00:50:07,320
Speaker 3: that night as an actor of a comedian who's killing

1029
00:50:07,360 --> 00:50:10,399
Speaker 3: because the second show went better but not good enough

1030
00:50:10,960 --> 00:50:11,800
Speaker 3: to show.

1031
00:50:11,920 --> 00:50:15,800
Speaker 1: Doing Doing stand up for television is a completely different

1032
00:50:15,800 --> 00:50:18,600
Speaker 1: thing than doing stand up live in a room where

1033
00:50:18,920 --> 00:50:21,239
Speaker 1: where you're doing this one thing at this moment, and

1034
00:50:21,280 --> 00:50:22,680
Speaker 1: it's never gonna happen again.

1035
00:50:22,760 --> 00:50:25,879
Speaker 2: It's not being filmed. It's a completely different thing.

1036
00:50:26,000 --> 00:50:29,680
Speaker 1: I never enjoyed doing stand up for television, never enjoyed it.

1037
00:50:29,719 --> 00:50:33,440
Speaker 2: To me, it was just it never felt good on stage.

1038
00:50:33,760 --> 00:50:37,680
Speaker 3: I enjoy you know, just audience. Yeah. Yeah, But even

1039
00:50:37,680 --> 00:50:39,480
Speaker 3: when I did like Letterman and stuff, I had a

1040
00:50:39,520 --> 00:50:43,319
Speaker 3: ball I mean different, Yeah, that's different. Well, you know,

1041
00:50:43,480 --> 00:50:47,239
Speaker 3: look it's my adhd. I cannot do the same thing

1042
00:50:47,280 --> 00:50:50,200
Speaker 3: every night. I remember I was doing one a very

1043
00:50:50,239 --> 00:50:53,880
Speaker 3: successful one man show in Chicago, and it got well reviewed.

1044
00:50:54,280 --> 00:50:58,200
Speaker 3: At the same time, Jackie Mason was doing his one

1045
00:50:58,239 --> 00:51:01,279
Speaker 3: man show in Chicago, so I had a night off

1046
00:51:01,320 --> 00:51:04,840
Speaker 3: he was performing. I went to go see him. Afterwards.

1047
00:51:05,239 --> 00:51:09,000
Speaker 3: I talked to him backstage and I was telling him

1048
00:51:09,000 --> 00:51:11,920
Speaker 3: about how I'm sick of my own voice, that my

1049
00:51:12,080 --> 00:51:14,960
Speaker 3: show is maybe half of what I was doing at

1050
00:51:14,960 --> 00:51:18,280
Speaker 3: the first place that I was improvising. And his response

1051
00:51:18,360 --> 00:51:21,840
Speaker 3: to me, what are you a schmuck? A schmuck, you

1052
00:51:21,960 --> 00:51:25,120
Speaker 3: got great reviews. Why aren't you going with your great reviews?

1053
00:51:25,400 --> 00:51:28,440
Speaker 3: You don't change a word because but he was able

1054
00:51:28,800 --> 00:51:33,080
Speaker 3: to perform precisely the same thing every night. I don't

1055
00:51:33,080 --> 00:51:33,840
Speaker 3: have that skill.

1056
00:51:34,280 --> 00:51:37,200
Speaker 1: I do not, But what I'm saying is that's an

1057
00:51:37,239 --> 00:51:40,319
Speaker 1: acting skill to make it sound fresh and make it

1058
00:51:40,360 --> 00:51:43,040
Speaker 1: feel fresh every night, like you do if you're doing

1059
00:51:43,080 --> 00:51:43,919
Speaker 1: a Broadway play.

1060
00:51:44,320 --> 00:51:46,520
Speaker 3: Yeah, but I don't look at it. I think you basically,

1061
00:51:46,560 --> 00:51:50,600
Speaker 3: we're really not even disagreeing to disagree, you're just wrong.

1062
00:51:50,960 --> 00:51:54,480
Speaker 1: Well, on that note, we're gonna say goodbye and we'll

1063
00:51:54,520 --> 00:51:54,759
Speaker 1: see you.

1064
00:51:58,280 --> 00:51:59,560
Speaker 3: Thanks everyone for listening.

1065
00:52:07,120 --> 00:52:10,440
Speaker 1: The history of Curb Your Enthusiasm is a production of iHeartRadio.

1066
00:52:10,600 --> 00:52:15,719
Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1067
00:52:15,800 --> 00:52:17,640
Speaker 1: or wherever you listen to your favorite shows.