WEBVTT - Gremlins with Moujan Zolfaghari

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in them? Are all their discussions just boyfriends and husbands?

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<v Speaker 1>Do they have individualism? The patriarchy? Zef and best start

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<v Speaker 1>changing it with the bec Del Cast. Hello, welcome to

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<v Speaker 1>the Vital Cast. Hi. Why who is Jamie London? My

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<v Speaker 1>name is Cala Darante. This is our show. This is

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<v Speaker 1>our podcast about the betrayal of women. Did a betrayal? Betrayal?

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<v Speaker 1>Which I think it's not too far off. I'm depending

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<v Speaker 1>on the movie. Most movies betray Usually it's about the

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<v Speaker 1>betrayal of women. Yes, um, anyways, this is the show.

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<v Speaker 1>It's if you're your first time listening. Hey, welcome, Welcome.

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<v Speaker 1>If you like Gremlin's the movie we're discussing today, probably

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<v Speaker 1>sorry and yes, because we will be talking about both

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<v Speaker 1>the portrayal of women in the movie and the betrayal

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<v Speaker 1>of women in the movie. T FW, your dad Bryce's

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<v Speaker 1>neck being Santa problem. We can all that was nuts.

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<v Speaker 1>That was a twist I totally forgot about. Well, we'll

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<v Speaker 1>talk about it anyways. Uh So, we critique the portrayal

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<v Speaker 1>of women in famous movies using the Bechdel test as

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<v Speaker 1>a jumping off point, the Bechdel Test being a media

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<v Speaker 1>metric created by Alison Bechdel in the nine eighties. Uh

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<v Speaker 1>and uh, Caitlin, what is it? I'm fucking dummy? I

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<v Speaker 1>forget Well, first of all, Jamie, you're not a dummy.

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<v Speaker 1>But I'm happy to remind you that the Bechdel test

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<v Speaker 1>requires that a movie have two named, female identifying characters

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<v Speaker 1>in the narrative. They must speak to each other, and

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<v Speaker 1>that conversation cannot be about men. Wouldn't you know? A

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<v Speaker 1>lot of movies do not pass this very simple test

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<v Speaker 1>is a very low bar shocks I know. Well, that

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<v Speaker 1>was that we're in the We're in the holiday episodes? Now, yes,

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<v Speaker 1>we certainly are. When are we gonna do a Crazy Nights?

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<v Speaker 1>You know what? We should? Because there are very few

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<v Speaker 1>movies about Hanakah or any other which is going to

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<v Speaker 1>be one of my talking points. But there's so many

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<v Speaker 1>Christmas movies and so few holiday movies that are representative

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<v Speaker 1>of any other major religion. I genuinely I think we

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<v Speaker 1>should do. I love A Crazy Nights. I've never seen it.

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<v Speaker 1>There's so much wrong with it. I mean, it's it's

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<v Speaker 1>kind of a nightmare, but you know, it is it's

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<v Speaker 1>nicer to have to see Adam Sandler as a cartoon.

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<v Speaker 1>Oh sure, yeah. Anyway, so well, that didn't pass the

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<v Speaker 1>test because we talked about Adam. That we did talk

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<v Speaker 1>about Hanakah, and that always passes the Bechtel test. But no,

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<v Speaker 1>I don't know. Basically, because every major religion focuses on

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<v Speaker 1>a patriarchy, I would say that talking about religion in

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<v Speaker 1>general does not actually pass the Bechdel test. But any who,

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<v Speaker 1>here we are the podcasts, this is it. Let's should

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<v Speaker 1>we just introduce our guests. Yeah, I'm psyched to have her.

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<v Speaker 1>Oh my gosh, our guest today. She is a TV writer,

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<v Speaker 1>a comedian, and the co creator and a voice on

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<v Speaker 1>the podcast Mission to Zix Mujan sol Fagari. Happy to

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<v Speaker 1>be here. Hi, that went too high, just just like

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<v Speaker 1>a gremlin. Oh I can I can? I just realize

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<v Speaker 1>I'm really while watching it. But I can do a

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<v Speaker 1>really good giz really born to do gizmo. You should

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<v Speaker 1>have been cast instead of Howie Mandel. Wait what are ope? Wow? What?

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<v Speaker 1>I don't even know where else where to fall on that?

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<v Speaker 1>That is good? Wow girl, wow? Hire this woman to

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<v Speaker 1>be your voice actor on anything? Um? So what is

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<v Speaker 1>your history relationship with the movie. So I've never seen

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<v Speaker 1>it before, but I remember it was a choice I

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<v Speaker 1>recalled as a kid being around, Like I think I

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<v Speaker 1>was alive when Grandlin's Too came out because this came out,

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<v Speaker 1>came out Believe Too, and I just didn't want to

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<v Speaker 1>because it looked really scary and I was a really

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<v Speaker 1>scared kid. In fact, I think around that time when

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<v Speaker 1>Gremlin's Two came out, it was like going to be

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<v Speaker 1>at a birthday party. We're going to watch it, but

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<v Speaker 1>we were also watching Brave Little Toaster and that freaked

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<v Speaker 1>me out, and so I called home and like I

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<v Speaker 1>told my mom, I wanted to go home, and that

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<v Speaker 1>was the movie that got me away from sleepovers. But

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<v Speaker 1>I couldn't tell my mom because I have I'm from

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<v Speaker 1>an immigrant Persian family, and my mom did not approve

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<v Speaker 1>or understand the idea of sleepovers, like why would you

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<v Speaker 1>send your kid to be at a person's house or

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<v Speaker 1>adults drink beer and they have dogs and so like,

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<v Speaker 1>and so I couldn't say it was because they were

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<v Speaker 1>showing me scary movies. I think I was like, I

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<v Speaker 1>just like have a stomach ache or something. Put the

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<v Speaker 1>blame on myself so I could continue this sinful practice

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<v Speaker 1>of sleepovers. I chose not to see it. So I

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<v Speaker 1>saw it for the first time when you told me

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<v Speaker 1>this is a good movie to watch, yeah, or a

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<v Speaker 1>movie to watch. Yes, it's just been a it's been

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<v Speaker 1>a popular request for three holiday seasons running now, and

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<v Speaker 1>so we buckled and uh, yeah, Caitlyn, what's your history

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<v Speaker 1>with the story? Well, I did not see it for

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<v Speaker 1>the first time until fairly recently as well. I think

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<v Speaker 1>I probably watched it maybe three years ago. Like, this

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<v Speaker 1>is not a movie. This is the type of movie

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<v Speaker 1>that I probably would have grown up with under other circumstances,

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<v Speaker 1>because like I would place this in the camp of

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<v Speaker 1>like Back to the Future, the Goonies, like Indiana Jones,

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<v Speaker 1>like that camp of, just like iconic eighties movies. But

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<v Speaker 1>for some reason, this just wasn't in my household, so

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<v Speaker 1>I didn't grow up with it. I have no sentimental

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<v Speaker 1>attachment to it. It's fun, but people love this movie

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<v Speaker 1>and I'm just not quite there with it. But yeah,

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<v Speaker 1>so I saw it for the first time a couple

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<v Speaker 1>of years ago. I still have not seen Gremlins too,

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<v Speaker 1>but I have seen The Key and Peel sketch about

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<v Speaker 1>the pitch meeting for Grandlins too, and I love that

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<v Speaker 1>sketch so much. It has to be better than the

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<v Speaker 1>actual Gremlins to movie, So I'm just going to keep

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<v Speaker 1>watching that over and over again. Yeah, what's your history?

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<v Speaker 1>Jamie also didn't grow up with it. I think my

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<v Speaker 1>mom's reasoning at the time was that it was too violent,

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<v Speaker 1>and watching it now, I'm like, not extremely. It was

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<v Speaker 1>PG when it came out, but that was before before

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<v Speaker 1>there was I think I think this was one of

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<v Speaker 1>two movies that ushered in the PG thirteen rating, This

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<v Speaker 1>and Doom because there are many murders and the Gremlins,

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<v Speaker 1>I mean including those of the Grandlins. There's human murders

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<v Speaker 1>and then a lot of vicious the gremlins die, and

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<v Speaker 1>it's very the microwave thing. I was like, if I

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<v Speaker 1>saw the microwave scene when I was a kid, I

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<v Speaker 1>would have been traumatized. The last Gremlin who just wouldn't

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<v Speaker 1>die and they just showed he was still ALIGNE like, yeah,

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<v Speaker 1>that treat. What a treat? Yeah, I didn't. I didn't

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<v Speaker 1>grow up with it, and I don't think anyone in

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<v Speaker 1>my family had a particular attachment to it. So I

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<v Speaker 1>saw it for the first time a couple of years

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<v Speaker 1>ago and then rewatched it twice for this because there's

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<v Speaker 1>just like, there's so much going on in this movie.

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<v Speaker 1>It's even like genre wise, you're like, what who is

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<v Speaker 1>this for? Exactly? Like it's apparently it was for every

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<v Speaker 1>I mean, it was a very successful let's see, yeah,

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<v Speaker 1>an eleven million dollar budget and it made a hundred

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<v Speaker 1>fifty million dollars back. But then you produced Resolves. It's wild, okay,

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<v Speaker 1>So getting into it there, it is not surprising that

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<v Speaker 1>this movie was written, produced, and directed by all men

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<v Speaker 1>and all white men as well. You know, it almost

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<v Speaker 1>goes without saying because it's a movie made in the

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<v Speaker 1>nineteen eighties, but boy does that show this is an

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<v Speaker 1>early Chris Columbus joint. How old he wrote before and

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<v Speaker 1>it was an YU and he was actually this is

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<v Speaker 1>a spec script. He wasn't intending it to be written,

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<v Speaker 1>no kidding, but well, what what a treat to be

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<v Speaker 1>Chris Colon And actually the film I think it's like

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<v Speaker 1>maybe the film draft or one of the drafts before

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<v Speaker 1>Spielberg got his hands on it was even more Yes,

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<v Speaker 1>I read that that it was really gruesome, and Spielberg

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<v Speaker 1>was like, let's dial this back so that we can

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<v Speaker 1>show it to a broader audience. Spielberg tries to get

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<v Speaker 1>a lot of guys to dial back during this time,

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<v Speaker 1>with varying degrees of success. For for more, go to

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<v Speaker 1>our Indiana Jones episode where he tries to talk George

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<v Speaker 1>Lucas out of making Indiana Jones a rapist and fails.

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<v Speaker 1>It fails. Um so, you know complicit. So shall I

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<v Speaker 1>do the recap? Yeah, let's go for it. Okay, So Gremlins,

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<v Speaker 1>we opened with a guy going into a store in Chinatown.

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<v Speaker 1>It's the holiday season. We're not sure what city or

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<v Speaker 1>area of the country. This isn't I don't foggy. It

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<v Speaker 1>reminded me of the l A that is. What is

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<v Speaker 1>that movie that I hate with Harrison Ford Runner Unner.

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<v Speaker 1>Yeah it looks like the start of it. Yeah, yeah,

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<v Speaker 1>like the foggy blueness and yeah yeah I was. I

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<v Speaker 1>was like, oh, I hate that, I hate Blade Runner.

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<v Speaker 1>That's how I started the low key racism that's about

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<v Speaker 1>to happen. Yeah, yeah, we'll get there. So. Um So

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<v Speaker 1>he goes into Chinatown in whatever city that they're in,

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<v Speaker 1>somewhere where it snows um and he sees a creature

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<v Speaker 1>called magua, but we don't we don't see this creature

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<v Speaker 1>yet as the audience. But he's like, this will make

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<v Speaker 1>a perfect gift for my son. And then the store

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<v Speaker 1>owner is like, hey, this isn't for sale and you

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<v Speaker 1>shouldn't take this, because he was basically like, you can't

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<v Speaker 1>hand right because the maguay require a lot of care

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<v Speaker 1>and attention, and there are three rules for taking care

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<v Speaker 1>of the maguay, which is to keep them out of

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<v Speaker 1>bright light, especially sunlight, because it will kill them. Number two,

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<v Speaker 1>to keep them away from water, and number three, never

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<v Speaker 1>feed them after midnight. So he's like, great, here's two

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<v Speaker 1>hundred dollars. I'm taking this with me, and then we

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<v Speaker 1>meet his son, Billy, who, based on the opening a

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<v Speaker 1>few scenes of this movie, you're like, oh, he's buying

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<v Speaker 1>a small furry animal for his son. His son's probably

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<v Speaker 1>ten years old and he works. He's an adult with

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<v Speaker 1>a job at a bank. He could be also a

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<v Speaker 1>third year old playing at twenty year old, like I

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<v Speaker 1>wouldn't be. He is a young either way. You think

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<v Speaker 1>he's going to be a child, and he is an

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<v Speaker 1>adult with a job at a bank, although when his

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<v Speaker 1>dad gives him the gift, he's like, is it a puppy?

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<v Speaker 1>He is? Also his only friend is Corey Feldman is

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<v Speaker 1>like a ten year old, so I have to believe

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<v Speaker 1>that the original draft in the script was like him

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<v Speaker 1>as a kid, and then they aged him up for

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<v Speaker 1>some reason, but also just a bad choice for a

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<v Speaker 1>friend of any age. It's weird because you would, like,

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<v Speaker 1>I feel like this movie would almost work better if

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<v Speaker 1>it were a ten year old discovering mom instead of

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<v Speaker 1>a twenty year old man. But there's a lot of

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<v Speaker 1>like I think this movie kind of tries and fails

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<v Speaker 1>a bunch of times to make commentary on class, and

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<v Speaker 1>that's why the character was aged up, because there's like

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<v Speaker 1>a few references to like, well, he has to support

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<v Speaker 1>his family and that's why he works at the bank,

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<v Speaker 1>and because his dad's a shitty inventor where it's like

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<v Speaker 1>there were also a lot of weird like Disney. I mean,

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<v Speaker 1>I guess it couldn't have been references to this because

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<v Speaker 1>it was like references to Disney movies that may not

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<v Speaker 1>have even existed yet. But like the whole like dad

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<v Speaker 1>being a shitty inventor thing, You're like, oh, that's kind

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<v Speaker 1>of beauty and the Beastie. And then there's that whole

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<v Speaker 1>for a scene with what's the name of the mean

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<v Speaker 1>old lady that is like Mrs Deeg she's basically Mrs

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<v Speaker 1>Galt exactizard. She's a combo of Miss Gulch and of

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<v Speaker 1>Mr Potter from It's a Wonderful Life and also Scrooge. Right,

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<v Speaker 1>oh yeah, she's she's a lot of villains in one

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<v Speaker 1>and then ultimately I'm just like, it feels like her

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<v Speaker 1>character is supposed to be yea like the like she

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<v Speaker 1>has a main villain or something, but then but then

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<v Speaker 1>it kind of falls flat. My first reaction upon seeing

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<v Speaker 1>Ms Mrs Degle like, who I like this badassum and

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<v Speaker 1>like she doesn't take like she's just walking by and

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<v Speaker 1>just like stopping cars. Like she has her own agenda,

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<v Speaker 1>she has her own backstory. But but then she's a

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<v Speaker 1>capitalist like boozals ceramic head. You're like, this could go

0:12:46.120 --> 0:12:51.000
<v Speaker 1>a lot of ways. She's killing dogs. So Billy works

0:12:51.040 --> 0:12:53.280
<v Speaker 1>at a bank. He has a dog, and then there's

0:12:53.320 --> 0:12:56.559
<v Speaker 1>also a woman there named Kate who works at the

0:12:56.600 --> 0:12:59.240
<v Speaker 1>bank and his friends with Billy, and then Mrs Deegle

0:12:59.320 --> 0:13:03.600
<v Speaker 1>comes in and she's so much misgul that she's basically like, oh,

0:13:03.679 --> 0:13:06.360
<v Speaker 1>get to my pretty and your little dog to She

0:13:06.520 --> 0:13:09.440
<v Speaker 1>literally tries she's except if she goes a step further

0:13:09.480 --> 0:13:12.120
<v Speaker 1>and describes how she would kill her dog. But in

0:13:12.200 --> 0:13:16.320
<v Speaker 1>her defense, like the dog ruined like a precious ornament

0:13:16.600 --> 0:13:19.439
<v Speaker 1>of a ceramic, Like probably she saved money, Like we

0:13:19.480 --> 0:13:22.040
<v Speaker 1>don't know the backstory, but this vicious dog came and

0:13:22.080 --> 0:13:25.240
<v Speaker 1>destroyed it, this beautiful thing she had, maybe the last

0:13:25.280 --> 0:13:29.000
<v Speaker 1>thing her dad husband gave her. And like Stell brings

0:13:29.000 --> 0:13:31.959
<v Speaker 1>this dog to work. I mean, come at that's true.

0:13:32.280 --> 0:13:39.200
<v Speaker 1>The dogank necessarily there is here at Anderson Sophie's dog.

0:13:40.080 --> 0:13:43.720
<v Speaker 1>We had a degree in it. I feel like at

0:13:43.720 --> 0:13:46.440
<v Speaker 1>the bank, I don't know, maybe I'm being a stiff

0:13:46.480 --> 0:13:48.480
<v Speaker 1>by being like, don't bring your dog to the bank,

0:13:48.559 --> 0:13:51.679
<v Speaker 1>but I feel perhaps don't banks are Yeah, they're not

0:13:51.760 --> 0:13:55.400
<v Speaker 1>necessarily a dog friendly and the hell dogs don't belong there? Yeah,

0:13:55.559 --> 0:13:58.840
<v Speaker 1>dogs being happy places? Um okay. So then so we

0:13:58.920 --> 0:14:02.000
<v Speaker 1>meet Billy and Kate and Mrs Deagle and then the

0:14:02.040 --> 0:14:05.880
<v Speaker 1>man from the beginning gives the Maguay to Billy for Christmas,

0:14:06.000 --> 0:14:09.200
<v Speaker 1>and he's cute. He's fury. His name is is Gizmo.

0:14:09.280 --> 0:14:13.720
<v Speaker 1>He likes to sing. And then Billy's friend Pete, which

0:14:13.720 --> 0:14:16.800
<v Speaker 1>is Corey Felman's character, comes over and Gizmo his friend

0:14:16.880 --> 0:14:20.800
<v Speaker 1>is a ten year old who's dressed as a Christmas

0:14:20.800 --> 0:14:24.640
<v Speaker 1>tree for most of the movie, and he accidentally spills

0:14:24.720 --> 0:14:27.040
<v Speaker 1>a jar of water on Gizmo and then these little

0:14:27.080 --> 0:14:30.640
<v Speaker 1>like furballs burst out of his body and then they

0:14:30.680 --> 0:14:33.520
<v Speaker 1>grow into other magua, so he like, we find out

0:14:33.520 --> 0:14:36.200
<v Speaker 1>that they multiply when they come in contact with water.

0:14:37.120 --> 0:14:40.120
<v Speaker 1>But the new ones, the new magua, are not like Gizmo.

0:14:40.200 --> 0:14:43.120
<v Speaker 1>They're a little bit more rambunctious, and there's one with

0:14:43.160 --> 0:14:45.240
<v Speaker 1>a stripe on his head and he's like their leader.

0:14:46.200 --> 0:14:49.440
<v Speaker 1>And then Billy wakes up and his dog Barney is

0:14:49.480 --> 0:14:52.600
<v Speaker 1>like hanging outside tangled in like Christmas lights, and he

0:14:52.640 --> 0:14:55.280
<v Speaker 1>thinks it was Mrs Deegle, but it's like maybe it

0:14:55.400 --> 0:14:58.360
<v Speaker 1>was the Muguay. We don't know, uh, And then he

0:14:58.400 --> 0:15:00.760
<v Speaker 1>takes one of them to school and one of his like,

0:15:00.800 --> 0:15:04.800
<v Speaker 1>I guess former teachers run some tests on it, oh, right,

0:15:04.960 --> 0:15:07.120
<v Speaker 1>because he's not it's weird that he would just go

0:15:07.240 --> 0:15:10.600
<v Speaker 1>to the high school. He's a man man, Right, I

0:15:10.680 --> 0:15:13.960
<v Speaker 1>have no relationship with anyone in my high school anymore.

0:15:14.080 --> 0:15:17.840
<v Speaker 1>To go to a scientist, like a proper scientist. You're

0:15:17.840 --> 0:15:23.200
<v Speaker 1>an adult. You were at a bank, so like I didn't.

0:15:23.280 --> 0:15:25.240
<v Speaker 1>That didn't even register with me because he actually he

0:15:25.320 --> 0:15:27.800
<v Speaker 1>belongs there, right, He's like, oh, yeah, I just go

0:15:27.840 --> 0:15:30.800
<v Speaker 1>into the high school unless he is in high school

0:15:30.880 --> 0:15:33.320
<v Speaker 1>and he just also has a job at a bank,

0:15:33.640 --> 0:15:35.840
<v Speaker 1>and he's never we just never seen him at school.

0:15:36.440 --> 0:15:38.480
<v Speaker 1>It's not clear how old he's supposed to be. And

0:15:38.560 --> 0:15:41.440
<v Speaker 1>his best friend is ten, yes, so I don't know

0:15:41.960 --> 0:15:47.160
<v Speaker 1>what's what's going on with Billy. So then Billy feeds

0:15:47.280 --> 0:15:51.400
<v Speaker 1>the other magway and he wakes up and they've transformed

0:15:51.400 --> 0:15:53.480
<v Speaker 1>there in these like cocoon phase now, and he's like,

0:15:53.520 --> 0:15:56.000
<v Speaker 1>wait a minute, I didn't feed them after midnight. But

0:15:56.320 --> 0:15:58.440
<v Speaker 1>it turns out he did because they like cut the

0:15:58.440 --> 0:16:00.360
<v Speaker 1>cord to his alarm clock, and I tricked him so

0:16:00.400 --> 0:16:03.280
<v Speaker 1>that they would be fed after midnight. And then these

0:16:03.320 --> 0:16:09.520
<v Speaker 1>like egg cocoon things hatch and born are these scary, creepy,

0:16:09.600 --> 0:16:14.360
<v Speaker 1>violent gremlins because most still nice and cute, so he's fine.

0:16:15.320 --> 0:16:18.520
<v Speaker 1>So these gremlins start to reak havoc on the city.

0:16:18.840 --> 0:16:21.160
<v Speaker 1>There's like the one at the school who's like attacking

0:16:21.160 --> 0:16:24.080
<v Speaker 1>the teacher. Um, there's the ones at home that attack

0:16:24.200 --> 0:16:27.600
<v Speaker 1>his mom. The mom fights back, the mom fights back,

0:16:27.600 --> 0:16:30.760
<v Speaker 1>and we'll talk about that scene. But Stripe, the stripy

0:16:30.800 --> 0:16:34.440
<v Speaker 1>one survives and escapes, and then so Billy goes after Stripe.

0:16:34.840 --> 0:16:38.600
<v Speaker 1>Stripe jumps in a swimming pool and multiplies like crazy,

0:16:38.760 --> 0:16:42.040
<v Speaker 1>go to the y. They like read havoc on the

0:16:42.240 --> 0:16:49.240
<v Speaker 1>y is just open. It's fun to stay at um.

0:16:49.280 --> 0:16:52.360
<v Speaker 1>And so now there's an army of gremlins and they're

0:16:52.400 --> 0:16:57.040
<v Speaker 1>going all over town. They kill Mrs Deegle and they

0:16:57.120 --> 0:16:59.480
<v Speaker 1>kill a lot of people. They do kill the racist neighbor,

0:17:00.200 --> 0:17:01.840
<v Speaker 1>so that's a win. But also the man who looked

0:17:01.880 --> 0:17:03.640
<v Speaker 1>like Santa Claus who was in the beginning of the movie.

0:17:03.640 --> 0:17:07.639
<v Speaker 1>He was just simply buying a tree. There are some

0:17:07.680 --> 0:17:10.760
<v Speaker 1>of their kills are on point, others are, Yeah, they're

0:17:10.760 --> 0:17:14.280
<v Speaker 1>just killing at random, Pope Kate reveals in the eleventh hour.

0:17:15.000 --> 0:17:17.879
<v Speaker 1>Sorry Phoebe Ka plays Kate. She reveals in the eleventh

0:17:17.880 --> 0:17:20.240
<v Speaker 1>hour because originally she's like, I don't like Christmas, and

0:17:20.240 --> 0:17:24.720
<v Speaker 1>Billy's like, why I'm ten, I love Christmass and she's

0:17:24.800 --> 0:17:28.199
<v Speaker 1>at the end, She's like, well, since you asked, my

0:17:28.280 --> 0:17:30.640
<v Speaker 1>dad dressed up as Santa and got in our chimney.

0:17:30.720 --> 0:17:33.000
<v Speaker 1>First of all, why would you do that? And then

0:17:33.400 --> 0:17:36.200
<v Speaker 1>he got like, well he got confronted, fell and broke

0:17:36.280 --> 0:17:39.320
<v Speaker 1>his neck and chimney. She's like, and that's how I

0:17:39.320 --> 0:17:41.920
<v Speaker 1>found that Santa wasn't and she could smell him. She

0:17:41.960 --> 0:17:44.240
<v Speaker 1>knew there was like a it's a weird, like very

0:17:44.320 --> 0:17:46.720
<v Speaker 1>dramatic monologue. That also if you google it is in

0:17:47.000 --> 0:17:52.680
<v Speaker 1>comedy monologues. Uh, because actually the intention of that scene,

0:17:53.119 --> 0:17:56.080
<v Speaker 1>it was like Joe Dante Eisther the director, or Chris Cooper,

0:17:56.240 --> 0:18:01.200
<v Speaker 1>the dude who wrote it, Chris Cooper, Christmas Scoop, Chris Coop.

0:18:02.200 --> 0:18:05.000
<v Speaker 1>But they actually want they wanted that scene in because

0:18:05.000 --> 0:18:07.720
<v Speaker 1>it's it's both comedy and drama, so it plays with

0:18:07.760 --> 0:18:09.239
<v Speaker 1>the crowd. So I guess, like back in the day

0:18:09.240 --> 0:18:10.960
<v Speaker 1>when the movie came out, if you watch it with

0:18:10.960 --> 0:18:12.800
<v Speaker 1>like a full theater, people will be laughing at that

0:18:12.840 --> 0:18:15.280
<v Speaker 1>scene because it's jarring. But me watching it alone, I

0:18:15.359 --> 0:18:19.159
<v Speaker 1>was like, what is happening? Morbid? It's a moment of backstory.

0:18:19.320 --> 0:18:21.840
<v Speaker 1>Do we need this? This was like one of the

0:18:21.920 --> 0:18:25.879
<v Speaker 1>few times that a movie chooses to characterize. It's like, basically,

0:18:25.920 --> 0:18:28.280
<v Speaker 1>it's only female character, and you're just like, I didn't

0:18:28.359 --> 0:18:32.520
<v Speaker 1>need that. Yeah, I actually didn't want to know like that,

0:18:32.720 --> 0:18:35.439
<v Speaker 1>What did that add to the story? Nothing? Because for

0:18:35.480 --> 0:18:37.920
<v Speaker 1>a while I was on board with her because I'm

0:18:37.920 --> 0:18:40.800
<v Speaker 1>a curmudgeon who thinks Christmas is creepy and I don't

0:18:40.840 --> 0:18:43.960
<v Speaker 1>like it. And she's like, yeah, I don't celebrate Christmas,

0:18:43.960 --> 0:18:45.680
<v Speaker 1>and I'm fine with that. But then you find out

0:18:45.680 --> 0:18:48.440
<v Speaker 1>why and it's because like her dad had this grizzly

0:18:48.560 --> 0:18:51.760
<v Speaker 1>Christmas related death and it's like, Chris Columbus, you sick

0:18:51.840 --> 0:18:55.240
<v Speaker 1>of Like what are you talking about? That's crazy? There?

0:18:55.240 --> 0:18:57.199
<v Speaker 1>I don't know. I liked her character. Well, we can

0:18:57.200 --> 0:18:59.640
<v Speaker 1>get into that. I liked her character a lot where

0:18:59.680 --> 0:19:05.920
<v Speaker 1>she's you know, she's a working gal. She's she's like perfect,

0:19:06.080 --> 0:19:09.639
<v Speaker 1>we'll get it, like perfect girl next door with demon background,

0:19:10.200 --> 0:19:14.920
<v Speaker 1>with the most fucked backstory ever. I just don't God.

0:19:15.040 --> 0:19:18.560
<v Speaker 1>I mean, when I eventually fish back Chris Columbus and

0:19:18.600 --> 0:19:22.320
<v Speaker 1>I will Chris coop Columbus, Mr, I'm just like, why

0:19:22.320 --> 0:19:24.400
<v Speaker 1>did she why did you do her like that? There?

0:19:24.520 --> 0:19:26.560
<v Speaker 1>She worked so hard? Why did you have to kill

0:19:26.600 --> 0:19:31.040
<v Speaker 1>her dad and the most violent fashion. Okay, so then

0:19:31.280 --> 0:19:33.920
<v Speaker 1>the Gremlins are killing people. They invade a movie theater

0:19:34.000 --> 0:19:36.280
<v Speaker 1>where they watch snow White, which is how we know

0:19:36.359 --> 0:19:38.560
<v Speaker 1>that they're the villains of the movie because they love

0:19:38.680 --> 0:19:41.480
<v Speaker 1>snow White and stuffing dwarves. Refer back to our snow

0:19:41.480 --> 0:19:45.359
<v Speaker 1>White episode for more details. Um. And then Billy and

0:19:45.440 --> 0:19:47.720
<v Speaker 1>Kate blow up the movie theater and then it kills

0:19:47.800 --> 0:19:50.440
<v Speaker 1>all the Grandlins except again for Stripe, and then he goes.

0:19:50.520 --> 0:19:54.480
<v Speaker 1>Stripe goes into a department store and comes everything up right,

0:19:54.560 --> 0:19:59.120
<v Speaker 1>I remember place the Stripe has a gun and just

0:19:59.480 --> 0:20:02.720
<v Speaker 1>shooting that Billy. Not only does he have guns, but

0:20:02.760 --> 0:20:06.160
<v Speaker 1>they grandma's have these tiny guns like Greenlin Gruman size gun.

0:20:06.400 --> 0:20:11.359
<v Speaker 1>Did they get them? Like, oh boy, I just don't know.

0:20:11.440 --> 0:20:15.680
<v Speaker 1>And then Stripe tries to multiply himself again. But then Gizmo,

0:20:16.000 --> 0:20:18.160
<v Speaker 1>he's been racing around in a like little toy car,

0:20:18.280 --> 0:20:21.840
<v Speaker 1>and he zooms up and opens a window and lets

0:20:21.880 --> 0:20:25.200
<v Speaker 1>the sunlight in and then it melts Stripe in what's

0:20:25.240 --> 0:20:30.960
<v Speaker 1>a horrifying scene. Yeah, it's really disgusting. And then so

0:20:31.000 --> 0:20:33.840
<v Speaker 1>then the bad Grandmins have been defeated. And then at

0:20:33.840 --> 0:20:37.320
<v Speaker 1>the end of the movie, the Chinese store owner comes

0:20:37.359 --> 0:20:40.960
<v Speaker 1>back and he's like, you messed up, you white people.

0:20:41.040 --> 0:20:43.879
<v Speaker 1>I'm taking gizmo back because you don't know how to

0:20:44.000 --> 0:20:47.320
<v Speaker 1>do anything. The Dad's just like, oh man, sorry, yeah,

0:20:47.640 --> 0:20:51.600
<v Speaker 1>I think that would help. Oh boy. And that is

0:20:51.720 --> 0:20:56.119
<v Speaker 1>the movie. Yea, So why don't we take a quick

0:20:56.160 --> 0:21:04.840
<v Speaker 1>break and then we will come back to discuss and

0:21:04.920 --> 0:21:10.760
<v Speaker 1>we're back where to begin? Well, let's talk about should

0:21:10.760 --> 0:21:16.520
<v Speaker 1>we just go right into the racism of the movie,

0:21:17.760 --> 0:21:23.400
<v Speaker 1>part of the Sunday or the chocolate I mean, we

0:21:23.960 --> 0:21:28.600
<v Speaker 1>let's get into it. That's that's a lot. That's a lot. Yeah.

0:21:28.720 --> 0:21:33.360
<v Speaker 1>So the way Asian and specifically Chinese culture is represented

0:21:33.400 --> 0:21:37.680
<v Speaker 1>in this movie is um. I talked to a friend

0:21:37.720 --> 0:21:41.320
<v Speaker 1>of the cast, former guest Steve Shaun, who was our

0:21:41.320 --> 0:21:45.360
<v Speaker 1>guest on the Crazy Rich Asians episode, and she had

0:21:45.480 --> 0:21:48.160
<v Speaker 1>this to say about it. I'm just gonna read what

0:21:48.359 --> 0:21:51.320
<v Speaker 1>she wrote because it's great. She says, well, there's no

0:21:51.400 --> 0:21:54.520
<v Speaker 1>existence of furry critters in Chinese history that explode into

0:21:54.600 --> 0:21:59.359
<v Speaker 1>a mass of overpopulation overnight. Magua in Chinese literally means

0:21:59.600 --> 0:22:03.000
<v Speaker 1>demon or devil, but it doesn't have the traditional Judeo

0:22:03.080 --> 0:22:06.639
<v Speaker 1>Christian connotations attached. Sometimes a demon in Chinese culture is

0:22:06.680 --> 0:22:09.040
<v Speaker 1>simply a spirit that has returned to Earth or someone

0:22:09.280 --> 0:22:12.640
<v Speaker 1>with an unsettled debt. Demons aren't necessarily evil. The thing

0:22:12.680 --> 0:22:15.919
<v Speaker 1>I find funny about the Chinese origin of Gremlins is

0:22:15.920 --> 0:22:18.960
<v Speaker 1>that the movie Critter takes very little from any kind

0:22:19.000 --> 0:22:23.080
<v Speaker 1>of real Chinese mythology, but really builds on the nineteen

0:22:23.200 --> 0:22:26.800
<v Speaker 1>eighties fear of Red China. I really see the Magwis

0:22:26.920 --> 0:22:29.600
<v Speaker 1>or Chinese critters as just another extension of the Red scare.

0:22:30.040 --> 0:22:33.320
<v Speaker 1>These Chinese monsters are uncontrollable. They run rampant in America,

0:22:33.359 --> 0:22:36.640
<v Speaker 1>aping all the things that make America American. The Gremlins

0:22:36.640 --> 0:22:39.320
<v Speaker 1>are incredibly destructive once they've been let out of the bag,

0:22:39.400 --> 0:22:41.479
<v Speaker 1>so to speak. They run amuck during the height of

0:22:41.520 --> 0:22:44.879
<v Speaker 1>a very sacred holiday in America, which is Christmas. This

0:22:45.040 --> 0:22:48.480
<v Speaker 1>to me really reads as a what happens scenario if

0:22:48.520 --> 0:22:52.640
<v Speaker 1>something Asian does take over in America. This is supported

0:22:52.680 --> 0:22:55.760
<v Speaker 1>textually by a line of dialogue. Um. This is the

0:22:55.840 --> 0:22:58.359
<v Speaker 1>racist character who we mentioned, who hates all things for

0:22:58.480 --> 0:23:01.000
<v Speaker 1>and he says, you gotta watch out for gremlins because

0:23:01.040 --> 0:23:04.480
<v Speaker 1>foreigners put gremlins in their machinery. The same gremlins that

0:23:04.520 --> 0:23:08.040
<v Speaker 1>brought down our planes in World War Two. There's definitely

0:23:08.040 --> 0:23:10.200
<v Speaker 1>a weird other ring of Asian culture here. The only

0:23:10.280 --> 0:23:13.600
<v Speaker 1>Asian characters are mysterious speaking riddles, and if we think

0:23:13.680 --> 0:23:16.960
<v Speaker 1>of the Gremlins as Asian, then they also speak in Gibberish.

0:23:17.240 --> 0:23:20.960
<v Speaker 1>Gremlins rely pretty heavily on the idea of Orientalism, which

0:23:21.040 --> 0:23:23.640
<v Speaker 1>is that the Far East is inscrutable and it's impossible

0:23:23.640 --> 0:23:26.359
<v Speaker 1>for any Westerner to try, and once anyone tries, the

0:23:26.560 --> 0:23:30.600
<v Speaker 1>unleashed chaos that has to be contained by any means necessary.

0:23:30.760 --> 0:23:33.520
<v Speaker 1>Billy doesn't ever try to understand the Gremlins in the movie.

0:23:33.560 --> 0:23:35.919
<v Speaker 1>He only tries to defeat them, which makes sense if

0:23:35.960 --> 0:23:38.880
<v Speaker 1>you think of Billy in the American exceptionalism sort of way.

0:23:39.240 --> 0:23:41.800
<v Speaker 1>So that's everything that Sita had to say about it.

0:23:42.040 --> 0:23:45.879
<v Speaker 1>Thank you, Yes, that was great, And I mean that

0:23:45.920 --> 0:23:48.760
<v Speaker 1>says it all. Yeah, I mean the fact that it

0:23:48.920 --> 0:23:51.359
<v Speaker 1>is and and it's it's tricky with movies like this.

0:23:51.440 --> 0:23:54.280
<v Speaker 1>For me, it is anyways to try to identify because

0:23:54.280 --> 0:23:58.400
<v Speaker 1>it came out almost thirty five years ago. Now exactly

0:23:59.040 --> 0:24:01.119
<v Speaker 1>what you're supposed is to be laughing at and what

0:24:01.200 --> 0:24:04.240
<v Speaker 1>you're just because most of it now does not read

0:24:04.359 --> 0:24:06.399
<v Speaker 1>as jokes that hold up in any way, because a

0:24:06.440 --> 0:24:09.600
<v Speaker 1>lot of them are just racist. But the neighbor character

0:24:10.119 --> 0:24:14.840
<v Speaker 1>is the most overtly racist. Um and there's so much

0:24:14.880 --> 0:24:17.160
<v Speaker 1>coding in this movie, which will which see the references

0:24:17.160 --> 0:24:20.199
<v Speaker 1>and when we can get into but the neighbor is,

0:24:20.320 --> 0:24:24.920
<v Speaker 1>you know, like literally implying that I think people from

0:24:24.960 --> 0:24:29.040
<v Speaker 1>Asian cultures are putting gremlins in cars, and like the

0:24:29.320 --> 0:24:32.760
<v Speaker 1>title of the movie comes from this like bizarro racist

0:24:32.800 --> 0:24:36.720
<v Speaker 1>rant from the neighbor, which later becomes a town wide

0:24:36.760 --> 0:24:41.200
<v Speaker 1>accepted word for what they are. And it's just I

0:24:42.080 --> 0:24:48.280
<v Speaker 1>can't tell if audience is supposed to think that's funny.

0:24:48.440 --> 0:24:51.560
<v Speaker 1>Well maybe also, I mean that character ends up being

0:24:51.680 --> 0:24:55.200
<v Speaker 1>killed and so that and like the villainous Lady were

0:24:55.680 --> 0:24:57.960
<v Speaker 1>killed but created in such a way that people the

0:24:57.960 --> 0:25:01.719
<v Speaker 1>audience would hate them. So maybe they were intended to

0:25:01.760 --> 0:25:04.359
<v Speaker 1>be this racist, so their death would it would be

0:25:04.480 --> 0:25:07.480
<v Speaker 1>more comical than us having any empathy for their death.

0:25:07.640 --> 0:25:09.840
<v Speaker 1>I was confused about that because but then they also

0:25:09.920 --> 0:25:12.359
<v Speaker 1>killed Santa, and you're like, and then they try to

0:25:12.480 --> 0:25:14.800
<v Speaker 1>kill like Billy's mom, so they're they're like, they killed

0:25:14.880 --> 0:25:19.000
<v Speaker 1>the biology dude, So they're in first Steth I think too,

0:25:19.160 --> 0:25:21.680
<v Speaker 1>which is like one of the only people of color

0:25:21.720 --> 0:25:23.479
<v Speaker 1>in the movie, of course, is the first to die. Well,

0:25:23.480 --> 0:25:26.920
<v Speaker 1>there's some historical context to like the gremlin word, which

0:25:26.960 --> 0:25:28.600
<v Speaker 1>is it's from like I think we're all one or

0:25:28.600 --> 0:25:30.200
<v Speaker 1>World War two, which is like that's the word that

0:25:30.240 --> 0:25:32.879
<v Speaker 1>they would use explain why so many planes were falling

0:25:33.240 --> 0:25:35.800
<v Speaker 1>or there were so many technical errors. Is the idea

0:25:35.920 --> 0:25:39.360
<v Speaker 1>that these mysterious like demons or something are messing things up?

0:25:40.000 --> 0:25:46.960
<v Speaker 1>So but Chris Coope, Carter Carter, Chris Coop, Carter Columbus,

0:25:47.000 --> 0:25:48.760
<v Speaker 1>I'm just gonna each time I mess it up. He

0:25:48.800 --> 0:25:51.959
<v Speaker 1>apparently wrote it based off of the mice in his

0:25:52.240 --> 0:25:58.159
<v Speaker 1>living room. Yeah, but then he probably also any inherent

0:25:58.240 --> 0:25:59.679
<v Speaker 1>racism and may I've had I don't know, I'm just

0:25:59.720 --> 0:26:02.639
<v Speaker 1>I'm just right. Well, I mean that's a tricky thing

0:26:02.680 --> 0:26:05.359
<v Speaker 1>with this where it's like he it seems pretty well

0:26:05.440 --> 0:26:08.960
<v Speaker 1>accepted now. And I honestly wasn't familiar with this reading

0:26:09.040 --> 0:26:11.240
<v Speaker 1>of the movie and felt silly once I started to

0:26:11.280 --> 0:26:13.800
<v Speaker 1>read about it, because the second you read about you're like, oh,

0:26:13.840 --> 0:26:17.680
<v Speaker 1>of course, I'm a fucking idiot, Like yeah, and it's

0:26:17.840 --> 0:26:21.240
<v Speaker 1>it's confusing a little bit because you're just it's it's

0:26:21.480 --> 0:26:25.560
<v Speaker 1>I mean, it's possible that Chris Coop Carter Columbus did

0:26:25.600 --> 0:26:28.880
<v Speaker 1>not fully understand it was being an ignorant dumbass by

0:26:28.960 --> 0:26:31.320
<v Speaker 1>doing this. But then there are certain moments like with

0:26:31.359 --> 0:26:33.600
<v Speaker 1>the neighbor, where it's like you couldn't not know what

0:26:33.640 --> 0:26:36.200
<v Speaker 1>you were saying there, but maybe he thought he was

0:26:36.240 --> 0:26:38.160
<v Speaker 1>playing it for last. I don't know, Like it's just

0:26:38.440 --> 0:26:42.240
<v Speaker 1>I feel like there's just so much inherent racism and

0:26:42.280 --> 0:26:44.879
<v Speaker 1>people white people of this time that they're you know,

0:26:44.960 --> 0:26:48.199
<v Speaker 1>coding things certain ways, which because also the movie has

0:26:48.240 --> 0:26:52.840
<v Speaker 1>been criticized for coding the Gremlins as black youth and

0:26:52.880 --> 0:26:56.640
<v Speaker 1>playing into negative black stereotypes. That's like the big right.

0:26:56.880 --> 0:27:00.040
<v Speaker 1>So this comes from a blog post that I and

0:27:00.160 --> 0:27:04.000
<v Speaker 1>on the Internet ever heard of it. The blog post

0:27:04.080 --> 0:27:06.359
<v Speaker 1>is entitled the Racism We Never Noticed in Gremlins, and

0:27:06.359 --> 0:27:12.480
<v Speaker 1>this is by WordPress user Vegan Mystical Says in Ceramic Uncles.

0:27:12.560 --> 0:27:16.639
<v Speaker 1>In Celluloid Mammy's Patricia Turner writes that the Gremlins quote

0:27:16.640 --> 0:27:20.160
<v Speaker 1>reflect negative African American stereotypes in their dress and behavior.

0:27:20.440 --> 0:27:23.560
<v Speaker 1>They are shown devouring fried chicken with their hands, listening

0:27:23.600 --> 0:27:27.280
<v Speaker 1>to black music breakdancing and wearing sunglasses after dark and

0:27:27.680 --> 0:27:31.240
<v Speaker 1>newsboy caps, a style comment among African American males in

0:27:31.280 --> 0:27:34.800
<v Speaker 1>the nineteen eighties. I recently ordered that book. I haven't

0:27:34.840 --> 0:27:36.960
<v Speaker 1>read it yet, but I am really interested to read

0:27:37.000 --> 0:27:40.680
<v Speaker 1>this book by Patricia Turner Ceramic Uncles and Celluloid Mammies

0:27:40.800 --> 0:27:43.280
<v Speaker 1>um in that same in that same piece because I

0:27:43.960 --> 0:27:46.800
<v Speaker 1>read it as well, there was an interesting commentary that

0:27:46.920 --> 0:27:49.480
<v Speaker 1>I didn't pick up on, just strictly due to lack

0:27:49.520 --> 0:27:54.439
<v Speaker 1>of historical knowledge, specifically about that first scene where the

0:27:54.520 --> 0:27:59.639
<v Speaker 1>white man purchases uh like black coated character from the

0:28:00.480 --> 0:28:06.480
<v Speaker 1>from the Asian coded store. Okay, it reads as a

0:28:06.520 --> 0:28:09.800
<v Speaker 1>side note Asian characters, particularly Chinese, were grossly stereotyped in

0:28:09.800 --> 0:28:13.000
<v Speaker 1>the eighties films. As wise, I'm sourcerer types like we

0:28:13.080 --> 0:28:17.960
<v Speaker 1>just discussed from Gremlin's Karate Kid, kung Fu, etcetera. Moreover,

0:28:18.359 --> 0:28:21.880
<v Speaker 1>Asians also owned slaves and tended to side with white

0:28:21.880 --> 0:28:24.520
<v Speaker 1>supremacy and the color of success. Asian Americans and the

0:28:24.520 --> 0:28:29.280
<v Speaker 1>originals of the model minority land Wou explains, quote Chinese

0:28:29.320 --> 0:28:32.120
<v Speaker 1>immigrants and their children needed to be fully integrated into

0:28:32.200 --> 0:28:36.200
<v Speaker 1>American society unquote, and did so by sacrificing unique cultural

0:28:36.240 --> 0:28:40.000
<v Speaker 1>customs and engaging in American quote assimilation at the level

0:28:40.000 --> 0:28:44.040
<v Speaker 1>of full equality of social, economic, and political participation unquote.

0:28:44.560 --> 0:28:48.400
<v Speaker 1>So again, we don't really have any insight into where

0:28:48.440 --> 0:28:51.200
<v Speaker 1>the funk this scene comes from, but there's a lot

0:28:51.240 --> 0:28:53.840
<v Speaker 1>of readings of it that make it this very sinister

0:28:54.080 --> 0:28:57.920
<v Speaker 1>historical I wonder if twenty four year old Chris Carter

0:28:58.240 --> 0:29:04.080
<v Speaker 1>Cooper Columbus intended this, you can't find. The thing is

0:29:04.080 --> 0:29:07.680
<v Speaker 1>that the thing I've been most frustrating is you can't

0:29:07.680 --> 0:29:11.280
<v Speaker 1>find any evidence that he has spoken about this in

0:29:11.320 --> 0:29:15.920
<v Speaker 1>public or even considered it a legitimate criticism. Where it's like,

0:29:15.960 --> 0:29:18.280
<v Speaker 1>if you wrote this in your twenties and you're an

0:29:18.280 --> 0:29:22.880
<v Speaker 1>ignorant ship, then the absolute least you can do is

0:29:23.000 --> 0:29:26.440
<v Speaker 1>cop to it later, acknowledge it and be like, whoops off, Yeah,

0:29:26.480 --> 0:29:28.120
<v Speaker 1>I just thought it was a cool thing. Now, like

0:29:28.160 --> 0:29:31.920
<v Speaker 1>a mystical Asian dude selling the cute little furry animal

0:29:32.040 --> 0:29:35.800
<v Speaker 1>without realizing the huge implications right, Like, you know, because

0:29:35.800 --> 0:29:37.719
<v Speaker 1>there were so many movies like this with directors who

0:29:37.760 --> 0:29:40.800
<v Speaker 1>are alive well and still working at a very high level,

0:29:40.840 --> 0:29:44.400
<v Speaker 1>and it's the very, very fucking least you can do

0:29:45.080 --> 0:29:50.400
<v Speaker 1>is acknowledge that you were either being outwardly hateful or

0:29:50.920 --> 0:29:56.440
<v Speaker 1>we're really copying to these gigantic, ignorant blind spots. So,

0:29:56.840 --> 0:30:00.600
<v Speaker 1>Chris Columbus, you're on notice. There's all so a moment

0:30:00.640 --> 0:30:04.680
<v Speaker 1>from the movie Dear White People, where a professor says

0:30:04.760 --> 0:30:07.959
<v Speaker 1>to Tessa Thompson's character, might I also remind you that

0:30:08.000 --> 0:30:12.200
<v Speaker 1>I read your entire fifteen page unsolicited treatise on why

0:30:12.320 --> 0:30:16.160
<v Speaker 1>Gremlins is actually about suburban white fear of black culture,

0:30:16.360 --> 0:30:20.160
<v Speaker 1>and Tessa Thompson's character Sam White responds, the gremlins are loud,

0:30:20.280 --> 0:30:22.720
<v Speaker 1>talking slang, are addicted to Fred Chicken, and freak out

0:30:22.720 --> 0:30:24.960
<v Speaker 1>when you get their hair wet. Basically, I want to

0:30:25.000 --> 0:30:32.160
<v Speaker 1>read this fifteen page documents. Yeah, I feel like because

0:30:32.200 --> 0:30:35.440
<v Speaker 1>as as an outsider, foreigner human, I had the kind

0:30:35.480 --> 0:30:37.520
<v Speaker 1>of the same reaction to it too, where I felt

0:30:37.560 --> 0:30:42.240
<v Speaker 1>like Gizmo Maguai was the idea of becoming westernized. Like

0:30:42.320 --> 0:30:44.680
<v Speaker 1>if you don't if you don't break these rules, if

0:30:44.720 --> 0:30:46.960
<v Speaker 1>you stay within what we believe you should be as

0:30:47.000 --> 0:30:49.480
<v Speaker 1>an American, you're fine. But if you bring any outside

0:30:49.480 --> 0:30:53.520
<v Speaker 1>influence or outside things or changes in any way or come, Yeah,

0:30:53.840 --> 0:30:56.440
<v Speaker 1>the idea of like outside influence and you're breaking those

0:30:56.480 --> 0:30:58.680
<v Speaker 1>rules and you become gremlins, and you're scene as an

0:30:58.680 --> 0:31:02.400
<v Speaker 1>intruder to American society, right, so you shouldn't try and change.

0:31:02.440 --> 0:31:05.080
<v Speaker 1>I don't know, so yeah, for sure, like an adverse

0:31:05.120 --> 0:31:08.960
<v Speaker 1>reaction to it was so cute and it's resting because

0:31:08.960 --> 0:31:12.280
<v Speaker 1>like Gismos like whatever, the cutie that everyone remembers from

0:31:12.400 --> 0:31:14.400
<v Speaker 1>the movie. But it's like you just sort of see

0:31:14.480 --> 0:31:17.360
<v Speaker 1>in that character a level of like just complicitness and

0:31:17.360 --> 0:31:22.160
<v Speaker 1>willingness to play ball with the problematic white protagonists of

0:31:22.200 --> 0:31:25.360
<v Speaker 1>the movie. And Spielberg actually wanted to keep Gizmo in

0:31:25.400 --> 0:31:29.000
<v Speaker 1>the whole movie. Originally Gizmo turns into a gremlin, but

0:31:29.120 --> 0:31:31.520
<v Speaker 1>people were like, we need like a pal, We need

0:31:31.600 --> 0:31:34.400
<v Speaker 1>like a fun little site character that we reminded of

0:31:34.440 --> 0:31:40.840
<v Speaker 1>how cute everything is. So it worked. It did this movie.

0:31:40.880 --> 0:31:43.479
<v Speaker 1>I mean, yeah, this it's it's a hard wash, right

0:31:43.520 --> 0:31:46.480
<v Speaker 1>because like the connotation of that then becomes, oh, well,

0:31:46.520 --> 0:31:49.600
<v Speaker 1>like we've got this like cute thing that comes from

0:31:49.640 --> 0:31:53.760
<v Speaker 1>this exotic, mystical culture that white people don't understand, and

0:31:53.880 --> 0:31:56.280
<v Speaker 1>it's cute at first, but then it spawns these evil

0:31:56.360 --> 0:31:59.680
<v Speaker 1>things and it's like the message that that sends is

0:32:00.040 --> 0:32:03.200
<v Speaker 1>and the fact that it literally starts with a purchase,

0:32:04.000 --> 0:32:07.320
<v Speaker 1>and like a negotiation on a purchase is so sinister

0:32:07.600 --> 0:32:11.120
<v Speaker 1>and basically a colonized purchase, like you're taking it without

0:32:11.200 --> 0:32:15.320
<v Speaker 1>being allowed to because yeah, right, because the elder guy

0:32:15.480 --> 0:32:17.640
<v Speaker 1>in the shop is like, it's not for sale. But

0:32:17.680 --> 0:32:20.440
<v Speaker 1>then the sun is like like the grandson or there's

0:32:20.440 --> 0:32:22.320
<v Speaker 1>a younger kid there and he's like, no, we need

0:32:22.360 --> 0:32:24.320
<v Speaker 1>the money, like well we'll take it and here here

0:32:24.360 --> 0:32:28.040
<v Speaker 1>you go. But yeah, like the wise old guy is

0:32:28.080 --> 0:32:31.560
<v Speaker 1>like you shouldn't have this. But even though the wise

0:32:31.600 --> 0:32:34.520
<v Speaker 1>old guy is such a stereotypes just like everything is

0:32:34.560 --> 0:32:38.240
<v Speaker 1>just it's just a fucking yes. All those movies in

0:32:38.280 --> 0:32:40.840
<v Speaker 1>the eighties had this guy or had this like the

0:32:40.880 --> 0:32:45.960
<v Speaker 1>magical Asian like whoo, which is like for Asian actors,

0:32:45.960 --> 0:32:48.160
<v Speaker 1>and people have called like cool, we get roles. But

0:32:48.160 --> 0:32:50.680
<v Speaker 1>at the same time, it's like, not the roles that

0:32:50.720 --> 0:32:54.520
<v Speaker 1>are helping us, right, they're just perpetuating. Yeah, although stereotypes

0:32:54.560 --> 0:32:57.560
<v Speaker 1>and all of that racism. And that's the first scene

0:32:57.600 --> 0:33:00.800
<v Speaker 1>in the movie. It's just like it it's upsetting. And

0:33:00.800 --> 0:33:04.400
<v Speaker 1>then I mean Chris Columbus to speak of his catalog

0:33:04.880 --> 0:33:07.600
<v Speaker 1>Gremlins is the first movie he writes, and then he

0:33:07.640 --> 0:33:10.680
<v Speaker 1>goes on to write other like The Goonies, which I

0:33:10.680 --> 0:33:12.840
<v Speaker 1>haven't seen in a while, but if you do even

0:33:12.880 --> 0:33:14.640
<v Speaker 1>a little bit of reading about the Goonies, it has

0:33:14.960 --> 0:33:21.000
<v Speaker 1>many similar problems with race and it's just God and

0:33:22.480 --> 0:33:26.920
<v Speaker 1>then the two words Harry Potters, so it's you know,

0:33:28.240 --> 0:33:31.480
<v Speaker 1>funck him. You know, part of me wants to at

0:33:31.520 --> 0:33:37.080
<v Speaker 1>least hope that, like these filmmakers didn't intentionally set out

0:33:37.120 --> 0:33:41.400
<v Speaker 1>to portray these racist stereotypes and do all this racist coding.

0:33:42.200 --> 0:33:47.760
<v Speaker 1>But again, because just racism is so ingrained into white

0:33:47.800 --> 0:33:52.200
<v Speaker 1>people and society in America as a whole, they probably

0:33:52.240 --> 0:33:55.080
<v Speaker 1>didn't intentionally set out to do this, but they did

0:33:55.120 --> 0:33:59.080
<v Speaker 1>it anyway just because of the systematic racism. Yeah, it

0:33:59.080 --> 0:34:01.120
<v Speaker 1>would be different story if a movie like this came

0:34:01.120 --> 0:34:02.960
<v Speaker 1>out or we set up in the way it was

0:34:03.080 --> 0:34:06.720
<v Speaker 1>came out today. But then I'm just like, I trust

0:34:07.000 --> 0:34:10.960
<v Speaker 1>no bitch in regards to issues like this, because then

0:34:11.000 --> 0:34:13.920
<v Speaker 1>you find the George Lucas document that's like, no, I know,

0:34:14.080 --> 0:34:16.640
<v Speaker 1>he's a rapist, but he's the hero. I wish you

0:34:16.760 --> 0:34:21.120
<v Speaker 1>were more of a rapist. And so there are examples

0:34:21.200 --> 0:34:25.279
<v Speaker 1>of like movies of this era with creators knowing full

0:34:25.320 --> 0:34:27.600
<v Speaker 1>well what they're doing and doubling down kind of for

0:34:27.640 --> 0:34:29.960
<v Speaker 1>no reason other than the fact that they can and

0:34:29.960 --> 0:34:31.960
<v Speaker 1>they think it's funny or cool or whatever the funk

0:34:32.040 --> 0:34:35.359
<v Speaker 1>is going through these I don't know, it's or they

0:34:35.400 --> 0:34:38.319
<v Speaker 1>just like needed backstory for this animatronic idea that they

0:34:38.360 --> 0:34:42.120
<v Speaker 1>got like right right and make it Asian and it's

0:34:42.200 --> 0:34:47.080
<v Speaker 1>just like goodness gracious. Um, well, so that's that. Um.

0:34:47.080 --> 0:34:53.200
<v Speaker 1>Shall we talk about the female characters, which one come anywhere? There? Well,

0:34:53.280 --> 0:34:58.719
<v Speaker 1>there are three three. We've got missult, Miss Gulch, We've

0:34:58.760 --> 0:35:01.400
<v Speaker 1>got the Mom, and we've got Kate. There's also, um

0:35:02.160 --> 0:35:04.680
<v Speaker 1>the one that Miss Steagle talks to in the beginning

0:35:04.719 --> 0:35:07.120
<v Speaker 1>of movie. Yeah, yeah, yeah, she's on screen for that

0:35:07.160 --> 0:35:09.560
<v Speaker 1>one scene. And we'll we'll talk about that later whenever

0:35:09.600 --> 0:35:13.160
<v Speaker 1>we discuss whether or not the movie passes the Bechdel test.

0:35:13.880 --> 0:35:17.000
<v Speaker 1>But um, okay, so let's start with Kate. UM. I

0:35:17.000 --> 0:35:19.160
<v Speaker 1>would argue that she is an example of a female

0:35:19.200 --> 0:35:21.160
<v Speaker 1>character in a movie that you can remove from the

0:35:21.160 --> 0:35:25.000
<v Speaker 1>script and the movie is virtually unchanged. I agree, the

0:35:25.040 --> 0:35:27.960
<v Speaker 1>story would play out basically the same exact way because

0:35:28.000 --> 0:35:30.719
<v Speaker 1>there's nothing that she does that advances the story or

0:35:30.800 --> 0:35:33.440
<v Speaker 1>changes the direction of the story. Um, she's basically a

0:35:33.440 --> 0:35:38.279
<v Speaker 1>sidekick to Billy who does nothing. Sir, could you take

0:35:38.360 --> 0:35:42.080
<v Speaker 1>Billy out of the movie. Also, like, I don't this

0:35:42.120 --> 0:35:45.120
<v Speaker 1>whole Like, I don't know, this is like a weird

0:35:45.560 --> 0:35:48.719
<v Speaker 1>not to give. I know we're talking about Kate now,

0:35:48.760 --> 0:35:50.840
<v Speaker 1>but there's like all this getting back to sort of

0:35:50.880 --> 0:35:54.839
<v Speaker 1>like the failed class commentary of this is. I mean,

0:35:55.800 --> 0:35:57.839
<v Speaker 1>I don't think this movie even remotely meant to make

0:35:57.840 --> 0:36:00.960
<v Speaker 1>this point, but it's like, oh yeah, like very often

0:36:01.080 --> 0:36:06.400
<v Speaker 1>all white communities that are middle class can be very racist.

0:36:06.960 --> 0:36:08.319
<v Speaker 1>I don't think that's what the movie is trying to

0:36:08.360 --> 0:36:11.000
<v Speaker 1>say at all. But like with Kate, we have like

0:36:11.040 --> 0:36:15.000
<v Speaker 1>a working girl character who it's weird because she checks

0:36:15.040 --> 0:36:18.280
<v Speaker 1>a lot of like boxes that I'm looking to get checked,

0:36:18.920 --> 0:36:21.600
<v Speaker 1>where we know what she does for a job. We

0:36:21.680 --> 0:36:26.200
<v Speaker 1>know she feels strongly about at least two things, which

0:36:26.239 --> 0:36:28.000
<v Speaker 1>is that she does not like Christmas and she would

0:36:28.080 --> 0:36:33.080
<v Speaker 1>like to save this bar. Uh. We know unfortunately, we

0:36:33.080 --> 0:36:35.840
<v Speaker 1>know a little bit about her back history, which is

0:36:36.000 --> 0:36:38.160
<v Speaker 1>the worst thing I've ever heard in my entire life.

0:36:39.200 --> 0:36:41.680
<v Speaker 1>But you can you're totally right. She can be removed

0:36:41.760 --> 0:36:44.319
<v Speaker 1>very easily. It's it's confusing to me that that we

0:36:44.360 --> 0:36:46.680
<v Speaker 1>do know so much about her given how little impact

0:36:46.719 --> 0:36:49.440
<v Speaker 1>she has on the plot, right, and then she is

0:36:49.800 --> 0:36:53.760
<v Speaker 1>essentially there to serve as the romantic interest for Billy

0:36:54.000 --> 0:36:56.120
<v Speaker 1>and to get a little kiss at the end. Right.

0:36:56.200 --> 0:36:58.279
<v Speaker 1>So I wanted to talk a little bit about that,

0:36:58.360 --> 0:37:01.440
<v Speaker 1>because they are called leagues and friends at the beginning

0:37:01.480 --> 0:37:05.160
<v Speaker 1>of the movie somewhere I'd stay around. Halfway through, Billy

0:37:05.239 --> 0:37:07.480
<v Speaker 1>asks Kate out on a date, and I've seen that.

0:37:07.600 --> 0:37:10.360
<v Speaker 1>I think it's fairly well handled because he's clear about

0:37:10.360 --> 0:37:14.440
<v Speaker 1>his intentions and you don't hear people ask ask for dates,

0:37:14.880 --> 0:37:17.320
<v Speaker 1>but he literally says, hey, if you're not doing anything

0:37:17.360 --> 0:37:19.560
<v Speaker 1>this Thursday, i'd I was wondering if you'd like to

0:37:19.600 --> 0:37:22.560
<v Speaker 1>go on a date with me? Like the language that's

0:37:22.560 --> 0:37:25.120
<v Speaker 1>he's there, I appreciate because I can't tell you how

0:37:25.160 --> 0:37:27.120
<v Speaker 1>many times the guy's been like, hey, do you want

0:37:27.160 --> 0:37:29.920
<v Speaker 1>to hang out sometime? And it's like, okay, in what context?

0:37:29.960 --> 0:37:32.200
<v Speaker 1>What do you mean? And then they're like I don't

0:37:32.200 --> 0:37:34.160
<v Speaker 1>know this, just like whatever, like when just hang out

0:37:34.160 --> 0:37:35.840
<v Speaker 1>and it's like, okay, are you asking me out on

0:37:35.880 --> 0:37:38.560
<v Speaker 1>a date? I need to know this, and it's remarkable.

0:37:38.640 --> 0:37:41.640
<v Speaker 1>It's been a year. I don't understand what's happening, right,

0:37:41.760 --> 0:37:43.400
<v Speaker 1>And they're like, I don't understand why you're asking me

0:37:43.480 --> 0:37:49.840
<v Speaker 1>to define something together. Okay, we have a child, we're married.

0:37:49.880 --> 0:37:55.280
<v Speaker 1>I don't understand. Are we in a relationship? We're married there, yeah,

0:37:55.360 --> 0:37:57.880
<v Speaker 1>I don't know. There's so many examples of like already

0:37:57.920 --> 0:37:59.880
<v Speaker 1>being in the middle of a meal and then being like,

0:38:00.040 --> 0:38:04.839
<v Speaker 1>oh my god, this is a date to this person, right, yeah,

0:38:05.320 --> 0:38:07.720
<v Speaker 1>So I don't know if just anyone who's asking anyone

0:38:07.719 --> 0:38:10.840
<v Speaker 1>else for a date, be clear about your intentions for Billy,

0:38:10.960 --> 0:38:13.960
<v Speaker 1>but Billy, also be clear about your age, be like,

0:38:14.239 --> 0:38:16.399
<v Speaker 1>just go on a date. I am also blank years

0:38:16.440 --> 0:38:20.920
<v Speaker 1>old and ten? Is that okay? Are you ten? Are

0:38:20.920 --> 0:38:24.080
<v Speaker 1>you funny? Are you thirty? We don't like the movie Jack. Also,

0:38:25.560 --> 0:38:29.680
<v Speaker 1>I'm Benjamin Button bej Um. And then she says he

0:38:29.719 --> 0:38:31.799
<v Speaker 1>asks her out for a date. She says I'd love

0:38:31.840 --> 0:38:34.040
<v Speaker 1>to and he's like, okay, yeah, that's great. We can

0:38:34.120 --> 0:38:36.840
<v Speaker 1>square away the details on the phone, and it's just like, okay,

0:38:36.880 --> 0:38:40.399
<v Speaker 1>I appreciated how that happens. But then later on they're

0:38:40.400 --> 0:38:43.759
<v Speaker 1>fighting the gremlins in the department store and then he

0:38:43.920 --> 0:38:46.200
<v Speaker 1>just like out of nowhere, kisses her, like there was

0:38:46.239 --> 0:38:48.439
<v Speaker 1>no lead up to that. I feel like he does say,

0:38:48.520 --> 0:38:52.120
<v Speaker 1>like go look for lights, and then they kiss. He

0:38:52.239 --> 0:38:55.000
<v Speaker 1>gives her a task, and that gets everyone horned up.

0:38:56.640 --> 0:39:00.400
<v Speaker 1>I simply cannot feel sexual feelings unless I'm given a

0:39:00.520 --> 0:39:03.760
<v Speaker 1>job to get a task. If I'm not caring for someone,

0:39:03.960 --> 0:39:06.759
<v Speaker 1>am I relevant to the world. Well, speaking of care,

0:39:06.880 --> 0:39:10.279
<v Speaker 1>so like after the battles have happened between you know,

0:39:10.560 --> 0:39:14.080
<v Speaker 1>Billy and the Gremlins, Gizmo is there and like he

0:39:14.160 --> 0:39:17.080
<v Speaker 1>gets kind of wrapped up and he's like, here, caregiver woman,

0:39:17.239 --> 0:39:19.600
<v Speaker 1>take care of this thing while I go off and fight.

0:39:20.280 --> 0:39:25.239
<v Speaker 1>So that was cute. Well there's also uh, oh, you

0:39:25.280 --> 0:39:27.839
<v Speaker 1>know what, let's take a break. Let's take a break

0:39:27.880 --> 0:39:32.719
<v Speaker 1>and then we'll talk more. Very very organic break take

0:39:38.000 --> 0:39:41.719
<v Speaker 1>and we're back. I'm sorry, I just snowplowed to you.

0:39:41.840 --> 0:39:44.880
<v Speaker 1>People do dive via snowplow on this most snow. That's true.

0:39:45.480 --> 0:39:48.640
<v Speaker 1>So yeah, she's exists in the story to basically be

0:39:48.880 --> 0:39:51.560
<v Speaker 1>the cute girl that Billy likes and serves really no

0:39:51.640 --> 0:39:54.680
<v Speaker 1>other function. We're talking about Kate. She's like the yeah,

0:39:54.680 --> 0:39:57.600
<v Speaker 1>the perfect girl. Next door who is just always there

0:39:57.600 --> 0:39:59.879
<v Speaker 1>for him whenever he needs them. And then all these

0:40:00.000 --> 0:40:04.280
<v Speaker 1>movies too, it's just like the white male, geeky nerd

0:40:04.360 --> 0:40:07.040
<v Speaker 1>savior who gets the hottest girl in town or the

0:40:07.120 --> 0:40:10.960
<v Speaker 1>only girl in town. I don't know. That's like, at

0:40:11.040 --> 0:40:13.360
<v Speaker 1>least it's not as bad as a John Hughes movie,

0:40:14.160 --> 0:40:19.239
<v Speaker 1>but it's still like, really, Billy has no skills. He

0:40:19.400 --> 0:40:22.600
<v Speaker 1>is a nice boy. He's not like a you don't

0:40:22.640 --> 0:40:27.600
<v Speaker 1>know his demon backstory ten and that's what he hasn't

0:40:27.640 --> 0:40:30.880
<v Speaker 1>said yet, right you. Unlike a lot of male heroes

0:40:31.120 --> 0:40:35.520
<v Speaker 1>in movies, especially from this area era but also still today,

0:40:35.719 --> 0:40:40.760
<v Speaker 1>they carry so much like toxic masculinity and machiesmo and Billy,

0:40:41.080 --> 0:40:44.080
<v Speaker 1>to this movie's credit, is not like that. He has

0:40:44.160 --> 0:40:46.920
<v Speaker 1>no skill except that he can draw comics. He can draw,

0:40:47.000 --> 0:40:52.359
<v Speaker 1>He draws, and he counts money and he I mean, hey,

0:40:52.800 --> 0:40:55.840
<v Speaker 1>neither is a crime. And he hangs out with little

0:40:55.880 --> 0:41:00.719
<v Speaker 1>Corey Fellmon, which is actually a crime. We're not sure

0:41:00.719 --> 0:41:03.839
<v Speaker 1>how old he is. I just wanted to point out

0:41:04.000 --> 0:41:06.880
<v Speaker 1>in regards to the mom scenes, so we don't know

0:41:06.920 --> 0:41:09.439
<v Speaker 1>a lot about the mom other than she's a mom

0:41:09.840 --> 0:41:12.640
<v Speaker 1>and so we see her. She'd be cooking a lot.

0:41:12.840 --> 0:41:17.840
<v Speaker 1>She's supporting her mediocre husband. She's very supportive in a

0:41:17.920 --> 0:41:22.040
<v Speaker 1>way that's like there's there's something going on, Like she's

0:41:22.080 --> 0:41:26.239
<v Speaker 1>like the most supportive person, Like, honey, I'm like, this

0:41:26.400 --> 0:41:29.200
<v Speaker 1>thing is broke. She's like, Oh, don't worry, honey, that's great.

0:41:29.280 --> 0:41:32.640
<v Speaker 1>Here's your dad's another and invention made Like I feel

0:41:32.680 --> 0:41:34.799
<v Speaker 1>like if she just said it, if she acted it

0:41:34.800 --> 0:41:37.160
<v Speaker 1>out and just like a little slight or more annoyed way,

0:41:37.200 --> 0:41:40.000
<v Speaker 1>we totally get the backstory of this family. Want Yeah,

0:41:40.000 --> 0:41:42.400
<v Speaker 1>I'm like, let's see her without xanax and see like

0:41:42.440 --> 0:41:46.319
<v Speaker 1>what happened. But I feel for her because I'm like,

0:41:46.360 --> 0:41:49.520
<v Speaker 1>your husband is a dud dude. He can't even crack

0:41:49.560 --> 0:41:52.560
<v Speaker 1>an egg. He's a doric loser. He seems to be

0:41:52.640 --> 0:41:56.440
<v Speaker 1>hemorrhaging money by pursuing his dreams and by dropping two

0:41:56.760 --> 0:42:00.680
<v Speaker 1>d on these mystical pets just to get a gift

0:42:00.680 --> 0:42:03.480
<v Speaker 1>that he didn't consult his wife about. Like he just

0:42:03.520 --> 0:42:07.160
<v Speaker 1>assumes she would also be okay with this maguai furry

0:42:07.239 --> 0:42:10.880
<v Speaker 1>character being in the house an unknown species that we

0:42:10.920 --> 0:42:12.920
<v Speaker 1>don't understand how it is to take care of. You

0:42:13.040 --> 0:42:17.960
<v Speaker 1>just assume you're coming to a manual with scary sounding rules.

0:42:18.719 --> 0:42:20.800
<v Speaker 1>Take care of it when your son's at the bank.

0:42:20.880 --> 0:42:23.520
<v Speaker 1>And also high school or elementary school, like you don't know,

0:42:23.840 --> 0:42:27.600
<v Speaker 1>there's the or college or grad school. This is a

0:42:27.600 --> 0:42:29.160
<v Speaker 1>great time to mention that I do have a master's

0:42:29.200 --> 0:42:32.279
<v Speaker 1>degree in script writing from Boston University. But any time

0:42:32.440 --> 0:42:36.120
<v Speaker 1>current them. Okay, the what I wanted to talk about

0:42:36.160 --> 0:42:39.160
<v Speaker 1>was the mom fighting scene. This is a very typical

0:42:40.040 --> 0:42:43.560
<v Speaker 1>scene of this era, but also kind of still of

0:42:43.640 --> 0:42:46.720
<v Speaker 1>almost any era, where you know, it's like a woman

0:42:47.000 --> 0:42:51.640
<v Speaker 1>is fighting and she's defending herself and she is to

0:42:52.440 --> 0:42:55.520
<v Speaker 1>some extent victorious, even though she ultimately needs to be

0:42:55.560 --> 0:42:58.200
<v Speaker 1>rescued uh and is immediately handed off to a man

0:42:58.280 --> 0:43:01.600
<v Speaker 1>and is like she's give her literally just handed up

0:43:01.719 --> 0:43:03.959
<v Speaker 1>like shoved into him and then by bye mom. Rest

0:43:03.960 --> 0:43:06.279
<v Speaker 1>of movie. But but the thing we've talked about a

0:43:06.280 --> 0:43:09.680
<v Speaker 1>lot on this show is the only weapons she has

0:43:09.960 --> 0:43:13.640
<v Speaker 1>are domestic weapons. She's only allowed to defend herself using.

0:43:13.840 --> 0:43:15.960
<v Speaker 1>She has a knife, but it's when she was just

0:43:16.080 --> 0:43:19.319
<v Speaker 1>using to cook. She kills him using a blender. She

0:43:19.360 --> 0:43:22.040
<v Speaker 1>kills him using a microwave, like their every way she

0:43:22.120 --> 0:43:26.839
<v Speaker 1>has to defend herself. As impressive as it looks and

0:43:27.200 --> 0:43:30.440
<v Speaker 1>is our domestic tools. And also when you take in

0:43:30.719 --> 0:43:33.319
<v Speaker 1>the whole racial issue with this whole movie, it's a

0:43:33.360 --> 0:43:40.680
<v Speaker 1>domestic white woman absolutely slaughtering a bunch of white character.

0:43:40.840 --> 0:43:45.680
<v Speaker 1>So that is actually not as triumphant, and it's just

0:43:45.800 --> 0:43:49.080
<v Speaker 1>it's not it's it's a mess. It's not. I came

0:43:49.120 --> 0:43:51.120
<v Speaker 1>into this being like, oh man, that seems pretty cool,

0:43:51.200 --> 0:43:53.759
<v Speaker 1>and I'm like, oh yeah, never mind, Yeah, you're right,

0:43:53.960 --> 0:43:58.279
<v Speaker 1>peel back those layers, and then you realize us. And

0:43:58.280 --> 0:44:01.800
<v Speaker 1>then and then contrast that with so, as you mentioned, Jamie,

0:44:01.880 --> 0:44:04.280
<v Speaker 1>she does need to be saved, so she kills three

0:44:04.280 --> 0:44:07.799
<v Speaker 1>of the four grandmans who attack her. So she kills

0:44:07.800 --> 0:44:09.480
<v Speaker 1>the first three, but then a fourth one comes at

0:44:09.520 --> 0:44:12.200
<v Speaker 1>her and she can't fight it off from the tree

0:44:12.239 --> 0:44:14.600
<v Speaker 1>and she can't fight it off, So then Billy shows

0:44:14.719 --> 0:44:17.279
<v Speaker 1>up and saves her, and he while she has been

0:44:17.400 --> 0:44:21.239
<v Speaker 1>using the blenders and the microts and the kitchen appliances,

0:44:21.480 --> 0:44:24.600
<v Speaker 1>he comes in, grabs the sword off the wall, hits

0:44:24.640 --> 0:44:27.160
<v Speaker 1>the Groundlin with the sword, and launches it into the fire.

0:44:27.280 --> 0:44:30.720
<v Speaker 1>So these are like very typical, like manly, like actual

0:44:30.920 --> 0:44:35.680
<v Speaker 1>weapons that he uses to defeat the Groundlinds with. And

0:44:35.719 --> 0:44:39.120
<v Speaker 1>then by contrast, she has used these like very domestic,

0:44:39.719 --> 0:44:45.000
<v Speaker 1>typically feminine, and Katie U the in dress, Yes, she

0:44:45.320 --> 0:44:49.280
<v Speaker 1>was using a camera like very like not very violent,

0:44:49.360 --> 0:44:53.880
<v Speaker 1>but veryistic womanly. And I suppose there's an argument to

0:44:53.920 --> 0:44:57.279
<v Speaker 1>be made for like, Okay, so she is resourceful, she's

0:44:57.360 --> 0:44:59.200
<v Speaker 1>using what she has at her disposal. But but the

0:44:59.239 --> 0:45:01.040
<v Speaker 1>fact that we see the again and again. We talked

0:45:01.080 --> 0:45:03.840
<v Speaker 1>about this in the Halloween episode with um the Lori

0:45:03.880 --> 0:45:07.839
<v Speaker 1>Stroke character using like clothing hangers and knitting needles to

0:45:07.880 --> 0:45:10.880
<v Speaker 1>try to fight off a killer, and then Indiana Jones

0:45:11.680 --> 0:45:13.759
<v Speaker 1>star she uses a frying pan to hit a guy

0:45:13.800 --> 0:45:16.480
<v Speaker 1>over the head with a lot of frying box and

0:45:16.520 --> 0:45:19.040
<v Speaker 1>the history of cinema. You know, I've tried and it

0:45:19.080 --> 0:45:22.560
<v Speaker 1>doesn't work really well. You'd have to get like a

0:45:22.680 --> 0:45:27.000
<v Speaker 1>cast iron skillet, like a really heavy like iron skillet.

0:45:27.880 --> 0:45:30.479
<v Speaker 1>But yeah, so but yeah, so we see this again

0:45:30.600 --> 0:45:34.799
<v Speaker 1>again and or the other option. If a woman is

0:45:34.840 --> 0:45:38.880
<v Speaker 1>fighting men usually or anything, it's usually like a female

0:45:38.960 --> 0:45:42.480
<v Speaker 1>action hero who wraps her legs and her crotch around

0:45:42.520 --> 0:45:44.440
<v Speaker 1>a guy's face and then like the body slams. And

0:45:44.840 --> 0:45:47.360
<v Speaker 1>also the idea that they can only defend themselves to

0:45:47.400 --> 0:45:50.640
<v Speaker 1>a certain point, like they can't fully defend themselves. They

0:45:51.360 --> 0:45:54.920
<v Speaker 1>always need to be saved Halloween too. Not in Halloween,

0:45:55.120 --> 0:45:57.279
<v Speaker 1>they can give them thirty more seconds. They would have

0:45:57.280 --> 0:45:59.680
<v Speaker 1>figured out a solution. I didn't need to be there,

0:46:00.080 --> 0:46:02.640
<v Speaker 1>but they always Yeah, but it's always so. Even though

0:46:02.680 --> 0:46:06.200
<v Speaker 1>this movie doesn't have like the typical macho male hero,

0:46:06.320 --> 0:46:09.560
<v Speaker 1>it does like fall into the many trappings of these,

0:46:09.640 --> 0:46:11.920
<v Speaker 1>like well, the man still has to stay able. Woman

0:46:12.320 --> 0:46:15.960
<v Speaker 1>and mom kill only fight using mom stuff. And then

0:46:16.040 --> 0:46:19.560
<v Speaker 1>later on he blows up a movie theater with like

0:46:19.600 --> 0:46:22.720
<v Speaker 1>this big explosion, which is again a very like macho

0:46:22.920 --> 0:46:25.719
<v Speaker 1>manly way to defeat something. And then Kate's just like,

0:46:26.160 --> 0:46:29.640
<v Speaker 1>I don't know what did here's a camera. Yeah. Also,

0:46:29.760 --> 0:46:33.960
<v Speaker 1>my dad dressed up in Santa and then died. I

0:46:34.000 --> 0:46:35.920
<v Speaker 1>can't get over it. I wish she'd had more of

0:46:35.920 --> 0:46:38.960
<v Speaker 1>those soliloquies, just like more backstory. What if all of

0:46:38.960 --> 0:46:42.240
<v Speaker 1>her family members had died in a horrifying way, dressed

0:46:42.280 --> 0:46:45.840
<v Speaker 1>as a seasonal character always going through the chimney to

0:46:46.040 --> 0:46:50.080
<v Speaker 1>that was dressed as the Easter Bunny. She put herself

0:46:50.120 --> 0:46:53.760
<v Speaker 1>in an egg, So that's why I don't It annoyed

0:46:53.800 --> 0:46:56.120
<v Speaker 1>me that that's the reason that she ends I mean

0:46:56.480 --> 0:46:58.680
<v Speaker 1>it makes sense for the character and for anyone that

0:46:58.719 --> 0:47:03.680
<v Speaker 1>you wouldn't like a holiday kills your father. But I

0:47:03.760 --> 0:47:06.359
<v Speaker 1>want to see representation on screen of a person who

0:47:06.440 --> 0:47:08.719
<v Speaker 1>doesn't like Christmas because Christmas is creepy. And I know

0:47:08.760 --> 0:47:10.200
<v Speaker 1>I'm going to get a lot of ship for saying,

0:47:11.000 --> 0:47:14.960
<v Speaker 1>but Christmas is creepy. I hate Christmas music. It's all

0:47:15.000 --> 0:47:18.520
<v Speaker 1>those like slow like him like songs, especially like Silent

0:47:18.640 --> 0:47:23.000
<v Speaker 1>Night that is creepy. Santa Claus an old white guy

0:47:23.160 --> 0:47:27.000
<v Speaker 1>deciding if children are good or not, that's creepy. Nativity

0:47:27.080 --> 0:47:30.440
<v Speaker 1>scenes are frightening. And I also hate the capitalism and

0:47:30.480 --> 0:47:33.920
<v Speaker 1>consumerism of the holiday in general. I will said, I

0:47:34.000 --> 0:47:36.719
<v Speaker 1>enjoy the spirit of giving and the emphasis on like

0:47:36.760 --> 0:47:38.919
<v Speaker 1>being with loved ones around the holiday time, but everything

0:47:38.960 --> 0:47:42.640
<v Speaker 1>about Christmas is creepy. Cut a tree and you watch

0:47:42.680 --> 0:47:46.640
<v Speaker 1>it die, right, Yeah, you're just like destroying nature. There's

0:47:46.640 --> 0:47:50.560
<v Speaker 1>a lot of things wrong with Christmas. Well, I you're

0:47:50.560 --> 0:47:54.800
<v Speaker 1>allowed to love Christmas. I do. Um. But with that,

0:47:54.920 --> 0:47:57.680
<v Speaker 1>as I hinted that before, there are so many movies

0:47:57.719 --> 0:48:02.200
<v Speaker 1>about Christmas, so few movies. There's a movie called Winter Solstice,

0:48:02.239 --> 0:48:04.520
<v Speaker 1>which is the holiday that I celebrate around this time.

0:48:04.520 --> 0:48:07.200
<v Speaker 1>Of year, but I don't know what it's about, and

0:48:07.239 --> 0:48:09.120
<v Speaker 1>no one saw it, including me. This is just the

0:48:09.200 --> 0:48:11.919
<v Speaker 1>time of year where Caitlin and I drink a lot

0:48:12.040 --> 0:48:16.239
<v Speaker 1>and watch Titanic. It's the most wonderful time of the year.

0:48:17.080 --> 0:48:20.360
<v Speaker 1>The version of the holiday season that I have cultivated

0:48:20.400 --> 0:48:22.760
<v Speaker 1>for myself I now enjoy very much because it literally

0:48:22.880 --> 0:48:25.799
<v Speaker 1>is just like watching Titanic on repeat, and that's we're

0:48:25.800 --> 0:48:30.120
<v Speaker 1>really good at that. But this movie actually didn't come

0:48:30.120 --> 0:48:32.960
<v Speaker 1>out during the Christmas holiday. Came out earlier because they

0:48:32.960 --> 0:48:36.920
<v Speaker 1>were wanted to, I think fighting against Ghostbusters. So I

0:48:37.000 --> 0:48:39.920
<v Speaker 1>came out like the summer or something like that. Another

0:48:40.960 --> 0:48:46.200
<v Speaker 1>movie riddled with problem. I can't stand Ghostbusters. I simply

0:48:46.239 --> 0:48:51.160
<v Speaker 1>can't stand it. Bothers me. Anyways, this movie sucks. Also,

0:48:51.760 --> 0:49:01.000
<v Speaker 1>yes it does, and it's great. Gizzy is a sweetheart.

0:49:01.320 --> 0:49:05.719
<v Speaker 1>But my point is, let's see more movies and stories

0:49:05.880 --> 0:49:11.840
<v Speaker 1>about holidays that are celebrated, usually by marginalized people because

0:49:11.960 --> 0:49:15.000
<v Speaker 1>they are Muslim, or they are Jewish, or or do

0:49:15.120 --> 0:49:17.240
<v Speaker 1>the way my family did, which is I forced Christmas

0:49:17.320 --> 0:49:19.200
<v Speaker 1>upon my family because I didn't want to be the

0:49:19.239 --> 0:49:22.839
<v Speaker 1>one kid in my town Irish Catholic towny didn't do it. Yeah,

0:49:23.480 --> 0:49:25.080
<v Speaker 1>it sucks that you felt you had to do that,

0:49:25.120 --> 0:49:27.480
<v Speaker 1>but that is a very common, huge thing. Yeah. And

0:49:27.480 --> 0:49:30.520
<v Speaker 1>then one there is one Christmas where my parents totally

0:49:30.520 --> 0:49:33.280
<v Speaker 1>got into it, like like we would decorate our house

0:49:33.320 --> 0:49:37.360
<v Speaker 1>top to bottom Christmas decorations and we would have Latter

0:49:37.400 --> 0:49:39.680
<v Speaker 1>Day Saints. Solicitors always come to our door. And one

0:49:39.719 --> 0:49:41.080
<v Speaker 1>time they came to our door and they're like, do

0:49:41.120 --> 0:49:42.920
<v Speaker 1>you believe in Jesus? And my mom had like a

0:49:43.000 --> 0:49:46.520
<v Speaker 1>Christmas brooch or's like a tree behind her presence Jesus,

0:49:46.560 --> 0:49:49.120
<v Speaker 1>like like a placard or whatever. She's like, no, no,

0:49:49.239 --> 0:49:52.759
<v Speaker 1>we don't know what that these Christmas to us is

0:49:52.840 --> 0:49:57.520
<v Speaker 1>just like it's just a gift. One morning, I don't

0:49:57.520 --> 0:49:59.680
<v Speaker 1>have the sweater anymore. But one morning she makes us

0:49:59.760 --> 0:50:02.000
<v Speaker 1>new to make a dress up in like all the

0:50:02.120 --> 0:50:04.640
<v Speaker 1>same and take a photo. She buy us all the

0:50:04.640 --> 0:50:06.880
<v Speaker 1>same sweaters. The sweater somewhere in our house when she

0:50:06.960 --> 0:50:10.080
<v Speaker 1>got it from Walmart, of course, and it says Christmas

0:50:10.160 --> 0:50:15.759
<v Speaker 1>and as a tree an American holiday. Yeah, sinister, it

0:50:15.880 --> 0:50:17.880
<v Speaker 1>was the one person in the family photo. I think

0:50:17.880 --> 0:50:20.200
<v Speaker 1>it was like fifteen. I'm like, no, mother, I don't agree.

0:50:20.719 --> 0:50:24.560
<v Speaker 1>I was like, you brought this upon us. My family

0:50:24.560 --> 0:50:28.960
<v Speaker 1>had an opposite thing where we did celebrate Christmas until

0:50:29.040 --> 0:50:31.880
<v Speaker 1>I was I think like sixteen or so, and the

0:50:31.960 --> 0:50:34.879
<v Speaker 1>mom I was like, my mom was like, no, we're

0:50:34.960 --> 0:50:38.560
<v Speaker 1>atheists and we're going to celebrate Winter Solstice instead, which

0:50:38.600 --> 0:50:41.400
<v Speaker 1>was basically the same exact thing as us celebrating Christmas,

0:50:41.440 --> 0:50:43.280
<v Speaker 1>because we still like put up a tree and stuff,

0:50:43.680 --> 0:50:47.360
<v Speaker 1>but we just got gifts four days earlier on December.

0:50:49.239 --> 0:50:51.919
<v Speaker 1>It was pretty cool. Um. Does anyone have any other

0:50:52.280 --> 0:50:55.919
<v Speaker 1>final thoughts about the film Gremlins? I wanted to say

0:50:55.960 --> 0:50:58.920
<v Speaker 1>one last thing about and this is, you know, for

0:50:58.920 --> 0:51:01.160
<v Speaker 1>for us as kind of you know, an obvious point,

0:51:01.239 --> 0:51:05.000
<v Speaker 1>but miss Deegle, just of the three female characters, making

0:51:05.040 --> 0:51:11.480
<v Speaker 1>one the shrewiest shrew who's ever shrewd? Is like, it's

0:51:11.520 --> 0:51:15.359
<v Speaker 1>an easy choice that they certainly did make every easy.

0:51:15.400 --> 0:51:17.759
<v Speaker 1>Did you guys noticed that one of the Gremlins in

0:51:17.840 --> 0:51:20.439
<v Speaker 1>the bar scene was wearing her red wig because after

0:51:20.520 --> 0:51:22.759
<v Speaker 1>they killed her, but she wasn't wearing a wig in

0:51:22.840 --> 0:51:25.480
<v Speaker 1>that scene. She was like, I'll mature out they took

0:51:25.520 --> 0:51:28.120
<v Speaker 1>they killed her, and I assumed perused her clothes and

0:51:28.200 --> 0:51:30.160
<v Speaker 1>was wearing their clothes. So I think the clothes are

0:51:30.200 --> 0:51:31.799
<v Speaker 1>wearing in the bar scene and then later in the

0:51:31.880 --> 0:51:34.640
<v Speaker 1>cinema or the clothes of the people from Ordered. Maybe

0:51:34.680 --> 0:51:36.279
<v Speaker 1>that's where they got the tin to gun and think

0:51:36.320 --> 0:51:39.799
<v Speaker 1>about it, I have like a big thought that came

0:51:40.000 --> 0:51:42.520
<v Speaker 1>as I was watching it. So I at this point

0:51:42.600 --> 0:51:45.520
<v Speaker 1>nothing is cannon. That's happened in Gremlin's too. I understand

0:51:45.520 --> 0:51:48.759
<v Speaker 1>Gremlins too. It's it's more justified or it's explained. But

0:51:49.000 --> 0:51:51.719
<v Speaker 1>we don't know the gender of what a magua is

0:51:51.920 --> 0:51:54.239
<v Speaker 1>or like what a gremlin is. It's just like a

0:51:54.320 --> 0:51:58.480
<v Speaker 1>gender neutral thing, and so we're assuming their males because

0:51:59.040 --> 0:52:03.160
<v Speaker 1>we just assumed males. Yeah, I guess I was referred

0:52:03.160 --> 0:52:08.040
<v Speaker 1>to they use okay, but that But also they're making

0:52:08.080 --> 0:52:11.680
<v Speaker 1>it because how do they know, right well, gender doesn't

0:52:11.800 --> 0:52:16.320
<v Speaker 1>apply to animals like it does to people, but they

0:52:16.400 --> 0:52:20.000
<v Speaker 1>do seem gendered as male and the persona they're like

0:52:20.120 --> 0:52:22.880
<v Speaker 1>person there act like humans later on. But I know

0:52:22.920 --> 0:52:26.319
<v Speaker 1>in the second movie there is a female gremlin and

0:52:26.360 --> 0:52:29.080
<v Speaker 1>it she looks like you have a bow or something.

0:52:29.440 --> 0:52:32.040
<v Speaker 1>She has like makeup on, and I don't know she

0:52:32.120 --> 0:52:37.560
<v Speaker 1>has restices. She might have rested according to the key

0:52:37.600 --> 0:52:40.680
<v Speaker 1>and Peel Gremlin's to sketch that I love so much.

0:52:41.000 --> 0:52:43.799
<v Speaker 1>Peel is going around the room like the writer's room

0:52:43.880 --> 0:52:47.200
<v Speaker 1>and just like asking for pitches for gremlin types, and

0:52:47.480 --> 0:52:50.880
<v Speaker 1>the one woman in the room says, could there be

0:52:50.960 --> 0:52:55.520
<v Speaker 1>a female gremlin? And Peel's character responds, lipstick boobies, bitch,

0:52:55.560 --> 0:52:58.439
<v Speaker 1>you had me a little gremlin for JJ, And then

0:52:58.800 --> 0:53:01.000
<v Speaker 1>he later says, that's we need a woman in the

0:53:01.040 --> 0:53:06.719
<v Speaker 1>writer's room. So I have not seen Grmlin's too. I

0:53:06.760 --> 0:53:10.360
<v Speaker 1>don't know how that female quote unquote gremlin is stylized,

0:53:10.400 --> 0:53:13.080
<v Speaker 1>but I'd have to imagine that it's very like egregiously,

0:53:13.160 --> 0:53:17.560
<v Speaker 1>like she's got a pink bow or she has boot totally. Yeah.

0:53:18.640 --> 0:53:23.399
<v Speaker 1>Oh god. So just in general, when he asked when

0:53:23.400 --> 0:53:25.600
<v Speaker 1>they got the three rules in the beginning, and this

0:53:25.719 --> 0:53:28.000
<v Speaker 1>is just not even It's just like a general note

0:53:28.040 --> 0:53:30.360
<v Speaker 1>about the home movie. It could have all been solved

0:53:30.400 --> 0:53:32.839
<v Speaker 1>if you asked, oh, why do you what happens if

0:53:32.880 --> 0:53:35.360
<v Speaker 1>you break those rules? Right? What are the steaks? What

0:53:35.400 --> 0:53:38.879
<v Speaker 1>are the stakes? Alright? Cool? Yeah? Yeah, okay? Cool? Bye?

0:53:40.040 --> 0:53:43.120
<v Speaker 1>Oh okay. Then actually, unfortunately I cannot make this PreCure.

0:53:43.280 --> 0:53:45.480
<v Speaker 1>It's a fault on both sides. A little kid should

0:53:45.480 --> 0:53:47.959
<v Speaker 1>have been like you know they will mass murder your town.

0:53:48.080 --> 0:53:51.320
<v Speaker 1>But you know twos, I shouldn't be spending two hundred

0:53:51.320 --> 0:53:54.520
<v Speaker 1>dollars if my ten year old son's working at the bank. Yeah,

0:53:54.560 --> 0:53:57.200
<v Speaker 1>I gotta go. Um. I did a quick Google search

0:53:57.280 --> 0:54:02.160
<v Speaker 1>for female gremlin, and the results show a fremlin with

0:54:02.520 --> 0:54:06.080
<v Speaker 1>very noticeable red lipstick, with long green hair, and she's

0:54:06.120 --> 0:54:10.160
<v Speaker 1>wearing what appears to be a like cheetah print bra

0:54:10.480 --> 0:54:14.960
<v Speaker 1>and mini skirt. Yeah, it's like the female eminem. Yes,

0:54:15.160 --> 0:54:17.759
<v Speaker 1>just like she's like hes. You gotta make sure men

0:54:17.840 --> 0:54:22.959
<v Speaker 1>want to fun. That for a video I always found

0:54:22.960 --> 0:54:28.160
<v Speaker 1>really helpful of like female coded characters or creatures in

0:54:28.280 --> 0:54:30.920
<v Speaker 1>movies and in media in general. Is from the past

0:54:30.920 --> 0:54:33.719
<v Speaker 1>guest of the show, Anita Sarkasian. I made a great

0:54:33.800 --> 0:54:36.440
<v Speaker 1>video about five years ago called the mis Male Character,

0:54:36.920 --> 0:54:39.880
<v Speaker 1>and her video is about how it applies to video

0:54:39.920 --> 0:54:43.160
<v Speaker 1>game characters in particular, like starting with Miss pac Man

0:54:43.160 --> 0:54:47.640
<v Speaker 1>and on, but just sort of unpacking how we tend

0:54:47.680 --> 0:54:51.480
<v Speaker 1>to repackage the same character but with a very like

0:54:51.640 --> 0:54:56.719
<v Speaker 1>traditionally feminine appearance, and they're usually weaker characters, and they're

0:54:56.719 --> 0:55:04.680
<v Speaker 1>always sexualized and given tits where tits don't beat that.

0:55:07.400 --> 0:55:14.640
<v Speaker 1>Oh yeah, um, last thing I'll say this is a

0:55:14.680 --> 0:55:20.480
<v Speaker 1>movie where within the movie, characters are watching other movies

0:55:20.600 --> 0:55:23.120
<v Speaker 1>where they're watching It's a Wonderful Life, they're watching a

0:55:23.120 --> 0:55:26.000
<v Speaker 1>Clark Gable movie, they watch snow White. There's like always

0:55:26.040 --> 0:55:28.799
<v Speaker 1>screens and there's always movies on them, which you know

0:55:29.040 --> 0:55:33.040
<v Speaker 1>is perhaps a commentary on how influential media is. But

0:55:33.160 --> 0:55:36.480
<v Speaker 1>there in one of the scenes, they're like a Clark

0:55:36.520 --> 0:55:39.040
<v Speaker 1>Gable movie is on the screen, and there's the next

0:55:39.160 --> 0:55:40.920
<v Speaker 1>I don't know what movie it is, so listeners, if

0:55:40.960 --> 0:55:45.200
<v Speaker 1>you know, let us know. But um, a woman opposite

0:55:45.320 --> 0:55:47.600
<v Speaker 1>Clark Gable says it takes a certain kind of guy,

0:55:47.640 --> 0:55:49.719
<v Speaker 1>and then he responds with and that guy and he's

0:55:49.760 --> 0:55:52.719
<v Speaker 1>a certain kind of dame. And then that those two

0:55:52.760 --> 0:55:56.640
<v Speaker 1>lines get repeated in sort of like voiceover kind of

0:55:56.680 --> 0:56:00.239
<v Speaker 1>thing when Gizmo is driving around and the toy car

0:56:00.320 --> 0:56:03.759
<v Speaker 1>in the department store. And it makes no sense to

0:56:03.800 --> 0:56:06.600
<v Speaker 1>me as to why it makes it seem like him

0:56:06.680 --> 0:56:10.480
<v Speaker 1>hearing that would inform a certain decision of his But

0:56:11.120 --> 0:56:16.880
<v Speaker 1>I can't understand why does that certain character, Well, no,

0:56:17.000 --> 0:56:19.840
<v Speaker 1>it's not himself, it's not gismas saying. It is the

0:56:19.920 --> 0:56:23.239
<v Speaker 1>actual dialogue from the movie that just gets yes, yes, okay,

0:56:23.239 --> 0:56:26.680
<v Speaker 1>I remember, and so it does. I don't know why

0:56:26.760 --> 0:56:29.920
<v Speaker 1>that choice was made. It's such a specific choice, but

0:56:30.000 --> 0:56:33.280
<v Speaker 1>it doesn't seem to inform anything that happens in that scene.

0:56:33.320 --> 0:56:36.040
<v Speaker 1>It's also at the end of the movie when the

0:56:36.080 --> 0:56:40.160
<v Speaker 1>magical store owner comes back, he's telling them, like, you

0:56:40.160 --> 0:56:43.799
<v Speaker 1>shouldn't be letting Gizmo watch television or eating sex. And

0:56:43.840 --> 0:56:46.160
<v Speaker 1>it's true because like Gizmo is watching all these like

0:56:46.520 --> 0:56:50.080
<v Speaker 1>mail lead like what media is portraying life to be

0:56:50.239 --> 0:56:52.279
<v Speaker 1>or who the leaders or who the heroes of and

0:56:52.560 --> 0:56:54.759
<v Speaker 1>you know, he adapts it, so we have in fact

0:56:54.800 --> 0:57:00.120
<v Speaker 1>infected Gizmo with the patriarchy. This is like another the

0:57:00.640 --> 0:57:04.600
<v Speaker 1>trend that I think gets really popular in the eighties

0:57:04.680 --> 0:57:07.640
<v Speaker 1>and sort of continues on is like the whole like oh,

0:57:07.760 --> 0:57:12.319
<v Speaker 1>we're like post movies, We're we're like commenting on blah

0:57:12.360 --> 0:57:16.040
<v Speaker 1>blah blah and like this' that's first of all, I'm

0:57:16.040 --> 0:57:20.360
<v Speaker 1>so bored. I'm dead. But like they show so much

0:57:20.400 --> 0:57:23.400
<v Speaker 1>other stuff, but they don't really comment on it other

0:57:23.440 --> 0:57:28.000
<v Speaker 1>than like it's a wonderful life. That was a happy movie. Anyways,

0:57:28.080 --> 0:57:32.240
<v Speaker 1>this one's fucked up. So here's the movie, Like the

0:57:33.200 --> 0:57:36.720
<v Speaker 1>and just like it. It almost listen doing things like

0:57:36.760 --> 0:57:38.840
<v Speaker 1>this ends the end game of it, as we end

0:57:38.880 --> 0:57:41.680
<v Speaker 1>up having to watch Shrek in the future because all

0:57:41.680 --> 0:57:44.080
<v Speaker 1>of a sudden, it's like, oh, every post modern reference

0:57:44.160 --> 0:57:45.920
<v Speaker 1>is the cutest thing in the whole world, and then

0:57:45.960 --> 0:57:47.720
<v Speaker 1>all of a sudden, it's the movie, and then we

0:57:47.760 --> 0:57:51.280
<v Speaker 1>had to watch that movie. The Clark Gable movie I

0:57:51.320 --> 0:57:54.680
<v Speaker 1>am seeing was called to Please a Lady. Oh wow,

0:57:55.400 --> 0:57:58.600
<v Speaker 1>there's also who knows better than Clark Gable and an

0:57:58.680 --> 0:58:01.320
<v Speaker 1>invasion of the body Snatcher is oh right, that was one.

0:58:01.400 --> 0:58:05.280
<v Speaker 1>That's when the gremlin cocoons are hatching. I took note

0:58:05.320 --> 0:58:07.720
<v Speaker 1>of the first movie that was on the awning of

0:58:07.760 --> 0:58:10.200
<v Speaker 1>the movie theater. It was a Boy's Life, and then

0:58:10.200 --> 0:58:13.240
<v Speaker 1>it was which is a movie that happened later on

0:58:13.360 --> 0:58:16.280
<v Speaker 1>in life like it's it's a fake movie at that point,

0:58:16.280 --> 0:58:20.040
<v Speaker 1>but later it's the movie with I think Leonardo Dicaprios, Oh,

0:58:21.440 --> 0:58:24.320
<v Speaker 1>this is a great time to bring up Titanic then

0:58:25.440 --> 0:58:28.800
<v Speaker 1>and then snow White. Snow White was sleeping women. I

0:58:28.920 --> 0:58:32.960
<v Speaker 1>think Alfred Milena refused to participate in this movie. Is

0:58:33.000 --> 0:58:35.120
<v Speaker 1>he read the script? He's just like this, there's no

0:58:35.160 --> 0:58:37.760
<v Speaker 1>parts for him. Riddled with this is riddled. He was

0:58:37.800 --> 0:58:41.680
<v Speaker 1>originally the voice of Schismo. He wasn't and then they

0:58:41.680 --> 0:58:48.240
<v Speaker 1>were like, sorry, Alfred, we could get Mandel's big shot Mandel's.

0:58:48.960 --> 0:58:51.800
<v Speaker 1>He has a tiny person's voice. Well, I think the

0:58:51.880 --> 0:58:54.120
<v Speaker 1>question on all of our minds is how many nipples

0:58:54.200 --> 0:58:58.480
<v Speaker 1>does a magua have? And that's a good question. Well,

0:58:58.520 --> 0:59:01.360
<v Speaker 1>we do seek cats. Mrs Goal has cats in the movie,

0:59:01.560 --> 0:59:04.160
<v Speaker 1>and a lot did a lot of cats, which is

0:59:04.440 --> 0:59:07.440
<v Speaker 1>demonizing owning a lot of cats. I think I loved

0:59:07.480 --> 0:59:10.880
<v Speaker 1>that one of her cats was named old dollar Bill.

0:59:11.000 --> 0:59:15.160
<v Speaker 1>She has one thing on her mom baby, get money girl.

0:59:15.320 --> 0:59:18.280
<v Speaker 1>I want to name a cat dollar Bill and wait

0:59:18.320 --> 0:59:22.240
<v Speaker 1>for it to get old. Oh gosh, he does anyone

0:59:22.280 --> 0:59:25.280
<v Speaker 1>have anything else? Honestly? I will watch Grandlin's two now.

0:59:25.760 --> 0:59:27.280
<v Speaker 1>I kind of want to, kind of want to because

0:59:27.280 --> 0:59:30.760
<v Speaker 1>that's the one everyone talks about more, I feel because

0:59:30.760 --> 0:59:32.640
<v Speaker 1>it's just like all the there's like a bat Grandma,

0:59:32.680 --> 0:59:36.960
<v Speaker 1>There's a spider Grandma. There's all sexy female one and

0:59:37.000 --> 0:59:43.200
<v Speaker 1>Gizmo dances. GisMo dances dances. That does sound fun? Probably

0:59:43.560 --> 0:59:46.400
<v Speaker 1>damn it? Well, what are you doing later, Jamie? Let's

0:59:46.400 --> 0:59:50.920
<v Speaker 1>watch Gremlins too? Okay? Should we determine whether or not

0:59:50.960 --> 0:59:55.320
<v Speaker 1>this movie passes the Becktel tests Kidoki Well, as you

0:59:55.640 --> 0:59:58.160
<v Speaker 1>hinted at jan there is a scene between a character

0:59:58.240 --> 1:00:02.760
<v Speaker 1>named Mrs Harris and Mrs Deagle. The exchange goes something

1:00:02.760 --> 1:00:05.440
<v Speaker 1>along the lines of like, hey, my husband got another

1:00:05.520 --> 1:00:08.360
<v Speaker 1>job and I've taken up sewing and Mrs Eagles like

1:00:08.400 --> 1:00:11.200
<v Speaker 1>what are you saying? And she's like, well, we're not

1:00:11.240 --> 1:00:13.360
<v Speaker 1>going to make any money for two weeks, so like,

1:00:13.680 --> 1:00:16.400
<v Speaker 1>can you give us more time? And she Mrs Deagle

1:00:16.440 --> 1:00:18.760
<v Speaker 1>says the bank and I have the same purpose to

1:00:18.920 --> 1:00:22.720
<v Speaker 1>make money, and she's like, dollar ability needs to eat

1:00:22.880 --> 1:00:29.760
<v Speaker 1>his big fan of Mrs Mrs Harris is like, but

1:00:29.920 --> 1:00:32.640
<v Speaker 1>Mrs Deagle, it's Christmas. And then she's like, well now

1:00:32.720 --> 1:00:35.000
<v Speaker 1>you know what to ask Santa for or don't you?

1:00:37.080 --> 1:00:39.800
<v Speaker 1>And then phoebe Case's character cons and it's like, actually

1:00:39.840 --> 1:00:42.000
<v Speaker 1>Santa isn't really want to know how I know? Not

1:00:42.200 --> 1:00:45.720
<v Speaker 1>this again. She goes telling the story every Christmas. It's

1:00:45.760 --> 1:00:50.320
<v Speaker 1>like six people live here, we know. Okay. So Mrs

1:00:50.360 --> 1:00:54.480
<v Speaker 1>Harris's husband Joe does get mentioned in this scene, but

1:00:54.600 --> 1:00:57.560
<v Speaker 1>you could possibly make the argument that there's like at

1:00:57.640 --> 1:01:00.880
<v Speaker 1>least a two line exchange where the bank and I

1:01:00.880 --> 1:01:04.000
<v Speaker 1>have the same purpose to make money. Mrs Deagle, it's Christmas,

1:01:04.000 --> 1:01:07.360
<v Speaker 1>although Christmas does have Christ and Christ was a man.

1:01:07.880 --> 1:01:11.400
<v Speaker 1>And then she also says Santa who is also a man.

1:01:12.200 --> 1:01:14.280
<v Speaker 1>And also we don't know those characters first names. I

1:01:14.280 --> 1:01:18.800
<v Speaker 1>don't know if that matters. She under IMDb is credited

1:01:18.840 --> 1:01:25.760
<v Speaker 1>as Mrs Joe. Oh, Mrs Joe. Here she's exclusively defined

1:01:25.840 --> 1:01:30.320
<v Speaker 1>by the mention married sick. Okay. Also, that scene ends

1:01:30.360 --> 1:01:33.640
<v Speaker 1>on again again, Like Chris Columbus, I it seems like

1:01:33.640 --> 1:01:36.320
<v Speaker 1>a gun for fucking something. But she at the end

1:01:36.360 --> 1:01:40.320
<v Speaker 1>of her son is like I'm hungry. She's like me too,

1:01:40.800 --> 1:01:45.200
<v Speaker 1>and You're just like what what? That's not resolved in

1:01:45.280 --> 1:01:48.120
<v Speaker 1>the movie. But when he wrote, he's like, it's like

1:01:48.160 --> 1:01:50.440
<v Speaker 1>I've seen It's a wonderful life. My movie is going

1:01:50.480 --> 1:01:54.920
<v Speaker 1>to be just like that, but with monster and resolution poverty.

1:01:55.760 --> 1:01:59.640
<v Speaker 1>Chris Columbus coop also, could you have more? Is there

1:01:59.640 --> 1:02:02.720
<v Speaker 1>a worse person to be named after? Christopher Columbus? I mean,

1:02:02.760 --> 1:02:06.240
<v Speaker 1>of course he makes racist movies right, of course, practically

1:02:06.320 --> 1:02:08.920
<v Speaker 1>in his d n A. Unless I'm missing something, I

1:02:08.960 --> 1:02:11.280
<v Speaker 1>think that's the only scene in which two women interact

1:02:11.320 --> 1:02:13.200
<v Speaker 1>in the whole movie, and I went through it again

1:02:13.200 --> 1:02:15.680
<v Speaker 1>and I couldn't find one. Yeah, so, and I'm gonna

1:02:15.720 --> 1:02:18.919
<v Speaker 1>I'm gonna say this, this scene does not pass because one,

1:02:19.680 --> 1:02:22.880
<v Speaker 1>we kind of know that character's name, but like she's

1:02:22.920 --> 1:02:26.080
<v Speaker 1>defined as Mrs Joe Harris, so like that's not great.

1:02:26.120 --> 1:02:28.200
<v Speaker 1>We also only see her in that one scene, and

1:02:28.240 --> 1:02:30.760
<v Speaker 1>then I think, never again does it pass? When Mrs

1:02:30.800 --> 1:02:33.400
<v Speaker 1>Deagles talking to her cats, I was saying that too.

1:02:34.760 --> 1:02:39.080
<v Speaker 1>My only other question is the cats are small? All

1:02:39.120 --> 1:02:42.880
<v Speaker 1>tell her? Bill gives her some great advice, really opens

1:02:42.920 --> 1:02:46.120
<v Speaker 1>up some discourse in the household. Um. Yeah, I'm gonna

1:02:46.120 --> 1:02:47.960
<v Speaker 1>say this as a note for me on passing the

1:02:48.000 --> 1:02:51.520
<v Speaker 1>pectel test. I was back and forth, but ultimately I

1:02:51.560 --> 1:02:56.320
<v Speaker 1>know as well, Yeah, god damn it. Chris. Well, shoot, hey,

1:02:56.360 --> 1:02:58.480
<v Speaker 1>let's write the movie on a nipple scale zero to

1:02:58.520 --> 1:03:02.280
<v Speaker 1>five nipples based on its portrayal of women. Um, gonna

1:03:02.320 --> 1:03:06.360
<v Speaker 1>give this a half nipple. And maybe that's even being

1:03:06.400 --> 1:03:10.480
<v Speaker 1>generous because I think it's probably for the scene where

1:03:10.480 --> 1:03:13.760
<v Speaker 1>you do see the mom character being active and defending

1:03:13.800 --> 1:03:17.360
<v Speaker 1>herself at least for a little bit, but again, she

1:03:17.480 --> 1:03:21.920
<v Speaker 1>has to be safe. She's only using domestic appliances to fight,

1:03:22.200 --> 1:03:25.080
<v Speaker 1>and then the Kate character really serves no function in

1:03:25.120 --> 1:03:27.880
<v Speaker 1>the movie except to be the romantic interest of the

1:03:27.880 --> 1:03:32.640
<v Speaker 1>male hero. The other main female character, who is the

1:03:32.760 --> 1:03:37.760
<v Speaker 1>like pro capitalist villain, she is so cartoonishly characterized that

1:03:37.840 --> 1:03:41.480
<v Speaker 1>she's like basically not even a real person. Between that

1:03:41.640 --> 1:03:49.080
<v Speaker 1>and the egregious racism of the movie is not good.

1:03:49.200 --> 1:03:53.640
<v Speaker 1>So I'll give a half nipple, and that belongs to Gizmo,

1:03:53.680 --> 1:03:55.920
<v Speaker 1>who I'm pretty sure does have a nipple in there somewhere.

1:03:56.920 --> 1:04:00.120
<v Speaker 1>I'm gonna go half nipple as well for other and

1:04:00.240 --> 1:04:04.280
<v Speaker 1>she said, and also for goingent of the way of

1:04:04.320 --> 1:04:08.600
<v Speaker 1>writing a female character in Kate where we at very

1:04:08.720 --> 1:04:11.280
<v Speaker 1>least know that she has a job, we know a

1:04:11.320 --> 1:04:16.240
<v Speaker 1>little bit about her. She is treated by her romantic

1:04:16.280 --> 1:04:21.600
<v Speaker 1>interest generally respectfully, which is a little more than you

1:04:21.640 --> 1:04:24.920
<v Speaker 1>would get in most movies of this time, especially considering

1:04:24.960 --> 1:04:29.720
<v Speaker 1>this is like peekue John Hughes. So everything I don't

1:04:29.720 --> 1:04:33.840
<v Speaker 1>know this movie is like it's it's I didn't like it.

1:04:33.960 --> 1:04:39.040
<v Speaker 1>I didn't like it, but Jim was so cute and

1:04:39.160 --> 1:04:44.000
<v Speaker 1>that's hard for me. And so why it's there though,

1:04:44.000 --> 1:04:47.280
<v Speaker 1>to distract us? I know, it's like I want the

1:04:47.480 --> 1:04:50.280
<v Speaker 1>lunchbox like, why is the woman crop down? Okay, small

1:04:54.480 --> 1:04:58.640
<v Speaker 1>I did audibly go oh when he was on the dartboard.

1:04:58.680 --> 1:05:03.040
<v Speaker 1>You're like, oh God, I googled way too much that

1:05:03.520 --> 1:05:06.360
<v Speaker 1>that scene is there because they were so angry. Okay,

1:05:06.360 --> 1:05:08.280
<v Speaker 1>So basically Gizmo was only supposed to be there at

1:05:08.280 --> 1:05:10.000
<v Speaker 1>the beginning, but since they made it the whole movie,

1:05:10.160 --> 1:05:12.560
<v Speaker 1>it costs such a pain for animatronic people and like

1:05:12.680 --> 1:05:14.560
<v Speaker 1>because they had to create ways for to walk or talk.

1:05:14.640 --> 1:05:16.520
<v Speaker 1>So that scene was there for the crew so they could,

1:05:16.640 --> 1:05:20.360
<v Speaker 1>you know, basically not have immobilized and also just show

1:05:20.400 --> 1:05:22.640
<v Speaker 1>how much anger they had towards having him there for

1:05:22.680 --> 1:05:26.240
<v Speaker 1>all the movie. Whoa so so in the scene the

1:05:26.280 --> 1:05:29.280
<v Speaker 1>Grundlins are bullying Gizmo, but it's really the true that

1:05:29.440 --> 1:05:35.240
<v Speaker 1>was bullying guess can't catch a bread Gizz? Well, I'm

1:05:35.240 --> 1:05:37.919
<v Speaker 1>gonna go yes, my nip goes to or my half

1:05:38.000 --> 1:05:41.000
<v Speaker 1>nip goes to Gizz as well. Okay, I'll give because

1:05:41.040 --> 1:05:43.920
<v Speaker 1>I actually so just watching this as like a piece

1:05:43.960 --> 1:05:46.960
<v Speaker 1>of fluff without analyzing it or anything like that, just

1:05:47.040 --> 1:05:49.840
<v Speaker 1>as a movie watcher. I enjoyed it, but the more

1:05:49.880 --> 1:05:53.800
<v Speaker 1>I got into it, come on, why no, I want

1:05:53.840 --> 1:05:56.360
<v Speaker 1>to like this movie? Because Kissima was so cute. But

1:05:56.400 --> 1:05:58.720
<v Speaker 1>as for the portrayal specifically of women, I would give

1:05:58.760 --> 1:06:01.880
<v Speaker 1>it like half yeah, because it just they were there,

1:06:01.920 --> 1:06:04.240
<v Speaker 1>but they were in part of the storyline. Really, they

1:06:04.280 --> 1:06:06.840
<v Speaker 1>could have disappeared. There's no point to them. The mother

1:06:07.280 --> 1:06:10.760
<v Speaker 1>was supportive and just locked in that house, and I

1:06:10.800 --> 1:06:13.320
<v Speaker 1>think she was letting out maybe a lot of frustration

1:06:13.440 --> 1:06:17.000
<v Speaker 1>during that scene where she was murdering all the fremlins.

1:06:17.280 --> 1:06:19.160
<v Speaker 1>I like to read to that scene where she's like, yes,

1:06:19.200 --> 1:06:22.040
<v Speaker 1>it is for all your stupid invention. Really, Oh, I

1:06:22.040 --> 1:06:24.240
<v Speaker 1>guess I have to destroy this to kill that one. Okay,

1:06:24.520 --> 1:06:26.920
<v Speaker 1>I'm sorry that happens. It's not a cappuccino maker. It

1:06:26.960 --> 1:06:31.360
<v Speaker 1>makes tar dumb husband God watching her to choke that down.

1:06:31.400 --> 1:06:34.520
<v Speaker 1>You're like, girl, let's go Elma and Louise, let's get

1:06:34.520 --> 1:06:36.240
<v Speaker 1>out of here, get out of you can go out.

1:06:36.360 --> 1:06:41.200
<v Speaker 1>And also the wife of the Maga guy, sorry, she

1:06:41.400 --> 1:06:43.760
<v Speaker 1>was also so supportive of him, like all the wives

1:06:43.760 --> 1:06:46.880
<v Speaker 1>that were there were just like, yes, honey, of course, honey, definitely, honey,

1:06:47.160 --> 1:06:49.160
<v Speaker 1>whatever you say, honey, I'm just gonna stay in my

1:06:49.200 --> 1:06:51.680
<v Speaker 1>little cave house and never see the light of day.

1:06:51.880 --> 1:06:54.400
<v Speaker 1>It literally was the Maga neighbor and then they killed

1:06:54.400 --> 1:06:56.919
<v Speaker 1>her too, so she didn't get anything out of it.

1:06:57.080 --> 1:06:58.960
<v Speaker 1>So yeah, I would say for women it's pretty much

1:06:58.960 --> 1:07:01.560
<v Speaker 1>a half, but for Gizzy, I would give it a

1:07:01.600 --> 1:07:17.160
<v Speaker 1>five portrays. Thank you so much for being here in

1:07:17.280 --> 1:07:19.960
<v Speaker 1>that voice. Where can people follow you online? And what

1:07:20.000 --> 1:07:25.160
<v Speaker 1>would you like? Whatever you want? You can see me

1:07:25.200 --> 1:07:28.240
<v Speaker 1>on the Instagram where I sometimes do things at muson

1:07:28.360 --> 1:07:32.400
<v Speaker 1>z and Jamie and I wrote an animation of sci

1:07:32.480 --> 1:07:38.080
<v Speaker 1>fi Ladies show say that specifically for women, No, it's

1:07:38.120 --> 1:07:40.760
<v Speaker 1>for everybody. It's called human kind Of. That's on facebook

1:07:40.760 --> 1:07:44.680
<v Speaker 1>Watch that we wrote with co wrote with Diana McCory

1:07:44.880 --> 1:07:48.320
<v Speaker 1>and she's the best, and we do voices on it,

1:07:48.320 --> 1:07:50.280
<v Speaker 1>which is cool. It's on facebook Watch if you're on that.

1:07:50.560 --> 1:07:53.200
<v Speaker 1>And uh, I have a wrote on a sketch show

1:07:53.240 --> 1:07:54.800
<v Speaker 1>that is going to be on a network at some

1:07:54.880 --> 1:07:58.320
<v Speaker 1>point for a good shot out. Yeah, that's how TV works.

1:07:58.360 --> 1:08:01.240
<v Speaker 1>And also Mission desigs z y x X as a

1:08:01.280 --> 1:08:03.720
<v Speaker 1>sci fi improvised podcast. I play the voice of a

1:08:04.400 --> 1:08:07.120
<v Speaker 1>They're just like an old sentience spaceship who used to

1:08:07.120 --> 1:08:09.760
<v Speaker 1>be a movie star called bar Jerry and Jade and uh,

1:08:10.400 --> 1:08:13.080
<v Speaker 1>I don't know she she. I've tried to make her

1:08:13.120 --> 1:08:18.200
<v Speaker 1>pass the Bechdel Tests as much as like good Yeah, well,

1:08:18.200 --> 1:08:22.040
<v Speaker 1>thanks again for being here. You can follow us on

1:08:22.080 --> 1:08:25.760
<v Speaker 1>all the platforms at becktel Cast. You can subscribe to

1:08:25.800 --> 1:08:28.920
<v Speaker 1>our patreon ak Matren going to patreon dot com slash

1:08:28.960 --> 1:08:31.639
<v Speaker 1>becktel Cast. It's five dollars a month and you get

1:08:31.640 --> 1:08:34.600
<v Speaker 1>two bonus episodes every month. And also it tis the

1:08:34.640 --> 1:08:37.800
<v Speaker 1>freaking season to go to our t public store. We

1:08:37.880 --> 1:08:41.720
<v Speaker 1>just released a bunch of new designs for all of

1:08:41.760 --> 1:08:46.080
<v Speaker 1>your winter sols to shopping meats. Yes, so if you

1:08:46.120 --> 1:08:49.360
<v Speaker 1>want a queer icon baby grunch shirt, now is the

1:08:49.400 --> 1:08:51.800
<v Speaker 1>time I made I think maybe one of my most

1:08:51.840 --> 1:08:56.960
<v Speaker 1>cursed drawings yet with the baby. It's it's gorgeous. Um. Also,

1:08:57.040 --> 1:09:01.240
<v Speaker 1>we have a West Coast tour coming up. You were

1:09:01.280 --> 1:09:04.360
<v Speaker 1>going to San Francisco sketch Fest. We are going to

1:09:04.560 --> 1:09:09.200
<v Speaker 1>Portland and Seattle. Uh. Those ticket links are on our website.

1:09:09.200 --> 1:09:11.320
<v Speaker 1>If you go to back toelcast dot com and click

1:09:11.360 --> 1:09:14.400
<v Speaker 1>on the live appearances tab, you can find tickets to

1:09:14.439 --> 1:09:18.559
<v Speaker 1>those we're doing movies such as The Breakfast Club, Fight Club.

1:09:18.560 --> 1:09:22.240
<v Speaker 1>It's a lot of club, The Little Mermaids in the

1:09:22.280 --> 1:09:24.439
<v Speaker 1>Club Door we should have done. What are what are

1:09:24.479 --> 1:09:27.639
<v Speaker 1>the other First Wives Club. What are we thinking. We'll

1:09:27.640 --> 1:09:29.720
<v Speaker 1>do that eventually, But the movies we are doing Our

1:09:30.080 --> 1:09:33.760
<v Speaker 1>Little Mermaid and Sleepless in Seattle as well, so in

1:09:33.800 --> 1:09:40.479
<v Speaker 1>that area, come on down. We love you, respect to you,

1:09:40.640 --> 1:09:44.680
<v Speaker 1>and and happy holidays whichever holiday you observe by