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Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

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Speaker 2: And Daphne's Aniga an iHeartRadio podcast.

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Speaker 3: Welcome back to our finale, the episode first season.

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Speaker 1: Yeah, so that makes this, just for the listeners, the

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Speaker 1: last episode of our podcast for the year.

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Speaker 4: Yeah, thirty.

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Speaker 2: We did the entire first season that we talked about

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Speaker 2: constantly about how long it was, and we did every

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Speaker 2: single episode, so you're welcome.

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Speaker 1: Yeah, and this episode is actually longer, so that I

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Speaker 1: talk about that, it's like an I think it's an

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Speaker 1: hour and a half.

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Speaker 5: I was surprised when I was watching it that it

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Speaker 5: was an hour and a half, you know, ultimate episode.

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Speaker 3: So yes, and maybe's a great job.

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Speaker 1: I thought of having everybody, like every storyline was a

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Speaker 1: part of this episode, which was super flawed.

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Speaker 4: Happened in this.

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Speaker 5: Everybody has something pretty big happening. So let's jump right

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Speaker 5: in because it is a long wait. So in this

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Speaker 5: ninety minute season finale, let's say just a general summary,

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Speaker 5: Amanda's pending promotion to become vice president of D and

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Speaker 5: D is put in jeopardy because of her pregnancy, and meanwhile,

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Speaker 5: Allison's old boyfriend Keith suddenly returns to la and when

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Speaker 5: he sees Alison with Billy, he sends her anonymous threatening

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Speaker 5: mail and attacks Billy. Meanwhile, Allison is drowning her fear

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Speaker 5: and her feelings with alcohol. Joe is getting arrested for

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Speaker 5: carrying a concealed weapon while she and Jak are trying

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Speaker 5: to decide whether or not to live together, and the

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Speaker 5: gang is also learning that the Melrose Place apartment building

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Speaker 5: is put up for sale.

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Speaker 4: Yeah, that was weird to see that for sale sign

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Speaker 4: out front. Like so many scenes.

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Speaker 5: Yeah, talk about cliffhangers, and then Rond and Terrence finally

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Speaker 5: makeup decide to go through with their wedding. Michael convinces

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Speaker 5: Jane to go on a romantic wedding week getaway, He

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Speaker 5: pleads for her forgiveness, and then Kimberly ends up spilling

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Speaker 5: the news to Jane that Michael is not ending things with.

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Speaker 3: Kimberly after all.

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Speaker 5: So okay, all of that said, so much going on,

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Speaker 5: But we open with Billy in the apartments. But the

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Speaker 5: first thing we see is, of course, the Dartmouth soccer poster.

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Speaker 3: On his wall.

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Speaker 1: Notice that that's so cute, so cute.

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Speaker 5: And he's sitting on his bed thinking first thing in

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Speaker 5: the morning he gets up, he knocks on Alison's bedroom

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Speaker 5: door because of course they're sleeping in their own rooms,

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Speaker 5: gosh darn it, and he wakes her. He wakes up

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Speaker 5: Allison and tells her that he hasn't slept and that

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Speaker 5: Amanda's pregnancy is really pulling him and Alison apart, and

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Speaker 5: Alison says, much to my frustration, I don't know what

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Speaker 5: you want from me?

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Speaker 1: Yeah, Alison is not well. Well.

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Speaker 2: A good question though, because he's like, I'm now I

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Speaker 2: want to take care of Amanda because she's pregnant with

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Speaker 2: our baby, and yet I want you to not have

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Speaker 2: any feelings and still be my friend. And she's like,

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Speaker 2: what do you want from me? It's like he wants everything.

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Speaker 1: Yeah, I have no problem with that. I had a

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Speaker 1: part with this when she pulls out a stack of

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Speaker 1: letters from Keith.

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Speaker 3: And said, which, by the way, did she kept by

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Speaker 3: her bedside, her bedside stock of him?

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Speaker 1: That's what I feel. It was kind of passive aggressive

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Speaker 1: and let's just say it bitchy.

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Speaker 3: Oh and also just weird, like why.

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Speaker 4: I saw the crops team going is this good? Is

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Speaker 4: this in frame?

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Speaker 3: Is this close enough?

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Speaker 2: The director going closer closer? Is this good right up

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Speaker 2: her left nostril. Yeah, let's put the stack of letters

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Speaker 2: right there.

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Speaker 4: Yeah.

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Speaker 1: And then I say about this boyfriend I left and

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Speaker 1: must let her remind you that he was married when

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Speaker 1: we met. The point is he doesn't waiver, he doesn't

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Speaker 1: get confused, he doesn't want anyone else. He just wants me.

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Speaker 6: Well kind of yeah, But I have bigger complaints about

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Speaker 6: the scene and drop, like I was really confused, Like, wait,

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Speaker 6: what is it that Allison doesn't Alison still.

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Speaker 5: Want Billy, Like, isn't that because I feel like in

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Speaker 5: the scene, he's saying I still.

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Speaker 3: Want this to work. I didn't sleep at all.

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Speaker 5: I feel like this, you know, pregnancy of Amanda's is

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Speaker 5: getting in the way of us and I want this,

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Speaker 5: and Alison is sort of saying, well, I guess I

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Speaker 5: could offer you friendship, but that's about it. And so

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Speaker 5: I'm like, wait, why, Alison, why don't you want.

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Speaker 2: To fight for the backs off right away away from

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Speaker 2: what she really wants.

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Speaker 1: Yeah, first toward each other at the same time, it's

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Speaker 1: very frustrating.

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Speaker 5: So I was I was frustrated with the disconnect here

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Speaker 5: because last episode I thought Alison was like, please still

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Speaker 5: pick me, even though I understand you have to, you know,

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Speaker 5: handle this pregnancy and stuff with sensitivity and thoughtfulness and

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Speaker 5: all that, like pick me. But now she's not, so

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Speaker 5: I'm frustrated with her anyway too. I thought it was

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Speaker 5: a lovely scene for Andrew. Yes, very very grounded and

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Speaker 5: dealt with the stupid letters by Alison's bedside with honorable grace.

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Speaker 4: You mean that pile like right next to where you sleep?

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Speaker 1: I know, she said, I have all these letters. She goes, yes,

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Speaker 1: I have noticed.

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Speaker 3: Yeah, we know he's been sending you one a week. Weirdo.

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Speaker 4: They're not in a drawer or in her desk.

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Speaker 3: So then we cut.

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Speaker 5: We cut to Michael, who's waking up on the pull

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Speaker 5: out couch and he and Jean's apartment, and he's wearing

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Speaker 5: a Frudian state T shirt. Did you guys notice that

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Speaker 5: if it's this Almah matter, which I thought was hysterical,

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Speaker 5: good on you, Denise.

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Speaker 4: Sure.

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Speaker 5: And he's finishing up a phone call where he learns

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Speaker 5: that they're selling the building and he shares the news

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Speaker 5: with Jane.

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Speaker 3: She's not really warm to him in this scene.

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Speaker 1: She's real acting like this will be great, it'll be

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Speaker 1: a fresh start. She's not into it because she's like, well,

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Speaker 1: just to remind you, you've been cheating on me, dude.

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Speaker 2: Yeah, And so he's so callous about everyone, what about

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Speaker 2: well will everyone do?

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Speaker 4: She says? You know, and like it's amazing these guys

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Speaker 4: are even together.

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Speaker 2: I'm really seeing in this episode how she's so full

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Speaker 2: of compassion and emotion and sensitivity and he is so

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Speaker 2: like sociopathically disconnected.

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Speaker 4: Well, who cares? Who cares about everybody?

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Speaker 5: She's she's great in this episode because she stays firmly

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Speaker 5: on track on her through line, like this is.

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Speaker 4: Not going to be easy. You may not get what

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Speaker 4: you want, don't you know?

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Speaker 5: My husband's cheated on me. I caught him cheating. And

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Speaker 5: he's you know, I'm giving him the smallest of chances.

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Speaker 5: He can sleep on the couch, but I'm not, you know,

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Speaker 5: being all warm and fuzzy. He's trying to be affectionate

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Speaker 5: and normal with her, and she's like, uh no, it's

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Speaker 5: not going to change anything.

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Speaker 4: Yeah.

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Speaker 1: Yeah, she's finally tough. At the end of this scene,

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Speaker 1: there's this beautiful shot where she opens the door and

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Speaker 1: you see the courtyard beautifully.

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Speaker 3: Yeh, and the sky scrimmed.

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Speaker 4: Yeah, really too bad. It was so great, great for

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Speaker 4: a while.

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Speaker 5: It's a great line, and it's it ends up being

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Speaker 5: sort of bookended by the end of our episode, but

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Speaker 5: it is great for Jane to just like reflect on

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Speaker 5: Melroe's place and what it's you know, how beautiful it

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Speaker 5: is and how it would be such a shame.

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Speaker 4: Yeah, it was really really cool.

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Speaker 2: I think it was a little gift for the audience too,

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Speaker 2: because it's the the audience is finale, and what I'm

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Speaker 2: really getting having watched this whole first season again is

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Speaker 2: how much the audience was invested, whether they wanted to

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Speaker 2: ring the next of these character or some of them

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Speaker 2: like I did and still do, or if you're rooting

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Speaker 2: for one character or the other and you love them altogether.

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Speaker 2: That line was I thought it was like a little

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Speaker 2: love note to the audience, like, oh, so great for

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Speaker 2: a while, you know, like we.

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Speaker 4: Just don't know what's so sad.

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Speaker 1: It ended here when the ratings are finally going up.

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Speaker 2: It was so great when we were struggling, things were

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Speaker 2: just starting to look up.

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Speaker 5: And so then we cut to Alison D and D

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Speaker 5: where she meets a creative executive named Brett Nelson.

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Speaker 3: He's a character who's going to come into play.

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Speaker 5: Also in this scene, Amanda talks to Allison very sincerely.

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Speaker 5: I thought that she never expected or wanted her pregnancy,

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Speaker 5: but she says to Alison and what she really needs

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Speaker 5: right now as a friend, which I thought was very

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Speaker 5: sweet moment between the two of them.

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Speaker 2: I did not I discovered through al Amanda through this

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Speaker 2: whole episode she's so self centered. She has just the

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Speaker 2: same way that Alison doesn't ask for what she wants

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Speaker 2: or say how she really feels. Amanda has no issue

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Speaker 2: with the smiles, always asking for what she wants.

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Speaker 4: Don't you think she has nerve to say to Alison,

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Speaker 4: I really need a friend through all this? Do you

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Speaker 4: think you can do that?

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Speaker 1: I just felt like whiplash to me. And I think

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Speaker 1: Allison says that, I'm like, I'll do my best, right, Yeah.

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Speaker 4: Okay, Yeah.

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Speaker 5: What she's asking is not easy for Allison for sure, and.

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Speaker 4: It's unfair and it's very self centered.

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Speaker 2: And I just found, like you'll watch with that note,

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Speaker 2: Like every scene Amanda's just like what I need, what

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Speaker 2: I need, what I need, what I need.

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Speaker 1: But I will say more importantly, Allison is wearing a

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Speaker 1: beautiful fitted suit, lovely fitted Denise Wingate, thank you very

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Speaker 1: very much.

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Speaker 3: Moderate and reasonable shoulders.

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Speaker 2: Absolutely so great to watch this having just had Denise

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Speaker 2: Wingate on and talking about all the wardrobe enter process

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Speaker 2: and now I just see the scenes in the wardrobe

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Speaker 2: totally differently fantastic.

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Speaker 5: So then the two ladies are invited into Lucy's office

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Speaker 5: where they learned that Lucy, the VP of the company,

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Speaker 5: is leaving and it opens up the opportunity for Amanda

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Speaker 5: to move into that VP position at Alison also to

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Speaker 5: be promoted. So Lucy then reminds them right then that

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Speaker 5: teamwork between them is going to be key and it's

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Speaker 5: an opportunity for both of them. And that Brett Nelson,

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Speaker 5: the guy that we just met, he's the other guy

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Speaker 5: being considered for the top VP.

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Speaker 1: Who, by the way, very handsome, which is important to

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Speaker 1: the episode, yeah, and just important to us.

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Speaker 3: And he's already been a little flirty with Alison.

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Speaker 2: A little rat like to me, and he's adorable, hair

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Speaker 2: comes out of like nowhere, and he's just like all

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Speaker 2: in her business.

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Speaker 5: Suddenly it just kind of well, I was definitely suspect

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Speaker 5: just because he was already flirty. So I'm like, okay,

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Speaker 5: this is going somewhere, and so.

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Speaker 1: You guys really have a problem with people liking Alison.

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Speaker 5: Well, it just it was just a clue that something

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Speaker 5: more important was coming with him anyway. So we cut

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Speaker 5: to a scene at the hospital where Kimberly and Michael

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Speaker 5: are walking together and she asks him if he was

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Speaker 5: sincere about saying that he misses her, and he says, yes,

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Speaker 5: but he can't know you about how.

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Speaker 4: I love how cavalier he is. Yes, but there's nothing

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Speaker 4: I can do about it. Like he's so logical, right,

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Speaker 4: And she's.

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Speaker 1: Like, seems really cold to me.

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Speaker 2: What are the new rules, because I don't want to

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Speaker 2: lose you, You're my best friend in the hospital.

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Speaker 4: Yeah, they're like, well there's nothing we can do, you know.

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Speaker 5: And she was unusually accepting of this from him, right

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Speaker 5: because we didn't see her really get angry. When he's like, Nope,

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Speaker 5: can't do anything about it. You know, I need to

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Speaker 5: deal with my marriage or whatever, and I need some time,

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Speaker 5: she's like okay, which is sort of a change from

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Speaker 5: what we saw before where she got sort of angry,

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Speaker 5: where when he you know, changed his mind about the affair.

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Speaker 3: Now she's like okay, yeah, well we.

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Speaker 1: Can't trust either of them at all.

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Speaker 5: Right, So then Jane is hanging out with Joe in

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Speaker 5: the park, sharing that Michael has canceled their marriage counseling

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Speaker 5: appointment for that evening, and Jane confides in Joe that

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Speaker 5: she's just so angry, doesn't even know what to believe,

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Speaker 5: and feels like her marriage isn't going to make it

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Speaker 5: without trust, and she's crying and very multiple.

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Speaker 4: I really it's like walk and talk in a playground,

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Speaker 4: which I thought was cool.

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Speaker 1: That just like the therapist of this episode, you're you're

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Speaker 1: everybody's shoulder to cry on.

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Speaker 4: Why didn't you think she was a very silent I

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Speaker 4: guess therapist is supposed to be quiet. The're supposed to

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Speaker 4: listen more than I give advice.

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Speaker 2: So I think what I thought Joe was doing, like

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Speaker 2: I think she do not have any advice for her.

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Speaker 5: But I think it was a good place for Jane

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Speaker 5: to put her emotions, and Joe was really listening, and

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Speaker 5: the question she asked her is do you still love him?

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Speaker 4: Yeah?

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Speaker 2: And I found that it was a really nice to

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Speaker 2: show how important it is for girlfriends best girlfriends who

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Speaker 2: were just there for each other, literally a shoulder to

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Speaker 2: cry on. Which she did kind of at the end,

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Speaker 2: and just there for each other and how power all

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Speaker 2: those kinds of relationships are.

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Speaker 1: Yeah, And I like in this scene that Jane finally

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Speaker 1: gets mad and she says she would like to kick

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Speaker 1: his ass, Like she finally you feel that the anger

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Speaker 1: is starting to come up and she's getting aggressive, which

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Speaker 1: feels so good.

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Speaker 3: And Joe also reassured her like, hey, you didn't do

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Speaker 3: anything wrong. You have not failed. You know you have

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Speaker 3: done anything wrong?

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Speaker 4: He failed.

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Speaker 5: Yeah, she's I think she's very sweet and comforting and

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Speaker 5: says all the right things. It's just what Jane needs

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Speaker 5: in this moment. Simwhere back at D and D, where

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Speaker 5: Amanda's on the phone with Billy inviting him over for

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Speaker 5: dinner after work, like all of a sudden, you know,

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Speaker 5: it's just assuming the position again, and Alison is overhearing us,

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Speaker 5: and of course she's upset.

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Speaker 4: Exactly what I said two seconds ago, she said, will

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Speaker 4: you be my friend? Alison? And now what she needs is, oh, Billy,

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Speaker 4: you're coming out, No, just have pizza with me tonight.

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Speaker 3: Like yeah, So I'm confused.

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Speaker 5: Why all of a sudden there's an assumption like Billy

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Speaker 5: is juggling these two women in an equal way, Like

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Speaker 5: I didn't think that's where we left it last episode,

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Speaker 5: but now, all of a sudden, that's what it feels like.

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Speaker 2: It My notes are like, isn't he agreeing to be

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Speaker 2: a part of this child that she's choosing to have

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Speaker 2: That doesn't happen for nine months?

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Speaker 4: Why are they pretending to.

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Speaker 2: Be mommy and daddy together? What's pizza now or getting

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Speaker 2: together at.

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Speaker 4: All have to do with being a part of his child?

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Speaker 2: Like they don't have to do any of it. So

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Speaker 2: but it's just Amanda using this time to again get

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Speaker 2: what she wants, get what she wants.

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Speaker 5: Yeah, it's also the Billie's not exactly setting up the boundary,

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Speaker 5: like he's allowing himself to be in the position to

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Speaker 5: be choosing between these two women, which I didn't think

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Speaker 5: that was ever on the table, and now it sort

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Speaker 5: of is. It's just a different framing of what's going

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Speaker 5: on for him. And I'm frustrated that Allison isn't more

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Speaker 5: angry about it.

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Speaker 3: Instead she's like conveniently.

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Speaker 5: Going, well, maybe Keith is a better bet for me,

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Speaker 5: and we're all going no, no.

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Speaker 2: She never once says the baby isn't here yet. You're

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Speaker 2: not trying to be part of Amanda's life, You're trying

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Speaker 2: to be there for the baby, Like why are you

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Speaker 2: insisting on spending all this time with Amanda? Like we

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Speaker 2: just had a night together, We're finally a couple. That's

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Speaker 2: what I just don't understand.

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Speaker 1: No, you're right, she should say weird.

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Speaker 5: So to make things more complicated, Brett Nelson, the new

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Speaker 5: creative exec that we meet at D and D. He's

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Speaker 5: telling Allison that she's been doing such great work and oh, yeah,

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Speaker 5: will you have a drink with me tonight? I have

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Speaker 5: a feeling we might be a lot alike. So they

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Speaker 5: make play.

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Speaker 1: Elson, of course, super vulnerable because Billy and Amanda just

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Speaker 1: made a date. She says yes, yep.

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Speaker 4: Right right, and there's all over her phone.

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Speaker 5: Yeah, and it's unclear like is this only a date

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Speaker 5: or is it a date and a work thing?

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Speaker 3: And apparently it's going to be both.

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Speaker 4: I also, this is.

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Speaker 2: The circular scared staircase, which I yeah, so great, so dated, very.

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Speaker 4: Like of the era. You know, they're going up that

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Speaker 4: circular staircase in D and D and he's like, hey, hey,

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Speaker 4: you want to get a drink with me after?

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Speaker 5: Well, that's circular staircase in D and D is iconic,

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Speaker 5: and like I thought, it was so clever of James Frawley,

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Speaker 5: who directed this episode to stage the second half of

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Speaker 5: the scene halfway up the stairs and he stops her

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Speaker 5: and he's just below on the stairs and do you

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Speaker 5: remember do you remember using that stairway because I'm like,

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Speaker 5: that looks treacherous, especially in heels, and you have to like.

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Speaker 4: Especially blocking on it.

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Speaker 3: Imber it.

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Speaker 5: Yeah, because they built it again in the two thousand

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Speaker 5: and nine reboot. They built a circular staircase again, and

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Speaker 5: I remember using it and going, oh gosh, this is treacherous.

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Speaker 2: It's so of that era of like the seventies and eighties, nineties,

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Speaker 2: I know, but it was very retro.

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Speaker 5: So from there we cut to a hotel lobby where

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Speaker 5: Keith is checking in a hotel in la and he's

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Speaker 5: telling the front desk that he's here to proposet to

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Speaker 5: his girlfriend.

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Speaker 3: It's what she always wanted it.

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Speaker 1: He says, creepy, that's a creepy.

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Speaker 2: Isn't this the first time in this I think in

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Speaker 2: the whole series that you get that he's turned. He's

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Speaker 2: now creepy because he's delusional on this. We see him

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Speaker 2: checking in I'm gonna propose my girlfriend, and he was the.

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Speaker 5: Audience go what yeah, Oh, definitely a shocking turn of

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Speaker 5: weird event.

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Speaker 2: And then it made me think all those letters that

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Speaker 2: she had by her bedside, had she been answering them

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Speaker 2: that she got once.

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Speaker 1: A week She said she didn't to me, they didn't

361
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Speaker 1: look opened.

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Speaker 5: And yeah, I think she said in that first thing

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Speaker 5: that she hadn't been answering them. So he's definitely giving

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00:16:28,480 --> 00:16:31,520
Speaker 5: creepy vibes. And the music cues match because like they're

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Speaker 5: always a little bit like foreboding.

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Speaker 4: Yeah.

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Speaker 5: So we cut to Shooters because it's the only bar

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Speaker 5: in town where Alison and Brett are enjoying martiniz talking

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Speaker 5: and laughing about Amanda.

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Speaker 1: I would like to say, we finally meet drunk Allison,

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Speaker 1: who is my favorite Alison. No, this is not the

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Speaker 1: end when it all starts to fall apart. This is

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Speaker 1: the beginning of drunk Alison, when she's super happy. Just

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Speaker 1: like I was, like, that's my best performance in this series.

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Speaker 2: Yeah, I think there's I said. It's so nice to

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Speaker 2: see Alison gleefully getting tipsy and just filling the beans

377
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Speaker 2: and not caring about who she's talking about.

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Speaker 4: Yeah, gossiping about Amanda.

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Speaker 3: And there's also a spectrum.

380
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Speaker 1: This is this is the upside. This is the beginning

381
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Speaker 1: of the treacherous journey.

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Speaker 5: Because there's I think we see tipsy Alison, we see

383
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Speaker 5: drunk Allison, and we see slashed Allison. Like we see

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Speaker 5: all the versions on the spectrum of this for her.

385
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Speaker 1: Get fun loose Alison. This is usually lets it slip

386
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Speaker 1: that Amanda is pregnant.

387
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Speaker 4: Whoopsie.

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Speaker 3: Yeah, and you see the light bulb.

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Speaker 5: I won't tell anyone what else. Yeah, he claims he

390
00:17:40,960 --> 00:17:43,640
Speaker 5: won't tell anyone, but he is. Light bulb definitely went

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Speaker 5: off and we're like oh.

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Speaker 3: And he walks her back to the apartment.

393
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Speaker 5: Saying, you know, hey, I think we could you know,

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Speaker 5: make a really great team at work.

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Speaker 3: And he leans in and he kisses her on the

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Speaker 3: cheek before he leaves her at her door.

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Speaker 5: And all of this, of course, is witnessed by Billy

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Speaker 5: as Billy is returning.

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Speaker 1: Home, coming home from by the way, his date with Amanda,

400
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Speaker 1: so yeah, shut up, but.

401
00:18:04,600 --> 00:18:07,679
Speaker 5: He follows her into the apartment. Billy comes in and says, Alison,

402
00:18:07,720 --> 00:18:09,359
Speaker 5: what the hell is going on? Who is that guy,

403
00:18:09,520 --> 00:18:13,000
Speaker 5: what is he doing kissing you and tipsy? Allison says, yes,

404
00:18:13,359 --> 00:18:14,479
Speaker 5: he's just living her life.

405
00:18:14,800 --> 00:18:17,040
Speaker 1: Yeah, and she's got the drunk munchy. She goes right

406
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Speaker 1: to the freezer of ice cream.

407
00:18:18,480 --> 00:18:23,200
Speaker 5: Needs ice cream, and Billy exclaims and disgust you're drunk.

408
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Speaker 4: And she's I just love how she's putting off her

409
00:18:25,480 --> 00:18:28,280
Speaker 4: clothes and she's like half Billy because usually she's so

410
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Speaker 4: serious with Billy, you know, like yeah.

411
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Speaker 2: Billy, and she's like, where's the munchies?

412
00:18:34,760 --> 00:18:35,360
Speaker 4: I love it?

413
00:18:35,800 --> 00:18:36,680
Speaker 3: Yep, very cute.

414
00:18:36,760 --> 00:18:37,280
Speaker 1: I love it.

415
00:18:37,480 --> 00:18:41,080
Speaker 5: And then back at the Bellage Hotel, Keith is creepily

416
00:18:41,200 --> 00:18:44,359
Speaker 5: setting up a display on his nightstand of framed photos

417
00:18:44,400 --> 00:18:45,359
Speaker 5: of he and Allison together.

418
00:18:45,480 --> 00:18:48,439
Speaker 1: And did he notice there eight by ten publicity shots.

419
00:18:48,720 --> 00:18:49,440
Speaker 3: I was gonna.

420
00:18:51,280 --> 00:18:51,800
Speaker 4: Headshot.

421
00:18:51,920 --> 00:18:56,400
Speaker 1: They're not like casual and it's I'm fully posed.

422
00:18:56,400 --> 00:19:00,960
Speaker 4: It all lit room this emergency asked and you're like this,

423
00:19:01,080 --> 00:19:03,040
Speaker 4: that's the iconic and it's like we see that on

424
00:19:03,080 --> 00:19:03,920
Speaker 4: every there are.

425
00:19:03,800 --> 00:19:05,600
Speaker 1: The publicity shots from the show.

426
00:19:05,880 --> 00:19:06,480
Speaker 4: Oh my god.

427
00:19:07,119 --> 00:19:11,680
Speaker 3: But the creepiest part is the voiceover. The echoing voiceover.

428
00:19:11,280 --> 00:19:13,880
Speaker 5: Is him thinking out loud for us to hear, because

429
00:19:13,920 --> 00:19:15,600
Speaker 5: in case we don't know that it's creepy enough.

430
00:19:15,920 --> 00:19:19,360
Speaker 3: He's thinking through his voiceover, why did you leave me? Allison?

431
00:19:19,640 --> 00:19:21,560
Speaker 5: I was so good to you, Like we're not going

432
00:19:21,640 --> 00:19:24,320
Speaker 5: to actually realize it's creepy and last night's sweetheart.

433
00:19:24,480 --> 00:19:27,919
Speaker 3: And then he says you and he kisses the phono

434
00:19:28,040 --> 00:19:28,520
Speaker 3: and says good.

435
00:19:28,640 --> 00:19:33,960
Speaker 5: It's so gross, creepy, creepy, fantastically gross. So then we

436
00:19:34,040 --> 00:19:36,560
Speaker 5: cut to Run and Matt, who are fast walking down

437
00:19:36,600 --> 00:19:39,800
Speaker 5: the street to be honest, distract.

438
00:19:39,840 --> 00:19:43,800
Speaker 4: Speed walking walking. They're using walking. They're using their army too,

439
00:19:44,040 --> 00:19:44,359
Speaker 4: wasn't it.

440
00:19:44,680 --> 00:19:47,280
Speaker 3: They're using their arms really well, very.

441
00:19:47,440 --> 00:19:49,280
Speaker 2: Sign of the times. It's not like now you go

442
00:19:49,320 --> 00:19:51,399
Speaker 2: for a walk to get your steps in. Yeah, it

443
00:19:51,520 --> 00:19:52,400
Speaker 2: was like a thing.

444
00:19:52,240 --> 00:19:54,280
Speaker 1: Back then and you have to go almost running but

445
00:19:54,400 --> 00:19:55,600
Speaker 1: not quite big arms.

446
00:19:55,680 --> 00:19:57,360
Speaker 4: Yeah yeah, either.

447
00:19:57,200 --> 00:19:59,200
Speaker 5: That or they were ahead of their times by getting

448
00:19:59,200 --> 00:20:01,959
Speaker 5: their steps in. But it was so distracted by it

449
00:20:02,040 --> 00:20:04,359
Speaker 5: that I barely heard what they were talking about, although

450
00:20:04,400 --> 00:20:07,080
Speaker 5: it was something saren.

451
00:20:07,359 --> 00:20:09,160
Speaker 3: Yeah, like how she wants to marry him whatever.

452
00:20:09,160 --> 00:20:11,200
Speaker 5: But I had to go back and listen twice because

453
00:20:11,200 --> 00:20:12,880
Speaker 5: the first time I was like just watching the.

454
00:20:13,160 --> 00:20:16,879
Speaker 2: Just watching them walk in her little walking outfit, so cool,

455
00:20:17,240 --> 00:20:19,360
Speaker 2: But you only see him a couple times in this episode,

456
00:20:19,400 --> 00:20:22,960
Speaker 2: and both times are talking about Terrence again.

457
00:20:23,000 --> 00:20:25,040
Speaker 1: Both times you're walking a couple of walking talks. If

458
00:20:25,080 --> 00:20:27,280
Speaker 1: they've decided that Ronda and Matt would be walking and

459
00:20:27,400 --> 00:20:28,199
Speaker 1: walking and talking.

460
00:20:28,280 --> 00:20:31,720
Speaker 4: They're very thin, very swelt, very fast.

461
00:20:31,760 --> 00:20:34,480
Speaker 1: So Ronda has decided she's ready to marry Terrence, but

462
00:20:34,600 --> 00:20:36,000
Speaker 1: is too shy to ask him.

463
00:20:36,200 --> 00:20:38,840
Speaker 5: And when they end their walk, they end up at

464
00:20:38,840 --> 00:20:41,720
Speaker 5: the building where they discover that force sales sign in

465
00:20:41,760 --> 00:20:44,040
Speaker 5: front of the building. They're shocked, and they learned from

466
00:20:44,080 --> 00:20:47,359
Speaker 5: the real estate person that the property is being foreclosed.

467
00:20:49,280 --> 00:20:52,520
Speaker 5: So back at Allison and Billy's apartment, Alison in the

468
00:20:52,520 --> 00:20:55,240
Speaker 5: morning is saying that she regrets getting quite so drunk

469
00:20:55,320 --> 00:20:57,119
Speaker 5: the night before, but she is glad to learn that

470
00:20:57,160 --> 00:20:59,479
Speaker 5: Billy was jealous to see her with the guy at

471
00:20:59,480 --> 00:21:01,800
Speaker 5: the door lest night. Billy says, you know, everything is

472
00:21:01,840 --> 00:21:04,280
Speaker 5: so messed up. Maybe I don't have a right to

473
00:21:04,280 --> 00:21:07,920
Speaker 5: be jealous. But Alison sort of goes on to say

474
00:21:08,440 --> 00:21:10,280
Speaker 5: she should have seen this coming. Maybe she has a

475
00:21:10,359 --> 00:21:13,120
Speaker 5: genetic aversion to happiness, and she's got her dark.

476
00:21:12,920 --> 00:21:16,560
Speaker 1: Cloud over her time victim mode. She's in big, big victim.

477
00:21:16,240 --> 00:21:20,399
Speaker 5: Mode, and and I'm a little confused by that reaction,

478
00:21:20,480 --> 00:21:23,119
Speaker 5: but she's just feeling like everything's dark and does she

479
00:21:23,160 --> 00:21:26,640
Speaker 5: want Billy or not? I can't figure that out anyway.

480
00:21:27,840 --> 00:21:29,879
Speaker 5: That's when Rond and Matt knock on the door. They

481
00:21:29,880 --> 00:21:32,720
Speaker 5: share the news about the building, and Alison decides that

482
00:21:32,720 --> 00:21:35,040
Speaker 5: that's one more piece of information that proves.

483
00:21:34,760 --> 00:21:36,000
Speaker 3: That her life sucks.

484
00:21:36,359 --> 00:21:38,480
Speaker 4: Yeah, because all happened to her yep.

485
00:21:38,680 --> 00:21:41,720
Speaker 5: So she leaves for work and Billy follows her outside

486
00:21:42,240 --> 00:21:44,440
Speaker 5: and tells her he doesn't want her to feel this bad,

487
00:21:44,520 --> 00:21:46,880
Speaker 5: and they hug, and then we hear the scary music

488
00:21:46,920 --> 00:21:50,200
Speaker 5: again and we see creepy Keith witnessing this hug from

489
00:21:50,240 --> 00:21:53,000
Speaker 5: where he is parked stalking them across the street, watching

490
00:21:53,000 --> 00:21:53,520
Speaker 5: from his car.

491
00:21:53,960 --> 00:21:55,400
Speaker 3: Yeah, creepy.

492
00:21:55,480 --> 00:21:57,040
Speaker 4: It was this blatant.

493
00:21:58,119 --> 00:22:00,639
Speaker 2: Zero apology by their writers, and the director is just

494
00:22:00,680 --> 00:22:03,879
Speaker 2: going like, we're gonna keep having our horror movie setups

495
00:22:03,880 --> 00:22:07,119
Speaker 2: like it happens a few times throughout where something happens

496
00:22:07,440 --> 00:22:10,919
Speaker 2: and we're seeing you know, Alison and about you know,

497
00:22:11,240 --> 00:22:13,560
Speaker 2: whether it's Billy or whoever, and you always see Keith

498
00:22:13,720 --> 00:22:16,639
Speaker 2: watching through the blinds or from behind the bush, and

499
00:22:16,680 --> 00:22:17,320
Speaker 2: it does add up.

500
00:22:17,320 --> 00:22:18,360
Speaker 4: It's like horror movie.

501
00:22:18,520 --> 00:22:20,880
Speaker 5: It is sort of a callback because remember when we

502
00:22:20,880 --> 00:22:25,040
Speaker 5: were like skeptical when Allison got attacked in the car,

503
00:22:25,480 --> 00:22:27,359
Speaker 5: and then we're like, to Keith really set that up

504
00:22:27,359 --> 00:22:31,720
Speaker 5: so we could swoop in and be the hero, And yeah,

505
00:22:32,200 --> 00:22:34,200
Speaker 5: we're sort of seeing that same pattern in this episode.

506
00:22:34,400 --> 00:22:35,520
Speaker 1: I'm just saying, good point.

507
00:22:36,920 --> 00:22:37,320
Speaker 3: Anyway.

508
00:22:37,440 --> 00:22:39,640
Speaker 5: So back at D and D and a staff meeting,

509
00:22:39,720 --> 00:22:42,679
Speaker 5: Lucy asks that everyone hold off on vacations until she's gone,

510
00:22:43,320 --> 00:22:45,720
Speaker 5: and Brett uses the opportunity to bring up, well, what

511
00:22:45,800 --> 00:22:51,919
Speaker 5: about Amanda's maternity leave? Oh no, everyone including Lucy is

512
00:22:51,960 --> 00:22:57,840
Speaker 5: surprised Amanda. Amanda is like all smiley, brilliantly lying through

513
00:22:57,840 --> 00:22:59,240
Speaker 5: her teeth, and she says she doesn't know what Brett

514
00:22:59,320 --> 00:22:59,920
Speaker 5: is talking about.

515
00:23:00,160 --> 00:23:04,639
Speaker 4: Yeah, it's news to me. However, she looks at Alison. Yeah.

516
00:23:04,680 --> 00:23:08,640
Speaker 5: After the meeting, she demands that Allison and her speaking private,

517
00:23:08,840 --> 00:23:11,159
Speaker 5: and she tells telling Brett about her pregnancy was a

518
00:23:11,200 --> 00:23:13,320
Speaker 5: huge mistake and that now.

519
00:23:13,080 --> 00:23:17,000
Speaker 1: Alison completely gaslights her and says, you're blowing it out

520
00:23:17,040 --> 00:23:20,440
Speaker 1: of proportion. Also, I can't believe he said anything, right,

521
00:23:20,920 --> 00:23:22,200
Speaker 1: what about you? Allison?

522
00:23:22,400 --> 00:23:26,520
Speaker 4: My favorite Discovery apology? Allison, my favorite Discovery.

523
00:23:26,640 --> 00:23:29,720
Speaker 2: Yes, so I told him, but in this private place

524
00:23:29,760 --> 00:23:31,159
Speaker 2: that they're can I talk to you in private? And

525
00:23:31,160 --> 00:23:33,400
Speaker 2: they go to this big, huge public bathroom.

526
00:23:34,760 --> 00:23:37,400
Speaker 4: It is echoing in case you can't hear it now,

527
00:23:38,080 --> 00:23:40,320
Speaker 4: but the wide shot you get to see what Allison's wearing,

528
00:23:40,400 --> 00:23:44,200
Speaker 4: a nineteen forties, you know, suit, skirt down to her ankle,

529
00:23:44,920 --> 00:23:47,879
Speaker 4: polka dots with his neckline up to hear. And then

530
00:23:47,920 --> 00:23:48,400
Speaker 4: of course.

531
00:23:48,240 --> 00:23:51,879
Speaker 2: Amanda in the shortest skirt ever with this like almost

532
00:23:52,000 --> 00:23:54,880
Speaker 2: brawl ass top and you're just like, there it is.

533
00:23:54,960 --> 00:23:57,240
Speaker 2: That's Denise Wingate's work right there.

534
00:23:57,359 --> 00:24:01,159
Speaker 1: Yeah, dichotomy is bro It's a very dialish suit, but

535
00:24:01,240 --> 00:24:04,160
Speaker 1: it was a lot of fabric on you compared to her, and.

536
00:24:04,080 --> 00:24:06,000
Speaker 4: I was just like, that's the difference.

537
00:24:06,160 --> 00:24:10,000
Speaker 5: Well here, Amanda also warns Allison that if you know,

538
00:24:10,160 --> 00:24:12,720
Speaker 5: nobody's going to want to promote a pregnant woman, which

539
00:24:12,840 --> 00:24:16,600
Speaker 5: you know may be true, and also you know Allison

540
00:24:16,640 --> 00:24:19,440
Speaker 5: has something to lose here too, because the promotion will

541
00:24:19,480 --> 00:24:21,760
Speaker 5: work for both of them if they can get it,

542
00:24:22,359 --> 00:24:25,040
Speaker 5: and that she warns her that Allison shouldn't trust anything

543
00:24:25,160 --> 00:24:26,400
Speaker 5: Brett may have promised her.

544
00:24:26,600 --> 00:24:28,720
Speaker 3: So it's a little bit of a foreshadowing there.

545
00:24:30,440 --> 00:24:33,640
Speaker 5: So then Allison is angry, she confronts Bretton's office, telling

546
00:24:33,720 --> 00:24:36,480
Speaker 5: him he shouldn't have exposed amanda secret, and Brett says

547
00:24:37,400 --> 00:24:40,400
Speaker 5: he thinks they could be a team, a great team

548
00:24:40,440 --> 00:24:42,520
Speaker 5: in more ways than one, and then he tries to

549
00:24:42,600 --> 00:24:45,320
Speaker 5: kiss her in the most awkward and aggressive way in

550
00:24:45,320 --> 00:24:46,000
Speaker 5: his office.

551
00:24:46,320 --> 00:24:47,240
Speaker 4: Yeah, really weird.

552
00:24:47,280 --> 00:24:49,600
Speaker 2: And did you notice he went his hand went for

553
00:24:49,680 --> 00:24:52,240
Speaker 2: the door to cut I thought it was implying that

554
00:24:52,280 --> 00:24:56,200
Speaker 2: he locked it, and then he went at lune did her?

555
00:24:56,840 --> 00:24:59,359
Speaker 2: And yet then she says, get away, get away, put

556
00:24:59,440 --> 00:25:01,320
Speaker 2: fights away, and then just opens the door and leave.

557
00:25:01,359 --> 00:25:03,600
Speaker 2: But I had to watch that again to go is

558
00:25:03,640 --> 00:25:05,240
Speaker 2: he pretending to lock it?

559
00:25:05,240 --> 00:25:07,400
Speaker 3: It was very fumbly, awkward aggressive?

560
00:25:07,560 --> 00:25:11,480
Speaker 5: Yeah, yeah, it was very But Alison's creet, super furious,

561
00:25:11,520 --> 00:25:15,720
Speaker 5: shoves him off and angrily leaves the office. And then

562
00:25:15,720 --> 00:25:17,480
Speaker 5: we cut to Amanda and Billy who are going for

563
00:25:17,520 --> 00:25:19,800
Speaker 5: a walk in the park, probably the same park, and

564
00:25:20,600 --> 00:25:21,960
Speaker 5: here though we see a bunch.

565
00:25:21,720 --> 00:25:23,520
Speaker 3: Of children they're playing in the background.

566
00:25:23,800 --> 00:25:29,360
Speaker 2: And you mean probably the same park as Joe And yeah, yeah, probably,

567
00:25:29,520 --> 00:25:32,159
Speaker 2: I'm assuming they shot him on the same day that

568
00:25:32,920 --> 00:25:38,320
Speaker 2: and Amanda is telling Billy that Allison is telling everyone

569
00:25:38,320 --> 00:25:40,399
Speaker 2: about the pregnancy and that she should be more respectful.

570
00:25:40,480 --> 00:25:41,960
Speaker 3: That Billy says he'll talk to her.

571
00:25:42,160 --> 00:25:44,280
Speaker 1: Yeah, it wasn't that weird that Billy is a'll talk

572
00:25:44,320 --> 00:25:47,080
Speaker 1: to her. So now he's literally between them. Let me

573
00:25:47,160 --> 00:25:49,520
Speaker 1: manage Allison to make your life more comfortable.

574
00:25:49,560 --> 00:25:50,520
Speaker 4: He's really See this is.

575
00:25:50,440 --> 00:25:52,760
Speaker 2: Where I just wanted to jump in the damn frame

576
00:25:52,920 --> 00:25:55,040
Speaker 2: and say, you guys, you're not a couple.

577
00:25:55,320 --> 00:25:57,960
Speaker 4: The baby isn't here yet. You just slept.

578
00:25:57,560 --> 00:26:01,160
Speaker 2: Together and you don't get him.

579
00:26:01,600 --> 00:26:04,639
Speaker 5: Yeah, it is really like a couple. It is really

580
00:26:04,680 --> 00:26:08,280
Speaker 5: like the ex girlfriend. But for some reason this situation,

581
00:26:08,960 --> 00:26:12,679
Speaker 5: he's kind of assuming that he's back. It's a pickle

582
00:26:12,800 --> 00:26:16,720
Speaker 5: between the two and he's walking this tightrope in between

583
00:26:16,800 --> 00:26:19,120
Speaker 5: and it's it's a very strange theme throughout the episode.

584
00:26:19,119 --> 00:26:23,720
Speaker 2: And don't forget Amanda just said to Alison, you know

585
00:26:23,840 --> 00:26:26,000
Speaker 2: you should be on my side. I need you, you know,

586
00:26:26,080 --> 00:26:28,520
Speaker 2: for the promotion. It serves you too, and then boom,

587
00:26:28,600 --> 00:26:30,840
Speaker 2: next scene, she's like, you know, you need to talk

588
00:26:30,880 --> 00:26:33,040
Speaker 2: to Alison, take care of her because I don't like

589
00:26:33,119 --> 00:26:34,200
Speaker 2: how she's talking so much.

590
00:26:34,240 --> 00:26:37,520
Speaker 4: It's just like she constantly does that, Amanda.

591
00:26:37,560 --> 00:26:39,959
Speaker 5: And she also in the scene doubles down on like

592
00:26:40,000 --> 00:26:44,080
Speaker 5: I really want this opportunity to become a mom, even

593
00:26:44,119 --> 00:26:46,919
Speaker 5: though I really want my promotion at work. I also

594
00:26:47,480 --> 00:26:49,159
Speaker 5: I realize that I don't want to miss out on

595
00:26:49,160 --> 00:26:52,160
Speaker 5: this opportunity and have made my decision. So we find

596
00:26:52,160 --> 00:26:55,919
Speaker 5: out firmly that she is, you know, committed to becoming

597
00:26:55,960 --> 00:26:56,480
Speaker 5: a mom.

598
00:26:56,960 --> 00:26:57,440
Speaker 4: Yeah.

599
00:26:58,080 --> 00:27:00,440
Speaker 5: And then back at the office, Allison a pa jaysus

600
00:27:00,480 --> 00:27:03,240
Speaker 5: to Amanda, tells her she was right about Brett after

601
00:27:03,280 --> 00:27:05,840
Speaker 5: being attacked in the office, and she tells her, you

602
00:27:05,880 --> 00:27:09,800
Speaker 5: were right about everything. He sucks and I'm totally behind you,

603
00:27:09,800 --> 00:27:10,560
Speaker 5: one hundred percent.

604
00:27:10,640 --> 00:27:12,320
Speaker 3: Let's go for it. Let's go back to being a

605
00:27:12,359 --> 00:27:14,560
Speaker 3: team and you know, get this promotion together.

606
00:27:15,040 --> 00:27:18,439
Speaker 1: And Amanda just agrees immediately that we go back and

607
00:27:18,480 --> 00:27:21,159
Speaker 1: forth so fast in this episode. We hate each other,

608
00:27:21,200 --> 00:27:22,840
Speaker 1: we love each other, we hate each other. So now

609
00:27:22,880 --> 00:27:25,280
Speaker 1: Amanda and Allison are backup firmly on the same team.

610
00:27:25,600 --> 00:27:27,560
Speaker 3: It's very strange, Like, I don't.

611
00:27:27,960 --> 00:27:29,520
Speaker 4: A minute later, let's time it.

612
00:27:30,160 --> 00:27:33,240
Speaker 5: Yeah, I don't get to see enough of like what

613
00:27:33,320 --> 00:27:35,320
Speaker 5: does Alison really want?

614
00:27:35,400 --> 00:27:36,880
Speaker 3: Like is she fighting for Billy here?

615
00:27:37,200 --> 00:27:41,520
Speaker 5: It's almost yeah, her whiplash isn't fair to have to

616
00:27:41,560 --> 00:27:43,879
Speaker 5: try to play that, to try to play confusing.

617
00:27:44,480 --> 00:27:45,080
Speaker 1: Yeah, it's fair.

618
00:27:45,080 --> 00:27:47,000
Speaker 3: What is my three line here? That's the question I

619
00:27:47,040 --> 00:27:50,040
Speaker 3: was asking myself anyway. But with Joe and Jake, they're

620
00:27:50,080 --> 00:27:53,240
Speaker 3: returning to Jake's at night, and Joe is lamenting having

621
00:27:53,280 --> 00:27:56,440
Speaker 3: to leave Meloe's place the building, and Jake suggests that

622
00:27:56,440 --> 00:27:57,879
Speaker 3: maybe if they do have to leave the building, they

623
00:27:57,880 --> 00:27:59,320
Speaker 3: could find a new place to living together.

624
00:28:00,400 --> 00:28:02,600
Speaker 2: Yeah, and I loved how they come in together. He's

625
00:28:02,600 --> 00:28:05,840
Speaker 2: carrying groceries. They go into his apartment and.

626
00:28:05,760 --> 00:28:07,960
Speaker 4: He's like, he's looking gorgeous.

627
00:28:08,040 --> 00:28:12,800
Speaker 2: The hair was particularly good, T shirt, and I'm just like, yes,

628
00:28:12,920 --> 00:28:13,600
Speaker 2: move in together.

629
00:28:14,119 --> 00:28:17,560
Speaker 4: She and Joe's all like growlly and frowny and like.

630
00:28:17,560 --> 00:28:20,000
Speaker 1: No, Wow, I was having an Alison day.

631
00:28:20,119 --> 00:28:23,280
Speaker 2: She's feeling like Alison. She's feeling Alison, and I just

632
00:28:23,320 --> 00:28:25,720
Speaker 2: want to reach through and go Joe. It doesn't get

633
00:28:25,760 --> 00:28:26,280
Speaker 2: better than this.

634
00:28:27,600 --> 00:28:30,280
Speaker 4: Move in with him. He's gonna take care of you.

635
00:28:30,280 --> 00:28:33,160
Speaker 4: You're gonna be in love, have beautiful children. That's it.

636
00:28:33,240 --> 00:28:34,480
Speaker 4: Just make the decision.

637
00:28:34,600 --> 00:28:37,080
Speaker 1: Yeah, and he's even putting groceries away, like he's even

638
00:28:37,240 --> 00:28:40,120
Speaker 1: He's like this sexy guy putting groceries away. You kidding me?

639
00:28:40,160 --> 00:28:41,280
Speaker 1: That's lady porn.

640
00:28:41,920 --> 00:28:44,440
Speaker 2: Lady porn, That's what it was. And I'm like, enjoy

641
00:28:44,520 --> 00:28:47,800
Speaker 2: the porn, Joe, because this is about no. Does she

642
00:28:47,920 --> 00:28:50,560
Speaker 2: know she makes other very bad decisions.

643
00:28:50,800 --> 00:28:53,160
Speaker 3: Yeah, she's not sure at all.

644
00:28:53,480 --> 00:28:55,400
Speaker 1: And then Jake says, it's scares you, doesn't it. I

645
00:28:55,400 --> 00:28:57,120
Speaker 1: don't think I've ever met a woman more scared of

646
00:28:57,160 --> 00:28:58,200
Speaker 1: intimacy than you.

647
00:28:58,640 --> 00:28:58,800
Speaker 2: Ah.

648
00:28:58,960 --> 00:29:00,000
Speaker 3: Right, he's in touch with.

649
00:29:00,240 --> 00:29:01,600
Speaker 1: Zinger, that right.

650
00:29:01,640 --> 00:29:04,160
Speaker 3: He's got his own emotions clear and hers too.

651
00:29:04,760 --> 00:29:07,680
Speaker 4: Oh just drove me crazy. All these years later, with

652
00:29:07,720 --> 00:29:09,280
Speaker 4: all the wisdom that we have, we just want to

653
00:29:09,280 --> 00:29:11,480
Speaker 4: hear help these poor characters, I know.

654
00:29:12,800 --> 00:29:15,600
Speaker 5: So speaking of confused characters, we're back in the dark

655
00:29:15,720 --> 00:29:18,840
Speaker 5: D and D office where Amanda and Allison are working together,

656
00:29:19,000 --> 00:29:19,840
Speaker 5: the only ones.

657
00:29:19,600 --> 00:29:22,440
Speaker 3: Working late at night. It's very dark in their.

658
00:29:22,320 --> 00:29:26,200
Speaker 5: Cubicles, and Amanda suddenly doubles over in pain, saying something

659
00:29:26,800 --> 00:29:29,880
Speaker 5: is very wrong, and Alison jumps right to the phone

660
00:29:29,920 --> 00:29:33,200
Speaker 5: and calls an ambulance. So then we go to the

661
00:29:33,200 --> 00:29:36,640
Speaker 5: hospital waiting room where Alison is filling Billy in, saying

662
00:29:36,640 --> 00:29:41,320
Speaker 5: that Amanda has had a tubal pregnancy and the baby

663
00:29:41,480 --> 00:29:44,720
Speaker 5: didn't stand a chance, so she's lost the baby. She's

664
00:29:44,720 --> 00:29:47,160
Speaker 5: had a procedure, and Billy wants to go see Amanda

665
00:29:47,160 --> 00:29:49,360
Speaker 5: in the hospital room while she's recovering from this.

666
00:29:49,680 --> 00:29:52,160
Speaker 1: Alison goes, great, we'll go see her, and he says,

667
00:29:52,360 --> 00:29:54,000
Speaker 1: you know what, I'm going to go alone.

668
00:29:54,240 --> 00:29:55,320
Speaker 4: Yeah.

669
00:29:55,400 --> 00:29:57,160
Speaker 3: Yeah, he chooses to go and alone.

670
00:29:57,200 --> 00:29:57,520
Speaker 1: Ouch.

671
00:29:58,680 --> 00:30:01,440
Speaker 3: And there Amanda tells Bill Allison's been great.

672
00:30:02,120 --> 00:30:04,680
Speaker 1: And by the way, I just have to say, she's

673
00:30:04,760 --> 00:30:08,320
Speaker 1: lying in the hospital room crying, her big blue eyes

674
00:30:08,400 --> 00:30:11,800
Speaker 1: full of tears. She's never looked more beautiful and vulnerable.

675
00:30:12,280 --> 00:30:13,960
Speaker 1: Like talk about very.

676
00:30:13,800 --> 00:30:17,120
Speaker 3: Vulnerable and emotional in this scene. It was very lovely.

677
00:30:18,760 --> 00:30:21,000
Speaker 3: Billy tells her how sorry he is that she lost.

678
00:30:20,760 --> 00:30:24,560
Speaker 5: The baby, and Amanda says, well, perhaps in the long

679
00:30:24,640 --> 00:30:27,960
Speaker 5: run it's for the best, because you don't really love me,

680
00:30:28,040 --> 00:30:28,280
Speaker 5: do you.

681
00:30:28,880 --> 00:30:31,520
Speaker 4: Oh yeah, And basically you can't.

682
00:30:31,520 --> 00:30:33,520
Speaker 2: I can't force someone to want to come be a

683
00:30:33,520 --> 00:30:34,880
Speaker 2: part of my life with this baby.

684
00:30:34,920 --> 00:30:38,760
Speaker 3: And yeah, I thought it was really true breaking stuff.

685
00:30:38,840 --> 00:30:41,000
Speaker 4: Yeah, yeah, the truth of the whole situation.

686
00:30:42,480 --> 00:30:42,680
Speaker 1: Yeah.

687
00:30:42,720 --> 00:30:44,680
Speaker 5: And here Billy tells her he's going to continue to

688
00:30:44,720 --> 00:30:47,760
Speaker 5: be there for her. And right then, of course, Alison

689
00:30:47,880 --> 00:30:51,719
Speaker 5: enters and she sees this very intimate tableau and she

690
00:30:52,400 --> 00:30:55,480
Speaker 5: says she's leaving the hospital, but Billy opts to stay behind.

691
00:30:56,200 --> 00:30:58,560
Speaker 1: She kind of says, are you ready, It's like I'm

692
00:30:58,600 --> 00:31:02,520
Speaker 1: going to stay yeah, yeah, yeah.

693
00:31:03,720 --> 00:31:06,480
Speaker 5: So the next morning, Allison is telling Joe that Amanda

694
00:31:06,480 --> 00:31:10,400
Speaker 5: has lost the baby. Joe is our counselor is She's

695
00:31:10,480 --> 00:31:12,040
Speaker 5: the confidant for everyone here?

696
00:31:13,440 --> 00:31:16,320
Speaker 2: Did you notice she was in another Plin sued shirt

697
00:31:16,400 --> 00:31:21,160
Speaker 2: that Denise talked about with the buttons down the side. Y,

698
00:31:21,440 --> 00:31:24,320
Speaker 2: those are all buttons and it's Plin sued And I

699
00:31:24,400 --> 00:31:26,479
Speaker 2: remember where they sold that.

700
00:31:26,560 --> 00:31:27,120
Speaker 4: Do you remember?

701
00:31:27,440 --> 00:31:31,320
Speaker 2: In Sunset Plaza next to the Petite for that wonderful

702
00:31:31,400 --> 00:31:35,920
Speaker 2: cafe with the sidewalk tables, very European. There was a

703
00:31:36,000 --> 00:31:40,000
Speaker 2: story there called h Lorenzo. Yes, I wanted to have

704
00:31:40,240 --> 00:31:42,640
Speaker 2: very like European kind of like.

705
00:31:43,000 --> 00:31:47,320
Speaker 4: Very body hugging clothes. So I don't go there anymore.

706
00:31:47,320 --> 00:31:49,000
Speaker 4: I don't even know if it's there, but that was

707
00:31:49,040 --> 00:31:50,840
Speaker 4: like a very hot place to go. And I remember

708
00:31:50,840 --> 00:31:52,720
Speaker 4: they had very cute top Plin.

709
00:31:52,520 --> 00:31:54,960
Speaker 2: Sued top, yeah, which is very popular back then. So

710
00:31:55,000 --> 00:31:58,120
Speaker 2: I just want to fill our audience in behind the scenes.

711
00:32:00,160 --> 00:32:04,800
Speaker 5: And as Alison is confiding in Joe, she also admits

712
00:32:04,840 --> 00:32:07,760
Speaker 5: that she didn't even have time to feel guilty. About

713
00:32:07,880 --> 00:32:10,600
Speaker 5: kind of thinking, hey, you know, maybe now everything is

714
00:32:10,680 --> 00:32:14,120
Speaker 5: fixed because Billy was all of a sudden, you know,

715
00:32:14,240 --> 00:32:16,560
Speaker 5: running to mamand decide to comfort her, and so talk

716
00:32:16,560 --> 00:32:19,560
Speaker 5: about whiplash. Like you said, it's like the emotional whiplash

717
00:32:19,600 --> 00:32:22,880
Speaker 5: of admitting that she you know, sort of thought, oh good,

718
00:32:22,960 --> 00:32:26,720
Speaker 5: now I can finally have my relationship. Then she realized,

719
00:32:26,760 --> 00:32:29,200
Speaker 5: you know, as guilty as she feels about saying that

720
00:32:30,000 --> 00:32:34,320
Speaker 5: Billy was still sort of choosing to be with Amanda.

721
00:32:34,800 --> 00:32:36,960
Speaker 5: So then Jake enters a scene and reminds Joe to

722
00:32:36,960 --> 00:32:39,680
Speaker 5: be careful on her trip down town for work today.

723
00:32:40,200 --> 00:32:42,960
Speaker 5: She's going to Skid Road to photograph. Alison notes how

724
00:32:43,040 --> 00:32:45,680
Speaker 5: much Jake really cares about Joe, and.

725
00:32:45,840 --> 00:32:48,560
Speaker 1: She says, Jake really cares about you must be nice.

726
00:32:48,800 --> 00:32:50,960
Speaker 4: Yeah, yes, exactly.

727
00:32:51,480 --> 00:32:56,440
Speaker 2: But can we just stop Courtney and pay homage to

728
00:32:56,520 --> 00:33:01,960
Speaker 2: these storylines that Alison is with Billy, lives with Billy

729
00:33:02,040 --> 00:33:06,560
Speaker 2: and like just doesn't see it, and Joe has Jay

730
00:33:07,560 --> 00:33:09,000
Speaker 2: doesn't ef see it.

731
00:33:09,280 --> 00:33:11,080
Speaker 4: I just it's just.

732
00:33:11,240 --> 00:33:16,960
Speaker 1: Cutte Michael has Jane doesn't and doesn't see it. It's

733
00:33:17,120 --> 00:33:17,840
Speaker 1: so true.

734
00:33:18,800 --> 00:33:27,000
Speaker 2: Okay, I got back to my system.

735
00:33:27,200 --> 00:33:30,520
Speaker 5: Joe is saying to Allison. Yeah, he's great as long

736
00:33:30,560 --> 00:33:31,560
Speaker 5: as he doesn't crowd me.

737
00:33:31,720 --> 00:33:31,920
Speaker 4: You know.

738
00:33:31,960 --> 00:33:35,040
Speaker 1: It's like it's great at your own coffee, dude, Get

739
00:33:35,080 --> 00:33:36,680
Speaker 1: that gorgeous body away from me.

740
00:33:37,640 --> 00:33:39,600
Speaker 3: Yeah, God forbid.

741
00:33:40,080 --> 00:33:42,280
Speaker 5: But then when everybody's gone from the apartment, Joe then

742
00:33:42,360 --> 00:33:46,040
Speaker 5: goes into her closet and retrieves the handgun that she

743
00:33:46,120 --> 00:33:46,520
Speaker 5: is hidden.

744
00:33:46,520 --> 00:33:49,000
Speaker 1: There wasn't under the bathroom, sync, it was.

745
00:33:49,320 --> 00:33:51,680
Speaker 2: It was where her in her blouse. It was the

746
00:33:51,800 --> 00:33:54,960
Speaker 2: black room. That was where the photography with.

747
00:33:55,000 --> 00:33:59,120
Speaker 5: The chemical thing, Yes, right behind the She told in

748
00:33:59,160 --> 00:34:01,000
Speaker 5: an earlier episode that she was going to get rid

749
00:34:01,040 --> 00:34:02,680
Speaker 5: of it, and now we see she hasn't. So she

750
00:34:03,280 --> 00:34:06,280
Speaker 5: loads it in the scene and packs it into her purse.

751
00:34:06,360 --> 00:34:06,880
Speaker 3: But it's a.

752
00:34:07,120 --> 00:34:09,799
Speaker 1: Big gun with the sleeve of bullets that know what

753
00:34:09,800 --> 00:34:12,160
Speaker 1: they're call But it was like a big age your

754
00:34:12,239 --> 00:34:15,040
Speaker 1: gun like from an action movie. Yeah, it was very little,

755
00:34:15,040 --> 00:34:15,760
Speaker 1: tiny pistol.

756
00:34:16,080 --> 00:34:19,480
Speaker 5: No, but it fit in her handbag and off she goes.

757
00:34:19,400 --> 00:34:22,880
Speaker 1: Sloppily put in a bag and yeah, yeah, yeah, this

758
00:34:23,040 --> 00:34:25,319
Speaker 1: big semi automatically.

759
00:34:24,760 --> 00:34:28,279
Speaker 2: Awes that we have now is so bizarre. It was

760
00:34:28,320 --> 00:34:29,520
Speaker 2: so innocently done.

761
00:34:29,520 --> 00:34:32,560
Speaker 4: It just was. It wasn't meant to look huge and

762
00:34:32,640 --> 00:34:34,520
Speaker 4: sloppily dangerously put into a purse.

763
00:34:34,560 --> 00:34:36,640
Speaker 5: It just was, but it was also you have it,

764
00:34:36,800 --> 00:34:38,440
Speaker 5: you know, the way your stage you're in the foreground

765
00:34:38,480 --> 00:34:39,920
Speaker 5: of a shot so that you hold your hand up

766
00:34:39,960 --> 00:34:41,840
Speaker 5: and you're like put the cartridge in.

767
00:34:41,880 --> 00:34:43,120
Speaker 3: And yeah, you.

768
00:34:43,160 --> 00:34:44,799
Speaker 4: Know, I thought I was going to be an action star,

769
00:34:44,920 --> 00:34:45,560
Speaker 4: so it was.

770
00:34:45,840 --> 00:34:47,920
Speaker 3: It looked very badass.

771
00:34:48,960 --> 00:34:51,440
Speaker 5: So then back at D and D, Lucy is telling

772
00:34:51,480 --> 00:34:55,360
Speaker 5: Allison that she heard how great Allison was for Amanda

773
00:34:55,360 --> 00:34:57,680
Speaker 5: being by her side during her health emergency, and she

774
00:34:57,719 --> 00:35:00,279
Speaker 5: says she likes it they had such team loyal te

775
00:35:01,360 --> 00:35:03,920
Speaker 5: and that truthfully, Amanda has a better chance of getting

776
00:35:03,920 --> 00:35:05,920
Speaker 5: that promotion without the pregnancy.

777
00:35:06,640 --> 00:35:06,920
Speaker 3: Ouch.

778
00:35:07,760 --> 00:35:08,080
Speaker 1: Yeah.

779
00:35:08,120 --> 00:35:10,600
Speaker 3: And then right then Allison receives a flower delivery and

780
00:35:10,640 --> 00:35:11,120
Speaker 3: but when she.

781
00:35:11,120 --> 00:35:14,960
Speaker 1: Opens, the games are painted painted black.

782
00:35:15,320 --> 00:35:19,480
Speaker 2: It's so off, and spray painted horror on the fake

783
00:35:19,600 --> 00:35:20,440
Speaker 2: capital letters.

784
00:35:20,760 --> 00:35:22,839
Speaker 1: A friend of mine sent me not too long ago.

785
00:35:23,040 --> 00:35:27,920
Speaker 1: There's the gift of this.

786
00:35:28,680 --> 00:35:32,360
Speaker 3: It was. It's a pretty striking image.

787
00:35:32,680 --> 00:35:35,600
Speaker 5: Yeah, and she sort of drops it like it's, you know,

788
00:35:35,680 --> 00:35:36,520
Speaker 5: burning her hands.

789
00:35:37,480 --> 00:35:39,080
Speaker 4: Yeah, it's horrible.

790
00:35:39,719 --> 00:35:43,680
Speaker 5: So then we cut to Joe. She's making the rounds

791
00:35:43,719 --> 00:35:47,120
Speaker 5: on her motorcycle. She's writing out her motorcycles. The gritty

792
00:35:47,160 --> 00:35:50,239
Speaker 5: streets of la She's photographing people on the street and

793
00:35:50,320 --> 00:35:51,040
Speaker 5: she's then.

794
00:35:51,200 --> 00:35:54,400
Speaker 1: By the way, best hair day ever for photographing the

795
00:35:54,440 --> 00:35:55,560
Speaker 1: unhoused your hair.

796
00:35:55,760 --> 00:35:58,040
Speaker 3: She took her helmet off and her hair is very bouncing.

797
00:35:58,239 --> 00:36:02,880
Speaker 4: Charlie's Angels note. When she's getting arrested, I'm like, breck.

798
00:36:02,760 --> 00:36:04,839
Speaker 3: Girl, Yeah, that's fantastic hair.

799
00:36:05,760 --> 00:36:08,280
Speaker 5: Yeah. He's pulled over by a cop for not signaling

800
00:36:08,360 --> 00:36:10,920
Speaker 5: on a turn and he asks for her license and registration,

801
00:36:11,040 --> 00:36:13,760
Speaker 5: so she opens her purse and of course the cop.

802
00:36:13,719 --> 00:36:15,680
Speaker 1: Grasually pulls the gun out of the way.

803
00:36:15,840 --> 00:36:19,439
Speaker 7: She can't get her wallet right, hold on a second, yeah,

804
00:36:19,440 --> 00:36:24,960
Speaker 7: and he jumps back down, yeahs his gun, yeah, shouting

805
00:36:24,960 --> 00:36:26,600
Speaker 7: at her, put your hands behind your head, get down

806
00:36:26,600 --> 00:36:27,040
Speaker 7: on your knees.

807
00:36:27,040 --> 00:36:28,880
Speaker 4: And she's like, what I know?

808
00:36:29,000 --> 00:36:31,480
Speaker 2: And I was just like, first of all, she hair,

809
00:36:32,200 --> 00:36:36,680
Speaker 2: first of all, cute casting. Second of all, I was like,

810
00:36:36,960 --> 00:36:38,600
Speaker 2: this is what my note was. And I know, here

811
00:36:38,640 --> 00:36:40,800
Speaker 2: we are in twenty twenty five. But if she isn't

812
00:36:40,800 --> 00:36:44,560
Speaker 2: the most white privileging girl and getting away with it, like,

813
00:36:44,640 --> 00:36:45,799
Speaker 2: I don't know, what is.

814
00:36:46,239 --> 00:36:49,080
Speaker 4: I got to see it now because of the awareness.

815
00:36:48,480 --> 00:36:50,839
Speaker 2: That I have after all of these years, and what

816
00:36:50,880 --> 00:36:53,200
Speaker 2: we as a nation and a world have been through.

817
00:36:53,719 --> 00:36:56,800
Speaker 2: And you just see her talking back to him, not

818
00:36:57,280 --> 00:36:58,440
Speaker 2: paying attention.

819
00:36:58,080 --> 00:37:01,440
Speaker 4: To him, being belligerently like, why are you hassling me?

820
00:37:01,520 --> 00:37:04,200
Speaker 4: I'm just getting picture. So what it's a gun? I need?

821
00:37:04,480 --> 00:37:07,840
Speaker 4: Like I was just like my signaled, I like, no,

822
00:37:08,000 --> 00:37:10,360
Speaker 4: what's your problem? All the way through this whole sequence.

823
00:37:10,440 --> 00:37:13,400
Speaker 2: Later when she's in the police station, she's still yapping away,

824
00:37:13,440 --> 00:37:14,040
Speaker 2: talking back.

825
00:37:14,280 --> 00:37:17,279
Speaker 3: I love that she talks all the way through her mugshot, like.

826
00:37:17,800 --> 00:37:19,920
Speaker 2: I do get it back, don't I wait a minute,

827
00:37:19,920 --> 00:37:22,359
Speaker 2: I just whatever, you know, a bear arm?

828
00:37:22,440 --> 00:37:25,319
Speaker 4: Don't you know the constitution? On and on, and I'm

829
00:37:25,360 --> 00:37:26,359
Speaker 4: just like, girl.

830
00:37:26,920 --> 00:37:28,880
Speaker 3: Please, I thought that was actually funny.

831
00:37:29,040 --> 00:37:31,839
Speaker 4: Yeah, it was really, but only she can get away

832
00:37:31,880 --> 00:37:32,200
Speaker 4: with it.

833
00:37:32,680 --> 00:37:34,439
Speaker 5: And he does tell her that she'll get her gun

834
00:37:34,480 --> 00:37:36,600
Speaker 5: back in a week, but that she needs to, you know,

835
00:37:36,680 --> 00:37:37,920
Speaker 5: reveal that she's carrying.

836
00:37:38,040 --> 00:37:38,920
Speaker 3: She can't carry.

837
00:37:39,080 --> 00:37:40,000
Speaker 4: I forgot my holster.

838
00:37:40,200 --> 00:37:42,120
Speaker 1: She says that if she ever gets yeah, if she

839
00:37:42,160 --> 00:37:44,200
Speaker 1: ever gets pulled over, a hart ass I know.

840
00:37:44,440 --> 00:37:46,520
Speaker 5: And then Jake is there to pick her up, meet

841
00:37:46,560 --> 00:37:48,719
Speaker 5: her at the police station, and the only line he

842
00:37:48,800 --> 00:37:51,239
Speaker 5: has is how could you be so stupid?

843
00:37:51,360 --> 00:37:55,640
Speaker 4: Yeah? Yeah? And then she kept going, what do you mean?

844
00:37:55,800 --> 00:37:57,800
Speaker 4: Like it was just so funny.

845
00:37:57,880 --> 00:37:59,320
Speaker 3: Yeah, and he's pissed.

846
00:37:59,320 --> 00:38:01,319
Speaker 5: He's pissed he had to bail her out and that

847
00:38:01,400 --> 00:38:03,600
Speaker 5: she lied about getting rid of the gun, which she didn't.

848
00:38:03,760 --> 00:38:05,960
Speaker 1: Yeah, Joe's a little tone deaf here, and Jake says,

849
00:38:06,200 --> 00:38:07,480
Speaker 1: I don't know if I want to live with someone

850
00:38:07,480 --> 00:38:10,080
Speaker 1: who has a gun. And then Joe, you're so snotty

851
00:38:10,120 --> 00:38:11,800
Speaker 1: you say, well, you don't, do you?

852
00:38:12,360 --> 00:38:13,399
Speaker 4: Yeah, don't live with her?

853
00:38:14,200 --> 00:38:14,480
Speaker 1: Yeah?

854
00:38:14,560 --> 00:38:17,360
Speaker 3: Yeah, that was the moment Joe combative in this.

855
00:38:17,880 --> 00:38:19,759
Speaker 4: You know, it was the moment I know, I feel like,

856
00:38:20,000 --> 00:38:22,440
Speaker 4: I don't know, she's very defense of this lady.

857
00:38:23,600 --> 00:38:27,400
Speaker 2: She just want to help her out. I didn't know

858
00:38:27,440 --> 00:38:30,040
Speaker 2: it back then. You're just right going to work saying

859
00:38:30,080 --> 00:38:31,400
Speaker 2: these lines makes sense to me.

860
00:38:31,800 --> 00:38:32,320
Speaker 4: I can see it.

861
00:38:32,360 --> 00:38:34,560
Speaker 1: Also, you may have known it a little bit, but

862
00:38:34,560 --> 00:38:37,279
Speaker 1: who knows. We're also maybe this season.

863
00:38:37,600 --> 00:38:39,200
Speaker 3: And you know, the script is the script.

864
00:38:39,600 --> 00:38:41,000
Speaker 4: There you go, script is the script.

865
00:38:41,360 --> 00:38:45,360
Speaker 5: So Jane is returning home, she finds Michael packing her suitcase.

866
00:38:45,400 --> 00:38:47,560
Speaker 5: He says he's taking her away for a romantic weekend,

867
00:38:47,560 --> 00:38:49,800
Speaker 5: and he begs her to give him a chance, saying

868
00:38:49,800 --> 00:38:52,480
Speaker 5: that maybe this could be a start and.

869
00:38:52,520 --> 00:38:54,440
Speaker 1: Isn't a word. He says, I packed for you, your

870
00:38:54,480 --> 00:38:58,520
Speaker 1: favorite dress, your favorite jean's, your favorite perfume. I thought

871
00:38:58,600 --> 00:38:59,840
Speaker 1: that seemed weird to me.

872
00:39:00,200 --> 00:39:02,080
Speaker 2: It did it because it seemed to me. It seemed

873
00:39:02,120 --> 00:39:05,120
Speaker 2: great to me. Spot on, like good packing. Yeah, because

874
00:39:05,200 --> 00:39:07,040
Speaker 2: dress because I want to take you for dinner. Jeans

875
00:39:07,040 --> 00:39:11,080
Speaker 2: because you want to be comfortable. Like he didn't say sexy, negge,

876
00:39:11,360 --> 00:39:13,160
Speaker 2: because I you don't know, so I can get what

877
00:39:13,200 --> 00:39:16,480
Speaker 2: I want. He said, dress, jeans, and then perfume. I

878
00:39:16,480 --> 00:39:19,959
Speaker 2: thought that was thoughtful, the only thoughtful thing that Mike

879
00:39:20,200 --> 00:39:20,680
Speaker 2: has done.

880
00:39:21,200 --> 00:39:21,359
Speaker 1: Well.

881
00:39:21,400 --> 00:39:23,680
Speaker 5: She does agree to go, and she's like, this is

882
00:39:23,719 --> 00:39:25,960
Speaker 5: not gonna, you know, fix and he's he's like, I know,

883
00:39:26,000 --> 00:39:28,040
Speaker 5: maybe it won't fix everything, but maybe it could be

884
00:39:28,080 --> 00:39:30,720
Speaker 5: a start. So she's willing to take this baby step

885
00:39:30,760 --> 00:39:31,520
Speaker 5: and see what happens.

886
00:39:31,600 --> 00:39:33,319
Speaker 1: I would have to say, we need to stop right here.

887
00:39:33,400 --> 00:39:35,440
Speaker 1: Do you have my cleanser and my toner? Right you

888
00:39:35,520 --> 00:39:37,920
Speaker 1: have my good cream, my neck creams. You have a

889
00:39:37,960 --> 00:39:40,520
Speaker 1: sheet mask in case it's dry, but there's a lot

890
00:39:40,560 --> 00:39:41,680
Speaker 1: of stuff that wasn't covered.

891
00:39:41,880 --> 00:39:42,160
Speaker 3: Yeah.

892
00:39:42,160 --> 00:39:43,520
Speaker 4: I thought it was very cute.

893
00:39:44,600 --> 00:39:49,320
Speaker 5: So Billy then is accompanying Amanda back to her place

894
00:39:49,320 --> 00:39:51,360
Speaker 5: in the marina. She's so, she's out the hospital, and

895
00:39:51,360 --> 00:39:54,120
Speaker 5: she tells him he's being very sweet, and Billy says

896
00:39:54,160 --> 00:39:56,440
Speaker 5: he told his work that it was a family emergency,

897
00:39:56,800 --> 00:39:59,640
Speaker 5: and Billy is Amanda's very touched by that, saying.

898
00:39:59,480 --> 00:40:05,000
Speaker 3: Oh, Emily, that's so nice, oh dear. So Allison is

899
00:40:05,040 --> 00:40:08,480
Speaker 3: returning home to her empty apartment. She's pouring herself a

900
00:40:08,600 --> 00:40:12,040
Speaker 3: drink and she answers the phone. There's before she.

901
00:40:11,960 --> 00:40:13,600
Speaker 1: Comes in, and there's a message on the phone from

902
00:40:13,640 --> 00:40:15,800
Speaker 1: Billy saying, I'm an Amanda's come on over if you

903
00:40:15,840 --> 00:40:18,600
Speaker 1: want to. How weird is that?

904
00:40:18,719 --> 00:40:18,919
Speaker 3: Yeah?

905
00:40:18,960 --> 00:40:21,480
Speaker 5: She said no, yeah, no, so maybe and that's what

906
00:40:21,600 --> 00:40:22,640
Speaker 5: drives her to poor drink.

907
00:40:22,680 --> 00:40:24,960
Speaker 3: And we find that she's keeping a bottle of vodka on.

908
00:40:24,920 --> 00:40:28,440
Speaker 4: This This is not the fun to see Allison, by

909
00:40:28,480 --> 00:40:28,759
Speaker 4: the way.

910
00:40:28,840 --> 00:40:31,240
Speaker 1: Yeah. And she's not even putting in the freezer anymore.

911
00:40:31,280 --> 00:40:36,279
Speaker 1: She's just got warm in a water glass and drink

912
00:40:37,160 --> 00:40:39,720
Speaker 1: harm gloss, not even a mixer. Yeah.

913
00:40:39,760 --> 00:40:41,680
Speaker 5: And she answers the phone, which is ringing, and it's

914
00:40:41,680 --> 00:40:44,239
Speaker 5: a bunch of scary heavy breathing on the other end.

915
00:40:44,320 --> 00:40:46,399
Speaker 5: She hangs up. It's a prank call. She assumes it's

916
00:40:46,480 --> 00:40:50,520
Speaker 5: Brett the jerk from work, and she angrily says, this

917
00:40:50,600 --> 00:40:52,920
Speaker 5: is funny. And then a second call comes, and this

918
00:40:53,080 --> 00:40:55,920
Speaker 5: time a creepy voice says, I'm watching you.

919
00:40:57,000 --> 00:40:58,600
Speaker 4: Like the horror movie I was talking about.

920
00:40:58,880 --> 00:41:02,680
Speaker 5: Yeah, and Alison is scared and she says she's gonna

921
00:41:02,680 --> 00:41:05,520
Speaker 5: call the cops, but she you know, downs her vodka

922
00:41:05,560 --> 00:41:06,839
Speaker 5: and pulls the chain across the door.

923
00:41:07,760 --> 00:41:09,960
Speaker 1: As soon as I have one more drink, I am

924
00:41:10,120 --> 00:41:11,120
Speaker 1: on it with the cotton.

925
00:41:11,120 --> 00:41:14,800
Speaker 3: You just this will go on, This will keep me safe.

926
00:41:15,920 --> 00:41:16,120
Speaker 1: Yep.

927
00:41:16,760 --> 00:41:19,440
Speaker 5: So then we cut to the romantic rooftop hotel where

928
00:41:19,520 --> 00:41:22,800
Speaker 5: Michael is whining and dining Jane, telling her he's so

929
00:41:22,840 --> 00:41:25,080
Speaker 5: sorry and that he made made a huge mistake. He'll

930
00:41:25,120 --> 00:41:27,000
Speaker 5: always regret it. And he tells her he hates that

931
00:41:27,040 --> 00:41:28,280
Speaker 5: he caused her any pain.

932
00:41:28,120 --> 00:41:31,000
Speaker 1: And well, but he says it in such way he says,

933
00:41:31,040 --> 00:41:33,360
Speaker 1: don't you realize how much it hurts me to have

934
00:41:33,520 --> 00:41:38,200
Speaker 1: caused you pain? I'm miserable, like the most narcissistic way

935
00:41:38,280 --> 00:41:40,160
Speaker 1: to almost not even apology.

936
00:41:39,880 --> 00:41:42,280
Speaker 3: Turn her pain into ye, what about mine?

937
00:41:42,600 --> 00:41:44,759
Speaker 1: My pain hurting you is worse than the pain you

938
00:41:44,800 --> 00:41:45,600
Speaker 1: have from being hurt.

939
00:41:45,920 --> 00:41:48,200
Speaker 3: But if you can find it within yourself to forgive me.

940
00:41:48,280 --> 00:41:50,839
Speaker 5: Maybe one day, you know, you'll forget all about this

941
00:41:50,840 --> 00:41:52,719
Speaker 5: once I'm a doctor and we're living in our big,

942
00:41:52,760 --> 00:41:57,640
Speaker 5: beautiful house with all our children fantasy pains, and is

943
00:41:58,200 --> 00:42:00,160
Speaker 5: Jane is you know, sort of sucked back in by that,

944
00:42:00,360 --> 00:42:02,640
Speaker 5: and they kiss and she says she does want that,

945
00:42:02,680 --> 00:42:05,120
Speaker 5: and pretty soon they're tearing at each other's clothes. They

946
00:42:05,160 --> 00:42:08,640
Speaker 5: end up sort of stumbling back inside to the Did.

947
00:42:08,480 --> 00:42:10,959
Speaker 1: You just notice though, that when he's kissing her neck,

948
00:42:11,640 --> 00:42:14,280
Speaker 1: did he sort of look up like he wasn't really?

949
00:42:14,400 --> 00:42:17,640
Speaker 5: Yes, we saw that same thing where he looks over

950
00:42:17,680 --> 00:42:20,280
Speaker 5: her shoulder like he's thinking about something else, or someone

951
00:42:20,280 --> 00:42:21,560
Speaker 5: else or someone else.

952
00:42:21,760 --> 00:42:21,920
Speaker 7: Yea.

953
00:42:28,080 --> 00:42:30,799
Speaker 5: So then we cut to more than tipsy Alison. I

954
00:42:30,800 --> 00:42:33,720
Speaker 5: believe she's now on too drunk Allison, because she's passed

955
00:42:33,719 --> 00:42:37,480
Speaker 5: out on the couch in her fizzy robe. She's napping, Laura, Oh, right,

956
00:42:37,600 --> 00:42:44,799
Speaker 5: that's what I meant, And then her thoughts right, Billy.

957
00:42:44,520 --> 00:42:48,239
Speaker 5: Her hair is frazzled, but she's peaceful. Billy tries to

958
00:42:48,239 --> 00:42:49,799
Speaker 5: get back into the apartment, but of course the chain

959
00:42:49,880 --> 00:42:53,280
Speaker 5: is over the door, and Alison stumbles up from the couch,

960
00:42:53,520 --> 00:42:56,279
Speaker 5: lets him in, tells him, you know he can't just

961
00:42:56,280 --> 00:42:58,239
Speaker 5: go from Amanda's bed to hers.

962
00:42:58,920 --> 00:43:07,040
Speaker 4: I wasn't in her bed on it. Oh, okay, sorry.

963
00:43:06,160 --> 00:43:08,440
Speaker 3: So she does tell him she just feels really alone.

964
00:43:08,520 --> 00:43:10,440
Speaker 5: It doesn't feel like Billy's heart is here with her,

965
00:43:10,560 --> 00:43:13,000
Speaker 5: and she doesn't think she can count on him, especially.

966
00:43:12,640 --> 00:43:14,440
Speaker 3: If the building is sold and she has to move

967
00:43:14,480 --> 00:43:17,400
Speaker 3: somewhere else. You know, why did I ever leave Seattle?

968
00:43:17,520 --> 00:43:20,400
Speaker 3: She says? There was someone there who loved me, and.

969
00:43:20,520 --> 00:43:23,800
Speaker 4: You know, and the camera pulls out through the blinds.

970
00:43:24,080 --> 00:43:28,040
Speaker 5: Wouldn't you know, creepy Keith stalking and watching this whole

971
00:43:28,040 --> 00:43:28,880
Speaker 5: thing through the window.

972
00:43:29,040 --> 00:43:30,919
Speaker 1: Well, wouldn't be as bad if she would stop talking

973
00:43:30,960 --> 00:43:33,520
Speaker 1: about him all the time, if you're true, But she wasn't,

974
00:43:33,560 --> 00:43:36,560
Speaker 1: saying I sure miss him. Here are the letters I know.

975
00:43:36,880 --> 00:43:40,360
Speaker 4: Every time she says that he's he's like off in

976
00:43:40,440 --> 00:43:41,440
Speaker 4: the watching.

977
00:43:41,760 --> 00:43:46,480
Speaker 5: Clearly the worst choice Allison could ever make. Yeah, So

978
00:43:46,520 --> 00:43:48,920
Speaker 5: we cut to Randa telling Matt that she's been hinting

979
00:43:48,960 --> 00:43:51,279
Speaker 5: to Terrence that she wants to get him to propose again,

980
00:43:51,320 --> 00:43:53,839
Speaker 5: but she's not taking the hints. And Matt says that

981
00:43:53,880 --> 00:43:56,680
Speaker 5: she might have to propose to Terrence, and he has

982
00:43:56,680 --> 00:44:00,520
Speaker 5: an idea, and he suggests how about a Chinese restaurant.

983
00:44:01,080 --> 00:44:03,000
Speaker 5: Then we go back to D and D, where Allison

984
00:44:03,040 --> 00:44:06,520
Speaker 5: is congratulating Amanda because apparently she's now gotten the VP role.

985
00:44:06,880 --> 00:44:09,800
Speaker 1: Yes, and they're the best of friends again, yep.

986
00:44:10,200 --> 00:44:13,279
Speaker 5: And Amanda thanks Allison for sticking buyer congratulates her too

987
00:44:13,320 --> 00:44:16,520
Speaker 5: because now Alison's going to be promoted, And Amanda says

988
00:44:16,520 --> 00:44:19,040
Speaker 5: that whatever happens with Billy happens, and we should just

989
00:44:19,120 --> 00:44:19,879
Speaker 5: leave it at the door.

990
00:44:20,120 --> 00:44:22,040
Speaker 1: That'd beay, it'll be super easy.

991
00:44:22,239 --> 00:44:25,279
Speaker 3: Yeah, this is a great plan, right, we can grow,

992
00:44:25,520 --> 00:44:25,719
Speaker 3: you know.

993
00:44:25,800 --> 00:44:29,560
Speaker 5: And yeah, at work, we do this. Whatever happens happens.

994
00:44:30,560 --> 00:44:33,440
Speaker 5: And of course Allison receives another threatening note. It looks

995
00:44:33,480 --> 00:44:36,360
Speaker 5: like a lovely greeting card on the front, but the

996
00:44:36,400 --> 00:44:40,000
Speaker 5: word bitch is scrolled.

997
00:44:39,480 --> 00:44:45,720
Speaker 1: Inside, big capital angry letters, very angry, dark, scary.

998
00:44:45,800 --> 00:44:49,040
Speaker 5: So Allison storms into Brett's office, assuming he's sending these awful,

999
00:44:49,160 --> 00:44:52,120
Speaker 5: menacing things, and she tells Brett the games have just

1000
00:44:52,120 --> 00:44:52,880
Speaker 5: got to stop.

1001
00:44:53,160 --> 00:44:54,000
Speaker 3: He's confused.

1002
00:44:54,120 --> 00:44:56,880
Speaker 5: She threatens to call the police, calls him a pathetic slug,

1003
00:44:56,960 --> 00:45:00,120
Speaker 5: and he says he has had nothing to do with it.

1004
00:45:00,160 --> 00:45:04,200
Speaker 5: Allison is the immediate believer, he seems believable, and.

1005
00:45:05,520 --> 00:45:06,320
Speaker 4: He goes, I did not.

1006
00:45:06,560 --> 00:45:09,719
Speaker 1: She goes, okay, then, yeah, I agree.

1007
00:45:09,400 --> 00:45:11,440
Speaker 3: And then she storms out, gee, I wonder who it

1008
00:45:11,480 --> 00:45:16,080
Speaker 3: could be. Yeah, if it not you, then who. So

1009
00:45:16,239 --> 00:45:17,719
Speaker 3: we got to Michael and Kimberly, who were.

1010
00:45:17,640 --> 00:45:21,279
Speaker 5: Walking outside the hospital, and she's telling him that she's

1011
00:45:21,320 --> 00:45:22,880
Speaker 5: willing to be friends and leave it at that.

1012
00:45:23,880 --> 00:45:26,600
Speaker 3: All of a sudden, she's fine with that. Michael, however,

1013
00:45:27,360 --> 00:45:29,960
Speaker 3: asks how she feels about sleeping with a married man

1014
00:45:30,000 --> 00:45:31,600
Speaker 3: who plans on staying that way.

1015
00:45:32,080 --> 00:45:34,120
Speaker 1: Now, let me ask you something that he's offering. But

1016
00:45:35,000 --> 00:45:38,000
Speaker 1: this felt robotic to me, and I think it was looped.

1017
00:45:38,200 --> 00:45:40,640
Speaker 3: It was totally looping. The looping was so bad in

1018
00:45:40,680 --> 00:45:41,040
Speaker 3: the scene.

1019
00:45:41,160 --> 00:45:43,480
Speaker 1: The looping means for the audience that when the sound

1020
00:45:43,520 --> 00:45:45,319
Speaker 1: is bad, you have to go into a studio and

1021
00:45:45,400 --> 00:45:48,319
Speaker 1: try to match your lips to what you were saying.

1022
00:45:48,360 --> 00:45:51,520
Speaker 1: So it's very hard to be emotionally connected because you're

1023
00:45:51,520 --> 00:45:54,520
Speaker 1: having to match what you said before you're looking at yourself.

1024
00:45:55,160 --> 00:45:58,600
Speaker 4: It's really and this makes sense because this was outside.

1025
00:45:58,480 --> 00:46:01,320
Speaker 5: And their hair is blowing around a lot over traffic

1026
00:46:01,440 --> 00:46:04,759
Speaker 5: or something. Yeah, it was a very windy moment, and

1027
00:46:04,800 --> 00:46:07,320
Speaker 5: I'm sure that wind was a problem in the mics

1028
00:46:07,680 --> 00:46:09,000
Speaker 5: on the day, so they had to go back in

1029
00:46:09,040 --> 00:46:12,319
Speaker 5: and loop, and it did change the inflection and the

1030
00:46:12,320 --> 00:46:14,720
Speaker 5: emotion that should have been in style.

1031
00:46:14,840 --> 00:46:19,560
Speaker 4: A note on that logic. I didnt attribute it to looping.

1032
00:46:19,640 --> 00:46:21,960
Speaker 2: I thought it was his choice of like being very

1033
00:46:22,680 --> 00:46:25,239
Speaker 2: matter of fact. Either he's kind of sociopathic, like I

1034
00:46:25,239 --> 00:46:28,080
Speaker 2: said already, or he's like, so, let's see, how would

1035
00:46:28,080 --> 00:46:30,200
Speaker 2: you feel about having sex with a married man if

1036
00:46:30,520 --> 00:46:31,160
Speaker 2: she wants.

1037
00:46:30,960 --> 00:46:32,920
Speaker 4: To stay she wants to stay that way, and she's.

1038
00:46:32,800 --> 00:46:35,080
Speaker 2: Like answers, and then he's like, because I keep having

1039
00:46:35,120 --> 00:46:37,719
Speaker 2: flashes of us in bed together all the time, and I.

1040
00:46:37,800 --> 00:46:40,440
Speaker 5: Just yeah, the truth is, I think it's both he

1041
00:46:40,520 --> 00:46:44,400
Speaker 5: is sociopathic and I'm totally sociopathic, because we're learning that

1042
00:46:44,520 --> 00:46:48,160
Speaker 5: he just had this romantic weekend with his wife and

1043
00:46:48,360 --> 00:46:50,600
Speaker 5: he's still going back to Kimberly saying, Hey, I can't

1044
00:46:50,600 --> 00:46:51,440
Speaker 5: stop thinking about you.

1045
00:46:51,480 --> 00:46:53,000
Speaker 3: I still want to sleep with you. Are you okay

1046
00:46:53,040 --> 00:46:54,279
Speaker 3: with that? I'm going to stay married though.

1047
00:46:54,400 --> 00:46:57,839
Speaker 2: It's really it's really Michael Mancini coming to his own

1048
00:46:57,960 --> 00:46:59,560
Speaker 2: as we will all know and hate him.

1049
00:47:00,040 --> 00:47:03,160
Speaker 4: Yeah, he's really coming into that personality.

1050
00:47:02,480 --> 00:47:05,040
Speaker 3: And they end up kissing right out there in.

1051
00:47:05,000 --> 00:47:08,360
Speaker 1: Their left pout on the hospital walk away right in

1052
00:47:08,400 --> 00:47:11,160
Speaker 1: the open. Yeah really, I didn't.

1053
00:47:10,960 --> 00:47:12,720
Speaker 4: See tongue, but I saw mouths open.

1054
00:47:12,960 --> 00:47:13,720
Speaker 1: Okay. Wow.

1055
00:47:14,160 --> 00:47:18,720
Speaker 5: So then Amanda, Amanda is back at work calling Billy

1056
00:47:18,760 --> 00:47:22,040
Speaker 5: from her desk which is right next to Amanda's or

1057
00:47:22,160 --> 00:47:24,560
Speaker 5: Alison's desk. She's calling Billy telling him that she got

1058
00:47:24,600 --> 00:47:27,280
Speaker 5: the promotion, asking if they can celebrate over dinner tonight.

1059
00:47:27,640 --> 00:47:30,080
Speaker 3: He says yes, then he clicks over to another incoming

1060
00:47:30,120 --> 00:47:32,080
Speaker 3: call and it's Alison.

1061
00:47:32,120 --> 00:47:36,720
Speaker 2: Right behind her. So the shot is Amanda in the foreground.

1062
00:47:36,239 --> 00:47:39,320
Speaker 4: Talking to him and Alison behind shot.

1063
00:47:39,280 --> 00:47:42,080
Speaker 5: A little telephone comedy, and Alice was telling Billy that

1064
00:47:42,200 --> 00:47:44,880
Speaker 5: she's freaking out about everything scary and all this stuff

1065
00:47:44,920 --> 00:47:46,319
Speaker 5: that's going on for her and she needs to see

1066
00:47:46,360 --> 00:47:49,200
Speaker 5: him tonight. Billy clicks his phone back over to Amanda,

1067
00:47:49,600 --> 00:47:51,120
Speaker 5: tells Amanda he has a work.

1068
00:47:50,960 --> 00:47:53,680
Speaker 3: Thing, so they should celebrate, so he lies to her.

1069
00:47:53,760 --> 00:47:56,480
Speaker 5: I'm glad he lies to Amanda picks, you know, being

1070
00:47:56,480 --> 00:47:57,680
Speaker 5: there for him allad moment.

1071
00:47:58,480 --> 00:48:00,880
Speaker 4: But after Laria, So that comedy that he did, yeah,

1072
00:48:00,920 --> 00:48:02,080
Speaker 4: it was very funny.

1073
00:48:01,920 --> 00:48:04,120
Speaker 3: But he is sort of caught in his lie when

1074
00:48:04,960 --> 00:48:07,160
Speaker 3: Amanda tells Alison take the rest of the day off

1075
00:48:07,200 --> 00:48:09,840
Speaker 3: and Alice's Allison says, that's okay because Billy's going to

1076
00:48:09,880 --> 00:48:10,840
Speaker 3: meet me after work tonight.

1077
00:48:11,040 --> 00:48:13,359
Speaker 1: But he really should have said, you know, Amanda would

1078
00:48:13,360 --> 00:48:15,439
Speaker 1: love to celebrate you. Alison really needs me, Like that's

1079
00:48:15,440 --> 00:48:17,000
Speaker 1: what you want him to say, but no one ever

1080
00:48:17,000 --> 00:48:18,959
Speaker 1: says what they mean. It ends with Billy and Elson.

1081
00:48:19,080 --> 00:48:22,560
Speaker 5: Yeah, we're back at the Chinese restaurant with Rondon Terrence,

1082
00:48:22,600 --> 00:48:25,080
Speaker 5: and her proposal idea gets all screwed up when the

1083
00:48:25,120 --> 00:48:27,560
Speaker 5: wrong fortune cookies are delivered to the table. So she

1084
00:48:27,640 --> 00:48:30,520
Speaker 5: just says to Terrence, you know, will you marry me?

1085
00:48:30,560 --> 00:48:31,800
Speaker 5: And of course he says yes.

1086
00:48:32,360 --> 00:48:34,640
Speaker 4: Well, I mean, I thought this was really funny because

1087
00:48:34,960 --> 00:48:37,520
Speaker 4: she's like, they bring the fortune cookies and they're in

1088
00:48:37,560 --> 00:48:38,799
Speaker 4: the middle of dinner and he's like, what are they

1089
00:48:38,800 --> 00:48:41,239
Speaker 4: trying to rush us? And she's like, no, no, just pick one,

1090
00:48:41,320 --> 00:48:43,880
Speaker 4: just pick one. And it's the wrong it's a regular fortune.

1091
00:48:43,880 --> 00:48:44,560
Speaker 3: It doesn't even work.

1092
00:48:44,719 --> 00:48:46,640
Speaker 4: He doesn't say, you know, will you marry me?

1093
00:48:46,680 --> 00:48:48,319
Speaker 2: And she's like, no, pick the other one, and he

1094
00:48:48,440 --> 00:48:51,279
Speaker 2: does and says something else and she's like, oh, but

1095
00:48:51,960 --> 00:48:54,239
Speaker 2: when they finally when she finally asks them, and you

1096
00:48:54,320 --> 00:48:55,600
Speaker 2: finally kisses her hand.

1097
00:48:55,719 --> 00:48:59,880
Speaker 4: I'm like, wow, one relationship in this show that works.

1098
00:49:00,040 --> 00:49:04,040
Speaker 4: It's a healthy, loving relationship that's true. And no wonder

1099
00:49:04,040 --> 00:49:05,799
Speaker 4: they had to leave the show. I mean it was cute.

1100
00:49:05,800 --> 00:49:11,359
Speaker 5: And Vanessa's just like joyful and yeah, just brightly lit

1101
00:49:11,440 --> 00:49:14,840
Speaker 5: and beautiful and happy her choice right, very sweet.

1102
00:49:16,719 --> 00:49:19,359
Speaker 3: And Keith, we're back to Keith.

1103
00:49:19,400 --> 00:49:22,600
Speaker 5: He's again stalking Alison outside the apartment. Billy and Allison

1104
00:49:22,600 --> 00:49:26,239
Speaker 5: are walking home at night, and Alison shears all the

1105
00:49:26,280 --> 00:49:29,200
Speaker 5: scary stuff she's been getting and says she feels vulnerable.

1106
00:49:29,400 --> 00:49:31,719
Speaker 5: She's telling Billy, you know, especially because I don't know

1107
00:49:31,840 --> 00:49:35,520
Speaker 5: where things stand with you. And Billy here says that

1108
00:49:35,560 --> 00:49:38,000
Speaker 5: he's crazy about her and he just needs some time

1109
00:49:38,520 --> 00:49:40,400
Speaker 5: to get resolution with Amanda.

1110
00:49:42,040 --> 00:49:43,280
Speaker 3: So this feels hopeful.

1111
00:49:43,719 --> 00:49:46,400
Speaker 5: And then they decide to just stay and watch an

1112
00:49:46,440 --> 00:49:47,520
Speaker 5: old movie and eat popcorn.

1113
00:49:47,560 --> 00:49:49,640
Speaker 3: Billy says he'll go rent a video. He just has

1114
00:49:49,680 --> 00:49:50,800
Speaker 3: to be right back.

1115
00:49:52,160 --> 00:49:55,160
Speaker 5: She goes inside and he is then brutally attacked on

1116
00:49:55,239 --> 00:49:56,480
Speaker 5: the street from behind.

1117
00:49:57,080 --> 00:49:59,480
Speaker 1: What is he hitting him with? Did you guys know what?

1118
00:49:59,520 --> 00:49:59,719
Speaker 4: Wow?

1119
00:50:00,120 --> 00:50:02,440
Speaker 5: No, but it was definitely a blunt object. For like,

1120
00:50:02,520 --> 00:50:05,440
Speaker 5: Billy can't see at all who is attacking and it

1121
00:50:05,600 --> 00:50:07,680
Speaker 5: kicks him, kicks him on the ground.

1122
00:50:07,680 --> 00:50:08,800
Speaker 3: It's super brutal, scary.

1123
00:50:10,120 --> 00:50:11,160
Speaker 1: So now the whole.

1124
00:50:10,960 --> 00:50:12,839
Speaker 3: Gang is back at the hospital for the second time.

1125
00:50:12,840 --> 00:50:13,640
Speaker 3: In this episode.

1126
00:50:14,320 --> 00:50:17,520
Speaker 5: There's Joe, there's Jake, Amanda, Alison, Matt and Jane. They're

1127
00:50:17,560 --> 00:50:20,880
Speaker 5: all in the waiting room and then Keith shows up.

1128
00:50:22,000 --> 00:50:23,920
Speaker 3: With flowers in his arms.

1129
00:50:24,280 --> 00:50:26,680
Speaker 5: Yeah, Everybody's like what and he claims he's in town

1130
00:50:26,760 --> 00:50:28,520
Speaker 5: on business and he heard what happened to Billy, so

1131
00:50:28,520 --> 00:50:29,880
Speaker 5: he just came right over the hospital.

1132
00:50:30,000 --> 00:50:33,120
Speaker 2: Yeah, so this is is this the first time they

1133
00:50:33,160 --> 00:50:33,759
Speaker 2: all see him?

1134
00:50:33,760 --> 00:50:35,480
Speaker 4: He's been creeping around all episode.

1135
00:50:35,600 --> 00:50:39,080
Speaker 2: No one knew he was there until he's in town. Yeah,

1136
00:50:39,120 --> 00:50:41,399
Speaker 2: Alison didn't know where anything. This is the first time

1137
00:50:41,480 --> 00:50:43,279
Speaker 2: he shows up in the hospital.

1138
00:50:43,760 --> 00:50:46,080
Speaker 4: Yeah, like, what do you mean you heard?

1139
00:50:46,200 --> 00:50:46,960
Speaker 3: And this is.

1140
00:50:46,920 --> 00:50:49,919
Speaker 5: Again like signs of the other thing where he tries

1141
00:50:49,960 --> 00:50:51,920
Speaker 5: to swoop in and act like the good guy and

1142
00:50:51,960 --> 00:50:54,640
Speaker 5: he's really the one who's caused it all right if

1143
00:50:54,680 --> 00:50:58,400
Speaker 5: that other episode, yeah was actually.

1144
00:50:58,080 --> 00:51:02,520
Speaker 4: Him, but it's so out of very bizarre, talking about

1145
00:51:02,520 --> 00:51:03,399
Speaker 4: a fish out of water.

1146
00:51:03,840 --> 00:51:06,600
Speaker 5: Yeah, he is definitely out of place in this waiting

1147
00:51:06,640 --> 00:51:11,359
Speaker 5: room when everybody and even Allison's not very warm and

1148
00:51:11,400 --> 00:51:14,319
Speaker 5: happy to see him. She's like, oh, thank you for

1149
00:51:14,360 --> 00:51:17,759
Speaker 5: the flowers. Whatever, She's a little weirded out by it,

1150
00:51:19,280 --> 00:51:20,479
Speaker 5: and Michael enters.

1151
00:51:20,520 --> 00:51:22,520
Speaker 3: He gives everyone the report on how Billy's doing.

1152
00:51:22,600 --> 00:51:27,280
Speaker 5: Amanda and Allison together go into his room to see him,

1153
00:51:27,680 --> 00:51:30,800
Speaker 5: and Billy tells them both that he can't remember anything.

1154
00:51:30,920 --> 00:51:33,200
Speaker 5: Allison says she feels terrible that maybe his attack is

1155
00:51:33,239 --> 00:51:37,120
Speaker 5: connected to the threats that she's been receiving. He thanks

1156
00:51:37,239 --> 00:51:39,880
Speaker 5: both of the ladies for being there for him, and meanwhile,

1157
00:51:41,200 --> 00:51:44,440
Speaker 5: Jane goes to the nurses station and asks how she

1158
00:51:44,480 --> 00:51:45,880
Speaker 5: can find Kimberly.

1159
00:51:45,680 --> 00:51:48,239
Speaker 4: The real reason she came to the hospital.

1160
00:51:48,880 --> 00:51:49,760
Speaker 3: And.

1161
00:51:51,719 --> 00:51:55,560
Speaker 5: So we have every character in this hospital scene in

1162
00:51:55,640 --> 00:51:58,920
Speaker 5: this moment in the episode, and she stops Kimberly in

1163
00:51:58,920 --> 00:52:01,920
Speaker 5: the hallway to have a little chat. Kimberly tries to

1164
00:52:01,920 --> 00:52:04,319
Speaker 5: walk away, but Jane stops her very firmly and tells

1165
00:52:04,320 --> 00:52:06,680
Speaker 5: her that her marriage is more than just sex and

1166
00:52:06,719 --> 00:52:08,840
Speaker 5: that she and Michael have a deep and lasting bond

1167
00:52:08,920 --> 00:52:11,839
Speaker 5: and to stay the hell out Jeane.

1168
00:52:11,600 --> 00:52:14,319
Speaker 1: And Kimberly sort of folds her own and stays calm

1169
00:52:14,400 --> 00:52:16,719
Speaker 1: until Jane says, I just wanted to tell you that

1170
00:52:16,760 --> 00:52:20,200
Speaker 1: I think you're disgusting. And then Kimberly loses it and says,

1171
00:52:20,360 --> 00:52:22,680
Speaker 1: it's not over. Since you're being honest, I thought you

1172
00:52:22,719 --> 00:52:25,680
Speaker 1: should know. And then this was so weird to me.

1173
00:52:25,800 --> 00:52:28,640
Speaker 1: She starts saying I'm so sorry, I'm so sorry, and

1174
00:52:28,640 --> 00:52:32,000
Speaker 1: we end on her crying. Didn't you think that was

1175
00:52:32,120 --> 00:52:33,920
Speaker 1: it's whiplash? Like what is happening?

1176
00:52:34,400 --> 00:52:39,000
Speaker 3: It is like her guilt over it is you know.

1177
00:52:39,440 --> 00:52:42,719
Speaker 4: Also, well, she's sorry that she told her she's destroying her.

1178
00:52:42,760 --> 00:52:44,960
Speaker 4: She's destroying her again by telling her the truth that

1179
00:52:45,000 --> 00:52:48,000
Speaker 4: it's not over. I thought that's what I thought from it.

1180
00:52:48,719 --> 00:52:51,360
Speaker 2: Yeah, I love that how they shut They used a

1181
00:52:51,480 --> 00:52:55,920
Speaker 2: very boring, potentially boring hallway, did you notice that? And

1182
00:52:56,440 --> 00:52:58,960
Speaker 2: it happens on one side of the doors, the double doors,

1183
00:52:59,040 --> 00:53:02,719
Speaker 2: and then, you know, Jane says, you're disgusting, and I

1184
00:53:02,760 --> 00:53:05,520
Speaker 2: hope this happens to you one day, you horrible person.

1185
00:53:05,560 --> 00:53:09,000
Speaker 2: And then she leaves and then Kimberly stops herself and

1186
00:53:09,000 --> 00:53:11,319
Speaker 2: then she goes through those doors and there's another.

1187
00:53:11,040 --> 00:53:11,640
Speaker 4: Set of doors.

1188
00:53:11,760 --> 00:53:13,920
Speaker 2: Thought it was a beautiful dance in what could have

1189
00:53:13,960 --> 00:53:15,120
Speaker 2: been just a boring hallway.

1190
00:53:15,239 --> 00:53:17,600
Speaker 5: Yeah, they definitely staged it where they used a space

1191
00:53:17,719 --> 00:53:23,000
Speaker 5: and kept moving through the doors as the scene escalated. Yeah,

1192
00:53:23,040 --> 00:53:25,160
Speaker 5: and she says, you know what, don't be sorry, because

1193
00:53:25,160 --> 00:53:28,560
Speaker 5: if it's true, he is all yours, I'm getting a divorce.

1194
00:53:29,040 --> 00:53:31,239
Speaker 4: That was it was just terrible because Kimberly said, I

1195
00:53:31,320 --> 00:53:33,440
Speaker 4: know all about your weekend, your.

1196
00:53:33,440 --> 00:53:37,400
Speaker 3: Night away, Like, guess what he's not given me, amend Yeah.

1197
00:53:37,280 --> 00:53:41,080
Speaker 4: Yeah, it's not over. And you're just like, she's just evil,

1198
00:53:41,400 --> 00:53:41,640
Speaker 4: you know.

1199
00:53:41,719 --> 00:53:43,680
Speaker 1: But it was so good at Jane confronted her to

1200
00:53:43,800 --> 00:53:46,600
Speaker 1: find out, right, like, that wasn't her intention. But I'm

1201
00:53:46,840 --> 00:53:47,400
Speaker 1: so glad.

1202
00:53:47,680 --> 00:53:50,240
Speaker 4: Yeah, she popped the bubble and she found out the truth.

1203
00:53:50,800 --> 00:53:51,880
Speaker 4: She couldn't make a choice.

1204
00:53:52,160 --> 00:53:54,440
Speaker 3: Yeah.

1205
00:53:54,480 --> 00:53:58,200
Speaker 5: So then we're back with Amanda where she's making Billy laugh.

1206
00:53:58,520 --> 00:54:00,080
Speaker 3: Well he's Amanda.

1207
00:53:59,719 --> 00:54:02,400
Speaker 1: Ol and on our opposite sides of the bed. Yeah,

1208
00:54:02,440 --> 00:54:05,440
Speaker 1: and Amanda's being charm and Alison is way out of

1209
00:54:05,440 --> 00:54:08,279
Speaker 1: her death She's trying to interject and just not She

1210
00:54:08,320 --> 00:54:09,360
Speaker 1: can't compete with Amanda.

1211
00:54:09,520 --> 00:54:12,120
Speaker 5: She can't, she can't get herself into the conversation in

1212
00:54:12,120 --> 00:54:13,839
Speaker 5: the same way. And she says, you know, we really

1213
00:54:13,840 --> 00:54:15,600
Speaker 5: need to leave, We need to let Billy get some rest.

1214
00:54:15,680 --> 00:54:19,440
Speaker 5: But Amanda conveniently forgets her purse, so she has to

1215
00:54:19,440 --> 00:54:21,160
Speaker 5: turn around and go back into Billy.

1216
00:54:21,360 --> 00:54:24,400
Speaker 4: Alice and learn last time, I don't care if you're exhausted,

1217
00:54:24,480 --> 00:54:26,600
Speaker 4: it's four in the morning, don't suggest.

1218
00:54:26,239 --> 00:54:29,759
Speaker 1: That you leave, because yeah, yeah, you're gonna be the

1219
00:54:29,800 --> 00:54:31,040
Speaker 1: only one that leaves.

1220
00:54:31,640 --> 00:54:34,400
Speaker 4: Right, nobody's gonna leave with you, and they're gonna be

1221
00:54:34,440 --> 00:54:36,439
Speaker 4: alone together. Didn't you learn the last time?

1222
00:54:36,960 --> 00:54:38,880
Speaker 3: Yeah, And here Amanda takes the opportunity.

1223
00:54:39,000 --> 00:54:41,080
Speaker 2: Yeah, you guys have been there in the past where

1224
00:54:41,120 --> 00:54:42,759
Speaker 2: you're you're at a place and you really don't want

1225
00:54:42,760 --> 00:54:44,600
Speaker 2: to leave, but you're exhausted or you really should, and

1226
00:54:44,600 --> 00:54:46,200
Speaker 2: then but you just don't want this.

1227
00:54:46,160 --> 00:54:48,200
Speaker 4: Person to be alone, you know, you want to stay there,

1228
00:54:48,320 --> 00:54:50,840
Speaker 4: and you're just like exhausted, and you just stay, and

1229
00:54:50,920 --> 00:54:54,000
Speaker 4: you just stay. I'm not gonna suggest we leave.

1230
00:54:54,080 --> 00:54:55,600
Speaker 3: Like a game of chicken. Who can last?

1231
00:54:58,760 --> 00:55:01,360
Speaker 5: So Amanda goes back into the room for her purse

1232
00:55:01,440 --> 00:55:04,680
Speaker 5: that she assosibly forgot, and she tells Billy that she'll

1233
00:55:04,680 --> 00:55:06,279
Speaker 5: be there for him no matter what, and.

1234
00:55:06,239 --> 00:55:07,520
Speaker 3: That she loves him.

1235
00:55:08,000 --> 00:55:10,359
Speaker 4: And I have a surprise for you when you get home.

1236
00:55:10,480 --> 00:55:12,799
Speaker 5: I'm not telling you now, but when you get out

1237
00:55:12,800 --> 00:55:13,640
Speaker 5: of the hospital, there's.

1238
00:55:13,520 --> 00:55:14,480
Speaker 1: A big love it.

1239
00:55:16,280 --> 00:55:17,520
Speaker 3: Then Joe and Jake are leaving.

1240
00:55:17,360 --> 00:55:20,640
Speaker 5: The hospital and Joe asks your place of mine, and

1241
00:55:20,760 --> 00:55:24,280
Speaker 5: Jake says, you know, that's a good question, and Joe

1242
00:55:24,760 --> 00:55:27,920
Speaker 5: frustratingly sighs here and she says she's just not ready

1243
00:55:27,960 --> 00:55:29,719
Speaker 5: to move in with him and she still needs to

1244
00:55:29,760 --> 00:55:32,200
Speaker 5: have time on her own and this is all the

1245
00:55:32,200 --> 00:55:33,560
Speaker 5: commitment she's ready to make.

1246
00:55:33,680 --> 00:55:35,920
Speaker 4: And then the saddest thing he says to her, Well,

1247
00:55:35,960 --> 00:55:38,120
Speaker 4: if this building's sold and we go our own ways,

1248
00:55:38,120 --> 00:55:40,280
Speaker 4: I think I'll be ready to see other people.

1249
00:55:40,800 --> 00:55:42,960
Speaker 2: That's a commitment I can make. And I'm like, no,

1250
00:55:43,280 --> 00:55:44,600
Speaker 2: is this the end of Jake and Joe?

1251
00:55:44,920 --> 00:55:46,880
Speaker 4: I'm like, no, not, this is the only the end

1252
00:55:46,920 --> 00:55:49,560
Speaker 4: of season one. Do not make this happen.

1253
00:55:50,160 --> 00:55:53,399
Speaker 5: Yeah, this was big news, big news hearing that if

1254
00:55:53,520 --> 00:55:56,960
Speaker 5: she's not other people, Yeah, that if she's not going

1255
00:55:57,040 --> 00:55:59,279
Speaker 5: to make the commitment, then he needs to you know,

1256
00:55:59,320 --> 00:56:02,359
Speaker 5: move in another Yeah.

1257
00:56:02,480 --> 00:56:02,840
Speaker 1: Yeah.

1258
00:56:02,960 --> 00:56:05,319
Speaker 5: But instead of being like, oh, wait a minute, I

1259
00:56:05,320 --> 00:56:07,560
Speaker 5: didn't know you might feel that way, she says, fine,

1260
00:56:07,840 --> 00:56:10,279
Speaker 5: have fun, and she goes back inside to get right

1261
00:56:10,360 --> 00:56:11,160
Speaker 5: home with Matt.

1262
00:56:11,400 --> 00:56:15,080
Speaker 2: I think it's out of youth and inexperience that kind

1263
00:56:15,080 --> 00:56:18,680
Speaker 2: of like sabotage where you just sabotage, you know, because

1264
00:56:18,719 --> 00:56:20,840
Speaker 2: you can't handle the intimacy. So you're just like fine

1265
00:56:20,840 --> 00:56:23,480
Speaker 2: and you're just you're just backing the whole thing. And

1266
00:56:23,719 --> 00:56:27,280
Speaker 2: that's really what she wants. I'm just psychoanalyzing my character

1267
00:56:27,280 --> 00:56:28,239
Speaker 2: from thirty five years ago.

1268
00:56:28,960 --> 00:56:31,520
Speaker 5: It's you know, it will take another thirty five years,

1269
00:56:31,560 --> 00:56:35,200
Speaker 5: I think to get to the bottom psychoanalyzing.

1270
00:56:35,360 --> 00:56:35,600
Speaker 4: You know.

1271
00:56:36,400 --> 00:56:37,920
Speaker 3: Well, speaking of psycho, we're back.

1272
00:56:38,160 --> 00:56:39,560
Speaker 4: He's walking.

1273
00:56:41,640 --> 00:56:43,680
Speaker 3: Alison back to her apartment door.

1274
00:56:44,280 --> 00:56:47,399
Speaker 5: Alison is apologizing for the way that she left him

1275
00:56:47,440 --> 00:56:50,399
Speaker 5: in Seattle. He says, well, he shouldn't have really rushed

1276
00:56:50,400 --> 00:56:52,879
Speaker 5: her into the move and he was only thinking of himself.

1277
00:56:52,920 --> 00:56:57,080
Speaker 5: He kind of and very entitled walks follows her inside

1278
00:56:57,120 --> 00:57:00,640
Speaker 5: the apartment. Alison immediately pours herself a drink off when Keith,

1279
00:57:01,400 --> 00:57:01,560
Speaker 5: do you.

1280
00:57:01,560 --> 00:57:05,160
Speaker 1: Want some warm Vodkan and water glass?

1281
00:57:05,160 --> 00:57:06,640
Speaker 4: Since when did you start drinking?

1282
00:57:06,880 --> 00:57:08,960
Speaker 5: And she says, well, you know, weird things have been

1283
00:57:08,960 --> 00:57:11,360
Speaker 5: happening some I'm weird. I was sending me obscene cards

1284
00:57:11,400 --> 00:57:13,560
Speaker 5: and I'm really scared. And this is where he asks

1285
00:57:13,600 --> 00:57:15,760
Speaker 5: the hero and he hugs her and tells her she's safe.

1286
00:57:15,800 --> 00:57:17,760
Speaker 3: Now everything is going to be fine.

1287
00:57:18,080 --> 00:57:21,280
Speaker 2: He pulls her in like this and you crunches her

1288
00:57:21,360 --> 00:57:23,640
Speaker 2: hair and almost nibbles or bites her head.

1289
00:57:24,680 --> 00:57:28,440
Speaker 1: It's here's the thing. You can protect her from the villain?

1290
00:57:29,160 --> 00:57:30,560
Speaker 3: Yeah, well because of Tim.

1291
00:57:30,920 --> 00:57:31,960
Speaker 1: Yeah he really can't.

1292
00:57:32,200 --> 00:57:35,480
Speaker 5: Yeah he can, but the scary music tells us that

1293
00:57:35,560 --> 00:57:38,800
Speaker 5: everything here is really not fine.

1294
00:57:39,040 --> 00:57:39,600
Speaker 4: The music.

1295
00:57:40,520 --> 00:57:43,680
Speaker 5: But the next day, Alison drives Billy home from the

1296
00:57:43,680 --> 00:57:45,920
Speaker 5: hospital and they're arriving at the front of the building

1297
00:57:46,000 --> 00:57:48,520
Speaker 5: and she admits that Keith drove her home last night.

1298
00:57:48,680 --> 00:57:50,680
Speaker 4: Can I just stop? You were in a such a

1299
00:57:50,720 --> 00:57:52,920
Speaker 4: cute floral with those floral.

1300
00:57:52,920 --> 00:57:56,080
Speaker 1: Love short dresses in the ga jacket the big Now

1301
00:57:56,080 --> 00:57:58,040
Speaker 1: I wear long dresses with the jean jackets, so I've

1302
00:57:58,120 --> 00:57:58,680
Speaker 1: not come.

1303
00:57:58,560 --> 00:58:01,360
Speaker 2: Right like the short one with the white little Tenny's.

1304
00:58:02,040 --> 00:58:05,520
Speaker 2: So your kids, yeah, the kids, and you're jumping around

1305
00:58:05,880 --> 00:58:06,280
Speaker 2: helping you.

1306
00:58:06,440 --> 00:58:08,720
Speaker 1: That was a very cute scene. So we're kind of flirting,

1307
00:58:09,200 --> 00:58:11,320
Speaker 1: like he's jealous. Are we doing this again? So they're

1308
00:58:11,360 --> 00:58:14,240
Speaker 1: having a very sweet little exchange.

1309
00:58:13,680 --> 00:58:16,240
Speaker 5: And of course they walk into the courtyard together and

1310
00:58:16,480 --> 00:58:18,880
Speaker 5: all of a sudden, Amanda is.

1311
00:58:18,800 --> 00:58:22,840
Speaker 3: There in the courtyard up on the landing upstairs.

1312
00:58:22,440 --> 00:58:24,360
Speaker 4: And she has to go, hey, guys, and they turn

1313
00:58:24,440 --> 00:58:25,720
Speaker 4: up and there she is.

1314
00:58:25,800 --> 00:58:28,520
Speaker 5: Up there, she's her dad is standing there with her,

1315
00:58:28,560 --> 00:58:31,080
Speaker 5: and she tells them that her big surprise is that

1316
00:58:31,160 --> 00:58:33,520
Speaker 5: she's buying the building.

1317
00:58:33,440 --> 00:58:35,480
Speaker 4: And I'm gonna move in and manage it.

1318
00:58:35,880 --> 00:58:37,360
Speaker 3: Gonna move in and manage it, to.

1319
00:58:37,480 --> 00:58:39,800
Speaker 1: Manage it, like she's gonna be fixing sinks.

1320
00:58:39,760 --> 00:58:42,800
Speaker 5: Right, And her last line is really the you know,

1321
00:58:42,880 --> 00:58:45,440
Speaker 5: the whole the last line of the entire scene season

1322
00:58:45,600 --> 00:58:48,200
Speaker 5: is I think I'm really gonna love it here.

1323
00:58:48,680 --> 00:58:49,959
Speaker 1: Yeah, it was so good.

1324
00:58:50,160 --> 00:58:52,960
Speaker 2: It was such a great launch into season two. And

1325
00:58:53,160 --> 00:58:55,440
Speaker 2: you know, we don't know how long we're going to go,

1326
00:58:55,480 --> 00:58:56,520
Speaker 2: but it goes on and on.

1327
00:58:56,720 --> 00:58:59,840
Speaker 1: I thought it was a great episode. Yeah, Cliff Pang

1328
00:59:00,320 --> 00:59:01,880
Speaker 1: all around, there's.

1329
00:59:01,640 --> 00:59:05,360
Speaker 2: Lots of drama, lots of drama churning getting you know.

1330
00:59:05,800 --> 00:59:07,880
Speaker 1: Yeah, So I can't wait till season two. You guys

1331
00:59:07,960 --> 00:59:08,280
Speaker 1: can't wait.

1332
00:59:08,800 --> 00:59:11,600
Speaker 5: We've definitely turned the corner to season two, and it's

1333
00:59:11,680 --> 00:59:14,880
Speaker 5: so fun to think of all the fun stuff ahead

1334
00:59:15,440 --> 00:59:21,600
Speaker 5: and what fun it's been to go down this recap relunch.

1335
00:59:21,480 --> 00:59:25,480
Speaker 2: We started last I think was June, and this is

1336
00:59:25,520 --> 00:59:28,120
Speaker 2: our last one, and you know we're going to take

1337
00:59:28,160 --> 00:59:29,600
Speaker 2: some time off summer We'll.

1338
00:59:29,480 --> 00:59:31,840
Speaker 3: Take a little break, like a hiatus as you do.

1339
00:59:31,960 --> 00:59:33,800
Speaker 1: Like our first season of Melrose Places, it has been

1340
00:59:33,840 --> 00:59:35,600
Speaker 1: like a year. Yeah, take a little break.

1341
00:59:36,000 --> 00:59:39,160
Speaker 2: So I've had such a great time you guys, and

1342
00:59:39,280 --> 00:59:43,120
Speaker 2: I've loved the interaction with our listeners. I hope they

1343
00:59:43,120 --> 00:59:46,440
Speaker 2: stick around and come back and more come with them.

1344
00:59:46,680 --> 00:59:49,680
Speaker 2: But I hope they've enjoyed the the but the behind

1345
00:59:49,680 --> 00:59:51,959
Speaker 2: the scenes and all the fabulous guests that we've had.

1346
00:59:52,520 --> 00:59:54,480
Speaker 2: You know, remember all the way back when Grant was

1347
00:59:54,480 --> 00:59:58,080
Speaker 2: our first one, Yeah, and then we had so many

1348
00:59:58,240 --> 01:00:00,920
Speaker 2: lunch with him afterwards and so much fun.

1349
01:00:01,440 --> 01:00:03,960
Speaker 5: We have so many opportunities for all of our fun

1350
01:00:04,040 --> 01:00:06,600
Speaker 5: guests and castmates to come back and recap with us,

1351
01:00:06,720 --> 01:00:09,720
Speaker 5: and all these seasons and then our.

1352
01:00:09,720 --> 01:00:12,560
Speaker 4: Last one we had Denise before that, Lisa Rena. I

1353
01:00:12,600 --> 01:00:15,160
Speaker 4: mean we've just everyone's been great. They're like, yeah, well

1354
01:00:15,360 --> 01:00:16,640
Speaker 4: you know, when when do you want?

1355
01:00:16,720 --> 01:00:17,320
Speaker 1: Yeah, it's fine.

1356
01:00:17,320 --> 01:00:19,520
Speaker 5: And I've learned so much about you both too, Like

1357
01:00:19,600 --> 01:00:23,960
Speaker 5: I've learned that look out because Daphne is like maybe

1358
01:00:24,200 --> 01:00:26,400
Speaker 5: going to throw something at you if if that was.

1359
01:00:26,360 --> 01:00:27,400
Speaker 4: Thirty five years ago.

1360
01:00:27,760 --> 01:00:30,520
Speaker 3: I'm just communicating to say.

1361
01:00:29,960 --> 01:00:32,360
Speaker 5: I learned that about you. I did not know anything

1362
01:00:32,360 --> 01:00:34,880
Speaker 5: about your you know, tend.

1363
01:00:34,760 --> 01:00:36,720
Speaker 2: To learned that my off screen was a little more

1364
01:00:36,760 --> 01:00:38,920
Speaker 2: dramatic than my on screen in melrose Place.

1365
01:00:39,080 --> 01:00:40,880
Speaker 3: Now, I loved hearing that.

1366
01:00:41,480 --> 01:00:44,280
Speaker 4: I loved learning all of you I didn't know. I know,

1367
01:00:44,320 --> 01:00:45,760
Speaker 4: I learned about you too as well.

1368
01:00:46,160 --> 01:00:49,280
Speaker 5: I learned Courtney all she needs is a cozy dog

1369
01:00:49,320 --> 01:00:51,240
Speaker 5: on her lap, and she's happy as.

1370
01:00:51,440 --> 01:00:54,120
Speaker 1: Snoring dog on my lap. And I'm even I have

1371
01:00:54,200 --> 01:00:56,400
Speaker 1: for farther away and I can still hear snoring or.

1372
01:00:56,520 --> 01:00:59,040
Speaker 2: No wonder you don't wear sleeves anymore because you know

1373
01:00:59,200 --> 01:01:02,520
Speaker 2: you were traumatized through the melrose Place of all help.

1374
01:01:02,360 --> 01:01:03,680
Speaker 4: A luminous sleep.

1375
01:01:04,400 --> 01:01:07,200
Speaker 3: You're cute little loral dresses.

1376
01:01:07,280 --> 01:01:07,800
Speaker 4: I get it.

1377
01:01:09,520 --> 01:01:14,120
Speaker 2: But yeah, I think it's been It's been just really great, Laura.

1378
01:01:14,200 --> 01:01:17,720
Speaker 2: I've learned that you are able to do these rundowns

1379
01:01:17,800 --> 01:01:18,600
Speaker 2: in your sleep.

1380
01:01:18,680 --> 01:01:21,800
Speaker 4: You're so organized, you pull it all together. You're really

1381
01:01:21,840 --> 01:01:22,280
Speaker 4: good at that.

1382
01:01:22,800 --> 01:01:26,440
Speaker 2: I like, have to stay up for days planning. I

1383
01:01:26,600 --> 01:01:28,439
Speaker 2: love I love it how you well.

1384
01:01:28,840 --> 01:01:31,640
Speaker 3: I think we're a great team. I love doing this

1385
01:01:31,720 --> 01:01:32,360
Speaker 3: with you guys.

1386
01:01:32,520 --> 01:01:35,880
Speaker 5: And this has been a really fun season one, and

1387
01:01:36,640 --> 01:01:37,840
Speaker 5: you know, we're all looking.

1388
01:01:37,560 --> 01:01:39,560
Speaker 3: Forward to a little bit of a hiatus, a little

1389
01:01:39,560 --> 01:01:39,800
Speaker 3: bit of.

1390
01:01:39,800 --> 01:01:42,320
Speaker 5: A break while we regroup, because they think we have

1391
01:01:42,360 --> 01:01:45,560
Speaker 5: to get all our energy for season two because.

1392
01:01:45,360 --> 01:01:48,600
Speaker 1: It's going to be going to be exciting, high speed.

1393
01:01:48,960 --> 01:01:52,680
Speaker 5: So thanks everybody for listening to everybody, it's so much fun.

1394
01:01:52,760 --> 01:01:54,600
Speaker 3: We love all of your support.

1395
01:01:54,920 --> 01:01:57,800
Speaker 4: Enjoy your hiatus, everyone, Enjoy your summer.

1396
01:01:57,800 --> 01:01:59,720
Speaker 3: You do see you soon. Thanks everybody.

1397
01:02:00,160 --> 01:02:02,760
Speaker 2: Well m