1 00:00:00,040 --> 00:00:02,960 Speaker 1: My next guest as an award winning actress who was 2 00:00:03,040 --> 00:00:06,320 Speaker 1: born in Chicago, and Lord knows, I's been four years 3 00:00:06,360 --> 00:00:09,920 Speaker 1: of Chicago, so I know about Chicago and was raised 4 00:00:09,920 --> 00:00:13,600 Speaker 1: in Oakland, California. Been there many times, were participated in 5 00:00:13,600 --> 00:00:16,720 Speaker 1: the Oakland Black Comedy Festival. That's what enabled me to 6 00:00:16,760 --> 00:00:19,520 Speaker 1: get on Death Comedy Jam because at the time they 7 00:00:19,520 --> 00:00:21,239 Speaker 1: didn't think I could make black people laugh. So I 8 00:00:21,239 --> 00:00:25,239 Speaker 1: had to go to Oakland and show everybody I can 9 00:00:25,320 --> 00:00:27,600 Speaker 1: make black people laugh. Then they put me on Death 10 00:00:27,600 --> 00:00:31,880 Speaker 1: Comedy Jam. You've seen her born in uh starting the 11 00:00:31,920 --> 00:00:34,800 Speaker 1: shows like Martin Living Single. First time My Man was 12 00:00:34,800 --> 00:00:37,120 Speaker 1: on Sister Sister. I was a writer producer on that show, 13 00:00:37,400 --> 00:00:39,440 Speaker 1: then the Jamie Foxx Show. I was a co executive 14 00:00:39,440 --> 00:00:41,839 Speaker 1: producer and writer on that show. She is one of 15 00:00:41,920 --> 00:00:46,640 Speaker 1: Hollywood's most talented and versatile actresses with groundbreaking comedic performances. 16 00:00:46,840 --> 00:00:50,800 Speaker 1: Are starting in My Man Bernie Max Show, to Battling 17 00:00:50,920 --> 00:00:54,800 Speaker 1: Zombies on z Nation, to currently start in the hilarious 18 00:00:54,840 --> 00:00:58,440 Speaker 1: sitcom on the Bounce Network. In the cut, please welcome 19 00:00:58,480 --> 00:01:01,000 Speaker 1: to money Making Conversation. My good friend hadn't saw a 20 00:01:01,040 --> 00:01:03,120 Speaker 1: long time, which means I'm not talked to her in 21 00:01:03,120 --> 00:01:07,160 Speaker 1: a long time. Kalita Smith, thank you. That's because I'm 22 00:01:07,160 --> 00:01:12,440 Speaker 1: out here making money. There you go, I love Come 23 00:01:12,440 --> 00:01:15,640 Speaker 1: on now, see that's a good actress. See they listened, 24 00:01:15,920 --> 00:01:19,960 Speaker 1: They listened, and they react. Kalita, you are you are? 25 00:01:20,160 --> 00:01:21,840 Speaker 1: I'm a fan because you know, I'm gonna tell you 26 00:01:21,840 --> 00:01:23,600 Speaker 1: what people are my favor right, you know people can 27 00:01:23,640 --> 00:01:27,119 Speaker 1: say that, Okay, even before I knew her first of all, 28 00:01:27,120 --> 00:01:28,760 Speaker 1: when she came on the set and I first met 29 00:01:28,800 --> 00:01:32,400 Speaker 1: the sister. Sister just a pro, just come out to 30 00:01:32,480 --> 00:01:35,200 Speaker 1: do her things. She works, and that's all you can 31 00:01:35,280 --> 00:01:39,240 Speaker 1: ask for somebody, because first of all, they talented, but 32 00:01:40,000 --> 00:01:42,920 Speaker 1: you knew right then there was something extra because people 33 00:01:42,959 --> 00:01:46,000 Speaker 1: come through. I fortunately be blessed working with people like 34 00:01:46,040 --> 00:01:49,040 Speaker 1: Gabriel Union, Kim Woodley, you know, toward to be here, 35 00:01:49,160 --> 00:01:51,000 Speaker 1: and all of them have that gift. And she has 36 00:01:51,120 --> 00:01:55,840 Speaker 1: that gift because I always say she's photogenic. Okay, lords, 37 00:01:56,080 --> 00:01:57,960 Speaker 1: Lord knows who show I could take a lot of picture. 38 00:01:58,000 --> 00:02:00,640 Speaker 1: I gotta I gotta pose a different angles. Palita Luker, 39 00:02:01,120 --> 00:02:03,680 Speaker 1: make it work for me, you know. Listen, Li we 40 00:02:03,760 --> 00:02:09,799 Speaker 1: do too. Listen and then and then on the Jamie 41 00:02:09,800 --> 00:02:12,600 Speaker 1: Foxx Show, and uh, and you know its success has 42 00:02:12,639 --> 00:02:16,440 Speaker 1: always been a blessing in her career. Awards have come 43 00:02:16,480 --> 00:02:19,480 Speaker 1: our way in her career, and today she's on the 44 00:02:19,480 --> 00:02:22,679 Speaker 1: show to talk about the show is filled with a 45 00:02:22,760 --> 00:02:27,240 Speaker 1: lot of people that I know, right, you know, it 46 00:02:27,280 --> 00:02:30,160 Speaker 1: almost feels like a Parker Show reunion. Then my boy 47 00:02:30,240 --> 00:02:33,280 Speaker 1: from a smart guy, So my life has been feeling 48 00:02:33,720 --> 00:02:36,160 Speaker 1: and work with talented people. Tell us about your role 49 00:02:36,240 --> 00:02:37,880 Speaker 1: on the end the cut, and then I'm gonna start, 50 00:02:38,080 --> 00:02:39,600 Speaker 1: you know, snapping out of what I know about the 51 00:02:39,600 --> 00:02:43,360 Speaker 1: show because your boy been you gave me my Jobe. 52 00:02:43,960 --> 00:02:47,960 Speaker 1: Come on in this conversation we're gonna do just talk 53 00:02:47,960 --> 00:02:51,880 Speaker 1: about people we know absolutely absolutely love story, long story, short, 54 00:02:51,960 --> 00:02:54,880 Speaker 1: sound indefinite. Uh that we hit me up and said, 55 00:02:54,919 --> 00:02:57,959 Speaker 1: you know, uh, Kalita's this we're into our second season 56 00:02:57,960 --> 00:02:59,720 Speaker 1: here we go to our second season in the cutting, 57 00:03:00,120 --> 00:03:02,119 Speaker 1: can you come join us? And I was like, yo, 58 00:03:02,400 --> 00:03:05,359 Speaker 1: be yeah, but you know I'm out here in the apocalypse, 59 00:03:05,400 --> 00:03:08,640 Speaker 1: so you know, and we were scheduled this and he 60 00:03:08,800 --> 00:03:10,480 Speaker 1: was like, yeah, I'm working around your schedule and I 61 00:03:10,480 --> 00:03:12,160 Speaker 1: was like, you got it. I'm there and I was 62 00:03:12,200 --> 00:03:15,079 Speaker 1: like all right, uh once again, who's on it? And 63 00:03:15,680 --> 00:03:19,640 Speaker 1: then he said, oh, my god. Dorian Wilson, John Marshall, Jones, 64 00:03:19,760 --> 00:03:24,080 Speaker 1: Ken the Austin Loura Hayes. I was like, what words Listen, 65 00:03:24,200 --> 00:03:26,320 Speaker 1: I'm there, are you kidding me? So I get to 66 00:03:26,360 --> 00:03:30,960 Speaker 1: play awesome character name Michelle and um she is the 67 00:03:31,000 --> 00:03:35,120 Speaker 1: owner of the hair salon, which is um uh. Drian 68 00:03:35,160 --> 00:03:38,240 Speaker 1: Wilson's character, Jay Weaver, is the proprietor of of a 69 00:03:38,280 --> 00:03:41,280 Speaker 1: strip mall plaza. He happens to own the barbershop and 70 00:03:41,800 --> 00:03:45,400 Speaker 1: the hair salon, and um, I get to work with 71 00:03:45,400 --> 00:03:49,800 Speaker 1: some wonderful people. Um this season he well, last season 72 00:03:49,840 --> 00:03:54,120 Speaker 1: we got married, and so this season we're showing black 73 00:03:54,160 --> 00:03:58,080 Speaker 1: love and what it means you actually try to enjoy 74 00:03:58,200 --> 00:04:01,360 Speaker 1: ourselves and balance out of those things that we haven't 75 00:04:01,400 --> 00:04:06,000 Speaker 1: worked out as people and come together as proprietors of 76 00:04:07,000 --> 00:04:11,760 Speaker 1: a business and watch ourselves grow into laughter, love and 77 00:04:12,440 --> 00:04:14,440 Speaker 1: just we're just actually having a ball. That's what we're doing. 78 00:04:14,520 --> 00:04:19,560 Speaker 1: Let me work thirteen episodes in like ten days, which 79 00:04:19,600 --> 00:04:22,480 Speaker 1: we shoot so fast, and we got we we can't 80 00:04:22,480 --> 00:04:24,400 Speaker 1: even we can't even him and heart, but we just 81 00:04:24,440 --> 00:04:26,400 Speaker 1: gotta have fun to keep it pushing. Yeah, I've been 82 00:04:26,440 --> 00:04:29,400 Speaker 1: to the studio and the fact actually when the last 83 00:04:29,400 --> 00:04:31,080 Speaker 1: time I was studio, I say, about a year and 84 00:04:31,080 --> 00:04:33,640 Speaker 1: a half ago, you actually were shooting the scene and 85 00:04:33,680 --> 00:04:35,360 Speaker 1: I could we we didn't get a chance to talk 86 00:04:35,360 --> 00:04:39,039 Speaker 1: because he's out there Northridge, correct, right, right, and so 87 00:04:39,120 --> 00:04:42,240 Speaker 1: and so I know Bentley as as a good friend 88 00:04:42,240 --> 00:04:45,880 Speaker 1: of Bentley created the Modern TV series, also created the 89 00:04:45,960 --> 00:04:49,039 Speaker 1: Jamie Fox series, and he also wrote a pilot for 90 00:04:49,200 --> 00:04:52,800 Speaker 1: me when I was recurring on Jamie five. Absolutely, you know, 91 00:04:53,279 --> 00:04:55,640 Speaker 1: because he had a big development deal with Warner Brothers 92 00:04:55,720 --> 00:04:58,640 Speaker 1: at the time. Yeah. My whole thing that when I 93 00:04:58,640 --> 00:05:01,440 Speaker 1: when I when I talked to individuals like ms Smith 94 00:05:01,760 --> 00:05:05,120 Speaker 1: and in evidences that their game changers. Because even when 95 00:05:05,160 --> 00:05:07,760 Speaker 1: she was reading the just just going over the description, 96 00:05:07,800 --> 00:05:11,719 Speaker 1: the show is funny. He's just funny. I thought, I 97 00:05:11,760 --> 00:05:14,720 Speaker 1: thought the need doesn't smile as you was articulating of 98 00:05:14,880 --> 00:05:17,159 Speaker 1: the how it came about and the fact that but 99 00:05:17,200 --> 00:05:21,200 Speaker 1: you slipped in that little zombie populist conversation. Let's let's 100 00:05:21,240 --> 00:05:24,080 Speaker 1: lie let's lie back to that to that National Guard, 101 00:05:24,760 --> 00:05:28,080 Speaker 1: that National Guard commercial when you're a National Guard out 102 00:05:28,120 --> 00:05:30,680 Speaker 1: there fighting of zombie. So I recently bring it up 103 00:05:30,720 --> 00:05:34,720 Speaker 1: because you were, you know, throughout I listen to nothing 104 00:05:34,720 --> 00:05:40,320 Speaker 1: but comedic shows, you know, you know, burning back comedic show. Now, now, 105 00:05:40,360 --> 00:05:43,720 Speaker 1: this is nothing funny about battling zombies tuk tuk walkers 106 00:05:43,720 --> 00:05:46,880 Speaker 1: through that whole process and mindset of being able to 107 00:05:46,920 --> 00:05:50,279 Speaker 1: adjust to that, to that, to that, to that request. 108 00:05:50,320 --> 00:05:52,000 Speaker 1: And also you have to did you have the audition 109 00:05:52,040 --> 00:05:54,640 Speaker 1: for that role? Did I have to audition? I didn't 110 00:05:54,640 --> 00:05:59,400 Speaker 1: even realize what I was auditioning. Four seconds, that's what 111 00:05:59,560 --> 00:06:03,160 Speaker 1: I said. But they only gave me, um three sheets 112 00:06:03,200 --> 00:06:05,960 Speaker 1: of material, which means a couple of monologue. And I 113 00:06:06,040 --> 00:06:07,920 Speaker 1: knew it was a drama because I can do post. 114 00:06:08,320 --> 00:06:12,080 Speaker 1: Most of my accomplishments happens to be in the theater, 115 00:06:12,760 --> 00:06:16,600 Speaker 1: so um in doing it. Um, I went and they 116 00:06:16,680 --> 00:06:20,360 Speaker 1: let me know that it was um definitely about having 117 00:06:20,400 --> 00:06:23,320 Speaker 1: to do um martial arts and fencing, which is something 118 00:06:23,360 --> 00:06:26,560 Speaker 1: that I dabbled in or and um it's a matter 119 00:06:26,560 --> 00:06:30,880 Speaker 1: of fact, Sean Lambkin. But it's a sense of mine, 120 00:06:30,960 --> 00:06:34,360 Speaker 1: remember Sean lamp Absolutely absolutely So you're saying that you're 121 00:06:34,360 --> 00:06:39,200 Speaker 1: saying fencing right, you know, like you know with a foil, yeah, 122 00:06:41,920 --> 00:06:46,360 Speaker 1: sword savor, I could do combat fighting. Um. Um. I 123 00:06:46,440 --> 00:06:48,359 Speaker 1: did my own stunts in this, which is probably what 124 00:06:48,560 --> 00:06:52,279 Speaker 1: made it um more advantageous for me to be able 125 00:06:52,320 --> 00:06:54,160 Speaker 1: to do this show. But the great thing about it, 126 00:06:54,279 --> 00:06:57,159 Speaker 1: the writing was excellent. It gave me an opportunity to 127 00:06:57,360 --> 00:07:01,159 Speaker 1: show something different besides just doing company. Because what I 128 00:07:01,200 --> 00:07:04,880 Speaker 1: am choosing to show in this business is that range 129 00:07:05,120 --> 00:07:07,840 Speaker 1: is everything, and that's because we are actors and we 130 00:07:07,920 --> 00:07:10,560 Speaker 1: do a role very well doesn't mean that's not that's 131 00:07:10,600 --> 00:07:12,720 Speaker 1: all we can do. So I want to make sure 132 00:07:12,800 --> 00:07:15,480 Speaker 1: that I am simultaneously during drama and comedy at the 133 00:07:15,520 --> 00:07:17,360 Speaker 1: same time, which has been fortunate to be able to 134 00:07:17,400 --> 00:07:21,240 Speaker 1: do for two decades. WHOA, Okay, We're gonna come right 135 00:07:21,240 --> 00:07:25,160 Speaker 1: back and hear more from the the theati, the theata, 136 00:07:25,440 --> 00:07:30,280 Speaker 1: the mind, theaty of Kaleta Smith on Money mc conference, 137 00:07:30,280 --> 00:07:34,120 Speaker 1: I anxious be right back, Promorrial Hi, just with Sean McDonald. 138 00:07:34,120 --> 00:07:37,520 Speaker 1: You're listening to money making conversations. The thing about Money 139 00:07:37,560 --> 00:07:40,080 Speaker 1: Making Conversation that makes it such a unique show is 140 00:07:40,120 --> 00:07:42,440 Speaker 1: that I'm talking to people I know. I'm talking to 141 00:07:42,480 --> 00:07:45,600 Speaker 1: people I don't know, and usually when we're in a interview, 142 00:07:45,920 --> 00:07:47,480 Speaker 1: they know me and I know them and we want 143 00:07:47,520 --> 00:07:50,080 Speaker 1: to talk some more. My next guest that you heard 144 00:07:50,080 --> 00:07:52,160 Speaker 1: in the first break is the War winning actress who 145 00:07:52,200 --> 00:07:54,840 Speaker 1: was born in Chicago and it's windy for a reason. 146 00:07:55,120 --> 00:08:00,040 Speaker 1: I'm teasting. If you're Chicago, uh during the wintertime, it 147 00:08:00,120 --> 00:08:04,240 Speaker 1: will change your life. And then she raised in Oakland, California. 148 00:08:04,640 --> 00:08:07,160 Speaker 1: You've seen it in shows like Martin Living Single sister 149 00:08:07,240 --> 00:08:10,720 Speaker 1: Sister Jamie Fox, and she talked about you know, like 150 00:08:10,840 --> 00:08:13,800 Speaker 1: she said, she she developed a craft in the theater. 151 00:08:14,240 --> 00:08:17,920 Speaker 1: And now she talked about her athleticism. You know, fancy 152 00:08:18,040 --> 00:08:20,840 Speaker 1: you know what you know, that's that who who thinks 153 00:08:20,840 --> 00:08:23,840 Speaker 1: of that fainting? But that's something that skilled that she 154 00:08:23,920 --> 00:08:26,280 Speaker 1: has and she did her own stunts and she's starting 155 00:08:26,320 --> 00:08:29,440 Speaker 1: to show that. Premiers on Bounce Network is called in 156 00:08:29,600 --> 00:08:34,360 Speaker 1: the cut now Ms Smith, Yeah, do you do you 157 00:08:34,440 --> 00:08:38,000 Speaker 1: have a workout program or what is the physical fitness 158 00:08:38,040 --> 00:08:42,360 Speaker 1: side of you? Well, Sina pause, I ain't been doing 159 00:08:42,480 --> 00:08:54,599 Speaker 1: a damn thing, but uh um um, because when you 160 00:08:54,679 --> 00:08:57,520 Speaker 1: said it's waiting for a reason in Chicago, like it 161 00:08:57,600 --> 00:09:00,320 Speaker 1: will change your life because nobody has the right clothes 162 00:09:00,400 --> 00:09:03,960 Speaker 1: that you can be prepared for the wind in Chicago. 163 00:09:04,520 --> 00:09:09,360 Speaker 1: So fast forward, um well, I um dances my background 164 00:09:09,679 --> 00:09:14,800 Speaker 1: um spinning basically spinning and pilates because it's just polite 165 00:09:14,920 --> 00:09:18,079 Speaker 1: to my body. UM and with a dance background and 166 00:09:18,160 --> 00:09:21,160 Speaker 1: kind of like suits UM in rehabbing some of these 167 00:09:21,200 --> 00:09:24,720 Speaker 1: little knee injuries that I've had. UM Martial arts is 168 00:09:24,760 --> 00:09:27,840 Speaker 1: something that I dabbled in and fencing because unemployment and 169 00:09:28,320 --> 00:09:30,280 Speaker 1: kind of happens in your career spread me in the 170 00:09:30,360 --> 00:09:32,839 Speaker 1: beginning and so that you don't go crazy, you try 171 00:09:32,880 --> 00:09:37,000 Speaker 1: to find another art form to develop. UM and for me, 172 00:09:37,320 --> 00:09:40,960 Speaker 1: it just it just made sense to do UM martial 173 00:09:41,040 --> 00:09:44,840 Speaker 1: arts and I'm spencing right here. And then Sean Lambkin, 174 00:09:45,240 --> 00:09:50,079 Speaker 1: who our love, challenged me in taekwondo and UM, once 175 00:09:50,120 --> 00:09:51,959 Speaker 1: I got there and saw that he was a since 176 00:09:52,040 --> 00:09:55,080 Speaker 1: that he was amazing, and he inspired me to keep going. 177 00:09:55,200 --> 00:10:00,959 Speaker 1: So because is uh taekwondo, I'm not saying I'm you not. 178 00:10:01,600 --> 00:10:03,800 Speaker 1: You can take your boy our fast, you know, because 179 00:10:03,800 --> 00:10:07,679 Speaker 1: I gotta think about some of my moving time. Ran 180 00:10:07,760 --> 00:10:16,200 Speaker 1: do tie crome dope. Okay, they'll be messing with my 181 00:10:16,240 --> 00:10:19,360 Speaker 1: skills set Kalina. You know we might be walking down 182 00:10:19,400 --> 00:10:21,000 Speaker 1: the street, I might have to do something to you. 183 00:10:21,160 --> 00:10:23,240 Speaker 1: I might have to test you out, take you out 184 00:10:23,280 --> 00:10:27,559 Speaker 1: with a band. That what you want to be able 185 00:10:27,600 --> 00:10:30,080 Speaker 1: to do is be able to get away or be 186 00:10:30,160 --> 00:10:32,520 Speaker 1: able to negotiate your way because what you want to 187 00:10:32,520 --> 00:10:35,520 Speaker 1: do is live another day. Absolutely talk my way out 188 00:10:35,520 --> 00:10:39,600 Speaker 1: of that. Uh. I can definitely talk my way out. 189 00:10:39,640 --> 00:10:40,960 Speaker 1: I can talk my way out of the good but 190 00:10:41,559 --> 00:10:45,000 Speaker 1: real quick, especially when the numbers are not in my favor. 191 00:10:45,400 --> 00:10:49,400 Speaker 1: So so it was something I will read your bio 192 00:10:49,480 --> 00:10:52,040 Speaker 1: and I want to bring this up because it shows 193 00:10:52,040 --> 00:10:54,960 Speaker 1: that special side of you, says you're a big supporter 194 00:10:55,120 --> 00:10:58,640 Speaker 1: or more women behind the camera and female filmmakers in 195 00:10:58,679 --> 00:11:02,720 Speaker 1: addition to lend your name and time to new image 196 00:11:02,840 --> 00:11:05,040 Speaker 1: homeless Shelter. That's two. There was a couple of things 197 00:11:05,040 --> 00:11:07,440 Speaker 1: we talked about. Let's talk about first being a big 198 00:11:07,480 --> 00:11:11,719 Speaker 1: supporter or more women behind the camera and female filmmakers. 199 00:11:12,880 --> 00:11:16,440 Speaker 1: Oh yeah, Well, I just really think that there's a 200 00:11:16,679 --> 00:11:20,160 Speaker 1: there's a different sensitivity that uh we as women have, 201 00:11:20,360 --> 00:11:24,760 Speaker 1: especially women who who have come through this business because 202 00:11:24,840 --> 00:11:29,640 Speaker 1: not always have we women of color have been treated fairly. UM. 203 00:11:29,679 --> 00:11:32,560 Speaker 1: I just think that, um, even for myself, I would 204 00:11:32,600 --> 00:11:35,680 Speaker 1: be interested going down the road of doing a little 205 00:11:35,720 --> 00:11:40,440 Speaker 1: deep team just so that certain angles and uh lighting, 206 00:11:40,840 --> 00:11:43,000 Speaker 1: you know, those kinds of things makes a difference in 207 00:11:43,280 --> 00:11:46,160 Speaker 1: an actor's career. You know, those kinds of things make 208 00:11:46,240 --> 00:11:49,920 Speaker 1: your star procepps and things like that, and sometimes you'll 209 00:11:49,960 --> 00:11:53,280 Speaker 1: get situations where you might be the only African American, 210 00:11:53,280 --> 00:11:55,520 Speaker 1: the only person of color in the project, and they 211 00:11:55,520 --> 00:11:57,920 Speaker 1: really don't know how to light you know. Those kinds 212 00:11:57,920 --> 00:11:59,959 Speaker 1: of things are Yeah, those kinds of things put you 213 00:12:00,000 --> 00:12:04,240 Speaker 1: in a different disposition, which is not totally fair. So, um, 214 00:12:04,880 --> 00:12:07,480 Speaker 1: even with you know, there's there's just a difference between 215 00:12:07,520 --> 00:12:10,319 Speaker 1: a female director and a male director. Not to take 216 00:12:10,360 --> 00:12:13,080 Speaker 1: away from it, but a female director has a tendency 217 00:12:13,160 --> 00:12:16,840 Speaker 1: to be a little bit more patient, um, you know, 218 00:12:17,000 --> 00:12:20,319 Speaker 1: more maternal about especially if there's an actor who may 219 00:12:20,320 --> 00:12:23,760 Speaker 1: be nervous or maybe unsure, you know, and you may 220 00:12:23,760 --> 00:12:27,520 Speaker 1: not have time to really go to a place where 221 00:12:27,559 --> 00:12:29,719 Speaker 1: you have to start coaching. But if you just say 222 00:12:29,760 --> 00:12:32,760 Speaker 1: the right words to an actor, it changes the whole 223 00:12:32,800 --> 00:12:36,079 Speaker 1: moment and it changes the whole dynamic. UM. I just 224 00:12:36,080 --> 00:12:39,480 Speaker 1: really think that, um, you know, we we are we 225 00:12:39,520 --> 00:12:43,000 Speaker 1: are more detail oriented, which is why most women are 226 00:12:43,240 --> 00:12:47,640 Speaker 1: you know, office managers or customer service or um, you know, 227 00:12:47,760 --> 00:12:52,240 Speaker 1: hostesses or accountants or you know, basically, when you are 228 00:12:52,440 --> 00:12:54,679 Speaker 1: the person who has to get make sure that the 229 00:12:54,800 --> 00:12:58,920 Speaker 1: day ends well, a woman is pretty good at that. Absolutely, 230 00:12:59,640 --> 00:13:02,320 Speaker 1: it's great that to hear this conversation because I've been 231 00:13:02,360 --> 00:13:05,360 Speaker 1: fortunate and the mini sitcoms I've worked, I've had female 232 00:13:05,400 --> 00:13:09,000 Speaker 1: directors and male directors, and that their their approach is 233 00:13:09,040 --> 00:13:12,320 Speaker 1: definitely different and there's no there's no negative push on 234 00:13:12,360 --> 00:13:14,040 Speaker 1: either one of them. But you have to accept that 235 00:13:14,080 --> 00:13:19,679 Speaker 1: these styles are different. And the process it's you know, 236 00:13:19,720 --> 00:13:24,880 Speaker 1: it's room and and it only expands the opportunity for creativity. 237 00:13:25,000 --> 00:13:27,679 Speaker 1: That's it. And and and that's important because you know, I 238 00:13:27,920 --> 00:13:30,480 Speaker 1: always always like to bring in another really tie one 239 00:13:30,520 --> 00:13:33,880 Speaker 1: director to the series because I always felt that you 240 00:13:33,880 --> 00:13:36,760 Speaker 1: you you give your actors, if they get that same beat, 241 00:13:36,800 --> 00:13:38,839 Speaker 1: they never grow. And so you bring me in you 242 00:13:38,920 --> 00:13:40,679 Speaker 1: might give you might get one director maybe four or 243 00:13:40,720 --> 00:13:43,920 Speaker 1: five episodes of season, and then bringing others in and 244 00:13:43,920 --> 00:13:46,120 Speaker 1: and and that that way you can see there there 245 00:13:46,160 --> 00:13:48,800 Speaker 1: the growth that the director may see some stuff and 246 00:13:49,280 --> 00:13:52,240 Speaker 1: have an actor and actors create something comedically that we 247 00:13:52,240 --> 00:13:54,560 Speaker 1: wouldn't have pulled out of that person if we'd have 248 00:13:54,559 --> 00:13:57,640 Speaker 1: been using the same director. So that's indeed, So let's 249 00:13:57,640 --> 00:14:00,520 Speaker 1: talk about let's talk about the there's other program that 250 00:14:00,559 --> 00:14:03,320 Speaker 1: you've been lending your name to and where's it located? 251 00:14:03,400 --> 00:14:06,479 Speaker 1: New Image home with a shelter? Where's it located? A 252 00:14:06,520 --> 00:14:10,760 Speaker 1: New Image Homeless shelter is located in Los Angeles. Um 253 00:14:10,880 --> 00:14:16,000 Speaker 1: Long Beach is there um their main hub. Uh, these women, 254 00:14:16,080 --> 00:14:19,280 Speaker 1: they to how I how I got to this. There's 255 00:14:19,400 --> 00:14:24,280 Speaker 1: probably over the day, maybe seventeen years ago. I did 256 00:14:24,320 --> 00:14:29,680 Speaker 1: a m I did you know where you served the homeless? 257 00:14:29,760 --> 00:14:32,480 Speaker 1: And and and all that, and see it just wasn't enough. 258 00:14:33,760 --> 00:14:37,040 Speaker 1: I even came from behind serving. I started hugging, and 259 00:14:37,120 --> 00:14:39,000 Speaker 1: then I had an actress said, oh my god, what 260 00:14:39,000 --> 00:14:40,680 Speaker 1: are you doing. You're hugging them. I said, yeah, because 261 00:14:40,800 --> 00:14:43,400 Speaker 1: that might make a difference, a little human tux. You know, 262 00:14:43,640 --> 00:14:45,480 Speaker 1: just look somebody in the eye and let them know 263 00:14:45,520 --> 00:14:49,320 Speaker 1: that they matter. You know that it's a moment away 264 00:14:49,720 --> 00:14:54,920 Speaker 1: from being from being there, right, It's just a moment away, 265 00:14:55,040 --> 00:14:58,280 Speaker 1: and and you never know what it is the thing 266 00:14:58,440 --> 00:15:01,560 Speaker 1: that will trigger the person or inspire their person to 267 00:15:01,680 --> 00:15:05,240 Speaker 1: go further and do better. So UM, I happen to 268 00:15:05,400 --> 00:15:08,960 Speaker 1: have uh ear hustle because they do a co ed 269 00:15:09,120 --> 00:15:12,360 Speaker 1: where they have men, women and children that they shelter 270 00:15:12,520 --> 00:15:15,640 Speaker 1: there um and they're very protective of the women and 271 00:15:15,680 --> 00:15:18,080 Speaker 1: the children. So what they will do is give the 272 00:15:18,160 --> 00:15:20,880 Speaker 1: women and the children vouchers to go stay in a hotel. 273 00:15:21,560 --> 00:15:23,920 Speaker 1: And so I, I know, I was ear hustling, and 274 00:15:24,000 --> 00:15:28,000 Speaker 1: I overheard that they didn't have enough money. And so 275 00:15:28,080 --> 00:15:31,000 Speaker 1: because I was impressed that that was their process, I 276 00:15:31,080 --> 00:15:35,160 Speaker 1: timed in and and basically wrote check. And from that 277 00:15:35,240 --> 00:15:39,600 Speaker 1: point on I had decided I'm down with them. And 278 00:15:39,680 --> 00:15:42,800 Speaker 1: so what they also do is they they have they 279 00:15:42,840 --> 00:15:45,200 Speaker 1: make sure that they have like a little department store 280 00:15:45,280 --> 00:15:47,720 Speaker 1: for people who are getting themselves back on their feet 281 00:15:47,800 --> 00:15:52,120 Speaker 1: and transitioning into the workforce. So there's there's clothes, there's 282 00:15:52,320 --> 00:15:56,600 Speaker 1: there's you know, the beginning, the beginnings of people's um start, 283 00:15:57,160 --> 00:16:00,960 Speaker 1: and they're just they foster a real, real livelihood for 284 00:16:01,040 --> 00:16:04,400 Speaker 1: you to really really get back on your feet. Awesome, 285 00:16:04,520 --> 00:16:06,680 Speaker 1: let's tell I'm talking to Kalita Smith, one of the 286 00:16:06,760 --> 00:16:09,480 Speaker 1: stars on a good friend of mine and exactive producer 287 00:16:09,480 --> 00:16:12,960 Speaker 1: and created Bentley Evans who created Martin, who created Jamie 288 00:16:12,960 --> 00:16:16,520 Speaker 1: Fox show. It's called in the Cut. It's on tonight 289 00:16:16,640 --> 00:16:19,560 Speaker 1: Monday Night, July fifteenth, which is to date tonight, Excuse 290 00:16:19,720 --> 00:16:23,320 Speaker 1: July twenty July fifteen is winning Premier July twenty two 291 00:16:23,880 --> 00:16:27,080 Speaker 1: is on tonight at napi m. Eastern Standard Time. It's 292 00:16:27,120 --> 00:16:30,200 Speaker 1: a new episode every Monday night this summer. She plays 293 00:16:30,240 --> 00:16:33,600 Speaker 1: the character Sheryl. She works out works with My Board 294 00:16:33,600 --> 00:16:37,680 Speaker 1: Dorrian Wilson from The Parkers, My Boy, My Board, Ken 295 00:16:37,800 --> 00:16:41,160 Speaker 1: Lawson from The Parkers, My Girl, Lord Hayes from Death 296 00:16:41,200 --> 00:16:45,480 Speaker 1: Comedy jam My Boy, Marsha from A Smart Guy Again, 297 00:16:45,920 --> 00:16:48,200 Speaker 1: a show we all should be watching and laughing at. 298 00:16:48,440 --> 00:16:50,160 Speaker 1: Tell us something about the show before we get out 299 00:16:50,200 --> 00:16:53,280 Speaker 1: of here because of this interview. Been amazing. You are 300 00:16:53,720 --> 00:16:56,120 Speaker 1: at one of my I'm gonna tell you something. I 301 00:16:56,120 --> 00:16:58,640 Speaker 1: didn't have to work that hard on this interview. You 302 00:16:58,760 --> 00:17:01,280 Speaker 1: got something to say, you know, I head, so tell 303 00:17:01,360 --> 00:17:02,680 Speaker 1: us about the show so we can get out of here. 304 00:17:02,720 --> 00:17:04,879 Speaker 1: My friend again. The Bouns is on the Bounds Network, 305 00:17:05,280 --> 00:17:08,280 Speaker 1: Must see TV. If you ain't doing that on Monday night, 306 00:17:08,320 --> 00:17:10,080 Speaker 1: what you need to do is just going and find us. 307 00:17:10,119 --> 00:17:12,679 Speaker 1: Bounce around and find us on Bounce and you'll have 308 00:17:12,720 --> 00:17:14,800 Speaker 1: a good time and you get to see us the 309 00:17:14,920 --> 00:17:17,480 Speaker 1: Chemist Studio, get to see um, you get to see 310 00:17:17,480 --> 00:17:19,600 Speaker 1: people that you've always loved, and we have a great 311 00:17:19,680 --> 00:17:22,359 Speaker 1: host of guest casts coming through every Monday. You can 312 00:17:22,440 --> 00:17:24,800 Speaker 1: catch This show is a great show. It's called end 313 00:17:24,920 --> 00:17:28,720 Speaker 1: Cut on the Bounce Network nine pm. I'm talking to 314 00:17:28,800 --> 00:17:33,520 Speaker 1: Kalia Smith. She's she's a couldn't I say taekwondo? She said, 315 00:17:33,560 --> 00:17:37,400 Speaker 1: I do high kwondo. I took offense to that because 316 00:17:37,800 --> 00:17:39,520 Speaker 1: she made me feel like I was, you know, a 317 00:17:39,520 --> 00:17:42,919 Speaker 1: whimpy whimp. But I do taekwondo. I am not a 318 00:17:43,000 --> 00:17:45,720 Speaker 1: brown belt. In fact, I wear regular belt when I 319 00:17:45,760 --> 00:17:50,440 Speaker 1: do my taekwondo. Because she wasn't you want too far 320 00:17:50,480 --> 00:17:54,680 Speaker 1: away from my high kwando? Thought? Watch it now from 321 00:17:54,680 --> 00:17:57,880 Speaker 1: now from the nineteen I love it. I would thank 322 00:17:57,880 --> 00:17:59,640 Speaker 1: you for calling on my show. This has been amazing 323 00:17:59,640 --> 00:18:02,080 Speaker 1: And if you anytime you need me to promote, if 324 00:18:02,119 --> 00:18:03,840 Speaker 1: you're doing in the charges, let me know so I 325 00:18:03,880 --> 00:18:05,800 Speaker 1: can write a check to help out the program we're 326 00:18:05,800 --> 00:18:09,320 Speaker 1: talking about that homeless yef though. Okay, absolutely, and I 327 00:18:09,320 --> 00:18:11,880 Speaker 1: appreciate you and keep doing it well. Bye bye