WEBVTT - Lee Daniels

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<v Speaker 1>Hey, everybody, thanks for pulling up a chair today on

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<v Speaker 1>Table for Two. This is Bruce Bosi and we are

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<v Speaker 1>at the Sunset Tower Hotel, my favorite place in La.

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<v Speaker 2>Hello.

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<v Speaker 1>Hey, today we're having lunch with an accomplished director, an

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<v Speaker 1>Academy Award winning movie producer. You might know the epic

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<v Speaker 1>TV series he created called Empire.

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<v Speaker 3>If you're watching.

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<v Speaker 1>Netflix as we go into the Halloween months, you should

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<v Speaker 1>be watching this scary movie called Deliverance, which is based

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<v Speaker 1>on a true story.

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<v Speaker 3>Are we ordering, Yeah, he came by, but we were talking.

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<v Speaker 2>That's what Michael Jackson, who.

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<v Speaker 1>But the most fascinating thing about this gentleman is that

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<v Speaker 1>he came to Hollywood and began his career as a nurse.

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<v Speaker 1>So let's get into that. So sit back, grab a

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<v Speaker 1>glass of rose, and enjoy. We're having lunch today with

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<v Speaker 1>mister Lee Daniels. I'm Bruce Bozsi and this is my

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<v Speaker 1>podcast Table for two.

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<v Speaker 3>Well, if you've pulled.

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<v Speaker 1>Up a chair today, we are having lunch with we

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<v Speaker 1>are We are having lunch with an incredible director, producer,

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<v Speaker 1>Academy Award winner, mister Lee Daniels.

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<v Speaker 3>Welcomely, Thank you, Bruce.

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<v Speaker 4>I'm so happy to be here. Would you like to

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<v Speaker 4>know that? My boyfriend told me you can't, like not

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<v Speaker 4>do you're pressing without talking to Bruce.

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<v Speaker 2>Because he's obsessed.

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<v Speaker 3>Get out.

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<v Speaker 2>I swear to god, he said you can. I was like,

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<v Speaker 2>of course, and I was thinking, of course. I mean,

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<v Speaker 2>and he's very very he's.

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<v Speaker 4>Very very he's forties, very New York times, very into

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<v Speaker 4>the know right well.

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<v Speaker 3>And it's that very good taste because he's with you

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<v Speaker 3>and he loves my show.

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<v Speaker 1>That's really meaningful to me because you sit here and

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<v Speaker 1>you don't know how it resonates with people. Something popped up,

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<v Speaker 1>which was in September ninth, nineteen eighty three, Newsweek had

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<v Speaker 1>a cover that had a vile of blood in it,

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<v Speaker 1>and I was talking about AIDS and the pandemic of

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<v Speaker 1>AIDS and like, if you that's kind of crazy because

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<v Speaker 1>today is September tenth.

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<v Speaker 3>So that's why I kind of popped up, and that pandemic.

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<v Speaker 3>I did not realize that when you came out West,

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<v Speaker 3>you were working in the nursing world.

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<v Speaker 1>You were at first a receptionist and then you opened

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<v Speaker 1>up your own and you were primarily dealing with people

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<v Speaker 1>with HIV AIDS, So like, how did that.

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<v Speaker 3>I don't know.

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<v Speaker 2>I really don't know how it had.

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<v Speaker 4>I just sort of unfolded. I was I was a

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<v Speaker 4>I looked in it. I was living on Hollywood. I

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<v Speaker 4>was living on will Cox and Hollywood Boulevard, and I

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<v Speaker 4>was looking for a job. I just found a roommate.

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<v Speaker 4>And I was homeless for a little bit, and I

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<v Speaker 4>just found a roommate. And I went looking through the

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<v Speaker 4>La Times, and incidentally on Sunset and will Cox, there

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<v Speaker 4>was a nursing agency in the LA Times Classified section

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<v Speaker 4>that was looking for receptionists. And I knew I had

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<v Speaker 4>a good speaking voice, so I went in too to

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<v Speaker 4>meet with them. They hired me on the spot, and

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<v Speaker 4>I went from being a receptionist to selling nurses. I

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<v Speaker 4>knew nothing of knew I know nothing of nursing, selling

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<v Speaker 4>nurses meaning that if your mom is sick, you have

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<v Speaker 4>at your home, meaning that you don't meaning you know.

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<v Speaker 4>And so if you if you're having a baby and

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<v Speaker 4>youeding nanny, or if you need a homemaker or even

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<v Speaker 4>a housekeeper, home health care in any way. And so

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<v Speaker 4>I would sell these people to people that needed our care.

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<v Speaker 4>And and then they elevated me to UH from receptionists

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<v Speaker 4>to salesperson to manager when I was.

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<v Speaker 2>Like twenty three at the time, and I and finally said,

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<v Speaker 2>you know what, I think I can do this on

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<v Speaker 2>my own.

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<v Speaker 3>And so am amcious from the beginning, like what I

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<v Speaker 3>could do? I want to do?

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<v Speaker 2>So twenty four and I'm feel a little cocky.

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<v Speaker 4>I got I'm making eight hundred dollars a week, which

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<v Speaker 4>is a lot of money for me at the time,

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<v Speaker 4>and I and I said, I think I think I

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<v Speaker 4>can do this on my own.

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<v Speaker 3>So I.

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<v Speaker 2>Knew nothing about opening a business at all.

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<v Speaker 4>And I just sort of said, I got my three

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<v Speaker 4>girls that were my solid ace boom Coons said, I'm.

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<v Speaker 2>Getting a script.

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<v Speaker 3>Can you say that again, your.

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<v Speaker 2>Ace boom Coons, Ace boom Boomons, I love that.

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<v Speaker 4>And there were these wonderful black women that just really

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<v Speaker 4>believe in me.

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<v Speaker 2>And part of being a man, the managing it was.

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<v Speaker 4>Knowing that going out to Cedar SINAI, going to Century

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<v Speaker 4>City Hospital, Santa Monica Hospital, and marketing the company, meaning

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<v Speaker 4>that getting with the social workers, because those are the

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<v Speaker 4>people that refer you from the hospital to as discharged planners,

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<v Speaker 4>the ones that are when as you're leaving the hospital,

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<v Speaker 4>they okay, it's call this person, this person, this person

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<v Speaker 4>for nursing care once you leave.

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<v Speaker 2>But all of them were black women, and they all

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<v Speaker 2>like gravitated to me.

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<v Speaker 4>So it says this weird thing that these social workers

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<v Speaker 4>that were all black were love me.

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<v Speaker 3>It doesn't surprise me.

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<v Speaker 4>And then they were like, you got to go to

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<v Speaker 4>this guy, you gotta get so and so and so

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<v Speaker 4>I said I can do this.

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<v Speaker 2>So and so I started with.

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<v Speaker 3>Did you have to get like a degree or like.

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<v Speaker 2>You didn't know what I was doing.

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<v Speaker 4>I'm talking taxes all of it, and so.

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<v Speaker 2>And so I started with about three nurses, four nurses.

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<v Speaker 4>And and we had I don't know, I had to

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<v Speaker 4>move out of my house because it was like they

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<v Speaker 4>thought I was running like.

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<v Speaker 2>Some sort of organization there.

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<v Speaker 4>I had moved to Sycamore and Melrose and and so

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<v Speaker 4>I had to move to had My first offices were

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<v Speaker 4>on Wiltshire.

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<v Speaker 2>And Lebrea and.

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<v Speaker 4>Yeah, we and so we So I went from four

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<v Speaker 4>nurses to like one hundred and fifty nurses. Holy But

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<v Speaker 4>the reason what happened during that time was was that

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<v Speaker 4>it became sort of like black women sort of flocking

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<v Speaker 4>to me and aids.

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<v Speaker 2>It and nobody and no one knew.

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<v Speaker 4>No one wanted to touch the patient, but my girls would, right,

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<v Speaker 4>and so my girls would go in and then they

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<v Speaker 4>would going and so that and that's really where the

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<v Speaker 4>boom happened for me.

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<v Speaker 2>And then I was like it was out of control.

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<v Speaker 4>And then I was living my own private sort of

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<v Speaker 4>thing while my success with the nursing agency.

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<v Speaker 2>Was coming along, and it.

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<v Speaker 3>You mean, like your own personal life or like it was.

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<v Speaker 4>Crazy, because what happens is that you know, I'd come

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<v Speaker 4>I wasn't rich, so I was homeless, and so what

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<v Speaker 4>do you do with someone that doesn't have an education,

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<v Speaker 4>Your father's gone, You have a lot of money, I mean,

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<v Speaker 4>I was making a.

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<v Speaker 2>Lot of money. I'm making I don't even I can't.

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<v Speaker 4>I mean, I mean I must have sold I sold

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<v Speaker 4>it for a few million, but even then it was

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<v Speaker 4>undervalued at the time.

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<v Speaker 2>So I was making a noise my money. And so

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<v Speaker 2>I did a lot of drugs. And I had a

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<v Speaker 2>lot of friends at.

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<v Speaker 4>The same time that were dying, and so I was

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<v Speaker 4>on my own sort of path of.

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<v Speaker 2>Like why are my friends dying?

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<v Speaker 4>These guys are so much better than me, nicer than me,

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<v Speaker 4>kinder than me, souls that were just like dropping like

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<v Speaker 4>fives and black guys at the time, people think that

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<v Speaker 4>this COVID thing was a thing. Black men were dying

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<v Speaker 4>and garbage trucks were picking them up because the hospitals

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<v Speaker 4>weren't taking them, their parents weren't taking them well, and

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<v Speaker 4>so it was really I don't think that people people

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<v Speaker 4>think like, oh, like, how does he come up with

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<v Speaker 4>these stories?

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<v Speaker 2>You know what I mean? They come from a place

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<v Speaker 2>of watching people die in your arms over and over

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<v Speaker 2>and over and over again. I mean, and I don't

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<v Speaker 2>It's like, I don't think people don't you know.

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<v Speaker 1>Now, I will first always say there's those of us

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<v Speaker 1>and we're in the same years of life. The the

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<v Speaker 1>trauma of all of that, I don't think people realize.

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<v Speaker 3>I mean, there's a generation of people that just want't here.

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<v Speaker 3>They don't know, but there's the trauma of that. I mean,

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<v Speaker 3>even the reality of saying people were being picked up

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<v Speaker 3>by garbage trucks because they don't want to touch them conceivable, inconceivable.

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<v Speaker 1>I mean, this is a civilized, first world country and

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<v Speaker 1>we see.

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<v Speaker 2>Ambulances aren't taking him in, the hospitals aren't taking him in.

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<v Speaker 2>Especially African Americans.

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<v Speaker 4>It was like on another different level, the white boys

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<v Speaker 4>down in West Hollywood were at least I think their

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<v Speaker 4>parents were quasi accepting them. And I think that, but

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<v Speaker 4>the homophobia in the black community was so rampant and

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<v Speaker 4>so like and and so and also you have to understand,

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<v Speaker 4>my dad had convinced me that, you know, being gay

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<v Speaker 4>was a death sentence prior to Aid's ever coming out.

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<v Speaker 4>So I just assumed once he died that this was

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<v Speaker 4>just a fad of complete this was supposed to be.

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<v Speaker 3>When did you get ahead of the drugs?

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<v Speaker 2>Get ahead of the drugs?

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<v Speaker 4>I think, my kids is what sort of did it?

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<v Speaker 4>Because I adopted my brother's children that were that when

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<v Speaker 4>they were like three days old. My partner and I

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<v Speaker 4>Billy Hopkins at the time, the Castle director, my brother

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<v Speaker 4>was going to jail and his he said that he

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<v Speaker 4>called me and I was in po Springs. I'll never

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<v Speaker 4>get I was armed ecstasy or.

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<v Speaker 2>Something or MDA. No no, no, no, it was called No.

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<v Speaker 2>They didn't have malley.

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<v Speaker 4>Then they had lemon lemons, that lemon drop, the lemonslues.

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<v Speaker 3>Cuala, nothing like.

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<v Speaker 4>It.

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<v Speaker 2>And you don't make them any they don't make them

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<v Speaker 2>any clean.

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<v Speaker 3>We're not promoting drug us.

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<v Speaker 2>We don't do those anymore at all.

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<v Speaker 4>Well, maybe a valium when I have to fly.

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<v Speaker 3>Well that's it, because when I fly to I take isamix.

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<v Speaker 2>I mean it isn't it the same?

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<v Speaker 3>Yeah, basically they both mellow you out.

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<v Speaker 2>Yeah, you gotta anyway.

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<v Speaker 4>So I'm in Palm Springs and my boyfriend at the

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<v Speaker 4>time really wanted kids.

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<v Speaker 2>And he lived in New York and I lived in

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<v Speaker 2>l a And and I was.

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<v Speaker 4>Really struggling because I was struggling from a drug perspective.

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<v Speaker 4>The nursing agency had gone, I had gotten into this

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<v Speaker 4>business some kind of way.

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<v Speaker 2>I was lost. My friends were dying or dead. I

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<v Speaker 2>was alone.

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<v Speaker 4>I was with this guy that you know, I liked

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<v Speaker 4>a lot, and he wanted kids and I didn't want kids.

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<v Speaker 2>And my brother called me to say, listen, I'm going

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<v Speaker 2>to jail.

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<v Speaker 4>My girlfriend doesn't want the kids and I need you

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<v Speaker 4>to take them.

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<v Speaker 2>And they were twins. They were coming, and.

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<v Speaker 4>I was like, she was four months and she was

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<v Speaker 4>four months end at the time, and I said, okay,

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<v Speaker 4>bye in church.

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<v Speaker 3>No small ask on that one, but yeah.

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<v Speaker 4>So they arrived in January and my and.

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<v Speaker 2>And sure enough to the day, you know, my.

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<v Speaker 4>Mom called me and and she said that the mother

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<v Speaker 4>had left them on her doorsteps in snow and taken

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<v Speaker 4>off and they were days old, and and she says,

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<v Speaker 4>you are going to come and take these kids, And

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<v Speaker 4>so thank you. In some deep way, I think that

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<v Speaker 4>she understood that I, without knowing it, that something was

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<v Speaker 4>wrong with me, and that because she's so magical and spiritual,

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<v Speaker 4>she knew that these kids were going to save my life.

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<v Speaker 4>So so I said, I'm not taking okay, So but

0:12:08.320 --> 0:12:09.199
<v Speaker 4>my partner said I.

0:12:09.200 --> 0:12:10.000
<v Speaker 2>Really want kids.

0:12:10.600 --> 0:12:16.520
<v Speaker 4>So we took the kids and and I thought, I thought.

0:12:16.640 --> 0:12:19.760
<v Speaker 2>Oh they were also they were drug babies, they were

0:12:19.840 --> 0:12:23.160
<v Speaker 2>just the Yeah.

0:12:23.200 --> 0:12:28.400
<v Speaker 4>So I thought that I was saving them.

0:12:27.920 --> 0:12:29.920
<v Speaker 2>Are you with me? Yeah?

0:12:30.360 --> 0:12:30.760
<v Speaker 3>I am?

0:12:30.960 --> 0:12:34.280
<v Speaker 4>And so I come here, I waiting over to New

0:12:34.360 --> 0:12:36.360
<v Speaker 4>York and you're driving out the Philadelphia and getting the

0:12:36.400 --> 0:12:45.400
<v Speaker 4>kids and Bruce, they they saved your life.

0:12:46.400 --> 0:12:49.920
<v Speaker 3>They saved your life. That's the beauty. Things happen in

0:12:50.080 --> 0:12:50.679
<v Speaker 3>one's life.

0:12:50.840 --> 0:12:54.240
<v Speaker 1>You don't know, it's crazy, it's crazy.

0:12:54.520 --> 0:12:56.359
<v Speaker 3>So you raised them straight.

0:12:56.040 --> 0:12:59.520
<v Speaker 2>Through from three days old, from three days old. You

0:12:59.520 --> 0:13:00.319
<v Speaker 2>want some kids? Is there?

0:13:00.320 --> 0:13:00.960
<v Speaker 3>Twenty eight.

0:13:21.920 --> 0:13:25.280
<v Speaker 1>Welcome back to Table for two after his time in

0:13:25.400 --> 0:13:30.320
<v Speaker 1>nursing our guest. Lee Daniels became a casting director and manager,

0:13:31.040 --> 0:13:35.680
<v Speaker 1>and I'm curious did he always have Hollywood on his mind?

0:13:38.280 --> 0:13:39.439
<v Speaker 3>The beauty is.

0:13:39.280 --> 0:13:43.079
<v Speaker 1>That I always think the paths that open up that

0:13:43.240 --> 0:13:43.960
<v Speaker 1>you know, you don't know.

0:13:44.040 --> 0:13:45.679
<v Speaker 3>So you take a right, you take a left. Here

0:13:45.720 --> 0:13:49.000
<v Speaker 3>you are you create this business? Quesh does this road

0:13:49.360 --> 0:13:52.560
<v Speaker 3>lead to Tedy Daniels. I'm sitting with today.

0:13:52.960 --> 0:13:56.040
<v Speaker 2>So I'm eight years old. I'm in the first time.

0:13:56.080 --> 0:13:57.120
<v Speaker 2>I welcome to the library.

0:13:57.160 --> 0:14:01.400
<v Speaker 4>Okay, I go into the I don't know how, how, why,

0:14:01.559 --> 0:14:02.880
<v Speaker 4>but God took.

0:14:02.720 --> 0:14:06.920
<v Speaker 2>Me into the theater section. I opened a book.

0:14:08.000 --> 0:14:10.960
<v Speaker 4>There's a cover of Liz Taylor and Richard Burton in

0:14:11.040 --> 0:14:12.880
<v Speaker 4>black and white, and the book is.

0:14:12.840 --> 0:14:14.880
<v Speaker 2>Called Who's Afraid of Virginia Book? I'm eight.

0:14:15.240 --> 0:14:18.560
<v Speaker 4>Wow, I opened a book. It's my I'm reading it

0:14:18.600 --> 0:14:20.480
<v Speaker 4>cover to cover. I'm obsessed with it.

0:14:20.520 --> 0:14:21.880
<v Speaker 2>I don't know why I'm obsessed with it.

0:14:22.000 --> 0:14:23.840
<v Speaker 4>I'm obsessed with it because the words it's like a

0:14:23.880 --> 0:14:25.960
<v Speaker 4>play and this is oh oh.

0:14:26.320 --> 0:14:29.760
<v Speaker 2>Martha says this, George says this, oh oh oh.

0:14:29.800 --> 0:14:32.520
<v Speaker 4>And so I read it as the first book I

0:14:32.680 --> 0:14:33.680
<v Speaker 4>took out of the library.

0:14:34.240 --> 0:14:35.760
<v Speaker 2>I took it home on my stoop.

0:14:36.120 --> 0:14:39.120
<v Speaker 4>I had my neighbors, and my sisters read Honey and

0:14:39.200 --> 0:14:44.040
<v Speaker 4>George and Martha and all and and I said, you're

0:14:44.040 --> 0:14:48.520
<v Speaker 4>not saying it right. And I think, because you know,

0:14:49.120 --> 0:14:52.160
<v Speaker 4>I come from a very large family, and I've seen

0:14:52.240 --> 0:14:54.880
<v Speaker 4>so much. At that age, I understood the nuance of

0:14:54.920 --> 0:14:59.520
<v Speaker 4>what these complicated I understood it. I don't understand how

0:14:59.520 --> 0:15:01.240
<v Speaker 4>I understand about understood.

0:15:00.800 --> 0:15:05.640
<v Speaker 3>The complicated relationships with him. It's yeah, I mean it's.

0:15:05.480 --> 0:15:08.360
<v Speaker 1>An incredible that's a that's an incredible first book to

0:15:08.440 --> 0:15:12.400
<v Speaker 1>gravitate to. And you're right, some higher force, the Lord

0:15:13.600 --> 0:15:16.760
<v Speaker 1>what you're like and you ate and can actually understand that.

0:15:16.800 --> 0:15:18.800
<v Speaker 2>I understand and and I'm laughing at it.

0:15:18.840 --> 0:15:20.600
<v Speaker 4>So and then so I start writing myself, and then

0:15:20.600 --> 0:15:24.760
<v Speaker 4>I started doing other things. But there I didn't understand

0:15:24.800 --> 0:15:26.920
<v Speaker 4>what a director or a writer was. It was just

0:15:26.960 --> 0:15:29.240
<v Speaker 4>something that and I wasn't encouraged to do that as

0:15:29.240 --> 0:15:32.840
<v Speaker 4>a kid because my shows and stuff, and no, I.

0:15:32.800 --> 0:15:35.240
<v Speaker 2>Did one play in in sixth grade.

0:15:36.000 --> 0:15:41.080
<v Speaker 4>I was a king and and and I thought I

0:15:41.160 --> 0:15:44.000
<v Speaker 4>understood it a little bit. I was performing, but I

0:15:44.280 --> 0:15:46.960
<v Speaker 4>didn't want to act. I knew that I wanted to

0:15:47.000 --> 0:15:52.840
<v Speaker 4>create and and so and your job what he forget

0:15:52.920 --> 0:15:56.080
<v Speaker 4>it he was like, are you like the idea of

0:15:56.120 --> 0:15:58.480
<v Speaker 4>even writing? I used to hide my journal and I

0:15:58.560 --> 0:16:01.960
<v Speaker 4>used to hide my thought because it was so not

0:16:02.280 --> 0:16:03.400
<v Speaker 4>the thing to do, right.

0:16:03.640 --> 0:16:05.920
<v Speaker 1>And so that's the time we grew up in if

0:16:05.960 --> 0:16:11.240
<v Speaker 1>your parents sniff that you might be aay they You know,

0:16:11.400 --> 0:16:14.240
<v Speaker 1>it was a generation of people that thought by not

0:16:14.280 --> 0:16:16.880
<v Speaker 1>doing it, you could avoid being one.

0:16:16.920 --> 0:16:18.360
<v Speaker 3>One has nothing to do with the other.

0:16:18.400 --> 0:16:21.480
<v Speaker 1>All you're doing is squashing somebody and not letting them

0:16:22.120 --> 0:16:25.960
<v Speaker 1>be individuate and be and self actualized too much later,

0:16:26.040 --> 0:16:30.560
<v Speaker 1>which then leads to, you know, people becoming drug addicts

0:16:30.680 --> 0:16:32.560
<v Speaker 1>or sex addicts. We had, we had to do all

0:16:32.600 --> 0:16:37.640
<v Speaker 1>of our adolescences much later. I think, I know, right, yep,

0:16:37.920 --> 0:16:39.960
<v Speaker 1>you know we couldn't do it at fourteen fifteen.

0:16:40.000 --> 0:16:42.400
<v Speaker 3>You weren't at that time. Now these kids today, I

0:16:42.440 --> 0:16:42.720
<v Speaker 3>don't know.

0:16:43.040 --> 0:16:44.520
<v Speaker 2>Do you think it's okay today? I don't know. I

0:16:44.560 --> 0:16:46.440
<v Speaker 2>just think that I don't know what to make up today. Well,

0:16:46.440 --> 0:16:47.800
<v Speaker 2>the so I am lost the.

0:16:47.840 --> 0:16:51.200
<v Speaker 1>Smartphone thing, I think it was okay for a minute,

0:16:51.680 --> 0:16:53.840
<v Speaker 1>meaning young.

0:16:53.640 --> 0:16:55.200
<v Speaker 3>People were like, yeah, you can have a boyfriend in

0:16:55.240 --> 0:16:55.680
<v Speaker 3>high school.

0:16:55.680 --> 0:16:57.640
<v Speaker 1>You weren't going to get beat up or you weren't

0:16:57.680 --> 0:16:59.720
<v Speaker 1>going to be called like faggota all the time.

0:17:00.200 --> 0:17:03.240
<v Speaker 3>I was like, you know, growing up and you know,

0:17:03.480 --> 0:17:05.879
<v Speaker 3>or learn how to hide.

0:17:05.840 --> 0:17:07.760
<v Speaker 1>Because like, one of the things I think that we

0:17:08.119 --> 0:17:13.119
<v Speaker 1>develop is how do you figure out how to disappear

0:17:13.160 --> 0:17:13.920
<v Speaker 1>in a room.

0:17:13.720 --> 0:17:14.399
<v Speaker 3>Full of people?

0:17:14.800 --> 0:17:17.560
<v Speaker 2>So you it's so profound with you know, I just

0:17:17.560 --> 0:17:18.119
<v Speaker 2>got chills.

0:17:18.280 --> 0:17:20.600
<v Speaker 3>It's it's it's a survival thing.

0:17:20.680 --> 0:17:26.560
<v Speaker 1>Yeah, and I think not, But then I think the smartphone, right,

0:17:26.880 --> 0:17:28.560
<v Speaker 1>I think the smart.

0:17:27.960 --> 0:17:28.720
<v Speaker 2>I just got chills.

0:17:28.800 --> 0:17:29.440
<v Speaker 3>Oh, I love you.

0:17:29.760 --> 0:17:33.399
<v Speaker 4>The idea of hiding is something that I used to

0:17:33.400 --> 0:17:34.080
<v Speaker 4>in kindergarten.

0:17:34.359 --> 0:17:37.800
<v Speaker 2>I used to hold my I used to hold.

0:17:37.600 --> 0:17:43.359
<v Speaker 4>My peek so I wouldn't go to the bathroom, and

0:17:43.359 --> 0:17:44.960
<v Speaker 4>then I used to run home away.

0:17:44.720 --> 0:17:47.480
<v Speaker 2>From the bullies, just so I could alleviate myself.

0:17:47.520 --> 0:17:49.520
<v Speaker 3>Right, because you knew.

0:17:49.640 --> 0:17:51.520
<v Speaker 2>If I was in that bathroom, I was in trouble.

0:17:51.560 --> 0:17:52.240
<v Speaker 3>You were in trouble.

0:18:02.040 --> 0:18:05.000
<v Speaker 1>So you know, you do an incredible movie, you know

0:18:05.160 --> 0:18:10.760
<v Speaker 1>you do Precious that must be based on these women

0:18:10.840 --> 0:18:14.040
<v Speaker 1>that you were working with, Right.

0:18:14.280 --> 0:18:19.720
<v Speaker 2>It's no, it's based on me. It's based on a

0:18:19.720 --> 0:18:20.600
<v Speaker 2>lot of this on me.

0:18:20.800 --> 0:18:24.160
<v Speaker 4>I under again, like like I understood who's a greater

0:18:24.280 --> 0:18:26.840
<v Speaker 4>Virginia Wolf? When I read the book pushed by sapphire.

0:18:26.960 --> 0:18:30.920
<v Speaker 4>I understood it at its DNA because it was my story,

0:18:31.080 --> 0:18:34.440
<v Speaker 4>even though my dad never sexually abused me. I knew

0:18:34.480 --> 0:18:37.120
<v Speaker 4>what it was like to run from the bullies at

0:18:37.160 --> 0:18:41.520
<v Speaker 4>five and then be bullied home at home, right, so there.

0:18:41.480 --> 0:18:42.600
<v Speaker 3>Was no safe there.

0:18:42.760 --> 0:18:47.439
<v Speaker 2>I wasn't safe anywhere and so and so except with

0:18:47.520 --> 0:18:52.280
<v Speaker 2>my mom and so and so. I understood.

0:18:52.320 --> 0:18:54.879
<v Speaker 4>And then I'd seen so many precious is on my street.

0:18:55.080 --> 0:18:59.159
<v Speaker 4>I understood what beatings meant. I understood what what you know,

0:19:00.119 --> 0:19:02.919
<v Speaker 4>understood it all. I understood the nuance of what that

0:19:02.960 --> 0:19:08.119
<v Speaker 4>girl had gone through, everything, the pain and the beauty

0:19:08.119 --> 0:19:11.120
<v Speaker 4>of her finding herself ultimately, I mean, the only thing.

0:19:11.280 --> 0:19:13.400
<v Speaker 4>And I couldn't understand why it was that I didn't

0:19:13.400 --> 0:19:15.040
<v Speaker 4>have HIV. I was like, I don't understand how come

0:19:15.080 --> 0:19:15.760
<v Speaker 4>I don't have HIV?

0:19:16.119 --> 0:19:17.400
<v Speaker 2>I don't why amn't I have HIV.

0:19:17.480 --> 0:19:20.159
<v Speaker 4>I'm just waiting for it, waiting to get HIV right,

0:19:20.440 --> 0:19:23.159
<v Speaker 4>like like literally going and going into the bad houses

0:19:23.480 --> 0:19:26.480
<v Speaker 4>looking for it, because I'm thinking to myself, it's.

0:19:26.359 --> 0:19:28.640
<v Speaker 2>Just a matter of time. I might as well get hat,

0:19:28.960 --> 0:19:30.440
<v Speaker 2>you know what I mean. I don't understand that guy

0:19:30.440 --> 0:19:31.399
<v Speaker 2>had a bigger purpose for me.

0:19:32.160 --> 0:19:34.320
<v Speaker 3>Oh, you know completely clearly.

0:19:34.480 --> 0:19:38.199
<v Speaker 2>Yeah, and so that's so for Precious, it was it

0:19:38.320 --> 0:19:39.919
<v Speaker 2>just was something. All of it lives in me.

0:19:40.080 --> 0:19:43.280
<v Speaker 4>I did The Paperboy after that, yeah, all, but Precious

0:19:43.320 --> 0:19:45.800
<v Speaker 4>really really resonated with me.

0:19:45.640 --> 0:19:48.560
<v Speaker 3>I mean it was a knockout of a film. And

0:19:48.680 --> 0:19:51.400
<v Speaker 3>you know, you're casting she was.

0:19:52.840 --> 0:19:54.440
<v Speaker 2>Amazing, amazing, Yeah you.

0:19:54.359 --> 0:19:56.639
<v Speaker 1>Have and you know also was amazing when you've used her,

0:19:56.640 --> 0:20:00.240
<v Speaker 1>I believe twice Mariah Carroy, what's your you.

0:20:00.240 --> 0:20:04.920
<v Speaker 3>Have an affinity for like? And she was very good. Yeah,

0:20:05.119 --> 0:20:07.399
<v Speaker 3>you know, a social worker.

0:20:07.800 --> 0:20:12.880
<v Speaker 1>You know, it's unrecognizable, right, and then we're like wow, I.

0:20:12.840 --> 0:20:14.960
<v Speaker 4>Mean Ellen Maren was supposed to play the role, oh,

0:20:15.119 --> 0:20:17.639
<v Speaker 4>because I had just directed her in shadow Boxer, my

0:20:17.720 --> 0:20:18.760
<v Speaker 4>director of her debut.

0:20:19.440 --> 0:20:21.359
<v Speaker 2>And but but.

0:20:21.440 --> 0:20:24.320
<v Speaker 4>Helen got a job, a big job, and and bailed.

0:20:24.320 --> 0:20:28.159
<v Speaker 2>So I called, and I can't wait to work for

0:20:28.240 --> 0:20:29.479
<v Speaker 2>Helen again. I love her so much.

0:20:29.600 --> 0:20:31.439
<v Speaker 3>I mean, she's next love, isn't she next love?

0:20:31.720 --> 0:20:35.600
<v Speaker 4>She's such a junie anyway, So and so I said Mariah,

0:20:35.600 --> 0:20:37.560
<v Speaker 4>because I knew Mariah had read two I'm.

0:20:37.440 --> 0:20:39.320
<v Speaker 2>Not allowed to say this BYMN say it because wouldna

0:20:39.400 --> 0:20:39.679
<v Speaker 2>kill me.

0:20:40.000 --> 0:20:42.720
<v Speaker 4>At the time, she had read two books. The Bible

0:20:43.119 --> 0:20:47.160
<v Speaker 4>and pushed by Saffi Wow, and she's, you know, I see,

0:20:47.160 --> 0:20:49.880
<v Speaker 4>I'm sorry, I'm calling you out. But that was years ago,

0:20:49.920 --> 0:20:52.040
<v Speaker 4>so we already know you've read any more books with

0:20:52.040 --> 0:20:57.520
<v Speaker 4>them kids and everything. But anyway, she says, I said,

0:20:57.520 --> 0:20:59.400
<v Speaker 4>but I need you to follow instructions.

0:20:59.640 --> 0:21:04.560
<v Speaker 2>I really need for you to de glam.

0:21:04.640 --> 0:21:05.720
<v Speaker 3>Yeah, de glam, and.

0:21:05.640 --> 0:21:10.480
<v Speaker 4>You're gonna have to really disappear. And so and she did.

0:21:10.160 --> 0:21:14.280
<v Speaker 4>She was on time, and she was she did everything,

0:21:14.840 --> 0:21:15.760
<v Speaker 4>and she trusted.

0:21:15.880 --> 0:21:17.520
<v Speaker 2>I think that what you have to.

0:21:18.080 --> 0:21:21.920
<v Speaker 4>I think that people talk about my performances like there's

0:21:21.960 --> 0:21:24.520
<v Speaker 4>a level of trust because I don't know what I'm doing.

0:21:24.840 --> 0:21:25.880
<v Speaker 2>I'm looking for it in the moment.

0:21:25.920 --> 0:21:27.400
<v Speaker 4>I don't pretend to come on set to know I'm

0:21:27.400 --> 0:21:30.560
<v Speaker 4>this director that knows guys, I don't know what I'm doing.

0:21:31.480 --> 0:21:34.920
<v Speaker 4>We're going to be criticized for it because I'm from

0:21:35.280 --> 0:21:37.960
<v Speaker 4>a world that most white critics don't understand.

0:21:38.440 --> 0:21:40.720
<v Speaker 2>So know that already going in that they're not gonna

0:21:40.720 --> 0:21:44.159
<v Speaker 2>get it, but we get it. And so let's just

0:21:45.000 --> 0:21:46.320
<v Speaker 2>let's jump off the clip together.

0:21:46.520 --> 0:21:46.760
<v Speaker 3>Yeah.

0:21:46.960 --> 0:21:51.160
<v Speaker 1>I mean, the performance is a powerhouse in your movies,

0:21:51.359 --> 0:21:55.200
<v Speaker 1>and I mean look currently on Netflix with Deliverance.

0:21:56.560 --> 0:21:58.720
<v Speaker 3>Let me tell you, like the scary movies.

0:21:58.960 --> 0:21:59.560
<v Speaker 2>Did you see it?

0:21:59.600 --> 0:22:02.360
<v Speaker 3>I did? Scared movies are like, you know, I get

0:22:02.400 --> 0:22:06.119
<v Speaker 3>scared really easy, do you. Yeah? Brian was liken't watch it.

0:22:06.160 --> 0:22:08.679
<v Speaker 3>He's like, you know he does that thing? And I like,

0:22:10.040 --> 0:22:14.960
<v Speaker 3>so here's a movie. How much you love him? Oh

0:22:15.040 --> 0:22:18.600
<v Speaker 3>my god? I love what drew you. First of all,

0:22:18.560 --> 0:22:20.600
<v Speaker 3>it's based on a true story, which freaking me out.

0:22:20.600 --> 0:22:23.280
<v Speaker 1>That house even when it was like emptied, still have

0:22:23.400 --> 0:22:25.720
<v Speaker 1>like bad juju around it, and then they knocked it down.

0:22:25.560 --> 0:22:26.119
<v Speaker 3>On the land.

0:22:26.640 --> 0:22:30.720
<v Speaker 1>What what you're even that project?

0:22:30.880 --> 0:22:34.000
<v Speaker 3>And it's it's very interesting because.

0:22:35.160 --> 0:22:38.520
<v Speaker 1>It's like almost like I thought, even though it's based

0:22:38.560 --> 0:22:41.760
<v Speaker 1>on his things, this this like demon.

0:22:42.600 --> 0:22:45.679
<v Speaker 3>It's also one's own demons. You're being out, you're showing

0:22:45.880 --> 0:22:47.720
<v Speaker 3>you know what I mean, which was hard to do. Yeah,

0:22:48.240 --> 0:22:51.080
<v Speaker 3>talk to me about the lads and the experience and

0:22:51.119 --> 0:22:55.160
<v Speaker 3>it's really good. Good, So thank you sir.

0:22:55.640 --> 0:23:02.000
<v Speaker 2>After Precious they offered me I was a producer.

0:23:02.040 --> 0:23:04.320
<v Speaker 4>Came to Tucker Tuley, my producer from shadow Box when

0:23:04.320 --> 0:23:07.360
<v Speaker 4>my first film, came to me with this and I said, no,

0:23:07.400 --> 0:23:09.040
<v Speaker 4>I don't want to do it. Well I said, yeah,

0:23:09.080 --> 0:23:11.240
<v Speaker 4>I do it, but I was questioning whether or not I

0:23:11.240 --> 0:23:13.840
<v Speaker 4>want to do another story about abuse. But then when

0:23:13.880 --> 0:23:18.119
<v Speaker 4>I gave the the script to my mom, you were.

0:23:17.960 --> 0:23:21.880
<v Speaker 3>Like, no, baby, you.

0:23:23.320 --> 0:23:24.199
<v Speaker 2>Aren't open portal.

0:23:24.640 --> 0:23:25.160
<v Speaker 3>You work.

0:23:26.440 --> 0:23:28.040
<v Speaker 2>You don't work like normal people.

0:23:28.560 --> 0:23:31.600
<v Speaker 4>And and I I, I really believe we believe in that

0:23:31.680 --> 0:23:32.280
<v Speaker 4>kind of stuff.

0:23:32.600 --> 0:23:37.720
<v Speaker 2>Jumping on you. Yeah, I didn't. And also I thought

0:23:37.720 --> 0:23:39.160
<v Speaker 2>it was a horror movie.

0:23:39.320 --> 0:23:41.679
<v Speaker 4>Like it was a horror like it was like at

0:23:41.680 --> 0:23:43.159
<v Speaker 4>the time, I looked at it as if it was

0:23:43.160 --> 0:23:46.879
<v Speaker 4>really horror, right, And so I let it sit for

0:23:46.920 --> 0:23:49.399
<v Speaker 4>a long time, and then I just I try to

0:23:49.840 --> 0:23:51.320
<v Speaker 4>do what I think is in the air.

0:23:53.480 --> 0:23:56.000
<v Speaker 2>And I think that and and people think I'm cornying.

0:23:56.040 --> 0:23:58.560
<v Speaker 4>I don't care. I think we were in dark times.

0:23:59.040 --> 0:24:02.359
<v Speaker 4>And I think that act that we're sitting here, even

0:24:02.440 --> 0:24:05.080
<v Speaker 4>in question about Kamala and Trump, that's say, been a

0:24:05.160 --> 0:24:08.480
<v Speaker 4>question mark where the country is divided, says the type

0:24:08.480 --> 0:24:09.639
<v Speaker 4>of times that we really are in.

0:24:09.960 --> 0:24:12.000
<v Speaker 2>And and so.

0:24:12.680 --> 0:24:14.879
<v Speaker 4>I said, I think that this is this is something

0:24:14.880 --> 0:24:16.920
<v Speaker 4>I should I think that it's about finding your life.

0:24:16.920 --> 0:24:20.000
<v Speaker 4>It's not really about horror. It's about finding your life.

0:24:20.000 --> 0:24:21.000
<v Speaker 4>And I'm going to scare you.

0:24:20.920 --> 0:24:21.720
<v Speaker 2>To finding your lies.

0:24:22.240 --> 0:24:26.439
<v Speaker 4>And so that was the intent behind the film and

0:24:26.520 --> 0:24:28.120
<v Speaker 4>why I felt I should do it right, and also

0:24:28.160 --> 0:24:30.239
<v Speaker 4>I wanted to stretch my muscle. I just like, what

0:24:30.280 --> 0:24:33.320
<v Speaker 4>does a Lead Daniels horror movie look like? Remember getting

0:24:33.320 --> 0:24:33.960
<v Speaker 4>in Television's?

0:24:34.000 --> 0:24:34.920
<v Speaker 2>Like what is it?

0:24:35.080 --> 0:24:35.199
<v Speaker 3>Like?

0:24:35.400 --> 0:24:36.960
<v Speaker 4>I did it because I was scared, Like why do

0:24:37.040 --> 0:24:40.399
<v Speaker 4>I what's a Lee Daniels musical? Like I didn't understand

0:24:40.440 --> 0:24:42.639
<v Speaker 4>what that whole thing were, Like how do how do

0:24:42.720 --> 0:24:43.800
<v Speaker 4>I work with a studio?

0:24:44.080 --> 0:24:46.240
<v Speaker 2>How do I how do what is that all?

0:24:46.600 --> 0:24:49.440
<v Speaker 4>And so if I'm not afraid coming in, I don't

0:24:49.440 --> 0:24:50.880
<v Speaker 4>really want to do And I work from a place

0:24:50.880 --> 0:24:57.320
<v Speaker 4>in fear because I've as a gay kid, I was

0:24:57.359 --> 0:25:01.480
<v Speaker 4>so fearful and some of my best stuff came from fear.

0:25:01.840 --> 0:25:04.680
<v Speaker 2>I mean, so I work best in a place of

0:25:05.160 --> 0:25:07.879
<v Speaker 2>the unknown. Right if any of that yah.

0:25:08.040 --> 0:25:11.280
<v Speaker 3>That that completely makes sense. I mean also yours out

0:25:11.840 --> 0:25:15.000
<v Speaker 3>that it's not a hut, and that's one. But but

0:25:15.080 --> 0:25:17.200
<v Speaker 3>it appears to be like as.

0:25:17.040 --> 0:25:19.480
<v Speaker 1>You tell them, because of the way you shoot it

0:25:19.520 --> 0:25:22.119
<v Speaker 1>and the things that happen, and the and the mystery

0:25:22.160 --> 0:25:24.320
<v Speaker 1>and the noises and the flies and the things, and.

0:25:24.320 --> 0:25:27.840
<v Speaker 3>You know that ship's going down, but then it isn't.

0:25:27.880 --> 0:25:32.960
<v Speaker 1>It's about relationships and it's about your inner Glenn Close

0:25:33.080 --> 0:25:36.080
<v Speaker 1>is pretty next level in his movie too.

0:25:36.080 --> 0:25:39.399
<v Speaker 3>I mean, your whole cast is great. Just she's you know,

0:25:39.480 --> 0:25:40.880
<v Speaker 3>I I love her.

0:25:44.400 --> 0:25:44.600
<v Speaker 2>Great.

0:25:45.880 --> 0:25:52.600
<v Speaker 4>So I wanted to separate my story from their story, right, and.

0:25:51.119 --> 0:25:51.960
<v Speaker 2>As much as I could.

0:25:54.560 --> 0:25:57.520
<v Speaker 4>We had a we had a someone that did deliverances

0:25:57.560 --> 0:26:00.000
<v Speaker 4>on set every day. Okay, so that's someone that really

0:26:00.080 --> 0:26:01.680
<v Speaker 4>did evil cast evil stories.

0:26:01.400 --> 0:26:01.920
<v Speaker 3>Out on day.

0:26:02.080 --> 0:26:06.280
<v Speaker 2>Yeah, because weird shit was happening for a pasting, I.

0:26:06.280 --> 0:26:06.840
<v Speaker 3>Didn't want to.

0:26:07.119 --> 0:26:08.040
<v Speaker 2>I wanted to explore.

0:26:08.160 --> 0:26:10.040
<v Speaker 4>I have so many friends that are bi racial, right,

0:26:10.400 --> 0:26:13.479
<v Speaker 4>I wanted to find and I had never seen like

0:26:14.119 --> 0:26:17.520
<v Speaker 4>black people know the Glenn Close character, the Alberta character.

0:26:17.960 --> 0:26:22.000
<v Speaker 4>She's not in the atmosphere of white people.

0:26:22.040 --> 0:26:23.680
<v Speaker 2>Don't know who that is because she's never with white people.

0:26:23.680 --> 0:26:24.480
<v Speaker 2>She's with black people.

0:26:24.760 --> 0:26:29.119
<v Speaker 4>And so for me, I wanted to show two things. One,

0:26:29.160 --> 0:26:30.600
<v Speaker 4>I wanted to show the complications of.

0:26:30.560 --> 0:26:33.119
<v Speaker 2>So many of my biracial friends that have like, what

0:26:33.240 --> 0:26:34.640
<v Speaker 2>is that like to live in that existence?

0:26:34.800 --> 0:26:37.320
<v Speaker 4>How confusing it must be when you have a white

0:26:37.359 --> 0:26:38.439
<v Speaker 4>mother but you are black?

0:26:38.480 --> 0:26:40.720
<v Speaker 2>And what is that? What is that? What the fuck?

0:26:41.040 --> 0:26:45.040
<v Speaker 2>What does that world really really look like? Yeah?

0:26:45.119 --> 0:26:47.520
<v Speaker 4>For a black person with a white mother. But more importantly,

0:26:47.560 --> 0:26:51.560
<v Speaker 4>I wanted to give life to so many because every

0:26:51.720 --> 0:26:54.680
<v Speaker 4>every neighborhood I knew and had in Alberta, right, and

0:26:54.880 --> 0:26:58.359
<v Speaker 4>that was just embraced by black culture that you know,

0:26:58.520 --> 0:27:03.200
<v Speaker 4>had black kids and black earl grandkids and never and

0:27:03.200 --> 0:27:05.960
<v Speaker 4>and nobody ever looked twice at her. And it upsets

0:27:06.040 --> 0:27:09.280
<v Speaker 4>me because so many white critics, I think it's sort

0:27:09.280 --> 0:27:11.480
<v Speaker 4>of a joke or and it's an insult to the

0:27:12.200 --> 0:27:14.879
<v Speaker 4>to the black people are gagging over the film like

0:27:14.880 --> 0:27:17.560
<v Speaker 4>they've never seen anything like it. It's like it's it's

0:27:17.680 --> 0:27:20.560
<v Speaker 4>it's affected people, like it's affected Precious because they see

0:27:20.600 --> 0:27:24.720
<v Speaker 4>people that they've never seen that they see regularly because

0:27:24.760 --> 0:27:29.680
<v Speaker 4>Precious was normal to most black people. Yeah that was norm, right,

0:27:29.800 --> 0:27:32.320
<v Speaker 4>So this is norm and they're seeing it and they're

0:27:32.359 --> 0:27:33.440
<v Speaker 4>just goopedou.

0:27:33.520 --> 0:27:34.920
<v Speaker 2>Paul came up to bout.

0:27:34.920 --> 0:27:39.160
<v Speaker 4>Paul invited me over uh to her his house yesterday

0:27:39.200 --> 0:27:41.719
<v Speaker 4>and it was like, gooped. It's like, you're just like

0:27:41.760 --> 0:27:46.320
<v Speaker 4>you just keep giving us people that we know that

0:27:46.440 --> 0:27:49.760
<v Speaker 4>they don't know, but you're speeding the culture.

0:27:49.840 --> 0:27:50.840
<v Speaker 2>And it made me feel so good.

0:27:51.080 --> 0:27:56.200
<v Speaker 3>I've never seen that, I say, so, you're right. I

0:27:56.240 --> 0:28:00.000
<v Speaker 3>was like, oh wait a minute. Never seen the dynamics

0:28:00.240 --> 0:28:03.720
<v Speaker 3>like that, and it's very powerful.

0:28:03.720 --> 0:28:07.000
<v Speaker 1>I thought, so that's a Billie Daniels sort of horror

0:28:07.000 --> 0:28:12.879
<v Speaker 1>film so to speak. Wait, spiritual, Yeah, it isn't a

0:28:12.920 --> 0:28:15.080
<v Speaker 1>horror film that you're scared at times?

0:28:25.880 --> 0:28:28.840
<v Speaker 3>How often are you writing? Are you constantly writing and rewriting?

0:28:30.480 --> 0:28:33.159
<v Speaker 2>Right now, I'm doing a I'm doing something for FEX.

0:28:34.440 --> 0:28:37.119
<v Speaker 2>They want my version of a procedural.

0:28:37.760 --> 0:28:38.320
<v Speaker 3>What is the lead?

0:28:38.360 --> 0:28:39.920
<v Speaker 2>Dy knows procedurals? So get I'm afraid.

0:28:39.960 --> 0:28:40.680
<v Speaker 3>Wait what does that mean?

0:28:41.280 --> 0:28:43.840
<v Speaker 2>Meaning like a cock show? Like a weekly cop show?

0:28:44.320 --> 0:28:47.600
<v Speaker 4>So what I did was my favorite cop show, complicated

0:28:47.600 --> 0:28:49.200
<v Speaker 4>relationships again with Cagney and Macy.

0:28:49.640 --> 0:28:51.800
<v Speaker 3>I knew about to say that, did you. I knew

0:28:51.840 --> 0:28:55.280
<v Speaker 3>you were about to say it? Love it? Okay?

0:28:55.360 --> 0:28:58.440
<v Speaker 4>So I have Ms Lawrence, who's in every one of

0:28:58.480 --> 0:29:02.480
<v Speaker 4>my TV shows and films. You know, she was Ebany's

0:29:02.480 --> 0:29:05.240
<v Speaker 4>best friend and also Billie Holliday's best friend.

0:29:07.680 --> 0:29:09.640
<v Speaker 2>What would be like if she were a cop?

0:29:10.120 --> 0:29:13.680
<v Speaker 4>A detective dressed like a woman, but dressed like a man,

0:29:13.880 --> 0:29:16.280
<v Speaker 4>but dressed like a woman, look, but is a man?

0:29:16.960 --> 0:29:21.840
<v Speaker 4>Miss Lawrence is a cop detective in Philadelphia and she

0:29:22.000 --> 0:29:28.080
<v Speaker 4>was partnered with another woman who was a Trump supporting,

0:29:28.760 --> 0:29:33.960
<v Speaker 4>homophobic racist, and the two of them had to solve

0:29:34.000 --> 0:29:37.920
<v Speaker 4>crimes together. I had to get along to solve these crimes.

0:29:38.680 --> 0:29:43.800
<v Speaker 4>But they calling each other baggott and just every as

0:29:43.880 --> 0:29:47.760
<v Speaker 4>slur and just everything as they're off solving the crime together.

0:29:49.080 --> 0:29:50.959
<v Speaker 2>What I'm trying to do is bring the world together.

0:29:51.920 --> 0:29:56.080
<v Speaker 2>And so it's my way of bringing the world together through.

0:29:55.920 --> 0:30:01.160
<v Speaker 4>Comedy, through a deep look at race and homophobia in

0:30:01.200 --> 0:30:03.640
<v Speaker 4>America today and bringing the left and the right together.

0:30:03.800 --> 0:30:05.920
<v Speaker 4>No one's listening, So just try how do we how

0:30:05.920 --> 0:30:07.080
<v Speaker 4>do we? How do we do that in a way.

0:30:07.120 --> 0:30:08.400
<v Speaker 4>So that's what that's what I'm trying, That's what I'm

0:30:08.400 --> 0:30:08.920
<v Speaker 4>writing right now.

0:30:08.920 --> 0:30:09.640
<v Speaker 2>I love it so much.

0:30:09.680 --> 0:30:12.000
<v Speaker 3>I gotta tell you that's a brilliant idea. And I

0:30:12.000 --> 0:30:14.800
<v Speaker 3>think you're right. No one is listening to put that

0:30:15.000 --> 0:30:15.480
<v Speaker 3>cop show.

0:30:15.560 --> 0:30:19.480
<v Speaker 1>Put those characters have to solve crime, help people, and

0:30:19.560 --> 0:30:20.120
<v Speaker 1>yet come.

0:30:19.960 --> 0:30:22.680
<v Speaker 3>From too fundamentally different everything.

0:30:23.280 --> 0:30:24.800
<v Speaker 2>But really, let.

0:30:24.840 --> 0:30:29.400
<v Speaker 4>Really give life, sense and life to the racist so

0:30:29.440 --> 0:30:31.760
<v Speaker 4>that they can really felt heard.

0:30:32.080 --> 0:30:34.960
<v Speaker 3>Yes, yes, you know what I mean.

0:30:35.040 --> 0:30:39.040
<v Speaker 4>Yes, And so that the because they're still they still

0:30:39.120 --> 0:30:42.600
<v Speaker 4>with somebody's kid at some point. M So, how do we,

0:30:42.680 --> 0:30:46.240
<v Speaker 4>how do we so Yeah, that's what It's complicated because

0:30:46.600 --> 0:30:49.800
<v Speaker 4>I find myself meeting I needed a white partner. I

0:30:49.920 --> 0:30:52.040
<v Speaker 4>partnered with a guy named part handsOn who did bones

0:30:52.880 --> 0:30:57.160
<v Speaker 4>who really I needed to understand and really feel for

0:30:57.240 --> 0:31:00.000
<v Speaker 4>the racist too, very similarly to what I felt towards

0:31:00.040 --> 0:31:02.760
<v Speaker 4>Monique's character in Precious, you know, I need to feel

0:31:02.800 --> 0:31:03.360
<v Speaker 4>for that person.

0:31:03.520 --> 0:31:09.240
<v Speaker 3>Yeah, that makes her character was power. Yeah, yeah, and

0:31:09.280 --> 0:31:10.280
<v Speaker 3>you have to feel.

0:31:11.840 --> 0:31:15.840
<v Speaker 2>She's I don't know, definitely, I'm working on Now.

0:31:15.640 --> 0:31:17.880
<v Speaker 3>That's a great So that's that's totally cool.

0:31:17.880 --> 0:31:20.080
<v Speaker 1>I mean so when you're working on that now, so procedural,

0:31:20.160 --> 0:31:22.239
<v Speaker 1>so like when you you have to come up with

0:31:22.280 --> 0:31:25.040
<v Speaker 1>like the first ten, like you have to come up

0:31:25.080 --> 0:31:25.600
<v Speaker 1>with the arc.

0:31:25.680 --> 0:31:27.040
<v Speaker 3>And then we.

0:31:28.840 --> 0:31:32.760
<v Speaker 4>Remember that guy ed Buck here and he was pulling

0:31:32.760 --> 0:31:34.080
<v Speaker 4>over he was the white guy that was.

0:31:35.720 --> 0:31:37.840
<v Speaker 2>I was drubbing all the black boys, the hookers.

0:31:38.440 --> 0:31:40.440
<v Speaker 4>I sort of basic a little bit on that where

0:31:40.480 --> 0:31:44.040
<v Speaker 4>there was there's a serial murderer that's killing gay guys.

0:31:44.080 --> 0:31:47.320
<v Speaker 4>So they need miss Lawrence's character to really go into

0:31:47.360 --> 0:31:51.240
<v Speaker 4>the gay black hooker culture.

0:31:52.200 --> 0:31:53.240
<v Speaker 2>To help solve the crime.

0:31:53.760 --> 0:31:55.480
<v Speaker 4>And that'll be like the first crime be more like

0:31:56.440 --> 0:32:01.640
<v Speaker 4>more like a true crime meets uh true crime meets there,

0:32:02.520 --> 0:32:03.200
<v Speaker 4>cad Nee Lisa.

0:32:03.280 --> 0:32:27.440
<v Speaker 1>Yeah, thanks for joining us on table for two. In

0:32:27.480 --> 0:32:30.320
<v Speaker 1>two thousand and one, Lee Daniels took the leap from

0:32:30.400 --> 0:32:34.960
<v Speaker 1>manager to film director with the movie Monsters Ball. Halle

0:32:35.040 --> 0:32:37.280
<v Speaker 1>Berry won an Oscar for her role in the film,

0:32:37.280 --> 0:32:40.640
<v Speaker 1>and it launched Lee's career as a writer and director

0:32:40.760 --> 0:32:46.320
<v Speaker 1>on both the big and small screens. Let's go back

0:32:46.480 --> 0:32:49.600
<v Speaker 1>a little bit, just because it was so awesome revolutionary

0:32:49.680 --> 0:32:50.360
<v Speaker 1>monsters there.

0:32:51.040 --> 0:32:53.360
<v Speaker 3>Yes, I mean maybe you've talked it to death, but

0:32:53.480 --> 0:32:53.840
<v Speaker 3>like no.

0:32:53.840 --> 0:32:54.760
<v Speaker 2>I haven't thought that.

0:32:54.760 --> 0:32:57.880
<v Speaker 4>That's but you understand it was managing at the time.

0:32:58.200 --> 0:33:02.920
<v Speaker 4>And now, okay, so I left things casting. I left

0:33:02.960 --> 0:33:04.800
<v Speaker 4>Warner Brothers was so happy I used to I used

0:33:04.800 --> 0:33:08.080
<v Speaker 4>to be the head of in the eighties. There was

0:33:08.120 --> 0:33:11.160
<v Speaker 4>something called Minority Talent that they created for me. They

0:33:11.320 --> 0:33:16.000
<v Speaker 4>liked my work so much that we created this position. Okay,

0:33:16.120 --> 0:33:19.240
<v Speaker 4>it was called they knew it was a casting director.

0:33:19.360 --> 0:33:24.240
<v Speaker 4>So I was the head of minority Talent. How racist is.

0:33:24.160 --> 0:33:27.600
<v Speaker 3>The coming says stupid?

0:33:27.920 --> 0:33:28.320
<v Speaker 2>Okay.

0:33:29.040 --> 0:33:31.479
<v Speaker 4>I went back to the nursing days where I was like,

0:33:32.040 --> 0:33:35.160
<v Speaker 4>these people need to be we as black people, we

0:33:35.200 --> 0:33:35.560
<v Speaker 4>need to.

0:33:35.520 --> 0:33:40.280
<v Speaker 2>Be We need better jobs, we need better jobs. We need.

0:33:40.320 --> 0:33:43.960
<v Speaker 2>We can't just be drug dealers. We can't just be pimps.

0:33:44.800 --> 0:33:47.520
<v Speaker 4>People don't understand this, but in my lifetime, that's all

0:33:47.520 --> 0:33:49.080
<v Speaker 4>that there was during that time.

0:33:49.200 --> 0:33:52.479
<v Speaker 2>Yeah, there weren't any lawyers. There weren't any we Rarely.

0:33:52.520 --> 0:33:55.040
<v Speaker 4>Was there a Sydney Potier rarely. Was there a Sidney

0:33:55.040 --> 0:33:59.160
<v Speaker 4>Party or Diane cownt rarely. So it was my mission

0:33:59.320 --> 0:34:03.040
<v Speaker 4>to go out and present black talent. I said, I

0:34:03.040 --> 0:34:06.000
<v Speaker 4>want to leave this. So I decided to start managing talent.

0:34:06.520 --> 0:34:10.920
<v Speaker 4>And and so I, you know, I started managing talent

0:34:11.000 --> 0:34:14.040
<v Speaker 4>and finding them jobs and and and at that point

0:34:14.080 --> 0:34:17.640
<v Speaker 4>I had I knew this game a little bit because

0:34:17.680 --> 0:34:19.400
<v Speaker 4>I was in the system of warners, and so I

0:34:19.440 --> 0:34:22.000
<v Speaker 4>knew how to talk that talk, you know, I was

0:34:22.040 --> 0:34:26.840
<v Speaker 4>in my thirties, and so I knew how to guilt

0:34:26.960 --> 0:34:29.640
<v Speaker 4>because there's a lot of white and there was guilt there,

0:34:29.640 --> 0:34:31.480
<v Speaker 4>but they didn't understand that it was white guilt.

0:34:31.600 --> 0:34:33.239
<v Speaker 2>I said, you can't do this, This is not good.

0:34:33.320 --> 0:34:35.520
<v Speaker 4>How can you have Paula Kelly, who was in Sweet

0:34:35.600 --> 0:34:36.960
<v Speaker 4>Charity Women a boaster place.

0:34:37.000 --> 0:34:40.319
<v Speaker 2>How can you have this woman playing a maid. She's

0:34:40.480 --> 0:34:42.000
<v Speaker 2>smarter than any motherfucker in this room.

0:34:42.480 --> 0:34:45.600
<v Speaker 4>What are you fucking talking about, right, And so thank

0:34:45.640 --> 0:34:48.080
<v Speaker 4>god for many smart casting directors that I was able

0:34:48.120 --> 0:34:53.000
<v Speaker 4>to find people like Paula Kelly and Loretta Devine.

0:34:53.000 --> 0:34:55.640
<v Speaker 2>And people like work.

0:34:56.080 --> 0:34:59.759
<v Speaker 4>And but I wasn't really making me money, you know,

0:34:59.800 --> 0:35:02.160
<v Speaker 4>And I I got really tired of telling black actors

0:35:02.200 --> 0:35:03.040
<v Speaker 4>I'm sorry.

0:35:02.760 --> 0:35:05.320
<v Speaker 2>I can't. I just can't break. I can't break. I can't.

0:35:06.000 --> 0:35:07.920
<v Speaker 4>And so that's when monsters ball came in because I

0:35:07.960 --> 0:35:11.040
<v Speaker 4>started taking on white clients. And when I start taking

0:35:11.080 --> 0:35:13.320
<v Speaker 4>on white clients, that's where the money start coming. Really,

0:35:13.440 --> 0:35:15.080
<v Speaker 4>then white boys make the money, right.

0:35:16.600 --> 0:35:17.280
<v Speaker 2>Wes Bentley.

0:35:17.719 --> 0:35:19.759
<v Speaker 4>Wes Bentley was in a film called I Put him

0:35:19.760 --> 0:35:25.279
<v Speaker 4>in American Beauty and he took Hollywood by storm. And

0:35:25.320 --> 0:35:27.480
<v Speaker 4>I was still directing theater too, and I was directing

0:35:27.520 --> 0:35:31.879
<v Speaker 4>theater little one acts around because it was.

0:35:31.880 --> 0:35:35.080
<v Speaker 2>My passion, you know. And again I didn't understand that.

0:35:37.000 --> 0:35:37.960
<v Speaker 2>I didn't believe him.

0:35:38.000 --> 0:35:40.920
<v Speaker 4>I didn't because my dad between my dad saying that,

0:35:41.480 --> 0:35:43.960
<v Speaker 4>what are you doing in my head? Head? And also

0:35:44.880 --> 0:35:48.080
<v Speaker 4>it just never been right, and also me being gay

0:35:48.480 --> 0:35:49.799
<v Speaker 4>like that was a lot.

0:35:49.600 --> 0:35:51.520
<v Speaker 2>For me to come into the room. I've never not

0:35:51.640 --> 0:35:52.719
<v Speaker 2>been who it is that.

0:35:52.719 --> 0:35:56.000
<v Speaker 4>I am right, and you know, and so it freaks

0:35:56.040 --> 0:35:58.360
<v Speaker 4>a lot of people out that I'm gay and black

0:35:58.400 --> 0:35:59.160
<v Speaker 4>and that was a lot for.

0:35:59.080 --> 0:36:00.560
<v Speaker 2>A lot of people, and a lot for black people,

0:36:00.560 --> 0:36:01.279
<v Speaker 2>a lot from white people.

0:36:01.360 --> 0:36:05.160
<v Speaker 3>Yeah wait right, you know, and so has that gotten

0:36:05.200 --> 0:36:07.000
<v Speaker 3>better because you've become more successful.

0:36:07.000 --> 0:36:14.440
<v Speaker 1>So that's like it comes with success and age.

0:36:14.560 --> 0:36:18.840
<v Speaker 4>I think you know age really Yeah, It's like tomorrow

0:36:18.960 --> 0:36:19.920
<v Speaker 4>is not promised.

0:36:19.719 --> 0:36:21.400
<v Speaker 3>Right, tomorrow is not problem.

0:36:21.600 --> 0:36:22.080
<v Speaker 2>I'm so happy.

0:36:22.120 --> 0:36:22.719
<v Speaker 3>I gotta be happy.

0:36:22.719 --> 0:36:28.080
<v Speaker 4>I've tried to live you know you and I watch you.

0:36:28.080 --> 0:36:29.879
<v Speaker 2>You're so happy. I don't know whether or not you're

0:36:29.920 --> 0:36:31.359
<v Speaker 2>unhappy when you get home, whether you're.

0:36:31.320 --> 0:36:36.440
<v Speaker 3>Unhappy or I'm just.

0:36:38.080 --> 0:36:39.400
<v Speaker 2>No, You're just so happy.

0:36:39.440 --> 0:36:43.719
<v Speaker 4>And so I think that I think that it's hard

0:36:43.719 --> 0:36:45.680
<v Speaker 4>to find happiness, but you have to stay here and

0:36:45.719 --> 0:36:47.640
<v Speaker 4>you're happy because tomorrow is a promise.

0:36:47.760 --> 0:36:49.920
<v Speaker 3>Yeah, I mean that is something really to remember. Not

0:36:49.960 --> 0:36:52.920
<v Speaker 3>only is tomorrow or not promise, but eventually you do

0:36:53.000 --> 0:36:56.360
<v Speaker 3>have your last tomorrow. It's just the reality. So like

0:36:56.680 --> 0:36:58.759
<v Speaker 3>not that you want to live with the Albumtross and

0:36:58.800 --> 0:37:01.880
<v Speaker 3>bat around your neck, but the awareness about his frame.

0:37:02.120 --> 0:37:05.440
<v Speaker 1>And I also think age, especially for guys like us

0:37:05.520 --> 0:37:10.280
<v Speaker 1>who grew I think completely different on the one level,

0:37:10.440 --> 0:37:13.040
<v Speaker 1>but it was the first gay pride. I everyone who

0:37:13.120 --> 0:37:15.719
<v Speaker 1>was in nineteen ninety here in LA and I remember

0:37:16.440 --> 0:37:19.160
<v Speaker 1>having growing up in the West West, West Hollywood, the

0:37:19.239 --> 0:37:22.160
<v Speaker 1>Upper East Side of New York City, which all looked

0:37:22.160 --> 0:37:24.520
<v Speaker 1>the same, all white.

0:37:25.880 --> 0:37:26.600
<v Speaker 3>For the most part.

0:37:26.680 --> 0:37:28.840
<v Speaker 1>I think I had one black kid in my class

0:37:28.840 --> 0:37:30.680
<v Speaker 1>and he actually raised his hand one day in an

0:37:30.680 --> 0:37:33.800
<v Speaker 1>assembly and said, because it was pertinent to what was happening,

0:37:33.800 --> 0:37:36.680
<v Speaker 1>and he said, how would you any of you feel if.

0:37:36.600 --> 0:37:38.040
<v Speaker 3>You were me in this room? And it was the

0:37:38.040 --> 0:37:40.600
<v Speaker 3>first time that I thought to myself because oh wow,

0:37:41.080 --> 0:37:43.280
<v Speaker 3>like this, yeah, like how does that feel?

0:37:43.640 --> 0:37:47.080
<v Speaker 1>But that day in nineteen ninety that June, I looked

0:37:47.120 --> 0:37:50.920
<v Speaker 1>around Santa Minchael Boulevard in the Pacific Design Center area

0:37:51.000 --> 0:37:54.239
<v Speaker 1>and saw all these different people and said, oh, this

0:37:54.320 --> 0:37:57.839
<v Speaker 1>is what we have me common and we come in

0:37:57.880 --> 0:38:01.880
<v Speaker 1>all different shapes and size an ethnic backgrounds in black

0:38:01.920 --> 0:38:06.200
<v Speaker 1>and white. It was very powerful to me because if

0:38:06.239 --> 0:38:09.120
<v Speaker 1>you're not exposed to it, and that's what you're doing too,

0:38:09.239 --> 0:38:13.799
<v Speaker 1>is you're through your art, is you're exposing and educating.

0:38:13.920 --> 0:38:17.280
<v Speaker 1>And that's I think, what why why it's so different

0:38:18.440 --> 0:38:20.600
<v Speaker 1>now than when we were younger men.

0:38:21.360 --> 0:38:22.800
<v Speaker 2>You're still a young man now.

0:38:25.239 --> 0:38:27.400
<v Speaker 1>You know what I mean trying to say, like, do

0:38:27.480 --> 0:38:30.600
<v Speaker 1>you feel there was a responsibility as you started to

0:38:30.640 --> 0:38:32.280
<v Speaker 1>become more successful.

0:38:32.640 --> 0:38:37.120
<v Speaker 2>I didn't know. Listen. Part of it is just a

0:38:38.640 --> 0:38:39.520
<v Speaker 2>lot of it is.

0:38:41.640 --> 0:38:43.920
<v Speaker 4>I'm in my thirties, I'm in my forties. It's not

0:38:43.960 --> 0:38:47.600
<v Speaker 4>about I'm greedy. I want I want it now, you know,

0:38:47.640 --> 0:38:52.400
<v Speaker 4>it's not about I don't. I didn't understand that demanding

0:38:52.440 --> 0:38:55.399
<v Speaker 4>that I had as many African Americans around me when

0:38:55.400 --> 0:39:03.640
<v Speaker 4>I was working, I felt a responsibility, not a responsibility,

0:39:04.120 --> 0:39:08.000
<v Speaker 4>but I needed to feel safe. And so it wasn't

0:39:08.000 --> 0:39:12.480
<v Speaker 4>about me thinking about it being politically correct at the time,

0:39:13.480 --> 0:39:15.520
<v Speaker 4>but in hindsight, it was like, you know, making sure

0:39:15.560 --> 0:39:19.560
<v Speaker 4>that I'm not going to be the only one there was. Listen,

0:39:19.800 --> 0:39:21.920
<v Speaker 4>you can't even now today you can only find a

0:39:21.920 --> 0:39:23.680
<v Speaker 4>handful of editors that are African American.

0:39:25.200 --> 0:39:27.200
<v Speaker 2>It's still I have to be able to talk a

0:39:27.320 --> 0:39:35.880
<v Speaker 2>language and feel safe.

0:39:39.000 --> 0:39:42.399
<v Speaker 3>I mean, I've read that it wasn't the easiest for.

0:39:42.400 --> 0:39:45.560
<v Speaker 1>You, but Empire all of a sudden heads and becomes

0:39:45.640 --> 0:39:54.000
<v Speaker 1>this massive cultural thing. And also how you portrayed black

0:39:54.280 --> 0:39:57.320
<v Speaker 1>culture and people, gay people gay.

0:39:57.200 --> 0:39:59.920
<v Speaker 2>To you gay blacks. Yeah, but that was a reason why.

0:40:00.080 --> 0:40:01.960
<v Speaker 2>It was the reason why I did that too, Like

0:40:02.640 --> 0:40:03.000
<v Speaker 2>I was.

0:40:02.960 --> 0:40:04.920
<v Speaker 4>Tired of being again, I was tired of being like

0:40:05.680 --> 0:40:12.279
<v Speaker 4>disrespected by my peers. You know, there were black directors

0:40:13.440 --> 0:40:17.320
<v Speaker 4>that didn't take me seriously because I was gay, because

0:40:17.320 --> 0:40:18.640
<v Speaker 4>gay men aren't taking seriously.

0:40:19.400 --> 0:40:21.319
<v Speaker 2>And I was embarrassed to walk into a room of

0:40:21.320 --> 0:40:24.680
<v Speaker 2>black people, right, you know. I mean, I am responsible.

0:40:24.120 --> 0:40:26.520
<v Speaker 4>For the first black woman getting an Academy, were responsible

0:40:26.520 --> 0:40:28.799
<v Speaker 4>for the first black writer getting an Academy, and so

0:40:29.040 --> 0:40:34.279
<v Speaker 4>and yet I felt uncomfortable walking into rooms because of

0:40:35.280 --> 0:40:38.560
<v Speaker 4>you know, I just it took me back to yeah,

0:40:39.239 --> 0:40:41.239
<v Speaker 4>kids and like you know, and like men looking at

0:40:41.280 --> 0:40:42.719
<v Speaker 4>you like you know, and women looking at you like

0:40:42.760 --> 0:40:45.680
<v Speaker 4>you know. I was like and and I was like

0:40:45.840 --> 0:40:49.279
<v Speaker 4>fuck that. And so for me, it was important that

0:40:49.360 --> 0:40:54.359
<v Speaker 4>I tell my story. And again, you know, this was

0:40:55.520 --> 0:41:00.360
<v Speaker 4>I didn't understand the the ground that was breaking because

0:41:00.360 --> 0:41:02.080
<v Speaker 4>I was too worried about the art. You know, I

0:41:02.120 --> 0:41:05.279
<v Speaker 4>was worried about you know, the songs that people were

0:41:05.280 --> 0:41:09.640
<v Speaker 4>singing an empire and and the fashion that you know

0:41:09.719 --> 0:41:11.279
<v Speaker 4>that I wanted to make sure that black people were

0:41:11.400 --> 0:41:13.080
<v Speaker 4>really chic, and I wanted to make sure that the

0:41:13.200 --> 0:41:16.240
<v Speaker 4>artists who were discovering new art and that the sets

0:41:16.239 --> 0:41:17.080
<v Speaker 4>were really great, and.

0:41:17.040 --> 0:41:19.400
<v Speaker 2>That we were creating a black dynasty.

0:41:20.000 --> 0:41:22.840
<v Speaker 4>Yes, right, And I wasn't really so I was worried

0:41:22.840 --> 0:41:28.319
<v Speaker 4>about not knowing that the conversation was really changing, that

0:41:28.400 --> 0:41:31.839
<v Speaker 4>it was really that that that it was cracking homophobia

0:41:31.880 --> 0:41:34.080
<v Speaker 4>open in the community.

0:41:33.760 --> 0:41:33.960
<v Speaker 3>You know.

0:41:34.080 --> 0:41:35.440
<v Speaker 4>And I think the death rat got a lot of

0:41:35.440 --> 0:41:37.640
<v Speaker 4>death threats. And so when the death threats came in, yeah,

0:41:37.640 --> 0:41:38.000
<v Speaker 4>I got.

0:41:37.960 --> 0:41:40.239
<v Speaker 2>Security for the first time. Like, I didn't understand what

0:41:40.280 --> 0:41:43.440
<v Speaker 2>that And Queenlan team was like, maybe you ain't got security.

0:41:43.480 --> 0:41:46.480
<v Speaker 2>I go, no, what's security? Who needs security?

0:41:46.520 --> 0:41:48.600
<v Speaker 4>All of a sudden, I need I need security because

0:41:48.640 --> 0:41:51.719
<v Speaker 4>what were what were people? Because they really couldn't deal

0:41:51.760 --> 0:41:53.759
<v Speaker 4>with two black men kissing two people.

0:41:53.960 --> 0:41:57.680
<v Speaker 2>They just actually put it on the screen. Are you

0:41:57.800 --> 0:42:00.480
<v Speaker 2>kidding me? He has to be stopped because this is

0:42:00.520 --> 0:42:03.799
<v Speaker 2>the devil's work. And so it was. It was terrifying.

0:42:04.200 --> 0:42:06.239
<v Speaker 2>It was really really scary. It was great, it was

0:42:06.480 --> 0:42:07.800
<v Speaker 2>and I didn't understand.

0:42:07.400 --> 0:42:10.120
<v Speaker 4>It that not only were we doing that, but you know,

0:42:11.120 --> 0:42:13.240
<v Speaker 4>boost there weren't any black writers.

0:42:15.080 --> 0:42:17.440
<v Speaker 2>I want you to hear me. There was Shonda Rhimes

0:42:17.520 --> 0:42:19.000
<v Speaker 2>in her world, but.

0:42:20.680 --> 0:42:24.120
<v Speaker 4>I'm talking about motherfuckers that could write from the street.

0:42:25.120 --> 0:42:28.720
<v Speaker 4>They weren't allowed into this system. They weren't never allowed

0:42:28.719 --> 0:42:31.760
<v Speaker 4>into the system. I had to fight for a black

0:42:31.840 --> 0:42:34.600
<v Speaker 4>director to direct the third episode. I directed the first

0:42:34.600 --> 0:42:36.960
<v Speaker 4>two episodes of Empire, and I wanted. I wanted a

0:42:37.040 --> 0:42:39.400
<v Speaker 4>John Singleton got Restless Soul, And he.

0:42:39.440 --> 0:42:40.239
<v Speaker 2>Said, no, he can't do.

0:42:40.320 --> 0:42:42.960
<v Speaker 4>He can't because he's not a he's not directed television.

0:42:43.040 --> 0:42:46.120
<v Speaker 3>I said, are you kidding me?

0:42:46.920 --> 0:42:47.760
<v Speaker 2>So the fight.

0:42:49.040 --> 0:42:53.239
<v Speaker 4>That Cia and myself took on to make sure that

0:42:53.360 --> 0:42:57.520
<v Speaker 4>there were writers of color in the again, I guess

0:42:57.520 --> 0:42:59.479
<v Speaker 4>I don't even I don't. It's like I'm so busy

0:42:59.480 --> 0:43:01.880
<v Speaker 4>worried about that, I'm not thinking about the bigger picture.

0:43:01.960 --> 0:43:05.040
<v Speaker 2>Yes, look it, and that paved the way for Black Panther,

0:43:05.280 --> 0:43:07.839
<v Speaker 2>black Ish, Insecure, all of it.

0:43:07.880 --> 0:43:09.320
<v Speaker 4>And so I'm in the center of just trying to

0:43:09.320 --> 0:43:12.279
<v Speaker 4>tell my little story, not even understanding it was as

0:43:12.320 --> 0:43:14.480
<v Speaker 4>big as it was, right, because if I have paid

0:43:14.520 --> 0:43:15.920
<v Speaker 4>attention to as big as it us, I don't think

0:43:16.080 --> 0:43:17.160
<v Speaker 4>I would have crumbled.

0:43:16.880 --> 0:43:18.320
<v Speaker 3>Right well, totally.

0:43:18.360 --> 0:43:21.560
<v Speaker 1>Plus, you can't look macro like you're in it. And

0:43:21.600 --> 0:43:23.799
<v Speaker 1>then when all of a sudden time passes and all

0:43:23.800 --> 0:43:28.200
<v Speaker 1>these shows develop, and then you find yourself that they're

0:43:28.200 --> 0:43:30.480
<v Speaker 1>a writer's room that have black.

0:43:30.280 --> 0:43:31.120
<v Speaker 3>People in it.

0:43:31.680 --> 0:43:36.000
<v Speaker 4>You then go, oh, look what this didn't They didn't

0:43:36.040 --> 0:43:36.800
<v Speaker 4>understand I'm.

0:43:36.680 --> 0:43:37.760
<v Speaker 3>Only twenty fifteen.

0:43:37.800 --> 0:43:41.960
<v Speaker 2>I mean that was like yesterday, and they didn't understand.

0:43:41.960 --> 0:43:45.000
<v Speaker 2>I had no saying. I didn't go to school, and

0:43:45.040 --> 0:43:49.239
<v Speaker 2>I didn't know how to navigate when things weren't right,

0:43:49.440 --> 0:43:49.839
<v Speaker 2>and they.

0:43:49.800 --> 0:43:54.279
<v Speaker 4>Kept saying to me, listen, I love my studio. I

0:43:54.280 --> 0:43:57.000
<v Speaker 4>think that they've done so well by.

0:43:56.880 --> 0:43:58.920
<v Speaker 2>Me, and I'm really happy.

0:43:59.320 --> 0:44:02.359
<v Speaker 4>But when they didn't understand the culture and they kept

0:44:02.360 --> 0:44:03.960
<v Speaker 4>telling me, and I had a room full of white

0:44:03.960 --> 0:44:06.279
<v Speaker 4>people telling me what I was supposed to do, and

0:44:06.320 --> 0:44:08.839
<v Speaker 4>I'm literally the only spot in the spot and I'm

0:44:08.880 --> 0:44:09.520
<v Speaker 4>thugging it out.

0:44:12.400 --> 0:44:13.240
<v Speaker 2>Yeah, it's terrible.

0:44:13.360 --> 0:44:15.720
<v Speaker 3>It's terrifying because it also brings you back.

0:44:15.600 --> 0:44:17.919
<v Speaker 1>To being the little boy, the kid, and you don't

0:44:17.960 --> 0:44:19.680
<v Speaker 1>know how to and then you don't feel worthy and.

0:44:19.640 --> 0:44:21.239
<v Speaker 3>You feel like am I doing something wrong?

0:44:21.320 --> 0:44:22.000
<v Speaker 2>And I'm not in love?

0:44:22.200 --> 0:44:24.640
<v Speaker 1>And then you have to figure out how to again.

0:44:25.440 --> 0:44:28.240
<v Speaker 1>As opposed to hiding in a room full of people.

0:44:28.640 --> 0:44:30.719
<v Speaker 3>Now I have to be seen in a roomful of people,

0:44:30.719 --> 0:44:32.400
<v Speaker 3>and how am I going to get there and hold

0:44:33.360 --> 0:44:34.160
<v Speaker 3>my space.

0:44:34.800 --> 0:44:36.880
<v Speaker 4>But thank god, I mean, like you know that I

0:44:36.920 --> 0:44:41.319
<v Speaker 4>was able to I didn't understand the power of it all,

0:44:41.360 --> 0:44:43.040
<v Speaker 4>and I was willing to walk away because I didn't.

0:44:43.680 --> 0:44:44.200
<v Speaker 2>I didn't care.

0:44:55.239 --> 0:44:56.000
<v Speaker 3>What scares you?

0:44:57.120 --> 0:45:00.560
<v Speaker 4>I think it scares me that just being miss understood,

0:45:01.440 --> 0:45:04.920
<v Speaker 4>people misunderstanding the way, not understanding of baby.

0:45:05.280 --> 0:45:08.560
<v Speaker 2>Who what scratching your head? Because I think we all.

0:45:08.400 --> 0:45:10.160
<v Speaker 3>Want to be loved? I agree.

0:45:10.520 --> 0:45:12.879
<v Speaker 1>I think that's the bottom line is we just want

0:45:12.920 --> 0:45:16.520
<v Speaker 1>to be loved, right, yeah, mister Daniels, Yes, sir, thank

0:45:16.520 --> 0:45:18.000
<v Speaker 1>you so much for joining me today.

0:45:18.080 --> 0:45:18.320
<v Speaker 4>Thank you.

0:45:19.239 --> 0:45:22.160
<v Speaker 3>I don't want you in my life. Friends, I want

0:45:22.200 --> 0:45:24.640
<v Speaker 3>to hang. We can do that.

0:45:24.760 --> 0:45:25.319
<v Speaker 2>I know we can.

0:45:25.560 --> 0:45:27.480
<v Speaker 3>Thank you for joining us today.

0:45:27.520 --> 0:45:31.240
<v Speaker 1>Having me on Baby Okay, have a great day, everyone, welcome.

0:45:38.880 --> 0:45:40.359
<v Speaker 3>Thank you for pulling up a chair.

0:45:40.960 --> 0:45:45.000
<v Speaker 1>I love our lunches and never forget the romance of

0:45:45.040 --> 0:45:48.239
<v Speaker 1>a meal. If you enjoy the show, please tell a

0:45:48.280 --> 0:45:52.320
<v Speaker 1>friend and rate and review us on Apple Podcasts. Table

0:45:52.320 --> 0:45:55.280
<v Speaker 1>for Two with Bruce Bosi is produced by iHeartRadio seven

0:45:55.320 --> 0:45:59.360
<v Speaker 1>three seven Park and Airmail. Our executive producers are Bruce

0:45:59.400 --> 0:46:03.640
<v Speaker 1>Bosi and Nathan King. Our supervising producer is Dylan Fagan.

0:46:03.920 --> 0:46:07.800
<v Speaker 1>Our editors are Vincent to Johnny and Cas b Bias.

0:46:08.360 --> 0:46:11.800
<v Speaker 1>Table for two is researched and written by Jack Sullivan.

0:46:12.120 --> 0:46:16.200
<v Speaker 1>Our sound engineers are mil B Klein, Jess Krainich, Evan Taylor,

0:46:16.360 --> 0:46:20.480
<v Speaker 1>and Jesse Funn. Our music supervisor is Randall Poster. Our

0:46:20.480 --> 0:46:23.560
<v Speaker 1>talent booking is done by Jane Sarkin. Table for two's

0:46:23.560 --> 0:46:27.800
<v Speaker 1>social media manager is Gracie Wiener. Special thanks to Amy Sugarman,

0:46:28.200 --> 0:46:33.319
<v Speaker 1>Uni Scherer, Kevin Yvane, Bobby Bauer, Alison Kanter Graber. For

0:46:33.440 --> 0:46:38.440
<v Speaker 1>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:46:38.880 --> 0:46:48.480
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