1 00:00:01,400 --> 00:00:03,840 Speaker 1: Hey, time travelers. This has Head the Iron Horn, co 2 00:00:04,000 --> 00:00:07,760 Speaker 1: creator of Nicki Fixes Time Mix Up. Next, be kind 3 00:00:07,840 --> 00:00:10,559 Speaker 1: and rewind to the nineties for a most epic episode 4 00:00:10,560 --> 00:00:13,600 Speaker 1: of Nicki Fix. But first, a quick word from our sponsor, 5 00:00:17,400 --> 00:00:20,760 Speaker 1: Iron Horn's Epic Productions, and I Heart Radio present Nikki 6 00:00:20,840 --> 00:00:29,360 Speaker 1: Fixes Time mix I thought i'd find you here, Nikki mind, 7 00:00:29,400 --> 00:00:32,640 Speaker 1: if I sit down, you're you're I guess you could 8 00:00:32,640 --> 00:00:37,280 Speaker 1: call me end stage summer rains kind of like this place, 9 00:00:37,400 --> 00:00:40,480 Speaker 1: huh on its last legs, then we'll get it back 10 00:00:40,479 --> 00:00:43,720 Speaker 1: on track. Will he losing the money from the Save 11 00:00:43,800 --> 00:00:46,760 Speaker 1: the Rink show really set him back? And the community 12 00:00:46,800 --> 00:00:49,480 Speaker 1: won't rally around him again if they think he squandered 13 00:00:49,479 --> 00:00:52,040 Speaker 1: their charity the first time? What else was he supposed 14 00:00:52,080 --> 00:00:56,960 Speaker 1: to do? Send Leonard to jail? Maybe maybe not. But 15 00:00:57,040 --> 00:01:00,880 Speaker 1: I don't see Leonard of repaying that very very big favor. 16 00:01:01,800 --> 00:01:03,800 Speaker 1: And I don't see the only other person who knows 17 00:01:03,840 --> 00:01:07,480 Speaker 1: what really happened doing anything about it either. I'm not 18 00:01:07,720 --> 00:01:11,960 Speaker 1: doing nothing. I have a plan and it might take 19 00:01:12,000 --> 00:01:14,839 Speaker 1: a minute, but I'm on my way to something big here. 20 00:01:15,440 --> 00:01:18,520 Speaker 1: I'm making a name for myself. Sure you're making a name, 21 00:01:18,959 --> 00:01:22,760 Speaker 1: but not for yourself. I hate to break it to you, kiddo, 22 00:01:23,240 --> 00:01:57,960 Speaker 1: but you don't own Summer Reins. She owns you. Hello 23 00:01:58,200 --> 00:02:02,240 Speaker 1: Millennium rank, Mrs Bensby King. Hello, this is Manny with 24 00:02:02,400 --> 00:02:06,120 Speaker 1: dirt striking Founders. I'm growling to distract you while my 25 00:02:06,200 --> 00:02:09,040 Speaker 1: men remove me on game machines from your dabling men. 26 00:02:09,160 --> 00:02:15,959 Speaker 1: Famillion to bag. What's no? Wait a second, man, You 27 00:02:16,120 --> 00:02:19,520 Speaker 1: have twenty four hours to make your next payment. Won't 28 00:02:19,560 --> 00:02:26,040 Speaker 1: be back to reposition? No wait, just listen. I thought 29 00:02:26,040 --> 00:02:34,840 Speaker 1: I had till Thursday, but I had till Thursday. Yeah, 30 00:02:36,200 --> 00:02:40,760 Speaker 1: Hello skaters, thanks for coming out today to SKA. There's 31 00:02:40,760 --> 00:02:45,840 Speaker 1: some updates. The arcade area will be closed until further notice. 32 00:02:47,160 --> 00:03:06,440 Speaker 1: Space used to be cool. Rink looks worse than when 33 00:03:06,480 --> 00:03:12,519 Speaker 1: you hung out here, emptier, quieter. Look at Ben over there. 34 00:03:13,200 --> 00:03:18,600 Speaker 1: He's losing everything. So why are you dodging? Bobby and 35 00:03:18,680 --> 00:03:21,680 Speaker 1: liamb you should know, But I'm not the one who 36 00:03:21,720 --> 00:03:25,079 Speaker 1: needs to say it. I'm about to be famous. Did 37 00:03:25,120 --> 00:03:28,120 Speaker 1: you see that reaction at the mall? They love me, 38 00:03:28,520 --> 00:03:31,960 Speaker 1: they love my music, and Bobby and Liam can't see 39 00:03:31,960 --> 00:03:36,120 Speaker 1: why that's important. I totally have a handle on everything 40 00:03:36,240 --> 00:03:38,640 Speaker 1: here and they don't want to be a part of it, 41 00:03:38,720 --> 00:03:41,960 Speaker 1: which is fine. They don't owe me anything. But if 42 00:03:42,000 --> 00:03:44,880 Speaker 1: they don't see where I can take this thing, if 43 00:03:44,880 --> 00:03:48,640 Speaker 1: they don't have faith in me to fix everything, as 44 00:03:48,680 --> 00:03:50,680 Speaker 1: soon as I do my big concert at star Land, 45 00:03:50,840 --> 00:03:52,760 Speaker 1: I'll have enough money to give back to the rink 46 00:03:52,960 --> 00:03:58,600 Speaker 1: and everything will be okay, right afraid not, because it's 47 00:03:58,640 --> 00:04:03,000 Speaker 1: not your money and it's never going to be you, 48 00:04:03,400 --> 00:04:07,960 Speaker 1: Nikki want to save this place. But it's Summer's money, 49 00:04:08,440 --> 00:04:12,680 Speaker 1: Summer's fame, Summer's music, and Summer is a product of 50 00:04:12,760 --> 00:04:18,000 Speaker 1: Dante Diamond Productions Incorporated. Dante is going to use you 51 00:04:18,120 --> 00:04:21,320 Speaker 1: like his own personal piggy bank, and when you try 52 00:04:21,360 --> 00:04:23,800 Speaker 1: to go off on your own, he'll lock you away 53 00:04:23,839 --> 00:04:27,760 Speaker 1: in a conservatorship for the rest of your life. No, 54 00:04:28,800 --> 00:04:33,000 Speaker 1: I won't let it happen. It's already happening. Your songs 55 00:04:33,040 --> 00:04:35,599 Speaker 1: making a ton of money, right, Well, how come you 56 00:04:35,600 --> 00:04:38,040 Speaker 1: haven't seen any of it? How come you only get 57 00:04:38,040 --> 00:04:41,719 Speaker 1: a small allowance every week. It's not enough to give 58 00:04:41,760 --> 00:04:44,719 Speaker 1: to Ben, It's barely enough to buy a sandwich. So 59 00:04:44,839 --> 00:04:47,160 Speaker 1: none of it is going to the Rank. And that 60 00:04:47,240 --> 00:04:49,760 Speaker 1: was the point of all this, right to save the 61 00:04:49,839 --> 00:04:54,080 Speaker 1: Rank I have I d problems. You should know that. Yep, 62 00:04:54,720 --> 00:04:58,039 Speaker 1: that's the excuse. I told myself too. But have you 63 00:04:58,120 --> 00:05:02,120 Speaker 1: looked at the books? Who is your money going to? Exactly? 64 00:05:02,400 --> 00:05:06,000 Speaker 1: It's not all about the money. It's about the music. 65 00:05:06,400 --> 00:05:10,279 Speaker 1: I'm gonna make some amazing albums. You won't. I will, 66 00:05:11,120 --> 00:05:13,640 Speaker 1: all right, test Dante out. If you don't believe me, 67 00:05:14,040 --> 00:05:16,680 Speaker 1: ask him about your B side. He'll say, you up 68 00:05:16,720 --> 00:05:19,000 Speaker 1: too much to do right now to get your brand 69 00:05:19,160 --> 00:05:22,200 Speaker 1: in place. You'll promise you'll record it next year when 70 00:05:22,200 --> 00:05:27,839 Speaker 1: all this settles down. Well, guess what, Nikki, it never happens. 71 00:05:27,880 --> 00:05:31,080 Speaker 1: Just because it never happened for you doesn't mean it'll 72 00:05:31,120 --> 00:05:34,120 Speaker 1: be the same for me. I know what's coming, so 73 00:05:34,160 --> 00:05:36,840 Speaker 1: that means I can change it. I won't become you. 74 00:05:37,279 --> 00:05:41,080 Speaker 1: I am you, Nicky, No you're not, You're you. Things 75 00:05:41,080 --> 00:05:43,839 Speaker 1: will be different for me. He'll let me do the song. 76 00:05:44,120 --> 00:05:46,680 Speaker 1: Go ahead and ask him. I'll tell you what his 77 00:05:46,760 --> 00:05:53,280 Speaker 1: exact words will be next year. Promise you can't ask 78 00:05:53,320 --> 00:05:56,719 Speaker 1: me to stop following my dreams. They don't come true, 79 00:05:57,839 --> 00:06:01,839 Speaker 1: not in the way you think they will. Yeah, please 80 00:06:01,839 --> 00:06:27,560 Speaker 1: don't come looking for me again, Oh Nikki. Welcome back 81 00:06:27,600 --> 00:06:30,040 Speaker 1: to All Out Request Live. All right, this thing is 82 00:06:30,040 --> 00:06:32,360 Speaker 1: starting off in a big way. She blew us away 83 00:06:32,440 --> 00:06:36,520 Speaker 1: last week during New Music Hour. She's playing a sold 84 00:06:36,520 --> 00:06:40,720 Speaker 1: out concert at the Starling Marina next Friday, with rumors 85 00:06:40,880 --> 00:06:44,880 Speaker 1: that she's signing to a Galaxy Records, but we've got 86 00:06:44,880 --> 00:06:53,120 Speaker 1: her live here makes a noise for Summer Red. Nice 87 00:06:53,200 --> 00:06:56,000 Speaker 1: to have you on the show, Summer, Thank you for 88 00:06:56,080 --> 00:07:01,359 Speaker 1: having me. This is awesome. Wow sent to that crowd. 89 00:07:03,960 --> 00:07:06,720 Speaker 1: I don't think anybody is as loved as you are 90 00:07:06,839 --> 00:07:10,800 Speaker 1: right now or as busy. Tell me, do you ever 91 00:07:11,000 --> 00:07:15,000 Speaker 1: sleepy and sleep when I'm getting all this energy from 92 00:07:15,000 --> 00:07:20,840 Speaker 1: my fans see you. I love you all so much, 93 00:07:20,880 --> 00:07:25,240 Speaker 1: and no doubt they love you too, no diggity, So 94 00:07:25,880 --> 00:07:28,640 Speaker 1: I understand you've got a big surprise for us here today. 95 00:07:29,080 --> 00:07:33,520 Speaker 1: That's right, all right, Well, without any further ado, here 96 00:07:33,560 --> 00:07:36,240 Speaker 1: she is with the hit song that's climbing the charts 97 00:07:36,320 --> 00:07:40,840 Speaker 1: and soon to be number one. It's Summarigne with row 98 00:07:41,000 --> 00:07:45,400 Speaker 1: with It. Actually, I've been working on a different song 99 00:07:45,480 --> 00:07:48,720 Speaker 1: that I'd like to share with everybody. This one really 100 00:07:48,720 --> 00:07:51,320 Speaker 1: means a lot to me. I was told you we're 101 00:07:51,320 --> 00:07:55,000 Speaker 1: gonna do your big hit for us. Well, I'm gonna 102 00:07:55,000 --> 00:07:59,200 Speaker 1: do something different instead. Oh okay um, we'll be back 103 00:07:59,520 --> 00:08:05,000 Speaker 1: with um song from Summer Rains right after the break, 104 00:08:06,480 --> 00:08:10,680 Speaker 1: and we're clear. What the hell was that, Nikki? What 105 00:08:11,280 --> 00:08:13,960 Speaker 1: it's that B side we talked about. I want to 106 00:08:13,960 --> 00:08:16,920 Speaker 1: do something a little different for my fans, and why 107 00:08:16,960 --> 00:08:19,520 Speaker 1: miss the chance to debut it on live TV. You 108 00:08:19,640 --> 00:08:23,160 Speaker 1: don't do different. No one wants different. We don't get 109 00:08:23,160 --> 00:08:28,240 Speaker 1: ahead with different. We want save. All right, Relax, it's fine. 110 00:08:28,640 --> 00:08:32,200 Speaker 1: Don't tell me to relax. You don't know what's best 111 00:08:32,240 --> 00:08:35,520 Speaker 1: for your career. Who's hustling back here on the phone 112 00:08:35,679 --> 00:08:40,199 Speaker 1: three times a day on your behalf Me who has 113 00:08:40,240 --> 00:08:43,600 Speaker 1: all his own money tied into your big concert me, 114 00:08:44,400 --> 00:08:47,520 Speaker 1: and who's killing himself trying to get this whole Summer 115 00:08:47,640 --> 00:08:51,040 Speaker 1: Rains thing off the ground? Me? And you want to 116 00:08:51,160 --> 00:08:54,079 Speaker 1: flush it all down the toilet because you thought you'd 117 00:08:54,120 --> 00:08:58,640 Speaker 1: do something a little different for the fans. The fans 118 00:08:58,840 --> 00:09:02,439 Speaker 1: want what they know. I thought they'd like it. Don't 119 00:09:03,120 --> 00:09:08,200 Speaker 1: ever do that again. We stick with the plan, you, 120 00:09:09,160 --> 00:09:13,360 Speaker 1: stage manager. We're sticking with the plan. We're doing roll 121 00:09:13,440 --> 00:09:21,200 Speaker 1: with it. Got it back in five four three? All right, 122 00:09:21,320 --> 00:09:24,400 Speaker 1: we are back and after a commercial break. You had 123 00:09:24,440 --> 00:09:27,280 Speaker 1: to be here to believe now the woman you've all 124 00:09:27,320 --> 00:09:31,640 Speaker 1: been waiting for with her new hit single, It's summarize, 125 00:09:37,679 --> 00:09:41,360 Speaker 1: I'm not a place all out, It's time. Well everyone 126 00:09:41,480 --> 00:09:45,680 Speaker 1: thinks I'm just fine? Who am madest? Sing this song? 127 00:09:46,200 --> 00:09:50,760 Speaker 1: Where I probably got from every tap feels like the 128 00:09:51,080 --> 00:09:55,760 Speaker 1: w as I watched the Wild Go fine. That don't matter, 129 00:09:56,080 --> 00:10:07,439 Speaker 1: not one because I'm going to will with you. That 130 00:10:07,720 --> 00:10:12,560 Speaker 1: was amazing. You were perfect. Didn't that feel good? Yeah? 131 00:10:12,600 --> 00:10:15,719 Speaker 1: I guess see. It's exactly the right move at the 132 00:10:15,840 --> 00:10:19,360 Speaker 1: right time. This stuff is all really complicated, and you 133 00:10:19,440 --> 00:10:23,640 Speaker 1: need to be thinking about nailing your performances. That makes sense. 134 00:10:24,040 --> 00:10:27,040 Speaker 1: That's what I'm here for. Trust me on this stuff. 135 00:10:27,240 --> 00:10:30,280 Speaker 1: Everything's going to work out just the way it's supposed to. 136 00:10:31,200 --> 00:10:34,120 Speaker 1: You know. I was thinking it might be nice after 137 00:10:34,160 --> 00:10:37,120 Speaker 1: the concert to get into the studio soon and record 138 00:10:37,160 --> 00:10:40,680 Speaker 1: my other songs. Maybe take a break from touring for 139 00:10:40,720 --> 00:10:43,840 Speaker 1: a little while. You can't take a break. Now you're 140 00:10:43,880 --> 00:10:47,079 Speaker 1: finally starting to get real traction. We're moving up from 141 00:10:47,200 --> 00:10:51,800 Speaker 1: malls to real venues. It's just getting a little exhausting 142 00:10:52,000 --> 00:10:54,480 Speaker 1: for me to keep doing the same thing over and 143 00:10:54,640 --> 00:10:58,120 Speaker 1: over again. I mean, I keep on giving the same 144 00:10:58,160 --> 00:11:02,440 Speaker 1: interviews to everyone and tv v H one ruling Stone. 145 00:11:03,280 --> 00:11:06,199 Speaker 1: I don't even know what I'm saying anymore. You sound great. 146 00:11:06,520 --> 00:11:09,040 Speaker 1: Just stick to the media training I gave you. Everyone's 147 00:11:09,080 --> 00:11:11,320 Speaker 1: going to start to think I'm just this one style. 148 00:11:12,280 --> 00:11:15,560 Speaker 1: There are so many other sounds I want to be exploring. Nikki. 149 00:11:15,920 --> 00:11:18,120 Speaker 1: This is the best thing for us to do right now. 150 00:11:18,559 --> 00:11:20,600 Speaker 1: You have to get your foot in the door first, 151 00:11:20,960 --> 00:11:24,600 Speaker 1: we both do. Once we're established forces in this industry, 152 00:11:24,679 --> 00:11:27,199 Speaker 1: people to be reckoned with, then we can chart our 153 00:11:27,200 --> 00:11:30,440 Speaker 1: own course. Okay, but now is not the time. Now 154 00:11:30,679 --> 00:11:33,120 Speaker 1: we stick with what works. I don't want to be 155 00:11:33,160 --> 00:11:36,680 Speaker 1: a one hit wonder. You won't be. But we've got 156 00:11:36,679 --> 00:11:39,400 Speaker 1: to squeeze everything we can out of this moment while 157 00:11:39,440 --> 00:11:42,480 Speaker 1: it's still got the sauce. Then you'll have the whole 158 00:11:42,520 --> 00:11:47,040 Speaker 1: rest of your life to explore whatever sounds you want. Okay, yeah, 159 00:11:47,120 --> 00:11:50,520 Speaker 1: but trust me. But Dante, I want to do my 160 00:11:50,600 --> 00:11:54,599 Speaker 1: B sides next year, Nikki, I promise that that's what 161 00:11:54,720 --> 00:12:01,920 Speaker 1: I've got to take this Julian talk to me, babe, 162 00:12:05,040 --> 00:12:20,000 Speaker 1: m h, who is it? Room service? I didn't order 163 00:12:20,000 --> 00:12:23,920 Speaker 1: any room service, I said, I didn't order room service. 164 00:12:25,160 --> 00:12:28,920 Speaker 1: You have the wrong room. Okay, I didn't order it's me. 165 00:12:29,640 --> 00:12:37,600 Speaker 1: Let me in, Bobby. Hey, Nikki, Hey, you look surprised 166 00:12:37,600 --> 00:12:39,800 Speaker 1: to see me. No, I'm glad to see you. I 167 00:12:39,920 --> 00:12:43,959 Speaker 1: just how did you find me here? I'm not listed older. 168 00:12:44,040 --> 00:12:46,640 Speaker 1: You told me what hotel you'd be in after the 169 00:12:46,679 --> 00:12:50,040 Speaker 1: TV game, and then I figured you might have checked 170 00:12:50,040 --> 00:12:53,120 Speaker 1: in as nicky fix. Fans can be insane when they 171 00:12:53,120 --> 00:12:56,920 Speaker 1: want an autograph. You know how it is. I don't 172 00:12:57,040 --> 00:13:03,000 Speaker 1: actually in our time. It's all about selfie's remember, um, 173 00:13:03,200 --> 00:13:06,440 Speaker 1: aren't you gonna invite me in? Yeah? Of course, please 174 00:13:06,520 --> 00:13:09,720 Speaker 1: come in. Sorry if it's a little messy the rock 175 00:13:09,800 --> 00:13:13,800 Speaker 1: star lifestyle huh yep, And no Dad and Papa to have 176 00:13:13,760 --> 00:13:16,960 Speaker 1: have forced me to pick up after myself. Can I 177 00:13:17,000 --> 00:13:20,120 Speaker 1: get you anything? This hotel makes a bomb chicken cord 178 00:13:20,160 --> 00:13:24,960 Speaker 1: on blue. I'm good. You're probably mad at me that 179 00:13:25,000 --> 00:13:27,520 Speaker 1: I did You guys up at the mall, huh, but 180 00:13:27,640 --> 00:13:30,120 Speaker 1: that was an honest mistake. I meant to meet you, 181 00:13:30,320 --> 00:13:33,000 Speaker 1: but I got swamped with autograph hounds and I signed 182 00:13:33,040 --> 00:13:35,199 Speaker 1: all this stuff for them, and my handler swooped me 183 00:13:35,240 --> 00:13:38,000 Speaker 1: away to the car, and well, the time just got 184 00:13:38,000 --> 00:13:44,440 Speaker 1: away from me. Time. You have no idea how crazy 185 00:13:44,520 --> 00:13:48,080 Speaker 1: my schedule is, Nikki you're my best friend. Please do 186 00:13:48,160 --> 00:13:50,959 Speaker 1: not lie to my face. But it's true. I know 187 00:13:51,120 --> 00:13:55,320 Speaker 1: you talked to your grown up self, okay, and she 188 00:13:55,440 --> 00:13:58,800 Speaker 1: made some points about Dante that might be right, But 189 00:13:58,840 --> 00:14:01,080 Speaker 1: I still think I can fix this whole thing. You're 190 00:14:01,120 --> 00:14:05,280 Speaker 1: being really selfish, Nikki. I'm being ambitious and it's gonna 191 00:14:05,280 --> 00:14:08,520 Speaker 1: pay off. I promise I won't make the same mistakes 192 00:14:08,520 --> 00:14:12,679 Speaker 1: with my life that other older sad Nicky made. Now 193 00:14:12,679 --> 00:14:15,079 Speaker 1: that I know what Dante is like and what he's planning, 194 00:14:15,360 --> 00:14:18,680 Speaker 1: I can avoid it. No, I am not here to 195 00:14:18,720 --> 00:14:21,040 Speaker 1: talk about how you can stay here. I'm here for 196 00:14:21,080 --> 00:14:24,320 Speaker 1: the rest of us. I've always stood behind whatever you 197 00:14:24,400 --> 00:14:27,120 Speaker 1: wanted to do, Nikki, but not this time. If you 198 00:14:27,280 --> 00:14:30,920 Speaker 1: stay now, things go really bad for all of us. 199 00:14:31,400 --> 00:14:35,520 Speaker 1: Don't you realize that all your friends Dante becomes a monster, 200 00:14:35,680 --> 00:14:38,800 Speaker 1: Ben goes nuts. Your parents aren't together. I'm not gonna 201 00:14:38,840 --> 00:14:42,800 Speaker 1: have a sibling and Liam. Liam doesn't even exist anymore, 202 00:14:43,080 --> 00:14:46,600 Speaker 1: and neither do you because there is no Papa and 203 00:14:46,720 --> 00:14:52,680 Speaker 1: dad to adopt you. You have to do the right thing. 204 00:14:53,680 --> 00:14:56,480 Speaker 1: Let's you and I go back to the rink, play 205 00:14:56,520 --> 00:14:59,280 Speaker 1: the guitar, and go home. But what if this is 206 00:14:59,320 --> 00:15:03,880 Speaker 1: my only shot at my dreams ever coming true. Everything's 207 00:15:03,880 --> 00:15:06,840 Speaker 1: starting to take off for me here everything we've ever 208 00:15:06,880 --> 00:15:10,040 Speaker 1: talked about. Then, I guess you have a choice. You 209 00:15:10,080 --> 00:15:12,600 Speaker 1: can make your dreams come true in the nineties while 210 00:15:12,600 --> 00:15:15,560 Speaker 1: the rest of us suffer, or you can let go 211 00:15:15,640 --> 00:15:19,480 Speaker 1: of your dreams and save all our lives. How is 212 00:15:19,520 --> 00:15:21,960 Speaker 1: this even a question for you? Because I'm going for 213 00:15:22,040 --> 00:15:26,320 Speaker 1: the third option, the one you conveniently left out, that 214 00:15:26,480 --> 00:15:28,920 Speaker 1: I become a big enough star here and save the 215 00:15:28,960 --> 00:15:34,760 Speaker 1: future for everyone. Nikki, you strand me and Liam back 216 00:15:34,800 --> 00:15:38,680 Speaker 1: here for your own sake. No, I'll play and open 217 00:15:38,720 --> 00:15:41,240 Speaker 1: the portal again, and you'll both go home, and I'll 218 00:15:41,280 --> 00:15:45,240 Speaker 1: stay again. I've been learning a lot from Liam about 219 00:15:45,280 --> 00:15:48,880 Speaker 1: time travel tropes, and you know that we have to 220 00:15:49,200 --> 00:15:52,960 Speaker 1: fix something for that to happen. And if you stay here, 221 00:15:53,000 --> 00:15:56,760 Speaker 1: there's no guarantee that the future we land in won't 222 00:15:56,800 --> 00:15:59,840 Speaker 1: be just as messed up. I can do it. You 223 00:16:00,040 --> 00:16:03,000 Speaker 1: have no idea how much people love me here. I 224 00:16:03,040 --> 00:16:05,600 Speaker 1: can make all our dreams come true. Why can't you 225 00:16:05,640 --> 00:16:10,960 Speaker 1: believe in me? All Right? This was a big waste. 226 00:16:11,920 --> 00:16:14,680 Speaker 1: I don't even know you anymore. I'll let you get 227 00:16:14,720 --> 00:16:19,800 Speaker 1: back to being famous. Hey, can I give you some 228 00:16:19,880 --> 00:16:23,480 Speaker 1: backstage passes from my show tomorrow. Come see me play 229 00:16:23,560 --> 00:16:29,000 Speaker 1: for real. Come see why it's important to me. Besties, No, thanks, 230 00:16:29,920 --> 00:16:33,560 Speaker 1: and I don't think I want to be your bestie anymore. Goodbye, Nikki, 231 00:16:34,120 --> 00:16:59,240 Speaker 1: enjoy the endless summer? Hey? Hey, how did it go? 232 00:17:00,640 --> 00:17:03,240 Speaker 1: She wouldn't listen to you either. She's like a totally 233 00:17:03,280 --> 00:17:08,560 Speaker 1: different person. I don't recognize her. She's you're so fake? Yeah, 234 00:17:08,840 --> 00:17:15,200 Speaker 1: I remember that. Sorry, it's hopeless. I just I gotta 235 00:17:15,240 --> 00:17:40,280 Speaker 1: get some there. I'll go check on her. Okay, what 236 00:17:40,480 --> 00:17:43,440 Speaker 1: happens if we can't convince Nikki to come with us? 237 00:17:44,320 --> 00:17:47,880 Speaker 1: I mean, she won't listen to me, She won't even 238 00:17:47,960 --> 00:17:54,000 Speaker 1: listen to herself. What chance do we have, Liam? What 239 00:17:54,119 --> 00:17:58,640 Speaker 1: if we really can't ever get back? I don't know. 240 00:17:59,040 --> 00:18:01,760 Speaker 1: Are you supposed to just waited out for the next 241 00:18:01,760 --> 00:18:04,480 Speaker 1: thirty years and try not to bump into ourselves once 242 00:18:04,520 --> 00:18:08,920 Speaker 1: we're born? And then what? Well, at least it won't 243 00:18:08,920 --> 00:18:12,639 Speaker 1: be a problem for me. I never existed in this timeline, 244 00:18:12,680 --> 00:18:17,200 Speaker 1: so I'm free to go wherever I want, maybe Greece. 245 00:18:17,760 --> 00:18:21,120 Speaker 1: This is no time to joke. If not, now, when 246 00:18:22,280 --> 00:18:26,240 Speaker 1: how are you so calm? I don't know? I guess 247 00:18:26,240 --> 00:18:28,240 Speaker 1: it's easier to be calm when you're not really real. 248 00:18:28,680 --> 00:18:32,479 Speaker 1: You're real, I'm not so sure about that. I've been 249 00:18:32,520 --> 00:18:35,240 Speaker 1: thinking a lot about time paradox is recently, and I'm 250 00:18:35,320 --> 00:18:40,640 Speaker 1: pretty sure that I fall into some weird limital ontological category. 251 00:18:40,640 --> 00:18:42,439 Speaker 1: You might be talking to me right now, but I 252 00:18:42,520 --> 00:18:46,840 Speaker 1: don't think I actually am real any meaningful sense. Who 253 00:18:46,920 --> 00:18:49,720 Speaker 1: knows how much longer I'll even be here anyway before 254 00:18:49,720 --> 00:18:52,560 Speaker 1: I start to fade again. I don't know how to 255 00:18:52,560 --> 00:18:56,639 Speaker 1: puzzle through the metaphysics of time paradox but there is 256 00:18:56,680 --> 00:19:00,840 Speaker 1: one thing I know for sure. What's that You can't 257 00:19:01,000 --> 00:19:12,760 Speaker 1: kiss someone who isn't real. WHOA guess you're real? Then? Hey, 258 00:19:12,840 --> 00:19:16,200 Speaker 1: Nicky stands. Want to uncover more epic time travel secrets? 259 00:19:16,640 --> 00:19:20,000 Speaker 1: Head to ep universe on Instagram and TikTok for more 260 00:19:20,040 --> 00:19:24,080 Speaker 1: totally twisty details. More nicky fixes up next, but first 261 00:19:24,160 --> 00:19:34,359 Speaker 1: a quick word from our sponsor. Hey, time Travelers, Welcome back. 262 00:19:34,800 --> 00:19:38,000 Speaker 1: Want to uncover more totally twisty time travel secrets? Head 263 00:19:38,040 --> 00:19:49,680 Speaker 1: to e ep universe dot com to learn more. Hey, then, 264 00:19:51,119 --> 00:19:54,440 Speaker 1: what's you up to? Just chipping away at some scrap? 265 00:19:55,240 --> 00:19:57,720 Speaker 1: I don't think this one will amount to anything. I'm 266 00:19:57,720 --> 00:20:02,359 Speaker 1: too distracted, Listen. I have a lot to apologize for. 267 00:20:03,760 --> 00:20:07,080 Speaker 1: I did a lot of stuff I regret, and you 268 00:20:07,680 --> 00:20:09,560 Speaker 1: paid the price for a lot of it. From what 269 00:20:09,640 --> 00:20:13,240 Speaker 1: I understand, you've already paid for your mistakes many times over. 270 00:20:14,600 --> 00:20:16,320 Speaker 1: What am I supposed to call you? By the way, 271 00:20:16,520 --> 00:20:21,640 Speaker 1: Nikki is fine? Just Nikki. Is that it over there? 272 00:20:22,000 --> 00:20:25,879 Speaker 1: The guitar? Yeah, but I haven't really been inspired to 273 00:20:25,920 --> 00:20:28,440 Speaker 1: work on it since I first met younger you. It's 274 00:20:28,480 --> 00:20:31,840 Speaker 1: just been gathering dust for the past year. Well, whenever 275 00:20:31,920 --> 00:20:35,560 Speaker 1: you get around to finishing it, you're gonna need some strings. Huh. 276 00:20:35,680 --> 00:20:38,080 Speaker 1: You know how to make guitar strings. You'd be surprised 277 00:20:38,119 --> 00:20:41,880 Speaker 1: the amounts of crafts I've learned. Long travel days, hours 278 00:20:41,880 --> 00:20:46,680 Speaker 1: and hotel rooms watching YouTube, no real friends. I've had 279 00:20:46,720 --> 00:20:51,359 Speaker 1: to keep myself entertained. Seven gauge. Right, I'll start winding 280 00:20:51,640 --> 00:20:59,600 Speaker 1: and you can start working on that guitar. Deal. I 281 00:20:59,680 --> 00:21:01,919 Speaker 1: want hard hands on one. And as soon as she 282 00:21:02,000 --> 00:21:04,560 Speaker 1: hits her mark, then we cue the laser. You got 283 00:21:04,600 --> 00:21:08,040 Speaker 1: that summer, We're ready to light you for the rain effect. 284 00:21:08,400 --> 00:21:11,840 Speaker 1: Go to five. Please can we just hold up for 285 00:21:11,880 --> 00:21:16,439 Speaker 1: a second. You know, Dante, I was actually thinking of 286 00:21:16,520 --> 00:21:19,160 Speaker 1: something a little different here. Can I talk it out 287 00:21:19,200 --> 00:21:23,720 Speaker 1: with you? I was thinking, since we're coming off of 288 00:21:23,760 --> 00:21:26,600 Speaker 1: three fast paced songs in a row, that now would 289 00:21:26,600 --> 00:21:28,840 Speaker 1: be a good time to pull out something a little slower, 290 00:21:29,560 --> 00:21:33,280 Speaker 1: like a ballad. I've been working on something that I 291 00:21:33,359 --> 00:21:41,120 Speaker 1: like a lot. It's about feeling displaced, a little acoustic melody. 292 00:21:49,320 --> 00:21:53,359 Speaker 1: It doesn't work for me. Back to five please, Dante. 293 00:21:53,440 --> 00:21:55,520 Speaker 1: We have a lot to do right now, summer, and 294 00:21:55,520 --> 00:21:59,640 Speaker 1: there's no time for the histrionics. Okay, so please act 295 00:21:59,720 --> 00:22:02,159 Speaker 1: like a professional and not like a kid off the street. 296 00:22:02,840 --> 00:22:10,560 Speaker 1: Drop dead Dante s Summer, get back to you right now, Summer. 297 00:22:32,160 --> 00:22:37,720 Speaker 1: Hello Millennium Rank Ben speaking, Hi Ben, This isn't NICKI 298 00:22:37,800 --> 00:22:42,640 Speaker 1: fix oh Niki Hi. I was worried it was creditors 299 00:22:43,119 --> 00:22:47,879 Speaker 1: weird question, but it is grown up me there with you. Yeah, 300 00:22:48,040 --> 00:22:51,679 Speaker 1: she is. Can you put her on the phone please, 301 00:22:51,960 --> 00:23:06,560 Speaker 1: m hold on Hello Nikki. I I want to go home, Nickie. 302 00:23:07,119 --> 00:23:15,800 Speaker 1: It's you come in quickly, all right? All right? That 303 00:23:15,960 --> 00:23:18,600 Speaker 1: crowd is getting riled up. Maybe this is a sign 304 00:23:18,600 --> 00:23:21,800 Speaker 1: that I'm supposed to stay. Now that I'm hearing them 305 00:23:21,800 --> 00:23:24,720 Speaker 1: all out there like this, I'm not sure leaving is 306 00:23:24,760 --> 00:23:28,800 Speaker 1: the best idea. I mean, how do I walk away 307 00:23:28,840 --> 00:23:33,600 Speaker 1: from this? It's going to be hard. Fame can be addictive. 308 00:23:34,359 --> 00:23:36,480 Speaker 1: Maybe I just play the show and then we get 309 00:23:36,520 --> 00:23:38,919 Speaker 1: him on the next slip around right, I don't know 310 00:23:38,960 --> 00:23:42,680 Speaker 1: how many rounds left there are here. Sorry to change 311 00:23:42,680 --> 00:23:44,960 Speaker 1: my mind again, but I don't think I have the courage. 312 00:23:46,320 --> 00:23:49,879 Speaker 1: I guess I called you here for nothing. Don't judge? Okay, 313 00:23:50,720 --> 00:23:56,360 Speaker 1: who am I to judge? Maybe there's no escaping destiny 314 00:23:56,440 --> 00:24:00,240 Speaker 1: and this is it. Maybe I can't make myself earned 315 00:24:00,240 --> 00:24:03,800 Speaker 1: the lesson until it's too late, no matter how hard 316 00:24:03,840 --> 00:24:10,920 Speaker 1: I try. Hey, what's this in your notebook? Oh that's 317 00:24:10,960 --> 00:24:14,760 Speaker 1: just a new song I've been working on. But I'm 318 00:24:14,800 --> 00:24:20,520 Speaker 1: stuck on the bridge. Oh yeah, I remember this. I 319 00:24:20,640 --> 00:24:23,879 Speaker 1: never did finish it. I'm not sure what it's trying 320 00:24:23,920 --> 00:24:27,639 Speaker 1: to say. I want to work on it together. Hold on? 321 00:24:27,680 --> 00:24:35,359 Speaker 1: It is that? Yep? The rink guitar. I never played 322 00:24:35,400 --> 00:24:37,480 Speaker 1: it again after I sent Bobby and Lee him back 323 00:24:37,520 --> 00:24:42,440 Speaker 1: the first time. But I take it everywhere I remember. 324 00:24:44,200 --> 00:24:47,159 Speaker 1: Keep it close. It has a tendency to grow legs. 325 00:24:47,800 --> 00:25:10,000 Speaker 1: You want to play it? Sure it's in tune? Me? 326 00:25:12,720 --> 00:25:19,320 Speaker 1: Who am I supposed to be? Now? I can't find 327 00:25:21,840 --> 00:25:31,240 Speaker 1: find the forest through the trees, lost in time? Can 328 00:25:31,320 --> 00:25:40,359 Speaker 1: you help me find a way? Days space? Bye? I'm 329 00:25:40,359 --> 00:25:49,960 Speaker 1: still trying to figure me lost in time. It's you 330 00:25:50,920 --> 00:26:14,920 Speaker 1: nine mm which wishing I could change the past? Now 331 00:26:17,040 --> 00:26:27,359 Speaker 1: ending time in a pretty little bone now blinds my heart. 332 00:26:29,720 --> 00:26:37,919 Speaker 1: I need a guy to show the way, boll life. 333 00:26:39,080 --> 00:26:49,400 Speaker 1: Don't look back if you can help at that's strange 334 00:26:49,600 --> 00:27:10,960 Speaker 1: to me. I know what this song is about now. 335 00:27:11,880 --> 00:27:15,840 Speaker 1: It's about how I don't belong here. Yeah, it is, 336 00:27:15,840 --> 00:27:20,440 Speaker 1: isn't it. It's our wish to go home. You're right, 337 00:27:22,560 --> 00:27:26,000 Speaker 1: we need Bobby and Liam. It's time for us to go. 338 00:27:26,840 --> 00:27:29,800 Speaker 1: They weren't around when I left to come here. Let's 339 00:27:29,800 --> 00:27:33,760 Speaker 1: call then see if he sent them our way. I 340 00:27:33,840 --> 00:27:37,920 Speaker 1: had your friends barred from the venue. They are an 341 00:27:38,000 --> 00:27:42,320 Speaker 1: unnecessary distraction, Dante. How long have you been standing there? 342 00:27:43,160 --> 00:27:48,240 Speaker 1: Long enough? And you a little bit older, a little 343 00:27:48,359 --> 00:27:51,960 Speaker 1: nip and tuck, but still too much of a resemblance 344 00:27:52,000 --> 00:27:56,000 Speaker 1: to miss. Hello, Dante. You know, I never believed Nikki 345 00:27:56,119 --> 00:27:59,000 Speaker 1: when she rattled on about things that were going to happen. 346 00:28:00,320 --> 00:28:04,760 Speaker 1: But then they did little predictions here and there, and 347 00:28:04,800 --> 00:28:07,240 Speaker 1: then there was the matter of there being no record 348 00:28:07,280 --> 00:28:11,399 Speaker 1: of her cost me a pretty penny to establish an identity. 349 00:28:11,640 --> 00:28:14,399 Speaker 1: I thought, even though all the pieces added up, that 350 00:28:14,480 --> 00:28:18,000 Speaker 1: I was crazy to think something so science fiction could 351 00:28:18,000 --> 00:28:22,480 Speaker 1: be the answer. But here I am in a room 352 00:28:22,560 --> 00:28:25,919 Speaker 1: with two of you, and strike me down if it 353 00:28:25,960 --> 00:28:30,840 Speaker 1: isn't real. Okay, Dante, you found me out, and so 354 00:28:30,960 --> 00:28:34,240 Speaker 1: you know that I don't belong in this time. I 355 00:28:34,359 --> 00:28:36,679 Speaker 1: have to go. It isn't right for me to be 356 00:28:36,800 --> 00:28:39,240 Speaker 1: What about all those people out there cheering your name? 357 00:28:39,720 --> 00:28:43,600 Speaker 1: My name is Nikki. What about your dreams? You want 358 00:28:43,600 --> 00:28:45,719 Speaker 1: to leave a mark on the world. Who cares if 359 00:28:45,720 --> 00:28:48,400 Speaker 1: it's a few years off. That's nothing in the grand 360 00:28:48,440 --> 00:28:52,480 Speaker 1: scheme of things. What about our partnership? You'll be fine 361 00:28:52,560 --> 00:28:56,840 Speaker 1: without me. You're an amazing producer. Trust me. Your success 362 00:28:56,840 --> 00:29:01,040 Speaker 1: in any timeline I've seen it, you need me. The 363 00:29:01,080 --> 00:29:06,520 Speaker 1: truth is, no matter how amazing this life seems, it's 364 00:29:06,560 --> 00:29:08,520 Speaker 1: not worth what I have to give up to having. 365 00:29:08,720 --> 00:29:12,400 Speaker 1: And let me guess this guitar has something to do 366 00:29:12,480 --> 00:29:17,040 Speaker 1: with it. I recognize it. I remember Ben working on it, 367 00:29:18,240 --> 00:29:23,480 Speaker 1: but this one seems older, like it's from a different time. 368 00:29:24,040 --> 00:29:29,240 Speaker 1: Oh did I guess right? That's my guitar. Ben made 369 00:29:29,280 --> 00:29:32,040 Speaker 1: it for me from pieces of the rink. It always 370 00:29:32,040 --> 00:29:36,160 Speaker 1: goes back to the rink, doesn't it? Be careful with that, Dante. 371 00:29:37,480 --> 00:29:50,840 Speaker 1: It's got a beautiful sound. Hi, doan'te? What have you done? 372 00:29:53,800 --> 00:29:57,080 Speaker 1: There are ten thousand people out there. Go out there 373 00:29:57,120 --> 00:30:00,080 Speaker 1: and do the show you promised them, and be a 374 00:30:00,160 --> 00:30:18,280 Speaker 1: star you promised you'd be. Ironhorn's Epic Productions and I 375 00:30:18,360 --> 00:30:22,640 Speaker 1: Heart Radio presented Nikki Fixes Time Mix created an executive 376 00:30:22,680 --> 00:30:27,560 Speaker 1: produced by Heather Ironhorn and Adam Stafferroni Executive produced by 377 00:30:27,840 --> 00:30:34,120 Speaker 1: iHeart Radio head writer Cecil Castellucci, writers Blue Beckford Burrow, 378 00:30:34,680 --> 00:30:41,680 Speaker 1: Louis Cornfeld, Natalia Yancheck, and Adam Stafferroni. Directed by Rebecca Cunningham, 379 00:30:41,720 --> 00:30:45,560 Speaker 1: with performances by Judy Alice Lee as Nicky fix To, 380 00:30:45,680 --> 00:30:49,960 Speaker 1: Leah Romina as Bobby, Joshua Evans as Leah Tyler, Kies 381 00:30:50,040 --> 00:30:53,760 Speaker 1: as Dante Diamond, and Leonard and Baron Bass as Beat. 382 00:30:54,600 --> 00:30:59,240 Speaker 1: Additional voices more of Vincent haleb En, David shatter Off, 383 00:31:00,040 --> 00:31:03,560 Speaker 1: Late Walsh Leiger and Scott Hoffman as record shop clerk. 384 00:31:04,080 --> 00:31:08,600 Speaker 1: Post sound by Chapter four Sound supervision and sound designed 385 00:31:08,640 --> 00:31:13,360 Speaker 1: by Sarah Gibbel Lasker. Assistant sound editor by Andrew Berger, 386 00:31:13,640 --> 00:31:19,160 Speaker 1: Natalie Escudera and Zachary Spiser. Music composed by Murray A Lightburn. 387 00:31:20,040 --> 00:31:24,920 Speaker 1: Lyrics by Natalia Yanchick and Murray A Lightburn. Produced by 388 00:31:25,320 --> 00:31:31,760 Speaker 1: Rup Sanakayla Development writer Scott Hoffman, Development executive Greg Lockard, 389 00:31:32,360 --> 00:31:37,640 Speaker 1: Line producer Anna Stepcom, Production coordinator and script supervisor Laura 390 00:31:37,720 --> 00:31:44,440 Speaker 1: Martin Operations, Laura Coffman, Marketing and Publicity, Jessie Post Digital Marketing, 391 00:31:44,840 --> 00:31:50,320 Speaker 1: Jennifer Gennaro Social Media, Ashley Lynn Nicole Creative direction and 392 00:31:50,400 --> 00:31:54,720 Speaker 1: designed by Ryan McCann. A special thank you to the 393 00:31:54,800 --> 00:31:59,560 Speaker 1: Shadow Uniforn Einhorn's Epic Productions and I Heart Radio present 394 00:32:00,040 --> 00:32:08,959 Speaker 1: Nicky Fix His times Ay time Travelers. Check out more 395 00:32:09,000 --> 00:32:12,880 Speaker 1: incredible adventures at ep universe dot com. Dig into the 396 00:32:12,960 --> 00:32:16,840 Speaker 1: secrets of time travel or explore our other shows lethallet A, 397 00:32:16,960 --> 00:32:20,720 Speaker 1: Tik Toah's Mystery, See You In Your Nightmares, Daughters of DC, 398 00:32:21,240 --> 00:32:21,720 Speaker 1: and more,