1
00:00:02,440 --> 00:00:04,760
Speaker 1: Fly from the Mercedes Benz Interview Lounge.

2
00:00:04,840 --> 00:00:08,440
Speaker 2: You're so excited. Tricia yearwould doing her holiday shopping in

3
00:00:08,440 --> 00:00:10,280
Speaker 2: New York City, thought she would drop on the way

4
00:00:10,280 --> 00:00:13,280
Speaker 2: to Sacks. Love that for us. Look, Tricia, it looks

5
00:00:13,320 --> 00:00:14,720
Speaker 2: like you've already been there. You look gorgeous.

6
00:00:14,720 --> 00:00:16,280
Speaker 3: Do you wish well? I had a team of professionals.

7
00:00:16,280 --> 00:00:17,680
Speaker 3: I don't know how to dress myself. I wish I

8
00:00:17,680 --> 00:00:19,360
Speaker 3: had time to go shopping. Maybe so well, you.

9
00:00:19,280 --> 00:00:21,800
Speaker 2: Should go Sax's Avenue right around the corner, and you

10
00:00:21,840 --> 00:00:23,439
Speaker 2: know the windows are done up for Christmas. You're in

11
00:00:23,480 --> 00:00:23,880
Speaker 2: New York.

12
00:00:24,000 --> 00:00:25,239
Speaker 3: I know I love New York.

13
00:00:25,920 --> 00:00:27,720
Speaker 2: Well you can have it.

14
00:00:28,880 --> 00:00:30,120
Speaker 3: I love Christmas in New York.

15
00:00:30,200 --> 00:00:31,840
Speaker 2: You don't have to put headphones on, you do. I'm

16
00:00:31,880 --> 00:00:33,520
Speaker 2: gonna say some music for you.

17
00:00:33,520 --> 00:00:35,320
Speaker 3: You're gonna play music. I thought you're gonna sing for me.

18
00:00:35,360 --> 00:00:35,920
Speaker 3: That's what I heard.

19
00:00:35,960 --> 00:00:40,600
Speaker 2: I'm gonna sing. You're gonna Yeah, you don't have to

20
00:00:40,640 --> 00:00:42,720
Speaker 2: use them. I'll point at you when it's time to

21
00:00:42,720 --> 00:00:45,760
Speaker 2: put the headphones out. All right, Well, Tricia, youarwood here.

22
00:00:45,840 --> 00:00:49,040
Speaker 2: That album is out today. It's called Christmas Time. By

23
00:00:49,040 --> 00:00:52,760
Speaker 2: the way, let me play you see, okay, que there

24
00:00:52,840 --> 00:00:54,520
Speaker 2: is a cut on here that you do with Garth.

25
00:00:55,640 --> 00:00:59,240
Speaker 2: I do know that one Marry Christmas Valentine. I'm gonna

26
00:00:59,240 --> 00:01:01,040
Speaker 2: give you a little they call it a hook.

27
00:01:01,240 --> 00:01:04,920
Speaker 3: Here we go and there's a special one to you

28
00:01:05,920 --> 00:01:11,040
Speaker 3: for me, tied with the bright red bull.

29
00:01:12,560 --> 00:01:13,480
Speaker 1: That sign.

30
00:01:16,120 --> 00:01:19,320
Speaker 3: Merry Christmas Valentine?

31
00:01:18,959 --> 00:01:22,520
Speaker 2: Where's Where's guard? There's no Garth on this cut. They

32
00:01:22,520 --> 00:01:23,040
Speaker 2: cut it off.

33
00:01:24,680 --> 00:01:26,880
Speaker 3: They're saving him. He's harmony.

34
00:01:27,000 --> 00:01:28,160
Speaker 2: We're thinking he's on there.

35
00:01:28,360 --> 00:01:28,920
Speaker 3: He is on there.

36
00:01:29,240 --> 00:01:34,000
Speaker 2: So it sounds like a romantic back and forth Christmas duet.

37
00:01:34,120 --> 00:01:35,680
Speaker 2: Were you in the studio together when you sang it

38
00:01:35,760 --> 00:01:35,960
Speaker 2: or not?

39
00:01:36,240 --> 00:01:36,399
Speaker 1: Yeah?

40
00:01:36,440 --> 00:01:39,039
Speaker 3: We were, Yeah. Yeah, it's not a it's not a

41
00:01:39,360 --> 00:01:42,840
Speaker 3: it's not a technical duet. It's a harmony part and

42
00:01:43,640 --> 00:01:46,560
Speaker 3: it's it's really beautiful. He you know, he's in all

43
00:01:46,600 --> 00:01:48,880
Speaker 3: the songwriter Hall of Fames. And I've been doing a

44
00:01:48,920 --> 00:01:51,080
Speaker 3: lot of songwriting the last couple of years, and he

45
00:01:51,200 --> 00:01:53,360
Speaker 3: was always encouraging me to write, and I was always like,

46
00:01:53,400 --> 00:01:55,720
Speaker 3: I'm not really a songwriter, and because I was really

47
00:01:55,720 --> 00:01:57,200
Speaker 3: in my own head about it, and when I finally

48
00:01:57,280 --> 00:01:59,680
Speaker 3: kind of got to a place where I felt comfortable,

49
00:01:59,800 --> 00:02:01,600
Speaker 3: I said, you should write with me again, because I'm

50
00:02:01,600 --> 00:02:05,160
Speaker 3: really fun now like, I'm confident, I'm a lot more

51
00:02:05,200 --> 00:02:07,600
Speaker 3: fun to write with. And we were sitting outside. We

52
00:02:07,600 --> 00:02:09,560
Speaker 3: have this house on a hill in Nashville and we

53
00:02:09,639 --> 00:02:12,040
Speaker 3: kind of look downtown and we sit out there a lot,

54
00:02:12,160 --> 00:02:14,880
Speaker 3: and we were talking about it, and he was the

55
00:02:14,880 --> 00:02:16,920
Speaker 3: one who said, there needs to be a song. Has

56
00:02:16,960 --> 00:02:20,040
Speaker 3: there ever been a song about Merry Christmas Valentine that

57
00:02:20,120 --> 00:02:23,679
Speaker 3: combines the holidays? Because it's one holiday is not enough

58
00:02:23,680 --> 00:02:25,360
Speaker 3: for this grand romance.

59
00:02:25,360 --> 00:02:27,000
Speaker 2: I don't think the Hallmark company would lie.

60
00:02:27,000 --> 00:02:28,600
Speaker 3: I know, I think so too. I feel like this

61
00:02:28,639 --> 00:02:30,880
Speaker 3: is a whole thing. And so we just started working

62
00:02:30,880 --> 00:02:32,480
Speaker 3: on it and he doesn't write anything down. I write

63
00:02:32,480 --> 00:02:34,919
Speaker 3: everything down. I'm a virgo and I'm on my phone

64
00:02:34,960 --> 00:02:36,519
Speaker 3: trying to like and I'm like, he's like, well remember it.

65
00:02:36,560 --> 00:02:38,280
Speaker 3: I'm like, no, I know we will not remember it.

66
00:02:38,320 --> 00:02:40,639
Speaker 3: And that was long before the Christmas album was even

67
00:02:41,200 --> 00:02:44,000
Speaker 3: on the books, and so when this came around, we

68
00:02:44,040 --> 00:02:45,560
Speaker 3: hadn't finished it, and I said, we need to finish

69
00:02:45,600 --> 00:02:47,079
Speaker 3: that song. You like to put it. Yeah.

70
00:02:47,160 --> 00:02:50,000
Speaker 2: See, I always when you hear duets or harmonizing with

71
00:02:50,280 --> 00:02:53,920
Speaker 2: a couple together, a couple together, you envisioned them in

72
00:02:54,000 --> 00:02:55,880
Speaker 2: you know, a studio of the lights low, the cameras

73
00:02:55,880 --> 00:02:58,280
Speaker 2: are lit, and they're like making love to the microphone.

74
00:02:59,440 --> 00:03:01,799
Speaker 2: And then later now that he was in Nashville and

75
00:03:01,880 --> 00:03:03,960
Speaker 2: I was in London, but we didn't even see each

76
00:03:03,960 --> 00:03:05,080
Speaker 2: other when we recorded each other.

77
00:03:05,160 --> 00:03:07,280
Speaker 3: Yeah, this was a little different because we recorded this

78
00:03:07,320 --> 00:03:10,800
Speaker 3: whole album live in la with a live orchestra, forty

79
00:03:10,800 --> 00:03:11,560
Speaker 3: five piece orchestra.

80
00:03:11,639 --> 00:03:12,720
Speaker 2: Okay, let's talk about that.

81
00:03:12,800 --> 00:03:15,239
Speaker 3: Yeah, so he was there, but he so he came,

82
00:03:15,280 --> 00:03:16,880
Speaker 3: but he came in and sang his part after I

83
00:03:16,919 --> 00:03:18,519
Speaker 3: was done with But we were all together.

84
00:03:18,720 --> 00:03:23,519
Speaker 2: Okay. So Christmas does not only belong to Mariah Carey. No,

85
00:03:23,720 --> 00:03:27,160
Speaker 2: Tricia Yearwood is coming in for the kill. So this year,

86
00:03:27,200 --> 00:03:33,880
Speaker 2: you're actually doing a twelve night symphony orchestra tour for Christmas.

87
00:03:34,000 --> 00:03:37,560
Speaker 3: Yes, okay, the twelve Days of Christmas.

88
00:03:37,240 --> 00:03:38,840
Speaker 2: A real live symphony orchestra.

89
00:03:39,080 --> 00:03:40,280
Speaker 3: Every city has a live orchestra.

90
00:03:40,400 --> 00:03:45,040
Speaker 2: What's it like singing with a symphony orchestra behind you?

91
00:03:45,200 --> 00:03:47,920
Speaker 2: It's unbelievable, tell us, because it'll never happen to the

92
00:03:47,920 --> 00:03:48,320
Speaker 2: rest of them.

93
00:03:48,320 --> 00:03:50,080
Speaker 3: Well, here's the thing. This is why we're doing the

94
00:03:50,120 --> 00:03:52,440
Speaker 3: tour because when you're in the studio with these guys

95
00:03:52,440 --> 00:03:54,160
Speaker 3: and gals who are at the top of their game,

96
00:03:54,240 --> 00:03:57,560
Speaker 3: and the sound that is reverberating through your body is

97
00:03:57,600 --> 00:04:00,320
Speaker 3: different than listening to it any other way. You just

98
00:04:00,360 --> 00:04:02,360
Speaker 3: want everybody to get to experience that. So I feel

99
00:04:02,360 --> 00:04:04,520
Speaker 3: like the shows are our chance to kind of give

100
00:04:04,560 --> 00:04:06,240
Speaker 3: people a little bit of a chance to feel it,

101
00:04:06,320 --> 00:04:08,920
Speaker 3: because it's it's a it's physical. It's really amazing.

102
00:04:09,000 --> 00:04:11,880
Speaker 2: But as a performer, as a vocalist, it must give

103
00:04:11,960 --> 00:04:14,800
Speaker 2: you this charge that you don't get in a studio

104
00:04:15,000 --> 00:04:15,760
Speaker 2: or anywhere else.

105
00:04:15,840 --> 00:04:18,200
Speaker 3: Yeah, because when you make a record, a regular album,

106
00:04:18,320 --> 00:04:21,000
Speaker 3: and you might put strings on it, you know, but

107
00:04:21,080 --> 00:04:23,120
Speaker 3: you usually add that later. So when you're in the studio,

108
00:04:23,160 --> 00:04:26,080
Speaker 3: you're with like six guys and and there's an energy

109
00:04:26,120 --> 00:04:28,320
Speaker 3: there that's amazing. I mean, I do my best work

110
00:04:28,480 --> 00:04:30,800
Speaker 3: because I'm a performer in front of a crowd. So

111
00:04:30,920 --> 00:04:33,200
Speaker 3: I like to sing. Most of my vocals happen when

112
00:04:33,200 --> 00:04:35,760
Speaker 3: the band's there because I always think I can sing

113
00:04:35,760 --> 00:04:37,240
Speaker 3: it better later. But when they're gone home and I'm

114
00:04:37,240 --> 00:04:38,920
Speaker 3: there by myself, I'm like, I have no one to impress,

115
00:04:38,960 --> 00:04:40,359
Speaker 3: so I just don't. I don't. I feel like the

116
00:04:40,480 --> 00:04:43,479
Speaker 3: energy is gone. So this when you're in a room

117
00:04:43,480 --> 00:04:46,200
Speaker 3: with forty five people you're like, okay, and it's just inspired.

118
00:04:46,360 --> 00:04:48,039
Speaker 2: You sound your best in front of an orchestra or

119
00:04:48,040 --> 00:04:48,520
Speaker 2: in the shower.

120
00:04:48,640 --> 00:04:50,640
Speaker 3: Yeah, and that's not bad either.

121
00:04:50,720 --> 00:04:50,920
Speaker 4: Yeah.

122
00:04:51,080 --> 00:04:53,679
Speaker 1: Is it harder with a band or with an orchestra?

123
00:04:55,040 --> 00:04:57,480
Speaker 3: Well, for me, the orchestra, I think I feel more

124
00:04:57,520 --> 00:04:59,800
Speaker 3: pressure because when you have forty five people, you don't

125
00:04:59,800 --> 00:05:02,760
Speaker 3: want to to be the one person who doesn't come

126
00:05:02,760 --> 00:05:04,640
Speaker 3: in at the right time, because if you mess it up,

127
00:05:04,640 --> 00:05:06,839
Speaker 3: you got to start over. And that's forty five people

128
00:05:06,960 --> 00:05:09,440
Speaker 3: you know, that have to retune and whatever. So there's

129
00:05:09,440 --> 00:05:11,760
Speaker 3: a little more pressure there. And also this record has

130
00:05:12,440 --> 00:05:14,680
Speaker 3: some interesting you know, you think it's really clever in

131
00:05:14,720 --> 00:05:16,640
Speaker 3: the moment of like maybe the intro is in a

132
00:05:16,640 --> 00:05:18,680
Speaker 3: different key than you start singing in and you have

133
00:05:18,720 --> 00:05:21,360
Speaker 3: to know that note cold or or there's a lot

134
00:05:21,360 --> 00:05:23,680
Speaker 3: of pausing, which I like to the dynamic of it.

135
00:05:23,960 --> 00:05:26,400
Speaker 3: But now I got to sing it that way and

136
00:05:26,480 --> 00:05:29,480
Speaker 3: hit it when it happens, and so it's it's a challenge.

137
00:05:29,560 --> 00:05:32,560
Speaker 2: And you know, in an orchestra, these these instruments are

138
00:05:32,640 --> 00:05:34,680
Speaker 2: typically right on the right note. They're all tuned up,

139
00:05:34,800 --> 00:05:37,479
Speaker 2: and your voice isn't. So if you come in like

140
00:05:36,760 --> 00:05:41,200
Speaker 2: it's like a train wreck. They sound great, you sound awful.

141
00:05:42,880 --> 00:05:43,760
Speaker 2: Get that note, Trisha.

142
00:05:43,800 --> 00:05:46,120
Speaker 3: Yeah, And I'm amazed how the conductor will be in

143
00:05:46,160 --> 00:05:50,159
Speaker 3: a forty five piece thing will go okay. The french horn,

144
00:05:50,960 --> 00:05:53,200
Speaker 3: the second french horn hit an F sharp there and

145
00:05:53,240 --> 00:05:54,239
Speaker 3: it should have been en f natural.

146
00:05:54,279 --> 00:05:54,760
Speaker 2: How do I know?

147
00:05:54,880 --> 00:05:56,480
Speaker 3: How did you hear that?

148
00:05:56,520 --> 00:05:58,080
Speaker 2: How do you play a French horn? You cram your

149
00:05:58,080 --> 00:06:00,520
Speaker 2: fist in that? Have no idea, It's like how it's

150
00:06:00,520 --> 00:06:02,520
Speaker 2: like checking the horse. That's why I'm a chick singer.

151
00:06:02,520 --> 00:06:02,880
Speaker 3: I don't know.

152
00:06:03,600 --> 00:06:05,680
Speaker 4: So our producer told us that this album is very

153
00:06:05,720 --> 00:06:09,800
Speaker 4: classic Christmas. Were people pitching you like new songs and

154
00:06:09,800 --> 00:06:11,880
Speaker 4: you thought, no, I don't want those at all, because

155
00:06:11,880 --> 00:06:12,839
Speaker 4: I like this better.

156
00:06:13,320 --> 00:06:15,479
Speaker 3: Well, I mean there is a little bit of I

157
00:06:15,520 --> 00:06:18,320
Speaker 3: did get a lot of pitches, but it's a combo.

158
00:06:18,440 --> 00:06:20,520
Speaker 3: You know. There are songs that you've heard your whole life,

159
00:06:20,560 --> 00:06:23,400
Speaker 3: like Blue Christmas is on here. But then there's song

160
00:06:23,800 --> 00:06:25,719
Speaker 3: the original song obviously that Garth and I wrote no

161
00:06:25,720 --> 00:06:27,920
Speaker 3: one's heard before. And there's a song on here called

162
00:06:28,000 --> 00:06:30,719
Speaker 3: Candy Cane Lane that when you hear it it sounds

163
00:06:30,760 --> 00:06:32,640
Speaker 3: like something that the Andrews sisters would have done in

164
00:06:32,640 --> 00:06:35,359
Speaker 3: the forties, but it was written by you know, in

165
00:06:35,400 --> 00:06:39,080
Speaker 3: the ten years ago, and these girls pitched me these

166
00:06:39,080 --> 00:06:40,680
Speaker 3: songs and I'm like, I love this song. I think

167
00:06:40,720 --> 00:06:42,559
Speaker 3: it really fits. So I was just looking for songs

168
00:06:42,560 --> 00:06:44,400
Speaker 3: that kind of work together, and I don't want everything

169
00:06:44,400 --> 00:06:46,479
Speaker 3: to be exactly the same. There's a couple of songs

170
00:06:46,480 --> 00:06:48,480
Speaker 3: on here that aren't really even Christmas songs, but they

171
00:06:48,520 --> 00:06:51,120
Speaker 3: work like pure imagination from Willy Wonka. It's not a

172
00:06:51,200 --> 00:06:51,839
Speaker 3: Christmas song.

173
00:06:51,720 --> 00:06:53,159
Speaker 2: It's one of my favorite songs of all time.

174
00:06:53,080 --> 00:06:55,360
Speaker 3: But it works so well on a Christmas record, and

175
00:06:55,440 --> 00:06:57,480
Speaker 3: I'm not sure anybody's ever done that before. So we

176
00:06:57,480 --> 00:06:59,800
Speaker 3: were trying to just kind of, you know, every song

177
00:06:59,800 --> 00:07:01,200
Speaker 3: has a reason why it's on there.

178
00:07:01,240 --> 00:07:03,360
Speaker 2: And both Andrew's sisters way before our time, so to

179
00:07:03,440 --> 00:07:04,760
Speaker 2: stop assuming that we knew who they were.

180
00:07:05,080 --> 00:07:06,440
Speaker 3: You're okay, I'm gonna have to go lick them up.

181
00:07:06,480 --> 00:07:08,400
Speaker 1: God, Yeah, Mindy kit Lane is actually one of my

182
00:07:08,440 --> 00:07:09,400
Speaker 1: favorite Christmas songs.

183
00:07:09,440 --> 00:07:10,040
Speaker 3: I love that.

184
00:07:10,080 --> 00:07:10,680
Speaker 2: See you did it?

185
00:07:10,880 --> 00:07:12,480
Speaker 1: Yeah, see you did it. It's so good.

186
00:07:12,520 --> 00:07:12,720
Speaker 3: Yes.

187
00:07:12,880 --> 00:07:13,160
Speaker 1: Yeah.

188
00:07:13,240 --> 00:07:15,120
Speaker 2: If you're just turning on Trishia, youyear, what is here

189
00:07:15,160 --> 00:07:17,200
Speaker 2: so much to talk about? Christmas time? Her new album

190
00:07:17,240 --> 00:07:19,240
Speaker 2: is out today and we're gonna play. We're gonna play

191
00:07:19,240 --> 00:07:21,240
Speaker 2: a song, my favorite song from your album coming up.

192
00:07:21,600 --> 00:07:23,800
Speaker 2: I don't well, it's my show. I'll do what I want. Yes, No,

193
00:07:24,080 --> 00:07:26,640
Speaker 2: it's a great song. It's one of my favorites. Maybe

194
00:07:26,640 --> 00:07:31,080
Speaker 2: you've heard it. Also. The Twelve Days of Christmas Symphony

195
00:07:31,120 --> 00:07:35,680
Speaker 2: Tour starts December second in Nashville, twelve nights in a

196
00:07:35,720 --> 00:07:39,240
Speaker 2: different town, different city, with different choirs. I've heard coming

197
00:07:39,320 --> 00:07:41,480
Speaker 2: up and singing with you from that's that's a lot

198
00:07:41,520 --> 00:07:43,320
Speaker 2: of moving parts. This thing sounds a lot of fun.

199
00:07:43,440 --> 00:07:45,600
Speaker 3: Well, you know, every city has a different orchestra. So

200
00:07:45,680 --> 00:07:47,360
Speaker 3: you go in in the after and every day you

201
00:07:47,360 --> 00:07:50,880
Speaker 3: go in and you rehearse, and you basically do the show,

202
00:07:51,240 --> 00:07:54,000
Speaker 3: the whole show in the afternoon, and then you then

203
00:07:54,000 --> 00:07:55,680
Speaker 3: you go get dressed and go do it for real

204
00:07:55,680 --> 00:07:57,200
Speaker 3: at night for a crowd. So you do the show

205
00:07:57,200 --> 00:07:57,760
Speaker 3: twice a day.

206
00:07:57,840 --> 00:08:00,000
Speaker 2: I should bring my trumpet, Oh my god, you should.

207
00:08:00,600 --> 00:08:02,320
Speaker 2: He let me do this thing where we have artists

208
00:08:02,320 --> 00:08:04,600
Speaker 2: come in to perform and they'll start playing their song

209
00:08:04,720 --> 00:08:07,400
Speaker 2: and I tell them I do trumpet. I'm gonna play

210
00:08:07,400 --> 00:08:08,880
Speaker 2: along with you, and I have the music and I

211
00:08:09,000 --> 00:08:11,760
Speaker 2: just come in as a blast these notes out, there's nasty, nasty,

212
00:08:11,800 --> 00:08:14,440
Speaker 2: horrendous from a hell notes. I'm gonna come ruin your

213
00:08:14,600 --> 00:08:15,720
Speaker 2: I'm gonna come ruin your concert.

214
00:08:16,040 --> 00:08:17,800
Speaker 3: We got a nice seat for you in the parking lot.

215
00:08:17,840 --> 00:08:21,960
Speaker 2: Where can we go to find the bathroom of the

216
00:08:22,040 --> 00:08:25,200
Speaker 2: tour bus? How do we find tickets for one of

217
00:08:25,240 --> 00:08:25,720
Speaker 2: your shows?

218
00:08:26,080 --> 00:08:27,239
Speaker 3: I don't know. How do you find tickets?

219
00:08:27,280 --> 00:08:28,040
Speaker 2: We gotta find tickets.

220
00:08:29,400 --> 00:08:32,240
Speaker 3: Trishearoo dot com. Okay, that makes sense. I apparently have

221
00:08:32,240 --> 00:08:33,160
Speaker 3: a website.

222
00:08:36,000 --> 00:08:36,320
Speaker 1: Yourself.

223
00:08:36,440 --> 00:08:40,439
Speaker 2: Oh my god, this new thing. Tricia Yearwood dot com.

224
00:08:40,600 --> 00:08:42,120
Speaker 3: These kids today?

225
00:08:43,080 --> 00:08:46,480
Speaker 2: Hey, I got to bring up something else. Your cornbread

226
00:08:46,520 --> 00:08:47,720
Speaker 2: childie cast role is a hero.

227
00:08:48,040 --> 00:08:49,360
Speaker 3: Could we discuss that? Please?

228
00:08:50,520 --> 00:08:53,160
Speaker 2: Your dill pickle popcorn? I just don't get it.

229
00:08:54,040 --> 00:08:56,319
Speaker 3: You don't have to. It's not for everyone.

230
00:08:56,679 --> 00:08:58,760
Speaker 2: I love to. I give you a positive and they

231
00:08:58,800 --> 00:09:00,679
Speaker 2: give you like come in for the kill. I'm kidding.

232
00:09:00,920 --> 00:09:02,600
Speaker 2: I have never had your popcorn. Just a thought of

233
00:09:02,600 --> 00:09:05,840
Speaker 2: dill pickle and popcorn sounds kind of interesting. But the

234
00:09:05,880 --> 00:09:08,640
Speaker 2: Cornbridge chili cast role one of my favorites.

235
00:09:08,960 --> 00:09:10,640
Speaker 3: That was a that was my sister Beth and I

236
00:09:10,679 --> 00:09:13,280
Speaker 3: both learned from our parents, who were both really good cooks,

237
00:09:13,280 --> 00:09:16,240
Speaker 3: and we just make regular food and cornbread chili castrole

238
00:09:16,320 --> 00:09:18,480
Speaker 3: was her recipe that she made her She's got a

239
00:09:18,520 --> 00:09:21,240
Speaker 3: son who has now grown, and that was his thing,

240
00:09:21,360 --> 00:09:24,000
Speaker 3: Like that's what he wanted for his birthday dinner. And

241
00:09:24,080 --> 00:09:26,319
Speaker 3: like so I went to Yeah, it's a it's it's

242
00:09:26,440 --> 00:09:27,040
Speaker 3: it's pretty good.

243
00:09:27,080 --> 00:09:29,000
Speaker 2: I like you say, well, it's just regular food. Well,

244
00:09:29,040 --> 00:09:31,079
Speaker 2: to you, it's regular food because when I'm from from Texas,

245
00:09:31,160 --> 00:09:33,160
Speaker 2: little town in Texas, that would be regular food for

246
00:09:33,200 --> 00:09:36,480
Speaker 2: us here in New York. Chicken palm is regular food, right, yeah,

247
00:09:36,640 --> 00:09:39,720
Speaker 2: chick cornbread chili castrole to them is exotics. Sound it

248
00:09:39,760 --> 00:09:42,319
Speaker 2: sounds so good. It's from a far away land.

249
00:09:42,360 --> 00:09:44,120
Speaker 3: It's comfort food. And you eat that and then the

250
00:09:44,120 --> 00:09:48,319
Speaker 3: next day you have a grape and everything evens out.

251
00:09:48,800 --> 00:09:51,840
Speaker 2: Do you still enjoy doing all your cooking your cooking shows?

252
00:09:51,880 --> 00:09:52,120
Speaker 2: I do.

253
00:09:52,240 --> 00:09:54,720
Speaker 3: I love it. We are we're working on we're not

254
00:09:54,760 --> 00:09:57,160
Speaker 3: filming in the moment. We're working on the next kind

255
00:09:57,160 --> 00:09:59,160
Speaker 3: of the next iteration of the show. Trying to step

256
00:09:59,200 --> 00:10:00,760
Speaker 3: because we've been doing this for long time. I've done

257
00:10:00,760 --> 00:10:04,400
Speaker 3: the show for eighteen seasons, like nine years. We have

258
00:10:04,440 --> 00:10:06,600
Speaker 3: two seasons a year, and so we were figuring out

259
00:10:06,600 --> 00:10:10,680
Speaker 3: how do we kind of change it up? So but yeah,

260
00:10:10,720 --> 00:10:12,520
Speaker 3: I love it. It's fun. When I did the very

261
00:10:12,520 --> 00:10:15,440
Speaker 3: first season, we only did six episodes, and I only

262
00:10:15,440 --> 00:10:17,080
Speaker 3: wanted to do six because I'm like, what if I

263
00:10:17,080 --> 00:10:18,840
Speaker 3: don't love it? Because I'm at a place on my

264
00:10:18,840 --> 00:10:20,400
Speaker 3: life where if it's not fun, I just I don't

265
00:10:20,400 --> 00:10:21,200
Speaker 3: do it anymore good?

266
00:10:21,520 --> 00:10:23,559
Speaker 2: And why do we wait? Why do we wait?

267
00:10:23,679 --> 00:10:24,800
Speaker 3: Because we need to make a living?

268
00:10:27,559 --> 00:10:30,559
Speaker 2: I guess today.

269
00:10:30,960 --> 00:10:33,559
Speaker 3: But it's like I didn't know if it would be

270
00:10:33,559 --> 00:10:34,960
Speaker 3: fun because I'm I don't know if it's any behind

271
00:10:34,960 --> 00:10:37,440
Speaker 3: the counter being filmed, putting the butter in the mixing bowl.

272
00:10:37,480 --> 00:10:39,480
Speaker 3: It's going to be fun. But I have my best

273
00:10:39,480 --> 00:10:43,000
Speaker 3: friends on my sister, and we laugh a lot, and

274
00:10:43,160 --> 00:10:45,160
Speaker 3: it's very loose. We don't have a script, we don't

275
00:10:45,160 --> 00:10:49,839
Speaker 3: have a teleprompter. It's just it happens, and so it's fun.

276
00:10:49,200 --> 00:10:53,000
Speaker 3: And my crew is mostly they've been with me the

277
00:10:53,040 --> 00:10:55,240
Speaker 3: whole time, so we're family, and it's it's like being

278
00:10:55,240 --> 00:10:56,760
Speaker 3: on the road of the band. It's very it's if

279
00:10:56,800 --> 00:10:57,520
Speaker 3: you're just making food.

280
00:10:57,559 --> 00:10:59,120
Speaker 2: And I love watching it because it takes me back

281
00:10:59,120 --> 00:11:01,040
Speaker 2: to where I'm from, because this is the food we

282
00:11:01,080 --> 00:11:04,880
Speaker 2: grew up eating like so for instance, yeah, regular food

283
00:11:04,880 --> 00:11:05,800
Speaker 2: with your family is like.

284
00:11:05,800 --> 00:11:07,760
Speaker 4: A chicken berry on ee exactly.

285
00:11:08,160 --> 00:11:11,360
Speaker 3: I remember my mom making that all the yeah, huge

286
00:11:11,400 --> 00:11:12,079
Speaker 3: in Texas.

287
00:11:12,520 --> 00:11:15,720
Speaker 2: Huge. So you mentioned something about it. As you get older,

288
00:11:15,760 --> 00:11:18,880
Speaker 2: as you progress in life, your feelings about how to

289
00:11:19,040 --> 00:11:22,080
Speaker 2: approach life and everything, it's totally changing. And I love that.

290
00:11:22,120 --> 00:11:24,880
Speaker 2: By the way, I say, if anyone says I'm just

291
00:11:24,880 --> 00:11:27,200
Speaker 2: turning forty, I'm so old, I'm like, no, No, the best

292
00:11:27,240 --> 00:11:28,280
Speaker 2: years are still as.

293
00:11:28,080 --> 00:11:28,800
Speaker 3: That's a cute age.

294
00:11:28,880 --> 00:11:33,360
Speaker 2: So as it comes to Christmas and celebrating celebrating Christmas,

295
00:11:34,320 --> 00:11:37,040
Speaker 2: your thoughts have changed there too. I'm assuming putting out

296
00:11:37,080 --> 00:11:39,679
Speaker 2: this album of all these songs that are very heartwarming

297
00:11:41,200 --> 00:11:45,080
Speaker 2: Christmas feel good songs. I mean, getting together with family,

298
00:11:45,160 --> 00:11:48,000
Speaker 2: cooking with family now more important than ever for you.

299
00:11:48,160 --> 00:11:50,319
Speaker 3: Oh yeah, I mean I think that I come from

300
00:11:50,360 --> 00:11:53,240
Speaker 3: a family. My sister and I were very close with

301
00:11:53,240 --> 00:11:54,960
Speaker 3: our mom and dad, and they're both gone now, and

302
00:11:55,000 --> 00:11:57,760
Speaker 3: so I think for us, we were always we were

303
00:11:57,800 --> 00:11:59,280
Speaker 3: never those kids who didn't want to hang out with

304
00:11:59,320 --> 00:12:02,600
Speaker 3: their parents. Loved our folks and we were always close.

305
00:12:02,880 --> 00:12:04,520
Speaker 3: But when I was on the road in the nineties,

306
00:12:04,520 --> 00:12:07,400
Speaker 3: you know, I was gone. I mean really gone, and

307
00:12:07,600 --> 00:12:10,200
Speaker 3: so our holidays and our time together just kind of

308
00:12:10,200 --> 00:12:12,599
Speaker 3: became when can we make it happen. It didn't have

309
00:12:12,679 --> 00:12:13,880
Speaker 3: to be on the day, it just had to be

310
00:12:14,000 --> 00:12:16,679
Speaker 3: we had to find that time. And it worked out

311
00:12:16,720 --> 00:12:18,960
Speaker 3: in my life that when my parents were older and

312
00:12:19,000 --> 00:12:22,080
Speaker 3: when they were sick, I was I was home and

313
00:12:22,080 --> 00:12:23,520
Speaker 3: I got to be with them a lot. So I never,

314
00:12:23,720 --> 00:12:25,160
Speaker 3: I never. I don't have any like I wish I

315
00:12:25,160 --> 00:12:27,280
Speaker 3: had been there for this, this and this, and now

316
00:12:29,080 --> 00:12:30,480
Speaker 3: I am at a place where I can pick and

317
00:12:30,520 --> 00:12:33,079
Speaker 3: choose when I go and when I stay home. And

318
00:12:33,240 --> 00:12:34,600
Speaker 3: this will be the first time in a long time

319
00:12:34,600 --> 00:12:37,040
Speaker 3: that I've actually been just gone at Christmas. I mean,

320
00:12:37,040 --> 00:12:39,040
Speaker 3: this tour is not over till the twentieth. So I'm

321
00:12:39,040 --> 00:12:41,400
Speaker 3: decorating the house when I get home Monday, because it's

322
00:12:41,400 --> 00:12:43,160
Speaker 3: got because I mean, it's got to be. I've got

323
00:12:43,160 --> 00:12:43,680
Speaker 3: to have some time.

324
00:12:44,320 --> 00:12:46,000
Speaker 1: Do you decorate it yourself? Do you have somebody to

325
00:12:46,040 --> 00:12:46,240
Speaker 1: do it?

326
00:12:46,280 --> 00:12:47,600
Speaker 3: No? I decorate it. I don't do I don't put

327
00:12:47,600 --> 00:12:50,520
Speaker 3: the lights on the roof in the eves.

328
00:12:50,600 --> 00:12:53,640
Speaker 2: I should, but they're up until you do your own

329
00:12:53,720 --> 00:12:55,280
Speaker 2: roof lights. You really haven't done anything.

330
00:12:55,320 --> 00:12:57,239
Speaker 3: I mean I used to elves, but not anymore.

331
00:12:58,440 --> 00:13:00,880
Speaker 1: We hear you crochet after and do you give that

332
00:13:01,000 --> 00:13:01,800
Speaker 1: to people for prints?

333
00:13:01,880 --> 00:13:02,160
Speaker 2: I do?

334
00:13:02,440 --> 00:13:03,679
Speaker 3: I do. I'm a nerd.

335
00:13:03,920 --> 00:13:08,439
Speaker 2: I do now crochety and Afghan Afghanistan kids they get

336
00:13:08,600 --> 00:13:09,080
Speaker 2: How do you.

337
00:13:09,880 --> 00:13:11,400
Speaker 3: You can look that up? I feel like that's not

338
00:13:11,440 --> 00:13:11,959
Speaker 3: a thing.

339
00:13:13,400 --> 00:13:16,160
Speaker 2: In seriousness? She was Daniel say, you know she does

340
00:13:16,360 --> 00:13:19,520
Speaker 2: Afghans for her for her family. It's every year, like, oh,

341
00:13:19,559 --> 00:13:21,120
Speaker 2: look she got us to another Afghan.

342
00:13:21,960 --> 00:13:24,520
Speaker 3: No, it's not every year. And also it depends on

343
00:13:24,600 --> 00:13:26,600
Speaker 3: what is happening, Like you know, it's a lot of

344
00:13:26,640 --> 00:13:28,800
Speaker 3: work and it takes time and depending on the ones

345
00:13:28,840 --> 00:13:30,600
Speaker 3: I make. I actually have one I've been working on

346
00:13:30,640 --> 00:13:33,120
Speaker 3: that I have that's been several years. It's not done yet.

347
00:13:33,120 --> 00:13:34,319
Speaker 3: So you'll get one when you get one.

348
00:13:34,400 --> 00:13:37,560
Speaker 2: You know that I would love one, right?

349
00:13:38,080 --> 00:13:40,280
Speaker 4: Is there when you're on tour? I think I feel

350
00:13:40,280 --> 00:13:42,199
Speaker 4: like Christmas time is sort of like wedding season a

351
00:13:42,200 --> 00:13:43,559
Speaker 4: little bit, where we all have these songs that we

352
00:13:43,600 --> 00:13:46,040
Speaker 4: love when GMT and then one comes on and we're like, no,

353
00:13:46,080 --> 00:13:47,640
Speaker 4: not that one that killed the vibe. Do you have

354
00:13:47,640 --> 00:13:48,920
Speaker 4: a Christmas song that you hate?

355
00:13:49,880 --> 00:13:50,760
Speaker 3: I do?

356
00:13:50,520 --> 00:13:51,400
Speaker 4: What is it?

357
00:13:51,480 --> 00:13:54,320
Speaker 3: No?

358
00:13:55,720 --> 00:13:57,679
Speaker 2: What's yours? What's yours, So one I hate.

359
00:13:58,200 --> 00:13:58,800
Speaker 3: I don't like that.

360
00:13:58,920 --> 00:14:02,040
Speaker 4: Do they know it's Chris?

361
00:14:02,320 --> 00:14:04,360
Speaker 3: I think those ones that they just play over and

362
00:14:04,400 --> 00:14:06,040
Speaker 3: over and over again. But I don't know, because we

363
00:14:06,080 --> 00:14:07,680
Speaker 3: do listen to songs over and over and over again.

364
00:14:07,960 --> 00:14:09,600
Speaker 2: If one of us mentioned the one you hate, you

365
00:14:09,600 --> 00:14:11,640
Speaker 2: have to say, Okay, that's mine. Mine? Is that one

366
00:14:11,640 --> 00:14:15,960
Speaker 2: from the Beach Boys? The Man with all the Toys?

367
00:14:17,440 --> 00:14:23,840
Speaker 2: That's a different one. Oh, Christmas Shoes, Christmas Shoes. It's

368
00:14:23,880 --> 00:14:27,560
Speaker 2: a song about a kid that's in Do we have time?

369
00:14:27,560 --> 00:14:29,560
Speaker 2: I don't know how we're doing on time. This kid

370
00:14:29,600 --> 00:14:32,400
Speaker 2: goes to the store he has to buy a pair of

371
00:14:32,400 --> 00:14:35,280
Speaker 2: shoes for his mom, who's okay, it's a contrived story,

372
00:14:35,280 --> 00:14:37,480
Speaker 2: which is what makes me had. His mom's at home

373
00:14:37,520 --> 00:14:40,160
Speaker 2: in bed, and she's she doesn't have long so he

374
00:14:40,240 --> 00:14:42,480
Speaker 2: shows up at a store to buy her Christmas shoes,

375
00:14:42,960 --> 00:14:45,000
Speaker 2: but he can't afford it. So the guy in line

376
00:14:45,200 --> 00:14:47,040
Speaker 2: asked him, why, what's wrong? You don't have money for

377
00:14:47,040 --> 00:14:49,720
Speaker 2: the shoes. Mom's at home dying. I need money for

378
00:14:49,760 --> 00:14:55,040
Speaker 2: these shoes. So I already hate it. Yeah, I'm just

379
00:14:55,040 --> 00:14:56,480
Speaker 2: gonna give you, like a minute of it, a second

380
00:14:56,480 --> 00:14:57,680
Speaker 2: of it, because we're gonna play your song.

381
00:14:57,720 --> 00:14:59,240
Speaker 3: Like sentimental but not super sad.

382
00:14:59,440 --> 00:15:01,640
Speaker 2: Yeah? Yeah, but did I hate the song because it's contrived?

383
00:15:01,680 --> 00:15:02,560
Speaker 2: It never happened.

384
00:15:02,640 --> 00:15:05,200
Speaker 1: I think there's a movie based on this song all.

385
00:15:05,160 --> 00:15:07,480
Speaker 2: The Hallmark channel probably, Oh here it comes.

386
00:15:09,000 --> 00:15:10,280
Speaker 3: Yeah, I'm in this.

387
00:15:10,920 --> 00:15:20,360
Speaker 2: Christmas jee Okay, so good? Okay, So he has the Okay, look,

388
00:15:20,400 --> 00:15:22,720
Speaker 2: it's a sad story. If it's true. I don't think

389
00:15:22,760 --> 00:15:25,280
Speaker 2: it's true. He checks off all the boxes.

390
00:15:25,520 --> 00:15:29,000
Speaker 3: Mom's s's my new favorite song? I hate?

391
00:15:31,520 --> 00:15:32,880
Speaker 2: Okay, what's yours?

392
00:15:34,200 --> 00:15:34,600
Speaker 1: Probably?

393
00:15:36,320 --> 00:15:39,080
Speaker 2: Okay? So uh, in nine years when you do another

394
00:15:39,160 --> 00:15:40,160
Speaker 2: Christmas album, don't do.

395
00:15:40,120 --> 00:15:43,480
Speaker 3: That one, do you. I think it's saved. I was

396
00:15:43,560 --> 00:15:44,680
Speaker 3: gonna say Christmas Shoes, but.

397
00:15:44,680 --> 00:15:47,560
Speaker 4: Now she actually hates it.

398
00:15:48,440 --> 00:15:49,520
Speaker 2: What's the Christmas on I do?

399
00:15:49,600 --> 00:15:51,120
Speaker 3: I mean, I know we're going to talk about Christmas

400
00:15:51,160 --> 00:15:53,280
Speaker 3: time is here. That was probably the one song, the

401
00:15:53,280 --> 00:15:54,840
Speaker 3: first song on the list, that I knew I was

402
00:15:54,840 --> 00:15:58,200
Speaker 3: going to record for this record. I love Charlie Brown Christmas.

403
00:15:58,200 --> 00:15:59,800
Speaker 3: It's one of my favorite things in the world. And

404
00:15:59,880 --> 00:16:02,600
Speaker 3: I walk down the alt to that song. It's a

405
00:16:02,640 --> 00:16:07,880
Speaker 3: special hold on. I can't wait Christmas.

406
00:16:08,760 --> 00:16:15,240
Speaker 2: You have to go off key sent Yes, you have

407
00:16:15,360 --> 00:16:19,440
Speaker 2: to try. I just love this song, but I like,

408
00:16:19,680 --> 00:16:21,000
Speaker 2: I like to sing it and ruin it.

409
00:16:22,360 --> 00:16:24,720
Speaker 3: So do you have a Christmas song?

410
00:16:26,880 --> 00:16:27,760
Speaker 2: Do you have a Christmas song?

411
00:16:27,800 --> 00:16:29,640
Speaker 3: I want a Christmas album yet, you should make a

412
00:16:29,680 --> 00:16:31,520
Speaker 3: Christmas but.

413
00:16:31,520 --> 00:16:33,360
Speaker 2: Every year we always play that and sing it. It's

414
00:16:33,400 --> 00:16:36,000
Speaker 2: like a yearly thing here. But your version, your version

415
00:16:36,080 --> 00:16:39,880
Speaker 2: is going to win this this concast without doubt. Okay,

416
00:16:39,880 --> 00:16:42,800
Speaker 2: Trica Yearwood. The album is Christmas Time. You needn't tell

417
00:16:42,840 --> 00:16:44,360
Speaker 2: us what your favorite Christmas song?

418
00:16:45,040 --> 00:16:47,960
Speaker 3: I don't know if I have one. I mean that's

419
00:16:48,000 --> 00:16:54,040
Speaker 3: a tough one. Do you have a favorite off this album?

420
00:16:54,040 --> 00:16:54,240
Speaker 2: No?

421
00:16:54,840 --> 00:16:56,800
Speaker 3: I mean I really don't. I mean every song has

422
00:16:56,800 --> 00:16:59,520
Speaker 3: a purpose. My Favorite Things from Sounding Music was a

423
00:16:59,520 --> 00:17:01,520
Speaker 3: song that I I always wanted to record too. There's

424
00:17:01,960 --> 00:17:04,520
Speaker 3: this song. This album has a list of like here's

425
00:17:04,520 --> 00:17:05,960
Speaker 3: the four or five that I've been holding on to

426
00:17:06,119 --> 00:17:08,200
Speaker 3: for thirty years I would love to record, and then

427
00:17:08,320 --> 00:17:10,400
Speaker 3: kind of just figuring out how the rest would would fit.

428
00:17:10,440 --> 00:17:13,240
Speaker 2: Do you remember all the favorite things? Do you remember

429
00:17:13,440 --> 00:17:13,840
Speaker 2: this song?

430
00:17:14,000 --> 00:17:14,240
Speaker 1: Yeah?

431
00:17:14,680 --> 00:17:16,000
Speaker 2: You can remember all the favorite things?

432
00:17:16,040 --> 00:17:19,919
Speaker 3: I think so, rain drops on roses, kittens, right copper kettles,

433
00:17:19,920 --> 00:17:23,880
Speaker 3: and warm woolen mittens, brown paper package saw it was strings.

434
00:17:23,920 --> 00:17:25,640
Speaker 2: These are a few of my favorite. When the dog

435
00:17:25,680 --> 00:17:28,760
Speaker 2: bites from the beastings and in a feeling, how about dough.

436
00:17:28,840 --> 00:17:31,480
Speaker 3: Raymi, Yeah, I don't know all those do a deer

437
00:17:31,520 --> 00:17:35,679
Speaker 3: a female.

438
00:17:35,119 --> 00:17:38,840
Speaker 2: Along long water, so thread and then the next one

439
00:17:38,960 --> 00:17:42,119
Speaker 2: just really sucks.

440
00:17:40,840 --> 00:17:47,560
Speaker 3: Law because you know, drink bad? Does that bring us

441
00:17:47,600 --> 00:17:48,160
Speaker 3: back to do?

442
00:17:50,240 --> 00:17:53,520
Speaker 2: I love that? You just love music what I did?

443
00:17:53,600 --> 00:17:54,359
Speaker 3: Don't you do too?

444
00:17:54,400 --> 00:17:57,000
Speaker 2: I can door music, yeah, I can tell absolutely. And

445
00:17:57,040 --> 00:17:58,560
Speaker 2: you here we are in New York City. We've got

446
00:17:58,600 --> 00:18:01,720
Speaker 2: Broadway going on. Danielle goes with three Broadway shows a week.

447
00:18:01,800 --> 00:18:02,760
Speaker 1: I do. It's my favorite thing.

448
00:18:03,000 --> 00:18:04,439
Speaker 3: I mean, it's one of my favorite things to do too.

449
00:18:04,600 --> 00:18:06,479
Speaker 3: I'm going to I'm going to some shows while I'm here.

450
00:18:06,880 --> 00:18:07,360
Speaker 1: What do you think.

451
00:18:07,640 --> 00:18:11,199
Speaker 3: I'm seeing Hamilton for the fourth time. And I'm going

452
00:18:11,280 --> 00:18:14,480
Speaker 3: to go see my friend Christian Channel with in her Yeah. Yeah,

453
00:18:14,480 --> 00:18:16,159
Speaker 3: I just saw that. Yeah, she's amazing.

454
00:18:16,200 --> 00:18:17,239
Speaker 2: She's a friend as well.

455
00:18:17,280 --> 00:18:19,199
Speaker 3: Yeah, I'm going to see her. So I'm excited, all right.

456
00:18:19,200 --> 00:18:22,400
Speaker 2: Tricia Yearwood, first of all, we support you at triciayearwood

457
00:18:22,400 --> 00:18:22,959
Speaker 2: dot com.

458
00:18:24,240 --> 00:18:26,240
Speaker 3: It's so glad we it was such a clever name.

459
00:18:26,280 --> 00:18:29,359
Speaker 2: There's still then, you know, there's something like you on

460
00:18:29,400 --> 00:18:31,040
Speaker 2: there that you had no existed.

461
00:18:31,119 --> 00:18:34,040
Speaker 3: I should check the website and see what I'm doing.

462
00:18:34,400 --> 00:18:36,280
Speaker 1: And you can buy it on vinyl. And I must

463
00:18:36,320 --> 00:18:37,600
Speaker 1: say green is your color.

464
00:18:37,680 --> 00:18:38,520
Speaker 3: Thank you very much.

465
00:18:38,600 --> 00:18:42,359
Speaker 2: Look at that. Yeah, that was fun, so beautiful. And

466
00:18:42,400 --> 00:18:43,680
Speaker 2: when you're in New York you have to go see

467
00:18:43,680 --> 00:18:45,720
Speaker 2: the Radio City Christmas Spectacular. I don't know if you've

468
00:18:45,720 --> 00:18:46,120
Speaker 2: ever been.

469
00:18:46,320 --> 00:18:51,320
Speaker 3: I have not been. Neither gas all around.

470
00:18:51,119 --> 00:18:53,720
Speaker 2: The interview over you would love it. It really is

471
00:18:53,720 --> 00:18:56,080
Speaker 2: a Christmas tradition here in New York City. And when

472
00:18:56,080 --> 00:18:59,000
Speaker 2: they do the Nativity scene and the camels walk out

473
00:18:59,040 --> 00:19:03,000
Speaker 2: on the stage really Oh no, yeah, it's it's.

474
00:19:03,119 --> 00:19:05,800
Speaker 3: When they do that, and they do it every day.

475
00:19:06,000 --> 00:19:08,000
Speaker 2: Yeah, there's like two or three performances per day.

476
00:19:08,040 --> 00:19:10,000
Speaker 1: And I think that's the last thing. The Nativity scene,

477
00:19:10,000 --> 00:19:10,880
Speaker 1: I think is the last thing.

478
00:19:11,200 --> 00:19:14,800
Speaker 2: It's insanely New York, insanely great and very traditional.

479
00:19:15,080 --> 00:19:17,199
Speaker 3: That's that's kind of great. How many camels just the

480
00:19:17,240 --> 00:19:19,320
Speaker 3: one camel, just one camel.

481
00:19:19,359 --> 00:19:20,640
Speaker 1: It smells like a lot more.

482
00:19:22,800 --> 00:19:23,640
Speaker 2: Backstage camels.

483
00:19:23,680 --> 00:19:25,120
Speaker 3: Like all right, the next show is enough.

484
00:19:28,560 --> 00:19:31,320
Speaker 2: The album of course, Christmas time and it's out to

485
00:19:31,560 --> 00:19:32,800
Speaker 2: day and I want you to get it if you

486
00:19:32,840 --> 00:19:34,639
Speaker 2: can get on vinal Wow. I'm gonna throw down on

487
00:19:34,640 --> 00:19:37,639
Speaker 2: the turntable tonight. I'm going to play the real version

488
00:19:38,160 --> 00:19:40,879
Speaker 2: from Trisha Yearwood of Christmas Time this year. Thank you

489
00:19:40,880 --> 00:19:42,080
Speaker 2: for coming in so much.

490
00:19:42,080 --> 00:19:43,000
Speaker 3: I've had such a good time.

491
00:19:43,560 --> 00:19:45,199
Speaker 2: I bet you this weekend I'm going to have some

492
00:19:45,480 --> 00:19:47,360
Speaker 2: chili corn bread cast role.

493
00:19:47,359 --> 00:19:47,920
Speaker 3: I bet you are.

494
00:19:48,000 --> 00:19:48,320
Speaker 2: I will