WEBVTT - Secrets, Scandals and Sex (E1 S1 “PILOT”)

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<v Speaker 1>Hi, I'm Terry Hatcher, I'm Andrea Bowen, and I'm Emerson Tenny,

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<v Speaker 1>and this is desperately devoted a rewatch podcast about the

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<v Speaker 1>iconic television series Desperate Housewives. Whether you're watching the show

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<v Speaker 1>for the hundredth time or the first time like me,

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<v Speaker 1>Welcome to the neighborhood.

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<v Speaker 2>Oh, we're so glad that you're here, and we of

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<v Speaker 2>course are going to be watching all eight seasons and

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<v Speaker 2>getting into all the behind the scenes with all the

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<v Speaker 2>entertaining classic iconic moments, but we're also using it as

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<v Speaker 2>a springboard to talk about things like relationships and.

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<v Speaker 3>Being a woman and motherhood.

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<v Speaker 1>And all of the cultural references from Y two K

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<v Speaker 1>up until today.

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<v Speaker 4>So we're glad you're here, and today.

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<v Speaker 1>We're talking about the pilot.

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<v Speaker 3>Oh my god.

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<v Speaker 4>My gosh.

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<v Speaker 3>I can't start at the very beginning.

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<v Speaker 2>This is a very exciting episode. It starts with a bang,

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<v Speaker 2>a bang, start with you got it? It starts with

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<v Speaker 2>the bang.

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<v Speaker 3>We really like to start with discussing each of our

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<v Speaker 3>favorite moments from the episode. So I would love to

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<v Speaker 3>hear your favorite moment.

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<v Speaker 2>Oh, well, I have to say I I felt what

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<v Speaker 2>stood out to me in this episode crazy enough was

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<v Speaker 2>the neighborhood itself. I just think with steria, Lane is

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<v Speaker 2>an absolute star. Totally yeah, yeah, the neighborhood. Yeah, I

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<v Speaker 2>hear you, and I can't wait to talk more about her.

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<v Speaker 3>I would say my top moment is the cut to

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<v Speaker 3>missus Huber licking off what appears to be blood off

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<v Speaker 3>of her finger off of her kitchen counter, but it's

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<v Speaker 3>actually ketchup.

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<v Speaker 1>It's such a perfect blend of the dramatic moment into

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<v Speaker 1>the comedy. And I think my favorite moment, well, there

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<v Speaker 1>are so many, but I think my favorite moment from

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<v Speaker 1>this episode has to be Lynette going into the pool

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<v Speaker 1>at Mary Alice's house during the wake to pull her

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<v Speaker 1>children out of the pool. I think it perfectly marries

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<v Speaker 1>this heightened world that we live in throughout Desperate Housewives

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<v Speaker 1>with the real, honest, emotional depth of the desperation that

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<v Speaker 1>women experience and people experience in their lives all the time.

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<v Speaker 4>Perfectly said yes, so here we go.

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<v Speaker 1>I can't wait.

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<v Speaker 4>Go oh my god, why, I can't believe it.

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<v Speaker 2>I can't believe it either. I'm so excited. Okay, so

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<v Speaker 2>I'm so excited.

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<v Speaker 4>Well, we should tell everybody why we're here and what we're doing. Yeah,

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<v Speaker 4>I mean, well.

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<v Speaker 1>We're here because we're going to talk about rewatching Desperate Housewives.

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<v Speaker 2>We are And the name of our podcast, which we

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<v Speaker 2>love so much, is desperately Devoted.

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<v Speaker 4>And I really feel like.

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<v Speaker 2>We named it that because we intend to be desperately

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<v Speaker 2>devoted to you are listeners, and in all ways in

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<v Speaker 2>terms of rewatching Desperate Housewives, but also in terms of

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<v Speaker 2>our relationship and what you want to hear us talk

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<v Speaker 2>about and what we want to share.

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<v Speaker 4>With you that we hope is inspiring.

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<v Speaker 2>And I love the idea of being desperately devoted to something.

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<v Speaker 1>I mean, I'm so excited. As soon as we said

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<v Speaker 1>the name, I said, oh, okay, we've got it, like

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<v Speaker 1>we're ready, We're ready for the podcast. Yeah now.

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<v Speaker 2>And I just can't believe that I am here with

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<v Speaker 2>my two daughters, one who actually came out of my

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<v Speaker 2>body and one who.

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<v Speaker 4>I met when she was thirteen years old.

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<v Speaker 2>Yeah, I know back in two thousand and four, yeap

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<v Speaker 2>well set of Desperate housews on with Silani Lane and

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<v Speaker 2>been friends ever since.

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<v Speaker 3>I know.

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<v Speaker 4>And I was just at your wedding yes year.

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<v Speaker 1>I so special.

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<v Speaker 2>This podcast has to happen just so that I can,

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<v Speaker 2>you know, see you guys, because that's I feel.

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<v Speaker 1>Well, that's that's what I say. I was as soon

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<v Speaker 1>as we talked about doing this, I said, I don't

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<v Speaker 1>need an excuse to hang out with my mom and

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<v Speaker 1>the closest thing I have to a sister. I'm an

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<v Speaker 1>only child. And Andrea, I mean we met when I

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<v Speaker 1>was seven, when you were thirteen, and it's a.

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<v Speaker 3>Lot of life. We lived a lot of life.

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<v Speaker 4>A lot of life at three generations of women.

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<v Speaker 3>I know that thing.

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<v Speaker 4>Wow.

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<v Speaker 2>Okay, so we watched the pilot. Everybody watched the pilot

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<v Speaker 2>when we did not watch it together.

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<v Speaker 4>I think people would be curious about that.

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<v Speaker 2>We all have our individual lives and busy lives. And

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<v Speaker 2>so how did you watch it?

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<v Speaker 4>Emerson?

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<v Speaker 1>Yeah, so I actually watched the pilot on the plane

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<v Speaker 1>to Seattle. I was up on an island off the

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<v Speaker 1>coast of Seattle over the week, and I had seen

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<v Speaker 1>the pilot before. But as some people may or may

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<v Speaker 1>not know, I know, you guys know this. I this

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<v Speaker 1>is my first time watching Desperate Housewives all the way through.

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<v Speaker 1>I've seen select episodes, obviously the pilot being one of them.

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<v Speaker 1>But it is really going to be new for me.

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<v Speaker 2>So I'm badly so exciting because I think right now,

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<v Speaker 2>I travel a lot, and I am meeting a lot

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<v Speaker 2>of people that are coming to Desperate Housewives for the

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<v Speaker 2>very first time. I see them on my Instagram, They'll

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<v Speaker 2>say I just finished watching it or I'm just starting

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<v Speaker 2>to watch it, which is sort of unbelievable because it's

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<v Speaker 2>twenty years old.

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<v Speaker 4>But a lot of people are having that experience.

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<v Speaker 1>So you're I'm one of those people. I'm also having

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<v Speaker 1>that experience.

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<v Speaker 4>You know.

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<v Speaker 1>It's interesting during COVID, a lot of friends who had

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<v Speaker 1>gone to college with who you know, Despert Housewives wasn't

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<v Speaker 1>on the air then, and this was now in twenty twenty,

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<v Speaker 1>you know, right as we had graduated from college, and

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<v Speaker 1>I had all these friends from school calling me, going, wait,

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<v Speaker 1>is your mom Terry Hatcher like Susan Meyer's Terry Hatcher,

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<v Speaker 1>like the Terry Hatcher from Desperate Housewives? And I said, yes,

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<v Speaker 1>yes she is. And now I'm getting to experience that

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<v Speaker 1>version of you all over again. Obviously I've seen things

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<v Speaker 1>behind the camera on set.

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<v Speaker 3>I really just said, I can't wait to hear Emerson's

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<v Speaker 3>take on everything. I have so many questions I.

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<v Speaker 2>Want to hear, I questions for everything, not just the show,

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<v Speaker 2>just for everything.

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<v Speaker 4>You know.

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<v Speaker 2>She keeps me young and sort of moderately relevant into

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<v Speaker 2>what's happening. You just said something, and I think this

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<v Speaker 2>is maybe a first interesting fact, and I probably jumping.

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<v Speaker 2>I had a tiny, tiny bit, but you just said

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<v Speaker 2>Susan Meyer.

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<v Speaker 4>I know.

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<v Speaker 1>As soon as I said it, I said, oh.

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<v Speaker 4>Sh no, no, not right, No, it is the same thing.

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<v Speaker 3>I caught the same down immediately.

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<v Speaker 2>So this has been I mean this way through the

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<v Speaker 2>whole show and even now, and even now people talking

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<v Speaker 2>about it and whatever that in the pilot it went

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<v Speaker 2>and and for every episode after that, some people would

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<v Speaker 2>say Mayor and some people would say Meyer. And I

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<v Speaker 2>used to tell people it's like the hot dog. My

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<v Speaker 2>Bologney has the first name, it's O.

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<v Speaker 4>S A. I belove he has the second name. I

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<v Speaker 4>love to read it every day.

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<v Speaker 2>And if you ask me why, I'll say, because Oscar Meyer,

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<v Speaker 2>not Mayor. Oscar Meyer has away with that hot dog.

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<v Speaker 1>Well I'm never forgetting that now, right, I know.

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<v Speaker 3>Do you remember that Mark Cherry when we had our

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<v Speaker 3>little one on one with him when we shot the

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<v Speaker 3>pilot before we shot the pilot. He uh, we asked,

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<v Speaker 3>you asked, I'm sure, like, how do you pronounce you know,

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<v Speaker 3>our last name? Is it Mayor or Meyer? And he

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<v Speaker 3>left it up to us and you and I chose Meyer.

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<v Speaker 4>Is that what happened?

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<v Speaker 2>And nobody listened to anything we said, but that's you're right.

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<v Speaker 2>So anyways, it was within the one episode because I

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<v Speaker 2>feel like her last name was said twice. It was

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<v Speaker 2>it was the voiceover, it was Mary Alice, it was

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<v Speaker 2>Brenda who when I'm walking out of the house that

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<v Speaker 2>introduction where I'm going.

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<v Speaker 4>To the wake or the.

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<v Speaker 2>Memorial memorials where everyone brings food and we'll get to that,

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<v Speaker 2>and she says, Susan Mayer, was this was.

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<v Speaker 3>That last time her name's ever said? Yeah?

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<v Speaker 4>Yea yeah.

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<v Speaker 2>But then later I think in the episode I say

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<v Speaker 2>that it's Meyer.

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<v Speaker 3>When you introduced yourself to Mike, I think, I.

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<v Speaker 2>Think, yeah, yeah. Anyways, but you would think that that

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<v Speaker 2>would be so okay?

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<v Speaker 1>That was that Personally, I'm kind of happy that I

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<v Speaker 1>got it right now. I something up. But so you

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<v Speaker 1>were on a plane.

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<v Speaker 4>Where were you?

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<v Speaker 3>I was on my couch. I was sitting on my

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<v Speaker 3>couch and I was tucked in and I made myself

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<v Speaker 3>snacks and I was like in the in the zone,

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<v Speaker 3>and I cried immediately. I was gonna, did you cry?

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<v Speaker 4>What nostalgia?

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<v Speaker 3>I think nostalgia, pride, pregnancy hormones.

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<v Speaker 4>I think for a lot of real.

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<v Speaker 2>We should say that Andrea is pregnant with the congratulations with.

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<v Speaker 3>My first baby with me and my Yeah, my husband

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<v Speaker 3>and I are expecting a little girl.

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<v Speaker 1>So we really are for generations, Yes we are.

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<v Speaker 2>Yeah, a baby's going to have a lot to say,

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<v Speaker 2>a lot to say, a lot of opinions, but it's right, right.

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<v Speaker 2>So you were on your couch with your snacks, yes,

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<v Speaker 2>and yeah, what was what was your impression?

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<v Speaker 3>Oh my gosh. So I was immediately struck by a

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<v Speaker 3>few things. I would say that first, I had I

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<v Speaker 3>haven't seen the pilot since I think original I mean,

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<v Speaker 3>this was my second time seeing it MAYBEOWK. Yeah, I

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<v Speaker 3>don't think i've seen it since certainly not anytime recently.

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<v Speaker 3>And I, like everybody, was so amazed by how much

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<v Speaker 3>the show had an identity from like the open. I

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<v Speaker 3>don't think that's common in pilots. I mean it had

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<v Speaker 3>this actual glow to it, which I didn't remember the

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<v Speaker 3>way it was shot, the way it was lit. Yeah,

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<v Speaker 3>that they created this world that you just wanted to

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<v Speaker 3>like eat up right away.

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<v Speaker 4>It was. It was amazing.

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<v Speaker 2>So it aired October third, two thousand and four. Yes,

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<v Speaker 2>and I actually I've said this before, but you know,

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<v Speaker 2>not recently. I really feel like, you know, people wondered

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<v Speaker 2>why did this show become sort of the iconic thing

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<v Speaker 2>that it did, and you you know, they people would

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<v Speaker 2>ask did you know it was going to be a

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<v Speaker 2>big hit or whatever? And you know, I think all

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<v Speaker 2>you can ever know is that the pilot script was great.

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<v Speaker 2>I mean, I think I got sent the pilot script.

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<v Speaker 2>I have this memory of being by a pool somewhere.

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<v Speaker 4>Like either at some resort hotel.

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<v Speaker 2>In Arizona or maybe two bunch pollongs, I don't know,

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<v Speaker 2>and I remember my manager sending it to me and

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<v Speaker 2>almost to kind of being like, we're going to try

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<v Speaker 2>to get you an audition, Like it wasn't even like

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<v Speaker 2>I necessarily would be able to get the audition.

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<v Speaker 4>Let alone, you know, do the thing.

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<v Speaker 2>And I have that feeling of reading it and just

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<v Speaker 2>being like, well, this is one of the best pilots

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<v Speaker 2>I've ever read, and also thinking which character would I

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<v Speaker 2>be and kind of relating to Lynette because I felt

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<v Speaker 2>very like Harry. You know, I was a single mom,

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<v Speaker 2>but for some reason that I also felt like I

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<v Speaker 2>was also the breadwinner, which kind of felt Lynnette. The

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<v Speaker 2>only characters I really didn't feel like were Bree, Gabby,

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<v Speaker 2>and Eatie.

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<v Speaker 4>But I think Susan there.

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<v Speaker 3>Would have been problems had been cast as Gabby.

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<v Speaker 4>I think Susan and Lynette both spoke to me. Anyways.

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<v Speaker 2>You know, in this time, housewife, the idea of the

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<v Speaker 2>word housewife had really died off in the seventies, like

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<v Speaker 2>with the whole liberal burning of the raw, like that

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<v Speaker 2>era of women. You know, the housewife of the fifties

0:11:04.800 --> 0:11:08.560
<v Speaker 2>who was perfection and virtuous and you know had the

0:11:08.640 --> 0:11:13.440
<v Speaker 2>mid you know, very much the pre kind of iconic character.

0:11:13.760 --> 0:11:17.040
<v Speaker 2>But that was sort of gone and nobody was really

0:11:17.160 --> 0:11:20.839
<v Speaker 2>using the word housewife. And so Mark Cherry, I mean,

0:11:21.200 --> 0:11:25.800
<v Speaker 2>single handedly, you know, brought that word, that phrase the

0:11:25.840 --> 0:11:30.400
<v Speaker 2>housewife and the housewives like back into the culture with

0:11:31.000 --> 0:11:33.840
<v Speaker 2>no and and and you know responsible then.

0:11:33.920 --> 0:11:36.640
<v Speaker 4>The real housewives absolutely.

0:11:36.280 --> 0:11:39.199
<v Speaker 2>So I mean it was major, and it was major

0:11:39.520 --> 0:11:42.600
<v Speaker 2>because it was so good. And I had the same

0:11:42.640 --> 0:11:46.000
<v Speaker 2>impression you had, which is I can't believe I was

0:11:46.000 --> 0:11:46.640
<v Speaker 2>in this show.

0:11:46.880 --> 0:11:52.440
<v Speaker 4>Like, it just was so good. It was so well shot.

0:11:52.559 --> 0:11:56.720
<v Speaker 2>Every single line Brenda Strong with her her voiceover is

0:11:56.880 --> 0:11:58.200
<v Speaker 2>just god, yeah, flawless.

0:11:58.240 --> 0:12:00.360
<v Speaker 4>Okay, I've talked for a long time. Somebody else, go no.

0:12:00.520 --> 0:12:03.640
<v Speaker 3>I want to know your takeaways from yeah, right, about

0:12:03.679 --> 0:12:07.880
<v Speaker 3>like what you felt watching it, you know, like as

0:12:08.200 --> 0:12:11.280
<v Speaker 3>just someone who because you know it's different obviously we

0:12:11.320 --> 0:12:15.800
<v Speaker 3>all have different memories attachment to it, but also because

0:12:15.800 --> 0:12:18.400
<v Speaker 3>Emerson's such a talented writer, I want to know what

0:12:18.440 --> 0:12:20.520
<v Speaker 3>you thought of it, just from your own standpoint.

0:12:20.640 --> 0:12:23.120
<v Speaker 1>Oh, thank you, Andrea, you know I so I was

0:12:23.200 --> 0:12:26.079
<v Speaker 1>really excited obviously, not just because we're doing this together

0:12:26.080 --> 0:12:28.000
<v Speaker 1>and I love you both, but to watch this show

0:12:28.240 --> 0:12:32.880
<v Speaker 1>as a screenwriter, the interweaving of these different women's narratives

0:12:33.160 --> 0:12:36.280
<v Speaker 1>in exactly what you described from that very establishing shot

0:12:36.320 --> 0:12:39.760
<v Speaker 1>where we see this kind of ethereal glowing with Steria Lane,

0:12:39.840 --> 0:12:42.920
<v Speaker 1>which obviously becomes so iconic, and you still see it

0:12:42.960 --> 0:12:46.079
<v Speaker 1>even in the season of Hacks referenced on the Universal

0:12:46.080 --> 0:12:46.880
<v Speaker 1>Tour I.

0:12:46.920 --> 0:12:50.079
<v Speaker 3>John Oliver referenced it as well. Oh oh, it was

0:12:50.120 --> 0:12:53.679
<v Speaker 3>a whole thing about Chuck Schumer and it's too long

0:12:53.720 --> 0:12:57.080
<v Speaker 3>to explain, but he basically referenced to shows. You referenced

0:12:57.080 --> 0:12:58.920
<v Speaker 3>Sex and the City, Any referenced to Desperate Housewives.

0:12:58.960 --> 0:12:59.200
<v Speaker 4>Wow.

0:12:59.400 --> 0:13:04.120
<v Speaker 1>Interesting, I mean, so I think you get this incredible.

0:13:04.400 --> 0:13:08.160
<v Speaker 1>You know, it's never named where Westaria Lane is, and

0:13:08.400 --> 0:13:10.520
<v Speaker 1>it does feel yes, it aired, you know, in two

0:13:10.520 --> 0:13:12.920
<v Speaker 1>thousand and four in October, but it feels like this

0:13:13.080 --> 0:13:16.120
<v Speaker 1>any town kind of America. We all know a version

0:13:16.160 --> 0:13:19.040
<v Speaker 1>of this cul de sac, this suburban block. And I

0:13:19.120 --> 0:13:22.120
<v Speaker 1>think what Mark Cherry has done so well in establishing

0:13:22.200 --> 0:13:24.960
<v Speaker 1>the different housewives is exactly what you said, Mom. He's

0:13:24.960 --> 0:13:29.840
<v Speaker 1>captured these different personalities that I think, you know, most

0:13:29.880 --> 0:13:34.800
<v Speaker 1>women can see a version of themselves. And you know,

0:13:34.880 --> 0:13:39.440
<v Speaker 1>you really feel for Susan's desperation and love for her daughter,

0:13:39.520 --> 0:13:42.360
<v Speaker 1>but also kind of haplessness and the fact that she's

0:13:42.400 --> 0:13:45.160
<v Speaker 1>been abandoned, you know, she's been left by her previous husband.

0:13:45.440 --> 0:13:48.560
<v Speaker 1>Then you also feel the empowered Lynette, who's a business

0:13:48.600 --> 0:13:51.560
<v Speaker 1>woman but who's also given that up to try to

0:13:52.480 --> 0:13:55.880
<v Speaker 1>experience motherhood, which I know so many women obviously do.

0:13:56.000 --> 0:13:59.079
<v Speaker 1>And then agree, who is the you know, epitome of

0:14:00.200 --> 0:14:03.640
<v Speaker 1>everything up to be a quote unquote perfect mom. You

0:14:03.640 --> 0:14:05.520
<v Speaker 1>know that idea of the word trad wife.

0:14:05.600 --> 0:14:08.439
<v Speaker 2>I think I thought of blame that to me, that's

0:14:09.320 --> 0:14:10.360
<v Speaker 2>is that a TikTok thing?

0:14:11.280 --> 0:14:13.480
<v Speaker 1>Yeah, yeah, it's on. I mean it's on. I'm not

0:14:13.520 --> 0:14:15.840
<v Speaker 1>on TikTok. Sokay for me to speak on what's on

0:14:15.880 --> 0:14:21.840
<v Speaker 1>TikTok is funny, but a youth y thank you you

0:14:21.920 --> 0:14:26.200
<v Speaker 1>are seven year old youth. No, I feel like, you know,

0:14:26.240 --> 0:14:29.880
<v Speaker 1>it's this idea of a traditional that's what a trad wife.

0:14:31.080 --> 0:14:33.600
<v Speaker 3>But it's like to the end degree, you.

0:14:33.600 --> 0:14:35.160
<v Speaker 1>Know, to I don't want to let my child have

0:14:35.280 --> 0:14:37.480
<v Speaker 1>cereal out of the box, so I'm going to make

0:14:37.600 --> 0:14:41.120
<v Speaker 1>fruit loops from scratch from fruit that I grow on

0:14:41.160 --> 0:14:42.920
<v Speaker 1>a tree in my backyard.

0:14:43.200 --> 0:14:45.920
<v Speaker 3>And were looking Christine and perfect.

0:14:46.160 --> 0:14:49.680
<v Speaker 1>Because that's what a woman that is. You know, you would.

0:14:49.440 --> 0:14:51.880
<v Speaker 3>Have been a really perfect TikTok star.

0:14:52.720 --> 0:14:54.200
<v Speaker 1>I know, I don't know she would have been. And

0:14:54.240 --> 0:14:56.000
<v Speaker 1>I think it's interesting because I feel like this really

0:14:56.000 --> 0:14:59.520
<v Speaker 1>came up a lot during COVID, this idea of being

0:14:59.560 --> 0:15:02.480
<v Speaker 1>a I don't even want to necessarily just a housewife,

0:15:02.560 --> 0:15:06.680
<v Speaker 1>house man, housewoman, house non binary person. We were all

0:15:06.680 --> 0:15:09.480
<v Speaker 1>in our houses and we were kind of returning to

0:15:09.520 --> 0:15:11.880
<v Speaker 1>everyone was making sour dough everyone was trying to cook

0:15:11.920 --> 0:15:15.720
<v Speaker 1>at home, And in some ways I'm resentful of Bree

0:15:15.720 --> 0:15:19.320
<v Speaker 1>because I'm jealous. You know, I want to have time

0:15:19.520 --> 0:15:22.680
<v Speaker 1>to make everything from scratch and know how to sew

0:15:22.720 --> 0:15:24.840
<v Speaker 1>all the buttons back onto my clothes and not have

0:15:24.920 --> 0:15:28.080
<v Speaker 1>to take anything to the dry cleaner. And and then

0:15:28.120 --> 0:15:32.560
<v Speaker 1>it also, I, you know, have ambitions and desires that

0:15:33.080 --> 0:15:35.600
<v Speaker 1>just don't allow me the time or the wherewithal to

0:15:35.680 --> 0:15:36.360
<v Speaker 1>do something like that.

0:15:37.160 --> 0:15:39.800
<v Speaker 2>I think part of do you think, I mean, well,

0:15:39.840 --> 0:15:41.960
<v Speaker 2>first of all, do you guys feel like you are

0:15:42.120 --> 0:15:44.520
<v Speaker 2>any of the characters? I feel like one of the

0:15:44.560 --> 0:15:50.080
<v Speaker 2>reasons it resonated through generations of people is because we

0:15:50.120 --> 0:15:52.960
<v Speaker 2>can all see a little bit of our of each

0:15:52.960 --> 0:15:55.800
<v Speaker 2>of them in us, Like it's hard to say I'm

0:15:56.000 --> 0:16:01.040
<v Speaker 2>just this person. Yeah, but did you sort of gravitate

0:16:01.200 --> 0:16:02.680
<v Speaker 2>to words anybody?

0:16:02.800 --> 0:16:06.480
<v Speaker 3>That's so interesting? I think that I feel like I

0:16:06.600 --> 0:16:10.280
<v Speaker 3>will as I continue watching the show. I'm excited for that,

0:16:10.480 --> 0:16:14.280
<v Speaker 3>because you know, rewatching the pilot is so It's just

0:16:14.560 --> 0:16:18.280
<v Speaker 3>I was so instantly flooded with memories and being transported

0:16:18.320 --> 0:16:21.000
<v Speaker 3>back to like being in my thirteen year old, fourteen

0:16:21.080 --> 0:16:24.560
<v Speaker 3>year old body. You know that I don't know that.

0:16:24.720 --> 0:16:27.720
<v Speaker 3>I necessarily thought, Oh, I feel like I'm identifying with

0:16:27.760 --> 0:16:29.600
<v Speaker 3>so and so, you know, like obviously I feel connected

0:16:29.640 --> 0:16:33.000
<v Speaker 3>to Susan. Yeah, you know, so I'm excited to kind

0:16:33.000 --> 0:16:34.160
<v Speaker 3>of maybe this is a.

0:16:34.080 --> 0:16:36.840
<v Speaker 2>Good time to just talk about how can I swear

0:16:36.880 --> 0:16:37.680
<v Speaker 2>in this podcast?

0:16:37.760 --> 0:16:38.160
<v Speaker 1>Yeah?

0:16:38.200 --> 0:16:39.760
<v Speaker 4>How fucking great you were?

0:16:40.040 --> 0:16:45.080
<v Speaker 2>She was the third team, I mean when she got

0:16:45.200 --> 0:16:46.120
<v Speaker 2>oh okay.

0:16:46.160 --> 0:16:49.080
<v Speaker 4>First of all, I didn't get the first like laugh out.

0:16:49.120 --> 0:16:52.440
<v Speaker 2>So I watched it by myself, by the way, watched

0:16:52.800 --> 0:16:55.520
<v Speaker 2>in my living room where my big screen TV is.

0:16:55.560 --> 0:16:56.840
<v Speaker 2>So I watched it on the big screen.

0:16:56.880 --> 0:16:58.080
<v Speaker 3>Many animals did you have with you?

0:16:58.440 --> 0:16:58.640
<v Speaker 1>Uh?

0:16:58.960 --> 0:16:59.720
<v Speaker 4>You know? None?

0:17:00.000 --> 0:17:02.400
<v Speaker 2>They were all downstairs because you have to go upstairs,

0:17:02.400 --> 0:17:04.200
<v Speaker 2>and the dog is too old to go up the stairs,

0:17:04.200 --> 0:17:06.800
<v Speaker 2>so he stayed downstairs. And the cat is not that

0:17:06.920 --> 0:17:09.359
<v Speaker 2>friendly anyways. So I watch it alone, and I watched

0:17:09.359 --> 0:17:11.119
<v Speaker 2>it on the big screen in the living room, and

0:17:11.200 --> 0:17:15.320
<v Speaker 2>my first laugh out loud was you, and it was

0:17:15.560 --> 0:17:17.240
<v Speaker 2>it and it was the line.

0:17:18.680 --> 0:17:19.240
<v Speaker 4>And then they.

0:17:19.240 --> 0:17:25.800
<v Speaker 2>Laughed and then and they laughed, and I just laughed

0:17:25.800 --> 0:17:28.879
<v Speaker 2>out loud. Man, you were spunky. That scene where you

0:17:28.920 --> 0:17:30.720
<v Speaker 2>went over and it's just one line where you go

0:17:30.800 --> 0:17:35.320
<v Speaker 2>over to Mike's house, and you say that you kick

0:17:35.359 --> 0:17:36.240
<v Speaker 2>the soccer ball.

0:17:36.119 --> 0:17:39.000
<v Speaker 4>In the thing and you're.

0:17:38.680 --> 0:17:42.600
<v Speaker 2>Just so great, So like tell me, like, I remember

0:17:42.920 --> 0:17:46.440
<v Speaker 2>knowing this is my perception of working with you, and

0:17:46.800 --> 0:17:49.679
<v Speaker 2>immediately like in the pilot, where you know, we're just

0:17:49.720 --> 0:17:53.040
<v Speaker 2>getting to know each other in real time pretty much.

0:17:53.119 --> 0:17:55.160
<v Speaker 3>I mean, people might think that we had like chemistry

0:17:55.160 --> 0:17:56.440
<v Speaker 3>reads and things like that, which we didn't.

0:17:56.520 --> 0:17:57.440
<v Speaker 4>We yeah, we didn't.

0:17:57.480 --> 0:17:59.040
<v Speaker 1>They thought it worked out.

0:17:59.119 --> 0:18:02.480
<v Speaker 4>Yeah, And I remember.

0:18:03.640 --> 0:18:07.800
<v Speaker 2>Feeling like I really wanted to treat you, like I

0:18:07.840 --> 0:18:09.560
<v Speaker 2>want to say, like a real actress.

0:18:09.560 --> 0:18:10.600
<v Speaker 4>But it's not like an.

0:18:10.560 --> 0:18:13.439
<v Speaker 2>Adult actress, Like you would never go onto a set

0:18:13.520 --> 0:18:17.480
<v Speaker 2>with another adult and just assume that all the decisions

0:18:17.520 --> 0:18:19.719
<v Speaker 2>about the scene were going to be your way. You know,

0:18:19.960 --> 0:18:22.439
<v Speaker 2>it's a it's a I mean, it might be the

0:18:22.520 --> 0:18:25.199
<v Speaker 2>director's way, but it's it's a you know, it's a

0:18:25.200 --> 0:18:28.760
<v Speaker 2>collaboration of what people's ideas were. And I always wanted

0:18:28.800 --> 0:18:32.760
<v Speaker 2>to treat you that way, and you equally like brought

0:18:33.560 --> 0:18:37.080
<v Speaker 2>I thought, like brought such such a grounded sense of

0:18:37.160 --> 0:18:39.440
<v Speaker 2>confidence for somebody so young.

0:18:39.480 --> 0:18:40.800
<v Speaker 4>I mean she was thirteen.

0:18:41.400 --> 0:18:43.400
<v Speaker 1>Wait, I'm so curious, Andrew, because mom, I know.

0:18:43.480 --> 0:18:45.240
<v Speaker 3>I have so much to say in response I said,

0:18:45.280 --> 0:18:46.200
<v Speaker 3>but well.

0:18:45.880 --> 0:18:47.640
<v Speaker 1>You talked about how you got the script. You were

0:18:47.720 --> 0:18:51.159
<v Speaker 1>maybe by a pool, potentially in Arizona or Palm Springs, Andrew,

0:18:51.200 --> 0:18:52.280
<v Speaker 1>do you remember you.

0:18:52.160 --> 0:18:56.600
<v Speaker 3>Got No, I don't remember when I got the script.

0:18:56.640 --> 0:18:58.840
<v Speaker 3>I don't know if I got the script before. You know,

0:18:58.920 --> 0:19:01.840
<v Speaker 3>I just got my sides, you know, I do. I

0:19:01.880 --> 0:19:05.320
<v Speaker 3>do remember my first audition, which was a lovely experience,

0:19:05.359 --> 0:19:07.040
<v Speaker 3>and it was kind of unique in that it was

0:19:07.080 --> 0:19:10.679
<v Speaker 3>a rainy Saturday in LA which is weird that it rained,

0:19:10.720 --> 0:19:13.680
<v Speaker 3>and that it was a weekend audition. And I remember

0:19:13.800 --> 0:19:17.960
<v Speaker 3>what I wore, which was ugly, but it felt it

0:19:18.040 --> 0:19:20.639
<v Speaker 3>felt like somehow right for the character. Not that I

0:19:20.680 --> 0:19:22.400
<v Speaker 3>thought she should wear something ugly, but it just felt

0:19:22.440 --> 0:19:24.280
<v Speaker 3>like the right shirt. Anyway. Maybe it was like a

0:19:24.280 --> 0:19:26.680
<v Speaker 3>good luck audition shirt, but it was like a short

0:19:26.720 --> 0:19:31.520
<v Speaker 3>sleeved striped peach and like cream colored collared shirt. Anyway,

0:19:32.160 --> 0:19:34.240
<v Speaker 3>and I met with Scott Gangkincher, one of our lovely

0:19:34.280 --> 0:19:39.200
<v Speaker 3>casting directors, and and I think, if my ego isn't

0:19:39.200 --> 0:19:41.760
<v Speaker 3>serving my memory that he said that he gave me

0:19:41.800 --> 0:19:44.160
<v Speaker 3>a callback on the spot, and that he said, don't

0:19:44.240 --> 0:19:47.840
<v Speaker 3>change a thing. My callback, however, was a much scarier experience,

0:19:47.840 --> 0:19:49.919
<v Speaker 3>which we can you know, talk about another time. But

0:19:51.119 --> 0:19:59.240
<v Speaker 3>I why, okay, my scary, my scary callback that big

0:20:00.320 --> 0:20:02.280
<v Speaker 3>that was like a stage thing where you're down on

0:20:02.320 --> 0:20:02.840
<v Speaker 3>the thing and all.

0:20:02.800 --> 0:20:03.600
<v Speaker 4>The people from ABC.

0:20:03.880 --> 0:20:04.960
<v Speaker 3>That was my screen test.

0:20:05.040 --> 0:20:05.560
<v Speaker 4>Oh okay.

0:20:05.600 --> 0:20:07.760
<v Speaker 3>The callback was just I don't remember where it was,

0:20:07.800 --> 0:20:09.960
<v Speaker 3>but it was just a regular casting room. But Mark

0:20:10.200 --> 0:20:13.120
<v Speaker 3>Cherry and Charles McDougal, the director of a pilot, and

0:20:13.200 --> 0:20:16.760
<v Speaker 3>our producers, yeah, were sat behind a long table, you know,

0:20:16.840 --> 0:20:19.840
<v Speaker 3>all facing me. And I felt so confident going in

0:20:19.920 --> 0:20:22.600
<v Speaker 3>because I wore the same ugly shirt as.

0:20:23.080 --> 0:20:25.639
<v Speaker 1>I said, don't change. He said, I will not got it.

0:20:25.560 --> 0:20:28.320
<v Speaker 3>You know, And and I went in and I did

0:20:28.320 --> 0:20:30.280
<v Speaker 3>my read and we did it was like three scenes

0:20:30.320 --> 0:20:32.240
<v Speaker 3>probably the three scenes or four scenes from the pilot

0:20:32.320 --> 0:20:34.000
<v Speaker 3>or whatever. And I had a great time and I

0:20:34.040 --> 0:20:35.439
<v Speaker 3>was feeling the vibes and it was good. And then

0:20:35.440 --> 0:20:37.920
<v Speaker 3>Mark Cherry had my headshot and resume you know, in

0:20:37.960 --> 0:20:40.040
<v Speaker 3>front of him, and he talked, we have you know,

0:20:40.160 --> 0:20:42.399
<v Speaker 3>he loves theater and Broadway and so he mentioned like

0:20:42.520 --> 0:20:44.680
<v Speaker 3>I had done Broadway in New York and it all

0:20:44.680 --> 0:20:48.960
<v Speaker 3>felt really good. And then Charles, who's lovely by the way,

0:20:49.080 --> 0:20:51.120
<v Speaker 3>but he's you know, a British man. And he said

0:20:51.119 --> 0:20:54.879
<v Speaker 3>to me, did you coach with someone for your audition?

0:20:55.600 --> 0:20:55.679
<v Speaker 2>What?

0:20:56.119 --> 0:20:56.479
<v Speaker 1>Yes?

0:20:56.520 --> 0:21:00.800
<v Speaker 3>And I was like, uh no, oh I did. I didn't.

0:21:00.840 --> 0:21:02.560
<v Speaker 3>I didn't work with an acting coach. I just kind

0:21:02.560 --> 0:21:04.080
<v Speaker 3>of ran the lines with my mom and dad. You know,

0:21:05.640 --> 0:21:09.359
<v Speaker 3>he said, I'm thirteen, and I don't think yeah. He

0:21:09.400 --> 0:21:11.119
<v Speaker 3>gave He didn't really give me a reaction. He was

0:21:11.160 --> 0:21:13.040
<v Speaker 3>just like, Okay, that's good to know, thank you, you know.

0:21:13.359 --> 0:21:17.200
<v Speaker 3>And I by that because I couldn't interpret what it meant,

0:21:17.200 --> 0:21:20.520
<v Speaker 3>and I interpreted as meaning something bad, and so I left.

0:21:20.560 --> 0:21:22.320
<v Speaker 3>I had to go to ballet class. After that, I left.

0:21:22.359 --> 0:21:23.679
<v Speaker 3>I went to my ballet class and I was so

0:21:23.760 --> 0:21:25.679
<v Speaker 3>worked up, which is unusual for me, because I was like,

0:21:25.880 --> 0:21:28.320
<v Speaker 3>you know, a professional kid. I didn't. I was like,

0:21:28.400 --> 0:21:30.119
<v Speaker 3>let it roll off your back. And I went to

0:21:30.160 --> 0:21:32.240
<v Speaker 3>ballet class and I couldn't stop thinking about that, and

0:21:32.320 --> 0:21:33.920
<v Speaker 3>I left in the middle it, went to the bathroom

0:21:33.920 --> 0:21:34.760
<v Speaker 3>and cried.

0:21:34.720 --> 0:21:39.399
<v Speaker 2>Oh, I know, wow, Charles McDougall, if you hear this,

0:21:40.720 --> 0:21:44.840
<v Speaker 2>and you know he did, that was my I've never

0:21:44.880 --> 0:21:45.880
<v Speaker 2>heard of anything like that.

0:21:46.600 --> 0:21:50.040
<v Speaker 4>And I actually think, and maybe this is what you're

0:21:50.040 --> 0:21:50.480
<v Speaker 4>going to say.

0:21:50.520 --> 0:21:52.359
<v Speaker 1>I don't know. I mean, yeah, go ahead, No, no

0:21:52.400 --> 0:21:54.960
<v Speaker 1>you gohad no, no, you go ahead, Okay, final'll go ahead.

0:21:55.600 --> 0:21:58.440
<v Speaker 1>No I was gonna say. I actually I completely get

0:21:58.480 --> 0:22:01.760
<v Speaker 1>as a kid feeling like, oh my gosh, he's implying

0:22:01.760 --> 0:22:04.880
<v Speaker 1>that something is wrong. But I take it as actually

0:22:04.960 --> 0:22:08.760
<v Speaker 1>implying that you have really good natural instincts that whatever

0:22:08.800 --> 0:22:11.080
<v Speaker 1>you came up with on your own, he wanted to

0:22:11.119 --> 0:22:13.000
<v Speaker 1>know you'd come up with on your own, as opposed

0:22:13.040 --> 0:22:16.359
<v Speaker 1>to coaching with some acting coach who coaches dozens of

0:22:16.400 --> 0:22:19.640
<v Speaker 1>other child actors in LA. I agree, and that there's

0:22:19.640 --> 0:22:22.240
<v Speaker 1>actually like a natural spark that he was responding to.

0:22:22.440 --> 0:22:23.040
<v Speaker 4>Yeah, I agree that.

0:22:23.080 --> 0:22:26.199
<v Speaker 2>I agree that that's probably what he meant and what

0:22:26.280 --> 0:22:27.160
<v Speaker 2>he was seeking out.

0:22:27.160 --> 0:22:29.639
<v Speaker 4>But it is weird. He was awesome. I mean, I

0:22:30.119 --> 0:22:30.679
<v Speaker 4>just pilot.

0:22:31.440 --> 0:22:34.400
<v Speaker 2>I would I Every time I think about the potential

0:22:34.440 --> 0:22:37.720
<v Speaker 2>of possibly ever creating some sort of comedy again, I

0:22:37.800 --> 0:22:38.920
<v Speaker 2>always think like, oh.

0:22:39.200 --> 0:22:41.639
<v Speaker 4>What would I do if Charles mcdo? Who would direct it?

0:22:41.680 --> 0:22:44.560
<v Speaker 2>Oh? God, it's so great. But he had this quirky thing,

0:22:44.600 --> 0:22:47.600
<v Speaker 2>and this goes to the pilot. On the pilot, he

0:22:47.720 --> 0:22:50.640
<v Speaker 2>wore the same suit every day. Do you remember that no,

0:22:52.080 --> 0:22:54.200
<v Speaker 2>or or he wore a suit every day. It was

0:22:54.240 --> 0:22:57.040
<v Speaker 2>either and I know those are both like very distinct differences,

0:22:57.280 --> 0:23:01.040
<v Speaker 2>no one wearing suit or wearing a suit, but so

0:23:01.240 --> 0:23:04.240
<v Speaker 2>much so that suit was like wearing a suit was

0:23:04.400 --> 0:23:08.280
<v Speaker 2>just emblazoned into my brain that I went to all

0:23:08.320 --> 0:23:10.600
<v Speaker 2>the women on the show as a rap gift for

0:23:10.640 --> 0:23:12.879
<v Speaker 2>the pilot, and I said, do you guys want to

0:23:12.920 --> 0:23:15.200
<v Speaker 2>go in with me? I think we should buy Charles

0:23:15.280 --> 0:23:20.240
<v Speaker 2>a really nice suits. So I went to like Bloomingdale's

0:23:20.320 --> 0:23:22.080
<v Speaker 2>or Sacks or somewhere and got him a suit.

0:23:22.200 --> 0:23:24.359
<v Speaker 1>This is so you, You're so thank you gift for

0:23:24.440 --> 0:23:27.160
<v Speaker 1>the pilot, thank you gift for the end of the season,

0:23:28.480 --> 0:23:29.560
<v Speaker 1>for every birthday.

0:23:30.280 --> 0:23:33.320
<v Speaker 2>Gift giving, gift giving. I guess it's a love language. Yes,

0:23:33.480 --> 0:23:36.000
<v Speaker 2>and food, as you will see. Yes, I think we're

0:23:36.000 --> 0:23:47.960
<v Speaker 2>going to delve into the food moving along in the pilot.

0:23:48.000 --> 0:23:52.080
<v Speaker 2>What would it so we all think Westeria Lane became

0:23:52.119 --> 0:23:55.560
<v Speaker 2>a star constantly, Yes, I mean I mean a character.

0:23:55.720 --> 0:23:59.240
<v Speaker 4>I mean that's right, and and.

0:23:58.200 --> 0:24:02.600
<v Speaker 2>And every just it's all I'm almost when I say like,

0:24:02.680 --> 0:24:04.639
<v Speaker 2>I'm surprised, I can't believe I was in it is

0:24:05.160 --> 0:24:08.199
<v Speaker 2>is stepping back and looking at that initial pilot I

0:24:08.240 --> 0:24:09.080
<v Speaker 2>mean the.

0:24:09.119 --> 0:24:11.280
<v Speaker 4>Music was dancing Elmore.

0:24:12.400 --> 0:24:14.960
<v Speaker 3>How did they do how did they get Danny Elfman pilot?

0:24:15.200 --> 0:24:16.720
<v Speaker 1>I saw that. I saw that in the credits and

0:24:16.760 --> 0:24:19.320
<v Speaker 1>I said, oh my god, Danny Elfman did the music

0:24:19.359 --> 0:24:19.520
<v Speaker 1>for this.

0:24:20.160 --> 0:24:21.520
<v Speaker 4>That would be interesting to find out.

0:24:21.680 --> 0:24:24.680
<v Speaker 1>Dream composer Dream amazing.

0:24:24.840 --> 0:24:28.240
<v Speaker 2>Yeah, So that was amazing. Every single actor was amazing.

0:24:28.320 --> 0:24:32.119
<v Speaker 2>The writing was amazing, the lighting was amazing, the editing

0:24:32.240 --> 0:24:38.080
<v Speaker 2>was amazing. You know again, Brenda Strong, the voiceover was amazing.

0:24:38.080 --> 0:24:41.120
<v Speaker 1>I mean every opening that just to just to one

0:24:41.200 --> 0:24:44.600
<v Speaker 1>moment on Brenda Strong and the opening of the pilot.

0:24:45.000 --> 0:24:48.239
<v Speaker 1>You know, she's narrating how it's an ordinary day and

0:24:48.280 --> 0:24:52.359
<v Speaker 1>then it ends in her suicide, the cold open, which

0:24:52.480 --> 0:24:56.159
<v Speaker 1>was unheard of for an opening of a pilot at

0:24:56.200 --> 0:24:59.119
<v Speaker 1>that time on TV. And I think from the minute

0:24:59.160 --> 0:25:01.320
<v Speaker 1>like that, pop goes off and then we cut so

0:25:01.600 --> 0:25:05.960
<v Speaker 1>gesiusly to Martha Hubert, and to me, that just set

0:25:05.960 --> 0:25:08.320
<v Speaker 1>the tone for the entire show. It's going to be

0:25:08.359 --> 0:25:10.879
<v Speaker 1>a show about looking into the lives of.

0:25:10.880 --> 0:25:12.760
<v Speaker 3>Other people and their darkest moments.

0:25:12.800 --> 0:25:15.240
<v Speaker 1>How much do we actually want to know about our neighbors?

0:25:15.560 --> 0:25:18.239
<v Speaker 1>And also this really interesting idea that I have been

0:25:18.240 --> 0:25:20.159
<v Speaker 1>sitting with since I watched it of the kind of

0:25:20.320 --> 0:25:25.679
<v Speaker 1>mayhem of suburban boredom, you know, like the idea that

0:25:25.720 --> 0:25:27.919
<v Speaker 1>our neighbors are on our blocks. You know, the Martha

0:25:28.000 --> 0:25:31.879
<v Speaker 1>Hoober character who's just waiting to have a reason to

0:25:31.960 --> 0:25:34.840
<v Speaker 1>go knock on someone else's door or stir something up,

0:25:34.880 --> 0:25:36.960
<v Speaker 1>and she kind of becomes a catalyst for a lot

0:25:37.320 --> 0:25:40.639
<v Speaker 1>of the action and also really smart, you know, narration

0:25:40.880 --> 0:25:43.800
<v Speaker 1>device between the different women's lives, how she returns the

0:25:43.840 --> 0:25:50.240
<v Speaker 1>blender returns whatever. Yeah, I just I found that so interesting.

0:25:50.280 --> 0:25:52.879
<v Speaker 1>And I think I heard that this Mark Cherry was

0:25:52.920 --> 0:25:56.560
<v Speaker 1>originally inspired to write Desperate Housewives after hearing about a

0:25:56.680 --> 0:25:59.920
<v Speaker 1>murder case of a mother in Texas who killed her

0:26:00.280 --> 0:26:01.320
<v Speaker 1>for five kids.

0:26:01.440 --> 0:26:02.400
<v Speaker 4>Yeah, I think that's true.

0:26:02.480 --> 0:26:06.880
<v Speaker 2>Yeah, yeah, I mean I didn't personally talk to him

0:26:06.880 --> 0:26:09.040
<v Speaker 2>about it, so I know that that's you know, kind

0:26:09.080 --> 0:26:11.640
<v Speaker 2>of stuff that you read, but I know that he

0:26:11.680 --> 0:26:14.479
<v Speaker 2>worked on it for a long time. Yeah, Like, and

0:26:14.520 --> 0:26:18.439
<v Speaker 2>that it was a spec script and god bless the specscript.

0:26:18.560 --> 0:26:21.240
<v Speaker 4>I know. Well, I mean, you know it is it's

0:26:21.240 --> 0:26:21.880
<v Speaker 4>as a writer.

0:26:22.000 --> 0:26:23.560
<v Speaker 2>I mean, you could probably talk to that, Like, I

0:26:23.600 --> 0:26:26.640
<v Speaker 2>don't know if people really know the difference between specscripts

0:26:26.680 --> 0:26:29.760
<v Speaker 2>and you know what happens. I mean, things have changed

0:26:29.800 --> 0:26:32.240
<v Speaker 2>a lot, obviously in Hollywood in the last twenty years,

0:26:32.240 --> 0:26:36.359
<v Speaker 2>but what was happening then was mostly that you would

0:26:36.359 --> 0:26:40.280
<v Speaker 2>go to the network with a treatment. You would pitch it,

0:26:41.119 --> 0:26:44.200
<v Speaker 2>maybe you would have an actor attached, and the network

0:26:44.240 --> 0:26:46.880
<v Speaker 2>would pay the writer to write the script, and then

0:26:47.000 --> 0:26:49.560
<v Speaker 2>if they liked that pilot, then they would actually film

0:26:49.560 --> 0:26:51.800
<v Speaker 2>the pilot, and then if they liked the filmed pilot,

0:26:51.880 --> 0:26:53.879
<v Speaker 2>then they would put it on the air for a season.

0:26:54.160 --> 0:26:56.320
<v Speaker 4>And that was kind of how it worked. It was

0:26:56.520 --> 0:26:57.560
<v Speaker 4>pretty rare.

0:26:57.680 --> 0:27:01.919
<v Speaker 2>That somebody would walk in with an already done, developed

0:27:02.080 --> 0:27:06.159
<v Speaker 2>specscript completed and say do you want to make this?

0:27:07.000 --> 0:27:09.240
<v Speaker 2>I mean, that was very rare and I do think

0:27:09.280 --> 0:27:11.639
<v Speaker 2>that that. You know, Netflix kind of turned that on

0:27:11.720 --> 0:27:14.600
<v Speaker 2>its head. When Netflix first started, they had like the

0:27:14.640 --> 0:27:19.720
<v Speaker 2>opposite mandate, which was they wouldn't you had to have

0:27:19.880 --> 0:27:22.639
<v Speaker 2>your finished script, And that's what kind of yeah, and

0:27:22.680 --> 0:27:25.680
<v Speaker 2>that's what kind of began. The the writer doesn't get

0:27:25.720 --> 0:27:30.560
<v Speaker 2>paid to write the script and then the writer gets

0:27:30.560 --> 0:27:33.120
<v Speaker 2>paid when the thing gets made. When the other way

0:27:33.160 --> 0:27:34.800
<v Speaker 2>the way I was saying, you go pitch it and

0:27:34.840 --> 0:27:37.399
<v Speaker 2>then the network pays you to write the pilot. That

0:27:37.560 --> 0:27:39.880
<v Speaker 2>seems to have gone by the wayside.

0:27:39.960 --> 0:27:40.119
<v Speaker 1>You know.

0:27:40.119 --> 0:27:42.120
<v Speaker 3>It's interesting because as you're talking about, like the way

0:27:42.160 --> 0:27:45.480
<v Speaker 3>things have changed, I was something I kept thinking about

0:27:45.520 --> 0:27:49.760
<v Speaker 3>consuming the show is you know, Desperate Housewise was, as

0:27:49.760 --> 0:27:52.280
<v Speaker 3>people called it, appointment television, right, they would sit down

0:27:52.320 --> 0:27:53.000
<v Speaker 3>every Sunday.

0:27:53.119 --> 0:27:57.800
<v Speaker 2>That's the thought I didn't finish, by the way, go ahead, Okay, Well,

0:27:57.880 --> 0:28:00.639
<v Speaker 2>and so I wonder, and there's no way for us

0:28:00.640 --> 0:28:02.400
<v Speaker 2>to know, but I do wonder.

0:28:03.119 --> 0:28:05.280
<v Speaker 3>I guess there is because this is how some people

0:28:05.280 --> 0:28:07.400
<v Speaker 3>probably are watching it and experiencing it for the first time,

0:28:07.480 --> 0:28:10.640
<v Speaker 3>the idea of like binging it because we would wait

0:28:10.680 --> 0:28:12.840
<v Speaker 3>a week, Right, did you watch the show in real time?

0:28:14.560 --> 0:28:18.960
<v Speaker 2>I think I did watch it in real time if

0:28:19.000 --> 0:28:21.520
<v Speaker 2>Emerson was asleep. And this does.

0:28:21.440 --> 0:28:22.560
<v Speaker 1>Nine mem on Sunday?

0:28:22.800 --> 0:28:23.480
<v Speaker 4>Yes, yes, And.

0:28:23.400 --> 0:28:27.359
<v Speaker 2>This does bring me back to the point I was

0:28:27.400 --> 0:28:29.159
<v Speaker 2>going to make that I dropped off of, which was

0:28:29.280 --> 0:28:31.239
<v Speaker 2>when people ask you, did you know it was going

0:28:31.280 --> 0:28:31.800
<v Speaker 2>to be a hit?

0:28:32.200 --> 0:28:32.680
<v Speaker 3>Yeah?

0:28:32.920 --> 0:28:35.040
<v Speaker 4>And I knew it was a great script.

0:28:35.480 --> 0:28:39.320
<v Speaker 2>But I've always said this that the fact that it

0:28:39.440 --> 0:28:42.240
<v Speaker 2>was aired on a Sunday night and not at eight

0:28:42.240 --> 0:28:45.800
<v Speaker 2>o'clock and not at ten o'clock, but at nine o'clock

0:28:45.920 --> 0:28:51.040
<v Speaker 2>and as a single mom, I absolutely related to I

0:28:51.120 --> 0:28:55.360
<v Speaker 2>am up early, I am going all day. It is kid, kid, kid, kid, kid,

0:28:55.680 --> 0:28:58.320
<v Speaker 2>It is wife. You know, husband, husband, husbands whatever, whatever.

0:28:58.360 --> 0:28:58.640
<v Speaker 4>I mean.

0:28:58.720 --> 0:29:01.440
<v Speaker 2>I was divorced, but I mean that's what the experience

0:29:01.520 --> 0:29:04.680
<v Speaker 2>of being a mom and a wife is, and that

0:29:04.880 --> 0:29:08.200
<v Speaker 2>one hour you've got the kid to bed on Sunday night,

0:29:08.760 --> 0:29:12.040
<v Speaker 2>but it's not so late that you can't be that

0:29:12.120 --> 0:29:14.880
<v Speaker 2>you have to go to bed. That one hour is

0:29:14.960 --> 0:29:20.120
<v Speaker 2>like your hour. And I really feel that if they

0:29:20.160 --> 0:29:22.600
<v Speaker 2>had put it on Thursday night, where they had like

0:29:22.640 --> 0:29:25.720
<v Speaker 2>Gray's Anatomy and some other I just I'm not.

0:29:25.640 --> 0:29:27.280
<v Speaker 4>Sure it would have worked. I felt.

0:29:27.320 --> 0:29:32.080
<v Speaker 2>I feel like they just women collectively were like, this

0:29:32.160 --> 0:29:33.000
<v Speaker 2>is my hour.

0:29:33.360 --> 0:29:34.960
<v Speaker 4>Wow, don't bother me.

0:29:35.440 --> 0:29:39.240
<v Speaker 3>It just goes to show, though, how many different factors

0:29:39.280 --> 0:29:43.200
<v Speaker 3>went in to make it just like lightning in a bottle. Yeah,

0:29:43.200 --> 0:29:45.800
<v Speaker 3>I mean it really was, because you know, you said

0:29:46.120 --> 0:29:48.400
<v Speaker 3>how great everyone is, and that was something else like

0:29:48.520 --> 0:29:51.360
<v Speaker 3>watching it as a thirteen year old and whatever, fourteen

0:29:51.400 --> 0:29:53.000
<v Speaker 3>year old when it aired the first time, I think

0:29:53.000 --> 0:29:54.880
<v Speaker 3>I was so excited and proud to be a part

0:29:54.920 --> 0:29:56.560
<v Speaker 3>of it. And you know, of course I thought everyone

0:29:56.640 --> 0:30:00.520
<v Speaker 3>was amazing watching it again now with just more life

0:30:00.560 --> 0:30:02.920
<v Speaker 3>experience and a lot more acting experience and all the things,

0:30:03.640 --> 0:30:08.040
<v Speaker 3>I mean, really everything about it was so fantastic for

0:30:08.800 --> 0:30:10.800
<v Speaker 3>any show, for a pilot. I mean, it was just

0:30:11.600 --> 0:30:15.800
<v Speaker 3>so impressive. And by the first commercial break you had

0:30:15.800 --> 0:30:18.680
<v Speaker 3>met all the main players, and you didn't just meet them,

0:30:18.720 --> 0:30:21.160
<v Speaker 3>I mean you really felt like, ah, I've got insight

0:30:21.200 --> 0:30:24.120
<v Speaker 3>into who these people are and.

0:30:23.280 --> 0:30:27.040
<v Speaker 1>Around this great mystery. Yeah. Yeah, the whole season it was.

0:30:27.000 --> 0:30:34.400
<v Speaker 2>An unbelievably well executed fusion of storytelling and chemistry of

0:30:34.440 --> 0:30:38.520
<v Speaker 2>the character, the actors actually playing these characters, and whatever

0:30:38.680 --> 0:30:41.720
<v Speaker 2>magic happens that those characters come off the page and

0:30:41.760 --> 0:30:45.800
<v Speaker 2>become real. I don't know, I'm not sure.

0:30:46.240 --> 0:30:48.520
<v Speaker 4>I always thought all of.

0:30:48.440 --> 0:30:50.920
<v Speaker 2>The people in the show were great, but somehow Marcia

0:30:51.200 --> 0:30:56.520
<v Speaker 2>is resonating with me, at least in this first few episodes. Yeah,

0:30:56.920 --> 0:31:01.200
<v Speaker 2>I just I you know, I know, I'm not going

0:31:01.240 --> 0:31:04.320
<v Speaker 2>to get into like their state of mind because I

0:31:04.360 --> 0:31:06.760
<v Speaker 2>don't know what their journey was, so I'm here to

0:31:06.800 --> 0:31:12.400
<v Speaker 2>represent my journey. But I kind of recall her feeling

0:31:12.480 --> 0:31:16.200
<v Speaker 2>like maybe she wasn't so good with comedy and all.

0:31:16.360 --> 0:31:19.560
<v Speaker 2>If she ever hears this, and if she ever thought

0:31:19.640 --> 0:31:25.120
<v Speaker 2>she wasn't she was. I mean, the timing of the

0:31:25.240 --> 0:31:28.680
<v Speaker 2>muffin I'm gonna need the basket it was about.

0:31:28.360 --> 0:31:31.080
<v Speaker 1>To say, that is flawless.

0:31:31.320 --> 0:31:34.520
<v Speaker 4>It's absolutely flawless. It's perfect.

0:31:34.600 --> 0:31:38.600
<v Speaker 3>The line where they're in the hospital and you tried

0:31:38.600 --> 0:31:41.720
<v Speaker 3>to kill me and she says, well, well, I feel

0:31:41.720 --> 0:31:42.600
<v Speaker 3>badly about that.

0:31:43.280 --> 0:31:47.120
<v Speaker 4>I mean, just no, it's pitch perfect. She really is.

0:31:47.160 --> 0:31:49.880
<v Speaker 4>So she's really she's really jumping off the screen at me.

0:31:50.040 --> 0:31:50.320
<v Speaker 1>She was.

0:31:50.640 --> 0:31:52.320
<v Speaker 2>I mean, you know, but it's it's not a battle

0:31:52.320 --> 0:31:56.600
<v Speaker 2>of who's better. It just it's interesting to rewatch, really excellent.

0:31:58.000 --> 0:32:02.080
<v Speaker 1>The comedy is so sharp alongside the drama and the mystery.

0:32:02.120 --> 0:32:05.880
<v Speaker 1>I mean, Lynette's character at the way the memorial when

0:32:05.920 --> 0:32:08.280
<v Speaker 1>the kids get into the pool and then she just

0:32:08.440 --> 0:32:10.960
<v Speaker 1>dives into that pool. Hm, oh my god.

0:32:11.040 --> 0:32:12.920
<v Speaker 3>And she has the one strand of hair and she

0:32:13.040 --> 0:32:14.720
<v Speaker 3>like flicks it and she says, I'm sorry, we have

0:32:14.760 --> 0:32:17.440
<v Speaker 3>to leave now, you know, yeah, I know, on whatever

0:32:17.560 --> 0:32:20.200
<v Speaker 3>bit of dignity, she's still in a muster. It's it's

0:32:20.320 --> 0:32:23.040
<v Speaker 3>really it's funny and it's poignant, and it was and it.

0:32:23.000 --> 0:32:25.800
<v Speaker 1>Somehow feels believable still, you know, I feel like we

0:32:26.120 --> 0:32:26.760
<v Speaker 1>could that happens?

0:32:26.840 --> 0:32:27.440
<v Speaker 4>Yeah, that's why.

0:32:27.520 --> 0:32:29.920
<v Speaker 2>And I was gonna say, do you like again because

0:32:29.960 --> 0:32:32.080
<v Speaker 2>you were so young when it aired originally and now

0:32:32.080 --> 0:32:35.320
<v Speaker 2>here we are in twenty twenty five. Do you feel

0:32:35.400 --> 0:32:40.239
<v Speaker 2>like the relationships, the the things that the show was

0:32:40.280 --> 0:32:44.440
<v Speaker 2>trying to say, do they still feel culturally relevant? I mean,

0:32:44.480 --> 0:32:46.840
<v Speaker 2>did any of it? You know how they'll say sometimes oh, well,

0:32:47.200 --> 0:32:50.360
<v Speaker 2>that's you can't say that anymore or whatever, like like,

0:32:50.600 --> 0:32:56.920
<v Speaker 2>I feel like it's it's it translates. Well, I feel like, yeah,

0:32:57.000 --> 0:32:57.680
<v Speaker 2>I think.

0:32:57.560 --> 0:32:59.640
<v Speaker 1>I agree too. I mean I was gonna say, I,

0:32:59.680 --> 0:33:01.480
<v Speaker 1>as I said, I'm watching it for the first time,

0:33:01.520 --> 0:33:05.080
<v Speaker 1>so I've only watched the first two episodes. Okay, so

0:33:05.160 --> 0:33:08.040
<v Speaker 1>maybe it's you know, to say, how is the overall

0:33:08.080 --> 0:33:10.720
<v Speaker 1>themes commenting on culture? You know a little bit early

0:33:11.080 --> 0:33:14.200
<v Speaker 1>for me to tell, although I do think all of

0:33:14.240 --> 0:33:17.240
<v Speaker 1>the different women, you know, Gabby and Brie and Lynette

0:33:17.280 --> 0:33:23.400
<v Speaker 1>and Susan, they all feel really relevant and still relatable

0:33:23.480 --> 0:33:26.640
<v Speaker 1>different parts of their struggles and their isolations and their

0:33:26.720 --> 0:33:30.200
<v Speaker 1>joys and failures. I totally felt connected to I think,

0:33:30.200 --> 0:33:32.240
<v Speaker 1>you know, it's interesting that you ask did anything stand

0:33:32.240 --> 0:33:36.120
<v Speaker 1>out like, oh god, that's you know, cancelable now. The

0:33:36.160 --> 0:33:38.000
<v Speaker 1>one thing that stood out and I actually wrote it down.

0:33:38.760 --> 0:33:43.800
<v Speaker 1>I said, how do we feel about women being called sluts?

0:33:44.560 --> 0:33:49.480
<v Speaker 1>Missus Huber calls Edie a slut in the pilot.

0:33:50.120 --> 0:33:51.640
<v Speaker 3>I wrote it down as one of my favorite lines

0:33:52.560 --> 0:33:55.320
<v Speaker 3>I did. I did flag it as being like, wow,

0:33:55.400 --> 0:33:58.080
<v Speaker 3>we probably wouldn't say it now, but but you know

0:33:58.160 --> 0:33:59.840
<v Speaker 3>that kind of biting, stinging thing.

0:33:59.840 --> 0:34:02.120
<v Speaker 1>Was Oh, I mean I think, but yeah, I would

0:34:02.120 --> 0:34:05.120
<v Speaker 1>one hundred percent still write a character like Missus Hooper

0:34:05.280 --> 0:34:07.360
<v Speaker 1>now who makes those kinds of comments. You know, she's

0:34:07.400 --> 0:34:09.920
<v Speaker 1>another singer in the second episode that I will save

0:34:10.080 --> 0:34:15.040
<v Speaker 1>until we talk about that next. But I yeah, I

0:34:15.400 --> 0:34:18.000
<v Speaker 1>think she's hilarious, and I think it's you know, she

0:34:18.239 --> 0:34:21.560
<v Speaker 1>is just on the line of what is appropriate or

0:34:21.600 --> 0:34:26.960
<v Speaker 1>not appropriate tearing other women down, being a friend in quotation,

0:34:27.200 --> 0:34:28.320
<v Speaker 1>because they are the kind.

0:34:28.160 --> 0:34:30.839
<v Speaker 3>Of each other's like partner, you know. Like I thought

0:34:30.840 --> 0:34:32.880
<v Speaker 3>that was really interesting because I didn't remember the dynamic

0:34:32.920 --> 0:34:37.640
<v Speaker 3>between Edie and Missus Houber being like they were kind

0:34:37.640 --> 0:34:39.800
<v Speaker 3>of I don't know, yes, friends, like they were in

0:34:39.840 --> 0:34:42.000
<v Speaker 3>a lot of scenes together, and I didn't really remember that.

0:34:42.080 --> 0:34:45.200
<v Speaker 3>But I thought that contrast was great. But I did

0:34:45.239 --> 0:34:48.600
<v Speaker 3>think that something and Honestly, I don't know how deep

0:34:48.600 --> 0:34:52.200
<v Speaker 3>I want to wade into these waters because but I

0:34:52.320 --> 0:34:56.880
<v Speaker 3>wonder how we feel about the John the Gardener. I

0:34:57.080 --> 0:34:58.799
<v Speaker 3>was actually wrote it down as something to talk to

0:34:58.840 --> 0:35:01.600
<v Speaker 3>you about Emerson, because I thought that you might have

0:35:01.640 --> 0:35:03.560
<v Speaker 3>a really interesting take on it, or at least a

0:35:04.239 --> 0:35:08.560
<v Speaker 3>really well kind of fair opinion on that story.

0:35:08.840 --> 0:35:09.040
<v Speaker 4>Yeah.

0:35:09.080 --> 0:35:11.680
<v Speaker 1>Well, I definitely have more to say about that character

0:35:11.719 --> 0:35:16.040
<v Speaker 1>in the second episode too, but John, about John, okay,

0:35:16.480 --> 0:35:19.279
<v Speaker 1>and about some specific things about his character, I guess

0:35:19.320 --> 0:35:22.480
<v Speaker 1>I can say in terms of they're affair starting to

0:35:22.520 --> 0:35:24.760
<v Speaker 1>be exposed in the pilot, you know that we see

0:35:25.000 --> 0:35:28.319
<v Speaker 1>Gabby as this beautiful woman who seemingly has it all

0:35:28.360 --> 0:35:31.680
<v Speaker 1>except of course, love and passion in her marriage, which

0:35:32.080 --> 0:35:35.840
<v Speaker 1>I feel like is honestly something we just saw explored

0:35:35.840 --> 0:35:38.399
<v Speaker 1>in The Materialists, that movie that just came out.

0:35:38.480 --> 0:35:39.200
<v Speaker 4>Oh I didn't see that.

0:35:39.239 --> 0:35:40.120
<v Speaker 3>I haven't seen it either.

0:35:40.239 --> 0:35:43.759
<v Speaker 1>Yeah. Great, Dakota Johnson, Pedro, Hascal Slein song. You know

0:35:43.760 --> 0:35:45.560
<v Speaker 1>who wrote Past Lives, which I love.

0:35:45.640 --> 0:35:46.200
<v Speaker 2>Yeah, I love it.

0:35:46.560 --> 0:35:48.200
<v Speaker 1>And I've heard that this was actually I don't know

0:35:48.239 --> 0:35:50.920
<v Speaker 1>the movie she wrote before Past Lives, So sometimes that happens.

0:35:51.560 --> 0:35:54.480
<v Speaker 1>But kind of this idea age old idea of like,

0:35:55.200 --> 0:35:58.040
<v Speaker 1>is the life with the money and the security that

0:35:58.080 --> 0:36:03.640
<v Speaker 1>we want worth it if it's ultimately lacking that spark

0:36:03.800 --> 0:36:08.319
<v Speaker 1>for actual passion and meaning and meaning, right, you know,

0:36:08.400 --> 0:36:11.840
<v Speaker 1>is it worth having that facade? And I think I

0:36:11.840 --> 0:36:15.680
<v Speaker 1>think it's easier to show that when you see Gabby

0:36:16.120 --> 0:36:19.640
<v Speaker 1>have that spark and passion with someone else. You know,

0:36:19.680 --> 0:36:21.520
<v Speaker 1>it would be different if she was just talking about it.

0:36:21.560 --> 0:36:24.160
<v Speaker 1>But to see what she has with John the gardener,

0:36:24.200 --> 0:36:27.520
<v Speaker 1>and then to see the kind of loveless that she

0:36:27.640 --> 0:36:31.680
<v Speaker 1>has with her actual husband, you know. Infidelity, I think

0:36:31.760 --> 0:36:33.520
<v Speaker 1>is so interesting. And I know Andrew, you and I

0:36:33.560 --> 0:36:36.000
<v Speaker 1>have talked about this, not on this podcast, my own

0:36:36.040 --> 0:36:38.920
<v Speaker 1>personal ideas of I feel like I fall on the

0:36:40.120 --> 0:36:43.239
<v Speaker 1>I'm not saying that I would cheat on someone. I

0:36:43.360 --> 0:36:47.719
<v Speaker 1>fall on the more lenient side of I don't know

0:36:47.800 --> 0:36:51.279
<v Speaker 1>that infidelity to me is an immediate deal breaker. I

0:36:51.280 --> 0:36:55.840
<v Speaker 1>think an ongoing affair would be, because it's the lying part,

0:36:56.160 --> 0:36:59.719
<v Speaker 1>but the actual cheating part I think is sometimes indicative

0:36:59.760 --> 0:37:02.440
<v Speaker 1>of underlying issues in a relationship that you know, if

0:37:02.480 --> 0:37:05.800
<v Speaker 1>you really love someone, maybe you want to address and

0:37:05.800 --> 0:37:08.919
<v Speaker 1>and work through. And to me, that's not ever been

0:37:09.800 --> 0:37:12.120
<v Speaker 1>something that I feel like I wouldn't be able to

0:37:12.160 --> 0:37:14.919
<v Speaker 1>get past. Of course, you know Gabby's character toast the line,

0:37:14.920 --> 0:37:16.920
<v Speaker 1>it does seem a little bit like it actually, you know,

0:37:17.080 --> 0:37:19.840
<v Speaker 1>is an ongoing affair, but also it's clearly indicative of

0:37:19.880 --> 0:37:20.759
<v Speaker 1>an underlying But.

0:37:22.480 --> 0:37:23.800
<v Speaker 3>Yeah, well, I want.

0:37:23.640 --> 0:37:24.880
<v Speaker 1>To talk about the second episode.

0:37:25.000 --> 0:37:28.239
<v Speaker 3>Okay, yeah, because they definitely we hear that more about

0:37:28.560 --> 0:37:31.080
<v Speaker 3>in the second episode. But there is the line of

0:37:31.239 --> 0:37:32.840
<v Speaker 3>the you're much too young to smoke? Is that in

0:37:32.880 --> 0:37:34.520
<v Speaker 3>the second episode or is that in the first episode

0:37:35.200 --> 0:37:37.160
<v Speaker 3>when he says can I have a drag? After they've

0:37:37.160 --> 0:37:39.719
<v Speaker 3>had sex? I think I think that's in the first episode.

0:37:39.760 --> 0:37:42.120
<v Speaker 3>So in the first episode, after Gabby and John have

0:37:42.160 --> 0:37:45.560
<v Speaker 3>had sex, she's puffing on a cigarette, right, and he says,

0:37:45.600 --> 0:37:47.160
<v Speaker 3>can I have a drag? Or something like that, and

0:37:47.160 --> 0:37:48.600
<v Speaker 3>then she says, oh, you're much too young to smoke.

0:37:48.600 --> 0:37:51.239
<v Speaker 3>And it's so great for television, right, Like it's such

0:37:51.280 --> 0:37:54.200
<v Speaker 3>a funny dichotomy to present. But also it just has

0:37:54.239 --> 0:37:57.600
<v Speaker 3>me thinking about that, right because my character was thirty

0:37:57.680 --> 0:37:58.480
<v Speaker 3>years You.

0:37:58.640 --> 0:38:00.800
<v Speaker 2>Feel like, and I'm going to have to be aware

0:38:00.840 --> 0:38:03.040
<v Speaker 2>of this as we're watching it, because I do. It

0:38:03.120 --> 0:38:07.120
<v Speaker 2>is resonating in my mind that like, even after eight seasons.

0:38:07.960 --> 0:38:11.040
<v Speaker 2>I feel like it was a question that I always

0:38:11.080 --> 0:38:16.239
<v Speaker 2>wondered if Gabby was ever going to get nailed for

0:38:17.160 --> 0:38:19.200
<v Speaker 2>sleeping with somebody underage.

0:38:18.719 --> 0:38:20.719
<v Speaker 3>Right, And.

0:38:22.440 --> 0:38:25.160
<v Speaker 2>I mean I felt that way for all the years

0:38:25.160 --> 0:38:27.480
<v Speaker 2>that we know, was that ever going to be a storyline?

0:38:27.520 --> 0:38:30.080
<v Speaker 4>And I don't believe I never did get addressed.

0:38:30.480 --> 0:38:32.120
<v Speaker 3>I don't. Well, I guess we'll find out. I guess

0:38:32.120 --> 0:38:34.560
<v Speaker 3>we'll find out. But yeah, I wonder it too, And

0:38:34.600 --> 0:38:37.080
<v Speaker 3>I wonder how that I would love, you know, the

0:38:37.080 --> 0:38:39.279
<v Speaker 3>people who are just discovering the show now, especially the

0:38:39.280 --> 0:38:42.839
<v Speaker 3>ones on the you know, younger side of things, or no,

0:38:42.920 --> 0:38:44.799
<v Speaker 3>not even really specifically the ones on the younger side

0:38:44.800 --> 0:38:47.560
<v Speaker 3>of things, but just to hear what their takeaways are

0:38:47.560 --> 0:38:50.600
<v Speaker 3>of that, because to introduce a character, and you love

0:38:50.719 --> 0:38:52.920
<v Speaker 3>Gabby right like you love all the women. That's another

0:38:52.920 --> 0:38:54.960
<v Speaker 3>big part is I feel like you instantly love these

0:38:54.960 --> 0:38:58.680
<v Speaker 3>people and you care about them, and so it's really

0:38:58.719 --> 0:39:02.560
<v Speaker 3>interesting that they gave her something like that that could

0:39:02.560 --> 0:39:04.880
<v Speaker 3>be so polarizing and could make her so unlikable, and

0:39:05.000 --> 0:39:08.960
<v Speaker 3>yet it was handled in a way where you got it.

0:39:09.360 --> 0:39:11.600
<v Speaker 3>I guess, you know, you kind of understand.

0:39:11.760 --> 0:39:14.160
<v Speaker 1>I think they got at least in the pilot, Like,

0:39:14.280 --> 0:39:16.279
<v Speaker 1>I think some of the more express things you're talking

0:39:16.320 --> 0:39:19.480
<v Speaker 1>about don't get totally revealed in the pilot. I had

0:39:19.600 --> 0:39:23.439
<v Speaker 1>much more of a question about him after the first episode, like, yes,

0:39:23.480 --> 0:39:26.279
<v Speaker 1>he seems young, but how young is he? We don't know?

0:39:26.360 --> 0:39:28.399
<v Speaker 3>Okay, so then we'll we'll that.

0:39:28.719 --> 0:39:31.480
<v Speaker 2>Yeah, which, Okay, I have something did? I have a

0:39:31.480 --> 0:39:33.719
<v Speaker 2>couple of things to point out. Did anybody notice what

0:39:33.960 --> 0:39:34.680
<v Speaker 2>is on my neck?

0:39:35.200 --> 0:39:36.480
<v Speaker 3>I've noticed it. It's very pretty.

0:39:36.880 --> 0:39:39.960
<v Speaker 1>I notice. I'll tell you because I noticed immediately when

0:39:40.000 --> 0:39:43.320
<v Speaker 1>we've walked into this podcasting room and for the podcast.

0:39:43.520 --> 0:39:46.560
<v Speaker 1>Here we are now that you were wearing two of

0:39:46.600 --> 0:39:50.280
<v Speaker 1>the necklaces that Susan wore on the pilot.

0:39:50.280 --> 0:39:53.439
<v Speaker 2>In the pilot, Yes, all three of these. All three

0:39:53.480 --> 0:39:56.319
<v Speaker 2>of these. Yeah. So which which says?

0:39:56.480 --> 0:39:57.480
<v Speaker 1>Which are your necklaces?

0:39:58.320 --> 0:40:00.640
<v Speaker 4>Arsenal necklaces? Which that has to say?

0:40:00.719 --> 0:40:03.960
<v Speaker 2>I have to say, again, I don't remember everything, but

0:40:04.040 --> 0:40:10.719
<v Speaker 2>you have to wonder why was I wearing my own necklaces?

0:40:11.000 --> 0:40:13.359
<v Speaker 1>Maybe they were emotional support, Maybe they made you feel safe.

0:40:13.440 --> 0:40:15.520
<v Speaker 4>I mean, it could have it could have done that.

0:40:15.840 --> 0:40:17.879
<v Speaker 2>But I also sort of feel like I have this,

0:40:18.040 --> 0:40:22.839
<v Speaker 2>I have this loose recollection of like at the beginning

0:40:23.520 --> 0:40:27.640
<v Speaker 2>the whole like wardrobe, hair, makeup. It's just like, I'm

0:40:27.719 --> 0:40:31.359
<v Speaker 2>not sure they realized they were doing a show with

0:40:31.600 --> 0:40:37.239
<v Speaker 2>five women. Like I kind of feel like maybe somebody

0:40:37.280 --> 0:40:38.759
<v Speaker 2>didn't get the memo.

0:40:38.640 --> 0:40:42.680
<v Speaker 3>We change it, yeah, years ago, so maybe.

0:40:43.640 --> 0:40:44.680
<v Speaker 4>I mean, it's a lot.

0:40:44.800 --> 0:40:46.960
<v Speaker 2>That's a lot of costumes, that's a lot of hair

0:40:47.000 --> 0:40:49.480
<v Speaker 2>and makeup. That's a lot of women that need attention.

0:40:49.880 --> 0:40:53.960
<v Speaker 2>And but yes, so one of these necklaces has a

0:40:55.120 --> 0:40:59.560
<v Speaker 2>little heart and a little Lucky Penny and they were

0:40:59.600 --> 0:41:04.879
<v Speaker 2>both charms off of my childhood charm bracelet. And then

0:41:05.040 --> 0:41:08.160
<v Speaker 2>the other one is a little Saint Christopher and that

0:41:08.320 --> 0:41:11.719
<v Speaker 2>is supposed to be like for traveling, yeah, like for

0:41:11.960 --> 0:41:14.799
<v Speaker 2>safety and trust, and and then so is the red one.

0:41:14.880 --> 0:41:19.319
<v Speaker 2>And I wore this on different different outfits. And I

0:41:19.320 --> 0:41:20.840
<v Speaker 2>don't know actually.

0:41:20.480 --> 0:41:21.319
<v Speaker 4>What the reason was.

0:41:21.400 --> 0:41:23.480
<v Speaker 2>Maybe you're right, maybe it was to kind of give

0:41:23.520 --> 0:41:27.120
<v Speaker 2>me a grounded sense. I mean I could see myself

0:41:27.160 --> 0:41:31.120
<v Speaker 2>doing that, but uh yeah, but when I watched it,

0:41:31.120 --> 0:41:34.560
<v Speaker 2>I was like, those are my necklaces.

0:41:33.280 --> 0:41:36.719
<v Speaker 1>I borrowed those.

0:41:37.120 --> 0:41:49.399
<v Speaker 3>Oh that's so great. Okay, So obviously I've known Terry

0:41:49.400 --> 0:41:51.319
<v Speaker 3>a long time. I've known Terry for over half my life.

0:41:51.480 --> 0:41:56.520
<v Speaker 3>I have known. Yeah, it's so weird, you know, yeah,

0:41:56.560 --> 0:41:59.640
<v Speaker 3>And I always knew what it was like to work

0:41:59.640 --> 0:42:01.960
<v Speaker 3>with you, right, Like I watched the way you'd show

0:42:02.040 --> 0:42:04.600
<v Speaker 3>up to set, and you always came like just so chuck,

0:42:04.640 --> 0:42:07.759
<v Speaker 3>full of ideas and so prepared, and you know, I

0:42:07.880 --> 0:42:09.840
<v Speaker 3>was always in awe of you as an as an actor.

0:42:10.120 --> 0:42:15.520
<v Speaker 3>Thank you and Rewatching the pilot, I mean, you're so good.

0:42:15.960 --> 0:42:19.040
<v Speaker 3>You are so so good I feel I mean, it's weird,

0:42:19.120 --> 0:42:22.439
<v Speaker 3>right because I'm I was your on screen daughter, and

0:42:22.560 --> 0:42:24.560
<v Speaker 3>you know whatever, but I feel so proud of you

0:42:24.600 --> 0:42:26.600
<v Speaker 3>watching it. I'm just like, I'm actually felt really proud

0:42:26.640 --> 0:42:27.200
<v Speaker 3>of both of us.

0:42:27.200 --> 0:42:30.480
<v Speaker 4>I was like, you know what, I felt proud of you.

0:42:31.000 --> 0:42:38.640
<v Speaker 2>Well, well, here's a little I ran into Michael Edelstein

0:42:39.040 --> 0:42:41.400
<v Speaker 2>actually not that long ago. He was one of the

0:42:41.400 --> 0:42:45.279
<v Speaker 2>producers on the show, and he said to me that

0:42:45.400 --> 0:42:49.239
<v Speaker 2>he tells a story about the pilot and something I

0:42:49.320 --> 0:42:53.480
<v Speaker 2>did all the time to people as this is what

0:42:53.560 --> 0:42:56.480
<v Speaker 2>an actor does, like this is and I was like, wow,

0:42:56.520 --> 0:43:00.960
<v Speaker 2>this is this is very complimentary. He remains, speaking of

0:43:01.000 --> 0:43:06.520
<v Speaker 2>wardrobe that I was kind of like, I don't think upset,

0:43:06.560 --> 0:43:09.960
<v Speaker 2>but I was just like I needed to know from

0:43:10.320 --> 0:43:13.360
<v Speaker 2>the wardrobe department, what the costume was that I was

0:43:13.400 --> 0:43:15.520
<v Speaker 2>going to be wearing for the scene. When I go

0:43:15.680 --> 0:43:19.719
<v Speaker 2>over to meet Mike and Edie also comes up with

0:43:19.800 --> 0:43:22.719
<v Speaker 2>her putin esca or whatever, and it's both of us

0:43:23.120 --> 0:43:26.520
<v Speaker 2>there at the door, competing for his attention, and that

0:43:26.640 --> 0:43:29.480
<v Speaker 2>he recalls me being with the ward department. I really

0:43:29.560 --> 0:43:31.680
<v Speaker 2>need to know that in advance. It's important to me.

0:43:31.760 --> 0:43:34.920
<v Speaker 2>And they couldn't quite understand why it was important. And

0:43:34.960 --> 0:43:37.720
<v Speaker 2>he couldn't even really quite understand why it was important.

0:43:38.080 --> 0:43:41.880
<v Speaker 2>And he said, and then when you requested a cardigan,

0:43:42.000 --> 0:43:44.760
<v Speaker 2>like you wanted to make sure that the sweater opened

0:43:45.000 --> 0:43:47.360
<v Speaker 2>and not a sweater that you put over your head.

0:43:47.920 --> 0:43:50.640
<v Speaker 2>And then I saw you do the scene, and I

0:43:50.680 --> 0:43:53.399
<v Speaker 2>saw you do this comedic thing, and he said, he said,

0:43:53.400 --> 0:43:55.279
<v Speaker 2>he tells everybody that was not in the script, that

0:43:55.360 --> 0:43:56.520
<v Speaker 2>was completely not in the script.

0:43:56.600 --> 0:43:57.480
<v Speaker 4>She just totally did that.

0:43:58.040 --> 0:44:01.239
<v Speaker 2>She said, you did this thing where you looked over

0:44:01.320 --> 0:44:04.800
<v Speaker 2>at her breath and then you looked down at your breast,

0:44:04.920 --> 0:44:07.120
<v Speaker 2>and then you took the sweater and kind of like

0:44:07.280 --> 0:44:12.160
<v Speaker 2>closed it over your breast, and that told so much of.

0:44:12.000 --> 0:44:15.200
<v Speaker 4>The story of who.

0:44:15.239 --> 0:44:18.440
<v Speaker 2>Susan was in this moment and he goes, and that

0:44:18.600 --> 0:44:22.399
<v Speaker 2>was all you. That was completely not anywhere, And that

0:44:22.520 --> 0:44:24.799
<v Speaker 2>was the day that I went, oh, my gosh, Terry

0:44:24.840 --> 0:44:26.840
<v Speaker 2>Hatcher is a great actress and I have to like,

0:44:27.200 --> 0:44:27.600
<v Speaker 2>I mean, it.

0:44:27.600 --> 0:44:30.279
<v Speaker 3>Is true though, like that is a subtle, but.

0:44:30.239 --> 0:44:33.600
<v Speaker 4>It was years later somebody like I was like, you.

0:44:35.280 --> 0:44:37.640
<v Speaker 1>You're talking about it is so revealing of her kids.

0:44:37.640 --> 0:44:37.880
<v Speaker 2>It is.

0:44:38.239 --> 0:44:41.359
<v Speaker 3>Yeah, and also you know, it's just it's an amazing moment,

0:44:41.400 --> 0:44:44.680
<v Speaker 3>but it also it really kind of hints at the fact,

0:44:45.080 --> 0:44:47.000
<v Speaker 3>as we will explore as the show goes on. But

0:44:47.080 --> 0:44:51.319
<v Speaker 3>like talk about physical comedy. I mean, Terry, I was

0:44:51.440 --> 0:44:54.040
<v Speaker 3>on the set with you in multiple occasions where you

0:44:54.320 --> 0:44:57.640
<v Speaker 3>were so committed to the physical comedic moment that you

0:44:57.719 --> 0:44:59.560
<v Speaker 3>actually injured yourself pretty bad.

0:44:59.360 --> 0:45:01.520
<v Speaker 4>I believe there. Like, yeah, there's a couple of times

0:45:01.600 --> 0:45:02.680
<v Speaker 4>damaged cornea.

0:45:02.520 --> 0:45:08.680
<v Speaker 1>Yeah, wait so, but I just wanted you guys being

0:45:08.719 --> 0:45:11.600
<v Speaker 1>in scenes together and the thing that's sitting between us

0:45:11.600 --> 0:45:14.719
<v Speaker 1>in the room. I want to know about the very

0:45:14.920 --> 0:45:19.000
<v Speaker 1>iconic scene at the wake when Susan shows up with

0:45:19.080 --> 0:45:21.680
<v Speaker 1>the horrible macaroni and cheese and what that was like

0:45:21.719 --> 0:45:23.080
<v Speaker 1>for both of you, and maybe we can talk about

0:45:23.080 --> 0:45:23.960
<v Speaker 1>that a little bit more.

0:45:23.880 --> 0:45:26.920
<v Speaker 2>Okay, Well, first of all, I think it's a funny

0:45:26.960 --> 0:45:29.240
<v Speaker 2>thing that people confuse.

0:45:28.880 --> 0:45:29.720
<v Speaker 4>You with your character.

0:45:30.040 --> 0:45:34.760
<v Speaker 2>Like I would say a predominant characteristic that has happened

0:45:34.760 --> 0:45:37.640
<v Speaker 2>in my relationship with my fans over the last twenty

0:45:37.719 --> 0:45:40.560
<v Speaker 2>years is that people will say to me, you can cook.

0:45:40.920 --> 0:45:42.160
<v Speaker 4>I didn't know you can cook.

0:45:42.280 --> 0:45:45.680
<v Speaker 2>Susan can cook, and I'm like, okay, I'm not Susan.

0:45:46.080 --> 0:45:49.479
<v Speaker 2>I know it seems like, yes, I was a single mom,

0:45:49.640 --> 0:45:52.160
<v Speaker 2>she was a single mom. But that's pretty much where

0:45:53.480 --> 0:45:54.200
<v Speaker 2>we share a face.

0:45:55.200 --> 0:45:56.800
<v Speaker 4>That's anyways.

0:45:56.800 --> 0:46:00.719
<v Speaker 2>So, but about that scene, it actually was. It's part

0:46:00.719 --> 0:46:03.080
<v Speaker 2>of what I love about physical comedy. And I don't know,

0:46:03.120 --> 0:46:05.200
<v Speaker 2>it'd be interesting to see how you remember it, but.

0:46:05.160 --> 0:46:07.680
<v Speaker 4>It was very choreographed, like it.

0:46:07.640 --> 0:46:10.520
<v Speaker 2>Was to the point where I think there may have

0:46:10.719 --> 0:46:13.279
<v Speaker 2>been fishing line for the foil, for the.

0:46:13.200 --> 0:46:14.560
<v Speaker 1>Foil that's coming off.

0:46:14.680 --> 0:46:17.840
<v Speaker 3>I think you're selling yourself short because I do remember,

0:46:17.840 --> 0:46:20.680
<v Speaker 3>and I actually wrote it down because I don't know

0:46:20.680 --> 0:46:22.279
<v Speaker 3>if I ever told you, And it was one of

0:46:22.320 --> 0:46:25.719
<v Speaker 3>my first impressions of you, was the fact that you

0:46:26.000 --> 0:46:30.239
<v Speaker 3>could and maybe you didn't if there was fishing. I

0:46:30.280 --> 0:46:31.680
<v Speaker 3>think we talked about it, but I think you you

0:46:31.719 --> 0:46:33.200
<v Speaker 3>were like, let me try. I think I might be

0:46:33.200 --> 0:46:35.719
<v Speaker 3>able to get it to go, and she did. She

0:46:35.760 --> 0:46:37.440
<v Speaker 3>walks down the street right, and you're it's like we're

0:46:37.440 --> 0:46:39.120
<v Speaker 3>closing the door, we're walking down the street. We've got

0:46:39.160 --> 0:46:40.880
<v Speaker 3>to get it's a walk and talk, you know, So

0:46:40.920 --> 0:46:44.000
<v Speaker 3>there's always an art form to that. And they she

0:46:44.280 --> 0:46:46.680
<v Speaker 3>you were able to get that foil to lift off

0:46:46.680 --> 0:46:48.680
<v Speaker 3>that mac and cheese and the right moment, and again

0:46:48.719 --> 0:46:51.480
<v Speaker 3>it's like it's showing that you're a harried, kind of frazzled,

0:46:51.960 --> 0:46:55.440
<v Speaker 3>you know person. And I think that was.

0:46:55.440 --> 0:46:56.920
<v Speaker 4>All you think I did. I think that was all

0:46:56.960 --> 0:46:59.440
<v Speaker 4>I don't But I guess the reason I'm remembering the

0:46:59.440 --> 0:47:00.000
<v Speaker 4>fishing line.

0:47:00.080 --> 0:47:02.480
<v Speaker 2>We must have talked about it with Charles, like like

0:47:02.600 --> 0:47:06.320
<v Speaker 2>because I knew that it was part of the comedy,

0:47:06.560 --> 0:47:08.879
<v Speaker 2>like we've got it's part of what you're and this

0:47:08.960 --> 0:47:10.520
<v Speaker 2>is what was so what you were saying about the

0:47:10.560 --> 0:47:12.840
<v Speaker 2>first five minutes of the show, you feel like you

0:47:13.000 --> 0:47:15.880
<v Speaker 2>know everything, you feel you know and and that's what

0:47:16.080 --> 0:47:19.960
<v Speaker 2>made it, those little moments that you you and and

0:47:20.040 --> 0:47:21.920
<v Speaker 2>again not sure if I remember if that was in

0:47:21.960 --> 0:47:25.000
<v Speaker 2>the script or not, but yes, so horrible macaroni cheese.

0:47:25.080 --> 0:47:27.880
<v Speaker 3>So I felt like under cook on arm podcast.

0:47:28.640 --> 0:47:33.200
<v Speaker 2>People, but we all love food. Emerson and I have.

0:47:33.560 --> 0:47:37.440
<v Speaker 2>We spent her childhood every summer going on epic trips

0:47:37.520 --> 0:47:40.480
<v Speaker 2>around the world going to We used to get the

0:47:41.160 --> 0:47:44.560
<v Speaker 2>fifty best Restaurant in the World list for the year,

0:47:44.840 --> 0:47:47.160
<v Speaker 2>and we used to try to pick an area and

0:47:47.200 --> 0:47:49.880
<v Speaker 2>then go to as many restaurants as we could in

0:47:49.920 --> 0:47:54.200
<v Speaker 2>that area. And we have a tradition of huge Christmas

0:47:54.200 --> 0:47:56.640
<v Speaker 2>Eve dinner where we do lots of cooking. And I

0:47:56.680 --> 0:48:00.719
<v Speaker 2>know you amazing cook Andrea, and love cooking, so we

0:48:00.800 --> 0:48:04.480
<v Speaker 2>thought that we would make the Food of Desperate Housewives

0:48:04.840 --> 0:48:09.000
<v Speaker 2>a part of our podcast. I made since I just

0:48:09.040 --> 0:48:11.319
<v Speaker 2>want to prove to everybody that I can't cook. I

0:48:11.440 --> 0:48:14.200
<v Speaker 2>made a gourmet for cheese mac.

0:48:14.719 --> 0:48:18.200
<v Speaker 3>Oh my gosh, Oh my god.

0:48:18.000 --> 0:48:19.120
<v Speaker 1>Oh my god.

0:48:20.120 --> 0:48:22.600
<v Speaker 3>Okay, wow, I wish you could to begin now, I know,

0:48:23.239 --> 0:48:24.080
<v Speaker 3>Oh my god.

0:48:24.640 --> 0:48:26.680
<v Speaker 1>I want to know more Andrew, about what you remember

0:48:26.760 --> 0:48:29.040
<v Speaker 1>about that scene. And I also, once my mom is

0:48:29.080 --> 0:48:31.840
<v Speaker 1>done dishing out her not terrible mac and cheese, but

0:48:31.920 --> 0:48:35.440
<v Speaker 1>I want to know about what she remembers about meeting

0:48:36.280 --> 0:48:39.920
<v Speaker 1>Jamie also because that was like there first, yeah, and

0:48:39.960 --> 0:48:40.640
<v Speaker 1>what a seen.

0:48:41.000 --> 0:48:43.040
<v Speaker 2>I know, I have to come back for this he

0:48:43.200 --> 0:48:46.680
<v Speaker 2>had to be called James. We all called him Jamie.

0:48:46.880 --> 0:48:50.360
<v Speaker 2>Oh gosh, he remember, Oh yeah, he wanted to be James.

0:48:50.360 --> 0:48:52.359
<v Speaker 4>He thought Jamie was like too.

0:48:52.200 --> 0:48:58.399
<v Speaker 1>I'm so sorry, Well, James, James is honestly super cute. Yes,

0:48:58.760 --> 0:49:01.440
<v Speaker 1>But but Andrew, you comment on yours, What do you

0:49:01.520 --> 0:49:05.240
<v Speaker 1>remember of that that mom because it's such an iconic

0:49:05.239 --> 0:49:07.200
<v Speaker 1>scene where you see everybody together for the first time.

0:49:07.280 --> 0:49:10.799
<v Speaker 3>Yeah, you know, I don't. I really more remember the

0:49:10.840 --> 0:49:13.080
<v Speaker 3>scene with Terry and I just crossing the street, you know,

0:49:13.239 --> 0:49:18.359
<v Speaker 3>because I really loved that dialogue, that back and forth

0:49:18.440 --> 0:49:23.960
<v Speaker 3>between Susan and Julie, you know, where I say, you know,

0:49:24.000 --> 0:49:25.759
<v Speaker 3>why would someone kill themselves? I mean, it's such a

0:49:26.040 --> 0:49:29.000
<v Speaker 3>like stop in the middle of the street moment. And

0:49:29.040 --> 0:49:31.840
<v Speaker 3>I think as a mother, right, like you're always fielding,

0:49:32.200 --> 0:49:34.000
<v Speaker 3>or as a parent, I should say, you're fielding these

0:49:34.040 --> 0:49:36.879
<v Speaker 3>heavy hitter questions that your kids just kind of throw

0:49:36.960 --> 0:49:38.560
<v Speaker 3>at you casually and you have to figure out in

0:49:38.560 --> 0:49:41.359
<v Speaker 3>the moment how to respond, and you know, you give

0:49:41.760 --> 0:49:44.480
<v Speaker 3>a perfect response in my opinion, it's like it satisfies

0:49:44.520 --> 0:49:46.359
<v Speaker 3>the question without saying too much. And you're like, well,

0:49:46.400 --> 0:49:49.279
<v Speaker 3>sometimes people appear differently, you know, on the outside than

0:49:49.280 --> 0:49:52.120
<v Speaker 3>they are on the inside. And then you know, I

0:49:52.600 --> 0:49:55.319
<v Speaker 3>Julie says the thing about like, oh, you mean how

0:49:55.440 --> 0:49:57.960
<v Speaker 3>Dad's girlfriend, you know, always acts like she's nice, but

0:49:58.000 --> 0:50:02.200
<v Speaker 3>deep down she's a bitch, and you then say, you're like, well,

0:50:02.239 --> 0:50:03.959
<v Speaker 3>I don't like that word, but yes, that's a great thing.

0:50:05.120 --> 0:50:05.239
<v Speaker 1>Yea.

0:50:05.360 --> 0:50:08.560
<v Speaker 3>All that little back and forth I just loved so much.

0:50:08.600 --> 0:50:10.960
<v Speaker 3>And I remember, like, you know, to your point, and

0:50:11.000 --> 0:50:12.880
<v Speaker 3>I did want to circle back, just really briefly to

0:50:12.920 --> 0:50:15.759
<v Speaker 3>the fact that you mentioned wanting to treat me as

0:50:15.760 --> 0:50:17.840
<v Speaker 3>a coworker, wanting to treat me as a fellow actor,

0:50:18.640 --> 0:50:21.440
<v Speaker 3>and that meant so much to me. Still means so

0:50:21.560 --> 0:50:24.239
<v Speaker 3>much to me, But it was something I felt from

0:50:24.520 --> 0:50:27.279
<v Speaker 3>day one with you, was that I did feel like

0:50:27.560 --> 0:50:31.080
<v Speaker 3>and I took myself very seriously as a child performer,

0:50:31.480 --> 0:50:33.640
<v Speaker 3>and I felt like I had a job to do

0:50:33.680 --> 0:50:35.440
<v Speaker 3>and I wanted to be respected, and I wanted to

0:50:35.480 --> 0:50:38.800
<v Speaker 3>be professional and all the things, and not everybody treats

0:50:38.880 --> 0:50:42.279
<v Speaker 3>children on set that way, and you always did, and

0:50:42.440 --> 0:50:45.960
<v Speaker 3>it means so much to me. But I also think

0:50:46.000 --> 0:50:49.480
<v Speaker 3>it really it really shaped kind of how we settled

0:50:49.480 --> 0:50:51.839
<v Speaker 3>in and the dynamic that Susan and Julie had.

0:50:52.040 --> 0:50:54.640
<v Speaker 1>Yeah, yeah, I love that moment that you're talking about too,

0:50:54.680 --> 0:50:55.759
<v Speaker 1>and I know we're going to get to eating this

0:50:55.840 --> 0:50:58.759
<v Speaker 1>amazing mac and cheese, But just that question of why

0:50:58.800 --> 0:51:01.239
<v Speaker 1>would someone kill themselves, which really is the question that

0:51:01.360 --> 0:51:04.959
<v Speaker 1>sets all of our protagonists on the course of trying

0:51:05.000 --> 0:51:07.680
<v Speaker 1>to investigate this over the course of the season. And

0:51:07.760 --> 0:51:11.040
<v Speaker 1>it was the one moment because Susan is such a

0:51:11.040 --> 0:51:15.160
<v Speaker 1>different mom than mom you were to me. But the

0:51:15.200 --> 0:51:18.279
<v Speaker 1>way she responds in that moment, with that level of

0:51:19.200 --> 0:51:23.000
<v Speaker 1>kind of pause and thoughtfulness and also maturity. You know,

0:51:23.040 --> 0:51:25.560
<v Speaker 1>she's not talking down to a kid or trying to

0:51:25.600 --> 0:51:29.160
<v Speaker 1>explain something away about why someone might do something as

0:51:29.239 --> 0:51:32.200
<v Speaker 1>drastic as taking their own life. It really did remind

0:51:32.200 --> 0:51:34.120
<v Speaker 1>me of you. I that was the one moment where

0:51:34.120 --> 0:51:36.160
<v Speaker 1>I said, oh, I feel like that is how my

0:51:36.200 --> 0:51:38.040
<v Speaker 1>mom would talk to me when I was that age

0:51:38.320 --> 0:51:40.239
<v Speaker 1>and answer that question. And then I really saw it

0:51:40.320 --> 0:51:42.759
<v Speaker 1>and that's good. Yeah, I mean I guess, yeah, that's good.

0:51:42.840 --> 0:51:45.359
<v Speaker 4>Yeah, Yes, I raised a good kid.

0:51:45.440 --> 0:51:50.320
<v Speaker 3>Everyone really well rounded. Interesting.

0:51:50.320 --> 0:51:53.279
<v Speaker 1>Okay, I know, like, do we try this?

0:51:53.360 --> 0:51:55.640
<v Speaker 2>Yeah, I know, and it should be hot. It was

0:51:55.760 --> 0:51:57.040
<v Speaker 2>hot when we got here, but.

0:51:57.560 --> 0:51:59.640
<v Speaker 1>It's going to be pretty I'm literally in my mouth

0:51:59.680 --> 0:52:00.000
<v Speaker 1>as water.

0:52:00.440 --> 0:52:02.920
<v Speaker 4>I don't know if we're allowed to like choose.

0:52:02.960 --> 0:52:06.560
<v Speaker 1>Oh my god, Oh my god, I know right the.

0:52:06.600 --> 0:52:08.439
<v Speaker 3>Chewing side are gonna go over really well.

0:52:09.280 --> 0:52:12.279
<v Speaker 1>Okay, honestly, you guys, I watch a SMR like all

0:52:12.320 --> 0:52:14.239
<v Speaker 1>the time. Do well, not the chewing one because I

0:52:14.239 --> 0:52:15.759
<v Speaker 1>hate that. It's what we're doing right now.

0:52:17.880 --> 0:52:19.279
<v Speaker 3>What ones do you watch.

0:52:19.239 --> 0:52:21.160
<v Speaker 1>Like where they do your makeup. They're like, oh, we're

0:52:21.160 --> 0:52:24.560
<v Speaker 1>gonna like tap on your favorite, like put on this

0:52:24.680 --> 0:52:26.960
<v Speaker 1>eyeshadow and we're gonna.

0:52:26.560 --> 0:52:29.799
<v Speaker 4>Okay, I really do watch that all the time.

0:52:29.920 --> 0:52:31.040
<v Speaker 1>Not all the time, but like.

0:52:33.000 --> 0:52:33.720
<v Speaker 4>About my daughter.

0:52:34.200 --> 0:52:37.040
<v Speaker 1>Really, it's so relaxing. If I'm like, want to fall asleep.

0:52:36.680 --> 0:52:40.760
<v Speaker 3>Of amount of planes into any cool category, well definitely doesn't.

0:52:40.800 --> 0:52:41.640
<v Speaker 1>Well this doesn't.

0:52:42.440 --> 0:52:44.400
<v Speaker 3>But like you have a community, and CMR is like

0:52:44.440 --> 0:52:47.520
<v Speaker 3>a community of community. Make sure that my weird like

0:52:47.920 --> 0:52:51.120
<v Speaker 3>internet indulgence is part of anything anyone does, which is

0:52:51.160 --> 0:52:56.200
<v Speaker 3>that I like to watch people pack. Yeah, so I

0:52:56.239 --> 0:52:59.879
<v Speaker 3>think that I like watching like disorganized chaos turn into

0:53:00.200 --> 0:53:00.920
<v Speaker 3>organized chaos.

0:53:01.040 --> 0:53:03.800
<v Speaker 1>Is this like on an Instagram reels.

0:53:03.120 --> 0:53:06.040
<v Speaker 3>Like when people test out like luggage or like a

0:53:06.080 --> 0:53:07.880
<v Speaker 3>bag and they show you how much stuff they can

0:53:07.880 --> 0:53:10.560
<v Speaker 3>fit in it, and I find that to be really calming.

0:53:10.680 --> 0:53:12.759
<v Speaker 1>At what time of day do you watch, oh you

0:53:12.800 --> 0:53:15.440
<v Speaker 1>know late night? Yeah times, No, that's what I assumed,

0:53:15.440 --> 0:53:16.240
<v Speaker 1>but I didn't want.

0:53:16.080 --> 0:53:18.799
<v Speaker 3>To watch our secret videos.

0:53:19.120 --> 0:53:22.239
<v Speaker 1>Okay, mom, this mac and cheese is so good. Can

0:53:22.280 --> 0:53:24.600
<v Speaker 1>you give us just like what is the.

0:53:24.680 --> 0:53:26.360
<v Speaker 3>Talk about the choice of noodle and talk.

0:53:26.239 --> 0:53:29.359
<v Speaker 1>About what's your what's your one secret about making your

0:53:29.360 --> 0:53:31.160
<v Speaker 1>mac and cheese that Susan would never know?

0:53:33.120 --> 0:53:36.680
<v Speaker 2>Okay, well, you want your pasta whatever kind of elbowie

0:53:37.040 --> 0:53:39.120
<v Speaker 2>shape it is. You want it to be al dente

0:53:39.600 --> 0:53:42.040
<v Speaker 2>because you're also gonna bake it in the oven after

0:53:42.280 --> 0:53:42.920
<v Speaker 2>you boil it.

0:53:43.800 --> 0:53:46.000
<v Speaker 4>I use it's it's.

0:53:45.840 --> 0:53:49.240
<v Speaker 2>Three cheeses in the sauce, but then parmesan on the top,

0:53:49.360 --> 0:53:52.720
<v Speaker 2>so it's really four cheeses. And my my my secret

0:53:52.719 --> 0:53:57.480
<v Speaker 2>combo is Manchego white cheddar and grey air. This has

0:53:57.520 --> 0:54:00.279
<v Speaker 2>been I don't know, I feel like so collect we

0:54:00.360 --> 0:54:01.160
<v Speaker 2>all love the pilot?

0:54:01.440 --> 0:54:02.799
<v Speaker 1>Oh god, ten out of ten?

0:54:02.920 --> 0:54:04.480
<v Speaker 3>Yeah, yeah, I'm out of ten.

0:54:04.760 --> 0:54:04.960
<v Speaker 1>Really.

0:54:05.480 --> 0:54:05.799
<v Speaker 4>I mean that.

0:54:05.880 --> 0:54:07.839
<v Speaker 1>I'm not just saying that because I love the two

0:54:07.840 --> 0:54:10.000
<v Speaker 1>of you and we're doing this podcast.

0:54:10.000 --> 0:54:11.200
<v Speaker 4>Oh they're not all going to be ten.

0:54:11.200 --> 0:54:14.440
<v Speaker 1>And you'll call that out that's true, but this is

0:54:14.480 --> 0:54:15.319
<v Speaker 1>a big, big hit.

0:54:15.640 --> 0:54:19.359
<v Speaker 3>Yeah, that's really the pot I've ever seen. I think

0:54:19.360 --> 0:54:21.080
<v Speaker 3>it is the best pilot of any show I've ever seen.

0:54:21.080 --> 0:54:23.759
<v Speaker 3>And I've consumed a lot of television, and I don't

0:54:23.800 --> 0:54:25.400
<v Speaker 3>know that I got it. I mean I obviously got

0:54:25.440 --> 0:54:27.000
<v Speaker 3>it at the time, right, like I thought, oh gosh,

0:54:27.040 --> 0:54:30.120
<v Speaker 3>everyone loves it and that's so great. But watching it now,

0:54:30.120 --> 0:54:32.640
<v Speaker 3>after having seen so much more television in my life.

0:54:32.600 --> 0:54:32.680
<v Speaker 1>I.

0:54:34.440 --> 0:54:37.960
<v Speaker 4>Yeah, they say really something about nostalgia. Now.

0:54:37.960 --> 0:54:40.040
<v Speaker 2>I know for you, you haven't seen it before, so maybe

0:54:40.120 --> 0:54:43.680
<v Speaker 2>this doesn't apply. But they do say that some of

0:54:43.719 --> 0:54:47.280
<v Speaker 2>the reason that people are enjoying going back and watching

0:54:47.320 --> 0:54:50.360
<v Speaker 2>things that they're familiar with is because it lands in

0:54:50.400 --> 0:54:53.839
<v Speaker 2>our brain in a safer place, like we don't have

0:54:53.920 --> 0:54:57.520
<v Speaker 2>the unpredictability of like what's going to happen, so there's

0:54:57.960 --> 0:55:01.719
<v Speaker 2>less stress. And so that's why everyone should join us

0:55:01.760 --> 0:55:06.040
<v Speaker 2>and start watching Desperate Housewives again and talking with us

0:55:06.080 --> 0:55:08.760
<v Speaker 2>about it and sharing it. I think we want people

0:55:08.800 --> 0:55:12.080
<v Speaker 2>to write in and got us let us know, Like

0:55:12.160 --> 0:55:15.000
<v Speaker 2>if you have questions or thoughts about the show or

0:55:15.080 --> 0:55:17.839
<v Speaker 2>about life or anything you think the three of us

0:55:17.840 --> 0:55:19.600
<v Speaker 2>could help you with, we would love to be there

0:55:19.600 --> 0:55:23.120
<v Speaker 2>for you because we are desperately devoted to you.

0:55:24.200 --> 0:55:28.359
<v Speaker 4>Yes, I can't us see you next week