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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Everybody who loves honey glaze

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Speaker 1: carrots a great side dish for your springtime celebration and

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Speaker 1: a delicious compliment to a sweet, bright muscato. Wine is

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Speaker 1: made in virtually every country in the world, and I'm

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Speaker 1: ready to give you a tour to find the right

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Speaker 1: one serving lamb this season. Try it with a bold

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Speaker 1: cabernet from the trendy Apostle Robles region. Whether you're hosting

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Speaker 1: or just bring the wine we love to share are

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Speaker 1: always low prices and ridiculous selection this spring. At Total

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Speaker 1: Wine and More. Cheers. He's a legendary Queen's rapper, Hang

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Speaker 1: segretis your boy and he's a Miami hip hop pioneer.

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Speaker 1: What Up is d J e f N. Together they

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Speaker 1: drink it up with some of the biggest players in

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Speaker 1: music and sports me in the most professional, unprofessional podcast.

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Speaker 1: This is Drink Chip Radar whe Every day is New

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Speaker 1: Year's e just what it could be over for these

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Speaker 1: it should be. That's your boy and his DJ e

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Speaker 1: f and this Drink Chance motherfucking podcast makes up where

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Speaker 1: the horns at signed the autographs to the Horns and

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Speaker 1: gave him away with fat But right now we got

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Speaker 1: a legend in the building. Not only is he part

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Speaker 1: of the most legendary group that could never be implicated,

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Speaker 1: duplicated or none of that in the hip hop, but

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Speaker 1: he's also his own legend. He also made classics on

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Speaker 1: his own. He also has shoes on his own, ice

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Speaker 1: cream chucks on his own. He's a legacy. He's gonna

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Speaker 1: continue doing it. He's so he's so tough out here

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Speaker 1: on these tours. He'd be doing like a hundred and

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Speaker 1: he'd be torn like a wrestler a hundred and out

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Speaker 1: the year on the road, flying flaws and doing all that.

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Speaker 1: He's with first person I've ever seen with a made

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Speaker 1: back in the building right now, it's no other than

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Speaker 1: break Waw, the motherfucking Shift, the first Wolf Tank member

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Speaker 1: to ever be in a drink chat podcast. Let's make

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Speaker 1: some wake you from you from Brooklyn and Staten Island,

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Speaker 1: right because when you grew up on the crime side

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Speaker 1: New York time side. He was talking about Brooklyn. Yeah, man,

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Speaker 1: you know, first off, we owe you published. I don't

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Speaker 1: know if you know that we owe you publishing Every

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Speaker 1: time on the drink, Chace, we go in the drink,

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Speaker 1: chance doing it, chance on me is doing it and

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Speaker 1: we got that from you nothing so so so so

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Speaker 1: you'll tell you what you're saying. Umkay, was like from

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Speaker 1: I mean, you know, yeah, you know York at that right, yeah,

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Speaker 1: you know, right in the middle, like between Brownsville, you know,

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Speaker 1: when East New York. You know, it's like across the

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Speaker 1: street from you know, I was dead or as a

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Speaker 1: young nigket though, man, like you know, I can't take

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Speaker 1: no no, no wood strikes from Brooklyn and act like

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Speaker 1: I was there at that time. I was a kid

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Speaker 1: from York's lethal injections. Yeah, so so what year did

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Speaker 1: you move to stan When I was like when I

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Speaker 1: was like teen, me something saying a Levin or something,

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Speaker 1: you know, like I said, I ain't gonna act like

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Speaker 1: I got no stripes in Brooklyn on that level. I

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Speaker 1: was a kid, you know. And my mom's you know,

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Speaker 1: his sister told her, you know, I think stat now

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Speaker 1: is a better place for you to live, you know,

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Speaker 1: because my pops he was a while, he was a

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Speaker 1: wild He was a floggoom though, you know what I mean,

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Speaker 1: And you know he was getting into a lot of ship,

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Speaker 1: all right, and you know repercussions was was coming at him.

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Speaker 1: I guessing you know, it came to the point where

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Speaker 1: my mom's had to get the stat down and to

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Speaker 1: get for a better life. For a better life. You

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Speaker 1: had no idea park Hill Ston and all that. I

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Speaker 1: ain't know nothing about that. I was. I was still

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Speaker 1: a lad, you know what I mean? Now you and

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Speaker 1: ghost face up from separate projects. Yeah what projects is though?

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Speaker 1: Staple to he from Staple to from from the hill

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Speaker 1: park Hill? Yeah, Paul killing, Let's make some noise from

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Speaker 1: park Hill. God damnit? He had So we tried to

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Speaker 1: get rap Kan an other week, right, it didn't happen.

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Speaker 1: We tried our best. Yeah, you can try to get

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Speaker 1: a look. I switched back to blunts. So yeah, we

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Speaker 1: just had We just had having care and we was

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Speaker 1: froming wall Cones and and and and um the abbiance

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Speaker 1: of the smell kept bothering them, knowing I was stinking

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Speaker 1: of it is nothing more than that, you know, thinking

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Speaker 1: about what happened with the right, I got those back,

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Speaker 1: so so what yeah? Um, so now you met residents

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Speaker 1: because Rizzid and O D B was all from Brooklyn, right, yeah, yeah,

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Speaker 1: So what year was that that they came out there?

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Speaker 1: And when when you first met them, was it about

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Speaker 1: like music or some street ship? Nah, it's some street

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Speaker 1: ship automatically though, it's like them niggas them nigger has

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Speaker 1: been around since we these kids, like you know um

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Speaker 1: Rizzid we used to go to school together. You know

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Speaker 1: we usn't like the fourth grade is something something like that,

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Speaker 1: fourth and fifth grade. And you know Ridge was a

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Speaker 1: nigger that used to come through the neighborhood because he

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Speaker 1: used to live in like a private house. You know,

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Speaker 1: nigga's that living back the house. Nigg living No, no,

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Speaker 1: not gated. But he just said, you know his family

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Speaker 1: had a private house. You know me from the project.

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Speaker 1: So that's a privilege to me when the nigga could

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Speaker 1: live in a private house, so you know what I mean.

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Speaker 1: And you know we used to go to school together,

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Speaker 1: and um Rizz was always in the music, you know

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Speaker 1: what I mean. That's one thing I could say. He

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Speaker 1: always he he loved music, you know what I mean.

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Speaker 1: And at that time, you know his cousins was was

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Speaker 1: from Brooklyn, you know Jis and you know oh Dirty.

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Speaker 1: You know, they would come back and forth to stat

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Speaker 1: now and from now. Why was they coming because they

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Speaker 1: have family and he was coming to he was coming

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Speaker 1: to hang out with with Rizzin you know when Um,

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Speaker 1: you know, I used to run with them at that

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Speaker 1: time and always used to be around him, and I

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Speaker 1: used to see like musical talents in them niggas all

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Speaker 1: the time, like you know, you know, um the jiser,

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Speaker 1: he always was ryning. That wasn't the rest of the

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Speaker 1: first one I put out the record I Love You, Rocky.

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Speaker 1: That was his ship, right, that was right, they love you.

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Speaker 1: He was the first one. Basicly to me, know, my

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Speaker 1: ship got damn ship was early too, but I think

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Speaker 1: I think came first, think they were, but what wasn't

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Speaker 1: just a project? I forget? Um, I remember his ship

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Speaker 1: too was the genius wast form genius that was. That

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Speaker 1: was a fish you album right there, like you know,

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Speaker 1: that's when the nigga came back to the hood and

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Speaker 1: showed everybody was like the ship, this thing got an album.

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Speaker 1: You know, we had it in our hands like it was.

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Speaker 1: It was ill. So the whole people who put you

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Speaker 1: all together, like y'all nine okay, um, y'all nine people together?

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Speaker 1: Who's out there? Was that initially it was it was

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Speaker 1: that was his you know what it was. It was

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Speaker 1: just that when they went in and did their thing

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Speaker 1: on their own, they wasn't the truth at that time,

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Speaker 1: you know. Yeah, you know, you know, and I guess

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Speaker 1: that they felt like, you know what, we're gonna do

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Speaker 1: it our way. We're gonna we're gonna come with something

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Speaker 1: new and raised was the spared of it, you know.

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Speaker 1: And it was called certain niggas in the hood. And

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Speaker 1: he always fun with me, so he knew my potential.

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Speaker 1: Like I said, I was, I was deep in this way.

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Speaker 1: And um when he when he when he made that call,

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Speaker 1: it was like yo, yeah, yeah, I'm damn just for

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Speaker 1: the representation of the barrel. I wasn't looking at it

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Speaker 1: that fall. So it was like more like, oh, yeah, whatever,

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Speaker 1: you want to make a record, we know that's what

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Speaker 1: you do. Yeah, we do, we do this, So what

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Speaker 1: do you want to meet that? You know? And we

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Speaker 1: went the home studio. He told anybody come with a

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Speaker 1: huntred dollars. I I was, you know what I mean,

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Speaker 1: I was, I was splashing a little. I was a lobbyist.

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Speaker 1: It was for the studio, So you know, niggas, you know,

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Speaker 1: some niggas ain't happy, but he's like no. But now

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Speaker 1: you know, he came in and he's like, yeah, I

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Speaker 1: want is to get on this record right here boom.

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Speaker 1: He didn't talk about the the big pipe dreams of

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Speaker 1: everything gonna be this and be that. It was more

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Speaker 1: or less just the record and um, yo, I'm picking

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Speaker 1: you know, I want I want your niggas. Oh, y'all

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Speaker 1: niggas to get on it. We're gonna come bump rush

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Speaker 1: the game. So he's like, yo, whatever you know you protecting? Yeah,

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Speaker 1: this is this is the first record of recording kids

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Speaker 1: the fu. Yeah I'm saying I'm saying that's what created

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Speaker 1: the whole ship because we've been rhyming for a minute.

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Speaker 1: The visually, so Rizz already knew certain niggas in the hood,

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Speaker 1: already had had a name, you know what I mean.

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Speaker 1: So I was like, okay, you know when he picked

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Speaker 1: certain niggas, we wasn't knowing cool like that, but we Yeah,

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Speaker 1: he who came with the um riz you know that

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Speaker 1: every the whole concert and that was his round. Yeah yeah, no,

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Speaker 1: not Pineapple. I'm gonna do the South of Water with

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Speaker 1: you have the war. So this l just broke it

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Speaker 1: suth of war yea, yeah, but you know, you know

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Speaker 1: what I mean. He came with the whole kung fu

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Speaker 1: style of it or whatever. And you know everybody back

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Speaker 1: then was big on karate, karate flicks or whatever. Like

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Speaker 1: I remember that when we used to ride tree Cat

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Speaker 1: nine loans and know that you know men back in

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Speaker 1: the days about the nine loins. So what was the

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Speaker 1: moment was it when you recorded protection and that that

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Speaker 1: you knew he was about of some legendary ship or

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Speaker 1: you was just rhyming and page your hunted olins and

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Speaker 1: it was gonna go on. It was just glad to

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Speaker 1: beat their thoughts. You know, I ain't glad to beat

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Speaker 1: their thoughts. But when we did hear the record, and

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Speaker 1: you know he composed it the way he composed it,

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Speaker 1: when he came back and plated it was like, oh,

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Speaker 1: ship you wanted something? Was that the order that the

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Speaker 1: verses was at the same mold y'all recorded um nine.

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Speaker 1: He was just he just was freaking it the way

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Speaker 1: he wanted to freak it, you know what I mean.

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Speaker 1: But when we heard it, when we heard it, we

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Speaker 1: was like, it's just sound nice, because you know, our

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Speaker 1: thing was we wanted we wanted to do what the

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Speaker 1: hit squad was doing, because I think a lot of

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Speaker 1: people get it funked up when you go back to

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Speaker 1: that earlier time and you just got certain crews that

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Speaker 1: was doing that. Sad Nigga always was He's coach, you

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Speaker 1: know what I mean. So we just wanted to emulate

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Speaker 1: what we've seen them do, but at the same time

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Speaker 1: still challenge what they do, you know, so you know,

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Speaker 1: being that um or being a ridge. He felt like, yo,

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Speaker 1: you know what boom we we the stating Alan of

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Speaker 1: them niggas Ray and goes you to E. P. M. D.

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Speaker 1: You know, Riz the rock him, you know, you know,

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Speaker 1: just as the k arrest of the click, you know,

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Speaker 1: red Man is met the Man's Red Man. You know,

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Speaker 1: we started, you know, feeling like we had to, you know,

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Speaker 1: be on a level. And the next thing, you know,

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Speaker 1: once that record, once that record took off, you know,

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Speaker 1: he started to really make us feel like that came out.

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Speaker 1: I was in jail and all of a sudden, everybody

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Speaker 1: that was from Brooklyn was from Stating Allen. At that moment,

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Speaker 1: I was like, what the fuck, Like the whole jail

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Speaker 1: just turned from Stating and I said, these rove take niggas.

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Speaker 1: It's crazy, man. A lot of niggas, you know, a

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Speaker 1: lot of niggas from Brooklyn used to hang out and stand.

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Speaker 1: So we had a lot of relationships because you know,

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Speaker 1: stat Nolan, it's literally like fifteen twenty minutes from Brooklyn,

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Speaker 1: like Atlantic Avenue right there. You get there like twenty

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Speaker 1: minutes and then you shoot down and make the right

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Speaker 1: and you go all the way down. Now I heard

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Speaker 1: you want back in the days, you want ghost face

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Speaker 1: shot at each other? Is this true? Projects shooting projects

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Speaker 1: shot at each other? Is that what I heard? The

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Speaker 1: projects hated each other. Why you gotta bring that me

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Speaker 1: and complone projectsted each other. But now now, now, now

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Speaker 1: when you can't go to Queen's bridget, I'll see all

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Speaker 1: that frac again vice versa exactly at that ship. Been

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Speaker 1: going on for years, man, and it's been like a

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Speaker 1: traditional thing, you know on staton Al and you know

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Speaker 1: certain places don't like other places. And you know, we

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Speaker 1: kind of like grew up in that where you know Stapleton,

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Speaker 1: not I ain't that anywhere I go. You know when

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Speaker 1: the hill niggas, you know, but ghosts he was a

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Speaker 1: nigg that you know, it was comfortable with coming up

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Speaker 1: to stat now and he had a lady up there,

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Speaker 1: so he was moving in and out there. I mean

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Speaker 1: he was coming from State with Paul Kill because he

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Speaker 1: had a shotty up there. You know, he had a kid,

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Speaker 1: so he had to come up there, so you know,

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Speaker 1: were seeing you know, and we knew what he was

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Speaker 1: about because he was a creep thing. You know he

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Speaker 1: was doing. When I say creep, I mean like a

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Speaker 1: crook creep that I whatever playing, but he was. He

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Speaker 1: was a crook creep back then. And you know, niggas

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Speaker 1: don't have to watch him because you know he had

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Speaker 1: no you know, he had no filter. Niggas carried them

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Speaker 1: guns and they come through and it's like, you know,

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Speaker 1: niggas me on the roof watching them, like making sure

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Speaker 1: they know where they're going and leaving. And they used

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Speaker 1: to yacht niggas. They used to yacht certain niggas and

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Speaker 1: you know, I never I never ran across to them

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Speaker 1: on that level. And we kind of respected each other's

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Speaker 1: club because we you know, we know a certain power pledge,

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Speaker 1: like you know you had that you had to know

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Speaker 1: that in certain hoods. So even when Rizz brought us together.

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Speaker 1: It was like, yeah, I funk with you, but I

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Speaker 1: don't know you though. You know what I'm saying. Y'all

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Speaker 1: knew each other but didn't know time we I mean,

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Speaker 1: we knew each other from school, but it was still

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Speaker 1: like it was just like just going to school. You know,

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Speaker 1: you're going to school. It's like I see you, I

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Speaker 1: see but after that, you know, I ain't gonna be

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Speaker 1: around you know more, I'm going back up this way.

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Speaker 1: You're going where you're going. And we would meet up

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Speaker 1: when when like block parties and all that ship was

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Speaker 1: popping off, you know, you know a lot of times

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Speaker 1: it would it would be like Paul Kill Day and

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Speaker 1: you know, niggas from all over stat Allen would come

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Speaker 1: through it and you know, niggas and make movies and ship.

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Speaker 1: You know, Nick, somebody might get shot, somebody might get

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Speaker 1: hit with a golf club, you know what I mean,

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Speaker 1: niggas in somebody pockets, somebody got knocked out. You know,

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Speaker 1: all this ship was going on and it was like

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Speaker 1: outside niggas that you had to watch. You watch these

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Speaker 1: So Ghost is definitely a note. Chory's killing killing man

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Speaker 1: Jarro nigga, but he was cool. Let's make noise of

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Speaker 1: that first time when you say that killing the gyro

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Speaker 1: and things like that, your slang is it's different. It's

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Speaker 1: like how did you sling? Like your sling? You know,

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Speaker 1: it's different, you know what I mean? So how you

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Speaker 1: developed this ship? Like you know what I mean, your orsports?

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Speaker 1: It's just block coded? Is block coded? It's just you know,

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Speaker 1: I ran with a bunch of funny niggas, you know

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Speaker 1: what I mean, fat Albert nigga. Niggas had not the

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Speaker 1: snapping all that. So ship just start coming out that.

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Speaker 1: You know, it was so ill that it made sense

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Speaker 1: and niggas just kept it, you know what I mean.

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Speaker 1: But no, I don't. I don't look at it like

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Speaker 1: that's just how we talked. And you worked for punting

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Speaker 1: early like you was like punning's first feature. Correct, Yeah,

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Speaker 1: how was that? So introduced me to Firewater? He introduced me, Yeah,

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Speaker 1: you know, and Joe was like, Yo, this is my

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Speaker 1: nigga right here, Yo, this is my right hand. And

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Speaker 1: you know he said, no, this is somewhere up in

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Speaker 1: the Bronx or some ship. I came up there to

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Speaker 1: see him, and you know, he was like, yeah, I

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Speaker 1: want you don't want you to meet somebody ship. So

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Speaker 1: I'm like that, what's up? You know what I mean?

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Speaker 1: The next thing, you know, it was a big pun

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Speaker 1: of me, told Punt the rhyme for me, and when

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Speaker 1: he run from me, it was like I looked at

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Speaker 1: Joe like, yeah, Nick, this is you know what I mean?

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Speaker 1: This is this is the one, and he was like, Yo,

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Speaker 1: you like this thinker, you like him? I said, nigga

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Speaker 1: blood is snicking. Man, he was just spinning. He said, Yo,

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Speaker 1: I want I want to put him on his jam,

305
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Speaker 1: put him on the trunk and it went from there.

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Speaker 1: The next thing, you know, the star was super Bowl

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Speaker 1: after that. Now this is why I want to get

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Speaker 1: to there's a classic hip hop memory. Classic skip y'all,

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Speaker 1: what ghost face he said, the nigga's bit or the

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Speaker 1: nas ship. What was going through you? I had know

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Speaker 1: what later on, your squadship were big, but at that

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Speaker 1: time you had to be feeling something. So what was

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Speaker 1: what was your mind stick going through when y'all made

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Speaker 1: that intro Because it was funny as hell, for they

315
00:17:18,800 --> 00:17:26,399
Speaker 1: were serious. Um, it wasn't premeditated, I'll tell you that.

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Speaker 1: So did y'all feel like, yeah, yeah, you had to

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Speaker 1: say something because you felt like it was outright bit

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Speaker 1: in nah you know some sense it was called sharp bites, right, wasn't.

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Speaker 1: I mean, you know, you know, I got the documentary

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Speaker 1: coming out, so I'm gonna tell the real story within

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Speaker 1: the documentary. But all I could say is in the

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Speaker 1: sport of what we do when we came in, we

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Speaker 1: wasn't supposed to like nobody I say that all the time.

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Speaker 1: Let's make some noise for the nig niggas. It was.

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Speaker 1: It was straight hour. It was straight our nigked thing,

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Speaker 1: like you said, like you know, like I said, you know,

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Speaker 1: we was getting money with the niggas. We you know,

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Speaker 1: we made great records with niggas, but it wasn't ever

329
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Speaker 1: you know, that's not like we were resting us, especially

330
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Speaker 1: to us because you know, I'm talking about us our

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Speaker 1: generation of youngsters. You know, like you know, you go

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Speaker 1: to another nigga neighborhood or whatever, if you're not from there,

333
00:18:29,040 --> 00:18:32,800
Speaker 1: you always feel like watch those niggas stuff, you know

334
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Speaker 1: what I mean, and vice versa, because a lot of

335
00:18:35,240 --> 00:18:37,320
Speaker 1: times people got hurt. It was from niggas out of

336
00:18:37,359 --> 00:18:39,879
Speaker 1: town coming in and hurt niggas or you know what

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00:18:39,880 --> 00:18:43,000
Speaker 1: I mean. So anytime. We always felt like that, And

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Speaker 1: like I said, at the end of the day, we're

339
00:18:44,560 --> 00:18:47,360
Speaker 1: gonna we're gonna say that one that that because that's

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Speaker 1: a real thought. But all I can say is it

341
00:18:49,760 --> 00:18:53,040
Speaker 1: was a premeditated you know, it was just hungry niggas

342
00:18:53,080 --> 00:18:55,120
Speaker 1: being hungry niggas. It was. It was a legendary moment

343
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Speaker 1: of hip hop. Man, legendary moment in hip hop. You

344
00:18:57,600 --> 00:19:00,600
Speaker 1: got something mean now. One thing this is as a

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Speaker 1: DJ side Plasiers Advice is one of my favorite records

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Speaker 1: of all time. You're supposed to say, come on right,

347
00:19:08,280 --> 00:19:14,399
Speaker 1: you gotta we're gonna do. We're gonna play a game, right,

348
00:19:14,440 --> 00:19:17,920
Speaker 1: We're gonna play shot. Man. I mean that we're gonna

349
00:19:17,920 --> 00:19:20,000
Speaker 1: we're gonna play shots. Right. You don't want to you

350
00:19:20,000 --> 00:19:22,800
Speaker 1: don't want to take a shot, right, Yeah, I take

351
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Speaker 1: a shot. Just we're gonna do whenever shot, whenever I

352
00:19:26,960 --> 00:19:29,960
Speaker 1: beat you to the then and whenever I beat you

353
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Speaker 1: to the home, you canna point at somebody and you

354
00:19:31,880 --> 00:19:35,040
Speaker 1: can make them take a shot. Everybody's in. Everybody's in

355
00:19:36,240 --> 00:19:38,040
Speaker 1: one year, all right. So if I beat you to

356
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Speaker 1: the you're supposed to say, then you gotta take a shot.

357
00:19:44,320 --> 00:19:49,080
Speaker 1: You can tell you boys. Yeah, because you say some

358
00:19:49,119 --> 00:19:52,400
Speaker 1: fly ship, you say some I tell people all the time.

359
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Speaker 1: I say, Ray Kuwan, if you have a conversation with

360
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Speaker 1: Ray Kwan and he can't say. At one point, I said,

361
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Speaker 1: your conversation right, it's trash. You know what I'm saying.

362
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Speaker 1: So you're gonna cut me off? Godam I forgot? Now?

363
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Speaker 1: Am I crazy? Or? Was there a legend of Zelda

364
00:20:11,480 --> 00:20:16,800
Speaker 1: sample in that record? You game nigger in the video

365
00:20:16,800 --> 00:20:21,520
Speaker 1: game always stayed a game. I never peep that. I

366
00:20:21,520 --> 00:20:24,040
Speaker 1: never knew that. Yeah, I hate that. That's what That's

367
00:20:24,040 --> 00:20:25,919
Speaker 1: what it is. And I do the sercha and I'm

368
00:20:25,960 --> 00:20:27,840
Speaker 1: trying to be nerd about and I can't find nothing.

369
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Speaker 1: But I swear to you that it's a legend of

370
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Speaker 1: Zelda sample Las Advice. That's one of my favorite records

371
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Speaker 1: of you just put me on that. I didn't know that.

372
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Speaker 1: To be honest, you ain't can't a boy none of that.

373
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Speaker 1: You're like the just to be inside the label just

374
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Speaker 1: the end a loud Um documentary. It was so it

375
00:20:51,280 --> 00:20:56,800
Speaker 1: was so branch. It was who brought that? He brought

376
00:20:57,440 --> 00:21:01,359
Speaker 1: because he is going that is apo hit me with that.

377
00:21:01,359 --> 00:21:03,399
Speaker 1: That's the kush and we smoked the haze and he

378
00:21:03,440 --> 00:21:05,359
Speaker 1: wrote an out the Haze? So did you did you

379
00:21:05,359 --> 00:21:08,159
Speaker 1: see the Loud thing? Oh? Man, it was it was

380
00:21:08,160 --> 00:21:10,680
Speaker 1: pretty awesome. Did you felt bad too? Because I wasn't

381
00:21:10,720 --> 00:21:12,679
Speaker 1: in it? You know what was in it? You know

382
00:21:12,760 --> 00:21:14,720
Speaker 1: I missed that, And you know I feel bad because

383
00:21:14,800 --> 00:21:17,000
Speaker 1: you know, Loud Loud did a lot of ship for

384
00:21:17,040 --> 00:21:19,320
Speaker 1: the game. You know, shout out Steve Rifkin. Now you

385
00:21:19,400 --> 00:21:22,240
Speaker 1: just sad all out as well. Yeah, getting to that

386
00:21:22,359 --> 00:21:27,840
Speaker 1: right now, Like I'm gonna be honest. That was her time.

387
00:21:27,960 --> 00:21:30,840
Speaker 1: We knew you was wotang. We knew that, but it

388
00:21:31,000 --> 00:21:32,760
Speaker 1: was the time when you just broke out and you

389
00:21:32,880 --> 00:21:36,240
Speaker 1: was on Somakio. So now niggas know who Ray Kuan is?

390
00:21:37,760 --> 00:21:40,000
Speaker 1: How did that feel? Did you know he was making

391
00:21:40,000 --> 00:21:43,480
Speaker 1: a classic? When he was making it? Let's make for

392
00:21:43,560 --> 00:21:51,160
Speaker 1: that world. That's for something, Like they're gonna tell you something,

393
00:21:52,040 --> 00:21:56,600
Speaker 1: be honest with you. You know, we had a powerful

394
00:21:56,680 --> 00:21:59,399
Speaker 1: team back then. You know we was young. Niggas were

395
00:21:59,560 --> 00:22:03,560
Speaker 1: will strong. You know you called me ain't there? You know,

396
00:22:04,400 --> 00:22:09,240
Speaker 1: real real That's where I had to come in because

397
00:22:09,320 --> 00:22:12,359
Speaker 1: it's like it was one of those vibes like I'm

398
00:22:12,400 --> 00:22:15,040
Speaker 1: sitting around the table with all god body men at

399
00:22:15,040 --> 00:22:18,000
Speaker 1: the time, and Nigga's is smart and creating a plan

400
00:22:18,160 --> 00:22:20,040
Speaker 1: and and you know, like I said, all I wanted

401
00:22:20,040 --> 00:22:21,560
Speaker 1: to do is just be a team player. I just

402
00:22:21,600 --> 00:22:24,199
Speaker 1: wanted to come in and do my part because I

403
00:22:24,280 --> 00:22:25,960
Speaker 1: was call thin and to be a part of this.

404
00:22:26,600 --> 00:22:29,640
Speaker 1: So now I wasn't worried about no solo dolos. I

405
00:22:29,680 --> 00:22:32,480
Speaker 1: wasn't thinking about it. You know, I was just you know,

406
00:22:32,600 --> 00:22:35,440
Speaker 1: coming in on the representation, just to do my part.

407
00:22:35,800 --> 00:22:38,240
Speaker 1: Before we get back to the Purple tape, ghost Face

408
00:22:38,359 --> 00:22:42,240
Speaker 1: just said that he's in charge of a new heard

409
00:22:43,080 --> 00:22:45,560
Speaker 1: about that. I heard about that. I mean, I think

410
00:22:45,560 --> 00:22:47,119
Speaker 1: that's a good look. I think it's a good I

411
00:22:47,119 --> 00:22:51,199
Speaker 1: think it's a Superman look. Superman. That was That was

412
00:22:52,400 --> 00:22:58,360
Speaker 1: that was, and say something to be honest with your men,

413
00:22:58,560 --> 00:23:02,400
Speaker 1: goes always are the ones fighting for, you know, brothers,

414
00:23:02,400 --> 00:23:05,560
Speaker 1: the step in two different changes sometimes and not go

415
00:23:05,680 --> 00:23:08,040
Speaker 1: against the you know, you're talking about the nigga that

416
00:23:08,119 --> 00:23:11,720
Speaker 1: got eight rings, you know what I mean, eight classics rising.

417
00:23:11,920 --> 00:23:14,040
Speaker 1: You know, when you you you're questioning the man with

418
00:23:14,080 --> 00:23:17,159
Speaker 1: that kind of belt, he's gonna look at you like

419
00:23:17,200 --> 00:23:19,800
Speaker 1: you crazy lord. I heard ris A house. You gotta

420
00:23:19,800 --> 00:23:23,240
Speaker 1: walk a hundred steps. It's like some ill change Chinese theater.

421
00:23:23,880 --> 00:23:25,800
Speaker 1: You gotta walk a hundred steps up there. You know

422
00:23:25,920 --> 00:23:28,760
Speaker 1: he's catch your breath. You know he's real deal. Correct.

423
00:23:30,440 --> 00:23:32,880
Speaker 1: Nigga told me one day, Yo eat more wood than

424
00:23:33,000 --> 00:23:36,879
Speaker 1: than me. I say, you all said you want nigga

425
00:23:37,080 --> 00:23:39,040
Speaker 1: gus because he went to the temple or whatever he

426
00:23:39,600 --> 00:23:43,120
Speaker 1: went through he went there. How does the wood tank

427
00:23:43,560 --> 00:23:46,560
Speaker 1: logo go? Like, if y'all use it, you can can

428
00:23:46,720 --> 00:23:48,840
Speaker 1: all of y'all use it? Or I mean, you know

429
00:23:48,920 --> 00:23:51,080
Speaker 1: niggas could use it, of course, but it's just when

430
00:23:51,080 --> 00:23:55,800
Speaker 1: other nig is using with us, you know, you know

431
00:23:56,160 --> 00:23:59,280
Speaker 1: it's all the niggas that that that's just the nature

432
00:23:59,280 --> 00:24:01,560
Speaker 1: of business, you know. But if you build a brand

433
00:24:01,600 --> 00:24:04,119
Speaker 1: and you know you part of the brand, but you

434
00:24:04,240 --> 00:24:07,200
Speaker 1: go do something with somebody else that's not a part

435
00:24:07,240 --> 00:24:10,639
Speaker 1: of the brand, they gotta respect that they're getting something

436
00:24:10,680 --> 00:24:13,280
Speaker 1: great and they gotta pay. They gotta get back to

437
00:24:13,440 --> 00:24:16,480
Speaker 1: the So you know, some nig is, you know, use

438
00:24:16,520 --> 00:24:18,560
Speaker 1: it or some niggas don't use it. So let's get

439
00:24:18,600 --> 00:24:24,040
Speaker 1: back to this purple tape and conserrated scarf and concerrated

440
00:24:24,160 --> 00:24:27,480
Speaker 1: scarf face every time you come out and I'm like,

441
00:24:27,680 --> 00:24:30,080
Speaker 1: way performing me. You know, you don't never have to

442
00:24:30,080 --> 00:24:33,640
Speaker 1: ask me which record you're gonna do. It's always in conserrated.

443
00:24:33,680 --> 00:24:36,200
Speaker 1: Scar face, How did you what was your what? What?

444
00:24:36,600 --> 00:24:38,320
Speaker 1: I don't know? Tell me the story. I don't even

445
00:24:38,320 --> 00:24:40,879
Speaker 1: know the question. Just tell me the story of to

446
00:24:40,920 --> 00:24:44,119
Speaker 1: concerrator scarfce My Nigga. That's that's just the record for

447
00:24:44,160 --> 00:24:46,639
Speaker 1: the niggas that was away, you know, the niggas that

448
00:24:46,720 --> 00:24:49,280
Speaker 1: wasn't on the street at the time. You know, when

449
00:24:49,320 --> 00:24:51,439
Speaker 1: I was making an album, I felt like, you know,

450
00:24:51,520 --> 00:24:53,800
Speaker 1: I had to really pay respect to the niggas that

451
00:24:54,000 --> 00:24:56,600
Speaker 1: wasn't hit. You know, a lot of my niggas went

452
00:24:56,600 --> 00:24:59,919
Speaker 1: away early. You know, of course some course some monster

453
00:25:00,080 --> 00:25:02,560
Speaker 1: bids and ship and I was thinking about the niggas

454
00:25:02,600 --> 00:25:05,159
Speaker 1: and like, you know, a lot of times, you know,

455
00:25:05,240 --> 00:25:07,600
Speaker 1: you might see a nigga with a rip on his

456
00:25:07,680 --> 00:25:09,880
Speaker 1: face or something. You know that that don't make him

457
00:25:10,080 --> 00:25:12,520
Speaker 1: a sucker because he got a rip, you know what

458
00:25:12,520 --> 00:25:14,560
Speaker 1: I mean. That might just be a scar at the court.

459
00:25:15,160 --> 00:25:17,560
Speaker 1: You know, nigga might have called him or whatever, and

460
00:25:17,640 --> 00:25:19,639
Speaker 1: you know that made him a stronger nigga laid on.

461
00:25:20,240 --> 00:25:23,199
Speaker 1: But I was just thinking about all my scar face niggers,

462
00:25:23,240 --> 00:25:26,880
Speaker 1: like niggas that get money, scar face niggers. You know, yeah,

463
00:25:26,880 --> 00:25:28,920
Speaker 1: if you had a scar, you know you ain't that scar.

464
00:25:29,640 --> 00:25:32,000
Speaker 1: You know, anybody, all of us, I'm sure you've got scars.

465
00:25:32,040 --> 00:25:37,560
Speaker 1: I got scars. So we scared. We scared face down

466
00:25:37,680 --> 00:25:42,520
Speaker 1: niggas though. But I'm just saying, just just paying homage

467
00:25:42,560 --> 00:25:44,560
Speaker 1: and just cort a vibe that they just walked in

468
00:25:44,720 --> 00:25:47,720
Speaker 1: Risi Rizzi dungeon that day and he had that he

469
00:25:47,760 --> 00:25:50,119
Speaker 1: had to beat on. And you know how write fast

470
00:25:50,200 --> 00:25:52,040
Speaker 1: if it's nice, if you got something real good, I

471
00:25:52,040 --> 00:25:55,440
Speaker 1: could write fast and right, you know what I mean.

472
00:25:55,480 --> 00:25:57,760
Speaker 1: It came with the hook and say, yo, that's for

473
00:25:57,840 --> 00:26:00,040
Speaker 1: niggas in jail that ain't around. Make some noise for

474
00:26:00,080 --> 00:26:05,720
Speaker 1: across Ray scarface story. Ray, you've been famous for a

475
00:26:05,800 --> 00:26:08,040
Speaker 1: long time. I want to know who's the who's the

476
00:26:08,119 --> 00:26:13,080
Speaker 1: weirdest famousest person? You smoked with the weirdest famous sneaking

477
00:26:13,160 --> 00:26:15,359
Speaker 1: ship like that you smoked and you was just like,

478
00:26:15,480 --> 00:26:17,320
Speaker 1: I can't believe I was smoking with your my daughter.

479
00:26:19,560 --> 00:26:21,760
Speaker 1: You know something I don't know. I just let that

480
00:26:21,920 --> 00:26:27,400
Speaker 1: up in you smoked with mean marian I ain't blow

481
00:26:27,520 --> 00:26:31,840
Speaker 1: I ain't blow a right, didn't you? I mean Jill

482
00:26:31,960 --> 00:26:34,080
Speaker 1: Scott though we hung out one night she cried to

483
00:26:34,200 --> 00:26:41,800
Speaker 1: me and j Scott heroin, don't oh Jay Scott, Jill

484
00:26:41,840 --> 00:26:47,080
Speaker 1: Scott brow. She wasn't blowing on the branch though, but

485
00:26:47,240 --> 00:26:50,639
Speaker 1: she was drinking and ship. You know, she cried that night.

486
00:26:50,680 --> 00:26:52,680
Speaker 1: She had a lot of ship on the mind. Me

487
00:26:53,880 --> 00:26:56,560
Speaker 1: and my homeboy. We was dead hanging out with whatever.

488
00:26:56,640 --> 00:27:00,159
Speaker 1: It was after um. It was after UM, I know

489
00:27:00,160 --> 00:27:02,119
Speaker 1: awards that we went to when you know we all

490
00:27:02,280 --> 00:27:04,879
Speaker 1: was hanging out and you know she was. She was

491
00:27:05,000 --> 00:27:10,320
Speaker 1: ventilating that day and really she just distilled, you know

492
00:27:10,359 --> 00:27:11,920
Speaker 1: what I mean. And he's like, you know it's a

493
00:27:11,960 --> 00:27:14,399
Speaker 1: big brother, y'o. You know we're head for you, right.

494
00:27:16,680 --> 00:27:18,320
Speaker 1: We thought was going to have in Vegas. Remember that

495
00:27:18,440 --> 00:27:26,560
Speaker 1: was ill nothing Scott lets Kelly Price up. It's up guy.

496
00:27:27,200 --> 00:27:31,320
Speaker 1: I'm glad you told this right. He's a fund up guy.

497
00:27:31,840 --> 00:27:33,919
Speaker 1: That's the right quar We asked, all, I guess this right?

498
00:27:35,920 --> 00:27:41,720
Speaker 1: Do you ask this guy? That's how you can ask me.

499
00:27:41,800 --> 00:27:52,120
Speaker 1: That's the great answer it But ask like mother, you'd

500
00:27:52,119 --> 00:28:01,600
Speaker 1: be grown on a monkey. Go. I'm step is crazy?

501
00:28:01,760 --> 00:28:07,159
Speaker 1: Need we got I got another woman. She got to

502
00:28:07,200 --> 00:28:09,920
Speaker 1: be a special as a special ass like super clean

503
00:28:10,359 --> 00:28:15,440
Speaker 1: and super clean. We don't just run down there a girl.

504
00:28:15,560 --> 00:28:18,240
Speaker 1: First of all, dudes, I'm just you know, I'm just

505
00:28:18,359 --> 00:28:23,680
Speaker 1: wanting to call that checking the temperature? No check that

506
00:28:23,840 --> 00:28:27,200
Speaker 1: super what's the wireless toy? You've been on this whole

507
00:28:27,240 --> 00:28:29,639
Speaker 1: again too? Oh my god, I'm not good friends. And

508
00:28:29,880 --> 00:28:31,560
Speaker 1: that's how like Eddie was ready to jump into the

509
00:28:31,600 --> 00:28:34,600
Speaker 1: ass conversation. You know you meant Eddie to ask either

510
00:28:39,760 --> 00:28:45,440
Speaker 1: looks so Smuger's Jellico talking about either booty that grows

511
00:28:45,480 --> 00:28:49,280
Speaker 1: the rain? This is this is this pretty Come on here, fan,

512
00:28:49,360 --> 00:28:51,160
Speaker 1: come on, you went to school. We got another They

513
00:28:51,240 --> 00:28:53,400
Speaker 1: went to school together. Lean over talking about your ass.

514
00:28:53,960 --> 00:28:58,880
Speaker 1: I know what the ask bright tell them about you?

515
00:28:59,280 --> 00:29:02,760
Speaker 1: How you asshole was eight? Can you think count you?

516
00:29:02,920 --> 00:29:04,920
Speaker 1: You definitely. I let's just think about this. You're in

517
00:29:04,920 --> 00:29:09,880
Speaker 1: the fifties or in the twenties, just assholes. He needs

518
00:29:09,880 --> 00:29:14,960
Speaker 1: an attorneys, some of them reach We're gonna make a

519
00:29:16,040 --> 00:29:17,800
Speaker 1: We're gonna make a commercial for you if you need

520
00:29:17,880 --> 00:29:21,720
Speaker 1: your ass bleach Eddie, Eddie gets will teach this is

521
00:29:21,800 --> 00:29:28,959
Speaker 1: a fact. You know what I mean? Ray Kuary want

522
00:29:28,960 --> 00:29:30,480
Speaker 1: to let you know the man of Liking Providers to

523
00:29:30,560 --> 00:29:33,600
Speaker 1: day is my best buy liquors man. They got they

524
00:29:33,680 --> 00:29:37,200
Speaker 1: got four four A liquor stores to Kendle went color

525
00:29:37,280 --> 00:29:40,840
Speaker 1: red and the color Bay color red, color Bay color Bay.

526
00:29:41,080 --> 00:29:42,600
Speaker 1: You know what I'm saying. They provided the lioq at

527
00:29:42,640 --> 00:29:46,200
Speaker 1: that we're getting drunk off best my liquors hit him all,

528
00:29:46,400 --> 00:29:48,080
Speaker 1: you know, and we gotta look at attendant. I don't

529
00:29:48,080 --> 00:29:51,120
Speaker 1: know if you keep that trash because we got ray

530
00:29:51,200 --> 00:29:53,280
Speaker 1: kuon here, so we got people pulling our drinks. Her

531
00:29:53,320 --> 00:29:55,760
Speaker 1: name is Amanda Man, come over here and say hi

532
00:29:55,880 --> 00:29:58,680
Speaker 1: to the people last time. Everybody wants to say who

533
00:29:58,840 --> 00:30:00,960
Speaker 1: is why she ain't saying nothing. We added a girl

534
00:30:01,040 --> 00:30:03,000
Speaker 1: to the show. We had too much testis to wrong,

535
00:30:03,240 --> 00:30:06,320
Speaker 1: a lot of pole sticks and no pockets. It wasn't

536
00:30:06,320 --> 00:30:08,280
Speaker 1: even it wasn't working out, so we added the girl

537
00:30:08,360 --> 00:30:13,800
Speaker 1: to the show. Something where you from? Yeah, from the Bronx,

538
00:30:13,800 --> 00:30:17,120
Speaker 1: New York and with your Instagram and all that, so

539
00:30:17,200 --> 00:30:20,680
Speaker 1: the people know Amanda underscore esco E s c L.

540
00:30:21,000 --> 00:30:23,479
Speaker 1: All right, then welcome home to the drink chats hit

541
00:30:23,640 --> 00:30:26,040
Speaker 1: up on the Instagram and it's going down like that.

542
00:30:26,240 --> 00:30:33,040
Speaker 1: She's a drink poorer brink. Now I see now it's

543
00:30:33,080 --> 00:30:35,040
Speaker 1: not now to Joe button Ship. I've seen when y'all

544
00:30:35,040 --> 00:30:41,960
Speaker 1: snuffed them. That was hard. That was hard. Listen, listen, listen.

545
00:30:42,000 --> 00:30:50,960
Speaker 1: That's what a second because there's them. I thought, Joe, like,

546
00:30:51,160 --> 00:30:53,280
Speaker 1: you know, Joe's my man, he's a fool guy. Obviously,

547
00:30:53,480 --> 00:30:56,080
Speaker 1: not with them. I'm just saying it's it's a history,

548
00:30:56,160 --> 00:31:01,200
Speaker 1: it's a historic, okay, Right, So how did that start?

549
00:31:01,280 --> 00:31:04,760
Speaker 1: He said something to you about you know, you know,

550
00:31:04,840 --> 00:31:08,480
Speaker 1: he said method man, it's overrated or something, right, you know,

551
00:31:08,680 --> 00:31:11,640
Speaker 1: you know what's so illess? Like I ain't even really

552
00:31:13,720 --> 00:31:15,760
Speaker 1: number one. I like Joe now, you know what I mean,

553
00:31:15,960 --> 00:31:18,600
Speaker 1: based on the fact that I could have gotten some

554
00:31:18,680 --> 00:31:21,040
Speaker 1: trouble behind that man. You know what I mean, I'm

555
00:31:21,080 --> 00:31:23,520
Speaker 1: getting to that, you know what. That was serious to me,

556
00:31:23,640 --> 00:31:25,640
Speaker 1: and he didn't He didn't give me away, you know

557
00:31:25,680 --> 00:31:28,600
Speaker 1: what I mean. It was it was kidding respect respect.

558
00:31:28,720 --> 00:31:38,240
Speaker 1: I didn't say it, he said. I don't think for

559
00:31:38,240 --> 00:31:43,200
Speaker 1: a little bit he was talking wild ship, but you know,

560
00:31:43,360 --> 00:31:47,320
Speaker 1: he and then you see him and then y'all spoke,

561
00:31:47,400 --> 00:31:49,680
Speaker 1: and then he went and talked would ship again? And

562
00:31:49,760 --> 00:31:52,960
Speaker 1: then him and make you fat? Him and make you fat,

563
00:31:53,040 --> 00:31:54,959
Speaker 1: said some ship. And then and then y'all seeing them

564
00:31:55,000 --> 00:31:58,160
Speaker 1: what happened? Right? Yeah? I mean you know the tape

565
00:31:58,240 --> 00:32:00,880
Speaker 1: is destroyed, but it's not I remember you though, sir.

566
00:32:01,480 --> 00:32:03,600
Speaker 1: I'm still having remember you know what it was. If

567
00:32:03,600 --> 00:32:07,480
Speaker 1: it's just a moment that it was just getting tooking

568
00:32:07,560 --> 00:32:12,240
Speaker 1: too far to hand and I tried to neutralize, videotualize

569
00:32:12,440 --> 00:32:14,480
Speaker 1: when you put his hat back on. He was like, here,

570
00:32:14,600 --> 00:32:29,120
Speaker 1: young man, break it's a mobster, yo. You can't front.

571
00:32:30,600 --> 00:32:32,760
Speaker 1: I didn't hit him, but I didn't say you hit him,

572
00:32:33,480 --> 00:32:36,080
Speaker 1: but you put his hat back on. That's what makes

573
00:32:36,120 --> 00:32:44,360
Speaker 1: it worse, because let me tell you something, I ain't

574
00:32:44,400 --> 00:32:48,280
Speaker 1: never like I met mobsters, like real mobsters. I went,

575
00:32:48,360 --> 00:32:51,400
Speaker 1: I met ma fio so niggas, but I've never actually

576
00:32:51,520 --> 00:32:54,480
Speaker 1: seen them do ma fio so ship. This was the

577
00:32:54,560 --> 00:32:58,640
Speaker 1: closest thing to like, this is my fio so ship,

578
00:32:58,880 --> 00:33:01,719
Speaker 1: my nigga. He made niggas. He made Mickey facts. Google.

579
00:33:01,760 --> 00:33:08,160
Speaker 1: They remember I remember this because because they said Mickey facts,

580
00:33:08,320 --> 00:33:10,560
Speaker 1: Like didn't you say something? He was like no, He's

581
00:33:10,600 --> 00:33:14,959
Speaker 1: like and he's like getting on the computer, pulled it up.

582
00:33:16,640 --> 00:33:18,720
Speaker 1: This is just way long ago, way one or seven

583
00:33:18,840 --> 00:33:23,840
Speaker 1: years ago, but this was rock the bells. So how

584
00:33:23,920 --> 00:33:25,680
Speaker 1: do you feel about when you see him still like

585
00:33:25,840 --> 00:33:27,680
Speaker 1: going off like that? Did you felt like he should

586
00:33:27,680 --> 00:33:30,000
Speaker 1: have learned his lesson from there? I don't give a

587
00:33:30,080 --> 00:33:38,800
Speaker 1: funk about making about with another nigga doing on how

588
00:33:38,920 --> 00:33:41,400
Speaker 1: you moving or whatever? But how did you squash it?

589
00:33:41,640 --> 00:33:45,880
Speaker 1: What happened? Um? No, you know, you know we never

590
00:33:45,960 --> 00:33:50,800
Speaker 1: really squashed it. We left it alone, you know. Want

591
00:33:51,040 --> 00:33:54,160
Speaker 1: you know, my thing is like I saw, like I think.

592
00:33:54,240 --> 00:33:56,480
Speaker 1: My thing is like I said, you know, I respect

593
00:33:56,560 --> 00:33:59,800
Speaker 1: slaughter House, you know, as as as as a group.

594
00:34:00,040 --> 00:34:02,160
Speaker 1: And I funk with them niggas, you know what I'm meaning,

595
00:34:02,240 --> 00:34:04,320
Speaker 1: like a lot of them niggas. I liked them niggas,

596
00:34:05,000 --> 00:34:07,600
Speaker 1: and it was it was just left alone, you know.

597
00:34:07,760 --> 00:34:11,000
Speaker 1: But like I said, Joe, he could have put me

598
00:34:11,040 --> 00:34:14,000
Speaker 1: in this situation where I could have been funked up

599
00:34:14,080 --> 00:34:18,680
Speaker 1: and about him being a standard I felt all the

600
00:34:18,760 --> 00:34:21,840
Speaker 1: way back because it's like, you know, we're here for that.

601
00:34:22,000 --> 00:34:24,960
Speaker 1: But I really was just trying to neutralize it and

602
00:34:25,120 --> 00:34:27,879
Speaker 1: just say, yo, listen, my nigga, you got deal with meth,

603
00:34:27,960 --> 00:34:30,040
Speaker 1: but you can't be choking because I'm out here on

604
00:34:30,080 --> 00:34:33,359
Speaker 1: the road with niggas. We're all here together. You can't

605
00:34:33,480 --> 00:34:41,279
Speaker 1: tell me you can't eat my man. He just got

606
00:34:41,360 --> 00:34:43,520
Speaker 1: to the point. It just got to the point where

607
00:34:43,560 --> 00:34:46,759
Speaker 1: we had the dressing then and just and just finish it,

608
00:34:47,040 --> 00:34:49,320
Speaker 1: you know what I mean, Like like just finish it.

609
00:34:51,040 --> 00:35:00,400
Speaker 1: Say Scott your this is your irmtation. Tobody else about here,

610
00:35:00,520 --> 00:35:03,040
Speaker 1: good button, shout out, this is back in the day.

611
00:35:04,280 --> 00:35:06,320
Speaker 1: Take that destroyed. I don't know what happened, whether that

612
00:35:06,440 --> 00:35:09,480
Speaker 1: tape you should have got destroyed because it was he

613
00:35:10,000 --> 00:35:17,160
Speaker 1: kidnappen my nigga, listen, it's real ship. But uh yo,

614
00:35:17,280 --> 00:35:20,000
Speaker 1: your legacy is so crazy, Ray, you know what I mean? Um,

615
00:35:21,480 --> 00:35:24,440
Speaker 1: you guys did that the Joe to see what was

616
00:35:24,480 --> 00:35:35,279
Speaker 1: the big taking? Like the best man drink for good

617
00:35:35,400 --> 00:35:39,040
Speaker 1: body your casey and Joe. Joe was on fire at

618
00:35:39,080 --> 00:35:49,359
Speaker 1: that time. How much cocaine did they do at the video? Nah,

619
00:35:49,480 --> 00:35:54,799
Speaker 1: he was drinking that night. He was drinking that night.

620
00:35:57,080 --> 00:35:58,920
Speaker 1: He was drinking. But I'm the type of nigga I

621
00:35:59,000 --> 00:36:01,560
Speaker 1: know that niggas get me in't because that was that

622
00:36:02,960 --> 00:36:07,279
Speaker 1: they used to pass me blow And I'm like, didn't

623
00:36:07,320 --> 00:36:09,239
Speaker 1: no more, you know what I mean? But um, that

624
00:36:09,440 --> 00:36:11,240
Speaker 1: was the error it was like a lot of times

625
00:36:11,360 --> 00:36:14,160
Speaker 1: niggers would but listen to Cuba links and be like, yo,

626
00:36:14,239 --> 00:36:16,719
Speaker 1: when they see me, they in that world, I'm not

627
00:36:16,800 --> 00:36:22,799
Speaker 1: going made you want. It took me a mad long

628
00:36:23,000 --> 00:36:25,920
Speaker 1: time to realize that that was that noise, Like I

629
00:36:26,040 --> 00:36:28,640
Speaker 1: just thought, y'all swear the guard. Yeah, I just thought

630
00:36:28,680 --> 00:36:32,279
Speaker 1: it was I thought it was risk. Like I didn't

631
00:36:32,320 --> 00:36:36,080
Speaker 1: realize niggas was going yo yo, yo, yo yo, that's

632
00:36:36,120 --> 00:36:39,200
Speaker 1: that I was doing that, man, you man, and you

633
00:36:39,280 --> 00:36:41,000
Speaker 1: went back in on the days, boy, you sniffing like that.

634
00:36:41,160 --> 00:36:52,120
Speaker 1: Oh no, I funked around. Let's make some noise. That

635
00:36:52,280 --> 00:36:55,680
Speaker 1: was that, you know back then? You know, you know

636
00:36:55,800 --> 00:36:57,879
Speaker 1: one thing you gotta remember when niggas is getting high

637
00:36:57,960 --> 00:37:00,560
Speaker 1: back then, it was a sense of power that you

638
00:37:00,719 --> 00:37:03,000
Speaker 1: had that you had to do a different kind of

639
00:37:03,080 --> 00:37:05,640
Speaker 1: high from the nigga. You know what I mean. It's

640
00:37:05,680 --> 00:37:07,920
Speaker 1: a it's a it's an expensive taste high. It's not

641
00:37:08,360 --> 00:37:19,520
Speaker 1: it's not the down you niggascaine over, what are you doing.

642
00:37:22,320 --> 00:37:25,480
Speaker 1: I don't even trust to blow that on the street

643
00:37:25,600 --> 00:37:28,600
Speaker 1: right now, even if I was in that world. But now,

644
00:37:28,800 --> 00:37:31,240
Speaker 1: that was just that was just me and my best

645
00:37:31,360 --> 00:37:35,600
Speaker 1: man and just getting high and just feeling like Montana

646
00:37:35,760 --> 00:37:38,920
Speaker 1: for real, Like you know, you know the movie. We

647
00:37:39,080 --> 00:37:41,840
Speaker 1: love the movie, we love we love scarf Face. We

648
00:37:42,040 --> 00:37:48,040
Speaker 1: respect Spanish niggas man, like Spanish niggas is the niggas

649
00:37:48,120 --> 00:37:50,800
Speaker 1: saved niggas, you know what I mean. You know you

650
00:37:50,880 --> 00:37:54,680
Speaker 1: got the boat dagga bodegga corner niggas that they used

651
00:37:54,719 --> 00:37:57,759
Speaker 1: to hold the ratchetes for niggas like yo, where the

652
00:37:57,880 --> 00:37:59,560
Speaker 1: Cubans just seeing me, you know, let me see your

653
00:37:59,600 --> 00:38:03,359
Speaker 1: shirt when he like your poppy. Don't touch that. Don't

654
00:38:03,400 --> 00:38:05,360
Speaker 1: touch that, you know what I mean? Like he loves

655
00:38:05,440 --> 00:38:09,200
Speaker 1: Spanish niggers and I always was, you know, a fan

656
00:38:09,320 --> 00:38:11,319
Speaker 1: of how they how they went and put in work.

657
00:38:12,080 --> 00:38:14,040
Speaker 1: You know what I'm saying. But the words a fact

658
00:38:14,120 --> 00:38:16,400
Speaker 1: baby that makes a noise for cocaine and Spanish niggas

659
00:38:16,400 --> 00:38:22,640
Speaker 1: got damn whole. Like I already asked me who was

660
00:38:22,680 --> 00:38:25,080
Speaker 1: a famous person you smoked with? But who was like

661
00:38:25,160 --> 00:38:27,279
Speaker 1: the most famous person that told you there was a

662
00:38:27,360 --> 00:38:29,080
Speaker 1: fan of you. I told you there was a fan

663
00:38:29,160 --> 00:38:35,279
Speaker 1: of wool tank shouts non real. You know you know

664
00:38:35,360 --> 00:38:39,319
Speaker 1: who I've seen one night seeing a nigga Lino Richie man.

665
00:38:41,400 --> 00:38:43,040
Speaker 1: You know what I'm saying, I'm big on that that

666
00:38:43,239 --> 00:38:48,120
Speaker 1: on and be music, that whole music. You know. We

667
00:38:48,360 --> 00:38:50,400
Speaker 1: we go back to the Red Room parties where they

668
00:38:50,480 --> 00:38:53,160
Speaker 1: used to bring them, push the Washington dry out of

669
00:38:53,200 --> 00:38:55,359
Speaker 1: the out of the reck room and let niggas come

670
00:38:55,440 --> 00:38:59,640
Speaker 1: out and there smoke. But that whole that whole eighties era.

671
00:39:00,239 --> 00:39:05,800
Speaker 1: And then I met that nigga l A. This is

672
00:39:05,840 --> 00:39:08,600
Speaker 1: in l A. We was. We was at u uh

673
00:39:09,320 --> 00:39:11,120
Speaker 1: jaw and party or something, you know what I mean.

674
00:39:11,840 --> 00:39:14,319
Speaker 1: It was it was some big ships on other ship.

675
00:39:14,840 --> 00:39:17,080
Speaker 1: And I just seen him right and we walked up

676
00:39:17,120 --> 00:39:18,960
Speaker 1: so him and then and I said, Yo, what up?

677
00:39:19,080 --> 00:39:20,839
Speaker 1: You know what I mean, what brother, how you doing?

678
00:39:21,200 --> 00:39:23,600
Speaker 1: And he was like, oh, man, if Marvin was here

679
00:39:23,719 --> 00:39:26,000
Speaker 1: right now, we're talking about Marvin Gaye. This is what

680
00:39:26,120 --> 00:39:30,120
Speaker 1: he said to me. He's like, yall, He's like, Yo,

681
00:39:30,400 --> 00:39:34,120
Speaker 1: Marvin Gaye was here, right man, we'd have been doing

682
00:39:34,200 --> 00:39:37,920
Speaker 1: it with your niggas. That's what he said to me.

683
00:39:39,080 --> 00:39:42,759
Speaker 1: So me, me knowing Marvin history and then looking at

684
00:39:42,840 --> 00:39:46,239
Speaker 1: this man's history, that was that was some serious ship

685
00:39:46,400 --> 00:39:49,120
Speaker 1: because whatever he was doing, he was thinking about Marvin.

686
00:39:49,480 --> 00:39:51,279
Speaker 1: And I looked at it like a lot of the

687
00:39:51,960 --> 00:39:54,040
Speaker 1: you know, a lot of the artists, they hung with

688
00:39:54,120 --> 00:39:55,960
Speaker 1: each other. They you know what I mean, like fun

689
00:39:56,120 --> 00:39:59,120
Speaker 1: fun music. We just real niggas. And it made me

690
00:39:59,280 --> 00:40:01,839
Speaker 1: think of how certain niggas in the business I got

691
00:40:01,920 --> 00:40:04,640
Speaker 1: relationships with, you know what I mean. And the way

692
00:40:04,680 --> 00:40:06,680
Speaker 1: he said it was like, Yo, that nigga's a stand

693
00:40:06,760 --> 00:40:08,640
Speaker 1: up nigga. He would have been right here with us.

694
00:40:09,239 --> 00:40:11,759
Speaker 1: I don't want to do things with y'all niggas. And

695
00:40:11,880 --> 00:40:14,279
Speaker 1: that was just some influential ship for me, ain't there.

696
00:40:18,360 --> 00:40:20,960
Speaker 1: You know it's bringing out with Lina witchy nigga. If

697
00:40:21,000 --> 00:40:22,200
Speaker 1: I would have seen a lot of rich out to

698
00:40:22,239 --> 00:40:23,719
Speaker 1: walk the other way, like, I'd have been scared of

699
00:40:23,760 --> 00:40:25,640
Speaker 1: that nigga, my nigga for real. My mom's playing that

700
00:40:25,680 --> 00:40:29,960
Speaker 1: nigg in the cribs and Marvin Gang two. I've seen

701
00:40:30,000 --> 00:40:33,520
Speaker 1: Stevie Wonder two and ship not. I couldn't even approach him,

702
00:40:33,560 --> 00:40:35,880
Speaker 1: like you said. It was like, you know, he couldn't

703
00:40:35,920 --> 00:40:38,480
Speaker 1: even see me if I wanted to him, you know

704
00:40:38,520 --> 00:40:40,080
Speaker 1: what I mean. But I still want You don't know

705
00:40:41,239 --> 00:40:43,880
Speaker 1: certain stars you don't even did you need want to

706
00:40:44,000 --> 00:40:46,560
Speaker 1: touch them. Did you meet Michael Jackson? Yeah, Man, Mike,

707
00:40:46,760 --> 00:40:59,040
Speaker 1: no thing a drink ain't drink the king before you stark? Yeah,

708
00:40:59,360 --> 00:41:03,040
Speaker 1: I met him? Where was that? And we're we were saying,

709
00:41:04,360 --> 00:41:09,600
Speaker 1: was cracked this thing here? That's a that's Colombian cocaine,

710
00:41:11,239 --> 00:41:14,960
Speaker 1: scary Columbian white. That being white. I wanted to I

711
00:41:15,040 --> 00:41:19,879
Speaker 1: want to taste my baby, Chad. Notice, let me tell yourself.

712
00:41:19,880 --> 00:41:22,200
Speaker 1: I would I would have warn wake home by like

713
00:41:22,280 --> 00:41:24,399
Speaker 1: mixing drinks. But I've seen this can do this. Why

714
00:41:24,520 --> 00:41:27,319
Speaker 1: is Blenny at times? I don't see him drinking hendy

715
00:41:27,480 --> 00:41:30,120
Speaker 1: and white on the same night. But you sure you

716
00:41:30,160 --> 00:41:32,400
Speaker 1: want to do this? This is this is I want

717
00:41:32,400 --> 00:41:35,200
Speaker 1: to speak of people die the just this's going there

718
00:41:35,239 --> 00:41:39,560
Speaker 1: and they drink this? This is um eight. What's that

719
00:41:39,600 --> 00:41:46,440
Speaker 1: ship you for? Asia? It's you Asia. It's good like licorice.

720
00:41:48,400 --> 00:41:51,359
Speaker 1: He's an old school Why let's make noise for being

721
00:41:51,400 --> 00:41:57,520
Speaker 1: the old school whit. This ship tastes like that ship

722
00:41:57,600 --> 00:42:04,080
Speaker 1: that you sticker responds in it ship slag the gold leak.

723
00:42:07,400 --> 00:42:17,520
Speaker 1: He a his liquors man, so um yeah good that

724
00:42:17,920 --> 00:42:21,319
Speaker 1: the moment were talking about I was Michael Jackson. Yeah,

725
00:42:21,360 --> 00:42:25,920
Speaker 1: we get Michael Jackson. Now yo, Michael Jackson had big hands, man,

726
00:42:26,200 --> 00:42:39,160
Speaker 1: What don't you got no super real talk me hands.

727
00:42:39,920 --> 00:42:41,800
Speaker 1: Do you remember who was a Yeah, we was. We

728
00:42:41,960 --> 00:42:44,160
Speaker 1: was in Miami. We was out here. Yeah, I met

729
00:42:44,200 --> 00:42:49,400
Speaker 1: Michael Miami. You We was in the Hit Factory in

730
00:42:49,480 --> 00:42:51,920
Speaker 1: the studio, you know, me and Ghost. That's when we was.

731
00:42:52,239 --> 00:42:55,040
Speaker 1: We was living out here. Okay, I lived out in

732
00:42:55,080 --> 00:42:58,360
Speaker 1: Miami for like two years and we was working on

733
00:42:58,440 --> 00:43:00,520
Speaker 1: the album and all of that. And you know, we

734
00:43:00,680 --> 00:43:03,200
Speaker 1: was in the Hit Factory. And next thing, you know,

735
00:43:03,640 --> 00:43:05,400
Speaker 1: you know, we looking through the blinds like we hear

736
00:43:05,400 --> 00:43:08,480
Speaker 1: all these cars coming in the driveway, a bunch of

737
00:43:08,560 --> 00:43:12,719
Speaker 1: black vehicles just pulling up out of no where. We're like, yo,

738
00:43:12,840 --> 00:43:14,920
Speaker 1: looking through the blinds, like yo, who fund is that?

739
00:43:15,800 --> 00:43:17,920
Speaker 1: You know. The next thing, you know, it just Michael

740
00:43:18,000 --> 00:43:21,120
Speaker 1: just jumped out with his two kids, just him by self.

741
00:43:21,880 --> 00:43:24,919
Speaker 1: So the next thing, you know, you know, we're looking like, oh, ship,

742
00:43:25,040 --> 00:43:28,480
Speaker 1: that's Michael Jackson. You know what I mean, Michael Jackson.

743
00:43:29,040 --> 00:43:32,080
Speaker 1: It's like, Yo, that might have been the time my heart,

744
00:43:32,360 --> 00:43:35,920
Speaker 1: you know, skipped for real. And next thing, you know,

745
00:43:36,080 --> 00:43:39,880
Speaker 1: he started to walk towards our our wound, you know,

746
00:43:40,120 --> 00:43:41,920
Speaker 1: from out from the outside. So you know, me and

747
00:43:42,040 --> 00:43:46,400
Speaker 1: Ghost were like, the nigger is coming this way. So

748
00:43:46,520 --> 00:43:53,360
Speaker 1: we sat down like like like you know, they walked

749
00:43:53,360 --> 00:43:55,359
Speaker 1: through the ship he walked in and ship he walked

750
00:43:55,400 --> 00:43:57,640
Speaker 1: in with the own with the owner of the hit factory.

751
00:43:58,160 --> 00:44:01,320
Speaker 1: And when he walked in, it was like all we

752
00:44:01,440 --> 00:44:04,040
Speaker 1: did was just look up to him, like what's uping, Mike?

753
00:44:04,160 --> 00:44:06,120
Speaker 1: How are you doing? You know what I mean? Like,

754
00:44:06,120 --> 00:44:08,680
Speaker 1: how are you doing? Mike? And Yo, he kicked it

755
00:44:08,760 --> 00:44:12,600
Speaker 1: with us for like a Mike, did you have to

756
00:44:12,640 --> 00:44:15,120
Speaker 1: introduce yourself for you? He was nah, we had that.

757
00:44:15,239 --> 00:44:18,120
Speaker 1: We had to introduce your something my nigga, like you

758
00:44:18,200 --> 00:44:21,080
Speaker 1: know it ghost And it made me laughing because ghosts

759
00:44:21,120 --> 00:44:23,600
Speaker 1: like yo. You know. He was telling Mike like, yo,

760
00:44:23,800 --> 00:44:34,640
Speaker 1: you know I did you? Joint was like yo, he

761
00:44:34,760 --> 00:44:36,640
Speaker 1: was like, yo, I did you? You ain't over? Mike

762
00:44:36,800 --> 00:44:41,440
Speaker 1: was like what what you like? What you want to

763
00:44:41,800 --> 00:44:44,880
Speaker 1: you know and Mike and Mike was just acting like

764
00:44:45,080 --> 00:44:47,440
Speaker 1: you know, like ghosts like yo, you heard he heard it?

765
00:44:47,520 --> 00:44:52,720
Speaker 1: He was like nine, yes, man, it was super funny.

766
00:44:53,440 --> 00:44:55,279
Speaker 1: I had to call my mother and all that after

767
00:44:55,400 --> 00:44:58,120
Speaker 1: that being telling like Yo, I men, Mike, you know

768
00:44:58,560 --> 00:45:02,120
Speaker 1: it's just something about it is pretty because back then

769
00:45:02,320 --> 00:45:04,399
Speaker 1: you would have had this Flix and all that. Nigga

770
00:45:04,480 --> 00:45:06,719
Speaker 1: don't do we didn't want to didn't do that back

771
00:45:06,800 --> 00:45:09,279
Speaker 1: then they probably would have known it. Anyways, Now you

772
00:45:09,320 --> 00:45:11,320
Speaker 1: don't do that when you see when you see a

773
00:45:11,400 --> 00:45:14,000
Speaker 1: star power, you just wanted to be comfortable, like like

774
00:45:14,120 --> 00:45:16,440
Speaker 1: that great qualm you wrote. You wrote that like an

775
00:45:16,440 --> 00:45:27,880
Speaker 1: hour like that. Welcome to play a new podcast network

776
00:45:27,960 --> 00:45:32,480
Speaker 1: featuring radio and TV personalities talking business, sports, tech, entertainment,

777
00:45:32,560 --> 00:45:37,000
Speaker 1: and more. Play it at play dot It. We're back

778
00:45:37,120 --> 00:45:41,520
Speaker 1: to Drink Champs Radio with Rapper and R and d J. Then,

779
00:45:43,920 --> 00:45:47,160
Speaker 1: so we also have great O J stories on here.

780
00:45:47,280 --> 00:45:49,920
Speaker 1: Did you ever meet o J? O J? Simpson? Yes, sir,

781
00:45:51,080 --> 00:45:53,759
Speaker 1: you hate me J? How about Potent? Yeah? I got

782
00:45:53,840 --> 00:45:57,799
Speaker 1: flicks of it over? Yeah, but did you have how

783
00:45:57,800 --> 00:46:00,239
Speaker 1: about prints? How about you ever met print Man? How

784
00:46:00,239 --> 00:46:10,279
Speaker 1: about Justin Bieber or Justin Timbers? Because class speaking about them,

785
00:46:10,400 --> 00:46:16,480
Speaker 1: trying to you that we got to Jackson. I didn't.

786
00:46:17,719 --> 00:46:20,920
Speaker 1: That was all that story was all. But no, I

787
00:46:21,000 --> 00:46:24,520
Speaker 1: never met y'all. Smoked with Westley Snipes. Oh yes, Snipe

788
00:46:24,560 --> 00:46:27,480
Speaker 1: smoking Westley Snipe. The next day he was like, you're

789
00:46:27,480 --> 00:46:31,800
Speaker 1: coming me to a karateip. I was like, and I

790
00:46:31,880 --> 00:46:35,840
Speaker 1: can't karate. So I was in the enjoy, like you know,

791
00:46:36,040 --> 00:46:42,040
Speaker 1: that that. I was like, yeah, it was resty slide

792
00:46:42,080 --> 00:46:44,400
Speaker 1: to the moment. I'm like, I hate karate, like I

793
00:46:45,120 --> 00:46:49,840
Speaker 1: shoot people like watch to the karate class for but

794
00:46:49,960 --> 00:46:52,640
Speaker 1: I was there. I didn't her was like a Karate Olympics.

795
00:46:52,880 --> 00:46:55,000
Speaker 1: I'm sitting there acting like I like it and that.

796
00:46:55,840 --> 00:46:57,600
Speaker 1: And we went to Club Cheetahs and he had so

797
00:46:57,680 --> 00:47:00,120
Speaker 1: many Asian vishes with him, Big up to Westleast night

798
00:47:00,200 --> 00:47:03,960
Speaker 1: We're looking for you. You were like Wesley Snipe actor

799
00:47:04,280 --> 00:47:07,160
Speaker 1: on a drink cat. No, I'm following you on Twitter.

800
00:47:07,200 --> 00:47:10,399
Speaker 1: I know you're following me. Never never hit you on there.

801
00:47:10,480 --> 00:47:13,000
Speaker 1: But that night we hung out his classic and I

802
00:47:13,080 --> 00:47:16,640
Speaker 1: also heard I heard a night with Nas hung out

803
00:47:16,719 --> 00:47:20,160
Speaker 1: with Denzel Washington and you think it starts smoking weed

804
00:47:20,719 --> 00:47:24,239
Speaker 1: and Jungle took the blood from Denzel. It was like, nigga,

805
00:47:24,320 --> 00:47:29,840
Speaker 1: you Malcolm Max. I heard of this story so Jungle

806
00:47:29,880 --> 00:47:32,200
Speaker 1: from QB. I know you the co sign this story.

807
00:47:32,320 --> 00:47:34,720
Speaker 1: This is a story I heard. That's my brother, Jungle

808
00:47:34,760 --> 00:47:37,759
Speaker 1: from QB. If you were out there, you know, come

809
00:47:37,800 --> 00:47:40,359
Speaker 1: on drinking champ and that's describing story. Do you hear

810
00:47:40,360 --> 00:47:44,520
Speaker 1: about Bobby Brown frying chicken with cocaine? You didn't hit

811
00:47:44,560 --> 00:47:49,600
Speaker 1: my Bobby Brown chicken, the es he does it with

812
00:47:49,880 --> 00:47:54,280
Speaker 1: Coca cola. No, I don't know, No, that was Bobby Brown.

813
00:47:55,120 --> 00:47:57,600
Speaker 1: That's the Bobby Brown story. That's the that's the flying

814
00:47:57,680 --> 00:48:01,040
Speaker 1: story in existence. Nigga said one day he fried chicken

815
00:48:01,120 --> 00:48:05,719
Speaker 1: with coke? What coke as the actual rush? How did

816
00:48:05,760 --> 00:48:07,719
Speaker 1: you think that chicken? How do you think that chicken

817
00:48:07,760 --> 00:48:16,839
Speaker 1: tastes right on ship? It was nothing a whole body

818
00:48:17,000 --> 00:48:22,759
Speaker 1: number niggaig small intestines. It's fucked up, just kidding, funumhing

819
00:48:22,840 --> 00:48:26,200
Speaker 1: all that. That's another level big, so so so great.

820
00:48:26,280 --> 00:48:28,480
Speaker 1: I won't you actually hung out with niggas in the

821
00:48:28,600 --> 00:48:32,600
Speaker 1: in the hood that did chicken. Niggas that jumped off

822
00:48:32,640 --> 00:48:40,719
Speaker 1: the roof and lid. You know when I say hang out,

823
00:48:40,760 --> 00:48:42,480
Speaker 1: what a meaning like? You know we see him in

824
00:48:42,520 --> 00:48:46,200
Speaker 1: the head or whatever. But you know, some nigga is like,

825
00:48:46,360 --> 00:48:49,600
Speaker 1: believe it or not, Man, a lot of times we

826
00:48:49,760 --> 00:48:53,200
Speaker 1: still gotta watch out for niggas that thad ship Nigga's

827
00:48:53,280 --> 00:48:56,600
Speaker 1: drinks man, straight up, You know I know what nigga

828
00:48:56,680 --> 00:49:00,400
Speaker 1: one time that's fucked up. Willie's never been at Willie sense,

829
00:49:01,080 --> 00:49:04,279
Speaker 1: but he had a half a molly here, a half

830
00:49:04,320 --> 00:49:06,480
Speaker 1: a molly here, half a molly here, half a mile here,

831
00:49:06,760 --> 00:49:09,000
Speaker 1: half mile here, half mile and then he just stood

832
00:49:09,080 --> 00:49:11,120
Speaker 1: there and then the bitches came and he was like.

833
00:49:11,200 --> 00:49:13,359
Speaker 1: He was like, you want drinks, and he was like yeah,

834
00:49:13,440 --> 00:49:15,680
Speaker 1: he ordered drinks. You could never see it. And then

835
00:49:15,760 --> 00:49:17,480
Speaker 1: all he did was pick up the drinks like this

836
00:49:17,560 --> 00:49:21,480
Speaker 1: because and then he served the ship. I said, you're

837
00:49:21,520 --> 00:49:29,520
Speaker 1: going to hell. Like he's not going to I don't know,

838
00:49:30,000 --> 00:49:32,760
Speaker 1: it's just like it was undetectable, like if he didn't

839
00:49:32,760 --> 00:49:35,240
Speaker 1: tell me like he because he had he was chilling.

840
00:49:35,280 --> 00:49:37,400
Speaker 1: He was. He gave me a five and everything. The

841
00:49:37,400 --> 00:49:39,960
Speaker 1: ship won't move. But then when he grabbed the drinks,

842
00:49:40,000 --> 00:49:42,000
Speaker 1: that's how he did it. He grabbed the drink and

843
00:49:42,160 --> 00:49:45,920
Speaker 1: he did. I was like that ship. And then twenty

844
00:49:45,960 --> 00:49:48,600
Speaker 1: minutes later the bases was like you know what about

845
00:49:48,640 --> 00:49:54,719
Speaker 1: extra same was like cost Yeah. The whole time they

846
00:49:54,840 --> 00:49:56,719
Speaker 1: was already on this ship. So yeah, this is crazy,

847
00:49:56,800 --> 00:49:58,839
Speaker 1: but you're spiking drinks. Did you go to Studio forty

848
00:49:58,920 --> 00:50:05,120
Speaker 1: four we lost the eighties? Yeah? Why would he be

849
00:50:05,239 --> 00:50:08,680
Speaker 1: going there? I know that was the ship, you know

850
00:50:08,680 --> 00:50:10,279
Speaker 1: what I mean? That was that we was. We was

851
00:50:10,320 --> 00:50:16,279
Speaker 1: the niggas that was going on like that parrot that

852
00:50:16,440 --> 00:50:19,440
Speaker 1: was in the city, that was in the city. You know,

853
00:50:19,560 --> 00:50:22,840
Speaker 1: it was a lot about the original Union Square, the

854
00:50:23,000 --> 00:50:26,520
Speaker 1: fever all that. Yeah, that was that. That's the good

855
00:50:27,840 --> 00:50:33,840
Speaker 1: right there. That that error was just that was the

856
00:50:33,880 --> 00:50:38,279
Speaker 1: little sis, the real that's the real, man. Like, that's

857
00:50:38,280 --> 00:50:40,920
Speaker 1: the one thing I can say about us, Like, you know,

858
00:50:41,239 --> 00:50:44,160
Speaker 1: just coming up with a bunch of niggas that just

859
00:50:44,640 --> 00:50:48,239
Speaker 1: come from nothing and just using their talent and and

860
00:50:48,320 --> 00:50:51,040
Speaker 1: they witched to make money and be creative. I felt

861
00:50:51,120 --> 00:50:53,719
Speaker 1: like that was a big thing, like coming back from

862
00:50:53,719 --> 00:50:56,280
Speaker 1: the nineties and you know, niggas like us were still around,

863
00:50:56,800 --> 00:50:59,200
Speaker 1: you know, like we all did some of our old

864
00:50:59,280 --> 00:51:02,560
Speaker 1: g s. Fact. You know, I guess just because they

865
00:51:02,640 --> 00:51:05,440
Speaker 1: probably they probably looked at it. They probably looked at

866
00:51:05,480 --> 00:51:08,960
Speaker 1: it like I'm here. They probably looked at it like

867
00:51:09,080 --> 00:51:11,600
Speaker 1: I'm here, I'm gonna do my thing real quicker than

868
00:51:11,640 --> 00:51:15,239
Speaker 1: I'm elected and past sword. But we still hid doing it,

869
00:51:15,360 --> 00:51:18,400
Speaker 1: my nigga, we still we're a blessing. Like twenty some

870
00:51:18,640 --> 00:51:22,600
Speaker 1: years later, don't shot it like that. Do you remember

871
00:51:22,640 --> 00:51:25,879
Speaker 1: your first show in Miami? I was at that show.

872
00:51:29,200 --> 00:51:32,600
Speaker 1: One Caress one came on this show. You'll stop with

873
00:51:32,680 --> 00:51:35,840
Speaker 1: this ship. Dude, he showed him a slipper. No, it

874
00:51:35,920 --> 00:51:43,520
Speaker 1: was nineteens. Wow, I'm just like it was. It was

875
00:51:43,600 --> 00:51:48,080
Speaker 1: called Mahi Temple. I believe memories like an elephant and

876
00:51:48,120 --> 00:51:50,520
Speaker 1: this is not This is what's ill because I don't

877
00:51:50,560 --> 00:51:55,440
Speaker 1: think y'all expected the reaction because I remember seeing y'all

878
00:51:55,480 --> 00:51:58,000
Speaker 1: facing when y'all came out on stage, y'all were like,

879
00:51:58,239 --> 00:52:03,280
Speaker 1: what Miami to hear folks in Miami saying the lyrics

880
00:52:03,600 --> 00:52:06,480
Speaker 1: going crazy. I remember just seeing your faces, like y'all

881
00:52:06,520 --> 00:52:09,480
Speaker 1: was amazing. It was it was the show was crazy.

882
00:52:10,320 --> 00:52:13,040
Speaker 1: That that crazy supposed to be, man, And when we

883
00:52:13,160 --> 00:52:15,040
Speaker 1: go that's how that's how we lay it out. Man.

884
00:52:15,880 --> 00:52:18,040
Speaker 1: You know, Miami. We're just working with Miami from the

885
00:52:18,120 --> 00:52:20,520
Speaker 1: Cuban Links album. Like a lot of niggas don't know.

886
00:52:20,560 --> 00:52:23,719
Speaker 1: I was in Miami writing the album and ghosts y'all

887
00:52:23,719 --> 00:52:26,800
Speaker 1: always say the record, and we was just here. We

888
00:52:27,000 --> 00:52:30,680
Speaker 1: was here writing, you know, getting that ocean breeze and

889
00:52:30,760 --> 00:52:34,000
Speaker 1: all that. So Miami is a special part of the

890
00:52:34,080 --> 00:52:36,880
Speaker 1: town that we always going to salute, you know what

891
00:52:36,960 --> 00:52:39,680
Speaker 1: I mean. It's just like I said, it's you know,

892
00:52:40,000 --> 00:52:42,200
Speaker 1: it goes back to like like I said, growing up

893
00:52:42,280 --> 00:52:45,200
Speaker 1: with with a lot of Spanish niggas and you know

894
00:52:45,239 --> 00:52:48,520
Speaker 1: what I'm saying, eating on the same plates, and we

895
00:52:48,680 --> 00:52:51,520
Speaker 1: shared certain kind of respect for them, for the Latin community.

896
00:52:52,280 --> 00:52:55,600
Speaker 1: You know, my kids is part last my baby's is

897
00:52:55,719 --> 00:52:58,320
Speaker 1: part of Latin. You know what I mean. You know

898
00:52:58,560 --> 00:53:01,440
Speaker 1: it's all about man kind, man man, come man. We

899
00:53:01,480 --> 00:53:03,720
Speaker 1: don't know other ship, you know. Now, me and Compone

900
00:53:03,760 --> 00:53:05,760
Speaker 1: we did a podcast in front of the dog Pound,

901
00:53:05,920 --> 00:53:08,759
Speaker 1: right and um we spoke about me and the pone.

902
00:53:08,840 --> 00:53:11,840
Speaker 1: We had a fight and um, yeah, come on stuff

903
00:53:11,840 --> 00:53:13,800
Speaker 1: for me. I don't know if you know that. But

904
00:53:13,960 --> 00:53:17,479
Speaker 1: then I slammed them on his head. You keep adding

905
00:53:17,840 --> 00:53:20,880
Speaker 1: the story. So then we asked Having, who will winning

906
00:53:20,960 --> 00:53:24,360
Speaker 1: in the fight between Having and Prodigy? Who will winning

907
00:53:24,400 --> 00:53:28,560
Speaker 1: the fight between Ghosts and Rake kwon? If you had

908
00:53:28,600 --> 00:53:31,320
Speaker 1: to square up, just like it's just brother ship, no

909
00:53:31,440 --> 00:53:34,239
Speaker 1: world star, no world star, just in the room. I'm

910
00:53:34,280 --> 00:53:37,880
Speaker 1: not I'm not, I'm not gonna. I'm not going to lose.

911
00:53:39,000 --> 00:53:48,920
Speaker 1: Let's and I should go say something. I love my nigga.

912
00:53:49,440 --> 00:53:54,239
Speaker 1: One thing about want I would win, comple I will win.

913
00:53:54,680 --> 00:53:57,439
Speaker 1: Let's see one thing about us, It's like we would

914
00:53:57,520 --> 00:54:01,080
Speaker 1: never put hands on each other. Because it ain't no

915
00:54:01,200 --> 00:54:03,560
Speaker 1: coming back. Maybe it's just too sneaky. Now I'm coming

916
00:54:03,600 --> 00:54:06,440
Speaker 1: closer that cop. So you know, we never had to

917
00:54:06,520 --> 00:54:09,359
Speaker 1: do that. But the fair one he would he would

918
00:54:09,560 --> 00:54:11,239
Speaker 1: do his best to win, and I would do my

919
00:54:11,360 --> 00:54:13,719
Speaker 1: best to win. But putting your hands on it, and

920
00:54:14,080 --> 00:54:16,719
Speaker 1: it's crazy because you ain't really trying to hurt each other.

921
00:54:17,040 --> 00:54:18,759
Speaker 1: You just want to make up. You can't come back,

922
00:54:18,880 --> 00:54:21,040
Speaker 1: ain't gonna had to fight. And then we went and

923
00:54:21,080 --> 00:54:24,320
Speaker 1: performed on stage and yeah, Japan Peo performing on stage

924
00:54:24,440 --> 00:54:27,200
Speaker 1: right afterwards that she was the bunk out of ship

925
00:54:27,239 --> 00:54:29,080
Speaker 1: in the world. And then you know, in the morning

926
00:54:29,160 --> 00:54:30,960
Speaker 1: we squashed it and beat it. But you know, when

927
00:54:30,960 --> 00:54:34,480
Speaker 1: your brothers, you always gonna go go through ship. Yeah now,

928
00:54:34,640 --> 00:54:36,920
Speaker 1: but we never had to share that though. But now

929
00:54:37,000 --> 00:54:39,400
Speaker 1: this last wull Tang album, this last full tanking album

930
00:54:39,520 --> 00:54:42,200
Speaker 1: came out. It didn't really seem like you co signed it.

931
00:54:42,400 --> 00:54:44,320
Speaker 1: It seemed like you know what I mean, like it

932
00:54:44,480 --> 00:54:46,120
Speaker 1: was it was it was a little a little like

933
00:54:46,239 --> 00:54:48,840
Speaker 1: dispute between you and at first, and then after like

934
00:54:48,920 --> 00:54:52,680
Speaker 1: the last final quarter. It was like the final quarter

935
00:54:52,719 --> 00:54:54,640
Speaker 1: of the game and you came in like why was that?

936
00:54:55,320 --> 00:54:57,680
Speaker 1: You know, for the fans, but you know, it's it's

937
00:54:57,719 --> 00:55:01,359
Speaker 1: hard sometimes to make the fans understand what you're going

938
00:55:01,440 --> 00:55:04,480
Speaker 1: through with your business with your brothers, you know, and

939
00:55:05,840 --> 00:55:09,920
Speaker 1: sometimes it just be, you know what, I gotta stand

940
00:55:09,960 --> 00:55:12,920
Speaker 1: for something on the forth or anything. And you know,

941
00:55:13,160 --> 00:55:15,560
Speaker 1: and you know, his brothers we try to work ship

942
00:55:15,680 --> 00:55:17,400
Speaker 1: out or whatever. And at the end of the day,

943
00:55:17,440 --> 00:55:20,360
Speaker 1: I don't never want to disappoint the fans, but you know,

944
00:55:20,520 --> 00:55:22,880
Speaker 1: business is business that the last thing you want to

945
00:55:22,920 --> 00:55:25,040
Speaker 1: do is feel like you're getting brooked by your brother.

946
00:55:26,040 --> 00:55:29,319
Speaker 1: You know, that's some real super portrayal bullshit right there.

947
00:55:29,440 --> 00:55:32,400
Speaker 1: So you know, it was just a lot of bullshit

948
00:55:32,520 --> 00:55:35,160
Speaker 1: in the air. But it got fixed up in time.

949
00:55:35,280 --> 00:55:38,080
Speaker 1: And you know, like I said, I'm gonna always represent

950
00:55:38,200 --> 00:55:40,359
Speaker 1: it's I want the world to know it ain't never

951
00:55:41,640 --> 00:55:46,560
Speaker 1: an issue with my brothers. We then it's the business

952
00:55:46,680 --> 00:55:50,120
Speaker 1: that makes you know, you don't know, if you don't

953
00:55:50,120 --> 00:55:52,040
Speaker 1: know what's going on with my business, you can't be

954
00:55:52,200 --> 00:55:55,360
Speaker 1: mad why I'm going through what I'm going but you

955
00:55:55,360 --> 00:55:58,399
Speaker 1: you know, you subjected to it, and you know that's

956
00:55:58,440 --> 00:56:00,920
Speaker 1: where it be. Sometimes you just be but you know,

957
00:56:01,680 --> 00:56:05,400
Speaker 1: so far everything is good money and family, his family,

958
00:56:05,440 --> 00:56:07,600
Speaker 1: you know what I mean, like I said, I'm woof forever,

959
00:56:07,880 --> 00:56:12,439
Speaker 1: like that's never gonna ever ever go anywhere. Be that's

960
00:56:12,480 --> 00:56:15,080
Speaker 1: there for life. Haul. So let me when you see

961
00:56:15,160 --> 00:56:17,240
Speaker 1: things like that and you see like like little Wayne

962
00:56:17,320 --> 00:56:20,520
Speaker 1: going through it with baby, like, what is your position

963
00:56:20,600 --> 00:56:23,200
Speaker 1: on that? Like is it like damn? I can see

964
00:56:23,200 --> 00:56:26,520
Speaker 1: how that is because this brother's man say, it's a

965
00:56:26,560 --> 00:56:28,720
Speaker 1: father and sonship. You know, I could. I could relate

966
00:56:28,840 --> 00:56:32,919
Speaker 1: super League because it's just all about being being fan,

967
00:56:33,080 --> 00:56:36,280
Speaker 1: being real with with with your with your with your brother.

968
00:56:37,360 --> 00:56:40,080
Speaker 1: You know. So everybody went through the ship, man, I

969
00:56:40,120 --> 00:56:45,240
Speaker 1: mean from Ron Osley robbing the Osley's robbing his brothers

970
00:56:45,280 --> 00:56:46,920
Speaker 1: while they dead, and you know what I mean, doing

971
00:56:46,960 --> 00:56:49,399
Speaker 1: all kind of wow ship. You know what I mean.

972
00:56:49,800 --> 00:56:53,080
Speaker 1: It's like you never know. So when you when you

973
00:56:53,200 --> 00:56:55,000
Speaker 1: see ship like that happened to you, you know, you

974
00:56:55,120 --> 00:56:58,480
Speaker 1: gotta approach it and you gotta let the nigga know, like, yo, man,

975
00:57:00,160 --> 00:57:03,520
Speaker 1: we can't move like this. You know that's fucked up.

976
00:57:03,680 --> 00:57:07,719
Speaker 1: You know. The niggas get you know, and you try

977
00:57:07,760 --> 00:57:10,040
Speaker 1: to you try to deal with it and and say,

978
00:57:10,160 --> 00:57:14,919
Speaker 1: you know what, don't do it again, and you try

979
00:57:14,960 --> 00:57:17,520
Speaker 1: to live that out, you know, and that's what it's

980
00:57:17,520 --> 00:57:19,440
Speaker 1: all about. It's all about being real. I don't never

981
00:57:19,520 --> 00:57:22,360
Speaker 1: want my my a like to feel like, you know,

982
00:57:22,840 --> 00:57:24,880
Speaker 1: I'm damn with you, but I'm not damn with you.

983
00:57:25,040 --> 00:57:27,760
Speaker 1: You know, it's something bothering you. I gotta know what's

984
00:57:27,760 --> 00:57:31,440
Speaker 1: bothering and especially if it's it's gonna funk about friendship.

985
00:57:32,280 --> 00:57:34,240
Speaker 1: You know. Sometimes you when you talk to them, you'll

986
00:57:34,280 --> 00:57:36,120
Speaker 1: be like to let him know it's real. You gotta

987
00:57:36,120 --> 00:57:40,480
Speaker 1: be like, Yo, word's our friendship, word's our friendship. Taking that,

988
00:57:41,320 --> 00:57:43,280
Speaker 1: you know, So he didn't know automent. Oh he said

989
00:57:43,320 --> 00:57:46,960
Speaker 1: the friendship. So that's different. I don't keep your world

990
00:57:47,200 --> 00:57:49,880
Speaker 1: and the ship is cut off, you know. And sometimes

991
00:57:50,000 --> 00:57:53,400
Speaker 1: niggas fall out like that. Man Like, you know, you

992
00:57:53,520 --> 00:57:55,760
Speaker 1: want to funk with niggas because you love niggas, but

993
00:57:56,240 --> 00:57:58,160
Speaker 1: you can't be loving the nigga more than he love you.

994
00:57:58,320 --> 00:58:07,360
Speaker 1: Be don't do that. Don't do that. That's deep, that's

995
00:58:07,400 --> 00:58:11,080
Speaker 1: deep ship. Keep dropping the sides. God, it's something splaince

996
00:58:11,160 --> 00:58:14,320
Speaker 1: of me. It's about just knowing who you're allown, knowing

997
00:58:14,360 --> 00:58:16,760
Speaker 1: nothing of the day. That Yo, if I'm looking at

998
00:58:16,800 --> 00:58:18,880
Speaker 1: you like a real man, just be a real man,

999
00:58:20,000 --> 00:58:22,960
Speaker 1: you know, stand for something with me and know if

1000
00:58:23,000 --> 00:58:24,840
Speaker 1: I got a problem with something, I'm bringing it to

1001
00:58:25,000 --> 00:58:28,600
Speaker 1: you so we could fix it and move on. Or

1002
00:58:28,680 --> 00:58:30,960
Speaker 1: we can't be acting like because it gotta be weird

1003
00:58:31,040 --> 00:58:35,120
Speaker 1: for you because you you made that that that that

1004
00:58:35,440 --> 00:58:40,160
Speaker 1: uh only been for Kimber Links too, and that was

1005
00:58:40,240 --> 00:58:43,040
Speaker 1: like you really did it on your own, your own label,

1006
00:58:43,600 --> 00:58:48,560
Speaker 1: and you actually conducted that sound. You kept it what

1007
00:58:48,840 --> 00:58:52,200
Speaker 1: what year was that that was was a minute ago

1008
00:58:52,320 --> 00:58:55,200
Speaker 1: for you, but you kept it whatever, Yeah that was you.

1009
00:58:55,400 --> 00:58:58,160
Speaker 1: You kept it up to date. But still it sounds

1010
00:58:58,200 --> 00:59:01,520
Speaker 1: like a Wold Tang album. So like, I know, I

1011
00:59:01,640 --> 00:59:04,920
Speaker 1: know doing that next Blue album, I think, like you

1012
00:59:05,000 --> 00:59:06,920
Speaker 1: don't think you should have had it to bring an

1013
00:59:06,920 --> 00:59:10,080
Speaker 1: executive producing you to do picking the beats and things

1014
00:59:10,120 --> 00:59:12,120
Speaker 1: like that. You think this would have came out a

1015
00:59:12,240 --> 00:59:15,120
Speaker 1: little better. Like it's hard. I mean, it's hard when

1016
00:59:15,160 --> 00:59:18,480
Speaker 1: you want to try to dictate what you think everybody

1017
00:59:18,560 --> 00:59:21,120
Speaker 1: else gonna like. It's like nigga's donna feel like, yo,

1018
00:59:21,280 --> 00:59:24,080
Speaker 1: you deserve that clown. But it ain't even like you

1019
00:59:24,240 --> 00:59:27,040
Speaker 1: trying to look at it like you better than the nigga.

1020
00:59:27,120 --> 00:59:29,000
Speaker 1: You're just trying to add on and say, yo, no,

1021
00:59:29,240 --> 00:59:31,480
Speaker 1: this is. This is what it is. But when you're

1022
00:59:31,520 --> 00:59:35,200
Speaker 1: dealing with so many different minds in the building, it's like, damn,

1023
00:59:35,240 --> 00:59:37,440
Speaker 1: I'm gonna get to eight niggas and let them know

1024
00:59:37,520 --> 00:59:41,040
Speaker 1: what I'm feeling, you know, you know, And sometimes it's like, yo,

1025
00:59:41,400 --> 00:59:43,720
Speaker 1: you might be on your horse that niggas feel like, Yo,

1026
00:59:44,200 --> 00:59:46,840
Speaker 1: you up there, niggas stop it you that's where your

1027
00:59:46,880 --> 00:59:49,840
Speaker 1: head is at. I'm right here. So it's hard to

1028
00:59:49,920 --> 00:59:52,120
Speaker 1: tell your brothers with what you might feel as him.

1029
00:59:52,720 --> 00:59:55,040
Speaker 1: Now we could do is just try to create together

1030
00:59:55,120 --> 00:59:57,919
Speaker 1: and come up with sign not a secret wolf Tang

1031
00:59:58,000 --> 01:00:00,400
Speaker 1: album that got sold for two min and what's it?

1032
01:00:00,480 --> 01:00:04,560
Speaker 1: Martin Screlly was secret Peace? What's his name? Did you

1033
01:00:04,640 --> 01:00:07,880
Speaker 1: have a head of album? Did I hit the whole album? Yeah?

1034
01:00:08,160 --> 01:00:15,120
Speaker 1: I don't know mine? You crazy absolutely insane? Who you're

1035
01:00:15,160 --> 01:00:20,400
Speaker 1: on it? Right? You're on it? Whoa No? I never

1036
01:00:20,960 --> 01:00:24,919
Speaker 1: I never knew that, my nigga. You. I thought, oh ship,

1037
01:00:25,000 --> 01:00:27,400
Speaker 1: you're sucking me up like I'm a fun right now.

1038
01:00:27,640 --> 01:00:30,320
Speaker 1: Let me get some one to trust. Some one Yeah,

1039
01:00:32,560 --> 01:00:36,760
Speaker 1: sells some war Son. This is a drink, Chace very call.

1040
01:00:36,840 --> 01:00:41,800
Speaker 1: We don't have water and I'm sorry my brother an

1041
01:00:41,840 --> 01:00:50,440
Speaker 1: album don't go, it's the train. Since Savo talks to

1042
01:00:50,560 --> 01:00:52,200
Speaker 1: us every time we get into a good part of

1043
01:00:53,280 --> 01:00:54,680
Speaker 1: it's how we know we're in a good water of

1044
01:00:54,760 --> 01:00:57,960
Speaker 1: the interview right now. But you never heard this album?

1045
01:00:58,200 --> 01:01:00,479
Speaker 1: What's it called? You know what it's called. It's called

1046
01:01:00,600 --> 01:01:06,720
Speaker 1: um um, It's called that's how much he hasn't heard it?

1047
01:01:06,840 --> 01:01:08,680
Speaker 1: Hold on, hold on, what it's gonna something to shout

1048
01:01:08,840 --> 01:01:17,200
Speaker 1: in that up time wants upun of time and and

1049
01:01:17,360 --> 01:01:19,600
Speaker 1: you've never heard it, but you know your verses on

1050
01:01:19,720 --> 01:01:25,480
Speaker 1: there and so for what million two million so to

1051
01:01:26,640 --> 01:01:29,960
Speaker 1: spread throughout the boom Tech, Yeah, that was that was

1052
01:01:30,200 --> 01:01:33,800
Speaker 1: you know, I ain't nothing to do with men, right,

1053
01:01:34,080 --> 01:01:38,760
Speaker 1: It don't sound right, don't sound right now? You know

1054
01:01:38,800 --> 01:01:41,240
Speaker 1: what it is? Though? It was it was something that

1055
01:01:41,400 --> 01:01:44,600
Speaker 1: hit my desk and I felt like it was genuine.

1056
01:01:44,640 --> 01:01:48,320
Speaker 1: It was a genuine thought. And you know my thing

1057
01:01:48,440 --> 01:01:51,440
Speaker 1: is you're running around the table and make sure everybody

1058
01:01:51,480 --> 01:01:54,720
Speaker 1: feel the same way about it, and I'm thinking, and

1059
01:01:55,960 --> 01:02:00,160
Speaker 1: you know some niggers wasn't fond of it. But at

1060
01:02:00,200 --> 01:02:05,320
Speaker 1: the situation of the album, yeah, because because the concept

1061
01:02:05,440 --> 01:02:08,280
Speaker 1: was pretty the idea was, let me get to it.

1062
01:02:08,440 --> 01:02:10,080
Speaker 1: So you know what was the concept? I don't know.

1063
01:02:10,320 --> 01:02:13,640
Speaker 1: The concept was just to do an album that was

1064
01:02:13,720 --> 01:02:17,280
Speaker 1: sold as an art piece, like something that, you know,

1065
01:02:17,480 --> 01:02:19,720
Speaker 1: So I was I was up to it on that level,

1066
01:02:20,400 --> 01:02:21,840
Speaker 1: and I knew that at the end of the day,

1067
01:02:21,920 --> 01:02:26,000
Speaker 1: you know what it it worked itself out, but it's

1068
01:02:26,080 --> 01:02:29,360
Speaker 1: something that's needed. Let's do it before the next nicket

1069
01:02:29,440 --> 01:02:31,520
Speaker 1: do it. Let's do it for niggas that think like

1070
01:02:31,720 --> 01:02:33,400
Speaker 1: us do the same ship and the next thing, you know,

1071
01:02:33,520 --> 01:02:36,320
Speaker 1: we didn't do it because we didn't do it. But meanwhile,

1072
01:02:37,120 --> 01:02:40,200
Speaker 1: when when the album got when it got sold, I

1073
01:02:40,320 --> 01:02:44,680
Speaker 1: guess whatever whoever was dealing with it riser, they was

1074
01:02:44,760 --> 01:02:48,520
Speaker 1: handling the business part. Yeah, he was handling me. I mean,

1075
01:02:49,080 --> 01:02:51,280
Speaker 1: I didn't care because I already caught a check from

1076
01:02:51,320 --> 01:02:55,800
Speaker 1: it already. So it's like already I had my ship

1077
01:02:55,920 --> 01:02:59,360
Speaker 1: already on it, you know. But when it came down

1078
01:02:59,440 --> 01:03:02,840
Speaker 1: to the whole situation and we all had to set check,

1079
01:03:03,240 --> 01:03:05,800
Speaker 1: it didn't matter what it sold for later. Yeah, it

1080
01:03:05,960 --> 01:03:08,360
Speaker 1: was just it was just really that I felt like

1081
01:03:08,520 --> 01:03:11,640
Speaker 1: I already got paid for it. I wasn't chasing it,

1082
01:03:11,800 --> 01:03:15,840
Speaker 1: but that money should have been going around the table,

1083
01:03:16,560 --> 01:03:19,480
Speaker 1: you know. But however that got broken down or whatever.

1084
01:03:20,280 --> 01:03:22,600
Speaker 1: I wasn't there to see it. I wasn't I didn't

1085
01:03:22,600 --> 01:03:25,520
Speaker 1: get nothing. Now what what what would you wish this guy?

1086
01:03:25,600 --> 01:03:30,840
Speaker 1: What's your mea Martin? What do you think? Because do

1087
01:03:30,960 --> 01:03:33,120
Speaker 1: you want that I'm gonna be heard? Or you don't?

1088
01:03:33,120 --> 01:03:36,520
Speaker 1: Really it's what happened to you. No, I mean you

1089
01:03:36,600 --> 01:03:40,520
Speaker 1: know ship let motherfucker's head. Yeah, I mean he was

1090
01:03:40,640 --> 01:03:44,400
Speaker 1: really come on to drink chips. I mean he had

1091
01:03:44,440 --> 01:03:50,919
Speaker 1: to be for with ghosts, the dude in the back. Yeah,

1092
01:03:51,360 --> 01:03:59,040
Speaker 1: Oh I don't remember, super super wiggy craziness. Listen, come

1093
01:03:59,120 --> 01:04:01,400
Speaker 1: up here, come to drink Chance Martins. This is an

1094
01:04:01,600 --> 01:04:03,680
Speaker 1: r E. I didn't say all the other ship that

1095
01:04:03,760 --> 01:04:05,880
Speaker 1: everybody else. I don't want to hear this out. I

1096
01:04:05,880 --> 01:04:09,280
Speaker 1: don't him now he's looking want to hear what you say.

1097
01:04:09,480 --> 01:04:12,360
Speaker 1: Nobody can't Downlottle this podcast. Come on here and play that.

1098
01:04:12,600 --> 01:04:16,959
Speaker 1: He played the album That'd be Hard Crazy that before

1099
01:04:17,000 --> 01:04:19,520
Speaker 1: the culture. Because nobody can downloader, they can just listen

1100
01:04:19,560 --> 01:04:22,280
Speaker 1: to the podcast. A couple of joints. At least play

1101
01:04:22,360 --> 01:04:25,240
Speaker 1: that ship Man five and a half joints player, that's

1102
01:04:25,240 --> 01:04:27,600
Speaker 1: what you were what you would throw that out because

1103
01:04:27,640 --> 01:04:33,240
Speaker 1: you because you didn't hear the complete product. Right, So,

1104
01:04:33,280 --> 01:04:37,160
Speaker 1: what's up with Cuban Links three ship? What's up with

1105
01:04:37,280 --> 01:04:40,880
Speaker 1: Cuban Links three? What's what we're doing? What we're doing? Man?

1106
01:04:41,360 --> 01:04:44,280
Speaker 1: The fans want to know. Man, the Purple Arrow, what

1107
01:04:44,360 --> 01:04:45,840
Speaker 1: do you want us? I'm gonna be honest with you

1108
01:04:46,000 --> 01:04:52,120
Speaker 1: right now. That's like a fucking Gypshue, fucking Muhammad I

1109
01:04:52,280 --> 01:04:57,480
Speaker 1: leave statue. That ship is just tucked away. But but

1110
01:04:57,680 --> 01:05:00,520
Speaker 1: but have you been working on the Secret League? Yeah,

1111
01:05:00,600 --> 01:05:04,960
Speaker 1: you can tell you know, you know, we gotta close

1112
01:05:05,040 --> 01:05:07,040
Speaker 1: it out. But we're not closing it out right now

1113
01:05:07,200 --> 01:05:10,920
Speaker 1: because it's like they gotta be organic. It can't be rushed.

1114
01:05:11,680 --> 01:05:13,840
Speaker 1: It can't be rushed on. I'm gonna continue to still

1115
01:05:14,520 --> 01:05:17,760
Speaker 1: give Nigga's new ship and give you great, great sound,

1116
01:05:18,240 --> 01:05:21,080
Speaker 1: great hip hop. When niggas here my ship. Niggas to

1117
01:05:21,160 --> 01:05:24,680
Speaker 1: know that yo e the same Nigga Clever from the

1118
01:05:24,760 --> 01:05:27,960
Speaker 1: Clever era. You know what I mean? You know we

1119
01:05:28,120 --> 01:05:31,600
Speaker 1: from this creative I'm gonna give you creative ship. I'm

1120
01:05:31,600 --> 01:05:35,560
Speaker 1: gonna give you, you know, cycles of of of excitement.

1121
01:05:36,760 --> 01:05:40,040
Speaker 1: It's gonna get excited, man, excited on that Part three

1122
01:05:40,400 --> 01:05:42,920
Speaker 1: that all the Part three is just gonna be. Now,

1123
01:05:42,960 --> 01:05:45,200
Speaker 1: that's just that's the last that's the last one on

1124
01:05:45,360 --> 01:05:52,160
Speaker 1: you gotta close the door on that lot of closed door?

1125
01:05:52,400 --> 01:05:55,400
Speaker 1: Did you just break it? Exclusive story again? That cumber

1126
01:05:55,520 --> 01:05:58,800
Speaker 1: Lynch three is on the way. I mean, it's it's around,

1127
01:05:59,320 --> 01:06:01,880
Speaker 1: it's around, but it's it's I'm just selling it ain't

1128
01:06:01,920 --> 01:06:04,880
Speaker 1: coming out right now. It's like it's not. But it's

1129
01:06:04,960 --> 01:06:09,160
Speaker 1: always something that I'm taking into consideration and still saying,

1130
01:06:09,280 --> 01:06:12,560
Speaker 1: you know what, I know my niggas want that, you

1131
01:06:12,640 --> 01:06:14,760
Speaker 1: know what I mean, But we gotta close it with

1132
01:06:14,840 --> 01:06:18,080
Speaker 1: a trilogy. But the energy just gotta be where it

1133
01:06:18,200 --> 01:06:21,560
Speaker 1: need to be when you making when you're making great albums,

1134
01:06:21,640 --> 01:06:23,600
Speaker 1: it's like you do it because you you love to

1135
01:06:23,720 --> 01:06:26,840
Speaker 1: do it, but you also do it because it's it's

1136
01:06:26,920 --> 01:06:29,439
Speaker 1: only right to do it. So I want to walk

1137
01:06:29,520 --> 01:06:33,480
Speaker 1: into it like that and really just say, yo, it's

1138
01:06:33,560 --> 01:06:36,040
Speaker 1: just time, you know what I mean, when we do that,

1139
01:06:36,200 --> 01:06:38,640
Speaker 1: when we do it. But right now I'm having fun

1140
01:06:38,800 --> 01:06:42,800
Speaker 1: making other albums and just being creative and doing what

1141
01:06:42,920 --> 01:06:46,400
Speaker 1: I normally do. You know, I'm gonna always give your

1142
01:06:46,480 --> 01:06:48,640
Speaker 1: nigga is good music. You know, it's just all about

1143
01:06:48,680 --> 01:06:52,240
Speaker 1: who really ready to listen, you know? And I think

1144
01:06:52,280 --> 01:06:55,000
Speaker 1: the niggas from my eerror. Of course, the young niggas.

1145
01:06:55,520 --> 01:06:58,720
Speaker 1: You know, they always invited to come in and dance

1146
01:06:58,800 --> 01:07:01,240
Speaker 1: with the music with me. I funk with niggas, you

1147
01:07:01,320 --> 01:07:03,960
Speaker 1: know what I mean, only young niggas. But um, I'm

1148
01:07:03,960 --> 01:07:08,040
Speaker 1: gonna continue to represent that great music that we mean.

1149
01:07:09,400 --> 01:07:11,760
Speaker 1: That mean a lot. You know, niggas here our voices

1150
01:07:11,840 --> 01:07:14,840
Speaker 1: and niggas love it. Who is your favorite ceo you

1151
01:07:14,920 --> 01:07:19,520
Speaker 1: ever worked with? For my my who favorite ceo? Like

1152
01:07:20,480 --> 01:07:23,680
Speaker 1: Recollabe but like you just you know? Was it Steve Rifkin?

1153
01:07:26,080 --> 01:07:28,560
Speaker 1: This one that's trains to Elliott Wilson trained? Did we

1154
01:07:28,600 --> 01:07:32,960
Speaker 1: tell you that's training is train? Every time we get

1155
01:07:33,040 --> 01:07:36,200
Speaker 1: go something good, yell at me like a locomotive coming.

1156
01:07:37,560 --> 01:07:40,880
Speaker 1: This is real ship. I respected, I respect it. They

1157
01:07:44,080 --> 01:07:49,800
Speaker 1: like I used to run trains a lot, but different

1158
01:07:49,800 --> 01:07:54,760
Speaker 1: type of trains, right these things the king of trains

1159
01:07:56,160 --> 01:08:01,680
Speaker 1: on your favorite ceo? Oh, now you know I'm gonna

1160
01:08:01,680 --> 01:08:10,000
Speaker 1: get that. I'm gonna get that crown. Um um. So

1161
01:08:10,120 --> 01:08:14,080
Speaker 1: many young nikas doing it though, you know, but that

1162
01:08:14,280 --> 01:08:18,080
Speaker 1: you worked with it, put out your music, you worked

1163
01:08:18,120 --> 01:08:26,920
Speaker 1: with it. M that's a deep one. Mm hmm. You're

1164
01:08:26,960 --> 01:08:29,839
Speaker 1: still here that right there that's that's that's that's that's

1165
01:08:29,960 --> 01:08:37,600
Speaker 1: that's the trans. Trans give us that CEO, and you

1166
01:08:37,640 --> 01:08:42,160
Speaker 1: gotta give us that CEO. Right, people say yourself now,

1167
01:08:42,200 --> 01:08:46,519
Speaker 1: if you want to be selfish, we gotta love a

1168
01:08:46,560 --> 01:08:49,720
Speaker 1: selfish people there and petty motherfucker if you fun with

1169
01:08:49,760 --> 01:08:54,320
Speaker 1: them moment now, you know, um, I'll definitely get that crown.

1170
01:08:54,400 --> 01:08:59,320
Speaker 1: Not saying Chris Lighty though, Chris lighting God damnit. Round

1171
01:08:59,400 --> 01:09:02,519
Speaker 1: even so, it's around, it's crazy everything about it, like

1172
01:09:02,600 --> 01:09:05,920
Speaker 1: the all day Chris, and I gotta let you that

1173
01:09:08,960 --> 01:09:11,400
Speaker 1: what you're saying. You said he was around, Yeah, and

1174
01:09:11,560 --> 01:09:13,519
Speaker 1: you know he used to be around Steve a lot,

1175
01:09:13,720 --> 01:09:16,760
Speaker 1: and you know, they were doing anything, and you know

1176
01:09:16,840 --> 01:09:19,519
Speaker 1: a lot of times he would always come around and

1177
01:09:19,640 --> 01:09:22,040
Speaker 1: like say, yo, yeah, nik, this is super powerful. You

1178
01:09:22,080 --> 01:09:29,080
Speaker 1: I gotta say nah rifkay Yeah. Yeah, that's what Chris was.

1179
01:09:29,520 --> 01:09:32,200
Speaker 1: You know, they used to work together and you know

1180
01:09:32,320 --> 01:09:34,559
Speaker 1: he used to be around and you know he would

1181
01:09:34,600 --> 01:09:37,760
Speaker 1: tell us like, yo, yeah, brand man everything, this is

1182
01:09:37,880 --> 01:09:40,920
Speaker 1: a brand gang man. And we used to listen and

1183
01:09:41,160 --> 01:09:44,720
Speaker 1: you know he was just always about motivating Niggason to

1184
01:09:44,880 --> 01:09:47,960
Speaker 1: do other ship and you know, get on big TV

1185
01:09:48,160 --> 01:09:50,200
Speaker 1: shows and all that. You know, they're just talking about

1186
01:09:50,240 --> 01:09:53,880
Speaker 1: reality shows back then, you know, wanting to see niggas

1187
01:09:53,920 --> 01:09:56,439
Speaker 1: get on it. But we're not really that type of

1188
01:09:56,560 --> 01:10:00,639
Speaker 1: personality crew that you know, a reality show makes sense.

1189
01:10:01,400 --> 01:10:03,760
Speaker 1: You just reminded me you went MTV took you to

1190
01:10:03,760 --> 01:10:07,040
Speaker 1: see hear really on right or or somewhere in that Africa. Yes,

1191
01:10:07,600 --> 01:10:15,439
Speaker 1: I never seen ship I die. That impacted you heavily. Yeah,

1192
01:10:15,600 --> 01:10:18,320
Speaker 1: like how was that? How was that? It was stupid,

1193
01:10:18,479 --> 01:10:22,280
Speaker 1: crazy man going out there be Once I got there,

1194
01:10:22,320 --> 01:10:25,679
Speaker 1: I kissed the ground like like you know, the mother land,

1195
01:10:25,760 --> 01:10:28,320
Speaker 1: you know what I mean? That was that was beautiful

1196
01:10:28,439 --> 01:10:31,240
Speaker 1: right there, just to go home and just but then

1197
01:10:31,280 --> 01:10:36,200
Speaker 1: when we got there, it was crazy. The hotel was

1198
01:10:36,360 --> 01:10:40,240
Speaker 1: like it was like the hood was shand not hotel.

1199
01:10:41,960 --> 01:10:44,120
Speaker 1: It was like the hood was shandew. Liz, you know

1200
01:10:46,439 --> 01:10:49,880
Speaker 1: I've never been. You could see it. It wasn't that now.

1201
01:10:49,920 --> 01:10:52,799
Speaker 1: I wasn't sucked up though, it was just it was different,

1202
01:10:52,880 --> 01:10:54,400
Speaker 1: you know what I mean, Like you know, they had

1203
01:10:54,439 --> 01:10:58,320
Speaker 1: to sign a lot of papers and ship like. That's

1204
01:10:58,400 --> 01:11:01,720
Speaker 1: that's why one time I was on my way to

1205
01:11:01,840 --> 01:11:04,280
Speaker 1: somewhere else. Yeah, I was on one way to somewhere else.

1206
01:11:04,280 --> 01:11:06,280
Speaker 1: There's like it's close, it's like, yeah, you gotta go,

1207
01:11:06,439 --> 01:11:08,040
Speaker 1: you gotta get a shot. I was like a shot,

1208
01:11:11,160 --> 01:11:12,880
Speaker 1: so I had to go. I had to do that.

1209
01:11:13,280 --> 01:11:15,559
Speaker 1: You know, you saw people that were like mutilated or something.

1210
01:11:15,840 --> 01:11:20,640
Speaker 1: Right now. They took you to the spot you know

1211
01:11:20,800 --> 01:11:24,720
Speaker 1: it is. We went to an amputee village like where

1212
01:11:24,720 --> 01:11:28,840
Speaker 1: everybody just is amputated, you know, kids and everything. I

1213
01:11:28,920 --> 01:11:30,320
Speaker 1: didn't want to see that. I don't want to I

1214
01:11:30,320 --> 01:11:33,439
Speaker 1: didn't stay like something at that point. It was deep.

1215
01:11:33,479 --> 01:11:35,360
Speaker 1: It was like a journey like a pillage for like

1216
01:11:35,520 --> 01:11:39,000
Speaker 1: fourteen days out there, you know, talking about the diamonds

1217
01:11:39,040 --> 01:11:41,000
Speaker 1: and all that, but they were just taking us places

1218
01:11:41,080 --> 01:11:44,000
Speaker 1: where the rebels came through and they tore ship up.

1219
01:11:44,920 --> 01:11:48,439
Speaker 1: You know, they came through the aggressive and you know me,

1220
01:11:48,640 --> 01:11:50,320
Speaker 1: you know me, I want to know why they did it,

1221
01:11:50,439 --> 01:11:53,240
Speaker 1: like why why do you do that? You know? But

1222
01:11:54,640 --> 01:11:57,760
Speaker 1: it was just a big journey of learning why things

1223
01:11:57,880 --> 01:12:02,640
Speaker 1: happened like that. They no, no, we never nay have

1224
01:12:02,760 --> 01:12:06,920
Speaker 1: a w like the Brownsville of Africa. Be there's no

1225
01:12:07,240 --> 01:12:13,320
Speaker 1: w No, there's no wif parts of el Yo. Let

1226
01:12:13,360 --> 01:12:15,840
Speaker 1: me tell you something's it's banging parts from what I heard,

1227
01:12:16,000 --> 01:12:17,519
Speaker 1: you know what I mean? But where where I went.

1228
01:12:17,640 --> 01:12:20,640
Speaker 1: The first way I went for the first time was

1229
01:12:20,840 --> 01:12:24,600
Speaker 1: the hood be like niggas is walking around with we're

1230
01:12:25,280 --> 01:12:28,479
Speaker 1: what you call them sis crutches. No, no, not a ship,

1231
01:12:28,720 --> 01:12:32,640
Speaker 1: not the own the little green lights man like like

1232
01:12:32,760 --> 01:12:35,759
Speaker 1: a lantern, like a green land near like a landing.

1233
01:12:35,840 --> 01:12:43,240
Speaker 1: They walk around a I mean, I don't know Africa.

1234
01:12:43,320 --> 01:12:45,600
Speaker 1: Please book me. I've never been to Africa. Plea you

1235
01:12:45,680 --> 01:12:47,439
Speaker 1: just saying you didn't want to go there. I want

1236
01:12:47,439 --> 01:12:52,160
Speaker 1: to go me. We got something. They get fresh though,

1237
01:12:52,680 --> 01:12:56,320
Speaker 1: they get super fresh though, like Theamunda fresh like no

1238
01:12:58,479 --> 01:13:01,960
Speaker 1: like no make Joe, I ain't gonna front that. The

1239
01:13:02,080 --> 01:13:05,320
Speaker 1: living condition they was living under was was serious. But

1240
01:13:05,439 --> 01:13:08,360
Speaker 1: when one when when my party, when my party was

1241
01:13:08,439 --> 01:13:11,439
Speaker 1: that night and whatever, and they came out the ship

1242
01:13:11,600 --> 01:13:13,880
Speaker 1: was like being in the Bronx or some ship being

1243
01:13:14,200 --> 01:13:17,200
Speaker 1: like it was. Everybody was just chilling of I was

1244
01:13:17,320 --> 01:13:20,920
Speaker 1: proud for that. Listen to Africa. Please book me. I've

1245
01:13:20,960 --> 01:13:24,960
Speaker 1: never been Rakemio, I'm avoid you, but everybody else you

1246
01:13:25,080 --> 01:13:29,760
Speaker 1: heard the Rakemio the promoter kidnap you. He just kidnap you.

1247
01:13:30,040 --> 01:13:32,840
Speaker 1: Now they do that out there though they sometimes they

1248
01:13:32,880 --> 01:13:38,040
Speaker 1: don't want her to leave. You know. That's what I

1249
01:13:38,240 --> 01:13:43,720
Speaker 1: cannot stopping. But now I've been waiting to ask this

1250
01:13:43,880 --> 01:13:47,639
Speaker 1: question the whole night. I'm gonna be honest. I need

1251
01:13:47,720 --> 01:13:54,760
Speaker 1: an uncut, untold, old dirty bastest story. Listen, man, I

1252
01:13:54,880 --> 01:13:57,599
Speaker 1: got I got one, but I just needed to hear

1253
01:13:57,680 --> 01:14:00,320
Speaker 1: it on this show. It should never be your old

1254
01:14:00,360 --> 01:14:04,040
Speaker 1: dirty bastard story we told first, unless it's coming from

1255
01:14:04,080 --> 01:14:09,960
Speaker 1: wul Tang. We want the funniest, retarded this whatever the

1256
01:14:10,000 --> 01:14:13,160
Speaker 1: first thing that comes to mind, We're taking it. It

1257
01:14:13,240 --> 01:14:15,439
Speaker 1: don't like we need the old dirty bastard story. He's

1258
01:14:15,439 --> 01:14:21,360
Speaker 1: a legend. He's a super duper legends, super duper um

1259
01:14:23,120 --> 01:14:25,360
Speaker 1: that that was a real naked That's all I could say.

1260
01:14:25,479 --> 01:14:29,640
Speaker 1: Like dirty was he was the realist of the realists,

1261
01:14:29,680 --> 01:14:33,120
Speaker 1: being like and he loved soul music. So it's like

1262
01:14:33,880 --> 01:14:36,120
Speaker 1: every time you see him, that's the chain being like,

1263
01:14:36,439 --> 01:14:38,560
Speaker 1: you know, he'd be listening to the whispers or some

1264
01:14:38,680 --> 01:14:41,840
Speaker 1: ship talking to you with old Jay's and all that.

1265
01:14:42,160 --> 01:14:44,960
Speaker 1: You know, but you know, when he was getting high,

1266
01:14:45,000 --> 01:14:46,960
Speaker 1: he was just cooling though. But I think one night

1267
01:14:47,040 --> 01:14:49,840
Speaker 1: we got we all got real fucked up, but got

1268
01:14:49,960 --> 01:14:53,439
Speaker 1: fucked up, and I remember going down to his room

1269
01:14:53,560 --> 01:14:57,800
Speaker 1: and ship and um, the nigga be banging on the

1270
01:14:57,880 --> 01:15:00,080
Speaker 1: door for him because see he was in the the

1271
01:15:00,160 --> 01:15:02,120
Speaker 1: room right we was in the We was in the

1272
01:15:02,240 --> 01:15:04,120
Speaker 1: other hotel. And this is back in the day. So

1273
01:15:04,200 --> 01:15:06,640
Speaker 1: we's another woman ship. So you know, nigga's jumping in

1274
01:15:07,080 --> 01:15:09,720
Speaker 1: nikkas just hitting that way. You know that wet is

1275
01:15:09,800 --> 01:15:14,200
Speaker 1: that describer too, because we got that smart dust that

1276
01:15:14,479 --> 01:15:17,880
Speaker 1: you know, this that dead dust you know what is

1277
01:15:17,920 --> 01:15:20,679
Speaker 1: back you know, not we wasn't smoking it, but niggas

1278
01:15:20,720 --> 01:15:23,800
Speaker 1: we was around, were smoking it and we was in

1279
01:15:23,880 --> 01:15:27,519
Speaker 1: the woman ship one day and were just blowing bom bom.

1280
01:15:27,960 --> 01:15:30,960
Speaker 1: So you know, you smelling ship. The ship smelled good.

1281
01:15:31,120 --> 01:15:34,479
Speaker 1: It's like niggas don't. Niggas don't know dust smell good.

1282
01:15:35,400 --> 01:15:41,200
Speaker 1: Like smell was good. Yeah, it's like Shellyn's word. But

1283
01:15:41,680 --> 01:15:44,200
Speaker 1: you know, so you know, I think it's hit at

1284
01:15:44,240 --> 01:15:47,000
Speaker 1: one time. Bomb. So now we're in there doing push

1285
01:15:47,080 --> 01:15:54,800
Speaker 1: ups and ship. No, no, no, this ain't the whole claim.

1286
01:15:56,080 --> 01:16:08,800
Speaker 1: So this is a frag implicate the frag no nick naw.

1287
01:16:08,960 --> 01:16:10,599
Speaker 1: But you know, like I said, we was in there,

1288
01:16:10,640 --> 01:16:12,640
Speaker 1: we smoked. This was back then and you know we

1289
01:16:12,720 --> 01:16:14,800
Speaker 1: went down the dirty room and he want open the door.

1290
01:16:14,960 --> 01:16:17,519
Speaker 1: Shoe nikel. When the fucking door they get you know

1291
01:16:17,560 --> 01:16:21,160
Speaker 1: what I'm saying, He want to open the door, banging

1292
01:16:21,200 --> 01:16:25,559
Speaker 1: on the door. Next thing you know, the nigga opened

1293
01:16:25,600 --> 01:16:29,720
Speaker 1: the door round. So the naked just start laughing in

1294
01:16:29,880 --> 01:16:33,080
Speaker 1: front of us at the door and then closed the

1295
01:16:33,160 --> 01:16:37,800
Speaker 1: door back. So we're like, yeo, what the fund is

1296
01:16:37,840 --> 01:16:41,559
Speaker 1: this snaked thing be? So next thing you know, we're

1297
01:16:41,600 --> 01:16:44,880
Speaker 1: trying to get up in the room. And he went

1298
01:16:44,960 --> 01:16:49,360
Speaker 1: and open the door. Nika started kicking on the door

1299
01:16:49,400 --> 01:16:53,880
Speaker 1: and ship you know that, go open the door, nickel.

1300
01:16:55,280 --> 01:16:57,479
Speaker 1: He did. He open the door, get sneaker opened the

1301
01:16:57,560 --> 01:17:04,720
Speaker 1: door right and when he open the door kidding now

1302
01:17:04,840 --> 01:17:16,240
Speaker 1: you go, that's come on, we gotta stay to me.

1303
01:17:19,840 --> 01:17:29,400
Speaker 1: Come on, cheese. I can't give it, can't right. Love him,

1304
01:17:29,439 --> 01:17:31,479
Speaker 1: my love him? Man. That was like that was like

1305
01:17:31,600 --> 01:17:35,400
Speaker 1: mental rate right there, like mental rate right there. I

1306
01:17:35,520 --> 01:17:37,519
Speaker 1: can't give it to you. Did that on purpose, but

1307
01:17:37,600 --> 01:17:39,639
Speaker 1: I can't give it to you. My nig he wants

1308
01:17:39,680 --> 01:17:44,200
Speaker 1: to give trust. He was a piece of it all right.

1309
01:17:44,240 --> 01:17:46,800
Speaker 1: What's he butt? Na? No no, no, no, no no,

1310
01:17:47,080 --> 01:17:49,280
Speaker 1: come on his home boy ship in the fucking row.

1311
01:17:49,479 --> 01:17:54,280
Speaker 1: My friend, my friend, this is my nigga. He shipped

1312
01:17:54,280 --> 01:17:56,559
Speaker 1: in the drawer. He had a dream. He suked a bitch,

1313
01:17:56,600 --> 01:18:00,120
Speaker 1: fell asleep and woke up. I have a dream he

1314
01:18:00,240 --> 01:18:03,040
Speaker 1: had he was shipping, and then he shipped. He pulled

1315
01:18:03,080 --> 01:18:08,519
Speaker 1: the draw out and that and the next morning he

1316
01:18:08,640 --> 01:18:12,720
Speaker 1: tried to blame it another bit said, nah, man, I

1317
01:18:12,840 --> 01:18:17,320
Speaker 1: believe a bit the bitch told me. I can't, God

1318
01:18:17,360 --> 01:18:20,599
Speaker 1: bless it'll tell us a story. You can't tell. Tell

1319
01:18:20,680 --> 01:18:24,120
Speaker 1: some story. You can't tell any o dB story. We

1320
01:18:24,160 --> 01:18:27,599
Speaker 1: need listen right now. We got Prince, that's diff stories.

1321
01:18:27,640 --> 01:18:30,559
Speaker 1: You got Michael Jackson, every dirty stories. We need an

1322
01:18:30,600 --> 01:18:33,360
Speaker 1: old dB and we got our Pun. We started with

1323
01:18:33,479 --> 01:18:38,080
Speaker 1: pun legendary stories and those stories are still continuing. So

1324
01:18:38,760 --> 01:18:41,519
Speaker 1: we need an old dB. We gotta make this guy live.

1325
01:18:42,680 --> 01:18:48,519
Speaker 1: You know how to cook number one, he's cooking me wanta.

1326
01:18:49,000 --> 01:18:52,200
Speaker 1: He was like a seafood typing nig and shot you

1327
01:18:52,240 --> 01:18:54,200
Speaker 1: know me. And we used to go to his crib

1328
01:18:54,320 --> 01:18:56,479
Speaker 1: or whatever. But one night we was umping his crib

1329
01:18:56,640 --> 01:18:59,880
Speaker 1: or whatever, and they said, you know, nigger fell asleep

1330
01:18:59,920 --> 01:19:02,080
Speaker 1: and the house. So we're in there playing music and

1331
01:19:02,200 --> 01:19:05,280
Speaker 1: Dirty seen it. Next thing you know, niggas is cracking

1332
01:19:05,360 --> 01:19:08,040
Speaker 1: eggs on the nigger head and you know what I mean,

1333
01:19:08,160 --> 01:19:11,760
Speaker 1: Like you just yeah, because he was knocked out of

1334
01:19:11,840 --> 01:19:13,479
Speaker 1: the chain. But you said it was a cook. So

1335
01:19:13,600 --> 01:19:16,479
Speaker 1: when you said he didn't cook it, no, no, he

1336
01:19:16,640 --> 01:19:18,920
Speaker 1: just you know, you know sometimes when the nigga fall

1337
01:19:18,960 --> 01:19:21,040
Speaker 1: asleep in the house, it's like nigga started working with

1338
01:19:22,000 --> 01:19:25,280
Speaker 1: It's like this nig is sleep, Like, sprinkle some baby

1339
01:19:25,320 --> 01:19:27,760
Speaker 1: powder in his head, make him a ninety five years old,

1340
01:19:28,960 --> 01:19:31,400
Speaker 1: you know what I mean, Like just dip his hands

1341
01:19:31,400 --> 01:19:34,080
Speaker 1: in some fucking eggs or some ship or let him

1342
01:19:34,080 --> 01:19:36,639
Speaker 1: slide down his face or whatever. So one knife, niggas

1343
01:19:36,720 --> 01:19:39,760
Speaker 1: was just doing some wow ship and dirty was just

1344
01:19:39,880 --> 01:19:44,120
Speaker 1: putting mad kanyee pepper. He had. He had sucking eggs,

1345
01:19:45,160 --> 01:19:49,839
Speaker 1: he had fucking he had fucking celery on his nigger face. Everything.

1346
01:19:49,920 --> 01:19:53,880
Speaker 1: The snigger would not wake up. Snigger would not wake up.

1347
01:19:54,840 --> 01:19:57,160
Speaker 1: And this is an old dB man, this is his man.

1348
01:19:58,760 --> 01:20:00,600
Speaker 1: And when the nigger woke up, it was like the

1349
01:20:00,720 --> 01:20:06,400
Speaker 1: nigger was just he was. He was hurt. Now you're

1350
01:20:06,400 --> 01:20:08,439
Speaker 1: about to go on a new he's hurt. When they

1351
01:20:08,560 --> 01:20:12,479
Speaker 1: could die, I can't tell it. Man. Yeah, you're giving

1352
01:20:12,600 --> 01:20:17,880
Speaker 1: us ship, but then you're taking it away. But now

1353
01:20:17,920 --> 01:20:19,920
Speaker 1: you're about to go on the talk right now, you

1354
01:20:20,160 --> 01:20:24,439
Speaker 1: and um ghosts. Yeah, what's this? What's this? You're going

1355
01:20:24,439 --> 01:20:28,720
Speaker 1: on like a steady five days? Gonna be on tour

1356
01:20:28,800 --> 01:20:31,800
Speaker 1: with you please, Like we're talking about when y'all did

1357
01:20:31,880 --> 01:20:34,880
Speaker 1: business together. You know that we're talking about right now.

1358
01:20:34,920 --> 01:20:37,040
Speaker 1: We're doing more business right now now. But when y'all

1359
01:20:37,040 --> 01:20:39,320
Speaker 1: in the next year, I leave the album together. Come on, No,

1360
01:20:39,439 --> 01:20:43,160
Speaker 1: this is a wonderful thing. Man. We got together looking man,

1361
01:20:43,280 --> 01:20:48,280
Speaker 1: you know you my you your life from at any

1362
01:20:48,400 --> 01:20:51,080
Speaker 1: time man, yeah time now we got to go. We

1363
01:20:51,160 --> 01:20:53,800
Speaker 1: have fun of me to the war report too, um

1364
01:20:55,520 --> 01:21:00,320
Speaker 1: on ice, ice, water bigger and which was raised me

1365
01:21:00,400 --> 01:21:02,880
Speaker 1: to the question that's another that's better not being another train.

1366
01:21:02,960 --> 01:21:05,280
Speaker 1: That's not another train that's gonna know the rap radar

1367
01:21:05,280 --> 01:21:07,479
Speaker 1: I don't know if you know rap radar. They pay

1368
01:21:07,560 --> 01:21:10,400
Speaker 1: people just to make trains come by, Like you know

1369
01:21:10,439 --> 01:21:13,479
Speaker 1: what I'm saying that they got spies like they ain't TMZ.

1370
01:21:13,760 --> 01:21:15,680
Speaker 1: That's rap radar, just like you know what I mean,

1371
01:21:16,240 --> 01:21:18,519
Speaker 1: They just they just sit here because because Ray, you know,

1372
01:21:19,360 --> 01:21:22,560
Speaker 1: we bring real stories. You did rat radar, right, you

1373
01:21:22,680 --> 01:21:25,200
Speaker 1: did rat radar, yet you ain't doing it yet because

1374
01:21:25,200 --> 01:21:35,200
Speaker 1: it's just that serious they're sixty minutes. We're having turns.

1375
01:21:38,640 --> 01:21:41,120
Speaker 1: We just drunk, We just dronk. Those are people a

1376
01:21:41,200 --> 01:21:47,160
Speaker 1: little bit be guys great Elliot, Come on, man, ye listen,

1377
01:21:47,439 --> 01:21:49,920
Speaker 1: they herded a book than the wrapper. I've been telling

1378
01:21:50,080 --> 01:21:53,120
Speaker 1: them to come on the fucking podcast. I'm saying, come

1379
01:21:53,160 --> 01:21:56,040
Speaker 1: out here, like when you you New York. It's doing

1380
01:21:56,120 --> 01:21:59,120
Speaker 1: the CBS office. No, that's not what we do. Don't

1381
01:21:59,160 --> 01:22:02,000
Speaker 1: do you you do not show the CBS open. We

1382
01:22:02,160 --> 01:22:03,840
Speaker 1: do our ship in the middle of a little Haiti

1383
01:22:03,960 --> 01:22:07,840
Speaker 1: nigga and we do shoot at park Hill. We do

1384
01:22:07,920 --> 01:22:10,680
Speaker 1: our shol A Stapleton. We do our shouldn't can do

1385
01:22:10,800 --> 01:22:15,400
Speaker 1: what we do. I shouldn't left Franck City. We do

1386
01:22:15,479 --> 01:22:18,360
Speaker 1: our shot in Queensbridge. We do our shouldn't ravers with

1387
01:22:18,520 --> 01:22:21,160
Speaker 1: the story of We do our ship everywhere else but

1388
01:22:21,360 --> 01:22:25,640
Speaker 1: CBS you buck boo boo boo boo. And that's not

1389
01:22:25,760 --> 01:22:29,880
Speaker 1: a discuse. I don't even know what I said. It's

1390
01:22:29,960 --> 01:22:32,040
Speaker 1: not what I said. That's not it's not a disk.

1391
01:22:32,240 --> 01:22:35,920
Speaker 1: But listen to you. Come come away here and funk

1392
01:22:36,000 --> 01:22:38,799
Speaker 1: with us. I paid my flight to go do your podcast.

1393
01:22:38,920 --> 01:22:41,120
Speaker 1: I'll come out here and do our right right a wrong.

1394
01:22:41,200 --> 01:22:45,559
Speaker 1: But just you. It's like, if you go do this ship,

1395
01:22:45,640 --> 01:22:48,120
Speaker 1: you show your do this ship. I think I show

1396
01:22:48,200 --> 01:22:52,080
Speaker 1: you did this ship. My nigga, iced T ship ed

1397
01:22:52,080 --> 01:22:57,880
Speaker 1: T that's what that's my I'm just playing. It's just jokes,

1398
01:22:58,120 --> 01:23:01,240
Speaker 1: but that's my nigga. I see here, that's my nigga. Yeah,

1399
01:23:01,280 --> 01:23:04,639
Speaker 1: we need him on. Yeah, we diferent and we need

1400
01:23:04,840 --> 01:23:08,519
Speaker 1: listen to Iced Tea. He's my nigga. This was good.

1401
01:23:09,560 --> 01:23:14,639
Speaker 1: Come on, there's no more Weed Boys track. So listen

1402
01:23:15,120 --> 01:23:18,640
Speaker 1: is iced Tea. You're my nigga, my brother, and he

1403
01:23:18,720 --> 01:23:21,479
Speaker 1: did my movie two years ago. I didn't know what

1404
01:23:21,520 --> 01:23:23,799
Speaker 1: I was doing. He still did my movie. What's your movie?

1405
01:23:24,520 --> 01:23:28,760
Speaker 1: Super Dog? So Iced Tea, we really really really need

1406
01:23:28,840 --> 01:23:31,599
Speaker 1: you on, but we want you. We want your wife

1407
01:23:31,680 --> 01:23:34,479
Speaker 1: to be our first female guest. Is that cool? That's

1408
01:23:34,560 --> 01:23:38,479
Speaker 1: that's cool, your wife. You come up with both of them,

1409
01:23:38,600 --> 01:23:41,040
Speaker 1: both of them, both of them. Yeah, together, because Coco,

1410
01:23:42,240 --> 01:23:45,439
Speaker 1: I'm surprised our bar turned up. Man, come come say,

1411
01:23:45,920 --> 01:23:50,040
Speaker 1: because all we just only have men here, you could

1412
01:23:51,720 --> 01:23:54,040
Speaker 1: come on, yeah, man, they can come on the challenge

1413
01:23:54,040 --> 01:23:59,559
Speaker 1: your Instagram one more time. Man, come on, please, Amanda, Yes, right,

1414
01:24:00,000 --> 01:24:04,519
Speaker 1: your chance. We now have women the ship because you know,

1415
01:24:04,720 --> 01:24:06,439
Speaker 1: you know what I mean, Like, you know, people, people

1416
01:24:06,520 --> 01:24:10,760
Speaker 1: get crazy. We have too many How you saying, I

1417
01:24:10,800 --> 01:24:12,679
Speaker 1: don't know what are you saying? We need a female

1418
01:24:12,760 --> 01:24:14,800
Speaker 1: rap but to come on here? Yeah? You know what

1419
01:24:14,840 --> 01:24:19,960
Speaker 1: I'm saying. And you know what's crazy? They love voting

1420
01:24:20,160 --> 01:24:29,360
Speaker 1: so much. Time you do a tour like every two

1421
01:24:29,400 --> 01:24:35,080
Speaker 1: weeks every no, not not, but your shipped last for

1422
01:24:35,240 --> 01:24:37,479
Speaker 1: like two or three months? Can you probably on one

1423
01:24:37,520 --> 01:24:40,559
Speaker 1: of those open up, We're gonna bring the drink. Chance.

1424
01:24:40,720 --> 01:24:43,960
Speaker 1: You got to have the discipline, you know, he's always

1425
01:24:44,040 --> 01:24:46,320
Speaker 1: invited to. Don't know what the discipline mean? What does

1426
01:24:46,360 --> 01:24:49,400
Speaker 1: that mean? You gotta do the three months? I always

1427
01:24:49,439 --> 01:24:53,320
Speaker 1: do the three months. Yeah, let's go there with you

1428
01:24:53,640 --> 01:24:56,880
Speaker 1: as long as I'm okay, I'm okay the podcast on

1429
01:24:56,960 --> 01:24:59,720
Speaker 1: the road, let's do it. Just do it, just go

1430
01:25:00,360 --> 01:25:03,920
Speaker 1: but listen. How it's crazy? Is it that the bigger

1431
01:25:04,000 --> 01:25:08,800
Speaker 1: you got, the more hood your records got, the more

1432
01:25:08,920 --> 01:25:13,320
Speaker 1: white people came to your shows. That's beautiful? How the

1433
01:25:13,479 --> 01:25:16,599
Speaker 1: funk did y'all do that? Though? Like, but that's real

1434
01:25:16,680 --> 01:25:23,559
Speaker 1: ship though, like super real and you keep it yeah yeah,

1435
01:25:23,720 --> 01:25:25,880
Speaker 1: but it's like you you know what I'm saying, Like

1436
01:25:26,080 --> 01:25:28,599
Speaker 1: I don't know tour with you love. It's like, oh man, man,

1437
01:25:29,200 --> 01:25:32,160
Speaker 1: that's that market right there, Like you know what it is.

1438
01:25:32,240 --> 01:25:34,240
Speaker 1: Don't give a funk. Who got something going on in

1439
01:25:34,360 --> 01:25:38,200
Speaker 1: Atlanta night? Ray Kwon Gota show your ship is sold out?

1440
01:25:38,840 --> 01:25:41,400
Speaker 1: I've seen that ship with my own eyes, my name,

1441
01:25:42,120 --> 01:25:45,680
Speaker 1: how do how does that fail? Though? That's a great feeling, man,

1442
01:25:46,000 --> 01:25:48,680
Speaker 1: you know there them are people that love us. Man.

1443
01:25:48,760 --> 01:25:51,720
Speaker 1: It don't matter the color, but you know it makes you,

1444
01:25:52,760 --> 01:25:57,040
Speaker 1: it makes you feel rock stars champagne. But keep finish

1445
01:25:57,040 --> 01:26:01,160
Speaker 1: your ship making it and keep play because this is crazy.

1446
01:26:01,479 --> 01:26:04,040
Speaker 1: Now when would you state to stay your ship sold out?

1447
01:26:05,760 --> 01:26:08,080
Speaker 1: The love, this is the love from the people. Man.

1448
01:26:09,000 --> 01:26:11,080
Speaker 1: They know what we do. They know we come in

1449
01:26:11,200 --> 01:26:14,400
Speaker 1: and we were getting done. We get it done. You know.

1450
01:26:14,560 --> 01:26:18,000
Speaker 1: People love great music, they love personality, they love character

1451
01:26:18,280 --> 01:26:22,120
Speaker 1: and showmanship. You know, we just try to deliver, just

1452
01:26:22,240 --> 01:26:25,000
Speaker 1: try to give it, give to them in the best

1453
01:26:25,040 --> 01:26:26,960
Speaker 1: way we could give it to them. And you know,

1454
01:26:27,240 --> 01:26:29,960
Speaker 1: the majority of the people is is the white white

1455
01:26:30,080 --> 01:26:35,600
Speaker 1: the white people that they come out for us and

1456
01:26:35,720 --> 01:26:38,800
Speaker 1: we love them to death. And it is what it is,

1457
01:26:38,920 --> 01:26:43,519
Speaker 1: just like no, we don't know we love them all. Man.

1458
01:26:43,680 --> 01:26:45,519
Speaker 1: It's like we said we're gonna say hip hop is

1459
01:26:45,680 --> 01:26:48,400
Speaker 1: we're gonna make hip hop. No, we're gonna make hip

1460
01:26:48,400 --> 01:26:51,920
Speaker 1: hop a new race and a new religion and a

1461
01:26:52,040 --> 01:26:57,080
Speaker 1: new flag. All right, my favorite hotels a whole horrible

1462
01:27:00,040 --> 01:27:05,599
Speaker 1: took it that way. You when we give a different example,

1463
01:27:06,320 --> 01:27:09,479
Speaker 1: I don't know if you get me over thinking there now,

1464
01:27:09,520 --> 01:27:14,599
Speaker 1: I got that, But my favorite hotel is a double hotel.

1465
01:27:14,680 --> 01:27:17,000
Speaker 1: Every time I'm going to the double hot hotel, I

1466
01:27:17,080 --> 01:27:19,240
Speaker 1: see the gay flag out there. I have no problem

1467
01:27:19,320 --> 01:27:22,439
Speaker 1: with it. I got mad people that's gay, and my

1468
01:27:22,560 --> 01:27:25,840
Speaker 1: family people that's gay. I don't care. I just okay.

1469
01:27:26,080 --> 01:27:30,120
Speaker 1: But I figured, why shouldn't we have a hip hop

1470
01:27:30,160 --> 01:27:34,280
Speaker 1: flat right that let people know that when we entered

1471
01:27:34,320 --> 01:27:37,960
Speaker 1: this accepted here, that you accepted here. Why we can't

1472
01:27:38,000 --> 01:27:40,880
Speaker 1: have the same thing. Not comparing hip hops flight or

1473
01:27:40,960 --> 01:27:45,800
Speaker 1: hip hop struggle compared to you know, you know gayl

1474
01:27:46,400 --> 01:27:47,960
Speaker 1: you know God blessed them. You know what I'm saying

1475
01:27:47,960 --> 01:27:49,719
Speaker 1: that we got a different plight. But what I'm saying

1476
01:27:49,880 --> 01:27:53,439
Speaker 1: is why should I enter a restaurant if you tell

1477
01:27:53,520 --> 01:27:56,960
Speaker 1: me this restaurant got the best fucking clams in the world. Right,

1478
01:27:57,479 --> 01:28:00,400
Speaker 1: ended up walking there and then seems like in there,

1479
01:28:01,000 --> 01:28:03,320
Speaker 1: I'm the first black person that ever been here. I

1480
01:28:03,360 --> 01:28:05,840
Speaker 1: shouldn't I shouldn't have to you know what I'm saying,

1481
01:28:05,840 --> 01:28:09,280
Speaker 1: I shouldn't have to go through that that event. But

1482
01:28:09,400 --> 01:28:13,800
Speaker 1: if that flag is there saying you're welcome, this is

1483
01:28:13,880 --> 01:28:16,400
Speaker 1: just like you know, I don't want to compare hip

1484
01:28:16,439 --> 01:28:20,800
Speaker 1: hop struggle getpare with gay, but I can. You can

1485
01:28:20,920 --> 01:28:24,000
Speaker 1: eat somewhere on South Beach right now, and on South

1486
01:28:24,080 --> 01:28:27,840
Speaker 1: Beach there's a gay flag somewhere boom. That's that's their

1487
01:28:27,880 --> 01:28:32,080
Speaker 1: sign to say that you're accepted. Awesome, eat all the

1488
01:28:32,200 --> 01:28:35,600
Speaker 1: places that they already accepted then because the places is

1489
01:28:35,680 --> 01:28:37,760
Speaker 1: good and I ain't got no problem with them, you know,

1490
01:28:38,240 --> 01:28:41,880
Speaker 1: it's it's awesome. But now I do we have problems

1491
01:28:41,920 --> 01:28:44,880
Speaker 1: Sometimes I could walk into a place and then I

1492
01:28:44,960 --> 01:28:46,920
Speaker 1: don't know if my kind is accepted. And I don't

1493
01:28:46,960 --> 01:28:52,240
Speaker 1: even mean color wise, I just mean culture wise. Why

1494
01:28:52,320 --> 01:28:56,680
Speaker 1: can't we develop a hip hop? Am I retarded? You

1495
01:28:56,720 --> 01:29:01,000
Speaker 1: can tell me? Listen, let me tell you something. Hip

1496
01:29:01,080 --> 01:29:04,720
Speaker 1: hop is something that's it's organic anyway. It's like it

1497
01:29:04,880 --> 01:29:07,920
Speaker 1: because y'all it's gonna put you just gonna pull the

1498
01:29:08,080 --> 01:29:11,320
Speaker 1: right the right energy at the right time. You know, music,

1499
01:29:11,960 --> 01:29:15,280
Speaker 1: music is always gonna southe the minds of people. So

1500
01:29:16,120 --> 01:29:19,800
Speaker 1: regardless of what wherever we walk, that that's always there.

1501
01:29:20,240 --> 01:29:22,400
Speaker 1: That's why that's one of the biggest markets. But you

1502
01:29:22,520 --> 01:29:25,599
Speaker 1: understand what I'm saying. Hip hop hip hop music made

1503
01:29:25,680 --> 01:29:28,840
Speaker 1: a lot of money, man, Yeah, yeah, but we need

1504
01:29:28,920 --> 01:29:31,080
Speaker 1: to be a lot of money. That's what I'm saying.

1505
01:29:31,160 --> 01:29:35,200
Speaker 1: Like y'all, y'all made music for Statland, Brooklyn, and they

1506
01:29:35,360 --> 01:29:38,400
Speaker 1: transcended to the whole world, the world, the whole world.

1507
01:29:38,720 --> 01:29:41,680
Speaker 1: You know what I'm sadding. People you didn't, yes, yes,

1508
01:29:41,760 --> 01:29:44,320
Speaker 1: thank you, Yes, thank you for me. But what I'm

1509
01:29:44,320 --> 01:29:47,639
Speaker 1: trying to say is, right, what if there's a hotel

1510
01:29:47,680 --> 01:29:50,599
Speaker 1: that you gotta check into when you feel more comfortable,

1511
01:29:50,640 --> 01:29:54,960
Speaker 1: if you know that you like whatever the promoter overpaide

1512
01:29:55,000 --> 01:29:58,960
Speaker 1: you all, whatever, whatever, underpaid, none of the underpage you,

1513
01:29:59,240 --> 01:30:01,760
Speaker 1: overpage you. And then you look and he's like the

1514
01:30:01,840 --> 01:30:06,560
Speaker 1: hotel he booked, my con is accepted. I'm good. That

1515
01:30:06,680 --> 01:30:09,639
Speaker 1: means I could blow in the room, Like I remember

1516
01:30:10,040 --> 01:30:12,240
Speaker 1: hanging with you somewhere. You was like come to my

1517
01:30:12,400 --> 01:30:15,680
Speaker 1: room that I paid the smoking charge already, remember, like

1518
01:30:15,880 --> 01:30:19,840
Speaker 1: like like why we can't have our own ship like,

1519
01:30:20,240 --> 01:30:26,400
Speaker 1: I'm not comparing the hip hop struggle or whatever anybody that.

1520
01:30:27,160 --> 01:30:30,800
Speaker 1: But what I'm saying is because even even gay people

1521
01:30:30,880 --> 01:30:33,400
Speaker 1: our hip hop. Of course, you know what I'm saying.

1522
01:30:33,520 --> 01:30:35,680
Speaker 1: So it's like, alright, cool, if you gay in you

1523
01:30:35,800 --> 01:30:38,160
Speaker 1: hip hop, you're super accepted. You know what I'm saying.

1524
01:30:38,880 --> 01:30:41,760
Speaker 1: I'm sorry, but but if you hip you know if

1525
01:30:41,800 --> 01:30:43,600
Speaker 1: I'm just saying because I don't know, like you know,

1526
01:30:43,640 --> 01:30:46,559
Speaker 1: I'm trying to be politically correct, what I'm trying to say,

1527
01:30:47,360 --> 01:30:51,000
Speaker 1: Why wouldn't why can't we have a flag that represents

1528
01:30:51,600 --> 01:30:55,800
Speaker 1: not a race. I ain't saying. I'm saying people that

1529
01:30:56,000 --> 01:30:59,400
Speaker 1: this is our culture. They understand our culture. The other day,

1530
01:30:59,439 --> 01:31:01,840
Speaker 1: I went to a restaurant. Google what's the best of

1531
01:31:01,880 --> 01:31:04,880
Speaker 1: each in the area? Right. I went there and it

1532
01:31:05,000 --> 01:31:08,720
Speaker 1: was mass soccer games. No, no disrespect to soccer, right,

1533
01:31:10,080 --> 01:31:12,680
Speaker 1: But I don't want to suck with soccer. So I

1534
01:31:12,800 --> 01:31:16,160
Speaker 1: was like, I'm out of the head. But if I

1535
01:31:16,200 --> 01:31:19,160
Speaker 1: would have went on the app that said this is

1536
01:31:19,360 --> 01:31:22,479
Speaker 1: hip hop, I would have never wasted my time going

1537
01:31:22,600 --> 01:31:24,760
Speaker 1: to a place that I didn't want to see what

1538
01:31:24,880 --> 01:31:26,680
Speaker 1: I wanted. I didn't. I just I wasn't in a

1539
01:31:26,760 --> 01:31:29,040
Speaker 1: move for soccer, so hip hop mothers don't like soccer.

1540
01:31:29,400 --> 01:31:31,880
Speaker 1: I don't know. What I'm saying is is hip hot.

1541
01:31:32,080 --> 01:31:35,040
Speaker 1: This is something that you're gonna come. You're gonna eat,

1542
01:31:35,080 --> 01:31:37,800
Speaker 1: You're gonna chill, You're gonna dance, You're gonna rotal, skate,

1543
01:31:38,080 --> 01:31:42,760
Speaker 1: you're gonna skateboard, you gotta you're gonna do whatever you wanna.

1544
01:31:42,920 --> 01:31:44,640
Speaker 1: You gonna You know what I'm saying, And you know

1545
01:31:44,880 --> 01:31:48,200
Speaker 1: that whatever this is, it's a B boy stance in

1546
01:31:48,439 --> 01:31:55,519
Speaker 1: here somewhere we need that. At the core, I think

1547
01:31:55,560 --> 01:31:58,880
Speaker 1: you're good, but when you extend it, you're up. But

1548
01:31:58,960 --> 01:32:00,759
Speaker 1: I just feel like we need to hip hop flag.

1549
01:32:01,240 --> 01:32:05,280
Speaker 1: That means like if we in Barbados, we in Bermuda

1550
01:32:05,400 --> 01:32:08,360
Speaker 1: somewhere and we want to sit down and blow a tree,

1551
01:32:08,560 --> 01:32:10,840
Speaker 1: or sit down and just have a meal. Listen to

1552
01:32:10,960 --> 01:32:14,040
Speaker 1: Marvin Gay, listen to you know what I'm saying, Like

1553
01:32:14,160 --> 01:32:16,120
Speaker 1: wherever we are in the world, or somebody can put

1554
01:32:16,200 --> 01:32:18,920
Speaker 1: our flag up so we know we welcome. We went

1555
01:32:19,000 --> 01:32:23,400
Speaker 1: and you know, going spots where you know what I'm saying,

1556
01:32:23,880 --> 01:32:28,439
Speaker 1: where we're not welcome. You think I'm bucking out. Flag

1557
01:32:28,680 --> 01:32:31,960
Speaker 1: is there? It's in your heart? Is flag? It's it's

1558
01:32:32,040 --> 01:32:34,920
Speaker 1: already in UV. But you know, you gotta know where

1559
01:32:34,920 --> 01:32:37,160
Speaker 1: you're going. Bro, I don't know where the I'm going.

1560
01:32:38,640 --> 01:32:41,200
Speaker 1: That's very fu You know you gotta know where you're going,

1561
01:32:41,320 --> 01:32:43,920
Speaker 1: my nigger. But I'll not get what you're saying though.

1562
01:32:44,040 --> 01:32:47,960
Speaker 1: You know the hip hop flag this ship, yeah, created

1563
01:32:48,000 --> 01:32:50,479
Speaker 1: a lot for how many you've been to you and

1564
01:32:50,600 --> 01:32:54,800
Speaker 1: you your passport is crazy. So I just imagine that

1565
01:32:54,880 --> 01:32:57,320
Speaker 1: wherever comes you, you go to dude with dorf Germany.

1566
01:32:58,400 --> 01:33:02,320
Speaker 1: You know, Look, you tell me you new German? You

1567
01:33:02,400 --> 01:33:07,840
Speaker 1: know German? Tell me a German word. I got a

1568
01:33:07,920 --> 01:33:13,719
Speaker 1: German word? You ready? Dunking ship, dunking ship, dun can change?

1569
01:33:14,120 --> 01:33:19,040
Speaker 1: What does that mean? Thank you? You want me tell

1570
01:33:19,040 --> 01:33:21,439
Speaker 1: you the other word? I know? Wait for weight? Quan ago?

1571
01:33:21,840 --> 01:33:25,519
Speaker 1: I knew dunking ship for work? Give me some German

1572
01:33:25,640 --> 01:33:31,719
Speaker 1: right quas? You know one word stuff that means yeah, yeah, okay,

1573
01:33:32,200 --> 01:33:36,560
Speaker 1: I know blasphemy, I not blastem? Was that? Its like

1574
01:33:36,760 --> 01:33:45,400
Speaker 1: my dick. You know anything constructive in German? Um wait

1575
01:33:45,640 --> 01:33:50,240
Speaker 1: dunkin shin bit test shin that's I don't think it's welcome, okay,

1576
01:33:51,320 --> 01:33:55,120
Speaker 1: duncan shin bit to ship? You know Japanese? You know

1577
01:33:55,280 --> 01:34:01,200
Speaker 1: Japanese train Japan word on Japanese. Come on, you've been

1578
01:34:01,240 --> 01:34:05,760
Speaker 1: all over the world Japanese. You know Japanese. Wait on,

1579
01:34:06,200 --> 01:34:09,599
Speaker 1: give me give me a word in Japanese. I can't

1580
01:34:09,640 --> 01:34:15,360
Speaker 1: give me one. Give me one, itchy bond. I learned

1581
01:34:15,400 --> 01:34:21,560
Speaker 1: that from Red Man. Can learn that phone Kawaii no Hollelllulu,

1582
01:34:21,720 --> 01:34:24,599
Speaker 1: no make up your mind for you to learning from Hawaiian.

1583
01:34:24,680 --> 01:34:28,679
Speaker 1: Learned in America, learning in Japan. Niggas just said Hawaii

1584
01:34:28,800 --> 01:34:34,040
Speaker 1: no Oka hour. It's on the Aquaina line of Hawaii.

1585
01:34:34,080 --> 01:34:37,760
Speaker 1: You've been right. That was a part of Japan. Oh

1586
01:34:38,520 --> 01:34:43,240
Speaker 1: Yo rap radar, y'all niggas is paying top dollars, top dollars.

1587
01:34:43,439 --> 01:34:46,400
Speaker 1: Sat down the wood Paine Clay interview because they never

1588
01:34:46,479 --> 01:34:52,599
Speaker 1: had a wound Listen. They never listen. Wotine don't right radar, listen, listen, listen.

1589
01:34:52,920 --> 01:34:55,240
Speaker 1: They just got too nervous. They said a wood tang

1590
01:34:55,400 --> 01:34:58,360
Speaker 1: claim member, and it's way pawn to like you know

1591
01:34:58,400 --> 01:35:00,200
Speaker 1: what I'm saying. Today they've sent a train used to

1592
01:35:00,200 --> 01:35:13,120
Speaker 1: watch We've never had three trains. Trade. Welcome to play,

1593
01:35:13,400 --> 01:35:19,400
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

1594
01:35:19,479 --> 01:35:23,880
Speaker 1: and more. Play it at play dot it. We're back

1595
01:35:24,000 --> 01:35:27,320
Speaker 1: to drink Champs Radio with Rapper and R and d

1596
01:35:27,520 --> 01:35:32,240
Speaker 1: J f N. Do you mean a man to the

1597
01:35:32,280 --> 01:35:33,960
Speaker 1: man that she pulls the drink. She's a part of

1598
01:35:34,040 --> 01:35:38,719
Speaker 1: the show. Now, part of the show. Now, I forgot

1599
01:35:39,680 --> 01:35:47,920
Speaker 1: branch from brands. Hum yo yo yo so um. She

1600
01:35:48,080 --> 01:35:53,040
Speaker 1: likes me to do that. So listen. Now he's laughing,

1601
01:35:54,920 --> 01:35:58,240
Speaker 1: Are you patty? Rafol because I'm patty like a mother phoner.

1602
01:35:58,320 --> 01:35:59,560
Speaker 1: This is in case I don't do this is a

1603
01:35:59,640 --> 01:36:03,720
Speaker 1: trick question. It is not. I am petty like a motherfucker.

1604
01:36:03,920 --> 01:36:06,759
Speaker 1: The last episode we had he said, he's not petty.

1605
01:36:07,680 --> 01:36:10,880
Speaker 1: Don't when you break it down? Should I break it down?

1606
01:36:11,000 --> 01:36:13,160
Speaker 1: I mean I don't even remember, but go ahead. Last

1607
01:36:13,240 --> 01:36:17,759
Speaker 1: episode on Friday we had Happy, I said, I'm petty.

1608
01:36:18,560 --> 01:36:22,200
Speaker 1: Did you even make you patty? Um? Has? How are

1609
01:36:22,240 --> 01:36:26,560
Speaker 1: you petty? Has my petty? Yes? I could be not

1610
01:36:26,760 --> 01:36:28,599
Speaker 1: Usually that's nothing to ask something I'm looking for. I'm

1611
01:36:28,640 --> 01:36:31,960
Speaker 1: not petty, he said, he's not petty. Are you're reading

1612
01:36:32,040 --> 01:36:37,280
Speaker 1: for the story? He's dating a girl? Oh man, we

1613
01:36:37,400 --> 01:36:40,720
Speaker 1: gotta keep the same because you know why when I

1614
01:36:40,760 --> 01:36:43,000
Speaker 1: listened to the having episode was sold and it's not

1615
01:36:43,080 --> 01:36:45,920
Speaker 1: a pet and nobody ever said that you're not petty.

1616
01:36:46,080 --> 01:36:50,120
Speaker 1: I'm not. I'm not gonna get into the That's why

1617
01:36:50,160 --> 01:36:52,320
Speaker 1: I got the tweets that I guy. Now I remember, Yeah,

1618
01:36:52,320 --> 01:36:55,040
Speaker 1: I'm not gonna get into the three videos. I'm getting

1619
01:36:55,040 --> 01:37:01,639
Speaker 1: into the video this episode. This is a famous, famous

1620
01:37:04,160 --> 01:37:09,040
Speaker 1: first of all kidlu people love this to they love

1621
01:37:10,680 --> 01:37:17,280
Speaker 1: I'm telling you so listen, my man is dating the girl. Somehow, someway,

1622
01:37:18,640 --> 01:37:23,240
Speaker 1: he finds out she's going find out by access. This

1623
01:37:23,320 --> 01:37:28,840
Speaker 1: is my story, story story. He finds out she's going

1624
01:37:29,840 --> 01:37:33,360
Speaker 1: to Cisco video. No, no, I know the way he

1625
01:37:33,400 --> 01:37:42,360
Speaker 1: went down. He says, it's over. Just based him on that,

1626
01:37:42,880 --> 01:37:44,519
Speaker 1: and then I'm gonna give you the rest of the facts.

1627
01:37:44,680 --> 01:37:48,000
Speaker 1: In my mind, but based on that, is he petty

1628
01:37:55,560 --> 01:37:57,960
Speaker 1: because we gotta get to the bottom with us. Of

1629
01:37:58,120 --> 01:38:06,200
Speaker 1: course he's betty, I would think. So he's got separate

1630
01:38:06,280 --> 01:38:09,559
Speaker 1: himself to me. The last he said, he's not petty

1631
01:38:09,720 --> 01:38:13,800
Speaker 1: right now, Now, Ray, you're sticking with he's petty, and

1632
01:38:13,840 --> 01:38:15,479
Speaker 1: then we're gonna hete you with the rest of the facts.

1633
01:38:15,880 --> 01:38:21,040
Speaker 1: Give she's stupid. This is my favorite part of that.

1634
01:38:22,800 --> 01:38:28,599
Speaker 1: The other but he cut off. Listen, he didn't even

1635
01:38:29,040 --> 01:38:32,040
Speaker 1: but what's all right? Listen? What's song? Do you think

1636
01:38:32,120 --> 01:38:38,800
Speaker 1: it was from Cisco? At any Cisco song? Damn? Like

1637
01:38:39,000 --> 01:38:46,240
Speaker 1: I don't know. Stupid so stupid man. So if your

1638
01:38:46,280 --> 01:38:51,280
Speaker 1: girl was going to the song so video, would he

1639
01:38:51,360 --> 01:38:53,760
Speaker 1: still be your girl? And she was going to the

1640
01:38:53,840 --> 01:38:57,679
Speaker 1: video show she was a modeling and she was dancing.

1641
01:38:58,600 --> 01:39:00,960
Speaker 1: So this is why I called him petty because he

1642
01:39:01,040 --> 01:39:03,800
Speaker 1: didn't know. He didn't the thornson didn't come out this time.

1643
01:39:03,880 --> 01:39:05,840
Speaker 1: She was just going to a Cisco video. No, man,

1644
01:39:06,000 --> 01:39:10,240
Speaker 1: she was doing the thorn song song. I keep reading that.

1645
01:39:12,240 --> 01:39:15,160
Speaker 1: So by she's going to the thoughs so because she's

1646
01:39:15,160 --> 01:39:18,120
Speaker 1: still be here as long as I know what the

1647
01:39:18,160 --> 01:39:21,519
Speaker 1: funk you're doing, you know. But it wasn't based on

1648
01:39:21,720 --> 01:39:25,160
Speaker 1: just that. You can't this petty, if you're just gonna

1649
01:39:25,160 --> 01:39:28,560
Speaker 1: cut off, because it was it was. It was no

1650
01:39:28,840 --> 01:39:34,360
Speaker 1: you might look at me. So it's not just that

1651
01:39:35,000 --> 01:39:43,120
Speaker 1: something finished. She is a killer. It's not a killer

1652
01:39:43,120 --> 01:39:46,120
Speaker 1: because I was not involved that. I said, I think

1653
01:39:46,200 --> 01:39:54,800
Speaker 1: that was petty, he said, but they push it you

1654
01:39:55,280 --> 01:39:58,400
Speaker 1: now now she did the dog song, but she did

1655
01:39:58,520 --> 01:40:04,080
Speaker 1: big peppy. How are you standing with this guy? Like

1656
01:40:11,640 --> 01:40:16,680
Speaker 1: I was out, he was out already you out? Is

1657
01:40:16,720 --> 01:40:19,120
Speaker 1: he still petty or he's even out at this point?

1658
01:40:19,160 --> 01:40:21,360
Speaker 1: I mean, you know you you got to be confident.

1659
01:40:22,680 --> 01:40:26,400
Speaker 1: I knew what I was doing. No, no weight Champaigne

1660
01:40:26,560 --> 01:40:29,439
Speaker 1: or not. Still she can still come on? She could

1661
01:40:29,439 --> 01:40:33,280
Speaker 1: still still I'm asking, I'm asking you. I'm not she's

1662
01:40:33,320 --> 01:40:36,280
Speaker 1: the one that got Champagne. Know, but that's what you said.

1663
01:40:36,960 --> 01:40:41,599
Speaker 1: She can't come on with a Champagne. Here's the last

1664
01:40:41,680 --> 01:40:48,320
Speaker 1: and third one. It's the last, the last more even

1665
01:40:48,400 --> 01:40:52,320
Speaker 1: these three is not? She got two more than I know?

1666
01:40:54,680 --> 01:41:06,360
Speaker 1: Then Wally video can can y'all? Can y'all stell me

1667
01:41:06,520 --> 01:41:14,960
Speaker 1: a have sushi? I'm like like them, think is this

1668
01:41:15,080 --> 01:41:19,040
Speaker 1: fucking Let's keep it red? She was a been shipped

1669
01:41:19,080 --> 01:41:23,000
Speaker 1: out out. And then the last one is Ricky Martin.

1670
01:41:23,040 --> 01:41:27,040
Speaker 1: I told him he ain't got to worry about. Yeah.

1671
01:41:27,640 --> 01:41:32,720
Speaker 1: It wasn't literally, yeah it was Obamas. She was bad.

1672
01:41:32,880 --> 01:41:36,439
Speaker 1: She was no you know she got and she got

1673
01:41:37,080 --> 01:41:40,679
Speaker 1: the vote. Homie. No, this isn't making pat She sure

1674
01:41:40,840 --> 01:41:45,720
Speaker 1: she fuck bb D. I'm sure. I don't know. I

1675
01:41:45,800 --> 01:41:49,160
Speaker 1: never asked to actually, but why why what made you

1676
01:41:49,240 --> 01:41:51,479
Speaker 1: come with this or something? Because right when we broke

1677
01:41:51,600 --> 01:41:54,960
Speaker 1: up We're in the club and she's with homie, so

1678
01:41:55,040 --> 01:41:59,680
Speaker 1: I'm assuming I know how it goes down. I think

1679
01:41:59,760 --> 01:42:02,120
Speaker 1: just who's just patting? He's pretty right. I'm not Patty.

1680
01:42:03,320 --> 01:42:06,360
Speaker 1: You gotta you gotta, you gotta know your bad man.

1681
01:42:07,080 --> 01:42:10,559
Speaker 1: But listen, right, we need that is he because I'm Patty,

1682
01:42:10,640 --> 01:42:14,599
Speaker 1: I'm not Petty. Listen. First of all, it wasn't fount

1683
01:42:14,720 --> 01:42:19,200
Speaker 1: we She wanted to pursue a career in modeling and

1684
01:42:19,320 --> 01:42:20,760
Speaker 1: I was doing what I was doing. Did you do

1685
01:42:20,840 --> 01:42:23,800
Speaker 1: a photo shoot for? And I just said, and we

1686
01:42:23,960 --> 01:42:26,560
Speaker 1: both just mutually agreed, like you're gonna do this and

1687
01:42:26,560 --> 01:42:29,400
Speaker 1: I'm gonna do this, and we got I'm not gonna

1688
01:42:29,439 --> 01:42:31,800
Speaker 1: be with a chick that's in the same industry doing

1689
01:42:31,960 --> 01:42:37,439
Speaker 1: certain things. Did you eat her? Asshole? I don't remember,

1690
01:42:38,120 --> 01:42:40,599
Speaker 1: To be quite honest, if she's my girl, anything goes

1691
01:42:40,680 --> 01:42:48,080
Speaker 1: it's my girl. Yes, that's God. Let me leave you.

1692
01:42:51,360 --> 01:42:56,000
Speaker 1: God is right, solutely. But I love this story. I'm sorry,

1693
01:42:57,040 --> 01:42:59,439
Speaker 1: we gotta dead this story. She's gonna see us crazy. No,

1694
01:43:00,439 --> 01:43:03,200
Speaker 1: she lights all the dream chat pictures and I'm just

1695
01:43:03,280 --> 01:43:07,599
Speaker 1: waiting for her to hit me up. I am now stilling.

1696
01:43:08,200 --> 01:43:13,479
Speaker 1: I want to know you're ready I'm sorry, man. You

1697
01:43:13,560 --> 01:43:15,639
Speaker 1: know the woutang? Yeah, what was what was the wildest

1698
01:43:15,640 --> 01:43:20,360
Speaker 1: woolchange groupie? I haven't had keep it red, Ship, you

1699
01:43:20,479 --> 01:43:22,840
Speaker 1: have to have a mootang group. Keep it round. Her

1700
01:43:22,960 --> 01:43:29,960
Speaker 1: name is Brittany bo. Let's get shot. Damn fuck it first,

1701
01:43:30,200 --> 01:43:35,080
Speaker 1: slippers in the building. That's that's another booty either slippers

1702
01:43:35,160 --> 01:43:44,080
Speaker 1: slippers booty. He eat classy booty with tuna tak. Come on,

1703
01:43:44,160 --> 01:43:45,960
Speaker 1: what's what was the classic groupy story where you had

1704
01:43:46,000 --> 01:43:49,400
Speaker 1: give us a groupery story. Don't do it before there, Luke,

1705
01:43:49,520 --> 01:43:52,880
Speaker 1: come on before before like when you was growing up

1706
01:43:52,920 --> 01:43:55,759
Speaker 1: on the New York time side, New York crime side,

1707
01:43:56,000 --> 01:44:01,360
Speaker 1: stay in the live with the job at second the

1708
01:44:01,439 --> 01:44:17,560
Speaker 1: old man and you move shot land great quote so

1709
01:44:17,760 --> 01:44:25,040
Speaker 1: much trash specialist, a specialist. He was hydvertizing you right there.

1710
01:44:26,000 --> 01:44:29,559
Speaker 1: You know, anybody ever told me, Ship, he's the worst

1711
01:44:29,600 --> 01:44:32,400
Speaker 1: thing anybody ever told me. Nigga was like, y'all would

1712
01:44:32,439 --> 01:44:35,840
Speaker 1: like to be in jail with you. It was a

1713
01:44:35,920 --> 01:44:38,880
Speaker 1: great class horrible Nigga, I can do a bid with you?

1714
01:44:39,080 --> 01:44:40,880
Speaker 1: Was like yo. I was like, damn, Like it's a

1715
01:44:40,960 --> 01:44:44,160
Speaker 1: great gompliment. It's the worst thing in the world. But

1716
01:44:44,320 --> 01:44:51,280
Speaker 1: break one, come on Google door, ship man, goddamn man,

1717
01:44:51,560 --> 01:44:54,240
Speaker 1: and like just just from the it was an intro

1718
01:44:54,360 --> 01:44:58,240
Speaker 1: you did for album. You said, surety, give your thousand grams,

1719
01:44:58,880 --> 01:45:01,000
Speaker 1: tell you tell your girl, let me sleep with I

1720
01:45:01,120 --> 01:45:03,680
Speaker 1: knew you was like that. That's a sign of being

1721
01:45:03,720 --> 01:45:06,599
Speaker 1: a mad on it. I can tell us. I gotta

1722
01:45:06,640 --> 01:45:08,320
Speaker 1: tell you. One night I went to go see you

1723
01:45:08,520 --> 01:45:14,280
Speaker 1: nigging and I was in your June flip. You used

1724
01:45:14,360 --> 01:45:18,439
Speaker 1: me it's your poem, but used me it was one

1725
01:45:18,479 --> 01:45:21,720
Speaker 1: of your soldiers. And then he came up there that

1726
01:45:21,800 --> 01:45:24,600
Speaker 1: came up. I came out there, come hang out with

1727
01:45:24,760 --> 01:45:28,840
Speaker 1: your niggas, and ship took one of my nigga's pictures. Y'all.

1728
01:45:28,960 --> 01:45:38,439
Speaker 1: Niggas was in there doing y'all bunny hopping. The crazy

1729
01:45:38,520 --> 01:45:40,960
Speaker 1: ship is that I don't know. I was coming up

1730
01:45:41,000 --> 01:45:42,760
Speaker 1: there to come hang out with your niggas. This ship,

1731
01:45:42,920 --> 01:45:45,120
Speaker 1: you know, came in there and went in the back

1732
01:45:45,200 --> 01:45:46,920
Speaker 1: and in the back of the room and niggers just

1733
01:45:47,000 --> 01:45:50,400
Speaker 1: like watch playing video gage. Ship, you know, nigs playing

1734
01:45:50,439 --> 01:45:53,240
Speaker 1: the video gage and like right next to each other.

1735
01:45:53,320 --> 01:45:56,040
Speaker 1: Diggs was sitting right next to each other like and

1736
01:45:56,120 --> 01:45:59,040
Speaker 1: then chance ship and then I'll just one of your

1737
01:45:59,120 --> 01:46:01,519
Speaker 1: men's have been there. He was in there blowing the

1738
01:46:01,640 --> 01:46:06,400
Speaker 1: chicken and ship right then together he bow like this

1739
01:46:06,520 --> 01:46:11,960
Speaker 1: one like a rabbit. So I'm coming in the room like, yea,

1740
01:46:12,040 --> 01:46:15,880
Speaker 1: what the funnig like, yo? What the funk? Nigga looked

1741
01:46:15,920 --> 01:46:19,479
Speaker 1: up at me like ya, you're good, You're good. I

1742
01:46:19,640 --> 01:46:24,879
Speaker 1: see yo, I see these queens niggers. Then we retarded

1743
01:46:25,040 --> 01:46:27,559
Speaker 1: because is just stupid. That could have been Charlie too.

1744
01:46:27,800 --> 01:46:31,040
Speaker 1: It could have been Charlie's kinds, Elvis Presley. He got

1745
01:46:31,080 --> 01:46:34,559
Speaker 1: the Elvis Presley side bros. You're right, qual man. Remember

1746
01:46:34,640 --> 01:46:37,040
Speaker 1: that though na no I touched the pone, I was

1747
01:46:37,120 --> 01:46:44,920
Speaker 1: in the other room to my ship. So so what

1748
01:46:45,120 --> 01:46:47,320
Speaker 1: what what do you think is the next step for

1749
01:46:48,600 --> 01:46:51,040
Speaker 1: not only right but home Chang or whatever? What do

1750
01:46:51,080 --> 01:46:53,280
Speaker 1: you think it's the next step for you? Nah? You

1751
01:46:53,400 --> 01:46:56,680
Speaker 1: know the music is always gonna be there, you know,

1752
01:46:57,000 --> 01:47:00,439
Speaker 1: for myself is gone. We're gonna continue to make it ship.

1753
01:47:00,600 --> 01:47:04,720
Speaker 1: But I'm I'm wanting some filmmaking ship right now. Just

1754
01:47:04,840 --> 01:47:09,200
Speaker 1: had a deep vision, you know, the Purple Tape documentary.

1755
01:47:09,320 --> 01:47:11,080
Speaker 1: You know that's something that I wanted me to do

1756
01:47:11,240 --> 01:47:13,639
Speaker 1: some of it. My nigga is, did you know, really

1757
01:47:13,680 --> 01:47:16,800
Speaker 1: get the opportunity to taste that, and you know I'm

1758
01:47:16,800 --> 01:47:19,720
Speaker 1: gonna start stepping into ship like that though. You know,

1759
01:47:19,800 --> 01:47:21,599
Speaker 1: I got a lot of screen flicks that I want

1760
01:47:21,640 --> 01:47:25,559
Speaker 1: to to, you know, some real street tail ship. But um,

1761
01:47:26,040 --> 01:47:29,040
Speaker 1: you know, just keep keep fluctuating, bro, you know what

1762
01:47:29,080 --> 01:47:31,560
Speaker 1: I mean, keep traveling and then we years of the

1763
01:47:31,640 --> 01:47:35,320
Speaker 1: Purple Tate drove that ship came out ninety ninety five,

1764
01:47:37,800 --> 01:47:41,960
Speaker 1: your twenty yeah, yeah, yeah. How about that doors you're

1765
01:47:41,960 --> 01:47:44,879
Speaker 1: some of the doors for to one of the forty bucks. Goddamnit,

1766
01:47:44,960 --> 01:47:47,000
Speaker 1: thank you for giving me a free bare. I can't

1767
01:47:47,000 --> 01:47:56,040
Speaker 1: afford that right now. They're heavy on the spot. I've

1768
01:47:56,040 --> 01:47:58,360
Speaker 1: been telling about son my Sunody walking too close to them.

1769
01:47:58,400 --> 01:47:59,800
Speaker 1: I'd be like, I'm gonna snuff for a little man.

1770
01:48:01,080 --> 01:48:03,400
Speaker 1: Told him about Snuffer for walking on my rake horn

1771
01:48:03,439 --> 01:48:07,479
Speaker 1: and Deondorus. You know what I mean? You got the

1772
01:48:07,520 --> 01:48:10,920
Speaker 1: while they clocks to those dropped already or you are drowned.

1773
01:48:10,960 --> 01:48:13,000
Speaker 1: That was that was like, you know, like a blowout,

1774
01:48:13,479 --> 01:48:15,800
Speaker 1: you know, like you know, sixty day type of things,

1775
01:48:16,040 --> 01:48:19,200
Speaker 1: sixty days available. You don't get it, damn it your

1776
01:48:19,280 --> 01:48:23,280
Speaker 1: garment game. That's crazy. That's that would check slang guarding game.

1777
01:48:23,360 --> 01:48:25,400
Speaker 1: Come on, make make some noise to you know, would

1778
01:48:25,439 --> 01:48:31,600
Speaker 1: take slay. We got our guardment, gave me eight and

1779
01:48:31,720 --> 01:48:36,400
Speaker 1: nine and listening up nine dot com dot com got

1780
01:48:36,479 --> 01:48:40,240
Speaker 1: a drink Champ shirt and we're getting Great signed some horns.

1781
01:48:40,600 --> 01:48:42,760
Speaker 1: So listen if you guys are tuned in right now,

1782
01:48:43,280 --> 01:48:45,760
Speaker 1: we got Great Kwon in the building. He's having fun

1783
01:48:45,880 --> 01:48:48,200
Speaker 1: with us as my brother. We've lugging the funk out

1784
01:48:48,560 --> 01:48:50,479
Speaker 1: and you're gonna get him to sign a couple of horns.

1785
01:48:51,760 --> 01:48:53,920
Speaker 1: So you never know, you might get get ordered the

1786
01:48:53,960 --> 01:48:56,960
Speaker 1: weight Kwon horns or you know, you might get you

1787
01:48:57,080 --> 01:48:58,960
Speaker 1: might get like you know, he's gonna sound like like

1788
01:48:59,120 --> 01:49:01,960
Speaker 1: you know, maybe five or sixteen. You know what I'm saying,

1789
01:49:04,000 --> 01:49:06,840
Speaker 1: random numbers and he's my guy. You know what I'm saying,

1790
01:49:06,920 --> 01:49:10,760
Speaker 1: and you might get your horn. Shout out to the

1791
01:49:10,800 --> 01:49:14,240
Speaker 1: people's best forever man. Yeah, my nigga, yo yo, thank

1792
01:49:14,320 --> 01:49:16,080
Speaker 1: you so much. You know you you know only two

1793
01:49:16,120 --> 01:49:18,320
Speaker 1: people I I tried to book and I couldn't book

1794
01:49:18,439 --> 01:49:20,400
Speaker 1: was a Ray Kawon and Bust the Runds. Both of

1795
01:49:20,479 --> 01:49:23,439
Speaker 1: youall guys are my brother, but um my brother. So

1796
01:49:23,520 --> 01:49:25,360
Speaker 1: I can't get mad at CHaGS. It was. I just

1797
01:49:25,439 --> 01:49:27,760
Speaker 1: had to take that as a loss. But when you

1798
01:49:27,880 --> 01:49:31,479
Speaker 1: worked on only Bill for Kipper Lakes too, you worked

1799
01:49:31,520 --> 01:49:34,560
Speaker 1: with Buster a little bit, right, How was how was

1800
01:49:34,640 --> 01:49:37,439
Speaker 1: that his family? You know, my nigga was dead, like

1801
01:49:38,280 --> 01:49:40,280
Speaker 1: you know, he was able to see a spark that

1802
01:49:40,600 --> 01:49:43,160
Speaker 1: I didn't see at the time at me. You know,

1803
01:49:43,280 --> 01:49:46,840
Speaker 1: and some sounds you gotta go outside and be around

1804
01:49:46,880 --> 01:49:49,920
Speaker 1: real people and you know get opinions and you know,

1805
01:49:50,560 --> 01:49:52,800
Speaker 1: Ship that niggas could really tell you that might make

1806
01:49:52,880 --> 01:49:55,680
Speaker 1: sense to yourself. You know, he was there. He was

1807
01:49:55,720 --> 01:49:58,800
Speaker 1: like a mentor, like you know, always with buses, energy

1808
01:49:58,920 --> 01:50:02,880
Speaker 1: is always up, good, good, good, good fella, you know

1809
01:50:02,920 --> 01:50:04,479
Speaker 1: what I mean. We would just be you know, he

1810
01:50:04,560 --> 01:50:07,200
Speaker 1: made me laugh and you know he knows his music.

1811
01:50:07,280 --> 01:50:10,560
Speaker 1: He shot with with music and production and it was

1812
01:50:10,680 --> 01:50:13,479
Speaker 1: like that I needed that at that lift. And we

1813
01:50:13,600 --> 01:50:15,600
Speaker 1: got in the studio and you know, he was just

1814
01:50:15,760 --> 01:50:19,160
Speaker 1: passing it to me, just flinging a few beats or whatever,

1815
01:50:19,200 --> 01:50:23,680
Speaker 1: because you know, Bust, his catalog is just amazing. Ship

1816
01:50:23,880 --> 01:50:27,479
Speaker 1: is amazing. He got so much music that niggas don't

1817
01:50:27,520 --> 01:50:32,040
Speaker 1: even know. Like he's busting rhymes for real, like you know,

1818
01:50:32,240 --> 01:50:34,639
Speaker 1: but more impoorly like he was just a good friend,

1819
01:50:35,200 --> 01:50:38,080
Speaker 1: still a good friend, you know, and always always been

1820
01:50:38,120 --> 01:50:41,439
Speaker 1: in my corner, you know, always believed in everything. Like yo,

1821
01:50:41,600 --> 01:50:44,080
Speaker 1: maybe you I look up to you, you know what

1822
01:50:44,160 --> 01:50:47,720
Speaker 1: I mean, Like and sometimes you need that sometimes, you know,

1823
01:50:47,880 --> 01:50:50,599
Speaker 1: you need that energy that boots. And ever since then,

1824
01:50:50,680 --> 01:50:53,320
Speaker 1: it was like, you know, phone bust out the Cuban

1825
01:50:53,360 --> 01:50:55,960
Speaker 1: Links two album. Man, you know, my hands started a

1826
01:50:55,960 --> 01:50:59,040
Speaker 1: gatting super hot again and just you know, and stayed

1827
01:50:59,080 --> 01:51:02,120
Speaker 1: hot for lunch. Um, how was it working with Dr Dre?

1828
01:51:02,840 --> 01:51:05,000
Speaker 1: Was that your first time working with Dr Dre Drey

1829
01:51:05,120 --> 01:51:07,479
Speaker 1: was my nigga, Dre Dre good nigga. You know what

1830
01:51:07,520 --> 01:51:10,439
Speaker 1: I mean. We're just gonna make something happen, but you know,

1831
01:51:11,160 --> 01:51:14,120
Speaker 1: kind of like backed out the situation, you know, respectfully.

1832
01:51:14,920 --> 01:51:18,519
Speaker 1: And you know, he always he always felt like, you know,

1833
01:51:19,120 --> 01:51:22,840
Speaker 1: whatever you do, that that that thing you're holding is

1834
01:51:22,880 --> 01:51:29,040
Speaker 1: a masterpiece though you know, Cuban su Ship, so you know,

1835
01:51:29,600 --> 01:51:31,200
Speaker 1: you know what I mean, We just just had to

1836
01:51:31,320 --> 01:51:34,120
Speaker 1: keep moving on and I decided to do it in

1837
01:51:34,280 --> 01:51:37,720
Speaker 1: the style and just going in from that perspective. Just

1838
01:51:38,560 --> 01:51:40,240
Speaker 1: you know, I felt I knew I knew the game.

1839
01:51:40,400 --> 01:51:43,320
Speaker 1: So when you know the game, you're going in and

1840
01:51:43,479 --> 01:51:46,439
Speaker 1: you know makes you happen at quartering Away you wanted

1841
01:51:46,520 --> 01:51:49,160
Speaker 1: to happen and we did. Just want to make some

1842
01:51:49,280 --> 01:51:51,840
Speaker 1: noise for you for that success of that Cuba Lakes too.

1843
01:51:56,880 --> 01:51:59,160
Speaker 1: Over the champagne, we got different cups. I need, we

1844
01:51:59,200 --> 01:52:01,840
Speaker 1: need different want you want to hit that chapage you're in,

1845
01:52:01,880 --> 01:52:03,880
Speaker 1: you're right if you If you hit this champagne, you

1846
01:52:04,040 --> 01:52:08,520
Speaker 1: officially drink like seven liquors. Just now. He's a wild niggers.

1847
01:52:08,720 --> 01:52:11,599
Speaker 1: Back in the day, he was a while yo. Well, ray,

1848
01:52:11,840 --> 01:52:16,000
Speaker 1: he's freaking water. He's freaking you don't spell backwards his level.

1849
01:52:16,080 --> 01:52:18,920
Speaker 1: You got a balance water, big up the bartender. Let

1850
01:52:18,920 --> 01:52:26,000
Speaker 1: me tell you something. No water gonna keep you right,

1851
01:52:26,120 --> 01:52:30,479
Speaker 1: be believe it or not. Of course, of course, of

1852
01:52:30,520 --> 01:52:33,439
Speaker 1: course the water. It's this, it's three fourths call right,

1853
01:52:33,800 --> 01:52:38,680
Speaker 1: what is it? You know that? All body? Right now?

1854
01:52:39,560 --> 01:52:41,800
Speaker 1: Legen used to eat pork back then. You don't know

1855
01:52:41,840 --> 01:52:44,720
Speaker 1: what we're talking about. I'm cuting video foul Ninka, Come on,

1856
01:52:44,800 --> 01:52:46,920
Speaker 1: I love it. If you know? If right, you know

1857
01:52:46,960 --> 01:52:50,479
Speaker 1: what we're back in the day. Yeah, so up, tang man.

1858
01:52:50,560 --> 01:52:52,679
Speaker 1: You think this last album is this? Is this? Would

1859
01:52:52,720 --> 01:52:55,960
Speaker 1: this be this last album? If y'all get together. No man,

1860
01:52:56,080 --> 01:52:59,080
Speaker 1: ain't never the last album Love ain't never. You know what,

1861
01:52:59,400 --> 01:53:03,639
Speaker 1: Just wo be with it. It's gonna be there forever

1862
01:53:03,760 --> 01:53:05,920
Speaker 1: as long as we feel like we wanted to be there.

1863
01:53:06,760 --> 01:53:08,639
Speaker 1: You know, we all and we all in a great

1864
01:53:08,720 --> 01:53:12,760
Speaker 1: space with one another. You know that his brotherhood. But

1865
01:53:13,080 --> 01:53:19,240
Speaker 1: you know, so, so what's your next endeavor? Like? Um, oh, next, artists,

1866
01:53:19,439 --> 01:53:21,920
Speaker 1: what's what's the next? You know, I got some ship

1867
01:53:22,080 --> 01:53:24,200
Speaker 1: lined up though, you know, I can't really leak it

1868
01:53:24,280 --> 01:53:27,200
Speaker 1: out yet because you know, I want to master it.

1869
01:53:27,280 --> 01:53:30,280
Speaker 1: I want to make sure that it's right before approach it.

1870
01:53:30,360 --> 01:53:32,200
Speaker 1: I ain't gonna give it to you yet because it

1871
01:53:32,280 --> 01:53:38,080
Speaker 1: gotta be They gotta be right though, you know. So strategic, yeah,

1872
01:53:38,200 --> 01:53:41,640
Speaker 1: yeast until at one point you had Toronto like like

1873
01:53:41,760 --> 01:53:46,439
Speaker 1: it was Drake then you Tonto. You got officer, You

1874
01:53:46,520 --> 01:53:48,680
Speaker 1: had officers out there though, you got a haircutting your

1875
01:53:48,760 --> 01:53:53,200
Speaker 1: barber shop, like yeah, totally next about that. I mean,

1876
01:53:53,320 --> 01:53:55,600
Speaker 1: you know, we started a label out there. You know,

1877
01:53:56,240 --> 01:54:02,160
Speaker 1: you got a second citizenship Canada pastor City shoot citizens, dude,

1878
01:54:02,240 --> 01:54:08,720
Speaker 1: citizen ships the same. You got that outline, No man,

1879
01:54:09,000 --> 01:54:13,680
Speaker 1: can't you check is naked? Come on? Five jets out there?

1880
01:54:13,760 --> 01:54:20,760
Speaker 1: You let me tell you seconds. Let me tell you something.

1881
01:54:21,160 --> 01:54:24,519
Speaker 1: Horn is a fly nig I was on the road

1882
01:54:24,600 --> 01:54:27,080
Speaker 1: with that nigga a day. I think I had a

1883
01:54:27,240 --> 01:54:30,479
Speaker 1: different outfit, like like I was like, damn, nigga, you

1884
01:54:30,479 --> 01:54:33,480
Speaker 1: don't even read the same sneakers, like like I let

1885
01:54:33,560 --> 01:54:37,960
Speaker 1: your fly. I'm telling you, my nigga, this nigga ship

1886
01:54:38,120 --> 01:54:41,720
Speaker 1: is corporate, like he getting dressed corporate. Corporate. Yeah, I'm

1887
01:54:41,760 --> 01:54:44,720
Speaker 1: telling you it's it's it's it's strategic the way that

1888
01:54:45,000 --> 01:54:48,280
Speaker 1: I'm telling you, my nigga, yo or I salute you. Ray.

1889
01:54:48,640 --> 01:54:51,400
Speaker 1: You've always been an inspiration to me. You've always been

1890
01:54:51,440 --> 01:54:54,640
Speaker 1: a brother. We've always been on the same side. Thank

1891
01:54:54,640 --> 01:54:56,880
Speaker 1: you so much. You know, it was like one of

1892
01:54:56,920 --> 01:55:02,400
Speaker 1: the first people that didn't come. It's but you you

1893
01:55:02,560 --> 01:55:05,040
Speaker 1: super made it up. And we're going to club tonight.

1894
01:55:05,280 --> 01:55:08,880
Speaker 1: I know that this comes out Friday, but we're gonna

1895
01:55:08,920 --> 01:55:12,920
Speaker 1: go to the Old Mansion tonight, which is Icon Icon

1896
01:55:13,200 --> 01:55:17,320
Speaker 1: Ray coming to hang out with us. I'm kidnapping you chaps,

1897
01:55:17,480 --> 01:55:21,120
Speaker 1: you know, saying three champs man. You know what I'm saying, Like, yo, Yo,

1898
01:55:21,200 --> 01:55:23,800
Speaker 1: we were recording all week. We tired as fuck. You

1899
01:55:23,880 --> 01:55:28,040
Speaker 1: know what I'm saying. And you're working on because I

1900
01:55:28,160 --> 01:55:30,600
Speaker 1: want everybody to know either, like Ray, it ain't just

1901
01:55:30,720 --> 01:55:32,760
Speaker 1: about like me and this guy, Me and this guy

1902
01:55:32,840 --> 01:55:36,879
Speaker 1: here Finnish one thing. But we got rich Rich Blanco,

1903
01:55:37,280 --> 01:55:41,000
Speaker 1: we got have to Sound, we got Dreamed, Big Drain,

1904
01:55:41,200 --> 01:55:45,840
Speaker 1: we got Uh Sunny t B T, Mr Super Slide,

1905
01:55:46,400 --> 01:55:51,600
Speaker 1: Eddie Gigs, Paul Boris, everybody is the well my man,

1906
01:55:51,640 --> 01:55:57,480
Speaker 1: I forgot you didn't come on what it's called rockster,

1907
01:55:57,960 --> 01:55:59,920
Speaker 1: all right, So I'm sorry. I want to be racist

1908
01:56:00,040 --> 01:56:02,480
Speaker 1: on here because you got dress, you know what I'm saying.

1909
01:56:02,600 --> 01:56:05,720
Speaker 1: So there's so many people that come together. That's what

1910
01:56:05,880 --> 01:56:09,080
Speaker 1: we're doing video documentary style because I didn't want to

1911
01:56:09,160 --> 01:56:11,280
Speaker 1: just be about me a f and there so many

1912
01:56:11,320 --> 01:56:15,360
Speaker 1: other people that helped make this what it is, and

1913
01:56:15,960 --> 01:56:21,760
Speaker 1: people have been starving for woul Tang Clang Clan and

1914
01:56:21,880 --> 01:56:23,880
Speaker 1: me and I had you, and I didn't never even

1915
01:56:23,880 --> 01:56:27,400
Speaker 1: want to tell you how much responsibility I had to

1916
01:56:27,560 --> 01:56:29,200
Speaker 1: bring your head. You know what I'm saying. I don't

1917
01:56:29,200 --> 01:56:31,440
Speaker 1: want to tell you that because we're friends. So I

1918
01:56:31,480 --> 01:56:34,520
Speaker 1: always wanted to keep this on a friendship level. Flanks,

1919
01:56:34,920 --> 01:56:36,720
Speaker 1: you know what I'm saying. But but I had a

1920
01:56:36,800 --> 01:56:40,080
Speaker 1: responsibility to bring your head because of that, and just

1921
01:56:40,160 --> 01:56:42,080
Speaker 1: tell us one thing about Woul Tank Clan. If the

1922
01:56:42,120 --> 01:56:44,880
Speaker 1: people don't know, man, we just found out that you

1923
01:56:45,000 --> 01:56:47,000
Speaker 1: didn't even know each other since the group started. I

1924
01:56:47,080 --> 01:56:50,560
Speaker 1: didn't know that you got your champagne. We get you

1925
01:56:50,600 --> 01:56:56,120
Speaker 1: another couple of champaign Come on, let's not be their

1926
01:56:56,200 --> 01:57:03,360
Speaker 1: clicko mance. That's it for fonts, that's your false tell

1927
01:57:03,440 --> 01:57:05,360
Speaker 1: us something about what I'm Tank Clan man, before we

1928
01:57:05,400 --> 01:57:09,960
Speaker 1: get up out of here. We're invincible, man, let me

1929
01:57:10,040 --> 01:57:14,960
Speaker 1: tell you something. Man. Them niget right there at any

1930
01:57:15,080 --> 01:57:21,080
Speaker 1: given time can flip it and flip it in a

1931
01:57:21,200 --> 01:57:25,800
Speaker 1: way where it's like it's real easy to do, you know,

1932
01:57:27,040 --> 01:57:31,560
Speaker 1: and when it happened, it's gonna happen. You know. It's

1933
01:57:31,560 --> 01:57:35,040
Speaker 1: all about being into it. Though I want to be

1934
01:57:35,200 --> 01:57:37,480
Speaker 1: into it. I don't want to just do it fabricated

1935
01:57:37,560 --> 01:57:41,240
Speaker 1: staff and we all share them saying principles, you know,

1936
01:57:41,560 --> 01:57:44,400
Speaker 1: like it's just all about the the energy at the

1937
01:57:44,520 --> 01:57:49,160
Speaker 1: time that makes that album come. But business, business is different.

1938
01:57:49,400 --> 01:57:51,400
Speaker 1: You know, you want to do business in a way

1939
01:57:51,480 --> 01:57:55,680
Speaker 1: where you feel like everything is beautiful, and then when

1940
01:57:55,720 --> 01:57:59,800
Speaker 1: it's beautiful, everything else is greater. You know, we wanted.

1941
01:57:59,840 --> 01:58:01,840
Speaker 1: We wanted to be great. We don't want to be good,

1942
01:58:02,040 --> 01:58:04,400
Speaker 1: you know. So this is what I want to end

1943
01:58:04,400 --> 01:58:07,920
Speaker 1: it on. I want to name all the members of

1944
01:58:08,040 --> 01:58:11,040
Speaker 1: wol Tang Clan and I want you to say something

1945
01:58:11,040 --> 01:58:12,920
Speaker 1: about them. Can't google all the members. You know what

1946
01:58:13,920 --> 01:58:18,400
Speaker 1: we are, but I don't know. I don't know that

1947
01:58:19,280 --> 01:58:21,240
Speaker 1: I'm a starry. Name a member that I want you

1948
01:58:21,320 --> 01:58:33,920
Speaker 1: to say something about it. You got the hill Bull

1949
01:58:34,080 --> 01:58:39,440
Speaker 1: right there, the Aging Bull, but I know it's a movie.

1950
01:58:39,560 --> 01:58:42,760
Speaker 1: Is this called the Raging Ball? Yeah? The Aging Bull?

1951
01:58:42,880 --> 01:58:50,280
Speaker 1: Well you um master Killer to calm, to come the

1952
01:58:51,320 --> 01:58:57,839
Speaker 1: the full fry Kim ship like that, you know, Cappa Donna,

1953
01:59:01,320 --> 01:59:12,280
Speaker 1: Slick Rake, Nephew, the chits a m hmm, two thousands,

1954
01:59:12,400 --> 01:59:25,280
Speaker 1: seventeen kne back then back gohost face. But you know

1955
01:59:27,320 --> 01:59:36,880
Speaker 1: it's ray Qua speaking yourself a third person. It's fly

1956
01:59:37,480 --> 01:59:45,320
Speaker 1: all the time. But almighty Nigga, the Genesis Nigga win

1957
01:59:46,480 --> 01:59:53,919
Speaker 1: King ted hat snigging angle bracelets and know that Yinese

1958
01:59:54,080 --> 02:00:06,320
Speaker 1: gold on Chinese make it up later, all right, gym shanship, Okay,

1959
02:00:07,480 --> 02:00:16,680
Speaker 1: method man my nigg is. Yeah, that's a hard one.

1960
02:00:18,880 --> 02:00:23,080
Speaker 1: It's a hard one. Then Mephis and methis and another cut.

1961
02:00:23,400 --> 02:00:31,160
Speaker 1: You know, Terry Cloth, I can't very close strong methis strong. Yeah,

1962
02:00:31,160 --> 02:00:35,280
Speaker 1: I think it is still around hard. Okay, go around,

1963
02:00:35,400 --> 02:00:44,920
Speaker 1: we go around. M hmm. Okay, Riza wisdom just like

1964
02:00:46,640 --> 02:00:51,440
Speaker 1: this is like Jimmy Hendricks and fucking Jimmy Hendricks is

1965
02:00:51,520 --> 02:00:56,440
Speaker 1: big on the show and his cat and his cat. Wow,

1966
02:00:58,080 --> 02:01:02,520
Speaker 1: Jimmy Hendges, that's it. You ever you have a recorded

1967
02:01:02,560 --> 02:01:04,560
Speaker 1: elect you lady with the white cat in there? I

1968
02:01:04,600 --> 02:01:08,760
Speaker 1: elect elect your lady. You know downtown. You ever seen

1969
02:01:08,800 --> 02:01:15,120
Speaker 1: the white cat in there? Thousands of intellectual lady right

1970
02:01:16,160 --> 02:01:19,640
Speaker 1: like that. We're trying to debate on this show. If

1971
02:01:19,680 --> 02:01:24,600
Speaker 1: that white cat was Jimmy Hendrix we incarnated? What do

1972
02:01:24,680 --> 02:01:28,480
Speaker 1: you think? Right? I don't normal. I won't just say yeah,

1973
02:01:30,640 --> 02:01:33,000
Speaker 1: just say word. I felt like Jimmy was playing the

1974
02:01:33,080 --> 02:01:39,600
Speaker 1: guitar through the cat. You'll thank you so much. Other

1975
02:01:39,720 --> 02:01:46,840
Speaker 1: room members expected oldb I didn't say old b oh

1976
02:01:46,920 --> 02:01:49,520
Speaker 1: in my mind, I did. Okay, come on, man, okay,

1977
02:01:49,920 --> 02:01:54,200
Speaker 1: my bad, Let's go back to the expected cat deck.

1978
02:01:55,800 --> 02:02:01,120
Speaker 1: Expected deck is like Malga mix man. Yeah, you can

1979
02:02:01,200 --> 02:02:05,200
Speaker 1: teach some ship Julee drunk. I need expect there to

1980
02:02:05,280 --> 02:02:07,360
Speaker 1: have my number then I need people to teach me ship.

1981
02:02:08,680 --> 02:02:16,120
Speaker 1: All right now, is this last I think I said?

1982
02:02:17,000 --> 02:02:21,600
Speaker 1: Jesus okay o d b oh black baby, Jesus man,

1983
02:02:22,040 --> 02:02:25,240
Speaker 1: you know that. Now, listen, we got to drink Champs.

1984
02:02:27,880 --> 02:02:32,600
Speaker 1: We hate when people say, could you think oldb could

1985
02:02:32,600 --> 02:02:34,520
Speaker 1: have drunk us under the table? You think you get

1986
02:02:34,520 --> 02:02:36,960
Speaker 1: the hungout? Do you think you get the hungout? Have

1987
02:02:37,080 --> 02:02:40,840
Speaker 1: to drink Champs? Here you can see that. What was

1988
02:02:40,840 --> 02:02:45,960
Speaker 1: the old favorite drink in your memory? Don't tell me Cisco,

1989
02:02:46,200 --> 02:02:53,840
Speaker 1: because then he's the life ship Cisco was. It was

1990
02:02:53,920 --> 02:02:57,080
Speaker 1: the ship though you know he drunk a lot of

1991
02:02:57,160 --> 02:03:03,280
Speaker 1: wine too. You know it was some no yeah, white

1992
02:03:04,200 --> 02:03:09,800
Speaker 1: rose and all that. I gonna lie. Let me tell

1993
02:03:09,800 --> 02:03:11,720
Speaker 1: you something. One time I was in rocket fellow o

1994
02:03:11,840 --> 02:03:14,960
Speaker 1: dB dugging his ass and then gave me nigga five

1995
02:03:18,000 --> 02:03:24,280
Speaker 1: every time I see swe because he was like he

1996
02:03:24,360 --> 02:03:27,240
Speaker 1: did it on purpose too. He was just like he

1997
02:03:27,400 --> 02:03:34,240
Speaker 1: was like he was like I looked at his face

1998
02:03:34,280 --> 02:03:39,960
Speaker 1: and I was like, this, Nick is crazy. The elbow.

1999
02:03:40,040 --> 02:03:41,720
Speaker 1: He gave me the elbow back to like, no, I

2000
02:03:41,720 --> 02:03:44,360
Speaker 1: ain't expecting you where he was waiting for another white

2001
02:03:44,400 --> 02:03:47,880
Speaker 1: guy to come on. He was like he was ill,

2002
02:03:48,000 --> 02:03:50,800
Speaker 1: like that you think I'm lyine like you know, you

2003
02:03:51,000 --> 02:03:53,640
Speaker 1: know that was his style, like that he was a

2004
02:03:53,800 --> 02:03:57,400
Speaker 1: found nigger. Yeah, and that's my nigger. Like I was

2005
02:03:57,480 --> 02:03:59,160
Speaker 1: in a studio with him and real for like three

2006
02:03:59,200 --> 02:04:03,040
Speaker 1: or four days. It's born. Nah, it's a fact. It's

2007
02:04:03,080 --> 02:04:05,600
Speaker 1: a fact. But ray Kwon, thank you for hanging out, man,

2008
02:04:05,640 --> 02:04:07,080
Speaker 1: and you're coming us to the club. We're going on

2009
02:04:07,360 --> 02:04:09,960
Speaker 1: Icon to Night. We know that this podcast comes out

2010
02:04:10,080 --> 02:04:13,400
Speaker 1: next Friday. We don't care. We're having fun. We so much.

2011
02:04:13,440 --> 02:04:15,400
Speaker 1: One of the Wood Tang members were so much one

2012
02:04:15,480 --> 02:04:18,240
Speaker 1: of my brother because you're not just wool Tang's brother,

2013
02:04:18,320 --> 02:04:21,080
Speaker 1: you are my brother. I wanted to get into our relationship,

2014
02:04:21,120 --> 02:04:23,040
Speaker 1: but I wanted this interview to be more about you

2015
02:04:23,280 --> 02:04:26,120
Speaker 1: because the thing about my friends is they come back

2016
02:04:26,160 --> 02:04:29,360
Speaker 1: and they step. They appeared more than one time. Dad's

2017
02:04:29,400 --> 02:04:32,480
Speaker 1: been here twice, Phone been here twice. You could be

2018
02:04:32,560 --> 02:04:34,680
Speaker 1: here as many times as you worry, speaking to a

2019
02:04:34,760 --> 02:04:38,760
Speaker 1: million people. This is your home. We really love you, man,

2020
02:04:38,880 --> 02:04:41,160
Speaker 1: Thank you so much. Man. You know what I mean.

2021
02:04:41,360 --> 02:04:43,200
Speaker 1: You know what I mean, d j F and you

2022
02:04:43,280 --> 02:04:45,240
Speaker 1: know what I mean. Hazard it sound rich? You know

2023
02:04:45,280 --> 02:04:49,200
Speaker 1: what I'm saying, My man, My man, We're sunny dat man.

2024
02:04:49,280 --> 02:04:53,760
Speaker 1: He don't get just do and then um the job molester.

2025
02:04:58,760 --> 02:05:00,920
Speaker 1: So this is Joe, that's a job. Stay then you

2026
02:05:01,000 --> 02:05:03,680
Speaker 1: don't want to cross. You don't want to cross. Come

2027
02:05:03,720 --> 02:05:07,720
Speaker 1: over here. You're not sweating. I'm proud of you. You

2028
02:05:08,000 --> 02:05:11,080
Speaker 1: were sweating, and you were sweating. You miss the Superslide

2029
02:05:11,160 --> 02:05:13,840
Speaker 1: telling people, man, telling you you left the flea market.

2030
02:05:14,640 --> 02:05:19,720
Speaker 1: I've been left the flea market at Mr Superslide, Mr.

2031
02:05:20,680 --> 02:05:23,800
Speaker 1: So your ballets don't come Your ballets don't come from

2032
02:05:24,400 --> 02:05:28,600
Speaker 1: seventy fourth. No, no, no ballties from seventy four. Ballets

2033
02:05:28,600 --> 02:05:34,320
Speaker 1: come from the ballast all the fucking pad, the fucking

2034
02:05:34,400 --> 02:05:38,240
Speaker 1: purple Clock's nigger, come on, humble Yourse already told me

2035
02:05:38,320 --> 02:05:43,800
Speaker 1: they're in the mail. Nigga. He gonna you know the

2036
02:05:43,840 --> 02:05:46,680
Speaker 1: fleet market is it's the bootleg shit out here. Yeah,

2037
02:05:47,240 --> 02:05:49,640
Speaker 1: not all of them. Some flea markets got the fisher ship,

2038
02:05:49,760 --> 02:05:53,640
Speaker 1: but not when mom nigga goes, he's my nigga. Mr

2039
02:05:53,720 --> 02:05:56,680
Speaker 1: Superslide Man, he's a great guy. Man. We love him. Man.

2040
02:05:56,920 --> 02:05:58,720
Speaker 1: We want to pick you up. Great kwon once again.

2041
02:06:00,040 --> 02:06:03,200
Speaker 1: It because my asking hurt the whole time. We're gonna

2042
02:06:03,200 --> 02:06:05,680
Speaker 1: take this picture don't know what happened, man, but you'll

2043
02:06:05,720 --> 02:06:07,360
Speaker 1: thank you so much. Man. We're gonna go hang out

2044
02:06:07,360 --> 02:06:10,520
Speaker 1: with Icon. Shout out to start Rock, Mr Lead Promotions,

2045
02:06:10,800 --> 02:06:13,960
Speaker 1: Shout out to the drink champs man everything it's going down.

2046
02:06:14,480 --> 02:06:18,280
Speaker 1: Best Buy Liquers once again for pick up Amanda, for

2047
02:06:18,680 --> 02:06:21,960
Speaker 1: you know, the actual cups eight and nine dot com.

2048
02:06:22,320 --> 02:06:25,160
Speaker 1: We not only got the shirts now people, we also

2049
02:06:25,360 --> 02:06:29,440
Speaker 1: got the horns, the shot. It's the whole party. So

2050
02:06:29,520 --> 02:06:32,840
Speaker 1: when you party in with us, a party with great

2051
02:06:32,920 --> 02:06:34,720
Speaker 1: Thank you so much, man, we have so much fun

2052
02:06:35,080 --> 02:07:10,680
Speaker 1: and we still kidnappen. Find all your favorite movies and

2053
02:07:10,720 --> 02:07:13,600
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2054
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Speaker 1: remote to search across live, CV on demand, even Netflix

2055
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02:07:21,040 --> 02:07:23,560
Speaker 1: Excenity today and get a great offer. You'll enjoy an

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Speaker 1: Infinity X one, which could you access to your favorite

2058
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Speaker 1: streaming apps like Netflix, YouTube and now Prime Video. Go

2059
02:07:29,840 --> 02:07:33,600
Speaker 1: to Exfinity dot com, Callinity or visit the store today

2060
02:07:33,680 --> 02:07:35,280
Speaker 1: to learn more. Restriction supplied