WEBVTT - What’s he Done?

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<v Speaker 1>I am all in you, I am all in with

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<v Speaker 1>Scott Patterson and I heart Radio podcast. Okay, everybody, Hey

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<v Speaker 1>Scott Patterson, we are back for another episode. Uh and

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<v Speaker 1>we're going to talk about Teach Me tonight. Episode nineteen,

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<v Speaker 1>Season two aired April and two. A day that will

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<v Speaker 1>live in infamy, let me tell you, because it is

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<v Speaker 1>the staggering debut of a film by Kirk Is it not?

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<v Speaker 1>Is it the first? Is it the premiere? Is it

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<v Speaker 1>the debut? Am I wrong? This is the first times?

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<v Speaker 1>Just absolute genius. Anyway, I am. I am here with

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<v Speaker 1>Danielle Romo, Riley Pelusis and uh Amy Sugarman is here.

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<v Speaker 1>The ball club has gathered. Riley, take us away with

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<v Speaker 1>your synopsis. So today LORIAA gets to pick a film

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<v Speaker 1>for the movie Festival. Luke asked Rory to tutor Jess,

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<v Speaker 1>but during their study night, a car accident and a

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<v Speaker 1>fractured risk leads Luke to making a decision about Jess

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<v Speaker 1>living in stars Hollow. Chris returns to comfort Lorelei and

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<v Speaker 1>Rory and wishes he can stay longer. I'll tell you

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<v Speaker 1>this was this was an emotional roller coaster, wasn't it?

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<v Speaker 1>This thing it got very heavy. I felt. I don't

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<v Speaker 1>want to I'm not I'm not saying this to be

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<v Speaker 1>you know, a jackass, but uh, you know it really

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<v Speaker 1>it started to take on this sort of this element

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<v Speaker 1>of general hospital where you're just like, oh my god.

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<v Speaker 1>You know, not that there's anything with that, but it

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<v Speaker 1>was it really was kind of shocking. What you mean,

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<v Speaker 1>I mean, it was just I mean I was completely engaged.

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<v Speaker 1>What can I tell you. I'm sitting on my couch.

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<v Speaker 1>It's it's eight pm last night, you know, my boys

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<v Speaker 1>asleep and boomp I hit play. It's like what And

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<v Speaker 1>I love the opening. I thought it was really great

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<v Speaker 1>because we get a little Michael Winner's action, you know,

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<v Speaker 1>get the Michael Winners magic when we got He's so good,

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<v Speaker 1>He's so great to watch. He really digs in to

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<v Speaker 1>the scene, you know, he really grounds it and just

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<v Speaker 1>like Ohm and he's like the perfect backboard to hit

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<v Speaker 1>the ball off with Lauraa and Rory just hitting the

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<v Speaker 1>ball back and forth. It was it was wonderful and

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<v Speaker 1>we have one of the funniest moments with a film

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<v Speaker 1>by Kurt and and the most dramatic with the fight

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<v Speaker 1>between Luca. More So, it was like whoo and then

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<v Speaker 1>the ass whooping. That's a coming to Jess once Laura

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<v Speaker 1>La gets ahold of him, she's I thought she was

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<v Speaker 1>going to run to the bus stop, get on a

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<v Speaker 1>bus and follow him to his mom's house and just

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<v Speaker 1>like dive in the living room window and start ninja in.

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<v Speaker 1>You know, when the nun chucks, who's gonna get a

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<v Speaker 1>She's gonna open up a couple of candle woo pass

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<v Speaker 1>on him. Let me tell you that kid, you know,

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<v Speaker 1>he's good. Good thing he got out of town. Good

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<v Speaker 1>thing he got out. Because I'm telling you, as a parent, yes,

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<v Speaker 1>that is your your worst fear realized. And it doesn't

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<v Speaker 1>matter if everybody's okay, and I complete her, her reaction

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<v Speaker 1>is completely justified. I mean because if anyone laid a hand,

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<v Speaker 1>I mean on my son, Oh boy, I mean, you

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<v Speaker 1>really need to restrain yourself. Right when when a little

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<v Speaker 1>bullying thing happens from at school and you hear about it,

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<v Speaker 1>he tells you about it, it's like, oh boy, you

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<v Speaker 1>know you really have to just kind of like, oh,

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<v Speaker 1>you know, here comes the monster. So um it was,

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<v Speaker 1>it was it was all consuming. What did you guys

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<v Speaker 1>think there was? I literally I have no words. There

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<v Speaker 1>was so good happening. There was so much happening. I'm like,

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<v Speaker 1>Jess and Jess and Rory that that was something else. Um,

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<v Speaker 1>Laura Leon Luke, that fight was unbelievably epic. Christopher and

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<v Speaker 1>Lura la at the end, I'm like, oh my god,

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<v Speaker 1>then you have Kirk's movie, then you have the movie Night,

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<v Speaker 1>you know, like the like the actual interaction between Rory,

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<v Speaker 1>Christopher and Laura, Like it was just so good, so

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<v Speaker 1>much happening, so much happening. I want to know what

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<v Speaker 1>both of you think about Rory and Jess. Um let me.

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<v Speaker 1>He came off a little bit too much of a

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<v Speaker 1>punk for me this episode, and I just I felt

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<v Speaker 1>and then I started feeling really bad for him. You know,

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<v Speaker 1>the poor kid. He's so troubled and he has no

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<v Speaker 1>he has no port in the storm, you know, and

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<v Speaker 1>he's looking for one, and it's just so tragic to

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<v Speaker 1>see this kid, his the wasted potential, the potential of

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<v Speaker 1>his wasted potential on the horizon here, and that if

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<v Speaker 1>he doesn't start making better decisions, you know, these opportunities

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<v Speaker 1>are going to go by the wayside and you don't

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<v Speaker 1>get them back, you don't get a second chance. I mean,

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<v Speaker 1>you can really work hard and hustle. If maybe a

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<v Speaker 1>year or two pass you by and then you sort

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<v Speaker 1>of see the light and you start applying yourself, then

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<v Speaker 1>you can recover. But if too much time passes by

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<v Speaker 1>for him, and he just wants to hang out and

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<v Speaker 1>go wherever the wind takes him and and get a

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<v Speaker 1>job here. And he you know, one of these guys,

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<v Speaker 1>you know, he's he's looking to be. Uh, what's what's

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<v Speaker 1>the movie the Matt Damon ben Affleck movie that made

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<v Speaker 1>them famous. Yeah, he's looking to be you know, he's

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<v Speaker 1>looking to turn into a little bit of a good

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<v Speaker 1>will hunting their guy. Yeah, And Roy calls him out.

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<v Speaker 1>She says, you're you're the smartest kid in school. But

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<v Speaker 1>it's that will, that's that he doesn't there's no safety

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<v Speaker 1>for him. He doesn't feel safe anywhere. He doesn't feel

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<v Speaker 1>like he can put himself out there, be social or

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<v Speaker 1>be accepted. Everything to him is negative and dark, and

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<v Speaker 1>he wants to be by himself. And he doesn't understand why.

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<v Speaker 1>And if he intellectually understands it, he doesn't emotionally. He

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<v Speaker 1>can't emotionally grasp it. He can't he can't And what

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<v Speaker 1>do you attribute that to? Knowing what you know? He

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<v Speaker 1>he has no solid base of anybody loving him. He

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<v Speaker 1>doesn't have anybody hugging him or loving him in the

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<v Speaker 1>right way. I mean, he's got Luke, but that's a

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<v Speaker 1>new thing, and that's filled with conflict, right, And I

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<v Speaker 1>don't know that Luke is I don't know if Luke

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<v Speaker 1>is the best person for this. You know, he's trying,

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<v Speaker 1>he's trying, but Luke's very busy. He's got issues of

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<v Speaker 1>his own, right. Um. And then you know, I I

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<v Speaker 1>found out in his meeting with the principle that he

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<v Speaker 1>wasn't the greatest student in the world, which surprised me

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<v Speaker 1>a little bit. I didn't think it did the character justice.

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<v Speaker 1>And I was correct because the character is very Yeah,

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<v Speaker 1>he so well, right, and so it doesn't mean that

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<v Speaker 1>he's going to do well in school. But metal shop,

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<v Speaker 1>you know, I mean not that there's anything wrong with that.

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<v Speaker 1>I mean that does takes skills to in dedication and study.

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<v Speaker 1>But um, just knowing what we know about Luke and

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<v Speaker 1>his knowledge about business and finances and taxes and law

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<v Speaker 1>and all those things in addition to being able to

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<v Speaker 1>build because but you can acquire those skills and acquire

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<v Speaker 1>that knowledge over time. Being in a business, it's not

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<v Speaker 1>necessarily academic, right he didn't. He didn't so so maybe

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<v Speaker 1>he didn't know how to study, or he wasn't the

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<v Speaker 1>greatest student. He wasn't engaged, he wasn't interested, he was

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<v Speaker 1>doing other things. Right here, he has head in the clouds.

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<v Speaker 1>Who knows what was going on, But it's like it's

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<v Speaker 1>like it seems like the bloodline has you know, the

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<v Speaker 1>Danes blood or something has gotten into Jest a little

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<v Speaker 1>bit obviously, and and he's it's interesting the principle calling

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<v Speaker 1>you miss ordained so much because we don't hear it

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<v Speaker 1>that often in the show. And that was a bit

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<v Speaker 1>and and truly truly pleased to see the legendary Lawrence

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<v Speaker 1>Hilton Jacobs. I mean, I forgot that I got to

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<v Speaker 1>act with him, And isn't he great? Isn't he just superb?

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<v Speaker 1>And I just was I was so pleased. Um, I

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<v Speaker 1>love that scene. But yeah, I think Jess needs something different.

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<v Speaker 1>He does need a change of scenery being with Uncle Luke.

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<v Speaker 1>I don't think it's well as we see there. It's

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<v Speaker 1>it's just filled with the complications and conflict and how

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<v Speaker 1>did you Scott Slash Luke feel about the low blow

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<v Speaker 1>he said about the diner. Oh, maybe I'll work in

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<v Speaker 1>But that's again, that's a goodwill hunting type of like,

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<v Speaker 1>this kid is so smart. He's gonna make you know.

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<v Speaker 1>He's gonna look at the painting Robin Williams painting like, oh,

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<v Speaker 1>old man, he's losing his oars. He's drifted, sea's lost

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<v Speaker 1>and you know what, And then you find out that

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<v Speaker 1>his wife died of cancer. So it was one of

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<v Speaker 1>those situations where it's like Luke is like, boy, this

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<v Speaker 1>poor kid's really lost. I mean, if he's attacking me,

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<v Speaker 1>then that kid is really defensive. He's really nasty. Uh

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<v Speaker 1>and he ain't changing soon. The only thing that's going

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<v Speaker 1>to change him. And I hate to say this now

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<v Speaker 1>that I see this, I hate to say this. He

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<v Speaker 1>needs Rory more than anything, but that he's going to

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<v Speaker 1>be bad for Rory because it's gonna take Rory's full

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<v Speaker 1>tank of fuel, of her love and her compassion and

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<v Speaker 1>her empathy to get this kid on the right track,

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<v Speaker 1>and it's gonna throw her off her track. It's gonna

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<v Speaker 1>pull her foot. What do you think about Luke asking

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<v Speaker 1>Rory for help, and how he did it, and what

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<v Speaker 1>do you think of I think I think I would

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<v Speaker 1>have had the same reaction, like, Mike, don't come around

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<v Speaker 1>to my kids. She's she's focused, she doesn't have time

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<v Speaker 1>for this. I don't want this kid around. He's bad news.

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<v Speaker 1>And she was right. She sees the future. She's a mother,

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<v Speaker 1>she gets it in her gut, and she's a good

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<v Speaker 1>enough friend to Luke and she's a good enough person

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<v Speaker 1>to allow this, and that's why she was so upset.

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<v Speaker 1>She was mainly upset with herself for allowing it, because

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<v Speaker 1>she tried to put a stop to her and she

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<v Speaker 1>should have put her foot down. But again, she doesn't

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<v Speaker 1>want to be that. She doesn't want to be that

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<v Speaker 1>woman who stands in the way of her daughter and

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<v Speaker 1>is not a good friend to Luke. And she's part

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<v Speaker 1>of a community. And you know this is helping because

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<v Speaker 1>down the line she's going to ask him for help,

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<v Speaker 1>and she's asked. She's going to the well with Luke

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<v Speaker 1>many many times, and he's always there for her and

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<v Speaker 1>he always will be there for her. So I guess

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<v Speaker 1>she feels obligated, of course, but she went a better

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<v Speaker 1>She went against her better instincts and she and there's

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<v Speaker 1>no stopping Rory because Rory, like she did she play

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<v Speaker 1>that beautiful? Isn't she just wonderfully nuanced and subtle? And

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<v Speaker 1>again there's there's those eyeballs, there's the cute face, and

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<v Speaker 1>she's just she doesn't do too much because she doesn't

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<v Speaker 1>have to. And you read I read her face so

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<v Speaker 1>easily and so well, she's so good at this and

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<v Speaker 1>and just I don't know, I don't know that she

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<v Speaker 1>came out of any background in acting. I think she

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<v Speaker 1>was in film school and it's kind of remarkable how

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<v Speaker 1>she can do this. So um, And what did you

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<v Speaker 1>think of Milo's performance? Oh? He's great. I mean, he's

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<v Speaker 1>really great when he when when you hate him, when

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<v Speaker 1>you have to hate him. He knows that as an actor,

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<v Speaker 1>and you're like, wow, this guy's trouble because that's the

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<v Speaker 1>fine line that he has to walk, right. It's like,

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<v Speaker 1>I he trusts the writing so much that he's okay

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<v Speaker 1>getting the direction. Like Milo, you know, I'm sorry, but

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<v Speaker 1>they have to hate you here because we're gonna bring

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<v Speaker 1>you back and to this degree and we're gonna bring

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<v Speaker 1>it back this percentage. And he understands that there's So

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<v Speaker 1>that's what makes it interesting to watch because we know

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<v Speaker 1>there's going to be these peaks and valleys, we know

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<v Speaker 1>there's going to be this range that the actors can play.

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<v Speaker 1>So there's all this freedom within the very big range.

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<v Speaker 1>So so he's he's And what did you think of

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<v Speaker 1>the scene when Luke finds Jests on the bridge, the

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<v Speaker 1>infamous bridge I love fell in love with Jess again

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<v Speaker 1>because he was on the verge of tears and you

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<v Speaker 1>could hear it crackling in his voice a little bit,

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<v Speaker 1>and he said, listen, I did everything I could and

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<v Speaker 1>he knew he screwed up and he knew. I think

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<v Speaker 1>that was a big moment in his life where the

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<v Speaker 1>you know, the the love of his life, the woman,

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<v Speaker 1>the girl that he thinks that he can can save him.

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<v Speaker 1>But he's gonna blow it. He's gonna blow it every time,

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<v Speaker 1>and he's gonna go away because he knows he's not ready.

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<v Speaker 1>And I think that he's noble that I think there

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<v Speaker 1>was some real nobility in in him and in the

0:12:43.480 --> 0:12:45.120
<v Speaker 1>end and the choice he made to get on a

0:12:45.160 --> 0:12:47.559
<v Speaker 1>bus and get out of town go back to his mother.

0:12:47.600 --> 0:12:49.520
<v Speaker 1>I don't know if what the it's going to turn

0:12:49.559 --> 0:12:51.560
<v Speaker 1>out to be whether Luke forced him onto that bus

0:12:51.559 --> 0:12:53.280
<v Speaker 1>and saying, get the hell out of here. I've had enough.

0:12:53.600 --> 0:12:57.440
<v Speaker 1>You've hurt you know, my family here, which is Laurel

0:12:57.480 --> 0:13:00.200
<v Speaker 1>and Rory. You've hurt my family. Get the heck. I

0:13:00.200 --> 0:13:03.880
<v Speaker 1>don't know if Luke did that. I want to say

0:13:03.920 --> 0:13:09.200
<v Speaker 1>that nobility one the day and Jess withdrew honorably and said,

0:13:09.240 --> 0:13:11.160
<v Speaker 1>I'm going to go back to my mom. I'm not

0:13:11.360 --> 0:13:15.000
<v Speaker 1>ready to be in a society. I am not ready.

0:13:15.000 --> 0:13:16.680
<v Speaker 1>I've got to go. I've got to go get my

0:13:16.679 --> 0:13:19.280
<v Speaker 1>act together, get my head together, and deal with my

0:13:19.320 --> 0:13:21.640
<v Speaker 1>problems with my mother and maybe be a better guy.

0:13:21.679 --> 0:13:24.040
<v Speaker 1>So that can't wait till you see what's coming. But

0:13:25.320 --> 0:13:28.280
<v Speaker 1>what did what did Riley and Danielle think of the

0:13:30.760 --> 0:13:33.160
<v Speaker 1>of the whole thing save that the fight. We're going

0:13:33.200 --> 0:13:35.840
<v Speaker 1>to talk about that, but what did you think of

0:13:36.280 --> 0:13:39.440
<v Speaker 1>all of it? So, like Scott was saying earlier, how

0:13:39.880 --> 0:13:43.320
<v Speaker 1>Jess needs Rory, and I feel like that last scene,

0:13:43.360 --> 0:13:47.840
<v Speaker 1>just like you're saying, Scott, like he realized how badly

0:13:47.880 --> 0:13:50.840
<v Speaker 1>he messed it up, and he was so remorseful, and

0:13:50.920 --> 0:13:53.920
<v Speaker 1>I felt for him so much in that moment. But

0:13:53.960 --> 0:13:56.720
<v Speaker 1>then I'm also like Jess, she's the one that wanted

0:13:56.760 --> 0:14:00.360
<v Speaker 1>to turn right one more time, like it is out

0:14:00.400 --> 0:14:03.920
<v Speaker 1>too much, like it's had her fault too. But in

0:14:04.000 --> 0:14:07.280
<v Speaker 1>that moment, I was like, oh, man, like he really

0:14:07.559 --> 0:14:12.839
<v Speaker 1>is just shattered, like completely gutted. I felt for him

0:14:12.880 --> 0:14:16.520
<v Speaker 1>so shattered. But how how Jess and Rory looked at

0:14:16.520 --> 0:14:19.960
<v Speaker 1>each other in the car especially like gave me all

0:14:20.000 --> 0:14:22.520
<v Speaker 1>the fields. It was like, like just the way they're

0:14:22.520 --> 0:14:24.200
<v Speaker 1>looking at each other, you can like see you can

0:14:24.240 --> 0:14:26.440
<v Speaker 1>see how much they like each other. And then the

0:14:26.480 --> 0:14:30.840
<v Speaker 1>bridge scene, like how beautiful, like the metaphor was that

0:14:30.920 --> 0:14:35.040
<v Speaker 1>once the bridge that once Luke pushed Jess off, he's

0:14:35.040 --> 0:14:37.600
<v Speaker 1>now sitting next to Jess, lifting him up and like

0:14:37.760 --> 0:14:42.720
<v Speaker 1>being there for him and wearing matching green jackets. Yea,

0:14:43.320 --> 0:14:45.960
<v Speaker 1>and in the same spot where Jess and Rory had

0:14:46.000 --> 0:14:51.840
<v Speaker 1>the picnic. Yeah, that was a wonderful scene. That's sitting

0:14:51.840 --> 0:14:55.040
<v Speaker 1>down next to him. What do you think about the

0:14:55.080 --> 0:15:00.880
<v Speaker 1>fact that Dean and I'm using quotes air quotes is missing.

0:15:01.200 --> 0:15:03.720
<v Speaker 1>You know that he's at Grandma's during all of this,

0:15:03.920 --> 0:15:06.080
<v Speaker 1>as opposed to sort of being there, which would have

0:15:06.080 --> 0:15:10.960
<v Speaker 1>been a totally different version what is so funny. Poor Dean,

0:15:11.080 --> 0:15:14.040
<v Speaker 1>he's just his car's getting crushed. His heart's getting That

0:15:14.240 --> 0:15:18.560
<v Speaker 1>car is emblematic of his heart, right, that's a pre

0:15:18.720 --> 0:15:21.680
<v Speaker 1>crushed heart. He doesn't know that his heart is going

0:15:21.760 --> 0:15:24.320
<v Speaker 1>to end up like the car, but it's going to

0:15:24.480 --> 0:15:28.040
<v Speaker 1>end up like the car, and it's the poor kid.

0:15:28.160 --> 0:15:30.360
<v Speaker 1>I just feel bad for him. I don't know what's coming,

0:15:30.440 --> 0:15:33.080
<v Speaker 1>but it ain't good for old Dean. Are old buddy Dean?

0:15:34.160 --> 0:15:36.200
<v Speaker 1>You know? To interject? You know. The thing I like

0:15:36.240 --> 0:15:39.640
<v Speaker 1>about Bilmore Girls is like, you know, because I don't

0:15:39.680 --> 0:15:42.400
<v Speaker 1>when did when did this episode? Arrogain Riley April April?

0:15:46.040 --> 0:15:48.720
<v Speaker 1>So we're heading into like May sweeps. So you could

0:15:48.720 --> 0:15:51.200
<v Speaker 1>have had an episode where it's like the car accident

0:15:51.280 --> 0:15:53.960
<v Speaker 1>and a big you know, a very special Gilmore to

0:15:54.080 --> 0:15:57.880
<v Speaker 1>be continued and we're all left like that. But the

0:15:57.960 --> 0:16:00.920
<v Speaker 1>thing that's so brilliant about it is like the car

0:16:00.960 --> 0:16:04.040
<v Speaker 1>accident was in the middle of the episode. There was

0:16:04.080 --> 0:16:06.680
<v Speaker 1>so much more and we still got the movie and

0:16:06.720 --> 0:16:09.840
<v Speaker 1>the levity and the sort of the scene between Lane

0:16:09.840 --> 0:16:12.480
<v Speaker 1>and Rory as they're walking, and that I think is

0:16:12.480 --> 0:16:15.400
<v Speaker 1>something that I really like about the show. It does

0:16:15.440 --> 0:16:18.400
<v Speaker 1>the unexpected because so many shows would have left us

0:16:18.400 --> 0:16:21.360
<v Speaker 1>hanging on a cliffhanger and like, oh my god, and

0:16:21.440 --> 0:16:25.720
<v Speaker 1>instead we get real life. We didn't even see the accident,

0:16:26.160 --> 0:16:29.520
<v Speaker 1>and for the second time, an animal caused a car accident.

0:16:31.120 --> 0:16:33.120
<v Speaker 1>But wait a minute, wait, let's go back. You said something.

0:16:33.400 --> 0:16:36.480
<v Speaker 1>It did end on a cliffhanger. It ended on correct

0:16:36.520 --> 0:16:40.240
<v Speaker 1>with Jess leaving right, But that could have been the

0:16:40.280 --> 0:16:43.640
<v Speaker 1>second cliffhanger that could have, you know. So here's what's

0:16:43.640 --> 0:16:45.200
<v Speaker 1>so funny. And I know you guys weren't be able

0:16:45.240 --> 0:16:47.000
<v Speaker 1>to help me with this, so I really hope people

0:16:47.560 --> 0:16:51.200
<v Speaker 1>listening will I've seen this episode at least three times,

0:16:51.200 --> 0:16:54.960
<v Speaker 1>probably four, because I watched it when it was on originally,

0:16:55.280 --> 0:16:58.360
<v Speaker 1>then I watched all the dvs, so now I'm watching

0:16:58.360 --> 0:17:02.640
<v Speaker 1>it third, fourth time in streaming. In my mind, we

0:17:02.680 --> 0:17:05.439
<v Speaker 1>saw the car accident. So the whole scene in the car,

0:17:05.520 --> 0:17:08.280
<v Speaker 1>I was having like a stomachache. I'm like, it's coming,

0:17:08.320 --> 0:17:11.240
<v Speaker 1>it's coming. And I watched it through my hands because

0:17:11.240 --> 0:17:13.720
<v Speaker 1>I was so nervous, like I know the car accidents coming.

0:17:14.160 --> 0:17:16.679
<v Speaker 1>It's so blew my mind that we don't see the

0:17:16.680 --> 0:17:19.000
<v Speaker 1>car acts and it don't need to see it. You

0:17:19.080 --> 0:17:21.720
<v Speaker 1>don't need to see it correct, but it was so weird.

0:17:21.760 --> 0:17:25.000
<v Speaker 1>I wonder if anyone else listening had that same reaction

0:17:25.040 --> 0:17:27.080
<v Speaker 1>on like a second or third watching, where you forgot

0:17:27.119 --> 0:17:31.360
<v Speaker 1>that you don't see it because the it's so dramatic.

0:17:31.760 --> 0:17:36.320
<v Speaker 1>I felt like we saw it. I did actually like rewind,

0:17:36.560 --> 0:17:38.920
<v Speaker 1>like when when Roy was in the hospital, was like,

0:17:38.960 --> 0:17:41.399
<v Speaker 1>did I just miss something like a scene like where

0:17:41.440 --> 0:17:44.399
<v Speaker 1>was the crash? Really like rewound it like a minute

0:17:44.440 --> 0:17:46.399
<v Speaker 1>and I'm like, oh no, it just jumps right to

0:17:46.480 --> 0:17:50.200
<v Speaker 1>the hospital, which is so interesting. Your imagination does the

0:17:50.240 --> 0:17:53.520
<v Speaker 1>work for you. That's that's that's good writing, where it's

0:17:53.520 --> 0:17:56.000
<v Speaker 1>like you don't need to see it because you've already

0:17:56.000 --> 0:17:58.480
<v Speaker 1>seen it in your mind. And then they do show

0:17:58.520 --> 0:18:00.920
<v Speaker 1>the car and the tow truck, so you're like, oh,

0:18:01.640 --> 0:18:06.360
<v Speaker 1>that's no fender bit. No, No, that was a big hit,

0:18:07.119 --> 0:18:10.880
<v Speaker 1>a big that's like goodbye Dean car. It's like that's

0:18:10.920 --> 0:18:14.280
<v Speaker 1>a big hit. Yeah, that's all right. So anyway, I interject,

0:18:14.320 --> 0:18:17.840
<v Speaker 1>but back to what you all think of Dean and

0:18:17.840 --> 0:18:21.879
<v Speaker 1>and Dean and Grandma's I'm happy he wasn't in this episode.

0:18:22.000 --> 0:18:27.359
<v Speaker 1>I don't think I can do another pouting Dean scene.

0:18:27.600 --> 0:18:30.639
<v Speaker 1>I just I can't. They just they just need to

0:18:30.640 --> 0:18:32.399
<v Speaker 1>put him in a body bag and get him off

0:18:32.440 --> 0:18:36.400
<v Speaker 1>the show. I mean, he's just just he's done. He's

0:18:36.440 --> 0:18:39.280
<v Speaker 1>gonna he's gonna spontaneously combust. I mean, he's just gonna

0:18:39.359 --> 0:18:43.360
<v Speaker 1>does he explode in an episode? I mean, I mean,

0:18:43.359 --> 0:18:46.480
<v Speaker 1>the poor guy. I mean, so for the three of you,

0:18:46.840 --> 0:18:50.159
<v Speaker 1>do you think the car accident and the drama that

0:18:50.280 --> 0:18:54.119
<v Speaker 1>ensues will bring Rory and Jess closer or split them up?

0:18:55.720 --> 0:18:58.480
<v Speaker 1>I definitely think I'll bring him closer. I think he's

0:18:58.480 --> 0:19:00.520
<v Speaker 1>going to come back, and I think she's gonna be

0:19:00.520 --> 0:19:02.719
<v Speaker 1>thinking about it so much. She's gonna be sitting there

0:19:02.760 --> 0:19:06.080
<v Speaker 1>with her broken wrist fractured wrist, and be thinking about

0:19:06.160 --> 0:19:08.920
<v Speaker 1>Jazz and if he's okay. And I think that constant

0:19:08.920 --> 0:19:10.720
<v Speaker 1>thinking and he'll be doing the same, and I'll just

0:19:10.720 --> 0:19:15.399
<v Speaker 1>bring him closer. Danielle, I agree. I think Jess is

0:19:15.440 --> 0:19:18.639
<v Speaker 1>going to check in on Rory and apologize and just

0:19:18.760 --> 0:19:22.120
<v Speaker 1>feel super crappy about it, and he's going to be like, Rory,

0:19:22.160 --> 0:19:24.120
<v Speaker 1>are you doing okay? I'm sorry, and then she's gonna

0:19:24.119 --> 0:19:27.560
<v Speaker 1>be like, oh my god, he cares about me. Ballo. Yeah,

0:19:27.640 --> 0:19:31.560
<v Speaker 1>I I don't see Jess. The thing that interests. Intrigues

0:19:31.600 --> 0:19:33.280
<v Speaker 1>me the most is how Jess is going to get

0:19:33.320 --> 0:19:38.199
<v Speaker 1>past the the tank divisions that Laurel I places in

0:19:38.240 --> 0:19:41.440
<v Speaker 1>front of the house to to fend him off if

0:19:41.480 --> 0:19:45.359
<v Speaker 1>he ever comes near again. I love that you guys

0:19:45.400 --> 0:19:48.560
<v Speaker 1>don't know. I mean, I know, everyone's like in their cars,

0:19:48.560 --> 0:19:52.800
<v Speaker 1>were like, I don't know vacuuming right now, going how

0:19:52.800 --> 0:19:55.960
<v Speaker 1>do they not? But it's like, but it's but it's

0:19:56.560 --> 0:19:58.720
<v Speaker 1>you know, there's going. I know that I know one thing,

0:19:58.920 --> 0:20:00.719
<v Speaker 1>and this is my prediction in and I don't know

0:20:00.800 --> 0:20:06.840
<v Speaker 1>this in any other way except in my predictive capabilities.

0:20:06.880 --> 0:20:09.520
<v Speaker 1>But but but I think there's gonna be a big

0:20:09.520 --> 0:20:14.280
<v Speaker 1>mother daughter scene where Rory begs or Rory tries to

0:20:14.320 --> 0:20:18.400
<v Speaker 1>make Laurel I understand how she feels. And I think

0:20:18.440 --> 0:20:22.800
<v Speaker 1>that's gonna be a big, tumultuous scene. There's gonna be

0:20:22.800 --> 0:20:25.600
<v Speaker 1>a lot of conflict in it. Maybe it's two conversations,

0:20:26.119 --> 0:20:29.680
<v Speaker 1>maybe it's three. It's gonna take three conversations for for Laurel.

0:20:29.760 --> 0:20:33.400
<v Speaker 1>I had to call off the Doberman's um who are

0:20:33.440 --> 0:20:37.040
<v Speaker 1>now currently sniffing jess socks, you know, getting the scent.

0:20:37.440 --> 0:20:39.800
<v Speaker 1>So I'm not gonna say it again. But I think

0:20:39.840 --> 0:20:42.159
<v Speaker 1>we should all just tell all off right now. Anyway,

0:20:42.320 --> 0:20:45.600
<v Speaker 1>let's let's get some refreshments. I'm gonna pass around some

0:20:45.680 --> 0:20:54.280
<v Speaker 1>cucumber slices and we'll be back after these works. Yeah, right, everybody,

0:20:54.280 --> 0:20:58.679
<v Speaker 1>we're back. That was good, cucumber. Thank you? That was

0:20:58.880 --> 0:21:04.480
<v Speaker 1>nice refreshing. Uh do you like Christopher list? I do?

0:21:04.680 --> 0:21:07.400
<v Speaker 1>What what made me uncomfortable? And it's again this sort

0:21:07.440 --> 0:21:13.200
<v Speaker 1>of Lukey Scott thing jealousy, uh, stuff that doesn't really exist,

0:21:13.240 --> 0:21:17.840
<v Speaker 1>but it does, um, it does. I didn't like that

0:21:18.000 --> 0:21:21.639
<v Speaker 1>she that Laurelized kept saying like in sort of with

0:21:21.680 --> 0:21:24.560
<v Speaker 1>her mooney eyes to him, like I really like it

0:21:24.600 --> 0:21:27.560
<v Speaker 1>when you're here. Yes, I like it too. You know

0:21:27.800 --> 0:21:31.399
<v Speaker 1>this his girlfriend. Yeah, but are none of you getting

0:21:31.400 --> 0:21:39.960
<v Speaker 1>a vibe? Things aren't so, Sherry? Yes, it's not so

0:21:40.280 --> 0:21:44.560
<v Speaker 1>sunshine and rainbows. You must in right now because again

0:21:45.119 --> 0:21:48.880
<v Speaker 1>I know so I don't see it with fresh eyes.

0:21:48.880 --> 0:21:51.000
<v Speaker 1>So you guys are seeing it And that was clear

0:21:51.000 --> 0:21:52.560
<v Speaker 1>because I felt it was clear, But I didn't know

0:21:52.560 --> 0:21:55.280
<v Speaker 1>if I was, like, I'm sure quarterbacking because I know

0:21:55.359 --> 0:22:00.600
<v Speaker 1>what's happening. Were you happy to feel that, Sherry? You

0:22:00.600 --> 0:22:06.440
<v Speaker 1>know there's trouble in Paradise with Christopher and Sherry. No, right,

0:22:06.640 --> 0:22:12.080
<v Speaker 1>not at all. I'm like, get the possessive side of me?

0:22:12.200 --> 0:22:15.280
<v Speaker 1>Is I get back to Sherry? You know, tend tend

0:22:15.320 --> 0:22:17.160
<v Speaker 1>to business. I mean, I I get sure he needs

0:22:17.200 --> 0:22:19.760
<v Speaker 1>to be with his daughter, and but it was just

0:22:19.880 --> 0:22:23.560
<v Speaker 1>it was so um, that was a little uncomfortable for

0:22:23.600 --> 0:22:28.000
<v Speaker 1>me to watch. I didn't like seeing Laurel. I like that. Um,

0:22:28.040 --> 0:22:30.359
<v Speaker 1>And what do the girls think? Because I like it.

0:22:30.520 --> 0:22:33.439
<v Speaker 1>I look, you're my number one, but I like Christopher.

0:22:34.320 --> 0:22:38.520
<v Speaker 1>Unpopular opinion, Christopher is my number one. I love when

0:22:38.520 --> 0:22:44.479
<v Speaker 1>they're together. I know, I'm sorry, I'm sorry, but smile

0:22:44.640 --> 0:22:46.840
<v Speaker 1>ear to ear every single time I see them together.

0:22:46.840 --> 0:22:51.560
<v Speaker 1>I'm like, there's just so much chemistry. I love. I

0:22:51.600 --> 0:22:55.000
<v Speaker 1>love them. I do well, And especially because it's so

0:22:56.200 --> 0:23:01.280
<v Speaker 1>coming after the biggest fight that Luke Lorea have ever had,

0:23:02.800 --> 0:23:07.320
<v Speaker 1>so we're like, oh, god, Riley, what do you think?

0:23:08.000 --> 0:23:13.119
<v Speaker 1>I think? Um, it's so hard I love. I can see,

0:23:13.200 --> 0:23:16.119
<v Speaker 1>like I have that love for Christopher and Lorelei because

0:23:16.440 --> 0:23:19.000
<v Speaker 1>the connection is crazy and they have all that history.

0:23:19.480 --> 0:23:21.720
<v Speaker 1>But I'm rooting for Luke and Laura Lai just because

0:23:21.760 --> 0:23:24.120
<v Speaker 1>I want to see how it happens. I want to see,

0:23:24.320 --> 0:23:29.240
<v Speaker 1>you know, them get there. It's so it's so dividing, Amy,

0:23:29.280 --> 0:23:32.879
<v Speaker 1>What do you how do you feel knowing? How do

0:23:32.920 --> 0:23:37.400
<v Speaker 1>you feel? How do you feel about this? Okay? One

0:23:37.560 --> 0:23:44.160
<v Speaker 1>is I understand why everyone's like losing their bleep over

0:23:44.240 --> 0:23:48.000
<v Speaker 1>the car accident and the whole situation. That being said,

0:23:48.040 --> 0:23:53.240
<v Speaker 1>these are teenagers, So I'm not sure that the Luke

0:23:53.359 --> 0:23:57.199
<v Speaker 1>Lorelei blow up. I feel that it could have been

0:23:57.240 --> 0:24:00.320
<v Speaker 1>avoided if cooler heads prevailed. Do you know what I'm saying? Like,

0:24:00.840 --> 0:24:04.840
<v Speaker 1>I totally understand why Laurel is exploding the way she is,

0:24:04.880 --> 0:24:08.840
<v Speaker 1>and why Luke has to defend his nephew, his blood,

0:24:09.280 --> 0:24:13.600
<v Speaker 1>his family, and and why they had that fight. That

0:24:13.680 --> 0:24:16.080
<v Speaker 1>being said, let's all calm down, Do you know what

0:24:16.160 --> 0:24:18.800
<v Speaker 1>I mean? Like, let's all calm down. So there's that.

0:24:20.080 --> 0:24:24.840
<v Speaker 1>I also love Christopher, and I like that Laurel I

0:24:25.840 --> 0:24:28.520
<v Speaker 1>has a crush on Christopher and the flirty flirt flirt

0:24:28.560 --> 0:24:32.159
<v Speaker 1>with Christopher, and I like that he dropped everything to

0:24:32.359 --> 0:24:36.040
<v Speaker 1>be there. I just know that everything is way more

0:24:36.080 --> 0:24:40.119
<v Speaker 1>complicated than we've learned. You know what? She she she

0:24:40.280 --> 0:24:42.800
<v Speaker 1>falls in love with everybody, She gets a crush on everybody.

0:24:43.920 --> 0:24:50.159
<v Speaker 1>I'm the only guy for her. Shut up kidding me?

0:24:50.760 --> 0:24:54.159
<v Speaker 1>Are you kidding me with this malarkey? It's malarkey, is

0:24:54.200 --> 0:24:58.440
<v Speaker 1>what it is. For God's sick, you know. I also

0:24:58.520 --> 0:25:02.040
<v Speaker 1>like how they got to or their fight quickly. We

0:25:02.040 --> 0:25:04.640
<v Speaker 1>didn't belabor that. It was like here, here he is,

0:25:05.320 --> 0:25:07.560
<v Speaker 1>you know. I like that he came in the room

0:25:07.600 --> 0:25:10.080
<v Speaker 1>and just slept there he was. He is being a

0:25:10.119 --> 0:25:13.760
<v Speaker 1>good dad, even though he was like an absent dad

0:25:13.840 --> 0:25:19.520
<v Speaker 1>for so long. I don't blame Laurelai for screaming at

0:25:19.560 --> 0:25:24.440
<v Speaker 1>me when you get that frightened, because you know, she's

0:25:24.440 --> 0:25:28.600
<v Speaker 1>not seeing a fractured drist. She's seeing a dead child. Potentially,

0:25:28.680 --> 0:25:31.280
<v Speaker 1>like one inch right or left, she could have hit

0:25:31.280 --> 0:25:34.360
<v Speaker 1>her head and died. She could have been dead. And

0:25:34.400 --> 0:25:36.960
<v Speaker 1>that's the thing that scares her so much. And she

0:25:38.160 --> 0:25:43.040
<v Speaker 1>is justified it really blowing up at Luke. But what's

0:25:43.080 --> 0:25:44.640
<v Speaker 1>Luke to do? I mean, it's just one of those

0:25:44.640 --> 0:25:49.400
<v Speaker 1>situations where he's got to understand and not take it personally.

0:25:49.520 --> 0:25:53.439
<v Speaker 1>I think actually Luke was a little flawed in that scene,

0:25:54.160 --> 0:25:57.600
<v Speaker 1>and I think that shows something about Luke that his

0:25:57.760 --> 0:26:03.120
<v Speaker 1>tolerance level and his compath seems to I mean, he's

0:26:03.440 --> 0:26:05.439
<v Speaker 1>I mean you have to be mature enough to know

0:26:06.480 --> 0:26:10.520
<v Speaker 1>that's that how upset she could be. But he you know,

0:26:11.480 --> 0:26:13.919
<v Speaker 1>I mean April has not come on the scene yet, right,

0:26:13.960 --> 0:26:16.399
<v Speaker 1>he's not aware. I mean he's not even aware he

0:26:16.440 --> 0:26:21.879
<v Speaker 1>has a child. Correct, So you can't know. You can't

0:26:22.000 --> 0:26:26.359
<v Speaker 1>know if you don't have a child yourself, if it

0:26:26.440 --> 0:26:31.800
<v Speaker 1>is not your d NA, you cannot know how deeply

0:26:32.840 --> 0:26:36.280
<v Speaker 1>you are capable of loving someone. And at the same token,

0:26:36.880 --> 0:26:40.480
<v Speaker 1>you cannot know how frightening it is at the prospect

0:26:40.640 --> 0:26:44.800
<v Speaker 1>of of that love being. He could have that love

0:26:44.880 --> 0:26:47.560
<v Speaker 1>for Jess. No, he could know. He could not. He

0:26:47.640 --> 0:26:52.280
<v Speaker 1>could not. It's not the same. I have loved people

0:26:52.440 --> 0:26:54.680
<v Speaker 1>very deeply that I am not related to, and then

0:26:54.680 --> 0:26:57.880
<v Speaker 1>when my son was born, it's a whole different level.

0:26:57.960 --> 0:27:02.160
<v Speaker 1>It's a whole different ball game. You and if they

0:27:02.200 --> 0:27:05.160
<v Speaker 1>potentially get injured, or they get injured, they could potentially die. Man,

0:27:05.280 --> 0:27:08.360
<v Speaker 1>you will freak. It takes a tremendous amount of trant

0:27:08.440 --> 0:27:11.800
<v Speaker 1>and the fact that Luke is childless at this point,

0:27:11.880 --> 0:27:16.560
<v Speaker 1>doesn't know about his daughter. He needed to show more

0:27:16.600 --> 0:27:20.400
<v Speaker 1>more understanding to Laurela and more compassion. Stop being so defensive.

0:27:20.440 --> 0:27:23.040
<v Speaker 1>He could have been a little better with her. I

0:27:23.119 --> 0:27:26.200
<v Speaker 1>don't but his life experience didn't allow that to happen.

0:27:26.400 --> 0:27:31.159
<v Speaker 1>I don't know. I feel like he really defended, but

0:27:31.240 --> 0:27:34.520
<v Speaker 1>there's no defense for it. There's no defense for it.

0:27:34.119 --> 0:27:40.840
<v Speaker 1>It's not defensive criticizing Luke for bringing him here. And

0:27:40.920 --> 0:27:45.120
<v Speaker 1>I think that's unfair. I do, I think that, But no,

0:27:45.320 --> 0:27:48.800
<v Speaker 1>it's not that right. And she said that, and she's saying,

0:27:48.960 --> 0:27:51.640
<v Speaker 1>you know, she's gonna be emotional. Of course, I understand

0:27:51.760 --> 0:27:54.639
<v Speaker 1>she's gonna be, you know, ripping anybody that had anything

0:27:54.680 --> 0:27:57.320
<v Speaker 1>to do with this, and that's her right as a mother.

0:27:57.400 --> 0:28:00.520
<v Speaker 1>And being that afraid, Oh my god, it's the worst

0:28:00.560 --> 0:28:02.760
<v Speaker 1>feeling in the world of fear and and and you

0:28:03.119 --> 0:28:05.400
<v Speaker 1>got to let it out. And Laurel E is not shy.

0:28:05.560 --> 0:28:10.600
<v Speaker 1>She lets her feelings be known. She's established this for

0:28:10.600 --> 0:28:14.679
<v Speaker 1>forty episodes. Um, and you've got the perfect actress to

0:28:14.720 --> 0:28:17.919
<v Speaker 1>do that. So you know, give her the ammo. Let

0:28:17.960 --> 0:28:19.800
<v Speaker 1>her blast away at Luke and see what he does.

0:28:19.880 --> 0:28:22.159
<v Speaker 1>And I just I just think that Luke could have

0:28:22.200 --> 0:28:25.800
<v Speaker 1>been better that just maybe understanding where this is coming from.

0:28:25.800 --> 0:28:27.800
<v Speaker 1>But he can't since he doesn't have a child, he

0:28:27.840 --> 0:28:31.200
<v Speaker 1>doesn't know the fear. That's the part that I'm like, well,

0:28:31.200 --> 0:28:35.280
<v Speaker 1>he's protecting blood, he's protecting his blood right, and he

0:28:35.640 --> 0:28:37.840
<v Speaker 1>needed to do what he did. He needed to bring

0:28:37.960 --> 0:28:42.160
<v Speaker 1>Jess here. That is what someone does. And so as

0:28:42.160 --> 0:28:45.080
<v Speaker 1>a man, as a man, I'm sorry, I'm sorry, but

0:28:45.120 --> 0:28:48.320
<v Speaker 1>as a man, he has to he has to show

0:28:48.440 --> 0:28:51.920
<v Speaker 1>more restraint. He can't unload on Laurel. Lie like that.

0:28:53.120 --> 0:28:55.680
<v Speaker 1>I don't know, because if you're saying Laurel I was

0:28:55.760 --> 0:28:59.360
<v Speaker 1>justified in how she felt, then to me, Luke is

0:28:59.480 --> 0:29:03.000
<v Speaker 1>just as justified in how he felt because he also

0:29:03.080 --> 0:29:06.520
<v Speaker 1>has that same fear that something could have happened to Jess.

0:29:08.840 --> 0:29:12.280
<v Speaker 1>Jess could have been but it's not a kid. It

0:29:12.400 --> 0:29:14.640
<v Speaker 1>doesn't know I see. I disagree. That's like saying that

0:29:14.680 --> 0:29:16.600
<v Speaker 1>somebody who adopted a kid doesn't love it in the

0:29:16.640 --> 0:29:22.560
<v Speaker 1>same way that somebody's loves there there there, you know, biologic.

0:29:23.880 --> 0:29:26.320
<v Speaker 1>I wanted him to show more restraint. I wanted him

0:29:26.320 --> 0:29:30.480
<v Speaker 1>to show more compassionate, a little more understanding. I think

0:29:30.520 --> 0:29:34.840
<v Speaker 1>this is interesting because I like how he had his

0:29:36.120 --> 0:29:39.560
<v Speaker 1>kids at the end. Okay, but at the end of

0:29:39.560 --> 0:29:42.520
<v Speaker 1>the day, Luke is telling Laurela at the end of

0:29:42.520 --> 0:29:45.560
<v Speaker 1>this day that with all these events, happening, right, and

0:29:45.760 --> 0:29:47.800
<v Speaker 1>Rory almost losing her life because she's the one that

0:29:47.840 --> 0:29:52.280
<v Speaker 1>got hurt, not Jess. Right that that it ends up

0:29:52.320 --> 0:29:55.719
<v Speaker 1>what Luke says to her right back at you go

0:29:55.800 --> 0:29:59.720
<v Speaker 1>to hell, right, that's the other result of this. So

0:30:00.760 --> 0:30:04.040
<v Speaker 1>that's that doesn't land well for me. I'm sorry it

0:30:04.120 --> 0:30:07.320
<v Speaker 1>does not land well for me on the character Lorala.

0:30:07.320 --> 0:30:11.000
<v Speaker 1>I also needed to see it from your perspective because

0:30:11.040 --> 0:30:16.880
<v Speaker 1>if the tape, yes, she does, she has given. She's given.

0:30:17.080 --> 0:30:18.600
<v Speaker 1>Oh you and I are going to butt heads in

0:30:18.600 --> 0:30:21.280
<v Speaker 1>this episode, lady, let me tell you. But that's okay

0:30:21.320 --> 0:30:24.160
<v Speaker 1>because no, no, no, what does she think you weren't

0:30:24.160 --> 0:30:27.160
<v Speaker 1>supposed to take in your nephew? But it's no, it's

0:30:27.200 --> 0:30:30.280
<v Speaker 1>it's like, it's like it's this kid that she can't

0:30:30.320 --> 0:30:34.240
<v Speaker 1>get rid of. She can't keep her daughter away from this.

0:30:34.880 --> 0:30:37.000
<v Speaker 1>It's and and yes, it can turn into a self

0:30:37.000 --> 0:30:40.640
<v Speaker 1>fulfilling prophecy. And she's sort of bringing it all into two,

0:30:41.320 --> 0:30:44.040
<v Speaker 1>to this sphere of existence. If you want to get

0:30:44.360 --> 0:30:48.040
<v Speaker 1>you know, um, what's the word I'm looking for if

0:30:48.040 --> 0:30:52.800
<v Speaker 1>you want to get the wifty about it? But uh um,

0:30:52.920 --> 0:30:54.880
<v Speaker 1>I don't blame her, and I think she was completely

0:30:54.920 --> 0:30:59.960
<v Speaker 1>justified she has been trying to repel. I don't blame

0:31:00.000 --> 0:31:03.760
<v Speaker 1>he is ape. I don't blame he's a repellent individual.

0:31:04.000 --> 0:31:07.680
<v Speaker 1>He is unsafe, he is dangerous, he is risky. She

0:31:08.320 --> 0:31:11.320
<v Speaker 1>feels it in her gut. She is protecting her sweet daughter.

0:31:12.560 --> 0:31:16.440
<v Speaker 1>Get him out, yes, get on a bus. Oh my god,

0:31:16.680 --> 0:31:18.680
<v Speaker 1>I want her to. I want her to go after him.

0:31:18.720 --> 0:31:20.560
<v Speaker 1>I want the next episode to start off with her

0:31:20.600 --> 0:31:22.400
<v Speaker 1>open up some cands of whoop ass. She's got her

0:31:22.400 --> 0:31:25.280
<v Speaker 1>a k she's got you know, she's got some ninja knives,

0:31:25.320 --> 0:31:27.760
<v Speaker 1>She's got all kinds of stuff, and she's going she's

0:31:27.800 --> 0:31:30.680
<v Speaker 1>going to go after Jess. Look, I understand why Lorela

0:31:30.880 --> 0:31:35.360
<v Speaker 1>doesn't want Rory with Jess, But I also understand Luke

0:31:35.920 --> 0:31:38.440
<v Speaker 1>has all the right in the world to have taken

0:31:38.440 --> 0:31:41.920
<v Speaker 1>in his nephew. He's doing the best he can. Look,

0:31:42.280 --> 0:31:44.840
<v Speaker 1>Rory could have been a bad kid. Let's just say

0:31:44.880 --> 0:31:47.920
<v Speaker 1>she was. Let's say the roles reversed. You think Lorala

0:31:48.040 --> 0:31:50.640
<v Speaker 1>is not gonna love Rory just as much if she's

0:31:50.680 --> 0:31:55.440
<v Speaker 1>stealing the baseballs, of course she is. So. Luke is right.

0:31:55.760 --> 0:31:58.680
<v Speaker 1>He is being a father because he is saying I

0:31:58.720 --> 0:32:02.640
<v Speaker 1>love this kid so much that I have to have

0:32:02.880 --> 0:32:06.440
<v Speaker 1>his back, and I need to know that my kids okay,

0:32:06.480 --> 0:32:09.800
<v Speaker 1>because remember in that fight, he doesn't know that yet,

0:32:10.360 --> 0:32:13.200
<v Speaker 1>not that he might not be physically okay, but emotionally okay.

0:32:13.560 --> 0:32:17.200
<v Speaker 1>You are the father. I thought it was selfish of

0:32:17.280 --> 0:32:22.080
<v Speaker 1>Luke to ask Rory to tutor Jess in the first place.

0:32:22.120 --> 0:32:26.280
<v Speaker 1>I thought it was not appropriate. I agreed with Laurela.

0:32:26.600 --> 0:32:31.440
<v Speaker 1>I thought if Luke was really a responsible quote unquote parent,

0:32:31.720 --> 0:32:35.440
<v Speaker 1>he would have gotten a tutor. So why first of

0:32:35.440 --> 0:32:39.640
<v Speaker 1>all that, but try it first before inconvenient? Like he

0:32:39.880 --> 0:32:41.680
<v Speaker 1>now if he sat down and said, listen, I've tried

0:32:41.720 --> 0:32:45.760
<v Speaker 1>three different tutors. It's not working out. Jess isn't respecting

0:32:45.760 --> 0:32:48.800
<v Speaker 1>them at all. You're my last resort. I'm trying to

0:32:48.800 --> 0:32:51.520
<v Speaker 1>help this kid, right, And they could he could have gone,

0:32:51.720 --> 0:32:54.000
<v Speaker 1>you know, why not go after a tutor. That's kind

0:32:54.040 --> 0:32:56.880
<v Speaker 1>of you know, and Luke, like Laurel, I like, you

0:32:56.880 --> 0:32:59.760
<v Speaker 1>know somebody that could be jealous of Hey, let's rewrite

0:32:59.760 --> 0:33:02.320
<v Speaker 1>the story line here. Let'st's take a pause. Let me

0:33:02.440 --> 0:33:04.760
<v Speaker 1>let me ask you guys a question. Right right when

0:33:04.760 --> 0:33:07.080
<v Speaker 1>I'm making a great point, you want to take a pause.

0:33:07.320 --> 0:33:11.280
<v Speaker 1>Oh my god, Let's just take a pause when I'm

0:33:11.280 --> 0:33:16.680
<v Speaker 1>making a super important point, impactful point, and I will continue.

0:33:17.400 --> 0:33:20.080
<v Speaker 1>I will continue. You will not pause me. I am

0:33:20.160 --> 0:33:23.920
<v Speaker 1>not I'm not a computer. You can't push. I'm not pausing.

0:33:24.960 --> 0:33:32.400
<v Speaker 1>You can see continuing trying to defend what I'll get.

0:33:39.400 --> 0:33:41.240
<v Speaker 1>But look at the opportunity. You could have gone to

0:33:41.320 --> 0:33:45.600
<v Speaker 1>some girl in the next town who you know. They

0:33:45.760 --> 0:33:49.000
<v Speaker 1>kind of like, kind of like it. They're vibing each other. Right,

0:33:49.280 --> 0:33:51.880
<v Speaker 1>we would be right back here in three episodes from

0:33:51.920 --> 0:33:55.520
<v Speaker 1>now what who would be who? Yes? Yes, but get them?

0:33:55.560 --> 0:33:58.160
<v Speaker 1>But that buys you three more episodes that might buy

0:33:58.200 --> 0:34:02.360
<v Speaker 1>you a whole newother season to go more right could

0:34:02.360 --> 0:34:04.520
<v Speaker 1>have been season nine, could have been a foregone conclusion

0:34:04.720 --> 0:34:07.960
<v Speaker 1>had he just gone for three tutors, Luke or Lorela

0:34:08.239 --> 0:34:10.719
<v Speaker 1>have to be wrong for the other one to be right.

0:34:10.760 --> 0:34:14.520
<v Speaker 1>I think each of them sounded like a song. Thank

0:34:14.560 --> 0:34:23.000
<v Speaker 1>you so much. So here's my game for you, guys.

0:34:23.160 --> 0:34:26.320
<v Speaker 1>I want to know what you think. Had Rory been driving,

0:34:27.640 --> 0:34:32.480
<v Speaker 1>everything is the same. But Rory drove, They still turned right,

0:34:32.719 --> 0:34:36.120
<v Speaker 1>they still swerved for the animal. Jess broke his wrist

0:34:36.480 --> 0:34:39.440
<v Speaker 1>the car. Everything is the same. We're just switching Rory's

0:34:39.520 --> 0:34:41.600
<v Speaker 1>driving the car. I want to know what you all

0:34:41.600 --> 0:34:43.720
<v Speaker 1>would have think of I don't think I think Rory

0:34:43.960 --> 0:34:47.080
<v Speaker 1>would have had, you know, deer in the headlights literal

0:34:47.120 --> 0:34:51.359
<v Speaker 1>deer in the headlights experience after the deer hit her car, right,

0:34:52.200 --> 0:34:55.879
<v Speaker 1>she would have had more experience handling animals coming at

0:34:55.880 --> 0:34:58.640
<v Speaker 1>her car. I don't think she would have swerved as much.

0:34:58.680 --> 0:35:01.880
<v Speaker 1>It's in the script Boom. I just dropped that on you.

0:35:02.120 --> 0:35:04.560
<v Speaker 1>I just want to reach back in season one of Boom.

0:35:05.360 --> 0:35:10.240
<v Speaker 1>Just blew up your argument everything everything is the same? Ye? Sorry,

0:35:10.320 --> 0:35:16.920
<v Speaker 1>I hear your reviews when you say on tomorrow everything

0:35:17.040 --> 0:35:20.919
<v Speaker 1>is the same. Do you think Lorala and Luke would

0:35:20.920 --> 0:35:24.319
<v Speaker 1>have had that big of a fight if Jess broke

0:35:24.480 --> 0:35:27.960
<v Speaker 1>his wrist and Rory? Sorry, can you speak? But I

0:35:28.000 --> 0:35:32.200
<v Speaker 1>don't recognize who this person is speaking? Thank you, thank you,

0:35:32.840 --> 0:35:35.359
<v Speaker 1>because then going to get the ice cream wasn't a

0:35:35.360 --> 0:35:39.800
<v Speaker 1>big deal. Their drama and fatal flaw was that. Rory,

0:35:39.960 --> 0:35:44.720
<v Speaker 1>let just drive because suddenly it becomes something totally different.

0:35:44.840 --> 0:35:50.719
<v Speaker 1>Turns and turn right. Listen, You're you're talking about the

0:35:50.719 --> 0:35:55.080
<v Speaker 1>difference of fractured wrist on a beautiful bird soaring two

0:35:55.160 --> 0:35:59.879
<v Speaker 1>heights that are immeasurable as opposed to a cage down

0:36:00.040 --> 0:36:08.160
<v Speaker 1>mole who needs to be maybe put down. Uh, Luke

0:36:08.239 --> 0:36:11.160
<v Speaker 1>wouldn't be allowed to flip out if Rory crashed the

0:36:11.200 --> 0:36:14.480
<v Speaker 1>car on his kid. It's a little that we've got,

0:36:14.520 --> 0:36:18.520
<v Speaker 1>like a weird double standard. No. I think Laura Laie

0:36:18.640 --> 0:36:22.160
<v Speaker 1>has been beyond patient with Jess. She has been beyond

0:36:22.200 --> 0:36:26.799
<v Speaker 1>the commodating with Luke, beyond the commendating with Rory, being

0:36:26.880 --> 0:36:30.680
<v Speaker 1>a great mom, being completely understanding that she's balancing her

0:36:30.760 --> 0:36:34.360
<v Speaker 1>daughter's feelings for this kid which she no exists, trying

0:36:34.400 --> 0:36:36.480
<v Speaker 1>to push her towards Dean a little bit, trying to

0:36:36.480 --> 0:36:40.520
<v Speaker 1>help out, knowing that it's a lost cause, right and

0:36:40.520 --> 0:36:43.239
<v Speaker 1>and and Jess is just this inevitability that she has

0:36:43.280 --> 0:36:45.080
<v Speaker 1>to deal with in her life. It's one of these,

0:36:45.560 --> 0:36:49.200
<v Speaker 1>you know, these these potholes on the freeway to Rory's success,

0:36:49.239 --> 0:36:52.360
<v Speaker 1>and she's trying to get her through it. She doesn't

0:36:52.440 --> 0:36:54.680
<v Speaker 1>want her daughter to screw up her life. And here

0:36:54.680 --> 0:36:57.720
<v Speaker 1>we go, boom. She was right again. She has every

0:36:57.719 --> 0:37:00.920
<v Speaker 1>reason to blow that guy out of Rory's life, and

0:37:00.960 --> 0:37:02.960
<v Speaker 1>she has every reason to go at Luke like that.

0:37:03.040 --> 0:37:06.480
<v Speaker 1>And I can completely said, if if that happened to me,

0:37:06.680 --> 0:37:10.839
<v Speaker 1>I would have to really restrain myself with the other

0:37:10.920 --> 0:37:20.000
<v Speaker 1>parents responsible, especially not to interrupt. I apologize, but but

0:37:20.000 --> 0:37:21.799
<v Speaker 1>but but but it's like but it's like, you know,

0:37:22.239 --> 0:37:25.279
<v Speaker 1>there's this sort of freedom that Luke and Laurel I have, right,

0:37:25.680 --> 0:37:29.200
<v Speaker 1>I mean, the they It makes sense to me that

0:37:29.239 --> 0:37:33.160
<v Speaker 1>she can unload on Luke because she's so comfortable with him,

0:37:33.440 --> 0:37:36.959
<v Speaker 1>and she's maybe done it before in little ways, nothing

0:37:37.000 --> 0:37:38.719
<v Speaker 1>like that. We haven't seen anything like this, but they

0:37:38.760 --> 0:37:40.719
<v Speaker 1>have this freedom with each other. They have a sort

0:37:40.719 --> 0:37:43.160
<v Speaker 1>of this this license with each other, like we're gonna

0:37:43.239 --> 0:37:46.640
<v Speaker 1>say the thing, the inappropriate thing, the cutting thing that

0:37:46.719 --> 0:37:50.200
<v Speaker 1>nobody takes personally because we have this friendship and we

0:37:50.239 --> 0:37:52.279
<v Speaker 1>have this potential romance and we do have feelings for

0:37:52.320 --> 0:37:55.080
<v Speaker 1>each other, which is going to allow us to be

0:37:55.200 --> 0:37:59.160
<v Speaker 1>ourselves in this friendship. And that means we're gonna be

0:37:59.200 --> 0:38:01.640
<v Speaker 1>you know, throwing some owns and cast some aspersions from

0:38:01.640 --> 0:38:04.440
<v Speaker 1>time to time and nobody takes it personally, and it's

0:38:04.440 --> 0:38:06.440
<v Speaker 1>all humor. It's all great to watch. It also fun.

0:38:06.480 --> 0:38:09.360
<v Speaker 1>Now it gets real. So the doors have been opened

0:38:09.360 --> 0:38:13.040
<v Speaker 1>in their friendship, in their quote unquote unspoken relationship, So

0:38:13.080 --> 0:38:15.960
<v Speaker 1>the doors are wide open for this. So she feels

0:38:16.000 --> 0:38:18.399
<v Speaker 1>like it's okay to do this. It would I think

0:38:18.520 --> 0:38:21.839
<v Speaker 1>be more devastating had they a different relationship and more

0:38:21.880 --> 0:38:26.160
<v Speaker 1>traditional relationship. That's interesting and and and valid. I'm so

0:38:26.280 --> 0:38:29.440
<v Speaker 1>relieved you think so yeah. No, hell no, you sometimes

0:38:29.480 --> 0:38:33.920
<v Speaker 1>you make I think I want to know from moms

0:38:34.080 --> 0:38:37.880
<v Speaker 1>of teenagers listening, is there a mom of a teenager

0:38:38.280 --> 0:38:41.840
<v Speaker 1>that would have handled it differently than Laura La that

0:38:42.000 --> 0:38:45.880
<v Speaker 1>maybe would have said, I'm so glad you're all are okay.

0:38:46.400 --> 0:38:49.560
<v Speaker 1>You know, obviously you were supposed to be studying and

0:38:49.600 --> 0:38:51.759
<v Speaker 1>not going to get ice cream. But like, really, their

0:38:51.920 --> 0:38:55.120
<v Speaker 1>crime is so nothing. They probably were allowed to go

0:38:55.160 --> 0:38:57.360
<v Speaker 1>get ice like I don't even know if they like

0:38:57.440 --> 0:39:01.879
<v Speaker 1>broke any rules. They just had the misfortune of some

0:39:02.360 --> 0:39:08.320
<v Speaker 1>poss who was one of the animals mentioned a possum

0:39:08.360 --> 0:39:11.279
<v Speaker 1>a I think a dog, she said, a dog or

0:39:11.280 --> 0:39:13.560
<v Speaker 1>a cat. And they were, you know, like they were

0:39:13.600 --> 0:39:16.839
<v Speaker 1>going probably thirty five, I mean maybe that car, like

0:39:16.960 --> 0:39:20.359
<v Speaker 1>they obviously weren't going ninety or do anything. Here's an something.

0:39:20.360 --> 0:39:24.719
<v Speaker 1>Here's an interesting plot twist though, right it's Dean in

0:39:24.760 --> 0:39:27.240
<v Speaker 1>the form of a possum because he's had a sham

0:39:27.320 --> 0:39:34.560
<v Speaker 1>in right now getting shape shifted, right, Okay, Okay, I'm

0:39:34.560 --> 0:39:37.759
<v Speaker 1>glad you brought that up. If Dean was driving and

0:39:37.840 --> 0:39:43.280
<v Speaker 1>everything was exactly the same, lore Lae wouldn't have been mad. Yeah, yeah,

0:39:44.000 --> 0:39:48.319
<v Speaker 1>everyone driving is everybody? Okay, Dean, are you okay? Do

0:39:48.360 --> 0:39:50.680
<v Speaker 1>you want to come over for some dinner and watch

0:39:50.680 --> 0:39:53.959
<v Speaker 1>a movie with us? And like, that's my beef here

0:39:54.160 --> 0:39:57.640
<v Speaker 1>is that? Like all this drama. She wouldn't have gone

0:39:57.680 --> 0:40:01.239
<v Speaker 1>to Dean's father and said, how dare you bring him

0:40:01.280 --> 0:40:04.040
<v Speaker 1>to this town where he's gonna drive my daughter to

0:40:04.120 --> 0:40:08.000
<v Speaker 1>ice crea and hurt her risk. Listen, different personalities are

0:40:08.000 --> 0:40:10.719
<v Speaker 1>going to handle this situation in different ways. Right, You're

0:40:10.760 --> 0:40:14.959
<v Speaker 1>gonna get the mom who is uh who who never

0:40:15.000 --> 0:40:17.920
<v Speaker 1>would have been in a in a show like this, right,

0:40:18.000 --> 0:40:21.080
<v Speaker 1>there wouldn't have been Nobody writes about people that are

0:40:21.200 --> 0:40:24.320
<v Speaker 1>really really careful with their kids. They wouldn't they blow

0:40:24.360 --> 0:40:28.640
<v Speaker 1>out Jesse's like every day because the daughter brings home

0:40:28.680 --> 0:40:32.759
<v Speaker 1>another loser, right, and they're like we talked about this, no,

0:40:33.760 --> 0:40:38.120
<v Speaker 1>and then they're gone and then nobody's like writing about them. Right,

0:40:38.360 --> 0:40:41.120
<v Speaker 1>it's only with this you know where there's you know

0:40:41.200 --> 0:40:44.520
<v Speaker 1>where the boundaries are blurred. That's where you get these

0:40:44.600 --> 0:40:49.080
<v Speaker 1>characters and that's where you get these personalities. And you

0:40:49.080 --> 0:40:52.479
<v Speaker 1>know the writing is is is. It's so well laid

0:40:52.520 --> 0:40:58.279
<v Speaker 1>out because you are you understand all sides of it, right,

0:40:58.520 --> 0:41:02.799
<v Speaker 1>Everything is justified. You get why Laurel like back down

0:41:02.800 --> 0:41:06.239
<v Speaker 1>a little bit and allowed Rory to see continue to

0:41:06.280 --> 0:41:08.839
<v Speaker 1>see Jess. You you get you know, you know Jess

0:41:08.920 --> 0:41:10.960
<v Speaker 1>is thrown into this situation and he's just sort of

0:41:11.000 --> 0:41:14.120
<v Speaker 1>complicating everything. But you get all the angles as to

0:41:14.200 --> 0:41:18.080
<v Speaker 1>why he's still allowed because there's some hope, he's young,

0:41:18.400 --> 0:41:21.560
<v Speaker 1>there's there's there's compassion, there's empathy. Even Laureli gives him

0:41:21.600 --> 0:41:23.920
<v Speaker 1>a job and tries to sit sit him down, talk

0:41:23.960 --> 0:41:26.719
<v Speaker 1>to him, help him out. I mean, yes, he's he's

0:41:26.760 --> 0:41:29.800
<v Speaker 1>a very lovable, likable guy's in obvious pain. You don't

0:41:29.840 --> 0:41:32.719
<v Speaker 1>throw people away. You don't throw you know, people like Laurea,

0:41:32.800 --> 0:41:35.839
<v Speaker 1>Laon and Luke and and and Rory. Don't. They don't

0:41:35.840 --> 0:41:38.919
<v Speaker 1>throw people away, especially you know, I mean, they gotta

0:41:38.960 --> 0:41:41.880
<v Speaker 1>you gotta help the kid. I blew out a muffler

0:41:41.920 --> 0:41:44.759
<v Speaker 1>when I was twelve. My dad had to go get

0:41:44.840 --> 0:41:50.360
<v Speaker 1>my car off a tree. Jesus, Yeah, yeah, I was

0:41:50.400 --> 0:41:52.600
<v Speaker 1>going up a very steep driveway and like hit some

0:41:52.680 --> 0:41:54.960
<v Speaker 1>leaves in the car like went backwards and thank God

0:41:55.040 --> 0:41:56.880
<v Speaker 1>for the tree and probably be like dead and I

0:41:56.920 --> 0:41:59.160
<v Speaker 1>had to leave the car just hanging off of a tree.

0:41:59.280 --> 0:42:01.960
<v Speaker 1>And then my Dad's like, oh my god, and it

0:42:02.320 --> 0:42:05.479
<v Speaker 1>had to go get So it's like, you know what, Look,

0:42:05.680 --> 0:42:08.200
<v Speaker 1>I had a very similar situation now that I think

0:42:08.239 --> 0:42:11.440
<v Speaker 1>about it, and you're a treat stuck on a tree

0:42:11.680 --> 0:42:15.600
<v Speaker 1>with my boyfriend, so like kind of similar to Rory

0:42:15.719 --> 0:42:19.200
<v Speaker 1>and Jess and my dad. He did freak out, but

0:42:19.239 --> 0:42:21.799
<v Speaker 1>he freaked out on like both of us, not just

0:42:22.680 --> 0:42:24.759
<v Speaker 1>now husband, but he freaked out on both of us,

0:42:24.840 --> 0:42:28.439
<v Speaker 1>being like, why weren't you being safe driving in the snow? Right?

0:42:28.800 --> 0:42:30.520
<v Speaker 1>How come no one saying to Rory, why should you

0:42:30.600 --> 0:42:34.040
<v Speaker 1>let jes drive your car? Totally U K I S

0:42:34.040 --> 0:42:41.240
<v Speaker 1>S I n G Daniel No, I wish we skidded

0:42:41.280 --> 0:42:44.560
<v Speaker 1>off on the highway on the way to Big Bear

0:42:44.960 --> 0:42:47.719
<v Speaker 1>and the tree saved us. But yeah, my dad was like,

0:42:48.960 --> 0:42:54.839
<v Speaker 1>I have nothing remotely as romantic as that. When we

0:42:54.840 --> 0:42:57.400
<v Speaker 1>were like eleven and twelve years old in my neighborhood,

0:42:58.000 --> 0:43:01.360
<v Speaker 1>we would we would take out our our neighbor's car.

0:43:01.880 --> 0:43:04.640
<v Speaker 1>My the neighbor down the street. Had a little Volkswagen

0:43:05.120 --> 0:43:08.480
<v Speaker 1>with a stick ship but no clutch. Little Volkswagen bus.

0:43:08.840 --> 0:43:13.440
<v Speaker 1>There's a stick ship but no clutch that works. It worked,

0:43:13.640 --> 0:43:16.400
<v Speaker 1>so he we would take that car out and driving around,

0:43:16.600 --> 0:43:20.319
<v Speaker 1>you know, the neighborhood, and we felt really gread. So

0:43:20.560 --> 0:43:22.760
<v Speaker 1>my dad was always on business trips. He was always

0:43:22.800 --> 0:43:26.719
<v Speaker 1>gone right during the week and uh so one day

0:43:26.760 --> 0:43:31.040
<v Speaker 1>we took out his uh he had a Pontiac Laman's

0:43:31.719 --> 0:43:37.920
<v Speaker 1>fast right, and so I took that puppy out by myself.

0:43:38.280 --> 0:43:40.600
<v Speaker 1>I took it out by myself and I went I

0:43:40.680 --> 0:43:43.440
<v Speaker 1>was twelve years old, and I was joy joy riding

0:43:43.480 --> 0:43:46.600
<v Speaker 1>around with it. I think I had about fifty miles

0:43:46.719 --> 0:43:53.000
<v Speaker 1>an hour, and the muffler blew out, and I was like, oh, no,

0:43:53.160 --> 0:43:57.600
<v Speaker 1>I'm dead. So he's gonna kill me. I'm gonna die.

0:43:58.480 --> 0:44:00.120
<v Speaker 1>So I had to uh, I had to put it

0:44:00.160 --> 0:44:03.719
<v Speaker 1>back together with Scotch tape because it was right underneath

0:44:03.719 --> 0:44:06.440
<v Speaker 1>the seats, the front seats of the cars where it

0:44:06.480 --> 0:44:09.080
<v Speaker 1>came apart a little bit. So I just put it

0:44:09.120 --> 0:44:11.799
<v Speaker 1>back together and then my dad came home. He came

0:44:11.840 --> 0:44:14.120
<v Speaker 1>home on a Friday night late and Saturday we went

0:44:14.160 --> 0:44:16.760
<v Speaker 1>to the hardware store because he wanted to pick something

0:44:16.840 --> 0:44:20.520
<v Speaker 1>up and it blew out and he looked at got god,

0:44:20.560 --> 0:44:29.279
<v Speaker 1>how did that? Teenagers? And there it's just my friend

0:44:29.320 --> 0:44:32.840
<v Speaker 1>Carry had a car like the old family station wagon

0:44:32.920 --> 0:44:36.240
<v Speaker 1>and it didn't go and reverse, it only went forward.

0:44:36.320 --> 0:44:38.359
<v Speaker 1>So they called it the one way wagon and they

0:44:38.360 --> 0:44:41.160
<v Speaker 1>had to park it only in parking places where you

0:44:41.160 --> 0:44:47.160
<v Speaker 1>could go forward. That's hysterical, don't yeah, I mean anyway,

0:44:48.120 --> 0:44:52.640
<v Speaker 1>get back to it. Okay. Bottom line, I didn't like

0:44:52.719 --> 0:44:55.000
<v Speaker 1>how Louke handled that. I think he could have been

0:44:56.640 --> 0:45:03.879
<v Speaker 1>more circumspect. We um, should we hear that scene? Yeah? Yeah?

0:45:03.880 --> 0:45:06.160
<v Speaker 1>Should we maybe hear that scene again? So we can

0:45:06.560 --> 0:45:10.600
<v Speaker 1>let's go, can somebody put it? Can? Can? We may

0:45:10.600 --> 0:45:13.640
<v Speaker 1>not be allowed to air the clips, so instead we

0:45:13.760 --> 0:45:17.440
<v Speaker 1>have the Eyamalin players ready to go. Really, we can

0:45:17.480 --> 0:45:20.960
<v Speaker 1>hear it right now. You just dial it in you requested.

0:45:21.040 --> 0:45:24.680
<v Speaker 1>It comes into the into into your cans here. Maybe

0:45:24.719 --> 0:45:27.799
<v Speaker 1>could you give us like an action? All right, ladies

0:45:27.840 --> 0:45:30.320
<v Speaker 1>and gentlemen, this is going to be in front of

0:45:30.320 --> 0:45:35.960
<v Speaker 1>the gazebo scene nighttime. Uh, actress ready, let's everybody get

0:45:36.000 --> 0:45:40.719
<v Speaker 1>set and Scott you good, Lauren, you're good? Okay? How

0:45:40.760 --> 0:45:42.520
<v Speaker 1>about a couple of How about a couple of breath mints?

0:45:42.520 --> 0:45:45.200
<v Speaker 1>You two all right? There you go? No kissing in

0:45:45.239 --> 0:45:47.279
<v Speaker 1>the scene, Yeah, let's not. Let's try to keep your

0:45:47.280 --> 0:45:55.040
<v Speaker 1>hands on, shirt, off of each other and action. Luke Luke, Hey,

0:45:55.080 --> 0:45:58.760
<v Speaker 1>I was where is he? Who? Jess? Where's Jess? Luke?

0:45:59.360 --> 0:46:00.799
<v Speaker 1>I don't know. I just out back. What's going on?

0:46:00.880 --> 0:46:03.759
<v Speaker 1>I got here and they weren't here. Jess, Hey, talk

0:46:03.840 --> 0:46:07.400
<v Speaker 1>to me, Jess, answer me right now. What's wrong? What happened?

0:46:07.800 --> 0:46:12.160
<v Speaker 1>There was an accident? What? What accident? Jess? What accident?

0:46:12.360 --> 0:46:15.160
<v Speaker 1>Jess was driving Marie's car and he crashed it? What when?

0:46:15.760 --> 0:46:18.799
<v Speaker 1>What do you mean when? Tonight? Tonight? He crushed it tonight? Jess?

0:46:18.960 --> 0:46:24.399
<v Speaker 1>Damn it? What happened? Is anyone hurt? More? Lie? Hey,

0:46:26.080 --> 0:46:30.560
<v Speaker 1>talk to me here? Can we do that over time?

0:46:30.640 --> 0:46:32.799
<v Speaker 1>Cut cut, let's cut it. We're gonna pick it up

0:46:32.880 --> 0:46:35.440
<v Speaker 1>right from there, right from the flub, So let's just

0:46:35.480 --> 0:46:39.439
<v Speaker 1>pick it up. It was actually very good, actually, so

0:46:39.560 --> 0:46:41.800
<v Speaker 1>let's let me just be the judge of that. Okay,

0:46:41.840 --> 0:46:46.040
<v Speaker 1>thank you? Oh my god. They usually say I'm not

0:46:46.080 --> 0:46:49.319
<v Speaker 1>being mean, I'm just being honest. Um. I think for

0:46:49.440 --> 0:46:54.240
<v Speaker 1>their limited experience, it was very good. But what standard

0:46:54.320 --> 0:46:57.279
<v Speaker 1>are we anyway, I'll shut up anyway, Let's take it back.

0:46:58.120 --> 0:47:00.239
<v Speaker 1>I want to stop being mean now, So let's take

0:47:00.280 --> 0:47:05.560
<v Speaker 1>it back. Where the flub happened and action. Hey, I'm

0:47:05.600 --> 0:47:08.479
<v Speaker 1>talking to you here. Where would he be? Where would

0:47:08.480 --> 0:47:12.040
<v Speaker 1>he go? I asked you if anyone was hurt? Was

0:47:12.080 --> 0:47:15.160
<v Speaker 1>anyone hurt? Well, let's see Rory's in the emergency room

0:47:15.239 --> 0:47:17.160
<v Speaker 1>right now with a fractured risk. So yeah, i'd say

0:47:17.160 --> 0:47:20.200
<v Speaker 1>someone was hurt. Rory fractured to wrist, Yes she was.

0:47:20.719 --> 0:47:22.319
<v Speaker 1>She has to wear a cast for two weeks. She's

0:47:22.320 --> 0:47:25.600
<v Speaker 1>getting X rays and test. What about Jess as he hurt? No,

0:47:25.880 --> 0:47:28.960
<v Speaker 1>Luke adjusted the hurting. That little punk nephew of yours

0:47:28.960 --> 0:47:31.719
<v Speaker 1>almost killed my kid tonight. Look, I'm sure it was

0:47:31.760 --> 0:47:34.680
<v Speaker 1>an accident. Accidents happened, not with Mike in the car.

0:47:34.800 --> 0:47:37.680
<v Speaker 1>They don't. Okay, you just need to calm down. Why

0:47:37.719 --> 0:47:40.200
<v Speaker 1>did you do this? What are you talking about? What

0:47:40.239 --> 0:47:42.680
<v Speaker 1>did I do? Why did you bring him here? What

0:47:43.320 --> 0:47:44.919
<v Speaker 1>if you hadn't brought him here, none of this would

0:47:44.920 --> 0:47:49.879
<v Speaker 1>have happened. This is my fault. Yes, it's your fault.

0:47:49.920 --> 0:47:52.040
<v Speaker 1>You told him to come. You let him say everyone

0:47:52.120 --> 0:47:55.000
<v Speaker 1>hated him. Everyone knew he was troubled, but you wouldn't listen,

0:47:55.239 --> 0:47:57.200
<v Speaker 1>and you wouldn't send him home. And now my daughter

0:47:57.480 --> 0:48:01.400
<v Speaker 1>is in the hospital. You kept pushing them together. You

0:48:01.440 --> 0:48:03.200
<v Speaker 1>asked her to help him study. You knew that she

0:48:03.239 --> 0:48:05.440
<v Speaker 1>would never say no. I told you to make it.

0:48:08.440 --> 0:48:10.600
<v Speaker 1>I told you it made him, it made me nervous.

0:48:10.680 --> 0:48:12.360
<v Speaker 1>I told you I didn't like it, and it should

0:48:12.360 --> 0:48:14.960
<v Speaker 1>have stopped right there. But you thought Rory wouldn't be

0:48:15.040 --> 0:48:18.319
<v Speaker 1>good for Jess, never mind what he would be for her.

0:48:18.560 --> 0:48:21.200
<v Speaker 1>That wasn't important at all, was it? Of course it

0:48:21.280 --> 0:48:23.640
<v Speaker 1>was important. Why didn't you put a stop to it

0:48:23.680 --> 0:48:25.880
<v Speaker 1>that night, at the first sign of trouble? Why didn't

0:48:25.880 --> 0:48:28.520
<v Speaker 1>you make him leave? He's my nephew. I had an

0:48:28.560 --> 0:48:31.040
<v Speaker 1>obligation to hit him in. I had an obligation to

0:48:31.040 --> 0:48:33.680
<v Speaker 1>take care of him. You had an obligation to this

0:48:33.760 --> 0:48:36.719
<v Speaker 1>town and to me and to Rory. Where are you going?

0:48:37.160 --> 0:48:39.560
<v Speaker 1>I have to find out where Jess is. Just let's

0:48:39.560 --> 0:48:41.279
<v Speaker 1>just pause it. I'm gonna push your pause button here,

0:48:41.280 --> 0:48:43.440
<v Speaker 1>I'm gonna borrow Amy's pause button. Push pause. But you

0:48:43.440 --> 0:48:45.960
<v Speaker 1>know these words, It's a lot of words. Okay, hang on,

0:48:46.000 --> 0:48:48.120
<v Speaker 1>hang on, I'm gonna give Riley, I'm gonna give you

0:48:48.120 --> 0:48:50.239
<v Speaker 1>a note. I want you to get into the fight.

0:48:51.800 --> 0:48:55.560
<v Speaker 1>Get into the fight. Danielle's fighting, Get into the fight.

0:48:55.840 --> 0:49:01.960
<v Speaker 1>Come on, dig in, get loud, let's go matcher match

0:49:02.280 --> 0:49:04.839
<v Speaker 1>match match her intensity and her volume, and just get

0:49:04.840 --> 0:49:10.480
<v Speaker 1>into the fight. Love these notes. I also know Okay, okay,

0:49:10.880 --> 0:49:16.799
<v Speaker 1>I stand in defense of Loot ditto. I'll tell you

0:49:16.800 --> 0:49:21.320
<v Speaker 1>where he's not. He's not. I'm sorry, I don't camera's

0:49:21.360 --> 0:49:24.120
<v Speaker 1>not ready, all right, everybody ready, set? All right, Riley,

0:49:24.160 --> 0:49:27.520
<v Speaker 1>get into the fight here, Come on man, okay, okay,

0:49:27.600 --> 0:49:29.840
<v Speaker 1>stop judging yourself and just get into the fight. Commit

0:49:30.640 --> 0:49:33.640
<v Speaker 1>a well, I'll tell you where he's not. He's not

0:49:33.680 --> 0:49:36.720
<v Speaker 1>in the emergency room having his arm plastered up. Hey,

0:49:36.960 --> 0:49:39.440
<v Speaker 1>I'm sorry about Rory. You know I care more about

0:49:39.440 --> 0:49:41.360
<v Speaker 1>her than I do myself. But at least you know

0:49:41.360 --> 0:49:43.560
<v Speaker 1>where Wary is. At least you know where she's okay.

0:49:43.760 --> 0:49:45.560
<v Speaker 1>Now I have to go find Jazz to make sure

0:49:45.600 --> 0:49:48.120
<v Speaker 1>that he's okay. And if that cuts into your screaming time,

0:49:48.200 --> 0:49:51.480
<v Speaker 1>well that's just too damn bad. Go to hell right

0:49:51.520 --> 0:50:01.000
<v Speaker 1>back at you. Boom cut, brilliant, brilliant, brilliant. Wow, that

0:50:01.160 --> 0:50:03.719
<v Speaker 1>was Luke. It came out of her. I loved it.

0:50:03.840 --> 0:50:05.759
<v Speaker 1>I'm not even just saying that because people are mean

0:50:06.640 --> 0:50:09.200
<v Speaker 1>to me when I cized you guys, So I totally

0:50:09.239 --> 0:50:12.920
<v Speaker 1>loved it. And also they're both right, and I guess

0:50:13.040 --> 0:50:16.560
<v Speaker 1>if I had to pick who's more right, it's Luke. Sorry,

0:50:16.800 --> 0:50:20.160
<v Speaker 1>I'm sorry, m M. I'm backing at me up on

0:50:20.200 --> 0:50:22.880
<v Speaker 1>this one. I'm taking the other side of that. M.

0:50:25.000 --> 0:50:27.239
<v Speaker 1>He's got to take those volleys. He's got to take

0:50:27.280 --> 0:50:32.400
<v Speaker 1>those volleys and still be understanding, compassionate loving. He should

0:50:32.560 --> 0:50:35.120
<v Speaker 1>he should have just said, how's Rory? When can I

0:50:35.160 --> 0:50:40.400
<v Speaker 1>see her? You know? No, God, she's just like blaming

0:50:40.520 --> 0:50:44.239
<v Speaker 1>him for everything because he took in his nephew. Is

0:50:44.239 --> 0:50:46.640
<v Speaker 1>she kidding me with that? Of course he took like

0:50:47.440 --> 0:50:50.839
<v Speaker 1>what we would not like Luke if he was like

0:50:50.960 --> 0:50:54.080
<v Speaker 1>to his sister. I'm sorry, Like, I can't take him

0:50:54.120 --> 0:50:56.920
<v Speaker 1>in because I'm really busy making hamburgers, and um, the

0:50:57.040 --> 0:50:59.080
<v Speaker 1>town doesn't really like him, So I'm going to go

0:50:59.080 --> 0:51:02.319
<v Speaker 1>with the town, like, are you kidding me? So he

0:51:02.360 --> 0:51:05.600
<v Speaker 1>should have been He should have gone to three tutors

0:51:06.400 --> 0:51:08.759
<v Speaker 1>at least before going to Rory. I think he went

0:51:08.840 --> 0:51:11.279
<v Speaker 1>too soon. I would have given us some very nice

0:51:11.400 --> 0:51:15.560
<v Speaker 1>storylines with potential tutor love interest. You gotta you gotta

0:51:15.600 --> 0:51:17.440
<v Speaker 1>throw in the tutor love interest because you gotta. You

0:51:17.480 --> 0:51:19.919
<v Speaker 1>had a Max Medina love interest. Let Why can't Luke

0:51:19.960 --> 0:51:22.040
<v Speaker 1>have his kind of like it's not a private school thing,

0:51:22.040 --> 0:51:23.640
<v Speaker 1>it's going to be a tutor love interest. Why not

0:51:23.680 --> 0:51:26.160
<v Speaker 1>give him that wick? Note on that Max Medina's character

0:51:26.200 --> 0:51:30.880
<v Speaker 1>went down hard on the resident, just saying, of course

0:51:30.920 --> 0:51:37.200
<v Speaker 1>he did. Lourela Repeat wore a shirt in this episode.

0:51:38.040 --> 0:51:43.959
<v Speaker 1>It's a favorite fashion already. I'm just I'm just because

0:51:44.000 --> 0:51:47.640
<v Speaker 1>everybody's a little heated. So she has that blue and

0:51:48.160 --> 0:51:51.399
<v Speaker 1>striped red with like a thin little red button down

0:51:51.440 --> 0:51:53.840
<v Speaker 1>which she once wore with red pants. She wore it

0:51:53.880 --> 0:51:56.439
<v Speaker 1>in this episode. Also, I still like it. This wasn't

0:51:56.440 --> 0:51:59.840
<v Speaker 1>my favorite fashion episode, but I enjoyed that we saw Repeat.

0:52:00.600 --> 0:52:03.000
<v Speaker 1>I do like her like turquoise choker. But again, this

0:52:03.040 --> 0:52:09.680
<v Speaker 1>was not a standout fashion episode. Um Danielle Riley Um

0:52:10.080 --> 0:52:13.920
<v Speaker 1>Juilliard called, they want to know if you're open in

0:52:14.000 --> 0:52:19.040
<v Speaker 1>the fall next. I am open, all right. They're holding

0:52:19.040 --> 0:52:22.759
<v Speaker 1>a couple of scholarships aside. Not bad though, I mean definitely,

0:52:22.840 --> 0:52:28.320
<v Speaker 1>you know, Riley, you you take direction very well, thank you. True.

0:52:28.560 --> 0:52:31.400
<v Speaker 1>In the scene in the diner when they are picking movies,

0:52:31.920 --> 0:52:34.480
<v Speaker 1>Rory and Lorela are eating what looked to me to

0:52:34.520 --> 0:52:39.919
<v Speaker 1>be jello with berries. Riley, what was it? It looked

0:52:39.920 --> 0:52:44.680
<v Speaker 1>like jello with grapes. Oh no, see, I saw blueberries

0:52:44.760 --> 0:52:47.680
<v Speaker 1>and raspberries and then some sort of gooey Google that

0:52:47.760 --> 0:52:50.239
<v Speaker 1>sounds good. So I don't know if it was a

0:52:50.239 --> 0:52:52.080
<v Speaker 1>bowla berries or if there was jello in there. I

0:52:52.120 --> 0:52:55.600
<v Speaker 1>just thought, so let's look, let's shift gears here and

0:52:55.960 --> 0:53:03.160
<v Speaker 1>let's cover um, let's cover a film by Kirk. Can

0:53:03.280 --> 0:53:06.719
<v Speaker 1>we just talk about a film by Kirk? Please? I mean,

0:53:06.400 --> 0:53:10.600
<v Speaker 1>I mean it's he's been working up for five years now,

0:53:10.840 --> 0:53:15.160
<v Speaker 1>but he can finish. I think. I think the Kirk

0:53:15.200 --> 0:53:17.799
<v Speaker 1>scene and the diner was my favorite scene when he

0:53:17.880 --> 0:53:20.600
<v Speaker 1>was saying I'd like to permission to play this film

0:53:20.640 --> 0:53:29.360
<v Speaker 1>at the can't cut out the cred now two hells

0:53:29.440 --> 0:53:34.560
<v Speaker 1>I will drop, but the damns have to stay. Um.

0:53:34.600 --> 0:53:37.520
<v Speaker 1>But the film itself, and they got that wonderful actor

0:53:37.600 --> 0:53:40.719
<v Speaker 1>to play the father, Oh my god, and Marylynn Risk

0:53:41.080 --> 0:53:47.520
<v Speaker 1>yeah right, And that is exactly like every pretentious student

0:53:47.600 --> 0:53:50.239
<v Speaker 1>film you will ever see. Because I was in a

0:53:50.280 --> 0:53:53.359
<v Speaker 1>bunch of them in New York. Oh yeah, and they're

0:53:53.400 --> 0:53:57.560
<v Speaker 1>all like that like that, and it's it's just so

0:53:57.640 --> 0:54:00.360
<v Speaker 1>funny to see it. It's just depict and of it

0:54:00.400 --> 0:54:05.080
<v Speaker 1>and oh my goodness, and how great a break dancer

0:54:05.239 --> 0:54:08.960
<v Speaker 1>is Seawan Gunn so good? The kid can move? My god,

0:54:09.040 --> 0:54:12.600
<v Speaker 1>did you see that? What a display the whole thing was.

0:54:13.840 --> 0:54:16.920
<v Speaker 1>Of course, Lorell and Roy love it more than life itself.

0:54:17.239 --> 0:54:20.319
<v Speaker 1>I love the whole the whole thing. We needed that

0:54:20.400 --> 0:54:23.400
<v Speaker 1>on the whole movie scene too. We needed that laugh

0:54:23.560 --> 0:54:26.279
<v Speaker 1>in this episode. Oh yeah, we did, We really did.

0:54:26.360 --> 0:54:29.120
<v Speaker 1>It was It was the perfect antidote to the heaviness

0:54:29.200 --> 0:54:33.799
<v Speaker 1>that came. I also love when the kitchen scene and

0:54:34.400 --> 0:54:37.359
<v Speaker 1>Loyalize eating marshmallows and then she just like offers, she's

0:54:37.360 --> 0:54:42.960
<v Speaker 1>all right, marshmallow one other question before because I know

0:54:43.000 --> 0:54:46.319
<v Speaker 1>we're like running short on time. What did you think

0:54:46.360 --> 0:54:51.480
<v Speaker 1>that Rory asked Lorlie to lie if Dean called, look

0:54:51.560 --> 0:54:55.920
<v Speaker 1>that's over. She wants cover. She's now resorting to um

0:54:56.719 --> 0:55:01.040
<v Speaker 1>jail house tactics as it were, right, like live for

0:55:01.160 --> 0:55:05.959
<v Speaker 1>me and all. It's it's not Rory, it's it's Jess

0:55:06.080 --> 0:55:09.080
<v Speaker 1>is taking Rory out of how were mother raised her

0:55:10.000 --> 0:55:12.799
<v Speaker 1>that's not how you know. It's like, go to Dean

0:55:12.920 --> 0:55:15.960
<v Speaker 1>and just say, hey, it's I'm not vibing anymore, and

0:55:16.000 --> 0:55:18.440
<v Speaker 1>I want to pursue this other thing, you know. But

0:55:18.640 --> 0:55:20.480
<v Speaker 1>she's in a small town that maybe she doesn't want

0:55:20.520 --> 0:55:26.080
<v Speaker 1>to create that much turmoil. So tempting is Jess, so

0:55:26.239 --> 0:55:30.799
<v Speaker 1>dark is his world that I will change who I

0:55:30.840 --> 0:55:34.239
<v Speaker 1>am to get you to lie for me so that

0:55:34.320 --> 0:55:37.880
<v Speaker 1>I can spend time with that serious. It's very serious.

0:55:37.920 --> 0:55:47.680
<v Speaker 1>It's every it's like every parent's worst nightmare. It is. Yeah, okay,

0:55:47.719 --> 0:55:52.560
<v Speaker 1>I have one inconsistency that I found in this episode,

0:55:52.560 --> 0:55:54.520
<v Speaker 1>and I think you'll find it's fascinating. And it's when

0:55:54.600 --> 0:56:00.239
<v Speaker 1>Luke brought the brownies now the inside brownie, oh kay,

0:56:00.239 --> 0:56:04.480
<v Speaker 1>And I will forward you will forward you some screenshots

0:56:04.520 --> 0:56:07.200
<v Speaker 1>that I took on my cell phone because I went,

0:56:08.760 --> 0:56:11.480
<v Speaker 1>I nailed it, you know, and my my wife came downstairs.

0:56:11.480 --> 0:56:16.320
<v Speaker 1>He goes, well, you shut up. I said, sorry, Um.

0:56:16.400 --> 0:56:19.120
<v Speaker 1>I like that. Luke's has custom made boxes though for

0:56:19.200 --> 0:56:21.560
<v Speaker 1>like desserts, and the box was kind of crushed though.

0:56:21.560 --> 0:56:24.440
<v Speaker 1>One night it was it was that bothered me too much.

0:56:24.560 --> 0:56:26.640
<v Speaker 1>I was like, God, why is that? It's like, is

0:56:26.640 --> 0:56:28.799
<v Speaker 1>that lummis not able to hold a box and did

0:56:28.800 --> 0:56:32.560
<v Speaker 1>he crush it with his big dumb hand? What's the Mr?

0:56:32.560 --> 0:56:34.719
<v Speaker 1>Metal Shop? Like, what's going on there? Right? And I'm

0:56:34.760 --> 0:56:38.200
<v Speaker 1>like surprised that somebody wasn't like, like, we needed a

0:56:38.239 --> 0:56:40.319
<v Speaker 1>good box, but maybe they only made one. I think

0:56:40.360 --> 0:56:42.880
<v Speaker 1>that's my fault. I fought for that box. I wanted

0:56:42.920 --> 0:56:46.560
<v Speaker 1>it crushed because it's more real, right, roll your eyes, Yeah,

0:56:46.600 --> 0:56:49.160
<v Speaker 1>there you go. Give us a brownie. Brown It's like

0:56:49.239 --> 0:56:53.520
<v Speaker 1>the inside brownie had it was large and much darker,

0:56:54.239 --> 0:56:56.680
<v Speaker 1>and it didn't have walnuts in it, and it didn't

0:56:56.719 --> 0:56:59.880
<v Speaker 1>have marshall. It didn't really have anything in it. And

0:57:00.000 --> 0:57:04.880
<v Speaker 1>then outside brownie was much smaller and much lighter brown

0:57:06.440 --> 0:57:14.439
<v Speaker 1>and had mega Well I'm not saying it. So they're

0:57:14.480 --> 0:57:16.800
<v Speaker 1>great and chocolate, they're really good. I'm sure I have.

0:57:16.920 --> 0:57:20.680
<v Speaker 1>I have it every night. That's my energy for that's

0:57:20.680 --> 0:57:25.320
<v Speaker 1>my podcast. But I like a chocolate covered a long

0:57:25.480 --> 0:57:27.959
<v Speaker 1>So that I think is a big thing that threw

0:57:28.040 --> 0:57:33.880
<v Speaker 1>me off, made me. Let's let's get some some no

0:57:33.960 --> 0:57:37.200
<v Speaker 1>big deal that like Jess's leaving stars hollow. Let's focus.

0:57:37.360 --> 0:57:40.360
<v Speaker 1>I think that you know, there's some get some politicians

0:57:40.400 --> 0:57:42.640
<v Speaker 1>in committee and let's launch an investigation here. Let's spend

0:57:42.680 --> 0:57:45.640
<v Speaker 1>some tax paramoney on this, because it's you know, some

0:57:45.680 --> 0:57:47.640
<v Speaker 1>people are people. Some some people need to go down.

0:57:48.040 --> 0:57:49.800
<v Speaker 1>Maybe we just pop them up on the Instagram and

0:57:49.840 --> 0:57:53.280
<v Speaker 1>we slide through those photos. I think so, I think so.

0:57:53.760 --> 0:57:56.760
<v Speaker 1>It's my big AHA moment in the episode. Amongst others,

0:57:56.880 --> 0:58:00.040
<v Speaker 1>I mentioned it wasn't my favorite fashion episode, but I

0:58:00.200 --> 0:58:03.840
<v Speaker 1>had some great lines. Gosh, did it? Did it? I

0:58:04.080 --> 0:58:08.920
<v Speaker 1>was you got a big fristbee Hinds going down at

0:58:08.960 --> 0:58:13.560
<v Speaker 1>six o'clock. I didn't really remember any great lines. Oh

0:58:13.600 --> 0:58:17.880
<v Speaker 1>my god, was good. Yeah, that was good because my

0:58:17.880 --> 0:58:20.680
<v Speaker 1>favorite line, think how dull your life would be without me?

0:58:21.000 --> 0:58:26.120
<v Speaker 1>Just to Rory Kirk and Laurel Kirk ass for a

0:58:26.160 --> 0:58:28.200
<v Speaker 1>minute over time, and Laurea says, I'll give you two

0:58:28.200 --> 0:58:33.920
<v Speaker 1>because you scare me. I also liked the can I

0:58:33.960 --> 0:58:35.840
<v Speaker 1>have a shot at one line before you get four?

0:58:36.280 --> 0:58:39.040
<v Speaker 1>I just because you're gonna steal my thunder on this

0:58:39.080 --> 0:58:41.000
<v Speaker 1>line and you're always doing this. I just want to

0:58:41.040 --> 0:58:43.640
<v Speaker 1>get you have so many great lines. Just let me

0:58:43.640 --> 0:58:45.960
<v Speaker 1>get one out and then you can have three. Al right,

0:58:46.400 --> 0:58:51.360
<v Speaker 1>thank you? UM. I think my favorite line was to

0:58:51.520 --> 0:58:55.640
<v Speaker 1>Taylor when he said to her, are you serious, And

0:58:55.720 --> 0:58:57.959
<v Speaker 1>Laurel I says yeah, I think I've got a little

0:58:57.960 --> 0:59:01.280
<v Speaker 1>bit of serious going there on that one. I like

0:59:01.360 --> 0:59:06.840
<v Speaker 1>that I've never seen the Yearling. I will now, I

0:59:06.920 --> 0:59:09.160
<v Speaker 1>know we're not in the special Riley's populture, but I've

0:59:09.200 --> 0:59:13.320
<v Speaker 1>never seen Heaven either. I I will just leave you

0:59:13.320 --> 0:59:17.520
<v Speaker 1>with this that when you told Jess that he wasn't

0:59:17.560 --> 0:59:19.959
<v Speaker 1>going to get to be a senior and he's gonna

0:59:19.960 --> 0:59:21.680
<v Speaker 1>have to repeat, He's like, well, at least I'll know

0:59:21.720 --> 0:59:28.640
<v Speaker 1>where my classes are, kid, boy. This was heated. Oh

0:59:28.680 --> 0:59:31.480
<v Speaker 1>my god. I also had one other question. What are

0:59:31.640 --> 0:59:35.200
<v Speaker 1>Wilers w y l E R S. I need to

0:59:35.200 --> 0:59:40.439
<v Speaker 1>google it. It's indocs mark. Is that a candy? I'm

0:59:40.440 --> 0:59:47.880
<v Speaker 1>finding Wilers? This says it's Instant Boilers Instant Yeah. And

0:59:47.880 --> 0:59:49.600
<v Speaker 1>then I guess Wilers. Oh, I guess it's a brand

0:59:49.680 --> 0:59:55.000
<v Speaker 1>they make and make Italian ice stuff because there's a

0:59:55.080 --> 0:59:58.600
<v Speaker 1>prominent Wiler's display respect to the grocery store for the

0:59:58.680 --> 1:00:01.920
<v Speaker 1>real brands and not trying to be like, you know,

1:00:02.000 --> 1:00:05.080
<v Speaker 1>like have like those weird TV fake brands. Oh. By

1:00:05.120 --> 1:00:08.120
<v Speaker 1>the way, here's a little behind the scenes factoid on

1:00:09.040 --> 1:00:12.680
<v Speaker 1>movie and TV grocery bags. They are not real grocery

1:00:12.720 --> 1:00:16.520
<v Speaker 1>bags because real grocery bags made out of paper crinkle

1:00:16.680 --> 1:00:19.800
<v Speaker 1>loudly and make too much noise. So so what they

1:00:19.840 --> 1:00:22.840
<v Speaker 1>do is they they the TV and film uses these.

1:00:23.080 --> 1:00:26.880
<v Speaker 1>They're kind of sacks. They're soft, they're they're kind of

1:00:26.880 --> 1:00:30.600
<v Speaker 1>a material almost, and they make no noise, but they

1:00:30.640 --> 1:00:37.280
<v Speaker 1>look like grocery bags. There you go, Wow, you'll never

1:00:37.360 --> 1:00:42.680
<v Speaker 1>hear a movie bag or a TV bag crinkling. All right, kids,

1:00:42.720 --> 1:00:44.880
<v Speaker 1>what do you think did we cover Did we pretty

1:00:44.960 --> 1:00:47.080
<v Speaker 1>much cover it? Yeah? I mean I think I won

1:00:47.120 --> 1:00:50.040
<v Speaker 1>the debate, but it's totally fine. It's not No, it's

1:00:50.040 --> 1:00:54.080
<v Speaker 1>not about winning. It's about it's about stating your case

1:00:54.720 --> 1:00:57.800
<v Speaker 1>and defending it well. And I think we both did that,

1:00:58.440 --> 1:01:06.120
<v Speaker 1>and I think we're both winners. What's next week? What's

1:01:06.200 --> 1:01:11.120
<v Speaker 1>next week? Riley? Episode twenty Help wanted? Oh you better

1:01:11.160 --> 1:01:14.000
<v Speaker 1>believe my god, we're like almost done with season two.

1:01:15.000 --> 1:01:17.960
<v Speaker 1>Help needed. Help is really needed. Let me tell you,

1:01:18.680 --> 1:01:23.640
<v Speaker 1>Jess needs to I don't know, send in your season

1:01:23.720 --> 1:01:26.640
<v Speaker 1>two questions because we should do like a special season

1:01:26.680 --> 1:01:32.160
<v Speaker 1>to wrap Q. Yes, we should extravag and send email

1:01:32.240 --> 1:01:34.320
<v Speaker 1>us your opinion on the Luke and Laurel I fight.

1:01:35.200 --> 1:01:37.760
<v Speaker 1>What do do you agree with me? Do you agree

1:01:37.800 --> 1:01:40.080
<v Speaker 1>with you agree with me? She's annoying and her voice

1:01:40.120 --> 1:01:42.560
<v Speaker 1>is loud. Do you agree with him? Because every every

1:01:42.760 --> 1:01:46.880
<v Speaker 1>email that agrees with me, we'll send you just saying,

1:01:47.040 --> 1:01:50.120
<v Speaker 1>you know, unofficially, but you actually can't say that. I'm

1:01:50.280 --> 1:01:53.960
<v Speaker 1>just kidding. Will bleep that out right right along with

1:01:54.080 --> 1:01:59.200
<v Speaker 1>the long fingernail anyway, that's it. Huh, We're gonna We're

1:01:59.200 --> 1:02:04.600
<v Speaker 1>gonna wrap this up. Yeah, all right, kiddo. Thanks for downloading.

1:02:05.240 --> 1:02:08.600
<v Speaker 1>Best fans on the planet. Love to you all and

1:02:08.960 --> 1:02:41.200
<v Speaker 1>we will see you next time. Stay safe, hey, everybody,

1:02:41.200 --> 1:02:44.520
<v Speaker 1>and don't forget follow us on Instagram at I Am

1:02:44.600 --> 1:02:48.600
<v Speaker 1>all In podcast and email us at Gilmore at I

1:02:48.800 --> 1:02:52.120
<v Speaker 1>heart radio dot com. Oh you Gilmore fans. If you're

1:02:52.120 --> 1:02:54.000
<v Speaker 1>looking for the best cup of coffee in the world,

1:02:54.040 --> 1:02:57.760
<v Speaker 1>go to my website for my company, scott ep dot

1:02:57.760 --> 1:03:00.320
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1:03:00.400 --> 1:03:13.080
<v Speaker 1>p dot com Grade one Specially Coffee. Yeah h