Speaker 1: I am all in you, I am all in with
Speaker 1: Scott Patterson and I heart Radio podcast. Okay, everybody, Hey
Speaker 1: Scott Patterson, we are back for another episode. Uh and
Speaker 1: we're going to talk about Teach Me tonight. Episode nineteen,
Speaker 1: Season two aired April and two. A day that will
Speaker 1: live in infamy, let me tell you, because it is
Speaker 1: the staggering debut of a film by Kirk Is it not?
Speaker 1: Is it the first? Is it the premiere? Is it
Speaker 1: the debut? Am I wrong? This is the first times?
Speaker 1: Just absolute genius. Anyway, I am. I am here with
Speaker 1: Danielle Romo, Riley Pelusis and uh Amy Sugarman is here.
Speaker 1: The ball club has gathered. Riley, take us away with
Speaker 1: your synopsis. So today LORIAA gets to pick a film
Speaker 1: for the movie Festival. Luke asked Rory to tutor Jess,
Speaker 1: but during their study night, a car accident and a
Speaker 1: fractured risk leads Luke to making a decision about Jess
Speaker 1: living in stars Hollow. Chris returns to comfort Lorelei and
Speaker 1: Rory and wishes he can stay longer. I'll tell you
Speaker 1: this was this was an emotional roller coaster, wasn't it?
Speaker 1: This thing it got very heavy. I felt. I don't
Speaker 1: want to I'm not I'm not saying this to be
Speaker 1: you know, a jackass, but uh, you know it really
Speaker 1: it started to take on this sort of this element
Speaker 1: of general hospital where you're just like, oh my god.
Speaker 1: You know, not that there's anything with that, but it
Speaker 1: was it really was kind of shocking. What you mean,
Speaker 1: I mean, it was just I mean I was completely engaged.
Speaker 1: What can I tell you. I'm sitting on my couch.
Speaker 1: It's it's eight pm last night, you know, my boys
Speaker 1: asleep and boomp I hit play. It's like what And
Speaker 1: I love the opening. I thought it was really great
Speaker 1: because we get a little Michael Winner's action, you know,
Speaker 1: get the Michael Winners magic when we got He's so good,
Speaker 1: He's so great to watch. He really digs in to
Speaker 1: the scene, you know, he really grounds it and just
Speaker 1: like Ohm and he's like the perfect backboard to hit
Speaker 1: the ball off with Lauraa and Rory just hitting the
Speaker 1: ball back and forth. It was it was wonderful and
Speaker 1: we have one of the funniest moments with a film
Speaker 1: by Kurt and and the most dramatic with the fight
Speaker 1: between Luca. More So, it was like whoo and then
Speaker 1: the ass whooping. That's a coming to Jess once Laura
Speaker 1: La gets ahold of him, she's I thought she was
Speaker 1: going to run to the bus stop, get on a
Speaker 1: bus and follow him to his mom's house and just
Speaker 1: like dive in the living room window and start ninja in.
Speaker 1: You know, when the nun chucks, who's gonna get a
Speaker 1: She's gonna open up a couple of candle woo pass
Speaker 1: on him. Let me tell you that kid, you know,
Speaker 1: he's good. Good thing he got out of town. Good
Speaker 1: thing he got out. Because I'm telling you, as a parent, yes,
Speaker 1: that is your your worst fear realized. And it doesn't
Speaker 1: matter if everybody's okay, and I complete her, her reaction
Speaker 1: is completely justified. I mean because if anyone laid a hand,
Speaker 1: I mean on my son, Oh boy, I mean, you
Speaker 1: really need to restrain yourself. Right when when a little
Speaker 1: bullying thing happens from at school and you hear about it,
Speaker 1: he tells you about it, it's like, oh boy, you
Speaker 1: know you really have to just kind of like, oh,
Speaker 1: you know, here comes the monster. So um it was,
Speaker 1: it was it was all consuming. What did you guys
Speaker 1: think there was? I literally I have no words. There
Speaker 1: was so good happening. There was so much happening. I'm like,
Speaker 1: Jess and Jess and Rory that that was something else. Um,
Speaker 1: Laura Leon Luke, that fight was unbelievably epic. Christopher and
Speaker 1: Lura la at the end, I'm like, oh my god,
Speaker 1: then you have Kirk's movie, then you have the movie Night,
Speaker 1: you know, like the like the actual interaction between Rory,
Speaker 1: Christopher and Laura, Like it was just so good, so
Speaker 1: much happening, so much happening. I want to know what
Speaker 1: both of you think about Rory and Jess. Um let me.
Speaker 1: He came off a little bit too much of a
Speaker 1: punk for me this episode, and I just I felt
Speaker 1: and then I started feeling really bad for him. You know,
Speaker 1: the poor kid. He's so troubled and he has no
Speaker 1: he has no port in the storm, you know, and
Speaker 1: he's looking for one, and it's just so tragic to
Speaker 1: see this kid, his the wasted potential, the potential of
Speaker 1: his wasted potential on the horizon here, and that if
Speaker 1: he doesn't start making better decisions, you know, these opportunities
Speaker 1: are going to go by the wayside and you don't
Speaker 1: get them back, you don't get a second chance. I mean,
Speaker 1: you can really work hard and hustle. If maybe a
Speaker 1: year or two pass you by and then you sort
Speaker 1: of see the light and you start applying yourself, then
Speaker 1: you can recover. But if too much time passes by
Speaker 1: for him, and he just wants to hang out and
Speaker 1: go wherever the wind takes him and and get a
Speaker 1: job here. And he you know, one of these guys,
Speaker 1: you know, he's he's looking to be. Uh, what's what's
Speaker 1: the movie the Matt Damon ben Affleck movie that made
Speaker 1: them famous. Yeah, he's looking to be you know, he's
Speaker 1: looking to turn into a little bit of a good
Speaker 1: will hunting their guy. Yeah, And Roy calls him out.
Speaker 1: She says, you're you're the smartest kid in school. But
Speaker 1: it's that will, that's that he doesn't there's no safety
Speaker 1: for him. He doesn't feel safe anywhere. He doesn't feel
Speaker 1: like he can put himself out there, be social or
Speaker 1: be accepted. Everything to him is negative and dark, and
Speaker 1: he wants to be by himself. And he doesn't understand why.
Speaker 1: And if he intellectually understands it, he doesn't emotionally. He
Speaker 1: can't emotionally grasp it. He can't he can't And what
Speaker 1: do you attribute that to? Knowing what you know? He
Speaker 1: he has no solid base of anybody loving him. He
Speaker 1: doesn't have anybody hugging him or loving him in the
Speaker 1: right way. I mean, he's got Luke, but that's a
Speaker 1: new thing, and that's filled with conflict, right, And I
Speaker 1: don't know that Luke is I don't know if Luke
Speaker 1: is the best person for this. You know, he's trying,
Speaker 1: he's trying, but Luke's very busy. He's got issues of
Speaker 1: his own, right. Um. And then you know, I I
Speaker 1: found out in his meeting with the principle that he
Speaker 1: wasn't the greatest student in the world, which surprised me
Speaker 1: a little bit. I didn't think it did the character justice.
Speaker 1: And I was correct because the character is very Yeah,
Speaker 1: he so well, right, and so it doesn't mean that
Speaker 1: he's going to do well in school. But metal shop,
Speaker 1: you know, I mean not that there's anything wrong with that.
Speaker 1: I mean that does takes skills to in dedication and study.
Speaker 1: But um, just knowing what we know about Luke and
Speaker 1: his knowledge about business and finances and taxes and law
Speaker 1: and all those things in addition to being able to
Speaker 1: build because but you can acquire those skills and acquire
Speaker 1: that knowledge over time. Being in a business, it's not
Speaker 1: necessarily academic, right he didn't. He didn't so so maybe
Speaker 1: he didn't know how to study, or he wasn't the
Speaker 1: greatest student. He wasn't engaged, he wasn't interested, he was
Speaker 1: doing other things. Right here, he has head in the clouds.
Speaker 1: Who knows what was going on, But it's like it's
Speaker 1: like it seems like the bloodline has you know, the
Speaker 1: Danes blood or something has gotten into Jest a little
Speaker 1: bit obviously, and and he's it's interesting the principle calling
Speaker 1: you miss ordained so much because we don't hear it
Speaker 1: that often in the show. And that was a bit
Speaker 1: and and truly truly pleased to see the legendary Lawrence
Speaker 1: Hilton Jacobs. I mean, I forgot that I got to
Speaker 1: act with him, And isn't he great? Isn't he just superb?
Speaker 1: And I just was I was so pleased. Um, I
Speaker 1: love that scene. But yeah, I think Jess needs something different.
Speaker 1: He does need a change of scenery being with Uncle Luke.
Speaker 1: I don't think it's well as we see there. It's
Speaker 1: it's just filled with the complications and conflict and how
Speaker 1: did you Scott Slash Luke feel about the low blow
Speaker 1: he said about the diner. Oh, maybe I'll work in
Speaker 1: But that's again, that's a goodwill hunting type of like,
Speaker 1: this kid is so smart. He's gonna make you know.
Speaker 1: He's gonna look at the painting Robin Williams painting like, oh,
Speaker 1: old man, he's losing his oars. He's drifted, sea's lost
Speaker 1: and you know what, And then you find out that
Speaker 1: his wife died of cancer. So it was one of
Speaker 1: those situations where it's like Luke is like, boy, this
Speaker 1: poor kid's really lost. I mean, if he's attacking me,
Speaker 1: then that kid is really defensive. He's really nasty. Uh
Speaker 1: and he ain't changing soon. The only thing that's going
Speaker 1: to change him. And I hate to say this now
Speaker 1: that I see this, I hate to say this. He
Speaker 1: needs Rory more than anything, but that he's going to
Speaker 1: be bad for Rory because it's gonna take Rory's full
Speaker 1: tank of fuel, of her love and her compassion and
Speaker 1: her empathy to get this kid on the right track,
Speaker 1: and it's gonna throw her off her track. It's gonna
Speaker 1: pull her foot. What do you think about Luke asking
Speaker 1: Rory for help, and how he did it, and what
Speaker 1: do you think of I think I think I would
Speaker 1: have had the same reaction, like, Mike, don't come around
Speaker 1: to my kids. She's she's focused, she doesn't have time
Speaker 1: for this. I don't want this kid around. He's bad news.
Speaker 1: And she was right. She sees the future. She's a mother,
Speaker 1: she gets it in her gut, and she's a good
Speaker 1: enough friend to Luke and she's a good enough person
Speaker 1: to allow this, and that's why she was so upset.
Speaker 1: She was mainly upset with herself for allowing it, because
Speaker 1: she tried to put a stop to her and she
Speaker 1: should have put her foot down. But again, she doesn't
Speaker 1: want to be that. She doesn't want to be that
Speaker 1: woman who stands in the way of her daughter and
Speaker 1: is not a good friend to Luke. And she's part
Speaker 1: of a community. And you know this is helping because
Speaker 1: down the line she's going to ask him for help,
Speaker 1: and she's asked. She's going to the well with Luke
Speaker 1: many many times, and he's always there for her and
Speaker 1: he always will be there for her. So I guess
Speaker 1: she feels obligated, of course, but she went a better
Speaker 1: She went against her better instincts and she and there's
Speaker 1: no stopping Rory because Rory, like she did she play
Speaker 1: that beautiful? Isn't she just wonderfully nuanced and subtle? And
Speaker 1: again there's there's those eyeballs, there's the cute face, and
Speaker 1: she's just she doesn't do too much because she doesn't
Speaker 1: have to. And you read I read her face so
Speaker 1: easily and so well, she's so good at this and
Speaker 1: and just I don't know, I don't know that she
Speaker 1: came out of any background in acting. I think she
Speaker 1: was in film school and it's kind of remarkable how
Speaker 1: she can do this. So um, And what did you
Speaker 1: think of Milo's performance? Oh? He's great. I mean, he's
Speaker 1: really great when he when when you hate him, when
Speaker 1: you have to hate him. He knows that as an actor,
Speaker 1: and you're like, wow, this guy's trouble because that's the
Speaker 1: fine line that he has to walk, right. It's like,
Speaker 1: I he trusts the writing so much that he's okay
Speaker 1: getting the direction. Like Milo, you know, I'm sorry, but
Speaker 1: they have to hate you here because we're gonna bring
Speaker 1: you back and to this degree and we're gonna bring
Speaker 1: it back this percentage. And he understands that there's So
Speaker 1: that's what makes it interesting to watch because we know
Speaker 1: there's going to be these peaks and valleys, we know
Speaker 1: there's going to be this range that the actors can play.
Speaker 1: So there's all this freedom within the very big range.
Speaker 1: So so he's he's And what did you think of
Speaker 1: the scene when Luke finds Jests on the bridge, the
Speaker 1: infamous bridge I love fell in love with Jess again
Speaker 1: because he was on the verge of tears and you
Speaker 1: could hear it crackling in his voice a little bit,
Speaker 1: and he said, listen, I did everything I could and
Speaker 1: he knew he screwed up and he knew. I think
Speaker 1: that was a big moment in his life where the
Speaker 1: you know, the the love of his life, the woman,
Speaker 1: the girl that he thinks that he can can save him.
Speaker 1: But he's gonna blow it. He's gonna blow it every time,
Speaker 1: and he's gonna go away because he knows he's not ready.
Speaker 1: And I think that he's noble that I think there
Speaker 1: was some real nobility in in him and in the
Speaker 1: end and the choice he made to get on a
Speaker 1: bus and get out of town go back to his mother.
Speaker 1: I don't know if what the it's going to turn
Speaker 1: out to be whether Luke forced him onto that bus
Speaker 1: and saying, get the hell out of here. I've had enough.
Speaker 1: You've hurt you know, my family here, which is Laurel
Speaker 1: and Rory. You've hurt my family. Get the heck. I
Speaker 1: don't know if Luke did that. I want to say
Speaker 1: that nobility one the day and Jess withdrew honorably and said,
Speaker 1: I'm going to go back to my mom. I'm not
Speaker 1: ready to be in a society. I am not ready.
Speaker 1: I've got to go. I've got to go get my
Speaker 1: act together, get my head together, and deal with my
Speaker 1: problems with my mother and maybe be a better guy.
Speaker 1: So that can't wait till you see what's coming. But
Speaker 1: what did what did Riley and Danielle think of the
Speaker 1: of the whole thing save that the fight. We're going
Speaker 1: to talk about that, but what did you think of
Speaker 1: all of it? So, like Scott was saying earlier, how
Speaker 1: Jess needs Rory, and I feel like that last scene,
Speaker 1: just like you're saying, Scott, like he realized how badly
Speaker 1: he messed it up, and he was so remorseful, and
Speaker 1: I felt for him so much in that moment. But
Speaker 1: then I'm also like Jess, she's the one that wanted
Speaker 1: to turn right one more time, like it is out
Speaker 1: too much, like it's had her fault too. But in
Speaker 1: that moment, I was like, oh, man, like he really
Speaker 1: is just shattered, like completely gutted. I felt for him
Speaker 1: so shattered. But how how Jess and Rory looked at
Speaker 1: each other in the car especially like gave me all
Speaker 1: the fields. It was like, like just the way they're
Speaker 1: looking at each other, you can like see you can
Speaker 1: see how much they like each other. And then the
Speaker 1: bridge scene, like how beautiful, like the metaphor was that
Speaker 1: once the bridge that once Luke pushed Jess off, he's
Speaker 1: now sitting next to Jess, lifting him up and like
Speaker 1: being there for him and wearing matching green jackets. Yea,
Speaker 1: and in the same spot where Jess and Rory had
Speaker 1: the picnic. Yeah, that was a wonderful scene. That's sitting
Speaker 1: down next to him. What do you think about the
Speaker 1: fact that Dean and I'm using quotes air quotes is missing.
Speaker 1: You know that he's at Grandma's during all of this,
Speaker 1: as opposed to sort of being there, which would have
Speaker 1: been a totally different version what is so funny. Poor Dean,
Speaker 1: he's just his car's getting crushed. His heart's getting That
Speaker 1: car is emblematic of his heart, right, that's a pre
Speaker 1: crushed heart. He doesn't know that his heart is going
Speaker 1: to end up like the car, but it's going to
Speaker 1: end up like the car, and it's the poor kid.
Speaker 1: I just feel bad for him. I don't know what's coming,
Speaker 1: but it ain't good for old Dean. Are old buddy Dean?
Speaker 1: You know? To interject? You know. The thing I like
Speaker 1: about Bilmore Girls is like, you know, because I don't
Speaker 1: when did when did this episode? Arrogain Riley April April?
Speaker 1: So we're heading into like May sweeps. So you could
Speaker 1: have had an episode where it's like the car accident
Speaker 1: and a big you know, a very special Gilmore to
Speaker 1: be continued and we're all left like that. But the
Speaker 1: thing that's so brilliant about it is like the car
Speaker 1: accident was in the middle of the episode. There was
Speaker 1: so much more and we still got the movie and
Speaker 1: the levity and the sort of the scene between Lane
Speaker 1: and Rory as they're walking, and that I think is
Speaker 1: something that I really like about the show. It does
Speaker 1: the unexpected because so many shows would have left us
Speaker 1: hanging on a cliffhanger and like, oh my god, and
Speaker 1: instead we get real life. We didn't even see the accident,
Speaker 1: and for the second time, an animal caused a car accident.
Speaker 1: But wait a minute, wait, let's go back. You said something.
Speaker 1: It did end on a cliffhanger. It ended on correct
Speaker 1: with Jess leaving right, But that could have been the
Speaker 1: second cliffhanger that could have, you know. So here's what's
Speaker 1: so funny. And I know you guys weren't be able
Speaker 1: to help me with this, so I really hope people
Speaker 1: listening will I've seen this episode at least three times,
Speaker 1: probably four, because I watched it when it was on originally,
Speaker 1: then I watched all the dvs, so now I'm watching
Speaker 1: it third, fourth time in streaming. In my mind, we
Speaker 1: saw the car accident. So the whole scene in the car,
Speaker 1: I was having like a stomachache. I'm like, it's coming,
Speaker 1: it's coming. And I watched it through my hands because
Speaker 1: I was so nervous, like I know the car accidents coming.
Speaker 1: It's so blew my mind that we don't see the
Speaker 1: car acts and it don't need to see it. You
Speaker 1: don't need to see it correct, but it was so weird.
Speaker 1: I wonder if anyone else listening had that same reaction
Speaker 1: on like a second or third watching, where you forgot
Speaker 1: that you don't see it because the it's so dramatic.
Speaker 1: I felt like we saw it. I did actually like rewind,
Speaker 1: like when when Roy was in the hospital, was like,
Speaker 1: did I just miss something like a scene like where
Speaker 1: was the crash? Really like rewound it like a minute
Speaker 1: and I'm like, oh no, it just jumps right to
Speaker 1: the hospital, which is so interesting. Your imagination does the
Speaker 1: work for you. That's that's that's good writing, where it's
Speaker 1: like you don't need to see it because you've already
Speaker 1: seen it in your mind. And then they do show
Speaker 1: the car and the tow truck, so you're like, oh,
Speaker 1: that's no fender bit. No, No, that was a big hit,
Speaker 1: a big that's like goodbye Dean car. It's like that's
Speaker 1: a big hit. Yeah, that's all right. So anyway, I interject,
Speaker 1: but back to what you all think of Dean and
Speaker 1: and Dean and Grandma's I'm happy he wasn't in this episode.
Speaker 1: I don't think I can do another pouting Dean scene.
Speaker 1: I just I can't. They just they just need to
Speaker 1: put him in a body bag and get him off
Speaker 1: the show. I mean, he's just just he's done. He's
Speaker 1: gonna he's gonna spontaneously combust. I mean, he's just gonna
Speaker 1: does he explode in an episode? I mean, I mean,
Speaker 1: the poor guy. I mean, so for the three of you,
Speaker 1: do you think the car accident and the drama that
Speaker 1: ensues will bring Rory and Jess closer or split them up?
Speaker 1: I definitely think I'll bring him closer. I think he's
Speaker 1: going to come back, and I think she's gonna be
Speaker 1: thinking about it so much. She's gonna be sitting there
Speaker 1: with her broken wrist fractured wrist, and be thinking about
Speaker 1: Jazz and if he's okay. And I think that constant
Speaker 1: thinking and he'll be doing the same, and I'll just
Speaker 1: bring him closer. Danielle, I agree. I think Jess is
Speaker 1: going to check in on Rory and apologize and just
Speaker 1: feel super crappy about it, and he's going to be like, Rory,
Speaker 1: are you doing okay? I'm sorry, and then she's gonna
Speaker 1: be like, oh my god, he cares about me. Ballo. Yeah,
Speaker 1: I I don't see Jess. The thing that interests. Intrigues
Speaker 1: me the most is how Jess is going to get
Speaker 1: past the the tank divisions that Laurel I places in
Speaker 1: front of the house to to fend him off if
Speaker 1: he ever comes near again. I love that you guys
Speaker 1: don't know. I mean, I know, everyone's like in their cars,
Speaker 1: were like, I don't know vacuuming right now, going how
Speaker 1: do they not? But it's like, but it's but it's
Speaker 1: you know, there's going. I know that I know one thing,
Speaker 1: and this is my prediction in and I don't know
Speaker 1: this in any other way except in my predictive capabilities.
Speaker 1: But but but I think there's gonna be a big
Speaker 1: mother daughter scene where Rory begs or Rory tries to
Speaker 1: make Laurel I understand how she feels. And I think
Speaker 1: that's gonna be a big, tumultuous scene. There's gonna be
Speaker 1: a lot of conflict in it. Maybe it's two conversations,
Speaker 1: maybe it's three. It's gonna take three conversations for for Laurel.
Speaker 1: I had to call off the Doberman's um who are
Speaker 1: now currently sniffing jess socks, you know, getting the scent.
Speaker 1: So I'm not gonna say it again. But I think
Speaker 1: we should all just tell all off right now. Anyway,
Speaker 1: let's let's get some refreshments. I'm gonna pass around some
Speaker 1: cucumber slices and we'll be back after these works. Yeah, right, everybody,
Speaker 1: we're back. That was good, cucumber. Thank you? That was
Speaker 1: nice refreshing. Uh do you like Christopher list? I do?
Speaker 1: What what made me uncomfortable? And it's again this sort
Speaker 1: of Lukey Scott thing jealousy, uh, stuff that doesn't really exist,
Speaker 1: but it does, um, it does. I didn't like that
Speaker 1: she that Laurelized kept saying like in sort of with
Speaker 1: her mooney eyes to him, like I really like it
Speaker 1: when you're here. Yes, I like it too. You know
Speaker 1: this his girlfriend. Yeah, but are none of you getting
Speaker 1: a vibe? Things aren't so, Sherry? Yes, it's not so
Speaker 1: sunshine and rainbows. You must in right now because again
Speaker 1: I know so I don't see it with fresh eyes.
Speaker 1: So you guys are seeing it And that was clear
Speaker 1: because I felt it was clear, But I didn't know
Speaker 1: if I was, like, I'm sure quarterbacking because I know
Speaker 1: what's happening. Were you happy to feel that, Sherry? You
Speaker 1: know there's trouble in Paradise with Christopher and Sherry. No, right,
Speaker 1: not at all. I'm like, get the possessive side of me?
Speaker 1: Is I get back to Sherry? You know, tend tend
Speaker 1: to business. I mean, I I get sure he needs
Speaker 1: to be with his daughter, and but it was just
Speaker 1: it was so um, that was a little uncomfortable for
Speaker 1: me to watch. I didn't like seeing Laurel. I like that. Um,
Speaker 1: And what do the girls think? Because I like it.
Speaker 1: I look, you're my number one, but I like Christopher.
Speaker 1: Unpopular opinion, Christopher is my number one. I love when
Speaker 1: they're together. I know, I'm sorry, I'm sorry, but smile
Speaker 1: ear to ear every single time I see them together.
Speaker 1: I'm like, there's just so much chemistry. I love. I
Speaker 1: love them. I do well, And especially because it's so
Speaker 1: coming after the biggest fight that Luke Lorea have ever had,
Speaker 1: so we're like, oh, god, Riley, what do you think?
Speaker 1: I think? Um, it's so hard I love. I can see,
Speaker 1: like I have that love for Christopher and Lorelei because
Speaker 1: the connection is crazy and they have all that history.
Speaker 1: But I'm rooting for Luke and Laura Lai just because
Speaker 1: I want to see how it happens. I want to see,
Speaker 1: you know, them get there. It's so it's so dividing, Amy,
Speaker 1: What do you how do you feel knowing? How do
Speaker 1: you feel? How do you feel about this? Okay? One
Speaker 1: is I understand why everyone's like losing their bleep over
Speaker 1: the car accident and the whole situation. That being said,
Speaker 1: these are teenagers, So I'm not sure that the Luke
Speaker 1: Lorelei blow up. I feel that it could have been
Speaker 1: avoided if cooler heads prevailed. Do you know what I'm saying? Like,
Speaker 1: I totally understand why Laurel is exploding the way she is,
Speaker 1: and why Luke has to defend his nephew, his blood,
Speaker 1: his family, and and why they had that fight. That
Speaker 1: being said, let's all calm down, Do you know what
Speaker 1: I mean? Like, let's all calm down. So there's that.
Speaker 1: I also love Christopher, and I like that Laurel I
Speaker 1: has a crush on Christopher and the flirty flirt flirt
Speaker 1: with Christopher, and I like that he dropped everything to
Speaker 1: be there. I just know that everything is way more
Speaker 1: complicated than we've learned. You know what? She she she
Speaker 1: falls in love with everybody, She gets a crush on everybody.
Speaker 1: I'm the only guy for her. Shut up kidding me?
Speaker 1: Are you kidding me with this malarkey? It's malarkey, is
Speaker 1: what it is. For God's sick, you know. I also
Speaker 1: like how they got to or their fight quickly. We
Speaker 1: didn't belabor that. It was like here, here he is,
Speaker 1: you know. I like that he came in the room
Speaker 1: and just slept there he was. He is being a
Speaker 1: good dad, even though he was like an absent dad
Speaker 1: for so long. I don't blame Laurelai for screaming at
Speaker 1: me when you get that frightened, because you know, she's
Speaker 1: not seeing a fractured drist. She's seeing a dead child. Potentially,
Speaker 1: like one inch right or left, she could have hit
Speaker 1: her head and died. She could have been dead. And
Speaker 1: that's the thing that scares her so much. And she
Speaker 1: is justified it really blowing up at Luke. But what's
Speaker 1: Luke to do? I mean, it's just one of those
Speaker 1: situations where he's got to understand and not take it personally.
Speaker 1: I think actually Luke was a little flawed in that scene,
Speaker 1: and I think that shows something about Luke that his
Speaker 1: tolerance level and his compath seems to I mean, he's
Speaker 1: I mean you have to be mature enough to know
Speaker 1: that's that how upset she could be. But he you know,
Speaker 1: I mean April has not come on the scene yet, right,
Speaker 1: he's not aware. I mean he's not even aware he
Speaker 1: has a child. Correct, So you can't know. You can't
Speaker 1: know if you don't have a child yourself, if it
Speaker 1: is not your d NA, you cannot know how deeply
Speaker 1: you are capable of loving someone. And at the same token,
Speaker 1: you cannot know how frightening it is at the prospect
Speaker 1: of of that love being. He could have that love
Speaker 1: for Jess. No, he could know. He could not. He
Speaker 1: could not. It's not the same. I have loved people
Speaker 1: very deeply that I am not related to, and then
Speaker 1: when my son was born, it's a whole different level.
Speaker 1: It's a whole different ball game. You and if they
Speaker 1: potentially get injured, or they get injured, they could potentially die. Man,
Speaker 1: you will freak. It takes a tremendous amount of trant
Speaker 1: and the fact that Luke is childless at this point,
Speaker 1: doesn't know about his daughter. He needed to show more
Speaker 1: more understanding to Laurela and more compassion. Stop being so defensive.
Speaker 1: He could have been a little better with her. I
Speaker 1: don't but his life experience didn't allow that to happen.
Speaker 1: I don't know. I feel like he really defended, but
Speaker 1: there's no defense for it. There's no defense for it.
Speaker 1: It's not defensive criticizing Luke for bringing him here. And
Speaker 1: I think that's unfair. I do, I think that, But no,
Speaker 1: it's not that right. And she said that, and she's saying,
Speaker 1: you know, she's gonna be emotional. Of course, I understand
Speaker 1: she's gonna be, you know, ripping anybody that had anything
Speaker 1: to do with this, and that's her right as a mother.
Speaker 1: And being that afraid, Oh my god, it's the worst
Speaker 1: feeling in the world of fear and and and you
Speaker 1: got to let it out. And Laurel E is not shy.
Speaker 1: She lets her feelings be known. She's established this for
Speaker 1: forty episodes. Um, and you've got the perfect actress to
Speaker 1: do that. So you know, give her the ammo. Let
Speaker 1: her blast away at Luke and see what he does.
Speaker 1: And I just I just think that Luke could have
Speaker 1: been better that just maybe understanding where this is coming from.
Speaker 1: But he can't since he doesn't have a child, he
Speaker 1: doesn't know the fear. That's the part that I'm like, well,
Speaker 1: he's protecting blood, he's protecting his blood right, and he
Speaker 1: needed to do what he did. He needed to bring
Speaker 1: Jess here. That is what someone does. And so as
Speaker 1: a man, as a man, I'm sorry, I'm sorry, but
Speaker 1: as a man, he has to he has to show
Speaker 1: more restraint. He can't unload on Laurel. Lie like that.
Speaker 1: I don't know, because if you're saying Laurel I was
Speaker 1: justified in how she felt, then to me, Luke is
Speaker 1: just as justified in how he felt because he also
Speaker 1: has that same fear that something could have happened to Jess.
Speaker 1: Jess could have been but it's not a kid. It
Speaker 1: doesn't know I see. I disagree. That's like saying that
Speaker 1: somebody who adopted a kid doesn't love it in the
Speaker 1: same way that somebody's loves there there there, you know, biologic.
Speaker 1: I wanted him to show more restraint. I wanted him
Speaker 1: to show more compassionate, a little more understanding. I think
Speaker 1: this is interesting because I like how he had his
Speaker 1: kids at the end. Okay, but at the end of
Speaker 1: the day, Luke is telling Laurela at the end of
Speaker 1: this day that with all these events, happening, right, and
Speaker 1: Rory almost losing her life because she's the one that
Speaker 1: got hurt, not Jess. Right that that it ends up
Speaker 1: what Luke says to her right back at you go
Speaker 1: to hell, right, that's the other result of this. So
Speaker 1: that's that doesn't land well for me. I'm sorry it
Speaker 1: does not land well for me on the character Lorala.
Speaker 1: I also needed to see it from your perspective because
Speaker 1: if the tape, yes, she does, she has given. She's given.
Speaker 1: Oh you and I are going to butt heads in
Speaker 1: this episode, lady, let me tell you. But that's okay
Speaker 1: because no, no, no, what does she think you weren't
Speaker 1: supposed to take in your nephew? But it's no, it's
Speaker 1: it's like, it's like it's this kid that she can't
Speaker 1: get rid of. She can't keep her daughter away from this.
Speaker 1: It's and and yes, it can turn into a self
Speaker 1: fulfilling prophecy. And she's sort of bringing it all into two,
Speaker 1: to this sphere of existence. If you want to get
Speaker 1: you know, um, what's the word I'm looking for if
Speaker 1: you want to get the wifty about it? But uh um,
Speaker 1: I don't blame her, and I think she was completely
Speaker 1: justified she has been trying to repel. I don't blame
Speaker 1: he is ape. I don't blame he's a repellent individual.
Speaker 1: He is unsafe, he is dangerous, he is risky. She
Speaker 1: feels it in her gut. She is protecting her sweet daughter.
Speaker 1: Get him out, yes, get on a bus. Oh my god,
Speaker 1: I want her to. I want her to go after him.
Speaker 1: I want the next episode to start off with her
Speaker 1: open up some cands of whoop ass. She's got her
Speaker 1: a k she's got you know, she's got some ninja knives,
Speaker 1: She's got all kinds of stuff, and she's going she's
Speaker 1: going to go after Jess. Look, I understand why Lorela
Speaker 1: doesn't want Rory with Jess, But I also understand Luke
Speaker 1: has all the right in the world to have taken
Speaker 1: in his nephew. He's doing the best he can. Look,
Speaker 1: Rory could have been a bad kid. Let's just say
Speaker 1: she was. Let's say the roles reversed. You think Lorala
Speaker 1: is not gonna love Rory just as much if she's
Speaker 1: stealing the baseballs, of course she is. So. Luke is right.
Speaker 1: He is being a father because he is saying I
Speaker 1: love this kid so much that I have to have
Speaker 1: his back, and I need to know that my kids okay,
Speaker 1: because remember in that fight, he doesn't know that yet,
Speaker 1: not that he might not be physically okay, but emotionally okay.
Speaker 1: You are the father. I thought it was selfish of
Speaker 1: Luke to ask Rory to tutor Jess in the first place.
Speaker 1: I thought it was not appropriate. I agreed with Laurela.
Speaker 1: I thought if Luke was really a responsible quote unquote parent,
Speaker 1: he would have gotten a tutor. So why first of
Speaker 1: all that, but try it first before inconvenient? Like he
Speaker 1: now if he sat down and said, listen, I've tried
Speaker 1: three different tutors. It's not working out. Jess isn't respecting
Speaker 1: them at all. You're my last resort. I'm trying to
Speaker 1: help this kid, right, And they could he could have gone,
Speaker 1: you know, why not go after a tutor. That's kind
Speaker 1: of you know, and Luke, like Laurel, I like, you
Speaker 1: know somebody that could be jealous of Hey, let's rewrite
Speaker 1: the story line here. Let'st's take a pause. Let me
Speaker 1: let me ask you guys a question. Right right when
Speaker 1: I'm making a great point, you want to take a pause.
Speaker 1: Oh my god, Let's just take a pause when I'm
Speaker 1: making a super important point, impactful point, and I will continue.
Speaker 1: I will continue. You will not pause me. I am
Speaker 1: not I'm not a computer. You can't push. I'm not pausing.
Speaker 1: You can see continuing trying to defend what I'll get.
Speaker 1: But look at the opportunity. You could have gone to
Speaker 1: some girl in the next town who you know. They
Speaker 1: kind of like, kind of like it. They're vibing each other. Right,
Speaker 1: we would be right back here in three episodes from
Speaker 1: now what who would be who? Yes? Yes, but get them?
Speaker 1: But that buys you three more episodes that might buy
Speaker 1: you a whole newother season to go more right could
Speaker 1: have been season nine, could have been a foregone conclusion
Speaker 1: had he just gone for three tutors, Luke or Lorela
Speaker 1: have to be wrong for the other one to be right.
Speaker 1: I think each of them sounded like a song. Thank
Speaker 1: you so much. So here's my game for you, guys.
Speaker 1: I want to know what you think. Had Rory been driving,
Speaker 1: everything is the same. But Rory drove, They still turned right,
Speaker 1: they still swerved for the animal. Jess broke his wrist
Speaker 1: the car. Everything is the same. We're just switching Rory's
Speaker 1: driving the car. I want to know what you all
Speaker 1: would have think of I don't think I think Rory
Speaker 1: would have had, you know, deer in the headlights literal
Speaker 1: deer in the headlights experience after the deer hit her car, right,
Speaker 1: she would have had more experience handling animals coming at
Speaker 1: her car. I don't think she would have swerved as much.
Speaker 1: It's in the script Boom. I just dropped that on you.
Speaker 1: I just want to reach back in season one of Boom.
Speaker 1: Just blew up your argument everything everything is the same? Ye? Sorry,
Speaker 1: I hear your reviews when you say on tomorrow everything
Speaker 1: is the same. Do you think Lorala and Luke would
Speaker 1: have had that big of a fight if Jess broke
Speaker 1: his wrist and Rory? Sorry, can you speak? But I
Speaker 1: don't recognize who this person is speaking? Thank you, thank you,
Speaker 1: because then going to get the ice cream wasn't a
Speaker 1: big deal. Their drama and fatal flaw was that. Rory,
Speaker 1: let just drive because suddenly it becomes something totally different.
Speaker 1: Turns and turn right. Listen, You're you're talking about the
Speaker 1: difference of fractured wrist on a beautiful bird soaring two
Speaker 1: heights that are immeasurable as opposed to a cage down
Speaker 1: mole who needs to be maybe put down. Uh, Luke
Speaker 1: wouldn't be allowed to flip out if Rory crashed the
Speaker 1: car on his kid. It's a little that we've got,
Speaker 1: like a weird double standard. No. I think Laura Laie
Speaker 1: has been beyond patient with Jess. She has been beyond
Speaker 1: the commodating with Luke, beyond the commendating with Rory, being
Speaker 1: a great mom, being completely understanding that she's balancing her
Speaker 1: daughter's feelings for this kid which she no exists, trying
Speaker 1: to push her towards Dean a little bit, trying to
Speaker 1: help out, knowing that it's a lost cause, right and
Speaker 1: and and Jess is just this inevitability that she has
Speaker 1: to deal with in her life. It's one of these,
Speaker 1: you know, these these potholes on the freeway to Rory's success,
Speaker 1: and she's trying to get her through it. She doesn't
Speaker 1: want her daughter to screw up her life. And here
Speaker 1: we go, boom. She was right again. She has every
Speaker 1: reason to blow that guy out of Rory's life, and
Speaker 1: she has every reason to go at Luke like that.
Speaker 1: And I can completely said, if if that happened to me,
Speaker 1: I would have to really restrain myself with the other
Speaker 1: parents responsible, especially not to interrupt. I apologize, but but
Speaker 1: but but but it's like but it's like, you know,
Speaker 1: there's this sort of freedom that Luke and Laurel I have, right,
Speaker 1: I mean, the they It makes sense to me that
Speaker 1: she can unload on Luke because she's so comfortable with him,
Speaker 1: and she's maybe done it before in little ways, nothing
Speaker 1: like that. We haven't seen anything like this, but they
Speaker 1: have this freedom with each other. They have a sort
Speaker 1: of this this license with each other, like we're gonna
Speaker 1: say the thing, the inappropriate thing, the cutting thing that
Speaker 1: nobody takes personally because we have this friendship and we
Speaker 1: have this potential romance and we do have feelings for
Speaker 1: each other, which is going to allow us to be
Speaker 1: ourselves in this friendship. And that means we're gonna be
Speaker 1: you know, throwing some owns and cast some aspersions from
Speaker 1: time to time and nobody takes it personally, and it's
Speaker 1: all humor. It's all great to watch. It also fun.
Speaker 1: Now it gets real. So the doors have been opened
Speaker 1: in their friendship, in their quote unquote unspoken relationship, So
Speaker 1: the doors are wide open for this. So she feels
Speaker 1: like it's okay to do this. It would I think
Speaker 1: be more devastating had they a different relationship and more
Speaker 1: traditional relationship. That's interesting and and and valid. I'm so
Speaker 1: relieved you think so yeah. No, hell no, you sometimes
Speaker 1: you make I think I want to know from moms
Speaker 1: of teenagers listening, is there a mom of a teenager
Speaker 1: that would have handled it differently than Laura La that
Speaker 1: maybe would have said, I'm so glad you're all are okay.
Speaker 1: You know, obviously you were supposed to be studying and
Speaker 1: not going to get ice cream. But like, really, their
Speaker 1: crime is so nothing. They probably were allowed to go
Speaker 1: get ice like I don't even know if they like
Speaker 1: broke any rules. They just had the misfortune of some
Speaker 1: poss who was one of the animals mentioned a possum
Speaker 1: a I think a dog, she said, a dog or
Speaker 1: a cat. And they were, you know, like they were
Speaker 1: going probably thirty five, I mean maybe that car, like
Speaker 1: they obviously weren't going ninety or do anything. Here's an something.
Speaker 1: Here's an interesting plot twist though, right it's Dean in
Speaker 1: the form of a possum because he's had a sham
Speaker 1: in right now getting shape shifted, right, Okay, Okay, I'm
Speaker 1: glad you brought that up. If Dean was driving and
Speaker 1: everything was exactly the same, lore Lae wouldn't have been mad. Yeah, yeah,
Speaker 1: everyone driving is everybody? Okay, Dean, are you okay? Do
Speaker 1: you want to come over for some dinner and watch
Speaker 1: a movie with us? And like, that's my beef here
Speaker 1: is that? Like all this drama. She wouldn't have gone
Speaker 1: to Dean's father and said, how dare you bring him
Speaker 1: to this town where he's gonna drive my daughter to
Speaker 1: ice crea and hurt her risk. Listen, different personalities are
Speaker 1: going to handle this situation in different ways. Right, You're
Speaker 1: gonna get the mom who is uh who who never
Speaker 1: would have been in a in a show like this, right,
Speaker 1: there wouldn't have been Nobody writes about people that are
Speaker 1: really really careful with their kids. They wouldn't they blow
Speaker 1: out Jesse's like every day because the daughter brings home
Speaker 1: another loser, right, and they're like we talked about this, no,
Speaker 1: and then they're gone and then nobody's like writing about them. Right,
Speaker 1: it's only with this you know where there's you know
Speaker 1: where the boundaries are blurred. That's where you get these
Speaker 1: characters and that's where you get these personalities. And you
Speaker 1: know the writing is is is. It's so well laid
Speaker 1: out because you are you understand all sides of it, right,
Speaker 1: Everything is justified. You get why Laurel like back down
Speaker 1: a little bit and allowed Rory to see continue to
Speaker 1: see Jess. You you get you know, you know Jess
Speaker 1: is thrown into this situation and he's just sort of
Speaker 1: complicating everything. But you get all the angles as to
Speaker 1: why he's still allowed because there's some hope, he's young,
Speaker 1: there's there's there's compassion, there's empathy. Even Laureli gives him
Speaker 1: a job and tries to sit sit him down, talk
Speaker 1: to him, help him out. I mean, yes, he's he's
Speaker 1: a very lovable, likable guy's in obvious pain. You don't
Speaker 1: throw people away. You don't throw you know, people like Laurea,
Speaker 1: Laon and Luke and and and Rory. Don't. They don't
Speaker 1: throw people away, especially you know, I mean, they gotta
Speaker 1: you gotta help the kid. I blew out a muffler
Speaker 1: when I was twelve. My dad had to go get
Speaker 1: my car off a tree. Jesus, Yeah, yeah, I was
Speaker 1: going up a very steep driveway and like hit some
Speaker 1: leaves in the car like went backwards and thank God
Speaker 1: for the tree and probably be like dead and I
Speaker 1: had to leave the car just hanging off of a tree.
Speaker 1: And then my Dad's like, oh my god, and it
Speaker 1: had to go get So it's like, you know what, Look,
Speaker 1: I had a very similar situation now that I think
Speaker 1: about it, and you're a treat stuck on a tree
Speaker 1: with my boyfriend, so like kind of similar to Rory
Speaker 1: and Jess and my dad. He did freak out, but
Speaker 1: he freaked out on like both of us, not just
Speaker 1: now husband, but he freaked out on both of us,
Speaker 1: being like, why weren't you being safe driving in the snow? Right?
Speaker 1: How come no one saying to Rory, why should you
Speaker 1: let jes drive your car? Totally U K I S
Speaker 1: S I n G Daniel No, I wish we skidded
Speaker 1: off on the highway on the way to Big Bear
Speaker 1: and the tree saved us. But yeah, my dad was like,
Speaker 1: I have nothing remotely as romantic as that. When we
Speaker 1: were like eleven and twelve years old in my neighborhood,
Speaker 1: we would we would take out our our neighbor's car.
Speaker 1: My the neighbor down the street. Had a little Volkswagen
Speaker 1: with a stick ship but no clutch. Little Volkswagen bus.
Speaker 1: There's a stick ship but no clutch that works. It worked,
Speaker 1: so he we would take that car out and driving around,
Speaker 1: you know, the neighborhood, and we felt really gread. So
Speaker 1: my dad was always on business trips. He was always
Speaker 1: gone right during the week and uh so one day
Speaker 1: we took out his uh he had a Pontiac Laman's
Speaker 1: fast right, and so I took that puppy out by myself.
Speaker 1: I took it out by myself and I went I
Speaker 1: was twelve years old, and I was joy joy riding
Speaker 1: around with it. I think I had about fifty miles
Speaker 1: an hour, and the muffler blew out, and I was like, oh, no,
Speaker 1: I'm dead. So he's gonna kill me. I'm gonna die.
Speaker 1: So I had to uh, I had to put it
Speaker 1: back together with Scotch tape because it was right underneath
Speaker 1: the seats, the front seats of the cars where it
Speaker 1: came apart a little bit. So I just put it
Speaker 1: back together and then my dad came home. He came
Speaker 1: home on a Friday night late and Saturday we went
Speaker 1: to the hardware store because he wanted to pick something
Speaker 1: up and it blew out and he looked at got god,
Speaker 1: how did that? Teenagers? And there it's just my friend
Speaker 1: Carry had a car like the old family station wagon
Speaker 1: and it didn't go and reverse, it only went forward.
Speaker 1: So they called it the one way wagon and they
Speaker 1: had to park it only in parking places where you
Speaker 1: could go forward. That's hysterical, don't yeah, I mean anyway,
Speaker 1: get back to it. Okay. Bottom line, I didn't like
Speaker 1: how Louke handled that. I think he could have been
Speaker 1: more circumspect. We um, should we hear that scene? Yeah? Yeah?
Speaker 1: Should we maybe hear that scene again? So we can
Speaker 1: let's go, can somebody put it? Can? Can? We may
Speaker 1: not be allowed to air the clips, so instead we
Speaker 1: have the Eyamalin players ready to go. Really, we can
Speaker 1: hear it right now. You just dial it in you requested.
Speaker 1: It comes into the into into your cans here. Maybe
Speaker 1: could you give us like an action? All right, ladies
Speaker 1: and gentlemen, this is going to be in front of
Speaker 1: the gazebo scene nighttime. Uh, actress ready, let's everybody get
Speaker 1: set and Scott you good, Lauren, you're good? Okay? How
Speaker 1: about a couple of How about a couple of breath mints?
Speaker 1: You two all right? There you go? No kissing in
Speaker 1: the scene, Yeah, let's not. Let's try to keep your
Speaker 1: hands on, shirt, off of each other and action. Luke Luke, Hey,
Speaker 1: I was where is he? Who? Jess? Where's Jess? Luke?
Speaker 1: I don't know. I just out back. What's going on?
Speaker 1: I got here and they weren't here. Jess, Hey, talk
Speaker 1: to me, Jess, answer me right now. What's wrong? What happened?
Speaker 1: There was an accident? What? What accident? Jess? What accident?
Speaker 1: Jess was driving Marie's car and he crashed it? What when?
Speaker 1: What do you mean when? Tonight? Tonight? He crushed it tonight? Jess?
Speaker 1: Damn it? What happened? Is anyone hurt? More? Lie? Hey,
Speaker 1: talk to me here? Can we do that over time?
Speaker 1: Cut cut, let's cut it. We're gonna pick it up
Speaker 1: right from there, right from the flub, So let's just
Speaker 1: pick it up. It was actually very good, actually, so
Speaker 1: let's let me just be the judge of that. Okay,
Speaker 1: thank you? Oh my god. They usually say I'm not
Speaker 1: being mean, I'm just being honest. Um. I think for
Speaker 1: their limited experience, it was very good. But what standard
Speaker 1: are we anyway, I'll shut up anyway, Let's take it back.
Speaker 1: I want to stop being mean now, So let's take
Speaker 1: it back. Where the flub happened and action. Hey, I'm
Speaker 1: talking to you here. Where would he be? Where would
Speaker 1: he go? I asked you if anyone was hurt? Was
Speaker 1: anyone hurt? Well, let's see Rory's in the emergency room
Speaker 1: right now with a fractured risk. So yeah, i'd say
Speaker 1: someone was hurt. Rory fractured to wrist, Yes she was.
Speaker 1: She has to wear a cast for two weeks. She's
Speaker 1: getting X rays and test. What about Jess as he hurt? No,
Speaker 1: Luke adjusted the hurting. That little punk nephew of yours
Speaker 1: almost killed my kid tonight. Look, I'm sure it was
Speaker 1: an accident. Accidents happened, not with Mike in the car.
Speaker 1: They don't. Okay, you just need to calm down. Why
Speaker 1: did you do this? What are you talking about? What
Speaker 1: did I do? Why did you bring him here? What
Speaker 1: if you hadn't brought him here, none of this would
Speaker 1: have happened. This is my fault. Yes, it's your fault.
Speaker 1: You told him to come. You let him say everyone
Speaker 1: hated him. Everyone knew he was troubled, but you wouldn't listen,
Speaker 1: and you wouldn't send him home. And now my daughter
Speaker 1: is in the hospital. You kept pushing them together. You
Speaker 1: asked her to help him study. You knew that she
Speaker 1: would never say no. I told you to make it.
Speaker 1: I told you it made him, it made me nervous.
Speaker 1: I told you I didn't like it, and it should
Speaker 1: have stopped right there. But you thought Rory wouldn't be
Speaker 1: good for Jess, never mind what he would be for her.
Speaker 1: That wasn't important at all, was it? Of course it
Speaker 1: was important. Why didn't you put a stop to it
Speaker 1: that night, at the first sign of trouble? Why didn't
Speaker 1: you make him leave? He's my nephew. I had an
Speaker 1: obligation to hit him in. I had an obligation to
Speaker 1: take care of him. You had an obligation to this
Speaker 1: town and to me and to Rory. Where are you going?
Speaker 1: I have to find out where Jess is. Just let's
Speaker 1: just pause it. I'm gonna push your pause button here,
Speaker 1: I'm gonna borrow Amy's pause button. Push pause. But you
Speaker 1: know these words, It's a lot of words. Okay, hang on,
Speaker 1: hang on, I'm gonna give Riley, I'm gonna give you
Speaker 1: a note. I want you to get into the fight.
Speaker 1: Get into the fight. Danielle's fighting, Get into the fight.
Speaker 1: Come on, dig in, get loud, let's go matcher match
Speaker 1: match match her intensity and her volume, and just get
Speaker 1: into the fight. Love these notes. I also know Okay, okay,
Speaker 1: I stand in defense of Loot ditto. I'll tell you
Speaker 1: where he's not. He's not. I'm sorry, I don't camera's
Speaker 1: not ready, all right, everybody ready, set? All right, Riley,
Speaker 1: get into the fight here, Come on man, okay, okay,
Speaker 1: stop judging yourself and just get into the fight. Commit
Speaker 1: a well, I'll tell you where he's not. He's not
Speaker 1: in the emergency room having his arm plastered up. Hey,
Speaker 1: I'm sorry about Rory. You know I care more about
Speaker 1: her than I do myself. But at least you know
Speaker 1: where Wary is. At least you know where she's okay.
Speaker 1: Now I have to go find Jazz to make sure
Speaker 1: that he's okay. And if that cuts into your screaming time,
Speaker 1: well that's just too damn bad. Go to hell right
Speaker 1: back at you. Boom cut, brilliant, brilliant, brilliant. Wow, that
Speaker 1: was Luke. It came out of her. I loved it.
Speaker 1: I'm not even just saying that because people are mean
Speaker 1: to me when I cized you guys, So I totally
Speaker 1: loved it. And also they're both right, and I guess
Speaker 1: if I had to pick who's more right, it's Luke. Sorry,
Speaker 1: I'm sorry, m M. I'm backing at me up on
Speaker 1: this one. I'm taking the other side of that. M.
Speaker 1: He's got to take those volleys. He's got to take
Speaker 1: those volleys and still be understanding, compassionate loving. He should
Speaker 1: he should have just said, how's Rory? When can I
Speaker 1: see her? You know? No, God, she's just like blaming
Speaker 1: him for everything because he took in his nephew. Is
Speaker 1: she kidding me with that? Of course he took like
Speaker 1: what we would not like Luke if he was like
Speaker 1: to his sister. I'm sorry, Like, I can't take him
Speaker 1: in because I'm really busy making hamburgers, and um, the
Speaker 1: town doesn't really like him, So I'm going to go
Speaker 1: with the town, like, are you kidding me? So he
Speaker 1: should have been He should have gone to three tutors
Speaker 1: at least before going to Rory. I think he went
Speaker 1: too soon. I would have given us some very nice
Speaker 1: storylines with potential tutor love interest. You gotta you gotta
Speaker 1: throw in the tutor love interest because you gotta. You
Speaker 1: had a Max Medina love interest. Let Why can't Luke
Speaker 1: have his kind of like it's not a private school thing,
Speaker 1: it's going to be a tutor love interest. Why not
Speaker 1: give him that wick? Note on that Max Medina's character
Speaker 1: went down hard on the resident, just saying, of course
Speaker 1: he did. Lourela Repeat wore a shirt in this episode.
Speaker 1: It's a favorite fashion already. I'm just I'm just because
Speaker 1: everybody's a little heated. So she has that blue and
Speaker 1: striped red with like a thin little red button down
Speaker 1: which she once wore with red pants. She wore it
Speaker 1: in this episode. Also, I still like it. This wasn't
Speaker 1: my favorite fashion episode, but I enjoyed that we saw Repeat.
Speaker 1: I do like her like turquoise choker. But again, this
Speaker 1: was not a standout fashion episode. Um Danielle Riley Um
Speaker 1: Juilliard called, they want to know if you're open in
Speaker 1: the fall next. I am open, all right. They're holding
Speaker 1: a couple of scholarships aside. Not bad though, I mean definitely,
Speaker 1: you know, Riley, you you take direction very well, thank you. True.
Speaker 1: In the scene in the diner when they are picking movies,
Speaker 1: Rory and Lorela are eating what looked to me to
Speaker 1: be jello with berries. Riley, what was it? It looked
Speaker 1: like jello with grapes. Oh no, see, I saw blueberries
Speaker 1: and raspberries and then some sort of gooey Google that
Speaker 1: sounds good. So I don't know if it was a
Speaker 1: bowla berries or if there was jello in there. I
Speaker 1: just thought, so let's look, let's shift gears here and
Speaker 1: let's cover um, let's cover a film by Kirk. Can
Speaker 1: we just talk about a film by Kirk? Please? I mean,
Speaker 1: I mean it's he's been working up for five years now,
Speaker 1: but he can finish. I think. I think the Kirk
Speaker 1: scene and the diner was my favorite scene when he
Speaker 1: was saying I'd like to permission to play this film
Speaker 1: at the can't cut out the cred now two hells
Speaker 1: I will drop, but the damns have to stay. Um.
Speaker 1: But the film itself, and they got that wonderful actor
Speaker 1: to play the father, Oh my god, and Marylynn Risk
Speaker 1: yeah right, And that is exactly like every pretentious student
Speaker 1: film you will ever see. Because I was in a
Speaker 1: bunch of them in New York. Oh yeah, and they're
Speaker 1: all like that like that, and it's it's just so
Speaker 1: funny to see it. It's just depict and of it
Speaker 1: and oh my goodness, and how great a break dancer
Speaker 1: is Seawan Gunn so good? The kid can move? My god,
Speaker 1: did you see that? What a display the whole thing was.
Speaker 1: Of course, Lorell and Roy love it more than life itself.
Speaker 1: I love the whole the whole thing. We needed that
Speaker 1: on the whole movie scene too. We needed that laugh
Speaker 1: in this episode. Oh yeah, we did, We really did.
Speaker 1: It was It was the perfect antidote to the heaviness
Speaker 1: that came. I also love when the kitchen scene and
Speaker 1: Loyalize eating marshmallows and then she just like offers, she's
Speaker 1: all right, marshmallow one other question before because I know
Speaker 1: we're like running short on time. What did you think
Speaker 1: that Rory asked Lorlie to lie if Dean called, look
Speaker 1: that's over. She wants cover. She's now resorting to um
Speaker 1: jail house tactics as it were, right, like live for
Speaker 1: me and all. It's it's not Rory, it's it's Jess
Speaker 1: is taking Rory out of how were mother raised her
Speaker 1: that's not how you know. It's like, go to Dean
Speaker 1: and just say, hey, it's I'm not vibing anymore, and
Speaker 1: I want to pursue this other thing, you know. But
Speaker 1: she's in a small town that maybe she doesn't want
Speaker 1: to create that much turmoil. So tempting is Jess, so
Speaker 1: dark is his world that I will change who I
Speaker 1: am to get you to lie for me so that
Speaker 1: I can spend time with that serious. It's very serious.
Speaker 1: It's every it's like every parent's worst nightmare. It is. Yeah, okay,
Speaker 1: I have one inconsistency that I found in this episode,
Speaker 1: and I think you'll find it's fascinating. And it's when
Speaker 1: Luke brought the brownies now the inside brownie, oh kay,
Speaker 1: And I will forward you will forward you some screenshots
Speaker 1: that I took on my cell phone because I went,
Speaker 1: I nailed it, you know, and my my wife came downstairs.
Speaker 1: He goes, well, you shut up. I said, sorry, Um.
Speaker 1: I like that. Luke's has custom made boxes though for
Speaker 1: like desserts, and the box was kind of crushed though.
Speaker 1: One night it was it was that bothered me too much.
Speaker 1: I was like, God, why is that? It's like, is
Speaker 1: that lummis not able to hold a box and did
Speaker 1: he crush it with his big dumb hand? What's the Mr?
Speaker 1: Metal Shop? Like, what's going on there? Right? And I'm
Speaker 1: like surprised that somebody wasn't like, like, we needed a
Speaker 1: good box, but maybe they only made one. I think
Speaker 1: that's my fault. I fought for that box. I wanted
Speaker 1: it crushed because it's more real, right, roll your eyes, Yeah,
Speaker 1: there you go. Give us a brownie. Brown It's like
Speaker 1: the inside brownie had it was large and much darker,
Speaker 1: and it didn't have walnuts in it, and it didn't
Speaker 1: have marshall. It didn't really have anything in it. And
Speaker 1: then outside brownie was much smaller and much lighter brown
Speaker 1: and had mega Well I'm not saying it. So they're
Speaker 1: great and chocolate, they're really good. I'm sure I have.
Speaker 1: I have it every night. That's my energy for that's
Speaker 1: my podcast. But I like a chocolate covered a long
Speaker 1: So that I think is a big thing that threw
Speaker 1: me off, made me. Let's let's get some some no
Speaker 1: big deal that like Jess's leaving stars hollow. Let's focus.
Speaker 1: I think that you know, there's some get some politicians
Speaker 1: in committee and let's launch an investigation here. Let's spend
Speaker 1: some tax paramoney on this, because it's you know, some
Speaker 1: people are people. Some some people need to go down.
Speaker 1: Maybe we just pop them up on the Instagram and
Speaker 1: we slide through those photos. I think so, I think so.
Speaker 1: It's my big AHA moment in the episode. Amongst others,
Speaker 1: I mentioned it wasn't my favorite fashion episode, but I
Speaker 1: had some great lines. Gosh, did it? Did it? I
Speaker 1: was you got a big fristbee Hinds going down at
Speaker 1: six o'clock. I didn't really remember any great lines. Oh
Speaker 1: my god, was good. Yeah, that was good because my
Speaker 1: favorite line, think how dull your life would be without me?
Speaker 1: Just to Rory Kirk and Laurel Kirk ass for a
Speaker 1: minute over time, and Laurea says, I'll give you two
Speaker 1: because you scare me. I also liked the can I
Speaker 1: have a shot at one line before you get four?
Speaker 1: I just because you're gonna steal my thunder on this
Speaker 1: line and you're always doing this. I just want to
Speaker 1: get you have so many great lines. Just let me
Speaker 1: get one out and then you can have three. Al right,
Speaker 1: thank you? UM. I think my favorite line was to
Speaker 1: Taylor when he said to her, are you serious, And
Speaker 1: Laurel I says yeah, I think I've got a little
Speaker 1: bit of serious going there on that one. I like
Speaker 1: that I've never seen the Yearling. I will now, I
Speaker 1: know we're not in the special Riley's populture, but I've
Speaker 1: never seen Heaven either. I I will just leave you
Speaker 1: with this that when you told Jess that he wasn't
Speaker 1: going to get to be a senior and he's gonna
Speaker 1: have to repeat, He's like, well, at least I'll know
Speaker 1: where my classes are, kid, boy. This was heated. Oh
Speaker 1: my god. I also had one other question. What are
Speaker 1: Wilers w y l E R S. I need to
Speaker 1: google it. It's indocs mark. Is that a candy? I'm
Speaker 1: finding Wilers? This says it's Instant Boilers Instant Yeah. And
Speaker 1: then I guess Wilers. Oh, I guess it's a brand
Speaker 1: they make and make Italian ice stuff because there's a
Speaker 1: prominent Wiler's display respect to the grocery store for the
Speaker 1: real brands and not trying to be like, you know,
Speaker 1: like have like those weird TV fake brands. Oh. By
Speaker 1: the way, here's a little behind the scenes factoid on
Speaker 1: movie and TV grocery bags. They are not real grocery
Speaker 1: bags because real grocery bags made out of paper crinkle
Speaker 1: loudly and make too much noise. So so what they
Speaker 1: do is they they the TV and film uses these.
Speaker 1: They're kind of sacks. They're soft, they're they're kind of
Speaker 1: a material almost, and they make no noise, but they
Speaker 1: look like grocery bags. There you go, Wow, you'll never
Speaker 1: hear a movie bag or a TV bag crinkling. All right, kids,
Speaker 1: what do you think did we cover Did we pretty
Speaker 1: much cover it? Yeah? I mean I think I won
Speaker 1: the debate, but it's totally fine. It's not No, it's
Speaker 1: not about winning. It's about it's about stating your case
Speaker 1: and defending it well. And I think we both did that,
Speaker 1: and I think we're both winners. What's next week? What's
Speaker 1: next week? Riley? Episode twenty Help wanted? Oh you better
Speaker 1: believe my god, we're like almost done with season two.
Speaker 1: Help needed. Help is really needed. Let me tell you,
Speaker 1: Jess needs to I don't know, send in your season
Speaker 1: two questions because we should do like a special season
Speaker 1: to wrap Q. Yes, we should extravag and send email
Speaker 1: us your opinion on the Luke and Laurel I fight.
Speaker 1: What do do you agree with me? Do you agree
Speaker 1: with you agree with me? She's annoying and her voice
Speaker 1: is loud. Do you agree with him? Because every every
Speaker 1: email that agrees with me, we'll send you just saying,
Speaker 1: you know, unofficially, but you actually can't say that. I'm
Speaker 1: just kidding. Will bleep that out right right along with
Speaker 1: the long fingernail anyway, that's it. Huh, We're gonna We're
Speaker 1: gonna wrap this up. Yeah, all right, kiddo. Thanks for downloading.
Speaker 1: Best fans on the planet. Love to you all and
Speaker 1: we will see you next time. Stay safe, hey, everybody,
Speaker 1: and don't forget follow us on Instagram at I Am
Speaker 1: all In podcast and email us at Gilmore at I
Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're
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