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Speaker 1: I am all in you, I am all in with

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Speaker 1: Scott Patterson and I heart Radio podcast. Okay, everybody, Hey

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Speaker 1: Scott Patterson, we are back for another episode. Uh and

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Speaker 1: we're going to talk about Teach Me tonight. Episode nineteen,

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Speaker 1: Season two aired April and two. A day that will

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Speaker 1: live in infamy, let me tell you, because it is

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Speaker 1: the staggering debut of a film by Kirk Is it not?

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Speaker 1: Is it the first? Is it the premiere? Is it

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Speaker 1: the debut? Am I wrong? This is the first times?

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Speaker 1: Just absolute genius. Anyway, I am. I am here with

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Speaker 1: Danielle Romo, Riley Pelusis and uh Amy Sugarman is here.

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Speaker 1: The ball club has gathered. Riley, take us away with

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Speaker 1: your synopsis. So today LORIAA gets to pick a film

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Speaker 1: for the movie Festival. Luke asked Rory to tutor Jess,

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Speaker 1: but during their study night, a car accident and a

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Speaker 1: fractured risk leads Luke to making a decision about Jess

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Speaker 1: living in stars Hollow. Chris returns to comfort Lorelei and

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Speaker 1: Rory and wishes he can stay longer. I'll tell you

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Speaker 1: this was this was an emotional roller coaster, wasn't it?

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Speaker 1: This thing it got very heavy. I felt. I don't

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Speaker 1: want to I'm not I'm not saying this to be

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Speaker 1: you know, a jackass, but uh, you know it really

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Speaker 1: it started to take on this sort of this element

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Speaker 1: of general hospital where you're just like, oh my god.

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Speaker 1: You know, not that there's anything with that, but it

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Speaker 1: was it really was kind of shocking. What you mean,

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Speaker 1: I mean, it was just I mean I was completely engaged.

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Speaker 1: What can I tell you. I'm sitting on my couch.

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Speaker 1: It's it's eight pm last night, you know, my boys

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Speaker 1: asleep and boomp I hit play. It's like what And

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Speaker 1: I love the opening. I thought it was really great

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Speaker 1: because we get a little Michael Winner's action, you know,

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Speaker 1: get the Michael Winners magic when we got He's so good,

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Speaker 1: He's so great to watch. He really digs in to

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Speaker 1: the scene, you know, he really grounds it and just

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Speaker 1: like Ohm and he's like the perfect backboard to hit

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Speaker 1: the ball off with Lauraa and Rory just hitting the

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Speaker 1: ball back and forth. It was it was wonderful and

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Speaker 1: we have one of the funniest moments with a film

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Speaker 1: by Kurt and and the most dramatic with the fight

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Speaker 1: between Luca. More So, it was like whoo and then

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Speaker 1: the ass whooping. That's a coming to Jess once Laura

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Speaker 1: La gets ahold of him, she's I thought she was

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Speaker 1: going to run to the bus stop, get on a

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Speaker 1: bus and follow him to his mom's house and just

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Speaker 1: like dive in the living room window and start ninja in.

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Speaker 1: You know, when the nun chucks, who's gonna get a

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Speaker 1: She's gonna open up a couple of candle woo pass

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Speaker 1: on him. Let me tell you that kid, you know,

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Speaker 1: he's good. Good thing he got out of town. Good

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Speaker 1: thing he got out. Because I'm telling you, as a parent, yes,

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Speaker 1: that is your your worst fear realized. And it doesn't

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Speaker 1: matter if everybody's okay, and I complete her, her reaction

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Speaker 1: is completely justified. I mean because if anyone laid a hand,

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Speaker 1: I mean on my son, Oh boy, I mean, you

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Speaker 1: really need to restrain yourself. Right when when a little

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Speaker 1: bullying thing happens from at school and you hear about it,

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Speaker 1: he tells you about it, it's like, oh boy, you

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Speaker 1: know you really have to just kind of like, oh,

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Speaker 1: you know, here comes the monster. So um it was,

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Speaker 1: it was it was all consuming. What did you guys

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Speaker 1: think there was? I literally I have no words. There

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Speaker 1: was so good happening. There was so much happening. I'm like,

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Speaker 1: Jess and Jess and Rory that that was something else. Um,

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Speaker 1: Laura Leon Luke, that fight was unbelievably epic. Christopher and

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Speaker 1: Lura la at the end, I'm like, oh my god,

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Speaker 1: then you have Kirk's movie, then you have the movie Night,

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Speaker 1: you know, like the like the actual interaction between Rory,

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Speaker 1: Christopher and Laura, Like it was just so good, so

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Speaker 1: much happening, so much happening. I want to know what

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Speaker 1: both of you think about Rory and Jess. Um let me.

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Speaker 1: He came off a little bit too much of a

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Speaker 1: punk for me this episode, and I just I felt

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Speaker 1: and then I started feeling really bad for him. You know,

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Speaker 1: the poor kid. He's so troubled and he has no

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Speaker 1: he has no port in the storm, you know, and

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Speaker 1: he's looking for one, and it's just so tragic to

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Speaker 1: see this kid, his the wasted potential, the potential of

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Speaker 1: his wasted potential on the horizon here, and that if

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Speaker 1: he doesn't start making better decisions, you know, these opportunities

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Speaker 1: are going to go by the wayside and you don't

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Speaker 1: get them back, you don't get a second chance. I mean,

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Speaker 1: you can really work hard and hustle. If maybe a

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Speaker 1: year or two pass you by and then you sort

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Speaker 1: of see the light and you start applying yourself, then

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Speaker 1: you can recover. But if too much time passes by

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Speaker 1: for him, and he just wants to hang out and

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Speaker 1: go wherever the wind takes him and and get a

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Speaker 1: job here. And he you know, one of these guys,

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Speaker 1: you know, he's he's looking to be. Uh, what's what's

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Speaker 1: the movie the Matt Damon ben Affleck movie that made

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Speaker 1: them famous. Yeah, he's looking to be you know, he's

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Speaker 1: looking to turn into a little bit of a good

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Speaker 1: will hunting their guy. Yeah, And Roy calls him out.

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Speaker 1: She says, you're you're the smartest kid in school. But

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Speaker 1: it's that will, that's that he doesn't there's no safety

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Speaker 1: for him. He doesn't feel safe anywhere. He doesn't feel

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Speaker 1: like he can put himself out there, be social or

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Speaker 1: be accepted. Everything to him is negative and dark, and

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Speaker 1: he wants to be by himself. And he doesn't understand why.

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Speaker 1: And if he intellectually understands it, he doesn't emotionally. He

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Speaker 1: can't emotionally grasp it. He can't he can't And what

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Speaker 1: do you attribute that to? Knowing what you know? He

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Speaker 1: he has no solid base of anybody loving him. He

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Speaker 1: doesn't have anybody hugging him or loving him in the

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Speaker 1: right way. I mean, he's got Luke, but that's a

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Speaker 1: new thing, and that's filled with conflict, right, And I

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Speaker 1: don't know that Luke is I don't know if Luke

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Speaker 1: is the best person for this. You know, he's trying,

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Speaker 1: he's trying, but Luke's very busy. He's got issues of

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Speaker 1: his own, right. Um. And then you know, I I

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Speaker 1: found out in his meeting with the principle that he

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Speaker 1: wasn't the greatest student in the world, which surprised me

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Speaker 1: a little bit. I didn't think it did the character justice.

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Speaker 1: And I was correct because the character is very Yeah,

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Speaker 1: he so well, right, and so it doesn't mean that

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Speaker 1: he's going to do well in school. But metal shop,

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Speaker 1: you know, I mean not that there's anything wrong with that.

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Speaker 1: I mean that does takes skills to in dedication and study.

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Speaker 1: But um, just knowing what we know about Luke and

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Speaker 1: his knowledge about business and finances and taxes and law

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Speaker 1: and all those things in addition to being able to

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Speaker 1: build because but you can acquire those skills and acquire

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Speaker 1: that knowledge over time. Being in a business, it's not

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Speaker 1: necessarily academic, right he didn't. He didn't so so maybe

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Speaker 1: he didn't know how to study, or he wasn't the

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Speaker 1: greatest student. He wasn't engaged, he wasn't interested, he was

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Speaker 1: doing other things. Right here, he has head in the clouds.

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Speaker 1: Who knows what was going on, But it's like it's

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Speaker 1: like it seems like the bloodline has you know, the

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Speaker 1: Danes blood or something has gotten into Jest a little

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Speaker 1: bit obviously, and and he's it's interesting the principle calling

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Speaker 1: you miss ordained so much because we don't hear it

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Speaker 1: that often in the show. And that was a bit

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Speaker 1: and and truly truly pleased to see the legendary Lawrence

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Speaker 1: Hilton Jacobs. I mean, I forgot that I got to

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Speaker 1: act with him, And isn't he great? Isn't he just superb?

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Speaker 1: And I just was I was so pleased. Um, I

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Speaker 1: love that scene. But yeah, I think Jess needs something different.

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Speaker 1: He does need a change of scenery being with Uncle Luke.

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Speaker 1: I don't think it's well as we see there. It's

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Speaker 1: it's just filled with the complications and conflict and how

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Speaker 1: did you Scott Slash Luke feel about the low blow

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Speaker 1: he said about the diner. Oh, maybe I'll work in

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Speaker 1: But that's again, that's a goodwill hunting type of like,

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Speaker 1: this kid is so smart. He's gonna make you know.

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Speaker 1: He's gonna look at the painting Robin Williams painting like, oh,

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Speaker 1: old man, he's losing his oars. He's drifted, sea's lost

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Speaker 1: and you know what, And then you find out that

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Speaker 1: his wife died of cancer. So it was one of

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Speaker 1: those situations where it's like Luke is like, boy, this

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Speaker 1: poor kid's really lost. I mean, if he's attacking me,

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Speaker 1: then that kid is really defensive. He's really nasty. Uh

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Speaker 1: and he ain't changing soon. The only thing that's going

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Speaker 1: to change him. And I hate to say this now

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Speaker 1: that I see this, I hate to say this. He

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Speaker 1: needs Rory more than anything, but that he's going to

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Speaker 1: be bad for Rory because it's gonna take Rory's full

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Speaker 1: tank of fuel, of her love and her compassion and

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Speaker 1: her empathy to get this kid on the right track,

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Speaker 1: and it's gonna throw her off her track. It's gonna

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Speaker 1: pull her foot. What do you think about Luke asking

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Speaker 1: Rory for help, and how he did it, and what

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Speaker 1: do you think of I think I think I would

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Speaker 1: have had the same reaction, like, Mike, don't come around

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Speaker 1: to my kids. She's she's focused, she doesn't have time

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Speaker 1: for this. I don't want this kid around. He's bad news.

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Speaker 1: And she was right. She sees the future. She's a mother,

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Speaker 1: she gets it in her gut, and she's a good

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Speaker 1: enough friend to Luke and she's a good enough person

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Speaker 1: to allow this, and that's why she was so upset.

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Speaker 1: She was mainly upset with herself for allowing it, because

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Speaker 1: she tried to put a stop to her and she

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Speaker 1: should have put her foot down. But again, she doesn't

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Speaker 1: want to be that. She doesn't want to be that

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Speaker 1: woman who stands in the way of her daughter and

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Speaker 1: is not a good friend to Luke. And she's part

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Speaker 1: of a community. And you know this is helping because

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Speaker 1: down the line she's going to ask him for help,

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Speaker 1: and she's asked. She's going to the well with Luke

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Speaker 1: many many times, and he's always there for her and

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Speaker 1: he always will be there for her. So I guess

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Speaker 1: she feels obligated, of course, but she went a better

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Speaker 1: She went against her better instincts and she and there's

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Speaker 1: no stopping Rory because Rory, like she did she play

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Speaker 1: that beautiful? Isn't she just wonderfully nuanced and subtle? And

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Speaker 1: again there's there's those eyeballs, there's the cute face, and

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Speaker 1: she's just she doesn't do too much because she doesn't

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Speaker 1: have to. And you read I read her face so

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Speaker 1: easily and so well, she's so good at this and

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Speaker 1: and just I don't know, I don't know that she

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Speaker 1: came out of any background in acting. I think she

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Speaker 1: was in film school and it's kind of remarkable how

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Speaker 1: she can do this. So um, And what did you

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Speaker 1: think of Milo's performance? Oh? He's great. I mean, he's

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Speaker 1: really great when he when when you hate him, when

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Speaker 1: you have to hate him. He knows that as an actor,

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Speaker 1: and you're like, wow, this guy's trouble because that's the

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Speaker 1: fine line that he has to walk, right. It's like,

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Speaker 1: I he trusts the writing so much that he's okay

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Speaker 1: getting the direction. Like Milo, you know, I'm sorry, but

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Speaker 1: they have to hate you here because we're gonna bring

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Speaker 1: you back and to this degree and we're gonna bring

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Speaker 1: it back this percentage. And he understands that there's So

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Speaker 1: that's what makes it interesting to watch because we know

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Speaker 1: there's going to be these peaks and valleys, we know

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Speaker 1: there's going to be this range that the actors can play.

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Speaker 1: So there's all this freedom within the very big range.

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Speaker 1: So so he's he's And what did you think of

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Speaker 1: the scene when Luke finds Jests on the bridge, the

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Speaker 1: infamous bridge I love fell in love with Jess again

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Speaker 1: because he was on the verge of tears and you

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Speaker 1: could hear it crackling in his voice a little bit,

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Speaker 1: and he said, listen, I did everything I could and

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Speaker 1: he knew he screwed up and he knew. I think

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Speaker 1: that was a big moment in his life where the

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Speaker 1: you know, the the love of his life, the woman,

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Speaker 1: the girl that he thinks that he can can save him.

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Speaker 1: But he's gonna blow it. He's gonna blow it every time,

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Speaker 1: and he's gonna go away because he knows he's not ready.

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Speaker 1: And I think that he's noble that I think there

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Speaker 1: was some real nobility in in him and in the

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Speaker 1: end and the choice he made to get on a

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Speaker 1: bus and get out of town go back to his mother.

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Speaker 1: I don't know if what the it's going to turn

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Speaker 1: out to be whether Luke forced him onto that bus

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Speaker 1: and saying, get the hell out of here. I've had enough.

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Speaker 1: You've hurt you know, my family here, which is Laurel

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Speaker 1: and Rory. You've hurt my family. Get the heck. I

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Speaker 1: don't know if Luke did that. I want to say

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Speaker 1: that nobility one the day and Jess withdrew honorably and said,

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Speaker 1: I'm going to go back to my mom. I'm not

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Speaker 1: ready to be in a society. I am not ready.

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Speaker 1: I've got to go. I've got to go get my

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Speaker 1: act together, get my head together, and deal with my

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Speaker 1: problems with my mother and maybe be a better guy.

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Speaker 1: So that can't wait till you see what's coming. But

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Speaker 1: what did what did Riley and Danielle think of the

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Speaker 1: of the whole thing save that the fight. We're going

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Speaker 1: to talk about that, but what did you think of

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Speaker 1: all of it? So, like Scott was saying earlier, how

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Speaker 1: Jess needs Rory, and I feel like that last scene,

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Speaker 1: just like you're saying, Scott, like he realized how badly

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Speaker 1: he messed it up, and he was so remorseful, and

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Speaker 1: I felt for him so much in that moment. But

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Speaker 1: then I'm also like Jess, she's the one that wanted

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Speaker 1: to turn right one more time, like it is out

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Speaker 1: too much, like it's had her fault too. But in

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Speaker 1: that moment, I was like, oh, man, like he really

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Speaker 1: is just shattered, like completely gutted. I felt for him

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Speaker 1: so shattered. But how how Jess and Rory looked at

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Speaker 1: each other in the car especially like gave me all

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Speaker 1: the fields. It was like, like just the way they're

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Speaker 1: looking at each other, you can like see you can

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Speaker 1: see how much they like each other. And then the

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Speaker 1: bridge scene, like how beautiful, like the metaphor was that

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Speaker 1: once the bridge that once Luke pushed Jess off, he's

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Speaker 1: now sitting next to Jess, lifting him up and like

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Speaker 1: being there for him and wearing matching green jackets. Yea,

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Speaker 1: and in the same spot where Jess and Rory had

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Speaker 1: the picnic. Yeah, that was a wonderful scene. That's sitting

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Speaker 1: down next to him. What do you think about the

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Speaker 1: fact that Dean and I'm using quotes air quotes is missing.

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Speaker 1: You know that he's at Grandma's during all of this,

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Speaker 1: as opposed to sort of being there, which would have

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Speaker 1: been a totally different version what is so funny. Poor Dean,

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Speaker 1: he's just his car's getting crushed. His heart's getting That

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Speaker 1: car is emblematic of his heart, right, that's a pre

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Speaker 1: crushed heart. He doesn't know that his heart is going

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Speaker 1: to end up like the car, but it's going to

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Speaker 1: end up like the car, and it's the poor kid.

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Speaker 1: I just feel bad for him. I don't know what's coming,

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Speaker 1: but it ain't good for old Dean. Are old buddy Dean?

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Speaker 1: You know? To interject? You know. The thing I like

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Speaker 1: about Bilmore Girls is like, you know, because I don't

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Speaker 1: when did when did this episode? Arrogain Riley April April?

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Speaker 1: So we're heading into like May sweeps. So you could

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Speaker 1: have had an episode where it's like the car accident

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Speaker 1: and a big you know, a very special Gilmore to

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Speaker 1: be continued and we're all left like that. But the

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Speaker 1: thing that's so brilliant about it is like the car

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Speaker 1: accident was in the middle of the episode. There was

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Speaker 1: so much more and we still got the movie and

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Speaker 1: the levity and the sort of the scene between Lane

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Speaker 1: and Rory as they're walking, and that I think is

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Speaker 1: something that I really like about the show. It does

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Speaker 1: the unexpected because so many shows would have left us

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Speaker 1: hanging on a cliffhanger and like, oh my god, and

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Speaker 1: instead we get real life. We didn't even see the accident,

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Speaker 1: and for the second time, an animal caused a car accident.

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Speaker 1: But wait a minute, wait, let's go back. You said something.

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Speaker 1: It did end on a cliffhanger. It ended on correct

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Speaker 1: with Jess leaving right, But that could have been the

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Speaker 1: second cliffhanger that could have, you know. So here's what's

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Speaker 1: so funny. And I know you guys weren't be able

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Speaker 1: to help me with this, so I really hope people

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Speaker 1: listening will I've seen this episode at least three times,

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Speaker 1: probably four, because I watched it when it was on originally,

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Speaker 1: then I watched all the dvs, so now I'm watching

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Speaker 1: it third, fourth time in streaming. In my mind, we

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Speaker 1: saw the car accident. So the whole scene in the car,

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Speaker 1: I was having like a stomachache. I'm like, it's coming,

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Speaker 1: it's coming. And I watched it through my hands because

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Speaker 1: I was so nervous, like I know the car accidents coming.

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Speaker 1: It's so blew my mind that we don't see the

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Speaker 1: car acts and it don't need to see it. You

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Speaker 1: don't need to see it correct, but it was so weird.

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Speaker 1: I wonder if anyone else listening had that same reaction

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Speaker 1: on like a second or third watching, where you forgot

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Speaker 1: that you don't see it because the it's so dramatic.

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Speaker 1: I felt like we saw it. I did actually like rewind,

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Speaker 1: like when when Roy was in the hospital, was like,

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Speaker 1: did I just miss something like a scene like where

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Speaker 1: was the crash? Really like rewound it like a minute

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Speaker 1: and I'm like, oh no, it just jumps right to

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Speaker 1: the hospital, which is so interesting. Your imagination does the

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Speaker 1: work for you. That's that's that's good writing, where it's

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Speaker 1: like you don't need to see it because you've already

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Speaker 1: seen it in your mind. And then they do show

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Speaker 1: the car and the tow truck, so you're like, oh,

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Speaker 1: that's no fender bit. No, No, that was a big hit,

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Speaker 1: a big that's like goodbye Dean car. It's like that's

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Speaker 1: a big hit. Yeah, that's all right. So anyway, I interject,

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Speaker 1: but back to what you all think of Dean and

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Speaker 1: and Dean and Grandma's I'm happy he wasn't in this episode.

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Speaker 1: I don't think I can do another pouting Dean scene.

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Speaker 1: I just I can't. They just they just need to

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Speaker 1: put him in a body bag and get him off

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Speaker 1: the show. I mean, he's just just he's done. He's

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Speaker 1: gonna he's gonna spontaneously combust. I mean, he's just gonna

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Speaker 1: does he explode in an episode? I mean, I mean,

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Speaker 1: the poor guy. I mean, so for the three of you,

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Speaker 1: do you think the car accident and the drama that

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Speaker 1: ensues will bring Rory and Jess closer or split them up?

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Speaker 1: I definitely think I'll bring him closer. I think he's

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Speaker 1: going to come back, and I think she's gonna be

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Speaker 1: thinking about it so much. She's gonna be sitting there

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Speaker 1: with her broken wrist fractured wrist, and be thinking about

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Speaker 1: Jazz and if he's okay. And I think that constant

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Speaker 1: thinking and he'll be doing the same, and I'll just

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Speaker 1: bring him closer. Danielle, I agree. I think Jess is

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Speaker 1: going to check in on Rory and apologize and just

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Speaker 1: feel super crappy about it, and he's going to be like, Rory,

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Speaker 1: are you doing okay? I'm sorry, and then she's gonna

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Speaker 1: be like, oh my god, he cares about me. Ballo. Yeah,

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Speaker 1: I I don't see Jess. The thing that interests. Intrigues

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Speaker 1: me the most is how Jess is going to get

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Speaker 1: past the the tank divisions that Laurel I places in

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Speaker 1: front of the house to to fend him off if

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Speaker 1: he ever comes near again. I love that you guys

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Speaker 1: don't know. I mean, I know, everyone's like in their cars,

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Speaker 1: were like, I don't know vacuuming right now, going how

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Speaker 1: do they not? But it's like, but it's but it's

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Speaker 1: you know, there's going. I know that I know one thing,

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Speaker 1: and this is my prediction in and I don't know

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Speaker 1: this in any other way except in my predictive capabilities.

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Speaker 1: But but but I think there's gonna be a big

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Speaker 1: mother daughter scene where Rory begs or Rory tries to

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Speaker 1: make Laurel I understand how she feels. And I think

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Speaker 1: that's gonna be a big, tumultuous scene. There's gonna be

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Speaker 1: a lot of conflict in it. Maybe it's two conversations,

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Speaker 1: maybe it's three. It's gonna take three conversations for for Laurel.

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Speaker 1: I had to call off the Doberman's um who are

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Speaker 1: now currently sniffing jess socks, you know, getting the scent.

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Speaker 1: So I'm not gonna say it again. But I think

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Speaker 1: we should all just tell all off right now. Anyway,

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Speaker 1: let's let's get some refreshments. I'm gonna pass around some

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Speaker 1: cucumber slices and we'll be back after these works. Yeah, right, everybody,

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Speaker 1: we're back. That was good, cucumber. Thank you? That was

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Speaker 1: nice refreshing. Uh do you like Christopher list? I do?

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Speaker 1: What what made me uncomfortable? And it's again this sort

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Speaker 1: of Lukey Scott thing jealousy, uh, stuff that doesn't really exist,

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Speaker 1: but it does, um, it does. I didn't like that

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Speaker 1: she that Laurelized kept saying like in sort of with

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Speaker 1: her mooney eyes to him, like I really like it

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Speaker 1: when you're here. Yes, I like it too. You know

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Speaker 1: this his girlfriend. Yeah, but are none of you getting

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Speaker 1: a vibe? Things aren't so, Sherry? Yes, it's not so

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Speaker 1: sunshine and rainbows. You must in right now because again

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Speaker 1: I know so I don't see it with fresh eyes.

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Speaker 1: So you guys are seeing it And that was clear

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Speaker 1: because I felt it was clear, But I didn't know

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Speaker 1: if I was, like, I'm sure quarterbacking because I know

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Speaker 1: what's happening. Were you happy to feel that, Sherry? You

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Speaker 1: know there's trouble in Paradise with Christopher and Sherry. No, right,

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Speaker 1: not at all. I'm like, get the possessive side of me?

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Speaker 1: Is I get back to Sherry? You know, tend tend

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Speaker 1: to business. I mean, I I get sure he needs

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Speaker 1: to be with his daughter, and but it was just

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00:22:19,880 --> 00:22:23,560
Speaker 1: it was so um, that was a little uncomfortable for

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Speaker 1: me to watch. I didn't like seeing Laurel. I like that. Um,

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Speaker 1: And what do the girls think? Because I like it.

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Speaker 1: I look, you're my number one, but I like Christopher.

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Speaker 1: Unpopular opinion, Christopher is my number one. I love when

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Speaker 1: they're together. I know, I'm sorry, I'm sorry, but smile

396
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Speaker 1: ear to ear every single time I see them together.

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Speaker 1: I'm like, there's just so much chemistry. I love. I

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Speaker 1: love them. I do well, And especially because it's so

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Speaker 1: coming after the biggest fight that Luke Lorea have ever had,

400
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Speaker 1: so we're like, oh, god, Riley, what do you think?

401
00:23:08,000 --> 00:23:13,119
Speaker 1: I think? Um, it's so hard I love. I can see,

402
00:23:13,200 --> 00:23:16,119
Speaker 1: like I have that love for Christopher and Lorelei because

403
00:23:16,440 --> 00:23:19,000
Speaker 1: the connection is crazy and they have all that history.

404
00:23:19,480 --> 00:23:21,720
Speaker 1: But I'm rooting for Luke and Laura Lai just because

405
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Speaker 1: I want to see how it happens. I want to see,

406
00:23:24,320 --> 00:23:29,240
Speaker 1: you know, them get there. It's so it's so dividing, Amy,

407
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Speaker 1: What do you how do you feel knowing? How do

408
00:23:32,920 --> 00:23:37,400
Speaker 1: you feel? How do you feel about this? Okay? One

409
00:23:37,560 --> 00:23:44,160
Speaker 1: is I understand why everyone's like losing their bleep over

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Speaker 1: the car accident and the whole situation. That being said,

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Speaker 1: these are teenagers, So I'm not sure that the Luke

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Speaker 1: Lorelei blow up. I feel that it could have been

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Speaker 1: avoided if cooler heads prevailed. Do you know what I'm saying? Like,

414
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Speaker 1: I totally understand why Laurel is exploding the way she is,

415
00:24:04,880 --> 00:24:08,840
Speaker 1: and why Luke has to defend his nephew, his blood,

416
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Speaker 1: his family, and and why they had that fight. That

417
00:24:13,680 --> 00:24:16,080
Speaker 1: being said, let's all calm down, Do you know what

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00:24:16,160 --> 00:24:18,800
Speaker 1: I mean? Like, let's all calm down. So there's that.

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Speaker 1: I also love Christopher, and I like that Laurel I

420
00:24:25,840 --> 00:24:28,520
Speaker 1: has a crush on Christopher and the flirty flirt flirt

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Speaker 1: with Christopher, and I like that he dropped everything to

422
00:24:32,359 --> 00:24:36,040
Speaker 1: be there. I just know that everything is way more

423
00:24:36,080 --> 00:24:40,119
Speaker 1: complicated than we've learned. You know what? She she she

424
00:24:40,280 --> 00:24:42,800
Speaker 1: falls in love with everybody, She gets a crush on everybody.

425
00:24:43,920 --> 00:24:50,159
Speaker 1: I'm the only guy for her. Shut up kidding me?

426
00:24:50,760 --> 00:24:54,159
Speaker 1: Are you kidding me with this malarkey? It's malarkey, is

427
00:24:54,200 --> 00:24:58,440
Speaker 1: what it is. For God's sick, you know. I also

428
00:24:58,520 --> 00:25:02,040
Speaker 1: like how they got to or their fight quickly. We

429
00:25:02,040 --> 00:25:04,640
Speaker 1: didn't belabor that. It was like here, here he is,

430
00:25:05,320 --> 00:25:07,560
Speaker 1: you know. I like that he came in the room

431
00:25:07,600 --> 00:25:10,080
Speaker 1: and just slept there he was. He is being a

432
00:25:10,119 --> 00:25:13,760
Speaker 1: good dad, even though he was like an absent dad

433
00:25:13,840 --> 00:25:19,520
Speaker 1: for so long. I don't blame Laurelai for screaming at

434
00:25:19,560 --> 00:25:24,440
Speaker 1: me when you get that frightened, because you know, she's

435
00:25:24,440 --> 00:25:28,600
Speaker 1: not seeing a fractured drist. She's seeing a dead child. Potentially,

436
00:25:28,680 --> 00:25:31,280
Speaker 1: like one inch right or left, she could have hit

437
00:25:31,280 --> 00:25:34,360
Speaker 1: her head and died. She could have been dead. And

438
00:25:34,400 --> 00:25:36,960
Speaker 1: that's the thing that scares her so much. And she

439
00:25:38,160 --> 00:25:43,040
Speaker 1: is justified it really blowing up at Luke. But what's

440
00:25:43,080 --> 00:25:44,640
Speaker 1: Luke to do? I mean, it's just one of those

441
00:25:44,640 --> 00:25:49,400
Speaker 1: situations where he's got to understand and not take it personally.

442
00:25:49,520 --> 00:25:53,439
Speaker 1: I think actually Luke was a little flawed in that scene,

443
00:25:54,160 --> 00:25:57,600
Speaker 1: and I think that shows something about Luke that his

444
00:25:57,760 --> 00:26:03,120
Speaker 1: tolerance level and his compath seems to I mean, he's

445
00:26:03,440 --> 00:26:05,439
Speaker 1: I mean you have to be mature enough to know

446
00:26:06,480 --> 00:26:10,520
Speaker 1: that's that how upset she could be. But he you know,

447
00:26:11,480 --> 00:26:13,919
Speaker 1: I mean April has not come on the scene yet, right,

448
00:26:13,960 --> 00:26:16,399
Speaker 1: he's not aware. I mean he's not even aware he

449
00:26:16,440 --> 00:26:21,879
Speaker 1: has a child. Correct, So you can't know. You can't

450
00:26:22,000 --> 00:26:26,359
Speaker 1: know if you don't have a child yourself, if it

451
00:26:26,440 --> 00:26:31,800
Speaker 1: is not your d NA, you cannot know how deeply

452
00:26:32,840 --> 00:26:36,280
Speaker 1: you are capable of loving someone. And at the same token,

453
00:26:36,880 --> 00:26:40,480
Speaker 1: you cannot know how frightening it is at the prospect

454
00:26:40,640 --> 00:26:44,800
Speaker 1: of of that love being. He could have that love

455
00:26:44,880 --> 00:26:47,560
Speaker 1: for Jess. No, he could know. He could not. He

456
00:26:47,640 --> 00:26:52,280
Speaker 1: could not. It's not the same. I have loved people

457
00:26:52,440 --> 00:26:54,680
Speaker 1: very deeply that I am not related to, and then

458
00:26:54,680 --> 00:26:57,880
Speaker 1: when my son was born, it's a whole different level.

459
00:26:57,960 --> 00:27:02,160
Speaker 1: It's a whole different ball game. You and if they

460
00:27:02,200 --> 00:27:05,160
Speaker 1: potentially get injured, or they get injured, they could potentially die. Man,

461
00:27:05,280 --> 00:27:08,360
Speaker 1: you will freak. It takes a tremendous amount of trant

462
00:27:08,440 --> 00:27:11,800
Speaker 1: and the fact that Luke is childless at this point,

463
00:27:11,880 --> 00:27:16,560
Speaker 1: doesn't know about his daughter. He needed to show more

464
00:27:16,600 --> 00:27:20,400
Speaker 1: more understanding to Laurela and more compassion. Stop being so defensive.

465
00:27:20,440 --> 00:27:23,040
Speaker 1: He could have been a little better with her. I

466
00:27:23,119 --> 00:27:26,200
Speaker 1: don't but his life experience didn't allow that to happen.

467
00:27:26,400 --> 00:27:31,159
Speaker 1: I don't know. I feel like he really defended, but

468
00:27:31,240 --> 00:27:34,520
Speaker 1: there's no defense for it. There's no defense for it.

469
00:27:34,119 --> 00:27:40,840
Speaker 1: It's not defensive criticizing Luke for bringing him here. And

470
00:27:40,920 --> 00:27:45,120
Speaker 1: I think that's unfair. I do, I think that, But no,

471
00:27:45,320 --> 00:27:48,800
Speaker 1: it's not that right. And she said that, and she's saying,

472
00:27:48,960 --> 00:27:51,640
Speaker 1: you know, she's gonna be emotional. Of course, I understand

473
00:27:51,760 --> 00:27:54,639
Speaker 1: she's gonna be, you know, ripping anybody that had anything

474
00:27:54,680 --> 00:27:57,320
Speaker 1: to do with this, and that's her right as a mother.

475
00:27:57,400 --> 00:28:00,520
Speaker 1: And being that afraid, Oh my god, it's the worst

476
00:28:00,560 --> 00:28:02,760
Speaker 1: feeling in the world of fear and and and you

477
00:28:03,119 --> 00:28:05,400
Speaker 1: got to let it out. And Laurel E is not shy.

478
00:28:05,560 --> 00:28:10,600
Speaker 1: She lets her feelings be known. She's established this for

479
00:28:10,600 --> 00:28:14,679
Speaker 1: forty episodes. Um, and you've got the perfect actress to

480
00:28:14,720 --> 00:28:17,919
Speaker 1: do that. So you know, give her the ammo. Let

481
00:28:17,960 --> 00:28:19,800
Speaker 1: her blast away at Luke and see what he does.

482
00:28:19,880 --> 00:28:22,159
Speaker 1: And I just I just think that Luke could have

483
00:28:22,200 --> 00:28:25,800
Speaker 1: been better that just maybe understanding where this is coming from.

484
00:28:25,800 --> 00:28:27,800
Speaker 1: But he can't since he doesn't have a child, he

485
00:28:27,840 --> 00:28:31,200
Speaker 1: doesn't know the fear. That's the part that I'm like, well,

486
00:28:31,200 --> 00:28:35,280
Speaker 1: he's protecting blood, he's protecting his blood right, and he

487
00:28:35,640 --> 00:28:37,840
Speaker 1: needed to do what he did. He needed to bring

488
00:28:37,960 --> 00:28:42,160
Speaker 1: Jess here. That is what someone does. And so as

489
00:28:42,160 --> 00:28:45,080
Speaker 1: a man, as a man, I'm sorry, I'm sorry, but

490
00:28:45,120 --> 00:28:48,320
Speaker 1: as a man, he has to he has to show

491
00:28:48,440 --> 00:28:51,920
Speaker 1: more restraint. He can't unload on Laurel. Lie like that.

492
00:28:53,120 --> 00:28:55,680
Speaker 1: I don't know, because if you're saying Laurel I was

493
00:28:55,760 --> 00:28:59,360
Speaker 1: justified in how she felt, then to me, Luke is

494
00:28:59,480 --> 00:29:03,000
Speaker 1: just as justified in how he felt because he also

495
00:29:03,080 --> 00:29:06,520
Speaker 1: has that same fear that something could have happened to Jess.

496
00:29:08,840 --> 00:29:12,280
Speaker 1: Jess could have been but it's not a kid. It

497
00:29:12,400 --> 00:29:14,640
Speaker 1: doesn't know I see. I disagree. That's like saying that

498
00:29:14,680 --> 00:29:16,600
Speaker 1: somebody who adopted a kid doesn't love it in the

499
00:29:16,640 --> 00:29:22,560
Speaker 1: same way that somebody's loves there there there, you know, biologic.

500
00:29:23,880 --> 00:29:26,320
Speaker 1: I wanted him to show more restraint. I wanted him

501
00:29:26,320 --> 00:29:30,480
Speaker 1: to show more compassionate, a little more understanding. I think

502
00:29:30,520 --> 00:29:34,840
Speaker 1: this is interesting because I like how he had his

503
00:29:36,120 --> 00:29:39,560
Speaker 1: kids at the end. Okay, but at the end of

504
00:29:39,560 --> 00:29:42,520
Speaker 1: the day, Luke is telling Laurela at the end of

505
00:29:42,520 --> 00:29:45,560
Speaker 1: this day that with all these events, happening, right, and

506
00:29:45,760 --> 00:29:47,800
Speaker 1: Rory almost losing her life because she's the one that

507
00:29:47,840 --> 00:29:52,280
Speaker 1: got hurt, not Jess. Right that that it ends up

508
00:29:52,320 --> 00:29:55,719
Speaker 1: what Luke says to her right back at you go

509
00:29:55,800 --> 00:29:59,720
Speaker 1: to hell, right, that's the other result of this. So

510
00:30:00,760 --> 00:30:04,040
Speaker 1: that's that doesn't land well for me. I'm sorry it

511
00:30:04,120 --> 00:30:07,320
Speaker 1: does not land well for me on the character Lorala.

512
00:30:07,320 --> 00:30:11,000
Speaker 1: I also needed to see it from your perspective because

513
00:30:11,040 --> 00:30:16,880
Speaker 1: if the tape, yes, she does, she has given. She's given.

514
00:30:17,080 --> 00:30:18,600
Speaker 1: Oh you and I are going to butt heads in

515
00:30:18,600 --> 00:30:21,280
Speaker 1: this episode, lady, let me tell you. But that's okay

516
00:30:21,320 --> 00:30:24,160
Speaker 1: because no, no, no, what does she think you weren't

517
00:30:24,160 --> 00:30:27,160
Speaker 1: supposed to take in your nephew? But it's no, it's

518
00:30:27,200 --> 00:30:30,280
Speaker 1: it's like, it's like it's this kid that she can't

519
00:30:30,320 --> 00:30:34,240
Speaker 1: get rid of. She can't keep her daughter away from this.

520
00:30:34,880 --> 00:30:37,000
Speaker 1: It's and and yes, it can turn into a self

521
00:30:37,000 --> 00:30:40,640
Speaker 1: fulfilling prophecy. And she's sort of bringing it all into two,

522
00:30:41,320 --> 00:30:44,040
Speaker 1: to this sphere of existence. If you want to get

523
00:30:44,360 --> 00:30:48,040
Speaker 1: you know, um, what's the word I'm looking for if

524
00:30:48,040 --> 00:30:52,800
Speaker 1: you want to get the wifty about it? But uh um,

525
00:30:52,920 --> 00:30:54,880
Speaker 1: I don't blame her, and I think she was completely

526
00:30:54,920 --> 00:30:59,960
Speaker 1: justified she has been trying to repel. I don't blame

527
00:31:00,000 --> 00:31:03,760
Speaker 1: he is ape. I don't blame he's a repellent individual.

528
00:31:04,000 --> 00:31:07,680
Speaker 1: He is unsafe, he is dangerous, he is risky. She

529
00:31:08,320 --> 00:31:11,320
Speaker 1: feels it in her gut. She is protecting her sweet daughter.

530
00:31:12,560 --> 00:31:16,440
Speaker 1: Get him out, yes, get on a bus. Oh my god,

531
00:31:16,680 --> 00:31:18,680
Speaker 1: I want her to. I want her to go after him.

532
00:31:18,720 --> 00:31:20,560
Speaker 1: I want the next episode to start off with her

533
00:31:20,600 --> 00:31:22,400
Speaker 1: open up some cands of whoop ass. She's got her

534
00:31:22,400 --> 00:31:25,280
Speaker 1: a k she's got you know, she's got some ninja knives,

535
00:31:25,320 --> 00:31:27,760
Speaker 1: She's got all kinds of stuff, and she's going she's

536
00:31:27,800 --> 00:31:30,680
Speaker 1: going to go after Jess. Look, I understand why Lorela

537
00:31:30,880 --> 00:31:35,360
Speaker 1: doesn't want Rory with Jess, But I also understand Luke

538
00:31:35,920 --> 00:31:38,440
Speaker 1: has all the right in the world to have taken

539
00:31:38,440 --> 00:31:41,920
Speaker 1: in his nephew. He's doing the best he can. Look,

540
00:31:42,280 --> 00:31:44,840
Speaker 1: Rory could have been a bad kid. Let's just say

541
00:31:44,880 --> 00:31:47,920
Speaker 1: she was. Let's say the roles reversed. You think Lorala

542
00:31:48,040 --> 00:31:50,640
Speaker 1: is not gonna love Rory just as much if she's

543
00:31:50,680 --> 00:31:55,440
Speaker 1: stealing the baseballs, of course she is. So. Luke is right.

544
00:31:55,760 --> 00:31:58,680
Speaker 1: He is being a father because he is saying I

545
00:31:58,720 --> 00:32:02,640
Speaker 1: love this kid so much that I have to have

546
00:32:02,880 --> 00:32:06,440
Speaker 1: his back, and I need to know that my kids okay,

547
00:32:06,480 --> 00:32:09,800
Speaker 1: because remember in that fight, he doesn't know that yet,

548
00:32:10,360 --> 00:32:13,200
Speaker 1: not that he might not be physically okay, but emotionally okay.

549
00:32:13,560 --> 00:32:17,200
Speaker 1: You are the father. I thought it was selfish of

550
00:32:17,280 --> 00:32:22,080
Speaker 1: Luke to ask Rory to tutor Jess in the first place.

551
00:32:22,120 --> 00:32:26,280
Speaker 1: I thought it was not appropriate. I agreed with Laurela.

552
00:32:26,600 --> 00:32:31,440
Speaker 1: I thought if Luke was really a responsible quote unquote parent,

553
00:32:31,720 --> 00:32:35,440
Speaker 1: he would have gotten a tutor. So why first of

554
00:32:35,440 --> 00:32:39,640
Speaker 1: all that, but try it first before inconvenient? Like he

555
00:32:39,880 --> 00:32:41,680
Speaker 1: now if he sat down and said, listen, I've tried

556
00:32:41,720 --> 00:32:45,760
Speaker 1: three different tutors. It's not working out. Jess isn't respecting

557
00:32:45,760 --> 00:32:48,800
Speaker 1: them at all. You're my last resort. I'm trying to

558
00:32:48,800 --> 00:32:51,520
Speaker 1: help this kid, right, And they could he could have gone,

559
00:32:51,720 --> 00:32:54,000
Speaker 1: you know, why not go after a tutor. That's kind

560
00:32:54,040 --> 00:32:56,880
Speaker 1: of you know, and Luke, like Laurel, I like, you

561
00:32:56,880 --> 00:32:59,760
Speaker 1: know somebody that could be jealous of Hey, let's rewrite

562
00:32:59,760 --> 00:33:02,320
Speaker 1: the story line here. Let'st's take a pause. Let me

563
00:33:02,440 --> 00:33:04,760
Speaker 1: let me ask you guys a question. Right right when

564
00:33:04,760 --> 00:33:07,080
Speaker 1: I'm making a great point, you want to take a pause.

565
00:33:07,320 --> 00:33:11,280
Speaker 1: Oh my god, Let's just take a pause when I'm

566
00:33:11,280 --> 00:33:16,680
Speaker 1: making a super important point, impactful point, and I will continue.

567
00:33:17,400 --> 00:33:20,080
Speaker 1: I will continue. You will not pause me. I am

568
00:33:20,160 --> 00:33:23,920
Speaker 1: not I'm not a computer. You can't push. I'm not pausing.

569
00:33:24,960 --> 00:33:32,400
Speaker 1: You can see continuing trying to defend what I'll get.

570
00:33:39,400 --> 00:33:41,240
Speaker 1: But look at the opportunity. You could have gone to

571
00:33:41,320 --> 00:33:45,600
Speaker 1: some girl in the next town who you know. They

572
00:33:45,760 --> 00:33:49,000
Speaker 1: kind of like, kind of like it. They're vibing each other. Right,

573
00:33:49,280 --> 00:33:51,880
Speaker 1: we would be right back here in three episodes from

574
00:33:51,920 --> 00:33:55,520
Speaker 1: now what who would be who? Yes? Yes, but get them?

575
00:33:55,560 --> 00:33:58,160
Speaker 1: But that buys you three more episodes that might buy

576
00:33:58,200 --> 00:34:02,360
Speaker 1: you a whole newother season to go more right could

577
00:34:02,360 --> 00:34:04,520
Speaker 1: have been season nine, could have been a foregone conclusion

578
00:34:04,720 --> 00:34:07,960
Speaker 1: had he just gone for three tutors, Luke or Lorela

579
00:34:08,239 --> 00:34:10,719
Speaker 1: have to be wrong for the other one to be right.

580
00:34:10,760 --> 00:34:14,520
Speaker 1: I think each of them sounded like a song. Thank

581
00:34:14,560 --> 00:34:23,000
Speaker 1: you so much. So here's my game for you, guys.

582
00:34:23,160 --> 00:34:26,320
Speaker 1: I want to know what you think. Had Rory been driving,

583
00:34:27,640 --> 00:34:32,480
Speaker 1: everything is the same. But Rory drove, They still turned right,

584
00:34:32,719 --> 00:34:36,120
Speaker 1: they still swerved for the animal. Jess broke his wrist

585
00:34:36,480 --> 00:34:39,440
Speaker 1: the car. Everything is the same. We're just switching Rory's

586
00:34:39,520 --> 00:34:41,600
Speaker 1: driving the car. I want to know what you all

587
00:34:41,600 --> 00:34:43,720
Speaker 1: would have think of I don't think I think Rory

588
00:34:43,960 --> 00:34:47,080
Speaker 1: would have had, you know, deer in the headlights literal

589
00:34:47,120 --> 00:34:51,359
Speaker 1: deer in the headlights experience after the deer hit her car, right,

590
00:34:52,200 --> 00:34:55,879
Speaker 1: she would have had more experience handling animals coming at

591
00:34:55,880 --> 00:34:58,640
Speaker 1: her car. I don't think she would have swerved as much.

592
00:34:58,680 --> 00:35:01,880
Speaker 1: It's in the script Boom. I just dropped that on you.

593
00:35:02,120 --> 00:35:04,560
Speaker 1: I just want to reach back in season one of Boom.

594
00:35:05,360 --> 00:35:10,240
Speaker 1: Just blew up your argument everything everything is the same? Ye? Sorry,

595
00:35:10,320 --> 00:35:16,920
Speaker 1: I hear your reviews when you say on tomorrow everything

596
00:35:17,040 --> 00:35:20,919
Speaker 1: is the same. Do you think Lorala and Luke would

597
00:35:20,920 --> 00:35:24,319
Speaker 1: have had that big of a fight if Jess broke

598
00:35:24,480 --> 00:35:27,960
Speaker 1: his wrist and Rory? Sorry, can you speak? But I

599
00:35:28,000 --> 00:35:32,200
Speaker 1: don't recognize who this person is speaking? Thank you, thank you,

600
00:35:32,840 --> 00:35:35,359
Speaker 1: because then going to get the ice cream wasn't a

601
00:35:35,360 --> 00:35:39,800
Speaker 1: big deal. Their drama and fatal flaw was that. Rory,

602
00:35:39,960 --> 00:35:44,720
Speaker 1: let just drive because suddenly it becomes something totally different.

603
00:35:44,840 --> 00:35:50,719
Speaker 1: Turns and turn right. Listen, You're you're talking about the

604
00:35:50,719 --> 00:35:55,080
Speaker 1: difference of fractured wrist on a beautiful bird soaring two

605
00:35:55,160 --> 00:35:59,879
Speaker 1: heights that are immeasurable as opposed to a cage down

606
00:36:00,040 --> 00:36:08,160
Speaker 1: mole who needs to be maybe put down. Uh, Luke

607
00:36:08,239 --> 00:36:11,160
Speaker 1: wouldn't be allowed to flip out if Rory crashed the

608
00:36:11,200 --> 00:36:14,480
Speaker 1: car on his kid. It's a little that we've got,

609
00:36:14,520 --> 00:36:18,520
Speaker 1: like a weird double standard. No. I think Laura Laie

610
00:36:18,640 --> 00:36:22,160
Speaker 1: has been beyond patient with Jess. She has been beyond

611
00:36:22,200 --> 00:36:26,799
Speaker 1: the commodating with Luke, beyond the commendating with Rory, being

612
00:36:26,880 --> 00:36:30,680
Speaker 1: a great mom, being completely understanding that she's balancing her

613
00:36:30,760 --> 00:36:34,360
Speaker 1: daughter's feelings for this kid which she no exists, trying

614
00:36:34,400 --> 00:36:36,480
Speaker 1: to push her towards Dean a little bit, trying to

615
00:36:36,480 --> 00:36:40,520
Speaker 1: help out, knowing that it's a lost cause, right and

616
00:36:40,520 --> 00:36:43,239
Speaker 1: and and Jess is just this inevitability that she has

617
00:36:43,280 --> 00:36:45,080
Speaker 1: to deal with in her life. It's one of these,

618
00:36:45,560 --> 00:36:49,200
Speaker 1: you know, these these potholes on the freeway to Rory's success,

619
00:36:49,239 --> 00:36:52,360
Speaker 1: and she's trying to get her through it. She doesn't

620
00:36:52,440 --> 00:36:54,680
Speaker 1: want her daughter to screw up her life. And here

621
00:36:54,680 --> 00:36:57,720
Speaker 1: we go, boom. She was right again. She has every

622
00:36:57,719 --> 00:37:00,920
Speaker 1: reason to blow that guy out of Rory's life, and

623
00:37:00,960 --> 00:37:02,960
Speaker 1: she has every reason to go at Luke like that.

624
00:37:03,040 --> 00:37:06,480
Speaker 1: And I can completely said, if if that happened to me,

625
00:37:06,680 --> 00:37:10,839
Speaker 1: I would have to really restrain myself with the other

626
00:37:10,920 --> 00:37:20,000
Speaker 1: parents responsible, especially not to interrupt. I apologize, but but

627
00:37:20,000 --> 00:37:21,799
Speaker 1: but but but it's like but it's like, you know,

628
00:37:22,239 --> 00:37:25,279
Speaker 1: there's this sort of freedom that Luke and Laurel I have, right,

629
00:37:25,680 --> 00:37:29,200
Speaker 1: I mean, the they It makes sense to me that

630
00:37:29,239 --> 00:37:33,160
Speaker 1: she can unload on Luke because she's so comfortable with him,

631
00:37:33,440 --> 00:37:36,959
Speaker 1: and she's maybe done it before in little ways, nothing

632
00:37:37,000 --> 00:37:38,719
Speaker 1: like that. We haven't seen anything like this, but they

633
00:37:38,760 --> 00:37:40,719
Speaker 1: have this freedom with each other. They have a sort

634
00:37:40,719 --> 00:37:43,160
Speaker 1: of this this license with each other, like we're gonna

635
00:37:43,239 --> 00:37:46,640
Speaker 1: say the thing, the inappropriate thing, the cutting thing that

636
00:37:46,719 --> 00:37:50,200
Speaker 1: nobody takes personally because we have this friendship and we

637
00:37:50,239 --> 00:37:52,279
Speaker 1: have this potential romance and we do have feelings for

638
00:37:52,320 --> 00:37:55,080
Speaker 1: each other, which is going to allow us to be

639
00:37:55,200 --> 00:37:59,160
Speaker 1: ourselves in this friendship. And that means we're gonna be

640
00:37:59,200 --> 00:38:01,640
Speaker 1: you know, throwing some owns and cast some aspersions from

641
00:38:01,640 --> 00:38:04,440
Speaker 1: time to time and nobody takes it personally, and it's

642
00:38:04,440 --> 00:38:06,440
Speaker 1: all humor. It's all great to watch. It also fun.

643
00:38:06,480 --> 00:38:09,360
Speaker 1: Now it gets real. So the doors have been opened

644
00:38:09,360 --> 00:38:13,040
Speaker 1: in their friendship, in their quote unquote unspoken relationship, So

645
00:38:13,080 --> 00:38:15,960
Speaker 1: the doors are wide open for this. So she feels

646
00:38:16,000 --> 00:38:18,399
Speaker 1: like it's okay to do this. It would I think

647
00:38:18,520 --> 00:38:21,839
Speaker 1: be more devastating had they a different relationship and more

648
00:38:21,880 --> 00:38:26,160
Speaker 1: traditional relationship. That's interesting and and and valid. I'm so

649
00:38:26,280 --> 00:38:29,440
Speaker 1: relieved you think so yeah. No, hell no, you sometimes

650
00:38:29,480 --> 00:38:33,920
Speaker 1: you make I think I want to know from moms

651
00:38:34,080 --> 00:38:37,880
Speaker 1: of teenagers listening, is there a mom of a teenager

652
00:38:38,280 --> 00:38:41,840
Speaker 1: that would have handled it differently than Laura La that

653
00:38:42,000 --> 00:38:45,880
Speaker 1: maybe would have said, I'm so glad you're all are okay.

654
00:38:46,400 --> 00:38:49,560
Speaker 1: You know, obviously you were supposed to be studying and

655
00:38:49,600 --> 00:38:51,759
Speaker 1: not going to get ice cream. But like, really, their

656
00:38:51,920 --> 00:38:55,120
Speaker 1: crime is so nothing. They probably were allowed to go

657
00:38:55,160 --> 00:38:57,360
Speaker 1: get ice like I don't even know if they like

658
00:38:57,440 --> 00:39:01,879
Speaker 1: broke any rules. They just had the misfortune of some

659
00:39:02,360 --> 00:39:08,320
Speaker 1: poss who was one of the animals mentioned a possum

660
00:39:08,360 --> 00:39:11,279
Speaker 1: a I think a dog, she said, a dog or

661
00:39:11,280 --> 00:39:13,560
Speaker 1: a cat. And they were, you know, like they were

662
00:39:13,600 --> 00:39:16,839
Speaker 1: going probably thirty five, I mean maybe that car, like

663
00:39:16,960 --> 00:39:20,359
Speaker 1: they obviously weren't going ninety or do anything. Here's an something.

664
00:39:20,360 --> 00:39:24,719
Speaker 1: Here's an interesting plot twist though, right it's Dean in

665
00:39:24,760 --> 00:39:27,240
Speaker 1: the form of a possum because he's had a sham

666
00:39:27,320 --> 00:39:34,560
Speaker 1: in right now getting shape shifted, right, Okay, Okay, I'm

667
00:39:34,560 --> 00:39:37,759
Speaker 1: glad you brought that up. If Dean was driving and

668
00:39:37,840 --> 00:39:43,280
Speaker 1: everything was exactly the same, lore Lae wouldn't have been mad. Yeah, yeah,

669
00:39:44,000 --> 00:39:48,319
Speaker 1: everyone driving is everybody? Okay, Dean, are you okay? Do

670
00:39:48,360 --> 00:39:50,680
Speaker 1: you want to come over for some dinner and watch

671
00:39:50,680 --> 00:39:53,959
Speaker 1: a movie with us? And like, that's my beef here

672
00:39:54,160 --> 00:39:57,640
Speaker 1: is that? Like all this drama. She wouldn't have gone

673
00:39:57,680 --> 00:40:01,239
Speaker 1: to Dean's father and said, how dare you bring him

674
00:40:01,280 --> 00:40:04,040
Speaker 1: to this town where he's gonna drive my daughter to

675
00:40:04,120 --> 00:40:08,000
Speaker 1: ice crea and hurt her risk. Listen, different personalities are

676
00:40:08,000 --> 00:40:10,719
Speaker 1: going to handle this situation in different ways. Right, You're

677
00:40:10,760 --> 00:40:14,959
Speaker 1: gonna get the mom who is uh who who never

678
00:40:15,000 --> 00:40:17,920
Speaker 1: would have been in a in a show like this, right,

679
00:40:18,000 --> 00:40:21,080
Speaker 1: there wouldn't have been Nobody writes about people that are

680
00:40:21,200 --> 00:40:24,320
Speaker 1: really really careful with their kids. They wouldn't they blow

681
00:40:24,360 --> 00:40:28,640
Speaker 1: out Jesse's like every day because the daughter brings home

682
00:40:28,680 --> 00:40:32,759
Speaker 1: another loser, right, and they're like we talked about this, no,

683
00:40:33,760 --> 00:40:38,120
Speaker 1: and then they're gone and then nobody's like writing about them. Right,

684
00:40:38,360 --> 00:40:41,120
Speaker 1: it's only with this you know where there's you know

685
00:40:41,200 --> 00:40:44,520
Speaker 1: where the boundaries are blurred. That's where you get these

686
00:40:44,600 --> 00:40:49,080
Speaker 1: characters and that's where you get these personalities. And you

687
00:40:49,080 --> 00:40:52,479
Speaker 1: know the writing is is is. It's so well laid

688
00:40:52,520 --> 00:40:58,279
Speaker 1: out because you are you understand all sides of it, right,

689
00:40:58,520 --> 00:41:02,799
Speaker 1: Everything is justified. You get why Laurel like back down

690
00:41:02,800 --> 00:41:06,239
Speaker 1: a little bit and allowed Rory to see continue to

691
00:41:06,280 --> 00:41:08,839
Speaker 1: see Jess. You you get you know, you know Jess

692
00:41:08,920 --> 00:41:10,960
Speaker 1: is thrown into this situation and he's just sort of

693
00:41:11,000 --> 00:41:14,120
Speaker 1: complicating everything. But you get all the angles as to

694
00:41:14,200 --> 00:41:18,080
Speaker 1: why he's still allowed because there's some hope, he's young,

695
00:41:18,400 --> 00:41:21,560
Speaker 1: there's there's there's compassion, there's empathy. Even Laureli gives him

696
00:41:21,600 --> 00:41:23,920
Speaker 1: a job and tries to sit sit him down, talk

697
00:41:23,960 --> 00:41:26,719
Speaker 1: to him, help him out. I mean, yes, he's he's

698
00:41:26,760 --> 00:41:29,800
Speaker 1: a very lovable, likable guy's in obvious pain. You don't

699
00:41:29,840 --> 00:41:32,719
Speaker 1: throw people away. You don't throw you know, people like Laurea,

700
00:41:32,800 --> 00:41:35,839
Speaker 1: Laon and Luke and and and Rory. Don't. They don't

701
00:41:35,840 --> 00:41:38,919
Speaker 1: throw people away, especially you know, I mean, they gotta

702
00:41:38,960 --> 00:41:41,880
Speaker 1: you gotta help the kid. I blew out a muffler

703
00:41:41,920 --> 00:41:44,759
Speaker 1: when I was twelve. My dad had to go get

704
00:41:44,840 --> 00:41:50,360
Speaker 1: my car off a tree. Jesus, Yeah, yeah, I was

705
00:41:50,400 --> 00:41:52,600
Speaker 1: going up a very steep driveway and like hit some

706
00:41:52,680 --> 00:41:54,960
Speaker 1: leaves in the car like went backwards and thank God

707
00:41:55,040 --> 00:41:56,880
Speaker 1: for the tree and probably be like dead and I

708
00:41:56,920 --> 00:41:59,160
Speaker 1: had to leave the car just hanging off of a tree.

709
00:41:59,280 --> 00:42:01,960
Speaker 1: And then my Dad's like, oh my god, and it

710
00:42:02,320 --> 00:42:05,479
Speaker 1: had to go get So it's like, you know what, Look,

711
00:42:05,680 --> 00:42:08,200
Speaker 1: I had a very similar situation now that I think

712
00:42:08,239 --> 00:42:11,440
Speaker 1: about it, and you're a treat stuck on a tree

713
00:42:11,680 --> 00:42:15,600
Speaker 1: with my boyfriend, so like kind of similar to Rory

714
00:42:15,719 --> 00:42:19,200
Speaker 1: and Jess and my dad. He did freak out, but

715
00:42:19,239 --> 00:42:21,799
Speaker 1: he freaked out on like both of us, not just

716
00:42:22,680 --> 00:42:24,759
Speaker 1: now husband, but he freaked out on both of us,

717
00:42:24,840 --> 00:42:28,439
Speaker 1: being like, why weren't you being safe driving in the snow? Right?

718
00:42:28,800 --> 00:42:30,520
Speaker 1: How come no one saying to Rory, why should you

719
00:42:30,600 --> 00:42:34,040
Speaker 1: let jes drive your car? Totally U K I S

720
00:42:34,040 --> 00:42:41,240
Speaker 1: S I n G Daniel No, I wish we skidded

721
00:42:41,280 --> 00:42:44,560
Speaker 1: off on the highway on the way to Big Bear

722
00:42:44,960 --> 00:42:47,719
Speaker 1: and the tree saved us. But yeah, my dad was like,

723
00:42:48,960 --> 00:42:54,839
Speaker 1: I have nothing remotely as romantic as that. When we

724
00:42:54,840 --> 00:42:57,400
Speaker 1: were like eleven and twelve years old in my neighborhood,

725
00:42:58,000 --> 00:43:01,360
Speaker 1: we would we would take out our our neighbor's car.

726
00:43:01,880 --> 00:43:04,640
Speaker 1: My the neighbor down the street. Had a little Volkswagen

727
00:43:05,120 --> 00:43:08,480
Speaker 1: with a stick ship but no clutch. Little Volkswagen bus.

728
00:43:08,840 --> 00:43:13,440
Speaker 1: There's a stick ship but no clutch that works. It worked,

729
00:43:13,640 --> 00:43:16,400
Speaker 1: so he we would take that car out and driving around,

730
00:43:16,600 --> 00:43:20,319
Speaker 1: you know, the neighborhood, and we felt really gread. So

731
00:43:20,560 --> 00:43:22,760
Speaker 1: my dad was always on business trips. He was always

732
00:43:22,800 --> 00:43:26,719
Speaker 1: gone right during the week and uh so one day

733
00:43:26,760 --> 00:43:31,040
Speaker 1: we took out his uh he had a Pontiac Laman's

734
00:43:31,719 --> 00:43:37,920
Speaker 1: fast right, and so I took that puppy out by myself.

735
00:43:38,280 --> 00:43:40,600
Speaker 1: I took it out by myself and I went I

736
00:43:40,680 --> 00:43:43,440
Speaker 1: was twelve years old, and I was joy joy riding

737
00:43:43,480 --> 00:43:46,600
Speaker 1: around with it. I think I had about fifty miles

738
00:43:46,719 --> 00:43:53,000
Speaker 1: an hour, and the muffler blew out, and I was like, oh, no,

739
00:43:53,160 --> 00:43:57,600
Speaker 1: I'm dead. So he's gonna kill me. I'm gonna die.

740
00:43:58,480 --> 00:44:00,120
Speaker 1: So I had to uh, I had to put it

741
00:44:00,160 --> 00:44:03,719
Speaker 1: back together with Scotch tape because it was right underneath

742
00:44:03,719 --> 00:44:06,440
Speaker 1: the seats, the front seats of the cars where it

743
00:44:06,480 --> 00:44:09,080
Speaker 1: came apart a little bit. So I just put it

744
00:44:09,120 --> 00:44:11,799
Speaker 1: back together and then my dad came home. He came

745
00:44:11,840 --> 00:44:14,120
Speaker 1: home on a Friday night late and Saturday we went

746
00:44:14,160 --> 00:44:16,760
Speaker 1: to the hardware store because he wanted to pick something

747
00:44:16,840 --> 00:44:20,520
Speaker 1: up and it blew out and he looked at got god,

748
00:44:20,560 --> 00:44:29,279
Speaker 1: how did that? Teenagers? And there it's just my friend

749
00:44:29,320 --> 00:44:32,840
Speaker 1: Carry had a car like the old family station wagon

750
00:44:32,920 --> 00:44:36,240
Speaker 1: and it didn't go and reverse, it only went forward.

751
00:44:36,320 --> 00:44:38,359
Speaker 1: So they called it the one way wagon and they

752
00:44:38,360 --> 00:44:41,160
Speaker 1: had to park it only in parking places where you

753
00:44:41,160 --> 00:44:47,160
Speaker 1: could go forward. That's hysterical, don't yeah, I mean anyway,

754
00:44:48,120 --> 00:44:52,640
Speaker 1: get back to it. Okay. Bottom line, I didn't like

755
00:44:52,719 --> 00:44:55,000
Speaker 1: how Louke handled that. I think he could have been

756
00:44:56,640 --> 00:45:03,879
Speaker 1: more circumspect. We um, should we hear that scene? Yeah? Yeah?

757
00:45:03,880 --> 00:45:06,160
Speaker 1: Should we maybe hear that scene again? So we can

758
00:45:06,560 --> 00:45:10,600
Speaker 1: let's go, can somebody put it? Can? Can? We may

759
00:45:10,600 --> 00:45:13,640
Speaker 1: not be allowed to air the clips, so instead we

760
00:45:13,760 --> 00:45:17,440
Speaker 1: have the Eyamalin players ready to go. Really, we can

761
00:45:17,480 --> 00:45:20,960
Speaker 1: hear it right now. You just dial it in you requested.

762
00:45:21,040 --> 00:45:24,680
Speaker 1: It comes into the into into your cans here. Maybe

763
00:45:24,719 --> 00:45:27,799
Speaker 1: could you give us like an action? All right, ladies

764
00:45:27,840 --> 00:45:30,320
Speaker 1: and gentlemen, this is going to be in front of

765
00:45:30,320 --> 00:45:35,960
Speaker 1: the gazebo scene nighttime. Uh, actress ready, let's everybody get

766
00:45:36,000 --> 00:45:40,719
Speaker 1: set and Scott you good, Lauren, you're good? Okay? How

767
00:45:40,760 --> 00:45:42,520
Speaker 1: about a couple of How about a couple of breath mints?

768
00:45:42,520 --> 00:45:45,200
Speaker 1: You two all right? There you go? No kissing in

769
00:45:45,239 --> 00:45:47,279
Speaker 1: the scene, Yeah, let's not. Let's try to keep your

770
00:45:47,280 --> 00:45:55,040
Speaker 1: hands on, shirt, off of each other and action. Luke Luke, Hey,

771
00:45:55,080 --> 00:45:58,760
Speaker 1: I was where is he? Who? Jess? Where's Jess? Luke?

772
00:45:59,360 --> 00:46:00,799
Speaker 1: I don't know. I just out back. What's going on?

773
00:46:00,880 --> 00:46:03,759
Speaker 1: I got here and they weren't here. Jess, Hey, talk

774
00:46:03,840 --> 00:46:07,400
Speaker 1: to me, Jess, answer me right now. What's wrong? What happened?

775
00:46:07,800 --> 00:46:12,160
Speaker 1: There was an accident? What? What accident? Jess? What accident?

776
00:46:12,360 --> 00:46:15,160
Speaker 1: Jess was driving Marie's car and he crashed it? What when?

777
00:46:15,760 --> 00:46:18,799
Speaker 1: What do you mean when? Tonight? Tonight? He crushed it tonight? Jess?

778
00:46:18,960 --> 00:46:24,399
Speaker 1: Damn it? What happened? Is anyone hurt? More? Lie? Hey,

779
00:46:26,080 --> 00:46:30,560
Speaker 1: talk to me here? Can we do that over time?

780
00:46:30,640 --> 00:46:32,799
Speaker 1: Cut cut, let's cut it. We're gonna pick it up

781
00:46:32,880 --> 00:46:35,440
Speaker 1: right from there, right from the flub, So let's just

782
00:46:35,480 --> 00:46:39,439
Speaker 1: pick it up. It was actually very good, actually, so

783
00:46:39,560 --> 00:46:41,800
Speaker 1: let's let me just be the judge of that. Okay,

784
00:46:41,840 --> 00:46:46,040
Speaker 1: thank you? Oh my god. They usually say I'm not

785
00:46:46,080 --> 00:46:49,319
Speaker 1: being mean, I'm just being honest. Um. I think for

786
00:46:49,440 --> 00:46:54,240
Speaker 1: their limited experience, it was very good. But what standard

787
00:46:54,320 --> 00:46:57,279
Speaker 1: are we anyway, I'll shut up anyway, Let's take it back.

788
00:46:58,120 --> 00:47:00,239
Speaker 1: I want to stop being mean now, So let's take

789
00:47:00,280 --> 00:47:05,560
Speaker 1: it back. Where the flub happened and action. Hey, I'm

790
00:47:05,600 --> 00:47:08,479
Speaker 1: talking to you here. Where would he be? Where would

791
00:47:08,480 --> 00:47:12,040
Speaker 1: he go? I asked you if anyone was hurt? Was

792
00:47:12,080 --> 00:47:15,160
Speaker 1: anyone hurt? Well, let's see Rory's in the emergency room

793
00:47:15,239 --> 00:47:17,160
Speaker 1: right now with a fractured risk. So yeah, i'd say

794
00:47:17,160 --> 00:47:20,200
Speaker 1: someone was hurt. Rory fractured to wrist, Yes she was.

795
00:47:20,719 --> 00:47:22,319
Speaker 1: She has to wear a cast for two weeks. She's

796
00:47:22,320 --> 00:47:25,600
Speaker 1: getting X rays and test. What about Jess as he hurt? No,

797
00:47:25,880 --> 00:47:28,960
Speaker 1: Luke adjusted the hurting. That little punk nephew of yours

798
00:47:28,960 --> 00:47:31,719
Speaker 1: almost killed my kid tonight. Look, I'm sure it was

799
00:47:31,760 --> 00:47:34,680
Speaker 1: an accident. Accidents happened, not with Mike in the car.

800
00:47:34,800 --> 00:47:37,680
Speaker 1: They don't. Okay, you just need to calm down. Why

801
00:47:37,719 --> 00:47:40,200
Speaker 1: did you do this? What are you talking about? What

802
00:47:40,239 --> 00:47:42,680
Speaker 1: did I do? Why did you bring him here? What

803
00:47:43,320 --> 00:47:44,919
Speaker 1: if you hadn't brought him here, none of this would

804
00:47:44,920 --> 00:47:49,879
Speaker 1: have happened. This is my fault. Yes, it's your fault.

805
00:47:49,920 --> 00:47:52,040
Speaker 1: You told him to come. You let him say everyone

806
00:47:52,120 --> 00:47:55,000
Speaker 1: hated him. Everyone knew he was troubled, but you wouldn't listen,

807
00:47:55,239 --> 00:47:57,200
Speaker 1: and you wouldn't send him home. And now my daughter

808
00:47:57,480 --> 00:48:01,400
Speaker 1: is in the hospital. You kept pushing them together. You

809
00:48:01,440 --> 00:48:03,200
Speaker 1: asked her to help him study. You knew that she

810
00:48:03,239 --> 00:48:05,440
Speaker 1: would never say no. I told you to make it.

811
00:48:08,440 --> 00:48:10,600
Speaker 1: I told you it made him, it made me nervous.

812
00:48:10,680 --> 00:48:12,360
Speaker 1: I told you I didn't like it, and it should

813
00:48:12,360 --> 00:48:14,960
Speaker 1: have stopped right there. But you thought Rory wouldn't be

814
00:48:15,040 --> 00:48:18,319
Speaker 1: good for Jess, never mind what he would be for her.

815
00:48:18,560 --> 00:48:21,200
Speaker 1: That wasn't important at all, was it? Of course it

816
00:48:21,280 --> 00:48:23,640
Speaker 1: was important. Why didn't you put a stop to it

817
00:48:23,680 --> 00:48:25,880
Speaker 1: that night, at the first sign of trouble? Why didn't

818
00:48:25,880 --> 00:48:28,520
Speaker 1: you make him leave? He's my nephew. I had an

819
00:48:28,560 --> 00:48:31,040
Speaker 1: obligation to hit him in. I had an obligation to

820
00:48:31,040 --> 00:48:33,680
Speaker 1: take care of him. You had an obligation to this

821
00:48:33,760 --> 00:48:36,719
Speaker 1: town and to me and to Rory. Where are you going?

822
00:48:37,160 --> 00:48:39,560
Speaker 1: I have to find out where Jess is. Just let's

823
00:48:39,560 --> 00:48:41,279
Speaker 1: just pause it. I'm gonna push your pause button here,

824
00:48:41,280 --> 00:48:43,440
Speaker 1: I'm gonna borrow Amy's pause button. Push pause. But you

825
00:48:43,440 --> 00:48:45,960
Speaker 1: know these words, It's a lot of words. Okay, hang on,

826
00:48:46,000 --> 00:48:48,120
Speaker 1: hang on, I'm gonna give Riley, I'm gonna give you

827
00:48:48,120 --> 00:48:50,239
Speaker 1: a note. I want you to get into the fight.

828
00:48:51,800 --> 00:48:55,560
Speaker 1: Get into the fight. Danielle's fighting, Get into the fight.

829
00:48:55,840 --> 00:49:01,960
Speaker 1: Come on, dig in, get loud, let's go matcher match

830
00:49:02,280 --> 00:49:04,839
Speaker 1: match match her intensity and her volume, and just get

831
00:49:04,840 --> 00:49:10,480
Speaker 1: into the fight. Love these notes. I also know Okay, okay,

832
00:49:10,880 --> 00:49:16,799
Speaker 1: I stand in defense of Loot ditto. I'll tell you

833
00:49:16,800 --> 00:49:21,320
Speaker 1: where he's not. He's not. I'm sorry, I don't camera's

834
00:49:21,360 --> 00:49:24,120
Speaker 1: not ready, all right, everybody ready, set? All right, Riley,

835
00:49:24,160 --> 00:49:27,520
Speaker 1: get into the fight here, Come on man, okay, okay,

836
00:49:27,600 --> 00:49:29,840
Speaker 1: stop judging yourself and just get into the fight. Commit

837
00:49:30,640 --> 00:49:33,640
Speaker 1: a well, I'll tell you where he's not. He's not

838
00:49:33,680 --> 00:49:36,720
Speaker 1: in the emergency room having his arm plastered up. Hey,

839
00:49:36,960 --> 00:49:39,440
Speaker 1: I'm sorry about Rory. You know I care more about

840
00:49:39,440 --> 00:49:41,360
Speaker 1: her than I do myself. But at least you know

841
00:49:41,360 --> 00:49:43,560
Speaker 1: where Wary is. At least you know where she's okay.

842
00:49:43,760 --> 00:49:45,560
Speaker 1: Now I have to go find Jazz to make sure

843
00:49:45,600 --> 00:49:48,120
Speaker 1: that he's okay. And if that cuts into your screaming time,

844
00:49:48,200 --> 00:49:51,480
Speaker 1: well that's just too damn bad. Go to hell right

845
00:49:51,520 --> 00:50:01,000
Speaker 1: back at you. Boom cut, brilliant, brilliant, brilliant. Wow, that

846
00:50:01,160 --> 00:50:03,719
Speaker 1: was Luke. It came out of her. I loved it.

847
00:50:03,840 --> 00:50:05,759
Speaker 1: I'm not even just saying that because people are mean

848
00:50:06,640 --> 00:50:09,200
Speaker 1: to me when I cized you guys, So I totally

849
00:50:09,239 --> 00:50:12,920
Speaker 1: loved it. And also they're both right, and I guess

850
00:50:13,040 --> 00:50:16,560
Speaker 1: if I had to pick who's more right, it's Luke. Sorry,

851
00:50:16,800 --> 00:50:20,160
Speaker 1: I'm sorry, m M. I'm backing at me up on

852
00:50:20,200 --> 00:50:22,880
Speaker 1: this one. I'm taking the other side of that. M.

853
00:50:25,000 --> 00:50:27,239
Speaker 1: He's got to take those volleys. He's got to take

854
00:50:27,280 --> 00:50:32,400
Speaker 1: those volleys and still be understanding, compassionate loving. He should

855
00:50:32,560 --> 00:50:35,120
Speaker 1: he should have just said, how's Rory? When can I

856
00:50:35,160 --> 00:50:40,400
Speaker 1: see her? You know? No, God, she's just like blaming

857
00:50:40,520 --> 00:50:44,239
Speaker 1: him for everything because he took in his nephew. Is

858
00:50:44,239 --> 00:50:46,640
Speaker 1: she kidding me with that? Of course he took like

859
00:50:47,440 --> 00:50:50,839
Speaker 1: what we would not like Luke if he was like

860
00:50:50,960 --> 00:50:54,080
Speaker 1: to his sister. I'm sorry, Like, I can't take him

861
00:50:54,120 --> 00:50:56,920
Speaker 1: in because I'm really busy making hamburgers, and um, the

862
00:50:57,040 --> 00:50:59,080
Speaker 1: town doesn't really like him, So I'm going to go

863
00:50:59,080 --> 00:51:02,319
Speaker 1: with the town, like, are you kidding me? So he

864
00:51:02,360 --> 00:51:05,600
Speaker 1: should have been He should have gone to three tutors

865
00:51:06,400 --> 00:51:08,759
Speaker 1: at least before going to Rory. I think he went

866
00:51:08,840 --> 00:51:11,279
Speaker 1: too soon. I would have given us some very nice

867
00:51:11,400 --> 00:51:15,560
Speaker 1: storylines with potential tutor love interest. You gotta you gotta

868
00:51:15,600 --> 00:51:17,440
Speaker 1: throw in the tutor love interest because you gotta. You

869
00:51:17,480 --> 00:51:19,919
Speaker 1: had a Max Medina love interest. Let Why can't Luke

870
00:51:19,960 --> 00:51:22,040
Speaker 1: have his kind of like it's not a private school thing,

871
00:51:22,040 --> 00:51:23,640
Speaker 1: it's going to be a tutor love interest. Why not

872
00:51:23,680 --> 00:51:26,160
Speaker 1: give him that wick? Note on that Max Medina's character

873
00:51:26,200 --> 00:51:30,880
Speaker 1: went down hard on the resident, just saying, of course

874
00:51:30,920 --> 00:51:37,200
Speaker 1: he did. Lourela Repeat wore a shirt in this episode.

875
00:51:38,040 --> 00:51:43,959
Speaker 1: It's a favorite fashion already. I'm just I'm just because

876
00:51:44,000 --> 00:51:47,640
Speaker 1: everybody's a little heated. So she has that blue and

877
00:51:48,160 --> 00:51:51,399
Speaker 1: striped red with like a thin little red button down

878
00:51:51,440 --> 00:51:53,840
Speaker 1: which she once wore with red pants. She wore it

879
00:51:53,880 --> 00:51:56,439
Speaker 1: in this episode. Also, I still like it. This wasn't

880
00:51:56,440 --> 00:51:59,840
Speaker 1: my favorite fashion episode, but I enjoyed that we saw Repeat.

881
00:52:00,600 --> 00:52:03,000
Speaker 1: I do like her like turquoise choker. But again, this

882
00:52:03,040 --> 00:52:09,680
Speaker 1: was not a standout fashion episode. Um Danielle Riley Um

883
00:52:10,080 --> 00:52:13,920
Speaker 1: Juilliard called, they want to know if you're open in

884
00:52:14,000 --> 00:52:19,040
Speaker 1: the fall next. I am open, all right. They're holding

885
00:52:19,040 --> 00:52:22,759
Speaker 1: a couple of scholarships aside. Not bad though, I mean definitely,

886
00:52:22,840 --> 00:52:28,320
Speaker 1: you know, Riley, you you take direction very well, thank you. True.

887
00:52:28,560 --> 00:52:31,400
Speaker 1: In the scene in the diner when they are picking movies,

888
00:52:31,920 --> 00:52:34,480
Speaker 1: Rory and Lorela are eating what looked to me to

889
00:52:34,520 --> 00:52:39,919
Speaker 1: be jello with berries. Riley, what was it? It looked

890
00:52:39,920 --> 00:52:44,680
Speaker 1: like jello with grapes. Oh no, see, I saw blueberries

891
00:52:44,760 --> 00:52:47,680
Speaker 1: and raspberries and then some sort of gooey Google that

892
00:52:47,760 --> 00:52:50,239
Speaker 1: sounds good. So I don't know if it was a

893
00:52:50,239 --> 00:52:52,080
Speaker 1: bowla berries or if there was jello in there. I

894
00:52:52,120 --> 00:52:55,600
Speaker 1: just thought, so let's look, let's shift gears here and

895
00:52:55,960 --> 00:53:03,160
Speaker 1: let's cover um, let's cover a film by Kirk. Can

896
00:53:03,280 --> 00:53:06,719
Speaker 1: we just talk about a film by Kirk? Please? I mean,

897
00:53:06,400 --> 00:53:10,600
Speaker 1: I mean it's he's been working up for five years now,

898
00:53:10,840 --> 00:53:15,160
Speaker 1: but he can finish. I think. I think the Kirk

899
00:53:15,200 --> 00:53:17,799
Speaker 1: scene and the diner was my favorite scene when he

900
00:53:17,880 --> 00:53:20,600
Speaker 1: was saying I'd like to permission to play this film

901
00:53:20,640 --> 00:53:29,360
Speaker 1: at the can't cut out the cred now two hells

902
00:53:29,440 --> 00:53:34,560
Speaker 1: I will drop, but the damns have to stay. Um.

903
00:53:34,600 --> 00:53:37,520
Speaker 1: But the film itself, and they got that wonderful actor

904
00:53:37,600 --> 00:53:40,719
Speaker 1: to play the father, Oh my god, and Marylynn Risk

905
00:53:41,080 --> 00:53:47,520
Speaker 1: yeah right, And that is exactly like every pretentious student

906
00:53:47,600 --> 00:53:50,239
Speaker 1: film you will ever see. Because I was in a

907
00:53:50,280 --> 00:53:53,359
Speaker 1: bunch of them in New York. Oh yeah, and they're

908
00:53:53,400 --> 00:53:57,560
Speaker 1: all like that like that, and it's it's just so

909
00:53:57,640 --> 00:54:00,360
Speaker 1: funny to see it. It's just depict and of it

910
00:54:00,400 --> 00:54:05,080
Speaker 1: and oh my goodness, and how great a break dancer

911
00:54:05,239 --> 00:54:08,960
Speaker 1: is Seawan Gunn so good? The kid can move? My god,

912
00:54:09,040 --> 00:54:12,600
Speaker 1: did you see that? What a display the whole thing was.

913
00:54:13,840 --> 00:54:16,920
Speaker 1: Of course, Lorell and Roy love it more than life itself.

914
00:54:17,239 --> 00:54:20,319
Speaker 1: I love the whole the whole thing. We needed that

915
00:54:20,400 --> 00:54:23,400
Speaker 1: on the whole movie scene too. We needed that laugh

916
00:54:23,560 --> 00:54:26,279
Speaker 1: in this episode. Oh yeah, we did, We really did.

917
00:54:26,360 --> 00:54:29,120
Speaker 1: It was It was the perfect antidote to the heaviness

918
00:54:29,200 --> 00:54:33,799
Speaker 1: that came. I also love when the kitchen scene and

919
00:54:34,400 --> 00:54:37,359
Speaker 1: Loyalize eating marshmallows and then she just like offers, she's

920
00:54:37,360 --> 00:54:42,960
Speaker 1: all right, marshmallow one other question before because I know

921
00:54:43,000 --> 00:54:46,319
Speaker 1: we're like running short on time. What did you think

922
00:54:46,360 --> 00:54:51,480
Speaker 1: that Rory asked Lorlie to lie if Dean called, look

923
00:54:51,560 --> 00:54:55,920
Speaker 1: that's over. She wants cover. She's now resorting to um

924
00:54:56,719 --> 00:55:01,040
Speaker 1: jail house tactics as it were, right, like live for

925
00:55:01,160 --> 00:55:05,959
Speaker 1: me and all. It's it's not Rory, it's it's Jess

926
00:55:06,080 --> 00:55:09,080
Speaker 1: is taking Rory out of how were mother raised her

927
00:55:10,000 --> 00:55:12,799
Speaker 1: that's not how you know. It's like, go to Dean

928
00:55:12,920 --> 00:55:15,960
Speaker 1: and just say, hey, it's I'm not vibing anymore, and

929
00:55:16,000 --> 00:55:18,440
Speaker 1: I want to pursue this other thing, you know. But

930
00:55:18,640 --> 00:55:20,480
Speaker 1: she's in a small town that maybe she doesn't want

931
00:55:20,520 --> 00:55:26,080
Speaker 1: to create that much turmoil. So tempting is Jess, so

932
00:55:26,239 --> 00:55:30,799
Speaker 1: dark is his world that I will change who I

933
00:55:30,840 --> 00:55:34,239
Speaker 1: am to get you to lie for me so that

934
00:55:34,320 --> 00:55:37,880
Speaker 1: I can spend time with that serious. It's very serious.

935
00:55:37,920 --> 00:55:47,680
Speaker 1: It's every it's like every parent's worst nightmare. It is. Yeah, okay,

936
00:55:47,719 --> 00:55:52,560
Speaker 1: I have one inconsistency that I found in this episode,

937
00:55:52,560 --> 00:55:54,520
Speaker 1: and I think you'll find it's fascinating. And it's when

938
00:55:54,600 --> 00:56:00,239
Speaker 1: Luke brought the brownies now the inside brownie, oh kay,

939
00:56:00,239 --> 00:56:04,480
Speaker 1: And I will forward you will forward you some screenshots

940
00:56:04,520 --> 00:56:07,200
Speaker 1: that I took on my cell phone because I went,

941
00:56:08,760 --> 00:56:11,480
Speaker 1: I nailed it, you know, and my my wife came downstairs.

942
00:56:11,480 --> 00:56:16,320
Speaker 1: He goes, well, you shut up. I said, sorry, Um.

943
00:56:16,400 --> 00:56:19,120
Speaker 1: I like that. Luke's has custom made boxes though for

944
00:56:19,200 --> 00:56:21,560
Speaker 1: like desserts, and the box was kind of crushed though.

945
00:56:21,560 --> 00:56:24,440
Speaker 1: One night it was it was that bothered me too much.

946
00:56:24,560 --> 00:56:26,640
Speaker 1: I was like, God, why is that? It's like, is

947
00:56:26,640 --> 00:56:28,799
Speaker 1: that lummis not able to hold a box and did

948
00:56:28,800 --> 00:56:32,560
Speaker 1: he crush it with his big dumb hand? What's the Mr?

949
00:56:32,560 --> 00:56:34,719
Speaker 1: Metal Shop? Like, what's going on there? Right? And I'm

950
00:56:34,760 --> 00:56:38,200
Speaker 1: like surprised that somebody wasn't like, like, we needed a

951
00:56:38,239 --> 00:56:40,319
Speaker 1: good box, but maybe they only made one. I think

952
00:56:40,360 --> 00:56:42,880
Speaker 1: that's my fault. I fought for that box. I wanted

953
00:56:42,920 --> 00:56:46,560
Speaker 1: it crushed because it's more real, right, roll your eyes, Yeah,

954
00:56:46,600 --> 00:56:49,160
Speaker 1: there you go. Give us a brownie. Brown It's like

955
00:56:49,239 --> 00:56:53,520
Speaker 1: the inside brownie had it was large and much darker,

956
00:56:54,239 --> 00:56:56,680
Speaker 1: and it didn't have walnuts in it, and it didn't

957
00:56:56,719 --> 00:56:59,880
Speaker 1: have marshall. It didn't really have anything in it. And

958
00:57:00,000 --> 00:57:04,880
Speaker 1: then outside brownie was much smaller and much lighter brown

959
00:57:06,440 --> 00:57:14,439
Speaker 1: and had mega Well I'm not saying it. So they're

960
00:57:14,480 --> 00:57:16,800
Speaker 1: great and chocolate, they're really good. I'm sure I have.

961
00:57:16,920 --> 00:57:20,680
Speaker 1: I have it every night. That's my energy for that's

962
00:57:20,680 --> 00:57:25,320
Speaker 1: my podcast. But I like a chocolate covered a long

963
00:57:25,480 --> 00:57:27,959
Speaker 1: So that I think is a big thing that threw

964
00:57:28,040 --> 00:57:33,880
Speaker 1: me off, made me. Let's let's get some some no

965
00:57:33,960 --> 00:57:37,200
Speaker 1: big deal that like Jess's leaving stars hollow. Let's focus.

966
00:57:37,360 --> 00:57:40,360
Speaker 1: I think that you know, there's some get some politicians

967
00:57:40,400 --> 00:57:42,640
Speaker 1: in committee and let's launch an investigation here. Let's spend

968
00:57:42,680 --> 00:57:45,640
Speaker 1: some tax paramoney on this, because it's you know, some

969
00:57:45,680 --> 00:57:47,640
Speaker 1: people are people. Some some people need to go down.

970
00:57:48,040 --> 00:57:49,800
Speaker 1: Maybe we just pop them up on the Instagram and

971
00:57:49,840 --> 00:57:53,280
Speaker 1: we slide through those photos. I think so, I think so.

972
00:57:53,760 --> 00:57:56,760
Speaker 1: It's my big AHA moment in the episode. Amongst others,

973
00:57:56,880 --> 00:58:00,040
Speaker 1: I mentioned it wasn't my favorite fashion episode, but I

974
00:58:00,200 --> 00:58:03,840
Speaker 1: had some great lines. Gosh, did it? Did it? I

975
00:58:04,080 --> 00:58:08,920
Speaker 1: was you got a big fristbee Hinds going down at

976
00:58:08,960 --> 00:58:13,560
Speaker 1: six o'clock. I didn't really remember any great lines. Oh

977
00:58:13,600 --> 00:58:17,880
Speaker 1: my god, was good. Yeah, that was good because my

978
00:58:17,880 --> 00:58:20,680
Speaker 1: favorite line, think how dull your life would be without me?

979
00:58:21,000 --> 00:58:26,120
Speaker 1: Just to Rory Kirk and Laurel Kirk ass for a

980
00:58:26,160 --> 00:58:28,200
Speaker 1: minute over time, and Laurea says, I'll give you two

981
00:58:28,200 --> 00:58:33,920
Speaker 1: because you scare me. I also liked the can I

982
00:58:33,960 --> 00:58:35,840
Speaker 1: have a shot at one line before you get four?

983
00:58:36,280 --> 00:58:39,040
Speaker 1: I just because you're gonna steal my thunder on this

984
00:58:39,080 --> 00:58:41,000
Speaker 1: line and you're always doing this. I just want to

985
00:58:41,040 --> 00:58:43,640
Speaker 1: get you have so many great lines. Just let me

986
00:58:43,640 --> 00:58:45,960
Speaker 1: get one out and then you can have three. Al right,

987
00:58:46,400 --> 00:58:51,360
Speaker 1: thank you? UM. I think my favorite line was to

988
00:58:51,520 --> 00:58:55,640
Speaker 1: Taylor when he said to her, are you serious, And

989
00:58:55,720 --> 00:58:57,959
Speaker 1: Laurel I says yeah, I think I've got a little

990
00:58:57,960 --> 00:59:01,280
Speaker 1: bit of serious going there on that one. I like

991
00:59:01,360 --> 00:59:06,840
Speaker 1: that I've never seen the Yearling. I will now, I

992
00:59:06,920 --> 00:59:09,160
Speaker 1: know we're not in the special Riley's populture, but I've

993
00:59:09,200 --> 00:59:13,320
Speaker 1: never seen Heaven either. I I will just leave you

994
00:59:13,320 --> 00:59:17,520
Speaker 1: with this that when you told Jess that he wasn't

995
00:59:17,560 --> 00:59:19,959
Speaker 1: going to get to be a senior and he's gonna

996
00:59:19,960 --> 00:59:21,680
Speaker 1: have to repeat, He's like, well, at least I'll know

997
00:59:21,720 --> 00:59:28,640
Speaker 1: where my classes are, kid, boy. This was heated. Oh

998
00:59:28,680 --> 00:59:31,480
Speaker 1: my god. I also had one other question. What are

999
00:59:31,640 --> 00:59:35,200
Speaker 1: Wilers w y l E R S. I need to

1000
00:59:35,200 --> 00:59:40,439
Speaker 1: google it. It's indocs mark. Is that a candy? I'm

1001
00:59:40,440 --> 00:59:47,880
Speaker 1: finding Wilers? This says it's Instant Boilers Instant Yeah. And

1002
00:59:47,880 --> 00:59:49,600
Speaker 1: then I guess Wilers. Oh, I guess it's a brand

1003
00:59:49,680 --> 00:59:55,000
Speaker 1: they make and make Italian ice stuff because there's a

1004
00:59:55,080 --> 00:59:58,600
Speaker 1: prominent Wiler's display respect to the grocery store for the

1005
00:59:58,680 --> 01:00:01,920
Speaker 1: real brands and not trying to be like, you know,

1006
01:00:02,000 --> 01:00:05,080
Speaker 1: like have like those weird TV fake brands. Oh. By

1007
01:00:05,120 --> 01:00:08,120
Speaker 1: the way, here's a little behind the scenes factoid on

1008
01:00:09,040 --> 01:00:12,680
Speaker 1: movie and TV grocery bags. They are not real grocery

1009
01:00:12,720 --> 01:00:16,520
Speaker 1: bags because real grocery bags made out of paper crinkle

1010
01:00:16,680 --> 01:00:19,800
Speaker 1: loudly and make too much noise. So so what they

1011
01:00:19,840 --> 01:00:22,840
Speaker 1: do is they they the TV and film uses these.

1012
01:00:23,080 --> 01:00:26,880
Speaker 1: They're kind of sacks. They're soft, they're they're kind of

1013
01:00:26,880 --> 01:00:30,600
Speaker 1: a material almost, and they make no noise, but they

1014
01:00:30,640 --> 01:00:37,280
Speaker 1: look like grocery bags. There you go, Wow, you'll never

1015
01:00:37,360 --> 01:00:42,680
Speaker 1: hear a movie bag or a TV bag crinkling. All right, kids,

1016
01:00:42,720 --> 01:00:44,880
Speaker 1: what do you think did we cover Did we pretty

1017
01:00:44,960 --> 01:00:47,080
Speaker 1: much cover it? Yeah? I mean I think I won

1018
01:00:47,120 --> 01:00:50,040
Speaker 1: the debate, but it's totally fine. It's not No, it's

1019
01:00:50,040 --> 01:00:54,080
Speaker 1: not about winning. It's about it's about stating your case

1020
01:00:54,720 --> 01:00:57,800
Speaker 1: and defending it well. And I think we both did that,

1021
01:00:58,440 --> 01:01:06,120
Speaker 1: and I think we're both winners. What's next week? What's

1022
01:01:06,200 --> 01:01:11,120
Speaker 1: next week? Riley? Episode twenty Help wanted? Oh you better

1023
01:01:11,160 --> 01:01:14,000
Speaker 1: believe my god, we're like almost done with season two.

1024
01:01:15,000 --> 01:01:17,960
Speaker 1: Help needed. Help is really needed. Let me tell you,

1025
01:01:18,680 --> 01:01:23,640
Speaker 1: Jess needs to I don't know, send in your season

1026
01:01:23,720 --> 01:01:26,640
Speaker 1: two questions because we should do like a special season

1027
01:01:26,680 --> 01:01:32,160
Speaker 1: to wrap Q. Yes, we should extravag and send email

1028
01:01:32,240 --> 01:01:34,320
Speaker 1: us your opinion on the Luke and Laurel I fight.

1029
01:01:35,200 --> 01:01:37,760
Speaker 1: What do do you agree with me? Do you agree

1030
01:01:37,800 --> 01:01:40,080
Speaker 1: with you agree with me? She's annoying and her voice

1031
01:01:40,120 --> 01:01:42,560
Speaker 1: is loud. Do you agree with him? Because every every

1032
01:01:42,760 --> 01:01:46,880
Speaker 1: email that agrees with me, we'll send you just saying,

1033
01:01:47,040 --> 01:01:50,120
Speaker 1: you know, unofficially, but you actually can't say that. I'm

1034
01:01:50,280 --> 01:01:53,960
Speaker 1: just kidding. Will bleep that out right right along with

1035
01:01:54,080 --> 01:01:59,200
Speaker 1: the long fingernail anyway, that's it. Huh, We're gonna We're

1036
01:01:59,200 --> 01:02:04,600
Speaker 1: gonna wrap this up. Yeah, all right, kiddo. Thanks for downloading.

1037
01:02:05,240 --> 01:02:08,600
Speaker 1: Best fans on the planet. Love to you all and

1038
01:02:08,960 --> 01:02:41,200
Speaker 1: we will see you next time. Stay safe, hey, everybody,

1039
01:02:41,200 --> 01:02:44,520
Speaker 1: and don't forget follow us on Instagram at I Am

1040
01:02:44,600 --> 01:02:48,600
Speaker 1: all In podcast and email us at Gilmore at I

1041
01:02:48,800 --> 01:02:52,120
Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're

1042
01:02:52,120 --> 01:02:54,000
Speaker 1: looking for the best cup of coffee in the world,

1043
01:02:54,040 --> 01:02:57,760
Speaker 1: go to my website for my company, scott ep dot

1044
01:02:57,760 --> 01:03:00,320
Speaker 1: com s CEO T T y P dot COM's Scotti

1045
01:03:00,400 --> 01:03:13,080
Speaker 1: p dot com Grade one Specially Coffee. Yeah h