1 00:00:05,720 --> 00:00:13,840 Speaker 1: So I'm there with Timmy Chlamy and Kieranan sure Gun yeah, 2 00:00:13,880 --> 00:00:16,560 Speaker 1: and the Riverdale Kang and it's one of these young 3 00:00:16,560 --> 00:00:18,280 Speaker 1: Hollywood things I've been hosting lately. 4 00:00:19,079 --> 00:00:23,119 Speaker 2: Uh, And I offer, I'm like Timmy, you're in charge. 5 00:00:23,280 --> 00:00:24,959 Speaker 3: I kind of give him the keys to the house 6 00:00:25,000 --> 00:00:26,759 Speaker 3: and the alarm system code, and I go, I'm gonna 7 00:00:26,800 --> 00:00:29,880 Speaker 3: run out to Sebalev and get refresh the candy bowl 8 00:00:29,920 --> 00:00:32,400 Speaker 3: and just get some like lemonheads and some sour passes. 9 00:00:32,440 --> 00:00:35,559 Speaker 2: Oh okay, because kids are very hungry. Have they been 10 00:00:35,600 --> 00:00:36,560 Speaker 2: housing it? Yeah? 11 00:00:36,560 --> 00:00:39,400 Speaker 3: And I didn't really plan ahead. Well are they going 12 00:00:39,440 --> 00:00:41,760 Speaker 3: I haven't learned the right amount. They're going crazy because 13 00:00:41,760 --> 00:00:43,000 Speaker 3: they're all on a sugar high. 14 00:00:43,479 --> 00:00:48,240 Speaker 2: And Kiernan is like, hey, while you're there, why don't 15 00:00:48,280 --> 00:00:52,000 Speaker 2: you grab a six or of bud Heavies. Now I'm 16 00:00:52,040 --> 00:00:54,960 Speaker 2: not comfortable with this, no, I know, but I want 17 00:00:54,960 --> 00:00:56,760 Speaker 2: to seem cool. Uh huh. 18 00:00:56,880 --> 00:00:59,560 Speaker 3: These kids are the movers and shakers in town. So 19 00:00:59,600 --> 00:01:02,720 Speaker 3: I'm in this really weird position where I can't come 20 00:01:02,760 --> 00:01:05,319 Speaker 3: back empty handed, but I certainly. 21 00:01:05,160 --> 00:01:08,280 Speaker 2: I almost wonder if that okay. So this is I know, 22 00:01:08,400 --> 00:01:10,039 Speaker 2: I know this is crazy. You're just a dumb idea 23 00:01:10,080 --> 00:01:12,399 Speaker 2: that just came into my head that they invited you 24 00:01:12,440 --> 00:01:15,720 Speaker 2: to this young Hollywood party even though you are thirty 25 00:01:16,000 --> 00:01:18,360 Speaker 2: forty years older than that. Well, I'm hosting it, no, 26 00:01:18,480 --> 00:01:21,160 Speaker 2: I know, I know, but they like had you host. Yeah, 27 00:01:21,200 --> 00:01:25,080 Speaker 2: they wanted me to right so that they could send 28 00:01:25,120 --> 00:01:28,520 Speaker 2: you out to get butt heavies. I know it's that's crazy, 29 00:01:29,040 --> 00:01:32,120 Speaker 2: but it is kind of. It does explain some things 30 00:01:32,160 --> 00:01:34,000 Speaker 2: about why you were at a young Hollywood party. 31 00:01:34,040 --> 00:01:36,000 Speaker 3: I don't I don't think that's what happened. I think 32 00:01:36,000 --> 00:01:38,560 Speaker 3: that I see me as I agree appear. 33 00:01:39,000 --> 00:01:41,280 Speaker 2: Anyway I do. 34 00:01:41,360 --> 00:01:41,600 Speaker 1: I go. 35 00:01:41,720 --> 00:01:43,039 Speaker 2: Obviously I buy the butt heavies. 36 00:01:43,040 --> 00:01:44,840 Speaker 3: Obviously I can't give it to them, but it has 37 00:01:44,880 --> 00:01:49,880 Speaker 3: to feel like something is in there, so I I 38 00:01:49,920 --> 00:01:51,800 Speaker 3: have to stop for gas. Anyway, I fill the cancer 39 00:01:51,880 --> 00:01:52,520 Speaker 3: with gasoline. 40 00:01:52,880 --> 00:01:55,960 Speaker 2: Mm hmm. You open them and then how do you 41 00:01:56,000 --> 00:01:56,800 Speaker 2: reseal them? 42 00:01:57,400 --> 00:02:02,320 Speaker 3: I have a syringe and so I suck everything out 43 00:02:02,600 --> 00:02:03,680 Speaker 3: the yeah, and then I fill it. 44 00:02:03,680 --> 00:02:06,960 Speaker 2: Back up a little piece of wax sealed though. That 45 00:02:07,000 --> 00:02:09,639 Speaker 2: would have been great. Yeah, there is just a little 46 00:02:09,680 --> 00:02:13,600 Speaker 2: hole with gasoline coming out. Joe, Okay, filled Joe. 47 00:02:13,919 --> 00:02:17,720 Speaker 3: So anyway, I get back in. They're all drinking the gas. 48 00:02:17,760 --> 00:02:20,600 Speaker 3: It seems like it's going fine. And then one of 49 00:02:20,639 --> 00:02:23,600 Speaker 3: the kids, who must be like a total burnout stoner 50 00:02:23,919 --> 00:02:25,560 Speaker 3: also had brought Swisher sweets. 51 00:02:25,639 --> 00:02:28,040 Speaker 2: Yeah, one of the sprouses, I bet mm hmm. 52 00:02:28,520 --> 00:02:32,200 Speaker 3: Suddenly is like going like, oh, this isn't real beer. 53 00:02:32,960 --> 00:02:36,200 Speaker 3: And I took my shirt off and I fought him. 54 00:02:36,240 --> 00:02:39,880 Speaker 2: He probably handy. 55 00:02:40,919 --> 00:02:44,400 Speaker 3: The red carpet lineback always industry, we call showbiz, what up? 56 00:02:44,440 --> 00:02:50,519 Speaker 2: What up? We've got a guest today, and and it's Brett. Hello, Hey, 57 00:02:50,600 --> 00:02:52,200 Speaker 2: how are you guys? Big Brett? 58 00:02:52,880 --> 00:03:00,040 Speaker 4: Oh sure, no, thank you, thank you? Yeah, uh, I 59 00:03:00,040 --> 00:03:00,720 Speaker 4: mean I am big. 60 00:03:00,919 --> 00:03:02,720 Speaker 2: And it's also like we have we do have little 61 00:03:02,760 --> 00:03:06,840 Speaker 2: Brett in the right as the engineers. Yeah, you have 62 00:03:06,960 --> 00:03:08,600 Speaker 2: to be. There's gotta be a big bread and a 63 00:03:08,880 --> 00:03:09,919 Speaker 2: bigger in size. 64 00:03:10,440 --> 00:03:14,000 Speaker 4: And I have a more extroverted personality, I think, right, oh. 65 00:03:13,919 --> 00:03:19,799 Speaker 2: Sure, but Brett Hard is here. You become medium Brett. Right, No, 66 00:03:20,120 --> 00:03:22,720 Speaker 2: definitely over there remains a little Brett. 67 00:03:22,720 --> 00:03:23,799 Speaker 5: He's a one t Brett. 68 00:03:23,919 --> 00:03:26,240 Speaker 2: Yeah. We talk about the hierarchy of Brett's on the 69 00:03:26,240 --> 00:03:31,080 Speaker 2: show Alonge. Yeah, what am I compared to Brett Kavanaugh? 70 00:03:33,200 --> 00:03:36,840 Speaker 2: You know, in terms of like your party, like your personality, 71 00:03:36,880 --> 00:03:39,520 Speaker 2: like your party personality. He is big Brett. 72 00:03:39,640 --> 00:03:43,160 Speaker 4: He has a bigger personality. Yeah, do you think really? 73 00:03:43,360 --> 00:03:45,480 Speaker 2: Yeah, he's bringing it on that. I feel like. 74 00:03:45,480 --> 00:03:49,640 Speaker 4: Though, I would, I think feel like more people prior uh, 75 00:03:49,960 --> 00:03:55,120 Speaker 4: prior his you know, Janet, stop it prior his that's 76 00:03:55,120 --> 00:03:58,120 Speaker 4: my dog, Janet. She's in here. She wants treats that 77 00:03:58,160 --> 00:04:03,080 Speaker 4: are in my pocket. But who doesn't anywhere than to go. 78 00:04:03,640 --> 00:04:08,120 Speaker 2: Than wine the whole time? And I I have seen 79 00:04:08,160 --> 00:04:11,920 Speaker 2: her have no fewer than thirty treats. 80 00:04:12,400 --> 00:04:15,040 Speaker 4: This little treat it's like a big treat that I'm 81 00:04:15,080 --> 00:04:15,560 Speaker 4: like cheering. 82 00:04:17,680 --> 00:04:19,400 Speaker 2: So she only had like seven or a. 83 00:04:20,920 --> 00:04:27,240 Speaker 4: Had seven or eight treats. So I uh, I think 84 00:04:27,320 --> 00:04:31,040 Speaker 4: though that prior to the whole scandal in us knowing 85 00:04:31,200 --> 00:04:34,440 Speaker 4: unfortunately who he is, that if I was at a 86 00:04:34,480 --> 00:04:36,600 Speaker 4: party with him, I think people would still. 87 00:04:37,040 --> 00:04:40,480 Speaker 2: Maybe you like, I'm not talking about fame. 88 00:04:40,520 --> 00:04:44,560 Speaker 4: I'm just talking about like like big person personality. 89 00:04:44,600 --> 00:04:46,440 Speaker 3: You would have been holding court and he would have 90 00:04:46,480 --> 00:04:48,480 Speaker 3: been maybe trying to get his licks in, jumping in 91 00:04:48,520 --> 00:04:50,039 Speaker 3: with Azinger, right. 92 00:04:49,880 --> 00:04:52,520 Speaker 4: But and then we would fall flat. So this was 93 00:04:52,640 --> 00:04:54,920 Speaker 4: his wark, like it was okay because they feel bad 94 00:04:54,960 --> 00:04:56,920 Speaker 4: for him, But he came out of his show after 95 00:04:57,040 --> 00:04:59,400 Speaker 4: this really events that the. 96 00:04:59,360 --> 00:05:01,240 Speaker 2: Things that happen and wear him socially. 97 00:05:01,520 --> 00:05:03,880 Speaker 4: Yeah, did he ever come out of his shell? 98 00:05:04,000 --> 00:05:04,240 Speaker 2: Yeah? 99 00:05:04,240 --> 00:05:06,840 Speaker 4: He really did, He really did. Anyway, I should say 100 00:05:07,040 --> 00:05:10,240 Speaker 4: get into that we're in We're in the studio now, 101 00:05:10,400 --> 00:05:11,320 Speaker 4: the new studio. 102 00:05:11,800 --> 00:05:14,400 Speaker 2: It's so bad. I hate it. Why do you hate it? 103 00:05:14,720 --> 00:05:17,039 Speaker 2: I hate this wall. I'm sitting next to a wall 104 00:05:17,120 --> 00:05:19,600 Speaker 2: and Brett's on the other side of the wall. And 105 00:05:19,640 --> 00:05:21,520 Speaker 2: now when if I ever want to reach out to 106 00:05:21,600 --> 00:05:23,640 Speaker 2: him and just kind of feel that he's there, I 107 00:05:23,720 --> 00:05:30,080 Speaker 2: get cold glass instead of like kind of warm arm. 108 00:05:30,360 --> 00:05:30,839 Speaker 2: Uh huh. 109 00:05:30,880 --> 00:05:34,000 Speaker 4: Well, maybe they should take this glass down and make it. 110 00:05:33,920 --> 00:05:35,800 Speaker 2: Over, don't you think. I don't know. 111 00:05:35,839 --> 00:05:38,599 Speaker 4: I mean, I think it's up to you guys. You 112 00:05:38,600 --> 00:05:41,719 Speaker 4: know it's okay. I feel connected to Brett to some degree, 113 00:05:41,760 --> 00:05:44,880 Speaker 4: but it's not my show, and like you guys. 114 00:05:44,680 --> 00:05:47,599 Speaker 3: Are well and he's he's little Brett and you're a 115 00:05:47,600 --> 00:05:49,880 Speaker 3: big Brett. And I think there's a connection there that 116 00:05:50,080 --> 00:05:51,320 Speaker 3: transcends glass. 117 00:05:51,440 --> 00:05:52,880 Speaker 2: But for me, as someone with. 118 00:05:52,880 --> 00:05:57,560 Speaker 3: A completely different name shares like one letter, right, I'm going, 119 00:05:58,200 --> 00:06:01,520 Speaker 3: do we really need more deers between us? 120 00:06:01,960 --> 00:06:07,200 Speaker 2: That the answer eighteen? In twenty eighteen, I'm already don't 121 00:06:07,240 --> 00:06:08,760 Speaker 2: need more divide my whole family. 122 00:06:08,800 --> 00:06:10,839 Speaker 3: I'm seeing on a screen now. I look over and 123 00:06:10,880 --> 00:06:12,080 Speaker 3: Bret's a pane of glass. 124 00:06:12,200 --> 00:06:14,800 Speaker 2: Yeah, and this is what led to the exploder going 125 00:06:14,839 --> 00:06:18,400 Speaker 2: around sending these bombs. And by the way, I don't 126 00:06:18,400 --> 00:06:20,320 Speaker 2: approve of what he's doing, but he could be good 127 00:06:20,360 --> 00:06:24,039 Speaker 2: to explode the glass now, which could be you're about 128 00:06:24,040 --> 00:06:25,560 Speaker 2: the most recent explode. 129 00:06:25,120 --> 00:06:28,200 Speaker 4: Bomb would definitely wouldn't it be good glass? 130 00:06:28,360 --> 00:06:28,600 Speaker 2: Yes? 131 00:06:28,880 --> 00:06:33,680 Speaker 4: Yeah, I don't think there's a lot of bomb proof glass, no, absolutely, 132 00:06:33,760 --> 00:06:36,160 Speaker 4: and recording studios. 133 00:06:35,640 --> 00:06:37,360 Speaker 2: So I don't have it. I don't have a plan 134 00:06:37,480 --> 00:06:39,480 Speaker 2: for it. But this guy has got these all these 135 00:06:39,520 --> 00:06:42,599 Speaker 2: bombs sitting around. Maybe we could use one for good 136 00:06:42,880 --> 00:06:48,000 Speaker 2: to bring down divides, putting there together instead of yes, 137 00:06:48,120 --> 00:06:49,480 Speaker 2: further dividing our nation. 138 00:06:50,160 --> 00:06:54,400 Speaker 3: Hmm yeah, so yes, so the new studio. So Kevin's 139 00:06:54,440 --> 00:06:55,280 Speaker 3: on the other side too. 140 00:06:55,440 --> 00:06:56,599 Speaker 2: I don't really care about that. 141 00:06:57,400 --> 00:07:00,520 Speaker 4: Okay, that's how do you feel about it? How do 142 00:07:00,600 --> 00:07:02,440 Speaker 4: I feel about it? I mean I feel okay, I 143 00:07:02,520 --> 00:07:04,799 Speaker 4: mean he's you know, I mean they both have warm 144 00:07:05,120 --> 00:07:07,400 Speaker 4: personalities that are coming through the glass. 145 00:07:07,440 --> 00:07:12,160 Speaker 2: That's desperation, that's like, oh, that's well sweat and by 146 00:07:12,200 --> 00:07:15,160 Speaker 2: the end. By the end of this record, this is 147 00:07:15,200 --> 00:07:17,520 Speaker 2: going to be all fogged up and we won't be 148 00:07:17,520 --> 00:07:21,040 Speaker 2: able to see them anymore. From just like sweatiness going 149 00:07:21,080 --> 00:07:25,240 Speaker 2: to take pictures through the glass, you can. He just nodded. 150 00:07:25,360 --> 00:07:29,240 Speaker 2: He's totally neutered. What a psycho freeze. He's disappearing. 151 00:07:29,360 --> 00:07:31,520 Speaker 4: My problem is I always come to these things and 152 00:07:31,560 --> 00:07:34,920 Speaker 4: I'm like, uh, the problem is you come to these things. 153 00:07:34,960 --> 00:07:39,040 Speaker 4: I'm not camera ready, right, Okay, Oh yeah, we've had that. 154 00:07:39,160 --> 00:07:41,200 Speaker 2: People say, oh, pictures. 155 00:07:41,200 --> 00:07:44,280 Speaker 4: But I knew that there would be a picture. Yeah, 156 00:07:44,480 --> 00:07:46,640 Speaker 4: but I I mean, I don't look terrible. 157 00:07:46,880 --> 00:07:48,600 Speaker 2: No, I think you look nice. You look awesome. 158 00:07:48,640 --> 00:07:48,840 Speaker 1: Yeah. 159 00:07:48,840 --> 00:07:53,920 Speaker 4: I have natural long, uh hair that's bald on top now. 160 00:07:54,040 --> 00:07:56,280 Speaker 4: So it's like even if it's like messy, you know, 161 00:07:56,320 --> 00:08:00,360 Speaker 4: and I'm wearing like this vintage fleece sweatsuit. 162 00:07:59,760 --> 00:08:01,960 Speaker 2: It's vibe. I would say. 163 00:08:02,160 --> 00:08:06,640 Speaker 3: I would say that casual Brett Gelman is a vibe definitely. 164 00:08:06,760 --> 00:08:07,480 Speaker 2: Yeah, thank you. 165 00:08:07,520 --> 00:08:11,800 Speaker 3: Big Bread is a mood today, Okay, and I worship that. 166 00:08:12,720 --> 00:08:18,800 Speaker 2: Speaking of speaking of mood, I am pissed today is 167 00:08:18,880 --> 00:08:21,640 Speaker 2: making it always makes for a good show. I'm always 168 00:08:21,680 --> 00:08:25,080 Speaker 2: bringing it when I'm pissed. But get ready for a 169 00:08:25,160 --> 00:08:26,280 Speaker 2: rent Big Brett. 170 00:08:26,560 --> 00:08:30,200 Speaker 4: So people really don't know how I feel still about 171 00:08:30,200 --> 00:08:34,880 Speaker 4: you calling me big breat really just makes me feel Okay, 172 00:08:34,920 --> 00:08:39,400 Speaker 4: we need you can't show it's a book. You took 173 00:08:39,440 --> 00:08:41,280 Speaker 4: the time to have me on. You can call me 174 00:08:41,320 --> 00:08:44,520 Speaker 4: big Bread. I'm just I'm just being honest about how. 175 00:08:44,480 --> 00:08:46,400 Speaker 2: I assumed you would as long as we have some 176 00:08:46,440 --> 00:08:49,080 Speaker 2: other ways to distinguish you. Guys can't do Beard Brett. 177 00:08:49,559 --> 00:08:52,319 Speaker 2: You both got be I don't want that. Yeah, you are, 178 00:08:52,440 --> 00:08:55,840 Speaker 2: I think Brett. I definitely prefer Big Brett to Beard Brett. 179 00:08:55,880 --> 00:08:58,680 Speaker 2: Do you want to be a musical Brett? 180 00:08:58,760 --> 00:09:02,760 Speaker 4: No, Brett's fine, It's fine, is being honest. Look, I 181 00:09:02,800 --> 00:09:05,280 Speaker 4: think we're analyzing this music Bret. 182 00:09:05,559 --> 00:09:09,079 Speaker 2: Yeah, okay, so I know who we're talking about music Bread. 183 00:09:09,480 --> 00:09:12,880 Speaker 4: Why am I music Bret just compared to him? Because 184 00:09:12,960 --> 00:09:15,880 Speaker 4: he am like I do have a somewhat a musical 185 00:09:16,240 --> 00:09:16,880 Speaker 4: element to me. 186 00:09:17,040 --> 00:09:18,840 Speaker 2: Absolutely, I'm getting that I don't. 187 00:09:18,880 --> 00:09:20,960 Speaker 4: I don't play an instrument. I want to learn. 188 00:09:21,040 --> 00:09:24,240 Speaker 5: Okay, So that right there, I would say, would give 189 00:09:24,240 --> 00:09:24,480 Speaker 5: me the. 190 00:09:24,679 --> 00:09:27,559 Speaker 2: Because Brett doesn't. It doesn't play an instrument, and it 191 00:09:27,800 --> 00:09:30,120 Speaker 2: doesn't want to learn. He only wants to pretend that 192 00:09:30,200 --> 00:09:31,400 Speaker 2: he knows how to play one. 193 00:09:31,640 --> 00:09:36,600 Speaker 4: But I I really and how I speak and uh, 194 00:09:37,520 --> 00:09:41,040 Speaker 4: and the fact that I'm good with language two. Yes, yeah, 195 00:09:41,600 --> 00:09:45,559 Speaker 4: that's your instrument. Not fluent in another language, but I can. 196 00:09:46,120 --> 00:09:50,439 Speaker 4: I can take things on you know. Yeah there's something lyrical. Yes, yeah, 197 00:09:51,280 --> 00:09:57,120 Speaker 4: there's a musical quality to me. I think definitely. Yes, 198 00:09:57,360 --> 00:10:00,679 Speaker 4: it really does sort of hypnotize me. Voice is also 199 00:10:00,720 --> 00:10:04,679 Speaker 4: an instrument. Yeah, we're learning in just the speaking voice. 200 00:10:05,840 --> 00:10:06,880 Speaker 2: Yes, and this sort of. 201 00:10:06,960 --> 00:10:09,800 Speaker 4: Not necessarily the singing voice. 202 00:10:10,760 --> 00:10:13,800 Speaker 2: So he's got both. But he's got both. Yeah, okay, 203 00:10:14,080 --> 00:10:17,240 Speaker 2: I do need to take more vocal singing training. And 204 00:10:17,240 --> 00:10:18,760 Speaker 2: where are you taking that at YMCA? 205 00:10:18,920 --> 00:10:22,680 Speaker 4: I don't should I the pool started. I didn't know 206 00:10:22,720 --> 00:10:24,280 Speaker 4: that they offered classes. 207 00:10:23,880 --> 00:10:27,520 Speaker 2: The acoustics in the pool. Oh my god? Yeah, oh 208 00:10:27,559 --> 00:10:27,960 Speaker 2: I bet. 209 00:10:28,040 --> 00:10:32,200 Speaker 4: So it's not a class at the met Yes, the YMC. Yes, 210 00:10:32,320 --> 00:10:35,480 Speaker 4: the same way, Yeah, the same acoustics is the. 211 00:10:35,440 --> 00:10:37,880 Speaker 2: Pool has to be empty, but you can do stuff 212 00:10:37,880 --> 00:10:40,080 Speaker 2: in there that will force them to empty it out. 213 00:10:40,240 --> 00:10:43,640 Speaker 4: Right, it's a two steps. What the voice instructor does 214 00:10:43,720 --> 00:10:44,800 Speaker 4: is he ships in the pool. 215 00:10:45,840 --> 00:10:46,800 Speaker 2: Want you got there? 216 00:10:46,880 --> 00:10:50,280 Speaker 4: They trained the pool there and it's ready for an 217 00:10:50,280 --> 00:10:50,920 Speaker 4: open wound. 218 00:10:51,160 --> 00:10:53,080 Speaker 2: Sure, Yeah, you're in there with an open wound. 219 00:10:53,080 --> 00:10:55,360 Speaker 3: People spot that and then you go, well, let's find 220 00:10:55,400 --> 00:10:57,360 Speaker 3: the chlorin will clean it, and they go, no, no, 221 00:10:57,440 --> 00:10:58,600 Speaker 3: we have to clear it. 222 00:10:58,520 --> 00:11:01,000 Speaker 4: All out, which you know, so I have to give 223 00:11:01,040 --> 00:11:05,120 Speaker 4: myself an open wound or someone else someone else with 224 00:11:05,160 --> 00:11:07,680 Speaker 4: an open you can be there's always somebody at the 225 00:11:07,720 --> 00:11:08,840 Speaker 4: why who has an. 226 00:11:08,679 --> 00:11:12,640 Speaker 2: Open everybody's got that buddy who has an open wound. 227 00:11:12,840 --> 00:11:17,520 Speaker 2: We all know that. Yeah, and I've been that one. Sure, 228 00:11:17,840 --> 00:11:22,079 Speaker 2: Sure I don't. I don't have a lot of buddies 229 00:11:22,120 --> 00:11:27,200 Speaker 2: who are who got the wh Brett got news for you? 230 00:11:27,360 --> 00:11:30,400 Speaker 2: Then it's you. Hm, if you look around and none 231 00:11:30,400 --> 00:11:32,280 Speaker 2: of your buddies have oh. 232 00:11:32,120 --> 00:11:34,480 Speaker 4: We're talking about are we talking about emotional wounds here? 233 00:11:34,520 --> 00:11:38,760 Speaker 4: I definitely have many open emotional psychological wounds. 234 00:11:38,960 --> 00:11:41,040 Speaker 2: Okay, okay, I just want to say this is kind 235 00:11:41,080 --> 00:11:45,520 Speaker 2: of like a fun Hollywood show, so totally. No, you're right, 236 00:11:45,600 --> 00:11:48,440 Speaker 2: it's it's my fault. No, I just like like lots 237 00:11:48,440 --> 00:11:50,400 Speaker 2: of people, it just sucks. It just sucks when the 238 00:11:50,480 --> 00:11:53,680 Speaker 2: vibe gets sucked up. We're not like, you know, like 239 00:11:53,920 --> 00:11:55,760 Speaker 2: he wasn't like gonna tell you why. 240 00:11:56,000 --> 00:11:59,760 Speaker 4: I I just just saying that I have I do 241 00:11:59,880 --> 00:12:03,320 Speaker 4: have open wounds and don't dump the both of you. 242 00:12:04,080 --> 00:12:09,520 Speaker 2: Huh. Wow, I guess I didn't want the vibe to 243 00:12:09,520 --> 00:12:12,880 Speaker 2: get sucked up. Okay, now being forced. 244 00:12:12,600 --> 00:12:17,920 Speaker 3: To like examine, like I yeah, I guess I feel 245 00:12:18,880 --> 00:12:23,440 Speaker 3: not trying to force any distance between myself and Hayes. 246 00:12:23,480 --> 00:12:26,760 Speaker 2: It wasn't there before. We really is just a standing 247 00:12:26,800 --> 00:12:31,640 Speaker 2: for my dad. So at that point it's like, wow, 248 00:12:31,800 --> 00:12:33,640 Speaker 2: he's a standing for your dad. Huh. 249 00:12:33,720 --> 00:12:37,000 Speaker 4: You're really like clocking in. You relate to relationships in 250 00:12:37,080 --> 00:12:41,320 Speaker 4: terms of distance. You use a lot of distance lingo 251 00:12:42,080 --> 00:12:43,200 Speaker 4: both of you. 252 00:12:43,320 --> 00:12:47,360 Speaker 2: Yeah, that's cross country. That was a big cross country 253 00:12:47,360 --> 00:12:52,920 Speaker 2: go okay, so I'm thinking, yeah, in terms of distance 254 00:12:53,000 --> 00:12:56,480 Speaker 2: to be traveled as quickly as possible. I meddled at 255 00:12:56,480 --> 00:12:57,840 Speaker 2: the Park Invitational. 256 00:12:58,920 --> 00:13:02,640 Speaker 4: Oh great, yeah cool, thirteen years old? Yeah yeah, wait 257 00:13:03,000 --> 00:13:06,280 Speaker 4: what is that wicker Park Invitational. 258 00:13:05,880 --> 00:13:07,319 Speaker 2: Wickham Park Invitation, Wickham. 259 00:13:07,520 --> 00:13:10,640 Speaker 3: Yeah, that was the big cross country race for middle 260 00:13:10,679 --> 00:13:11,520 Speaker 3: schoolers school. 261 00:13:11,920 --> 00:13:15,440 Speaker 2: Yeah, great, we do that. That's a good memory. 262 00:13:15,559 --> 00:13:17,960 Speaker 4: So we led all of that to a good memory, right, 263 00:13:18,040 --> 00:13:19,439 Speaker 4: or maybe it's a bad memory. 264 00:13:20,880 --> 00:13:23,439 Speaker 2: But anyway, what were you what were you? Oh? 265 00:13:23,679 --> 00:13:26,120 Speaker 4: Okay, well that's that's not good. 266 00:13:26,120 --> 00:13:28,000 Speaker 2: I had to get a ride home from my friend's mom. 267 00:13:28,240 --> 00:13:31,280 Speaker 4: Oh wow, well your friend's mom was there or no, 268 00:13:31,360 --> 00:13:32,520 Speaker 4: she just came and picked you up. 269 00:13:33,160 --> 00:13:38,800 Speaker 2: She was, she had ulterior motives. Oh boy. Uh, but 270 00:13:39,240 --> 00:13:42,120 Speaker 2: you know what, let's talk about. We were talking about 271 00:13:42,200 --> 00:13:46,600 Speaker 2: being pissed. Yes, this is a pretty huge wound and 272 00:13:46,760 --> 00:13:48,679 Speaker 2: like my forehead, basically. 273 00:13:48,400 --> 00:13:51,200 Speaker 3: Emotional psychological, which is financial wound. 274 00:13:51,240 --> 00:13:53,560 Speaker 2: Dockerman didn't invite us to do the Pea Cast Blast, 275 00:13:53,960 --> 00:13:56,280 Speaker 2: and we had a charity show scheduled with the dough 276 00:13:56,360 --> 00:14:00,560 Speaker 2: Boys that they had to cancel because of an exclusive clause. 277 00:14:00,720 --> 00:14:04,440 Speaker 2: Brett an exclusivity clause with the Pea Cast Blast. 278 00:14:04,760 --> 00:14:08,160 Speaker 4: So the who are the dough Boys again? Oh, Brett, 279 00:14:08,160 --> 00:14:09,439 Speaker 4: you gotta do dough Boys? 280 00:14:09,520 --> 00:14:12,360 Speaker 2: Who are the dough Boys again? And Janet you bring 281 00:14:12,840 --> 00:14:17,120 Speaker 2: on boys? God? Who are the dough Boys? And Mike 282 00:14:17,240 --> 00:14:22,360 Speaker 2: Mitchell and Nick No I know, of course I know them, 283 00:14:22,400 --> 00:14:24,360 Speaker 2: and that's right. That is their show and. 284 00:14:24,360 --> 00:14:31,800 Speaker 3: Their dynamic is unbelievable. It's this like almost mismatched energy, 285 00:14:32,520 --> 00:14:34,240 Speaker 3: like like a couple. 286 00:14:34,320 --> 00:14:39,280 Speaker 2: That's odd. I detect hostility in your voice comedic if 287 00:14:39,320 --> 00:14:41,720 Speaker 2: you can imagine something like where one where one of 288 00:14:41,760 --> 00:14:43,760 Speaker 2: them is a little more clean cut. 289 00:14:44,000 --> 00:14:47,680 Speaker 4: And okay, and the other they couldn't. 290 00:14:49,640 --> 00:14:54,600 Speaker 2: No, no, well you're on the other and you're like, 291 00:14:54,600 --> 00:14:57,920 Speaker 2: the other must also be clean. But he's not. 292 00:14:58,000 --> 00:15:02,560 Speaker 4: He's Mitch, I know off because I know Mitch is 293 00:15:02,600 --> 00:15:06,040 Speaker 4: not nebishy, he's you know, no, he's a bit of. 294 00:15:06,000 --> 00:15:10,680 Speaker 2: A loud mouth. Yeah who Mitch. Yeah you could call 295 00:15:10,720 --> 00:15:12,000 Speaker 2: it like a puppy. 296 00:15:12,000 --> 00:15:14,000 Speaker 4: I've always thought he was like very puppy ass, but 297 00:15:14,160 --> 00:15:15,440 Speaker 4: like a messy puppy. 298 00:15:15,600 --> 00:15:15,880 Speaker 2: Yeah. 299 00:15:15,960 --> 00:15:19,320 Speaker 4: Yeah, puppies are messy, bitch. Yeah, puppies are messy. 300 00:15:19,600 --> 00:15:23,880 Speaker 2: So they get to go to the Pea Cast Blast, okay, 301 00:15:24,160 --> 00:15:26,320 Speaker 2: but they can't do the charity show. So that's money 302 00:15:26,360 --> 00:15:30,120 Speaker 2: being stolen from charity. Are you really doing the first 303 00:15:30,160 --> 00:15:31,320 Speaker 2: time we were supposed to. 304 00:15:31,400 --> 00:15:34,720 Speaker 4: It's interesting that people over the Pea Cast Blast have 305 00:15:34,800 --> 00:15:40,200 Speaker 4: an exclusivity clause that isn't It makes me feel like 306 00:15:40,280 --> 00:15:44,480 Speaker 4: podcasting has gotten really out of control and that people 307 00:15:44,520 --> 00:15:47,320 Speaker 4: are pretending that it's like, you know, I think, more 308 00:15:48,080 --> 00:15:49,120 Speaker 4: official than it is. 309 00:15:49,160 --> 00:15:50,920 Speaker 2: It seems like we could take a step back at 310 00:15:50,920 --> 00:15:55,480 Speaker 2: this point and be like, Okay, really, it's just you know. 311 00:15:55,560 --> 00:15:57,920 Speaker 4: This is it's just it's not good for anyone for 312 00:15:58,080 --> 00:16:00,680 Speaker 4: for us to be like having an exclusivity clause with 313 00:16:00,920 --> 00:16:03,880 Speaker 4: Pea Cast Blass no live appearances. I just I also 314 00:16:04,000 --> 00:16:06,400 Speaker 4: don't know how I feel about something called the Pea 315 00:16:06,440 --> 00:16:07,240 Speaker 4: Cast Blasts. 316 00:16:07,400 --> 00:16:12,520 Speaker 3: Well, I will, I think that's interesting because I wanted. 317 00:16:12,160 --> 00:16:16,160 Speaker 2: To look, is it interesting? Living well is the best revenge? Right, 318 00:16:16,360 --> 00:16:19,960 Speaker 2: I'm not going to sit here and drag Scott all day. 319 00:16:20,400 --> 00:16:22,280 Speaker 2: He made a festival, he's happy. 320 00:16:22,520 --> 00:16:24,520 Speaker 3: Why didn't I make a festival? And why don't I 321 00:16:24,600 --> 00:16:26,480 Speaker 3: give mine a fun name? And we were thinking of 322 00:16:26,520 --> 00:16:29,200 Speaker 3: announcing Hayes and I are going to schedule our own 323 00:16:29,240 --> 00:16:31,440 Speaker 3: podcast festival and we're going to call it the Stinky 324 00:16:31,480 --> 00:16:34,360 Speaker 3: pepe Fart Show or something like that, because that's apparently 325 00:16:34,400 --> 00:16:35,120 Speaker 3: what people want. 326 00:16:35,280 --> 00:16:39,400 Speaker 2: Wait, what, well, the Pea Cast blasts and it's speedee, 327 00:16:39,920 --> 00:16:44,160 Speaker 2: so they like kind of gross out. Hey yeah, Durin, 328 00:16:44,400 --> 00:16:46,480 Speaker 2: that is how it is spelled for real. 329 00:16:46,640 --> 00:16:49,680 Speaker 3: That's intentional and apparently people buy tickets to that and 330 00:16:49,760 --> 00:16:53,320 Speaker 3: that your credit card company will see that, right, key people? 331 00:16:53,400 --> 00:16:53,640 Speaker 2: Young? 332 00:16:54,240 --> 00:16:57,240 Speaker 4: Yeah, I guess, uh deny your adulthood. So this one 333 00:16:57,280 --> 00:17:04,400 Speaker 4: all costs. So this one is called the VP Stinky Part. Okay, 334 00:17:04,640 --> 00:17:06,639 Speaker 4: do you really want to stoop to that level? 335 00:17:06,640 --> 00:17:10,239 Speaker 2: Though? Because I look, I did need to do it. 336 00:17:10,600 --> 00:17:11,840 Speaker 2: I didn't want any. 337 00:17:11,640 --> 00:17:14,040 Speaker 4: Of it, but you feel and you guys, you were 338 00:17:14,080 --> 00:17:16,760 Speaker 4: telling me you were invited to the last one. 339 00:17:17,000 --> 00:17:19,879 Speaker 3: Yes, a year ago, we did appear on the show. 340 00:17:20,040 --> 00:17:23,120 Speaker 3: Scott apparently was not happy with how no one knew 341 00:17:23,160 --> 00:17:23,880 Speaker 3: who we were. 342 00:17:23,920 --> 00:17:26,919 Speaker 2: Or liked the show, and all of a sudden, that's ground. 343 00:17:26,960 --> 00:17:29,399 Speaker 4: Why didn't you people like the show? Why didn't people 344 00:17:29,480 --> 00:17:29,760 Speaker 4: like it? 345 00:17:31,280 --> 00:17:34,399 Speaker 2: Carl tart our guest, I guess was maybe his fault. 346 00:17:34,720 --> 00:17:37,200 Speaker 2: I would like to blame Carl if possible. Why would 347 00:17:37,200 --> 00:17:42,600 Speaker 2: it be his fault because I've been Yeah, I've been 348 00:17:42,640 --> 00:17:43,560 Speaker 2: doing what I do for. 349 00:17:43,480 --> 00:17:46,600 Speaker 4: A long time, Ryan, and Carl hasn't. 350 00:17:46,880 --> 00:17:49,520 Speaker 2: Well, he hasn't been doing what I do, that's for sure. 351 00:17:49,480 --> 00:17:54,480 Speaker 4: Right, right, which is hosting this Yeah, having your own show. 352 00:17:55,000 --> 00:17:56,800 Speaker 4: He was your guest on the show, right? 353 00:17:57,440 --> 00:17:57,920 Speaker 2: Yeah? 354 00:17:58,440 --> 00:18:01,320 Speaker 4: Was he not a guest on shows before yours? Was yours? 355 00:18:01,520 --> 00:18:04,280 Speaker 2: One of the first. He's one of the people's favorite guests. 356 00:18:04,520 --> 00:18:07,600 Speaker 2: Oh okay, thank you? Actually won an award for Favorite 357 00:18:07,720 --> 00:18:10,959 Speaker 2: Year World Guests. Oh wow? Really? Yeah for being on 358 00:18:11,000 --> 00:18:16,480 Speaker 2: this show. No, for being on Comedy Bang Bang, which 359 00:18:16,520 --> 00:18:18,000 Speaker 2: is part of it. I mean, it's the same thing 360 00:18:18,040 --> 00:18:21,040 Speaker 2: as like you know, putting p in the show. People 361 00:18:21,080 --> 00:18:24,440 Speaker 2: have a certain set of expectations with comedy bang bang that, 362 00:18:24,680 --> 00:18:28,200 Speaker 2: like everything's a big joke. Yeah, and we're like being 363 00:18:28,359 --> 00:18:31,720 Speaker 2: silly and not actually talking about real stuff, not like 364 00:18:31,760 --> 00:18:35,760 Speaker 2: real emotional stuff, but like real Hollywood news. Yeah, yeah, 365 00:18:35,800 --> 00:18:36,760 Speaker 2: of course big news. 366 00:18:36,760 --> 00:18:39,800 Speaker 4: No, I know what you mean. I uh oh. I 367 00:18:39,920 --> 00:18:42,640 Speaker 4: just moved that mic out of my eyeline. 368 00:18:42,240 --> 00:18:46,640 Speaker 2: And now we're able to make direct icon. Yeah, it's good. Right. 369 00:18:47,000 --> 00:18:50,840 Speaker 4: People love when I make prolonged eye contact with them. 370 00:18:51,600 --> 00:18:53,680 Speaker 2: I want to look at them in the eye. 371 00:18:54,080 --> 00:18:57,119 Speaker 4: They love when bread element into my right hand to 372 00:18:57,200 --> 00:19:01,320 Speaker 4: the Yeah. No, it creates a lot of new friendships. 373 00:19:02,080 --> 00:19:04,880 Speaker 4: So we thought, you know, go ahead, No, we thought, 374 00:19:04,960 --> 00:19:08,639 Speaker 4: you know, Brandon knows who everybody Brad do better to 375 00:19:08,760 --> 00:19:12,120 Speaker 4: take a chunk of this show, a percentage and help us, 376 00:19:12,160 --> 00:19:14,879 Speaker 4: like really build this into something that's huge, or at 377 00:19:14,960 --> 00:19:15,480 Speaker 4: least like. 378 00:19:15,640 --> 00:19:18,159 Speaker 2: The tiniest bit bigger than Pecas Blasts. One thing we 379 00:19:18,320 --> 00:19:20,440 Speaker 2: gonna be across the street, One thing we will run 380 00:19:20,480 --> 00:19:22,800 Speaker 2: into and you have to sort of be careful, is. 381 00:19:22,880 --> 00:19:26,680 Speaker 3: We have to have a huge exclusivity clause because if 382 00:19:26,720 --> 00:19:31,040 Speaker 3: somebody comes and talks bullshit nonsense. 383 00:19:30,600 --> 00:19:32,840 Speaker 2: On a mic, in one room. 384 00:19:33,280 --> 00:19:36,160 Speaker 3: It's got to be six months before they do totally 385 00:19:36,160 --> 00:19:38,000 Speaker 3: different stuff on a mic and another room. 386 00:19:38,359 --> 00:19:41,080 Speaker 4: Bow. I mean, when they're coming in and bringing in 387 00:19:41,119 --> 00:19:45,240 Speaker 4: this very studied, incredibly prepared material. 388 00:19:45,600 --> 00:19:46,639 Speaker 2: It's proprietary. 389 00:19:46,720 --> 00:19:50,400 Speaker 4: Yeah, I mean to to you have to keep it precious. 390 00:19:50,560 --> 00:19:52,919 Speaker 2: We got to draw some hard boundaries around that. 391 00:19:53,640 --> 00:19:56,280 Speaker 4: I mean, what the fuck man. People need to be 392 00:19:56,320 --> 00:19:59,960 Speaker 4: a big doll. People need to be like a big deal, right. 393 00:20:00,160 --> 00:20:04,000 Speaker 4: Everybody's gotta be a big fucking deal, right, yeah, yeah, 394 00:20:04,000 --> 00:20:08,760 Speaker 4: everybody's like, oh god, I'm huge. Every fuckhead on Twitter, right. 395 00:20:08,760 --> 00:20:12,119 Speaker 2: Just like yeah, look at my followers, look at my 396 00:20:12,240 --> 00:20:15,920 Speaker 2: hash check out my tweet. Oh read. 397 00:20:16,320 --> 00:20:19,400 Speaker 4: You know, we talk about the culture of narcissism right now, 398 00:20:19,480 --> 00:20:21,760 Speaker 4: but I mean, like we really we don't use this 399 00:20:21,880 --> 00:20:25,520 Speaker 4: term enough. Delusions of grange, thank you so much. 400 00:20:25,560 --> 00:20:27,840 Speaker 2: And everyone thinks they can do this when like, yes, 401 00:20:27,920 --> 00:20:31,159 Speaker 2: I'm doing it, but I actually have fans and I 402 00:20:31,200 --> 00:20:35,240 Speaker 2: have like like so many of them. But now everyone 403 00:20:35,320 --> 00:20:36,120 Speaker 2: else is doing it. 404 00:20:36,119 --> 00:20:41,760 Speaker 4: To please come on, go on, king, Yeah, take the 405 00:20:41,840 --> 00:20:42,520 Speaker 4: crown off. 406 00:20:42,800 --> 00:20:48,760 Speaker 2: Yeah, and see that it's made of paper. Yeah yeah. Paper. 407 00:20:49,400 --> 00:20:54,159 Speaker 2: It's like a it's like brutal, it's a yeah. No 408 00:20:54,280 --> 00:20:59,360 Speaker 2: it's corporate. Thank you. It's not even like a homemade crown. Yeah, 409 00:20:59,440 --> 00:21:04,040 Speaker 2: it's from corporate poisoning us. It's poisoning our families. 410 00:21:04,600 --> 00:21:08,520 Speaker 3: It's supposedly going to create a fun family experience, but 411 00:21:08,560 --> 00:21:14,080 Speaker 3: instead it's corporate. It's paper, it's doing climate change, toxic, 412 00:21:14,359 --> 00:21:18,800 Speaker 3: it's killing and there you get it. 413 00:21:18,880 --> 00:21:21,720 Speaker 4: Definitely. Yeah, and the tree is dead too. And the 414 00:21:21,960 --> 00:21:30,040 Speaker 4: tree is dead. So where is the peak pee whatever? 415 00:21:30,400 --> 00:21:33,840 Speaker 4: A hotel theater, a hotel theater. They're just going to 416 00:21:33,960 --> 00:21:35,679 Speaker 4: roll people in and they're going to sit down on 417 00:21:35,800 --> 00:21:39,480 Speaker 4: chairs and they're going to do their podcast for a 418 00:21:39,520 --> 00:21:40,760 Speaker 4: live audience. 419 00:21:40,400 --> 00:21:42,960 Speaker 2: And then another one does it, and then another one, 420 00:21:43,320 --> 00:21:45,560 Speaker 2: and then another one they've all got, and then another one. 421 00:21:45,760 --> 00:21:49,480 Speaker 2: They've all got six months exclusivity closets. Yes, but just 422 00:21:49,520 --> 00:21:51,560 Speaker 2: for l A and I think we are thinking we 423 00:21:51,600 --> 00:21:52,120 Speaker 2: would do. 424 00:21:52,680 --> 00:21:57,360 Speaker 3: No how city specific podcast performances are, of course, it's 425 00:21:57,480 --> 00:21:59,800 Speaker 3: of course it has to be in like Rila County that. 426 00:21:59,760 --> 00:22:03,320 Speaker 4: The imagine these people are really getting paid a lot 427 00:22:03,960 --> 00:22:06,679 Speaker 4: to do an exclusive. 428 00:22:06,160 --> 00:22:08,640 Speaker 3: I can only speak to my own experience from last year, 429 00:22:09,040 --> 00:22:10,399 Speaker 3: and no they are not. 430 00:22:10,720 --> 00:22:13,479 Speaker 2: Oh yeah, no I think we did. I don't remember 431 00:22:13,520 --> 00:22:15,960 Speaker 2: what we did. No, that will make Scott. 432 00:22:15,760 --> 00:22:19,480 Speaker 3: Matt that will No, I'm yes, I'm kidding, of course. 433 00:22:19,640 --> 00:22:21,200 Speaker 2: What I will say is a lot of people have. 434 00:22:21,160 --> 00:22:23,720 Speaker 3: Gone like, hey, you guys should go and be guests 435 00:22:23,760 --> 00:22:25,720 Speaker 3: on all the shows, and that'll be a thumb in 436 00:22:25,760 --> 00:22:28,359 Speaker 3: the eye. And I go like, why they're all getting paid? Yeah, 437 00:22:28,400 --> 00:22:30,440 Speaker 3: like they're probably getting paid pretty good money. He's gonna 438 00:22:30,400 --> 00:22:31,280 Speaker 3: pay us to be a guest. 439 00:22:31,400 --> 00:22:34,120 Speaker 2: Yeah, that's true. Yeah, And we have our arrival show 440 00:22:34,119 --> 00:22:36,880 Speaker 2: across the street, so we're gonna be a little busy. 441 00:22:36,960 --> 00:22:37,480 Speaker 2: That'll be great. 442 00:22:37,600 --> 00:22:39,879 Speaker 4: Across the street from the studio, or across the street 443 00:22:39,880 --> 00:22:40,240 Speaker 4: from the. 444 00:22:40,200 --> 00:22:42,760 Speaker 2: Ace, across the street from the Ace Hotel. 445 00:22:43,280 --> 00:22:46,480 Speaker 4: The Peepee Poop poo oh that yes, the peep Boop 446 00:22:46,920 --> 00:22:53,800 Speaker 4: Pooper duty fartstink Blast. Well, I'm in I mean, yes, 447 00:22:54,000 --> 00:22:58,959 Speaker 4: here's the thing. When is when is this pea cast blast? 448 00:22:59,240 --> 00:23:03,239 Speaker 2: I don't know when is it? When is it? And 449 00:23:03,440 --> 00:23:06,200 Speaker 2: I see Kevin lean over into Bret's ear into. 450 00:23:06,000 --> 00:23:11,160 Speaker 5: December fifte Sorry but you say, Brett, it's just totally 451 00:23:11,200 --> 00:23:11,760 Speaker 5: throwing me off. 452 00:23:11,920 --> 00:23:16,920 Speaker 4: Right, Has has Bang Bang been like guested? Is he 453 00:23:17,040 --> 00:23:20,480 Speaker 4: have all of his guests? Oh that's a good question, 454 00:23:21,119 --> 00:23:21,960 Speaker 4: because I am. 455 00:23:21,840 --> 00:23:23,600 Speaker 2: You're looking to get on the beak as I'm not 456 00:23:23,640 --> 00:23:25,800 Speaker 2: trying to get on it. I'm just like no, and 457 00:23:25,880 --> 00:23:28,600 Speaker 2: I won't do it. You want loyal guys. I'm just 458 00:23:28,640 --> 00:23:29,320 Speaker 2: saying like. 459 00:23:30,840 --> 00:23:33,000 Speaker 4: No, I mean you were joking about that. Actually, I 460 00:23:33,040 --> 00:23:35,320 Speaker 4: don't have to be exclusive, right? 461 00:23:37,600 --> 00:23:40,280 Speaker 2: What would I do then? If you're not exclusive? How 462 00:23:40,280 --> 00:23:45,439 Speaker 2: would we do a podcast? If you're exclusive? How can 463 00:23:45,480 --> 00:23:48,360 Speaker 2: I post you wait? Wait wait wait no we can? 464 00:23:48,440 --> 00:23:52,000 Speaker 2: We can? You can? You want? He can do movies? 465 00:23:52,240 --> 00:23:54,800 Speaker 3: Oh yeah, if you want to carve out a specific project, 466 00:23:54,800 --> 00:23:56,440 Speaker 3: as long as I can see the work on it 467 00:23:56,480 --> 00:23:57,040 Speaker 3: from the production. 468 00:23:57,280 --> 00:24:00,679 Speaker 4: No, boys can't do movies or television. Can only do 469 00:24:00,880 --> 00:24:01,760 Speaker 4: the peak as blasts. 470 00:24:01,880 --> 00:24:02,720 Speaker 2: Not gonna be an issue. 471 00:24:02,760 --> 00:24:06,600 Speaker 3: They didn't even blink at that, right, right, They were 472 00:24:06,640 --> 00:24:09,640 Speaker 3: like good, no, right, I mean love got cancab something 473 00:24:09,640 --> 00:24:11,800 Speaker 3: I can tell my love you know? 474 00:24:12,359 --> 00:24:14,840 Speaker 2: Or love ended its course? I mean didn't care. 475 00:24:14,880 --> 00:24:17,840 Speaker 3: It's good for them because it's like the holidays and 476 00:24:17,840 --> 00:24:19,720 Speaker 3: when they go home for Christmas and it's like, what 477 00:24:19,800 --> 00:24:20,399 Speaker 3: are you been working on? 478 00:24:20,400 --> 00:24:22,440 Speaker 2: It's like, actually, we did this big peak as blast. 479 00:24:22,480 --> 00:24:24,520 Speaker 2: We're not allowed to be in movies and stuff for 480 00:24:24,560 --> 00:24:27,040 Speaker 2: a while. Yeah, And that's about how long Mitch goes 481 00:24:27,080 --> 00:24:31,159 Speaker 2: back to Quinzy for for the holidays. It's about six months, 482 00:24:31,160 --> 00:24:34,240 Speaker 2: so he has kind of built it exclusivety clause whether 483 00:24:34,320 --> 00:24:37,760 Speaker 2: his travel plans. Cool. So let's talk about who is 484 00:24:37,800 --> 00:24:40,240 Speaker 2: gonna who else is gonna do this show? Should I say? 485 00:24:40,240 --> 00:24:43,480 Speaker 2: Some of the people we've been talking to, I've been 486 00:24:43,600 --> 00:24:49,600 Speaker 2: hearing that starting his own podcast is potentially Don Shula, 487 00:24:49,920 --> 00:24:55,080 Speaker 2: who is them the coach of the seventy two Miami Dolphins, 488 00:24:55,359 --> 00:25:00,679 Speaker 2: the only perfect football season ever, a show called If 489 00:25:00,720 --> 00:25:02,639 Speaker 2: the Shoe Fits. If the Shoe Fits? 490 00:25:02,840 --> 00:25:07,080 Speaker 4: Yes, oh great, And we are in conversations with some 491 00:25:07,160 --> 00:25:12,880 Speaker 4: of his people about him potentially uh doing the peep 492 00:25:12,960 --> 00:25:14,080 Speaker 4: booo speaking part. 493 00:25:15,240 --> 00:25:19,280 Speaker 2: So funny, it's just like it's good. Oh yeah, uh. 494 00:25:19,440 --> 00:25:25,000 Speaker 4: People blasts, yes, yeah, yeah, it has to be a blast, 495 00:25:25,800 --> 00:25:29,040 Speaker 4: and that maybe Darcy Carden will be his guest. 496 00:25:29,960 --> 00:25:33,600 Speaker 2: Who Darcy Carden? Who's Darcy Carden? So you know where 497 00:25:34,119 --> 00:25:37,000 Speaker 2: from a good place? Who? Of course? 498 00:25:37,080 --> 00:25:39,320 Speaker 4: Of course, of course Darcy Cardon, Yes, of course what 499 00:25:39,400 --> 00:25:46,440 Speaker 4: am I talking about? Yeah that sounds great, that's great. Okay, 500 00:25:46,480 --> 00:25:49,360 Speaker 4: that's a great start. So you got us three, Yeah. 501 00:25:49,320 --> 00:25:49,800 Speaker 2: We were. 502 00:25:49,840 --> 00:25:53,960 Speaker 3: I I have been a little bit emilling with Josh 503 00:25:54,040 --> 00:25:58,480 Speaker 3: Gatt about doing a show called on book. Now, there 504 00:25:58,680 --> 00:26:00,720 Speaker 3: is of course a show at the p cast class 505 00:26:00,760 --> 00:26:01,880 Speaker 3: called off book where these. 506 00:26:01,800 --> 00:26:04,840 Speaker 2: People create an improvised musical. Pretty fun. But what about 507 00:26:04,880 --> 00:26:07,720 Speaker 2: on book where Josh Gadd just reads a book? 508 00:26:08,359 --> 00:26:08,479 Speaker 1: Hm? 509 00:26:08,920 --> 00:26:12,320 Speaker 4: Great, you know, like gats and we do that production 510 00:26:12,400 --> 00:26:16,120 Speaker 4: of gats Do you know about this theater production where 511 00:26:16,160 --> 00:26:18,879 Speaker 4: they did the whole book? It's like eight hours of 512 00:26:18,920 --> 00:26:23,560 Speaker 4: the Great Gatsby. Oh I thought it was Josh doing cats. No, 513 00:26:23,720 --> 00:26:24,879 Speaker 4: but that should happen too. 514 00:26:25,000 --> 00:26:27,880 Speaker 2: Yeah, so they just because. 515 00:26:27,520 --> 00:26:33,000 Speaker 4: Of my very fat cat. Yeah, every one thousand, one 516 00:26:33,040 --> 00:26:35,560 Speaker 4: thousand cats that you know, I've seen it ten times billion? 517 00:26:35,760 --> 00:26:37,840 Speaker 4: Oh you have, yes, so it does ten thousand cats 518 00:26:37,840 --> 00:26:41,600 Speaker 4: for you. We stop Janet? Uh being bad? 519 00:26:41,680 --> 00:26:44,400 Speaker 2: Janet? She doesn't like when you talk about cats. No, no, no, 520 00:26:44,480 --> 00:26:47,200 Speaker 2: she doesn't like that at all. Dog only for Janet. 521 00:26:47,280 --> 00:26:49,680 Speaker 4: Yeah, which I mean one thousand cats. I'd say that 522 00:26:50,320 --> 00:26:53,760 Speaker 4: one thousand cats is almost as huge as the dough Boys. 523 00:26:54,160 --> 00:26:57,200 Speaker 4: Yeah right, yeah, the dough Boys very popular. 524 00:26:57,359 --> 00:27:00,000 Speaker 2: They have very popular podcast. Fortunately, can we check out 525 00:27:00,080 --> 00:27:04,840 Speaker 2: on how many Patreon subscribers they have? Please, Little Bretts, Yes, coming. 526 00:27:04,680 --> 00:27:07,760 Speaker 3: Right up, thank you, and I'll have the calculator out 527 00:27:07,800 --> 00:27:09,000 Speaker 3: so we can tell you how much money? 528 00:27:09,200 --> 00:27:11,400 Speaker 4: How is this show? I mean, you guys, get right, 529 00:27:11,840 --> 00:27:12,679 Speaker 4: you're doing okay. 530 00:27:13,119 --> 00:27:15,320 Speaker 2: Well, so here's the thing. Last time we tried to 531 00:27:15,320 --> 00:27:17,439 Speaker 2: say how much money we make off this show, we 532 00:27:17,480 --> 00:27:21,560 Speaker 2: got in trouble. Kevin deleted it because it's in our 533 00:27:21,600 --> 00:27:24,000 Speaker 2: contract that we're not allowed to set. It was like 534 00:27:24,040 --> 00:27:27,520 Speaker 2: a non disclosure right because he wants to keep us 535 00:27:27,560 --> 00:27:28,880 Speaker 2: from unionizing. 536 00:27:31,480 --> 00:27:35,640 Speaker 4: Where are we at on the patrons? Not anymore? Everything 537 00:27:35,680 --> 00:27:42,320 Speaker 4: nothing's illegal anymore. Everything's legal now except except uh, you know, 538 00:27:43,040 --> 00:27:53,360 Speaker 4: being free anyway, being free to be who you are anyway, 539 00:27:53,840 --> 00:27:55,520 Speaker 4: what a free speech is illegal? 540 00:27:55,880 --> 00:27:58,119 Speaker 2: And I'm not many how many patrons? 541 00:27:58,560 --> 00:28:01,040 Speaker 5: Dough Boys has six thousand and four hundred and forty 542 00:28:01,040 --> 00:28:02,200 Speaker 5: five patrons. 543 00:28:01,840 --> 00:28:06,320 Speaker 2: Minimum five dollars each, Yeah, per month, So that's per 544 00:28:06,440 --> 00:28:09,480 Speaker 2: month what they make per month? Thirty two thousand dollars 545 00:28:09,520 --> 00:28:11,320 Speaker 2: a month the dough Boys get, but some of them 546 00:28:11,320 --> 00:28:13,120 Speaker 2: pay more than that. There's a higher tier. Shot. 547 00:28:13,320 --> 00:28:15,199 Speaker 4: You get a certain amount of money off of your patron. 548 00:28:15,280 --> 00:28:18,120 Speaker 2: They're they're Patreon. Yeah that's all because they pay yeah, 549 00:28:18,160 --> 00:28:20,800 Speaker 2: oh yeah, yes, it's five dollars subscription. Wow, the dope 550 00:28:20,800 --> 00:28:24,160 Speaker 2: boys are making thirty two grand a month, and they 551 00:28:24,240 --> 00:28:26,760 Speaker 2: still felt they had to do They're splitting three hundred 552 00:28:26,760 --> 00:28:28,760 Speaker 2: and eighty six thousand dollars. I got a b instead 553 00:28:28,800 --> 00:28:29,480 Speaker 2: of charity. 554 00:28:29,680 --> 00:28:32,000 Speaker 4: Man, I got to start doing a fucking podcast again. 555 00:28:32,080 --> 00:28:35,360 Speaker 4: That's not like an album every episode. Hell yeah, that's 556 00:28:35,359 --> 00:28:37,720 Speaker 4: how me Cyrus fucked up. We put too much work 557 00:28:37,720 --> 00:28:38,520 Speaker 4: on her shoulders. 558 00:28:38,680 --> 00:28:44,640 Speaker 2: And please mistake effort is never rewarded and possible and open. 559 00:28:44,760 --> 00:28:47,800 Speaker 4: My mother has been wanting to do a podcast with me. 560 00:28:48,120 --> 00:28:52,480 Speaker 4: Great yesterday, that would be popular. Good, that's a new thing. 561 00:28:52,720 --> 00:28:54,200 Speaker 4: Started pay with my mother. 562 00:28:54,480 --> 00:28:57,680 Speaker 2: Yeah, don't tell her, but yeah, start a Patreon don't 563 00:28:57,680 --> 00:29:02,360 Speaker 2: tell her about it. And Janet too. Can hear Janet 564 00:29:02,360 --> 00:29:06,400 Speaker 2: at home? But definitely they're like, yeah we can. Yeah, 565 00:29:06,440 --> 00:29:08,160 Speaker 2: will you stop? Will you stop? 566 00:29:08,920 --> 00:29:12,840 Speaker 4: Uh? Oh god, okay, that's a not I mean it 567 00:29:12,960 --> 00:29:18,120 Speaker 4: is like, no, it's absolutely Janet respect showbiz. It pays 568 00:29:18,120 --> 00:29:19,400 Speaker 4: your for your food. 569 00:29:19,840 --> 00:29:25,000 Speaker 2: Uh this particular show bi yeeah, thirty two grand a 570 00:29:25,120 --> 00:29:31,200 Speaker 2: month off a podcast and all around. Yes, fuck, it's 571 00:29:31,240 --> 00:29:33,800 Speaker 2: more than that. That's that was if you mostivited by five. 572 00:29:33,800 --> 00:29:36,080 Speaker 2: But there's an eight dollars there's a dollar tier and 573 00:29:36,120 --> 00:29:38,080 Speaker 2: they're doing live shows. That's double dop. 574 00:29:39,880 --> 00:29:42,640 Speaker 4: I gotta start doing a pot right, Brett, Little Brett, Yes, 575 00:29:43,080 --> 00:29:43,920 Speaker 4: you have to. 576 00:29:44,440 --> 00:29:46,520 Speaker 5: Yeah, and don't put any effort into it. 577 00:29:46,840 --> 00:29:49,320 Speaker 4: The more effort, I mean, every moment for me to 578 00:29:49,360 --> 00:29:52,840 Speaker 4: be on this fucking planet is a lot of effort. Okay, 579 00:29:52,880 --> 00:29:55,680 Speaker 4: with this brain? Oh my god. Not that my life 580 00:29:55,720 --> 00:29:58,800 Speaker 4: is hard, No, my life is very privileged. But my 581 00:29:59,000 --> 00:30:01,520 Speaker 4: brain what a drag, just. 582 00:30:02,520 --> 00:30:03,280 Speaker 2: Chomping on you. 583 00:30:03,440 --> 00:30:09,320 Speaker 4: Huh oh, it's always trying to get out. So we 584 00:30:09,400 --> 00:30:12,520 Speaker 4: got my first My first word was not a word, 585 00:30:12,560 --> 00:30:14,600 Speaker 4: it was a phrase. It was get me the hell 586 00:30:14,680 --> 00:30:19,240 Speaker 4: out of here? What is this anyway? Again? Put me 587 00:30:19,320 --> 00:30:22,280 Speaker 4: back and put me back in. Maybe that's what I'll 588 00:30:22,280 --> 00:30:26,080 Speaker 4: call the podcast between my mother and I. Put me 589 00:30:26,160 --> 00:30:32,200 Speaker 4: back in, and then the audience can guess whether it's 590 00:30:32,480 --> 00:30:34,400 Speaker 4: one of us or the two of us that are 591 00:30:34,680 --> 00:30:35,400 Speaker 4: mentally ill. 592 00:30:36,040 --> 00:30:36,600 Speaker 2: Ah. 593 00:30:37,520 --> 00:30:41,720 Speaker 4: Shoot, I think we know the answer to that card. 594 00:30:42,040 --> 00:30:47,320 Speaker 2: Anyway, Yes, who else? Who on book? You could have? 595 00:30:47,640 --> 00:30:49,880 Speaker 4: You could have gad and you could hopefully get a 596 00:30:49,880 --> 00:30:53,720 Speaker 4: Billy Crystal drop in you could have from your list. 597 00:30:55,280 --> 00:30:56,120 Speaker 2: Do you have a line? 598 00:30:56,520 --> 00:30:56,840 Speaker 4: Uh? 599 00:30:57,000 --> 00:31:00,440 Speaker 2: There is like you have contacts with Billy. 600 00:31:01,080 --> 00:31:03,400 Speaker 4: I mean, you know I can put it. I can 601 00:31:03,440 --> 00:31:06,320 Speaker 4: write a letter that maybe he'd appreciate. 602 00:31:06,600 --> 00:31:07,480 Speaker 2: Oh yeah, sure. 603 00:31:07,720 --> 00:31:09,680 Speaker 4: I feel like I'm in a place now where I'm 604 00:31:09,680 --> 00:31:12,480 Speaker 4: more respected as an artist than I ever have been. 605 00:31:13,760 --> 00:31:16,120 Speaker 4: So I'm not a big deal yet, but I definitely 606 00:31:16,160 --> 00:31:18,680 Speaker 4: am like a high medium deal, you know. 607 00:31:18,960 --> 00:31:21,800 Speaker 2: The artist artist. Yeah, and Billy's tapped in. 608 00:31:22,480 --> 00:31:25,880 Speaker 4: Billy is very tapped in. He knows all the stuff 609 00:31:25,880 --> 00:31:28,520 Speaker 4: that's going, very tapped into everything I'm seeing him at, 610 00:31:28,560 --> 00:31:31,560 Speaker 4: like the Bootleg Theater, Like he just shows up this 611 00:31:31,600 --> 00:31:34,560 Speaker 4: stuff and like a blue baseball cap pulled down low 612 00:31:34,600 --> 00:31:36,360 Speaker 4: because he just likes to know what. 613 00:31:36,400 --> 00:31:39,880 Speaker 2: The feel the energy of the young comedian. Yeah, and 614 00:31:40,000 --> 00:31:40,960 Speaker 2: I feel yeah, I know. 615 00:31:41,000 --> 00:31:45,120 Speaker 4: He's at the Dynasty Typewriter, Oh god, every concept every 616 00:31:45,280 --> 00:31:49,440 Speaker 4: night and calls it the Hayworth still still refuses to 617 00:31:49,480 --> 00:31:55,360 Speaker 4: call it Dynasty Typewriter, but he's there every night. Would 618 00:31:55,400 --> 00:31:59,200 Speaker 4: be incredible. Josh and Billy Jilly. Why didn't they just 619 00:31:59,480 --> 00:32:03,200 Speaker 4: do it to call it Jilly Jilli Bosch. Yeah, that 620 00:32:03,360 --> 00:32:07,240 Speaker 4: is that's Sewn's dog's name is Bosh. Yeah, that could 621 00:32:07,240 --> 00:32:08,520 Speaker 4: have been cool. That would have been cool. 622 00:32:08,560 --> 00:32:10,840 Speaker 2: So you get Gad, you get Billy, and you get 623 00:32:10,840 --> 00:32:11,280 Speaker 2: your dog. 624 00:32:11,840 --> 00:32:16,480 Speaker 4: One title Jillian Bosh Yes. 625 00:32:17,240 --> 00:32:21,040 Speaker 2: That could be so sweet. Think of the exclusivity clubs. 626 00:32:21,680 --> 00:32:24,160 Speaker 4: Oh my god, I think you could get your dog 627 00:32:24,200 --> 00:32:27,040 Speaker 4: to sign at least a two year exclusivity clause. 628 00:32:27,120 --> 00:32:29,360 Speaker 2: Yeah, I think Blast. 629 00:32:29,520 --> 00:32:32,280 Speaker 4: I'm probably a joke about how he has claws. 630 00:32:32,440 --> 00:32:35,080 Speaker 2: Yeah, who else is on the fucking pea cast? Blast? 631 00:32:35,200 --> 00:32:36,640 Speaker 2: I mean, I can't I can't believe the. 632 00:32:37,120 --> 00:32:41,920 Speaker 3: Off the teachers throwing shaded, teachers lounge throwing shade? 633 00:32:41,920 --> 00:32:44,920 Speaker 2: I know what is teacher's lounge? To ditch your premium 634 00:32:44,960 --> 00:32:47,000 Speaker 2: exclusive show? This is another way you can make big 635 00:32:47,040 --> 00:32:50,800 Speaker 2: money their show. You subscribe like the Netflix for podcasts, 636 00:32:51,160 --> 00:32:53,200 Speaker 2: You pay five dollars a month and you get access 637 00:32:53,240 --> 00:32:58,040 Speaker 2: to a bunch of shows like our premium show, uh 638 00:32:58,080 --> 00:33:01,800 Speaker 2: and the Teacher's Lounge and Scott and PFT and Lauren 639 00:33:01,840 --> 00:33:03,880 Speaker 2: Lapkus are doing one called freedom. 640 00:33:04,160 --> 00:33:08,320 Speaker 4: With Stitcher premium premium. But now stitch your premium so 641 00:33:08,400 --> 00:33:11,680 Speaker 4: that's allowed to coincide with ear Wolf or yes, and 642 00:33:11,680 --> 00:33:15,920 Speaker 4: in fact like a sister company. Yes, they're they're best friends. 643 00:33:15,960 --> 00:33:17,960 Speaker 4: And you could go. 644 00:33:17,840 --> 00:33:20,360 Speaker 3: With your mom to stitch your premium and you could 645 00:33:20,360 --> 00:33:21,880 Speaker 3: get the money up front. How much you don't want 646 00:33:21,880 --> 00:33:23,640 Speaker 3: to deal with the Patreon how much do you do 647 00:33:23,680 --> 00:33:26,800 Speaker 3: you guys make a living off of this show. Yes, yes, 648 00:33:27,200 --> 00:33:29,560 Speaker 3: but we're not even allowed to say that, right, we 649 00:33:29,560 --> 00:33:34,440 Speaker 3: can erase it now, Kevin fascinating through the podcasting podcasting 650 00:33:34,800 --> 00:33:37,000 Speaker 3: is I mean, why the fuck am I not doing this? 651 00:33:37,120 --> 00:33:40,000 Speaker 2: Kevin, Let's let's get it going. 652 00:33:40,600 --> 00:33:43,480 Speaker 4: The barrier to entry is very was so fun, and 653 00:33:43,560 --> 00:33:45,440 Speaker 4: that him like, just have a I just need a 654 00:33:45,520 --> 00:33:46,120 Speaker 4: simple thing. 655 00:33:46,360 --> 00:33:46,920 Speaker 2: I ditched. 656 00:33:47,640 --> 00:33:51,040 Speaker 4: Cyrus is nowhere near it. He doesn't have time anyway, 657 00:33:51,080 --> 00:33:53,320 Speaker 4: and fuck him, you know I don't need him. I 658 00:33:53,320 --> 00:33:54,280 Speaker 4: don't need anybody. 659 00:33:55,080 --> 00:33:58,400 Speaker 3: Uh, you'll make more and more podcasts if you start, 660 00:33:58,640 --> 00:34:01,600 Speaker 3: and then you will start to hate. 661 00:34:01,440 --> 00:34:03,880 Speaker 2: Yourself, repeat yourself and hate it. 662 00:34:03,920 --> 00:34:09,759 Speaker 4: But never repeat myself. And I never hate myself, and 663 00:34:09,800 --> 00:34:11,359 Speaker 4: I never hate anything that I'm doing. 664 00:34:13,920 --> 00:34:16,160 Speaker 2: It's great being a solo act. Bread, It's a real 665 00:34:16,239 --> 00:34:20,200 Speaker 2: advantage to me, Like just your own guy. We are 666 00:34:20,480 --> 00:34:24,160 Speaker 2: unfortunately lashed to each other for eternity. 667 00:34:24,800 --> 00:34:27,839 Speaker 4: And so my fake dad over here, right, And so 668 00:34:27,960 --> 00:34:30,520 Speaker 4: that HAPs you the more you're the patriarch of this, 669 00:34:31,000 --> 00:34:33,600 Speaker 4: well I'm the host. You get sort of getting that vibe, 670 00:34:33,640 --> 00:34:34,680 Speaker 4: of course, and. 671 00:34:34,600 --> 00:34:37,279 Speaker 2: Sehn sort of like a sidekick figure. Yes right, no, 672 00:34:37,360 --> 00:34:40,400 Speaker 2: of course, but even split, and so we will just 673 00:34:40,440 --> 00:34:45,400 Speaker 2: be costing each other money, uh, until we die, basically 674 00:34:45,640 --> 00:34:49,200 Speaker 2: just to look at each other and see like the 675 00:34:49,239 --> 00:34:52,600 Speaker 2: money being stolen from us. Essentially both of us experiencing 676 00:34:52,640 --> 00:34:55,640 Speaker 2: this until we die on the same day. 677 00:34:55,840 --> 00:34:58,560 Speaker 3: Right, could be a good sort of cartoon of two 678 00:34:58,760 --> 00:35:00,719 Speaker 3: pickpockets each reaching get one another. 679 00:35:00,920 --> 00:35:03,719 Speaker 2: Yeah, that's what it is. Wonderful. We're talking to Hayden 680 00:35:03,760 --> 00:35:09,240 Speaker 2: Christiansen about doing our ore the peepy poo poo poopy 681 00:35:09,320 --> 00:35:12,880 Speaker 2: far okay duty blast yeah, uh. 682 00:35:12,680 --> 00:35:16,320 Speaker 3: Shattered cast it's some uh just a sort of behind 683 00:35:16,320 --> 00:35:18,120 Speaker 3: the scenes of the film Shattered Glass. 684 00:35:19,160 --> 00:35:21,120 Speaker 2: But he in podcast form. 685 00:35:21,320 --> 00:35:25,239 Speaker 4: You know, I grew up. I grew up with that 686 00:35:25,680 --> 00:35:31,080 Speaker 4: with glass with his brother. I was in a sketch 687 00:35:31,120 --> 00:35:33,480 Speaker 4: group in high school with his brother. I was in 688 00:35:33,600 --> 00:35:37,360 Speaker 4: Grapes of Wrath with his brother. His brother directed me 689 00:35:37,800 --> 00:35:42,160 Speaker 4: in this play in which I I don't remember the 690 00:35:42,239 --> 00:35:45,360 Speaker 4: name of it, but I played a gnome who writes 691 00:35:45,680 --> 00:35:48,759 Speaker 4: for this guy and is kept in his closet. But like, 692 00:35:48,840 --> 00:35:50,880 Speaker 4: you know, it's sort of like a gnome sirrh no. 693 00:35:52,120 --> 00:35:55,120 Speaker 4: But uh, I think that's what it's called. It was 694 00:35:55,120 --> 00:35:56,000 Speaker 4: called Gnome. 695 00:35:55,840 --> 00:36:05,320 Speaker 6: Sirrah no no no, okay, no, No, I thought siren, Siren, 696 00:36:05,400 --> 00:36:10,240 Speaker 6: Nomono great Berger, no de Bergia. 697 00:36:11,800 --> 00:36:15,000 Speaker 4: Really, I don't remember the name it really was. And 698 00:36:15,080 --> 00:36:19,320 Speaker 4: I think the original actor who played uh, my character 699 00:36:19,520 --> 00:36:25,960 Speaker 4: was what's his name from Fraser not Kelsey Ye Pierce, 700 00:36:26,040 --> 00:36:28,880 Speaker 4: of course, the great David Hyde Pierce. I was very honored. 701 00:36:28,960 --> 00:36:30,200 Speaker 2: This is a real play. 702 00:36:30,520 --> 00:36:33,560 Speaker 4: It is a real play. But like, yeah, his brother. 703 00:36:33,840 --> 00:36:35,720 Speaker 4: I grew up with his brother, So that's amazing. 704 00:36:35,880 --> 00:36:37,560 Speaker 2: I was really hoping you would say that, because we 705 00:36:37,560 --> 00:36:38,600 Speaker 2: don't actually have him. 706 00:36:38,680 --> 00:36:42,120 Speaker 4: I'm just kind of throwing wishes, saying things. We haven't 707 00:36:42,160 --> 00:36:45,440 Speaker 4: talked to Mike in quite a while. Glass, Mike Glass, 708 00:36:45,440 --> 00:36:47,719 Speaker 4: but I can, uh, I can reach out and see 709 00:36:47,760 --> 00:36:48,280 Speaker 4: what's happening. 710 00:36:48,360 --> 00:36:51,160 Speaker 2: Janet, So you talked to Mike. He gets us. 711 00:36:51,280 --> 00:36:53,920 Speaker 3: Jason interesting they were both born with sort of a 712 00:36:53,960 --> 00:36:58,480 Speaker 3: flair for the theatrical and one channel the arts and 713 00:36:58,560 --> 00:37:04,520 Speaker 3: the other into the which fabulation of the Yeah, I mean, yeah, definitely. 714 00:37:04,080 --> 00:37:06,440 Speaker 2: Nowadays in trouble for doing that. 715 00:37:06,640 --> 00:37:10,440 Speaker 4: Well, it is The media is nobel prize. The media 716 00:37:10,520 --> 00:37:14,440 Speaker 4: is you know, hey, if you could remove the terror 717 00:37:14,520 --> 00:37:19,000 Speaker 4: and rage associated with your own feelings when you watch it, 718 00:37:19,360 --> 00:37:22,520 Speaker 4: the news would be the best television show on television. 719 00:37:22,680 --> 00:37:26,160 Speaker 2: Sure, and I think so. I've been working on it 720 00:37:26,360 --> 00:37:29,680 Speaker 2: like a sort of a thought experiment of comparing our 721 00:37:29,800 --> 00:37:34,160 Speaker 2: current political situation to a reality show that's so innovative. 722 00:37:35,120 --> 00:37:39,200 Speaker 2: I'm figuring it out, figure out exactly what it is similarity. 723 00:37:39,280 --> 00:37:42,200 Speaker 4: Yeah, I mean, I think you're going on a little 724 00:37:42,200 --> 00:37:43,040 Speaker 4: bit of a limb there. 725 00:37:43,640 --> 00:37:45,840 Speaker 2: But again, I am going to make sure it's fully 726 00:37:45,880 --> 00:37:49,160 Speaker 2: baked before I introduce it to Yeah. 727 00:37:49,320 --> 00:37:51,560 Speaker 4: See how many people agree with that or not? Yeah, 728 00:37:51,880 --> 00:37:54,600 Speaker 4: I'm testing it. I'm sure you'll get a fair amount. 729 00:37:54,960 --> 00:37:58,320 Speaker 4: Is this news now? That's all I'm asking this. 730 00:37:58,239 --> 00:38:00,600 Speaker 2: News now to a reality show? Yeah? Today? 731 00:38:01,719 --> 00:38:03,760 Speaker 3: Now are you saying it would be the best television 732 00:38:03,800 --> 00:38:05,440 Speaker 3: show on television all time? 733 00:38:05,760 --> 00:38:09,160 Speaker 2: Or just right now? Because right now? 734 00:38:09,280 --> 00:38:12,479 Speaker 3: Because well yes, well we know number one's good place, 735 00:38:12,480 --> 00:38:14,360 Speaker 3: because we read the TV Guide ratings. 736 00:38:14,400 --> 00:38:16,759 Speaker 2: Tv gud did point they did top one hundred and 737 00:38:16,840 --> 00:38:19,400 Speaker 2: the news was actually not it was before camping, by 738 00:38:19,440 --> 00:38:21,200 Speaker 2: the way, I want to say, Brett, so that was 739 00:38:21,239 --> 00:38:23,000 Speaker 2: not eligible before you asked? 740 00:38:23,080 --> 00:38:26,399 Speaker 4: Right, okay, but my other what about Stranger Things? Where 741 00:38:26,440 --> 00:38:27,680 Speaker 4: was that Stranger Things was. 742 00:38:27,760 --> 00:38:30,239 Speaker 2: On the way on there? Yeah? Oh yeah, Brett? What 743 00:38:30,280 --> 00:38:33,120 Speaker 2: was Stranger Things on the TV Guide Top one hundred list, 744 00:38:33,760 --> 00:38:37,160 Speaker 2: TV Guy Top one hundred shows. Right now, Stranger Thing, 745 00:38:37,239 --> 00:38:37,640 Speaker 2: pull it. 746 00:38:37,640 --> 00:38:42,560 Speaker 5: Up TV Guide Top one hundred. 747 00:38:43,040 --> 00:38:45,840 Speaker 2: Oh no, there's no way he finds it. Oh god, 748 00:38:46,800 --> 00:38:48,000 Speaker 2: and we have to just wait. 749 00:38:48,160 --> 00:38:50,919 Speaker 4: We could google it too. And Flea Bag, what about 750 00:38:50,960 --> 00:38:53,759 Speaker 4: Flea Bag was up there? It was, and so was 751 00:38:53,800 --> 00:38:58,880 Speaker 4: her other show, Killing, Yes, Killing eve Bro was number five. Yeah, 752 00:38:59,160 --> 00:39:02,719 Speaker 4: that was top five. It's very good. Good number four Phoebees. 753 00:39:02,800 --> 00:39:06,000 Speaker 4: You know, Phoebe's the ship. Yeah, the Duffer brothers are 754 00:39:06,000 --> 00:39:06,359 Speaker 4: the ship. 755 00:39:07,640 --> 00:39:09,560 Speaker 5: Do we get Should I go through the whole list, 756 00:39:11,200 --> 00:39:14,440 Speaker 5: all hundred hundred strangers? 757 00:39:14,600 --> 00:39:14,880 Speaker 2: Okay? 758 00:39:14,920 --> 00:39:18,839 Speaker 4: Well, what's what's number one? Good place? What's number two? 759 00:39:20,680 --> 00:39:21,200 Speaker 5: Atlanta? 760 00:39:21,600 --> 00:39:23,279 Speaker 2: Atlanta? Okay? What's number three? 761 00:39:24,640 --> 00:39:25,719 Speaker 5: Better call Saul again? 762 00:39:25,760 --> 00:39:27,239 Speaker 4: I just got the number four? 763 00:39:27,360 --> 00:39:29,280 Speaker 2: Game of Thrones, Better call Saul? Really? 764 00:39:29,640 --> 00:39:33,440 Speaker 4: Where time the better call Saul? Massively watched it is? 765 00:39:34,520 --> 00:39:37,760 Speaker 3: Oh gosh, I don't really know that much about their numbers. 766 00:39:39,120 --> 00:39:42,040 Speaker 2: It's a show. Yeah, yeah, I mean, of course there 767 00:39:42,080 --> 00:39:45,000 Speaker 2: it is. It got its own key art, so that 768 00:39:45,040 --> 00:39:49,200 Speaker 2: means it's really high. Seven seven. Okay, what about rather. 769 00:39:49,080 --> 00:39:51,479 Speaker 5: You didn't just read off the screen, I'd like to 770 00:39:51,520 --> 00:39:52,080 Speaker 5: present it? 771 00:39:52,239 --> 00:39:57,560 Speaker 4: Yeah, okay, okay, truly little Brett's getting I don't think 772 00:39:57,560 --> 00:39:58,120 Speaker 4: it can be. 773 00:39:58,080 --> 00:40:01,600 Speaker 2: Called little bread anymore. That was very big that right 774 00:40:01,800 --> 00:40:05,080 Speaker 2: feelings are to me. It feels like has his hand 775 00:40:05,400 --> 00:40:06,960 Speaker 2: to do, little forehead. 776 00:40:07,200 --> 00:40:10,960 Speaker 3: He's swinging and he's swinging at nothing, just can't quite 777 00:40:11,000 --> 00:40:11,520 Speaker 3: reach his. 778 00:40:12,280 --> 00:40:14,440 Speaker 2: Punching himself freaking nards. 779 00:40:14,840 --> 00:40:18,000 Speaker 4: Yeah, geezh. 780 00:40:18,360 --> 00:40:19,720 Speaker 2: So where was Stranger Things? 781 00:40:19,760 --> 00:40:20,080 Speaker 5: Seven? 782 00:40:20,320 --> 00:40:25,000 Speaker 2: Seven? So high? Seven? Okay? Wait? What's five? And six? Five? 783 00:40:25,040 --> 00:40:25,719 Speaker 2: Was killing Eve? 784 00:40:26,640 --> 00:40:27,840 Speaker 5: Six is Game of Thrones? 785 00:40:28,320 --> 00:40:29,240 Speaker 2: Was four Thrones? 786 00:40:29,719 --> 00:40:33,440 Speaker 5: Five is killing One day at a time, One. 787 00:40:33,360 --> 00:40:34,920 Speaker 2: Day at a time? Netflix? 788 00:40:35,000 --> 00:40:37,359 Speaker 4: So I gotta watch that. I mean, I heard that's good. 789 00:40:37,440 --> 00:40:39,759 Speaker 2: I haven't watched it. I did audition board auditioned for 790 00:40:39,920 --> 00:40:44,520 Speaker 2: Norman lear you did? Was it amazing? It was cool? 791 00:40:44,600 --> 00:40:46,440 Speaker 4: I met him once it somewhere? 792 00:40:46,920 --> 00:40:50,640 Speaker 2: Oh wow? And uh, I mean you know something else? Legend? 793 00:40:50,920 --> 00:40:52,000 Speaker 2: Yeah a legend? 794 00:40:52,200 --> 00:40:52,439 Speaker 1: Yeah? 795 00:40:52,800 --> 00:40:53,879 Speaker 2: Yeah, did we get him? 796 00:40:54,480 --> 00:40:57,960 Speaker 4: You could get Norman Leary, especially when he hears the 797 00:40:58,000 --> 00:41:00,680 Speaker 4: title of this peepee poop poof oh blast. 798 00:41:01,200 --> 00:41:07,480 Speaker 2: Yeah, he's in. He's in, so he's locked and he's exclusively. 799 00:41:08,440 --> 00:41:11,040 Speaker 4: Maybe you lie to him, You're like, peepee poopoo fart 800 00:41:11,040 --> 00:41:13,080 Speaker 4: blast race show. 801 00:41:15,600 --> 00:41:18,000 Speaker 2: That could be a nice little carrot to dangle. 802 00:41:18,280 --> 00:41:24,279 Speaker 4: Yeah, yeah, yeah, he'll be into that if you do that. Okay, cool, fleabag. 803 00:41:24,400 --> 00:41:25,000 Speaker 4: We're uh. 804 00:41:25,160 --> 00:41:28,680 Speaker 2: And they made this before camping obviously, okay, yes, not 805 00:41:28,840 --> 00:41:30,880 Speaker 2: eligible a pre camping list. 806 00:41:31,000 --> 00:41:33,440 Speaker 4: What about love? Is it is love to after it? 807 00:41:33,480 --> 00:41:37,120 Speaker 4: They didn't consider love. It's everything that's currently on TV before. 808 00:41:37,320 --> 00:41:39,359 Speaker 2: Love not on the list. And they and they said 809 00:41:39,360 --> 00:41:43,080 Speaker 2: explicitly that they that it was eligible. Just Mitch, if 810 00:41:43,080 --> 00:41:45,480 Speaker 2: you're listening, They said that it was okay to go 811 00:41:45,520 --> 00:41:47,719 Speaker 2: on the list, but it didn't make it. It was 812 00:41:47,800 --> 00:41:49,880 Speaker 2: number six hundred. And then they went through the Reach 813 00:41:49,960 --> 00:41:53,120 Speaker 2: show to but they well they went because of Mitch. 814 00:41:53,280 --> 00:41:55,360 Speaker 2: They went through a list of people that whose fault 815 00:41:55,360 --> 00:41:57,600 Speaker 2: it wasn't. They didn't say it was Mitch's fault. They said, 816 00:41:57,600 --> 00:41:59,920 Speaker 2: dear Mitch, it was eligibly. We want you to know that. 817 00:42:00,560 --> 00:42:02,920 Speaker 2: And it could have easily been on. And the reason 818 00:42:02,960 --> 00:42:08,960 Speaker 2: it wasn't on was not Brett Gelman, Claudio Dougherty, Paul Rust, Gillian, Gillian. 819 00:42:09,440 --> 00:42:14,680 Speaker 3: I always almost say Jillian, right, Gillian, everybody does, and 820 00:42:15,080 --> 00:42:17,480 Speaker 3: I know and I want to be the guy who 821 00:42:17,560 --> 00:42:18,200 Speaker 3: doesn't do that. 822 00:42:18,239 --> 00:42:20,640 Speaker 2: Well, you didn't. And then they say to you, they 823 00:42:20,640 --> 00:42:23,000 Speaker 2: said your name too, because it wasn't wasn't the clem 824 00:42:23,040 --> 00:42:26,839 Speaker 2: dog's fault because I did pop up? Yeah, clem dog. 825 00:42:27,560 --> 00:42:30,399 Speaker 4: Okay, now I get it, and now I feel less 826 00:42:30,400 --> 00:42:32,800 Speaker 4: bad about big You call yourself clem dog. 827 00:42:33,000 --> 00:42:34,480 Speaker 2: I could be Big Bread. Yeah. 828 00:42:34,560 --> 00:42:37,399 Speaker 4: Yeah, and Brett, I'm sure you're fine with little Bread 829 00:42:37,440 --> 00:42:39,040 Speaker 4: if he calls himself clem dog or no. 830 00:42:39,840 --> 00:42:42,919 Speaker 5: I don't love little bread. This is the first about 831 00:42:43,000 --> 00:42:48,600 Speaker 5: smart Brett sure Bread. 832 00:42:48,600 --> 00:42:56,480 Speaker 4: Eleman is bread, the genius bread, evil genius. Okay, so 833 00:42:56,600 --> 00:42:58,959 Speaker 4: this sounds great, everything that you're talking about. 834 00:42:58,960 --> 00:43:01,880 Speaker 2: Oh, yes, we'll go. It's a real Uh, it's a 835 00:43:01,920 --> 00:43:05,839 Speaker 2: recipe for success. How much your tickets? How much your tickets? Yeah, 836 00:43:06,000 --> 00:43:08,800 Speaker 2: I don't know. Four hundred dollars, four hundred bucks. Heyes, 837 00:43:09,080 --> 00:43:14,680 Speaker 2: you're writing that down four hundred dollars, yes, in my calculator. Yeah, 838 00:43:14,800 --> 00:43:17,400 Speaker 2: Bra has to go. Of course. I don't have to 839 00:43:17,440 --> 00:43:20,399 Speaker 2: go yet. Oh good, I have What do you want 840 00:43:20,440 --> 00:43:23,440 Speaker 2: to do? What do you want to It's very typical 841 00:43:23,440 --> 00:43:25,160 Speaker 2: for Kevin to lie to me about No, I do 842 00:43:25,280 --> 00:43:28,080 Speaker 2: have to go. What you what's going on? Doing a 843 00:43:28,160 --> 00:43:32,759 Speaker 2: big movie? I don't want to go. What am I doing? Oh? Well, 844 00:43:32,800 --> 00:43:37,960 Speaker 2: a movie is coming out on uh on vot. It's 845 00:43:38,000 --> 00:43:38,919 Speaker 2: called Room for Rent. 846 00:43:39,440 --> 00:43:44,680 Speaker 4: Okay, it's directed by Matt Atkinson, written directed by Matt Atkinson. 847 00:43:44,840 --> 00:43:49,000 Speaker 3: Any relation to the well, who do I know that Atkinson? 848 00:43:50,640 --> 00:43:56,359 Speaker 3: I'm thinking of the Atkins diet. Maybe relation to the diet. Well, 849 00:43:56,400 --> 00:43:59,040 Speaker 3: it's Atkinson, So I got it. 850 00:43:59,320 --> 00:43:59,960 Speaker 2: Let me ask him. 851 00:44:00,160 --> 00:44:04,160 Speaker 4: I'll ask him if and uh, I mean and some 852 00:44:04,239 --> 00:44:05,760 Speaker 4: old friends of ours and their. 853 00:44:06,239 --> 00:44:07,879 Speaker 2: Tell them, do me if they ever tell them lose 854 00:44:07,920 --> 00:44:11,400 Speaker 2: the sin it's cleaner, right? No, I just the end. 855 00:44:11,440 --> 00:44:14,040 Speaker 2: And then people, you know, people love that diet. So, 856 00:44:14,200 --> 00:44:17,000 Speaker 2: oh my god, people going crazy with this Acins diet. 857 00:44:17,640 --> 00:44:19,400 Speaker 4: Yeah, they're really going crazy. 858 00:44:19,719 --> 00:44:21,960 Speaker 2: Is all people talk about right now. 859 00:44:22,040 --> 00:44:24,600 Speaker 4: I mean, Janet's essentially on an Atkins diet right now 860 00:44:24,680 --> 00:44:25,400 Speaker 4: with these treats. 861 00:44:26,239 --> 00:44:28,759 Speaker 2: It's making her a little cranky. Yeah yeah yeah. 862 00:44:28,800 --> 00:44:32,640 Speaker 4: And then uh, and it's got Mark Little and Mark McKinney, 863 00:44:33,480 --> 00:44:37,040 Speaker 4: Stephanie Weir whoa uh. 864 00:44:36,640 --> 00:44:39,560 Speaker 2: And Carla Gallo whoa you know? 865 00:44:41,400 --> 00:44:41,600 Speaker 4: Yeah? 866 00:44:41,920 --> 00:44:42,680 Speaker 2: Room for Rent? 867 00:44:42,840 --> 00:44:45,880 Speaker 4: Yeah, and I'm I'm serious, border I have top billing 868 00:44:45,960 --> 00:44:49,399 Speaker 4: in it. Oh no, I'm not really like the lead lead. 869 00:44:49,480 --> 00:44:52,239 Speaker 4: I'm like the second lead. Oh, Mark's really the lead. 870 00:44:52,640 --> 00:44:55,640 Speaker 4: But if they took a look at the IMDb Pro 871 00:44:55,719 --> 00:44:58,399 Speaker 4: Star meter, and my lawyer did some fucking good yeah 872 00:44:58,520 --> 00:45:01,560 Speaker 4: good fancy like you shoved good star meter right in 873 00:45:01,600 --> 00:45:03,520 Speaker 4: their fucking faces, like he's shit. 874 00:45:03,920 --> 00:45:08,319 Speaker 2: I love it. And then I'm on Camping Yes, which 875 00:45:08,360 --> 00:45:10,560 Speaker 2: is on HBO right now. This is coming out of 876 00:45:10,560 --> 00:45:14,560 Speaker 2: this coming week. Thank you, Kevin Well. The third episode 877 00:45:14,640 --> 00:45:16,960 Speaker 2: out already. You know I'm talking about this episode of 878 00:45:17,120 --> 00:45:20,520 Speaker 2: this episode I saw, so I know exactly, so people 879 00:45:20,520 --> 00:45:21,520 Speaker 2: watch the third episode. 880 00:45:21,560 --> 00:45:24,200 Speaker 4: I just shot the second episode second season of Fleabag. 881 00:45:24,840 --> 00:45:30,680 Speaker 2: Oh yeah cool, And I got a lot of I'm 882 00:45:30,680 --> 00:45:32,920 Speaker 2: gonna start doing a podcast here with my mother. You 883 00:45:33,080 --> 00:45:33,480 Speaker 2: have to. 884 00:45:34,320 --> 00:45:37,440 Speaker 4: I'm gonna have my mother. I mean, Scott's a piece 885 00:45:37,440 --> 00:45:41,439 Speaker 4: of ship. Let's just say it. He's just piece of ship. Hey, 886 00:45:41,560 --> 00:45:46,279 Speaker 4: I like this mogul and it's like, you're not a 887 00:45:46,320 --> 00:45:50,000 Speaker 4: fucking mogul, dude, Okay, it's just you know, you're a 888 00:45:50,120 --> 00:45:54,759 Speaker 4: comedian amongst comedians. The worst thing, the worst thing that 889 00:45:54,760 --> 00:45:58,280 Speaker 4: that that happens in this scene is when comedians feel 890 00:45:58,360 --> 00:46:01,800 Speaker 4: the need to make themselves more important than their peers. 891 00:46:02,440 --> 00:46:04,240 Speaker 4: And this is constantly what is happening. 892 00:46:05,600 --> 00:46:08,880 Speaker 2: The reason that guy didn't get away from bosses, but 893 00:46:08,960 --> 00:46:12,480 Speaker 2: it's got but be my be a fucking boss. 894 00:46:12,640 --> 00:46:14,919 Speaker 4: And so we don't have true collaboration, and we don't 895 00:46:14,920 --> 00:46:17,520 Speaker 4: have true harmony, and we have a lot of bad feelings. 896 00:46:17,520 --> 00:46:20,759 Speaker 4: And it's like, look, we're all comedic. We all have 897 00:46:20,840 --> 00:46:23,640 Speaker 4: a lot of bad feelings. Sure, you know, otherwise we 898 00:46:23,640 --> 00:46:27,520 Speaker 4: wouldn't be funny, I guess. And you would just think 899 00:46:27,560 --> 00:46:30,600 Speaker 4: that somebody would really empathize with that, especially when they 900 00:46:30,640 --> 00:46:32,560 Speaker 4: themselves possess those. 901 00:46:32,440 --> 00:46:37,640 Speaker 2: Qualities, probably struggling with some stuff. Yeah, dominance, hierarchies and 902 00:46:39,239 --> 00:46:42,919 Speaker 2: to our nature, Scott is Yeah, he's a fucking sociopath. Yeah. 903 00:46:43,000 --> 00:46:52,400 Speaker 2: By