1 00:00:00,680 --> 00:00:04,960 Speaker 1: From Hollywood. See you, thank you for listening to us 2 00:00:06,000 --> 00:00:11,920 Speaker 1: on air with Ryan Seacrest. Tight turnaround. That was fast, 3 00:00:11,960 --> 00:00:15,560 Speaker 1: tight turnaround. Excited though, because getting up this morning not 4 00:00:15,720 --> 00:00:19,520 Speaker 1: hitting must news. We're gonna get with Lizzo this morning. 5 00:00:19,560 --> 00:00:21,599 Speaker 1: I'm gonna get with Shaggy this morning as well. So 6 00:00:21,600 --> 00:00:24,720 Speaker 1: that's very exciting. Uh, let's see, Shaggy is gonna be 7 00:00:24,720 --> 00:00:27,560 Speaker 1: on after seven, Lizzo will be with us fresh off 8 00:00:27,560 --> 00:00:32,479 Speaker 1: the Grammys after eight o'clock. Grammy ratings rock wow, it 9 00:00:32,520 --> 00:00:35,040 Speaker 1: makes sense. It was. I was intrigued. I was really 10 00:00:35,080 --> 00:00:37,320 Speaker 1: surprised with the Grammys this year, And like, but what 11 00:00:37,400 --> 00:00:42,919 Speaker 1: surprised you? They weren't as boring years past. Honestly, I 12 00:00:42,960 --> 00:00:45,520 Speaker 1: think the way that the show opened set the tone 13 00:00:45,560 --> 00:00:47,640 Speaker 1: for me. I think so too. It grabbed you. That 14 00:00:48,240 --> 00:00:51,040 Speaker 1: set the tone, right, It really kind of grabbed you, 15 00:00:51,440 --> 00:00:53,559 Speaker 1: and it made the whole night seem a little more 16 00:00:53,600 --> 00:00:57,880 Speaker 1: festive and loose and less contrived. They also put tables 17 00:00:57,920 --> 00:01:01,560 Speaker 1: out right, Yeah, that was and I like that. I mean, 18 00:01:01,600 --> 00:01:07,080 Speaker 1: it wasn't different. Yeah, we've seen that at the Heart Awards. 19 00:01:07,080 --> 00:01:10,440 Speaker 1: We've seen that at the Grammys. Usually has them in 20 00:01:10,440 --> 00:01:14,640 Speaker 1: like movie seating. They usually put chairs down on the 21 00:01:15,360 --> 00:01:17,720 Speaker 1: hard wood and everyone's just in the row. But it 22 00:01:17,760 --> 00:01:21,479 Speaker 1: did make it seem a little more comfortable. People were 23 00:01:21,520 --> 00:01:26,479 Speaker 1: drinking was double double double swift and she was double 24 00:01:26,480 --> 00:01:30,600 Speaker 1: stuff and whifting. Um. All right, so good morning. How 25 00:01:30,640 --> 00:01:33,959 Speaker 1: was your night, sissing? It was jam packed mom stuff. 26 00:01:34,000 --> 00:01:37,480 Speaker 1: We had dance class last night. Yeah, all the good stuff. 27 00:01:37,640 --> 00:01:39,520 Speaker 1: Give it to you because you also have to you 28 00:01:39,520 --> 00:01:42,080 Speaker 1: wear another hat here at kiss So you got this job, 29 00:01:42,160 --> 00:01:44,600 Speaker 1: that job. I leave here. I leave here about four 30 00:01:44,720 --> 00:01:47,360 Speaker 1: thirty pm and I pick up the kids from school, 31 00:01:47,440 --> 00:01:49,560 Speaker 1: and then after that is it has dance class at 32 00:01:49,560 --> 00:01:52,080 Speaker 1: four five. It's like it's like, go, go go, everything's 33 00:01:52,120 --> 00:01:54,400 Speaker 1: time to like the minute. Yeah, anything that gets set 34 00:01:54,440 --> 00:01:57,360 Speaker 1: back sets back the whole ripple. Yeah, it really does. 35 00:01:57,440 --> 00:02:00,440 Speaker 1: But she loves her tap and ballet. And we're home 36 00:02:00,520 --> 00:02:04,920 Speaker 1: by six thirty dinner, that read books again, and it 37 00:02:04,920 --> 00:02:07,400 Speaker 1: starts all over again. And here we are, Tanya, four 38 00:02:07,480 --> 00:02:11,280 Speaker 1: days until Valentine's Day? How you doing so excited? I'm 39 00:02:11,360 --> 00:02:15,760 Speaker 1: making you guys all Valentine's grams. You really are thoughtful 40 00:02:15,760 --> 00:02:18,480 Speaker 1: because you've got your own Valentine You've got to think about, 41 00:02:18,480 --> 00:02:20,120 Speaker 1: and then you're gonna do stuff for us. Oh, I'm 42 00:02:20,160 --> 00:02:23,960 Speaker 1: just making valentine Grams. But what's Valentine's gram You know, 43 00:02:24,080 --> 00:02:25,720 Speaker 1: like you passed them out in school with like a 44 00:02:25,720 --> 00:02:28,440 Speaker 1: little they're like cute little cars and happy Valentine's Day 45 00:02:28,440 --> 00:02:31,480 Speaker 1: and kids have to do to take a sweetheart on 46 00:02:31,560 --> 00:02:34,120 Speaker 1: them with the saying I don't know what candy I'm 47 00:02:34,120 --> 00:02:37,400 Speaker 1: gonna get maybe some kissing me. Yeah, in my lame mom, 48 00:02:37,440 --> 00:02:40,560 Speaker 1: I bought my kids Valentine's Grahams that didn't have candy 49 00:02:40,600 --> 00:02:43,680 Speaker 1: this year, So they're they're getting me out like pencils 50 00:02:43,680 --> 00:02:48,280 Speaker 1: and toys. Pencils and toys, kids, what candy? They're gonna 51 00:02:48,320 --> 00:02:50,880 Speaker 1: get so much candy from all the other kids, Like 52 00:02:51,480 --> 00:02:53,200 Speaker 1: you want to add to it. Yeah, they're gonna be 53 00:02:53,200 --> 00:02:55,320 Speaker 1: the kids that give out pencils and toys. Yeah they 54 00:02:55,320 --> 00:03:00,760 Speaker 1: are this year. Sorry you're some posted. Yep, they get it. 55 00:03:00,800 --> 00:03:03,600 Speaker 1: They get a pencil from ASA, they get a little 56 00:03:03,680 --> 00:03:06,840 Speaker 1: like cool toy thing from ACT. You're gonna associate love 57 00:03:06,880 --> 00:03:11,480 Speaker 1: with pencils. That's a really it has hearts on it. 58 00:03:11,720 --> 00:03:14,320 Speaker 1: My favorite candy for Valentine's Day is that Reese's heart. 59 00:03:15,040 --> 00:03:17,600 Speaker 1: You've seen the thickness of that Reese's peanut butter heart. 60 00:03:17,680 --> 00:03:19,640 Speaker 1: I feel like they're healthy too, because it's like peanut 61 00:03:19,639 --> 00:03:24,760 Speaker 1: butter inside. But it's it's a lot trying to lie 62 00:03:24,800 --> 00:03:30,120 Speaker 1: to myself and I don't don't look at it, just 63 00:03:30,240 --> 00:03:34,120 Speaker 1: eat it. It tastes so good. Just have one. I 64 00:03:34,120 --> 00:03:37,440 Speaker 1: also need to get lingerie. Yeah, I'm thinking about just 65 00:03:37,480 --> 00:03:42,080 Speaker 1: giving Michael like an underwear to be like tonight. Yeah, 66 00:03:42,080 --> 00:03:44,680 Speaker 1: Like I'm just gonna wrap like a thong and give 67 00:03:44,720 --> 00:03:47,400 Speaker 1: it well for me and then I'm just gonna get 68 00:03:47,400 --> 00:03:51,480 Speaker 1: his imagination going in the morning. Like I'm just gonna 69 00:03:51,720 --> 00:03:54,000 Speaker 1: like it's just gonna be like a present, is it, 70 00:03:54,040 --> 00:03:57,040 Speaker 1: here's your yours, it's mine. It'd be like, oh, he's 71 00:03:57,040 --> 00:04:03,600 Speaker 1: gonna No, it's to get his imagination going. I'm going 72 00:04:03,640 --> 00:04:05,560 Speaker 1: to give to him like this is what I'm gonna wear. 73 00:04:06,640 --> 00:04:09,800 Speaker 1: No guys, no, no, no, I'm what's his name on 74 00:04:09,840 --> 00:04:15,320 Speaker 1: this one? Show up with it? Show up where room? 75 00:04:16,839 --> 00:04:18,880 Speaker 1: I don't know. You wear it, You put it on 76 00:04:19,040 --> 00:04:21,560 Speaker 1: and you say to have a robe, take a rope 77 00:04:21,600 --> 00:04:24,280 Speaker 1: off there it is. You don't in the morning, like 78 00:04:24,400 --> 00:04:27,240 Speaker 1: five in the evening, I don't know what time, but 79 00:04:27,360 --> 00:04:29,479 Speaker 1: you don't give it to him to hold onto, to 80 00:04:29,640 --> 00:04:31,720 Speaker 1: take back to put on that's just not the way 81 00:04:31,720 --> 00:04:35,320 Speaker 1: you do it. Maybe you're right. I am right, okay, 82 00:04:35,440 --> 00:04:38,080 Speaker 1: all right, I'm taking no, no, no, no no, I don't mine. 83 00:04:38,120 --> 00:04:46,159 Speaker 1: I think he's right. I'll wear it. What do you 84 00:04:46,200 --> 00:04:50,480 Speaker 1: need done? We're here for you. I thought it was 85 00:04:50,520 --> 00:04:52,280 Speaker 1: a cute idea. Give it to him in the morning 86 00:04:52,440 --> 00:04:55,200 Speaker 1: here and then what she takes it back and I 87 00:04:55,240 --> 00:04:57,080 Speaker 1: was just gonna put it right on. Yeah, you put 88 00:04:57,200 --> 00:04:59,400 Speaker 1: it right right and later I was gonna put it on. 89 00:04:59,520 --> 00:05:05,680 Speaker 1: I'm gonna wear it all day. No, no, no, you 90 00:05:05,800 --> 00:05:07,480 Speaker 1: don't want to wear it at night that you had 91 00:05:07,520 --> 00:05:13,960 Speaker 1: it all day? Hi, guys, no tops, what are your plans? 92 00:05:14,920 --> 00:05:21,640 Speaker 1: Oh gosh, not that. I don't know me o. Yeah, 93 00:05:21,640 --> 00:05:23,400 Speaker 1: I like your idea. I like your idea. I'm gonna 94 00:05:23,440 --> 00:05:28,760 Speaker 1: wear it. Then your presence under the robe, and what's 95 00:05:28,760 --> 00:05:37,480 Speaker 1: that under the robe? Everybody's first Valentine's Day around here? Rusty? 96 00:05:39,240 --> 00:05:41,719 Speaker 1: All right? What are we doing? Oh? I know we do. 97 00:05:41,920 --> 00:05:44,479 Speaker 1: We are doing a lot of stuff coming on this morning, 98 00:05:44,520 --> 00:05:49,080 Speaker 1: Lizzo to win a Record of the year, Lizzo twenty 99 00:05:49,160 --> 00:05:52,839 Speaker 1: Shaggy this morning seven. Let me grab page here page. 100 00:05:52,839 --> 00:05:55,520 Speaker 1: Good morning? How are you doing? Hi? Good morning? How 101 00:05:55,560 --> 00:05:58,520 Speaker 1: are you? We are doing well. So you're calling about 102 00:05:58,760 --> 00:06:03,599 Speaker 1: a bacherette party. What's the question? Yeah, So I'm getting 103 00:06:03,640 --> 00:06:06,520 Speaker 1: married in June, and the other day one of my 104 00:06:06,560 --> 00:06:09,040 Speaker 1: friends was having a housewarming party with a big group 105 00:06:09,080 --> 00:06:12,640 Speaker 1: of like college friends and sorority sisters. So of course, 106 00:06:12,839 --> 00:06:16,520 Speaker 1: naturally wedding talk comes up. And there was a super 107 00:06:16,600 --> 00:06:19,760 Speaker 1: awkward moment because one of my friends was talking about 108 00:06:19,800 --> 00:06:23,359 Speaker 1: my bachelorette party and asked one of my sorority sisters 109 00:06:23,400 --> 00:06:27,680 Speaker 1: if she wanted to share a room. However, that particular 110 00:06:27,720 --> 00:06:31,880 Speaker 1: sorority sister has not been invited on the trip, and 111 00:06:31,920 --> 00:06:36,680 Speaker 1: so yeah, um, and so my friend just assumed that 112 00:06:36,760 --> 00:06:39,920 Speaker 1: she was, but she's not. And so so you're faced 113 00:06:39,960 --> 00:06:44,239 Speaker 1: with like, do you have to invite this other person? Right? Well, 114 00:06:44,360 --> 00:06:46,560 Speaker 1: the answer I think I don't know any about this stuff. 115 00:06:48,000 --> 00:06:50,080 Speaker 1: So but I think the answers. You should never feel 116 00:06:50,080 --> 00:06:52,080 Speaker 1: pressure invite somebody something like this you don't want to have. 117 00:06:52,279 --> 00:06:56,920 Speaker 1: That's true. Yeah, did she feel awkward? Did she know 118 00:06:57,040 --> 00:07:01,400 Speaker 1: she wasn't invited at the moment, No, at the moment, 119 00:07:01,480 --> 00:07:04,160 Speaker 1: she she didn't know that she wasn't invited. So I 120 00:07:04,200 --> 00:07:07,799 Speaker 1: just feel like, okay, like if they were a big 121 00:07:07,839 --> 00:07:10,120 Speaker 1: bachelorette party. Of course I would invite her, but I 122 00:07:10,160 --> 00:07:14,880 Speaker 1: wanted to keep it pretty intimate. Um, and so I 123 00:07:14,960 --> 00:07:17,400 Speaker 1: just I feel really bad now and I don't want 124 00:07:17,480 --> 00:07:21,960 Speaker 1: to make her feel bad or like excluded. Um, are 125 00:07:21,960 --> 00:07:24,200 Speaker 1: you going to be around her again in other settings 126 00:07:24,240 --> 00:07:28,280 Speaker 1: where you guys are all together again? Yes, definitely. Then 127 00:07:28,600 --> 00:07:31,000 Speaker 1: this is going to keep coming up. You know, she's 128 00:07:31,040 --> 00:07:34,400 Speaker 1: part of the circle, then you can't be forced in 129 00:07:34,400 --> 00:07:39,240 Speaker 1: to bring somebody to your wedding. But I'm just saying, 130 00:07:39,240 --> 00:07:43,360 Speaker 1: if she's in your circle, and if she's your why 131 00:07:43,400 --> 00:07:49,200 Speaker 1: is she your friend? Yeah? Well, I mean she's she 132 00:07:49,440 --> 00:07:51,960 Speaker 1: is my friend, but like she's you know, like I 133 00:07:52,040 --> 00:07:54,920 Speaker 1: have like a closer group of girlfriends that I wanted 134 00:07:54,960 --> 00:08:00,400 Speaker 1: to and made a little diagram of the situation, not 135 00:08:00,520 --> 00:08:04,600 Speaker 1: your friend's and here's everybody else? How many fun? How 136 00:08:04,600 --> 00:08:08,160 Speaker 1: many people do you want your bachelor party? Um? Ten? 137 00:08:08,960 --> 00:08:14,160 Speaker 1: And that's enough. One more is not gonna But is 138 00:08:14,240 --> 00:08:16,000 Speaker 1: she just not the vibe? Is she not the vibe? 139 00:08:16,000 --> 00:08:19,080 Speaker 1: But she kind of like a Debbie down. I mean, 140 00:08:19,160 --> 00:08:21,320 Speaker 1: she's just not I'm not as close to her as 141 00:08:21,400 --> 00:08:25,000 Speaker 1: I am with the other ten. Um, you know, like 142 00:08:25,080 --> 00:08:29,360 Speaker 1: she's kind of an acquaintance, Like, I like her, I'm 143 00:08:29,400 --> 00:08:33,439 Speaker 1: friends with her, but like you know, she's just not 144 00:08:35,040 --> 00:08:39,240 Speaker 1: one of my closest girlfriends. Well, you could stay out 145 00:08:39,240 --> 00:08:41,040 Speaker 1: of it. At the end of the day, you're not 146 00:08:41,080 --> 00:08:45,400 Speaker 1: the one planning your bachelorette. A great idea, that's true 147 00:08:45,400 --> 00:08:47,559 Speaker 1: to put it on your friend that's doing it and 148 00:08:47,800 --> 00:08:52,040 Speaker 1: throw my friend under the Yeah, do you like? I 149 00:08:52,080 --> 00:08:55,679 Speaker 1: don't know. All right, well, Paige, I think you've got 150 00:08:55,720 --> 00:08:58,760 Speaker 1: some guidance here. Good luck and congratulations. Good for you, 151 00:08:59,080 --> 00:09:01,800 Speaker 1: but also if you want to be the bigger person, 152 00:09:02,040 --> 00:09:04,640 Speaker 1: one more is not going to really kill the vibe. 153 00:09:05,120 --> 00:09:08,080 Speaker 1: I've been on many bachelorettes and there's all different walks 154 00:09:08,120 --> 00:09:10,720 Speaker 1: of life there and everyone has a good time. It 155 00:09:10,800 --> 00:09:14,520 Speaker 1: ends up all working out. Yeah, she's gonna want to 156 00:09:14,520 --> 00:09:18,000 Speaker 1: be in the wedding party. Now, okay, you don't have 157 00:09:16,920 --> 00:09:25,480 Speaker 1: that wedding party events? Oh my go alright, well, thank 158 00:09:25,520 --> 00:09:28,960 Speaker 1: you all. I appreciate it, Just like the whole thing 159 00:09:29,000 --> 00:09:31,480 Speaker 1: about like your bat sarette, you're getting married, and yet 160 00:09:31,600 --> 00:09:33,120 Speaker 1: this is what you have to focus on. It just 161 00:09:33,200 --> 00:09:35,320 Speaker 1: doesn't see But I'm just saying, like, this doesn't have 162 00:09:35,360 --> 00:09:37,520 Speaker 1: to be such a big deal. I've been on so 163 00:09:37,559 --> 00:09:40,319 Speaker 1: many bachelorretes where you try to make this a big deal, like, 164 00:09:40,320 --> 00:09:41,880 Speaker 1: oh my gosh, I don't want her to come because 165 00:09:41,880 --> 00:09:45,000 Speaker 1: she's boring or whatever. It is like all these reasons 166 00:09:45,080 --> 00:09:47,480 Speaker 1: and then you end up going and the boring one 167 00:09:47,559 --> 00:09:49,360 Speaker 1: ends up being like the fun one, and like you 168 00:09:49,400 --> 00:09:51,880 Speaker 1: have you know, it's like so it's just so dumb 169 00:09:51,920 --> 00:09:54,360 Speaker 1: to fight about. It's just like, go, everyone's on vacation. 170 00:09:54,440 --> 00:09:56,559 Speaker 1: Everyone has to look at how much time off her 171 00:09:56,600 --> 00:09:58,640 Speaker 1: life it's taken, right, You're right, like, just move on 172 00:09:59,400 --> 00:10:02,120 Speaker 1: too much your morning hack. Listen to this. You know 173 00:10:02,200 --> 00:10:05,760 Speaker 1: that claw thing. It's out in places, restaurants are arcades, 174 00:10:05,800 --> 00:10:08,760 Speaker 1: the claw machine frustrating, right, Yeah, it wastes a lot 175 00:10:08,800 --> 00:10:11,360 Speaker 1: of money on that thing. Danny's lobby, there's the claw 176 00:10:11,400 --> 00:10:13,920 Speaker 1: machine and it looks easy and always think I can 177 00:10:13,920 --> 00:10:17,640 Speaker 1: outsmart it. And this has been around for my whole life. 178 00:10:18,120 --> 00:10:20,280 Speaker 1: I'm not tired of the conflict I have with it. 179 00:10:20,640 --> 00:10:22,760 Speaker 1: But I want to be a hero. So a guy 180 00:10:22,880 --> 00:10:25,199 Speaker 1: named Ufo Brandon, I don't know if you know him, 181 00:10:25,240 --> 00:10:28,160 Speaker 1: but he's on TikTok says, there is a trick to 182 00:10:28,200 --> 00:10:30,920 Speaker 1: beating the claw machine. Now what I'm gonna walk you 183 00:10:30,960 --> 00:10:33,959 Speaker 1: through you may want to take notes. You Center the 184 00:10:34,040 --> 00:10:40,240 Speaker 1: claw is your morning hack part. Center the claw, press 185 00:10:40,280 --> 00:10:42,680 Speaker 1: the button to start the claw coming down that part, 186 00:10:44,600 --> 00:10:50,040 Speaker 1: and then press it again to grab Oh second, Yeah, 187 00:10:50,480 --> 00:10:53,200 Speaker 1: does that work though it's the second press that people 188 00:10:53,200 --> 00:10:58,800 Speaker 1: don't know about. Who's going to stop here? Doesn't really 189 00:10:58,880 --> 00:11:03,000 Speaker 1: do it? Doesn't do anything? Comes Paul blarked. I pressed 190 00:11:03,000 --> 00:11:07,240 Speaker 1: the button twice. Sorr Um. Brandon says, it's the key 191 00:11:07,280 --> 00:11:11,559 Speaker 1: to getting your new little stuffed animal. Minute to go center, 192 00:11:11,720 --> 00:11:16,800 Speaker 1: drop me and they hit it again. Who's Brandon? TikToker? Brandon? Okay, 193 00:11:18,640 --> 00:11:25,160 Speaker 1: don't knock. Yeah, he's gotta follow Brandon. Who's Brandon? Follow him? 194 00:11:25,200 --> 00:11:27,200 Speaker 1: All right? Today's quote to get you through Friday. You 195 00:11:27,240 --> 00:11:31,520 Speaker 1: were never asking for too much. You were simply asking personally, 196 00:11:32,679 --> 00:11:39,440 Speaker 1: asking person headlines. So Rihanna hit a pause on prepping 197 00:11:39,440 --> 00:11:42,920 Speaker 1: her highly anticipated Big Game halftime show to give an 198 00:11:43,000 --> 00:11:46,679 Speaker 1: update at a press conference. While Rihanna was careful not 199 00:11:46,760 --> 00:11:50,760 Speaker 1: to give any spoilers for Sunday's performance, you did reveal 200 00:11:51,160 --> 00:11:55,200 Speaker 1: that she has about thirty nine different versions of her 201 00:11:55,280 --> 00:11:58,120 Speaker 1: set list. I mean, that is pretty incredible. The super Bowl, 202 00:11:58,200 --> 00:12:00,240 Speaker 1: as you know, is of course Sunday kick off is 203 00:12:00,240 --> 00:12:04,120 Speaker 1: at three thirty pm. Knotsbury Farm is inviting fans to 204 00:12:04,240 --> 00:12:07,520 Speaker 1: visit the theme park this weekend to celebrate Charlie Brown Day. 205 00:12:07,559 --> 00:12:10,240 Speaker 1: Park gusts are encouraged to dress up in yellow zigzag 206 00:12:10,320 --> 00:12:12,560 Speaker 1: strip t shirts, black shorts and are red baseball cap 207 00:12:12,640 --> 00:12:16,640 Speaker 1: during Sunday's events in honor of their beloved character. And 208 00:12:16,760 --> 00:12:19,160 Speaker 1: Valentine's Day is less than a week away, It's coming 209 00:12:19,240 --> 00:12:22,640 Speaker 1: up on Tuesday. Well, Los Angeles County Clerk's Office is 210 00:12:22,679 --> 00:12:25,000 Speaker 1: gearing up for a very busy day of couples hoping 211 00:12:25,000 --> 00:12:28,800 Speaker 1: to tie the knot on February fourteens. Same day marriage 212 00:12:28,920 --> 00:12:32,720 Speaker 1: licensing and civil wedding ceremonies will be offered only at 213 00:12:32,760 --> 00:12:37,000 Speaker 1: the County Clerks Norwalk Headquarters. The services will be offered 214 00:12:37,040 --> 00:12:41,120 Speaker 1: from eight thirty am to four thirty pm on air 215 00:12:41,360 --> 00:12:46,839 Speaker 1: with Ryan Seacrets. Alright, so we got Shaggy here, We've 216 00:12:46,840 --> 00:12:49,240 Speaker 1: got Lizzo, here, we've got DJ trouble xl is gonna 217 00:12:49,240 --> 00:12:51,720 Speaker 1: mix it up in a few minutes. Super Bowl this weekend, 218 00:12:51,760 --> 00:12:56,480 Speaker 1: Dowentine's Day on Tuesday. I am not loving the Tuesday fall. 219 00:12:57,800 --> 00:13:01,880 Speaker 1: Can't change it times And you know what, Robbie's birthday 220 00:13:02,000 --> 00:13:04,480 Speaker 1: is less than a week away from Valentine's Day, so 221 00:13:04,520 --> 00:13:11,079 Speaker 1: it's like double can't change that either. We can change 222 00:13:11,080 --> 00:13:13,120 Speaker 1: it if you celebrate it on a different day. Move it. 223 00:13:13,360 --> 00:13:15,040 Speaker 1: I can't move it because it's your both Sunday, so 224 00:13:15,120 --> 00:13:18,079 Speaker 1: you can't do it Sunday. You can't combine the today. 225 00:13:19,040 --> 00:13:22,000 Speaker 1: So today, I'm telling you it's a problem. It's a 226 00:13:22,000 --> 00:13:24,760 Speaker 1: real like if you want to do it's a real problem. 227 00:13:24,800 --> 00:13:27,120 Speaker 1: But I don't want to belabor that. So you're talking 228 00:13:27,120 --> 00:13:29,240 Speaker 1: about lust languages here, Sisney, what is the difference in 229 00:13:29,240 --> 00:13:31,360 Speaker 1: a lust language love language? Okay, So I think we're 230 00:13:31,360 --> 00:13:34,040 Speaker 1: all familiar with the five love languages, and I'll refresh 231 00:13:34,040 --> 00:13:38,280 Speaker 1: your memory. Physical touch gifts, words of affirmation, quality time, 232 00:13:38,320 --> 00:13:41,720 Speaker 1: access services their love languages. Ryan, do you remember what 233 00:13:41,760 --> 00:13:45,839 Speaker 1: yours were? Acts of kindness? Your words of affirmation was 234 00:13:45,880 --> 00:13:49,360 Speaker 1: your number one? You? That was your number one when 235 00:13:49,360 --> 00:13:52,480 Speaker 1: we took that quiz, Remember that long quiz. I made 236 00:13:52,520 --> 00:13:54,960 Speaker 1: you take what I give or what I want? What 237 00:13:55,040 --> 00:13:57,800 Speaker 1: you want? You want? Words of affirmation is what really 238 00:13:59,480 --> 00:14:06,720 Speaker 1: you like? Who says? Followed by quality time? Okay? Those 239 00:14:06,800 --> 00:14:09,400 Speaker 1: your top two? That's so you my top two or 240 00:14:09,440 --> 00:14:12,240 Speaker 1: words of affirmation just like you, and then acts of service. 241 00:14:12,600 --> 00:14:18,040 Speaker 1: Those are my top two. Well okay, okay, what I'm 242 00:14:18,080 --> 00:14:20,000 Speaker 1: acts of service like all the way and my number 243 00:14:20,000 --> 00:14:27,040 Speaker 1: two is physical touch okay okay. So lust languages is, 244 00:14:27,280 --> 00:14:30,560 Speaker 1: you know, kind of a little bit more of your 245 00:14:30,640 --> 00:14:33,520 Speaker 1: turn ons and turn offs when it comes to intimacy. 246 00:14:33,600 --> 00:14:35,240 Speaker 1: So it's kind of taking love language but to the 247 00:14:35,280 --> 00:14:37,800 Speaker 1: next level, and it's more about what turns you on 248 00:14:37,880 --> 00:14:40,880 Speaker 1: in the bedroom sort of speak. So lust language comes 249 00:14:40,920 --> 00:14:46,720 Speaker 1: down to four romantic, harmonious, connected, and primal. So to 250 00:14:46,800 --> 00:14:49,000 Speaker 1: find out what your lust language is, you don't have 251 00:14:49,040 --> 00:14:50,480 Speaker 1: to take a crazy quiz. You just kind of have 252 00:14:50,480 --> 00:14:52,360 Speaker 1: to sit here and think about what these breakdown too. 253 00:14:52,760 --> 00:14:56,080 Speaker 1: So if you're a romantic lust language, if you get 254 00:14:56,080 --> 00:14:59,240 Speaker 1: more excited over a candle at dinner than essential massage, 255 00:14:59,560 --> 00:15:03,240 Speaker 1: your lust language must be romantic, So think about that. 256 00:15:03,920 --> 00:15:07,560 Speaker 1: Harmonious For example, you're stuck at work, but you came 257 00:15:07,600 --> 00:15:11,560 Speaker 1: home to a homemade meal, a clean kitchen. You're rushing 258 00:15:11,560 --> 00:15:13,320 Speaker 1: to get the kids ready for school, and your partner 259 00:15:13,360 --> 00:15:15,800 Speaker 1: handles drop off, so you're not like for work. That's 260 00:15:15,800 --> 00:15:20,520 Speaker 1: harmonious lust language Okay, Connected, lust language for you would 261 00:15:20,560 --> 00:15:23,040 Speaker 1: be you ache for a strong emotional connection. You want 262 00:15:23,080 --> 00:15:25,680 Speaker 1: to know your their mind and heart as well as 263 00:15:25,680 --> 00:15:30,040 Speaker 1: their body that's connected. And then primal is exactly kind 264 00:15:30,040 --> 00:15:31,640 Speaker 1: of what it sounds like. Do you have a bucket 265 00:15:31,640 --> 00:15:35,440 Speaker 1: list for the bedroom? So if you're into non traditional 266 00:15:35,520 --> 00:15:40,440 Speaker 1: arrangements or if you identify with the primal, you know, 267 00:15:41,240 --> 00:15:43,800 Speaker 1: I guess just the nontraditional type of stuff, the kinky 268 00:15:43,840 --> 00:15:48,760 Speaker 1: stuff to be in nontraditional arrangements. It could just be uh, 269 00:15:48,920 --> 00:15:53,200 Speaker 1: creative thinking, sure, creative thinking. I mean that may be 270 00:15:53,240 --> 00:15:57,760 Speaker 1: more a primal lust language for what are you? Romantic? Harmonious? 271 00:15:57,880 --> 00:16:02,200 Speaker 1: I'm harmonious. Your harmony, yes, it's the worst. Now, I'm 272 00:16:02,240 --> 00:16:05,360 Speaker 1: not that that would turn me on. Michael picks up 273 00:16:05,400 --> 00:16:08,520 Speaker 1: the kids. That turns you on literally him, it checks 274 00:16:08,520 --> 00:16:11,480 Speaker 1: out with the acts of service and words like all 275 00:16:11,560 --> 00:16:14,720 Speaker 1: that stuff. For me, I don't think I'm any of them. 276 00:16:14,760 --> 00:16:17,600 Speaker 1: I think I'm a slow burn. Like I would think 277 00:16:17,640 --> 00:16:23,040 Speaker 1: she was a connected like like like knowing what's in 278 00:16:23,080 --> 00:16:27,200 Speaker 1: their mind and their heart and like their deep stole. Yeah, 279 00:16:27,280 --> 00:16:29,560 Speaker 1: but that doesn't turn me on. Like what turns me 280 00:16:29,600 --> 00:16:31,280 Speaker 1: on is when he's like kissing the back of my neck. 281 00:16:32,400 --> 00:16:35,240 Speaker 1: And maybe your primal, but I'm not so like out 282 00:16:35,240 --> 00:16:37,560 Speaker 1: of the box, maybe like a little out of the box. 283 00:16:38,560 --> 00:16:41,480 Speaker 1: So maybe then you're maybe you're candle at dinner or sensual. 284 00:16:42,680 --> 00:16:44,360 Speaker 1: I was thinking that I could be a hybrid of 285 00:16:44,400 --> 00:16:48,000 Speaker 1: this stuff, you know what I mean. I like dinner 286 00:16:48,240 --> 00:16:50,160 Speaker 1: like I like a candle. I like music, and I 287 00:16:50,200 --> 00:16:52,440 Speaker 1: like and you like a clean kitchen. I love a 288 00:16:52,440 --> 00:16:54,480 Speaker 1: clean kitchen. But harmonies is not where I'm going with this. 289 00:16:55,320 --> 00:16:58,320 Speaker 1: And I like romantic and I like you know, say 290 00:16:58,360 --> 00:17:03,560 Speaker 1: it's early, right, and then connection you'll talk right, but 291 00:17:03,720 --> 00:17:07,080 Speaker 1: can change so here but this article said that it 292 00:17:07,119 --> 00:17:11,440 Speaker 1: can change from time to time depending on your age. Yeah, exactly. 293 00:17:11,640 --> 00:17:14,400 Speaker 1: It evolves with like you as a person, your partners, 294 00:17:14,480 --> 00:17:18,359 Speaker 1: if you if they change, etcetera. So Valentine Day. I 295 00:17:18,480 --> 00:17:21,720 Speaker 1: don't like to talk, No you don't. I don't like 296 00:17:21,760 --> 00:17:23,800 Speaker 1: to talk all the time, but in a moment like this, 297 00:17:23,840 --> 00:17:25,760 Speaker 1: I would talk. Tums. What are you? How do you 298 00:17:25,760 --> 00:17:28,600 Speaker 1: look at this stuff? Are you romantic, harmonious, connected, primal? 299 00:17:29,400 --> 00:17:31,960 Speaker 1: I guess it's a mix of all. Yeah, well not harmonious. 300 00:17:33,440 --> 00:17:35,479 Speaker 1: You want to go, let's see what do you wanna do? 301 00:17:35,720 --> 00:17:38,160 Speaker 1: You're gonna clean up the kitchen or no, she cleans 302 00:17:38,200 --> 00:17:40,720 Speaker 1: up the kitchen and she rushed to get the kids 303 00:17:41,000 --> 00:17:43,760 Speaker 1: ready for school. I think Tubs would be romantic. Why 304 00:17:43,760 --> 00:17:45,840 Speaker 1: didn't you like if she had a candle at dinner 305 00:17:45,840 --> 00:17:47,800 Speaker 1: for you, Tubs, wouldn't that do it? And a big 306 00:17:47,800 --> 00:17:52,239 Speaker 1: old steak that's not good for Primal. You don't want 307 00:17:52,240 --> 00:17:56,520 Speaker 1: a steak before primal. Why I didn't say it was 308 00:17:56,520 --> 00:17:58,280 Speaker 1: primal and said a big old stak and a candle 309 00:17:58,280 --> 00:18:00,840 Speaker 1: of dinner. And then that's his lust language because it's 310 00:18:01,200 --> 00:18:05,160 Speaker 1: so filling. That kind of like all of them though. Yeah, 311 00:18:05,359 --> 00:18:10,480 Speaker 1: all right, well listen, thank you will decipher happy Valentine 312 00:18:10,520 --> 00:18:13,160 Speaker 1: States four days away. It doesn't have to be one 313 00:18:13,200 --> 00:18:16,320 Speaker 1: could be all you know this one right, weddings parties, 314 00:18:16,359 --> 00:18:18,679 Speaker 1: the electric slide, you know, and how about my parents 315 00:18:18,680 --> 00:18:23,400 Speaker 1: get out and try the electric slide? Not really, it's 316 00:18:23,400 --> 00:18:26,159 Speaker 1: actually not good for them. Come on, they do not 317 00:18:26,480 --> 00:18:31,320 Speaker 1: look this shouldn't be sliding, electric sliding. So that's the classic. 318 00:18:31,359 --> 00:18:38,480 Speaker 1: Now Shaggy's got a version, this new stuff from inspired 319 00:18:38,520 --> 00:18:43,880 Speaker 1: by the Electric Slide. Right now, I need a little 320 00:18:43,920 --> 00:18:48,320 Speaker 1: Shaggy before the big game. There it is. Let's see 321 00:18:48,320 --> 00:18:52,919 Speaker 1: electric Boogie Shaggy right on time. How are you, buddy? 322 00:18:52,960 --> 00:18:58,680 Speaker 1: Nice to see you. Shaggy, Hey, I gotta tell you, 323 00:18:58,720 --> 00:19:02,320 Speaker 1: I've known you a long time, but today's conversation is 324 00:19:02,320 --> 00:19:05,960 Speaker 1: exciting for me. You got your basically in the super 325 00:19:06,000 --> 00:19:10,639 Speaker 1: Bowl pretty much pretty much, yes, So what can you 326 00:19:10,720 --> 00:19:13,719 Speaker 1: tell us about Shaggy and the Super Bowl? What can 327 00:19:13,800 --> 00:19:17,120 Speaker 1: we know now going into the weekend. Well, I'll tell 328 00:19:17,119 --> 00:19:20,600 Speaker 1: you what you know. It is Jeep. It's electric and 329 00:19:20,640 --> 00:19:24,359 Speaker 1: it's electric boogie and electric slide. That's what it's about. 330 00:19:24,600 --> 00:19:28,040 Speaker 1: Um we are uh. I was asked by Jeep to 331 00:19:28,480 --> 00:19:32,920 Speaker 1: produce a new version of the classic Electric Boogie by 332 00:19:32,960 --> 00:19:38,639 Speaker 1: Marcia Griffiths, which you know, incidentally is is the forty 333 00:19:38,680 --> 00:19:42,679 Speaker 1: and anniversary of it. Um, you know of that song, 334 00:19:43,160 --> 00:19:45,840 Speaker 1: and so we did a really new version which was cool, 335 00:19:45,880 --> 00:19:48,600 Speaker 1: and we also brought Marcia Griffiths the original singing. So 336 00:19:48,880 --> 00:19:50,800 Speaker 1: I don't know if you know the backstory of this, Ryan, 337 00:19:50,880 --> 00:19:53,240 Speaker 1: but Marcia Griffin's is one of the members of the 338 00:19:53,280 --> 00:19:55,880 Speaker 1: I Three, So those three ladies that sings with Bob 339 00:19:55,920 --> 00:19:59,320 Speaker 1: Marley on every song on tour, she is one of them. 340 00:19:59,359 --> 00:20:03,000 Speaker 1: She's sher Griffins. And the song was written by Bunny Whaler, 341 00:20:03,040 --> 00:20:05,679 Speaker 1: which is the original member of the of the of 342 00:20:05,720 --> 00:20:07,560 Speaker 1: the Whalers, So it used to be Bob Marley, Peter 343 00:20:07,640 --> 00:20:10,480 Speaker 1: Tosh and Bunny Whaler. Bunnie Whaler wrote the original song 344 00:20:10,520 --> 00:20:13,320 Speaker 1: of Electric Side. So this is how cultured that song is. 345 00:20:13,720 --> 00:20:15,840 Speaker 1: And so we made a new version of this song 346 00:20:16,280 --> 00:20:19,880 Speaker 1: with Marcia Griffin's and three emerging stars out of Jamaica, 347 00:20:20,640 --> 00:20:23,840 Speaker 1: Mayan who's incredibly popular right now in Jamaica, dance all 348 00:20:24,480 --> 00:20:29,560 Speaker 1: artists and of course am believe amazing vocalists, and of 349 00:20:29,600 --> 00:20:33,119 Speaker 1: course Jamella who she's a great musician, plays the upright 350 00:20:33,160 --> 00:20:36,040 Speaker 1: based a wonderful, wonderful lady. And so we put this 351 00:20:36,119 --> 00:20:39,560 Speaker 1: new version together and this will be the background music 352 00:20:39,720 --> 00:20:43,080 Speaker 1: to the new Jeep commercial. Shaggy with has now given 353 00:20:43,160 --> 00:20:46,120 Speaker 1: us real insight to the Super Bowl commercials, of which 354 00:20:46,560 --> 00:20:48,840 Speaker 1: his song Electric Boogie and the other artists he talked 355 00:20:48,880 --> 00:20:51,760 Speaker 1: about featured in You know you talk about Jeep and 356 00:20:51,800 --> 00:20:55,359 Speaker 1: it strikes me because one of my first vehicles was 357 00:20:55,400 --> 00:20:58,879 Speaker 1: a jeep wrangler bro like I see money by a 358 00:20:59,000 --> 00:21:03,639 Speaker 1: jeep wrangler back in my freshman year of college. And 359 00:21:03,680 --> 00:21:06,240 Speaker 1: then one thing I remember was I'm not a very 360 00:21:06,359 --> 00:21:09,280 Speaker 1: uh like, handy kind of guy. I'm not so good 361 00:21:09,280 --> 00:21:14,520 Speaker 1: at at hands on stuff putting that, zipping that cover up, 362 00:21:14,560 --> 00:21:21,359 Speaker 1: and zipping them in the door took me hours. Bro. Yeah, 363 00:21:21,520 --> 00:21:24,320 Speaker 1: you know what, the Chief is a cool, cool vehicle. 364 00:21:24,680 --> 00:21:26,720 Speaker 1: You know, when you used to you realize how much 365 00:21:26,720 --> 00:21:29,320 Speaker 1: of a part of the of the culture and the 366 00:21:29,320 --> 00:21:33,720 Speaker 1: American culture, American jeep when you watch when you watch 367 00:21:33,920 --> 00:21:38,480 Speaker 1: mash remember you used to have those little jeeps. I 368 00:21:38,520 --> 00:21:40,880 Speaker 1: have all kinds of toy jeeps from growing up. But yeah, 369 00:21:40,920 --> 00:21:43,919 Speaker 1: I mean to jeeps. Yeah, you know, I mean it is. 370 00:21:44,080 --> 00:21:47,479 Speaker 1: It's such a big part of of the culture, and 371 00:21:47,480 --> 00:21:50,560 Speaker 1: it's now now they're super cool. Everybody has driving to hap. 372 00:21:50,720 --> 00:21:53,359 Speaker 1: I mean these really hot colors. And now it's electric, 373 00:21:53,880 --> 00:21:57,520 Speaker 1: which is which is even great. So here's the original 374 00:21:57,520 --> 00:22:00,000 Speaker 1: we're talking about. Everybody knows this from weddings and parties. 375 00:22:00,359 --> 00:22:05,399 Speaker 1: Electric slide here. How when was that, Don Shaggy, What 376 00:22:05,520 --> 00:22:08,440 Speaker 1: was the original done? It was the forty forty years 377 00:22:08,440 --> 00:22:10,800 Speaker 1: forty So it's the anniversary of that song. And here's 378 00:22:11,320 --> 00:22:17,719 Speaker 1: a new taste like forty years ago, three four year ago. 379 00:22:18,760 --> 00:22:25,399 Speaker 1: In my head. It's electric. So good. I love it. 380 00:22:25,560 --> 00:22:28,040 Speaker 1: Congratulations is gonna be great to see that and all 381 00:22:28,080 --> 00:22:30,639 Speaker 1: the other Thank you man, it's great. It's been We 382 00:22:30,720 --> 00:22:32,600 Speaker 1: had a lot of fun doing it. The music video 383 00:22:32,720 --> 00:22:36,199 Speaker 1: was great. Uh, Marcia was so excited to know that 384 00:22:36,240 --> 00:22:38,520 Speaker 1: her song was you know, getting readone over and she 385 00:22:38,600 --> 00:22:40,120 Speaker 1: was and she was going to be a part of it, 386 00:22:40,480 --> 00:22:42,480 Speaker 1: and uh, you know, we're so so happy to be 387 00:22:42,520 --> 00:22:43,879 Speaker 1: a part of this whole thing. Big up to the 388 00:22:43,920 --> 00:22:47,680 Speaker 1: G the G team, They've been uh, total wonderful. Big 389 00:22:47,760 --> 00:22:51,440 Speaker 1: up to Olivia Francois, who actually, uh you know, made 390 00:22:51,440 --> 00:22:55,680 Speaker 1: a call and got me involved in the project. So yeah, Shaggy, 391 00:22:55,720 --> 00:22:59,480 Speaker 1: congratulations on your Grammy nomination this year as well. You 392 00:22:59,560 --> 00:23:01,960 Speaker 1: know you you are. You're always at the top of 393 00:23:02,000 --> 00:23:04,560 Speaker 1: your game year after year. We appreciate you being part 394 00:23:04,600 --> 00:23:06,000 Speaker 1: of the family. What are you doing for the game? 395 00:23:06,040 --> 00:23:09,480 Speaker 1: Are you gonna do you actually have plans? I'm I'm 396 00:23:09,480 --> 00:23:11,600 Speaker 1: actually I think I'm probably traveling that day. I think 397 00:23:11,600 --> 00:23:16,520 Speaker 1: I'm going to Trinidad for Carnival. Big. This is the 398 00:23:16,640 --> 00:23:19,160 Speaker 1: kind of guy who's life so he thinks he's going 399 00:23:19,160 --> 00:23:25,200 Speaker 1: to Carnival. Yeah, I know, I don't know if it's 400 00:23:25,240 --> 00:23:27,280 Speaker 1: that day is trying, but we're flying over there. But 401 00:23:27,359 --> 00:23:29,920 Speaker 1: the Grammys was amazing. I went with my daughters, Ryan 402 00:23:29,960 --> 00:23:31,760 Speaker 1: and I wanted a couple of years ago with me 403 00:23:31,800 --> 00:23:35,359 Speaker 1: and staying before. This album was the New Sinatra album 404 00:23:35,400 --> 00:23:38,399 Speaker 1: produced by Sting and it's all in the Sinatra songs 405 00:23:38,400 --> 00:23:41,840 Speaker 1: and reggae and so nominated for this and and the 406 00:23:41,920 --> 00:23:45,000 Speaker 1: greatest part about is that my my twin daughters, they're 407 00:23:45,040 --> 00:23:47,359 Speaker 1: thirteen years old there like Dad, I want to go. 408 00:23:47,440 --> 00:23:51,480 Speaker 1: So I had to do the whole glam squad, then 409 00:23:51,800 --> 00:23:56,960 Speaker 1: the makeup, hair clothed, they did the red carpet with me. 410 00:23:57,200 --> 00:23:59,920 Speaker 1: They sat down on the floor. They were there seeing 411 00:24:00,000 --> 00:24:02,399 Speaker 1: of their favorite stars come around them and it was 412 00:24:02,440 --> 00:24:05,600 Speaker 1: just a ball. I was so happy being with them 413 00:24:05,600 --> 00:24:08,360 Speaker 1: and having that moment with them, and it was fun. 414 00:24:09,600 --> 00:24:12,280 Speaker 1: Name well, Shaggy, Big hugs to you man. We'll talk 415 00:24:12,320 --> 00:24:17,040 Speaker 1: to you real soon. I have a great weekend, all right, No, Ryan, 416 00:24:17,160 --> 00:24:22,359 Speaker 1: every time see your pal, appreciate it. But but I 417 00:24:22,359 --> 00:24:25,120 Speaker 1: want to go to his house. Like there aren't many 418 00:24:25,240 --> 00:24:26,960 Speaker 1: artists to come on. I'm like, you know what, I 419 00:24:27,000 --> 00:24:30,920 Speaker 1: want to go to your house? Really not? I mean 420 00:24:31,400 --> 00:24:34,280 Speaker 1: I don't. Yeah, I guess maybe I should take guests. 421 00:24:34,320 --> 00:24:36,199 Speaker 1: Not every guest comes on and I want to go 422 00:24:36,240 --> 00:24:38,760 Speaker 1: to their house. We should actually keep a list of 423 00:24:38,800 --> 00:24:40,399 Speaker 1: like when you have the guests on afterwards, would you 424 00:24:40,440 --> 00:24:43,520 Speaker 1: want to go to their house? Yeah, I'll ask you 425 00:24:43,560 --> 00:24:46,040 Speaker 1: after every guest, like Lizzo is coming up, I want 426 00:24:46,040 --> 00:24:48,800 Speaker 1: to go to listen for sure. Let's ask her if 427 00:24:48,840 --> 00:24:51,360 Speaker 1: we came over, what would what would we do? If 428 00:24:51,400 --> 00:24:53,480 Speaker 1: we came over? What will we do? Where would we sit? 429 00:24:54,560 --> 00:24:58,000 Speaker 1: And when we eat? What are we having? Like? Walk 430 00:24:58,040 --> 00:25:02,520 Speaker 1: me through it, Lizzo, walk me through it. It's an 431 00:25:02,520 --> 00:25:06,760 Speaker 1: annual tradition around here. We bet on the Super Bowl, um, 432 00:25:06,760 --> 00:25:08,840 Speaker 1: but in a way that has nothing to do with 433 00:25:08,880 --> 00:25:13,720 Speaker 1: the game itself. Why everybody else does that? We're not 434 00:25:13,760 --> 00:25:15,600 Speaker 1: going to do that. Yeah, we marched the beat of 435 00:25:15,600 --> 00:25:19,200 Speaker 1: our own drum. So whoever gets the most points gets 436 00:25:19,200 --> 00:25:21,480 Speaker 1: to pick the music for next Friday's t treble XL mix. 437 00:25:21,840 --> 00:25:25,880 Speaker 1: I guess I won the last couple of years by luck, 438 00:25:26,200 --> 00:25:28,960 Speaker 1: because I don't know anything about this stuff. Somehow by luck. 439 00:25:29,119 --> 00:25:31,120 Speaker 1: So these are the things we can actually bet on. 440 00:25:31,720 --> 00:25:33,479 Speaker 1: And I'm gonna go through the list. You guys market down, 441 00:25:33,480 --> 00:25:35,000 Speaker 1: will take some notes. We'll see who wins this. Alright. 442 00:25:35,040 --> 00:25:37,600 Speaker 1: Chris Stapleton is singing the national anthem. We saw him 443 00:25:37,600 --> 00:25:39,600 Speaker 1: at the Grammys with Stevie Wonder. I was an amazing 444 00:25:39,600 --> 00:25:42,960 Speaker 1: performance Sunday night. Will it be the national anthem Chris Staple? 445 00:25:43,040 --> 00:25:46,359 Speaker 1: Longer or shorter than two minutes and five seconds? What 446 00:25:46,520 --> 00:25:49,440 Speaker 1: is it on the average? Does anybody know? I mean 447 00:25:50,400 --> 00:25:55,080 Speaker 1: one six second? Some change? Okay, So Sysney, what are 448 00:25:55,080 --> 00:26:03,960 Speaker 1: you going? I'm gonna go with shorter. I'll go with longer. Okay, 449 00:26:04,680 --> 00:26:07,320 Speaker 1: all right, we'll see a Dorito's commercial or an Eminem's commercial. 450 00:26:07,800 --> 00:26:12,800 Speaker 1: Which will be first? Oh, I want to say Eminem's. 451 00:26:12,840 --> 00:26:16,840 Speaker 1: I'll go to Rito's Derrito's. Okay, so everybody's got that. 452 00:26:17,119 --> 00:26:20,280 Speaker 1: What will be the first song that Rihanna sings? It's 453 00:26:20,280 --> 00:26:24,760 Speaker 1: tough Panza saying don't stop. The music is first. I'm 454 00:26:24,760 --> 00:26:27,840 Speaker 1: gonna say, lift me up. You're gonna start slow like 455 00:26:29,359 --> 00:26:35,880 Speaker 1: that's a good one. I'm gonna think. I'm gonna say, 456 00:26:35,920 --> 00:26:39,680 Speaker 1: this is what you came for. It's good. I'm gonna 457 00:26:39,680 --> 00:26:41,359 Speaker 1: say it's something we haven't heard yet, a few, a 458 00:26:41,400 --> 00:26:44,119 Speaker 1: few bars of it. Okay, you can't say that he 459 00:26:44,119 --> 00:26:47,919 Speaker 1: means new music. Yeah, he's not gonna win, so let 460 00:26:48,000 --> 00:26:50,560 Speaker 1: him pick it. It's not going to do that for 461 00:26:50,560 --> 00:26:53,879 Speaker 1: the last couple of years. Okay, last year. What color 462 00:26:53,880 --> 00:26:58,080 Speaker 1: will Rihanna's first outfit? Be the favorite is black? Oh, 463 00:26:58,359 --> 00:27:07,640 Speaker 1: I'm gonna say, can I sing um? Oh m hmm um. Neon? Neon, okay, neon. 464 00:27:07,760 --> 00:27:11,720 Speaker 1: You gotta pick a call purple? Take purple, purple? I 465 00:27:11,720 --> 00:27:15,600 Speaker 1: got purple. I'm gonna say black. All right, we're betting 466 00:27:15,640 --> 00:27:17,760 Speaker 1: on things that we don't know about. For the Super Bowl. 467 00:27:17,960 --> 00:27:19,680 Speaker 1: What color will the gatorade be that's dumped on the 468 00:27:19,720 --> 00:27:28,679 Speaker 1: winning coach? It will be orange, It will be you 469 00:27:28,680 --> 00:27:35,439 Speaker 1: only have orange and green. Stuff could be blue. I 470 00:27:35,480 --> 00:27:37,800 Speaker 1: was gonna guess blue. Okay, what are you gonna guess? 471 00:27:38,400 --> 00:27:40,320 Speaker 1: All right? There we have seal it. Put it in in 472 00:27:40,359 --> 00:27:43,240 Speaker 1: an envelope. I really want to win because I really 473 00:27:43,280 --> 00:27:47,560 Speaker 1: want to alter. I don't know from like feeling my answers. 474 00:27:48,000 --> 00:27:50,879 Speaker 1: Don't doubt your gut, guys, this is Super Bowl weekend. 475 00:27:50,960 --> 00:27:54,000 Speaker 1: Believe in yourself. Let's get out there. Let's win it individually. 476 00:27:55,760 --> 00:27:59,919 Speaker 1: Is there green gatorade? By the way, the original that's yellow. 477 00:28:00,760 --> 00:28:04,160 Speaker 1: Now it's cream gatorade green? Oh my gosh, what kind 478 00:28:04,160 --> 00:28:09,960 Speaker 1: of yellow gatorade? If you been doing on air with 479 00:28:10,119 --> 00:28:14,800 Speaker 1: Ryan Seacrest, we're on the Lizzo countdown clock right now, 480 00:28:15,720 --> 00:28:18,639 Speaker 1: Lizzo Countdown Clock. We're like minutes away from Lizzo joining 481 00:28:18,720 --> 00:28:24,920 Speaker 1: us here like nine minutes. The hustle thing. So uh. 482 00:28:25,040 --> 00:28:27,399 Speaker 1: At the Grammys they had these tables set up at 483 00:28:27,440 --> 00:28:30,480 Speaker 1: Krypto on the floor where normally put seats folding chairs 484 00:28:30,520 --> 00:28:31,920 Speaker 1: out or the artist said, but this time that the 485 00:28:32,000 --> 00:28:33,480 Speaker 1: tables out. So you have a cocktail, you can have 486 00:28:33,520 --> 00:28:36,600 Speaker 1: a chicuter reboard on the table. Vividly, I remember the 487 00:28:36,600 --> 00:28:39,720 Speaker 1: picture of Harry Styles and his mates sitting around the 488 00:28:39,720 --> 00:28:42,160 Speaker 1: table with the chicutery board. Saw a photo of that. 489 00:28:42,200 --> 00:28:44,920 Speaker 1: They were courtesy of today's hometown hustler. She made them. 490 00:28:45,040 --> 00:28:49,720 Speaker 1: Lauren delp Our, hustler in Silver Lake. Good morning, Hello Lauren. 491 00:28:49,760 --> 00:28:54,040 Speaker 1: How are you? I'm great? How are you? I'm so good? 492 00:28:54,120 --> 00:28:56,680 Speaker 1: Well you became famous, at least through our eyes by 493 00:28:56,680 --> 00:29:00,680 Speaker 1: looking at your chicutery boards during the Grammys. Yes, oh 494 00:29:00,720 --> 00:29:03,080 Speaker 1: my god, so insane talking to you. I'm such a 495 00:29:03,120 --> 00:29:05,719 Speaker 1: sad I've been listening to you for years. Thank you 496 00:29:05,880 --> 00:29:08,760 Speaker 1: so much. I love that what we were were fans 497 00:29:08,800 --> 00:29:11,280 Speaker 1: of yours. We have not tasted anything, but my eyeballs 498 00:29:11,320 --> 00:29:14,000 Speaker 1: have been all over those Shacuara boards. Ryan, can I 499 00:29:14,080 --> 00:29:17,960 Speaker 1: send you a board? Ye? Can you send me a board? 500 00:29:18,000 --> 00:29:21,400 Speaker 1: You can send me board many boards as you want. 501 00:29:21,440 --> 00:29:24,400 Speaker 1: I am a board dirt. I am a board dirt. Yes, 502 00:29:24,480 --> 00:29:26,640 Speaker 1: I will tell you exactly when and where to send 503 00:29:26,680 --> 00:29:28,640 Speaker 1: that when we wrapped this up. But you're not getting 504 00:29:28,640 --> 00:29:31,200 Speaker 1: out of that, Okay, no, no, no, tell me when 505 00:29:31,600 --> 00:29:33,200 Speaker 1: I will do that now. I just want to get 506 00:29:33,240 --> 00:29:35,960 Speaker 1: your This is so the reason I love Holtown Hustler 507 00:29:36,160 --> 00:29:38,040 Speaker 1: is that you're doing something you love. So prior to 508 00:29:38,720 --> 00:29:41,160 Speaker 1: this shaky business, which is your passion, what were you doing? 509 00:29:42,400 --> 00:29:44,560 Speaker 1: Are you still working corporate advertising? I was an account 510 00:29:44,560 --> 00:29:48,640 Speaker 1: director for Apple, working on all their iPad advertising, which 511 00:29:48,720 --> 00:29:52,560 Speaker 1: is a cool job. But this is a yeah about 512 00:29:52,640 --> 00:29:54,480 Speaker 1: you still wanted to do. I mean, this is to me, 513 00:29:54,560 --> 00:29:57,480 Speaker 1: this is artistic in a way. Yeah, thank you. Yeah. 514 00:29:57,520 --> 00:29:59,480 Speaker 1: I mean, honestly, it was my mom, and my mom's 515 00:29:59,480 --> 00:30:01,360 Speaker 1: an artist and she always said, like, you're gonna find 516 00:30:01,400 --> 00:30:03,000 Speaker 1: your art. You're gonna find your art, And I said, 517 00:30:03,400 --> 00:30:05,480 Speaker 1: oh no, I'll just I'm gonna working. But there's a 518 00:30:05,560 --> 00:30:07,920 Speaker 1: side of advertising forever. And I was totally happy doing 519 00:30:07,920 --> 00:30:09,520 Speaker 1: that and it was great and wonderful and like the 520 00:30:09,520 --> 00:30:12,600 Speaker 1: best experience, but it wasn't like my art, and I 521 00:30:12,880 --> 00:30:14,720 Speaker 1: really never thought i'd find out was like I don't 522 00:30:14,720 --> 00:30:16,960 Speaker 1: I can't draw, I can't sing. I was like a 523 00:30:17,200 --> 00:30:21,440 Speaker 1: really like average dancer. And then but I always I 524 00:30:21,480 --> 00:30:25,400 Speaker 1: always loved entertain though, and so yeah, it's like it's 525 00:30:25,400 --> 00:30:27,520 Speaker 1: not totally out of left field because if you ask 526 00:30:27,600 --> 00:30:29,280 Speaker 1: anyone like did you come to my parties, I had 527 00:30:29,360 --> 00:30:31,520 Speaker 1: like I always had like a full table, like a 528 00:30:31,560 --> 00:30:34,840 Speaker 1: great spread. Um, so yeah, I just kind of started 529 00:30:34,880 --> 00:30:37,600 Speaker 1: making them for fun. And then it's just like, yeah, 530 00:30:37,880 --> 00:30:39,800 Speaker 1: how did you get the gig to make the cicuto 531 00:30:39,840 --> 00:30:42,160 Speaker 1: rewards to put on all the tables at the ground 532 00:30:42,240 --> 00:30:45,480 Speaker 1: in front of the artist? How that happened? They literally 533 00:30:45,520 --> 00:30:50,520 Speaker 1: emailed me, um, like nine days ago, like two weeks 534 00:30:50,520 --> 00:30:54,840 Speaker 1: ago today, I didn't email, that says Grammy's Urgent. And 535 00:30:54,880 --> 00:30:58,800 Speaker 1: I replied back immediately and said, you know, because they asked, 536 00:30:58,840 --> 00:31:00,880 Speaker 1: but can you can you do this? Can operated this level? 537 00:31:00,920 --> 00:31:03,120 Speaker 1: Can you you know, do a project of this scale? 538 00:31:03,200 --> 00:31:05,800 Speaker 1: And I replied back and said absolutely, And then I 539 00:31:05,840 --> 00:31:08,840 Speaker 1: stared at the wall in absolute like shock for an hour, 540 00:31:09,320 --> 00:31:12,400 Speaker 1: like in your head, I think we've all done that 541 00:31:12,440 --> 00:31:20,360 Speaker 1: in our careers where they said hand like absolutely, my pants. 542 00:31:21,080 --> 00:31:22,640 Speaker 1: I mean, I knew we could do it, but just 543 00:31:22,720 --> 00:31:26,680 Speaker 1: like this sheer like, because I was in shock this 544 00:31:26,680 --> 00:31:29,520 Speaker 1: this opportunity like fell in my lap. It was just like, 545 00:31:29,560 --> 00:31:32,480 Speaker 1: oh my god, Yeah, is this the biggest project I 546 00:31:32,480 --> 00:31:40,240 Speaker 1: guess you have done? You've actually done more boards, profile, profile, 547 00:31:40,400 --> 00:31:43,600 Speaker 1: most exposure, largest stage. Absolutely right. Well listen if you 548 00:31:43,640 --> 00:31:46,040 Speaker 1: saw the screwing boards at the Grammy's, Lauren Delp did 549 00:31:46,080 --> 00:31:48,840 Speaker 1: him out of Silver Lake and you can actually see 550 00:31:48,840 --> 00:31:52,040 Speaker 1: her work at Silver Lake social like on Instagram and TikTok. 551 00:31:52,440 --> 00:31:54,840 Speaker 1: She's all done awesome because she dropped her regular gig 552 00:31:54,840 --> 00:31:56,600 Speaker 1: and went after her art. Her passion is making it 553 00:31:56,640 --> 00:31:58,800 Speaker 1: happen to Congratulations, Lauren. I'm gonna put you on hold 554 00:31:58,800 --> 00:32:01,760 Speaker 1: so you can send us a work. Yeah, thank you 555 00:32:01,800 --> 00:32:04,240 Speaker 1: guys so much. This is like a dream. Thank you 556 00:32:04,280 --> 00:32:07,440 Speaker 1: so much. Congratulation, Thank you. Wait, tell me how many 557 00:32:07,520 --> 00:32:12,760 Speaker 1: how many people are gonna be Tanya myself, let's see 558 00:32:13,120 --> 00:32:18,480 Speaker 1: mikaela yea Ruby? Yeah? Who else is back there? Joanna 559 00:32:18,760 --> 00:32:25,120 Speaker 1: Jen Yeah? Good, the back room, the tubs, no, okay, 560 00:32:25,360 --> 00:32:30,280 Speaker 1: likes six of us? Okay, Oh my god. Absolutely, this 561 00:32:30,400 --> 00:32:33,320 Speaker 1: is just like this is like a dream. Absolutely, and 562 00:32:33,360 --> 00:32:35,720 Speaker 1: we'll get some pictures with it to Thank you so much. 563 00:32:36,400 --> 00:32:38,920 Speaker 1: Thank you guys, Thank you so much. I super appreciate 564 00:32:38,960 --> 00:32:43,600 Speaker 1: this hut. You know what's funny is actually probably like 565 00:32:43,640 --> 00:32:47,200 Speaker 1: running a catering business. I could see you doing that 566 00:32:48,320 --> 00:32:51,280 Speaker 1: right now. You look concerned. Well, no, because I think 567 00:32:51,720 --> 00:32:54,800 Speaker 1: catering for a lot of people is very hard. No, 568 00:32:54,960 --> 00:32:58,840 Speaker 1: it's very hard, stressful. Team. I'm just thinking my Vans, Well, 569 00:32:58,920 --> 00:33:03,840 Speaker 1: my Ryan would have team though him old FedEx fans 570 00:33:03,880 --> 00:33:06,800 Speaker 1: that I remodeled. I take FedEx fans right that they 571 00:33:07,000 --> 00:33:11,400 Speaker 1: didn't use anymore, and I re uh Matt paint them. 572 00:33:11,440 --> 00:33:15,000 Speaker 1: What would be your name for your Oh the kidding 573 00:33:15,800 --> 00:33:23,000 Speaker 1: um Ryan's Restaurant on Reels on reels, Winds Restaurant on wheels, 574 00:33:23,240 --> 00:33:34,000 Speaker 1: Wheels on air with Ryan Sad Look at that one 575 00:33:34,080 --> 00:33:38,440 Speaker 1: or two point seven Kiss FM. Lizzo is joining us 576 00:33:38,480 --> 00:33:44,040 Speaker 1: coming out of the Reach special of that remix. Hey, guys, 577 00:33:45,480 --> 00:33:47,880 Speaker 1: did you hear us screaming on our TVs when you 578 00:33:47,920 --> 00:33:50,680 Speaker 1: were up on stage or did you not crying? Actually 579 00:33:50,760 --> 00:33:52,720 Speaker 1: heard you guys screaming. That's so funny. I was like, 580 00:33:52,800 --> 00:33:58,000 Speaker 1: is that Ryan exactly? The voice cuts through. Hey, congratulations, Lizzar. 581 00:33:58,120 --> 00:34:02,560 Speaker 1: We were so happy watching the Grammys. Thank you. I 582 00:34:02,640 --> 00:34:06,560 Speaker 1: had so much fun and I'm sure I was like, 583 00:34:06,560 --> 00:34:09,040 Speaker 1: I'm gonna go I'm gonna drink wine. I'm just gonna 584 00:34:09,080 --> 00:34:12,439 Speaker 1: have fun root for my friends. So when you got 585 00:34:12,480 --> 00:34:15,160 Speaker 1: up there, you know you you're I guess we thought 586 00:34:15,200 --> 00:34:19,080 Speaker 1: that your words were the most genuine, authentic words, certainly 587 00:34:19,200 --> 00:34:20,759 Speaker 1: in many of the Grammys. Like if you look back 588 00:34:20,760 --> 00:34:23,279 Speaker 1: at all the Grammys, like there's those certain speeches or 589 00:34:23,280 --> 00:34:25,480 Speaker 1: those moments that just stand out. Yours was so authentic. 590 00:34:25,480 --> 00:34:27,840 Speaker 1: It was so genuine that it struck a lot of people. 591 00:34:28,560 --> 00:34:29,839 Speaker 1: What did you think you were going to say when 592 00:34:29,880 --> 00:34:34,200 Speaker 1: you got up there? Okay, so I didn't think I 593 00:34:34,239 --> 00:34:38,560 Speaker 1: was going to be getting up there. Let's start there. Really, 594 00:34:38,719 --> 00:34:41,839 Speaker 1: I was, genuinely because at a certain point we had 595 00:34:41,880 --> 00:34:44,879 Speaker 1: had so much wine that like we didn't know what 596 00:34:45,000 --> 00:34:48,040 Speaker 1: category was even We were like, wait, what kind of 597 00:34:48,120 --> 00:34:51,080 Speaker 1: the year? And there we go. We didn't even know 598 00:34:51,160 --> 00:34:52,880 Speaker 1: because we were just having so much fun and we 599 00:34:52,920 --> 00:34:54,799 Speaker 1: would like to be like okay, okay, stop talking, and 600 00:34:54,840 --> 00:34:56,719 Speaker 1: we look and I was like wait, And then I 601 00:34:56,719 --> 00:34:58,480 Speaker 1: heard my name and I was like wait what. I 602 00:34:58,560 --> 00:35:01,640 Speaker 1: was freaking out. So I had always known that I 603 00:35:01,680 --> 00:35:04,080 Speaker 1: wanted to dedicate if I won an award, I would 604 00:35:04,120 --> 00:35:08,240 Speaker 1: dedicate it to Prince um, for a fact. But everything 605 00:35:08,280 --> 00:35:14,480 Speaker 1: after that, even like talking to Beyonce, I was like, 606 00:35:14,960 --> 00:35:17,040 Speaker 1: that was unplanned. I was just like, I just have 607 00:35:17,160 --> 00:35:19,600 Speaker 1: to do this because I told myself that I would 608 00:35:19,600 --> 00:35:21,960 Speaker 1: tell every member of Destiny's Child this story of how 609 00:35:22,000 --> 00:35:24,120 Speaker 1: I watched the perform in the fifth grade, and now 610 00:35:24,160 --> 00:35:27,719 Speaker 1: this is my chance to say it to Barbie told 611 00:35:27,719 --> 00:35:32,279 Speaker 1: Michelle Williams box check. All right, lizz this is We're 612 00:35:32,280 --> 00:35:34,400 Speaker 1: gonna remind you here it is. This is the moment. 613 00:35:34,400 --> 00:35:39,279 Speaker 1: All right, listen to record of your winner in the 614 00:35:39,280 --> 00:35:44,040 Speaker 1: fifth grade. I'll skipped school to see you perform. My sister, 615 00:35:44,239 --> 00:35:46,040 Speaker 1: she got me out of school. It was literature, imp 616 00:35:46,120 --> 00:35:49,480 Speaker 1: could and um, where are you at Beyonce? My eyes 617 00:35:49,520 --> 00:35:54,279 Speaker 1: are wet. You changed my life. You choose saying that 618 00:35:54,440 --> 00:35:57,319 Speaker 1: gospel medley and the way you made me feel. I 619 00:35:57,440 --> 00:35:59,120 Speaker 1: was like, I want to make people feel this way 620 00:35:59,160 --> 00:36:02,760 Speaker 1: with my music. So thank you so much. You clearly 621 00:36:02,800 --> 00:36:06,719 Speaker 1: I have the artist of our lives. I love you, 622 00:36:07,480 --> 00:36:17,440 Speaker 1: bless you. Yeah, I know that sounds. I realized I 623 00:36:17,440 --> 00:36:19,399 Speaker 1: didn't say I want to make people feel this way 624 00:36:19,440 --> 00:36:24,240 Speaker 1: with my music as a fifth grader. That's not honestly, 625 00:36:24,440 --> 00:36:26,880 Speaker 1: you know you do that now and you do it 626 00:36:26,880 --> 00:36:30,240 Speaker 1: in so many different ways and with so many different people. 627 00:36:30,719 --> 00:36:32,400 Speaker 1: It must so you now how you know what that 628 00:36:32,440 --> 00:36:35,760 Speaker 1: feels like to move people. I know what it feels 629 00:36:35,800 --> 00:36:38,680 Speaker 1: like to move people, but I don't know what it 630 00:36:38,719 --> 00:36:42,960 Speaker 1: feels like to know that. I don't. It doesn't feel 631 00:36:43,000 --> 00:36:46,360 Speaker 1: actualized in myself yet. Like you know, somebody's like, you know, 632 00:36:46,400 --> 00:36:48,279 Speaker 1: you're kind of a big deal. Do you realize that? 633 00:36:48,320 --> 00:36:51,680 Speaker 1: I'm like, no, I don't realize that. Like I think 634 00:36:51,719 --> 00:36:55,240 Speaker 1: that I'm just so present and always kind of moving 635 00:36:55,280 --> 00:36:58,920 Speaker 1: forward that I don't have much self awareness. So I 636 00:36:59,040 --> 00:37:02,879 Speaker 1: lack that. But I think it's nice because I think 637 00:37:02,880 --> 00:37:07,000 Speaker 1: if I could actually process what's happening to me and 638 00:37:07,040 --> 00:37:09,600 Speaker 1: how people are perceiving me all at once, I would 639 00:37:09,600 --> 00:37:13,480 Speaker 1: probably explode into confetti. So well, we want to keep 640 00:37:13,520 --> 00:37:17,000 Speaker 1: you together that we like. We like this version, speaking 641 00:37:17,040 --> 00:37:19,200 Speaker 1: of versus as a new version, as a remix, especially, 642 00:37:19,239 --> 00:37:21,439 Speaker 1: we just played feature in Sis tastes that first verse 643 00:37:21,840 --> 00:37:25,640 Speaker 1: tell us about that coming together. Oh my goodness, it 644 00:37:25,760 --> 00:37:29,200 Speaker 1: was a long time coming. Um, because I wanted Sissa 645 00:37:29,800 --> 00:37:32,120 Speaker 1: on the original version of Special, back when it was 646 00:37:32,160 --> 00:37:34,439 Speaker 1: called In case nobody told you, I played it for her. 647 00:37:34,880 --> 00:37:36,960 Speaker 1: I can't remember if it was my Gallon Time Today party. 648 00:37:37,280 --> 00:37:39,600 Speaker 1: She sat in my car, in my Tesla, and I 649 00:37:39,640 --> 00:37:42,240 Speaker 1: just like blasted for her, and she was like so emotional, 650 00:37:42,280 --> 00:37:43,640 Speaker 1: and she was like, oh my gosh, I love this 651 00:37:43,680 --> 00:37:46,160 Speaker 1: song so much. And she had always just been like, 652 00:37:46,680 --> 00:37:48,480 Speaker 1: your album is so good, your music is so good. 653 00:37:48,480 --> 00:37:49,960 Speaker 1: It's gonna be great. It's gonna be great. And I 654 00:37:50,000 --> 00:37:51,680 Speaker 1: was like, thank you so much. And I had this 655 00:37:51,800 --> 00:37:54,040 Speaker 1: extra space in the song I had um it was 656 00:37:54,080 --> 00:37:56,600 Speaker 1: after verse two, and I was like, can you get 657 00:37:56,640 --> 00:37:58,520 Speaker 1: on the song? And she was like, yeah, I would 658 00:37:58,560 --> 00:38:00,239 Speaker 1: love to, but she was working on us so s 659 00:38:00,560 --> 00:38:02,759 Speaker 1: so the timing didn't work out. And I was like, 660 00:38:02,800 --> 00:38:04,719 Speaker 1: you know what, it's never too late, Like I would 661 00:38:04,800 --> 00:38:07,000 Speaker 1: love to have you on special still, and she was 662 00:38:07,040 --> 00:38:10,600 Speaker 1: like of course. So we made happen. She had finished 663 00:38:10,600 --> 00:38:12,319 Speaker 1: her album and she could get in the studio and 664 00:38:12,360 --> 00:38:15,320 Speaker 1: write her verse. And I'm just so happy to finally 665 00:38:15,360 --> 00:38:17,640 Speaker 1: have a song with her because I've been a fan 666 00:38:17,680 --> 00:38:19,719 Speaker 1: of hers for so long. Like we met in two 667 00:38:19,719 --> 00:38:23,480 Speaker 1: thousand thirteen, we toured together in two thousand fourteen, and 668 00:38:23,520 --> 00:38:26,319 Speaker 1: we've kept in touch ever since then, and so like 669 00:38:26,400 --> 00:38:30,200 Speaker 1: to actually like you know, commemorate our friendship with music 670 00:38:30,360 --> 00:38:32,640 Speaker 1: is like really really, for lack of a better word, 671 00:38:32,719 --> 00:38:37,319 Speaker 1: special it is. I love to get the backstory of 672 00:38:37,320 --> 00:38:39,759 Speaker 1: how things happen like that. It's so interesting, right, and 673 00:38:39,880 --> 00:38:43,040 Speaker 1: you performed it already. I saw you guys performing on 674 00:38:43,080 --> 00:38:49,959 Speaker 1: your tour. We did and that was chills um. So yeah, 675 00:38:50,200 --> 00:38:53,880 Speaker 1: people been waiting, They've been like, where's the remix? Special 676 00:38:53,880 --> 00:38:59,080 Speaker 1: Featurings is aware. I was like, hold on, y'all, chill like, 677 00:38:59,320 --> 00:39:01,719 Speaker 1: you know, I wanted it, says A to release her 678 00:39:01,800 --> 00:39:05,120 Speaker 1: album and and you know, her album has been so successful, 679 00:39:05,160 --> 00:39:09,880 Speaker 1: breaking records for being number one for so freaking long, 680 00:39:10,000 --> 00:39:14,479 Speaker 1: um kill bill just doing numbers um on billboards. So 681 00:39:15,000 --> 00:39:16,759 Speaker 1: you know, I'm like, okay, I'm gonna put my little 682 00:39:16,800 --> 00:39:23,239 Speaker 1: song out now. We're basking in all of the the 683 00:39:23,320 --> 00:39:25,560 Speaker 1: success and fun, especially coming out of the Grammys. And 684 00:39:25,600 --> 00:39:27,360 Speaker 1: one of the things that I said, we had somebody 685 00:39:27,400 --> 00:39:29,840 Speaker 1: else on Shaggy was on a few minutes ago, not 686 00:39:29,880 --> 00:39:32,880 Speaker 1: too long ago, and I said afterwards, you know, Shaggy, 687 00:39:33,040 --> 00:39:35,360 Speaker 1: I've known a guy a long time. I'd like to 688 00:39:35,360 --> 00:39:37,399 Speaker 1: go to his house. I'd like to go to Shaggy's house. 689 00:39:37,440 --> 00:39:38,960 Speaker 1: That's a house I'd like to go to. And I said, 690 00:39:38,960 --> 00:39:40,840 Speaker 1: not everybody we have on do I want to go 691 00:39:40,880 --> 00:39:42,400 Speaker 1: to their house? But I would like to go to 692 00:39:42,440 --> 00:39:45,839 Speaker 1: your house. So, Lizzo, I don't know anything about your house, 693 00:39:45,920 --> 00:39:47,400 Speaker 1: and we all actually would like to go to your 694 00:39:47,440 --> 00:39:48,799 Speaker 1: I would like to go to your house we were 695 00:39:48,920 --> 00:39:51,840 Speaker 1: to come over, what would we do? Like, how do 696 00:39:51,920 --> 00:39:56,319 Speaker 1: you entertain? Oh that's such a great question because I 697 00:39:56,360 --> 00:40:01,880 Speaker 1: don't even know do you want to entertain you? Yeah, Well, 698 00:40:01,960 --> 00:40:04,719 Speaker 1: here's the thing, because I just bought my first house ever, 699 00:40:06,400 --> 00:40:13,640 Speaker 1: thank you shot in your documentary Hello, where we sit? 700 00:40:14,080 --> 00:40:17,440 Speaker 1: We would sit outside on the patio. I have like 701 00:40:17,719 --> 00:40:20,440 Speaker 1: outside patio and that's where everybody sits and you just 702 00:40:20,520 --> 00:40:24,360 Speaker 1: hear like water. I have like this feat. Yeah. So 703 00:40:24,640 --> 00:40:28,120 Speaker 1: it's it's just really like lush. And he doesn't feel 704 00:40:28,160 --> 00:40:30,680 Speaker 1: like you're well, he's like, it doesn't feel like you're 705 00:40:30,719 --> 00:40:34,160 Speaker 1: in l a but it doesn't. It doesn't feel like 706 00:40:34,160 --> 00:40:35,879 Speaker 1: you're in the congestion. But you still get to enjoy 707 00:40:35,960 --> 00:40:39,280 Speaker 1: the weather, right right exactly. You're not like in a city. 708 00:40:39,440 --> 00:40:43,920 Speaker 1: It feels like you're in the middle of a oasis. Yeah, 709 00:40:44,160 --> 00:40:46,120 Speaker 1: but here's the thing, Like my house isn't done and 710 00:40:46,280 --> 00:40:48,319 Speaker 1: my house doesn't have a name, and I need to name. 711 00:40:48,960 --> 00:40:53,880 Speaker 1: That's interesting. Yeah, so maybe maybe you guys would name exactly. Okay, 712 00:40:53,920 --> 00:40:55,480 Speaker 1: So I'm about to put it out there to those 713 00:40:55,520 --> 00:40:59,280 Speaker 1: of you listening anywhere you are now, on whatever platform 714 00:40:59,320 --> 00:41:03,759 Speaker 1: you're listening, what should Lizzo name her house? We're gonna 715 00:41:03,800 --> 00:41:08,040 Speaker 1: run a contest name Lizzo's house, okay, and the winner 716 00:41:08,080 --> 00:41:11,800 Speaker 1: gets to name my house gets to name her castle. 717 00:41:11,920 --> 00:41:14,560 Speaker 1: I mean you will have im perpetuity until she sells 718 00:41:14,560 --> 00:41:18,560 Speaker 1: it for another castle. About damn home. You know that 719 00:41:18,640 --> 00:41:20,719 Speaker 1: could be good. I can put that on. I'm about damn. 720 00:41:22,640 --> 00:41:27,200 Speaker 1: H m m, there you go. Oh man, I'm about damn. 721 00:41:28,520 --> 00:41:32,759 Speaker 1: We have a project now, like project yeah, I like 722 00:41:32,840 --> 00:41:35,080 Speaker 1: a project. Well, it's great to see you. Thank you 723 00:41:35,160 --> 00:41:37,000 Speaker 1: so much for coming on with us. I know you've 724 00:41:37,040 --> 00:41:39,520 Speaker 1: got so much going on. Lizzo's remix of Special feature 725 00:41:39,520 --> 00:41:44,319 Speaker 1: In is out now for the fans. We'll talk to you, yea. 726 00:41:45,440 --> 00:41:47,839 Speaker 1: I appreciate y'all so much. It's always good to see 727 00:41:47,840 --> 00:41:55,840 Speaker 1: you year all right, name all right, I want to 728 00:41:55,920 --> 00:41:59,880 Speaker 1: name the house. Naming things is hard, a lot of pressuring. 729 00:42:00,040 --> 00:42:02,520 Speaker 1: Hit it out there. David Alvarez in the Social media department, 730 00:42:02,520 --> 00:42:05,239 Speaker 1: please jump to the mic. Need this on all platforms 731 00:42:05,320 --> 00:42:08,680 Speaker 1: right now, Kiss platforms, Ryan platforms. We have been We've 732 00:42:08,680 --> 00:42:12,000 Speaker 1: been tasked. She's commissioned us, essentially to come up with 733 00:42:12,000 --> 00:42:14,520 Speaker 1: a name for her new house, her first house, right, 734 00:42:14,960 --> 00:42:18,640 Speaker 1: Lizzo's house. Name Lizzo's house, she asked. She really, she's 735 00:42:18,640 --> 00:42:20,080 Speaker 1: trying to come up with one. So let's get it 736 00:42:20,120 --> 00:42:22,120 Speaker 1: out there, all right, take the video, take a still 737 00:42:22,120 --> 00:42:27,399 Speaker 1: of me. I'm posing. Now, Hey, guys, if you get 738 00:42:27,400 --> 00:42:29,840 Speaker 1: any calls, we're trying to name Lizzo's house. Okay, Ruby, 739 00:42:29,840 --> 00:42:35,600 Speaker 1: Mikayla back room, any ideas in the back room. It's tough. 740 00:42:37,520 --> 00:42:42,120 Speaker 1: I'm actually he's good at this stuff. He's good at naming. No, 741 00:42:42,280 --> 00:42:46,520 Speaker 1: you can guess what he named his car. Okay, hold on, kit, No, 742 00:42:46,600 --> 00:42:48,440 Speaker 1: it's a Bronco. So if that gives you any clue, 743 00:42:48,600 --> 00:42:54,040 Speaker 1: So Mr Bronco, Benny Bronco. Get it like Benny Bronco. No, 744 00:42:54,200 --> 00:42:58,680 Speaker 1: we get it. It's cute. He calls in Benny Bronco. 745 00:42:59,040 --> 00:43:02,839 Speaker 1: Benny Bronco. Kind of like him more. He does these 746 00:43:02,880 --> 00:43:04,840 Speaker 1: little things that make me want to hang out. I 747 00:43:04,880 --> 00:43:08,560 Speaker 1: would ask him about Lizzo's house. In the wake of 748 00:43:08,640 --> 00:43:10,640 Speaker 1: your Betty Broncos success, Can you come up with the 749 00:43:10,680 --> 00:43:13,479 Speaker 1: name of Lizzo's first autum. What would you name Lizzo's house. 750 00:43:13,960 --> 00:43:16,800 Speaker 1: Let's see what he says back, How about Lizzo's house, Johnny. 751 00:43:16,920 --> 00:43:18,319 Speaker 1: Let's get to a trend and report in a second. 752 00:43:18,320 --> 00:43:20,239 Speaker 1: What do you have coming up? Okay, remember how you 753 00:43:20,239 --> 00:43:22,200 Speaker 1: guys made fun of me for going on a retreat before? 754 00:43:22,520 --> 00:43:24,440 Speaker 1: No one ever made fun of anyone on this show. 755 00:43:24,719 --> 00:43:27,920 Speaker 1: We just okay, no, we were surprised that you were 756 00:43:27,920 --> 00:43:29,920 Speaker 1: surprised that you called it a retreat when really you 757 00:43:29,960 --> 00:43:32,160 Speaker 1: just went on vacation with your boyfriend. We don't make fun. 758 00:43:32,200 --> 00:43:34,239 Speaker 1: We point things out, and we point things out with 759 00:43:34,320 --> 00:43:38,160 Speaker 1: redundancy something we never make fun. Okay, Well, Ryan, your 760 00:43:38,200 --> 00:43:41,560 Speaker 1: buddy Aaron Rodgers is going on one to decide the 761 00:43:41,560 --> 00:43:43,400 Speaker 1: fate of his football career. He's going on one. What 762 00:43:43,760 --> 00:43:46,080 Speaker 1: retreat he is? Yeah, and I'm want to tell you 763 00:43:46,080 --> 00:43:48,120 Speaker 1: about it. Okay, that's coming up in a second in 764 00:43:48,160 --> 00:43:50,279 Speaker 1: the training report. It's more I would say to making 765 00:43:50,360 --> 00:43:53,640 Speaker 1: much more playful banter, wouldn't you say, sissany Yeah, playful 766 00:43:53,640 --> 00:43:57,880 Speaker 1: banter doesn't roll off the tongue banter. That's what they 767 00:43:57,880 --> 00:43:59,799 Speaker 1: told us to do when we got these jobs. Come 768 00:43:59,840 --> 00:44:03,040 Speaker 1: up with some playful banter, like who is that? I 769 00:44:03,040 --> 00:44:04,759 Speaker 1: don't I don't go over to my friend's house looking 770 00:44:04,760 --> 00:44:07,640 Speaker 1: for a playful banter. It's a cocktail party, That's what 771 00:44:07,680 --> 00:44:10,400 Speaker 1: I was told. They said, it's a cocktail party. It's 772 00:44:10,400 --> 00:44:15,000 Speaker 1: a cocktail party. Invite, invite everyone over to the cocktail party. 773 00:44:15,000 --> 00:44:17,080 Speaker 1: Didn't listen to them. I don't even know who they are. 774 00:44:18,880 --> 00:44:21,759 Speaker 1: All right, So did Robbie get back to you about 775 00:44:21,880 --> 00:44:25,160 Speaker 1: Lizzo's house yet? He did not busy that, Robbie. Yeah, 776 00:44:25,320 --> 00:44:28,640 Speaker 1: it's kind of a random texting. Even if you guys 777 00:44:28,640 --> 00:44:30,920 Speaker 1: lobbed that to me, I might not be text everyone. 778 00:44:31,080 --> 00:44:33,120 Speaker 1: She texts everyone we know. Well, I gave it and 779 00:44:33,200 --> 00:44:35,200 Speaker 1: I said, what would you name Lizzo's house? Like you 780 00:44:35,360 --> 00:44:40,880 Speaker 1: like how you named your car. So there's context. I 781 00:44:40,920 --> 00:44:43,000 Speaker 1: felt a little bad that I directed a Texas night 782 00:44:43,000 --> 00:44:44,960 Speaker 1: to siss Any Tanya, and you were on it. So 783 00:44:45,239 --> 00:44:49,239 Speaker 1: you didn't feel bad about that, right? Huh? The text 784 00:44:49,280 --> 00:44:52,040 Speaker 1: that you said thank you Sis? Yeah, no, because you 785 00:44:52,080 --> 00:44:55,560 Speaker 1: were thanking her for what she just didn't you know 786 00:44:55,560 --> 00:44:57,000 Speaker 1: when you care that guilt of like, oh gosh, I 787 00:44:57,040 --> 00:44:59,200 Speaker 1: was really texting a lot with Sissany and leaving Tanya 788 00:44:59,200 --> 00:45:01,400 Speaker 1: out of the group text it's going to take that 789 00:45:01,440 --> 00:45:04,480 Speaker 1: personally tomorrow morning. I did not take that first all, 790 00:45:06,040 --> 00:45:10,279 Speaker 1: but I appreciate you like thinking about me. Well thinkry. 791 00:45:11,040 --> 00:45:14,880 Speaker 1: It is the guilty carry, all Right, let's get to 792 00:45:14,880 --> 00:45:18,239 Speaker 1: this training report. So Aaron Rodgers, quarterback of the oh 793 00:45:18,480 --> 00:45:22,719 Speaker 1: of Mark's team, the Green Bay Packers. Yes, so he 794 00:45:22,840 --> 00:45:25,160 Speaker 1: revealed that he is going to decide his NFL future 795 00:45:25,360 --> 00:45:28,960 Speaker 1: while being isolated in darkness for nearly a week. So 796 00:45:29,080 --> 00:45:31,239 Speaker 1: I've never done a darkness retreat, but I'm kind of 797 00:45:31,280 --> 00:45:34,000 Speaker 1: really into this experience. So Aaron said that he will 798 00:45:34,000 --> 00:45:36,800 Speaker 1: make a decision that is best for me moving forward 799 00:45:36,880 --> 00:45:40,040 Speaker 1: in the highest interest of my happiness, and then move forward. 800 00:45:40,480 --> 00:45:43,080 Speaker 1: So what is a darkness retreat, you might ask. It's 801 00:45:43,120 --> 00:45:48,080 Speaker 1: four nights of complete darkness. It's just sitting in isolation, meditation, 802 00:45:48,280 --> 00:45:51,279 Speaker 1: dealing with your thoughts for nights of darkness. Isn't that 803 00:45:51,320 --> 00:45:56,200 Speaker 1: what we do? Never come, never survived. There can be 804 00:45:56,239 --> 00:45:58,720 Speaker 1: some hallucinations in there, but it's just kind of sitting 805 00:45:58,719 --> 00:46:01,200 Speaker 1: in silence, with which most of us never do. We 806 00:46:01,360 --> 00:46:04,000 Speaker 1: rarely ever even turn our phone off or put the 807 00:46:04,000 --> 00:46:06,920 Speaker 1: blinds down to sleep in darkness. I'm really looking forward 808 00:46:06,920 --> 00:46:09,400 Speaker 1: to people. Know he's going to be alone in the 809 00:46:09,520 --> 00:46:13,680 Speaker 1: little house with no music or sounds. But it's nighttime, 810 00:46:13,760 --> 00:46:15,759 Speaker 1: don't don't we all go to sleep at night and 811 00:46:15,760 --> 00:46:17,040 Speaker 1: it's dark. What do you do when you go to 812 00:46:17,040 --> 00:46:20,360 Speaker 1: sleep at night? You when you watch TV? What about 813 00:46:20,360 --> 00:46:22,520 Speaker 1: your phone? How's it going to be dark in the day. 814 00:46:22,680 --> 00:46:25,520 Speaker 1: I imagine he's just gonna have the blinds clothes. Imagine 815 00:46:26,520 --> 00:46:30,759 Speaker 1: is at night? You said four nights of complete darkness? Well, yeah, no, 816 00:46:30,840 --> 00:46:32,840 Speaker 1: I think it's just you're in this little house. I 817 00:46:32,840 --> 00:46:35,640 Speaker 1: don't know. I mean, I can only take what I read. 818 00:46:35,480 --> 00:46:38,440 Speaker 1: I don't know Aaron Rodgers. But I imagine that he's 819 00:46:38,480 --> 00:46:41,120 Speaker 1: in this little house for four days and it's just dark, 820 00:46:41,200 --> 00:46:44,280 Speaker 1: the blinds are drawn, and like he can't have TV, music, 821 00:46:44,480 --> 00:46:47,000 Speaker 1: no sound. I think I get it right. He's trying 822 00:46:47,000 --> 00:46:50,120 Speaker 1: to focus and think and have his inner thoughts inner 823 00:46:50,200 --> 00:46:53,799 Speaker 1: voices be very clear. For me, I would find it 824 00:46:53,880 --> 00:46:57,440 Speaker 1: incredibly depressing. I think it would be really interesting to 825 00:46:57,560 --> 00:47:01,720 Speaker 1: just have not like no other destruction. I have your phone, 826 00:47:01,840 --> 00:47:06,879 Speaker 1: not darkness. That freaks me out. I don't like the dark. 827 00:47:07,120 --> 00:47:09,160 Speaker 1: I don't feel like my body responds with clarity in 828 00:47:09,160 --> 00:47:12,799 Speaker 1: the dark. I don't know. I think it could be 829 00:47:12,960 --> 00:47:15,759 Speaker 1: pretty powerful. I'm excited to hear him come out of 830 00:47:15,800 --> 00:47:19,040 Speaker 1: it and talk about it. I prefer playful, bantern soft 831 00:47:19,120 --> 00:47:24,840 Speaker 1: lighting with friends. Why don't you try this some weekend. 832 00:47:25,360 --> 00:47:28,480 Speaker 1: I don't think I could do it? Does sound appealing 833 00:47:28,520 --> 00:47:30,759 Speaker 1: to me, like this is something that I think that 834 00:47:30,880 --> 00:47:33,319 Speaker 1: I would like to do. I just don't know how 835 00:47:33,360 --> 00:47:40,600 Speaker 1: realistic it is for me. Yeah, it's not for me, 836 00:47:40,880 --> 00:47:43,080 Speaker 1: but let's see how it goes for him. Yeah, I'm 837 00:47:43,120 --> 00:47:47,600 Speaker 1: really interested. Fo No, I'm I'm okay with this. What 838 00:47:48,120 --> 00:47:54,239 Speaker 1: not doing it back? Yet? He did not he's really 839 00:47:54,280 --> 00:47:57,279 Speaker 1: thinking about this, not every day of the pressure of 840 00:47:57,320 --> 00:48:02,200 Speaker 1: naming Lizzo's house. Right. I am torn about this weekend 841 00:48:02,200 --> 00:48:05,640 Speaker 1: watchless because you know, I really take all of these 842 00:48:05,680 --> 00:48:09,960 Speaker 1: ideas seriously, and then sometimes I take the idea and 843 00:48:10,000 --> 00:48:14,600 Speaker 1: I start the show and it's not for me. Oh, 844 00:48:14,680 --> 00:48:17,239 Speaker 1: this last episode of the Last of Us was such 845 00:48:17,280 --> 00:48:20,800 Speaker 1: a cliffhanger. That's the zombie show. It's not a zombie 846 00:48:20,880 --> 00:48:23,239 Speaker 1: I haven't seen one zombie since that first episode. By 847 00:48:23,239 --> 00:48:25,680 Speaker 1: the way, on an episode four, Well, then why they 848 00:48:25,680 --> 00:48:27,440 Speaker 1: put all those zombies at the beginning just to give 849 00:48:27,480 --> 00:48:30,719 Speaker 1: you the gist of the fact that that is what 850 00:48:30,840 --> 00:48:34,520 Speaker 1: wiped everybody out. Basically very popular shows, very popular, I guess. 851 00:48:35,120 --> 00:48:43,719 Speaker 1: So let me think this through capes, zombies, wizardry. Um, 852 00:48:45,040 --> 00:48:47,000 Speaker 1: I'm with you. I don't like any of that stuff either. 853 00:48:47,360 --> 00:48:50,080 Speaker 1: I don't like any of that stuff either. Dragon. Nope, 854 00:48:50,480 --> 00:48:53,359 Speaker 1: not give that one cartoon Dragon? What was that one? Uh? 855 00:48:54,040 --> 00:48:57,359 Speaker 1: One cartoon Dragon? They made a couple the never ending story? No, 856 00:48:57,520 --> 00:49:01,360 Speaker 1: that's a dog. What is it? How to Train Your Dragon? 857 00:49:01,520 --> 00:49:05,560 Speaker 1: Didn't hate that? And dragon tattoo? Weren't you in there? Tattoo? No, 858 00:49:05,640 --> 00:49:08,279 Speaker 1: I was in Shrek. That was the only one you 859 00:49:08,320 --> 00:49:13,239 Speaker 1: were in. Oh, as far as I know, lifted my 860 00:49:13,320 --> 00:49:16,000 Speaker 1: voice saying something dragon. But anyway, those are kind of 861 00:49:16,040 --> 00:49:18,400 Speaker 1: things that are not for me. Yeah, I'm in the 862 00:49:18,480 --> 00:49:23,520 Speaker 1: same lane as you. I'm telling you, Ryan Seacrest, turn 863 00:49:23,560 --> 00:49:30,520 Speaker 1: it back on the weekend alright, Europe, and I'm all 864 00:49:30,600 --> 00:49:33,479 Speaker 1: for this one. Okay, great, this one's for me. You. 865 00:49:34,120 --> 00:49:38,160 Speaker 1: Season four on Netflix is back. I'm so excited for this. 866 00:49:38,160 --> 00:49:41,359 Speaker 1: This is all I am doing tonight after the kids 867 00:49:41,360 --> 00:49:44,560 Speaker 1: go to bed. I'm hoping that I don't binge it 868 00:49:44,600 --> 00:49:46,719 Speaker 1: because this is my problem with this show. You can't 869 00:49:46,920 --> 00:49:49,400 Speaker 1: because well, no, it's in two parts. Well yeah, I 870 00:49:49,440 --> 00:49:51,359 Speaker 1: mean obviously, but yes, And that's the other thing. It's 871 00:49:51,360 --> 00:49:53,680 Speaker 1: like I can binge the part one super fast. Yea, 872 00:49:53,760 --> 00:49:55,759 Speaker 1: then they stop. You gotta wait till March ninth. I know, 873 00:49:56,040 --> 00:49:58,359 Speaker 1: I know, I know, I know. So we just had 874 00:49:58,480 --> 00:50:01,240 Speaker 1: um Penn badleyan so I'm like, it's just watch Penn 875 00:50:01,239 --> 00:50:04,480 Speaker 1: Badsley's whole cadence. It is just like his character. By 876 00:50:04,520 --> 00:50:06,800 Speaker 1: the way, I know the listeners couldn't see this because 877 00:50:07,200 --> 00:50:09,279 Speaker 1: it's radio. But when we interviewed him, he was on 878 00:50:09,360 --> 00:50:12,080 Speaker 1: zoom and he was he was had this white background. 879 00:50:12,120 --> 00:50:14,640 Speaker 1: It was very eerie the way we interviewed him. He 880 00:50:14,719 --> 00:50:19,640 Speaker 1: was at the Searers Catalog photoshoo, that's what it looked like. 881 00:50:19,880 --> 00:50:22,960 Speaker 1: It was just him sitting on the stool with just 882 00:50:23,000 --> 00:50:26,040 Speaker 1: a white background, and we were all asking like, why 883 00:50:26,160 --> 00:50:29,359 Speaker 1: was it sounds just like Joe. Well, he is Joe, 884 00:50:29,480 --> 00:50:31,680 Speaker 1: but he moves just like Joe and his cadence and 885 00:50:31,680 --> 00:50:34,640 Speaker 1: the way he speaks. It's just yeah, it's just like Joe. 886 00:50:35,440 --> 00:50:37,640 Speaker 1: It's Penn Badgley, but it's Joe. I saw Joe in 887 00:50:37,680 --> 00:50:41,400 Speaker 1: the White Room and so you yes, I'm in, I'm in, 888 00:50:42,040 --> 00:50:43,920 Speaker 1: But I got a start on season two. Yeah, just 889 00:50:45,000 --> 00:50:47,680 Speaker 1: although you know what he said that Even Penn Badgley, 890 00:50:47,800 --> 00:50:52,640 Speaker 1: who plays Joe, said, just watched the series recap, but 891 00:50:52,719 --> 00:50:55,600 Speaker 1: what an embarrassment of riches you have for the sake 892 00:50:55,680 --> 00:50:57,839 Speaker 1: that you haven't even I would I wish I hadn't 893 00:50:57,880 --> 00:50:59,600 Speaker 1: watched season two and three yet, like I would go 894 00:50:59,680 --> 00:51:06,320 Speaker 1: back and start all over again. How sixty minutes takes 895 00:51:06,360 --> 00:51:09,000 Speaker 1: me a half hour? So I'm gonna watch the series 896 00:51:09,960 --> 00:51:16,200 Speaker 1: nant half hour, two hours fast forward. No, it's sixty minutes, 897 00:51:16,239 --> 00:51:19,879 Speaker 1: half hour, all right, Tony, what SNY weekend watch? So 898 00:51:19,960 --> 00:51:24,600 Speaker 1: we just started watching the Watchful Eye on. It's actually 899 00:51:24,640 --> 00:51:29,680 Speaker 1: really really good. So it it reminds me of So 900 00:51:29,760 --> 00:51:32,400 Speaker 1: I am obsessed with only murderers in the building, and 901 00:51:32,440 --> 00:51:34,680 Speaker 1: it kind of gives it's that same vibe but also 902 00:51:34,719 --> 00:51:36,800 Speaker 1: a little bit of like pretty Little liars By because 903 00:51:36,920 --> 00:51:38,960 Speaker 1: it's this this woman works her way to become this 904 00:51:39,080 --> 00:51:42,160 Speaker 1: nanny to this like rich family. But the building there's 905 00:51:42,200 --> 00:51:44,279 Speaker 1: some weird stuff going on with the building. It's not 906 00:51:44,320 --> 00:51:47,120 Speaker 1: like a murder mystery, but it's I don't know, it's 907 00:51:47,120 --> 00:51:51,560 Speaker 1: really really good. We're really intrigued. Hitchcocky in Alfred Hitchcocky, 908 00:51:51,719 --> 00:51:55,080 Speaker 1: hitchcocky and yeah, um, so we started watching. We watched 909 00:51:55,080 --> 00:51:57,040 Speaker 1: I think the first two episodes, so we're in. You 910 00:51:57,040 --> 00:51:59,120 Speaker 1: can watch it on Hulu. Um. I want to shout 911 00:51:59,120 --> 00:52:03,239 Speaker 1: out Ninas who runs Ryan Seacrest Production Scripted and that's 912 00:52:03,239 --> 00:52:06,399 Speaker 1: where this show has come from. Nina Watson Andrea Shay. 913 00:52:06,920 --> 00:52:10,399 Speaker 1: It's really good. Yeah, they made that with a great team. Yeah, 914 00:52:10,400 --> 00:52:13,400 Speaker 1: I have that on my my peeps, um, the Watchful 915 00:52:13,400 --> 00:52:16,520 Speaker 1: Eye on okay and Ruby, what's on your weekend watch list? 916 00:52:16,680 --> 00:52:20,759 Speaker 1: So I started watching that nineties show on Netflix, and 917 00:52:20,840 --> 00:52:23,719 Speaker 1: it's basically like a remake of that seventies show but 918 00:52:24,360 --> 00:52:26,919 Speaker 1: in the nineties, and a lot of our favorites are back, 919 00:52:27,000 --> 00:52:33,000 Speaker 1: like Redd and Kitty. They do make cameos. There's cameos 920 00:52:33,040 --> 00:52:38,360 Speaker 1: from Ela Cunas as Jackie obviously, Michael uh Ashlan Kircher 921 00:52:38,400 --> 00:52:42,440 Speaker 1: Wilmer as Fez Donna. Like it's it's it's very nostalgic, 922 00:52:42,520 --> 00:52:44,560 Speaker 1: but I don't it's not as good so far as 923 00:52:44,640 --> 00:52:47,120 Speaker 1: that seventies show, but it's it's just like a fun 924 00:52:47,160 --> 00:52:50,759 Speaker 1: show to watch. And that is on Netflix, that nineties show. 925 00:52:51,480 --> 00:52:54,960 Speaker 1: There's another program on Sunday to Super Bowl fifty seven 926 00:52:55,400 --> 00:52:59,000 Speaker 1: l V I, I Yeah. The Rihanna Show, Chiefs Eagles 927 00:52:59,320 --> 00:53:02,480 Speaker 1: thirty Sun Day, Chris staple In doing the anthem, Rihanna 928 00:53:02,600 --> 00:53:07,560 Speaker 1: doing the halftime show. Eagles are favored by one and 929 00:53:07,640 --> 00:53:12,279 Speaker 1: a half points. How where does the half point come in? 930 00:53:12,320 --> 00:53:16,839 Speaker 1: I don't understand betting anymore? Draft King? Can you bet 931 00:53:16,880 --> 00:53:20,319 Speaker 1: on the half point? Like? I don't understand round up? Mark? 932 00:53:20,320 --> 00:53:22,520 Speaker 1: Do you understand the half point betting? Well? Kind of, 933 00:53:22,640 --> 00:53:25,319 Speaker 1: that's just that's everyone over that will win, everyone under 934 00:53:25,360 --> 00:53:28,240 Speaker 1: that will lose. Who's Kevin Hart picking? He's from Philly? 935 00:53:28,239 --> 00:53:33,160 Speaker 1: Isn't he right? He's out of Philly. Isn't he picked Philly? 936 00:53:33,560 --> 00:53:35,640 Speaker 1: Unless he got some inside information the guys in the 937 00:53:35,719 --> 00:53:38,120 Speaker 1: Draft King commercial, I would pick I'm going to go 938 00:53:38,120 --> 00:53:40,759 Speaker 1: with Philly. So Mark, what's the deal on the half point? 939 00:53:40,960 --> 00:53:42,560 Speaker 1: So like, if the Eagles win by if you pick 940 00:53:42,600 --> 00:53:46,239 Speaker 1: the Eagles win by two, I was thinking about how 941 00:53:46,239 --> 00:53:48,880 Speaker 1: to find kem r right now. If you picking the 942 00:53:48,960 --> 00:53:51,200 Speaker 1: Eagles and they win by two, then you win. If 943 00:53:51,239 --> 00:53:54,600 Speaker 1: they win by one, you don't win. That's the barrier. 944 00:53:56,680 --> 00:54:00,600 Speaker 1: And I still don't get the half one half barrier. 945 00:54:00,640 --> 00:54:06,920 Speaker 1: Everyone on one side wins the half half got got got, 946 00:54:06,960 --> 00:54:11,080 Speaker 1: gotta got it point, why don't you try to explain 947 00:54:11,120 --> 00:54:14,640 Speaker 1: that g d p H t app to me g 948 00:54:14,640 --> 00:54:21,080 Speaker 1: g PT ptsd H whatever it is, ABC, ABC, g 949 00:54:21,960 --> 00:54:25,080 Speaker 1: f APP. Um you know that app. I'm talking about. 950 00:54:25,080 --> 00:54:28,640 Speaker 1: What's it called? Actually chat GPT that one. Let's try 951 00:54:28,680 --> 00:54:31,160 Speaker 1: that one. Yeah alright, so yeah, super boil, I'm gonna 952 00:54:31,160 --> 00:54:33,800 Speaker 1: pick that. It's for my watch list. This weekend is 953 00:54:33,840 --> 00:54:36,279 Speaker 1: American Top forty, but Saturday and Satday also the vibe 954 00:54:36,400 --> 00:54:40,439 Speaker 1: is on. So wait, Tanya, I didn't you always after 955 00:54:40,480 --> 00:54:45,280 Speaker 1: American Top forty. No, we're at nighttime. Thanks for listening. 956 00:54:45,640 --> 00:54:48,879 Speaker 1: It says it says ten am tomorrow. Look at the notes, 957 00:54:48,920 --> 00:54:53,160 Speaker 1: it says ten am. J me, so oh you're on 958 00:54:54,239 --> 00:54:57,719 Speaker 1: on that night time six on Saturday, yelling all right, sorry, 959 00:54:57,920 --> 00:55:01,439 Speaker 1: my mind just comes in starts yelling at you. Yeah, 960 00:55:01,680 --> 00:55:06,120 Speaker 1: I haven't even done your big intro. So e J, 961 00:55:06,320 --> 00:55:09,439 Speaker 1: you're on tomorrow, attended to the vibes on when six 962 00:55:09,560 --> 00:55:11,479 Speaker 1: to ten? So all right, all right? I thought maybe 963 00:55:11,520 --> 00:55:16,160 Speaker 1: somebody sydneys in the programming meetings moving all the charts around. Um, 964 00:55:16,560 --> 00:55:18,239 Speaker 1: all right, so J, how are you doing? He just 965 00:55:18,480 --> 00:55:21,440 Speaker 1: check in with you every every now it's fact, I 966 00:55:21,440 --> 00:55:23,400 Speaker 1: gotta check on you. What's going on. I'm good. It 967 00:55:23,440 --> 00:55:26,359 Speaker 1: feels like forever since I've seen you. Guys, last because 968 00:55:27,040 --> 00:55:28,000 Speaker 1: I feel like it was going to a lot of 969 00:55:28,040 --> 00:55:30,719 Speaker 1: weddings I have, and it was a wedding that I 970 00:55:30,800 --> 00:55:34,719 Speaker 1: didn't want to go to because you know, I committed 971 00:55:34,840 --> 00:55:36,040 Speaker 1: and I was like, I'm going to be a man 972 00:55:36,120 --> 00:55:38,879 Speaker 1: of my word and I'm not gonna flate and I'm 973 00:55:38,880 --> 00:55:40,920 Speaker 1: gonna go. And where did you have to go for 974 00:55:41,000 --> 00:55:45,160 Speaker 1: the wedding? Miami? But it felt so good out there 975 00:55:45,239 --> 00:55:47,719 Speaker 1: that humidity. I walked off the plane. It felt so good. 976 00:55:47,800 --> 00:55:50,880 Speaker 1: Your skin was nice. Sure was. People hate humidity, but 977 00:55:50,960 --> 00:55:53,080 Speaker 1: it feels so good on your skin. Yeah, I'm not 978 00:55:53,160 --> 00:55:56,439 Speaker 1: a hater of humidity. Who was it? What was the person? 979 00:55:56,480 --> 00:55:59,319 Speaker 1: A friend of your family, member, friend of mine? It's great. 980 00:55:59,520 --> 00:56:04,840 Speaker 1: Congratulate into them. I hope at last. Um such a 981 00:56:04,920 --> 00:56:08,120 Speaker 1: straight phase too? Well you gotta tune, Yeah, well I have. 982 00:56:09,239 --> 00:56:11,160 Speaker 1: I'm a realist when it comes to some of this stuff. Right, 983 00:56:11,200 --> 00:56:13,080 Speaker 1: I think half for good and half are back, so 984 00:56:13,120 --> 00:56:15,160 Speaker 1: I hope they're in the good half. I feel the 985 00:56:15,200 --> 00:56:18,120 Speaker 1: same exact way you do about marriage. Yeah, I hate love, 986 00:56:19,120 --> 00:56:22,080 Speaker 1: you don't. Let's stop there. We may take this still 987 00:56:22,120 --> 00:56:27,120 Speaker 1: ten a m. Tomorrow. So you don't know who broke 988 00:56:27,160 --> 00:56:28,960 Speaker 1: your heart, you know what. It probably started with my 989 00:56:29,080 --> 00:56:31,920 Speaker 1: father leaving a couple of years back. Do you need 990 00:56:31,960 --> 00:56:35,359 Speaker 1: a couch right now? That would make sense, right? They say, 991 00:56:35,360 --> 00:56:39,080 Speaker 1: all this stuff that we hold now is from childhood. Yeah, yeah, 992 00:56:40,239 --> 00:56:41,840 Speaker 1: I feel like I didn't see it displayed in the 993 00:56:41,960 --> 00:56:44,759 Speaker 1: right way. So for example, you could break the cycle though, 994 00:56:44,800 --> 00:56:48,160 Speaker 1: yea cycle. Chanya has got a therapist panel, like a 995 00:56:48,239 --> 00:56:52,800 Speaker 1: therapy panel, and she'll run your questions by her therapist 996 00:56:52,840 --> 00:56:54,400 Speaker 1: and her session for free and get the answers to 997 00:56:54,440 --> 00:56:56,520 Speaker 1: bring him back. Can I tell you doing the vibe 998 00:56:56,600 --> 00:56:58,880 Speaker 1: is like one big old therapy session, just look like 999 00:56:58,960 --> 00:57:01,839 Speaker 1: the homework and stuff like that. To tell them your 1000 00:57:01,880 --> 00:57:03,680 Speaker 1: word of the year, tell them your word of the year. 1001 00:57:03,840 --> 00:57:07,319 Speaker 1: My word of the year is present being in the present. Yeah, 1002 00:57:07,640 --> 00:57:10,600 Speaker 1: that's been our word of the year for twenty I 1003 00:57:10,760 --> 00:57:13,239 Speaker 1: tell you get there. I'll tell you when I get there. 1004 00:57:13,800 --> 00:57:16,000 Speaker 1: Um any, wait, what about Valentine's Day? What are you 1005 00:57:16,000 --> 00:57:18,439 Speaker 1: gonna do? I'm gonna send my grandmother and my mother 1006 00:57:18,680 --> 00:57:20,960 Speaker 1: some things, and I'm also gonna like, I don't necessarily 1007 00:57:21,000 --> 00:57:23,400 Speaker 1: feel like it should just be romantic. I feel like 1008 00:57:23,440 --> 00:57:25,440 Speaker 1: it should be platonic too, like you should, you know, 1009 00:57:25,640 --> 00:57:27,480 Speaker 1: take care of your friends and everybody else around. And 1010 00:57:27,520 --> 00:57:29,400 Speaker 1: a lot of moms celebrate their kids, Like since you're 1011 00:57:29,400 --> 00:57:31,800 Speaker 1: gonna big doing a big Valentine's Day celebration with the kids, 1012 00:57:31,840 --> 00:57:33,520 Speaker 1: I am, it's gonna be all about family for us. 1013 00:57:33,720 --> 00:57:37,360 Speaker 1: We love that. I really don't want to ask anything else. Um, 1014 00:57:37,560 --> 00:57:39,320 Speaker 1: we're kind of covering all the good stuff. So yeah, 1015 00:57:39,360 --> 00:57:41,920 Speaker 1: you're on tended to, you're on the vibe. Check it out, 1016 00:57:42,000 --> 00:57:44,360 Speaker 1: e J e J. Love this guy, Love this guy. 1017 00:57:44,600 --> 00:57:48,760 Speaker 1: We love I know, I know quickly you want to 1018 00:57:48,760 --> 00:57:51,320 Speaker 1: do some wings, right, you're doing a wings. So what 1019 00:57:51,440 --> 00:57:53,360 Speaker 1: I do is I put the wings in the air fryer. 1020 00:57:53,400 --> 00:57:55,320 Speaker 1: I season it, you know, season it however you want 1021 00:57:55,360 --> 00:57:57,760 Speaker 1: to season it. But the trick is I do a 1022 00:57:57,880 --> 00:57:59,760 Speaker 1: half a cup of hot sauce and then maybe like 1023 00:57:59,840 --> 00:58:02,360 Speaker 1: a he's spoon of honey, mix it all together, toss 1024 00:58:02,400 --> 00:58:05,720 Speaker 1: the wings in there and it's crispy because the sugar 1025 00:58:05,880 --> 00:58:09,320 Speaker 1: in the honey very quispy. Yeah okay, I like it nice. 1026 00:58:09,600 --> 00:58:12,240 Speaker 1: And the air fryer, yeah, make it healthy, make it simple, 1027 00:58:12,280 --> 00:58:16,880 Speaker 1: to make it healthy. I don't love love and I 1028 00:58:16,960 --> 00:58:27,280 Speaker 1: love healthy wing. Hey, uh, Tanya, we know our sort 1029 00:58:27,320 --> 00:58:31,000 Speaker 1: of get togethers outside of the show. We should bring 1030 00:58:31,080 --> 00:58:33,360 Speaker 1: each to one of them. Yeah, make time we go 1031 00:58:33,440 --> 00:58:38,640 Speaker 1: to one of our houses. He's fun, right, and I 1032 00:58:38,680 --> 00:58:40,360 Speaker 1: want to get him past the I don't like love thing. 1033 00:58:41,560 --> 00:58:44,240 Speaker 1: You want to break him? Okay, Yeah, I'm gonna break him. 1034 00:58:45,360 --> 00:58:48,120 Speaker 1: Love her boy over here? When is our next? When 1035 00:58:48,200 --> 00:58:52,080 Speaker 1: is our next get together? By the way, uh you 1036 00:58:53,560 --> 00:58:56,720 Speaker 1: you know? Yeah, didn't tell her. I forgot to sing 1037 00:58:56,760 --> 00:59:00,280 Speaker 1: an to us about Lizo. Oh he did. Hold on, 1038 00:59:02,720 --> 00:59:06,240 Speaker 1: they weren't as good, he said, either Lizzo's Lodge or 1039 00:59:06,400 --> 00:59:10,880 Speaker 1: Bungal Lizzo. What about Lizzo's Layer. I like Bungal Lizza 1040 00:59:10,920 --> 00:59:14,240 Speaker 1: like Bungalow Bungal Lizzo. I kind of like that too. 1041 00:59:14,920 --> 00:59:23,240 Speaker 1: Were put together? Anybody wants to chime in? Lizzz Music. 1042 00:59:23,480 --> 00:59:29,680 Speaker 1: On Air with Ryan Seacrest. All right, guys, Sam, I 1043 00:59:29,720 --> 00:59:33,600 Speaker 1: think that's all we got right, We're done. Is gonna 1044 00:59:33,600 --> 00:59:35,960 Speaker 1: take you in until eleven o'clock. We're back with your Monday. 1045 00:59:36,160 --> 00:59:38,960 Speaker 1: Enjoyed the game over the weekend, Stay safe and take 1046 00:59:39,000 --> 00:59:41,320 Speaker 1: a care of yourself, right, Thanks for listening. So On 1047 00:59:41,440 --> 00:59:44,360 Speaker 1: Air with Ryan Seacrest, make sure to subscribe, and we'll 1048 00:59:44,360 --> 00:59:45,440 Speaker 1: talk to you again Monday.